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I        VOL.  XVIII 

LOWENSTEIN  -  MHRKS 


nan 

n 


Fr  PnZDIREK 

UNIVERSHL=HHNDBUCH  DER  MUSIKLITERHTUR 

.  HLLER  VOLKER 

MHNUEL  UNIVERSEL  n  THE  UNIVERSAL  HHNDBOOK 

DE  Lfl  OF 

LITTERHTURE  MUSICfiLE      n         MUSICHL  LlTERflTURE 

DDD 

flUSZEICHNUNGEN: 

flUcn  bobercn  Musikscftulcn  vom  ostcrreicf)iscbcn  und  bulgariscben 
Untcrrichtsministerium  einpfoblen. 

In  der  Wiener  Musik=  und  Tbeater=flusstellung  1907  mit  Ebrcndiplom, 
Ebrenkreuz  und  goldener  Mcdaille  pramiicrt. 

DDD 
Freis:  12  Alark  -r,  \A  K^e  b; 

GENERHLVERTRETER :, 

In"  Frank-'iif h ,  COSTZ^rxVT'  &  Co.,  iVris ;  / 

in  Jlalicn  CHRlSCh  &  jHNICHEN/Mailand;  7- 

in  Belgien  SCHOTT  FRERES,  Bruffel; 
in  Portugal  CflSfl  LHMBERTINI,  Liffabon. 

DDD 

Kommiffionar  in  Leipzig:  HANS  LIGHT,  Hof=Murikalienbandlung. 


7 

4i  VERLHG  DES  UNIVERSHL=HflNDBUCH 
DER  MUSIKLlTERflTUR 
PHZDIREK  &.  Co.,   K..G 
WIEN 


E 


in  Nachsclilagwerk  iiber  die  g e s a m t e  Musikliteratur  allerVolker  hat 
es  bisher  nicht  gegeben.  la  Deutscliland  liat  die  Leipziger  Verlagsfirma  Fr.  Hof- 
meister  seit  1844  das  .,Handbiicli  far  musikalische  Literatur"  in  je  6—8  Jahr- 
gange  entlialtenden  Biindeu  lierausgegeben,  in  welclien  die  ihr  zu  diesem  Zwecke 
von  den  Verlegern  in  gedruckten  Exemplaren  eingesandten  Kompositionen  zur 
Aufnahme  ffelanort  sind.  Die  Aiifnahme  erfolgte  bis  1868  in  den  ersten  5  Banden 
nach  Klassen  (Musikgattuugen),  von  da  an  auch  in  alpliabetischer  Aufeinander- 
folge  der  Autoren.  Der  „Hofrneister"  entliiilt  demnach  in  wenig  libersichtliclier 
Anordnung  einen  groBen  Teil  der  deutsclien  und  nur  Bruchteile  der  nichtdeutsclien 
Musikliteraturen.  AuBerdem  sind  in  den  ersten  Biindftn  viele  Musikwerke  ent- 
halten,  die  ihrer  geringen  Bedeutnng  wegen  lange  schon  eingegangen  sind  und 
nicht  mehr  im  Musikhandel  gefiihrt  werden.  Das  Hofmeistersclie  Handbueh  der 
musilcalischen  Literatur  hat  seinerzeitden  Grund  zu  der  gegenwiirtigen  Organisation 
des  Musikhandels  in  DeutschUind  gelegt  und  viel  dazii  beigetragen,  da6  Leipzig 
sich  zam  Zentralsitze  des  Weltmusikhandels  herausgebildet  hatte  — ,  aber  in  seiner 
zum  Teil  schon  veralteten  und  unvollstandigen  Verfassung  entspricht  es  nicht 
mehr  d^n  Anforderungen  des  modernen  Weltmusikhandels.  —  In  Frankreich 
ersclieint  seit  1811  die  Bibliograpliie  de  la  France  in  Wochenausgaben  und  seit 
1875  die  Bibliograpliie  masicale  in  Vierteljahrsheften,  worin  ebenfalls  nur  die  den 
Redaktionen  in  gedrackten  ExHmplaren  eingesandten  Musikwerke  zur  Aufnahme 
gelangt  sind.  Die  4730  und  116  Nummern  dieser  beideii  Musikberichte  eignen 
sich  wohl  zum  Studium  der  franzosischen  Musikliteratur,  aber  nicht  auch  als 
Nachschlagwerk  zum  Zwecke  rascher  Information  iiber  einzeine  in  Frankreich 
erschienene  Musikwerke.  Die  russischen  Vierteljahrsberichte  und  die  nord- 
amerikanischen  „Bulletins"  sind  gleichfalls  nicht  iiber  sich  tlich  und  die  kiirzlich 
ins  Leben  gerufene  Liste  der  neuen  italienischen  Zeitschrift  „Ottocensettanta", 
sowie  die  in  Lissabon  erscheiaende  portugiesische  Musikzeitschrift  ,,L'art  musical" 
enthalten  naturgemafi  nur  die  Literatur  aus  der  allerletzten  Zeit.  Im  gesamten 
iibrigen  Auslande  fehlt  es  noch  giinzlich  auch  an  derartigen  musikbiblio- 
grapliischen  Ausgaben,  so  da6  iiberall  dort  sowohl  der  Musikhandel,  wie  auch 
iiberhaupt  die  Musikpflege  bei  der  Orientierung  in  der  nationalen  Musik- 
literatur jedweden  Hilfsmittels  entbehrt.  Hieraus  kann  man  den  Wert  und 
die  Bedeutnng  des  Universalhandbuches  der  Musikliteratur  aller  Volker  ermessen 
und  auch  die  Erklarang  dafiir  scliopfen,  da6  das  Interesse  fiir  dieses  musik- 
bibliographische  Riesen  werk  sich  g  a  n  z  b  e  s  o  n  d  e  r  s  i  m  A  u  s  1  a  n  d  e  bei  der  leb- 
haften  Beteiligung  an  der  Sril:^krJ_f>tKjIi*lkiiiiidge^'t\l>en-l5gJJl   \:'l 

Aus  der.Vorrede  und"  deni  rnhalte  *d&t  ersten*  I'f 'Bancie  wird  jedermann 
iiber"  den  hohen  Wert  und  die  VerwelfCltifcrtaBit  de^ilniversal-Handbuches  fiir  alle 
Interessenten  — -  Musikverleger,  Mo^i-lvliaiK^ler,  Ma^iker  aller  Berufskategorien, 
Redaktionen  der  Musikzeitsdi^ifeen.tvnd.-aiieh  aller  .Tag^hln-tter,  in  denen  iiber 
Musik  regelrechter  Bericht  ^-stfljt'cej,  jvir^/iTjeleltrt^.'wtVden;  ^  Nach  AbschluB  des 
ersten  Teiles,  dessen  Herausgabe  innerhalb  des  nachslen  Jahres  beendet 
wird,  erscheint  noch  ein  Erganzungsband,  in  welchem  alle  Nachtrlige  und  die 
wahrend  dieser  Zeit  in  Druck  ersciiienenen  Musikwerke  zur  Aufnahme  gelangen 
werden,  worauf  dieser  Teil  des  Universal-Handbuches  in  Vierteljahreslieferungen 
seine  Fortsetzung  finden  wird.  Inzwischen  wird  auch  der  2 — 3  Biinde  umfassende 
dritte  Teil,  Werke  und  Scliriften  iiber  Musik  enthaltend,  zur  Herausgabe  ge- 
langen, und  erst  hierauf  die  Drucklegung  des  zweiten  (historischen)  Teiles, 
der  in  ca.  5  Brlnden  die  in  den  Jahriiunderten  15 — 18  in  Druck  ersciiienenen, 
aber  nur  noch  in  Musikbibliotlieken  und  Antiquariaten  etc.  vorhandenen 
Musikwerke  in  der  mit  Herrn  Prof.  Dr.  Hugo  Riemann  vereinbarten  und  von 
uns  bereits  veroft'entlichten  Anordnung  in  Angriff  genommen  werden. 

nnn 


Lbwenstein  F.  Balancelle 


609     — 


Lowy  J.  Souvenir 


Balancelle,   redowa    2.50. 
Belle    indolente,    polka-maz.    2.50. 
Benjamiue,    polka    2.50. 
Bereng&re,   schottiseh   2.50. 
Bernerette,    polka-maz.    4 — . 
Bouquet,    polka-maz.    2.50. 
Bouquetifere    de    Florence,    schottiseh    2.50. 
Brenhilde,    polka    2.50    Grus,    1.75    Mariai'i. 
Cascatelles,  suite  de  valses  5 — . 
C6cile,   varsoviana    2.50. 

Chant    du    bivouac    (de    Kucken),    polka 
5—  Grus,  Fl( Cornet,   V)  —20  n  Debert. 
Charles  Martel,  P  2.50  Mariani. 
C  hasse  Louis  XV,  P  2.50   Mariani. 
Chateau   trompette,   polka-maz.   2.50. 
Clorinde,  schottiseh  2.50. 
Comtesse-polka  2.50. 
Corinne,  redowa  2.50. 
Curieuse,   polka-maz.    2.50. 
Deux    Souvenirs,    polka-maz.    1.75    Mariani. 
Diable   au   moulin,   polka   4 — . 
Dolorfes,   redowa    2.50. 
Doux   souvenir,    redowa   2.50. 
Duchesse,   polka-maz.    2.50. 
Echarpe,   valse   2.50   Grus,   1 —  Mariani. 
Echo   de   Sans-Souci,   valse   2.50. 
•  Echo    des    Moutagnes,    schottiseh    4 — . 

-  Echos   de   Milan,   polka   2.50. 

■  Eclipse   ou    la    Sylphide,   polka   milit.   2.50. 

■  Eglantine,    polka    2.50. 

■  Elfride,    polka    2.50. 

-  Emilienne,    redowa    2.50. 

-  Enl&vement  au   Serail,   polka   2.50. 

-  Eoline,    polka    4 — . 

■  Epis    et   Fleurs,   polka-maz.    2.50    Grus,    1  — 

Mariani. 

■  Erminia,  polka-maz.   2.50. 

-  Etiennette,   polka  2.50. 

-  Euphrasie,   polka-maz.   2.50. 

-  Eveline,  polka   2.50. 

-  Eveline,   Tselle   et   Marguerite,   3   polkas,    P 

2.50   Mariani. 

-  Eventail,   schottiseh    2.50. 

-  Fatma,    schottiseh   2.50, 

-Florence,    polka-maz.    2.50    Grus,    1.75    Ma- 
riani. 

-  Forgeron,    valse    2.50. 

-  Furet,   polka   4 — . 

-  Glaneuse,    polka    2.50    Grus,    1.75    Mariani. 

■  Grangette,    polka    2.50. 

-  Grondette,   polka-maz.   2.50. 

-  Havandiferes   de    Santarem,    schottiseh    2.50. 

-  Hermanco,    schottiseh    3 —    Grus,    1.75    Ma- 

riani. 

-  Hermance,    sehott.    eleg.    ( 

rate,    air,   Fl,   Cornet,    V 

-  Iselle,  polka   2.50. 

-  Juliette,  polka-maz.  2.50. 

-  Lavandi^res    de   Santarem,   polka    2.50. 

-  Lavandiferes  de  Santarem,  polka-maz. 

-  Lavandi&res  de  Santarem,  varsoviana 

-  Leopoldine,    schottiseh    3 —    Grus,    1 — 

riani,   FlfCornet,    VJ   — 20  n    Dehert. 

-  Lilia,    schottiseh    2.50. 

-  Lucette,  polka  2.50. 

-  Mandarine,    schottiseh    2.50. 

-  Marguerite,  polka   2.50. 

-  Meandres,   suite   de  val.ses   5 — . 

-  Naama,   polka-maz.   2.50. 

Universal-Handbuoh  der  Musikliteratiu".    I 


Bellini:    Pi- 
—20  n    Dehert. 


2.50. 
2.50. 
Ma- 


-  Nancy,  valse  2.50  Grus,  1.75  Mariani. 

-  Nazinia,   schottiseh  4 — . 

-  Nessili,    schottiseh    2.50. 

-  Nid  de  Fauvettes,  polka   2.50. 

-  Olivia,   polka  4 — . 

-  Ondines,   suite  de   valses   5 — . 

-  Orage,    Sturm-Galop    2.50. 

-  Paquerette,   valse   2.50. 

-  Paulette,   polka   2.50. 

-  Preferee,   valse   2.50. 

-  Quentin   Durward,   polka   2.50. 

-  Quentin    Durward,    schottiseh    2.50. 

-  Recruteurs,    polka-maz.    2.50. 

-  Renee,    redowa   2.50. 

-  Reveuse,    valse   2.50   Grus,    1.75    Mariani. 

-  Roitelet,   valse   2.50. 

-  Rouet  de  la  Fileuse,  polka  2.50. 

-  Royal-Vivandi&re,     polka-maz.     2.50     Grus, 

1 —  Mariani. 
■  Rubaus   et   Fleurs,   polka-maz.   2.50. 

-  Sabots   de   la   Marquise,   polka   4 — . 

-  Sabots   de   la   Marquise,   redowa   2.50. 

-  Sabots    de   la    Marquise,    schottiseh    2.50. 

-  Saltimbanques,    polka    2.50. 

-  Sarah,    valse    2.50. 
Sourire,   valse  2.50. 

-  Souvenir    d'Aulnay,    polka-maz.    2.50. 

-  Souvenir   de  Catane,   nouvelle   danse  natio- 

nale  de  salon,  precedee  de  la  th^orie  5— 
Grus,   1.50  Ricordi. 

-  Sylvia,    polka-maz.    2.50. 

-  Tabarin,    polka-maz.    2.50. 

-  Tabarin,   valse  2.50. 

-  Tambour  de  basque,  schottiseh 

-  Wilhelmine,    valse    2.50. 

-  Ziska,   valse    2.50. 
Lbwenstein     Severyn,     Emilie 

drille  1.50  Bote. 

-  Papillon,   polka    6leg.    1 —  Bote. 
Lbwenthal   A.   op.  84   Polka   4.50   Haiyiauer. 

-  Emilien-Tyrolienne,   P  — 75   Hainauer. 

-  Fahnenweihemar.sch,   konigl.-preufi.   Armee- 

Marsch  Nr.  178,  Part  fiir  Infanterie  3.50 
Bote. 

-  Helenen-Marsch       (Preis-Marsch),       Motto: 

„Schwarz  und  weifi",  konigl.-preufi.  Ar- 
mee-Marsch  Nr.  173,  Part  fiir  IM  4 — 
Bote. 

-  PiflF-paff,   Polka   —75   Uainauer. 

-  Pyramiden-Polka    —75,    mit    Faust,    op. 

105.  Durch  die  Liifte,   0  4.50  Hainauer. 
Lbwenthal    D.    Burlesque,    y(or    Fl)P    — 10 
National  Music  Co. 

-  Idylle,     Charakterstiick,     VP     1.50     Sehott 

Freres. 
Lbwenthal    G.    op.    53    Die    Mooshutte,    Ga- 
votte 2 —  Seeling. 

-  50    Liebesgltick,    Duo-Capricietto,    VVcPfll 

ad   lib.)    1.50,    yr"^^c;S*r-Quint.    1.50,    VVc 

Quint.      1.50,      yyc-Solo      Str-Qinnt.      1.50 

Apollo. 
Lbwenthal    L.    Sammlung   ein-    und    zweist. 

Lieder  fiir  Schulen  — 75  Bachmann. 
Loewinstark    P.    Tarentelle,    P    6 —    Dticro- 

tois. 

-  Valse   gracieuse  6 —  Ducrotois. 

Loewy  Irma,  op.  1  Chanson  passee,  P  — 75  n 

Ricordi. 
Lbwy  J.   Souvenir,  polka  — 54   Hoffmann. 

39 


2.50. 


Lydie  -  Qua- 


Loewy  M.  op.  4 


—    610 


Logeart  G.  Omphale 


Loewy    Maximilian,    op.    4    Marien-Gavotte 

1.20  Porges. 
Lofena    V.     op.    70     De     Nuit,     valse      1.50 

Carisch. 

-  71   Graziosetta,  gavotte,  P  1.25  Carisch. 
Loffing  A.  Mae  oc  i  fee  1 — n,  Gh.  s.  — 35  n 

Lahie. 
Loffler,  Idilio,  P  — 50  Wagner  y  Levien. 
Loftus  Cissie,  Can't  live  vidout  ye  any  mo' 

4/ —  Cliapjyell. 

-  If  I  were  you  4/ —  Ascherberg. 

-  In  Japan  — 50  White. 

-  Midnight  Serenade  — 50   White. 

-  My  bed  is  like  a  little  boat  —50   White. 
Loftus    Kitty,   Trombone   man    4/ —   Ascher- 
berg. 

Loftus    Marie,   Sister   Mary   wants  to   know 

4/ —  Ascherberg. 
Loftus  Percy,  Humorous  History  — /6  Fran- 
cis. 
Logaire  S.  Green  Fields  in  Ireland,  song  is 

sweet  a  4/ —  Paterson. 
•  Lochinvar   2/ —  n    Vincent. 
Logan,   In   old   Vienna,   waltzes,   0    1.25,   l) 

Instr  1 — ,  10  Instr  — 75   Bloom, 
Logan   Frederic,  Meditation,  P  — 30  Ditson. 
Logan  Walter,  My  Love  is  a  wild,  wild  Rose 

—50  Summy. 
Logan    Wilson    M.    Heather    Bell,    Queen    of 

the   Dell  —50  Gordon. 
Loge    Henry,    A    Birds    Wedding    4/ —    Cra- 

mer. 
-A   dream   of   yore    (in   G,    Aflat  &   B  flat) 

4y' —  Ascherberg. 

-  A  Norwegian   Song  — 50  n   Presser. 

-  A  rose  in  June,   in  B  flat,  C  &  E  flat  4/— 

Ashdown. 

-  A  Russian  Song  4/ —  Gramer. 

-  Across   the   still   lagoon,    duet  — 50   Ditson. 

-  Amid  the  hay  4/ —  Ascherberg. 

-  An  evening  reverie,  P  3/ —  Ashdown. 

-  Aprfes  la  victoire,  grande  marehe  militaire 

4/ —  Ashdown. 

-  Chanson    d'Avril,    morceau,     P    1.75  n     Ri- 

cordi. 
-Chanson    orientale,    P    4/ —    Ashdown. 

-  Chanson   triste,   P  4/ —   Willcocks. 

-  Cloches,   P  4/ —   Willcocks. 

-  CoUoque   sentimental :    Dans   le   vieux-par.-, 

po^sie  de  P.  V  e  r  1  a  i  n  e  2 —  n  Ricordi. 

•  Coquetterie,    petite    esquisse,    P    4/ —    Ash- 

down. 

-  Dinted  Shield  4 —  Ricordi. 

-  Dying   in  Dreamland  4 —  Ascherberg. 

-  Fair   Capri  4/ —  Gramer. 

-  Fairy  Kandore  4/ —  Weekes. 

•  Farandole  et   Pastourelle,   P  4/ —  Leonard, 

2/—  Patey. 

-  Fid4lis  4/ —   Ascherberg. 

-  Gavotte  4/ —  Cramer. 

-  Gavotte  et  Musette,  P  1.50,  VP  2—  Andre, 

2/—   Novello. 

-  Gracieuse,    capriccio,    P    1.50    ScJiott,    — 50 

Ditson. 

-  Grande  marehe,  P  2 —  n  Durand. 

-  In  Dreamland  4/ —  Ascherberg. 

-  In  her  garden  4/ —  Ashdown. 
•  Lamp  of  Life  4y —  Gramer. 

'  Loreley,  P  4/ —  Gram er. 


-  Love  gone  by  4/ —  Ascherberg. 

-4  Melodies:  1.  C'est  I'extase  langoureuse. 
2.  II  pleure  dans  mon  coeur.  3.  O  tri^to, 
triste  6tait  mon  ame.  4.  Elle  voulut  aller 
sur  les  flots  de  la  mer,  k  3 —  Ricordi. 

-Montagues  russes  (Tobogganing),  galop  Je 
concert,  P  1.75  Schott. 

-  Musician,  V  w.  H  ad  lib.  4/ —  Ascherberg. 

-  Nuit  de  printemps   2 —  n   Joubert. 

-  Out  of  the  mist  4/ —  Ascherberg. 

-  Over   the   river   4/ —   Ashdown. 

-  Pa  vane   des   Mignons,   P   4/ —   Gramer. 

-  Pizzicato,    P    3/ —    Ashdown. 

-  Premiere   grande  valse  4/ —   Ashdown. 

-  Relics  — 50   Church. 

-Relics  (Reliques  d' Amour)  (angl.-fr.)  I  — 
Schott. 

-  Rigodon,   P   4/ —  Gramer. 

■  Round  the  clock,  merry  hours  for  children 

1/ —  Ashdown. 
-3    Scandinavian    songs:      N.    1.    He    comes 
not    (in    G)    4/—.      N.    2.    We'll    roam    to- 
gether   (in    D)    3/—.      N.    3.    Thy    lover's 
voice    (Serenade),   in   D   3/ —   Leonard. 

-  Serenade,    P   4/ —  Ashdoion. 

-  Seven   Songs   4/ —  u   Ascherberg. 

-  Somebody's    waiting    4/ —    Ascherberg. 

-  Star.s   are    with    the    voyager    4/ —   Ascher- 

berg. 

-  Sweet  river,  duet  (in  F  and  G)  4/ —  Ascher- 

berg. 

-  Sweetheart   and  I,   song   4 —   Ricordi. 

■  Tears    in    my    heart    (II    pleure    dans    mon 

coeur),   song   1.50  n   Ricordi. 
-Tip-tap,  air  de  ballet,  P   1.70  n  Gregh. 

-  Tripping,    morceau    caract6ristique,    P   4/ — 

Ashdown. 

-  Two  Dreams  4/ —  Duff. 

-  Valse-caprice   4/ —   Ashdown. 

-  Violettes,  valse  3/ —  Weekes. 

Logeart  G.  Chanson  du  bon  vieux-temps, 
gavotte  de  G.  B  a  c  h  m  a  n  n,  arr.  pour  U 
gavotte  de  G.  B  a  c  h  m  a  n  n,  arr.  pour 
Harm(Fanf)    2 — n    Leduc. 

-  Galanterie    francaise,    pas    redouble.    Harm 

(Fanf),  cond.  — 50  n  Evette. 

-  H6racl&s,    marehe    h6r.    Harm  (Fanf )    4.50  n 

Evette. 

-  Idylle    champgtre,    fant.-maz.    HarmfF'anf) 

3 —  n  Evette. 

-  Kermesse    (La   Tombelle),   Mus.  mil.   6 — n, 

Harm(Fanf),    Part    6 — n,    p.    s.    a   — 15  n 
Evette. 

■  Loustie,    defile,    av.    Tambours    et    Clairons 

p.   Harm(Fanf)   3 — n  Evette. 

-  Marehe    des    petits    eonscrits,    Earm(Fanf) 

3 — n   Evette. 

-  Marehe  des  petits  eonscrits,  0  av.  P  cond. 

Evette. 

-  Marehe    des    Flirteurs,    Harm(Fanf)    3 —  n 

Schoenaers. 

-  Menuet    favori     (Mozart),      Harm,    Part 

3 — n,  p.  s.  a  - — 10  n  Evette. 

-  Menuet  (Beethoven),  Harm,  Part  3 —  n, 

p.   s.   a  — 10  n   Evette. 
-Menuet  du  Boeuf    (Haydn),   Harm,  Part 
3 —  n,  p.  s.  a  —10  n  Evette. 

-  Omphale,  ouverture,  HavtnfFanf),     Evette. 


Logeart  G.  Ouverture  de  Fete 


—     611     — 


Logier  J.  B.  System  and  Self-Instructor 


-  Ouverture  de  F§te    (Beethoven),  Harm 

10—,  Cond.   1—  Pores. 

-  Prelude    d'Axel,    fant.    Harm,    Part    3 —  d, 

p.   s;   a  — 10  n   Evette. 
-Prelude  d'Axel    (Alex.   Georges),   Mus. 
mint.  3 —  n  Evette. 

-  Ronde  parisienne,  pas  red.  H(Tr),  Oaudet. 

-  Ruines   d'Ath&nes,    ouv.    de    Beethoven, 

transcr.   Harm(Fanf),     Gaudet. 

-  Songe  d'une  nuit  d'6te,  ouv.  de  Mendels- 

sohn, arr.   Harm(Fanf)    12 — n  Evette. 

-  Temps    de    gavotte,    de    J.    B  a  b  1  o  n,    arr. 

pour    0,      Gaudet. 

-  Valse   des  baisers,   valse  lente   de   G  a  n  n  e 

L.,  arr.  Earm(Fanf)  .3 — n  Evette. 

Logement  du   diable   1 — n  Joubert. 
Loger  A.   Aupr&s   du   Bonheur,   valse,   Harm 
3— n,  Fanf  2— n,   0   1.50  n  Gaudet. 

■  Bella  Elisa,  schott.  0   1—  n,  P  cond.  —25  n 

Gaudet. 

-  Berline  frangaise,  de  V.  S  a  m  b  6  u,  arr.  p. 

HarmfFanf)^      Gaudet. 

-  Bobeche,    quadrille    brillant    et    facile,      0 

1 —  n,  P  cond.  — 25  n   Gaudet. 

-  Colbert,    pas    redouble,    Earm(Fanf)    1.50  n 

Gaudet. 

-  Fleur  de  Bruyfere  (B  a  g  a  r  r  e),  maz.  Harm 

(Fanf)   1.50  n,  Cond.  — 25  n  Gaudet. 

-  Golbert,  pas  red.  Harm(Fanf)  1.50  n,  Cond. 

— 25  n   Gaudet. 

-  Jolie    Provengale,    polka    de    T  h  u  i  1 1  i  e  r, 

HarmfFanfJ    1.50  n   Gaudet. 

-  Ouvriferes  et  Trottins,      Gaudet. 

-  Patineuses,   norv^giennes  de  R.   G  u  y  a  r  d, 

Harm(Fanf)    1.50  n   Gaudet. 

-  Popular's     pas     de    quatre      d'A.    S  o  y  e  r, 

Harm(Fanf)    1.50  n    Gaudet. 

-  Ronde   parisienne,    polka-marche,    0    av.    P 

cond.  .  1.50  n,     Harm    2.50  n,     Fanf    1.50  n 
Gaudet. 
-Tout   Madrid,   valse,    0   av.    P   cond.    1.50  u 
Gaudet. 

-  Toiit   Paris,    pas    red.    Harm(Fanf)     1.50  n 

Gaudet. 

-  Triolette,  maz.  O  1.50  n,  Harm(Fanf)  2.50  n 

Gaudet. 

-  Vive  la  classe,  polka-marche,  O  av.  P  cond. 

1 .50  n    Gaudet. 
Logheder    L.    Alessandrina-Marcia    2 —    Hi- 

cordi. 

■  Amazzone,   P  2.50  Bicordi. 

-  Amelia,  P   2 —  Bicordi. 

-  Anna,     polka     (W.    S  a  1  a  b  e  r  t) ,      Banda 

2 —  n   Bicordi. 

-  Bergamo    al    suo    Re,    inno-marcia,    TTBB 

5—,  P  2 —  Bicordi. 

-  Canto    di    Vergine,    romanza    4 —    Bicordi. 

-  D#sir,    P    4.50    Bicordi. 

-  Diana,   gavotte,   P   1.50   Guimaraies. 

•  Eco  d'amore,  polka  2 —  Guimara.es. 

•  Eh   via  I   P  2 —  Bicordi. 

-  Eleganza,    P    2 —   Bicordi. 

■  Eri  la  2 —  Bicordi,  Guimara.es. 

-  Festa  Nazionale,   P  2.50   Bicordi. 

•  Fiamma   nascosta,   P   2 —   Bicordi. 

-  Follia  giovanile,  P  2 —  Bicordi. 

-  Gina     (L'Innamorata) ,     gavotte     2 —     Gui- 

mara.es. 


-  In    morto    del    cavaliere,    Alessandro    Niui, 

ode  funebre,  P  4 —  Bicordi. 
-Leila!   divert.   P   1.50   Guimara.es. 

-  Margherita  2 —   Guimaraes. 

-  Maria,   polka    1.50    Guimaraes. 

-  Mauricia,   polka    1.50   Guimaraes. 

-  Me   Than    rubata,    P    3 —   Bicordi. 

-  Mia    Bella    2 —    Guimaraes. 

-  Moselia,  polka   1.50  Guimaraes. 

-4  Pezzi  da  Sala:  N.  1.  Serenata-Canzone, 
romanza,  con  H  3.50.  N.  2.  Perchfe?  ro- 
manza 3 — .  N.  3.  Una  Visione,  romanza 
per  Canto  e  Vc,  con  P  4 — .  N.  4.  Ricor- 
dami !   romanza  2.50,  uniti   9 —  Bicordi. 

-  4  Pezzi  da  Salon,  P  6— :  N.  1.  Ode  funebre, 

2.  Fiamma  nascosta,  mazurka,  3.  Eleganza. 
mazurka,  4.  Follia  Giovanile,  polka,  a  2 — 
Bicordi. 

-  Posso  sperare?  Schottisch  1.50  Bicordi. 

-  Ricordo   di    Presezzo,   P   2 —   Bicordi. 

-  Rio  de  la  Plata,  valsa  2.50  Guimaraes. 

-  Salta,  salta,  P   1.50  Bicordi. 

-  Saluto   a   Bellano,   marcia,   P    1.50   Bicordi. 
■  Se   fosse  vero  I   3 —  Bicordi. 

-  Selika,    maz.    2.50    Bicordi,    — 10    National 

Music  Co. 

-  Serenata-Canzone,     romanza,    con    H     3.50 

Bicordi. 

-  Teresina,  polka  1.50  Guimaraes. 

-  Trionfo  d'Otello,  valsa  2.50  Guimaraes. 

-  Tutti    in   baldoria,   marcia,   P   2 —   Bicordi. 

-  Una    Visione,    romanza    per    Canto    e    VcP 

4 —  Bicordi. 

-  Uruguayo,   valsa   2.50   Guimaraes. 

-Vita  felice,  album,  P  15 — :  N.  1.  Sogni 
dorati,  valzer  4.50.  N.  2.  Bergamo,  polka 
marziale,  3.  Eh  via !  non  piangere,  ma- 
zurka, 4.  Amelia,  mazurka,  5.  Ricordo  -li 
Presezzo,  mazurka,  a  2 — .  N.  6.  Posso 
sperare?  schottisch  1.50.  N.  7.  Salta,  salta, 
galop  1.50.  N.  8.  Saluto  a  Bellano,  marcia 
1.50.  N.  9.  Alessandrina,  marcia  2 — .  N. 
10.  Tutti  in  baldoria,  marcia  2 —  Bicordi. 

Logier  J.  B.  Blue  Bells  of  Scotland,  with 
variations,   P   2/ —   Williams. 

-  Blue   Bells   of   Scotland,   variations,   P  — /2 

Sheard. 

-  Blue  Bells  of  Scotland,  P  3/—  Pitman. 

-  Irish    Melodies,    arr.    P    k  3/ —    Ashdown: 

1.  Kitty  Tyrrell  and  The  legacy.  2.  The 
harp  that  once  and  Eveleen's  bower.  3. 
The  young  man's  dream  and  Fly  not  yet. 
4.  Terence's  farewell  and  'Tis  sweet  to 
think.  5.  Savourneen  deelish  and  Robin 
Adair. 

-  Methode  divis^e  en   deux   parties,   de  deux 

suites    chacune,    P  30—:      I:    2    suites    a 

10—,  II:  2  suites  a  10 — ,  chaque  partie 
18 —  Girod. 

-  Pianoforte    Method,  containing    the    Rudi- 

ments of  Music  interwoven  with  Progres- 
sive Lessons  and  Exercises  4/ — ,  sequel. 
3/ —  Boosey. 

-  System   of   the   Science   of   Music,   enlarged 

ed.   1  vol.  7/6  Boosey. 

-  System   and   Self-Instructor   in   the   science 

of  Music,  Harmony  and  pract.  Composi- 
tion  2—,   2  parts  a  1.25   Fischer. 

39* 


Logier  J.  B.  Ten  favourite 


612 


Lohr  F.  op.  186 


gavotte      — 40 


\ 


-  Ten  favourite  Irish  Melodies,  Fl  3/ —  Ash- 

down. 
JoniHOB'b.     PyccKia  ntcan  ^Jia  mojio^wx'b 
niaHHCTOB'B  1.30  Johansen. 

•loninoBiiH'b  C.  Mazurka  — 40  Otitheil. 

-  PyccKlH  n'fecHii  ^aa   Moao^bix-B   niaHHCTOBt 

P  1.30  Johansen. 
Loguesse   Josephine,   Rose,  Polka-Maz.  2.50 

Eeugel. 
Loh  Anton,  Flitterwochen,  Polka  fr.  P  1.20 

Gutmann. 
Lohde    Otto,    op.    36    In    Halensee,    humor. 

Polka    1.20   Apollo. 
Loheit    Oscar,    op.    12    Mein    Liedel,    TTBB 

1 —  Kaun. 

Loh  man.      Sweet    Lavender 

Groene. 
Lohmann    G.   Amazones,   pas   red.   Harm    ou 

Fanf  2 —  Kessels. 

-  Feux   Follets,  maz.   2 —  Kessels. 

-  Marinetta,    polka   de   concert.   Harm  (Fanf ) 

2 —  Kessels. 

Lohmann    R.      Erinnerung     an     Lippstadt, 
Polka-Mazurka,  Z  —60  E.  Stoll. 

-  lloffnung,  Z  —60  E.   Stoll. 

Lohmar  J.  op.  2  Als  ich  dir  einst  ins  Auge 
sah    1 —   Lewy. 

-  2  Am   frohlichen  Ehein.   TTBB,   Part  —40, 

St   a   — 15    Tonger. 

-  3  Im  Tirolerland,  Salonlandler  1 —  Tonycr. 

-  3   Als  ich  dir  einst  ins  Auge  sah    1 —   Tonger. 
Lohne   H.   von.  Passe   qui   survit  2 — u   Ma- 

theissen-PsLTis. 

-  Quatrifeme.    Office   mwsica^Paris. 

-  Sur   la   Colliue   2 — n   Lemoine,   Matheissen. 
Lohner  Carl,  op.   18  Das  Grab   im  Busento, 

Ballade,    TTBB    m.    0(P),   KA   2.40,    St   a 

— 40  Bosiijorth. 
Lohoff  A.  op.  1  Sirenen-Polka  —80  Bole. 
Lohr   Felix,  op.  8  Mein  Wunsch,  Lied  ohne 

Worte,  Z  — 50  Reinecke. 

-  9  Gemiitsklange,  Z  — 50  Reinecke. 

-19  Souvenir  de  Salzbrunn,  Z — 60  Reinecke. 

-  25    Alpenlieder    ohne    Worte    — 60,    2DiskZ 

I —  Kahaiek. 

-  26   Hast   du   mich    lieb.    Lied    ohne   Worte, 

StrZ  u.  DiskZ  —70  Kabatek. 

-  29    FriihlingsgruBe,    Landler,    DiskZ    — 60, 

2DiskZ   1 —  Kahatek. 

-  34  Hof  jagermarsch,  2Z  — 75  Hoenes. 

-  35   Veilchen    am    Bach,    Lied    ohne    Worte. 

mrZ  u.  DiskZ  —75  Kahatek. 

-  36  Paraphrase,  Z  — 75  Hoenes. 

-  37  Standchen,  StrZ  u.  DiskZ  —70  Kahatek. 

-  40  GruB   an   Miinchen,   Marsch,   Z  — 80   E. 

Stoll. 
-41  Auf  Berges  Hoheu,  Z  —60  E.  Stoll. 
•  47  Je  pense  h  toi  Idylle,  Z  — 75  Hoenes. 

-  51  Heimatsklange,  Oberliiudler,  DiskZ  —60, 

2DiskZ  1—  Kahatek. 

-52  Piosengefluster,  Reverie  f.  2Z  1.50  Bos- 
worth. 

-63  Kliinge  aus  dem  Zillertal,  Tirolerlied, 
2Z  —80  Fritz. 

-55  Traumbild,  Idylle  —70  Fritz,  Z  —30 
Fischer. 

-56  Nur  dich  alleiu,  Z  — 60,  Sf/rZ  (od.  V  m. 
Z)  1—,  SchlZStrZ  1—,  VP  1— ,  ZPV(Fl) 
1.50    Hoenes. 


-57  Im  Waldesdunkel,  Z  —60,  ZPF  (od.  StrZ 
od.  Fl)  1.50,  VP  1—,  SchlZStrZ  (V)  1— 
Hoenes. 

-58    Tanzteufelchen,    Schott.    1    or    2Z    —35 

FtScJl€T 

-59  Gondellied,  Z  —60,  StrZ(VJZ  1—,  -S'frZ 
rF;P  1—,  StrZ(V)ZP  1.50,  SchlZStrZ(V) 
1—,  ZPVfStrZ  od.  /^Z;   1.50  Hoenes. 

-60  Eine  Erinnerung,  Idylle,  Z  —60,  .SfrZ 
('F^Z,  StrZfVJP  a  1—,  StrZfVJZP  1.50, 
2P(od.  iS'irZ  od.  FZ^  1.50,  SchlZStrZ (V) 
1 —  Hoenes. 

-  66     Am     stillen     See,     Tonstiick,     2Z     1— 

i?oenes. 
-67    FriihlingsgruB     (Salut    au    printemps), 
Mazurka,  Z  —60,  2Z  —80,  ZF  —80,  StrZ 
u.  Z  —80,  GZ  —80,  2ZV  1.20,  2Z*'<rZ  1.20, 
2ZG  1.20,  2StrZG  1.40,  gZF(?  1.40  Fritz. 

-  69    Bliimerl    und    Herz,     Z     m.    Text     — 75 

Hoenes. 

-  73    Kreuzfidel,    Walzer    m.    unterl.    humor. 

Text,  Z   1.20,  2Z   1.20  ii'rite. 

-  77  Kladderadatsch,  gr.  Potpourri    (m.  Text 

ad  lib.),  Z  1.80  Praeger. 

-  80   Ein   GruB    dem    Brandenburger    Zither- 

klub,  Marsch,  Z  —70,  2Z  1.20  Fritz. 

-  87  Auf  hoher  Aim,  Z  — 50  Hoenes. 

-  94  Liebesbotschaft,  Idylle,  Z  —70  Bote. 

-  99   Neue   Schule     fiir     das    Xylophoti    oder 

Holz-  und  Stroll-Instrument  (bei  Mangel 
eines  Lehrers  auch  fiir  den  Selbstunter- 
richt  berechnet)    1.50  Hoenes. 

-  112    Die    Generalprobe     im    Gesangvereiu, 

Gesangs-Humoreske   fiir   TTBB   m.   P   6.80 
A.  Hoffmann. 
-113  Nr.   1.  Ein  GruB  in's  Tal    (aus  Abend- 
unterhaltung.   Ausw.   beliebt.   Stiicke   f.   P 
H2VVcBFl  u.  Schlagzeug)    1.50  Glaser. 

-  113    Aus    meiner     Zither-Mappe,      Z    — 60 

Fischer. 

-  125  Aus  der  Vergangenheit   (Dreams  of  the 

Past),  waltz,  Z  —20,  2Z  —30  Fischer. 

-  129   Jagerlust,   Marsch   f.   SATB   m.   P    (ad 

lib.),  KA  u.  St  2.50  Offenbach. 

-  141   Mein  Zitherbuch,  Z  — 60  Fischer.  * 

-  153  Mit  Lust  und   Liebe,   Walzer,   Z  —75, 

2Z   1.25  A.  E.  Fischer. 

-  154   SiiBes   Ahnen,    charakteristisehes    Ton- 

stiick, Z  — 75  A.  E.  Fischer. 

-  155  Der  Rose  Klage,   Idylle,  Z  —75  A.   E. 

Fischer. 
-161    Abschied  vom  Vaterland:    „0  Heimat- 

land,  o  Vaterland",  Part  —60,  St  —60  A. 

Hoffmann. 
-162  BlumengriiBe,  Gavotte,  P  1—,  0   1.50  n 

Fritzsche. 

-  166   Im  trauten  Heim,  Z  —80,   2Z    1.50   E. 

Stoll. 

-  167  In  einsamer  Stunde,  Z  — 80  E.  Stoll. 

-  168  Am  Waldesbach,  Z  —60  i?.  Stoll. 

-  179     Lob    des    Bieres:     „Nicht    allein    des 

Weines  Kraft"  —60  Becher. 
-180    Sangesmarsch :     „Briider,     singt,     laBt 
hell    ertonen"     (Marschweise),    Part   — 40, 
St  —60   A.   Hoffmann. 

-  183   Veilchens   Erwachen,   Z   —80   E.   Stoll. 
■  184  Hand  in  Hand,  Walzer,  Z  —80,  2Z  1.50 

E.  Stoll,  Z  —30,  2Z  — 45  Fischer. 

-  185   Berg  auf,   Berg   ab,   Polka-Mazurka,    Z 

—80  E.  Stoll.  —30  Fischer. 

-  186  Im  schonen  Mai,  Z  1—  E.  SioU. 


Lohr  F.  op.  192 


—     613 


Lohr  F.  Blumenspracke 


192  Die  Ballkonigin,  Walzer  1.50  Festenberg. 

197  Im  schonen  Steierland,  Tonstiick,  ZP 
1 —  Fritz. 

198  Der  Meeresnixe  Liebeslied,  Lied  ohue 
Worte,  ZP  1—  Fritz. 

199  Waldlieschen,    Melodie,    ZP    1—   Fritz. 

209  Vor  ihrem  Bild,  Tonstiick.Z  —75  Hoenes. 

210  GruB  an  die  Alpen,  Idylle,  Z  —75 
Hoenes. 

211  Der  Sciiwalbe  Abschied,  charakt.  Ton- 
stiick,  Z:  s.  Zither-Signale  1892 
Nr.  4. 

212  Arm  in  Arm,  Tyrolienne,  Z  — 50,  2Z 
1 —  Hoenes. 

220  Zithervereinsfestlied,  Z  —60,  2Z  u. 
Gesang  1—,  TTBB,  Part,  Sing-  u.  Z-St 
1.80  Fritz. 

236  Tiroler  Heimweh,  Idylle,  Z  —80  Wern- 
thal. 

237  Waldgei.ster,  Salonstuck,  Z  —60,  2Z 
1—  Fritz. 

238  Im  Eeiche  der  Blumen,  Z  — 80  Wern- 

246  Blaii  Auglein,  Tyrolienne,  Z  —60,  2Z 
1 —  A.  E.  Fischer. 

247  Fliegende  Blatter,  Potpourri,  Z  1.50 
.1.  E.  Fischer. 

248  Der  letzte  GruB.  Tonstilek,  Z  —60,  2Z 
1—,  Z  u.  P  1.20,  ZStrZ  1—,  StrZPZ  1.80, 
ZiSfr-Quintett  2VVaCello  ad  lib.  u.  B  2—, 
SffrZ    (Oder    Solo    V)    u.   Str-Quintett    1.80 

249  Tiroler  Schnaderhiipfi,  fiir  eine  Singst 
m.  Z  —60  A.  E.  Fischer. 

262    Leichte    Wellen,     Polka  -  Mazurka,     Z 

—60,  2Z  \—  A.  E.  Fischer. 
271   Friihlingsjubel,  Konzert-Polka,  Z  — 60, 

2Z    1—,    2DisklAZ     1.50,    gDtsfc-iAZFFc 

(ad  lib.)   2—  A.  iJ.  Fischer. 
274  Bei   guter   Laune,  Walzer,   Z   —80,   2Z 

1.20  A.  E.   Fischer. 

276  Fruhlings-Ahnung,  Z  — 80  A.  F. 
Fischer. 

277  Ein  Marcben,  Lied  obne  Worte,  Z  — 60, 
ZStrZfV)  —80  A.  J5;.  Fischer. 

278  In's  Herz  geschlossen,  Tonstiick,  Z 
—60  A.  £.  Fischer. 

279  Triiumerei,  charakteristisclies  Ton- 
stiick, Z  —80  A.  ^.  Fischer. 

280  Alpengliihn,  Tonstuck,  Z  —80  A.  B. 
Pisc/ter. 

285  Einzug  der  Sieger,  Festmarsch,  Z  — 75. 
2Z  1.20,  2ZAZ  1.50,  2ZAZV  1.75,  2ZiAZ2y 
2—,  gZAZgFFc,  2Z1AZ2VFI  a  2.25,  2Z 
iAZgFFoFci'l  2.75  A.  S.  Fischer. 

286  Der  Wein  vom  Rhein:  ,,Schenket  ein 
den  Wein  vom  Rbein",   TTBB  2—  Andre. 

286  Der  Wein  vom  Rhein,  Marsch  2 — 
Andre. 

287  In  der  Waldschanke:  ,,Da.s  Ranzel 
leer''  — 80  Andre. 

■  288   Bienenhaus-Marsch    (m.   Text)    1 — ,    f. 

Bandoneon    (A.   S  c  b  u  h)     1—   Glaser. 

■  289   Konzert-Erinnerungen,    Potpourri,    I  Z 

1.50,  op.  290,  Potpourri,  II  Z   1.20  Hoenes. 

■  290   Konzert-Erinnerungen,     Potpourri    be- 

kannter  Themen,  Z,  Nr.  2  1.20  Hoenes. 
-  292  Im  Tannenduft,  Liindler-Idylle,  Z  —50, 
2Z   1—  Hoenes. 

■  293     Herzensfruhling,     Tonstuck,     Z     —75 

Foencs. 


-  295  Verwaist,   charakteristisches  Tonstiick, 

Z  1 —  Hoenes. 

-  296   O   welche   Lust,   Soldat   zu   sein!    Mili- 

tarisches  Potpourri,  2Z  2.50  Hoenes. 
-297   Gut   Klang,    Walzer,    3Disk-28tr-lAltZ 
3 —  Hoenes. 

-  298  WeihnachtsgriiBe,  Fantasie,  Z  — 75,  2Z 

1.50  Hoenes. 
-299  O  Jugend  kehre  wieder!     Tonstiick    f. 
Str-  u.  SchlZ  1 —  Orude. 

■  302  Auf  leichten  FiiBen,  Rheinlander-Polka, 

Z   —60,   2Disk-lAItZ   1.80   Gri<de. 

-  304   Wellenspiel,   Z    1 — ,   Menuett   aus   Don 

Juan,  Z  — 60,  Zwei  ungarische  Tanze,  Z 
1 — -  Grade. 

Der  Alpensiinger,  eine  Reihe  der  belieb- 
teren  Volkslieder  aus  deutschen  Alpenlan- 
dern  f.  Z  (m.  unterl.  Text),  arr.  a  — 50 
Griide : 
-305  Nr.  1.  A  Bleaml  und  a  Herz.  2.  A 
Biichserl  auf'm  Riick'n.  3.  Andreas  Hofer's 
Tod.  4.  Buab'n  seid's  lustig.  5.  Der  Klee- 
platz.  6.  Der  lustige  Wildsehiitz.  7.  Die 
Sennerin  auf  der  Aim.  8.  Du  flachshorats 
Dirnal.  9.  Sehnsucht  nach  Tirol.  10.  Was 
gleicht  wohl  an  Jaga  auf  Erden.  11.  Ziller- 
tal,  du  bist  mei  Freud. 

-  306  Nr.   1.   Bin   alleweil   lustig.   2.   Das   ist 

mein  Zillertal.  3.  Der  Jagersbua  im  Gams- 
gebirg.  4.  Hoch  droben  auf  der  Aim.  5. 
Sanger's  GruB.  6.  's  Hiitterl  am  Roan.  7. 
Speckbacher.  8.  Die  Alpenfreud'.  9.  Juhe 
Tirolerland.  10.  Der  frische  Jager  auf  der 
Aim.  11.  Die  Sanger  vom  Gebirg. 
307  Der  Volkssiinger,  eine  Sammlung  der 
beliebtesten  deutschen  Volkslieder  in 
leichtem  Arrangement  f.  Z  (m.  unterl. 
Text)  :  1.  Mantellied.  2.  Prinz  Eugen  der 
edle  Ritter.  3.  Morgenrot!  leuchtest  mir 
zum  friihen  Tod.  4.  Zwoa  Sternloan  am 
Himmel.  5.  Hoch  vom  Dachstein  an,  a  — 50 
Grade. 

-  308  Der  slawische  Sanger,  Volkslieder  aus 

slawi.schen  Landern  f.  Z  (m.  unterl.  Text)  : 
1.  Das  Dreigespann.  2.  Der  rote  Sarafan. 
3.  Alabieff:  Die  Nachtigall,  a  —50 
Grtide. 

-  309    Im    Hochgebirg',    Landler-Idylle    f.    Z 

—60  A.  E.  Fischer. 

-310  Immer  schneidig!  Marsch,  Z  — 50,  2Z 
1—,  3Z  1.50,  SDisk-  u.  AltZ  2—,  SDisk- 
lAlt-2StrZ(V)Vc  2.75  A.  E.  Fischer. 

-311    Siifier  Traum,  Walzer,  P  \.^Q  Haushahn. 

-  326    Heiter    durchs    Leben,    Tyrolienne,      Z 

—60,  2Z  1—,  2Z  u.  ElegieZ  1.40  E.  Stoll. 

-  327  Am  Scheidewege,  Z  u.  V  1—  E.  Stoll. 

■  Allerlei   in  Tonen,    12  Unterhaltungsstiicke, 

Z  2 —  n  Apollo. 
-Auf  dem  Meer  bin  ich  geboren,  Z(F-Sehl.) 

— 70  Domkowsky. 
-Auf  Matrosen  hiBt  die  Flaggen,  Z(F-Schl.) 

— 50  Domkowsky. 

-  3   beliebte   Weihnacht-slieder :    Stille   Nacht, 

heilige  Nacht.  0  Tannenbaum.  0  du  froh- 
liche,  o  du  selige  (m.  Text),  Z  —50  A.  E. 
Fisch  er. 
-2  beriihmte  Armeemarsche :  1.  Torgauer 
Marsch.  2.  Hohenfriedberger  Marsch,  Z 
— 50  A.  E.  Fischer. 

-  Blumensprache,    Salonstuck,    ZF,  B-Schl.    a 

— 60  Domkowsky. 


Lohr  F.  Heimatlos 


—    614     — 


Loisel  O  salutaris 


-Heimatlos,  ZF,  B-Schl.  k  — 60  Domkowsky. 

-  Ich  liebe  dich,  Charakterstiick,  ZV,  iS-Schl. 

a  — 60  Domkowsky. 

-  Im  Licht  der  Sterne,  Idylle,   ZV,  B-Schl.   a 

— 60  Domkowsky. 

-  2  ungarische  Tanze,  Z  1 —  Grade. 

-  Wasserfall,  Tiroler  Nationallied,  Z  m.  Text 

1 —  Hoeries. 

-  Zitherfreimd,     Album,     enthaltend     12    der 

schonsten  Vortragsstiicke  in  leichter  Spiel- 
art  2 —  n  Apollo. 

Lohr  E.  Out  on  the  Deep,  march  (with 
Bugles  ad  lib.),  FullBand  2/8,  Med.Band 
2/—,  sO  1/4  Eaiokes. 

Lohr   Fr.   N.   For   ever   Faithful   4/ —  Keith. 

-  Love's     Proniug     — 50    Century,    — 10   Mc. 

Kinley. 

-  Needles  and  Pins  2/ —  Patey. 

-  Out   on   the   deep   — 40    Century.   — 10    Mc. 

Kinley. 

-  Ready!  8ATB  &  P  (ed.  C  a  1  d  i  c  o  1 1)  —06 

Wood. 

-  You  are  mine,  h.  — 60  White. 

Lohr    G.     Freundes-GruB,     Marsch,     Z   —80 

Fritz. 
Lohr    Harvey,    op.    15     Quartett   in     E-moll, 

PVYaVc  15/—  Novello. 

-  Rudiments  of  Music  for  Choirs  and  Schools 

— /6  n  Vincent. 

Lohrens  Carl,  Mirandola  Quick  March,  Full 
Band  2/8,  Med.Band  2/—,  sO  1/4  Hawkes. 

Lohse  Louis,  Auswahl  v.  Gesangen  f.  hohere 
Schulen:  A.  VVeltliche  Lieder  f.  gem.  St 
2.50  n.  B.  Weltliche  Lieder  f.  Miinnerst 
3.70  n.     C.    Geistliche   Gesiinge    f.    gem.    St 

2 —  n.  D.  Geistliche  Gesiinge  f.  Miinnerst 
— 80  n    V oigtl(indcr-Jjei])Z\g. 

-  4    Lieder    baltischer    Dichter :    1 .    Es   waren 

zwei  Kiinigskiuder.  2.  0  meine  Rose:  „Es 
bliiht  eine  Rose  am  Abend  auf".  3.  Moh- 
nenbliite:  „Mohnenbliite  habe  ich  hart  am 
schmalen  Weg  gefunden'',  a  1 — .  Nr.  4. 
Am  Bach  im  griinen  Walde  1.20  Cranz. 
Lohse  O.  op.   1   Gondoliera   1 —  R.  Dietrich. 

-  2  Klage  —60  R.  Dietrich. 

-3  Drei  Gesiinge,  TTBB:  Am  Rhein.  Eiu- 
samkeit.  Frohliche  Fahrt,  Part  —30,  St 
— 60  Neldner. 

-  4  Wiegenlied  — 50  Neldner. 

-5  Lied   und   Liebe,  5   Gesiinge   1 — :    Nr.    1. 

Ratsel  — 40.   Nr.  2.  Friihlingsglaube  — 30. 

Nr.    3.   Bitte   —40.    Nr.   4.    Ein   Friihlings- 

morgen     — 30.     Nr.     5.     Abendlied     — 30 

Neldner. 
-8    Mein     Wunsch,     Improvisation,     P     1.20 

Hoffmann. 

-  10   Maighickchen,    Capriccio,   P    1.30   Fiirst- 

ner. 
-11     Zwei    Polkas:     VergiBmeiunicht.     Lebe- 
wohl  — 80  Fiirstner. 

-  Aus  der  Oper  „P  r  i  n  z  wider  W  i  1 1  e  n". 

Neldner:  KA  7.50:  Nr.  1.  Lied  der  Marie: 
„Er  liebte  sie,  sie  liebte  ihn".  2.  Lied  der 
Madeleine:  „Mein  Vater  meint,  ich  soil 
ein  Kind  noch  sein".  3.  Spinnerlied: 
„Surre,  mein  Riidchen".  4.  Lied  der  Made- 
leine: „Zwei  Ohren  und  ein  Augenpaar". 
5.  Lied  des  Prinzen:  „Sch6n  war  sie  wie 
der  junge  Morgen",  a  — 50. 
Lohys  G.  Les  Coups  de  I'amour.  Soci4te 
libre. 


Loi  de  trois  ans  1 —  n  Joubert. 

Loi  des  amours  1.70,  Ch.  s.  — 30  Pomier. 

Loi    le  veut  — 30  n  Joubert. 

LoibI  A.  B.  Lied  bei  den  4  hi.  Evangelien 
am  hohen  Fronleichnamsfeste  m.  od.  ohne 
Org,  4  Singst  u.  blM   1 —  Bohm. 

LoibI    Ernest,   Little   Boy   Blue  —40   Wood. 

-  Roses  — 40  Wood. 

Loibel  Jos.  Aus'm  Wiental,  Walzer  2.16 
Kramer. 

-  Fliegende    Ambulanzen,    Walzer    1.80    Kra- 

mer. 

-  Frauenberger    Glockenklange,    Walzer    1.80 

Kramer. 

Loigerot,  Au  fond  des  Bois,  valse  chantee 
5 —  Schoenaers. 

Loiggi,  Rittersporn,  Polka  frangaise  1.20, 
P,  Z   1.20  Pock. 

Loimann  G.  Souvenir  de  Franzensbad, 
Emilien-Polka,  Alfred-Galopp,  Polka-Ma- 
zurka  1.62  Hoffmann. 

Loin  de  I'automne,  romance  — 30  n  Joubert. 

Loin   de   Paris,   roniniKe  — 30  n  Joubert. 

Loin  de  vos  yeux  si  doux!  1 — n,  CJk  s. 
— 35  n  Puigeltier. 

Loin  du  bruit  des  villes,  d'A  b  a  d  i  e,  sere- 
nade — 30  n  Joubert. 

Loin  du  nid  — 30  n  Joubert. 

Lointier  E.  Belle  Provence,  fant.  mO  —^50  n 
Roux. 

■  Bessieres-la-Jolie,  pas  red.  Harm  3 — ,  Fanf 

2 — ,  Cond.  — 25   Schoenaers. 

-  Danse  macabre    (St.-Saens),   Harm,  Part 

4 —  n  Evette. 
-Diabolo!!   polka  2 — u  Lointier. 

-  Fantaisie-Marche,     Harm     4 — ,     Fanf     3 — , 

Cond.  — 50  Schoenaers. 

■  2    Jumeaux,    polka    (2Cornets),   Harm    3 — , 

Fanf  2 — ,  Cond.  — 25  Schoenaers. 

-  Loiret,  pas  red.  Harm  3 — ,  Fanf  2 — ,  Cond. 

— 25  Schoenaers. 

-  Marche  solennelle,  Harm(Fanf),  Part  3 — u, 

p.  s.  a  — 10  n  Evette. 

-  Morceaux    religieux     (L.    Welly),    Harm 

(Fanf),  Part   3 — n,   p.   s.  a  — 15  n  Evette. 

-  Pro  gloria,   ouvert.    Harm   6 — ,   Cond.   — 75 

Monvoisin. 
-Timbre        d'a  r  g  e  n  t        (S  t.  -  S  a  e  a  s) , 
2  fant.  Harm,  Part  a  12 —  n  Evette. 

-  Visite   il  la  Tombe,   marche  funfebre.   Harm 

3 — ,  Fanf  2 — ,  Cond.  — 25  Schoenaers. 

Lois   V.    des.     Ma   blonde,    MS,   Bar     1.50  n 

impr.   M.   .S'e««rf-Paris. 
Loiseau     de      Morizel,     Azal6e,     polka-maz. 

1.50  n    Gallet. 

-  Rowena,  schottisch   1 — n  Gallei. 

-  Trilby,   polka-maz.    1 —  n   Gallet. 

Loisel!    Peregally:    Adoro    t-e,    SATB    1.50  n, 

STB   2— n. 
-Alma  redemptoris,  SATB  2.50  n. 
-Ave  Maria,  SATB  2— n,  STTB  2.50  n. 
-Ave  Maria  1 — n  &  1.50  n. 

-  Ave  Maria,  SATB  en  sol  2 —  n,  en  ut  2.50  n. 

-  Ave  Maria  Monstra  te,  STTB  1—  n. 
-Ave  Maris  stella,  SATB  3— n. 
-Ave  verum,  STTB  1.50  n  &  2.50  n. 

-  Belles  de  nuit,   valse  4.50  Benoit. 
-Ecce  panis  1.50  n,  STTB  2— n. 

-  Encantadora  Leonor,  valsa  1.50  Guimara.es. 
■  0  salutaris,   STTB   1—  n. 

-0  salutaris,  3  v.  eg.  STB  1.50  u. 


Loisel  Pie  Jem 


615     — 


Lombard  E.  Coeurs 


-  Pie  Jesu  1 —  u. 

-  Regina  coeli,  SATB  3 —  n. 

-  Salve  regina,  SATB  2.50  n. 

-  Sub  tuum  2 —  n. 

Loisetti,   Frolique,  P  4/ —  St.  Cecilia. 
Loison     E.    Jiu-Jitsii,    polka-marche    japon. 

2 — n  Haakmann. 
Loizellier   A.    Meiinesson:    A   neuf   ans    (av. 

parle)    3 — . 

-  A   six  ans    (av.   parl6)    3 — . 

-  Enfant  et  Papillon  3 — . 

-  Job,  sefene  biblique  6 — . 

-  Ma  tante-  Ursule  3 —  Stilzbach. 

-  M&re,  effusion  de  fete  3 — . 

-  Petit  Moutou   3 — . 

-  Un   beau   soir   d'Et6,   duettino   av.   ou   sans 

parl6  3 — . 

-  ^'ieille  Yvonne  3 — . 

Lokkerbol  Therese,  2  Feestliederen  voor 
groene,  koperen,  zilveren  en  gouden 
bruiloft,  N.  1  — 50,  N.  2  — 40  Lichtenauer. 

-  2    Verjaringsliederen   — 40,    voor    2    Zaugst 

— 40   Lichtenauer. 
Lokota    G.    op.    12   Deux    Feuilles    d'album: 
1.    Gavotte.      2.    Chanson    sans    paroles.   P 
1.80  H oft m ami. 

-  Im  Palnieuhain,  Walzer   1.60  Wetzler. 
Lolivrel,   Sourire    de    mai,    valse    6 —    Ha- 

inelle. 
Lolivrel  L.  Serenade  de  printemps,  VfMand) 

P  2 —  Demets. 
Lolle  Jens,  Amors  og  Balletmesterens  Luner, 

ballet,  P  1^  Nord.  Musikforlag. 

-  Graekernes    Dans     af     do,     P     —50     Nord. 

Musikforlag. 
Lolli   A.    (1733—1796),  op.   9   6e   Sonate,  2r 
7.50  Noel,    (A  lard),   Vs.   1.75   Schott. 

-  Duo  facile  et  curieux,  2V  —25  Schott. 
Loli   di    Maccagni    D.   Printemps,   primavera 

1.50  n    Or  us. 
Lolotte,  chan.sonnette  a  parl6  1 — n  Jouherl. 
Loiotte  a   Lolo  1 — n  Joulert. 
Lomagne    Jos.    Romanesque    moderne,    duo 

pouvaut   se   jouer   sur     2V  ou    V    ad    lib. 

1.70  n  Bornemann. 

■  Souvenir  d'amiti^,  VP  2.70  n  Bornemann. 
Loman    A.    D.    3    Charakterstiicke,    PV(Vc) 

2.70  Allg.   Muziekhandel. 

-  Doenie  noeh  jonc  en  lustich  was  — 40  Allg. 

Muziekhandel. 

-  Ilet  lied  van  den  Leeuw.  Hollandsche  Groet 

aan  de  Breeders  in  Zuid-Afrika  — 50  Allg. 
Muziekhandel. 

-  Lied  uit  Dichterdroom  — 40  Alsbach. 

-  Liedje  van   Lucia,   uit  het   Zangspel   „V  i  o- 

1  a  n  t  a"  — 50  Nietiwe  Muziekhandel. 

-  Proloog   van   het   zangspel :    .,De   Vrouw    in 

't    Geel      (Violanta)     —60     Allg.    Muziek- 
handel. 

-  Kouwvioleu,   3   Liederen  2 —  Allg.  Muziek- 

handel. 

■  'Loo    ic    een    prince    waer    gheboren    — 50 

Nieuwe  Muziekhandel. 
JoMaKHH'b.    UhiOJia,    xoposaro    ntnia    1 — 

Outheil. 
Loman   J.  Alma   mia,   maz.  — 50   Wagner   g 

Levien. 

■  Catalina,  polka,  Banda  mil.  1.50  Wagner  g 

Levien. 

■  Velocipedistas,   vals   — 75,    Banda   mil.    3 — 

Wagner  y  Levien. 


Loman  Rud.  J.  26  Voorspeleu  voor  Orgel  op 
bekeude  koraalmelodieen  voor  het  gebruik 
bij  de  godsdienstoefeningen  der  Prote- 
stantsche  Kerkgeuootschappen  in  Neder- 
land  1.25  Lichtenauer. 

Lomas  Geo,  Fughette,  Org  1/ —  Donajowski. 

-  Maiden   &   the   brook,   2   treble   voices   — /4 

Ashdown. 

-  Praised     be     the     Lord      (Harvest-anthem) 

— /3  n   Vincent. 

-  Sing,  brave  bird,  ATTB  — /2  n  Vincent. 

-  Sketch,  Org  2/ —  Donajowski. 

-  Whoso   dwelleth   under   the   defence   of   tlie 

Most  High    (Commem.   or   Dedic.  Anthem) 

— /6  n  Vincent. 
Lomas  W.  Tarantella,  P  4/ —  Ashdown,  — 60 

Ditson,     — 40  n    Presser,     — 50    Schirmer, 

Schtnidt, 
Lombard,  Chanson  du  mousse  3 —  Beat. 

-  Chant  d'Hymen   2.50  Beal. 

-  Consolez-nous  1 — n,  Ch.  s.  — 35  n  Labie. 

-  Etincelante,    polka    1 —  n   Bornemann. 

-  Infortunes    d'un    pecheur    a    la    ligne     (av. 

parle)   3 — ,  Ch.  s.  1 —  Cartereau. 

-  L^quel  croire  3 —  Beal. 

-  Ne  m'abandonne  pas  3—  Beal. 

-  Petits   oiseaux,   chantez   pour   le  Bon   Dieu 

3—  Beal. 

-  Plainte  du  Christ,  m^lodie,  VcfV)  &  quint. 

a  cordes  1 —  n,  P  cond.  — 50  n  Gaudet. 

-  Roi  des  artistes  3 — ,  Ch.  s.   1 —  Cartereau. 

-  Simple  Amour  3 —  Beal. 

-  Soeur  des  roses  3 —  B6al. 

-  Un   Souveuir-Polka  5 —  Joubert. 

Lombard  de  Buffieres  Mme.  Amis  d'enfance 

4—  Clot. 

Lombard    et   Buffieres,   Vous   revoir!    valse, 

VP  9—  Clot. 
Lombard   A.     Causer     avec   les   ^toiles     3 — , 

Ch.  s.    1—   Clot. 

-  C16    1—  n,     av.     G     — 40  n,     Ch.    s.    —20  n 

Labbe. 

-  Forgeronne  1 —  n,  av.  (f  — 40  n,  Ch.  s.  — 20  n 

Labbe. 

-  Moissonneuse  3 —  Noel. 

■  Ne  quittez  pas  le  coin  du  feu  3 —  Noel. 

-  Roi  des  Ombres  3 —  Noel. 

-  Ruisseau   1 —  u,  av.  G  —40  n,  Ch.  s.  — 20  n 

Labbe. 
Lombard   A.    L.  Aumone  du   Bon   Dieu   1.35 

Jan  in. 
Lombard  E.  Labbe:  A  Quoi  ga  sert  les  Maris 

1 —  u,  Ch.   s.  — 40  n  Bornemann. 

-  Abdalla  1 —  n. 

-  Amour  mendiant  1 —  n,  av.  O  — 40  n,  Ch.  s. 

—20  u. 

-  Amour    n'a    pas    de    cheveux    blancs    1 —  n, 

av.   a  — 40  n,  Ch.  s.  — 20  n. 
-Amour    n'a   pas    de    cheveux    blancs    1 — n, 
Ch.   s.  —35  n. 

-  Bastienne  et  Bastien  2 —  n. 

-Beau  Chanteur   1— n,  Ch.  s.  — 40  n  Borne- 
mann. 

-  Bouton  d'amour  1—  n,  Ch.  s.  — 40  n  Borne- 

majin. 

-  Briolet  1—  n,  Ch.  s.  —20  n. 
-Clairette  1— n,  Ch.  s.  — 20  u. 
-Coco  I'alcide   1 — n,  Ch.  s.  — 20  n. 

-  Coeurs  1 —  n,  av.  G  — 40  n. 

-  Coeurs.  Ch.  s.  — 25  n. 


Lombard  E.  Des  larmes  dans  la  voix 


—     61  fi 


Lombardi  A.  Terpsicori 


-40  n.     Ch.     s. 


av. 

a 

—40 

n. 

1— 

n, 

av. 

Cx 

Ch. 

s. 

—20 

u. 

s. 

20  u. 

-  Des  larmes  dans  la  voix  1 —  u,  av.  G  — 40  n, 

Ch.  s.  —20  n. 
-Deux   6toiles    1 — n,     av.    G  — 40  u,     Ch.    s. 
— 20n. 

-  Gazette  chez   mam'   Chausson   1 —  n,   av.    f? 

—40  n,  Ch.  s.  —20  n. 

-  Grandeur    et     decadence     de    la    marquise 

d'Escarbagnac   1 —  n,   av.   G  — 40  n,   Ch.  s. 
— 25n. 

-  J'aime  Marie  — 20  a  Bornemann. 

■  Je  suis  I'amour   1 —  n,  Ch.  s.  — 20  n. 

-  Lakdar   1—  n,  Ch.  s.  —20  n. 

-  Lilas   de   la   Closerie    1 —  n,    av.    G    — 40  u, 

Ch.  s.  —20  n. 
-Marguerite     1 — n,     av.     G   — 40  n,     Ch.    s. 
— 20u. 

-  Mes    bottes     1 —  n,     av.    G    — 40  n,     Ch.   s. 

— 20n. 

-  Messalines    de    Paris    1 —  n,    av.    G    — 40  n, 

Ch.  s.  — 20n. 

-  Moumoutte   I —  n,  Ch.  s.  — 20  n. 

-On   n'est  pas    jeune    toujours   1 — n,   av.   G 
— 40  n,   Ch.  s.  —20  n. 

-  Parisiennes     1 —  n,    av.    G    - 

— 20n. 

-  Pauvre  en  habit  noir   1.20  n, 

Ch.  s.  —20  n. 

-  Plumet   du     tambour    major 

—40  n,  Ch.  s.  —20  n. 

-  Polisson   1 —  n,  av.  G  —40  n, 

-  Qu'elle  est  belle  fame !  ! !    Ch 
-Robinson    1 — n,   Ch.  s.   — 40  n  Bornemann. 

-  Si  tu  savais  comm'tu  m'fais  mal  1.20  n,  av. 

G  — 40n,  Ch.  s.  — 20  n. 

-  Sou  les  balancoires  de  I'annee  1 —  u,  av.   G 

—40  n,  Ch.  s.  —25  n. 

-  Sur    la    rive   1 —  u,    av.    G  — 40  n,    Ch.   s. 

— 20n. 

-  Un   Troupier   dans   la   Moutarde,    av.   parle 

1 —  n,   Ch.  s.  — 40  u  Bornemann. 

-  Voici  le  temps  de  la  vendange  1 —  n,  Ch .  s-. 

— 20n. 
Lombard  Louis,  op.  25  Valse  Caprice  — 40  n 
Presser. 

-  29  Aquarella,  2VVaVc,  Part  1.25  n,  p.   det. 

— 75  n,  transcr.  P  1.25  n  Ricordi. 
-31    Elegie,    2VVaVcCb,   Part    1.25  n,    ]).    d6t. 
1 — n,  transcr.  P   1.25  u  Ricordi. 

-  32    Valse     excentrique,      2VVaVcCb,     Part 

2 — n,   p.  d6t.   1.25  n,  transcr.  P  2— n  Ri- 
cordi. 
-33   Historiette,   BVVaVcCb,   Part   1.50  u,    p. 
det.    1.25  n,  tran.scr.  P  1.50  n  Ricordi. 

-  Brickendonbury    March   4/ —   Weekes,    mO 

— 50  Fischer. 

-  Piecette  en  la,   VP  1 —  n  Durdilly. 

-  Speak  low  unto  my  love  — 35  Ditson. 
Lombard  P.  Aimer!   ....    et  souffrir,  valse 

laugoureuse.  Heiigel. 

-  Alexandra,   maz.    russe.    Gavdet. 

-  Derniere    supplique,    valse    lente,    P    cond. 

— 95  n    G.   Gross,   Lemoine. 

-  Fantaisie   Louis   XV,    danse    de   salon    2 — 

Givre. 


-  Loin  d'elle,  melodie 

P.   Digoude-Diodet. 

-  Plainte   du   Christ, 

VVaVcKb.   Gaudet. 

-  Rose   rouge,   grande   valse   2.50  n 

cond.  3 —  n  Ricordi. 


quintette  a  cordes,  av. 

mel.    F-solo,     deuxi^me 

0   av.   P 


-Sam     Sufy!     New     Amer.     dancing     2 — n 
Weiller. 

-  Wattman,  marche  aniericaine,  O  av.  P  cond. 

1.50  n  Kochly. 
Lombardero  J.  El  cerifo  Schottische,  MandG 
— 40,  2Mand  —20,  P  ace.  — 30  Partee. 

-  Figaro  waltz  — 50  Ditson. 

-  Melancolia    (Spanish   Dance),   MandG  — 40, 

2nd   Mand  —20  Partee. 
Lombardi,   Victor  Hugo,  pensee   poetique,  P 

1.75  n   Alleton. 
Lombardi    e    Cappelli,     Libera    me   Domine 

(Esequie  alia  tomba)   — 80  n  Martinenghi. 

-  La  Messa  completa  3.50  n  Martinenghi. 

•  Offertorio,   Sanctus  Agnus  Dei  e  Consuma- 

zione.     Canto     ace.    Org(H)    2 — n    Marti- 
nenghi. 
Lombardi    A.    Danza    d'amore,    valzer    can- 
tabile    (testo    ital.-franc.)     5 —    Mariani. 

-  Fantasia,   Fuga,  P  4 —  Mariani. 

-  Requiem   — 80  n   Martinenghi. 

-  Sospiri  cadenti  3 —  Mariani. 

-  Spence  di  derelitta  2.50,  con  P  &  F  ou  Tc 

obi.  3.50  Mariani. 

-  Stessa,  canto  con  y(Vc)  obi.  3.50  Mariani. 

-  Zaira,    mazurka.    2MandG    — 15  n    II    Con- 

certo. 
Lombardi    A.    e   V.    Poggi,    Berceuse,   G.    B. 

Sebastiani:     Fiori    e    Farf alle,    polka 

brillante.   MandP  — 20  n   II   Concerto. 
Lombardi  Augusto.  Ricordi:  Op.  1  Nabucco, 

caprice  de  concert,  P  5 — . 

-  2  Nocturne  fantastique,  P  4 — . 

•  3    La    Zampogna.    scherzo    caratteristico,    P 

3.50. 

-  4    Fantasia    di    Concerto    sul    Trovatore,    P 

6—. 

-  5  Trascrizione  brillante  sopra  una  Melodia 

della  Traviata,  P  3 — . 

-  6    Lucrezia    Borgia,    transcription    de    con- 

cert  pour   la    seule    main    gauche,    P   3.50. 

-  7   Polka-Mazurka   sentimentale   da   Sala,   P 

4—. 
-8    II    Capinero.    notturno    caratteristico.    P 

3.50. 

-  9  Melodia  per  Canto  di  G.  P  a  1  I  o  n  i,  tra- 

scritta,  P  3.50. 

-  10  Polka-Mazurka  de  Salon,  P  4 — . 

-  11    Transcription  de   Concert  sur   Lucie   de 

Lammermoor,  P  4.50. 

-  12  Gran  Fantasia  di  Concerto  sul  Rigoletto, 

P  7—. 

-  13  Romance  de  Linda  de  Chamounix,  tran- 

scripte  et  vari^e,  P  4 — . 

-  14  Un   saluto   a   Smirne,   nocturne,   P  4.50. 

-  15    Transcription    brillante    sur    des   motifs 

du  Trovatore,  P  3.50. 

-  16   Romance    de   Maria     de    Rudenz.     tran- 

scripte,  P  4.50. 

-  17  Etude  fantastique,  morceau   de  salon,  P 

4.50. 

-  18  Transcription  de  Concert  sur  Ernani,  P 

4—. 

-  19  Transcription  de  Concert  sur  le  Choeur 

des  Lombardi,  P  4.50. 

-  20    Transcription    de    Concert    sur    I    Lom- 

bardi, P  6—. 

-  21    Capriccio    brillante    sopra    due    Melodie 

delle   opere   Rigoletto   e  Traviata,   P  4.50. 
-Terpsicori,  P  1.50. 


Lombardi  C.  Mareia  dei  Coseritti 


—    617     — 


Lombardo  E.  op.  39 


gr.    fant.    di    con- 


Lombardi    Carlo,   Mareia  dei  Coseritti,   dal- 
I'operetta  — 50  Bideri. 

Lombardi   Enrico.  Ricordi:   Op.  100  Inno  di 
Guerra,  TB  3 — . 

-  Addio,    mareia,    P    con     guida     per     Banda 

1.50. 

-  Cosa  1&!   P  1.50. 

-  Diavolo  al  Veglione,  P  1.50. 

-  Louis  et  Lucien  Dol,  valzer  2 — ,  I^ms  3.50. 

-  Mariana,  P  1.50. 

-  Messa   pei    riti   Romano   ed   Ambrosiano,   a 

tre  voci,  due  T  e  B,  eon  Cori   ed   0,  eoU' 
aggiunta  dell'   ace.   d'Org,   Part  25 — . 
-Nina,  P  1 — . 

-  4    Pastorali    adottate    anche    per    Taec.    del 

Gloria  in  excelsis  Deo  nella  Messa  del  SS. 
Natale,  Org  2.50. 

-  Rieonoseenza     (eon    Guida     per   Banda)     P 

1.50. 

-  Soserizione,  P  1.50. 

-  Una  passeggiata  al  Moute  Cre,  P   1.75. 
Lombardi   F.  5  Versetti  — 40  n  Martinenghi. 
Lombardi    Francesco.   Ricordi:     A     te     che 

inteodi   1.50. 

-  Amore  e  Dolore,  notturno,  P  4 — . 

-  Bersagliera,  P  2.50. 

-  Diavolo  a   quattro,   tarantella  di   bravoura, 

P  5—. 

-  Eleganza,  P  2.50. 
-Gioia  2.50. 

-  Idea,  P  2 — . 

-  Illusioni  1.50. 

-  lo  penso  a  te!    2 — . 

-  Lucia    di  Lammermoor. 

eerto,  P  7 — . 

-  Partenza  3.50. 

-  Pezzo  Sinfonico,  P  3 — . 

-  Rossignol,  P  1.50. 

-  Sorriso,  P  2.50. 

-  Symphonie,  P  9 — .  4ws   7.50. 

-  Vezzosa,  P  2 — . 

Lombardi  Freres,  Messa  da  Requiem  a  3  voci 
6.25   Martinenghi. 

-  Messa  da   Requiem  facile  a  tre  voci   servi- 

bile    per    il   Rito   Ambrosiano    eonteuente 
Requiem    3 —  Martinenghi. 

-  Sanctusa    3   voci   2 —  Martinenghi. 
Lombardi   G.  Rngi:    Bouquet  du  bal,  P  1 — . 

-  Farfaletta,  P  1—. 

■  Fiori  di  primavera,  P  1.25. 
Lombardi    Giacomo,   Due    Foscari,    scherzo, 
Ifms  1.50  n  Ricordi. 

-  Elisir    d'amore,    bagattella,    I^ms    1.25  n    Ri- 

cordi. 

-  Lucia    di    Lammermoor,    rimembranza    (fa- 

cile),  ifms  1.25  n  Ricordi. 

-  Luerezia  Borgia,  piccolo  scherzo,  Ifms  1.25  n 

Ricordi. 

-  Poliuto,    rimembranza     (facile),    .'^n^s    1,25  u 

Ricordi. 
Lombardi    Josepli   C.  Arlecchino,    polka     de 
bottesini,    transcr.  brill.  P  3.50   Ricordi. 

-  Charki,  P  2.50  Ricordi. 

-  Elegance,  polka-maz.  de  salon  4.50  Ricordi. 

-  Traviata.   transcription   pour  fa   seule  main 

gauche,  P  2 —  Ricordi. 

Lombardi   L.  Capriccio  della  fortuna,  maz.  P 

1.50  Martinenghi. 
Lombardi    Luigi,   Coro   e  Reeitativo,   FaT'cP 

5.50  Ricordi. 


Lombardini  Giuseppe.  Ricordi:  Ciurmatrice 
1.50. 

-  Corda  sensibile,  arietta  buffa  3 —  Carisch. 
•  Dammi  il  tuo  core  1.75. 

-Farfaletta,  scherzo  1.50  Carisch. 

-  Fidanzata  1.50. 

-  Fiore,  SB  3—. 

-  Fraschetta  1.50. 

-Guida  all'arte  del  canto  12 — :  I.  Studi 
elementari  8 — •:  N.  1.  Discorso  prelimi- 
nare  — 50.  N.  2.  Movimenti  5 — .  N.  3.  Pic- 
eoli  Solfeggi  progressivi  5 — . 

II.  Studi  di  perfezionamento  6 — :  N.  4. 
Vocalizzi,  abbellimento,  agilita  5 — .  N.  5. 
Solfeggi  di  difficile  e.secuzione  3 —  Cottrau. 

-  Invito,    duettiuo    eampestre,    MSC  o  TBar 

2 — . 

-  Ispirazioni    sicule:     N.     1.    La    Farfalletta 

1— n.  N.  2.  Tutte  le  donne  eantauo  1.50  n. 
N.  3.  La  Corda  sensibile  1.50  n.  N.  4.  Lo 
spaccalegna  1 — n.  N.  5.  Non  vive  piu 
1.50  n.  N.  6.  Pereh&  non  son  bella  1 —  n. 
N.  7.  I  Coristi  del  Teatro  S.  Carlo  1—  n. 
N.  8.  Evelina  1 — n  Cottrau. 

-  Lamento  e  Speranza,  SS  2.50. 

-  Mi  ha  tradito  1 .75. 

-  Recluta  2.50. 

-  Sei  mesi  1.50. 

-  Serenata  Carmeniello   (Me  vo  bene  na  Nen- 

nella)   3 — . 

-  Sorriso  1.50. 

-  Sospiri  e  fede  1.75. 

-  Sospiro  1.50. 

-  Spaccalegna,  Canzone    (Chiave  di  Sol)  :   Lo 

spaccalegna  dalla  montagna  cal6  tapino 
1.75. 

-  Studio   d'Intonazione,    Contralto   e   B   20 — . 

-  Tutte      le      donne     cantano,     scherzo     2.50 

Carisch. 

-  Ungherese,  P  1.75. 

-  Vivandiera  2—. 

Lombardo  C,  I  coseritti,  operetta:  Can- 
zon  della  giarretiera.  Strofe  di  Suzette. 
Couplet  di  Fragoleta,  a  1.50.  Mareia,  Mand 
— 25  Blanchi. 

-  Matina,    mati !  .  .  .   Canzone   napolitana    per 

Piedigrotta  1894:  Quanno  veco  a  Carulina 
2 —  Ricordi. 
Lombardo  E.  Ricordi:  Op.  17  Partenza  1.50. 

-  18  Non  e  tutta  illusione!   P  4 — . 

-  19  lo  ti  vidi  2.25. 

-  20  Ruisseau,  caprice,  P  3.50. 

-  21   Ave  Maria,  ST  3—. 

-  22  Ballo  di  Grimalkin,  scherzo,  P  3.50. 
-23  Sull'onde  del  Nido,  barcarola,  P  2.50. 
-24  Danza   delle  Naiadi,   P   3.50. 

-  25  Un  Difetto,  arietta  2—. 

-  26   Desolazione  2.50. 

-  27  Musica   aerea   2.50. 
-28   Tomba   2.50. 

-  29  Sotto  la  tenda  beduina,  capriceio  car-itt. 

P    3.50. 

-  30   Sorriso   d'un   Isolana,   P   2.50. 

-  31    Ismailia,  mareia  mili.  2 — . 

-  32   Valse-Caprice,    P    2.50. 

-  36  Belle  Egyptieane,  polka  de  concert  5—. 
-37    P:     N.    1.    Anima    ardente    2—.     N.    2. 

Anima    ingenua    2.50. 

-  38  Notti  d'amore,  P  5 — . 

-  39   Perla   d'Oriente.  maz.  sentimentale  3 — , 


Lombardo  E.  op.  40 


—    618 


London  G.  Choral  Association 


-40  Ramie,  P  2.50. 

-  41    Loin    de    toi !    peus6e    fugit.    P    5 — . 

-  44   Come  vorrei   morire !   3.50   Carisch. 

■  46  Oh  quanto  t'amo !   3 —  Carisch. 

■  47  Sempre  con  lui !   3.50  Carisch. 

-  49  Serenade  3 —  Carisch. 
-50  Amami !   3 —  Carisch. 

-4  Melodic    (op.  25—28)    7.50. 

-  Mestizia  2 — . 

-3    Romanze    senza    parole,    P    5 — :      N.    1. 

L'Addio,    2.    L'Assenza,    3.    II    Ritorno,    a 

2.50. 
Lomellini    G.   Montebello,   P    1.50   Ricordi. 

-  Piovete,  o  baci !   2.50  Ricordi. 

-  Rimembranze  di  Stresa,  P  2.50  Ricordi. 

-  Un  bel  gioruo,  P  2.50  Ricordi. 
Lommatzsch    A.    Piti^     (Lito§(^)     —40    Idzi- 

koicski. 
Lommer  M.  Am  Tegernsee,  Z  1.20,  2Z  m.  G 
2.20   Lederer. 

-  Melancholie,   Lied   ohue  Worte,   Z  — 60,   ,?Z 

—80,  m.  AltZ  1—  Lederer. 

-  Trauliche   Gedanken,   Kouzert-Landler    1 — , 

2Z   1.20,   2Z   u.    G    1—   Tloenes. 
Lomonaco   Ciaccio   S.   Ricordi:   Angiolo   del 

Marinaro  3 —  Mariani. 
-Chi  sono?  1.50. 

-  Eurichetta    2—. 
-Figlia   dell'Etna   2—. 

-  Ginevra  mia  !    1.50. 

-  Marinella   2 — . 

-  Non  &  pill !  2 — . 

-  Orfaua  1.50  Mariani. 

-  Pellegrino  2 — . 

-  Titidda  Zuccaru  1.50. 

Lompre    L.  Aubade  pizzicato,   P,     Crevel. 

-  Caprice,  valse,     Crevel. 

-  Chansons  de  la  mer.  Bar  2 —  n  Cortellazzo. 

-  Deux  a  deux,  marclie,     Crevel. 

-  Mazurka    villageoise,      Crevel. 

-  Valse    intermezzo,    P,      Crevel. 
Lomtano   Fr.  Kaisermarsch  —60  Tonger. 
Lon   Ion   la!    1 — n  Ondet. 

Lon    lon    laire,   lon    lon    la!    1 — n   Ondet. 
Lonardi    Carlo.    Ricordi:    Arpa    del    dolore, 

melodia,  P  3 — . 
-Bonta,  P   1.50. 
-I  Delirj,  P  3—. 

-  Tnno  a  S.  M.  la  Regina  d'ltalia, 

-  La   Sventura,  melodia,   P   3 — . 
Lonardi    E.  Dime  que  si!   P   1.50  n 
Lonardi    Gaetano.   Ricordi:   Op.   1 

degli   uecelli,   notturno,   P   3 — . 

-  2    Partenza    e    Ritorno    della    Strada    Fer- 

rata,    capriccio,    P    4 — . 

-  Al  Gio^  ane  Pianista,  4  sonatine  diteggiat.j, 

p  9 — .  N.  1.  La  Figlia  del  Reggimento 
2.50.  N.  2.  Lucia  di  Lammermoor  3 — .  N. 
3.  Norma  2.50.  N.  4.  II  Barbiere  di  Si- 
viglia   3.50. 

-  Bandiera   a   lutto,   marcia    funebre,    P    3 — . 
-Barbiere    di    Siviglia,    sonatina    di- 

teggiata,   P   3.50. 
-Favorita:    Spirto    gentil,    sonatina,     P 
1—. 

-  F  i  g  1  i  e    del    reggimento,      sonatina 

diteggiata,  P  2.50. 

-  Forza     del     Destine,     marcia,     trascrizione 

facile    1.50. 


3  V.  2.50. 

Mariani. 
II   Canto 


-  Gli    Alpinisti,    galop   caratteristico   di    bra- 

vura, P  5 — . 
- 1    cinque   minuti,    P    2.50. 

-  lo  non   conosco   amor !    Romanza :    Cercarti 

volli  un  giorno  2.50. 

-  lo   t'    amero,    romanza    di    F.    C  a  m  p  a  n  a, 

trascrizione  facile,   P   1.50. 

-Lucia,   sonatina   diteggiata,   P   3 — . 

-Norma,   sonatina   diteggiata,   P   2.50. 

-2  Sonatine:  N.  1.  La  Favorita:  Spirto 
gentil  1 — .  N.  2.  Alia  Stella  confident*, 
romanza    di   V.    R  o  b  a  u  d  i    1.50. 

-  Ti   ricordi  ?   duetto   3—. 

Lonas    Heinrich,     Choralbuch    der    evangel. 

Briidergemeinde    1.50  n    Missionsbuchhand- 

lung -Her  rnhiit. 
Lonasil   Greg,  Give  my  love  — /2  Kohler. 
■  O'er  the  dewy  green  — /2  Kohler. 
Lonati    A.    Arbre    de   Noel,    quadr.    5 — ■,      0 

1.50  Hulzhacli. 

-  Boum   Voiia,   quadr.   5 —   Legouix. 

-  Coup  de   Vent,  quadr.  4.50  Benoit. 

-  Flutiste,     Martin. 

-  Homme-Femme,   quadr.   5 —   Noel. 

-  Soiree    d'hiver,    quadr.    4.50    Benoit. 
Lonati    E.    op.    7    Fantaisie    sur    un    thfeme 

original,   VP  9 —  Legouix. 

-  9    Premier   morceau    de   salon,    VP   9 —    Le- 

gouix. 

-  16    Deuxi^me    morceau    de    salon,    VP    6 — 

Legouix. 

-  22    Fantaisie    de    concert   sur    les    Dragons 

de  Villars,   VP   3—  n  Joubert. 
-23    Serenade    japonaise,    fantaisie,    P    1.75 
Hchott,  7.50  Joubert. 

-  A  peu  de  frais  3 — ,  Ch.  s.  — 30  n  Eveillard. 

-  Ah  1    le   beau   reve  que  j'ai   fait   3 — ,   Ch.   s. 

— 35  n  Eveillard. 

-  Baiser   de   Madelaine   — 90  n,   Ch.   s.   — 30  n 

Abot. 

-  Beau   reve   que   j'ai   fait   1 —  n   Eveillard. 

-  Coup  de  Vent,  0  2—  Noel. 

-  Elegie,  V  1.35  n,  VP  2.50  n  Joubert. 

-  Elegie,  fantaisie,  VP  2.50  n  Joubert. 

-  Jeune  r^ligieuse  1 — n  Joubert. 

-  Maman    n'avait    pas    dit    non    1 —  n     Eveil- 

lard. 

-  Reverie,  PV  5 —  Legouix. 

-  Rondo,  P  4 —  Benoit. 

-  Saltarelle,  morceau  de  genre,  V  1.35  n,  VP 

2.50   Joubert. 

-  Serenade  du  berger,  morceau   de  genre,   V 

1.35  n,    VP    2.50    Joubert. 

-  Sous  les  oranges,  P  6 —  Legouix. 

-  Trouvez-moi  l'6poux  que  j'  veux   1 —  n   Le- 

signe. 

-  Vision,    mglodie,    VP    7.50    Legouix. 
Lonicer   F.   op.   12   Intermezzo    (Larghetto), 

P  —80   Oertel. 
-13   Intermezzo   f.   Quartett   1.25  n   Oertel. 

-  Bulgari-scher  Alexander-Marsch   1 —  Oertel. 
Londa   E.  Herzensklange,  Salonstiick,  P   1 — 

RAhle. 

Londet  J.  La  Valse  de  I'amour,  valse  chan- 
t^e  3 —  Coutarel. 

London    march   — 10    Brainard. 

London  Gregorian,  Choral  Association,  The 
Preces  &  Responses  of  Mattins  &  Even- 
song — /I   Novello. 


London  W.  H.  A  cradle  song 


—     619     — 


Longhetti  Z.  All  arnica  lontana 


London    W.    H.    A    cradle   song,    8ATB   —2 

Novello. 
Lone   F.  Boy  across  the  way,  S  — 40  J.  Fi- 
scher. 
-  I'll  tell  Papa  on.  you,  S  —40  J.  Fischer. 
Long   de  la   Seine,  6  gu6   1 —  n   Joubert. 
Long,  long  ago  — 10,  Few  Days  &  Home   (as 

a  waltz),   P  — 10   Gordon. 
Long,    long   ago   — 35   Nord.   Musikforlag. 
Long,  long,  weary  day  1/ — n  Augener,  —40 

Brainard,  —30   Church,  —35   Ellis,   Schir- 

mer,  P  — 10   Gordon. 
Long    parted    have   we   been   — /4    Hheard. 
Long  tail  blue,  comic  darky  char,  song — 25, 

dance   — 10    Brainard. 
Long-tailed     Pony     Galop,     The,     iws     —2 

iiheard. 
Long-tailed  Pony,  The,  galop:  &  The  Battle 

dore    &    Shuttlecock,    redowa    — /2    Slieard. 
Long  time  ago,  dance  — 10  Brainard. 
Long,  Andante,  Org  arr.  with  pedal  obi.  by 

A.   H.   Brown   3/ —   Ashdown. 
-Defiance   Waltz,   CornetClP  —50   Church. 

-  Siciliana,   Org   arr.   with   pedal   obi.   by    A. 

H.  Brown  3/ —  Ashdown. 

-  There's  a  Star  in  the  Sky  for  Us  All  —40 

Groene. 
Long    Chas.    V.    The    Imperial    Rush,    polka 

— /2    Sheard. 
Long  D.  N.  Columbus  voyage  march,  P  —60 

Brainard. 
Long   Don.  Gordon:  Come  o'er  the  sea,  nu.i- 

den,  with  me  — 50. 

-  Contessa,  P  —40,  PV  —25,  CornetVP  —30, 

FullO  1—,  IJf  Instr  —75,   10  Insfr  —60. 

-  Dance   of  the   Water   Nymphs  —40  n   Pres- 

SGf 

-  Fairies'   Ball,    grand   valse   —50  n    Presser. 
-In  the  Twilight,   P  — 30  n  Presser. 

-  Love's   magic   power   — 40. 

-  Love's   philosophy  — 35. 

-  Maiden's   dream  — 40. 

-  Morning   Song,    reverie,    P   —65  n    Pn-  ser. 

-  My   love   has   gone   away  — 50. 

-  Odalisque,    air    de   ballet,    P   —50. 

-  Oh,  sing  to  me !  — 50   White. 
-Shepherd's   Drr-am,   P  —50  n   Presser. 
Long   G.  W.  Te  Deuni  in  G  — /3  Novello. 
Long    J.   Cleveland,   waltz   —25    Brainard 

-  Consolation,  chant,   VP  1.50  Brauer. 
-The    foe   behind,    anthem    with    P{H)    — 2 

Pitman. 
Long    J.    Charles,    0    how    amiable    are    thy 
dwellings,   8ATB  — /3   Novello. 

-  Onward,    school    song    (boys'    voices)    — /r  2 

Novello. 

-Those  evening  bells,  AfTJTBB  —3  No- 
vello. 

-Three  Short  Pieces,  P;  1.  Reverie.  2.  II 
Ballo.  3.  Menuetto  1/6  Novello. 

Long  J.  H.  A  wee  little  boy  &  a  wee  little 
girl,  waltz  song  —50  Brainard. 

-  Gleanings   for   vocal  practice   2 —   White. 
Long   J.   J.  My  bonnie  laddie    (scotch)    — 35 

Gordon. 
Long  J.  W.  Benny  Havens,  artillery  galop, 
P  — 50  Brainard. 

-  Mamma,  why  don't  baby  cry  ?  song  &  cho- 

rus — 40  Brainard. 


Long    L.      Aprile!    Romanza :     Piove;     d'un 

mite  sole   1 —  n  Ricordi. 
-Timor!    Melodia  :      Invan    mi    serri     tra    le 

braccia    1 —  n   Ricordi. 
Long   S.  W^here  'er  you  tread  1/6  Ashdown. 
Long   Trafford,  Frolics  4/ —  Reeder. 
■  Periode,  march  4/ — ,   O  2/ —  n,   Sept.   1/ —  n 

Reeder. 

-  Tender  Memories  4/ —  Reeder. 

Long   de,   Polka  quadrilles  — 40   Church. 

Longacre  L.  B.  Hark !  what  mean  those 
holy  Voices?  (Christmas'  Carol)  — 05  u 
Schirnier. 

Longbottom  T.  K.  Bible  Characters  (Da- 
niel, David,  Elijah,  The  Great  Teacher 
Israel,  Joseph,  Moses,  Samuel,  St.  Paul) 
a   — /3    Cur  wen. 

-  Desire    of    all    Nations,    anthem    — /3    Cur- 

wen. 

-  Saint    George    &    the    Dragon,    temperance- 

cantata,   senior   choirs    1/ —   Cxirwen. 

-  World's  Redeemer,  easter-anthem  — /3  Cur- 

iven. 
Longchamp,   polka   1.75  u   Jouhert. 
Longchamps,   redowa,  P  — 85  n   Eveillard. 
Longenecker   P.   Trip   lightly,   8ATB  —05  n 

Church. 
Longevllle,  Aigle,  marche,   IlarmfFanf)  1.25 

Piuatcl. 

-  Bavards,  polka  sur  I'opgrette,  Harm { Fan f) 

1.25   Pinatel. 
Longfellow    Fred,      Niinni,   Walzer    2 — ,   sO 
2.50  n  Eisoldt. 

-  Past  times,   Walzer   2—,   sO   2.50  n   Eisoldt. 

-  W  hen  this   Earthly  Life  is  O'er,   duet  — 1 0 

National   Music   Co. 

Longfellow  &  Balfe,  Reaper  and  the  flo- 
wers. Green  trees  whispered.  Two  locks 
of  hair.  This  is  the  place.  Rainy  Day. 
Daybreak.  Stars  of  the  summer.  Arrow 
and  the  song.  Good  night,  beloved.  Vil- 
lage  Blacksmith    1/ —   Boosey. 

Longfellow  &  Montgomery,  The  bridge 
— /4    Sheard. 

Longfield  Jesse  A.  Cordova  Memories,  me- 
lody,   VP    2/— n    Novello. 

-  Rook    of    Ages    sacred    song    in    E  flat,    for 

high   voice   2/ —  n   Novello. 
Longhetti    Beniamino.      Ricordi:      A'     miei 
monti,    P    1.50. 

-  Ballata    origiuale,    P    3 — . 

-  Emilia,   P   1—. 

-  Ideale   della   vita,   serenata,   P   3 — . 

-  Idillio   Alpino,  P  3.50. 
-Linda,   P   1.50. 

-  Mattinata,   romanza    1.50. 

-  Scene   Primaverili,   P    2 — . 

-lu  si  pura  e  bella  sei,  melodia  2 — . 

-  Valsesiana,   P   2 — . 

Longhetti   Carlo,   Sinfonia  per   Org(P)   1.75 

Ricordi.  . 

Longhetti    Gio.    op.    1    Rimembranze   di    Ci- 

viasco,  P   1.50  Ricordi. 
-2  Vita  rosea,  P  1.50  Ricordi. 

-  3  Erbe  e  Fiori,  P  2 —  Ricordi. 
Longhetti  Zeffirino.  Ricordi:  Adele,  P  1.50. 

-  Adelina,    P    1.50   Perosino. 
-All  amica  lontana,  P   1.50. 


Longhetti  Z.  Ave  Maria 


—    620    — 


Lcngo  A.  Temistoeh 


Jfm  s 


-  Ave  Maria,   ST  con  P  2.50. 

-  Brezze  montanine,  P  2 —  Perosino. 

-  Capelli   bruni,    maz.   Jims   2.50. 

-  Cos!  fa  chi,  P  1.50  Perositw. 

-  Danza  del  lupo,  P  2 —  Perosino. 

-  Fior   di   Viole,   maz.   Jfrns   2.50. 

-  Giubileo  rel.  1.50  Perosino. 

-  Improviso,   P  2.50. 

-  La  sbilaucia  c.  piem.   1 —  n  Blanchi. 

-  Lieti    trastuUi,    piccolo    divertimento 

2.50. 

-  Margherita  Lorde,  P  2 —  Perosino. 

-  Mentre  sorride  April,  P  3 —  Perosino. 

-  Mestizia  serena,  P  1.50. 

-  Nozze  montanine,   P   2 —  Perosino. 

-  R  i  g  o  1  e  1 1  o,  trascr.  P  2.50. 
-Rita,   P   1.50. 

-Rosa  Alpina,  P  1.50. 

-  Serenata,  P  3 —  Perosino. 

-  Suonata,   Org  3 — . 

-  Siisurri  alpini,   P   3—  Perosino. 

-  Triste  Canzone :    Non  sai  dir  che  omai  4 — 

Canto. 

-  Veglie  Valsesiane,   P   1.50. 

Longhi   C.  Nina,  P   1 —  Ricordi. 

-  Norina,   P   1 —   Ricordi. 

Longhi  G.  II  primo  amore,  romanza  1.50 
Ricordi. 

Longhi  G.  e  Silveri  D.  Marcia  e  Armenia 
Religiosa  che  nelle  Festivity  sogliono  suo- 
nare  le  trombe  in  S.  Pietro  in  Vaticano 
di  Roma  presente  il  Sommo  Pontefice.  ri- 
dotte  dal  maestro  F.  Viviani  1.50  n 
Ricordi. 

Longhi    L.   La    mia    diletta,   maz.    1.50   Fan- 

tuzzi. 
'  Lieti    ricordi,    polka    1 —    Fantuzzi. 
Longhurst   T.      Return    unto   thy   rest  — 60 

Chiirch. 

-  There  shall  be  no  night  there  — 40  Church. 
Longhurst    W.    H.    Novello:    Blessed    is    he, 

that   considereth,    SATB    1/—. 

-  Grant  to  us,  Lord,  we  beseech  Thee,  SATB 

— /6. 

-  Great  is  the  Lord,   SATB,  Voe.   score  — /9, 

Voc.  parts  — /7\2- 

-  Help   us,   0   Lord,   SATB,    Voe.    score   — /6, 

Voc.  parts  — /6. 

-  I  cried  unto  the  Lord,  5   voices  2/ — . 

- 1  will  give  thanks,  verse,  SS,  Voc.  score 
1/3,   Voc.    parts   — /10V„. 

-  Lord    is    my    strength.     The,     SATB,     Voc. 

score  — /9,   Voc.   parts  — /6. 

-  March    of    King    David's    Army    2/6. 

-  Mermaid's   song,   duet  — /4  n   Augener. 

-  0   come   &  behold   the   works   of  the   Lord. 

SATB   5/—,   8vo   — /4. 

-  O  Lord,   we  beseech   Thee,   SATB  — /2. 

-  Order    of    Morning    Prayer    &    the    Litanv 

(Tall  is)    — /2    Ciiricen. 

-  Romance,   VP  3/—,  ditto  &  Tarantelle,   VP 

6/ —  Chanot. 

-  Slate   Exercises ;   a   Collection   of   Exercises 

on  the  value  of  notes,  rests,  &c.,  to  be  co- 
pied by  the  pupil  on  a  slate,  and  proper 
bar    lines    inserted    1/6. 


-  Village   Fair,    The,    a    cantata     for     female 

voices.    Vocal    score    2/ —  n,    2/6  n,    H    ace. 
— /6n. 
Longhurst    &    Lewis,    Children,    come    — /I 

Curwen. 

-  Onward  March,  Vocal  march   1/ —  Curwen. 

Longhurst  H.  &  G.  G.  Lewis,  Our  Coun- 
try's Call,  school-operetta,  stafT  not.  1/ — , 
Tonic   sol-fa  — /3   Bayley. 

vIoiiniHOB'b  H.  PoMancbi  ii  ntcHii  Jurgenson: 

1.  CKaacHTe  mh*  — 40. 

2.  Cxpa/iaemb  th  — 60. 

3.  TapaKaH-B.  KaK-B  b-b  cxaKaHi  nona^acTi 
—.50. 

4.  HepKeccKaa  ntcHa.  Mnoro  a^Bt  y  nacB 
Bi  ropo/i'fe  — 40. 

5.  OacH^aHie.   Yact    h   c-b    Beiepa  CH^ijia 
—75. 

6.  Tbi  o6MaHyji'B  laeHa  — 40. 

7.  TojibKO  ysnaji-B  a  Te6fl.  PoaiancB  — 60. 
Longland      Rebecca,      Benedicite     (Chants) 

— /2  Novello. 
Longley  T.  Believe  not  what  they  have  told 
thee  1/ —  n  Aiigener. 

-  Over  the  river,  song  &  chorus  — 35  White. 

-  Wild    red    rose    1/ —  n   Augener. 
Longman  E.  H.  City  Railway,  galop,  P  — 50 

Brainard. 
Lcngo,   op.   42   Sei   Studi   di   Seste,   P   2 —  n 
Ricordi. 

-  Gracieux   Hommage,   intermezzo,   avec   solo 

de  V,  0  2 — n,  P  cond.  — 50  n  Gaudet. 

-  II   Senofonte,   valzer   1 —  n   Cottrau. 

-  In   mare,    barcarola,    MandP    3.50   Izzo. 
Lcngo  A.  cp.  1   N.  2.  Alia  Mazurka.  4.  Ber- 
ceuse. 5.  Notturnino,  a  — 30  Idzikowski. 

-  13  N.   3.  Capriccio,   P  — 40   Gebethner. 

-26  Cinque  Pezzi,  P;  1.  Preludio.  2.  Ro- 
manza. 3.  Mazurka.  4.  Novelletta.  5.  >Se- 
renata,  a  1.50  Hug. 

-28  Tre  Pezzi,  P.-  N.   1.  Minuetto  1.50.     N. 

2.   Arietta  —80.   N.   3.   Gavotta   1.50  Hug. 
-31    Seconda  Suite  di  stile  antico,  P;  N.   1. 

Toccata   con   Fuga    1.80.    N.   2.   Sarabanda 

—80.   N.   3.   Giga   1.50  Hug. 
-6   pezzi    facili,    P:     N.    1.    Notturnino    3 — . 

N.    2.    Serenata    3—.      N.  3.    Gavotta    4—. 

N.    4.    Pensiero    4 — .      N.   5.    In    mare    3 — . 

N.   6.   Minuetto   4 —   Izzo. 

-  Stornelli    toscani    — 50,    Mand   — 10    Bideri. 
Longo    Achille,    4    Piccoli    Pezzi,    P    1.50  n: 

N.  1.  Notturnino.  2.  Minuetto.  3.  Tempo 
di  Gavotta,  a  —50.  N.  4.  In  Bicicletta 
— 75   Ricordi. 

-  T  e  m  i  s  t  o  c  1  e,     dramma     del    Metastasio, 

musicato  espressamente  per  gli  alunni 
delle  Scuole  Popolari,  Normali,  Magistrali, 
Private  e  dei  Seminari :  Atto  I.  Scena 
Sesta.  Chi  mai  d'iniqua  stella  — 50.  Scena 
ultima.  Aria.  Fu  troppo  audace,  6  vero 
1—. 

II.  Scena  prima.  Canzone.  Tal  per  al- 
trui  diletto  — 50.  Scena  ultima.  Coro 
finale.  AH'  armi,   all'  armi   1 — . 

III.  Scena  terza.  Cantabile.  A  frenare 
il  pianto  imbelle  — 50.  Scena  ultima. 
Coro   e   Cantabile.   Quando   emula   I'invita 


Longo  A.  Te^nistocle 


621     — 


Longo  A.  op.  40 


1 — .  Aria  finale  di  Neocle.  Ricca  di  gra- 
zie   1 —  Cottrau.- 

Longo  Alessandro,  op.  1  Pagine  d'Album, 
P  3— :  N.  1.  Canto  d'amore.  2.  Alia  Ma- 
zurka. 3.  Barcarola.  4.  Berceuse.  5.  Not- 
turnino,  a  — 80.  N.  6.  Scherzino  1 —  Ruh- 
ter,  N.   1,  4,  5  a  — 30  Gebethner. 

-3   Quintette,    P2VVaVc    12—   Rahter. 

-  6  Souvenirs  de  I'Enfance,  petits  morceaux, 

Jftns:  N.  1.  Berceuse.  2.  Priere  du  soir. 
3.  Noel,  Pastorale,  k  — 80.  N.  4.  Legende 
1.50.  N.  5.  Carnaval,  Arlequin  —80.  N.  6. 
Marche   1 —  Rahter. 

-7  Six  Pieces  faciles,  P  3— :  N.  1.  Cliant 
de  Printemps  (Song  of  Spring).  2.  Le 
petit  Soldat  (The  little  Soldier),  marche. 
3.  Bon  Jour!  (Good  morning!).  4.  Ga- 
votte facile.  5.  Menuet  enfantin.  6.  Piflfe- 
rata,  a  —80  Schmidt,  N.  1  —30  Gehethner. 

-8  Douze  petites  Pieces,  P.-  I:  N.  1.  Me- 
lodie.  2.  Canzonetta.  3.  Scherzino.  4.  Me- 
lodie.   5.   Musette.   6.   M#lodie   2.50. 

II:  N.  7.  Minuetto.  8.  Melodie.  9.  Valse. 
10.  Moment  musical.  11.  Scherzino.  12. 
Tema   con   Variazioni   2.50   Kistner. 

-9  Fantasia  e  Fuga  (stile  libero),  P  1.50 
l^chmidt. 

-10  Serenade,  ^ms  4 — :  N.  1.  Promenade 
1.50.  N.  2.  Toujours  gai  1.50.  N.  3.  Pass6 
1 — .   N.  4.   Joyeux  Retour    1.50  Kistner. 

-  11    Tema  con  Variazioni,   P  2.50   Rahter. 

-  12  Suite  romantica,  P  2— :   N.   1.  Treludio 

—80.  N.  2.  Romanza  —80.  N.  3.  Serenata 
1.20  Rahter. 

-  13  Suite  di  stile  antico,  P  3 — :  N.   1.  Aria 

con  Variazioni  2 — .  N.  2.  Sarabanda  1 — . 
N.  3.  Capriccio  1 —  Rahter. 

-  14   Seconda   Suite   romantica,   P   3 — :    N.    1. 

Ove  sei?  (Canto  d'amore)  1 — .  N.  2.  In- 
termezzo 1 — .  N.  3.  Impromptu  1.50 
Schmidt. 

-  15   Umoresca,  P  4 —  Schmidt. 

-16  Album  lyrique,  P  4 — :  N.  1.  Mazurka 
1.30.  N.  2.  Arabesque  1—.  N.  3.  Tristesse 
—80.  N.  4.  Ideal  —80.  N.  5.  L'Orientale 
1 — .   N.   6.   Danse   espagnole    1 —   Schmidt. 

-17  Quatre  Morceaux,  P  2.50:  N.  1.  Ro- 
mance 1 — .  N.  2.  Barcarolle  — 80.  N.  3. 
Minuetto  —80.  N.  4.  Valse  1—  Rahter. 

-18  Six  Morceaux,  P.-  N.  1.  Prelude  1— . 
N.  2.  Le  Retour,  romance  1 — .  N.  3.  Scher- 
zino 1.50.  N.  4.  Romance  1—.  N.  5.  Ma- 
zurka 1.50.   N.  6.   Novellette  1.50  Kistner. 

-  19  Suite  romantica  N.  3,  P  3— :  N.  1.  Pre- 

ludio    1 — .      N.    2.    Romanza    1 — .      N.    3. 

Scherzo    1.50  Kistner. 
-20    Nuptialia,     suite    di    3  pezzi,     P    3 — : 

N.  1.  L'Augurio  1 — .  N.  2.  Canto  d'Amore 

1 — .   N.   3.   Marcia   1.50   Kistner. 
-21   Trois  Mazurkas,  P.-  1.  B,  2.  G-m.,  3.  Es 

a    1.50   Kistner. 
-23  Suite  romantica  N.  4,  P  3 — :  N.  1.  Pre- 

ludio  1 — .  N.  2.  Romanza  1 — .  N.  3.  Novel- 

letta    1.50   Kistner. 

-  24    Ventiquattro    piccoli    Pezzi    in    tutti    i 

toni  maggiori  e  minori,  composti  ad  uso 
di   .studio,  P   3— n,   I— II   a   2— n   Ricordi. 


-25  5.  Suite  romantica,  P  3 — n:   N.   1.  Pre- 

ludio   1 — n.   N.   2.   Leggenda   1.25  n.   N.   3. 

Improvviso  1.50  n  Ricordi. 
-27  6.  Suite  romantica,  P  2.50  n  :  N.  1.  Pre- 

ludio,    2.    Intermezzo,    3.    Presto    agitato, 

k   1 —  Ricordi. 
-29  N.   1.   Piccola  Suite  in  La   maggiore,   P 

2 — n:  N.  1.  Idillio,  2.  Serenata,  3.  Danza, 

a  1 —  n  Ricordi. 

-  29  N.  2.  Piccola   Suite  in  Sol  maggiore,  P 

2— n:  N.  1.  Gavotta,  2.  Canzonetta,  3. 
Minuetto,   a   1 —  n   Ricordi. 

-  29   N.   3.   Piccola  Suite  in  Do  maggiore,   P 

1.75  n:  N.  1.  Minuetto  1— u.  N.  2.  Me- 
lodia  — 50  n.  N.  3.  Improvviso  — 75  n  Ri- 
cordi. 

-  29   N.   4.   Piccola  Suite  in  Re  maggiore,   P 

1.50  n:  N.  1.  Tema  con  Variazioni  1— n. 
N.  2.  Sarabanda  — 50  n.  N.  3.  Giga  — 50  n 
Ricordi. 

-  29   N.   5.  Piccola  Suite  in  Si  bemolle  mag- 

giore, P  2 — n:  N.  1.  Romanza  — 75  n. 
N.  2.  Canzonetta  — 75  n.  N.  3.  Studio 
1 —  n    Ricordi. 

-  29   N.   6.   Piccola   Suite  in   Fa  maggiore,  P 

1.50  n:  N.  1.  Preludio  — 50  n.  N.  2.  Bar- 
carola — 50  n.  N.  3.  Valzer  1 — n,  N.  2. 
VP   1 —  n  Ricordi. 

-  30  Thema  mit  Variationen,  2P  5 —  Rahter. 

-  32   Sonate    (Do  minore) ,  P  4 —  Rahter. 
-33    Suite,    VP    4—:      N.    1.    Preludio    1.50. 

N.  2.  Intermezzo  1.50.  N.  3.  Finale  2— 
Rahter. 

-  34   Variazioni    su    un    Tema    all'Ungherese, 

P  2.50  n  Rahter,  Ricordi. 

-  35  Dodici  Studi  di  Terze,  P  3.50  n  Ricordi. 

-  37   Ventiquattro   piccoli    Studi   di   Arpeggi, 

P   3 —   Ricordi. 

-  38  N.  1.  Piccola  Suite  in  La  maggiore,  ^ms 

2.50  n :  N.  1.  Preludio,  2.  Berceuse,  3. 
Minuetto,  a   1.25  n  Ricordi. 

-  38  N.  2.  Piccola  Suite  in  Re  maggiore,  J/ins 

2.50  n:  N.  1.  Preludio  1— n.  N.  2.  Melodia 
1 — n.   N.  3.   Scherzino   1.50  n  Ricordi. 

-  38   N.   3.   Piccola   Suite   in   Si  minore,   ^ms 

2.50  n:  N.  1.  Preludio  1— n.  N.  2.  Inter- 
mezzo 1 — n.  N.  3.  Danza  Spagnuola  1.50  n 
Ricordi. 

-  38  N.  4.  Piccola  Suite  in  Fa  maggiore,  ^ms 

2.50  n:  N.  1.  Preludio  1.25  n.  N.  2.  Alle- 
gretto  1 — n.   N.   3.   Finale   1.50  n   Ricordi. 

-  38  N.  5.   Piccola  Suite  in   Si  bemolle  mag- 

giore, 4'rns  2.50  n :  N.  1.  Preludio  1.25  n. 
N.  2.  II  passaggio  del  gregge,  fughetta 
1 — n.  N.  3.  Danza  villereccia  1 — n  Ri- 
cordi. 

-  38  N.  6.  Piccola  Suite  in  Sol  maggiore,  .^ms 

2.50  n :  N.  1.  Tema  con  Variazioni  1.75  n. 
N.  2.  Sarabanda  — 50  n.  N.  3.  Gavotta 
1 .25  n    Ricordi. 

-  40    Ventiquattro    Pezzi    caratteristici,      P ; 

N.  1.  Nel  Bosco  1.25.  N.  2.  Serenata  1—. 
N.  3.  Le  Campane  di  S.  Petronio,  pre- 
ghiera  1 — .  N.  4.  I  Mietitori  1 — .  N.  5. 
Notturno  1—.  N.  6.  Barcarola  1.50.  N.  7. 
Caccia  1.25.  N.  8.  Egloga  1.50.  N.  9.  Duet- 
tino  danzante,  valzer  1.25.  N.  10.  Passa- 
caglia  1 —  Ricordi. 


Longo  A.  Biblioteca  d'oro 


—     622     — 


Longo  G.  Spera 


Biblioteca  d'oro,  raccolto  di  100  pezzi,  P 
4 — n  Ricordi:  1.  A.  Stradella:  Aria 
di  Chiesa :  Pieta  Signore.  2.  N.  P  i  c  - 
c  i  n  n  i :  Tempo  di  Gavotta  (dall'opera 
Orlando) .  3.  N.  D  a  1  a  y  r  a  c :  Komanza 
(dall'opera  Philippe  et  Georgette).  4.  F. 
M.  V  e  r  a  c  i  n  i :  Minuetto  (da  una  So- 
nata per  V).  5.  G.  B.  P  e  r  g  o  1  e  s  1 :  Aria  : 
Tre  giorni  son  che  Nina.  6.  A.  E.  G  r  6  t  r  y 
Aria  (dall'opera  Z6mira  et  Azor).  7.  G. 
T  a  r  t  i  n  i :  Larghetto  (dalla  Sonata  per 
V:  II  trillo  del  Diavolo) .  8.  L.  van 
Beethoven:  Minuetto    (dal  Settimino) . 

9.  C.    Gluck:    Aria     (dall'opera    Orfeo). 

10.  V.  Bellini:  Melodia  (dall'opera 
Norma).  11.  W.  A.  Mozart:  Minuetto 
(dall'opera  Don  Giovanni).  12.  G.  S. 
Bach:  Bourree  (dalla  3.  Suite  per  Vc). 
13.  G.  Haydn:  Allegretto  (dal  Quartetto 
op.  76  N.  2).  14.  A.  Gaidar  a:  Aria: 
Come  raggio  di  sol.  15.  G.  F.  B  a  m  e  a  u  : 
Gavotta  (dall'opera  Les  talents  lyriques) . 
16.  P.  A.  Monsigny:  Arietta.  17.  G. 
Rossini:  Aria  del  Salice  (dall'opera 
Otello).  18.  A.  Scarlatti:  Aria:  Sento 
nel  core.  19.  L.  Boccherini:  Minuetto 
(dal  Quintetto  N.  11).  20.  D.  C  i  m  a - 
rosa:  Melodia  (dall'opera  II  Matrimonio 
segreto).  21.  F.  Durante:  Aria  dan- 
zante.  22.  G.  Paisiello:  Arietta  (dal- 
l'opera La  Molinara).  23.  G.  B.  Lulli: 
Minuetto.  24.  G.  B.  Rousseau:  Aria 
(dall'opera  Le  Deviu  du  Village).  25.  F. 
Schubert:  Valzer  (dall'op.  50) .  26.  G. 
Arcadelt:  Ave  Maria.  27.  A.  M.  S  a  c- 
chini:  Gavotta  (dall'opera  Rinaldo).  28. 
A.  Lotti:  Aria:  Pur  dicesti,  o  bocca 
bella.  29.  F.  Chopin:  Canto  polacco 
(dai  Canti  polacchi) .  30.  N.  I  s  o  u  a  r  d  : 
Romanza  (dall'opera  Joconde).  31.  G.  B. 
Sam  martini:  Minuetto  (da  una  So- 
nata per  Archi).  32.  C.  Monteverde: 
Aria  (dall'opera  Arianna).  33.  G.  F. 
Kirnberger:  Gavotta.  34.  D.  Scar- 
latti: Pastorale.  35.  M.  Glinka:  Val- 
zer   (dall'opera  La  Vita  per  lo  Czar).   36. 

E.  Pur  cell:  Aria.  37.  Mendels- 
sohn-Bar t  h  o  1  d  y  :  Melodia:  Auf  Flu- 
geln  des  Gesanges.  38.  L.  N  i  e  d  e  r  - 
m  e  y  e  r  :  Pater  noster.  39.  E.  M  a  r  s  c  h- 
n  e  r :  II  Viandante  (Der  wandernde 
Willie).  40.  C.  Dittersdorf:  Arietta 
(dall'opera  Rotkappchen) .  41.  G.  F.  Han- 
del: Gavotta  (dalla  XIV  Suite).  42.  F. 
A.  Boieldieu:  Romanza  (dall'opera 
Jean  de  Paris) .  43.  A.  C  o  r  e  1 1  i :  Pre- 
ludio.  44.  C.  M.  Weber:  Canzone  (dal- 
l'opera Der  Freisohiitz) .  45.  A.  S  a  1  i  e  r  i : 
Pantomima    (dall'opera   Le   Danaidi) .     46. 

F.  Couperin:  T  Mietitori  (Les  Mois- 
sonneurs) .  47.  G.  Meyerbeer:  Arietta : 
La  rosa,  il  giglio.  48.  L.  H  6  r  o  1  d  :  Can- 
zonetta  (dall'opera  Le  Muletier).  49.  S.  N. 
M  6  h  u  1 :  Romanza  (dall'opera  Strato- 
nice) .  50.  R.  Schumann:  Canto  della 
sera  (Abendlied,  dall'op.  85).  51.  G. 
S  a  r  t  i :  Minuetto  (dall'opera  Armida  e 
Rinaldo).  52.  P.  D.  Paradies:  Arietta: 
Quel    ruscelletto.    53.    G.    Bird:    Pavana. 


54.  G.  F  e  s  c  h :  Canzonetta  :  Tu  fai  la 
superbetta.  55.  N.  Porpora:  Minuetto 
(dalla  3.  Sonata  per  VB).  56.  F.  G  e  m  1- 
niani:  Minuetto.  57.  F.  E.  Bach:  La 
Xenophone.  58.  N.  J  o  m  m  e  1 1  i :  Arietta : 
Chi  vuol  comprar  la  bella  calandrina.  59. 
G.  B.  Martini:  Balletto  (da  una  So- 
nata per  Cembalo).  60.  N.  Paganini: 
Capriccio  (dai  Capricci  per  V  solo).  61. 
G.  C.  Bach:  Gavotta.  62.  P.  A  n  f  o  s  s  i : 
Tempo  di  Minuetto  (dall'opera  La  Cle- 
menza  di  Tito) .  63.  F.  D  a  n  d  r  i  e  u  :  Mu- 
sette. 64.  F.  Rossi:  Aria  (dall'opera 
Mitrane) .  65.  G.  M.  L  e  el  a  i  r  :  Gavotta. 
66.  T.  Traetta:  Fughetta  (dallo  Sta- 
bat  Mater).  67.  B.  Mar  cello:  Aria 
(dall'opera  Arianna).  68.  P.  P.  Bencini 
Arietta :  Tanto  sospirerd.  69.  N.  M  a  n  - 
f  r  o  c  e :  Arietta.  70.  P.  Rode:  Capriccio 
(dai  Capricci  per  V  solo).  71.  L.  C  h  e- 
r  u  b  i  n  i :     Danza     (dall'opera     Faniska). 

72.  G.  Giordani:   Aria:   Caro  mio  ben. 

73.  A.  Hasse:  Danza  (dall'opera  Rug- 
giero).  74.  L.  Spohr:  Adagio  (dal  1. 
Concerto  per  CI) .  75.  Jacopo  Peri: 
Melopea  (dall'opera  Euridice).  76.  F. 
Paer:  Romanza  (II  povero  paggio).  77. 
F.    Cavalli:     Aria    (dall'opera     Serse). 

78.  0.  d  i  Lasso:  Preghiera :  Ave,  Mater. 

79.  G.  Scarlatti:  Tempo  di  Minuetto 
(dalFopera  Merope).  80.  D.  Steibelt: 
Andante  (da  una  Sonata  per  PV).  81.  G. 
P  i  c  c  h  i :  Danza.  82.  G.  B.  V  i  o  1 1 1 : 
Melodia  (dal  28.  Concerto  per  V) .  83.  R. 
Kreutzer:  Studio   (dagli  Studi  per  V). 

84.  D.    Z  i  p  o  1  i :    Tema    con    Variazioni. 

85.  A.  Vivaldi:  Giga  (da  una  Sonata 
per  V) .  86.  G.  Caccini:  Aria:  Fere 
selvagge.  87.  A.  del  Leuto:  Aria : 
Dimmi,  Amor.  88.  P.  N  a  r  d  i  n  i :  Alle- 
gretto (da  una  Sonata  per  V).  89.  G.  N. 
Hummel:  Tema  (dal  Settimino) .  90.  M. 
d'A  1  a  y :  Minuetto  (da  una  Sonata  per 
V).  91.  B.  Romberg:  Melodia  (dal 
1.  Concerto  per  V) .  92.  L.  Leo:  Ouver- 
ture  (dall'opera  Olimpiade).  93.  A.  F  a  1- 
c  o  n  i  e  r  i :  Villanella  :  Begli  occhi  lucenti. 
94.  G.  L  e  g  r  e  n  z  i :  Canzonetta.  95.  M. 
C  1  e  m  e  n  t  i :  Tempo  di  Minuetto  (da  una 
Sonata  per  2P) .  96.  F.  T  u  r  i  n  i :  Mi- 
nuetto (da  una  Sonata  per  PV).  97.  M. 
A.  Cesti:  Melodia:  Tu  mancari  a  tor- 
mentarmi.      98.    A.    Lortzing:    Arietta 

(dall'opera  Undine).  99.  G.  Fresco- 
baldi:  Passacaglia.  100.  G.  P.  da  P  a- 
1  e  s  t  r  i  n  a  :  Madrigale  :  Da  cost  dotta 
man   set  slato   fatto. 

Longo  Alfonso,  op.  21  N.  3.  Third  Ma- 
zurka — 60  n  Presser. 

Longo  G.  Ricordi:  XXII  Aprile,  canto 
scritto  per  gli  Alunni  del  Regio  Convitto 
Alighieri   di   Messina   4 — . 

-  Desiderii,   romanza   2 — . 

-  Inno    a    Vittorio    Emanuele,    marcia    reale 

di  G.  G  a  b  e  1 1  i,  ridotta  per  uso  del  Col- 
legi  a  Canto  Corale  3 — . 

-  Melodia   2 — . 

-  Spera  !  !    Scherzo,   P  2—. 


Longo  G.  Ti  pare 


623 


-  Ti  pare !  1   Scherzo-polka,  P  2.2o. 

-Una    Domenica    a    Mergellina,    scherzo,    P 
2.50. 

-  Una  Memoria,   notturno,   P   2 — . 

Longo   M.   Bambins,  marche,   O   av.   P  cond. 
2 —  n  Margueritat. 

-  Graeieux  hommage,  0,     Gaudet. 

-  Poste  restante.     Le  Suicide.     Cairanne. 
Longobardi    A.      Trattatino    di    Strumenta- 

zione    (preparativo  al  Gevaert  e  Ber- 
lioz),  P    15—,    I— III   a    7—   Pisano. 
Longone    E.   op.   1    Romance   1.50   Ricordi. 

-  Disillusioni    1.50    Mariani. 
Longperier,  Beatrix,  T,  Bar  3—  Siilzbarh. 

-  Bianca,   valse  4.50   Grus. 

-  Henri   II,   quadr.   5 —   Grus. 

Longperier   de.   neugel:    Chanson   d'Yvonne 
2.50. 

-  Chanson  du   Commendeur  de  Fanfara   2.50. 

-  Fleur   d'espgrance   2.50. 

-  LoTc  le  Pecheur  2.50. 

-  Petits  enfants  3 — . 

-  Portraits  2.50. 

-  Regrets   d'Albert   2.50. 

-  Sub  tuum   2.50. 

Longstreet,   Battalion   Parade,   milit.   march 

—50   White. 
Longueville   A.   op.   16  Lelia-Polka   2.50   Le- 

moine. 
-49  Pandore,  marche,  P  5 —  Eeugel. 

-  67   Tra   la   la,   valse   de   Gordigiani,    P   5 — 

Heugel. 
-69   Monsieur    Janvier,   quadr.    brill.    1.75  n, 

4rns   2 —  n    Gallet. 
•  70   Les    Pages   de    la    Reine,    2.    ed.    quadr. 

fac.    1.75  n,    J/^is   2 —  n   Gallet. 
-71   Le   Sylphe,  quadr.   trfes   fac.    1.75  n,    'fms 

2— n  Gallet. 
-72   Le   Roi    des    Mers,    quadr.    brill.    1.75  n, 

4ms  2 —  n  Gallet. 

-  76   La   Plainte   du   Mousse,   P   6 —   Heugel. 

-  89  Chanson  du  Roi  de  Bo^tie  d'Orph^e  aux 

enfers,   bolero-serenade,   P   6 —  Heugel. 

-  90   Le   Bosquet    de   la    Reine,    quadr.    brill. 

1.75  n,  Itms  2— n   Gallet. 
-91    Bilboquet,    quadr.    trfes    fac.    1.75  n,    l^ms 

2— n    Gallet. 
-93  Le  Petit  Caprice,  quadr.  tr&s  fac.  1.75  n, 

J/ms   2— n    Gallet. 

-  102  Rose  de  juiu,  mazurka,  P  6 —  Jouierf. 

-  103    Fantaisie    brillaute    sur    les    Dragons 

de  Villars,  P  7.50  Joubert. 
■  104  Garibaldi,   quadr.   Fl  — 10   8assetti. 

-  105    Remembrance,    nocturne,    P    5 —    Jou- 

hert. 

-  128   Le  Prince   Charmant,   quadr.   tr6s   fac. 

1.75  n,  4ms  2— n   Gallet. 

-  129    Les    Lutins    roses,    quadr.    fac.    1.75  n, 

4ms   2 —  n   Gallet. 
-130    L'Alabama,    quadr.    brill.    1.75  u,     4ms 
2—  n  Gallet. 

-  131    Le   Petit  Chaperon   rouge,   quadr.   tr&s 

fac.   1.75  n,  4ms  2 — n  Gallet. 

-  132  Great-Eastern,  quadr.  brill.  1.75  n,  4ms 

2 — n   Gallet. 

-  133    Le   Reveillon,    quadr.    fac.    1.75  n,    4ms 

2 —  n  Gallet. 


Longy  A.  Esperanee 


Heugel: 
•  Abenc6rages,   quadr.   4ms   6 — . 

-  Alchimiste,   quadr.    5 — . 

-  Ath&nes,   quadr.   4ms  6 — . 

-  Austerlitz,   quadr.   4ms  6 — . 

-  Bal    blanc,    quadr.    fac.    1.75  n,    4ms    2 — n 

Gallet. 

-  Barberousse,   quadr.   4'"«   6 — • 

-  Belle  Capricieuse,  valse  5 — . 

-  Bengali,  quadr.   5 — . 

-  Bouton  de   rose,  grande  valse  brill.   P  5 — . 

-  Bravo  de  Venise,   quadr.  4ms  6 — . 

-  Capricciosa,    polka-maz.    4 — . 

-  Capricciosa.    polka-maz.    V,    Fl,    Cornet    k 

— 30n. 

-  Carnaval   romaiu,   quadr.   5 — ,   4ms  6 — . 

-  Chaine   des   fleurs,   quadr.   5 — . 

-  Chalet  du  bois  de  Boulogne,  quadr.   5 — ■. 

-  Char   des   f6es,  quadr.   5 — ,   4ms  6 — . 

-  Chasseur  noir,  quadr.  5 — ,  4ms  6 — . 

-  Chevalier     de    Saint-Georges,      quadr.    5 — , 

-'fms  6 — . 

-  Dandy,   quadr.    fac.    4 —   Lemoine. 

-  Diablotins    (facile),  quadr.  5 — . 

-  Eleganza,    polka-maz.    5 — . 

-  Elle  et  lui,   souvenir,   grande  valse,  P  5 — . 
-Enfants  et  Fleurs   (facile),  quadr.  5 — ,  .^w.s 

6—. 

-  En  mer,  quadr.  5 — . 

-  Etoile   du   marin,   quadr.   5 — ,   4ms  6 — . 

-  Fgte  napolitaine,  quadr.  5 — ,  4ms  6 — . 

-  Fontainebleau,   quadr.   5 — ,   4ms  6 — . 

-  Grand  Veneur,  quadr.  5 — ,  4ms  6 — . 

-  Girofle-Lanciers    5 —    Joubert. 

-  Ida,   polka-maz.   4.50. 

-  Imp6riale,    nouvelle    danse    de    salon,    4»(S' 

4.50. 

-  Lelia-Polka   — 40  n    Lemoine. 

-  Mameluks   de   I'Empereur,   quadr.   5 — ,   4'^'^ 

6—. 

-  Message,   reverie-valse  5 — . 

-  Mosquge,   quadr.   5 — ,   4ms   6 — . 

-  Petits  Matelots,   quadr.    4ms   6 — . 

-  Petits    Soldats    (facile) ,    quadr.    5 — ,      4ms 

6—. 

-  Printemps,   varsoviana,   ^ws  2.50. 

-  Prioretta,    schottisch,    .^«(S    3.75. 

-  Promenade    au    bois    de    Boulogne,    polka- 

maz.  4.50. 

-  Raphaele,   polka   1.50  n   Gallet. 

-  Reveuse,   redowa,  4ms  5 — . 

-  Roche  du  Diable,  quadr.  5 — ,  4ms  6 — . 

-  Roi    des    Enfers,    quadr.    5 — ,    4»'s    6 — ,    V 

— 30n. 

-  Souvenir    des   Pyr6n6es,    quadr.    5 — . 

-  Tambour    d'Arcole,    quadr.    5 — ,    4ms    6 — , 

Cornet  — 30  n  Heugel,  P  1 —  Schott. 

-  Templiers,   quadr.   5 — ,  4ms  6 — . 

-  Tra   la  la,   valse   de  Gordigiani   5 — . 
-Trilby,  quadr.  fac.  1.75  n  Gallet. 

-  Valerie,    sicilienne,    4ms    3.75. 

-  Varsoviana,   nouvelle   danse   de  salon,   pre- 

c6d6e  de  la  thfiorie,  4ms  3.75. 

-  Veillee  des  armes,  quadr.  5 — ,  4^^s  6 — . 

-  Vieux   de   la   Vieille,   quadr.   5 — ,   4ms  6 — , 

V,  Fl,  Cornet  k  —30  n. 
Longy    A.   Esperanee,   maz.   5 —   Alleton. 


Longy  G.  Rapsodie 


—     624     — 


Loomis  H.  W.  Yest'reen 


Longy  G.  Eapsodie,  2Cl  en  la,  Saxophone 
Alto  (mi  b^mol),  Ha,  3  Timbales,  Basson, 
Kb    (Partition  et  parties).   Jlurstel. 

Lonlonia    1— n,    Cli.  s.   — 35  n    Puigellier. 

Lonnen  E.  J.  Coster's  Weddin'  4/ —  Ascher- 
berg. 

-  Enniscorthy     (sung     in     the    Gaiety     Bur- 

lesque   „Faust    up    to    Date"    4/ —   Ascher- 
berg. 

-  Wake  of  Mulligan's  Wife  4/ —  Ascherberg. 

-  Wanted     (La    Bearnaise)     4/ —    Ascherberg. 

Lonque  S.   Extase   1.75  n  O.  Beyer. 
Lonsdale   Eva,  Ah,  little  flawer !    (F.  Ray) 
2 —  n   Ricordi. 

-  Alsteriana    (Barcarolle),  P  4; — ^  St.  Cecilia. 

-  April's  Lady,   song,  words  2 —  n  Ricordi. 

-  Bearney   Stone   4/ —  Ascherberg. 

-  Blue-bells  4/ —  Leonard. 

-  Boys   of   Dublin    Town    2  —  n    Chappell. 

-  Boy's   Song   Album   with   Tonic   1/ —   Cary. 
-Chant   du    Soir,    PV    (Poznanski)    4/ — 

Ascherberg. 

-  Fair   is  the  Summer   morn   2 —  Ricordi. 

-  Field   Flowers   2 —  n   Ricordi. 

-  Fields  of  May ;  Ah  Little  Flower  !  a  2/ —  n 

Ricordi. 

-Four  Love  Lyrics:  1.  Passing.  2.  A  Que- 
stion. 3.  The  Secret.  4.  Love  comes  with 
Singing,   a   2 —  n   Ricordi. 

-Good  night  (in  Aflat  &  B  flat)  2/— u 
Chappell. 

-  2  Little  Beauties,  P  4  —  St.  Cecilia. 

-  Man  in  the  moon  is  looking,  waltz  arr.  by 

E.   Mack  —30   Gordon. 

-  Night  4/ —  Leonard. 

-  Oh,   memory   sweet !    Song   2 —  u    Ricordi. 

-  Romance,   PV    (Pozuanski)  4/ —  Ascher- 

berg. 

-  Seasons   4/ —   Ascherberg,    Leonard. 

-  Snowdrop  4/ —  Cramer. 

-  Souvenir  de  Belvedere,  P  4/ — ,  transcr.  VP 

(by   J.   B.   P  o  z  n  a  n  s  k  i)    4/—  Duff. 

-  Such   is  my  love  4/ —  Chappell. 

-  Sunshine   &   Eoses    2/ —   Boosey. 

-  Tommy   make   room   for   your   uncle,   waltz 

—10,  VP  —60,   V  —15  Brainard. 

-  Two   Roses   4 —   Chappell. 

-  Wood  Nymphs,  P  4/ —  St.  Cecilia. 
Lonsdale    Harold,      Love's     afternoon     4/ — 

Chappell. 

-  Star    of    the    Evening,    waltz    4/ —    Ascher- 

berg. 

-  Summer's  in  the  world  2/ —  n  Chappell. 

Lonsdale  M.  A.  O  praise  the  Lord,  O  sing 
Praises    (Full   chorus)    — /I    Pitman. 

■  This  is  the  Day  which  the  Lord  hath  made 
(Treble  or   TS  &  chorus)    —/I   Pitman. 

-  Whoso   dwelleth   under    the    defence    of   the 

Most   High    (treble   or    TS  &   chorus)    —/I 
Pitma7i. 
Lonsdale   T.   S.   Don't  take  any   notice,   it's 
only  the  boy   3/ —  Ascherberg. 

-  If    I    was    only    long    enough    3/ —   Ascher- 

berg. 

-  I'll  beat  you  more  for  that  than  anything 

3/ —  Ascherberg. 
•  Is   the   Gus''nor   in   4/ —   Ascherberg. 


-  Man    in    the    Moon    is     looking,     love     3, — 

Ascherberg. 
■  Never    court   a    girl     who's    a    dove,     dove, 
dove  4/ —  Ascherberg. 

-  Not    before   pa,     dear,     song   &   chor.     — 30 

Gordon. 

-  There's  only  room  for  one  3/ —  Ascherberg. 

-  Tommy,  make   room   for   vour   uncle,  sg.   & 

ch.   —30   Gordon. 
What  do  you  take  me  for  ?  — 50  Brainard. 

-  Whoa,     Emma !     com.     temper,     song     4/ — 

Ascherberg,   — 50   Brainard. 
Lonsdale   T.   S.   &    E.   V.    Page,   Magistrate 

4/ —   Ascherberg. 
Lonsdale  W.  H.  Don  Polka,  P   (illustr.)  4/— 

Cary. 

-  Intermezzo,  leichtes  Quartett,  .JF  1.50  Ger- 

inunn. 

-  Intermezzo,    VP   3/—,   2VP   3/—,   JfVP    1  — 

Cary. 

-  Moorish   Serenade   1/ —   Price. 

-  Nautch   Dance    3/ —   Cary. 

-  Pas  de  Fascination,  P  3/ —  Cary. 

-  Pas  de  Joie,  entr'acte,  P  1.50  Germunn,  O 

(illustr.)    3/—,   2VP  or   4VP   1/—  Cary. 

-  The    Pixies    Carnival,    tarantelle,     P     3/ — ■ 

Cary. 

-  Valse  Caprice,  P  3/ —  Cary. 

-  Zingareska,  gipsy  dance,  illustr.  3/ —  Cary. 
Lonyai    B.  Katica  csfirdfis  2 —  Mery. 

-  Korholy  csfirdSs   2—   Mery. 

Loo  Ch.  Van,  Nouvelle  Chanson  2.50  Katto. 

Loo  J.  Van,  Proficiat    (vlaamsche  Lied)    3 — 

Katto. 
Look    before    you    leap,      motto    song      — /2 

Sheard. 
Look  out  for  the  Hoodoo-doo-doo  Man  2/ — n 

Slieard. 
Look    to    that    old    spot    (Chauiicey    Olcott's 

Home   Song)    2/ —  n   Sheard. 
Looks  Rudolf,  op.  6  Vier  Lieder :  Was  geht 

das    fremde    Lied    mich    an.    Liedeszauber. 

Zweier   Augen   seltsam   Leuchten.  Wiegen- 

liedclien    1.80   Challier. 
Loomis   G.    B.    Don't   be   sorrowful,    darling 

(There's    no   more    night   than   day),    song 

and  chorus  — 40   Brainard. 
Loomis   Harvey   Worthington,   op.   53   N.   2. 

Hungarian   Rhapsody,   P   1—  Ditson. 

-  A    Monody,    P   — 50   Ditson. 

■  Another    Scandal !    P  — 50    Ditson. 

-Ariel    (Morceaii   de  ballet),   P  — 50  Ditson. 

-  At   the   Vaudeville,    P   — 40    Gordon. 

-  Banjo,    P   — 50    Ditson. 

-  Bicycle,  P  — 25  Summy. 

-  Dolphins,  P  — 65  Ditson. 

-  In  the  foggy  dew  — 50  Ditson. 

-  Melon  song,  plantation  song  4/ —  Ashdoirn. 

-  Merry   Go-Round,   P  — 25   Summy. 

-  Mireila    (Mireille)    —60   Dit.sou. 

-  Molly  —50  Mills. 

-  My   Die   Banjo  — 50   Ditson. 

-  Once   upon    a   time,    P  — 50   Ditson. 

-  Pickaninnies   Picnic,   P  —25   Summy. 

-  Return    Ball,    P    —25    Summy. 

-  Spring      Greeting       (Friihlingsgrufi)       — iC 

Ditso7i. 

-  Yest'reen   — 50   Ditson. 


Loomis  H.  W.   When  love  comes 


—     625 


Lopez  N.  Evoke 


-  When,   Love    comes     to    my     garden      4/ — 

Ascherberg. 
Loonh    F.   Soldiers   in   the   park,   march   1 — 

Napoleao. 
Loos,  Be  My  Honey  Mister  Man  — 50  WilUg. 

-  Dear  Bye  Gone  Days  — 50  Willig. 

-  Old    Friends   Are    Better    Than    New   — oO, 

0   (10  parts)   and  P  —60  Willig. 
Loos   J.    George    jr.    Honey,    i'm    dead   — 50 

Bloom. 
Loos  V.   A.  op.   6  Saliit  an  Rhin  — 25   Jur- 

genson. 

-  7  Ungarischer   Krouungs-Marsch,  Jfms   1.50 

Breitkopf. 

-  8  Zwei  Lieder,  Bar  1 —  Tonger. 

-  9    Bilder    aus    Schillers    Glocke,    Senate,    P 

3 —  Breitkopf. 

-  10   Aus   den   heimatlichen  Bergen,   Charak- 

terstiick,  P   1.75   Breitkopf. 

-  12  Die  Wolken   fliegen   1 —  Tonger. 

-  Ale  zostaw   mi   nadzieje  — -15   Gebethner. 

-  Flug  der  Liebe,  <§  — 75   Tonger. 

-  Jaskolka  — 30   Gehethner. 

-  3   Lieder,    8{A)    1 —   Tonger. 

-  Przypomnienie  — 30    Gehethner. 

Loose  F.  Heureuse,  Walzer  1.50  Hofmeister. 
Loosemore    Henry,  The  Litany  in  D-minor, 

ed.   by    J.   B.   Lott  — /4   Novello. 
Looser    G.      Ich   legte   gerne   einen   Kupfer- 

draht,   Parodie   1 —  A.   lloffmann. 
Loostrom   J.  God   Jul !   Vals   1 —  Lundquist . 

-  Variete-Minnen  !   Vals  1 —  Lundquist. 
Loots  Ph.    (1865).  Alsbach:  Op.  3  Sechs  kl. 

Charakterskizzeu,    P     1.50. 
-4  Kerstlied    (Weihnachtslied)    voor  3  Vrou- 
wen-St  en  8-s.m.  Org(P),  Part— 60,  St— 60. 

-  5  Bloesems  en  bloempjes,  10  Kiuderliederen 

1— n. 
-6  Prijsuitdeeling    (Holl.   en  Duitsch),  Kiii- 
der-Kantate,     3st.     m.    P,     Part    1.50,     St 
1.20,   8ms   2.50. 

-  7    Ter    Bruiloft,    humoristische    schets,    J{ms 

3Wc  m.   Slaginstr   ad   lib.    1.50. 
■  9a  Ouders'  verjaardag,  kl.  Feest-Cantate  voor 

2st.  Kinderkoor  m.  P,  Part  — 60,  St  —60. 
-9b    Het    Onweer,    kleine    Cantate    voor    2.st. 

Kinderkoor  m.   P,  Part  —80,   St  —80. 
-10   Het   Vaderlaud,   voor    TTBB   1.80  n. 

-  11  De  barre  Eoots,  TTBB,  Part  1— n,  St  1.20. 

-  12    Lentelied    (Bekroond     door     de     Nedev- 

landsche      Toonkunstenaars  -  Vereeniging) 
— 60  Lichtenaiier. 

-  15  N.  3.   In  de  Lente  —50. 

-  18  Jubelklanken  ter  zilveren  bruiloft,  voor 

2st.   A'rouwen-   of   Kinderkoor   en   Solo,   P. 
Part  —80,   St  a  —20. 
-22   Ab.?chied :    „So    iunig    hat   er    die    Hand 
mir  gedriickt"    (engl.-deutsch)    1.30  Simon. 

-  28   Denk   aan   den   avond,   gecomponeerd   v. 

3   vrouvv^enst  m.  P    (ad   lib.)    — 50  Allgem. 
Mtiziekhandel. 

-  29  Tranendichtjes,  voor  Bar  m.  P  1.50  All- 

gem.    Mitziekhandel. 
-30    In't    Kroningsjaar,     zes     vaderlandsdio 

liederen    1 —   De    Nieuwe    MuziekhandeJ. 
-34   Wildzang,   TTBB,   Part  —80,   St    1—. 

-  Improvisatie,  Org,  vide  :  Nederl.  Org.-Album. 
-Kerstlied,   ATBB  m.    Org(P),   Part   1—,   St 

— 60   De   Allgem..   Muziekhandel. 

Unlversal-Handbuch  der  Musikliteratur.    L. 


Lopes     A.       Regina     Margherita,     Gavotta, 

Banda,    Part    2 — n    Ricordi. 
Lopes    A.    D.      Minha    filhinha,    polka   — 50 

Gitimara.es. 
Lopes  Fr.  D6  r6  mi  moderne,  polka  1 —  Gtii- 

mar  lies. 
Lopes  G.  E.  Napoleao :  Discreta,  valsa  1.50. 

-  Irresistivel,  galope  brill.  P   1.50. 

-  Pyrilampo,   tango-lundCi,    P    1 — . 

-  Recouherida,   polka-maz.   1 — . 

-  Risonta,   valsa    1.50. 

-  Vespertina,    valsa    1.50. 

Lopes  J.   Eureka,  valsa  1 —  Guimaraes. 

Lopes  J.  jr.  A.  Fagueira,  polka  1 —  Gui- 
maraes. 

Lopes  J.  J.  jr.  FSrrobGdo,  polka  1 —  Gui- 
maraes. 

-  Gaiata,   quadr.    1.50   Guimaraes. 

-  Guilota,    polka   1.50   Guimaraes. 

-  Henriqueta,   tango   — 20    Neuparth. 

-  Nao  sei   da  chave,  polka  — 24  Neuparth. 

-  Onca  na  arataca,  quadr.   1.50  Guimaraes. 

-  Parece   um   sonho,   valsa   1 —   Guimaraes. 

-  Sinos  do  Rio  de  Janeiro,  quadr.   1.50  Gui- 

maraes. 

-  Sympathica,   polka    1 —   Guimaraes. 
Looes  J.  R.  Eu  te  adoro,  polka  1 —  Guimaraes. 
Lopes  O.  Frateruitade,  schott.  1 —  Guimaraes. 
Lopes    X.      Cantos    populares,     quadr.    — 30 

Ne  upo  rth . 

-  Gioconda    (Ponchielli),  lauceiros  sobre 

motives,  P  2.50  Ricordi. 

-  Hebrea      (Ha  levy),     quadr.     — 30     Neu- 

parth. 

-  Princeza  das  Canarias    (Lecocq),  lancero 

— 40  Neuparth. 
Lopez,  A  last  farewell,   maz.  — 40   White. 

-  Glori,   polka  — 75  n  Dotesio. 

-  Guajiras,    G    1 —  n   Dotesio. 

-  Lolita,  maz.  G  1 —  n  Dotesio. 

-  Malaguena,   G    1.25  n   Dotesio. 

-  Polonesa,    G    1.50  n   Dotesio. 

Lopez- Almagro,   Canto   de  Amor,   melopeya 
(romanze)    — 50    Wagner   y   Levien. 

-  Gozos  a  la  Santfsima  Virgen,  a  dos  6  tres 

voces  y   Org   1 — n  Ayne. 

-  Metodo,   B,  compl.   20 —   Ayne. 

-  Metodo   H   de   doble   expresi6n   20 —   Ayne. 

-  Motete   Resurreecion.    Regina    Coeli,    &    dos 

6  tres   voces  y   Org   1 —  n   Ayne. 

-  Nuevo  Septenario  de  los  Dolores,  2  6  3  vo- 

ces,  Org   1.50  n  Ayne. 
Lopez   J.   Cumpleaiios,   schott.   — 50   Wagner 
y  Levien. 

-  Mister io,  schott.  — 50   Wagner  y  Levien. 

-  Rayo  de  Sol,  vals  —75,  Banda  2.50,  0  1— 

Wagner  y  Levien. 

-  Recuerdo  a  Trini,  valse  — 50  Wagner  y  Le- 

vien. 
Lopez  J.   M.  Amistad,  maz.  — 25  Wagner  y 

Levien. 
Lopez   L.  Los  Monos,  danza  — 13  Wagner  y 

Levien. 
Lopez   N.   Ay  de  ti !    (Prends  garde  a  toi!) 

Chanson   espagnole    (2  tons)    5 —  Leduc. 

-  Carlota,    duo,   pouvant    se    chanter    en    trio 

{Bar  ad  lib.)    6 —  Leduc. 

-  Evohe,  valse  brill,  av.  8ATB  ad  lib.  2— n, 

p.  de  choeur  a  — 25  n  Fromont. 

40 


Lopez  N.  Jardhicra 


62G 


Lorberg  P.  unci  Hartel  G.  op.  2 


-  Jardinera    (la  Bouquetifere),  chanson  espa- 

gnole  1 —  n  Leduc. 

-Jardinera  (la  Bonqueti&re),  chanson  espa- 
gnole  (2  tons)  5—,  av.  Castagnettes  et  de 
Tamhour  de  basque  ad  lib.   5 —  Leduc. 

•  Perlita,   bolero,    duo    6 —   Leduc. 

-  Perlita,   a   2   voix    (av.    Castagnettes  et  de 

Tamhou)-  de  basque  ad  lib.)    6 —  Leduc. 
Lopez    Salvatore,    Ave    Maria,    con    Orgfll) 
1.50  lezo. 

-  Credo  Sanctus  et  Agnus  Dei  a  2  voci,  coa 

Org(n)   2—  Izzo. 

-  4  Litanie  per  TB,  con  OrgfH)   1.50  Izzo. 

-  Messa   a   2   voci,    con    OrgfH)    2 —   Izzo. 

-  Tantum    Ergo    a    2    voci,    TB    con    OrgfH ) 

1.50  Izzo. 
■Tantum   Ergo,   con   OrgfH  J    1.50   Izzo. 
Lopez    V.    de,    Espagnolo    Estelles    Polo,    P 

1—  Bard. 

-  Polo,  c6l.  marche  espagnole  2 —  u  Hyams. 
Lopitzsch  Jul.  Apollo-Marsch  — 50  E.  StoU. 

-  Marsch   liber   das  Lied:    Was   ist  des  Deut- 

schen   Vaterland?   P   — 50   Siegel. 

-  Marsch  iib.  d.  Lied :  An  Adelheid— 50  E.  Stoll. 

-  Oppositions-Marsch    — 50    E.    StoU. 

Lopke  August,  Mailied,  P  3/ —  Donajoicslci. 
Loquenzi    P.   Una   gita   a   Monte   Cave,   ma- 
zurka,  P   3 —   Carisch. 
-Vittoria,    polka    brillaute    3 —    Carisch. 
Loquin  A.  Angelus  3 — ,  Ch.  s.  1 —  Carterean. 

-  Attente  3 —  Benoit. 

■  Berthe  I'amoureuse  3 — ,  Ch.  ».  1 —  Car- 
terean. 

-  Berthe  la   Coquette   3 —  Benoit. 

-  Chasse   aux   Loups   3 —  Benoit. 

-  Dieu  voit  tout  3 —  Benoit. 

-  ITarmonie   rendue   claire   et   niise   a  la   por- 

tee  de  tous  les  musiciens,  traite  g6n6rol 
des  Traites  d'Harmonie,  1  fort  vol.  car- 
tonne  in-4°  de  500  pages,  coutenant  un 
tres  grand  nombre  d'exemples  de  musique 
empruntes  a  la  plupart  des  Maitres  50 —  n 
Costallat. 

-  Minna  1 —  n,  av.  G  — 40  n  Lahhe. 
-Notions    elementaires    d'Harmonie    moderne 

5 —  n  Costallat. 

-  Plaintes     (les)     de    Marie-Stuart,    romance 

1 — n,  Ch.  s.  — 40  n  Bornemann. 

-  Premiere    (la)    fleur,   melodie   1 —  n,   Ch.   s. 

— 40   Bornemann. 

-  Primevfere  1 — n,  av.   Q  — 40  u   Lahhe. 
-Roman  de  Jacqueline   3 — ,   Ch.  s.   1 —  Car- 

tereau. 

-  Soiivenez-vous    1 —  n,    av.    G    — 40  n    Lah'be. 

-  Terrazille   1 — n,   av.    G   — 40  n   Lahhe. 

-  Un  doux  baiser,  Lisette  1 —  n,  av.  G  — 40  n 

Lalihe. 
-Yvonnic   1— n,   av.    G   — 40  n,   Ch.  s.  — 20  n 

Lahhe. 
Lor,   op.  24  Fastnachtstanze   1 —  Bote. 

-  Neujahrs-Galopp  — 30  Bote. 

-  NeujahrsWalzer  — 50   Bote. 

Loraine  J.  Scottish  Echoes,  P:  1.  Caller 
Herrin'.  2.  Monymusk  and  Mary  of  Ar- 
gyll. 3.  Highland  Laddie  and  Afton  Wa- 
ter. 4.  Wha  wadna  fecht  for  Chai'lie.  5. 
We're  a'  noddin'  and  Logie  o'  Buchan. 
6.  There's  nae  luck  and  Robin  Adair,  a 
3/—  Phillips. 


-6  Violin  Solos  w.  P:  1.  The  Auld  House, 
Bonnie  Banks  of  Loch  Lomond,  and 
Scotland  Yet.  2.  Afton  Water  and  the 
Scottish  Blue  Bells.  3.  A  Village  Fete 
(Descriptive  Fantasia).  4.  Bohemian  Girl 
(1st  Selection),  Welcome  the  Present,  The 
Fair  Land  of  Poland,  Silence,  The  Lady 
Moon,  and  Happy  and  Light  of  Heart.  5. 
Bohemian  Girl  (2nd  Selection),  Gipsy 
Chorus,  I  Dreamt  I  Dwelt,  and  When 
other  Lips  (Then  You'll  Remember  Me) . 
6.  Huntsman's  Chorus  (from  Der  Frei- 
schiitz),   a   4/ —  Allan    Mozart. 

Loraine   R.  Rob  Roy,  P  1/3  n  Allan  Mozart. 

-  Salome,  P  —30,  2MandG  —25  Mc.  Kinley. 

-  Scotland,  P   1/3  n  Allan  Mozart. 

■  Scottish    Fantasia,    P    1/3  n    Allan    Mozart. 

-  Zamona,  intermezzo,  P  — 30  Mc.  Kinley. 
Loraine    W.    Herzensklange,    Intermezzo,    P 

1.80  n   Zipser. 

-  In    Pekih,   Chinese   waltz    — 50    Mills. 

-  Japanese  Serenade,   Z   — 40   Mills. 

-  Lunita,    intermezzo,     O     2.50,     kl.     0     T.SO 

Roehr. 

-  Ma.TiopocciHCKaH  n'fecHfl,,rpeHaHHKH"  fac. — 20 

Johanseti. 

-  Mandarin's    Courtship,    P    — 50    Mills. 

-  Marseillaise,   P  — 15   Johansen. 

-  Omar,   P  — 50,   Mand  — 25,   G,   Banjo   and 

all   the   resulting   combinations.     Mills. 

-  Only    Way,     waltz     —50,     Ma7id    —40,     G, 

Banjo,   P   and   all   the   resulting   combina- 
tions.    Mills. 

-  Sahara   African   Patrol,   P   2 —  n   Hachette, 

O  3—,  kl.   0  2—,   P  2—  Roehr. 

-  Salome,    cake-walk   — 35    Johansen. 
-Salome,   nouv.    danse  — 35    Johansen. 
-Salome,  Intermezzo,  P  1.80  Porges,  1.50 

Bard,   1.80   Roehr,   4/ —   Leonard,   Orpheus, 

-35    Johansen;    Ifms 


-40  Mills,  0  2.50,  kl. 


Shcard,   —50    Mills, 

—75,  Mand  —25,  Z 

0  1.80  Roehr. 
'  Sultan  — 50,   Mand  — 25,   G,   Banjo  and  all 

the    res.   combinations.      Mills. 
■  Veronica,   valse  ■ — 50   Mills. 

-  Voj^agers  — 60   Mills. 

-  Whispering  Leaves,  interm.  P  4/ —  Sheard. 

Loranda   F.  Felipe,  danza  mexic.    (&  V  o  1 1- 

stedt-Kretschmer:    Rockets),    Full 

0  1—,  li  Instr  —80,  10  Instr  —60,  P  —15 

Fischer. 
Lorang    C.   Reveuse,    valse   1.50  n    L'Auteur- 

Montreuil  -  sous  -  Bois,     4,     sentier     de     la 

Butte. 
Lorano    C.      Ma    petite    Toinette,     romance. 

Dorey. 
Lorant,   Souvenir   de   Paris,   pas   red.    Harm 

3 — ,   Fanf  2 — ,   Cond.   — 25   Schoenaers. 
Loray  M.  Tentadora,  schott.  1 —  Bevilacqua. 
Lorbeer   F.   L  e  C  o  u  c  o  u,   de  D  a  q  u  i  n,   P 

2 —  Janin. 
-Oberon,  de  Weber, 
-Samson,   menuet,   de 

Ja7ii7i. 
Lorberg   P.   und   Hartel 

de  Salon    (A),  PV  3— 

-  2  Schone  Wiege  meiner  Leiden,  Lied 

1.25  Kahnt. 


P  2 —  Janin. 
Haendel,    P   2— 


Gustav, 

Kahnt. 


op. 


1   Duo 


VcP 


Lorberg  P,  unci  H artel  G.  op.  3 


—     627 


Lorens  C.  op.  61 


-3  Romanze,   VcP   1.75  Kahnt. 

-4    Zwei    Klavierstiicke    3 — ■:      Nr.    1.    Jagd- 

eriunerung   1.75.   Nr.   2.   Die  Sylphide   1.50 

Weifi. 
-7  Zwei  Lieder :   1.  AUes  still  in  siifier  Ruh, 

Wiegenlied.     2.     Lied:      ,,Lafit     mir     den 

Schlummer",   il   —50   Bote. 
-8    Zwei    Fugato-Seherzando :     1.    C-dur,    2. 

A-moll,  A   1 —  Bote. 
-9   Drei   Klavierstiicke  2 — :    Nr.    1.   Verlore- 

nes    Gliick    —80.      Nr.    2.    Im    Sclierz    1— . 

Nr.   3.  Gesang  der   Meerfrau   1 —  Bote. 

-  10  Zwei  Capiicen,  P :  Nr.  1   1.30.  Nr.  2  1.50 

Bote. 

-  12    Drei    cliarakteristische     Tonstiicke,     P : 

1.    Nordische    Romanze.      2.    Tanzende    Zi- 
geuner.  3.   Die  Miihle  im  Tal,  a   1 —  Bote. 

-  13  Drei  Klavierstiicke:   1.  Scherzo.  2.  Fruh- 

lingsgrufi.    3.    Impromptu,    a    1 —   Bote. 
-16  Zwei   Stiicke,   PV :  Nr.   1.  Romanze   1— . 
Nr.  2.   Nokturne   2—  Bote. 

-  25  Nr.  1.  Du  Tropfen  Tau  —80.  Nr.  2.  Der 

Kufi    1 —  Sommcrmeyer. 

-  27    Jigdal,    TTBB    1 —    Sornmermeyer. 

-  Gavotte,   P    1 —   Hchuherth    jr. 

-  Konzert-Galopp,   P    1.50   Bote. 

Lorch    Chr.      Lorch :      Op.    3    Naclitwachter- 

Polka    1 —  Sclniherth   jr. 
-5   Mazurka,   3DiskZ2FlStrZ2VVaVc  2.50. 
-6   Albumblatt,  P  —80. 

-  7    Iloclizeitsgrufi,    P   — 80. 

-  7  Albumblatt,  3DiskZStrZ2Fl2VVaVcII  3—. 
-8    Nocturno,    PfH)    —80. 

-  9  Serenade,  P  1 — . 

-  14  Adagio  fiir  Fl  mit  Begl.  von  3DiskZ2V 

VaVc  2.50. 

-  16  Adagio   in   E-molI,    VP   1—,   VcP   1—. 

-  18  Lied  v.  W.,  fiir  Vc  mit  Begl.  von  SDiskZ 

2V2VaVc   2.50. 
Lorchen-Ley,   jiidisches   Couplet  — 50  Block. 

Lord    Mc.    Donald's    reel    (Virginia    reel)    & 

Hull's   victory,    P  — 10    Bruinard. 
Lord    gave    the    word,    The,    anthem    — /'/^ 

C  iiriccn. 
Lord  Grace,  The  Rose  that  all  are  praising, 

C   —30    Thompson. 
Lord    is   in   his  holy   temple,   The  — /V-   Cur- 

tccn. 
Lord    Is    risen     (Easter-anthem     of     praise) 

—  '1    Ciiriren. 
Lord    Love!  — /2  Hojnvood. 
Lord    Mayor's    Banquet,    The    2/ — n    Sheard. 
Lord    Thy    Glory    fills    the   Heavens,    SATB 

—60   EcJio   Music   Co. 
Lord    Alfred    Dixon,    New    Year's     gavotte 

3/ —  Cary. 
Lord    Arthur,      Nearer,    my    God,    fant.    Org 

4/ —    Orpheus. 
Lord  J.  E.  W.  Marche  militaire,  P  4/ —  Leo 

vard. 
Lord    J.    F.      The     Athanasian     Creed     (7th 

tone)   — /I  Novello. 
Lord    Ronald,    or    the     Refusal     1/ — n     Au- 

gencr. 
Lord    W.      The    Lily,    maz.    de    concert   4/ — ■ 

Pitynnn. 
Lord  Wellington,  Life  let  us  cherish,  P  — 10 

Gordon. 


P    41— 
,     extra 


Lordmann  Peter,  Es  war  einmal.  h.  u.  f, 
a    1 —  Milller. 

-  Puppenliedchen    1 —   Piatt. 

-  Schlaf  wohl,  mein   Piippchen,  Puppen-Wal- 

zer  1—  Piatt. 

Lords  of  creation,   P  — 10   Gordon. 

Lore  Jean  de,  Amanda,  gavotte, 
FullO,  Part  1/6,  sept.  Part  1/- 
parts  a  — ,'3  Francis. 

Loredan,  Chanson-Marche  carnavalesque  ni- 
coise  ,,Ounour  a  Carneval"  1.50  n  Leo- 
nard. 

Loredan  Conte  P.  Gazza  ladra,  remi- 
niscenze,  fantasia  di  concerto,  P  6 —  Ri- 
cordi. 

-  II    Delirio,    allegro    di    concerto,    P    4-^   Ki- 

cordi. 

-  II   Gondoliero   1.50   Bevilacqua. 

-  Marcia   d'E.sultanza,   P  2.50   Carisch. 

-  Marcia  funebre  sulla  morte  di  Re  Vittorio 

Emanuele    II,    P    3 —   Ricordi. 

-  Visione,   capriccio,   P   3 —   Ricordi. 

-  Vittoria,    gran    valz.    di    concerto,    P    5  — 

Mariani. 
Loree   F.  Chansons  pour  Toto :    1.  Berceuse. 
2.    Ronde   de   Toto.      3.   Toto   et   Miminne. 
4.  Le(;ou   de  Toto.  5.  Toto  chante.  6.  Pre- 
mifere  Culotte,  a  2 —  n  Maroky. 

Loree  F.  et  J.  Charbonnet,  Berceuse  favo- 
rite.     Rouart. 

Lorek   M.   „Oui  ou  non?"   („^a  hjih   niTi.?"), 

valse  — 60  Johaiiseti. 
•  „Pensees  fugitives"   („MHMOJieTHbia  mhcjih"), 

valse  — 60  Johansen. 
Lorelei,    TTBB    —/I     Curwen. 

Loreley     (Ich    weifi    nicht) ,    Volkslied    —2 

Sheard. 
Lorence    Elva,      A    window     in    Spain     4/ — 

Ascherherg. 

-  Hips   and   haws   4/ —  Ascherherg. 

-  My   ain   countrie   4/ —   Chappell. 

Lorens  C.  op.  1  Blutwurscht  und  die  Leber- 
wurscht    1 —   Dietrich. 

-  2    So    san    ma's    g'wohnt,    Juxmarsch     1 — 

Dietrich. 

-  3      0    Mutterherz,     du    siifier    Trost      1 — 

Dietrich. 

-  4  Mit'n  Blitzzug,  Wiener  Duett  f .  Manner- 

St  m.   P    1—   Dietrich. 

-  5   Die   Nachtschwiirmer,   Wiener   Duett  fiir 

Mannerst    1 —    Dietrich. 

-  6  Blofi  nur  zum  Vergniigen,  Wiener  Duett 

f.   Mannerst  m.  P   1 —  Dietrich. 

■  7   Das  Vergifimeinnicht,   Wiener   Duett   fiir 

Mannerst  m.   P   1 —  Dietrich. 
Rohitschek: 
-33   Drahrer-Walzer,   1(2)    Singst  u.  P   1.50. 

■  37    Auf    der    Wiener    Tramway,    Juxpolka 

m.  Text   (Ges.  ad  lib)    1.20. 

-  40  So  a  Weiberl   is  a  Freud',  Couplet  1 — . 
-41  Wiener  Schnapper,  Marsch  m.  Text  1.25, 

Z   1—. 

-  50    Der    schonste    Fleck    auf    Gottes    Erd'  I 

Wiener   Lied    1.25,   Z    1—. 

-  60   Hoch   Gambrinus,   man   lebt  nur   einmal 

auf  der  Welt  1.25. 
-61    Die   Liebe    ist    schon    1.25. 

40* 


Lorens  C.  op.  61 


—     628     — 


Lorens  C.  Jtiche! 


-  61    Liebeszauber,    oder :    Die    Liebe    ist    so 

schon,  Marschlied,  m.  G  1.50,  P  1.20,  Z 
1.20,   V  —90,    VP   1.50,   stO,  mO   a  2.40. 

-62  Liebesschwarmereien,  Walzerlied  1.50, 
Z   1—. 

-63  Ein  guter  Kerl  1.50. 

-  65   Jessas,   nur   ka   grofie   Frau  —75.     Die 

schonste  Stunde  nieines  Lebens  — 75. 
-A  Walzer  v.  Straufi   1.25,  Z   1.20  Blaha. 
-Adam  komint.  Duett  1.25  Blaha. 

-  Adam  und  die  Eva  kommt   1 — . 
-Adelgunde,  Z   1.20  Blaha. 

-  Alles  nur  aus  Liab   1.50  Maas. 

-  Alles    nur     aus    Liab,      CornetdPO    — 90  n, 

Tenorhorn    in    B(A)0     — 90  n,      BarPosO 
— 90  n,    0   — 50  n    Bellmann. 

-  Almfrieden,  Z   1.20  Blaha. 

-Am  Donaustrand,  Marsch  m.  T.  1.20  Maos\ 

-  Am    Eck,    am    Fleck    und    mitten    auf    dor 

Bank,   Lied   1.50  Blaha. 

-  Anita    March    — 30  n    Presser. 

-  Beim  Biesenrad  im  Prater,  Lied  m.  Chor  1.50. 

-  Blumenmiidchen,  Walzer-Rondo  fiir  Gesang 

1.20.  Maas. 
-Couplets  (Texte  von  Lorens):  1.  Was 
mufi  das  fiir  ein  Vogerl  sein?:  ,,Ich  hal)' 
schon  driiber  nachstudiert,  hab  kritisiert 
und  simuliert",  2.  Tschinarada  bum : 
„Wie's  jung  war  hat  die  Ernestine  fiir'n 
Ehstand  g'habt  gar  nie  an  Sinn",  3.  Wie- 
ner Herzen :  „0  du  mein'  Weanastadt, 
was  solche  Herzen  hat",  4.  Der  hochste 
Wirrwarr :  „Wann  wird  wo  geladen  auf 
d'  Nacht  zu  an  Tee",  5.  Das  gibt's  nur  im 
Prater :  „In  an  Sonntag  da  laufen  die 
Lent'  massenhaft  'nunter",  6.  Gengaus 
baden :  „Wenn  aner  in  an  Wirtshaus  wo 
erzahlt  an  grofien  Pflanz",  7.  Weana  Na- 
tur :  ,,Ja,  das  liegt  in  der  g'miiatlichen 
Weana   Natur",   a  — 90   Bosivorth. 

-  Da  Herrgott  wafi  scho  was  er  tut,   1    (od. 

2)    St   1.25  n  Blaha. 
-Da  traurige  Bua    (Ka  Steandel  leucht'  am 
Himmel    ob'n),    Volkslied :    „A   Deandal    a 
saubers    liab'    ich    amol    g'habt"    1.20    Bos- 
ivorth. 

-  Da  Waselbua :    „Verlassen  von  der   ganzen 

Welt",    Lied    (Text   von    Lorens)    —90, 
P,  Z  a  — 60  Bosivorth. 
-Da  ziag  i  mein  Rock  aus,  Wienerlied  1.50, 
Z    1.20   Blaha. 

-  Da    ziind'   ich    mir   ein    Pfeifchen    an !    Alt- 

Wiener   Btirgerlied    1.50   Blaha. 

-  Dann    schliefi'    ich   meine   Auglein,    Z    1.20, 

FlilgelhornO    2—    Blaha. 

-  Das  halt  i  net  aus  1.25  Blaha. 

-  Das  ist  der  Punkt,  um  den  sich  alles  dreht, 

Orig.-Couplet   1 —   0.   Dietrich. 
-Das  ist  die  Liebe,  Polka,  u.  S.  Transla- 
te u  r.    Nur    am    Rhein,    Gesangs-Walzer 
2— n    Oertel. 

-  Das    ist    die    Liebe    ganz    allein.    Original- 

couplet   1 —  Dietrich. 
-Das  kleine   Glockerl    1.50   Maas. 
■  Das  liegt  in  Weana  Blut  nur  ganz  allein  ! 

Wiener   Walzerlied,   zus.   m.   Kalensk;^ 

J.:    Prager   Friioht'ln,    Jux-Marsch,    0   3— 

n  off  matin. 


-  Das   mufi   ein   reizender   Zauber  sein,   Wal- 

zerlied   1.50   Blaha. 

-  Das  war'  so  ein  Spektakel,  wenn  das  unser- 

einer  tat.  Couplet   1.20  Dietrich. 

-  Der   Bonvivant   1.50   Blaha. 

■  Der  fidele  Christel,  Polka-Marsch   1 —  Cranz. 

-  Der  hochste  Mann :   „Es  hat  die   Frau  von 

Zizabe"   1.25  Blaha. 

-  Der    hochste    „Stier" :      „Schaut    man    hin, 

schaut  man  her"   1 —  Bosworth. 

-  Der   schone    Isidor    1.50   Zipser. 

-  Der    schonste    Diamant,    Wiener    Lied    mit 

Text,  Z    1 —   Weinherger. 
•  Der    schonste    Zeitvertreib :      „So    mancher 
weifi  vor  langer  Weil",   1   Singst  u.  Chor- 
Refrain    m.    P    1.50    Blaha. 

-  Der  sterbende  Greislerhund  1.50  Blaha. 

-  Die  schonste  Stunde  meines  Lebens   1.50. 

-  Die  siifie  Schwiegermutter,   Coupl.  1.20  Maas- 

-  Die  verungiiickte  Landpartie,  Soloszene  m. 

P   1.50  Blaha. 

-  D'    Weana    Mad'ln    das    san    Engerln    1.25, 

PV  1.50,  Z   1.20  Blaha. 

-  Du    kennst     mein    Verlangen     nicht      1.25 

Blaha. 

-  Durch   die  Welt,   Soloszene,     Blaha. 

-  E    ah  !    jubirea   — 20    Magasinul    Conserva- 

toriului. 

-  Ein   Nachmittag   im   Prater,    Marsch-Polka 

m.    hum.   Text   1.20   Maas. 

-  Erinnerung,  wie  bist  du  so  stifi  1.2"5  Blaha. 

-  Erzahl'    die    G'schicht'    nur    weiter.    Duett 

1.25   Blaha. 

-  Es    geht   los,    Juxmarsch    m.    humor.    Text 

1.20   Dohlinger. 

-  Es   gibt   Momente,   die   man    im   Leben    nie 

vergessen  kann  1.25,  Z   1.20  Blaha. 

-  Es  war  einmal  ein  Vogelein  1.50  Maas. 

-  Fahr'n   ma,   Euer   Gnaden,   Walzerlied   1.50 

Maas. 

-  Fluch  der  bosen  Tat  1.25  Blaha. 

-  Frauenkaferl    1.25,   Z    1.20   Blaha. 

-  G'horschamsta  Deana,  Lied  — 80  Cranz. 

-  Grofi    Weauerisch    1 —    Weinherger. 

-  Grofimutterl    kriink'    di    net,     1  (2)     Singst 

m.  P  1.50  Blaha. 

-  Hausball  bei  Bfezina :   „Heut'  is  gro6e  Re- 

masuri"    1.50   Blaha. 

-  Herr  Papa!  Marsch  m.  Text  1.50  Dohlinger. 

-  Herrgott  san  mir  Leut  1.80,  Z   1.20  Blaha. 

-  Heut   geh'n    wir   nimma   ham.    Couplet    1.25 

Bostvorth. 

-  Hundert   Schnadahiipferln    in   5    verschiedo- 

nen    Singweisen    1.20  n    Maas. 
-Hurra,  jetzt  kommt  das  Militar  1.50  Zipser. 
-I  bin   der  Turlhofer   1.25,  Z   1.20  Blaha. 
-Ich    bin    ein    alter    Junggesell,      Lied    1.50 

Blaha.. 

-  Ich  hab'  die  Weiber   (Manner)   gar  so  gern. 

Couplet   1.50  Blaha. 
-Ich  heifi'  Carola   1.50  Zipser. 

-  Immer    voran,    Marsch-Couplet    1.25. 

-  1st  das  nicht  ein  bloder  Kerl,  Couplet  1.50 

Blaha. 
-Jessas!  a  Werkelmann   1.50  Maas. 

-  Jetzt    trink'    ma    noch    a    Flascherl    Wein, 

Marschlied   1.25  Blaha,  Rothmayer. 

-  Juche !   die  Welt   is  ganz   verriickt   1.25,   Z 

1.20,    0   2—   Blaha. 


Lorens  C.  Kennst  du  mein  Verlangen 


629 


Lorens  C.   Weana  Ckie 


Kennst    du    meiu    Verla.ngeu    nicht,      Lied 

1.50  Bluha. 
Komm   Karlinchen,   komm   1.50,   Z   m.   Text 

1.50  Blaha. 
Komm  !   Karlinchen  !   Marsch-Polka,  Z  — 80 

Dennerlein. 

Liebe    ist    ein    Paradies,    Walzerlied     1.50 

Bohlinger. 
Liebeskummer,   Polka    1.30   Cranz. 
Lieder    (mit   Text)  :    Wer   kan   Hamur    nat 

hat,      Schiab  i    denn    net    eh    an !     a     1 — 

Bluha. 
Lieder    und   Couplets:    1.   Cavalleria   rusti- 

cana,  1  od.  2st.,  2.  Das  ist  zum  Haar  aus- 

reifieu,    a  1—. 
Mein  Herz  bleibt  in  Wien,  f .  1   od.  2  Singst 

1.50   3Iuas. 
Mein  liebster  Jodler,  Walzerlied  1.50  Maas. 
Menschen,   Menschen   san   m'r   alle,   Couplet 

1 —  Dietrich. 
Menschen    san    ma    alle,    Walzerlied    fiir    1 

od.  2  Singst  1.50,  Marsch  nach  dem  gleich- 

namigen  Lied,  P  1.50  Maas. 
Menschen   san  ma   alle   1.25   Blaha. 
Mir   drah'n   die   ganze  Nacht,   bis   dafi    aus 

d'    Sonn    anlacht,    2    Singst   m.    P    1.50,    Z 

1.20  Blahu. 
Mir    gengan    heut    nach    Nufidorf    h'naus, 

Marsch  m.  Text :   ,,'s  hochste  is  fiir  uns  a 

Musik"    1 —   Bosicorth. 
Mir    ist   mei    Alte    g'storb'n.    Lied    1.50,    Z 

1.20  Blaha. 
Mir     san    Landsleut',     weanarische     (lin/.< - 

rische)    Buam   1.25,  Z   1.20   Blaha. 
Mir  wird  so  quisi  quasi   1.50  Zipser. 
Muattaliab' :    „Kaum    dafi    der    Mensch    das 

Lieht    der    Welt    erblickt"   —90    Bosworth, 

— 30  Jurgenson,  P  —90,  Z  —80  Bosworth, 

—50  Fritz. 
Miiller   und   sein   Kind,   komisches  Lied    in 

Balladenform     (ein-,    zwei-    od.    mehrsti-n- 

raig)    1.20,   Z    1—. 
Muttertranen    1.50,    Z    1.20. 

Nach    echter    Wiener    Manier,    Wiener    Lie- 

der-Marsch    — 75,    m.    Krai    J  o  h.    N.    op. 

130:    Schvvarzgelb,    Marsch,    0    3— n    Hoff- 

VI  u  nil. 
Nach'n  alteu  Weana  Schlag  1.25,   PV  2.80, 

Z  1.20  Blaha. 
Nachgeb'n    tan    ma    net!    Marschlied    1.25, 

Z    1.20   Weinberger. 
Nach  Venedig   1.25  Blaha. 
Nieder    mit    die    Weiber !    Komisches    Lied 

1.50  Maas. 
Nr.   1000,  Fiakerlied  1.25,  Z  1.20  ^Z«7io. 
Nur  a    Bier    will     i  hab'n      1.80,       Z      1.20 

Blaha. 
Nur    an'    Walzer    hor'n,    danu    st«rb'n    ma 

gem,   Walzerlied    1.20   Maas. 
Nur  aussa  mit'n  Hamur,  Lied  m,  Chor  ad 

lib.    1.25    Weinberger. 

O  die  Weiber  1.25,  PV  1.80,  Z   1.20  Blaha. 
O  du  mein  Osterreich,  o  mein  liab's  Wean, 

Walzerlied    1.25    Weinberger. 
0  du  schone  Jugendzeit  1.25,  Z  1.20  Blaha. 
O  Mizzi,  Walzerlied   1.50   Blaha. 
0    Prater,   du    herrlicher,    kostbarer    Schatz 

1.50  Robitschek. 


-  0    wie    reizend    ist    die    Liebe,    Z    1.20    Bos- 

worth. 

-  Ohne   Hamur   gibt's  ka   Weanastadt  mehr ! 

Walzerlied  1.50  Doblinger. 
-Original-Couplets:  1.  Der  Wein,  der  Gdt- 
tertrank,  2.  Interessant  und  miser abel,  3. 
Das  steht  in  keinem  Buch  geschrieben,  4. 
Pfiffig,  fein  und  schlau,  5.  Das  ist  die 
Liebe  ganz  allein,  6.  Das  nachste  Mai,  7. 
Wo  alles  hingehort,  8.  Von  was  man  lebt, 
9.  Das  steht  in  mcinem  Lexikon,  10.  Das 
ist  schon  genug,  11.  Ich  weifi  nicht,  was 
soil  es  bedeuten,  12.  Wenn  die  Weibei 
alter  werd'n,  so  halt's  der  Teufel  aus!, 
13.  Das  ist  der  Fluch  der  bosen  Tat,  14. 
A  alter  Weanaspatz,  15.  Der  was  a  Wassar 
trinkt,  der  is  not  g'scheit!,  16.  Zwei  See- 
len  —  ein  Gedanke,  zwei  Herzen  —  eia 
Schlag,  17.  Heut  ist  ein  schones  Wetter, 
19.  Da  war  ich  schon  einmal,  20.  Wir 
brauchen  keine  Weiber  mehr!,  21.  So  weit 
reicht  meine  Liebe  nicht  1,  a  1 —  Dietrich. 

-  Pfitfig,  fein  und  schlau  war  von  jeher  schon 

die    Frau,    Original-Couplet    1 —    Dietrich. 

-  Pfiirt  di  Gott,  mein  liebes  Wien  1.25  Blaha. 
-Pfiirt  di  Gott.  du  alte   Zeit  1.25,  PV  1.50, 

Z  1.20  Blaha. 

-  Radelmadel,   Couplet  1.50   Maas. 

-  's  Herzbinkerl  — 80  Cranz. 

-  100   Schnadahiipfeln   in   fiinf   verschiedeneu 

Singweisen,   P   1.20  n,   Z   1.20  n   Maas. 

-  Schoner   wird's   nimmer,   wie's   einmal   war, 

Walzerlied    1.50   Blaha. 

-  Schwalbengezwitscher    1.25,    Z    1.20    Blaha. 

-  Ser\  us,  meine  Herren,  Marschlied  m,  Text 

1.50   Maas. 

-  So   a   Rauscherl    1.50,   Z    1.20   Blaha. 

-So    a   Viech    war    no    not   da.    Couplet    L2C 

Blaha. 
-So   miissen   d'   Weanaleut  sein,   Duett   1.25, 

Z   1.20   Blaha. 
-So   schaut  an   echter   Weana  aus  1.50. 

-  So    traumt   man    oft   ganz   wunderbar    1.25, 

Z    1.20   BUiha. 

-  So  was  kenn'n  ma  glei.   Duett   1.25   Blaha. 

-  So  was  kennt  da  Weana  glei  1.25  Blaha. 

-  So  weit  reicht  meine  Liebe  nicht.   Couplet 

1 —  Dietrich. 

-  Uj    je,    das    is    guat:    „Wann    h'naus    zum 

heurig'n   Wein",   Wiener   Walzerlied    1.50, 
Z  1.20  Blaha. 
-Vm  12  Uhr  bei  der  Nacht  1.25  Blaha. 

-  Verschiedene  Wiinsche,  Originalcouplet  1 — 

0.   Dietrich. 

-  Voglein,   wohin   so   schnell,    1    Singst   m.   P 

— 50    Portiiis. 

-  Volkstiiml.      Wiener      Lieder- Album       3 — 

Maas. 
-Waldbua   1.25,  Z   1.20  Blaha. 

-  Wann's   net   der    Gigerl   war,    so   war's   der 

Gogerl :    ,,Die   Lini   hat   a     ganz   a   klanes 
Bubi"   —90    Bosivorth. 

-  Warum   (Das  ist  die  Lieb'  nur  ganz  allein) 

1.25,  PV   1.80,  Z   1.20  Blaha. 
■  Was  d'  Lieb'   alles  is.  Lied   1.50,   P   1—,   Z 
1.20   Doblinger. 

-  Wasserscheu,    Trinklied    1.50    Blaha. 
-Weana    Chic    und    Weana    Schau    1.25,    PV 

1.50,  Z   1.20  Blaha,  0  1— n  Oertel. 


Lorens  C.   Weanarj'miit 


—     630     — 


Lorenz  A.  op.  227 


Weanag'miit,  Walzerlied  1.50  Maas. 

Weana   G'spafi   1.25,  Z   1.20  Blaha. 

Weana  Hamur,  oder :  Fiaker  in  der 
Schwemm',   Duett   1.25   Blaha. 

Weana   sein   Humor,   Marschlied,      Maas. 
Weana    Spezialitiiten,   Marschlied    m.    hum. 
Text  1.50  Maas, 
Wer  alles  in'n  Himmel  kommt  1.25  Blaha. 

Wer  Liebe  nie  empfunden  1.25,  Z  1.20, 
0   2—   Blaha. 

Wiener  Couplets  a  1.20  Dietrich:  14.  A 
alter  Weana  Spatz :  ,,I  bin  a  alter  Weana 
Spatz."  15.  Der  a  Wasser  trinkt,  der  is 
not  g'scheit:  ,,Wie  ich  das  Licht  der  Welt 
erblickt."  16.  Zwei  Seel'n,  ein  Gedanke, 
zwei  Herzen,  ein  Schlag!:  „D'er  Hau.s 
liabt  die  Mirzle."  17.  Heut'  ist  wieder  ein 
schon's  Wetter."  19.  Dort  war  ich  schon 
einmal :  „Ein  B'soffner  geht  nach  Mitt';r- 
nacht  niit  einem  Dusel  zu  Ilaus."  20.  Wii 
brauchen  keine  Weiber  mehr :  „Ein  Lied- 
chen  werd'  ich  singen."  21.  So  weit  reicht 
meine  Liebe  nicht:  „Seh'  ich  ein  hiibsches 
Magdelein." 

Wiener  Duette  f.  2  mittlere  Singst  m.  P 
a  1.50  Blaha:  1.  Der  Fluch  der  boseu  Tat: 
„Verehrtes  Publikum,  hor'  was  ich  singe". 
Ballade  f.  1  od.  2  St.  2.  Erzahl'  die 
G'schicht'  nur  weiter :  „Ein  Fraulein  geht 
am  Ring  spazier'n."  3.  So  was  kenn'n  nia 
glei :  „Sehr  viel  Wasser,  grofies  Fafi."  4. 
Weana  G'spafi :  „Der  Weana  is  erfindungs- 
reich",  f.   1  od.  2  St. 

Wiener  Frauen   1.25,  Z   1.20  Blaha. 

Wiener  Gassenhauer-Marsch  1.25,  VP  1 — . 
Z   1.20   Blaha. 

Wiener   hat   a    Eigenschaft,   von   J  o  h  a  a  n 
S  t  r  a  u  fi,  Wiener  Walzerlied  1.50  Blaha. 
■  Wienerlieder :    Schiab'    i  denn    net    eh    an!, 
Wer  kau  Hamur  net  hat,  a   1.50  Blaha. 

Wiener  Lieder :  1.  Die  Wachtparade:  „Es 
hat  auf  dieser  grofien  Welt",  Marschlied, 
2.  Das  goldene  Weanaherz :  „Wie  oft  tun 
die  Leute",  Walzerlied,  3.  Uj  jegerl,  das 
is  guat :  ,,Wenn  a  echt's  Weanakind", 
Walzerlied,  4.  Traum  und  Wirklichkeit : 
,,Ein  Bauernbursch  liegt  draufs",  Lied,  5. 
Die  siifie  Schwiegermutter :  „Ich  kenn'  ein 
weiblich  Wesen",  Marschlied  mit  Chor- 
Refrain,  6.  Ein  lustiger  Bruder  Studio : 
„Als  lustiger  Bruder  Studio",  Marschli.'d, 
a  1.20  Andre. 
■Wiener  Lieder- Album,  P  u.  Gesang :  1.  Der 
Weana  Hamur.  2.  Wann  der  Haberlaud- 
ner  aufsteh'n  tat.  3.  Weana  Fiaker-Bluat. 
4.  Mein  Schatzerl.  5.  's  Glockerl  im  Her- 
zen. II:  1.  Lustig,  fesch  und  munter.  2. 
Weana  san  ma.  3.  Weil  jeder  a  Weana- 
kind is.  4.  Liabe  Schwoagerin.  5.  A  ord'nt- 
licher  Weana  draht  alleweil  auf,  T— TI 
a  1.20,  Z  a  1.20  Maas. 

-  Wiener  Walzer-Plaudereien,  Walzerlied  1.50 

Doblinger. 

-  Wir  brauchen  keine  Weiber  mehr.  Couplet 

1 —  Dietrich, 

-  Wissen  S',  was  d'  Frau  Blaschke  sagt   1 .20 

Maas. 

-  Zehn  kleine  Negerlein   1.50. 


Lorens  K.  Gebethner :  Dla  czego  biedne  serce 
me  spokojne  dot^d  tak  — 35. 

-  Dla  czego  panny  blednq.  raz,  to  plon^  jakby 

mak?  Kuplet  —35. 

-  Niech   wie   o  tem    swoj    i  obey,    ze   w    War- 

szawie  dzielni  chlopcy  (D'  Weana  Mad'ln 
das  san   Engerln)    — 40. 

-  Pojdz  Paulinko  (Komm  Karlinchen,  komm) , 

polka   z   kupletami  — 30. 

Lorent  W.  op.  4  Der  Wanderbur.sch,  TTBH, 
Part  —40,   St   a  —15   Tonger. 

-5   Im   Fruhling,   TTBB    1—   Tonger. 

Lorente  A.  Magnificat  in  fal.so  bordoue  nol 
VII  Tono  a  5  voci  — 80   Musica   sacra. 

Lorentini  Ange,  Consecration  a  Saint-Jo- 
seph, 2  V.  6g.   P  5 —  Mathieu. 

-  Marche  funebre  de  la  poupSe,    P  5 —  Mathieu^ 

-  Pri&re  a   I'Enfant   Jesus  5 —   Mathieu. 

-  Sonate-Beb6,  P  6 —  Mathieu. 

Lorentz  E.  Tantum  ergo,  av.Or*/ — ^(y  Procure. 
Lorenz,   Angelus,   Beethoven,   Jesus   ou- 
vrier,    TTBB   —25  n    Pinatel. 

-  Nids    d'Hirondelles,    TTBB   —25  n    Pinatel. 
■  Grufi    an   Dresden,    Polka,    u.    R  e  s  s  e  1    F. 

W.  op.  31  :  Miss  Ella,  Gal.  0,  St  1.50  n  Bote.. 
Lorenz  Ad.  op.  7  Wie  es  euch  gefallt,  drei 
Stucke,   P   1.30   Bote. 

-  Beliebte    Tanze:      Nr.    1.     Die     Brief taube,- 

Polka  francaise  1 — .  Nr.  2.  Coquette, 
Polka  francaise  1.20.  Nr.  3.  Drauf  und 
dran,  Schnellpolka  1.20.  Nr.  4.  Festreigen, 
Walzer  2 — .  Nr.  5.  Fin  de  Sifecle,  Walzer 
2 — .  Nr.  6.  Friihlingsboten,  Walzer  2 — . 
Nr.  7.  Gracieuse,  Polka-Mazurka  1.20. 
Nr.  8.  G'schwind  wie  der  Wind,  Schnell- 
polka 1.20.  Nr.  9.  Johannistrieb,  Polka 
francaise  1.20.  Nr.  10.  Sonnige  Tage  an 
der  Riviera,  Walzer  2 — .  Nr.  11.  Souvenir 
de  Nice,  Walzer  2 — .  Nr.  12.  Zwicker- 
busserl.   Polka   frangaise    1.20   Bosworth 

-  Juchhe,  d'Madeln  san  da !  Walzer  2 

3_^  yi.20,  2V\.80,  yP3— ,  gyp  3.60,  Fl 
1.20,  FIP  3—,  Z  1.80,  2Z  2.40,  stO  4.80n  Maas. 

Lorenz  Albert.  Bote:  Op.  8  Vorvvarts- 
Marsch,    Preis-Marsch    — 50. 

-56  Zwei  Lieder,  TTBB:  1.  Reiterlied:  „Die 
bangc  Nacht  ist  nun  herum",  2.  Das  Vier- 
blatt:  „Ein  lustig  Vierblatt  war  einmal"', 
a  2.40   Hug. 

-  120  Wiedersehen,  Parade-Marsch  — 50. 

-  124   Fackeltanz    1.50. 

-  126    Grufi    an    Dresden, 

Ressel  F.  W.  op.  31 
O,  St  5.50. 

-  138   Fackeltanz   Nr.   2 

-  150  Kavallerie-Marsch 

hlM,  Part  3—. 

-  152  Konigl.   preiifi.   Armee-Marsch  — 50. 

-  164  Konigl.  preuB.  Armee-Marsch  ■ — 50. 

-  170  Konigl.  preufi.   Armee-Marsch  —80. 

-  171    L' Adieu,   Marsch   1.50. 

-  172  Feld-Marsch   1.50. 

-  173   Souvenir,   Defilier-Marsch    1.50. 

-185  Kavallerie-Marsch.  Motto:  Ziethen  a;i« 
dem   Busch,  mO,  Part  2.50. 

-  210   Dameu-Polka  —80. 

-  227   Berliner   Feuerwehr-Marsch  — 80,   und 

G  u  n  g  1,  op.  227  :  Das  Plaudermaulcheu, 
Polka,    0    1.50  n. 


Jfms 


Polka    1.50,      und 
:   Miss  EUa-Galopp, 

1— . 

(Preis-Marsch)    1 — , 


Lorenz  A.  op.  243 


631 


Lorenz  C.  A.  op.  50 


-  243  Fest-Marsch   1 — . 

-262  Prinz   Ileinrich-Marsch    1- 
■267    Willkomiiien-Marscli    1 — . 
-270   Jubilaums-Marsch   — 50. 

-  Kasinokliinge ;    enth. :    op.    93 


Benjowski- 


Marsch.  op.  90 :  Arrangements-Marsch. 
op.  89 :  Romanze,  Klange  an  die  Heimat. 
op.  81  :  Crevanteu-Polonaise.  op.  78 :  Avee- 
Ca,  Walzer.  op.  83 :  Reste-Galopp.  op.  82 : 
Quinze-Polka.   Basta-Mazurek  2 — . 

-  Kavallerie-Marscli.    Motto:    Vom   Fels    z.iri 

Meer,  mO,  Part  4 — . 

-  Kavallerie-Parade-lMarsch.  Motto  :   Sclnvort, 

Licht    uud   Recht,    mO,   Part  3.50. 

-  Parade-Marscli     fiir    Kavallerie-Musik     init 

dem  Motto:  Kameraden  auf  zu  Pferd,  mO, 
Part    3.50. 

-  Parade-Marsch   (Preis-Marsch) .  Motto:  Dcr 

25.   Jaiiuar    1858,   mO,  Part  4—. 

-  Vorwarts-Marsch,    KM,   Part   4 — . 

-  Wiedersehen,  Kavallerie-Marsch,    mO,   Pare 

2.50. 
Lorenz  Alfred,  Quartett,  PVVaVc  12— Kahnt. 
Lorenz    C.    A.    Schlesinger :    Op.    5    0   wei)it 

iiin   sie   — 80. 

-  6  Gretclien  am  Spinnrade   1.30. 

-  8  Drei  Walzer  „Wie  es  euch  gefallt"  2 — : 

Nr.  ].  Des-dur  1—.  Nr.  2.  Cis-moll  —80. 
Nr.   3.   Es-dur    1 —   Simon. 

-9  Drei  Lieder,  S(T)  1.80:  Nr.  1.  Die  Nach- 
tigall :  „Das  macht,  es  hat  die  Nachtigall" 
1—.  Nr.  2.  Elisabeth:  „Meine  Mutter  hat's 
gewollt"  —80.  Nr.  3.  In  der  Fremde :  „Ich 
hor'   die   Bachlein   rauschen"   — 80    Simon. 

-10  Gr.   Sonate    (B) ,  P   3—. 

-12  Trio    (Es),   PVVc   7—. 

-16  Motette:  Herr  bleibe  bei  uns  (4st.),  SA. 
TB   1.80. 

-  17    Ingeborg's   Klage    1.50. 

-18  Drei  Lieder:  1.  An  den  Mond.  2.  Mai- 
lied.    3.    Wanderers   Nachtlied,    SATB   4—. 

-  19  Heinrich  der  Vogelsteller,  Konzertstiick 

fiir   Soli,   Chor   mit   0,   Chorst  2.30. 
-19   Zwei  Tonbilder:    1.  In  der  Dammerung, 

E-dur.    2.   Friihlingsjubel,    C-dur,    0,    Part 

2.80,   St  8—  Simon. 
-19  b  In  der  Dammerung,  Tonbild  fiir  H(P) 

2VVc  2 —   Simon. 
-20  Otto   der    Grofie,   weltliches   Orato- 

rium  fiir  Soli,  Chor  m.  0,  Chorst  5 — ,  KA 

10— n,   Textb.   — 20  n. 
-21  Zwei  Lieder,  SATB:  1.  Der  stille  Grund. 

2.  Kaferlied  2.20  Leuckart. 
-22   Notturno,   D-dur,    V  (V-Chor)  Org fnjHu 

(P)   2.50  Simon. 
-22  b   Notturno   fiir    Harm-    u.    &'^r-Quart^tt 

einger.    v.    Otto    W  e  1 1  m  a  n  n,    Part    u. 

St  3 —  Simon. 

-  23   Zwei  Gesange  fiir  3   Frauenst  od.  Chor 

mit  P:  Nr.  1.  Die  Sprode:  „An  dem  rein- 
sten  Friihlingsmorgen"  — 80.  Nr.  2.  Ver- 
gifimeinnicht :  „Blaublumlein  spiegelten 
sich  im   Bach"   1.20  Kistner. 

■  25  Hymne  an  die  Kunst,  Solost,  Chor  mit 
0,   KA   2.50,   Chorst  — 80  n. 

-27   Phantasia,   P   1.50   Bote. 

-2S  Zwei  Lieder  1 — :  Nr.  1.  Milrcheu  von  den 
Fischerkinderu — 80.   Nr.  2.  Wiegenlied  — 50. 


-29  Vier  Lieder  2 — :  Nr.  1.  Mich  umweht's 
—50.  Nr.  2.  Friihling  —80.  Nr.  3.  Fine 
kleine  weiche  Hand  — 50.  Nr.  4.  Mondes- 
scliimmer  — 80. 

-  30  Winfried,   dramatische  Dichtung  von    F. 

H  e  r  b  s  t,  fiir  Soli,  Chor  und  0,  KA 
10— n,   Chorst  7—,   Textb.  — 20  n. 

-  32   Not-   und   Liebeswerke,   twe   Riemels   v. 

Fritz  Renter,  Up  wat?  P  1—. 

-  33  Abendlied :   „Ich  geh'  den  Waldessaum", 

SATB   1—   Kistner. 
-34    Friihlings    Seele:    „Es    hat    der    schim- 
mernde    Sonnenstrahl",    TTBB    1.80    Kist- 
ner. 

-  35  K  r  6  s  u  s,   dram.   Dichtung,  KA   10 —  n, 

Chorst  7—,  Textb.  — 20  n. 

-  36    Zwei    Frauenchore    (auch    fiir    einzelne 

St)  m.  P :  Nr.  1.  Am  Waldrande:  „Sonne 
ist  dahin  geschieden"  1.60.  Nr.  2.  Wellen- 
siugen :  „Wir  kommen  gezogen  selbander 
daher"  2—  Siegel. 

-  38   Dreilsig   klass.   und   moderne   Chore   ftir 

Gymnasien  und  Realschulen  in  3st.  Ton- 
satz  m.  P(Org),  I— II,  Part  h  —75,  St  a 
— 60,  KA  a  1.80  Mersebnrger. 
-39  Vier  Chorlieder,  SATB:  1.  Nachtliorl : 
„Der  Mond  kommt  still  gegangen".  2.  D.n- 
Schafer:  „Es  war  ein  fauler  Schiifer".  3. 
Friihlingsfreude  im  Bliitenschnee.  4.  Wie- 
sennebel:  „Weit  durch  den  Himmel  er- 
gossen",  a   1.20  Siegel. 

-  41    Bearbeitungen    klassischer    Lieder     iu-' 

SATB :  1 .  Schubert  Franz,  op.  89 
Nr.  24:  Der  Leiermann :  „Druben  hinterm 
Dorfe".  2.  Schubert  Franz,  op.  5 
Nr.  5:  Der  Konig  in  Thule:  „Es  war  oin 
Konig  in  Thule".  3.  Schumann  Ro- 
bert, op.  39  Nr.  5:  Monduacht :  „Es  war 
als  hJitt'  der  Himmel".  4.  Schumann 
Robert,  op.  35  Nr.  3 :  Wanderlied : 
„Wohlauf  noch  getrunken  den  funkeluden 
Wein",  a  1.20  Siegel. 
-42    Drei    geistliche   Terzette   fiir    Frauenst: 

1.  Licht  und  Fiusternis,  lobet  den  Herrn. 

2.  Dein  Rat,  o  Gott,  ist  wunderbar.  3.  Du 
hast  dich  verborgen  im  finstern  Zelt,  a 
1.60  Kistner. 

-43  Deutsche   Jugend,  KA  5—,  Chorst   1.60, 
Solost  —30,  Textb.  —20   Weher. 

-  44   Die   Jungfrau   von   Orleans,   fiir   Solost, 

Chor  u.  0,  KA   10— n,  Chorst  7—,  Textb. 
— 20n. 
-47    Feierklange     fiir     nationale    Festtage: 
1.    Zwei-Kaiserlied.    2.    Sedanlied,    TTBB, 
Part    1.20,   St  a  —30    Vierceg. 

-  48  Ut'n  Knick,  6  plattdeutsche  Lieder  2.50 : 

Nr.  1.  Hei  is  buten.  2.  Lehrt  hett  hot 
doch.  3.  Uns  Maneer.  4.  Se  flunkert.  5. 
Wat  ick   dauh.   6.  Tau   uudli,   a  —60. 

-  49    Dem    Kaiser    Heil !    Kantate    fur    Mad- 

chenschuleu,  m.  P  bearb.  v.  Jos.  S  c  h  1  f- 
lels,  Part  6— n,  Textb.  — 20  n  Kuprions 

Nachf. 

-  50  Gesange  fiir  3st.  Chor  zum  Gebrauch  an 

Schulen   — 50. 
-50    Harald    uud    Theano,    daraus :    Taubon- 
lied    und    Ballettmusik.    0,    Part    5—,    St 
8.40  Breitkopf. 


Lorenz  C.  A.  op.  51 


632     — 


Lorenz  F.  op.  95 


-51  Drei  Terzette  f.  Frauenst :  1.  Georgine: 
„Warum  so  spat  erst,  C4eorgine?".  2.  Wio- 
derseli'u :  „Kleines  Hauschen  stebst  so 
trauiig".  3.  Die  goldene  Zeit :  „Ihr  Blu- 
men  auf  Wiesen  und  Weiden",  a  1.60  Kisl- 
ner. 

■52  b  Pastorale  (Abendfrieden) ,  PHarm2V 
Vc,  Part  u.  St  3—,  HP  2—  8im.07i. 

-  53    Seclizehn    Vorspiele    in    den    gebriiuch- 

lichsten  Tonarten  f.  Org  ziir  Anweudung 
beim  Gottesdienst,  einige  audi  fiir  Har- 
monium   2.50    Si77ion. 

■  54  Achtzehn  Choralvorspiele  fiir  Org  zum 
GebraiK'h    beim    Gottesdienst    2.50    Simon. 

•  55  Acht  Nachspiele  fiir  Org  zum  Gebrauch 
beim   Gottesdienst  2 —  Si^non. 

-56  Zwei  Mannerchore :  1.  Reiterlied :  „Die 
bange  Nacht  ist  nun  herum".  2.  Das  Vior- 
blatt :  ,,Ein  lustig  Vierblatt  war  einmal", 
a  2.40  Hug. 

-57  Zwei  ernste  Gesange,  8ATB:  1.  Gottes- 
f  rieden :  „Nun  mufi  ich  betend  niedersin- 
ken'"'.  2.  Letztes  Gebet:  ,,Ich  habe  dir  mich 
hingegeben",   a   1.20   Siegel. 

-  58  Vier   ernste   Gesange,   fiir    1    Singst  mit 

Org(P):  Heft  I.  1.  Mein  Mondenlicbt : 
„Mein    Mondenlicht     in     dunkler    Nacht''. 

2.  Gottesf  riede :  „Du  bist  allein  der  walire 
Friede"  1.20.  II.  3.  Sei  still  und  unver- 
zagt.  4.  D'u  willst  im  Dunkeln  wohnen 
1.20   Biegel. 

-59  Drei  Festprilludien  fiir  OrgTrPos:  Al- 
lein Gott  in  der  Iloh'  sei  Ehr'.  Wie  schon 
leucbtet  der  Morgenstern.  Ein'  feste  Burg 
ist  unser   Gott,   Part  u.   St  2 —  Simon. 

-  60   Die   Ozeaniden    fiir     TTBB   u.    0,     Part 

10— n,  0-St  15— n,  KA  5—,  Chorst  8° 
3.20  Siegel. 
-61  Zwei  Weihnachtslieder :  Nr.  1.  Puer 
natus  in  Bethlehem,  ein  Kind  geboren  in 
Bethlehem,  4st  — 20  n,  3st.  — 20  n.  Nr.  2. 
In  dulci  jubilo,  nun  singet  und  seid  froh, 
4st.   —20  n,    3st.   —20  n. 

-  62   Toccata   und   Fuge,    Org    3 —   Siegel. 

-  63    Nr.    1.    Vater    unser.      2.    Weihnachten. 

3.  Charfreitag,   SATE    1.85   Beyer. 

-64  Treue,  SATB,  KA  6—,  Chorst  1.80, 
Textb.  —20   Weher. 

-  65   Golgatha,  Passions-Kantate  fiir   3   Solo- 

st,   SATB,  KA   8— n,   Chorst  a   1.50. 

-  66   Konzert-Fantasie,    Org    3 —   Siegel. 

-69  Drei  Mannerchore,  Part  u.  .St:  1.  Mein 
Vaterland.  2.  Kriegsgesang,  a  2.40.  Nr.  3. 
Echo   3.40    Hug. 

-  72  Vier   Kompositionen   im   freien   Stil   fiir 

Org  zum  Konzertgebrauch :  Nr.  1.  Feicr- 
licher  Marsch  1.80.  Nr.  2.  Fantasie  1.80. 
Nr.  3.  Trauermarsch  1.80.  Nr.  4.  Home 
sweet  home  2.50  Siegel. 

-74  Symphonie  (Es),  gr.  0,  Part  1.50  n 
Kahnt. 

-75  Zwei  Konzertstiicke,  Org:  Nr.  1.  Kon- 
zertfantasie  iiber  ,,Wer  nur  den  lieben 
Gott  lafit  walteu"  und  ,,Was  Gott  tut, 
das  ist  wohlgetan"  3 — .  Nr.  2.  Konzert- 
satz  3.50  Siegel. 

-  50  Gesange  fiir  3st.  Chor  zum  Gebrauch  an 

Schulen  — 50  n. 


-  Golgatha,     Passions-Kantate     fiir     3     Soli, 

0    u.    Org,   KA    8— n,   Chorst   6—,    Textb. 
— 20n. 

-  Glaube,    Liebe,    Hoffnuug,    P    — 80    Bote. 

-  I  r  r  u  n  g  e  n,    komische    Oper    in    drei    Ak- 

ten,    KA    10— u,    Textb.    — 20  n. 

-  Konzert-Fantasie,    Org    3 —   Siegel. 

-  Liebesleben  — 60  Musikwoche. 

Lorenz   C.    D.      Bachmann :      Op.    10   Abend- 
gesang,    Fantasie,    WaldhornP    1.75. 

-  1 1    Der     Abschied,     Fantasie,     WaldhortiP 

2 

-  13    Fantasie    iiber    Themas     aus    der     Oper 

,,Die    Puritaner",    WaldhornP    2 — . 
-14  Zwei  Stiicke :   1.  Gebirgsweise.  2.  Polka- 
Marsch,  P  — 75. 

-  16    Nr.    1.    Melancholie,    WaldhornP    1.50. 
-20   Elegie   fiir   WaldhornfVcJP    1.75. 

-  21      Fantaisie     melodique,    Waldhorn(Vc)P 

1.75. 
-22  Thiiringer  Gebirgsklange,  Waldhorn(Vc) 

P  1.75. 
-24  und  25  Zwei  Stiicke  fiir  HornP:  1.  El«- 

gie.   2.    Friihlingsphantasie,   a    1.50   Kahnt. 

-  Andantino   mit  Variat.    1.50. 

-  Notturno,    Adagio,    WaldhornP    1.25. 

Lorenz  C.  H.  op.  31  Andante,  Org  1 — 
Sehlesinger. 

Lorenz    Ciir.    Grufi    an    Darmstadt,    Marsch 

1.20   Sch  litter. 
Lorenz    Emil,    op.    3    Spielmannslied,    SATB 

1.20  Fischer. 

-  4  Das  entschliipfte  Deanderl,  heiteres  Lied, 

SATB    1—   Tonger. 
-19    Kula-Scherzo,    SATB    1.40  n    Spiizner. 
-Am  Weihnachtsabend,   P   1.50   Bosworth. 
Lorenz    E.    S.   Great  &   Marvellous,   anthem 

— /\'2   Curwen. 
Lorenz  F.  Schott :  Op.  1   Le  jeune  Ecossais, 

schottisch,   P  — 75. 

-  2  Le  jeuue  Irlandais,  schottisch  — 75. 

-  8  La  Superbe,   polka  — 75. 

-9   La  Gracieuse,  polka-mazurka  — 75. 

-10  Steluta    (L'Etoile),  air  valaque,  P  — 75. 

-  11    Souvenir    de   Weiiskirchen,    valse    1^ — . 

-  13   La   Sauteuse,   polka-mazurka   — 75. 
-25  Le  Rossignol,  morceau  de  salon,  P  1.50. 

-  28    La    Felicitation,     morceau     elegant,     P 

1.50. 

-  31    Galop  de  concert,  P   1.50. 

Lorenz  Felix,  Des  Dirigenten  Weihnachts- 
Abend,   Singspiel   m.   P   7 —   Glaser. 

Lorenz  Franz,  Der  Heirat,s-Automat,  Ge- 
samtspiel  fiir  5 — 10  Personen  2 —  Diet- 
rich. 

Lorenz  Fritz,  op.  73  Variante:  ,,Das  Toch- 
terchen  zum  erstenmal  heut  auch  zu  Balle 
geht"    1 —  Bauer. 

-84  A  G'spafi  im  Gebirg,  Szene,  TTBB  und 
Soli    m.    P    4 —    Glaser. 

-  88  Csardas :    ,, Abends  wenn   der   Moud  auf- 

gegangen",  ung.  Nationaltanz,  TTBB  u. 
Bar-Solo  m.  P,  KA  2—,  Chorst  —80 
Glaser. 

-  89  Herbst,  TTBB   1.60  Glaser. 

-  93   Winzerleben,  Walzer,   O  4 —  n  Glaser. 
-95    Des    Finken    Frtihlingslied,    TTBB    1.60 

Glaser. 


Lorenz  F.  up.  96 


—     633 


Lorenz  O.  Lieder  und  Romanxen 


-  96    Die    E  ii  u  b  e  r,    Operette,    TTBB    und 

Soli,  KA  5—,  Solost  3—,  Chorst  2.40,  Ke- 
gie-  und  Soufflierbuch  kl.  8°  1 —  n  Glaser. 

-  98    Weihnachten    im    Gesangverein,    TTBB. 

KA  2.60,  4  Solost  1.20,  Chorst  1.20,  Regio- 
buch   1- —  Glaser. 

-  99  Lu.stige  Pensionatsfraulein,  TB    SSMBA 

und  Soli,  KA  u.  St  6 —  Glaser. 

-  103    Abscbied :    ,,Ich    soil    Leb'wobl    dir    su- 

gen",   TTBB   1.20   Glaser. 
-105    Der    Wiirfelbecher,    TTBB    1.20    Glaser. 

-  106    Der    Jahrmarktsrummel    in     der     Zei- 

tungsredaktiou,  TTBB  u.  Soli  m.  P,  KA 
3.60,  Solost  1.20,  Chorst  1.20,  Rollen- 
exempl.    3.50  n,   Regieb.    1 —    Glaser. 

•  109    In    der    Kochschule,    Kostiimszeue    fiir 

t<8M^A  u.  Soli  m.  P,  KA  u.  St  7—  Glaser. 
-110    Es    niufi    eine    Fran    in's    Haus !    Sing- 
spiel    fiir    ^TBur   4 —   Glaser. 

•  113    Enzian    und    Almenrausoh,    Szene   aus 

den   Alpen,  m.   P  5 —  Glaser. 

-  115  Franzel  der  Taugenichts,  Singspiel  7 — 

Glaser. 
-116  Gretel  kooht,   Singspiel   fiir   ^TBar  5— 
Glaser. 

-  117   Hoehmut    kommt    vor    dem    Fall,    Sing- 

spiel, KA  6 — ■  Glaser. 

-  119   Weihnacht  im   Walde,   Singspiel   m.   P 

5 —  Glaser. 

-  121    Das  deutsche   Volk.slied,   heiteres   Lust- 

spiel  fiir  Solo,  TTBB  m.  P,  KA  6—  Huy. 

-  125  Das  Auto  im   Gebirge,   Singspiel  m.   P 

5 —  Glaser. 
-Mariechens  erster   Ball,   Polka   fr.   f.    TTBB 

m.  P,  KA  u.  St  6.60,  0,  Part  u.  St  in  Ab- 

.schrift.     Glaser. 
Lorenz   Fr.   A.   op.  237  Weihnachts-Polka   f. 

P  u.   Kinder-Instr  —80  Boie. 
Lorenz    Georg,    op.   4   Leutnant   von    Schno- 

selwitz   1.60   Ghiser. 
Lorenz  Gust.  op.  1   Vivat  Terpsichore,  Wal- 

zer   1.50  t<chuherth  jr. 
Lorenz  G.   Ad.   op.   71    Zwei  Kompositionen, 

Or(j:    1.   Elegie,   2.   Wallfahrtsgang,   a    1.20 
Lorenz   H.  Lieder:   Nr.   2.  Lenznaeht,  Nr.   3. 

Frau    Minne,    a   1.20    Kramer. 

-  Spottlied    1.20    Kramer. 

Lorenz   J.    op.    1    Drei    Klavierstiicke :    Tok- 
kata.    Ballade.    Scherzo    3.75    BreitJcopf. 

-  2  Deux  Feuillets  d'Album  :    Polka-Mazurka 

el.  Varsovienne,  P  — 75   Leiickart. 

-  10  Drei  Lieder :    1.  Maialiebcbeu :   „0  Bbim- 

chen  hor',  ich  frage  dich."  2.  Wie  aber  soil 
ich  dir  ervvidern.  3.  Sanft  rauscht  der 
Strom    1 —    BreitJcopf. 

-'s  Almsternd'l,   Tonstiick,   P   1.20   Blaha. 

-Amelie,   P   1.20   Blaha. 

-  Blumensprache,   Tonstiick,   P    1.20   Blaha. 
-Heitere  Stunden,  P  1.20  Blaha. 

'  Herzenswunsch,   Tonstiick,   ^4'"^*"   1-80   Blaha. 
Lorenz  Jos.  op.  64  Herzblattcheu,  Quadrille 
1—,  stO   1.50  n  A.   E.   Fischer. 

-  65  Immer  heiter !  Polka  — 50  A.  E.  Fischer. 

-  66  Die  LTngenannte,  Polka  — 50  A.  E.  Fischer. 
-65—66,   stO   1.50  n  A.   E.   Fischer. 

-  67  Herzklopfen,  Polka  —50  A.  E.  Fisch-?r. 
Lorenz   Julius,    op.    6    Zwei    Lieder,    TTBB: 

Nr.  1.  Im  Tannengrunde  1 — .  Nr.  2.  Der 
Kreuzschnabel   1.80   Wernthal. 


-  7   Drei   Klavierstiicke  — 80   Hoffheinz. 
-11    Humore.ske,  P   1.50  Blosfeld. 

-12   Trio    (B-dur),    PVVc   7.50    Reinecke. 

-  15  Zwei  Mannerchore:   Nr.  1.  Die  Tage    ler 

Rosen :    „Noch    ist    die    bliihende,    gold-Mie 

Zeit"    2 — .    Nr.    2.    SchUtzelein,    es    graraot 

mich   1 —  Leiickari. 
-20  Zwei  Lieder,  P:  Nr.  1.  Auf  des  Teiches 

blauen    Wogen    — 60.    Nr.    2.    vSangesreiche 

Nachtigall    1- —   Leuckart. 
-21    Waldlieder:    Nr.    1.    Wanderlied,    TTBB 

1.20.   Nr.   2.   Waldlied,   TTBB  m.   J9ar-Solo 

1.80.  Nr.  3.  Im  Wald,  t<ATB  m.  2ndrnern 

(P),  Part  1.20,  Uorn-^t  —40,  Chorst  —80 

Leitckart. 
-24  Adagio    (aus  dem  D-moll-Streichquart.) , 

stO,  Part  1.60  n,  St  2— n  Leuckart. 
-25   Fest-Hymne,    TTBB,   S-Solo   u.    0,      KA 

3— n,  Chorst  2.40  Leuckart. 
-26    Begruisungs-Hymne,    TTBB    u.    0,      KA 

(deutsch   u.   engl.)    2 —  Breitkopf. 

-  Das   erwachende   Veilchen  — 80    Cranz. 

-  Kaiser-Preischor,  Mannerst  2.20  Luckhardt. 

-  Sehottische     Volkslieder      nach     Beetho- 

ven,   SATB:    1.    Musik,    Liebe,    Wein,    2. 

Der   treue   Johuie,   3.  O   du   nur  bist  mein 

Herzensbub,  4.   Des   Schiifers  Lied,   a  — 80 

Bralfisch. 
Lorenz   J.    H.    op.    10   Russisches   Thema    in. 

Variatiouen,    Ha    — 75    Hofmeister. 
-11    Sonate    (C),    Ha    1.50   Hofmeister. 

-  12    Zehn   leichte    und    gefallige   Lieder   mit 
P    1.50    Hofmeister. 
3    Er inner ung   an    Schou 
P    1 —    Tourbie. 

1 —   Tourhie. 


Hakenharfe   od. 
Lorenz    Karl,   op. 

bruun,    Walzer, 
-  4   Festmarsch,    P 


Friililing.  2.  I-u 


-7  Tonbilder,  P:   \.  Holder 

Heimatstal.  3.  Glockenbliimchen.  4.  Ernte- 
fest.  5.  Waldesgriin.  6.  Rosenzeit,  a  — 60 
Tourhie. 

-  14    Leichte    Kavallerie,    militlirisches    Ton- 

bild,  P   1—  Tourbie. 

-  17  Hoch  Thiiringen,  Marsch,  P  —80  Schul- 

huchhandlung. 

-  Der      fidele      Christel,      Polka-Marsch,      mO 

1.70  n   Cranz. 

-  Frohe   Griifie,   Polka    1 —   Hofmeister. 
-Hartford    City    Guards    quickstep,    P    —40 

Brainard. 
•  Hartford  polka  — 40  Brainard. 

-  Lilla's   highland   march  — 25   Ditson. 

-  Magnolia   waltz  — 40  Brainard. 

-  Rockville  schott.  —40,   arr.  by  A.   Ban  m- 

b  a  c  h,    4^iis   — 50    Brainard. 

-  Shower   of  gold,   polka  — 50   Brainard. 

-  Sliower  of  gold,  polka   arr.  by   A.  B  a  u  m- 

b  a  c  h,    Jftns   — 50    Brainard. 

-  Sisters'    sehottische,    J/nis  — 50    Brainard. 

-  So   a    Riiuscherl,   Lied,   sO    1.50  n  Blaha. 
Lorenz  K.  Th.  Heimatsglocken,  P  1.50  Gries. 
Lorenz   L.  Flora-Marsch  — 50  Klemm. 
Lorenz   O.   Banish,   0   maiden,   8ATB  —05  n 

Church,  TTBB  —/I  Curwen,  — /4  Novella. 
-Lieder  und  Romanzen  f.  1  Singst  m.  P: 
1.  Romanze:  „Da  droben  auf  jenem 
Berge."  2.  Konig  ist  der  Hirtenknabe.  3. 
Mein  Miidchen  wohnt  im  Niederland.  4. 
Stille  Triinen:  „Du  bi.st  vom  Schlaf  er- 
standen."    5.   Wiegenlied :    „In    der    Wiege 


Lorenz  O.  IJeder  unci  liomanxen 


634     — 


Lorenzo  6  Morceaux 


liege.' 


6.  Der  Totengraber :  „Wohnt  eiust 
ein  Totengraber."  7.  Zwei  Sarge:  „Zwei 
Siirge  einsam  stehen"  2 —  Breitkopf. 

-  Sing    and    drink    boys,    ATTB,    ed.    by    T. 

0  1  i  p  h  a  n  t,    1/3    Novello. 
Lorenz    O.    H.    W.    Imperial    Methode    Bass 

(Tuba  only  one  dollar)    1 —  Church. 
Lorenz    Th.    op.    8      Konzert-Romanze,     VP 

(Org)    1.50   Oertel. 
Lorenz  W.  Blosfeld:  Edgar's  Wiegenlied — 30. 

-  Frisches   Griln   nach    einer    Melodie   von    0. 

von    Radecki)    — 40. 

-  Heideroslein     (nach    einer    Melodie    von    L. 

Pabst)    —30. 

-  Ich  denke  dein,  Impromptu,  P  — 40. 

-  Kufi    (nach    einem    Lied    ohne    Worte     von 

Mendelssohn)    — 40. 

-  Lieber  Vater  hoch  im  Himmel    (nach  einem 

Lied   ohne   Worte   von    Mendelssohn) 
—25. 

-  Liebesschmerz      (nach     einem     Lied     ohne 

Worte    von    Mendelssohn)    — 40. 

Lorenz-Schiffels,  Dem  Kaiser  Heil !  (Fiir 
Madchenschulen  bearb.),  KA  6 — ,  Chorst 
1.80,  Textb.  —20  Weber. 

Lorenzi,  Les  Lauriers,  7  more.  P :  1.  Le 
Barbier  de  Seville,  ouverture,  2.  Le  Bar- 
bier  de  Seville,  cavatine,  3.  Le  Barbier  de 
Seville  (La  Calomnie) ,  4.  Semiramis,  ouver- 
ture, 5.  Semiramis,  sur  I'autel  la  flamme 
sainte,  6.  Norma,  A  tes  serments  fiddle, 
7.  Norma,  Par  piti6  daigne  m'entendre,  a 
3 —  Sulzl)ach. 

Lorenzi  Fabris  Ausonio  de,  A  Rosina,  can- 
zoneta   del   barcariol   4 —  Ricordi. 

-  Gavotta,   P   1 —   Capra. 

-  I   Colombi   de  S.   Marco,   canzon  .  .  .  atura 

— 75  n   Ricordi. 

-  Non  pensare  a  me.  Melodia  :  Quando  esulta 

il  tuo  cor  3 —  Ricordi. 

-  Panteismo     (lo    non    lo    dissi    a  voi)      4 — 

Ricordi. 

-  Preghiera :    Se    fra    lo    stuol    de'tuoi    devoti 

3 —  Ricordi. 

-  Primavera.    Melodia :     II    tuo    canto    dolce 

tanto  1.50  n  Brocco. 

-  Sentimento    d'Aiitunno :    Ah    delle    guancio 

lo   splendor   soltanto   3.50   Brocco. 

-  Venezia  bela.   Canzone:    Venezia  cara,   Ve- 

nezia  bela  — 75  n   Ricordi. 
Lorenzi    Fabris    Benvenuto    de,    Sovra    una 
corona  di   rose  appassita  4 —  Ricordi. 

-  Sulle  sponde  del  Piave,  bizzarria,  FIP  0-- 

Ricordi. 
Lorenzi  G.  op.  6  La  Danza  dei  Folletti,  fan- 
tasia capricciosa.  Ha  3 —  Ri-cordi. 

-  9  Una  lagrima  sulla  tomba  di  Emma  Mai- 

onchi,  elegia,  con  Arpa(P)   3.50  Ricordi. 
-Ave  Maria  1.50,  P  —80,  Mand  —20,  MandP 
1—,   MandG   —50,   2MandP    1.50,   2MandG 
—70,  VVcHuII  2—,  VVcOH  1—,  MandMa 
HaU   2—  Rebagli. 

-  Berceuse    caratteristica     di    concerto.      Ha 

5/ —  Hutchings. 

-  Boccaccio-Marcia,    MandMaO   — 90    Rebagli. 

-  Ciao !    valzer    (F.    Rebagli),      MnndMaG 

—90   Rebagli. 
-Don    Giovanni,     serenata,      MandMaG 
—90  Rebagli. 


-  Elegia,   VcHa   1.75  n  Carisch. 

-  Festa   dei   fiori,   MandMaG  — 80   Rebagli. 

-  Foglie  di  rose,  3  romanze  senza  parole.  Ha 

6 — :  N.  1.  Clara,  melodia  2 — .  N.  2.  Mary, 
barcarola  2 — .   N.   3.   Serenata   3 —  Bratii. 

-  Frontini-Nella,    melodramma,    ballata    1.50, 

scena  e  valzer  1.50,  scena  ed  aria  1.50 
Rebagli. 

-  II    Canto    del    Menestrello,    fant.      Ha    6 — 

Carisch. 

-  II    Canto    delle    Muse,    fantasia    caratteri- 

stica,   T'    5.50    Ricordi. 

-  II    Destino,    gran    valzer    di    concerto.     Ha 

3.50,    P   3.50   Bratti. 

-  II    fiore,    romanza      in    chiave    di    sol      r-on 

HafPJVc  3—  Carisch. 

-  II    sogno,    notturno    caratteristico,      P    5 — 

Mariani. 

-  Margherita,    melodia,    P    2.50    Carisch. 

-  Messa :  N.  5  versetti  pel  Gloria  in  sol  mag- 

giore.  Allegro  moderato  per  I'Offert.  An- 
dante per  I'Elevazione.  Allegro  moderato 
per  la  Consumazione.  Marcia  finale^  5 — 
Martinenghi. 

-  Methodo,    Ha    (it.-fr.).   8— n,      6    gr.    Studi 

2.50  n.  Largo  grandioso.  Ha  2 —  n  Lapini. 

-  Ombra  seguace,  pensiero  caratteristico,  Ha 

5 —  Carisch. 
-3    Pensieri   melodici :    N.    1.    Inno    alia   Ver- 
gine   2.50.   N.   2.   Ricordo   5—.   N.   3.   Fiori 
e  lacrime  3.50  Carisch. 

-  Reverieo,     Rosellen,      MandMaG      — -80 

Rebagli. 

-  Sempreviva,    pensiero   poetico.    Ha    3 —    Re- 

bagli. 
-Serenata,    VcHafP)    3.50   Bratfi. 

-  Souvenir,    pensiero    caratteristico,    Ha    5 — 

Carisch. 

-  LTna   sera   in   mare,   barcarola   3.75   Carisch. 
Lorenzi   Lorenzo,  O  Crux,  mottetto  a  2  voci 

— 60    Ecrenbeemt. 
Lorenziti    B.   op.   36   Trois   Duos   faciles,  2V 

1.75  Schotl. 
-38    Trois    duos    concertans,    2V    3.50  n    Co- 

stallat,    1 — n   Bellmann,   4—   Simrock. 
Lorenziti    E.  op.  3  Valse  de  Salon,  P  2 —  n 

Gregli. 

-  Adieu    au    rivage,    barcarolle,    P    5 —    Noel. 

-  Air  malgache,   P   1.35  n   Gregh. 

-  Felicie,    valse    4.50    Heugel. 

-  Nos  Bons  Ai'eux,  P  4 —  Benoit. 

-  2   Pi&ces   de   Salon,   P  5 —   Benoit. 

-  Vrai   quadrille   breton    4.50   Ploix. 
Lorenzo.  Peregally :  Anna  Bolena,  souvenir, 

//  de  sal.   7.50.  " 

-  Ave    Maria,    1   ou    plusiere    voix    eg.    1 —  n. 

-  Ave  Maris  stella  2 —  n. 

-  Ave   regina,   3  v.   6g.   2 —  n. 

-  Ave  verum,  8(T)   1— n. 
-Ave    verum,   3  voix   eg.    1.50  n. 

-  Brise    du    matin    3 —    Sulzbach. 

-  Brise  du  matin,  barcarolle  2.50  Lemoine. 

-  Ecce   panis,    cor    angl.    1.50  n. 

-Eli  si  re   d'A  m  o  r  e,    fantaisie,    H   de   saL 
9—. 

-  Inviolata,  3   v.  6g.   1.50  u. 

-  Magnificat,   8TB  5.30  n. 

-  Maria  Mater,  3  v.  eg.  2 —  u. 

-  6   Morceaux,   //   de  sal.   9 — . 


Lorenzo  0  sacrum  conviviuni 


635     — 


Loret  C.  Tantutn  ergo 


€g. 


n. 


-  0  sacrum  convivium,  4  v. 

-  O   salutaris    1 —  n. 

-  0  salutaris,   STB   1—  n. 

-  0   salutaris,   8ATB    1.50  n. 

-  Panis  angelicus  1.50  n. 

-  Recueil :    Quadrille,    valse    et    polka,    B    de 

sal.    7.50. 

-  Regina  coeli,  SATE  2.50  n. 

-  Salve  regina  1 —  n. 

-Salve  regina,   3  v.  6g.  en  la    1.50  n,   en   .<ol 
2— n. 

-  Souvenirs  du  Pirate  et  de  la  Somnambule, 

U  de  sal.   7.50. 

-  Sub  tuum   1 —  n. 

-  Sub  tuum,   3  V.  6g.   1.50  n. 

-  Tantum  ergo,   TTBB  3—  n. 
ergo,    3  V.    ^g.    2 —  u. 
ergo,   voix   6g.    1 —  u. 
G.    di.    Ricordi:    Balliamo!    Polka 


Mand   — 25  n. 


-  Tantum 

-  Tantum 

Lorenzo 

—75  n. 

-  Campana    dell'Eremitaggio, 

-  CoUeggiale,  canzone  2.50. 

-  Cuori    felici !    polka    1.50  n. 

-4   Danze   facili :    1.   I  Coriandoli,   valzer,   2. 

E    venuto!!    polka,    3.    II    getto    de'    fiori, 

mazurka,    a    — 75  n.    N.    4.    Festival,    qua- 

driglia    1.25  n. 
-En    confusion,    galop,    ^w's    2 — n. 
-Favorita,  romanza :  Spirto  gentil,  Mand 

— 25n. 
-I   gioielli   d'amore !    maz.    1.25  n. 
-Ma  cliesto  che  robba  6?  polka  1 — n. 

-  Rgverie   di   E.   R  o  s  e  1 1  e  n,   Mand  — 25  n. 

-  Ritirata,  galop,  -)wis  2— n. 

-  S  o  n  n  a  m  b  u  1  a,   trascr.    Mand  — 25  n. 

-  Souvenir  de  la  Fete,  valzer   1 .50  n. 

-  Tramways,   galop   1.50  n. 

-  Tutti   al   ballo,   quadr.    1.50  n. 

Lorenzo    L.   de,   op.   5   L'Appassionata,   fant. 

sentinieutale,   FIP   4 —   Zinimermann. 
-Die  beiden  Virtuosen,   gr.   Etiide   in   Duetl- 

form,  2FI,   I — II  a  2.50  Zinimermann. 
-9   Grandi   Studi  artistic!    (di   Bravura),   Ft 

2 —  n  Zi)nmerma7in . 
Lorenzo    N.    Peregally :    Op.    9    Cent    vingt 

Preludes  dans  tons  les  tons,  Org  5 —  n. 

-  10   Six   morceaux,    Org   5 —  n. 

-  11     Quarante-huit    Versets    dans    les    liuit 

tons  du  plain-chant,   Org  5 —  n. 
-12  Chant  des  Magnificat,   Org  4 — n. 

-  13    Intonations    des    Magnificat    et    versets 

pour    I'Avent    et    le    temps    de    Noel,    Org 
4— n. 

-  19    Six   Offertoires,    Org    5^  n. 

-  A   I'Enfant   J^sus    1.50  n. 

-Ave  Maria,  8,  T  et  Org(P)  1— n  Le  Beau. 

-  Hymnes    et    chants    d'6glise    transcrits,     ff 

d'^glise   3 —  n. 

-  6    Morceaux    faciles    pour    Rentr^e    de    pro- 

cession, Offertoire,  Elevation,  Communion, 
Sortie  et  Magnificat,   OrgfH)2.50  n  Le  Beau. 

-  3   Offertoires  et  3  Elevations,   Org   4 —  n. 

-  Petit  rondeau,  P  2.50  Girod. 

-  Recueil    de    4    morceaux    contenant :    Offer- 

toires,   Elevations,    Sortie    et    Rentr6e    de 
Procession  .3 —  n. 
-Recueil    de    6    morceaux   contenant:    Eleva- 
tions et   OfTertoires,    Org   5 —  n. 


1.   Priez 
1.35  n. 


pour 


P   2— n. 

s.   1 —  Heugel. 

P    6— 


2 —  n, 


es  Pe- 


1.35  n 


Loret   C.   Loret:    Andantino,  P    1.35  u. 

-  Ave  Maria,  solo  1.50  n. 

-  Berceuse,  P  1.35  n. 

-  2    Cantique   a    la     Vierge : 

nous.      2.    Rosa    mystica,    k 

-  Caprice-Mazurka   1.35  n. 

-  Caprice  styrien,  P   1.75  n. 

-  Castor   et   Pollux,    rameau, 

-  Chanson   de   Barberine,    Ch. 

-  Chanson,   P    1.35  n. 

-  Chants    du    cr§puscule,    2    r&veries, 

Matliieu. 

-  Cigale    et    la    Fourmi    2—,      choeur 

p.   s6p.  — 25  n. 

-  Dernifere  larme  3 —  Heiigel. 

-  Deus  Abraham,   solo   et  choeur    (Tu 

trus)    1.50  n. 

-  Deux  Captifs   1 —  n. 

-  Dis-moi :   Je  t'aime  !  5 —  n. 

-  Dormez   3 —  n. 

-  Dors,   mon   enfant,    P   5 —    Lemoine, 

Loret,  1.50  Gtiimara.es,  POrg  6 —  Lemoine,. 
V(Vc)P  2 —  Bevilacqua,  Napole^o. 

-  Ecce  Panis,  choeur  1.50  n. 

-  Enfant  de  la  N^gresse   3 —  n. 

-  Ete  3—  n. 

-  Fleur  1 —  n. 

-  Gai   reveil,   P   1.75  n. 

-  Gavotte   1 —  n. 

-  Gazouillis    d'oiseaux,    polka    1.75  n. 

-  Glisse,    6  ma    barque    1 —  n. 

-  Glycines,   polka   2 —  n. 

-  Hymne   a  I'amour   5 —  Heugel. 
-Idylle,    P    1.75  n. 

-  Inviolata    1.35  n. 
-Kiki-Polka  1.75  n. 

-  Laudate,  choeur   1.50  n. 

-  Marie,   valse  2 —  n. 

-  Maximilienne,   polka  1.75  n. 

-  Mazurka  de  salon  3 —  n. 

-  Menuet  1.75  n. 

-  Noel   1.75  n. 

-  O   Salutaris    1.50  n. 

-  Oreiller   d'un   enfant   1 —  n. 

-  Oui,   c'est  toi   que   j'aime   3 —  n. 

-  Pauvre  p'tit  Pierre  3 —  Eeugel. 
-Petite    Marche    milit.    1.75  n. 

-  Petite  theorie  musicale  — 50  n. 

-  Plainte  5 —  Heugel. 

-  Pluie  dans  le  lac,  P  2.50  n. 

-  Priez   pour    nous,    cantique,    P    1.35  n. 

-  Priez  pour  nous,  choeur  4 — ,  p.  s6p.  — 25  n. 

-  Rayon  d'amour  3 —  Heugel. 

-  Reve   d'enfant,   P    1.75  n. 

-  Reve  en  mer,  valse  2.50  n. 

-  Rever,   prier,   aimer,   duo   6 —  n. 

-  Rgverie,   nocturne,  P  2 —  n. 
-Romance   sans   paroles,   P   2 — n. 
-Rondo,  P  2.50  n. 

-  Rosa   mystica,   cantique,   P    1.35  n. 

-  Rosa    mystica,    choeur    4 — ,    p.    s6p. 

-  Ros#e   de  Printemps,   polka   I —  n. 

-  Ros<5e   de    Printemps,    maz.    1.35  n. 

-  Sacris  solemnis,  solo  et  choeur  1.50  n. 

-  Saisons  d'Amour   6 —  n. 

-  Savoyarde,   P   1.35  n. 

-  Scherzo,    P    1.75  n. 

-  Tantum   ergo,   solo   et   choeur    1.50  n. 


—25  D. 


Loret  C.    Tarentelle 


—     636     — 


Loret  CI.  Fetes  Religieuses 


Tleugt'l. 
6—    Le- 

1.75  n, 


Ashdoivn. 
engl.-french 


-  Tarentelle,   P  2.50  n. 

-  Yalse  tyrolienne  1.75  n. 

-  Valse  mignonne  1.75  n. 

Loret  Ch.  op.  1  Les  Voeux,  scfene  r6ligieuse, 
P   5 —   Heugel. 

-  2  Rayons  de  printemps,  valse,  P  6 —  Eeu- 

gel. 

-  3  Le  Z6phir,  e.squisse  po6tique,  P  5 —  Heu- 

gel. 

-  Ange  et  I'enfant,   romance  2.50   Lemoine. 

-  Berceuse,    POrg    7.50,    VP,    VcP   a    6—    Le- 

moine,  VP   6/- —   Schott. 

-  Canzone  di   Barberina,   duetto   3 — 

-  Canzonetta,    P    5 — ,   Jf^ns   6 — ,    VP 

moine. 

-  Chanson    d'Avril,     1    voix     ^levees 

2  A'oix  graves  1.75  n  Fromont. 

-  Crepuscule    (L'aube   nalt)    4/- 

-  Dawn  of  day    (Le  crepuscule 

4/ —  Ashdown. 

-  Larmes   d'aniour   4 —  Lemoine. 

-  Marche   triomphale,   gr.    Org    6 —   Lemoine. 

-  Nuit  du   saint  Martyr   3 —   Lemoine. 

-  Oreiller   d'un   enfant  3 —  Lemoine. 
-Rayons    d'automne,    six    morceaux    caracte- 

ristiques,  P  18 — :  N.  ].  A  I'ombre  des 
bois  5 — .  N.  2.  Souvenir  d'enfance  3 — . 
N.  3.  Eglogue  5 — .  N.  4.  Reve  d'enfant 
4 — .  N.  5.  Orientale  4 — .  N, 
5 —  Lemoine. 

-  ReA'es   d'or,   valse   6 — ,   0   2- 

-  Si   j'etais   petit   oiseau   — 80  n    Pinatel. 

-  Soulier    de    Noel,    m6lodie   2.50    Lemoine. 
Loret    Ch.    et    Perpignat,      Sogni     d'amoro, 

valse  chaut^e  6 —  Lemoine. 
Loret  Clement,  op.  9  Douze  morceaux,  // 
10 — :  N.  1.  Absence.  2.  Pastorale.  3.  M4- 
lancolie,  a  1.25.  N.  4.  Prise  de  Voile 
1.50.  N.  5.  Sur  les  Ondes  1.25.  N.  6.  Bo- 
lero 2.50.  N.  7.  La  Flilte  enchaut§e  (Mo- 
zart). 8.  Enivrement.  9.  Cantilfene. 
10.  Souvenir,  a  1.25.  N.  11.  Pifferari  1.50. 
N.  12.  Alceste  (Gluck)  1.25  Loret. 
-10  Douze  morceaux,  HP  20 — :  N.  1.  Ada- 
gio en  ut  difeze  min.  (Beethoven) 
1.75.  N.  2.  Menuet  (Mozart)  1.75.  N.  ,",. 
Une  voix  dans  la  nuit  1.75.  N.  4.  Prelude 
et  fugue  en  mi  min.  (Bach)  2 — .  N.  5. 
Deuxifeme  parole  du  Christ  (Haydn) 
Bolero  5 — .  N.  7.  Largo  (B  e  e- 
1.25.  N.  8.  Premier  nocturne 
Second  nocturne  1.50.  N.  10. 
(Beethoven)  1.75.  N.  11. 
25.      N.    12.    Marche    uuptiale 


6.  Valse  shn/e 


n    Lemoine. 


6. 

n) 
9. 


At- 


2.50.  N 

t  h  o  V  e 

1.50.   N 

Sonate 

tente    1 

Loret. 
-18   50   Morceaux,    Org    15/ — n   Schott. 
—  19  Cours  d'Org  60 — ,  en  4  parties:  I.  Exer- 

eices  et  etudes  8—.  II.  Exercices  et  etudes 

pour  les  pedales   12 — .     III.   Connaissance 

pratique  de  VOrg   18 — .   IV.  Transposition, 

Improvisation  etc.  — 30  Loret. 
-20  Douze  morceaux,  H  10 — :  N.  1.  Menu'?t. 

2.   Cornemuse.   3.   Canzone,   a    1.50.     N.   4. 

Les  Abeilles  1.25.  N.  5.  Z^phir  1.50.  N.  6. 

Marche   du    Couvre-Feu   1.25.   N.   7.   Elegie 

1.25.   N.   8.  La  Taverne  1.50.  N.   9.   Danse 

d'Auvergne.    10.    Reverie    (mi   bemol).    11. 

Pastorale.   12.  Tyrolienne,  a   1.25   Loret. 


-21  Douze  morceaux  de  salon,  H  18 — :  N.  1. 
Scherzo  1.75.  N.  2.  Romance  sans  par.  1.50. 
N.  3.  Idylle  1.50.  N.  4.  Le  Monast&re  2.50. 
N.  5.  Air  de  Ballet  1.25.  N.  6.  Reverie  Noc- 
turne 1.50.  N.  7.  Chasse  1.25.  N.  8.  Bar- 
carolle 1.25.  N.  9.  Cantabile  1.25.  N.  10. 
Reverie  (re  bemol)  2.50.  N.  11.  Priere 
1.25.  N.   12.  Caprice- Fanfare  2.50  Loret. 

-  25   Ire  Sonate,   Org  1.50  Loret,  7/—  Schott. 

-30  Cantabile,  POrgV  3—:  Absence,  medi- 
tation: ClVcEaOrg  4—,  VVcHaOrg  4—, 
HautbVcHaOrg  4—,  VcHaOrg  3—,  VHa 
Org  3—,  HautbHaOrg  3—,  ClllaOrg  3—, 
partie  de  Ha  1.25,  les  autres  parties  a 
1 —  Loret. 

•35  6  Pieces  pour  H:  1.  La  FlMe  enchant<5e 

(Mozart).      2.    Oberon     (Weber).      3. 

Prelude    (Chopin).  4.  Valse  Tyrolienne. 

5.    Dernifere    Pensee     (Weber).    6.    Valse 

(Beethoven)    3.50    Loret. 
-40    Ire   Marche    nuptiale,    Org     2 —     Loret, 

2/— n   Schott. 

-  41   Cantabile,  Org  2.50  Loret,  2/6  n  Schott. 
-42   Pri&re,    Org    1.50    Loret,    1/6  n    Schott. 
-43  Andante  religiose.  Org  1.50  Loret,  1/6  n 

Schott. 

-  44  Canzone,    Org   2.50   Loret,  2/6   Schott. 

-  45   Scherzo   Fanfare,   Org  3 —  Loret,  3/ —  n 

Schott. 

-  Adagio  Symphonique,  vide  H  i  n  t  o  n  :   The 

Internat.    Organist. 
-Andante     (op.     90    de     Mendelssohn), 
Org  2 —  n  Durand. 

-  Andante    religioso.    Org   — 25    J.    Fischer. 

-  Bois,    grande    fantaisie,    Org(H)    9 —    j¥((- 

thieu. 

-  Cantabile,    VP    1.7.5  n,    av.    Org.      Loret. 

-  Canzonetta,   POrg   5^   Lemoine. 

-4  Caprices  en  deux  suites,  Org(E):  I.  Mu- 
.sette.  Beatitude  5 — .  II.  Desir,  Condole 
de  Venise  5 —  Mathieu. 

-  Concertos   de   G.   F.   H  a  e  n  d  e  1,   arr.   pour 

Org  av.  points  d'Org:  I.  15 — :  N.  1.  En 
sol  mineur  5 —  n.  N.  2.  En  si  b6mol  4 —  n. 
N.  3.  En  fa  4 —  n.  N.  4.  En  sol  mineur 
4— n.  N.  5.  En  fa  2— n.  N.  6.  En  si  be- 
mol 4 —  n. 

II.  15 — :  N.  1.  En  si  b6mol  majeur  6 — n. 
N.  2.  En  la  majeur  4 —  n.  N.  3.  En  si  be- 
mol majeur  6 —  n.  N.  4.  En  r^  mineur 
6 —  n.  N.  5.  En  sol  mineur  5 —  n.  N.  6. 
En  si  b^mol  majeur  4 —  n  Loret. 

-  Cornelius-marche    (op.    108    de    Mendels- 

sohn),  Org   2.50  n  Durand. 

-  Elevation,   Org  — 25   J.   Fischer. 

-  Elevazione,    Org  — 20  n    Musica   sacra. 

-  3.   Etude   sans   pedales,    Org    1 —   Heugel. 

-  6.   Etude   sans   pedales,    Org    1 —   Heugel. 
-24   Etudes  avec   ou   sans  p6dales,   Org:     I. 

sans  pedales  12 — ,  II.  avec  pedales  12 — 
Heugel. 

-  Exercice     journalier.     Org,    I — II     a     12 — 

Heugel. 

-  Exercice  journalier  du  grand  Org,  pour  le 

doigte  du  P  a  main  et  des  pedales  12 — ,  en 
3   suites,   a   4.50   Heugel. 

-  F§tes    Religieuses,     pifeces    dans     difFerents 

styles,    Org:      I.    Paques:    Pr6lude.    OtTer- 


Loret  CI.  Fetes  Religieuses 


637     — 


Lorillot  La  Toupie 


toire.  Comimmion.  Ite  missa  est.  Prelude, 
0  filii.  Sortie.  II.  Pentecote :  Pr^ludo. 
OfTertoire.  Communion.  Elevation.  Ite 
missa  est.  Veni  Creator  Spiritiis.  Sortie. 
III.  Fete-Dieu :  Prelude.  Oflfertoire.  Com- 
munion Adoremus.  Elevation.  Ite  missa 
est.  Marche  de  procession.  IV.  Assomp- 
tion:  Prelude,  Ave  maris  stella.  Offcr- 
toire  luviolata.  Elevation.  Communion. 
Ite  missa  est.  Sortie,  Ave  maris  stella. 
V.  Toussaint:  Prelude,  Gaudeamus.  Offer- 
toire,  Elevation.  Communion,  Beati  mundo 
oorde,  Ite  missa  est.  Sortie,  Alleluia. 
Sortie  des  vepres  des  morts.  VI.  Comme- 
moration des  Morts.  Entree.  Dies  irae. 
Offertoire.  Elevation.  Communion.  Marche 
funfebre,  sortie.  VII.  Noel:  Entree,  Adeste 
fideles.  Offertoire,  Adeste  fideles.  Eleva- 
tion. Communion.   Ite  missa  est  et  sortie. 

VIII.  La  Purification  de  la  Vierge:  Pre- 
lude. Offertoire,  Diffusa  est.  Elevation, 
Ave  Kegina.  Communion.  Ite  missa  est. 
Sortie.    Lumen    ad    revelationem    gentium. 

IX.  Ascension  de  N.-S.  J^sus-Christ:  Pre- 
lude, Viri  Galilaei.  Offertoire,  Ascendit 
Deus.  Elevation.  Communion.  Ite  missa 
est.  Sortie.  Alleluia.  X.  Fete  de  Notre- 
Dame  des  Sept  Douleurs :  Prelude.  Offer- 
toire, Stabat  Mater.  Elevation.  Commu- 
nion,     Felices   sensus.      Prelude   et   Sortie. 

XI.  Epiphanie :  Prelude.  Offertoire.  Ele- 
vation.    Communion.     Prelude    et    Sortie. 

XII.  Fete  nuptiale :  Entree.  Pastorale.  Ele- 
vation. Communion.  Sortie,  I — ^XII  a  4 — 
Lore  I . 

Marche    funfebre.    Org     1.50     Loret,     5/ — n 

Schott. 
Marche    Nuptiale,    Org    2.50  n    Loret,    — 50 

J.  Fischer. 
Marche    triomphale.    Org    4.50,    POrg    8 — 

Lemoine. 
Messe    facile,    suivie   de    12    versets    en    ut, 

Org(H)   10—:   La  Messe  seule  6—.  Les  12 

versets  4.50  Mathieu. 
50  Morceaux,   Org(H )    av.   ou   sans  pedales 

15 —  Loret. 
24    Morceaux,    Entrees,    Marches,    Offertoi- 

res.   Elevations,   Communions,   etc.,    sorties 

R    d'eglise    7 —  n    Peregally. 

■  Nocturne,    POrg   4 — -   Lemoine. 

■  Noel   1.75  n  Loret. 

■  6  Noels  varies.  Org  6 —  Loret,  6/ —  n  Schott. 

■  0  Salutaris  3 —   Mathieu. 

■  Office  Divin :   I.  6  Messes  et  vepres  faciles, 

avec  versets  et  antiennes  pour  Org  d'eg- 
lise et  de  salon  (in-8°)  6— n.  II.  50  Pis- 
ces d'Org  pour  messes  et  vepres  6 —  n 
HeugeL 

-  Orgue  pratique,  pi&ces   dans  differents  sty- 

les, I— VI  a  4—  Loret. 

-  Petit  Solf&ge   Gradue,   sur   toutes  les  clefs, 

sans  ace,  adopte  k  I'ecole  de  musique 
classique  de  Paris  .3 —  n  Loret. 
•  12  Pieces,  Org:  1.  Allegro  maestoso  (en  sol 
mineur) .  2.  Pri&re  (en  mi  b^mol) .  3.  Cha- 
conne  (en  si  bemol).  4.  Offertoire  (en 
re).  5.  Prelude  et  Fugue  (en  si  bemol). 
6.  Pi&ce  legere  (en  sol).  7.  Grand  choeur 
(en  si  bemol).   8.  Elevation    (en  mi  beni.). 


9.  Scherzo  (en  si  mineur).  10.  Commu- 
nion (en  la).  II.  Cantil&ne  (en  fa).  12. 
Final    (en   re  mineur)    8 —  Leduc. 

-  12   Pieces,   Org   8 —  n   Lavdy. 

-  12  Pieces,  Org  8/—  Scliott. 

-2   Pieces,   H :      1.   Cloches  du   Soir.     2.   Ro- 
mance  sans   paroles    7.50    Loret. 

-  Postlude,   Org  — 35   -/.  Fischer. 

-  Preghiera    o    Communione,    Org    — 35    Mu- 

siea  sacra. 

-  Eeverie,   Org  3 —  Lemoine. 

-  Reverie,   mazurka,    Org    4.50   Lemoine. 
-Rienzi     (Wagner),    PHV    7/6    Schott. 
-Service  Divin,  Org:  I.  Serie:   Six  Entrees. 

II.  Six  Offertoires.  III.  Six  Elevations. 
IV.  Six  Communions.  V.  Six  Sorties,  k 
3—  Loret. 

-  Une    Soiree    chez    Monsieur    Toto,    P,    Jfms, 

6ms  6 —  n   Loret. 
Loret    V.    Loret:    Chanson   d'exil    5 — n. 

-  Desir   d'avril   5 —  n. 

-  Glycines,   maz.   2 —  n. 

-  Guitare,  duo  9 —  n. 

-  Massaoudah,    maz.    1.35  n. 

-  Melodies   et   danses    popul.     de    la    Haute- 

Egypte,   P   3.50  n  Loret. 

-  Mignonne    5 —  n. 

-  Mimosa   6 —  n. 

-  Mirrhina,   air   de  ballet,   P   1.75  n. 

-  Pavane,   P   1.75  n. 

-  Prifere   k  la  Vierge,   P   1.35  n. 

-  Rgve   en   mer,   valse,   4ms  3 —  n. 

-  Safeiah,   polka   2.50  n. 

-Sous  bois,  suite  symphonique,  ^ms  4 — : 
N.  1.  Chanson,  canzonetta.  2.  Aurore, 
scherzetto.  3.  Vers  luisants,  ballabile,  a. 
1.75. 

-  Vieille   chanson    dauphinoise   6 —  n. 

-  Villanelle  5 —  n. 

Loret    et    Perpigna    de,      Reve    d'or,    valse 

chantee  6 —  Lemoine. 
Loreti    A.    Fiorellin    di    siepe,     Maud     — 20 

MandP  —80  Rebagli. 
Loreto  M.  Ave  Maria  1.50  Blanchi. 

-  Lied   1.25  n  Blanchi. 

Loretto,    Litanies,    N.    1  &  2,    P    3/—   Chap- 

pell. 
Loretz    J.    B.    Military    galop   — 30    Gordon. 

Lcretz  J.  M.  J.  Fischer:  Adoremus  te,  B 
—35. 

-  Ave    Maria,    SA   — 40. 

-  Ave    Maria,    MS   —25. 

-  Deeply  Repenting,   MS  — 25. 

-  Know   Ye  That  Angels  Silently   Glide,   SA 

—40. 

-  My  Soul  with  Plaintive  Moan,  B  — 35. 
-O   Salutaris,   8S  or   ST  —50. 

-  Sweet  is  the  Light,   SS  or   ST  —50. 
Lorey  W.    E.  Balkis    (ghazel  persan)    1.75  n 

Poulalion. 

-  Dans   le   calme   des   nuits   1.75  n   Poulalion. 

-  Soir  de  Chiraz   (ghazel  persan)    1.75  n  Poii- 

la  lion. 
Lorge   L.    M.  Dans  une   rgve !    V  av.  P   ace. 
5 —  Gaudet. 

-  Klem,   maz.   3 —  Gaudet. 
Lorgnette   1 — n   Ondet. 

Lorillot,   La   Toupie,   valse   6 —   HeugeL 


Lorin  C.  Premiere  valse 


638     — 


Lorme  A.  Maritana 


Lorin  C.  Premi&re  valse  eu  sol  mineur  5 — 
Poulalion. 

-  Smart  Set,   three-step,   P  — 10   Mc.   Kinlei/. 

-  Souvenir    d' Amour,    PMand    6 —    Poulalion. 

-  Way    down    south    in    Dixie,    P    — 10    Mc. 

Kinley. 

-  We   won't   go    home   'til    morning,    P   — 10 

Mc.   Kinley. 
Loring    Paul,   A   Little   While,    8fM8)    —50 

Schirmer. 
-This    tiny    Flower,    SfMS)    — 40    Schirmer. 

Lorini     E.    Magnaminita    e    grandezza,    VP 

7 —   Borriero. 
Lorinser    Franz,      Kirchenlieder    und    Lita- 

neien,      zum     Gebrauch     in     katholisehen 

Pfarrkirchen  — 50  n   Leuckart. 
Lorinser    Gisela,    op.    4      Sechs    Charakter- 

stiicke,    P :      I:    Friihlingslied.    Lied    ohne 

Worte.  Jagdlied,  II :  Duett.  GruG.  Schlum- 

merlied,    il  2 —    Ries   d    Erler. 

-  5  Neue  Praludien,  P  2.50  Ries  tC-  Erler. 

-  5   Gedichte   2.40   Gritmann. 

-  4   Mazurkas  3 —  Ries  d   Erler. 
-Praludien,   P    1.20    (jiitmann. 

Loris-IVlellkoff  de,  op.  14  Souvenir  de  Mi- 
lan,   Emma,   mazurka,   P    1.50    Ricordi. 

-  15    La    Fiancee,    romance    2 —    Ricordi. 

-  Souvenir   du   Caucase,   marche   2 —   Ricordi. 
Lorje   Louis,  Dolor&s,  maz.   1.70  n   Klein. 
Lorleberg    Fritz,    op.    21      Spielmannsleben, 

ein  Liederzyklus  in  4  Gesangen  2 — :  Nr. 
1.  Lustig  schweif  ich  ohne  Sorgen  — SO. 
Nr.  2.  Traute  Feierabendstunde,  dJim- 
mernd  schleicht  die  Nacht  herbei  — 80. 
Nr.  3.  Am  Himmel  sind  heraufgezogen 
— 60.  Nr.  4.  Langsam  schleich'  ich  durch 
die  Gassen  • — 60  Tonger. 
-24  Sechs  lyrische  Gedichte,  I — II  a  1.50 
Hofmeistcr,  Sommernacht,  Lied  f.  Corn'-i 
(B)  m.  mO  (F.  Leopold)  3— n  Ilof- 
meister. 

-  25     Tannhauser  -.      ,,Leeren    lafit    mich    den 

Becher  der  Lust",  T  1 —  Tonger. 

-40  Sechs  lyrische  Gesange  2.50:  Nr.  1. 
Ohne  Worte:  „Ich  bin  zu  ihr  gekommen" 
—60.  Nr.  2.  Vierblatt'riger  Klee :  „Ge- 
funden,  gefunden"  — 60.  Nr.  3.  Fahrnis : 
„tJber  den  Tannen"  1 — .  Nr.  4.  Geheimnis : 
„V6glein  hat  im  Fliederbaum"  — 60.  Nr. 
5.  Gliicklicli :  „Im  Walde  hor'  ich's  klin- 
gen"  1 — .  Nr.  6.  TJnten  im  Tale :  ,,Unton 
im  Tale  klappert's  so  hell"   1 —  Tonger. 

-47  Vier  lyrische  Lieder :  Nr.  1.  In  Dornen 
1.20.  Nr.'  2.  Morgengliick  —80.  Nr.  3.  Am 
Miihlenbach  1.20.  Nr.  4.  Ein  Abschied  1.20 
R.  Dietrich. 

■  48  Hm  I  Hm !  Humoristisches  Lied  — 80 
R.  Dietrich. 

-49  Verwehte  Lieder:  1.  Abendstern  wirft 
milden  Schein.  2.  Nur  wen'ge  Lieder  a  us 
dem  Buch.  3.  Aus  hinterlasssenen  Papi*'- 
ren:  „Es  sang  der  Fruhling  mir  ins  Herz" 
2 —  Tonger. 

-50  Aus  dem  Gebirge,  ein  Zyklus  von  10 
Liedern  3 —  n  Hofmeister. 

-52  Drei  heitere  Duette:  1.  Sucht  Veilchen : 
„Durch  Berge  und  Kliifte  zieh'n  Wunder- 
dufte",  2.  Madel,  Madel,  komm  und  kUsse, 


P 


N. 


3.  Entdeckt :   „Es  flattern  die  wilden  T:u\- 
ben",    a  1.50    Tonger. 

-  54  Vier  Stimmmungsbilder  f.  Ostern,  Pfing- 

sten,  Weihnachten  u.  Silvester  2 —  Tonger. 

-  55      Lachtiiubchen :       „Lachtaubchen      sitzt 

hoch  unter'm  Dach"   1 —  Tonger. 

-  58  Dudeldi  —  Dudeldo :   „Wenn  ein  Fliisch- 

chen   oder   zwei"  — 60   Tonger. 

-4  kleine  Stiicke,  P:  1.  Albumblatt,  2.  Al- 
bumblatt.  3.  Wiegenliedchen.  4.  Album- 
blatt  1.70  Hug. 

Lorm  Gretchen,  Original-Lieder  und  Cou- 
plets: 1.  Moderne  Kinder,  2.  Mein  Taub- 
chen,  3.  Welche  Pein,  4.  Der  Hofnarr, 
5.   Die   erste  Liebe,   h  — 75   Robitschek. 

Lorme    Adrian    de.    Duff:    A-B-C    Tutor 
4/—. 

-  Apple    Blossom,    schottische   3/ — . 
-Bohemian    Girl     (Brilliant    Fant) ,    P, 

1—2    a   4/—. 

-  Chant    d'un    ange,    morceau    de    salon,      P 

3/ —  Ashdown. 

-  Chevrj'  blossom,  valse  de  salon  3/ — . 
-Elijah,    transcr.    P :      1.    If    with    all    your 

hearts,   2.   0   rest  in  the  Lord,  il  4/ — . 

-  England,    fant.    on    national    melodies,     P 

4/—. 

-  Golden   Sunflower,    P   3/—. 

-  Hanover,    quadr.    4/ — ,    Jf^s    4 ' — . 

-  Home,   sweet  home,   P  3/ — . 

-  Ireland,  fant.  on  national  melodies,  P  4/ — . 

-  Little   Gems   for  Young   Musicians,   50   soli 

or  duets  a  1/ — :  N.  1.  Home,  sweet  Home. 
2.  The  Keel  Row.  3.  The  Harp  that  once 
thro'  Tara's  halls.  4.  Caller  Herrin'.  5.  All 
around  the  Maypole.  6.  The  Last  Eose  of 
Summer.  7.  God  save  the  Queen.  8.  We're 
a'  Noddin'.  9.  The  Young  May  Moon.  10. 
Jenny  Jones.  11.  Silvery  Waves.  12.  Non 
piu  mesta.  13.  Little  Sweetheart.  14.  M-t- 
rily  danced  the  Quaker's  Wife.  15.  The 
Meeting  of  the  Waters.  16.  0  dear  what 
can  the  matter  be.  17.  My  Love  she's  but 
a  Lassie  yet.  18.  Gentle  Zitella.  19.  March 
of  the  Men  of  Harlech.  20.  Carnival  of 
Venice.  21.  By  the  Margin  of  Fair  Zurich's 
Waters.  22.  A  Highland  Lad.  23.  Silver 
Threads  among  the  Gold.  24.  II  Segratto 
(Lucrezia  Borgia).  25.  The  Blue  Bells  of 
Scotland.  26.  My  lodging  is  on  the  Cold 
Ground.  27.  Bonnie  Dundee.  28.  Garry 
Owen.  29.  Rule  Britannia.  30.  Ye  Banks 
and  Braes.  31.  Libiamo  (Traviata).  32. 
Poor  Mary  Ann.  33.  Kate  Kearney.  34. 
Comin'  thro'  the  Rye.  35.  Cherry  Ripe. 
36.  What's  a'  the  Steer,  Kimmer?  37.  The 
Pilgrim  of  Love.  38.  St.  Patrick's  Day. 
39.  Blue  Danube  Waltz.  40.  On  Yonder 
Rock  Reclining.  41.  The  Campbells  are 
coniin'.  42.  See  the  Conquering  Hero  co- 
mes. 43.  The  Troubadour,  french  air.  44. 
Rory  O'More.  45.  Robin  Adair.  46.  La  ci 
Darem.  47.  My  Pretty  Jane.  48.  Auld 
Lang  Syne.  49.  The  Legacy.  50.  The  Bells 
of   Aberdovey. 

-Lucia  di  Lammermoor,  brill,  fant. 
P   4/—,   Jfms   5/—. 

-Maritana,  P:  1st  fant.  4/ — ,  2nd  fant. 
4/—. 


Lorme  A.  Martha 


639 


Lorscheidt  H.  Do  hass  do  Reich  en! 


-Martha,  brill,  fant.  P  4/—,  Jfms  5/ — . 
-  Orange  blossoms,  mazurka  elegante  3 — . 
-Pearls   of   sacred    Melody    (50),    a    1/ — :    N. 

1.  Lo  I    He   comes  with   clouds   descending. 

2.  Lord  of  all  Power  and  Might.  3.  Lord, 
Remember  David.  4.  Eve's  Lamentation. 
5.  March  from  Scipio.  6.  Hark,  the  Herald 
Angels  sing.  7.  Gloria  (Mozart's  12th 
Mass).  8.  Adeste  Fideles.  9.  The  Heavens 
are  Telling  (Creation) .  10.  Onward,  Chri- 
stian  Soldiers.   11.   Pilgrims  of  the  Night. 

12.  Batiste's    Andante     (The    Celebrated). 

13.  Sound  the  Loud  Timbrel.  14.  With 
Verdure  Clad  (Haydn).  15.  Abide  vvltli 
me.  16.  Lead,  Kindly  Light.  17.  March  of 
the  Hebrews.  18.  The  Hymn  of  Eve.  19. 
Sun  of  my  Soul.  20.  Martin  Luther's 
Hymn.  21.  Hallelujah  Chorus  (H  ii  n  d  e  D. 
22.  Sicilian  Mariner's  Hymn.  23.  Angels, 
ever  Bright  and  Fair.  24.  Kyrie  (M  o  - 
z  a  r  t's  Twelfth  Mass).  25.  Prayer  (Mose) 
(Rossini).    26.    Jerusalem    the    Golden. 

27.  But   the  Lord   is   Mindful    (St.   Paul). 

28.  In  Native  Worth  (Creation).  29.  He 
shall  Feed  His  Flock.  30.  The  Better  Land. 
31.  March  (Mose)  (Rossini).  32.  How 
Lovely  are  the  Messengers.  33.  Sound  an 
Alarm  (Judas).  34.  Laudate  Dominuri. 
35.  C  h  e  r  u  b  i  n  i's  Ave  Maria.  36.  Deul 
March  (Saul).  37.  Kyrie  (Haydn's  12th 
Mass).  38.  I  will  sing  of  Thy  Great  Mer- 
cies. 39.  Rocked  in  the  Cradle  of  the  Deep. 
40.  Arm,  Arm  ye  Brave.  41.  Benedictus 
(Mozart's    12th   Mass).   42.    Cujus   Ani- 

mam.  43.  I  Waited  for  the  Lord.  44.  Easter 
Hymn.  45.  But  who  may  Abide  (Messiah). 
46.  Et  Incarnatus  Est  (M  o  z  a  r  t) .  47. 
The  Marvellous  Work  (Creation).  48.  Oh, 
Lord,  have  Mercy  upon  me.  49.  La  Carita 
Ti    Prego     (Cursch- 


50. 


(Rossini) 
m  a  n  n ) . 
Scotland,   fant.   on 

Scottish  Echoes:    1 


national   airs,   P  4/ — . 

.  March  of  the  Cameron 
Men,  2.  Lass  of  Gowrie  and  Comin'  thro' 
the  Rye,  3.  Mary  of  Argyle  and  Annie 
Laurie,  4.  The  Keel  Row  and  What's  a' 
the  Steer,  Kimmer?,  5.  A  Hundred  Pipers 
and  Kinloch  of  Kinloch,  6.  Blue  Bells  of 
Scotland  and  Ye  Banks  and  Braes,  a  2/6. 

-  Silent  Hours,   transcr.   P  4/ — . 

-Song     of    an     angel     (Chant     d'un     ange). 


by    F.    Archer,    Org    3/- 


Ash- 


brill.    fant.    P    4/ 


4/-. 


J^yns 


transcr. 
down. 
-Sonnambula, 
5/—. 

-  Summer  Roses,   P  3/- 

-  Sweet  Remembrance,  P 

-  Swiss  Flow'ret,  P  4/—. 

-  T  r  a  V  i  a  t  a,  brill,   fant,   P  4/ — , 
-Wales,  fant.  on  nat.  airs,  P  4/ — . 

Lornay    G.    Gegen    den    Strom,    Walzer 

Jtiger. 
Lome    Mark,    Oh   Laura   2/ — n    Ascherierg. 

-  Tum-ta-tum   4/ —   Ascherherg. 
Lorotte  A.  Bretonne,  maz.  5 —  Girod. 

-  Eugenie,   schott.   5- —   Girod. 

Lorphelin  S.  T'en  souvient-il?  romance  1.75  n 
Gullet. 


4ms 


5/—. 


1.8C 


-Notre  Pfere  (Pater  noster),  par  franc,  ct 
lat.   avec   Org(P)    1.75  n   Gullet. 

Lorrac,  Easter  anthem  (Sabbath  day  was 
ended),  8T  and  chorus  — 08  Bruinard. 

Lorrain  A.  Amour  et  regrets,  Ch.  s.  —35  n 
Lubbe. 

-  La    toilette    de   la   marquise,    Ch.   s.   — 35  n 

Lubbe. 
Lorraine,  Nina,  valsette,  P  2/ —  Donujowski. 

-  Stella,   valsette,   P   2/ —   Donujowski. 
Lorraine    C.    Only    thine,    song    and    chorus 

— 40   Bruinurd. 

-  Sadly  I  wander  alone  — 40  Brainard. 
Lorraine   et    France    1 — n   Joubert. 
Lorraine  E.  La  Marseillaise,  P  4/ —  Weekes. 
Lorraine      F.      Sweet     Marie,     waltz      — /2 

Broome. 
Lorraine   G.   de,   op.  4   Andante    (F),  P   1 — 
Gebethiier. 

-  12  Mazurek,   P  —90    Gebethner. 
Lorraine  Jules.   Orpheus:  Classic,  P  4:1 — . 

-  Country    Fair,    quadr.    3/ — . 

-  Falling  Stars,  P  4/—. 

-  Original    Alberts-Quadr.    4/—,      FullO    1/6, 

sept.    1/ — . 

-  Palatine   March   3/ — . 

-  Ring  the  Bell,  Watchman,  P  3/—. 

-  Soudan  Expedition,  march   4/ — . 

-  Toreador    March    3/ — ,    V,    Cornet,    Fl    etc. 

a  —IS,   FullO   1/6,   sept.   1/—. 

-  1.    Winter    Sport,    morceau,    2.    Moonlight, 

schottiache,  3.  Trip,  Trip,  galop,  4.  Swal- 
lows' Nest,  polka,  5.  The  Country  Fair, 
easy  quadrille.  6.  A  Sunny  Morn,  mor- 
ceau, a  3/ — . 
Lorraine  L.  de  la.  Rouurt:  Bouqueti&re  des 
Courses   1 —  n,   Ch.  s.  — 30  n. 

-  Croqueuses  de  Monacos  1 —  n,  Ch.  s.  — 30  n. 

-  Je  rentre  chez  ma  tante  1 — n,  Ch.  s. — 30  n. 

-  Lidia    1—  n,   Ch.   s.  —30  n. 

-  Mam'zelle  Chambertin   1 —  n,  Ch.  s.  — 30  n. 

-  Nouveau    Chaperon    rouge     1 —  n,      Ch.    s. 

—30  n.     . 

-  Petites  Batignollaises   1 —  n,   Ch.  s.  — 30  n. 

-  Plumet  de  la  Marquise  1 — n,  Ch.  s.  — 30  n. 
Lorraine  S.  O  Fairest  Queen  4/ —  Cramir. 
Lorraine    Spencer,      'St!    'St!    Vocal    Polka 

4/ —  Ascherberg. 
Lorraine    Wm.    The    Padishah,    persian    i'l- 

term.     (&    Eilenberg:     Prince    Henry 

March),  FullO  1—,  Ik  Instr  —80,  10  Instr 

—60,   P  — 15   Fischer. 
-Salome,  intermezzo  f.  Cimbul  1.20  n  Nddor. 
Lorrilliere   F.   A.  New  American  School   for 

the  Parlor  Org  1.50  Ditson. 
Lorris   J.    de,    Douceur    d'aimer,   valse  lente 

p.  chant  2 —  n  Hayet. 

-  Printemps  joli,  valse  chantee  2 —  n  Hui/et. 
Lorsch    G.    D.  Lion  Tamers,   march,   0   1.15, 

14    Instr   —95,    10    Instr   —75    Royul    Mu- 
sic  Co. 
Lorscheidt    Heinrich.    Tonger:    Op.    17    Ro- 
manze,    VcP   1.25   Zechlin. 

-  Bruder   Studio,   m.  — 60. 

-De    Kaffeemull     (koln.    oder    hochdeutech) , 

TO.  —60. 
-Der  Orkan,  TTBB,  Part  1.50,  jede  St  —40. 

-  Die   einsame  Triine,   2.  Aufl.  —75. 

-  Do  hiiss  do  Rach  en  !    Karnevals-Marsch  — 50. 


Lorscheidt  H.  Ndrr.  Genossenschaftsm. 


640     — 


Lortzing  A.  Hans  Sachs 


-  Narrischer    Genossenschafts-Marsch   —50. 

-  Tony,    Polka-Ma  z.    —80. 

-  Zecherlied  — 60. 

Lorsque   les   femmes   sont   jolies!    1- — u    On- 

det. 
Lorsque    tout    s'endort,    Ch.  s.   — 30  n    Nau- 

din. 
Lortat  Jacob   R.  Lfevres  roses,  valse  chantee 

1.70  n  Du   Wast. 

■  Romance  3 —  Ilamelle. 

■  S6r6nade  3 —  Hamelle. 

Lortzing  Albert  (1801—1851),  Album,  P 
(Reinecke)    1.50   Breitkopf. 

-Album,  VP  (Fr.  Hermann)  3—  Breit- 
kopf. 

-Ali  Pascha,  Oper  (1826),  KA,  Theater- 
Musik  4 —  n  Senff,  Textb.  —20  n  Breit- 
kopf. 

-  Alia    nell'opera    „L'archibugiere"    {Tromha 

assola),  pet.   0   2.50  n   Carisch. 

-  Aria     nell'opera     ,,L'archibugiere",     pet     0 

2 — n  Carisch. 

-  Ariette  (S)  :  Die  Eifersucht  ist  eine  Plage 

— 50  n,    0-St   3.90  n   Breitkopf. 
-Armurier,    P    2.70  n,    ouverture    — 50  n 
Costallat. 

-  Ballett,    8ms     (Carl    B  u  r  c  h  a  r  d)     3—  n 

Wernthal. 

-  Bescheidene    Fragen,    komisches    Lied    — 50 

Kahvt. 
-Burmiatrz    z    Saardam:    Gdy    bylem 
azie  ci^ciem  • — 30   Gebethner. 

-  Caramo,   Arie,   strO   2 —  Apollo. 
-Casanova,    komische    Oper     (1841),    9 — 

Breitkopf,  5—  n  ^enff ,  P  3—,  Ouv.  P  —30, 
Jfins   —60,    Textb.    1.50    Breitkopf: 

1.  Introduktion,  Clior  der  Frauen:  „Lind, 
lind,   lind   wehet   der   Wind"    1 — . 

2.  Romanze:   ,,Willst  du  dir  eiu  Vorbild" 
1—. 

3  a.   Arie :    ,,Frisch   durch   die   Welt   geht 

es   zum   Liebclien"    1 — . 
3  b.  Arie    1—.  . 

4.  Terzett :    „Wie   f reu'   ich   mich,   Signor, 

Sie  wieder   frei   zu"   1 — . 
5  a.    Finale :    „Tausclit    mich    mein    Auge 

nicht"    1—. 
5  b.   Duett  1—. 
5  c.    Chor    der    Polizeidiener :    „Ganz    be- 

hutsam,    still   und   leise"    1 — . 
6.  Duett:         „Teurer       Freund !        Teurer 

Freund!"    2—. 
7a.   Lied:      „Man   kann   es   in   der   Bibel 

lesen"   1—. 

7  b.  Lied  —50. 

8.  Quartett:   „Spotte  nicht  dieser  Triebe" 
1—. 

8  b.  Romanze:   „Armer  gefangener  Mann" 

1—. 

9  a.  Lied :   „Frei  sein  ist  erst  wahres  Le- 
ben"    1—. 

9  b.  Lied  1—. 
10.  Finale :    ,,Herr   Kommandant,   was   seh' 

ich!"   1— 
11  a.  Kavatine:   ,,La6  mir  die  Trane  nur" 

1—. 
lib.   Kavatine    1 — ■. 
12.  Terzett:    „Da    ist    er !    Abb6 !    Was    ist 

dasl"   1—. 


13.  Ballett   fur   P    1—. 

14.  Finale    (Pantomime)  :    „Die   Polizei   ist 
da"  1—. 

Polizei-Chor,    TTBB    1.80   Zumsteeg. 
Potpourri,   P   1 — . 

-  Das   Lied   vom   9.   Regiment,   VP  — 80,   stO 

1.20,   Par.    Bes.    1.40   Apollo. 

■  Der    deutschen    Jugend     gilt     mein     Wort 

(Modinger),    Lied    — 30    Breitkopf. 
-Die    beiden    Schiitzen,     kom.     Oper 
(1837),  Ilofmeister :  KA   18—,  4—  Peters, 
Chorst  2.40  n  Breitkopf,  Ouv.  P   1.50  Hof- 
meister  : 

2.  Terzett :   Welche  Wonne  2 — . 

3.  Arie:    Da,    wo    schone    Madchen    1.25. 

4.  Quartett:    Lafit   euch   ihr   Schonen   2 — . 

5.  Lied :   Es  kommt  drauf  an  — 50. 

6.  Quintett:    Mein  lieber   Sohn   2.25. 

7.  Arie:  Ihr  freundlich  stillen  Fluren  1 — . 

8.  Duett:    Der    Brautigam   naht    1.50. 

10.  Arie:   Er  ist  mir  wert  1 — . 

11.  Lied:    Sonn'    und   Mond   — 50. 

12.  Quartett :    Ihm   Trost  zu  bereiten    1.50. 

13.  Duett:    ^^'oIiir   mein   Herz   — 75. 

14.  Septett:    Stille    Nacht    3—. 

Nr.  3    1.50,   Nr.    10   1.25    0.   Forberg. 
Auswahl    beliebter    Stucke,    P    2 — . 

F  a  n  t  a  s  i  e :  Mand  — 60,  MavdP  1 — , 
MandG  —75,  2MundP  1.25,  2MandG 
1—,    2MandMaP    1.50,    2MandMaG    1.25. 

Potpourri:    P   —80    Bote. 

-  Die   Sterne   leuchten  —30   Breitkopf. 

■  Drei    scherzhafte   Gesange,    TTBB:      Nr.    1. 

Du  mit  dem  Friihlingsangesichte  1 — .  Nr. 
2.  Des  Hauptmanns  Wunsch  1.50.  Nr.  3. 
Walzerlied    1 —    Elemm. 

-  Elisabethen-Walzer  v.  S  t  r  a  u  fi  :   „Straufi  ! 

dir  tont  unser  Lob!"  SSTTBB  2.50  Hof- 
meister. 

-  Ernste  und  heitere  Festgesange,   TTBB,  in 

3   Heften:    I.    1.   An   den   Friihling.   2.  Das 

hab"  ich!   2—.     II.   3.  Gratulation.  4.  Den 

Neuvermiihlten    2.50.      III.    5.    Toast  den 

Damen !  6.  Die  verlorene  Rippe  2 — 
Klemm. 

-  Erstes    komisches     Quodlibet    (Motive  aus 

Opern,  etc.)  :  „Ihr  Herren  hort  die  grauen- 
volle    Sage"    1.50    Klemm. 

-  Es    wohnt    am     Seegestade     — 50     RiiTile   d- 

Wendlinci,    1 —  n    Tonger. 

-  Fest-Ouvertiire,     VP    2—,     2VP     2.25      W, 

Schroder,  pic.O  2.75  n  Carisch,  gr.  mO 
3— n,  kl.  mO  2.50,  MM  2.50  Oertel,  FullO 
2—,  IJf  Instr  1.60,  10  Instr  1—,  P  —30 
Fischer. 

-  Figaro,    Sammlung    launiger     und     scherz- 

hafter  Gesange,  I— II  a  2—,  III  1.50  Hof- 
meisler. 

-  Flemish    maiden    (Lebe    wohl,    mein    fland- 

risch  Madchen)    1/6  n  Augener. 

-  Frohliche      Weihnacht      iiberall      (englische 

Melodic)  aus  „Das  deutsche  Lied",  Samm- 
lung beliebter  Lieder  und  Volksweisen, 
SATB  1—  Hochstein. 
-Hans  Sachs,  kom.  Oper  (1840) ,  Breit- 
kopf:  KA  18—,  5— n  8e7iff,  P  3—,  Ouv. 
P  —30,  J,ms  —60,  —80  Hoffmann. 


Lortzing  A.  Ha7is  Sachs 


641 


Lortzing  A.  Refjina 


,,Sehnsuchtsvoll 
1— n. 
.,Der   Meister  komrnt" 


1  a.    lutroduktion,    Chor :    ,,Auf,    muntei- 

Briider,   munter"    1 — n. 
1  b.   Lied   mit   Chor    (T )  :   „Eiu   Schuster, 

jung   au    Jahren"    1 —  u. 
2.  Szeue   uiid    Arie    (Bai ) :    .,Wo   bist    du, 

Sachs  r    Hat    dich"    1— ii. 
.".  Terzett     (2TB) :    „Was    hor'    ich  ?     Thr 

seid"    1—  n. 

4.  Kavatine     (8) :      ,,Sehnsuchtsvoll     init 
siifiem    Bangeii" 

5.  Quart.    (2BTB)  : 
1— n. 

6.  Finale :  ,,Ich  mufi  der  erste  sein"  1 —  n. 

7.  Introduktioti :     ,,Macht    doch    der    Ver- 
vvirruug   eiu   Eud'"    1 —  u. 

8  a.    Lied    (B):    ,,Nicht    Reichtum    maclit 

das  LebcQ  schoii"  — 50. 
8  b.  Lied  ira  F-SchlUssel  fiir  jede  St  — 50. 
9.  Chor:    .,Seht,    Alt   und    Jung"    1— u. 

10.  Tanz   fur   P   1— n. 

11.  Lied    mit    Chor    (T):     „Die     Schuster- 
zunft  bleibt  immer"  — 50. 

12.  Duett    (SB):    „Kannst   du   so   von    mir 
scheiden?'"    L50. 

i;}.  Finale:    „Seht    dort   hiri"    1 — . 


14.  Entr'akt   fiir    P 


)0. 


15.  Arie  und  Duett  (28):  ,,Komm,  meine 
Tochter"   1— n. 

16.  Ensemble:  „0 !  ich  urmer  geschlageuer 
Mann"    1 —  n. 

17.  Ballett   und   Pantomime   fiir   P    1 — . 

18.  Ensemble    (Ballett)    fur    P    1— n. 

19.  Schlufichor:  „Wir  jauchzen  laut  aus 
voller   Brust"   1 —  n. 

Potpourri:  P  1 — ,  Jfins  1 —  Breitkopf,  gr.O 
2.50  n,  mittelgr.  0  2—  n,  ?nO  2.50  n,  kl. 
Bes.    L.80n   Bellmann. 

Hans   Saclis-Polka    — 50    Scliott. 

Ich  war  in  meineu  jungen  Jahren,  B  1 — n 
Tonger. 

Im  tiefen  Keller,  Leach:  Let  all  Obey, 
a.  Schuber  t:  By  the  Sea,  Vc(Tr)(Cor' 
net)  w.  FidlO  1.25,  14  Instr  1—,  10  Iiistr 
— 75,  mO  I — ,  P  ace.  — 40  Standard. 

Inmitten  der  Nacht,  aus  „Das  deutache 
Lied",  Sanimlung  beliebter  Lieder  mid 
Volksweisen,   SATB    1 —    Hochstein. 

Komi.seJie  Lieder;  Nr.  1.  Das  Lied  vein 
unterdrOckteu  Gefuhl  —50.  Nr.  2.  Das 
Lied  vom  WeiSbier  ^-80.  Nr.  3.  Buffo- 
Arie:  .,Vortrefriich  ein  Korapositioue" 
1.30.  Nr.  4.  AUes  will  jetzt  grofier  sein 
—50.  Nr.  5.  Lied  aus  Regine:  „Hinaus, 
diridum"    (Chor   ad   lib.)    I —   Schlesinger. 

Komisches    Lied :    .,'s    komrat    alles    im   L-i- 

ben   auf   GrundsStze   an"   — 50   Kahnt. 

-  2.  Komisches  Quodlibet  (Motiven  aus  Opern 

etc.)  :  „Ich  war  in  meinen  jungen  Jahren" 

1.50  Klemm. 

■  Lied :     ..Vater.     Mutter,     Schwestern,    Br-i- 

der"     —20  n     Rilhle     d     Wendling,     —50 

Schle.sivger. 

-Lieder      (G.     R.     Kruse),     I— II     &     2— 

Michoiv:      Heft   I.   Lieder:    1.    StUndchen : 

„Schlumm're  ruhig,  liebes  Leben".  2.  Mein 

Allerseelenlicht :    „s'ist  Allerseelen  heute". 

3.    Der    Invalide:      „Ein    greiser    Invalide 

sag  auf  der  Lagerstatt".  4.  Dorf-Hamnier : 

,,Freundlich     an     dem     Berggehiinge".      5. 

Univprsnl-Handbiich  d^r  Musikliteratur.    L. 


Weinlied :  ,,Aus  den  Trauben  in  die 
Tonne".  6.  Mein  Wunsch :  „Als  ich  uooh 
Fiihnrich  war".  7.  Die  Sterne  leuchten 
durch  die  Nacht.  8.  Mein  Rock:  „Mein 
schlichter  Rock,  du  wirst  mir  taglich  lie- 
ber".  9.  Der  deutschen  Jugend  gilt  mein 
Lied.  10.  Seemanns  Grab:  „Des  Seemanns 
Grab  ist  grofi  und  hehr"  f.  B.  11.  Tiirmer- 
lied  aus  Faust:  „Zum  Sehen  geboren"  f. 
B.  12.  Das  Lied  vom  9.  Regiment:  „Wii 
sind  Soldaten  vom  neunten  Regiment"  f. 
Bar.  13.  Lied  und  Liebe :  „Meine  Schatze, 
meine   Habe". 

II.  Theater-Gesiinge:  1.  Ein  Madehen 
hold  den  Sanger  liebt  aus  „Viola".  2.  Zu 
Warschau  schwuren  tausend  auf  den 
Knien  aus  „Der  Pole  und  sein  Kind".  3. 
Siifie  Erinuerung,  wenn  ich  gedenke  aus 
„Lumpaci  Vagabundus".  4.  Es  trifft  g.ir 
haufig  sich  in  unserm  Leben  aus  „Zu  ebe- 
uer  Erde  und  im  ersten  Stock".  5.  Zwar 
hat  der  Schonheit  und  der  Jugend  fiir 
II  a  1  6  V  y's  Oper  „Die  Dreizehn".  6.  's 
kommt  alles  im  Leben  auf  Grundsatze  an : 
,,Es  gibt  viele  Menschen  in  Gottes  Natur". 
7.  Der  Rotkopf :  „Zwei  Dinge  streiten  sich 
um  mich"  aus  „Der  Talisman".  8.  Be- 
seheidene  Fragen :  ,,Werte  Herr'n,  was 
ich  nun  frage"  aus  ,,Staberls  Reiseaben- 
teuer".  9.  Alles  will  jetzt  grower  sein : 
„Es  ist  die  Welt  .so  grofi  und  breit".  10. 
Das  Lied  vom  unterdriickten  Gefiih! : 
,,Sieht  man  doch  tiiglich  in  der  Welt"  aus 
,,Eine  Berliner  Grisette".  11.  Das  Lied 
vom  Weifibier:  „Trinke  Weifibier,  liebe 
Jugend"    aus   ,,Eine    Bei'liner    Grisette". 

10  Lieder  und  Couplets  aus  seiuen  Operu 
1 —  Lehne. 

Liturgie    fiir    evang.-lutherische    Gemeinde 

— 60   Bertelsmann. 
Mein  Rock  —30  Breitkopf. 
O   selig   ein   Kind    uoch    zu     sein,   Parodie 

(Ernst  und  Scherz,   Heft  3).     Fries. 

1 1  Opernarien,  zum  Teil  transponiert  y.mn 
Subskr.-Preis    1.50  n    Simon. 

*)pern  probe,  komisehe  Oper  (Rich. 
Kl  e  i  n  m  ich  el),  KA  4 — n  Senff,  Onv. 
O,  8— 12st.  1.50,  8— 17st.  2—,  gr.  Harm 
3— n.   kl.    Harm   2 — n,    hlM    1.50  n    Lehne. 

ti  Ouvertures  s^parees,  Jfins,  cb.  — 80  n  Co- 
st oUal. 

4  Ouvertiiren :  Zar  und  Zimmermauu. 
Waffenschmied.  Undine.  Wildschtitz,  P 
1.20  Oran:s,  1—  Litolff,  ^ms  1.25  A.  Hoff- 
manv,  1 —  Steingraber. 

ntcHt  n;apH  (p.  h.)  chor  — 20  Jurgetison. 
Post:    „Horch    auf!    Horch    auf,    das    Post- 
horn   schallt"   — 50   Bosworth. 
Psalter    nach    Dr.     M.     L  u  t  h  e  r's     iJbor- 

setzung   1 —  Bertelsmann. 
R  e  g  i  u  a    o  d  e  r    die    M  a  r  o  d  e  u  r  e,    ro- 

mant.     Oper     (1899),     Bote:     KA     12— u, 

Ouv.   P   1—,   hms   1.50: 

Lied  der   Barbara  — 80. 

Trinklied    1—. 

Bauerntauz,  P  \—,  IM  5—    KM,  IM,  Pio- 
ntJ^rM   Sl   4—. 

41 


Lortzing  A.  Regina 


642     — 


Lortzing  A.   Waffenschtnied 


(B.      Wolff), 


a    1.50,    .'ims    2- 


(R. 

.    0 


Potpourri,      P 
Kleinmichel) 
6— n. 

■  Rolandskuappen.   kom.   Oper,   Textb.    1.50  n 

Breiikopf. 
•Eoslein  aui  Hag,  aus  „Das  deutsche  Volk.-- 
lied",    Sfimmluug     beliebter     Lieder     und 
Volksweisen,  SATB  1—  Hochstem. 

■  Sohmiedechor,  8ms   (C.  B  u  r  c  h  a  r  d)   3—  u 

We7'nthal. 
-  Seemauns   Grab:    „Des   Seemanns   Grab    ist 
groB      und    hehr"    —30    Breitkopf,    —60 

■  Sieg    der    Freiheit    oder    Tod,    allgenieiuos 

Volkslied,   TTBB   1—   Kahnt. 

■  Trauungsgesang   aus   „Das  deutsche  Lied", 

Sammlung  beliebter  Volksweisen  u.  Li.;- 
der,  SATB  1—  Hochstein. 
-Undine,  Oper  (1845),  Breitkopf:  KA 
24_,  Volksausg.  4—  Breitkopf,  Litolff, 
Peters,  Un.-Ed.,  P  2—  Breitkopf,  LHoHf, 
Peters,  Un.-Ed.,  2.70  n  Costallat,  J/ms  3  — 
Breiikopf,  4— n  Costallat,  Guv.  P  —30, 
^,„s  —60,  Ji7nsV  2.75,  cSy?!S  2—  Breitkopf, 
}^,ns  —30  Michow,  0  6—  Ai6?,  0  7.50  n 
Breitkopf,  gr.  Horm  3.20,  kl.  Hon»  2.25 
Le/nie,  «fr-Quart.,  FZ-Quart.  a  2.50,  8tr- 
Quint.  a  3—   ^wisFFc  3.50,  ^wisYFZFc  4— 

1.  Arie :   „Da  lieg',  du  altes  Mordgewelir" 

2.Quintett:    „Acli,    welclie    Freude"    2—. 
3a.   Duett:    „Kannst  du,   o   geliebtes   Le- 

ben"  2—.  ^        ^^  „ 

3b    Lied:   „Ich  ritt  zuni  grofien  Walleu- 

spiele"  —50. 
J.Chor:   „Ziichtig  Br-autlein"  — r5. 
5  Duett:      „Uns    beidon    ist    die    Haupt- 

' stadt"   1.50. 
6a.   Finale:    „H6rt   ihr   wolil     2.o0. 
6b    Lied:    „Viel    schone    Gaben"   —75. 
7.  Duett:    „Was    seb'    ich?"    L50. 
fi.Rezitativ    und    Arie:    „So    wisfie,    dafs 

in   alien   Elementen"    1.25. 
9.  Arie    mit    Cbor :    „Wir    keliren    heini" 

1  75 
TO.  Bezitativ,    Quartett    und    Chov :     ,.Fur 

Euch,   Furstin"    1.25. 
ll.Eezitativ    und    Duett:    „So   kannst   du 

nun"   1.50.  ^   „     ., 

12a.  Finale:  „Lasset  Jubellieder  schallen 

3—. 
12  b.  Ballett  1.50. 
12  c.  Eomanze:  „Es  wolmt  am  Seegestade" 

—50. 

13.  Chor:    „Auf,    ihr    Zecher"    1.25. 

14.  Lied  :  „Vater  Mutter,  Schwestern"  —50. 
15a.    Duett    und    Finale:    „Ich    lasse    dich 

nicht"  3—. 
15b.  Duett:   „Ich  lasse  dich  nicht"  1.25. 
16a.  Rezitativ  und  Arie:   ,,Mir  .schien  der 

Morgen"   1.50. 
16b.   Lied  —50, 

17.  Lied:  ,,Ich  war  in  meinen  jungen  Jah- 
ren"  —75. 

18.  Finale:    „rullt  die   Pokale"  2—. 

Nr.  6b,  12c,  14,  17,  s.  Bel.  Gesange  m.  G. 
Nr.   14,   15,   16,   17   fl  —50  bis  —75. 


Rezitativ  und  Arie:  „Nun  ist's  vollbracht! 

du   kehrst   zur   Heimat  wieder"   — 50. 
Romanze :  „Es  wohnt  am  Seegestade"  — 50 

0.    Forberg,    Sclilesivger,      — 30    Simon, 

— 10    Pawliska. 
Lied:  „Ich  war  in  meinen  jungen  Jahren" 

1.25   0.  Forberg,  — 50  Schlesinger,  — 60 

Simon. 
Rezitativ    und    Arie:    „So    wisse,    dafi    in 

alien  Elementen"   1.50  0.  Forberg,  —80 

Schlesinger,  — 75   8imo7i. 
Trinklied :    „Viel   schone   Gaben   vaterlich" 

1.50   Bellmann,  — 75    0.   Forberg,     1 — n 

Tonger. 
Rezitativ  und  Arie :  „Mir  schien  der  Mor- 
gen aufgegangen"   1.75   0.  Forberg. 
Lied:    „Vater,    Mutter,    Schwestern"    — 50 

0.  Forberg,  — 10  Michow,  Paicliskn, 
— 20  n  Riihle  d  Wendling,  — 50  Schle- 
singer, —30  Simon,  1— n  Tonger,  TTBB 
— 30  Kaun. 

Liindlicher    Brautchor,     SATB    1.50    Zum- 

steeg. 
Bridal  Chorus   (Bring  flowers) ,  duet  — /4  n 

Augener. 
Hunting    Chorus     (Their    peal    the    merry 
horns    ring   out),   duet   — /3  n    Augener. 
Prayer    (Thou,  Shepherd,  that  dost  Israel 
keep)     (H.    He  ale).    SSAA   — /3  n    Au- 
gener. 
F  a  n  t  a  s  i  e  :     stO    2 —  n    A.    E.    Fischer, 
Par.  Bes.  1.20  n.  Am.  Bes.  1.70  n  Scheit- 
hatier.   Hand  — 60,   MandP   1 — ,   Mandfl 
—75,    2MandP    1.25,      2MandMaP    1.60, 
2Ma.ndMaG   1.25   Hofmeister ;     F  a  n  t  a- 
sie-Potp.    V    — 50n,    2V    — 80  n,    VP 
1.20  n,  2VP  — 60n,  2FFc  1.20  n,  2VVcP 
1.80  n   Bellmann;     Melodien,    Sfr-Quart. 
2.50    Aibl;      Finale,     0,    8— 12st.    1.50, 
8 — 17st.    2 — ,      gr.  Harm    3 — ,    kl.  Harm 
2.25,   blM  2.75   Lehne. 
Potpourri:  P2—  Bote,  1—  Breitkopf, 
—50    Bellmann,    1.50    Hug,    1.25    Kahnl, 
1 —    Klemm,   — 20    Michoic,    1 —   Sicgel; 
Jfms    1—   Breitkopf,   2—  Kahnt,    VP  —20 
Riihle,  V  —60  n  Wernthal,  0  6.50  Aibl, 
sO   1.80  n   Wernthal. 
Wa  f  f  e  nschmied,     Oper      (1846)      3— 
Breitkopf,   Litolff,   Peters,   Un.-Ed.,  P  2— 
Breitkopf,    Litolff,    Peters,    Un.-Ed.,      4m.s 
3 —  Breitkopf,  3 —  Peters,  Solost  7 —  Breit- 
kopf; Ouv.  P  —30  Breitkopf,  —20  Michow. 
j.ms  — 60  Breiikopf.  — 30  Michow,  0  7.50  n 
Breitkopf,   6—  Aibl,  Sfr-Quart.,   FZ-Q.uart. 
■\    2.50,    ASffr-Quint.,   F/-Quint.    a    3—   Aibl. 
gr.mO    3— n,    kl.  mO    2.50  n,    blM    2.50  n 
Oertel. 

Breitkopf: 

1.  Introduktion,  Chor:    ..Spriihe,  Fiamme! 
gliihe,   Eisen!"   1 — . 

2.  Arie    (T):    ,,Man    vidrd    ja    einmal    nur 
geboren"  — 50. 

3.Ariette     (S):     „Welt,    du    kannst    mir 

nicht  gefallen"  — 50. 
4.  Finale:  ,,Bei  nacht'gem  Dunkel  schleich' 

ich"  1—. 
4a.    Kavatine    daraus    (Bar) :     „Du    laBt 

mich   kalt   von   hinnen   scheiden"   — 50. 


Lortzing  A.  Waffensclwiied 


—     643     — 


Lortzing  A.  Wildschiitx 


Va.  Szene  \\.  Arie  (H) :  „Er  schlaft,  wir 
alle  sind  in  Angst  und  Not"  1 — . 

5.  Duett  (BarSJ :  „Ihr  wiBt,  daB  er  eiich 
liebt"  1—. 

6.  Sextett  (2STBar2B) :  „Der  Mann 
scheint  nicht  bei  Sinnen"  1 — . 

7.  Duett  (TBJ  :  „Du  bist  ein  arbeitsamer 
Menseh"   1 — . 

8.  Chor  (2STB) :  „Wie  lierrlich  i.st's  im 
Griinen"  —50. 

1>.  Lied    mit    Chor    (T ) :    „War    eiust    ein 
junger   Springinsfeld"   1 — ,   m.   G  — 30. 
9a.  Lied  ohne  Chor  — 50. 

10.  Finale:    „Zu   Hilfe!    zu  Hilfe!"   1—. 
ILArie    (8):    ,,Wir    armen,    armen    Mad- 

ehen"  —50,  m.  O  —50. 

12.  Septett:      „Gut,     daB     ich     euch     noch 
treffe"  1—. 

13.  Lied  (BJ :   ,,Auch  ich  war  ein  Jiingling 
mit  lockigem  Haar"  — 50. 

13a.  Lied    (im  Violinschliissel)   — 50. 

14.  Marsch  —30. 

15.  Finale  —50. 

3.  Ariette :  „Welt,  du  kannst  mir"  1 — 
0.    Forberg,   — ^50    ScJilesinger. 

4.  Arie:  „Er  schlaft"  1.25  0.  Forberg, 
^80  Rchlesinger,  — 75  Simon,  — 30 
Michow,     mO  5.50  Bote. 

11.  Wir    armen,    armen    Madchen    1.25    0. 
Forberg,   — 60    Schlesinger. 

13.  Auch    ich    war     ein    Jiingling     — 50  n 

Breitkopf,   —50    O.    Forberg,    —10    Mi- 

choiv,     Pawliska,      — 20     Riihle,      — 50 

Schlesinger,  — 30  Simon,  Z  — 60   Do.n- 

koivsky,     Hoffheinz,      sO     1.80     Cranz, 

mO  4.20  n  Breitkopf . 

Chor       der       Waffenschmiede :       ..Spriihe, 

Flamme",    Arie   f.    B   u.    Chor   m.   P(0) 

3.50   Lnckhardt. 

Cavatine:  „Dii  Ijlfit  mich  kalt  von  hinnen 

scheiden"   — 50    0.   Forberg. 
Ane :   ,,Man  wird  ja  einmal  nur  geboren"' 

1.25   0.   Forberg. 
Lied.    ,,War    einst   ein    junger    Springi;'.s- 

feld"  —75   0.   Forberg. 
Gesellen-Chor,    TTBB    1.80    Zumsleeg. 

Wie  traulich  ist's  im   Grunen,  SATB   1.80 

Zumsteeg. 
Szene   und   Arie,   TrfCornetdP)   m.   gr.  mO 

2— n,  m.  k}.  Harm   1.50  n,  m.  blM  1.50  n 

Oertel. 
Marcia,    Par.    Bes.    2 —  n,    Am.    Bes.,    Berl. 

Bes.  a   1.50  u   Oertel. 
Romanze      (Bar)      als      Einlage     von      E. 

Stein   • — 50    Breitkopf. 
Szene    und    Arie :    „Reichtum    allein    tut's 

nicht  auf  Erden",  Par.  Bes.  2 — n,   Am. 

Bes.,   Berl.   Bes.   fi   1.50  n   Oertel. 
Ariel te:    ,,Welt,   du   kannst  mir   nicht   ge- 

fallen".  Par.  Bes.  2— n.  Am.  Bes.,  Berl. 

Bes.  a   1.50  n  Oertel. 
Zwischenakt   und   Szene   zum   2.   Akt,   ftir 

Bar   u.   P    (G.   Borchers)    1—   Breit- 
kopf. 
Melodien,  Sfr-Quart.   2.50   Aibl. 
Fantasie,  stO,  St  2 — n  A.  E.  Fischer, 

Hand   —60,    MandP    1—,    MandG    —75, 

2MandP   1.25,   2MandG   1—,   2MandMaP 

1.50,   2MandMaG    1.25    Hofmeister. 


Potpourri,  P  2 —  Bote,  1 —  Breitkopf, 
1.50  Hug,  1 —  Klemm,  — 20  Michow,  1 — 
Siegel,  — 60  n  Wernthal;  J/ms  1 —  Breit- 
kopf,   3—    Kahnt,    PV    1— n,    V   — 60  n, 
PVVc      1.50  n      Wer7ithal,      VP     — 20  n 
Riihle,     0    6—   Aibl,     Par.     Bes.     1.80  n 
Wernthal. 
Waffenschmied:    Auch    ich    war    oin 
Jiingling,   und  Lowe:   Heinrich   der 
Vogelsteller,     Uarm    2.50,     blM    2— 
Leltiie. 
W  i  1  d  s  ch  ii  t  z,      oder  :    Die    Stimme    der 
Natur,  kom.  Oper    (1842),  KA  9—,   (C.   F. 
Kogel)     4 —    Breitkopf,    Litolff,    Peter  .^i, 
Un.-Ed.,      P    3—    Breitkopf,     2—    Litolff, 
Peters;  4ms  18—  Breitkopf;  Ouv.  P  — 30 
Breitkopf,    Jfms   — 60    Breitkopf,   — 30    Mi- 
choiv,   87ns    (K.    Burchard)    2 — n,   I/iris 
VVc  2.10  n,  O  6.90  n  Breitkopf,  kl.  O  1.90  n 
Cranz,  0  3— n,  mO  3— n,  kl.  mO,  blM  h 
2.50  n  Oertel. 
Breitkopf : 

la.    Introduktion    (Tanz)    ■ — 50. 
lb.    Lied   mit   Chor:    „Der    Junggesellen- 
stand"   — 75. 

2.  Duett :    „Lafi   er   doch   horen"    1 — . 

3.  Arie :  .,Auf  des  Lebens  raschen  Wogen" 
1—. 

4.  Quartett :      „Was      meint      ihr,      lieber 
Freund"    1 — . 

5.  Jagerchor :    „Seht    dort    den    munter  n 
Jager"  —50. 

6a.    Finale     (Chor)  :     „Lasset    uns     nach 

Ilause  gehen"   1.50. 
6b.   Lied :    „Bin   ein   schlichtes  Kind   vo,n 

Lande"  —50,  m.  G  —30. 

7.  Introduktion     (Chor):    „Nicht    geplaa- 
dert,   acht  gegebeu"  — 50. 

8.  Duett  und  Arie:   ,,Bleiben  soil  ich  und 
stets  sie  selien"   1 — . 

9.  Quintett:   „WaR  seh'  ich?  mir  aus  den 
Augen"   1 — . 

10.  Duett:   „Ihr  Weib?  Mein  teures  Weib" 
1—. 

11.  Quintett:  „Ich  habe  Nummro  eins"  1 — . 

12.  Arie:    „Fiinftausend    Taler"    1—. 

13a.  Rezitativ  und  Arie:   „Heiterkeit  und 

Frohlichkeit"  1—. 
13b.  Rezitativ  u.  Arie  im  F-Schliissel  1— . 

14.  Ensemble    (Chor)  :    ,,LTm    die   Laube    zu 
schmiicken"    — 50. 

15.  Terzett:  „Komm,  liebes  Gretchen" — 50. 
16a.   Finale:    „Was  seh'   ich?  Alle  Teufol" 

1—. 

16b.   Quartett:    „Kann   es 
—50. 

Xop-B  atBymeKT.  iis-b  on.  CTpt.noK'b  — 20 
Jurgenson. 

Nr.  3,   1.25   0.  Forberg,  m. 
kopf. 

Nr.  6b.  Bin  ein  schlichtes  Kind  — 75  0. 
Forberg,  — 20  Riihle,  — 50  Schlesinger, 
1—  n  Tonger,  SATB  1 —  Hochstein,  Z 
— 50  Domkoicsky,     m.  0  4 — ■  Bote. 

Nr.  12,  1.50  O.  Forberg,  —80  Schlesin- 
ger,    m.  0  4.50  Bote. 

Nr.  16,  1.50  0.  Forberg,  — 40  Schlesinger, 
m.   0   7.50  Bote. 

41* 


im   Erdenleben' 


O  5.40  n  Brelt- 


Lortzing  A.    Wildsehiitx 


—     644 


Lortzing  A.  Zar  und  Zim7nermann 


L-.ritr'act    und   Arie,   Par.   Bes.   2.50  n,   Am. 

Bes.   2 —  n    Oertel. 
Arie,  Cornet-^o\o  m.  0   1 —  Scheithauer. 
Favoritw  alzer   — 30    Breitkopf. 
Jagdchor  und   Finale  des   1.   Aktes,     Par. 

Be.s.   3—  n,   Am.   Bes.   2.50  n   Oertel. 

Potpourri,  P  1—  Breitkortf,  —80,    (B. 

Wolff;     2—    Bote,     —60  n    V/ernthal, 

ims    1—    Breitkopf,     VP,     FIP    a    1/— n 

Augener,    VP    1—  n,     V    —60  n,     PVVc 

1.50  n,    Par.    Bes.    1.80  n    Wernthul. 

'/.  A  V      und      Z  i  m  m  e  r  m  a  n  n       (Peter 

the  Shipwright),  Oper    (1837),   Part 

(G.    Vogel)     15 — n    Peters,    KA    3 — ,    in 

Folio    9—    Breitkopf,    Lifolff,    Peters,    Un.- 

Ed.,  0/—  Boosey,  P  2—  Breitkopf,  Litolff, 

I'elcrs,   Un.-Ed.,  2.70  n   Costallat,  ^ws  3— 

Breilhopf,   Peters,   4 —  n    Costallat,    Chorst 

2.40    Breitkopf;    Ouv.    P    —60    Hoffmann, 

1.35    Bchott   Fri^res,  — 50  n   Costallat,   Jfins 

2—  Schott  Frdres,  —20  n  Michow,  8ms  2— 

Breitkopf,    gr.  O   2.50  n,    mittelgr.  0    2 —  n, 

kl.  0    2— n,    2VVaVe    — 80  n,    mO    2.50  n. 

kl.  Bes.  2—  n,  ifJ/  2—  n  Bellmann,  7.50  n 

Breitkopf,    gr.    mO    3— n,    kT.    )?(0    2.50  n, 

?)?3f     2.50  n     Oerfe/,       kl.     O     1.70  n,       mO 

2.90  u    Craiiz,   pic.    O    2.50  n    Carisch,    Par. 

Bes.  1.20,  Am.  Bes.   1.70  Scheithauer,  Full 

0  1.50,  l/f  Instr  1—,  10  histr  —75,  P    -30 

Fischer,    Schranimel-Quart.    1.20  n    Eberle. 

Breitkopf : 
la.   Introduktion.  Chor :    ..Greifet  an   und 

ruhrt    die    Hiinde"    1—. 
lb.    Zimmormannslied:      ,,Aul,     Gesellen, 

greift  zur  Axt"  —50. 

2.  Ariette:       „Die     Eifersucht      ist      eine 
Plage"   — 50n,   ni.    0   3.90  n. 

3.  Arie  :    „Verraten  !    von   euch   verraten  !" 
1—. 

4.  Arie :    ,,0    sancta    Justitia,    ich    moehte 
rasen"    1 — . 

5.  Chor   und   Ensemble:    „La6t    rulien   die 
Arbeit"   1—. 

(j.  Duett :     „l)art    ich    wohl      den    Wort-en 

trauen"    1 — . 
7.  Finale :   „Das  Fesl  beginnt"   1 — . 
S.  Chor :    „Hoch  lebe  die   Freude"  — 50. 
'.).  Romanze:    „Lebe  wohl,  mein   flandrisfli 

Miidchen"  —50,  m.  G  —30. 

!<•.  Sextett    (Miinner.st.)  :    ,.Zuni   Werk,   das 
wir   beginnen"    1 — . 

11.  Lied:    ,,Liebiicli    roten    sieh    die    Wan- 
gen"   —50,   m.    C   —30. 

12.  Finale:  „Schon  .seit  geraunier  Zeit"  1 — . 

13.  Ensemble:   ,,Den  hohen   Herrscher"  1 — . 
14a.   Lied:    ,,Sonst  spielt'   ich  mit  Szepter, 

mit  Krone  und  Stern"  —50,  m.  0  5.40  n. 
14b.    Lied     (im     F-Schliissel)     —50,    m.    G 


—30. 
15.  Duett: 
wagen" 
10.  Finale : 
2.  Ariette 


Magd 


es 


,,l)arf    eine    niedrige 
1—. 
„Freunde,   hort"    1 — . 

„Die      Eifersucht     ist      einv» 

Plage"    1.25   0.  Forhcrg,  —80   Schlesin- 

ger,  — 75  Simon. 

4.  O  sancta  Justitia  1.75  O.  Forberg,  1 — 

Schlcsi7iger,  1—,  m.  0  5.40  n  Breitkopf. 

9.  Hornanze:    ..Ijebcwohl.    mein    flandriscii 


Miidchen"  — 75  0.  Forberg,  — 10  Mi- 
choir,  Pavlisku,  — 50  Schlesinger,  Si- 
nion,  1 —  Tonger,  Z  — 60  Domkoiosky. 
14.  Sonst  spielt  ich  mit  Szepter  — 50  Breit- 
kopf, — 50  0.  Forberg,  — 10  Michow, 
—50  Riihle,  —50  Schlesinger,  —30  Si- 
mon, — 50  Stolle,  1 —  Tonger,  — 20  Jur- 
genson,  0-St  3 — u  Bote,  5.40  n  Breitkopf, 
Z  — 50  Domkowsky,  — 80  Hoffheinz, 
—20  Fischer,  VP,  VcP  a  —75  Bos- 
worth,  VP  —50  Riihle,  Cornet  d  PP 
—80  Rahter,  V  —50,  VP  —75,  2V  —75, 
2VP  1—,  VVcP  1—,  2VVcP  1.25,  Vc 
—50,  VcP  —75,  Fl  —50,  FIP  —75,  Cor- 
netit  P  —50,  m.  P  —75,  0  —80  Scheit- 
hauer, Tr( Piston),  Waldhorn  m.  0,  a 
1—,  P-Begl.  —50  GottUber. 
Duett:    „Darf    eine     niedre     Magd"     1.50 

Schlesinger. 
Es  lebe  die  Freude,  SATB  1.80  Znmsteeg. 
Brautlied:   „Lieblich   roten  sich  die  Wan- 
gen"   — 75    0.   Forberg. 
Gesangsprobe,  Sar-Solo  u.  TTBB  m.  P   (G. 
Hecht),  Part  1.20,  Chorst  a  —40  Vie- 
weg,    (Would   I   were  but   a  child)    — 40 
Brainard. 
Tn    childhood    I    dallied     1/ —  n     Augensr, 

— 35  Ditson,  — 50  Schirmer. 
Chorus:  All  hail  to  thee,  trio(H.  He  ale) 

— /6  n   Augener. 
Chorus:    Farewell,    ye    sylvan    crew,    trio 

(H.  Heal  e)    — ./3  n   Augener. 
Bridal  Chorus:  All  dear  Nature's  childr.in 
sweet,   trio  or   duo    (H.   H  e  a  1  e)    — /3  n 
Augener. 
Aria,  pice.  0  2 — n  Carisch. 
Molzschuhtanz    (Ballett),    Jfms   — 60    Zum- 
steeg,    mO    2.50  n.    kl.  wO,    blM     a    2— 
Oertel. 
Hochzeitsmusik,  P  — 50  Hansen. 
Fantasie,   P,  B  a  u  m  f  e  1  d  e  r,  op.   195  Nr. 
1  —80  Chwatal,  op.  119  Nr.  3  1—  Hein- 
richshofen,   VP,   van  Eyken  3/ —  Azi- 
gener,   H.    S  c  h  a  1 1  e  h  n   4/ —   Ashdown, 
1—    Fischer,    Mand   —60,     MandP     1—, 
MandG  —75,  2MandP  1.25,  2MandO  1—, 
2MandMaP    1.50,    2MandMaG    1.25    Hof- 
meister,     II  (Am.     Org),     P.     H  ass  en- 
stein  1.80  Simon,  stO   1.50  n  A.  E.  Fi- 
scher, sO   1.60  n,  mO  2 —  Fischer,  Harm. 
(Fanf)  6—  Kessels,  Par.  Bes.  1.20,   Am. 
Bes.    1.70    Scheithauer,   pic.O    2.75  n    Cn- 
risch. 

-75    A.   E.   Fischer. 


Divertissement.   Z 
P  o  t  p  o  n  r  r  i,      /'. 
Schott,   —80,    B. 
H  a  n  i  s  c  h    1.50 
270    1.25    Kahnt, 


FT.  Cramer  2 — 
Wolff  2—  Bote,  M. 
Hug,  B  r  u  n  n  e  r,  op. 
1 —    Kle.mm,    1.50   Leu- 


ckart,  E.  T  o  u  r  b  i  e  r  ^60  n  Heinrichs- 

hofen,  — 20  Michoir,  — 60 

Hirsch;    'fms  2.75   Kahnt, 

2P      (0.     Schleicher) 

G   —90    Hoffmann,   VP   1- 

PVVc     1.50  n      Wernthal, 

Riihle,    VP    1/— n    Augener,    VfMnndJP 

1.80   Fexis,   Selection    (B  lumen  t  ha  1- 

Saenger:    The    Opera,    N.    20),    Mand 

—30,  2Mand  —45,  A/ojidG  —45,  2MandG 

—60,    MandP    —60,    2MandP    —75    Fi- 


Wernthal,  1- 

2 —  Leuckart, 

2—     Schott, 

-  n,   V  —60  u, 

VP     —20  n 


Lortzing  A.  Zai-  und  Zirnmcnnaim 


—     645 


Losey  F.  H.  Brudder  ' Rastus 


scher,     sO    1.80    Werntlial,     mO,    KM    a 
2.50  u    Bellmann,   Fischer. 
-  Zii  Bethlehem  geboren,  8ATB  1 —  Hochstein. 

-Zum  Grofi  admiral  kom.  Oper.  Breit- 
kopf:   KA   9—,    Ouv.   P  —30: 

1.  Tntroduktion :    „Lasset    Jubel    laut    er- 
tonen"   1 —  n. 

2.  Duett :  ,,Des  Landes  Stolz  und  schoa^ste 
Zier"    1— n. 

3.  Lied:    „Eiu    Engel    ist    an    Geist    und 
Ziigen"    1— n. 

4.  Chor  :   „Der  Horner  Ruf "  1—  n. 

4a.   Arie:    „Tn   der   Jugend   Wonnetagen" 

1— n. 
i).  Finale:   ,,Aueh   ich,   ioh   will   sie  sehen" 

1— n. 
0.  Chor  u.  Arie :   „Wirt.,  lafit  uns  die  Glii- 

ser   fullen"    1— n. 
6a.    Arie:    ,,Auf    meiner    Brigg,    genannt 

der  Sieg"  1 —  n. 

7.  Barcarole:    ,,Was    gliiuzt     im    Sonnen- 
.strahle"   —50  n. 

8.  Lied :    „Seh'    ich    &ein    Auge    auf    mich 
blicken"   1 —  n. 

9.  Duett :    „Am  murmelnden  Bacli"    1 —  n. 

10.  Quart. :  „Ha,  welch  allerliebste  Kleine" 
1— n. 

11.  Finale:  „Das  ist  doch  wuuderbar"  1 — n. 

12.  Rezitativ    u.    Arie:     ,,Furstenhuld    und 
Frauenliebe"   1 —  n. 

13.  Arie:    „Fern    vom    Treibeu    dieses    Ho- 
les"  1— n. 

14.  Terzett :    ,,Ha !     warum     so     schrei'n  ?" 
1— n. 

15.  Kavatine:    „Ich   fiihl's.   niein   unbestjin- 
dig  Leben"  1 —  n. 

16.  Finale:  „Er  naht!  nun  warte.  Freund"' 
1— n. 

Potpourri,    P   2 — . 

Lorz    Heinr.      Bayern-Treue,     Marseh     — 80, 

Z  — 80   Westerinair. 
Los-Kine,    Boudoir    du    smarteux.    Petit    re- 

proche.    Serenade   au   torero.      Priore. 

-  Pour  etre  lanc6e.  Une,  deux,  en  avant.  8o- 

ciete. 

-  Reine   de  Chic !   True   ing^nieux.      Dorey. 

Losa    L.   Arduccio,   polka   1.50   Mariani. 
Losavio   Giovanni,   Minuetto,   P   3 —  Izzu. 

Losch  Fr.  Die  Loreley,  Fantasie  (Z)  liber 
das  Volkslied  in  Variationeuform  — 50 
Hoenes. 

LoschI   A.  Che  cosa  h  amore?   2.50   Carisch. 

-  Serenata    scura    2.50    Cariftch. 

^oniiiitcKiii-lUii.iORCKiit.  I^wnuiKt.  (Boai,- 
Mii  CBOK)  niTapy).  Po.AiaiiCT.  — .50  Johansen. 

Loschky  Wilhelm  IVlathias,  op.  21  Nr.  1. 
Waldesgrufi,  TTBB  m.  Soloquart.  2.  Du 
holder,  du  goldener  Jugendtraum,  TTBB 
m.   Bor-Solo,  a   1.40  Zierfx/i. 

-22  3  Mannercliore:  1.  Das  Biirbeli.  2.  Wan- 
derlied.      3.    Grablied    1.40   Zierfufi. 

-42  Nr.   1.  Unterra  Tor,  TTBB  1.20   Ullrich. 

-44   Abschied,   TTBB    1.20   Ullrich. 

-  45   Meine  Sonne :    „Des  TIerbstes  kiihlender 

Atem  weht",  TTBB  m.   Ziar-Solo   1.20   Ull- 
rich. 


-  47  Festgrufi :    ,,Seid  hochwillkommen  werte 

Festgenossen",    TTBB,    KA    2— n,    Chorst 
1.20    Ullrich. 

-  57   Ach   konnt    ich   noch   einmal   so   lieben, 

TTBB   1.20   Ullrich. 
■  62  Die  Fischermaid  von  Riidesheim,  TTBB 
1.20   Ullrich. 

-  63  Wach  auf,   TTBB   1.20   Ullrich. 

-  67   Maienrose,   TTBB   1.20    Ullrich. 

-72  Nr.  2.  Ro.slein  von  der  Aue,  TTBB  1.20 
Ende. 

-  74    Der    Rattenfanger,    TTBB    1.20    Ullrich. 

-  77  Heimatgrufi,   TTBB    1.20    Ullrich. 
-80   Die   Nacht,    TTBB    1.20    Ullrich. 

-85  Der  fahrende  Geselle,  TTBB  1.20  Ull- 
rich . 

-  88   Frau   Schwalbe   gib   mir   Kunde,   TTBB 

2.40    Ullrich. 

Loseby  E.  H.  Academy  March,  VP  2/— 
Wickins.  " 

Loser  Vict.  Aug.  op.  8  Sechs  Lieder :  I. 
1.  Nachtreise:  „Ich  reit  ins  finstre  Land 
hinein".  2.  Winterlied :  „Mir  triiumt  ich 
ruhte  wieder".  3.  Der  Musikant:  „Wan- 
dern  lieb  ich   fiir  mein  Leben"  2 — . 

II.  4.  Er  i.st's :  „Fruhling  lafit  sein 
blaues  Band".  5.  Vergifimeinnicht:  „Blau- 
blvimelein  spiegeln  sich  im  Bach".  6.  Au 
die  Lerche:  „Voglein,  Voglein  in  den  Liif- 
teu"  2.50  Siegel. 

-12  Sechs  Lieder  und  Balladen :  I.  1.  Die 
Sprode.  2.  Hei6  mich  nicht  reden.  3.  So 
lafit  mich  scheinen  2 — .  TT.  4.  Wer  nie 
sein  Brot  mit  Tranen  aJs.  5.  Der  Fischer. 
C.   Der   Rattenfanger   3 —  i^iegel. 

Losey  Frank  H.  op.  34  Nocturne,  P  — 30  n 
Prcsser. 

-  40    Triumphal    Polka   — 30  n    Presser. 

-  48  March   of  the   Rear  Guard  — 40  n   Prei- 

ser. 
•  57   Laughing   Eyes,   maz.   — 30  n   Presser. 

-  61    Imperial   March  — 30  n   Presser. 

-  80  Dance  of  the  Flower  Girls  —30  n  Pres- 

ser. 
-107  Orange  Blossoms,  maz.  — 40  n  Presser. 

-  Admiral   Farragut,  march,  mO  — 50,  FullO 

1—,  1^  Instr  —80,   10  Instr  —60  Fischer. 

-  Advance    Guard    March,    mO    —50,    single 

parts  — 05   Coleman. 

-  Advance     Guard     March     (&    R.    Smith: 

Dear  Old  Friends  Waltz),  FullO  1—,  U 
parts  —80,  10  parts  —60,  VCornetP  —30, 
VP  — 25,  P  ace.  — 15  Coleman. 

-  Alita  (Wild  Flower),  morceau,  P  —40,  VP, 

mO  — 75   Fischer. 

-  Alita     (Wild    Flower) ,    &    O.    K  o  e  h  1  e  r  : 

Rustling  Leaves,  FullO  1.25,  llf  Instr  1—, 
10  Instr  —75,  P  —25  Fischer. 

-  American    League    March,    mO    — 50    Cole- 

man. 

-  An    African    Symphony,    a    ragtime   spasm, 

mO  — 75    Fisclicr. 

-  Brudder    'Rastus,    com.    march    — 50,    mO 

- — 50  Coleman. 

-  Brudder  'Rastus,   comic  march,   &   Carnero 

March,  FullO  1—,  U  parts  —80,  10  /kd'-s 
—60,  VCornetP  —30,  VP  —25,  P  ace. —15 
Coleman. 


Losey  F.  H.  Cartiero  March 


—     646     — 


Losey  F.  H.  Romanee 


Carnero  March,  tnO  — 50,  &  Brudder  'R.x- 
stus,  FullO  1 — .  IJf  parts  — 80,  10  parts 
—60,  VCornetP  —30,  VP  —25,  P  ace.  —15 
Coleman. 

Chiquita,  polka  capriccioso,  mO  —75  Fi- 
scher. 

Chiquita,  polka  capriccioso,  &  C  h.  E. 
Stickney:  Spanish  Beauty,  FullO  1.50, 
IJf  Instr  1.25,  10  Instr  1—,  P  —30  Fi- 
scher. 

Colonel  Quay's  March  —50,  7nO  —50,  (& 
Chad  wick:  She's  the  only  Pebble  on 
the  Beach),  FullO  1—,  U  parts  —80,  10 
.parts  —60,  VCornetP  —30,  VP  —25,  P 
ace.  — 15  Coleman. 

Commodore  Lancers,  FullO  1 — ,  14  parts 
—80,  10  parts  —60,  VCornetP  —30,  VP 
— 25,   P   ace.  — 15   Coleman. 

Coon's  Frolic,  mO  —50,  (&  K.  of  P.  band 
march),  FullO  1 — ,  IJf  parts  — 80,  10  parts 
—60,  VCornetP  —30,  VP  —25,  P  ace.  —15 
Coleman. 

Cousin  Eph,  comic  marcli,  mO  — 50,  (& 
W  h  e  e  I  o  c  k  :  The  Champion  Cake- Walk) , 
FullO  1—,  IJf  parts  —80,  10  parts  —60, 
VCornetP  —30,  VP  —25,  P  ace.  —15  Cole- 
man. 

Crescent  Queen,  march  — 40,  Banjo  — 30, 
SBanjos  — 50,  BanjoO  — 40,  2BanjosG 
—60.  BanjoP  —50,  2Ban}osP  — 70,  Hard 
—30,  2Mand  or  MandO  — 40,  2MandG  or 
MandP  —50,  2MandP  —60,  2Mand2Ban- 
josG  1 — ,  mO  — 50  Fischer. 

Dance  of  the  Fireflies,  capr.  P  — 40,  Mand 
—30,  2Mand  or  MandG  —40,  2MandG  or 
MandP  —50.  2MandP  —60,  mO  —75,  & 
F  a  r  r  a  r  :  The  Loyal  American,  FullO 
1—,  14  Instr  —80,  10  histr  —60,  P  — 15 
Fischer. 

Echoes  of  the  Forest,  waltz,  Mil.  Band — 50 
Church. 

Fairies  Flirtation,  capr.  wO  — 75,  &  O. 
Langey:  Evening  Bieeze,  FullO  1.50, 
14  Instr'l.25,  10  Instr  1—,  P  ace.  —30  Fi- 
scher. 

Finnegan's  Hornpipe,  polka,  mO  — 50,  & 
de  Witt:  March  of  the  White  Rats, 
FullO  1—,  14  Instr  —80,  12  Instr  —60, 
P  —15  Fischer. 

Flaming  arrow,  car.  dance  (&  Cham- 
bers: Fine  &  Daisy),  FullO  1—,  14  Instr 
—80,  10  In.'itr  —&0,  P  —15  Fischer. 

■  Gabrielle,  song  &  dance,  mO  — 50    (&  Gree- 

ting to  Hanover),  FullO  1 — ,  14  parts 
—80,  10  parts  —60,  VCornetP  —30,  VP 
— 25,   P   ace.   — 15    Coleman. 

Gage's  March,  mO  — 50  (&  Hume:  Ory- 
thia),  FullO  1—,  14  parts  —80,  10  parts 
—60,  VCornetP  —30,  VP  —25,  P  ace.  —15 
Coleman. 

Genevieve,    galop.    Mil.   Band   — 50    Church. 

Gismonda,  song  &  dance,  mO  — 50  Cole- 
man. 

■  Golden    Lily    Maz.    mO    — 50 

March),  FullO  1—,  14  parts 
—60,    VCornetP   —30,    VP    - 
— 15   Coleman. 

■  Golden   Prince,   overt.   mO   — ."iO   Fischer. 


{&  Parthian 
—80,  10  pts. 
-25,     P     ace. 


-  Grand   Operatic   Medley,   mO  — 50   Fischer. 

-  Greeting    to    Hannover,    march,    mO    — 50, 

(&  Gabrielle,  song  and  dance),  FullO  1 — , 
14  pts.  —80,  10  pts.  —60,  VCortietP  —30, 
VP  — 25,  P  ace.  — 15  Coleman. 

-  Groman's    March,    mO    — 50,     (&    Ripley, 

The   Imperial   Polka),   FullO    1—,   14   pts. 
—80,    10    pts.    —60,    VCornetP    —30,    VP 
— 25,  P  ace.  — 15  Coleman. 
•  Hero's  Farewell,  funeral  raarche.  Mil.  Band- 
— 50  Church. 

-  High  Chancellor  March,  mO  ■ — 50  Coleman. 

-  Ida    and    Dottie,     polka,      2Cornets(VVcP) 

— 60  n,  2  B  h-Cornets  &  mO  — 50  Coleman. 

-  Iroquois    March,   mO   — 50,    (&   S  c  h  ii  1 1  e. 

The  Gipsy  Maz.),  FullO  1—,  I4  pts.  —80, 
10  pts.  —60,  VCornetP  —30,  VP  —25, 
P   ace.  — 15   Coleman. 

-  K.   of  P.,  march,   mO  —50,    (&  The  Coon's 

Frolic),  FullO  1—,  I4  pts.  —80,  10  pts. 
—60,  VCornetP  —30,  VP  —25,  P  ace. 
— 15  Coleman. 
-King's  Escort,  march  —40,  mO  — 50,  (& 
B  u  r  g  m  e  i  u,  B&rebe) ,  FullO  1 — ,  14  Instr 
—80,   10   Instr  —60,    P   — 15   Fischer. 

-  Knights   of   the   Garter,   march,     mO    — 59 

Coleman. 

-  Leonidas,  marche.   Mil.  Band  — 50   Church. 

-  Massa's   in  the  cold,   cold   ground,   air   and 

var.  CornetP  —65,  Cornet-?,.  &  FullO  1.25, 
14  Instr  1—,  10  Instr  —75,  P  —30,  Cor- 
nct-s.  mO  1.50  Fischer. 

-  Mayflowers,   mO  — 75  u,    (&   E  r  i  c  h  s.   Mo- 

ther's Love),  FullO  1—,  14  pts.  —80,  10 
pts.  —60,  VCornetP  —30,  VP  —25,  P 
ace.  — 15  Coleman. 
-Minnehaha  (Laughing  Water),  intermezzo, 
two-step,  Mand  — 30,  2Mand  — 40,  MandG 
—40,  2MandG  —50,  MandP  —50,  2MandP 
— 60,  jnO  — 50,  Minnehaha  (&  B  1  o  n, 
Herzblattl),  FullO  1—  I4  Instr  —80,  10 
Instr  — 60,  P  — 15  Fischer. 

-  Ninth  Regiment  March,  mO  — 50,    (&  S  t  i  ni- 

sou,  Diavola  March),  FullO  1—,  14  pts. 
—80,  10  pts.  —60,  VCoryietP  —30,  VP 
— 25,  P  ace.  — 15   Cole^nun. 

-  Old    Uncle    Ned,    air    varie,    CornetP    —75, 

Cornets.  FullO  1.10,  I4  Instr  —90,  10 
Instr  —75,   P   —30,    mO    1—   Fischer. 

-  Parthian  March,  mO  — 50,   (&  Golden  Lily), 

FullO  1—,  14  pts.  —80,  10  pts.  —60, 
VCornetP  —30,  VP  —25,  P  ace.  —15 
Coleman. 

-  Patrol    of    the    Guardsmen,    P    —50,    Mand 

—35,   2Mund  —50,   MandG  —50,   2MandG 
—60,    2MandP   —70,    FullO 
—  90,  10  Instr  —75,  mO  1.50 


marche,      Mil.    Band 


50 


—60,  MandP 
1.10,  14  Instr 
Fischer. 

-  Pythian,     gr. 

Church. 

-  Queen    of    the    Flowers,    valse-eaprice,    mO 

1— n,  (ivith  S.  E.  Morris,  The  Kilties 
March),  FullO  1—,  Uf  pts.  —80,  10  pts. 
— 60,  P  ace.  — 15  Colem.an. 

-  16th   Regiment   March,    mO   —50   Coleman. 
-Romance   for   FlstO,  &  Z  i  e  h  r  e  r,  op.   313 

N.   1,    for  stO,   10  Ivstr  —40   Fischer. 


Losey  F.  H.  Roth's  March 


—    6i7     — 


Lott  E.  M.  A  circle  of  diatonic  scales 


-  Roth's   March,    mO  — 50,   &   F  a  r  r  a  r,   Co- 

lumbiana March,  FullO  1 — ,  lit  pts.  — 80, 
10  pts.  —60,  rCornetP  —30,  VP  —25, 
P  ace.  — 15   Coleman. 

-  Salute    to    Bloomsburg,    march    — 50,      inO 

—50,  (&  Fahrbaeh  jr.,  The  Jolly 
Party),  FnllO  1—,  U  pts.  —80,  10  pts. 
—60,"  VCorrietP  —30,  VP  —25,  P  ac.\ 
— 15    Coleman. 

-  Serenade,  Baritone    (or  Tro)  P  — 50  n,   mO 

— 50,  (&  Mozart,  Der  Schopfer  unci  der 
Himmel),  FidlO  1—,  Ht  j)ts.  —80,  10  pts. 
— 60,  P  ace.  — 15   Coleman. 

-  Tranquility,      serenade,      Mil.    Band      —50 

Ch  urch. 
-Triumvirate,    march,      &    D  o  t  z  1  e  r,    New 
Home,  schottisch,   14  histr  — 80,   10  Instr 
—60  Cundy. 

-  Twentieth    Century    March,    two-step   — 40, 

mO  — 50,  &  Wandering  Willie,  cake  walk, 
FullO  1—,  IJf  Instr  —80,  12  Instr  —60, 
P  — 15  Fischer. 

-  Twilight  Shadows,  andante  and  waltz,  Mil. 

Bund  —50   Cliiuch. 

-  U.   S.   Battleship   Oregon   March,    mO  — 50, 

(&  Godfrey,  Pique  Dame,  galop) ,  FullO 
1—,  1/f  pts.  —80,  10  pts.  —60,  VCornetP 
—30,   VP  —25,   P  ace.  —15   Coleman. 

-  Waldmere,  march  and  two-step  — 50,  Banjo 

— 30,  2Banjos  —50,  BanjoG  — 40,  2Banjos 
Q  _60,  BanjoP  —50,  2BanjosP  —70, 
March,  Mand  —30,  2Mand  —40,  MandG 
—40,  2MandG  —50,  MandP  —50,  2MandP 
—60,  2Mand2BanjosG  —90  Fischer,  FullO 
2/ —  n,  sO  1/4  n,  extra  pts.  a  — /3  n,  P 
cond.  — /8  n  Hatvkcs,  ntO  —50,  (&  Heed, 
The  Outpost),  FnllO  1—,  U  Instr  —80, 
10  Instr  —60,  P  —15  Fischer. 

-  Waller's    March,    mO    — 50,     (&    E  e  e  v  e  s, 

Second  Company  March),  FullO  1- — ,  i) 
pts.  —80,  10  pts.  —60,  VCornetP  —30, 
VP  —25,  P  ace.  —15   Coleman. 

-  Wandering    Willie,    cake    walk,      mO     — 50 

Fischer. 

-  Warm    Doughnuts,    march,    mO    — 50,       (& 

Kretschmer,    Golden    Arrow),      FullO 


-80,   10  Instr  —60,  P 
Agnes,   galop    (Jolly 


bro- 


transcr.    /-•    3/ —    Asii- 


—30. 
-30. 
1.25. 


1_^  IJ,   Instr  —80,   10  Instr  —60,  P  —l^ 
Fischer. 
Losse    F.   Ditson 
thers)    —35. 

-  Ardita     (A  r  d  i  t  i), 

d0W7l. 

-  Centennial  march  — 35. 

-  Golumbanus,    galop    (P  a  r  1  o  w) 

-  Danish  dance    (Lotf  is  tod) ,   P 

-  Danse   Ecossaise    (Baker),   8ms 

-  Dolce   far   niente,   waltz  — 60. 

-  Ecstasy,  waltz   (A  r  d  i  t  i)  — 50. 
-Edelweiss,    glide    waltz    (F.    E.    Vandei- 

beck),  ^«?s  — 65. 

-  Flower   of   Edinborough  — 35. 

-Four  in  hand    (Par  low),  galop  — 35. 

-  German    national   march   — 40. 

-  Lizzie,  polka  — 25. 

Lossmann,     Danse    des   Lutins,    quadr.  5 — 

Mathieu. 

Lossner,    La    reine    du    bal,    quadrille,  mO. 

KM    a  1 —   Bellmann. 


Lossner  A.  Delilier-Marsch  — 50  E.  Stall, 
Lossner    H.    Die    Verliebten,    u.   A.    Metz- 
d  o  r  f ,    Holz    und    Stroh,      2    Polkas    flir 
Glockenspiel  m.   0   2 — n   Oertel. 

-  Etwas   Gediimpftes,   hum.   Polka   m.   P    1 — 

Seeling. 

■  Etwas  Gediimpftes,   Polka  f.   gedampfte  Tr 

m.  0  1.50  n  Oerlel. 
-Haute  vol^e,  quadr.   0   1.50  n  Oertel. 

■  Hoch    die    Freundschaft,    Walzer,    O    1.50  n 

Oertel. 

-  Kriegers      Abschied,      Serenade,      0     2 —  n 

Oertel. 

-  Tromniel-Marsch,   Z   — 50   Steli^ig. 

■  Weidmanns  Lieblingslieder,  Potpourri,  neu 

bc.rb.  V.  A.  E  e  e  k  1  i  n  g.  Par.  Bes.  3 — n, 
Am.   Bes.,  Berl.  Bes.  a  2.50  n  Oertel. 

Lost  Amen  2/ — n  Sheard. 

Lost   Child   — 2   Ascherherg,   Sheard. 

Lost  Chord  — /2  Ascherherg. 

Lost  Daughter,  or  the  same  sweet  bells  are 

ringing  2/ — n   Sheard. 
Lost   in  the  wide  world  — /2  Ascherherg. 

Lostak    Ludv.   op.   10   Skladby,   P   3—   Vili- 

melc. 
Lostanges  Comtesse  de,  Aimez-Aous   1.75  n 

Metzner. 

-  Deux   Corteges   5 —   Metzner. 

-  II   passa    1 —  n   Demets. 

-  Innocence   2 —  n    Hachette. 

-  Intermezzo   3 —  n  Demets. 

-  Lied,   P  3 —  n   Metzner. 

-  Mon  bien-aim6  s'en  est  all6   1.70  u  Demets. 

-  Novembre  2 — n  Metzner. 

-  Orgue    1.75  n    Metzner. 

-  Petite   Chanson    1.25  n   Metzner. 

-  Vitrail   1.50  n   Demets. 

Loterie    nationale    1 —  Jouhert. 
Loth   E.  Bonheur   de  servir  Marie,  cantique 
a  2  voix  6g.   et  solo   1.35   Klein. 

-  Chanson  du   rouet,   2IS  2.50  n  Demets. 

■  Litanies    du    Sacr6-Coeur,     chant    av.    Org 

— 50  n    Lof/i-Louviers. 

-  Salve  Eegina,  motet  a  4   voix  6g.   oP   1.50 

I' A  uteur. 
-Souvenir  des  Vosges,  valse   1.70  n   Klein. 

-  Vacances,   choeur   a  4,   5  et  8  voix  mixtes, 

Chaimhattd. 

-  Verbum  supernum,  Sacris  solemniis,  4  voix 

—15   Pinatel. 
Loth  G.  Litanies  de  la  St.  Vierge,    rAutcur- 

Louviers. 
Lothar,  Vorsatz  — 50  Rilhle. 
Lothian    C.    Myosotis,    waltze   — 50    Church. 
Lothrop  D.  W.  Fredouia,  march  — 40  Ditnon. 

-  Nonantum,    march   — 40    Ditson. 

Lothrop  W.  C.  and  Chas.  Schneider,  Ano- 
ther coon  gone,  song  w.  chorus  — 2" 
Goggan. 

Loti  F.  Fiir  dich :  ,,Wenu  ich  nur  wiiJate, 
was  durch   den  Wald"    1.20  Bosa^orth. 

Loti  J.  Du  Danube  tl  la  Seine,  valse  2 —  n 
Enoch. 

Lott  Donald  W.  Frogs  and  their  king,  uni- 
son  choruses    1' —   Curwen. 

Lott  Edwin  M.  Ashdown:  A  circle  of  dia- 
tonic  scales,    in  3   books,   P:    1.   Major,   2. 


Lott  E.  M.  A  circle  of  diatontie  scales 


—     648     — 


Lott  E.  M.  Papillons  bleus 


Minor    (Melodic),  3.  Minor    (Harmonie),  a 

3/—. 

A  galliard,  P  4/ — . 

A  register  of  Pupils'  daily  practice,  P 
1/—  n. 

A  te  o  care  (Bellini),  a  study  in  oc- 
taves and  tenths,  P  4/ — . 

Alouette  et  la   source,  valse  de  salon  4/ — . 

Andante  from  Suowdon,  P  2/ — . 

Arab    love   song,    3/ — . 

Ariosti's  gavotte,  in  D  3/ — . 

Arpeggios  (founded  on  the  work  of  Chau- 
lieu),   P  4/—. 

Banjo,   americau   sketch,   P   3/ — . 
Barcarolle,  4th  concerto   (Bennett),  Pipe 
Org  — 75  Ditson. 
Bird    and    the    choir     (with    H)    4:1 — ,     Org 

3/—. 

Blue    Bells    of    Scotland,    P    3/—    Williams. 
Bourr6e,  P  4/ — . 
Breeze  and  the  harp,  sketch,  P  4=1 — . 

-  Brest,  fanfare  militaire,  P  3/ — . 

•  Britain,  fantasia  on  english  airs,  P  4/ — . 
Bruissement  des  feuilles,  caprice,  P  3/—. 
-Carillons    Beiges,    souvenirs:     1.    Antwerp, 
2.  Bruges,  P  k  4/ — . 

-  Carneval  de  Veuise,  transcr.  P  3/ — . 
-Chant   du   Pelerins,   P   3/—. 

-  Chasse    aux    bois,    morceau    descriptif,      P 

4/—. 
-Chough    and    crow    (Bishop),    transcr.    P 

4/—. 

-  Circle   of   diatonic  scales,   P  2/6  n. 


Classical    Pianoforte   5/ 


Bound    in    cloth 


4/—  n. 

-  Cloches   de   Corneville,   P   4/ —   Williams. 

-  Comin'   thro'   the    rye,    transcr.    P    3/ — . 

-  Cujus    animam     (Rossini),    transcr.      P 

4/—. 

-  Daylight,  the  popular  melody  composed  by 

„Blind  Tom",  P  4/—. 
-Dictionary   of   musical   terms,   P    1/ — u. 

-  Dreaming  on  the  lake,  reverie,   P  4/ — . 
-Dreams  of  youth,  4  sketches,  P  5—:   N.   1. 

Cradle   song.   2.    School,    3.    The   dance,    4. 
Home,    a  2/—. 

-  Echos  du  soir,  nocturne,  P  3/ — . 

-Elijah    (Mendelssohn),   paraphrase,    P 
4/—. 

-  i<]isie's   Prayer   2/ —  n    Wickins. 

-  Erin   go   bragh,    fantasia   on    Irish    airs,    P 

4/-. 

-  Esperauce,   P   3/ —   Williams. 

-  Evening    calm,    melody,    PfJ^ms)    3/ —    Leo- 

nard. 

-  Fairy  wedding  4/ — . 

-Fifty-five    finger   inventions    (in   all   keys), 
P  5/—. 

-  Fleurs  des  bois,  valse  de  salon  4/ — . 

-  Gage   d'amiti6,   mazurka   de   salon   3/ — . 

-  Gavotte  3/ — . 

-  Gigue,   P   3;'—. 

-  Gitana,   dause  espagnole  4/ — . 

-  Glittering  dew,  sketch,  P  3/ — ,  .^ms  4/ — . 

-  Grand    panjandrum,    SATB   — /4. 

-  Hallebardiers,   marche  caracteristique  4/ — . 

-  Harmon V   Catechism.    P    1' — ii. 


-Hear    my    Prayer     (Mendelssohn)     P 

1/6  Novella. 
•  Hue   and  cry,   galop  3 ' — . 

-  In    my    Lady's    Bower,     idylle,      VP     4/ — 

Heller. 

-  In  the  Highlands,  fantasia  on   scotch  airs, 

P  4/—,  J,ms  5/—. 

-  International  Series   of   Classical  Pianoforte 

Music:  N.  1.  Four  Preludes  preparatory 
to  the  Study  of  Beethove  n's  Sonata 
in  F  minor,  op.  2,  N.  1,  and  the  Sonata 
complete  6/ — .  N.  2.  J.  S  c  h  a  d :  Empf an- 
gen  uud  Danken  3/ — .  N.  3.  D.  Sea  r- 
1  a  t  t  i :  Two  Lessons  3y— .  N.  4.  G.  F. 
Handel:  Preparatory  Prelude  with  Air 
and  Five  Doubles,  from  5th  Suite,  „The 
Harmonious  Blacksmith  4/ — .  N.  5.  Beet- 
hoven: Three  Preludes  preparatory  to 
the  study  of  B  e  e  t  h  o  v  e  n's  Sonata  in 
C  sharp  minor,  op.  27,  N.  2,  Quasi  una 
Fantasia    (Moonlight)    6/ —  Heller. 

-  Into  the  silent  land  3/ — . 

-  Journeying  on  3/—,  SATTB  — /lO  Leonard. 

-  Key   to   the   exercises    in    „Harmony   Cate- 

chism", P  — /6n. 

-  Light  in  the  west  4/ — . 

-  Love  that  we  cherished  4/ — . 

-  Malines,  P  2/—  Wickins. 

-  March  of  the  men  of  Harlech,  welsh  melody, 

P  4/- —  Aslidoicn,  — -75  Gordon. 

-  Marche   des  bard^s,   ed.  by  F.  P  e  r  e  i  v  a  1 

2/—. 
-Marche     des    bardes    (d'aprfes     E.    Mack) 
3/—,  4ms  4/—. 

-  Marche    des   conscrits    3/ — ,   Jfms   4/ — ,    8ms 

6/—. 
-6  marches,  6ms  a  5/ — :  N.  1.  Sydney 
Smith:  Marche  des  tambours.  2.  M. 
Watson:  Marches  des  mousquetaires. 
3.  H.  B  o  u  b  i  e  r :  Marche  des  trouba- 
dours. 4.  M  e  n  d  e  1  s  s  o  li  n :  Wedding 
march.  5.  Homeward  Seymour  Smith.  6. 
Mendelssohn:    War  march    (Athalie) . 

-  Margaret,  ballad   3/ — . 

-  Miniature    arpeggios,    written    within    the 

compass  of  an  octave,  expressly  for  small 
hands,  P  4/—. 

-  Minuet  3/ — . 

-  Modern 
Ave    Maria 

Collegians  4/ — . 
Son  of  God  goes 


Organist; 

N. 


;    N.    1.    F.    S  ell  uhe  r  t: 

3.    W.    R.    Knox:    The 

N.   4.  E.  M.  Lott:    The 

forth  to  war  4/ — .     N.  5. 

F.  C  u  r  s  h  m  a  n  n :   Ti  Prego  3/ —  Heller. 

-  Moonlight  scene    (arranged  from  the  Phan- 

tasy of  Kinkel),  P  3/ —  Ashdoicn. 

-  Nearer,  my  God,  to  Thee,  transcription  of 

the  celebrated  liymn,  P  3/ — ,  J/ms  4/ — . 

-  Nocturne  in  G,  VP  4/ — . 

-  Old   sailors   4/—. 

-  On   the   first  day  of  the   week,   T-s.  — /I'/s 

Sol-fa  —/I  Novello. 
-On   the  fjord    (Recollection  of   Norway),   P 

4/—-        '  .     . 

-  Onward,    Christian    soldiers,    transcription, 

P  3/—. 
-Palais    royal,    trois    danses    anciennes:       1. 
La      Valiiere,      menuet,      2.      Pompadour, 
gavotte,  3.  Maintenon,  pavane,  a  4/- 


Papili' 


bleus.  mazurka  de  salon  3' — . 


Lott  E.  M.  Paraphrases 


649 


Lott  E.  M.  Tarantella 


Paraphrases,  Org:  N.  1.  Rossini:  Stabat 
Mater  (Stabat  mater  dolorosa.  Cujus  ani- 
niam.  Quis  est  homo?  Inflammatus)  6/ — . 
N.  2.  M  e  u  d  e  1  s  s  o  h  n :  St.  Paul  (Happy 
and  blest.  But  the  Lord  is  mindful.  How 
lovely  are  the  messengers)  4/ — .  N.  3. 
Mendelssohn:  Hymn  of  praise  (In- 
troduction maestoso.  Allegretto.  I  waited 
for  the  Lord)  4/ — .  N.  4.  Rossini:  Mos6 
in  Egitto  (d'apres  Thalberg),  introduction, 
solo  and  chorus  5/ — .  N.  5.  Meyerbeer: 
Les  Huguenots  (Benedizione  de  pugnali. 
Sia  gloria  eterna.  Per  questa  causa.  Nobil 
donna.  Choral)  4/ — .  N.  6.  M  e  ji  d  e  1  s- 
s  o  h  n :  Hear  my  prayer  (Hear  my  prayer. 
The  enemy  cries.  O  for  the  wings  of  a 
dove)  4/ — .  N.  7.  Mendelssohn: 
Elijah  (Be  not  afraid.  Lift  tliine  eyes. 
He  watching  over  Israel)  4/ — .  N.  8.  Me  n- 
delssohu:  Elijah  (O 
.that  thirsteth.  If  with 
Cast  thy  burden.  O  rest 
that  shall  endure)  4/ — . 
Creation    (Most   beautiful 


come  every  one 
all  your  hearts, 
in  the  Lord.  He 
N.  9.  Haydn: 
appear.    In    na- 


5/- 


2/ — 


N.    1. 


tive  worth.  The  heavens  are  telling) 
Passepied,  P  3/ — . 

Pedal  scales    (through   all  keys).   Orp 
Pianoforte   Catechism    1/ —  n. 
Pompadour,  gavotte,  0   1/ —  n. 

Queen  Henrietta's  coranto    (danced  by  Her 
Majesty   at  Whitehall),  P  3/—. 

Rappc!.   marche  militaire   3/ — . 

Recollections  of  Beethoven,  P 
Adagio  and  allegro  from  the  grand  septett 
4/ — .  N.  2.  Andante  from  the  5th  sym- 
phony (the  C-minor)  3/ — .  N.  3.  Larghetto, 
in  A,  from  the  2nd  symphony  (in  D)  4/ — . 
N.  4.  Andante,  in  F,  from  the  1st  sym- 
phony (in  C)  4/ — .  N.  5.  Aria  from  Fidelio 
3/ — .  N.  6.  Adelaide,  transcription  4/ — . 
N.  7.  Adagio  from  a  trio  3/—.  N.  8. 
Allegro  piacevole  from  a  sonata  for  V  and 
P  4/ — .  N.  9.  Scherzo  and  trio  from  the 
grand  septett  3/ — .  N.  10.  Andante  con 
variazioni  from  the  K  r  e  u  t  z  e  r  sonata 
3/—.  N.  11.  Rondo  from 
3/—.  Nr.  12.  Rondo  from 
-  Recollections  of  G  1  u  c  k 
brated  gavotte  3/— 
Euridice  3/—.  N.  3 


TP 


e  u 

a  sonata  for 
a  sextett  4/ — . 
P:  N.  1.  The  cele- 
N.  2.   Che  faro  senza 
Alceste   (two  andantes 


and    march)    4/ — .     N. 
Iphigenia  in  Aulis  3/ — . 
Recollections  of  Handel 


4.    Menuetto     from 


P:   N. 


1.  March 

from  the  occasional  overture  4/ — .  N.  2. 
Coronation  anthem  (Zadok  the  priest) 
4/ — .  N.  3.  Lascia  ch'io  pianga  (Rinaldo) 
4/—.  N.  4.  March  in  Scipio  3/—.  N.  5. 
March  in  Joshua  3/ — .  N.  6.  Bourr^e  and 
air  from  ,,The  alchemist"  3/ — .  N.  7.  Sici- 
liana,  Bourree,  and  Minuet  from  ,,The 
firework  music"  3/ — .  N.  8.  Introduction 
and  aria  from  „The  water  music"  3/ — . 

Recollections  of  M  e  n  d  e  1  s  s  o  h  n.  P:  N.  1. 
Adagio  from  2nd  concerto  3/ — .  N.  2.  An- 
dante from  sonata,  in  B-flat  3/ — .  N.  3. 
Andante  from  1st  symphony  3/ — .  N.  4. 
95th  psalm  3/—. 

Recollections  of  Mozart,  P :  N.  1.  Alle- 
gretto from  trio,  in  E-flat  4/ — .  N.  2. 
Adagio  from  symphony,  in  C  4/ — .  N.  3. 
Amhuite    from    qnartett.    in    D-minor    3' — . 


n. 


n. 


N.  4.  Rondo  from  the  qnartett,  in  G-minor 
4/ — .  N.  5.  Agnus  Dei  (First  Mass)  3/ — . 
-Recollections  of  S  p  o  h  r,  P:  N.  1.  Adagio 
from  qnartett,  in  G-minor  3/ — .  N.  2.  Rose 
softly  blooming  (Azor  and  Zemira)  3/ — . 
N.  3.  The  last  judgment  (selection  from) 
4/ — .  N.  4.  As  pants  the  hart  (Crucifixion) 
3/—. 

-  Retour   des   oiseaux,   caprice   du   printemps, 

P  4/—. 

-  Retour   du   Bataillon,  P  4/ —  Williums. 

-  Reve  Espagnol,  serenade,   P  3/ — . 

-  Rollo,  pas  redouble,  P  3/ — . 

-  Sabot  dance  4/ — ,  Jfins  5/ — ,  0  1/— 

-  Saltarello,  P  4/—. 

-  Sarabande,  P  4/ — . 

-  Selection  Nr.   1.  6  pieces,  P  4"  1/- 

-  Semiramide,  fantasia  on  the  opera  of  Ros- 

sini, P  4/ — . 

-  Series  of  organ  pieces  in  various  styles,  P: 

N.  1.  Andante,  in  G  2/—.  N.  2.  Fanfare,  in 
E-flat  3/ — .  N.  3.  OflFertoire,  in  D-minor 
4/ — .  N.  4.  Offertoire  (en  forme  de 
marche),  in  B-flat  4/ — .  N.  5.  Offertoire 
(en  forme  de  marche),  in  G  3/ — .  N.  6. 
Offertoire  (en  forme  de  marche),  in  F  4/ — . 
N".  7.  Two  andantes,  in  D  and  B-flat  4/- — . 
N.  8.  Andante  piacevole,  in  G  3/ — .  N.  9. 
Sarabande  3/—.  N.  10.  Galliard  3/—. 
N.  11.  Prelude  and  fugue  4/—.  N.  12. 
Sc&ne  pastorale.  The  storm  4/ — .  N.  13. 
Sympathie,  andante.  14.  L'ange  gardien. 
andante.  15.  Tempo  di  minuetto.  16.  Re- 
verie. 17.  Allegretto  pomposo.  18.  L^gende. 
19.  Contemplation.  20.  Intermezzo,  a  3/ — . 

-  Series   of   overtures    arranged,    6ms   a   7/6 : 

N.  1.  Masaniello.  2.  La  dame  blanche.  3. 
Le  calife  de  Bagdad.  4.  La  gazza  ladra.  5. 
Tancredi.  6.  L'ltaliana  in  Algieri.  7.  Se- 
miramide. 8.  La  cenerentola.  9.  Der  Frei- 
schiitz.  10.  Guillaume  Tell.  11.  Zampa.  12. 
Fra  Diavolo.  13.  II  barbiere  di  Seviglia. 
14.  The  merry  uives  of  Windsor.  15.  Poet 
and  peasant. 

-  Skaters      (Les      patineurs) ,      characteristic 

piece,  P  4/ — . 

-  Snowdon,   fantasia    on    the  welsh    airs   so- 

nata, in  F  (expressly  for  HmallBands), 
P  4/—. 

-  Son   of   God   goes   forth    to   war.   w.   77   4/ — 

Heller. 
-4  Special  anthems.  P:  N.  1.  Thus  saitli  the 
Lord  (for  Dedication  festival)  3/ — n. 
Choral  edition  (without  accompaniment) 
— /'6  n.  N.  2.  Let  not  your  heart  be  trou- 
bled (for  Whitsuntide')  1/6  n.  Choral  edi- 
tion (without  accompaniment)  — /2  n.  N.  3. 
Anima  Christi  (for  Communion)  1/ — n. 
Choral  edition  (without  accompaniment) 
—  '2  n.  N.  4.  There  were  shepherds  (for 
Cliristmas)  1/6  n.  Choral  edition  (without 
accompaniment)    — /4  n. 

-  Suite     de     pi&ces      (Prelude,     Fugue,     Alle- 

mande,  Courante,  and  Air  avec  trois  dou- 
bles), P  5/ — :  N.  1.  Prelude  and  fugue. 
2.  Allemande  and  courante.  3.  Air  avec 
trois  doubles,  h  2/ — . 

-  Sun  of  my  soul.  The  celebrated  hymn  tran- 

scribed, P  3/ — . 

-  Tambourin,   characteristic   piece,   P   4/ — . 
Tarantella,   in  C-minor.   P  4' — . 


Lott  E.  M.  There  were  shepherds 


—     650     — 


Lotti  A.  Miserere  a  quattro  voci 


-  There  were  shepherds,  8S8AA  — /2. 

-  Think  when  to  pleasure,  SSATB  — /2. 

-  Thy   smile   was   sweet    (Melody   of   Bishop) 

^/— • 

-  Toccata  &  Fugue,  Org  4/ —  Donajowskx. 

-  Two-part  Canons   in   all   Keys  4/ —  Heller. 

-  Two    paternosters,    Cantus    ferialis,   Cantus 

solemnis  — /2  n. 

-  Two  white  roses  3/ — . 

-  Tyrolienne,  P  3/ — . 

•  Watermill,  sketch,  P  4/—. 

-  When  the  robins  nest  again  (F.  Howard), 

transcription,  P  3/ — . 
-Wildfire   galop,   P(J,msJ    3/—. 

-  Ye  banks  &  braes,  Scottish  melody,  P  3/ — . 
Lott    J.    B.    Hail,    sweet    peace,    ATBB    —14: 

Novello. 
■  I  waited  for  the  Lord   (Mendelssohn), 
Org  3/ —  Weekes. 

-  May-day,  ATTB  —I'k  Novello. 

-  Short   Service    for     the   Dedication     of     an 

Organ  — /2  Novello. 

-  Stay   at  home,   my   heart,   ATTB   —/3    No- 

vello. 
Lott  John  B.  and  C.  Charlton  Palmer, 
Organ  Arrangements:  N.  1.  A.  C. 
Mackenzie:  Benedictus  (From  Six 
I'ieces  for  V,  op.  37)  1/6.  N.  2.  Handel: 
March  (From  the  „Ode  on  St.  Cecilia's 
Day") .  W.  Noel  Johnson:  Religioso 
and  Berceuse  (From  Fc-Quartett).  3. 
Oliver  King:  Berceuse  (From  Twelve 
Pieces  for  V  and  P,  op.  25).  Kuhlau: 
Adagio  (From  Sonatina,  N. 
H  o  f  m  a  n  n :  Hochzeitszug 
Procession,  op.  19,  N.  6).  5. 
bert:  Moments  musicals  (op. 
6.  Haydn:  Larghetto  (From 
in  F).  F.  Schubert:  Andante 
String-Qusirtet) .  7.  Schumann: 
N.  2  (From  Four  Sketches 
P) 


8.   Schumann; 


Adagio 


2).      4.    H. 

(Wedding 

F.   Schu- 

N.   6). 

Sonata 

(From 

Sketch, 

for    a   Pedal 

melancolico 


94, 
P 


From  the  Miirchenbilder  for  Va  and  P, 
op.  113).  9.  Mozart:  Adagio  (From  P 
Sonata  in  F).  10.  Schubert:  Andante 
con  moto  (From  String-Qxia.Ttet  in  C). 
Weber:  Benedictus  (From  Mass  in  G) . 
11.  Haydn:  Andante  (From  Quartet  in 
D) .  Mozart:  Minuet.  12.  Beethoven: 
Largo  appassionato  (From  P  Sonata,  N.  2). 
13.  Haydn:  Adagio  eantabile  (From 
Quartet  in  D,  op.  64,  N.  5).  14.  Bee- 
thoven: Largo,  con  gran  espressione 
(Sonata,  N.  4),  a  1/ —  Novello. 
Letter  Adolf,  Coon's  Patrol  Character  Piece, 
0  2.50,  kl.  0  2—,  P  2—  Koehr. 

-  Orion  valse,  FullO  2/ — ,  sO  1/4,  extra  parts 

— /3,  P-s.  2/—,  P  cond.  — /8  Hawkes. 
-Rouge  et  Noir,   valse  intermezzo,   0   2/ — n 
Hawkes. 

-  Shamrock    TL,    march,    FullBand    3/ — ,    sO 

•Ij — ,  P  part  2/ — ,  extra  parts  — /4  Boosey. 

Lotterie-Couplet  — 60  Bloch. 

Lotterkas  Fr.  Schneidige  Wehr,  Marsch,  Z 
— 60  n  Lrderer. 

Lottersberger  Georg,  Vaterland  u.  Mutter- 
iand,  f.  Bar-Solo  u.  TTBB,  Part  1.20,  Bar- 
Solo  — 24,  Quartettst  — 96   Guttmann. 

Lottery  of  Marriage,  the  2/—  n  Sheard. 

Lotti    Adoifo,    Amelia,    Mand    — 20    Reiagli. 

-  Kmilia,    polka,   J/ms   2.50   Carisch. 


-  Etoiles   filantes,   P   —40,   MandG  —50   Re- 

bagli. 

-  Frine,  P  — 40  Rehagli. 

-  Gocce  d'acqua,  P  — 60  Carisch. 

-  Ida,  polka,  Mand  1 — ,  Ma^idO  1.50  Carisch. 

-  Notturnino,  P  2 —  Carisch. 

-  Notturno,  P  — 40  Rehagli. 

-  Patchouly,  P  —40  Rehagli. 

-  Preludio,    Mand    1 — ,   MandG    1.50    Carisch. 

-  Ricordo   di   Tunisi,   P  2 —  Carisch. 

-  Rivista  navale,  Banda,  Part   1.50  n  Lapini. 

-  Trastulli   infantili,  P  — 40  Rehagli. 

Lotti  Antonio  (1667—1740),  Ad  Dominum 
cum  tribularer  a  4  voci  sole  — 90  Musica 
sacra. 

■  Agnus  Dei,  8ATB  &  Org  —25  Pinatel. 

-  Agnus  Dei  — 75  u  Durand. 

-Air  c6l&bre  (Pur  dieesti),  VcP  (Feri 
K  1  e  t  z  e  r,  op.  18,  Trois  morceaux  N.  1) 
2.25   Kahnt. 

-  All   hail,   Britannia,   SATB  — /3   Novello. 

■  Alle   die    tiefen   Q,ualen,    TTB  — 10   Musica 

sacra. 

-  Aus  dem  Miserere:    „0  wende  ab  dein  An- 

gesicht"   — 20   Musica   sacra. 

-  Ave    regina   coelorum,    SATB   &    Org    — 25 

Pinatel, 

-  Bella  boca  5 —  Heugel. 

-  Creed  in  C,  4  voices  — 14^2  Novello. 

-  Crucifixus    (Preis   dem  Heiland),  6st.   — 10 

Musica  sacra,  — 60  Bote,  2 —  Breitkopf, 
1.30  Sclilesinger. 

-  Crucifixus    (0    Freude,    liber    Freude) ,    8st. 

1 —  n  Fantuzzi.  — 10  Musica  sacra,  — 90 
Bote,  2 —  Breitkopf,  1.80  Schlesinger, 
— 15  n   Schirmer. 

■  Crucifixus,      lOst.      2 —     Sclilesinger,     — 35 

Sc]tir7ner. 
-Dolor!    Romanza   2 — ■  Carisch. 

-  Easy     and     very,    curious     duet,     2V    — /6 

Leo7io.rd. 

-  Freut   euch,   ihr   Frommen,   aus:    Hirsch 

K  a  r  1,  Alte  Hiramelfahrts-,  Pfingst-  und 
andere  geistliche  Gesange,  SATB  1.20  77. 
Oppenheimer . 

-  Fuga  — 60   Musica   sacra. 

-  Gaude  Maria,  SATB  &  Org  —75  Pinatel. 

-  Gloria,  SATB  &  Org  —50  Pinatel. 

-  II   tempo   giovanile   5 —   Heugel. 

-  In  omui  tribulationes,  28AT   (Musica  sacra 

XIV.).  Bote. 

-  Kyrie,   SATB  &  Org  —50  Pinatel. 

-  La   Stessa  — 30  Bessel. 

-  Laudate  pueri    (Frohlocket,  Diener),  Psalm 

112  — 20   Musica   sacra. 

-  Liebeslied    (Pur   dieesti)    — 25. 
-Madrigale,    SATB    6—    Ricordi,    Part    —50 

Pinatel. 
-Magnificat  fiir  4  Singst,  Part  m.  KA  2.50. 
Singst    1.50   Breitkopf. 

-  Messa  a  2  voci  (TB)    (II  Sanctus  e  1' Agnus 

aggiunti   da  G.   T  e  r  r  a  b  u  g  i  o)    con   Org 

2 —  Musica   sacra. 

-Messa  a  3  voci  (2TB)  con  Org  ad  lib  2.40 
Musica  sacra,  3 —  Schola. 

-  Messe,  SATB  &  Org  3—  Pinatel. 
-Miserere,    Arie:    „0   wende   ab    dein   Ange- 

sicht"   — 20    Bote,   P  — 50   Schlesinger. 

-  Miserere     a     quattro     voci.     Parti     corali 

ciascuna  — 30  n  Fantuzzi,  con  Org  2 — 
Musica  sacra. 


Lotti  A.  Missa  quatuor 


651     — 


Loud  A.  F.  Angel's  message 


-  Missa  quatuor  vocum  inaequalium   (8CTB) 

2.30  Musica  sacra. 
-Missa:    Kyrie    eleison    (Vater,    Gott   erhore 

uns),   TB  — 40   Musica  sacra,   1.10   Bote. 
-Motetto:    In    omui    tribulatione    nostra,    /S'-S 

ATB  —10  Bote. 
-Motetto:    In   omni    tribulatione    nostra,    88 

ATB  —25  Bote. 

-  Now    the    meadows,     two-part     chorus     for 

treble   voices  — /4  Ashdown,  4/ —  Philipp. 

-  O  Salutaris  in  G,  4  voices  — /6  Novello. 

-  II'feceHb  ;ik)6bh  — 25  Jurgenson. 

-  Preludio,   Org(H)    1 — n   Bertarelli. 

-  Psalm      112.     Laudate     pueri      (Frohlocket 

Diener),  TB  —50  Bote. 
-Pur  dices  ti  (Ewig  mocht'  ieh.  May 
bells.  Twe  usteczka.  IIoBTopii  MHt  3to 
CflOBO)  2.50  Carisch,  1 — ,  (it.-ingl.)  3 — 
Ricordi,  V/-,  Bg.  Bote,  1.20  DoUinger,  1— 
Furstner,  — 80  8chlesinger,  3/ —  Ashdoicn, 
1,1 —  n  Augener,  3/ —  ChappeU,  Cramer, 
Laudy,  Weekes,  (Hitter)  2,6  Schott, 
— 50  8chirmer,  1.75  n  Durand,  5 —  Ueugel, 
— 40  Bessel,  Gehethner,  — 25  Jnrgenosn, 
Duet  — /2  Weekes,  8ATB  av.  Org  —50  u 
Pinatcl,  PV  1— n  Enoch,  PVc  —80  Hug, 
1 —  Praeger,  1.50  Rahter,  3/ —  Augener, 
— 50   Fischer,  FIP   1—  Enoch. 

-  Salve  Regina  — 20  n  Riihle. 

-  Sanctus     Dominus     Deus     Sabaoth,     8 ATB 

—10   Musica  sacra,  — 50  Bote,   1 —   8chle- 
singer. 

-  Speak  again  love  — 50  Ditson. 

-  Spirto    di    Dio     (Madrigale),    Geist    Gottes 

(4st.),   Part   1.30,   St   1—  Schlesinger. 

-  Vere    longuores     nostros    (Alle    die    tiefen 

Qualen),  TTB  —40  Bote,  —80  8cMesinger, 
— 35   Musica   sacra. 

-  Vita   caduca,    madrigale,    con   Basso    nume- 

rato,  88CTB  5.70  Ricordi. 

-  Voice,     whose     sound    (Pur     dicesti)      — /2 

8heard. 

Lotti  G.  op,  2  La  Danza  dei  folletti, 
capriccio  fantastico,  FIP  2 —  Carisch, 
Maria7ii. 

Lotti  J.  op.  1  Fantasie  sur  I'Hymne  national 
russe,    VP    (R.   Hofmann)    3 —  Kistner. 

^OTTH  .1.  TTtcHB  jieoSbh.  Pacu.'fejiyio  n  ry*JKH 

(p.  II.)  — 25  Jurgenson. 
Lottie   Lane,  Christy  Song  — /2  8heard. 
Lotti  n    D.   op.    3   Rondo   brillant,    VP    5— n 

Costallat. 

-  17   Six   Duos   pour   2V,  Etudes   des    5    pre- 

mieres  positions   2.75   8chott. 

-  19   Trois    Duos    faciles    pour    les    persounes 

qui      travaillent      les      quatre      premi&res 
parties,  2V  6 — ■  Ricordi. 

-  21    Six    Duos    progressifs,     2V     3.50  n     Co- 

stallat. 

-  22  Trois  Duos  pour  la  3e  position,  2V  3 —  n 

Costallat. 

-  23  Trois  Duos  pour  la  3e  position,  2V  2.50  u 

Costallat. 

-  24   Trois   Duos   concertants,   2V   3.50  n    Co- 

stallat. 

Lotti n  N.  C.  A  la  memoire  de  Louise-Marie 
d'OrlCMUis.   elegie,   P   9 —    Katto. 


Lottin   Ph.   Polka  bril! 


Ueugel. 


Lottner  H.  A  Trip  to  Neverlands.  A  Musical 
pantomimic  drill  and  farce  f.  boys  &  girls 
— 75   Church. 

-  Ball  Tossing,  P  1/ —  Curwen. 

-  Figaro  Ring  Drill  — 75   Church. 

-  Flower  Basket  Drill  — 75  Church. 

-  Ship   of   State.   A  class  exercise   f.  boys  or 

girls    — 50    Church. 
•  Tambourine    March    &    Drill    1/ —    Curwen, 

—40  Church. 
Lotto,   Polka,  &  The  Puff,  Puff,  Gee-Gee, 

galop  — /2,    !{ms  — /2   8heard. 
Lotto    Isldor    (1840),    op.    1     Fantaisie     sur 

I'Hymne   national    russe,    YO,   V   1.50,    VP 

3 — ,   0   3 — n  Kistner. 
-2   Morceau    de    Concert,    VP    3.50,    VO    5  — 

Kistner. 

-  8   Fileuse,    romance   sans   paroles,    VP   3.50 

Kistner. 
Lots  of  littles  make  a  lot  2/ —  n  8heard. 

Lotzgesell  G.  Die  Boten:  ,,Wo  zieht  ihr  hin, 
ihr  Vogleiu",  Lied  f.  T  m.  P-  od.  G-Begl. 
— 50  Raahe. 

Louart  E.  Amour  passe,  valse  tr6s  lente,  P 
6 —  Fatout. 

-  Chanson   3   boire,  P,     Pisa. 

-  Chanson  a  boire,   Mand  2 —  n  Pisa. 

-  Crackers'  Cracks,  cake-walk  5 —  Rueff. 

-  Gozo,  valse  espag.  Mand  2 — n  Pisa. 

-  Victorieuse,  valse  6 —  Fatout. 

Loubet  A,  Contre-Torpilleur,  pas  red.  Fanf 
1 — n,  Harm  1.25  u,  Cond.  — 15  n  Hem- 
merl6. 

■  Flora,  marche  en  4  temps.  Harm  1.25  n, 
Fanf   1 — n,  Cond.  — 15  n   Hemmerle. 

-  Grotte    enchant<?e,    fant.    Harm    3 — ,    Fanf 

2.50  Naudin. 

-  Grotte   euchantee,   ouverture,    Fanf    2.50  n. 

Harm   3—  n,   Cond.  — 25  n  Hemmerle. 

-  Isabelle,    polka,    2Pist     Fanf    1.25  n.    Harm 

1.50  n,   Cond.  — 15  n  Hemmerle. 

-  Patriote,  pas   red.  Fanf   1 — n,  Harm    1.25  u 

Cond.  — 15  Hemmerle. 

-  Un  ami,  pas  red.  Harm,  Fanf  av.  Tr  d'ord. 

1.25,   Cond.  — 25   Pomier. 
Loubrie    P.    IVl.   Quiproquo,     polka-maz.     5 — 

Leduc. 
Louca  de  amor,  var.  Fl  1.50  Guimara.es. 

Louchet  A.  Regiment  en  campagne,  fant. 
irait.,   Tr  — 75  Louchet. 

-  Triomphale   marche,   pas   red.   4  ou   GTr  de 

cav.  — 75  n  Pomier. 
Louchet   G.   Hamelle:    Op.   2   Idylle,   P   6—. 

-  3  Lilas,   romance   s.   p.   P  3—. 

-  4  Pensee  fugitive,  P  5 — . 

-  8  Deux  pi&ces  charact.  P  6 — . 

-  9  Andante  cantabile,  P  3 — . 

-  11   Deux  Mazurkas,  P  5 — . 

-  13  Prelude  et  Fugue,  P  6—. 

-  14  Allegretto,  P  4—. 

-  17  Six  Pensees  musicales.  P  6 — . 

-  20  Air  de  ballet,  P  6—. 

-  21   Improvisata,  P  5 — . 

-  22  Valse  caracteristique,  P  7.50. 

-  23  Trois  feuilles  d'Album.  P  6—. 

-  Benedictus,   choeur    1 — . 

-  Hymne  de  Noel,  8 ATB  1 — n  Choudens. 
-O  Salutaris,  av.  VOrg  1 — n  Choudens. 
Loud  A.  F.  Ditson:  A  wanted  Million,  unison 

— r/2  Curwen. 

-  Angel's  message  in  C  or  A  b  — 60. 


Loud  A.  F.  By-to  loiie 


—     652 


Louel  H.  Mon  frere 


-  By-lo  love,  V  obi.  — 35. 

-  Chime,  chime,  chime  (Easter),  SATB  — 05  u 

Church. 

-  Christ     has     risen,    east«r     anthem     — 10 

White. 

-  Consider  the  lilies  — 50. 

-  Cradle  Song  —35. 

-  Cupid  —40. 

-  Go  when  the  morninc  shineth.  TTBB  —08, 

8vo  —20  White. 
-Joyous      bells       (Easter).      SATB      — 06  n 
Church. 

-  Just  for  to-day  —06  Wood. 

-  Lullaby,     baby     must    sleep,     unison     — /2 

Curvoen. 

-  Midnight  Song   (in  B  b  or  G)  —50. 

-  My  Rose  —40. 

-  Our   risen  King  — 50. 

-  Slumber  Islands  — 35. 

-  Tell  him  I  love  him  better  every  day  — 35. 

-  There  is   a  city  bright  —50. 

-  Wary  trout,  B  — 35. 

-  When  love  &  I  went  maying  — 40. 
-Worship  the  Lord,  anthem  — 15  White. 
Loud   G.    H.  J.   Fischer:    Andante  con  moto, 

Org  —30. 

-  Andante  con  moto.  Org  2 — . 

-  March  in  G,  Org  4/—  Weekes. 

-  Marche  Militaire.  Org  — 50. 

-  Marche  Solonnelle,  Org  — 40. 
-Melody    (F),   Org  —25. 
-Offertory    (Eb),    Org  —60. 
■Reverie    (E),  Org  —30. 

-  Triumphal   March,    Org  — 40. 

Loud  J.  A.  F  o  o  I's  Gold,  opera,  Voc,  score 
1 — n  White. 

-  Who   knows?   — 40   Thompson. 

Loud   J.   Hermann,   Thayer  Academy  march 

— 50   Ditson. 
Loud   R.   L.  Brainard:   Amorello,  entre  acte. 

P  —50  White. 

-  Bewitching  eyes,  galop  brillant,  P  — 60. 

-  Coquette   polka   — 50. 

-  Danse  comique  —60  Church. 

-  Idylle,   P  —50. 

-  Mazurka  brillante,  P  — 40. 

-  Reckless,  polka  — 60  Church. 

-  Remembrance,  P  — 40. 

-  Scherzo  caprice,  P  — 60  Church. 

Loud  through  the  world  proclaim    (Anthem 

of  praise)    — /I   Curwen. 
Loud  Voluntaris  for  the  Org  or  B,  carefully 

selected  from  the  best  works  of  the  Great 

Masters  1/ —  Sheard. 
Loudet  J.  A  vos  souhaits,  polka,  O,     Labole. 

-  Au  gr6  de  I'onde,  valse,  0  2 — ,  Cond.  — 50 

Demets. 

-  Au  plaisir  de  vous  revoir!   retraite-marche. 

HarmfFanfJ  2 —  Amand. 

-  Bolero,  P,     I'Auteur. 

-  Chan  tons    la    gloire    de    la    Russie!     1- — u, 

Ch.  s.  — 35  n  Coutnrel. 

-  Charentonnaise,  Scottish,  0  1.50,  Cond.  — 50 

Demets. 

-  Christmas,    quadr.    0    1 —  n,   P  — 25  n   Mar- 

gueritat. 

-  Douce  causette,  maz.  O  av.  P  cond.  Laudet. 
■  Europ^enne,    polka-marche,    0   av.    P   cond. 

Massot. 

-  Gentille  Gommeuse,  chans.  Chanson  joyeuse. 


-  Heureuse  nouvelle,  maz.  0  1.50,  Cond.  — 50 

Demets. 

■  Idylle  malheureuse  1 —  u  Coutarel. 

-If  you  please    (s'il  vous  plait!!),  gigue.   /', 
VAuteitr. 

-  Jeannette  au  bois  1 —  n  Coutarel. 

•  Legon   de  tir   1 —  n,  Ch.  s.  — 35  n  Coutarel. 

-  Marche    de    I'Ecole    d'Alfort,      Margueritat. 

•  Marche    des    petits    lignards    2 —  n,    <'h.    s. 

—30  n,  P  2—  n,  O  1.50  n,  Harrn  3—  n,  Fanf 
2 — n  Schoenaers. 
-Marche    des    Petits    Lignards,    P    1.75  n,    O 
1.50,  Harm   3 — ,  Fanf  2 —  Schoenaers. 

-  Marche  estivale  d'E.  E  x  c  o  u  1  a,  arr.  pour 

0  av.  P  cond.     Massot. 

-  Marche  toulousaine,  0  av.  P  cond.  Paroche. 

-  Marche    printaniere,    0    1.20    Millereau. 
-Messieurs    les    Vieux    Beaux    1 — n.    Ch.    s. 

— 35  n   Coutarel. 

-  Paquerettes,  maz.  0  2 —  Vincent. 

-  Pavane  Medicis,  P   1.50  n   Lorel. 

-  Peccadille,   mazurka.   0   av.  P   cond.      Mar- 

gueritat. 

■  Petulant,  galop,  0  1.50,  Cond.  — 50  Dernets. 

-  Reception      amicale,      polka-marche     de     J. 

D  o  r  i  n,    arr.    pour     O     av.     P   cond.     1 — 
Billaudot. 

Retour  d'Amerique,  marche,  0  av.  P  cond. 
Neto-Editio7i. 

-  S^rSnade  i\  la  Parisienne  3 —  Digoude. 

-  Sous  la  feuill^,  polka,  O  av.  P  cond.  Costil. 

-  Souvenir    d'antan,    polka    d'E.    E  x  e  o  u  1  a, 

arr.   pour   0   av.  P  cond.     Monvoisin. 

-  Souvenir      d'Orient,      Earm(Fanf)      2 —  n 

Amand. 

-  Stances  a  ma  mie  1 —  n  Coutarel. 

-Valse  de  1' Amour  1 — n,  Ch.  s.  — 35  n  Cou- 
tarel. 

-  Valse   de   I'Expositiou    1 —  n,   Ch.    s.   — 35  n 

Coutarel. 

-  Venez  sous  la  feuillee   1 — n,   Ch.  s.  — 35  n 

Coutarel. 

-  Ventre    k    terre !    galop    de    G.    R  o  u  t  i  e  r, 

arr.  pour  0  av.  P  cond.  1 —  n  Margueritat. 

■  Voguoii.s  au  gre  de  I'onde,  valse  1 — ,  Ch.  s. 

— 35  Demets. 

-  Voici   le   R6veil    1 —  n   Coutarel. 

Loudet  J.  et   E.  Zamor  fils,  Miss  Etincelle, 

chans.      Chanson  joyeuse. 
Loudly    proclaim     (Ymadawiad     y     brenin), 

SATB  —/I    Boo.Hcy. 
Louel    H.    Choudens:      Op.    42   Kermesse    et 

Choeur    des   Vieillards    de   Topfira:    Fau.st 

de  G  o  u  n  o  d,  P  2—  n,  1.80  Bote. 
-Arabella,   valse   1.35  n. 

-  Aurora,    valse    1 —  u. 

•  Chasse,    fantaisie,    IfUis    1.35  n. 

-  Course,   fantaisie,   Ifms    1.35  n. 

-  Dawn,    waltz   — 40   Brainard,  — 30    Church, 

—35  Ellis,  Gordon,  —20  Willig,  Ifms  —50 
Brainard. 

-  Ecureuil,   polka   1 —  n. 

-  Esp6rance,  nocturne,  P  1.70. 

-  Fleurs   de  Genevifeve   2.50  Beugel. 

-  Gondolier,  fantaisie,  Jfms  1.70. 

-  Isolina,    3e    valse    brillante,    P    1.70  n,    ^ms 

2.50  n,   V,  Cornet,  Fl   a  —25  n  Fromont. 

-  Jeune  fille  et  jeune  fleur,  rom.  2.50  Heugel. 

-  Lionne,  Ire  valse  brillante,  P  2 — ,  Ifms  2.50. 
-Marche,   fantaisie,  IfVis   1.70  n. 

-Mon    fr?;re,   Ch.   s.   — 50  n  Labbe. 


Louel  H.  Nocturne 


653 


Louis  C.  Batelieres 


-  Nocturne,   P  4.50  Benoit. 

-  Pater  noster,  romance  2.50  Ueugel. 

-  Pr&s  d'un  berceau,   romance   3 —  Fleugel. 

-  Promenade  snr  I'eau  3 —  Benoit. 

-  Romances :     Pr&s    d'un    berceau    — 50.       Le 

Sourire  de  mon  enfant  — 50  ScJiott. 

-  Rose,  valse  brillante,  P  1.75  n  Durand. 

-  S  o  m  n  a  m  b  u  1  a,    fantaisie,    Jpns    1.70  u. 

-  Sourire     de     mon     enfant,      romance     2.50 

Heugel. 

-  Sur  un  rocher  2.50  Heugel, 

-  Trente,   romance  2.50   Ileugel. 

Loueuse  de  chaises  (parl^l  1 — n.  di.  s. 
—35  n  EvelUard. 

Loughlin  John  F.  Hymn.s  &  Harmonie.s  — 35 
White. 

Louis  XIII,,  Gavotte,  P  1 —  Borriero,  1.50 
liratti,  1 —  Gori,  1.50  Perosini,  — 50  n  Ri- 
lordi,  1.50  Mariani,  — 50  Sandroii,  — /4 
Sheard,  — 25  Hals,  — ^15  Jurgenson ;  .'fins 
2.50  Mariani,  V  1—  Sandron,  VP  2.50 
Mariani,  VcP  2.50  Mariani,  1.25  n  if?i- 
( ordi,  FIP  2.50  Mariani,  Mand(V )  — 50  n 
Ricordi,  1 —  Sandron,  2Mand{2V )  — 75  u, 
2Mand(V)P  1.25  n,  Mand(V)(}  1— n  Ri- 
cordi,  MandfVJP  1.50  Saiidron.  ?Mand 
(V)G  1.25  n,  Mand(V)MuP  1.50.  Mand 
tV)MaG  1.25,  2Mand(V )MaP  1.75,  2Mand 
iV)MaG    1.50,    pice.  O    3— u    Ricordi. 

Louis  Antonin,  AUons,  petit  pioupiou,  Ch.  s. 
Librairie  antisemite. 

-Ami    Larigot    1 — n,    Cli.    s.    — 40  n 
mann. 

-  Anes  de  Montmorency   1- 

Labbe. 

1— n,      Vh. 


8. 


n,   Ch.   s. 
—30  u 


Bornc- 


-35  n 


Soci^tt: 
des  nioisson.s  1 —  n,  C7i.   s-.  — 35  n 


II    hnoch. 
-u.     Oh. 


Ch. 


s. 


— 40u 


-40  n 


-30  n   Societe    nou- 


s. 


-25 


-  Anneaux 

nouvelle. 

-  Au  temp.s 

Labbe. 

-  Automobile,    Ch.    s.    1 

-  Avaleuse    de    sabre.s    1 — 

Bornemann. 

-  Billets  doux  3 —  Heugel 

-  Ca    u'    prendra     pas     1- 

Bornemami. 
-Caresses    1 — n,    Ch.   s.    - 
velle. 

-  Cavatine  des  deux  Sergents  1 — ,  Cli 

Margueritnt, 

-  Chanson  du  verbe  aimer  1 —  n,  CJi.  .<,•.  — 30  n 

Societe  nouvelle. 

-  Chants  et  exercices  de  gymnast,  p.  garqons 

ou  filles.  chaque   1 —  n  Gallet. 

-  Cornflower    polka     (Harvest    flower.s    X.    2) 

— 35  Ditsoyi. 

-  Credo      patriotique     1 —  n, 

Societe  vouvelle. 

-  Diabolo-Danse,   polka    1.75  n 

-  Dieu    de   boii*    1 —  n,    Ch.    s. 

nouvelle. 

-  Esclave  ou  Reine,  B,  Bar  3 —  Benoit. 
Etoile   luit,   T,Bar  3—  Sulzbach. 

-  Exil6   4 —   Edition  francaise. 
-Exposition,    stances     1 — n,     Ch.    s.    — 40  n 

Bornemann. 

-  Fanfares   de   trompe,   Kb   reglee   avec   1   ou 

2  trompes      et     adopt,     de     paroles     1.50  n 
Gallet. 

-  Figurante     (C  1  a  p  i  s  s  o  n) ,    6     valses    5 — 

Girod. 

-  Francillon.   polka  5 — .  O  2 —  n   Sulnbert. 


Ch.    s. 


30  n 


Wykes. 

— 30  n    Hociete 


de    Bra- 


chantee    1 —  u. 


s.  — 40  n  Borne- 


-30  n  Societe  nou- 
&    P    3—  Men- 
— 30  n  Societe  nou- 
des 
Societe    nou- 


-  Germinal    1 — n  Joubert. 

-  Isolement  3 —  Sulzbach. 

-  Kiss    Kiss     (Sung    in    „Genevieve 

bant")    4/ —  Ascherberg. 

-  Langage    des    Fleurs,    valse 

Ch.  s.  — 40  n  Bornemann. 

-  Lettre  a  Manon   1 — n,  Ch 

man  n . 

-  Ligue    patriotique   des   Frangaises.    Edition 

mus.  frano. 

-  Margoton   1 —  u,   Ch.   s. 

velle. 

-  Moissonueuses,     3    voix   eg. 

7iesson. 

-  Murmures   1 — n,  Ch.  s 

velle. 

-  Musique     en     tete,     polka-marche     sur 

chansons,  0   1.50  n   Gandet. 

-  Nonnes    1 — ^  n,    Ch.    s.    — 30  n 

velle. 

-  Nouveaux       chant.s       du       Clairon,       vingt 

marches-sonneries,   Clairon,  — 50   Leduc. 
-Objets  fel6s   1— n,  Ch.  s.  — 35  n  Labb^. 

-  Oeillet,   duetto   3 —  Sulzbach. 

-  Oeuf  a  la  eoque  1 — n,  Ch.  s.  — 40  n  Borne- 

mann. 

-  Oeufs  de  Paques  3 —  .illeton. 

-  Ouvrier   pour   le    vrai    1 — n,   Ch.    s.   — 40  n 

Bornemann. 

-  Papillon  bleu  3 —  Alleton. 

-Parade    1 — n,    Ch.   s.   — 40  n   Bornemann. 

-  Peines  de  coeur  1 —  n,  Ch.  s.  — 35  n  Labb6. 

-  Pied  de  Francois  1 — n,  Ch.  s.  — 35  n  Labbe. 

-  Po-Paul,  quadr.   O   1 —  Gheluioe. 

-  Po-Paul,  quadr.   O   1 —  n  Joubert. 

-  Poupfie  d6.sob6issante    far.  parl4)    3 —  Meu- 

nesson. 

-  Refrains  de  marche.  30  sonneries.   marches 

et  retraites  ofTic.  de  TArra^c  franc.  Ch.  «. 
— 60n  Gallet. 

-  Rejinglard  d'Argenteuil  1 — n,  Ch.  s.  — 35  n 

Labbe. 
Heviendras-tu?  3 —  Sulzbach. 

-  Rossignol    1.35  n   Durand. 

-Saisons:  1.  I'Automne.  2.  I'Ete.  3.  I'Hiver. 
4.  le  Printemps,  j\  3 —  Mennesson. 

-  Sonneries  d'ordonnance,  officielles  et  regle- 

mentaires  de  I'lnfanterie  franca ise  pour 
clairon  (avec  paroles  ad  lib.),  Tr  — 60  n. 
Ch.  s.  —60  Gallet. 

-  Tanche   et   le   Brochet   1—  n,   Ch.   s.   —40  a 

Bornemann. 

-  Trois  villes   1 — n.  Ch.  s.  — 35  n  Lnbb^. 

-  Trop  tard  3 —  Sulzbach. 

-  Va-z-y   dire,    petite    fleur 

quet. 

-  Vacances  3 —  Alleton. 
-Valse  Russe,  O   1 — n  Margueritat. 
-Verpillon   1 — n,  Ch.  s.  — 35  n  Labb6. 
-Vive  I'Armee!    pas   red.   sur   la   ch.   pop 

2 — n,   P    1.75  n   Margueritat. 

Louis  Arthur,  Prieur  de  St.  Basle,  sym- 
phonic dramatique  de  E.  L  e  f  e  v  r  e,  P 
2.50  n  Mennesson. 

-Voix  de  la  Savoyarde,  P  1.25  u  Mennesson. 

Louis  Arthur  &  Brig,  Danse  marocaiue,  P 
av.  effet  de  Tambour  de  Basque  2 — n,  la 
manille  a  grelots   1.25  n  Mennesson. 

Louis  B.  6  Valses  avec  trio,  P  1.50  Ricordi. 

Louis  C.  Bateli^res,  quadr.  5 — ,  Jfrns  6 — 
Grns. 


de   bois    3—  Fou- 


0 


Louis  C.  Die  Rndikalen 


654     —         Louis  Mme.  Consei's  d'lDiegratid'm^re 


-  Die  Radikalen,  Polka  —50  Schott. 

-  Ludwigs-Galopp  — 50  ScJiott. 

-  Sophien-Polka  —50  ScJiott. 

Louis   D.   Regina   Coeli,   3   voix   &   Org   1.50 

Katto. 
Louis   E.  Barcarolle,  P  1 — n  Durand. 
-Barcarolle,  P  1.70  n  Enoch. 

-  Berceuse,  P  1.35  n  Durand. 

'  Bonne  Garde  3 — ,   Ch.  s.    1 —  n  Enoch. 

-  Captive  5 —  Enoch. 

-  Carnaval  il   Seville,  bol6ro  7.50  Enoch. 

-  Chanson  provengale  4 —  Enoch. 

-  Chant  d'artiste  1.35  n  Durand. 

-  Christ  is  born  to-day  — 35  n  Presser. 

-  Colombine  et  Arlequin,  P  5 —  Enoch. 

-  Derobee,     danse    bretonne,     0    av.   P   cond. 

Givre. 

-  Fairy  Glen  — /4  Forsyth. 

-  Fleur  et  la  Vie  2.50  Enoch. 

-  Graziella,     danse     enfantine    2 —  n     ^ociete 

anonyme. 

-  Hunting    Chorus     (Waken,    lords   &  ladies 

gay)   —10  Braivard. 

-  Mignons    du   Roy   Henry,     ballet,     P   2 —  n 

Gallet. 

-  MoTse   mourant,   scfene  biblique   7.50,   av.   P 

(Org)   2.50  n  Enoch. 
-0    Salutaris!     (paroles   lat.)    — 85  n   Enoch. 

-  Peines  d'amour   1 —  n  Dvrand. 
-Petit  Noel   1.35  n  Durand. 

-  Serenade-barcarolle  5 —  Enoch. 

-  Sieste   1.70  n  Enoch. 

-  Voyage  6 —  Enoch. 

-  Waken,  lords  &  ladies  gay,  8ATB  — /4  A^o- 

'vello. 
Louis  Ferdinand,  Prinz  von  PreuBen(1772 — 

1806).  Breitkopf:    Op.    1    Quintett    (C-m.), 

P2VVaVc     5.40  n,     P     (F.     Mockwitz) 

] — n,  ^ms  6 — . 
■  2  Trio   (As),  PVVc  4.20  n. 

-  3    Trio    (Es; 

1— u. 
-4  Andante   mit  Variationen    (B),   PVVaVc 

2.40  n. 
-5  Quartett   (Es),  PVVaVc  4.80  n,  J,ms  1— u. 
-6    Quartett    (F.-m.),    PVVaVc    5.70  n,    4m.s 

6—. 

-  7  Fuge,  P  —30. 

-8   Notturno,   FlVVaVc   u.    2Edrner   ad   lib. 

6 —   Breitkopf,   Jfms   5 —   Schlesinger. 
-9  Rondo   (B),  PO  1— n. 
-10  GroBes  Trio    (Es),  PVVc  4.20  n.  Rondo, 

Jftns  1 —  n. 

-  11    Larghetto    mit    Variationen,     PVVcKh 

4.50   Breitkopf,   ^ms   3.50    Schlesinger. 
-12   Octetto,   PCl2I16rner2Va2Vc   7.50   BreH- 
kopf,  Ifms  5 —  Schlesinger. 

-  13   Rondo    (Es),  PO   1— n. 

-  Beriihmtes    Adagio     (S  e  i  d  e  1) ,     gr.  Harm, 

kl.  Barm    a  2.50  Lchne. 
-Marsch,  P    (Fr.  Voigt)    —80   Bote. 

-  Parademarsch,   0   2.10  n,    mO    3.30  n. 
Louis    Henri,    Carolina,   waltz     4/ — ,     FullO 

2/ — n.    Septet    1/ — n,    separ.     (String    & 
Cornet)    parts  — /3  n  Chappell. 

-  Frou   Frou,   schott.  — 35   Gordon. 

-Tout    a    Fait,     FullO    2/— n,     sept.    1/— n, 
sep.  parts  — /3  n  Chappell. 

Louis  J.  Ditson:     Coquelieot!   oP,     I'Auteur- 
Paris. 


PVVc    4.20  n.     Rondo,     Jfms 


-  Embarque,  valse  bret.,  oP,     VAuteur. 

-  Happy  little  folks'  galop  — 25. 

-  Happy   little   folks'   march  — 25. 

-  Happy  little   folks'   polka  — 25. 

-  Happy  little  folks'    schottische  — 25. 

-  Happy  little  folks'    redowa  — 25. 

-  Happy  little  folks'    waltz  —25. 

-  Harvest    festival,    march   —35. 

-  Harvest   flowers,   schottische  — 40. 

-  Harvest  moon,  waltz  —40. 

-  Mignonnette,   galop  — 40. 

-  Pauvre  Mousse,  romance,  oP,     rAuteur. 

-  Quand  les  flots,  oP,     VAuteur. 

-  Sweet  little  baby  girl  — 35. 

-  Sweet  William,  maz.  — 40. 

-  Tout  a  Fait,  polka  3/ — ,  lims  4/ —  Chappell. 

-  Tripping  down   the   field   path  — 35. 

-  You   had   better    ask   me,   comic   song  — 35 

Gordon. 
Louis  L.  Adaleta,  waltz  — 50  Brainard. 
-Ami   Lucas   1 — n   Gallet,  Janin. 

-  Christmas  Dance,  P  — 20  Gordon. 

-  Day  dream  waltz  — 50  Brainard. 

-  Departed  days,  nocturne,  P  — 50,  VP  — 60, 

(Voices  from  the  spirit  land),  quart.  — 75 
Brainard. 

-  First   waltz   — 25  Brainard. 

■  Fourth   waltz  — 25   Brainard. 

■  Haunted  spring,  quart.  — 50  Brainard. 

-  He  comes  from  the  war,  quart.  — 50  Brai- 

nard. 

■  Helen's   dream  waltz  — 35   Ditson. 

- 1  think  of  thee,  quart.  — 50  Brainard. 

-  Idelaise  waltz  — 50  Brainard. 

-Last    parting    (Lonely    river),    quart.    — 50 
Brai7iard. 

-  Leonore  waltz  — 50  Brainard. 

-  Louis  Third   Waltz  — 25   Brainard. 

-  Madalina  waltz  — 50  Brainard. 

-  New-Year's,  dance  — 20  Gordon. 

-  One  fond  kiss  — 25  Brainard. 

-  Our  flag,  patriot,  song  &  chorus  — 40  Brai- 

nard. 

-  Petit  Pousse-Caillou  3 —  Deplaix. 

-  Prince  imperial,  quadr.  — 35  Ditson. 

-  Second    waltz   — 25   Brainard. 

-  SnoAvbird,  waltz  — 40  Brainard. 

-  Thoughts  of  home,  quart.  — 50  Brainard. 

-  True    love    can    ne'er     forget,    quart.     — 50 

Brainard. 

-  Nr.  1,  2,  3,  4,  5,  waltz  a  — 25  Brainard. 

Lcuis    M.     Crowning    triumph    march     — 35 
Ditson. 

-  De   camp  meeting   fire  bell,   song  &   chorus 

—40   DUp.on. 

-  Mv  little  favorite   march  — 35   Ditson. 

-  My  little  favorite's  barcarolle,  P  —35,  ditto 

rondo,  P  — 35,    ditto    swing   song,   P  — 35 
Ditson. 

-  My  little  favorite's  schottische  — 35  Ditson. 

-  My  own  sweet  Nell  &  I,  song  &  chorus  — 35 

Ditson. 

-  Pleasant  words   are  full   of   sweetness  — 35 

Ditson. 

-  Uncle  Remus',  march  — 35  Ditson. 

Louis   iVlme.   Mcnnesson:    Adieux   d'un   Din- 
don  a  une  Dindonne  3 — . 

-  Bonsoir  3 — . 

-  Cantate  pour  la  Fete  d'une  Directrice,  solo 

&  3  voix  av.  P  3—. 

-  Conseils   d'une  grand'mere  3 — . 


Louis  Mme.  Ecolier  studi-eux 


655     — 


Louis  N.  op.  96 


-  Ecolier  studieux  3 — . 

-  Enfant   3 — . 

-  Guerre   3 — . 

-  Monsieur   Frou   3 — . 

-  Plaisirs  champetres   3 — . 

-  Plaisir   des  Vacances   3 — . 

-  Souria  ti  ton  enfant  3 — . 

-  Sous  le  ciel  bleu  3 — . 

-  Tableau  d'automne  3 — . 

Louis  N.  op.  3  Gr.  Duo,  FIP  10—  Noel. 
-4    Fantaisie    sur     uue     romance     favorite: 
Vierge  timide  du  bocage,  PV  7.50  Lemoine. 
-6  Roudoletto,   VP  2.50  u  Gallet. 

-  7  Emmene-moi,  3e  fant.  VP  3—  n  Gallet. 

-  12    Le    defi,    concertino,    VP    9—,    TO    9— 

Lemoine. 

■  15    Ciiiijuieme    fantaisie     conc-ortante.      VP 

9— n    Costallaf. 

-  17  Valse  du   due  de  Reiclistadt,   17'   3.50  n 

Gallet,  3.50  Simroclc. 
-20    ler  Quatuor,   /S/r-Quart.   5 — n   Costallat. 

-  21    Doux   air   de  Veuise,   et  Tyrol   qui   m'a 

vu  naitre,  T'P  3 —  n  Gallet. 

-  22    Trois    duos    concertauts    et    progressifs, 

2V  3— n   Gallet. 

-  23  Bouquet  de  bal,  VP  3—  n  Gullet. 

-  23  9.  Fantaisie,  PV  2.50  SimrocJc. 

-30  Premier  Duo  expressif  (A-m.),  ^ms  3 — 
SimrocI:. 

-31  Souvenir  de  „Anna  Bolena"  de  Doni- 
zetti, PVfKi  ad  lib.)  3.50  Simroclc,  6— 
Mariani. 

-  32  Ma  Normandie  (de  B  e  r  a  t),  variations, 

^P  3.50  a  Gallet. 

-  37   Amour    et   Charite,    PV   7.50   Eveillard, 

9 —  Legovix. 

-  38   M6lodie   Suisse,    fant.    concert.,   PV    9 — 

Legouix. 

-  39     Douze     Caprices     sur     des     motifs     de 

Bellini,  M  a  s  i  n  i  etc.   etc.   T',   2  suites 
!i  6 —  Legouix.  Fiirstner. 

■  41  Duo  .sur  I'Eclair,  PV  9 —  Lemoine. 

42   Ave   Maria,    nocturne,   PV  (Cornet)    6 — 
Eveillard. 

-  43  Les  Laveuses  de  couvent   (de  G  r  i  s  a  r) , 

le  serenade,  VP  3.50  n  GaUet. 

-  44    Gr.    Caprice     cone.     (Die     Hugenotten) 

(E),  PV  9 —  Lemoine,  3.50  Brcitkoj)!. 

-  48  Deuxi^me  serenade,  PV  9 —  Lemoine. 
-49    Troisifeme    Serenade,      VP     10 — n     Co- 
stallat. 

-  49   Maria  di   Rohan,   grande   fantaisie,    VP 

5.50  Ricordi. 

-  50  3.  Duo  expressif,  J^ms  3 —  Simrock. 

-52  Trois  petites  Fantaisies,  4ms  2 — :  N.  1. 
La  Cachucha,  fantaisie  espagnole  sur  des 
]\Iotifs  du  Diable  Boiteux,  2.  L'iuvocation, 
fantaisie  religieuse  sur  un  Choeur  de  la 
Norma,  3.  Cavatine,  fantaisie  dramatique 
sur  des  Motifs  de  la  Norma,  a  1 —  Hein- 
richshofen,  4 — ,  N.  1,  3  a  1.30  Fiirstner, 
N.  1 — 3  a  1.30  Simrock,  a  4.50  Lemoine, 
4ms  4 —  Fiirstner. 

•  53  Theme  original  varie,  VP  7.50  Grus. 

-  55   Les    plaisirs    de    la    Valse,    3    fantaisies 

concert,  sur  des  Valses  de  S  t  r  a  u  B,   VP, 
I — II  tl  2 —  Sclilesinger,  a  4.50  Ricordi. 

■  56  Trois  Fantaisies  brillantes  progressives, 

4ms:      N.    1.    Le   Bal    (H  e  r  o  1  d) ,      2.   La 
Serenade     (Bellini),    3.    Les    Souvenirs 


(Donizetti),  u  6 —  Lemoine,  a  1.80 
Simrock. 

-  57  5.   S^r^nade  de  „L  a  S  o  n  n  a  m  b  u  1  a", 

PT'  4 —  Simrock,  9 —  Girod,  7 —  Mariani. 

■  80  Variations  brillantes   (D),\^ws  2.50  Sim.- 

rock. 

■  62  Premiere  S4r6nade,  VP  7.50  n  Costallat. 

-  63  Fantaisie  coneertant  sur  la  Romance  et 

I'Air  dans  I'Opera  Guido  et  Ginevra  de 
H  a  1  e  v  y,  VP  7 —  Mariani. 

-  64  Sou  nom,  nocturne,  PV  7.50  Eveillard. 

-  69     ler    Trio,    PVVc     4—  n     Joubert,     6.25 

Schott. 
-70  2e  Quatuor  5 — n  Costallat. 

-  71    Souvenirs    de    la    Figurante,    op6ra    de 

Clapisson,  3  nocturnes  concertants, 
PV  a  6 —  Girod,  a  2 —  Schott. 

-72  9e  Serenade,  VP  3— n  Costallat,  3.25 
Schott. 

-73  Grande  fantaisie  sur  les  melodies  de 
Schubert,  PV  9—  Lemoine,  3.50  Sclile- 
singer. 

-  74   Alia    siciliana,    variations    concertantes, 

PV  3.50  Si7iirock. 

-  76  Duo  briilant  .sur  les  Treize,  PV  9 —  Le- 

moine. 

-  n  Divertissements,    T'P,   N.    1   3—  n,   N.   2 

2.50  n  Costallat. 

-  78    Variazioni    brillanti    sui     motivi     della 


Lucia    di    Lammermoor 
4 —  Ricordi. 

-  79    S6r6nade    sur 

moor,    PT'    7.50 
Ricordi. 

-  80  Douze  caprices 

Le7noine. 

-  81   La  Reine  .d"un 


4ms    2.25    Schott, 


Lucia    d  i 
Grus,    3.25 


L  a  m  m  e  r- 
Schott,   4.50 


etudes,  2.  livre,  PT^  24- 


fant. 


jour,  variations  et 
finale,  PV  7.50   Costallat,  3.50  Schott. 
■  82  La  Reine  d'un  jour,  divertissement,  47ns 
2—  Schott. 

-  84  Variations  brillantes  sur  un  thfeme  favori 

de  I'op.   „P  a  r  i  8  i  n  a",  4ms  3 —  Simrock. 

-  86  Introduction  et  Rondo  sur  les  Melodies. 

Nizza  de  Rossini  et  Nella  de  Meyer- 
beer,  PV  2.75  Schott. 

-  87  24  Etudes,  2V  6—  Joubert,  5.25  Schott. 
-88  Douze  Moroeaux  de  salon,  PV :  N.  1 — 3. 

RobertleDiable,  3  recreations,  a  2—. 
N.  4 — 6.  Huguenots,  3  divertissements 
a  2 — .  N.  7 — 9.  J  u  i  V  e,  3  amusements 
a  2 — .  N.  10 — 12.  Guido  et  Ginevra,  3 
fant.   k  2—. 

12  Solos  de  salon  sur  les  memes  Pieces 
pour  T'-s.,  en  4  suites:  I.  Robert  le  Diable 
1.50.  II.  Les  Huguenots  1.50.  III.  La 
Juive  1.50.  IV.  Guido  et  Ginevra  1.50 
Schott. 
-89  Second  Trio,  PT'T'c  4—  Joubert,  7.2.i 
Schott. 

-  92    Fantaisie    elegiaque,    theme    de    Don  1- 

zotti,  PT^  9 —  Lemoine,  4.25  Schott. 

-  93  Divertissement  sur  une  tyrolienne  de  la 

Fille  du  Regiment,  PT^  9 —  Lemoine,  2.75 
Schott. 
-94  Les  Contrastes,  3  caprices  faciles,  4ms: 
N.  1.  Motif  de  Rossini,  2.  Motif  de 
Bellini,  3.  Motif  de  Donizetti,  a 
1.25   Schott. 

-  96    Variations     brillantes     sur     un      theme 

original    (A),  4ms  3 —  Si^nrock. 


Louis  N.  op.  97 


—    656 


Louis  N.  op.  199 


Amor 
Cava- 
3— n 


N.    1. 


J/ms 

P: 

1.30 


2— 


de 


-97  Trois  Melodies  de  Salon,  PV :    1. 

et  Charite.  2.  Le  Cor  des  Alpes.   3. 

tine   de    Robert    Devereux,    u 

Gallet,  a  2.50  Simrock. 
-98   3    Serenades    caract^ristique,    P: 

serenade   Espagnole   4.50.   N.    2.    S6r6nade 

Italienne    3.75.    N.    3.    S6r6nade    Franqaise 

4.50  Grus. 
■  99  Troisifeme  Trio,  PVVc  4—  n  Joubert. 

-100  6  Meditations,  4ms:  N.  1.  a  Henri 
Herz  1.50.  N.  2.  a  F.  M  e  n  d  e  1  .s  s  o  h  n- 
B  a  r  t  h  o  1  d  y  1—.  N.  3.  a  H  e  n  r  i  B  e  r- 
tini  1.25.  N.  4.  a  S.  T  h  a  1  b  e  r  g  1.25. 
N.  5.  a  F.  Chopin  1.25.  N.  6.  a  F. 
Liszt  1.50  Schott. 

-  103    Fantaisie    brill,     siir    la    Favorite,    VP 

2.50  Schlesinqer. 

-  104  Gr.  Duo  brill,  sur  le  Guitarero,  VP  2— 

Hclilesinger. 

-  108   Troi.s    Fantaisies     sur     des     motifs    de 

M  a  s  i  n  i,  .'ims:  1.  Joins  te.s  petites  mains. 
2.  Fais  qu'il  ue  m'aime  pas.  3.  Belle  a  vous 
rendre  fous,  a  2 —  Schott. 

-  109  Trois  Melodies  italiennes,  varices, 

a   1.50  Schott. 
-110   Deux    Rondeaux     caracteristiques, 

1.  Le    Sonneur.      2.   Le  Gondolier,    a 
Simrock. 

-112  Divertissement,  ^ws  2.50  Simrock. 

-  113  Duo  brill.  2F  9—  A^oeL 
-114   Quatre     Melodies     exprcssiv6s,     P 

Simrock. 
-115  Fantaisie  sur  des  motifs  favoris.  P 
Grus. 

-  116    Fantaisie    italienne   .sur    des   motifs 

Mercadaute,  PV  3 —  Simrock. 
-117  Fantaisie   sur   les   plus  jolis   motifs   de 
Richard   Coeur-de-Liou,   PV   7.50 
Lemoine. 

-  1 18  Souvenirs  de  la  R  e  i  n  e  d  e  C  h  y  p  r  e, 

PV  9 —  Lemoinc,  3.50  Schlcstnger. 

-  118  Les  Trois  Soeurs,  VP:   1.  La  Gracieuse. 

2.  La  Seutiraentale.  3.  L'Enjou^'e,  a  7.50 
Heiif/el. 

-120   Douze    Melodies-Etudes,    PV    12—    Le- 
moine.  I — II  a  3.50  Simrock. 

-  124  Souvenirs  de  I'Op^ra  „Le  Code  noir"  de 

L.   Clapisson,  PV  3 —  Simrock. 

-  126  Variations  brillantes  .sur  des  motifs  de 

rOpera  .,Le  Code  noir"  de  L.  C  1  a  p  i  s- 
3  o  n,  Jfms  3 — •  Simrock. 

-  127  La  Serenade.  PVVc,  PIIauibKb   -^   3.50 

Leduc. 

-  127  Rondeau  ,sur  uu  motif  de  Don  Pasquale. 

P  6—  Grus,  1.75  Schott.  2.75  Ricordl. 

-  128  Duo  fantaisie,  FIV  10—  Noel. 

-  130   Huit    fantaisies-6tudes,     3f     livre.   PV 

20 —  Lemoine. 

-  131    Andante  et  Rondo   sur   Don    Pasquale, 

VP  4.25  Schott,  2.50  Cottrau,  6—  Ricordi. 

-  134  Don  Pasquale,  variazioni  brillanti, 

ims  2.25  Schott,  4—  Ricordi. 

-  135   Serenade   sur    La    Part  du    Diable,   PV 

3.25  Schott. 

-  137  Fantaisie  hc^roique  sur  Charles  VI,  PV 

9 —  Lemoine. 

-  140   L'Amiti^,     fantai.sie. 

3.25  Schott,  5—  Ricordi. 

-  143   Deux   mosalques    sur 

ni  as),  VP  a  9—  Leduc. 


2VP   9—    Leduc. 


Mina      (A.   T  h  o- 


158   Bri.ses 
progressifs 
iniramide, 
polonaise. 


-  144  Six  petits  morceaux  brillants,  PV,PFl: 

1.  Le  Seigneur  et  les  hirondelles.  2.  Bon- 
homme  Dimanehe.  3.  Batelifere  du  Rhin. 
4.  Je  veux  vous  plaire.  5.  Fete-Dieu  et 
Matines.  6.  Compliments  de  Normandie,  h 
0 —  Eveillard. 
-146  Don  Sebastian  o,  2  divertisse- 
ments, VP  a  2.75  Schott,  a  4.50  Ricordi. 

-  ^47    Quatorzieme    .serenade    sur    des    motifs 

de  L.  Puget,  VP  9—  Heugel. 

-  148  La   Polka  nationale,   VP  2.50  n   Gallet. 

-  149  Maria    di    Rohan,     fantaisie,    PV   9— 

Heugel,  3.50  Schott,  5.50  Ricordi. 
-151   Serenade  sur  Cagliostro   (Adam).   VP 
9 —  Heugel. 

-  152  Norma    (Bellini),   VP  3.50  n   Gallet. 

-  154   FoUette,     fantaisie    brillante,     VP   9— 

Leduc. 

d'ltalie,  20  duos  coneertants, 
et  m^lodiques,  VP:  N.  1.  Se- 
divertissement.  2.  I  Puritani, 
3.  L'Elisir  d'amore,  fantaisie- 
valse.  4.  Anna  Bolena,  duo  sentimental.  5. 
II  Turco  in  Italia,  fantaisie  bouffe.  6. 
Norma,  el6gie.  7.  Otello  de  Rossini,  air. 
8.  I  Capuleti  e  i  Monteechi,  caprice.  9.  La 
Gazza  ladra,  brindisi.  10.  L'ltaliana  in 
Algeri,  fantaisie.  11.  II  Pirata,  fantaisie 
h^roTque.  12.  Tancreui,  fantaisie  drama- 
tique.  13.  La  Straniera,  serenade.  14.  Don 
Giovanni,  nocturne.  15.  Mos&,  caprice  mili- 
taire.  16.  La  Vestale  de  S  p  o  n  t  i  n  i,  fan- 
taisie religieuse.  17.  La  Sonnambula,  va- 
riations. 18.  Chansonnette  Napolitaine, 
vari6e.  19.  La  Donna  del  Lago,  barcarolle. 
20.  Beatrice  di  Tenda,  variations,  a  2.50 
Joubert. 

-  161  Paquita,  fantaisie-valse,  PV  2.75  Schott. 

-  164  Antonia,  valse  brillante   (duo).  VP  2.50 

Joubert. 

-  165    Serenade    sur    les    Mousquetaires,    VP 

9 —   Lemoine,  3 —  Schlesinger. 
-166  Vell6da,  valse  brillante   (duo),  VP  2.50 

.loubert. 
-169  Melina,   valse  brillante    (duo),   VP  2.50 

■Joubert. 

-  173  Ne   touchez   pas   A   la  Reine.   VP  3.50  n 

Gallet. 

-  178   23me    serenade    sur    les   motifs   du   Val 

d'Andorre,  PV  9 —  Lemoine,  4 —  Bote. 

-  185  Les   Brises  d'ltalie,  vingt  duos  coneer- 

tants, VP:  1.  Semiramide.  2.  I  Puritani. 
3.  L'Elisire  d'amore.  4.  Anna  Bolena.  5. 
Turco  in  Italia.  6.  Norma.  7.  Otello.  8.  Ca- 
puletti.  9.  La  Gazza  ladra.  10.  L'ltaliana 
in  Algeri.  11.  H  Pirata.  12.  TancrMe.  13. 
La  Straniera.  14.  Don  Giovanni.  15.  Mosfe. 
16.  La  Vestale.  17.  La  Sonnambula.  18. 
Chanson  napolitaine.  19.  Donna  del  Lago. 
20.  Beatrice  di  Tenda,  a  6 —  Leduc. 

-  189  Deux  fantaisies  .sur  la  F6e  aux  Rosea, 

VP  a  7.50  Lemoine,  a  2.30  Schlesinger. 

-  191    Divertissement     sur     La    Filleule     des 

f4es  d'Adam,    IP   3.50  n   f'ostallat. 

-  194  Le  Caid,  fantaisie,  PI    9—  Heugel,  3.25 

Schott. 

198  Les  Porcherons,  fant.  VP  4 — n  Gallet. 
■  199    Les    Diamants,    25     petits    morceaux. 
Cornet fFl)P:    1.   Souvenir   d'enfance,   alle- 
gretto .sentimental.  2.  La  F^te  au  hameau; 
alia    pastorale.     3.   La   Tarentelle.      4.   Ro- 


Louis   N.  op.   lil'.l 


657     — 


Louis  N.  Etoile  du  Nord 


maiice.  variee.  5.  Valse  vari6e.  6.  Souvenir 
du  bal.  7.  Barcarolle.  8.  Retour  de  la 
chasse.  9.  Chanson  du  Muletier.  10.  Re- 
dowa  variee.  11.  Souvenir  de  Bretagne.  12. 
S^r^nade.  13.  Danse  des  F6es.  14.  Cavatino 
variee.  15.  Polka  gracieuse.  16.  Souvenir 
du  Tyrol.  17.  Reverie.  18.  Rondo  brillant. 
19.  Priere  et  Choeur.  20.  Mazurka.  21. 
Marche  h^roique.  22.  Bolero.  23.  Variations 
sentimentales.  24.  Nocturne.  25.  Galop 
triomphal,  ;1  6 —  Isoel. 

200    Le    Songe    d'une    nuit   d"6te,    fantaisie, 
'fnis  9 —  Heugel.  2 —  Schott. 
-201    S^r^nade    .sur    Giralda    (duo).    VP   5— 
■foiibert. 

206  IV.  Trio,  PVTc  6.70  n  Joiibert. 

-  206   Fantaisie  siir   la    Ghanteuse   voilee,    VP 

9 —  Lcmoine. 

-  208  Divertissement  sur  un  ballet  d'A  d  a  ni 

(Le  Diable  a  quatre),  VP  3 —  Boryiemann. 
-209   Souvenirs   de   BoTeldieu    (en   2   suites), 
VP  a  2.50  Bornemnnn. 

-  209  Caprice  sur  les  Deux   Nuits,   VP  cone. 

3 —  Bornemann. 
-214    Fantaisie    gracieuse    sur:    le    Corbeille 
d'oranges,    VP  2.30  Schlesinger. 

-  217  Les  Fleurs  du  bal,  3  valses.  VP    chac. 

2—  n  Oallet. 
-223   Fantaisie    sur  la   Perle    du    Bresil    (F 

David),  VP  7.50  Heugel. 
224  Le  Carillonneur   de   Bruges,    VP  4 —  u 

Gallet. 
-226   Divertis.sement   sur   le   Farfadet    (duo) 

VP  3—  Joiibert. 

-  227  Galath^e,  fant.  el^g.  VP  9—  Grus. 

231  Le  P6re  Gaillard,  fant.  VP  4—  n  Gallet. 
-232  Si  j'etais    roi    fAd.  Adam),    VP  9 — 
Ledtic. 

-  234   Stella,    divert,    sur    le    ballet   de    Saint- 

L6on  et  Pugni,   1    2.50  u  Fromo7it. 

236  Le  3  Nozze,  fantaisie,  PV  3.25  Schotl. 

237  Grand  duo  de  concert  sur  Si  j'etais  roi 
(Ad.  Adam).  ^?»,s  9 —  Leduc. 

■  239  Marco  Spada.  fantaisie,  PV  2.75  Schott. 

242  Fr&re  et  Soeur,  fantaisie.  VP:  1.  Theme 
allemand.  2.  Th&me  tyrolien,  a  6 —  Leduc. 

243  Rondo  hongrois,   VP  2.50  n   Gallet. 
-245  Fantaisie  bavaroise,  VP  3— n  Gallet. 

■  249   Fantaisie   brill,   sur   I'Etoile   du   Nord. 

VP  3 —  Schlesinger. 
261    Fantaisie    tyrolieuue.     theme     original. 

grandes    variations    concertantes     PV    9 — 

Girnd. 
264    Divertissement     sur     Manou     Lescaut 

(duo),   VP  3 — n  Jouberi. 

■  265  Fantaisie  brillante  sur  la  Fancljoiinette 

PV  9—  Lemoine. 
268    T  r  o  v  a  t  o  r  e,      fantaisie    dramatique. 
VP  5—  Ricordi. 

268  II  Trovatore.   fant.    VP  .'>—  Ricordi. 

269  La  Traviata,   fant.   VP  5 —  Ricordi. 

270  Ernani,  fant.   VP  5—  Ricordi. 

271  Entretiens  familiers.   pour  Harm   et  P. 
'Ml   3  suites,  chaque  2 —  Joubert. 

277  Simon    Boccanegra.    fant.    VP    -5 —    Ri- 
cordi. 

278  Rigoletto,    fant.    VP   7.50   Legouix.   5 — 
/I'tcordr 

279  Macbeth,   fant.   VP  5—  Ricordi. 

290  Attila,  fant.  VP  5—  Ricordi. 

291  T  Due  Fo.scari,  fant.  VP  5 —  Ricordi. 

rniversnl-HaiKlliuch  <ler  Mnsikliteratur.    L. 


-  Ricordi. 
Ricordi. 
VP   5—  Ri- 

Ricordi. 
A  d  a  m ) ,   en 
Leduc. 


-292  Lui.sa  Miller,  fant.   VP  5- 
•  293  I  Lombardi.  fant.  VP  5— 

-  294   I   Vespri    Siciliani,    fant. 

cordi. 

-  295  I  Masnadieri,  fant.  VP 
-Airs   de   Si   j'6tais    roi     (Ad. 

deux  suites,  chaque,  2V  7.50  

-  Arkansas  traveller  &  miller's  hornpipe,  VP 

— 35  Ditson. 

-  Au  Pied   do   la   croix,  lomance:    Une  eroix 

gothique   3 —  Lemoine. 

-  Barbier  de  Seville,  fant.  4?h,9  9 —  Benoit. 

-  Barbier  de  Seville,  hommage  k  Rossini, 

VP  concert.  9 —  Benoil. 
Beauty,   schottisch,   VP  — 35  Ditson. 

-  Beauty,  polka.  VP  — 35  Ditson. 

-Belle  Touraine,  romance:  O  ma  belle  Tou- 
raine  3 —  Lemoine. 

-  Berceuse,  valse,  P  1 —  Ricordi. 
Bridal  wreath,  polka  —40  Brainard. 

-  Captif  aux  Arenes  2.50  Lemoine, 

-  Catarina,  quadr.  5 — ,  l^ms  6 —  Grus. 

-  C^n^rentola,   fant   VP  concert.   9 —  BenoH. 
-Cent  romances  en  4  suites,  V,  chac.   1.75  u 

Gallet. 

-  Chalets,  quadr.  5 — ,  j^ms  6 —  Grus. 

-  Charming  set  of  cotillions,  VP  — 35  Ditson. 

-  Chartreuse,  quadr.  5 — ,  Jfms  6 —  Grus. 

-  Chere  enfant,  ehansonnette  2.50  Heugel. 

-  Ch^ri,    quadr.    trfes    fac.    1.75  n,    4ms    2 — n 

Gallet. 

-  Ch&vie,  quadriglie,  Iims  3 —  Mariani. 

-  Coquette,  polka,    VP  — 35  Ditson. 

-  Coronation,   march,   VP  — 35  Ditson. 

-  Cricket,  polka,   VP  — 35  Ditson. 

-  Dame     blanche,     fant.      VP     concert.      9 — 

Benoit. 
Dancing  on    the   Hat  boat,   P  — 40,   illustr. 
title  — 35  Ditson. 

-  Departed  days.  noct.  V  — 25.  arr.  by  W.  L. 

Haydn,  G  — 40.    ///«.»••  — 50  Brainard. 

-  Detroit,  .schott.  VP  —35  Ditson. 

-Les  Diamants.  25  petits  morceaux,  VP: 
1.  Souvenir  d'enfance,  allegretto  senti- 
mental. 2.  La  Fete  au  hameau,  alia  pasto- 
rale. 3.  Tarentelle.  4.  Romance  variee.  5. 
Valse  variee.  6.  Souvenir  du  bal.  7.  Bar- 
carolle. 8.  Retour  de  la  chasse.  9.  Chanson 
du  Muletier.  10.  Redowa  variee.  11.  Sou- 
venir do  Bretagne.  12.  Serenade.  13.  Danse 
des  F^ies.  14.  Cavatine  variee.  15.  Polka 
graeieu.se.  16.  Souvenir  du  Tyrol.  17. 
Reverie.  18.  Rondo  brillant.  19.  Priere  et 
Choeur.  20.  Mazurka.  21.  Marche  h^roique. 
22.  Bolero.  23.  Variations  sentimentales. 
24.   Nocturne.   25.   Galop   triomphal.   a    6 — 

Don      P  a  s  q  u  a  1  e,      divertis.sement, 

4.50  Grus,   1.25  Ricordi. 
Don    Pasquale.     quadr.    .5 — , 

Grus. 
■Don     Pasquale.     variations. 

Grus. 
Dream,  galop,  P  — 40  Brainard. 
Echo   des   lagunes,    16    pet.    airs, 

a  5 —  Lemoine. 
Enfant     Prodigue,     fant.     VP   concert.    9— 

Benoit. 
Etoile     du     Nord.     fant.     VP   concert.    12— 

Benoit. 

42 


Jwt.s 


!fnis 


VP 


6— 


9— 


V.    I— TV 


Louis  N.  3  Etudes 


658 


Louis  N.  Voyage  aerien 


-  3  Etudes,  P :   La  Berceuse.  La  Sauteuse.  La 

Tarentelle,  a  3 —  Heugel. 

-  Evening  star,   waltz,    VP  — 35   Ditson. 

-  12  Exercices  recreatifs  sur  le  Brasseur 

de    Preston    (A.    Adam;,    V,    I — II    il 
2 —  n  Costallat. 
-Fanclionnette,   airs,   2V  9 —  Lemorne. 
2e    Faataisie     mignonne,     VP    concert.    6 — 
Benoit. 

-  Fantaisie    sur    le    Barbier    de  Seville.    VP 

2.50  n  Joubert. 

•  Fantaisie      sur      les     Bourguignonnes,     VP 

2.50  n  Joubert. 

•  Fantaisie    sur   le   Cafe   du  Roi,     17*   2.50  n 

Joubert. 

-  Fantaisie   sur   Oberon,    VP   2.50  n   Joubert. 
-F6e   aux   roses,   airs,   2V  9 —  Lemoine. 

-  Fgte  au  Village,  quadr.  5 — ,  Jims  6 —  Grus. 

-  Feuilles  d'automne,  2  suites  de  valses  si  5 — 

Grus. 
-Fille  dxi  Regiment,  mosaique,   V  1.50 
Schott. 

-  Fleur      du     Prissonnier,     romance:     Douce 

fleur  2.50  Lemoine. 

-  Fleurettes,  6  valses  2 —  n  Gallet. 

-  Fleurs  d'hiver,  six  valses  et  un  galop,   '/ms 

9—  Noel. 

-  Fleurs  d'hiver,  six  valses  et  un  galop  7.50 

Noel. 
■  Giselle  (motifs  de  B  u  r  g  m  ii  1 1  e  r) ,  quadr. 
1.75  n,  4i^,8  2 — n  Gallet. 

-  Gracieuses,  suite  de  valses,  P  6 —  Leduc. 

-  Grand   medley   cotillions,    VP   —35   Ditson. 
-Grande  Harmonie,  V,  I— III  h  1.20  Schott. 

-  Hamburg,  polka,  VP  — 35  Ditson. 

-  Home   amusements,    20   pieces,    VP   a   — 35 

Ditson. 
-Huguenots,     divertissement,     PVc     2— 

Scliott. 
-Huguenots,    3    divertissements,    VP    il 

6 —  Benoit. 
-Huguenots,  3   pet.   f ant.   V  6- —  Benoit. 

-  Indiana,  polka,  VP  — 35  Ditson 

-  Intrigue,  quadr.  trfes  fac.  1.75  n 

Gallet. 

-  Je  t'aimerai  sans  cesse,  Ch.  s.  — 20  Borne- 

mann,  — 25  n  Labbe. 
-Jerusalem   (Verdi),  fantaisie  dramatique, 
VP  7.50  Eeugel. 

-  Jolie  glaneuse,  valse  5 — ,  4ms  6 —  Leduc. 

-  J  u  i  f  -  E  r  r  a  n  t,     f  ant.     VP    concert.     9 — 

Bejioit. 

-  Laughing  heart,  galoj),  P  — 40  Brainard. 

-  Leona,  waltz,   VP  — 35  Ditson. 
-Linda      di      Chamounix.      quadrilles 

brillantes,    VFlFlag (Cornet)    ad   lib.    N.    1 
bis  2  a  2.50  Ricordi. 
-Lucie     d  e     L  a  m  m  e  r  m  o  o  r,     FIP     9 — 
Grus. 

-  Ma  champagne,   raelodie  2.50   Heugel. 

-  Ma    Champagne,      quadr.      5 — ,      .^ms     6 — 

Heugel. 

-  Malheur  a  moi,  av.  G  — 40  n,  Ch.  s.  — 20  n 

Labbe. 

-  Marie-Tlierese,   opera,   ChP  20 —  n  Joubert. 
-Martyrs,     8     mosalques,     V,     I — II     a    1.25 

Schott. 
-Meditation,   Jfrns  — 40   Jurgenson. 
•  Melodic  hongroise  de   F  r.  L  i  s  z  t,   VP  6 — 

Lediic. 
"M^thode,  V   IH—  Benoit. 


Ifms 


-  Meunier  de  Sauterne,  quadr.  5 — ,  J^ms  6 — 

Grus. 

-  Mignonnetta    (Le    reseda),    rondo    (arr.   by 

H.   R  0  s  e  1 1  e  n) ,   P  — 40  Brainard. 

-  Mignons    du    roy    Henri,    ballet    de    salon, 

theorie    de    E.    de    Sain  t-L  o  u  i  s     2 —  n 
Gallet. 

-  Mimi,    quadr.    tr6s    fac.    1.75  n,      ^ms   2 — n 

Gallet. 

-  Montagnarde    au    Depart,    variations,     VP 

conc>jrt.    7.50   Benoit. 

■  Mountain  belle,  schott    VP  — 35  Ditson. 

■  Musique  militaire,   V,  I — V  a  —90   Schott. 

-  My  own,  schott.   VP  —35  Ditson. 

-  Ne   foulez   que   pas   des   Fleurs,   variations, 

VP  concert.   9 —   Benoit. 

-  Paquerettes,    quadr.    fac.    1.75  n    Gallet. 

-  Part  du   Diable,  serenade,   VP  concert.  9 — 

Benoit. 

-  Petit  Trompette,  quadr.  5 — ,  .Jms  6 —  Grus. 

-  3  Polkas  5—  Noel. 

-Prophfete,  fant.  VP  concert.  9 —  Benoit. 

-  I'uss,   polka,   VP  — 35   Ditson. 

-  R  i  g  o  1  e  1 1  o,    fant.    VP    7.50    Grus. 
-Robert   le   Diable,   3    recreations,    VP 

h.  6 —  Benoit. 
-Robert  le  Diable,  3   pet.   fant.   V  6— 
Benoit. 

-  Ronde    des    Bergers,    quadrille    1 —    Schott. 

-  Rondo,   P   6 —   Alleton. 

-  Rose,   polka,   VP  — 35   Ditson. 

-  Rose  et   Blanche,   2   valses  a   3.75   Grus. 
-Si  j'etais   roi    (Ad.   Adam),   ouv.  2V  6 — 

Leduc. 
-Si    j'etais    roi    (Ad.    Adam),    quadr.    4.50 
Leduc. 

-  Sirfene,   serenade,    VP    concert.   9 —   Benoit. 

-  Soirees  de  salon,  quadr.  5 — ,  ^ms  6 —  Gru^. 

-  Sois    libre,     sois     heureux,     Ch.  s.     — 25  n 

Labbe. 

-  Solo   de  violon   7.50   Sulzbach. 

-  S  o  m  n  a  m  b  u  1  e.     VP    3.25    Schott,    3—  n 

Gallet. 

-  St.  Louis,  polka,   VP  — 35  Ditson. 

-  Sunny   hours,   waltz,   VP  — 35   Ditson. 

-  Sunrise,  schott.   VP  — 35   Ditson. 

-  Sweetbrier,   polka   — 40   Brainard. 
-Traviata,    fant.    VP    concert.    7.50    Be- 
noit. 

-  Tremblante,   valse   1 —  Ricordi. 

-  T  r  o  V  a  t  o  r  e,   gr.   duo,   2P   12^ —   Benoit. 

■  Une    enfant,    ballade :      Engagez    qui    vous 

plaira  2.50  Lemoine. 

-  Une    Soiree    a   Baden,    valses.    VP    concert. 

7.50  Benoit. 

-  V  a  1  d'A  n  d  o  r  e,  airs,  2V  9 —   Lemoine. 

-  Valse   de   la   Boite   de   Pandore,    VP   2.50  n 

Joubert. 

-  6   Valses   brill,   sur   la   Figurante   de   C 1  a- 

p  i  s  s  o  n.  If  ins  5 —  Girod. 

-  Variaciones    sobre    motivos    de    Lucia,    Jf^^is 

2 —  n   Dotesio. 

■  Vgpres  Siciliennes,   PV   7.50  Sulzbach. 

-  Vieux  Sapin    (Die  alte  Eiche),  melodie  av. 

P(G)  —50  Schott. 

-  Voyage  aerien,  grande  valse  6 — ,  en  feuille 

2.50  Heugel. 


^ouis  N.   Voyage  airien 


—     659     — 


Louise  The  Scented  Vine 


-  Voyage     airien,      valse     triomphale     — 50 

Schott. 

-  Voyageur,    quadrille    1 —   Schott. 

-  Yankee  Doodle,  schott.   VP  — 35  Ditson. 

-  Z  a  m  p  a,   fant.    VP  9 —  Grus. 

-  Z  e  r  1  i  n  e,    fant.    VP    concert.    9 —   Benoit. 
Louis    N.    et    Coninx,      Fanchonnette, 

fant.   FIP  9 —   Lemoine. 
Louis    N.    et    Leduc    Alph.    Contemporaines, 
trois     fantaisies,     VP:     1.     Ma     corvetti, 
mes  amours.  2.  Au  p'tit  bonheur.  3.  Redis 
a  ta  grand'm&re,  k  6 —  Leduc. 

-  3  Divertissements  militaires,   VP  a  6 —  Le- 

duc. 

-  3   Fantaisies   elegantes,    VP :    1.   Dors,   mon 

ange.      2.    Th^me    de    Norma.      3.    Fleurs 
d'Orient,  k  6 —  Leduc. 
Fille  de  la  valine,  fantaisie,  VP  6 —  Leduc. 

-  3  Genres,  trois  fantaisies,  VP :   1.  Chanson 

napolitaine.  2.  Air  hongrois.  3.  Air  floren- 
tin,  a  6 —  Leduc. 

Priez   pour   elle   et   Rossignol   et  Fauvette, 
fantaisie   brillante,    VP    7.50    Leduc. 

-  Retour  de  la   fleur,  6legie,   VP  7.50  Leduc. 

Louis   N.   pt   Lemoine,   op.   10  Souvenirs  du 
Pr6  aux   Clercs,   VP  9 —   Grus. 

-  26   Thfeme   original,    VP   7.50   Griis. 

-  28    Souvenirs     du    M6ne.strel,     3    nocturnes 

sur  des  motifs  favoris,  VP  k  7.50  Grus. 

-  103  Favorite,  fant.  brill.   VP  9—  Grus. 

-  131    Don   Pasquale,   fant.   VP  9—  Grus. 

-  159  Guillaume  Tell,  serenade,  VP  9 —  Grus. 
Louis    N.    et    Osborne    G.    A.    Fantaisies   et 

Variations  concertantes,   VP:    1.   sur  Tor- 

quato    Tasso.    2.    sur    L'Elisir    d'amore.    3. 

sur  Roberto  Devereux,   a  4.50  Ricordi. 
Louis   N.   et   Veny,   Richard   Coeur   de 

Lion,    fant.    PHautb    7.50   Lemoine. 
Louis  O.  Joubert:  Balda,  valse  de  Massage, 

VP  2.50  n. 

-  Catarina,    valse    de    L  i  t  o  1  f  f ,    VP    2.50  n. 

-  Chanson  italienne  de  la  Gazza  Ladra,   VP 

2.50. 

-  Fantaisie  sur  Guillaume  Tell  de  G  r  e  t  r  v, 

VP  2.50  n. 

-  Fantaisie  sur   Don   Juan,   VP  2.50. 

-  Fantaisie  sur  Felix  ou  I'Enfant  trouve,  VP 

2.50. 

-  Fantaisie   sur   Helena,    VP  2.50. 

-  Fantaisie  sur  la  FlQte  enehant^e,  VP  2.50. 

-  Fantaisie    sur    Iphigenie     en     Aulide,     VP 

2.50. 

-  Fantaisie   sur   la   Norma,    VP   2.50. 

-  Fantaisie    sur    Monsieur    des    Chalumeaux, 

VP  2.50. 
Fantaisie  sur   Jean   de   Paris,   VP  2.50. 

-  Fantaisie  sur  I'ltalienne  a  Alger,  VP  2.50. 

-  Fantaisie   sur   la   Cantinifere,    VP   2.50  n. 

-  Fantaisie    sur    Semiramis,    VP    2.50. 

-  Fantaisie   sur   les   Noces   de   Fernande,    VP 

2.50. 

-  Fantaisie    sur    les    Noces     de     Figaro,     VP 

2.50. 

-  Fantaisie   sur  Othello,   VP  2.50. 

-  Fantaisie    sur   Panurge,    de    G  r  e  t  r  y.    VP 

2.50. 

-  Fantaisie    sur    le    Prince     de     Catane,     VP 

2.50. 


VP 

2.50. 
2.50. 


VP 


2.50. 


M) 


-  Fantaisie  sur  le  Richard  Coeur-de-Lion,   V 

P  2.50. 

-  Fantaisie  sur   la  Roussotte,   VP  2.50. 

-  Fantaisie   sur   la   Somnambule,    VP   2.50. 

-  Fantaisie  sur  les  Voltigeurs  de  la  32e,  VP 

2.50. 

-  Indiana,     valse    de     Marcailhou, 

2.50. 

-  Libellules,  valse  de  d  e  L  e  e  u  w,  VP 
■  Mouette,  valse  de  Perronnet,  VP 

-  Nymphes,   valse  de  N  a  t  i  f ,   VP  2.50. 

-  Onde,   valse   de   F  1  a  m  i  n  i  o,    VP   2.50. 

-  Pastorale    d'Euryanthe,    VP    2.50. 
-Pour  Elle,  valse,   VP  2.50. 

-  Torrent,     valse     de     Marcailhou, 

2.50. 

-  Valse   des   Cloches   de   Corneville,    VP 

-  Valse  d'HeloTse  et  Ab^lard,   VP  2.50. 

-  Valse  de  Niniche,   VP  2.50. 
Louis    P.    Der    feine   Wilhelm,    Walzer 

Ealmt. 

-  Mai-Roscben,   kleine    vierhandige   Original- 

stiicke  fiir  zwei  a'ugehende  Spieler  des  P, 
Lieferung   I— III    k    2—,    Nr.    k   —75,    IV 
1 —  Kahnt. 
•  Petit    Tambour-Quadrille    — 75    Kahnt. 

-  Pol-Paul,   Quadr.   5 —  Joubert. 

-  Tausendschon,     Zyklus    der     angenehmsten 

Lieder-Melodien  in  leichter  und  eleganter 
Transkription  f.  P:  I.  1.  Zumsteeg: 
Blilmchen  Tausendschon.  2.  Weihnachts- 
lied.  3.  K  ii  c  k  e  n  :  Gretelein.  4.  Schu- 
bert:   StUndchen. 

II.  1.  Mozart:  Komm  lieber  Mai  und 
niache.  2.  Leipoldt:  Du  wunderscho- 
nes  Kind.  3.  Choral :  „Befiehl  du  deine 
Wege".  4.  Choral :  „Wer  nur  den  lieben 
Gott".  5.  Mendelssohn  -  B  a  r- 
tholdy:  Duett:  „Ich  wollt'  meine  Liebe 
ergosse   sich". 

III.  1.  Jetzt  geh'  i  an's  Briinnele.  2. 
G  u  m  b  e  r  t :  Die  TrUne.  3.  D  i  a  b  e  1 1  i : 
Am  ersten  Mai.  4.  K  ii  c  k  e  n  :  Gut'  Nacht, 
fahr  wohl  mein  treues  Herz,  I — III  k  1 — 
Kahnt. 

Louis  Rud.  (1870),  Lieder :  Nr.  1.  Auf  dem 
Kirehhof  (Avenarius)  — 80.  Nr.  2. 
Das  Kind  (H  ebb  el)  1—.  Nr.  3.  Das 
Grab  —80.  Nr.  4.  Waldteich  (Rennen) 
1 —  Som-mermeyer. 

-Proteus,  symphonische  Fantasia,  0  u. 
Org,   Part  24 —  n,   St    36 —  n   Feuchtinger. 

-  Zum  Hochzeitstage,   Albumblatt,   ^ms  - — 75 

Beyer. 
Louis  V.   Brise  du   Soir   3 —  Katto. 

Louis-Denys,  Premiere  valse,  valse  de  salon 
6—   Noel. 

-  Promise,   quadrille   sur   la   chansonnette  de 

M  a  r  i  e  1 1  i   5 —   Noel. 

-  Regrets  de  Mignon,  P  6 —  Alleton. 
Louis,    Marchal    et    MLinchs,   Musique    mili- 

taire,   4    suites,    cliaque    1.80  n   Schott. 
Louis   et    Mathieu,   Hoir.mage   a   Rossini, 

FIP  9—  Benoit. 
Louisa,   romance   1 —  n   Joubert. 
Louisberg,     Roderieh      Dhu,     quadrille     on 

Scotch    Airs    4/ —    Paterson. 
Louise;,    The    Scented    Vine    2/ —    Boosey. 

42* 


Louisella 


(ifiO     — 


Louys  K.  Arfje  et  Demon 


Sonates,    AltoBassc    9 —    Le- 


Lcgouix. 
nuptiale 


1.35 


Louisella,    Neap.    Folkesang    — 17    l^ordish 

Mv^kforlag. 
Louiser  2/—  n  8hcard. 

Louisette,   m^lodie    1 —  n   Jouhert. 

Leukine    W.    op.    3      Lofjendc      yT('''7>     fia 

— 40   Jurgcnson. 
-II.   Ballade,   Ua    1.70  ii  Lemoine. 

-  Valse  du  ballet  „L  a  belle  a  u  b  o  i  s  d  o  r- 

mant"     (T  s  c  h  a  i  k  o  w  s  k  y) ,    Ha     — 60 
Jurgenson. 
Lou  lay   E.  de,   Fountain   of  pearls  — .50  Dif- 

S077 . 

Loulie,    op.    6 

goni.r. 

-  10  ."donates,  AltoBassr  9 — 

Loullier-Leveque,      Marclie 
Schott   Fi'dres. 

Loulou,   chausouuette    1 — u   Joubcrl. 

Loulou,    valse   — 85  n    Eveillard. 

Loumey    Aug.   Ditsov :    All   throuoh   a   son^ 
—35. 

-Alpine   rose.s,   polka    (arr.)    —20. 

-Barcarolle     (\^'aldteiifel) .    waltz    — :^0    Gor- 
don. 

-  Bertie's   waltz   — 40. 
-Bertie's   waltz    (Tran:^(r. )    — 35. 

-Bridal  chorus    (Loheufirin) ,   67ns  — 60,  arr. 
by  W.  P.   F  e  n  i  m  o  r  e,  6'wts  — 50. 

-  Brida-l    choru.s    (Lohengrin),   P   — 25. 
-Carry    mv    back    to    ole    Virginnv    (Bland), 

P  -^35. 
-Claude    Duval     (Solomon),     potp.     P     —75 
Gordo7i. 

-  Daisy  bright  eyes,  waltz  — 35. 

-  Day   dream   march   — 30   Gordon. 

-  Dollie's   wedding    march   — 35. 

-Dolores    (Waldtcufel^    waltz   — 30    Gordo^i. 
-Dream  faces    (Hutchinson),   /'  — 35. 

35. 


-35. 


P 


-  Dreaming   of  home  &   mother,   /' 

-  Ehren  on  the  Ehine    (Transcr.)    /' 

-  Entrancement,   waltz  — 35    Gordon. 

-  Fairy  tales,   waltz    (Faust)    — 25. 

-  Fernwood,    waltz    — 40. 

-  Flow    gently,     sweet     Aftou     (Tran.scr 

—35. 

-  Grandma's  pet.   polka  — 35. 

-  Green    Mountain.s   waltzes"    (Faust)    20. 

-Happy   by   the   dreams    (Transcr.),   P   —35. 

-  Happy    shepherdess,    P    — 35. 

-  Happy,  waltz  — 40. 

- 1  love  to  hear  the  nightingale  — 35. 

-  Jeunesse    dor^e     (Waldteufel) ,    waltz     — 30 

Gordon. 
-Largo    (Handel),  P  —20. 

-  Little  bird,  come  to  me  — 35. 

-  Little    friends,   waltz   — 30    Gordon. 

-  Love   your   neighbour  — 35. 

-  Love's    whisper,    waltz    — 40. 

-  Love's   young   dream,   march   — 40. 

-  Merry    mountain    lad,    march    — 35. 

-  Merry  roundelay,  polka  rondo  — 35  Chvrch. 
-Merry  snowflakes,  valse  brill.  — 50. 
-Merry  War    (Strauss),  waltz  — 30  Gor- 
don. 

-  Morning  on    the   .\lps,   /'  — 35. 
-Music   at   twilight,    reverie,    P   — (30. 

-My  dream  (Waidt.eufel) .  waltz  —30  4ordoii. 

-  My    Mignonette    — 35. 


—60. 
Gordon^ 


—40. 
Gordon. 
Gordon, 


'//ns    or 


v.  — 30n 


n     Socidte 


-  Old    musician   &   hisharp,   P  — 35. 

-  Over  the  garden   wall,   P  —30   Gordon. 

-  Patience     (Sullivan),    waltz    —30    Gor- 

don. 

-  Picnic,   galop  — 35. 

-Pilgrim    chorus    (Tannhiiuser),    P   —20. 

-  Pretty   Girls'   march  — 35. 

-  Pussy's  concert  waltz  —40,  J,ms(6ms)  —50. 
-Haven,   waltz    (La  tour)    — 25. 

-  Serenade    (Schubert),    easy    transcr.    P 

— 50,   transcr.    eleg.    P  — 50. 
Shadows  on  the  water,   reverie,  P 

-  Sirenes    (Waldteufel),    waltz    —30 

-  Smile,  waltz  brill,  arr.   — 40. 

-  Star   of   Glengary,    P  —30. 

-  Sweet    recollections,    tyrolieune,    /' 

-  To   thee,   waltz    (Waldteufel)    —30 

-  Violettes  (Waldteufel),  waltz  —.30 

-  Virtuoso,    march   — 35. 

-  Woodbine,   waltz   — 40. 

-  Woodland,    pleasures    march    — 35, 

O'w.9    — 50,    2P    1 — ,    Cabinet-Orglfms    —80. 
Loup,    chansonnette   — 30  n    Joubert. 
Loup  de   mer,  chanson  type  — 30  n  Jouhert. 
Loup   et   I'Agneau,   2  voix  — 50  Debert. 
Loup    n'y   est   pas    1 —   Joubert. 
Loups    1 —    Joubrrl. 
Loups   de    Berlin    1 —   Joubert. 
Loups-garous  — 30  Jonberl. 
Lourdez  A.  Abel  5 —  S^ulzbach. 

-  Esclave.   maz.   chant^e   1.70  n,   CT. 

Eveillard. 

-  Joyeux     rendez-vous,     polka     1 

nouvelle. 

-  Serenade   e.spagnole    1.50  11   Fromonl. 

-  Si  j'6tais  riche  3 —  Mennes^on. 

-  St.    Cyrienne,    polka-militaire    6 —   Joubert. 

Lourie  J.  op.  1.  <I>aHTa3iii  11  iioabKU  Masypna 

— -75  Mx.ikoicskt. 

-  2    Chansons   sans   paroles  —50   IdzikowskL 
Loustallot,    Bouquet,    pas    red.    Harm    3 — n 

Evcltc. 

-  Dardar.   pas   red.    Harm   3 — n   Evetle. 

-  Messe    basse.    Part    12 —  n    Evetic. 

-  Si   la   sol,   pas   red.    Harm    3 —  n    Evette. 
Louvain-Bonnoure     Mme.      Solf&ge    destine. 

y ou I  <lle-Ed.ition-V&r\9>. 
Louvel   Marc,  Dana  le  bois  d'Viroflay  1 — n, 
Gh.   s.   — 35  n   Puigellier. 

-  Fleur    du    Tyrol    1— n,    Ch.  s.    — 35  u    Pui- 

gellier. 
Louvier  J.    H.   Nuit  d'ete    1. 

-  Scherzo,   P  2 —  Janin. 

-  Si.x    pages    d'album,    P    5- 

-  Soupirs    1.70  n    Serpeille. 

-  Sous  bois,  duo  1.70  n  Serpeille. 

-  Toccata,    P    .3 —  n    SocietS    cooperative. 
Louvois  A.   de,  Voga,   Maria!  ^75  Ricordi. 

Louyai    B.  Korhely,  csSrdfis  2—  Meri  Belle. 

-  Raticza,  csftrdSs  2 —  Meri  Belle. 
Louys,   F#te   villageoise,   P   1.70   Kochly. 

-  Fileuse.    morceau    de   salon,    P   2 —   Kochly. 
Louys    A.      Dahlia,    maz.    de    salon      1.75  n 

Gallcl. 

-  2  Pieces.  Org  3 —  Loret. 

Louys  K.  Ange  et  D6mon,  valse  leute  de 
J.  B.  B  o  1  d  i,  arr.  pour  0  av.  P  cond. 
lleiigel. 


.50  n   Serpeille. 
n    Serpeille. 


Louys  K.  Coutillon 


661 


Lovejoy  G.  W.  Mary  Moore 


-Coutillon     (le    Cotillon),    chans.    limousine 
1.50  n    Gullet. 

-  Impressions    de    vacauces,      divertissements 

iac.  VP:  1.  Gay  boujour.  mazurka.  2. 
Prifire  du  matin,  adag.,  3.  La  Basse-Cour, 
sujet  imit.,  4.  La  Poup6e,  valse  calme,  5. 
Le  Diabolo,  pizzic,  6.  Sur  le  ruisseau, 
barcar.,  7.  La  Eonde,  roudino,  S.  En 
marche,  marcietta,  9.  Contes  de  Grand'- 
Mfire,  gavotte,  10.  L'Homme  au  sable,  ber- 
ceuse, u  1.50  n  Gallet. 

-  Parfums   obli6s,   valse   2 — n   Gallet. 

Louzada,      A     Inspiracao     de     Therezopolis, 
valsa    1 —    Guimaraes. 

Lovassy    Sandor,    Ez    a 

— 60  n   Nddor. 
Lovati  Gaetano.  Ricordi: 

cale,  ossia  Principl  elementari  di  musiea, 
compilati  per  I'infanzia.  Dedicato  all  ■ 
madri    di    famiglia    3 —  n. 

-  Amante  Veneziana   3 — . 

-  Cosa  voglio   1.50. 

-  II    Dubbio,    romauza    2 — . 

-  Introduzione    al    Canto,    24    ariette    20 — : 


pohar     szJnig     tele 
Abbeeedario  musi- 


Morti 
1.50.   N. 


m- 
4. 


5.  Eternamente  1.25. 


N.    1.    II    Desiderio    1.25.    N.    2. 

sieme   1.50.  N.   3.  La   Serenata 

Triste  istoria  1.25.  N. 

N.  6.  La  Madre  1.50.  N.   7.  L'Amore  1.25. 

N.  8.  La  Dichiarazioue  1.25.  N.  9.  II  Tra- 

gitto   1.50.  N.   10.  Evviva  I'amore  1.50.  N. 

11.  Ad  un'  Orfana  1.50.  N.   12.  II  Ritorno 

del   Soldato    1.50.    N.    13.    Amore    1.25.    N. 

14.   La   Coscieuza    1.25.   N.    15.   La   Musiea 

1.25.    N.    16.    La    Fioraia    2—.    N.    17.    II 

Uimprovero  1 — .  N.  18.  La  Divina  Provvi- 

denza    2 — .    N.    19.    Amor    furtivo    2 — .    N. 

20.    Un    Sogno    d'nmore    1.50.    N.    21.    Uu 

Eario    1 — .    N.    22.     Kicordati    di    me    2 — . 

N.   23.    L'Orfauella    2—.   N.   24.    Tl    (Jolgota 
.) 

-La   suddetta   opera    in    Chiiive   di    sol    12—. 
1— II    6—.    Ill— IV    9—. 

-  Mi    disse    un    pasture    quand'era    bambina, 

romanza    1.25. 

-  Omagio    3.50. 

-  Scuola     coUettiva    di    Canto,     sulfeggi    el* - 

mentari    preceduti    da    Scale   e   Salti,    com- 
posti   con    Basso   numeratu   4 — . 

-  Ti    sovvien?    romanza    2.50. 

-  Waltz  ed   uuo   continuato   detto   La    Caccia 

2.25. 
Lovati-Cazzulani    C.    Ricordi:    Alia    tomba, 
/'    1.50. 

-  Alia   Vittoria,   marcia    1.50. 

-  Artiglieria,,    P    1 — .■ 

-  Desolata    2 — . 

-  Di',   t'amo   1.50. 

-  II  Cieco  mendicaute   1.50. 

-  II  Disinganno  2.50. 

-  Inno    di    Guerra    2.50. 
-Italia,   marcia    1.50. 

-  Lieto    palpita    3 — . 

-  4    Melodien    5 — :    N. 


romanza    2.50.    N.   2. 


1.    Fior    clie    muore. 
Per    te    non    v'fe,    vo- 
Fuggiamo !     romauza 
canzone    1.50. 


manza     1.50.    N.    3. 
2 — .   N.   4.   Nina   mia 

-  Quando  ti  vidi  2.50. 

-  Reminiscenze  di   Sau   Biagio.   /'  3.50. 


-  .Sempre  t'amai !   3.50. 

-  Un   ricordo,   nocturno,   /'   2^ — . 

Love    (song  and  dance)    — /2   Ascherberg. 

Love  me,  dear,  as  I  love  you  2/ —  n  Sheard. 

Love  me  just  a  little.  Sue  (Bonheur's  Kin- 
dergarten Series  N.  7),  P  — /6  n,  with 
Banjo  2/ —  n   Hheurd. 

Love   me   like   you   used   2/ —  n   Sheard. 

Love  me,  love  me,  honey,  do  2/- —  n  8heard. 

Love   me,   love  me,   Lou   2/ —  n   Sheard. 

Love    is    not   for   a    day   2/ —  n    Sheard. 

Love    Lane,   ballad   — /4   Sheard. 

Love   Lane,  polka,  Jfms  — /2  Sheard. 

Love  Letters  (On  a  bright  summer's  mor- 
ning) ,  song  and  dance  — /2  Sheard. 

Love    Letters,    schottische   — /2   Ascherber^j. 

Love   lingers  yet  2, —  n  Sheard. 

Love    not,    quickstep    — 10    Gordon. 

Love    of    my    boyhood    days    2, —  n    Sheard. 

Love's   Parting   2/ — n   Sheard. 

Love's  Serenade  (B6nheur's  Kindergarten 
Series  N.  6),  P  — /6  n  Sheard. 

Love,  Sounds,  from  the  Brazos,  waltzes,  /' 
— 10  National  Music  Co. 

Love   star,   polka   — 10   Brainard. 

Love    was    once   — '2    Hcpwood. 

Love  Ch.  E.  Crou  n.  schottische  3, —  Whtl- 
tinghatn. 

-  Lovers   Yet  4, —    Whittinghuia. 

-  Merry   soldier   Boy,   P   3/ —  Donajowski. 
-Sonatina    (F),    P  3/ —   Whittingham. 
Love    James,    The    Psalms    in    History,      & 

Biography,     extr.    from    Rev.    Dr.    K  e  r's 
book   — /4   Bat/ley. 

-  What    are    these,   old    not.   — /VI-.   Pater  son. 
Loved  Voices  once  again  2/ — n  Sheard. 
Loveday     Herbert    G.    Cecily    Serenade,    P 

(Morrice  Music  Publ.  Co.)    2/ — n  Broome. 

-  Communion     Service       1/ —    Abbott,      — 50 

Schirmer    jr. 

-  Fear  not.  O  Land    (Harvest  anthem)   — /3  n 

Vincent. 

-  Gertrude,    alia    capriccio,    P    (Morrice    Mu- 

sic  Publ.   Co.)    2/ — n    Broome. 

-  Golden   Dawn  — /2  Broome. 

-  Love's    Melody    (Morrice   Music    Publ.    Co.) 

2/ —  n   Broome. 

-  Magdalen   and   Margaret,   P    (Morrice  Mu- 

sic Publ.  Co.)  2/ — n  Broome. 

-  Mariner's   Star  — /2   Broome. 

-  Rosalys,  P  (Morrice  Music  Publ.  Co.)   2/ — n 

Broome. 

-  Sea -Serpent,   unison   — /I    Vurwen. 

Lovegrove  H.  God  bless  my  boy  to-night, 
song    and   chorus   — 40   Brainard. 

Lovejoy  G.  W.  Beautiful  W^est,  song  and 
chorus  — 35   Ditson. 

-  Blue  Bell,  polka  —10  Nat.  Music  Co. 

-  Blushes    of    the    morning,    caprice,    P    — 50 

Brainard. 

-  Brightest  hope,  P  — 60  Ditson. 

-  Clinton,  waltz  — 10  Nat.  Music  Co. 

-  Giant  Killer's  March  — 10  Nat.   Music  Co. 

-  Kangaroo,   polka  — 10   Nat.   Music  Co. 

-  Little    Folks',    polka    or    waltz    —10    Nat. 

Music  Co. 

-  Lulu,  polka  — 10  Nat.  Music  Co. 

-  Marv  Moore,  sontr  and  chorus  — 40  Ditson. 


Lovejoy  G.  W.  Minnesota, 


—     662 


Lover  So  Ldve  in  my  heart 


-  Minnesota,  quickstep,  P  — 50  Brainard. 

-  Mosquito,  waltz  — 10  Nat.  Music  Co. 

-  Never  Tire,  waltz  — 10  Nat.  Music  Co. 
-O  Love  in   the  West  —35   White. 

-  Puss    in    the   Corner,   polka    — 10    National 

Mtisic    Co. 
Lovell    E.    W.    Tough    Club    March,    and    J. 

Z  i  m  m  e  r  m  a  u  n,    Fortuna-March,    FullO 

1—,   H   Instr  —80,   10   Instr  —60,    V,   P, 

Cornet  a  — 30  Standard. 
Lovell   Geo.   A.   op.   5   In   fancy's  fields    (10 

char,    pieces),    VP    1/6  n    Williamft. 
-6  Six  dance  intermezzi,   VP  1/6  n  Williams. 

-  6  Charact.  pieces,  VP  1/ —  n  Ashdown. 

-  3   Fishermen,   3  trebles  — ■/4   Ashdoum. 

-  Gavotte,     MandP      (arr.     by     J.    Scott- 

B  u  r  n  e)   3/ —  Ashdoum. 

-  Intermezzo   et   minuetto,   P  4/- —   Ashdown. 

-  My   gum   tree   canoe   4/ —   Ashdown. 

-  Oranges  &  lemons   4/ —   Ashdown. 

-  Russian    Serenade,     MandP     (arr.     by     J. 

S  c  o  t  t-B  u  r  n  e)    3/—,  2MandG  3/—  Ash- 
down. 

-  Spinning  wheel,  in  C  and  F  4/ —  Ashdown. 
Loveland    B.    W.    A    New-born    King     — 75 

Church. 

-  Silent   Stars    (2   keys)    a  —60   Church. 
-Sing,  O  heavens   (Christmas),  8ATB  — 15  n 

('h2irch. 
Lovell i    P.  Romanze,  VcP  3/ —  Augener. 
Lovely-Chassai,    Agla6,    redowa    5 —    Qirod. 

-  Asni&res,   polka   2.50   Girod. 

-  Euphrosie,    schott.    5—    Girod. 

-  Jardin  d'hiver,  schott.  2.50  Girod. 
-Mathilde,  schott.  4—  Girod. 

-  Sainte  Cecile,  polka  2.50  Girod. 

Lovely   Flowers,   a   concert  action   song   for 

girls  2/ —  n  Bayley. 
Lovely    Mona    (National    Manx    Song)    — /2 

Hheard. 
Lovely   Roses,  waltz  — /2  Hopwood. 
Lovely  Viault   Mme.  Graziella    (d'aprfes  La- 

raartine)    1.70  n    Roux. 
Loven   N.   E.  Blomster  vignetter   1.50  Gchr- 

man. 

-  For  sent  — 25  Warmuth. 

-  Fughetta,   P  — 25    Wa'tmuth. 

-  2    Praeludier    og    Fugaer,    Org    1.50    War 

ninth. 
Lovenberg    Chas.    Advent   of   Spring,    serio 
comic   fantasia,    FullO    1.80,    1^   pts.    1.50, 
10  pts.   1.20,  P  p.  —40  Church. 

-  Descriptive     Piece,    Tallyho,      FullO     1.50, 

IJ,   Instr   1.25,    10   Instr    1—,    P   ace.   —30 
Standard. 

-  Greenroom  Echoes,  medley  overture,  FtillO 

1.25,  U  Instr  1—,   10  Instr  —80,   P  —30 
Fischer. 

-  Im   tiefen   Keller,    Fant.      FtdlO    1.25,      1^ 

Instr  1—,   10   Instr  —75,  P  —30  Fischer. 

-  In  the  deep  cellar,  paraphr.  mO  1 —  Fischer. 

-  Pansies,  P  —50,  FullO  1.10,  U  Instr  —90, 

10  Instr  — 75,  P  —25  Fischer. 
Practical  Mandolin  School,  an  improved 
modern  system  of  Mand  Instruction.  Con- 
taining: Rudiments  of  Music,  exercises 
in  all  positions,  progressive  studies,  com- 
plete  collection    of   beautiftil    compositions 


and  operatic  Melodies  for  1,  2  and  SMand 
1 —  n   Fischer. 
■  Medley,    a,  royal    Flush,     FullO    1.50,     H 
Instr  1.25,  10  Instr  1—,  P  ace.  —40  Stan- 
dard. 

Mississippi  Fling,  mO  1 —  Fischer,  and 
T  h  e  o.  M  o  s  e  s-T  o  b  a  n  i,  op.  259,  FullO 
1—,  J//  Instr  —80,  10  Instr  —60,  P  —15 
Fisch  er. 

My  Old  Kentucky  Home,  fant.  FullO  1.25, 
/.'/  pts.  1—,  10  pts.  —75,  P  p.  —25 
Church. 

-  Nigger   in   the   Barnyard,   descript.   conglo- 

meration,   mO    2 — ,    FullO    1.50,    14    Instr 
1.25,  10  Instr  1—,  P  —30  Fischer. 

-  Rocked   in   the   Cradle   of   the   Deep,   descr. 

paraphr.   mO   1.50   Fischer.  , 

-  Roundelay  of  nursery  rhymes,  8ATB  — 12  n 

Church. 

-  Sleep,  dolly  darling,  unison  — /P/2  Curwen. 
-Yankee  Doodle,  fant.   FullO   1.25,  lli  .Instr 

1—,  10  Instr  —75,  P  ace.  —25  Standard, 
Lovenskiold,   op.   17   Songe   d'ltalie,   12   im- 
provisations    caract^ristiques      en     forme 
d'etudes,   P   5 —  n   Costallat. 
L0venskjold    H.    S.    S0rgemar6ch    til    Minde 

om  Carl  XIV  Johan  —40  By. 
Lover  Samuel,  Annie  o'  the  Banks  o'  Dee, 
or    the    Song     of    the    Day-dreamer     — /2 
Sheard. 

-  Angel's  Whisper  in   B  flat  or   G   3/—  Dujf. 

— /2  Sheard,  1/6  n  WicJcins,  —30  Willig. 

-  Barney   o'    Hea,    SATB   — /2    Curwen,   4/— 

Orpheus,    2/6    Wickins,   — 35    Ditson,   —30 
Gordo7i. 

-  Belle  of  the  Convent   (Convent  belle)    — 6* 

Brainard. 
Birth  of  St.  Patrick,  com.   Irish  song  —40 
Brainard. 

-  Bowld   Soge   Boy   — /2   Sheard,     —30   Gor- 

don, w.  G  1/ —  n  Turner. 

-  Bridge    of    sighs    (&    Adams,    Castles    in 

the   airs)    — 25   Brainard. 

■  Fairy  boy  4/ —  Duff. 

-  Fairy  boy    (Irish)    — 30   Gordon. 

-  Fairy   isle  — 25   Brainard. 

-  Fairy   Tempter    3/ —   Duff. 

-  Farewell   the  — /2   Sheard. 

-  Fountain    and    the    flower    — /6  n    Atigener. 

-  Four-Leaved  Shamrock  in  E  flat  or  C  3/ — 

Duff,    1/6  n    Wicldns,   —40   Ditson. 

-  Girl  I  left  behind  me,  nat.  irish  song  — 40 

Brainard,    —35    Ditson,    Gordon. 

-  Guardship  4/ —  Cramer. 
-Hour  before  Day  3/—  Duff. 

-  How  to  ask   and  have  4/ —  Williams,  — 30 

Church. 

-  I    know    that    the    summer    is    come      — 40 

Brainard. 

-  I'm    not   myself   at   all,    Mollie   dear     —50 

Brainard,  — 35   Gordon. 

-  Land  of  the  West  3/—  Duff,  —50  Brainard, 

w.   G    1/ — n   Turner. 

-  Lane  Waltzes  — 30   Echo  Music  Co. 

-  Live   in   my   heart    and   pay   no   rent   — 25 

Brainard,  — 30  Gordon. 


Lover  S.    Loto  back'd  car 


—     663     — 


Lovreglio  D.  op.  46 


-  Low    back'd    car    3/ —   Ashdoicn,   — 35    Dit- 

son,  — 10  Nat.  Music  Co.,  w.  G  If—  Tur- 
ner,  mO  — 50   Coleman. 

-  Mariner's  daughter  — 35  Bitson. 

-  May  dew  3/ —  Duf,  — 35  Ditson. 

-  Molly  Bawn  3/ —  /)■?<#,  1/6  n  Wickins,  —40 

Brainard,   Ditson. 
-Molly    Carew     (Och,    hone!    Oh,    what    will 
I  do?)   2/—  Boosey,  3/—  Duff. 

-  My    Mother    Dear    4/—   Duff,   — /2    Sheard, 

2/6  n  Wickins,  —40  Brainard,  — 30  Gor- 
don. 

-  Never  despair,  Irish  motto  song  and  chorus 

— 50   Brainard. 
-0  don't  you  remember  the  beautiful  glade? 
Irish,   SA   — 60   Brainard. 

-  O  Native  Music  3/—  Duff. 

-  Paddy's  pastoral  rhapsody  2/ —  Ascherberg. 

-  Quarrels,     duet    for    male    and    fem.     — /2 

SUieard. 

-  lU'.ry    0'    More,      album    of    famous    soni^s 

]/— n  Augener,  3/—  Duff,  —12  Kohisr, 
Sheard,  — 40  Brainard,  — 30  Ditson,  Gor- 
don,  Williq. 

-  Soldier's    March,    arr.    for    small    hands   by 

J.    E  o  c  h  a  r  d    2/—,    ^ms    3/—    Ashdown. 

-  Songs     (Cavendish    Music    Books    97)     1/ — 

Boosep. 

-  16  Songs  of  Handy  Andy   1/—  Sheard. 

-  True  love  can   ne'er  forget  — 50   Brainard. 
-What    will    you    do,    love?    3/—   Dnff.    —2 

Broome,  Kohler,  Sheard,  — 40  Brainard, 
—35   Ditson,   Ellis,  —30  Gordon,  Willifi. 

-When  first  T  over  the  mountain  t-rod  1/ — n 
Aufjener. 

-When   sweet  music  1/ — n  Augener. 

-  Widow  Machree  — /2  Kohler,  Sheard,  with 

G    1/ — n    Turner,   — 35    Ditson. 
Loverde   de  Angelis  G.   Se  fosse  mia!!   3 — 

Izzo. 
Loveri    V.    Ricordi:   Op.   13   XTu   lungo   desi- 

derio,  trio  per  Salone  sulla  Campana  del- 

I'Eremitaggio    di    Sarria,    VVcP    8 —    Ri- 

cordi. 

-  24  La  Gioconda,  traserizione,   VcP  6 — . 

-  30   Reminiscenze   della   Forza   del    Destine, 

con   P,  2VcP  6—. 

-  A  1  d  a,  fant.   VcP  6—. 

-  Amour  et  malheur,  P2Vc  7.50  Sanlojanni. 

-3  Bozzetti  musicali  caratteristici,  VcP  : 
N.  1.  II  Brio,  rondoletto  de'  Contadini 
3.25.  N.  2.  II  Pentimento,  preghiera  della 
sera  3.25.  N.  3.  II  Vulcano,  le  mine 
d'un'eruzione   3 — . 

-  Del   Capotasto   fermo,   esercizi   e   studi    per 

Vc,  tratti  dalle  opere  di  L.  B  o  c  c  h  e  r  i  n  i 
5 — ,  I — II  a   3.50  Carisch. 

-  Primo   corso   pratico   e   progressive   per   Vc 

corredato   di    una    raccolta    di    opere   das- 
siche  e  studj  di  noti  Violoncellisti   nonchft 
di  alcuui  cenni  storici  5 —  n  Forlwesi. 
Levering   Junior,   Addie,  waltz  — 30   White. 

Loverock  Nellie,  Man  that  is  born  of  a 
Woman,  Burial  Serv.  TTBB  — /3  Novello. 

Lovey   W.   C.   Mazurka    (7),   P   1.50   Litolff. 
Lovic    Georg,   Eosmarin    1 —   Bosworth. 
-  So   niancher    kommt   verbei    1 —    Bosworth. 


Loviduc,    La   sympatique,   maz.   Banda   —20 

Neupnrth. 
Lovie  Alexandre,  op.  1   Polka  chromatique, 
P  5 —  Grus. 

-  2   Eondo-valse,    P    7.50    Grus. 

-  8  Un  rayon  de  bonheur,  caprice  eleg.  P  6— 

Girod. 

-  10  Le  E(§veil  de  I'enfant,  P  5—  Girod. 

-  11    Caprice   pastoral,   P   5 —   Girod. 

-  12   Eondo,   maz.    de   concert   6—   Girod. 

-  17   L'Endiable,   grand   galop   6 —  Noel. 
-18   Fantaisie-caprice,   P   2.50  n    Cosiullat. 
-19   Menuet-Scherzo,   P    1.70  u    Costallat. 

-  Echos   de   Provence,   quadr.   4.50   Girod. 

-  Endiabl^,  galop  6 —  Noel. 
-Impromptu-Gavotte,    P    1.70  n    Costallat. 

-  Melodic   champetre,   capr.    P   6 —   Sulzhach. 

-  Notre-Dame   des   lumi&res,   cantique,    /S   av. 

POrg   1.70  n   Born,emann. 

-  Offertoire      solennel,      Org(HJ      2 — u      Co- 

stallat. 

-  Polka  des  Momies,  polka  6 —  Girod. 

Loving  friend  — /2  Ascherlerg. 

^OBiiHCKiif  n.     BapKapo.i.ii;i  mys.  MeH^e.ib- 

cona.     MeJio^eK.!  — 60  Dawingotc. 
-  ITpomaHie.     MeJIO/^eKa  — 40  Dawingow. 
.jMarche  funebre"  Mya.  IIIoiieH.a.     MeJio,?ieKJi 

— 60  Dawingoio. 
Lovreglio    D.      Ricordi:      Op.    9    Capriccio, 
sopra  motivi  dei  Lombardi  e  dei  Due  Fos- 
cari,  FIP  4—. 

-  10  Laddio   Notturno,   FIP   3 —   Carisch. 
-12     S  o  n  n  a  m  b  u  1  a,      divertimento,      FIP 

3.50. 

-  13  Norma,   melodie  variate,   FIP   6 — . 

-  14  Fantasia  brillante  sulla  Jone,  FIP  6 — . 

-  15   Capriccio   fantastico   sul   Eigoletto,   FIP 

6—. 

-  17    Divertimento    brillante    sulla    Traviata, 

FIP  2.50. 

-  18  Fieri  napolitani,  divertimento,  FIP  3.50. 

-  19    Fantasia    sul    Pollute,     FIP    4—,     colli 

parte   del    Ft   facilitata   4 — . 

-  20  Fantasia  sulla  Sonnambula,  FIP  4 — . 

-  21    I   Lombardi,   divertimento,   FIP  4—. 

-  22    1.    Toccatina,    snlla     Lucrezia     Borgia, 

FIP  2  50. 

-  23   I   Vespri   Sicilian!,   capriccio,   FIP   4.50. 

-  24   luno   Garibaldi   di   A.   0  1  i  v  i  e  r  i,   tra- 

scritto  e  variato,  FIP  3.50. 

-  30  II  bouquet  di   Garibaldi,   fantasia  mill- 

tare,  FIP  3.50. 

-  31    Divertimento    sul    Ballo     in     maschera, 

FIP  S—. 
-39   Duetto  concertate,   sulla  Norma,  FIVP, 
FIIIP,   FlVcP   a   a— . 

-  40    Gran    Duetto    di    Concerto,    sul    Simon 

Boccanegra,  FICIP  7—. 

-  41   L'Ece  di  Napoli,  capriccio,  FIP  8 — . 

-  42   Fantasia   sulla   Forza   del   Destine,   FIP 

5—. 

-  43  Fantasia  sopra  motivi  del  Ballo  in  mas- 

chera,  FIP   5—. 

-  44   Fantasia,    sul    Ballo    in    maschera,    ObP 

6—. 
-45   Traviata,    fantasia,    CIP    6 — . 

-  46  Ballo  in  maschera,  fantasia.   CIP 


Lovreglio  D.  op.  47 


—     ()64 


Lowe  J.  Overture 


-  47  2.   Divertimento  sul   Ballo  in  maschera, 

FIP  4.50. 

-  48  Maria  Stuarda,  fantasia,  CIP  6 — . 

-  49   Fantasia,   sulla    Marta,   FIP   6 — . 

-  64  Divertimento  sulln  Virginia  di  M  e  r  c  a- 

dante,    FIP   4—. 

-  79  Piccola  Fantasia  sul  Don  Carlo,  Fl(2FJ) 

P  6— . 
-80    Piceola    Fantasia,    sull'Aida,    Fl(2Fl)P 

-  Fantasia   sull'Elnava   2 — ,  sul   Vespro   Sici- 

liano    1.50,    sul    Simon    Boccanegra     1.50. 
suU'Aroldo   2 —   Cottrau. 

-  3  Toccatine,  FIP:  1.  Uu  Ballo  in  mascher.i. 

2.  Simon  Boccanegra.  3.  Aroldo,  a  2.50. 

-  3    Toccatine,    sopra    motivi    d'opere   di    P  e 

trella,    FIP:      1.    L'Assedio     di     Leida. 
2.  Jone.  3.  Morosina,  tl  2 — . 

-  Trio  sulla  Traviata  per  2FIP  2—  Cottrau. 
Low   J.      At    the    spinning    wheel,    Jfms   — 35 

Ditson. 

-  Dulcimer   Instructor   — 50   Ditson. 

-  Gai    Chardoueret,    plaisanterie    musical.    P 

— 50    Wagner   y    Levien. 

-  German    waltz    — 50    Ditson. 

-  Morning  Dream  of  the  Eose,  P  — 30  Willig. 

-  Musicians'    Serenade,    -'fins   — 75    White. 

-  Eoguisli   eyes,  valse  — 60   Ditson. 

-  Students    Festival    March    — 40    Willig. 

-  Sweet   Eepose,   P   — 40    Willig. 

-  Valse   brill.   —60   Ditson. 

Low  Reg.  Father !  — /6  Francis. 

Lowack  Paul,  Suum  cuique,  Festinarsf-ii 
1.20  P.  Fischer. 

Lowden  Frank  T.  By  the  Tliver  4/ —  Will- 
cocks. 

Lowden   M.   Farewell  Waltz  — 40   Brainard. 

-  Volunteer's    march,    P   — 40    Brainard. 
Lowe    Albert.      Nor>ello:      Brightly    gleam- 

our   banner    — /^s   Curtven. 

-  Earth    is   the   Lord's,    harvest    anthem.    HA 

TB  — /3. 

-  Faithful   hearts   2,  ~. 

-  Holy   is   the   seedtime    (Harvest)    — /2. 

-  Hosannah,   christmas    anthem,    8ATB   — /3. 

-  Lord    is   my    strength,    8ATB   — /3. 

-  Lord  of  every  land  &   nation.  uni.son  — /2. 

-  Pensee   poetique,    P    1/6. 

-  Saviour,   blessed   saviour   — /I. 

-  Te  Deum,  easy  chant  service  — /2. 

Lowe  C.  Egerton,  op.  90  N.  3.  S  c  h  u  b  e  r  I's 

Impromptu    (G),    VcP   4/ —    Weekes. 
-A  jolly   set  of  boys  — /4    Forspth. 

-  A  Song  of  Jubilee   (unison,  ladies  or  boys) 

— /I   Weekes. 

-6  Album  Leaves  in  the  1st  position,  VP: 
1.  March  in  B  flat.  2.  Barcarolle  in  G. 
3.  Gavotte  in  F.  4.  Hunting  Song  in  G. 
5.  Waltz  in  D.  6.  Rondino  in  A  Minor,  a 
1/6  n   Weekes. 

-Classical  Transcriptions,  VP:  N.  1.  Bee- 
thoven: Sonatina  in  G  3/ — .  N.  2.  B  e  e- 
thoveni  Sonatina  in  F  3/ — .  N.  3.  Han- 
del: I  know  that  my  Redeemer  liveth 
3/—.  N.  4.  Haydn:  With  Verdure  clad 
,3/ — .  N.  5.  Mendelssohn:  But  the 
Lord  is  mindful  3/ — .  N.  6.  Mendels- 
sohn:      Nocturne,      from      ., Midsummer 


Night's  Dream"  4/—.  N.  7.  Men  d  e  1  s- 
s  o  h  n  :  Six  Christmas  Pieces  (A  Christ- 
mas Present)  3/ — .  N.  8.  Rossini: 
Prayer  from  „Moses  in  Egypt"  3/^.  N.  9. 
Schubert:  Ave  Maria  :>, — .  N.  10. 
Schubert:  Impromptu  in  G,  op.  90, 
N.  3  4/—.  N.  11.  Schumann:  Triiu- 
merei  (Dreaming)  2/ — .  N.  12.  Spohr: 
As   pants   the    Hart    3/ —    Weekes. 

-  Daisies  Waltz,   J/ms  3/- —   Weekes. 

-  Diabelli's  28  Melodious  Exerc,  op.  149.   IP 

1/6  n   Weekes. 

-  Dittyland  Songs  for  Children  1/ —  Weekes. 

-Favourite  Sacred  Melodies,  VcP:  1.  Men- 
delssohn: But  the  Lord  is  mindful, 
2.  Handel:  I  know  that  my  Redeemer 
liveth,  3.  Spohr:  As  pants  the  Hart, 
4.  Schubert:  Ave  Maria,  5.  Haydn: 
With  Verdure  clad,  6.  Rossini:  Prayer 
from    „Moses    in    Egypt",   a    3/ —    Weekes. 

-  How  Cheery  are  the  Mariners  4/ —  Weeke.'i. 

-  Impromptu   Gavotte,   VP  4/ —  Weekes. 
Junior    Violinist.    VP.    4  books    ft   1/6    No- 

vello. 

-  Lessons    in    Harmonics    for    Violinists    and 

other  Musical  Students,  with  notes  on 
Sound  and  Resultants,  Elementary  Expla- 
nations and  Experiments  1/ —  Novello. 

-  Little   Bo-Peep,   a    fairy   operetta    for   chil- 

dren, Voc.  score  1/ —  u  Novello. 
-Mazurka    (G-m. ),yP,     Chanot. 

-  Salvum   fac  regem   1/ —  Novello. 

-  Scale  and  Arpeggio  Manual  for  the  Violin, 

consisting  of  the  complete  Major  and  Mi- 
nor Scales  (the  latter  in  the  melodious 
and  harmonic  forms)  and  Arpeggios  of 
the  Common  Chords  and  the  Dominant 
and   Diminished   7ths  2/ —  Weekes. 

-  Traumerei        (Schumann),        VcP      2  — 

Weekes. 
Wild  Flowers,   waltz  4/ —   Weekes. 

-  Will  you  be  my  Sweetheart?  1/ — n  Weekes. 

Lowe  G.  Egerton,  Exercises  for  Facilita- 
ting Fingering  Independence  in  P,  Scal-^- 
Playing   — /6    Weekes. 

Lowe  Hel.  Fr.  Ditson:  Op.  10  Butterfly  (Li 
Mariposa),   valse  brill.   — -50. 

-  12   Meadow   brook   hunt,   two-step.    P  — 50. 

-  14  Red  bird,  capr.  P  —40. 

-  17  True  blue,  march  — 50. 

-  17  Merry  moments,  waltz  — 50. 

-  Dance  of  the  whip-poor-will,  polka  — 40. 

-  Whisperings    of   spring,    waltz   — 60. 
Lowe    James,    Hear    my    voice,    verse,    ATB 

— /4   Novello. 

-  Three    Subjects      from    G  o  u  n  o  d's     Messe 

solennelle,  PH  (or  Amer.  Org)  1/— n  Do- 
7}ajoicski. 

Lowe  Jessie,  Four  Album  Leaves,  P  4/ — 
Duff. 

Lowe  Joseph.  Patcrson:  Celebrated  Collec- 
tion of  Reels,  Strathspeys  etc.  P,  6  books 
a  2/— n,  in  1  vol.  15/— n. 

-  Country  Dances  etc.  4/ — . 

-  Highland   Schottisches,   P  2/—. 

-  Love-Bird,  waltz  4/ — . 

-  Overture    to    Guy    Mannering,    ^ms   4/ — . 


Lowe  J.  ReMs 


—     665 


Lowthian  C.  Bitter  Sweet 


-  Reels,   Strathspeys,   Jigs   etc.   Jfrns,  2  books 

a  2/—  n,  V  — /6  n. 

-  Royal  Collection   of  Reels,  Strathspeys  etc. 

P,  in   1    vol.   7,6  n,   or   in  2  books  h  2/6  n. 

-  Select    Airs    for    Calisthenic    Exercises.    P 

2/6. 

-  Selection  of  Popular  Country  Dances.  High- 

land  Schottisches  etc.   2/ —  n. 

-  Varsoviaua.    P    1/6. 

Lowe  J.  W.  Une  FSte  Rustique,  intermezzo, 
VP  2/6  n   Ascherherg. 

Lowe  Mabel,  Las  Floras,  maz.  4 —  Pater- 
son. 

-  Tennessee  belle,   barn  dance  3/ —  Ashdown. 

-  When  all  the  World  is  young  Lad,  2  keys 

2/ —  Craniir. 
Lowe    Richard.    Zutusfeeg:    Op.    11    Gondo- 
liera    1.20. 

-  15   Wiegenlied    1 — . 

-16  Graduate   (8sL),  Part  l—u. 

Loweinski  D.  Clot:  Op.  1  Les  Brises  dans 
la  feuill6e,  6  melodies  transcrites  et  va- 
rices, faciles  et  soigneusement  doigt^es,  P  : 
N.  1.  B^nis,  chante,  aime  Dieu,  de  H  e  i- 
t  e  r  4 — .  N.  2.  Gentil  ramier,  reste  avec 
moi,  de  H  e  i  t  e  r  5 — .  N.  3.  Sur  une 
tombe,  de  Philibert  5 — .  N.  4.  Dors 
enfant,  de  Philibert  5 — .  N.  5.  Le 
bonheur  sur  terre  est  un  regard  de  Dieu, 
de  Philibert  5—.  N.  6.  Melodies  ara- 
bes    5 — . 

-  Belle   Audalouse,   styrienue,   P   6 — . 

-  II  n'est  plus,  nocturne,  P  5 — . 

-  Po^me  pastoral,  P  6 — . 

Lowell  A.  Alpine  maid's  song,  idylle,  P 
—35    White. 

-  Dawn,   waltz   — 35   Ditson. 

-  Heaven's  me.ssenger,  waltz,  jffms — 75  Ditson. 

-  Heavenly  messenger,  waltz  — 50  Ditson. 
Lowell    Ettie   S.   The   lonely   tomb    (Easter) 

— 15    Thompson. 
Lowell    F,    Volunteer's    farewell,    patr.    song 

and   chorus  — 40   Brainard. 
Lowell   G.   L.  True  love  makes  — 50  Bloom. 

Lower)  B.  Bonnie  Robin  — 50  Nat.  Mtis.  Co. 

-  My   love,   she   loves   but  me  — 50   National 

Mtisic  Co. 
Lowen   &  Gillespie,   Way  of  a   man  M-ith   a 

maid   — 50   Nat.    Music  Co. 
Lowen   &   Rosales,  My  morning  glory  — 50 

Nat.  Music  Co. 
Lowen  Tom,  Keep  on !  Keep  on  !   Keep  on ! 

— /6   Fra  ncis. 
Lower  J.  L.  Cheer  for  the  West,  quart.  — 40 

Brainard. 

-  No  night  there,  8C  —35  Ditson. 

Lower  Samuel,  Barney  O'Hea  4/ —  Chappell. 
Deep  sea   shell   2/^   Chappell. 

-  My  gondoletta,  duet  2/6  Chappell. 

-  Paddy   Blake's   echo   3/—    Chappell. 
Lowet   L.  Quatre   Ages  2.50  Katto. 
Lowetinski     A.    Romance    sans    paroles,     P 

— 80  BosiDorth. 
Lowett  J.  D.  Weeping,  waltz  — 40  Brainard. 
Lowitz  D.  A.  Rock  of  ages  (G  o  tt  s  c  h  a  1  k) , 

quart.   — 35   Ditson. 
Lowitz  W.  W.  A 

-  Autumu  leaf.    P  — 40  Ditson. 


Fair  exchange  — 40  Ditson. 


-  Forfeits  — 50  Pond, 

-  His   Favorite   Flower   — 40    Ditson. 

-  Leap  year  — 50   Ditson. 

-  Reve    d'Amour     (The    Dream    of    Love),    P 

— 50   Ditson. 

-  She  is  not  fair  — 50  Pond. 

-  Sweetest   eyes    2/ —  n    Sheard. 

Lowler  C.  B.  Mick  who  threw  the  brick, 
march,    mO    — 50    Royal    Music    Co. 

Lowndes  Florence,  op.  1  Dance  Espagnol, 
PV  2,6   Novello. 

-  2  Moto  Perpetuo,  PV  2/6  Novello. 

-  3  Uugarisch,    PV  2/6  Novello. 

Lowne  R.  Beglad,  to  earth  this  day  — /I 
Curicen. 

-  Song  of  the  Mariner,  8ATB  — /4  n  Vincent. 
Lowrey    H.   W.   Home  of  my   father,   quart. 

— 50  Brainard. 
Lowry    John,    Judge    not    a  man    3/ —    Ash- 

dotvn. 
Lowry   Rev.    R.   A   Year   ago  — -/^l.  Ciirwen. 

-  As  the  year  rolls  round  — /'/2  Curicen. 

-  Christ  arose  — I'-j-,  Curwen. 

-  Dear    Lord,    I  Need    Thee   — j^j,   Curwen. 

-  Gates  of  Day,  2  easter-anthems  and  several 

hymn   tunes   — /3   Curwen. 

-  Glory,    Honour,    Praise    and    Power     (and 

C  y  m  p  s  o  u,  Glad  Tidings)  (The  Empire 
Anthem  Book   N.    18)    — /I   Pitman. 

-  Gone   to  the   gra\e   is   our   loved  one  — /'/^ 

Curwen. 
-Hark!   what  mean  those  — /2  Kohler. 

-  Hurra  along   boys,   SCTB   — /'/;;   Curwen. 

-  I  was  glad   (&  Blake,  The  King  of  Love) 

(The  Empire  Anthem  Book  N.  32)  —/I 
Pitman. 

-  Never  shone  a  light  — /IV-j  Curwen. 

-  Praise  ye  Jehovah  — l^j^  Curwen. 

-  Praise  ye  the  Lord  — l^jn  Curwen. 

-  Resurrection,    easter   anthem   — /3    Curwen. 

-  Shall   we  know   each   other  there  ?  song  or 

duet  with  chorus  — 35   Gordon. 

-  Shout  aloud   all   ye  lands  — j'-j^  Curwen. 
Lowry    R.    &    F.    James,    Prince    of    Peace, 

choruses  and  hymns  with  solos  — /3  Cur- 
icen. 

Lowry  S.  C.  T  could  not  do  without  Thee 
2 —  Novello. 

Lowther  Toupie,  Break,  break,  break  4/ — 
Chappell. 

Lowthian  Caroline,  A  Grave  in  the  Snow 
4/ —  Cramer. 

-  A  Maid  of  Kent,  waltz  2/ —  Boosey. 

-  After   long   years   4/ —   Chappell. 

-  Al   fresco,  country  dance  4/ —  Chappell. 

-  Andorinha,    valsa    — 50    Neuparth. 

-  At   evensong  4/ —   Chappell. 

-  Auf    Wiedersehen,    waltz    (also    JfmsJ    4/—, 

FullO,  Part  1/6,  sept.  Part  1/—.  extra 
parts   a,   — /3    Francis. 

-  Beauties'    Daughters,     waltz    4/ — ,      FuUO 

2/ —  n,  sept.  1/ —  n,  separ.  (String  &  Cor- 
net) parts  — /3  n  Chappell. 

-  Bitter  Sweet,  song,  FullO  1/6  n,  sepL  1/ — n, 

Sep.   parts  — /3  n   Cramer. 

-  Bitter  Sweet,  waltz  4/—,   (arr.  by  Small- 

w  0  o  d)  1/ —  Cramer,  — 65  Ditson,  — iO 
Ellis,   — 60    Cordon,   — 40    Fonesca,    {Doce 


Lowthian  C.  Bitter  S/ceet 


666     — 


Lowthian  C.  Under  the  Hawthorn 


amargo)  — 60  Neuparth,  1 —  Warmuth, 
.',ms  41—,  FullO  1/6  n,  sept.  1/— n,  sep. 
parts  — /3  n,  mO  2/6  n,  hlO  2/—  n,  single 
parts  2/ — n  Cramer,  mO  5/ —  Hatukes. 
■  Black  and  Tan,  polka  4/—  Chappell,  — 35 
Ditson,  Ellis,  Jfins  4/—  Chappell,  V,  Fl, 
Cornet,  Mand  —15,  CornetP  —40,  MandG, 
MandP  i  —50  Ellis,  FullO  2/—  n,  sept. 
1/—  n,  sep.  (String  &  Cornet)  parts  — /3  n 
Chappell. 

-  Black    and    Tan,    polka     (&    Sous  a.    Gla- 

diator March),  FullO  1—,  H  pts.  —75, 
iO  pts,  —60,  VCori!e«P  —30,  VP  —25, 
P  — 15  Coleman. 

-  Bourree,  P  3/ —  Forsyth. 

-  Cobwebs  Maz.  4/ —  Cramer. 

-  Contadina,   P   4/ —   Metzler. 

-  Coquelicot-Polka   1.75  n   Durand,  — 15   Jur- 

genson. 

-  Crosspatch,    polka    4/—,     FvllO    1/6,     sept. 

Part  1/ — ,  extra  parts  a  — 3  Francis. 

-  Danse  de  Ballet,  P  3/—  Forsyth.' 

-  Elaine,  waltz  4/—,  FullO  1/6  n,  sept.  1/— ti. 

extra  pts.  a  — /3,  mO  2  6  n.  extra  pts.  a 
— /3  n  Paterscn. 

-  Encore   une   Fois,   waltz   4/—,   FullO    1/6  n, 

sept.   1/— n,  extra  pts.  a  — /3  Paterson. 

-  rahr  wohl,  waltz  4/ —  Chappell. 

-  Fan   Dance,   P   4/ —   Metzler. 

-  Farewell,    yet    not    farewell    4/ —    Chappell. 
-Fiorine,  waltz,   P(lims)    4/—,   FullO  2/— n, 

sept.  1/ —  n,  separ.  (String  &  Cornet)  pts. 
— /3  n  Chappell. 

-  Fleurs   de   beaut6,   valse  2 —  n   Diirand. 
-For    Old    Sake's    Sake,    waltz    4/—,    PwZiO, 

Part  1/6,  sept.  Part  1/—,  extra  pts.  a  — /3 
Francis. 

-  Gates  of  the  west  4/—  Chappell,  —50  Dit- 

son, Gordon,  — 10  Nat.  Music  Co..  duet, 
,SS   4/—   Chappell. 

-  Hilgring-Vals  1 —  Elkan. 

-  In  April  4/ —  Chappell.  ■ 

-  In    the    moonlight,     graceful     dance     4/ — 

Cramer. 

-  Indian   Summer,   Walzer   — 30   Lyre. 

-  Jackanapes,  polka  4/—,  FullO  2/—  n,  sept. 

1/ — n,     separ.     (String    &    Cornet)    parts 
— /3  n   Chappell. 
■  Japanese  Dance  4/ —   Chappell. 

-  Long   ago,   waltz   4/—,    FullO   2/ —  n,    sept. 

1— n,  separ.  (String  &  Cornet)  parts 
— /3  n   Chappell. 

-  Lullaby,     waltz     4/—,     (arr.     by    Small- 

wood)  1/—,  FullO  1/6  n,  sept.  1/— n, 
single  parts  — /3  n,  mO  2/6  n,  hlO  2/—  n, 
separ.   parts  — /3  n   Cramer. 

-  Marguerite,  waltz  in  A  flat   (orig.)   or  in  A 

(with  Cornet  part)  or  in  G  4/ — ,  (arr. 
by  S  m  a  1 1  w  o  o  d)  1/ — .  4ms  4/ —  Cramer, 
CornetP  —85  White,  FullO  1/6  n,  sept. 
1/ —  n,  single  parts  — /3  n,  mO  2/6  n,  hlO 
2/ —  n,  separ.  parts  — /3  n  Cramer. 

-  Maypole  Dance  4/ —  Paterson. 

-  Mirage,    valsa     — 40    Fonseca,      4ms    4/ — , 

FullO    2/ — n,    sept.    1/ — n,   separ.    (String 
&  Cornet)   parts  —3  n   Chappell. 
-Mother  Hubbard,  polka  1/ —  Chappell,  — 35 
Ditson,  —50  Elkan,  —40  Ellis,  —30   Gor- 


don, — 10  Mc.  Kinley,  Nat.  Music  Co., 
4ms  4/ —  Chappell,  Cah.-Org  — 10  Mc. 
Kinley. 

My   Sentinel   4/ —   Cramer. 

Myosotis,  andante  &  waltz,  mO  — 50  Fischer. 

Myosotis,  waltz  (with  Cornet  part)  4/ — , 
arr.  by  S  m  a  1 1  w  o  o  d  1/ —  Cramer,  — 60 
Ditson,  1 —  Elkan,  — 50  Gordon,  — 10  Mc. 
Kinley,  Nat.  Music  Co.,  — 50  n  Presser, 
(Nefelejts  keringo)  2.40  Rdzsavolgyi,  — 40 
Gutheil,  — 40  Fonesca,  2 —  OuimarTirs^ 
1 —  77a Zs,  — 50  Nordisk  Musikforlag,  1  — 
Warmuth,  4^ns  4/ —  Cramer,  Cah.-Org  — 10 
Mc.  Kinley,  V  — 25  Ditson,  Banjo  — -35 
Ellis,  Mand,  V,  G,  Banjo  a  — 20,  2nd  ditto 
— 15,  P  ace.  — 30  Witzmann,  Mand  - — 30, 
MundP  — 75,  Banjo  — 30  Coleman,  2MGnd 
—65,  2MandG  —50  Witzmann,  FullO  1—, 
14  Instr  —75,  12  Instr  —50,  P  —15 
Fischer,  0  (7  parts)  — 75  White,  mO 
2/6  n,  ilO  2/ —  u,  sep.  parts  — /3  n  Cramer, 
mO  5/ —  Eawkes,  Zig.-O,  Part  3 —  n  Rdzsa- 
volgyi, Encore  une  caresse,  valse  chantee 
sur  les  motifs  de  la  celfebre  valse  „Myo- 
sotis"  2 —  n  Durdilly. 

-  Noir   et   feu,   polka    1.75  n,   4'>ns   2 —  n   Du- 

rand.  Harm,  Fanf  1.25  Pomier. 

-  North    Country,    barn    dance    4/ — ,    FvllO, 

Part  1/6,  sept.  Part  1/ —  Francis. 

-  Old  Love  and  the  New,  waltz   (with  Cornet 

part)  4/^,  (arr.  by  Smallwood)  1/ — , 
4ms  4/—,  FullO  i/6n,  sept.  1/— n,  mO 
2/6  n.  hlO  2/—  n,  sep.  parts  — /3  n  Cramer. 

-  Once  in  awhile,  1^  arc.  4/ —  Chappell,  — 60 

Ditso7i. 

-  Polka  des  Singes  1.75  n  Durand. 

-  Puck,   P  4/—  ^Metzler. 

-  Queen  of  Hearts,  polka 

4/—,    4ms    4/—.    FullO 
Cramer. 

-  Rally  round  the  old  flag  4/ —  Chappell. 

-  Beign    of    the    roses    — 40    Brainard,    4/ — 

Cramer,  — 35  Ditson,  Gordon,  — 50  Schir- 
mer,  fant.  (Cornet-s..)  Full  Band  2/8,  Med. 
Band  2/ — ,  .sO  1/4,  extra  parts  — /2  Eau>- 
kes,  song,  FullO  1/6  n,  sept.  1/ — n  Cramer. 

-  Remembrance,    waltz    4/ —    Cramer. 

-  Ring    o'    Bells,    polka    4/—,    FullO    2/—  n. 

sept.   1/ —  n    Chappell. 
-Riverside,  valse  2 — n  Hachette. 

-  Saionara,    waltz    4/ —    Cramer,      1—    Hals, 

4ms  4/—,  FullO  1/6  n.  sept.  1/— n  Cramer. 

-  Short  and  Sweet,  polka  4/—,  FullO  2/—  n. 

Sept.  1/ —  n   Chappell. 

-  South   Kensington,    galop   4/ —   Pitman. 

-  Swallows   waltz    (with    Cornet    part)    4 — , 

Jfms    4/—.    FvllO    1/6  n,    Sept.    1/— n    ea- 
rner. 
-Sweet  Briar,  waltz  4/—,  FullO  1/6  n,  Sept. 
1/ —  n  Cramer. 

-  Temps  pass6,   valse  2 —  n  Durand. 
-Tiddle    dywinks,    polka    4/—,    FullO    1/6  a, 

Sept.   1/— n,  mO  2/6  n,  llO  2/— n  Cramer. 
-Titania     (Danse    de    Ballet)     4/—,    0    1/6  n 
Whittingha^n. 

-  Touina,   valse   2 —  ii    Durand. 

-  Under    the    Tlawthorn,    waltz    2/ —    Bootey. 


(with  Cornet  pajt) 
1/6  n,    sept.    1' — n 


Lowthian  C.   Until  we  meet  again 


—     667 


Luaidi  A.  Ekgia 


-  Until    we   meet    again     4/ —    Cramer,    (MS 

Co7itralto  or  MSBar)  or  in  A  flat  (S 
Contralto  or  8T)  a  4/—  Francis,  FullO 
1/6  u,  Sept.  1/ —  n  Cramer. 

-  Vanity   Fair,   polka   4/ —   Cramer,  — 50   Fi- 

scher', 4ins  4/—,  FullO  1/6  D,  Sept.  1/— n 
Cramer. 

-  Venetia  Waltz  or  Modjeska,  choeur  a  I'un 

2— n,  Ch.  s.  — 35  n  Diirand,  P  1/—  (Jhap- 
pell,  — 50  Ditson,  —35  Ellis,  — 40  Gordon, 
— 10  Mc.  Kinley,  }iational  Music  Co., 
2 — n  (fag.  1 — n)  Durand,  2 —  Schott  Frv- 
res,  1 —  F6xis,  (BeneulH  BaJibCb)  — 40  Oe- 
hethner,  Gutheil,  Jurgenson,  — 45  Bessel, 
1 —  Elkan,  2 —  Guimara.es,  — 50  Hals,  — 30 
Leopas,  — 75  Wagner  y  Levien,  — 50  War- 
muth,  J/ms  4/ —  Chappell,  3 —  n  Durand, 
— 45  Gutheil,  Org  1.50  n  Durand,  Z  1.20 
Schott  Freres,  VP  — 75  Zirnmermann,  V 
(Ft,  Cornet)  — 25  n,  FlfVJP  3— n,  Mand 
P  2.50  n,  2MandP  3— n,  0  2— n  Durand, 
FullO  2/ —  n,  Sept.  1/ —  n,  separ.  (String 
&  Cornet)  parts  — /3  n  Chappell,  Harm 
7.50  n  Durand. 

-  Where   the   roads   meet   4/ —   Chappell. 

-  Wolseley   March    4/ —   Chappell. 
Lowtzky    Herm.    op.    2      Trio,    PVVc    8— n 

Belaieff. 

-3  Nr.  1.  Andante  mesto.  2.  Andante  canta- 
bile,  VcP  1.20,  kplt.  1.80  Belaieff. 

Loxhai  J.  Jubilate  Deo,  SATB  —20  ./.  Fi- 
scher. 

-  Jubilate   Deo,    SATB    1/4   J.    Fischer. 

-  Jubilate  Deo,   0   on   hire.     J.   Fischer. 

-  Veni  Creator  &  Ave  Verum,   SA,  8vo  — 10 

J.  Fischer. 
Loy   Jos.    op.   29     Mannerchore :    Wach   auf 
du  schone  TrSumerin,  op.  30.  Es  bliiht,   il 
1^  Tonger. 

-  Am   Rhein,   TTBB  —10   Hug. 

-  Ich  weifi  ein  Bliimlein   hold   und   licht,   TT 

BB  —10  Hug. 

-Leid,  TTBB  1—  Ullrich. 

Loyal  Hymns  for  Schools,  Children's  Ser- 
vices etc.,  set  to  4  tunes,  with  the  na- 
tional anthem   — /I    Weekes. 

Loyar,   Excelsior,   quadr.    1.50   GuimarTies. 

Loyara  A.  Bibinha  men  bem,  tango  1 — 
Guimara.cs. 

Loydolt  J.  op.  12  Caprice  sur  des  airs  sty- 
riens,  P  1.50  Cranz. 

-16  Kadenzen,  kleine  Prilludien  (siehe  Schu- 
len) ,  P.     Cranz. 

Loyer   H.  Le  Soir   1.50  Borneinann. 

Loyer  P.  Pie  Jesu,  solo  p.  Bar(B)  5 — 
T/iMtHier-Calais. 

Loyola  M.  A  Mineira,  polka  1 —  Guimara.es. 

Loys,  L^gende  dram,  en  3  actes  &  1  prolo- 
gue 20 —  n  Sandoz. 

Loys  V.  des,  Les  Meilleures  Amours  1.75  n 
Weiller. 

Lozano,  Bendita  sea  tu  pureza  (Para  el 
mes  de   Mayo)    — 62    Wagner  y   Levien. 

Lozano  A.  Ave  Maria  &  2  voces,  Org,  P 
2.50  n  Diaz. 

-  Salve  para  tiple,  Coio  y  Org  3 —  n  Diaz. 
Lozano    Felipe,   Canto   de   la   Tndependencia 

1 —  n  Ayn^,  — 70  n   Dotesio. 


-  Flor    de    la    Inocencia    1 —  n    Ayne,    — 70  n 

Dotesio. 

-  Toque  del  Angelus  1 —  n  Ayn6,  — 70  n   Do- 

tesio. 
Lozano    M.   J.   Kecordacoes   de   Paris,   polka 

—20  Sassetti. 
Loze.    Lory:    Bedeau,    TTBB    1.45  n. 

-  Buveurs   d'eau,   TTBB  —75  n. 

-  Crepuscule,    TTBB    1.45  n. 

-  Ronde-s6renade,    TTBB    1.75  n. 

-  Salut    aux    Bannieres,    TTBB    — 75  n. 

-  Serrons  les   rangs,   TTBB    1 .45  n. 

Loze   A.   Alice,   polka-maz.    1.70  n   Lesigne. 
Loze   H.   When  I  am  dead  2/ —  Jefferys. 
Lozeard,      Menuet       (Beethoven),      mO 
3 —  n  Evette. 

-  Menuet    du    Boeuf     (Haydn),    mO    3 —  n 

Evette. 

-Menuet  favori  (Mozart),  mO  3 — n 
Evette. 

Lozes  Leon,  Bergferes,  galop,  O  1.50  n  Borne- 
ma  nn. 

-Calypso,   polka,    OPist   1.50   Bornemann. 

-Deux  Amis,  polka,  Oacordes  av.  2Pist  1.50 
Dehert,  Gheluwe,  Pinatel,  narm(Fanf)  av. 
2Pist   1.50   Gheluwe,  Pinatel. 

-  Doudoute,   polka-maz.    0    1 —   Pinatel. 

-  Etoile   de   Mer,   polka,    OPist-Solo   1.50   Pi- 

natel. 

-  Fete   a   Caudrot,   quadr.   0    1 —  Pinatel. 

-  Frais   Lilas,    valse,    0    2—  n   Bornemann. 

-  Fresquet,  quadr.  0  1 —  Pinatel. 

-  Glaneuse,   polka,    0   av.   Pist    1.50  n   Borne- 

mann. 

-  H4ris,   polka,   O   1.50  Bornemann. 

-  Irfeue,   valse,   0   2 — n   Bornemann. 

-  Joyeux  Tabarin,  quadr.   0   1 —  Pinatel. 

-  Louisette,    valse,    0    2 — n    Bornemann. 
-Madagascar,  quadr.   O   1—,   Oacordes  1.25, 

Harni(Fanf)   2 —  Pinatel. 

-  Marche      des      Girondins,      marche      1.70  n, 

simpl.  1 — n,  0  2 — n,  P  cond.  1 — n  Foquet. 

-  Mariquita,    valse     espagnole,     P(0)     2 —  n 

Bornemann. 
-Marseille,    polka,    0    1.50  n    Bornemann. 

-  Napee,   polka-maz.    1.50,   0    1^ —   Pinatel. 

-  Olivia,    polka-maz.    1.50,    0    1 —    Pinatel. 

-  Passe-passe,   quadr.   0    1 —   Pinatel. 
-Pierrots,    polka    1.70  n,     0    2 — n,     P   cond. 

1 — n   Fouquet. 

-  Plaisirs  du  Bouscat,  quadr.  0  1.50  n  Borne- 

mann. 
-Polka     des     Artiehauts,     0     1.50  n     Borne- 
mann. 

-  Prado,  quadr.   0   1.50  n   Costil. 

-  Quand  meme,  quadr.   0   1 —  Pinatel. 

-  Ravigotte,   polka   1.50,    0    1 —   Pinatel. 

-  Univers,  polka,   OPist-Solo    (—20)    1.50   Pi- 

natel. 
-Yvette,  schott.   O   1—  Pinatel. 
Lozier  A.  Madrigal,  Bars.  av.  P  1.75  Crevel. 
Lozzi    Antonio,    Emma    Lion  a,    libretto 

opera  1 —  n  Ricordi. 
Lozzi    C.    I    Liutai    bresciani    e  I'invenzione 

del    V   1 —  n   Ricordi. 

-  Marsigliese  degl'Italiani  e  la  Marcia  Reale 

1 —  n  Ricordi. 
Luaidi  A.  Elegia,  P  2- 


Romano. 


Luard  S.  B.  Sweet  and  Low 


—     668 


Lubomirski  K.  op.  14 


Luard  Seiby  B.  Sweet  and  Low,  two-part 
song,  1.  Voice  parts  iu  stafi  uotation  with 
P  ace,  duet  — ,'2  u.  Voice  parts  only  in 
tonic  sol-fa  notation,   duet  — /l  n  Novella. 

-  AV'hen   summer   dies,   trio   for   female   voices 

— /3  n  Novello. 
Lubac  J.  Pens^e  t^etrie  3 —  Chartier. 

-  A'ers   les    Etoiles   3 —   Chartier. 

Lubbers  J.  Martha,  valse  de  salon  5 —  Katto. 
Lubbock  C.  W.  Gome  to  the  garden,  Minna 
2/—  Novello. 

-  O  songs  of  the  olden  time.   V  obi.  2/ —  No- 

vello. 

-  Platonic   love    1/ —   Novello. 

-  Romance,  VP  4/—  Weekes. 

-  Serenade,   SATB,   folio   1/—   Novello. 
Lubeck   Ernst,   op.  2  Willis,   reverie,   P  6 — 

Heugel. 
-3  Tarentelle,   P   1.30   Alsbach. 

-  4  Souvenir  du   Perou,   P  6 —   Hamelle. 

-  5  Zanibucu6ca,  P  6 —  Hamelle. 

-  6  Trilby,  r6verie,  P  5—  Heugel. 

-11  Tarentelle.  P  7.50  Hamelle,  4/—  Leo- 
nard. 

-13  Berceuse,  P  6—  Hamelle,  1..50n  D<>- 
lesio. 

-  14  Polonaise  de  Concert.  P  9 —  Hamelle. 

-  15  Douze  Etudes,  P  I— II  a  12—  HamelU. 

-  Finale    d'uue    sonate    p.    Org    (Mendels- 

sohn, op.   65).   N.   1.   Transcr.   P  6—  Ha- 
melle. 
Lubeck  J.   H.  :•.  gran  Duetti,  2FI  a  2.50  Ri- 
vordi. 

-  Tiitroduktiou      und      Adagio,        YcO      6 — 

Hchweers. 
-P.salm:  Gelobet  sei  Gott  der  Herr  7.50  Eck. 
Lubeck    L.    op.    12   Valse-Capriee.    PVa    2— 

Junnt. 

-  13  Andante  serioso,  PVa  1.25   J  mine. 

Luber  A.  Der  Gott  der  Liebe.  Lied  mit  G 
— 50  Simrock. 

-  Ich   liebe   dich.   Lied   mit    G   — 50   Shnroch. 

-  Wunsche  an  Sie,  Lied  mit  G  — 50  Swirock. 
Lubet,    Soilar   despierto,   P    1 —  n    Dotesio. 

-  Traviata,    fant.    P    I —  n    Dotesio. 

Lubet  y  Albeniz  Juan,  Adi6s.  vals  de  sa 
Ion  — -50    Wagner   y   Levieii. 

-  Aida    (de    G.    Verdi),    fantasia   brillante, 

P  — 75    Wagner   y   Levien. 

-  Fantaisie  militaire,   P  — 50   Wagner  y   Le- 

vien. 

-  Fiesta   alegre,   paso   doble    1.25   Hofmeist:',r. 
-Morte!    Elegia,   P  — 50   Wagner  y   Levi<)i. 

Lubicz  T.  Doumka,  /J^yMua  P  — 50  Jurgenson 

Lubicz  Zd.  (Skibowsky),  op.  26  l&re  Rhap- 
sodic  roumaine,    P    1.80    Cra7iz. 

.  27  2me  llhapsodie  roumaine,  P  2.75  Schott. 

-31    Bluette,   P   1.25   Schott. 

Lubienski  G.  Souvenir  d'automne,  valse- 
capr.     Alhuiii  lyrique. 

Lubin  Leon  de  St.  op.  1  Variationeu  iiber 
Liebes  Miidchen  hor  mir  zu,  V  — 50  Schle- 
singer. 

-2  Zwolf  Variationen,  V  m.  2V2F]  u.  B  1.50 
Hofineister. 

-3  Grand  Duo,  2V  2.25  Schott. 

-  5    Rondoletto    alia    polacca,    V    av.    VVaVc 

1 .80  Simrock. 


Adagio  religiose 


2.50  Kistner. 

VP   1.25  J.  Schuberth. 
VP    3.50    J.    Schu- 


-  7   Polonaise   brillante,    VP   1.75,   av.   Quart. 

2.50   Hofmeister. 

-  8  Six  Caprices  ou  Etudes,  V  1 —  Hofmeiater. 
10  Quatuor,   F  2.50  Weinberger. 

-25  Das  Koiizert  im  Krahwinkel,  PVVc  3 — 

C7-anz. 
-30  Trio    (Nr.  2),  briU.  PVVc  6—  Cranz. 
-31   Trois  Duos,  2V  a  1.50  Cranz. 

-  37  Variations  brill,  sur  un  Thfeme  orig.   VO 

5.50   Hofmeister. 
38    Quintett,    V    m.    Str-Qusnt.    7—    Schle- 

singer. 
-39  fh^me  varie,   VP   l.SO.  quart.  2—  Schle- 

singer. 
-40    Souvenir     de     la     Hougrie,     ( Eml^hezet 

Magyar  orszegrol),  divertimento,  VP  2.30, 

V  av.  quart.  3.50,  VO  6—  Schlesinger. 

-  42   Ilommage   aux    Artistes,    6    grands   Ca- 

prices brill.,  V 
-44 
45    La    Jota 
berth. 

-  46    Fantaisie     sur     un    Th^iiie     de    I'Op^ra 

..Lucia  di  Lammermoor"  de  Donizetti, 
morceau  de  concert  de  salon,  V  1 — 
Kistner. 

-  47  Rondino  u.  Polonaise,  a  2 —  J.  Schuberth. 

-  48  Gr.  Quatuor,  PVVaVc  7—  Hofmeister. 
-50  Al  chiaro  della   luna    (Bei  stillem  Mon- 

denscheine).  barcarola  a  due  voci  con  /' 
1—  Bote. 

-  Poeme      d'aniour      (Heuselt).      VP     2 — 

Schlesinger. 

Romance  de:  11  Torneo  (Westmorland), 
VP   1.50  Schlesinger. 

-  Variationen,  2Wnldh6rner  u.  0  2 —  Seeling. 
-Variations  sur   I'air  de   Paesiello:    Nel 

cor   pill   non   mi   sento,    V   av.    FFaFc    1.80 
Simrock. 
Lubini   G.  Edith    (caprice),  P  3/ —  Swan. 

-  La  joyeuse,  P  3/ —  Swati. 

-  Marche  Nuptiale   1/3  n   Allan   Mozart. 
Lubner,   Motet:    Glose  de  Saiute  Thfirfese,  S 

av.   Org   1.50  n  Cranz. 
Lubomirski,      La      Bouquetifere      du 

Chateau-  d'E  a  u,     op6ra-comique,     ChP 

12 —  a  Chondens. 
Lubomirski  C.  P.  op.  12 

(Allzeit  und   immer). 

(0    sage     nicht,     sieht   mich). 

poln.  — 32  Bote. 
-18  Niepewn6§e    (UngewiBheit). 

widze    (Bin  ich  nicht  bei  dir). 

poln.  — 32  Bote. 
-22   Gwiadzka    (Das    Sternlein). 

deczko    (Sternlein   mit  dem   hellen  Schim- 

nier),  deutsch  u.  poln.  — 32  Bote. 
Lubomirski    ksifii^e    Kazimierz.    OehetKntr: 

Op.    1    Rozmowa    (Kochanko   nioja,    na   co 

nam  rozmowa)   — 30. 

-  2    Sen     (Chocia^    zmuszona    bgdziesz    mnie 

porzueid)   — 30. 

-  3   Pierwiosnek     (Z     uiebieskich     najra6sz4. 

piosnek)   — 45. 

-  12   Zaw.sze   i   w  sz^dzie    (O  nie  m6w   o  mnie 

gdy  miiie  juz  nie  bgdzie)  —40. 

-  13  La  Rosa  e  la  Croce  Romauza  — 30. 

14  Smutny  rolnik  (Blade  klcsy  na  odlogu). 
Barkarola  ,,Na  morze"  (Chodi  kochanko, 
chodi  na  morze)   — 60. 


Zawsze  i  Wszedzie 
O  ni6  m6wo  mnie 
deutsch   11. 

Gdyoi§   nie 
deutsch   11. 

0    Gwiaz- 


Lubomirski  K.  op.  15 


—     (369     — 


Lubrich  F.  op.  S6 


-  15  Piefeii  z  wiezy   (Ktoz  me  westchnienia  kto 

me  izy  policzy)  — 70. 

-  16   El  "sospeto    (Za  la   note  Juz   wzniesiona 

.swjj  zaslona)   — 60. 
■  17  W  jesieni  (Gdy  powstanie  wichr  jesieui). 
Im   Herbst    (Wenn   im  Herbst  die   Stiirme 
wehen)    — 40. 

-  18   Niepewno^ci    (Gdy   ci?  nie   widze  —   nie 

wzdycham,  nie  placz?)  — 30. 

-  19  Odglosz  nad  Horynia,  4  mazurkas  — 75. 

-  20  Czwarty  styczina,  mazurka  — 25. 

-  21    Pochud   kozacki    (Chmura   powial   pioch 

od  ziemi)    — 60. 

-  22  Gwiazdka     (O     gwiazdeezko    cos     blysz- 

czala)   — 40. 
-23  Pogadanka   (t'ouserie).  polka  — 25. 

-  24  Trois   Marches  — 55. 

-  25  Catharina,  contredanse  —45. 

-  27  Seguidilla  e  Romanza  — 55. 

-  28  La  Partenza  — 45. 

-  29  Magyar,  polka  — 25. 

-  30  Deux  Mazourkas  — 55. 

-  31  Teresa,  wale  — 55. 

-  33  Drugi  poch6d  kozacki    (Zence  zhoie  zna 

na  g6rze)   — 60. 

-  34  Polka  —25. 

-  35  Wspomnienie  z  Radziejowic,  mazur  — 25. 

-  37  U  nas  inaczej.  Dumka  — 40,   'fms  — 30. 

-  38  Mazurek  6piewany  w  Cyruliku  Sewilskim 

przez  p.  Hollossy   (Wszak  i  moja  krew  nie 
lodem)   — 70. 

-  39  Mazurek  harmonijny  — 30. 

-  40  Wspomnienie   chwili   w   Warszawie   Ma- 

zurek  harmonijny   — 30. 
-41   Feliks,  polka  —25. 
-42     Nie     placz     dziewcz?      (Twoje     oczy     z 

blyskawicy  to  prawdziwy  raj)   — -40. 
-43  Chwila  w  Radoehowce,  polka  —25. 

-  44  Cilos  do  brzegu   Sluczy,  2  mazurki  har- 

monijne  — 45. 
-45  Marynia,  polka  — 30. 

-46  Wspomnienie  Warszawy,  2  mazury  — 30. 
-47  Dwie  ranv  (Gdy  mnie  pszczolka  ukf^sila) 

—30. 
-48    Le     Myosotis.      romance     (Cette      fleur 

d'Azure)  —40. 
49  Consolazione.  av.   VcP  — 60. 

-  50  Navigator,  polka  — 30. 

51    Chociaz   bieda.    to    hoc!    hoc!    2   mazury 
—40. 

-  52  Marya.  Marie   i  Jak  kwiat  spowity,  6pi£ic 

na  niwie.  Ainsi  quand  la  fleur  priutani&re) 
—30. 

-  54  Ave  Maria,  duet  — 40. 

-55  Marzenie   (Skad  to  plyniesz  strumieniu) 
—15. 

-  57  Jedeu  z  obu.  Sonet  wloski  z  nad  brzegu 


Teterowa.   Uno 

zawsze   zalosne. 

—40. 
-58    Dwie     dumki :     Nigdyz    (Nigdyz     serce 

stfsknione).  Do  g?61i    (Stepowa  ge^ti  drum 

drum  drum)   — 45. 
Lubomirski    Ladislas   Prince,    4 

N.  1.  Son  chapeau,  2.  Brunette, 

4.  Chanson,  a  1 —  Schlcsinger. 

-  Symphonische   Dichtung   in   3   Teilen,   Part 
'12— n,    0-St    17.40  n    Breitkopf. 

Lubomirski    Xavier    Prince,    Mazurka    1.50 
Granz. 

-  Ma    Nacelle,    valse    2 —    Cranz,    2.40    Krzy- 

zanowski. 


dei    due    (Tak   moje   serce 
Quel    mio    cuore    dunque) 


Chansons: 
3.  Tu  sais. 


-  Petite  Boudeuse.  polka  francaise  1.20  Krzy- 

zanoicski. 
Lubomirsky  Casimir  Fijrst,  op.  3  Nr.  1. 
Wiinsche  der  Liebe,  Lied:  „Moehte  ein 
Bliimlein'-  1—.  Nr.  2  u.  3.  Lied:  „0  sag', 
wie  ist  es  gekommen".  Romanza:  Carl 
giorni    1 —  Fiirstner. 

-  9    Trois    Mazurkas    1 —    Filrstner. 

-  10  Trois  Mazurkas  1 —  Filrstner. 

-  11    Trois   ^Mazurkas    1 —   Filrstner. 

-  Fille  du  Banni:  Encor'  un  jour  1 —  Kistner. 
Polonaise  et  ^lazures  caract.  — 50  Filrstner. 

-  Uno  dei   due   1 —  Kistner. 

Vide :  Lubomirski  Ks.  Kazi- 
m  i  e  r  z. 

Lubomirsky  K.  Seelenschmerz,  Lied  — 50 
Schuberth  jr. 

Lubowski  J.  Gebethncr:  Op.  2  Trois  Noc- 
turnes, P  —90. 

-  4  La  cascade,  nocturne,  P  — 45. 

-  5  Etude,  P  —30. 

-  5  Polka  de  Concert.  P  2 —  Cranz. 

-  6  Grande  Mazurka  de  Concert  1.50  Cranz. 

-  10  Mazurka.  P  —45. 

-  Etude,  P  —60. 

-  6   Etudes   caract^ristiques.   P  1.40. 

-  Fantaisie  sur  des  th&mes  slaves,  P  1 — . 

-  Condole,   morceau   de   salon,   P   — 50. 

-  (irande  Mazourka,  P  — 50. 

-  3  Mazures  — 60  Hoffmann. 

-  Tarentelle.  P  — 55. 

Lubrich  Fritz  (1862).  Klinner:  Op.  12 
Niemals  wieder  — 80. 

-  13  Marschlied.  TTBB   1.20. 

-  15  Hor  uns  Allmachtiger,  TTBB   1.60. 

-  16/17  Horch  wie  schon  die  Geigen  klingen. 

Der  Wald  im  Friihling.  TTBB  1.60. 

-  20  Hoch  Gambrinus  1 — . 

21  Praktische  Chorgesangschule,  ein  unent- 
behrliches  Handbuch  f.  Mannergesang- 
Vereine  1.20. 

22  Es  ist  das  Lied  mein  Gotteshaus,  TTBB 
1.10. 

23  Heute  ist  heut.  TTBB  1—. 

-  25  Sangers  Wanderlied.  TTBB  1—. 
32  Zwei  Lieder   1 — . 

34  Der  Zecher   1 — . 

-  35  Spielmannssold  1 — -. 

-39/40  Touristenlieder,  TTBB:  1.  Wald- 
wipfel  erbliihen.  2.  Nun  fangen  die  Wei- 
den   zu  bliihen   an   2.20. 

-52  Die  Maiennacht:  .,Im  Fliederbusch  ein 
Voglein  sa6",  TTBB  1.20  A.  Hoffmann. 

-  57   Germanias   Bitte    (Volker   Europas,   be- 

wahret  eure  heiligsten  Giiter)  :  „Finstere 
Machte  umziehen  die  Lande".  KA  1.60, 
Chorst  —80,  0,  Part  2—,  0-St  2—  A.  Hoff- 
mann. 

-  58   Sanger-Bundeslied :    .,Nun    schwebe    der 

Frohsinn",  TTBB  1.20. 
-59   Dir     hehrer    Kaiser     Heil.     i.    1    Singst 
(Unisonochor)    m.    PfblMj    1 — .    Singst   a 
— 10   Hoffmann. 

-  60   Zechers   Griinde :      „Vier   Flaschen   hab' 

ich   schon  getrunken"  1 —  Hoffmann. 

-  62    Dem    Kaiser    Heil.    A.    Fiir    den    allge- 

meinen  Gebrauch.  B.  Fiir  Schulen.  Fiir  ein- 
od.  zweist.  Gesang  — 20  n,  m.  P  — 30  n, 
ohne   Begl.  — 20  Bratfisch. 

-  66  GriiB  dich  Gott  o  Landesmutter,  f.  1  (2) 

Singst  m.  P  — 80  Hoffmann. 

-  86  Osterfest.  SATB  1 —  Kreuschmer. 


Lubrich  F.  op.  87 


670 


Lucae  A.  4  Lieder 


-87  De   Schlasiugeim   Brautvate,   TTBB    1— 
Kretischmer. 

-  90  Der  Kirchenchor,  eine  Sammlung  leicht 

ausfiihrb.  Motetten,  Festgesange  etc.,  tiAB, 
Part  2.70  n,   St  2.40  Kreuschmer-'B\inz\iy\i. 
-Der   deutsche   Chorgesang,    TTBB    1.20,   In- 
struinental-Begl.   3 — . 

-  Deutsehland  iiber  alles,  Unisonochor  — 80. 

-  Elegie,  Z  — 60   Gruber. 

-  Es  mag  die  Lieb'  oft  siifie  sein,  TTBB,  Part 

—10  0.  Dietrich, 

-  Fahrende    Gesellen,    TTBB,    Part    —10    0. 

Dietrich. 

-  Hurra  Germania,  Marseh  — 75,  Z  — 80,  2Z 

1.40  Gruber. 

-  Neujahrslied:    „Herr,   der   du   meiner   Tage 

Zahl",  u.  M  u  11  e  r  H.  Gebet  fur  deu 
Konig,  Part  —75  (St  zu  Lubrich  —40, 
zu   M  (i  1 1  e  r   — 40) . 

-  Orgelalbum,  Nr.   1,  2  a   1—  Glaser. 
-Trinklied,   TTBB,  Part  —20  0.  Dietrich. 
Luc,  Reine  de  boir    (pour   pensionats)    5 —  n 

Costallat. 

Luc    Roland,     Impression    Matinale     1.25  n. 

Ch.   s.   — 15  n  Bajiis. 
Luc  T.  Hymne  f rang.  1- —  n  Societe  nouvclle. 

Luc  V.  Adieux  a  la  Mer,  TTBB  2.75  Katto. 

-  Alsace   3 —   Hamelle. 

-  Angelus,  3  voix  eg.  — 60  Schott  Frires. 

-  Ave  Maria,  MS  ou  Contralto  av.  Org  et  V 

ad  lib.    1.35   Schott  Frercs. 

-  Ave  Maria  — 75  Schott  Frircs. 

-  Ave   Maris   Stella,    pour   8   et   choeur   — -75 

Schott  Frdres. 

-  Bouquet  2.50  Hamelle. 

-  Buveur  hoUaudais  7.50  Hamelle. 

-  Cerise  de  St.  Pierre  5 —  Hamelle. 

-  Chants   sacr6s,    10  cantiq.   pour   le  mois   de 

Marie,   reunis  4 —  Schott  Freres. 

-  Chfene  et  le  Nid  3 —  Hamelle. 

-  Chevalerie   5 —   Hamelle. 

-  Deception  5 —  Hamelle. 

-  Ecce  Panis,  2  voix  eg.  — 50  Schott  Freres. 

-  Etoiles  et  bluets  4 —  Hamelle. 

-  Grande  Chartreuse,   TTBB  2.50  Katto. 

-  Guetteur  5 —  Hamelle. 

-  Lune  6 —  Hamelle. 

-  Marie,    fille,    mere   et   veuve.    MS   et   choeur 

—60  Schott  Freres. 

-  Nid,  duettino  7.50  Hamelle. 

-  O  Salutaris,  MS  ou  Contralto  av.  Org  &  V 

ad  lib.  1 — -  Schott  Frdres. 

-  O  Salutaris,  S  &  choeur  — 50  Schott  Freres. 

-  Offertoire,    VP(Org)   7.50  Hamelle. 

-  Pie  Jesu,  motet  sur  un  thfeme  de  H  i  1  1  e  r, 

Bar  ou  MS  av.  Org  et  V(Vc)  6 —  Heugel. 

-  Prifere  d'une  jeune  mfere,  av.   VOrg  ad  lib. 

6 —  Hamelle. 

-  Regina  Coeli,  a  3  v.  6g.   1 —  Schott  Freres. 

-  Reveil  du  jour,  SSMSA   &v.  P  &  H    (et  Vc 

ad  lib.).  Part   1.75  Schott  Freres. 

-  Salve   Regina,   S  et  choeur,   av.   Org  et  17c 

— 75   SnJiott   Freres. 

-  Sous  le  balcon  6 —  Hamelle. 

-  Sous  les  feuilles  6 —   Hamelle. 

-Suite:   N.  1.  0  Salutaris,  a  4  voix,  solo  av. 

T  1—.  N.  2.  Adoro  te,  a  4  voix  1—.  N.  3. 

Tantum  ergo,  a  4  voix  1.35  Schott  Freres. 
-Tantuni    ergo.    MS   &    choeur     — 60     Schott 

Freres 


-  Tantum  ergo,  SContralto  1.35  Schott  Freres. 

-  Tantum    ergo,     duo,     SCa    &    choeur    — 60 

Schott   Freres. 

-  Tout  dort  dans  les  champs  5 —  Hamelle. 
Luca  Alfredo  de,  Ballade,  B  av.  2VVaVc  & 

Kb,  Part  &  St  3 —  Kahnt. 

-  Romanza,  P  4 —  Ricordi. 

-  Solo !    2.50   Ricordi. 

Luca   C.   O.  Ossian,  polka  — 40  Brainard. 
Luca    Domenico    de,     Acqua    &    Serino    4 — ■ 
Societu. 

-  Daiiza   slava   4 —  Societa. 

-  Foglio  d' Album,  idillio,  P  5 —  Societd. 
■  Gavotta  2 —  Societd. 

-  Mestizia  2.50   Ricordi. 

-  Minuetto    ,,La    Valliere",    P    5 — ,    ^ms    6 — 

Societa. 

-  Mio   dolore  2 —  Ricordi,   5 —  Societa. 

-  Napoli,  valzer  5 —  Societa. 

-  Serenata   5 —  Societd. 

-  Uocchie  de  Suonno  4 —  Societd. 

Luca   Ercole   de,  op.  4  Votazione,   raaz.   1 — 
Ricordi. 
6  Brindisi.  maz.   1.50  Ricordi. 

-  AflFezione,  maz.   1 —  Ricordi. 

-  Buon  capo  d'anno,  polka  1.50   Martinenghi. 

-  Pelletan,  galop  1.50  Ricordi. 

-  Sii   felice!    polka  1.50  Ricordi. 

-  Viva  la  Danza,  polka  1.25  Ricordi. 

Luca   L.  de.  Bideri:   'A  Bizzoca  — 50,  Mand 
—10. 

-  'A  mort'  e  maccarone  — 50,  Mand  — 10. 

-  'A  Stella  mia  si'  tu  — 50,  Mand  —10. 

-  Asso  'e  vrite  — 50,  Mand  — 10. 

-  Babbeo    e    I'lntrigante    di    Sarria,    scherzo, 

JjVis  5 —  Ricordi. 

-  Caccia  — 50.   Ma^id  — 10. 

-  Cannetella    -i —    Santojanni. 

-  Catari  .  .  .  Catari  — 50,  Ma^id  — 10. 

-  Exelsior.  waltzer  — 50,  Aland  — 10. 

-  Fatta  vasa  3 —  Santojanni. 

-  Favacliiena  — 50. 

-  Mio  Cugino  — 50,   Mand  — 10. 

-  Ninna-Nonna   — 50,    Mand   — 10. 

-  Nu  ba?  .  .  .  Nu  ba!  Duettino  amoroso  — 50, 

Majid  —10. 

-  'O    cabalista.    macchietta    nap.    — 50,    Mand 

—10. 

-  'O  ciuceio  d'  'o  Cafoiic  — ."iO.  Mand  — 10. 

-  '0   Prufessore  'e  Mandulino,   Mand  — 10. 

-  "O  Tenentiello  —50,  Mand  —10. 

-  Ofxne  tiempo  vene  — 50,  Mand  — 10. 

-  Scemo  .scemo,   Mand  — 10. 

-  Suonno  'e   giuventil !   — 50,   Mand  — 10. 

-  Teresa  mia  Ter6,  Mand  — 10. 
-Totonno  —50. 

-  Urdema   serenata!   — 50,  Mand  — 10. 

-  Ve  voglio  bene  — 50,  Mand  — 10. 
Luca   Raffaele  de,  Malinconia  — 50  Tzzo. 

-  Vision,  P  3 —  Izzo. 

Luca  S.  de,  Non  posso  disperar,  arietta  1 —  n 

Ricordi. 
Lucae    August,    op.    2   Zwei    altfranzosische 

Lieder:   Nr.  1.  Renaud,  Ballade  I — .  Nr.  2. 

Das    Roschen.    Liebeslied    — 50    Heinrichs- 

hofen. 

-  4    Lieder :     1 .    Juchhe !     „Wie    ist    doch    die 

Erde  so  schon".  2.  Es  vi^ar  ein  alter  Konig. 

3.  Kuriose  Geschichte:    „Ich   bin   einmal". 

4.  Aus:    Die   Blumen   des   Waldes:    „Kein 
Erutereigen"   1.60  Heinrichshofen. 


Lucan  Heinrich  op.  18 


071     — 


Lucarini  R.  Mio  primo  untore 


Lucan  Heinrich,  op.  18  Gesang  der  Loreley, 
Gediclit  fiir  eine  -S-St  mit  doppeltem  Maa- 
nerquart.  1.30,  P  — 50  ^imrock. 

20  Mazurka  brill.  P  — 80  Simrock. 

21  Esmeralda,   morceau  caract^rist.   P   1.30 
Simrock. 

-  24  Valse  gracieuse,  P  1.25  Scltoff. 
■26  Polka  brill.  P  —75  Schott. 

-Das  rlieinische  Miidcheu:  „Das  Wasser 
rausclit,  ein  Segel  weht"  —60   Simrock. 

Lucantoni  Giovanni,  A  te  d'accanto  5 — 
Heugel. 

-  Adele,  valzer  2.75  Rivordi. 
-Album  di  Danza  5.50:   N.  1.  Amalia 


4.   Borgo   Vico 


valzer 

Laura, 

galop 


O   pietosa 


arnica   4 — 
engl.  — 50 


Vc  or    T'  — 75 


?.—.  N.  2.  Carolina,  polka  1—.  N.  3 
mazTirka    1.25.      N. 
1.25  Ricordi. 

-  Alia   Sera,   duettino 

Ricordi,    (To  Evening)     ital.  & 
Church,  Schirmer. 

-  Amalia,  valzer  3 —  Ricordi. 

-  Amor  mio   3/ —  Chappell. 

-  A  more  e  Dolore  2 —  Ricordi. 

-  Anna,  valzer  3 —  Ricordi. 

-  Ave    Maria,    iS  or   A    with 

Schirmer. 

-  Ave  Maria,  SfT)  av.  P(Org)   1—,  MS,  Bar, 

8,  T  av.   V(Vc)P  2—  Choudens. 

-  Aveu  1.35  n  Choudens. 

-  Bacio   (Bright  as  the  Bow  of  Promise),  SS 

— 65  Schirmer. 

-  Barcarolle    Hoib    B-b    Benei^iH,    Duetto  — 50, 

P  —20  Bessel. 

-  Borgo  Vico   1.25  Ricordi. 
-Carmen,   valse  2 — n   Choudens. 

-  Carolina,  polka  1 —  Ricordi. 

-  Convegno    (Lovers'   Meeting),   SC    (engl.  & 

ital.)    3/—   Cramer,   SS(ST))    —60   Schir- 
mer,  P  — /4  Sheard. 

-  Dance    of     love      (Danza     d'amore) ,    waltz 

arietta     (it.   &   engl.)     —40   Church,    —60 
Ditson,  — 40  Schirmer. 
-Declaration     (La    Dichiarazione) ,    ST    2/ — 
Novello. 

-  D^lire,  polka-maz.   1.50  Napole^o. 

-  Don  Chisciotte,  valzer   1 —  Ricordi. 

-  Doute  1.35   Choudens. 

-  Duettino,  SB  2.50  Ricordi. 

-  Elisa,   terzetto  con   cori:    Dunque   leggiamo 

la  sorte  vostra,  STB  6 —  Ricordi. 

-  Eugenia,   polka,  Jfms   1.50  Ricordi. 

-  Heure  attendue  1.70  n,  Cli.  «.  ^35  n  Chou- 

dens,   V,   Cornet,   Fl-s.   — 25  n    Fromont. 
-Hopeless  1/6  Novello. 

-  Invito  al  mare  3/ —  Chappell. 

-  Isola    d'Ischia:     Bella    fra    I'isole    4 —   Ri- 

cordi, 3/ —  Chappell. 

-  Je  suis  a  toi  1.70  n  Choudens. 

-  Jeunesse,  duo  1.70  n  Choudens. 

-  Jo   ti    vidi    3 —   Ricordi,    1/6   Novello, 

Schirmer . 
-Last  One  1/6  Novello. 
-Laura,  maz.  1.25  Ricordi. 

-  Lombardi     (Verdi),     sinfouia,     Jf7ns 

Ricordi. 

-  Lontananza :  Tornan  la  sera  in  cul  le  atelle 

3 —  Ricordi. 

-  Lucrezia,  maz.  1 —  Ricordi. 

-  Mazurka   1.25  Ricordi. 

-  Nuit  2 — n   Hachette. 

-  Nuit  d'amour,  duo  2 —  n  Choudens. 


—50 


2.50 


-  Oui  et  non  1.35  n  Durand. 

■  Palmira,   maz,   1.25   Ricordi,  4.50  Sulzhach. 

-  Pensier  d'Amore    (Thought  of  Love) ,  S  &.  Y 

or  Fl  or  Vc  —60  Schirmer,  2 — n  Dtirand. 
-Pourquoi?    1 — n    Choudens,    Perch6?     (it.) 
— 40  Neuparth. 

-  Polka  1 —  Ricordi. 

-  Preghiera  2 —  Ricordi. 

-  Primavera  d'Amore    (Springtime  of  Love), 

SMSP  —60  Schirmer. 

-  Reminiscence  1/6  Novello. 

-  Reviens   1.70  Choudens. 

•  Riconciliation,  SBar  3 —  Ricordi,  — 75 
Schirmer,  (ital.  &  frany.),  SBar(Ca)  6 — 
Heugel. 

-  Rimembranza   I'O  Novello. 

-  Ritorno    (Return),     valzer     parole,    ital.    & 

ingl.     5 —     Ricordi,     — 75     Schirmer,     2 — 
Choudens. 
-Ritorno   a   campi    (Return   home).   SC   2/ — 
Novello. 

-  Romanza  1.50  Ricordi. 

-4  Romanze  4 — :  N.  1.  II  Tradimento.  2.  II 
Mazzolino  di  Fiori.  3.  II  bianco  lino.  4.  Tl 
Biglietto  d'amore,  d.  1.25  Ricordi. 

■  Senza  speranza  1/6  Novello. 

-Sera  (Evening),  SSS  (new  ed.)  — 50  Schir- 
mer. 

-  Serate  Lombarde,  album  12 — :  N.  1.  Ragaz- 

zina,  non  sono  uu  gran  signore,  stornello 
toscano  1 — .  N.  2.  II  Corsaro,  romanza.  7' 
1.50.  N.  3.  II  Convegno,  ST  2—.  N.  4.  La 
Sera.  SSS  2—.  N.  5.  La  Partenza,  SB  2—. 
N.  6.  Primavera,  STB  3—.  N.  7.  II  Bacio, 
SS  2.50.  N.  8.  La  Serenata,  SSTB  2—  Ri- 
cordi. 

-  Serenata,  8A  TB  2.50  u  Durand. 

-  Sevments    1.35  n    Choudens. 

■  Serments   d'amour,   duo   1.70  n  Choudens. 

-  Soir,  duo  1.70  n  Choudens. 

-  Solitudine  1 —  Ricordi. 
-Sonnet  d'Arvers   1.70  Choudens. 

-  Sospiro  1.25   Mariani. 

-  Surprise,  ST  — 40  Ditson. 

-  Ta  presence  2.50  Heugel. 

-  Tarentelle,  VP  2.50  n  Costallat. 

-  Cn  mot,  duo  1.70  n  Choudens. 

■  Una  notta  a  Venezia   (A  night  in  Venice)  : 

..Vieni.  la  notta  &  placida,  STfMSBar), 
ital.  &  ingl.  4 —  Ricordi,  4/ —  Ashdoicn, 
—75  Brainard,  —65  Church,  3/—  Cramer, 
— 60  Ditson.  — 50  Gordon,  — 65  Schirmer, 
—50  Bessel,  Transcr.  P  1—,  Nocturne 
(S  p  i  n  d  1  e  r)  2 —  Choudens. 
-Una  Sera  di  Carnevale,  album  per  canto 
e  danza  8 — :  N.  1.  Stornello  to.scauo: 
Quando  incontri  i  miei  occhi  2 — .  N.  2. 
Amor  infelice'1.50.  N.  3.  La  Sorpresa,  ST 
2.75.  N.  4.  Polka  1—.  N.  5.  Mazurka  1.23. 
N.  6.  Valzer  2.25  Ricordi- 

-  Valzer  2.25   Ricordi. 

-  Whv?   1/6  Novello. 

LucaVelli    A.   3   Pezzi,    P  4—:     Sentimento, 

valzer.     La    vellutina,   polka.    Gambrinus, 

mazurka,  a  2 — .  Forlivesi. 
Luccarini  A.  Barcarola  Veneziaua:  Le  stele 

se  specia  ridendo  nel  mar  2.50  Brocco. 
Lucarini    R.   luno  di   Guerra   degli   Italiani, 

all'unisono.  P  1.50  Ricordi. 

-  Marcia  funebre,  P  2.2ri  Ricordi. 

-  Mio    primo    amore.    schott.    —50    Gehrmitn. 


Lucarini  R.  Non  mama  pin 


—     (572 


Lucas-Cremont  op. 


-  Non  m'ama  piu,  muz.  —50  Gehrman. 

-  Pianto  di  Venezia,  notturno,  P  4 —  Ricordi. 
-Promessi    Sposi    di    Petrella.    fantasia,    FIP 

7 —  Ricordi. 
Lucas.  White:  Batelier  dc  la  tour  de  Nesles 
1 —  n  Jouhert. 

-  C  hildren,  I'm  gwine  to  shine,  song  &  eliorus 

—35. 
-DafFney,   do   you   love   me?   Song   &   chorus 
—35. 

-  De   coon   dat   had   de   razor,    comic   song   & 

chorus  — 40. 

-  De  day  I  was  sot  free,  song,  chorus  &  dance 

—35.' 

-  Dem  Golden  Shoes,  vocal  —35  n  Presser. 

-  Dem   silver    slippers,   comic   song   &   chorus 

-  Dis  darkey's  growin'old  — 35. 

-  Down  by  de  sunrise,  song  &  choru.s  — 35. 
-Don't  you   hear  the  baby  crying  —40. 
-Every   day'll  be   Sunday  by  &  by,   song  & 

chorus  — 40,  Banjo  ace.  — 25. 

-  Gentle  Mary  of  the  lea,  song  &  chorus  — 35. 

-  (TCt  up  with  the  lark,  motto  song  — 35. 
-Good-bve,    Annie    darling,     song  &   chorus 

—40.  " 

-  Grandfather's  old  arm  chair,  song  &  chorus 

—35. 

-  Hannah,  boil  dat  cabbage  down,  comic  song 

&  chorus  — 35. 

-  T  Done  Got  Rid  of  My  Burden,  vocal  — 3o  n 

-  I'm   thinking   of    the    golden    past,    song   & 

chorus  — 35. 

-  I'se  gwine    in    the    valley,    song  &  chorus 

—35. 

-  Jeremiah  Brown,  comic  song  &  chorus  — 4U. 

-  .Tolly  dude  — 35. 

-  Meet   me   at   sunrise   in   de   mornmg.   song 

&  chorus  — 35. 

-  Mother's  calling  baby  home,  song  &  chorus 

-On   the  banks    by     the     river   side,    song  & 
chorus  — 35. 

-  Paquerette   1 —  n  Jouberi. 

-  Put  on  mv  long  white  robe,  song  &  chorus 

—40. 

-  Shivering  &  shaking  out  in   the  cold,   song 

&    chorus   —35.    G    ace.    (arr.   Hay  den) 
—35. 
-Starlight  on  the   Sea.  waltz   song  — <5. 

-  Susam   Brown's   Wedding   Jubilee,    song   & 

chorus  — 40. 
-Talk    about    your     Moses,    comic     song    & 
chorus  — 35. 

-  Thankful  every  time,   comic  song  &  chorus 

—40. 

-  That's  what  the  little  bird  whi.spered  to  me 

— •'^•^■ 

-  Une     page    d'histoire    1— n.     <'h.   s.   — -iS  n 

Puigellier. 

-  Valse  caract.  FIP  7.50  Benoit. 

-  When     we    meet     in     the    sweet   bye-&-bye. 

jubilee-song  &  chorus  — 40. 

-  You  know  the  sort  of  fellow  I   mean  — 35. 

-  Zum  Tor  hinaus,  Marsch  — 60  Hansev. 

-  Zur  Heide,  Marsch  — 60  Hansen. 

Lucas  A.   Harvest  Hymn    3' —  per    100.   No- 
vella. 
Lucas  Alan,  Magnificat  &  Nunc  dimittis  — /3 

Novella. 


Luca.<s:      Ah!    fading    Joy 


Lucas   B.   Rentr^e  des  boeuts.   le   soir    1.50  ii 

Hamellc. 
Lucas  Beatrice  Stanley,  Let  not  your  heart 

be  troubled  — /3  n  Lucas. 
Lucas    Blanche,   Joie,     duetto     fern.     av.    0, 

Part,  ch.  /'  2.50  n  MtitueUe. 

-  Petits    concerto    spirituels:     Salvete    Ilores 

martyrum.  Regina  coeli.  Stetit  angelu.s 
ante  altare.  Diligamenis  me,  2  voix  feni. 
av.  0,  Part,  ch.  P  3 —  MuUieUe,  av.  Or// 
3 — ,  p.  de  ch.  — 75  Schola. 
Lucas  C.  Aui  Rheinstein.  rheinl.  Polka.  /' 
— 00  Lau. 

-  Ev'rybody  shout  fo'ma  baby,  comic  darling 

song  — 50  Brainard. 
-Rondo  in   B-flat,   VVcP   1/ — n  Donajowskl. 
Lucas  C.  W.  Der  deutsche  Rhein.  Volkslied 

fiir  eine  Sing.st   (und  Ghor  ad  lib.)    mit  P 

— 30  F>i7nrock. 
Lucas    Charles. 

— ;4  n. 

-  Blessed  be  the  Lord  — /4  u. 

-  Bowdown  Thine   ear  — /6  n. 

-  Clouds  from  ut  the  Skyare  diveu  3/ — . 

-  Hail  to  the  New-born  Spring  — /4  n. 

-  Homeward  Thoughts  3/ — . 

-  Hosanna  — /4  n. 

-  God,   the  strength  of   all  — /4  n. 

-  O  Lord,  open  thou  our  lips  — /4  n. 

-  Poets  Consolation   3/ — . 
-Sing  o  heavens!   — /4  n. 

Lucas  Clarence,  op.  5  N.  3.  O  dolce  Napoli. 
Serenade,  P,  G-dur  1 —  Breitkopf. 

-  8  Two  lyrics:  The  world's  wanderer.  To  one 

in  Paradise  4/ —  Ashdoicn. 

-  22  Fantasie  u.  Fuge,  P  1.50  ^imrock. 

-  24  Four  Ivrical  pieces,  P  4/ —  Augener. 

-  25    Saga,   ein    islilndisches   M-lrchen.    P   2 — 

Breitkopf. 
-27  Deux  Pi&ces,  gr.Org:    N.   1.   MMitation 
75.     N.  2.  Toccata  1.25  Schotl.. 

-  30  Elegie.  VP  1.30  Breitkopf. 

-36    Trois    Morceaux:     Offertorium.    Tuque. 

Gloria,  gr.  Org  1.50  t^chatt. 
-42  Legende    (D),   VP   1—  ScUrmer. 
-42  Legende,   VP  2—  fichott. 
.  44  Valse  Impromptu  —70  n  Presser. 
-Amour   vainqueur    (The   Royal   Red   Rose), 

Si  or   MS  —50  Schirmer. 
-Barcarolle      (Auf     dem    Wasser).     P     — bO 

Schirmer. 
-2   characteristic   Dances:   N.   1.  Fan   Dance. 
2    Graceful  Dance  4/—    Lloyds. 

-  Coming  years,  in  F  &  A  flat  4/—  Chappell. 

-  Love's  philosophy  — 35  Ditson. 

-  2  Pi&ces :  Pri&re.  Pastorale,  Org  2—  Leduc. 

-  Prelude  and  Fugue,  P  4/—  Forsyth. 

-  Riverside  Waltz  4/—  Chappell 

-5    Songs:      N.    1.   Day   is   dark   and   dreary 
r^O       N.    2.    Fountain    mingles    with    the 

rivers  — 60. 
-Spinning  Song   (Flying  Dutchman).  /    4 — 

Chappell. 

-  Sun  in   always  shining  2/—  n   Lloyds. 

-  Tarentella.  PV  4/—  Lloyds. 

-  When  comes  the  spring  — 35  Ditson. 

■  Woe's  me.  moe's  me.  S.4.TB  — /3  Chappell. 
Lucas-Cremont.    Chanot:    Op.    1    Ma    Chau- 
mi&re,  pastorale,   VP  4/—,  simplified  4/—. 

-  3  Tarentelle.    VP  4/—. 


Lucas-Cremont  op.  4 


Lucchini  G.  Vittorio 


4  liulero,    I  /'  5,—. 

5  Mazurka,  VP  4/ — . 

6  liarearolle,    VP  4/ — . 

7  Valse,  VP  5/—. 

Impatience!    Spanish   Serenade,    17'  4/ — . 
Lucas  Eus.  op.  9  Saltarelle,  P  2.50  liicordi. 

-  18    Luocioles,    polka-niaz.    :! —    Beiinit,    2 — 

Ricordi. 
19  Le  Rocher,  polka-iiiaz.  2 —  I'ieordi. 

-  20  Souvenirs,  valse  2.75  Ricordi. 

-  Fleurs  de  Monaco,  valse  C —  Ilerifiel. 

-  Lutins,  valse  2 —  n  Gallet. 

-  Mirage,  P  6 —  Ileugel. 

-  New  Herald,  galop   1.75  n  Frornoni. 

-  Polka  Grand-Hotel  5 —  Sulzbach. 

-  Regrets,     romance     sans     paroles,     P     1 .35 

Dura  lid. 

-  Re  veil,  P  1.50  Ricordi. 

-  Romance,  P  4 —  Heugel. 

-  Un   jour   an  Grand-Hotel,    petite  suite    illii- 

stree  par  Clerice,  P  3 —  ii  Froinonf. 

-  2p  Valse,  P  5 —  Heugel. 

Lucas  F.  de,  Luna,  canto  amer.  2 —  Mariani. 
Lucas  G.  Hymne  eternel  1.50  n  Joubert. 
Lucas    H.      Attaignant     (Abbe     de)     Fuyez 

Tamour   (1750),  chanson  av.  strophes  ajou- 

tees   1 — -n  Durand. 
Lucas   J.    B.   Ave   verum,    a   6   voix    mixtes. 

Org  2.50,  p.  d.  eh.  —25  Hchola. 

-  Domine  dominus  noster  a  3  voix  egales,  Org 

1—,  p.  d.  ch.  —10  Hchola. 

-  Domine  non  sum  dignus,  a  5   voix   mixtes, 

Org  2.50,  j).  d.  ch.  —25  Schola. 

-  Versets     pour    les   Vepres     des   Apotres    et 

Evangelistes,  d'un  et  de  plusieurs  Martyrs, 

Org  2.50   SchoLa. 
Lucas    Josef,    Am    Donaustrand,    Walzer,    Z 

1.20  Gruher. 
Lucas  Nat.  Kill  it,  kid  —50  Mills. 
Lucas  P.  Tottenham,  Benedicite   (in  A  flat) 

— /2  n  Vincent. 

-  Benedictus  — /2  Ashdoivn. 

-  Bright  days  of  old  4/ —  Orpheus. 

-  Fairy    voices,    moreeau    brillant,    Jpns    4/ — 

Leonard. 

-  Horns  are  sounding  treble,  two-part  — /2  n 

Vi72cent. 
-11  Hymn  Tunes  — /6  n   Vincent. 

-  In   Bethlehem,   that   noble   place    (Anglican 

Carol)   — /I  n  Vincent. 

-  Jubilate  — /2  n  Vincent. 

-  Little   maid   of   Normandie.    w.    V(Fl)    4/ — 

Orpheus. 

-  Magnificat  &  Nunc  Dimittis    (in   D)    — /3  n 

Vincent. 

-  Magpie,  8ATB  — /3  n    Vincent. 

-0  God  the  strength,  HATB    (with:    Hullah, 
Graces)   — /2  Ashdoion. 

■  6  Settings  of  the  Kyrie  Eleison  — /2  n  .4.s/i- 

down. 

-  Sing,  e  heavens,  SATE  — /2   Ashdown. 

■  Te  Deura  laudamus  — /2  n  Ashdoion. 

-  Te    Deum    laudamus    &    Benedictus,    chant 

service  in  A  — /3  n  Ashdown. 

-  N'^esper  Hymn  — /I  n  Vincent. 

Zamora's     Spell,     treble     two-part     1/ — n 

Vincent. 
Lucas    Sam.     Careful    Man    Songster     — 10 

White. 
Carve    dat 

D  it  son. 

TTriiversal-Handljiich  iler  Musikliteratur.    L. 


possum,     song    &    chorus     — 25 


-  Corne  &  row   on  de  golden   stream,   song  & 

chorus  — 40   Diison. 

-  Dar's  a  lock  on  de  chicken  coop  door,  soug 

&  chorus  —40  Diison,  — /2  Sheard. 

-  De  day  I   was  sot  free  — /2  Sheard. 

-  Gospel  cars,  song  &  chorus  — 40  Ditson. 

-  Grandfather's  old  Armchair  — /2  Sheard. 

-  In  the  morning  by  the  bright  light,  jubilee 

end  song  — /2   Sheard. 

-  Keep    a    hammering     into     my     soul     — 40 

Diison. 

-  Oh  I'll  meet  vou  dar,  comic  song  &  chorus 

—35  White." 

-  You   know  — 35  Ditson. 

Lucas   et  Yvonnette  — 30  n   Joubert. 

Lucatello,  Reine  du  Bal,  gavotta  1 — u  ^ f or- 
gan te. 

Lucattsi.  Dotesio:  Ave-Maria  (G  o  u  n  o  d) , 
transcr.  P  — 75  n. 

-  Editta,  fant.  P  1—  n. 

-  Ilugonotes,  fant.  P  1.20  n. 

-  L'ombra,  fant.  P  1.20  n. 
-Roberto,  fant.  P   1.20  u. 

-  Serenata    (Gounod),  transcr.  P  — 50  n. 
Lucca-Klange:     Valse    brillante    1.50.     Tau- 

|)erlen-Fantasie  1.50  Riihle. 
Lucchesi  C.  Ricordi:   Addio  2 — . 

-  Adelaide.  P  1.50. 
Aurora,  P  1.25. 

-  Carlotta,  maz.  2.50  Mariani. 

-  Cornelia,  P  1.50. 

-  Lia,  P  1.50. 
-Mimvs.  P  1.50. 

-  Salve  Regina!   2.50. 

-  Sempre!    P   1.50. 

-  Speranza,  P  1.50. 

Lucchesi  E.  Erzegovina,  mareia  militare  2 — 
Ricordi. 

-  Notturno      (Ricordo     della     Villa     Ottone), 

MavdP  2—  Bratti. 

-  Ricordo   d'amicizia,    polka   2.50   Carisch. 
-T'amo!   T'amo!   Polka  2 —  Carisch. 

-  Vn    felice    incontro,    mazurka   2.50    Carisch. 
Lucchesi       Italo,      Serica!      Mazurka      2.50 

Ca7-isch. 
Lucchesi    R.  A.  Love's  philosophy    (Amore), 

it.  &  eng.  — 75  Church. 
Lucchetti    M.  Abbandono,  P  2.50  Ricordi. 

-  Addio    di    Dante    a    Firenze,    recitative    e 

romanza,  MS  3.50  Ricordi. 
Lucchini   G.  Ricordi:   Op.  69  Growe.   /'   1—. 

-  70  Felicite,  P  1—. 
71   Camelia,  P  1—. 

■  72  Luisa,  P  1—. 

73  Florestine,  marehe  2.50. 

74  Monte-Carlo.  P  2.50. 

-  75  Honorine,   marehe   2.50, 

-76  Charles  III,  pas   red.   P   1.25. 

77  Marie,  P  1.75. 

78  Blanc,  P  1.50. 

79  La  Stillorgan,  P  4 — . 

-  80  La  voix  celeste,  m4lodie,  P  2.50. 

-  81   Pri&re  a  la  Vierge,  melodic,  P  2.50. 

-  82  Les  Alpes  maritimes,  P  4.50. 

-  83  Une  larme   sur   le   tombeau   du   Docteur 

Jean    Dominique    Bottini,    requiem,    pour 
deux  TB  et  choeur,  av.  P  3—  Ricordi. 
84  II  pill  bel  giorno  di  mia  vita,  capriccio 
fantastico,  P  3.50. 

-  Agnes,  polka  2—  Mariani. 

-  Vtttorio,    valzer    3 —    Mariani. 

43 


Lucchini  L.  Fvsca 


(174 


Lucilla  D.   Uaritu  r   Tristexxa 


Lucchini    Luigi,      Fosca,     capriccio-mazurka 

2 —  Ricordi. 
Lucchini  Z.  e  IVIosconi  G.  Metodo  per  Canto 

1.50  n  Martinenghi. 
Lucci-Sievers    M.    Grande    valse    1 — ^n    Cot- 

trnii, 

-  Liyre  de  la  vie   1.70  n  Hhondens. 

-  Pitie  pour  sa  douleur   1 —  u  Choudens. 
Luce  J.  O  Salutaris,  8,  MS  av.  Org(P)  1.70  n 

Decotircelle. 
Luce  Jean,  Odalisque,   VP  9 —  Carhonel. 

-  Pi&ces     caract^ristiques:      N.     1.     Serenade 

1.50.  N.  2.  Bol6ro,  P  2.30  Vranz. 
■  Reverie,  VP  7.50  Carhonel. 
Luce   L.   Evette:    Affranchi,   pas   red.    ll<irm 

3— u. 

-  Alma,  marche,  Harm  3 —  n. 

-  Bambo,   divertissement.    Harm,    Part  5 —  n. 

-  Barcarolle,  Harm,  Part  3 —  n. 

-  Bon  Mazas,  av.  Tambour,  Harin  3 — ■  n. 

-  Brididi,  pas  red.  Harm  3 —  n. 

-  Capricieuse,  valse,  Harm,  Part  5- —  n. 

-  Chourineur,  pas   red.  Harin  3 —  n. 

-  Coucous,  quadr.  Harm,  Part  5 —  n. 

-  Dani-Dan,      quadr.     arabe    5—     Cariereau, 

Harm(Fanf),   Part   4..50  n,    p.   s.   :\   —15  n. 

-  Diablotins,   galop,   Harm,  Part   3 — n. 

-  Fant.  espagnole,   Harm,  Part  5 —  u. 

-  Fleur    de    Marie,    barcarolle.    Harm,    Part 

3— n. 

-  Giaour,  pas  red.  Harm  3 —  u. 

-  Klaondia,  polka.  Harm,,  Part  3 —  n. 

-  Lascar,  ])a3  red.  de  route.  Harm  3 —  n. 

-  Marche  fuuebre,   Harjn   3 —  u. 

-  Morceau  de  repos,  fant.  Harm,  Part  5 —  u. 

-  Nuit  du  Sabbat,  quadr.  Harm,  Part  5 —  n. 
-Pas  redouble,  N.  1 — 4,  Harm  a.  3 — n. 

-  Pour   le  drapeau,  valse,  Harm,  Part  3 —  n. 

-  R6gina,  fant.  Harm,  Part  5 —  n. 

-  Sardanopale,   pas   red.  Harm  3—  u. 

-  Souvenir,  av.  Tr,  pas  red.  Harm  3 —  u. 

-  Valse,  Harm,  av.  Piston,  Part  3 —  n. 

-  Valse,  av.  Tr,  Harm,  Part  3 —  n. 

-  Violette,  pas  red.  Harm  3 —  n. 
Luce-Ley,    Federika,    maz.    1.50  u    Rouart. 
Lucet,  Cabaret  — 30  n  Joubert. 
Lucette,  Tyrolienne  1 —  n  Joubert. 
Luchaire    H.   Amour    printauier,   polka-maz. 

1 —  n  Puigcllier. 

-  Coquette,   polka   1 —  n   Puigellier. 

-  Dans  un  Baiser  — 75  n,  Vh.  s.  — 35  n  Hayet. 

-  Enfant-Dieu,  mel.   relig.   av.  P  ou  Org  6 — 

Noel. 

-  Hymne  d'amour,  m^lodie  1.75  n  Hayet. 

-  Orgueilleuse,  valse  2 —  n  Puigellier. 

-  Stances.  Album  lyr.  frangais. 

-  Voluptueuse,  valse  2 — -  n  Puigellier. 
Luche    E.    M.     Sweets    of     life,     polka  — 30 

Gordon. 
Lucherini    D.    Placido,     Monaco     Valombro- 

sano,  tautum  ergo  — 80  Eerenheemt. 
Lucherini    IVl.   Placido,     Monaco    Valombro- 

sano,  invito  alia  pregliiera,  Org  od  H  — 50 

Ecrcnheemi. 
Lucherini    P.    Ecce    facerdos   magnus    a    IV. 

voci  dissimili,   Part    1 —  n  Pusfef. 
Luchesi,  Vidi  Aquam,  quart.  — 25    Willig. 
Lucchesi    F.     Smith's     march      (Martin), 

Jfms  — 40  Ditsov. 
Lucchesi    P.ichard   A.   op.  26  An   Printemps, 

P  —75  Dil.sov. 


Liici   care  addio  2,0  Cliap]ieU. 
Follie     campestri. 


.uciani     D.     Follie     campestri,     polka     1 — 

I        Eerenbcemt. 

j    Luciani   E.  Da  I'Anima,  waltzer.  2MandMaG 

1        — 15  u  II   Concerto. 

i  Luciani  Luciano,  Follia,  capriccio-fantasia- 
terzetto,  obbligato  a  Cornettn  si  b,  Flis- 
cornu    Basso   c    Bomhardino    3 — n   Lapini. 

-  luuoceuza,    Band,   Part   1.50  n    fjupini. 
Luciano.   Gloria  al   nifio.  con   Org   1 —  n   Dn 

tesio. 

-  Rey  de  los  cielos,  a  solo  y  norn  y  Org  — 75  n 
Do  tesio. 

-  Voila  Facile  ahcie,  P  1 —  Braky. 
Lucich  Antonio,  Egli  mori  1— u  Cottrau. 
Lucidi  A.  Foglie  sparse,  movimenti  di  valzer 

3.50  n  Ricordi. 

-  "')  Melodic:  1.  L' Addio  sul  Mincio.  2.  Canto 
della  sera.  3.  Laniento  d'un  INIugnaio.  i\ 
2 —  Ricordi. 

Lucien-Farjali.  Puihr:  A  perdre  haleiue 
1.25  D. 

-  Ange  bloTid   1.25  n. 

-  Beau  lys  parfum^,  quintette  a  cordes  avec 
/'  cond.  BoesioilJ valid.  _ 

-  Cri  d'amour  1.25  u. 

■  Dis-lui,   melodie    1.25  ii. 

-  .Te  ne  sais  plus,  melodie  1.25  n. 

-  Libellule   1.25  n. 

-  O  charmeresse,  vaLse,  quintette  A  cordes. 
Chaimbaud,  ditto  avec  /-"  cond.  Boesirill- 
walld. 

-  On   a   oubliee   1.25  n. 

-  Pensez  a  moi   1.25  u. 

-  Quaud  je  te   vols,   melodie    1.25  n. 

-  Quand   tu   m'ainifiis,   molodie   1.25  n. 

-  Bosi&re   1.25  n. 

-  Verheven   Poesie  — 60   Bey  mans. 
Lucietto  G.  Andantino  e  fughetta  finale.   VP 

1.75  Carisch. 
-Burlesque,   VP  2 — n   CtiriscJi. 

-  Meditazioue,   VP  1.50  u   Cariscli. 

■  Minuetto,  P  1.50  Romano. 

-  Romantico,    VP   1.50   Carisch. 
-2  Trios,   VVcP:    1.   Contemplation.  2.  Sc6ne 

Villageoise,   a   1.60   Carisch. 
Lucifer  V.  — 25  Pinatcl. 

Lucifero  P.  Rimpianto  2 — n  Blanchi. 

-  Vieui  2 —  u  Blanchi. 
Lucilla    Domenico,    op.    3    Les    Vepres   »Siei- 

lieinics,  bolero  transcrit.  P  4 —  Ricordi. 

-  4    Les    Cloches    et   les    Clochettes.    etude    de 
salon,  P  2.25  Ricordi. 

-  12  Un  Ballo  in  maschera,  fantaisie.  P  3.50 
Ricordi. 

-  A  Venezia.  il  canto  del  gondoliero,  melodia, 
P  3 —  Muriatu. 

-  Addio  del  passato,  aria  nella  Traviata, 
variata,  P  4 —  Ricordi. 

-  All'Italia.  II  Volontario,  canto  popolare 
per  voci  all'unisono   1.50  Ricordi. 

-  Alia  niemoria  di  Re  Vittorio  Emanuele  IT. 
pensiero  funebre,  P  2 —  Carisch. 

-  Bianco  fiore!  2  melodie:  Prima!  Dopo!  a 
3 —  Carisch. 

-  Chiamatelo   destino   2 —   Ricordi. 

-  Gioia,  valzer-cauto  3.50  Ricordi. 

-  Giovane   accattone  3 —  Mariayii. 

■  In  riva  al  mare  2.50  Ricordi. 

-  Ttarita  e  Tristezza,  capriccio,  P  3 — ■  Ri- 
cordi. 


Lucilla  D.  Memona  di  VaUlieri 


H75 


Lugon  F.  Mesange 


-  Memoria   di    Valdieri     nel   Luglio    1865.     Tl 

Semprevivo   1.50  Rwordi. 

-  Nozze,  valzer  4 —  Mariani. 

-  Pescatore  Ligure,  album  vocale  per  camera 

10 — :  N.  i.  La  parteuza  del  pescatore, 
arietta.  2.  La  Carzone  del  Pescatore,  canz. 
:5.  II  Lamento,  romanza.  4.  II  Brindisi, 
valzer.  5.  La  Preghiera,  melodia.  6.  II 
Ritoruo,  barcarola,  a  2 —  Mariani. 

-  Storuello  d'amore  2.50  Mariani. 

-  Vergine  tradita  2.50  I'icordi. 

Lucille,    Belle   Marie,    waltz   4/ —    Cramer. 
Lucinda.     T     am     waiting     for     you     2/ — n 

iiheard. 
Lucindo    Dr.    Filho,    Berceuse,     romauce,    P 

1.50   GuimurAcs. 

-  Chant  du  Coeur,  P  1.50  Guiviara.es. 

-  Myosotis,  maz.  2 —  Napole5o. 

-  Pagan,   valse  2.50   Guimaraes. 

-  Seductova,   valsa  2.50  Napoleao. 

-  Sensativa,  gavotta,  P  1.50  Napolesio. 
Luciole,  L^gende  1 —  n  Joubert. 

Luck    A.     Ben     Bolt     Paraphr.     m<)    — 75  a 
Colemayi. 

-  M.  and  S.  H.  march.  inO  — 50,  single  parts 

— 05  Coleman. 

-  Sweet    Alice,    Ben    Bolt,    paraphr.    P    — 60 

Coleman. 
-Sweet  Alice,   Ben  Bolt,  paraphr.    (&  Abt: 

Like  the  Lark,  &  K  ii  c  k  e  n :  Abschied  der 

Schwalben),     FullO     1—,      Ik  parts     —80, 

10  parts   —60,    VCornetP   —30,    VP  —25. 

P  ace.  — 15.  other  ps.  a  — ^10  Coleman. 
Luck     H.    van,      Charmeuse,     valse     2/—  n 

Ascherberg. 
Luck  M.  op.  1  Var.  iiber  ein  Original-Thema, 

P  3 —  Stahl,  1.50  Schirmer. 
Luck   Van,    Premier    Amour,    polka    1.70,    0 

1 —   Gheluwe. 
Lucke    Albert,    op.    12    GroBmutter    erzahlt 

Miirchen,  Lied  o.  W.  Z  — 60  Kabatek. 
Etwas   Lustiges,   Polka,   Z   —30    Heinrichs- 

hofen. 
Lucke  Fritz,  op.  1  SuBe  Erinneruug,  Elegie, 

Ve  m.  Sfr-QuartettrP;   1.20  Teich. 

2  Romanze,  Vc  m.  S(r-Quartett  1.20  Teich. 

3  Weihnachtszauber.      S/r-Quartett      — 75 
Teich. 

-41    Wilde    Rose:    ., Wilde    Ros    am    Berges- 

hang",   TTBB   1—  Teich. 
Luckenbach,   Snowflake,  polka  —30  Ditson. 

Lucker  W.  A.   Eoffmann:    Op.   23  Veilchen- 
Polka  —60. 

-  30  Coronini,  Polka  —60. 

-  36   GruB   an  Wien,  Galopp   —60. 
40  GruB  an  Hamburg.  Galopp  — 60. 

-  59  Vereinsball.  Galopj)  —90. 

-  60   Neuner-Galopp  — 60. 

-  Amelie-Polka  — 60. 

-  Anna-Polka  — 60. 

-  Anna-Quadrille    1.08. 

-  Annenhuldigungs-Quadrillc    1.08. 

-  Annerl-Polka  — 60. 

-  BallstrauBchen,   Walzer   1.62. 

-  Basteikriinzchen,   Galopp  — 60. 

-  Erinnerung  an  Gastein,  Walzer  1.80. 

-  Erinnerung  an  Weimar,  Quadrille  1.08. 

-  Galopp   elegant  — 90. 
-Gluck  auf!    Polka  —60. 
-Die   Grille,   Polka   —60. 

-  Grufi  an  Prag,  Galopp  — 54. 


-  Hyde  Park-Polka  —60. 

-  Liaison-Quadrille  1.08. 

-  Louise,  Polka-Mazur  — 60. 

-  Ludovica,  Polka  — 54. 
-Monti jo,  Quadrille   1.20. 

-  Nina,   Polka-Mazur  — 60. 

-  Olga,  Mazurka  — 60. 
Orphelia-Quadrille    1.08. 

-  Polka  trembiante  — 60. 

-  Prager  Esmeralda  — 64. 

-  Prager  Studenten,  Polka  — 54. 

-  Regent  Park-Polka  —60. 

-  Sirenen-Polka  — 60. 

-  Vereinsball tanze,   Walzer    1.62. 
V 'slauer-Polka  ■ — 54. 

-  Wiener-Polka   trembl.   — 54. 

Lucker   W.    P.    Soldier    to   his   mother   — tO 

Brainard. 
Luckhardt    G.    Sammluug    von    30'  SRnger- 

spriichen,      SangergriiBen,      Toasten      usw. 

Part  1^ —  n,  Chorst  2 —  n  Lnckhardt. 
Luckiest,  Coon  in  Town  2/ — n  Sheard. 
Luckstone    Isidore,    Among    the    magnolias. 

»S'  or  T  or  MS  or  Bar  —40  White. 

-  Angelus  2/ —  Boosey. 

-  Berceuse,  VP  — 50  Church. 

-  Clown's  serenade  — 50  Church. 

-  Come  home,  beloved  — 50  Church. 
-Delight    (Diletto),   it.  &  eng.  — 75   Church. 

-  Forever    true,    S  or   T  or   C  or  Bar    —40 

White. 

-  Forsaken,  song,   Vc  obi.  — ^75  Church. 

-  Latest,  marche,   Mil.  Band  — 50  Church. 

-  Little  blue  eyed  Nellie  —35  White. 

-  Lullaby,  S'  or  T  or  MS  or  Bar  —50  White. 

-  Minstrel  — 60  Chrirch. 

-  On   the  blue  Pacific  —40  White. 

-  Only  — 40  Church. 

-  Poliy  —35   White. 

-  Reason  why  — 50  Church. 

-  Remembrance   — 60   Church. 

-  Sweet  nightingale  — 75   Church. 

-  Would  I  had  known  — 50  Church. 
Lucky    Jim    (Belle     of     New    York)      2/— n 

Sh card. 

Lucky    Jim     (Bonheur's    Kindergarten,    Se- 
ries N.   15),  P  — /6n  Sheard. 

Lugon   F.  Ave  Maria,  STB  1.50  n  PSrSgally. 

-Ave   verum,   STB    1.50  n  P^rSgally. 

-  Baptgme  de  mon  cousin,  ch.  com.  av  parl4 

1 .35  n    Bornemann. 
•  Bapteme    du     petit   Fripouillot,     av.    parl6 
1 —  n,  Ch.   s.  — 40  n   Bornemann. 

-  Beaux   rgves   1 —  n,   Ch.   s.  — 35  n   Lesigne. 

-  Boule   de   neige   2/ —  n   Ascherberg. 

-  Chauvin,  et  Dumanet,  sayn&te  com.  2  hom. 

av.   parl6   2 —  n,   Ch.   s.    1 —  n  Bornemann. 

-  Cornichon   1 —  n,  Ch.  s.  — 40  n  Bornemann. 

-  Ecole  des  maris  1 —  n,  av.  G  — 40  n  LahbS. 

-  Faites  un  nid  3 — ,  Ch.  s.   1 —  Cartereau. 

-  Femme  aux  jambes  de  bois  3 — ,  Ch.  s.  1 — 

Cartereau. 
-Humble  fleur,  a  3  v.  6g.   1 — n  Sulzhaeh. 

-  Jean  le  faucheur  3 —  Sitlzbach. 

-  Joueur  de  musette  3—  Sitlzbach. 

-  Laisse-moi    I'esp^rance    3 —   Sulzbach. 

-  Linotte.    varsoviana    3.75    Cartereau. 

-  Ma  femme  a  renvoy^  sa  bonne  1 —  n,  Ch.  s. 

— 40  n   Bornemann. 

-  M4sange.    nolka-maz.    3 —   Cartereau. 

43* 


Lugon  F.  Messe 


676 


Ludovic  A.  Princp  Ferdiiuind-  Waltx 


-Messe,   SAB,  Part   10 — .   i)ait.   vocales   sep. 
a  1 —  PeregaJly. 

-  Messes  arraiigees  a  3  parties  (8TB)  sur  le 

plain-chant  romain,  av.  A'Drg:  N.  1.  Messe 
(les  Morts  1 — .  N.  2.  Messe  des  Doubles 
1 — .  N.  3.  Messe  des  Doubles  niajeurs  1 — . 
N.  4.  Messe  des  Doubles  de  '2e  classe  1.50 
Pinatel. 

-  O  salutaris.  Fcrcgdllif. 

-  Pauvre    petite   1 — n    Ror)iciii<iiiii. 

-  Petit  patre  3 —  Hulzbach. 

-  Pichenette  3 —  Sulzhnch. 

-  Prends  garde  aux  loups  1 —  u.  Cli.  s.  — 35  n 

Lesigne. 

-  Qui  n'entend  qu'uiu'  clofhe  3 — .   ('1i.   n.   1 — 

Carfereau. 
-Hieu  eomme  toi    1 — ii.  av.   (1  — 40  n.  Oh.   s. 


1.50  n    Fercgally. 
ou  3   voix   es.   1.^0  n 


Pere 


-Sub   tuum,    STB 
-  Tantuin  ergo,   1 

qallv- 
-fota'pulchra   es,  SATB  2— n  Percgally. 
Lucy    Long    &   Road    to    Boston    (Recruiting 

march),  P  —10  Brahiord. 
Lucy    Lou    2/ —  n,    w.    Banjo    2/ —  u 
Lucy   Neal   2/ —  Ashdoicn. 
Lucy    Neale    &    Dance,    boatman,    ( 

— 10    (Gordon. 
Lucy   Neale   &   Sing,   sing,   darkies. 

— 10  Brainurd. 


S heard. 


r 


11    Rouhier. 
(&  Claude  r. 
11,    parts    —80, 
—30,    17' 


Lucy,   Souvenance,    niaz 
Lucy  Chapin,   Alice  tTavotte 

Mignonette).    FullO     1 

10   pari.'^   —60,    VCornetP  —30,    17'   —25, 

P  ace.  — 15   Coleman. 

-  Chinese   March,    mO    1.50  n    {&   P  u  erne  r, 

Scotia  March),  FullO   1—.    U   parts  —75, 

JO   parts   —60,    VCornetP   —30.    VP   —25. 

P  ace.  — 15   Coleman. 
-Tourist     March      (&     Tregina,     General 

Palmer's    March),     FullO     1—,      I't    parts 

—75,   JO   parts   —60,    VCornetP   —30,    VP 

— 25,   P   ace.   — 15   Coleman. 
Lucyo   M.  Societe  lihre:   Ah!    les   i>"tits  bois. 

scie. 

-  C'est  un 

-  Chan.sou 

-  Chanson 


rt>ni.-i>()ufFe. 


sal"  bete! 

des  chats. 

des  poils. 
Convictions    fermes. 
Explication. 
Idylle   salee. 
II  6tait  bon. 
II  ne  faut  pas  aimer. 
Imperatrice    des    cocodettes, 
Legende  de  mousse 
Lettre    sincere. 
Leurs  petits  petards. 


chans.    com. 


-  Mes  godillots. 


chans.    a    refrain. 


-  Hon   petit   z'oiseau, 

-  On   va   s'couoher, 

-  Rousset,  chans.  de  ion. 

-  Supfiriorite,    epilepsie. 

-  Trois  Ivresses. 

-  Un   vrai    gentleman,      IJelignii-Pixris. 

-  Y  a  plus  personne. 

Lud,  A  bas  I'bahut!  Jeune  lille  a  niarier. 
La  Saint-Charlemagne.  Le  Chercheur  de 
rendez-vous.  Le  Monsieur  qui  ne  va  pas. 
Tous  les  metiers.  Pepertoires  rennis. 

-  Enlevement  tragique.      Manrel. 

-  Ocil,    ('>tnd('    anatomiqiu^.      Maurd. 


-  Requin  du  Tartar! n.   hist.  IMarseill.    Ilvjirr- 

toires   rennis. 

-Roman  {-hiffre    1.75  u  Maiirvl. 

Lud-Bunel,    Animaux   en    greve,     Maurel. 

Luda  A.  op.  8  Drei  Lieder:  1,  Wander- 
.schaft:  ,,Von  Grund  bis  zu  den  Gipfeln", 
2.  Treue:  ,,Wenn  schon  alle  Voglein 
schweigen".  3.  Der  frolie  Wandersmann : 
..Wem  Gott  will  rechte  Giinst  erweisen", 
a  — 75  Ruabe. 

-9  Drei  Lieder:  Nr.  1.  An  die  Entfernte: 
.,Diese  Rosen  pfiiick'  ich  bier,  Geliebte 
dir".  2.  Abend:  ,,Nun  ist  es  stiller  Abend 
wieder".  3.  Im  wunderschonen  Monat 
Mai   1 —  Kaabe. 

-10  Drei  Snlonstiicke  in  Roudoforni:  Nr.  1. 
Walzer.  2.  Mazurka.  3.  Walzer.  ii  — 75 
Raabe. 

-11  Der  Einsiedler:  ,,Du  Trost  der  Welt.- 
du  stilles  Meer""  — 75   ]'aabe. 

-  12  Fautasie,  P  1.25  Raabe. 

-Melanie.    valsp  brillante.    17'   1.50  ./.    Schii- 

hrrth . 
Ludden   W.   tiloria   in  excelsis  — 25    Pond. 

-  God  is  wisdom  — 15  Pond. 

-  Jerusalem  the  golden,  quart.  — 15   Pond. 
-Thorough      Bass       (tbeoret.      work)       1 — n 

Church. 

-  Thou   eternal,  solo,  duo,   quart.  — 20  Pond. 
Ludebuehl  J.  P.  Album  loaf,  P  —30  Dit.son. 

-  Brightest  Spot   on  Earth  — 30  n    Presser. 

-  Come  Unto  Me  ^40  n   Presser. 

-  Gipsy  Band,  P  —30  Ditson. 

-  Grandmother's  Birthday,  P  — -25  n   /V(^.s-.s'«r. 

-  Must  1  Forget  Thee  — 30  n  Presser. 

-  Scherzino,  P  — 25  n   Presser. 

Ludecke  L.  Exercices  pratiques  pour  servir 
:"i  I'enseignement  61ementaire  de  P  d'apr^s 
la  M^thode  de  W  e  d  e  m  a  n  n  — 75  Jur- 
geiiso7i. 

Ludeke,  Glen  Springs  Galop  — 35  Groene. 

Ludenuppel  im  Verhor,  kom.  Gerichtsszene 
f.   3  Herren  2 —  0.  Dietrich. 

Luders,    op.    30    VVein.    Weib 
Marsch    1—   Kott. 

Luders    Charles,    Corsaire.    /'    4, 
berg. 

-  I    love    you.    dear.    &    only     you 

Kinley. 

-  Over  the  sea.  drawing-room   trio  for  treble 

voice    3/ — ,    Class    copy,    Voc.    score    — /2  n 
.ishdown. 

-  Tarantella,  P  3/ —  Ascherberg. 

-  Upon  the  mountains,  drawing-room  trio  for 

treble    voices   3/ — ,   Class   copy.  Voc.    score 

— /2  n   Ashdoion. 
Ludewig    A.    In    stillpr    Nacht, 

2—  Schon. 
Ludo,  Amour  a  la  tiir(|iu'  1 — n, 

Puigellier. 

-  Quatre    rapins     1 — n,     ('//.    s. 

gellier. 

-  Reine  des  Manolas  1 — n,  Ch. 

qellier. 
Ludolffs   O.   op.  4  Die   Wallfahrt   nach  Kev- 
laar:    „Am  Fenster  stand  die  Mutter"   1  — 
Breitkopf. 

-  In  the  Morning,  chorus  — 15  n  Schirmer. 

-  Ye  Flowers,  men's  chorus  — 12  n  Schirmer. 
Ludovic   A.     Prince     Ferdinand-Waltz     — 50' 

■/.   //.  Schroeder. 


und  Gesang, 
4, —  .Vscher- 
—25     Mc. 


Adagio,    (HP 

Ch.  s.  —35  n 
—35  n 
s.  —35  n 


Pni- 


Pui- 


Ludovic  G.  op.   .'JO 


—     (J77 


Ludovic  G.  op.  69 


Ludovic  G.  op.  30  Ball  waltz  — 35  Ditson, 
Gordon,  — 30  (Jroeue,  — 35  n  Fresser,  2/6 
i^chott,  1.35  Schotf  Freres,  3 —  Mariani. 

-31  Fanfare  Militaire,  morceau  carnrt.  P 
1.35    l^c]ioff    Frvrcs,    3 —    MurUini. 

-  32  La  Fete   an   Village,   morceau   caract.    F 

26  Schotl.  1.35  Schotl  Frerfs.  3 —  Ma- 
riani. 

-  33  Chanson  de  Marguerite,  morceau  caract. 

/'  1 —  i^choit,  — 35  Gordon,  —10  Mc.  Kin- 
ley,  1.35  ScJiott  Freres,  3 —  Mariani,  1.50 
Bevilacquu,  Vah.-Org  — 10  Mr.  Kinley. 
-34  L'Orage.  morceau  caract.  /^  1.35  ScJioft 
Freres,  3 —  Mariani. 
35  Les  Clochettes  (Silvery  bells),  1'  —35 
Ditson,  1.35  Schott  Freres,  3 —  Mariani. 

-  36   Orange   flowers,    waltz     —60     Brainard, 

—50  Ditson,  — 60  Fvaiis,  — 40  Fischer. 
— 50  Gordon,  — 10  Mc.  Kinley.  National 
Music  Co.,  — 40  n  Pre.'iser,  (Fleurs  d'Oran- 
ger)  1.75  Schott  Freres,  5 —  Mariani,  1.50 
Bevilacqua,  2 —  Guimariies,  — 40  Nev- 
]xirth,  Ji7ns  — 85  Ditso/i,  — 50  Gordon,  — 75 
White,  2 —  Schott  Freres.  6—  Mariani, 
2.50  Beritacqmi,  FIP  2—  Sckoti.  VPCornet 
ad  lib.  — 10  Mc.  Kinley,  Bandu  —25  Nev- 
parlh,  0  5 — n  Schott  Freres. 
-37  Valse  des  Patineurs  1.50  Fiirstner,  4/ — 
Schott,  2—  Schott  Freres,  2—  Ricordi, 
4ins  1—  Brainard,  4/—  Schott.  2—  Schott 
Freres. 

-  38    Tour    d'Europe,    melange    d'airs    uatio- 

iiaux,  P   1.80  Fiirstner,  2—  Schott  Freres, 
yp  6/—  Schott,  3—  Schott  Freres. 
39   Au  bord  du  Lac,  caprice,  P  2 —  Furst- 
rtcr,  4/—   Schott,   1.35    Schott    Freres.   2.50 
Hicordi. 

-40  Tarantelle,  P  — 50  Gordon.  •/.  //.  Schroe- 
der,  2 —  Schott  Freres. 

-41  Bolero.  P  1.35  Schott  Freres.  1 —  Bevi- 
lacqua. 

-42  Galop  du  Diable  1.50  Fiirstner,  — 30 
Church,  —50  Gordon.  1.75  Scliolt  Frdres, 
2 —  Ricordi,  — 40  Scnparth,  .i,ms  4/ — 
Schott,  2—  Schott  Freres,  Banda  —20 
Neuparth,   0   2 —  u   Schott    Freres. 

-  43    Souvenir    de    Bale,    polka-maz.    de    salon 

1.30  Fiirstner.  1.35  Schott  Freres,  1.25  Ri- 
cordi. 
-44  R6ve  d'un  Ange,  P  1.50  Fiirstner,  1 — 
Schott,  (Angel's  dream)  — 50  Brainard, 
— 40  Ditson,  — 35  Gordon.  — 30  n  Presser, 
1.35  Schott  Freres,  1.50  Ricordi,  1—  Bevi- 
lacqua,  1.50  Guimarties,  — 40  Neuparth, 
5— n  Salvat,  (Sueno  de  un  angel)  — 50 
Wagner  y  Levien,  '/Wfs  4/ —  Schott.  2 — 
Schott  Fteres,  MandP   1.75   Schott  Frires. 

-  45  La  derniC-re  Pensee  de  W  e  b  e  r,  VP  4/ — 

Schott,  2—  Schott  Freres. 

-  46     Les     Soirees     dramatiques,     fantaisies 

brillantes  sur  des  operas  favoris,  P:  1. 
La  Norma  de  Bellini,  2.  La  Flflte  en- 
chantee  de  Mozart.  3.  L'Elisire  d'amore 
de  Donizetti,  4.  Le  Barbier  de  Seville 
de  Rossini,  5.  Les  Puritains  de  Bel- 
lini, 6.  Robin  de  Bois  de  W  e  b  e  r,  7. 
Lucie    de    Lammermoor    de   Donizetti, 

8.  La  Fille  du  Regiment  de  Donizetti, 

9.  Don  Juan  de  Mozart,  10.  Les  Noces 
de  Figaro  de  Mozart,  11.  Oberon  de 
Weber,    12.    Les   Joyeuses    Commferes    de 


Windsor  de  N  i  c  o  1  a  i,  13.  Les  Huguenots, 
14.  L'Africaine,  a  1.75  Schott  Freres,  -ims 
a  4/ —  Schott,  a  2—  Schott  Freres. 

-  46  Les  Soirees  dramatiques:   1.  II  Trovatore, 

2.    Rigoletto,    3.    La   Traviata,    P    a     3.50, 
■ims  a  4.50  Ricordi.  Traviata  &  Trovatore, 
P  a  — 50  Gordon. 
47    Le    Printemps,    bluette,    /-•    1.35    Schott 
Freres,  — 30  Neuparth. 

-  48    Clochette    du    couvent,    caprice,    P    — 30 

Church,  — 30  Ditson,  — 40  Fischer,  — 30 
Gordon,  — 10  Mc.  Kinley,  National  Music 
Co.,  1.35  Schott  Freres,  3 —  Mariani,  VP 
— -35,  Cab. -Org  — 10  Mc.  Kinley,  & 
Haydn,  Come  gentle  Spring,  FitllO  1.50, 
U  instr  1.25,  10  Instr  1—,  P  —40  Fischer. 

-  49    Souvenir     du    Camp,     pas     red^.     P     1 — 

Schott,  — 35  Gordon,  — 10  National  Music 
Co.,  1.35  Scliott  Freres,  Jfins  4/ —  Schott, 
2 —  Schott  Freres,  Tlarni,  Fanf  2 — n 
Schott  Freres. 
-50  Pearls  &  laces  (Perles  et  Dentelles), 
waltz  — 50  Ditson,  — 35  Gordon,  — 10  Mc. 
Kinley,  National  Music  Co.,  1.75  Schott 
Freres,  4 —  Mariani,  4ms  — 65,  by  P.  L  a- 
t  o  u  r  —60  Ditson,  2—  Schott  Freres,  YP 
— 35  Gordon,  Cab. -Org  — 10  Mc.  Kinley, 
—25    White. 

-  51    Fleurs  waltz  — 35  Ditson,  — 30  Gordon, 

— 10  Mc.  Kinley,  National  Music  Co.,  1.75 
Schott  Freres. 

-  52  La  Clochette  du   patre.  bluette.    '/m.s  1.75 

Schott   Freres. 
-53    L'Eglantiue     (Sweet    Briar),    valse    mi- 
gnonne  — 60  Brainard,  - — 40  Church,  — 50 
Ditson,  Gordon,   1.75  Schott  Freres. 

-  54   Le    Carillon    de   Noel,   val.se    1.75   Schott 

Freres. 

-  55   Marguerite,   valse,   VP  4/ —   Schott,  2 — 

Schott  Freres,  MandP  1.75  Schott  Freres. 

-  56   Le   Carneval    de   Venise,   P   1.35   Schott 

Freres. 

-  57    Le    Boiujuet    de    Roses,    6    danses    3 — : 

1.  Val.se,  2.  Polka,  3.  Polka-Mazurka,  4. 
Schottiseh,  5.  Redowa,  6.  Galop,  k  1  — 
Schott  Freres. 

-  58    Mignonette,    polka    — 25    Gordon,    — 85 

Schott    Freres. 

59  Aller  et  Retour,  galop  1.35  Schott  Frdres, 
4 —  Mariani. 

-  60     Cavalerie     l€\2:^re.     galop      1 —     Schott 

Freres. 

-  61  Enigmatique,  polka  1 —  Schott  Freres. 

-  62  La  i)etite  Jardiniere   (The  Flower  Girl), 

valse  brill.   2 —  Schott  Freres. 
-63     Remember     (Souviens-toi),    bluette,    P 

—30    Church,    —35    Groene,     1.35    Schott, 

F^reres. 
-64     Reve     de     Bonheur      (Happy     dream). 

rgverie-m^lodie,  P  1.75   Schott  Freres,  4: — 

Mariani,  — 40  Neuparth. 
65   Souvenir   du   Canada,   dan.se   nfigre    1.35 

Schott  Freres,  3 —  Mariani. 

-  66    Galop    des    Clowns    1.35    Schott   Freres, 

4 —   Mariani. 
-67  Fantaisie  brill,  sur  I'op^ra :  Fatinitza,  P 
2 —  Schott  Freres. 

-  68  Un  doux  Songe,  nocturne,  P  1.55  Schott 

Freres,   2 —   Mariani. 
-69  Train  d'Enfer,   galop  —50  Gordon,   1.35 
Schott  Freres. 


Ludovic  G.  op.   tO 


678 


Ludovic  G.  Gavotte  Stephanie 


-  70  Nid  d'oiseaiix,   rgverie   melodie.  P  — 50 

Brninard.    — 10    Mc.    Kinley,    1.76    Schott 
Frcres,    3 —   Mariani,  — 40   Neuparth. 

-  71  Fautaisie  eleg.  sur  I'opera :   Le  Cadet  de 

Marine,  P  2 —  Schott  Fr^rcs. 

-  72  Seduisante,  schottisch  6l6g.  — o5  Church, 

Gordon,  1—  Schott  Freres. 

-  73  Stephanie,  polka-maz.  eleg.  — 35  Ditsov. 

1.35  Schott  Freres. 
-74   Souvenir     de    Madrid,    bolero.   P     1.7") 
Schott  Freres,  1.50  Bevilacqua. 

-  75   L'Infatigable,   galop   1 —  Schott  Freres. 

-  76   Uu   Souvenir,   romance   sans   paroles,    P 

1.35  Schott  Freres. 

-  77   Couronne     de     Roses,     valse    6leg.     2 — 

Schott  Freres. 
-78    1880,   valse   brill.    1.75    Schott   Freres. 

-  79  Panorama,  polka  1 —  Schott  Frcres. 

-  8C    Chant    d'amour,   valse.    PV   ij —   Schott, 

1.75  Schott  Freres. 
-81   Marehe  niilit.   1.35  Schott  Freres. 

-  82  Petits  oiseaux,  chantez  toujours    (Chan- 

ting  little   birds),   P    —50    Church,     1.75 
l^chott  Freres. 
-83  L'Espoir,  P  1.35  Schott  Freres. 

-  84  L'Aurore,  P  1.35  Schott  Freres. 

-  85  Un  Reve,  P  1.35  Schott  Freres. 

-  86  Saltarelle,  P  1.75  Schott  Freres. 

-  87   Hel6ne,   polka-maz.   — 85    Schott   Frdres. 

-  88  Camille,  polka  — 85  Sc]iott  Frcres. 

-  89  Ida,  galop  — 85  Schott  Freres. 

-  90  Azalea,   valse  — 40   Church.    1.75   Schott 

Freres. 

-  91    Pr6s   du     ruisseau     (By     the    brooklet) , 

hluette,  P  —40  Church,  1.75  Schott  Frdres. 

-92  Bouton  de  Roses   (Rosebuds),  polka-maz. 
de  salon  — 35  Gordon,  1.75  Schott  Frere:. 

-  93  Au  Congo,  valse   1.35  Schott  Frdres. 

-  93  Madelaine,   reverie,  P  1.60   Cranz. 

-  94  Bon  Accueil.  valse  €Ug.   1.30   Cranz. 

-  94    Souvenir    de    I'Expositiou    d'Anvers,    P 

1.35  Schott  Freres. 

-  95  Marehe,     Cranz. 

-95  Massala-marche   1.35  Schott  Frcres. 

-  96    Polka-Mazurka    1 —   Cranz. 

-  97  Valse  1 —  Cranz. 

-  98  Chasse,  P  1 —  Cranz. 

-  99  Bolero,  P  1 —  Cranz. 

-  100  Galop   1 —  Cranz. 

-  101    Sans  Rancune,  polka   1.30  Cranz,  — 25 

Jurgenson. 

-  102  Marehe  des  Conscrits  1.30  Cranz. 

-  103  La  Pri&re  au  Couvent,  nocturne,  P  K30, 

-'f7ns   1.80,   VP  1.50  Cranz. 

-  104  Alerte,  marehe  militaire   1 —  Cranz. 

-  105  Aprfes  rOrage,  rondo  pastorale,  P  1.30 

Cranz. 
106  Lea,  polka-mazurka  1.30  Cranz. 

-  107  La  Garde  montante,  marehe  — 80  Cranz. 

-  108  Valse  des  Papillons,   P   1.30,   Jfms   1.50 

Cranz. 

-  109  Barcarolle,  P  1.30  Cranz,  — 40  Church. 

-  110    Skating-Polka    1.30    Cranz,   —25    Qut- 

heil. 

-  111  Un  Regret,  nocturne,  P  1.30  Cranz. 
-112    Les    Fugitive.-^    Galop    1.30,     '/m.v     1.50 

Cranz. 

-  113  Tyrolieuiie,  7'   i.;50   Cranz. 

-  114  Simplicit6,   melodie,   P   1 —   Cranz. 

-  116  En  chcmiuant,  caprice,  P  1.30  Cranz. 


-116    Souvenir    d' Autrefois,    gavotte,   P    1.30 

Cranz. 
-117  Florita,  valse  1.30  Cranz. 

-  118  Les   premiers   Rayons,   bluette.   P    1.36 

Cranz. 
119  Aubade,  P  1.30  Cranz. 

-  120  Styrienne,  P  1.30  Cranz. 

-  121    Petits  Oiseaux,  caprice,  P  1.30  Cranz. 

-  122  Loins  du  Pays,  nocturne,  P  1—  Cranz. 

-  123  Regina,  polka-mazurka   1 —  Cranz. 

-  124  Reverie  1 —  Cranz. 

-  125     La     Retraite,     marehe    militaire     1.30 

Cranz. 

-  126  Dajis  les  Pr6s,  bluette,  P  1 —  Cranz. 

-  127    La     petite    Chapelle,     caprice,     P     1 — 

-  128  El4gie,  P  1 —  Cranz. 

-  129  Herminia- Valse  1.30  Cranz. 

-  130  Les   Adieux,    romance   sans   paroles,   P 

1 —  Cranz. 

-  131   Brindisi,  P  1.30  Crans. 

132   Sauve   qui   peut,   galop   1.30,   ]^ms   1.50 

Cranz. 
-133   Trois   Morceaux    de   Salon.    P :      N.    1. 

Idylle  1 —  Cranz. 
-134   N.    2.    Chanson     de    la    meunifere    1.30 

Cranz. 

-  135  N.  3.  Pour  toujours!  M61odie  1 —  Cranz. 

-  136  Les  Baigneuses,  valse  1.30  Cranz. 

-  137  Olivia,  polka-mazurka  1.30  Cranz. 

-  138  Dause  des  Matelots,  morceavi  pittor.  P 

1.30  Cranz. 

-  139  Une  F6te  au  Camp,  marehe  1.30  Cranz. 

-  141    Joyeuse    Rencontre,    caprice,     P     1.50 

Cranz. 

-  142  Danse   des   Bohemiennes,    moreeau    de 

salon  1.30  Cranz. 

-  143  La  Sympathique,  moreeau  de  salon,  P 

1.50  Cranz. 

-  144  Souvenir   des   beaux   jours,   caprice,    P 

1 .50   Cranz. 

-  145  Badinage,  polka  1.30  Cranz. 

-  146   Les  Etoiles   lilantes,   moreeau  brillant, 

P  1.30  Cranz. 

-  147   Le  R6veil   des  Anges,   caprice,   P   1.30 

Cranz. 

-  148  Affabilite,  melodie,  P  1.50  Cranz. 

-  149  Danse  des  Farfadets,  moreeau  de  salon, 

P   1.30  Cranz. 

-  150  Menuet  de  la  Reine,  P  1.30  Cranz. 

-  151    A   tous   Crins,    galop     1.30,    ^ms     1.50 

Cranz 
-152    Au    Soir,    rgverie,     P    1.30,     YP    1.50 
Cranz. 

-  153  Sous  le  Balcon,  serenade,  P  1.30  Cranz. 

-  154    Le    premier    Sourire,    menuet,    P    1.30 

Cranz. 

-  160  Chez  la  Meuniere,  P  1.75  n  Gallet. 
-161   Menuet  Pompadour   1.75  n  Gallet. 
-Ah!   vous  dirai  je  mainan,  air  pop.  VP  — 35 

Ditson. 

-  Air  de  Ballet,  P  — 35  Schmidt. 

-  3  Airs  de  ballet,  P  1.25  Schott. 
-Alpine  Horn   (Proch),  VP  —35  Ditson. 

-  Au  Found  des  Bois  Nocturne,  P  1.25  Schott. 

-  Butterfly  Waltz  —10  Nat.  Music  Co. 

-  Elegla,  P  — 37  Wagner  y  Levien. 

-  Equipoise,  air  de  ballet,  P  — 35  Ditson. 

-  Fleurs   d'Oranger,    valse    1.50   Napoleao. 

-  Gavotte  Stephanie  de  Czibulka  — 10  Willig, 

1.75  Schott  Freres. 


Ludovic  G.  Jeunesse  viennoise 


079 


Ludwig  A.  up.  40 


1- 


Hchott. 


arranges  tres-facile- 


-  Jeunesse  viennoise  Marche,  P 
Magic  flfite,  P  — 50  Ditson. 

•  Maudite,  Ch.  s.  — 20  n  Lahle. 

-  28    Melodies    et    Airs 

inent,  VP:  1.  La  Derniere  Rose  d'6t6,  2. 
Au  clair  de  la  luue  (Lully),  3.  Ah! 
vous  dirai-je  Maraan,  4.  Norma  (B  e  1- 
lini),  5.  Le  Cor  des  Alpes  (Proch), 
t).  I  Puritan!  (Bellini),  7.  La  Brabau- 
^.onne,  chant  national  beige,  8.  Oil  peut-on 
etre  mieux  (G  re  try),  9.  Don  Juan, 
(Mozart),  10.  Le  Carneval  de  Venise, 
il.  God  save  de  Queen,  12.  Ob^ron 
(Weber),  13.  Fleurs  d'Oranger,  valse 
(Ludovic),  14.  Plaisir  d'amour  (Mar- 
tini), 15.  Babil  de  Fauvette  (Batt- 
m  a  u  n),  16.  Train  d'Enfer,  galop  (Ludo- 
vic), 17.  Marche  des  Noces  (Mendels- 
sohn), 18.  Invitation  a.  la  Valse 
(Weber),  19.  Tyrolienue,  air  suisse,  20. 
PriOre  de  Moise  (Rossini),  21.  C616bre 
-Meuuet  (Mozart),  22.  Santa  Lucia,  23. 
Klisire  d'amore  (Donizetti),  24.  Le 
Depart  (Streabbog),  25.  Hymne  natio- 
nal Autrichien,  26.  Hymne  populaire 
Italien,  27.  La  Marseillaise,  28.  Chant 
national  Danois,  h  1 —  Schott  Freres. 

-  Methode    pratique,     P,     frang.    &    espagnol 

4 —  iScliott  Freres. 
■  Norma,  P  '■ — 50  Ditson. 
Parfum  discret,  nocturne,  P  1.25 

-  Piivane  Rodolphe  de  Czibulka,  P  1 

Freres. 

-  Prince      Ferdinand      Waltz 

Sch  roedcr. 

-  Rayons   de  Bonheur,  bluette 
Retour  de  la  Noce,  rondo,  P 

-  Rigoletto,  P  — 50  Ditson. 

-  Saint  Marceaux,  galop,  P  1.50  Schott, 

Ditson,  Gordon,  Neuparlli. 
Schneewittchen,  valse,  P  1.25  Schott. 

-  Snow  white  waltz  — 40  Cliiirch. 

-  Song  of  Marguerite,  P  — 10  l<lat.  Music  Co. 

-  Souvenir  de  TExposition   de  Paris,  marche 

1.35  Schott  Frdres,  — 40  Neuparth. 

-  '"^weet  scented  breezes,  noet.  P  — 35  Ditson. 

-  Hylpliides,  polka-maz.  P  1.25  Schott. 

-  Tambour    en    tgte,    marche    militaire     1.25 

Schott. 

-Valse  Venitienue   1.25  Schott,  — 40  Ditson. 

Ludowe  Melodye,  Bywayj  dziewcze  zdrowe 
Uklod  W.  Krogulskiego  —25  Oe- 
hethner. 

Ludowe  Melodye,  Stas  mi  z  jarmarku  przy- 
wioze  piersc-ionek  Uklad  W.  Kroguls- 
kiego — 25   Gebethner. 

Ludov^g  Melodye,  Za  Niemen  het  precz 
Uklad  W.  Krogulskiego  —25  Ge- 
bethner. 

Ludwig,  Husaren-Galopp  1.50  Oottlober. 

-  Los   juegos  florales   de  Alemania,  coleccioii 

de  12  piezas  para  P  2 —  Wagner  y  Levien. 
Ludwig  Alex.  L.  Cuckoo-Polka.  MandG  — 30 
Partee. 

-  Danza  San   Luis  — 35,   &   C  h.   P  u  e  r  n  e  r, 

The  March  of  the  Morning  Press,  FullO 
1—.  11,  Instr  —80,  10  Instr  —60,  P  —15 
Fise;her. 

-  F'ortuna-Konzert,      Schottisch      (F.     A  b  t) , 

//>  Instr  —80.  10  Instr  —60.  rPCornet 
—30.  P   ace.   --10.    inO   l.-On   Stoyidard. 


Schott. 

.75  Schott 


—30      ./.      H. 

1.50  Schott. 
1.50  Schott. 


-40 


1    Das  erste  Du,  P   1— 
1.20 


Ludwig   Alwin,   op 

Schubert h  jr. 

-  2  Was   sich    neckt   das   liebt   sich,    P 

Schuberth.   jr. 
Ludwig   August    (1865),  op.  1    Zwei  Lieder: 

Die   Rose.   Herbstgefiihl   — 90   Brauer. 
-2   Kleine   Liebeslieder   in    Tonen,   P :   I — II 

a   1 .50  Brauer. 

-  4  Scherzo,  P  — 60  Praeger. 

-5     Charakterstiick      (polnisch),     'tms     — 80 
Praeger. 

-  7  Lied  — 80  Praeger. 

-  12   Vier   Tanzstiicke,    'fins:    Nr.    1.   Stockel- 

schuh-Liindler  1 — .  Nr.  2.  Koboldreigea- 
Walzer  1 — .  Nr.  3.  Waldreigen-Walzer 
1.50.  Nr.  4.  Amorettenreigen-WaLzer  1 — 
Eisoldt. 

-  14     Friihlingseinzug,     Marsch,     JfUis      l..">0 

Eisoldt. 

16    Zwei    Scherzi,   P:      Nr.    1.     (Des)     L80. 
Nr.  2.   (F)    1.20  Eisoldt. 

-  18  Erlosung,  Romanze,  P  1.20,  0,  Part  3—. 

St.  3.50  Eisoldt. 

-  20   Ad   astra,   Tondichtuug    in   Form    liiier 

Ouvert.,  4^ns  2 —  Eisoldt. 

Selbstverlag :    August    Ludicig-TiTesden: 

-  21    Frohe   Stunden,   Klavierstiicke,    I — X    a 

1.20  n,  Nr.  9,  kl.  0,  Part  1— n,  St   ].l:Ou. 
-22  Traumzauber,  P  1.50. 
-23  Idyll,  P   1.50. 
-24  Da  Capo!  P  1.50. 
-25  Grotie  Luther-Ouv.  Itnxs  2— n. 
-30  Klavier-Kouzert    (G-m.),  P  5 — . 
-31    Zwolf  Festreigen,  il  k^ns,  I— VI   a   1.50, 

Nr.    2.    Leichthin,    kl.  0,     Part    1.20  n.     St 

1.50  n. 

-  32  Fiini  Klavierstiicke  2 — . 
-33  Pfingst-Menuett,  Ifms  1 — . 

-  34  Nr.  1.  Schweizerlied  1 — .     Nr.  2.  Kecke 

Werbung  1 — .  Nr.  3.  GroBmtittorcheu 
— 00.  Nr.  4.  Wiuterwehmut  — 60.  Nr.  5. 
Liedkonigin  — 60. 

35  Nr.  1.  Vom  Vogel  Storch  1—.  Nr.  1. 
Vom  Vogel  Storch  1—.  Nr.  3.  Belinde 
— 60.  Nr.  4.  Verstandnis  1 — .  Nr.  5. 
Einst  und  jetzt  —60.  Nr.  6.  Im  Schiff 
—60.  Nr.  7.  Verlasscn  —60.  Nr.  8.  Der 
KuB  ]— .  Nr.  9.  Fragen  1—.  Nr.  10. 
Trotzige  Liebe  1 — .  Nr.  11.  Liebeswonne 
-60.  Nr.  12.  Kiudesbotschaft  1 — .  Nr.  13. 
Stiindcheu  1 — .  Nr.  14.  Die  Spriide  1 — . 
Nr.  15.  Die  Plirsiche  —60.  Nr.  16.  Dam- 
merung  — 60.  Nr.  17.  Lenzstimmung  1 — . 
Nir.  18.  Gigerlette  —60.  Nr.  19.  Sehn- 
sucht  1 — .     Nr.  20.  Sommergliick  1 — . 

-  36   Nr.   4.   Friihling:    ,,0   siiBe  Melodie,    die 

d'lrch  die  Schiipfung  klinget'"',  4st.  Frauen- 

cUor    —80.      Nr.    5.     Campanella,     f.     3st. 

Frauenchor  — 80. 
-37   TTBB.  Part  a  —50,  St  a  —40:      Nr.  3. 

Edler     Wettstreit.      4.    Das     Trinken.      5. 

Deutschcr  Wald. 
-37   TTBB,   Part:      Nr.   7.  Deutsehlaiid   iiber 

alles   — 10.      Nr.    8.    FTeil    dir    im    Sieger- 

kranz    — 10.      Nr.    9.    Rheinv/einlied   — 50. 

Nr.   10.  Waldlied  —50. 
-38    Gem.    Chore:      1.    Dichten    und    Lieben. 

2.  Heving  und  die  Au.ster.     3.  Schon  Roh- 

traut.  a  "—90. 
-39    Melodisohe   Skizzeu.    y/M.50. 
-40    Tmprovisationen,     !    Khivierstiickc    3-  . 


Ludwig  A.  op.  41 


680 


Ludwig  A.  op.  151 


O,  Part  6—  u,  St  7.50  u. 


41  Marzwiud,  Ouv. 

42  Launig«s,  P  2 — . 

44  Allerhand  Zweihjindiges.  P:  Nr.  1 — 4. 
Improvisationen  3 — .  Nr.  5  u.  0.  Ungarisch 
1.50.  Nr.  7.  Wellenspiel.  8.  Mazurka  (A) 
1.50.  Nr.  9.  Kirke.  10.  Arabeske  1— . 
Nr.  II.  An  Chopin,  Notturno.  12.  An 
Liszt,  Barkarole  1.50.  Nr.  13.  Albumblatt: 
Traumerei  zu  „Es  fiel  ein  Eeif  in  der 
Friihlingsuacht".  14.  Weltentriickt,  Varia- 
tionsgesang  1.50.  Nr.  15.  Sclimetterliuge. 
16.  Roelier  de  bronze  1.50.  Nr.  17.  Kiinst- 
ler-Marsch.  18.  Verwehte  Weiseu,  Nr.  1 — 3 
1.50.  Nr.  19.  Tauz  der  Wichte,  rhytli- 
mische   Burleske  m.   Vortragsgedicht   1.50. 

45  Sangerkrieg,  Gesange  u.  Lieder:  Nr.  1. 
Ein  wildes  Lied:  .,VieI  Dinge  viel  weit 
und  breit'-  —60.  Nr.  2.  Ausfahrt:  „Die 
Mutter  sprach:  Bleib'  lieber  Sohn",  o. 
Rallgeschichte:  ,,]']s  sclilief  ein  Junker  auf 
blumigeni  Grund".  4.  Tronipeterlied: 
„Seh',  Holde,  ich  dich  bei  Basen  und 
Vettern",  5.  Nicht  eitel?:  „Ich  werde  oft 
bewundert",  6.  Kinderreim:  „Rische, 
rasche,  rusche",  7.  Heimatklang:  .,Als  sie 
vom  Paradiese  ward  gezv\  ungen".  8.  Auf 
dem  Maskenball :  ,,Die  Geigen  girren 
leise",  Walzerlied,  9.  Die  Verschmahte: 
.,Komm'  ich  langs  der  griinen  Weide",  10. 
Der  Goldschmied.sgesell :  „E.s  ist  doch 
;neine  Nachbarin",  11.  Die  Bekehrte:  „Bei 
dem  Glanz  der  Abendrote",  12.  Gefunden: 
..Ich   ging  im   Walde  .so  fiir   mieh   bin",  a 


] — .  Nr.  13.  Gleich  und  gleieh; 
Hlumenglockelien  vom  Boden 
—60.  Nr.  14.  Mailand:  ..Wi( 
leuchtet  mir  die  Natur"  1 — . 
Wandrers  Nachtlied :  ,,Der  du 
Himmel  bist"   1—.     Nr.   16. 


Konigin 


;  „Eiu 
hervor'" 
herrlicli 
Nr.  15. 
von  dem 
Elia- 


nor's  Beichte:  „Frau  Elianor  war  ein 
krankes  Weib",  altenglische  BaUade  1.50. 
Nr.  17.  Ein  kleines  Lied,  wie  geht's  nur 
an  —60.  Nr.  18.  Der  Musikant:  „Rum- 
daradei!  Tanzt!  ich  schlage  auf  die 
Tasten"  1—.  Nr.  19.  Lustiger  Rat:  „Vog- 
lein,  lieb  Voglein"  —60.  Nr.  20.  Zwie- 
gesang:  ,Jm  Fliederbusch  ein  Voglein 
safi",  Duett  —60.  Nr.  21.  Kaferlied:  „Es 
waren  einmal  drei  Kiiferknaben"  1 — . 
Nr.  22 — 25.  Dialektlieder  aus  A  n  z  e  n  - 
g  r  u  b  e  r'.s  „Der  Pfarrer  von  Kirchfeld" 
2—,  a  —60.  Nr.  22.  A  lutherisch  Derndel: 
.,'s  nimmt  einer  gar  oft  a  rechtglaubige 
Dirn",  m.  Chor.  23.  Dahoam :  „D6 
Fischerln  im  Bach".  Duett.  24.  Annerl's 
Schnaderhiipferln  :  „2  kir.schrote  Backerln", 
m.  Chor.  25.  Darf  icli's  Bihiberl  lieb'n?: 
..A  Derndl  is  verwichen".  Nr.  26.  Das 
kleine  Lied:  „Ein  kleines,  heit'res  Lied 
27.  Natur  und  Kunst: 
und  wohlgemut"  1 — . 
,,VVie    bald    verwischt 

Nr.    29. 

schones 


bin  ich"  —60.     Nr. 
,,Schreit    ich     froh 
Nr.    28.    Verweht: 
der    See"    —60. 
.,Fliichte,    liebes. 


Selige 


Fahrt: 
Miidchen"  1 — . 
Nr.  30.  Der  Telegraph:  , .Gleich  einen! 
Saiten.spiele"  1 — .  Nr.  31.  Juninacht:  .,In 
deiuen  Diimmerungen"  1 — .  Nr.  32.  Marz- 
wind  und  Veilcheu:  ,, Urn's  Veilchen  kost 
dor  Marzenwind"  1 — .  Nr.  33.  Woher  die 
Veilchen  kommeii:  ,,Es  schlicli  sieh.  in 
wonnigatei-   Friihliugsnacht"   — 60.   Nr.   34. 


Das  Blumeustockchen :  „Ein  Stiickchen 
heg'  ich  vor  Sturm  u.  Wind"  1 — .  Nr.  35. 
iJber  alien  Gipfeln  ist  Ruh'  — 60.  Nr.  36. 
Bruder  Liederlich:  .,Die  Feder  am  Sturm- 
hut"  1 — .  Nr.  37.  An  den  Moud:  „Fullest 
wieder  Buscli  und  Tal"  (m.  3st.  Frauen- 
chor  ad  lib.)  1—.  Nr.  38.  Freibeuter : 
„Mein  Haus  hat  kein'  Tiir'"  1—.  Nr.  39. 
Vanitas:  „Ich  hab'  mein'  Sach'  auf  nichts 
gestellt"  1 — .  Nr.  40.  Mignon:  „Kennst 
du  das  Land,  wo  die  Zitronen  bliih'n" 
— 60.  Nr.  41.  Mein  Zschopautal:  „Gar  friih 
verschlug  es  mich  von  Haus"  1 — .  Nr.  45. 
Liebchen,  wo  bist  du?:  „Zaubrp'r  bin  ich, 
doch  was  frommt  es"  1 — .  Nr.  46.  Sonn- 
tags  am  Rhein:  „Des  Sonntags  in  der 
Morgenstund"  — 60.  Nr.  50.  Himmel- 
schliissel,  kiinde.  was  schliefiest  du  auf? 
1—. 
-45  Kinderlieder:  Nr.  49a.  Spielliedciien: 
.,Wollt  ihr  wissen,  wie  der  Bauer".  Nr.  49b. 
Das  Hiihnchen:  „Das  Hiihnchen  lauft  und 
schreit  .,Kakei".  Nr.  5.  Kinderreim: 
,,Rische,   rasche,   ru.sche"   1 —  n. 

-  46    Kunst    und    S  c  h  e  i  n,    kom.    Oper  • 

1.  Hanncheu's  Klage:  „Ach  Gott.  was  fang 
ich  Armste  an",  2.  Adelheid's  Freierlied : 
„Mein  Liebster  muB  sein  ein  Geistesheld", 
3.  Baron  Klapperbein's  Couplet:  „Die 
Jugend  schieBt  leicht  iibers  Ziel",  4.  Der 
Wirtin  Couplet:  ,.So  ein  Wirtsliaus",  5. 
Lied  des  Vormunds :  „Wer  Weib  u.  Kind 
verloren",  a  1 — . 
52   Die   Trommel,   Ballade   1—   Pabst. 

-  55    Fromme    Weise,    Weihnachtsstiick,    Ifms 

1—. 
-56   Andante    (Nymphe   und    Faun),   P    1 — . 

-  57   Berliner   Frauenwalzer    1 — . 

-  58  Frauenklub-Walzer   1 — . 

-  100    Deutsche    Blumenspiele    f.    Sprechreini 

u.  P  (Fortsetzung  der  ,,Klavier-Mar- 
chen")  :  1.  Schneeglockchen.  2.  Veilchen. 
3.  Maiglockchen.  4.  Rote  Nelke.  5.  Winde. 
6.    Seerose.    7.    Stiefmiitterchen.    8.    Lilie. 

9.  Rose.  10.  Rittersporn.  11.  VergiBmein- 
nicht.  12.  Kornblume,  a  — 60;  Gesamt- 
ausgabe  m.  Sprechtext  2 — n,  (spanisch) 
5 —  Pesetas. 

-  101    Deutscher   Heldenmarsch,    'fins    I — . 

-  101    Nr.    3.    Tautropfleiu:    „0,   komm'    ein- 

mal,  Vater!"   Duett   1—. 

-  105   Die    zierliche   Geige,     als    melodrama- 

ti.scher      Totentanz      durcli      Uuterlegung 
einer    f.    sich    selbstandigen   Musik    bearb. 
2  -  n. 
-110   Modell-Pierette   2—. 

-150  Zehn  Lieder:  1.  Gute  Nacht:  „Du  bist 
turn  miid".  2.  Der  Tanz :  „Die  Bremse 
strich  den  KontrabaB".  3.  Das  zerbrochene 
llinglein:  .,Es,  geht  ein  Liedehen  im 
Volke".  4.  Backfisclilied:  ,,Ich  bin  ein 
Miidchen  fein  und  jung".  5.  Siiugera  Wan- 
derlied:  ..Gar  fruhlich  tret'  ich  in  die 
Welt".  6.  Melodie  der  Seele.  7.  Kleines 
Miidchen.  8.  Wie  kommt's?  Von  6 — 8  von 
Jul.  G  r  o  s  s  e.  9.  Der  Bauer  und  sein 
Kind:   „Der  Bauer  steht  vor  soinem  Feld". 

10.  Tanzmiide?  (Tanzliedchen)  :  „Ach,  ich 
bin  miide  vom  Tanzen",  k  1 —  Eisoldt. 

-  151    Phantasti.scher  Walzer   1—-  Eisoldt. 


Ludwig  A.  oj).  200 


681 


Ludwig  F.  3  Soays 


200    P:    Madchenbilder     in     Tonen     3 — n. 

Daraus  einzeln:  Nr.  8.  Die   Rechtlerin  1 — 

llofmeister. 
200   Vier   Sing-Tanz-Duette :    Heft   1.    N.    1. 

Tiinzliedchen.  2.  Vom  Tanz.  II.  Nr.  3.  Kin- 

der-Maskeuball.    4.    Tanzliedehen.    T — II    a 

1—. 
203    Dre.«duer    Tonspiele,    P :      Miickentanz. 

Verklungenes   Liedchen.      K.lang    ii.    Sang. 

Klfenspiele.     Am   Elbufer.     Tranermarsch. 

Am    Kinderspielplatz.      Gespinst.      Toten- 

klage.       Trauermarsob.       Fata      morgana. 

Wiistenmarscb.      Sektperlen.       Hardensaug 

999  Marseb  der  Grazien,  F  I — . 
100.000    Berliner    Salon-Walzer    1—. 
-Vlmeurausch,  Duett  zwisr-ben  einer  Gesang- 

St  u.  P   1—. 
Anf  dem  Maskenball   1 — . 
liier-Walzer    (mit   Ges.)    — 60   BacJiniann. 
Hrett'lkonigin    1 — . 
ftriidercben,  aiis:   UrgroBmutters  Brautzeit, 

P  1.20. 
(oloratur-Walzer    1 — . 
Das  gestiJrte  Gliick  1 — . 

Das  Liedel    (ein  Klavier-Gedichtchen)    1 — . 
Die  goldene  Schiiferlei,  Marchen  2 — ,  SBar, 

Ghor,  P:  Nr.  1.  Windbarfen-Geton,  I  u.  U. 

/'.  2.  Gespenstiscber  Zug,  P.  3.  Hirtinnen- 

lied.   4.   Lockungs-Arie.   .5.    Heimcben-Chor 

.■;— .  f!  1— . 

hie   sehiicbterue   Sangerin    1 — . 

Die  zierlicbe  Geige,   /'    (m.  Text)    2 — . 

Eskimo-Ballade    1 — . 

Eskimo   u.   Eskimaid  — 60. 

Fantasiestiick    aus    der    Oper     „I  1    T  e  m  - 

p  1  a  r  i  o"'  vou  O.  N  i  e  o  1  a  1,  P   1 — . 
Fidele  Juuggesellen.   Hnmor-Marscli    mil    /' 

1.20  Hoffheinz. 
Goetbelieder,  I  3— n,  II   2— n. 
Goldkiifer    u.    Professorlein,    Vers-Singsi)iel 

(Lied.   Duett.   Cbor  m.  P)    2— n. 
lUustrierte     Klaviermiircbeu:     I.     PrinzeB- 

cheu   Wunderbold's   Hocbzeit,   II.   Pepita's 

Traum    (Variations-Miirohenl .    a    2 — n. 

-  Kinderlieder    1 — . 
Kiudermaskenball    1 — . 
Kircben-Arie    1—. 

•  Kleines   Miidcben    1 — . 
Konig    Harald    Harfager.    Ballade    1 — . 
Konzert-Arie  1 — . 

Kornblume,    P   — 60  n    M ifsiJr-W<K-lie. 
Kostiimlieder :       1.     Mariechens     Abschied : 
„Ach,   wie   ist  mir   docb   beklommen"    1 — . 
-3    Lieder    obne    Worte:     Lied    in    A.      SiiBe 
Schmerzen.  Lied  in  F.   1 —  llofmeister. 

-  Maienwonne    (F  r.   Scbubert),   P    1 — . 

-  Meine    Harfe:    .,Ieb    bab    meine    Harfe    ge- 

biingt  an  einen  Rosenbaiim"   1 — . 

-  Modell-Pierette  2—. 

Xeue  Lieder:  Nr.  1.  Giite  Naeht  — 60.  Nr. 
■2.  Der  Tanz  —60.  Nr.  3.  Wir  drei :  „Wo 
tief  versteckt  im  Grunde".  4.  Wanderndes 
Gliick.  ii.  Waldestraume.  6.  Der  Strom, 
a   1—. 

-  N'ocb  niemand!:    ,.So  bat  nocb   niemand   zu 

mir  gesagt",  Konzert-Arie.  »S'  m.  P  1 — . 

-  Rosa,   Brett'l-Konigin    1 — . 

-  Sangers  Wanderlied   1 — . 

-Scherzo  a.  d.  NacblaR   v.  F  r.  Schubert, 
P  1—. 


-  4    Siug-Tauz-Duette ; 


1- 


Nr. 


Nr.     1—2     (fur     Kr- 
-4    (f.  Kinder)    1— . 


-60 


-60 


waclisene) 

-  Tanzlied   1 — . 

-  Tanzliedcben    1^ — . 

-  Vier    Ostereier    u.    in    jedem    ein    Osterlied- 

cben,  m.  P:  1.  Osterbiisclien:  „Liebe.s 
Hiischen  willst  du  morgen".  2.  Vom  Oster- 
ha.s:  „Ei,  ei  was  ist  denu  das".  3.  Das 
O.sterei:  .,Hei  Jucbbei".  4.  O.sterbaslein : 
,,Drunten  an  der  Gartentiir." 
Wanderndes  Gliick  1 — , 

-  Was  icb  wUnsche  1 — . 

-  Wir   drei   1 — , 

-  VVirbelwind,  /-*   1 —  Schuberth  jr. 

-  2   Zscbopaulieder   1 — . 

Ludwig      Bruno,      Herrlicber      Stern 

Piotze. 
Ludwig      C.      Heart     whispers,      ^ms 

Gordon. 

-  Herzensliebo,  Kotuanze  f.  Piston    1.50  Gott- 

16b  cr. 
-2  Mannercbore:    1.   Sie  gleicbt  wobl  einem 
Rosenstock.  2.  Die  kluge  Tochter :   „Mutter 
sprach.  wie  Miitter  sind",  a  — 90  A.  Hoff- 
mann. 

-  Rosy  lips,  waltz  — 30  Gordon. 

-  Snow   drop,    polka   — 30   Gordon. 

-  Sweetheart,    polka-maz.    — 25    Gordon. 
Ludwig  E.  op.  3  Nr.  1.  Mazurka.  2.  Menuett, 

'ims  2.50  Brockhaus. 

-  6  Variationen,  P   1.75   Brockhaus. 

-  Caprice   russe,  P  — 50   Goggan. 

-Chant    d'amour     (Love    song),    romance,    /' 

— 50  Goggan. 
-Das    laute    Gebeimnis:     „Wir    haben    nicbt 

von  Lieb'  gesprochen"  — 75  Siegel. 
■  Ein  Abenteuer,  Soloszene  1 —  P.  Fischer. 

-  Papillons    (Butterflies),  valse  — 60  Goggau. 

-  Sans  certitude,   gavotte  — 50  Goggan. 
Ludwig    Ernst,  op.    13   24   Klavierstudien   f. 

d.  linke  Hand  3 —  Ilainaner. 

-14    Zwei    Lieder:       Neapolitani.sch.    Herb.st 
1.25  n    Pose. 
Im     Friibling     zu     singen      (R  u  p  e  r  t  u  s) , 
TTBB   1.95  Bos  Ivor  th. 

-3  Lieder:  1.  Friiblingsregen:  „Ich  lausehe 
in  das  mitternacbt'ge  Scbweigen".  2.  Gute 
Nacht!  :  „Im  tiefsten  Innern".  3.  Traurig 
rinnen  die  Tage:  ,,Die  Luft  ist  grau  and 
grau  ist  das  Meer''   1 —  Breitkopf. 

Ludwig  F.  op.  5  Pastorale  des  Alpes,  tyro- 
lienne,  P  1.25  Schott. 

-  Ihr  Wandervogel  in  der  Luft  — 50  Kahnt. 
Ludwig      Ferdinand      Prinz     von      Bayern. 

Seiling:  Op.  9  Der  Mond  i.st  aufgegangen 
1.20. 
-11  Scbilf lieder,  5  Gedichte,  1  Singst  m.  P: 
1.  Driiben  gebt  die  Sonne  scheiden.  2. 
Triibe  bird's,  die  Wolken  jagen.  3.  Auf 
gebeimem  Waldespfade.  4.  Sonnenunter- 
gang.     5.  Auf  dem  Teich  2.50. 

-  13   Kennst   du  dies  Leid   1.20. 

-  14  Mir   traumte   einst  von   wildem   Liebe.s- 

gliih'n   1.20. 

-  Elegie  fiir  den  Konzertgebrauch,  P  2.50. 
Fantasiestiick,  mO  5 —  n. 

-  Lieder-Album,   12  Lieder,  P  3 —  n. 

-3  Songs:  1.  Thou  beauteous  fi.shermaiden 
(Du  scbones  Fiscbermadcben) ,  2.  Watch 
o'er  me  {WeW  auf  mir,  du  dunkles  Auge). 
3.    Thou    horseman    ride    not    by    the    spot 


Ludwig  F.  3  Soniis 


682     — 


Ludwig  W.  op.  00 


iDu  Reiter  reite  nicht  vorbei),  a  4/- —  Leo- 
nurd. 
Ludwig    Franz,   3    Lieder.   Kistner:    Op.   28 
Waldsee:  „Der  See  liegt  still  und  einsam" 
1—. 

-  29  Falter :   „Ich  mochte  so  eiii  Falter  sein" 

—60. 

-  32  Von   Liebe :      „Bliitenflocken   fallen  nie- 

der"  —80. 

-  Der   schonste  Mann  im  Turnverein,   Coupl. 

1.50   Phonix-Verlag-'LeiTpzig. 

-  Ein  Turnersmann  von  Anno  Dazumal,  Solo- 

szene  1.50  Phonix-Verlag. 
Ludwig    Fr.    op.    109   Korpsphilister-Marsch 
1—,   0    1.50  n,   Par.    Bes.    1 — n,   Am.    Bes. 
1.25  u,  Berl.  Bes.   1.50  n  Oertel. 

-  110   Bayrischer   Landes-Ausstellungsmarsch 

1—  Oeriel. 

-  Festmarscli  1 —  ZierfuP. 

-  Graude  Valse  imperiale   1.50  Zierfufi. 

-  Hiildigungsmarsch    1.50  Zierfu^. 

-3  Lieder:    1.  An  Lucia,  2.  Schueeglockchen. 
3.  Allein,  2.  1—  Ries  d  Erler. 

-  I'lanenmarsch  — 75  Zierfufl. 

Ludwig    Friedrich,   op.    107   GroBer    Kaiser, 

Walzer   1.50  Zierfup. 
Ludwig   G.   op.   13   Bravour-Polka,   Tr  m.   O 

1 .50  11  Oeriel. 

-  liii  Traum  vereint  u.  Ein  Hoch  der  Freund- 

sehaft,  2  Konzert-Polkas  f.  2Tr  m.  0  2—  n 
Oertel. 

-  Miju  vriend  Liodemanu  (Mein  Freund  Lin- 

demann)    — 50  Alsbach. 

-  Mit  Gott  fur  Konig  u.  Reich.  Heil  unserm 

Kaiser,  Marsehe,  kl.  stO  1.50,  blM  2.50,  kl. 
hlM  1.50  0.  Dietrich. 
Ludwig    H.    L.   A.    op.   20    Een    plekje    uit 
Duizcnd,     TTBB,     Part    —75     De   Algem. 
Muziekhandel. 

-  Feestmarsch  — 40  Alsbach. 

-  Hot  lot  van  den  Zeeman  — 50  Alsbach. 

-  Muzikale   Kom-    en    ei.sch    winkel,   Potp.   P 

1 —  Alsbach. 

-  Wij  gaan  nog  niet  uaar  huis,  Marsch  — 40 

Alsbach. 
Ludwig  Joh.  op.  2  Abschied,  Z  —60  ZV  (od. 
StrZ)  —90  Voigt. 
5   WellengruB-Walzer,  Z  —60   Voigt. 

-  8  GruS  auB  Essen,  Marsch,  Z  — 60  Voigt. 

-  13  Salonperlen,  Gavotte,  Z  —60,  2Z  a  1.20, 

2Dislc-  u.  StrZ  a  1.50,  2Disk-lAlt-  u.  StrZ 
a  2—,  m.  F  a  2.30  Kahnt. 
-18  Festhymne,   Z  —80,   2Z   1.40,   2Disk-Alt 
StrZ    2.30,   2Disk-Alt-2StrZVc   2.90    Voigt. 

-  19     D'Almabuam,      oberbayrischer      Schuh- 

plattler,  Z  —80  Voigt. 
Ludwig  Jos.  3  Laendler,  VP  2.50  Schott. 

-  Mannertreu :      ,,Ging  im   Friihling  auf   der 

Wiesen"  — 80  Kuprions  Nachf. 

-  Polonaise   (en  Sol)   p.  VcP  2.25  8chott. 

-  Romance,  VP  2—  Schott. 

Ludwig  L.  S.  Al  Campo,  polka  2 — ,  Jfrns  4 — 
I'icordi.  * 

-  Season,      danza      figurata,      Mand      — 25  n 

Carisch. 

-  Season,   nuovo   ballo,   P   4 —   Carisch,   — 80 

Fexis. 
Ludwig     M.    op.    34     Sonntags-Polka     — 50 
Bote. 

-  65  Die  Freudeupost.  Galopp  —80  Bote. 
69  Die  Trahantefi.   Walzer    1.50  Bote. 


Ludwig      N.      Rdzsavolgyi:      Am      Nordpol, 
Marsch    1.20,   0,  Part  2— n. 

-  Calico-Polka  1 — . 

-  Die   schone   Pragerin,    Polka    1 — ,    0,    Part 

2— n. 

-  Die    schone    Sehaferin,    Polka-maz.    1 — .    <)., 

Part  2— n. 

-  Die     schone   Ungarin,     Polka-maz.    1 — ,     0, 

Part  2--n. 

-  Eiu  Ruf  an  Ofen,  Polka  1—. 

-  Emilia-Polka   1—,   0,   Part  2—  n. 

-  Honved-indul6,  Marsch  1 — . 

-  Monbelli-Walzer    1.60,   0,   Part   2— n. 

-  Pester  Kinder,   Schnellpolka   1 — . 
Ludwig    Otto,    op.    5    Schmink-Walzer    1.30 

Praeger. 

-  Jiigers  Morgengebet,   TTBB   1 —  Ruckmich. 

-  Schau  ins  Auge  deinem  Kinde  — 80  Praeger. 
-De    Toovering,    Kinder-Operette,     KA 

2.90,  Koorst  —50,   Solost  —40   Wolters. 

Ludwig  P.  Mein  Lieb  ist  eine  Alpneriu, 
Divertissement,  Trom^a-Solo  m.  stO  2.25 
Apollo. 

Ludwig  Rob.  op.  1  Vier  Lieder  aus  Jul. 
Wolffs  Rattenfilnger  von  Hameln  (Auf 
der  Lautmerung)  :  1.  Nun  will  icli  mit 
dem  reinsten  Klang.  2.  Zwei  Sterne 
machen  mich  jung  und  alt.  3.  Steige  auf, 
du  gold'ne  Sonne.  4.  Du  rote  Rose  auf 
griiner  Heid'  1 —  Breitkopf. 

-  2    Zehn     Klavier-Etiiden     zur     ubung     des 

modernen  Fingersatzes  3 —  Breitkopf. 

-3  Nr.  1.  Still  und  stiller  wird  der  Sei-.  2. 
Lurlei's  Lied    1.50  J.  Bornemann. 

-4  Vier  Lieder:  Nr.  1.  Ich  fiihle  deiueu 
Odem  — 50.  Nr.  2.  Wieder  ist  der  Fruh- 
ling  in's  Land  gekommeu  — 75.  Nr.  3.  Lied 
der  Musikantin:  „Heute,  nur  heute  bin 
ich  so  schon"  —75.  Nr.  4.  An  den  Moud : 
„Fullest  wieder  Busch  und  Tal"  1—  Hai- 
nauer. 

-5  Nr.  1.  Madchenherzen :  „Kleiner  Mad- 
chen  Herzen  wissen  uichts  von  Trug" 
—50.  Nr.  2.  Nachtgesang:  „0  gib  vom 
weichen  Pfiihle",  m.  VP(Ea)  1 —  Hai- 
nauer. 

■  6   Polonaise,   /-•   1 —    Hainauer. 

-7  Drei  Lieder:  Nr.  1.  Liebst  du  um  Schou- 
heit  1 — .  Nr.  2.  1st  mein  Liebster  in  den 
Wald  gegangen  — 80.  Nr.  3.  Ich  denke 
dein!:  „Die  Gletscher  leuchten  im  Mon- 
deulicht"  1 —  Becher. 

-  9  Das  Gliick  von  Edenhall :    „Von  Edenhall 

der   junge  Lord",   P  1.50  Hainauer. 
-10    Zwei    Lieder:    1.    EntschluB,    2.    Ijcichte 

Reiter,  a  1.25  Griineberger. 
-11    Drei    Lieder     im    Volkston:      Die   Ver- 

lassene.  Mai.  Ein  Voglein  wohnt  im  Laube 

1.20  n   Griineberger. 

-  Hoch   auf  fliegt  mein  Herz  — 30  Breitkopf. 
Ludwig    S.     Twilight    Shadows,     VP     —40, 

Mand  —20,  2MandG  —40  Fischer. 
Ludwig  V.  Vojinovo  loueenl,  P  1 —  Urb&nek. 
Ludwig     Wenzel,     op.     41      Immer     tiefer, 

Scherz-Polka      francaise     1.08,      FaO     3.60 

lloffmanii. 
-60  Schamschele,  jiidischer  Jnx-Marsi  i.  — 80, 

mO,   Part   2 — n    floffmav,!. 


Ludwig  W.  op.  lUH 


(583 


.I106011K0  B.  K.  .IwuHMbin  muibci 


-  103   Komtesse   Guckerl,   Polka   francaise,   11. 

M  a  t  y  s    J.    op.    54.    Versbach-Marsch,    O 

3 — n  Hoffmann. 
-104   Lach-Polka   frangaise,    u.    Krai    Jos. 

Von  Pick  aiif.  Marsch,  0  3 — n  Hoffmann. 
■  105  Tambour  piccolo,  Scherz-Polka.  O  2.40  n 

Hof[i)iann. 
Ludwig  Woidem,  op.  6  Wo  du  hingehst,  da 

will    audi    ich    hingehen.    Terzett    m.    Orn 

(H)   1.50  Walde. 
7  Gebet   fiir   Kaiser   und   Reich.   TTBB    1  — 

Walde. 
Ludwig  -  Grunwald     E.    Das     ist    uns    lu'u! 

Coupl. -Duett  i.  Dameu   1 —   P.  Fischer. 
Ludwigson   J.   H.    Reniiiiiscenees    of    youth 

(after  a  Danish    melody)    — /6  n  Augeiier. 
^lOOitBiiHn  !i.     (laMoy^HTeJib  ,1.1a  7  cipyn 

HOH  rurapbi  I — XIV  a  1 —  Kulikow. 
•IlooapcKiii  fl.   /Ke.ianie.  Ba^ibCi.  — 40  Jur- 

genson. 
Liibberstedt    Wilhelm, 


Reichs- 


Deutscher 
post-Marsch,  F  1 —  Benjamin. 

-  Mondnacht   am    Uklei-See.    VValzer    1.20.    O 

2 —  n  LeicJLfiScnring. 
Lubbert     F.      Alsener     KorsoM;'isph       — 80 
Bote. 

-  Arnis-Marsch  — 80  Bole. 
Diippeler  Hurra-Marsch  — 80   Bott\ 

-  Heleneu-Marsch       (Preis  -  Marsch),     kouigl. 

preufi.   Armee-Marsch,   Nr.   173  — 80  Bote. 
lioreley.  RheinklJinge.  Polka-Mazurka  — 80 
Bote. 

Preis  -  Marsch      (Creuadier  -  Marsch)      — 80 
Bote. 
Lubbert  Otto,  op.  5  Sur   les  alpes    (Eiusam 
auf  hoher  Alp),  P  1.50  Riihle. 

-  Nu  soninar   hvar  flagt  — 25   'Warmtit'h. 
Lubeck  A.   H.  Abendlied:    .,Auf  stiller  Wal- 

der    duukler   Pracht",    TTBB    1—   Reeling. 

-  Gebet :     ,,Herr,    den     ich    tief     im    Herzen 

trage",  TTBB  1.40  Seeling. 

-  Stille    Liebe:       „Kin    Brief lein     mocht     ich 

schreiben",   f.   4  Miinnerst  1 —  Seeling. 
Lubeck  A.  IVl.  Triuimerei,  Salonstiiek,  P  1.50 

Gutmann. 
Lubeck    Ernst    (1829—1876),   op.  4   Erinne- 

rung  an  Peru,  P  1 —  Breitkopf. 

-  5  La  Zambacueca,  danse  nationale  du  Chili, 

P   1.50  Senff. 
-6  Trilby,   reverie   caracteristique    1.50    Hof- 

meister. 
-7  Les  Willis,  capriccio,  P  1.75   Eofmeister. 
-11   Taran telle,  P  1—  Breitkopf. 


13  Wiegenlied,  P  1 —  Breitkopf. 

14  Polonaise.    groBes   Konzertstiick.    P 


1- 


Breitkopf. 

Lubeck  H.  Andante  pour  le  <'or  de  (Jhasse  a 
sourdine  av.  OfP)   2—  Breitkopf. 

-  Le   Cong^,   adagio   molto   av.   Echo   pour   le 

(Jor  de  Chasse  av.  OfP)  3 —  Breitkopf. 

-  Le  Desir  de  la  Suisse,  fantaisie  p.  le  Cor  de 

CJiasse  av.  OfP)  3 —  Breitkopf. 
Lubeck    J.    H.     (1799—1865),    op.    3    Varia- 
tionen    iiber    Preciosa,    G    — 75    Oertel. 

-  Introduktion  und  Adagio,  P  2.50  Schweers. 
Lubeck   Louis    (1838—1904),  op.  4  Konzert- 

Allegro,   VcP  3.50  Forberg. 
-5  Novellette,  f.  VcP  1.50  RUhle  &  Wendling. 

-  7   Aus     alter     Zeit,     Salonstiiek,     T'cP     1 — 

Siegel, 
-8  Konzert-Polonaise   f('i.  VcP  2 —  Siegel. 


VcP  2—  Fiirst- 

-60   Oertel. 
-50  Lyre.  '' 


-9  Mazurka    (Am.),    VcF   1.50  Siegel. 

-  10  Romanze   (G),  VcP  1 —  Siegel. 
-11   Elegie,  VcP  1.50  Siegel. 

-  12  Valse-capriee,  VcP  2.50  Schoit  Frires. 

-  13  Andante  serioso,  VcP  1.75  Schott  Fr^res. 
-14  Nocturne  (II),  VcP,  VP  a  1.20  Challier. 
-16   Sehnsueht,   VcP  1—,  m.  Quintett   1— n, 

m.  0  1 — n  W.  Schroder. 

-  19   Nr.   1.   Albumblatt,   VP,    Va,   Vc,   CIP  a 

1.50.     Nr.   2.  Miuuetto  f.   VcP   1.50  Stein- 
graher. 
-20   TriUimerei,    VcP.    VP,    VaP,   CIP  il    1.20 
Challier. 

-  Andante   aus     dem   Violoncell-Konzert    von 

Robert  Schumann,  op.  129,  Vc(V)P 
1.50,  0-St  3—  Bote. 

-  Andante   (J.  U.  Lubeck). 

ner. 
Lubenau    W.   Sophienmarsch 

.liooiiH'B  fl.    H/^H  Bnepe/ti.! 

-  OeeHHie  u.B'feTw  — 40  Lyre. 

»Iio6nTe.Ti.  eoRpe.^eHHOii  onepbi,  (L'ama- 
teur  de  I'opera  moderne).  JTorKifl  «>aHTa3iH 
Ha  mothbw  caMbix-B  JuoSHMbix-B  hobhx'b 
onep-B,  (E.  Kohler)  FIP :  Nr.  1.  IIoh- 
h-i e .iJi II,  ^acioKOH7^a,  (Gioconda).  2.  B  e p 3 n, 
A^/^a,  (Aida).  3.  Barnept,  JIosHrpHHi., 
(Lohengrin).  4.  BaiHep-b,  Tanreftaep'B, 
(Tannhauser).  5.  TyHO,  ^aycT-b,  (Faust). 
6.  Bii.3e,  KapMCH,  (Carmen).  7.  BoiiTO, 
Me*ncTO#e.iii>,  (Mefistofeles).  8.  JeoH- 
K  a  B  a  Ji  a  0,  IJaimw,  (Bajazzo).  9.  M  a  c  k a  h  hi, 
CeJlbCKaa  qeCTb,  (Cavalleria  rusticana).  10. 
BepTiH,  PHro.ieTTO,  (Rigoletto).  11.  Bep^H. 
TpaBiaia,  (Traviata).  12.  Bep^^ii,  Tpyoa- 
3ypi),  (Troubadour).  13.  ^eJiJiUHrep'B  P. 
lilaHCOHi  TKa,    (Die    Chansonette),    Ouepexa. 

14.  PeiiHeKe  K.  ryGepnaTop-B  hsi.  Typ'b, 
(Der   Gouverneur   von  Tours).   KoM.  onepa, 

15.  /IlsKOHCb  K.  reiiiiia,  (Die  Geisha)^ 
OiiepeTa.  16.  Tom  a  A.  Mkhbohte.,  (Mignon). 
17.  MefiepSep-b  V.  FyreHOTbi,  (Le 
Huguenots)  a  1 — ,  Fl  a  — 40  Zimmermann. 

Luebert     Gustav     H.     Schirmer:      Op.     25 
Tvanchoe,  maz.  de  salon  — 75. 

-  28   Recollections    of    the    Ball,    waltz-rondo 

—75. 
36  Mirth  &  Frolic,  rondo,  P  —75. 

-  37  Thoughtful,  moments  revery  1.20  Dieck- 

niann. 

-  38  Maiden  Meditation,  idyl,  P  —85. 

-  40  By  the  Sea,  noct.  P  —75. 

42  The  3  Graces,  fant.  P:  N.  1.  Faith  — 7r>. 
N.  2.  Hope  —75.     N.  3.  Charity  —60. 

-  43  Valse  Brillante,  P  1—. 

-  45  Melodious  Surges,  maz.  P  ^65. 
-47  Valse  6l6gante  1.20  Dieckmann. 

48  Rondo  Caprice  1 —  Dieckmann. 
50  Impromptu   1.20  Dieckmann. 
Prussian   triumphal   march    (C.   Bach),   P 
— 40  Braiiiard. 

-  Volta,  galop  brill.  — /2  Sheard. 

Luebert   G.  jr.  Wayside  flowers  waltz  — 30 
Gordon. 

-  Hirondelle   envolee,    reverie,    P   2.50   Craaz. 

-  La   plus   jolie,    romance,   P   2.50   Cranz. 

-  Si   j'etais   Fleur,   melodic,   P  2.50   Cranz. 

>Iio6oiiKO    B.     K.      La    belle    Marseillenne, 
danse  — 50  Idxikorvski. 

-  JfoSiiMbin  Ba-TibCb  BenropKa  — to  Tdxihowski. 


LLicke  W.  Krieyers  Leheiruhl 


—     684 


Liihrss  C.  op.  5 


Liicke  W.  Kriegers  Lebewohl,  Defilier- 
Marsch,   IM,   Part   3.50   Bote. 

Liicker  J.  Gru6  aus  Rheinland,  Marscli 
—60,  Par.  Bes.  1— n,  Am.  Bes.  1.2.i  n, 
Berl.    Bes.    1.50  u    OerteJ. 

-(.rufi  aus  Rheinland,  Par.  Bes.  1.50  n,  Am. 
Bes.   1.20  n,   Berl.   Bes.    1.20  n   Oertel. 

-  Traiim  iind  Leben,  Walzer  1.80,  0  3—  Bos- 

irorth. 
Llidecke   E.  Lied  an  die   Brigg  ,, Maria"  1 — 

P.  Fischer-. 
Llidecke    L.   op.    1    Es   liel   ein   Stern,   Duett 

—SO  Cranz. 

-  2  Was  will  die  einsanie  Triine,  Duett  — 80 

Cranz. 
-5  Six   Etudes,   P  I— II    a    1.75   Siegel. 
-7  Der  Mond  ist  aufgegangen,   Vc,    (ad  lib.) 

I—  Schott. 
-8    Deux   Melodies,    VcP    1.50   Schott. 
-9  Souvenir  d'un  bal,  maz.  VcP  1.30  Ries  d 

Erler. 

-  10  Romance   pour   VcP    1.50   Ries  cC-   Erler. 

-  11  Momento  religioso,  VcfV)P  1.80  Ries  & 

Erler. 

-  12  Drei  Lieder,   Vc(V)P  2—  Ries  d  Erler. 

-  13    Impromptu,    P   1 —   Ries   d   Erler. 

-  15    Stations    musicales,    douze    petits    mor- 

ceaux,   VcP  3 —  Ries  d  Erler. 

-  16  Notturno,   VcfVJP  2—  Ries  d  Erler. 

-  17  Six  Etudes  pour   Vc  av.   Vc  II  3 —  Ries 

d   Erler. 

-  Improinptu,  P   1 —  Cranz. 

Llidecke  W.  Balltiinze,  siehe  D  e  s  s  a  u  e  r 
Tanzalbum,    Lief.    41.      Lelme. 

-  Bismarcker   Tanz-Albuni,    12   aiisgew.    Ball- 

tiinze, fiir  0  a  2—,   VP  a   1.80  Liidecke. 

-  Im   Reiche   der   Melodien,    Potp.    0   2 — ,    kl. 

stO   1.50  0.   Dietrich. 

-  ()    alte    Burschenherrlichkeit,     Rheinlander 

— 80  Moricke. 
Lueders,  Message  of  Violets    (Prince  of  Pil- 

sen)    — 25   Mc.   Kinley. 
-Tale    of    the    Sea-Shell     (Prince    of    Pilseu) 

— 25   Mc.   Kinley. 

-  Tale   of   the   Bumble-Bee    —25,    two-step,    P 

—25    Mc.   Kinley. 

Lliders  Aug.  op.  40  Hamburger  Fremdeu- 
Blatt,  Polka  —80   Riihle  d   \Yendling. 

-50  Abend.stille,  P  —60,  K/r-Quart.  1— 
Riihie  d   Wendling. 

-51  Die  LautenschUigerin,  Intermezzo-Piz- 
zicato, P  —60,  S^r-Quartett  1—  Riihle  d 
Wendling. 

-  52     Ein     Hoch     im     harmonischen     Klang, 

Marsch   1 —   Benjamin. 

-  Bierhallen-Polka,    0    1 —  n    Oertel. 

-  Die  Rummelsburger  Ricke,  Polka   1 —  Ben- 

jo  min. 
-Else:    Vi    m0dLes   i  den   gr0nne   Lund   — 50 
Nord.  Musikforlag. 

-  Felserifest,  Ambofi-Polka    (m.  Ambo/j) ,   und 

E.    K  o  e  d  e  1 :     Das     vergniigte    Bottcher- 
lein,   Marsch,   0    1.50  n    Oertel. 
-Fraiigaise,    nach    beliebten    Opernmelodien. 
P    1.20    Riihle   d    Wetidling. 

-  Radau-Marsch  mit  unterlegt.  Text,  P  — 75 

Hinz. 


-  4   Sange  :      Manon  :    Hvor    var    hint   Foraar 

frodig  gr0nt.  Giv  Agt:  Hvor  stille  Kaer- 
lighed  kan  gaa.  Vuggesang:  Stille  skal 
Vuggen  i  Skumringen  gaa.  G0gens  Svar : 
Tre  Piger  vandred  i  gr0nne  Skov  1  — 
Nord.   Mxisikforlag. 

Lliders  C.  Das  Burschentum,  Studentenlied 
—75    Schott. 

-Der  Soldat,  3  Lieder:  1.  Soldaten-Mut. 
2.  Soldatenliebe.  3.  Soldaten-Treue,  a 
—75  Schott. 

-  3   Pieces,   P   1.50   Hansen. 

-  Une  petite  fieur,  P  2/6  Chappell. 
Lliders   C.    E.   Der   Massenmorder   oder   Ud- 

gliickliche  FamilienverhJiltnisse  od.  Suff, 
Hafi,  Raciie,  Selbstmord  lind  moralischos 
Bewufitsein,  eine  hochst  grauenhaft- 
scheuSliclie  Familieutragodie,  mit  P  1.50 
Dainier. 
Lliders  Gustav.  Church:  An  Afternoon  in 
Midway  Plaisance,  FnllO  1.50,  1^  parts 
1.25,   10  parts   1—,   P  parts  —40. 

-  An    Evening    at    the    Ball,    FtillO    1.80,    / ') 

parts  1.50,  20  parts  1.20,  P  parts  — 40. 

-  Calvary  Charge,  Mil.  Band  1.50,  FullO  1—, 

llf  parts  —80,  10  parts  —60,  P  parts  —25. 

-  Japanese  war   march   — 50,   &   H.   C.   Jor- 

dan: U.  S.,  cadet  march,  FnllO  1 — ,  /^ 
parts  —80,   10  parts  —60. 

-  Wiirzburger    Hofbrau,    Polka    — 50,    FullO 

—80,   IJf  parts  —60,  10  parts  —40. 
Lliders  Wllh.  4  Walzer  zur  Erinnerung  an 

TTohenheim    1 —    Bosivorth. 
Ludicke    Chr.    H.    Chorlieder-Album,    auser- 

lesene    Gesange    f.    SATB,    f.    Gymnasien-, 

Real-    und    Biirgerschulen    1.40  n     Woll^r- 

mann. 

-  Deutsches   Liederbuch,    eine    Sammlung   der 

besten  Volkslieder  fiir  deutsche  Schulen 
—45  n  Zehl. 

-  Liederwald,    Lieder    fiir    deutsche    Schulen, 

3  Teile  a  — 40  n  Zehl. 
Llidke    August,    67    katholische    Kirchenlie- 

der  fiir  vierst.  TTBB  2.20  n  Aderholz. 
Llidke   E.   Im  Rosenflor,   Polka  — 50  Junne. 
Llidtke    F.   Guter    Rat,   TTBB   1.20   Hug. 

Lueger  M.  Bosworth:  Aus  den  Kloster- 
mauern  von   Salzburg,  Idylle,  Z  — 50. 

-  Der  nachtliche  Wanderer,  Tonbild,  Z  —80. 

-  Einzugs-Marsch   von   Sarajevo,    Z   — 50. 

-  Heimats-Abschied,    Marsch,    Z    — 80. 

-  Herzgucker,  Polka,   Z  —80. 

-2  Kompositionen :  1.  Mondseer  Alpenjodler, 
2.    Ein    Unschuldstraum,    Z   —80. 

-  Mitten  aus  Steiermark,  landliche  Weise,  Z 

—60. 

-  Stephanie- Marscli,    Z   — 80.  • 

-  Waldeinsamkeit,   Idylle,   Z  —60. 

Luhrss  Carl  (1824—1882),  op.  3  Drei  Ron- 
dos, P.-  1.  Arie :  „Ein  Schiitz  bin  ich" 
(Kreutzer),  2.  Lied:  ,,Das  Bild  der 
Rose"  (R  e  i  c  h  a  r  d  t) ,  3.  Arie  aus  der 
Nachtwandlerin    1 —    W.   Schroeder. 

-4  Drei  Duette :  1.  Wann  es  Friihling  vvird. 
2.   Abendgesang.   3.   Maienlied   1.50   Crattz. 

-  5  Vier  Gesiinge :  Protest.  Reiterlied.  Rhein- 

weinlied.  Leicht  Gepack,  TTBB  3—  Schlc- 
singer. 


Luhrss  C.  op.   6 


685     — 


LiJning  E.  My  mother  minds  me  not 


6  Sechs  Liedpr:  Kehr'  ein.  Abendlied.  O 
schwer  ist.  Zwiegesang.  Du  bist  wie  eiiie 
Sternennaclit.   Wiegenlied   2 —  8cJilesi7>f)vr. 

10  Vier  Lieder,  P:  1.  Auf  Fliigeln  des  Ge- 
sanges  (Mendelssohn),  2.  Wiegenlied 
(K  ii  e  k  e  u ) ,  3.  Willkommen  (C  u  r  s  c  li  - 
mann),  4.  Treii  siifies  Miidclien 
(M  a  r  s  c  h  u  e  r)    a    1 —    Hclilesinger. 

12  Nr.  I.  Und  wufiten's  die  Blumen  1 — . 
-Mr.  2.  Miidclienlieder  1.30.  Nr.  3.  Zigeuner- 
lied  1.50  8chJesinyc}\ 

■  15  Trois  Morceaux  brillants  sur  :  L  e  P  i-  o- 

phSte,  P:  Marche  du  sacre,  I'appel  mix 
amies,  2.  Choeur  des  enfants,  quadrille 
des  patineurs,  3.  Hymne  triompliale,  ".a 
l)astorale,  a  2.30  Schlesinger. 
16  Trio  Nr.  1  (C-m.),  PVVc  9—  Schlesivfjer. 
-  18  Die  Sohiitze  der  Tiefe   1.80   Schlesinger. 

■  19  Zwolf  Lieder:   I:   O  lieb'  so  lang.  Friili- 

lingsglaube.  Ueine  Liebe.  Uud  fiihlsl  du 
nicht.  Im  Rosenbnsch.  Meiit  Lieb  ist  eine 
Hose   2.50. 

II :  Wo  still  ein  Herz.  So  wahr  die 
Sonne.  Nachtgesaug.  Die  tausend  Griifte. 
Sangers  Kose.  Kommen  und  Scheideu  2.50 
Schlesinger. 

20   Trois    Sonates.    P:    N.    1.     (Es),    2.    (F), 
3.    (G)    a  3—   Kistner. 
•22    Zwei    Lieder:     Nr.     1.    Sehusuclit     1.30. 
Nr.  2.   Spielmannslied   1 —  Craiiz. 

23  Deux  Fantaisies  brill,  sur :  L'E  u  t"  a  n  t 
prodigue  (Auber).  /*  a  2 —  Schle- 
singer. 

24  Fantaisie  brill,  sur :  La  Fee  a  u  x 
roses    (Hal6vy)    2.30   Schlesinger. 

26  Quatuor  (A),  PVVaVc,  Part  et  p.  sep. 
10.50   Se7iff. 

27  Am  Abend  (Serenade),  7  Klavierstucke 
2.50   Senff. 

28  Variationen    (D),  P  2.50  Senff. 

29  Trois  Suites,  P:  1.  (G),  2.  (C-m.),  3. 
(E)    a  2.50  Senff. 

30  Fantasiestiicke.   P,   I— III   a    2.50   Senff. 
■31   Senate    (F),  PV  6—  Senff. 

32  Zwolf  Lieder:  I:  Nr.  1.  Auf  der  Land- 
.strafie.  2.  Einsamkeit.  3.  Dein  mit  jedem 
Herzensschlag.  4.  Am  tiefen  klaren  Brun- 
uen   2.50. 

II :  Nr.  5.  Ausforderung.  6.  Der  Himmel 
im   Tal.    7.   Riickblick.    8.   Nachtreise   2.50. 

Ill :  Nr.  9.  Liebesgedanken.  10.  Der 
Morgen.  11.  Ich  mocht'  ein  Lied  dir 
weih'n.  12.  Main  Freund  ist  mein  2.50 
Senff. 

33  Drei  Souaten,  P :  1.  (D-m.),  2.  (A), 
3.    (D-m.)    a  4—  Senff. 

34  Sechs  Chorlieder,  8ATB:  1.  Mailied. 
2.  Abendlied.  3.  Schweizerlied.  4.  Mein 
Herz  ist  schwer.  5.  Der  gute  Kamerad. 
6.  Frohe  Lieder  will  ich  singen  4 — 
Kistner. 

35  Walzer    (A),  P  1.50  Senff. 

37  Deutsche   Tanze,   P   3—   Simrock. 
■38    Quartett,    2VVaVc,     Part    u.    St     9^ 

Ries  d  Erler. 
■Barcarolle    (Ges),   P    1.50   Senff. 


-3  Danses  brillantes,  P :  N.  1.  Mazurka 
(H-m.)  1.50.  N.  2.  Galop  (Es)  2—.  N.  3. 
Valse    (B)    2—  Senff. 

-  Fantaisie  sur  des  motifs  favoris  de  I'opera 

Jessonda,  P  3 — -  Simrock. 
-6  Lieder:  1.  Des  Miillers  Blumen.  2.  Stiind- 
clien.  3.  Mein  Herz  ist  im  Hochland.  4. 
Sie  wallt  in  Schonheit.  5.  Lied:  „Die 
tinst're  Nacht  sich  sammelt  sehnell."  6.  0  ! 
komm'  zu  mir,  wenn  Tagslicht  sinkt  2 — 
Simrock. 

-  O      war'      ich      doch      des      Mondes      Licnt 

(K  ii  ck  e  n),     P   1—   Bote. 

-  Trinkers  Bedenken :  „Grad'  aus  dem  Wirts- 

li;nis",    TTBB    1.80   Schlesinger. 
Luhrss  W.  Die  Eeize  des  Landlebens,  Rondo 
in  Walzer  form,  P  —80,  erl.  P  —80  Cranz. 

LUke  W.  op.  3  Kleine  Tonstiicke  mit.Skalen 
uud  Passagen-Arabesken  zur  angenehmc- 
ren  und  wirksamei'en  tJbuug  der  gebriiuch- 
lichsten  Tongfhige,  P,  zu  3  und  4  Handeu 
3 — ,    Heft   T — III    a    1 —   Heinrichshofen. 

-7  Gesangsstudien  in  Form  von  Liedern : 
1.  Morgendamnu-rung :  „Wer  recht  in 
Freuden"  (Sekuudeniibung).  2.  Wiegen- 
lied: „Vom  Berg  hinabgestiegen"  (Ter- 
zeniibung).  3.  Das  Veilchen :  „Veilcheu, 
trautes"  (Quarteniibung).  4.  Die  Herden- 
glockeu :  ,,Tm  griinen  Tale"  (Quinten- 
iibung).  5.  Lob  des  Friihlings :  „Saaten- 
griin,  Veilchenduft"  (Sexteniibung) .  6. 
Des  Lebens  Tag  ist  schwer  und  schwiil 
(Septimeniibung) .  7.  Meeres-Stille  :  „Tiefe 
Stille  herrscht  im  Wasser"  (Oktaven- 
iibung)    1.50  Gebethner. 

LiJIIng  Br.  op.  40  Nr.  1.  Das  Marchenschlofj 
1.80  Schniid  <£■  Dnhied. 

-43   Liebeslied    1.80    Schmid   d-    Dnhied. 

LiJneburg  Eberhard  v.  Lieder:  op.  16:  Ich 
hatte  nicht  daran  gedacht :  ..Dafi  es  nun 
wirklich  griinen  konnte."  op.  9 :  Ein  ern- 
stes  Wort:  „Es  steht  in  der  Bibel  ge- 
schrieben."  op.  20:  Lied  des  Harfenmad- 
chens:  ,,IIeute,  nur  heute  bin  ich  so 
schon."  op.  13:  Nur  dich :  ,,Dich  suchen 
meines  Geist's  Gedanken."  op.  15.  Mein 
Gebet :  ,,Wenn  Leid  und  Kummer  um  dich 
steh'n."  op.  31  :  Still  ruht  der  See,  die 
Voglein  schlafen.  op.  32 :  Weifit  du  es 
noch?:  „Gelehnt  am  Fenster  schauten  wir 
zum  Wald."  op.  39:  Ein  stiller  Gedank.-: 
,,Am  tiefblauen  Firmamente."  op.  46.  Ein 
selt'ner  Wunsch :  „Es  kommt  in  manchen 
Tagen."  op.  48:  In  stiller  Einsamkeit: 
.,Wenn  ich  so  traumversunken  bin"  2 —  u 
Bauer. 

-  Ich  mufi  sie  kiisseu  — 80  Bauer. 

LUning  A.  Frohe  Stunden,  Walzer,  Z  — 60, 
2Z   1.20   Voigl. 

-  Gemiitsklange,    Walzer,     Z    —60,     2Z    1.20 

Voigt. 
Ltining    E.    Fantasie-Stiicke    in   Walzerform,^ 
Jims    2.50    Schotl. 

-  Jung  einst  sang  ich  dies  (Once  I  sang  with 

glee)    1 —  Schnherth   jr. 

-  Mei  Mutter  mag  mi  net   (My  mother  minds 

me   not)    — 80   Schuberth  jr. 

-  Mv  mother  minds  me  not  — 40  Rohlfing. 


Lues  W.  Mursku-  \Val\er 


—     686 


j1m)TIU7i  I».  Le-Cnuppey 


Lu3S   W.   Murska-Walzer    1 —  Cranz. 
Lustner  Carl,   Albumblatt,   P   1.50  Scholt. 
Lijstner   L.  Pa  vane  favorite  de  Louis  XIA 
d'apr&s  F.  B  r  i  s  s  o  n,  transcr.  pour  gr 


0 


1/ — u   Augener. 
— /4    'Novella. 
Noi'eUo. 


3.50,  P  1.25  Schott,  —30  Jiirgenson. 
Lutgen    B.   A   village   holiday    (Une   fete  au 
village),  urr.  as  a  duet  and  chorus    (fevn. 
voices)    — /4  Novello. 

-  Ange,    la    mfere    et   I'enfant    1—  n,      av.    G 

— 40  n   Laiic. 

-  Babe,  sweetly  smiling   (Le  Sourire) ,  melody 

by    Mendelssohn    1/—  n    Auge7ier. 

-  Beau  ciel  de  mon  pays   1 —  n,  av.  G  — 40  n 

Laihe. 

-  Brooklet    (Du   BJichlein) 

-  Consider   the   lilies,   8A 

-  Falling  leaves,  tSA  — /3 

-  Friends  — /4   Forsyth. 

-  Golden    morn    spring    1/ —  n    Augener. 

-  Hark !    hark !    Breathing    a    charm,    Miua, 

melody  (LouisLe  Bel)   1/—  n  Augener. 

-  Tf  I  were  a  fairy  1/ —  n  Augener. 

-  Kehlfertigkeit    (Studies    in   Velocity)    — 75 

Schirmer. 
-Kunst    der    Kehlfertigkeit,    I— TI      a     1.50 
Peters,  — 75   Jurgenson,   1 —   Lyre. 

-  Land  of  home,  SA  —/2  Novello. 

-  Mass    (2    voices)    — 16    Ditson. 

-26  Melodic  Vocalises  for  0,  B  or  Bnr  1/ — n 
Augener. 

-  Merry   bells,   .S'.4   — /4   Novello. 

-  Moonrise,  sacred  song   1/ — n  Augener. 

-  Morning  dawn    (Le  r^veil)    1/—  n  Augener. 

-  Mountain  Shepherd   (Le  Berger  de  la  Mon- 

tague,  tyrolienne),   SA  — /4   Novello. 
-Name  of  England  — /4   Forsyth. 
-O  Salutaris,  S-s.  nnd   chorus   (S^ATB)  —30 

./.  Fischer. 

-  Queen   of    fresh 

Atigener. 

-  Singing  Lessons 

2/ — n  Augener. 

-  Solfege  facile  a  2  voix    (Easy  melodic  Sol- 

feggi for  2  voices)  for  junior  singing  clas- 
ses 2/6  n,  or  in  3  books  fl  1/ — n  Augey^er. 

-Sweet  spirit,  comfort  me.  M8C  1/6  n  1m- 
gener. 

-Tell  me  where  is  fancy  bred,  duettino  (fern, 
voices)   with  chorus  ad  lib.  — /4  Novello. 

-  Velocity   Studies.   *?  —50  n   White. 
-Vocalises   d'lt^ilie.    24    operatic   voc.    l<(i\l^) 

5/ —  n  Augener. 
-When  we  two  parted   1/ — n   Atigener. 

-  Wishes   1/ —  n   Augener. 

-  Ye  spotted  snakes,  SA  — /4  Novello. 

Vide  :   L  u  t  g  e  n    B. 
LUtgen    H.   J.   Ave   Verum,   solo   and   chorus 

— /4,    0,   part    1/ —   Gary. 
Lutgen    Henri,      Bluette      (Polonaise)      3/ — 

Weekes. 

-  Elementary     and    Progressive    Scales     and 

Daily   Exercises,    V    1/6  n   Augener. 

-  First' Lessons    for    Vc:    Easy    and    Progres- 

sive   Exercises    and    Melodies     2/6    Dona- 
jowski. 


flowers, 


may    song     1/ —  n 
25  clem,  melodic  Solfeggi 


2   Melodies 
■Jouhert. 


de   M  a  r  t  h;i.    VeP.    VP   A    2.50 


-  Piet  a    Signore,    cautique    relig.    de    S  t  r  a  - 

d  e  1 1  a,  transcr.   Vc(V)  with  PH  ace.  4/6 
Novello. 

-  Practical   and   Progressive   Method,    Va(Te- 

nor)  2/ —  n  Augener. 

-  6     I'omances     sans     paroles      (Mendels- 

sohn),   VcP,  I— II   a   3— n  Jouhert. 

-  When  sadness  weighs  upon  the  heart   (Des 

Dulduers  Trost)  1/ — n  Augener. 
Lutgen  P.  Solffege  melodique  a  2  voix  (pour 
des  cours  superieurs  de  Solffege) ,  fragments 
choisies  parmi  les  oeuvres  des  maltres  an- 
ciena  et  transcr  its  pour  voix  eg.,  2  books 
a   1/ —  n   Augener. 

-  Teuebrae    factae    sunt,    antiph.    4  voc.    pro 

feria    VI    in    Parasceve,    Part    1 —  n,    St 

a   — 10  n   Feiirhtinger. 
Lutgen    Paul,    op.    14   T)rei    deutsche   Liedor 

2.50    Simrock. 
Lutgen  Peter,  op.  12  Unter  deutscher  Kraft, 

Marsch    1 —   Iluiishahn. 
Lutgen  W.  A.  op.  4  N.   1.  Air  vari6,   V  -iv. 

VVaVc  1.25,  N.  2.  Air  russe  vari6,   V  av. 

VVaVc  1.50  Kahnt. 

Introduction     et    Rondoletto     alia    polacoa 

(D-m.),    V  av.    VVaVc    1.80   Simrock. 

-  0  Salutaris,  SSS  1/3  Novello. 

Lutke    M.      Vor      Sedan,      Marsch,      siehe: 
L  e  h  n  e,   Miirsche,  Lief.   IV.      Lehne. 

Lutschg  Carl  (183;!— 1899)  Johansen: 

-  Bax-B  I.  C.   nHBeHn,iH  n   CHM*OHin,   (Inven- 

tionen  und  Sinfonien)  (Inventions  a  2  ei  3 
voix)  Cb  npe/i,HC.iOBieM'b  ii  oSxacHemaMH 
1.50  n. 

-  Bibliotheque  des  oeuvres  classiques  et  mo- 

dernes,   P.  N.   1—420   a  —25   bis   1.50. 

-  /^tTCKiH     ynpaacHCHia,     ciysKamia     no^ro- 

TOBJieHiCMt     Kt      „HOBOMy     C6opHHKy     9TI0- 

^IOB-b"  P  I— n  a  1.20. 

-  /^pyrt   fltTeft.    CoSpaHie  nepBonaiajiBHWX'b 

fltTCKHXt  uhech  ^Jifl  *opTeniaHo  b-b  2  h  4 
pyKH,  B-B  nporpeccHBHOM-B  uopfl/i;K'b.  0;no- 
6peH'b  xyaoacecTBeHHWMt  ooB-feTOM-B  Cnfi. 
Ki>HcepBaTopiH,  I — DI  a  1.50  Bessel. 

-  Etuden-Schule,    P,      T— XII    a    1.50,      Vor- 

schule  1.30  Bessel. 

-  Ecole   d'Etudes,   P,   I— III   a    1.50  n   Bessel. 
Exercices    prima  ires    en    5    notes,     P     1.50 

Bessel. 
.Ilorin'B  K.  BiipK);ibKii,  (Miniatures).  22  -lenc. 
BieJio^niHWH     II    xapaKT.     nbecw    pasHux-B 
KOMDOSHTopoBt,  ji.  2  TexpaflH  HO  4ms  1 — . 

06^3   TCTpaflH    BM'hCT'fc    1.50. 

-  YI  ^TIO/^OB'B  wi-h  „Gradus  ad  Parnassum  M. 

Cleraenti"  1.50. 

-  Kinderfreund,    leichte   Stucke   f.   Anfanger, 

P,  I— III  a   1.50  Bessel. 

-  Le-Couppey,     Oours    de    P    4l^mentaire     ot 

progressif  adopte  an  conservatoire  et  ap- 
prouv6  par  I'institut:  L' Alphabet,  25  etu- 
des trfes-faciles  (op.  17)  1.15.  Le  Progr5s, 
25  etudes  faciles  (op.  24)  1.20.  Le  Rhythm 
25  etudes  sans  octaves  (op.  22)  1.35. 
L'Agilite,  25  etudes  progressives  (op.  20) 
1 .50.  Preface  a  la  Velocity  de  C  z  e  rn  y, 
15  etudes  (op.  26)  1.15.  Ecole  du  meca- 
nisme,  15  series  d'exercices  (inKO.ia  Tex- 
HRKn)  2 — . 


.lioxni-B  K.  HepHii. 


mi 


Lutzenberger  H.  op.  :>H 


-^epHii.  .jIIlKOJja  BwcniOH  ■topTOiiiaHHOH 
TexHHKH"  op.  834  (npoflOJiacoHie  ero  :>Ke 
„lllKOJibi  Gtr.iocTn"),  I — III  no  1.50. 

K.  HepHH.  niKo.ia  JleraTO  h  CTaKKaxo  op.  3o5. 
50  BTio.ioii'b.  Texp.  I— IV  a  1.50. 

„H0BbIU        Ci5opHnKT>       ^TtO/^OBT,"       pasHbix-B 

asTopoBT.,  Texp.  I — XH  fi  1.50. 
UepBOHa'iajibHaH  uiKO.xa  P^.  Jle-Kyiina  2.50- 
Ilo.iibsa  II  pa^BJieieHie.  Bwoopi.  iiiecb  jiasHwx'B 

ftBxopoB^,  ,i.in  ^opxeniaiio  bi  ^lexbipe  pyKii 

B-b  DporpecouBHOMt  nopflAKt  4ms  I — VI  uo 

1.20   Gidhcil. 
Repertoire    de    Pieces    classiques    el    moder- 

nes,   P,   N.    1—150   a  —25   bis    1—   Bessel. 
Sammluug    melodischer    tibungsstucke    ver- 

sehiedener    Autoren,     P,     I — III     a      1.50 

Bessel. 
Sanimhing    von    Vortrag.sstudieu     verschi'-- 

dener   Autoren   progressiv    geordnet,   I   bis 

VII  a  1.50  Bessel. 

niKo.xa  ^Jia  jitBOH  pyKii.  CoopHHKi  axK)- 
^OBt  pasHbix-B  aexopoBi,  I — VIII  1.50. 

niKO.ia  OKxaB-b,  CoopHnK-b  ynpaacHCHiu  a 
axFOflOBx.  pasHbix-b  aBXopoBi.,  nporpeccHBHO 
pacnojiosKCHHbiX'b  ji,JiH  pasBHxia  OKxas-b  I 
2—,  11— VI  a  1.50. 

IIlKOJia  xpejieii,  C6opHHK'b  ^x^o;^OB•b  pasHbixt 
aBxopoB-b,  nporpeccHBHo  pacuojioiKeimbix-b 
fl,Jia  pasBiixia  xpeJiii,  I— IV  a  1.50. 

niMnx'fe'b  r.  ^o6aBOHHbiii  yupaMCHenia  k-b 
„Gradus  ad  Parnassum  M.  Clementi"  a 
TaK5Ke  K-b  ynpasKHeniaM-b  „niaHiicT'B  BHp- 
Tyo3i"  Jl.  TaHOH-b  1.50. 

■  IIlMHXX'b   r.    /l|o6aB01Hbie    ^XI0/^bI    KO    BCfeWb 

HS^aniaMi  „Gradu3  ad  Parnassum  M. 
Clementi"  Kaac;^aa  no  I — 11  a  1.20. 

-  CSopHHK'B  MCJIOflHqeCKHX'b  BXIO/lOB-b  pasHbix^b 

RBxopoB'b,  nporpeccHBHo  cocxaBJieHHbix-b, 
I— VH  a  1.50. 

■  Cofipanie   MeJIo/^H'^ecKIIx■b  ynpa^Henifi  pas- 

Hbixi  aBxopoB-b,  npoipeccHBHO  pacnoJioMceii- 
Hbix'B  u  neiiecMoxp'feHHbixi,  KaJK/^aa  no 
I— HI  a  1.50. 

-  CoGpaiiie  iibeoi  pasHbixx.  aBxopoB-b,  cpe^Hen 

Tpy^Hoexn.  Texpa^n  1 — 4  no  1.50. 

-  To-JKe,  oxA'fe.ibuwe  4ws  Nr. : 

1.  L  a  V  i  g  u  a  c   ^\ . :    Minuetto   —30. 

2.  L  e  m  o  i  u  e  H. :    TaranteUe  — 30. 

3.  L  a  V  i  g  n  a  c    A. :    Gavotte    et    Musette 


—  30. 

4.  T  h  o  m  6  F. : 

5.  L  a  c  k  T  h. : 

6.  Lack  Th.: 

7.  T  h  o  m  e  F. : 

8.  L  a  V  i  g  n  a  e 

9.  Thome  F.: 

10.  Lack  Th. : 

1 1 .  L  a  V  i  g  n  a  c 

12.  Lavignac 

13.  W  o  r  m  .s  e  r 

14.  Lavignac 

15.  T  h  o  m  e  F. : 

16.  W  o  r  m  s  e  r 

17.  Lack  Th.: 


18.  Thome  J 

Technik    des    Klavier.spiels,    I 
Jv.ygenson.  2 —  Steinyrnher. 


Marcht'  orieutale  — 40. 
Menuet  Pompadour   — 30. 
Scherzetto  —30. 

Intermezzo   — 40. 

A.:    Serenade   —40. 

Mazurka   — 30. 

La   toupie  — 30. 

A.:    Air    de    ballet   —30. 

A.:    Vijlanelle   —30. 
A. :    Pantomime    — 30. 

A. :    Esquisse  — 30. 

Bolero   —30. 
A.:    Farfadets   —30. 
Havanaise  — 30. 

Saltarello  —40. 

IV    a     1.50 


-  H^ac1./^ocy^a,  (Die  Erholungsstunde).  CGopniiK-b 

JierK.    nbecb     pa.^n.    KOMiioaiixopoB-b,    .x.    2 
xexpa;iH  no  1 — . 
JllOHKHWh     M,     MapceJibcsa,      (Marseilaise). 
Bapiax^iii  C'b  coupoBOSK^eHieM'b   pyccK.   na- 
po/tnaro  rnMna  P  — 60  Zimmcrmann. 

-  Tbi  MHoroe  Mui  ^aaa  — 30  Jurgenson. 
Liittich   E.  Hinau.s  zum  griinen  Wald,  Potp. 

P  2—  Ehrlich. 
LiJttwitz   Max  v.  op.  6    Esmittier-Polka    1 — 
Bote. 
7     Du    hast    mir     viel    gegebeu.      1    Siugr.t 

V(Vc)P  1.50  Bote. 
7   Lied :    „Du   hast  mir   vie!   gegeben"   — SO 
Bote,  — -35   Schirmer. 
-8  Zwei  Lieder :   1.  So  manche  schone  Perle. 
2.   Mein   Herzens-Bltimchen    1.50  Bote. 
9    Fiinf    Lieder:      I:    Nr.    1.    Du    bist    sehr 
schon.  2.  Wie  schon  bist  du   1.25." 

II:  Nr.  3.  Federball,  Federball !  4. 
Wohl  .springt  aus  dem  Kiesel.  5.  Die 
Armesiinder-Blum'    1.75    Huinauer. 

-  10  Die  Klatschschwestern,  Polka  — 50  Bui 

natter. 

-  11   Charlot'.s  Dreams,   polka   — 50  IJainaner. 

-  Emmelineu-Polka    — 60    Rnhle. 

-  Koine  Ant  wort  — 80  Schlesmger. 

-  Kleine   Blumeu,   kleine   Blatter   — 80   Schlr- 

singer. 
-2  Lieder:    1.  Weun  der  West  durch  Bliiten 

weht.   2.   Und   wiifiten's   die   Blumen     1.20 

Riihle. 
-3     Lieder:       1.    Du     wunderschone     Frau : 

,,Wenn   auf    zu   den    Wolken    ich   schaue." 

2.    Letzter    Wunsch :    „Nur    einmal    mocht' 

ich  dir  noch  sagen."  3.  Choral:   „Oft  mufi 

ich   weinen"    1.50   Riihle. 

-  Souvenir    de    Paris,     polka-mazurka     — 80 

Rulile. 
Liittich  E.  Concertino,  TrCornetaP  m.  Harm 
3— n,  m.  hlM  2.50  u  Oertel. 

-  De    Stahue.    kolnisches    Karnevalslied    — 50 

Riihle. 

-  Ein    Liebestraum,    Walzer,    T'    — 60    Lav. 

-  Glocken-Polka,   P  —60  Lau. 

-  Herzog    Ileiurich-Marsch,    P    1.20    Ehrlich. 

-  Hinaus    zur    frohlichen    Jagd,    Marsch    1 — 

Ehrlich. 
Llitz    W.    Meyer,      O.    love    but    me      2/ — ii 

Aschej-berg. 
-Oh,  these  Men!   2/ — n  Ascherberg. 
Liitzel   J.   Heinrich,  Chorgesangbuch  f.  Kir- 

chen-    und    Schulchore    2.60     Tascher-K.ii- 

serslautern. 

-  Gesanglehre    f.    Volksschulen     und     hohere 

Lehranstalten   — 75  n   Tascher. 

-  Leichte  Chorgesiinge  fiir  Kirchen-  u.  Schu- 

len  — 90  Merseburger. 

-  Liederkranz,    Sammlung    ein-    und    mehrst. 

Lieder    fiir    Schule    und    Leben   — 80  n    Ta- 
scher. 

-  Salvum   fac.   llegem.     Riihle. 

-  Sei   still :    „Ach   was   ist's    Leben    doch     so 

schwer"  m.  P,  H  —60  Hug. 

-  Trauerkllinge,   44   Ges.    TTBB   2.40   IJug. 
LUtzenbergeV    H.     op.    32      Tanzkranzchen. 

6  Tanze,   VP   1.50  Beyer. 

-  36    Konzert-Walzer    1 —   Beyer. 


Liitzenberger  H.  op.   SR 


(-)S8 


Luigi  P.  de  li'ixppUo  f.osnjHtr 


-  38    U:is    Haiis-Musikc-lioi-,    (i    Tiiiize,    T— TTI, 

VP  a    !.2()    U<'!/er. 

-  Die    kl.    Koiizertineister.     '/tiis    :l.ti(».    T — YI 

h   — 60    Bfi/rr. 
Lutzenhoff   Math.   op.   2    Korsofahrt.   cajMici' 

(le  genre,   /'   1 —   liofi'. 
-3    Coeui'    des    roses,    polka    de    salon.    /'    1  — 

(^ra  nz. 
-4  Une  ileiir  de  la    nuit,  serenade   1 —  Bole. 
-8    Schneefloeken-Walzer    1.30    Cranz. 
-14   Starlight    (Lueur   d'etoile),   mazurka    de 

salon.    P   l.,50   Cranz,    1.25   Jlirsch. 

./Iioiir  Ko  H.  YnpoKi,  „y  hoft.  tuoiixi.". 
UjbircaHCKiH  Ba-UbCTj-poMaHCi.  — 40  BessrI. 

Lufer  Bernhard.  Kalint:  Op.  14  Zur  See! 
4  Lieder,  TTBB:  Nr.  1.  Gliiek  aut!: 
„Glu('k  auf !  du  junger  Kapitan"  2 — .  Nr. 
2.  Meere.sstille :  „Ich  seh'  von  des  Sehiffes 
Raude"  — 80.  Nr.  3.  Seemannslied :  ,.Ma- 
trosen  auf !  iind  singet"  — 80.  Ni'.  4.  Mee- 
resabend:  „Sie  hat  den  ganzen  Tas  <ie- 
tobt"    1—. 

-  15  Zwei  Lieder,  TTBB:   1.  Friiliiingsglaube  : 

„Die  linden  laifte  sind  erwaehf.  2.  Der 
trJiumeude  See :  .  „Der  See  rnht  tief  ini 
blauen    Traum"    2—. 

-  16  Tni    Friihling,  4  Lieder,   8ATB:    1.  (»   du 

wonnige  Maienzeit.  2.  Am  Weiher.  3.  Dort 
i,st  so  tiefer  Schatten.  4.  Willkomnieu 
tausendmal    1 .60. 

-  18  Aus  der  Jugendzeit,   6  niiarakteistiick.', 

P:  Nr.  1.  Trotzkopfchen  —60.  Nr.  2.  Klei- 
ner Schmeichler  — 60.  Nr.  3.  Im  Maien 
I—.  Nr.  4.  Zu  Grofivaters  Zeiten  1.20. 
NTr.  fi.  Marchen  1 — .  Nr.  6.  tJber  Stock 
und  Stein  1 —  Hcinrichshofen, 
-18  11(  rzen  und  Sclierzen,  Konzerl-Polka  1. 
2Tr  m.   0   1.50  Oeriel. 

-  23    Wie    schon    bist    du,    dariiber    Fantasie, 

FIP   2.50  n,   FIO   .3— n    A.    E.   Fischer. 

-  Komisclies  Konzert  fiir  2  yediimpfte  Troni- 

petcv   m.   Quart.   1.50  n   Oeriel. 
Luft    A.    Zigeuiu^r,    Polka-Maziirka.    Z    — 50. 

2Z    -90    Voigl. 
Luft    Fr.      Kapitulation     von    Metz.    Sieges- 

Marsch  —80  Bote. 
Luft  Hugo,  Brudermarsch.  /'   1.20  Leichs.<ieii- 
ring. 

1   24  beriihmte   Etiiden 
Tonart.en     1.80     C.     /•'. 


n 


Suisse,  flaiitb  a\ . 
-75.  parties  d'O  4 
,50,    0   7.50    Lemoine. 

N.   1,     Ihvulh     av.     O, 
'  .3 — ,  p.  s.  5.25  n  Kist- 


OhP    2.50 


Luft  J.   Heinrich.  op. 

fiir     Oh     in     alien 
t^chmidt. 

-  3    Variations,    .scene 

Hautb    principal    — 
Kisfner,   IlauthP   7 
-5    Concertino    brill. 
Huulh   1—,   Huiithl 
ner. 

-  9    Faiitaisie    sur    thfemes    russes. 

Kistiier,  3 — ii   Vnstallot. 

-  10  Variations  brill,  sur  un  Theme  des  ,, Hu- 

guenots" de  Meyerbeer,  Jhtuih  avec 
0,  Eautb  1—,  HauthP  2.50,  p.  s.  4.50  u 
Kisliier. 

-  11   24  Etude.s  pour  .illaiith  6.50  Bote. 

-  12   Phantasie  iiber   russi.sche   Nationalmelo- 

dien.  Oh  m.  0,  Solo-0?)  1— n,  OhP  2.60, 
0   5.70  n   Breitlopf. 

-  14    Concertino    N.   2.    HaiitbP    3.50    Kist)ier. 


-  16    Fantai,si(>,    HantbP    3.50    Hrhoit. 

-  20  Nocturne,   TloutbP  2.50    iWi.stner. 

-  Etiiden    i.    Hohoe    2 —    Peters. 
Luftschldsser:    „Wann   i  mal  groii  bin';,  ko- 

misches    Volkslied    a.    Osterreich.    ^iegel. 
Lug    Yon,     Depute    INIaraboum    1 —  n    Oinfel.^ 

-  Maiadc.    le    docteur    l~ti    Ovdrl. 

-  Pauv'   populo    1 — n    Ondct. 

-  Pieds   devant,    Cli.  .s.   — 35  n    Ondel. 

-  Quatre    Sculpteurs    1 —  n 

-  Vengeance    du    bourgeois 
Lug  Yon  et  A.  Trebitsch,  a  ma  noce   i — n. 

Vh.  s.  — 35  n  Piiigellier. 

-  Mon   tonton    1 — u,   Ch.  s. 


Ovdet. 

1 — n    Ondi-I. 

A  ma  noce    I 


Luga    F. 

sica  I. 
Lugagne, 

deii.s. 
-  Ueeueil 


Orientale, 
iVl  esse  a  3 
tie     cliants 


P    2— 


-35  n    Puigettier^ 
n     Iv.-ititvf     i:iH- 


Org 


n 


(■h 


HtH- 


pel    niese 
21    Inni   (^ 
con     ace. 
Heginae   3 — n    Carise.h. 
of    the     breeze,     1'     — 50 

)arole.s,    Mondl'    \ — 

Klehi- 


E. 


sacres     a  v.     Org     5 — n 
Chnndev!i. 
Lugenheim   Paul  A.  op.   10   Wcnn  alle  JVlen- 
schen    1 —   BoHivorth. 

-  Deutscher      Turuerniarsch,       Siingcijiin  ^.-^(■h. 

TTBB    i.50    Dietrirli. 
Lugin   P.  Alvarez,  Collezione   .V. 

Mariano,   composta    di    8   Salve, 

18     Benedicamus     Domino     ecc. 

iVOrg   alle  Salve 
Lugini    G.      I'rolic 

TJionipson. 
Lugo    E,   Romance   sjus 

Forlive.ii. 

-  Ronde    des    pajiillons.     /'    2 

Paris. 

-  Solitude   Ueurie,    ma/iirka   3.50    Pero.sino. 

-  A^olerei,    Volerei    3 —    Forlivesi. 

Lugtgen    B.    Souvenir    de   Hombourg.    polka - 

maz.  — 75  n   Le   Beau. 
Lugubre    histoire,    romance    1 — n    Joubert^ 

Luguet    Leo,    op.    5    Dause    hiinioristique   de 

Concert,    VP  7.50  Hamelle. 
Luhde    H.    Annie   Laurie,   quickstep,   P   — 25 

Brainard. 
Luigi,    Battle    Marcii,    <l    3/ —   Chappell. 
-Dreams    of    the    heart     (with    G)     1/6     W  i.l- 

liains. 

-  Rhone   Fete,   G   3/—   (Viappell. 

-Stars  of  the  Garden  (Glover),  with  G 
1/6   Williams. 

-  The  Venice,   waltz  4/ —  Paterson. 

Luigi    C.    Dierand:    Cheveux   blancs    1 — n. 

-  Depaii     1 —  n. 

-  Horace   et   Lydie    1 —  n. 
-Ma   Vocation    1 — n. 

-  Papillou    1 —  n. 

-  Quarautaine    1 — n. 

-  Souvenir    1 —  n. 

Luigi  G.  Guitar  tutoi',  revis.  ed.  with  ap- 
pendix  2/ —  n   Ashdown. 

Luigi  O.  de,  Quando  cadran  le  foglie,  iiicio- 
dia    1.50  n    Brafti. 

Luigi  P.  de.  Donna,  vorrei  inorir,  melodia 
2 —  Carisch. 

-  Fior    di    siepe,    stornello    3 —    Bralti. 

-  Nell'aria    della   sera,   melodia    3 —   Bratti. 

-  Quando    cadran    le    foglie    3 —   Bratii. 

-  Ricordati,   melodia    3 —  Mariani. 

-  l>ispetto   toscano   2.50   Mariani. 


Luigini  A.  op.  P> 


689     — 


Luigini  J.   Grande  marche 


Luigini  Alexandre  (1850),  op.  3  Deux  Ca- 
prices etudes,  P  7.50:  N.  1.  Les  trilles 
4.50.   N.  2.   Les  octaves  4.50   Lemoine. 

-  4  Marche  de  I'Erair  (Claudius  Blanc), 

P  7.50,    (J.   L.  Battmann),   P  6— ,   ^nts 

10—  Noel 
-14  VP:  N.   1.  Petite  M&re  1— n.  N.  2.  Me- 

nStrier  d'Orlienas   1.50  n.  N.  3.   En  vacan- 

ces,  petite  valse   1.75  n  Gullet. 
-22  Romance,  P  1.75,  Part  d'O  3—.  p.  s.  4— 

Janiti. 
-30  Reverie,  P  5—  riot. 
-31   Badinage,  P  3—  Clot. 
-34  Pluie  5—  Beal. 

-  43  Vertige,   val.se,  ed.   orig.   on   dansante  a 

7.50  Beal. 

-  45  Noctambule,   gr.   valse,   P   2 — ,  J/i^s  2 — , 

0  3 —  Janin. 
-46  Marousia-Gavotte,  P  2—,  0  2.50  Janin. 

-  47  Suite  instructive,  trois  petits  morceau.N:, 

VP:  1.  Zgphir  caressant,  romance.  2.  Re- 
veil  matinal,  rondo.  3.  Songes  dores,  pe- 
tite valse,  a  1.50  Janin. 
-54  Pages  d'Album,  trois  petites  pieces,  V 
P:  1.  Mazurka  lente.  2.  Simple  histoire. 
3.  Menuet  de  la  reine,  a  1.75  Janin. 

-  Ballet  Egyptien,  P  9—,  J^ms  15—,  2P  15—, 

in  4  parts  (Tobani),  FullO  2—,  IJ, 
Insir  1.60,  10  Instr  1.35,  P  —50,  mO,  32 
parts  3 — ,  26  parts  2.50,  Saxoph.  p.  — 50, 
leader's  score  — 40  Fischer,  FullO  10/ — n, 
P  cond.  2/— n  Hatches,  0  20— u  Grus, 
^ma  — 30  Jurgenson. 
-Ballet  russe,  P  10 — ,  l,ms  12—,  0  20— n 
Grus. 

-  Ballet  Thebeen,  P  6 —  Grus. 

-Burets,  gr.  valse  2.50  n,   0  2 — n  Rouart. 

-  Bon  Parrain,   FP   1.25  n   Pisa. 

-  Caprice,    Cornet    1 — ,    CornetP    3 —    Par^s, 

Andrieu. 

-  Carnaval    Turc,     po&me     symph.     O,     Part 

10 — n,    parties    2.5 — n    Enoch. 

-  Clercs    et    Ribaudes,    maz.    1.75  n,    O    1.50  n 

Rouart. 

-  Code   et   Codex,   valse   2.50  n,    0   2 —  n   Coh- 

-Divertissement  p.  gr.  ou  pet.   0  2 — n  ./o;<- 
bert. 

■  Etudiante-polka    5 —   Clot. 

-  Fille   de   iladame   Angot,   quadr.    5 —   Jou- 

bert. 

-  Guitarina,   souvenir   d'Espagne,   P   5 —   Le- 

d  uc. 

-  Hymne   il   la   Charite    7.50   Grus. 

-  Invocation     (av.    clioeur)     6 —    Grus. 

-  La  plus  belle  6 —  Girod. 

-  Lyon-Etudiant,  grande  valse  7.50,  fac.  6—, 

PMand(V)    7.50,    0    2— n    Clot. 

■  Marche    de    I'Emir,     O,     Part     3—  n,     p.  s. 

6 —  n   'Noel. 

-  Marche    russe,    0  p.    sep.    5—,    Cond.    2.50 

Gr^is. 

-  Marche   solennelle   9 —   Grus. 

■  Marousia-Gavotte.      Janin. 
-Marraine,    VP   1.25  n   Pisa. 

-  Mazurka    des    Ecoliers,    0    1 —  n    Clot. 

-  Mazurka    des    Escholiers,    polka-maz.     5 — 

Clot. 

Universal-Handbuch  der  Musikliteratur.    L. 


,  Bon  parrain. 
1.25  n  Pisa. 


-  Mine,   TTBB,   Part   1.50,  p.  sep.  —25   Mar- 

gueritat. 

-  3  Morceaux,   VP  3 —  n  :   N.   1 

2.  Marraine.   3.  Naunaud,  d 

-  Nannand,    VP   1.25  n   Pisa. 

-  Neiges   d'Avril   1.70  n  Enoch. 

-  Nocturne,   VP  6 —  Clot. 

-  Nuit   d'Orient,   choeur   a   4    \oix    d'hommes 

4 — n    Heugel. 

-  0    salutaris    1 —  n   Durdilly. 

-  Orage,   variations,   VP   12 —  Clot. 

-  Orchidees,    0    2—  n    Grus. 

-  Pages    d'Album,    trois    petites    pi&ces,    VP : 

1.   Mazurka  lente.     2.   Simple  histoire.     3. 
Menuet  de  la  Reine,   a  5 —  Janin. 

-  Petite    fantaisie    sur    la    Petite    Mariee,    P 

6 —  Joubert. 
-3    Pi&ces,    2VP:      N.   1.    Valse    brill.    3— n. 
N.  2.     Reverie-Capr.     2 — n.      N.  3.    Pati- 
neuse   2 —  u   Janin. 

-  Printemps,    poesie    musicale,    0.      Andriru. 

-  3e    Quatuor   de    I'Andante   2 — n    Grvs. 

-Romance  symphonique.  Partition  d'O  3— n, 
parties   d'O   5 — n   Enoch. 

-  Serenade,    PVOrgVcFl    5—  n    Grus. 

-  S6r6nade   d'Avril,   choeur   h   4   voix   d'hom- 

mes 3 —  n  Heugel. 

-  Sorrente,  tarent.   (M  a  i  1 1  6) ,  0  2.50  n  Poti- 

lalion. 
-Suites  faciles,   VP:   I.   Menuet.   2.   Rgverie. 

3.  Valse,  a  4 —  Le  Boulch. 
-Tralneaux,    TTBB    av.    Bars.    2.60  n    Grus. 

-  Voice  of  Chimes,  reverie,  P  — 50,  VP  ■ — 65, 

(Tobani)    FullO   1.50,   1^  Instr   1.25,   10 
Instr   1—,   P  —30   Fischer. 

-  Voix  des  Cloches,  P  6—  Grus,   VVcP    (Kb 

ad  lib.)    7.50,   0   2/8   Havclces,  Grus. 

-  Zingara,    chanson    boh^mienne    1.70    Chou- 

dens. 
Luigini    A.   fils,    op.   5    I.   Quatuor,   2VVaVc 
6 — n  IJurand. 

-  9    Romance    sans    paroles,    VP    2.50  n    Du- 

rand. 
Luigini   Bosquet.  Ploix:  Bluette  villageoise, 
P  5—. 

-  Menuet   Sevigng,   P   5 — . 

-  Paques,   retour   des   cloches,   P  4 — . 

-  Petite  valse  5 — . 
-Souveinr    d'un    bal,    maz.    5 — . 

Luigini    E.    op.    29      Luchon     (Souvenir    des 

Pyrenees),   polka   5 —   Katto. 
Luigini     F.       Chanson      du      R  o  s  s  i  g  n  o  1, 

bluette,   P   2— n   Durdilly. 

-  Echos,     mazurka     villageoise, 

5 —  Clot. 
-En   traineau,   polka-maz.    1.60 

-  Fantaisie   sur    Girofle-Girofla, 

hert. 

-  Rengain,  P   1.75  n  Durdilly. 
Luigini   J.  op.  10  Une  Fille  du  ciel 

valse   brillante   sur    des   motifs   du   ballet : 
Les   Elements,   P  6—  Clot. 

-  Fantaisie-Caprice,  Harm  4 —  n,  Fanf  3 —  u, 

Cond.  — 50  u  Lory. 
-Grande    valse,    tiree    du    ballet:    Les   Filles 
du  gros  Guillot,  P  5—  Clot. 

-  Grande    marche    de    prince    imperial,    .'//hs 

9—  Beal. 

44 


polka-maz. 

Rdsisavolgyi. 
P    7.50   jou- 


grande 


Luigini  J.  Lisette 


—     690 


Luliy  J.  B.  Celebre  Gavotta 


Gardes  du  roi,  P  3/ — ,  ^/»s  4/ — 
the  battle,  transcription,  P  3/ — 


-  Lisette,  schottisch  3 —  Clot. 

-  Nice,    polka-ma z.    4- —    Clot. 

-  Procfes   Veauradieux,   polka   4 —   Joubert.' 

-  Uue   fille   du   ciel,   extraite   du   ballet:    Les 

Elements,    valse    6 —    Clot. 

-  Valse  du  ballet :  Les  filles  du  gros  Guillot 

5—  Clot. 

-  Villageoise  2.50  Clot. 

Luigini    L.   Angelina,    maz.    1.75  n    Durdilly. 

-  Cascades  du  coeur,  valse  2 —  n  Durdilly. 
-Fandango   1.50  n  Durdilly. 

-  Pyrenees,   valse  2 —  n   Durdilly. 

-Valine    du    Lys,    valse    chantee    2 — n    Dur- 
dilly. 

Luini  Carl, 
Leonard. 

-  Just  after 

Leonard. 

-  Santa  Madre,  nocturne,   P  3/ —  Leovard. 

-  Troubadour's  song,  P  3/ —  Leonard. 

Luise    Adolfo,    P^^chi    dolorosi,    romanza    3 — 

Curi.sch. 
Luiz    Pinto    d'ASbuquerque,    Primeiro   Fado, 

Erstes   Miirclien,    /'   2 —  Moreira. 
Lv!l<acHy  L.  IVI.  op.  7  Pens6e  de  I'O-Kanizsa, 

niaz.    1.50  liarnionia. 
Lukas   Josef,   Elisen-Marsch  — 60   Leuekurt. 

Lukesch    Jon,      Souvoniral    Expositiei    1.25 
Mayasin ul    Coii^ervatoriului. 

.lyKHHM^iT.   A.    op.  17.    Tpii  .lerKiji   rtbecKH. 

I.    rpycTHaa    iiiceriKa.       2.    MojiHTsa.      3. 

McMTaiiie    VP,   VcP  a  — 40  Kastjier. 
Lulah    Lu  2/ — n  Sheard. 
Lull  L.  A.  To  our  Redeemer's  glorious  name 

(G.   D.   Wilson),   quart.   —50   Ditson. 
Lulli,    Voi    sieto    il    ristoro,    P    (G.    Bizet) 

3--   llcngcl. 
Lulli    Arthur    de,    Bella    Waltz    i/8  u    AUau 

Mozart. 

-  Chop,    quadrilles    1/8  n    Allan    Mozart. 

-  Chop,   -ivaltz    13  n   Allan   Mozart,  — 25    fW- 

son,    Gordon,    Ijms   — 35    Ditson. 
-Chop    Sticks,    waltz    — 10    National    Music 
Co.,    lyms  — 35    Church,   Gordon,  — 10   Nat. 
Music  Go. 

-  Daisy,   quadr.    1/8  n   Allan   Mozart. 

-  Jacobina,  mazurka    1/3  n  Allan  ilozart. 

-  Jessie,   the    flower   o'    Dunblane,    P   — /lO  n 

Allan    Mozart. 

-  Jingo  Ring,   polka   1/3  n   Allan  Mozart. 

-  Jolis  Coeurs,  waltz   1/8  n  Allan  Mozart. 
-Joys   of   Youth,   waltz    1/8  n   Allan   Mozart. 

-  Last  Rose  of  Summer,  P  — /lO  n  Allan  Mo- 

zart. 

-  Loudon's  Bonnie  Woods  and  Braes,  P  1/3  n 

Allan  Mozart. 

1/3  u    Allan    Mozart. 
among    the    gold,    P    1/3  n 


-  Old   Towler,    P 
•  Silver    threads 

Allan  Mozart. 

-  Silvery   Waves, 

Lully   Jean 

Ga  lathee, 
choeur.   2 


P   1/3  n  Allan  Mozart. 

Baptiste  (1633—1687),  Acis  et 
1.  Scfene :  Qu'il  I'envie  chacun. 
Duo:    Vous   qui   croyez    (ch.   ad 


lib.),   a   1.70  n  Ckoudcns. 
Air  tendre,   P   1 —  n  Durand. 
Air    tendre    Couraute     gigue, 

he  timer. 


P    —50 


'ie- 


-  Airs   et  Duos   d'operas  celfebres    12 —  n    Du- 

rand. 

-  A  1  c  e  s  t  e,    air    de    Caron  :    II    faut   passer 

tot  ou  tard  dans  ma  barque,  B  2 —  n  Co- 
stallat,  B,  choeur  1.70  Choudens,  Bar  1.75 
Durand,  B  — 90  Lemoine,  (Vengon  tutti, 
presto  o  tardi),  franc.-ital.  B  2.10  Ri- 
cordi.  Le  h6ros  que  j'attends,  S  1.20  Le- 
moine, — 35    Schirrner. 

-Alceste,  Gavotte  et  Rondeau,  TfVaJP 
3/ —  Augener,  — 20  Neuparth,  VP  3/ — 
Augener,   Schott. 

-Amadis:  N.  1.  Clianson:  Suivon.s 
I'amour,  choeur  1.70  n.  N.  2.  Air:  Ah! 
que  I'amour  parait  1 —  n.  N.  3.  Air : 
Oriane  m'aimait  1 —  n.  N.  4.  Air :  Amour 
que  veux-tu?  1 — n.  N.  6.  Air:  Bois  epai.s 
1 —  n.  N.  7.  Trio :  Vous  ne  devez  plus 
1.70  n.  N.  8.  Scfene:  Toi  que  dans  ce  tom- 
beau  1.70  n.  N.  9.  Air:  Fermez-vous  pour 
jamais  1 — n.  N.  11.  Air:  O  fortune 
cruelle !  1 —  n  Choudens,  N.  4  — 90  Le- 
nioine,  (J.  B.  Weckerlin)  1/ — n  Au- 
gener, — 25  Schirmer,  — 60  Schola,  N.  6 
1 — n  Durand,  — 60  n  Lemoine,  (A.  Mof- 
fat) 2/ — n  Augener,  — 25  Schirmer,  — 20 
Jurgenson. 

-  A  r  m  i  d  e,   ouv.    Jfms   5 — n    Durand:    N.    1. 

Air  de  Renaud :  Plus  j'observe  1.70  n.  N. 
2.  Air  d'Armide:  Venez,  haine  implacable 
1.35  n.  N.  3.  Scene:  Les  plaisirs  ont  choisi 
2.50  n  Choudens,  Scfene:  Allez,  allez,  rem- 
plir  raa  place.  Air  du  fleuve  enchante : 
Plus  j'observe  ces  lieux.  Arioso:  Allez, 
eloipnez-vous  de  moi  2.10  n  Lemoine. 
Minuetto,  Mand  — 25  n  Ricordi. 
Pa.ssacaille    (Wachteischritt),    VcP    (R.   E. 

B  o  c  k  m  ii  h  1    und    K.    J.    Bischoff) 

1.50    Kistner. 
-Atys:   1.  Air  de  Sangaride:  Atys  est  trop 
heureux,   3.  Air:    Espoir   si   cher,   4.  Trio: 
La   beaute,   ou   choeur,   a    1 —  n   Choudens. 
2  Gavotten  2—  Litolff. 
Les    Songes    funestes,    VP     (Hermann) 

3/ —   Augener,   — 50    Ditson. 
R6plique  de  Sangarde.     Delanchy-V&v'xs. 

-  Boccane,   P   1.35  u   Choudens. 

-  Bourgeois    gentilhomme,    comedie-ballet,    P 

(J.    B.    W  e  k  e  r  1  i  n)     1 — n    Durand. 

Menuet,  P  1 —  Durand,  1— ^  n  Gallet,  1.50 
Litolff,  V  — 20n  Bonnefond,  VP  1.35 
Durand,  1.25  Schott,  MandChit  e  2. 
Mand  ad  lib.  2—  Ricordi,  0,  Part  12— n 
CostaUat,  0,  part.  1 — ,  P  cond.  1 —  Du- 
rand. 
-Cadmus      e  t      II  e  r  m  i  o  u  e  :       1 .      Air  : 

Amants,  aimez  vos  chaines  1 — n  Choudens. 

Air :    Belle    Hermione,    h^las !    — 60  n    Lc- 
moine. 

Ariette :  Amour,  vols  quels  maux  tu  nous 
fais   — 60  n    Lemoine. 

-  Carnaval  de  Versailles:    1.  Chanson:   Soyez 

fidfele    1 — n    Choudens. 
-Carnaval,  Mascarade:   Air:   Repands,  chav- 
maute  nuit.     Rondeau :   Que  soupirer  d'a- 
mour    1.20  n    Lemoine. 

-  Celebre  Gavotta,  P  —30  n  II  Concerto,  1.50 

Mariani,     1 —     Ricordi,     - — 50     Lnndquist, 


Lully  J.  B.  Cclebrr   Clarottd 


691 


Lumbye  G.  Etincelles  electriques 


voix 


^g. 


Duettiuo :     L'autre 


— son  Sa7idron,  Mand{V)P  1.25  u  Ri- 
cordi,  0,  part.  1.50  n,  P  cond.  1 — n  Du- 
rund,  pice.  0  1.50  n  Ricordi;  vide:  C4a- 
votta. 

■  Chacoune,  P   ( J.  P  i  1 1  m  a  n)   2/6  Ashdown. 
■Chambre    du    Roi:    1.    Trio :    Dans   nos 

bois   1 —  n    Durand. 

■  Chei-chons    la    paix,    2  voix    6g.    et    P    — 50 

Pill  at  el. 

■  Choeur   pour   le   jour    des   Prix, 

et  P  —25  n   Pinatel. 

■  Exil  — 25n   Pinatel. 

■  Fotes    des    Versailles 

jour    1 — -n    Choudens. 

■  Foret    de   S^nard    1.70  n    Costallat. 

■Gavotte,  0,  Part  1— u,  St  2.50  n  Kistner, 
P  — 50  Kistner,  — 25  Schirmer,  1 —  Bos- 
siero,  2 —  Santojanvi,  J^ms  — 75  Kistner, 
VP  1.75  Durand,  —75  Kistner,  3/—  An- 
qener,  VcP  — 75  Kistner,  Mayid  — 50 
Huiidron,  MandP  2 —  n,  2MandP  2.50  n, 
V(Mand)G  2— n,  2MondG  2.50  n  Durand, 
vide :    Cel&bre  Cxavotte. 

liides  galantes.  Invocation  et  Ariette : 
Brillant   soleil   — 90   Lemoine. 

Isis:  1.  Dtio :  Ne  me  reprochez  pas  1 — u 
Choudens. 

Rongesangen :  Gud  sign  vor  Konge  god 
— 10   Warniuth. 

„JlEo6oBb,   qTO   TeSt   bo  mh^"?    (p.  *.)  — 20. 

Madrigale,   TTBB   1.20,   SATB    1.60  Hng. 

Marclie  des  Rois  ou  de  Tourenne  1 —  n 
Choudens,  2.50  n  Enoch,  2 — n,  fac.  1.20  n, 
Fl(V)(Vc)P    1— n   Enoch. 

Menuet  c6l&bre  ecrit,  pour  la  Lecon  de 
Dause  du  Bourgeois  Gentilhomme  de  M  o- 
Here,  edition  originale  harmonis^e  et 
transcription  avec  variations  par  M. 
Peyrla  1— n,  VP  1.50  n  Gullet,  6— 
Noel,    vide :    Bourgeois    gentilhomme. 

Menuett,   Fl(V)P    1.20   Bosworth. 

Menuett,    VP    (K  r  o  s  s)    3/ —   Bchott. 

Messe  Royale,  appelee  vulgairement  Messe 
de  Baptiste,  harmonisee  a  3  voix  &g.  par 
W  i  d  o  r,  Part  — 75   Pinatel. 

Naissance  do  V^nus;  1.  R^cit. :  Ro- 
chers,   vous  etes  .sourds   1 — n   Choudens. 

Nie  dla  mnie:  Amour  que  veux-tu  de  moi? 
(Nie  dla  mnie  milosci  6picv/)  — 20  Ge- 
helhner. 

Pafse-pied,   P   1.35  n   Chotidens. 

Per  see:  1.  Air:  Je  ne  puis  daus  votre 
malheur  1 — .  N.  2.  Scene:  Que  n'aimez- 
vous  1.70  Choudens,  Grand  air  de  Meduse 
C. :   J'ai  perdu  la  beautg  5 —  Girod. 


-Phaeton:   N.   1.  Uuo :   Cherehons  la  paix 

1 —  D.  N.  2.  Air :  Heureuse  une  ame  1—  u. 

Je  ne  vous  croyais  pas  2.50  n. 

Heureux  qui   pent  voir   2 —  u. 

Que    protge    avec    nous    2 — -n. 

Ce  beau  jour 

1.     Air: 


N.  2 
N.  4.  Duo: 
N.  5.  Air: 
N.  6.  Air: 
N.    7.    Air: 

Proserpine: 
1 —  n   Choudens. 
Rigaudoa,    Org    (Best)    — 

Roland:    N.    1.    Air:    Ah! 
1 —  n.    N.    2.    Duo :    Vivez 


nous    2- 
1— n   Choudens. 
Deserts    ^cartes 


Choudens,      Lyrische 


Tragodie 


75    Schott. 

quel   tourment 
en    paix    1.70  n 
Suite,     0 


duet   3  — 

a  n  on  1/ nie. 
song  — /2 


Kegel- 


P(lfms) 


(William  L  y  n  e  n) ,  Part  2.50  n,  St 
12 —  n  Sommermeyer. 

-  Sarabande,   VcP  2/ —  Augener. 

-  Soyons   unis,    3  voix   6g.   P   — 25  n   Pinatel. 

-  Tantum   ergo,   SATB  — 50  n   Pinatel. 

-  Tanz-Chor :    „Haltet   uns,   wonnige   Band-m, 

umschlungen",  TTBB,  SATB  1.60  Hug. 
-Th^see:  N.  1.  Air:  Revenez,  amour,  re- 
venez  1 — n  Durand.  N.  2.  Air:  Dopit 
mortel  1 —  n  Choudens.  Arioso  de  M6dee, 
5e  acte :  Ah !  faut-il  me  venger.  Air :  Re- 
venez, amours,  revenez.  Chant  de  V6nu : 
dans  le  Prologues :  Revenez,  amours,  reve- 
nez   1.20    Lemoine. 

-  Triomphe    de    I'Amour:      N.    1.    Air:      Ne 

troublez  pas  nos  jeux  1 —  n.  N.  2.  Air : 
Triomphez,  amour  victorieux  1—  n  Chou- 
dens. 

Lully    J.    H.    In    the    deep    ravine 
Chnppell. 

Lully    N.    P'ssit!    Henri!    Societv 

Lulu  is  our  darling  pride,  christy 
Sheard. 

Lulu,  polka,  Fl  — 50  GuimarTies. 

Lumbye    Carl.     Hansen:    „Alle    9 
Polka,    0    1.50. 

-  Anna   de  Blanck,   galoj)   — 50. 

-  Brandesky,   polka  — 50. 

-  Claquebois      (Holz     piel),     polka, 

—75. 

-  Der   achte  April,   Marsch  — 75. 

-  En   Avaut,   concert-rondo,    vide :    E.    I  s  e  •li- 

ra a  n  n,    The    Univ.    0    Journal,    VII.    19. 

-  En  avant,  polka,  Jfms  — 75. 

-  Euphrosyne,    Polka   —50,    0    1.50. 

-  Fest-Polonaise   1 — , 

-  Fest-Polonaise    zur 

gierungsjubiliiums 
Nov.    1888,    P    1—. 

-  Gardehusaren-Marsch 

-  Gustava,    Polka-Maz. 

-  Helener-Marsch   — 50. 

-  Kegeln-Polka    — 50. 

-  Nach  zwolf  Uhr,  Polka  — 50,  Jyms 

-  National-Zapfenstreich,    P   — 50. 

-  1900,  Marsch  —75. 

-  Nic-Nac,  Polka  — 50,   Jfms  — 75. 

-  (31af-Marsch    —50. 

-  Paula-Mazurka   — 50. 

-  Seksti,  Tappenstreg,  P 

-  Silen-Polka  — 50,  J^ms 

-  Tanz- Album,   Nr.    1 — 5   tx    1 — . 

-  Telephon-Galopp  — 50. 

-  Typographen-Polka   — 50. 

-  Urania-Mazurka  — 50. 

-  Vi\e  la  danse,  galop  — 50. 

Lumbye  Georg.  Hansen:  Amour,  maz. 

-  Au    revoir,   march   — 50. 

-  Au   revoir,  polka -maz.  — 50. 

-  Bella  Villageoise,   polka  — 50. 

-  Bertha  Linda,  Polka  — 50. 

-  Cirque   Salomousky,  galop  — 50. 

-  Dans  repertoir  i  Stockholm,  P  1.50  Hirsch. 

-  Des   Kaisers   Alexander    III.   und   der   Kai- 

serin  Maria  Feodorowna  Krijnuugsmarsche 
1.50. 

-  Diua-Polka   — 75. 

-  Etincelles    electriques,    galop    — 50. 

44* 


J,ms    1.50. 

Feier    des    25jahr. 

Sr.   M.   Chr.   IX.  d. 


Re- 
15. 


—  50. 
—50. 


-75. 


-60. 
-75. 


-lO. 


Lumbye  G.  Fackeltanx 


—     692 


Lumbye  H.  Ch.  Entreemarsch 


-  Fackeltanz   zur  Kronungsfeier  Hirer  Maje- 

staten  des  Konigs  Oskar  II.  und  der  Ko- 
nigin  Sophie  in  Stockholm,  P  1.30,  0  7 — 
Cranz. 

-  Friililing.sblumeu,    Walzer    1.50. 

-  Godt !   Jubelmansch  — 75   llirsch. 
•  Hedwig   Willman,   Polka    1 — . 

-  Ingenue,   polka  — 75. 

-  Johanne,   ir.az.   — 50. 

-  Jugendtriiunie,  Walzer   1.50. 

-  Margarethe-Polka  — 60. 
-Merla-Polka   —75. 

-  Molins      Fontaine,      galop      — 75      Hansen, 

Hirsch. 

-  Nord  und  Siid,  Festmarsch  — 75. 

-  Pickeli,    packeli,    Puck-Polka     (nacli     Ga- 

te n  h  u  s  e  n's  Melodien,  aus ; 
f anger   von   Hameln,   illustr.) 

-  Princesse  Marie,  maz.  — 75. 

-  Rhein-Klange,    Konzert-Polka, 

4.50   Cranz. 

-  Salut  aux  m6deeins,  Marsch-Polka  — 75. 

-  Sarah    Bernhardt-Polka   —50. 

-  Silberue  Myrteu,  Walzer   1.50. 

-  Souvenir   de  Christine  Nils.son,   dans  Ham- 

let (A.  T  h  o  m  a  s) ,  polka-mazurka  4.50 
Eeugel. 

-  Upsala- Jubelfeier,   Polka 
-Valse  a  la   Gung'l  —50. 

-  Vivandi&re,   polka  — 50. 

-  Volga,  polka-maz.  — 60. 

-  Yelva,    maz.    — 60. 
Lumbye    Hans   Christian 

14    Champagner-Galopp, 


Der  Ratt?n- 
—60    Cranz. 


P    1- 


0 


JO. 


Schuberth,    1/- 
—40     FAlis,     - 
--15    Gutheil, 
J.    Schuberth, 


-  Atigener,  — 50 
-25  Gordon,  4— 
— 25  Jxirgcnson, 
— 50    Brainard, 


(1810—1874),    op. 

RiUile,      —50    J. 

Brainard, 

Jouberi, 

—75 

Gor- 


Jfms 


-35 


.sO 
J. 
V. 


4— 


don,     Full     Band     2/8,     Med.     Band     2/- 
sO    1/4,    e.xtra   parts   — /2,   FvllO   — 75, 
—50,  P  ace.  —40  Hawkes,     0,  St  1.50 
Schuberth ;  Champagner-Galopp,  &   C  h. 
Fischer,    Splash-Galop,    FvllO    1—, 
Instr  —SO,   10   Instr  —60   Standard. 
-25   Skandiuav  Ballet  1.50   ./.   Sehvberth. 

-114     Flick    und    Flock,    Mazurka,      0 

Cra  nz. 
-250  Otto  Allin's  Trommel,  Polka  —80  Bote 
-251    Sturm-Marseh-Galopp    1 —   Bote. 
-252   Zweiter   Honneur-Marsch  — 80    Bote. 
-253   La   Iletraite,   polka   —80   Bote. 
-254   Helga,   Polka-Mazurka  —80    Bol-e. 
•  Adelaide-Galopp   • — 75    Hansen. 

-  Adfele-Polka  — 50  Hansen. 

-  Adolfia-Polka   — 50   Han(<en. 

-  Alexandra-Polka    (Lithuanienue 

1 —  Hansen. 

-  Alexandra-Walzer  — 75  Hansen. 

47ns  1 —  Hansen. 

-  Alice-Polka    — 50    Hansen. 

-  Amager-Polka   — 50    Hansen. 

-  Amelie    Waltzes    — 60    Brainard,    4/ —    Pit- 

man, Full  Band  4/ — ,  Med.  Band  3/ — , 
sO  2/—,  extra  parts  — /3,  FnllO  I—,  sO 
— 75,  P  ace.  — 40  Hawkes. 

-  Amorin-Polka  — 50. 

-  Araorosa-Polka-Maz.   —50. 

-  Anna-Polka-Maz.   — 30    Breitkopf. 


—50,  .'fVis 
-80  Bote. 


-  Anna- Walzer   — 75    Hansen. 

-  Annen-Eheinlander,     Souvenir     de     Jenny 

Lind,   Walzer,      Riihle. 

-  Arabella-Walzer  — 30,   J/ms  — 60  Breitkopf. 

-  Augusta-Polka   — 50   Hansen. 

-  Augastas    Erinnerungs-Polka      — 30    Breit- 

kopf. 

-  Auguste-Polka-Maz.    — 30    Breitkopf. 

-  Aurora-Polka-Ma z.   — 50   Hansen. 

-  Ausgewilhlte  Tiinze,   P   3 —  Breitkopf. 

-  Azurine-Walzer   — 30   Breitkopf. 

-  Bacchus-Galopp  — 30  Breitkopf. 

-  Baladiue-Galopp  — 30,  Jfms  — 60   Breitkopf. 

-  Ballfieber-Polka-Maz.   —30    Breitkopf. 

-  Beduinen-Galopp  —30,  .^/n.?  — 60  Breitkopf. 

-  14  beliebte  Tiinze   1 —  J.  Schuberth. 

-  Bellona-Galopp    — 30,    ^w.9    — 60    Breitkopf. 


Jtms 


-60, 


—60, 


-  Berliner    Studenten-Polka    — 30, 

0,  St   1— n  Breitkopf. 

-  Biondini-Polka   — 50    Hansen. 

-  Blanca-Walzer  —50   Breitkopf. 

-  Blanche-Polka    — 50    Hansen. 

■  Boreas,    Sturm-Galopp   - — 50    Hansen. 

-  Britta-Polka  — 50  Hansen. 

-  Ciicilien-Walzer  — 30    Breitkopf. 

-  Camilla-Polka  — 50  Hansen. 

-  Capricho  jaleo,   P  — 75   Hansen. 

-  Carneval   de   Paris,   polka   — 30,   I^ms 

0,  St   1— n  Breitkopf. 

■  Caroline-Polka-Maz.    — 50    Hansen. 

-  Castilianer-Galopp    — 30, '^ws    — 60    Breit- 

kopf. 

-  Catharina- Walzer   1 —  Hansen. 

-  Charlotten-Galopp  — 30  Breitkopf. 

-  Chinesischer    Glockchen-Galopp   — 30   Breit- 

kopf. 

-  Chretien-Polka    — 50    Hansen. 

-  Christa-Walzer   —30   Breitkopf. 

■  Christiane-Polka  — 30   Breitkopf. 

•  Columbine-Polka-Maz.   — 50    Hansen. 

-  Constance-Polka    — 50    Elkan,    Hansen. 

-  Coquette,   Walzer  — 30   Breitkopf. 

-  Cora,   Polka-Maz.   — 50   Hansen. 

-  Dagmar-Polka   —80  Bote. 

-  Dagmar- Walzer  — 75   Hansen. 

-  Dance     of     the    Mermaids,      &    E.    I  s  e  n  - 

mann,     The    Black    Eagle,      FullO    1.50, 
14  Instr  1.25,  10  Instr  1—,  P  —30  Fischer. 

-  Dania-Polka    —30    Breitkopf. 

-  Danses,   141   numeros,  P  a  — 50  u  Costallat. 

-  David-Polka   —30   Breitkopf. 

-  Deborah,  Polka-Maz.  — 50  Hansen. 
-Der    15.   Aiigust,   Polka  — 50   Hansen. 

-  Diana-AValzer  — 30,   JfOis  — 60   Breitkopf. 

-  Doblers   Zauber-Galopp   — 75   Hansen. 

-  Donau-Blumen-Quadrille    —30,       ffms    — 60, 

O,   St  4—  Breitkopf. 

-  Echo  vom  Balle,   Fant.   P   1 —  Hansen. 

-  Edle   Polka  —50    Hansen. 

-  Elisa-Walzer   —30    Breitkopf. 
-Elise-Polka    —30,    Fl(V)P    1.30    Breitkopf. 

-  Elof-Polka  — 50  Hansen. 

-  Elwira-Polka-Maz.    — 30    Breitkopf. 

-  Emilien-Polka  —30,  Jfrns  —60   Breitkopf. 

-  Emma-Polka  — 50  Hansen. 

-  En   avant,  Marsch  — 30  Breitkopf. 

-  Entreemarsch    (5.    Juni,    Festmarsch)    — 50 

Hansen. 


Lumbye  H.  Ch.  Erik-Polka 


693     — 


Lumbye  H.  Ch.  Louisen-Oalopp 


—30  Breit- 
O,    St    5— 


— 10 


-30, 


■'f  tn  s 


-30   Breit- 


-  Erik-Polka  — 50  Eunsen. 

■  P^riuuerung  au   Berlin,   Walzer 

kopf,    —    Riihle^      J/nis    — 60, 
Breitkopf. 

-  Eriiiiierung-    an    die    Heimal,    Galopp 

nnnse7i. 

-  Eriuneruug  an   J  o  h  a  n  n    St  r  a  u  fi,   Wal- 

zer —30,   ^ms  —60   Breitkopf. 

-  ErinneruDg    an    Wieu,    Walzer 

—60,    O,    St    1— u    Breitkopf. 

-  Eugenie- Walzer    (V  e  n  t  a  n  a) 

kopf. 

-  Fackeltanz    (z.   Vernuihlungsfeier   d.   Kron- 

prinzen  Friedrich  v.  Paneinark)    2 — Breit- 
kopf. 

-  Fairy   Queen,   galop  — 50   Hansen. 

-2  Fantasien  (Traumbilder.  Nebelbilder) ,  P 
1—  Litolff. 

-Fantasien  und  Festmiirsche,  P :  1.  Fackel- 
tanz. 2.  Honneur-Marsch.  3.  Nebelbilder. 
4.  Traumbilder.  5.  Der  Traum  des  Sa- 
vojarden.  6.  Der  Traum  naoh  dem  Balle 
3 —  Breitkopf. 

-  Farbenspiel-Galopp   — 30   Breitkopf. 

-  Feldmarsch    — 50    Hansen. 

■  Festabend  im  Tivoli,  Divert.  P  1 —  Hansen. 

-  Fest-Galopp    —30,    ^ms    —60,     0-St     1—  n 

Breitkopf. 

-  Festmarsch   — 50    Hansen. 

■  Fest-Quadrille    1.25    Hansen. 

■  Fiebertriiume,    Walzer   — 30   Breitkopf. 

■  Finale-Galopp    aus    „Napoli",    Pf^ms)    1 — 

Hansen. 

-  Fiscliermadchen,  engl.   Tanz    1 —  Hansen. 

■  Flora-Polka  —30,  ^ms  —60   Breitkopf. 
Fontaine- Walzer    — 30    Breitkopf,    2/6    An- 

(/ener,  ^ms  — 60,   0-St  1 —  n  Breitkopf. 
Fortuna-Walzer  — 30,   .'//hs   — 60   Breitkopf. 
Frederikke-Polka    — 50    Hansen. 
Friederiken-Galopp    — 30    Breitkopf. 
Friedrich    Wilhelm-Galopp   — 50    Hansen. 
Friihlingggriifie,  Galopp  — 30  Breitkopf. 
Fiir  Alt  und  Jung,  Walzer  — 75  Hansen. 
Galop   militaire    1 —  Hansen. 
Geburtstags-Polka   — 30   Breitkopf. 
Georgine-Polka   — 30   Breitkopf. 
Gondol-Polka   — 50    Hansen. 
Gratulations-Polka  — 50   Hansen. 
Grille-Polka-Maz.   —30    Breitkopf. 
Grol^fiirst   Alexauder-Marsch  — 50   Hansen. 

Grufi    an    die    Heimat,    Walzer    — 30,     Jfms 

—60,    0-St    1— n    Breitkopf. 
Grufi   an   Gothenburg,   Polka  — 50  Hansen. 
Grufi  an  Jutland,  Polka  — 50  Hansen. 
Gru6  an  Inind,   Polka  — 50   Hansen. 
Grufi  an  Malm0,  Polka  — 50  Hansen. 
Grui3  an  Stockholm,  Galopp  — 75  Litolff. 
Grufi    an    Stockholm,    Polka    — 50    Hansen. 
Giinstling,    Walzer    —30,    ^ws    —60,     0-St 

1 —  n   Breitkopf . 
Gute   Nacht,   Polka  — 75   Hansen. 

Hamburger  Tonhalle,  Polka  — 30,  J^ms 
Breitkopf . 
Harald-Galopp  — 50  Bote. 
Hedsohen-Polka    — 50    Hansen. 
Helene-Polka   — 50    Hansen. 
Henriette-Galopp  — 30   Breitkopf. 
Henriette-Polka  — 30   Breitkopf. 


-60 


4ms 


1.25, 


-  Hesperus-Kllinge,    Walzer    1— 

FlfVJP    1—   Hansen. 

-  Hilda-Polka   —50,   J,ms  —75,   FlfVJP  —60 

Hansen. 

-  Hochzeits-Polka    — 50    Hansen. 
-Honneur-Marsch   1.50  Breitkopf,   1.35  n  Co- 

stallat,  J/ms  2 —  Breitkopf. 

-  Hortensia-Polka   — 50    Hansen. 

-  niihner-Masken-Quadr.   — 30,    J/ms  — 60,    0- 

St  5 —  Breitkopf. 

-  Huldigungs-Marsch  — 30  Breitkopf. 

-  Ida-Polka  —30   Breitkopf. 

-  Tdeal-Polka    — 50    Hansen. 

-  Im  Tiergarten,  Galopp  — ^75  Hansen. 

-  Indianischer    Kriegstanz     -^75,      J^ms    I — , 

FlfVJP    1—   Hansen. 

-  Isabella-Walzer   — 30,    Jfms  —60    Breitkopf. 

-  Jenny-Polka   — 50  Hansen. 

-  Johanua-Walzer  — 30  Breitkopf. 

-  Johanne   Louise,   Walzer    1.25   Hansen. 

-  Julie-Polka-Maz.   — 30   Breitkopf. 

-  Juliette-Polka    — 50    Hansen. 

-  Kanonen-Galopp   — 30    Breitkopf. 

-  Karoline-Polka   — 30   Breitkopf. 

-  Karoline-Polka-Maz.   — 30  Breitkopf. 

-  Kathinka-Polka-Maz.   —30,     4ms   —60,     Fl 

fVJP   1.30  Breitkopf. 

-  Kehraus-Galopp   — 30    Breitkopf . 

-  Konigin    Louise,    Walzer    — 75,      Jfms    1 — , 

FlfVJP    1—   Hansen. 

-  Konigs     Karl    XV.    Honneurmarsch      — 50 

Hansen . 

■  Konigs      Georg     I.      Honneurmarsch      -^50 

Hansen. 

-  Kopenhagener   Eisenbahn-Polka   — 75   Han- 

sen. 

■  Kopenhagener     Kasino-Walzer     —30,      Ifms 

—60  Breitkopf. 

-  Korsikaner-Galopp    — 30,    ^»hs    — 60,     0-St 

1 —  n  Breitkopf. 

-  Krolls   Ballklange,   Walzer   —30   Breitkopf, 

— 30  Gordon,  H- —  Pitman,  ^ms  — 60  Breit- 
kopf, — 75  Gordon,  4/ — Hammond,  FlfVJP 
1.30,  0-St  5.10  n  Breitkopf,  FullO  1—, 
U  histr  —75,  12  Instr  —50,  P  —15 
Fischer,  FullO  1—,  sO  —75,  P  ace.  —40 
Hawkes,  FullO  I—,  U,  Instr  —75,  10  Instr 
— 50,  mO  2—  Standard. 

-  Kronprinz  Friedrich-Polka  — 50   Hansen. 

-  Kronprinzessin  Lovisa-Polka  — 50  Hansen. 

-  Kiinstler-Karneval-Quadr.    — 30,    ^ms    — 60 

Breitkopf. 

-  Kiinstlers  Triiume,  Faut.  P  1.50,  0-St  7.50 

Bote. 

-  Kiinstlerverein-Quadr.   — 30   Breitkopf. 

-  La.schotts   Zauber-Galopp   — 50  Hansen. 

-  Laura,   Polka  — 50  Hansen. 

-  Leibjager   auf  Amager,  Galopp  1 —  Litolff. 

-  Leopoldinen-Polka    — 30.     4ms  — 60,     0-St 

1 —  n  Breitkopf. 

-  Liebestriiume   im    Feldlager,    Fant.    P    1.30 

Bote. 

-  Lilie,   Polka  — 50   Hansen. 

-Lisbeth,    Walzer    —30,    4ms   —60,    FlfVJP 
1.30  Breitkopf. 

-  Lisette-Polka-Maz.   — 30   Breitkopf. 

-  Louise,   Polka  — 50   Hansen. 

-  Louisen-Galopp   —30,    4ms   —60    Breitkopf. 


Lumbye  H.  Ch.  Louisen-Walxer 


694    — 


Lumbye  H.  Ch.  Tdnxe 


Louisen-Walzer  — 30    Breitkopf. 

Luna,  Walzer  — 30,  ^ws  — 60  Breitkopf. 

Lydia,   Polka  — 50   Hansen. 

Ma  vie  (My  Life),  walzer,  F^dl  Band  4,/ — , 
Med.  Band  3/—,  sO  2/—,  FtdlO  1/—  Uato- 
kes. 

Mabille,   Polka  —30  Breitkopf. 

Mac  Mahon,  Marsch  — 50   Hansen. 

Magyaren-Galopp  — 30,  Jftris  — 60  Breit- 
kopf. 

Manoeuvre-Galopp   — 30    Breitkopf. 

Maria  Maria-Walzer  — 30  Breitkopf. 

Maria-Polka  — 30   Breitkopf. 

Maria-Walzer  — 30  Breitkopf. 

Marien-Galopp  — 30   Breitkopf. 

Marsch  — 30  Breitkopf. 

Marseillaisen-Galopp  — 30,  ^ms  — 60  Breit- 
kopf. 

Matus-Polka  ^50  Hansen. 

Mein  Lebewolil  an  Berlin,  P  — 30,  '/ms 
—60,   0   1—  Breitkopf. 

Meister  Erik,  Polka  — 50  Hansen. 

MiliUir-Galopp  —30,  Jfms  —60,  0  1— 
Breitkopf. 

Militilr-Polka  — 50   Hansen. 

Minerva-Polka  — 50   Hansen. 

Mj0lner-Galopp   — 50    Hansen. 

MoUer-Polka-Maz.  — 50  Hansen. 

■  Mon  Salut  a  St.  Petersburg,  P  —30  Breit- 

kopf. 
Mouse  Trap,   caprice,  &   I  s  e  n  m  a  u  n,  The 

Bells    of    St.    Paul's    and    Under    the    Bed 

Flag,   FullO   1.50,   llf   Instr   1.25,   10  Instr 

1—,  P    —35  Fischer. 
Napoleon-Galopp  ■ — 50   Hansen. 

■  Nebelbilder,    Fantasie,    0-St    6 — u,    P    l.oO 

Breitkopf,  — 20  n  Riihle,  J^ms  2—,  PV  2.50 
Breitkopf. 

■  Neuer   Jugendfeuer-Galopp  — 50  Hansen. 

■  New    Champagne    Galop    — /2    Sheard,    mO 

(witli  pop.)  — 50,  &  Josselyn,  Where 
the  Honeysuckles,  .schott.,  &  J.  S  t  r  a  u  fi, 
Pappacoda  Polka,  FullO  1 — ,  i^  Instr 
—80,  10  Instr  —60,  P  —15  Fischer. 

-Niko-Polka   — 50   Hansen. 

■  Nikoline-Polka   — 50    Hansen. 

■  Nordi.sche  Heldenbriider,   Galopp  — 75,  Jfnis 

1—,   FlfVJP    1—   Hansen. 

■  Nordische  Studeuten,  Polka  — 30  Breitkopf, 

1/ —  Aiigener,  Jfms  — 60,  0   1 —  Breitkopf. 

-  Nordische  Union,  Galopp  — 50  Hansen. 

-  Nordlichte,   Walzer   —30,    J,ms   —60     Breit- 

kopf. 

■  Ornithobolosia-Galopp  — 30,  Jfms  —60  Breit- 

kopf. 
•  Parforce-Galopp   — 30    Breitkopf. 

-  Pauline,  Polka  — 50  Hansen. 

-  Pegasus-Galopp  — 75    Hansen. 

■  Pepa-Polka  — 50   Hansen. 

-  Pepita-Polka  — 50  Hansen. 

-  Pergola-Galopp   ■ — 30,   Jfms   — 60    Breitkopf. 

-  Peters-Polka  — 50   Hansen. 

-  Petersburg,    galop,    FullO    3/ — ,   Full   Bund 

2/8,  Med.  Band  2/—,  sO   1/4  Haw  Ices. 

■  Peterhburger      Cliampagner  -  Galopp      — 30, 

Fl(V)P   1.30   Breitkopf. 

-  Petersburgerin,    Polka  ^50   Hansen. 


Jfms 
sO 


-60, 
-50, 


O 
P 


1— 
ace. 


-  Petite    Tronipette,    Galopp   — 30,    ^ws   —60 

Breitkopf. 

-  Petra-Galopp  — 50   Hansen. 

-  Petrine-Galopp  — 30  Breitkopf. 

-  Philippine-Polka   — 50    Hansen. 

-  Piper    Champagner-Galopp   —50    Hansen. 

-  Pluta-Galopp   — 50    Hansen. 
-Polka    (von   Polketta)    — 50   Hansen. 

•  Polka-Maz.    (von  Polketta)   — 50  Hansen. 

-  Pomona-Walzer   — 30    Breitkopf. 

-  Postillon-Galopp  — 50    Hansen. 

-  Prinz  Christian  Carl,  Walzer  — 50  Hansen. 

-  Prinz  Karnevals-Einzugs-Galopp  — 50  Haji- 

sen. 

-  Prinz  von  Wales,  Galopp  — 80  Bote. 

-  Prinzessin  Lovisa,   Polka  — 50   Hansen. 

-  Prinzessin  Thyra,   Polka  — 50  Hansen. 

-  E6creation,   Walzer   — 30,   Jfms  —60   Breit- 

kopf. 

-  Reine  du  Bal,  Walzer  —30,  Jfms  —60  Breit- 

kopf. 

•  Beise-Galopp  — 50  Hansen. 

-  R6unions-Galopp    — 30 

Breitkopf,    FtillO    — 75, 
— 40   Haiokes. 

-  Eosa-Polka   —30    Breitkopf. 

-  Bosa  und  Eosita,  Walzer   1 —  Hansen. 

-  Bosa- Walzer   — 30    Breitkopf. 

-  Bosalie-Polka  — 30   Breitkopf. 

-  Bosalien-Walzer  — 30  Breitkopf. 

-  Rosenthal-Walzer  — 30,  ^ms  — 60  Breitkopf. 

-  Roter  Champagner,  Galopp  — 35  Hansen. 

-  Rutschbahn-Galopp  — 50   Hansen. 

-  Salon-Galopp    (B — D)    a   — 50    Hansen. 

-  Salut  k  Capri,  Polka  — 50  Hansen. 

-  Salut  a  nos  amis,  Marsch  — 50  Hansen. 

-  Salut   fiir   Aug.   Bournonville,   Galopp  — 50 

Hansen. 

-  Salut-Galopp   — 30  Breitkopf. 

-  Sc&nes    de    brouillard,    fantaisie,     P    1.35  n 

Costallat. 

-  Schon   Anna-Walzer  — 50  Bote. 

-  Schlittenfahrt-Galopp  —30,  Jfms  —60  Breit- 

kopf. 

-  Sennora  Ysabel  Cubas,  Polka  — 50  Hansen,. 

-  Seraphinen-Walzer    — 30,    Jfms   — 60    Breit- 

kopf. 

-  Silberne  Hochzeit-Polka  —30,  FlfVJP  1.30 

Breitkopf. 

-  Silberne  Hochzeitsfest-Quadr.  — 50  Hansen. 

-  Sonimernacht   in    Danemark,    Galopp   — 30, 

4ms  1.50,  FlfVJP  1.30,  0-St  3—  Breitkopf. 

-  Sophien-Maz.    —30,    Jfms    —60,    0-St    1—  n 

Breitkopf. 

-  Sophien-Polka  — 30,  ^wis  — 60  Breitkopf. 

-  Sophien-Walzer   — 30   Breitkopf. 

-  Sophus-Polka  - — 30    Breitkopf. 

-  Souvenir  de  Jenny  Lind,  Walzer  — 30,  Jfms 

—60,  0-St  I— i\' Breitkopf. 

-  Souvenir   de    Peterhof,    Marsch   — 30    Breit- 

kopf. 

-  Souvenirs   de  Paris,  Polka,   Walzer   u.   Ga- 

lopp — 30,  Jfms  — 60,  0-St  1 —  u  Breitkopf. 

-  Studenten-Polka   — 50   Bote. 

-  Sylphiden-Walzer    — 30,      Jfms    — 60    Breit- 

kopf. 

-  Sympathie-Polka  — 30,  ^ms  — 60  Breitkopf. 

-  Tanze,  VP,  I— VI  a  1—  Hansen. 


Lumbye  H.  Ch.  48  TaHx.e. 

-48    Tanze,    I— XII    il    4—: 
(Diis     Ballbiikett),      II. 
(Erinneruugen    aus    der 
fire  Aarstider    (Die  vier 
Dukkeballet      (Der 


mi 


Lund  E.  op.  21 


N.    I.    Balbuket, 

Barndomsminder 

Kindheit),    3.    De 

Jahreszeiten) ,  4. 


Puppenball),  5.  En 
B0rnefest  i  Tivoli  (Kiudeifest  ini  Tivoli), 
6.  En  Dilettantforestilling  (Dilettanten- 
vorstellung) ,  7.  En  Forlovelse  i  Juleferien 
(Verlobuug  in  den  Weiluiachtsferieu),  8. 
En  Tur  hinsides  Siuidet  (Fahrt  jeuseits 
des  Sundes),  9.  En  Tur  til  Frederiksberg 
(Ausflug  uach  Frederiksberg) ,  10.  Ida  og 
Dukken  (Ida  iind  die  Puppe),  11.  Jule- 
traeet  (Der  Christbauni) ,  12.  Skovtureu 
(Die  Landpartie),  a  1 — ,  Jtms  3.  1 —  Hansen. 

Tamino-Polka  — 50  Earisen,  — 30  Breit- 
kopf. 

Theater-Galopp   — 50   Hansen. 

Therese-Polka   —30  Breitkopf. 

Thora-Galopp  — 30   Breitkopf. 

Tivoli-Bazar-Galopp    — 30,    4'ms   — 60 
sen,  FxtllO   1 — ,   sO  — 75   Haiokes. 

Tivoli-Fest-Klange,   Walzer  — 30,   Jfms 
Breitkopf. 

Tivoli-Karneval-Polka   —30    Breitkopf. 

Tivoli-Mar-sch  (Grufi  an  die  Abonnenteu) 
— 50  Hansen. 

Toilette-Polka-Maz.    —50    Hansen. 

Traum  einer  jungen  Mutter,  Fant.  P  1.50, 
0-St   7.50   Bote,   0   2.50  n   Bellmann. 

Traum  nach  dem  Balle  (Drommen  efter 
Balen),  Fant.  P  1—  Elkan,  Hansen,  1.50 
Breitkopf,  — 20  n  Riihle,  (Un  Reve  apr&s 
le  bal)  1.35  n  Costallat,  4ms  2 —  Breit- 
kopf,    — 20  n    RiiJile,       (Dream    after    the 


Han- 


—60 


Bal),   FullO 
— 75,   P   ace. 

Traumbilder, 

Breitkopf,  — 


1.25,    U   Instr    1—,    10    Instr 
—20    Cnndif. 

Fant.    1.50,    neue    Ausg.    1 — 
20  n  Riihle,  —60  Schlesinger, 


1 —  Steingrliber,  —60  Thieme,  — 50  Ton- 
ger,  (Dream  Pictures)  1/ — n  Augener, 
(Visions  in  a  dream)  — 75  Brainard,  — 60 
Fischer,  P  — 60,  abridged  (containing  the 
Z-s.)  P  —35  Gordon,  —10  Nat.  Music  Co., 
2.70  n  Costallat,  4ms  — 30  n  Benjamin,  2 — , 
neue  Ausg.  1 —  Breitkopf,  — 20  n  Riihle, 
1 —  Steingrdber,  1/ — u  Augener,  V  — 60  n 
Weifj,  VP  — 50  u  Bellmann,  2 — ,  neue 
Ausgabe  1—,  VcP  2—,  VaP  1.30,  V 
(m.  2.  V  ad  lib.)  1.75  Breitkopf,  VPOrg(H) 
— 75  Fischer,  Bandoneon  2 —  Breitkopf, 
G  —25  Gordon,  Z  —40  Domkowsky,  — 90 
Forberg,  H  2—  Breitkopf,  2/—  Novello, 
Harm(Funf)  6—  Kessels,  0,  Part  2.50, 
St  6.60  n,  in  vereinfachter  Besetz.  4.50  n 
Breitkopf,  kl.  O  1.50  n,  mO  3— n  Bell- 
1.10,  14  Instr  —90,  10 
—20  Fischer,  FullO  1.25, 
10  Instr  —75,  P  ace.  —20 
10/ —  Hatvkes. 

Traumbildev-Fantasie,      u.     d'A  u  v  e  r  g  n  e 

B  a  r  n  a  r  d.  Sacred  Song,  u.  K  r  a  1  J.  N. 

Athleten-Polka,  Par.  Bes.  5 —  n.  Am.  Bes. 

3 —  n  Oertel. 
Traumbilder,       u.    Handel,    Largo,      mO, 

26   pts.    2.50,    32    pts.    3—,    Sawoph.    parts 

—50  Fischer. 


mann,     FullO 
Instr    ■ — 75,    P 
14    Instr   1 — , 
Standard,  mO 


-  Willkommen,  Polka-Maz.  4ms  — 50  Hansen. 

-  Zouaves,  quadr.   VP,  FIP  a  1 —  Hansen. 

Lumbye    Hope,    The    Marjorie    4/ —   Ascher- 

berg. 
Lumieres  du   soir,   romance  — 30  n   Joubert. 
Lummis    H.   Tennessee   Lou   — 50   Mills. 

Lumnitzer,  N^gyestancz,  quadr.   1.26   Rdzsa- 

volgyi. 
Lump    of   Sweetness   2/ —  n   Sheard. 
Luna    de    miel,    honey    moon,    march     —50 

Wagjier  y  Levien. 
Luna    E.    Misa   breve    fi  3    voces    Org     5 — n 

Diaz. 
Lund,    Bossie,   polka   — 40   Johunsen. 
■  Melodi-Album,    H,    I— II    a    1.50    Elkun. 

Lund    Agnes    Baronne    von   der,   op.   2    Auf 

Fliigeln  des  Gesanges,  air  de  M  e-n  d  e  1  s- 
s  o  h  u   B  a  r  t  h  o  1  d  y,   P   2 —   Siegel. 

-  3  S6r6nade  romantique,  P  1.75   Siegel. 

-  4  J'aime  et  je  suis  heureux  !  allegretto  gra- 

zioso,   P   1.25   Siegel. 
Lund    Birgit,    4    lyriske   Klaverstykker     1 — 

Warmuth. 
-8    lyrische    Stiicke,     P    2.15.     I— II    a    1.30 

Zapffe. 

Lund  Ch.  Jurgenson:  Op.  61.  TpaypnuH 
Mapmi  — 20. 

-  Mapm-B  114  HoBOTopjKCKaro  no.iKa  — 30. 

-  Mazurka,    tilegn.    Generalmajor    Pvergaard 

—50    Warmuth. 

-  Polka-BoufFe  —20. 

-  CxptJiKOBMii  Mapnioi  — 30. 

-  Studenter-Marsch   — 50    Warmuth. 
-William-Polka   —30. 

Lund  Charles,  Mazurka,  tilegn.  General- 
major  Pvergaard  — 50  Warmuth. 

Lund  Emilius,  op.  2  Vier  Lieder :  I:  Nr.  1. 
Der  Sommer :  „ Jetzt  ist's  Sommer."  2. 
Das  Lied  der  Schreiner :  „Wir  hobeln  und 
richten  vom   Morgen  bis  spilt"   1 — . 

II :  Nr.  3.  Das  Lied  des  blinden  Geigers : 
.,Ach  ihr,  die  ihr  schauet."  4.  Trinklied: 
„Sui3  Liebchen   umschlingen"  — 75   Kahnt. 

-4  Konzert-Ouverture,  gr.  0,  Part  5 — n 
Kahnt. 

-7  Fiinf  Gesange,  TTBB:  1.  Abendsegen : 
„Ruhe  wohl  in  siiiSem  Schlummer  du." 
2.  Am  Steuer :  „Eiu  SchifYer  saia  am 
Steuer."  3.  Heimkehr :  „Wir  kommen 
wandernd  aus  welter  Fern'."  4.  Abend- 
lied:  „Der  Tag  neigt  sich  zu  Ende."  5. 
Friihlingslied :  „Wenn  der  Friihling  auf 
die   Berge   steigt"   3 —   Breitkopf. 

-  10    Piece    de    Concert,    HautbP    3 — ,    a  v.    0 

6.30   Bote. 
-12   Fiinf   Gedichte :    1.   Die   Welt  ist   schon, 
die  Welt  ist  kalt:    „Die  Welt  ist  schon." 

2.  Alleiii :    ,,Ich   habe   frohen   Lebensmut." 

3.  Die  Nacht:  „Mondscheiu  glanzt  her- 
nieder."  4.  Dir  bin  ich  hold :  „Dir  bin  ich 
hold."  5.  Liebend  gedeuk'  ich  dein :  „Lie- 
bend  gedenk'  ich   dein"   1 — ■  Breitkopf. 

-  13  Der   Zigeuuerhauptling:   „Tief  im  Wald 

in   niicht'ger    Stunde"   — 30  Breitkopf. 

-  21    La   Muse   du   chant,    rhapsodie  — 50,   P 

1 —  Hansen. 


Lund  E.  Det  doeitde  Barn 


—     696     — 


Lunde  J.  B.  op.  6 


-Det  doende  Barn  (Das  sterl>endo  Kind) 
— 75  Elkan. 

-  Monde  est  joli,  P  ■ — 75  Warmuth. 
-2   Romances,   P    1 —   Warmuth. 

-  Tagliche  Studien,  06  .•  Aiishaltende  und  zu- 

sammenbindende  Tone.  Fiugeriibnngen. 
Tonleitern.  Staccato.  Triller.  Oktaven. 
Orchester-Studien   6 —   Kahnt. 

•lyH^'B  <I>.  HjbiraHCKafl  noJiSKa — SO  Jurgenso7i. 

-  Cerita,    mazurka   — 20    Jtirgenson. 

Lund  John,  op.  1  Drei  Lieder :  Nachtlied : 
,,Nun  ist  der  Tag  verglommen."  Die  blauen 
Friihlingsaugen.  Morgens  beim  kiihlen 
Tauen  1.50  A.  E.  Fischer. 

-7  Liebeslied,  stO,  Part  — 60  n,  St  1.80  n 
Eisoldt. 

-10  Intermezzo,  stO,  Part  — 90  n,  St  1.80  n 
Eisoldt. 

-13  Blunieustucke  (Marguerites),  P  2 — : 
Nr.  1—3  a  1—  Eisoldt. 

-  15  A  Novellette,  Sextett,  2VVa2VcKb,  Part 

1.20,  St  1.80  Eisoldt. 

-  20    Griechi-scbes    Kriegslied :     ,,Auf ,    Sohne 

der  Hellenen",  TTBB,  S-  u.  Bar-Solo  m. 
0,  Str-Instr  od.  P  (deutsch-engl.)  (Part 
u.  0-St  leihweise),  KA  4—,  Chorst  1.20 
Luckhardt. 
-30  Kaiser  Karl:  ,,Johannisnacbt  ruht  auf 
der  schweigenden  Welt",  TTBB,  Bar-Solo 
u.  gr.  0  (od.  P  m.  stO  ad  lib.)  od.  Org 
(engl.-deutsch),  KA  3 — ,  Chorst  2 — n 
Luckhardt. 

-  Im    Garten,    stOP     (od.    IJa),    Part    2  -  n, 

stO-St  3— n,  P   1.20   Luckhardt. 

-  Musician's      EA-ening      Prayer        (Klingend 

Nachtgebet) ,    with    V  — 50    Schirmer. 

-Musician's  Love  (Musikanten  -  Liebe) ,  a 
cycle  of  4  .songs:  1.  The  Musician  and 
Dame  Melody  (Musikus  u.  Musika)  ■ — 35. 
N.  2.  Greetings  (Grufie)  —35.  N.  4.  Mu- 
sician's Evening  Prayer  (Klingend  Nacht- 
gebet), with  V  — 50.  N.  4.  Happiness 
(Gliick)    — 50  Schirmer. 

-  Spatz  und  SpJitzin :   „Auf  dem  Dache  sitzt 

der  Spatz"    (deutsch-engl.)    1 —  Luckhardt. 

-  Wedding   Music,   P    1.25    Lcidt. 

Lund  Signe,  op.  9  Fire  Pianostykker :  Noc- 
turne, Melodie,  Berceuse,  Mazurka  1 — 
Hals. 

-  32  Trois  Etudes  poetiques  2 —  Zapffe. 

-33  Barcarolle  et  Chanson,  FlfV)  av.  P,  N. 
1—2   11   1.50  Zapffe. 

-  34     Cinque     Morceaux     lyriques,     P     2.50 

Zapffe. 

-  Valse  brillante   1 —  Hals. 
-Wild   Briar  — 50   Summi/. 

Lund-Skabo  S.  op.  15  Norsk  Norske  Smaa- 
stykker,    P    1.50    Gehrmann. 

-16  Fire  Pianostykker  1.50  Gehrman,  N.  1. 
Legende,  P  — 80  Schuberth  jr.,  —40  Schir- 
mer. 

-  17   N.  1.   Menuet  —80   Schuberth   jr.,   —40 

Schirmer. 
-25   Drei    lyrische   Stiicke,    P:    Dammerung, 
Gavotte,    Erinnerung    1.20    Schuberth    jr., 
■ — 60  Schirmer. 


Lundberg,    Den    stolta    Johansson    — 50    El- 

ka  n . 
Lundberg  Ada,  All  thro'  sticking  4/ —  Ree- 

der. 

-  Coster's    Sunday    out,    or     We've     get     the 

moke  4/ —  Ascherherg. 

-  Favoritkupletter :    N.   1.    Den   med    stampel 
.  pA    — 50   Johnns. 

-  Good    old    Mother-in-Law    4,' —    Reeder. 
Lundberg    C.    O.   SSnger :    Vintern :    Lustigt 

ofver  slatten  .spanner.  Den  forsta  liirkan : 
Stjernan  lik  en  stelnad  droppe.  Romans: 
Du  mAl  for  mina  kilnslors  laga  1 — ■ 
Hirsch . 

Lundberg  J.  G.  Sangstycken.  Tillegn.  Grefve 
Carl  de  Geer:  Siillskapssang :  Bor  jag  pa 
det  hoga  f jell.  Till  en  ung  flicka :  Skon 
ur  den  jollrande  barndomens  dvala.  0 
Gud  !  hvad  vilda  stormar  rasa.  Lappvisa : 
Spring  min  snalla  ren.  Landtvtirnsvisa 
eller  Den  nya  kurmetoden :  Hur  skingras 
fordomarnes  niiddagssky.  DryckessSng : 
lliir  ur  gladjens  offerkjilla,  trio  for  2T 
och  B  utan  ackomp.  Dodgriifvares&ng : 
Ingen,  ingen  hvila  1 —  Hirsch. 

Lundberg  Lennart  J.  Barcarolle,  P  1 — 
Lundquist. 

-  Dold   forening  — 75    Lundquist. 

-  Legend,   P   1 —  Lundquist. 

-  Scherzo,   P   1 —   Lundquist. 

-  Sommarqvall    1 —   Lundquist. 

-  Sorg   — 75    Lundquist. 

-  Violoncell    — 75    Lundquist. 

Lundberg  Valborg,  Ara  vare  Guid,  for  Solo 

och   ."ist.   Ivor  — 75   Lundquist. 
Lundblad,   Samvetsfraga  — 50  Elkan. 

Lunde  Johan  Backer.  Hals:  Op.  1  Fem 
Sange :  Skummende  Yover.  Der  skreg  en 
Fugl.  Over  en  ung  Pige:  Fager,  ung  og 
fin.  Jeg  ser  dig  med  min  Tanke.  Sommer- 
nat:  Skyerne  synke  1.50.  N.  1.  Skum- 
mende Vover  — 75.  Der  skreg  en  Fugl, 
for  dyb  St  — 50.  N.  5.  Sommernat.  Sky- 
erne  .synke  — 50. 

-  2  Fire  Sange :   Jeg  vilde  sadle.   Det   voider 

saa  den  Vintertid.  Baadfart:  Vug,  vug 
for  Vove  og  Vind.  Alt  f alder  L0vet  1.50. 
-3  Tre  Romancer:  Den  flygtige  lette  Blomst. 
Zigeunersaug :  Hei !  Lystig  det  lyder  i 
Leiren.  Alt  var  dig  1.50.  N.  2.  Zigeuner- 
sang :   Hei   lystig  det   lyder  i  Leiren  — 75. 

-  4  Fire  Sange :   Du  Blomst  i  Dug.  Op  til  de 

lyse  dr0mmende  Stjerner.  Genrebillede: 
Pagen  h0it  paa  Taarnet  sad.  Med  en 
Vandlilje:  Se,  Marie,  hvad  jeg  bringer 
1.50.  N.  3.  Genrebillede:  Pagen  h0it  paa 
Taarnet  sad  —75. 

-  5    Fiinf   Lieder :    Kauft   Rosen.      Altbohmi- 

sches  Volkslied :  ,,Dunkel  zieht  der  Flufi 
voriiber".  Wiegenlied :  „Die  Ahren  nur 
noch  uicken".  Am  Abend:  „Die  Nebel 
steigen  im  Diimmerschein".  Nun  konnen 
wir  kiissen  und  kosen  1.50.  Nr.  3.  Wie- 
genlied: ,,Die  Ahren  nur  noch  nickeu" 
—50. 

-  6    Fire    Sange  : 

b0des  der  for. 


Kan    du    kjende    mig.    Det 
Ak  min  Ungdom  du.     Til 


Maidag   f0rer   jeg  hjem  min   Brud    1.50. 


Lunde  J.  B.  op.   7 


697     — 


Lunssens  M.  Marche  solemiellc 


Hiimoreske,   Surulli- 
Halling,    Caprice,    P 

E-moll,    D-moll,    G- 

Lange  og  Alplionse 
slaar  alle  Knopper 
Skyer.       Viuternat : 


Ca- 

Im- 

1.50. 


IT    (6—8) 

1.50   War- 

Warmiifh. 
2—   War- 


-  7   Fem   Sraaastykker  : 

Suttamlaat,    Studie, 
2.50   Backer. 

-  8    Tre    Koncertetuder  : 

duf,   P  2—. 

-  11    Sexs    Sange,    Thor 

Wallen:    Han:     Inat 

lid.       Stornisvangre 

Spinkle   Stjernestraaler   traenge.      Tauken 

i    Laengsel,    Hjertet    i  Brand.    Miu    Sjael 

var  som  Havet.  Dunkelt   r0de  Rose  2 — . 

-  12  Fem  nye  Smaastykker :  Arabeske,  Scher- 

ziuo,    Valse-ImproTuptu.     Albnmblad,     Im- 
promptu, P  2.50. 
-13    Marguerites,    petit*    s6rie,    cah.    I: 
price,   Mazurka,   Arabesque   1.50.     II: 
promptu,    Scherzino,    Eomauce    Valse 

-  14  Violin-Suite,   VP   3.50. 

-17  6  tyske  Sange:  1.  Uns  Dieudl.  2.  Mein 
Herz  ist  eine  miide  Schwalbe.  3.  Nachti- 
gall.  4.  Still.  5.  Allerseelen.  6.  Teh  heir' 
ein  Voglein   1.75  Warmiith. 

-  18  8  Pianostykker,  I   (1—5)   2—, 

2-—  Warmitih. 

-  19  8  Fantasistykker.  P  I— II   a 

ninth. 

-  20  K0de  Nellikker,  to  yalse  2— 
-21    13   deutsche   Lieder,   I— II   a 

mitih. 
Lundell   Carl,   op.   1    Tyenue   frauska   suiter, 

P  3—  Elkan,    (Zwei   franz.   Suiten),   E-m. 

3 — ,  D-ni.   3.50  Jonasson. 
Triitimerei,   P   — 75    Elkan. 
Lundgren,  Album  for   Org(H),  I — II  a   1.25 

Lundquisi. 

-  Fayorit-Stycken,    Ory   — 75    Linidquist. 

Lundh  L.  A.  Allmanua  Liiroyerkens  Koral- 
book  —60  Elkan. 

-  Allmiinua    Liiroyerkens    Sangbok,    1, 

— 75  Elkan. 

•  Allm.    Liiroyerkens    Sangbok.     4st. 

I— IV   a  —75   Elkav. 
-Bon,    VP    1—   Elkan. 

-  Fem   sma    enkla   Sanger    1 —  Elkan. 

-  Forberedande    Ofningar,    Org(E)    — 

kan. 

-  Kristi    fodelse,    fier.st.    sang    1.40   Elkan. 

-  Kyrko-Choren,  Part  3 —  Elkan. 

-  Liirobok  i   Sflng,   I— II   u  —60   Elkan. 

-  Landskyrkan,    Org,   I— IT    a    1—   Elkan. 

-  Marscher   och    utgangsstycken.   Org,   I — T\' 

a   1—  Elkan. 

-  Melodie-Album,    OrgfH),    I    1.50    Elkan. 

-  Munk  for  Orgfll),  I— II  a   1.50  Lnndqnist. 

-  Organistens    Preludiebok    3 —    Elkan. 

-  Orgelharmonium-Skola    2 —    Elkan. 

-  Polka    des    Lapias,    polka    5 —    Ploi-r. 

-  Pour  endormir  bebe,  berceu.se,  P  4 —  Ploi.r. 

•  200   Preludier,   Org,  I— II  a  2.50   Elkan. 

-  Sangalbum   f.   skolan,  kvrkan  och   hemmet, 

I— III  a  1—  Hirsch. 

-  Syenska    Koralboken,    OrgP    .3 —   Elkan. 

-  Tonbilder,    P    1.50   Elkan. 

-  Tontrjiflfningskurs   —75   Elkan. 

-  Tontriiffnings-Skola  — 75   Elkan. 


3,   5  a 


Sanger 


-75    El- 


Ungmors  Visa  — 75 
Vid   barnens   forsta 
—90  Elkan. 


Elkan. 
nattyardsgi\ng,   motett 


Lundin    Anton,    Defilerings-Marsch  — 50   El- 
kan. 

-  Marsch  — 75    War7nuth. 

-  Minne   fran   Mariehamn,   P    1.50   Fazer. 

-  Octett- Album,    Mcssinginstr,    I    3.50    Gehr- 

man. 

-  Sextett-Album,  Mcssinginstr,  I — III   a  2.50 

Gelirman. 
Lundis   de   Patafiau    1 —  n  Joubert. 
Lundmann   Sasha,  Aye  Maria  3—  Bratti. 

-  Einst    (L'n  di).  Canzone  2 —  Bratti. 
Lundqvist,    Odeon-Marsch    — 50    Elkan. 

-  Upp  i   gasken,   Marsch  — 50  Elkan. 
Lundvall,    Lifhusaren,    Marsch   — 50    Elkan. 
Lune,  peusiouuat  1 —  n  Ondet. 

Lune   au   nid,   diction    1 — n   Ondet. 
Lunel    E.   Oeuf  de  ma   poule.   Digoude. 
Lunettes,    chansonnette    1 —   JouieH. 
Lunettes  de  la,  Gd.  Maman  1 — ,  Ch.  s.  — 60 

Ghelnire. 
Lungani,    Son    amitie    3 — ,    Ch.  s.    1 —    Car- 

tereau. 
Lunghi    C.   Nella    Vallata, 

Lungo    E.   del,   Album  da 
11  buon   augurio,  yalzer 
ria,    polka 
1.50.   N.  4. 


P   1.50  n   Picordi. 

Ballo  8—:      N.    1. 

3.75.  N.  2.  Vitto- 
1 — .  N.  3.  Fortuna,  mazurka 
Felicita,  schottisch  1.50.  N.  5. 
Le  Gemme  della  Corona,  contraddanze 
2 — .  N.  6.  Koma  e  Venezia,  galop  1 — .  N. 
7.  Amedeo,  marcia  con  Tamhuri  e  Tromhe 
1.75  Ricordl. 
-Album  da  Ballo  8—:  N.  1.  II  Re  Galan- 
tuomo,  yalzer  3.50.  N.  2.  Glorie  Italiaue, 
contraddanze  2 — .  N.  3.  Una  cara  memo- 
ria,  polka  1 — .  N.  4.  Un  pensiero  d'amore, 
schottisch  1 — .  N.  5.  Vera  amicizia,  galop 
1 — ■   Ricordi. 

-  Michel    Angelo,     quick    march,     Full    Band 

2/8,    Med.   Band   2/ — ,    -sO    1,4,   extra   parts 
— /2  Eaivkes. 

-  Souyenir    di    Napoli,     gr.    fant.     TroBanda, 

Parte  oblig.   2.50  n.   Part  8.50  n   Lapini. 

-  Tersicore   e  Marta,   album   da   ballo    (dedi- 

cato  airUfficialita  dell'Esercito  Nazionale) 
8 — :  N.  1.  Congresso,  yalzer  4 — .  N.  2. 
Artiglieria,  polka  1.50.  N.  3.  Cayalleria, 
mazurka  1.50.  N.  4.  Fanteria,  schottisch 
1.50.  N.  5.  Progress!  del  1863,  contrad- 
danze 2.50.  N.  6.  Bersaglieri,  galop  1.50. 
N.  7.  Batteria,  marcia  reggimentale,  con 
Tamhuri  e  Tromhe  2 —  Ricordi. 
Lungo  G.  del,  Bruuetta,  polka,  M(V)  — 25  n 
Forlivesi. 

-  Mikado,   yalzer,    M  (V )   — 25  n   Forlivesi. 

-  Selene,  mazurka,  M(V )  — 25  n  Forlivesi. 

-  Teresita,     marcia     militare,    M(V)    — 25  n 

Forlivesi. 

-  Via- Via,    polka-galop,    M(V)    — 25  u    Forli- 

vesi. 
Lunia,    Lorn,    waltz    4 —    Paterson. 

Lunn   Henry  C.  Le  papillon,  morceaii  facile, 

P   3/ —  Ashdoun. 
Lunn    J.    R.   Hymn   for   All   Saints  — /2   No- 

vello. 

-  Seryice  for  the  Holy  Eucharist  in  E,  Voc. 

score   6/ — ,   Voc.   parts   4/ —   Novello. 
Lunssens    M.      Marche    solennelle     (marche 
couronnee)    3 —  Schott  Freres. 


Lunt  F.  G.   Old  gray  kinf/ 


698 


Lusby  J.  E.  Faithless 


Lunt   F.  G.  Old  gray  king  — 35  Ditso}i. 

-  Pretty  blunch  of  violets  — 40  Ditson. 

-  There's   peace    ou    the    deep,    SA(TB)    — 50 

Ditson. 
Lunt  Grace  W.  Berceuse,  P  — 30  Thompson. 

-  HarA  ard    Volunteers    March    —40    Thomp- 

son. 

-  Tarantelle,   P   — 40   Thompson. 

Lunt  H.  W.  A  Solar  Monday,  m.  — 50  Schir- 
mer  jr. 

-King  Baby,  m.  —50  SvMrmer  jr. 

Lupas  W.  Light  of  my  soul  — 60  Ditson. 

Lupi,  Now  is  it  high  time,  advent  anthem, 
SSAATB  — /9   Novello. 

Lupi  L.  Fantasia  originale,  Chit  2 —  Ma- 
riani. 

Lupo  Parra  A.  di,  op.  9  Cosa  da  poco,  im- 
provviso,  CIP  4 —  Carisch. 

Luporini  Gaetano.  Ricordi:  Amore  e  Mag- 
gie, romanza :  Laggiu  ne  la  chiesetta  I'ho 
veduto   3 — . 

-  Canto    Slavo :      Una    valle    &    la     mia     vita 

1.75  n. 
-Canzone  di  Maggio :   Sceude  dal  ciel  sfavil- 
lanle  un  raggio  1.25  n. 

-  Ciclame,  melodia :  Modesto  oguor  tra  I'erbe 

ti   nascondi   1 —  n. 

-  Collana   di    Pasqua,    fantasia,   P   3 — n. 
-De  maridarme  m'fe  salta  el  caprizio   1.50  n. 
-Dispetti  amorosi,  opera,  ChP  12 —  n, 

P    12— n,    jncc.O    3— n,    fant.    P    3— n. 
-2    Elevazioni    1.75  n :    N.   1.    L'Alba :    Lode 
al    Signor !    2.    II    Crepuscolo :    Ave   Maria, 
jl   1 —  n   Carisch. 

-  Fiocchi    di    neve!    Ballata :    O    candidi    fioc- 

chi    danzate,   danzate   3 — 

-  Forse  una  volta   1.50  u. 

-La  mia  farfalletta,  romanza:  Trovai  iil 
prato  la  mia   farfalletta  — 75. 

-  Primavera    della    vita,    romanza :    La    gior- 

nata  era  triste  1.25  n. 

-  Quando  ritorna  Aprile,  melodia   2.50. 

-  Sempre    pivl   bella  I    Melodia :    Quando    I'an- 

giol   m'appar   col   pio   sorriso   2.50. 

-  Stella  propizia,  polka  3 —  Mariani. 
Lupotti    F.      Messa     funebre,     2TB   o    P    2— 

Bhinchi. 
Luppa   C.   Jeremias  Knubbe  der  Klopfgeist, 
Soloszene     mit     Gesang     1 — ,     Regie-Text 
■ — 25  Gerdes. 

-  Mein  Schatz,  lustige  Gesangspolka  im  Trio 

— 80  Fritzsche. 
Luppa     Heinrich,    op.    3      Wanderlied     1 — 

Pahst. 
-6    Zwei    herzige    Lieder :       1.    Muttersegen : 

„Es  ist  der  heil'ge  fromme  Muttersegen". 

2.  Mutterliebe:    ,,Wer  hat  zuerst  dich  an- 

geschaut"   1 —  Willimsky. 
-9   Zwei   Trinklieder:    1.   Tm   Wirtshaus   zur 

Au.     2.  Raus  mit  dem  Nafi  aus  dem  Fafi 

1—  Pabst. 

-  11    Bergmanns  Blut   hat   frohen   Mut,    vi-^r 

Rondos  iiber  bergmiinnische  Weisen,  P: 
Nr.  1.  Gliick  auf,  ihr  Bergleut',  jung  und 
alt  —80.  Nr.  2.  Tief  in  der  Erde  Schofi 
1—.  Nr.  3.  Gliick  auf  I  Gltlck  auf!  Der 
Steiger  kommt !  — 80.  Nr.  4.  Wenn 
schwarze  Kittel  scharenweis'  1 —  Brat- 
fisch,  A.   Hoffmann. 


-  14    Oberschlesischer    Hiittenmarsch,    P    1 — 

Bratfisch. 

-  42    Lied    des    Oberschlesiers :       „Du    meine 

Heimat  bist    verachtet"    1 —   Willimsky. 

-  53  Melodien-Striiulsehen  der  schonsten  berg- 

mannischen  Volksweisen,    P   l.oO   Kothe. 
-Gavotte    (E),    P   — 30  n   Griininger. 
-Gliick   auf!    Oberschlesischer    Bergknappen- 

marsch  — 50  Bratfisch. 

-  Oberschlesischer    Hiittenmarsch   — 50    Brat- 

fisch. 
^lynnii  3.  42  Ilporpec.  Me-io^i;.  nbccu  iia  rtoS. 
nicHH  II  ouepw  2V  I — 11  a  — 75  Adler. 

-  CKop6b  /^•feBIl^bI,  Valse  — 40  Adler. 

Luppi  L.  Cesira,  waltz,  G  4/ —  n  Ascher- 
herg. 

-  Un      Sogno     d' Amore,      MandP(G)      4/ —  n 

Ascherherg. 
Lupresti.  Dotesio:  Diamantina,  polka  (Ket- 
ter  er),  P  1.25  n. 

-  Ecume  de  mer   (Herz),  P,  transcr.   1.25  u. 

-  Gr.   galop    (K  e  1 1  e  r  e  r) ,    P    1.50  n. 
-Guillermo  Tell,  P   1.25  n. 

-  Joven    artista,    coleccion    de    fantasias    <•&- 

lebres,  arregladas  siu  octavas,  P;  Marcha 
funebre,  de  Th  alb  erg  1.20  n.  Vals  de 
S  c  h  u  1  h  o  f  f ,  nilm.  2  1 .50  n.  Guillermo 
Tell  1.25  n.  Gran  galop,  de  Ketterer 
1.50  n.  Vals,  de  S  c  h  u  1  h  o  f  f ,  nUm.  1 
1.50  n.  Diamantina,  polka  de  Ketterer 
1.25  n.  Ecume  de  mer,  de  Herz,  traii- 
scripciou   1.25  n. 

-  Leciones,    Vc   con   ace.    P,    le   s6rie   2 —  u. 

-  Marcha    ffiuebre     (T  h  a  1  b  e  r  g) ,    P    1.20  n. 

-  Metodo   de   solfeo    (3a   edicion   corregida   y 

aumentada),  adopt,   en  el  Colegio  del   Sa- 
grado  Corazon   de   JesHs  y  en   el   Semina- 
rio    de    las    Escuelas     Pfas 
2.50  n. 

-  Vals  de  S  c  h  u  1  h  o  f  f,  N.   1  < 

Lupu     Basile,    Destai    nuire 
Conservatoriiiliii. 

-  Hora    Studen    tilor,    Hori 

Conservatoriiil\d. 

-  Ochii    uegri    — 50    Magasinul    Conservafo- 

riului. 
Luquet,    Eva,    polka,    Uarm(Fanf)    1.50    Po- 

inier. 
Lurani   F.  Foglie  nascenti,  P  5 —  Ricordi. 

Luraschi  G.  Prime  Lezioni  di  Solfeggio  per 
voce  di  .S'  con  Basso  numerato  2 —  Ricordi. 

Luraschi  L.  Serenata  nelle  Nozze  di  Mes- 
sina di  Chiaromonte,  FlChit  1 —  n  Ri- 
cordi. 

-  6  Valzer  per  una  o  due  G  2.75  Ricordi. 

Lurmel    H.  Bottines   d'or,  polka   4 —  Clot. 

-  Jarretieres    roses,    polka-maz.    4 —    Clot. 

Lursiere    Sully,   Pecheuses,   gr.   valse    1.50  n 

Deimouly. 
Lurton,  Cora  Dell, 

-  Just    tell    them    you 

dance  — 35   Ellis. 

Lury  H.  Elton,  The  Office  for  the  Holy  Com- 
munion in  F  — /6  Novello. 

Lusby  J.  E.  England's  Sea  Dogs;  The  Eng- 
lish  Rose,   a  2/ — n  Ascherherg. 

-Faithless;  My  Lady's,  Lace;  Uncertainty, 
a   2/—  n   Ascherherg. 


de     Barcelona 


2, 


1- 


P  a  1.50  n. 
Magasinul 


-50    Magasinul 


song  &  chorus  — 35  Ellis. 
don't    know,     song   & 


Luschin  B.  v.  3  Lieder 


—     699    — 


Lust  L.  Ajjres  le  trepas 


Luschin  B.  v.  3  Lieder:  Nr.  I.  Ein  kleines 
Lied,  wie  geht's  uur  an  — 50.  Nr.  2.  Die 
Hex':  „Im  Holz  draiis  is  a  Hiiuserl"  L20. 
Nr.  3.  Enfaut  terrible:  ,,Ieli  war  eiu 
Madchen  juug  und  klein"  — CO  BucJiuers 
Verlaij. 

Luschin  Jean  de,  op.  33  Je  pense  a  toi, 
schottisch  — 50  Leuckart. 

-  45   Klangflguren,   groBes   Potpourri,   1'   2 — 

Leuckaj-f. 

-  52 — ^53   Deux   Polkas   1 —  Leuckart. 
Luschitzki    G.     Ukrainka-Polka    — 30     Idzi- 

koivski. 
Luschnitz  A.  Concertiua-Schule,  40t6nig  1 — 

0.  Dietricli. 
Luschnitz    H.    Com-ertina-Album,    23    Tanze 

u.    Lieder     (m.    Text),    f.    40toniges    Ban- 

doneon   1 —  Domkowsky. 
■  Coiioertina-Schule  1 —  Domkowsky. 
Luscomb    Fred.      Fischer:      A    Trip    to    the 

Country,  tnO,  26  parts  2.50,  32  parts  3—, 

Saxojih.  parts  — 50. 
-Admiral,   overt.   inO   2 — . 

-  American   Rhapsody,   mO  — 75. 

-  American    Rhapsody,    FiillO    1.25,    llf    Instr 

1—,   10  Instr  —75,  P  —30. 

-  Charming    Flatterer,    FullO    1 — ,    I4    Instr 

—80,   12   Insir  —60,  P  — L5. 

-  Esprit  Francais,  polka,  1  or  BBanjos  — 25. 

-  Grabler's  March,  wO  — 50. 

-  Inauguration  Waltz,  1  or  BBanjos  — 35. 
-Lucetta   Polka,   fant.   for   E  b,   CI,  mO    1 — . 

-  National   Fantasia  on   American   Airs,   CIP 
■  —90. 

-  Old   farmer's  Dream,   u.   C.   C.   Samuel  s, 

Coquette-Very      dainty,      Ui     Instr     — 80, 
10  Instr  — 60  Ciindy. 
-Old   folks  at  home,   fant.   CIP  —75  Ditson. 

-  Reveries  of   ,,Yacob   Mit   His   Pipe",   FullO 

1.25,  U  parts  1—,  10  parts  —75,  Pp.  —30 
Church. 

-  Reveries    of    „Yacob    Mit    His    Hipe'',    Mil. 

Band  1.50   Church. 

-  Rip  van  Winkle,  petite  suite,  mO  1 — . 

-  Viking,  overt.  Mil.  Band   1 —  Church. 
Luscomb    J.    F.      Fischer:      Boston    Tigers 

Quickstep,  1  or  2Banjos  —25. 

-  Lancers  Quickstep,  1  or  2Ba7ijos  — 25. 

-  Mignonnette  Polka,   /  or  2Banjos  — 25. 
-Moonlight  on  the  Levee,  1  or  2Banjos  — 25, 

w.  G  — 40. 

-  Old  Suse,  wing  dance.  Banjo  — 25. 

-  Polka  Caprice,   1  or  2Banjos  — 25. 

-  Russ  Waltz,  1  or  2Banjos  —25. 

-  Silver  Bells  Schottische,  1  or  2Ba)ijos  — -25, 

w.  G  — 40,  2BanjosBanjeaurineG  — 50. 
Luscomb  T.  Alas,  and  did  my  Saviour  bleed 

—40  Church. 
Luso,    Brazileiro,   quadr.   Fl    1 —   Guimaraes. 
Lussats    De,    Champenoise,    polka-maz.    4.50 

Benoit. 

-  Gabrielle,  polka  4.50  Benoit. 

Lusse  J.  F.  Les  Fees  souriaient,  valse  lente, 
P  — 50  n  Roudanez. 

Muets    d^sirs,    valse    lente,    P    — 50  n    Rou- 
danez. 

-  Parmi    les    fleurs,    les   bois,    valse    lente,   P 

— 50  n    Roudanez. 
Lusseaud    C.   Reverie,   VP,     Bigeard. 
Lussigny  G.  L'oeuf  de  paques,  Ch.  s.  — 20  n 

Labbe. 


Lussy    M.   Carton-Pupitre-Exercices  du   pia- 
niste  3 —  n  Eeugel. 

-  Corcordance   entre   la   n\esure  et   le   rythme 

1 — -n  Heugel. 

-  Exercices    de    piano     dans    tons    les     tons 

majeurs  et  mineurs  7 — n  Heugel. 

-  Musical    Expression    (Novello's   Music   Pri- 

mers   N.    25),     paper     cover     3/ — ,     paper 
boards  3/6  Novello. 

-  Rythme    musical,    son    origine,    sa    fouctiou 

et  son  accentuation  5 —  n  Heugel. 

-  Traite     de    I'Expression     musicale      10 — n 

Heugel. 
Lust  Cesar,  op.  54  Vivent  les  Vacances!  pet. 
c-lioeur   d'enfants  av.  P  — 80   Cranz. 

-  55  Le  jour   des  Recompenses  choeur  av.   P 

2 —  n  Cranz. 
-56   C'est  jour   de   Fete!    choeur    av.  /*    1.50 
Cra7iz. 

-  Ave     Maria,     2    voix     eg.     &     Org     — 75  n 

Muraille. 

-  Ave  Maria,  Bar,  MS  &  Org  — 75  n  Muraille. 

-  Ave  Maria,  3  v.  d'h.  &  Org  1 —  n  Muraille. 

-  Berceuse  nocturne,  P  2 —  n  Aynssa. 

-  Chaumiere  2.50  Katto. 

-  Conseils  3 —  Comptoir  de  Musique  Moderne. 

-  Etoiles   et   les  Roses   3—   Comptoir  de  Mu- 

sique Moderne. 

-  Messe,  2  voix  ^g.  &  Org,  Part  2.50  n,  p.  sep. 

1.25  n.  Credo  extrait  1 — n  Muraille. 
-4  motets  au  St.-Sacrement,  p.  2T  et  B  3 — : 

N.  ].  0  Salutaris  1.35.     N.  2.  Ave  verum 

—85.      N.   3.   O  Sacrum   1.35.     N.   4.   Ecce 

Panis  1.35  Schott  Freres. 
■  O  Salutaris,  TB  &  Org  —75  n  Muraille. 

-  Range  Lingua,   3  v.   d'h.  &  Org   1 —  n   Mu- 

raiile. 

-  Polonaise  brill.  P  7.50  Katto. 

-  Pov/rot  — 30  Gehethner. 

-  Priere  a  Dieu  3 — •  Katto. 

-  Pri&re  du  Soir,  2  voix  4g.  4 —  Comptoir  de 

Musique  Moderne. 

-  Reviens  vite,  chere  Hirondelle  3 —  Katto. 
-Salve    Regina.    3   voix     d'h.   &   Org    1.25  n 

Muraille. 
•  Souvenir    du   Moyen-Age,   chasse,    -'fms    7.50 
Katto. 

-  Souvenir  du  Printemps,  redowa  2.50  Katto. 
Lust    Ferd.    Ben    bolt    Trilby    waltz,    intro- 
ducing,  P  — 60   Brainard. 

Glenwood,  schottische  caprice,  P  —50  Brai- 
nard. 
-Loving  hearts,  waltz  — 50  Brainard. 

-  My  Rosary,  &   d  e  Witt,   Sweethearts  Al- 

ways (s.  for  Cornet  or  Tro),  mO  1 — ,  FullO 
1—,  lit  Instr  —80.  10  Instr  —60,  P  —15, 
CornetP  — 40,  Tro  or  BaritoneP  — 40 
Fischer. 

-  Reve  d'amour,  P  — 50  Church. 

-  Romancetta,  P  — 50  Chtirch. 

-  Silver   Chimes,   mazurka   4/ —  Sheard,  — 50 

Brainard. 

-  Sounds   from  the  star,   schottische,   P  — 50 

Brainard. 
Lust  L.  Bigot:   Ah!    ca  n'va  pas!    1 — n. 

-  Aliens    vendanger !      Dorey. 

-  Allumette   suedoise   1 —  u. 

-  Amour  et  Math^matiques,     Dorey. 

-  Amour-Franco-Russe   1 —  n. 

-  Apr6s    le    tr6pas    1 —  u,    Ch.   s.   — 35  n    Pui- 

gellier. 


Lust  L.  Aubade  des  baisers 


—     700    — 


Lust  L.  Pas  de  Quatre 


Aubade  ties  baisers   1 —  n. 

Autant  d'impOts!   Revendicatious  d'uu  cam- 

pagnard,     Dorey. 
Baisers  du  jour  de  Tan   1 — n. 
Baisers  du  r6veil  1 —  n. 
Bedit'    Gommerce    (apologue    transcnt    en 

I'honneur   d'lsrael),     Dorey. 
Bel  ange,  ouvrez  vos  ailes  1 —  n. 
Beige  gourmand,     Dorey. 
Bell'  Plisseuse,    Dorey. 
Belles  et  les  fleurs  1—  n. 
Bernayenne,   danse   nouvelle   2 —  n   Rouart. 

■  Bidet,     Dorey. 
Bistouillette,     Labbe. 
Blaguasson  de  Tarascon  1 —  u. 
Bonheurs  d'automne,     Dorey. 
Bouclettes  et  Fossettes  1 — n. 

Bout  de  ruban    (Hist,  de  nuance),     Dorey. 
Bflcheron  distrait,  simple  hist.    Dorey. 

■  C'est  du  zan !      Guepnotte. 
C'est  I'heure  des  mich6s  1 —  u. 

C'est  moi  que  j'suis  le  trombone  1 —  n. 
C'etait    le    moiilin,     chaus.     champ.    1.35  n 

Orgeret. 
C'te     p'tit'     gueugueul'-la !      Edilion    pari- 

sicK  we-Paris. 
Chambrette,     Dorey. 
Chanson  des  pieds,     Dorey. 
Chant  du  lepreux,  romance  realiste,  Dorey. 

■  Charity,    Bont^     au     Aumone     de     trottin, 

Dorey. 

Chasse  est  r6serv6e  1 —  n. 
Chez  I'coifFeur    1 —  n. 
Chiens  policiers,     Dorey. 
Choucroutman,     Dorey. 

Ciel   du  Midi,   chant  bearnais,   Burthelemy. 
Cinq   ans  d'exil,     Dorey. 
Cochferes  modernes!     Dorey. 
Cocotte  est  morte,     Dorey. 
Colimacon   du   sacristain    (vieille   hist,   tou- 

jours  nouv.),     Dorey. 

■  Commandemeuts  humains!     Dorey. 

■  Conseils  au  president!    (de  M.  Loubet  A  M. 

Fallieres) ,     Dorey. 

■  Coquillages'  chans.     Dorey. 

■  Oris  de  Paris,     Dorey. 

■  Cul   de   la  bouteille.  chanson   de   vendange, 

Dorey. 

■  Dans  I'monde  a  Bibi,  chans.     Labbe. 

-Das  gold'ne  Sehwein:    „In   einer   Sonntags- 
nacht",  Marsch-Couplet  1.50  Zipser. 

■  Dates  heurenses.     Edition   moderne. 

■  Depart  du  piitre,  tyrolienne,     Dorey. 

■  Devinette   1 —  n. 

-  Discours  posthume.     Delormel. 

-  Drapeau   de  morts  1 —  n. 

-  En    vadrouille,    polka     sur     la     chanson     de 

B6n^dic,  0   1^ —  n  Gaudet. 
•  Enigmatique  Agrach,     Dorey. 

■  Esperanto,  polka-marche.  0,  P  eond.  Dorey. 
-Exempt  de  cravate  1 — n. 

-  Exigeant  Mich6,     Dorey. 

-  Fanfare  des  cornards  1 —  n. 

-  Fatale  Idylle!   Dorey. 

■  Faut     fend  re     du     bois,     chanson     d'hiver, 

Rougier. 

-  Fetons  le  nouvel  au    1 — n. 

-  Flamande,  maz.  1.75  n,  0  1.50  n  Rouart. 

-  Fleur  de  pav<5,    Dorey. 

-  Fleurs  et  rubans,  chans.     Dorey. 

-  Frivolinette.     EdUion   moderne. 


-  Gait^s  hivernales,  rondeau,     Dorey. 
-Garde  mon  serment  1 — n. 

-  Gare  a  I'auto!    Patay. 

-Gold'ne       Schwein,       Marsch-Couplet       1.50 

Zipser. 

-  Gost6  mat^  fl&che!     Dorey. 

-  Guides   Alpins,  chans. -marche,      Dorey. 
-Heure   des   Farandoles,   3   ou     TTBB,    Part 

1 — n,   p.  sep.  — 25  n   Gaudet. 
■  Heure    des    Farandoles,    marche    farandole 
(choeur  ad  lib.  dans  le  meme  ton,  Part  a 
3  ou  4  voix  1—),  0  2— n,  P  cond.  — 50  n 

Gaudet. 

-  Heure    des    farandoles.    marche-allegro,    0 

1.50  n,  P  cond.  — 40  n,  4  voix  d.  le  m.  ton 
1 —  n.   voix  a  — 25  n   Gaudet. 

-  Heure  du  repos,  tyrolienne,     Provandier. 

-  Hymue  au  r^veil,     Dorey. 
-II  faut  vivre!     Dorey. 

-  Hs   seront   tons  la!    Chant   du   makis,    duo, 

av.  P,     Barthelemy. 

-  Inauguration  d'une  statue,     Dorey. 

-  Je  suis  le  fils,  a  papa   1 — n. 

-J'suis  pas  fait  pour   turbiner   1 — n,   Ch.   s. 
— 35  n  PuigeJlier. 

-  Joies  estivales,     Dorey. 

-  Lancer's   sur   les   v^ritables  motifs   anglais, 

0  1 —  n,  P  cond.  — 25  n  Gaudet. 

-  Lecon  de  musette,     Dorey. 

-  Logement   au   sixieme.     Dorey. 
-Ma  poulette  aux  oeufs  d'or  1 — n. 

-  Ma  serenade,     Dorey. 

-  Macchabee,     Dorey. 

-  Maestro    Sylvestro,    chans.    com.      Edition 

moderne. 

-  Mai   Tyrolien  — 50    Mazo. 

-  Maltre   de  Jiu-Jitsu!      Dorey. 

•  Marche    de    nuit    1.75  n,     duo    2 — n,     Mand 

— 20  n,  Ch.  s.  — 30  n  Rouart. 

-  Marche  des  cuisiniers,  chant.  1 —  n. 

-  Marche  des  p'tits  loupiots,  chanson-marche, 

Dorey. 

-  INTarche  moutmartroise,  chanson  et  duo  av. 

P,     Edition  moderne. 

-  Mariage  du  facteur,     Dorey. 

-  Meridionale,  chant,  nat.  du  Midi,     Dorey. 

-  Ministere  Bochefort.  chanson,     Dorey. 

-  Mon   premier    duel.    1 —  n. 

•  jNIonome    des    manifestantes,      Edition    mo- 

derne. 

-  Mort  de   Pierrot,     Digoude. 

-  IMoskowa,    danse    enfantine    2 —  n    SociMe 

anonyme. 

-  N'soufflez  pas  d'ssus!   chans.  hum.     Dorey. 

-  Ne  A'ous  r^veillez  pas!  berceuse,     Dorey. 

-  Nez  de  I'Arabe,  histor.  hum.     Dorey. 

-  Nina !    chans.   napolit.   oP,     Dorey. 

-  Noix  et  noisettes,     Dorey. 

-  Nombrilla,     Dorey. 

-  Nos   chers   deputes    1 —  n. 

-  Nos  femmes  sont  conchies  1 — n. 

-  Nuit  d' Amour  aux  Antilles  1 —  n. 

-  O  Charlotte!    Vh.  s.  —35  n  Dorey. 

-  On  s'en  fout !     Patay. 

-Operation  de  Jeannette  1 — n,  Ch.  s.  — 35  n 
Puif/eUier. 

•  Oraison   funebre   d'une   grisette   1 — n. 

-  Orpheliu  du  serail,  oP,     Dorey. 
Outil,     Dorey. 

-Pas   de   Quatre   av.   reverences    1.70,   simpl. 
1 — n,  0  2 — n,  P  cond.  1 — n  Fouquet. 


Lust  L.  Pas  d'turbin 


—     701 


Lustig  Les  Bords  de  la  Gole 


Pas  d'turbin,   etude,      Labbe. 

Pauvre  Sarah!      Dorey, 

Paves,  elegie,     Kougier. 

Pendants  d'oreilles!      Dorci). 

P'tit    Legrand,    le    Grand    Lep'tit,      Edition 

moderne. 
Petits   potius    jaloux    eutendus    a    la    sortie 

d'une  messe  de  raariage,     Dorcy. 
Pipe,  en  main   1 — n. 
Placier  pour   dames!      Iturcn. 
Plus  de  proscrits  1 —  n. 
Polka  des  vaches!   av.  P,     Dorey. 
Polyglot  tina,     Dorey. 
Pour  les  femmes!      Dorey. 
Pour  qui  chautes-tu?     Ondei. 
President  est  em   .   .  .   protocole,     Dorey. 
Preux   moderne!      Dorey. 
Printemps   des    Coeurs,    valse   chantee    1.25 

Mazo. 
Printemps  libertiu,  chans.     Dorey. 
Que  je  voudrais  etre  locomotive   1 —  n. 
Qu^qu'  chos'  de  plus!  chans.  com.     Dorey. 
Qui  veut  des  fez?     Dorey. 
Qui  veut  mes  prunes?     Dorey. 
Rentree    de   Ther&se,    monol.     Dorey. 
Rentr4e  du  Troupeau  — 50  Mazo. 
Retour  de  Pierre  1 —  n. 
Rgveries!  m^lodie,     lioiigier. 
Riches,  dounez!      Dorey. 
Rose  et  I'immortelle  1 —  n. 
Ruban  de  Sarah!      Dorey. 
Russes,  soyez   les  bi  en  venues    1 —  n. 
Sa  majeste  I'Amour  1 — n. 
Sainte  Galett',  polka,  chant.   1 —  n. 
Salut,   Doumer!    Ave,   Caesar!    ou  Morituri 

te  salutant!     Dorey. 
Serenade    au     prince    des    Asturies,     Clt .    s. 

Dorey. 

Serenade  du  potard  1 —  n. 
Sermon   du   cur6   de   Saint-Zampoire   a   ses 

ouailles   au   sujet   de   la   separation,   chan- 
son mordante,    Dorey. 
Sexe   fort,    le    voilri    1 —  n. 
Sifflet  du  chef  de  gare!  avent.  drOle,  Dorey. 
Square   d'aniour,      Dorey. 
Stances  a  Sisovath!      Dorey. 
Tant  que  tu  voudras!  chausonnctte,     Dorey. 
Tout  va  changer,  chans.  com.   1 —  Lnbbc. 
Trompettes   des   Alpes  — 50   Mazo. 
Trop    d'i)recautiou!    chans.    com.      Dorey. 
Tum'  la  Tum' !     Dorey. 
Tyran  d'amour,   romance  vecue.     Dorey. 
Tyrolienne    du    Parigot,      I'rortnidier-PAri>^. 
Un  coup  d'vrai   bourguignon    1 — n. 
Une  bonne  course,     Dorey. 
Une  Noce  d«  Bigophones   1 —  n. 
Vallon-Rose  — 50  Mazo. 

•  Va.lse   des   chemisettes,    chant.    1 — n. 
Valse  des  Confetti,  chant  1— n.  P  2— n.  O 

2— n. 

•  Valse  des  f risettes,  chant   1 —  n. 

Valse    des    Jarretieres,    valse    2 —  n.    simpl. 

1 — n,   0  2 — n  Fouquet,  chant   1 — n. 
Valse    des   Jupons.   chant    1 —  n. 
Valse  des  minois   roses,  chant   1 —  u. 
•Valse    des    Serpentins,    chant    1 — n. 
Valse  des  Vitrines,   chant  1 —  n. 
Valse   du   bonheur,   chant    1 — n. 

•  Val.se     du      pardon,      valse      dite.      Edition 

moderne. 
■  Valse  du  vin  bleu,  chant  1 —  n. 

•  Veux-tu  savoir?  1 — n. 


-  Vierges  de  Russie  1 —  n. 

-  Vieux  Chevrier,  tyrolienne,  Provandier. 
-Vive  la  Parisienue!   Dorey. 

-  Voies  de  fait!   Dorey. 

Vous  n'aimeriez  qu'un   jour   1 —  n. 
Lust    L.   et    E.   Agnes,   Le   saviez-vous?   Me- 
lodic, Agnes. 

-  Le  saviez-vous?  M6lodie,  Dorey. 

Lust   L.   et   Buisson   J.  Pavane  Richelieu,  P 

5 —  Gaudet. 
Lust    L.  et   P.    Dub,   Ah!    viens,   ma   Suzou! 

ou  Sur  le  hord,  Dorey. 

■  Donne-moi-z-eu,  chans.  Dorey. 

-  Sanglot  d'amour,   lamentation,  Dorey. 
Lust  L.  et  L.  Fontaine,  Ce  qu'ils  demandent! 

clians.   Vatin. 
Lust    L.   et   G.    Hamel,   L'Amour    eh   priere, 
Dorey. 

-  Dans  Fmouv'ment,  chans.  Gueprotte. 

-  Elle  a  perdu  quelque  chose !   polka  chantee, 

Copel. 
Lust  L.  et  L.  Halet,  O  Pepi!   FaZeZ-Paris. 

-  Un  p'tit  fafemme,  Halet. 

Lust-Meriat  L.  L' Accident!  chans.  Au 
Triangle. 

•  Adoration,     valse     tzig.     avec     chant,      Au 

Triangle. 
-Les  Affaires!    Lust-Meriat-V^viii. 

-  Amer  depit!   LMsf-Mertai-Paris. 

•  Balcon  d'amour!   s€ren.  andal.  Au  Triangle. 
-Belle  Amour!   Au  Triangle. 

-  Ca  fait  bien  plaisir,  chans.  Au  Triangle. 
Ca     fait    bien     plaisir,     Ch.    s.    — 35  n    Au 

Triangle. 

■  F'sons  n'un  p'tit  n'enfaut!   Au  Triangle. 

-  Le  Maire  d'Eu!    chans.  Au  Triangle. 

■  La     Mortadelle,     scie     saucissouui&re,     Au 

Triangle. 

•  La  pouv'Misfere,  An  Triangle. 

-  Nez    poilu.      Z/«.si-.Veriof -Paris. 

•  Roman  d'une  gosse.  Lust-Meriat. 

-  Tu  m'le  feras  voir!    An   Triangle. 

Lust  L.  et  G.  Piquet,  (3n  s'colle,  chans. 
Dorey. 

Lust  L.  et  O.  Rodde,  Simple  Billet  pour 
vous   1.80  n  Rougier. 

Lustgarten,  Liederalbum  3 — n  t^tagemunn 
jiiu. 

Lustige  Lieder,  Vortriige  fiir  Damen  3 — 
Glaser. 

Lustgarten  S.  Lieder-Album:  1.  Tot  sie 
ihren  Krieger  sah.  2.  Stille  Sicherlieit: 
„Horch,  wie  still  es  wird  im  dunkelu 
Hain".  3.  Auf  Fiugeln  des  Gesanges.  4. 
Liebesfriihliug:  ,,Ich  sah  den  Lenz  ein- 
mal".  5.  Tot  ist  fiir  immer  jene  Zeit.  6. 
Bitte:  .,Weir  auf  mir,  du  duukles  Auge". 
7.  Es  fiillt  der  Strahl  auf  Burg  und  Tal. 
S.  Die  Wallfahrt  uach  Kewlaar:  „Am 
Fenster  stand  die  Mutter".  9.  Liebste  soil 
mir  heute  sagen.  10.  Sorge:  „Kehre  nicht 
in  diesem  Kreise".  11.  Mir  hat  noch  deine 
Stimme  nicht  geklungen.  12.  Schlummer- 
lied:  „Wei6t  du  was  das  Voglein  sagt". 
13.  Schlummerlied:  „Sacht  und  lind"'.  14, 
Der  bleiche  herbstliche  Halbmond.  15.  Ich 
erwach'  aus  Triiumen  von  dir  3 —  n  Hinege- 
mann  jun. 

Lustig,  Les  Bords  de  la  Cole,  valse  6— 
Heiigel. 


Lustig  E.   Viola-Walxer 


—     702 


Lutaud  L.  Melodic  relig. 


1.60  Bard. 
Walzer,    P 


Ro- 


Lustig   E.  Viola-Walzer 

Lustig    Franz,   An   Sie, 
hitscliek. 

Lustig  GebrLider,  op.  10  Jung  gefreit,  hat 
niemand  gereut:  „In  der  Bibel  steht  zu 
lesen",  Gesangs-Walzer  ein  od.  zweistim- 
mig  mit  P   (od.  P  allein)    1.50  Simon. 

-11  Ein  altdeutsch  lustig  Lied  (anno  1500 — 
1550)  :  „Dort  unten  an  dem  Rheine"  (Chor 
ad  lib.)   — 80  Simon. 

-  12  Neunzig,  neunmal  neunundneunzig:   „Es 

waren  eiumal  die  Schneider",  Rundgesang 

(Chor  ad  lib.)   — 80  Simon. 
-13   Kathchen,   mein  Madchen:    „In   Italiens 

Zaubergarten",   Lied    in    Walzerform    (od. 

f.  P  allein)    1.20  Simon. 
Lustig   J.   op.  20     Oj !    ra,    polka  — 35     Ge- 

hethner. 

-  22  Tra-la-la,  polka  — 30  Gelethner. 
Lustiger  Ehemann,  f.   1  Herrn,  1  Dame  2 — 

Block. 

Lustiges  Liederbuch  flir  Zitherspieler,  80 
humoristische,  heitere  Lieder  fiir  eine 
Singstimme  mit  ganz  leichter  einfacher 
Z-Begl.  (mit  Fingersatz  -  Bezeichnung) . 
Herausgegeben  von  Hans  W  o  r  1  e  2 —  n 
Bohm. 

Lustige  Lieder,  14  humoristische  Gesange: 
Neueste  Moden.  Die  beste  Kur.  Marie- 
liesens  Erinnerung  an  iliren  Christian. 
Storchlied.  0  selig,  ein  Kind  noch  zu  sein. 
Eine  Extrafahrt.  Die  letzte  Hose.  Zur  Ge- 
nesung.  Schnadahiipfl.  Wunsch  der  Liebe. 
Der  Lumpenmann.  Der  Guckkasten.  Der 
Schlossergesell.  Die  Lore  am  Tore  1 —  n 
Fries. 

Mannerchore,  herausgegeben  von 
SchJiffer  u.  A.  Tasohen-Format: 
komische  laiiuige  Mannerchore  von 
S  c  h  a  f  f  e  r.  11.  34  komische  und 
launige  Mannerchore  von  verschiedenen 
Komponisten.  III.  36  heitere  und  komische 
Mannerchore  von  verschiedenen  Kompo- 
nisten, Part   1.50  n,  St  2 — n  Leuckart. 

Lustiger  Sang,  30  heitere  und  komische 
MiinnerclKire,  herausgegeben  von  Johan- 
nes Pache:  1.  Attenhofer:  Die 
Handwerksburschen.  2.  Attenhofer: 
Margret  am  Tore.  3.  Attenhofer: 
Maulbronuer  Fuge.  4.  Attenhofer: 
Bothaarig  ist  mein  Schiitzeleiu.  5.  B  a  u  m- 
gartner:  Noch  sind  die  Tage  der 
Rosen.  6.  Boh  me:  Heuschreckeulied. 
7.  L  u  d  w  i  g:  Der  Froschbub.  8.  M  ii  1 1  e  r : 
Driumfgefiele  eines  alden  Leibzigers.  9. 
Otto:  Blauer  Montag.  10.  Pache:  Die 
Ahnfrau.  11.  Pache:  Darfi  's  Diaudl 
liabn.  12.  Pache:  Miiller  hab'  Acht. 
13.  Pache:  Nauraburger  Wein.  14. 
Pache:  Prinz  Absalon.  15.  Pache: 
Trinken  und  Singen.  16.  Richter: 
Schlendrian.  17.  Schiiffer:  Kalauer 
18.  S  p  a  z  i  e  r :  Frisch 
Tisch.  19.  Springer: 
Z  e  1 1  e  r :  Brief  eines 
Humoristische  Volks- 
weisen:     21.  Die  Hussiten  vor  Naumburg. 

22.  Die  Leineweber  haben  eine  feine  Zunft. 

23.  Die  Pinzgauer  wollten  wallfahrten 
gehen.  24.  Hans  und  Liesel.  25.  Lob  der 
edlen     Musika.      26.     A      Biichsal      auf'm 


Lustige 
A  u  g. 
T.  10 
A  u  g. 


Schiitzenmarsch. 
trommelt  auf  den 
Lumpenlied.  20. 
Schlossergesellen. 


Rucken.  27.  Zu  Lauterbach  hab'  i  mein 
Strump  verlor'n.  28.  Zillerthal,  du  bist 
mei  Freud.  29.  Wann  i  in  der  Frilh  auf- 
steh'.  30.  Im  schwarzen  Walfisch  zu 
Ascalon,  Part  1.50,  St  2.40  Hug. 
Lustige  Terzette  m.  P:  Nr.  25.  Schmidt 
Max:  Peter  Taps  auf  FreiersfiiBen,  kom. 
Szene  3 — .  Nr.  26.  W  a  p  p  a  u  s  C.  op.  406. 
Fidele  Reiseonkel  2—.  Nr.  27.  Schmidt 
Max:  Drei  flotte  Reservisten  2 — .  Nr.  28. 
W  a  p  p  a  u  s  C.  op.  408.  WaschermSidln, 
Grotesk-Terzett  2—.  Nr.  29.  Wolff 
Wilh.  op.  346.  Eine  urfidele  Gerichts- 
sitzung  4 —  Banner. 

Lustige  Vogel,  Sammlung  humoristischer 
Duette  m.  P-Begl. :  Nr.  1.  Delson  Lud- 
w  i  g,  op.  6:  Wahre  Freundschaft:  ,,Wir 
sind  Freunde,  immer  flott"  2 — .  Nr.  2. 
Simon  Ernst,  op.  203 :  Jochem  Basel, 
was  bist  du  fiir'n  Esel :  „Wohin  auch  jetzt 
das  Auge  schaut"  2.50.  Nr.  3.  Simon 
Ernst,  op.  206,  Nr.  1 :  Die  Rechnung 
ohue  den  Wirt:  ,,Rechtsgelehrter  jetzt  zu 
werden"  2 — .  Nr.  4.  Simon  Ernst, 
op.  206,  Nr.  2:  Der  Traum:  „Nee,  is  det 
en  Hundeleben"  2 — .  Nr.  5.  Simon 
Ernst,  op.  224.  Im  Theaterbureau: 
,,Wenn  man  nur  ein  Mittel  hatte"  2.50. 
Nr.  6.  N  o  1  o  p  p  Werner,  op.  50 :  Was 
sich  liebt,  das  neckt  sich  oder :  Musik  ist 
fiir  alles  gut:  „Hat  man  den  ganzen  Vor- 
mittag"  3 — .  Nr.  7.  H  e  i  n  z  e  R.  op.  130: 
Konservativ  und  Liberal  oder:  Eine  Braut- 
werbung  mit  politischeu  Hindernissen: 
„Die  Zeit  der  Wahl  ist  wieder  da"  3 — . 
Nr.  8.  Simon  Ernst,  op.  250:  Miiller 
und  Schulze  auf  der  Wartburg:  ,,0  wie 
schon  ist  doch  das  Reisen"  2.50.  Nr.  9. 
B  a  s  e  1 1  Fritz,  op.  63  :  Neueste  Heirats- 
vermittlung:  „Kein  Geschaft,  der  Teufel 
weiB",  komische  Szene  3 — .  Nr.  10.  B  a- 
s  e  1 1  Fritz,  op.  65 :  Frau  Beyer  und 
Frau  Geyer:  ,.Guten  Morgen.  Frau  Geyer" 
2.50.  Nr.  11.  Baselt  Fritz,  op.  "67: 
Gigerls  Pfandung:  „Wirklich  pschiitt! 
Famos!"  Humoristische  Szene  3 — .  Nr.  12. 
Baselt  Fritz,  op.  68.  Die  Sonntags- 
jager:  „Halli,  hallo,  jetzt  auf  zur  Jagd" 
•^ — •  Nr.  13.  Kipper  Hermann, 
op.  114.  Zwei  Sterne  oder:  Die  beiden  Kon- 
servatoristinnen:  ..Edle  Musika,  ach  wie 
dumm !"  2.50.  Nr.  14.  Baselt  Fritz, 
op.  76:  Boser  Markt:  „Hei,  das  war  ein 
Gijttermahl",  humoristische  Szene  3 — . 
Nr.  15.  Tourbie  Richard,  op.  213: 
Soldatentreue  oder:  Der  Stellvertreter : 
,Jch  kann  es  iiicht  begreifen"   3 —  Sierjel. 

Lustwaid,  der  Sanger,  Samml.  mehrst.  Ge- 
sange — 60  BerteUmann. 

Lusztig,  Ejjeb  az  Adrian  romancz  magyar 
szov  2 —  Bard. 

Lusztig  Jeno,  Csiit;>rtok  delutfin,  Couplet 
1 — .  f.  ZiffPttncrniMsik  3 — n  Nddor. 

Lusztig  J.  2  credeti  magyar  dal.  Kicsiny 
madar  busan  dalol  es  Haragos  szint  oltfitt 
ma  a  termeszet  1 —  Bard. 

-Viola  Keringf),  P  1.60  Bard. 

Lutaud  L.  Dernier  Adieu,  marche  fun&bre. 
Harm   2 — ,   Fanf  1.50  Oras. 

-  Lucette   1 —  Gras. 

-  Mrdodie    relig.    VOrgfP)    1.25    Graa. 


Lutaud  L.  Fort-ArtJnir 


—     703     — 


Lutgen  B.  Pie  Jesfii 


Ange   des   amours, 
Ange   du   Berceaii 


-  Port-Arthur,  allegro  milit.  Harm  2 — ,  Fanf 

1.50   Gras. 
Luterotti     Noel,     op.    1      Auersperg-Marsch 

1.20  n   Mozarthaus. 
-3     Die     schone     Stanislauerin,     Salon-Muz. 

1.20  n  Mozarthatis. 

-  5    Der    Sc-hmetterling     und     das     Madchen 

1.20  u    Mnzarlhutis. 

vlyTcp'B  O.  UlKo:iia-ca!vioyinTeJir>  ex  nbe- 
caMii  (Schule  zum  Selbstunterricht  fiir  Ban- 
donion)  1.50  Zinnnermnnn. 

-  Bandonion-Album,  beliebte  Lieder  u.  Tiinze. 

I — IT  h  1 — n  Zimmerynann. 
Lutgen    B.    Cosiallat:    Abraham,    sc6ne    bib- 
lifjue,   P   1 —   Schott. 

-  Adieu,   Marie   1 —  n. 

-  Adieu    petite    hiroudelle    1.35  n. 

-  Adieiix  d'un  fils  a  sa  m&re,  3  tons  1 —  n. 

-  Adoro  te  supplex  il  3  voix  ^gales  av.   Orr/ 

(E)   — 30n. 

-  Age  d'or  — 85   Schott  Freres. 

-  Amitie,   duettino    1.75  n   Jouhert. 
-Amour  d'une  mere,  S  1 — n. 
-Amour  du  page,  S(T)    1 — n. 
-Amour,  I'amitie,  la  charite,  2  tons  1 — n. 
-Andre   Chenier,   melodie,   2   tons    1.35  n. 

Ange  consolateur,    M   av.    Vc   1.35  n. 
2  tons   1 —  n. 
— 85   Bchott  Freres. 

-  Arabe,  P  —50  Schott,  1—  Schott  Freres. 

-  Avare  et  son  fils  — 50  n. 
-Ave   Maria    2 — n    Peregally. 

-Ave  Maria,   S(T)    av.   OrgfHJ    1.25  n. 

-  Ave  Maria,   lev  et  2e  dessus  et  B  av.   Orq 

(H)  — 50n. 

-  Ave  verum  si  3  voix  6g.  av.  Org  (II J  —50  n. 
-Ave  verum  a   1   voix   1 — n. 

-Ave   verum   pour   BarB   av.    Org(II)    1 — u. 

-  Ave  verum,   3  voix  €g.   1 —  n  Peregalhj. 

-  Ave  verum,  SATB  2.50  n  PeregaUi/. 
-Ave   verum   de   G 1  u  c  k,    a   SATB   av.    Org 

(II)    1-n. 

-  Bal  d'enfants,  valses-^tudes  pour  les  petites 

mains,  P  2 —  n. 

-  Blondette  —85  Schott  Freres. 

'  Bords   du   Tage,   barcarolle    1.35  n. 

-  Caille  — 50  n. 

-  Cain,   sc&ne  biblique,   2   tons   1 —  n. 

-  Cantiques   pendant   la   Messe   basse   d'aprfes 

Haydn  1 —  n. 

-  Captive,    duo   dram.    SB  3 —  n. 

-  Chant  du  berceau   1—  n  Jouhert. 
-Chef  noir   1.35  n. 

-Chretien    mourant    1.35  n. 

-  Christu.s,   SATB  av.   Org(II)   2.75  n. 

-  Corbeau  et  le  renard   1 —  n. 

-  Croise  1.35  n. 

-  Dernifere   rose  d'ete   1.75  a   Jouhert. 

-  D^sir  2 —  n  Jouhert. 

-  Diligence   1 —  n. 

-  Dodo   de   la   Poup^e,   berceuse   — 85    Schott 

Freres,   5 —  P6regally. 
-Dors    ma    mignonne,    duo    1.75  n    Jouhert, 
Ch.  s.  — 40  n  Bornemann. 

-  Ecce  panis  a  3  voix  6g.  av.  Org (II J  —30  n. 

-  Ecce  panis  de  Mozart  pour  2,  3  et  4  v 

SSTB  av.    Org(E)    1.75  n. 
-Elegante,  valse  facile  2 — n. 


1- 


n. 


-  Elle  n'est  plus,  P  —50  Schott. 

-  Eloge   des   femmes,   melodie,    S(T) 

-  Enfant   de   I'esclave  — 50  n. 

-  Enfant  et  la   cloche  — 50  n. 

-  Enfant   et  la   Papillon  — 85   Schott   Freres. 

-  Esperez    toujours    1 —  n. 

-  Etoile,   qui   file  — 50  n. 

-  Faute   d'un   clou  — 50  n. 
-Fete   Dieu,   P  —50  Schoil. 

-  Fontarabie    (Charmantes   bateli^res)    1 —  n. 

-  Gracieuse,   redowa,  P   1 —  n. 

-  Hymne   k  I'Eucharistie   1 — n   Jouhert. 

-  Inviolata,  ler  et  2e  dessus  et  B  av.  Org(H) 

— 50n. 

-  Je  le  retrouve  enfin  — 50  n. 

-  Je  veux  rester  esclave  1 —  n. 

-  Jeanne   d'Avc,   scfene    2.50  n. 

-  Jeune    aveugle,    melodie    1 — n. 

-  Jeune  Fille  et  le  Ruisseau  3 —  Benoit. 

-  Jeune  homme  et  le  vieillard  — 50  n. 

-  Lauda  Sion  a  3  voix  eg.  av.  Org(H)  — 50  n. 

-  Lauterbach,    valse    de    la    Foret    Noire    6 — 

Leduc. 

-  Libera   me,   B  av.   Org(E)   — 75  n. 

-  Litanies    pour    le   mois    de    Marie, 

choeur  a  3  ou  4  voix  av.  Org(II)  2 

stallat. 
-Loin  de  mon  pays  1 — n. 
-Ma  belle   Italie,   P  —50  Schott. 

-  Maitre   Tasquin  — 50  n. 
-Mane   du  village   1 — n. 

-  Matelot   roi    1.70  n. 

-  M&re  cherie.  choeur  a  2 


solo    et 
-  n  Co- 


VOIX 


a   3    voix, 


'^ —  n. 
dans   le 


stvle 


-  18   Motets   faciles 

choral   3 — n. 

-  Noel,   S(T)    1.70  n. 

-  Notre-Dame   d'Auray   1 —  n. 

-  O   Dulcis   amor   Dei,   SST  ad  lib.   ou   B  av. 

Org  (II J   2— n. 
-O    salutaris    en    sol    min.    a 
Org(n)  — 30n. 

-  O  salutaris  en  fa,  pour  B  — 75  u. 
-O  salutaris,  BA   1.50  n,   BarMS  2- 

galhj. 

-  O  salutaris  pour  Baryt  en  si  b^mol 
-O  salutaris,   pour   S  — 30  n. 

-  O   salutaris,   SS   solo   et  choeur   ad  lib. 

Org  (II)  et  Kh  ad  lib.  1.75  n. 

-  O  salutaris  en  la,  a  3  voix  6g.  av.  Org (II) 

— 30n. 
-0  salutaris,  a  SSTB  av.  Org(n)    1.25  n. 

-  O    salutaris    de    Beethoven,    pour    3  ou 

4   voix   en   choeur,    SST   et   Bar   et  B   av. 
Org(H)  —75  n. 

-  OfFranda  a  la  Vierge  1 —  n. 

-  Ofi'rande   — 50  n. 

-  Oiseau   et   I'ermite    1—   Schott    Freres. 

-  Ours  Matin,  chansonnette  1 —  n. 

-  Pange    lingua,    a  3    voix    #g. 


A  oix    eg.    av. 


n   Pi're- 


-lo  n. 


av. 


av.    Org(H) 


— 30n. 

-  Paradis  perdu,    P  — 50 

Schott. 

-  Pardonnez-lui,    P  — 50 

Schott. 

-  Pater    Noster,     SSTB 

av.     Org(n) 

1.25  n. 

-Petit  glaneur   1 — n. 

-  Petit  mouton  — 50  n. 

ou    0 


Petits  Chagrins,   Ch.  s.  — 40  n   Bornemanrv. 
Pie   Jesu    1 —  n   Peregally. 


Lutgen  B.  Plaisir 


704     — 


L  utgen  P.  0  Duleis  amor  Dei 


I 


Plaisir,   rondino,   P,   VP   a    2 — n. 

Prfes  de  la  Madone  — 50  n. 

Pri&re    du    matin    1 — n. 

Eegina  Coeli  en  sol   min,   ler  et  2e  dessns 

et  B  av.   Org(U)  — 50  n. 
Regina   Coeli    en    ut,     a    3    voix    en    choral 

av.   Org(H)  —50  n. 
Eeine  d'Esperance,  cantique  av.  solo   1 —  n. 
Rendez-moi  ma   mdre   1 —  n. 

■  Eetour,  barcarolle  — 50  n. 

•  Eetour,  melodic  — 50  n. 

•  Eetoiir,  melodic,  av.   Vc(Oh),  2  tons  1.50  n. 

■  Eeveil  1 —  n  Jonheri. 

■  Eeine  de  mon  coeiir,   /'  — 50  Schott. 

■  Eossignol   et  le   Prince   1 —   Schott   Freres. 

■  Salve   Eegina,    ler    et    2e   dessus   et   B    av. 

Orgfnj  — 50n. 
-Salve   regina,   voix   og.    1.50  n   Peregalhj. 

-  Samson   2.50  n. 

-  Sans-souci    1 —  n. 

-  Sansonnet  — 50  n. 

-  Soir  — 85  Schott  Freres. 

-  Sois   bien   sage   3 — ,   Ch.   s.    I —   Carlereau. 

-  Solfege  preparatoire    (de  chant)    7 — n,   Ch. 

s.  3— n. 

-  Sourire  2 —  n  Jouhert. 

-  Stab  at   Mater    (altern6),    solo    et    choeiir    a 

nne  ou  pUisienrs  voix  mixtes  av.  Org(U) 
2— u. 
-Stances  de  ^lalherbe  1 — n. 

-  Sub   tuum   en    sol,    ler   et   2e    dessus   et    7? 

av.  Org  (II)  —30  n. 
-Sub  tuum  en  sol  maj.  a  3   voix,   ler  et  2e 
dessus  et  B  av.  Orgfll)  — 50  n. 

-  Tandis  que  tout  .sorameille   1.75  n  Jouhert. 

-  Tantum    ergo    de    S.    B  a  o  h    a    SATB    av. 

Org(H)   1.50  n. 

-  Tantum    ergo,    a    3    voix    eg.    a  v.    Org(H) 

—30  n. 

-  Templier,  scene  et  airs  2.50  n. 

-  Tombe  et  la  rose   1 —  n. 

-  Tota  pulchra  es,   ler  et  2e  dessus  et  B  a  v. 

Org(H)  — 50n. 
-Tota    pulchra    es,    SATB     (PI.    ch.)      2— n 
Per  e  gall  g. 

-  Un   Revenant  — 85   Schott   Freres. 

-  Venise  — 85   Schott  Freres. 

-  Vocalises    jourualieres,    agility    de    la    voix 

4—11. 

Vide  :    L  ti  t  g  e  n  B. 
Lutgen    Henry   J.    Costallat:    Op.    1      Deux 
Nocturnes,    VcP    2.50  n :      N.    1.    Le    desir 
1.70  n.  N.  2.  Eeve  de  bonheur   1.70  n. 

-  3  Fautaisie  sur  la  Somnambula,  VcP  3 —  n. 

-  4  Souvenir  de  Pensylvaue,   VcP  2.50  n. 

-  15   Fautaisie  et   Polonaise,   VcP  4—  n. 

-  21    Barcarolle    et   berceuse,    VcP    2.50  n. 
-23  ler  Morceau  de  salon  en  r6,  PVVc  3 — n. 

-24  5  Duos  faciles,  VP:  N.  1.  Moderate 
1.35  n.  N.  2.  Polonaise  1.35  n.  N.  3.  Marche 
1.70  n.  N.  4.  Mazurka  1.70  n.  N.  5.  Le  pa- 
pillon,   valse   2.50  n ;    N.   5.   P  s.  2 —  n. 

-  27  2e  Morceau  de  salon,  en  fa  min,  PVVc 

3— n. 

-  28  3e  Morceau   de  salon,  en   fa   min,  PVVc 

3—  n. 

-  29  4e  Morceau  de  salon,  en  fa,  PVVc  3 — n. 


-  30  Melodies  celebres  transcrites  pour  VcOrg 
ou  E(P ) :  I:  Stradella:  Piet^  signore, 
II:  Pergol&se:  Tre  giorni.  Mar- 
tini: Plaisir  d'amour,  III :  S  p  o  h  r  :  La 
Rose.  Weber:  Berceuse,  IV :  Beetho- 
ven: Prifere.  li  u  t  g  e  n  :  Chant  du  peni- 
tent, V :  Mozart:  Air  des  Noces  de  Fi- 
garo. D  a  1  a  y  r  a  c :  Nina,  VI :  G  1  u  c  k  : 
Air  d'Orphee,  Bellini:  Meco  tu  viene 
o  misera,  a  2 —  n. 

-31  VcP:  I:  Mozart:  Air  Prise  de  Je- 
richo. P  r  o  c  h  :  Le  cor  des  Alpes,  II : 
K  li  c  k  e  n  :  La  captive,  melodie.  G  1  u  c  k  : 
Air  et  choeiir  d'Alceste,  III :  Beetho- 
ven: Loin  d'elle.  Schubert:  La  jeune 
m6re,  IV:  Schubert:  Joueur  de  vielle. 
Schubert:  Jeune  religieuse,  V.  Bee- 
thoven: Adelaide,  VI :  Rossini:  Ro- 
mance du  Saule,  P  r  o  e  h  :  Reviens,  cava- 
tine,  a  2 — n. 

-32  VcP:  I:  Stigelli:  Rayon  de  les 
yeux.  G  r  6  t  r  y  :  Serenade,  II :  Men- 
delssohn: Air  de  Paulus.  Mozart: 
Cara  Imagine,  III :  K  ii  c  k  e  n  :  Une  larme. 
K  ii  c  k  e  n  :  Adieu  du  soir,  IV  :  Schu- 
bert: Chanson  de  nuit  de  voyageur,  se- 
renade, V:  Mozart:  Vedrai  Carino. 
Mozart:  La  ci  da  rem  la  mauo,  VI : 
""'**:   La  Romanesca,  a  2.50  n. 

-  32bis.   Deux  Melodies   transcrites,    VcP:    1. 

Mendelssohn:    Premiere   violette,      2. 

Mendelssohn:  Parfums  d'ltalie  2 —  n. 
-33    Barcarolle    du    3e   trio    de    F  e  s  c  a,    Va 

(Vc)P  2.50  n. 
-38    Fautaisie    sur:    Poliuto,    VcP    7.50 

moine. 

-  Absence    et    la    berceuse,    de    S  t  o  c  k  li 

s  e  n,  VcP  6 — -  Lemoine. 

-  Meditation,    POrgVVc    9—   Girod. 

-  2  Melodies  de  Martha,   VP  2.50  Jouhert. 

-  O  tell  me  shall  my  love  be  mine,  with    Vc 

or    V  ace.  4/ —  Ascherherg. 

-  Pieta  signore  de  Stradella,  en  ut  min. 

av.     Org(H)    et    Vc    ad    lib.    2.50  n,     VcP 
3 — n,   V  ou   Vc  solo  a  v.  POrg   3 — u. 

-  Pri&re    et    barcarolle    sur    Marie    Bord&se. 

VcP   1.70  n. 

Vide :    L  ii  t  g  e  n   Henri. 

Lutgen    L.   Voile   blanche,    duet   2—   Schoil. 

Freres. 
Lutgen    Paul.    Costallat:    Op.   29    Ire   Messe 

soleiuielle    en    mi    min.    SATB    av.    OrgKh 

4.50  n. 
-Alma,    *SVS'   av.    Org(Jl)    1.50  n. 

-  Anima  Christi,  p.  SSTB  av.  OrgfHj  2.75  n. 

-  Ave  Maria  a  SATB  —30  n. 

-  Ave    Maris    Stella,    SATB,    soli    et    (hoeur 

d'aprfes   Bach,   av.    Org(E)   — 75  n. 

-  Ave  verum,  pour  SATB  av.  Org(H)  1.25  n. 

-  Cantate  a  3  voix  pour  la  fete  de  Sup^rieur 

ou    Superieure,     Directeur    ou    Directrice 
3 —  n   Peregally. 

-  Litanies  a  la   Sainte  Vierge   pour  les   mois 

de    Marie,    solo    et    ch.    3  ou    4  voix,    avec 
Org  (II)    2— u. 
-Litanies     solennelles,     SSTB     av.     Org(H) 
3—  n. 

-  0  Duleis  amor  Dei,  SSTB  av.  Org(II)  2— ii. 


Le- 


M    U 


1 
-i 


Lutgen.  P.   0  Jesu  Deiis  pacts 


—     705    — 


Luther  Dr.  M.  Kirehenlieder 


-  O    Jesu    Deus    pacis,    pour    SST    et    Bvrijl , 

soli   et   choeur   et   Kh    de   Winter,   avoc 
Org(H)  2.50  n. 

-  O   Salutaris   en   mi    min.   pour   IS  ATE   avec 

Org(H)    1.25  n. 

-  O  salutiiris,  pour  5  voix  en  choeur,  8HTBB 

avec   OrgfHJ    1.50  u. 

-  O    salutaris    pour    4  voix,    soli    et    choeur 

d'apres    Bach,    avec    Org(U)    — 50  n. 
•  0    salutaris,    d'api-es    une    pens6e    de    B  e  e- 
t  h  o  V  e  n,   pour    T,   solo   et   choeur,    iiiiTB 
avec   Org(H)    1.2.5  n. 

-  O   salutaris   de   R  i  g  h  i  n  i    a      SATB   a\  ec 

Org  Kb   1.75  n. 

-  Regina  Coeli,  SATB,  soli  et  choeur  d'apres 

Bach,   avec   VcKb  — 75  n. 

-  Regina   Coeli,   Baryt    et    T,    soli    et   choeur 

a  SATB  d'apres   Bach  avec   VcKh   1—  n. 

-  Salve  Regina,  8STB  ou  choeur,  de  F  r  a  fl- 

ees eo   Anzoletti,   av.   Org(R)    1.75  n. 
-Salve    Regina,   pour   H8TB,   de   Antonio 
Salieri,  av.  Org f II)  2— n. 

-  Stabat  Mater  alterne,  solo  et  choeur  a  une 

ou    plusieurs    voix    mixtes     avec    Org(H) 
2— n. 

-  Sub   tuuni   praesidium,   d'apres   une   pensec 

de  Weber,  pour  88TB  et  Kh  2—  n. 

-  Tantum  ergo  pour  C  et  B,  solo  av.  choeur 

u  SATB  d'apres  Bach,  av.  OrgfE)  —50  n. 

-  Tantum    ergo,    pour    T    a  4    voix,     solo    et 

choeur  d'apr&s  Bach  av.   Org(H)  — 50  n. 

Lutgen    W.   A.   Ave   Maria    1 — n    Pcrcgally. 

-  Salve  Regina.  3  v.  eg.  soli  et  choeur   1.25  n 

Durand. 
Luth  A.  Le  viugtieme  printemps   1 — n,   CIi. 

s.  — 35  u  Durdilly. 
Luther,   Forward  ^March,  mO  — 50  Coleman. 
Service  of  Song  with  German  Chorales  — '3 

Curtven. 
Luther  C.  Pensee  fugitive,  P — 25  Jurgcnsow, 

Luther  C.  C.  Beautiful  beckoning  hands, 
song  and   chorus  — 35   IHtson. 

Luther  Gustav,  op.  4  Fiinf  Lieder :  1.  Friil)- 
lingslied:  „Tief  im  griinen."  2.  Nun  treibt 
die  miide  Herde  heim.  3.  Auf  dem  See: 
„Wie  legst  du."  4.  Grufi  an  die  Nacht : 
„Wie  hast  du  mich  so  miide  gemacht." 
5.  In  dunkler  Nacht,  wenn's  Aug'  noch 
wacht  2.50  Bote;  Nr.  1  1—  Bote,  (In 
Night's  still  Calm)  — 35  8chirmer,  Nr.  2, 
5  it  —50,  Nr.  3  1—,  Nr.  4  —80  Bole,  Nr.  5, 
TTBB  1.20,  P  1.50,  Z  — 80  n  Bote. 

-5  Drei  Lieder:  1.  Winternacht:  „Verschneit 
liegt  rings  die  ganze  Welt."  2.  Sehnsucht: 
,,Ich  blick'  in  meiu  Herz."  3.  Mondnacht: 
„Es  war,  als  hatte  der  Himmel''  2 — : 
Nr.  1   1—,  Nr.  3  —80  Bote. 

-6  Vier  Lieder:  1.  Erster  Schnee.  2.  Bren- 
nende  Liebe :  ,,Iu  meinem  Gartchen  laeht." 
3.  Herbstlied:  „Kalt  rieselt  der  Regen 
hernieder."  4.  Der  Abendhimmel :  „Wenn 
ich  an  deiner  Seite"  2 —  Bote. 

-7  Vier  Lieder:  1.  Nur  einmal  mocht'  ich 
dir  noch  .sageu.  2.  Das  Kind  am  Grabe  der 
Mutter :  „Schlafst  .sanft  in  deiuem  Kiim- 
merlein."  3.  Nur  du :  „Die  sehnenden 
Blicke."  4.  0  habe  deinen  Sanger  lieb : 
,,Mir   ist  das  Herz  so  iibervoll"  2 —  Bote. 


sind   die   hei- 
1.20    Siegel. 
9 —  BenoU. 


-Chant,  and  the  Hallelujah  Chorus  — 2 
8heard. 

Luther  Dr.  Martin  (1483—1546),  3  Chorale : 
1.  Eiu'  feste  Burg  ist  unser  Gott.  2.  Je- 
saja,  dem  Propheteu,  das  geschah.  3.  Wir 
glauben  all  an  einen  Gott.  Im  urspriing- 
lichen  Rhythmus  und  mit  einer  im  Sinn 
und  Geist  der  alteu  Tonmeister  gearbei- 
teten   Harmonisierung,   8ATB   1.50   Siegel. 

-  3    Choriile     (a us    dem    Luther-Kodex     voni 

Jahre  1530)  :  1.  Ein'  feste  Burg  ist  unser 
Gott.  2.  Ein  Lobgesang  von  der  Geburt 
Christi :  ,,Gelobet  seist  du,  Jesu  Christ." 
3.  Die  zehn  Gebote:  ..Dies 
ligen    zehn    Gebote",    8ATB 

■  Choral,  T  et  choeur  ou  TTB 

-Choral:  „Ein'  feste  Burg  ist  unser  Gott" 
—30  Breitkopf,  TTBB  —80  Eulenhurn, 
(Our  God  stands  firm)  8ATB  —05  u 
Church,  Fant.   Org  3/ —  Augener. 

-  Deutsche  geistliehe  Lieder,  uebst  den  wiili- 

rend  seines  Lebeus  dazu  gebrauchlichen 
Singweisen  und  einigen  mehrstimmigen 
Tonsatzen  iiber  dieselben  von  Meistern 
des  16.  Jahrhunderts,  herausgegeben  (als 
Festschrift  fiir  die  vierte  Jubelfeier  der 
Erfindung  der  Buchdruckerkunst)  von  C. 
von  W  i  n  t  e  r  f  e  1  d,  mit  eingedruckten 
Holzschnitten  nach  Zeichnungen  v.  S  t  r  11- 
h  u  b  e  r   5 —  n   Breitkopf. 

-  Great   God,  what   do   I  see 

~SoveUo. 

-  Great  God, 
quart,  and 


and   hear? 


9 


ihren    Melodien   fiir    1 

(O.    B  y  s  t  r  6  m),   mit 

.  schwedisch),  Luther< 

und    Abbilduug   von   Liithers   Ge- 


u 


Avhat  do   I  see   and   hear?   7'-s. 
chorus  — /9  Novello. 

-  Great  God,  what  do  I  see  and  hear?  SATB, 

Voc.  score  — /9,  Xoc.  parts  — /P/;  Novello. 

-  How  blest  the  land    (at  a  Coronation  Ser- 

vice)   — ;1    Novello. 
■  Kirehenlieder    nebst 
Singst   m.    Org(P) 
Vorwort    (deutsch 
Portriit 

burtshaus :  1.  Jesaja,  dem  Propheten  (Jo- 
uiscli).  2.  Erhalt'  uns,  Herr  bei  deinem 
Wort  (Dorisch).  3.  Komm,  heiliger  Geist 
(Jonisch).  4.  Vater  unser  im  Himmelreich 
(Dorisch).  5.  Nun  freut  euch,  lieben  Chri- 
sten gmein  (Joni.sch).  6.  Christum  wir 
sollen  loben  (Phrygisch).  7.  Es  spricht 
der  LTnweisen  Mund  (Joni.sch).  8.  Christ, 
unser  Herr,  zum  Jordan  kam  (Aeolischl. 
9.  Wohl  dem,  der  in  Gotts  Furchte  stelit 
(Jonisch).  10.  Ach  Gott,  vom  Himmel  sieh 
darein  (Hypophrygi.sch) .  11.  Komm,  Got! 
Schopfer  (Mixolydisch) .  12.  Vom  Himmel 
hoch  da  komm'  ich  her  (Jonisch).  13.  Nun 
bitten   wir   den   Heiligen   Geist    (Jonisch). 

14.  Christ   lag   in   Tode.sbanden    (Dorisch). 

15.  Gelobet  .seist  du,  Jesu  Christ  (Mixo- 
lydisch). 16.  Jesus  Christus,  unser  Heilaud 
(Dorisch).  17.  Nun  laM  uns  den  Leib  be- 
graben  (Jonisch  frei).  18.  Mit  Fried'  und 
Freud'  ich  fahr'  dahin  (Dorisch).  19.  Der 
Tag,  der  ist  so  freudenreich  (Jonisch).  20. 
Nun  komm,  der  Heiden  Heiland  (Aeo- 
lisch).  21.  Gott  sei  gelobet  und  gebene- 
deiet   (Mixolydisch).  22.  Es  wollt  uns  Gott 

sein    (Phrygisch).   23.    Ein'    feste 


aeniidig 


Universal-Handbuch  der  Musikliteratur.    L. 


45 


Luther  Dr.  M.  Kirchenlieder 


—     706     — 


Lutz  H.  BarearoUe 


Burg  ist  iinser  Gott.  ( Jouiscli) .  24.  Ver- 
gebens  ist  all'  Miih'  und  Kost  (Dorisch 
frei).  25.  War'  Gott  nicht  mit  uns  (Aeo- 
lisch  frei).  26.  Gott  der  Vater  wohn'  uns 
bei  (Jonisch).  27.  Wir  glauben  all'  an 
einen  Gott  (Dorisch).  28.  Jesus  Christus, 
unser  Heiland  (Dorisch).  29.  Dies  sind  die 
heiPgeu  zehn  Gebot'  (Mixolydisch) .  30. 
Mitten  wir  im  Leben  sind  (Phrygisch) 
L50  n  Rieter. 

-  Samtliche    deutsche     geistliche    Lieder     (R. 

Kleiumichel)    2 — n   Senf. 

-  Sie  ist  niir  lieb,   die  werte  Magd,  Tonsatz 

A'on   M.   P  r  a  t  o  r  i  u  s,     Rilhle. 
Luther   Otto,   Bandoneon-Albnm,    Sammlung 
der   beliebtesten   Stiieke  fiir   64-,   88-,   100- 
u.    130t6niges    Bandoneon,      Heft    3,  4     a 
2 — -n  Zimmerman}!. 

-  Bandoueon-Schule    2 —    Benjamin. 

-  Concertina-Freund,   Sammlung   bel.   Lieder, 

Tjinze  u.  Marsche  f.  76tonige  Concertina, 
1 — II   a    1.50  Zimmcrmann. 

-  Ein   Ballabeud,   Sammlung  bcliebter   Tanze 

f.  Bandoneon  (ni.  V  ad  lib.),  3  Hefte  a 
2 — .  f.  Bandoneon  allein  a  1.50  n  Zimmer- 
ifianii . 

-  (Jriiftabelle    f.    Bandoneon    m.    Erlauterung 

der    einzelnen    Griffe,    Touleitern    u.    Ak- 
korde  — 90  n   Mersehurc/er. 
■  Harmonika-Schule   mit  holliindischem   Text 
1 — n   Zimmerrnanii. 

-  Melodienstraufi.  Sammlung  neuerer  Lieder. 

Marsche,  Tilnze  etc.  fiir  76t6nige  Concer- 
tina u.  S8-,  100-  u.  IBOtoniges  Bandoneon 
m.  Noten  u.  Zahlen  bearb.  Heft  III  1.50  n 
Mersehitrger. 

Lutin,  chansonnette  — 30  \\   Jouherf. 

Lutin  des  bois  1 —  n  Jonbert. 

Lutin    Parisian,   chanson    1.35  n   Jouberl. 

Lutins  du  menage,  de  C  1  a  p  i  s  s  o  n  — 30  n 

'T^uhf'rf. 
Lutkin    P.    C.      Summif:       Rabbling    Brook, 

SATB  — ;3   Citrwen,  —10. 

-  Canzonetta,  P  — 35. 

-  Condensed  Finger  Technic,  Part  I :   Rhyth- 


mical 5  Finger  Exerc.  /*  — 60  n. 
The    Schooling    of    the    Thumb 


III : 
—50. 


Part  II: 
-60.    Part 
Prepar.    Exerc.     for    Part    Playing 


-  Day  is  past  and  over  evening  hymnanthem 

— /Vj2  n   Novello. 

-  Hark  the  voice  eternal   (Advent),  and  Sing 

o  sing  this  blessed  morn  (Christmas)  — 05. 
■  S  Instructive  Pieces.  More  especially  in- 
tended for  ;ise  in  conjunction  with  the 
lirst  part  o5  Leber  t  and  Star  k's 
school,  and  written  in  accordance  with  the 
technical  principles  therein  set  forth:  1. 
Melody.  2.  Lullaby.  3.  Duet.  4.  Spring 
Song.  5.  Waltz.  6.  Fairy  Song.  7.  March. 
8.  Albumleaf,  P  ;\  —25.' 

-  Jubilate   — /3    IsoreUo. 

-  ivike  as  a  father  pitieth  his  own  children, 

ATB  —20. 

-  Lord    Bless    and    Keep   You    (Farewell    an- 

them and  sevenfold  amen)    — 10. 

-  Lord   shall  comfort   Zion   — 20. 

-  Magnificat   and   Nunc  diraittis  — 10. 


-  Night  ^\"inds,  iiATB  —30. 

-  0  little  town  of  Bethlehem  and  In  excelsis 

Gloria    tChristmas    carols)    — 05. 

-  0    'twas    a    joyful    sound   to   hear,    and   To 

him  who   for   our   sins  was  slain  — 05. 

-  Romance,   YcP  —70. 

-  Te  Deura  in  C  — /4  Novello. 

-  Te  Deum  Laudamus  N.  2    (in  B  flat)   —15. 

-  Two   maidens,   t^ATB  — /2   Ciirwen,  — 10. 
Lutrin   des   Campagnes.   Paraissant  tous  les 

mois.  Format  partition.  Musique  trfea  fa- 
cile. Cette  publication  donne  alternative- 
ment  des  chants  latins  et  des  Cantiques 
frangais  tres  faciles,  a  une  voix,  av.  ace. 
d'i/.  Des  accompagnenients  faciles  pour  les 
cantiques  les  plus  connus  et  les  pifeces  de 
plain-chant  les  plus  usitees  (Messes,  hym- 
nes.  proses,  Psaumes,  r^pons  etc.  etc.). 
Abonnement  5 —  par  an.,  Etranger  5.50. 
Envoi  d'une  livraison  specimen  centre 
—60  en  timbres  poste.  Procure. 
Lutschg   Ch.  vide  :   L  ii  t  s  c  h  g. 

Lutschitzki     G.      Dagmara,     polka-maznrka 
— 30  Idzikon-ski. 

•  Komissarofl-Kostromskoj,   polka   — 30   M-^i- 

koirski. 
Lutschounigg  A.  Organum  comitans  ad  Gra- 
duate Romanum.  III.  Commune  sanctorum 
(Medicaa),  Org  3.70  n,  Singst  1.42  n.  V. 
Ordinariuni  Missae,  gesammelt  aus  Medi- 
caa u.  Solismen,  Org  3.70  n,  Singst  1.42  n 
Buck-  u.  Kunstha)idlung  des  ^t.  Joseph- 
Fej-Gins-Klagenfurt. 

-  Rhythmisierung    des    gregorianischen    Cho- 

rales  10 —  n   Buck-   V.   Kunsthandlung  dcs 

Sf.    J osi pJt-V er ein s-Klageniurt. 
Lutteman    O.    Ch.    Akerberg,    Fyris,    Qvar- 

tetler.  Part   1— II  Ti   1—  Elkati. 
Lutterbeck    Ant.    Apologie   des   sogenannten 

Hermesianismus    wider    einige    arge    Mifi- 

verstandnisse    mehrerer    seiner    Angreifer 

und  Verteidiger  — 75   TJieissing. 
Lutteurs,  chansonnette  comique,     Ondet. 
Lutti   V.  \"uol  darsi  ai  piaceri,  anacreontica 

4 —  Ricordi. 
Luttwitz,  Leaves  around   me  falling,  T  and 

quart,  arr.  by   E.  S.  P.  — 60  Brainard. 
Lutz,   Kiss    (Blue  Beard),  waltz  4/—,  FuUO 

2/— n.  sept.  1  — n,  sep.   (iitring  &  Cornet/ 

parts   — 3  n    Chappell. 

-  Longing,  air,   CornetP   1/6  Hutvkes. 

-Our   Curley    Pet   Maz.   p.  FZ   or   FlageoleiP 

1'6  Hawkes. 
Lutz  C.  op.   10a   Teh  will   dir's  nimmer  — 80 

Schlesrnger. 
Lutz  Fr.  Choralbuch  zum  Gebrauch  f.  evan- 

gelisch-lutherische  Christen  in  der  Kirche 

7 — •  n    Publishing   House. 
Lutz  Guill.  op.  8  Souvenir,  morceau,  P  1 — 

8chott. 

-  9  Le  Retour   au   Chalet,   rondeau   pastoral, 

/-*    1.25    Ilofmeister. 
-10  Caprice,   P   1.25   Schott. 

-  13  Fantaisie,  P  1 —  Hofmeister. 

Lutz    Henri,    .Vragonaise,    P    1.75  n   Duramd. 

-  Au  Pardon  5 —  Grus. 

-  Bal,  P  2—  n  Bellon. 

•  Barcarolle    1 —  n    Durand. 


■Lutz  H.  Chanson 


—     707 


Lutz  M.  W.  Faust 


1.35  n   Durand. 
the  water),   P 


-  (  hanson  4—  Grus. 

-  Ohanpon  d'antomne,  2  tons 

-  Chanson   de  I'eaii    (Song   of 

—50  Bit  son. 

-  Chanson   de   I'eaii,    P   2 —  n   Durand, 
-Chanson  de  mer   1.35  u  Durand. 

-  Coeur   de   Hialmar,   scene    3 —  n    Bellon. 

-  Deuxifeme  valse  5 —   Heugel. 

-  Fantaisie  pour  P  et  0,  ed.  pour  P  s.  avec 

partie  de   deuxieme   P    (reduction   de   VO) 
.")—  a  Costallat. 

-  PMlle  de  Bandit   1.75  n   Roiiart. 

-  Fille  des  Champs   1.70  n   Bellon. 

-  Ileures  1.50  n  Rouart. 

-  .)oie  d'enfant,  P  3 —  Heugel. 

-  -Vlusique   1.50  n  Rouart. 

-C   voix  prenante!    1.70  n   Lenioiue. 

-  Orgue   1.75   Durand. 

-  Pavane,  P  1.75   Durand. 

-5  Pieces,  P  5 — :  N.  1.  De  roses  en  roses, 
2.  Dans  le  bois  sacre,  3.  Idee  fixe,  4.  Fi- 
xant  mon  etoile,  5.  Apr&s  v©pres  a  1.35 
Bellon. 

-  Printemps    1.75   Durand. 

-  llibaude    1.35  n    Bellon. 

-  Ixonde  d'enfants,  a  2   voix  eg.  av.   P  2 —  n 

L^moine. 

-  liondel   1.35  Durand. 

-  J\oses  et  muguets   1.75   Durand. 

-  .sirenes,  P  2.50  n  Bellon. 
V  alse   1.35  Durand. 
X'iolelte   1 — n   Durand. 

Lutz  Hugo,  op.  4  Zwei  Vortrag-sstUcke,  17' 
1.50  Kunfz. 

-  11    Drei    Miinnerchore:     1.    Weihnachtslied. 

2.   Schtine   Zuversicht,   3.   Scheiden,   il    1.2(t 
Bitlenburg. 

-  27    Leichtes    Quartett,    JfV     (in    4    Siitzen) 

3.50  n  Kuntz. 
Lutz    J.      Anleitung,    t^tr-Flutophon       2 —  n 
Eherlc. 

-  Auf  der  Aim,  P  1 —  Hduser. 

-  Hraut-Walzer,   P    1.50   lid  user. 

-  Kequiem  Mass  in  E  min.  TTBB  —25  Ditson. 
Lutz    Josef,    Halt    aus:    „0    lafi    dich    nicht 

hezwingen",    TTBB    1.80   Fischer. 
Lutz  Meyer  W.  A  la  Pompadour   (Gavotte), 

FM    Band    2,8,    Med.    Band    2/—,    sO    1/4. 

FuUO  —75,  sO  —50,  P  ace.  —20  Hawkes. 
-Aladdin  Lancers    (on  the  popular  melodies 

n*.   A.   R  e  e  c  e's   Burlesque   of   „ Aladdin") 

4/ —   Ascherberg. 

-  All  like  faded  flowers  have  gone  3/ —  Ash- 

down. 

-  Alpine   Hunter   3/ —  Francis. 

■  Ave  Maria,  s.  or  chorus,  4th  Sunday  in 
Advent  — /I   Boose y.       * 

-  Ave  Maria,  patronage,  solo  or  chorus  — 1 

lloosetf. 

-  -\ve    Maria,    Rosary,    solo    or    chorus     — ,1 

Hoosey. 

-  Hallyhooly  March  4/ —  Ascherberg. 

-  iUata   (Maternity  or  Nativity),  chorus  —  1 

Boosey. 
Henedictus   est,   chorus  — /I    Boosey. 

-  Blue  Beard,  polka  4/ —  Ascherberg. 

-  }} right  Lucid  Star  4/ —  Francis. 

-  By  and   bye,   waltz  4/ —  Fran-cis. 


up  to  Data, 
Polka    4/—, 


-Carmen,    up    to    data.    Ascherberg:    Voc. 

score  6/ —  n,  P  score  4/ —  n  : 

Old  love  adieu  (I  can  love),  Ask  me  to 
marry,  One  who  is  life  to  me,  Calasera, 
Where  all  is  love  (Was  it  by  chance?). 
That's  the  way  to  hypnotize  'em  1,  Fas- 
hionable Villain,  Carmen's  Diary,  On 
Parade  (Imogene  Donohne),  Told  by  the 
cards.  The  Swagger  Song,  The  Far- 
myard, The  Jolly  Boy's  Club,  Hush  !  the 
Bogie  (with  P  or  Banjo),  It  will  cause 
unpleasantness,   a   4, — . 

Selection  (W^  illiam  Small  wood) 
4/—,  (Dan  Godfrey)  5/—,  VP  (.\. 
L  e    J  e  u  n  e)    5/^. 

Lancers   4/ — . 

Polka  4/—. 

Quadr.  4/ — . 

Waltz  4/—. 

Hush !    the    Bogie,      for     Banjo,     2Banjos. 

BanjoP.   Voice  and    Banjo    (Clifford 

Essex)   4/—;  G,  2G,  Voice  and  G    (W. 

Nice)     4/ — :    MandG,    MandP     (Nice 

W.)     4/—. 
Hush !   the  Bogie,  &  Carmen 

Lancers    4/ — ,    Quadr.    4/ — , 

Waltz  4/—. 
Hush!   the  Bogie,  &  Carmen   up  to   Data, 

Waltzes,  Lancers  or  Polka,  FullO  1,6  u, 

sept.    1/ —  n,   extra   parts   — ,3  n. 
Smugglers'  Lullaby,  and  Hush !  the  Bogie, 

VP  with   H  or   Org  ace.   ad   lib.    (P  a  - 

p  i  n  i )    4/ — . 

-  Christmas  Day  4/ —  Ascherberg,  — 40  Brai- 

mird. 

-  Confirma     lioc    Deus,    solo    or    chorus 

Boosey. 

-  Continoug  4/ —  Cramer. 

-  Danso    des    petits    Bergers,    tarantelle, 

4/ —  Ascherberg. 

-  Danses   Sylvia,   P  4/ —   Ascherberg. 

-  Diffusa,  quart,  or  chorus  — /I   Boosey. 

■  Domine    convertere,    solo    and    chorus    — /I 

Boosey. 

■  Domine   in   auxiliuni,   solo  and  chorus  — j\ 

Boosey. 

-  Don't  think  less  of  me,  darling  4/ —  Ascher- 

berg. 

-  England   up   to   Date   4/ —  Ascherberg. 

-  Fashionable    villain    4/ —   Ascherberg. 

-  Faust,    up    to    Date,    Voc.    score    5/ —  u, 

P  score  3/ — n  Ascherberg  : 

The  dawn  of  Love,  I'm  a  simple  little 
Maid,  Jewel  Song,  For  you,  Serenade, 
I  wooed  my  Love,  Up  to  Date,  Suit  the 
action  to  the  word,  I  shall  have  'em, 
Mc.  Carthy's  Widow,  Donegal,  'Ave  a 
glass,  won't  yer?,  A  Soldier  born.  Ano- 
ther, I  raise  an  objection  to  that  (duet) , 
1  was  there  as  well,  I  didn't,  I  couldn't, 
I  wouldn't,  a  4/—.  For  You,  FullO  1/6  n. 

Selection,  P  (W  m.  S  m  a  1 1  w  o  o  d)  1/—, 
(Boyton  Smith)  5/—,  VP  (P  a - 
pini)  4/—  Ascherberg,  Operatic  selec- 
tion, FullO  3/4,  octuor  2/8,  extra  parts 
— /4  Hawkes. 

Lancers  4/—,   FullO   1/6  n,  sept.   1/— n. 

45* 


/I 


r 


Lutz  M.  W.  Faust 


708 


Lutz  M.  W.  Ruy  Bias 


Pas  de  quatre,  dance,  P  — 50  Brainard, 
P(Jims)  4/ — ,  Banjo  4/ — ,  BanjoP  4/ — , 
3 Banjos  4/—,  VP  (Papini)  4/—,  Z 
(Felix  Lohr)  4/—,  (Jos.  Sturm) 
4/—,  FuUO  1/6  n,  sept.  1/—  n,  mO  2—  n 
Ascherberg. 

Pas  de  quatre,  introduced  into  the  Bur- 
lesque,   P    2.50  n    Ilachette. 

Pas   de   quatre,   Skirt   dance  — 40   Ditson. 

Skirt  Dance  — 35  Fischer,  — 40  Gordon, 
—10  Nat.  Music  Co.,  —30  Willig,  V 
—10  Brainard,  VP  (H.  L.  Maxcy) 
—30  Brainard,  (M  a  y)  — 35  Willig, 
—40  White,  FIP  —30  ^Brainard,  VCo'r- 
netP  —50  White;  (H.  L.  M  a  x  c  y)  VG 
—30.  2VG  —40,  2VP  —40,  T/G  —30, 
CIP   __30,    .9f/G    —40,    2CIP   —40,    FZfJ 

—30,    Fzr/r;  — 40,    ficip  — 40,    fzfo 

—40,  FIVP  —40,  FC/r?  —40,  TCZ/*  —40, 
VCIFIG  —50,  VVIFIP  —50,  FFZ  —20, 
yCZ  —20,  yil/ancZ  —20,  ?2V  —20,  FiGV 
—20,  FlMand  —20,  ClMand  —20,  2(7 
—20,  (by  H.  L.  Maxcy)  Mand  —10, 
3/a«dG  —30,  2MandG  —40,  .l/o«dP 
—30,  2MnndP  —40  Brainard,  Z  —20 
Fischer,  (arr.  by  Converse)  i  or  2 
Kar/yos  —25  Gordon,  0,  10  parts  —60,  J// 
par^s  —80,  FiillO  1—  W/ftie,  »iO  —50 
Fischer,  White,  (arr.  by  Tobany  & 
Wagner  J.  F.)  Vienna  Dudes  (Gi- 
<,-erl  March),  FiiJlO  1—,  IJ,  Instr  —80, 
72  Instr  —60,  P  —15,  wO  (Peeves) 
— 50  Fischer. 

Valse,   FnllO   1/6  n,   Sept.   1/— n. 

Valse  de   Quatre   4/ — . 

Waltz,  FuUO  1/6  n,  Sept.  1/— n,  mO  2/— n. 
bW    1/6  n,    extra    parts    — /3  n    Asc/je/ - 
berg. 
Forty   Thieves,    lancer    4/ —    Francis. 
Frankenstein,    Voc.    score   5/ —  n.    The    Dis- 

pensarj^    Doctor,    irish    song:    One    of    tlie 

Boys.      It's    a  funny    little   way    I've    got. 

Sworn   In.   Special   Constable's  Song.   Love 

in   the   Orchestra,   a   4/ —   Ascherberg. 

Friendship,    80   4/ —   Chapjjell. 

Gaiety,  raaz.   4/ —  Cramer. 

Galanterien,  waltz  4/—,   FuUO   1/6  n,   Sejit. 

1/ — n,    single    parts    — /3  n    Cramer. 
Gloria    et    lionore,    quart,    or    cliorus    — 1 

Booseg. 
Golden  Memories  4/ —  Francis. 
Hand  over  hand,  lancers,  P  4/—  Ashdouii. 
Hangelina  4/ —  Cramer. 
He  always  came  home  to  tea  4/ —  Cramer. 
Jllumina,   8  or   chorus   — /I    Boosey. 
In   the   speravi,   T  &   chorus    ad    lib.     — /I 

Boosey. 
.le  suis  uu  grand  detective  4/ —  Ascherberf). 
Jubilate,    Sunday    within    Octaves,    chorus 

— -fl    Boosey. 
Jubilate,  4th   Sunday  after  Easter,   chorus 

-r-/l  Boosey. 
Justus    ut    palma,    quart,    or    chorus     — 1 

Boosey. 

I.,ady   Clara,   qtiadr.    3 —  Cramer. 
].,ittle    Doctor,    Faust-Quadr.    Pf^ms)    i/- — , 

FuUO  1/6  n,  Sept.  1/ — n,  single  pts.  — /3  n 

Cramer. 


-,    Sept. 
serio-comic   fantasia.    /*   4;  — 


-  Little    Jack    Sheppard,    quadr. 

1/4  n,  0  2/—  n   Williams. 

-  London   Life : 

Ascherberg. 

-  Lover's   Alphabet  4/ —  Cramer. 

-  Many  weary   years   ago   3/ —  Francis. 

-  Merry-Go-Round,      mus.     comedy,     libretto 

— /6  Francis. 

-  Merry  little  Maiul   2/6   Ascherberg. 

-  Mikado,  pas  de  quatre   1 —  n  Mariani,  1^0 

Bevilacqua. 
-Monte    C  h  r  i  s  t  o    I  r.    Ascherberg :    Voc. 
score  5/ —  n,  P  score  3/ —  n. 
Ballyhooly.      I'm    a    jolly    little    chap    all 

round.     Je  suis   un   Grand  Detective,   a 

4/—. 
Ballyhooly    Marcii    4, — ,   FuUO   2  8,    Brass 

Band  2/—. 
Lancers  4/ — . 
Patrol  March  4/—,  0  or  mO  5/—  n,  FuUO 

1/6  n,  Sept.   1/^ — n,  extra  parts  — :.'3  n. 
Polka     4/—,     0    1/—,     FuUO    1/6  n,     Sept. 

1/ —  n,    extra    parts   — /3  n. 
Waltzes    4/—,    FnllO    21— n,    Sept.    1/— ii. 

-  Motets   for   the   Year.    74   nos.   a   —/I.  or    1 

vol.  7/6  Boosey. 

-  Mount   Forest,    waltz    4  —    Cramer. 

-  My   Lily   3/ —   Francis. 

■  Now  de  eyes  I  lubb'd  am  flown  4/ —  Ascher- 

berg. 

-  Our   boys   4/ —   Chuppell. 

-  Oyuchasan     (Belle    of    Japan).    Banjo    ace 

4/ —  Ascherberg. 
-Pas  de  Quatre,  engl.  danse  (vide:  Faust, 
up  to  Date),  iq —  Ascherberg,  — 25  Bessel. 
—80  Fe:cis,  —60  Hals,  —20  Nord.  Mumk- 
f  or  lag,  — 25  Gutheil,  Gebethner,  Lyr<'. 
Xlmmermann,  erl.  — 20  Lyre,  — 60  War- 
inuth,  lyms  4—,  Mand  (or  VJP  2/— ji. 
(Sam.  Haeburn),  1  or  2Banjos  (P  ad 
lib.)  4/—,  FuUO  l(:6n,  Sept.  1/— n,  mO 
2/ —  n,  blO  1,6  n,  extra  parts  — /3  n  Ascher- 
berg, 4ms  —40.  VP  —50,  MandP  —50, 
T',  Mand  a  — 25.  niO,  Part  1 — n  Zimmer- 
mann. 

-  Reges    Tharsis,    chorus    — ,  1    Boosey. 

-  Return    of   the    Exile    3/ —   Francis. 

■  Roll     Call,     descriptive     fantasia,     P     4/ — 

Ascherberg. 

-  R  u  y    Bias   and   the    Blase    Roue.    Ascher- 

berg: Voc.  score  5/ — n,  P  score  3/ — n. 

The  Cro.ssing  Sweeper's  Love.  What  prio- 
that?  Nice  Boy.  Very  extraordinary, 
isn't  it?  Don't  know.  In  Dreamland. 
The  Flower  Song.  The  Song  of  my 
Heart.  Stick  to  the  whisky  you're  used 
to.  The  Whistling  Lullaby.  I've  just 
had  a.  wire  to  say  so.  Ma's  Advice  and 
Pas  de  Deux.  Johnny  Jones  and  hi> 
Sister  Sue.  Razzle  Dazzle.  Espanitii. 
Glad  to  get    back,   a  4/ — . 

Selection,   P    (W  m.   Small  wood)    4/-. 
(Boy  ton   Smith)    5/—,   Operatic  Se 
lection,  8  vo,  FuUO  3/4,  Octuor  2'S,  ex- 
tra parts  — /4,  P  —,'8  Hatches. 

Danses  Sylvia  4/ — . 

Espanita  Valse,   FuUO   1/6  n,  Sept.   1/ —  n. 

Lancers  4/ — ,   Sept.    1/ — n. 


Lutz  M.  W.  Riiy  Bias 


709    — 


Luvini  F.  Pioggia  di  fiari 


n. 


Let ty  Lind  Waltz  4/—. 
Pas  do  Deux  4/—,  Sept.  1/- 
fluy    Bias    Waltz    4/—. 

-  ShQwnian'.s   Song  4/ —   Reynolds. 

-  Si    ambulavero,    B    L    chorus   ad    lib.     — /I 

Boose  XI. 

-  Song  of  my  heart  4/ —  Ascherberg. 

-  Song  that  I  loved  long  ago  3/—  Fmncis. 

-  Stella   7.50   Socictc  nouvelle. 

-Tantum  Ergo,  SATB,  8vo  —20  J.  Fischer. 

-  Tantuni  Ergo    (E-flat),   0   on   hire.     -/.  Fi- 

■icher. 

-  Three  Jolly  Cobblers,   descript.   hum.  polka 

4/- —  Ascherberg. 

-  Timebunt.  chorus  —/I   Booscy. 

-  Under   the  Linden    Tree   2/6  Ascherberg. 

-  V'lT    erat   Hus,    chorus   —/I    Booose.y. 

-  Watersprite    3/—    Chuppell. 

-  When    all    the   World    is    young,    Lad    4  — 

Francis. 

-  Whistling   lullaby   4/—  Ascherberg. 

■  Young   Cupid    is   King   4/—   Francis. 

-  Young    Era    Diavolo,    quadr.    PfJfinsJ    4/— 

Orarwor. 

-  Zanzibar,     quick    march.     Full    Band 


2/8, 

Med.   Bund   2,—,   sO    1/4,   extra   parts  —2 

Flaivkes. 
Lutz    Meyer    W.    &    others,    Cinder -El 

>  e  n   up  too  Late,  Voc.  score  5/ —  n,   P 

score  3/ —  n  Ascherberg  : 

Selection,   mO   15/ —  Kudall. 

Bright  little  glass  (in  E,  F,  and  G).  In 
love  with  the  man  in  the  moon  (solo  & 
duet).  Oyuchasan.  Ta-ra-ra-Boom-de- 
r^  (original  and  gaiety  version).  My 
Cigarette,  a  4/ — . 

•Tola  (Jolanthe  Dance)  4/—,  Sept.  1/— n, 
ui.    0   or    FullO    1,6  n. 

Pas  de  Fascination,  P  4/—,  FullO  1/6  u, 
Sept.    1/ — n. 

Quaker    Dance    4/ — . 

Valse   4/—,   FullO    1/6  n,   Sept.    1/— n,    mO 
2/—  n,    blO    1/6  n,    extra    parts   — /3  n. 
-r)on      Juan,       Ascherberg:      Voc.      score 

."/ —  n,   P   score   3/ —  n. 

Will  o'  the  Wisp  (Duet).  Bathing.  Tur- 
kish Lullaby.  For  the  Archipelago. 
Comme  Ca  (E.  Solomon).  Ladies 
of  Cadiz.  Linger  longer.  Loo  (S  i  d- 
ney  Jones),  D,  F,  and  G.  Ditto, 
-ft-itii  Banjo  ace.  or  for  2  Banjos.  Liu- 
o-er  longer,  Loo,  with  French  words. 
Linger  longer,  Loo,  with  German  words. 
Ditto,  as  a  P  solo.  Viens-ci,  Viens-la, 
Lou.  Down  on  my  luck.  Some  do  it 
this  way.  The  Cliuck.  Cock-a-doodle- 
do.  Don't  think  less  of  me,  darling 
(Duett).  Candle  and  the  Moth  (Duet). 
Do  not  trust  him.  Not  a  word,  topical 
duet,   a   4/—. 

■<3omme  Ca  March  4/—,  mO  1/6  n,  blO  1/6  n. 

Linger  longer.  Loo  Barn  Dance  4/ — ,  Full 
0  1/6  n,  Sept.  1/— n,  mO  2/— n,  blO 
1/6  u. 

L-inger  longer.  Loo  March  4/ — ,  mO  2/ —  a, 
llO    1/6  n,   DrumFife    16  n. 

longer.     Loo    Valse     4/ — ,     FullO 
1/6  n.  Sept.  1/— n,  mO  2/—n,'blO  1/6  n. 


Linger   longer   Loo,    VP  4/ — ,   MandG    (or 
as  a  Song  with  G  ace.)    4/ — . 

Pas  de  Cinque,  P  4/—. 

Pas  Seul,  Pi/—. 
Lutz    Rosa,  Hoch   dem   Kaiser!    Marsch   1.80 

Bosicorth. 
Lutz  S.   M.  Garland  of  Song  — 50  Ditson. 

Lutz     T.      Fantaisie     japonaise,     2FlVVcP, 

Harpe   10 — n   Quinzard. 
Lutz   Wilh.   op.   12   Friihlings-Erwachen   1  — 

Hofnteister. 

-  19   Kondoletto,   P  — 50   Brainard, 

-  21    Nokturne,   P   1.50   Henkel. 

-  22    Zwei    Lieder :      Es    hat    die    Nachtigall. 

Nun    bliihen    sie,     die     Bliimlein     all'  .  1 — 

Henkel. 
-24  Larghetto,   PV  2—  Henkel. 
Lutzau  S.  V.  op.  10  Fiinf  Lieder  ohne  Worte, 

P   2.50:    Nr.   1.   Rulie  am   See  —80.   Nr.   2. 

Sois  comme  I'oiseau  — 60.  Nr.  3.  Der  triiu- 

mende  See  — 60.  Nr.  4.  0  stille  dies  Ver- 

langen  — 80.  Nr.   5.  Vergifimeinnicht  — 6(t 

Brauer. 

-  11    Invitation   a  la   Polka   1 —  Brauer. 
-12    Caprice    (Neckereien) ,      P    1 —   Brauer, 

— 30   Jurgenson. 

-  13  Polka  brill.  1 —  Brauer,  — 30  Jurgenson. 
Lutzen   H.   Priere,   av.   ace.   de    Vc(Org)   6 — 

Heugel. 
Luvini   F.  Mariuni:  Album  del  Pianista  ele- 
gante,  3   ballabili,   ^ms   8—:    N.  I.   II   Na- 
tale,    mazurka    3—.      N.  2.    Capo    d'anno, 
polka    3 — .      N.    3.    Epifaniu,    valzer   6 — . 

-  Buona   festa  2 — . 

-  Canotie   del   Po    1 — n   Blanchi. 

-  Capou    d'anno,    polka,   4»is    3 — . 

-  Care   rimembranze,   notturno,   P  4 — . 

-  Catena  di  rose,  maz.  2—. 

-  Diavolino  !    Polka   2 — . 

-  Dolce  catena,  P  2.50  Perosino. 

-  Dolce  Ricordo,  maz.  2 — . 

-  Esposizione,   polka   2 — . 

-  Eterna  primavera,   maz.   2 — . 

-  Felicina,   polka   2 — . 

-  Festa    villereccia,    Ricordo    di 

galop   brill.   Jfms   5- — . 

-  Fiori  di   Campo,  polka  2.50. 

-  Gioie   celesti,    capriccio    in    forma. 


Buttiglieni, 


di    maz. 


o — . 


Linger 


-  Ispira/ioui    italiane,   2   melodic,   P   5—:    N. 

1.  Murazzo,  impressioni.  2.  Aurora,  a  3 — . 

-  Lieti  auguri,  maz.   di   concerto  3 — . 

-  Maria,   polka   2 — . 
-2   Mazurke   1.50. 

-  Most-     (Rossini),    divert,     'iins    5 — . 

-  Natale,  Jims   3 — . 

-  Neuve    Legi    — 75  n    Blanchi. 

-  Non  ti  scordar  di  me  3 — . 

-  Nuccia,    Jf/ns   3 — . 

-  Ora   d'Turin   e  I'ora   d'Roma    1.50. 

-  Pavana    (Dancing   in   the   Barn)    3- 

sino. 

-  Pianista  improvvisato,  breve  corso  teorico- 

pratico  di  musica  applicata  al  P  (testo 
italiano  con  aggiunte  in  francese  e  casti- 
gliano)    15 — . 

-  Pioggia    di    fiori,    studio-mazurka    4 —    Pe- 

rosino. 


Peru- 


Luvini  F.  Primo  suceesso 


710 


Lux  F.  op.  72 


-  Primo  successo,  ^vis  3 — . 

-  Prendi  il  mio  fior  2 — . 

-  Quel   ch'io   vorrei   2.50. 

-  llegata,    rimembranza    del   Lagro   Maggiore, 

polka   2.50. 

-  Rimembranze  di  Crea,  maz.   2—. 

-2  Romanze:     1.  Si!  2.  La  Margheritii  3.50, 
a  2—. 

-  Rosetta,  polka  2 — . 

-  Kosilde,  jiolka   brill.   2 — . 

-  Sangue   canavese   4 —   Perosino. 

-  Scale   del    dilettante,    esercizi    in   forma   di 

Preludi  in  tutti  i  toni  per  la  ma  no  destra. 
P  3—. 

-  Sempre    avanti,    2    pice,    polke,    'ims    4 — .    a 

2.50. 

-  Sempre  conte  !    Maz.   2 — . 

-  Serate   danzanti,   album   8 — :    N.   1.   Diavo- 

lino,  polka.  2.  Dolce  ricordo,  mazurka. 
3.  Felicina,  polka.  4.  Sogni  rosei,  ma- 
zurka, ft  2—.  N.  5.  Sulle  rive  della  Dora, 
valzer  4 — . 

-  Siate   felici,  polka   2 — ,   4^ns   3 — . 

-  Silvia,   melodia,   P  3 — . 

-  Sogni   rosei,   maz.   2 —  Mariani,  2.50   Pero- 

sino, MandP  3.50,  MandChit  1.50  Pero- 
sino. 

-  Sospiri  furtivi,  melodia,  P  2.50. 

-  Souvenir  de  Viil,   polka,   J/ms  2 — . 

-  Stelle  d'amore  4 —  Perosino. 

-  Stessa,   maz.   2 — . 

-  Stessa,  polka   2- — . 

-  Stesso,   riduzione   facile   7 — :    N.   1.    Diavo- 

lino,    polka.      2.    Dolce    ricordo,    mazurka. 

3.  Felicina,  polka.  4.  Sogni  rosei,  ma- 
zurka. 5.  Sulle  rive  della  Dora,  valzer, 
a  2—. 

-  Stesso,  valzer  2 — . 

-  Stille   di    rugiada,   melodia,    P    3.50. 

-  Studio  class,  e  dilettevole  del  P  10 — ,  parte 

1  a  &  2  a  4  6 —  Perosino. 

-  Sulle    rive   della    Dora,    valzer   4 — . 

-  Ti    voglio    bene    per    l/2S{Bar)    2.50    Pero- 

S'ino. 

-  Ti  voglio  bene  per  ST  2.50  Perosino. 

-  Tre   Grazie,   studio-maz.   4.50. 

-  Un    Fior    d'ltalia.    valzer    3.50. 

-  Un  Fiore,  polka  brill.   1~. 

-  Un   Sorriso,   polka   2 — . 

-  I'na  Scommessa,  maz.  2 — . 

-  Visione   3 —  Perosino. 

Lux  Alfred,  Nininchen-Walzer :  „Niniuchen 
hat  ein  Rundgesicht",  Couplet  1—  0. 
Dietrich. 

Lux    Edward,      Sharp-shooters    March     4/ . 

BanjoP    2/— n    Sheard. 

-  Thirteenth   regiment  march  —40  Ditson. 
Lux    Friedrich     (1820—1895),     op.    6     Funf 

Lieder:  1.  Stiindchen :  „Komm,  Liebchen". 
■i.  Blumen  und  Sterne:  ,,Wohl  eine  Nelke". 
■i.  Ich  seh'  nur  dich :   „Wenn  der  Abend"! 

4.  Ich  mochte  niederfallen :  „Du  bist  so 
mild".  5.  Du  wundersufies  Kind:  „Icli 
machte   wohl"    1.80   Ileinrichshofen. 

-9   Marschlied,   TTBB    1.50   Schott. 

-  19      Germania,      grofier      Festniarsch      zu 

Arndt's      und      R  e  i  c  h  a  r  d  t's      Vater- 


landslied,  gr.  0  4.50  n,  P  1 — ,  ^ttts  i.-o^l 
Schott. 

-  20    Improvisationen    iiber    Themas   aus    Fi- 

garo's Hochzeit  von  Mozart,  P,  Nr.  1 
bis  2  Ti   1 —  Forberg. 

-  27   Deutsche   Hymne,    f.    Mannerst,   Soto    u. 

Chor  m.  H,  0,  Part  7.25.  KA  1.75,  St  — ^<» 
Scliott. 
■  28    Burschenstandchen,    TTBB    &    Soli    2— 
Schott. 

-  29    Fautaisie    de    concert    sur    „0    Sanetis- 

sima".  Org  1—  Schott,  —80  J.  Fischer, 
PipcOrg  — 60  Ditson. 

-  30   Ave    Maria    (F.    Schubert),    VcUoH 

2.30  Cramer,  VcHafPJH  3/—  NovelLo,  6,— 
Schott,  VcHaOrg  2—  Cranz,  BWcBOrn 
2—  Cranz,  gr.  0,  Part  1.20  n,  St  2.40  ti 
Schott. 

-  32  Romance   de   I'op.   Casilda,   transcr.   Or-/ 

—50  Schott. 

-  33    Morceau    de   concert    sur    la    Priere    rle' 

Robin  des  bois   (Der  Freischiitz) ,  Org  — 75 

Schott. 
-34  Nr.   1.   Auf  zur  Freude.  TTBB  2—.   Nr. 

2.  Der  liebe  Preis,   TTBB  1.50  Diemer. 
-35     Tafellied      mit     Chor-Refrain :     Schart 

euch   — 50  RiUile. 

-  40  Ruhe  in  der  Geliebten,  4  Miinuerst.  Pa  rr 

—50,  St  a  —25  Schott. 
-42  Wie  gerne  dir  zu   Fufien   1—  RUhlc. 

-  45  Wichtige  Erliudungen,  Duett,  BarB  ;j..">fp 

Ries  d  Erler. 
-51    Vier   Klavier.stucke,   Heft   I— II    A    !..>(• 
Ries  d  Erler. 

-  52    Konzert-Variationen     iiber    ein    Thenia 

(the    Harmonious    Blacksmith),    v.    H  ii  u- 
del.   Org   1 —  Schott. 

-  53  Konzert-Fantasie  iiber  L  u  t  h  e  r's  Cho- 

ral  „Eine  feste  Burg",   Org   1.25  Schott. 
■  55  Grofier  religioser  Mar.sch  zur  ErOffnung 
von  Kirchenfeierlichkeiten,  Org  1 —  SchoH. 
56   Konzert-Fuge,    Org    1.50   Schott. 

-57    Lied    ohne    Worte     (Kauon),    Oig    1  — 
Schott. 

58  Quartett,   2VVaVc  5—  Peters. 

59  Hymne :  „Ert6ue  feiernder  Gesang'*",  S- 
Solo,  TTBB  u.  Org  2—  Schott. 

60  Andante  iiber  die  Choralmelodie  „Wie 
schcin  leucht'  uns  der  Morgenstern",  Org 
Vc(Horn)    1.75   Schott. 

61  Konzertstiick,  Org2U6rner3Pos  4.7-5 
Schott. 

62  Wald-Kantate,  SATB  m.  Blasinstri P  I, 
Part  3.25,  Instr-Si  3.25,  Chorst  3  — 
Schott. 

63  Geistliches  Lied  ohne  Wort«,  Org  1  — 
Schott. 

64  Fantasie  pastorale,  Konzertstiick.  Org 
2.50  Schott. 

65  Wurdt   der   Frauen,   TTBB   3—  Dirmer. 

71  Zwei  heitere  Quartette,  TTBB  2—  />i.- 
mer. 

72  Missa  brevis  et  solemnis,  SATB-S.  OOrg 
(HJstOOrg,  0,  Part  15—  S.-St  —30, 
Chorst  2.40,  OrgfII)-St  —50,  Str-Quart.- 
St  3.30,  Org-St  1.50,  daraus  Benedictu;^, 
^•-S.  38t.  SSMSAOrgfHJ,  Part  —50,  S.-8t, 
Chorst    a   — 10   Diemer. 


Lttx  F.  op.   77 


711     — 


Luzzatti  A.  Conte  hlcu 


IUcnier. 
— 90   Diemer. 
SATB    1.10 


l)i 


Dk 


Nr. 


PfHa) 
Weihe- 


77  Drei  Lieder  aiis  der  Minnezeit,  TTBJi 
1,80  Diemer. 

78  Hymnus :  „Sch\vingt  heilige  Gedaiiken 
euch  von  der  Erde  los",  S-Solo  u.  TTBB 
m.  Org(H)Ha(P),  Part  2—,  Solost  —30, 
Ha-&t  —30,    Chorst   —80    I>iemer. 

80  Zweiter  Satz  aus  der  Cboral-Symphonie 

„Durch  Nacht  zum  Lieht".  POnj  1.60,   Vc 

Org   1 —  Diemer. 
84    Zwei    Miinnerchore -.       1.    Vater    unser. 

2.  Ich  deuke  dein,  a   1 —   Kistver. 
86    Mein    Gau    am    Rheiii.    TTBB    2- 

mer. 
88  Trinklied,   TTBB   I— 

93  Ileiliges   Lied,   BATB 

94  Drei    Sonutag.sIieder, 
mer. 

96  Nr.   1.  Sonntagsmorgeu,  TTBB   1 
2.   Grufi,   TTBB   1.30   Diemer. 

97  Andante  con  moto,  VcOrnfll )   u. 
1.80  Diemer. 

100    Paraphrase    iiber    M  o  z  a  r  t'.s 
lied,    Vc   u.   Org(H)   —80   Diemer. 

Adagio  von  L.  S  p  o  h  r.  Org   1 —  Schott. 

Allein!:  „0  dii  mein  letztes  tenres  Guf 
i—  Ruhle. 

Andante       (Beethoven), 
Schott. 

Benedictu.s      (Beethoven) 
8cbott. 

■!  Choralfautasien  f.  Org  zum  (^lebvauoh  bei 
Kirc'henfeierliehkeit.eu  und  in  Konzerten  : 
Nr.  1.  Choral:  Gott  des  ITimmels  und  der 
Erden  2.50.  Nr.  2.  Choral:  Auferstehn,  ja 
auterstehn  1.75.  Nr.  3.  Choriil:  Allein 
Gott   in  der  Hoh'   1.75   i<chott. 

Concerto    (Handel),   Org    1.75   tichoii. 

Die  drei  Lebensmfiden,  Terzelt  in  Form 
eines  Opernpotpourris.  T-iB  4..'i0  Rich  tt 
Brier. 

Die  Ehre  Gottes  aus  der  Natur  (Beetho- 
ven), TTBB  m.  Blechin.str  u.  Org,  Pari 
—50,    Instr-St    —75,    Chorst   — 50 'Schotl. 

Kine   Tanzstunde,    Duett,    TB    3.50 
Erler. 

Fantasia,   PHV(Vc)    6/—  Novello. 

F  r  e  i  8  c  h  u  t  z,   Gebet,   PYcII   2.25 
(Prayer)    2/3   Novella,   0   2.40  n 


PHVc        4  (i 


/M'/y 


Riefi   d- 


»S'c/(of^ 
Schott. 


Athen,    Ouvertiire,    Jims    1.20 


P'iirstin    von 

Diemer. 

Gebet  um  Frieden  ^50  Schott. 
Geistliches  Lied:   „Empor,   enipor   zu   ihm", 

m.   Org(H)    1 —   Kistner. 
Hochzeitsmarsch   — 50   Diemer. 
K  a  t  h  c  h  e  n     von     H  e  i  1  b  r  o  n  n,    Oper. 

KA    10— n    Diemer,    Fant.    PHV(Vc)    6-- 

i^chott. 
Kronungsmar.sch,    zur    Kronung    Sr.    Maje- 

(stiit     Wilhelm     I.,     Konig     von     Preufien, 


//n?.S'   4—.    0,    Part 


Preiskomposition    2.50, 

11—,  St  20—  Bote. 
1    Lieder    ohne    Worte     von     M  e  n  d  e  1  s- 

s  u  h  n :      Nr.    1.     Friihlingslied     (op.     62) 

•i — n.    Nr.    2.    Spinnerlied    (op.    67)    4.50  n 

Schott. 
Marche  cel&bre  de  la    lie  suite,  op.   113   de 

F  r.  L  a  c  h  n  e  r,  Org  1 —  Schott,  Pipe-Org 

— HjO  DiisMi. 


-Meditation  (Ave  Maria)  sur  le  ler  Prelude 
de  J.  S.  B  a  c  h  par  C  h.  Gounod,  Org 
— 75  Schott. 

-  M  e  i  s  t  e  V  s  i  n  g  0  r       a-  o  n      N  ii  r  n  b  e  r  g 

(P.  Wagner),  Eiuleitung  ziim  3.  Akt, 
Org  1 —  Schott,  Vor.spiel  u.  Quint,  des 
3.  Aktes,  PVVcH  3.50  Schott,  Vorspiel. 
PVVcH  8/—  Schott. 

-Melodies  de  F  r.  Schubert,  PVcf'V)  et 
Org-Melodium,  Org-Melodittm  et  P  (Voyez 
F  r.  S  chube  r  t)^     Schott. 

-Mes.sias  (Handel),  3  Stiieke:  Chov : 
„Ehre  sei  Gott!"  Arie :  ,,Er  weidet  .^eiiie 
Herde  !"  Chor :  ,,Halleluja  !"  in  Form  einer 
Sonate,   Org  2—  Schott. 

-  70    Morceaux    de    C  h.    R  i  n  c  k,    choi.'?is,    If 

(on    Org   sans   pedales)    3 — n   Schott. 
-Oberon    (Weber),   on  v.   J/^nsHVVc   8/ — 
Schott. 

-  Schmied    von     Ruhla.      Daraus :    Introduk- 

tionsclior.  SATBP  gr.  0,  KA  —80,  St  —40. 
Jiigerchor,  TTBBP(H),  KA  1—,  St  —60. 
a  —15,  ^-St   1.50  Diemer. 

-  Trinkers    Liebe,    heiteres   Lied    1 — -   Rien   c(- 

Erler. 
-Trinklied:    „Ein   Junggesell  mufi  trinken"', 
TTBB,  Clior   u.   Solo,   Part:   siehe  Sangvr- 
lialle  III,  Lief.  II,  St  — 60  n  Leuckart. 

-  Trio,  PVVc  8—  Schott. 

-  Variationen    a.    d.    Kaiserquartett    von    -T. 

Haydn,   Org   1.25   Schott. 

-  Wacht   am   Rheiu,   von   C.   W  i  1  h  e  1  m,   gr. 

Marsch   — 75   Schott. 
-William    Tell     ( 11  o  s  s  i  n  i) ,    Ouv.    /'// 

S —   Schott. 
Lux    Georg    Heinrich,    op.    1    Ach,   wie    isis 

moglich   dann,   TTBB   1 —  Dietrich. 
Luya,      6     Variations     sur     un     thfeme     di- 

P  1  e  y  e  1,    VcBasse  — 80  Simrock. 
Luz    Carl,    Die    er.sten    Veilchen,    Idylle,     Z 

— 50   Bosuorth. 
Luzi,       Fantaisie    sur:     I    Due    Foscari,     dt- 

Verdi,  P  2.50  n   Cottrau. 
-San    Carlino,    tarantella,    P    1 — n    Cotfran. 
Luzi    L.    M.    Tarantella-Finale    nella    Fe.sta 

dell'Archetiello,  P  2.50  Ricordi. 
Luzzani  P.  Ricordi:  Album  di  Ballabili  5 — : 

N.    1.  La   Beneficenza,   polka.  1 — .  N.  2.   II 

Pensiero,    valzer    1.50.    N.    3.    La    Ferrata, 

polka,  4.  La  Pastorella,  mazurka,  5.  Sem- 

plicelta,   schottisch,    6.   La   Ritro.sa,   polka. 

a   1—. 

-  Beneficenza,    P    1 — . 

-  Ferrata,   P   1 — . 

-  Pastorella,  P  1 — . 

-  Pensiero.  P   1.50. 
-Kitrosa,  P   [—. 

-  Semplicetta.  schott.   1 — . 

Luzzatti  A.  op.  7  Elegie,  VP  2 —  n  Oiudici 
d;    Strada. 

-  8    Feuille    d'Album,    VcP    2.25  n    Giudici   »(■ 

Strada. 

-  9    Chansonnette,      VcP     2.25  n     Giudici    d- 

Strada. 
-10    Romance    en    sol,    VP    2 — n    Giudici   d 

Strada. 
■  Conte  bleu,   intermezzo-valse,   quint,  a  cor- 

des  av.  P  cond.     Salahert. 


Luzzatti  A.  6  Melodic 


712 


Luzzi  L.  op.  58 


-0   Melodie   10 — :   N.   1.  Pensiero  2 — .  N.   2. 

Fior   di   Campo   2 — .   N.   3.   Tramonto   2—. 

N.   4.    Voiis    souvient'il    Mavie?    3 — .   N.    5. 

Serenata  2 — .  N.  6.  Eisveglio  3 —  Mar'mni. 
Luzzatti   S.  Myosotis,  valzer  4 —  Marianl. 
Luzzatto    Arthur,      FreudvoU    und    leidvoll, 

Polka-Mazurka   — 80    Bosivorth. 
Luzzatto    Ernesto,    op.    20    Mazurka    brill. 

•^ — -  u    Ricordi. 
■  22    Chanson-Gavotte    2 —    Huinauer. 

-  23    Fanl^asia   Unghere,    P   2.50  n    Ricordi. 
-25  Trois  Morceaux,  P:  N.  1.  Serenade  2 — . 

N.   2.   Adieu   2.50.   N.    3.    Sublime   silenzio 

3 —  Carisch. 

-28  Valse  fantaisie,  I'  1.50  Lettckart. 

-35  Quattro  Studi  in  forma  di  Fantasia,  P : 
K.  1.  Elegia  (Mi  minore)  2—.  N.  2.  Per- 
petuum  mobile  (Re  maggiore)  2.50  n.  N. 
3,  Sognando  (Do  diesis  minore)  2 —  u. 
N.  4.  Studio  d'Ottave  (Si  bemolle  mag- 
giore)   2.50  n   Ricordi. 

-  36    Illustrazioni    musicali      del    Quadri    di 

Giacomo  Favretto,  P :  N.  1.  II  traghetto 
della  Maddalena  1.25  n.  N.  2.  Mercato  di 
San  Polo  1.25  n.  N.  3.  Listou  odierno 
1.50  n.  N.  4.  Al  Liston  1.25  n  Ricordi. 

-  42   Scale   ed    Arpeggi    in   tutti    i  toni    mag- 

giori  e  niiuori,  tanto  per  principianti 
quanto  per  allievi  avanzati  (Testo  ita- 
liano,  francese  e  tedesoo)  4 —  n  Ricordi. 
-62  Zwei  Stiifke,  VP :  1.  Gebet,  2.  Romanze, 
ii   1 — n  Schmidt. 

-  ^Vl    Liston    Illustrazione    musicale,    P,    del 

Quadro   di    Favretto    1 —   Ricordi. 

-  Bona   fortuna :    Gigia   col   borineto   a   cami- 

nar  xe  un  gusto  (Jo  szrencse)  1 — n,  rid. 
in  tempo  di  marcia,  P  — 75  n,  FlfMand) 
— 25n,   MandfVJP  1— n   Ricordi. 

-  Canzone  della  Cieca,  2 —  Ricordi. 

-  Mascherata,    che    ti    giri    1 —  n,    FlfMand) 

—25    Ricordi. 
-2    Melodie    in    chiavi    di    Sol:      N.    1.    Non 
dimandar!     2.50.    N.    2.    L'ultimo    giorno 
(con  V(Vc)  ad  lib.  4 —  Carisch. 

-  II  mio  cor    (Dallo  spagnuolo)    3 —  Carisch. 

-  Perche?  melodia,  P  2 —  Ricordi. 

-  Petoraler :      I     peri     caldi,    i    peri     1.25  n 

FlfMand)   —25  Ricordi. 

-  Risposta   de   Gigia    (Continuzione   de   Bona 

fortuna):  Pepin!  St6  borineto  1.25  n, 
rid.  in  tempo  di  marcia,  P  — 75  n,  Ft 
fMund)   — 25  n   Ricordi. 

-  Ultimo  giorno,  melodia  con  PVfVc)  ad  lib. 

4 —  Carisch. 

-  Xe  qua  la  trentina    (Pute  vecie)     — 75   Ri- 

cordi. 
Luzzatto   F.   op.  30   Impromptu,   P  4 — -  Ila- 
tnelle. 

-  32  Sonate,  PV  5.50  Bchoii. 

-  35    Pensees    musicales,    P,    I    6 — ,    II    7.50 

flamelle. 

-  37  Trio,   PVVc  5.75   Schotf. 

-40   N.    1.   Extase    (av.   Vc)    (Paroles   franc. 

et   allemandes)    2 —   Hchoft   Frcres. 
-42  VcP:  N.  1.  Romance  6—.  N.  2.  Mazurka 

7.50  Ihimelle. 

-  44  Suite  de  Danses,  impromptus,  Jfnis  5 — . 

:2P  4—,  8ms  4 —  Schott  Frires. 


-51 
-56 
-60 
-61 

a 


P: 

Np. 


&    OrgfP).   av.     I' 
.   Bach),   transcr. 


-45   II.  Trio,  PVVc  10— n  Hame.Ue. 
-47   Serenade,   P   1.75   Hchott  Freres. 
-50   P :    1.   Canzonetta,   2.    Capriccio,   3.   Re- 
verie, a  5 — .  N.  4.  Berceuse,  5.  Barcarolle, 
a   6—  namelle. 

Suite,  P2VVc  7 —  n  Hamelle. 
Sonate,    Vc   7 — n   Bellon. 
Elegie,   Vc  1.70  n  Bellon. 
Morceaux   de   Fantasie,   PVVc:   N.   1,  3 
2.50,  N.  2,  4  a  1.50,  N.  5  2—,  cplt.  4— n 
Zimmermann. 

-  62   Zwei   Vortragsstiicke,    V-Solo   u. 

Gebet    (Pri^re),  2.  Romanze,  a   1 — 
VOru   1.20   C.   F.   Schmidt.  '     " 

-  Adagio,    VPfOry)    2.50  n,    F-s.    gr.  0,   cond. 

-  Aria    de    J.    Raff,    transcr.     VcP    2.50  n 

et  parties  d'O    10 — n   Le   Bean. 
-Aria,    tire    de    la    suite    (D),      ST'P     1.75  n 
Hamelle. 

-  Ave    Maria,    BfBur.    V ) 

ad  lib.  1.50  n  Le  Beau. 

-  Chaconne   pour   F    (J.   S 

2P  4 —  Schirmer. 
-Deux  Soeurs,  Jfms:  1.  cahier :  Romance, 
valse,  serenade,  marche  militaire,  ma- 
zurka, scherzo  7.50.  2.  cahier:  Bolero, 
prifere,  barcarolle,  duo,  gavotte,  marche 
hongroise  7.50  Hamelle. 

-  p;]legie,    d'apres    une    etude    de    C  h  o  p  i  n. 

PVc  7.50,  PVVc  2.50  n  Hamelle. 

-  6   Melodies   3 —  n   Hamelle. 

-5  Morceaux,  P:  N.  1.  Prelude.  N.  2.  Elegie 
(et  S^r^nade)  1.70.  N.  3.  Minuetto  1.70. 
N.  4.  serenade  (et  Elegie)  1.70.  N.  5. 
Gavotte.      Bellon. 

-  Quatuor    en    si    majeur,      PVVaVe    12 — n 

Hamelle. 

-  Suite.  P  3- —  Schott  Frires. 

-  Troisi^me   Trio,   PVVc    10—  n   Bellon. 
Luzzatto  Max,  Transmissionen,  Polka  franc. 

—80   Bostcorth. 
Luzzi    e    Marini,      II    carnovale    di    Torino, 

album   contenente    i   migliori   ballabili,     Fl 

4 —   Mariani. 
Luzzi    Angeio,    Stella    lucente!    — 50,    Maud 

—  10  Uideri. 
Luzzi    Emma,  Alba,  P  1 —  Ricordi. 

Luzzi  Fortunate,  Nel  sesto  centenario  della 
na.-cita  di  Dante  Alighieri,  coro  3.50 
Ricordi. 

Luzzi  Giacinto,  Bei  tempi  antichi,  capriccio, 
FIP   2— n    Ricordi. 

-  Contemplazione,  2VVaVG,  Part  1.25  n.  parti 

staccate    1 —  n,    ogni    parte    stacc.    — 25  n 
Ricordi. 

-  Reihen,    2VVaVc,    Part    1.25  n,    parti    stac- 

oate    1 — n,     ogni    parte    stacc.    — 25  n     P 
— 75  n   Ricordi. 
Luzzi    Luigi,    op.    51    11    ballo    della    fattuc- 
cliiera,  P  2.50  Mariani. 

-  52   Amelia,  polka  2.50   Mariani. 

-  53   Lida,   maz.    2.50   Mariani. 

-  54  IjO  Czar,  valzer  3 — ■  Mariani. 

-  55   Studio  in  sol   min.  P  3 —  Mariaui. 

-  56    luno,    P    2 —    Mariani. 

-  57  Danza  delle  ninfe,  P  2.50  Mariani.. 

-  57a.   Ouverture,   gr.  0   12—  Mariani. 

-  58  Bolero    P  3.50  Marmni. 


Luzzi   L.  op.  59 


713  — 


Luzzi  L.  op.  19') 


65 
56 
67 
69 


72 
73 
74 
75 


59  Lamenli  2 —  Mariani. 

60  Ave   I>Iaria  2 —  Mariani. 

61  Duett ino   2.50   Mariani. 

62  Nella  3 —  Mariani. 

62a.    Un    sogno,    illustrazione     (Kid.    di    V. 
Silvi),  FIP  4—  Mariani. 

63  Romanza,  P  2 —  Mariani. 

64  Cara   niemoria,   P  2 —   Mariani. 
Serenata,   P   2 —   Mariani. 
Marcia  iunebre  4 —  Mariani. 
Angelica,  melodia,   VP  3 —  Mariani. 
riorinda,    polka    2 —    Mariani. 

70  Isotta,  polka  2 —  Mariani. 

71  Silvia,   polka   2 —   Mariani. 
Smeraldina,  maz.  2 —  Mariani. 
Doralice,    maz.    2 —   Mariani. 
Rosaura,  maz.   2.50   Mariani. 
Pasquariello,    valzer    3 —   Mariani. 

76  Maschere  Italiane,  quadr.  2.50  Mariani. 

n  Nenna,  melodia,   P  3 —  Mariani. 

80  Ave  Maria    (lat.)    1.50  n,    (ital.  &  ingl.) 

:J— ,  SfMSJ  2—,  in  Part  d'O  5,50  Ricordi, 

.^(T,    A,    Bar)    1.50    Ecnkel,      t.    1.50,    m. 

Org(U)    1.50    Stuinm,      Baritone  (Cornet  )P 

—60  Fischer,  VP  3—  Ricordi. 

8t    Les    adieux    d'liu    pere    a  sa    fille     2.50 

Ricordi. 
82  Gambrinus,  vaizor  4 —  Mariani. 
Klan,   Klaii.   maz.   2 —   Mariani. 
Eureka,  maz.  2 —  Mariani. 
Urly,   Burly,   polka   2 —   Mariani. 
Berber,   polka   2 —  Mariani. 
Ner.na,   canto   popolare   2.50   Ricordi. 
Desiderii,    melodia    3—    Ricordi. 
II   mio   mazzo   di   fiori   2 —  Ricordi. 
Rosa   (Sei  divelta)    2 —  Ricordi. 
Ad   una   stella   2 —  Ricordi. 
Tllusione     (Deh    non    fuggire) ,      P     3— 
Ricordi. 
99  Ricordati  di   me!    1.50  Ricordi. 


-  124  Una   Bella !   2.50   Ricordi. 

-  125  Savina,   polka   1.75   Ricordi. 

-  126  Follie,  valzer  3 —  Ricordi. 
■  127  Beatrice,  maz.   1.75   Ricordi. 

-  128   Sandrina,  polka    1.75    Ricordi. 

-  129   Diavolini   e   Diavoloni,   valzer 

cordi. 

-  130  Graziella,  maz.  1.75  Ricordi. 
131    Arleccliini,   galopp   1.75   Ricordi. 

-  132    Guerre    des    Dominos,    quadr.    2 

cordi. 

-  133  Stella  della   sera   1.75  Ricordi. 
Saper  brami?   1.50  Ricordi 


83 
84 
85 
36 
92 
93 
94 
95 
96 
98 


E  Folle!   1.75  Ricordi. 
La   Farfalla    2 —   Ricordi. 
La   Serenata  2 —  Ricordi. 
L'Amore   2 —   Ricordi. 
La  Tradita  2.50  Ricordi. 
Ziza  2 —  Ricordi. 

Preghiera   alia   Madonna   2 —   Ricordi. 
L'Orfana   1.50  Ricordi. 
La    Biondiua   sventurata    1.75    Ricordi. 
Zingarella    3 —   Ricordi. 
Derelitta   1.50  Ricordi. 
Montanina  2 —  Ricordi. 
Una!    1.75  Ricordi. 
-  113    Rondinella    pellegrina    1.75    Ricordi. 
-114   II    Zeffiro    2.25    Ricordi. 
-115  Mia  Madre!    (ital.  &  franc.)    2—,    (ital. 
&  ingl.)     (My  Mother!)    3—   Ricordi,  —40 
A;«?«,  —35    Schirmer,    (Moja  Matka)    —40 
nd»ick,  1 —  Bevilacqua 


100 
101 

-  102 
-103 

-  104 

-  105 

-  106 

-  107 

-  108 

-  109 
110 
111 

-  112 


La 
La 

La 

Ad 


La  liCttera  2.25  Ricordi. 
Un  Fiore  2.25   Ricordi. 
Lia !    2.25    Ricordi. 
Serenade  2 —  Ricordi. 
Rita   2.25    Ricordi. 


-  116 

-  117 
-118 

-  119 

-  120 

-  121   Un  Segreto  2 —  Ricordi. 

-  122   La   mia   stella   2—   Ricordi,   —20 

qenson. 

-  123  II   Pescatore   2 —  Ricordi. 


Jnr 


3—    Ri 


R'- 


134 
135 
136 
137 

138 

(it. 


A   Lei   .  .  .   lontana!    1.75 
Chi  ami?   1.75   Ricordi. 
Carmelita   1.50   Ricordi. 

Lucia,    ballata     (ital.    & 
&    ingl.)     3 —    Ricordi, 


Ricordi. 


Willig, 


frahg.)  2 — , 
— 50  Ditson. 
2—,    VP    3— 


-  140 
141 

-  142 

-  143 

-  144 


Schirmer,    — 
Ricordi. 

139    Serenata    (it.-fr.)    2.50    Ricordi. 
Mu'^ette    (it.-fr.)    2.75   Ricordi. 
Fleur  et  I'Enfant   (it.-fr.)    2—  Ricordi. 
Rosa    (it.-fr.)    1.50   Ricordi. 
Amoureux     (it.-fr.)     2.25    Ricordi. 
Baiser    de    la    Reine     (it.-fr.)     2—    Ri- 
cordi. 

-  145  Ad  una  nube  1.50  Rivordi. 

-  146  Non  ti  fidare  1.50  Ricordi. 

-  147  Arcano  2 —  Ricordi. 

-  148  Sempre  con  te !  2—  Ricordi. 
-149  Tre  notti!   1.50  Ricordi. 
-150    Mezzanotte!!    1.50    Ricordi. 

-  151    Cauzoni  senza  parole  6 —  Ricordi. 

-  152  Cauzoni  senza  parole  6.50  Ricordi. 
-161    U   Bacio,   ST   2.25   Ricordi. 

-  162  Alia  sera,  ST  2.50   Ricordi. 

-  163    Galliani,    ST   2.25    Ricordi. 

-  164  Insieme,  ST  2—  Ricordi. 

-  165  Una  notte  a  Venezia,  ST  3—  Ricordi. 

-  166   Tutto   ritorna,   ST  2.25   Ricordi. 
167  Fiore,  ST  3—  Mariani. 

-  168  In   Mare,   ST  3—  Mariani. 

-  169    Madre    ed    il    figUo   morente,     ST     3— 

Mariani. 

-  170  Passato  e  avvenire,  ST  3—  Mariani. 
Tentazione,    ST   3 —   Mariani. 
Son  pur  belli,  ST   3—  Mariani. 
A  Bice,  MS  con  VcP  3.50  Ricordi. 
Perch^   piango !    MS   con    VcP   3.75    Ri- 

cordi. 

-  187   Canzone  di   Medora,   MS   o  T  con    VcP 

3—  Ricordi. 

-  188    II    Frate    in    tentazione,    S    o  MS 

VcP   2.50   Ricordi. 

-  189  A  Te!  S  o  T  con  VcP  3—  Ricordi. 

-  190  Rimembranza,   MS  o  Bar  con  VcP 

Ricordi. 

-  191    Lode    a    San    Vincenzo    de'    Paoli 

Ricordi. 

-  192  Lode  a  San   Giuseppe  3 —  RUordi. 

-193   Hymnus:    Jesu   Corona   Virginum 
Ricordi. 

-  194    Coro    per    il    giorno    onomastico    dellc 

istitutrici  4.50  Ricordi. 

-  195  Ilymnus:  Sancti  Viucenti  a  Paulo  4.50 

Ricordi. 


-171 

-  172 

-  185 

-  186 


con 


•>_ 


3— 


J 


Luzzi  L.  op.  196 


714 


Luzzi  L.  3  Metodfie 


Riceroatp   melodiche   facili : 
196   Libro   I    5 —  Ricordi. 

N.    1.   Gardenia    1.50   Ricordi. 
N.   2.   Celeste   1.50   Ricordi. 
Povero  Marta  2 —  Ricordi. 
E  bella,  ma  2 —  Ricordi. 
Morta   a  vent'   anni    1.50   Ricordi. 
Soguo    del    Soldato   2.50    Ricordi. 
Vn  fiore  di  1.50  Ricordi. 
Beatrice   2 —   Ricordi. 
Non  sei  tu?  2 —  Ricordi. 


212 
212 
214 
215 
216 
217 
255 
256 
257 
258 
259 


Serenata  in 
Marguerite 


riva  al 

(it.-fr.) 


mare  2.25  Ricordi. 


2 —   Ricordi. 

260  Esp^rance    (it.-fr.)    1.50  Ricordi. 
■261   Adieu    (it.-fr.)    2—  Ricordi. 
•262   Chanson    (it.-fr.)    2.50   Ricordi. 
■  263  Lucie    (it.-fr.)    3.50  Ricordi. 

264  S6r6nade    (it.-fr.)    2.50  Ricordi. 

277  Al  mio  Titi  2.50  Ricordi. 

278  lo  I'amo!    (Quando   mi   parla)    3 —   Ri- 
cordi. 

284   Un    saluto   a    Milano,    valzer,    Jms    4 — 
Ricordi. 

286  Le  Eta    (Vuoi  tu  sapere)    3 —  Ricordi. 

287  Ai   Fiori   2—  Ricordi. 

2S8  Dammi  un  baeio !  2.50  Ricordi. 

289  Povero  amore !   1.75  Ricordi. 

290  Desiderium   2.50   Ricordi. 

291  II    mio   bambino   lontano    1.75    Ricordi. 

292  La  Fatal  3—  Ricordi. 

295  Sai  tu,  fanciulla?  2.50  Ricordi. 

296  Baci  e  Stelle  2.25  Ricordi. 

297  Sospiri  d'amore  2.50  Ricordi. 

298  Canti  d'amore  3 —  Ricordi. 

305  Canzone,   MS  o  Bar  2.25   Ricordi. 

A   Vittorio   Emauuele   Re   d'ltalia,   cantata 

con   c^ri    6 — ,   P   3 —   Mariani. 
Album  di  danze  conteneute  i  seguenti   (vedi 

op.    82—86)    8—    Mariani. 
Album    per    ballo    10 — :    N.    1.   Le    Streghe, 

polka,     2. 

polka,    4. 

mazurka, 

N.    7.    La 


11  Silfo,  polka,  3.  Trafalgar, 
Vasiliki,  mazurka,  5.  Gulnara. 
6.  Mariquita,  mazurka,  a  2 — . 
Pioggia    d'Oro,    schottisch 


N.    8.    La    viola    tricolore,    schottisch 

Maricini. 
Amflia,   polka   2.50   Mariani. 
Anaide,  valzer  3 —  Mariani. 
Anna,  polka  1.50  Mariani. 
Annina,  polka   1 —  Mariani. 
.\nlonietta,   polka,  4ms  2.50 
Ave    Maria     ( /^tBa   MapiH) 


1.50. 
1.50 


Mariani. 

—40  Bessel, 
—30  Gutheil,  Lyre,  —50  Church,  SfAl 
—50  J.  Fischer,  A(B,  S,  T)  —35  Gordon, 
C(S,  Bar)  (irish  &  engl.)  —35  Gordon, 
MB(Bj,  (en  fa,  en  sol  bemol)  1.50  Beri- 
lacqn<t,  S(A)  —50,  with  V  or  Fl  or  Vc 
— 60  Schirmer,  (Emerson)  Cornet  P 
— 50  White,  (P  r  e  n  d  i  V  i  1 1  e)  Saxophone. 
(EhAlio)P   —60   Fischer,   vide   op.    80. 

Ave  Maria,  fant.,  tran.scr.  di  C.  G.  W  a  1- 
ter,   MandG   — 60   Fexis. 

Ave  Maria  „Full  of  compassion"  (in  G  h 
or    Eb)    —40    Ditson. 

Ave  Maria  N.  11:  „Hail,  Mary",  MS  —10 
Ditson. 

Ave  Maria  (Zdrowa6  Marja),  1  gt  z  P  lub 
Org  — 40  Hosick. 


i^J- 


1? 


-  Ballo    della    fattucchiera,    polka    2 —    Mi>- 

riani. 

-  Bice,    maz.    2.50    Mariani,    1.50    BevUaoquo, 

— 50  Wagner  y  Levien,  ^ms  3 — ,  F^-f^  i 
1—,  Fl(V)P  2.50,  FIVP  3—  Mariam4, 

■  Canson   d'j   ouvrie  — 75  n  Blanchi. 

-  Cantata   con  Cori  6 —  Mariani. 

-  Carnevale    di    Lima.      La    Zingarella      'i — 

Mariani. 

-  Carnevale  di  Milano.  album  di  danza   (v)tlr> 

op.    125—132)    15—   Ricordi. 

-  Clara,   polka    1.50   Mariani. 

-  Cleofe,  maz.   .Jws  3 —  Mariani. 

■  Come,  holy  spirit,  arr.  by  U.  C.  Bute  a  ji 

-^40   Ditson. 

-  Culuara   2 —  Mariani. 

■  Czar,   valse   1.30   Bosworth. 

-  Danze  campestri    (N.   6)    3 —  Mariam. 

-  Delizie    di    Favria,    album    di    danze    ;i— : 

N.  1.  Vittoria,  polka  1— .  N.  2.  Elodit:.. 
mazurka  1^ — .  N.  3.  Lina,  schottisch  1..50. 
N.  4.  Clara,  polka  1.50.  N.  5.  Bice,  m;i- 
zurka  1.50.  N.  6.  Le  Meraviglie,  valuer 
3 —   Mariani. 

-  Demonio,   polka   2 —   Mariani. 

-  Doralice,  maz.   2.50  Mariam. 

-  6    Duette,    ST     (vide    op.    161—166) 

Ricordi. 
-6    Duettini,    ST    (vide    op.    167—172) 
Mariani. 

-  Elena   1.50  Mariani. 

-  Elesbana,  maz.   2 —  Mariani. 

-  Elodita,   maz.    1 —   Mariani. 

-  Farfalla,   arietta   1.50   Mariani. 

-  Father     in     Hoaveu      (Ave     Maria)       — :it) 

Suinmy. 

-  Florinda,  polka  2 —  Mariani. 

-  Gambriuus,   P   4 —   Mariani. 
•  Graziosa,  maz.   1 —  Mariani. 

-  Hayd^e,   maz.    1.50   Mariani. 

-  Ida  e  Pomposa,   2  j)oIke   1.50   Mariani. 

-  Idillio   2 —  Mariani. 

■  Isotta,   polka   2—   Mariani. 

-  Lida,  maz.  2.50  Mariani. 

-  Lina,  P   1.50  Mariani. 

-  Macdonahl,   polka    1 —   Mariani. 

-  Marcia  funebre  5 —  Ricordi. 

-  Marcia   funebre   4 —   Ricordi. 

-  Ma  ria,   polka    1 —   Mariani. 

-  Mariquita  2.50  Mariani. 

-  Maschere   Italia  ne.   P   3 —   Mariam. 

-  Maschere    italiaue,    album     di     8    baUabilli 

danze    (vide   op.   69 — 76)    12 —   Mariam. 

■  Melodia,    VcP    2.50    Mariani. 

-  24  Melodic    (vide  op.   101—124)    en  4  librn 

a  10 —  Ricordi. 
-6    Melodies     (it.-fr.),     (vide 
10 —  Ricordi. 

-  6  M^lodie   (vide  op.  287—292)   10—  Ricordi. 

-  5  Melodic    (vide  op.  145—149)    7—  Ricordi. 
-5    Melodic     con     VcP    (vide    op.    185 — 19'-)) 

12 —  Ricordi. 

-  4    Melodic     (vide     op.    255—258)     6.50     ///- 

cordi. 

-  3  Melodic   (vide  op.  133—135)   4.50  Ricordi. 

■  3    Melodic     (vide    op.    137—215,    216)     4,— 

Ricordi. 


op.     259— 26-1!  1 


Luzzi  L.  Meraviglie 


715     — 


Lvoff  A.  de  BojKe  l^apa  xpauH 


•  Meraviglie,  valzer  3—,  Fl(V)  2—,  FlfVJP 

3.50,  FIVP  4—  Mariani. 
Moja    gvriazdeczka     (La    mia    stella)     — 30 

Jlosich. 
Perle    Italiane,    album    14 — :    N.   1.    Studio 

in   La    minore    1.75.    N.  2.    Marinella,    me- 

lodia  I — .  N.  3.  II  SuIt<ano,  gran  vals  2 — . 

N.  4.    Florescka,    polka    1.50.      N.    5.    Una 

KSera,    barcarola    1 — .    N.  6.    II    Diavolino, 

schottisch   1 — .   N.  7.  Studio  in  Si  bemolle 

minore   1.50.   N.  8.   Toujours   toi !   Melodia 

1.50.  N.  9.   Clotilde,  mazurka    1.75.   N.   10. 

Tarantella  1.75.  N.  11.  Uu  Soguo,  melodia 

1.5^,   N.   12.   Mistigris,   galop   2 —   Ricordi. 
4    Pieces,    P    (vide    op.    63—66)     10—    Ma- 

riam. 

Pioggia  d'oro,  P  1.50  Mariani. 
Polka    1 —   Mariani. 

Praise  Ye  Jehovah  I  S(A)  —50  J.  Fischer. 
Primarera  2 —  Eerenbeemt. 
Eondinella   Pellegrina   2^   Mariani. 
Rosaura,   maz.   2 —   Mariani. 
Serate  torinesi,  album,  P   (vide  op.  51 — 58) 

12 —  Uariani. 
Silfo,   polka    2 —   Ricordi. 
Silvia,   polka    2 —   Mariani. 
Smeraldiua,  maz.   2 —  Mariani. 
Steasa,  maz.  2 —  Mariani. 
Streghe,    polka    2 —    Mariani. 
Studio   in   La   minore,   P   1.75   Ricordi. 
Studio    in    Si    boraolle    minore,    P    1.50    Ri- 

cordL 

.Studio  in  .sol   minore,  P   3 —   Mariani. 
Sul  mare  2 —  Mariani. 
Tin  .  .  .  Tin,  polka   2.50  Mariani. 
Trafalgar,  polka   2 —  Mariani. 
Tre   Grazie,   maz.   2 —  Mariani. 
T  r  i  p  i  1 1  a,    opera    40 —    Ricordi  : 

Atto   I.   Overtura,   ^ms   7 — . 

Ooro    d'Introduzione    e  Seena    dell'Osteria 
4.50. 

K^eeonto   Or.saecio :    II    marchesino   da    un 
meee  giunto  2.75. 

Sortit-a  e  Romanza  :    Imogene  del  mio  cor 
3—. 

C-oro  di  Popolani :   Fra  I'ombre  silenti.  5 — . 

Minuetto:  Dormono  tutti,  Sceua  e  Stretta 


Kecitativo    e    Terzetto:    Bafli    luughi    8 — . 
Scena  e   Valzer :    lo  .son   I'aurora  3.50. 
Duetto :   Fate   un   po'  la   riverenza   7.50. 
Oran  Scena  :   Birbanti,  razza  perfida  3.50. 
Coro  Marcia  degli  Invalidi,  e  Stretta  3.50. 
Kecitativo,  Scena  del  Generale :   Che  igno- 

ranza    madornale    5 — . 
Quiatettino:  La  mia  gioia  in  tal  momento 

Finale  I   e  Pezzo  concertato:    Ad   un   uom 

della  mia   sfera   6.50. 
Quintettino :  Qual  fatal  combinazioue  1.75. 
Seguito   e  Stretta    del    Finale  I    7 — . 
Atto    II.    Preludio,    Recitative    e  Duetto : 

Ok  I   che  piano   singolare  4.50. 
C^ro  di    Ronda :    Di    qua,   pianis.simo   2.25. 
Primo  Tempo,  duettino :   A  te  vicino  sfido 

la   morte   3.75. 
N<jituruino :    A    te    accanto    io    son    sicura. 

pertichino  e  stretta    5 — . 


posso 
,   Chit 


Kecitativo,    Primo    Tempo    e  Duetto :     Ho 

.speranza   che   pur   ceda   8 — . 
Recitative   e  Scena    Cipollini,    t.   minuetto 

e  stretta    10 — . 
Arione    con    Pertichini :    Che    tempi    beati 

6—. 
Scena    e  Rondo    finale:     Al    cor    ti 

stringere,  e  coro  6 — . 

-  Un   sogno,   melodia,    P    1.50,    VP   2— 

Mand   1.50   Mariani. 

-  Vasilika  3 —  Mariani. 

■Viola   tricolor,    P    1.50    Mariani. 

-  Vittoria,    polka    1—    Mariani. 

-  Vorrei  .  .  .    2 —    Mariani. 

■  Zdradzona    (La   tradita)    — 30   Hosick. 

Luzzi    Vittoria,    L'Infedelta    3.50    Ricordi. 

Lvoff,   vide  :    L  w  o  f  f . 

Lvovsky   B.   op.   7   Uus   ist   so   kannibalisck 

wohl,    Scherzpolka,    KbP    1.50,    mO    2— n, 

PosP  1.50,  PosO  2— n  A.  E.  Fischer. 
-8   Kouzlo   la.sky:    1.    Svym   pohled'   na    mue 

carn.fm    zrakem.      2.    V    podvecer.      3.    Na 

shledanou    1.60    Urbdnek. 

-  10  Gavotte  et  Musette,  P  1—  Schuherth  jr. 

-  11    Polonaise   uud    Romanze,    KbP    2.50    A.. 

E.  Fischer. 
-12   Zum   Abschied,   2  Lieder :    1.   Nach   dem 

Abschied.     2.   Abschied.strost,  a   1 —  i^chn- 

berth  jr. 
18    Elegie    u.    Burlcska,    KbP    1.50  n    ('.    /'. 

i^^chmidt. 
-22   Podzimni   kvety,   valciky    1.60    Urbancl:. 
-23  Thema  con  Variazioni,  Cornet  a  PP — 80 

C.  F.  Schmidt. 

-  35    Nr.    1.    Warum    im    Lenz     die     Blumeu 

bliih'n  — 60  Musikivoche. 
-Ombres   d'Amour    (Schatt«n   der   Liebe),    P 

1.50,    0    2—,    mO    2—,    sO    1.50,    Par.    B(^s. 

1 —  Hainaucr. 
-3   Stiicke :   Praludium,   Sarabande,  Gavotf-iv 

Kontrabafi  m.  P-Begl.   1.50  C.  F.  Sclimidr. 
Lvovsky    L.    O    Barbara,    du    sufie    Zucker- 

schnute !    Sensations-Couplet    1 —   Ocrtel. 

Lvoff  Alexis  de  (1799—1871),  op.  3  Fan- 
taisie  N.  1  sur  des  airs  russes,  I'P  2 — , 
K-Quart.   2 — ,   VO  3 —  Schlesinger. 

-  4    Divertimento,    VcVPfH    oder    Orgi    2.50 

t^chlesinger. 

-  5  Fautaisie  N.  2  sur  des  tMmes  russes   (m. 

Gesangsquart.  ad  lib.),  VP  3 — ,  F-Quart. 
4—,    VO  6.80  Schlesinger. 

-  8  Le  Duel,  divertimento,  PVVc  3.50,   VVc- 

Quart.   5 — ,    VVcO   9 —   Schlesinger. 

-  10  Russische  National-Hymne,  leichte  Fan- 

tasie,  VP  (G.  Herrmann)  — 20;  ru^^- 
sische  Volkshymne,  VP,  siehe  R  i  1 1  e  r  : 
Atusikalische    Juwellen.       Riihle. 

-  15   Grand   Choeur   Militaire  sur   des   Chan- 

sons Nationales  Russes,  0,  Part  7.50 
Schott. 

-  Bergmannsgrufi,    fiir   drei   Mannerst,   P   .id 

lib.    1 —   Schlesinger. 

■  Boace   I^apa   xpaHH.    Hapo;^H.   thmh-b   — 20 

Outheil  (p.  H.  *p.),  — 25  Zimmermann, 
SATB  IlapT.  roJi.  — 15  Jurgenson,  xon.  — 20 
Outheil,  TTBB  —30  Gutheil,  cs  P  —20 
Jurgenson,  2SMSA  —30,  3B  —30  OtUheiL 
P  — 15  Outheil.  — 25  Leopas,  ZimmermamK 


Lvoff  A.  de  Bo»ce  I],apa  xpanii 


716     — 


Lvoff  A.  de  17  aieaoAift 


Fant.  P  — 30  Jiirgenson,  4ms  — 25  Zimnier- 
mann,  8ms  (A.  Roubetz)  — 40  Jurgenson, 
mO  Part.  — 25,  p.  s.  1.50  Zimmermann, 
vide  Hymne  nat.  russe. 
■  24  Caprices,  dans  les  vingt,  quatre  tons 
de  la  gamme,   VP  4—,   Y  2.25  Gutheil. 

3  XapaKTepHCTHqecKiix-B  ^T^o;:^a  /i.ih  CKpnuKU 
C0.10,  nepe^-fe.iaHHwxi  ;^JIa  VP  (K.  Shkb) 
1.20  Gutheil. 

/^iBHi^H  KpacaBHi;bi.  P}^ceKafl  ntcna  ct 
xopoM-B  — 35  Gutheil. 

^pysbfl,  ceroflHH  npoMe.ibKHy.io.  SacTOJib- 
uaa  ntcna  aaa  6aca  c-b  xopoai-b  — 50  Gut- 
heil. 

XyxoBHOiaysbiKajibHwH  coHHHeHiH.  HapT. 
5 —  Gutheil: 

n-feCHH   H3T.   BCenOmHOH: 

1 .  B.iarocJiOBH  /^yme  moh  Tocno/^a.  (Fpe- 
MecKaro  nantBa)  — 70. 

2.  XBajiHTe  HMa  rocno75He  — 60. 

3.  B36paHH0H  806603*  Nr.  1.  (KicBCKaro 
HaniBa)  — 60. 

4.  BsSpaHHOH  BoeBo;it  Nr.  2  — 60. 

5.  Cb-Bxe  THxiJi  — 60. 

6.  HuHt  OTnymaeiuH  — 60. 

7.  CjiaBa  B-B  BbiiUHiixi  Boiy.  CTHxnpa  na 
Po»c;iecTBO  XpncTOBO  — 60. 

8.  ApxanrcJibCKiH  r.iaes,  Boropo^Hii,*  Bt 
^CHi  B-iaroBtmenia  (Tpio  ct  xopoai-b). 
HapT.  —20. 

II'tecHH  ws-h  CB.  jiHTypriii: 

H.  XepyBEMCKaa  n-fecHb  Nr.  1  — 70. 
10.  XepyBiiMCKaa  ntciib  Nr.  2  no  — 80. 
ll.MH.TOCTb   MHpa,   JI^ocToano   h  npaBe^Ho 
ecTb  n  npoH.  (CTapnHnaro  nan'feBa)  — 70. 
12. /tocToiiHO  ecTb  Nr.  1  — 60. 

13.  ^OCTOHHO  ecTb  Nr.  2  — 60. 

14.  /tocTOHHO  ecTb  Nr.  3  (nantBa  ynoxpe- 
fijiaeaiaro  npu  apxiepeucKOM-B  cayjKeHiii) 
—60. 

15.  Otic  nam's  Nr.  1  — 60. 

16.  Othb  nam-B  Nr.  2  — 60. 

17.  XltHie  na  JiHTypriii.  coBepmacMOH  apxie- 
pecM-B.    IlapT.  1.50. 

18.  CBBiuie  upopoi^bi  II  Ji,a  Boapa/^yeTca 
Nr.  1.     Ilapx.  —40. 

19.  CBbirae  npopou,br  h  /^a  Bo3pa;^yeTca 
Nr.  2.     HapT.  —30. 

20.  Hcno;ia  axH  7^ec^0Ta  (Tpio  c-b  xopoin-s). 
HapT.  — 20. 

IltCHH   Be.lHKOIIOCTHUa  : 

21.  Ji^a,  HcnpaBHTca  MciiixBa  Moa  Nr.  1. 
(KieBCKaro  aan-feBa).     ITapx.  — 30. 

22.  J[a.  HccpaBHxca  MOJiiixBa  Moa  Nr.  2. 
(Tpio  CB  xopoaii).     Ilapx.  — 40. 

23.  Beiepii  TBoea  xaiiHbia  — 70. 

24.  /^a  Moayaxt  Bcanaa  naoxb  — 60. 

25.  Te6e  o^tiomaroca  CB-feroM'B.  Ilapx.  — 40. 

26.  BceieciHoe   Boa^epacaiiie.    Ilapx.    —20. 

27.  Ilpin^e  nocxs.     Ilapx.  —20. 

28.  IIociHMca  nociOM-B  npiaxHBiM-B.  Ilapx. 
—20. 

29.  IIocxamecH  opaiie.    Ilapx.  — 20. 

30.  ^e;iaK)iii,e  BoHcecxBeHHua  nacKH.  Ilapx. 
—30. 

31.  IIpeqHcxoMy  xBoeny  o6pa3y.  Ilapx.  — 20. 

32.  Ilpe^-ioacHB'B  xaiiHyK)  nocxi  xpanesy. 
Ilapx.  —20. 


33.  BcKVK)  yHMBaeuiH  Ayme  Moa.  Ilapx.  — 20. 

34.  Ilpe^cxoame  Kpecxy.     Ilapx.  — 20. 

35.  ya3BeHHyK)  mok)  ^yiny.     Ilapx.  — ^20. 

KoHu,epxbi  (IlapxHxypbi) : 

36.  r.iarojiBi  laoa  BHyma,  ^oc^o;^H  — 70. 

37.  Bo3.iK)6.iK)  xa,  rocno^H  — 70. 

38.  YcJiBiinn  TocnoAH  — 90. 

39.  IIpiiKJioHH  rocnoAH  yxo  Tbob  1.40. 
IJ-fecHH  na  pa3Hbie  cjiyqan.     (Ilapx.) : 

40.  rocuo^H  BO  CBtxt  .iHn;a  Tsoero  — 40. 

41.  BH3K/^b  MOH)  CKopob  H  oo^isHb  — 30. 

42.  IIpin/^Hxe  BceaiipHoe  Ycnenie  npas^HytMi-b 
—30. 

43.  BII5K;^b  xBoa  Bpe6e33aKOHHMa  at.ia  — 20. 

44.  HpHspii    Ha    HBi    Boen-fexaa   Boropo^imo 
—20. 

45.  XepyBHJicKaa     niiCHb    (^.la    jKencKartt 
xopa:).    Elapx.  30  k. —  FoJioca  — 40. 

46.  Mii.iocxb  siiipa  — 30. 

47.  HbiHt  CH.XBI  HcoecHBia  — 30. 

48.  XepyBHMCKaa  ntcHb.   (C^b  ^pesHaro  na- 
ntsa)  — 40. 

-Duo     Cantica     (5st.),     Part     2—,     St     2— 
^chlesinger. 

-  Gebet  fiir  das  Vaterland:  .,Vater  wir  fleheu 

dieh"  —50   Biihle. 

-  Hymne   nationale    russe    (Russische   Volks- 

hymne),  deutsch  1 —  Cranz,  d.-fr.-jK)!u.- 
russ.  — 50  Schlesi7igrr,  4,. —  Cramer,  iv. 
3—  Noel,  1— n,  Ch.  s.  — 30  n  Rotmrl. 
SATB  m.  P  ad  lib.  —50,  double  choeur 
(P.  V  i  d  a  1)  1.50  n,  av.  0,  Part  3—  n,  p.  s. 
7— n  Durand,  TTBB  —80  Schlesinger,  -S'.VA 
— 16  ^'i/t;er,  women's  chorus  — 05  SchirniT, 
P  —50  RiiJiIe,  —30  Schlesmger,  —50  Brai- 
nurd,  1.70  n  Deeoiircelle,  1— n  Durand, 
— Son  Enoch,  3 —  Noei,  1 — n  Kouart,  1 — 
i'arisch,  — 50  n  Cottrau,  — 25  Nord.  Mii- 
■sikforlog,  J/nis  — 50  Schtesinger,  2/—  J.«- 
gener,  5 —  Noel,  1.35  n  Rouart,  Org  — !."> 
White,  VP  —30  n  Debcrf,  IM  KM,  Part 
a  1- —  ^chlesinger,  Banda  1 — n  Garisch, 
TTBB,  F-s.  u.  0  (vide  op.  5),  Part  15— n, 
TTBB,  Vs.  u.  P,  Chor  u.  0,  Part  2.30 
Schlesinger,  et  Ivouget  de  I'lsle,  mairseil- 
laise,  P  1 —  n  Decourcelle. 

■  Ich    bete     an    die    Macht    der    Liebe     — 10, 

Duett  —20  Michow. 

■  IIpMOCBi  BOcKpecHbie.    (Besi  npa3flHHi  hbix-b 

TpeHecKaro  nan.  1.95  H3,i.  Kanejiaw. 

-  UpaiocBi    rocno^cKHMi,    BoropoflHiHbiM-B    H 

HHbtH^b  HapoHnibiai'b  npas^aHKaai-b  5.25  Ha^i. 
KancuBi. 

-  IIpMOCbi    BOCKpecHBie    BCJiHK.    lexupe^ecHT- 

iini^w  H  cxpacxHoii  ce;ib3ini;u,  coKpan;.  rpe- 
iiecK.  pocntB.  Ilapx.  3. —  H33.  KaneJiJiH. 

-  3KH3HII    ToT-h    o^iiH'b    ^ocxoHH'B.      BoeHHaa 

ntcHa   no   uepexo^t  PocciftcK.  bohcks  ie- 
pest  AyH'i"  TTBB  —50  Gutheil. 

■  17  MCJiOf^iii   pasjinynbix-B    aBxopoBt,   appan- 

SKHpoBaHH.   VP  Gutheil: 

1.  niy^epx-B.  CepeHa;^a  (Stiindchen)  —50. 

2.  „  CxpaHHHK'B     (Der     Waaderer) 

—50. 

3.  „  <J>ope.ib  (Die  Forelle)  —60. 

4.  „  ^.^IOBe^•B  (Barcarolle)  — 75. 

5.  „  Pbi6aqKa  (Das  Fischerm&dchen) 

—60. 


Lvoff  A.  de  17  iviejio^iiii 


—     717     — 


•Ibbor'B  H.  Transcriptions 


6.  lIIy6epTt,  /Kaaooa  HeciacTHOH(DesMad- 

chens  Klage)  — 40. 

7.  „  Moa  oGnTCJib  (Der  Aufenthalt) 

—75. 

8.  „  HoxBa-ia    cjiesaM-b    (Lob    der 

Triinen)  —40. 

9.  niiiOHTHHH,  roH^o.ibepi  (Barcarolle)  — 50. 

10.  KpeHTi;ep:b,  Hapo^-fefiKa  — 80. 

11.  Jleccayep'B.     ^eant.     (Le  bateau)  — 50. 

12.  „  BeeeHHfla  uicHb  (Friihlings- 
lied)  1—. 

13.  TeHHUiTa,  BeaKOHHima  — 50. 

14.  „         McTO^iH.     HtTT.    He    7^aBaHTe 
MH-fe  ap*y  — 50. 

15.  CaMCOHOBOH,  fl  He  xoiy  — 40. 

16.  „  3B't3/^o'^Ka  moh  — 40. 

17.  y,  OGwKHOBeHHaH  HCTOp.  — 50 

-  OKTOHxt    HOTHaro  w^ma.     SnaMeHHaro    aa- 

utsa.    napT.  4 —  ^3/^.  Kaue.iJiH. 

-  Preghiera-Gebet:       Fausta      eccelsa      — 50 

fichleainger. 

•  IIpomaJIbHMH      rHMHt     ^•feBHU.'b     l^apCKOCCJIb- 

CKaro  syxoBHaro  yiHJiHma  (2  ^.  2  A.)  — 30 
Outheil. 

-  IIpomajibHMH   THMHt,   upH   BbiuycKt   6raro- 

po^Huxt  ;^'feBH^'b  wA-h  IlaTpioTHiecKaro  hh- 
CTHTyxa  (2  A.  2  A.)  —30  Guthcil. 

-  PoManCM  H  utcHH  Outheil: 

1.  YH^HHa.    PoMaHCTb  — 50 

2.  He^o/^OBaHie.    PoMancb  — 40. 

3. 3acT0jibHaa  ntcHH.  /I,.ih  6aca  ci>  xopoMi. 
—50. 

4.  Bajuia^a.    He  iiBtrw  KpaeyioTCH  — 50. 

5.  PacKa«Hie.    /I,.i>i  Tenopa  — 35. 
(i.  Toace,  3.1a  coupano  — 30. 

7.  /^tBHi^a  KpacaBHi^a.    HtcHa  — .50. 

8.  BapBapa.     PyecKaa  n-feena  — 35. 

9.  Ilapama.    PyccKaa  iitcna  — 40. 

10.  KaBKascKaa    utcHa.      MeacB    rpoaubix-b 

CKajii).    Ji^na   6aca  — 50.     Nr.  1,  4,  7,  U 

a    —40,    Nr.   2,    5    a    —30,    Nr.  3    —50 

Jurgenson. 

-PyccKiH  MyacHqoK'b  n  ^pani^yscKie 

Mapo^epbi.    KoMHHCCKaa  ouepa  Otithcil: 

1.  Ci;eHa  h  apia  CxapocTu:  Btps,  po,'^Haa, 
Mw  ^OKaHceM'B  — SO. 

2.  Tepu.ex'b  MaTBtesoH,  MaTBteea  h  Cia- 
pocTbi:  Jlvume  acHSHH  mh^  .muiHTbca 
—70. 

S.Apia  3apy6aeBa:  BoHna,  BofiHa.  — 60. 

4.  4>HHa.Ti. :  Ha  6oh,  xoBapHmn,  na  6oh  — ^50. 

5.  MojiHTBa.  Xopt :  rociio^iH,  BoJKe  naun. 
—40. 

6.  Apia  MaxB-feeuoH :  CxpaiuHbifi  cohii  — 40. 

7.  Ksapxext  MaxBteBoii,  MaiBteBa,  3y6a- 
peBa  y  Cxapocxbi:  Baai'L  nejibsa  vskt. 
ocxaBaxbca  — 70. 

8.  Xop-b :  B-kia,  StJia !  cnacnxe  nacb  — 50. 

9.  ^HHajit :  Voila  les  chances  de  la  guerre 
1.75. 

10.  ntCHa  napauiH!    3a   ;^epeBHeI■I   nameio 

—40. 
ILHtcua  Cxapocxw  ci.  xopoait:  /^a  c:!iaB3- 

Bory :   Ohtj  CMnpH-i-b  BparoB-s  rop,iMHio 

—60. 
12.  n-fecHaCxapocibi:  Teuepb,  ^Kena,  11  okoh- 

■«axe.ibHhiu  xopx.   H  smpii,  h  xJitG-B  3a- 

^H^it  BparaMt.  — 80. 


-  CoKpameHHwft  HpMOJioriH,  3HaMeHHaro  poe^ 

n-bBa.  (BocKpecHMe  h  /^ByHa/^eQaxHx^> 
npaa^HnKOBt  HpMOcw).  Hapx.  2 — .  Hs^. 
Kane;i;iM. 

-  Stobat   mater,  Solo,  Chor   u.   0,  Part   10 — , 

m.   P   7 — ,   Cliorst   2 —   Cranz. 

•  Tpio  H  xopi,  nocBameHHbia  BocnHxaHHHi^aji-b 

aceHCKHxt  yie6H.  3SiBe^.  — 40  Outheil. 

-  Tw  /^yffla  Jib  Moa,   na    1  hjih   2  roji.   — 20 

Jurgenson,  P  — 75  Leopas. 
-Undine,    Ouv.     (M.    B  a  1  a  k  i  r  e  w) ,    O, 
Part  2.50,  St  5 — ,  ^tns  1.50  Zimmerma^^n, 
J/ms    (A.   H  e  n  s  e  1 1)    3 —   Schlesinger. 

-  yipena,    FpeiecKaro    pocntsa,    Hapx.    2 — , 

H3;n.  KaneJiJiM. 

-  BapBapa.    /I.yax'b    BapBapti    h    KHasa    — 75 

Outheil. 

-  Vaterunser,    SATB,     Part     —90,     St    —GO 

Zumsteeg. 

•  BocKpecH.   yxpennie  anxH^OHw,  FpeiecKani 

pocn-feBa  napx.  1.50.  H33.  KaneJiJiw. 

-  3acxojibHaa    utcna.   Ppysba,    ce^o;^Ha   npo- 

MOJibKHyjio,  /^.^a  oapnxoHa  c^b  xopoMt  — 50 
Jurgenson. 

-  Zigeunerlied      (russ.-deutsch)      — 50     Schle- 

singer. 
Lwoff  B.   Echo,  quadr.  — 40  Jnrgenson. 
vIbBOB'B  U.  Transci-iptions  P  Jurgenson: 

1.  Ppycxb,  locKa  xo>iH.ia.  Pojaaacb  ^epBH3a 
—30. 

2.  /^Bt  pyech-ia  ntcHH  — 20. 

3.  EBpeiiCKaa  MeJI07^ia.    PoManc-b  ^aniMCB- 
CKofi  — 30. 

4.  PCaMeH-b  xavKCJibiH.  PoJiancb  /^ap^OMM;K- 
CKaro  — 30. 

5.  Kor^a     BecHW     ^bixameM'b      corpixwH. 
PoManCB  BioxHepa  — 30. 

6.  Koabi6e.ibHaa    ntcna.    Pom.    PajHCKaix)- 
KopcaKOBa  — 20. 

7.  He   ,'^OJI^o   nawb  ry.iaxb.  PoManct  Han- 
KOBCKaro  — 20. 

8.  Hhu^Ih.  PojiaHC-b  ^ep*ejibAxa  — 30. 

9.  Htxt,  He  'SQ^ii  xaK-b  hmjiko  a  Jiiofijiio. 
PoMaHct  KoHicKaro  — 30. 

10.  TyHKH  HcGecHbia.  PoMaHCt  /^aproMWJK- 
CKaro  — 30. 

11.  Tu   eme    He    yMteuib   .iH)6uxb.    I^wrau. 
poMancB  niHuiKHHoii  — 30. 

12.  nienoxi   i^B-fexoB-b.     PoManci.   /l^anHJion- 
CKOH  — 30. 

13.  H  cHpoxa.  Pom.  PoManyca  — 30. 

14.  He  noH,  KpacaBHi^a,  iipii  mh*.  PoManci, 
Pjihhkh  — 50. 

15.  ^anxaaia  na  xcMy  A.  CtpoBa  — 50. 

16.  IlMnpoBH3ai;ia    na    poM.    CxyKOBenico : 
„yBbi,  3aBa.iii  .^XH  po3bi  — 50. 

17.  "^aaxaaia  na  pycch-ia  ntcHii:    Yacb  xw, 
Bana  n  Kan-b  y  aauiMx-b  y  Bopox-b  — 50. 

18.  Becna.  PoMancT,  .Io6pn.  ^anxasia  — 40. 

I^biraacKia  ntcHH: 

19.  KaKt  CB  xooofi  MH'b  yBH;^axbt'a  — 30. 

20.  Tbi  Moe  cep^i^e  h  Ayuia  — 30. 

21.  Kor^a  Bce  luipyeirb  — 40. 

22.  Hpas/inHKOMii  cBtxabiM-b  — 30. 

23.  B-fexepoieK'b  — 40. 

24.  ^apyfi  Mena  — 50. 

25.  Ho^Ii   OKHOMT.   — 50. 

26.  Hapa  ^H■I>;^bIX•b  —50. 


'^BBOB'b  to,  II.  Te8t  03HOH 


718     — 


.iBROBeKijf  r.  CoiHHeHifl 


.IbBOB'b  lO.  II.    TeG*  03HOH  — 40  Zimmer- 

n/ann. 
Lwoff  P.  Fileuse.  maz.  — 30  Jurgenson. 

.IbBOBCKiif  r.  /l|yxoBHO-My3biKajibHwa  nepe- 
.losKCHia  H  coiimeHifl  j^jih  CM-feman.  xopa; 
(Nr.  9  H  14  Tpio).  Nr.  6,  13,  15,  27,  30,  33, 
38,  40,  42,  43,  44  H  45  c-b  P  IlapT.  (C.  a.): 

1.  BaarocjioBH  ^yine  Moa.  TpeqecKaro 
pocn-feBa  — 60. 

2.  B.iaaceHt  My^ci..  (l-ii  iicajiOM-B)  — 50. 

3.  /^toa  /^Hecb.  Bo.TrapcKaro  pocn-feBa  — 40. 

4.  TpHCBflToe.  rpeKO-ciaBHHCKaro  pocn-feBa 
—30. 

5.  XepyBHMCKa-a  Nr.  1.  rpeiecKaro  pocniBa 
—40. 

0.  ITpniacTHM/^HeBHie,  pasuwx'B  pocn'bBOB'B : 
Nr.  1.  XBajiHTe  rocnoaa  cb  He6eci.  2. 
TfiopaH  anrejisi.  3.  Bi,  uaaiflTS  BtiHyio. 
4.  Hamy  cnacenia.  5.  Bo  bcm  seivijuo. 
6.  Cnacenie  co;^■bJIaJI•b  ecu.  7.  Pa;^yHTeca 
npaBe/inin.  8.  BjiasKeHii  aace  HsSpaat. 
B-B  o^HOH  TeTp.a^ii  1.50. 

7.  BjiaaceHK  aace  H36paji'&  (coq.  nocBam. 
naaiaTH  IlMitepaTopa  AaeKcanflpa  IT.) 
—60. 

8.  HbiH-fe  oinymaeinii.  {CoqHuenie)  — 30. 

9.  ^a  HcnpaBHTca.  Tpio  11  xop-s.  (Co'inneHie) 
—50. 

10.  HwH*  CiiJiw  He6ecnMa.   /^peBaaro  poc- 

11.  Tpouapb,  KOH^aK-B  11  Be-THHaHie  Cb. 
Bvia^HMipy  (Co»i.  no  rpeiiecKOMv  aan-bBy) 
1—. 

12.  C.TiaBa  B-h  BBiniHHX'B  Bory  aa  P.  Xp., 
o6hxo^h  — 50. 

13.  Bjiaaceat  aiysK-B  htko  iie  a/^e.  KieacKaro 
pocn-feBa  — 30. 

14.  Apxaare.ibCKia  r.iacT..  Tpio  {2  Ji,  a  A) 
pocniaa  — 25. 

15.  rToKaaaia  OTBcpsn  mh  ^Bepa.  Saaaiea. 
pocniBa  — 40. 

16.  C-b  aaMB  Borij.  SaaMeaaaro  poeatBa 
—50. 

17.  Tponapa:  ^aecb  cnaeeaia  a  Bocnpecb 
Hs-B  rpo6a.  SaaMeaHaro  pocntBa  —80. 

18.  XepyBBMCKaa  Nr.  2.  06Bxo;^aaJI  — 50. 
10.  „  „     3.  „  -40. 

20.  MajiocTb  MHpa  aa  miT.  Cb.  loaa.  o.iar. 
(Coiaa.)  —40. 

21.  MajiocTb  MBpa  aa  miT.  Cb.  Bac,  o6Bxo/^a. 
.    —60. 

22.  0  Te6'b  pa/iyexea.  Tpc'iecKaro  poca'taa 
—50. 

23. 3a;^oeToaHnK'B  Cp'txcaiio.  FpeqecKaro 
pocatBa  — 40. 

24.  Sa^ocTOBBBK-B  BT>  HQ^.  Baiii.  SaaMea. 
pocn'bBa  — 20. 

25.  Sa^ocToaaBK'B  b-b  He/^.  TlaTB^ecaTa. 
Ppeq.  pocu.  — 30. 

26.  Tponapb  Cb.  KapaJiJiy  a  Meeo^iw. 
(Coqaa.)  —50. 

27.  IIpoKBMabi :  He  OTapaxB  JlBi^a  TBoero 
a  T^aji-B  ecB  /^ocToaaie.  OCaxoaaBie  — 30. 

28.  Focao/^a,  aa^e  ae  Ghxom'b,  06Bxo,^abie 
1—. 

29.  CiaBHo  60  npoc.iaBBca,  rocno;!^a  noBTe, 
E^Hi^bi  BO  XpacTa  a  BosKpecaa  Boace. 
Hat  06Hxo/^a  — 30. 

30.  T^a  Mo;iqBT'b  BcaKaa  njioxb,  Hs^b  Ofiaxo^a 
—50. 


31.  Heaopo'iBBi.    B-b   Be.i.    CyGooxy.   Ppei. 
pocn.  1 — . 

32.  XpacxocB  aocKpece,  n.iioxiK)  ycayB'b  h 
^a  BocKpecaexi  Bor-B.  Hs^  Ooaxo^a  1 — . 

33.  ntiiic  a.'ii  aKacacxa  ycneaiio,  KiCBCKarfi 
pocntBa  1.50. 

34.  rocno,^B  noMB.iya,  aa  Bo3/^BB>KeHie  <co'i). 
a  Kpecxy  TaocMy  — 30. 

35.  no.i\-eJieB.  Nr.  1.  Saawea.  poca.  Nr.  2. 
KieacK.  pocn.  — 50. 

36.  Hbiat  oxnya^aeaiB.  KieacKaro  pocntBa 
—25. 

37.  B36paaaoa  BoeBO^-fe.  SaaMcaaaro  poc- 
n-feaa  — 40. 

38.  Ha    pteax-B    BaBa.ioacKBx-B.    KieecKaro 
pocn'bBa  — 50. 

40.  Co  CBaTbiivia  yaoKoa  n  CaMi  e^pini, 
eca.  — 50. 

42.  XepyBB.MCKaa,   Nr.  4.    06Bxo;^aaa  — 50. 

43.  „  G-moll,  nepejioac.  c%  wysK. 
xopa  — 30. 

44.  Te6e  o^'bioai.aroca.  Bo.xrapcKaro  pocn1>Ba 
1—. 

45.  HoKaaaia  oxBepaa.  Saaivieaaaro  pocafeBa 
(2T.  2B.)  —40. 

46.  Bjiaacea-B  MyacB.  (KieBCK.  pocafeaa). 
T^jia  o/^Bopo3a.  xopa  — 30. 

52.  CBtrfe  xaxifi.  (SaaMca.  pocnbBa).  ^.la 
CMtaiaaaaro  xopa  — 40. 

53.  TpacBaxoe.  /tJia  caiiiui.  xopa  — 20. 

54.  XepyBBMCKaa  a-fecab  Nr.  8.  (^pesH.  poen.) 
Jl,jia  cMtui.  xopa  — 50. 

55.  Ma.iocx-B  Mapa.  (3aaM.  pocn.)  ^:ia  o^- 
Bopo;^a.  xopa  — 40. 

56.  BKycBxe  a  aa^axe.  ^Jia  o;^aop.  xopa  — 20. 

Boropo^iaiBw  ^orMaxBKa.    a)  ^jia  3-x*  o,^- 

aopo/ia.  roJiocoB-B. 
57. 1-ro  r.iaca  „BceMBpayio  ciasy"  — 30. 
28.  2-ro      „      j.Hpea^e  cbab  saKoaaaa"  — 30. 
59.  3-ro      „      „KaKO  ae  ^BBBMca"  — 30. 
60. 1-ro   r.xaca.    „BceMBpayio    cxaay",    ^.i.'i 
cM-feffl.  xopa  —40. 

61.  3-ro  r.iaea  „KaK0  ae  ^bbbmcb"  — 40. 

62.  6-ro      „      „Kxo  Te6i{  ae  y6aaacHX^"  —40. 
63. 8-ro      „      ,,H^apb  aeSecHbia"  —40. 

64.  XepyBBMCKaa  atcab.  Nr.  7.  (Cep6cK. 
pocii.)  (JIoMaKBH'b  Nr.  .5).  Jl^Jin  o^aopofln. 
xopa  — 40. 

65.  Hs-B  MO.iedaaro  utaia  ko  Hpecaaxon 
Boropo/iBB-b.  /^Jia  cM-feai.  xopa  — 50. 

66.  B.xaro,^apeBie  0  nojiyqeaia  aporaeaia. 
fl,jiii  CMtmaaaaro  xopa  — 60. 

CoyBaeaia  ,"^.^a  MyaccKaro  xopa  b-b  napxar., 
Nr.  8  a  10  oes-b  *n.,  ocxajibabie  ci>  *opxe- 
niaao.  (C.  a.) : 
1.  BjiarocjiOBB     ^yaie     Moa.     Tpeqecicaro 

pocn'bBa  — 25. 
3.  XepyBBsiCKaa.  SaaMeaaaro  pocn'bBa  — 30. 

■  4.  XepvBBMCKaa.  /J^peaaaro  pocn'bBa.  G-moll 
—30. 

5.  /T,a  BcnpaBBXca.   Tpio  c^   xop.  TpeMecK. 
pocn'bBa  — 30. 

6.  HbiB'b  caJiH  aeCecawa.  ^peBaaro  pocn'bBa 
—25. 

7.  Ha   p'bKax'B    BaBBJioacKBX'B.    KieBCKaro 
poca'baa  — 40. 

8.  O^Tbaxiaoxqa.  Cxaxapa  npn  aocxpHaccHia 
—30. 


.IsB«BCKiJf  r.  CoqHHeHlH 


—    719 


Lynes  F.  op.  12 


9.  npoKHMHw :  He  oTBpaxii  ^Hi^a  Tsoero 
H  ^a.Ti>  ecn  ^ocTOHHie.  06Hxo/^HHe  — 30. 

lU.  CreueHHa  6  -  ro  r.iaca.  SnaMeHHaro 
pocirfeBa  1 — . 

n.  TpH  Mo.iHTBw  KO  IIpecB.  Boropo,T;Hii,'B : 
MHJiocep^iH  3Bepw.  Hhkto  :«e  npiiTeKaaft 
Ki  Tee*.  Yto.ih  fioJitaHii,  ^ao.  MyjKCKaro 
H  acGHCKaro  xopoBt  — 75. 

13,  15,  27,  28,  30,  33,  38,  40,  42—45  SJifl 
CMiuiaHHaro  h  Nr.  7  h  9  7^JIa  MyjKCKaro 

xopa  B-B   0;^HOM'B   TOM-fe  4 — . 

-  II0306HH  8  r.i.  ,^.Tia  CMtman.  n.in  o;^Hopo/^H. 

xopa  —25. 
Lycienne    1 — n.    Gh.  s.   — 30  u    Ondcf. 
Lyceennes   1— n,   Ch.  ,s.  — 30  n   Ondet. 
Lyie   G.    E.      A   short   Christmas,   offertoire, 

Org  1/6  Patey. 

-  Abbey   Chimes,   a    reminisc.   of   an   evening 

service  interrupted  by  a  storm.  Org  5/ — 
Weekes. 

-  Christmas   offertory,   Org   3 —  Leonard. 

-  Fleurettes    Charmantes:      1.    Petite    Valse. 

i.  Serenade.  3.  A  ha  March.  4.  Aubade, 
VP  a  2/—   Weekes. 

-  Gavotte   de   F6es,   P  3/ —  Orpheus. 

-  Tlumpty   dumpty,   dance  3/ —   Orpheus. 

-  Like    as    a    father    pitieth,    sacred,    8SATB 

— 10  Brainard. 

-  March  of  the   Ethiopians,   P  3/ —  Orpheus. 

-  Mazurka   du   Cocar   3/ —   Orpheus. 

-0  Lord  God  of  Hosts    (S  &  B,  soli  &  cho- 
rus)  — /I   Pitman. 

-  Priory   March    3/ —    Orpheus. 

-  (j   Short   Pieces,   Org:    N.   1.   Pastorale   and 

Flymn  of  the  Shepherds  3/ — .  N.  2.  Ber- 
ceuse 2/6.  N.  3.  Romance  2/6.  N.  4.  Ga- 
votte 3/—.  N.  4.  Gavotte  3/—.  N.  5. 
Reverie  3  — .  N.  6.  March  Imperioso  3/ — 
l>uff. 

-  Souvenir  de   Zamosc,  maz.   3/ —  Orpheus. 

-  Tender  &  true  — 40  Ditson. 

-  We're  afloat  on   the   river  — 35   Ditson. 
LyIe    Kenneth,      A   Dream     of   Old    Algiers 

— -/6  Francis. 

-  Koy  who  leads  the  Band   1' — n  Francis. 

-  Come    down    Joamna    Brown     come     down 

1/ —  n  Francis. 

-  Let   us    go    the    Long    Way     Round     1/ —  n 

Francis. 
LyIe    Leslie,    Festive    Season,    lancers    — 2 
Broome. 

-  Moonlight   Dreams,    P  — /2    Broome. 

Lyies   Albert.      Turner:      Auld   Lang   Syne, 
with    var.    BanjoP    2/ — n. 

-  Banjo  gems,  BanjoP:  1.  May  Queen.  2.  Ga- 

votte   (C),  a  3/ —  Leonard. 

-  1 1    Classical   Excerpts   arr.   as   Banjo   solos 

with  P  ace.  (T  u  r  h  e  r's  22.  Sel.  of  Banjo 
>olos)    1/6  n. 

-  Danse      Caract^ristique,      BanjoP      2/ — n, 

lianjoO  1/6  n,  sep.  parts  — /6  n,  P  part 
— /9n. 

-  Fantasia   from   „La    Somnambula",   BanjoP 

2/— n. 

-  Fantasia    on    airs    from    .,Norma",    BanjoP 

2f-  n. 

-  (k)werton,    polka    march,    BanjoP    2/ — n. 


Day    Exercises, 

C  a  1  d  i  c  o  t  t) , 

the    Schoolroom 


-Lied  ohne  Wort«    (Hoi  z  el),   MandP  3/— 
Weekes. 

■  Mill    wheels,    with    var.    BanjoP    2/ —  n. 

-  Selection    from    „Bohemian    Girl",    Ban  jo  I' 

2/— n. 
-Selection    from    „Elijah",    BanjoP    2/ — n. 

-  Selection   from   „Lucrezia   Borgia",  BanjoP 

2/—  n. 
-Selection  from   ,,Maritana",   BanjoP  2/— n. 

-  Selection    from    „Mes8iah",    BanjoP    2/ —  n. 
Lyman   A.    H.   Church:   Come   unto   me,   SA 

TB  —60. 

-  Evening   shadows   — 35. 

-  Love's    yearning   — 60. 

-  Morbid  man  — 30. 

-  Once,  only  once  — 50. 
Lyman    Frederic    A.    Arbor 

SA  3—  Silver. 

-  Little    Jack    Horner    (from 

SSAB  5—  Silver. 

-  Normal    Music    Course    in 

1.25  Silver. 

-  Silver    Song    Series,    N.  1.    for    Ist    or    2d 

Grades,    recreation    songs    — 12    Silver. 
Lyn    Udall,      Un    seul    amour     (J  us  tone 

Girl),      llachette. 
Lynch   J.    D.   Wild   With   Honors   —40   Is  at. 

Music   Co. 
Lynde    H.      Serenata    Lombardi,    2MandVG 

—60,SMandG  —60   Church. 

-  Stellina,      2MandV(FlJG      —60,      SMandG 

—50  Church. 
Lynde   Joseph,   Ave  Maria   2/ —  Norello. 
-O  Salut4iris  —20  J.  Fischer. 
Lyne  A.  de,  Mes  deux  mattresses  1 —  n,  Ch, 

s.  —35  n    Labbe. 
Lyne    Leslie,   Sonny   4 —  Cramer. 

-  Sweet   Sally  4/ —  Cramer. 

■  Turning  of  the   Lane  4/ —  Cramer. 
Lyne    R.   Golden   summer    1/ —  n   Augener. 
Lynen,    Melodic,    V    1.70   Metzner. 

Lynen  William.  Sommermeyer:  Abendwan- 
derung:  „Golden  breiten  sich  die  Felder" 
—75. 

-  AUein :    ,,Wie    zerrissner    Saiten    Klingen" 

—75. 

-  In   dem   Walde   spriefit   und   griint   es    1 — . 

-  In    verschwiegener    Nacht   hab'    ich    deiner 

gedacht  — 75. 

-  2   Lieder :    Bitte :    „Weil   auf   mir   du   dunk- 

les  Auge".     Liebesfeier    1.50. 
-Lieder:   Nr.   1.  In  dem   Walde  spriefit  und 
griint      es      1 — .        Nr.      2.      Standchen : 
„Schlumm're     silfier    Himmelsengel"    — 75. 
Nr.    3.    AUein:      „Wie     zerrissner     Saiten 


Klingen"   —75.   Nr.  '4.   In 


verschwiegener 
-75. 


Nacht  — 75.  Nr.  5.  Abendwanderung 
Nr.   6.   Schelmenlied  —75. 

-  Notturno,      stO,      Part    1—  n,    Str-St    2.50 

Sommermeyer, 
-Schelmenlied:    „Ich   lauscht'   dem    Finlc  im 
griinen  Hag"   1 — . 

-  Standchen  :     „Schlumm're    sufier    HimmeUs- 

engel"  — 75. 
Lynes    Frank,    op.   7   N.  1.    Swing   song,    P 

— 60  Brainard. 
■  12    Spring    Song :    From   the   elratree's   top 

most  bough,  MS  with  PV  2.60  Schmidt. 


Lynes  F.  op.  17 


~     720 


-  17  The   Curfew   Bell,   KA   2—   Schmidt. 
19  Nine  Songs  1/ —  Leonard,  1.50  n  Schmidt, 
2/ —  n   Williams. 

■  28  Acht  Fairy  Tales  for  musical  Children, 

P:  1.  Cinderella's  Wedding  Marsch.  2. 
Little  Bo-Peep's  Slumber  Song.  3.  The 
Dancing  Bear.  4.  Curly  Lock's  Waltz. 
.5.  Darby  u.  Joan.  6.  Cock  Robins  Fune- 
ral March.  7.  See  Saw  Margery  Daw.  S. 
,  Jack   and   Jill  Polka,   u  — 60   Schmidt. 

■  29    Compositions,    P:    N.  I.    Second    Taran- 

tella     1.20.      N.  2.      Whispering      Zephyrs 
Etude   1 —  Schmidt. 

■  31    Drei    Gesiinge :    N.   ] .    Twas    my    heart : 

Only  a  rosebud  1.60.     Nr.  3.  Marie:  „Ma- 
rie,  am   Fenster  sitzest  du"   1.60  Schmidt. 

33  Five  »Songs,  S(T)A(Bar)  m.  P:  1.  If 
all  the  dreams  we  dream  dear.  2.  Thy 
Picture:  So  close  against  my  beating 
heart.  3.  Tell  her:  Birds  that  dart  through 
the  air.  4.  A  Bedtime  Sang:  Lullab.y,  lul- 
laby rest  oh  !  my  dear.  -5.  Dreams :  I  drea- 
med thou  cam'st  to  me  last  night,  a  1.60 
Sch  midt. 

34  The  Fisher-Maiden :  If  I  were  a  noble 
lady   2.40   Schmidt. 

35  Song  of  the  Woodman,  P  1.30  Schmidt. 

36  Zwei  Lieder,  h.  t.:  N.  1.  The  Faces  on 
the  Wall :  I  sit  within  my  quint  room,  a 
2.40.  N.  2.  A  Fireside  Song:  The  home- 
land, the  dear   land,  a  2—  Schmidt. 

39  Four  analytical  Sonatinas,  P:  1.  (C'l. 
2.  (G),  3.  (C),  4  a.  (G),  4  b.  (C)  a  1.20 
Schmidt. 

40  Woodland  Notes,  P :  1.  The  Forest  Echo. 
2.  Squirrels  at  Play.  3.  The  happy  Hun- 
ter. 4.  Neath  swaying  Boughs.  5.  In  the 
Log  Cabin.  6.  The  Spirit  of  the  Brook,  :i 
— 60  Schmidt. 

41  Miniatures,  four  pieces  without  octaves, 
P:  1.  O'er  Hill  and  Dale,  march.  2.  The 
Water  Wheel.  3.  Gracefulness  Valse.  4. 
From   Days   of   Yore,   a  — 80   Schmidt. 

48  Rain  of  Pearls,  octave  study,  P  2.40 
Sch?itidt. 

49  Sonate    (C),   Org   6—   Schmidt. 

All   waltz    (Waltzes)    —65    White. 

Betrothal.     Enoch. 

Boatswain   Bold :    'Tis   a   hundred  years,    B 

(BarJ-Solo    u.    TTBB    —50    Schmidt. 
Canzonet,   P    1.20   Schmidt. 
Criss   Cross   Baby,    SSCC   —/3    Curicen. 
Forget  me   not,   SSCC  — /3   Curicen. 
He   was   a   prince    4/ —   Leonard,   — 25    M< . 

Kinley. 

Holding    each    other    up    4/—    Reeder. 
If  all  the  dreams  we  dream,  dear.   Enoch. 
Key-Circle     Exercises,      Book     3,      P     3 — 

Schmidt. 

Mazurka  3/ —  Leonard. 
Memoria  2/ —  Boosey. 
My  King  2/ —  Boosey. 
Paul   Revere  Marsch   2.40   Schmidt. 
Recreations    from    op.    26.    Summy    Hours 

Waltz    1.40,    Hearts    Wishes    1—  ^Schmidt. 
Remember    now    thy    Creator     2—,     TTBB 

— 50  Schmidt. 
Sensations   4/ —   Hopwood. 


Lyon  J.  Pearl  of  Sicily 
— /2   Cur  wen. 


■  Shadow-town,   SSC   - 
-Who   knows?   Enoch. 

Lynette,  Only  a  year  ago  4/ —  Leonard. 

Lynn  C.  Swell  on  the  Stock  Exchange  -. — 5«i 

Brainard. 
Lynwood    Ada,   Dermot   Mavourneen,   balliHl 

— 35   Fischer. 
Lyon,      Fountain,     quickstep,      arr.     by    A. 

B  a  u  m  b  a  c  h,  Jfms  —50  Brainard. 

-  St.   Patrick's   day,   P  —50   Ditson. 

■  When    the    dimpled    m  ater    slippeth      —25 

White. 
Lyon    A.    Aubade    1.70  n    Gregh. 

-  Boutade   1 — n  Gregh. 

-  Misere   en   habit   noir    1.20  n,   av.    G    — 40  Ji 

Lahhe. 

-  Mysticite   1 — n  Gregh. 
-Resolution    1.35  n   Gregh. 
-Serenade   1.70  n   Gregh. 
-Solitude   1 — n  Gregh. 

Lyon  A.  B.  C.  2  Chanson:  a)  S'il  est  nn 
charmant  Gazon.  h)  La  Vie  (freneh  word.=  ) 
2  —  n  Weekes. 

Lyon  C.  Carnaval  nigois,     Genov^sc,  Millar. 

Lyon    Ch.   Croix   rouge,  polka    1 —  n   Sociele 

noiivelle. 
Lyon    D,   W.   Before  my  hair  was  gray,  SA 

and   chorus  — 50   Brainard. 

-  Marshall    and    Lady    from   over    the    Rhim- 

—40  Ditson. 

■  Mulan,   the   maiden  chief  —35   Ditson. 


U\ 


ao   — .' 


1. 


-  Silken    thread    among     the    flower; 

Brainard. 

■  Though   I  am   old   — ^35   Ditson. 
-When    the    wild    birds    .southward 

Ditson. 
Lyon    Fin  lay,     Great    Light,    cantata 
0,  parts  on  hire,     Curicen. 

-  Great  Light   1/ —  Bayley,   1/ —  Cvrivcn. 

-  King  Triumphant,   cantata  — /9   Curmev. 
-Oh,    for    a    thou.sand    tongues,    canon     ■ — 2 

Cur  wen. 

Lyon    G.    W.    Brainard:    Annexation,    grand 
march,   P   —40. 

-  Ansonia,   galop,   P  — 50. 

-  Concert,   quickstep,   P   — 40. 

-  Flutina,   waltz,   P   —40. 

-  Fountain,   quickstep,    P   — 40. 

-  Hurrah   for   Father,   Christmas,   SATB  — (i 

Ashdouni. 

■  Moonlight    echoes,    P   — 40. 

-  Pluie   de   diamants,   .schottische   —40. 

-  Rose     of     AUandale,     introducing,     Corm-i 

quickstep,    P  — 25. 

-  Saxonia,    quick.step,    P   — 40. 

-  Silver   wreath,   polka    — 40. 

-  Tremont,   quickstep,   P  — 40. 

Lyon    H.    Sous    les    Marronniers,    valse     G — 

Vourleur. 
Lyon   James,   op.  20  Idyll,  stO,  Part    3 —  ;i. 

St   1.50  u  Breilkopf. 

-  Comnuinion   Service  — /4  n   Vincent. 

-  Farewell,   Aileen   4/ —   Swan. 

-  Magnificat  and  Nunc  dimittis,  SATli,  in   .\ 

— /6,   in  B  flat  — /4   Weekes. 
-Pearl    of    Sicily,    2  &  3    treble   part-;     l/fi  n 
Vincciit. 


Lyon  J,  Since  ive  jHirted 


721     — 


Lyra  Ecclesiastica 


-Since  we  parted  2/ — n   Vincent. 

-  5   Songs  3/ —  n   Forsyth. 

-  There  were   shepherds   abiding   in  the   field 

(Christmas   Anthem)    — /3  n    Vincent. 
Lyon   Ralph   E.  Exultemiis  0  Sodales    (Mal- 
vern School   Song),  SATB  — /6   Novello. 

-  Imperial  Quick  Step  March  4/ —  Willrocks. 

-  Sons   of   Liberty   4/ —  Willcocks. 

-  When    thou    passest    through,    SATB     — /i 

Weekes. 
Lyon    Ralph    E.    &    W.    Davidson,    Naughty 

Xaucy,    opera,    Voc.    score    6/ —  n.    Lyrics 

— /6  n,    A   splendid    force,    the    Police    4/ — 

Ascherhcrg. 
Lyon    Richard,   At   the  cross  — 40   Ditson. 

-  Dost  thou  know  that  sweet  land?   (Mignon) 

P  —50  Ditson. 


-  Eclectic   Organist    1.50    Ditson. 


P 


50 


-Harp  that  once   thro'   Tarn's   hall 
Ditson. 

-  Only  to  see  her  face,  P  — 50  Ditson. 

Lyon    Victoire,    3    Lieder :    Ahnung,    Gestor 
ben,     Mit   einem    gemalten    Bande,     a    1 — 
Eisctldt. 

-  4    Komanzen     (deutsch-franz.)  :      J.    Weih- 

nachten:  ,,Schwarz  ist  die  Nacht",  2. 
Waldblilmlein  und  Heideblume:  „Wald- 
bliimlein  sprach  zur  Heideblume",  3.  Die 
Ilosen  von  Saadi :  „Mit  meinem  Scharpen- 
band",  4.  Bliitterreigen :  ,,nerbstlich  rau- 
hes   Unge\A'etter",    a    1.50    Wernthal. 

-  Schlummerlied  — 80  Eisoldt. 

-  Traumerei    und   Sehnsucht    (friinz.-deutsch) 

1—  Eisoldt. 
Lyonel    M.    P'tit    frere    a    Fermi  ii<l,      Thony- 


Paris. 


W.  K  a  t- 
song  and 
and   chor. 


-Serenade    a    Lili    1.50  n    Ricordi. 

Lyons,    Cigarette   Mc.    Carty   — 35    Vi'hite. 

-  Day,    Oh    the    daylight    for    me   —40    Ellis. 

-  It's   a  long   lane   that    has   no   turn,    motto 

>ong  and  chorus  — 35   White. 
Lyons  D.  J.  Around  above  thee  hangs  a  spell, 
arr.  by  F.  W.  R  a  t  c  1  i  f  f  e  —40  Brainard. 

-  O'er    Arno's    silver    M-ave,    arr.    by    F.    W. 

E  a  t  c  1  i  f  f  e  — 40   Broinard. 

-  'Twas   but    a   dream,   arr.   by    F 

c  1  i  f  f  e  — 40   Brainard. 

Lyons    Fred,     De    sun    do    move, 
chorus  — 40  Gordon. 

-  De  sun   do  move,  ethiopiiui    son 

— 35   Gordon. 

■  Dem  chickens   roost  too  High.   smig.  djoru^ 

and  dance  — -40  Goggan. 

-  Dream,  ma  yaller  baby,  dream  — 50  Goggan. 

-  Co   and    tell    Maria     (Comic    Xigger    Song) 

— /2  tiheard. 

-  <;o  hear   Brother   Gardner  speak, 

chorus  — 40   Gordon. 

-  Go  hear  Brother  Gardner   speak, 

song  and   dance  —40   Gordon. 
-Go    hear    Brother    Gardner    spcjik     ( 
— 40   Gordon. 

■  Paint  all  de  little  black  sinners  wlii 

Goggan. 

-  Paint  all  de  little  black,  song,   cluniis   and 

ilance  - — 40   Goggan. 

-  When     1    swim     the      golden      ribber      — 40 

(logg<in. 

I'liiviTsal  Ii;iliilbii(li  del    Mii.siklitt'i:itiir.     I,. 


*ong  and 

I'thiopian 

( N(>gro  I 

-40 


-  When  i  SAvim  de  golden  ribber,  song,  chor. 

and   dance  — 40   Goggan. 
Lyons    Maurice,   Over   land   and   sea,   marcli 

— 50,    mO  — 50   Royal   Music  Co. 

Lyra,  Deutsche  Weisen :  Heft  I,  Geistliche 
Lieder,  IT.  Lieder  gem.  Inhalts,  III.  Stu- 
dentenlieder,  IV.  Gesange  f.  2  u.  3  St., 
V.  Lieder  f.  FIATB  ii.  TTBB,  a  2— u  Bi-eit- 
kopf. 

Lyra,  Kouzert-  u.  Hausmusik,  sO :  Nr.  26. 
V  o  1 1  s  t  e  d  t  R.  op.  117  :  Hamburgs  Ver- 
gangenheit  und  Gegenwart,  Marsch-Pot- 
pourri  1.80  n.  Nr.  69.  Mozart  W.  A.: 
Potpourri  a  us  „Zauberfl6te"  2.50  n.  Nr. 
82.  K  r  e  u  t  z  e  r  C. :  Potpourri  a.  ,,Nacht- 
lager  von  Granada"  2.50  n.  Nr.  84.  K. 
K  r  a  t  z  1,  op.  500  :  Les  derniferes  Gouttes, 
valse  2 — n.  Nr.  85.  Halevy  F. :  Pot- 
pourri aus  „Die  Jiidin"  2.50  n.  Nr.  86. 
J  o  n  c  i  6  r  e  s  W.  v. :  Potpourri  aus  ,,  Jo- 
hanu  von  Lothringen"  4 — n.  Nr.  90.  Ad. 
Schreiner:  Schumann-Album,  Fant:'.- 
sie  2.50  n   Benjamin. 

Lyra,  Sammlung  ausgew.  u.  beliebter  Kom- 
positionen  fiir  9 — 28st.  Ilarmoniemusik, 
Heft   33.      Grosse. 

Lyra,  Sammlung  der  neuesten  Original-Kom- 
positionen,  OrgfH).  11  Hefte  a  1.60  Paz- 
direk. 

Lyra,  Universal-Bibliothek  f.  1  u.  mehrere 
Z,  audi  m.  Text  (Salnmlung  der  altesten 
u.  neuesten  Musikstiicke  bester  Meister) 
(Nr.   1 — 51).   Kramer. 

Lyra,    Zusammenstellung   der   schonsten   und 
anmutigsten    v,    d.    neuesten    Opern    u.    a. 
^Verken   f.   G,  Nr.    1—100  :1   - 
bis    110    a    —00    Hoffmann. 

Lyra  Ecclesiastica,  racolta  di 
motetti,  salmi,  vespro,  ecc. 
ria  I:    Fascicolo   1 — 8,   14 

9 


-60,   Nr.    101 


-29 


a 


>.50  n,    Fasc. 


messe,   inni, 

C  a  t  e  g  o  - 

18,  21,  22,  25. 

11,    23,    26     a 


3—,  Fasc.  12,  13,  19,  20,  24  a  3.50  Leo- 
nardo da  Vinci :  Fasc.  I :  B  e  n  t  i  v  o  g  1  i  o 
G. :  2  ingressi  ed  1  Post  epistolam  a  2 
(■  3  Aoci  con  Org  — 90.  Veritas  mea.  Offer- 
tor  io  per  voce  di  Bar  con  ace.  d'Org  — 50. 
Ecce  Sacerdos  magnus  e  Tu  es  Sacerdos 
a  2  voci  con  Org  — 50.  Tantum  ergo  a  3 
voci  con  Org  — 50.  Sanctus  Benedictus  ed 
Agnus  Dei  ii  3  voci  {2TBJ  con  Org  —90. 
Bernini  G. :  Sacerdos  et  Pontifex  a  3 
voci  (ZTBl  con  Org  — 60.  Ecce  Sacerdos 
Magnus  a  3  voci  (CTB)  con  Org  —60. 
Ignoto:  Ecce  Sacerdos  Magnus  a  4  voci 
fSCTB)  ed  Org  di  facile  csecuzione  e  di 
effetto  — fiO. 

IT  :  A'  a  r  i  A  u  t  o  r  i : 
ouore  (li  ^laria  SS.  ad  1, 
Org  1 — .  1*  e  r  n  i  n  1  G. :  ( 
siderio  del  l*aradiso"  ad 
— 50.  Ricorso  a  S.  Giuseppe  a  2  voci  e( 
Org  —50.  Canzonetta  a  S.  Filippo  Neri 
a  3  voci  ed  Org  — 50.  Canzonetta  in  onore 
di  S.  Antonio  da  Padova  come  sopra  — 50 
Canzonetta   a  2   voci 


Canzonciue    in 

2  e   3  voci   con 

anzoncina   ,,l)e- 

1    voce    ed    Org 
■) 


I  ionzaga 
con  Org 


-50. 
SO. 


m   onore  di  S.  Luigi 
Litanie    popolari    a   3    vo.i 


4(i 


Lyra  Ecclesiastica 


—     722    — 


Lyra  Ecclesiastica 


III:  ()  r  1  ii  II  (1  (I  il  i  L  ;i  s  ^  () :  Maynili- 
c-at  il  4  voei  con  Ory  (^('TB)  — So.  IB  o  t^ 
t  i  g' 1  i  e  r  o  E. :  TiUitum  ergo  a  4  voci 
(2T2BJ  —50.  Bernini  G.  I'^Dne  0  Saln- 
lari  Hoslia  a  2  ^oci  vd  Org  — Go.  C  li  i  e  s  a 
F. :  Tu  es  sac-erdos  a  4  voci  {^CTB)  con 
Ory  —05.  Tadini  X.:  :\totetto  Cnsto- 
divil  a  2  voci  (BT)  ed  Ory  — /.o.  Saglia 
A.:  Yeni  Creator  facile  a  2  voci  ed  Ory 
■ — 65.  B  a  r  o  n  c  h  e  1  li  :  Juno  del  Prezio- 
sissimo  Sangue  di  N.  8.  G.  (\  a  4  voci 
con   Ory  —90. 

I\':  0  li  i  e  s  a  V.:  T.iicernarinin  pel 
Vespro  Ambrosia  no  a  4  voci  (SC'l'li)  ed 
Org  — 50.  B  e  n  t  i  v  o  g  1  i  o  (J.:  Inno  Mi- 
sterium  Ecclesiae  a  4  voci  (SCTH)  ed  Ory 
pel  vespro  Ambrosiano  — 50.  B  a  r  o  n- 
c  li  e  1 1  i  L. :  Salmq  Dixit  Doniinus  a  4 
voci  (t<CTB)  ed  Org  (pei  due  riti  ro- 
niano  ed  anil)rosiano)  1.40.  Magnificat 
come  sopra    1.40. 

V :  B  e  n  t  i  \-  t)  g  1  i  o  (J. :  Ingresso  (o 
motetto)  per  S.  F  i  1  i  p  p  o  N  e  r  i  a  2 
Aoci  con  Ory  — 50.  B  a  r  o  n  c  h  e  1  1  i  L. : 
Tantum  ergo  a  2  voci  ed  Org  — 65.  G  all* 
G. :  Dio  sia  beuedetto,  a  2  voci  ed  OryfU/ 
— 75.  Grossi  L. :  Landa  Sion  a  ?>  voci 
con  ace.  d'Ory  aggiunto  da  G  i  u  1  i  o 
B  e  n  t  i  V  o  g  1  i  o  — 50.  O  Saluta  ris  TIo- 
^tia,  a  .")  voci  idem  — 50.  Ave  verum,  a  .1 
A  oci  idem  — 50.  O  sacrum  conviviuin,  a  4 
Aoci  (2T2B)  idem  —50.  \  W  {  o  r  i  a  :  Pf)- 
])ule  mens,    '.\  voci    con    Org   — 60. 

\'  r :  B  a  \-  a  n  e  I  1  o  O. :  IVIessa  facile  e 
lirc\  I'  in  onore  di  8.  A  1  b  e  r  t  o,  ad  1  voce 
ed  Or//  1.50.  Ecce  panis,  ad  I  Aoce  ed  Org 
— 40.  Domini  est  sains,  ad  I  \  oce  ed  Ory 
—  40.  Tantum  ergo  ad  1  ()p]>nre  4  voci  ed 
Ory  — 60.  Altio  Tantum  ergo  come  sopra 
— GO.  Pange  lingua  a  2  \  oci  ed  Org  — 40. 
Jste    confessor    a    •'!    AOci    ed    Org    — 40. 

\'II:  Poll.Mi  G.  B.:  Messa  a  .H  voci 
c(l  Ory  (li  facile  esecuzione  premiata  al 
concoi-o  ])iibl)l  leal  (1  dalla  ('asa  Kdiliicr 
neiraprile    1  Stl.".    2.5(t. 

\'U\  :  .\I  a  t  t  i  n  I  i  (;. 
I  \  oce  cfin  ace.  d'Ory  - 
a  2  vf)ci  con  (tr;/  — 60. 
'  -a    a    4 


y  1  a  d  a  n  a  :    .M(»ssa 
Ory   aggiiintd   du    (.'. 

I.\  :    Sa  gl  i  a    A.: 
A  ni  1)  r  o  <■  i  o   a    tre 


:     Laiida     Sioii    at 
-50.    Tantum    er<io 

G  r  o  s  s  i   L 
Aoci    (tiCTB)   c( 


d  a 


I)  ('111  i  \  <>  !;■  1  i 


Messa  in  onore  di  S. 
A'oci  con  ace.  d'Ory  <• 
parli  niobili  della  messa  del  Santo  Doltorc 
l)ei  due  riti  Bomano  e  Ambrosiaufi.  Kyri" 
1 2TB  J  — 50.  Gloria  (idem)  — SO.  Credo 
(idem)  1.10.  8anctus  et  Benedictns  (2TliJ 
— 50.  Agnus  Dei  (id(>)n)  — GO.  Parfi  mo- 
bili  pel  Bito  Bomano:  Introito:  hi  iiv- 
dio  ecclesiae  (2Tlli  — K).  (Jradialc:  Va-w 
Sacerdos  M:ignus  (idem)  — 4n.  (  XVritorio  : 
Veritas  mea  (idem)  — 40.  Paiti  uiohili 
pel  Bito  Ambrosiano:  Ingressa  :  In  medio 
Ecclesiae  (idem)  — 40.  Post  epistolam: 
Tn  es  sacerdos  (idem)  — 50.  OlTcitorio  • 
Inveni    David    (idem)    — 50. 

X  :     Cantica     Sioii.        1!  a  \  a  n  e  11  <>     O.  : 
Sahe    iJegiiui    ad    1    voce     con     Ory     — 50. 


Tola     I'lilclira     (idem)    —50.    Stabat     .\la(ci 
a 


VOCI 

riano  ed 


a     \ersetti 
ace.  d'Ory  - 


alternati    col    grego- 
50.  Ave  Maria  Stella 


a  2  voci  con  Ory  — .30.  Tantum  ergo  a  4 
voci  (2T2BJ  — 40.  Pauge  lingua  a  2  voci 
con  Orfi  — 40.  Lucis  Creator  optime  a  4 
voci  (oppure  a  2)  con  Ory  — 40.  Dens 
luorum  militum  a  4  \oci  come  sopra- — -40. 
Trisres  erant  Apostoli.  a  :>  e  4  voci  con 
Ory  — 25.  Laiulate  ])ueri  a  2  \oci  ed  Ory 
(^•ersetti  alternati  col  gregoriano)  — 25. 
Ave  Maria  a  4  .\  oci  opjmre  ad  1  con  Orfi 
— GO.  Miserere  a  3  voci  (2TB)  con  ace. 
d'Ory  (Jliirm)    1.50. 

XT:  Soranzo  (i.:  Inni  pel  Aespro  (a 
tre  Aoci  con  Ory)  delle  principali  solen- 
nita  deH'anno,  facili  :  Inno  ])el  vespro  del 
Santo  Xatale  —50.  Idem  (bdl'Epifauia 
— 50.  Tnno  di  S.  G  i  u  s  e  p  p  e  — 50.  Idem 
deH'Ascensione  — 50.  Idem  di  Pentecoste 
(^'eni  Creator)  — 50.  Idem  del  Corpus 
Domini  (Pauge  lingua)  — 50.  Idem  della 
SS.  Trinita  —50.  Dei  SS.  Apostoli  —50. 
Delia  Dedicazione  della  Cliiesa  — 50.  Ave 
Maria  stella  — 50.  ()  gloriosa  Virginum 
—50. 

XIT  :  Af  a  t  1  i  o  1  i  G. :  Messa  facili.ssima 
a  2  voci  con  Ory  jier  cori  poco  esercitati. 
specialmente  di  campagna  2 — :  Kyric 
— 50.  Gloria  — 80.  Credo  1.20.  Sanctns  et 
Benedictns  — ;^5.  Agnus  Dei  — 25.  B  o  t- 
tazzo:  Tantum  ergo  a  .3  voci  con  Ory 
—50.  C  i  c  i  r  i  e  I  1  o  F.  B. :  Ave  :\Iaria  a 
4  voci  (m1  Or<i  — GO.  Spiritus  Domini  a 
.5  voci  ed  Ory  — GO.  C  h  i  e  s  a  F. :  Sacer- 
dos iste  a  4  \oci  ed  Oiy  — 50.  Oibavit  eos 
a  4  voci  ed  Ory  id.  — 50.  B  a  s  t  i  e  n 
E  1  i  s  a  b  e  t  11  :  Tanlinn  ergo  a  ."->  \  oci  ed 
Ory  —50. 

XI  li:  I!  a  \  a  II  (■  1  1  o  :  ]\le.s.sa  soleiiiie  a 
4  voci  ])ari  I2T2B)  con  Org  2.50:  Kyri>' 
— 5().  Crloria  -—SO.  Credo  1 — .  Sanctus  et 
Benedictns  — ()5.  AgniiN  Dei  — 50.  Bol- 
ta  zzo  L.  :  Te  Deiiiii  a  2  Aoci  con  Ory 
ed  a  \('rsetti  altei'uafi  col  canto  grego- 
riano  — SO. 

Xl^':  Sola  nzo  (J.:  .Messa  di  facile 
esecuzione  a'.".  \  oci  egiiali  (2TBjOrg  ad 
lib.  2.50:  K.\  rie  —30.  Cloria  —45.  Credo 
— 50.  Snnctus  Benedictns  — 30.  Agnus  Dei 
— 25.  B  e  n  t  i  \  o  g  1  i  o  (i. :  Pange  lingua 
a  4  \  oci  ])er  processione  — 40.  C'  o  r  o- 
II  a  ro  .\.:  Sanctns  a  4  voci  (C2TI'>)  con 
Ory  — 50.  O  Salutaris  Tlostia  (idem)  — 40. 
Agnus  Dei  (idem)  — 50.  Perosi  L. :  Due 
A'eiii    ('reator    a    2    a  oci    — 40. 

XV  :  B  e  n  t  i  v  o  g  1  i  o  G. :  Introito,  Post 
Kpistolaiii  a  inuittro  \'nci,  Offertorio  pel' 
/>'     ()    Sacnini    (on^ixiinn    ad    1    \oce    tutti 


con    d'Ory     \---. 
xit  Dominns  a    '■] 
S  o  r  a  11  z  o    ( i . : 
xit    Dominns    et 
Ory   -1     . 

W  \  .    S  o  r  a  11  /.  o    <  ■. 
\()ci    COD     Ory     1 .50.    11  ( 
e   Benedictns   a    3   voci  - 


( '  Il  i  c  s  a    F. :    Salmo 
•\  oci    (2TB)   con   Ory 


Dcus    in    adintorium. 
Ma^nilicat    a    '■]    \  oci 


Di- 

1-   . 

Di- 

COII 


Messa  facilo  .a  2 
11  r  ion:  Sanctus 
-75.  C  a  s  i  r  a  u  li  i 


Lyra  Ecclesiastica 


72J 


Lyra  Ecclesiastica 


r. :  Tdeiii  a  2  voci  con  Or;/  — SO.  B  e  n  t  i- 
voglio  (>.:  Maonifioat,  2  \0(i  con  On/ 
1—." 

XVII:  Cfo  r  o  n  a  r  o  .\.:  .Messe  ;i  3 
voci    i2TBJ   con   Onj   2.50. 

XVIII :  B  o  r  t  o  1  n  n  C. :  Kyiie  a  2  voci 
con  Org  — oO.  Gloria  (idem)  — 80.  Credo 
(idem)  1 — .  Sanctus  e  Benedictus  (idem) 
— oO.  Aguu.s  Dei  (idem)  — .30.  Tantum 
ergo   a   3    \()ci    con    Or;/  ^50. 

.XIX:  G  r  a  s  s  i  C. :  Mes.sa  2.50:  Ivyric 
a  2  voci  con  Ory  — 50.  Gloria  (idem)  — 80. 
Credo  (idem)  1 — .      Sauctus    et    Benedictus 

(idem)  — 50.  Agnus  Dei  — 50.  B  o  1 1  a  z  z  o 
L. :  Tantum  ergo  per  2Conlr  — 50.  Jesu 
corona  \irg'inum,  iste  confessor  e  forteiii 
virili  pectore  a  2  \  oci  nt  supra  — 50. 
Tantuni   ergo   a   4    voci    e  Ory   — 50. 

XX  :  P  o  1  1  e  r  i  G.  B. :  Messa  <l:i  re- 
quiem a'3  voci  con  Or(j:  Bequiem  a  3  \oci 
—50.  Kyrie  (idem)  — 50.  Graduale  (idem) 
— 50.  Tiactns.  absohe  Doniinc  etc.  (idem) 
—SO.  Dies  irae  1.80:  Oftertorio  —80. 
Sauctus  e  Benedictus  — 50.  Agnus  Dei 
•^50.   Resjionsorio  Libera   me  — SO. 

-XXI:  Corona  ro  (;.  B. :  ]\Iessa  a  2 
voci  pari  con  Oig  2.50:  Kyrie  — 50.  (Mo- 
rJM  — 70.  Credo  1 — .  Sauctus  c  Benedictus 
—40. 


Agnus   Dei   — 40. 


XXIT  :   C  a  r  t  u  r  a  n   C. :    .Messa 


pari  eon  Or.</  2.50:  l\yrie  - 
— 70.  Credo  1 — .  Sauctus  c 
— 50.  Agnus  Dei  — 50. 

XXIIT  :    C  a  v  a  z  z  a  n  a     ( i . 


-50.    Gloria 
Benedictus 


.Mi 


da 


requiem  a  2  voci  con  Dry  3 — :  Introitus 
cioe  Requiem  e  Kyrie  eleisou  — 75.  Trac- 
lus  Absolve  Domine  — 45.  Sequentia  Dies 
irae  (completa)  1.50.  Offertorium  Domine 
Jesu  Cbriste  — 50.  Sauctus  e  Benedictus 
— 35.  Agnus  Dei  — 35.  Coinmunio  l.iix 
aeterua  — 35. 

XXIV':  IR  a  d  i  C. :  Messa  a  2  voci  con 
<Jnj  2.50.  Baspini  C. :  Tantum  ergo  a 
2  voci  con  Org  — 50.  B  o  1 1  i  g  1  i  e  r  o  D. 
E. :  Litanie  in  ouore  del  S.  Cuore  di  (Jesu 
a  3   voci    (2TB, I   con   Org    1.50. 

XX\':  B  e  V  i  1  a  c  (j  u  a  G.  B. :  Tantum 
ergo  a  4  voci  (iTBitrBj  con  Org  — 50. 
B  o  t  t  a  y.  z  o  L. :  Tantum  ergo  a  :! 
voci  con  Org  facilissimo  — 60.  P  oi- 
ler i  G.  B. :  Graduale  per  la  fcsla 
di  Peutecoste  a  4  voci  con  Org  — (iO. 
W  a  1  c  z  y  n  s  k  i  il  o  n  s.  V  r. :  Melodia'- 
Sacrae,  O  Salutaris  llostia,  ed  o  Deirs 
ego  amo  te  a  4  Voci,  Org  ad  lib.  — 50. 
Bossi  C.  A.:  Quando  orabas,  a  2  voci 
— 30.  B  e  r  t  e  1 1  i  S  a  c.  Cr. :  Tantum  ergd 
a  3  voci  con  Org  — 00.>  B  e  n  t  i  v  o  g  1  i  o 
G. :    Ofl'ertorio    per    la    Icsta    di    Pas([ua    ;iil 

1  voce  con  Org  — 50. 

XXVI:    Bianchini    P.:    Inni    ad    1    o 

2  voci  ad  lib.  con  Org:  Tantuni  ergo  N". 
1 — 6  a  — 50.  (J  sacrum  Convivium  — 50. 
O  Salutaris  Hostia  —50.  ^'exilla  Eecis 
X.    1—2   a   —50. 

.\X\'II  :  G  a  \  a  z  z  a  n  a  <i.  :  Funzione 
Ne-^pertina    in    ouore    di   Maria   SS.      Con- 


tiene:  Preludio,  Pauge  lingua  a  3  voci 
con  0?f/,  luterludio,  Ave  Maris  Stella  a 
3  voci  alternata  col  gregoriano  ed  ace 
(['Org,  Tantum  ergo  a  3  voci  con  Org, 
Adagio  per  la  beiK'dizione,  0  salutaris 
Hostia  pure  a  3  voci,  Postludio  2 — .  AVal- 
c  z  y  n  s  k  i  F  r. :  Piae  petitiones  S.  Augu- 
stini  Ep.  a  4  voci.  Org  ad  lib.  1 — .  Bot- 
tazzo  L. :  Tantum  ergo  a  4  voci.  Org 
ad  lib.  —50. 

XXVIII:  Saglia  A.:  Messa  a  2  voci 
con  Or()  facilissima  2 — .  Ecce  Sacerdos 
uiagnus  a   3   voci  con   Org  facilissimo   1 — . 

XXIX :  P  o  11  e  r  i  G.  B.  Messa  a  4  voci 
con    Org,    facile    3.50. 

Lyra  Ecclesiastica,  Categoria  Jf:  Org- 
solo,  Ease.  1  — 15  a  2.50  n  Leonurdo  dn 
ViiHi :  Ease.  I :  B  a  v  a  n  e  1 1  o  0. :  Dodici 
pezzi  per  Org(ll)  1.50.  Bernini  G.: 
Messa    detta    dejla    ^ladonua,    Org-t^.    1.50. 

IT  :  M  n  t  t  i  o  1  i  G. :  L'organista  alia 
beiiedizione  ossia  0  preludi,  10  cadenze  o 
•intermezzi,  per  Tantum  ergo,  2  accomp.  al 
Tantum  ergo,  12  adagio  per  la  benedi- 
zione.  6  cadenze  ])e]  Sauctus  l)eus,  6  post- 
ludi    o  linali. 

Ill:  B  o  1 1  a  z  z  o  r>.  :  Messa  compb^a 
per  Org  1 .50.  B  e  n  t  i  v  o  g  1  i  o  (i. :  Ac- 
comp. del  vespro  romano  nella  tonalila 
\iiluta    dal   gregoriano   1.80. 

T\'  :  R  a  V  a  n  e  1  1  o  O. :  Pastorale  —Go. 
Oiiertorio  — (30.  Elevazione  — 00.  Commu- 
nione  —60.  Saglia:  Offertorio  —60. 
Elevazione  : — 50.  P  o  1  1  e  r  i  :  Communiouc 
—GO.   C  a  n  e  s  t  r  a  r  i  :    Offertorio   —60. 

y  :  C  h  i  c  c  a  1". :  -Messa  2 — .  G  r  a  s  s  i 
II:    Otto  pezzi   per    Org    1.20. 


VI 


B  e  n  t  i  V  o  g  1  i  o      ( i 


i'reludio. 


Postcononunio  e  inno  religioso  1.30.  C  a- 
siraghi  E. :  Euglietta  a  2  parti  — 5i'. 
Rinck  C  h. :  Offertorio  e  Commuuionc 
1 — .   Preludio   e   Fuga    1 — . 

\'  [  [ :  B  o  t  t  a  z  z  o  L.  :  Otto  pezzi  per 
Org  cioe  Preludio,  Offertorio,  Elevazione, 
(  ommunio,  Postludio,  Preghiera,  Marcia 
luuebre,  JMarcia  solenne  2 — .  G  i  a  r  e  1 1  a  : 
Tre  pezzi  per   Org    1 — . 

VIII :  R  a  V  a  u  i'  1  1  o  O. :  Diciotto  pezzi 
per  Org  cioe  Preludio  corale,  Communione, 
Elevazione,  Interludio,  Eughetta  I,  Eug- 
lietta II,  Marcia  di  processione.  Trio  per 
I'Epistola,  Offertorio,  3  piccoli  iuterludii 
per  la  benediziono,  1(»  \ersetti  pel  Tan- 
tum   ergo,    2    ilarcia    funebre. 

fX  :  B  i  a  11  c  Ii  i  u  i  S. :  Otto  pezzi  per 
Org(Ui. 

X :  Poller!  G. :  Preludio,  Offertorio 
c  Processione  1.50.  Corona  ro:  Preludio 
con    I'ugato    1 — .    Ofl'ertorio    soleuno    — 80. 

XI :  B  e  u  t  i  V  o  g  1  i  o  G. :  La  messa  di 
uozze  ossia:  Entrata,  tempo  di  marcia, 
Preludio,  Offertorio,  elevazione,  commu- 
nione, Postludio,  sortita  :  facilissima  1.50. 
La  messa  letta,  ossia:  P 
elevazione,  comnuinione 
cilissimi   1.50. 


reludio  offertorio. 
e    Postludio.    fa- 


40" 


Lyra  Ecclesiastica 


724 


Lysberg  Ch.  S.  op.  16 


XII :  P  o  1  1  e  r  i  G.  B. :  2  preludii,  8  ver- 
selti  in  toui  different i,  2  offeitori,  2  ele- 
vazioni,  2  postcoinunio,  2  fiuali  niarziali 
— •   tutti   fac'ilissinii    2.50. 

XIII ;  P  o  1 1  e  r  i  G.  B. :  40  Versetti  nei 
toni  maggiori  di  Do,  Fa,  Sol,  Si  b.  Re  e 
nei  toni  niinori  di  La,  Re,  Mi.  Sol,  Si 
(4   per  tono)    iacilissinii  2.50. 

XIV :  Bottazzo  L. :  Died  pezzi  fa- 
cilis&inii  per  Org  solo  cio& :  2  preludi, 
2  ofiertori,  2  elevazioni,  2  comunioui  e  2 
postludi   vivaci   2.50. 

XV:  Bottazzo  L. :  Altri  10  pezzi 
faeilis.simi,  cioe :  2  preludi,  2  offertori, 
2   elevazioni,   2   comunioni   e  2   finali   2.50. 

Lyra  Sacra,  a  collection  of  motets,  offer- 
tories, hymns  for  Benediction  etc.,  female 
voices,  compiled  by  G.  Fischer  — 75  n 
J.  Fischer. 

Lyra  Seraphica,  a  collection  of  german 
hymns  for  church  or  private  devotion  to 
the  Sacred  Heart  of  Jesus,  Bl.  Virgin 
Mary,  in  honor  of  St.  Anthony  etc.,  for 
unison  or  two-part  chorus,  compiled  by 
Rev.  I  g  n.  ]M.  W  i  1  k  e  n  s  — 25  J.  Fucker. 

Lyra  Justus  W.  Aus  „Deutsche  Vi^eisen": 
Bethanien:  ,,Bethanien!  Wie  Melodic  vom 
Himmel  tout  dein  Klang"  — 30.  Du  hist 
M"ie  eiue  stille  Sterueuuacht  — 30.  0  selig 
Ilaus,  wo  man  dich  aufgenommen  — 30. 
Wenn  sich  ZM'ei  Herzeu  scheiden  — 30 
Breilkopf. 

-  Diesem    Hause    ist    Heil    widerfainen :     ,,0 

selig   Haus,   wo   man    dich    aufgenommen", 

^ATB   1.05  n   Breitkopf. 
-Einkehr:    ,,Bei    einem    Wirte    wundermild'', 

TTBB  —60   Breitkopf. 
-"12    kleine    ]\Iotetten,    3    Fraueust    (Kinder- 

od.   Mannerst) ,   hrsg.   v.   Kircheuchor-Ver- 

band    der    Provinz    Hannover,    Part    —50 

Gric.9. 

-  Nachtwtichterlied:    „H6rt,    ihr    Ilerr'n,    und 

lafit  euch  sagen",  8ATB  m.  Bar-Solo  —60 
Breitkopf. 

-  Nur    in    Deutschland :      ,,Zwischeu    Frank- 

reich   und   dem  Bohmerwald",   TTBB  — 80 
Euleniurg,  — 30  n  Kiihle  d-  Wendling. 
-Psalm  62;  „Meine  Seele  ist  stille  zu  Gott". 
SATB   1.60  n   Breitkopf. 

-  Reiterlied :      „Die    bange    Nacht     ist     nui: 

herum"  —30,   TTBB  —60  Breitkopf. 

-  Selig  sind  des  Himmels  Erben,  TTBB  1.05  n 

Breitkopf . 

-  Wanderschaft :    ,.Der    iMai    ist    gekommeu'" 

—30  Breitkopf. 
Lyre    brisee,    'J 

Eveillurd. 
Lyre  des   Fanfares  & 

Marches.   Andantes, 

taisies,    Ouvertures 


Bar    1 — n,    Ch.    s. 


-35  u 


coll.    1— 111    a   — 
— 75  n   Pinatel. 
Lyre   enfantine,   4 


Harmonies,  Pas  red.. 
Airs  nationaux,  Fan- 
etc.    HarmfFanfJ,      7 


chants 


.50, 


Ch 
(la 


Lyre  fran(;aise 

nier  de  tons  les 
ma  II  n . 


75  n,    IV 

Recueils 
,    s.   —50 
nouvelle) 


1.2.5, 


V— VII 


a    1    voix    (a   32 
Pinatel. 

on  le  ehauson- 
goAts,  1    vol.  2— n    Borne- 


Lyric  Album,  5  Pieces  by  Vale-Lane, 
T.  Bonheur  etc.  Maml(V)P  1/6  Ash- 
do  uoi. 

Lyric  Fancies,  Album  of  Songs  tor  t>(T) 
by  American  Composers,  2  vol.  a  3— u 
Bchmidt. 

Lyric  Gems,  A  or  B  &  Bur  or  K  or  T  1  — 
Ditson. 

Lyrische   Stlicke,    VcP  5.50   Breitkopf. 

Lyrische  Stiicke  f.  Konz.  u.  Salon,  PVc 
(Grimm)  (Volks-Au.sg.)  4—,  I— II  ;> 
2—  Breitkopf. 

Lyro  E.  After  the  storm  1/ — n  Augener. 

Lys  dans  la  vallee,  de  Pujet  —30  Jott- 
berf. 

Lys   du    Voyageur  — 30   Jouberf. 

Lys   et    le   papillon,  d'A  m  a  t  — 30   Joubert. 

Lys,   Nuits,  avec  ace.  de  PV  2 —  Choudens. 

Lys,  schottisch  — 85  n  Eveillard. 

Lys  A.  de,  A  t  t  i  1  a,  Divert.  P  2.50  Ricordi, 

-  Trascrizioni,    P :    N.    1.    Luisa    Miller    2 — . 

N.    2.    Nabucco    2.50.    N.    3.    Ernani    2.50. 
N.    4.    Rigoletto   2.50    Eicordi. 

-  Trascrizioni,  P :  N.  1.  Un  Ballo  in  maschera 

(Canzone)     1.50.    N.    2.    La    Traviata    3—. 

N.    3.    La    Traviata    3—.      N.    4.    I  Vespri 

Siciliani  3—.   N.   5.   I   Lombardi   .3—.  N.  6. 

II   Trovatore   3—.   N.   7.   Macbeth    1.50   i?(- 

v(jrdi. 
Lys    R.    -Vu    revoir!    mazurka,      Lufontoine. 
-Vive   la   Russie!    valse   5 —   HameUe. 
Lysberg    Charles    S.     (Bovy)     (1821—1873), 

op.    1    Les    Suisses.    5    valses   brill.    P    I — 

Hofineister. 

-  2  In  die  Berge   (Sur  la  Montague)  :  ,,Frisch 

auf!  am  Berg  mit  golduem  Strahle"    (Ho- 

hx!    voici    sur    la    ]\Iontagne),    TTBB    1.73 

Ilofnieister. 
■  3  Quatre  Romances  sans  paroles:  A  Marie! 

R^ve.   Espoir.   Souvenir,    Ire   Livr.    P    1.25 

Jlofnieister. 
-4    Le    Lac    de    Brientz,    Quadrille    1 —    Hof- 

meister. 
-5  Le  Lac  Ij^man.  quadrille  1.50  Hofmeister. 

-  6    Amaranthes,    4    valses    brill.       1- —    Hof- 

meister,   2.50    Ricordi. 
-7   Barcarolle,   P   2— n    Costallat,    1.50   llof- 
meisler,  2 —  Ricordi. 

-  8  Les   Roses   d'Automne,   valses  brill.   2 —  n 
Hofmeister,   2.25    Ricordi. 


brill.    2—11 


n    CostuUol.     1 


Cost  allot,    1- 

-  9    La    Reine    des    Pr4s,    valse 

Coslallat,   1 —  Hofmeister. 

-10  Trois  Nocturnes,  P  h  1.50  n  Costallal, 
N.  1.  (Des)  1.75,  N.  2.  (E)  —75,  N.  3.  (H) 
— 50  Hofmeister,  cplt.   !/• —  Xocello. 

-11  Fantaisie,  P  2.50  n  CostaUat,  1.50  Hof- 
meister. 

-  12    Andante,    /'    2- 

meister. 

-  13  Fantaisie,  P  4- 

CostaUut. 

-  14  Six  Etudes  de  Salon,  P  3— n  CostaUat, 

2.50  Hofmeister. 

-  15  Le  Langage  du  Coeur,  4   romances  sans 

paroles,    P    2.50  n    Costallal,    1 —    Hofmei- 
ster,  2.50   Ricordi. 
-16   Fant.   sur   Guillaume   Tell    (Rossini), 
/'   7.50   (Iriis,    1.50   Hofmeister. 


Hofmeister, 


ims 


Hof- 


jO  II 


Lysberg  Ch.  S.  op.  17 


—     725     — 


Lysberg  Ch.  S.  op.  58 


17  Rose   des   Alpes,    vulse    brill.    1.50    Hof- 
mristtr,    6 —    Tyonohie. 

18  Six    Cuprites,    /'.■    Liv.  I    G— ,    II     7.50 
Lemoinc,   I    1.50,   II    2.50   Ilofmeister. 

19  Les  eglautincs,  4  raises  1.75  Ilofmeister, 
-'/«(.s    2.50  u    Costallat. 

20  Etude    p.  la    main    gauche    1.70  n    Co- 
stallat,  1 —    Ilofmeister. 

21  Fantaisie  brill,  sur  la  Cavatine  far.  de 
la  Niobe,  de   Pacini,  P  3—  n   Costallat, 


2.25 


Ilofmeister. 


22  Valse  brill.    1.75   Hofmeisler,    '/ms  2.50  n 
Costallat. 

23  Divertissement   brill.  P   1 —  Ilofmeister. 

24  N.  1.  La  Lithuanienue.  2.  La  Sil^sienne, 


1.2 


Ilofmeister, 
Ricordi,      N.  2 


/fms  : 


P 
P 


2  polkas  brill,  a 
N.  1  6—  Heiiycl, 
Ileugel,  2.50  Ricordi. 

24  ISIelancolie  et  Tristesse,  2  nocturnes, 
2.50  n  Costallat,  1.80  Andre,  Tristesse, 
— 25  Jurgenson. 

25  Deuxi&me  Barcarolle,  P  1 —  Ilofmeister, 
2 —  Ricordi. 

26  La  Napolitana,  etude  de  legerete,  P 
5 —  Lemoine,  1 —  Hofmeister,  — 40  Schle- 
singer,  4/ —  Aitgener,  — 60  Brainard,  2/6 
Chappell,  Cramer,  — 40  Gordon,  — 50 
Schirmer,  3 —  Mariani,  Ricordi,  — 35,  (A. 
n  e  n  s  e  1 1)    —40    Jurgenson. 

27  Trois   Eomances   sans   paroles:    Regrets. 

Lemoine,    1 — 


2.75     Ricordi, 


6— 
,  4— 


Lemoine. 
Mariani. 


Lemoine,    1- 


Lemoine, 

Lemoine, 


1. 


1.50 


Ilof- 
llof- 

',  1- 
3— 


Invocation.  Aveu,  P  6 — 
Ilofmeister,  ■ — 20  n  Riihle, 
Invocation   — 15   Jurgenson. 

28  Terpsicliore,    caprice,      P 
1.50  Ilofmeister,  3/—  ^chott 
3.75   Ricordi. 

29  Deux    Nocturnes,    P    5 — 
Ilofmeister,   2.50   Ricordi. 

30  Trois  Romances  .sans  paroles  (Pres  d'uue 
Chapelle.  Soir  d'Automne.  Rayon  de  Bon- 
heur),  P  6 —  Lemoine,  1 —  Hofmeister,  2.75 
Ricordi. 

31  Serenade,      P    6 — 
meister,    3 —    Ricordi. 

32  Tarantelle,    P    7.50 
meister,  3.50   Ricordi. 

33  Carillon,  impromptu,  7-*  0 —  Lemoiin 
Ilofmeister,      3/ —    A»5re»er,    Scliott, 
Ricordi. 

34  La  Fontaine,  idylle,  P  5 —  Lemoine, 
—40  liosuorth,  1.25  Ilofmeister,  — 20  n 
Riihle,  — 40  Schlesinger,  3/ —  Aslidown, 
Augener,  — 60  Brainard,  — 40  Church. 
— 5t)  Dilson,  Ellis,  Gordon,  — 10  J/c.  Kin- 
leg,  Nat.  Music  Co.,  — 50  iSchirmer,  2 — 
Mariani,  2.50  Ricordi,  1.50  n  Dutesio,  — 30 
Jurgenson,    Reed  Org    — 15  n    Presser. 

-  35    Bobemienne,    caprice,      P    5 —    Lemoine, 

1.50    Ilofmeister,    3 —    Ricordi. 
-36  Deux  Reveries,  7^.-   1.  Le  Cr^puseule.  2. 

L'Aube    6 — ,    a   — 45  n    Lemoine.    1.50   77o/- 

nieister,    3- —    Ricordi,    X.  2    3 —    ^LHf/ener, 

— 20  Jurgenson. 
37    Le    Tournoi,    poeme    musical,     P    7.50 

Lemoine.  2 —  Ilofmeister,  3.75  Ricordi. 
-38   Romanesca,    7*    5 —    Lemoine,    1.25    /7o/"- 

meister.   2 —   Mariani,   2.25    Ricordi. 


39  Le  Reveil  tics  Oi.seaux,  idylle  brill.  /' 
7.50  Lemoine,  2 —  Ilofmeister,  — 60  Schle- 
singer, — 90  IHtson,  — 75  ISchirmer,  4 — 
Mariani,    Ricordi. 

40  Le    Hamac,    berceuse,      P    6 —    Lemoine, 


-75    Brainard.    3- 


7?/ 


1.50    Ilofmeister, 

cordi. 
■  41    Fantaisie   sur   des    airs   sui.sses,   P    7.50 

Lemoine,    1.75    Ilofmeister,       (Alpine    fau- 

ta.sia    on    Swiss    Airs)     4/ —    Schott,    3.50 

Ricordi. 
-42    Danse    armeuienne    7.50    Lemoine,    1.75 

Ilofmeister,   3 —  Ricordi,  — 40   Jurgenson. 

-  43    Menuet    dans    le    style    ancien    4 —    Le- 

moine, 1 —  Hofmeister,  3,' —  Augener,  — 35 
Ditson,   Gordon,   Schirmer,  — 40   Vi,'ood. 
-44   Caprice    silesien,    P    7.50    Lemoine,    1.75 
Ilofmeister,  3/—  Schott. 

-  45   Fantaisie-galop  7.50   Lemoine,   2—  77of- 


46  Pensees  de  mai,  2   romances  sans 


paro- 


les,  P  6 —   Lemoine,   1.75    Ilofmeister,  N.  1 
3/ —  Augener,  N.  2  — 20  Jurgenson. 

-  47  R6ve  d'enfant,  melodic,  P  7.50  Lemoine. 

1.50   Ilofmeister,    3 —   Ricordi. 

-48  Yalse  brill.  8 —  Lemoine,  —80  Schlesin- 
ger, 4, —  Augener,  1 —  Brainard,  Church, 
Ditson,  Gordon,  Schirmer,  4/ —  Scholl. 
4.50  Mariani,  Ricordi,  — 60  Jurgenson, 
J/ms  5.50  Ricordi,   0  4 —  Ilofmeister. 

-49  Fantaisie  brill,  sur  la  Fanchonnette,  /' 
7.50  Lemoine,  2.50-  Lemoine. 

-  50  Allegro  de  concert,  7'  8 —  Lemoine,  2.50 

Ilofmeister,  4.50  Ricordi. 

-  51    Balladine,    caprice,    7*    7.50    6'yH*>,    — 70 

Bosuorth,  —80  5i<«/,  —20  n  /("H/fZe,  —60 
Schlesinger,  — 50  Tonger,  4/ —  Ashdown, 
Augener,  — 75  Brainard,  — 60  Church, 
Ditson,    Fischer,    Gordon.    ■ — 75    Schirmer, 

4 —  Mariani,  Rieordi,  2 —  Bevilacqua. 
— 40  Jurgenson,  1.50  Lundquist,  — 50 
Xeuparth,  — 75  IS'ord.  Musikforlag,  -'/wis 
9 —  Grus,  5 —  Ashdown,  4/ —  Augener, 
1 —  Ditson,  Gordon,  by  Rosewig  — 35  Gor- 
don, 6/ —  Leonard,  — 90  u  Presser,  5 —  7?(- 
cordi,  2P  3 —  Hofmeister,  8ms  12 —  Grus. 
Fl(V)  —15.  /^n'y/"  —30  Gordon,  0 
10 — n,  p.  Sep.  5—,  Cond.  2.50,  p.  s.  de 
(juat.    1.50   Grus,   0  4 —   Hofmeister. 

-  52    Fantaisie    alpestre,    P    7.50    Grus,    2 — 

Ilofmeister,   3.50   Ricordi. 

-  53   Valse  brill.   6—   IlameUe,  —GO   Tonger. 

4/ —  Schott,  — 45  Jurgenson,  ims  7.50 
77fl>/(f//r. 

-  54  Chant   d'Appenzell,   bluette   brillaute,    I' 

5 —  Lemoine,  1.50   Hofmeister,  2/6  Schoti. 

-  55  Chant  du  Nautonnier,  barcarolle,  P  6 — 

Lemoine,    1.50    Hofmeister,    3 —    Ricordi. 
-56  Ocean,  meditation,   P  5 —  Lemoine,  1.50 
Ilofmeister. 

-  57    Ama/.one,    galop    7.50    Gr(/s,     2—     77o/'- 

meisier,  4 —  Ricordi.  — 45  Jurgenson,  Jfms 
9—  O/v/s. 
-58  L'Angelus   du   matin,   P  6 —   OrMs,   1.5U 
Hofmeister,     — 50    Gordon,     2.75     Ricordi. 
— 30  Jurgenson. 


Lysberg  Ch.  S.  op.    ')<) 


—    79r 


Lysberg  Ch.  S.  np.  W.l 


-59  Le  Tic-TiK-  du  rnouliii,  /'  6 —  Onis.   1.7.") 
Jlofinei/itrr.   3 —   Riconli. 

-  60   Meniiet    6 —   Griis,    1.5U   llofineisier. 

-  61     Kellets    iutinies,    P    6 —    Lemolne,    1.7.5 

Uofmeinter. 

-  62    T(lyH(>.     P    5—    (hits,     1..50    Ilofmeister, 

—00  7/m(/,  — 20  u  i^f/z/c,  —60  Tonger,  3;— 
Augener,  — 40  Difson,  — 35  Gordon,  —10 
Me.  Kinlrij,  Nat.  Mii.'iic  Co.,  — 30  n  Presscr. 
■^50  t^chirmer,  2 —  .Marian i,  2.25  Kicordi, 
— 30  Jurgensoii,  — 50  Nord.  MiLsikforhig, 
'ftns  2 —  Jlofineisier,  — 30  .Jiirgevson,  p\' 
1.75  Ilofmci.'iter. 
63  Giovinetta,  galop  0 —  Um.^,  1.75  llof- 
ineisier,  2.25  h'icordi,  — 30  J iirgeii.son. 
-64  La  iMoklavieuuo,  fant.  P  7.50  fir  us,  2 — 
llofineisier,  3.75   Ricordi. 

-  65    La    Naiade,    morceaii    de    ^^euie,    P    6-- 

r;r«s,    1.75    Ilofmeister,   3.25    Ricordi. 

-  66    La    Bayadere,    P    G—    firus,    — 80    Uuji, 

— 00  Schlesinger,  —75  Brainurd,  3.50  Ma- 
riuiii,  — 45  Jurgenson. 

-  67    La    Berceuse,     P    5 —    Or  us,     1.75     II of- 

meisler,     — 30    Dit.son,     2 —    Maria ni,     Ri 
cordi,  — 30  Jurgenson. 

-  68   La    Ballerina,   caprice   de   genre,    P   7.50 

(Iras,  2 —  Ilofmeisler,  —80  Hug,  — 50 
Tonger,  — 00  Brainard,  — 50  Church,  4— 
Mariani,    2.50    Ricordi,   — 45    Jurgensov. 

-  68   Valse   brill.   4.50   Mariani. 

-  69    Cliant    de   Betlileeni,    iiiorceau    de   genre. 

/'  0 —  Or  us.  1.75   UofniilNler,  3 —  Mnrinni. 
-70    Aubade.    /'    0 —    Urns,    1.75    Ilofmeister. 
— 20  n    Riihic,    3 —    Mariani. 

-  71    Les    Batteurs    eu    grange,    niorceau    ca- 

ract.    R    0 —    (Irus,    1.50    Uofnteii^tcr,    —60 
Brainurd.   2.75    Ricordi. 
-72  Pastorale,  R  7.50  Grus.  2.2.")   llojuKlnlcr. 

-73    Keveil    des    Bergers,    P    7.5(1    r;/«x.    1.75 
Ilofmeister. 

-  74  La  Coucaratclia,  P  7.50  Grus,   1.75  //o/"- 

meister,  — 40   Jurgenson. 

-  75    Presto    Scherzando,    P 

Ilofmeister. 

-  76   Sous    le   Porclie,    i-everii 

1.50      Ilofmeister,     — 50 
G  utheil. 

-  77    L'Echurpe    blanche,    Aalse    0 —    lleugcl, 

1.75    Hofmei.ster,    3 —    Ricordi.    — 35    Jur- 
genson. 
■78  Hessouvenir.  ballade,  P  0 —  llciigcl.   l..">(i 

Ilofmeister,   — 35    J argenson. 
79  Don  Juau,  duo  de  concert,  2P  12 —  lieu- 

gel,   4.50    Hofmeister,    12 —   Ricordi. 
-80    Don    Juan,    souvenir,    P     7.50     Ileugel, 

2 —    Ilofmeister,     1 —    Brainurd,     4.50    Rt- 

cordi 
-81   Ilyniue.  /'  1.75  n  Galfel,   1.25   Ilofmeisler. 

1/6  Novel  to. 

-  82  Bolero,  7--  2.50  n   (/«//e/,  2—   Hofmei.ster. 
-83  Airs  savoisieiis,   varies    (La   Cbasse  dans 

les   bois),    /'    7.50   Ileugel,   2—   Ilofmeister, 
4.50   Ricordi. 
■84    Andante-ldylle,     P    (i —     Ileugel.      1.5(t 
Ilofmeister,    3.50    Ricordi. 
85    L'.Vl)sence,    sonate    romaiiti(jue.    /'    10- 
Ifeugii,    2.50    Ilofmeister,    6 —    Ricordi. 


0 


Grus.     1 


( i) 


.    /'    5—    llcuoit, 
lira  i  lid  rd.      — 30 


fV/M.y,    1.50    //(;/"- 
-    Marlirnl.    — 30 


7.50 

a  i  rs 
3.50 


-  86   La    Be^elise,    inaz.    6 — 

meister,   —20  n    h'iihle,    3 
Jurgenson. 

-87  Au  bord  du  Lac.  niaiche  des  Bersaglieri. 
P  7.50  Grus,  2 —  Ilofmeister,  4 —  Mariani, 
— 50  J urgenson. 

-88  Capricciosa.  niaz.  0 —  Grus,  1.50  Ilof- 
meister,   2.50    Ricordi: 

-89  Depart  dii  Ilanieau.  nielodie,  P  6 — 
^'r;».s,  1.50  Ilofmeister,  2.50  Ricordi,  — 30 
Jurgenson,  J/ms  2 —  Ilofmeisler.  — 30  Jur- 
genso)i. 

-  90    Les    Ondines,    etude    de    concert,    P 

Grus,   2 —    Ilofmeister,    4 —   Ricordi. 

-  91    Souvenir    d'Anuecy,    fant.    sur    des 

sui.sses,  P  6 —  Grus,   1.75   Ilofmeister. 
Ricordi. 

-  92    Bergeronnette,    caprice,    P    7.50    Ileugel, 

1.75  Ilofmeister,  — 75  Brainurd,  4 —  Ri- 
cordi. 
-93  Oberou,  Preciosa,  Freiscliiitz,  2e  duo  de 
concert,  2P  15—  Ileugel,  9 —  Ricordi, 
Oberon,  2P  6  —  n  Scholf,  gr.  fant.  P  rid 
del  Duetto  10 —  Ileugel,  4 —  Hofmei.ster, 
0 —    Ricordi. 

-  94  Sur  I'onde,  rouiauce  sans  paroles,  P  4.50 

Ueugel,     1 —    Hofmeister,     — 20  n      Rlihlr, 
— 40   Brainurd,   2 —   Ricordi. 

-95  Le  Chant  de  I'llelvt^tie.  2e  fant.  sur 
tluilbuuue  Tell.  /'  7.50  Grus,  2.50  Ilof- 
meisler,  4.50  Ricordi. 

-  96    Fant.    s.    J  one     (1'  e  t  r  e  1  I  a) ,    P    2— 

Ilofmeisler,    4 —    Ricordi. 
-97       Fant.       s.    Isabella        d'A  r  a  g  o  n  a 
(P  e  d  r  o  t  I  i) ,    P     2 —     Ilofmeister.     4.50 
Ricordi. 

-  98     Faut.     s.  ]\r  i  r  e  i  11  e     ((i  o  u  n  o  d ) ,     P 

2.50   Choudens,   2 —    Ilofmeisler,   — 75  Y/or- 
don.   4 —   Ricordi. 

99  Fant.  ^.  Faust  (O  on  nod),  /'  2.50 
Choudens,  Ilofmeister,  5 —  Ricordi,  — 60- 
J  urgenson. 

100  Fant.  brill,  .snr  .Martha.  /'  !•—  Jou- 
herf,  2.50   Ilofmeister,  5 —  Ricordi. 

101  Fant.  s.  Roland  k  Roucevaux 
(Merniet),   P    2.25    Ilofmeister. 

102  Ombres  du   soir,   nocturne,  P   6 —   Hen 
gel,   Ilofmeisler,  3.50   Ricordi. 

103  La  A'oix  des  Cloches,  poesie  uiusicale, 
P  5—  Ileugel,  1.50  Hofmeister,  2.50  7?V- 
eo  »■(//. 

104  .Vfricaine,  reniiuiscences,  P  0 —  Benoit . 
1.50   Hofmeister,   3 —   Ricordi. 

105  .\fricaine,  fauL  P  »—  Beiioll,  2.50  //o/- 
meisler,  0 —   Ricordi. 

106  Uu  soir  a  Venise,  elegie-barcarolle,  /' 
0 —    Ileugel,    1.75    Hofmeister,   4 —  Ricordi. 

107  La,  Chasse,  P  0—  Heugel,  —60  Bcsse/. 
1.75    Hofmeister,   4 —   Ricordi. 

108  Le  Chant  du  Rouet,  caprice.  P  6— 
thus,    1.50    Ilofmeisler,    .3 —    Ricordi,    — 40 

109  La    Bourree.   P   2— n   Costallat. 

109    Souvenir    d'Auvergne,      P      1.75      7/o/- 
«/p/.s/rr. 
109   \\'()()(lcn   slioe   dan 

S(ll). 


<-;ipr, 


/'   —50    IHI 


Lysberg  Ch.  S.  oji. 


no 


97      — 


va» 


Lysberg  Ch.  S.  Martha 


/' 


-110    I'oioiiaiso   l)rilhm(('.   /'   'i—    Hofmristcr. 
-Ill      I'eii^sierosa,     \alse     seutimeiitale     5 — 

driis,    1.25    nofmeisler.    2.30    Ricordi. 
-112  Lf  A'allon,  meditation    (Gounod 

■_> —    ChoKdeiis,    l.oO    Ilofmeister. 

-113    Marc-lu-    funebrc    1  ..')0    JTofmeifilrr.    8— 

likovdi. 
-1.15  Rotraite  Ilelvetiquc,   /'   1 /i-'i   Unfinrislrr. 

'/HIS  3.50   Ilicordi. 
-116    :Mi8non,    fant.    variee,    /'    7..'>U    //'■//./<■/. 
2 —   llofmCisier,   1 —  Brainard. 

-  117    Quatiieme    Valsp    de    Salon    7.50    77ch- 

(yf/^    2—    Ilofmcister.     4—     h'icordi,     —70 
Gufhril,    1—   Liivdqidsl. 
-118  Pieeiosa    (^^' o  1)  c  i),  c-hoenr  et  ballade. 
7'    0—    ]Jrii(fpl.    ].-'iO    llofinrister,    3 —    />'/- 

rorf/(. 
-119    Fanfare,   caprice-polka    6 —    6'r»s,    1.50 
Hofmeislrr,     2.75     Ricordi.     O     i —     77o/- 

-  120   Ronde   my.sterieuse,    /'   2—   llofnici.stcr. 
-121    La    Flute  encliantee    (iMozart),  mor- 

ceau  do  concert,  2P  12—  Jlrinjcl,  4—  77o/- 
ttieister,  9 —  Ricordi. 

-  122    La    Clianfion     du    Gondolier,     romance 

sans  paroles,  R  8—  Jlcinicl,  1—  ffof- 
inci.rlcr,  — 20  u  ff/i/f/f-,  1.50  Ricordi.  —20 
J  «r  (/<?»(  SON. 

-  123  N.   1.  Serenade  du  page.  2.  Le  Pas  des 

archers,   P  fi  .5—  Ilciigel. 
-123   R:   N.   1.   Le  Pas   des  Archers    1.50.   X. 
2.  Dans  les  bois   1—  llofmeiisicr. 

-  124  Sous  Bois  et  Expansion,  P  5 —  UcikjvI. 

-  124    X.   1.    K.xpansion    1 — .    N.    2.    Serenade 

du  Page  1.25  Jlofiiicislcr.  X.  1  —25  Jiir- 
(jcnsoii. 

-  125    Dans    les   Alpes,   gr.   fant.   sur   des   airs 

suisses,    /'    0 —    flirod.   2.50    IJofinei.^tcr. 

-126  Tiois  morceaux  caract.  /' .■  1.  La  l?a- 
lancelle,  caprice  imitatif.  2.  Le  Sphynx, 
caprice  fantaisie.  .8.  Hop!  liop !  Caprice, 
;1  5—  Girod.  N.  1  1—,  X.  2  1.25,  N.  :!  1.5<» 
][ofmci.-ilcr.  X.  1  —20  .J  ,ir(}rn><0)i .  — 5i) 
Luiidqirist. 

-128  Tenerezza,  andanliuo  et  allegro.  /'  li — 
IleiificJ,    1.50    Ilofmcister,   8.50    Ricordi. 

-  129    Fantaisie-Polka    0—   JlciujcJ,    2—    lloj- 

meifsler,  3 —  Ricordi. 

-  130    V'alse-styrienne    6—    IlciificI,    2 —    llof- 

nici.stcr,  '■]—   Ricordi.    'iiiis   8—    Ilofmcister. 

— 50   J  uracil  son. 
■  131    Barcarolle,    serenata,      /'    li— ^     Tlcinjcl. 

2.25    Ilofiiici<i1cr,    3 —    Marian i. 
-132   Scherzetto   alia    Mazurka   7.50    Uciiycl. 

2 —    Jloftiicislcr,    8 —    Maria II i. 

-  133    Le   Bateleur.   capriccio,    /'   6—    Ihuipl. 

2 —  Jlofineister,  3 —  Mariani. 

-  134   Les   Bruits   des  Champs,    idylle   symjth. 

>/<    12 —    Ilciigcl,   3.50    Ilofmcister. 
-135    Die    Gefangene,    Transkr.    /'    1.75    llnj- 
miistcr.  — 80   J anjenson . 

-  136  Der  sterbende  Dichter,  Transkr.  R  1 .7"> 

Ifofineisler,     (Le    Poete    mourant,    medita- 
tion   dp    Lamartiue)    2—'  Mariani. 
-137     Kan/,     des     \'aches,    morceau    pastoral 
!.:,()    Ilofmci.^fcr,  2 —  Ricordi. 


138  La  Bergere  des  Alpes.  morceau  de  !sa- 
lon.  P  1.50  Jlofmcistrr.  8—  tichotf,  2— 
I'icordi. 

139  La  Dame-Chatelaine,  ballad*'.  /'  2.50 
Ilofmcister,   3 —   Ricordi. 

140  Andante,  /'  1.50  Iloftneisier,  2—  Ri- 
cordi. — 25   jHryensou. 

141  Mazurka    villageoi.se    1.50    Tlofmci.^icr, 

2 —  Ricordi. 

142  Marche    Valaciue    2—    Uofmeisier,    2.25 

Ricordi. 

143  ]Slenuetto    alia    :\laz.    2.25    llofnicisfer. 

3 —  Ricordi. 

144  Marche    triomphale   2.50    Ilofmeinler. 

145  Beflets  intimes.  /'  1.50  11olmei.<iter, 
— 25   Jurgensoii. 

146  Styrienne,    P(-'ims)    2—    Ilofmcister. 

147  Wiegeulied  (Weber),  /'  2—  Jlof- 
ineister. 

148  Musikalische  Skizze,  /'  2—  llofmcisiicr. 
— 80  Jurgenson. 

149  llerzensreflexe,  /'  1.50  llofmei.ster,—'M) 
J  urqcnson. 

150  Quadrille   1.50,  -'/Mt.s  2.50  Uofmeisier. 

-  151    Zwei    Praludien,    P   1.50   IJofmei.ster. 
-152   Les   Soirees   de   Dardagny,   quadr.    1.5(1 

Hofmeister,  4»»s   2.50    Eofmeislcr. 

-  153    Trois    Reflets    intimes,    P    2—    Ilofmci- 

ster,   3.50    Ricordi,    X*.  2    —15    Jurgenson. 

-  154    Air    dc    Ballet,    P    1.50    Hofmeister. 
-155    Vieille    histoire,    ballade,    P    1.75    Ilof- 
mcister, — 15   Jargenson. 

-  156    Romance     sans     paroles.     P    1 —     7/o/- 

meislcr. 

-  157  Ciuito  alia  Alazurka.  /'  1—  Hofmeister. 

-  158   Trois    Etudes,    P   2—    Hofmeister. 

-  159    n   nven   souvient.    P    1 —   Hofmeister. 

-  160   .Mazurka,   P   1—   Ilofmcister. 

-  161     Petite    Berceuse,     7'    — 50    Hofmeister, 

—20  n   /.'/(■  7(/c. 

-  162   Les    INIinarcts,    /'    1—    Ilofmcister. 

-  163    Peusee    musicale,    7'    1 —    Hofmeister. 

-  164  Hesitation,   R   1—  Hofmeister. 

■  Album     (C  1  .■  m  e  n  s    S  c  li  u  1  t  z  e) ,    7*    1  — 

IJtoiff. 
-2   All)ums  de  pieces   favorites.   P  a   1 —  Jar- 

(jensou. 

■  .\ul)e   uait    5 —   11  en  gel. 

-Ballade    et   valse    (ropht'-lie    d'll  a  m  1  e  t.    /* 
5 —  Heiigel. 

-  Captive   4 —  HevgeJ. 

-  Clocli.'    du    soir,     a    3  v.     1— n     rhoiidcns. 

(Esening   Bells)    — 00  u    i^cliirmcr: 

■  Coucaratcha,  R  6—   ticnoit. 

-Douce    inquietude.    P   —50   Xordisl-    Masi!.-- 
forlag. 

-  F  i  1  1  e    d  u    C  a  r  i  1  1  <>  n  ii  «■  u  r,    ouv.    P    8— 

Hofmeister. 

-  Idylle,    P    3  —   A.slidoirn. 

-  Tdvlle,  -'ims.      Gras.,  .     ,     ,    , 
-Lac   Loman    (quadrille),    'ims   2— n    <  ostal- 

Jat. 

-  .Marche    des    chevahers-gardes.       'ims  i.> 

J  iirqenson. 
-:.lai-tha,  de  F  1  o  t  .,  w.  fant.  P  3-  Choa- 

tic  IIS. 


Lysberg  Ch.  8.  Meniiet 


728 


Lytton  W.  T.  Then  you  wink 


-  Meuuet,  /*  5 —  Grus. 

-  Mignou     (Thomas),    P    —80    Church. 

-  Minuet,    -^nifi   — 60    Ditson. 

-  M  i  r  e  1 1  a,   P  2/—  Boose}/. 

-  O  mon  pays,  sois  mes  amouris,  3  voix  — 2o 

Pitiatel. 

-  Peace,  trovibled  Soul   (Hymn  140) ,  .*,  duet, 

trio  &  quart,   arr.   by   S.    J  a  o  k  s  o  n  — 65 
Schirmcr. 

-  Pgclieur    de    Corail,    P    1.75  n    Ilachrtte, 
-Philemon    e  t    Baucis,    dc    G  o  u  n  o  d, 

trauscr.    2.o0    Choinle)!.'). 

-  Polonaise   brillante   2.50  n   Co.itaUaf. 

-  Presto-Scherzaudo,    P    6 —    Brnnil. 

-  Puisqu'ici  has  5 —   Ileufjrl. 

-  R  o  m  4  o    0  t    J  u  1  i  e  1 1  e,     de    D  o  u  n  o  d , 

gr.   fant.    P   3 —   Chovdens. 

-  T  r  o  y  e  n  s   a   Garth  a  g  e,    de   B  e  r  1  i  o  /., 

celfebre   septuor,   .'pus  2 —   Choudevs. 
-Twilight,   nocturne,   P  2/6   ^chott. 

-  Un  doux   Eutretien,   P  — /6  Norello. 

Lysberg-Brackett,      Saviour    Again    to    tliy 

Dear   Name,    >^ATB  —08  n   Presser. 
Lysberg  J.  op.  9  Fest-Galopp  — 40  Bruivord. 
Ilillberger,   inarch   — 40    Brainard. 

Lysberg-Lange-Conrady-Morena,    All)uni,    /' 
1 — •    Sieingriihcr. 

Lysebeth    H.    Van,    Ang^lus    d'oiseau    1.70  n 
Rouhicr. 

-  Gontemplation    (Souvenir   d'Ostende),    raise 

2.50  n  Rotthier. 
■  llier    an    soir    1.70  u    Rnnliier. 


Grus. 
de    T' 


n. 


-  Meditation     relig.      VVcOrg     [Hn    ad    lib. 

3 — n   Rotiliier. 

-  Pro  patria.  marche  milit.  2 —  n  Rouliier. 
Lysle  A.  de  Roever,  Si  tu  supieras  &  Adojj 

diuizas  inexic.  P  — 35   Coleman. 
Lyss.   Choudeihs :    \   I'ah.sent   1.70  u. 

-  Au  nid  1.35  n. 

-  Uors    1.70  n. 

-  Fantomes   2 —  n. 

-  Miserere    1.75  n   Grn.^. 

-  Missive   1.70  n. 

-  Pater    Noster. 

-  Nuits    (av.   ace 

-  Ta  voix  1.70  n. 

-  Tristesse   1.70  n. 

-  Veux-tu?   1.70  n. 
Lyster    Amy,    Ghai 

herg. 

-  '/Ag,   zig,   zig  4/— 

Lyster  H.   P.  Bells 

— 35  Ditson. 
-Cruel  Kitty  —30  Dilsov. 

-  Fair  &   false  — 25   Ditson. 

-  Two    Obadiahs,     com.    s.    &    unison 

— 40    Brainurd,   — 35    Ditson. 
Lyston    Frances,   0   Lord   God   of   my 

tion,   t^ATB  — /3   Novel  I  o. 
Lyte    G.    E.      Like   as   a    father     pitieth     his 

children,   SIATB  —08  n   Chiirch. 
Lythgoe    T.   S.   Benedicite   — /P/.   Novello. 

Lytton  W,  T.  Then  you  Mink  the  other  eye, 
comic  and  chorus  — 40  Brainard,  — 35  Dit- 
•s-oM,  Gordon. 


rley's    Aunt    4/ —    Ascher- 


llopii  ood. 

that   rnnsj  Nellie 


I   bride 

chorus 
salva- 


Universal-Handbuch 


der 


MUSIKLITERATUR 


aller  Zeiten  und  Volker. 


Als  Nachschlagewerk  und  Studienquelle  der  Welt-Musikllteratur 

eingerichtet  und   herausgegeben 

von 

FRANZ  PAZDI'REK. 


I.  TEIL. 

Inhalt:   Die  gesamte,  durch   Musikalienhandlungen   noch  beziehbare 

Musikliteratur  aller  Volker. 

In  ca.  18  Banden. 

Band  L— M. 


Verlag  des  „Universal-Handbuch  der  Musikliteratur": 
PAZDTrEK  &  Co.,  Kommanditgesellschaft, 

WIEN   II.,   Ennsgasse  13. 


ii\:i:%\: 


Verleger-Verzeichiiis. 


A  r  Accord  par  fait,  Lyon,  Prankreich 
A  la  Chanson  joyeuse,  Paris 
A  la  Chanson  moderne,     „ 
A  la  Chechia,  Paris 
A  la  Gamnw,      „ 
A  la  Lyre  des  Gobelins,    Paris 
Abbott  Ambrose  &  Co.,  London 
Abot  J,,  Paris 
Accord  parfait,  Lyon 
Ackermanii  Theodor,  Miinchen 
Ackerniann  &  Lesser,  Dresden 
Actiialite f  cosmopolite,  Paris 
Adler  L.,  Rostow  a.  Don,  RnBland 
Agamemnon  G.,  Mantes,  Frankreich 
AgaAe  &  Co.,  London 
Agenxia  music,  internaz.,  Florenz,  Italien 
Ahn  Albert,    Koln  a.  Rh.,    Deutschland 
Ahrens,  Hamburg,  Deutschland 
Aichwalder  M.  F.,  Wien 
Aibl  J.,  Leipzig,  Deutschland 
Albright   Music  Co.,    Chicago,  Amerika 
Alderson  &  Brentnall,  Newcastle,  England 
Allmi  &  Co.,  Melbourne,  AustraHen 
Allan  Mozart,  Glasgow,  Schottland 
Alleton  Louis,  Paris 
Alliaume  Albert,  Poitiers,  Frankreich 
Almagro  &  Co.,  Madrid,  Spanien 
Alsbach  G.  &  Co.,  Amsterdam 
Amaiid  J.,  Argenton,  Frankreich 
Andorff     &      Sohn,      Markneukirchen, 
Deutschland 

Andre  ZoAiSixm,  Leipzig  u.  Offenbach  a.  M., 

Deutschland 
Andrieu  F.  &  Co.,  Paris 
Andrieu  O.,  Paris 
Anfossi  S.  Aug.,  Turin,  Italien 
Anhaltische      Verlagsanstalt,      Dessau, 

Deutschland 
Annecke  Eduard,  Berlin 
Ansifigh,  Zwolle,  Niederlande 
Apollo -Yerlsig  (Lincke  &  Riihle),  Berlin 
Arct  M.,  Warschau,  RuBland 
Arnold  C.  0.,  Ottawa,  Amerika 
Arnold  Georg,  Berlin 
Aro7ihold   Martin,    Berlin 
Artaria  &  Co.,  Wien 
Arte  A.,  Lissabon,  Portugal 
Artigianelli    Tipografia,    Turin,    Italien 
Aschendorff,  Miinster  i.  W.,  Deutschland 
Ascherberg,  Hopwood&  Crew  Ltd.,London 
Ashdoivn  Edwin  Ltd.,  Londou 
Astruc  G.  &  Cie.,  Paris 


Attenkofer  CI.,    Straubing,   Deutschland 

Attenkofer  F.  P.,  Landshut,  „ 

Auer  Albert,  Stuttgart,  Deutschland 

Augener  &  Co.,  London 

Augustin  Fritx,  Berlin 

Angusiin  Hermann,  Berlin 

Aux  100.000  Chansons,  Paris 

Aux  Chanso7is  de  Trianon,  Paris 

Au  clavecin,  Paris 

Aux  Repertoires   7'ennis,  Paris 

Aux  Succes  du  XX'^siecle,  Paris 

Ayne  Juan,  Barcelona,  Spanien 

Aynssa  F.  De,  Briissel,  Belgien 

Sachma?in  Chr.,  Hannover,  Deutschland 

Baedeker  G.  D.,  Essen  a.  Ruhr,  Deutsch- 
land 

Bagge,  Stockholm,  Schweden 

Bajus  Z.,  Avesnes-le-Comte,  Franlvreich 

Ballajitine  W.  E.,  London 

Band  Alfred,  Krefeld,  Deutschland 

Bandtlow   Arthur,   Berlin 

BangerBichoxdi  ISTchf  .,Wiirzburg,  Deutsch- 
land 

Barbarin  L.,  Paris 

Bdi'd  Franz  &  Bruder,  Budapest,  Ungarn 

Bardel  Fritz,  Niimberg,  Deutschland 

Barnhouse   C.    L.,    Oskalovsa,    Amerika 

Barrau,  Paris 

Bartels  F.,  Braunschweig,  Deutschland 

Barth,  Wiirzburg,  Deutschland 

Barthelemy  H.,  Paris 

Baudot  L.,  Paris 

Baudoux  E.  v.  Bellon,  Poscarnie 

Bauer  Hugo,  Berlin 

Bauer  J.  D.,  Hanau,  Deutschland 

Bauer  JuHus,  Braunschweig,  Deutschland 

Balder  Otto,  Miinchen,,  Deutschland 

Bayley  &  Ferguson,  London 

Bayrhoffer  Nachfolger  (F.  Jager),  Diissel- 
dorf,  Deutschland 

Baziray,  Septeuil  (Seine  et  Oise),  Frank- 
reich 
Beat  (&  Co.,  London,  England 
Beat   Vve.,  Lyon,  Frankreich 
Becher  C,  Breslau,  Deutschland 
Belaieff  M.  P.,  Leipzig,  Deutschland 
Bellmann    &    Thiimer,    Potschappel, 

Deutschland 
Bell  music  co7npany,  New- York 
Bellon,  Ponscarme  et  Co.,  Paris 
Benavente   S.,   Rotterdam,    Niederlande 


IV 

Benjamin  Anton  J.,  Hamburg 
Benjamin  &  Filgueiras,  Lissabon 
Benoit  Aine,  Paris 
Benoit  Emilie  vide  Sulzbaeh,  Paris 
Beresford  H.,  London 
Berg  C.  H.,  Cleveland,  Amerika 
Bergali  Enrique,  Sevilla,  Spanien 
5fer^er-Levrault  &  Cie.,  Nancy 
Bergmans  W.,  Tilburg,  Niederlande 
Bernard  A.,  St.  Petersburg 
Bertarelli  A.  &  Co.,  Milano,  Italien 
BerU  Emil  &  Cie.,  Wien 
Bertelsma7in  C,  Gutersloh,  Deutschland 
Bertram  Fritz,  Neuwied,  „ 

Bessel    W.    &    Co.,     St.    Petersburg 
Bethune  A.,  Paris 

Beuger    Otto,   Magdeburg,    Deutschland 
Beuscher  P.,  Paris 

Bevilacqua  E.    &  Co.,     Rio   de  Janeiro 
Bei/er  Mm.   O.,  Gand,  Belgien 
^2/«^  H-  &  Sohne,  Langensalza,  Deutsch- 
land 
Biardot  F.,  Paris 
Bideri,  Neapel,  Italien 
Bidion,  Nantes,  Frankreich 
Bigeard  et  fils,  Paris 
Bigot,  Paris 
Billaudot  L.,  Paris 
Binetti-Vaudey,  Cannes,  Frankreich 
Bisping  E.,  Miinster,  Deutschland 
Bittencourt  R.  L.,  Para,  Brasilien 
Blaha  Josef,  Wien 
Blanc,  Paris 
Blanchi,  Turin,  Italien 
Blankenberg  &  Co.,  Leiden,  Niederlande 
BUgerk.  fils,  Toulon-sur-Mer,  Frankreich 
jBfoc/»  Eduard,  Berlin 
Blockley  John,  London 
Blocquet  F.,  Paris 
BZow  J.  G.,  Haarlem,  Niederlande 
Bloom  Sol,  Chicago,  Amerika 
Blosfeld  Cari,  Riga,  RuBland 
Bocca,  Turin,  Italien 
Bock  Hugo,  Dresden,  Deutschland 
Bocuse  G.,  Paris 

Boer  J.  B.  den,  Middelburg,  Niederlande 
Bbhm  Anton  &  Sohn,  Augsburg 
Bolle,  Rotterdam,  Niederlande 
Bon,  Konigsberg 

Bonnaventure  Ed.,  Caen,  Frankreich 
Bonnefon  L.,  Paris 
Bonnell  &  Co.,  Chicago,  Amerika 
Botithoux  H.,  Saint-Etienne,  Frankreich 
Boosey  &  Co.,  London 
Bomeman7i  J.,  Berlin 
Bomema7i7i  0.,  Paris 


Borriero  &  Bosio,  Turin,  Italien 
Bosc  Auguste,  Paris 
Bossard-Bojmel,  Rennes,  Frankreich 
Bosse  F.,  Leipzig,  Deutschland 
Bosivorth   &  Co.,   Leipzig,  Deutschland 
Bote  Ed.  &  G.  Bock,  Beriin 
Bourdeau  A.,    Parthenay  (Deux-Sevres), 

Frankreich 
Bourlant  A-Ladam  &  Soeur,  Paris 
Bouteille  J.,  MontpeUier,  Frankreich 
Bovard,  Constantine,  Algerien 
Brahy,  Liege,  Belgien 
Brainard's  Sons  Co.,  Chicago,  Amerika 
Bratidt  Carlos,  Valparaiso,  Chile 
Bratflsch  Georg,  Frankfurt  a.  0.,  Deutsch- 
land 
Bratti,  Florenz,  Italien  • 

Brauer   Adolph,   Dresden,   Deutschland 
Breder,  Rotterdam,  Niederlande 
Bredoire  impr.,  Paris 
Breitkopf&  Hartel,  Leipzig,  Deutschland 
Broadivay   music   publishing    company. 
New- York 

Brocco,  Venedig,  Italien 

Brochu  B.,  Lyon,  Frankreich 

BrockJiaus    Max,    Leipzig,    Deutschland 

Broome  W.  H.,  London 

Brouandet  G.,  Bourges 

Bruant  A.,  Paris 

Brusse  W.  L.,  Rotterdam 

Buffa,  Milano,  Italien 

Bugnot   Ch.   Fils,    Chartres,  Frankreich 

Burmester,  Magdeburg,  Deutschland 

Bursik  &  Kohout,  Prag,  Osterreich 

Burxer  Hans,  Wien 

Butcher  Frances,  Chicago,  Amerika 

By  Oluf,  Kristiania,  Norwegen 


Cabedo  y  Ca.,  Valencia,  Spanien 

Cabrolier  B.  &  Co.,  Toulouse,  Frankreich 

Cairanne  Marius,  Paris 

Calace  R.,  Neapel,  Italien 

Callwey,  Miinchen,  Deutschland 

Cappelen   J.  W.,   Kristiania,   Norwegen 

Carbonel  M.,  Marseille,  Frankreich 

Carisch  &  Janichen,  Mailand,  Italien 

Cartereau,  Paris 

Gary  &  Co.,  London 

Cattand  C,  Genua,  Italien 

Cecilia  St.,  Music.  Publish.,  London 

Century  Music.  Publish.,  New- York 

Chattier  C.  A.  &  Co.,  Beriin 

Chattier  Ernst,  GieBen,  Deutschland 

Chambe  J.  aine,  St.  Etienne 

Chanot  F.  W.  &  Sons,  London 


Chfuison   de   France,    Paris 

Ckappell  &  Co.  Ltd.,  London 

ChurUer,  Paris 

Chatelard  J.,  Lyon,  Frankreich 

Chavat  et  Girier,  Paris 

Chmel  Julius,  Wien 

Chollet  aine,  Paris 

Chonmoru  M.,  Paris 

Choudens,  Paris 

Church  John  Company,  Cincinnati 

Christme,  Paris 

Oidale  A.,  Marseille 

Clausen,  Amsterdam,  Niederlande 

Clayton  F.  vide  Summy  Co. 

Clement,  Paris 

CZo/  B.  Fils,  Lyon,  Frankreich 

Cb/e  Samuel  W.,  Lissabon,  Portugal 

Coleman  Harry,    Philadelphia,    Amerika 

Colin  L.,  oSTimes,  Frankreich 

Colin  M.,  Laval,  Frankreich 

Colin  M.  et  Co.,  Nancy,  Frankreich 

Comite  central,  Paris 

Comptoir  de  Musique  Moderns,  Briissel 

Concerto  II,    Bologna,  Italien 

„Continental-Yex\a,g",  Berlin 

Copel  &  Co.,  Paris 

Coppenrath  Alfred,  Eegensburg,  Deutsch- 
land 

CoTcspondance     des     Concerts,     Paris 

Costallat  &  Co.,  Paris 

Cos  let  A.,  Paris 

Cosiil  E.,  Paris 

<7o//a'sche  J.  G.  Buchhdlg.,  Stuttgart, 
Deutschland 

Cottin  A.,  Paris 

Cottrau  T.,  ISTeapel,  Italien 

Conrleux  G.,  Paris, 

Courmes  A.,  Nice,  Frankreich 

Co/itarel  E.,  Paris 

Cramer  Karl,  Essen  a.  Ruhr,  Deutschland 

Cramer  J.  B.  &  Co.,  London 

Ora/ix  August,  Leipzig 

Crantx  &  Co.,  London 

Creutx'sche  Verlagsbuchhdlg.,  Magde- 
burg, Deutschland 

Orevel  freres,  Paris 

Cristiano  P.,  Rom,  Italien 

Cimdy  Music    Co.,   Boston 

Curtil  A.,  Paris 

Curiven  J.  &  Sons,  Ltd.,  London 

Ddnische    Hofmusikalienhundlung, 

Kopenhagen,  Danemark 
Dahle  &  Wollan,  Glenwood,   Amerika 
Damaso,  Torino 
Danehl  Richard,  Goslar  a.  Harz,  Deutschl. 


Daniele  A.,  Paris 

Banner's  G.  Verlag  &  Theaterbuchhand 

lung,  Miihlhausen  i.  Th.,  Deutschland 
Darts  J.,  Paris 

Davingok  N".,    St.  Petersburg,   RuBland 
Day  &  Co.,  Bamsley,   England 
Dean,  Frank  &  Co.,  London 
Debert  A,,  Paris 

Decourcelle  Paul,  Nice,  Frankreich 
Dektihof,  New- York 
Delanoy  A.,  Bordeaux,  Frankreich 
Delauer  J.,  Paris 
Delmouly  Andre  Aine,  Bordeaux 
Delormel  &  Cie.,  Paris,  Frankreich 
Delpiesente  imp.,  Paris 
Delrieu  freres,  Nice 
Demets,  Paris,  Frankreich 
Dennerlein  Jean,  Miinchen,  Deutschland 
Dento7i   Elmer  J.,  New- York,  Amerika 
Deplaix  vide  Monvoisin 
Derx,  Haarlem,  Niederlande 
Desforges  Gaston,  Le  Havre,  Frankreich 
Desjardins,  Orleans,  Frankreich 
Deutsche    Verlag s-Anstalt    (vorm.    Ed. 

Hallberger),  Stuttgart,  Deutschland 
Devalois  impr.,  Paris 
Diax  A.  y  Cie.,  San  Sebastian,  Spanien 
Didion,  Nantes,  Frankreich 
Diechnann  C,  Leipzig,  Deutschland 
Dietners  J.  Verlag,  Mainz,  Deutschland 
Dienemann  P.,  Dresden,  „ 

Dietrich  Franz,  Leipzig,  Deutschland 
Dietrich   0.,  „  „ 

DietHch  R.,  „  „ 

Dietrich  W.,  „  „ 

Digonde-T>iodet,  Paris 
Ditson  Oliver  Company,  Boston,  Amerika 
Dohlinger  Ludwig,  Wien,  Osterreich 
Doelichen,   Franchimont,    Frankreich 
Doert  Friedrich,  Karlsruhe,  Deutschland 
Domkowsky  &  Co.,  Hamburg 
Donajoivski  E.,  London 
Donath  G.,  Freiberg,  Deutschland 
Doremi  &  Co.,  London 
Dorey   A.,    Paris.  Frankreich,    Dorey  & 

Gruny 
Dorison  H.,  Paris 
Dorn,  Biberach,  Deutschland 
Dor?^' sche    Buchhandlg.,     Ravensburg, 

Deutschland 
Dotesio,  Bilbao,  Spanien 
Do/^A-e'sMusikverlag,  Berlin 
Dreililien-Y erisig,  Berlin 
Drose,  Zwolle,  Niederlande 
Du  Wast,  Ulysse  T.,  Paris 
Dubois  Ad.,  Paris 


VI 


Ducrotois  G.,  Paris 
Diifayel  G.,  Kassel,  Deutschland 
Duff  &  Stewart,  Ltd.,  London 
Dulieux,  Lyon,  Frankreich 
Dunn  James  C,  Quincy,  Amerika 
Dupont  A.-Metzner,  Nancy,   Frankreich 
Diipre,  Paris,  Frankreich 
Dupuis  C,  Paris,  Frankreich 
Durmid  A.  &  Fils,  Paris 
Durazxano  M.,  Tunis,  Afrika 
Durdilly  F.,  Paris,  Frankreich 
Dury  H.,  Paris 
Dutreih,  Paris 
Duval,  Paris 

JEberle  Josef,  Wien 

Ebling  C,   Mainz,  Deutschland 

Ebner'sche     Musikalienhdlg.,    Stuttgart 

Echo  Musik  Co.,   Chicago,  Amerika 

Eek  Gr.  H.  van,  Haag,  Niederlande 

Edition   Europa,    Leipzig,  Deutschland 

Edition  moderne,  Paris 

Editio7i  „Mutuelle" ,  „ 

Edition  parisienne,  Paris 

Edition  „Succes",  Paris 

Editions    de    la     Vie   musicale,    Paris,  | 

Frankreich  j 

Editions    musicales    du     Journal     des 

artistes,  Paris 
Eerenbeemt  Van,  Eom,  Italian 
Egeling's  Boekhandel  Naam  looze  Ven- 

nootschap,  Amsterdam,  Niederlaude 
Egerton  &  Co.,  London,  England 
Eggers  J.  M.,  Leiden 
Ehrlich  Hugo  Nachf.,  Potsdam 
Eichard  T.,  Paris 
Eisoldt  &  Rohkramer,  Berlin 
Elkan  &  Schildknecht,  Stockholm 
Elkin  &  Co.,  London 
Elleaume  L.,  Paris 
Ellis  John  F.  &  Co.,  Washington 
Eltx  J.  von  der,  Saarbriicken,  Deutschland 
Emma  L.,  Paris 

Emmermann  Ferd.,  Mainz,  Deutschland 
Ende   H.   vom,  Trier,  Deutschland 
Engestrbm   Adolfo,   Lissabon,    Portugal 
Enoch  &  Co.,  Paris 
Enoch  S  So7is,  London 
Esper,  Toulon-sur-mer,   Frankreich 
Esser  J.,  Paderborn,  Deutschland 
Essmann,  Miinster,  Deutschland 
Essmann   W.,  Wiirzburg,  Deutschland 
Estraii,  L.,  Marsanne,  Frankreich 
Etesse  E.,  Tours,  Frankreich 
Eulenburg  Ernst,  Leipzig,  Deutschland 
Evans  &  Co.,  London 


Evans  Music  Co.,  Boston,  Amerika 
Eveillard  L.,  Paris 
Evette  &  Schaeffer,  Paris 
Express -musical,  Lyon,  Frankreich 

Fabre  M.,  Paris 
Faes  G.,  Antwerpen,  Belgien 
Faguet  &  Buridant,  Paris 
Falkenberg  Otto,  Koblenz,  Deutschland 
Fantauxzi  L.,  Marseille,  Frankreich 
Fantuzxi  Eomualdo,  Milauo,  Italien 
FalSbender  J.,  Elberfeld 
Fatout  &  Girard,  Paris 
FauchcT  P.,  Paris 

i'^az^r  &  Westerlunds,  Helsingf  ors,RuBland 
Feehner  Gustav,  Berlin 
Feder  Jean,  Bukarest,  Rumanien 
Feist  Leo,  New- York,  Amerika 
Feldman  B.,  London 
Feldman?i  &  Co.,  London 
Feldow-'BQQ]Aj  Henry,  Berlin 
Festival  artistique,  Paris 
.  Feuchtinger  E.,  Regensburg,  Deutschland 
Fexis  Georges,  Athen,  Griechenland 
Fiedler  Fritz  (A.  Pauli),  Gorhtz,  Deutsch- 
land 

Fiedler  Hugo,  Dresden,  Deutschland 

FirnbergB.,  Frankfurt  a.  M.,  Deutschland 

Fischer  A.  E.,  Bremen,  Deutschland 

Fischer  Carl,  New- York 

Fischer  J.  &  Brothers,  New- York 

Fischer  M.,  Galatz 

Fischer  Paul,  Berlin 

Fischer  P.,  Falkenberg,  Deutschland 

Flamand,  Belley,  Frankreich 

Flammarion  E.  et  A.  Vaillant,  Paris 

Planner  Joseph,  ^Milwaukee,  Amerika 

Foetisch   Gebriider,    Lausanne,    Schweiz 

Fondu  F.,  Paris. 

Fonseca  Eduardo  da,  Porto,  Portugal 

Forberg  0.,  Leipzig,  Deutschland 

Forberg  Robert,  „  „ 

Forlivesi  &  Cie.,  Florenz,  Italien 

Forsyth  Brothers  Ltd.,  London 

Fouchard  E.,  Paris 

Fouquet  A.,  Paris 

France  C,  Paris 

Francis,  Day  &  Hunter,  London 

Freudenberg  W.,  Berlin 

Friedldnder  H.,  Berlin 

Fries  Philipp,  Ziirich,  Schweiz 

i^r?Y;j:Bernhard,  Regensburg,  Deutscliland 

Fritzsche,  Hannover 

Fritzsche  Karl,  Leipzig,  Deutschland 

Fromont  Eugene,  Paris 

Filrstner  Adolf,  Berlin,  Deutschland 


VII 


Gadow  F.  W.  &  Sohn,  Hildburghausen 
Oagel  brothers,  ISTew-York 
Oailhard  F.  &  Cie.,  Paris 
Oallet  Emile,  Paris 
Ganay  A.  de,  Nancy 
Gasparini  J.,  Genua,  Italien 
Gassmann  G.  A.,  Ziirich,  Sehweiz 
Gaudet,  Paris 

Gay    A.,    Vitry-le-Fran9ois,    Frankreich 
Geay  A.,  Niort,  Frankreich 
Gebauer  Const.,  Bukarest,  Rumanien 
Geheihner  &  Wolff,  Warschau,  RuBland 
Gehrman  Carl,  Stockholm 
Gerard  G.,  Paris 

Gerdes  Gustav,  Koln,  Deutschland 
Germain-Louis,  Paris 
Germanti  Ernst  &  Co.,  Regensbiirg 
Gkehnve  (Van),  Paris 
Giannini,  Neapel,  Italien 
Giessel  Carl  jun.,  Bayrenth,  Deutschland 
Gilette  G.,  Paris 
Girard  A.,  Paris 
Girod  Vve,  E.,  Paris 
Griuseppe  S.  vide  Libr.  editrice 
Giustin  E.,  Livomo 
Givre  J.,  Paris 
Glas  A.,  Berlin 

Gkiser  Konrad,  Leipzig,  Deutschland 
Gleichauf  Fritz,  Eegensburg,  Deutschland 
Gleis  F.  W.,  Breslau,   Deutschland 
Gleissenberg  Rudolf,  Leipzig 
Glen  W.  H.  &  Co.,  Melbourne,  Australien 
Globus  -  Verlag,  Berlin,  Deutschland 
Gobelin  E.,  Rouen,  Frankreich 
Gobert  E.,  Paris 

Goedel  0.,  Hannover,  Deutschland 
Goepfart    Karl,     Selbstverlag,    Weimar, 
Deutschland 

Goerlich  Fxanz^  Breslau,  Deutschland 

Gbrlitz  Rud.,  Quedlinburg,  Deutschland 

Goggan  Thos.  &  Bro,  Galveston,  Anierika 

Goll  Anton,  Wien 

Gordon  Hamilton  S.,  New- York 

Gori  Gustavo,  Turin,  Italien 

Gottlober  .Jul.  E.,  Stolpen,  Deutschland 

Gould  &  Co.,  London 

Gounin  et  Co.,  Paris 

Gramer,  Paris 

Gramet  A.,  Paris 

Grammophon  Co.,  Mailand,  Italien 

Gramer,  Paris. 

G7'as  J.,  Lille,  Frankreich 

Gregh  Henri,  Paris 

Gregh  Louis,       „ 

Gries  &  Schornagel,  Hannover 

Gi'oene  J.  C.  &  Co.,  Cincinnati,  Amerika 


Gross  G.,  Paris 

GrofS  Johann,  Innsbruck,  Osterreich 

Grosse  E.  A.,  Komotau,  „ 

Grofjtnann  Ernst,  Altona,  Deutschland 

Gruber  H.,  Koln  a.  Rh.,  „ 

Grude  Emil,  Leipzig,    Deutschland 

Grilnberg  0.,  Jassy,  Rumanien 

Griminger  Carl,  Stuttgart 

Gj-us  L.  <^  Cie.,  Paris 

Gubrynoicicx     &     Schmidt,     Lemberg, 

Osterreich 
Giinther  J.,  Dresden.  Deutschland 
Gueprotte  E.,  Paris 
Guest  John,  London 
Guilmants,  Meudon,  Frankreich 
Chuimaraes  M.  A.,  Rio  de  Janeiro 
Gutheil  A.,  Moskau,  RuBland 
Gutman  F.   0.,  Cleveland,  Amerika 
Gutmann  Albert  J.,  Wien 
Gnyot  &  Co.,  Paris,  Frankreich 

Haake  F.  W.,  Bremen,  Deutschland 

Haakmann-Ghoxiier  J.,  Paris 

Hachette  &  Co.,  Paris 

Haagsche  Muziekhandel,  Haag 

HaeJch  H.,  Cairo 

Hainauer  Julius,   Breslau,   Deutschland 

Halb?'eiter  0.,  Miinchen,  „ 

Halet  Laurent,  Paris 

Haller  V.  L.,  Paris 

Halleux  C.  &  Co.,  Paris 

Hals  Brodrene  Aktieselskab.,    Kristiania 

Hamelle  J.,  Paris 

Hamilton  S.  vide  Gordon 

Hammond  A.  &  Co.,  London 

Hansen  Wilhelm,  Leipzig  u.  Kopenhagen 

Hardy  P.,  Le  Havre,  Frankreich 

Having  J.,  Hamburg,  Deutschland 

Harmonia  Akt.-G.,"  Budapest,  Ungam 

Harmonie  Verl.-G.  Berlin 

Hartmann  B.,  Elberfeld,  Deutschland 
j  Hartmann  F.   G.,  Buenos  Aires 

Hartung' sche  Verlags-Druckerei,  Konigs- 
berg  i.  P.,   Deutschland 

Haslinger  Karl  qu.  Tobias,  Wien,  Oster- 
;  reich  (Schlesinger.  Berlin) 

Haton  R.,  Paris 

Hatxfeld  &  Co.,  London 

Hauser  J.,  Miinchen,  Deutschland 

Haushahn  Gustav,  Magdeburg 

Hawkes  &  Son,  London,    New-York 

Hayard  L.,  Paris 

Haydn-Konservatorium;  Charlottenburg 

Hayet  C,  Paris 

Hebert -StrsLSseT,  Paris 

Heckel   K.  F.,    Mannheim,   Deutschland 


YIU 


Hefner   Otto,    Ob.-Neudorf   P.  Buchen, 
Deutschland 

Heidehnann  A.,  Bonn  a.  Rh. 

Heidsieck  &  Gottwald,  Barmen,  Deutsch- 
land 

Heinrichslwfen  A.,  Magdeburg 

Heins  C,   Berlin 

Heller  A.  M.  &  Co.,  London 

Hemmerle  J.,  Paris 

Henckel  Otto,  Teschen 

Henkel  Theodor,  Frankfurt  a.  M. 

Hennes  A.,  Berlin 

Heimig   Carl,    Magdeburg,    Deutschland 

Henry  Vo.,  Besongou 

Herder,  Freiburg  i.  B.,  Deutschland 

Herma7id-Br\in,  Paris 

Herxig  M.,  Wien 

Hesse's  Max  Verlag,  Leipzig 

Heugel  et  Cie.,  Paris 

Heuschkel  H.,  Leipzig,  Deutschland 

Heuser  Louis,  Neuwied,  „ 

Hey,  Miihlhausen,  Deutschland 

Hieber  Max,  Miinchen,  Deutschland 

Hintxen  H.,  Oldenburg,  Deutschland 

Hinx  Hercules,  Altona  a.  E.,        „ 

Hirsch  Abr.,  Stockholm,  Schweden 

Hochstein  K.,   Heidelberg,  Deutschland 

Hoffert  J.  F.,  Osnabriick,  ,. 

Homes  P.  Ed.,    Trier,   Deutschland 

Hoepli,  Mailand,  Italien 

Hosick   Ferdinand,    Warschau,   RuBland 

Hofbauer  C,  Leipzig,  Deutschland 

Hoffarth  L.,  Dresden,  „ 

Hojfhsi7i%  Ernst,  Berlin,        „ 

Hojfman7i  A.,  Striegau,         „ 

Hojfniann  E.,  Dresden,         „ 

Hoffmann's  Johann  Wwe.,  Prag 
Hofniann,  Le  Havre,  Frankreich 
Hofmann   H.,   Kirchberg,    Deutschland 
Hofnieister  Fr.,  Leipzig,  Deutschland 
Holxjnann  Adolf,  Ziirich,  Schweiz 
Hoyneyer  Chas.  W.  &  Co.,  Boston 
Hopwood  &  Crew  (Ascherberg),   London 
Hospe  Anton,  Omaha,  Amerika 
flo/Ztan  Heinrich,  Halle  a.  S.,  Deutschland 
Houghton  &  Co.,  London 
Hovelacque,  Paris,  Frankreich 
Huber  A.,  Linz,  Osterreich 
Huchet  A.  Paris,  Frankreich 
Hug  Gebriider  &  Co.,    Ziirich,    Schweiz 
Huguenin  C,  Paris 
Humblot  P.,  Paris 
Hunti7igton  music  company,  Providence, 

Amerika 
Huron  J.,  Blois,  Frankreich 
Hurstel  P.,  Le  Havre,  Frankreich 


Hutchings  &  Romer,    London,  England 
Hyams  J.,  Nice,  Frankreich 

Idxikowski  Leon,  Kiew,  RuBland 
Institut  musical,  Paris 
Internationaler  Musik-  Verlag,  Leipzig 
/ste-Beaussier,  Paris 
Ixxo  R.,  Neapel,  Italien 

Jabe7'g  Geo  music  company,  Cincinnati 

Jacquot  A.,  Nancy 

Jaclison  Bros,    Port  Elizabeth,  Amerika 

Jacobi,  Aachen,  Deutschland 

Jacobs  Walter,  Boston,  Amerika 

Jdger  Julius,  Berlin 

Jakubowski  K.    S.,   Lemberg  (G-alizien) 

Jakuboivski  M.,  Konigsberg  i.  P. 

Jaimi  Freres,  Lyon,  Frankreich 

Jefferys  Ltd.,  London 

Jc7inings  G.  B.  Co.,  Cincinnati,  Amerika 

Jerlane  J.  C,  Paris 

Joa7ii7i  &  Co.,     „ 

Jolmnse7i  A.,  St.  Petersburg 

Johnns  Carl,  Stockholm,  Schweden 

Jonasson  Otto-Eckermann,  Berlin 

Jost  Fr.,  Leipzig,  Deutschland 

Joube7't  C,  Paris 

Joullot  E.,       „ 

Journal  musical,  Nice,  Frankreich 

Jullien  Alfred,  Paris 

Junfermmm' sche  Buchhandlung,  Pader- 

born,  Deutschland 
Junne  A.,  Paris 

Juntie  Otto,  Leipzig,  Deutschland 
Jurgenso7i  P.,  Moskau,  RuBland 

Kabatek  A.,  Leipzig,  Deutschland 
Kahnt  C.  F.,  Nachfolger,  Leipzig 
Kaiser  R.,  Kassel,  Deutschland 
Kaland  Paa  Einar,  Bergen,  Norwegen 
Kast7ier  W.,  Woronesch,  RuBland 
Katto  J.  B.,  Briissel,  Belgien 
Kaun  Richard,  Berlin,  Deutschland 
Keith  Prowse  &  Co.,  London 
Kern  Carl,  Frankfurt  a.  M. 
Kesseh,  Tillburg,  Niederlande 
Kessler  Hans,  Trier,  Deutschland 
Kiendl  Anton,  Wien 
Kiesli7ig  S.  G.,  New-York 
Killberg's  Boekhandel,  Helsingborg 
Kistler  C,  Bad  Kissingen,  Deutschland 
Kist7ier    Fr.,    Leipzig,  „ 

Kittlitx  -  Schott,    Mainz,    Deutschland 
Kittlitx- Schott-Bieger,  Mainz, 
Klein  Andre,  Rouen,  Frankreich 
i  Klein  Moses,  Philadelphia,  Amerika 
1  Klemm  C.  A.,  Leipzig-Dresden 


IX 


Klinner  Carl,  Leipzig,  Deutschland 

Klokner  Edi,  Budapest,  Ungarn 

Kneer  M.,  Miinster   i.  W.,  Deutschland 

Knepler  Hugo,  Wien 

Koher  C.  F.,  Basel,  Sehweiz 

Kochly  J.,  Bourges,  Frankreich 

Kohhr  E.  &  Son,  Edinburgh 

Kohler  Karl,  Charlottenburg 

Koeppefi  Paul,  Berlin 

Korner  G.,  Leipzig 

Kosseldorfei'  Eudolf,  Wien 

Kothe  A.,  Tarnowitz,  Deutschland 

Kotlie  C,  Leobschiitz,  Osterreich 

Koff   Max,    Braunschweig,    Deutschland 

Kraehmer  C,  Koblenz,  „ 

Kramers  M.  Nachfolger,  Wien 

^ramer-Bangert  E.,  Kassel,  Deutschland 

Krentxlin  H.  B.,  Berlin 

Kromphoh  J.  G.,  Bern,  Sehweiz 

K7'ilger  F.  G.  A.,  Hannover,  Deutschland 

Krxifxanoy^ski  St.  A.,  Krakau,  Osterreich 

Kilhling  &  Giittner,  Berlin 

Kiihn   C.   M.,   Darmstadt,    Deutschland 

Kilhn  R.,  Berlin 

Kiipper  A.  P.,  Elberfeld 

Knlikoff  N.,  Moskau,  RuBland 

Kulni  C.,  Wien 

Kuntz  Hugo,  Karlsruhe,  Deutschland 

Kunx  A.,  Berlin 

Kurth  Bernh.,  Berlin 

Kurx  P.,  Hohenmauth,  Osterreich 

Lahbe  L.  (L.  VieUot),  Paris 
Labonde  A.,  Paris 
Lacroix  E.,  Paris 
Laffage  A.,  Tunis,  Afrika 
Lafleur  Maison,  Paris,  Frankreich 
Lafleur  d;  Son,  London,  England 
Lafontaine  M.,  Paris 
Lagneny,  Limoges,  Frankreich 
Lagranche  Lille,  Frankreich 
Lahr,  Schauenburg,  Deutschland 
Laynbert,  Toouon,    Frankreich 
Lambertini  Casa,  Lissabon,  Portugal 
Lamirand  L.,  ISTanterre,  Frankreich 
hammer  Ferdinand,  Wien 
hammers  P.  J.,  Baltimore,  Amerika 
hang  J.,  Karlsruhe,  Deutschland 
La/?7e-Alsbach,  Rotterdam,  Niederlande 
hange  R.,  Magdeburg,  Deutschland 
honnen  Thos.  E.,  Chicago,  Amerika 
hapini,  Florenz,  Italien 
haroche  L.,  Vannes,  Frankreich 
harousse,  Paris 
harivay  J.  H.,  London 
hattes  S.  &  Co.,  Turin,  Italien 


hau  Hermann,  Danzig,  Deutschland 
haudy,  Paris 
haudy  &  Co.,  London 
haurens  F.,  Paris 

hauterbach  &  Kuhn,  Leipzig,  Deutschland 
haveine,  Paris 
he  Boulch,  Paris 

he  Roux  F.  X.  &  Cie.,  StraBburg 
hebeau  A.  (A.  Leduc),  Paris 
hederer  Johann  (H.  Bauderer),  Miinehen 
heduc  Alphonse,  Paris 
heeuwen  J.  W.  van,  Leiden,  Holland 
hegeay  &  Drouault,  Le  Mans,  Frankreich 
hegoidx  G.,  Paris 
hehmann  Gust.,   Berhn 
hehne  &  Komp.,  Hannover,  Deutschland 
hehning  E.,  Paris 

heichssenring   M.,   Hamburg,    Deutsch- 
land 

heidt  M.  M.,  Buffalo,  Amerika 

heissus  H.,  Paris 

hemoine  Henry  &  Co.,  Paris 

henoir  G.,  Charleville,  Frankreich 

hentx  Frederic,  Paris 

heo'nard  E.,  Menton,  Frankreich 

heonard  &  Co.,  London 

heonardo  da    Vinci,  Mailand,  Italien 

heopas  C,  St.  Petersburg,  RuBland 

heplat  E.,  Valence,  Frankreich 

herat  L.,  Valenciennes,  Frankreich 

heroux  Fernand,  Nantes,        „ 

hesigne  Alphonse,  Paris 

heuckart  F.  E.  C,  Leipzig,  Deutschland 

heivy  Gustav,  Wien 

Leivy  Dr.  Heinrich,  Miinehen 

hiane,  Paris 

hibr.  editrice  (S.  Giuseppe),  Turin 

hibreria  Salesiana,  Turin,  Italien 

hicht  Hans,  Leipzig,  Deutschland 

hichtenauer  W.  F.,  Rotterdam 

hiebers  M.,  Freiburg,  Deutschland 

hiebert  Woldemar,  Dresden,  Deutschland 

hiederbuchanstalt,    Zurich' sche,   Ziirich 

hindgren  Axel  E.,  Helsingfors 

hindlar,  Coblenz,  Deutschland 

hindner  &  Sohn,  Stralsund,  Deutschland 

hinschiitx  J.,  Wien 

hipsius  &  Tischer,  Kiel 

hitolff's    Henry    Verlag,    Braunschweig 

hivain  Ed.,  Mons,  Belgien 

hlamoxas  &  Co.,  Caracas,  Venezuela 

hlimona  Vidal  y  Boceta,  Barcelona 

hlobet  J.  M.,  Barcelona,  Spanien 

hloyds  D.  Edwin,  London 

hoescher  H.,  Turin,  Italien 

hopex  &  Griff o,  Malaga,  Spanien 


Lorch  Chr.,  Marburg  a.  L.,  Deutschland 

Lorel,  Paris 

Lorenx-  Publishing  &  Co.,  New- York 

Loret  Fils  H.  Freytag,  Paris 

Lory  Victor,  Paris 

Lucas  Stanley  &  Son,  London 

Luckhardt  d;  Belder,  New- York 

lAickJmrdt's  Musik-Vlg.,  Stuttgart 

Ludivig  August,  Dresden 

Liidecke  W.,  Bismarck,  Deutschland 

Limdholm  C.  A.  V.,  Stockholm 

Lundqtdst  A.,  „ 

Lupion  Bros.,  Burnley,  England 

Lyon  &  Hall,  Brighton,  England 

Lyon  d;  Healy,  Chicago,  Amerika 

Lyra,  Wien 

Lyre  du  Nord,  St.  Petersburg 

Tjyre  en  plein  air,  Paris 

Maas  Otto,  Wien 

Maddaloni  Francesco,  Neapel,  Italien 

Magasinul    Conservatoriului,    Bukarest 

Magne,  Cherbourg,  Frankreich 

Magot  H.,  Paris. 

Mahillon  &  Co.,  Briissel,  Belgien 

Maier  Alois,  Fulda,  Deutschland 

Maillot  a  Chalon-sur-Saone,  Frankreich 

Maloi  E.,  Paris 

Mandolino  II,  Turin,  Italien 

Manni  M.  Florenz,  „ 

Manuel  A.,  Paris 

Marcenac  E.,  Paris. 

Marchand  C,  Paris 

Marcha7id  Emile,  Bordeaux,  Frankreich 

Mareis  E.,  Linz,  Osterreich 

Margueritat,  Paris,  Frankreich 

Mariani,  Mailand,  Italien 

Maroky  M.,  Lyon,  Frankreich 

Marsh  B.  0.,  Decorah,  Amerika 

Marshall  S.  &  Son,  Adelaide,  Australien 

Jfar^mw-Faucher,  Mort,  Frankreich 

Martin  F.,  Marseille,  „ 

Martin  Societe  Anonyme,  Toulouse 

Martinenghi  Giovanni,  Mailand,   Italien 

Marvis  Eugene,  Paris 

Masi  J.,  Paris. 

Massard,  Paris 

Massard  R.,  Lyon 

Masspqcher,  Paris 

Mastrigt  van,  Arnheim,  Holland 

Matheissi  n  H.,  Paris. 

Mathieu  fils,  Paris 

Mathot  A.  Z.,  Paris 

Mauger,  Paris 

Maiirel  L.,  Paris 

Maiirri  E.,  Florenz.  Italien 


Mayer  Karl,  Wien 

Mayol  C,  Paris. 

Maxo  E.,  Paris 

Mc.  Kinley  Music  Co.,  Chicago,  Amerika 

Metnts  &  Cie.,  Elberfeld,  Deutschland 

Mehler  Carl,  Mockern 

Mehner  Alfred,  Inh.  G.  Vetter,  Leipzig 

Meijroos  &  Kalshoven,  Arnheim 

Meisel  Friedrich,  Breslau 

3Iei/3ner  Eobert,  Berlin 

Mekams  J.,  Bruxelles,  Belgien 

Mennesson  E.,  Eeims,  Frankreich 

Mercadier,  Paris 

Merseburger  Carl,  Leipzig,  Deutschland 

Mery  Bela,  Budapest,  Ungarn 

Metzler  &  Co.  Ltd.,  London 

Metxner  A.  -Leblanc,  Angers,  Frankreich 

Meuriot  vide  Rouart 

Meyer  Karl,  Hannover,  Deutschland 

Michaelis  Karl,  Neu-Euppin,  Deutschland 

Michaud  L.,  Paris,  Frankreich 

Michoiv  A.,  Berlin,  Deutschland 

Michow's  L.  Wwe.,  Charlottenburg 

Mignon  V.,  Nice,  Frankreich 

Mijs  D.,  Tiel,  Holland 

Milborn,  Nijmegen,  Niederlande 

Millereau,  Paris 

Mills  F.  A.,  New-York 

Miran  H.,  Paris 

Maurand  A.,  Paris 

Morike  Fritz,  Stettin,  Deutschland 

Monde  musical,  Paris 

Mondo  musicale,  Firenze 

Monier  L.,  Lyon,  Frankreich 

Monopol-  Verlag,  Berlin 

Monvoisin  &  Cie.,  Paris 

Moore  Smith  &  Co.,   London 

Moreau  W.,  Poitiers,  Frankreich 

Moreira  de  Sa  Bernardo,  Porto,  Portugal 

Morice  Charles,  Eennes,  Frankreich 

Morley  W.  &  Co.,  London 

Morris  Jos.,  Philadelphia,  Amerika 

Moses  A.,  Stettin,  Deutscliland 

Mosmans  Henri,  Herzogenbusch 

MoitiUot  P.,  Paris 

Moxarthaus  (Otto  Keerl),  Wien 

Miick  Karl,  Wien 

Miiller  R.,  Capstadt,  Afrika 

Munguia  Enrique,  Guadalajara,   Mexico 

Miiraille  Vve.  Leop.,  Liege,  Belgien 

Musica  sacra,  Mailand,  Italien 

Musik- Blatter,  Verlag   d.,  Wien 

Musik-  Vereinigimg,  Verlag  der  Freien, 

Berlin 
Musikverlag  Bad.,  Freiburg  i.  B. 
Miisikverlag  (nntteldctitscher),  Leipzig 


XI 


Musikwelt,  Berlin 
^Musik-Woche^->  Verlag  d.,  Leipzig 
Mustel  Pere  &  Fils,  Paris 
Muziekhandel,  De  Nieuwe,    Amsterdam 

Nddar  Kalman,  Budapest,  Ungarn 
Naummin  Georg  Nachf.  (Paul  Hotfarth) 

Dresden 
Nagel  Sucesores,  Mexico,  Mexico 
Napoleao  Arthur  &  Co.,  Rio  de   Janeiro 
National  Music  Co.,   Chicago,  Amerika 
Naudin  Vincent,  Paris 
Naus  Th.,  Aachen,  Deutschland 
Neldner  P.,  Riga,  RuBland 
Neuer  Berliner  Musikverkuj,    Berlm, 
Neuparth  &  Carneiro,  Lissabon,  Portugal 
Neveu  Ch.,  Paris 

Nicholson  &  Co.,  Sydney,  Australien 
NicMu  &  Welleminsky,  Wien 
Niemeyer  Carlos,  Valparaiso,  Chile 
Nieuwenhuijs  P.  B.,  Breda,  Niederiande 
^^i?er(i-Huguenin    et    Fils,    AIen9on, 
Frankreich 

Noel  A.,  Paris 

Noordhoff   P.,    Groningen,    Niederiande 
Nordisk  Musikjorlag,  Kopenhagen 
Noske  A.  A.,  Middelburg,  Niederiande 
Noske  R.,  Borna,  Deutschland 
Novella  &  Co.  Ltd.,  London 
Novelty,  Paris 

Nuova  Musica,  Florenz,  Italien 
Nya  Helsingfors  MiisikMndel,  Helsmg- 
i'ors,  RuBland 


Oberdorffer  M.,  Leipzig,  Deutschland 
Oberiveilter -\jQ?>oviQxdi,  Paris 
Oehmigke  L.  (R.  Appelius),  Berlin 
Oertel  Georges,  Brussel,  Belgien 
Oertel  Louis,  Hannover,  Deutschland 
Oertel  L.  &  Co.,  London 
Offhaus  J.  Nachf.,  Breslau,  Deutschland 
Ollendorff  P.,  Paris 
Ollivier  D.  (A.  Sporck),  Paris 
Ondet  Georges,  „ 

Oppenheimer  Bros.,  London 

Oppenheimer  H.,  Hameln,  Deutschland 

Orgeret,  Lyon,  Frankreich 

Orpheus  The,  Music  Publish.,  London 

Orpheus  c&  Mercur,  Berlin 

Oser  Ant.,  Biihl,  Deutschland 

Ostrowski  E.,  Odessa,  RuBland 

Otto  J.,  Prag,  Osterreich 

:Pabst  P.,  Leipzig,  Deutschland 
Pabst  B,.,  Delitzsch. 


Page  C.  L.  &  Co.,  Boston,  Amerika 

Paiva  Eduardo,   Pernambuco,   Brasilien 

Pares  H.  Jaques  &  Cie.,  Paris 

Paris  illustre,  „ 

Paris  moder7ie,  Paris 

Parloiv  E.,  Selbstveriag,  Frankfurt  a.  M., 

Deutschland 
Parmenfier  G.,  Paris 
Paroch  L.,  Paris 
Parraga  Francisco  Mendez,  Valencia, 

Venezuela 
Parrhysius  Arthur,  Berlin 
Partee   C.    L.  Music  Co.,  New-York 
Partridge  &  Co.,  London 
Pascal,  Paris 
Patay  A.,  Paris 

Paternoster  W.,  Goriitz,  Deutschland 
Paterson  &  Sons,  Edinburgh  &  London 
Patey  &  Willis,  London 
Pathe  frere,  Paris 

Paidi  Jean,  Fechenheim,  Deutschland 
Pautrat  P.,  Nevers  (Nievre),  Frankreich 
Pawliska  Rudolf,  Wien 
Paxton  W.,  London 
Payerne  J.,  Paris 

Paxdirek  L.  R.,  Olmiitz,  Osterreich 
Pazdirek  S  Co.,  Wien 
Payne's  Musikv.,   Leipzig,   Deutschland 
Pcchel  Franz,  Graz,  Osterreich 
Peheu  J.,  Paris 
Pele-mele  Edition,  Paris 
Pepin  freres,  Marseille,  Frankreich 
Peregally    A.    &    Parvy    Fils,    Paris 
Periiy  Freres,  Tours,  Frankreich 
Perosino,  Turin,  Italien 
Perraud  L.,  Marseille,  Frankreich 
Peters  C.  F.,  Leipzig,  Deutschland 
Petersburger  St.  Musikhdlg.,  St.  Peters- 
burg, RuBland 
Petersen  Cari,  Leipzig,  Deutschland 
Petit  aim  Fontenay-sous-Bois,  Frankreich 
Petit  echo  de  la  musique,  Paris 
Pfeiffer  Eugen,  Heidelberg 
Pfister  Freres,  Paris,  Frankreich 
Philipp  S.  &  Sohn,  Berlin,  Deutschland 
Philippo,  Paris 

Phillips  S  Oliver,  London,  England 
Phillips  and  Page,       „  „ 

Phillipsen  Jan,  Breda,  Niederiande 
Picard  Alphonse  &  Fils,  Paris,  Frankreich 
Pick  Josef  Leopold,  Wien,  Osterreich 
Pietsch  A.,  Ziegenhals,  Deutschland 
Pillet-BevsovWe,  Saumur,  Frankreich 
Pinatel  A.,  Paris 
Pisa  Jacques,    ,, 
Pisano  G.,  Neapel,  Italien 


XII 


Pitau  R.,  Paris,  Frankreich 
Piiault  J.  &  H.,  Paris,  Frankreich 
Pitman,  Hart  &  Co.,  London,  England 
Piivarski  Anton  &  Co.,  Krakau,  Osterreich 
Piatt  Johannes,  Berlin 
Plotner  &  Wagner,  Dresden,  Deutschland 
Ploix  E.,  Paris,  Frankreich 
Plothow  Georg,  Berlin,  Deutschland 
Pock  J.   (vorm.  Hans  Wagner),  Graz 
Pohl-Wohnlich  Max,  Basel,  Schweiz 
Pomier  E.,  Paris,  Frankreich 
Ponca,  Paris 

Pond  Wm.  A.  &  Co.,  New- York,  Amerika 
Porchet,  Paris,  Frankreich 
Porges  S.  G.,  Prag,  Osterreich 
Portius  Fr.,  Leipzig,  Deutschland 
Poulalio7i  J.,  Paris,  Frankreich 
Praeger  &  Meier,  Bremen,  Deutschland 
Prem  Gebr.,  Koblenz,  „ 

Pi'esser  Th.,  Philadelphia,  Amerika 
Price    &    Reynolds,  London 
Pt'iore  Gustave,  Paris,  Frankreich 
Procu?'e  Generale,  Arras,  Frankreich 
Promberger'  R.,  Olmiitz,  Osterreich 
Pt^otze  Hermann,  Leipzig,    Deutschland 
Puccio,  IVIilano 
Pugno  C,  Paris,  Frankreich 
Puigellier  Victor  &  A.  Bassereau,    Paris 
Pistet  Friedr.,  Regensburg,  Deutschland 

Raabe  &  Plothow,  Berlin 
Rabut  Alfred,  Lyon,  Frankreich 
Bxibg  L.,  Bordeaux,  „ 

Radke  0.  Nachf.,  Essen  a,  R.,  Deutsch- 
land 
Rdttig  Th.,  Leipzig,  Deutschland 
Rahr  H.,  Utrecht,  Niederlande 
Rahter  D.,  Hamburg,  Deutschland 
Ramo)id,,  Paris 
Ranxini,  Mailand,  Italien 
Ranxini  Typogr.,  Mailand,  Italien 
Rathke  Albert,  Magdeburg 
Raux  Jules,  Paris 
Rebagli,  Florenz,  Italien 
Rebbert  J.  L.,  Bochum,   Deutschland 
Rechlin  Otto,  Karlshorst-Berlin 
Reclarn   (Universal-Bibliothek),    Leipzig 
Reeder  &  Walsh,  London 
Reeks  H.  J.,  „ 

Reeves  W.,  „ 

Reinecke  Gebriider,  Leipzig 
Reiniinrt  A.,  Prag,  Osterreich 
Renai^sa7ice-Y&[hi.g,  Berlin 
Renk  P.,  Leipzig,  Deutschland 
Renncs  Jac.  van,    Utrecht,   Niederlande 
Repertoire  Gonzales-Bou  squat,  Paris 


Repertoire  moiidain,  Paris 
Repertoire  parisien,        „ 
Repertoire  pour  tous,  Paris 
Repertoi7'es  reunis,  Paris 
Reuchsel,  Lyon,  Frankreich 
Reynolds  &  Co.,  London 

Rheinischer  Musikverlag  (Karl  Kollojff), 
Mainz,  Deutschland 

Richard  F.,  Paris 

Ricordi  G.  &  Cie.,  Mailand,  Italien 

Ries  F.,  Dresden,  Deutschland 

Ries  S  Erler,  Berlin,      „ 

Rieter  (J.)-Biedermann,  Leipzig 

RiffaiL  Henri,  Bordeaux,  Frankreich 

Riinbault  E.,  Paris 

Rivet  H.,  Paris 

Robert  Justin,  Beziers,  Frankreich 

Roberty  H.,  Paris 

Robitschek  Adolf,  Wien 

Robolsky  J.  H.,  Leipzig,  Deutschland 

Roche  v.,  Annecy,  Frankreich 

Rbder  H.,  Charlottenburg,    Deutschland 

Roder  impr.,  Paris 

Rohr  C.  M.,  Anglo-American,  Musik- 
verlag, Berlin 

Rohlfing  Sons  Mus.  Co.,  IMilwaukee 

Roothaan  C,    Amsterdam,    Niederlande 

Rooy  H.  W.,  Kampen,  „ 

Rose  Alexander  (J.  Hainauer),  Wien 

Rose  C,  St.  Petersburg,  RuBland 

Rossum  Wed.  J.  R.  van,  Utrecht, 
Niederlande 

Rost  A.    W.,  Dresden,  Deutschland 

Rothe  Paul,  Leipzig,  „ 

Rothe?ianger,  Amsterdam 

Rothmayer  L.,  Wien 

Rotschy  J.  B.,  Geneve,  Schweiz 

Rouart  Alexis,  Paris 

Roudanex,  Paris,  Frankreich 

Rouget  J.,  Toulouse,  Frankreich 

Rougier  A.,  Paris 

Roiihier  Louis,  Paris 

Roux  C,  Antibes 

Roux,  Niort,  Frankreich 

J?o^'^7/e-Lisieux  E.,  Paris 

Rowies  J.,  Paris 

Royal  Music  Co.,   New- York 

Roxsavblgyi  &  Comp.,  Budapest,  Ungam 

Roxsnyai,  „  » 

Ruckmich  C,  Freiburg  i.  B. 

Rudall  Carte  &  Co.,   London 

Rueff  J.,  Paris 

Rilhle  Carl,  Leipzig,  Deutschland 

Rilhle  (&  Hunger,  Berlin 

Riihle  c&   Wetidling,  Leipzig 

Rugi  Ia,  Spezia,  Italien 


XIII 


Saalfield  Kichard  A.,  New- York 
Sackur  C,  Breslau,  Deutschland 
Salabert  E.,  Paris 
Salabert  William,  Paris 
Salichon  P.,  Paris 
Salvat  Manuel,  Barcelona,  Spanien 
Sa^nson  D.,  Berlin 
Sandox,  Jobm  &  Cie.,  Paris 
Sandox  William,  Neuchatel,  Schweiz 
Sandron  Luigi,  Palermo,  Italien 
Sanson  R.,  Paris 
Santqjanni,  Neapel,  Italien 
Sassetti  &  Co.,  Lissabon,  Portugal 
Sauniere,  Poitiers,  Frankreich 
Schaeffer  &  Koradi,  Philadelphia,  Amerika 
Scharjf  C,  Diedenhofen,  Deutschland 
Scharfrichter-YeTl-Ag,  Miinchen 
Scheffer  P.,  Nuncy,  Frankreich 
Sckeiihauer  B.,  Berlin 
Schellenherg  Ernst,  Wiesbaden 
Scherl  August,  Berlin 
Schiefelbein  Oskar,  Essen,   Deutschland 
Schiele  Just.  (Eug.  Pfeiffer),  Mannheim 
Sckierivater  A.,  Hamburg,  Deutschland 

SchUlemans  &    van   Belkum   (Thieme), 
Zutphen,  Niederlande 

Scfdmmel  M.,  Berlin 
Sckirmer  G.,  New- York 
Schirmer  jr.  G.,  Boston 
Sckirmer  P.,  Leipzig,  Deutschland 
Schlesinger' sche  Buch-  u.  Musikhandlung 
(Robert  Lienau)  (Haslinger),  Berlin 

Schlimpert  H.  W.,  MeiBen,  Deutschland 
Schluter  (Wilh.  Halle),  Altona 
Schmid  Mired  Nachfolger  (Unico  Hensel), 
Miinchen,  Deutschland 

Schmid  W.,  Niirnberg,  Deutschland 
Schmid  Wdlhelm,  Niirnberg  und  Leipzig 
Schmid  <&  Dubied,  StraBburg  i.  E. 
Schmidt  &  Co.,  Triest,  Osterreich 
Schmidt  Arthur  P.,  Boston-Leipzig 
Schmidt  C.  F.,  Heilbronn,  Deutschland 
Schmidt  Ferd.,  Oldenburg 
Schmidt  P.,  Frankfurt  a.  M. 
Schneeberger  F.,  Biel,  Schweiz 
Schneider  H.  J.,  Saaz  i.  Bohmen 

Schneider  R.  L.,  Dresden,  Deutschland 
Schondorf,  Braunschweig 
Sehoningh  Ferdinand,  Osnabriick 
Schoningh  H.,  Miinster,  Deutschland 
Schola  Cantorum,  Paris,  Frankreich 
Schotfa  B.   Sohne,  Mainz,  Deutschland, 
London,  England,  Paris,  Frankreich 

Schott  Freres,  Briissel,  Belgien 
Schroder  C,  Stolp,  Deutschland 


Schroder  H.  Nachfolger  (G.  Siemerling), 
Berlin,  Deutschland 

Schroeder  J.  H.,  New-Y"ork,  Amerika 
Schroder   W.,  Berlin,  Deutschland 
Schuberth  E.  &  Co.,  New- York,  Amerika 
Schubet'th  J.  &  Co.,  Leipzig,    Deutsch- 
land 

Schuberth  jr.  Fr.,  Leipzig,  Deutschland 
Schuckerfs     Musikalien  -  Verlag     (Otto 

Rettke),  Crefeld,  Deutschland 
Schiitte  Max,  Erfurt,  „ 

Schulbachhandlung    (F.  G.  L.  Gressler), 

Langensalza,  Deutschland 

Schultx  C.  J.,  Elbing,    „ 
Schulx  B.,  Berlin 

Schidxe  G.  E.,  Leipzig,  Deutschland 
Schunda  W.  J.,  Budapest,  Ungaru 
Schuster  &  Loffler,  Berlin 
Schwann  L.,  Diisseldorf 
Schiveei'S  &  Haake,  Bremen 
Sect  Verlag,  Leipzig 
Seeling  J.  G.,  Dresden,  Deutschland 
Seemann  Hermann  Nachf.,  Leipzig 
Seiling  J.,  Miinchen,  Deutschland 
Seliiverstow  P.,  St.  Petersburg,  RuBiand 
Selmer,  Paris 

Senff  Bartholf,  Leipzig,  Deutschland 
Serpeille  M.,  Paris 
Se?Ta  Illi,  Genua,  Italien 
Setchell  G.  W.,  Boston,  Amerika 
Seyivang  A.,  Moskau,  RuBland 
Sheard  Chas.  &  Co.,  London 
Siegel  C.  F.  W.,  Leipzig,  Deutschland 
Siever  O.,  Paris 
Silver  Burdett  &  Co.,  New-York 
Simon  E.,  Stettin 
Simon  Karl,  Berlin 
Simrock  N.,  Berlin 
Siiie  S.,  Paris 

Sini  Michele,  Neapel,  Italien 
Smith  R.  &  Co.  Ltd.,  Stockholm,  Schweden 
Sociedad  de  Autores    espafioles,  Madrid 
Societd  musicale  napoUtana,  Neapel 
Societa  Tipografi^o-Edjince   Nazionale, 
Turin 

Societe  anonyme,  Paris 
Societe  cooperative  des  compositeurs  de 
musique,  Paris 

Socidte  libre  d'edition,  Paris     * 
Societe  nouvelle  d'ed.  mus.,  Paris 
Deutschland 

Sommermey&r'  Emil,    Baden-Baden 
Sonxogtio,  Mailand,  Italien 
Souhre  Et.  Vve.,  Liege,  Belgien 


XIV 


Soulacroup  -  Liyier,  Ciermont  -  Ferrand, 

Frankreich 
Spitzner  A.,  Leipzig,  Deutschland 
Sporck  K.,  Paris 

Stabilimento  Musieale  romano,  Eom 
Staegeniami  Max,  Berlin 
Stahl  J.,  Arnsberg,  Deutschland 
Stahl  Albert,  Berlin,  „ 

Stampfel  Karoly,  Pozsony,  Ungarn 
Standard  Music  Co.,  New- York 
Starke  Hermann,   Breslau,    Deutschland 
Stary  Em.,  Prag,  Osterreich 
Stein  A.,  Potsdam,  Deutschland 
Stcingraber  A^erlag,  Leipzig,  Deutschland 
Steinhauser  W.,  Pilsen,  Osterreich 
Sterckx,  Paris,  Frankreich 
Stern  Dr.  Richard,  Berlin 
Stern  Jos.  W.  c&  Co.,  New- York 
Stoll  jE".,  Leipzig,  Deutschland 
Stoll  F,,  Leipzig,        •      ,, 
Stolle  E.,  Harzburg,  Deutschland 
Stomps  G.,  Luxemburg,  Luxemburg 
Stopp  Albin,  Limbach 
Stiirmer    Th.,     Stuttgart     (C.     Ruble, 

Leipzig),  Deutschland 
Styria  Verlagsbuchhdlg.,  Graz,  Osterreich 
Succes  du  XXe  siecle,  Paris 
Sudre  F.,  Paris 

SuddeutscherMiisikverlg.,StTSiQburg  i.  E. 
Sulxhach   W.,  Berlin 
Sukbach  (Benoit  Emile),  Paris 
Suker  R.  Nachf.,  Berlin,  Deutschland 
Summy  Clayton  F.  Co.,  Williamsport 
Swan  &  Co.,  London 
Syrkin  J.,  Mohilew,  RuBland 

Tandler  Adolf  (J.  Blaha),  Wien 

Teich  C.  F.,  Leipzig,  Deutschland 

Teich  Otto, 

Teichgrdber  Gustav,  Dortmund 

Tendler  Carl,  Graz,  Osterreich 

2 Jmssing' sche    Buchhandlung,    Munster 

ITielen- J ansen,  Diisseldorf,   Deutschland 

ihelen  P.,  Berlin 

Thiemer  Hugo,  Berlin 

Tkies  Georg,  Sort.,  Darmstadt 

Thomas  Virgile,  Paris 

Thompson  C.  W.  &  Co.,  Boston,  Amerika 

Thompson  Music  Co.,  Chicago, 

IJwmpson  &  Odell  mus.  Co..  Boston 

TJiilmler  A.,  Werdau,  Deutschland 

Tilliard  Georges,  Paris 

Tonger  J.  P.,  Koln  a.  R.,    Deutschland 

Tormann  Bernhard,  Munster  i.  W. 

Tourbie  R.,  Berlia 

Tournayre  L.,  Paris 


Trefx.  v.,  Nancy 

Turlet  A.,  Paris,  Frankreich 

Turner  John  Alvey,  London 

Turner  &  Phillips,  Plymouth,  England 

Wise  G.  0.,  BerHn 
Ulbrich  Gebriider,  Berlin 
Ullrich  F.,  Godesberg,  Deutschland 
Lllstein  &  Co.,  Berlin 
Umeleckd  Beseda,  Prag,  Osterreich 
Umlauf  C.  J.  F.,  Wien 
Unio7i  musieale,  Paris 
Universalbibliothek  vide  Reclam 
Universalbibliothek  vide  Siegel  F. 
Universal-Edition,  Wien 
Urbdnek  Fr.  A.,  Prag,  Osterreich 
Ui'bdnek  M.,  Prag,  „ 

fan  de  Velde  E.  vide    Velde, 

Van  Eeerenbeemt  vide  Eerenbeemt 

Van  Gheluwe  P.  vide  Gheluive 

Van  Wees  vide   Wees 

Vandenhoeck  &  Ruprecht,  Gottingen 

Vanderslooi   The    Music  Co.,  Wilhams- 

port,  Amerika 
Veit  Friedrich,  Diisseldorf,  Deutschland 
Velde  (Van  de),  Paris 
Veloudios  Z.,  Athen,  Griechenland 
Ve7ituri  C,  Bologna,  Italien 
Vercolier  J.,  Paris 
Verlag   der  freien  musikalischen   Ver- 

einigung,  Berlin 

Verlag  des  Harmoniums,  Leipzig 
Verlag    fur   Kimst    und   Wissenschaft, 

Leipzig 
VerkLQsanstalt,  Deutsche,  Stuttgart 
Vieu  Maurice,  Paris 
Vieweg     Chr.      Friedr.,     BerHn  -  GroB- 

Lichterfelde,  Deutschland  * 
Vilimek  Jos.  R,,  Prag,  Osterreich 
Ville?ieuve,  Turin,  Italien 
Vincent  J.,  Paris 
Vi?icent  The  Music  Co.,  London 
Vlietinck  J.,  Ostende.  Belgien 
Vobach  W.  &  Co.,  Berlin 
Voiat  Chr.,  Dresden,  Deutschland 
Voissih-e  J.,  Paris 
Volktnann  Reinhard,  Weimar 
Vries  Henry,  Koln  a.  Rh..  Deutschland 

Wamuiers  J.  M.,  Rotterdam 
Wagenaar  J.  A.,  Utrecht,    Niederlande 
Wagner  A.  y  Levien,  Mexico 
Wagner   G.,  Dresden,  Deutschland 
Walter  music  publishing  company,  Mil- 
waukee, Amerika 


XV 


Walter   Graxiani,  Florenz,  Italien 

Wnnders,  Rotterdam 

Warrmdh's  IMusikforlag,  Kristiania 

Wnsenius  K.  F.,  Helsingfors 

Wasiljeff  M.,  St.  Petersburg,  RuBland 

Wast  vide  Dii   Wast 

WVber   J.  0.   Kuprion's   Naelif.,  Kassel 

Weede7i  W.  S.,  New- York 

W^eekes  &  Co.,  London 

Wees  Van,  Borna,  Deutschland 

Weigel  Adolf,  Leipzig 

Weille?-  E.,  Paris 

Weinberger  A.,  Goding,  Osterreich 

Weinberger  Josef,  Wien 

Weiner  H.,  Prag,  Osterreich 

Wei/S  H.,  Dresden 

Wei (8  Julius,  Berlin 

Welter  H.,  Paris 

Wenck  Johannes,  Berhn 

Werner  Christ.,  Miinchen 

Wernthal  Otto,  Berlin 

Westermair  J.  B.,  Miinchen,  Deutschland 

Wettig  Max,  Colmar,  „ 

^'etxler  Em.,  Prag,  Osterreich 

Weygand  &  Cie.,  Haag,  ISTiederlande 

White  H.  N.,  Cleveland,  Amerika 

White  He7i7'y,  Washington 

White,   Smith  &  Co.,   Boston 

Whittiiigham  Walter,  London 

Wibert  Felix,  Paris 

Wiekins  &  Co.,  London 

Wikox  C.  W.,  New-York 

Willcocks  &  Co.,  London 


Williams  A.,  Buenos- Aires,  Argentinien 
Williams  B.  Ltd.,  Ijondon 
Williams  J.  Ltd.,  London 
Wlllig   Geo  &  Co.,  Baltimore,  Amerika 
Winiker  Carl,  Briinn,  Osterreich 
Witmai'k  Marcus  &    Sons,  New- York 
Wttte  Paul,  Stettin,  Deutschland 
Witxina7in  E.  &  Co.,  Memphis  Tennesee, 
Amerika 

Wletter  De,  Rotterdam 

Walters  J,  B.   Groningen,   Niederlande 

Wood,  B.  F.  Music  Co.,  Boston,  Amerika 

Woolhouse  Charles,  London 

Wykes  Henry,  Paris 

Yafll  E.  N.,  Algier 

Zawadski  Joseph,  Wilna,  RuBland 
Zechlin  Wilh.  &  Paul  Lange,  Berlin 
ZierfufS  Hugo,    Niirnberg,   Deutschland 
Zim?7iermann  J.  H.,  St.  Petersburg 
Zipser  &  Konig,  Budapest,  Ungarn 
Zook  &  Co.,  Paris 
Zschocher  Paul,  Leipzig 
Zumsteeg    G.    A.,     Stuttgart,    Deutsch- 
land 
^7i?:-Mathot  A.,  Paris 
Zuschiieid    Hugo,    Offenburg,    Deutsch- 
land 
Zweifel-Wehev  (Gebr.  Hug),  St.  Gallen, 

Schweiz 
Zwissler  J.,  Wolfenbiittel,  Deutschland 


I 


M. 


M.  „AcTpw",  „no33Hifl  rocTH  oTUB-feTuiaro 
jitxa",  poManc-B  — 45  Lyra. 

p/i ,   op.   1   Sechs  Lieder :    1.  Der   ferneu 

Mutter  Gebet :  „Teure  Kindlein,  gute 
.Vacht!"  2.  Ob  ich  dich  liebe?  3.  Um  Mit- 
ternacht,  iu  ernster  Stunde.  4.  Liebes 
Herz,  was  willst  du  klageu.  5.  Wohl  viel 
tausend  Vogelein.  6.  Am  Fenster :  „Als 
ich  an's  Feuster  heute"  1.50  Klemm. 

-2  Sechs  Lieder:  1.  Am  Fenster:  ,,Nuii 
gute  Nacht".  2.  Lied  aus  dem  Drama  : 
Der  Sohn  der  Wildnis :  „Mein  Herz,  ich 
will  dich  fragen".  3.  Bitte:  „Weil'  auf 
mir,  du  dunkles  Auge".  4.  Alles  in  dir : 
„Du  gibst  die  Freude".  5.  Lied:  „Fort 
nach  Sudeu  geh'n  die  Winde".  6.  Char- 
freitag:  „0  Tag,  so  schwarz  und  triibe'' 
1.50  Klcmm. 

-  Alphonse  au  Theatre  frangais   1 —  Ondd. 

-  Coq  et  Madame  Poule    1.35  n    Ovdef. 

-  Cri  de  la  Nation  2.50  Katto. 

-  Gargon  apothicaire,   Ch.  s.  — 20  n   Labhe. 

-  Heureuse    rencontre    1 — n,    av.    G    — 40  n, 

Ch.  s.  —20  n   Lahbe. 

-  Histoire  de  Barbe-Bleue,  Ch.  s.  — 20  n  Labhe. 

-  Skarbiec    strzechy    naszej,    zbi6r   pie^ni    lu- 

dowych,  P  — 60  n   Gebethner. 

-  Stabat  Mater    (plain-chant) ,  solo  et  3  voix 

eg.    Org(P)    — 50  n    Le   Bean. 
M.  A.  KapTO*e;ib.  Mapuii  — 40  Jurgenson. 
M.  A.   B.  Nancy,  maz.   1.50  Mariani. 
M. . .  A.  C.  A  Vivandeira  1.50  Guimaraea. 

-  Ce  qui  me   fait  t'aimer   3 —  Cranz. 

-  Donna   mendica   3  —   Cranz. 

-  Irish  Melodies  (24),  four  books,  Ha  a  2/ — n 

Vincent. 
-Irish    Melodies    for    the    Irish    Harp     (36), 
three  books   i   2/ —  u    Vincent. 

-  Memories   of  a    Piper    (arr.    by    C  h.    V  i  u- 

cent),   in    5   books   a   2/ — n    Vincent. 

-  Si   tu   sais   pourquoi   2.50   Cranz. 

-  27  Studies  for  the  Irish  Harp  3/ — n  Vincent. 

-  Tutor    for    the    Irish    Harp   3/ —  n    Vincent. 
M.  A.  D.  Pauvre  Rose   1 — n   Lesigne. 

M.  B.  Hie  away  ole  Satan,  galop  — 40  Mliite. 

-  Summer   by    the    Sea,    vocai    P    waltz   — 35 

White. 
M.  C.  H.  Graves  of  ;i  household  — 35  Ditson. 
M.  C.  T.  Laugh  and  the  world  laughs  with 

you,  waltz  — 75  Ditson. 

-  What  can  it  mean  —35  Dit.'<ov. 

M.   de   V.     Espoir   et  sourires,   polka    1.35  n 

Lesigne. 
M.  E.  Adieux  k  Suzon  2.50  Katto. 

-  Leander,  waltz  4/ —  WiHcocfcs. 

-  Souvenir    de   Bougival,    valse   6 —   Girod. 
M.    F.  La  pri&re    1 — n,   av.   G  — 40  n,   Ch.   s. 

— 25  n  Labbe. 
M.  F.  A.  Worcester  Chimes;  or,  Faithful  iu 

a  very  little,  a  service  of  sg.  — /8  Novello. 
M.   F.   F.   Poppy-l.,and  Limited  Express  —50 

•fenninys. 
M.   F.  Girolamo,    lo  t'  adorerO  2.50   Carisch. 

-  Spirto  diletto  !   2 —  Carisch. 

UniTersal-Hanrtbucli  der  Mnsikliteratur.    \1. 


waltz    (Rosabel) 


-40 


(M  arks)    — 40    Brainard. 
TTBB   t    VhoT   —12 


M.   G.   D.    L.   Charity  —40  Brainard. 

M.    H.    M.   Carra's   waltz,   P   — 35   Brainard. 

M'   Innes,  Scotland  a  nation  — /3  Bayley. 

-  We're  a'  Scottish  here.     Bayley. 

M.  J.  C.  Alice,  where  art  thou?   (Ascher), 

TTBB  —08  Brainard. 
-Beggar      Student,      waltz      (Millocker) 

— 40  Brainard. 

-  In  the  valley,  polka  frangaise    (J.  P  e  h  e  1) , 

■'tins  — 55  Ditson. 

-  Marche     romaine     (Gounod),    .'/wis     — 50 

Brainard.. 

-  Midshipmite      (Adams),     TTBB     &     chor 

— 08  Brainard. 

-  Mrs.   Mc.   Leod,   variations,   P  — 35   Williy. 

-  Over   the  stars  there  is   rest    (A  b  t) ,   duet 

-  -35   Ditson. 

-  Pansy  blossom, 

Brainard. 

-  Sailing,   march 

-  Scout    (Camp  a  n  a) , 

Brainard. 

-  Swedish  wedding,  march    (S  o  d  e  r  m  a  n  n) , 

^ms  — 60  Brainard. 

-Wealthy  lord  (Haydn's  Seasons),  hu- 
morous,   TTBB   &    chor.    — 12    Brainard. 

M.  K.  van,  Twee  Verjaringsliederen  (Hol- 
landscho  en  Duitsche  woorden)  :  N.  I. 
Vaders  Verjaardag  (Der  Geburtstag  des 
Vaters)  —50.  N.  2.  Moeders  Verjaardag 
(Der  Geburtstag  der  Mutter)  — 50  Alsbach. 

M.   L.  O  Salutaris,  av.  Vc.     Dupont. 

-  Solfege  et  legons  de  chant  tir#s  des  Cours 

du  College  Stanislas  il  uue  ou  deux  voix, 
P  1.75  n  Ploix. 
M'lons,   les  gros  m'lons  1  —  n  Jouhert. 

M.    M.   Korens   Album,   P   3.50  Fazer. 

-  Metodo  per  Canto  adottato  dal  Conservato- 

rio  di  Parigi   18 —  Ricordi. 
M'    Murdie,    By    the    Dark    Rolling    Waters, 

ATTB  — /3   Bayley. 
M.    N.    F.    Birmingham,    galop    4/ —    Ascher- 

herg. 
M'   Naughton,   Bell   Mahone  — /2   Sheard. 

-  When   there's  love  at  home  — /2  Sheard. 
M.   P.  A.   A   Ramalheteiva,  rom.  2 —  Ouimo- 

raes. 
M.   T.   Marche   des   Sottas   sur   des   chansons 

querri&res   turques,   Jfms    1.50   Nddor. 
M.  T.   A.  Crookit  Bawbee  2/— n  Bayley. 
M'aimeras-tu    toujours    1.70,    Ch.    ,s.    — 35  n 

EveiUard. 
M'aimeriez-vous    I — n,     Ch.  s.    — 35  u     Pui- 

gellier. 
M'aimes-tu    toujours     1 — n,     Ch.   s.    — 35  n 

EveiUard. 
M.  le  Mai  re  et  le  garde  champ€tre,  duo   (av. 

parle)    2 —  Pomier. 
M'sieur   I'   parisien    1 — n   Joubert. 
Ma  balancelle    — 30  n    Joubert. 
Ma  belle    France    1— n   Joubert. 
Ma  belle,    il    faut   aimer    1— n   Joubert. 
Ma  belle-mere  1— n,  Ch.  s.  — 35  n  EveiUard. 
Ma  belle  Senora   1—,  Ch.  s.  —35  Qhiluwe. 


Ma  Black-and-Tan  Baby 


—     2 


Ma  pipe,  ma  chope  et  Lisette 


Ma    Black-and-Tan    Baby   2/ —  n    8heard. 

Ma   black  Tulip  2/ — ii  Sheurcl. 

Ma  blonde   — 30  n   Jonhert. 

Ma  blondinette  1 — n,  Ch.s.  — 35  n  Eveillard. 

Ma  bonne   aventure  — 30  n  Joubert. 

Ma  bourgeoise  — 30   Jouhert. 

Ma  Brown-eyed    babe    2/ — n    Sheard. 

Ma   Brune    1 — ,   Ch.  s.   — 35   Gheluwe. 

Ma  brune    maitresse    1 — n,     Ch.    s.    — 35  ii 

PiiigcUier. 
Ma  byciclette,    ma    gigolette     1 — ,     Ch.     s. 

—30  Gheluwe. 
Ma  Canette    1 — n  Jouhert. 
Ma  Caravelle   — 60  n    Jouhert. 
Ma  Catalane,    Ch.  s.  — 25  n   Lemoine. 
Ma  Catherine  1 — n,  Ch.  s.  — 35  n  Eveillard, 

1 —  n   Joubert. 
Ma  chambre  de  gargon  1 — n,  Ch.  s.  — 35  n 

Eveillard. 
Ma  chanson,    ou    Les   enfants     de     Bacchus 

1 —  n   Joubert. 
Ma  chaumiere   est   encore   francaise    1 — n, 

Cli.  s.  — 40  n   Bornemann. 
Ma  cheminee  — 30  n   Jouhert. 
Ma  chere  madame   Piment,  av.  parle  1 — n, 

Ch.  s.  —35  n  Eveillard. 
Ma   ciboulette    1 — n   Joubert. 
Ma   cigarette    1 — n   Joubert. 
Ma  citoyenne   1 — n  Joubert. 
Ma   Clementine    1 — n,   C/f.   s.  — 40  n   Borne- 
mann. 
Ma  collection   1 — u  Jouhert. 
Ma  colombe   1 — n  Jouhert. 
Ma  compagne   mes  amours  — 30  n  Jouhert. 
Ma  confession   1 — n  Joubert. 
Ma  Connaissance  a  son  Pompon  1 — ,  Ch.  s. 

—25   Debert. 
Ma  Connaissance  du  Quartier  Latin   1 — n, 

CJi.  s.  — 35  n   Eveillard. 
Ma   conquete   1^  n   Jouhert. 
Ma   cornemuse   — 30  n   Joubert. 
Ma    corvette    1 — n    Jouhert. 
Ma    Cousine   a    18   printemps    1— n,    Ch.   s. 

— 35  u   Puigellier. 
Ma  defunte   1 — n  Joubert. 
Ma    demoiselle    d'honneur     1 — n,      Ch.    s. 

— 35  u   Eveillard. 
Ma   Denise   1 — n,   Ch.  s.  — 35  n  Eveillard. 
Ma  famille   1 — n   Jouhert. 
Ma    femme    avait    raison!      1 — n,      Ch.     s. 

— 30n   Ondet. 
Ma  femme   est   blonde   1 — -n  Jouhert. 
Ma  femme  est  chatouilleuse   1- — u  Joubert. 
Ma  femme  est  en  voyage  1 — u  Joubert. 
Ma  femme  est  un  ange   1.35  n  Joubert. 
Ma  femme  est  un  tresor  1 — n,  Ch.  s.  — 35  n 

Eveillard. 
Ma  femme  et  BenoTt  1 — n  Joubert. 
Ma  femme  et  ma  pendule   1 — n  Joubert. 
Ma    femme    et    mon    chien    — 30  n    Joubert. 
Ma  femme   et   mon   editeur  — 30  n  Joubert. 
Ma   femme    m'a   fait    1 — u   Jouhert. 
Ma  femme  m'attends    (av.  parle)    1 — n,  Ch. 

s.  ■ — 35  n   Eveillard. 
Ma  femme  ne  salt  pas  ga  1 — n  Joubert. 
Ma  fille  a  debute  (parle)   1 — n,  Ch.  s.  — 40  n 

Bornemann. 
Ma  fille  est  mariee  1 — n  Jouhert. 
Ma    Follette    1 — n,    Ch.   s.  — 35  n   Eveillard. 


Ma  fregate   1 — n   Jouhert. 

Ma  Gertrude  — 30  n  Naudin. 

Ma   goelette  — 30  n   Jouhert. 

Ma    grand'mere    1 — n    Ch.   s.   — 30  n    Ondet. 

Ma  grosse  Julie   1.70,  Ch.  s.  ^30  n  Pomier. 

Ma  Guadeloupe  1.70  n,  Ch.  s.  — 40  n  Borne- 

tnavn. 
Ma    Home    in    Tennessee   2/ — n   Sheard. 
Ma    Jeanne     1 — n    Joubert,    1.70  n,    Ch.    «. 

—30  n  Ondet. 
Ma   Jeannie   ou   done   est-elle   1 — n,   Ch.   s. 

— 35  n    Eveillard. 
Ma    jeunesse    est    morte    1 — ,     Ch.   s.   — 30 

Gheluvje. 
Ma   Kettelen  — 30  n  Jouhert. 
Ma    Lady    Lu   2/— n   Sheard. 
Ma   Lady   Moon  — 30  Echo  Music  Co. 
Ma   legitime    1 — n  Jouhert. 
Ma   lettre   1 — n  Joubert. 
Ma   Lisette  — 30  n  Jouhert. 
Ma    Lison   1 — n,  Ch.  s.  — 30  n  Ondet. 
Ma  Lispethe  1- — n,  Ch.s.  — 40  n  Bornemann. 
Ma    Lodoiska  — 30  n   Joubert. 
Ma   lyre  — 30  n   Jouhert. 
Ma   maitresse  — 30  n  Jouhert. 
Ma  maitresse  a  trop  de  famille   1 — n,  Ch. 

s.  — 35  n  Eveillard. 
Ma    maitresse    de    I'an    pass6    1 — n,    Ch.   .t. 

— 35  n  Joubert. 
Ma   Marguerite  — 30  n   Jouhert. 
Ma   Marguerite  d'autrefois  1 — n  Joubert. 
Ma    Martinique    1 — n,   Ch.   s.  — 40  n   Borne- 
mann. 
Ma    menagere    1 — n    Jouhert. 
Ma  mere  est  teinturiere   1 — n  Jouhert. 
Ma   mi   Jeannette   me  trompait   1 — n  Jou- 
hert. 
Ma   mie   arrive  ce   matin   1 — n  Jouhert. 
Ma    mie    avait    16    printemps    1 — n,    Ch.   ». 

— 35  n   Puigellier. 
Ma  mie  Jeannette  1 — n,  Ch.  s.  — 30  n  Ondet. 
Ma   mignonnette  — 30  n   Joubert,  'Saudin. 
Ma  muse  et  mes  amours  — 30  n  Joubert. 
Ma    Ninette    aux   yeux    bleus    1 — n,    Ch.   s. 

— 35  n    Puigellier. 
Ma    Normandie    1.70   Gheluwe. 
Ma   nourrice   1 — n,  Ch.  s.  — 35  n  Eveillard. 
Ma    nouvelle    maitresse    1 — n   Joubert. 
Ma   Paola   1 — ,   Ch.  s.  — 30  Gheluwe. 
Ma    pauv'    Mam'    Thomas    1 — ,    Ch.   s.   — 35 

Gheluive. 
Ma   pauvre   brebis  — 30  n   Jouhert. 
Ma    pauvre    Clara     1 — n,      Ch.    s.     — 35  n 

EvciHard. 
Ma  Penitence   1 — n  Ondet. 
Ma    Perie    d'Amerique    1 — n   Jouhert. 
Ma   petite   blanchisseuse   1 — n  Jouhert. 
Ma   petite   Celina   1 — n  Jouhert. 
Ma   petite   chopine  — 30  n  Joubert. 
Ma   p'tite   femme    1 — n   Joubert. 
Ma   petite    LaVde     (av.   parle)    1 — n,   Ch.   s. 

— 35  n   Eveillard. 
Ma  petite  rousse   1 — n  Ondet. 
Ma    petite   soeur  — 25   Debert. 
Ma    Petrouille    (av.   parl6)    1 — ,   Ch.   s.  — 25 

Gheluwe. 
Ma   Petrouille   1— n,  Ch.  s.  — 30  n  Ondet. 
Ma  pipe,  ma  chope  et  Lisette  — 30  n  Jou- 
hert. 


I 


Ma  politique  a  moi  la  vMa 


3     — 


iVIaas  Th.  Haunting  strain 


Ma   politique   a   moi    la   v'la    1 — n   Joubert. 

Ma   preferee   1 — n  Joubert. 

Ma  premier  passion   1— n  Joubert. 

Ma    premiere    et    ma    seconde    (av.    parl6) 

1 — n,   Ch.   s.   — 35  n   Eveillurd. 
Ma  premiere   Maitresse   1 — n,  Ch.  s.  — 35  n 

Puigellier. 
Ma  premiere  paye  1 — n,  Ch.s.  — 30  n  Ondet. 
Ma   prison  — 30  n  Joubert. 
Ma  reine  2.50  n  Joubert. 
Ma    republique   — 30  n    Joubert. 
Ma   soeur  Angele    1 — n,   Ch.  s.  — 35  n   Pui- 
gellier. 
Ma  soeur  est  chanteuse  1 — n  Joubert. 
Ma    soeur    Prudence    1 — n,      Ch.    s.   — 35  n 

Eveillurd. 
Ma   sunflower   babe   2/ — n   Sheard. 
Ma  Suzette   1^ — n  Ondet. 
Ma    tante    Agathe     1 — n,      Ch.     s.     — 35  n 

Eveillurd. 
Ma   tante    Virginie    1 — n   Joubert. 
Ma    Toinon    1 — n   Joubert. 
Ma  vie  pour  votre  amour  1 — n  Joubert. 
Ma  vieille   pipe   1 — n  Joubert. 
Ma  vingince   1 — n  Joubert. 
Ma   vision    1 —  n   Joubert. 
Ma  vocation  — -50  n  Bornemann. 
Ma   voisine    1 — n,   Ch.  s.  ■ — 30  n   Ondet. 
Ma  Voisine  a  60  printemps  1 — ,  Ch.  s.  — 30 

Gheluwe. 
Ma    Voisine   d'en   face    1 — n,   Ch.   s.   — 35  n 

Puigellier. 
Ma  Voisine  d'imperiale   1 — n,  Ch.  s.  — 35  n 

Puigellier. 
Ma  voisine  ne  la  plus  1 — n  Joubert. 
Ma  voisine   rose   1 — n,  Ch.  s.  — 30  n   Ondet. 
Maader,    Allumeur.      Ondet. 

-  Certificat   de   Toinette.      Delormel. 
-Cousins   arrivent  — 50  n   Labonde. 

•  Dgfenseur    des    animaux.      Joullot. 

-  Douze   pnntalons.     Delormel. 

-  Fr&re    a    ma    femme    (parl6)     1 — n,    Ch.    s. 

— 30  n  liouurt. 

-  Heureux  cornard  I    Digoude,  Dorey. 

-  ImpGt  sur  les  boissons   (parle)    1 —  n,  Ch.  .s. 

— 30  n   Rouart. 

-  Marseillais  et  voyageur,  duo  1 —  Sulzbach. 

-  Nouvelle  Lune.     Delormel. 

-  Oeuf  de   Jeannette.     Delormel. 

-  Poil   aux   yeux   1 —  n   Labonde. 

-  Pommes  du  Cur6.     Delormel. 

-  Pour    la    prochaine    (parle)     1 —  n,     Ch.     s. 

— 30  n  Rouurt. 
-Reconnaissance  de  poivrot  — 50  n  Labonde. 

-  Roman  de  I'enfant  noir   — 50  n   Labonde. 

-  True    d'Amanda.      Delormel. 

-  Un  drame  a  Montmartre   (parl6)    1 —  n,  Ch. 

s.  — 30  n   Rouurt. 
Maader,     Croziere     et     Gramet,     Si     qu'on 

prendrait    quequ'    chose?    Sc&ne    com.    Ch. 

s.  — 35  n  Joubert. 
Maader  &  Dupuy,  Chandelle  a  Jeannot  3 — 

Digoude. 

-  Corbeau   et   le   renard.      Digoude. 
Maader  &   Gramet   A.   Latruffe  k  I'Exposi- 

tion.      Sulzbach. 
Maader,   A.  Gramet  et  Croziere,  Nos  Men- 
diants,   scfene   coniique,      Chavat. 


Maader  &   Roydel,  Animaux  de  ma  femme. 

Aux  Repertoires  r4unis. 
Maader   &   Verneuil,     Un   ami     de    20  ans 

— 30  n  Joubert. 
Maader,   Verneuil   et  A.   Gramet,  Les  Cent 
sous   de  Tetard.     Maurel. 

-  Un  Type  rigolo,     Chavat. 

Maanen  J.  C.  Van,  Atherstone,  schottische, 
P  3/ —  Ashdown. 

-  Jolie   Patineuse,   maz.   mO  — 50   Fischer. 

-  Pas   redouble,   P  — 40  Alsbach. 

-  Stella   Colas,   valse  — 60   Thieme. 
Maas,   Lulu's   own,   polka,   P  — 50   White. 

-  Rooster,  polka  — 40   White. 

-  Valse   du   Regiment,  valse  6 —  Noel. 
Maas  de,  O  Salutaris,  av.  Org(E)   \ — n  Pi- 

natel. 

-  Reverie,   pastorale,    0   2—  n   Pinatel. 
Maas    Alph.      Aigles   d'or,    air    de   ballet,    P 

— 50  n,   0   1 —  n   Bosc. 

-  Ecuyere,   fant.   VP  3 —  n   Rouart. 
-Impromptu,   P   2 — n   Fromont. 

-  Invocation,  PV  2 —  n  Fromont. 

-  Papaute,   hymne   L75  n   Fromont. 

Maas   Ferd.  Volkslied  aus  Tirol,  TTBB  1.20 

RobifscJtck. 
Maas   James,   Kiss   me,   or   I'll   die,   song  & 

dance  — 35   Ditson. 

-  Tramp,  sg.  &  chor.  — 35  Ditson,  — /2  Sheard. 
Maas    Johannes,     Gracieuse,    Pizzicatostuck 

fur    S^r-Quartett    L20  n    Philipp. 
Maas  Louis.  Breitkopf :  Op.  1  Acht  Phanta- 
siestucke,  J,ms:  Heft  I.  Nr.   1—4  3.75,  II. 
Nr.  5—6  4.50,  IIL  Nr.  7—8  3.50. 

-  2   Vier   Phantasiestiicke,    P   4.50 :    Hieraus : 

Nr.  3.    Nachtgesang,    Romanze,    VP    1.50. 
Phantasiestiick,    0,    Part   2—,   St   3.75. 

-  3   Erstes   Quartett,  2VVaVa   10.75. 

-4  Drei  iiorwegische  Lieder :  1.  Sieh',  mein 
Madchen.  2.  Was  wir  hier  lieben.  3.  Eine 
Vogehviese  :  ,,Wir  gingen  miteinander"  1- — . 

-  5  Drei   Impromptus,  P  3.25. 

-12  Konzert,  PO,  P-St  6— n,  0-St  6— n,  P 
mit  untergel.  2.  P    (Part)    6—. 

-  13    Erinnerung    an    Norwegen,    sechs    klei- 

nere  Phantasiebilder,  P  3 — ,  Nr.  6.  Volks- 
tanz   ] — . 

-  19   0   Salutaris  — 50   Schirmer. 

-  20  Reverie   du   soir,   P  — 50  Schirmer. 

-  21    Valse  allemande  • — 50   Schirmer. 

Maas  Th.  op.  2  Missa  Brevis  ad  4  voces 
aeq.  cum  Org  2.40  Pustet. 

-  3    Cantiones    sacrae,    ad    4    voces    aequales 

2.70   Coppenrath. 

-  4  Te  deum  laudamus  ad  4  voces  aequ.  cum 

Org   1.40   Pustet. 

-  7    Laudes    sacramentales,    IX    Motetta    ad 

4   et   6  voces   impares   2 —  Pustet. 

■  E^  angeliue,  P  3/ —  Augener. 

Maas  Theodore,  Alpine  sunsets,  three  sket- 
ches, P:  N.  1.  At  Interlachen  1/— ..  N.  2. 
At  the  foot  of  the  Right  2/—.  N.  3.  The 
ascent   of   the   Righi   2/ —   Pitman. 

•  Corsaire,    galop   brillant   4/ —   Augener. 

-  Evangeline,    orig.    melody,    P    (engl.    finge- 

ring)   3/ —  Augener. 

-  Gavotte  in   B  flat,  P  3/—  Weekes. 

-  Haunting  strain,  melody,   P  4/ —  Augener. 

I* 


Maas  Th.  Onee  I  loved 


4     — 


Maass  L.  op.  125 


Zuversicht    1.50.    /' 


Lied.    Fanta.sie,     /' 


-  Ouce  I   loved  a  maiden  fair,  old  eugl.  me- 

lody, transcr.   P  2/6  Augener. 

-  Souvenir  de  Barcelone,  varsovienne    (C  a  r- 

bon),   P  — 50   Brainard. 
Maase    Wilhelm,    op.    3    O    Maienzeit    1.50 
Eisoldt. 

-  5  Schau'  icli  in  deine  Augeu  — -80  Eisoldt. 
-6    Zwei    patriotische    Lieder :      Nr.     1.    Mit 

Gott  fiir  Kaiser  und  Keicb  :    „Diei  Worte 

(>uch  uenuen  ich  moehte"   1.20.  Nr.  2.    Die 

Krone  im  Khein :    „^s.  lag  eine  Krone  im 

Liriinen    Uliein"    1 —   Rahter. 
-7  Sechs  Lieder:   Nr.  1.  Vorsatz  1.50.  Nr.  2. 

liastlose  Liebe  — 80.  Nr.   3.   Es  glanzt  die 

laue  Mondennacht  1 — .  Nr.  4.  Zwiege.sang 

— 60.      Nr.    5.    Morgengrufi    1 — .       Nr.    6. 

.S('hwal)isches    Volkslied  — 60   Ei.^oldf. 
-8  Nr.   1.  Es  wachst  ein  Kruitt,  2.  Icii   ging 

im  Wald,  3.  Alle  Blumen.  4.  Vergifimein- 

nicht,   a.  1 —   Eisoldt. 
-9    Nr.    1.    Hute    dich.    2.    Gute    Naclit      L2it 

Eisoldt. 
-10    Drei    Lieder:    Nr.    1.    Ruhe    1.20.    Nr.    2. 

Mailied    —60.    Nr.    :i 

1.60  Eisoldt. 

-  10   Nr.    3.    Zuversicht. 

1.60,  Z  —80  Ei.^oldl. 

-  11    Einsiedler    1 —   Eisoldt. 

-  12  Lied  vora   Landsknecht   1.25   Eisoldl. 
-13    Urei    Lieder:      Nr.    1.    Lied    Werner'.s: 

..vSonne  taucht  in  Meeresfluten"  aus : 
Trompeter  von  Siikkingen  1 — .  Nr.  2. 
Lind,  duftig  hiilt  die  Maiennacht  auw : 
Trompeter  von  Sakkingen  1.20.  Nr.  3. 
Das  alte  Lied :  „Es  geht  eine  Sage  vom 
tiefen   See"   —80   Rahter. 

-  14  Zwei  Lieder,  m.   PV :  Nr.   1.   Friihlings- 

lied:  „Die  Flur  hat  sich  geschmiickef" 
(The  earth  is  decked  with  beauty)  1.50. 
Nr.  2.  Die  Hose  lag  im  Schlummer  (Tho 
Awakening  of  the  Rose:  A  sleep  in  her 
green   chamber)    1.50   Sch7nidt. 

-  18  Nr.   1.   Abendlied   1 — .  Nr.  2.  Vergesseii 

1—.  Nr.  3.  Ich  liebe  dich  —80  Eisoldt. 

-19  Zwei  Lieder:  Nr.  1.  Friihlingslied  — 8(t. 
Nr.  2.  Ihr  Lied   1—  Bai/rhoffcr. 

-20    Die   beiden    Schmiede,     Bar    1.20 
h  offer. 

-20    Drei    Lieder:      1.    Miidchenlied : 
zitternd     Herz".       2.     Madchenlied : 
wenn    es   meine    Mutter   wiifit'".      3 
nengrufi :    „Es  glanzt  in   stiller   Nacht",   a 
1 —   Ileiiirichshofeii. 

-21  Zwei  Lieder:  Nr.  1.  Winternacht  —SO. 
Nr.  2.  Lachender  Rosenmund  — 80  Bayr- 
hoffer. 

-22  Drei  Lieder:  1.  Madchenlied:  „Meiii 
zitternd  Herz,  verrat  mich  nicht".  2.  Miid- 
chenlied :  „Ach  wenn  es  meine  Mutter 
wiifit'".  3.  Sterncngrufi:  „Es  glanzt  in 
stiller  Nacht  ein  Stern",  a  1 —  Heinrichs- 
hofen. 

-23  Drei  Lieder:  1.  Im  Sclmee :  „Still  wie 
anterm  warmen  Dacli".  2.  Durch  die 
Nacht :  „Und  immer  du,  dies  dunkle  du". 
3.  Wir  Zwei :  „Wir  haben  oft  beim  Wein 
gesessen",    fi.    1 —   Ileinrichshofen. 

-24  Drei  Duette  f.  Singst  m.  P:  Nr.  1.  Wir 
drei :    ,,Wo   tief   versteckt   im   Grunde   der 


Bayr- 

,,Meiii 
„Ach 

Ster- 


Bach    voriiberrauscht"    1.20,    1.75.      Nr.    2. 
Waldesruh :    „0    kirchenstille    Waldesruh" 
2 — .  Nr.  3.  Zwiegesang:   „Im  Fliederbusch 
ein   Voglein   safi"    1.75    Eisoldt. 
-25   Weilmachten    1.50   Eisoldt. 

-  Deutsches     Weihelied,     TTBB,     Part     —60 

Eisoldt. 
-2   Mannerchore,   Part   u.   St:    1.    Das  Haus 

am  Wege,  2.  uber  die  Heide,  k  1.20  Brat- 

fisch. 
Maass    Leopold,   op.    16   Traumende   Augen, 

Walzerlied   1—,  /'  1—  Eisoldt. 
18    Erinnerung,    Liedchen    im    Walzerstile 

1.20,  y   1.20  Eisoldt. 

-  19  Ich  hab'  die  Mutter  wieder !  \.2Q  Eisoldt. 
-26   Mail-Coach,   Couplet    1.50   Glas. 

-  28  Die  schone  Melanie :   „Bei  Sonnenschein 

und  Duft",  Couplet-Ballade  1.50  Augvstin. 
-29   Im   Wintergarten,   Gav.   1.20   Augnstin. 

-  34     Im     Nichtraucher-Coup6,     Rheinlander- 

D;ime)i-Couplet    1.50    Gottfurcht. 

-  36  Der  Dritte  freut  sich  :  „Es  safien  in  der 

Schiinke",    Schelmliedchen    1.20,    ^ms    1.50 
A  ugustin. 
-37    Der    Klavierhusar :    „Seit  meiner    frilh'- 
sten    Jugendzeit",    Couplet    1.20    Mei/hier. 

-  38    Die    Turner :    „Wir    sind    zwei    Turner 

froh   u.   frisch".   Duett  m.   P   2 —   Meipner. 

-  40     Der    Mode-Gigerl,    Gigerl-Tanz-Couplet 

1.20    Mcipner. 

-  45  Das  erste  Mai :  „Ich  war  noch  ein  Back- 

fisch  schmuck   und   drall",   Damen-Couplet 
m.   /*   1.50  Augustin. 
-58  Ach,  wir  wird  so  quisi  quasi:   „Ich  hab' 
schon    einmal    tief    geliebt".    Couplet    1.50 
Glas. 

-  65  O  selige  Jugend,  du  bist  mein  Traum  so 

siifi,   P   1.20  Mei finer. 
-72    Der     Reisekoffer:      „Von     einer     Reise 
kommc    ich",    Damen-Couplet    1.50     Gott- 
furcht. 

-  86    Artur    mit    der    Haartour :    „Wenn    sie 

Sonntags    auf    der    Strafie",    Couplet    1.50, 
als  Polka  1.20,  stO  1.50  Augustin. 

-  90  Lotte,  ach  du  meine  Lotte,  siifie  kleine 

Motte,  Couplet   1.50,  als  Rheinlander   1.20, 
stO  1.50  Augustin. 
-91   Fritz!   Ach   meine  Ruh'  ist  hin,  Damen- 
Couplet  1.20  n   Banner. 

-  92     Mein     Walter     am     Schalt^r.     Marsch- 

Couplet  4.50  Lindenverlag. 

-  96   Kleine   Lamnier :    „Zu  Haus  bei   Papa", 

Damen-Couplet    1.50    Banner. 

-  108    Im    Bummelzug,    Couplet    1 —    Heckel. 
-109  Triiume  siifi!   P   1.20   Heckel. 

-  114  Die  Leckerei :   „Durch  den  Magen  geht 

(lie    Liebe",    Rheinliinder-Couplet    1.50   Au- 
gustin, Jdger,  IM  2—,  stO  1.50  Augustin. 

-  115  Gern  gab  ich  allcs,  wenn  ich  dich  be- 

sitzen   konnt,   P    1.20   Kurth. 
■  116    Horst    du    mein    Lieb    der    Nachtigall 
Sang,  P   1.50  J  tiger. 

-  119    Ach   Wilhelm!    du    mein    lieber   dicker 

Spritzenmann,  Rheinliinder-Couplet  1.20  n, 
0   1.50  n.  Par.  Bes.   1.50  Ei.wldt. 
-124  a   Kolporteusen-Rheinliinder,   0   1.50,   P 
1 —  Banner. 

-  125    Hofkonzert:      „Herrjeh     ist     das     'ne 

Freude".    t)berbrettl-Coupl.    1 — n   Banner. 


Maass  L.  op.  126 


Mabellini  T.  Fiammetta 


126  Der  talentvolle  Backerjunge:   „Ieh  bin 

noch   jung  und   unerfahr'n",   Couplet   1.20 

0.   Dietrich. 

131    Solide    Handarbeit    1.50    Benjamin. 
133    Ein    lierzig   Kind    ist    meines    Lebens 

Gliick:   „Schon  friih  lernt'  ich  des  Lebens 

Kummer   kennen",   P    1.50   Harmonie. 
135   Icli  kiisse,  well   ich  miifi :    ,,Als  icb   t-in 

Biibchen  klein",  P   1.50  Harmonie. 
148    Meiu    Liebster    hat    keine   Brillant«u : 

,,Ich   hijrte    oft    die    Miidehen    schwiirmen", 

Walzerlied   1.50   Bosivorth. 
152  Das  war   zur  Friihlingszeit :    „Hast  du 

das  Gliick  vergessen"  1.20,  0  2—  P.  Schir- 

mer. 
152    Spieglein   .sagt   es    an    der    Wand    1.50 

Moderner   Musikverlag-ChsiTlottenhurg. 

154  Kuddel-Muddel-Kellnerin,  Kabarett- 
Lied  1.50,  0  2— P.  Schirmer. 

155  Bleibet,  o  selige  Stunden  1.20  0.  Diel- 
ricli. 

160  Das  Vis-a-vis!  Gavotte-Int«rinezzo,  P 
1.50  Benjamin. 

170  Es  bildet  ein  Talent  sieh  in  der  Stille 
1.50  Benjamin. 

171  1804—1904,    Couplet    1.50    Benjamin. 

174  Da  weifj  die  Nachbarschaft  nichts  da- 

von,   Couplet    1.50   Benjamin. 
196   Lawn-Tennis,   Polka-Maz.    1.20,   O   1.80 

Kahnt. 
202    Mutterwiirde    1 —  n    Bosicorth. 
■208   Ist   denn   Liebe   ein   Verbrechen?   Lied 

im  Walzertenipo   1.20,   0   1.50  n   Benjamin. 

212  Der  Fiinfminutenbrenner,  Walzerlied 
1.50,  Z  (m.  Text)  —75,  als  Walzer,  0 
2— n,    sO    1.50  n    Wesfp/taZ -Karlshorst. 

213  TurteltUubchen,  Intermfczzo-Gravotte,  t'. 
1  Singst  m.  P  1.50,  m.  0  1.50  n  Westphal- 
Karlhorst. 

213      TemperamentvoU,      Polka-Maz.       1.50 

Schiinrnel. 
215    Das    Milchmadchen,    Rheinlander    (mit 

Text),  P   1.20   Wesip/iaZ-Karlshorst. 
219  Die  Kodakmaid   1.50  Moderner  Musik- 

V  er  la  g-Chnvlottenhuvg. 
225  Mein  herzig  siifies  Schatzerl,  wie  lockt 

dein   Eosenmund   1.20   O.  Dietrich. 
227    Mocca-Nixe    1.50    Moderner    Musikver- 

kuj. 
230  Mein  Liebster  mufi  doch  wohl  ein  Zau- 

berer   sein,   Walzerlied    1.50    VoJyach. 
236  Im  Heidekraut   1.20  0.  Dietrich. 

239  Adolar,  zieh'  dir  die  Handschuh'  an 
1.20  O.  Dietrich. 

■  272  Aus  deinen  Augen  leuchtet  das  Gliick 

1.20   0.   Dietrich. 

■  303    Ich    wollt',    ich    wiir"    'ne    Dame :    „0h, 

mein  Pech  ist  wirklich  schrecklich",  Da- 
men-Couplet,  1  St.  m.  P  1.20  0.  Dietrich. 
344  Mondschein-Flirt :  „Wenn  die  Mond- 
sichel  sich  am  Firmamente  zeigt",  Lied 
(im  engl.  Tanzstil),  1  Singst  m.  P  1.20 
0.  Dietrich. 

■  Ach    meine    Ruh'     ist     hin:      „Fritz     mein 

Scliatz    ging    fort",    Couplet    1.20    Danner. 

■  Berliner    Kunst-Marsch,    Couplet    aus     der 

Operette:   Madame   Sans-Gene   1.50   P.   Fi- 
scher. 


-Das  verlorene  Lieb   1.50  Bauer. 

-Der  Rose  siifier  Duft  geniigt:   „Ein  junger 

Rittersmann  zog  kiihn  hinaus",  P  1.20  0. 

Dietrich. 

-  Gendarmerie    von    Rummelsburg,    Duoszene 

1.50   Mei^ner. 

-  Ja   so  ein  Walzertakt,   Damen-Couplet  aus 

der    Operette:    Madame    Sans-G^ne:    „Heb 
ich  das   Bein"   1.50   P.   Fischer. 

-  Jenny-Walzer,    stO    1.50,    PVVaFlTr    1.20, 

VP   1.20  P.  Fischer. 

-  Klavierhusar,    Tanz-Couplet    1.20    Meifiner. 

-  Kiisse   nur    1.50   Bauer. 

-  Mein   Lieb.'^ter    hat   keine   Brillanten,   Wal- 

zer m.   0    1.80  n   Bos  worth. 

-  Mein  Piippi,  Piippi,  Piippchen,  maeh'  keine 

Wippchen,  Polka,  0   1.50  n  J  tiger. 

-  Mode-Gigerl,    Tanz-Couplet    1.20    Mei^ner. 

-  Neugier-Couplet  aus  der  Operette:  Madame 

Sans-Gene  1.50  P.  Fischer. 

-  0   selige   Jugend,   du   bist   mein   Traum   so 

siifi.   Lied   1.20   Mei^ner. 

-  Schade,    schade,    dafi    ich    bin    kein    Mann, 

Damen-Couplet  aus  der  Operette:  Madame 
Sans-Gene  1.50  P.  Fischer. 

-  Schiitzenfritzi   1.50   Bauer. 

-  Turner-Duett  2 —  Mei^ner. 

-  Wir  haben  es  wirklich  sehr  weit  schou  ge- 

bracht.   Couplet    1 —   Dietrich. 
Mabbouz    E.      Pauvre     mere     1 — n,     a  v.     G 
—40  n,   Ch.  s.  —20  a  Labhe. 

-  Toques   1—  n,  av.  G  — 40  n  Labhe. 

Mabellini    Teodulo     (1817—1897).     Ricordi: 
Addio,   romanza  con   PVc   3.50. 

-  Ave  Maria,  motetto  per  T  con  Coro  ed   0, 

e  colhi  riduzione  per  P    (Part)    7.50. 

-  Baldassar,   Bandn    4 — n   Lapini. 

-  Battesimo.   Banda   2.50  n    Lapini. 
-Cantata,  gli  onori   parentali,  polacca:   Oh! 

quale  &  il  contento !   2.75. 

-  Concerto     per     Quartino,      CI,      Fliscorno, 

Tromba  e   Bombardino,  Part   10 —  Lapini. 

-  Conte    di    Lavagna,    gran    sinfonia,    Banda 

4 —  n  Lapini. 

-  Coro  all'unisono  per   voci  infantili  4 —  Ca- 

risch. 

-  I'.stasi :       Zitto      non      chiedere       (Evening 

Dreams:    Speak    not,    Love),      8Bar    —65 
Schirmer. 

-  Fantasia  a  Terzetto,  CI,  Flisc  e  Bomb,  Part 

7.50   Lapini. 
-Feste  Florentine  delle  Potenze 
e  degli  Omaggi  all'usanza  del  secolo  XIV, 
opera,    4"  18 — : 
Prologo:   Coro  di  Spirit!  eletti :  O  figli  iH 

Dante  2—. 
Quartetto :    Se    spogliando    I'etereo    spleu- 

dore  4.50. 
Quadro   I.:    Le  Potenze  festeggianti,   coro 

3.50. 
Aria  :    Donna   dell'Aria   4 — . 
Quadro    II.:    Marcia   e   Romanza:    I   padri 

an    di   giuravano   2.50. 
Quintetto  e   Finale   10 — . 
La   Cantata   completa    18 — . 
-Fiammetta,   opera    (1857): 

Cavatina:     Priu    che    ritorni    a    splendere 

1 .50  n. 


Mabeilini  T.  Fiammetta 


Mac  Ardle  J.  F.  Our  Dove  Got 


Recitativo    e    Duetto:    Da    gran    tempo    io 

m'era   accorto  4 —  n. 
Cavatina :     Son    qua,    sum    coram    populo 

3.50  n. 
Recitativo  ed  Aria  :   Come  due  fior  germo- 

gliano   2.50  n. 
Recitativo    e    Romanza :    Soave    ed    unica 

1.50  n. 

-  Italia  ristorta,  inno,  T  cou  Coro  3 — . 

-Rolla,    opera    (1840),    ChP    18—: 

Sinfonia,   P  3.50   Ricordi,  — 60   Hoffmann, 

Jfms  5 — . 
Atto  I.   Coro   d'Introduzioue,  P  — 75. 
Cavatina :    In   Fiorenza  nacque  e  vero,    P 

2.50. 
Romanza :    Forse   giammai   vedro,   P  — 75. 
Duetto :    Oh !   uon    pensar    che    vivere,    P 

2.50. 
Polacca :    Con    passo    franco    e    celere.    P 

2.50. 
Terzetto :    Non    m'inganno,    P    2.75. 
Coro    nel    Finale    I:    Come     son     belle,     /' 

1.25. 
Primi  Tempi  e  Largo  del  Finale  I,  P  2.25. 
Seguito  e  Stretta  del   Finale  I,   P  2.^5. 
Atto    II.    Coro    d'Introduzioue :    Che   vuol 

dir?   P  —75. 
Aria :    Non   sovr'esso  I'ira   mia,   P   2.50. 
Duetto :    Se    abbellir    questo   soggiorno,    P 

1.75. 
Terzetto:   Ei  si  degno  rivolgere,  P  2.25. 
Coro    e    Rondoletto :    Di    qual     tempra.     P 

2.75. 
Duetto :    Innanzi    a   Dio   soltanto,   P    2.50. 
Quartetto  e  Finale  II,   P   3.25. 
Fantaisie   brill.    Jpns    (G.    U  n  i  a,   op.    19) 

5.50. 

-  Saluto  delle  Bande  militari  toscane,  P  2 — . 

-  Spirito  di  Dante,  cantata  a  quattro  voci  e 

Coro,   con   Org    (Part)    9 — n. 

-  Te  Deum,   concertato,  SATB  con   0    (Part) 

12— 

-  6  Valzer  3—. 

Maberly  C.  J.  The  Grand  Old  Flag  4/— 
Weelces. 

Mabery  Margaret  E.  3  Songs:  N.  1.  Go 
Lovely  Rose,  S(T)  in  G  —50.  N.  2.  Sha- 
dows, TO.  in  F  — 50.  N.  3.  Song  of  the 
Nightingale,  to.   in   A  b  — 50  Schirmer. 

Mabille  H.  A  bride  abattue,  galop  1.70  u, 
0    1 — n    Bosc,    Oacordes    1.50   Deberi. 

-  A   fond   de   train,   galop   4 —  Jouhert. 

-  Allez  !    rompez,  polka-marehe,   0   1 — n  Jou- 

hert. 

-  Allez    roulez,    galop    3 — ,    O    1 —  n    Joubert. 

-  xVnicroche,    polka    1.70  n,    0    1 — u   Bosc. 
-Belle   Circasienne,   polka,    0    1 — n   Gaudet. 

-  Cycle-Diamant,   polka-marche.    Roder   impr. 

-  Double  cinq,  maz.  — 50  n,  0   1 —  n  Bosc. 
-En   batterie,   polka-marche    1.70  n    Enoch. 

-  Face  a  I'ennemi,   P   6 — ,   0,   P  cond.   2 —  n, 

p.  sep.   2 —  n   Grus. 

-  Fleur  de  lys,  schott.   O   1 —  n  Bosc. 

-  Frimous.se-Quadr.    5 —    Joubert.     O      I —  n 

Ghclutve,  Joubert. 

-  Good  Night,  marche,  0.     Costil. 

-  Jardin  de  Paris,   quadr.   0   1 —  n   Ghehiwe, 

Jouhert. 


-  Lunatique-Polka,   Oacordes   1.50  Debert. 

■  Mam'zelle  Dujarret  1 —  n  Bosc. 

-  Marguerite,   P   5 —   Givre. 

-  Marinette,   maz.    1.75  n   Fromont. 

-  Miroir   des   amours,   polka.    Au    Chant   mo- 

dervc-Paris. 

-  Nichonnette,   nouvelle   danse,   0   av.   P.      G. 

George  et  C.  Halleux-PaTis. 
•  Pens6e  d'automne,  valse  5 — . 

-  Perce-Neige,    sehott.    1.75  n,    0    1.50  n    Rou- 

art. 

-  Plasson  Cycle,  polka-marche   1 — n  Gaudet. 

-  Polo-Pola,    danse    nouvelle    d'aprfes    des   c6- 

lebres  motifs  de  V.  de  Lopez  2 —  n 
11  yams,  Salichon,  0  2 —  n  Salichon.  Ah ! 
coquin  d'amour!  1.75  n  Hyams.  Kuskute 
1.75  n   Ilyams,   Balichon. 

-  Retour   de  ma  Mie   1- —  n   Bosc. 

-  Reves  de  printemps,   valse,   0.     Heugel. 

-  Rigolette-Polka  4 —  Joubert,   0   1 —  n   Ghe- 

luwe,  Joubert. 
-Sabretache,    polka-marche,    sO    1.50  n    Gau- 
det. 

-  Sautillante,   polka,   O.     Costil. 
-Sensitive,   maz.   2 — n    Leclercq. 

-  Soyez     les     Bienvenus,     marche     russe,     O 

1.50  n  Rouart. 

-  Sur    les   ailes   du    moulin,   maz.    Ait    Chant 

?Hodcrne-Pari8. 

-  Tic-tac    du    moulin,    polka,     0    1 —  n     Ghe- 

luwe,    Joubert. 

-  Toujours    souriant,    polka    4 —    Joubert,    0 

1 —  n    Glieluwe,   Joubert. 
-Volte- face,  march,   P   1.75  n   Fromont. 

-  Zinette,     sehottisch,      Au    Chant    moderne- 

Paris. 
Mabille    H.    &    Gauwin,      Depuis    Colombes 

— 50  n   Bosc. 
Msbire,    Sotteville,    pas    red.    Harm,   Fanf   a 

1.50  n   Margueriiut. 
Mable-Taoub-Barregat,     L'Armee    frangaise, 

chanson  marche,  Oberweiler-Lesourd-PaTis. 
Mableson   Eugene,  Dreaming  3/ —  Heller. 
Mac    Alinden     F.    A.    Wood-nymphes     (Ma- 
zurka)   3/ —    Gary. 
Mac   Alinden   J.  Mass   in   C    (Easy),   SATB, 

unison    or    2  voices    1/6    Gary. 
Mac  Aioon,  Military  Echoes,  march  two-.step 

—50  White. 
Mac   Alpin   Colin,   Album  of  5  Songs  2/ — n 

WiUiutiis. 

-  Fantastic  Dance,   P  4/ —  Gary. 

-  Farewell  to  Glen  Nevis  4/ —  Willcocks. 

-  Lad  with  the  Bonnet  of  Blue,  in  D,  E  and 

G  4/ —  Gary. 

■  Mary's  Song  4/ —  Gary. 

-Organist  Library,   11   pieces   1/ — n   Gary. 

-  Prince  of  Peace,  sacred  cantata,  for  chorus 

and   ST  and  P-s.   3/— n  Gary. 

-  3    Sketches,    P ;    First    Series    4/—.    Second 

Series  4, — .  Graceful  Dance  4/ —  Willcocks. 
-10   Songs  2/— n   Gary. 
Mac   Ardle   J.    F.   Colorado  beetle    (J.   G  1  o- 

V  e  V)    — 50   Brainard. 

-  Johnni,  don't  wriggle  the  Baby  4/ —  Don.a- 

jowski. 

-  Our  Dove  Cot  3/ —  Donajowski. 


Mac  Ardle  J.  F.  Song  and  chor. 


Mac  Cormick  E.  Music  on  the  Lake 


-  Song  and  chor.  —35  Gordon. 

-  When  tlie  pigs  begin  to  fly  — 50  Brainard. 
Mac    Arthur    Alex.    P    Study,    or    Hints    on 

P  Playing   1.25  n  Presser. 
Mac  Avoy,  Twinkle,  twinkle  etc.  sehottische, 

G  —25  White. 
Mac    Benn    T.    N.    Woodland    voices,    valse 

gracicuse  4/ — •  AsJidoicn. 
Mac    Birbeck    J.    S.    Pearly    dewdrop,    maz. 

—35    Dilson. 
Mac    Burney    Mcna,    0    bella    Italia    Addio 

2/- —  Novello. 

-  Waldtrauts    (from    „Der   wilde    Jager"),    S 

or  T   (engl.-germ.)   2/ —  Novello. 
Mac  Burney  S.  Forward  gaily,  mix.  v.  — /2 

Ci(rwe7i. 
Mac    Cabe,      A    Summer    Day,     SSA     —03 

Silver. 
Mac   Cabe   &   Young,   Lick   dem   'lassies  off, 

song  and  chorus  — 40  Ditson. 
Mac  Cabe   Dan'l,  Ding  dong  — 40  Ditson. 
Mac    Cabe    J.    J.    Ave    Maria     (engl. -latin.) 

— 30   Gordon. 

-  Missa  Angelica,  SATB  —80  J.  Fischer. 
-0    holy    Father!     (0    salutaris),    TB    —35 

Ditson. 
-0  Salutnris,  oct.  male  quart,  and  chor.  — OS 

White. 
-Shine  on  our  souls   (0  Salutaris),  oct.  male 

quart,   or  chor.  — 10   White. 

-  Tantum    ergo.     oct.    duet    and    chor.     — 15 

White. 
-Traveller,  TB  —40  Ditson. 

-  Vespers  in  G   (with  Magnificat) ,  SATB  I— 

White. 
Mac  Calla  James,   Select  Studies  extracted 

from  the  works  of  Hummel,  Mozart, 

Moscheles,    Steibelt,    Weber    etc. 

P  8/ —  Ashdotrn. 
Mac   Calla    Wm.   J.   Clover   tips,   redowa,    P 

— 35  Ditson. 
Mac  Cann  Francis  X.  Loving  Cup,  two-step, 

P  — 50  Gordon. 

-  Woodlam    fairies,    idylle,    P   — 50   K.   Dehn- 

hof. 

Mac  Cann  J.  H.  Empire,  quick  march. 
VMandP   4/ —   Ascherherg. 

Mac  Cann  M.  J.  0'  Donnell  Aboo  —35 
Dit.son. 

Mac  Carrel  A.  J.  On  Christmas  Morn  — 06 
Sum  my. 

Mac  Carroll  A.  My  cottage  home  3/ — Ascher- 
herg. 

Mac  Carthy,  A  Flower  from  Irish  Soil  — ."'i 
Paull. 

-  File   Book  — 50  Ditson. 

-  Mane,  polka  brill.   1.50  Ghelwwe. 

Mac  Carthy's  runaway  mare,  Irish  comic 
song   — 2    Sheard. 

Mac   Carthy's  widow  4/ —  Ascherherg. 

Mac  Carthy  C.  Pull  down  the  blind,  waltz 
soug  — 40  Broinard,  and  chor.  — 30  Gor- 
don. 

-  You    may   kiss   me    and    caress   me,    and    I 

won't  say  no,  soug  and  chor.  — 35  Gordon. 
Mac  Carthy  J.  Tripping  thro'  the  measures, 
song  with  dance  — 50  Brainard. 

-  When  Chloe  sings  a  song,  song  with  dance 

— 40  Brainard. 


Mac  Carthy  J.  D.  Roses  perish  in  the  snow, 

soug  and  chor.  - — 35  Ditson. 
Mac    Cartney    F.    O.      Negro    Lullaby    — 40 

Ditson. 

-  Song  0'  Gowans  — 50  Ditson. 

Mac  Cartney  R.  H.  Benedicite  (in  B  flat) 
— /2   Novello. 

-  Little   Cooks  — 40   J.  Fischer. 

Mac  Chesney  M.  H.  How  sweet  the  song 
of  summer    birds,   SA  — 75   Brainard. 

-  If    those    we    loved    were    only    true,    S(T) 

— 40  Brainard. 

-  Old   orchard   cot  by   the  stream,   song   and 

chor.  — 35  Ditson. 

-  Tliere's   no  one  to  welcome  us  home,   song 

and  chor.  — 40  Ditson. 
Mac  Cleane  A.  Eaff's  Cavatina,  FtillO   1.50, 

SmallO  1 —  Ilairkes. 
Mac    Cleverty    A.    Merry    Christmas   chimes 

4/ —  Ashdoicn. 
Mac  Ciuer  W.  L.  R.  10  Hymns  with  Tunes, 

for   use  in  schools  and  children's  festivals 
Mac    Clure    Bellows,   2    Processional    hymns 

—10   Pond. 
Mac  Clurg,  Belvidere,  two-step,  P  — 40,   VP 

— 40  Mc.  Einleg. 
Mac   Clymont   W.    E.   op.   10   N.   1.   Spanish 

Dance  —40  n,    N.   2.   Olivia   Polka   —30  n. 

N.  3.  Edna  Mazurka  — 50  n.  N.  4.  Dorothy 

Gavotte  — 40  n   Presser. 
-11     N.    1.     Sunflower    Dance    — 40  n,     4m,s 

— 60n.     N.    2.    Moonlight    W^altzes   — 60  h 

Presser. 

-  A  Lullaby  — 40  Ditson. 

-  Evening   at   the    Adirondacks,    romanza,    P 

— 50  n   Presser. 

-  March   of  the  Templars  — 50  n  Presser. 

-  New   Jersey  Military  Academy  March,  two- 

step   — 40  n   Presser. 

-  Polka  Caprice  — 50  n  Presser. 
Mac  Cobb,  Lullaby  — 50  White. 
-Venetian  Serenade,  waltz  song  — 50  White. 
Mac   Conkey,   111  Fated  Maine  — 40   Willig. 

-  Our    Gallant  Fifth,   march   —50   Willig. 
Mac  Connel    M.   F.   Some  Essentials  in  Mu- 
sical   Definitions    1 —   J.   Fischer. 

Mac  Connel  I  Wood  W.  At  Thy  Shrine  2/— n 
Williams, 

-  Favourite    Scottish    Songs,     f.    low    voices, 

I — II  a  1/ — n  Patcrson. 
-Lead    Thou    me    on     (Lead,    kindly    light), 
with    VOrg   4/ —   Williams. 

-  My  World  — 60   Schirmer  jr. 

-  Ninon  — 60  Schirmer  jr. 

Mac  Cord  B.  B.  Grautl  march  of  the  repu- 
blic — 35    Ditsoi>. 

Mac  Cormick  A.  J.  Fritz  quartette  club, 
waltz   — 30    Ditson. 

Mac  Cormick  E.  J.  Caledonian  quadr.  J^ 
Instr  — 75,  10  Instr  — 50  Cundy. 

-  Caledonian     Quadrille,      Highland     Echoes, 

14  parls  —80,   10  parts  —60   Cundy. 

-  Caledonian  „Scotia'",   10  Instr  —60,  P  ace. 

— 15  Fischer. 
Mac   Cormick    Esee,   Carnation   Waltz  — 40 
Thompson. 

-  Fire  Brigade,  P  — 40  Thompson. 

-  Music  on  the  Lake,  P  — 40  Thompson. 


Mac  Cormick  L.  Out  of  the  fold 


—     8     — 


Mac  Cunn  H.  Land  of  the  Mountain 


Mac  Cormick  Langdcn,  Out  of  the  fold  — 50 

Bloom. 
Mac    Cosh,    Dolly   Wants   — 50    Mc.    Kinley. 

-  Every  one  you  Meet  — 50  Mc.  Kinley. 

-  Royal    League   Lane,    P   — 50    Mc.    Kinley. 
Mac  Cosh   D.  S.  Don't  you  hear  dem  bells? 

jubilee   hymn  — /2   Sheard. 
Mac  Coy  W.  J.  op.  2  Angel's  smile,  F  —60 

Brainard. 
-49  Because  the  Rose  must  fade  — 50.  N.  2. 

When  Love  Passed  By  — 40  Ditson. 

-  At  the  Garden  Gate  — 50  Ditson. 

-  Tliere   Are    So    Many   Ways    to    Love   — 50 

Ditson. 

-  To  the  Raindrops  —50  Ditson. 

-  Would   You  ?  — 50  Ditson. 

Mac  Cracken,  Mabel  Maz.  P  — 35  White. 
Mac  Crea  H.  Leila  Waltz  3/ —  Augener. 
Mac    Creane    C.    E.    A    sad    disappointment. 

TTBB  —12  Novello. 
Mac    Creary    Alf.    E.    J.    Coronation    Hymn 

— /I    (or  6/ —  per   100),     Weekes. 

-  Erin !   my  Erin !   in  D  and  F  4/- —  Weekes. 

-  Even  I    (sacred)    4/ —   Weekes. 

-  Friendly   Hand   4/ —   Weekes. 

-  I   Even,  sacred  song  4/ —   Weekes. 

-  Killinchy  raufTles  4/ —  Forsyth. 

-  On   the   Edge   4/—    Weekes. 

-  Recall  4/ — •  Weekes. 

-  Serenade   Ang^lique  4/ —   Weekes. 

-  Song  of  the  Huguenots  4/- —  Forsyth. 

-  There  was  Joy  in  Heaven  4/ —  Weekes. 

-  Through  the  love  4/ —  Forsyth. 

-  Ulstermou  4/ — ■  Weekes. 

Mac   Cristall    Pauline,   Always  Young,   wal 
tzes  — 60   Rohlfing. 

-  Come,    have    a    smile   witli    me   — 35,    waltz 

— 40    Ditson. 

-  Fair  Columbia,  march  — 50  Ditson. 

-  Heart  to  heart,   waltz  — 50   Rohlfiny. 
-Pauline    (Yorke),   maz.   — 35   Ditson. 

-  Rattle    of    the    latch-key,    schottische     — 35 

Ditson. 

-  Song   my   mother    used    to    sing,    song   and 

chor.  —-40  Ditson. 

-  Song  that  haunts  me  in  my  Dreams    (and 

A  b  t,  Kathleen  Aroon),  mO  — 50  Fischer. 
•  Strolling    in    the    Park,    w.    waltz    refrain 
— 50  Rohlfing. 

-  When  the  clock  strikes  ten,  song  and  dance 

— /2  Shecird. 

-  Words   that   haunt  — 40   Rohlfing. 

Mac  Cullum,  Song  of  Venice  4/ —  Keith. 
Mac    Cunn    Hamish     (1868),    op.    4     Lord 

U  1 1  i  n's  Daughter,  a  ballad  for  chor. 

and    0     (1888),    Voc.    score    1/— n,    Wind 

parts  7/6  n  Novello. 

-  5  The  Ship  o'  the  Fiend,  orchestral  Ballad, 

Jf-ms  (M.  Barton)   2/6  n.  Full  score  5/ — n, 
0  parts   7/6  n   Augener. 

-  6   The   Dowie    Dens   o'   Yarrow,   Full   score  \ 

5/ —  n,  0  parts  7/6  n,  Ballad-Overture,  J^ms 

(M.  Barton)    2/6  n  Aiigener. 
-7  Lay  of  the  last  Minstrel    (1888), 

dramatic   cantata   for   soli,   chorus  and   0, 

Voc.  score  2/6  n,  Voc.  parts  Sl  1/ — n,  Wind 

parts  30/6  n  Novello. 
-9  Cycle  of  6  Love  Lyrics,  1   vol.:   1.  A  mes- 

spoe  came  Unm  the  Fast  in  M;iv.  2.  Where 


palms  make  pleasant  shade.  3.  He  passio- 
nately bewails  her  absence.  4.  He  hears  of 
her  death.  5.  The  news  turns  out  to  be 
false.    6.   They   are    re-united    2/6   Novello. 

-  10     Cameronians    Dream,     ballade,      Bars. 

chorus   a.   0    1/6  n   Paterson. 
-27  Three  Romantic  Pieces:   1.  L'Esperance, 
2.    Serenade,     3.    Rgve    d'amour,      VP    or 
TenorP   or    VcP   a   4/- —   Augener. 

-  30  Highland  Memories,  suite  of  3   Scottish 

scenes,  P :  1.  By  the  Burnside,  2.  On  the 
Loch,  3.  Harvest  Dance,  h  3/ — ,  arr.  VP 
2/6n  ,  Full  score  2/6  n,  0  parts  5/ —  n ; 
Suite  of  3  Scottish  Scenes  for  0  (1.  By 
the  Burnside.  2.  On  the  Lorh.  3.  Harvest 
Dance) ,  P  2/ —  n  Augener. 

-  A  Flower   Action   1/ —  n   Augener. 

-  A  Heart  in  Armour  4/ —  Paterson. 

-  A  Song  of  the  South  2/—  Novello. 
-Album  of  6  Songs  4/ — n  Paterson. 

-All  on  a  fair  May  morning  2/ — n  Augener. 

-  Another  glass  before  we  go,  ATTBB  — /6  n 

Augener. 

-  Are  you  coming,  Mr.  Atkins  4/^ —  Chappell. 

-  Ash  Tree  4/ —  Paterson. 

-  At   the  Mid  Hour  of  Night   4/- —  Paterson. 

-  Ave   Maria  4/ —   Paterson. 

-  Bethesda  — 40  Ditson,  2/ —  n  Sheard. 

-  Breathes  there  the  man,  and  O  Caledonia, 

stern  and  wild.  Bars,  and  chorus  (8ATB) 
— /3    Novello. 

-  Bonny    Kilmeny,    cantata    2/ — ,    E    3/ —  n, 

P  ace.   1/ — n  Paterson. 

-  Changes,  in  D  flat  or  E  flat  2/ —  n  Augener. 

-  Chorus  of  Spirits  — /3  Paterson. 

-  Cycle  of   6  Love   Songs  2/6  Novello. 

-  Day  of  Love  4/ —  Chappell. 

-  D  i  a  r  m  i  d,  a  grand  opera  in  4  acts,  Voc. 

score  7/6  Boosey. 

-  Do  not  vex  thy  violet  2/ —  n  Augener. 

-  Every  drinker  knows  it  2/ —  n  Sheard. 

-  Fair  is  Love  4/ —  Paterson. 

-  Had   I  a  cave  on  some  wild   distant  shore 

2/ —  n    A  ngener. 
-Hark  forward,  SATB  — /P/^  Novello. 

-  Heart   be   stout   and   eye   be   true,   a  cava- 

lier's song  2/ — n   A  ngener. 

-  Heath   this   night   must    be    ray   bed   2/—  n 

Augener. 

-  Heavy      they      burden       l„Diarmid")      2/ — 

Boosey. 

-  Her   Brow   4/ —  Paterson. 

-  Here's   to  thy   health,   my  bonnie  lass  4/ — 

Chappell. 

-  I  arise  from  dreams  of  thee  2/ —  n  Augener. 

-  I'll  tend  thy  Bower  4; —  Paterson. 

-  I  love  a  Lass  4/ —  Whittingham. 

-  I've    found    my    mountain    lyre    again    4/ — 

Williams. 

-  I  will  think  of  thee  4/ —  Paterson. 

-  If  a  nobler  waits  for  thee  2/ —  n  Augener. 
■  In  the  Primrose  Time  o'  the  Year,  set  for 

SATTB  with   P  — /4  n  Augener. 

-  It   was   a  lass,   SATB  — /3   Sheard. 

-  Jeannie    Deans,    grand    opera,    Voc.    score 

7/6  n   Augener,   Whittinghaw. 

-  Land  of  the  Mountain  and  the  Flood,  con- 

cert-overture. Full  score  10/6  n.  String 
parts    4/ — n.    Wind    parts    8/ — n    Nnrrlln. 


Mac  Cunn  H.  Lord  Ullin's  dmighter 


Mac  Donald  A.   F.ner  ami  Aye 


-  Lord   Ullin's   daughter,   cantata  — 25,   mix. 

voic.  — 40   White. 

-  Many  days  and  many  ways  2/ —  n  Attgener. 

-  Merry,    meny    shriek    of    the    reel      2/ —  n 

Sheard. 

-  My   Mary,   dear,   farewell   4/ —   Williams. 

-  0  gentle  sleep  2/ —  n  Augencr. 

-  0   mistress   mine,   SATB  — /2   Novella. 

-O   where   art   thou   dreaming,   SATB  — /'!'/;.. 
Novello. 

-  0    white's    the    moon    upon    the    loch      4' — 

Chappell. 
-O  wilt  thou  be  my  dear,  love?  4/ —  Chap- 
pell. 

-  0    would    that    I  again    4/ —    Whittinghnm. 

-  On    a   faded    violet    2/ —  n    Auyener. 

-  Pour  forth  the  wine  4/^ —  Chappell. 

-  Queen    Hyude    of    Caledon,    dram,    cantata 

for  soli,  chorus  and  0,  in  4  scenes,  Voc. 
score  2/6  n   Chappell. 

-  Roses  in  the  lane  4/ —  Chappell. 
-Sailor's   Lot    2/ — n    Sheard. 

-  6  Settings  of  poems  2/6  Leonard,  Williams. 

-  Soldier,    rest,    SATB   — /P/^    Novella. 
-Songs  and  Ballads   of   Scotland    10,6  n    /^V/- 

lerso')!.. 
-Songs  and  Ballads  of  Scotland  10/6,  I — IV 
a  2/6  n  Paterson:  I:  N.  1.  Afton  Water. 
2.  Auld  Robin  Gray.  3.  Auld  Rob  Morris. 
4.  Birks  of  Aberfeldy,  The.  5.  Comin'  thro' 
the  Rye.  6.  Fair  Helen  of  Kirkconnell.  7. 
Flor.i  Macdonald's  Lament.  8.  Flowers  of 
the  Forest,  The.  9.  In  the  Garb  of  Old 
Gaul.  10.  I  wish  I  were  where  Gadie  rins. 

11.  Jock  o'  Hazeldean.  12.  John  Anderson, 
my  Jo.  13.  Laird  o'  Cockpen,  The.  14.  Lass 
o'  Gowrie,  The.  15.  Logic  o'  Buchan.  16. 
My  Luve's  in  German3^  17.  O  love  will 
venture  in.  18.  0  why  left  I  my  hame. 
19.  Polwart  on  the  Green.  20.  Robin  Adair. 

21.  Saw  ye  Johnnie  comin'.  22.  Up  in  the 
morning  early.  23.  Wha'll  be  King  but 
Charlie.  24.  When  the  Kye  come  Hamo. 
25.  Winter  it  is  past.  The. 

II:  N.  1.  A  Man's  a  Man  for  a'  that. 
2.  Annie  Laurie.  3.  Auld  Lang  Syne.  4. 
Braw,  Braw  Lads.  5.  Cam'  ye  by  Athole. 
6.  Ca'  the  Ewes  to  the  Knowes.  7.  Charlie 
is  my  Darling.  8.  Come  o'er  the  Stream, 
Charlie.  9.  Hundred  Pipers,  The.  10. 
Johnny  Cope.  11.  Lass  o'  Patie's  Mill,  The. 

12.  Murmur  of  the  merry  Brook,  The.  13. 
My  Boy,  Tammy.  14.  My  Love  she's  but 
a  Lassie  yet.  15.  My  Nannie,  O.  16.  Of  a' 
the  airts.   17.  O  waly,  waly  up  the  Bank. 

18.  0  whistle  and  I'll  come  to  you  my  Lad. 

19.  Rover  o'  Lochryan,  The.  20.  Roy's  wife 
of    Aldivalloch.    21.    She's    fair    and    fause. 

22.  Sodger's  return,  The.  23.  Thou  art  gane 
awa'  frae  me,  Mary.  24.  Wae's  me  for 
Prince  Charlie.  25.Wilt  thou  be  my  dearie. 

Ill:  N.  1.  Ae  fond  kiss.  2.  Behold  my 
Love  how  Green  the  Groves.  3.  Boatie 
Rows,  The.  4.  Bonnie  wee  Thing.  5.  Brisk 
young  Lad,  The.  6.  Broom  o'  the  Cowden- 
knowes.  The.  7.  Duncan  Gray.  8.  Ewe- 
Bughts,  The.  9.  Jessie  the  Flower  o'  Dun- 
hlane.    10.   Kelvin   Grove.    11.   Leezie  Lind- 


Lou- 
Mag- 


say.  12.  Lord  Reoch's  Daughter.  13. 
don's  Bonnie  Woods  and  Braes.  14. 
gie  Lauder.  15.  My  Heart  is  sair  for  Some- 
body. 16.  My  Nannie's  awa'.  17.  0  my  Love 
is  like  a  Red,  Red  Rose.  18.  Rowan  Tree, 
The.  19'  Tak'  your  auld  Cloak  about  ye. 
20.  Wandering  Willie.  21.  Welcome,  Royal 
Charlie.  22.  Within  a  Mile.  23.  Woo'd  and 
Married  an'  a'.  24.  Ye  Banks  and  Braes. 
25.  Yellow-Haired  Laddie,  The. 

IV:  N.  1.  Blue  Bonnets  over  the  Border. 
2.  Bonnie  Dundee.  3.  Come  under  my  Plai- 
die.  4.  Corn  Rigs  are  Bonnie.  5.  Ewie  wi' 
the  Crooked  Horn,  The.  6.  Good  Night 
and  joy  be  wi'  you  a'.  7.  Highland  Laddie. 

8.  How    lang    and    dreary    is    the    Night. 

9.  Jenny's  Bawbee.  10.  John  Grumlie.  11. 
Last  May  a  braw  wooer.  12.  Lochaber  no 
more.  13.  Macgregor's  Lament.  14.  March 
of  the  Cameron  Men,  The.  15.  Muirland 
Willie.  16.  My  aiu  kind  dearie.  17.  My 
Tocher's  the  Jewel.  18.  O  Kenmure's  on 
and  awa'.  19.  O  this  is  no  my  ain  Lassie. 
20.  Pibroch  of  Donuil  Dhu.  21.  Scots  wha 
iia'e.  22.  There's  nae  Luck  about  the 
House.  23.  TuUochgorum.  24.  We'll  meet 
behind  the  Dusky  Glen.  25.  Wha'  wadna 
Fecht   for  Charlie. 

-  Strathallan's  lament  2/— n   Augener. 

-  There  is  a  garden;  SATB  — /3  Novella. 
-Thine    am  I,    my    faithful    fair    2/ — n    Au- 
gener. 

-  To    Julia   Weeping   3/ —   Paterson. 
-Vocal    Album,    10   songs:      1.    Tell    her,   oh 

tell  her.  2.  The  Huntsman's  Dirge.  3. 
Welcome,  sweet  bird.  4.  The  young  rose 
I  give  thee.  5.  When  the  first  summer 
bee.  6.  Autumn  Song.  7.  Love  in  her 
sunny  eyes.  8.  Her  sufTering  ended.  9. 
There  be  none  of  Beauty's  daughters.  10. 
When    twilight   dews   4/ —  n    Williams. 

-  V^ocnl  Album,  G  songs  2/6  n :   N.   1.  Wishes: 

In    the    Meadows    2 — /  n.    N.    2.    A    flower 


message :  I'll  gi 
N.  3.  Doubting: 
again  2/ —  n.  N. 


,'e  my  love  a  posy  2/ —  n. 
Nay  do  not  ask  me  once 
4.  Dreamland :   Wilt  thou 


come  with  me  to  dreamland?  2/ — n.  N.  5. 
Golden  Days:  Sweet,  remember  golden 
days  1/ —  n.  N.  6.  Hesper :  0  for  a  light 
little   boat!    2/— n    Augener. 

-  Weep    not    for    Her,    chorus    — 3    Paterson. 

-  Welcome,  sweet  bird  — 60  Church. 

-  Wlien   ro.ses  blow   2/ — n    Augener. 

-  When    thou    art    nigh,    in  D    or    B     2/ —  n 

Augener. 
-Wilt   thou    be   my    dearie?    2/ — n    Augener. 

Mac    Davey    D.    H.    M.    I  fain    would    rest 

2/ — n    Vincent. 
-My    Northern    Maid    2/ — u    Vincent. 

-  2  Sad  Songs  2/ —  n  Vincent. 
-She   came   2/ — n    Vincent. 

Mac  Donald,  Musical  Snuff  Box  Wall/.  —20 
Willig. 

-  Take  me    now,   waltz   — 10   Nat.    Mvsic   Co. 

Mac  Donald  Archie,  The  Dainty  Miss   (in  C 
and   Eflat)    4/—   Chappell. 

-  Ever  and  Aye  — 50  D  it  son. 

Vide :   M  a  c  d  o  n  a  1  d. 


Mac  Donell  J.  Forty  Days 


10 


Mac  Dowell  E.  A.  op.  37 


Mac  Donell  Josie,  Forty  Days  and  Forty 
Nights,  theme  and  variations,  P  — 60  n 
Presser. 

-  June  Polka  — 30  n  Presser. 

Mac  Donnell,  Little  Blossom  — 50  Thompson. 
Mac   Oonough   Barney,   I'll  tell  you   how   it 

was  —  there  were  four  of  us,  comic  song 

— /2  Sheard. 
Mac   Donough    F.   J.   op.  8  N.   1.   Etude  de 

Concert,  P  —40  n.  N.  2.  Etude  de  Concert, 

P  — 30  n   Presser. 

-  9  Valse  noble  — 50  n   Presser. 
-Ave   Maria   — 50   Fischer. 

-  In  Dreamland,  P  — 50  n  Presser. 

-  Solemn  Vespers  and  Magnificat,  SATB  1 — 

Fischer. 

-  Vespers    and    Magnificat,    0    ace.    on    hire. 

J.   Fischer. 

Mac  Donough  FIske,  Don't  turn  away  from 
mother   2/ —  n    Sheard. 

Mac  Dougall  Hamilton  C.  Christmas  Pasto- 
rale, P  ^20  n  Presser. 

■  Jesus,  Lover  of  My  Soul,  in  D  flat  (MS  or 
Bar)  or  in  F  (S  or  T)  — 40  n  Presser. 

-  Jubilate  Deo,  in  G,  SATB  — /4  Weekes. 

-  Onward,   Christian   Soldiers,   Bars,  male  & 

mixed   chorus,    Ch.  s.   — 10  n   Presser. 

-  Studies  in  Melody  Playing,  2  vols,  a  — 75  n 

Presser. 
Mac    Douval,      Melodier    af    Sullivanske,    P 

— 50  Nordisk  Musikforlag. 
Mac    Dowall.    Witzmann:    Arabesque,    valse, 

J{ms   1.75. 

-  Birdies'  Serenade,  P  — 25. 

-  Brownies'   Patrol,   P  —25. 

-  Call   of   the   Birds,   P  —25. 

-  Chirping  Sparrows,   P  — 40. 

-  Fairies'  Lullaby,   P  —25. 

-  Flatteres,    Ifms    1 — . 

-  Fluttering   Butterflies,   P  —40. 

-  Forest    Scenes,   Jfms   1 — . 

-  In  Dreamland,  waltz  — 25. 

-  In  the  Gondola,    'iws   1.25. 
-Merry    Maidens   Waltz   — 40. 

-  Norwegian   Dance,   P  — 40. 

-  Peasants'    Dance,    P   — 25. 

-  Soldier's   Patrol,   P  —40. 

-  Trip   to   Melody   Land,   P  —25. 

Mac  Dowell  Edward  A.  (1861),  op.  10 
Erste  moderne  Suite,  P  4 —  Brcitkopf,  (ler 
Suite  moderne,   7   pifeces)    5.50  n   Costallaf. 

-  10  Prelude,  P  1.35  n   Costallat. 

-  11  Drei  Lieder :  Nr.  1.  Mein  Liebchen  — 80. 

Nr.  2.  Du  liebst  mich  nicht  —60.     Nr.   3. 
Oben    wo    die   Sterne   — 60    Kahnt. 
-12    Zwei   Lieder:    1.   Nachtlied.   2.    Das   Ro- 
senband,  a  — 60  Kahnt. 

-  13   Prelude   et   Fugue,   P    1—   Siegel,   —50 

Sch7nidt. 

-  14  Zweite  moderne  Suite,  P  4 —  Breitkopf, 

(2e  suite  moderne,  6  pi&ces),  P  5.50  n  Co- 
stallat. 
-15    Concerto    N.   1.    en   la    mineur,    P    4 — n 
Cosiallat. 

-  16   Serenata,    P    1 —   Siegel,  — 40   Schmidt. 

-  17    Zwei    Fantasiestiicke    zum    Konzertge- 

brauch,   P:      Nr.    1.    Erzahlung    1.50    Ilai- 
nauer.    Nr.    2.    Ilexentauz    2 —    Hainauer, 


(Witches  dance)  — 75  Ditson,  Fischer, 
— 60  n  Presser,  — 75  Schmidt,  Schroeder, 
— 45   Bessel. 

-  18   Zwei   Stucke,   P:   Nr.   1.   Barcarole   1.50 

Eainauer,  — 40  Schmidt.  Nr.  2.  Humo- 
reske   1.50   Eainauer. 

-  19  Wald-Idyllen,  4  Stucke,  P:  Waldesstille, 

Triiumerei,  Spiel  der  Nymphen,  Dridden- 
tanz  3—  Kahnt,  N.  3.  Revery  —30,  N.  4. 
Dance  of  the  Dryads  — 60  Schmidt. 
-20  Drei  Poesien,  ^?ws;  1.  Nachts  am  Meere. 
2.  Erziihlung  aus  der  Ritterzeit.  3.  Bal- 
lade 3 —  Eainauer. 

-  21    Mondbilder,   nach   H.   C.   A  n  d  e  r  s  e  n's 

Bilderbuch  ohne  Bilder,  5  Stucke,  Jfms 
3.75  Eainauer. 

-  22  Hamlet,  Ophelia,   zwei   Gedichte  fiir  gr. 

0,  Part  6— n,  St  12—,  KA,  Iims  4—  Eai- 
nauer. 

-  23  Concerto  N.  2.  en  r^,  P  4—  n  Costallat, 

6— n,  0  13.80  n  Breitkopf. 
-24  Vier  Stucke,  P:  Nr.  1.  Humoreske  1.25. 
Nr.  2.  Marsch  1.50.  Nr.  3.  Wiegenlied 
1.25.  Nr.  4.  Czardas  1.50  Eainauer,  Nr.  4 
—50  Schmidt,  Nr.  3—4,  VP  (A.  H  a  r  t- 
m  a  n  n) ,  a  1.50  Eainauer. 

-  25    Lancelot    und    Elaine,    zweite    sympho- 

nische  Dichtung  nach  Tennyson,  gr. 
0,  Part  8— n,  St  11—,  KA,  Jfrns  4—  Eai- 
nauer. 

-26  From  an  old  Garden,  6  songs:  1.  The 
Pansy.  2.  The  Myrtle.  3.  The  Clover.  4. 
The  yellow  Daisy.  5  .The  blue  Bell.  6.  The 
Mignonette  1 —  n  Schirmer. 

-27  Drei  Lieder,  TTBB  (3  Part  Songs  for 
Mens  Voices)  :  1.  Oben  wo  die  Sterne  glii- 
hen  (In  the  stary  sky  above  us).  2. 
Schweizerlied  (Springtime)  :  „Uf'm  Bergli 
bin  i  gesiisse"  (In  the  springtide,  when 
all  the  hillside).  3.  Der  Fischerknabe 
(The  Fisherboy)  :  „Es  lachelt  der  See" 
(The    glittering    waves),    a    1.10    Schmidt. 

-  27  Idyllen,   sechs  kleine   Stiicke,   P  a  — 75 

Eainauer,  Nr.   5—6,   PV  a  ■ — 40   Schmidt. 

-  30    Die    Sarazenen,     Die    schone     Alda,     0, 

Part  2—  n,  St  =  26  Hefte  k  —30,  4ms  3— 
Breitkopf. 

-  31   Sechs  Gedichte,  P,  Nr.  1—6  a  —75  Eai- 

nauer, N.  2.  A  Scottish  Tone  Picture 
— 40  n  Presser,  Schmidt,  N.  3.  A  Memory 
— 30  n  Presser. 

-  32  4  petites  Poesies,  P  2—  Breitkopf,  2.70  n 

Costallat,  Nr.  1.  Der  Adler  —60.  Nr.  2. 
Das  Biichleiu  — 60.  Nr.  3.  Mondschein 
—60.    Nr.    4.    Winter   —60   Breitkopf. 

-33  Drei  Lieder:  Nr.  1.  Bitte :  ,,0,  nenn' 
mich  nicht  dein  Leben".  2.  Geistliches 
Wiegenlied  (auf  einem  alten  Bilde  der 
heiligen  Jungfrau  geschrieben  aufgefun- 
den)  :  „Dormi  Jesu !"  3.  Idylle :  „Ein 
Blumenglockchen  vom  Boden  hervor"  1.50 
Eainauer. 

-35  Romanze,  VrO,  Part  2— n,  0-St  2.25, 
VcP   1.75    Eainauer. 

-  36   Etude   de  Concert,   P  —75   Schmidt. 

-37  Les  Orientales,  P:  N.  1.  Clair  de  la 
lune  — 30.  N.  2.  Dans  le  Hamac.  3.  Danse 
Andalouse.  a  — 40  Schmidt. 


Mao  Dowell  E.  A.  op.  38 


—     11     — 


Mac  Evoy  A.  Th.  Chant  des  Pecheurs 


-38  Marionetten,  sechs  kleine  Klavierstiicke: 
Soubrette.  Liebhaber.  Bube.  Liebhaberin. 
Clown.  Hexe  2 —  Hainauer,  Nr.  1.  Pro- 
log, 8.  Epilog,   P  a  —60  Schmidt. 

-  39  Twelve  Etudes  for  the  Development  of 
Technique  and  Style,  2  books,  P  a  1.50 
Schmidt. 

-39  Five  Piano  Pieces:  N.  1.  Romanza  — 30. 
N.  2.  Arabesque  — 40.  N.  3.  In  the  forest 
—30.  N.  4.  Idylle  —40.  N.  5.  Shadow 
Dance  — 40   Schmidt. 

-40  Six  Love  Songs:  1.  Sweet  blueeyed 
maid.  2.  Sweetheart  tell  me'.  3.  Thy  bea- 
ming eyes.  4.  For  sweet  love's  sake.  5. 
0  lovely  rose.  6.  I  ask  but  this  1 —  n 
Schmidt. 

-42  Suite  ffir  gr.  0;  I.  In  einem  verwuu- 
schenen  Walde.  II.  Sommeridylle.  III. 
Gesang  der  Hirtin.  IV.  Waldgeister,  P 
1.50,   Jfms   5 —   Schmidt. 

•44  Barcarole:  „Die  helle  Sonne  leuchtet" 
(The  glowing  sunshine's  beaming),  fiir 
8st.  SATB  u.  I,ms  2.30   Schmidt. 

■  45  Sonata  tragica,  P  4  —  BreitJcopf,  5.50  n 
Costallat. 

46  Zwolf  Virtuosen-Etiiden,  P  6^  Breit- 
kopf,  (12  Etudes  de  virtuosite),  P  8.20  n 
Costallat,  N.  2.  Etude  artistique  (Moto 
perpetuo),  P  — 30  Gehethner. 

47  Acht  Gesange  (engl.-d.)  2.50  u :  Nr.  1. 
Die  Drossel  singt  in  dem  Apfelbauni.  2. 
Leichte  Silberwolken  schweben.  3.  Volks- 
lied.  4.  Vertrauen.  5.  Der  Westwind  saa- 
selt  ini  Zederbaum.  6.  Im  Walde.  7.  Das 
Meer.  8.  Am  Wiesenbach,  a  1—  Breitkopf. 

■48  Zweite  (indianische)  Suite,  (Otto 
Taubmann),    J/ms    6- —   Breitkopf. 

50  Sonata  eroica,  P,  G-moll  5 —  Breitkopf. 

51  Amerikanische  Wald-Idyllen :  An  eine 
wilde  Rose.  Irrlieht.  Beim  alten  Stelldich- 
ein.  Im  Herbst.  Aus  einem  Wigwam.  An 
eine  Wasserlilie.  Plantagenklange.  Eine 
verodete  Hiitte.  Am  Wiesenbach.  Beim 
Sonnenuntergang,   P  4 —  n    Schmidt. 

55  Sea  Pieces,  P  1.25  Schmidt. 
57  Third  Sonata,  P  2 —  Schmidt. 

59  Fourth   Sonata,   P  2—  Schmidt. 

60  Three  Songs:  1.  Tyrant  Love:  Where 
e'er  Love  be.  2.  Fair  Springtide  cometh 
once  again.  3.  To  the  golden  Rod:  A  lis- 
some maid  with  towseled  hair  3 —  Schmidt. 

61  Fireside  Tales,  P :  An  old  Love  Story. 
Of  Br'er  Rabbit.  From  a  German  Forest. 
Of  Salamanders.  A  Haunted  House.  By 
Smouldering   Embers  5 —  Schmidt. 

62  New  England  Idyls,  P :  An  old  Garden. 
Mid-Summer.  Mid-Winter.  With  sweet 
Lavender.  In  deep  Woods.  Indian  Idyl. 
To  an  old  white  Pine.  From  Puritan  Days. 
From  a  log  Cabin.  The  Joy  of  Autumn 
4 —  n  Schmidt. 

An  eino  wilde  Rose  (iibertr.  v.  Art.  11  a  r  t- 
manu),  VP,  erleichterte  Ausgabe  1.20 
Schmidt. 

Compositions  revised  and  edited:  Alkan, 
Couperin,  Cu&,  Dubois,  Geisler 
P.,  G  1  i  n  k  a  -  B  a  1  a  k  i  r  e  w,  G  r  a  u  n, 
G  r  a  z  i  o  1  i,   H  u  b  e  r   H.,   L  a  c  o  m  b  e  P., 


Lavignae,  Liszt,  Loeilly,  Mar- 
tucci,  Mattheson,  Moszkowski, 
P  i  e  r  n  e,  R  a  m  e  a  u,  R  e  i  n  h  o  1  d,  R  1  m- 
s  k  y-K  orsakow,  Tscherbatcheff, 
Ten  Brink,  Thorn,  Westerhout. 
Schmidt. 

-  Etude    artistique,    P    — 30  n    Gehethner. 

-  From  an  Old  Garden,  6  songs :  The  Pansy. 

The  Myrtle.  The  Clover.  The  Yellow  Daisy. 
The  Blue-Bell.  The  Mignonette  (New 
Edition)    1 — n  Schirmer. 

-  In  Passing  Moods,  Album  of  Selected  Com- 

positions, P  5 —  n  Schmidt,  Elkan. 

-  Intermezzo,   P  — 80  n   Costallat. 

-  a   kleine    Stiicke   nach    Skizzen   von     J.     S. 

Bach:  1.  Courante  (aus  dem  Klavier- 
biichlein  fur  W.  F.  Bach,  1720).  2.  Me- 
nuett  (aus  dem  Klavierbuche  der  Anna 
Magdalena  Bach,  1722— 25) .  3.  Gi- 
gue  (aus  dem  Klavierbiichlein  fiir  W.  F. 
Bach,  1720).  4.  Menuett,  5.  Menuett, 
6.  Marsch  (aus  dem  Klavierbuche  der 
Anna  Magdalena  Bach,  1722—25), 
P   1.25   Schmidt. 

•  Original  Piano  Works,  5  volumes  29 — 
Schirmer. 

-6  Pieces  (arr.  by  F  r.  N.  Shackley), 
Org  4 —  Schmidt. 

-  Songs,  3  vol.  9 —  Schirmer. 

-  Technische  ubungen,  P,  I — II  a  3 —  Breit- 

kopf. 
-To    a    wild    rose,    VP    (A.    Hartmann), 

simpl.  ed.  2 —  Schmidt. 
Mac    Duff,    Sweet,    'tis    the    midnight    hour, 

serenade  — 25    White. 

-  Welcome,   O   blue  bird  — 25   White. 
Mc.   Duffee,  Rhapsodie,  P  —75   White. 

-  Venice,   fair  Venice  — 40  White. 

Mc.  Duffee  J.  E.  Thompson:  Album  of 
Songs,  eight  songs  1 — . 

-  Caprice  in  G,  P  — 50. 

-  Elegie,   in   E  b,  P  —40. 

-  Finis  in  C  —40. 

-  Intermezzo  in  G,  P  — 40. 

-  Lead  Kindlj^  Light,  in  E  b  — 40. 

-  Prelude  in  G,  P  —30. 

-  When  Love  Is  Ended,  in  C  —60. 

Mac    Eleney,      The    Scott   Centenary,    galop 

—40   White. 
Mac   Elwee,  Alexander,  maz.  • — 40  Ellis. 

Mac  Ennery  Jair.es  J.  Friendship  and  Love, 

for   Contralto  (Bar)   2/ — n   Novello. 
Mac   Evoy,   Barney,   the  driver  — 35   While. 

-  Hide  and   Seek,   polka  3/ —  Cary. 

-  I  make  no  noise,  song  &  chorus  — 35  White. 

-  Rollicking  Irish  Barney,  song  &  dance  — 35 

White. 

-  Twinkle,  twinkle  little  star,   song  &  dance 

— 40,  Banjo  ace.  — 25    White. 
Mac    Evoy  Arthur  Thompson.  Donajoioski: 
Ariadn6,   danse  eleg.   4/ —  St.   Cecilia. 
Au   gre  des  flots,  barcarolle,  P  4/ — . 

-  Bachannale,    P   3/- —    Cary. 

-  Battle  March  4/—  Cary. 

-  Bohemian  Girl,  fantasia,  P  4/ — . 

-  Bravure,  2  gr.  valse  4/ —  Ashdown. 

-  Caprice,  P  4/ — . 

-  Chant    des    Pecheurs, 


P    2/ —  n    Jefferys. 


Mac  Evoy  A.  Th.  Chant  du  Soir 


—     12 


Mac  Gaoch  D.   When  a  man's  in  love 


■  Chant  du  Soir,  reverie,  P  3/ —  Gary. 

■  Chant  Styrien,  P  3/—  Gary. 
■Chantilly,   P  2.1— -a.  Jefferys. 

■  Dancing   Leaves,   P  3/ —  Gary. 

■  Uans  les  Champs,  waltz  4/ — . 

■  Danse    Eomantique    4/ —    Reeks. 

■  Danse  des  Sirfenes,  P  4/ — . 

■  Eclair,  valse  de  concert,  P  4/ — . 

Elys6e,     valse    2/6,     ^ms    3/—,     PVVc    2/— 
Ascherierg. 
Encore  une  fois,   P  4/ —  Willcocks. 

-  Extase,  P  4/ — . 

-  Festal  March   3/ —  Gary. 
Flibbertigibbet,  tarantella,  P  4/ —  Ashdown. 
Gavotte  Rustique  4/ —  Gary. 

Gnome,  danse  fantastique,  P  3/ —  Ashdown. 
Gracieuse,  P  2/ — ,  ^ms  2/6  Ascherherg. 

Grand  National  Concert  Fantasias,  P  : 
Abbotsford.  Blarney.  Harlech.  Holywood. 
Monmouth.  Rochester.  Tara.  Windsor,  k 
4/—. 

■  Grande   Valse   Dramatique   4/ — . 

■  Grotesque,  polka  3/- — . 

■  Holly   Berries,   polka  maz.   3/ —   Gory. 

■  Hunter's  Return,   P  3/—   Gary. 
Hyspana,  P  4/ — . 

Imperiale,  grand  valse  de  concert.  /»«.s  ■> — • 
Ashdown. 

■  Intrepide,   Jfins   5/ — . 

Kozak,   danse   russe,   P   3/ —   Ashdoivn. 
IJangollen,    fantasia     on     Welsh,    airs,     P. 

Ashdown. 
Liebeslied,   VP  4/ —  Doremi. 
Lothian,   P   2/ —  n   Jefferys. 
Lucian   Grandpfere,   P   2/- —  n    Jefferys. 
Mandoletta,   P  3/ —  Larway. 
Mass   of   the   Guardian   Angels,    8ATB    1  /6 

Gary. 
Midget    Warriors,    march    3/ — ,    fac.     1/ — . 

Jfms  4/ — ,  0  1/6  n,  sept.   1/ — n  Larway. 
Minuet,   VP   3/- —   Larway. 
Mirabel,  mazurka  3/ — . 
Moscow,  P  2j —  n  Jefferys. 
Nadine,  P  4/ — . 

Nemesis,   galop   3/ —   Ascherberg. 
Neophyte,    danse    elegante    4/ —    Sheard. 
Old  Relics,  P  3/—,  J,ms  3/—,  Mand  1/6,  VP 

3/—  &  1/6,  FullO  1/6  n,  Sept.  1/—  n  Ascher- 
berg. 
Pantheon,  march   3/ —  Larway. 
Pas  Redouble,  P  3/—  Gary. 
Pens6e  Yoyeuse    (Caprice),   P   3/ —   Gary. 
Pizzicato,    VP  3/ —  Larway. 
Premi&re  Tarantelle,  P  3/ —  Gary. 
Prenez  Garde,  gr.  niarche  de  concert  2/ —  n 

Jefferys. 
Presage   au    Victoire,   P   4/ —  Pitman. 
Prettiest,   polka-maz.    VP   16  n   Blocklcy. 
Rivulet,  P  3/—  Gary. 
Romance,  VP  3/ —  Larway. 
Rcndo    (D),   VP  3/—  Lurioay. 
Rostrevor,   P  2/ —  n  Jefferys. 
Safety,   galop   4/ —   Ashdoxcn. 
Salut     au     Drapeau      (Salute     the     Flag), 

marche  militaire  4/ —  Sheard. 
Sandringham,   P   2/ —  n    Jefferys. 
Sortie,   marche  milit.   4/ — . 


-  Sounds    from    home,    four    descriptive    fan- 

tasias, P:  1.  Sherwood  (English).  2.  Lo- 
chisla  (Scotch).  3.  Cloranel  (Irish).  4. 
Aberdovey    (Wesh),   a   4/ —   Ashdown. 

-  Souvenir  Napolitaine,  P  4l/ —  Geeilia  St. 

-  Star  Queen,  waltz   4'—,   FullO   1/6  n,   Sept. 

1/ —  n  Larway. 

-  Storm  at  Sea,  P  4/ —  Gary. 

-  Suivez-moi,  P  'il- —  Gary. 

-  Sur   la  Mer    (Morceau   a  la   Barcarolle),   /' 

4/ —  Sheard. 

-  Tarantelle  in  C-minor,  P  4/ —  Willcocks. 

-  That  boy  zephyr  glide,  song  &   dance  — 25 

White. 
-Thyra    (Gavotte),   P  4/—   Willcocks. 

-  Toujours    fidele,    romance    sans    paroles,    P 

3/ —  Ashdown. 

-  Toujours  Gai,   P   4/ —  Sheard. 
-Toujours  Pret   (March  Militaire)   3/—  Gary. 
-Tout   A    Vous    (Chanson    sans    Paroles),    1' 

3/—  Gary. 

-  Union,   fantasia  on  national  airs,  Jfins  6/ — 

Ashdown. 

-  Valse    impromptu    4/—   Ashdown. 

-  Village   medding,   march   4/ —   Doremi. 

-  Voix    d'lntirae,    familiar    voices,    nocturiu-. 

P   2/ —  n  Jefferys. 

-  Voltigeurs,    grande   marche    4/ —   Ashdown. 

■  Yeu    d'esprit,    galop    de    concert   4/ —   A.sh- 

down. 
Mac  Evoy  C.  Captive  bird  — 40  Brainard. 

-  Pet.  Polka    (by  F  1  o  r  a  n  c  e) ,  P  —40  Brai- 

nard. 

-  Zephyrs    of    morning,    valse    brill.    P    — 60 

Bniinard. 
Mac  Evoy  J.  L.  Larry  O  Leary  — 35  Gordon. 

-  Some    Way    Some    Day   —40    Gordon. 

-  There  May   Be  Eyes,  song  — 50,  duet  — 50 

Gordon. 

-  Widow  Mavrone  — 35   Ditson. 

Mac  Ewen  John  B.  Charm  me  asleep,  SATB, 
Gh.  s.  — /3   Novello. 

-  Evening,  duet  — /4  n   Augener. 

-6  Highland  Dances,  VP:  1.  in  D-minor. 
2.  in  F.  3.  in  D-minor.  4.  in  D,  5.  in  D- 
minor.   6.  in  D,  a  2/ —  n  Novello. 

-  Let    me    the    canakin    clink,    SATB,    Gh.  s. 

■ — /4  Novello. 

-  Love's  but  a  Dance   1/6  n  Gharles. 

-  Morning   greeting,    duet   — /4  n    Augener. 

-  Night,   duet  — /3  n  Augener. 

-  Slumber    Song,    duet   — Ji  n    Augener. 

-  Sonata    in   E-miuor,    P   3/6    Novello. 

-  6    two-part    Songs :       Spring    song.    In    the 

woods.  On  the  river.  Twilight.  Night  ?c 
autumn   song   1/ —  n  Augener. 

-  Vision  of  Jakob  2/ —  Novello. 

-Weep  no  more.  !^ATB,  Gh.  s.  — /P/j  No- 
vello. 

Mac  Ewen  R.  F.  The  Rover  of  Lochryan 
(B-minor)    2/ — n    Weekes. 

Mac   Geoch   Daisy,   Babette  4 —  Leonard. 

-  Kiddies  Songs    1/ —  Leonard. 

■  Little    White    House   on    the    Hill.    2    keys 

4/ —  Leonard. 

-  My   Little   Lady   2/ —  n   Gary. 

-  Ride !  4/—  Gary. 

-  Two  eyes  of  grey  4/ —  Leonard. 

-  When   a   man's    in    love   2/ —  n    Ascherberg. 


Mac  Ghie  J.  Castle  Square 


13    —  Mac  Hardy  J.  Domn  in  the  Garden 


Mac  Ghie  J.  Castle  Square,  march  &  two- 
step,  P  —50  I\'at.  Music  Co. 

Mac  Ginnis,  You  Bet  There  Are  No  Flies 
Upon  the  Major  — 10  Nat.  Music  Co. 

Mac  Glennon  Felix,  Although  you  bear  ano- 
ther's name  — 40  Brainard. 
-  At  home  — 50  Ellis. 


-  At  night,  at  night    (In  the  morning) 


40 


Oordon. 

-  Baby  is  calling  for  dada  — 40  Ellis. 

■  Baby  is  sleeping  — 40,  with  0,  10  Instr  — 50, 

FullO  —60,    P,   Part  —15   Ellis. 

-  Bells  across  the  snow,  song  and  chor.  — 35 

Gordon. 

-  But.  oh,  what   ;i    difference  in  the  morning 

— 40   Brainard. 

-  Comrades  — 50  Brainard. 

-  Comrades     (arr.    by     F  r  e  e  m  a  n) .     march 

—30  Gordon. 
-Comrades,   waltz    (arr.   by   V.   Gautier). 
/>  _30   Gordon. 

-  Comrades,   waltz    (arr.   by   K  night)    — 40 

JHtson. 
-Comrades     (Loss  on),    /or    2Banjos    — '2o 
Fischer. 

■  Cupid's  in  love  with  me  — 10  National  Mti- 

sic  Co. 

■  Fiddle    di,    diddle    di,    diddle    di    dee      4/- — 

.ischerherg,   — 50    Ellis. 

-  First  Kiss   of  Love  — 40,   with   0,   10   Instr 

—50,  FullO'— 60,   P  part  —15   Ellis. 

■  l-'or  her  sake  he  dare  not  return  — 40  Nat. 

Music   Co. 

Four  shipmates  — 50  Ditson. 

(rrace  Darling  2/ — n  Reynolds. 

ifis    funeral's    to-morrow    — 35    Ditsun. 

^'m   going   to   be   professional   — 40    White. 

I've    worked    eight    hours    this    day,    song 

and    chorus    — 50    Brainard,    — 40    Ditson, 

— 10  Nat.  Music  Co. 
In  the  morning,  song  — 40  Gordon. 
Lady  who  went  astray  — 50   Ellis. 
Life  Belt  — 50  Anstead. 
I;ittle    ragged    beggar    boy    — 40,    with    O, 

10   Instr  —50,   FullO  —60,   P   partie  —15 

Ellis. 

^\y  idol  —35   Ditson. 

Oh,   Nelly   Ray  —40   Ellis. 

Oh  1    what    a    difference    in 

song  and  chor.  — 35  Ditsoii 

Music  Co. 

Old  sword  that  hangs   upon  the   wall 

Gordon. 

Once  more  in  the  dear  old  land  —35  White. 
Patsey,    come    home,    song    and    chor.    — 40 

Ditsoti. 

Poor  little  thing  —10  Nat.  Music  Co. 
Poor  Miss  Brown  — 50   Ellis. 
Poor    Old    Binks.    with    0,    10    Instr    — 50, 

FullO  —QO,  P  part.  —15  Ellis. 
Pretty  girl,   rather   —10   Nat.   Music   Co. 
Quakeress   — 40    Ditson. 
Uich  and  poor,  motto  song  — 40   White. 
Rosie  Murphy,  song  and  chor.  — 40  Ditson. 
Rowdy-dowdy   boys  4/ —  Ascherherg. 
She   was   young   and    I  was   old,   song    and 

chor.  — 50   Ditson. 


the    morning, 
— 10  National 


-35 


-  Sweet  Maggie  Molloy,  song  and  chor.  — 40 

Ditson. 
-Tale   of   his   life   is   told,   with    0,    10   Instr 
—50,  FullO  —60,  P  part.  —15  Ellis. 

-  That  is  love,  A(B)   — 50   Brainard. 

-  There  is  no  such  thing  as  luck,  song  and 

chor.   — 40    Ditson. 

-  Two  Locks  of  Hair,   Silver   and   Gold  — 40 

Gordon. 

-  We  walked  home,  comic  — 40  White. 

-  Why    Not,    song   and    dance,    with    0   — 40, 

lit    Instr   —50,    FullO   —60.    P    part.    —15 
Ellis. 
-Woman,    lovely    woman,     waltz     song    and 
chor.  — 35  Gordon. 

-  Wrecker,    descriptive.    Bar   — 60    Ellis. 
Mac  Goffin,  Christ  is  risen.  Hallelujah,  solo. 

duet  and  chorus  (with  K  i  n  s  e  y's  from 
the  midnight)    — 12  Echo  Music  Co. 

-  Low  in  the  Tomb  — 12  Echo  Music  Co. 
-On   Judah's  Plain    (with  B  u  s  h  e  y's  Glory 

be  to  God  above),  soli,  duets  and  semi- 
choruses    with    obi.    — 12    Echo    Music    Co. 

Mac  Gonigle,  Winked  his  Eye  2/ — n  Sheard. 

Mac  Gourty  E.  \m  T  then  remembered  in 
Erin  — 35  Ditson. 

Mac  Gowan   Beatrice  M.  Absent  — 50  Mills. 

-  Bed   Time  Song  —50   Mills. 

-  Fairer    Flower  — 50    Mills. 

-  Idyl  —50  Mills. 

-  Kiss  —50  Mills. 

-  Romance  — 50   Mills. 

Mac  Grannaham,  He  is  not  here,  but  is 
risen.   Full  chorus  — 12   Echo  Music  Co. 

-  Morning     breaks     upon     the     gloom     choir 

(with      M  c.     P  li  e  r  s  o  n's     Resurrection) 

— 12  Echo  Music  Co. 
Mac    Grath    Alfred    J.      Cantate    Domino    & 

Deus    misereatur    — /I    Novello. 
Mac  Grath  G.  Blake,  3  little  Songs:  1.  Good 

and    bad   Children.    2.    My    Bed    is    like   a 

little  Boat.   3.  The  Sun  travers   2/6  Cramer. 

-  Rouge    et    Noir,    waltz    4/ — .     FullO    1/6  n, 

sept.    1/ — n   Cramer. 

-  Royal    Scarlet,    polka     4,—,       Fiil/O    1/6  n, 

sept.   1 ' —  n  Cramer. 
Mac  Grath    F.  T.  Acme  Clog,   1  or  2Banjos 
— 25    Fischer. 

-  Brunswick  Club  March,  1  or  2Banjos  —25 

Fischer. 

-  Electric    City    March.     /  or    2Ba7ijos    — 25 

Fischer. 

-  In  the  twilight,  song  and  dance,  schottisch, 

1  or  2Ba7ijos  — 25   Fischer. 

-  Little    Princess,    song    and    dance,    schott. 

1  or  2Banjos  —35  Fischer. 

-  Vera   Maz.   1  or  2Banjos  — 25   Fischer. 

-  Viola   Waltz,   Banjo  — 25   Fischer. 

Mac  Graw  T.  G.  Let  me  gaze  on  the  Cross, 

sacred  song  —60   Leidt. 
Mac    Gregor,     Moselle    Waltz,    P(4ms)    4 — ■ 

Chappell.  --*^ 

-  Xow   and   then  — 40   White. 

Mac  Hardy  Donald,  Doremis  pract.  har- 
n  ony,  a  series  of  24  cards  2/6  n  Doremi. 

Mac  Hardy  James,  A  Red,  Red  Rose  4/ — 
Cramer. 

-  Come   out  4/—   Gary. 

■  Down   in  the  Garden   4/' —  Gary. 


Mac.  Hardy  J.  Stahat  Mater 


14 


Mac  Leod  N.  Daughters  of  Zion 


-  Stabat   Mater,    SATBOrg    1/6  n    Gary. 

-  Wasp  and  the  Tea  Rose  4/ —  Gary. 

Mac    Hardy    Rob.      Doremi's     sight-singing 

2/ —  n  Doremi. 
Mac   Intosh   R.  M.  Anthems  for  quartet  and 

chorus-choirs   1 — ,   char,   notes   1 —  Ditson. 

-  Good  News   (Song  Book  f.  Sunday  schools) 

— 35  Ditson. 

-  Light    and    Life     (Song    Book    for    Sunday 

schools)    —35,    with   character    notes   — 35 
Ditson. 

-  Lord    with    glowing    heart,    chorus    anthem 

— 06  n   Echo  Music  Go. 

Mac  Intyre  D.  Festal  March  in  G  (Anglican 
Organist,  Book  20,  N.  241),  Org,  Vincent. 

Mac  Intyre  E.  V.  op.  12  Ten  Melodies  from 
Sang-Laud,  P  1 — :  N.  1.  Military  March 
—25.  N.  2.  Song  without  Words  —25. 
N.  3.  Sunshine  Polka  —25.  N.  4.  Vaca- 
tion Time  —40.  N.  5.  The  'Cello  Player 
—40.  N.  6.  Twilight  —40.  N.  7.  Evening 
Bells  —40.  N.  8.  Scale  Waltz  —40.  N.  9. 
A  Summer  Evening  — 25.  N.  10.  On  Dress 
Parade  — 40    Wood. 

Mac    Kee,   Dashing   octoroon   — 35    White. 

-  I'm  going  to  take  my  dishes  and  go  home 

— 50  Nat.  Mvsic  Co. 

-  Little   Bella    Larkin,   song   and   dance   — 35 

VJhite. 
Mac    Kendrick   W.     Remember   me,   o   Lord 

— /2  Guriven. 
-The  West  Wind,  Ho!  SATB  — /3  Novello. 

-  To  te  sea,  mix.  v.  • — /2  Curwen. 

Mac  Kenna's  Insurance  (Irish  Comic  Mo- 
notone  Song)    2/ — ■  n   Sheurd. 

Mac  Kenzie  A.  J.  The  New  York  Sun,  march 
for    fife    and    drum    corps  — 20  n    Fischer. 

-  The   Sons  of  Veterans,  march   for   fife  and 

drum  corps  — 20  n  Fischer. 
Mac  Kenzie  D.  C.  Fantaisie  Irlandaise,   VP 

5/ —   Gary. 
-Fantasia   on    scotch   airs,     VP   Aj —    Dona- 

jowski. 
Mac  Kenzie  Kenneth,  A  morrow  must  come 

on  — 40   Wood. 

-  Broken   Tryst   —30    Wood. 

-  Sun   Worship   — 30    Wood. 

Mac  Kenzie  Powell,  Tommy's  A'  'Coming 
Along    (March),   0   1 —  Schirmer  jr. 

Mac  Killop  A.  At  night  when  all  is  still 
around,  SATB  — /2  Novello. 

-  \A'hen    the    Lord    turned    again    the    capti- 

vity of  Zion,  S-s.  and  chorus  — /6  Novello. 
Mac   Kinlay  A.  M.  Preston  Lancers,  P  — 35 

Gordon. 
Mac    Kiniey    Mabel,    Karama    March    — 30 

Echo  Music  Go. 
Mac   Kintosh    Harvey,  O  worship  the  Lord, 

SATB  — /3  Novello. 
Mac    Korkell    Charles,    Do    I  not    love    thee 

— 35  Ditson. 

-  Flowers,   lovely   flowers  2/6   Ascherberg. 

-  Mabel,  mazurka  6l(5gaute  3/ —   Augener. 
-Our    home    shall    be    a  grassy    dell      1/ — n 

Augener. 

-  Reverie,  P  3/6  Chappell. 

-  There    is    a  spot    by    Alma's    plain      — /6  n 

Augener. 


-/6n 


-35 


-  Thou    art    mine    love    in    gladness 

Augener. 
Mac   Kown   H.  G.  Harvest  time,  polka 

Ditson. 
Mac   Lachlan    Key   J.  Danse   fantastique,   P 

4/ —  Pater  son. 
-Mazurka    (A-m.),   P  3/ —  Paterson. 

-  Would  it  were  4/ —  Paterson. 

Mac    Laughiin,    Bells    of    evening,    SG    — 35 
White. 

-  Fly  not  yet  —10  White. 

-  Old   glory    (Patriotic)    —40   White. 

Mac    Laughiin    Chas.      0    Salutaris    Hostia, 

with   Cornet  obi.  — 60   Ditson. 
Mac    Laughiin    Morly,    My    Own    Canadian 

Home,  march,   mO  — 50   Fischer. 
Mac    Lean    E.   When   Love   is   Done    (in   D), 

MS  — 25  n   Presser. 
Mac  Lean   Hector,  Phrynette,  gr.  valse  4/ — 

Reynolds. 
Mac  Lean  N.  W.  Howard,  Blessed  are  they 

that   do   His   Commandments,    SATB    — j^ 

Novello. 

-  Introductory   Voluntary      (Anglican   Orga- 

nist,  Book    11,   N.    146),    Org,      Vincent. 

-  March   in  F    (Anglican   Organist,   Book   20, 

N.  254),   Org,     Vincent. 

-  Postlude    (Anglican    Organist,    Book    8,    N. 

Ill),  Org,     Vincent. 
-Three   knights,   SATB   — /3    Novello. 
Mac    Lean    S.    K.    My    Ship's    Astray    — 30 

Jeytniiigs. 
Mac   Lean   W.   R.  J.  A  Dresden  Love  Story 

2/ —  n  Augener. 

-  Beautiful  land  of  sleep,  SATB  — /3  Novello. 
-Magic    Island    2/ — n    Augener. 

-One   Fair   Morn   in   May  2/ — n  Agate. 
-Sweet!   sweet!  sweet!   2/ — n  Agate. 
Mac   Leiian    H.  Estranged  — 35  Ditson. 

-  Sunflower   and   the  Violet  — 40   White. 

-  Thine  Eyes  still  shined  for  me  — 35  Ditson. 
■  Twilight   song,   P  — 40    Ditson. 

Mac   Lei  Ian   T.   C.  Adieu,  P  3/ —  Doremi. 
Mac   Lennan  J.   H.  Morning  Serenade  in  D, 

fifteenth   edition   — 40   Thompson. 
Mac    Leod,  Love's   token  4/ —  Ghappell. 

-  National  Rifles  Waltzes  ^75  Ellis. 

-  Pythian    Encampment    March   — 40    Ellis. 

-  Queen   of  my   heart  — 50   Ellis. 

-  Reel    and    Wooden    Shoe    Dance,      P    — 15 

Ellis. 

-  0,    lovely    as    the    Morning's   Dawn,    chorus 

for   men's   voices  — 05  n   Schirmer. 

-  Soldier's   Joi,   P  —10  Brainard,   WilUg. 

-  W'hen   peace   w^aves   her   olive   branch   over 

tlie   land   —35    Ellis. 
Mac    Leod    D.    B.      Kismetta    Waltz    — 40, 

Mand    —15,      MandP    —40     MandG    —40 

Ellis. 
Mac    Leod    Lady   of    (Baronne   Hanna   d'Et- 

tingshausen),    Impromptus,    P    7.50.    N.    1. 

Simple  pensee  1.50.  N.  2.  Une  plainte  1.50. 

N.   3.   Menuet   1.50.   N.   4.   Reverie  2—.   N. 

5.  Pressentiment  1.50.  N.  6.  Romance  sans 

paroles  2.50   Ricordi. 
Mac   Leod   Norman,  Daughters  of  Zion  4/ — 

Leonard,  — 50   Wood,  av.  H  4 —  Leonard. 


Mac  Leod  N.  Palace  of  Truth 


15     — 


Mac  Murray  J.  S.  Our  nice  young  girls 


-  Palace    of    Truth    —50    Wood,      with    P    & 

Org(II)    2,— n    Morley. 
Mac   Leod   P.  Scotland  yet,  scotch  song  — /2 

Slicard. 
Mac    Mahon    Barry,    Erin,    dear    Erin    2/ — 

Ascherherg. 

-  Mojor  O'   Flaherty  4/ —  Leonard. 

-  O'er  the  Blue  Atlantic  2/ —  Ascherlerg. 
Mac    Master    Georges,    op.    10    Gavotte    1  — 

Bevilacqita,    1 — n    Napoleao. 

-  20   Posthidium-Sortie,   Org   4/—   Laudy. 

-  27   Andante,   Org  4/ —  Landy. 

•  28   Musette,   Org   4/ —   Landy. 

-43   OfFertoire,   gr.    Org   av.   ped.   obi.    1.75  n 
Le  Beau. 

-  44   Marclie    Nuptiale,    gr.  Org    av.    ped.    obi. 

2 —  n   Le  Beau. 

-  45  Communion,  gr.  Org  av.  ped.  obi.   1.25  n 

Le  Bean. 
-46   Epithalame,  gr.  Org  av.   ped.   obi.    1.75  n 

Le  Beau. 

-  47    Pastorale,    gr.  Org    av.    ped.    obi.    2.50  n 

Lc  Bean. 

-  48    Grand    Choeur,    gr.  Org    av.    ped.    obi. 

2 —  n  Le  Beau. 

-  56  Petites  Improvisations,  gr.  Org  av.  ped. 

obi.    (H):    1.    Andante.    2.    Grand    Choeur. 
3.   Versets   de  procession.  4.   Offertoire.   5. 
Elevation.  6.  Final  3 — n  Le  Beau. 
-66   Andantino,   gv.Org   av.   ped.   obi.    1.25  n 
Le  Beau. 

-  67    Toccata,    gr.  Org    av.    p4d.    obi.    2.50  n 

Le  Beau. 

-  68   Praeludium,  gr.  Org  av.   p#d.  obi.    1—  n 

Le  Beau. 

-  69    Cantil&ne    pastorale,    gr.  Org    av.    p6d. 

obi.   1.50  n  Le  Bean. 
-70    Cortege,    gr.    Org    av.    p6d.    obi.    1.75  n 
Le  Beau. 

-  A  une  Etoile  1.70  n  Jullien. 

•  Antique  usage  1.35  n,  Ch.  s.  — 30  n  Socieic 

■  Ave  Maria,  2  voix  &g.  ou  SSTB  et  Orsr;'/^; 

- — 50  n   Le  Beau. 

-  Beatitude,   H    1 —  n   Mustel. 

-  Bouquets    et    Madrigaux,    maz.    2 —  n    Le- 

signe. 

■  Cantilfene-Pastorale,  gr.  Org  ped.  obi.  1.50  n 

Le  Beau. 

-  Cheval  de  bois,  polka  1.35  n  Lesigne. 

-  ChifFonnette  1 —  n,  Ch.  s.  — 35  n  Puigellier. 
-Comment    trouvez-vous    ga    1 — n,      Ch.  's. 

—35  n   Puigellier. 

-  6   Compositions,   gr.  Org   av.   p6d.   obi.    (op. 

43—48)    6— n  Le  Beau. 

-  Deux   Mferes   1.75  n,    Ch.   s.   — 30  n    Ronarl. 

-  Ecce    Panis     (en    fa),    2  voix    6g.    Org(P) 

— 50  n  Le  Beau. 

-  El^gie,  E  \—n  Mustel. 
-Gavotte   1.50  Guiniara.es. 
-Gavotte  d'antan   1.35  n  Jullien. 

-  6  Improvisations :  Andante,  gr.  choeur  etc. 

Org(H)   3 — n  Le  Beau. 
-Inviolata,   S(T)   et  Org(P)    1— n  Le  Beau. 
-Kiss-me-quick,    polka    1.70    Lesigne. 

-  Marche  nocturne,  H  1.35  n  Mustel. 

-  Medeah,   gr.   valse   2 —  n    Rouart. 

-  Menuet,   II    1.35  n   Mustel. 


(fr. 


Le 


-  Musette,    //    1 —  n    Mustel. 

-  Noce  villageoise,  77   1.75  n  Mustel. 

-  Notre  Pere,  ace.   P  ou   Harpe  et   Org 

angl.)    2 — n   Jullien. 

-  0    Salutaris,    SSTB    et    Org(P)    —75  n 

Beau. 

-  Pastorale,  gr.  Org,  p6d.  obi.  2.50  n  Le  Beau. 
-Pater  Noster  av.  P  et  Org  2 — n  Jullien. 
-Petites    Improvisations:      Andante,    Grand 

choeur  etc.  OrgfHJ   3 —  n  Le  Beau. 

-  6    Petites    improvisations    p.    1.    Offices    de 
I'Eglise,   H   3—n   Mustel. 

3  voix  d'hommes  — 50  n  Le  Beau. 
(nouv.    Comp.),    gr.  Org    av.    ped. 
66 — 70)    5 — n    Le    Beau. 
(Anglican   Organist,   Book   16,  N. 
201),   Org,     Vincent. 

-  Prelude,    pouvant    servir 

vation    ou   Communion, 
Costallat. 

-  Kgve   de  bal,  maz.   2 — n 


-  Pie  Jesu, 

-  5    Pi&ces 

obi.    (op 

-  Postlude 


d'Offertoire,    Ele- 
Org   ou    H    1.50  n 


Lesigne. 
Sanctus,  SSTB  et  Org(P)  1— n  Le 


J^ms 


Beau. 

2.50 


-  Steeple-Chase,      galop      2 —  n, 

Jullien. 

-  Sub    tuum,    S(Bar)    et    Org(P)    —75  n    Le 

Beau. 

-  Sur  I'eau   1 —  n,   Ch.  s.  — 30  n  Societe  nou- 

velle. 

-  Tantum  Ergo    (en  lab),  S  ou  T  ou  choeur 

fl   I'unisson,    Org(P)    — 50  n   Le    Beau. 
-Tantum   Ergo    (en   mib),   S  ou   T,   Org(P) 
— 75  n  Le  Beau. 

-  Terre  1.75  n  Le  Bean. 

-  5    Transcriptions,     gr.    Org    av.    p6d.    obi. 

6 —  n :  N.  1.  Chopin:  Marche  funfebre 
1.75  n.  N.  2.  Handel:  Fanfare  triom- 
phale  1.25  n.  N.  3.  W.  Goldner:  An- 
dante symphonique  2.50  n.  N.  4.  A.  Pi- 
lot: Marche  de  procession  2 —  n.  N.  5. 
C.  Thomas:  Marche  funebre  2.50  n  Le 
Beau. 

-  Trois  Roses,  maz.   1.75   Loret. 

-  Valse   au    champagne    1 —  n,    Ch.    s.   — 35  n 

Puigellier. 

-  Wedding  March,   Org  — 60  J.  Fischer. 

-  Zarifah,    valse   2— n    Societe   nouvelle. 
Mac    Meikan,     Menuet    Valsant    4/ —    Will- 
cocks. 

Mac  Miliar)  J.  Agnetta,  schottische  1/3  n 
Allan   Mozart. 

-  Glimpses   of   Heidelberg,   waltz    1/8  n   Allan 

Mozart. 

-  Unter  friihlichen  Menschen    (Merry  Folks), 

waltz   1/8  n  Allan  Mozart. 
Mac  Murdie   Henry  G.  Benedictus  qui  venit 

and    Agnus    Dei   — '4    Novello. 
Mac  Murdie  J.  A  juvenile  preceptor  for  the 

P  4/ —  Ashdown. 
-Who    is   the   King   of   Glory,   8ATB   — /l'/, 

'Novello. 
Mac  Murray,  Organ  Queen  March  — 10  Nat. 

Music  Co. 

-  Poutiac  March  — 10  National  Music  Co. 

Mac  Murray  J.  S.  Kiss  &  whisper  swe3t 
good-night,   song   &   chorus   — 35    White. 

-Little  Alice,  song  &  chor.  —35   Gordon. 

-Our  nice  young  girls,  song  &  chorus  — 40 
White. 


Mac  Murray  J.  S.  Pretty  little  Mina 


16 


Macak  A.  Der  Verirrte  im  Walde 


-  Pretty    little    Mina,     song    &    chor.     with 

dance,   with    0   ace.   2VVaBCornetTroFlCl, 
song  — 30,  0  — 25  Gordon. 

-  Queenie,   waltz   song  — 40   White. 

Mac  Nab,  Chansons  du  Chat-Noir  6— n :  N. 
1.  L'Expulsion.  2.  Le  Banquet  des  Mai- 
res.  3.  Le  Bal  de  I'HOtel  de  Ville.  4.  Co- 
quin  d'Populo.  5.  Les  Souvenirs  du  Po- 
pulo.  6.  Le  grand  Meeting  du  M6tropoli- 
tain.  7.  L'Electeur  embarrass^.  8.  La 
Marche  des  scolaires.  9.  Le  Pendu.  10. 
Complainte  du  bon  saint  Labre.  11.  Une 
pleine  eau.     12.  Vae  soli !  a  3 —  Heugel. 

-  Lion    de   la   menagerie    1 —  n,    Ch.  s.   — 30  n 

Societe   nonvcUe. 

-  Nouvelles    Chansons    du    Chat-Noir    6 — n: 

N.    13.   L'Omnibus    de   la    Prefecture.      14. 

Elle     a     son     brevet     supSrieur.      15.    Les 

Poeles    mobiles.      16.    Plus    de    cors!       17. 

Les  Foetus.     18.  L'Ange  et  I'Enfant.     19. 

Les    Culs-de-jatte.      20.    A    Fontainebleau. 

21.    Simple    Chanson   du    Capuein.      22.   Le 

Cheveu   de   Charlemagne.     23.   Suicides  en 

partie  double.     24.  Le  Mastroquet  de  Su- 

resnes,  il  3 — -  Hciigel. 
Mac  Nab,    Mac    Duff,    Mc.    Pherson    and    me 

2/ —  n  Sheard. 
Mac    Nair    llgenfritz    B.    Sweetheart    I   wait 

thee   Lere  — 35   Ditson. 
Mac    Namara    W.    and    J.      Autumn,    waltz 

2/ —  Asvherhery. 
Mac  Naught  W.  G.  Novella:  Abbey  chimes, 

^ATB,   Ch.  s.  — /I- 

-  Abbey   Chimes    (N  o  v  e  1 1  o's  School   Songs. 

N.  658,  in  book  117)   —/I. 

-  Graduated    Exercises     for    School     Classes, 

staff   notation    (movable   doh)    — /6,   ditto, 
tonic  sol-fa  — /6. 

-  Flints   on   Choir   Training   for   Competition, 

reprinted,  with  additions,  from  the  „School 
Music  Review"  — /6. 

-  School  Sight-Singing  Reader,  staff  notation 

(movable  doh),  elementary  grade  — 6,  in- 
termediate grade  — /6. 

-  School   Songs :    See  under   the  authors. 

-  Sight-Singing  Studies,   staff  notation    (mo- 

vable doh),  3  books  a  — /4. 
Ye  banks  and  braes,   8ATB,  Ch.  s.  — /!• 
Mac  Naughton  J.   H.  All  hushed  is  the  cho- 
rus, song  &  chor.  — 35  Ditson. 

-  -Vll  is  dark  where  thou  art  not  — 25  Brai- 

nard. 

-  Belle  Mahone  — /2    Ashdotcn,   Broome,   3' — 

Pit  man. 

-  Faded    Coat    of    Blue   — /2    Sheard. 

-  Goldfinch,   polka-maz.   — 25    Brainard. 

-  Hermelin,    M8(Bar)    — 25    Brainard. 

-  Lillian  Lee,  song  &  chor.  — 35   Ditson. 

-  Little  gray  bird  — 35   Ditson. 

-  Lottie  Lane,  .song  &  chor.  — 35   Ditson. 

-  O  ask  me  not,  MSfBar ). 

-  Rocket,   schottLsche,   P  — 35   Ellis. 

-  What  doe-s  little  birdie  say  — 35  Ditson. 

-  When    there's   love   at   home   — /2    Broome, 

— 35  Ditson. 
Mac  Neal,  T  wandered  to  the  hillside,  John 

—35  White. 
Mac   Neal   W.  A.  Old  man  of  the  mountain 

— 35   Ditson. 


to-night,    song   &   chor. 
-50  Brai- 


A   child   is 

duet    (with 
rock   away) 


-  Samebody's    happy 

— -35   Ditson. 
Mac  Neil  G.  Ice-bridge,  quadrille 

nard. 
Mac    Phail    Bros.    Songs    of    Saving   Power, 

for  Revivals  &  Sunday,  school  use  — 75  n, 

per  dozen  3.60  Sutn^ny. 
Mac    Phail    M.    L.     Children's   Prayer,   song 

w.  chorus    1/ —  Curicen. 

-  Mingo  March  — 30  Thompson. 

-  Toronto   Waltz   — 30   Thompson. 
Mac    Pherson.   Echo   Music   Co.: 

born,  chorus  anthem  — 12. 

-  Come,   see  the  place,  chorus  & 

K  i  n  s  e  y's    Angels,    roll    the 
—12. 

-  Great      defender,      patriot.      SATB      (with 

Towne's   Spirit   of   Washington)    — 15. 

-  I   was   glad,    anthem,    8vo   — 06  n. 

-  Not    ashamed,    sacred    chor.    with    obi.    solo 

—06  n. 

-  O   Give  Tluiuks,   chorus   anthem  — 06  n. 

-  O  Taste  and   See,   hymn  anthem  — 06  n. 

-  Resurrection,     choir      (with     M  c.     G  r  a  n- 

n  a  h  a  m's     Morning     breaks      upon      the 
gloom)    — 12. 

-  Risen    Lord,    duet    chant    &    chorus     (with 

Emerson's   Sing,    0    Earth)    —12. 

-  Voice  of  Joy,  chorus  with  B-s.   (with  K  i  n- 

s  e  y's  Consider)   — 06  n. 
Mac    Pherson    R.    Pretoria,    waltz,   P   2/ — n 

Vincent. 
Mac   Pherson    &   Smith,    Miss   Elegant  —.50 

National  Music  Co. 
Mac    Pherson,    Smith    &    Bowman,      Good 

Morning    Carrie    —50    A' at.    Music    Co. 
Mac  Phie,  Fayette,  galop  —35  Ellis. 
Mac    Quown    W.    R.      Ave    Maria    (Gently, 

Lord)   — 35  Ditson. 

-  Bury   me    under    the    willow,    song   &   chor. 

—40   Ellis. 

-  Cadet's  March,  P  —35  Ellis. 

-  Creole  serenade,   with   G  — 35   White. 

-  Memory's   magic  spell   — 35    White. 

-  O    Salutaris :    Prince    of    peace    control    my 

will  —30   Ditson. 

-  Roses,   sweet  roses  are   dying,   song  &  cho- 

rus —35  White. 

-  Sleep    on,    sleep    on,    song    &    chorus    — 40 

Ellis. 

-  Those    witching    eyes   — 35    White. 

Mac  Sweeny  &  Smith,  Close  dat  eye  ^50, 
(Male  Quartet)    — 25   Vandersloot. 

Mac  Wade,  Sing  me  a  sweet  low  song,  duet 
— 25  Mc.  Kinley. 

Mac  Watters  A.  J.  Man  to  lead  the  army  is 
General  Fitzhugh  Lee  —50  Nat.  Music  Co. 

-  Sweet  Jennie  Loraine  — 50  Nat.  Music  Co. 

-  We'll  meet  again  some  day  — 50  Nat.   Mu- 

sic Co. 
Mac    Williams,    Grandfather's   staff,   song  & 

chorus  — 35  White. 
Macak  A.  op.  25  Liebessehusucht  in  den  Al- 

pen,  Fantasie,  P   (J.  E.  Hummel)    1.80, 

mO    m.    Doppelecho     (2  Fliigelhorner    und 

Horn-Quartett)    3.60  n   Porges. 
■  Der   Verirrte  ira  Walde,   CharakterstUck  f. 

Fliigelhorn,  Echo-Quartett  u.  0,  und  Jos. 

S  t  r  a  u  fi  :  Stfindchen  f.  0  3—  n  Hoffmann. 


Macak  A.  Krdskdm  x  Granady 


—     17 


Maccabe  F.  Troubadour 


-  KiSskSm     z     Granady,     valcik      (L.     P  r  o- 

chazka)    2 —  Springer. 

-  Priivod    ku    cvicenim    prostnym    IV.    sleUi 

sokolskeho  1901,  P  1.60,  MM  4—  Springer. 

-  Efizim  polabsk.i?m,  polka -mazurka  — 60  Ur- 

hdnek. 

-  V   zati§i  Postynsk^ni,  maz.  — 80   Starf. 

Macaluso    E.   op.   62  Aida,   ilhistrazione   sul 
Preludio,   /'   1.75  n  Bicordi. 

-  Addio  di  Miceli,  concerto,  P  1.50  n  Cottratt. 
-Concerto     suH'addio     di     Miceli,     P     1.50  n 

Cottran. 


P 


Jouhert. 


50 


1 .50  n 


15.    No 


I.  1.  Ticha  noc. 
Vdovec.   Part  a 


-  Echo    des    coeurs,    ga\  otte, 

-  Ella  Stornello  3 —  Pisa  no. 

-  Marie-Louise,    valse    symphonique, 

Joiiberf. 

-  Sulle   quinte,    valzer    di    concerto,    P 

Cottrau. 
-Una     notte     d'ainore,     melodia,     P     1.50  n 

Cottrau. 
Macan   E.   N.  Graduale    (Ecce  sacerdos),  8 A. 

TB   &   Org   2.25   Procure. 
Macan     K.     Em.    Amarus     (V  r  c  li  1  i  c  k  yj, 

mel.  hudba,   P  2.40   Urhu»ek. 

-  2  Mazurky.  P  2—  Vrbanek. 

■  Mlada  iSska,  5  pisni  2—  M.  Urbdnek. 

■  -A  Momentky,   P   1—  Otto. 

-  15  Pisnf:  I.  1.  S  Panem  Bohem.  2.  Dobrou 

noc.  3.  Az  pfejde  den.  4.  Vyznani.  5. 
Mame  se  radi  3—.  II.  6.  Modlitba.  7. 
Vzdor.  8.  Trava.  9.  Hrob  3—.  III.  11. 
Pfed  svatbou.  12.  Kytice.  13.  Hlasem 
zvonku.  14.  Za  trochu  iSsky 
trochu   lAsky  Jen  4 —   Urbdnek. 

-  5  PLsni  3 —   Urbdnek. 

-  Sbory  pro  4  zenske  hlasy : 

2.   Chuda    divcina.      II.   5. 

hlasy  a   2 —  Urbdnek. 
-U  Kolebky,  P  1—  Otto. 
Macari   A.  Ave  Maria,  chant  av.   YOrg   1.70 

Marokij. 

-  Nice-Marche  5 —  Delrieit. 

-  Egve  de  I'Exile,  elegie  3 —  DeJrieu. 
-Sous  les  Grangers,  polka   1 — n  Decourcellc. 

-  Un    amour    dans    la    vallee    — 85  n    Decour- 

celle. 
Macario   S.   Devagarinho,   polka    ] —   Guima- 
riua. 

-  Seja   o 

-  A'amos 

Macarons 

Ondel. 

Macarthy  D.  J.  White:  I  am  leaving  thee, 
Erin,  song  &  chorus  — 35. 

-  I   was  sighing  in  my  sleep,   song  &  chorus 

—35. 

-  Josephina    Gay,    song   &   dance   — 35. 

-  Tlie  loved  ones  at  home,  song  &  chor.  — 40. 

-  I'nder   a   Burning  Sun  3/ —  Ascherberg. 

Macbens  I.  Un'ora  .sola,  20  Maggio,  ro- 
maiiza    1.50   Ricordi. 

Macbeth  Allan,  op.  22  Forget  me  not  (Ver- 
gifimeinnicht) ,  intermezzo,  P  — 35,  -'/o^s 
—.50,  Org  —50.  VP  —50,  2YP  —75,  mO 
1.50,  P  —AO  Dilson,  1.80  Bosworth,  —75 
Elkan,  Warmuth,  ^ms  2 —  Bos^uorth,  1  — 
Elkan,  PV  —40   Willig,   0  2—  Bosworth, 

Uuiversal-Handbucb  der  Musikliteratur.    M. 


que   for,   polka    1 —  Bevilacqua. 
ver  is  so,  polka   1 —  Guimaraes. 
de    Dijon    1.35  n,     Vh.    s.     — 30  n 


&     G.     Pi  erne:     Serenade),     stO     parts 
— 75  n,  P  part  — 30  n  Fischer. 

-  25  Barcarolle,  P  4/ —  Augener. 

-26  3  Fourpart  songs,  SATB  1/— n  Auge- 
ner. 

■  An  ivy  Song  4/ —  Sican. 

-  Ballet  de  la  cour,  P  4/ —  Swan. 

-  Berceuse,   P  4/ —  Swan. 
-Betty   Bourke   2/ — n    Vincent. 

-6  char.  Pieces,  P :  1.  Spinning  song.  2. 
Soldiers  march.  3.  Little  Blues  Eyes.  4. 
Gavotte.  5.  Tarantella.  6.  Rondino,  a  3/-— 
Ascherberg. 

-  Den   gamla   goda    tiden,    P   — 75    Gehrman. 

-  Flowers   of   Summer,   4-part  song   from   op. 

26  — /6  n  Augener. 

■  Forget  me  not,  intermezzo.  Full  Ba^id  2,8. 

Med.   Band  2/ — ,   Small  Band   14   Iluwkes. 

-  Gwendoline   Rigadoon,   P   2 —   Wickins. 

-  Heigh-ho !    4-part    song   from    op.    26   — /6  n 

Augener. 

-  Hornpipe,   P  4/ —  Ashdown. 

-  Humoreske.   P  4/ —  Swan. 

-  Hush,     my     dear,     lie    still     and     slumber, 

cradle  song  2/ —  n  Augener. 

-  Jeanette  4/ —  Sican. 

-  Land  of  Glory  2, —  Curwen. 

-  Locke's  music  — ,6  Kohler. 

-  Love  in  Idleness,  serenata,  P  — 75  Fischer, 

Gehrman ,  mO  1 —  Fischer,  P  — 75,  Jfins 
1- ,  Mand  —50,  VP,  FIP  h  ]— ,  MandP 
1—,  2Mand  —75,  2MandP  1.25,  MandG 
—75.  2 MandG  1—,  MandGP  1.25,  2Maud 
GP  1.50,  2MandMa  1—,  2MandMaG  1.25, 
2MandMaP  1.50,  2MandMaGP  1.75,  0  (K. 
M  ii  1 1  e  r  -  B  e  r  g  h  a  u  s) ,  Part,  St  1.50  n, 
sO  — 75  n,  stO  1 —  n  Zimmermann,  a. 
L  a  u  r  e  n  d  e  a  u  :  Bewitching  Beauty  ; 
FullO  1.25,  1^  Instr  1—,  10  Instr  —80,  P 
ace.  — 30  Fischer. 

-  Marche   festale,   -ims  4/ —  Swan. 

-My  hearth,  my  heart  it  sorrows  2/ — n  Au- 
gener. 

-  Over   the  hills,   mix.   v.   — /2   Curwen. 
•  Recollection,  P  4/ —  Sivan. 

-  Rigadoon,   /-•  4 —   Dean,  2 —  Patey. 

-  Then  a  Ho  and  a  Hip !  4-part  song  from  ojj. 

26  — /6  n   Augener. 

-  Under  the  lindens,  mix.  v.  — /2   Curwen. 

■  Valsette    4/ —    Ashdown. 

-  Waiting   Still   4/ —   Weekes. 

-  Woodland    Wanderings,    6    two-part    songs 

1/ —  n,  si  — /4  Forsyth. 

-  Ye  little  birds  — J2  Curwen. 

Maccabe   F.     Chuppell:     An  obstinate  Man 

4/ —   Ascherberg. 

-  Cease    thy    reposing    4,' — . 

-  Fascinating    Fellow    3/ —   Ascherberg. 

-  Fluttering  on   the  line  4/—. 

-  Lady,   rise  4/—-. 

-  My   Galloping   Horse    3/ —   Ascherberg. 

-  My   heart's   delight  — 25    Brainard. 

-  Oh  !    happy   days   of   youth    4 — . 

-  Patent   medicines   4/—   Ascherberg. 

-  Radiant  .stars  4/ — . 

-  Sailing  of  the  ship  3/ — . 

-  Troubadour,  waltz  4/—,  FvllO  2/—  n,  Sept. 

1/ — n,   sep.   parts  — /3  n. 

2 


Maccabe  F.  Truth  will  prevail 


—     18 


Macey  A.  Coronatiofi  Album 


-  Truth    will    prevail     (A    Temperance    Mar- 

seillaise)   4/ — . 

-  \1ieave   oh!    3/ —  Ashdowv. 
Maccarone    M.   Notturno,   P   3 —   Pisano. 

Macchi  G.  Ricordi:  Ave  Maria,  eon  PVc 
3—. 

-  Brasera,  mazurka,  -'ims  2.25. 

-  Souvenir    du    Lac    Majeur,    Constance,      P 

3—. 

-  Sulle   rive   di   Quassa,    notturno,    P   3.50. 

- 1,  n    Fiore    ed   una   Lagrima,    romanza    3 — . 

Macchi    M.    Felicitazioni,    P    1.25    Ricordi. 

Macchi  M.  de,  Pieno  il  Cor  di  Visione,  ro- 
mance sans  paroles,  MandH  (av.  2Mand 
ad  lib.)    2.25  n  Pisa. 

Maccia  L.  Messa  per  Org  5 — u  Jilartinenghi. 

Macdermott    G.    H.   There's   onlj^   one   in    it. 
that's    me!    3 —    Ascherherg,    — 50    Brai 
nard. 

-W'\i\   part   with    Jumbo   4/ —   Ascherherg. 

Macdermott's  Comic  Song  Album,  I — 11 
i  —  Ascherherg. 

Macdermott  T.  H.  Grant  us  Thy  peace  2/ — 
Xorello. 

-Hear  my  Prayer  (Set  to  Bach's  Prelude 
N.  36)."  .'^^  2  —  Xorello. 

Macdona  C.  Fireman's,  polka  2  —  n  Jef- 
feri/s. 

Macdonald  A.  T.  3  Waltzes  (Imitation  of 
a    musital    snuff-box)    1/ —  Aslidoiot. 

Macdonald  Addy,  Reverie,  VP  4 —  Chap- 
peU. 

Macdonald  Bell.  M'eekes:  A  merry  Roun- 
delay, P  3, — . 

-  Andante  and  Allegro  in  C,  P  4,^ — . 

-  Harvest   Home   j\Iarch   4/ — . 

-  Heather    Bloom,   P   3/—. 

-  1   prithee   send   me   Back   my  Heart   4 — . 

-  Sketches    (2   easy)    in   G,   p'  2/6. 
Macdonald    E.    J.    IJdivkes:    Air    varie,    CIP 

1  (i. 

-American   Air   varie,   CIP   1/6. 

-  Blue  Bells  of  Scotland,  CIP  1,6. 

-  British   Army   Airs,   fant.   CIP   1,6. 

-  British   Navy  Airs,   fant.   CIP   1/6. 

-  Coming  thro'   the   Rye,    CIP    1/6. 

-  Coursers   Galop,   FullO  — 75,   SmallO  — 50. 

-  English   airs,   fant.   CIP   1  6. 

-  Gipsy    Girl,    march,    Fvll    Band    2,8,    Med. 

Band  2/—,   Small  Band   1/4. 

-  Irish    Melodies,   fant.    CIP    1/6. 

-  Keel   Row,   air  varie,   CIP   1/6. 

-  Scotch   Airs,   fant.   CIP   1/6. 

-  Song  of  Hope  4/ — . 

-  Sweet   Rostrevor   4/ —   Weekes. 
-Turf   Galop   4 —   Ascherherg. 
-Welsh    Melodies,    fant.    C7P    1,6. 
Macdonald  Fr.  Annie  4,—  Keith. 

Macdonald    G.      0'    Carolan's    Lament,     //(/ 

2  —  n    Vincenl. 

Macdonald    Ino    D.      Naval    Brigade    March 

4/—  ^yiPkes. 

Macdonald  Keith  Norman,  Skye  collection 
of  Reels,  YP,  6  books  k  2/—  n  Paterson. 

Macdonald  Lady,  After  all  these  years  2  — 
Booseg. 

-  In   the  twilight  4,/—  Chappell. 


Macdonald   P.   Magnificat   and   Nunc  Dimit- 

lis  — /4  n   Vincent. 
Macdonald    P.    C.    Lass    of    Richmond    Hill, 

ATTB  — /3    Weekes. 
Macdonald    R.    H.  Novello:   Diamonds    (N  o- 

vello's    School    Songs    N.    652)    — /P/,. 

-  Fairy  Book  —  1. 

-  North-West   Passage   — /2. 

-  Swing  — /I. 

-  Unison    Songs    for    Juniors   — /6,    or    sepa- 

rately:  The  Moon  — ,1,  Where  go  the 
boats  — /I,  My  bed  is  a  boat  — /I,  Pirate 
Story   —iVj„   The    Lamplighter    —  l'/-,. 

-  Will  "you    walk   a   little   faster  — /2. 

-  Wynken,   Blynken,  &   Nod  —/I. 

-  Young    night    thought    — /I. 
Macdonald    The    Hon     Lady,    Home    Again 

4 —   ^Yeekes. 

Macdonnell  H.  Graces  (befor  &  after  din- 
ner) &  musical  cheers,  TTBB  — /3  n  Aii- 
gener. 

Macdonough  Thomas  W.  Magnificat  &  Nunc 
dimittis    (in    B  flat)    — /6    Novello. 

Macdougall  W.  J.  The  happy  release,  walt- 
zes 4/ —  Ashdoicn. 

-  Though  Lost  to  Sight,  /(.   V  obi.  —60  Dit- 

SOH. 

Macduff    W.    A.      Benedicite    Omnia. 

opera   — /P/.  Ahhoit. 

-  There    is  a    River   — ,3    Ahbott. 

Macenka  T.  a)  Julie,  tfasak;  h)  Milostenka, 

maz.   0   1.30  Kiirz. 
Macedo,   op.   14  Larmes   d'un  Ange,   P  ■ — 10 

tiassetti. 
•  Botao  de  Rosa,  polka   1 —  Guimara.es. 

-  Coimbra,   j^olka    — 24   Sassefti. 
Maceovich    Alb.    P.     F.    von,      Abendstern, 

Polka -Mazurka,    P    — 90    Bosicorth. 
Macet  A.  Nelly,   valse  2 — n  Brahy. 

Macey   Alan.     Broome:     A  I   at   Lloyd's,   P 

-/2. 
-American    airs:     Including.    Old    Folks    at 

Home.    Star    Spangled    Banner.    Mocking 

Bird,    and    Washington    Post    March,    ^'P 

(MandP)   — /2. 

-  Archie's    Albums    for    1 

a  —6. 

-  Au   Revoir,  gavotte  — /2. 
-Candlelight,  P  — /2. 

-Cinderella  Album,  contains:  Maid-of- All- 
Work,  waltz.  Baron  and  Baroness,  barn 
dance.  Ugly  Sisters,  mazurka.  Fairy  God- 
mother, waltz.  Off  to  the  Ball,  galop. 
Prince  Charming,  polka.  Cinderella,  court 
dance.  Twelve  O'clock,  schottische.  Glass 
Slipper,  waltz.  The  Marriage,  gr.  march 
— /6. 

-  Coon's  Angel  — /2. 

-  Coon's  Revels,   P  —  2. 

-  Coon's   Wedding   — /2. 

-  Coon's  wedding,   with  Banjo  — /2. 
-Coronation      Album,      contains:      Accssion, 

march.  Long  live  the  King!  March.  Es- 
cort, quick  march.  To  the  Abbey,  march. 
Processional,  march.  Ceremonial,  march. 
Crowning  of  the  King,  march.  March  of 
Rejoicing,  march.  Foreign  Potentates, 
march.   Festivities,   march  — /6. 


&   Mand.    N.    1- 


Macey  A.  Cracker  Dance 


—     19    — 


Macey  A.  The  Dolly  that  didn't  grow 


-  Cracker  Dance,   P  — /2. 

-  Daffy  downdilly,   P  — ,2. 

-  Dauoe  of  the  Fiends,  grotesque  march  — ^/2, 

4?"s  — /4. 

-Daybreak  (Intermezzo-Serenade),  P  — /2, 
v'(Ma)idJP  — /2. 

-De   Belle   o'   Baltimore  — ,2. 

-Dick  Whittington :  Journey  to  London, 
march.  The  Scoldlag  Cook,  solo.  Whit- 
tington and  Alice,  mazurka.  Rats  and 
Mice,  schottische.  Dick  and  His  Cat, 
waltz.  Turn  Again,  Whittington,  solo. 
Over  the  Sea,  barn  dance.  King  and 
Queen,  court  dance.  Wedding  Morn,  polka. 
London   Town,   grand  march   — /6. 

-Dignity    Gavotte    — /2,    easy    ed.    — /2 
4/-.  ' 

-  Dollv's   Birthday,   lullaby   song  — /2. 

-  Egypta,  /'  — /2; 
-English  Airs:    Including.   My  Pretty 

Sally  in  our  Alley.  I  dreamt  that  I 
in  Marble  Halls,  and  Home,  sweet 
VP(MandP)   —12.. 

-  Fashionable   Soiree   at  the   Zoo  — /2. 

-  Festival,   P  —2. 

-  Fishing   —  2. 

-  Flag  we  love  — 72. 

-  Friends  Lancers  — /2. 

-  Going  to  Table  Bay,  patriot,  descript.  fant. 

P  2/— n. 

-  Harum   Scaruni,   galop  — ,2. 

-  Her  Secret  — 2. 

-His   Majesty,  court  dance,   P 

-  Hottentot's  Cocoa  Nut  Dance 

-  T  loves  "er  all  the  more  — /2. 

-  1  want  my  mammy  — ,2. 

-  ]    want     to     be    somebody's     darling 

^heard. 
-Impudence,    schottische    — 2 


J/IUS 


Jane. 

dwelt 

Home, 


— /-. 
P  -12. 


J/nts 


(Mand)P    — /4,    0    1/C  n,    .sept.    1/ 


-/4, 
-  u. 


-  Invaders,  march 


-/- 


-Iiish  Airs:  The  Last  Eose  of  Summer.  Tlie 
Harp  that  Once.  Rory  O'More,  and  The 
Minstrel    Boy,    VP   or    MundP   — 2. 

-  I  V  y's    P    Albums :    Dignity,    gavotte.    Pan- 

tomime, grand  march.  Castagnet,  serpen- 
tine dance.  Rocking  Horse,  quick  march. 
Little  Sweethearts,  song.  Innocence,  ma- 
zurka. The  Romp,  schottische.  Invitation, 
waltz.  Fairv  Gambols,  duet,  weird  dance 
-/6. 
-Ivy's  P  Albums:  Dog  in  the  Manger, 
waltz.  Wind  and  the  Sun,  march.  Wolf 
and  the  Lamb,  gavotte.  Fox  and  the  Gra- 
pes, waltz.  Hare  and  the  Tortoise,  inter- 
mezzo. Wasp  in  the  Honey-Pot,  polka. 
Cat  and  the  Mice,  waltz.  Mischievous  Dog, 
schottische.  Lark  and  her  Young  Ones, 
polka.   Slepp   on,   lullaby   song  — /6. 

-  I  v  y's    P    Albums  :    Impudence,    schottische. 

Magic  Lantern,  mazurka.  Blind  Man's 
Buft,  polka.  Lucky  Sixpence,  gavotte. 
Dolly's  Birthday,  song.  Honeysuckle,  in- 
termezzo. Tabby  Kitten,  waltz.  Like  1 
o'clock,  schottische.  Scrap  Book,  waltz. 
The  Hottentots,  solo  — ,6. 
- 1  V  y'.s  P  Albums:  Play  it  again,  waltz. 
Frivolity,   schottische.   The   Rolling   Stone, 


Modesty,   gavotte 
Moonlight  on 


P   — /2. 


VfMandJP  — /4. 
— /2,  w.  Banjo  — 2. 


boys  — /2. 


ace. 


0 


quick  march.  Cigarette  Dance,  solo.  Cast- 
les in  the  Air,  waltz.  The  Rivals,  gavotte. 
The  Ladder  of  Life,  song.  Heigho!  polka. 
May   Queen,    waltz.    Fairy   Tale,   mazurka 

-/6. 

Jack  Ashore,  P  — /2. 
Jollification,  P  — /2. 
Launch  of  the  Battleship,  P  — /2. 
Love  for  an  hour  — /2. 
Majestic  March  — ,2. 
Mary   May,   waltz  — /2 
Meadowland,   pastoral. 
Messmate  Tom  — /2. 
Midnight  Revels    (Pas  de  Cat),  P 
Mirror  Dance,  P  — /2. 
Mischief,  P  —/2. 

/2, 
the  Floor 
Motor    car    marriage   — ,2. 
Myrtle  Gavotte  — /2. 
New  Der  Styrien,  P  — /2. 
0'  Donovan's  Vow  — '2. 
Old   England's  on  our  lee. 
Once  More,  waltz  — /2. 
Over  the  Ice,  P  with  bell 
Flay    it    again,    waltz    — /2,     ^ms    — /4, 

1/6  n,   sept.    1/ —  n,   sep.   parts  — /2. 
Rigmarole  Quadrilles  — /2. 
Robinson    Crusoe-Album :    Good-bye    to   Old 

England,  waltz.  Stormy  Ocean,  polka.  Tlie 

Wreck,   solo.   The   Homestead,    schottische. 

Footprints    in    the    Sand,    march.    Crusoe. 

barn  dance.  Friday,  song  and  dance.  War 

dance,    solo.    Building   the   Boat,   mazurka. 

Nearing  Home,  grand  march  — /6. 

Scotch  Airs:  Auld  Robin  Gray.  Annie  Lau- 
rie. Robin  Adair,  and  The  Campbells  are 
Coming,    VP   or   MandP  — /2. 

Scotland  Fantasia,  P  — /2. 

Side  by  Side,  march  — /2. 

Singing  Barn  Dance  • — /2. 

Skipping  Rope  Dance,  P  — /2. 

Stepping   Stones,   two-step,    P   — ,2. 

Sunday  Album  II :  Sabbath  Chimes,  solo. 
In  the  Sanctuary,  interlude.  Harvest 
Hymn,  solo.  Congregational  March,  solo. 
The  Good-Night  Prayer,  song.  The  Holy 
Vision,  song.  Our  Saviour,  song.  Heaven- 
ward March,  solo.  Before  the  Shrine,  solo. 
Paradise.    Andante   Religioso,    solo   — /6. 

Sunday  Album  III :  Peace  and  Righteous- 
ness, solo.  Rejoice,  jubilate.  Celestial 
Echoes,  rhapsody.  In  Praise  of  Thee, 
march.  The  Father's  Love,  hymn.  Eternal 
King,  adoration.  In  Green  Pastures,  me- 
lody. Holy  Thoughts,  reverie.  Sabbath 
Days,   solo.   Zionward,   march  — /6. 

Sunday  Album  IV :  Cathedral  Voices,  song. 
Triumphal,  march.  Hymn  of  Praise,  solo. 
A  Child's  Prayer,  solo.  Portuguese  Hymn, 
solo.  Recessional,  march.  Diamond  Jubilt-e 
Hymn  (with  words).  A  Morning  Hymn, 
solo.  An  Evening  Hymn,  solo. 
Whispers,   solo  — /6. 

Tarantelle  in  D,  P  — /2. 

Tgte-a-Tete,  P  — /2. 

The  Circus,  galop  — /2. 

The  Dolly  that  didn't  grow  — /2. 

2* 


Angel's 


Macey  A.  Tokio 


20    — 


Macfarren  G.  A.  Beautiful  May 


G  a  1 1  e  u  b  e  r  g's    bal- 


-  Tckio    (Japanese  Dance),  P  — /2. 

-  Two  little  Girls  in  Blue,  waltz  — /2. 

-  Vagabond  King,  Bar  — -12. 

-Wait  a  Minute    (Berlin  Polka)   — /2. 

-  Wait  for   me  — /2. 

-  Wake  up,  Darkies  — /2,  w.  Banjo  — /2. 
-Welsh    Airs:    Cader    Idris    (Jenny    Jones). 

Ap.  Shenkin.  Bells  of  Aberdovey,  and 
Men  of  Harlech,  VP  or  MandP  — /2. 

-  Whisper  the  old  sweet  name  — 2. 

-  You    can    buy    them    for    a  penny    in    the 

street  — /2. 

Macey  J.  C.  Loving  eyes  of  violet  blue  — ,2 

Shertrd. 
Macey  J.  D.  2  Christmas  Carols:  While  the 

shepherds   kept   their    vigil ;    and,    O   little 

town   of   Bethlehem  — /2   NoveUo. 
Macfarlane  D.  H.  Peace  or  war?  song  2 — n 

I'icordi. 
Macfarlane   G.   Ashdoini:   Op.   35   Le   bijou, 

premier      divertimento     of     M  a  y  s  e  d  e  r, 

CornetP   4/—. 
-Adelaide,    Beethoven's    cantata,    Cornel 

P  4/—. 

-  ;>    Bagatelles,   invitation    pour   la    valse,   of 

Clinton,   CornetP  a  3/ — -. 

-  Grand    March    from 

let   „Alfred",    CornetP   2/G. 

-  Hilarite,  petite  fant.  sur  „L'Invitation  pour 

la   valse",  CornetP  3/—. 
-La  Duvernay,  petite  fant.  on  the  Cachuclia, 

CornetP   3 —. 
•  La   rage  des  Parisiens,  petite   fant.  on  the 

Duke  of  Reichstadt's  waltz,  CornetP  3/—. 

-  Le  Charme  de  Padua,  divertimento  of  P  a- 

g  a  u  i  n  i,    CornetP   4/ — . 

-  Les    Inseparables,    CornetP    (Vc    ad    lib.)  : 

N.  1.  Divertissement  sur  La  sentinelle 
perdue  6/ — .  N.  2.  Fautaisie  sur  Corra- 
dino    7/ — . 

-  Maria's    cares    are    o'er,    cantata    of    V  a  n 

B  r  e  e,  transcr.   CornetP  2/6. 
-National  Airs   (engl.,  danish,  russian),  Cor- 
netP  2/6. 

-  Souvenir   a   Schonbrunn,   coronation   marcli 

of  C  z  e  r  n  y,   CornetP  2/ — . 

-  Souvenir   d'une  vSoiree,   6  foreign  melodies, 

CornetP  a  3/—:  N.  1.  Schubert:  La 
till'  du  pecheur.  2.  Weber:  Air  from 
Freischiitz.  3.  Labitzky:  Th&me.  4. 
Bellini:  Vaga  Luna.  5.  Schubert: 
I  heard  a  streamlet  gushing.  6.  Keller: 
Land  of  my  dearest,  et<*. 

-  Souvenir  de  Zampa,  CornetP  3/ — . 

Macfarlane    J.    H.    Eventide    3 —    A^hdoun. 

-  Shadows     (My    heart    is    heavy)     3/ —    A-ih- 

doiru. 
Macfarlane    M.    R.   Auf   Wiederseh'n    (We'll 

meet   again)    — /2   Sheard. 
Macfarlane  Thos.  In  the  frozen  Arctic  Sea 

3/—    Chappell. 

-  My  hawk   is  tired  of  perch   and   hood   4' — 

Chappell. 
Macfarlane  and  Kuhlau,  Un  Bouquet  de 
trois  Hoses,  3  duos  elegans,  CornetP:  1. 
Cavatine  du  Pirate.  2.  Melodic  nationaie 
-Autrichienne,  3.  Thfeme  favorit,  a  5  — 
Ashdoirn: 


Macfarlane  M.  R.  Marguerite  so  fair  — 35 
Hchirmer. 

Macfarlane  W.  Onward,  Christian  Soldiers 
— /3  Novello. 

Macfarlane  Will.  C.  f<chirmer:  Angel  Voi- 
ces,  ever   singing,   iSATB  — 25  n. 

-A  Eondel  (Echo  is  a  timid  maid),  part- 
song  or  chorus  of  mixed  voices,  a  capelhi 
—10  n. 

-  Blessed  be  the  Lord  (Benedictus),  Christmas 

anthem  — 10  n. 

-  God   is   our   Refuge,   SATB  —20  n. 

-  How  goodly  are  Thy  Tents,  SATB  &   Bar- 

solo  — 15  n. 

-  O  God  of  God!  0  Light  of  Light!    (Easter), 

SATB  —20:). 

-  O  Love  Divine,  ,S'.4  —60. 

-  Of   the    Father's    Love   begotten,   christmas 

anthem  — 15  n. 

-  Thine,  O  Lord,  SATB  —10  n. 

Macfarren,  Robin  Hood,  Mon  etoile,  P 
1.75  u   Durand. 

Macfarren  Georg  Alexander  (1813 — 1887), 
op.  51  Drei  Lieder:  1.  Das  Meer  hat  seine 
Perlen.  2.  Herz,  mein  Herz,  sei  nicht  be- 
klommen.  3.  Was  will  die  einsame  Triine 
1 .50  Kistner. 

-  A    blessing    on    the    harvest,    autumn    song 

3/ —   Ashdoicn. 

-  A  day  in  Thy  courts,  SATB  —IVj.,  Novello. 

-  A  lost  chord  4/ —  Metzler. 

-  A    widow    bird    3/ — ,    with    HCl    ace.    4' — 

Chappell. 

-  Adieu,  love,  adieu,  SATB,  Folio  1/6,  8"  — /3 

Novello. 

-  Ah!  why  do  we  love   (in  C  and  E  flat)   3/ — 

Chappell. 

-  A  j  a  X,   the   music   for   Sophocle's  Tragedy, 

Voc.  score   3/ —  n  Novello. 

■  All    is   still,    SATB,   Folio    1/6,   8°  —  3    No- 

rello. 

-  .\11  we  Love  must  die  3/ —  Weekes. 

-  Alton   Locke's   Song,    SATB,   Folio   — /9,    8* 

— /P/o   Novello. 

-  An   English   home   3/—   Ashdoun. 

-  And    wouldst    thou    hear    that    song   again, 

SB   3/—  Ashdoicn. 

-  Andante  con  moto,  in  G,  first  sonata,  arr. 

by  Walter  Macfarren,  P  4/ —  Ash- 
do  loi. 

-  .\ round  the  hearth    (with  Jftns  ace),  treble 

voices    3/ —  n    Ashdoicn. 

■  As  it  Fell  upon  a  Day,  w.  IIP  4/—  Rudall. 

-  At    first    the    mountain    rill,    SATB,    Folio 

1/6,  8"  — /3  Novello,  — /3  Curicen. 

-  Bailifl's  Daughter   of   Islington    (Old   Engl. 

Ditty)    3  —   Chappell. 

-  Barbarra  Allen  — 40  Ditson. 

-  Be  still  sad  heart  3/ —  Ashdoicn. 

-  Beam,  stars,  in  yonder  heaven    (She  .stoops 

to   conquer)    1/3    Novello. 

-  Beaming  stars   in   yonder   heaven,   SC   3/ — 

Cramer. 

-  Beating  of  my  own  heart  4/ —  Agate,  — /2 

Sheard,  P  (Jos.  Rummel)  3/ — , 
(Carlo  Zotti)  3—  Agate,  — /2  Cur- 
icen, — /6   Sheard. 

-  Beautiful  May    (May  Day)    1/6  Novello. 


Macfarren  G.  A.  Behold  the  Tabernacle 


—     21 


Macfarren  G.  A.  Helrellyn 


-Behold   the  Tabernacle  Christmas,  BA  — /3 
'Sovello. 

-  Bellman,   SATB  — /2   Ashdoun. 

'  Bell-ringers,  m.  v.  — 2  Ciirwen. 

-Birtles  tluit  had  left  their  sono:,  i^ATB  — OG 

liraiuard. 
-Blessed    are    they    (St.    John    the    Baptist), 

quartet    or   chorus    1/6   Novello. 

-  Blessed  be  the  name  of  the  Lord    (Harvest- 

tide)    —  3    Novello. 

-  Blessed     is    the    Soul     (Whitsuntide)     — ,3 

.Vo  cello. 
-Blow,  blow,   thou   winter   wind,   SATB   1/ — 

Novello. 
-Boat  Song   (Lady  of  the  Lake),  TTBB  — ,4 

A'o(  t'Wo. 
-Bonnie  Mary   13   Novello. 

-  Break,    break    on    thv    cold    grey    stones,    O 

sea,  SATB,  Folio   1/—,  8"  — /3  Novello. 

-  Breeze  was  soft  3/ —  Chuppell. 

-  Bright  tulips,  SATB   (Collegiate  Part-Song 

Mag.   1)    —2  Ashdoicn. 
-British    Grenadiers    (Old    Engl.    Dittv),    SA 
TB  — /2   Chappell. 

-  Broken   spells,   duet  2/ —  Chappell. 

-By  the  soft  lustre    (She  stoops  to  conquer), 
TB  2.1—  Novello. 

-  Cantate  and  Deus    (in  G),  unison  and  Org 

—  3   Novello. 

-  Canzonet  in  A  minor.  Sonata  N.  2,  arr.  by 

W.   Macfarren,   P   3/ —   Ashdovn. 

-  Change  upon  change  3/ —  Chappell. 
-Chevy   Chase,   overture,    f?HS   7/ —  Ash- 
doun. 

-Christmas,    SATB,     Folio     1/—,     8"    — /IV, 

Novello,   1/ —  C  unveil . 
-Clear,  cavalier  (Old  Engl.  Ditty)  3/—  Chap- 

pell. 
-Come    and    let    us    return,    advent   or    lent, 

SA  — /2  Novello. 

-  Come    away,    come    away,    death,      SATB, 

Folio   1/—,  8°  — /3  Novello. 

-  Come  lasses   and  lads,   duet  3, —  Chappell. 

-  Come   ye   and   let  us   go   up,   opening  of   a 

church  or  choral  festival,  »S'B  — /3  Novello. 

-  Concerto,  FIP   12/—  Rudall. 
-Coronach,   SATB  —2    Novello. 
-County   Guy,   SATB    (W  a  t  s  o  n's   Cho- 
ral Society  13)   — ,2  Ashdoivn,  Curtcen. 

-  Country  dance  from  the  opera  ,,Helvellyn". 

P   3/ —   Ashdown. 

-  Crabbed  Age  a.  Youth,  w.  FIP  4,—  Rudall. 

-  Cradle     Song,     dolce     cantabile,      arr.     by 

W  e  s  t  b  r  o  o  k.    Org   3/ —   Ashdown. 
-Cricketer's    song     (Bestir    ye),      TTB    — /2 
Novello. 

-  Cuckoo  sings  in  the  poplar  tree,  SATB  1/3 

Novello. 

-  Dear  Kitty  (Old  Engl.  Ditty)  3/—  Chappell. 

-  Deeper  than  the  hail  can  smite    (Songs  in 

a   Cornfield)    1/6   Novello. 

■  Dew,   when    Night   has   pass'd  away    1/ —  n 
A  It  getter. 

-  Down    among     the    beds      of  sweet    roses, 

scotch   1/3  Novello,  — 50  Brainard. 

-  Down    among     the    dead    men     (Old 

Ditty)    3/—,   SATB  —  1    Chappell. 

-  Down  by  the  Old  Mill  Stream  4/—  Weekcs. 


Engl. 


-  Draught  of  love,  SCT  2/6  Novello. 
-Duke    Donuim     (Old    Engl.    Ditty),    SATB 

— ■  1    Chappell. 

-  Eglamore   (Old  Engl.  Ditty)    3/—  Chappell. 
-Eight   o'   clock,   ballad    1/ — n   Augener. 

■  Eighty   musical   sentences   2/ —  Curiven. 
-English  Songs  and  Melodies:    1.  The  green 

lanes  of  England,  2.  Amid  the  new-mown 
hay,  3.  Good  night!  good  night!,  4.  The 
return  home,  5.  If  the  world  deceive  me, 
6.  The  names  on  the  beech-tree,  a  3/ — 
Ashdoivn. 

-  Eva,  an  oft-told  tale  3/ —  Ashdoivn. 
-Evening   Farewell,   duet  2/ — n   Sheard,   SA 

TB  — /4  Ashdoivn. 

-  Fair  Hebe,  SATB  —/I   Chappell. 

-  Fairy  Bells,  SATB  &  P  or  H  —1  Pitman. 

-  Fairy   ring,   duet   2/ —   Chappell. 

■  Fairy   sisters,   duet  3/ —  Chappell. 

-  Fall  of  the  leaf,  8C  1/6  Novello. 
-Farewell!  if  ever  fondest  prayer  3/ —  Asli- 

doivn. 

-  Fear  no  more  the  heat  o'  the  sun,   SATB, 

Folio   1 —  Novello. 

-  Fifty-two-   Introits,  or  Short  Anthems,  for 

the  Holy  days  and  Seasons  of  the  Church. 
The  Texts  selected  from  the  Bible  and 
Book  of  Common  Prayer  5/ — ,  or  in  num- 
bers a  — /2  Novello. 

-  FloM'ers   and    the    Stream,    duet  4/ —   Dona- 

joivski. 

-  Gather   ye   rosebuds,    SATB    (CoUeg.    Part- 

Song   Mag.   3)    — /2   Ashdoivn. 

-  Geialdine,  romance,  ConcertinaP  3/ —  Ash- 

doivn, 

-  German    Fatherland,    SATB   — /I 

-  Girl  I  left  behind  me,  SATB  —/I 


Chappell. 
Chappell. 

-  Girls  and   boys   come  out   to   plav    (Madri- 

gal), )SfJ.rB—/3  jVoyeWo. 

-  Give   me,    if   you    please,    my    Jewels    (She 

stoops  to  conquer),  CBB  2/ —  Novello. 

-  God   said.   Behold,   SATB,    Voc.   .score   2/—, 

Voc.   parts   16   Novello. 
■  Good  bye  3 —   Whittingham. 

-  Good  night,  chamber  trio  for  treble  voices 

3/ —  Ashdown. 
-Guard  on  the  Rhine,  SATB  —/I   Chuppell. 

-  Happy  gondolier,  duet  3/ —  Leonard. 
-Hark!    hark!    the   lark,   SATB,   Folio    1  — , 

8"  — /3   Novello. 
-Harvest    home,    SATB     (Glee    and    Choral, 
Libr.  6)   — /2  Ashdown. 

-  He's  coming   home  again  4/ —  Donajoivski. 

-  Heart    shooting,      SATB    (LTnion    Choralist 

21)    — /4   Ashdown. 

-  Hearts  of  Oak,  SATB  —/I   Chappell. 

-  H  e  1  V  e  1 1  y  u      ( 1864) ,     opera,     Ashdoivn  : 

KA   17/—.' 

1.  Introduction:    What's   that?   Chor. 

2.  Recitative :  While  supper's  getting 
ready.  Song:  The  sky  with  crimson, 
chor. 

3.  Recitative:    You    all    are   here. 

3  a.  Song :  A  blessing  on  the  harvest  3/ — . 

4.  Recitative :  A  blessing,  quartet,  with 
chorus:    Who   comes   yonder? 

5.  Recitative  and  Song:  When  my  ample 
store   3/ — . 


Macfarren  G.  A.  Helvellyn 


09 


Macfarren  G.  A.  Introits 


6. 


/. 


9. 
10. 


Finale:    Of  all   the  trades,   chor.   Quar- 
tet, M-ith   chorus:    Every   thought. 
Scena :     For    nearly    a    month.      Song: 
Here's  a  fig  for  troubles  past. 
Eecitative:   Take  this,   duet,  with   cho- 
rus:  Come  here,  my  pretty  dear. 
Part-song:    Harvest   home,    BCTB   2'—. 
Recitative:   Well  done. 
10a.  Ballad:   Wear  this  flower  and  think 
of  me. 

11.  Harvest    home    scene. 
11  a.   Country  dance   3/ — . 

12.  Recitative :  She's  gone.  Trio:  Zooks, 
this  is  a  glorious  place. 

13.  Recitative:  Still  I  wish.  Scena:  She 
loves   me. 

14.  Chorus :   Here  you   may   lead   3/ — . 

15.  Aria  :    On    my    heart    a  weight    3/ — . 

]  6.  Recitative  and  Duet :  Yes,  there  she 
sits.  The  generous  Mabel.  The  thought 
that  so  long  4/ — . 

17.  Recitative:    Nay,   Hannah. 

17a.    Oh!    Hannah,   Hannah,    speak! 

18.  Finale:    How    calm    and    bright,    chor. 
18a.  Duet:   The  brightest  hope  3/—. 

19.  Entr'aci-e. 

19a.  Romance:  Wildly  flies  my  spinning 
wheel   3/—. 

20.  Recitative :    Mistress. 

20a.   Duet:    To   Helvellyn   poor   I  came. 

21.  Finale:  I  have  toiled  up  the  hill,  chor. 
21.  Song:    I've   watched   him. 

Here's    a    health     unto     his     Majesty    (Old 

Engl.  Ditty)   3/—  ChappeU. 
Home  and  friends,  8ATB,  Ch.  s. 

nard,  —/I    Curicen,  SATB  &  P 

Pitrnav. 
Hosanna   to   the   Son    of   David 

SATB,    Voc.    score    1/—,    Voc. 

Xovello,  — j3    Curwen. 

1  arise  from  dreams  of  thee  3/- 


-06  Brai- 

or  H  —/I 

(Advent) , 
parts    1/ — 

-  Aslidowv. 

-  1  could  wish  you,  all  who  love,  SATB  — /2 

Ashdoion. 

-  I  have  a  little  fairy  boat  2/6  ChappeU. 

-  1    indeed   baptize   you   with   water    1/6   No- 

vello. 

-  I'm  but  a  simple  country   lass    (Old   Engl. 

Ditty)    3/—   Clmppell. 

-  I'm   happ.y    as  a   little   bird    3/ —   Ashdowii. 

-  I   passed  beside   a  lonely   wood    (Old   Engl. 

Ditty)    3/—  ChappeU. 

-  1    rejoice   in   my   youth,   song   for   »S',    from 

St.    Jo  h  n,     Vocal    .score     2/ —  n,     Strin(j 
parts    (4)    2/ — n,    Wind    parts    1/9  n     No- 
veUo. 
-I  say,  madam    (She  stoops  to  conquer),  ST 
liQNoveUo. 

-  T  will  look  unto  the  Lord,  2-part  song  — /2 

yoveUo. 

-  I  wish  1  were  a  child  again  3/ —  Ashdoicn. 

-  In    a  drear-nighted    December,    SATB    1/6 

NoveUo. 
-Introits,  or  Short  Anthems  (fifty-two),  for 
Holy  Days  and  Seasons  of  the  Church. 
The  Texts  from  the  Bible  and  the  Book 
of  Common  Prayer,  cloth  5/ — ;  or,  in  31 
numbers  a  — 2  XoveUo: 


8, 

9, 

10. 

11. 

12, 

13, 

14, 
15, 
16, 

17. 

18, 
19. 

20. 
21, 

22, 
23. 

24, 
25, 
26, 

27, 

28, 
29, 
30, 
31, 

32, 
33, 

34, 
35, 

36, 

37, 

38, 

39, 

40. 

41, 

42, 

43, 

44. 


Advent :   Hosanna. 

Advent:    Drop   down,   ye  heavens;    and 

Christmas:    He  cometh   forth. 

St.  Stephen's  Day :  Love  your  enemies ; 

and 

St.    John    the    Evangelist's    Day:    They 

that  wait. 

Innocents'  Day :  These  were  red  emed  ; 

and 

Circumcision    of    Christ :    In    Christ    ye 

are  circumcised. 

Epiphany :   O  send  out  Thy  light ;   anJ 

Epiphanytide:    The   Lord    is   my   Light. 

Septuagesima   and  Following  Sundays: 

I   will  love  Thee:   and 

Ash    Wednesday :     Have    mercy     upon 

me. 

Lent:   Now,  saith  the  Lord. 

Passiontide :    0    Saviour   of   the   world ; 

and 

Good   Friday:    Our   Lord    Jesus   Christ. 

Easter    Day :    This    is    the   day. 

Eastertide :    Christ   our   Passover ;   and 

Eastertide:    If    we    believe    that    Jesus 

died. 

Eastertide:  As  Christ  was  raised;  and 

Ascension  Day:   Why  stand  ye  gazing 

into   heaven. 

Ascensiontide :    The   Lord    reigneth. 

Whit  Sunday :  The  Spirit  of  the  Lord ; 

and 

Trinity    Sunday :    Holy,    holy,    holy. 

Trinitytide  :  They  that  put  their  trust ; 

and 

Trinitytide:    0   how   amiable. 

Trinitytide:    O   taste    and    see;    and 

Trinitytide :   Keep  innoeency. 

Trinitytide:  One  thing  have  I  desired; 

and 

Trinitytide:    Not    unto    us. 

Trinitytide:   0  magnify  the  Lord;   and 

Trinitytide :   Let  us  not  be  weary. 

Trinitytide:   Sing  unto  the  Lord,  0  ye 

saints. 

Trinitytide :    0  worship  the  Lord. 

Trinitytide :    0    sing    unto    the    Lord    a 

new   song. 

Trinitytide:    Remember   me. 

St.   Andrew's  Day :    Behold,  to   obey   is 

better   than   sacrifice ;   and 

St.    Thomas    the    Apostle:    Ble.s.sed    are 

they. 

Conversion  of  St.  Paul :   I  know  vvhoin 

I  have  believed:   and 

Purification    of    St.    Mary    the    Virgin: 

Blessed   are  the  pure   in  heart. 

St.    Matthia's    Day:    Be   thou    faithful; 

and 

Annunciation     of     the    Blessed    Virgin 

Mary:    I   was   exalted. 

St.   Mark's   Day :    Blessed   is  the   man ; 

and 

St.   Philip    and   St.    James's   Day:    Let 

the  brother. 

St.  Barnabas  the  Apostle:  Rejoice  with 

them   that    do    rejoice. 

St.   John  the  Baptist's  Day:   The  souls 

of   the   righteous;    and 


Macfarren  G.  A.  Ititroits 


—    23    —  Macfarren  G.  A.  0  sing  unto  the  Lord 


Be 


strong 


and   of   a 


45.  St.   Peter's   Day 
good  courage. 

46.  St.  James  the  Apostle:  Blessed  are  the 
dead ;  and 

St.    Bartholomew    the    Apostle:    As    He 
which  hath  called  you. 
St.   Matthew   the   Apostle:    What   shall 
it  profit  a  man ;    and 

49.  St.   Michael   and   all   Angels:    0   praise 
the  Lord. 

St.    Luke    the    Evangelist:  "Work    your 
work  betimes;  and 

St.    Simon    and    St.    Jude     (Apostles)  : 
The   Lord   redeemeth. 
All    Saints'   Day:      We     are     no     more 


47 


48 


.50 


51 


O: 


strangers. 


lass,   8ATB,   folio 
(1863). 


It   was   a   lover   and   his 
1/6,  Ch.  s.  — /4   'Novella. 
■Jessy    Lea,    opera    da    Camera 
Novello:  Voc.   score   10/6  u. 

Is  any  merry  damsel  here?  16.  I  shall 
woo  her  1/6.  The  blush  of  early  morn 
1/3.  The  gipsy's  home  1/3.  When 
youthful  joys  and  hopes  are  fled  fS) 
1'6.  Who?  1/3.  Quadr.  (D'E  g  v  i  1 1  e) 
1/6  n.  Waltzes  (Coote)  2/— n.  Ca- 
price,  P    (N.   Macfarren)    1/6. 

Jock  o'  Hazeldean,   duet  3 —  ChappeU. 

Jovial  man   ot  kent,   8ATB  — /3   Chuppell. 

Joyous  welcome  home,  duet  4/ —  Whitting- 
ham.. 

Jubilate    (in   G)    unison  — /P/.  Novello. 

King     John     and     the     Abbot    (Old     Enol. 
Ditty)    3/—  ChappeU. 

Knight's   retourn,   8CB   3/ —  Ashdou-n. 

Knight's  three  questions   (Old  Engl.  Ditty) 
3/ —  ChappeU. 

Kyrie  Creed  Sanctus  &  Glorie    (in  G),  uni- 
son — /4^/„  Novello. 

Lads  and  lasses,  hasten  all    (May  day),  SA 
TB,  Ch.  s.  — /4  Novella. 

Lady    of    the    Lake,    cantata    for    solo 

voices,    chorus,     and     0     (1877),    Novello: 

Vocal   score   3/ — n,   Vocal   parts    a   2/ — u. 

The  wild   rose,   eglantine,   and   broom    (T) 

1/6.     This  little  flower    (in  D  and   Bb) 

1/6.     Ave   Maria    fSJ    1/6. 

Last  watch  1/6  Novello. 

Last  wild  rose,  8ATB  —  2  Novello. 

Lead,  kindly  Light  4/ —  Donajowski. 

Leather  bottel  3/—  ChappeU. 

Let  me  list  to  the  billows,  duet  3 —  Chap- 
peU. 

Let  us  haste  to  the   river,   duet  2/6   Chap- 
peU. 

Light   (I  rise  to  seek  the  light)   2 
gener. 

Light  & 
trio  for 
—03   Silver. 

Little    Clarina's   Lesson    Book    8  —  n,    in    4 
parts  a  2/6  n   ^¥illiams. 

Little   Dorrit's   Love   4/ —   Weekes. 

Lord  hath  been  mindful  of  us,  8ATB  — /P/, 
Novella. 

Lord    is    my    Shepherd,    8ATB,    Voc.    score 
1/ — ,  Voc.  parts  — /6  Novello. 

Love  me  in  the  spring-time  3/ —  Ashdown. 


n  Au- 


laughing    summer    sky,    chamber 
treble  voices  2  6  Ashdoicn,  8ATB 


-  Love  wakes  &  weeps,  SATB  &  P  — /6  n  Ash- 

do  irn. 

-  Love   will   find    out   the    way,     SATB    — /2 

ChappeU. 

-  Lullaby,      allegretto     tranquillo,      arr.      by 

West  brook,   Org   3/ —  Ashdaicn. 

-  Magnificat  &   dimittis,   unison    (in  G)    — /o 

Novella. 
-Maid    of    Cumberland    (Old     Engl.     Ditty) 
3—  ChappeU. 

-  Maidens,     never     go     a-wooing,     madrigal 

from   Charles  II,   88TTB  — /2   ChappeU. 

-  Mary    in    heaven,    SATB   — /6    Leonard. 

-  May    the     saints     protect     &     guide     thoe 

(Round)  (Glee  &  Choral  Libr.  72)  — /2 
Ashdoicn. 

-  M  a  y  -  D  a  y,  cantata   for   >S',  solo  and  chor. 

(1806),  Novella:  Full  score  21  —  n,  Voc. 
score  7/ —  n,  choruses  only,  without  ace. 
- — /6  n.  Vocal  parts  4/ —  n,  Wind  parts 
11  6  n,  the  ace.  arr.  for  P  and  Ha  (in- 
stead of  0) ,  by  W  i  n  d  e  y  e  r  Clark 
5/ — n,  )S-s.  chorus  a.  0  — 50  Schirmer. 

-  Mermaid   3/ —   ChappeU. 

-  Merrily   meet   again,   quartet  2/6   ChappeU. 

-  Merry  May,  2  trebles  &  P  — '4  Ashdawn. 
-Miller,   8ATB  — ;3   Novello,  —08   Brainard. 

-  Miller's    lassie,    SATB   — /4    Leonard. 
-Money,    money    (Jessy   Lea),    TB   2/ — . 

-  Mounfaineer's  wife  1/ — n  Augener. 

-  ^lusic  when   soft  voices   die  2/ —  Ashdown. 

-  ily    harp    shall    sleep    in    silence    4/ —    Ash- 

down . 

-  My  love  M'ill  come  with  the  summer  1/ —  n 

Augener. 

-  My  mistress's   face,   8CT  2/6   ChappeU. 

-  My    own    guiding    star,    Robin    Hood    — 30 

Gordav. 

-  I\Iy   Sailor  Lad  and   I   2/ —  Boosey. 

-  My  thoughts  are  with  the  dead,  sacred  sg. 

1 — n   Augener. 

-  Night    is    down    the     valley     stealing    (The 

Brothers),   SC  3/—  ChappeU. 
•Nobody's  nigh  to  hear,  in  D  &  F  4 —  Ash- 

doivn. 
-Nora,  SCB  2/6  ChappeU. 

-  Not  faster  yonder   rower's  might    (Lady  of 

the  l.ake),'  S8AA  — /4  Navello. 

-  Now   fie  on  love,  SATB,  folio  — /2  Novella. 

-  Now    the    sun     has     mounted     high,    TTBB 

(Glee  &  Choral  Libr.  67)  —2  Ashdown, 
Curwen. 

-  0  death,  rock  me  asleep    (Old  Engl.  DittA-) 

3./—  ChappeU. 

-  0  God,  who  cans't   not  change  or   fail,  SC 

4/ —  Ashdown. 
-O    hemlock    tree!    Sung    by    Santley    1/ — n 
A  u  gener. 

-  0   Holy   Ghost,   into   our   minds    (Whitsun- 

tide), SATB,  Voc.  score  — 9,  welsh  words 
2  c,   Voc.  parts  — /6   Novello. 

-0  Lord,  how  manifold  (Harvest),  SA 
TB,  Voc.  score  1/ — ,  Voc.  parts  — /6  No- 
vella. 

-O  mistress  mine,  SATB  1 —  Navello. 

-  O   mistress  mine,   ATTBB  — /4  n  Ashdawn. 

-  0    sing   unto    the   Lord,    SATB   —06    Brai- 

nard. 


Macfarren  G.  A.  0  siveet  summer  morning    —    24 


Macfarren  G.  A.  Old  English  Ditties 


-  0   sweet  summer   morning    (She   stoops   to 

conquer),   SMS   1/6   Novello. 

-  O  world!  O  life!  0  time!  2/6  Ashdoun. 
-Oak  and  the  Ash,  SATB  —1  Chappell. 
-Of  all  our  young  maidens  (Old  Engl.  Dittv) 

3/—  Chappell. 

-  Oft  in  the  stilly  night,  duet  3/ —  Vhappell. 

-  Oh  1  dream  no  more  of  woes  departed  1/ —  n 

Augener. 
-Oh,   I   hear  ye  sing   13   Xorello. 
-Oh!  if  there  be  a  human  tear   (Lady  of  the 

Lake),   SAB,   folio  2/—  Novello. 

-  Oh,  it  is  sweet,  MST   1/3  Novello. 

-  Oh !  let  me  take  my  sounding  lyre,  SB  4  — 

Ashdoirn. 
-Oh!   the  oak,   &  the  ash,  &   the  bonnv   ivv 
tree    (Old   Engl.   Ditty)    3/—   Chappell. 

-  Oh,   'tis  a    famous    old    storv    (She  stoops 

to   conquer),    TTB,   folio   2/—   Novello. 

-  Old    English   Ditties,    each   song   separately 

1/ — ,  or  in  two  vols,  cloth  a  10/6  Chappell: 

A  legend  of  the  Avon. 

A    soldier    should   be   jolly. 

Ah!    the  sighs   that   come   from    my   heart. 

All   flowers  of  the  broom. 

Amid   the   newmown   hay. 

Arthur  of   Bradley. 

As  down  in  the  meadows. 

At  her  cottage  door,  Mary. 

At   night,   by   moonlight. 

Autumn's  golden   leaf. 

Baloo !  my  babe. 

Barbara    Allen. 

Begone,   dull   care. 

Beneath  the  willow  tree. 

Black-eyed   Susan. 

Bonny   Nell. 

Busy    hands   make   merry    hearts. 

Can  love  be  controlled  by  advice? 

Cease,   rude  Boreas,   blust'ring   railer. 

Cease   your 

Chevy  Chase. 

Christmas   comes   but   once   a    year. 

Cold  and   raw's  the  Mind  without. 

Cold's  the  wind  and  wet's  the  rain. 

Come,   here's   to   Eobin   Hood. 

Come   lasses   and   lads,   get   leave   of 

dads. 
Come   open   the    door,    my   fairest. 
Come,   tatter'd,  batter'd  cavalier. 
Courtiers,    courtiers,    think    not    in 
Dear  Kitty. 
Death  and  the  Lady. 
Dorothy's    a    buxom    lass. 
Down  among  the  dead  men. 
Drink  to  me  only  with  thine  eyes. 
Drive   the   cold   winter    away. 
Early  one   morning,  just  as  the   sun. 
Fair  Hebe  I   left. 

Fairies,  haste,  the  summer  moon  is  bright. 
Farewell,  and  adieu  to  you   all. 
Friar   of   orders  gray. 
For   cruel   Jenny   once   I  strove. 
From   Oberon,   in    Fairyland. 
Gather  ye  Rosebuds. 
Golden  slumbers  kiss  your  eyes. 
Great   Orpheus   was  a    fiddler   bold. 
Heart  of  oak. 


funning. 


vour 


scorn. 


Here's   a  health   unto   His   Majesty. 

Here's   a  truce   to   idle   sorrow. 

Here's    to    the    maiden   of    bashful    fifteen. 

How  stands  the  glass  around  ? 

Hope,  the  hermit. 

I   life   not   where   I  love. 

1   sit   upon   the   mountain   side. 

I  wandered  through  the  garden. 

I'm  a  lively  country   lad. 

I'm    a  sailor   tough   and   brave. 

I'm  called  the  jovial  miller. 

In  his  bark  merrily. 

In  sad  and  ashy  weeds. 

In   the   spring-time  of  the  year. 

It  was  a  lover  and  his  lass. 

Joan,  to  the  Maypole  away  let  us  on. 

John  Dory. 

King  John  and  the  Abbot  of  Canterbury. 

Leap  year. 

Let  me  list  to  the  billows. 

Little   Musgrave   and   Lady    Barnard. 

Love  me  little,   love   me  long. 

Love  will  find   out   the  way. 

Lovely   Nancy. 

Margaret's  ghost. 

May  he  who  wears  a  sulky  face. 

My  dearest,  look  on  me  again. 

My   dearest   love,   why   wilt   thou   ask. 

My  little  pretty  one. 

My  lodging   is  on  the  cold  ground. 

My   secret    I  will    safely   keep. 

Near  Woodstock  Town. 

Northern   Nancy. 

Nought    I  praise    beyond    her. 

Now,   Robin,   lend  to  me  thy  bow. 

0   come   you    from   Newcastle. 

O  list  to  me,  my  only  love. 

O   mistress  mine. 

O  that  I   had   never  married. 

O  willow  !  willow  ! 

Of  love  and  maidens  kind. 

Oh   dear,   what   can   the   matter   be? 

Oh,   for  a   husband. 

Oh  !  the  oak,  and  the  ash,  and  the  bonny 
ivy  tree. 

Oh  !   weel  may  the  keel  row. 

Old  King  Cole. 

Once  I  loved  a  maiden  fair. 

One  morn  the  maiden  sought  the  mill. 

Past  three  o'clock    (The  London  Waits). 

Phillida   flouts   me. 

Phillis   on   the   new-made  hay. 

Prince  Charles  Stewart's  farewell  to  Man- 
chester in  1745. 

Rouse   thee,  young  knight. 

Row,   gallant    comrades,    row. 

Sad  and   weary- hearted. 

Sally  in  our  alley. 

Saw   you    my    father. 

Send   me   a  lover,   St.   Valentine. 

Since  first  I  saw  your  face. 

Sing  a  sweet    (Dulce  domum). 

Summer  is  a-coming  in. 

Sweet  day,   so   cool,  so  calm,   so  bright. 

Sweet  Nelly. 

Take  me  to  the  North  Country. 

The  bailiflf's   daughter  of   Islington. 

The  beggar  bov    (Ladies  woshine  like). 


Macfarren  G.  A.  Old  English  Ditties         —    25 


Macfarren  G.  A.  She  Stoops  to  Conquer 


The  best  of  companie. 

The   blind    Beggar's    daughter    of    Bethnal 

Green. 
Sequel   to   Ditto    (another   tune). 
The  Blue  Bells  of  Scotland. 
Tlie    British    Grenadiers. 
The  Carman's  whistle. 
The  chirping  of  the  lark. 
The  countryman's   account. 
The  dusky  night  rides  down  the  sky. 
The   girl   I  left  behind   me. 
The  h\int   is  up. 
The  jovial  man  of  Kent. 
The  leather   bottel. 
The  mermaid    (an  old  Sea  Song). 
The  moon  shall  be  in  darkness. 
The  name  of  my  true  love. 
The  parting.    (The  dreaded  hour.) 
The   Queen   of  May. 
The  roast  beef  of  old  England. 
The  spring  is  coming. 
The  sun  sets  in  glory. 
The  Vicar  of  Bray. 
The  well  of  St.  Keyne. 
Then   to   the   maypole  haste  away. 
There  was  a  jolly  miller. 
There    was     an    old    fellow     at    Waltham 

Cross. 
There  was  a  maid  the  other  day. 
There  was  a  simple  maiden. 
There  were  three   ravens. 
Till   Mary   won  my  heart. 
To   all    you    ladies   now    on    land. 
To   carry   the   milking   pail. 
To-night  let's  jovial  be. 
Under  the  greenwood  tree. 
Under  the  rose. 
Vive  le  Roy. 
Wapping   old   stairs. 

Wliat   if   a   day,   or  a  month,  or   a  year. 
When    the    king    enjoys    his    own    again. 
Why,   brother   soldiers,   why? 
Why   so    wayward    (Light   of   love). 
Will  you  hear  a  Spanish  lady? 
Yes,   to-morrow,   my   love. 
You    gentlemen   of   England. 
Old    King    Cole       (Old    Engl.    Ditty)       3.-- 
Clia):)pell, 

On  a   day,  w.  FIP  4,—  Rudall. 
On   primro.se  banks,   SC   1/6  n   Aufjener. 
Once    I  loved    a  maiden    fair,    8ATB    — 1 

Chappell. 
•One  by  One    (Unison  School  Songs,  N.   17) 
— ,2    Willianis. 

■  One  morn  tlie  maiden  sought  the  mill   (Old 

Engl.  Dittji    (in  A  and  B  flat)   3/—  Chap- 
pell, — 35   Ditson. 

■  Orpheus    with    his    lute,    8ATB,    Folio    1/— 

Novello,  — /3    Curicen. 

-  Our    evening   song,    quartet   2/ —    Chappell. 
-Outward  Bound,  a  cantata,  Voc.  score 

1; — n,      Voc.    parts    2/9  n,       String    parts 
7/ —  n  Novello. 

-  Over    hill,    over    dale,      fairy    song      1/ —  n 

Augener. 

-  Overture   to   St.   John   the   Baptist,   P   2/— 

Novello. 


-Pack  clouds  away  4 — ,  with  IlCl  ace.  4  — 
Chappell. 

-  Parting  3  trebles  and  P  — /4  Ashdoicn. 

-  Pray,    child,    pray    (Outward    Bound)    2  — 

Novello. 

-  Primrose,   SATB  — /2    Ashdoicn. 

-  Prince   Charles   Stuart's   Farewell   to   Man- 

chester   (Old    Engl.    Ditty)    3, —   Chuppell. 

-  Queen   of   the   May   4/ —   Chappell. 

-  Recitative   and   Air,   FIP   6/—   Rudoll. 

-  Ringdoves   coo,    S8A   — /2    Leonard. 
-Robin  Goodfellow,  8.1TB,  Folio  1  — ,  8"  —  3 

Novello. 

P  .5/ — :  1.  Consolation,  2. 
Spring  morning,  4.  Lullaby, 
6.    Cradle   Song,   u    3 —   .46;i- 


-  6  Romances, 
Greeting,  3. 
5.   Welcome, 

doivn. 
-5  Romances,  VP:  N.  1.  Andante  cantabile 
in  G  3/ — .  N.  2.  Allegro  in  E  minor  4  — . 
N.  3.  Andante  in  F  3/—.  N.  4.  Allegretto 
in  D  4  — .  N.  5.  Andante  con  moto  in  F 
3/ —   Ashdovn. 

-  Romanza  ed  Allegro  con  fuoco,  trio,  7*rrc, 

E-dur  6^  Brcitkopf. 

-  Rondo  in  E  flat,  first  sonata,  arr.  by  M  a  c- 

farren   Walter,   P   5 —   Aslidoini. 
-Rosebud  and  the  hearts  ease,  SC  3 —  Asli- 
doiin. 

-  Sailor's  Farewell,  »S'B  3/ —  Ashdoivn. 

-  Sands   of   Dee,   SATE    1/—   Novello. 

-  Sea-King's    Daughter    1,3    Novello. 

-  See  the  jocund  spring  advancing,  chamber 

trio  for  treble  voices  2/6  Ashdoim. 

-  See   the    jocund,    chamber    trio,    Voc.    score 

—  2  n   Ashdoivn. 

-  Select   Songs   of    Scotland    10/6  n    Bayley. 
-Service    (in  G) ,  uni.son   1/ —  Novello. 

-  She    is    a  maiden    of    artless    grace      16  n 

Angener. 
-She    Stoops    to    Conqut 
(1864).    Novello:    Voc.    score 
Am   I  not   a  pretty   barmaid 
Drink,   friends,   drink    1/3. 
He'll  miss  me  1/3. 
I  met  her  first    1/3. 
My  bud   of   May   1/3. 
Oh,   Constance,   dear    1/3. 
The    cunning    old    fox     (with 


r, 
25- 

2/- 


in    opev;i 
—  n : 


chorus)     1,3. 


The   good   old   days   of   the  country   squire 

13. 
What  is   this,   love?   1/6. 
Why    sadly    sighs   the    evening    gale?    1/3. 
Favourite   Airs,   by   T.    M.   M  u  d  i  e,    in  2 

books,  P  a  2/6  n,  Jfrns  a  3/ —  n. 
Fantasia,  by  W.  Macfarren,  P  2/—  n. 
Drinking   Song,  by   Jules  B  r  i  s  s  a  c,   P 

1/6  n. 
He'll  miss  me,  by  B  r  i  n  1  e  y  Richards, 

P  16n. 
Fantasia,    by    B  r  i  n  1  e  y    Richards,    P 

2.1—  n. 
6    favourite    airs     (Carlo    Z  o  1 1  i) ,      I' : 

1.  My  bud  of  May,  2.  The  country  squire 

3.    Drink,    friends,    drink,   4.    I  met   her 

first,   5.    He'll    miss   me,   6.    Am    I  not   a 

pretty  barmaid?  a  — /9  n. 
Quadrille    (Coote)   2/— n. 
Waltzes    (Coote)    2/— n. 


Macfarren  G.  A.  Shoiver  of  blossoms 


—     26    — 


Macfarren  G.  A.  We  are  Spirits 


Song- 
Songs 


ShoM'er  of  blossoms,  SATB  — /2  Ashdoivn. 
Sigli  no  more,  ladies,  SATB  1/ —  Novello. 
Silently    glides      the    bark       (Lady    of    the 

Lake),   8T   1/6   Novello. 
Silly   youth,   you   sadly   tease   me    (Jessy 

Lea),  8T  1/9  NoveU'o. 
Sing  a  song  of  sixpence   (Madrigal),  SATB 

— /3   Novello. 

Sing,   heigh  ho,   SATB   1/—  Novello. 
Singing    liketh    me,    3  trebles    and    P    — /4 

Ashdoirn. 
Softly  from  the  eyes  of  morning,  duet  3  — 

Leonard. 
Soldier  rest,  2-part  song    (Novello's   School 

Songs,   N.   558,   in  Book   97)    — /2   Novello. 
Soldier's    Legacy,    opera    (1864).    No- 
vello :  Voc.  score  6/ —  n  : 

l.A   simple   tune   sometimes   we   hear    13. 

2. 1  never  knew  my  heart  held  fast  1/3. 

3.  Oh,  welcome,   young   soldier   1/3. 

4.  You,  promised  to  come   1/3. 

Soldier's    Legacy,    fantasia,    P     (W.    M  a  c- 

f  a  r  r  e  n )    2/ —  Novello. 
Sonata,  FIP  9/—  Rudoll. 

of  the  railroads,   SATB   1/—  Novello. 
in  a  Cornfield,  a  cantata  for 

female  voices  and  P  w.  H  and  Ea  ad  lib. 

Voc.   score   1/6  n,   H   part.   2/6  n,   Ha  part. 

2!—  n   Novello. 

Sounds  of  home,  quartet  2/ —  Chappell. 
St.  Dunstan's  bells,  SSA.  — /2  Leonard. 
St.  John  of  Baptist,  an  oratorio.  A'o- 

vello:  Full  score  63/ — n,  Voc.  score  3/ — n, 

Wind  parts   33/ — n;    Overture,   Full   score 

6/ — n.     String    parts    2/3  n.     Wind    parts 

6/ —  n,  chorus  — /4. 
St.  Senanus  and  the  lady,  duet  3/— 

pell. 
Sunshine   and   Shade,   in   B  flat   and 

3' —   Ashdoivn. 
Sweet,    if   you   love   me    (Old   Engl. 

3/ —    Chappell. 
Take,  oh,  take  those  lips  away,  SATB  — ,0 

Novello. 

Te  Deum    (in   G),  unison  — /3  Novello. 
Tell    me    where    is    fancy    bred,    SATB   — /O 

Novello. 
Thank  you.  Squire  (She  stoops  to  conquer), 

TTB  and   TTBB  2/—  Novello. 
That   day   3/ —   Chappell. 
The  birds  that  had  left  their  song,   SATB 

(Watson's  Choral  Soc.   14)   — '2  Ashdoioi. 
The  Devil's   Opera    (1838) .   Ashdoivv  : 

Overt.    P   6/—: 
l.Air:   Queen  of  cities,  ever  bright  3/ — . 

2.  Arietta :    Like   him   who   sails   the   mid- 
night  deep  3/ — . 

3.  Trio :    Good    night,    may    slumber    lend 
its   balm   6/ — . 

3bis.    First    movement    only.    Trio :    Good 
night !  may  slumber  lend  its  balm  3, — . 

4.  Duet :  Fill  the  goblet  to  the  brim  6/—. 

5.  Song :    In    my   bosom   dwells   a    soriow 
3'—. 

6.  Barcarolle:      O'er    the    smooth    waters, 
so  calm  and  serene  3/ — . 

7.  Duet :  Fond  seducer,  fond  seducer  4/ — . 


Chap- 
C,  CT 
Ditt'.-) 


8.  Song :    Forget  thee!   no,  never!   no,   no 
3/—. 

9.  Ballad:  Oh  blame  me  not:  that  I  have 
stray'd   3/—. 

10.  Duet:    Transporting   moment   3/ — . 

11.  Canzonet:  I  come  from  the  realms  3 — . 

-  The    hunt's    up,    part-song,    from    May-day, 

Voc.  score  3/ — n,  String  parts  1/ — n. 
Wind  parts  2/ —  n  Novello. 

-  The    3  dreams,    .STB    3/—    Ashdoivn. 

-  The    3    fishers,    SATB    1/—   Novello. 

-  The  3  ravens   (Old  Engl.  Ditty)    3  —  Chap- 

pell. 

-  There    be    dreams    which    fade    and    perisli, 

SB   3/ —  Ashdoivn. 

-  There  goes  the  swallow    (Songs  in  a  Corn- 

field)   1/6   Novello. 

-  There  is  dew  for  the  flow'ret  3.50,  G  — 90  n 

Ricordi. 

-  There    was    a    man    of    Edmonton     (Madri- 

gal),   SATB   — /3   Novello. 

-  There    was    a  simple    maiden,      duet    3, — , 

SATB  —/I   Chappell. 

-  There's  a   wondrous  magic  potion,  CT  2/ — 

Novello. 

-  Three  Fishers,  a  four-part  song,  Voc.  score 

— /3  n   Novello. 

-  Third   Sonata,   P   5/ —  Novello. 

-  This    is   my   own,   my    native   land,     SATB 

— /I    Chappell. 

-  Three  fishers  — /3  Ciirwen. 

-  T'intendo   ingrata,   aria   4/ —  Ashdown. 

-  To  Anthony  Lumpkin,  Esq.    (She  stoops  to 

conquer),   ABB    1/9   Novello. 

-  To  blossoms,  trio  — /l'/^  Novello. 

-  To  guess  at  this  distance,   ST  1/9  Novello. 

-  To    win    a  proud    and    wealthy    bride,    ST 

1/6   Novello. 

-  Transport  3/ —  Chappell. 

-  3   Trifles,   FIP   7/6   Rudall. 

-Trio    (A),   FlVcP,  VVcP  a   8/—  Rudall. 

-  Troubadour,   trio   4/ —   Metzler. 

■  Tunes   of   the   english   Peasantry,   FIP   6- — 

Rudall. 

-  Twilight  hours,  SC  3/—  Ashdoivn. 

-  Two  merry  gipsies,  duet  3/ —  Chappell. 

-  Two-part  Anthems  for  small  choirs  a  — /3  : 

I  (for  Boys'  and  Women  voices)  :  1.  Come 
and  let  us  return  (Advent  or  Lent).  2. 
I  will  look  unto  the  Lord  (Advent  or 
Lent).  3.  Behold  the  Tabernacle  (Christ- 
mas) . 

II  (for  male  and  female  voices)  :  1. 
Unto  us  was  born  (Christmas).  2.  Bles- 
sed is  the  soul  (Whitsuntide).  3.  Come  ye, 
and  let  us  go  up  (Opening  of  a  church). 
4.  Blessed  be  the  name  of  God  (Harvest). 
Simplified    ace.    a   — /2    Novello. 

-  Under    the    greenwood    tree,      SATB      — /9 

Novello. 

■  Under  the  oaken  tree,   duet  2 —  Chappell. 


Unto    us    was    born,    Christmas,      SB     — 
(Old    Engl.    Ditty)       3/- 


Novello. 
Vicar    of 

Chappell 
Warrior, 


Bray 


trio    4/—    Metzler,    —60    Willig. 


■  AVe  are  Spirits,  SSS  — /4  Chappell. 


Macfarren  G.  A.   We  give  Thee  thanks      —    27 


Macfarren  W.  Comprehensive  Scale 


-We  give  Thee  thanks  (Trinity  Sunday), 
8ATB,  Voc.  score  1/ — ,  Voc.  parts  — /(> 
Novello. 

-  We  praise  Thee,  Lord  — /^jo  Gurwen. 

-  We   wait   for   Thy   loving   kindness,    HATB 

— /3   Tso  vello. 

-  Wear  this  flower  3/ —  Ashdown. 
-Weighing  anchor    (Outward  bound),   TTIili 

— /2   Novell 0. 

-  Welcome,  gentle  month  of  May    (Old  Engl. 

Ditty)    3,—   Chappell. 

-  When  icicles  hang  by  the  wall,  8ATB  1/ — 

Xorello. 

-  When  daisies  pied,  ^ATB  — /9  Novello. 
When    I  remember   4/ —    Williams. 

-  When  we  two  parted  3/ —  Ashdoicn. 

-  When  youthful  joys,  song  for  8',  Voo.  score 

1/6   Novello. 

-  Where   withal   shall   a   young   man   cleanse 

his  way  (Confirmation),  S8ATB  w.  duet 
(8S),  Voc.  score  16,  Voc.  parts  1/3  No- 
vello. 

-  While    all    things    were      in    quiet    silence 

(Christmas),   SATB  —iVj.   Novello. 

-Who  is  Sylvia,  t^ATB  1/—  Novello,  —iV/, 
Cur  wen. 

-Who  is  Sylvia?  for  *S'»S'C'  from  the  part- 
song  — /2  Curwen. 

-  Who    shall    be    queen    of    tlie    May,    iiATB 

— /4   Novello. 

-  W^ild   flowers,   duet    3/ —   Leonard. 

-  With    cheerful    dance    and    song,   duet    3/ — 

Leonard. 

-  Wood  nymphs,  duet  2/ —  Chappell. 

-  W^ood,    the    gay,    green    wood,    TTBB    — ,2 

Ashdoivn. 

-  AVorld's   age,    SATB    1/—   Novello. 

-  Ye   flow'ry  banks,   SATB  — /4   Leonard. 

-  Ye   little   birds   that   sit   and   sing,     SATB 

— /'2    Ashdoivn,   — 08   Brainard. 

-  You    spotted    snakes,    SSAA    1/ —    Novello, 

— 08  n  Schirmer. 
-You  wicked  gipsy  girl    (Jessy  Lea),  SV 
2/ —    Novello. 

-  Zephyr,   taking   thy   — /2    Cnrwen. 
Macfarren    Herbert,   Gavotte   Piquante   4  — 

Jlpller. 
Macfarren    Lady,    The    Child's    First    Music 

Lt^sson,  P  3  —  DonajoH'ski. 
Macfarren     Mrs.    John,    Days    of    yore    2/6 

Chappell. 

-  Pearl   of  Erin,   caprice   on   „My   lodging   is 

on   the  cold  ground",   P  4/ —  Chappell. 
Macfarren     Natalia,    Ballade,    P    3;—    .l.s/(- 
doioa. 

-  Elementary    course    for    vocalising      2/ —  n 

Leonard. 

-  The  forest  ])rook,  caprice,  P  3/—  Ashdoicn. 

Macfarren  Walter  (1826),  Ashdoicn:  A 
Glee  for  jovial,  happy  Spring,  SATB  — /3 
Novello. 

-  A    widow    bird    sate   mourning   4/' — . 

-  A  wild  rose,  melody,  P  4/ — . 

-  Ah,    Sweet,    Thou    little    Kuowest      2/-—  n 

Weekes. 

-  Air  with  variations,  P  4/ — . 

-  Album  leaf,  P  4/—. 

-  Allegro   appassionato,    P   4/ — ,   ^ws   6/ — . 


Novello. 


5/- 


(N. 

(N, 


10   of 


8    of 


-Allegro  brillante  (N.  1  of  12  Studies),  P 
3/—. 

-  Allegro  cantabile,  P  4/ — . 

-  Allegretto   mormorando,   in    E    (N.  2    of    12 

Studies)    3/—. 

-  Alpine   rose,  melody,   P  4/ — . 

-  An    Emigrant's   Song,    SATB   — /2 

-  Andante  and  bolero,  P  4/ — ,  -4?hs 

-  Andante    and    scherzo,    P   4/ — ,    Jfms   6/ — . 

-  Andante   cantabile,   in   D    (N.  5   of   12   Stu 

dies),   P   3/—. 

-  Andante    poco    Allegretto,    in    A 

12    Studies)    3—. 

-  Andantino    sosteuuto,    in    E  flat 

12  Studies),  P  3/—. 

-  .4ngelus,   romance,   VP  4/ — . 

-  Arabesque,   P   4/ — . 

-  Art  dreaming,  sweet?  serenade  4/ — . 

-  Autumn,   SATB,   TTBB   a    1/—  Novello. 

-  Autumn    song,    P   3/ — . 

-  Awake,  O  heart  4/ — . 

-3  Bagatelles,  P  5/ — :  N.  1.  Moderate  canta- 
bile, in  C,  2.  Poceo  allegretto,  in  F,  3. 
Allegretto   pastorale,    in    A,    a   3/ — . 

-  1th   Ballade,   P  4  — . 

-  2nd   Ballade,   P  4/—  Heller. 

-  Barcarolle,    P   4, — . 

-  Barnby's    Sweet   and    low,    fantasia, 

Novello. 

-  Bells  across   the   sea,   SATBP  — /6  n 

-  Bianca,  romance,  P  3/ — . 

-  Bien  aimee,  valse  romanesque  4/ — . 

-  Bouquetiere,  valse  brillante,  4^ns  5/- 

9;—. 

-  Bourree  nouvelle,  P  4/ — . 

-  2    Bourrees,    in    C  minor    and    C, 

Novello. 
-Canzonetta,  P   1—  Litolff. 

-  C'apriccio   brillante,   P  4/ — . 

-  Caprice   in   G,  L'amitie,   P  4/ — . 

-  Caprice,    in    F  sharp    minor,    P    4/ — 

-  Carina,  romance,  P  3/ — . 

-  Chanson   d'amour,   4th   impromptu, 

-Che  V  y  C  h  a  s  e,  overt.   Mil.  Band 
Rudail. 

-  Coming  o'er  the  sea  4/ — •. 

-  Coming    of    the    May,    chamber    trio 

score   — /2  n. 

-  Coming  of  the  May,  chamber  trio  for  treble 

voices  3/ — . 
-Comprehensive  Scale  and  Ar- 
peggio Ma  u  u  a  1,  including  all  scales 
and  arpeggi  required  at  the  Metropolitan 
and  Local  Examinations  of  the  Koyal 
Academy  of  Music,  and  kindred  Institu- 
tions, viz. :  All  the  Diatonic  Major  p  nd 
Harmonic  Minor  Scales,  in  8ths,  in  3rds, 
and  in  6ths,  in  similar  and  in  contrary 
motion ;  also  all  the  Arbitrary  Minor  Sca- 
les. The  Chromatic  Scale,  in  8ths,  in 
Minor  3rds,  and  in  Minor  and  Major  6ths, 
in  similar  and  in  contrary  motion,  and 
with  two  methods  of  fingering.  Arpeggi 
of  Common  Chords,  Major  and  Minor, 
and  their  Inversions;  of  Dominant  7ths, 
and  their  Inversions;  and  of  Diminished 
7ths,  and  their  Inversions  in  all  keys. 
All    the    Diatonic      Major    and    Harmonic 


P    1/6 


Sms 


P    a     1/6 


P   4  — . 
15; —  n 


Voc. 


Macfarren  W.  Comprehensive  Scale 


28     — 


Macfarren  W.  0  lady 


Minor  Scales,  in  double  Srds,  in  double 
Major  and  in  double  Minor  6ths.  The 
Chromatic  Scale  in  double  Minor  3rds. 
in  double  Major  and  in  double  Minor 
6tlis,  in  4ths,  in  complete  Chords  of  the 
Diminished  7th,  and  in  double  Octaves,  P 

6/-. 

Courante,   P    3/ — . 
Cradle  song,  SATB  1/— 

icen,  P   1/6  Novello. 
Curfew   bell,   SATB  — /9   Novello. 
Dainty   love,    SATB    1/—   Novello. 
Day    dream. 


Novello,  — /2  Cur- 


4/- 


Daybreak,    SATBP    — /4  n 


nocturne-caprice,    P 

(Engl.   Finger.) 


4ms 

the 
The 


Dreamland,   impromptu,   P 

4/ —  Autfcner. 
Elaine,  idyll,   P  A/—. 
Eleanore,  romance,  P  3/ — . 
Elise,   valse  romanesque   4/ — . 
Enid,   reverie,   P  4/—. 
Etincelles,   galop  2, —   Novello. 
Evening   song,   P   3/ — . 
Fairies     (Up    the    airy    mountain),    SATB 

—  3    Novello. 

Fairy  boat,  barcarolle,   P  3/ —  Angener. 
Fantasia  on   G.   A.   M  a  c  f  a  r  r  e  n's  „Jessy 

Lea",  P  2/— n  Novello. 
Fantasia,    on    G.    A.    M  a  c  f  a  r  r  e  n's    „She 

Stoops  to  Conquer",  P  2/ —  n  Novello. 
Fantasia    on    G.    A.    M  a  c  f  a  r  r  e  n's    „Sol- 

dier's  Legacy",  P  2/ —  n  Novello. 
Favourite   Airs  in   „E  o  b  i  n   Hood",   arr. 

by    Chap  pell,    VP    1/6  n    CJiappell. 
Fete   d'tt^   Bohemienne,   P   4/ — . 
■  Fete  d'hiver,  fantaisie-caprice,  P  4/ — , 

5/—. 

Finale,  P  4/—, 
Forty  preludes   intended  as   studies   in 

art  of  improvisation,  P  5/ — . 
3    Four-part    Songs    (TTBB):      N.    1. 

fairy's   evensong   2/ — .    N.    2.    The    world's 

festivals    3/ — .    N.    3.    The    arrow    and   the 

song  2/ — ;   sep.  Voc.  parts  h  — /6  Asclier- 

herg. 
Flow   down   cold   rivulet   4/ — . 
Flow  down,  cold  rivulet,  a  farewell   1/ —  n. 

Atigeuer. 
Flower-deluce,  reverie,  P  3 — . 
Galop  de  concert  2/ — ,  ^ms  3, — . 
L   Gavotte,  P  4—. 
II.  Gavotte,  in  E  flat,  P  1/6  Novello. 
Gavotte  and   musette,   P  3/ — . 
Gavotte  de  concert,   P  4/ — . 
Gigue,  P  4/—. 
Gipsies'   roundelay,   drawing-room   trio    for 

treble   voices   3/ — ,   Voc.   score   2/ —  n. 
Go,   pretty   birds,   SATB  — ,3   Novello. 
Golden    slumbers,    berceuse,    P    4/ — . 
Gondola,  romance,  P  3/ — . 
Good  night,  good  rest,  SATB  1/ —  Novello. 
Gracieuse,  4»«s  5/ — . 
Happy    is    the    man    that    findeth    wisdom, 

SATB  — /3. 
Harvest  song   (Our  wealth  is  not  of  dismnl 

mines),    SATB   — /2    Novello. 
Hence,   all    you    vain    delights,    SATB   — 3 

Novello. 
Highland   war  song,   TTBB   1/—  Novello. 


-  Hunting  song,  see :   Up,  up,  ye  dames. 

-  Hyacinthe,  mazurka  caracteristique  4/ — . 

-  I  'think  of  the  land  3/—. 

-  I    will    praise    Thee,    O    Lord,    sacred    song 

4/—. 

-  II  dolce  far  niente,  barcarolle,  P  3/ — . 

-  II  staccato,  octave  study    (N.  4  of  2nd  set 

Studies),  P  3/—. 

-  Impromptu-gavotte,   P  4/ — . 

-  Impromptu-valse   4/ —  Heller. 

-  IV.   Impromptu,   P  4/ — . 

-  3    Intermezzi,    P:      1.    Allegretto    ma    non 

troppo,  in  G,  2.  Allegretto  ma  non  troppo 
presto,  in  A  minor,  3.  Allegretto  scher- 
zando,   in   G,   §,  4/ — . 

-  Jessamine,  P  3/ —  Chuppell. 

■  Joyeuse,   valse   brillante   2/- —   Novello. 

-  Konzertstiick,   Jftus   7  6.   2P    7/6. 

-  Let   the   words   of   mv   mouth,   sacred   song 

4/-. 

-  Life's   seasons   4/ — . 

-Lilian,    valse   elegante,    P   4/ —   Attgener. 

-  Linnet  song  4/ — . 

-Little  Studies,  extracted  from  the 
Modern  Pianoforte  Method,  in  6  Parts: 
I:  Swing  song.  Romance  (The  little  mour- 
ner). The  little  Savoyard,  galop,  II:  Ma- 
zurka. Quick  march.  Courante,  III :  Bo- 
lero. Hornpipe.  Serenade,  IV:  Aria.  Hun- 
ting song.  Country  dance,  V:  Tarantella. 
Waltz.  Toccatina,  VI :  Rigaudon.  Lament. 
Bourr6e,   a   4/ —   Leonard. 

■  Lord   is  my   Shepherd,   sacred   song   3/ — . 

-  liOrd  is  my  shepherd,  SATB  —06  BraiwirJ. 

-  Lover's   parting,   SATB  — 3    Novello. 

■  Love's  heigh   ho,   SATB   1/ —  Novello. 

■  Madeline,   P  3,—. 

-  ]\Iagnificat  and   Nunc   dimittis,   unison    (in 

C)    — /3  Novello. 

-  Marche  de  concert  4/ — . 

-  Marche  Joyeu.^e  3/ —  Williams. 

-  Mariana,    romance,    P   3/ —   AsJidown,   — .50 

Fischer. 
-Mazurka  caracteristique    (Third)    3/ — . 
-5th    Maziirka    caracteristique     (in    D) ,      P 

4/ —  Ascherberg. 
-2  Mazurkas,  in  D  flat  and  F,  a  16  Novello. 

-  Menuet   impromptu,   P  4/ — . 

-  IMermaids,   3   trebles  and   P  — /4. 

-  Minuet  and  Trio,   P  3/—. 

-  1.   Minuetto,   P  4/ —  Heller. 

-  Moderato  in  A  minor   (N.  2  of  12  Studies), 

P  3/—. 

-  More  life,   SATB  — /3   Novello. 
-Morning  Song,  SATB   1—  Novello,  P  3  — 

Ashdoicn. 

-  Mountain   stream,   impromptu,   P  4/ — . 

-  Music  on  the  lake,  nocturne,  P  4/ — . 

-  My   faint    spirit   3/ —   Ascherberg. 

-  Naiad's   song,   P   4/ — . 

-  Ne'er   to   meet   again,   old   ballad   4/ — . 

-  Night,   sable   goddess,    SATB   — /3    Novello. 

-  2    Nocturnes,    in   E  minor   and    E,    P   a  1  6 

Novello. 

-  O  gentle  summer  rain,  SATB  1/ —  Novello. 

-  ()  hemlock-tree  3/ — . 

-  O    lady,    leave    thy    silken    thread,    SATB 

— /3   Novello. 


Macf arret!  W.  0  Lord 


29    — 


Macfarren  W.  Vivace 


-  O   Lord,   rebuke  me   not,   sacred   soug  3/- — . 

-  0  love,  arise,  serenade  4/ — . 

-  O  sing  unto  the   Lord   a  new   song,  sacred 

song  3/ — . 

-  O   Summer   Morning,   2-part-song   — /2    A*o- 

vello. 

-  O  were  my  love  yon  lilac  fair  4/ — . 
-Octave  study,  in  C  minor    (N.  9  of   12   Stu- 
dies), P  3'—. 

-  Old   King  Cole,   ATBB  —'6  n. 

-  Paquita    (T  love  when  the  sun  has  set)   2/6 

Ancherherg. 
-Parmi  les  montagnes,   romance,  P  3/ — . 

-  Penserosa,   nocturne,   P  4, — . 

-  Peidita,    mazurka    de    salon    3 — . 

-  Pianoforte   Methode   3/ —  n   Leonard. 

-  Polka   de   concert   4/ — . 

-  T.  Polonaise,  P  4/ — . 

-  TI.    Polonaise,    P   4/ — . 

-  IIL   Polonaise,   P  4/ — . 

-  TV.   Polonaise,   P   41—. 

-  Prelude,   P   3/—. 

-Prelude  in  G,  Org  — 6  Novello. 

-  Primavera,    rondoletto,    P    4/ — . 

-  Reveil,   galop   brill.   P   4/ — . 

-  Reveillee,    morceau    militaire,    P    4,' — . 
-Robin   Hood,  2  fantasias  by  N.  M  o  r  i, 

VP   a  3/6    Chappell. 
-Robin    Hood,     favourite    airs,    arr.    by 
Chappell,   Fl   1/6  n   ChappeU. 

-Robin  Hood:  Mon  #toile  tutelaire,  bal- 
lade 1.35  n  Diirand. 

-4  Romances,  VP  10/6:  N.  1.  Serenade  3'—. 
N.  2.  Scena  4/—.  N.  3.  Canzonet  3/—. 
N.   4.    Idyll   4/—. 

-  Rondeau   a  la   berceuse,    P   4/ — . 

-  Rondino  grazioso,   P  4/ — . 

-  Rondino  patetico,   P  4/ — . 

-  Rondino    scherzando,    P    4, — . 
-Rondo-caprice  in  A   (May  morn),  P  4/ — . 

-  Rossignol,   valse  brillante  4/ — . 

-  Sadowa,     fant.     on     Austrian    &    Prussian 

Marches  2/ —   Novello. 

-  Saltarella,  P  4/—. 
-Sail   swiftly   on   4/ — . 

-  Sarabande,    P   3/ — . 

-Scherzino  (N.  6  of  2nd  set  of  studies),  P 
3;—. 

-  Scherzo,  P  2/ —  Novello. 

-  II.   Scherzo,   P   4 — . 

-  III.   Scherzo,    P   4/—. 

-Sea  Song   (The  moon  shines  bright),  TTBB 

1/ —  Novello. 
-Selection   N.   1    (6   Pieces),   P   1,6  n. 

-  Serenade,  P  3/ — . 

-Service  (in  A)  1—;  or,  singly:  N.  1.  Te 
Deum  — /4.  N.  2.  Benedictus' — /3.  N.  3. 
and  4.  Jubilate  and  Kyrie  — /4.  N.  5  and 
6.  Magnificat  and  Nunc  dimittis  — /4  No- 
vella. 
Service  (in  C),  for  Parish  Choirs  — /6 : 
Te  Deum  — 3.  Jubilate,  Kyrie,  and  Sauc- 
tus  — 2.  Magnificat  and  Nunc  dimittis 
— /2  Novello. 

■  Shepherds  all,  and  maidens  fair,  SATB 
— /3. 

-  Shortest    and    longest,    TTBB  — /3    Nooello. 


-3  Sketches  (DafTodils,  lilies,  violets),  P 
4/—. 

-  Skylark,   valse   brillante   4/ — . 

-  I.   Sonata,   VP  6/—  n  Novello. 

-  II.    Sonata,    VP   6/—  n    Novello. 

-  Sonata  in  E-minor,  PVc  6/ —  n  Novello. 

-3  Sonatinas,  P :  1.  (C),  2.  (G.-m.),  3.  (D). 
a  4/—. 

-  Songs  and   smiles  4/ — . 

-  Spinning    Song,    P    1/6   Novello. 

-  Spirituelle,   allegretto,    P   4/ — . 

-  Spring,    .S'ATB    1/—   Novello. 

-  Spring  Song,   P  47 —  Ashdown,  3/ —  Augc- 

ner. 

■  Stars  are  with  the  voyager,  TTBB  H — 
Novello. 

•  12  Studies  in  style  and  technique  (dedi- 
cated to  Miss  Dora  Bright),  P,  2  books  h 
6/—. 

-  II.  set  of  twelve  Studies  in  style  and  te>Mi- 

nique   (dedicated  to  his  friend,  A.  J.  II  i  p- 
k  i  ns),   P,  2   books   a   7/6. 
-Suite    ancienne,    P :    N.  1.    Sarabande    3/ — . 

N.  4.   Rigaudon  4  — . 


N.  2.  Gavotte  3/—. 
I.    Suite    de    pieces : 
&    Musette. 


Prelude.    Sarabande. 
Courante.    Gigue,    P 


Prelude.    Gavotte   & 


Gavotte 
10/—. 

-  III.    Suite    de    pieces 

Musette.   Minuet  &  Trio.   Air   with  varia- 
tions.  Finale,   P   10/ — . 

-  Suite  de  pieces,  P  1/6  n. 

-  Suite  des  roses,  P  6/ — ,  or  in  separate  num- 

bers:  1.  The  red  rose.  2.  The  yellow  rose. 
3.   Tlie   with    rose,   a   4/ — . 

-  Sul  mare,  second   impromptu,  P  4, — . 

-  Summer    song,    SATB    1  / —   Novello,   — /IVo 

Curtven. 

-  Summer,    with    your    genial    noons,    SATB 

1/ —  Novello. 

-  Swallow,  swallow,  hither  wing,  SATB  -— /3 

Novello,  Ctirwen. 

-  Sweet  content,  SATB  — /3   Novello. 

-  Sylvia,    pastorale,    SATB    — 15  n    Schirmer, 

P   3/—. 
-Tarantella    (Gr.),  m.   Bund   15/ — n   Rudall. 
-Tarantella    (in   G),   P   4/ —  Ascherberg. 

-  II.  Tarantella,  P  4  — . 

-  Ill .    Tarantella     (F.     P  e  r  c  i  v  a  1 :      Sweet 

Memories    10),   P   2/—,   Jftris   3/—. 

-  IV.    Tarantella,   P   4/—. 

-  V.  Tarantella,  P  4/—. 

-  VI.    Tarantella,    P   4/—. 

-  Tendresse,   album   leaf,   P   4/ — . 

-  Thoughts  of  Youth  2/6  Ascherberg. 

-  Titania,   valse   romanesque  4/ — . 

-  Toccata   in   G-minor,    P   4/ — . 

-  Toccacta    (N.    7  of   2nd   set   of   Studies),   P 

3/—. 

-  Two  stars,  SATB  &  P  — /6  n. 

-  L'nto  thee,  0  Lord,  sacred  song  4/ — . 
-Up,   up,  ye   dames    (Hunting  Song),   SATB 

1/ —  Novello. 

-  Valse-caprice,   P   4/ — . 

-  Valse   de  concert,   P  4/ — . 

-  Valse    romanesque,   P   4/ — . 

-  Venezia,  P  1 —  Litolff. 

-Vivace,   in   F    (N.  3  of  Twelve  Studies),  P 
3/-. 


Macfarren  W.   Voice  of  the  sea 


?.0     — 


Machanek  Dr.  Ig.  Konig  in  Tnule 


-  Voice  of  the  sea  4/ — . 

-Warrior   (His  foot's  in  the  stirrup),  8ATB 

1/ —    Novello,    — /3    Curwen. 
-Water-lady   4/—. 

-  Wear  this'  flower,  P   (B.  E  i  c  h  a  r  d  s)  3,'—. 

-  AVelcome   spring   3/ — . 

-  Wiiile   my  lady  sleepeth  4/ — , 

-  Who   is   Sylvia,   8ATB  — /3   Novello. 

-  Will  o'  the  wisp,  galop  di  bravura,  P  4/ — . 

-  Willowtree   4/—. 

-  Windlass   song,   TTBB  — ,2   Novello. 

■  Winter  hath  it  merits  too,  iiATB  1/—  No- 
vello. 

-  AVoe  is  my  heart  4/ — . 

-  You    stole    my    love,    SATB    1/ —    Novello, 

— /P/j   Curwen,  — 06   Brainard. 

-  Zephj'rus,    fourth    mazurka    4/ — . 
Macgregor    Eleane    B.   Oh   lassie,   o   true   to 

me!    //(.  — 35  u   Presser. 
Macgregor's    Gathering,    song    (J.    T.    C  r  a- 

V  e  n)    2/6   Cramer,  SATB  —  1    Booseij. 

Mach,   Notturno   1 —  M.   TJrhdnek. 

Mach    G.    Italie,   valse   de   concert,   P    1.50  n 
Cottruu. 

-  ^lazurka,   caprice    1.50  n    Cottrau. 

Mach    H.   Die   drei   Grazien,   Mazurka    — 10 
Kunz. 

-  Opern-Redoute,    Polka    — 20    Kunz. 

Mach    Karl,  Allein :    „Und  stiiud'  die   gnuze 
Welt  dir  offen"   1.20  Bosworth. 

-  Bach-Polka  —10   Kunz. 

-  Keine    Wandlung :    ,,In    diesem    Hain,    der 

nun   so   herbstlich    ist"    1.20   Hoffmann. 

-  Sommeruacht :    „Nun   ist    zur    Ruh'    gegau- 

gen"   1.50  Hoffmann. 
-Unschuld:    „0   gesteh'   es,   holdes   Mildchen" 

1.20    Hoffmann. 
Mach  Willem,  Mitternacht,  Polka  4/—  Cra- 
mer. 
Machacek    V.   Piseli   ceske   mladeze    1 —   f7/-- 

hunck. 
Machado   Augusto,   Trois   esquisses,   P:    Op. 

16.    N.  1.    Romance    1.35  n.      Op.    17.    N.  2. 

Chant    du    bouvier    1.35  n.      Op.    18.    N.  3. 

Air  de  danse   1.35  n   Gregh. 
-Doria,    opera     (1887)    20— n    Ricordi. 
-Encore   une  valse!   P   1.35  n  Lemoine,  —40 

Nenparth. 

-  la.   Gavotta,  P   1.50  Bevilacqua. 

-  Hymno     do     centenario     da      India     — 50, 

marcha,  P  — 50,  Banda  — 30  Nettparth. 

-  Hymno    do    Centenario    de    Santo    Antonio 

—50,    P   —50,   Banda   —30   Neuparth. 

-  L  a  u  r  i  a  u  n  e,    opera    ( 1 883) ,    ChP    20—  n 

Heugel. 
■  Margarida,   canqao   —30   Neuparth. 

-  Minuetto,   P    1.50   Bevilacqua. 
-Miniatures,  P :  N.   1.  Dlvagant  —48.   N.  2. 

Allegretto-Scherzetto  — 48.  N.  3.  Petit 
jeux.  Cache-Cache.  Colin  maillard  —72 
Neuparth. 

-  Patria,  hymno-marcha,  P  —20,  Banda  — 20 

Neuparth. 

-  Pisar    das    flumineuses,    polka    1 —    Guima- 

raes. 

-  Pompadour,    polka    1 —    Guimaraes. 

-  Romanza   senza   parole,   P   1.50  Bevila<;qua. 


-Tic  no  Negro,  farga  lyrica  (1902),  ChP 
2 — :  Coplas,  D.  Inigo  — 30.  Sext*tto,  valsa 
— 50.  Tercetto  dos  credores  —40.  Cantiga 
do  preto  — 30.  Coplas,  Cecilia  e  Aparigo 
— 50.  Bailado  das  Fadas  marinhas  — 60. 
Alvorada  e   Ensalada  — 50  Neuparth. 

Machado   J.   Traquina,.  polka    1—,    FIP    2 — 

Guimaraes. 
Machado  J.  jr.  Esmeraldina,  valsa  1 —  Gui- 

ma  riiCf!. 

Machado  Raphael  Coelho  (1814—1887), 
ABC  Musical  contendo  los  principios  de 
musica  pratica,  on  elementos  da  escrip- 
turacao   musical    1.50   Schott. 

-ABC  Musical  contendo  los  principios  de 
musica  pratica,  ou  elementos  da  escrip- 
turacao   musical    1.50   Bevilacqua. 

-  Acuta   lancia   1 —  Gnimaraes. 

-  A  morte  de  Camoes,  P  1.50  Guimar&e.s. 

-  De    Paysandu    a    Monteviden,    marcha    2 — 

Napoleao. 

-  Methodo,    H(Org)    express,    encad.    4 —    Be- 

vilacqua. 

-  Mulher  ou  Anjo,  polka-maz.  1.50  Napoleao. 

-  Zuavos   Bahianos,    galop   2 —   Napoleao. 
Machan    K.    op.    26      Pochod    IT.    jizdeckeho 

l>luku  A-enovany  Jeji  KrSlovske  V^^sosti 
knezne  Marii  Louise   1 —   Uridnek. 

Machanek  Dr.  Ig.  Robitschek:  Op.  29  Eei- 
terlied,    TTBB    1.20. 

-30    Im    Niederwald,    TTBB    1.60. 

-  31    Waldfahrt,   TTBB   1.60. 

-32  Der  Tiroler  Nachtwache  1810,  TTBB 
1.20. 

-  33  Variationen  iiber  ein  eigenes  Thema,   P 

2.40. 
-34  Lacrimae  Christi,  TTBB   1.20. 

Nachtffesanff,  TTBB  oder  Quartett  1.20. 
Volkslied,    TTBB    1.20. 
TTBB    1.20. 
Der  Glucksritter,  TTBB  1.20. 
Gute  Nacht,   TTBB   1.44. 
Das  Tal,  TTBB  1.44. 
Barbarossa,  TTBB  2.16. 
Dornroschen,   TTBB   und   Soli,   Quartett 


-35 
36 
-37 
-38 
-40 
-42 
-43 
-44 


Morgengrufi, 
Kriegslied, 


3—. 
-Chore  und  Quartette  f.  Mlinnerst. :  Nr.  1. 
Es  war  zur  Friililingszeit  — 48.  Nr.  2. 
Non  possumus  — 48.  Nr.  3.  Studentin- 
wanderung  — 72.  Nr.  4.  Trinklied  — 4S. 
Nr.  5.  Wenn  sich  zwei  Herzen  scheiden 
— 48.  Nr.  6.  Faschingschor  im  Polkaschritt, 
P  ad  lib.  1.44.  Nr.  7.  Wildalproslein  — 54. 
Nr.  8.  Der  Fischer,  Chor  m.  P  — 48.  Nr.  9. 
Pauk-Lied,  Studentenchor  —48.  Nr.  10. 
Wald-Idylle,  Chor  im  Karntnerton  — iS. 
Nr.  11,  Der  Trunk  aus  dem  Stiefel,  Man- 
nerquartett  1.08.  Nr.  12.  Das  Herz  am 
Rhein,  Chor  mit  Bar-Solo  —66.  Nr.  13. 
Rheinfahrt,  Mannerquartett  oder  Chor 
—66.  Nr.  14.  Der  Kcinig  in  Thule,  Chor 
m.  P  —72.  Nr.  15.  Prost  die  Blume  —48. 
Nr.  16.  Ira  April  —48.  Nr.  17.  Mitten  in 
der   Nacht    (G.    Young)    — 48    Bosworth. 

-Die    drei    Zigeuner:      „Drei    Zigeuner    traf 

ich    einmal",    TTBB    1.60    Bosworth. 
-Konig  in  Thule,   TTBB  1.32  BostcoHh. 


Machanek  Dr.  Ig.  Prinxessin  Use 


—     31     — 


Machts  C.  Tataren-Reveillp 


-  Prinzessin   Use:      „Das    ist    die    Prinzessin 

Use",  f.  o8t.   TTBB   1.60  Bosirorth, 

-  Verstohleu    geht    der    Vollmoud   auf,    TTBB 

1.20  Bosirorth. 
Machard,    Cortege    de   I'hiver.      Digoudc. 

Machardy  Robert,  The  Fairy  Mother,  trebl? 
voices    3  —  n    Ashdoivn. 


The    Jackdaw, 
rios   97)    — /3 


part    son 
Ashdoicti. 


(Collegiate    Se- 


damo    w    sluzby    Tsve 
Menuetten,   PV 


Sech^ 


Machault    (^.    Piekna 

2 —  n   Gehethuer. 
Machcholdt  J.   H.  C. 

1 —  n    Breitkopf. 
M  ache  1 1  E.  M.  Go,  lovely  rose  4/ —  Chappell. 
-Mightfall.   ill  C  &  D  4/—  Ashdown. 

-  Oh  Bord   have   Pity  4/ —  Paterson. 

-  Soul   imisic,  in  A  flat,  B  flat  &  C  4/—  Ash- 

do  loi. 
Machine  a  coudre  1.35  n,  Ch.  s.  — 30  n  On- 

dct. 
Macho    G.    op.    17      Schottenfelder     Kinder, 

Wienerlieder-Marsch    1.50,    gr.    u.    kl.    MM 

2— n,    0    1.80  n,   sO    1.50  n    Miick. 
Machorro  A.  Elodia,  mazurka  — 50  \¥a(jvcr 

a  Levien. 

MaxoTHH'b  B.  IIoMOJiHCb  Mn.iMii  ;^py^'B  aa 
MCHfl.  P  — 25  Leopas. 

-  PoMancbi  H  ntCHH  Qutkeil :  Nr.  1.  IToiviojiHCb 

MHJiwH  ;];pyi"&  — 50.  Nr.  3.  Bsr.iflHn,  KaK'B 
MOH  cnoKoeH'E,  Bsopi  — 60.  Nr.  4.  B6.iiich 
TeoH  ;^o  STiix'B  uop-b  — 60.  Nr.  7.  KaKi 
;iyx'B  OTyaHHbH  — 75.  Nr.  8.  Homojiiici. 
MH.ibiH  .ipyri,  71.  K.  A.  — 50. 

-  ('Bepuiii.Tiocb,  noJiHo  ojKi^aTb  — 30  Outheil. 
Machts    Carl,    op.    3    Valse-Caprice,    P    1 — 

Ilei  nrirlifshofen. 
-15  Nr.   1.   Die  Traumboten :    „Wenn   dii   ini 

Traum'",    fiir    1   Singst   m.    P.      2.    Ob    ich 

dicli    liebe,    fiir    1   Singst    m.    P,     a    — 50 

Heinriehfthofen. 
-18  Drei   Lieder,  TTBB:   1.   Nachtlied :   „Der 

Mond  konimt  still   gegangen".  2.  Ini  wun- 

derschouen    Monat    Mai.      3.    Du 

eine  Bluine,  Part  — 75  n   Hug. 


bist    wiv; 


-  23    Karneval-Erinnerungen.    P,    2 


Hefte 


1—   Breitkopf. 
•  25    Zehn    Kinder-Klavierstiicke,    2    Hefte    a 
1.50  Ries  d  Erler. 

-  26   Zigeuuerleben,   ungarische   Fantasie   fiir 

0,    Part    2 —   Heinrichshofen. 

-29  Vier  Lieder:  1.  Standchen :  „Und  sank 
auch  langst".  2.  Bitte :  „Weil  auf  inir". 
3.  Clondoliera  :  ,,0  komm  zu  inir".  4.  Wenn 
du  bei  mein  Schiitzerl  kommst  2 —  Kahnt. 

-30  Sechs  Lieder,  ^'.-  I.  Liebeslied.  Fort  ist 
mein  Lieb.  II.  Auf  geheimem  Waldes- 
pfade.  Wanderlied.  TTI.  Hast  du  mich 
lieb?  I'nd  nur  der  Mond,  I — III  a  1.50 
Ries  tC-  Erler. 

-32    Fiinf    Lieder:      Nr.    1.    Die    triiumende 
Rose  —50.   Nr.   2.   Wanderlust    1—.   Nr.   3. 
Herbstlied   —80.    Nr.   4.    Wiegenlied   —80 
Nr.   5.   Den   Vogel   scliau  — 50   Raabe. 

-  85     Tscherkessen-Zapfenstreich,      VFlClTrP 

1.20,  0  2.50,  gr.   Harm  3—,  kl.   Harm  2— 
Lehne. 

-  101    In  der  Hexenkiiche,   infernalische  Szene, 

P  1.20,  0  3— n.  Par.  Bes.  1.50  n  Oertel. 


-  Amor   der    kleine   Schelm,   Caprice,    P    1.20 

Oertel. 
■  Aus  des  Lebens  Mai,  acht  leichte  kleine 
Charakterstiieke  mit  Riicksicht  auf  kleine 
Hiinde,  P:  1.  Am  Cstermorgen.  2.  Rin- 
gelreihe.  3.  An  der  Miihle.  4.  Auf  der 
Sehmetterlingsjagd.  5.  Auf  den  BergCii. 
6.  Beim  Waldfeste.  7.  Was  uns  Fran 
Muhme  hat  erzJihlt.  8.  In  der  Christ- 
nacht    1.20   Feuchtinger. 

-  Blumen  am  Wege,  10  leichte  Klavierstiicke, 


Itms:    Nr.    1.    Marsch. 


Spinnerliedchen, 


a  ■ — 60.  Nr.  3.  Frohliche  Gelegenheit.  4. 
Gondelfahrt,  a  — 60.  Nr.  5.  Walzer  1 — . 
Nr.  6.  Melodie  — 60.  Nr.  7.  Rundgesang 
1_.  Nr.  8.  Serenade  —60.  Nr.  9.  Polo- 
naise  1—.  Nr.   10.   Gute  Nacht  —60   Eug. 

-  Bulgarische   Serenade,    P    1.20   Oertel. 

-  Chanson  de  Village,  P   1.20  Oertel. 
-9   Duette,   VVa,   VVc  a   1— n   Lehne. 

-  Fahrende    Schiller,    Marsch,    siehe    Marsch- 

Album,   Heft    I. 

-  Fantasie    iiber    neue    deutsche    Lieder,     gr. 

Harm    5 — ,   kl.   Harm    3.30   Lehve, 

-  Faschingstreiben,    gr.    humoristische    Phan- 

tasie:  Das  lustige  Volkchen  versammelt 
sich.  Prinz  Karneval  kommt  angalop- 
piert.  Das  wilde  Heer.  Der  lustige  Hans- 
wurst.  Colombine.  Fidele  Studenten.  Ou- 
ter Mond  (ged.  Tromp.).  Der  Weihnachts- 
manu.  Karnevals-Walzer.  Glocke  schlagt 
fiinf.  Zecher  auf  dem  Heimwege  (wird 
gepfifTen).   Hahnenruf,    0   4.50   Lehrie. 

-  In    Treue    fest    zum    Zollernhaus,    Festzug 

aus  der  Oper :  Deutsehlands  Erhebung,  P 
1.50  Oertel. 

-  Kiirntner    Abschiedskliinge,     fiir     Quartett, 

und  Kiirntner  Tanzliedchen,  fiir  iSfr-Chor 
1.50  Oertel. 

-  Karntner   Friihlingsstandchen,    P    1.20   Oer- 

tel. 
-8  leichte  Stiicke   (I.  Lage),  VP  1.25  Lehne. 
-4   Lieder    f.    TTBB:      1.    Treuroschen    (T  h. 

Koner).     2.   Ich   liatte  einst  ein  schones 

Vaterland.      3.    Die    schlanke    Wasserlilie. 

4.  Schelmenlied  aus:  Till  Eulenspiegel    (J. 

Wolff)    3.50    Oertel. 

-  Lustspiel-Ouverture,  P  1.50,  mO  3—,  kl.   0 

2.50,   BlechMus.  2.50   Oertel. 

-  Marchen-Idyll,  P  1.25   Oertel. 

-  Maurer    und    Schlosser,   humor.   Marsch   m. 

Amho/s-  und  Steivklopfen,  und  R  e  i  n- 
w  aid:  Mein  Niedersachsen,  Marsch  mit 
Text,   0    1.50   Lehne. 

-  Nauheimer    Saison-Polka,    0    1.50    Oertel. 

-  Nauheimer     Saison-Polka,     VFlClTrP     I  — 

Lehne. 
-Othello,   Ouv.    (L.   Heifer),   gr.    Eorm 
3.30,  kl.   Harm   2.50  Lehne. 

-  Othello-Ouverture,    0    1.50    LeJme. 

■  Romanze  f.  engl.  Horn  m.  P,  m.  Sfr-Qiiint. 
a  1 —  Lehne. 

-  Schott-Marsch   — 30   Feuchtinger. 

-  10  Studien    (Capricen   und  Etiiden),   V  1 — 

Lehne. 

-  Tataren-Reveille     fur     gr.     narmoniemusik 

3 — n,  kl.  Harmoniemusik  2.50  n.  f.  Horn- 
musik  2.50  n   Oertel. 


Machts  C.  Tataren- Reveille 


32 


Macirone  C.  A.  Choral  Songs 


-  Tataren-Eeveille,  P  1.20,  0  3— n,  sO  2— d, 

mO  3— n,  kl.  inO  2.50  n,  hlM  2.50  n  Oertel. 

-  Traum  des  Prinzen  Karneval,  Fantasie,  P 

2—   Oertel. 

-  Unsere  kleine  Garde,  musikaliscber  Scherz, 

P   1—,  O  2—  OerfeZ. 

-  Valse-Caprice     (W.    Herzog),    gr.    Harm 

3 — ,  kl.   Harm  2.25   Lehne. 

-  Verlorenes     Lieb,     altes    Thiiringer    Volks- 

lied:  „Druben  am  Walde",  TTBB  1— 
FeuchUnger. 

-  Wariim   ich   den   Friibling  liebe.  Lied  — 50 

Feuchtinger. 
•  Weibnachten,     gr.    cbarakteristisches    Ton- 
gemiilde  fiir  PfO),  in   6   Abteihingen   mit 
verbindendem    Text,    mit     P    1 —  n,     0-St 
4 —  n   Oertel. 

-  Weihnacbts-Album,  P,  Festgabe  f.  Grofi  u. 

Klein  1 — n  Oertel. 

-  Weihnachtsgesang,   P  — 60   Oertel. 

-  4    Weihnacbtsliedchen     fiir     Kinder :      Das 

erloste  Baumcben.  Weibnachtsgebetcben. 
Das  Weihnacbtsglockcbeu.  Weibnachts- 
liedcben   1 —  Feuchtinger. 

-  Wiegenlied    f.     ObfHorn)    m.     P,    m.     »S7r- 

Quint.  a  — 75  Lehne. 

-  Zigeuner-Marseb    1 — ,    0    1.50  n    A.    E.    Fi- 

sch  er. 
Machts  Ludwig,  op.  1   36  Ij  riscbe  Gedicbte, 
P,  I— III  a  3.50  Ries  rf  Erler. 

-  4  Die  Sobilf insel,  Mareben  f.  Soli,  Cbor  u. 

P,  KA  4—  n,  Solost  —30  n,  Cborst  1—  n. 
Nr.    10.   Eingelreiben,   Jfms   1 —   Siegel. 

-  5  Ein  Maigang  in  Wort  und  Lied,  Cbor  m. 

P,  KA   4— n,   Cbor.st    1.20  n   Hiegel. 

-6  Zu  Kaisers  Geburtstag:  „Tag  des  Ju- 
bels,  Tag  der  Freude",  ^ATB,  Part  —80, 
Cborst  a  — 10,  dreist.  Scbulcbor  — 10  n 
Vieiceg. 

-7  Im  Walddorf,  Weibnacbtsidyll  fiir  2-  ii. 
3stimm.  Cbor  u.  verbind.  Deklamation, 
KA  —06  n,  Singst  k  —80  n ;  Nr.  4.  Scblitt- 
scbuhtanz,   Ifms  2 — ,  P  2 —  Vieweg. 

-  Gesange    aus    dem    bistoriscben    Cbaraktor- 

bild  „Gustav  Adolf" :  Minnelied :  „Die 
boldeste  Fraue",  f.  3st.  Frauenebor  — 90  n. 
Scblacbtgesang  :  „Verzage  nicbt,  du  Hauf- 
lein   klein",   TTBB    1.05  n   Breitkopf. 

-  Gesange    aus    dem    bistoriscben    Cbarakter- 

bild  „Lutber"  von  Otto  Devrient: 
Nr.  1.  Cbor  der  Moncbe,  TTBB  1.05.  Nr.  2. 
Studentenlied  — 30  n.  Nr.  3.  Cbor  der 
Nonnen,  HSM8A  1.05.  Nr.  4.  Scblufige- 
sang:  „Mit  Fried'  u.  Freud'  icb  fabr'  da- 
bin!"  f.  gem.  St  1.05.  Nr.  5.  Osterlied— 50. 
Nr.  6/7.  Melodram  (Tbesenanscblag).  Me- 
lodram    (Lutbers  Trauung)    1 —  Breitkopf. 

Machure    R.   La   Carmagnole   3 —   Videav. 

Macias  Rafael  Garcia,  3  Danzas,  P :  Amo- 
rosa.  Cuca.  Mary   1 —  Hofmeister. 

Maciejowski  St.  Cadran,  quadr.  0  1 —  n 
Gheluue. 

■  Lydia,   wale  — 60  n   Gehethner. 

-  Mazurka  — 25   Gutheil. 

■  Nouvelle    annee,    mazurka    — 25    Gutheil. 

-  Granger,  polka   1 —  n   Gheluue. 

Maciel  A.  Flor  das  mogas  brazileiras,  P  1 — 
NapoleTiu. 


Maciocchi    M.      Ramond:      Clocbettes,    raaz. 
1.75  n. 

-  Coquette,    polka    brill.    Mand    — 30  n. 

-  Fleur  d'or,  valse  jap.  P  2 — n  Parmentier. 
-For  liberty   (Pour  la  liberty),  marche  ame- 

ricaine,   O   av.   P   2 —  n. 

-  Jolie  Parisienne,  valse   1.75  n. 

-  Le    bonbeur    n'est    qu'une    cbimfere.      Mon- 

voisin. 

-  Les    deux     Martbe,     valse     americaine     de 

R  i  c  b.    Ewer  s,    MandP   2.50*  n   Zook. 
-Les    fantocbes,    polka-marcbe    1.75  n,    V   on 

Mand  — 30  n. 
•  Mensonge  !    Cliauson-Valse.      Monvoisin. 

■  Morceaux  choisis  pour  Mand:  I.     LTn  .soir 

u  Madrid,  A'alse  espagnol.  Les  Clocbet- 
tes, mazurka.  Polka  des  moineaux.  Der- 
niere  rose,  valse,  cbaque  — 30  n.  II.  1. 
Caramba !  Marcbe  espagnol.  2.  Message 
d'amour,  maz.  3.  Collier  de  perles,  valse. 
4.  Roses  pompons,  maz.  6.  Pluie  de  roses, 
valse.  7.  Boules  de  neige,  polka.  9.  Buis- 
sons  fleuris,  valse.  10.  Joyeuse  Bobeme, 
polka-marcbe.  11.  Amour  et  Danse,  valse. 
12.   La   Fete  des  fleurs,  polka,  a  — 30. 

-Nouvelle  Metbode  de  G    (lie  et  2me  partie) 
4— n. 

-  Papillonnettes,   mazurka,    V (Mand)   — 30  n. 

-  Parisienne   mondaine.      Costil. 

-  Petite  bistoire,  air  de  ballet,  Mand  — 30  n. 
-Petite   Tonkinoise    (de   Scot  to   et   C  b  r  i- 

s  t  i  n  e) ,    Estndiantina.      Christine. 

-  Polka  des  moineaux,  P  1.75. 

-  Premier   baiser,   valse,   MandfV)   — 30. 

-  Retour  de  fete,  pas  redouble   (L.  Gregb), 

Estndiantina   1.35  n   Gregh. 

-  Ronde    des    Sans-Soucis    1.35  n    Gallet. 

■  Ronde  des  Sans-Soucis,  marcbe  1.75  n  Gallet. 

-  Saluons  les  amours,  marcbe,  0  a  v.  P.  Mon- 

voisin. 

-  Saluons  les  amours!  Cbanson-marcbe.  Mon- 

i-oisin. 

-  Saluons    les    amours,     celebre    marcbe,     li'e 

Mand  — 30  n. 

-  Souviens-toi !   Romance   sans   paroles,   V  on 

Mand  — 30  n. 

-  Tout  sourit  t\  I'Amour !   Valse  lente.  Costil. 

-  Un  soir  a   Madrid,  valse  espagn.  MandfV) 

— 30n. 

-  Un   soir   u   Madrid,   valse   espagnol,   OP. 

-  LTne  noce  en  auto.      Labbe. 

-  Vers  la  paix,  marcbe,  OP.     Costil. 
Macirone    C.    A.    And    sball   Trelawney   die? 

i<ATB  &  P  — ,6  n   Ashdown. 

-  Anna   Marie,   SATB.      Williams. 

•  Autolycus'   song,   t<ATB   1/ —  Not^ello. 

-  Battle  of  tbe  Baltic,   8ATB  — /P/,  Novello. 

-  Break,  break,  break,  duet  — /3  n  Ashdoiv7i. 

-  By    tlie    waters    of    Babylon,    verse,    SATB 

— /3  Novello. 

-  Cantilena,  P  3/ —  Ashdoirn. 

-  Cavalier,   SMHC  — ,4  n   Ashdown. 

-  C'avalry  song,  SATB  — /3  Novello. 

-  Cboral  Songs:   1.  Jog  on  tbe  footpatb  way. 

2.  Wben  tbe  wind  blows.  3.  Ragged  and 
torn  and  true.  4.  O  sweet  content,  SATB, 
compressed  score  1/6,  Vocal  parts  of  N.  1 
l/_^  of  N.  2—3   1/6,  of  N.  4  1/—  Novello. 


Macirone  C.  A.  Choral  Songs 


—     33     — 


Mack  E.  Always  welcome 


■  Choral  Sougs :  To  all  you  ladies,  The  battle 

of     the    Baltic,    &    Cavalier's    Roug,     8ATB 
11—  Novello. 

■  Daybreak,    SATB    (Grosvenor    Series)     — 4 

Ashdoum. 

-  Dreams   4/ —   Ashdoicv. 

■  Emigrant's  Song,  SATJ5  — /3  Novella. 

-  Fare   thee   well !    and    if    for    ever,   ATTBB 

— /4   Novello. 

-  Farewell,    SMSC  — /6  n   Ashdoicn. 

-  Footsteps  of  angels,   8ATB   1, —   Novello. 

-  Four  angels,  nursery  rhyme    (fern,  or  boys' 

voices)    — /3  Novello. 

-  Glide,    softly    glide,    T   4/—    Ashdown. 

-  Good   morrow   to   my   lady   bright   1/ —   No- 

vello. 

-  Good    morrow    to    my    lady    bright,    SATB 

— /6   Novello. 

-  Henri    de   Lagardiere    1/3    Novello. 

-  Hey   ding   a    ding,    BSG   — /4  n    Ashdown. 

-  Humptie  Dumptie,  SATB  — /6  n   Cramer. 

-  Humtius  in  muro,  SATTBB  — /6  n  Cramer. 

-  Hush-a-bye,   SMSC  — /4  n   Cramer. 

-  I  had  a  little  castle,  3  part  song  for  chil- 

dren   (Grosvenor   Series)    — /4  Ashdown. 
-Jack   and   Jill,   8SAA  — /4  n   Cramer. 

-  Jog  on  the  footpath  way,  SATB  —/Vj^  No- 

vello. 

-  Ladybird   —jVji    Novello. 

-  Lay   of   the   Troubadour   3/ —    Weekes. 

-  Little  boy   blue.   2   part  songs  for   children 

— /4    Ashdown. 

-  Little    grey    Pussie    Cat,    3    part    song     for 

children  — /4   Ashdown. 

-  Lullaby,  in  C  &  E  2/ —  Novello,  — 50  Schir- 

nier. 
-Method  of  Study  — 10  n  Presser. 

-  Mistress  Mary    (fern,   or   boys'  voices)    — /2 

Novello. 

-  My  home  — Jl   Novello. 

-  Nacht-Reiselied,    rgverie,    P   3/ —   Ashdown. 

-  Old     Daddy     Longleys,     SATB   &    P   — /6  n 

Ashdown,  — /6  Curwen. 

-  Old    English    tunes,    simply    arranged     (in 

treble  clef  only),  P  2/ —  Ashdown. 

-  One    word    is    too     often     profaned, 

Willia7ns. 
-Ragged    and    torn    and    true,    SATB 
Novello,  — 10  n   Schirmer. 

-  Recall   1/6  Novello. 

-  Serenade,   SATB  — /2   Novello. 

-  Sir   knight,   sir   knight,    oh,    whither 

SATB    ]/—    Novello,   —,3    Cnrwen, 
Schirmer. 

-  Song  of  the  flowers   3/—  Ashdown. 

-  Summer  serenade,  P  3/ —  Ashdown. 
-Sun  shines  fair,  SATB  1/ —  Novello. 
-6    Sunday    Songs    2/ — n    Entchings. 

-  Sweet  and  low,  cradle  song  3/ —  Ashdoicn. 

•  Take,  oh   take,   from  Measure   for  Measvire 

1/ — n   Augener. 
■  To  all  you  ladies  now  on  land,  SATB  —IVj. 

Novello. 

-  Wandering  knight's   song  4/ —  Ashdown. 
-Who  is  Sylvia?  SATB  &  P  —6n  Ashdown. 
-Woman's 'smile,    SATB    1/—  Novello. 

-  Wounded   Cupid,  SATB   I/—  Novello. 

Universal-Handbuch  der  Musikliteratur.    M. 


SATB. 


-'T/- 


away 
— 12'n 


Kneipp'sche     Kur, 
March    — 50 


Mack,      Des     Schreibers 
Couplet  1 —  Banner. 

-  ]\Iarching     Through     Georgia 

il/c.  Kinley. 

-  Mocking   Bird,   P  — 35   Mc.   Kinley. 

-  Sweet  golden  Rod  — 40   Groene. 

Mack  Albert  A.  op.  6  Why  Seek  ye  Lising 
among  the  Dead,  ^MTB"^with  S-s.  &.  Org 
ace.  — 15  n  Schirmer. 

-10  Bourr^e  (with  Musette),  P  — 60  Schir- 
mer. 

-12  N.  1.  For  Ever  and  a  Day  —60.  N.  2. 
Shy  as  the  Squirrel  —50.  *  N.  3.  White 
Nights  —50.  X.  4.  O  Love.  Return  —50 
Schirmer. 

-14  N.  1.  Wake,  Wake!  the  Sun  i.s  High 
— 60   Schirmer. 

-  3    Songs :    One    Summer    Night    (The   Nigh- 

tingale)   —60.      The    Samisen    —60.      The 
Hermit  Thrush  — 40   Schirmer. 

Mack  Andrew,  An  Irishman's  Lift  „Arrah- 
na  Pogue"  — 50  Bloom. 

-  For   Home    and    Ireland    „Arrah-na-Pogue" 

— 50  Bloom. 
-I  love  you    (with   Banjo,  Part),  SBar  4/ — 
Francis. 

-  We'll   Hurry   to   the    Church   and   then   Be 

Married,    „Bold   Loger    Boy"    — 50    Bloom. 

-  You  Are  My  Star,  for  I  Love  You  !   „Bold 

Loger    Boy"   — 50   Bloom. 
Mack  Chr.  Fr.  op.  17  Das  enge  Fensterlein : 
„Am  Waldesrand  die  Schanke  stand",   TT 
BB   1.80   Andre. 

-  Schon    -    Guudala :       „Im       Jagerhauschen 

schmuck    und    klein",     TTBB     1.20     Ger- 
mann. 

-  Zwiegespriich :    „Die    Beerlein    am    Baume", 

TTBB   1.20  Germans. 
Mack    Edward,    op.    139      Barcarolle    Veni- 
tienne,   P  2 —  Schott  Freres. 

-  300    Souvenir    de    I'opera    de    Fatinitza,    P 

2 —  Schott  Freres. 

-ABC,   schottische  — 20   Gordon. 
-ABC  tumble  down    D,  P  —30  Ditson. 

-  Ada,   waltz  — 35,   Jfnis  — 40   Ditson. 

-  Adrianne,  polka   (Language  of  the  Stars  N. 

3)    —30  Gordon. 

-  Affection,    maz.    —20    Ditson,   —50    Willig. 

-  Africaine,    potpourri,    P    —20,    2VP    —80 

Ditso7i. 

-  After  dark,  galop  — 25  Ditson. 

-  Air  am^ricane,  V  —35,  FIP  —60  Ditson. 

-  Air   du   Roi  Louis   XIII,  P  —25   Ditson. 

-  Air  from  Belisario    (Donizetti),  P  — 20 

Gordon. 
-All    thy    heart,    or    none    (arr    by    J.    Hol- 
land),   song   &    chor.    with    G   — 40   Brai- 
nard. 

-  Alleghany,    march    — 35    Ditson. 

-  AUie  Lee,   quick   step,   P  — 25   Brainard. 

-  Alpine    March    — 30    Gordon. 

-  Alpine  melody,    VP  — 60   Ditson. 

-  Alpine    shepherd's    lament,     fant.    P    — 60, 

(arr.   by   S.   Winner),   VP  —40  Ditson. 

-  Alpine   waltz,   4>ns   — 25   Ditson. 

-  A 1  way's   Lovely,    waltz   — 25    Ditson. 

-  Ahvavs    welcome,    schottische   — 20    Gordon. 


Mack  E.  Amateur 


—     34     — 


Mack  E.  By  the  fountain 


40 


^tns 


6- 


thee. 


■  Amateur,   schottische  — 35    Ditson. 

■  Amazon,   galop   — 35,   l^ms  — 40   Ellis. 
Amazon,  march  — 25  Ditson. 

Amelia,  polka    (R  e  h  m) .  Jfins  — 40  Gordon. 
Amelia,   waltz   — 20    Gordon. 
America,   P  — 30,   VP  —60   Ditson. 
Angels  came  to  me  while  dreaming,  march 

— 25   Brainard. 

Angel's  whisper,  var.  P  — 50  Ditson. 
Anna  dear    (Var.),  P  — 20  Gordon. 
Annie,   waltz  — 35   Ditson. 
April    showers,    maz.    3/ —    Ashdown. 

Ditson. 
Argontiue,    maz.    CabinetOrg    — 20    Ditson 
Arkansas,  march  — 35   Ditson. 
Arora,    reverie   av.    variations,    P, 

Com p fair  de  Musique   Moderne. 
Ashland,  polka  — 20  Gordon 
Associates,     or     Consortien 

waltz  — 30  Gordon. 
At  the   gate   I   wait   for 

V  e  n  s)   — 25  Brainard. 
Auld   lang   syne,   var.   P 

— 60   Ditson. 
Autumn  leaf,   schottisch 
Autumn  leaves,  var.   P 
Away  with  care,   polka  — 20   Gordon. 
Azure,  .schottische  — 30   Gordon. 

Baa,   baa,   black   sheep,   polka  — 30   Ditson 
Baby  blue  eyes,   waltz  — 35   White. 
Bri,by's,   schottische  — 20   Gordon. 
Bacio,  valse,    V  —35,    VP  —60  Ditson. 
Banner  Quickstep,  P  — 20  Gordon. 
Barbe  bleue,  Jiins,  N.  1 — 2  a  — 20  Ditson. 
Barber  of  Seville,  Ifms  — 60  Ditson. 
Barcarolle    (Sparkling   sea).    P   — 25 
nard. 
Bfirefoot,  polka  —35   Ditson. 
Bat  and  ball,  march  — 30  Gordon. 
Battle  March  —20   Wliite. 
Beautiful   bells,   waltz   — 30   Gordon. 
blue    Danube,    waltz    — 35 


-60.    1 


(Strauss), 
march  (Ha- 
-35,    VP 


— o5 
-50 


Ditson. 
Ditson. 


Brai- 


Beautiful 
son. 
Beautiful 
Beautiful 
Beautiful 
Beautiful 
Beautiful 


7>77- 


-25   Ditson. 


hills,   rondo,   P 

isle  TJedowa,   P  — 20   Gordon. 
lake,  waltz  — 30  Ditson. 
Nell,   P  —30   Ditson. 
Venice,   P  — 20   Gordon. 
Beaver,   march   — 35    Ditson. 

Bee-hive:  1.  Beautiful  Nell.  2.  Bee-hive, 
polka.  3.  Bee-hive,  waltz.  4.  Bluebells  of 
Scotland.  5.  Captain  Jinks.  6.  Carnival 
of  Venice.  7.  Carry  me  back  to  Tennessee. 
8.  Her  bright  smile.  9.  Home,  sweet 
home.  10.  How  sweet  are  the  roses.  11. 
I  am  dreaming  of  the  loved  ones.  12.  Last 
rose  of  summer.  13.  Midnight-hour,  waltz. 
14.  Mocking-bird.  15.  No  one  to  love. 
16.  0  dolce  concerto.  17.  Rock  beside  the 
sea.  18.  Santa  Claus,  march.  19.  Shells 
of  Ocean.  20.  Spanish  dance.  21.  Wea- 
ring of  the  green.  22.  What  fairy-like 
music.  23.  What  is  home  without  a  mo- 
ther? 24.  When  the  swallows  homeward 
fly.  25.  Zingari,  polka,  I^ms  a  — 30  Dit- 
son. 

Beginning  of  Music,  P:  Air  par  le  roi 
Louis   XIII    (Amaryllis).    Belmont   Polka. 


Rondo. 
March. 
Waltz. 
Schot- 
Waltz. 


P'airy  Queen  Polka.  Ferndale 
Five  -  finger  Galop.  Five  -  finger 
Five  -  finger  Polka.  Five  -  finger 
Funeral  March.  Good  Evening 
tische.  Happy  Rondo.  Holiday 
Home.  Sweet  Home.  Hungarian  March. 
Indian  Dance.  Jessamine  Waltz.  Jolly 
Brothers  (Galop).  Lament,  The.  Midnight 
Hours  Waltz.  Mocking  Bird,  The.  Moon- 
light March.  No  One  to  Love.  Oxen  Waltz. 
Playful  Waltz.  Rochester  Schottische.  Sea- 
side Romance.  Spanish  Dance.  Sunbeam 
Waltz.    Yankee    Doodle   — 50    Ditson. 

-  Bell   flower,  polka    (Rudolph),  4''^s  — 25 

Ditso7i. 

-  Bernhardt  Galop  — 40    Gordon. 

-  Bernhardt   March   — 40    Gordon. 

-  Bertie's   galop   — 30   Ditson. 

-  Bertie's  waltz,  PfJ^ms)  — 30,  6ms  — 35,  arr. 

by  W.  P.  F  e  n  i  m  o  r  e  — 40,  CabinetOrgP 
— 50  Ditson. 

-  Bird  in  hand,   waltz  — 20   Gordon. 

-  Birdie,  waltz  — 30  Ditson. 

-  Black   Prince    March   — 20    Gordon. 

-  Blessing  of  the  bells  —50   Ellis. 

-  Blind   man's   buff   March  — 30    Gordon. 

-  Blossom    redowa,    P   ■ — 35    White. 

-Blue    Alsatian     mountains     (Adams),     P 
—30  Gordon. 

-  Blue     Alsatian     mountains,      waltz      (L  a- 

mothe)    — 30    Gordon. 

-  Blue    bells    of    Scotland,    march    — 20    Gor- 

don,  Fl(V)   —35,   FlfVJP   —60   Ditson. 

-  Blue   bird,    schottische   — 30    Gordon. 
-Blue  glass,  P  — 35   Ditson. 

-  Blue    mountain,    redowa,    P   — 25    Ditson. 

-  Blue  mountain,  waltz,  P(Jims)  — 30  Ditson. 

-  Bluebell,   galop  — -30   Gordon. 

-  Bluebell,   waltz,   Pf^ms)    — 25   Ditson. 

-  Bluebird  echo,  polka  — 30  Ditson. 

-  Bluebird,    polka    redowa,    VP   — 35    Ditson. 

-  Bluebird,    waltz    — 25    Ditson. 

■  Blush   rose,   polka  — 40   Ditson. 

-  Boccaccio,    P   — 20   Ditson. 

-  Bohemian  girl,  ^ms  —25,   VP  —50  Ditson. 

-  Bohemian    girl,    Cluster     of     Violets,     ^ms 

—30  Gordon. 

-  Bon   .jour,   polka,   milit.   — 30    Gordon. 

-  Bonnie  Dundee,  quadrille,  VP  — 60  Ditson. 

-  Bonnie's    galop,    P(Jfms)    — 30,    6ms    — 50, 

CabinetOrgP  — 50  Ditson. 

-  Bonnie's  waltz,  Pf^ms)   — 30,   CabinetOrgP 

— 50   Ditson. 

-  Bouquet,    galop   — 40   Ditson. 
-Breezes  of  the  night   (Lamothe),  P 

Gordon. 

-  Bridal    chimes,    gr.    march   — 40,    ltm,s 

Brainard. 

-  Bridal  rose,  waltz  — 40  Ditson. 

-  Bright  star  waltz  — 25   Ditson. 

-  Bright   sunbeams,   waltz   — 25   Ditson. 

-  Brooklyn    bridge   march   — 40    Ditson. 

-  Bunch   of   roses,   galop  — 40  Ditson. 

-  Burlesque    medley    on    popular    comic    airs. 

P  —30   Gordon! 

-  Butterfly,    redowa,    P   — /2   Sheard. 

-  By  the  fountain,  reverie,  P  — 35  Ditson. 


—30 


-50 


IVIack^E.  Cagliostro  Waltxes 


—     35     — 


Mack  E.  Evangel-hie 


Bit  son. 

-30    Ditsov, 


Gordon. 


&    ehoni.- 


Cagliostro  Waltzes    (Straus  s)    — 30   (ior 

don. 

Caliph  of  Bagdad,   Jtvifi  — 25 
Captain    Jinks'   Quickstep,    P 

Gordon. 
Carnival  march  — 35  Ditson. 
Carnival    of    Venice,    P   — 20 
Carrie,  polka   — 35   Ditaov. 
Carrie's  waltz  — 35   Ditsov. 
Cat's    foot,   polka   — 25    Ditson. 
'Cause   birdie    told    me    so,    soi 

— 35  Ditson. 

Cecilia  Polka   —35    WJnte. 
Cecilian    Waltz   —25    Ditson. 
Centennial  exposition,   march  — 40   Gordon. 
Centennial     fountain,     quickstep,     P     — 30 

Ditson. 
Centennial 

Ditson. 
Centennial 

sellaise. 

ocean       3. 

Columbia, 


grand 


inarch    — 50,     'iins    — T-'i 


set.    Easy    pieces:    1.    Air    Miii- 
2.    Columbia,    the     gem     of     the 
God   save   the   Queen,      i.    Hail 
P   a   — 35    Ditson. 

-30  Ditson, 


Champagne  Charlie,  quickstep 

Gordo7i. 
Charming  Lilly,  waltz  — 35  Ditson. 
Charming  polonaise  — 30  Gordon. 
Charming  waltz    (Waldteufel) ,  P  —30  Unr- 

d07l. 

Chatelaine,  P  —20  Ditson. 

Chfevre-Feuille,    valse    brill.    5 —    Comptoir 
de   Miisique   Moderne. 

Chick  Waltz  —40  Ditson,  — /2  Sheard,  J/ms 
— 50  Ditson. 

Chickweed,    polka   — 30    Gordon. 

Child  and  the  star,  P  —30  Ditson. 

Child's  prayer,  var.   P  — 50   Ditson. 

Chimes   of    Normandy,   waltz,    P   — 30    Gor- 
don . 

Christine     Nilsson's      favorite,      schottische 
— 40  Ditson. 

Cinderella,    fantasie,    P   — 60   Ditson. 
waltz  — 50  Ditson. 
track,    galop    (Strauss)    — 30 


Cinderella, 
Clear    the 

Gordon. 
Columbia, 

Ditson. 
Come  again 


the 


of    the    ocean.    P 


-30 


redowa,   P  — 35 


Come   along,   schottische  — 35 


Ditson. 
Ditson. 


march   — 35   Ditson. 
waltz    (M  u  s  g  r  a  V  e  I 


Come  back   to   Erin, 

Come  back   to   Erin, 
— 30  Gordon. 

Come,   birdie,   waltz   — ^20    Gordon. 

Come  once   more,  waltz  — 20   Gordon. 

Comin'  thro'  the  rye,  V  —35,  FIP  —60 
Ditsoji. 

Comique  medley,   P  — 40  Gordon. 

Compagnon,   maz.   — 20   Gordon. 

Congenial,    schottische   — 20    Gordon. 

Contemplation,    var.    P   — 60   Ditson. 

Contentment,  waltz  — 25  Ditson,  — 20  Gor- 
don. 

Continental  Var.soviana,   P  — 20   Gordon. 

Contraband,      schottisch       (S.      W  i  n  n  e  r  i , 

.'/'"s  — 50. 
Convenant  march  — 30   Ditson. 

Cornflower  waltz  (C.  Coote  j  u  n.)  3, — 
Ashdown,  —30  Gordon,  V  —35,  VP  —60 
Ditson. 


-  Courting  in  the  rain,  P  — 30  Ditson. 

-  Cricket  waltz,   P  — 25  Brainard. 

-  Crinoline,    schottische    — 30    Gordon. 

-  Crispino,    potpourri,    2VP   — 60    Ditson. 

■  Croquet    maz.  —30  Gordon. 

-  Croquet   waltz  — 30    White. 

-  Ooss   hand   march   — 35    Ditson. 

-  Cumberland   march   — 25    Ditson. 

-  Ckirly   locks,   waltz   — 30    Ditson. 

-  Daisy,   polka  — 20,  Ifms  — -30   Gordon. 

-  Damask  rose,  march  — 40  Ditson. 

-  Damask    rose,    waltz    — 40   Ditson. 

-  Danish    dance,    Jtnis   ■ — 25    Ditson. 
-Danube,    waltz     (Strauss)    — 30    Gordon. 

-  Darling  Lenalie,  P  — 20   Gordon. 

-  Dawn  is  breaking  o'er  us,  P  — 20  Gordon. 

-  Days   Absence,    P   — /2    Sheard. 

-  Dead   march   in   Saul  — 35    Ditson. 

-  Deitcher's   dog,   47ns  — 30   Ditson. 

-  Delhi  Galop    (Henri  Prince),  J^ms  —60 

<rnrdo7t. 

-  Delicio.sa.     polka     (C.    Merz),     Jfins     — 30 

Gordon. 

-  Delightful,   schottische  —30    WJiite. 

-  Dickory,    dickory,    dock,    P   — 30    Ditson. 

-  Dimpled    cheek,    schottische   — 35    White. 

-  Ding,   dong  bell,    march   — -30    Ditson. 
Dinner    Bell,    quickstep,    P   — 35,    Jims   — 40 

Ellis. 

-  Dixie's  land,  var.   P  —35   Ditson. 

-  Do  not  tell,  waltz  — 25  Ditson. 

-  Dollar   Analytical,  method   for   the   Cabinet 

Org   1 —  Ditson. 

-  Dolly   and  her  mamma,   P  — 30   Ditson. 

-  Dolly,    polka,    Ifins   — 30   Ditson. 

-  Dolly    Varden,    schottische    — 35    Ditson. 

-  Don't    be    angry    with    me.    darling,    waltz 

(Dank  s)    — 35    Gordon. 

-  Down  by  the  brooklet,   P  —20   White. 

-  Down   the   lane,   redowa,   P  — 25   Ditson. 

■  Dream   of  love.   maz.  — 50  Ditson. 

-  Dream   of   Love,   rgverie   a   la   Mazurka,   P 

— /2  Sheard. 

-  Dream   of   the   shepherdess,   P  — 50   Ditson. 

-  Dreams  in  the   past,   fantasia,   P  3/ —  Ash- 

down. 

-  Drummer    l)oy's    march    — 35    Ditson,    — 20 

White. 

-  Duet    from    Belisario,    P   — 20    Gordon. 

-  Dupple    storm    march   — 35    Ditson. 

-  Dying   nun,   P  — 30   Ditson. 

-  Dying    volunteer,    P   — 20    Gordon. 

-  Early  morn,  march  — 30   White. 

-  Echo  march  — 35,  -J?ns  — 40  Ditson. 
Echoes    of    Friendship,    N.    7     (from    Fati- 

nitza,  by  Supple),  P  — 30  Gordon. 
-Elk's    Ode       (witli    Martin,     Tried     and 
True),  T  or  Bar  or  B  —30  White. 

-  Emblem,   schottische  — 30    Gordon. 

-  Emerald    Waltz   — 25    Ditson. 

-  Empire    Galop   — 30    White. 

-  Empress  Henrietta,  waltz  — 25  Ditson. 

-  En    route,   Cab.-Org   — 20   Ditson. 

-  Enchanting   sounds,  maz.   — 40   Ditson. 

-  Eugenia   Eedowa,   P  — 30   Gordon. 

-  Eugenia    Waltz   — 30    Ditson. 
-Evangeline     (Hays),    quickstep,      P     —25 

Brainard. 

3* 


Mack  E.  Evelene 


36 


Mack  E.  Oood  morning 


Evening 
Evening 
Evening 
Ever  be 


Evelene,   polka   — 30    Gordon. 

Evening  bell,   quickstep,   P   — 25   Brainard. 

breezes,    schottische   — 30    Gordon. 

dew,   polka  — 20   Gordon. 

prayer,  P  — 50  Diison. 

happy,  march  — 35  Ditson. 
Ever  longing,   galop  — 20   Gordon. 

■  Ever   of  thee,   polka  — 20    Gordon. 

■  Fair  flower,  galop,  P  — 35    White. 
■Fairy  dell,  mazurka  — 30   Gordon. 

Fairy  Dell,  waltz  — 35  Ellis,   1/ —  Wickinfi, 

^nus  —40  Ellis. 
Fairy   Dell,   waltz,   and   Mary's   Pet   Waltz 

—12    Sheard. 

Fairy   frolic,   waltz,   P   — 30    Gordon. 
Fairy  lake,  schottische  — 30   Gordon. 
Fairy    queen,    polka   — 30    Ditson. 
Fairy   quickstep   — 30   Ditson. 

■  Fairy  spell,  aa  altz  — 30  Ditson. 

Fairy   sprite,   schottische   — 40   Brainard. 
Fairy  wedding  march  — 30  Ditson. 
Fame,    quickstep,    P    — 30    White. 
Fancy  dream,   redowa,  P  — 20  Gordon. 
Fantaisie   brillante,      Happy    moments,      P 
— 50  Brainard. 

Far    from    home,    march,    7'   — 35    White. 
Faust,   de   Gounod,   Jims  — 60   Ditson. 
Faust,   galop,   ^ms   — 20    Ditson. 
Faust,  march,  Pfl^msJ   — 25   Ditsoti. 
Faust,  potpourri,  FIP  —60,   2V  —50,  2VP 
—80  Ditson. 

February,    waltz    —40    Ditson. 
Fille  du   regiment,  Jfms  — 25   Ditson. 
Fire  bell,  galop,  P  — 25,  ]  or  2Banjos  w.  P 
— 60  Brainard. 

First  day   in   scKiol,   march   — 25   Ditson. 
First  glance,   schottische  — 20    Gordon. 
First    love,    redowa,    P    — 35    Dit.Hon.    — /2 
Sheard,  J^ms  — 25  Ditson. 

—25   Ditson. 
— 25  Diison. 
-25  Ditson. 
P  —25  Ditson. 
recreations,  I — II  a  — 50  :   Part 
Galop    —35.    Part    II:    Waltz. 


Five  finger 


galop 
march 


Five  finger 

Five  finger  polka 

Five  finger   rondo. 

Five  finger 
I :    March 

Polka  —35.  Part  III:   Schottische.  Quick- 
step  —35    White. 

Five  finger  recreations,  6  pieces,  P  1 — : 
N.  1.  Five  finger  march,  2.  Five  finger 
galop,  3.  Five  finger  waltz,  4.  Five  finger 
polka,  5.  Five  finger  schottische,  6.  Five 
finger  quickstep,  a  — 20   White. 

Five  finger  schottische  — 25  Ditson. 

Five  finger  waltz  — 25  Ditson. 

Flag   of   all   nations,   march  — 50   Ditson. 

Flag   of   my   Country,   P^  — 20   Gordon. 

Florentine  Waltz  — 35  Ditson. 
■Flowers  of  Melody,  easy  pieces,  P:  1. 
Little  Em'ly  waltz,  2.  Willie's  march,  3. 
Kitty  waltz,  4.  Surprise,  schottische,  5. 
Progress  march,  17.  Pany  galop,  19. 
Schoolmate,  schottisch,  20.  Mandoline 
waltz,    a   — 25    Ditson. 

Flowers  of  St.  Petersburg,  waltz  (Resch), 

P  —30   Gordon,   Cah.-Org  —20   Ditson. 
■  Flying  cloud,   polka  — 20   Gordon. 
•Flying  trapeze,  waltz,  P  — 30  Gordon,    'pns 
—30   Ditson. 


-  For  the  mother's  sake,  P  — 20  Gordon. 

-  Forrest,    Edwin,    funeral    march,     P    — 3& 

White. 

-  Fortification,  march  — 30   Ditson. 

-  Forward,   march  — 25   Ditson. 

-  Fox  and  Geese,  march  — 30  Gordon. 

-  Fra   Diavolo,   ^nis  — 25    Ditson. 

-  Frederick's    Prussian    March    — 20    Gordon^ 

-  Fresh  as  ever,  redowa,  P  — 20  Gordon. 

-  Fresh    evergreens.  5  Nos.  P  — 60   Ditson. 
■  Friendship,    schottische    — 20    Gordon. 

-  Fusionen,      waltz      (Strauss),       P     — 30 

Gordon. 

-  Garland,    waltz    — 30    Ditson. 

-  Gay  and  happy,  galop  — 20  Gordon. 

-  Gen.    Garfield's   campain,   march   — 40   Gor- 

don. 

-  Gen.    Garfield's   grand   march   — 40   Ditson. 
•  Gen.    Grant's  grand   march  — 40,   If'>^is  — 50 

Ditson. 

-  Gen.   Grant's   quickstep  — 40   Ditson. 

-  Gen.  Logan's  funeral  march,  P  — 35  White. 

-  Gen.   Mc.  Clellan's  march  — 35  Ditson. 

-  Gen.    R.    E.    Lee's    funeral    march    (Sorrow 

march  dolor.)    - — 40  Ditson. 

-  Gen.    Tom    Thumb's    wedding    march    — 35 

Ditson. 

-  Gentle   spirit,   waltz  — 30   Gordon. 

-  Germania,  Avaltz  — 20  Gordon. 

-  Gilmore's   garden   march   — 40   Gordon. 

-  Gipsy's   warning,   quickstep  — 35   Ditson. 

-  Gipsy   Set,    12   beautiful   pieces   arr.   in   au 

easy  styl  (Am.  Fing.)  a  — 35:  N.  1.  Pearl 
Waltz.  2.  My  Pet  Polka-Maz.  3.  Little 
Fairy's  March.  4.  Dinner  Bell  Quickstep. 
5.  Mutual  Friends  Waltz.  6.  La  Rose  Po- 
lonaise. 7.  Home  Return  March.  8.  Pink 
Rose  Maz.  9.  Joy  Redowa.  10.  Amazon 
Galop.  11.  Hope  Schottische.  12.  Fairy 
Dell    Waltz.      Ellis. 

-  Give   me   a    house   that's    haunted,   P   — 20 

Gordon. 

-  Glassina,   schottische  — 30   Gordon. 

-  Glown    worm,    schottische   — 20    Gordon. 

-  Go  as  you   please,  schottische  — 25   Ditson. 
-Golden "bells  of  Sydney  Smith,  P  2/—  Ash- 

doton. 

-  Golden  chain,  polka  — 25  Ditson. 

-Golden  echoes,  easy  pieces,  P :  1.  Ye  merry 
birds  march,  7.  Come  back  to  Erin  march, 
10.  Roses  waltz,  16.  Robin  Adair,  var.  and 
waltz,  i7.  Beautiful  blue  Danube  waltz, 
19.  Whip-poor-will  waltz,  22.  Qui  Vive 
galop,  28.  Queen  of  the  fairies  galop,  a 
—35  Ditson. 

-  Golden  fish,  galop  — 20  Gordon. 

-  Golden  youth  march,  PfJfms)  — 30  Ditson. 

-  Golden  youth  polka  — 25,  Jfms  — 30  Ditson. 

-  Golden  youth  waltz  — 35,  J^ms  — 30  Ditson. 
-Goldfinch   Waltz,    PfJfms)   —30    Gordon. 

-  Gondola,  maz  — 35  Ditson. 

-  Good  evening,  maz  — 35  Ditson. 

-  Good  evening,  polka  — 30   Ditson. 

-  Good  evening,  schottische  — 25  Ditson,  .^nis 

— 35   Gordon. 

-  Good  heart,  waltz  — 20  Gordon. 

-  Good   luck   march  —30  Ditson. 

-  Good   morning,    polka    — 20    Gordon. 


I 


Mack  E.  Qood-night 


—     37     — 


Mack  E.  Little  boy  blue 


Good-night,    waltz   — 25    Ditson. 
Good  time,  march  — 35   Ditson. 
Gov.   Spargue's  march  — 35   Ditson. 
Graceful,   schottische  — 30  Ditson. 
Grand   Duchesse,   march  —30   Gordon. 
Grand    Duchesse,    waltz.    Jfrns   —20    Ditson. 
Grand  Masonic  march  — 25   Ditson. 
Grandma's   polonaise.   P  —35   Ditson,  —20 

Gordon. 

Grandmother's  chair,  P  —20  Ditson. 
Grant's  Grand  March  1/—  Wivkins. 
Greeley's     (Horace),     grand     march,      P 

— 50   Brainard. 

Green  leaf,  polka  — 35  Ditson. 
Green  meadow,  galop,  P('tms)  —30  Ditson. 
Green    meadow,    schottische,    P(Jfnis)    — 30, 

Cab.-OrfiP    —50    Ditson. 

■  Green   meadow,   waltz,   P  —35    White. 

■  Greenwood,  redowa,  P  —25  Ditson. 

■  Greenwood,   waltz  — 35   Ditson. 

■  Hail   Columbia,  P  — 30  Ditson. 
■Happy  dream,  galop  — 20   Gordon. 

■  Happy   home,   march   — 20   Gordon. 

■  Happy   home,    waltz   —20    Gordon. 

■  Happy    moments,    fantaisie    brill.      P    —50 

Brainard. 

■  Happy    moments,    polka     — 25,      Jfms    — 30 

Ditson. 

-  Happy  new  year,  waltz  — 10  Ditson. 

-  Happy   sprite,   maz.   P  — 25   Brainard. 

-  Happy   thought,   polka   —30    Ditson. 
-Happy    waltz    —30.     (arr.    by    Loumey) 

— 40   Ditson. 

-  Hark,    I  hear   an    angel    sing,    P   —20    Gor- 

don. 

-  Haunted  house,  P  —20  Gordon. 

-  Haunted  spring,  waltz  — 30  Gordon. 

-  Hayes'   grand   march,   P  — 40    Brainard. 

-  Heavenward,   galop  — 30  Ditson. 

-Her   bright   smile    (Wright  on),    P   —20 
Gordon. 

-  Hey   diddle,   diddle,   rondo.   P  — 30   Ditson. 
-Hide   and   seek,   waltz   — 30   Gordon. 

-  Home  circle,  polka  — 30   Ditson. 

-  Home  Return  March  — 35,  J^ms  — 40  Ellis. 

-  Home,    sweet    home,    Pf^ms)    — 30,    Fl(V ) 

—35,   FIP  —60  Ditson. 

-  Home,    sweet    home,     variations,       P     4/ — 

Ashdown,  P(VP)  —60  Ditson. 

-  Homeward   march  — 35   Ditson. 

-  Homeward  quickstep,  ■^ms  — 30  Ditson. 

-  Honeymoon  polonaise,  P  — 20  Gordon. 

-  Hope    schottische    —30    Ditson,   — 35    Ellis, 

Iftas  —30  Ditson,  —40  Ellis. 

-  Horace    Greeley's    grand    march,      P     — 50 

Brainard. 

-  Hortensia  Polka  — 35,  Jfms  — 40  Ditson. 

-  How    sweet   are    the    roses,    waltz,    P(Jfms) 

—30   Ditson. 

-  How   the  gates  came   a   jar    (Eastburn) ,   P 

— 25   Brainard. 

-  Humming   bird,   waltz   — 20   Gordon. 
-Humpty-dumpty,   waltz  — 30   Ditson. 

-  I    cannot    sing    the    old    songs,    galop     — 35 

Ditson. 

-  I  had  a  little  doggy,  dance,  P  —30  Ditson. 
- 1  love  little  pussy,  waltz  — 30  Ditson. 

-  Immortellen  waltzes,   VP  — 60  Ditson. 


-20 


-20    Ditson,    Jfins 


-30    Ditson. 


50 


-  In   a  home   of    destitution   — ^j-.   Curwen. 

-  In  her  little  bed  we  laid  her,  P  —20  White. 

-  Invitation   march  — 35    Ditson. 

-  It  was  milking  time,  P  —20  White. 

-  Jack  and   Gill,  polka  —20   Gordon. 

-  Jack  and   Jill,   rondo,  P  —30  Ditson. 

-  Jacquemenot,    waltz    — 40    Ditson. 

-  January   march,  — 40  Ditson. 

-  Jas.   G."^  Blaine's  March  —40   Gordon. 

-  JefT  Davis'  retreat,  P  —20  Gordon. 

-  Jefferson   D.    P   —20    Gordon. 

-  Jennie   dear,   schottische  —20   Gordon. 

-  Jocky  hat,   schottische  —20   Gordon. 

-  Johnny,  jump  up,  schottische  —20  Gordon. 

-  Johnny's   return  march  — 35  Ditson. 

-  Jolly  "brothers,  galop  —30   Ditson,   Gordon. 

-  Jolly,    galop   — 20    Gordon. 

-  Joy'  Redowa,   P   —35,   Jfms  —40    Ellis. 

-  Joyous  life  waltz,  P(ltms)   —30  Ditson. 

-  Jubilee  Maz.  — 30   Gordon. 

-  Jubilee   quickstep  —30  Ditson. 

-  Julia  Polka,  P  —35  White. 

-  Juliette,   waltz    (C  o  o  t  e)    —30   Gordon. 

-  Killarney,   P  —25   Ditson. 

-  Kiss    me    and    I'll     go    to    sleep,      P 

White. 
-Kiss    Waltz     (Arditi] 
—30    Gordon. 

-  Kissing   thro'   the   bars,   maz. 

-  Kittie's  Waltz  —30  Ditson. 

-  Knights    Templar    grand    march,      P 

Brainard. 

-  Ladies'  favorite  dance,   P  —20  Ditson. 

-  Ladle's  favorite  waltz  — 25  Ditson. 

-  Last    rose    of    summer,      P   — 30,    VP   — 35 

Ditson. 

-  Last  rose  of  summer,  var.  VP  — 60  Ditson. 
■  Last  waltz  — 20  Gordon. 

-  Laughing    Jenny,    schottische    — 35 

-  Laurel,   schottische  —35    Ditson. 

-  Lazy   cat,   waltz   — 30   Ditson. 

-  Leap  frog,  schottische  —20  Gordon. 

-  Leap    frog,   waltz   — 30   Gordon. 

-  Leonore   galop  — 30  Ditson. 

-  Let  me  kiss  him   for   his   mother,      P 

Gordon. 

-  Life  let  in  cherish  waltz  — 30  Ditson, 

Gordon. 

-  Light  foot  galop,  P  — 25   Brainard. 

-  Light    heart    polka    — 25,    Ifms    — 30, 

—50,    Cab.-OrgP   —50   Ditson. 

-  Light  schottische,  J^ms  — 30  Ditson. 

-  Lightfoot,    polka   — 30    Gordon. 

-  Lillie,   polka  — 20   Gordon. 

-  Lilly   bell,   waltz  —20   Gordon. 

-  Lily,    var.    VP  —60   Ditson. 

-  Lincoln's    funeral    march    — 35    Ditson. 

-  Linda    di    Chamounix     (D  o  n  i  z  e  1 1  i) ,      P 

— 20   Gordon. 

-  Lisp,    waltz   — 25    Ditson. 

-Little  birdie's   carnival,   /'  —35   Ditson. 

-Little  bird's  nest:  1.  Little  party  waltz, 
4.  Drummer  boy's  march,  5.  Little  birdie's 
carnival,  10.  First  love  redowa,  18.  On 
the  beautiful  blue  Danube,  waltz,  19. 
Oberon  waltz,  P  k  — 35  Ditson. 

-Little   bo-peep,    P   —30   Ditson. 

-  Little  boy  blue,   galop  —35   Ditson. 


Ditson. 


20 


—20 


6  ms 


Mack  E.  Little  hroirn  church 


38 


Mack  E.  Mondamin- 


Little  brown  church,  P  — 25  Ditson. 

Little  brown   jug,   P  —30   Ditson,   Gordon. 

Little    Clo',    from    gates    a  jar,    march,    P 
—20  White. 

Little  daisy  schottisch,  Jfins  — 30  Ditson. 

Little   drummer   boy's   quickstep   — 35    Dit- 
son. 

Little  Em'ly,   P  —20   White. 

Little  Em'ly,  waltz  — 25  Ditson. 

Little    Fairy's    March    — 30    Ditson,      — 35 
Ellis,  4ms  —40  Ellis. 

Little  finger   redowa,   P  — 25   Brainard. 

Little    folks'    quadrille,    P    — 40    Brainard. 

Little  Jack  Horner,  waltz  — 30  Ditson. 

Little   Maggie   May,   galop   — 30   Gordon. 

Little    maid,    pretty    maid,    rondo,    P 
Ditson. 

Little   Mary,   waltz  — 30   Gordon. 

Little   Maud's  march  — 25   Ditson. 

Little  party,  maz.  — 30  White. 

Little  party,  waltz  — 35  Ditson. 

Little  Puss's  Dance,  P  — /2  Sheard. 

Red    Ridding-hood,    galop   — 35 


30 


Dit- 


Little 

son. 
Little   romps,   waltz   ■ — 30    Gordon. 
Little  star,  polka   redowa  — 30   Ditson. 
Little   teaze,   polka  — 35   Ditson. 
Live  and   love,   waltz  — 20   Gordon. 
Logan's   Grand   March,   P  — 35    White. 
Lone   roch   by   the   sea,   waltz  ■ — 25    Ditson. 
Long,    long    ago,    var.    V    — 35,    VP    — 60 

Ditson. 
Long  weary  day,  waltz  — 25   Ditson. 
Love  mazurka  — 30   White. 
Love  waltz  — 30   Ditson. 
Lucia    di    Lammermoor    (Donizetti).    P 

— 20  Gordon,  Ifms  — 25  Ditson. 
Lucrezia    Borgia     (Donizetti),    P    — 20 

Gordon. 
Luddy    Polka,    Jfms    — 30    Gordon. 
Lustre  mazurka,  P  — 35  White. 
Lustre  mazurka,  Cah.-Org  — 20  White. 

Ma's   Waltz   and   Pa's   Waltz   — /2    Sheard. 
Mabel    waltzes,    Fl   —35,    VP   —60    Ditson. 
Maid  by  the  Hillside,  P  —20  Gordon. 
Maid  of  Athens,  var.  P  — 50  Ditson. 
Maj.-Gen.  Sherman's  triumphal  march 

Ditson. 
Maj.-Gen.    Sheridan's    victory    march 

Ditson. 

■  Man  in  the  moon  is  looking,  waltz   ( L  o  n  s- 

d  a  1  e)   — 30  Gordon. 
Mandoline,   polka  — 30    Gordon. 

■  Mandoline,   waltz  — 25    Ditson. 

-March      „Boccaccio"     (Supp6),      P     — 30 
Gordon. 

■  March    from    „Grand    Duchesse"     (Offen- 

bach), P  —30   Gordon. 

-  March,   galop  — 40  Ditson. 

-March  of  the  fifth,   1877  —30   Gordon. 
-March     „Puritani"     (Bellini),       P    —20 
Gordon. 

-  Marche  des  bardes,  transcr.  by  Lott,   Orrj 

3/ —   Ashdoun. 
-Marching  through  Georgia    (Work),  grand 
march    — 50    Brainard,     — /2    Sheard,       V 
—25,    VP   —60    Brainard. 


45 


-40 


Marriage 


bells,   waltz  — 30  Ditson. 


-  Marseilles  hymn.  P  ^30  Ditson,  — 20,  ^ms 

—30  Gordon. 

-  Marseilles    hymn,    transcr.    P    — 50    Ditson. 
-Martha,    ^ms    — 25    Ditson,    — 30    Gordon,. 

VP   —50   Ditson. 

-  Martha,  Washington   march  — 40   Ditson. 

-  Mary's    pet.    Waltz,      Gordon. 

-  Mary's  schottisch,   PfJfmsJ   — 30  Ditson. 

-  Maryland,  my  Maryland,  brill,  var.  P  — 60 

Gordon. 

-  Marylaiid     rooster's    schottisch,      J^ms    — 50' 

Ditson. 

-  Massaniello   schottisch   — 25    Ditson. 

-  May    flowers,    reverie,    P   — 50   Ditson,   — /4 

Shea7-d.. 

-  Meditation,   waltz   — 35    Ditson. 

-  Medley,   burlesque,   P  — 40  Gordon. 

-  Medley,    comic,    on    popular    melodies,      P" 

— 40   Gordon. 

-  Medley,  march  — 35   Ditson. 

-  Medley  of  American  national  airs,  P  —50' 

Ditson. 

-  Medley  on  popular  airs,  2  Nos.    (in  D  and 

G),   yp  a  —60  Ditson. 
■  Memorial   march  — 50   Ditson. 

-  Memories  of  mother,   P  — 20   Gordon. 

-  Mermaid's   march   - — 35    Ditson. 

-  Merry    Christmas,    schottische  — 10    Ditson. 

-  Merry   maiden,    schottische  — 20   Gordon. 

-  Midnight    hour,    waltz    — 30    Ditson,      ifms 

—30   Gordon. 

-  Midnight   Redowa,   P   — 20   Gordon. 

-  Minnie's  maz.  PfJfms)   — 30    Ditson. 

-  Minnie  Waltz  — 35  Ditson. 

-  Mistress  Mary,  polka  — 30  Ditson. 

-  Mocking-bird,  Pf^ms)   — 30  Ditson. 

-  Mocking-bird,   barcarolle,   P  — 35   Ditson. 

-  Mocking-bird,  galop  — 35   Ditson. 

-  Mocking-bird,    march    2/ —    Ashdown,     — /2 

Broome,    — 35    Ditson,    3/ —    Pitman.    — /2 
Sheard. 

-  Mocking-bird,   maz.   — 35    Ditson. 

-  Mocking-bird,   minuet,    P   — 35    Ditson. 

-  Mocking-bird,   nocturne,   P  — 35   Ditson. 

-  Mocking-bird,   polka   — 35   Ditson,  2/6,   Ifms 

21—   Weekes. 

-  Mocking-bird,  polonaise  — 35  Ditson. 

-  Mocking-bird,  quadrille  — 40  Ditson. 
-Mocking-bird,    redowa.   P   — 35    Ditson. 

-  Mocking-bird,    rondo,    P   — 35    Ditson. 

-  Mocking-bird,    schottische    — 35    Ditson. 

-  Mocking-bird,    transcription,      P    1/ —    Ash- 

down. 

-  Mocking-bird,    valse   2/- —   Ashdown. 

-  Mocking-bird,  var.  V  —35,  VP  —60  Ditson. 

-  Mocking-bird,   varsovienne,   P  — 35   Ditson. 

-  Mocking-bird,    waltz    — 35    Ditson. 

-  Mocking-bird,  and   The  Queen's  lace  hand- 

kerchief, P  — /2  Sheard. 

-  Mocking-bird,   and   the   Titus   Marches   — /2 

Sheard. 

-  Moet    and    Chandon,    waltz    (Leybouno) 

—35   Ditson,  P(4ms)   —30  Gordon. 

-  Moir   antique,   schottische  — 30   Gordon. 
-Monastery   bells    (Wely),    ^ms   — 30    Gor- 
don. 

-  Mondamin,    waltz    (W  a  t  s  o  n) ,      4ms   — 30 

Gordon. 


Mack  E.  Moo?ibeams  on  the  lake 


—    39      — 


Mack  E.  Pony 


-  Moonbeams   on   the    lake,    fantasia,   P   — /4 

Shenrd, 

-  Moonlight   redowa,   P  —30  White. 

-  Morning  kiss,    var.    P   —75   Ditson. 

-  Morning   prayer,    P   —50    Ditson. 

-  Morning  ride  galop  —40  Ditson. 

-  Morning   ride  mazurka  — 50  Ditson. 

-  Morning   ride   waltz  — 50  Ditson. 

-  Morning  star,  quickstep,  P  —20  White. 
-Moss   rose,   barcarolle,   P  —40   Ditson. 

-  Mount   Vernon,   polka  —25   Ditson. 
Mountain   deer,   galop   —30    Gordon. 

-Mountain   Home,    schottisehe   —20    Gordon. 
-Mozart's  celebrated  waltz  S/— Ashdown. 

-  M  o  z  a  r  t's   Oxen,   waltz   —40    Ditson. 

-  Musical  bells,  fantaisie,  P  —35  Gordon. 
-Musical    hash,    medley,    2    Nos.    P    a    —00 

Ditson. 
-Mutual    Friends'    Waltz    —35,      kms    —40 

Ellis. 
-My  darling,  polka  —20  Gordon. 

-  My   first,   schottisehe  —25   Ditson. 

-  My  first  waltz,  song  and  chor  —35  Ditson. 
-My    Ma's   Waltz   —25,    (Louis   Meyer) 

—30,  Jfrns  —25,  6ms  —50,  Cab.-OrgP  — aO 
Ditson. 

-  My  march,  P(-'ims)  —30  Ditson. 
-My  old  love,  polka  —25  Ditson. 

-My    Pa's    Waltz    —25,     (Louis    Meyer) 

—30,  .^nis  —25  Ditson. 
-My   Pet  Polka  Maz.  —35,   ^ms  —40   Elhs. 

-  My   queen,   maz.  — 25   Ditson. 

-  Naiads'  barcarolle,  P  — 40  Ditson. 
-Nancy  Lee.   Cah.-Org  —20  Ditson. 
-Nancy    Lee,      or    Gilmore's    garden    march 

— 40  Gordon. 
-Natalie,      waltz       (Labitzky),      P(J,msJ 
— 30  Ditson. 

-  National  beauties,  medley,  on  national  airs, 

P  — 35   Gordon. 

-  National  Polka  —20  Gordon. 

-  Neapolitan  Waltz  — 30  Gordon. 

-  Nellie  Grant's  wedding  march  —40  Ditson. 

-  Nellie  polka,  P  —35   White. 

-  Nellie,    schottisehe,   P   —25    Brainard. 

-  New  ironsides  March  —20  Gordon. 

-  New  Vienna,  waltz    (S  t  r  a  u  s  s)    — 25  Dit- 

son, — 30   Gordon. 

-  Nineteen   birds,   polka   — 30   Ditson. 

-  Ninety  years  ago  —30,  P  —20  Gordon. 

-  No  one  to  love,   P  —30,  FIP  —60  Ditson. 
■  No  one  to  love,  galop  — 35  Ditson. 

-  No  one  to  love,  transcription,  P   1/ 

doicn. 

-  Norma  march,  ^ms  — 25  Ditson. 

-  Normandy,   redowa,  P  — 35   Ditson. 

-  Not  before  pa,  polka  —30  Gordon. 

-  Now  'tis  bed  time,  P  —20   White. 
-Nymph  of  the  wave,  waltzes    (d'Albert), 

JfTns   — 30   Gordon. 

-  ()  dolce  concento,  P  — 30  Ditson. 

-  Oberon      (Weber),     barcarolle,      P     —25 

Ditson. 

-  Oberon,  waltz  — 35  Ditson. 

-  Octave,   fant.   P   —35   Ditson. 

-  Octave,   march  — 35   Ditsoti. 

-  Octave,  quickstep  — 35  Ditson. 

-  Octave,   schottisehe  — -35  Ditson. 


Ash- 


-  Octave,  waltz  — 35  Ditson. 

-  Old   man   clothed   in   leather,   polka   rondo, 

P  —30   Ditson. 

-  Old    oaken    bucket,    var.      P    —50    Ditson, 

White. 

-  On  the  beach,  galop  --50  Brainard. 

-  On  the  beautiful  blue  Danube   (Strauss) 

—35,  Fl(V)   —35,   VP  —60   Ditson. 

-  One   hundred    years    ago,    reverie,    P    —40 

Ditso7u 

-  Open   the   gates   as   high   as   the   sky,    song 

and  chor.  — 40  Ditson. 

-  Opera   box,   maz.   —35    Ditson. 

-  Orange  blossom,  waltz  — 40  Ditson. 

-  Orange  leaf,   redowa,  P  —35   White. 

-  Orphan's  prayer,  fant.   P  — 50  Ditson. 

-  Our  Jennie's  choice,  waltz  — 35  Ditson. 

-  Our  next,  maz.  — 25  Ditson. 

-  Over  the  glen  march  — 20  Gordon. 
-Over  the  hill,  galop  —20   Gordon. 

-  Over    the    rippling    tide,    fantasia,    P    —60 

White. 

-  Paper  of  pins,  song  or  dialogue,  duet  —35 

Ditson. 

-  Parson   Brownlow's   March  — 20   Gordon. 

-  Parting    Waltz     (Weissenborn)      —30 

Gordon. 

-  Passaic  waltz,  4ms  — 20  Ditson. 

-  Patchwock  Polka,  ^wts  —40  Ditson. 

-  Paul   and   Virginia,   waltz  — 40   Ditson. 

-  Pearl   Waltz  — 35   Ditson,   Ellis,   kms  — 40 

Ellis. 

-  Peri  Waltz  —30  Ditson,  Gordon,  VP  —50 

Ditson. 

-  Perpetual   rose,  maz.  — 40   Ditson. 

-  Perpetual  rose,  schottisehe  —40  Ditson. 

■  Perpetual    rose,   waltz     — 40   Ditson,     — /2 
Sheard. 

-  Pet  Redowa,  P  — 30  Ditson. 

-  Petersburg  march  —25  Ditson. 

-  Petite  tambour,  air   and   var.   P  —30   Gor- 

don. 

-Phantom   polka  —30    Ditson. 

-Piano  at  home,  12  pieces:  1.  Early  morn 
march,  2.  Little  party  mazurka,  3.  Tie 
polka,  4.  Love  mazurka,  5.  Fame  quick- 
step, 6.  Moonlight  redowa,  7.  Village  belle 
polka,  8.  Delightful  schottisehe,  9.  Always 
happy  redowa,  10.  Em.pire  galop,  11.  Cro- 
quet'waltz,  12.  Presentation  march,  P  ft 
—.30   White. 

-Picnic    polka,    P     —20    White. 

-  Picnic  Waltz  —20   Gordon. 

-  Piggy  wiggy,   schottisehe  — 35   Ditson. 
-Pinafore    (by   Sullivan),   waltz   easy,   P 

— 30   Gordon. 

-  Pincushion   Polka,   ^ms  —30   Gordon. 

-  Pink  Rose  Maz.  — 35,   -Jms  — 40   Ellis. 

-  Pinkey  kinkey,   waltz  — 35   Ditson. 

-  Pique  dame,  galop  — 30  Ditson. 

-Please   let  my   brother   go,   P  —20   White. 

-  Poet  and   peasant,   waltz  —35   Ditson. 

-  Poll   parrot,   waltz   — 30   Gordon. 
-Polonaise    (Grand   Ma's   Polonaise),   P   1~ 

Schott   Frercs. 

-  Pond  Lilies,  march  —40   Pond. 

-  Pony,  galop  — 25  Ditson. 


Mack  E.  Pope  Pius  IX 


40 


Mack  E.  Somebody's  cominc)  when 


Pope    Pius    IX,     funeral    march,      P     — 35 
'Whiie. 

■  Port  Royal,  galop  • — 20  Gordon. 

■  Prairy   rose,   schottische  — 40   Ditson. 

■  Premier  jour  de  bouheur,  Itms  — 20  Ditson. 

■  President   Jas.   A.   Garfield's   grand   funeral 

march  ■ — 40  Gordon. 

-  Pretty   as   a  pink,   barcarolle.    P   — 60    Dit- 

son. 

-  Pretty    as   a  pink,    fant.    and    var.    P   — 60 

Ditson. 

■  Pretty  as  ping,  redowa,  P  —60  Ditson. 

-  Protty  moth,  waltz  — 30  Ditson. 

■  Pretty   pink,    waltz    — 20    Gordon. 

■  Primrose,  polka  — 30  Ditson. 

■  Prince  Imperial,  galop  — 30  Ditson. 
-Prince    Imperial,    galop     (Coote).    bright 

jewels  — 20   Gordon. 

-  Progress  march  — 25   Ditson,  — 30   Gordon. 

■  Prussian's    grand    eutr§e    march    — 40    Dit- 

son. 

■  Pull  down  the  blind,  waltz  — 30  Gordon. 

-  Purity,  theme  variee,  P  — /2  Sheard. 

-  Purity,  tremolo  fantasia,  P  — 50  Ditson. 

-  Purling  brook,   P  — 50   Ditson. 
-Purple  leaf,  waltz  — 35   White. 

-  Puss  in  the  corner,  rondo,  P  — 30  Gordon. 

-  Pussy  cat,  pussy  cat,  dance,  P  — 30  Ditson. 

-  Pussy's   jubilee   march   — 35    Ditson. 
-Queen   of  the   fairies,   fant.   P  — 40   Ditson. 
-Queen  of  the   fairies,  galop  — 35   Ditson. 

-  Queen    of    the    prairie,    march   — 40    Ditson. 

-  Qui  Vive,  galop    (G  a  n  z)   — 35  Ditson,  — 30 

Gordon. 
-Rainbow,    waltz   — 35    Ditson. 

-  Rebus,   polka,   4nis  — 25   Ditson. 

-  Recreation,   march,   P   — 25    Brainard,   — 35 

White,   CahinetOrg   —20    White. 

-  Red  moss,  polka  — 40  Ditson. 

-  Red   moss    rose,   schottische   — 40   Ditson. 

-  Red    Ridinghood,   polka   — 20    Gordon. 

-  Red,   withe    and   blue    and    Yankee    doodle, 

P  —25   Ditson. 

-  Rest,   waltz   — 30    Gordon. 

-  Ride    ii    cock   horse     to    Banbury     cross,     P 

—30  Ditson. 

-  Riding  on  a  load  of  hay,  P  —20   White. 

-  Ringing  bells,   P  — 25   Ditson. 

-  Rising  moon,  waltz  — 30  Gordon. 

-  Robin   Adair,  P  — 35  Ditson. 
-Rochester,   schottische  — 30  Ditson. 

-  Rock  beside  the  sea,  romance,  P  — 30.  4'»s 

— 25  Ditson. 
-Rock  me  to  sleep,  P  —20,  var.  brill.  P  —70 

Gordon. 
-Rockaway,  galop  —25  Ditson,  —20  Gordon. 
-Rocklajid,      schottische      —35.      CahinetOrg 

—20  'White. 
-Rose,   V  —35,  Fl(V)P  —60  Ditson. 

-  Rose,   polonaise,   P  — 35,   Iims  — 40   Ellis. 
-Rose,    waltz   — 30    Ditson,  — 20    Gordon. 

-  Rose   of   Allandale,    P   —20    Gordon. 
-Rose  of  Hazledeen,  P  — 20  Gordon. 

-  Roseleaf,   waltz   — 40   Ditson. 

-  Roses,    waltz   — 35    Ditson,  — 30    Gordon. 

-  Rosine,  waltz,  ^ms  — 25  Ditson. 
-Rosy  crown,  march  — 25  Ditson. 
-Rover's  Quickstep,   P  —30   Gordon. 


-  Russian  grand  march  — 20  Gordon. 
-Sable,   waltz  —35   Ditson. 

-Sadie,   waltz,   &   E.   E.   Rice:    Evangeline, 

waltz  — /2  Sheard. 
-Safe  within  thy  little  bed    (Eastburn^, 

P   — 25    Brainurd. 

-  Sagan   om    rosen   — 50   Johnns. 

-  Santa  Glaus,  m,arch  — 10,    Ifnis  — 25  Ditson. 

-  Save  the  boy,   P  —20    White. 

-  Schoolmate,   schottische  — 25    Ditson. 

-  Scotch  lassie  Jean,  transcr.  P  — 60  Ditson. 

-  Scotland  March  — 20   Gordon. 

-  Sea  beach,   galop  — 20  Gordon. 

-  Sea  shell,  redowa,  P,  Jfrns  — 30  Gordon. 

-  See-saw,  Margery  Daw,  P  — 30  Ditson. 

-  Select   march   —35    White. 

-  Sentinel    March   — 35,    4i^is   — 40    Gordon. 

-  Shady    nook,    polka    — 20    Gordon. 

-  Shells  of   ocean,   P  —30   Ditson. 

-Shells  of  ocean,  easy  pieces:  1.  Mermaid's 
march.  2.  Pearl,  waltz.  4.  Wearing  of 
the  green,  waltz.  8.  Sea  shell,  polka.  10. 
Diamond,  waltz,  P  a  — 35  Ditson. 

-  Shells  of  the  ocean,  var.  brill.  P  — 50  Gor- 

don. 

-  Sighing   winds,    fantasia,    P   — 60    White. 

-Silver  ripples:  1.  Clarion,  quickstep.  3. 
Charming  lily,  Avaltz.  4.  Starry  night, 
galop.  6.  Our  Jennie's  choice,  waltz.  13. 
Carnival,  march.  14.  Little  fairie's  march. 
15.  Good  time,  march.  16.  Piggy  wiggy, 
schottisch,   P,  a  — 35    Ditson. 

-Silver  sounds:  1.  Tag,  polka.  2.  Pinkey 
kinkey,  waltz.  3.  Good  evening,  maz. 
6.  Alleghany,  march.  7.  Florentine,  waltz. 
8.  Normandy,  redowa.  9.  Green  leaf, 
polka.  10.  Laurel,  schottisch.  11.  Home- 
ward, march.  12.  Meditation,  waltz.  15. 
Carrie's  waltz.  16.  Village  bell,  schot- 
tisch. 19.  Come  again,  redowa,  P,  a  — 35 
Ditson. 

-  Silver   Wreath,    redowa,    P   — /2   Sheard. 

-  Silvery    moon,     redowa,     (Lightfoot     Series 

N.    8).    P   —30    Gordon. 

-  Sing  a  song  of  six  pence    (Happy  Days  N. 

20),   P  —30   Ditson. 

-  Sing    to     me     softly,     dear     sister     (East- 

burn),  P  — 25  Brainurd. 
-Sister's   waltz,   ^ms  — 25   Ditson. 
-Skipping,  redowa    (String  of  Pearls  N.  67), 

p  _io  &  —20,   Jfms  —30   Gordon. 

-  Sleep,    gentle   mother    „Trovatore",    P  —20 

Gordon. 

-  Slumber,   polka  — 25    Ditson. 

-  Smile,  waltz  —30,  4ms  —35.  6ms  —40,  Ca- 

binetOrgP  — 50   Ditson. 

-  Snowflake.    galop   —30    Ditson. 

-  Snowflake.    polka     (Keen  an).    I,ms    —35 

Gordon. 
-Social,    schottische    — 30    Gordon. 

-  Soldier's   retreat,   P  —25    Ditson. 

-  Solid  hapiness,  P  —30  Gordon. 

-  Solitude,  fant.  vari6,  P  — /3  Ashdown,  — /4 

Sheard. 

-  Solitude,  var.  P  —50  Ditson. 
-Somebody's  coming  when    (Macy),  schott. 

P  — 40  Brainard. 


Mack  E.  Somebody's  coming  when 


41 


Mack  E.   Whoa,  Emma 


Somebody's   coming    when    (Macy).   waltz 

— 40  Brainard. 
Somebody's   darling    (Mrs.    Crawford), 

P  — 25  Brainard. 

Sounds  from  afar,  polka  — 20  Gordon. 
Spanish  dance,  P  — 30,  Jftns  — 25  Ditson. 
Sparkling,  waltz    (Golden  Chain  N.  3)   —25 

Ditso7i. 
Sparkling    eyes,   waltz    (Friendship's    Gift) 

—30  Gordon. 

Sparkling  sea,  barcarolle,  P  — 25  Brainard. 
Sparkling   waves,    fant.   brill.    P   — 50    Dit- 

S071. 

Speed    the    plough,    P   — 25    Ditso7i. 

Spinning,    waltz   — 20    White. 

Spring    flower,    maz.    — 30    Ditson. 

Spring,  gentle  spring,  waltz  — 30  Ditson, 
Gordon. 

Spring's    delight,   polka   — 20    Gordon. 

Squirrel,   polka  — 35   Ditson. 

St.  Paul,  march  — 25  Brainard. 

Star,  redowa,  P  — 25  Ditson. 

Star-spangled   banner,   P   — 30    Ditson. 

Starry  night  for  a  ramble,  waltz  — 30  Dit- 
son, Gordon. 

Still  true,  galop  — 20  Gordon. 

Storm,   schottische  — 40   Ditson. 

Storm   and   sunshine,   P  — 75   Ditson. 

Strawberry  leaf  march   — 35   White. 

Student's  '  ball,  waltz  (Strauss)  —30 
Gordon. 

Sultan's  march  — 35  Ditson. 

Sultan's  Polka,  I^ms  — 30   Gordon. 

Summer   garlands,   maz.  — 35   Ditson. 

■  Summer   noon,  waltz  — 40  Ditson. 

■  Sunbeam,  waltz  1/ —  Ashdoicn,  — 30  Ditson. 

■  Sunflower  March  — 20   Gordon. 

■  Sunshine   march   — 30    Ditson. 

■  Surprise,    schottische    — 25    Ditson. 

-  Swallow's   return,    fant.   with    var.    P  — 50 

Ditson . 

-  Sweet  Briar,   waltz   — 35,   CabinetOrg  — 20 

White. 

-  Sweet  by-and-by,   P  —30 

-  Sweet  by-and-by,    rondo, 

-  Sweet  memories  of  home, 

Gordon. 

-  Sweet  perfume,  march 

-  Sweet  spirit,   waltz  — 30   Gordon. 

-  Sweetest  eyes,   polka  — 25   Brainard. 

-  Sweethearts,  waltz    (d'A  1  b  e  r  t)    —30  Gor- 

don. 

-  Swiss,  waltz  — 20   Gordon. 

-  Swiss  boy,  var.  P  —30,  Fl(V)P  —60  Dit- 

son. 
-Tag,  polka   — 35   Ditson. 

-  Tag,  waltz  — 30  Gordon. 

-  Take    me    back    home    again     (Millard), 

waltz  — 25  Brainard. 

-  Telephone   march   — 50    White. 

-Ten  little  Injuns,   waltz  — 30  Ditson. 

-  There  was   a  crooked   man,   dance,   P  — 30 

Ditson. 

-  Thoughts  of  home,   waltz  — 25   Ditson. 
-Thousand     and     one     night      (Strauss), 

waltz   —30    Ditson,    Gordon,    V   —35,    VP 
— 60  Ditson. 

-  Thousand  thanks,   redowa,  P  — 20   Gordon. 


Ditson. 

P   —25    Ditson. 
nocturne,  P  — 50 

-40  Ditson. 


-  Through  the  forest,  march  — 30  (fordon. 

-  Tie,  polka  —30   White. 

-  Ting-a-ling-a-ling,  waltz  — 25  Ditson. 

-  Tit  tat  toe,  redowa,  P  — 30  Gordon. 

-  Tom   the  piper's   son,   polka  — 30   Ditson. 

-  Tottie   chasing,   butterflies,    P   —20    White. 

-  Toujour   ou   Jamais,   waltz  — 30  Gordon. 

-  Trab  Trab,  galop  — 20  Gordon. 

-  Traviata    (Verdi),  P  —40,  Jims  —25  Dit- 

son. 
-Tr&s    Jolie,    waltz     (Waldteufel)    —30   Gor- 
don . 

-  Trotty   trot,   redowa,   P  — 30   Gordon. 

-  True  heart,   waltz  — 20   Gordon. 

-  'Twas  milking  time,  P  —20  White. 

-  Twenty-second     Regiment     Parade     March 

(Guiigl)    —20   Gordon. 

-  Twickenham    ferry,    CabinetOrg    — 20    Dit- 

soy} . 

-  Twilight   dews,   P  —20    Gordon. 

-  Twilight  eve,  mazurka  — 20  Gordon. 

-  Twinkle,    twinkle,    little    star,    polka    — 30 

Ditson. 

-  Under  the  snow    (S  h  e  r  r  a  1 1) ,  waltz  — 25 

Brainard. 

-  Up  in  a  balloon,  P  — 30  Ditson. 

-  Vaillance,  polka,  I^ms  — 30  Gordon. 

-  Varsoviana,  P  — 30  Gordon. 

■  Velocipede,  galop  — 35  Ditson. 

-  Victory,  polka  — 35   White. 

-  Village   bell,   schottische  — 35   Ditson. 

-  Village  belle,  polka  —30  White. 

-  Wacht  am  Rhein,  P  —30  Ditson. 

-Waltz  „Boccaccio"    (Suppe),  P  —30  Gor- 
don. 

■  Water-lily,    fantasia,    P   —60    White. 

-  Wavelet,  waltz  — 20  Gordon. 

-  Wawe,   barcarolle,    P   — 35    White. 

-  We  have  met,  loved  and  parted,  march  — 25 

Ditson. 

-  We  parted   by   the   river,   march  — 25   Dit- 

son. 

-  We   parted   by   the    riverside,     waltz    — 35 

Ditson. 

-  Wearing   of  the  green,   waltz  — 35   Ditson. 

-  Weasel,    waltz,   ^?ns   — 30   Gordon. 
-Wedding  festival,  waltz    (Strauss)   — 30 

Ditson,  Gordon. 

-  Weston's     march     to    Chicago,     P   — 40,     G 

— 25  Brainard. 

-  What  is  home  without  a  mother,  Ifms  — 25 

Ditson. 

-  What's  up,  galop  — 35  Ditson. 

-  What's  up,  march  —35  Ditson. 

-  What's   up,   waltz  — 35   Ditson. 

-  When   I've   climbed    the   ladder   to   heaven, 

song  &  chor.  — 35  Ditson. 

-  When    the    band    begins    to     play,     P    — 30 

Ditso7i. 

-  Where  the  citrons  bloom,  waltz  (S  t  r  a  u  s  s) 

— 30  Gordon. 

-  Whippoorwill,   waltz   — 35   Ditson. 

-  Whisper,   waltz   — 35   Ditson. 

-  Whisper  it  softly    (Moore),  P  —25   Brai- 

nard. 

-  Whispering  hope,   waltz  —35   Ditson. 

-  White  moss  rose,  march  — 40  Ditson. 

-  Whoa,  Emma,  waltz  — 30  Gordon. 


Mack   E.    Wild  deer 


—     42 


Mack  G.  Tramonto' d' hiverno 


— 35  Ditson. 
Jewels,  waltz  — 20 


(St  r  a  u  s  s ) 


30 


-30  Gor- 


G),    VP 


-  Wild  deer  — 20  Gordon. 

-  Wild    tlowers,    waltz    — 50    Ditson. 

-  Wild    rose,   march  — 40   Ditson. 

-  Wilhelmina,      schottische      (Schilling), 

Ifins  — 40  Gordon. 

-  Will  you   meet  me  by  the  stile,  Annie?  P 

—20' White. 

-  Willie's  march  — 25  Ditson. 

-Wine,  wife  and  song  (Strauss),  waltz 
—30  Ditson,  Gordon,  Fl(V )P  —60  Ditson. 

-  Winning  smile,  schottische  — 20  Gordon. 

-  Woodbine,  waltz  — 30  Ditson. 

-  Woodland,   march  — 35    Ditson. 

-  Woodland     whispers,     waltz      (Stanley) 

—30  Gordon. 

-  Would  I  were  with  thee,  P  — 30  Ditson. 

-  Write   me  a   lettre    from   home,   waltz   — 35 

Ditson. 

-  Yankee  doodle,  P  — 30  Ditson. 

-  Ye  merry  birds,  march 

-  You,  and  J.  Bright: 

Gordon. 

-  You    and    You,    waltz 

Gordon. 

-  You  never  miss  the  water,  waltz  - 

don. 

-  Young    fairy's    quadrille    (in    D   & 

—50  Ditson. 

-  Young   hero's   march    — 35    Ditson. 

-  Young  lark,   waltz  — 25   Ditson. 

-  Young  .student's  march,   P(Jtins)   — 30  Dit- 

S071. 

-Zingara,    polka,    J/ms   — 25    Ditson. 

-  Zulu,   galop   — 35   Ditson. 

Mack  Engelb.  op.  7  Mein  Vaterland,  Fest- 
Marsch  mit  Schlufi :  „Es  braust  ein  Ruf 
wie  Donnerhall",  P  — 75   Ullrich. 

Mack  F.  C.  The  Outcast  —10  National  Mu- 
sic Co. 

Mack  Friedrich,  Gesangsschulbuch  fiir  hoh. 
Schulen,  herauisg.  als  methodi.sch  geord- 
neter  Lehrgang,  Heft  1.  Sexta  (m.  An- 
hang  I  [katholisch]  u.  Anhang  IT  [evau- 
gelisch]).  8",  kart.  1— n  8el.hstverlag- 
Mannheim. 

-  Ja,   du    bist   mein:    ,,Ich   will's   dem    blaueii 

Himmel  sagen"   1- —  Hochstein. 

-  Wenn   ich   ein  Voglein   war',   Volkslied,   TT 

BB   1 —   Hochstein. 

Mack  G.  Ricordi:  Op.  31  Biglietto  amoroso 
3—. 

-  32  Une  larme,  elegie,  P  3.50. 

-33  Luna  mi  guardi  e  taci?  Romanza  3 — . 

-  34  Serenata  di  un  Trovatore  3 — . 

-  35  Non  sei  piil  tu  !  Canzonetta  drammatica 

2.50. 

-  36   Dolce   ritorno,   romanza   3 — . 

-  37  Malinconia,   romanza  3 — . 

-  38   Sogno   singolare,   raccontino  2.50. 

-  39     Lamento     del     Pescatore,     barcarollina 

2.50. 

-  40   Un   Fiore   sul    \erone,    recitativo   e  can- 

tabile  2.50. 

-  41   Meditation  sur  la  Tendresse,  m6lodie  de 

S.  Heller,   FI{V)   et   Vc  av.   P  .3—. 

-  42   In  alto  mare,  barcarola   3 — . 
-43   Canzone   della   Sartina   3.50. 


-44  I'll  not  Believe!  2.50. 

-  45  Violetta  mia !   Romanza   3.50. 

-46    Eterno    e    dunque    amore?    Duetto,    8C 
4.50. 

-  47  Convegno   notturno,   romanza  3 — . 

-  48   Onda    fuggitiva,    melodia,   con   P   &    Vc 

obi.  4.50. 

-  49  Voto,  canto  religioso  4 — . 

-  50  Canzone  del  Vecchio  4 — . 

-  51   Presso  a  morte  2.50. 

-  52  Dormi,  amor  mio !  .3 — . 

-  53   Lascia  ch'io  t'ami  !    3 — . 

-  54  Rose  e  Giacinti,  meditazione.  con   PV  e 

Va  obi.  6.50. 

-  55  Anima   Greca,   aria   4.50. 

-  56   Bienvenu,  P  2.50. 

-  57  Memorie  2.50. 

-58    Che    vorra    dire?    2.50. 

-  59   Ritorna   in   cielo   2.50. 
-60  Elegia   .3—. 

-  61   Torna  alia  festa  3—. 

-62   Foglio    d'Album,    melodia,    PV    2.50. 

-  63  A  Te !  3—. 

-  64    Legger    Negli    occhi,    duettino,    M><Bar 

4.50. 

-  65   Impromptu,   VP  3.50. 

-  66  Une  pensee  fugitive,   VP  2.50. 

-  67   Pensee   religieuse,    VcP    3 — . 

-  68  a  79  A  S.  M.  la  Regina  d'llia,  12  pea- 

sieri    fuggitivi    su    tutti  i    toni    di    modo 
maggiore,   P   2.50  n. 

-  93   Due  farfalle,  capriccio,   P  2.50. 

-  97  Tirolese,   P  3—. 

-  Ahtl  2.50   Societd. 

-  Alia  Donna  lontana   3 — . 

-  Angelo  mio  !    3 — . 

-  Barcarola,  P  3 —  Societd. 

-  Berceuse   fantastique,    VcP   5 — . 

-  Canzone  campestre  .3 — . 

-  Due  Sogni,  duettino,   ST  3.50. 

-  Fidanzata  del  Brigante  2.75. 

-  Foglie   Autunnali   2.50. 
-Foglio  d'Album,   studio,   P   1.50. 

-  Giovanna  Grey,   fant.  brill.   VP    (A.   M  a  r- 

zorati)    7.50. 

-  Meditation   sur   I'Adagio   d'une   Sonate    de 

Beethoven   (op.  27  N.  1),  PJ?  (ad  lib.) 
VVc  4.50. 

-  Napoli  4 —  Societd. 

-  Nauta  Vota.     Societd. 

-  Ricordo   di    Cava   dei    Tirreni    3—. 

-  Ricordo   di   Napoli,   tarantella,    P   2.50. 
-Ricordo     di     Simla,     raccolta     di     melodic: 

N.  1.  Voghiamo,  duettino.  MSBar  3 — . 
N.  2.  Arpa  dell'Orfana,  CantoVcP  3.50. 
N.  3.  Donna  del  Bersagliere  3 — .  N.  4. 
Rita  .3—.  N.  5.  Un  Voto  2.50.  N.  (5.  In- 
vito 2.50. 
-Ricordo    di    Sorrento,    barcarolina,    P    1.50. 

-  Sera   d'Estate,   arietta   2.50. 

-  Souvenir   de   Calcutta,    maz.    de   salon   4—. 

-  Souvenir    de    Calcutta,     petit    caprice-maz. 

1.50. 

-  Souvenir    de    Simla,    melodic    orig.    variee, 

P  3—. 

-  Studio   Capriccioso,    P   2.50. 

-  Sweet,    my   own    3 — . 

-  Tramonto    d'Inverno    2.50. 


Mack  G.   Un  Sourire 


43 


Mackenzie  A.  C.  op.  34 


-  Un  Sourire,   improvisation,   P   1 .50. 

-  Voice  of  the  harp   4/—  ChappcU. 

Mack  Herm.  Festmarsch  1.20,  0(U0)  2.40  n, 

mO  2.80  n  AZZner-Dessau. 
Mack  J.   Baby   Blue   Eyes,   P  —40    White. 

Mackay  Charles,  Highland  emigrants  1/ — n 
Aitgener. 

-  John    Brown    (I've   a  guinea    I  can    spend) 

2/ — n    Sheard. 

-  Land   of   the    Stranger,    G-song  — 15    Pond. 

-  Eose's  errant.   Bar  — 25   Brainard. 
Mackay   Edith.   Storm-tossed  — 35  Ditson. 
Mackay   H.   D.  Rgverie,  Z  — 60   Liebert. 

Mackay    J.    L.    Prince    and    Pedlar,    or    The 

Rhyme  of  Ardenlea   3/ —  Curiren. 
Mackay   Miss   Julie,   Dad's   Little   Girl    1/ — 

Prive. 
Mackay     Ph.       Moontide,      barcarolle      — 50 

Schirmer. 
Mackechnie   A.   L.  Light  singers  aid,   I — II 

a  — /8  n,  III   1/4  n  Leonard. 
Mackee,  Caressante,  valse  — 50   Lamhertini. 

-  IToney-Moon,    valse    — 50    Lamhertini. 

Mackensen   Rudolf.  Hainauer:  Op.  5  Stilles 

Gluck,  Walzer   1.50,   0  6—. 
-6    Immergriin-Rauschen,   Walzer    1.50. 
-7  Leise  wehen  laue  Liifte,  Walzer  1.50. 

-  8   Sturmes-Sausen,   Galopp  — 75. 

-  9  Der  kleine  Tausendsassa.  Polka-Mazurka 

—75. 

-  10     Franzosische    Kantonnements  -  Launen, 

Polka    —75. 

-  Clara-Triiume,   Walzer    1.50. 

-  Emma-Reigen,    Walzer    1.50    Bote. 

-  Frohe  Stunden,   Walzer   1.50   Bote. 

-  In   Treue  gedenk'  ich   dein  — 80  Andre. 

-  Scheidegrufi,   Walzer    1.30   Bote. 

Mackenzie     Alexander     Campbell      (1847). 

Novello:  Op.  1  Variations  sur  ,,Nel  cor 
pill",  FIP  2— n   Costallat. 

-9  Rustic  Scenes,  P.-  N.  1.  Rustic  Dance 
2/6.  N.  2.  Forester's  Song  3,—.  N.  3.  Cur- 
few 2/6.  N.  3.  Harvest  Home  3/—;  op.  9 
in   Augener's   Ed.   P    1/ — n    Augener. 

-9  N.  1.  P  (Cont.  Fing.)  2/—.  N.  2.  Curfew 
(Lemare's  Cecilia  12),  Org  3/—.  N.  3. 
Forester's  Song  (Continental  Fingering), 
P   3/ —    Augener. 

-10  Larghetto  and  Allegretto,  VcP  2/ — n, 
VcO,  Full  score  5' — 'n,  0  parts  7/6  n 
Augener. 

-  13  Five  Pieces,  P  2/—. 

-14  Drei  Lieder :  1.  Wonn  du  mir  voriiber 
wandelst.  2.  Die  Wellen  blinken.  3.  Es 
treibt  dich   fort  2 —  Kahtit. 

-  15  Trois  Morceaux,  P :  X.  1.  Valse  .s4rieuse 

1/6.    N.    2.    Nocturne    2'—.    N.    3.    Ballade 

2/—. 
-20   Compositions,   P.-    1.   Hymnus,   2.   Ritor- 

uello,  3.  Reminiscence,   4.  Chasse  aux  pa- 

pillons,   5.   Reverie,  6.   Dance,   a  1/6. 
-21   Rhapsodie  Ecossaise,  P  2/ — ,  Jfms  3/ — n, 

Full  score  5/ —  n,  String  parts  3/6  n,  Wind 

parts   8/ —  n. 

-  22    Come,    Sisters,    come,    trio    for    female 

voices,  Voc.  score  — 4  n,  String  parts 
2/— n. 


-  23  Scenes  in  the  Scotti.sh  Highlands,  3  pie- 

ces,   P.-      1.    On    the    Hill-side,    2.    On    the 
Loch,  3.  On  the  Heather,  a  1/6. 
-24  Second   Scotch  Rhapsody,   Burn.?,  P  2/6, 
^ms  3/ —  n.  Full  score  5/ —  n,  String  parts 
3/6  n,  Wind  parts  6/6  n. 

-25    Bride,    a    cantata    (1886),    Full    score 

21/ — n,      Voc.    score    1/ — n.      Wind    parts 

1/6  n. 
-26    Jason,    a    dramatic    cantata     (1882), 

Full  score  42/ —  n,  Voc.  score  2/6  n.  Wind 

parts   32/6  n. 

-  26  Intermezzo  from  Jason,  4w^s  2/6  n,  Full 

score  7/6  n,  String  parts  2/ —  n.  Wind 
parts   5/3  n. 

-28  Colomba  (1883),  a  lyrical  drama, 
Voc.  score  (engl.  words)  5/ — n;  Prelude, 
Full  score  4/— n,  String  parts  2/ — n, 
Wind  parts  4/9  n ;  Ballet  Music  and  Ru- 
stic March,  Full  score  10/6  n,  String  parts 
4/— n.  Wind  parts  9/3  n,  mO  (D.  God- 
frey jr.)  15/ — n;  Gentle  dove,  thy  voice 
is  sad,  Vocero  2/ — ;  Here  often  have  I  sat, 
T  2/ — ;  So  he  thought  of  his  love,  old 
corsican  ballad  2/ — ;  Will  she  come  from 
the  hill?  Corsican  love  song  2/ — ;  Ballot, 
Rustic  march,  Jfms  (E.  Silas)  4/ — n; 
Potpourri  on  Airs  from  (H.  Cramer), 
P    2/—. 

-  29  La  Belle  Dame  sans  Merci,   Ifms  5/ —  n, 

Full  score  7/6  n.  String  parts  5/6  n.  Wind 
parts  ll/9n;  I  call  to  mind,  ST  2/ — . 
-30  Rose  of  Sharon  (1884) ,  a  dramatic 
oratorio.  Full  score  63/ — n,  Voc.  score 
5/ — n;  The  Procession  of  the  Ark  (Cho- 
ral Scene)  1/6  n,  Voc.  parts  ft  1/6  n,  Wind 
parts  40/ —  n,  accomp.  arr.  for  E  and  P 
(instead  of  0)  by  King  Hall   10/6  n. 

-  31     Eighteen    Songs    7/6,     3  books     a    2/6 : 

I :  Phyllis  the  fair.  It  was  the  time  of 
roses.  Light  slumber  is  quitting  the  eye- 
lids. 0,  hush  thee,  my  babie.  The  earth 
below  and  the  heaven  above.  If  love  were 
what  the  rose   is. 

II:  What  does  little  birdie  say?  2/—. 
Of  all  sweet  birds.  Lift  my  spirit  up  to 
thee  2/ — .  Russian  love  song.  While  my 
lady  sleepeth  (op,  12,  N.  2)  1/6.  The 
song  of  love  and  death. 

Ill:  The  fir.st  spring  day  (op.  17,  N.  1) 
1/6.  When  I  am  dead  (op.  17,  N.  2)  1/6. 
A  Birthday  (op.  17,  N.  3)  1/6.  Up  with 
the  sail  (op.  16,  N.  1)  1/6.  O  roaming 
wind  (op.  16,  N.  2)  1/6.  Something  sad 
(op.  16,  N.  3)  1/6. 
-32  Concerto  for  the  V,  Full  score  21 — n, 
String  parts  6/4  n,  Wind  parts  10/3  n.  VP 
6/—  n. 

-  33  T  r  o  u  b  a  d  o  u  r   (1 886) ,  a  lyrical  drama 

Voc.  score  5/ —  u. 
-34  Story  of  Say  id  (1886),  a  dramatic 
cantata,  Full  score  52/6  n,  Voc.  score 
3/ — n,  Voc.  parts  a  1/ — n.  Wind  parts 
33/— n;  Solemn  March,  String  parts  1/6  n, 
Wind  parts  3/9  n ;  Funeral  March,  arr. 
for  mO  by  M.  B  i  1 1  o  n   3/6  n. 


Mackenzie  A.  C.  op.  36 


44     — 


Mackenzie  A.  C.  Evening  star 


■36  Jubilee  Ode  (1887) ,  words  by  J. 
Bennett,  Voc.  score  1/6  n,  Voc.  parts 
a  — /9n. 

■37  Six  Pieces,  VP,  VcP  k  5/— n :  N.  1. 
Gavotte.  2.  Berceuse.  3.  Benedictus  2/ —  n. 
NT.  4.  Zingaresca  2/ —  n.  N.  5.  Saltarello. 
6.  Tenia  con  Variazioni;  N.  3.  PV2Va2Vc 
3/ —  n,  String  parts  a  — /6  n,  0,  Full  score 
5/—  n,  2V  — /6  n,  Va  —/&  n,  Vc  — /6  n. 
Wind  parts  2/ —  n ;  arr.  by  D.  God- 
frey jr.  mO  5/ —  u,  VP  — 65  Fischer, 
— 50  n  Geiethner. 

38  New  C  o  V  e  n  a  n  t,  an  ode,  Voc.  score 
1/6  n. 

40  12th  Night,  overture,  Full  score  12/^  n, 
(string   parts   6/6  n,   Wind   parts    12/ — n. 

41  Dream  of  Jubal  (1889),  a  poem, 
Voc.  score  2/6  n,  Voc.  parts  jl  1/ — n,  Wind 
parts  33/ —  n :  A  Bell  can  be  hired  for 
3/—. 

42  Pibroch  Suite  (VO  ace).  String  parts 
66  n,   Wind   parts    11/6  n,    VP   6/— n. 

43  M  a  r  m  i  o  n,  2  Songs  from:  1.  Where 
shall  the  lover  rest,  2.  Locliinvar,  a  2/ — n. 

44  Spring  Songs:  The  first  Rose.  Hope. 
Spring  Secrets.  Spring  is  not  dead.  April 
weather.  A  May  Song.  Summer  at  last 
2/6  n. 

45  Ravenswood,  music  to  Her  ni  a  n  M  e- 
r  i  V  a  1  e's  Drama:  Prelude.  1st  Entr'acte. 
2nd  Entr'acte.  3d  Entr'acte  (Courante). 
String  parts  8/6  n ;  Courante,  String  parts 
2/—  n,  Wind  parts  6/ —  n :  inO,  arr.  by 
D.    G  o-d  f  r  e  y   j  r.    12/—  n. 

46  Veni  Creator  Spiritus,  set  to  Music  for 
chorus,  solo,  quartet  ad  lib.  and  0,  Voc. 
score   2/ —  n.   String   parts   6/6  n. 

47  N.  1.  Highland  Ballad,  VP  3/6  n.  N.  2. 
Two  Pieces  (Barcarola  and  Villanella), 
VP  3/6  n;  N.  1.  fVO  ace).  Wind  parts 
4/— n. 

48  N.  1.  Rejoice,  for  Love  is  Lord,  2.  O 
Thou  divine,   duet,  a  — /6  n. 

49  Bethlehem,  a  mystery,  Voc.  score 
(the  accomp.  arr.  from  the  Full  score  by 
Battison  Haynes)  5/ — n,  Act  IT. 
separate  2/6  n. 

■60  Three  Sonnets  by  Shakespeare  a  2/ — n, 
FullO,  Score  5/ — n,  0  parts  7/6  n  An- 
gener. 

■52  Britannia,  a  nautical  overture  for  0, 
Part  6— n,  St  12— n,  P  2.50  n,  ifins  3— n 
Breitkopf,  Org  2/6  n,  mO  7/6,  FtillO  12/— n. 
Score   6/ —  n,   sept.   7/6  n    Williams. 

•53  From  the  North,  Book  I— II,  VcP  a 
4/—,  VP,  in  3  books  a  3/— n,  FtUlO  a 
3/ —  n,    sept.    1/6  n    Williams. 

■  55  Schottisches  Konzert,  PO,  Part  24 —  n, 
0-St  24— n,   Solost  9—,   P   4 —  Kistner. 

-  57  The  Little  Minister,  overture,  Wind 
parts  10/ — n,  3  dances  (Entr'actes),  Wind 
parts,  SmallO  7/ — n.  Wind  parts,  FiiUO 
11/— n. 

-60  Six  Rustic  Songs:  1.  The  first  leaf  has 
fallen.  2.  In  leafy  June.  3.  Solitude.  4. 
The  time  for  wooing.  5.  The  bird  that 
sing  in  Winter.  6.  We'll  all  make  holiday 
4 —  u,   N.  6   2 —  Ricordi. 


-  61    Suite    dramatique    (Coriolanus  pour    0) 

for  P:  1.  Prelude.  2.  Alia  Marcia.  3. 
Marche  funfebre.  4.  Entr'acte  2/6  n  Bos- 
ivorth. 

-  62   Heimchen   am   Herd,   Ouv.    P   2.50   Bos- 

wvrlh. 
-64  Nr.  1.  Westminster-Glocken,  2.  Im  West- 
end,  3.  Danklied,  4.  A^'olksfest,  a  2—  Bos- 
worth, 

-  67   Kanadische   Rhapsodic,   P   3 — ,   O,   Part 

12— n,    St    15— n    Breitkopf. 

-  A   Dear   Wifie   2/ —  Boosey. 

-  A    Franklyn's    dogge    leped    over    a    style, 

TTBB  — /6. 

-  A  Reverie  of  the  East  2/—. 

-  An   Ould   Irish   Wheel   2/ —  Boosey. 

-  As    the    Flower    Clings    to    the    Vine     — 50 

White. 

-  At   Her    Window    4/ —   Weekes. 

-  Autumn,   SATB  —/P/,. 

-  Benedictus    (from    Six    pieces    for    the    VJ, 

arr.  by  J.  B.  L  o  1 1  and  C.  C.  Palmer, 

Org   1/6  Novello,  Mil.   Band  5/- —  Eavokes. 
-Bethlehem,   Act  II   2/6. 

-  Birthday  —35    Ditson. 

-  Blessed    are     the    Lowly     of  Earth      — 50 

White. 

-  Blessed   is  he  that  readeth,   SATB  — /4. 

-  Blessing  of   the  Lord,   SATB  — /3. 

-  Bonnie   Bell,    SATB   — /2. 

-  Bride,   mixed   voices    1/ — . 

-  Britannia,    national   overt.    P   2/6,    0    12/ — , 

Mil.  Band  4/6  Eaiokes. 

-  Chevalier's   Lament   4/ —   Paterson. 

-  Colomba    Ballet    music,     Mil.    Band     15/ — 

Hawkes. 

-  Come,  sisters,   come    (fem.   voices  with   ace. 

for    Castanets,   Triangle   and    Tam^bourineJ 
-/4. 
-Compositions,   P,  see:    Novello's  P   Albums, 
N.  35,   36,  37. 

-  Coronation,    Marsch,    P    2 —  n,    J^ms    2.50  n 

Bosworth,   Mil.   Band   2/6    Hawkes. 

-  Cotter's  Saturday  Night,  for  chorus  and  0, 

Voc.   score  2/ —  n.   Wind  parts   19/ —  n. 

-  Courante     fr.     „Ravenswood",     Mil.     Band 

12/ —   Hawkes. 

-  Cross  and  Crown  2/ — ,    (Orq  or  H  ad  lib.) 

-  Dar's   a  new   coon   weddiu'   — 40    White. 

-  Day   of   love,   SATB  — /3. 

-  Distant  bells,   fem.  or  boys'  voices  — 12>. 

-  Dormi,   Jesu    (The   Virgin's   cradle  hymn), 

with    V(Vc)    2/—. 

-  Dream    of    Jubal,    a  poem    with    Music   for 

soli,  chorus  and  0,  &  accomp.  Recitation, 
Voc.  score  2/6,  Voc.  parts  a  1/ — ,  Wind 
parts  33/—;  A  Bell  can  be  hired  3/-—: 
Weep  for  the  glorious  dead  (Funeral 
March  and  Chorus)  — /3,  Funeral  March, 
Org    (G.  C.  Martin)    1/—. 

-  Dunolly's    Daughter    2/ —    Boosey. 

-  Edenland  4/ —  Weekes. 

■  Empire  Flag,  Bars,  and  chorus,  Voc.  score 
2/-—  n.  String  parts  1/ —  n,  Mil.  Band 
parts   5/ — n. 

-  Evening    star,    SATB   — /P/.. 


Mackenzie  A.  C.  Fair  is  my  lore 


45 


Mackenzie  A.  C.  Things  of  beauty 


-  Fair  is  my  love  4, —  Chappell. 

-6  Fav.  Scotch  Airs,   VP  1/6  n  Blovkley. 

-  Fire  that   Must  Flame   2/ —  n   Weekes. 

-  Firm    in    her    native    strength,    part-song, 

Voc.    score   — /4  n,   String   parts   2/6  n. 

-  Follow  !    2/ —   Boosey. 

-  For    lo,    the    winter    is   past    (Rose   of    Sha- 

ron)   2/—. 
-For  the  flame  of  love  is  as  fire,  SATB—jA:. 

-  Funeral  march,  Mil.  Band  3/6  Uaiikes. 

-  Gates   of   Glory   —60    White. 

-  Gentle  dove,  thy  voice  is  sad,  vocero  for  jS', 

Voc.    score   2/ —  n. 

-  Great   Orpheus    was    a  fiddler,    ATBB   —IQ. 

-  Hark !    'tis   the   horn   of   the   hunter,   SATB 

-  Hearken,  0   Lord,   verse  — ^/l^/s. 

-Here's  a  health  unto  His  Majesty  (A  Per- 
ceval   Graves)    2/ — . 

-His  Majesty,  selection,  Mil.  Band  15/ — n 
Riidall. 

-How  I  love  the  festive  boy,  SATB  — /3. 

-I  cannot  tell  what  you   say  4/ —  Williams. 

- 1  ne'er  could  any  lustre  see  2/ —  Boosey. 

■  I  saw   thee  weep  4/ —   WiUiams. 

-I  will  lay  me  down  in  peace,  SATB  — /P/,.. 
-If  love  were  watli  the  rose  is  — 35    Ditson. 

-  In  loving  thee  2/ — . 

-In   our   boat,   with    VfVcjP   2/—. 

•  Introduction    and    Funeral    March,    Orfifll ) 

1.50   Bosworth. 
■Is    it   thy   will?    4/—    Chappell. 

■  It  is  this,  SATB  —IVj.. 

■  Jamie,   dear   Jamie,   song   and   chorus  — 35 

White. 

■  John    Froser   4/ —   Paferson. 

Knight  of  the  Holy  Grail,  Bar  —60  White. 

Knight's  vow  4/ —  Chappell. 

Ladies    (Toast  N.   1),  TTBB  — /2. 

Let   the   past  be   dead,    SATTBB  —IVj... 

Lift  my  spirit  up  to  thee,  song,  Voc.  score 
2/— n. 

Linton    Lowrie    2/ —    Paterson. 
■Little  Mary   Kelly  — 35    White. 
■Little    Minister,    overture,  .P,   ^ws   a    2/6  u. 

■  Lord  gave,  and  the  Lord  hath  taken  awav, 

SATB  — /2. 
Lord    is    my    shepherd     (Rose    of    Sharon), 

S  2/—. 
Lord  of  Life    (from  a   Jubilee  Ode),   SATB 

-/3. 

Love  lost  on   earth,   scena    for   T  2/ — . 
Make  a  joyful   noise,   SATB  — /6. 
Manfred,    music    to    Lord    Byron's    drama  : 

.,Astarte"     (Prelude    to    Act     I)  ;     ..Pasto- 
rale"    (Prelude    to    Act    II)  ;    „The    Fliglit 

of   the    Spirits"    (Prelude    to    Act    III)  •    a 

Prelude,  P  2/ — . 
Mistress  we  adore,  2  part  song  with  P  — /4 

M'illiain.'i. 
More   than   crown   of   monarch    precious,    S 

2/—. 
Morris    Dance,    P    2/ — ,    Full    score.    String 

parts  2/6  n. 
Nameless  Lassie,  N.   1.  in  G,  N.  2    in  B  flat 

2/—. 
National    Dance   Music    of     Scotland,     with 

additions,    Pianoforte    Albums,    N.    32.    33. 

34,  in  1  vol.  4/ — ,  or  singly  k  1/ — . 


•Nocturne;  Chasse  aux  papillous  (Etude), 
with  7  works  by  S  c  h  a  r  w  e  n  k  a,  N  i- 
code,  Moszkowski  &  Pauer,  for- 
ming vol.  IX  of  „Nineteentli  Century".  P 
3/ —  Augener. 
Now  dawneth  the  briglit  w  eddiug  morn  (The 
Bride),  SATB  — /6. 

■0  Holy  Babe   (Bethlehem),  S.\TB  — /P/- 

•  O  hush  thee,  my  babie  1/6. 

■  O  Thon  Divine,  SA  —  6. 

•  Old  friends,  N.  1.  in  C.  N.  2.  in  D,  N.  3.  in 

F  2/—. 

■  Old    Grenadier    2/ —    Novella,    — 40    Ditson. 
■One  Comfort   SMeet  is  Mine  ^50   WJiifp. 

Pearly   Brow   3/ —  Paterson. 

■  Pedlar's  Song  4/—  Chappell. 

■  Pianoforte  Albums,   N.   35,  36  &  37   contai- 

ning  23    pieces,   Edited  by   B.   Tours,   in 
1  vol.  4/ — ,  or  singly  a  1/ — . 

■  Processional     March     2/ —  n,     Full    score    & 

Wind   parts,    1st    V  — /6  n,    2nd    V   — /6  n, 
Va  — /6  n,   Vc  — /6  n,  Kb  — /6  n. 

Ravenswood,  Music  to  Entr'acte  II,  ,,Lucy". 
arr.  bv  T  h.  W  e  n  d  t,  P  1/6  n;  Entr'acte 
III,  „Courante",  arr.  bv  T  h.  W  e  ii  d  t.  P 
2/—. 

Ravenswood,  Music  to,  arr.  by  B.  H  a  y- 
n  e  s,  Jftns  5/ —  n. 

Rejoice,  for  love  is  the  Lord  — /4. 

Robin,  sly  2/ — . 

Rondino  "(G),  P  —20  Gebetfincr. 

Rose  of  Sharon,  Voc.  score  5/ — ,  HP  10/6: 
Choruses  :  Blessed  is  he  that  readeth  — /4. 
For  the  flame  of  love  is  as  fire  — /4.  Hear- 
ken, 0  Lord  — /P/--  Make  a  joyful  noise 
— /6.  Sing,  O  Heavens  — /6.  We'  shall  not 
hunger   — /3. 

Rustic  Dance,  arr.  as  a  Rondo  by  G  u  r- 
1  i  1 1,  P  3/ —  Augener. 

Sailor  boy,  song  &  chorus  — 35   White. 

Scori  buy,  scori  buy   (Colomba) ,  SATB  — /4. 

100  Scotch  Airs,   V   1/— n  Bloekley. 

Scottish  Melodies,  106  of  the  most  pop. 
Scottish   airs,   P  5  —  n    Paterson. 

Scottish  Melodies.  /'.  1— TI  A  2/— n  Pafer- 
son. 

Sing,  O  heavens,  quartet    /.SATB)  &  chorus 


old    corsicaii 


■  Singers.  SATB  — /4. 

■  So    he    tliotight    of     his     love 

ballad.  Vocal  score  2  —  n. 

■  IS   Songs,  3   books,  a   2/6,   or    1    vol.   7'6. 

3  Songs:  1.  Love,  Song,  Wine  (Student 
Song).  2.  The  Light  of  Love.  3.  She  comes 
to   me    (Expectation)    2/ — n    Williams. 

Spring     Songs     2/6    Novella,     — 40    Ditson. 
— 35  n    Presser^    Schirmer. 
■Stars   are   with   the  voyager.   SATB   —  P/-- 

■  Stauncji  &  true  4/ —  Chappell. 

Story   of   Sayid,    solemn    march.    Mil.   Band 

15/ —    Havykes,    arr.    bv    G.    C.    Martin. 

Org  1/—. 
Sweet  the  balmy  days  of  spring    (Story  of 

Sayid)     (fern,  or   boys'   voices)    — /4. 
There    Sits    a    Bird,"    in    B-flat    &    C    4/— 

Weekes. 
There's   a  woman    like    a 

B  r  o  w  n  i  n  g's    Tragedy 

Scutcheon")    2/ — . 
Things  of  beauty  — /P/s- 


dewdrop     (from 
.,A    Blot    in    the 


'} 


Mackenzie  A.  C.  Three  merry  dwarfs 


46 


Mackey  J.  I  can't  tell 


-Three  merry  dwarfs  (Humorous),  8ATB 
— /4. 

-Three  of  Shakespeare's  sonnets:  1.  When 
in  disgrace,  2.  The  forward  violet,  3.  Shall 
I   compare  thee?,   &   4/ —   Leonard. 

-Three  Short  Pieces,  Org:  1.  Baptism,  2. 
Wedding,  3.  Burial,  k  1/ — . 

-To  a  brother  artist  (Toast  N.  2),  SATB 
— /2. 

-To  a  brother  artist  (Toast  N.  2),  TTBB 
— /2. 

-Troubadour,  opera,  Voc.  score  5/ —  n : 
Beneath  a  hawthorn,  morning  song  (MS) 
2/ — .  For  wine  gladdens  the  heart  of  man, 
S  or  T  2/ — .  In  the  places  of  liglitless  sor- 
row, a  2/ — .  Pour  forth  noble  wine  (Bar) 
2/ — .  To  Liet  (Bnr)  2/ — .  The  sun  rays 
shine,  T  2/ — . 

-  Two  Angels  4/ —  WiUiamn. 

-  Two   Margarets   4/ —  Paterson. 

■  Veni  Creator  Spiritus,  paper  cover  2/ — . 

-  Vocal   Melodies   of  Scotland.   P,   6   Books   a 

3/ —  Paterson. 
-Waken!    waken!    day   is  dawning    (fern,   or 
boys'  voices)   — /4. 

■  We  shall  not  hunger  nor  thirst,  SATB  — /3. 

-  We're  a'ae  Faither's  Bairns  3/ — . 

-What  does  little  birdie  say?  Vocal  score 
2/ — n.  Ditto  in  Collection  of  18  Songs 
2/6  n. 

-  When  Spring  begems  the  dewy  scene,  SATB 

— /4. 

-  White  horse  inn  — 50  White. 

-  Willow  Song,  from  „Othello'-  2/ — . 

-  Within  thine  eyes  — 50  White. 

-  You   meaner    beauties    of     the     night   4/ — 

Williams. 

Vide:    Popular  Songs  of  Scotland. 
Mackenzie   D.  Arise,  shine  — /3   Gurwen. 

-  Bless  the  Lord  — /2  Curuen. 

-  Newquay    Fisherman's    Song,    mix.    v.    — 2 

Curiven. 
Mackenzie   David,   A   Song  to  Thee,   in   flat 
w.  V  4/ —  Weekes. 

-  Magnificat   and   Nunc   Dimittis   — /3  u    Vin- 

cent. 

■  Vesper  Hymn  — /2   Novello. 

Mackenzie   E.  V.  Amitie  Waltzes  —50  Gor- 
don. 
-.Angel's  Message  —40  Gordon. 

■  Beyond,    where   Angels   dwell    4~    Weekes 

-  Frivolity,  P  —30   Gordon. 

-  T    miss   th'y   voice  — 40    Gordon. 

■  In    Vanity   Fair   4/ —  Weekefi. 

-  Recalled  — 40  Gordon. 

-  Thoughts  of  Thee,  waltz  —50  Mc.   Kinley. 
-Why  did  We  Love?  4/ —  Weekes. 
Mackenzie   F.  Useen  world  —50  Gordo7i. 
Mackenzie    Henry   A.    Sunset   21—   Novello. 
Mackenzie    J.    V.      Go     lightly     (Dan.se     de 

theatre),    schotti.sche    —35    Gordon. 

Mackenzie  Lilian,  Peggy  (The  Low-backed 
Car)    4/ —  Cramer. 

Mackenzie  Morell,  Tgiene  degli  orgaui  vo- 
cali.  :\Ianuale  pratico  per  cantanti  ed  ora- 
tor! 3.00  n   Ricordi. 

Mackenzie-Murdoch.  Allan  Mozart:  A  Clu- 
ster of  V  Gems:  1.  Aberfeldy:  Ye  Banks 
and  Braes,  and  The  Birks  of  Aberfeldy. 
2.  Beauties  of  Erin :  The  Angel's  Whisper^ 


To  Ladies  Eyes  Around,  Steer  my  Bark, 
and  The  Connaught  Man's  Rambles.  3. 
The  Angel's  Serenade  (Popular  Legato 
Solo).  4.  Coronach  (Descriptive  Highland 
Scene).  5.  Trafalgar:  Death  of  Nelson, 
Tom  Bowling,  and  Hearts  of  Oak.  6.  Cairn- 
gorm: Auld  Robin  Gray,  Comin  thro  the 
Rye,  and  The  Star  of  Robbie  Burns.  With 
P  ace. 

-  Aimee    (D  &  F)    1/8  n. 

-  Amang    the   Heather,    scotch    concert-s.     V 

— /lO  n. 

-  Dance  of  the  Nymphs,  P,  Mand,  V  a  1/3  u. 

-  Glencoe,  V  1/8  n. 

-  Kenmuir's   Bonnie  Well    1/8  n. 

-  Moonlight  Ripples,  P  1/3  n. 

-  Morven,   V   1/8  n. 

-  Piper    Findlater    Strathspey    and   Reel,    T' 

— /5  n. 

-  Piper  of  Dargai,   V   1/8  n. 

-  Promenade  Polka   1/3  n. 

-  Series  of  Effective,   F-solos  with  P,   1st  V, 

Part  — /5,  2nd  V,  Part  — /3,  Ye,  Part  — /3, 
P,  Part  — /5  for  each  Number:  1.  The 
Auld  Scotch  Sangs,  Keel  Row,  and  My 
Love  she's  but  a  lassie.  2.  The  Scottish 
Emigrant's  Farewell,  This  is  no  my  ain 
hoose,  and  Highland  Bagpipe  March.  3. 
Yes,  let  me  like  a  soldier  fall,  in  Happy 
Moments,  and  Scenes  that  are  brightest. 
4.  The  Banks  o'  Banna,  Widow  Machree, 
and  The  Bold  Soldier  Boy.  5.  The  British 
Grenadiers,  The  Flag  that  braved  a  thou- 
sand years  Home,  Sweet  Home,  and  The 
Red,  White,  and  Blue.  6.  The  Vicar  of 
Bray,  She  wore  a  wreath  of  roses,  The 
Anchor's  Weighed,  and  The  fox  and  the 
grapes.  7.  I  dramt  that  I  dwelt,  When 
other  lips,  and  fair  and  of  Poland.  8.  The 
Minstrel  Boy,  Farewell!  But  whenever. 
Fly  not  yet,  and  The  Boys  of  Wexford.  9. 
The  Men  of  Harlech.  The  Ash  Grove,  and 
Jenny  Jones.  10.  Gentle  Annie,  Sing,  Dar- 
kies, Still  I  love  thee,  and  Yankee  Doodle. 
11.  What  fairy-like  music,  De  Tanti  Pal- 
pito,  The  Carnival  of  Venice  and  March  in 
,, Norma".  12.  Military  March,  P,  Mand 
a   1/3  n. 

-Young  Violinist,   2  numbers  fl    1/ — n. 

Mackenzie  Scott,  If  the  Girl  doesn't  mind 
1 ' —  n  Francis. 

-Patsy  T  want  you   1/ — n  Francis. 

Mackenzie  Ursala,  The  Coming  of  Love 
2 —  n   Leonard. 

Mackey    Miss   Julie.    Sheard:   GOLD   2/— n. 

-  I  don't  care  if  it's  Saturday  night  or  Sun- 

day afternoon  2/ — n. 

-  I'll  be  an  old  man's  darling  and  not  an  old 

man's   slave   2/ —  n. 

-  I    wonder    why    I  want    no    one    but    you 

2'—  n. 
-In  the  good   old  summer  time  2/ — n. 

-  It's  YOU  2/—  n. 

-  Kiddy  2'—  n. 

-  My   Daddy's  ass  good   as  yours  2/ —  n. 

-  On   a   paynight  evening  2/ —  n. 

-  She's  my  sweetheart  from  Savannah  2/ —  n. 
-You    asic   me    why    T  love   you?   2/ — n. 
Mackey    Julie    &    Lil     Hawthorne,    I  can't 

tell     why     I    love    you,    but     I    do    2/ —  n 
Sheurd. 


I 


IVIackie  W.  H.  After irurds 


47 


Maclas  Cascade  d' Ay 


IVIackie  W.  H.  aiandard:  Afterwards,  waltz, 
!Jf  Instr  —80,  10  Instr  —60,  P  —30. 

-  All   for   the  sake  of  Jack,   waltz,   Mil.Band 

—50. 

-  Arlington    March,    FullBrassBnnd    — 50,    a. 

RecdBand  2 —  Cundy. 

-  Back    among    the    old    Folks    again,    waltz, 

U  Instr  —80,   10  Instr  —60,   F  —30. 

-  Boat   Club    March,   FullBrassBand   — 50,    a. 

ReedBand   2 —  Cundy. 
California     Exposition    ^March    — 35,     Fnll 
BrussBand  — 50,  a.  ReedBand  2 — ,  Ui  Instr 
—80,  10  Instr  —60,  P  —15  Cundy. 

-  „Cosey   Corner",   march   et   two  step,  0   av. 

P.   liachette. 

-  Daddy  would'nt  by  me  a  Bow,  medly  march, 

Mil.Band  —50. 

-  Dancing  Sunrays  — 50  Anstead. 

-  Deasy    Bell,     and    The    Miner's,     Dream    of 

Home,  waltz,  11,  Instr  —80,   10  Instr  —60, 
P  —30. 

-  Do  do,  my  Huck  leberry  Do,  polka ;   When 

Summer      comes     again,     waltz,     IJf  Instr 
—80,  10  Instr  —60,  P  —30. 

-  Fisherman's    Bride    a.   Bonnie   Dean,    waltz, 

H  Instr  —80,   10  Instr  —60,  P  —30. 

-  Fort  Griswold  March,  FullBrassBand  — 50, 

a.  liecdBand  2 —  Cundy. 

-  Gen.   Embler's  March   — 25,   FullBrassBand 

— -50,   a.   ReedBand   2 —   Cundy. 

-  Tie  was   a   Soldier,   waltz,   10  Instr  — 60,  P 

—30. 

-  Hyperion  March  — 25,  FullBrassBand  — 50, 

a.    ReedBand  2 —  Cundy. 

-  I  long  to  sec  the  girl,   medley  march.   Mil. 

Band  —50. 

-  Lily  and  the  Rose,  schottisch,  10  Instr  — 60, 

P  —30. 

-  Mc.  Garry's  New  White  Hat,  10  Instr  —60. 

-  Molly,   I   and    the    Baby,    waltz,     Mil.Band 

—50. 
-Mosquito's  Parade,  march    (Two  Step),  OP. 
Hachette. 

-  Naval      Battalion      March,      FullBrassBand 

—50,  a.  ReedBand  2—  Cundy. 

-  Naval  Review  March.   Mil.Band  — 50. 

-  Nellie   and   May,    waltz.     Half     Past    Nine, 

waltz,  IJf  Instr  —80,  10  Instr  —60,  P  —30. 

-  Oh,  Mrs.  O'Flarity  a.  Little  Johnny  Dugan, 

schottische,    i^  Instr    — 80.    10  Instr    —60. 
P  —30. 

-  Ray    of   Sunshine,    waltz.    10  Instr  — 40,    P 

—30. 

-  Tip  your  hat  to  Nellie  a.   Strolling  w.  No- 

rah,  waltz,  10  Instr  —60,  P  —30. 

-  Trip   to   Chinatown   March,   Mil.Band  — 50. 

-  Velvet    a   Rags     a.     I    wonder    would    they 

answer   if   I'd  write,   waltz.    1'^  Instr  — 80. 
10  Instr  —60,  P  —30. 

-  Victoria     Guards      March,      FullBrassBand 

— 50,  a.  ReedBand  2 —  Cundy. 
-Viking   March,   Mil.Band  —50. 

-  Wedding  Day,  waltz :   The  Man  who  broke, 

polka,     Ut  Instr    —80,     tO  Instr    — 60,     P 
—30. 

-  Where  the  Chicken  got  the  Axe,  schottisch. 

Hi  Instr  —80,   10  Instr  —60,  P  —30. 
Mackim    D.   Es   war   bloB    ein    Traum,   Lied 

1.80  7Apser. 
Mackinlay    E.    B.    Duchess     of     Edinburgh. 

polka  3/ —  Ascherherg. 


Mackinlay  H.  E.  Aiulante  Cantabile  (Angli- 
can Organist,  Book  3,  N.  41),  Org.  Vincent. 

-  6  Kiries  — /2  n  Vincent. 

Mackinlay    Mrs.   The    beating    of   my     own 

heart  3/ —  Aslidoion. 

-  Undine  Polka  2/ —  Williams. 
Mackinnon  A.   U.  Ireland  2/ — n  Bayley. 

-Love's  Souvenir  (A  Leaf  of  Ivy),  H  or  T 
2/ —  Novello. 

■  Our  Jack  2/ —  n  Bayley. 

Mackintosh   Bell,  Music  of  the  River,  in  E- 

flat  &  F  4/—  Weelces. 
Macklin    Edgar,   The     Saviour's    Birth    2/— 

Bayley. 
Mackney's    Celebrated    Tutor.    Banjo    1, —  n 

^Yilliams. 

-  50     Popular     Songs     for  •  the     Banjo     1/ — 

K/i  card. 

■  Up   to   date.   Banjo   Tutor,    for   Banjos   — /6 

8 heard. 
Mackney    E.    W.     Sally,     comy     up:     or     a 
nigger's  holiday  3/ —  WiUia7ns. 

Mackney  George,  Garret  near  the  Sky  3/ — 
Ascherberg. 

-  Only  ten  of  us  4/—  Ascherberg. 
Mackorkeil,     Fantaisie    sur     un     theme     de 

Doche,  P  4 —  Girod. 
Mackrell    F.    Gertrude    Waltz    4/ —    Lupton. 

Mackrodt  C.  Meister  Tod's  Wanderung   1 — 

Bote. 
Mackrot  G.  W.  Fiirstner:  Op.  1  GroBes  Trio. 

PVVc  6—. 

-  2    Sechs   Lieder    u.   Gesange :    Herbsthaucli. 

Mein  Herz  ist  schwer.  Sie  sagen:  es  ware 
die  Liebe.  Liebe  weiB  die  Wege.  Wenn 
ich   in  deine  Augeu.     Abends  2 — . 

-3  Sechs  Lieder  u.  Gesange:  Scliiffers  Ab- 
schied.  Ich  denk'  an  dich.  Stiindclien. 
Der  Weiher.  Du  standest  vor  mir.  DaB 
ich  im  Friihling  scheiden  muR  2 — . 

-4  Festmarsch,  4ms  1.30. 

-5  Sechs  Lieder  u.  Gesange:  Gondoliera. 
Regen  und  Tranen.  An  ihre  Augen.  Im 
Mai.      Die   Rose    der    Sehnsucht   2 — . 

-  6  Quintett,  P2VVaVc  4.50. 

-  7  Madchenlieder,  3  Wechselgesiinge,  Duette: 

1.  In  meinem  Garten  die  Nelken.     2.  Wohl 
waren  es  Tage.  3.  Gute  Nacht,  mein  Herz 
1.80. 
-Mary,  Polka-Caprice,  P  1.30. 

-  PreuBens  Landtag,  Lied  f.  4  Miinnerst  — 50. 
Macks  J.   Cosmopolitan.  P  — 35  Ditsoji. 
Macku    F.   op.  24    Herzliche   GriiBe     (Saluti 

afFettuosi),   Polka   francese   1 — n   Ricordi. 
-39  In  Biirgerkreisen,  Marsch  1.25  Petering. 

-  40   Da   bet'   ich    leis',    das   Waisenkind    1 — 

Petering, 

■  41   Die  letzte  Reise  — 80  Petering. 

-  43  Rot  sind  die  Rosen  — 80  Petering. 

-  44  Konnt'  ich  doch  ein  Engel  sein,  Wiener- 

lied  — 80  Petering. 

-  46      Friihlingszauber,      Gavotte.      P      1.20 

Petering. 
Mackwarth    Ludv.     Prinsesse     Alexandrine- 

Vals,  P   —60  Nordi.9k  Musikforlag. 
Maclagan    T.    Captain    Jinks    of   the    Horse 

Marines,  w.  G  — 40  Brainard,  — 30  Gordon. 

-  Cronies  o'  mine  — /2   Eohler. 

Maclas,  Cascade  d'Ay,  polka  5 —  No&l. 


Maclean  A.  Daisy  Soiig 


48 


Macy  J.  C.  Bedonin  lore  sotiq 


Maclean  Alick,  Daisy  Soug  (from  Petruccio) 
4/ —  WiUcockt!. 

-  Petruccio  6/ —  Willcoehs. 

-  QuentiQ  Durward,  Voc.  score  7,6  n  Ascher- 

icrg. 

-  Saviour   breathe   an   evening   blessing   — 2 

Kohler. 
-Serenade,  VP  1.50  Hchott. 
Maclean  H.  A,  Butterfly;  Sweet  Bird,  duets 

a  — /4  Forsyth. 

-  Six  Hymn  Tunes  — /.'!  n  Vincent. 
Maclean  Hector  R.  Ballade  in  E  flat,  P  4/ — 

Wee  Lis. 

-  Blossoms   Springtide  4, —  Weekes. 

-  Giocoso,  caprice,  P  4/ —  Weekes. 
-Magnificat  and  Nunc  Dimittis  in  C  (unison) 

— /6   Weekes. 

-  Te  Deum  and  Jubilate,  in  C    (unison)    — /6 

WeeAcs. 
Maclean  Harry,  The  City  Child  4/ —  Weekes. 

Macleane  C.  I  think  of  thee  (Ich  denke 
dein),  w.   Vc  ace.  4/ —  Ascherherg. 

-3  Songs:  1.  Birdie,  birdie  (Viigleiu,  Vog- 
lein),  2.  O  love,  why  thus  desert  me  (Die 
Liebe  hat  gelogen),  3.  Cradle  Song  (Wie- 
genlied),  a  3, — •  Ascherherg. 

Macleod  Lady,  Balearres.  waltz  4  — 
Paterson. 

-  Improvisations,  P  4/ —   Chappell. 
Maclou  1 — n,  Ch.  s.  — 35  n  Eveillard. 
Macloy   A.  Sweet  Visions,   P  3/ —   Williams. 
Macmeikan  J.  A.  Jackets  o'  blue    (in  B  flat, 

C  &  D)    4/—  Chappell. 
Macnally    Jessie,    Kathleen    Asthore    2/ — n 

tShedrd. 
-Norah  Brady   (Irish  Ballad)    2/ — n  Sheard. 

Macnicol  J.  Old  Tattered  Flag  4/ —  .Ischer- 

hirg, 
Macon,  Capricieuse,  maz.  Mand  1.75  n  Pisri. 
iVlagons   1 — n  Joubcrt. 
Macorig  E.  Salveo  Leya,  canto  e  P  1 —  Mor- 

gante. 

-  Scintille     elettriche,     polka     — 75  n,     Mand 

— 30  n.   G  — 50  n,  PMand   1 — u  Morgante. 
Macourek  J.  Pisen  „Darovina"  ze  zpevohry 

,,'Zizknv   dub"    1 —  Hoffmann. 
Macpherson  C.  Stewart.  Novello:  A  Spanish 

Sonnet    2, —   Boosey. 
-Appendix  to  Practical  Harmony  2/6  n  Wil- 

liains. 

-  Barcarolle,  P  3/ —  Ashdoum. 

-  Bank  of  Doon  4/ —  Williams. 

-  Benedicite,   Ehythmic   setting    (in   F)    — ;4. 
•  Benedictus   et   Kyrie   — /4. 

-  Bonnie   wee  thing  4/ —  Williams. 

-  By  the  Waters  of  Babylon,  chorus  2/ — . 

-  Communion     service    in   E  flat,    Voc.   score 

1/6  n,  brass  instruments  1/6  n. 

-  Eily  4/ —  William.s. 

-  Evening  star.  SATB  — /3  Williams. 

-  Fantasy  Prelude,  Org  2/ — . 

-  How  dear  to  me  the  hour,  2  part  song  — /4, 

SATB  — /3  Williams. 

-  If  a  man  die,  shall  he  live  again?   (Advent), 

t^ATB  —jVio. 
-In   the  beginning    (Chri.stmas),  SATB  — /4. 

-  In  the  Lord  put  I  my  trust,  SATB  — /4. 

-  Jubilate    (in   F)    — /3. 

-Kyrie  Eleison  (in  E  flat) ,  on  card  — ,1  (in 
B  flat)   — /4. 


-Like  a  red  rose  4/- —  Williams. 

-Look  on  the  fields   (Harvest).  KATB  — ,3. 

-Magnificat   &    Nunc   dimittis    (in    D)    — /4. 

(in  E  flat)   — /4,    (in  F)   — /4. 
-Mass   in  D,  S  chor.   0  2/—,  Strinq   parts  a 

1/6   Williams. 

-  Music    for    an    order    for    special    services 

authorixed  by  the  Most  Rev.  the  Arch- 
bishop of  Cape  Town,  for  use  in  his  Dio- 
cese, and  with  tlie  content  of  his  Suffra- 
gans through-out  the  Province  of  South 
Africa,  on  the  day  of  the  Coronation  of 
His   Majesty   King  Edward 

-  O  my  luve's  like  a  red,  red 

Hams. 

-  O   were   my    luve   yon    lilac 

Eflat)    4/—    Williams. 

-  Of  a'  the  airts  the  wind  can  blaw 

&  C)  4/—  Williams. 

-  Office  for  the  Holy  Communion,  with  Bene- 

dictus &  Agnus  Dei.  with  ace.  for  Org, 
brass  instruments  and  drums  (in  E 
flat)   1/6. 


VII 
rose 

fair 


—  6. 
4/—  Wil- 

(in    D    & 

(in  Bflat 


n,  4ms  o, 


-  Orchestral  Ballad   (A-m.)   : 

FullO  15/—,  mO  15/—. 

-  Practical     Harmony     m-.     progr.     Exercises 

3/ —  n  Williayns. 

-  Eomance,  FIP,  CIP,  ObP  a  2  3  RudaU. 

-  Rosy  childhood,  »SVSf  4/ —  Ashdown. 

-Serenade    (Ah,  sweet,  thou  little  knowe-st), 
S.'iTB  — /3  Williams. 

-  Suite  de  valses  4/ —  Ashdown. 

-  Sweetly  sleep  on  4/ —  .\shdow7i. 
-Te  Deum    (in  Eflat)   — /4. 

-Te  Deum    (in  F)    — /4. 

■There   sits   a  bird   on   vonder   tree,   ATTBB 
— /6. 

-  Virgin's,  cradle  hymn.  HATB  — /3. 
-Virgin's  cradle  song   (St.  Cecilia,  N.  24.  3d 

Series),  2  part  song  — '4  Williams. 
'  Wae  is  my  heart  4 —  Williams. 

-  What  does  Little  Birdie  say?  2/— n  Weekes. 
-Whom  the  Lord  loveth    (Saints'  Dav  or  Ge- 
neral), ^ATB  — /3. 

-Why  art  thou  so  vexed,  SATB  —2. 
-Young  Rose    (F,  Ab)    2/ —  Boosey. 
Macpherson  G.  Wilson,  Te  Deum   (in  E  flat) 
(Chant  form)    — /P/s  NoveUo. 

-  Te  Deum    (in  G),  adapted  to  the  Cathedral 

Psalter    poi)iling    for    Congregational    use 

— ;2  Uoi'fi',1) 
Macpherson    J.    Oh,    Think    not    thouah    the 

World    may    Frown   4/ —    Weekes. 
Macpherson  S.  Orchestral  Ballad,  mO   15/ — 

llavkes. 
Mactaggart    J.    A    Lullaby,    part-music   — 3 

Paterson. 

-  Ruler   in   Israel  ^/9   Curwen. 

Macy  J.  C.  Brainard:  Abide  with  me.  7TB/? 
—06. 

-  Aida   (Verdi),  march  — 40. 

-  And     there     were     shepherds      (Christmas 

anthem) ,   quart.  &  chor.  — 50. 

-  Angels,    mix.  v.    — /2    Curiven. 

-  Annie  Laurie,  scotch,  TTBB  —06. 

-  At  the  Village  Fair.  P  —50  Ditson. 
-Auld  lang  syne,  scotch,   TTBB  —06. 

-  Baby   mine   — 40. 

-  Bedonin     love     song     (P  i  n  s  u  t  i) ,    TTBB 

—10. 


Macy  J.  C.  Beggar  Stwhitt 


—     49     — 


Macy  J.  C.  Selected  Oems 


brill. 


-Beggar       S  t  u  il  e  ii  l,       pot  |)<)uni 
(Mil  lock  or),   F  —60. 

-  Bells  of   Corneville    (P  1  a  n  q  ii  e  1 1  e) ,   pot- 

pourri, P  — 50. 

-  Bells  of  Virgiuia,   waltzes,  P  — 60. 

-  Beta  theta   pi,   waltzes,  P  — 60. 

-  Birthday   Party,   a   musical   scene   for   diil- 

dreu  —30   White. 
■  Branbury  Town  2  —  n  Sheard. 

-  Breeze   of   the    night     (L  a  m  o  t  h  e) .    waltz. 

TTBB  —08  Brainard,   Mc.   Kinley. 

-  Bring  back  the  old  folk.s,  song  &  chor.  — 35 

Ditson. 

-  Bye-lo-land,   cradle  song  — 25.    TTBB  — 06. 
-Carmen    (Bizet),   potpourri.   P  — 50. 

-  Charmed  Ring  — 50  Ditson. 

•  Children's  School  Songs  — 35  Ditson. 

-  Class-Day  March  — 60  Ditson. 

-  C  o  1  u  m  b  i  a's   Party,    operetta    for    chil- 

dren — 25  Ditson. 

-  Come  ye  with  harps  attuned  — 40  Ditson. 

-  Cyprione,  P  — 40  Dit.<ion. 

-  Dainty  sweet  maiden  is  Mary,   sailor   song 

—40. 

-  Dancing     feet      (C  z  i  b  u  1  k  a's     Stephanie- 

Gavotte),  song  with  dance  — 50. 

-  Danse  Joyeuse,  P  — 40  Ditson. 

-  Danse  Romantique,  P  — 40  Ditson. 

-  Darling's    last    lettre,    song    &    chor.    — 35 

Dit.-ion. 

-  Dear  Little  Heart  — 60  Ditson. 

-  Drum  taps,  march  — 50  Ditson. 

-Echoes  Olden    (Carol  Anthem)    —10    White. 

-  Eton  boating  .song  — 40  Ditson. 

-  F  a  t  i  n  i  t  z  a  (S  u  p  p  e) ,  potpourri,  P  —50. 

-  Fondly   and   truly,   romanza  — 50. 

-  Forewer  and  forever   (T  o  s  t  i) ,  TTBB  — 08. 

-  Friend  or  foe,  duet  — 50  Ditson. 

-  Gertrude  — 25. 

-  Glory,    Sang    the   Angels,     tiV   or    «7'     —50 

White,  SA  or  ST  —60  Echo  Music  Co. 

-  Good-by,    dear     love     (Pinsuti),     t^ATB 

—06. 

-  Good-bye,  my  little  lady,  song  &  chor.  — 35 

Ditson. 

-  Good   Night,   Little   Girl,   Good   Night   —50 

Ditson. 

-  Gwendoline,   P  — 40. 

-Hail  Him   (Carol  Anthem)  —12  White. 

-  Harbor  Lights  of  Heaven  — 50  White. 
-Heart's    delight    (Waldteufel) ,    waltz,    sone 

—60. 
-Heart's  Joy,  P  — 60  Ditson. 

-  Here  is  rest  — 40  Ditson. 

-  Hermione,  maz.  — 35  Ditson. 

-  Holiday  festival,   waltz,  P  — 10. 

-  Home,  .sweet  home  — 40,  TTBB  — 08. 

-  I  gave  you  all  my  heart  —40  Ditson. 

-  1    had   a   little   dream,    Barney   boy    (J 

Herbert),   song  &  chor.   w.   G  —40 

-  I'm  your   little  lover  — 40. 
■  1    want     to    be     samebody's     darling     - 

Ditson. 
In  after  years  — 40  Ditson. 
In    Bethlehem    a    King    is     born.     ,Sf7' 

Ditson. 
In  Thee,  0  Lord    (&  Barron.  The  Lord's 

Prayer)    —06    Wood. 

Jenks    vegetable    Compound    — /4    Curwen. 
Joanna,  dear,  my  jo  —40. 

Tlniversal-Handbuch  dcr  MiisiklitHintur.     M. 


B. 


-35 


-40 


Merry  War 
song  &  chor. 
P   —60,    '/w,s 


—50. 
—60, 


-  Kerry    dance    (M  o  1 1  o  y ) ,    TTBB  — 08. 

-  L  a  k  m  6    (D  e  1  i  b  e  s) ,   potpourri,  P  — 40. 

-  Larboard  watch  — 08   Mc.  Kinley. 

-  L  e  Petit  Due   (L  e  c  o  c  q) .  potpourri,  P 

—50. 

-  Litta  waltz,  P  — 50. 

-  Little   hunter,   P  —25. 

-  Little  Puritan  maiden  — 35  Ditson. 

-  Little  shepherd,  P  — 25. 

-  Little  tommy   went  a-fishing,   mix.   v.   — /2 

Cuncen. 

-  Lost  chord    (Sullivan),   TTBB  — 10. 
-Lost  or  saved,  song  &  chor.  — 35  Ditson. 

-  Love's  Lullaby  — 50   Ditson, 

Love's    vow     (And  ran),    potpourri.     P 
— 75  Ditson. 

-  L  o  V  e's     V  o  w       ( A  u  d  r  a  n) ,     waltz     — 35 

Ditson. 

-  Lovely      Princess      Melanie, 

(S  t  r  a  u  6) ,  S  —60,  P  —50. 

-  Loving   eyes   of    violet   blue, 

— 50  Ditson. 
-Manola    (Lecocq).    pot]). 
—75. 

-  Marie  waltz,  P  — 40. 

-  M  a  s  c  e  d   Ball    (Verdi),   potp.   P 
-Mascotte    (Audran),    potp.     P 

/fins   1 — . 

-  Merry  Company,  0  3- —  Ditson. 

-  Merry   War    (S  t  r  a  u  B) ,   march   — 60,   pot- 

pourri, P  1 — ,  waltz  — 50. 

-  Message  of  Joy,  ^'fns  — 40  White. 

-  M  i  g  n  o  n    (A.  Thomas),  potp.  P  — 50. 
-Mikado,  galop  — 40,  lancers  — 40,  march 

— 40,  potp.  P  — 75.  J/ms  1 — .  selections,  VP 
—60  Ditson. 
Miller's  boy,  P  —25. 

-  My  good  ship  .,Jane"  — 40. 

-  My  little  wife  ashore,  sailor  song  — 40. 
-Nancy  Leemarch   (Adams), P  — 40. 

-  Natalie,   danse   romantique,  P  — 50  Ditson. 

-  Newport,  V  — 15. 

-  Night  of  joy,  duet  —50  Ditson. 

-  Nightingale,  waltz  song  — 75. 

-Now  Hark!  The  Welcome  Music,  TTBB  or 
chorus  (from  The  Washington  Post  March) 
— 30  Coleman. 

-  0  day  of  rest  and  gladness  — 35  Ditson. 

-  Old  romance  — 40  Ditson. 

-  Oriana,  P  — 50  Ditson. 

-  Passing  of  the  king  — 50  Ditson. 
-Patience    (Sullivan),   potp.   P   — 50. 
■  Pickaninny  Lullaby  — /2   Curwen. 

Pierette,  caprice  fantastique,  P  — 50  White. 

Pinafore    (Sullivan),   potp.   P  —50. 

Praise  ye  the  Father  (March  romaine) 
(Gounod),  chor.  —08. 

Prince  Methusalem  (StrauB), 
pot.  P  —40. 

Queen   Mab,  mix.  v.  — /3   Curwen. 

Queen's  Surprise,  a  musical  play  for  chil- 
dren — 40  Ditson. 

Regret  —40. 

Robbie,  scotch  — 50. 

Rock  of  ages,  TTBB  —06. 

Rosebud  fair,  TTBB  —06. 

Rosemonde  Gavotte,  ^ms  —40  White. 

Saratoga  life  galop  — 40. 

School  Bells  —60. 

Selected    Gems    &    Modern     Favorites,     (h-fi 

1.50  Ditson. 


Macy  J.  C.  Simple  Si/i/o>i 


50     — 


Maddison  A.  12  Songs 


-Simple    Simon,    TTBB    —08,    SATB    —/Vi, 
Curwen. 

-  Singing  brooklet,    [^  — 25. 

-  Sonuebody's    coming    when    the    dewdrops 

fall,  soug  a.  chor.  w.  (?  (A.  J.  W  a  y)  — 40, 
P  —50,  VP  (Gilbert)  —40,  V  —15, 
Schottisch  (E.  Mack),  (G.  W.  P  e  r  s- 
I  e  y)    a  —40,  Waltz  —40. 

-  Stephanie     Gavotte      (C  z  i  b  u  1  k  a) ,       'ims 

— 75  Ditson. 

-  Story  of  the  Fair,  P  —40  Ditson. 

-  Strange  Visitors,  0  3 —  Ditson. 
-Strange    Visitors;     or,    A    Meeting   of   the 

Nations,  Cantata  for  Children  — 30  Ditson. 

-  Summer  evening,  waltz  — 25. 

-  Summer  twilight,   reverie,  P  — 50. 

-  Sweet  memories,  waltz  — 40. 

-  Sweet  star  of  night  — 50  Ditson. 

-  Temperance  Song  Herald  — 35  Ditson. 
-Thanksgiving    anthem    (Praise   ye   the   Fa- 
ther)   (Gounod),  8ATB  —08. 

"Tis  no  one  but  me,  sweet  Norah.  VP  — 50. 

V  —15. 
-"Tis  the  dancers   (In  mazurka  time),  TTBB 

—06. 
-To    rest,     away!       (Haydn's     ,, Seasons") , 

TTBB  —06. 

-  Trip  to  Europe,  operetta  for  Children  — 30 

Ditso7i. 

-  True  heart,   farewell,  waltz  — 50. 

-  True  heart,  farewell,  waltz  song  &  ohor.  w. 

O  (J.  Holland). 
Twilight    (Mozart),  TTBB  —08. 

-  Vision  Beautiful  — 50   White. 

-  Voices  of  the  woods,  quart,  f.  fern.  v.  — 10 

Mc.  Kinley. 

-  Wake,  little  Kate  — /2   Curwen. 

-  We   are  marching  away,  SATB    (from   The 

Higli  School  Cadets  March)   — 20  Coleman. 

-  We   come,   silent   heroes,   i?B-s.    HATB,   Dec. 

Day  —50. 

-  We    need   not   fear,   A     (&   H  o  r  t  o  ii :    Lord 

of  Love)   — 06  Wood. 

-  When   T  was  a  little  boy  — ,3   Curwen. 
-Where  blooms  tlie  wild  rose  , .Queen's  Lace 

Handk^rcbiof"    (S  t  r  a  u  fi)    —iO. 

-  Wynken.    blynken,    and    nod,    mix.    \.   — 3 

Ciirvjen. 
Macy-Kiehl,   Memoires.    in    G-mojor,   P  — 40 

Ditson. 
Maczewski    Amadeus,     op.    2     Bilder     vom 

Genfer  See,  4  charakteristische  Stiicke  in 

Form  einer  Sonate,  /':   1.  Am  See.  Clarens. 

2.     Bergpartie.      Glvon.      3.     Wasserfahrt. 

Chillon.     4.  Unter  'dem  Volke.    Genf   6— 

Kistner. 
-3     Sechs     Stiicke.     PVa(V):      I.     Romanze. 

Eigeiiwille.   Traumerei   3.90.   II.   tJberwun- 

denes    Leid.    Humoreske.    Nachteinsamkeit 

3.90  Breitko-pf. 

-  Walzer   aus  dem  Marehen   „Konig  Drossel- 

bart",  I/ms   1.50  n  Pfeiffer. 
Madam   Duvan  2/ — n  Sheard. 

-30  n 


3— n,     Ch.    s. 

Concert-Album,     13 


Madame    Bellavoine 

Ondet. 
Madame    Belle    Cole's 

fiongs  1/ —  Boosey. 
Madame  Belleau  — 60  n,  Ch.  s.  — 30  n  Ondet. 
Madame  bonne  a  tout,  Ch.  s.  — 30  n  Jovhert. 
Madame  Cadet-Rousselle  1 — n   imihert. 


n,    Ch.    s. 


1- 


—35  n 
—35  n 


Madame    Camus    (av.    parl(5)     1- 

— 35  n   Fjveillard.^ 
Madame  Chibout  heritiere   (av.  parle) 

Ch.  s.  —35  n  Eveillard. 
Madame  Cyprien   1 — n  Jouhcrt. 
Madame  de  Fogarty's  Dancing  School  2/ — n 

Sheard. 
Madame  de  la  Houspignole  1 — ,  Ch.  s.  — 25 

Crhclnwe. 
Madame  Diabless,  polka  — 35  Ellis. 
Madame    Dubaquet     1 — n,     Ch.     s.      — 40  n 

Bornemann . 
Madame  Dubrochet  au  bal  de  la  lialle  1 —  n 

Jouhert. 
Madame  Ducordon  1^  n  Jouhert. 
Madame    Dugulgnon     1 — n.    Ch.    s.    — 35  u 

Eveillard. 
Madame  Gaspard  1 — n,  Ch.  s.  — 30  n  Ondet. 
Madame   la  capitaine   1 —  Delormel. 
Madame    la    garde-champetre    1 — n,    Ch.   s. 

— 30  n    Ondet. 
Madame  la  Marquise  — 40  Debert. 
Madame    la    reservlste    1 —  n.   Ch.   s. 

Puigellier. 
Madame   la   serruriere    1 — n,   Ch.   s. 

Puigellier. 
Madame  la  vierge  1 —  n  Jouhert. 
Madame   Louchpinache   1 — n  Jouhert. 
Madame  Negro,  danse   1.35  n,  Ch.  s.  — 35  u 

Eveillard. 
Madame    Oury's     Favorite     Mazurka     — /4 

Sheard. 
Madame   Patey's  Sacred  Song  Album  1/—  n 

Luru:oji. 
Madame  Pipelet  millionnaire  1 — n  Jouhert. 
Madame    Pochardin     1 — n.     Ch.    s.     — 35  n 

Eveillard. 
Madame  sans  fagon   l-^-  n  Jouhert. 
Madame  Saperlotte,  Ch.  s.  — 30  n  Jouhert. 
Madame   Ursule   1 — n  Jouhert. 
Madan     M.    Before    Jehovah's    awful    throne 

(J.    Tx  o  s  s)    — iQn   Augener,   — /6   Novello, 

SAB    —50    Bruivard,    SSB    1/6    Ashdown. 

SATB  &  P  OT  n  —/I  Pitman,  P  1/—  Ash- 

doirn.    ChappeU,    Jpns    2/ —    Ashdoxmi,    1/6 

ClxtppcU. 

-  Vital  spark  of  heavenlv  flame.  /'  1/ — ,  .'ims 

1/6  Chap  pell. 
Madan,    Rippon,    Arne,    Harwood,    etc..    25 

sacred  pieces,  odes.  &  liymii  tunes,  arr.  by 

N  o  r  d  m  a  n  n,  //  1/ —  Boosey. 
Madden   Claude.   Schirmcr:   Barcarolle    (F), 

TV  -  -75. 
-Berceuse      Russe     (Biissiau     Lullaby),     PV 

—75. 

-  Meister    Oluf     (Master    Oluf),    Ballade    for 

Bar  — 75. 

-  Two  Songs  for  MS  (Bar  J  :  A  Lullaby  — 50. 

When   Love   is   Done   — 60. 
Maddick  Distin,  Thine  4/ —  Ascherherg. 
Maddison   A.  op.    13   Romance,   VP  6 —  Ha- 

melle. 

-  14  Berceuse,  VP  6 —  Hamelle. 

-  21    Vier  Lieder   2—  Stahl. 

-22    Spanisches    Lied    1—    Stahl. 
-2  Melodies:   Hiver.  Silence  9 —  Hamelle. 
Maddison    Adela,    Give   me   your   hand   4;^ 
Metzler. 

-  0  that  'twere  possible  4/ —  Metzler. 
-12   Songs  2/6  n  Metzler. 


Maddison  Mrs.  B.  For  a  day 


51     — 


Mader  R.  Die  roten  Schuhe 


Maddison    Mrs.    B.   For   a  day   and   a  night 
4/ —  Metzler. 

-  Rococo  4/ —  Metzler. 

Maddock   J.   Pemberton,   melody   iu  G,   Org. 

y  lucent . 
Maddock    W.      Niagara,    march,    Full    Band 

2  8,   Med.  Band,  Small  Band   1/4   Hawkea. 
Maddocks  James,  Chant  Settings  for  the  Te 

Deum     Laudamus     and     Benedictus     — /2 

Wcekes. 
Made   in   Germany,  operetta,  3  chor.    (2  m., 

1  f.)   &  chorus  — '3  Pitman. 
Madeira      E.      Trunfo      as      Avessas 

(Mesquita),   potp.   P  2.50   NapoleKo. 
Madeira  E.  E.  Holy  Communion  — 40  Pond. 

Madeira  J.  Guimaracs:   Op.  35  Brises  de  la 
mer,  valsa  — 50,   Banda  — 30  Neuparth. 

-  Arco  Iris,  valsa  1.50. 

-  Encantos,  schott.   1 — . 

-  Flor  de  noite,  valsa  1.50. 

-  Galhardia,   maz.    1.50   BeviUicqud. 

-  Momento  Feliz.  schott.  1 — . 
Occidental,  valsa  1 — . 

-  Paulistana,  schott.   1 — . 

-  Riachueliua,  schott.  1 — . 

-  Risadas,  schott.   1.50. 

-  Segredos  d'alma,  valsa  1.50. 

-  Triumphal,  schott.   1 — . 

Madel-Clerc,  Amour  d'Hiver  1.75  u  Fromont. 

-  Charmeuse    de   Cobra-Capello,   P    1.75    Fro- 

mont. 

-  Oigales.   more.  P  2 —  u  Durdilly. 

-  En    jonque,    barcai-olle,   PV   2 —  n   Fromont. 

-  Fremissement,  valse  2 —  n  Fromont. 

-  Nuits  bleues    a  Tourane,    contemplation,   P 

1.75  Fromont. 

-  Oiseau  solitaire,  P  1.75  Fromont. 

-  Pr#lude  en  re  mineur,  P  2 —  n  Durdilly. 

-  Rose  fan6e  1.75  n  Durdilly. 

-  Sonate   en    si    mineur,    VP    7 —  n.   Solitude, 

Adagio  2.50  n  Hayet. 

-  Souvenirs  de  jeunesse,  P  1.50  Fromont. 
Madelaine   S.  de    la,   Theories   completes   du 

chant  15 —  n  Lemoine. 
Madeleine  1 — n  Joubert. 
Madeleine-Bastille      1— n.     Ch.     s.     — 30  n 

Ondet. 
Madeleine    est    blanchisseuse    1 — n,    Ch.    s. 

—30  n  Ondet. 
Madeleine   est   partie!    1 — n,   Ch.   s.   — 30  n 

Ondet. 
Madeleine    m'oublie     1- — u,     Ch.     s.    — 30  n 

Ondet. 
Madeley  Walter,  Old  English  Ditties,  3  parts, 

tor  clas  singing:    1.  The  Country  Lass.  2. 

Protty    Polly   Oliver.    3.    The    Mermaid.    4. 

Lady   Mary   Nevill's   Delight,    a  —/I    Wil- 
liams. 
Madelinette,  maz.  — ^48  Fonseca. 

Madeila,  La  Musica  nelle  chiese  di  campagna 

— 50  Musica  sacra. 
Mademoiselle    brin    d'amour   1^ — u  Jouhert. 
Mademoiselle  Caramba  1.35  u,  Ch.  s.  — 30  n 

Ovdet. 
Mademoiselle      d'Arrachon      1^ — n,     Ch.     s. 

—30  u  Ondet. 
Mademoiselle    Estelle    1 — u   Joubert. 
Mademoiselle   Gargantua    1 — n  Joubert. 
Mademoiselle  Longue-Asperge  L35  n,  Ch.  s. 

—30  n  Ondet. 


Mademoiselle    Musette    1 — n   Joubert. 
Mademoiselle   New  York  2/ — n  Sheard. 
Mademoiselle,  ouvrez,  S.  V.  P.  1 — u,  Ch.  s. 

— 35  n  Eveillard. 
Mademoiselle    Plume-au-vent    1 — n,    Cli.    s. 

— 35  n   Eveillard. 
Mademoiselle  Suzon,  Ch.  s.  — 30  n  Joubert. 

Mader  Raoul  (1856).  Robit scliek :  Op.  32 
Gute  Lehren  1.50. 

-  100  Dich  will   ich  ewig  lieben.   Lied   fiir   T 

od.  8  (als  Einlage  gesungen  in  der  Oper 
„Der  Postilion  von  Lonjumeau")  1.25,  T  u. 
stO.  Part  2— u,  St  3— n,  Fliigelhorn-Solo 
m.  0-St  2—  n. 

-  102  Wenn  du  kein  Spielmann  warst  1 — . 

-  103  Bei  dir  allein  1.25. 

-  104  Mondnacht,  fiir  Bar-Solo  m.  Brummcliur 

od.  P  (ad  lib.),  Part  1.50,  Solost  —2.5, 
Chorst  —60. 

-  105  Fiir  wen?   1.25. 

-  106  Nun  bin  ich  nur  ein  Reitersmann  1 — . 

-  107  Der  Mai  wird  es  der  Rose  sagen  1.25. 

-  107b  J'y  pense,  Polka-Caprice  1.25. 
-116  Offenes  Geheimnis,   TTBB   1.44. 

-  120  Spielmann's  Liebchen,   TTBB  1.20. 

-  121    Ich    lasse    die   Augen   wanken,     TTBB 

1.20. 
-123    Nur    rrra.sch!      Polka     schnell     (Carl 

Ptak)      fiir     Miinnerst     m.     P,    KA     2—, 

Chorst  1.20. 
-124  Kurze  Rast:   „Halloh,  Herr  Wirt!    Nur 

nicht  gespreizt",  TTBB  L20. 

-  125    Die    Trompete    von    Gravelotte:     ,,Sie 

haben  Tod  und  Verderben  gespie'n",  TTBB 
m.  PistSolo,  Part  u.  Solost  1 — ,  Chorst 
1—. 

-  139   Ein    schon   teutsch      Reiterlied.     TTBB 

2.16. 

-  167  Der  Schmetterling,  P  1.25. 

-  Arm  und  reich.  Lied  1.80  Bard. 

-  Cake  Walk,  P  1.80   Bard. 

-  6   Charakterstiicke,   P,   I    1.80,   II   2.40   Do- 

blinger. 

-  Clairette  keringo   a   Primadonn&k   operett- 

bol,   0   4 —   Harmonia. 
Dann  bist  du's  nicht.  Duett  1.80  Bdrd. 

-  Das      klagende     Veilchen,      Z     — 60     Dom- 

kowsky. 

-  Das    muB     a   Engerl     vom   Himmel    drob'n 

sein,  Walzerlied  1.80  Bdrd. 
Der    s  e  1  i  g  e    V  i  n  c  e  n  z,    Operette,    KA 
10— n  Bdrd. 

-  Die   Eine   die   ich    meiue,    Walzer,    P   2.40 

Bosicorth . 

-Die  F  1  ii  c  h  1 1  i  n  g  e,  komische  Oper, 
Cranz:  Nr.  1.  Reiterlied:  „Das  vi^ar  ein 
wildes  Reiten"  1.20.  Nr.  2.  Duettino:  „Des 
Prinzeu  Schieksal"  1.50.  Nr.  5.  Auftritts- 
lied:  „Wenn  Sie  gestatten"  1—.  Nr.  9. 
Ariette:  „In  ein  SchloBchen"  1.20.  Nr.  15. 
Arie:  „Sie  wagt  e.s"  1.20.  Textbuch  — 80  n, 
Gusti- Walzer  1.80. 

-Die  roten  Schuhe,  Ballet,  Zipser :  KA 
7.20,  Gavotte  1.80,  0  3— n,  Goldrausch- 
Walzer  2.40,  Marsch  1.50,  0  3— n,  Sternen- 
Walzer  2.40,  0  5 — n,  Tambourin,  Polka 
franc.  1.50,  0  3 — n,  WeiBe  Dame,  Polka- 
Maz.  1.50,  0  3— n.  Potpourri,  I.  u.  II.  a 
3 — ,  0  10— n. 

4* 


Mader  R.  Frauleln  Kadett 


Oi 


2     — 


Madoglio  L.  Inni  Sacri 


Vor- 
7.20. 


1.80, 

Duett 
a    la 

seiu     1.80, 
la    Schram- 


F  r  ti  u  1  e  i  n  K  a  d  e  1 1  (Kadet  Kivasszony ) , 
Operette,  7Aj)ser:   Yes!   Yes!    Ye.s!    English 
spoken   schadet  uie   1.80. 
Potpourri,   I,  II,  III,  i1  o — . 
(t  a  r  D  i  s  o  n  s  m  ii  d  e  1,  Operette  m.    1 
spiel  u.  2  Akten,  Bard:   KA  12—,   F 
Ouverture,  .s/0  4.80. 
Bin   eine   Wiener   Geigenfee   —10,   FlfV )P 

1.80,    Z    1.50,     Quart,     a     la    Sohramniel 

—90. 
Dann  bist  du's  uicht,  Duett,  .ST  — 10. 
Ein     himmli.sches     Selinen,     Ariette     1.20, 

Volksausg.  — 10. 
Fort    mit     den    Sorgeii.     Walzerlied 

Volksausg.  — 10. 
Juqend    von    heute,    Marschsextett, 

1.80,      Volksausg.     — 10,      Quart. 

Schrammel  — 90. 
Liebe      muB     der     Grundstein 

Volksausg.    — 10,    Quart,    a 

mel  —90. 
Lied  vom  Garnisonsniiidel    (In  der  Kasern" 

geboreu)    — 10,   Quart,    ti    la   Schrammel 

—90,  sO  1.50,  stO  2.40,  kl.  stO  1.80. 
Nur  wer  brav  geleistet  was  er  kann.  Cou- 
plet  1.80,   Volksausg.    —10.    Quart,    ft  la 

Schrammel  — 90. 
Was   sagen   Sie   zu   nieiner    Frau?    Couplet 

—10,   Quart,   a  la  Schrammel   — 90. 
Parodie   auf   d.   Couplet:    „Was   sagen    Sie 

zu    meinem    Mann"     (Die    Manner    sind, 

ich   sag*   es   frei)    1.80. 
Garnisonsmadel-Marsc'h    1.80.    sO    1.50,   .s/(> 

2.40,  kl.  sfO   1.80. 
Stella-Walzer     .sO     a—.    ntO    4.80,    kl.  .s/0 

a  la  Schrammel  — -90. 
Wiegenlied    —10.    P    1.80,    Z    1.50,    Quart. 

3.60. 
Potpourri,  1,  II,  III,  a  3 — ,  Iims  6 — . 

-  Gedenkblatt     der    Aristokratie    PreBburg's 

zum    SOjiihrigen    Dichter-JubilJium    Baron 

Anton  K  1  e  s  h  e  i  m's,  Jubilaums-Marsch 

—80  Cranz. 
-Hymne:    .,Wie    von    des    Berges    weitragen- 

dem  Haupt",   TTBB  1.80. 
-2    Landskneohtlieder,    TTBIi.    1.    Der    Auf- 

bruch    (m.  P) .  2.  Im  Lager  3 — . 

-  Liebesklage:    „Es  steht  ein'  Liud'  in  jenera 

Tal";    Minnelied:     „Air    meiu'    Gedankeu 
bei   dir",  2  altdeutsclie  Lieder,  TTBB 

lus    Lurley 


10.    Kett6s-indul6     3- 


Har- 


Ani    \\'<)ck( 


Lied 


I)    war. 
Hose. 


Doch, 


sind 
1.20. 

-  2    Lieder 

1.80  Rose. 
-3   Lieder:    Verlid)!.    -Meiu    Li( 
wenn  es  von  uns   Beiden  2 — 

-  Loptak    indul6    a    PrimadonnAk    operettbol, 

O   2 —  Harmonia. 
-2    Mannerchore:     1.    Zu    spiiter    Stunde.    2. 
Dem  Gliick  entgegen   2 — . 

-  Marabu,  Polka  franc.    1.25    Weinberger. 

-  Morgenwanderungsmarscli  1.25  Weinberger. 
-Pirosczipo,  Ballet,  Csillg  Keringo  2 — . 

Gavotte,  P  1.80,  Tnduloja  1.50,  Tambourin, 
Polka  1.50,  WeiBo  Dame.  Polka-Mazurka 
1 .50  Zipser. 

-Polka  frangaise  1.80  Bdrd. 

-Primadonnak,  operette :  I :  Nr.  1.  Ke- 
ringo, Ne  f6ltse  k6rem.  2.  Kom^dias  n6ta. 
3.  Tancz-Kettos  Oliva.  4.  Pezsgo  dal.  5. 
Parna  dal  5 — .  II :  Nr.  Clairette  belepoje. 
7.  Clairette  dala.  8.  Ha  nem  is  j6.  9.  Szervjl 


mi    kettos. 
mo7iia. 

-  Quadrille  2.40  Bdrd. 

Red   Shoes,    grand   ballet,    P   score   6 — 

Zipser. 
-Scarpette   rosse,   ballet  6 —  Z ipser. 
-She,   ballet   fantastique,  Debardeurs,   valse 

2.40,   Marche  des   Matelots   2 — ,   Potpourri 

I,  II,  a  3—  Zipser. 

-  Sirenen-Walzer    1.80   Weinberger. 

-  Solymasz-nC'ggyeszong,    quadr.     1 —     Rozsa- 

volgyi. 
-Szerelmi    Kaland,    Ballet,    Potpourri, 
I,  II,  a  3—  Zipser. 

-  Ui     das     is    fein,     Wiener-Marschlied    1.80 

Bdrd. 

-  Waldeinsamkeit,   Z  — 60  Domkowsky. 

-  Waldfrieden,  Z  — 60  Domkowsky. 
Madera   S.    Mis  Amores,    portorican   dance, 

mO  — 50  Fischer. 
MadeweiB  Georg  von,  op.  5  Kleine  Lieder: 

1.    Mein    Mutter     ihr     Spinnrad.      2.   Aus 

Faust :     „Ihr     guten    Herrn     und    schOnen 

Frauen".    3.   Klein   Matten   der   Haas'    1 — 

Kistner. 
-6   Klavierstiicke:   Goethes   Xenien.   Ariadne 

auf     Naxos.      Mnemosyne.     La     tapageuse. 

Cavalcade.  Qual  ohne  Entschlufl  2 —  Schle- 

singer. 

-  Reves  du  printemps,  P,  I — II  a  1.50  Rilhle. 
Madeysky   M.   Cranz:   Op.   ia  Feuilles  d' Al- 
bum, deux  mazurkas  1 — . 

19  Nocturne,  P  1 — . 
-Melodies  sans  paroles,  P:   I.  Idylle,  Priere, 

c'est    perdu    1.50.    II.    Chant    montagnard, 

I'inqui^tude,  le  tourbillon  2 — . 
-Nocturnes    (La  plainte,  I'aveu),  P  1 — . 
-Noel    (Kolenda),     cantique   spirituel     slave, 

P  1.50. 

-  IIoA'B    3B0H1.    ninop'B.    JlK)6nMa.a    MaaypKa 

— 40  Idxikowski. 

-  Polonaise  — 40  Idzikowski. 
Reverie,  P  1 — . 

Madge,  Communion,   avec  P   1.75  ji   (hdlel. 

-  Tantum    ergo,   avec   Org    1 —  n   Gallet. 
Madlen,   Mignonnette,   maz.    Mits.Milit.    1.25, 

Cond.  —10  Tilliard. 

-  Sonnez  clairons,  pas  red.  av.  ClaironsUarm 

(Fanf)    1.25,   Cond.  —10   Tilliard. 
Madio,  op.  9  Miniaturnf  valciky,  P  1.50   M. 

Urbdnek. 
Madoc,  Sun  of  my  soul,  hymn,  duet  &  quart. 

—25   White. 
Madoglio   C.   L'Addio   alia    sorella.    lunianza, 

con  PFl  3 —  Mariani. 
Madoglio    Luigi.    Marinni: 

3   voci    4 — . 

-  Amore.  mazurka.   J/his  3.50   Ricordi. 

-  Ave  Maria,  TTB  2—. 

-4  Ballabili,  P  3—:  N.  1.  AfTetto,  polka, 
2.  Amalia,  polka,  3.  Luigia.  mazurka,  4. 
Barberina,  polka,  a   1 — . 

-  Barberina,   maz.    1.50. 

-  Carolina,    polka    1.50. 

-  Dante,  marcia  2—  Ricordi. 

-  Elena,   nuiz.   1.50. 

-  Eugenia,  polka  1 — . 

-  Inni  Sacri   per  le  diverse  feste  deU'auiio   a 

due  o  3  voci  5 — :  N.  1.  Ave  Maris  Stella, 
a  3  voci  1 — .  N.  2.  Pel  SS.  Natale,  a  3 
voci  2 — .     N.  3.  Jesu   corona   Virginum,   a 


Op.    12    Litanie, 


Madoglio  L.  Inni  Sacri 


53 


Machtig  C.  op.   3 


It  voci  1 — .  N.  4.  Te  loseph  celebrant,  a 
3  voci  1 — .  N.  5.  Iste  Confessor,  a  3  voci 
I — .  N.  6.  Mottetto  per  I'elevazione  o 
40  ore   1.50. 

-  Kau-Kan,   polka    1.50. 

-  10    Litauie    coH'ultimo    versetto    separate, 

TTB  8—. 

-  Manuela,   bolero-maz.   2 — . 

-  Maria,  maz.   1 — . 

-  Maria,   polka   1.50. 

-  Messa,    TTB    15 — :     Kyrie,    a    3    voci    3.50. 

Gloria,  a  3  voci  4 — .  Laudamus  gratias 
f  Domine  Deus,  duetto  per  2T  e  B  5 — . 
<}vu  tollis,  concertato  per  2T  e  B  4 — .  Qui 
.<<edes  e  quoniam  per  B  3 — .  Cum  Sancto, 
a  3  voci  3—.  Credo,  a  3  voci  5 — . 
Messa,  TTBB  &  Org  12— n:  N.  1.  Kyrie 
1.25  n.  N.  2.  Gloria  2.50  n.  N.  3.  Lauda- 
mus, Gratias  e  Domine  Deus  (T  e  Bar) 
2.50  n.  N.  4.  Qui  tollis  (T)  2— u.  N.  5. 
Oui  sedes,  Quoniam  e  Cum  Sancto  Spiritu 
2—  n  N.  6.  Credo  2.50  n.  N.  7.  Mottetto 
fTJ  2 — .  N.  8.  Sauctus  e  Benedictus  1.25  n. 
N.  9.  Agnus  Dei  — -75   Ricordi. 

-  Mottetto  per  T  4—. 

-  Mottetto,  per  Bar  e  B  2.50. 

-  Mottetto,  per  2T  e  B  5—. 

-  Musica   Sacra,    2TB   &    Org:      N.    1.    Lauda 

Jerusalem  2 —  n.  N.  2.  Nisi  Dominus  2 —  n. 
N.  3.  Confitebor  (Salmo  in  Si  bemolle) 
2 —  n.  N.  4.  Dixit  Dominus  2.50  n.  N.  5. 
Magnificat  2.50  n.  N.  G.  Laetatus  sum 
2— n.  N.  7.  Confitebor  (Salmo  in  Sol) 
2 —  n  Ricordi. 

-  Polka-Ma rcia  2 — . 

-  Primavera,    17    sonatiue   su   cinque   note   ad 

iiso  dei  giovani  allievi,  ^rn.s-  10 — ,  6  fasc. 
ji  2.50. 

-  Sabina,   maz.  3 — . 

-  Sinfonia,  P  2 —  Ricordi. 

-  Speranze  e  follie,  album  di  danze  8 — ■-.  N.  1. 

Luigia,  valzer  3 — .  N.  2.  Elena,  mazurka 
1.50.  N.  3.  Barber ina,  mazurka  2 — .  N.  4. 
Carolina,  polka  1.50.  N.  5.  Maria,  polka 
1.50.     N.  6.  Emanuele,  galop   1.50. 

-  Ultima   notte   del   Carnevale   a   Cremona,   a 

tutta  Banda   ed   0,   Riduzione   dell'Autore, 

-Jms  5.50  Ricordi. 
Madoglio   Rosa,  Vittoria,  P  1.25  Ricordi. 
Madeline   (I  dream  of  thee,  sweet  Madoline) 

— ,2  Sheurd. 
Madon  G.  Andante,  VP  1.75  n  Uatnelle. 
-Deux   Feuillets    d'album,   P:      1.   Nocturne. 

2.   Intermezzo   2 —  n   Hamelle. 
-Regrets  1.75  n  Hamelle. 
Madonno  A.  G.  Messa,  TB  o  .S'4    lorde  8 — 

Perosino. 

-  Messa  breve,  2  voci  4 —  u  Blanchi. 

-  Messa  breve,  TTB  6 —  Mariani. 

-  Messa  fuuebre  di  facile  esecuzione  per  2T  e 

B  12 — :  Introduzione  e  Kyrie  2 — .  Se- 
quentia  2.50.  Recordare  Pie  Jesu  4 — . 
Offertorio  2 — .  Sanctus  et  benedictus  2 — . 
Agnus  Dei  et  Postcomunium  2 — .  Esequie 
3.50   Mariani. 

-  3a  Messa  di  facile  esec,  TTB  12 —  Mariani. 

-  Requiem-Mass,    in    G-m.,    for    4  voices    and 

chorus  ad  lib.  with  Org  ace.  (arr.  and 
edited  by  Ed.  M  a  r  z  o)   — 75  n  Schirmer. 


N.  2.  TB  4—. 
-.     N.   5.  2TIS 


-Tautum  Ergo:  N.  1.  TB  3.50. 
N.  3.  B  5—.  N.  4.  Bar  3- 
3 —  Mariani. 

-  Tota  pulchra,   3  voci   — ^75  n  Blanchi. 
Madoule  Eug.  Coftfallut:  Op.  3  Etude-r6verie, 

P   2—  11. 

-  14  Les  trioleti<,  6tude  de  concert,  P  2.50. 
19  Violette,  (^tude   polka  2 — n. 

30  Theme  vari6,  P  1.70  n  Klein. 

-  31  I^es  Rives  de  la  Seine,  P  6 —  Ledue. 

-  32   Variations    sur    I'hymne    russe.     P     7.50 

Leduc. 

-  Capricieuse,  mazurka  2 —  n. 

-  Fantaisie-Nocturne,  P   2.50. 

-  Galop  de  concert,  P  2.50  u. 

-  Grande  valse  2.50  n. 

-  Marguerite,  6tude-polka  2 —  n. 
-Marionettes-Polka    1 — n,   &    1.70  n. 

-  Mon  reve  1 —  n. 

-  Premier  pas  d' Alice    (Le) ,  2  tons  1 —  n. 

-  Premiere  pens^e,  valse   1.70  n. 
-Reminiscence,   mazurka   1 — n. 

-  Santeuse,  valse  de  salon  2 —  n. 
-Souvenir,  galop  1 — n. 

-  Vieux  souvenirs,  romance  1 —  u. 
Madras,  Ballade  hivernale,  aubade.  Andrieu, 

1.75  n   »S'ie-i;rc-Paris. 

-  Chanson  d'amour,  Andrieu,  1.75  n  Sievre. 

-  Frileuse,  bluette,  A  ndrieu,  1.75  n  Si^vre. 

-  Idylle,    romance    sans    paroles,    FcP,      An- 

drieu. 

-  R§ponse  a  ma   mie,  Andrieu,  1.75  n  Sievre. 

-  Tes    yeux,    valse    chant§e,    Andrieu,    1.75  n 

fiievre. 
Madre    dei    Cordero,    .Tota    — 50    Wagner    y 

Levien. 
Madrid  a  Paris  vals  — 50  Wagner  y  Levien. 
Madrigal  1 — n.  Ch.  s.  — 30  n  Ondet. 
Madrigal    a    la    Marquise,     gavotte     — 85  n 

Eveillard. 
Madrigal   d'avril   1 — u,  C/i.  s.  — 30  n  Ondet. 

Madrigals  by  English  Composers  of  the  close 
of  the  Fifteenth  Century.  Edited  for  the 
Plainsong  and  Mediaeval  Music  Society: 
1.  The  Time  of  Youth.  2.  Come  o'er  the 
burn.  Bessie.  3.  Enforce  yourself  as  God's 
own  Knight.  4.  Thus  musing.  5.  Ah!  my 
dear  son.  6.  Pastime  with  good  company 
6/ —  Novello. 

Madrilena,    baile    aiidaluz    1 — u   Bergali. 

Mqdry,  Polak  po  szkodzie  — 50  Krzyzanowski. 

Madsen  Emil,  op.  4  Ida-Polka  — 80  Rei- 
tiecke,  — 25  Wood. 

Madsen  Jacobine,  valse  brill.  P  — 75 
Hansen. 

Madsen  Th.  Christy  Minstrels  Galopp  — 75 
Hansen. 

-  Etuder,   V  2 —  Nordisk  Musikforlag. 

-  Studien,  V,  I — IV  A.  1.50  Hansen. 

-  Tagl.  Studien,   V  1.50  Hansen. 

-  Violinskole  2.50  Hansen. 

-  Zither-Album.    23    diinische    Melodien     1.50 

Hansen. 
Madurowicz   L.   Signe  de   vie  3  Mazurs    1  — 
Schott. 

-  Valerie,   mazurka    1 —   t^chott. 

Machtig  Carl  (\8^Q— 1881) .  Letickart:  Op.  1 
Aus  der  Heimat,  Saloustiick,  P  1.25. 

-  2  Til  stiller  Nacht,  Salon.stiick,  P  1.25. 

-  3  La  belle  Graeieuse,  mazurka  de  concert,  /' 

1.75. 


Machtig  C.  up.  5 


54 


I.  IVIannerchor-Album 


-  5  Fantasie  iiber  das  Volkslied  aus  Thiirin- 

gen:     „Ach    wie    ist's    moglicli    dann,    daB 
ich  dich  lassen  kann",  P  1.25,  Ifms  1.75. 
-6    Drei    Charakterstiicke,     P     2 — :      Nr.    1. 
Gondellied    (A),      2.   Marclieu    (H-m.),     3. 
Scherzo    (A-m.),   i  — 75. 

-  7  Chant  de  Printemps,  6tude  melodique,   P 

1.25. 

-  8  Albumbliitter,  P    (H.   G  e  r  m  e  r)  :    Nr.   3 

u.   6.     Komm,   lieber  Mai.   Erinnerung  an 
Mozart  1 —  Breitkopf. 
-9   Zwiegesang    der    Elfen:      ,,Horst    du    das 
Fliistern"  2—. 

-  10  Vier  Lieder :      1.  M()geu  die  Wolicen  alle. 

2.  Im  Volkstou.     3.  In  dunkler  Nacht.     4. 
O  bleibe  wie  du  hist  1 —  Breitkopf. 
11    Drei   Lieder:    1.   Stiindchen.      2.   Wissen 
es  die  blauen  Blumen.     3.  Am  Abend  1— 
Breitkopf. 

-  12  Aus  dem  Leben  1.30  Pies  &  Erler. 

-  13  Gondellied   1 —  Ries  d  Erler. 

Maechtle  A.  Meditation  iiber  das  1.  Praelu- 

dium  V.  J.  S.  B  a  c  h,  PVFlVc  1—  n  A.  E. 

Schmidt. 
Maeck,  Chasseurs  Volontaires,  pas  red.  Fanf 

2—  Katto. 
Maeck    H.    Friquet-Friquette,    polka    (av.    2 

Cornets),   Harm    3 — ,    Fanf  2.25    A^idrieu. 

-  Perles,  polka   (p.  Cornet),  Earm  2.50,  Fanf 

2 —  Andrieu. 
Maeck  J.  Les  Muletiers  e.spagiiols,  choeur  k 

2  voix  av.  P,  Part  3 — n,  p.  s.  — 40  n  ScJiott 

Freres. 
Maedel,  Sounds  of  the  past,  P  — 35  Ellis. 
Maeder,    Past    twelve    o'   clock,     trio    — 60 

Ditson. 
•Teddy  O'  Neale  — /2  Sheard. 

-  Wake,  dearest,  wake,  Bar  —50  Brainard. 
Mader  Alphons,  Ihr  Auge,  P  1 —  Zierfufi. 
Mader    Rudolf.   Hug:    Op.    11    Waldmorgen: 

„Dichte     Nebel     hiillen     noch     den     Tales- 
grund",  TTBB  3—. 

-  23  Frohlicher  Spielmauu,  TTBB   1.80. 
25  Ostergelaute,  SATB  1.20. 

-27  Heldentod,  TTBB  1.80. 
•  29  Auf  dem  Riitli,  TTBB,  Part  —15  n. 
-Es   bluhen   die   Reben   und   Linden,    TTBB, 
Part  —10  n. 

-  Lieder  a.  d.  Jugendzeit,  TTBB  —20  n. 

-  Weihnachtslied:       „Jauchzet    ihr    Himmel", 

SATB  —10  n. 

-  Zum  Bettag,  SATB  —25  n  Hug. 
Maeder  J.  G.  Ditson:    Dark   eyes  — 35. 

-  Erin  is  my  home  — 40. 

-  Erin  weeps  forsaken  — 40. 

-Home,  sweet  home    (arr.),  quart.  — 35. 

-  Love's  young  dream,  STB  — 35. 

-  Nid,   nid,  noddin',  male  trio  —60. 

-  Searcher     of     hearts    (Wallace),    quart. 

—50. 

-  Separation  — 35. 

-  Silent  farewell  —40  Brainard. 

-  Song  of  home  — 50. 

-  Teach  me  not  to  love  thee  — 35. 
-Teddy  0'  Neale  —35. 

Maedge    E.   Am  Leinenstrand.   Marsch.   ^m.s 

1.20    Hoffheinz. 
Magdiein    von    friih   bis    spat,     TTBB     —80 

Tonger. 
Mahl   Carl,   op.   9  Frste  Rose:    ,,Der  Baume 

v.eiRer    Flockenschiuini"   — SO    Banger. 


A   fare\^ell,   TTBB  — /2   Novello. 
cantabile,     duo   facile,     2VP    2 — 


Mahllig    R. 

-  Andante 

Schott. 
•  Andante  cantabile,   VcP  2 —  Breitkopf. 

-  Dido,  valse  de  concert,  P  2 —  Breitkopf. 

-  Divertimento,  P  1 —  Breitkopf. 
Gavotte    (A),  P  1—  Breitkopf. 

-  God  and  our  country,  TTBB  — /2  Novello. 

-  3  Lieder  ohue  Worte,  P  2/ —  Novello. 

-  Morceaux    choisis,    T'P:      N.    1.    Allegretti^ 

moderate  1.50.  N.  2.  Tempo  di  Vilse 
Moderato  2 — .  N.  3.  Marcia  2 — .  N.  4. 
Allegro  moderato  brill.  2.50.     N.  5.  Scher- 

zaudo     1.75.     N.    6.     Andante    con    m6lto 

expressione   2 —   Schott. 
■  Suite,  2VVaVe  u.  P  ad  lib.  2.50  n  Breitkopf. 
-Trio   (F),  PVVc  4— n  Breitkopf. 
Maek    H.    Friquet   Friquette,     polka,     2  Pi>if 

2.50  Kessels. 
Maele    van    der,     Balancons     Schottisch   2 — 

Kessels. 
Mannchen  C.  G.  Amenaide  u.  Tancred,  Bal- 

lett,  P  3 —  Hofmeister. 
Mannerchore,      Ausgewahlte,      Nr.       1 — 45. 

Siegel. 
3    Mannerchore:    1.   Gundrum   Albert, 

op.  39 :  Mein  waldumschloS'nes  Tal :  „Nooh 

einmal,  eh'  ich  lassen  muB".  2.  B  e  r  1 1  A., 

op.  3 :  Dem  Kaiser  Hoch !  :  „Zura  Traumen 

bleibt  uns  Zeit  genug",  Hymne.  3.  John 

Friedrich:     Lieb'     ist    so     sonnenklar 

2 —  Seeling. 
Mannerchore,    Beliebte,    Nr.    1—47.     Robit- 

schek. 
Mannerchore     fur     Krieger     und    Soldaten 

— 60  Karl  Klumer. 
I.    Mannerchor-Album,    144  der  beliebtesteu 

Mannerchore,   durchgesehen   und   teilweise 

neu  bearbeitet  v.  Prof.  Jos.  Schwartz, 

kartoniert,      Stimmen,     4     Bande,     a     1 — 

Tonger : 

2.  Abend  wird  es  wieder    (Abendlied).   J. 
Schwartz. 

l.Ach,   du     klarblauer    Himmel     (Wohin 
mit  der   Freud?).   F.   S  i  1  c  h  e  r. 

3.  Am  Brunneu   vor   dem   Tore    (Der   Lin- 
denbaum).   F.   Schubert. 

4.  Am  fernen  Horizonte  (Wasserfahrt) .  F. 
M  e  n  d  e  1  s  s  o  h  n  -  B  a  r  t  h  o  1  d  y. 

8.  Am  Rliein,  am  deutschen  Rheine   (Ger- 
mania) .  A.  D  r  e  g  e  r  t. 

5.  An    einem    Bachlein    (An    einem    Bach- 
lein) .  H.  W  a  e  1  r  e  n  t. 

6.  Annchen    von    Tharau    ist's     (Annchent 
von  Tharau).  F.   S  i  1  c  h  e  r. 

7.  Auferstehn,  ja  auferstehn    (Auferstehn. 
ja  auferstehn!).  G  r  a  u  u. 

9.  Auf,  Freunde,  laBt  das  Jahr    (Die  Stif- 
tuDgsfeier) .  F.  Mendelssohn. 

]  0.  Auf,  ihr  Briider,  hebt  die  Fahne    (Fah- 
nenlied).  L.  B  a  r. 

11.  Auf,   ihr  Briider,  laBt  uns  walleu    .Ins 
Freie).  J.  H.  S  t  u  n  t  z. 

12.  Blitzeude  Speere,  jubelnde  Chore  (Waf- 
feutanz) .  C.  K  r  e  u  t  z  e  r. 

96.  Brause,  brause  durch  die  Welt  (Sanger- 
gruB).  R.  G  ii  n  t  h  e  r. 

13.  Briider,   reicht   die  Hand   zum   Bunde! 
(Bundeslied) .  W.  A.  M  o  z  a  r  t. 

15.  Da    unten     ist   Frieden     (Friedeu).    0. 
K  1  o  B. 


I.  Mannerchor-Album 


65     — 


I.  Mannerchor-Album 


14. 
Hi. 
17. 
18. 
19. 
20. 
21. 
22. 
23. 
24. 
25. 
26. 
27. 
28. 
29. 
31. 
32. 

34. 
33. 

35. 

36. 

37. 

38. 
39. 
40. 
41. 

42. 
43. 
44. 
<)2. 
45, 
46. 
J-7. 
95, 
48, 
49 


(Burschenlust). 

so  uiih  voriiber 
Otto. 


Das  ist  der  Tag  des  Herrn!    (Schafers 

Sonutagslied).  C.  K  r  e  u  t  z  e  r. 

Das  Meer  liegt  glatt   (Soimtag  auf  dem 

Meere) .  G.  A.  H  e  i  n  z  e. 

Das    Wander  n    ist    des    Miillers    Lust 

(Wanderschaft) .   G.   Z  o  11  u  e  r. 

Den     Schonen     Heil!       (Deu     Schoneu 

Heil!)  A.  Nei  th  ar  dt. 

Der     Herr    ist     mein    Hirt     (Der    23. 

Psalm).  B.  Kl  ei  n. 

Der  Mai  ist  gekommen 

J.  W.  Lyra. 

Der  schi'Jne  Scliafer  zog 

(Der  Sehiifer).  Franz 

Der  See  ruht  tief  im  blauen   (Der  trau- 

mende  See) .  R.  vS  e  h  u  m  a  n  n. 

Des  Jab  res  letzte  Stunde    (Des  Jahres 

letzte  Stunde) .  J.  A.  P.  S  c  h  u  1  z. 

Die     Bliimelein,     sie     scblafen      (Sand- 

miinucben).  Rheiu.  Volkslied. 

Die     Erde     rubt,     der    Himmel     wacht 

(Nacbtlied) .  C.  K  r  e  u  t  z  e  r. 

Die  Himmel  riibmen    (Die  Ebre  Gottes 

aus  d.  Natur).  L.  v.  B  e  e  t  b  o  v  e  n. 

Die  Rose  stand  im  Tau  (Die  Rose  stand 

im  Tau) .  R.  Schumann. 

Dir  mocbt'  ich  diese  Lieder  weihen  (An 

d.  Vaterlaud) .  C.  K  r  e  u  t  z  e  r. 

Droben    stebet    die  Kapelle     (Die   Ka- 

pelle) .  C.  K  r  e  u  t  z  e  r. 

Du  Scbwert  an  meiner  Linken(Schwert- 

lied) .  C.  M.  V  o  n  W  e  b  e  r. 

Eine  Miible  seb'  ich  blinken   (Halt).  C. 

Z  o  11  n  e  r. 

Er  lebe  boch   (Toast).     F.  Abt. 

Es    braust     ein    Ruf    (Die   Wacht     am 
Rbein).  C.  Wilhelm. 
Es  geht  bei  gediimpfter  Trommel  Klang 
(Der  Soldat).  F.  S  i  1  c  h  e  r. 
Es  gingen  drei  Jiiger  a.  d.  Birscb   (Der 
weiBe  Hirscb).   C.   K  r  e  u  t  z  e  r. 
Es  ist  bestimmt  in  Gottes  Rat    (Gottes 
Rat  u.  Scheiden) .  F.  Mendelssohn. 
Es  liegt  ein   Stadtlein    an    dem   Rbein 
(Elslein  von  Caub).  M.  F  i  1  k  e. 
Es  liegt  ein  Weiler  fern  i.  Grund   (Das 
einsame  Roslein) .  E.  Hermes. 
Es     waren      zwei     Konigskinder     (Die 
Konigskinder) .  Volkslied. 
Frei    wie    des   Adlers    mjicht.   Gefieder 
(Liedesf  reibeit) .  H.  Marschner. 
Froh   soil  unser  Lied  erscballen    (Fest- 
gesang) .  F.  K  r  a  k  a  m  p. 
Frob   und  frei   ziebn  wir  dahin    (Wan- 
derlied).  F.  M  ii  eke. 
,  Gott    griiBe   dieb!     (Gott   griiBe   dich!) 
F.  M  ii  c  k  e. 
.  GriiB  eucb   Gott  mit  bell.,   frob.  Klang 

(SiingergruB) .  R.  G  ii  n  t  b  e  r. 
.  Hab'  oft  im  Kreise  der  Lieben    (Frisch 

gesungen).   F.   S  i  1  c  b  e  r. 
.Hallo!    Zum  Weidwerk    (Jagers  Lust). 
C.  A.  A  stbolz. 
.  Heda!  Wein  her!    (Das  Lied  vom  Rhein- 

wein).   C.   Z  o  1 1  n  e  r. 
.Heil  dem  Sclionen  rings  im  Gau    (Siin- 
gergruB) .  R.  G  ii  n  t  h  e  r. 
.Heil   dir   im   Siegerkranz    (Heil   dir  im 
Si°gprkrnnz) .  H.  Carey. 
Heil'ge  Nacht,   o  gieRe  du    (Hymne  an 
d.  Nacht^ .  L.   v  a  d   B  e  o  t  h  o  v  e  n. 


50. 
51. 
52. 
53. 

54. 
55. 
56. 
57. 
58. 
59. 
60. 
61. 
62. 
63. 
64. 
65. 
67. 
68. 
66. 
69. 
70. 
71. 
72. 
73. 

74. 

97. 
76. 

75, 

77, 
78, 
79 
80 
81 

86 


liebes    Kind     (Tanz).    C. 
lebeu      (Hanuoverscher 


Heiter.,    mein 

Z  o  1 1  u  e  r. 

Hocb     soil     er 

Toast). 

Horcli,   wie  brauset  der  Sturm    (Marz- 

uacht) .  C.  K  r  e  u  t  z  e  r. 

Ja,    scbou    ist   mein    Schatz   nicht    (Ja, 

sehon     ist     mein     Schatz     nicht) .     J. 

Schwartz. 

Ich  bete  an  die  Macht  der  Liebe    (Ich 

bete  an).  D.  Bortniansky. 

Ich  geh'  noch  abends  spat  vorbei 

(Abeudfeier).  C.  K  r  e  u  t  z  e  r. 

Ich   bort'   ein   Bachlein   rauschen    (Wo- 

bin?).  C.  Z  ollner. 

Ich     mochte     m.     d.    Strome     rauschen 

(Mein  Wunsch).   J.   C.   Scbiirtlich. 
Ich     suche     dich,     o    Unerforschlicher ! 

(Forscben  nach  Gott) .  C.  K  r  e  u  t  z  e  r. 

Ich  weiB  ein  Miidchen  hiibseh  und  fein 

(Hiite   dich!).   C.   F.   J.  G  i  r  s  c  h  n  e  r. 

Ich    weiB    nicht,    was    soil    es   bedeuten 

(Loreley).   F.  S  i  1  c  h  e  r. 

Jetzt   gang   i    ans   Briinnele    (Die   drei 

Roselein).  Schwab.  Volkslied. 

Ihr  Riesengletacher!     (Nachklang    und 

Sehnsucht) .   C.   K  r  e  u  t  z  e  r. 

Im  Herbst,  da  muB  man  trinken!    (aus 

d.  Oper  „Vampyr") .  H.  M  a  r  s  c  h  n  e  r. 

Im    Krug    zum    griinen    Kranze    (Ein- 

kebr).   C.   Z  o  1 1  n  e  r. 

Im  scbonsten  Wiesengruude   (Das  stille 

Tal).  Volkslied. 

Im  Sommer,  da  spannt  die  Lust   (Lust 

zu  jeder  Zeit).  F.  Abt. 

In  dem  Himmel  ruht  die  Erde   (Stand- 

chen).  F.  Otto. 

In  einem  kiihlen  Grunde   (Untreue).  F. 

Gliick. 

Kein    Feuer,    keine   Kohle     (Heimliche 

Liebe).  Volkslied. 

Klang    und     Glanz     des   Tages    schied 

(Doppelstandchen).   A.    Z  0  1 1  n  e  r. 

LaB    micb    nur     fliegen     (Vogleins   Ab- 

schied) .  F.  F.  G.  K  i  r  c  h  h  o  f. 

LaBt  den  SangergruB  ert^nen    (Siinger- 
gruB). J.  S  t  r  au  B. 
,  Laut  tonet  durch  Berg  und  Tal   ( JSger- 

chor    aus    der  Oper    ,,Calyp8o").   P.   v. 

Winter. 

Lebensodem,  Himmelstau   (Morgenhist) . 

C.  K  r  e  u  t  z  e  r. 

.Lebe    wobl,    auf   Wiederseh'n    (Siinger- 
gruB). R.  G  ii  n  t  h  e  r. 
.  Mag  auch   die  Liebe  weinen    (Des  Pil- 

gers  Trost) .  F.  Schneider. 
,  Miigdlein    von    friib     bis     spiit    (Spinn. 

spinn).     Schwed.    Volkslied    bearbeitet 

von  J.  Schwartz. 
.  Marqneur!    Mein    Herr!     (Der    Speise- 

zettel).  C.  Zoll  ner. 
.  Mir   ist    ein    schoii's   braun    Maidelein 

(Braun  Maidelein).  Volkslied. 
.  Morgen   muB   ich   fort  von   hier    (Lebe- 

wohl).  F.  Silcher. 
.  Nun  leb'  wobl,  du  kleine  Gasse   (In  der 

Feme).  F.  Silcher. 
.Nur   die  Hoffnuug   festgebalten    (Friih- 

ling    wird    es    docb    einmal).    P.    W  ii  !•■ 

f  i  n  g. 
.  0  bone  Jesu    lO  bone  Jesu).  P.  Pale- 
st r  i  n  a. 


I.  Mannerchor-Album 


56 


I!.  Mannerchor-Album 


82. 0   Sang  von  Coua  Ossian    (Ossian) .   J. 
Beschnitt. 

83.  0  Schutzegist  alles  Schonen  (Weihe  des 
Gesanges) .   W.   A.   M  o  z  a  r  t. 

84.  0  Ttiler  weit,  o  Hoheu  (Abschied  vom 
Wald) .   F.  M  e  u  d  e  1  s  s  o  h  n  -  B. 

85.  0  wuiiderbares,  tiefe.s  Scliweigen  (Mor- 
gengebet).  C.  Z  o  1 1  u  e  r. 

87.  Rasch   von   seiner   Lagerstatt    (Studen- 

teugruD) .  F.  W.  B  e  r  n  e  r. 
».■?.  Rein  im  Sange,  treu  ini  Wort   (Sanger- 

gruB) .  R.  G  ii  n  t  h  e  r. 
00.  Rosestock,     Holderbliit"       (Oberscbwab. 

Tanzliedchen).   Volkslied. 
S8.  Ruh'    .sanft,    du    hast    gefuuden     (Grab- 

gesang) .   B  u  n  g  a  r  d  -  W  a  s  e  i». 
89.  Sag'   mir   das   Wort    (Lang'   ist's  her). 

Irisches   Volkslied. 
'U.  Sah  ein  Knab'  eiu  Rosleiu  stelui    (Hei- 

denroslein) .  H.  Werner. 

98.  Schou  die  Abendglockeu  klangen  (Aus 
„Nachtlager  in  Granada").  C.  K  r  e  u  t- 
z  e  r. 

99.  Hell  gliinzt  de.s  Moudes  Licbt  (Santa 
Lucia).  Neapol.  Volkslied. 

100.  Sei  gegriifit,  du  buute  Flur!    (Der  Tag 
des  Herrn) .  P.  A.  Z  w  y  s  s  i  g. 

101.  Singt,  Volker  Deutscblands  (Kaiser- 
Hymue) .  C.  S  c  h  1  e  s  i  n  g  e  r. 

102.  So  riickt  denn  in  die  Ruude  (Absehieds- 
tafel).    F.   Mend  el  ssoh  n  -  B. 

104.  So  viel  ich  fremde  Lande  sab  (Meiu 
Heimattal).  F.  A  b  t. 

105.  StoBet  an!  stoBet  frohlich  an  (Marsch). 
W.  V  o  1  0  k  m  a  r. 

]o;3.  Stumm  scblaft  der  Sanger  (vSchottiseher 
Bardenchor) .  F.  S  i  1  r-  b  e  r. 

106.  Tra,  ri,  ra,  die  Singezeit  ist  da  iTral- 
lerliedcben) .  F.  R  i  e  s. 

94.  Trinke,  was  klar  ist    (Trinksprucb) .  R. 
G  ii  n  t  h  e  r. 
lOT.IJnd    der    Hans    scbleicbt     (Hans    und 
Liesel).  Tbiiringer  Volkslied.  bearbeitet 
von  J.  S  c  h  w  a  r  t  z. 

108.  Und  borat  du  das  miichtige  Klingen 
(Vaterlandslied) .  A.  E.  M  a  r  s  e  h  n  e  r. 

109.  Uns're  Wiesen  griinen  wieder  (Im 
Friihling) .  W.  A.  INI  o  z  a  r  t. 

110.  Unter  alien  Wipfeln  ist  Rub'  (Abend- 
lied)  .  F.  K  u  b  1  a  u. 

lll.Voglein,  was  singst  du  im  Walde  so 
laut  (Vogleiii  im  Walde).  J.  D  ii  r  r- 
n  e  r. 

114.  Voile  Tascben,  voile  Flascbeu  (Taschen- 
xmd  Flaschenlied) . 

112.  Von  air  den  tausend  Kliiugen  (Der 
scbonste  Klang) .  J.  Schwartz. 

11?>.  Wiir'  gleich  dein  Hoffen  schwacb  und 
klein  (Sei  unverzagt).  H.  M  a  r  s  c  li- 
ne r. 

115.  Warum  bist  du  feme?  (Stlindcben) .  A. 
E.  M  a  r  s  c  b  n  e  r. 

117.  Was  glanzt  dort  vom  Walde  (Liitzows 
wilde  Jagd) .  0.  M.  v.  W  e  b  e  r. 

1 16.  Was  ist  das  Gottlichste  auf  dieser  Welt? 

(Glaube,  Liebe,  Hoffnung) .  C.  K  r  e  u  t- 
z  e  r. 
119.  Was   seliimmert    dort    auf    dem    Berge 
(Die  Kapellp).  ('.   K  ;■  e  u  t  z  e  r. 


118. 


120. 


121. 


126. 


123. 


124. 


125. 


128. 


129. 


130. 


133. 


1.34. 


!l 


Was  uns  eint  als  deutsche  Briider  (Fiir 
Deutsche  in  Lyon).  F.  Mendels- 
sohn. 

Web',    daB    wir    scheiden    miisseu     (Hit- 
ters Abschied).   J.   K  i  n  k  e  1. 
WeiBt  du  uoch  die  Stunde   (Meine  cMste 
Liebe).   C.   B  e  i  u  e  s. 

122.  Wem  Gott  will  rechte  Gunst  erweisen 
(Der  frohe  Wandersmann) .  F.  Men- 
delssohn. 

Wenn  ich  den  Wand'rer  frage  (Die 
Heimat).  Volkslied. 

Wenn  sich  der  Gei.st  auf  Anda,cht8- 
schwingen  (Das  deutsche  Lied).  J.  W. 
K  a  1 1  i  w  o  d  a. 

Wenn's  Mailiifterl  weht  (Das  Mailiif- 
terl) .  J.  K  r  e  i  p  1. 

Wer  bat  dieh,  du  schoner  Wald  (Der 
Jager  Abschied).  F.  Mendelssohn. 
Wer  ist  ein  Mann?  (Der  rechte  Marm). 
J.  D  ii  r  r  n  e  r. 

127.  Wie  ein  stolzer  Adler  (Das  Lied).  L. 
S  p  o  h  r. 

Wie  hal)'   ich  sie  geliebt   (Wie  hab'   ich 
sie  geliebt) .  F.  M  o  bring. 
Wie    heiBt    Konig    Ringaugs    Tochter- 
lein?    (Schon  Rohtraut).   W.  H.  Veit. 

131.  Wie  mit  grimm'gem  Unverstand 
(Sturmbescbworung) .  J.  D  ii  r  r  n  e  r. 

132.  Wie    schon    bist    du.    freundliche    Stille 
(Die  Nacht) .  F.  Schubert. 
Wie   sie   so   saiift    ruli'n    (Die  Entsclila- 
fenen).  F.  B.  B  e  n  e  k  e  n. 
Willkommen,  meiu  Wald   (GruB  an  den 
Wald).  W.  Vol  ck  mar. 

135.  Wir  wollen  deutsch  und  einig  seiu  (Ein 
Mann  —  ein  Wort) .  H.  M  a  r  s  c  h  n  e  r. 

136.  Wo  Blische  stehn  und  Btiunie  (Wald- 
lied).  C.  A.   Mangold. 

137.  Wo  mocht'  ich  sein?  (Wo  milcht  icli 
sein?)    C.   Z  o  1 1  n  e  r. 

138.  Wo  solch  ein  Feuer  noch  gedeiht 
(Rheinweinlied).  F.  Mendelssohn- 
Bartholdv. 

139.  Wohl  denk'  i'ch  allenthalben  (Dpr  Knt 
fernten) .   F.   Schubert. 

140.  Zu  dem  Wettgesange  schreiten  (Die 
Minnesiinger) .  R.  Schumann. 

141.  Zwa  Sterndlan  am  Himmel  (Zwa 
Sterndlan).  Karntn.  Volkslied. 

142.  Zu  Augsburg  stebt  ein  bohes  Haus 
(Stirb,  Lieb'  und  Freud') .  F.  S  i  1  c  h  e  r. 

143.  Zu  StraBburg  auf  der  vSchanz  (Der 
Schweizer) .  F.  S  i  1  c  h  e  r. 

144.  Zwischeu  Frankreich  u.  dem.  Biihmer- 
wald  (Auf  d.  Wanderung).  J.  D  ii  r  r- 
n  e  r. 

Mannerchor-Album,    150  beliebt^,  leichte 
^liinnercbore,  Part  1 — : 

1.  Ach     Elslein.    Volkslied     aus     dem    14. 
Jahrhundert. 

2.  Ach,  ich   armes  Klosterfraulein.  Volks 
lied. 

3.  Ach,  wie  ist's  moglich  dann. 

4.  Am  Ort,    wo    meine  Wiege 
H  e  i  s  e  r. 

5.  Auf  der   Andacht  heil'gem   F 
bet) .  W.  A.  Mozart. 

6.  Auf,     Matrosen,      die     Ank'.M- 
(Ade).  C.   A.  Pob  1  en  z. 


Volkslied. 
stand.    W. 

^liigel    (Ge- 

celichtet 


II.  Mannerchor-Album 


ni 


11.  Mannerchor-Album 


.'mis    der   Jugeiidzeit 


klingt 


ein   Lied. 

Rauschen      sein 

W.   A.   Mo- 


lt). 
I  I. 
12. 
1.1. 
14. 
1."'. 
It). 
17. 
18. 

in. 

20. 

21. 

22. 

23. 
24. 

2.'). 

26. 

27. 

2^. 

29. 

30. 

31. 
32. 

33. 

34. 

35. 

3f;. 

37. 
38. 
39. 
40. 


lustig      sein.      H. 


i\I.  H  a  u  p  t  m  a  n  n. 

Biichleiu.      laB      dein 

(Mein).  A.  H  ii  r'l  el. 

Bald    ])rangt.   den    ^Forgeii 

z  a  r  t. 

Bekranzt   mit   Laub   den   liebeii.   voUen 

Becher    (Rheinweinlied).  J.   A  n  d  r  ^. 

Blau  Veiloheii  in  dem  Wiesengrund.  F. 

F.  G.  K  i  r  e  h  h  o  f . 

Briider,      laBt      tins 

M  a  r  s  c  li  n  e  r. 

Da.s      frietel      trJigt      a     Mieder      (Das 

Strumpfbanderl) .  A.  D  r  e  g  e  r  t. 

Das  Lieben  bringt  groR'  Freiid'    (Mein 
eigen  soil  sie  sein).  Volkslied. 
Das    Sehiff    streicht    durrli    die    Wellen 
(Schifferlied).  Volkslied. 
Dem  Vateriand,  dies  hobe,  behre,  beil'ge 
Wort.   W.   V  o  1  c  k  m  a  r. 
Der   Lenz    ist    angekomnien.   J.    D  ii  r  r- 
n  e  r. 

Der   Siiuger   halt   im   Fekl  die  Fabnen- 
wacht.  P.  V.  L  i  n  d  p  a  i  n  t  n  e  r. 
Des     Sountags     in      der    Morgenstuud' 
(Sonntags  am  Rhein).  H.  W.  V  e  i  t. 

Deutsche  Sanger,  schvvort  zur  Fahne 
(Lied  z.  Weihe  der  Sjingerfahne) .  H. 
B  u  n  g  a  r  t. 

Deutsche  Worte  bor"  ich  wieder    (Heim- 
kehr  aus  Frankreich) .  .F  r.  Weber. 
Deutsehland,     Deutschland     iiber    alles 
(Das  Lied  der  Deutschen) .  J.  H  a  y  d  n. 
Die  auf  der  Erde  wallen   (Verganglich- 
keit).  H.  L.  H  a  6  1  e  r. 
Die    Sonn'    erwacbt     (Wanderlied     aus 
.,Preciosa").   C.   M.   y.   Weber. 
Drunten    im  Uuterland     (Unterlanders 
Heimweii).  Volkslied. 
Durch    den   Wald,    M'ie    schimmert.     F. 
K  r  a  k  a  m  p. 

Ebre  sei  Gott  in  der  Hobe.  !M.  H  a  u  p  t- 
m  a  n  ii. 

Ein    Kircblein    stebt    ini    Blauen     (Das 
Kircbleia).  V.  E.  B  e  c  k  e  r. 
Ein    StriiuBchen    am    Hute    (Der    Wan- 
derer).  Volkslied. 

Ein   tiefes   Sehnen   fiillt  die   Brust    (In 
weiter  Welt) .   F  r.  Ullrich. 
Er   lebe   hoch    (Toast).   R.   G  ii  n  t  h  e  r. 
Es  blies   ein  Jtiger    (Jagerlied).    C.    A. 
P  o  h  1  e  n  z. 

Es    flog   ein     alter    Kafer      (Der    Kafer 
uiul  die  Blume) .     W.  H.  V  e  i  t. 
Es   glitzern   im   goldenen   Sonnenschein 
(Brautfahrt   in    Hardanger).    H.    K  j  e- 
r  u  If. 

Es    heult    der    >Sturm    (Schwur     freier 
Manner) .     F.   M  e  n  d  e  1  s  s  o  h  n  -  B. 
Es  jagt  der  Sturm  (Abscbied).  M.Neu- 
mann. 

Es  ist  ein  Ros'  entsprungen.  M.  P  r  a  e- 
t  o  r  i  u  s. 

Es  ist  so  still  gewordeu.  Geistl.  Abend- 
lied. 

Es  klingt  ein  holier  Klang  (Der  Rhein) . 
H.   G.   Niigeli. 

Es  lacht  die  gold'ne  Sonne  (Eine  Bau- 
ernhochzeit,  Brollops-Marsch) .  A.  S  6- 
d  e  r  m  a  n  n. 


(Mannerge- 


4L  Es   ritten   drei   Reiter.      Volkslied. 

42.  Es  scheinen  die  Sternlein  so  hell  (Ade). 
Volkslied. 

43.  Es  sprach  zu  Hanschen  Gretchen  (Der 
Schwur).   W.  Ungemach. 

44.  Es  zogen  drei  Bursche  (Der  Wirtiii 
Tochterlein).    Volk.slied. 

45.  Fliistre  linde,  fliistre  leise  (Stiindcheii  I . 
C.  L  a  u  c  h. 

46.  Freude,  schoner  Gotterfunkeu  (An  die 
Freude).   Volkslied. 

47.  Gliick  auf!  Der  Steiger  kommt  (Berg- 
mannslied).    Volkslied. 

18.  Gliick  auf!  Gliick  auf!  Sei  mir  ge- 
griiSt  (Bergmanns  Auffahrt).  C. 
S  c  h  u  p  p  e  r  t. 

49.  GroBer  Gott,  wir  loben  dich  (Ambro- 
sianischer  Lobgesang).  P.  R  i  1 1  e  r. 

50.  GriiB'  Gott,  griiB'  Gott  mit  belb-ui 
Klang.    R.   G  ii  n  t  h  e  r. 

ol.Habe  ge.stern  nachts  im  Dunkeln  (Am 
Morgen).   H.   B  u  n  g  a  r  t. 

52.  Hab'  oft  die  ganze  Nacht.  Bayrischi^s 
Volkslied. 

53.  Herbei,  herbei,  du  trauter  Sangerkreis 
Siegesfeier) .  W.  A.  Mozart. 

54.  Hinaus,  binaus,  es  gliiht  die  Welt  (Wan- 
derlied) .  C.   S  c  h  u  p  p  e  r  t. 

55.  Hinaus  in  die  Feme.  A.  M  e  t  h  f  e  s  s  e  1. 

56.  Hoch  soil  er  leben  (Toa.st).  R.  G  ii  n- 
t  h  e  r. 

57.  Hoch     und    hebr    erschallt 
sang).    F  r.   Otto, 

58.  Hort  ibr  nicht  den  Kuf  erklingeii 
(Wanderlust) .   A.   S  t  u  b  b  e. 

59.  Horcb,  horch,  die  Lerch'  im  Atherblau 
(Stiindchen).    F  r.    Schubert. 

60.  Horch,  wie  hebr  Akkorde  schallen 
(Suomi's  Gesang) .   F.   P  a  c  i  u  s. 

61.  Ich  fahr'  dahin.   Alte.s  Minnelied. 

62.  Ich  griiBe  dich  in  stiller  Nacht  (Abend- 
standchen).  A.  Hart  el. 

63.  Ich  babe  den  Friihling  gesehn  (Das 
Liebchen   im  Grabe) .  Volkslied. 

64.  Ich  hab'  mich  ergebeu  (Geliihde) .  Volks- 
lied. 

65.  Ich  hatt'  einen  Kameradeu  (Der  gute 
Kamerad).  Volkslied. 

ti6.  Ich  weiB  eiue  Miible  (Die  Miihle  im 
Tale).   J.    Bo  r  sdo  r  f. 

67.  Jesus,   meine   Zuversicht.   J.   C  r  ii  g  e  r. 

68.  Jetzt  reisen  wir  zum  Tor  hinaus.  Volks- 
lied. 

69.  Ihr  mogt  den  Rhein,  den  stolzen  (West- 
falenlied) .   J.   Peters. 

70.  Ihr  Trauernden,  stillet  die  Tranen 
(Grabgesang) .  Alte  Kircheumelodie. 

71.  Im  Arm  der  Liebe  ruht  sich's  woiil 
(Gute  Rube).  P.  v.  Winter. 

72.  Ira  schattigen  Haine  (Waldeinsamkeit) . 
C.  F.  Adam. 

73.  Im  Walde  steht  ein  Eiohenbaum  (Das 
Heldengrab) .      L.   Liebe. 

74.  Koln  am  Rhein,  du  schones  Stadtchen 
(Abschied   von   Koln).   Volkslied. 

75.  Kommt,  Briider,  trinket  (Trinklied). 
C.  Z  o  1 1  n  e  r. 

76.  Lebe  wohl,  jetzt  muB  ich  scheiden  (Ab- 
schied vom  Walde).  F.  G.  K  1  a  u  e  r. 

77.  Leise,  leise,  fromme  Weise  (Gebet  aus 
..Freischiitz").    C.    IM.    v.    Weber. 


II.  Mannerchor-Album 


58 


II.  Mannerchor-Album 


78 

79 

80. 

SI. 

82. 

83. 

84. 
85. 

86. 
87. 

88. 

89. 

!>0. 

91, 

92 

93 
94 
95 


.  Li(.ht(Mitsprods'ne,      glanzumfloss'ne 
( Weihegesang) .    F  r.    Schubert. 
.  Liebes  Brautpaar,  lafi  dich  griifien.  H. 
B  u  n  g  a  r  t. 

Miidele,  ruck,  ruck    (Die  Auserwahlte) . 
Volkslied. 

Magdelein   im   roten  Eock.     A.   W  i  1 1- 
b  e  r  g  e  r. 

Maidle,  laB  dir  was  verztihle   ('s  Herz). 
Fr.  Silcher. 

MaBig      trinken,      Lieder      singen.      R. 
G  ii  n  t  h  e  r. 

Mei  Diriidel  is  harb  uf  mi.  Volkslied. 
Mei    Mutter    mag    mi    net     (Die    Trau- 
ernde) .   F  r.   Silcher. 
Mein  Herz  ist  im  Hochland.  Volkslied. 
Mein    Schatz    hat   mich    verlassen.      C. 
W  i  1  h  e  1  ra. 

Morgen     marschieren     wir      (Soldaten- 
Abschied).  J.  S  t  e  rn. 
Morgen    miissen    wir      verreisen     (Ab- 
schied).   F  r.   Silcher. 
Morgeurot,      Morgenrot       (Der      brave 
Reitersmann).  Volkslied. 
MuB   i   denn,   muB   i    deun    (Abschied) . 
Volkslied. 

,  Noch    ist    die    bliiheude,    goldene    Zeit 
(Noeh  sind   die  Tage  der  Rosen).     W. 
Baumgartner. 
.  Nun    ade,    du     mein    lieb'   Heimatland 

(Lieb'  Heimatland,  ade).    Volkslied. 
.Nun      kehret     der     Friihling     (Seliger 
Friihling).     A.  D  r  e  g  e  r  t. 
.  Nun   laBt   uns   hoch   die   Becher   heben 
(Das  gauze  Herz  dem  Vaterland).     C. 
W  i  1  h  e  1  m. 
9G.  Nun  zu  guter  Letzt  (Abschiedswunseh). 

F.    Mendelssohn- B. 
97.  Och,  Mod'r,  ich  well  en  Ding  han.  Alt- 

rhein.  Volkslied. 
98.0   Deutschland   hoch   in   Ehren.   Volks- 
lied. 
99.  O  du  Deutschland,  ich  muB  marschieren 
(Zum   Ausmarsch).   Altes   Soldatenlied. 
100.  O  du  friihliche  (Weihnachtslied) .  Volks- 
lied. 
101. 0    du    lieber    Schatz     (Trennung).      H. 

Marschner. 
102. 0   mein   Heimatland    (An   mein   Vater- 
land) .   W.  V  o  1  c  k  m  a  r. 
103.0    sanfter,    siiBer    Hauch     (Friihlings- 

Ahnung) .  C.  K  r  e  u  t  z  e  r. 
104. 0   StraBburg,  o  StraBburg    (Die  Frem- 

denlegion) .  Volkslied. 
105.0  Tannenbaum,  o  Tannenbaum.  Volks- 
lied. 

106.  Prosit,    prosit,    trinkt    aus.      R.    G  ii  n- 
t  h  e  r. 

107.  Rasch  tritt  der  Tod    (Grablied).  B.   A. 
Weber. 

108.  Ruhe,    sehonstes   Gliick    der   Erde.    F  r. 
Schubert. 

lOit.  Schaut   der   Jager  in  das  Tal    (Diandl, 

wie  ist  mir  so  wohl).  Volkslied. 
110.  Schlafe,    Liebchen,     weil's    auf     Erden 

(Abendstandchen) .      F.      M  e  n  d  e  1  s  - 

s  o  h  n  -  B. 
llLSchlafe,  mein  Prinzchen    (Wiegenlied) . 

W.  A.  M  o  z  a  r  t. 


112.  Schlehenblut'  und  wilde  Rose.  J. 
S  c  h  m  i  t  z. 

113.  Schon  ist  die  Jugend  (Jugendzeit) . 
Volkslied. 

114.  Schon  weicht  der  Tag  der  stillen  Nacht 
(Bergmanns  Eiufahrt).  C.  Schup- 
p  e  r  t. 

115.  Schwesterleiu,  Schwesterlein,  wann 
gehn  wir  nach  Haus.  Volkslied,  be- 
arbeitet  von  F  r.  W  Ii  1 1  n  e  r. 

116.  Seid  gegriiBet,  traute  Briider  (Sanger- 
bundes  MorgengruB) .  F.  M  e  n  d  e  1  s- 
s  o  h  n  -  B. 

117.  Sei  gegriiBt,  sei  gegriiBt  (BegrliBungs- 
lied).     R.  Gii  n  th  er. 

118.  Selig  alle,  die  im  Herrn  (Am  Grabe 
eines  Vaters  oder  einer  Mutter).  Ch. 
H.  Ri  nek. 

119.  Senkt  uun  den  Leichnam  (Beim  Eiu- 
senken  d.  Leiche).  H.  I  s  a  a  c  k. 

120.  Sind  wir  vereint  zur  guteu  Stuude. 
Volkslied. 

121.Singet  dem  Gesang  zu  Ehren  (Der  Ge- 
sang) .  C.  M.  V.  W  e  b  e  r. 

122.  So  viel  der  Mai  auch  Blumen  beut 
(Bliimlein  auf  der  Heide).  Volkslied. 

123.  Spinn,  spinn,  meine  liebe  Tochter. 
Volkslied. 

124.  Steh'  ich  in  iinstrer  Mitternacht. 
Volkslied. 

125.  Stille  Nacht,  heilige  Nacht.     Volkslied. 

126.  Stimmt  an  mit  hellem,  hohem  Klang. 
A.   M  e  t  h  f  e  s  s  e  1. 

127.  StoBt  die  Ruder.  C.  R.  H  o  B  1  e  r. 

128.  Stromt  herbei,  ihr  Volkerscharen.  J. 
Peters. 

129.  Turner,  auf  zum  Streite.  J.  H.  S  t  u  n  z. 

130.  Turner  zieh'n  froh  dahin  (Turnfahrt). 
Volkslied. 

131.Vater,  ich  rufe  dich  (Gebet  wahrend 
der  Schlacht).  F.  H.  H  i  m  m  e  1. 

132.  Von  alien  den  Madchen  (Die  Lore). 
Volkslied. 

133.  Von  der  Alpe  ragt  ein  Haus  (Auf  der 
Aim,  da  gibt's  koa  Siind').  Volkslied. 

134.  Von  der  Mutter  zieht  der  Jiingling 
(Abschied  von  der  Mutter).  F. 
Backer. 

Von  woher  des  Weges,  du  ernster  Ge- 
sell?  (Die  Heimat).  J.  C.  Schart- 
lich. 

Was   hab'   ich    denn   meinem   Feinslieb- 
chen  getan?   (Untreue).     Volkslied. 
Was   ist   es,   was   den   deutschen  Mann 


135. 

136. 
137. 
138, 
139. 
140 
141 
142 
143 
144 


(Der    deutsche    Sang).   H.    B  u  n  g  a  r  t. 

Wenn     der     Friihling     auf     die    Berge 

(Friihlingszeit) .     C.  "W  i  1  h  e  1  m. 

Wenn   ich   ein  Voglein  wiir'    (Flug   iter 

Liebe).  Volkslied. 

Wie     die     Bliimlein     drauBen      zitlinii 

(Herber  Abschied).  Volkslied. 

Wiegt  ihn  zur  Ruhe    (Grablied).    !..   \. 

Beethoven. 

Wie   konnt'    ich    dein   vergessen    (Mein 

Lieben).   C.   F.  Ad  am. 

Wir    legen   nun     mit    tiefem    Schnierz 

(Grablied).     J.  Klein. 

Wir     sind    ein     festgeschloB'ner    Bund. 

F  r.  M  ii  c  k  e. 


II.  Mannerchor-Album 


59 


Marsche  und  Reveillen 


145.  VVir  situl  von  einem  flotteu  Sclilag 
(Sangerlust).   P.    F  r.   Schneider. 

146.  Wo  auf  liohen  Taunenspitzen  (Das 
Heimweli) .   W.   B  a  u  m  g  a  r  t  n  e  r. 

147.  Woher  nur  das  linde  Siiuseln  (Friili- 
lingsuahen) .  C.  Kreutzer. 

148.  VVohlauf,  iioch  getruuken  (Wander- 
lied).  Volkslied. 

149.  Wo  mag  es  wohl  am  schonsten  sein 
(Wo  ist's  am  schonsten).  C.  S  c  h  u  jj- 
p  e  r  t. 

150.  Zn  StraBburg  auf  der  langen  Briick'. 
Schweizerische   Volksweit^e. 

Maere  A.  de,  La  dernifere  Ro.se,  av.  PVc  5 — 

IJeugel. 
-Tremolo,  valwe,  P  1.30  Crunz. 

Markel  F,  op.  3  Acht  Lieder  m.  G  1 —  Breii- 

kopf. 
-4    16  Lieder   3 —  Breitkopf. 
Maerker    R.    Vaterlandslieder,    Volks-,    Ver- 

eins-  u.  Kommerslieder  — 25.  Kleines  Kom- 

mers-Bnch  f.  frohliche  Kreise  — 25  Heuser. 
Maersch,    Caf^    com    leite,    polka    1.50    Giii- 

ina7-i\es. 
Maersch  Ad.  Deutsche  Verlags-Anstalt :  Op. 

1    Vier  deutsche  Lieder  2.50. 
-2  Der  Kiifi  —75. 
-3  Triolet  2.25. 

-  4  KlJinge  von  der  Insel  Mainau,  Walzer  1.50. 

-  5  Trost  im  Leiden  —75. 

-  Carolina,   gr.   valse   1 — . 

Marsche:  Nr.  1.  Althannoversche  Regiments- 
Miirsche  (L.  Oertel)  1— n.  Nr.  2. 
Ehren-Mar.sch  der  Kgl.  Niederlandischen 
Marine  — 50.  Nr.  3.  Parade-Marsch  der 
Konigs-Ulanen  (1.  Hann.  Nr.  13)  — 80 
Oertel. 
Marsche,  8  Militarmarsche  der  verbiiudeteu 

Truppen  1814  1 —  Schlesinger. 
Marsche,  8  historische:   Spanischer  Fiisilier- 
Marsch,      Bayrischer     Grenadier  -  Marsch, 
PreuBischer  Armee-Marsch   113,  Marsch  d. 
franzosischen  Garden,  Kesselsdorfer,  Sach- 
sischer  Priisentier-Marsch,  Britischer  Gre- 
nadier-    und     Jiiger-Marsch,     0,     8 — 16st. 
2—  n,  8— 24st.  2.50  n  Oertel. 
Marsche,  6  neue  Effekt-.  f.  P  1.50  Bellmann. 
Marsche,  25  beliebte,  P  3 —  Reeling. 
Marsche,  ganz  seltene  historische,  a.  d.  Jah- 

ren  1810—1815,  P,  I— IT  a  1—  Striegau. 
Marsche,  f.  Pfeifeu  u.  Trommeln  1 — n  Lehne. 
Marsche,  2  beriihmle,  m.  O  1.20  n  Bellmann. 
Marsche,    7   neue   schneidige,    0    2 — n   Bell- 
mann. 
Marsche,    6    neue    populare.    O    2.50  n.    kl.  O 

2 —  n  Bellmann. 
Marsche,    neueste,   0,   Lief.    22 — 27,    a   3 — u 

Oertel. 
Marsche,   Hannoversche,   f.   O,   Heft  I — II   a 

2  —  u  Oertel. 
Marsche,  Wiener,  P:  Komzak  Karl, 
op.  241:  GriiB'  Gott,  Wien!  Lorenz 
Carl:  An  der  Donau.  Sabathil 
F  e  r  d.  op.  127:  Sport-Marsch.  Schild 
T  h.  F. :  Wiener  Mode.  V  o  11  s  t  e  d  t  R  o  b. : 
Alpenmarsch.  Seybold  Arthur: 
Vivat,  cre.scat,  floreat!  bearb.  v.  J.  F. 
W'  a  g  n  e  r  1.50  n  Wernfhal. 
Marsche,  7  neue  reizende.  P  1.20  n  Bell- 
mann. 


5  Marsche,  fiir  19  st.  Harm:  1.  Franz 
von    B  1  o  u  :      Unter    dem    Siegesbanner. 

2.  Franz   von   Blon:    Mit  Standarten. 

3.  Franz     von     Blon:       Soldateublut. 

4.  H  e  r  m.    Decke:      Blondinen-Marsch. 

5.  F.    T  h  o  r  m  a  n  u,    op.    54  :      Kaiserhof- 
Marsch   2.50  n   Wernthal. 

Marsche  ftir  MUitiir-Musik:  I:  Thomas 
K  o  s  c  h  a  t,  op.  44  :  Gailtaler  Jager- 
niarsch,  u.  O  s  k  a  r  Herrmann,  op.  9  : 
Ein  Schiitz  bin.  ich  !  Geschwindmarsch  5 — n. 
II:  Thomas  Kosehat,  op.  54 : 
Vikringer  Marsch,  u.  O  s  k  a  r  Herr- 
mann, op.  8:  Leusmann-Marseh  5 — n 
Lruckart. 

8  Marsche,  f.  O  2 — u  Seeling. 

Marsche  (Armeemarsche),  P  1 — .  Jfms  2 — 
Peters. 

Marsche  fiir  Harm  u.  MM,  Lief.  7  (m.  Fest- 
musik,  Heft  Nr.  3),  St  a  — 20  n  Lehne. 

Marsche,  Sammluug  d.  beliebtesten  Marsche 
d.  ktinigl.  preuBischen  Armee,  V,  7  Hefte 
a  — 50  bis  1 —  Schlesinger. 

Marsche  (5  neue)  u.  bel.  Studentenlied,  P 
— 60  Steingrciber. 

Marsche  und  Reveillen  fur  Blasmnsik  : 
Seeling:  I:  Nr.  1.  Im  leichten  Schritt, 
Marsch  v.  Welle  r.  2.  Jiigerlust,  Marsch 
v.  C.  E  r  1  e  r.  3.  Jubilaumsklange,  Marsch 
von  A.  M  e  r  z  d  o  r  f.  4.  Sangerlust, 
Marsch  v.  Junker   1.50. 

II:  Nr.  1.  Heil  dir  Saxonia,  Marsch  v. 
W  e  1 1  e  r.  2.  An  die  Heimat,  Marsch  v. 
O.  R  o  s  e  n  k  r  a  n  z.  3.  Konig  Alberf- 
Marsch  v.  A.  M  e  r  z  d  o  r  f .  4.  Sangerlust, 
Marsch  von  Feller   1.50. 

Ill  (23  St)  :  Nr.  1.  Frisch  auf!  Marsch 
von  S  c  h  w  a  r  z.  2.  BiirgergruB,  Marsch 
von  Jos.  W  i  1  f  e  r.  3.  Moreau,  Marsch 
von  F.  H  ii  n  i  g.  4.  Abschiedsklange, 
Marsch  von  G.  A  d  1  u  n  g.  5.  Immer  vor- 
warts,  Marsch  von  J.  S  c  h  \v  a  r  z.  6. 
Louischen,  Marsch  von  G.  A  d  1  u  n  g.  7. 
Erinnerung  an  Radeberg,  Marsch  v.  Jos. 
H  a  n  t  s  c  h  e.  8.  Willkommen !  Marsch  v. 
L.  RoBmann  3 — . 

IV:  Nr.  1.  Die  alte  Tante,  v.  Peu- 
s  c  h  e  1.  2.  GruB  an  Kiel,  v.  S  p  o  h  r.  3. 
Badener  Marsch,  v.  S  p  o  h  r.  4.  Erinnerung 
an  Radeberg,  v.  M  e  i  B  n  e  r  1.50. 

V:  Nr.  1.  Deutscher  Scliiitzenfest- 
Marsch.  2.  Festkliinge,  Reveille  v.  C  o  n- 
r  a  d  i  n.  3.  Militiir-Vereinskliinge,  Marsch 
von  Franz  Anders.  4.  Frisch  vor- 
wjlrts,  Marsch   v.  J.   Wen  z  el    1.50.  Heft 

IV  u.  V  zusammen  2.50. 

VI  (32  St)  :  Nr.  1.  Infanterie-Defilier- 
Marsch,  op.  196.  2.  Bruder  Lustig!  Marsch, 
op.  188.  3.  Frisch  voran!  Marsch,  op.  189. 
4.  Lustig  Wien!  Marsch.  op.  197.  Kompo- 
niert  von  P  h  i  1  i  p  p  F  a  h  r  b  a  c  h  j  u  n. 
Fiir  Harm  od.  bUI  2.50. 

VII:   Nr.  ].  Froher  Sinn,  Marsch  v.  Ed. 

V  a  t  e  r.  2.  Auf  der  Wauderschaft,  Marsch 
von  A.  M  e  r  z  d  o  r  f.  3.  Friihlingslust, 
Marsch  von  A.  M  e  r  z  d  o  r  f .  4.  Schiit.^.en- 
festklange,  Reveille  v.  W.  P  o  s  c  h  e  1  1.50. 

VIII    (32  St)  :   Nr.   1.  Standartentriiger- 


Marsch,    von    Phil. 
2.       Dresdner 
S  c  li  ii  c  k  e  1 . 


F  a  h  r  b  a  c  h 


7  u  n. 

Turiif^st  -  Marsch.       von 

3.   Tritouen-Mi'rsch,   von   P. 


Marsche  und  Reveitlen 


60     — 


Maestrini  A.  F.  Canon  du  midi 


Primer.  4.  Muki-Marsch,  von  K.  R  i  c  h- 
ter,  f.  Harm  od.  IIM  2.50. 

IX:  Nr.  1.  Die  Wacht  am  Rhein,  Marsch 
von  Winter.  2.  Was  ist  des  Deutschen 
Vaterland,  von  Stern.  3.  Dentschland, 
Deutsehland  iiber  alles,  von  Rosen- 
k  r  a  n  z.  4.  Sie  sollen  ihu  nicht  haben,  v. 
Merzdorf   1.50. 

X:  Nr.  1.  Erinnerung  a.  Wien,  Marsch  v. 
R  e  u  s  s  o  1.  2.  Pionier-Defllier-Marscli  v. 
A.  Schubert.  3.  Kriegers  Abschied, 
Marsch  von  R  e  n  s  s  o  1.  4.  Tmmer  vor- 
warts,  Marsch  von  R  e  n  s  s  o  1   1.50. 

XI:  Nr.  1.  Landsturm-Marsch,  von  A. 
Merzdorf.  2.  Fahne  hoch,  Marsch  von 
V.  K  h  e  i  1.  3.  Schulfest-Marsch,  von  C. 
F  r  a  n  k  e.  4.  Dresdner  Marsch  von  G. 
Mark    1.50. 

XII:  Nr.  1.  Kasino-Marsch,  von  C. 
F  r  a  n  k  e.  2.  Mit  frischem  Mut,  von  P. 
Weber.  3.  Garnison-Marsch,  von  L. 
P  o  h  1  e.  4.  Lebe  wohl.  Marsch  von  V. 
Kheil  1.50. 

XIII:  Nr.  1.  Frisch  voran,  Marsch  von 
IT.  R  i  e  k.  2.  Wanderlust.  Marsch  von 
Kheil.  3.  Das  Vaterland  hoch!  Marsch. 
4.  Freuden-Salven,  Marsch  von  M  ii  1 1  e  r 
1.50. 

XIV:  Nr.  1.  Marsch  von  J.  B.  G  e  s  s- 
lein.  2.  Schiitzenfest-Marsch,  v.  C.  B  r  o  d- 
n  e  r.  3.  Mein  Kaiser  hoch,  von  A.  Merz- 
dorf. 4.  Das  Vaterland  hoch.  von  W. 
Poschel  1.50. 

XV:  Nr.  1.  Weidmannsheil,  Marsch  von 
A.  R  e  c  k  1  i  n  g.  2.  Douzy-Marsch.  von  A. 
Franz.  3.  Friedeusboten-lMarsch  von  F. 
A  n  d  r  i  c  h.  4.  Trompeters  MorgengruB, 
Reveille  von  A.   Franz  2.50. 

XVI:  Nr.  1.  PreuBischer  Prilsentier- 
Marsch.  2.  PreuBisclier  Zapfenstreich.  3. 
Harmonischer  slichsisclier  Zapfenstreich. 
4.  Harmonische  Retraite  der  deutschen 
Kavallerie  mit  Gebet  (Wir  nahen  Gott  zu 
deinem  Throne)  und  das  Lied:  Heil  dir 
im  Siegerkranz  (Den  Konig  segne  Gott) 
1.50. 

XVII:  (Enthiilt  4  Parade-Marsche.) 
Nr.  1.  Triumphmarsch,  von  R  i  g  h  i  n  i.  2. 
Kronungsmarscb  des  Kaisers  Napoleon  I., 
von  L  o  u  r  e  n  n  e.  3.  Sieges-Festmarsch, 
von  A.  Franz.  4.  GroBer  Triumph- 
marsch, von  M  a  r  q  u  a  r  d  t.  20  St,  jedoch 
auch  sclion  mit  8  St  ausfiibrbar  u.  voll- 
klingend   2—. 

XVIII:  Nr.  1.  Militar-Festklange, 
Marsch.  2.  Immer  vorwiirts,  Marsch  von 
J  o  h.  P  h  i  1  i  p  p.  3.  Frisch  auf  zum 
Kampfe,  Marsch  von  J  o  h.  P  h  i  1  i  p  p.  4. 
Tm  Schritt,  Mar.sch   1.50. 

XIX:  Nr.  1.  Huldiguugs-]Marsch,  von 
J  o  h.  P  h  i  1 1  p  p.  2.  Zur  Attacke,  Marsch. 
3.  Garde-Greuadier-Marsch,  von  J  o  li  a  n  n 
P  h  i  1  i  p  p.  4.  Deutscher  Mut,  Marsch  1.50. 
XX:  Nr.  1.  Lebenslust,  Marsch.  2.  Lust 
und  Leben,  Marsch.  3.  Frisch  auf,  Marsch 
von  J  o  h.  P  h  i  1  i  p  p.  4.  Jubelfest-Marsch 
1.50. 
Marsche  und  Reveillen  f.  kl.  wO  2 — n  Bell- 

munn. 
Marsche-  und  Tanze-Albiim.   1    1.20,  2Y  1.20, 
VF   1.44   Un.Ed. 


Maertens  Albert,  op.  4  Der  Waffenschmied : 
,,Er  pocht  in  der  Werkstatt"  1 —  n  Breif- 
kopf. 

-10  P.  Rode  u.  R.  Kreutze  r'sche  Violin- 
Etiiden  als  Studien  f.  d.  Fliigel  bearbeitet 
3 —  Leuckart. 

-12  Volkston  und  Minnesang,  5  Lieder:  1. 
Die  Verlassene:  ,,Am  Grabe  saB  das  MSgde- 
lein".  2.  Das  Gewitter:  „Urahne,  GroB- 
mutter,  Mutter  und  Kind  in  dumpfer 
Stube".  3.  Liebeskliinge:  „Den  Waldern, 
den  FluB  entlang".  4.  Minnelied:  „Unter 
den  Linden  an  der  Heide".  5.  Liebesprobe: 
,,Ich  will  ein  Kranzlein"  1.75  Hainauer. 

-  14  Introduction  et  Variations    (D-dur)    sur 

un  theme  original,  VP  3.50  Leuckart. 

-  16   Variations   brillantes   sur   un   thfeme   de 

Bellini,   Y  — 75  Ijeuckart. 
Maes    J.    Muletiers    espagnols,    choeur    k    2 
voix,    av.    P,    Part    3— n,    parties    — 40  n 
Schott  Freres. 

-  Souvenir    de    Premices,    chant   av.    Org(P) 

1.50  n   Association  des  auteurs   et  compo- 
site urs-'Pas-de  Calais. 
Maes    L.    Muraille:    Op.    3    Deux   morceaux 
(romance  sans   paroles   et   fantaisie  en   la 
mineur),    Org(H)    2—   Schott   Frires. 

-  134  Messe  a  2  voix  eg.  Part  3— n,  chaque 

partie  — 40  n  Schott  Freres. 
-178   Sonate,    Org   4 — n. 

-  Alice,  caprice,  P  o —  Eatto. 

-  Ave  Maria,  solo  — 75. 

-Ave  varum    (3  v.  d'homme)    1 — n. 
-Benediction     (Tantum    ergo    et    Genitori), 

3  voix  &  Org  1.50  Katto. 
■  Coucou,  morceau  caract.  U  5 —  Katto. 
-El^gie,  P  1.30  Junne. 

-  llymne  du  matin,  choeur  i\  2  voix.  Part  2 — 

Schott  Frires. 

-  Introduction  et  Fugue,  Org  2.50  u. 
-Invocation,  andante  relig.  Org  1.35  n. 

-  Me.sse,  3  v.  d'hom.  &  Org,  p.  s.   1.50  Katto. 

-  Messe,  3  v.  d'hom.  ou  6g.  &  Org  2.50  Katto. 
-4   Morceaux,   77;   N.   1.   Grande  marche  so- 

lennelle  1.35.  N.  2.  Barcarolle  1—.  N.  3. 
Romance  sans  paroles  1 — .  N.  4.  La 
Marche  des  petits  soldats  1.75  Schott 
Freres. 

-  Panis  Angelicus,  3  voix  &  Org  2 —  Katto. 

-  6  Pieces,  p.  HfOrg)  2.50  n. 

-  3   Pieces  ci-dessous.   Org  5 —  n. 

-  Prelude  et  Fughetta,  Org  1.35  n. 

-  Priere,  Org  1.60  n. 

-  Souvenir,  P  5 —  Katto. 

-4  Stucke  f.  Org(H):  1.  Praludium.  2.  Intro- 
duktion  u.  Fuge.  3.  Allegretto.  4.  Perpe- 
tuum  mobile  2 —  Breitkopf. 

-  ThSme  varie.  Org  2.50  n. 

-  Valse  1.80  Junvr. 

-  Waar  is  de  winter  thans?  choeur  a  2  voix 

4.10  Schott  Fritres. 
Maesten,  Ave  Maria,  8  et  choeur  1.75  n  Diir- 

dilly. 
Maestri   F.  Sinfonia,  P  2 —  Ricordi. 

Maestrini  A.  F.  Canon  du  midi,  galop  2.50, 
fac.  2.50,  Mand  1—,  V  —25  n,  MandP  3—, 
MandfVJO  2.50,  2MandfV)P  3.50,  2Mand 
(V)(}  3—,  2Mand(\)MaP  4—,  2Mand(y ) 
MiiG  3.50.  Bandu  1.50  n.  O  2— a,  con  P 
2.50  u  Forlivesi. 


Maestrini  A.  F.  Ma  Blondinette 


—     61 


Magazzari  G.  Rimembranxa 


-Ma  Blondinette,  valse,  Mand  2 — ii  Pisa. 

-  Metodo    per    V,   diviso     in     24    lezioni     3.50 

Maurri. 
-Metodo    per    /•'/.    diviso     in     34    lezioni     3 — 
Maurri. 

-  Petit   frisson   d'aniour.      Gvijol. 

-  Refrains  napolitains,   Mand  2.50  n  Pisa. 

-  Valse  des  Quatre  Nations,  capr.  VP,     Pisa. 

Maestro  et  Maestresse,  duo  1 — ,  Ch.  s.  — 35 

(rhcluwe. 
Maether  E.  Maiwalzer.    17'   1 —  ^chlesinger. 

Mattig    Oskar,    C4ebet.    m.    VOrg(H    od.    Pi 

1.50   Goedsc/ie-Schneeberg. 
Maeur  L.  Souvenir  d"0rl6ans.  valse,  O  2.50  u 

Lesigne. 

-  Souvenir  portugai.s,  valse,  0  2.50  n  Lesiyne. 
Maurer   B.  J.  op.   1    Six   Sonatines   progres- 
sives, GV,  I— II  a  1.30  Simrock. 

Maevor  Harold,  Elverita,  waltz  4/ —  Leo- 
nard. 

-  The   Irish  guards,   patrol   march   3/ —    Leo- 

nard. 
Maeyer  P.  C.  de,  Commissionaire  public-  3 — 

Katto. 

-  Trains  de  plaisir  4 —  Katto. 

Maffei  A.  Odi  di  Anacreonte,  tradotte,  spleu- 
(lida  edizione  in-4  carta  di  lusso,  legata 
alia  Bodoniana,  con  illustrazioni  di 
H  a  y  e  z,  D  u  p  r  e,  B  a  r  t  o  1  i  n  i.  C  i- 
s  e  r  i,  C  a  m  b  i,  S  e  r  v  i  e  K  i  h  o  s  s  i 
.30 —  n  Ricordi. 

-  Struensee,  tragedia   di  M.   Bee  r,   tradotta 

per  le  scene  italiane  4 —  Ricordi. 
Maffei  G.  Tantum  ergo,  a  2  v.  sim.  con  Onj 
— 50   Bertarelli. 

-  Tota  pulchra,   SfTjOrg  —50  Bertarelli. 

Maffei  L.  Care  Rimembranze,  album,  P  3.50 : 
N.  1.  Valzer  2—.  N.  2.  Polka  2—.  N.  3. 
Mazurka   1.75  Ricordi. 

Maffei    M.   Angiolina,  P  2 —  Mariani. 

Maffezzoli    N.   Ricordi:    Abbandono,   P    1.50. 

-  Annetta,  P  1.50. 

-  Armida,  P   1.50. 

-  Astuzie   feniniiiiili,   /-•    1.50. 

-  Bergamo    nuova,   P   4.50. 
-Camilla,   P   1.50. 

-  Lasciali   dir  !    1.25  u. 

-  Margherita,    P    1.50. 

-  Omaggio  a   Bergamo,  album,   /^   15 — :    N.  1. 

Bergamo  nuova,  valz.  4.50.  N.  2.  Una  Gita 
a  Bergamo,  polka.  3.  Armida,  polka.  4. 
Camilla,  polka.  5.  Annetta,  mazurka.  6. 
Margherita,  mazurka.  7.  Astuzie  fem- 
minili,  mazurka.  8.  L' Abbandono,  galop. 
9.  Un  Volo,  galop.  10.  Umberto  I.,  mar- 
cia,  a   1.50. 

-  T'amai ! :    Quando   ti 

-  Umberto   I.,   marcia 

-  ITn  Volo,   P   1.50. 

-  Una   Gita   a   Bergamo,   P   1.50. 

Maffii    P.    Illusioni,    melodia    2.50    Ricordi. 

-  Proverbio   illustrato    3 —   Braiti. 

Maffii    Pasquale,      Proverbio    illustrato    3 — 

Braiti. 
Maffioli    G.   Alpi,   niaz.   2 —    Mariani. 
Mag    auch     die    Liebe     weinen.    Choral,     kl. 

Harm    1 .25    Lehne. 


vidi.    o   angelo 
1.50. 


1.25  n. 


Magagnini    G.      Ricordi:      Op.   24   Capriccio 
brill.   P   2—. 

-  Ave   Maria   5 — . 

-  Fantasia,  P  3 — . 

-  Fantasia    originate,    /•*   5 — . 

-  Fede,    romnuza    3 — . 

-  U   Saluto  3—. 

-  Marcia    3 — . 

-  Notturno,   P   3.50. 

-  0  Giovinetta  2.75. 

-  Sinfonia  brill.   P   3.50. 

-  Uu  Bacio,  canto  variato,  P  3 — . 

-  Un  Giorno   a   T.onigo,   P   3 — . 

-  Una  Rimembranza  3 — . 

-  Venezia :   Remator  la  notte  5 — . 
Magalhaes  H.  Abacate,  YoyC,  polka  1 —  Gui- 

maraes. 

-  Ai  quem  tiver   seu   vintem   1 —  GuimarTies. 

-  Cariciosa,   hab.    1 —  Guimaraes. 

-  Mulher-homein,      jongo      1.50      Guimaraes, 

NapoleHo. 

-  Ze  Caipora,  jongo,  P  1.50  Napoleao. 

Magalhaes   M.   Scismar  3 —  Girod. 
Magalotti,    Chi   ami?    1 — n    Cottrati. 
Magari,  Lagrime  d'un  cuor,  Impr.  Delanchy. 
Magatz   M.   op.   6   Fahr   wohl.   Lied,   T    —60 
R.  Pabst. 

-  Ich  hab'  dich  lieb !   li.   t.  a  1—  R.  Dietrich. 
Magazzari    G.   Ricordi:   Op.    16   Gran   Quar- 
tette   romantico,   2PClVc   9 — . 

-  19  La  Mestizia,  arietta   1.50. 

-  20   Ave  Maria,   armonia,   STB   con   P  4.20. 
-30     Melodia,     Eleganza      e  Sentimento,     8 

pezzi  origiuali,  P  15 — :  N.  1.  La  Romanza 
2—.  N.  2.  Lo  Svegliarino  3.50.  N.  3.  II 
Notturno  2—.  N.  4.  La  Polka  2—.  N.  5. 
La  Melodia  romantica  2 — .  N.  6.  L'Ele- 
ganza  2.50.  N.  7.  La  Melodia  fantastica 
3.50.   N.  8.   La   Marcia    trionfale   2 — . 

-  31    La    Fidanzata     e  I'lmeneo,     2    mazurke 

originali,   P  2.50. 

-  Ave  Maria,  STB  a  v.   Org(H)    1.25   Ricordi, 

2.75  n  CostaUat. 
-2  Canzoni   romane  3 — :   N.  1.   I   Moccoletti 
2 — .   N.  2.   La    Trasteverina    1.50   Maria:ii. 

-  Del   nuov'   anno   gia   I'alba   primiera   — /6  n 

Augener. 

-  Guerra,     guerra,     Italia     grida,     Inno     di 

Guerra    in    stile    popolare    a    tre    voci    2 — ■ 
Mariani. 
•  Hymne    national   en    I'honneur    de   Pie    IX 
av.   G   — 40  n   Labbe,   Ch.  s.   1 —   Heugel. 

-  Inno    air    onnore    di    Pio    IX    2 —    Mariani, 

vide :  Hymne  national,  Romische  Volks- 
hymne. 

-  Ispirazioni  melodiche  10 — :  N.    I.  II  Pianto 

dell'Esule  2.50.  N.  2.  La  Vedova  1.25.  N. 
3.  I  due  amori,  duetto  2.25.  N.  4.  La  Co- 
stanza  2 — .  N.  5.  E  spenta!  Romanza 
1.50.  N.  6.  Ave  Maria,  coro  con  P  1.25. 

-  Marcia  trionfale  2 — . 

-  Melodia  sopra  i  versi  di  Metastasio  2.25. 

-  Noi   leggevamo   2 — . 

-  Orfanello   1 — . 

-  Quartette :     Estinta     questa    misera,    SSTB 

4—. 

-  Rimembranza   1 — . 


Magazzari  G.  Romiscke  Vnlkshymne 


62 


Maggi  P.  Canxo 


-  Romische  Volkshymne,  aut  Papst  Pius  IX. 

mit  uuterlegtem  deutsehem,  ital.  u.  frz. 
Text:  .,Auf  erwacht  des  Quirinus  Ge- 
schlechter".  Dell  nuov'  anno  —32  Bote,  P 
— 80,  4ws  — 80  8chlesinger,  vide  Volks- 
hvmne. 
-Salve  Regina.  2SC  av.  Org(H)  2.50  n  Co- 
stallat. 

-  Serate  romane,  album  vocale  3 — :   N.   1.    II 

sogno  di  una  popolana  (Der  Traum).  2. 
Ottobre.  3.  Albanese.  4.  Veclova  (Die 
Witwe),  a  —80.  N.  5.  Ultimo  pegno 
li'amore  (Das  letzte  Liebespfand).  6.  Mor- 
(oletti  di  Roma  (Die  Morcoletti  Roms),  a 
1 —  Cram. 

-  yogno   di   una  Popolana   di   Roma   2.25. 

-  A'olkshymne    auf    Pius    IX.,     P   — 50,    Jfina 

—80  Cra7iz. 
Magdanel    E.   Jltiguenin :   Ariane,   valse,   VP 
1.50  n. 

-  Aubade,  VP  1.50  n. 

-Doubles   croches,    polka,    VP    1.50  n. 

-Inspiration,    VPfOrgJ    2 — n. 

-6   petits    Morceaux,    VP:      1.    Andante.      2. 

Berceuse.      3.     Intermezzo.      4.     Romance. 

5.   Serenade.     6.   Valse,  Jl   1.50  n. 
Magcfe,   C'ommuniuu    1.70  n   Gallet. 

Mage   F.  Billancouit  1— n  Bosc. 

-  Desir  de  Femme,  valse,  PfO)  2- —  n  Bosc. 

-  Ecliauge,   melodie    1.70   Labhe. 

-  Examen   de   chauffage.      Labie. 

-  Les   grands   Plots   2 —  n    Priore. 

-  Ode  a  Ninette  2—  n,   Ch.  s.  —35  n  Bosc. 

-  Petit   flirt,    valse    lente    2- —  n    Hachette. 

-  Quand    I'amour    natt    2 —  n,    Gh.  s.    — 35  n 

Rouda7iez. 

-  Rideaux.     Aux  Repertoires  r4unis. 

-  Vous   m'entendez   Men?      Labbe. 

Magee,    the   Grocer;    or,    I   opened   at   eight 

o'clock   2/ —  n   Sheard. 
Magee  &   Rosales,  Hail  to  Jesus    (high  or 

low  key)   — 50  Nat.  Music  Co. 
Magelhaes  H.  A  Mulher  Homein,  jongo  1.50 

Gnima7-a.es. 

-  Forte   espiga,   polka    1 —   Guimar5.es. 

Magelhaes  J.   A.   Castro,   B^sita,  polka    1 — 

G  irimar^es. 
Magenta    1 — n,    Ch.   s.   — 40  n   Bornemann. 

Mager  A.  Bethl^em,  chant  biblique  5 —  Heu- 
gel. 

-  Brise   du   soir   3 —   Noel. 

-  Chant   bachique    3 —    Girod. 

-  Fee   des   on  des,   valse   de   salon   6 —   Noel. 

-  Graces   et   I'Amour   2.50   Girod. 

-  J'ai  dit  a  mon  coeur   3- —  Noel. 

-  Lettre  3 —  Girod, 

-  Orgie  des  Dieux  3 — ,   Ch.  s.   1 —  Girod. 

-  Prion   le  Bon   Dieu   5 —   Hevgel. 

-  Saturnale   3 —  Noel. 

-  Toast  a  I'amitig  3—  Girod. 
-Valse    expressive    2 — n    Balichon. 

Mager  C.  A.  op.  11  Nocturne  a  M.  Marmon- 
tel.  P  7.50  Girod. 

-  Chant  dans  la   nuit,   P  6 —  Heugel. 

-  Heure   sainte,   reverie,   P   5 —  Heugel. 
-Mitrailleuse,  polka  3 —  Girod. 

-  Snleil    levant,   P   7.50    Heugel. 


Mager  Ch.  Hymne  au   Progr&s,  4   v.  6g.  ou 

TTBB   1—  n  Le  Beau. 
Mager  G.  J.  En  route,  galop  6—  Grus,  4/ — 

Moore. 

-  Venite,    sacred    chor.    — 25    J .    Fischer. 

Magerle  Edmund,  op.  16  Kommen,  sehen, 
lieben !    Walzer,    P    2 —   Eofhauer. 

-17  Habt  acht!   Marsch,  P   1.25  Hofbauer. 

Magerstadt  Ferd.  Beyer:  Op.  34  Des  Vio- 
linspielers  Erheiterungen,  Charakter- 
stucke,  Duos,  Solos  fur  V,  6  Hefte  a  —60. 

-  Deutsches   Triumphlied,   Kaiser   und   Kanz- 

ler,  Hymnus  fiir  Chor,  Solo  u.  P,  event. 
1  od.  2  Singst,  Part  1.50,  Mannerst  ein- 
zeln  a  — 30. 

-  Durch  Nacht  zum  Licht,  zur  Feier  des  Re- 

formationsfestes  2.50,  TTBB  —80,  fiir 
Kinderclior  und   Solo  — 20. 

-  Praktische  Violinschule,   methodisch   geord- 

netor    tJbungsstoff    fiir    den    y-Unterricht, 
4   Hefte  a   1—. 
Maggi    Enrico.      Ricordi:      Accarezzante,    P 
1.50. 

-  Alipore   5 — . 

-  Astro  della  Libertft,  contraddanza,  teoria  di 

G.   Poletti,   P  5—. 

-  Daghela  avanti,   polka,   FIP    1.50. 

-  Emilia,  P   1—. 

-  Entusiasta,  polka   1.50,  FIP,  CIP  a  1.25,  Fl, 

CI  a  —75. 
-Felice  incontro,  polka,   P   1.50,   FIP,  CIP  a 
1.25,  Fl,  CI  a  —75. 

Follie  del  Carnevale,  album  9 — :  N.  1.  Gli 
Spasimanti,  valzer  3.75.  N.  2.  Felice  in- 
contro, polka  1.50.  N.  3.  L'Entusiasta, 
polka  1.50.  N.  4.  La  Seducente,  mazurka 
1.50.  N.  5.  L' Accarezzante,  mazurka  1.50. 
N.  6.  Sospiro  d'amore,  schottisch  1.25.  N. 
7.  Gli   ultimi  strepiti,  galop  1.25. 

-  Gioiello,   P   I—. 

-  Gli    Spasimanti   3.75. 

-  Gli    ultimi    strepiti    1.25. 

-  Granata,    marcia    1.50. 

-  Meditazione,   P    1.50. 

-  Seducente,    mazurka.    P    1.50,    FIP,    GIP    a 

1.50,  Fl,  CI  a   1—. 

-  Sospiro    d'amore,    schottisch,    P    1.25,    FIP, 

CIP  a  1.25,  Fl,  CI  a  1—. 

-  Souvenir   de   Sondrio,    P   1 — . 
-Te  pirlet!   P   1—. 

-  Un'  ora  di  gioia,   P   1.75. 

-  Un   Ricordo   a   Napoli,   polka,   P   1.50,   FIP, 

CIP  a  1.25,  Fh  CI  a  —75. 
-Un  Ricordo  all'  Egitto,  polka,  P  1.50,  FIP, 
CIP  a   1.50,  Fl,  CI  a  —75. 

-  Vezzosa,  maz.  1.50,  FIP,  CIP  a  1.50,  Fl,  CI 

a  1—. 
Maggi     M.      Pensieri     vaghi,     scottisck     per 

2MundG    — 15  n    II   Concerto. 
Maggi    Paolo.      Ricordi:      Alia    mamma   I'ho 

detto,  villotta   1.75  n. 

-  Ave  Maria,   preghiera  per   una   o   due   voci 

di   donna   1 —  n,  sola  parte  di  canto  — 15. 

-  Canto    del    Pastore,    pastorale    per    Org(P) 

2—. 

-  Canzo,    marcia    popolare.    Banda     (G.    M  a- 

r  i  a  n  i)    3 —  n. 


Maggi  P.  Carlotta  —    Q3    — 


Maggiulli  F.  Sirena 


silfide  2 — 11. 
runica  2—  n. 
Giovinetta,  a 


-Carlotta,    mazurka    I — u    Mariani. 

-  Che   iniporta  ?   To  t'amo !   Romauza :   So  che 

nel  fior   iu  sei   3.50. 

-  Cossa  xelo  I'amor?!   Scena-Capriooio  5 — . 

-  Da  Prora,   barcarola,   parole  di    G.   E.   D  u- 

c  a  t  i  3.50. 

-  Dearest,  I  would  die  — 40  Ditsoii. 

-  Donna    vorrei    morir,    romanza,    parole    di 

L.    S"tecchetti    2.50. 

-  Ileur   de   Serre,   bluette    1.50. 

-  F  o  r  n  a  r  i  n  a,    canzone     (Chiave    di    Sol): 

s'  io  fossi  ricco  2 — . 

-  < ,  .t  b  r  i  e  1 1  a     d  i     Belle     T  s  1  e.     opera  : 

Preludio,    P    1.25  n. 
Scena   e   Ballata :    Souo    una 
Duetto :   Questa,  o  diletta,  & 
Seeua  e  Terzetto-Finale  TT 

voi   d'acoanto   2.50  u. 
Serenata  :    Siccome    il    primo    albor    1 —  n. 

-  <_Trido    deir    Auima,    romauza    2.50. 

-  Tn   mezzo  a   niolte   genti,   stornello   3.50. 

7  Mira  I'augurio,  minuetto  madrigale  per 
voci  bianche  1.25  u,  sola  parte  di  canto 
—25. 

-  Mistero    d'amore,    gavotta    3 —    Mariani. 

-  Moment   de   chagrin,   mglodie   2 — . 

-  Nell'aria   della    sera,    melodia    3 — . 

-  Nid  d'amour,  berceuse,   P  2 — . 

-  Ninna-Nanua,    Nenia :    L'ape    posa    in    seiio 

al  fiore,  per  una  o  due  voci  di  donna,  con 
P  1.50  n,  sola  parte  di  canto  — 25. 

-  Orfanella   2 —  Marinni. 
-Perch&?!   Canzonetta  2—. 

-  Quando  cadran   le  foglie,   melodia   2 — . 

-  Sentii    oua    storia.    canzone    popolare    Lom- 

barda   1.50  n. 

-  S'  io  fossi  ricco,  canzone  nell'  operetta  La 

Fornarina    2 — ,    Hand   — 25  n. 

-  Simpatia,    romanza,    parole    di    F  i  1  g  u  e  i- 

ras  Sobrinho  2 — . 

-  Sguardo,   romanza,  parole   di   A.   D  e  L  a  u- 

z  i  6  r  e  s  2 — . 

-  Spes,    ultima    Dea,    melodia,    parole    di     L. 

Stecchetti   2.50. 

-  Starnuti  d'amore,  scherzo:   Poiche  ti  trovo 

sola  4 — . 

-  Un  Giunco,  melodia  2.50. 

-  Un    organetto    suona    per    la    via,    scherzo 

4—. 

-  Una  notte  al  Lido,  barcarola,  P  2.50. 

-  Vieni  quassii.   romanza   1.75  u. 

Maggiar  Rene  A,  Charmeuse,  valse  lente 
1.60  n   ZZacfci-Alexandrien. 

Maggie  by  my  side  — ,2  Sheard. 

Maggie   Lauder  — /2  Kohler. 

Maggini  Chas.  E.  Baby  in  Dreamland  Lul- 
laby — 40    Jennings. 

Maggio  Giuseppe.  Rieordi :  Alma  redemp- 
toris,  antifona  a  3  voci  sole  1 —  n  Berta- 
relli. 

-  Ave    regina     coelorum,    antifona    a  3     voci 

sole  — 75  n    Beriarelli. 

-  Avviamento  al  solfeggio  4 — :  Fasc.  I.  Eser- 

cizi  speciali  per  ottenere  una  franca  ed 
uguale  lettura  di  note.  II.  Esercizi  spe- 
ciali per  abituare  i'orecchio  al  movimento 
»'  dare  I'iutriuseco  valore  ad  ogni  figura. 
T  n.   Piccoli   solfeggi    in   tutti   i  tempi    per 


famigliarizzarsi  colla  musica.  IV.  Eser- 
cizi per  i  punti  le  pause,  la  legatura  e 
la  sincope  e  brevi  confronti  in  tutti  i 
tempi,  a  1.20  Sandron. 

-  Capriccio  sul   Don   Carlo,   P  5.50. 

-  Concerto    suU'    Aida,    Itms    6 — . 

-  Divertimento  s.   Aid  a,   P  5 — . 

-  Ecce   sacerdos    (Responsorium   ad    recipien- 

dum episcopum)  ad  4  voces  con  Org  — 50  n 
Bertarelli. 

-  Ecce   sacerdos    (Responsorium   ad   recipien- 

dum episcopum)    ad  3  voces  con  Org  1 —  n 

Bertarelli. 
-Fantasia   sulla  Messa   da   Requiem   di 

Verdi,  Ifms  6 — . 
-Forza   del   Destino,    fantasia,    P   5 — . 

-  Gran    fantasia   sopra    I'opera    G  i  u  1  i  e  1 1  a 

e  Romeo,  di  Bellini,  P  4.50  Sandron. 

-  Gran    Settimino    nell'    A  f  r  i  c  a  n  a,    P. 

-  Oblio   air   Amore,    romanza   2 — . 
-Regina   coeli,   antifona   a  3   voci   sole   1 — n 

Bertarelli. 

-  Salmodia    Vespertina    contenente    Due    Do- 

mine  ad  adjuvandum  e  Venti  Falsibordoni 
brevi  e  facili  a  3  voci  pari,  con  OrciflJ  / 
2 —  n  Bertarelli. 

-  Salve   regina,   antifona   a  3    voci    sole    1 —  n 

Beriarelli. 

-  Trascrizione  fantastiea :  Dolores,  P  5..'>0. 

Maggioni.  Williams:  Aria  del  mare:  La 
Sposa,  w.  PG   1/6. 

-  Balcone   che   splendevi,   w.    PG    1/6. 
-Bella;    H   Muratore,   w.   PG    1/6. 

-  Esci  Fuora,  O  Nina  I  w.  PG  1/6. 

-  Fra   pochi   di,   w.  PG    1/6. 

-  Guai    a   chi    s'innamora,    w.  PG    1/6. 

-  Indovina,   w.   PG    1/6. 

-  Laria    del   mare:   La   Sposa,   w.   PG    1/6. 

-  Ricciolelia   in   Mar   Vogava,   w.   PG    1/6. 

-  Vedova  Eomana,  w.   PG   1/6. 

Maggioni    A.      La    Preghiera.    notturno,    /' 

2.50  Mariani. 
Maggioni    G.      Rieordi:      Auguri   e   Voti.    P 

1.50. 

-  Bella    Brianza,    marcia   — 75  n. 

-  Bianca,   P   1.50. 

-  Carolina,   polka,   Iims  2.50. 

-  Carolina,  marcia   2 — . 

-  Euconomio,   marcia    1.50. 

-  Gernietto,   marcia    1.50. 
-Gina,  P   1.50. 

-II  Buon  di,  marcia   1.50. 

-  Lungo  I'Adda,  polka-maz.   1.50. 
-Pinella,    Pinella,    P    1.50. 

-  Rose   e   Camelie,    P    1.50. 

-  Vapori   del   Monte  Orobio,   P 
Maggioni    Manfredo,    Ah!    tu 

me,  Perchfe  quando  mi  trovi 
politana  2,6  Ashdown. 
Maggiore    S.    Luigia,    mazurka    2.50    Forli- 

vesi. 

Maggiulli  F.  Cor  di  gelo,  romanza  1.75  Ri- 
eordi. 

-Polka  caratteristi«a,  eseguita  nel  b;illo 
Excelsior,  P  2 —  Rieordi. 

-  Sirena,    di    I.    Monplaisir,    polka    delle    rose 

1 .50  Rieordi. 


1.50. 

non    peusi    a 
,   canzone  na- 


Maghenzani  F.  Marc/'a 


—     64 


Maglioni  G.  Flora 


Maghenzani    F.   Mareia   2 —  Rivordi. 
Magi    F.    Ricordi:    All'    Arnica    lontana,    ro- 
manza    2 — . 

-  Alzati,    o   bella,   serenata    4 — . 

-  II   Bacio,   romanza    3 — . 

-  Ti    ramiiienti,    notturnino,    duetto    4 — . 

Magic  Circle,   25   easy  P  pieces   1 —  IHison.. 
Magic    Lantern,   waltz   — /2   Sheard. 
Magic  spell,   mazurka,  P  — 10  Brainard. 
Magill-Chase    Irene,   Butterfly,   waltzes   4/ — 
Weekes. 

-  J\lusic,  quartet  — 10  Nat.  Music  Go. 
-Sadly   I  tbiuk   of  days  that  are  gone  — 10 

\"at.   Music   Co. 

-  Whene'er   I  See   Those   Smiling   Eyes,   duet 

and  chorus  — 10  Nat.  Music  Co. 
Magisson,    Apoth^ose,    2VVaVr    2 — n    Dur- 

diUy. 
Magliano  G.  Gratitudine,  maz.   1 —  Mariani. 

-  King  Victor  Emanuel,  march  — 50  Sivisher. 

-  INIottetto,  con   Otg   1 —  Borriero. 

-  Pensa  a  me,  melodia  2 —  Mariani. 
-Tempi    felici,   maz.    1 — n    Fantuzzi. 

Maglione  B.  op.  1  Album  10 — :  N.  1.  Chi 
ami?  melodia  1.50.  N.  2.  Tutto  ritorna ! 
melodia  1.25.  N.  3.  La  Mammola,  melodia 
1.50.  N.  4.  La  mia  stella,  melodia  2.25. 
N.  5.  La  Pazza,  scena  drammatica  3 — . 
N.  6.  Una  notte  a  Venezia,  duettino  2.50 
Ricordi. 

Maglioni  F.  Per  Mare,  barcarola  2.50  Ri- 
cordi. 

Maglioni  Giovacchino.  Ricordi:  Op.  8  III. 
Scherzo,    P    2.75. 

-  11   Notturno,   VcP  3.90. 

-  12  VI.   Scherzo,   P  2.40. 

-  24    Fiori    di    Primavera,    album,      P    8 — : 

N.    1.   Un   bel   gioruo   di    festa   1.50.   N.   2. 
Inno   popolare  variato   2 — .    N.   3.   Allegro 
trionfale   3 — .    N.   4.    Petit   Nocturne    a  la 
Valse  L50  Carisch. 
-24  Le   r€veil,   Jfms  2 —   Carisch. 

-  42  Le   D6sir   aux   Bains  de  Lucques.   iV.   6. 

Au  clair  de  lune,  PVFlCor  5.50. 

-A   toi  que  j'aime,   romance,   POrg(V)    3.50. 

-Album  pour  les  Enfants  7 — :  N.  1.  Petite 
Ronde  au  Polonaise,  P  1.50.  N.  2.  Sou- 
venir du  Trovatore  et  Violetta,  P  2.50. 
N.  3.  Melancolie,  25.  scherzo,  P  1.25.  N. 
4.  Petite  Valse,  Ifms  1.50.  N.  5.  Choeur 
du  Trovatore,  Jfms  1.50.  N.  6.  Marche  du 
Prophfete,    Jf7ns    3 — . 

-  10    Corali    e    Mottetti    per    voci    cou    Org 

24 — :  N.  1.  Domine  salvum  fac  Begem 
nostrum,  corale  XXI  1 — .  N.  2.  Pauls 
angelicus,  mottetto,  soli  e  coro,  corale 
XXII  3.50.  N.  3.  Sanctus  Deus,  Sanctus 
fortis,  corale  XXIII  1—.  N.  4.  Deus, 
Deus  mens  respice  in  me,  mottetto  per  B, 
corale  XXIV  2.50.  N.  5.  0  Salutaris  Ho- 
stia,  a  sole  voci,  corale  XXV  4 — .  N.  6. 
Tantum  ergo,  mottetto,  corale  XXVI  2.50. 
N.  7.  Jam  lucis  orto  sidere,  corale  XXVII 
4 — .  N.  8.  Cor  Jesus  flagrans  omore  uostri, 
corale  XXVIII  1.50.  N.  9.  In  te  Domine 
speravi,  mottetto  per  MS,  corale  XXIX 
.3 — .  N.  10.  Ecce  Sacerdos  ]\Iagnus,  a 
qiialtro  cori   c  sole  voci,  corale   XXX   5 — . 


-  Seguito  ai   Corali  e  Mottetti,  per   voci,  cou 

Org  ed  Orgs.:  Libro  XIII  .5 — :  In  Festa 
S.  Joseph:  N.  1.  Obsecro  te,  Sancte  .Josj-ph, 
Pater  a  sole  voci,  corale  XXXI  — 50.  N.- 
2.  Veritas  mea  et  misericordia  mea,  offer- 
torio  per  Org  2 — .  N.  3.  Invocazione  a  S. 
Giuseppe,  andantino  per  Org  1 — .  N.  4. 
Joseph,  Fill  David,  mottetto  per  7'  1 — . 
N.  5.  In  voce  esultationis.  postcomunio 
per   Org  2—. 

Libro  XIV  5 — :  In  Festo  S.  Laurentii: 
N.  1.  Corale  XXXII  per  Org  1.50.  V.  2. 
Mottetto  per  T  e  coro,  corale  XXXTll  2.50. 
N.  3.  Offertorio.  corale  XXXIV  p.-r  TB 
2.50. 

Libro  XV  7—:  In  Festo  S.  Joachim: 
N.  1.  Messa  pei  doppi  Versetti  per  il 
Kyrie  e  Gloria  2.50.  N.  2.  0  Joachim 
Sancte,  Coniux,  graduale  a  soli  voci,  co- 
rale XXXV  —50.  N.  3.  Gloria  et  honore, 
oflFertorio  per  Org,  corale  XXXVI  2.50. 
N.  4.  Sanctus  ed  Elevazione,  preghiera 
per  Org  2.50.  N.  5.  Fidelis  servus,  post- 
comunio  per  voci,  corale  XXXVII   1.50. 

Libro  XVI  7.50:  In  Nativitate  Beatae 
Mariae  Virginis:  N.  1.  Versetti  per  Kyrie 
e  Gloria  3 — .  N.  2.  Benedicta  et  Venera- 
bilis,  traduzione  a  sole  voci,  corale 
XXXVIII  1.50.  N.  3.  Beata  es  Virgo 
Mariae,  offertorio  per  voci,  corale  XXXIX 
2.50.  N.  4.  Sanctus  ed  Elevazione,  pre- 
ghiera a  Maria  SS.  per  8  2.50.  N.  5. 
Beata  viscera  Mariae  Virginis,  comunio 
per  voci  ed   Org,  corale   XL  2 — . 

-  20  Corali  in  forma  di  Toccate  da  eseguirsi 

durante  il  Sacrificio  della  Messa  18 — : 
I  5—,  II— III  a  6—,  IV  7—  Carisch. 

-  D6sir  aux  Bains  de  Lucques,  album  aureum, 

P  18 — :  N.  1.  Le  Rossignol  aux  Bains  de 
Lucques,  13.  scherzo  (op.  37)  2.50.  N.  2. 
La  Pri&re  du  soir  a  la  croix  de  fer,  chant 
6l6giaque  religieux  (op.  38)  3 — .  N.  3. 
L'aurore  d'une  matinee  sur  les  montagnes, 
14.  scherzo,  4ms  5.50.  N.  4.  Bolero,  ^ms 
4 — .  N.  5.  La  Solitude,  scherzo-mazurka 
2 — .  N.  6.  Vedi  Classe  Pianoforte  con 
Istrumenti    diversi. 

-  Etoiles,  album  aureum.  Livre  I  12 — :  N.   1. 

Catherine,  polonaise,  ^m.s  2.75.  N.  2.  Hen- 
riette,  polonaise,  ^ms  4.50.  N.  3.  Elise, 
romance,  P  2 — .  N.  4.  IX.  Scherzo  &  la 
Polka,  P  3.50.  N.  5.  Allegretto  melanco- 
nico,  X.  scherzo,   P  3.50. 

II  16—:  N.  6.  Nocturnes  2.50.  N.  7. 
Vivatite  et  Mglancolie,  XI.  scherzo  4 — . 
N.  8.  Thfeme  du  c^lfebre  Haydn,  vari6 
5.50.  N.  9.  Constance,  mazurka  2.75.  N. 
10.  Th&me  de  la  Muette  de  Portici,  vari6, 
2P  8—. 
-Flora,  album  aureum,  2.  suite  des  mor- 
ceaux  caract^ristiques  p.  HP  12 — ,  I  5 — , 
TI  7.50:  I:  N.  1.  A  la  lune,  romance  1.50. 
M.  2.  Ma  Condole,  barcarolle  1.50.  N.  3. 
Dans  les  nuages,  chanson  1.75.  N.  4.  Le 
Batelier,    petit    air    1.50. 

II:  N.  5.  Fleur  de  Marie,  XXTI.  scherzo 
2--.  N.  6.  La   Danse  d'Ete,   XXIV.  scherzo 


Maglioni  G.   Flora 


—     65 


Magnano  C.  Novella 


2_.  N.  7.  Tranquillite,  ser^'•n:lde  2.50.  N.  8. 
Esperanco,  'if),  mazurka  2.50. 
Flora,  albTim  lirico,  fantastico,  sentimen- 
tale,  P  12—:  N.  1.  XXX.  Scherzo  3—. 
N.  2.  L'Abbaiidono,  canzone  1.50.  N.  3. 
Quando  ti  rivedro?  ballata  2.50.  N.  4. 
T^e  Mystfere,  canzone  1.50.  N.  5.  Vefina, 
arietta  2.50.  N.  6.  Addio,  canzone  1.50. 
N.  7.  Selvaggio,  XXXI.  scherzo-capr.  2.50. 
N.  8.  Marcia  funebre  e  preghiera  3 — . 
Tstituzioni  teorico-pratiche,  Org  50 — :  1 : 
[ntroduzione  all'Armonia  elementare,  Ar- 
monia  elementare,  dei  Moti.  delle  Ca- 
denze,   delle   Dissonanze   5 — . 

II:  Pnlsazione  della  Tastiera,  Esercizi 
preparatorT  per  le  raani  separatamento  e 
insieme  4 — . 

Ill :  Esercizi  per  la  pedaliera  in  sesta 
o  eorta,  per  la  seconda  ottava  dispoota 
cromaticamente  e  per  la  estesa  pedaliera 
cromatica   5 — . 

IV:  Descrizione  deWOrg  autico,  Piccoli 
Versetti  per  I'esercizio  della  pedaliera  in 
sesta   3 — . 

V :  Descrizione  dell'Or^  piccolo  moderno, 
Delia  necessity  ehe  VOrg  concordi  per- 
fettamente  col  Coro,  Cadenze,  Intonazioni 
e  schiarimenti  per  i  toni  corali  del  Canto- 
fermo    4.50. 

VI:  Continuazione  dell'Armouia,  Scale 
e   movimenti   del    B   4.50. 

VII :  Descrizione  dell'Orfir  medio  mo- 
derno, Del  modo  di  suonar  VOrg  alia  espo- 
sizione  del  SS.  Sacramento,  Toccata,  Ver- 
.stitti,   Benedizione   e  Toccata   finale  5 — . 

VIII:  Del  modo  di  accompagnare  la 
Messa  detta  dei  Solennissimi,  Versetti, 
Offertorio,  Elevazione,  Postcomunio,  Ver- 
setti per   il   Vespro    14—. 

IX :  Continuazione  dell'Armonia,  Delle 
iraitazioni  a  tutti  gli  intervalli,  Libere 
imitazioni  a  2,  3  e  4  parti,  Versetti  per 
la    Compieta  detta  alia  Monastica    10 — . 

X:  Continuazione  dell'Armonia,  Stile 
fugato,  Del  modo  di  accompagnare  la 
Messa  dei  defunti.  Offertorio,  Elevazione, 
Postcomunio   12 — . 

Les   larmes   d'amour,    notturno   elegiaco,   P 

Luisa  Miller,   liberameute  trascritta,   P  3 — -. 
Melodia  2 —  Carisch. 
Oblio,   canzone,   HP   3 — . 
Ott  vas-tu    petit   oiseau?   transcription   d'a- 
pr^s  une  romance  fraucaise,  P  4.50. 

•  Preghiera    della   poveru   orfanella,  Jf^s  2.50 

Carisch. 
-  XXXIV.   Scherzo,    6nis   6 — . 

■  Soiree  de  Printemps  A  Pausilippe.  Flora, 
album  sentimental,  P:  N.  1.  Le  D6sir, 
barcarolle  2—.  N.  2.  Si  loin ! ! !  barcarolle 
2—.  N.  3.  Retour,  barcarolle  2.50.  N.  4. 
Soupir,  chanson  1.75.  N.  5.  A  toi  que 
j'aime,  romance,  PV(Org)  3.50.  N.  6.  Tout 
e8t  passe,  chanson,   PV(Org)   2.50. 

Tout  est  pas.se,  PV(Org)    2.50. 
Una   Sera   d'Autunno,   6  canzoni   ca  ratter i- 
stiche,   p   8— :    N.   1.   Una   Stella    1.50.   N. 

Uni Yer sal-Hand buch  der  Musikliteratur.    M. 


2.  Bella    Rosa   1.50.  N.  3.  Perla   1..50.  N.  4. 

Canto    festivo    2.50.    N.    5.    Tristezza    1.50. 

N.   6.   Improvviso   2 — . 
Magnac,     Reve    de    Printemps,    valse     6 —  u 

Pfister. 
Magnan    G.   Deux  amis,   polka,   2CIP  2.50  n, 

Cl-B.  1 — n.  Harm,  5 — n,  Fanf  4 — n  Paret. 

-  Lozi,   polka.    Harm    3 —  n,    Fanf   2.25  n    An- 

drieu. 

-  Le  Six-deux,  d6fil6,  ch.  ad  lib.  Harm(Fanf) 

3 —  n   Evette, 

-  Pageur,    pas    red.      Harm    .3 — ,      Fanf    2 — 

Schoenaers. 
Magnan    L.   Drapeau   du   Pi^moot,   choeur   a 

I'unisson,    Harm(Fanf),   Part   3 — n,    p.    de 

ch.  — 50  n  Evette. 
Magnand   H.  Astronome  du   Pont-Neuf    (av. 

parle)     1 —    Bortiemann. 

Magnani  Aurelio,  ler  Divertissement,  CI 
si  bemol  av.  P  ace.  4 —  n  Evette. 

-  2e  Divertissement  3—  n  Evette. 

-6  Duetti  da  camera,  concertanti,  2Cl  7 — : 
N.  1.  Eomanza  1 — .  N.  2.  Sarabanda  2 — . 
N.  3.  Scherzo  in  La  minore  2 — .  N.  4. 
Minuetto  3 — .  N.  5.  Primo  tempo  in 
forma  di  Sonata  2 — .  N.  6.  Largo  appas- 
sionato   2 —   Carisch. 

-  Elegia   originale,    CIP   4.50   Carisch. 

-  10  Etudes  de  gr.  difficulte,  CI  15—  Evette. 
-Faust,    romanza    e    valzer,    divertimento, 

CIP   7.50   Ricordi. 

-  Mazurka-Caprice,  CIP  12 —  Evette. 

-  M6lodie    originale    romantique,      VP,    ObP, 

CIP  a  2— n  Evette. 
-M^thode    de    CI    (Boehm) 
III   15— n   Evette. 

-  Solo  de  concert,  CI  en  si  b  P  1 2- 

-  Sonates,    N.  1.    (C),    2.    (F), 

12—  Evette. 

-  10    Studi    adottati    nell'Istituto    Benedetto 

Marcello  di   Venezia   7.50  Carisch. 

Magnani  G.  Saltarello  di  concerto,  in  la 
maggiore,    G    2 —  n   J.    Magnani-^ice. 

Magnanini  C.  Danze  e  lacrime,  valzer  3 — 
Mariani. 

Magnanini  G.  Ricordi:  A  vent'  anni  info- 
dele,  canto  diviso  in  3  Parti :  I.  II  Disin- 
ganno  2.75.  II.  La  Protesta  2.25.  III.  La 
Separazione   2.75. 

-  Buon    augurio,    romanza    senza    parole,     P 

2.50. 
-Chi   lo  sa!    2— . 

-  Cialdini,    marcia    1.75. 

-  E  solo   il  mio  core  3.50. 

-  Fiore   2 — . 

-  Mazurka-Capriccio,   P   2.50. 

-  Perch&?   2.50. 

-  Eimprovera    2—. 

-  Serenata    3.50. 

-  T'amo   2.75. 

-  Un   Bacio   2.50. 

-  Un   Racconto   3 — . 
-Un    Voto   3—. 

-  Valzer,    romanza    3.50. 

Magnano   C.   Antonietta,   nmz.   2—  Mariani. 
-Cantata   dei   bimbi    1.50   Perosivo. 

-  Matilde,   P   1.50   Mariani. 

-  Novella   2.50   Mariani. 


T-_[i    1.5— n, 

u  Evette. 
3.    (G),   CI   a 


Magnard  A.  A  Eenriette 


—     66 


Magner  Ch.  Messe  du  Saint-Esprit 


Magnard    Alb.    A    Heuriette    l.lQix    Societe 
nouveUe. 

-  Chant    funfebre,     0,    Part    10—     VAuteur- 

Paris. 
-Guercoeur,   tragedie   en   musique,    ChP 

20 — n  VAtiteur. 
•  Hymne   a  la   justice,    0,   Part    10 —  n   VAn- 

teur. 
'Hymne  a   V#nus,   0,   Part   12 — n  VAuteur. 

-  Ouverture,  O,  Part   10 —  I'Aiiteur. 

-  Piomenades,   P   5 — n    Durand. 
-Quatuor    a    cordes,     2VAltoVc,    Part    10— 

I'Auteur. 
-Quintette,      FlOhCl  (en  si  hemo\)FaP,      Part 
10—  rAutenr. 

5 —  n,  p.  s.   8 —  n   Joubert. 
le  style  ancien,  J/ms  6 — n 


Part 
dans 


-Suite   d'O, 

-  Suite  d'O, 

Jouhcrt. 
-Trio,    VVcP    10— n    VAuteur. 

-  Y  o  1  a  n  d  e,   drame,   ChP    12 —  n   Choudms. 
Magnarini   P.  Autunno.  Romanza:  Goeciava 

dai   rami   bagnati   2.50    Brocco. 

-  Carita,    Biinda,   Part    1.50  n   Lapini. 
Magne  C.  Amour  en  cage  1 — n  Margueritat. 
Magne    L.   A  bord,   les  lascars   1 — u,   Ch.  .s. 

— 40  n  Bornemann. 

-  Ah !  que  c'est  dons  bon  d'aimer  3 — ,  Ch.  s. 

—30  n    Eveillard. 


1— n, 
1-n, 


Ch. 


-40  n 


Ch.    s. 


55  n 


n   Bornemann,    av.    G 


1- 


Ch.    s. 


-30  n 


Ch. 


3- 


-30  n   Eveil. 


Ch.   s. 


30  n 


-  Amour    de    Papillon 

Bornemann. 

-  Avocat    des    femmes 

Labbe. 

-  Brise   amoureuse    1— 

— 40  n   Labbe. 

-  Brise    et    Papillon 

Eveillard. 

-  Derni&re   larme   1 —  n, 

lard. 

-  Enfant   tu   n'aimes   pas 

Eveillard. 

-  Exil6  de   France   1 —  n  Joubert. 

-  Intrepide   3 — -,  Ch.  s.  — 30  n  Eveillard. 

-  J'ai  peur,  oui,  j'ai  peur  1 — n,  Ch.  s.  — 40  n 

Bornemann. 

-  J'attends    1 —  n,    Ch.   s.  — 30  n   Eveillard. 

-  Je  pense  a  toi  1 —  n,  Ch.  s.  — 30  n  Eveillard. 

-  Je  suis  stranger  ou  ne  frappez  pas  I'etran- 

ger,  ch.  dram.   1 —  n,  Ch.  s.  — 40  n  Borne- 
mann. 

-  Je  suis  rieuse  3 — ,  Ch.  s.  — 30  n  Eveillard. 

-  Je   voudrais  chanter  mais  je   pleure   1 — n, 

Ch.   s.   — 40  n   Bornemann. 

-  Laisse-moi    t'aimer    1 —  n,      Ch.    s.    — 40  n 

Bornemann. 

-  Lunettes  roses  3 — ,  Ch.  s.  — 30  n  Eveillard. 
-Marchande    de    citrons    3 — ,    Ch.    s.    — 30  n 

Eveillard. 

-  Mendiant   d'amour    1 —  n    Margueritat. 

-  Navire  met  a  la  voile   1 —  n,  Ch.  s.  — 40  n 

Bornemann. 

-  Ninette  1 —  n, 

-  Perdue   1 —  u, 

-  Piliouit !    ohe  ! 

-  Retour  de  Pierre  1 

munn. 

-  Sentinelle   veillez,   ch 

— 40  n   Bortiemann. 


Ch.  s. 

Ch.  s. 

1— n 


■ — 30  n  Labbe. 

— 30  n   Eveillard. 

Margueritat. 

n,  Ch.  s.  — 40  n  Bor^ie- 

dram.    1 —  n,    Ch.    s. 


-  Serrone     les    rangs !     3 — ,      Ch.    s.     — 30  n 

Eveillard. 

-  Un   nid   d'amour   3 — ,   Ch.   s.  — 30  n   Eveil- 

lard. 

-  Vie  a  bord  1 —  n  Bornemann,  av.  O  — 40  n 

Labbe. 
Magner  Charles,  op.  15  Valse  sentimentale 
2.50  n   Bornemunn. 

-  18   Serenade,   P   \—Litolff. 

-  18  Sur  I'onde,  valse  de  salon  2 —  Gregh. 
-23    Deuxifeme    Chanson    napolit.     P     1.50  n 

Bornemann. 

-  25  Ronde  du  Vigneron,  romance  sans  paro- 

les, P  1.70  n  Bornemann. 
-26  Pieces  romantiques:   1.  Andante.  2.  Me- 
nuet.      3.    Scherzetto,    P   2.50    Bornemann. 

-  32  Stabat  Mater  Solennel,  a  4  voix  soli  et 

choeur,  ChP  7 —  Bornemann. 
■  34  Joyeux  Printemps,  P  7.50  Tsloel. 

-  35  Papillons,  P   7.50   ^oel. 

-  Z^   I>a   Navnrraise,   Ifms   7.50   'Noel. 

•  40  Danse  Villageoise,  Jfms  7.50  Noel. 

-52    l-autaisie-Sonate,    Org   4 —   Schott    Fr^- 

res. 
-57  Vision,  6Ugie.,  P  1.35  n,  PVc  1.70  n,   Vc 

(V)  av.  EarpeO  2 —  n  Bornemann. 

-  61   Brises  de  mer,  romance  sans  paroles,   P 

1 .70  n   Bornemann,   5 —   Girod. 

-  62   Illusions,   valse   2 —  n   Bornemann. 

-  Ave  Maria  3 —  Heugel. 

-  Ave    Maria,    MS  (Bar)    av.    Org(H)    —50  n 

Costallat. 
-Ave    verum,    S(T)    av.    Org(H)    1— n     Co- 
stallat. 

-  Ave   verum,   solo 


av.   choeur   k  3 
-50  n   Costallat. 


de   S(T) 
voix  niixtes  av.   Org(H) 

-  Ave  verum.,  duo  av.  Org  — 25  n  Pinatel. 

-  Benedictus   av.    Org(P)   — 50  n   Le   Beau. 

-  Cautate   de  Fete    (p.   un   Sup6rieur  ou   Su- 

perieure),  2   voix  eg.   2 — n   Le   Beau. 

-  Cigale  et   la   Fourni,   duo    (choeur),   v.   eg. 

2 —  n  Le  Beau. 

-  Course   folle,   galop   1.75   Loret. 

-  Enfant  3—,   Ch.  s.   1—  Noel. 

-  Exercices   gradu^s   — 60  u    Bornemayin. 

-  Frasquita,    caprice    espagnol,    P    1.25  n     Le 

Beau. 

-  Gentilles  demoiselles,  2  ou  3  voix  6g.  P  obi. 

1 —  Bornemann. 

-  Husaren-Mut,   Marsch   fiir   Kavallerie,   mO, 

Part  2—  Bote. 

-  Hymne   russe,   Ifms   1 —  n   Bornemann. 

-  Ic'h  lieb'  eine  Blume,  Duett,  ST  1—  Riihle. 
-II  vient  a  moi  le  Roi  du  Ciel    (Cantique), 

1 2  tons)   av.  P(Org)  1 — n  Le  Beau. 

-  Inviolata,    T(S)     av.     Org(H)     —50  n     Co- 

stallat. 

-  Kakaraka,   choeur   burlesque,   2   ou   3   voix 

av.    solos,    P   obi.    1.35    Bornemann. 
-Lion  et  Rat,  duo    (choeur)    v.  eg.  2 — n   Le 

Beau. 
•  M6lina,  en  feuille,  polka-maz.  2.50  Ileugel. 

-  Messe  a  deux  voix  6g.  Part  3 —  n,  chaque 

p.  s.  — 50  n  Peregully. 

-  Messe  du   Saint-Esprit,  a  2   voix  eg.   ou   3 

voix,  ou  4  voix  av.  quatuor,  chaque  partie 
1.50  n,    ChOrg    4 —  n,    Part   speciale   d'Org 


Magner  Ch.  Hfesse  du  Saint-Esprit 


fi7 


Magnier  L.  Mireille 


2 — n,    Part    de    chaque    voix   a   — 50     Le 
Beau. 
-SO   Morceaux,    Org(H),    I — IV   a    1— ri    Pi- 
■nulel. 

-  Miide  bin   ich,  S(TJ  — 75   Riihle. 

-0  Vos  omnes,  A(B)Org   1.70  u   Bornemann. 

-  Pa(?torale,   P   1.35   Loret. 

-  Pefits  oiseaux,  caprice-6tude,  P  1.75  Lord. 

-  Pie  Jesu  4 —  Ilamelle. 

-Pie  Jesu  (en  fa  min.),  {Vc  ad  lib.)  1 — n 
Le   Beau. 

-6  Pieces  romantiques,  P  5 — :  N.  1.  Noc- 
turne 1—.  N.  2.  Barcarolle  1 — .  N.  3. 
Berceuse  1 — .  N.  4.  Impromptu  1 — .  N.  5. 
Scherzo  1 — .  N.  6.  Sous  les  palmiers  1.35 
Bornemann. 

-  Rat  de  Ville  et  le  Rat  des  Champs  — 50  n 

Pinatel. 

-  Reveil  des  Willis,  duo   (choeur)   v.  6g.  2 —  n 

Le  Beau. 

-  Ronde  fantastique,  2  voix  6g.   av.  solos,  P 

obi.  1—  Bornemann. 

-  Salve  Regina,  2  voix  eg.  Org  — 60  n  Borne- 

mann. 

-  Sciences  et  les  Arts,  2  ou  3  voix  6g.  P  obi. 

1.35  Bornemann. 

-  S6r6nade   3 —  ^oiil. 

■  Soldats  de  I'avenir,  3  voix,  P  1 —  Borne- 
mann. 

-  Stabat    Mater   6—  n   Bornemann. 

-  Sur  I'onde,  valse  chantee  par  Mme  Nilsson 

2—  Gregh. 

-  Trabmarsch    u.   Albrechtmarsch,    KM,   Part 

1.50  n  Bote. 
-Virgo    Virginum,    SOrg    2 — n    Bornemann. 

Magner    Ed.   Avril    1— n   Lahbe. 

-  Exercices    fondamentaux,    gammes    et    pre- 

mieres  legons,   P  4 —  n   Costallat. 

-  Offertoire    (D) ,   Org  3—  EeugeL 

-  Offertorio  — 50    Music   sacra. 

-  Sentir,  a  v.   G  — 40  n   Lahbe. 

Magner    Fernand,    op.    47    Methode,    P    4 — • 

Bornemau'ii. 

Magnet  Ch.  Idylle  revee,  suite  de  valses 
2 —  n   Labonde. 

Magnetta    V.    Abbandono    1.50    Cottrau. 

-Album  di  6  pezzi  vocali  12 — :  N.  1.  Lo 
gioiello,  stornello  1.50.  N.  2.  Sempre,  stor- 
nello  2 — .  N.  3.  Voglio  goder  non  voglio 
amar !  Ballata  3.50.  N.  4.  Ho  pianto,  ro- 
manza  2 — .  N.  5.  Dopo  dieci  anni,  romanza 
2.50.  N.  6.  Egli  6  tomato,  duettino  3.50 
Carisch. 

-Amor  piccino  ] —  Carisch. 

-  Danza  caratteristica,  Ifms  5 — n  Maddaloni. 
•  Melodia  elegante,   ArpaP  2 —  Cottrau. 

-  Non  trovo  un  iiore  2 —  Carisch. 

-Ore    fantastiche:    N.    1.    Ave    Maria    1 — n. 

N.    2.   Ora    mesta,    romanza    1 —  n.      N.    3. 

Convegno   notturno,   ballata    1 —  n.      N.   4. 

Due  Sogni,  duettino   1.50   Cottrau. 
■  Tuo  sorriso  1.50  Cottrau. 
Magnien  A.  Chanson  de  Cherubin.  Digoude. 
Magnien  F.  Reve  1— n,  Ch.  s.  — 35  n  Labhe. 
Magnien   Victor.  Costallat:  Op.   1    Duo  con- 

certant,   GV   2.50  n. 

-  2  Duo  coucertant,   GV  2.50  n. 


positions,     VP 


VP   3— n. 
du   soleil. 


-  4  Molse,  en  3  suites,  GV  it  3 —  n. 

-  14  Fantaisie  et  variations  concertantes  sur 

un  thfeme  Suisse,   "ZV  2.50  n. 
-19   Deux  Duos   concertantes,   2V  3.50  n. 
-23   12   Galops  favoris,   G  2— n. 

-  25  Deux  Duos  concertantes,   2V  4 —  n. 

-  31    Fantaisie  vari6e,   VP  2.50  n. 

-  32   Fantaisie   et   variations,    VP   2.50  n. 

-  34  Trois  Duos,  Ire  et  2e  position,  2V  4 —  ii. 

-  35  Deux  Duos,  2G  2.50  n. 

-37   12   petites  legons  ou  etudes,   V  2— n. 

-  41   Six  Etudes,   V  2.50  n. 

-  42  Grande  fantaisie,   VP  2.50  n. 

-  44   Quatre   Melodies,   VP,   2   livres,   chaque 

2.50  n. 

-  45  Concerto,   VP  5 —  n. 
-46   Fantaisie,    VP   3— n. 
-48    Quatre    Melodies,     Ires 

4— n. 

-  49   Fantaisie-caprice,    VP   4 —  n. 

-  50   Duo   concertant,    VP   3 —  n. 

-  52    2e    divertissement   et   bolero, 

-  56  Duo  concertant,  ObP  3 —  n. 
-Chant   religieux   d'Eve   au   lever 

.3S   av.   P(Org)    1— n   Gallet. 

-  Fr^re   et  Soeur,   P  2 —  n. 

-  Melange  d'airs  du  Crociato,  G  2.50  n  Cranz. . 

-  Messe  a  2  voix  av.   Org  5 —  n. 

-  Morceau  de  salon   1.70  n. 

-  Pel  it  Messe,   tres  facile,   2   voix   ^g.   3.50  n. 

-  2   Quadrilles,   G  2—  n. 

-  Robe   et  le   Chapeau   2.50   Heugel. 
-Valse   du   due  de  Reichstadt,   G    1 — n. 
Mag*'' —    C.      Tambour,   pas   red.    p.    defiler, 

Ilarm(Fanf)     a  v.     T  amb(  Clair  ons),     Part 

3 — n,  p.  s.  a  — 10  n  Evette. 
Magnier    Ch.    op.    11    Les   fleurs    d'Espagne, 

bolero,   FIP  4 —  n   Costallat. 
-12   Duo,   2FI   av.    0   4— n,   arr.    P2FI   5— n 

Costallat. 
-13  Fantaisie  pastorale,  FIP  3— n  Costallat. 

-  47   Melodie,    VcP  2—  n   Costallat. 
Magnier  E.  Amusement,  2e  rondo,  67ns  3 — n 

Costallat. 
Magnier    Edouard,    Le    Sentir    1— n,    Ch.    s. 

— 35  n   Lahbe. 
Magnier    L.    Evette:    Apollon,    p.    Bars,    et 

Harm.fFanf),   Part   4.50,   p.  s.   a   —15  u. 

-  Bravoure,  pas  red.  Barm,  Part  3 —  n,  p.  s. 

a  —10  n. 

-  Chamborau,   marche,   Harm(Fanf)    av.   I'ist 

et  Tr,  Part  3— n,  p.  s.  a  — 15  n. 

-  Chant   du   Depart,   pas   red.   0(mO),   Harm, 

(Fanf)    1.25  n  Dehert,  Pinatel. 

-  Corinne,   ouv.   Harm(Fanf),  Part  9 — n,   p. 

s.  a  — 25  u. 
-G6nie    des    Alpes,    fant.    p.    concours, 
Harm,  Part   12 —  n. 

-  Le    102e   marche,   Earm(Fanf),   Part  3— n, 

p.   s.   a  — 15  n.  /    ,.' 

-  Le    13e    corps,    marche.    Harm  (Fanf)    aver 

Cluirons,  Part   3 — n,   p.  s.   a  — 15  n. 

-  Marseillaise,  pas  red.   0(mOJ,  HarmfFanfJ 

1 .25  n  Debert,  Pinatel. 

-  Methode  de  Fifre  avec  et  sans  clefs   1.25  n 

NoeL 
-Mireille    (Gounod),  ouv.  Harm,  Part 
10— n. 


Magnier  L.  Moatayiiards 


68 


Magnus  D.  op.  109 


fant. 


Part 


-  Montagnards,     maiche,    HarmfFanf),    Part 

3 — n,  p.  s.  a  — 15  n. 

-  Perles,  fant.  p.   Cornet  a  P  av.  P  2 — n,  w. 

0  4 —  n,  av.  pet.  0  2 —  Margueritat. 
-Perles,    fant.    0    av.     Cornet  a  P    1.50  n.     P 
1 .75  n  Margueritat. 

-  Petits  Grenadiers,  marcke  av.  Fifres,  Harm, 

Part  3— n,  p.  s.  a  — 10  n. 

-  Retraite    de    Crimee,     P    2 —  n,     Ifms   2.50  a 

Margueritat,  Harm  3 —  JJehert,  3 —  n  Mar- 

ijmritat,   2— n,   Coiid.   — 50   Pomier,  Fanf 

2.75  Debert,  2 —  n  Margueritat,  2 — ,  Cond. 

—50  Pomier,  O  2 —  n,  P,  dans  le  ton  1.75  u 

Margueritat. 
-Koi      Garotte      (Offenbach), 

Hariri,  Part   12 —  n. 
-Statue      (Reyer),     fant.     Harm, 

12— n. 

-  Sur  les  Monts,  fant.  Harm  4 —  Margueritat. 

-  Vaillance,    marclie    av.    Fifres,    Harm,   Part 

3 — n,   p.  s.   a  — 10  n. 

-  Valeureux,    av.     TamhClFifresHarm,     Part 

3 —  n,  p.  s.  a  — 10  n. 

-  Vercingetorix,      ouv.      HarmfFanf),      Part 

6 —  n,  p.  s.  a  — 25  n. 

Magnificat  (1st  Tone  &  8th  Tone)  — /6  No- 
rello. 

Magnifique  Album  de  113  pages  de  bonne 
inusique,  contenant  20  jolis  morceaux  de 
P  moyenne  force  sur  les  plus  beaux  ope- 
ras nouveaux,  tels  que:  Garmen  et  I'Arlfi- 
sienne,  de  Bizet;  la  Fille  du  Tambour- 
Major  et  Madame  Favart,  d'O  f  f  e  n- 
bach;  Romeo  et  Juliette,  de  Gounod, 
ou  transcriptions  des  plus  belles  melodies 
de  Gounod,  G  r  a  m  e  r  et  E  m  i  1  e  D  u- 
r  a  n  d,   P    10 —  n   Sudre. 

Magnin   E.  3  Andantes,  VP  a.  2 — n  Rouurt. 

-  Faucheur  passera,  Ch.  s.  — 40  n  Bornemann. 

-  Larghetto,    PV    2.50  n   Fromont. 

-  Prifere    A    la    Vierge,    Ch.  s.    — 40  n    Borne- 

mann. 
Magnin  L.  Tout  parle  d'amour  1.20  n  Labhe. 

Magnini  A.  Nfrinche  Nfrinche  Nfra,  ferraro 

correra    1.75    Santojanni. 
Magnus    Desire    (1828—1884),    op.   4   Bords 

de  I'Adour,  4e  polka    1 —  n  Costallat. 

-  5  Une  pensee,  romanze-6tude,  P  — 80  n  Co- 

atallat. 

-  6  La  Dau.se  du  lac  bleu,  capr.  P   1 —  n   Co- 

.^  fa  Hat. 

-  10    Quadrille    iiber     norwegisclie 

G-dur,  P   1 —   Sirnon. 

-  12  La  danse  d'Esprits,  caprice,  /'  1 

-  13  Les  pleurs  de  la   jeune  fille, 

1.50  Cranz. 

-  13bis  Les  Pleurs  de  la  jeune  fille,  nocturn*'. 

VP   2.50  n   Costallat. 
-17    Deux   Romances   .sans   paroles,    P    1.70  n 
Co.'itallat. 

-  18  Saltarelle,  P  1.70  n  Costallat. 

-  30   La   Viennoi.se,  Wiener   Maz. 

reav. 

-  38  Souvien.s-toi,  reverie,  P  2 —  n 


Melodien, 

Cranz. 
reverie.    /' 


Carli^- 


-  43    Trois    Pastorales,    P   3 —  n : 


I)  ma  lid. 
N.    1.    Les 


Plaintes  d'un  psltre  1.25  n.  N.  2.  Les  Lai- 
(i^res  1.50  n.  N.  3.  Serenade  sur  I'eau  1 — n 
CoHtaUa  t. 


■  44  Constantinople,   marche  2 —  n   Costallat. 
-45  Tarantelle,   P  2—n  Costallat. 

-  46  Bolero  de  salon,  P  2.50  n  Costallat. 

-  51  Steeple  Chase,  grand  galop  de  bravoure, 

P  1.30  Andre. 

■  52  Charmes  du  souvenir,  valse  de  salon,  P 

6 —  Mathieu. 

-  53    Chanson    polonaise,    P    1 —    Cranz,    4.50 

Heitgel. 

-  54  Maitre  corbeau,   variations,  P  6 —  Hev- 

gel. 

-56  Gapriccio  alia  Mazurka,  P  1.35  n  Co- 
stallat. 

-57  Reminiscences  de  I'Eclair,  P  7.50  Le- 
moine. 

-  59  Herculanum,  de  F.  David,  graude  fan- 

taisie,  P  3.50  Ricordi. 

-  62  Au  Gr6  des  Flots,  caprice-etude,  P  6-— 

Lediic.   1.80    Breitkopf,   3 —   Ricordi. 

■  63  Die  Post,  P  1 .75  Hofmeister. 

-  65  Garncval  napolitain,   P  7.50,  simpl.  6 — 

Leduc,   1/6   Novello,  4.50   Ricordi. 

-  66  Un  voeu  a  la  Vierge,  P  6 —  Leduc,  1.50 

Breitkopf. 
-70    Nocturne,     /'    1.50    Breitkopf,     3 —     Ri- 
cordi. 

-  71    Souvenir    du    Cocher,    andante    relig.    P 

5 —   Legouix,    1.50   Breitkopf. 

-  73  Chanson  du  Temps  pass4,  idylle,   P  1.50 

Breitkopf. 

-  74   L'Adieu    du    Pgcheur,    esquisse    musicale 

1.75  n  Dvrand,   P   1.25   Breitkopf,   1.50  Ri- 
cordi. 
-76    Marche    des    Mandarins,    P    1.80    Breit- 
kopf. 

-  77  Harmonic  des  Flots,  caprice-mazurka,  P 

Breitkopf,  3 —  Ricordi. 

-  80  La  Tarabouka,  P  7.50  Jouhert. 

-  84    Au    Printemps,    poesie    fugitive.    P    4 — ■ 

Grus,   2—   Mariani. 

-  85    Serenade   moscovite,    impromptu,    /'    2 — 

Gregh. 
88  Illustration  sur  Lalla  Roukh,  de  F.  Da- 
vid,  P  2.75  n   Fromont,  4.50  Ricordi. 

-  89  Fete  polonaise,  P  7.50  Jouhert,  3 —  Ma- 

riani. 

-  91   Chant  des  Sirfenes,   impromptu,   P  2 —  n 

Fromont. 

-  92   Alhambra,    polka-maz.    5 —  n    Girod. 

-  93   Noce   arabe,   caprice,   P  6 —   Girod. 
■  96  Les  Glaneuses,  P  6 —  Leduc. 

-  97  Chant  de  guerre,   P   7.50   Heugel. 

-98   Tmpromptu-maz.    P    1.75  n    Durand.    1.30 
Cranz,  — 30   Neiiparth. 

-  99    Polonaise  brill.   P   7.50   Leduc. 

-  100  Moise,   finale  du  3.  acte,  P  7.50  Jou- 

hert. 
-101   Marche  riisse,  P  ti  — ,  Sms  2.70  n   Leduc. 

-  105    Flute    e  n  c  li  .i  u  t  c  e,     fant.    P     6— 

Leduc. 

-  105   Abd-el-Kader,   marche   6 —  7\oel. 

-  107    L'Addio,    graude    val-se,     P    2.50  n      Le 

Beau,  4 —  Ricordi. 
-108   Carmosine,    polka-mazurka,    P    1.7'.    Le 
Bean,  2.25  Ricordi. 
109  Eole,  valse  brillante,  P  1.75  n  Li    Ihan, 
1.50    Hofmeijsier,    3 —    Ri<^ordi. 


Magnus  D.  op.  110 


—     69 


Magnus  D.  op.  244 


110    Freischiitz,    Fant.     P     2.50  n     Le 

Beau. 
112    Fantaisie-transcription     sur      Indiana, 

c^l&bre    valse    de    M  a  r  c  a  i  1  h  o  u,    P    7.50 

Noel. 

114  Frey-schiitz.  fantaisie  romantique,  P 
4.50   Ricordi. 

115  Dans  les  pres,  caprice,  P  2 — n  Lp 
Beau,   3 —   Ricordi. 

116  Caprice-Mazurka,  P  2—  Le  Beaw,  2.50 
Ricordi. 

117  Impromptu-Valse,  P  2 — n  Lf?  Beau, 
2.50  Ricordi. 

118  Patrouille,  ronde,  P  3—  Ricordi. 

119  Dimauche.  etude-villanelle,  P  5 —  /?i- 
cordi. 

120  Leopold,   marsih,   P  4.50   Ricordi. 

121  Berceu.se   oricntale,   P   3 —   Ricordi. 

122  Souvenir  de  Hongrie,  tzigane-marclje, 
P   7.50   Joubert,    1.80   Cranz,  4 —  Ricordi. 

123  Mazurka  bohemienne,  P  5 —  ^oel,  3^ 
Ricordi. 

124  M^lancolie   3 —   Ricordi. 

125  3e    Nocturne,    P    1.25    Hofmeister,    3 — 

126  Sperata,  val.se  po^tique,  P  2.50  Noel, 
4.50  Ricordi. 

127  Le  Fuseau,  caprice-etude,  P  1.75  Hof- 
meister^  4 —   Ricordi. 

128  Schnell,  galop,  morceau  facile,  P  1.25 
Hofmeister,  3.50  Ricordi. 

129  La    Madrilena,    mazurka    brillante,    P 

4 —  Ricordi. 

130  Viennoise  (Wiener),  mazurka  de  salon, 
P  3 —  Ricordi. 

131  Gran  Sonata,  P  4—  Le  Beau,  9—  P^- 
cordi:  N.  1.  Allegro  appassionato  3.50. 
N.  2.  Adagio  2.50.  N.  3.  Scherzo  2.50. 
N.  4.  Finale  3.50,  N.  2,  3  a  2—  Le  Bea7<, 
N.   3  5 —  Jouhert. 

132  Chanson  de  I'Esclave,  P  2—  Gre£r7(, 
3,50  Ricordi. 

133  Eienzi  de  Wagner,  fantaisie  mili- 
taire,   P   5 —  Ricordi. 

134  Cosaque,  polka  2.50  Ricordi. 

136  Carnaval  de  Lima,  P  5 —  Noel,  1.50 
Cranz,  3.50  Ricordi. 

■  137     Marche     nuptiale,      P      1.75      Sc/ioif 

Freres,  — 50   Schirmer,   5—   Hamelle,    1.25 
Fofmeisfer. 

■  138  Fancy   fair,   maz.   de  salon,   P   3 —   Ri- 

cordi. 
-139   0   povero   garzon !    (O  povero   Paolo!) 
Barcarola  veneziana  3.50,  P  2.50  Ricordi. 

-  140  2e  Senate  (D),  P  20—  Noel,  4—  ScJiotl : 

Meditation    extraite    5 — .    Scherzo    extrait 

5—  Noel. 

■  141   Impromptu,  P  6 —  Hamelle. 

■  142  Salut   au   Havre,   marche  solennelle,   P 

5 —  Sulshach. 

- 144  Aida,   reminiscences  et  paraphrase  6 — 
Ricordi. 

-  145    Chant   de    jeune    fille,  caprice,    P    6 — 

Noel. 

-  155   Fantaisie    de   salon   sur   Mme   Turlupin 

(E.    G  u  i  r  a  u  d) ,    P    2.50    Gregh. 

-  159  4e  Nocturne.  P  5—  A'oeZ. 


-  160    Giovinetta,    mazurka   5^   Noel. 

-  161  162    24    Etudes    dans    le   style   moderne 

et  dans  tous  les  tons,  I— II  H  5 — n:  N.  1. 
Fete  des  cloches  1.70  n.  N.  2.  Serenade 
espagnole  1.70  n.  N.  3.  Le  calme,  romance 
sans  paroles  1.70  n.  N.  4.  Presto-presto 
1.70  n.  N.  6.  Napoli,  tarentelle  2— n.  N. 
7.  Esquisse,  mazurka  1.35  n.  N.  8.  La 
plainte  1.70  n.  N.  9.  Reflets  de  joie  1.35  n. 
N.  12.  La  captive,  chanson  orientale  2 —  u. 
N.  15.  Recueillement,  etude  poetique 
1.70  n.  N.  16.  Le  pour  et  le  contre  2 — n. 
N.  18.  Inquietude  1.70  n.  N.  19.  Gaie  ma- 
tinee 2 —  n.  N.  22.  Marche  fun&bre  2—  n. 
N.  23.  Fire-fly  (Mouche  de  feu)  1.70  u 
Gregh. 

-  164   Messe   de   Requiem   de   Verdi,   souve- 

nir, P  7.50  Lemoine,  4.50  Ricordi. 

-  165   Menuet   du    temp   passe,   P    1.75  n   Du- 

ra nd. 

-  166  Marietta,  caprice,  P  1.75  n  Durand. 

-  171    Regiment  qui  passe,  P   1.75  n  Durand. 

-  172   Capricciosa,   P   2 —  n   Durand. 

-173  Hip!  hip!  hip!  Galop  brill.  P  1.50 
Schott,   2.50   Ricordi. 

-  174   A   la    voile,   barcarolle,    P    1.25    Schott, 

2.50  Ricordi. 

-  175     Page     d'Album,     impromptu,     P     1.25 

Schott,  2.50  Ricordi. 

-  178    Carmencita,    P    1.75    Schott,    3.50     Ri- 

cordi. 
179   Falstaff,   fant.   P   6—   Leduc. 

-  192    A    la    Strauss,    polka    de    salon,    P   5 — 

Mar  '..... 
-201    Au   bal,   impromptu,   P   1.75  n  Durand. 

-202  En  revant,  valse-caprice,  P  1.75  n  Du- 
rand. 

-  203   Mazurk,   P   5 —   Mathieu. 

-  205   Polonaise  brillante,   P   6 —  Mathieu. 

-  206   Veloce,   caprice-gtude,   P   6 —   Mathieu. 

-  231    24  petites   Sonatines,  tr&s  faciles  dans 

tous  les  tons  majeurs  et  mineurs,  P,  en 
8   cahiers  k  5 —  Mathieu. 

-231    Marche    fun&bre    (A-m.)    5 —   Mathieu. 

-231    Marche   funfebre    (Es-m.)    5 —  Mathieu. 

-235  A  tire-d'aile,  P  5—  Heugel,  2.50  Ri- 
cordi. 

-238  Marche  bohemienne,  P  1.75  Fromont, 
3 —  Ricordi. 

-  239  Le  Hamac,  chanson   orientale  3.50   Ri- 

cordi. 
-240  24  Pieces  caract6ristiques,  P;  1.  Peu- 
s6e  intime.  2.  Quand  nous  nous  aimions. 
3.  Chanson  indienne,  a  4 — .  N.  4.  Inter- 
mezzo 3 — .  N.  5.  D^sespgrance.  6.  Salut 
Printemps,  a  4—.  N.  7.  Lamento  3 — .  N.  8. 
Capricieuse.  9.  Pourquoi  pleurer?  10.  Pay- 
sage.  11.  Toccata.  12.  Sourire.  13.  La  Ca- 
ravane.  14.  Ce  que  disent  les  Etoiles.  15. 
Coeur  trouble.  16.  Walzer.  17.  Passion. 
18.  Pourquoi  me  fuir.  19.  Les  Vestales. 
20.  Chant  de  fete,  a  4—.  N.  21.  Adieu  3—. 
N.  22.  Habanera.  23.  Elle.  24.  Souvenir 
d'Ecosse,   a  4 — Mathieu. 

-  243  Chanson  de  Mai,  P  2.50  Ricordi,  —40  n 

Presser. 
.  244  Welcome.    <rr.   valse   05—   Mothien. 


Magnus  D.  op.  244 


—     70     — 


Magotti  A.  op.  4 


244    Cinq    Mars,    reminiscences,    P    2.25 
Schott. 
250    Mazurka   styrienne,   P   2 —   Gregh. 

299  Causerle,  valse,  morceau  de  concert,  P 
3 —  Ricordi. 

302  A  la  mgmoire  de  Beethoven,  P 
5 —  n   Beugel, 

303  Grande  valse  brillante,  /'  2.50  n  Gregh. 
305   Aubade,   P  5—   'Noel. 

308  Jean  de  Nivelle,  P  7.50  Heugel. 
312  Chanson  mauresque,  P  4—  Hamelle. 

316  Dors  b6be,   berceuse,  P   1.75  n  Durand. 

317  Claire  fontaine,  caprice,  P  1.75  n  Du- 
rand. 

318  Baisers  de  fleurs,  gr.  valse,  P  2 — ii 
Durand. 

A  la  Strauss,  polka  5 —  Ma.thieu. 
■A    toute   volee,    galop   brill.    P    1.75  n   Fro- 
mont,  3 —  Ricordi. 
Aubade  3 —  Noel. 
Baby,  polka  3 —  Katto. 

■  Baiser  3 —  Bidzhach. 

Barcarolle  from  „Les  Contes  d'Hoffmann" 
(Offenbach),  P  2—  n  Choudens,  5/— 
Crayner. 

Brise  des  nuits  3 —  Girod. 

Caprice   andalon,   P   2.50  n   Choudens. 

Carmosine,  polka-maz.   1.25  n  Le  Beau. 

■  C'est  le  printemps,  2  tons  5 —  Sulzhach. 
Chanson  h  boire  5 —  Mathieu. 

■  Charmes   du    souvenir,    valse    6—    Mathieu. 

■  Corinne,    valse   6 — ,      V,    Cornet      a    — 25  n 

Heugel. 
Coupe  du  Roi  de  Thul6,  P  9—  Grus. 

■  Dora,   reverie,   P   6 —   Mathieu. 

■  Eole,  valse  1.75  n  Le  Beau. 

■  30    Exercices   journaliers,   P,    I — II   a    12 — 

Mathieu. 

■  Fancy  Fair,  maz.   de  salon  5 —  Katto. 

■  Fgnella,  polka-maz.   3.75   Heugel. 
■Fire-fly    (Mouche   de  feu),  P   1.70  n   Gregh. 

■  Fuseau,    caprice-6tude,    P    2 — n    Choudens. 

■  Fuseau  de  grand'm&re   1 —  n   Costallat. 

■  Gaie   matinee,   P   2 — n    Gregh. 

■  Hongroise-Polka   5 —   Heugel,  2.50   Ricordi. 
-Inquietude,  P  1.70  n  Gregh. 

■  Judas,  chant  biblique  5 —   Heugel. 

-  Lettres  musicales,  P :   1.  P^rou,  La  Quena, 

chanson  peruvienne,  2.  Varsovie,  chanson 
polonaise,  3.  Tirol,  Liindler,  4.  Pesth, 
rhapsodic  hongroise,  3.  5 — .  N.  5.  Alger, 
nuit  orientale  6 — .  N.  6.  Naples,  tarentelle 
6 — .  N.  7.  Venise,  romance  sans  paroles, 
8.  Souvenirs  de  Trianon,  gavotte,  9.  Bal- 
lade irlandaise,  a  5 — .  N.  10.  Madrid,  bo- 
lero 6 — .  N.  11.  St.-Petersbourg,  m61odie 
russe  5 — .  N.  12.  Vienne,  esquisse-valse 
6—  Heugel,  N.  1,  2,  4—8,  11,  12  a  1.30, 
N.  3,  9  a  1—,  N.  10  1.50  Cranz,  N.  1,  2, 
4,  7,  8,  11  a  2—,  N.  3,  9  a  1.50,  N.  5,  ti, 
12  a  2.50,  N.  10  3—  Ricordi. 
-Lieder:  Nr.  1.  Leut',  seht  mich  doch  an!, 
Nr.  6.  Regen,  Regen  rutsch,  plattdeutsch 
u.    hochdeutfech   a    1.20   Plutt. 

-  Marche  fun&bre,  P  2 — n  Gregh. 
-Marche  des  Mandarins,  P  6 —  Ploix. 

-  Marche   nuptiale    1 —   Schott   Frercs. 

-  Mazurka   5 —   Mathieu. 


-75  Elkan. 
Choudens. 


Mozart), 


1.75  n      Le 


1.70 


P(G} 


•  Menuet  du  temps  pass4,  P 
-Nocturne    (N.   5),   P    1.70  n 

-  Noel,  2  voix  6 —  Girod. 

-  0  Salutaris,  duo  5 —  Hamelle. 

-  Papageno     (sur    un    motif    de 

polka   4.50   Legouix. 

-  Passerelle  4 —  Katto. 

-  Pour  et  le  contre,  P  2 —  Gregh 

-  Quand    reviendra     la    violette 

Beau. 

-  Recueillement,     6tude      po§tique,      / 

Gregh. 

-  Reflets    d'azur,    valse    de    salon,      P 

Ch  oudens. 

-  Regrets    d'amour,    valse    chant,    av. 

6 —  Grus. 
■  Reunion  des  etudiants,  quadr.  5 —  Heugel. 

-  Rien  ne  vas  plus   (Souvenir  de  Spa),  galop 

brill.   5—  Katto. 
-Romance  de  I'Aiguille,  des  Noces  de  Jean- 
nette,   P  5 —   Grus. 

-  Souvenir   de  llongrie,  tzigane-marche,   J^ms 

10 —  Joubert. 

-  Souvenir  de  Marseille,  P  5 —  Grus. 

-  Sur  rOcean,   romance   dram.   7.50   Mathieu. 

-  Ton    Retour,    fantaisie    sur    les    motifs    de 

G.   Katto,   P   7.50  Katto. 

-  Vienne,  esquisse-valse,  0  5 —  Heugel. 

-  Welcome,    valse    6 —   Mothieu. 

-  Will  o'  the  wisp,  P  3/ —  Augener. 

-  Zingara,  maz.   1.70  n  Choudens. 

Magnus  Emii,  op.  12  Lieder:  1.  Morgen- 
grauen :    „Ich   wollte   die   Liebste  ktissen." 

2.  Agues:  „Rosenzeit,  vvie  schnell  vorbei." 

3.  Nelken :  „Ich  wand  ein  Straufilein  mor- 
gens  friih"   1.80  n   Schimmel. 

-Lieder:  Nr.  2.  Tanzlied  1 — n.  Nr.  3,  4. 
Heimatsklilnge.  Volksweise  (Steht  ein 
Haselstrauch)  1 — n.  Nr.  5.  Der  Gold- 
Hiesel  1 — n  Piatt. 

-  28  Vorspiele,  Org,  zu  den  gebriiuchlichsten 

Choriilen      fiir      gottesdieustliche     Zwecke 
1.20  n  Westphalen. 

Magnus  Eug,  Africaine  (Meyer- 
beer),   Potpourri,   P    1 —  Schirnier. 

Magnus  G.  Washington.  Hansen:  Op.  10 
Vier  Lieder:  1.  Am  Bette  eines  Kindes. 
2.    Herbst.    3.    Sehnsucht    nach    Vergessen. 

4.  Sonnenuntergang  1.50. 
-11    Fiinf  Lieder:    1.  Vorwurf.  2 

griifie.      3.    An    den    Tod.      4. 
Schmiedes.   5.   Abbitte   2 — . 
-13  Sonate    (G-m.),   VP  5.50. 

-  14    Drei    Gesiinge     (dan.    Text)  : 

hvorhen?    De    evige    Spoergsmaal 
1.50. 

Wiegenliedchen.  Menuett. 

1.80. 

11    Geistliches   Lied,    SA 


Frtihlings- 
Lied    eines 


Hvorfor 
Moerke 


-  18  Klavierstiicke: 
Andante.   Etiide 

Magnus    Rud.    op. 

TB  2—  Eisoldt. 

-  Dornroschen    —80,    5    Solost,    8ATB    u.    P, 

KA   10—,   Solost   2—,   Chorst  4—  Eisoldt. 

-  Windsbraut    1.80    Eisoldt. 

Magnusson    Gunnar,      Sommarminnen,    vals 

1 — -  Lundquist. 
Magotti  A.  Ricordi:  Op.  4     2  Divertimenti : 

1.    Polka.   2.    Valzer    1.75,    fac.    1.50. 


Magotti  A.  op.  5 


71     — 


Magrini  T.  ojj.  20 


-5  Pensiero  melodico,  P   1.50. 

-8  Brindisi,   P   1.50. 

-12   Aroldo,   polka   brillnnte,    /■•    1.75. 

-  12  Sopra  niotivi  dell'Aroldo,  P  1.75. 

-  14  La  Croce  di  Savoia,  marcia  militare  2—. 

-  15  Naziouale  Polka  2 — . 

-  Amicizia,  P  1 — . 

Magoun    T.    P.   J.    Cora   Bell,   song  &    chor. 

—30    Ditson. 
-Lol  the  day  of  rest  declineth,  quart.  — 36 

White. 

-  Nevermore,   song  and   chor.   — 35   Ditson. 

■  World  of  love    at  home,    SfT)   — 40  Brai- 
nard. 


Magrath,   Tantum   ergo,   mix.   v.    1- 


Pond. 


Magri  P.  op.  36  Missa  defunctorum  cum 
Dies  irae  ae  Libera,  ad  chorum  duarum 
vocum  inaequalium  com.  Oi-g,  Part  3.80, 
part.   — 40   Cupra,    Giuseppe. 

-  70   VIII   Responsoria    in    Nativ.    Domini,    a 

2  V.  dis.  cou  Org,  part.  —30,  Part  3.60 
Capra. 
-Ad  finem  Laudum  Tridui  sacri :  Antiph. 
Cliristus  factus  est,  quatuor  vocum ;  et 
Ps.  L.  Miserere,  trium  disparium  1.60 
Libreria  Salesiana. 

-  Adoramus  Te  Christe,  motetto  per  2B,  con 

armonio.  In  virtute  tua,  motetto  offerto- 
rio  a  quattro  voci  dispari,  con  Org  od.  ar- 
monio ad  lib.  — 50  Libreria  Salesiana. 

-  Canto   della  quardia   d'onore   per   le  divote 

del  S.  C.  die  Gesu  per  S  cou  Org  — 35  M^i- 
ftira  .sacra. 
-Cor  Jesu  flagrans  nmore  uostri,  motetto 
per  comunione  a  solo  T  o  S,  con  Org.  Le 
Icdi  cantate,  canzoncina  facile  e  popolare 
in  onore  del  SS.  Cuore  di  Gesil,  a  due  v. 
blanche  con  Org  — 60  Giuseppe. 

-  Dixit    Dominus,    salmo    a  tre    voci    dispari, 

S,  T  e  Bar,  con  ace.  d'Org  1.60,  parti  del 
canto   — 50   Giuseppe,    Libr.   Salesiana. 

-  Fiducia  in   Dio  5 —  Brocco. 

-  In  virtute  tua,  motetto-offertorio  a  quattro 

voci  dispari,  con  Orgfll)  ad  lib.  — 50  Li- 
breria  Salesiana. 

-  Jesu  corona  virginum,   2st.   con   Org,   parti 

— 10  n,  Part  1.20  n  Capra. 

-  Litanie  5 —  Brocco. 

-  Litanie   del   SS.   Cuore   di   Gesu,   a   quattro 

voci  miste  (S,  Coniralti,  T  e  B),  con  ris- 
posta  del  popolo  all'  unissouo  ed  ace.  iVOrg 
2.50    Libreria   Salesiana. 

-Magnificat  a  quattro  voci  dispari.  con 
Org   2—  n    Ricordi. 

■  Miserere,  trium  vocum  disparium ;  et  An- 
tiph. Christus  factus  est,  quatuor  vocum 
1.60  Capra,   Giuseppe,   Libr.   Salesiana. 

-  Miserere,    duabus    vocibus    aeq.    Part    1.80, 

part.  — 10   Giuseppe. 
-Missa  brevis  ad  cliorum  unius  vocis  mediae 
(Ambitus  re-re)   comitaute  H  vel  Org  2.30, 
part.  — 30   Capra,   Giuseppe. 

-  Missa    „Emicat    meridies"    seu    I.    Toni     a 

due  voci  simili  bianche  o  virili,  con  ace. 
d'Org,  Part  e  parti  3.10,  parti  di  canto 
— 30  Capra,  Giuseppe. 

-  Missa  „in  honorem  B.  V.  cui  titulus  Auxi- 

Uum    Christianorum",    tribus    vocibus    in- 


aequalibus  coneinenda,  Org  comitante 
2.40,  parti  del  canto  1 —  Giuseppe,  Libr. 
Salesiana. 

-  Novena   di    Pange   lingua   e   Tantum   ergo, 

da   una  a  quattro  voci,  con  e  senza   Org  : 

1.  Tantum     ergo,     a     una     voce    coU'Or*;. 

2.  Pange  lingua,  in  fa,  a  una  voce  con 
Org.  3.  Pange  lingua,  in  do,  a  una  voce 
con  Org.  4.  Tantum  ergo,  a  due  voci  con 
Org.  5.  Tantum  ergo,  per  2T  con  Org. 
6.  Tantum  ergo,  a  tre  voci  d'uomini  eon 
Org.  7.  Tantum  ergo,  a  tre  voci  dispari 
senz'Orgr.  8.  Pange  lingua,  in  mi  magg., 
a  quattro  voci  dispari  senz'Org,  oppure 
ad  una  voce  con  Org.  9.  Pange  lingua, 
in  la  magg.,  a  quattro  voci  dispari  sen- 
z'Org,  oppure  ad  una,  a  due,  a  tre  ad  lib. 
con  Org  2 —  Giuseppe,  Libreria  Salesiana. 

-  Eeges    Tharsis    a  3    voci    dispari    con    Org 

ad   lib.  — 25   Musica   sacra. 

-  Eegi   saeculorum,     motetto    (gran    coro)    a 

quattro  voci  dispari,  S,  Contralti,  T  e  B, 
con  ace.  d'Org  1.50  Libreria  Salesiana. 

-  Eesponsoria  chori   ad  eantum  Passionis  D. 

N.  Jesu  Christi.  trium  vocum  disparium: 
In  Dominica  Palmarum  1.60.  In  feria  VI 
in   Parasceve   1.60   Libreria  Salesiana. 

-  Salve  Regina,  ad  una  voce.  Bar  o  MS,  con 

ace.   d'Org  — 50   Libreria   Salesiana. 
Magrini   Enrico,  op.  45  II   Re  di  Lahore,  di 
Massenet,   quadr.   3 —   Ricordi. 

-  Ginevra    di    Scozia.,    di    Rota,    quadr.    2 — 

Ricordi. 
Magrin"   T'e^inand.  Ricordi:  Op.  1   La  M6- 
lancolie,   romance  sans  paroles  3 — . 

-  2    Impromptu    2.25. 

-  3  Barcarolle  2.75. 

-  4  Danse  rustique,  6tude,  P  3 — . 

-  5  R§verie  2 — . 
-6  Nocturne  3 — . 

-  7  Marcbe  Cosaque,  impromptu  3 — . 

Magrini  Giuseppe.  Ricordi:  Au  Rouet, 
irorceau    caracteristique,    VcP   4.50. 

-  Pierrot,   morceau   burlesque,    VcP   2.50  n. 

-  Plaisanterie,   petit   morceau,    VcP   4 — . 

-  Serenade,   VcP  4—. 

-  Tristesse,   m^lodie,    VcP   2 — . 

Magrini  Gust.  La  partenza  del  Bersagliere, 
marcia  popolare  sopra  motivi  della  can- 
zone Ciao,  moretina  bella,  ciao;  e  della 
Marcia  dei  bersaglieri  (splendida  edizione 
illustrata),  P  —75,  Hand  — 25  n,  MandP 
1— n,  MandG  — 75  n,  MandMaP  1.50  n, 
2Mand  — 75  n,  2MandP  1.25  n,  2MandO 
l_n^  2MandMaP  1.50,  2Mar,dMaG  1.25  n, 
0  2 — n  Ricordi,  0  1.20  n  Bellmann,  P 
— 25   Johansen. 

-  Savoja-Orleans,    marcia    1.25    Ricordi. 

Magrini    L.    Epifonema   pel    5    Giugno    1859 

2 —  Ricordi. 
Magrini    Teodoro.     Ricordi:     Op.    15    Ocohi 

bruni,  romanza:    Voi   siete   il  mio  destino 

1.25  n. 

-  18    Amor    tradito,    romanza :    Nel    silenzio 

della  sera  1.50  n. 
20  Viola   del  pensiero,   melodia  :   Da  I'agile 
coppa   1.25  n. 


Magrini  T.  op.  21 


72 


Magyar  dalok  es  nepdalok 


Ogni    Yolta 


-  21    Un   anno   dopo,    romanza ;    Quando   nel- 

I'ora  oscura  1.50  n. 

-  29    Eemember,    melodia :      Delia    notte    nel 

dolce  silenzio   1.25  u. 

-  30  Ti  voglio  amar !  Melodia,  con  PV  2 —  n. 

-  33    Speranza,    romanza :    In    quel    momenti 

d'estasi   1.25  n. 

-  34  Rose  niisticlie,  romanza :    Tl   dolne  efflu- 

vio  che  mi  circonda  1.50  u. 

-  35    Pensiero   triste,    romanza  : 

clie  vedo  un  eimitero  1.25  n. 

-  36  Credo,  melodia  :  Credo  nella  potenza  di- 

vina   1.25  n. 

-  Amor   tradito,   romanza   1.75  n   Schmidl. 
-Credo    (Credo  nella  potenza  Divina),  melo- 
dia 1.50  n  8ch7nidl. 

-  In  laguna :  Vieni,  mio  bene,  vieni  sul  mare. 

romanza  1.50  n  Ricordi. 

-  Non  so  perchfe,  romanza  1 —  n  Ricordi. 

-  Occhi   bruni,    romanza    1.50  n   Schmidl. 

-Pensiero  triste:  Ogni  volta  che  vedo  uii 
eimitero,    romanza    1.50  n    Schmidl. 

-Remember:  Delia  notte  nel  dolce  silenzio, 
melodia  2 —  n  Schmidl. 

-  Rose   mistiche:    II   dolce   effliivio,    romanza 

2 —  n  Schmidl. 

-  Speranza :    In    quel    momenti    d'estasi,    ro- 

manza  1.25  n   Schmidl. 

-  Ti    A'oglio    amar!    Melodia.    T(8)    con    ace. 

di  PV  2—. 

-  Un    anno    dopo :    Quando     nell'ora     oscura, 

romanza   1.75  n  Schmidl. 

-  Viola       del       pensiero,       romanza       1.70  ii 

Schmidl. 
Magruder    J.    E.    Willig:     Anaeostia    March 
—35  Ellis. 

-  Angola,  schottische  — 35  Ditson. 

-  Boers   March,    P  — 40. 

-  Brightwood   Waltz    —35    Ellis. 

-  Brooklet    Polka    —35    Ellis. 
■  Cascade   Maz.   — 35   Ellis. 

-  Centennial    Schottisch,    P   — 30. 
-Cliffburne   Polka   —35   Ellis. 

-  Clinging   to   the   Cross,   P  — 50. 
-Continental    March    — 40    Ditsov. 
-Cuckoo  March,   P  —35. 

-  Dancing  Waters,  P  — 40. 

-  Dewdrops,   a   collection   of   5   beautiful   pie- 

ces arranged  iu  an  easy  manner,  am.  fing. : 
1.  Raindrops  Waltz.  2.  Cascade  Mazurka. 
3.  Golden  Sand  Schottische.  4.  Silver 
Stream  March.  5.  Brooklet  Polka,  a  — 35 
Ellis. 

-  Glymont  schottische  — 35  Ellis. 

-  Go   Away,   galop   — 35. 

-  Golden   Sand   Schottische  — 35   Ellis. 

-  Good  Waltz  —30. 

-  In  the  Land  of  My  Birth  —30. 

-  Ivy   March,   P  —30. 

-  Light  Hearted  March  — 40. 

-  Lily  Bell  Waltz  —50. 

-  Listening,   schottische  — 35   Ditson. 
-Little  Gem,  waltz  —30. 

-Little    Maiden   —30. 

-Little  Mischief  Waltz  — /2   Sheard. 

-  Man  of   many   names,   song  &  chorus   — 35 

Ditson. 


-  Maryland    Institute,     schottische    — 35,     Fl 

P  —30   Gordon. 

-  Memories   of   home,    mazurka    — 50   Ditson. 

-  Merry   Maiden,   maz.   P  — 30. 

-  Mischief  Waltz  —40. 

-  Music    among    the    trees,    reverie,    P    — -/4 

Sheard. 

-  Musical    Offerings,    four     beautiful      gems, 

am.  fing.  P :  1.  Cliffburne  Polka.  2.  Gly- 
mont Schottische.  3.  Brightwood  Waltz. 
4.  Anaeostia  March,  a  — 35  Ellis. 

-  Nannie  Polka  — 30. 

-  Notes   of   Victory,    P  —35. 

-  Oriole  March  — 30. 

-  Parley  Polka  —40. 

-  Peabody,    scliottische    — 35    Ditson. 

-  Playful  Waltz  —30. 

-  Pussy   Schottische,    P   —40. 

-  Raindrop  Waltz  —35   Ellis. 

-  Shower   of  Kisses,   P  —50. 

-  Somebody  — 30. 

-  Sontag    bouquet,    schottische    — 40    Gordon. 

-  Silver    Stream,   march   — 35    Ellis. 

-  Sunnyside    Schottische,    P    — 30. 
-Sweetheart   March   — 35   Ditson. 

-  Sweetest  Kiss  for   You  — 30. 

-  Tempting  March  — 35   Ditson. 

-  The   Voice   of   the   Heart,     reverie,     P    4/ — 

Sheard. 

-  Voice  of  the  Heart,  P  —50. 

-  Water   Lily   Polka  —30. 

-  Wave,   schottische  — 35   Gordon. 

-  We  None  of  Us  Know  One  Another  — 30. 

-  Whispering    Schottisch   —35    Ditson. 
Maguer,      Oraison    de    feu    Miaulard,    Oh.    s. 

— 25   Grus. 
Maguera,    Defiance    1.35  n    Societe    nouvelle. 

-  Palermo,   valse   2 —  n   Societe  nouvelle. 
Maguet  Ph.  Berger  .sans  bergere,  canzonetta, 

HaP   1 —  n  Joiihert. 
Maguffy's  Courtships   2/ — n   Sheard. 
Maguhn,    Die    fiinf   Sinne    1—   Danner. 
-Kagel,     Kegel,     Kigel,     Kogel,     Kugelrund 

1 —  Danner. 
Maguinnis    D.      Arrah,    Paddy,   now   will   ye 

be  aisy?  —35  White. 

-  Dan     Maguinnis'     nursery      rhymes     — 35 

White. 
■  Irish  wedding  — 35   White. 

-  Nursery    rhymes  — 35    White. 

-  Rollicking   Day   —35    White. 

-  Tipperary    christening   — /2    Broome. 

-  Who   killed   Cock   Robin   — ,2   Broome. 
Maguire,      At   the    dance,    waltz    song   — 40 

Ellis. 

-  Evening  Song.  A  Lullaby  — 35  Ellis. 

Maguire  F.  Z.  Ellis:  Dreaming  (arr.  by 
Winner)  —15,  Cornet P  —40,  V(Fl)P 
—40,  V,  Fl,  Cornet  a  —15,  Mand  —15, 
MandP  —40,   MandG   —40. 

-  Thy   bright  eyes  - — 35. 

Maguires  &  the  Monkey,  the,  2/ — n  Sheard. 
Magyar  dalok  es  nepdalok,  6nekhangra  es 

zoagorara,    I— V.    folyam    h   50    fiizet.    VI. 

folyamb6l  megjelent  eddig   19  fuzet,   fiizc- 

tenkent  1—,  3  kotet  101   dal,  kotetenkent 

3—  n   Rozsavolgyi. 


Magyar  dalok  es  nepdalok 


73     — 


Mahlberg  C.  op.  :J5 


Magyar  dalok  es  nepdalok,  cziterara  (Un- 
^arische  Lieder  iiiid  Volkslieder  fiir  Z), 
T — VI    il    1.50    Rozsavolgyi. 

Magyar  hangok,  ungarisclie  Volksmusik, 
beliebte  uiigarische  Volkslieder  u.  Tanze, 
P  (Richard  Klein  michel)  2 —  n 
Senif. 

Magyar  L.  Rozsavolgyi:  Abla  Komban 
harom  cserep    1 — . 

-  Baka   nota   1 — . 

-  De  j6  dolga   1 — . 

-  Hazunk   elott   menek    1 — . 

-  Huszar   nota   1 — . 

-  Korhely-nota    1 — . 

-  Paraszt  n6ta  1 — . 

Magyar    nepdalok,    uiigarische 
N.   1.   Kaka   toven    1—.    N.   2 
ken  mossa  1 — .  N. 
N.    4.    Cserebos&r. 


Volkslieder  : 

Nagyp^nte- 

3.  Repulj  fecskgiii   1.60. 

5.    Magasan     repiil     a 


darfi.  6.  Szozat.  7.  TTymnus.  8.  Csak 
egj'  sz6p  lany.  9.  Fdj  a  szivem,  a  1 — .  N. 
10.  Hejh  Budovar;  11.  Enyim  vagy  te 
1.60.  N.  12.  Van  szeretdm  tizenharom  1 — . 
K.  13.  Jut-e  n6ha  1 — .  N.  14.  Huzzad  ci- 
gany  1 — .  N.  15.  K#k  nefelejts  1.20. 
N.  16.  Hallja-e  kis  violam,  17.  Megvert 
cugem  a  teremto,  18.  Bflra,  biira,  buba- 
natra,  19.  Nem  ver  mag  ar  Tsten,  a  1  — 
tiddor. 
Magyar  -  Variete  -  Album,  a  legkeresettebb, 
iitp.-".'iu  kiiplek  gyiijteni6nye,  tartalma: 
1.  A  1  e  1 1  e  r  V. :  A  kis  ozvegy  (Die  kleine 
Witwe).  2.  A  letter  V.:  Iczi-piczi  as- 
szonyka  (Ganz  a  kleine  Fran).  3.  B  o  h  m 
v.:  Ne  haragudj,  I6gy  ism6t  jo.  4.  Le6 
D'A  m  a  n  t :  „Mas",  telefonhirmondo 
kuple.  5.  Decker  K. :  Stii-tu,  Emlek- 
szel-e  (Gedenkst  du).  6.  Fodor  E  rn  T. : 
Kosz  szokas,  az  rosz  szokas.  7.  Forster 
P..:  Mandolin  Serenad.  8.  Franz  E. : 
Az  ellenallhatatlan.  9.  G  v  e  i  z  i  n  g  e  r 
T.:  A  kavehazban  (Ini  Kaffeehaus) .  10. 
Greizinger  I.:  Mi  lehet  az  ok?  (Wor 
ist  schuld  daran) .  11.  Lincke  Pal: 
Sz6kimond6  asszonysag  (Madame  Sans- 
Gene).  12.  Lincke  Pal:  Oh  ne  sirj 
(Weine  nicht) .  13.  Lincke  Pal:  Siirti 
lonibok  (Wenn  die  Blatter  leise) .  14. 
Lincke  Pal:  Csokod^rt  heviil  szivem 
egyedul.  15.  Lincke  Pal:  Hoi  a  szo 
mar  mitsem  erne  (Was  nicht  Worte  sagi^ 
konnen).  16.  R^vay  R.  Arnold:  Az 
alatt  tortent  valami.  17.  Scarlat  M. : 
Az  en  banatom  (Mein  Elend).  18.  Szen- 
tirmay  Elem^r:  H'ja  de  fordul  a 
koczka.  19.  Szentirmay  Elem6r: 
No  csak  az  kellene  meg.  20.  W  a  p  p  a  u  s 
K. :    Komm'   Karline,    komm   4 —   Klokner. 

Magyar!   K.  Ne  eskiidozz  a  nagy  6gre  hiaba 
1—  Bard. 

Magyary    F.   v.   op.   30   Berliner   Madel,   Ga- 
votte, P  \—  B.  Siegel. 

-31   Deutscher  Studenten-Marsch,   P   1.80  B. 
Siegel. 

-40  Doris,   Gavotte,  P   1.25   B.   Siegel. 

Mah    Ellaline   2/ — n   Sheard. 

Mahas    Ed.    de.   Depart   des   canotiers    (Da) 
— 2U    liornenunui . 


Mahay  J.  Aspiration,  marche  de  process  2 — 

Kessels. 

-  Chant  d'6t6.  marche  de  process  2 —  Kessels. 

-  En   Velo,    galop   avec    Grelots    2 —   Kessels. 
Mahdi    Mohamed,  op.   10  Die   10  Negerlein : 

„Zehn  kleinen  Negern  fiel's  zu  schmausen 
ein",  humor,  popul.  Gesellschaftslied  — 50 
Simon. 

-  10  kleine  Negerlein,   Chor  — 25   J.  Fischer. 
Mahiet    de    la    Chesneraye,    M^dor    1— n, 

Ch.  s.  — 40  n  Bornemann. 
Mahillon    V,   Ange   Pitou,   polka   3—   Katto. 
Mahillon    V.   C.   Mathilde,   valse   3—   Katto. 
Mahl    Franz,    Composia    waltz,     0,    10    pts. 

P   —75.    14   pts.    P   —95,   FullO    1.15,    Mil. 

Band   2 —   Royal   Music   Co. 
■  Latona,  intermezzo,  0,  10  pts.  — 75,  14  pts. 

1—,   P   ace.   —20   Gagel. 
Mahlberg    Carl,    op.    5   Vier    Gesange   fur    3 

weibl.       St :     Ein     Gotteshaus.     Erwachen. 

Miirzgesang.    Jugend,      2SA    2.50,     Singst 

a  — 40  Ries  c6  Erler. 
-9  Vier  Lieder:  Nr.  1.  An  der  Weser:  „Hier 

hab'  ich  so  manches  liebes  Mai"  1—.  Nr.  2. 

Friihling:   „Glanzt  auf  alien  Bliiten"   1 — . 

Nr.  3.  O  gliicklich,  wer  ein  Herz  gefundeii 

80.  Nr.  4.  Frauenminne :   „Ich  will  mich 

an    deiii    Herz   gewohnen"   — 50   Eeinrichs- 

hofcv. 

-  10   Walzer    1.20    Ries  tt-   Erler,  2 —  Ricordi. 

-  11    Ein  Kinderfest,   P,  2  Hefte  a   1.20,  das- 

selbe  in  10  Nrn.  a  —60  Ries  <C-  Erler. 

-  11   Nine  characteristic  pieces,  P :  N.  1.  Po- 

lonaise 1/—.  N.  2.  Repose  — /6.  Papillon 
— /6.  N.  4.  Allemande  — /6.  N.  5.  La  Gon- 
dola — ^/6.  N.  6.  Scherzetto  — /6.  N.  7.  La 
Campanella  — /6.  N.  8.  Follette  1/—.  N.  9. 
Festival  March  1/6  'Novella. 

-11   Una  Festa  di  Fanciulli,   10  pezzi  facili, 

p    I II   a   4 — :   N.   1.  Marcia   di   festa,   2. 

Oretta  di  ricreazione,  3.  Sul  piazzale  da 
giuochi,  4.  Polacca  festiva,  5.  Alio  Spetta- 
colo,  6.'a1  Torneo,  7.  Un  balletto  allegro, 
8.  Un  piccolo  scherzo,  9.  Campanella  della 
sera,  10.  II  ritorno  a  casa,  a  1—  Ricordi. 

-16  Fiinf  Lieder:  Nr.  1.  Sie  schlaft  —60. 
Nr.  2.  Wiegenlied  —60.  Nr.  3.  Lafit  mich 
ruh'n  —60.  Nr.  4.  Fruhling  1—.  Nr.  5. 
Ich  glaubt*  —60  Ries  cG  Erler. 

-17    Mazourka    brill.    1.50    Hainauer. 

-  19  Drei  Klavierstiicke:  1.  Lied  ohne  Worte, 

Allegretto,  2.  Fliegendes  Blattchen,  Mode- 
rato^,  3.  Erzahlung,  Andante,  a  —60 
Simon. 

-20  Nr.  1.  Mazurka,  Allegro  nou  troppo 
(D-m.)  — 60.  Nr.  2.  Walzer,  Moderato 
(As)    1 —  Simon. 

-30  Vier  Lieder:  1.  Stiindchen:  „In  dem 
Himmel  ruht  die  Erde."  2.  Wohin  mit  der 
Freud':  „Ach,  du  klar  blauer  Himmel.'' 
3  Wehmut:  „Ich  kann  wohl  manchmal 
singen."  4.  Komm'  mit:  „Es  zwitschert 
ein  Voglein,  komm'  mit!"   1.80  Hainauer. 

-  35   Nr.    1.   Gebt   mir   vom   Becher   nur   den 

Schaum,  2.  Die  Tage  der  Rosen:  „Noch 
ist  die  bluhende  goldene  Zeit",  3.  O,  wenn 
es  doch  immer  so  bliebe:  „Gelb  rollt  mir 
zu  Fiifien",  a  —20  RilMe  d  Wendling. 


Mahlberg  C.  op.  4U 


—     74 


Mahnecke  R.  Der  bose  Theodor 


-40  Consolation,  HP  1.50  Simon. 

-41   Fantasiestiick,  Duo,  HP  2—  Simon. 

-  Gondola :    „Unter    schwellendem    Segel",    P 

1 —  Apollo. 
-2   Lieder:    1.   Wenn   der    Friihling   auf   die 

Berge    steigt    1.20.    Nr.    2.    Heimat,    siifie 

Heimat   1 —   Offhaus. 
Mahlemberg    Carl,    Swedish   Dance,    P   2/ — 

Ascherberg. 
Mahlendorff    P.    Come'tis    the    hour!    vocal 

duet  2 —  n  Ricordi. 
Mahler  A.  Jeux  d'oiseaux,  pifece  de  concert, 

P   1.50    Breitkopf,   3—   Ricordi. 
Mahler    Carl,    Alethia,    valse    de   salon    3/ — 

Ashdoitm. 

-  Auld    Edinboro'   March   3/ —   Whittingham. 

-  Bridge,   valse  4/ —  Leonard. 

-  Castalia,  valse  de  salon  3/ —  Ashdown. 
-Fayette,  P  3/ —  Ascherberg. 

-  Honfleur,    redowa    1/6    Ascherberg. 

-  Isaline   Valsette,   P   3/ —   Moore. 

-  Joyful   Peasant    (Schumann),      P     3/ — 

Cary. 

-  Lied  ohne  Worte,  P  3/—  Ashdown. 

-  Mariette,  P  3/ — ,  .^ms  1/6  n  Ascherberg. 

-  Napolitana,   quadrille   4/ —   Reeks. 

-  Old   Chelsea   March   — /2   Broome. 

-  Old  London  march  3/—,  J,ms  4/—,  VP  3/— 

Ashdown. 

-  Old    Windsor,    grand    march     3/ —    Agate, 

Chappell,    MandP    with    2nd  Mand    et    G 
ace.    (A  1  b  a  u  Booth)   4/ —  Agate. 
-Pilgrim's   Rest    (Melody),   P   3/—   Cary. 

-  Risetta,  valse  3/ —  Ascherberg. 

-  Serenade,  P  3/ —  Ashdown. 

-  Spring  dawn  — ^/9,  P   1/6  Ascherberg. 

-  Stay   il   out,   galop  4/ —  Leonard. 

-  Sunshine,   redowa    1/6  Ascherberg. 

-  Undine,  valse  de  salon  3/ —  Ascherberg. 

-  Volkslieder-Quadr.  4/ —  Leonard. 

Mahler  Gustav  (1860),  Blicke  mir  nicht  in 
die  Lieder,  Lied  m.  PfOJ,  0-St  3— n,  P 
1.20   TCahnt. 

-  Das    klagende    Lied,    KA    6 —  n,    0,    Part 

18 — n,   St   30— n    Un.-Ed.,   Weinberger. 

-  Des   Knaben   Wunderhorn,   Gesange   m.   O  : 

I.  Der  Schildwache  Nachtlied.  2.  Verlo- 
rene   Mlih'.   3.   Trost   im   Ungliick.   4.   Wer 

■  hat  dies  Liedlein  erdacht?  5.  Das  irdische 
Leben.  6.  Des  Antonius  von  Padua  Fisch- 
pre.digt.  7.  Rheinlegendchen.  8.  Lied  des 
Verfolgten  im  Turme.  9.  Wo  die  schonen 
Trompeten  blasen.  10.  Lob  des  hohen  Ver- 
standes.  11.  Es  sungen  drei  Engel  einen 
sufien  Gesang.  12.  Urlicht  (J.-S0I0  aus  der 

II.  Symphonic),  Ausg.  fiir  P  6 — n.  Heft 
I  (Nr.  1—4)  2— n,  II  (Nr.  5—8)  3— n, 
III    (Nr.   9—12)    2— n   Weinberger. 

-  Ich  atmet'  einen  Lindenduft,  Lied  m.  P(0), 

0-St  1.80  n,  m.  P   1.20  n  Kuhnt. 

-  Kinder-Totenlieder :    1.   Nun  will   die  Sonn' 

so  hell  aufgehn.  2.  Nun  seh'  ich  wohl, 
warum  so  dunkle  Flammen.  3.  Wenn  dein 
Miitterlein.  4.  Oft  denk'  icli,  sie  sind  nur 
ausgegangen.  5.  In  diesem  Wetter,  m.  P 
4 — ,  m.  0,  Part  9— n  Kahnt. 

-  Liebst  du  urn  Schonheit  1.20  Kahnt. 


-Lieder  eines  fahrenden  Gesellen :  1.  Wenn 
mein  Schatz  Hochzeit  macht.  2.  Ging  heut' 
Morgen  iibers  Feld.  3.  Teh  hab'  ein  glil- 
hend'  Messer.  4.  Die  zwei  blauen  Augen 
3 —  Un.-Ed.,  3 —  n  Weinberger,  m.  0,  Part 
7.50  n   Weinberger. 

-  0  Mensch  1   Gib  acht,  J.-S0I0  m.  P  aus  der 

3.   Symphonic   1.20  n   Weinberger. 

-Eevelge,  Lied,  m.  P(OJ,  0-St  9— n,  mit  P 
2 —   Kahnt. 

-Symphonien,  0 :  Nr.  1.  (D),  Part  6—  Un.- 
Ed.,  30 —  n,  St  38 —  n  Weinberger,  Ifms 
7.50  Un.-Ed.  Nr.  2.  (C-m.),  Part  6—  Un.- 
Ed.,  36 — n,  St  45 — n  Weinberger,  4ms 
7.50  Un.-Ed.  Nr.  3.  (D-m.),  Part  6—  Un.- 
Ed.,  40 —  n,  St  60 —  n  Weinberger,  Jtms 
7.50  Un.-Ed.,  10—  Weinberger,  A-Solo, 
Jfms  1.20  Weinberger.  Nr.  4.  (G),  Part 
36—,  St  36—,  Itms  9.60  Doblinger,  Part 
8»  6—  Un.-Ed.  Nr.  5.  (Es),  Part  45— n, 
8"  6—  n,  St  60—  n  Kahnt,  Ifms  9—  Peters. 
Nr.  6.  Part  6— n,  St  60— n,  ^ms  12— n 
Kahnt. 

-Tambourg'sell,  m.  P(0),  0-St  3— n  Kahnt. 

-  Wir    geniefien    die    himmlischen    Freuden, 

S-Solo  aus  der  4.  Symph.  2 — n  Doblinger. 
Mahler  John  A.  The  Yorke    (The  Last  New 

Dance  &  Society  Craze)    — /2   Sheard. 
Mahler    Robert.    Bosworth:    Op.    4     Schla- 

gende  Herzen,  SATB  m.  P  1.80  n. 
-5  Der  Goldschmied,  SATB  m.  P  2.10  n. 
-6  Quatre  Pieces,  P :  N.  1.  Preludium   1.50. 

N.    2.    Au    Printemps    1.80.    N.    3.    A    la 

Valse   1.50.    N.   4.    Caprice    1.50. 
-7  Albumblatt  und   Serenata,   VP  &  1.50. 

-  12   Parzifal,   SATB  m.   P,  KA  2—,   Chorst 

1.20. 

-5  Lieder:  1.  Der  jungen  Hexe  Lied.  2.  Kin- 
derlied.  3.  Lied  des  SchiffermJidels.  4. 
Tauzlied,  5.  Lied  des  Einsamen,  a   I — . 

Mahling  G.  Albrecht-Kohurg:  Op.  8  Er- 
iunerung:  „So  einsam  ist  es  um  mich 
her".  Op.  9.  Liebesgroll :  „Du  grollest  und 
schmollest"   1.25. 

-10  Unvergessen :  „Dich,  meine  Eos',  will 
ich  am  Herzen  tragen".  Op.  11.  Mein  teu- 
res  Miitterlein:  „D'rum  lieb  ich  heifi  mein 
teuerstes  Miitterlein"   1.25. 

-12  Was  di  Liab  is!:  „D'Liab  is  a  Eauba" 
1—. 

Mahllig  Ricardo,  Duet,  2VcP  2/— n  Wool- 
house. 

-  Her  voice  4/ —  Chappell. 

-  Quartet,   P2VVc   2/—  n   Woolhouse. 

-  Best,  SATB  8°  — /2  Novello. 

-  Sing   hey !    for   May   blossoms,    SATB   — 12 

Ashdoivn. 

-  Sleep,    darling    baby    mine,    SATB    8"    — /3 

Novello. 

-  Soft  Summer's  Eve,  SCa  — /8  n  Woolhouse. 

-  Sunlit   Hills,   P   2/ —   Ascherberg. 

-  Young   Cupid,    SCa  — /8  n    Woolhouse. 
Mahnecke    Richard,    op.    185    Madel,    nimm 

dich  in  acht,  Walzerlied   1.20  Lo»i-Berlin. 

-  Das  ist  noch  nicht  erfunden  und  doch  liegt 

es   so    nah' !  :      „Der    Automat   gibt    alles"', 
Couplet   1 —   Uhse. 
-Der  bose  Tlicodor,  C'ouplel    1.50  P.  Fischer. 


Mahnecke  R.  Der  vierstoekige  Hauswirt      —    75    — 


Maibach  F.  op.  4 


-  Der      vierstoekige      Hauswirt :      „Schon'res 

gibt  es  nicht  auf  Erden",  Soloszene  m.  P 
1.50   Wise. 

-  Es   war   so   srhon,    ich    wollt',    ich    triiumte 

noch:  ,,Tch  traumte  jiingst"  1.50  P.Fischer. 

-  Konditor    Siifiniilch :     „Auf     dieser    ganzen 

weiten   Welt",  Soloszene   1.50   Uhse. 

-  Lafi  rinnen  die  Triinen,  lafi  rinnen:   „Mut- 

terlein  sprach  einst:  Bist  du  betriibt"  1.20 
P,  Fischer. 

-  Mfidel,  Mjldel,  nimm  dich  in  Aoht,  Walzer- 

lied   1.20,  0   1.50  n,  Par.  Bes.   1.20  n  Loth- 
Berlin. 

-  Menuett-Walzer   — 20  n    Kaiin. 

-  Reden   ist   Silber   und   Schweigen   ist   Gold, 

Duett  m.  P  1.50  TJhse. 

-  Sobmetterlingsjager :      „Wie     ich     ausseh' ! 

Nicht   zum   sagen",   Soloszene   m.    P     1.50 
Uhse. 
-Ticke,   ticke,   ticke  tack   1.50   P.  Fischer. 

Mahomed  F.    Tambourine  Dance,  P  3/ —  Gary. 

Mahomet   — 30  n   Jouhert. 

Mahoney,  Beneath  the  Cross,   2  keys  2/ —  u 

Weekes. 
Mahoudeau    F.    Legouix:    Avez-vous   vu    raa 

bien-aimee  2.50. 
-Billet    de    logement,    op6rette    5 —  n. 

-  Bords   de   I'Aigre    (troisi^me   petite   fantai 

sie  concertante),  PV  6 — . 

-  Calme  2.50. 

-  Esp^rance  2.50. 

-  Fiorellina    (premiere    petite    fantaisie    con- 

certante), PV  6—. 

-  Grisons-nous,    chant    a 

av.    G    —40  n,    Ch.  s. 
Gh.  s.  — 50  n   Labhe. 

-  Mes  cheveux  gris,   Gh. 

-  Modules  2.50. 

-  Nom   de   Beranger   2.50,   Gh, 
-Petite  fleur  2.50. 

-  Priniavera    (deuxi&me   petite  fantaisie  con- 

certante), PV  6 — . 

-  Remede    universel    1 —  n    Labhe. 

-  Retour   du  printemps  2.50. 

-  Souvenirs  de  Bordeaux    (quadr. 

-  Trois  Soeurs,   trois   valses,   PV 

2.  No^mi.     3.  Yenancia,  a  6 — . 

-  Voix    interieure    3 — . 

-  Vous  seriez  beaucoup  plus  jolie  2.50. 
Mahr    A.      Waffenbriider-Galopp    — 80,    und 

B  i  1  s  e    B.,    op.    29.    Silesia-Polka,    0    8.30 

Bote. 
Mahr  Anton.  Hoffmann:  Op.  64  Schlaraffia- 

Quadrille  1.20. 
-65   Gisela-Quadrille   1.20. 
-82    Zur   Erinnerung,    Polka-Mazurka   — 80. 

-  Blitz-Galopp  — 50. 

Mahr  E.  Parsifal,  von  R.  Wagner,  Char- 
freitagszauber-Paraphrase,    y    m.    P    1.75 

Mahr  Gustav,  op.  10  Revanche,  Polka  fr. 
1 —  n  Ricordi. 

-  12    Es    war    eiumal !    Liliputanische    Schar- 

wache,     2    Klavierstucke    1 — ,     Sfr-Quart. 
— 50  n  Granz. 

-  Fenner-Jager-Marsch,   mO  2.40  Eberle. 

-  Havthorne-Marsch,    P(^ms)     1.80,    V    —90, 

PV   1.80,   0  2—  Blaha. 
-Hoch  Tirol,  Marsch,  blil  2—.  0  3—  Blaha. 


1  ou    2  voix    I —  n, 
— 20n,    2Bar    1— n. 


1- 


1- 


PV  4.50. 
1.   Anna, 


-Kaisertreu,  Marsch   1.50,  Jfins  2.20  Kramer. 

-  Karnevals-Depesche,   Polka   1.50   Kramer. 
-Lustig  herum!  Polka  fr.  1.50,  0  S. 60  Eberle. 

-  Lustiges    Feuilleton,    Walzer    2.40,    0    3.60, 

kl.   0  2.16   Eberle. 

-  Ma   Passion,    Polka   — 20  n    Gebethner. 
-Revanche,    Polka     fr.    1—,     stO(mO)    2~  n 

Rohitschek. 

-  Spielmann's    Abschied,     Konzertstiick,     VP 

2— n,  V  m.  Sfr-Quintett  3 —  Eberle. 
Mahr   Johann,   op.   25   Aus'n   Karntnerland, 

Polka-Mazurka   1.25  Porges. 
Mahr   Joseph,   op.   20   Variationen:    1.   Gott 

erhalte  Franz  den  Kaiser.     2.  An  Alexis, 

vom  Himmel.  3.  Reich  mir  die  Hand,  aus : 

Don  Juan,  Fl  a  — 50,  FIP  h  1 —  Leuckart. 
Mahr  Robert,  Praktische  Tonleiter-  und  La- 

geniibungen,  V  6 —  n  Dr.  Stern. 
Mahr   Th.    Repertoirnummern :      1.    Im   Au- 

fang,  in  der  Mitten,  geg'n  d'Letzt  u.  zum 

Schlug.     2.  Klinkerle,  Klankerle,  Bimber- 

libim,  a  1.50  Blaha. 
Mahr   Th.    M.      Das   Gebet   der   Sennerin,   Z 

— 90   Kriimcr. 

-  Myrten-Striiufichen,  Walzer,  Z  1 —  Kramer. 
Mahrhold  F.  op.  3  Siegesmarsch  — 75  Junne. 
Mahy-lmhaus,      Antsirane,    valse    lente,      P 

1.75  n   Petit  aine. 

-  Printemps,  valse  lente,  P  1 —  n  Petit  aine. 

-  Tita,   polka   1 —  n   Petit  aine. 

Mahy  Th.  Jour  de  bonlieur,  morceau  caract. 

P  5—  Katto. 
Mai    H.    op.   48      Zwei   Lieder   im   Volkston, 

TTBB:     Nr.    1.   Treuer   Tod:    ,,Der   Ritter 

mufi    ?um    blut'gen     Kampf    hinaus"    1 — . 

Nr.   2.  Blau  Veilchen :    „In  einem  Tal   am 

klaren   Bach"   1 —  Nans. 
Mai  Julius,  op.  6  Drei  Lieder:  Blick  in  den 

Strom.   Ach   warst   du   mein !    So   hast   du 

ganz  und  gar  vergessen  2—  Ries  <6  Erler. 
-Abends,  wenn  die  Sterne  funkeln  1.20  Ries 

&  Erler. 

-  Ballett  in  Scherzoform  1.20  Germann. 

-  Erste  Gavotte   1 —  Germann. 

-3  Lieder  fur  MS(Bar)P:  Nr.  1.  An  die 
Geliebte  1 — .  Nr.  2.  Es  war  ein  alter  Ko- 
nig  1 — .  Nr.  3.  Wenn  ich  in  deine  Augen 
seh'  — 80  Germann. 

Mai   fleur!    1 — n   Jouhert. 

Mai   ou   Bebe  ou   Salon   1 — n  Joubert. 

Maia  J.  Flores  mimosas,  quadr.  1.50  Gui- 
7naraes. 

-  Queridinha,    quadr.    1.50    Guimara.es. 

-  Roda  Tito,  hab.   1 —  Guimaraes. 

Maia   J.    A.    Paraiso,   polka    1 —   Guimara.es. 
Maia  J.  A.  C.  Augusta,  schott.   1 —  Guiina- 

raes. 
Maia  J.  S.  Thalia,  polka  1 —  Guimara.es. 

Maiano  A.  Bionda  Diva,  polka,  premiata 
con  Diploma  d'onore,  2MandG  — 15  n  II 
Concerto. 

-  Mute  Voci,  polka,   2MandG  —15  n   II  Con- 

certo. 

-  Reconnaissance,    polka,    2MandG    — 15  n    II 

Concerto. 
Maibach   Franz,  op.  4  Nr.  1.  Lied  der  Eid- 
genossen:    „Wir    sind     der    Freiheit     Eid- 
genossen",   TTBB,   Part   8°  — 20  n   Hug. 


Maican   Valsul  de  an 


7H     — 


Maier  A.  oj>.  8Q 


Maican,  Valsul  de  au,  valse  — 30  Magasinul 

Conservatoriului. 
MaTcan  J.  C.  Adieu   1—  n  Alleton. 

-  Beaut6  2 —  n  Demets. 

-  Ida-polka    4 —   Mcniget. 

-  Libellule,  P  6 —  Mauget. 

-  Lorsque   le   printemps    1 —  n   Alleton. 

-  My  sunflower,  maz.  japon.  2 —  n  Hachette. 
-Pourquoi?   1 — n  Alleton. 

-  Quartier   latin,   marche   1.50  n   Alleton. 

-  Sous   les   Acacias,   valse    1.75  n   Alleton. 

Maid   in  the  Moon,  the,  2/ — n  Sheard. 
Maid   of  Japan  2/ — n  JReynolds. 
Maiden  will  you  go  with  me?  — /4   Sheard. 
Maids  of  Paradise,  waltz.— 30  Echo  Mus.Co. 
Maier,   Lilla   skalaboken,    P    1 —   Lundquist. 

Maier  Adolf,  ZwoH  Studien  fiir  Ob,  in  alien 
Kreuz-  u.  B-Tonarten    1.50  C.   F.  Schmidt. 

Maier    Aloys,    Liederbuch    fiir    Manner-Ver- 

eine   1 —   Maier. 
Maier  Anton,   op.  3  Sechs  Lieder,   8ATB  u. 

Org    1.80    Coppenrath. 

-  6    Missa    pro    defunctis.    TTBB    u.    Org    3— 

Coppenrath. 

-  9    Sanger-Friihling.smarsch.    TTBB    1.30    R. 

Pahst. 
-14    Drei    volkstiimliche    Lieder,    TTBB:      1. 
G'farbte  Baeken :    „Mei   Vero   hat  Backa". 
2.    I'   bi    arg   iibel    dra'.      3.    's   Mlidle    uud 
's  Heckarosle :    „t   woifi   nit"   1.50   Tonger. 

-  16  Das   Sehneeglockchen   und   Vogleins   Ab- 

schied,  TTBB  m.   T-Solo  2—  Zierfufl 

-  17    Der    verhangnisvolle    Ku6,    TTBB,    KA 

4.50,    Eegiebuch    dazu    1 —   7?.    Pahst. 
-21    Messe    Ave    Maria,    SATB    u.    Org    2.40 
Coppe^iratli. 

-  26   Nominell   und    faktisch,   siehe :    Hum  o- 

r  i  s  t  e  n,    Biegel. 

-  28  Eine  sonderbare  Landpartie,  3  Manner- 

st  m.  P  3 —  Siegel. 

-  29   Mailied   aus   dem   „Tronipeter   von   Sak- 

kingen",  von  J.  V.  v.  S  c  h  e  f  f  e  1 :  „Es 
kommt  ein  wundersamer  Knab"'.  S(T) 
1.20,  MS(Bar)    1.20  Bug. 

-  30    Der    Orden    oder    Theorie    und    Fraxi.s, 

humoristisches  Terzett  fiir  3  Miinnerst  m. 
P,  KA   3—,   St   1.50  Hug. 

-  35  Griiass'  aus'm  boarischen  Hochland,   FT 

BB:  1.  Mei'  Himmi',  2.  's  Gebet,  a  1— n. 
Nr.  3.  's  Jag'n,  m.  4  Ilornern  ad  lib.  1.20 
Siegel. 

-  38  Casars  Tod,  TTBB,  KA  7.50  R.  Pahst. 

-  40  Kaiserburg,  TTBB  m.  P,  KA  2.50,  Chor- 

st  1.60,  m.  0,  Part  4— n,  St  5— n  Siegel. 
-41    Willkommen,    TTBB   —70   Beyer. 
-43  Zwei  Lieder,  TTBB:  1.  Verloren'  Gluck. 

2.   Nichts   ohne   Liebe    1.20   Siegel. 
-4S  Drei  heit.   Gesange,   TTBB:   1.  Deutsche 

Reben,  2.  Die  ersten  Erfinder,  3.  Die  drei 

Reiche  der  Natur,  a  1 —  Siegel. 

-49  Zwei  Gesiinge  nach  Gedichteu  (Mo- 
ritz  Graf  Strachwitz):  Nr.  I. 
Wie  ein  fahrender  Ilornist  sich  ein  Land 
erblies  1.20.  Nr.  2.  So  mufs  ich  denn  gehen 
dahin  — 60  Beyer. 

-  53  Messe :  Ave  Regina  coelorum,  SATBOrg 

4.10  Klinner. 


-  54  Das   Lied  vom  Landsknecht,   TTBB  niit 

Begl.  0  od.  kl.  O,  auch  nur  der  Str-Instr 
Tr  und  des  P  oder  mit  P-Begl.  allein,  KA 
1—,  Singst  —40,  0,  Part  2—,  St  5— 
Beyer. 

-55  Zw^i  Lieder  ini  Volkston,  TTBB:  1. 
Das  goldene  Ringelein  :  „Gabst  mir  ein 
golden  Ringelein".  2.  Das  weifie  Kleid :  „In 
ihrem  Stiibchen  innen",  k  — 70  Kistner. 

-56  Zwei  Gesange,  TTBB:  Nr.  1.  Das  Elfen- 
rofi :  „Es  hat  eine  Dam'  einen  Renner 
flink"  2— .  Nr.  2.  Altdeutsches  Tanzlied : 
..Wohlauf,  der  kalte  Winter  ist  vergan- 
gen",  nach  Neidhard  von  Reuen- 
tal    (urn   1220)    1—  Kistner. 

-  57    und    58     A    Btischei    Edelweifi,     8    fideL- 

\olkstiimliche  Gesange,  in  altbayerischer 
Mundart,  TTBB:  Op.  57.  Nr.  1.  Jageriseh  : 
„Und  a  jagerisch's  Leb'n".  2.  Wild- 
schiitzen-Kirda :  ,,Juchhe!  heunt  is 
Kirda".  3.  's  Gretei:  „Bin'.s  Gretei  von 
der  Au".  4.  Lustige  Buab'n :  „Und  d'Re- 
sel  und  d'Lene".  Op.  58.  Nr.  1.  Auf  der 
Schneid:  ,,Und  i  bin  scho'  so  lusti".  2  Im 
Wald  umanand' :  „Und  oft  birsch  i  im 
Berg".  3.  All's  probier'n :  „Bin  a  lebfri- 
scher  Bua".  4.  tJber's  Feld :  ,.Und  oft 
gehn   i  am  Eoa",  a  1 —  Kistner. 

-  63    Liebliche    Geschwister,   4    Tonbilder,    1' : 

Nr.  1.  Friihling  —80.  Nr.  2.  Sommer  —80. 
Nr.  3.  Herbst  —60.  Nr.  4.  Winter  —8(1 
Beyer. 

-  66  Weihnacht   im  Walde,  ein   Festspiel  fiir 

die  niusikalische  Jiigend,  Soli,  Kinder- 
chor  und  P,  KA  3.50,  Solost  2—.  Chorst 
a  — 40   Vieiveg. 

-  69    Des    Kindes   Weihnachten    in    Sang    und 

Klang,  10  Jugendlieder  fiir  1-  oder  2st. 
Gesang  m.   P    1.20   Beyer. 

-  78  Drei  Lieder,  TTBB:  1.  Der  sauere  Wein  :' 

„Frau  Wirtin  hat  so  sauern  Wein".  2. 
Neckerei :  ,,Sclileicht  ein  junger  Bursch 
diiher".  3.  Miigdlein  hab'  acht:  „Horst 
(lu  dcu  Finkenschlag  draufien  im  Hain", 
Part  —80,  St  zu  Nr.  1,  2,  3  (a  —10)  a 
— 40  Vieioeg. 
-80  Olto  von  Wittelsbach,  SATB(TTBB)  m. 
0(P),  KA  3.50,  Chorst  1.60,  0-St  13.50 
Vieweg. 

-  81   Ecce  sacerdos  magnus,  TTBBOrg  u.  hlAf 

1.70   Coppenrath. 
-82    Drei    volkstumliche   Lieder,    TTBB:      1. 

Vino    semper    gloria:    „Die    Sonne    sank". 

2.    Wilde   Rose :    , , Wilde    Ros'    am    Berges- 

hang".     3.  's  Lercherl :  „Auf'm  Feld  draufi 

das    Lercherl"    1.60    Coppenrath. 
-83    Nr.    1.    Friihling:       „Die    Fluren    rings 

giiin"  — 60.  Nr.  2.  Der  Weihnachtsmann : 

,,Wer     geht     durch     den     weifien    Winter- 

tann?"    1.20    Musikwoche. 
-84  Nr.   1.  Weihnacht;   „Die  Flocken  rieseln 

weit  und  breit",  f.  1  Singst  m.  PfE)  —60 

M^^sihwoche. 
-85  Drei  Lieder,  TTBB:      1.  's  Sternerl.     2. 

Unterm  Lindenbaum.     3.  Roselchen,  Jl  1.20 

Spitzner. 

-  86    Des    Sangers    Traum    Erfullung,    TTBB 

m.  OfP),  KA  2.50  n,  St  1.20  n  Uofmeisler. 


Maier  A.  op.  S] 


—     77     — 


Maier  J.  Deutsche   Volkslieder 


-  87    Weihnachtsfestspiel,    melodramai.     Pro- 

log m.  Gesang  (Solo  und  Kinderehor) , 
Rpigen  und  lebenden  Bildern,  Part  3 — ■, 
Siugst  — 30,  V  — 20  Coppevrath. 
-95  Sechs  Lieder  im  Volkston,  TTBB:  Nr. 
1.  Hab'  Sonne  im  Herzen  — 74.  Nr.  2.  Du 
schone  Nacht  — 84.  Nr.  3.  Vorbeimarscli 
— 84.  Nr.  4.  Sonniger  Morgen  1.40.  Nr.  5. 
()  Jugendtraum  — 84.  Nr.  6.  JubiUUuns- 
grufi  — 84  Coppenrath. 

-  97    Christrose,    Weihnacht-sfestspiel    ni.    (le- 

sang  und  Reigen,  Part  2.50,  2  Chorst  a 
—40,  2  Solo.?t  a  —30  Coppenrath. 
-102  a  Weihnacht:  „Weihnaeht,  Weihnacht! 
klingt's  und  singt'.s",  Kinderreigen,  eine 
Singst  ni.  /*  — 80  Nilrnberger  Zentral- 
VAtherachulf. 

-  Im    Walde,    TTBB   —20    Uug. 

-  Normania  sei's  Pauier,  Marsch  1 —  Zierfu/s. 
-Time    of    Koses     (Zur    Rosenzeit),    6    songs, 

//(.   —80    Wood. 

Maier  E.   Je  t'aimerai  toujours   1 — n,   <'h..y. 

— 30n    Lohbe.. 
Maier   F.    I'm   with   thee   now,   T  — 50    Brai- 

rtnrd. 
Maier  J.  Hug:  Op.  16  Abendstandcheii  —60, 

TTBB   1.20. 
18   Heiteres   Lieder-Potp.    TTBB    3.20. 

-  21  Gerstensack-Marsch  —60.  Harm(O)  1.50. 

-  22   Der   hartgesott'ne   Junggesell'   od.   'rum 

ist  'rum,  Marsch  — 60,  Harm  2 — ,  0,  Part 
2—,  St   3—. 

-  23    Schnaps-Monopol-IMarsch    — 60,    O,    Part 

2—,  St  3—. 

-  24  Plapperdraht-Marsch  —60,  0  2—,  St  3—. 
Maier  J.  B.  op.  10  Musikalische  Schnurreu  : 

Heft  I:  Heitere  u.  komii^che  Lieder:  1. 
Die  Komplimente  (Ein  jeder  macht  sein 
Kompliment)  :  „Wir  reden  von  Leibeigen- 
schaft",  2.  Die  Historia  vom  Kufi:  „Herr 
Vdam   lag   im   Paradies",   a    1 —  Cohen. 

-11  Zwei  FastnacMsscherze,  Solo  u.  TTBB 
m.  P :  1 .  Die  rote  Nase :  „Setzt  euch  zu 
mir  urn's  Fa6  heruni",  m.  B-Solo.  2.  Die 
Nfasen :  „Nasen!  Nasen !  Nasen !  Grobe, 
kleine,  dieke,  diinne",  m.  Bar-Solo  3.10 
Cohen;  Nr.  2.  TTBB  1.20  Bohm. 

-15  Zwei  Lieder,  TTBB:  1.  Die  Lieb'  ist 
mehr.  2.   Lob  des  Ge.sanges    1.60  Germann. 

-20  SSngers  Jleimat:  „Wo  ist  des  Sanger.s 
Vaterland"  1—  Cohen.  TTBB  1.60  Ger- 
mann. 

-  Musikalisclie  Sehnurren,  TTBB:   Nr.   1.   Die 

Komplimente  1.10.  Nr.  2.  Die  Historia 
\  om  Kufi:  ,,Herr  Adam  lag  im  Paradies" 
i.lO    GennaiiH. 

Maier  Jul.  Brvitkopf :  Op.  2  Seehs  Gesange, 
XATB  3 — :  Nr.  I.  Kinderwache :  „Wenn 
fromme  Kindlein.'"  2.  Die  beiden  Griiber : 
,,ln  der  Marienkirche."  3.  Friihlingshauch. 
..Die  Sonn'  hebt  an."  4.  Absehied  vom 
Walde :  „Ade,  du  liebes  Waldesgriin."  5. 
Die  Gesc-hwister :  „Es  spielt  ein  Brudei." 
6.  Nachtlied :  ,,Der  Mond  kommt  .still." 
Nr.  1    1.05. 

-5  Sechs  Gesange,  8ATB  3.50:  Nr.  1.  Frilh- 
lingsglaube:  „Die  linden  Liifte."  2.  Der 
Friihling  ist  da :  „Juchheisa  trara."  3.   Die 


Mutter  im  Grabe:  „Es  schlummert  die 
Mutter  im  Grabe  still."  4.  Trost:  „Es 
wandelt  was  wir  sehauen."  5.  Die  Ka- 
pelle :  ,,Droben  stehet  die  Kapelle."  6.  Die 
heiligen  Orte :  „Heilig  sei  dir  jede  Stelle." 
Nr.  3   1.05. 

-6  Vier  Motetten  (Oflfertorien),  8ATB  2—: 
Nr.  1.  Domine  in  auxilium.  2.  De  pro- 
fnndis  clamavi.  3.  Populum  humilem.  4. 
Jubilate   Deo. 

-S  Vierstimmige  Lieder,  HATB  2.50:  Nr.  1. 
Jung  Nielas  fuhr  auf's  Meer.  2.  Ach  Els- 
lein,  liebes  Elslein.  3.  Friihling  ohn'  Ende : 
,,Nun  brechen  aller  Enden."  4.  Wenn  zwei 
geschieden  sind. 

-9  Sechs  Marienlieder,  8SA  2.50:  Nr.  I. 
Wie  eine  Blume  sieh  kehret.  2.  Der  Mai 
ist  gekommen.  3.  Wir  schmiicken  dir  dein 
golden  Haar.  4.  Zum  Walde,  ach !  zum 
Walde.  5.  Pilgerlied:  „Wir  ziehen  zur 
Mutter."   6.  Maria,  siifie  Konigin! 

-10  Sechs  Marienlieder,  8ATB  2.20:  Nr.  1. 
Die  Hoffnung  sank.  2.  Maria,  Himmels- 
konigin !  3.  Es  bliiht  der  Blumen  eine.  4. 
Die  Nachtigallen  singen.  5.  In  dem  Garten 
fern    die    Welt.      6.    Maria,    vielliebe    du ! 

-  11    Auslandische  Volkslieder,  Heft  I,  8ATB 

2.20:  Nr.  1.  Wie  kann  ich  frisch  und  mun- 
ter  sein  (Schottisch).  2.  Tu'  mir  nicht  .so 
gar  unwissend !  (Italienisch).  3.  Klein 
Hilla  sitzet  (Schwedisch) .  4.  Morgens  ging 
der  Bursche  (Wendiscli).  5.  Ich  legt'  mein 
Haupt  (Danisch).  6.  Wenn  auch  Madchen ' 
(Bolimisch).  7.  Noch  denk'  ich,  dafi  ein- 
mal  (Irisch).  8.  Sonntags  Morgens  (Bre- 
tagniscb) . 

-  12  Auslandische  Volkslieder,  Heft  II,  8ATB 

2.20:  Nr.  1.  Mit  Sorgen  jeder  Tag  fing  an 
(Schottisch).  2.  Da  ich  zuriick  kam  (Li- 
tauisch).  3.  Zu  Bannalek  am  hellen  Tag 
(Bretagnisch) .  4.  O  nehmt  euch  in  acht 
(Irisch).   5.   0!    Gott  verhiite    (Litauisch). 

6.  Die   Jungfrau  safi  im  Saale    (Danisch). 

7.  Die  Jungfrau  safi  im  Hochgemach 
(Schwedisch).  8.  tch  habe  dicli  geliebct 
(Wendisch). 

-  Deutsche   Volkslieder,  8ATB,  I— II   a  2.20 : 

I:  Nr.  1.  Es  steht  ein  Baum  (allgemeinK 
2.  Es  waren  zwei  Konigskinder  (allge- 
mein).  3.  War'  ich  ein  wilder  Falke  (all- 
gemein).  4.  Schatz,  wo  fehlt  es  dir 
(Schwarzwald).  5.  O  Tannenbaum  (allge- 
mcin).  6.  Schatzlein,  was  machst  du  (all- 
i^emein).  7.  Das  Magdlein  im  Baumgarten 
ging.  8.  Wie  frohlich  wollt'  ich  sein 
(Schwarzwald).  9.  Nachtigall,  ich  hor' 
(Schwarzwald)  ;   Nr.    1   u.  5   a   1.05. 

II:  Nr.  1.  Ich  hab'  die  Nacht  getraumet 
(Norddeutsch).  2.  Maria,  teures  Bild 
(Schwarzwald).  3.  Das  Lieben  macht  grofi' 
Freud'  (Siiddeutsch) .  4.  Dort  droben  in 
jenem  Tale  (allgemein).  5.  Gang  i  ans 
Brunnele  (Schwarzwald).  6.  Sch  wester  lei  n, 
Schwesterlein  (Niederrhein).  7.  Griin's 
Hausle,  rot's  Dachle  (Schwarzwald).  8. 
Die  Vogelein,  sie  sangen  (Niederrhein). 
9.  Dort  oben,  dort  oben  (Schwarzwald)  ; 
Nr.  3,  5,  8  a   1.05. 


Maier  J.  Klassische  Kirchenwerke 


78 


Mailfait  H.  Amour  et  sapin 


Klassische  Kirchenwerke  alter  Meister, 
TTBB,  Heft  1—3  a  3.80  Simrock:  I: 
Nr.  1.  Aus  den  Responsorien  von  P  a  1  e- 
s  t  r  i  n  a  :  ,,Ecce,  quo  mode."  2.  Aus  einem 
Miserere  von  Orlando  Lasso:  „Mise- 
rere  mei,  Deus."  3.  Exaudi  nos  v.  G.  M. 
>f  a  n  i  n  i.  4.  Aus  den  Responsorien  von 
Palestrina:    „Omne   amici." 

II :  Nr.  5.  Et  incarnatus,  von  J  o  s  q  u  i  n 
<1  e  P  r  fe  s.  6.  Adoramus  te,  von  P  a  1  e- 
s  t  r  i  n  a.  7.  Aus  einem  Requiem  von  F  e- 
lice  Anerio:  „Benedictus,  qui  venit." 
8.  Aus  einem  Requiem  von  Felice  Ane- 
rio: „Lux  perpetua  luce."  9.  Aus  einem 
Requiem  von  Felice  Anerio:  „Sauc- 
tus."  10.  Aus  einem  Requiem  von  Felice 
Anerio:  „Ingemisco  tomquam."  11.  0 
tone  Jesu,  von  Palestrina.  12.  Im- 
properia  fiir  den  Karfreitag  von  Ber- 
nabei  (zu  2  Choren)  :  „Popule  mens." 
13.  Aus  einem  Magnificat  von  Orlando 
Lasso:  „Esurientes  implevit."  14.  Aus 
einem  Magnificat  von  OrlandoLasso: 
„Sic  ut  locutus  est."  15.  Aus  einem  Ma- 
gnificat von  Orlando  Lasso:  „Sic  ut 
locutus  est."  16.  Aus  der  Messe  „Beata 
virgine"  von  Palestrina:  „Et  in  spi- 
ritum." 

Ill:  Nr.  17.  Aus  den  Responsorien  von 
Palestrina:  „Eram  quasi  agnus."  18. 
Salve  regina,  von  B  e  r  n  a  b  e  i.  19.  Aus 
der  Messe  „Assumta  est"  von  Pale- 
strina: „Christe  eleison."  20.  Aus  dem 
I.  Bufipsalm  von  Orlando  Lasso: 
„Exaudivit  Dominus."  21.  Aus  dem  III. 
Bufipsalm  von  Orlando  Lasso:  „Af- 
flictus  sum."  22.  Aus  dem  IV.  Bufipsalm 
von  Orlando  Lasso:  „Ecce  enim  in." 
23.  Aus  dem  V.  Bufiplam  von  Orlando 
Lasso:  „Ne  revoces  me."  24.  Aus  dem 
v.  Bufipsalm  von  Orlando  Lasso: 
„Quia  defecerunt."  25.  Aus  dem  VII.  Bufi- 
psalm von  Orlando  Lasso:  „Spiritus 
tuus  bonus."  26.  Motette  von  Paolo 
Agostini:  „0  bone  Jesu!"  27.  Chri- 
stus    factus    est,    von    Felice    Anerio. 


G    — 40n.    Ch.    s. 


fur 
(zu 


den    Karfreitag,    von 


2    Choren)  :    „Popule 


Erinueruug 


an     Steiermark, 


DiskZ 


90     Iia- 


28.    Improperia 
Palestrina 
mens." 
Maier    Max, 

Idylle,  Z,     Hoenes. 

-  Friihlingsgrufi,    Reverie, 

hatek. 

-  3    leichte    Vortragsstiicke : 

2.    An   mein    Liebchen.    3. 
Mazurka,   Z    1 —   Iloenes. 
Maignand  H.  A  bas  les  taches,  av 
Ch.  s.  — 40n  Lalbe. 

-  Amoureux  de  Falaise    (parl6)    1 — n, 

— 40  n   Bornemann. 

-  Astronome     du    Pont-Neuf   '  1 —  n, 

— 80  n   Bornemann. 

-  Bains    a    quat'    sous    1 —  n,      Ch 

Labhe. 

-  Bapteme  de  mon  Fieu    (parle)    1 —  n,  Ch 

— 40  n   Bornemann. 

-  Batteur   tn   grange   1 — n   Maryueritut. 


1.    Abendruhe. 
Blaue    Auglein, 


G  —60  n, 


Ch. 


Ch.    s. 


s.    — 20n 


s. 


av.  G  — 40n, 
— iO  n  Borne- 
Ch.    s.    — 20n 


av.    G   —40  n    Lalbe. 

I 

1— n,    av.    G    — 40n 

1 

s.  1 —  Cartereau. 

—  n,      Ch.    s.    — 80n 

1— n,   Ch.  s.  — 40u 

, 

Labbe. 

J 

—  n,   av.    G   — 40  n 

n   Labb4. 
(parle)    1 — n,  Ch. 


•  Casseur    d'assiettes,    av. 

— 25  n  Labbe. 

-  Chopinot    le    flaneur    1 — n, 

Ch.  s.  —20  n   Labbe. 

-  Creme  des  Titis  1 — n,  Ch.  s. 

mann. 
■  Eau    Nigritablutante    1—  n, 
Labbe. 

-  Gargon  Spicier   1 —  n,   av. 

-  Guerre    aux    trottoirs 

Luhbe. 

-  Homoeopathie  3 — ,  Ch. 

-  Palmyre    et    Castor    1- 

Bornemann. 

•  Qui  veut  voir  la  lune 

&  — 80  n   Bornemann. 

-  Tetes   de  plat  re   1 — n 

-  Troi    heures   de   queue    1 —  n    Ch.   s.   — 80  n 

Bornemann. 

-  Un    Drole   d'agrSmeut    1- 

Labbe. 

-  Une   Marocoquinerie   1 — 

-  Une  Revue  de  Beaulieue 

.S-.    — 40  n    Bornemann. 
Maignand   H.  et   Lefevre,  Homme  de  plume 

1 — n,  av.  G  — 40  n  Labbe. 
Maignien   A.  C'est  le  chat,  choeur  a  2  voix 

ad  lib.  — 50  n  Base. 
Maignien    E.   Appel   sous  les   eaux    (B  o  u  r- 

g  a  u  1 1- D  u  c  o  u  d  r  a  y).   Ha    1.75  n   Joii 

bert. 
Maignien    F.      Recueil    de    traits    homopho- 

niques    glisses,    on    „glissando"     pour    Ha, 

classes    harmoniquement    par    tonalites    et 

modalitSs,    suivi    d'un    rSsumS    d'exercices 

et  du  trait  final  de  ,,La  Walkyrie"   6 —  n 

L'Anieur. 
Maignien    G.    Evette:    Charlotte,    schottisch, 

Ilarm(Fanf),    Part    3 — u,    p.    s.    a   — 10  n. 

-  Frileuse,  maz.   Uarm(Fanf).  Part  3 — n,  p. 

s.  a  —10  n. 

-  Myosotis,    maz.    Uarm(Fanf),     Part    3 —  u, 

p.  s.  a  — 10  n. 

-  Printemps  -  Gavotte,       narm(Fanf),      Part 

3 —  n,   p.  s.   a   — 10  n. 

-  Souvenir,   valse,   mO   4.50  n. 

-  Valmy,   pas   red.   Earm(Fanf)    3 — n. 
Maignon    E.   T.   Scherzo-Valse,   0   1.80  Bote. 
Maigres   vertus   1 — n   Joubert. 

Maigret  P.  Les  Filles  maudites,  maz.  0  1— n 

Pinatel. 
Maihidier,  Quand  fleuriront  les  roses  1 — n, 

Ch.  s.   — 35  n    Puiyellier. 
MaikowskI,      Abwarten    Kinder,    so    schneii 

geht    das   nicht.    Couplet    1 —   Banner. 

-  Die   Kneipp'sche   Kur,   Duett    1.50   Banner. 
-Die  zwei  Kommis,  Duett  1.50  Banner. 
Mail    B.   du,   Sortie,   Org    1.50  n   Procure. 
Mailfait   Creus,   Glorieuse,   marche,   0,   p.   s. 

G.  ^ievcr. 
Mailfait    H.    A    Saint-Remi   — 20  n    Mennes- 
soti. 

-  Acclamons   le   si§cle   nouveau !    Barthelemy. 

-  Agathe   et  Camille.     Bigoude,  Borey. 

-  AUez-y    done.      Monvoisin. 

-  Amour  chasse  I   Editions  musicales. 

-  Amour   et   sapin.      Bigoudi. 


Mailfait  H.  Amour  platomque 


—     79 


Mailfait  H.  Permissionnaire 


-  Amour    platoaique    3 —    Digoude. 

-  Arithm^tique    pour    rire,     Aux  Repertoires 

retinis. 

-  As-tu    vu   la   queue   du    ch'val     de     Jeanne 

d'Arc,   scie   populaire.      Monvoisin. 

-An    bieuheureux    J.    B.    de    la    Salle    1 — n 

MeniH'Hson. 
-Auvergnat  dans  le  mouvement.     Puigellier. 

-  Avant    la    Communion    1— n    Mcnnesson. 

-  Aventure    amoureuse.      Mom^oisin. 

-  Eai'onnette,    chans.    milit.      }[onvoisi)i. 

-  Ballade  A  Montretout  3 —  DigoucU,  Dorey. 

-  Barbichette.     Labbe. 

-  B^b^gue.     Labbe. 

■  Belle    devise,   chans.    milit.      M onvoisin. 

-  Bonne   grand'm&re.      Monvoisin. 

-  Buvons  II   Louison.      Digoude. 

-  Buvons   Margot.      Digoude,   Dorey. 
-Ca  file!      G.  Siever. 
-Canailles!      Monvoisin. 

-  Cantique  avant  la   Communion,   2  voix  €g. 

5 —  Mennesson. 
-Cantique    en    I'honneur    du    Bien    heureux, 
4   voix  a  — 10  n  Mennesson. 

-  C'est   a   la   France !    Chansonnette   3 —   De- 

plaix. 
-C'est  un   fumistel      Monvoisin. 

■  C  gredin  d'amour.     Deplaix. 

-  Celebrit^s     pour     rire.       Aiix     Repertoires 

reunis. 

-  Celles    qu'on    gobe,    chansonnette.    Deplaix. 

-  Chanson  qui  console.     Barthelemy. 

-  Chansonnier    de    I'escouade.      Labb6. 

-  Chansons    de    I'amour,     scfene     com.      Mon- 

voisin. 

-  Chant  des  zouzous.     Monvoisin. 

-  Charbonnifere    mondaine.      Puigellier. 

-  Charmant  papillon.     Digoude. 

-  Choeur  de  fgte,  3  v.  3 —  Mennesson. 

-  Choeur   p.   Distribution   3 —  Mennesson. 

•  Cierge,   grivoiserie.     Dorey. 

-  Cle   du   jardin.      Monvoisin. 

-  Comment  on  fait  un  militaire.     G.  Siever. 

•  Confiance !      Digoude,  Dorey. 

-  Copine  a  mon  copain.     Maurel. 

-  Costalgie.     Monvoisin. 

-  Coupez  les  ^pis  d'or  !   3 —  Barthelemy. 

■  Cuisine    malgache.      Digoude,    Dorey. 

-  Dans   la   guerite,   chans.   milit.     Monvoisin. 

-  Defroques.     Granier-Paris. 

-  Dette   d'honneur.     Labb4. 

-  Ecriteaux    comiques.      Monvoisin. 

-  El?!ve   caporal,   chans.   milit.     Monvoisin. 

•  Elle  n'a  pas   d'appas.     Monvoisin. 

-  Enfant  trouve.     Maurel. 

-  Enfants,    restez    toujours    petits    3 —    Men- 

nesson. 

-  Erreur   du   capitaine.      Monvoisin. 

-  Espi&gle  ^colier   3—  Mennesson. 

■  Etudiants-Marche.      Monvoisin. 

-  F^minisme,    conference.      Deplaix. 

-  Femme  du  chef.     Monvoisin. 

■  Femme  du   feu.     Monvoisin. 

■  Fete  d'Eus^bie.     Monvoisin. 

■  Fleur   d'amour.     Monvoisin. 

■  Fluide.     Monvoisin. 

■  France  du   travail   a  Kome,   choeur   a   2  v. 

3 —  Mennesson. 


-  Fusil    rouilie.      Digoude. 

-  Gai    camelot.      Monvoisin. 

-Garde   ton  coeur,   petite   romance.     G.  Sie- 
ver. 

-  Gendarme   sentimental.      Deplaix. 

■  Grain   de   Mil   3 —   Mennesson. 

-  Histoire    de    la    Gaule,     r^cit.     fantastique. 

Mo7ivoisin. 

-  Hymne  a  I'aurore  3 —  Mennesson. 

-  Hymne  de  Jeanne  d'Arc   1 —  n  Mennesson. 

-  Jambe  !   Chans,   com.     Monvoisin. 

-  Jardinier-Fleuriste.      Monvoisin. 

-  J'adore  la  musique.     Monvoisin. 

■  J'en   pine'   pour   le   souffleur.      Lahb4. 

-  Je   fais  I'amour.     Puigellier. 

-  J'   I'ai   pas   fait   exprfes.      Monvoisin. 

-  Je  I'ai   vu !   Maurel. 

-  J'   peux   pas   I'dire.  Monvoisin. 

-  Je  sers  mon  pays,  chans.   militaire.     Mon- 

voisin. 

-  Je  soupe  chez  Titine.     Dorey. 

-  Je  suis  du   Cantal.     Digoude,  Dorey. 

•  Jeanne    la    chanteuse,     chansonnette     com. 

Deplaix. 

-  Joli  petit  oiseau  !     Monvoisin. 

-  Laitifere  de  la  Pension,  scfene  av.  parle  3 — 

Mennesson. 

-  Langage  des  lettres.     Monvoisin. 

-  L^lette,  schottisch,   0  av.  P   1.50  Bouteille. 

-  Lettre  d'Afrique.     Maurel. 

-  Lettre    de    maman.      M onvoisin. 

-  Lettre   de   pioupiou.      Deplaix. 

-  Lettre  d'un  disciplinaire.     Deplaix. 

-  Looping    the    loop,    ou    le    Bondage    de    la 

boucle,  chansonnette,     Deplaix. 

-  Lorsque  j'suis   gris  !      Barthelemy. 

-  Ma   jolie   pays,    chans.    militaire.      Monvoi- 

sin. 

-  Ma   p'tit   bobonne.     Monvoisin. 

-  Ma   p'tit   Loulon.     Monvoisin. 

-  Ma    tante.      Puigellier. 

-  Madame    Cantalou,    chans.    com.    av.    parle. 

Maurel. 

-  Maison   moderne.      Monvoisin. 

-  Mam'zelle   Grosse   Caisse.      Maurel. 

-  Marchande   de   Sable,     Mennesson. 

-  Marche  des  deputes.     Monvoisin. 

-  Matin,   choeur,   3   voix  eg.   5 — •   Mennesson,. 

-  Mefi'-toi,  Th^rfese.     Monvoisin. 

-  Meilleur    vin.      Digoude,   Dorey. 

-  Menu  comique.     G.  Siever. 

•  Mon   petit  siffiet  naive.     Maurel. 

-  Mon    p'tit    Julot.      Deplaix. 

-  Mon   vieil    habit   3 —   Mennesson. 

-  Mutualisse  !  !     Monvoisin. 

-  Ne  I'ouvre  pas!   Chansonnette.     Deplaix. 

-  Nez   pointu.     Monvoisiyi. 

-  Nichans   de    Paris,   chansonnette.     Deplaix. 

-  Nid  et  berceau  3 —  Mennesson. 

-  Nik-Nik    I'Arbi !    Excentricite.      Monvoisin. 

-  Nos  petits  caprices,  chansonnette,   Deplaix. 

-  Notre  vie  3 —  Mennesson. 

-  Paris.     Deplaix. 

-  Paris  mime.     Monvoisin. 

-  Partie   des   dames,   chansonnette,      Deplaix. 
■  Patrie   frangaise.     Digoude. 

-  Permissionnaire.     G.   Siever. 

-  Permissionnaire,  Ch.  s.  — 35  n  G.  Siever. 


Mailfait  H.  Petit  Barnum 


—     80 


Maillart  A.  Dragons  de  Villars 


Petit  Barnum.     Deplaix. 

Petit  Frangais   1.70  n  Fouquet. 

Petit  Trottin   parisien.     Deplaix. 

P'tit  Trottinette.      Monvoisin. 

Petite    blanehisseuse    4 —    Digoude,    Dorey. 

Petite    brunette     ou     Le     petit     jardinier, 

chans.    com.      Monvoisin. 
Petite   Montmartroise.      Digoude. 
P'tils    rentiers.    Place    aux    femmes.      Sulz- 

bach. 
Planton  du  colonel,  chans.  milit.  Monvoisin. 
Plus  Belle  Richesse,  chans.-valse.  6.  8iever. 
Pompette !    Monvoisin. 
Portrait  de  la   femme.      Gueprotte. 
Portrait   de    I'liomme.      Gueprotte. 
Pour    le   pays,    chans.    milit.      Monvoisin. 
Pour  s6duire.     Monvoisin. 
Pour  une  cocotte.     Digonde. 
Pourquoi  je  les   aimes.     Digoudv.  Dorey. 
Promenade  en  Mer,  ehoeur  A  2   v.  n —  Men- 

nesson. 

Proverbes  rigolos.      Monvoisin. 
Quand   le    rossignol,     chante     3 —    Digoude, 

Dorey. 
Quand   nos    aYeux.      Monvoisin. 
Raidis-toi   3 —   Digoude. 

Regiment   mod&le,    chans.    milit.    Monioisin. 
Rentree.      Editions   musicales. 
Reves   de   gueux.      Monvoisin. 
Rieuse   3 —   Mennesson. 
Roi  de  la  Gaule,  chans.  com.   G.  Siever. 
Ronde    d'Archers,    J/ms   2 —  n    Mennesson. 
Rosses.     Monvoisin. 
Ruisseau-Fronti&re.      Deplaix. 
Saluons    le    progr&s.      Monvoisin. 
Salut  au   Monde  4 —   Digoude,   Dorey. 
Sapinette.      Monvoisin. 
Satyrette.     Maurel. 
Satyromanie,      Maurel. 

Serenade  a  Fifine,  chans.   milit.   Monvoisin. 
Soupe   des   gosses   3 —  Digoude,   Dorey. 
Soupirs    1.25  n    Diirdilly. 
Souvenirs   de    blonde.      Monvoisin. 
Stances  &  Alexandre  3 —  n  Chanson  joyeuse, 

Brady. 
Superstitieux.      Monvoisin. 
Ta   tete   3 —   Digoude. 

Tarif  r6duit,  chansonnette  milit.     Deplaix. 
Tarots.      PitauU. 
Tombe    du    nid    3 —   Mennesson. 
Tour  du   monde.     Lahhe. 
Tout   a   chang6.      Monvoisin. 
Tout   doucement.      Monvoisin. 
Trfes  bon   citoyen   3 —  Digoude. 
Tu   t'y   f'ras.      Monvoisin. 
Valse  des   feuilles   d'or.      Perraud. 
Vert    et    Vieux,    allegro-marche,    O    av.    /' 

2.50  n  Hale  I. 
Vie  d'artiste   3 —   Digoude. 
Vie  en    rose.     Digoudv,   Dorey. 
Vin  de  Bergerac  3 —  Digoude. 
Vin  de  la  bouteille.     Barthelemy. 
Vive    I'Alsace-Loraino,    marche    patriotiquf. 

3 —  Mennesson. 
Vocations  pour  rire  ...  et  s'amuser.  Ondet. 
Voici   les   beaux   jours   3—   Mennesson. 
Voiia   Machin!      G.   Siever. 
A'^ouvray.     Digoude,   Dorey. 
Zipholin-Zipholo.      Maurel. 


Mailfait  et  Gramet,  Saints  et  professions. 
Digoude. 

Mailfait  H.  et  H.  Moreau,  Marche  des  pe- 
tites    femmes.      Digoude. 

Mailfait  H.  et  E.  Zamor,  Boulon,  chanson- 
nette  com.      .4    la    Chanson  joyeuse. 

Mailfait   H.  et  E.  Zamor  fiis,  Ah!   Camille ! 

Camille !   (Jhansonnette  com.  A  In,  Chanson 

joyeuse. 
Mailfait-Sterny,    M6tro-Galop,    0    2— n    Au 

clavecin. 

-  Tonton,  polka -marche,  O  2 — n  Au  clavecin. 

Maillard  Mie.  Chant  du  souvenir,  P  2 — n 
Gregh. 

Maillart    Aime    (Louis)     (1817—1871),    op. 

19  Sonate   (E-m.),  VP  9—  Bote. 
-29  Sonate    (D-m.),   VP  6.50  Bote. 

-  Betray   me   not,    P   1/ —   Wickins. 

-Dragons  d  e  Villars  (G  1  6  c  k  c  h  e  u 
(les  Eremiten),  opera  comique  (1856), 
ChP  15 —  n  Joubert,  4 —  Bote,  8 —  Hon- 
zogno,  P  10 — n  Joubert,  2 — n  Bote,  1.50 
Litolff,  4ms  20— n  Joubert;  Ouv.  P  7.50 
Joubert,  1.50  Bote,  —30  Litolff,  —20 
Riihle,  Jfms  9 —  Joubert,  2 —  Bote,  — 50 
Litolff,  1.50  C.  /*.  Schmidt,  8ms  15—  Jo7i- 
hert,  Jfms  Str-Quart.  2.50  n,  PStr-Tr\o 
2— u  C.  F.  Schmidt,  Str-Quint.  Fl-Quint. 
:\  3—,  /Sffr-Quart.  Fl-Qua.Tt.  k  2.50  n  Aibl, 
0,  Part  7— n,  p.  s.  7—,  pet.  0  4.50,  P 
cond.  1.50  Joubert,  7.80  u  Breitkopf,  3.60  n 
C.  F.  Schmidt,  FullO  1.75,  SmallO  1.50 
Hatvkes,  0  4 —  n,  petit  0  2 —  n,  P  acv. 
2.50  n  Margueritat,  Part  1 —  n  Eulen- 
burg,  St  7 —  Aibl,  2.50  Bellmann,  sO  7 — 
Aibl,  4.80  n  Breitkopf,  2.50  n  Lehmann, 
3 —  Glaser,  kl.  O  1.80  n  Bellmann,  3 — n 
Rote,  2.50  n  C.  F.  Schmidt,  LiebhaberO 
3 — n  Lehmann,  Par.  Bes.  4 —  Bote,  1.50  n 
Breitkopf,  1.20  n,  Am.  Bes.  1.70  n,  Berl. 
Bes.  2.20  n  Lehmann,  IM  2—  Bote,  mO 
2—,  FullO  1.50,  IJf  Instr  1.25,  10  fnsfr 
—80  Fischer. 
Joubert: 
l.Choeur:  Heurtnix  enfants  de  la  Pro- 
vence 1.70  n. 

2.  Chanson  provengale :  Blaise  qui  partait 
1.70  n. 

3.  Ariette    militaire:      Quand     le    dragon 
2— n. 

3bis.   La   mgrae,   transposee  2 —  n. 

4.  Air  :  Maltre  Thibaut,  vos  mules  2.50  n. 

5.  Romance :    Ne  parle  pas.   Rose,   je   t'en 
supplie   1—  n. 

.■>bis.  La  meme,  transposfie   1 —  n. 

6.  Duo :   Alloiis,  ma  chere,  allons  3.35  n. 

7.  Couplets  de  I'Ermite :  Grace  a  ce  vilain 
ermite  2 —  n. 

S.  Chanson  de  Soldats:  Pour  s^duire  une 

fillette  1.35  D. 
8bis.  La  mgme,  transposee   1.35  n. 
9.  Villanolle:      Ah!    tra    la.    Ah!    tra    la 

1.70  n. 

10.  Duo:    Moi,   jolie !    moi,   joliel    3 — n. 

11.  Trio:  C'est  la,  c'est  1ft,  voilft  5— n. 

12.  Pri&re    (ehoeur):   Soutien  de  I'innocent 
1.70  n. 


Maillart  A.  Dragons  de  Villars 


81 


Maillart  A.  Lara 


13.  Choeur:   Vous  Siuez  la   nouvelle   1.70  n. 

14.  Chanson  i  boire:   Le  sage  qui   s'eveille 
1.70  n. 

15.  Air:      Tl     m'aiine!      P]spoir     cliarmanf  1 
2.50  n. 

16.  Cantabile:   II  lu'aceuse,  il  nie  croit  pou- 
pcable  1.70  n. 

17.  Choeur    final:      Sonne,    sonne    toujours 
1.70  n. 

N.    2,  3,  5,    7—10,    14—16,    Vh.    s.    a    —25 
Pomier,   Rouart. 
Bote  : 
l.Introd.:    !.  Chor :   ..Lafit  fieifjig  uns  die 
Hande"      (Heureuses     enfants     de     la), 
la.    CThanson    proveugale :    ,,Blaise    giug 
zur  See"    (Blaise  qui),  lb.  Ariette  mili- 
taire:   ,,Kommt  der  Dragoner"    (Qiiand 
le  Dragon)    4 — . 

2.  Arie:  „Mein  werter  Herr"   (Maitre  Thi- 
baut)    1.30. 

3.  Romanze :  „0  schweige  still"    (Ne  parh- 
pas  Eose)   — 80. 

4.  Duo :    „Und    nun    meiu    Kind"     (Aliens 
ma  ch&re)    3 — . 

5.  Couplets :    „Denkt    nur,    vor    dem    Ere- 
miten"   (Grace  a.  ce  vilain  eremite)  1 — , 

6bis.  Entr'acte  — 50. 

7.  Szene  und  Pastorale:  „Ach  trala"  (Ah! 
trala)    1.30. 

8.  Duo:  „Tch  bin  hiibsch"  (Moi,  jolie)  2 — . 

13.  Trinklied:    „Der   Weise,   der   erwachet" 
(Le   sage   qui  s'eveille)    — 80. 

14.  Arie:    ,,Er    liebt     mich"     (II     m'aime) 
1.50,  0  12— n. 

Nr.  lb,  14  a  1 —  Schlesinger. 

Fantaisie,  P  2— n,  0  4— ,  FIO  2- 
Dehert,  mO  av.  Tr  et  Piston  (Baxoph.  ad 
lib.)  2.50  Tilliard,  0  4.50  n,  kl.  0  3.60  n 
Belhnann,  0  4— n,  kl.  0  3— n  C.  F.  Schmidt, 
0  4 —  n,  sO  2.50  n  Benjamin,  gr.  Harm 
4_,  kl.  Harm,   2.60,   hlM   3.20  Lelrie. 

Potpourri,  P  (B.  Wolff)  2—,  (H. 
Mendel)  3—  Bote,  (F  r.  B  u  r  g  m  ii  1 - 
ler)  2—,  (H.  Cramer)  3—  Andre,  (R. 
Tourbie)  — 60  n  Wernthal,  4ms  3.50 
Bote,  VP  1—  n,  V  —60  n,  PVVc  1.50  n 
Wernthal,  0  3.60  n,  kl.  0  2.60  n,  IM  3—  u 
Bellmann,  hlM  3—  Oertel,  Par.  Bes.  1.80  n 
Wernthal;  Selection,  FullO  1.50,  llf  Instr 
1.25,  10  Instr  1—,  P  —30  Standard. 
Fischer  von  Catania  (Pgcheurs 
de  Catane),   lyr.   Oper,   KA   24 —   Bote. 

Gastibelza,     opera    dramatique    (1847). 
'Noel:    ChP  15— n: 
Noel  : 

2.  Couplets,  MS:  L'Ermite  4—. 

3.  Couplets,  T:  Joyeux  enfants  4 — . 

4.  Trio,  STB:  A  vos  amours  7.50. 

7.  Cavatiue,  B:  Au  sein  des  plaisirs   3 — . 

7.  Priere,   MS:  Vierge  Marie  3 — . 

8.  Duo,  TMS:  Sitot  que  sur  nos  bois  7.50. 

9.  Finale,    morceau    d'ensemble    7.50. 

11.  Chanson   a  boire.  Bar:   Du   sort  quand 
eclat e   5 — . 

12.  Couplets,   T:   Din,   din.   din.   digue,   din 
4—. 

15.  Sextuor   7.50. 

16.  Choeur:  Sur  le  fleuve  azure  4 — . 

Universal-Handbuch  der  Musikliteratur.    M. 


.    Fromont :    ChP 
P   7.25,    Ouv.    P 


17.  Romance,  MS:   Pardonne  Sl  mes  pleurs 
4—. 

19.  Duo,  MSBar:  Ah!  je  comprends  7.50. 

20.  Couplets,  T  ou  jS';  Mon  moulin  4 — . 

21.  Cavatine,  T:  Oui,  j'entends  sa  voix  3 — . 

22.  Choeur,    marche    funebre    4 — . 

23.  Duo,  ST:   N'outrage  pas   7.50. 

Ricordi : 

Preghiera:    Vergin  Maria   1.75. 

Duetto :   Allor  che  stende  in  cielo  5.50. 

Strofe  buffe  :  La  campana  del  villagio  1.75. 

Duetto  :    Deh  !    resta   .3.50. 
Hermit's    Bell,    overt.    FiillO    1.50,     11/ 

Instr  1.25,  10  Instr  i— ,  P  —30,  Selection, 

VP  —65   Standard. 
I    saw    a  bright     blue    flower     (Les     fleurs 

d'Automne),   cantilene   3/ —   Ascherberg. 

Lara,   op6ra    com.    (1864) 

18—,    P    10—,    KA    28.25, 

1.50  Schott. 

Fromont : 

1.  A  I'ombre  de.s   verts  platanes  2 — n. 

2.  Ah!  mon  Dieu,  que  je  suis  lasse  1.75  n. 

3.  Ballade:  Dans  ce  vieux  castel  1.75  n. 

4.  Bientot  les   cloches  sonneront  1.75  n. 

5.  Ce  mensonge  odieux,  finale  d'ensemble 
et  cavatine   1.35  n. 

6.  Comme   un   chien   lid&le    1.75  n. 

7.  De  ce  pass6  qu'on  veut  connaltre  1.75  n. 

8.  De  la  folie  qui  nous  convie  1.50  n. 

9.  D'un  passe  qui  s'efface   1.75  n. 

10.  La  jalousie  est  un  poison,   MSB  2 —  n. 

11.  Insoucieuse  de  I'amour   1.75  n. 

12. 0    r§ve,    o    r6ve,    o    joie    enchanteresse, 
ST  2.50  n. 

13.  Oh!  mes  amis,  mes  amis  2 — •  n. 

14.  Quand    un    Lara    marchait    en    guerre, 
finale  2 —  n. 

15.  Oui,  votre  volonte   1.50  n. 

16.  Regard  enfant    c'est  la  patrie,  couplets 
extraits  du  duo  1.50  n. 

N.   1,  4—9,   11,   13,   14,   16,  Ch.  s.  a  — 25  n. 

Schott : 

1.  Ballade:  Dans  ce  vieux  castel  maudit 
par  le  ciel  (In  dem  Schlosse  dort,  an 
verruf'nem  Ort)    1 — . 

2.  Romance :  Insoucieuse  de  I'amour  (In 
sel'gem  Schimmer  strahlt  ibr  Blick)  1 — . 

3.  Choeur  de  femmes :  Ah  !  mon  Dieu  que 
je  suis  lasse  (Ach  wie  miide !  welche 
Plagen)   1 — . 

4.  Couplets :  Comme  un  chien  fid&le  (Die- 
ses  Schlofi   behiite   ich)    1 — . 

5.  Duo :  Regarde  enfant  c'est  la  patrie 
(O  Land,  das  mir  das  Dasein  gegeben) 
1—. 

5bis.  Couplets,  extraits  du  Duo :  Regarde 
enfant  c'est  la  patrie  (O  Land,  das  mir 
das   Dasein  gegeben)    — 50. 

6.  Trio :  S'il  faut  nous  dire  adieu  (Ihr 
zieht  nun  fort  von  hier)   — 75. 

7.  Morceau  d'ensemble :  Sur  vos  pas  belle 
comtesse  (Euer  Kommen  zu  begriifien) 
1.50. 

8.  Cabalette :  De  la  folie  qui  nous  convie 
(Was  uns  das  Leben  Schones  kann 
geben)    — 75. 

6 


Maillart  A.  Lara 


82 


Maillochaud  J.  B.  Chrysantheme^ 


10. 


11. 


12. 


i; 


15. 


II 


(Ein 

verts 
Pla- 

(Die 


con- 
ver- 


mes    amis     (Ha, 


2.50  u. 
Jfrns   3- 
2— n. 


9.  Couplets :  Bientot  les  cloches  sonneront 
(Mit  alien  Glocken  liiutet  mau)    1 — . 
Romance :  D'un  passe  qui  s'efface   (Neu 
scheint   mir   aufzulebeii)    — 75. 
Duo:  O  reve,  o  joie  euchauteresse 
Triiumen,   ein  Tniumeu)    1.50. 
Chanson    arabe :    A    I'ombre    des 
platanes    (Zur    Heimat    schatt'ger 
tanen)    1 — . 

Duo :    La   jalousie    est    un    poison 
Eifersucht    ist   todlich   Gift)    1—. 
14.  Couplets:   Quand  un  Lara  marchait  en 
guerre     (Wenn     eiust    Lara      zog    zuni 
Streite)    1.25. 

Cavatine:   De  ce  passe  qu'on  veut 
naitre   (Was  einsteus  war,  mag  es 
wehen)    — 75. 
Air:    Oh!    mes    amis, 
welch  ein  Leben)    1 — . 

17.  Romance:     Qui    votre    volonte     (Heilig 
soil  stets  mir  sein)   — 75. 

18.  Cavatine:  Ce  mensonge  odieux   (Da  ich 
nun   scheiden   mufi)    — 50. 

Fautaisie,   mO   2.50  n    Tilliard. 

Polka     (A  r  b  a  n)     1.75  n,    J^ms 

Polka-maz.    (E  1 1  i  n  g)     1.75  n, 

Quadrille    (Marx)     1.75,   Jjins 

Vaise    (J.    Strauss)    2 — .    -'iins   3 — n. 

Valse  brill.  (F.  B  u  r  g  m  ii  1 1  e  r) ,  Ifms  3 —  n. 

T  r  a  u  s  c  r.  et  F  a  n  t  a  i  s  i  e  s,  P :  J. 
A  s  c  h  e  r,  op.  122,  B.  B  a  1 1  m  a  n  n,  jp. 
203,  F.  Beyer,  op.  36,  A.  God  a  r  d,  op. 

19.  E.  Ketterer,  op.  148,  C.  Neu- 
stedt,  op.  48,  T.  R  i  1 1  e  r,  op.  37,  H. 
V  a  1  i  q  u  e  t,  op.  54  ;  ijms :  J.  R  u  m  m  e  1 ; 
PV :  Ketterer  et  Herman;  FIP : 
J .    A  1 1  &  s,   G.   G  a  r  i  b  o  1  d  i,   op.   58. 

Potpourri,  P  1.20  Bote;  Suites, 
J,m8  1— III  a  3.35  n,  VP,  FIP,  CornetdPP, 
I  a  2.50  n,  II  k  3— n,  2V,  2FI,  2Cornet, 
I_.1I  a  3— n. 

-Moulin  des  T  i  1 1  e  u  1  s,  Je  pars,  je 
pars,  P  (G.  Bizet)  3—  Heugel,  Ouv.  P 
1.50   Schott. 

Maille  A.  Amour  ne  meurt  pas!  valse  chan- 
teo   2— n,   Ch.  s.  — 25  n   ilr.   Maille-PaTis. 

-  Amoureux,   romance   1 —  n   il/at?/e-Paris. 

-  Antienne   d'amour,   valse   6 — ,   0   2 —  n  Du- 

rarid,  — 30   Gebeihner,   chantfie   6 —   Costil. 

-  Antonida,  maz.   russe   1.70  n,  0  1 — n  Bosc. 

-  Bouquet  de  muguet.  Je  bercerais  ton  ame ! 

Bulla. 

-  Chanson  havanaise,  habanera,  P  2 — ,  0  1 — 

Bosc. 
-Dernier   printemps,    maz.    1.70  n,      0    1 — n 
Bosc. 

-  Doux  myst^re,  valse  1.75  n,  0  2 —  n  Durand. 

-  Elegance,   valse,   0   2 —  n   Au  clavecin. 

-  Encore    et    toujours,     grand    valse      2.50  n 

Leclercq. 

-  Eternel  roman,  valse  6 — ,  0  2 —  n  Costil. 

-  Exquise  sensation,  valse,  OP  cond.  Patiliis. 

-  Gentils  soldats,  marche,   0,     Andrieii. 

-  H6roisme,  marche,   0   1.50  n   Coutarel. 

-  Inoubliable  nuit,  valse  chantee  1 — n  Costil. 

-  Joyeux      Moulin,      marche,      Harm(Fanf), 

Dubois. 
-Lolita,  valse  espagnole  2 — n  Bosc. 


-  M'aimerez-vous   encore?    valse,    0,     Joullot. 

-  Marche  des  mandarins  5 —  Costil. 

-  Ma  rche  des   Petits  Chasseurs   6 — ,   0   2 —  u 

Costil. 
-Naivete,  polka  1.70  n,  0  1— n  Bosc. 
-Noel   de  Ninon,   romance   1 — n   Maille. 
■  Oubli,   valse   2.50  n,    0   2—  n    Coutarel. 

-  Plus  jamais,   valse   2.50,   0   2 —  n   Coutarel. 

-  Reve  et  realite,  valse  2 —  n,  0  2 —  n  Durand. 

-  Ronde  des  galetteux,  marche  chantee  1 —  n 

A.   il/oiZZe-Paris. 

-  Ronde   des   Mioches,   marche   5 —   Btilla,     0 

1.50  Coutarel. 

-  Sorrente,   tarantelle,   P   1.50  n  Poulalion. 

-  Sourire   d'enfant,  berc.   3 —  Costil. 

-  Trompeuse  chimere,   valse   2 —  n  Bosc. 

-  Une  mfere  3 — ■  Costil. 

IMailiet    L.      Lever    de    Soleil,     valse     2 — n 

JuUien. 
IVIaiMiot,  Seigneur  Jour  de  I'An  2.50  Eeiigel. 

Maillochaud  J.  B.  A  Dieu  !  chant  de  depart, 
solos,  duo  et  choeur,  2  voix  av.  P  2.50  n 
Gallet. 


p.   sep. 


-A   nous!   air  var.   IlarmfFanf )    3- 
—20,  Cond.   1—  Sudre,  Thomas. 

-  Adieux  de  Jeanne  d'Arc,  cantate  av.  H(P) 

1 .50  n  Ploix. 

-  Alice,   marche    nuptial   2 —  n    Ploix. 
-Alice,     nuirche    relig.    2 — n,      Earm(Fanf) 

1.25  n,  Cond   — 25  n,  p.  sep.  — 10  n  Naudin, 
Thomas. 

-  Amazone,    marche.    r/iO    (Tilliard)     1.25, 

Cond.  —10  Tilliard. 

-  Ami    de    la    France,    pas    red.    Harm(Fanf) 

1.25,     p.    Sep.    — 10,     Cond.    — 25    Naudin., 

Sudre,  Thomas. 
-Anisette    de    Bordeaux,    maz.    HarmfFanf) 

1.25,    Cond.   — 25    Naudin,    Sudre. 
-Article  7,  pas  red.  Harm(Fanf)   1.25,  p.  sep. 

—10,  Cond.  —25  Budre,  Thomas. 

-  Aster  — 40   Procure. 

-  Auvergnat    ressuscitS,    sayn&te,      Thomas. 

-  Bandito,   bolero,    narm(Fanf)    1.25   Deiert, 

Nardin,    Sudre,    Thomas. 
-Bijou,   pas    red.    Earm(Fanf)    1.25  n,    Cond. 
— 25  n,   p.    Sep.   — 10  n    Thomas. 

-  Bords     de     la     Vone,     marche,     mO     1.25  n 

Pinatel. 

-  Bouteille  de   Pandore,  saynete,     Thomas. 

-  Branche    de    Lilas,    fant.    IlarmfFanf)    3 — , 

p.  sep.  — 15,  Cond.  — 50  Sudre,  Thomas. 

-  Brigantine,   fant.   HarmfFanf)    3 — ,  p.   sep. 

— 15,  Cond.  — 50  Sudre,  Thomas. 

-  Cantate  en  I'honneur  du  Bienheureux  Jean 

Gabriel   Perboyre   2.50  n   Ploix. 

-  Cantique  au   meme   1.25  n   Ploix. 

-  Cantique  pour  mariage,  av.  P   (V  ad  lib.) 

1.35  n   Gallet. 

-  54   cantiques   en   I'honneur   de   St.   "Vincent 

de   Paul,   a  une   ou   plusieurs   voix     8 —  n 
Ploix. 

-  Charmeuse,  fant.   Harm  ( Fan f)   3 — n,  Cond. 

— 50  n,   p.  sep.  — 15  n  Thomas. 

-  Chatelaine,   fant.   IlarmfFanf)    3—,   p.   sep. 

—  15,   Cond.  —50   Sudre,   Thomas. 

-  Chemin     faisant,      pas     red.      HarmfFanf) 

1.25  n,  Cond.  — 25  n,  p.  s6p.  — 10  n  Thomas. 

-  Chrvsanthemes    1 —  n   Ploix. 


IVIaillochaud  J.  B.  Cuirassiers 


83     — 


Maillochaud  J.  B.  Polka  des  Ramoiteurs 


-  Cuirassiers  a  Reichschoffen,  pas  red.   Harm 

(Fanf)     1.25,     p.    sep.    —10,     Cond.    — 2r) 
Sudre,  Thomas. 

-  DpDse    Chiuoise,    divert.    Earin(Fanf)    3 — . 

p.  s€p.  — 15,  Cond.  — 50  Sudre,  Thomas. 

-  Defiles  de  rArgonne,   marche,    HarmfFavfJ 

1.25  n,     p.    s6p.    — 10,     Cond.    — 25    Sudre, 

Thomas. 
'  Deserteur,  ouv.  fant.  Harm.  3 — ,  Fanf  2.75, 

Cond.  — 50  Debert,  Stidre,  Thomas. 
-Devant  Dieu :   1.  0  Salutaris,  2.  Ave  Maria, 

3.    Tantum    ergo,    a    1.25  n.    N.    4.    Tantum 

ergo,   duo   2 —  n   Ploix. 

-  En    procession,     marche    religieuse,      Harm 

(Fanf)    1.50  u   Thomas. 
-En    route,     pas    red.      Ilarm(Fanf)     1.25  n, 
Cond.  — 25  n,  p.  sep.  — 10  n  Sudre,  Thomas. 

-  Extase,     and.     relig.     Harm(Fanf)      1.25  n, 

Cond.  — 25  n,  p.  sep.  — 10  n   Thomas. 

-  Eveille,  pas  red.  Harm(Fanf)   1.25  n,  Cond. 

— 25  n,    p.    s6p.   — 10  n    Thomas. 

-  Tantaisie    Melodique     sur     des    Motifs     de 

i\I  e  h  u  1,  Harm  (Fanf)  3 —  n,  p.  sep.  — 15  n, 
Cond.  — 50  Sudre,  Thomas. 

-  Finale,   P  — 50   Musica  sacra. 

-  Fine  Champagne,  polka,  Earm(Fanf)  1.25  n, 

Cond.  — 25  Naudhi,  Sudre,  Thomas. 

-  Fleurette,   maz.     Harm(Funf)    1.25,      Cond. 

— 25   Naudin,   Thomas. 

-  Fleurs   d'automue,    10   melodies   religieuses, 

Orgfnj   2.25  n   Ploix. 

-  Fleurs    du    printemps,    10    pensees    m6lodi- 

ques,   OrgfHJ   2.25  n   Ploix. 
-Fra     Diavolo      (Auber),     ouv.     fant. 
Harm.    5—,    Fanf   4.50,    Cond.    1—    Dehert. 
Gheluive,  Sudre,  Thomas. 

-  France  et  N.-D.  de  Lourdes,  cantique  a  la 

Ste.  Vierge,  soli  et  choeur  1 —  n  Ploix. 

-  France  et  Notre-Dame  de  Lourdes,  marche 

relig.     BarmfFanf)    1.25  n,     Cond.  — 25  n, 

p.   s€p.  — 10  n   Sudre,  Thomas. 
-France!   marche,    Earm(Fanf)   1.25,  p.  s6p. 

—10,  Cond.  —25  Sudre,  Thomas. 
-France,  pas  red.  HarmfFanf)    1.25  n,  Cond. 

— 25  n,  p.  Sep.  — 10  n  Thomas. 

-  Gaetana    (Donizetti),   fant.   HarmfFanf 

3 —  n,   p.   Sep.  — 15  n,   Cond.  - — 50  n   Sudre, 
Thomas. 
-Georges  et  Madeleine,  valse  1.70  n  Thomas. 

-  Guidon,  pas  red.  sur  une  peusee  d'H  a  y  d  n, 

HarmfFanf)    av.    Ch.    ad    lib.    2 — ,    Harm 
1.50  n,    Fanf    1.25  n,    Cond.    —25    Naudin, 
Thomas. 
-Guisette    de    Bordeaux,     maz.    HarmfFanf) 
1.25  n,  Cond.  — 25  n,  p.  s4p.  — 10  n  Tbf,)>ias. 

-  Jardin  fleuri,  pet.  fant.  HarmfFanf)   2 — n 

Thomas. 

-  Jeanne   d'Arc   et   les    Anglais    1 — .n,    Vh.   s. 

—35  n   Gallet. 

-  Latriquette  et   Canurel  en  vadrouille,   vau- 

deville  a   couplets   2 —  n    Thomas. 

-  Lauda    Sion,     marche    r6lig.      Harm^fFanf) 

1.25  n,  Cond.  — 25   Naudin,   Thomas. 

-  Lis,  duo  — 40  Procure. 

-  Magicienne,    marche,      HarmfFanf)    1.25  n, 

p.  Sep.  — 10  n,  Cond.  — 25   Sudre,  Thomas. 
-Marche    des   Pterins    de    N.-D.    de   Lourdes 
— 75  n  Ploix. 


6  Marches  solennelles,  OrgfH)  2.50  n  Ploix. 

Marchise  de  Sevign6,  ouvert.  HarmfFanf) 
3 — n,  Cond.  — 50  n,  p.  sep.  — 15  n  Thomas. 

Marguerite   2.50   Ploix. 

Menuet  champetre,  ^  HarmfFanf)  1.25  n, 
Cond.  — 25  n,  p.  s6p.  — 10  n  Naudin,  Tho- 
mas. 

Mercedes,  hoVn-o,  HarmfFanf)  1.25  n,  p.  sf'p. 
— 10  n,  Cond.  — 25   Sudre,  Tho7nas. 

Merci  — 40   Procure. 

Messe  en  ut,  avec  OrgfH)   1 — n  Thomas. 

Messe  br&ve  Jl  I'unisson,  Org  2 — n  Procure. 

Mignonnette,  fant.  HarmfFanf)  3 — n,  p. 
sep.  — 15  n,   Cond.   — 50    Sudre,   Thomas. 


HarmfFanf)    1.25  n, 
— 25    Sudre,   Thomas. 

1.  Tempo  di  Marcia : 
rassembler    sa    suite; 


voix 


sep. 


-  Mitouroite,    pas    red. 

p.   s6p.   — 10  n   Cond. 

-  Moise  sauve  des  eaux ; 

La  fille  du  roi  fait 
2.  Marcia  :  Promenade  sur  les  bords  du 
Nil ;  3.  Arret  du  Cortfige  a  I'aspect  d'un 
enfant  expose  dans  une  eorbeille  de  joncs 
sur  les  eaux  du  fleuve ;  4.  Barcarolle  et 
Berceuse :  MoTse,  berc6  par  les  flots,  dort ; 

5.  Marcietta :  Une  servante  va  chercher 
Tenfant ;  6.  Tempo  di  Marcia :  Rassemble- 
ment  du  cortege ;  7.  Marcia :  Retour  au 
palais,  HarmfFanf)  3 — n,  Cond.  — 50  n, 
p.  sej).  — 15  n   Thomas. 

-Monsieur  le  comte  2^  n   Thomas. 

-  Narcisse  — 40   Procure. 

-  Ne    tardez    plus,    2  voix    eg.    et    Org     — 60 

Procure. 

-  O  Clemens,  pri&re  pour  la  France,  a  3 

— 50  n  Ploix. 
-O    Salutaris    1.25  n    Ploix. 
-O    Salutaris,     HarmfFanf )    1.25  n,     p. 

— lOu,  Cond.  — 25  Sudre,  Thomas. 
-O    Salutaris,    av.    OrgfP)    1.25  n    Thomas. 
-10    OfFertoires    ou    Sorties   p.    OfH)    1.50  n 

Procure. 

-  Orgue    aux    grands    jours    de    Fete,    I — III 

a   2 — n    Ploix:    I:    N.  1.    Entree   brillante. 

2.  Oflfertoire.  3.  Pri&re  elevation.  4.  Pa- 
storale. 5.  Marche  sortie.  6.  Epitre  ou  ite 
missa   est.    7.    Communion. 

II:    N.  1.    Entree.   2.   Oflfertoire   solennel. 

3.  Elevation.  4.  Pri&re.  5.  Sortie^  chantante. 

6.  Antienne.   7.   Communion. 

Ill:    N.    1.    Entree    solennelle.    2.    Offer- 
toire.    3.    Epitre.    4.    Melodie    elevation.    5. 
Pastorale.    6.    Ite   missa   est. 
Amen.   9.   Communion. 

-  Palmes    et   Couronnes,     fant. 

3 —  n,     p.  s6p.    — 15  n,     Cond. 
Thomas. 

-  Pensee  — 50   Procure. 

-  Pensee      d'automne,      HarmfFanf)      1.25  n, 

Cond.   — 25  n,    p.  sep.   — 10  n    Thomas. 

-  Perle    line,    valse,     HarmfFanf)    1.50  n,     p. 

s6p.  — 10  n,  Cond.  — 25  Naudin,  Sudre, 
Thomas. 

-  Pieces  de  diflF6rents  Genres,   OrgfH),  I — II 

a  3 —  n  Procure. 

-  Polka   des   Fleurs,   chant    av.   Harm    2.50  n. 


7.    Sortie.    8. 

Harm  fFanf) 
— 50    Sudre, 


a  v. 


Cond.  — 25  n,  p.  sep.  — 10  n, 


Fanf  2—  n, 
p.   de  chant  — 10  n   Thomas. 
-  Polka   des   Ramoneurs,  HarmfFanf)    1.25  n, 
Cond.   — 25  n   Naudin,    Sudre,   Thomas. 


Maillochaud  J.  B.  Pomme  d'Api 


—     84 


Mailly  A.  Enfants  de  la  Suippe 


-Pomme  d'Api,  polka,  UarnifFcmfJ  1.25  u, 
Cond.    — 25  n   Naiidin,   Thomas. 

-  Pomponne,  pas   red.   BarmfFanf )    1.25  n,  p. 

Sep.  — 10  11,  Coud.  — 25  t^udre.  Thomas. 
-Premier  Concours,  fant.  Hurm(Fanf)  1.25  n, 
Cond.   — 25  11,   p.  sep.  — 10  n   Naudin,   Tho- 
mas. 

-  Pri&re   du    Matin,    and.    relig.    Harm  fFanf  j 

1.25  u,  Cond.  — 25  n,  p.  sep.  — 10  n  Tho- 
mas. 

-  Prifere   du   Soir,   Harm(Fanf)   — 50  n,   Cond. 

— 25  u,    p.  Sep.    — 10  n    fiiidrc.    Thomas. 

-  Recueil  de  marche  fae.  p.  77  5 —  n  Procure. 

-  Eosarita,   raise,   Harm(Fanf )    3 — n,   p.   sep. 

— 15  n,  Cond.  — 50  ^udre,   Thomas. 

-  Rose  — 40  Procure. 

-Rose  de  Noel,  polka  1.70  u,  HarmfFanfj 
1.25  n,  p.  sep.  — 10  n.  Coud.  ^25  Naiidin, 
Sudre,   Thomas. 

-  Rosee  de  Mai,   fant.   HarmfFanfj    3 — u,   p. 

sep.   — 15  n,   Cond.  — 50   Sudre,   Thomas. 

-  Sanc'tuaire,     HarmfFanfj      1.25  ii,     p.     sep. 

—20  n,  Cond.  —25  Sudre,  Thomas. 

-  Sans-Souci,  quadr.  HarmfFanfj  2 — ii  Nau- 

din,  Sudre,  Thomas. 

-  8evrienne,  marche.  Harm  1.50  n,  Fanf  1.25  n, 

Cond.  — 25  n,  p.  sep.  — 10  n  Thomas. 

-  Son    coeur   en   mon    coeur,   oantique,    a  v.    P 

1.50  n  Gallet. 

-  Sonnez !  Sonnez  !  Carillon,  choeur  — 75  Pro- 

cure. 
-Sous   les   Lila.s,    quadr.     Harm  fFanf )    2 — n 

Naudin,  Sudre,  Thomas. 
-Souvenir     de     Donizetti,      fant.     Harm 

fFanf  J    3 — n,    Cond.    1 —    Ghehiwe,    Sudre, 

Thomas. 
-Souvenir    de   Haydn,    HarmfFanfj    1.25  n 

Naudin,  Sudre,  Thomas. 
-Souvenir    de   L  a  g  n  3\   P   6 —   Thomas. 
-Souvenir       d'Enfaiice,      var.       Harm  fFanf  J 

3 — u,     p.  Sep.    — 15  n,     Cond.    — 50    Sudre, 

Th  omas. 

-  Tlieresito,  schott.  HartufFanfj   1.25  n,  Cond. 

— 25  n   Naudin,   Sudre,  Thomas. 
-Trianon,  gavotte  2 — n,  HarmfFanfj    1.25  n 
Naudin,  Sudre,  Ploix,  Thomas. 

-  Trompette?  de  Jericho,  brillante  :   1.  Allegro 

vivo,  uppel  de  TrfPistJ.  2.  Maestoso  ",o- 
uore,  ensemble.  3.  Allegro  vivo,  appel. 
4.  Choral.  5.  Recit.  6.  Andante,  priere. 
7.  Allegro  leggerio,  ensemble.  S.  Marziale, 
marche  triomphale.  9.  Allegro  final,  son- 
neries,  HarmfFanfj  3 — n,  Cond.  — 50  n, 
p.  Sep.  — 15  n   Thomas. 

-  Uii   Reve,   Fanf    1 —  n   Naudin,   Thomas. 

-  Valse    des    Triangles,     HarmfFanfj    1.25  u, 

Cond.  — 25  Naudin,  Thomas. 
-Victoire!    Marche,    HarmfFanfj     1.25  u,    p. 

s6p.   — 10  n,   Cond.  — 25    Sudre,   Thomas. 
-Vive     la    France!     Pas     red.     HarmfFanfj 

1.25  n,    p.    sep.    — 10  n,    Cond.    — 25    Sudre, 

Thomas. 

-  Voleux   d'guignes   2 —  n    Thomas. 

-  Zut,  polka,  HarmfFanfj   1.25  n,  Cond.  — 25 

Naudin,  Sudre,  Thomas. 

Maillot   L.  op.  4     Adagio,   VOrg,   VP  a  6 — 
Clot. 


-  Chant    de    victoire,    solo    et    choeur    s.  ace. 

Dulieux. 

-  Comment  on  meurt  pour  25  fr.  Ch.  s.  — 35  n 

Puigellier. 

-  Incendie  de  I'Opera  Com.  Ch.  s.  — 35  n  Pui- 

(jellier. 

-  Isaure   3 —   Sulehach. 

-  Jeunesse   1 —  n   Tjuhhe. 

-  Portrait  de  la  grand'  mere  3 —  Maihi.eu. 

-  Rose   mousse    1 —  n    Bornemavn. 

-  Une  vengeance  d'epicier  1 —  n,  Ch.  s.  — 35  n 

Puigellier. 

-  Vacances    1 — n,    Ch.  s.   — 35  n    Lahbe. 
Mailloux   G.    D.    Galop   niilit.   P  — 50   Brai- 

nard. 
Mailly  A.  op.  1   La  Victoire,  marche,  P  1.75 
Schoft. 

-  1    Sonate,   Org  4 —  Schott   Frcres. 

■2  Deux  Prieres  pour  Org,  Melodium  1.25 
Schott,    1/6    Novello. 

-  3    Six    morceaux    caracteristiques,    OrgfHJ 

6 — :    N.   1.    La    Reverie.      2.    Le    Badinage. 

3.  Le  Crepuscule.     4.  Le  Pastorale,  a  1.75. 

N.   5.    L'Angelus    1.35.      N.    6.    Fete    villa- 

geoise    2 —   Schott    Freres. 
-14  Barcarolle,  P  1.30  Cra7iz. 
-15   Duettinos,  P:   1.  Les  Reproches.   2.   Les 

Aveux  2 —  Cranz. 

■  16    Petite    Marche    des    Farfadets    1.30,    0 

5.80  Cranz. 

-  18    Deux    Esquisses,    P :    N.   1.    Impressions 

d'Avril   1.30.  N.  2.  La  Chasse   1.80  Cranz. 

-  19  Etude  de  Concert,  P  1.50  Cranz. 

-23  Six  morceaux  caract.  H  6 — ii:  N.  1. 
Reverie.  2.  Badinage.  3.  Crepuscule.  4. 
Pastorale  a  1.75  n.  N.  5.  Angelus  1.35  n. 
N.    6.    Fete   villageoise   2 —  n    Mustel. 

-  23   Deux   pifeces,   H   1.75   Mustel. 

-A  la  chapelle,  pet.  pifece,  Org  1.50  Schott 
Freres. 

-  Air  varie  sur  une  Melodie  de  Schubert, 

Harm   4 — ,  Fanf  3 —  Goiert. 

-  Arene  des   Virtuoses,   gr.   air   vari6,    Harm 

5—,  Fanf  4—  Gobert. 

-  .Vthenes  et  Sparte,  mO  av.  Clairons  ad  lib. 

1.50  n   Gobert. 

-  Aureole,    marche.     Harm    2.50,     Fanf     2 — 

Andrieu. 

■  Badinerie,  P   1.50  Schott  Freres. 

-  Berthe- Valse,    Harm    4 — .    Fanf   3—    Schoe- 

naers. 

-  Cantil^ne    (As),    VcOrg   3 —   Augener. 

-  Causerie,  VP  1.75,  VaP,  VcP  a  1.35  Schott 

Freres. 

-  Choregraphe,    quadr.    0  a  cordes    1 —  n    Go- 

bert. 

-  Clairon  Frangais,  pas  red.  p.  defiler,  Harm 

3 — ,  Fanf  2 —  Schoenaers. 

-  Coucou    et   Rossignol,   polka    imatative   2 — 

Kessels. 

-  Couronne     d'immortelles,     marche     funebre, 

Harm,  Part  3 —  n,  p.  s.  a  — 10  n  Evette. 

-  Dimanche  matin,  P  1.50  Schott  Freres. 

-  Djinns,    marche.    Harm    3 —   Schoenaers. 

-  Dragon    de    I'Annam,    marche.    Harm,   Part 

3 — n,  p.  s.  a  — 10  n  Evette. 

-  Enfants  de  la   Suippe,  pas   red.  Harm  3 — , 

Fanf  2 —  Schoenaers. 


I 


Mailly  A.  Helene  la  Blonde 


85 


Mair  F.  op.  11 


-  Hol^ne  la   Blonde,  redowa,   Harm(Fanf )  2 — 

Kcsscls. 

-  Impressions  d'Avril,  transcription,  Ea  1.30 

Cranz. 

-  Jour  heureux,  pas   red.   mO   1.25  n   Goberl. 

-  March   solennelle.    Org   — 50   J.   Fischer. 

-  Meditation,  Org  2—,  VP,  VOrg,  VcP,  VcOr'j 

il  2 —  Schott  Freres,  Org   1/ —  n  Augener. 

-  3  Morceaux,  Org  7.50  Lemoine,  3/ —  Laudy. 
-Ode  a  St.   Therfe.se,  stO,  Part   1.50,  St   1.50 

Cranz. 
•  Page  et  Chatelaine,  ouverture-fantaisie,   de 

Saint-Georges     d'Estrez,    Harm(Fanf)    4 — 

A  VAceord  parfait. 
-Palm    Sunday    (Paques    Fleuries),    I'ipeOrg 

—40  D  it  son. 

-  Pervenche,    ouv.    Earm(Fanf)    5 —    Kessels. 

-4  Pifeoes,  P  4—:  N.  1.  Feuillet  d' Album 
1—.  N.  2.  Valse  Melaueolique  1.75.  N.  3. 
Causerie  1.35.  N.  4.  La  Serenade  de  Colas 
1.35   Schott   Freres. 

-  Prelude  funebre,  marche  solennelle  et  can- 

tileue,  Org   1/ — n  Augener. 

-  Ixepos  Eternel,  marche  funfebre,  Harm  5 —  u, 

Fanf  4 —  n  Mennesson. 

-  Sincere,  pas  red.  mO  1.25  n  Gobert. 

-  Trimard,  pas  red.  2 —  Kessels. 

-  XTn  jour  de  Fete,  pas  red.  mO  1.05  n  Gohert. 

-  Un  pen  d'aide  fait  grand  bien  4—  Menjies- 

son. 

-  Un   Eai   au   Camp,   quadr.   0  d  cordes   1 —  n 

Goberi. 

-  Val    d'Or,    fant.     Harvi    4 —  n,     Fanf    3 —  n, 

Cond  — 50  n  Lory. 
Mailly  C.  Les  Lanciers,  P  1.75  n  Hachette. 

Mailly   Kr.   Salut  au  Drapeau,  pas   red.  2 — 

Kessels. 
Mailly    V.    Kessels:    Arabella,    redowa    avec 

solos  pour  2Pist  2 — . 

-  Aureole,    marche    de   proc.    2 — . 
-Favorite,  gr.  fant.   CIP  2.50  n  Andrieu. 

-  Fleurs  d'ete,  marche  de  proc.  2 — . 

-  Grande    fant.    s.  u.    Theme    allemand,    duo 

p.  Saxophone- A  et  Saxophone-T  et  P  2.50 
Andrieu. 

-  Kuckuck    und    Nachtigall,    Fantasie-Polka, 

mO  2—,  kl.  0  1.50,  blM  1.50  Oertler. 

-  Pervenche,  ouv.  Harm,  Fanf  a  5 — ,  P  cond. 

— 75   Andrieu. 

-  Pieuse,  marche  de  proc.  2 — . 

-  Tschangtscha,  polka  chinoise  2 — . 

Main  dans  la  main   1 — n  Joubert. 

Main  dans  la  main  1 — n,  Ch.  s.  — 35  n  Pui- 

gcllier. 
Main  du   Seigneur,   cantique  av.   Org    1.70  n 

Bornemayin. 
Main    Frangois    1 — n   Joubert. 

Main  H.  P.  A  Look,  a  word  at  parting  — 35 
Ditson. 

-  Arise,   go   forth  — /V2   Curwen. 

-  Behold  the  lovely  — /'/a  Curtcen. 

-  Bye,  baby,  bye  — 35  Ditson. 

-Hurrah!  For  sparkling  water  — l'^f„  Cur- 
wen. 

-  Take    courage,    temperance    workers    — ■:'^/., 

Curwen. 

-  What  a  shout  was  heard  — /2  Kohler. 


Maina    F.    Camilla,    maz.    3 —    Mariani. 
■  Eugenia,   P   1.50   Perosino. 

-  Teresio,   P   3.50   Perosino. 

Mainardi,   Quando!    Rom.    1.50  n    Mariani.' 

-  Sorrifi  e  Lagrime,  fant.  VP  1.75  n  Mariani. 
Mainardi    M.      Venice    Beauties,    waltz    i/- — 

Ascherherg. 
Maine  £.  Medley,  duet,  ^ot.v  — 35  Ditson. 
Mainey    Geo,      Castanera,    span.    Fandango, 

FullO  1—,  U  Instr  —75,  10  Instr  —50,  P 

—20   Standard. 
Main!   Achille,  Anello  4 —  Mariani. 

-  Puro  ideal !  2 —  Ricordi. 

-  Serenata   a   un   Moro   2.50   Mariani. 

-  Stornello   1.50   Mariani. 

Mai  no  A.  Splendor,   P  3 —  Ricordi. 

Mainoff  A.  Sebastopol,  polka  — 30  J ur gen- 
son. 

Mainou,  Crisalida,  maz.   1 —  Dotesio. 

Mains  sales   1 — n,   Ch.  s.  — 30  n  Ondet. 

Maintenant  ga  va  marcher  1 — n,  Ch.  s. 
— 35  n  Puigellier. 

Maintenant  de,  Chanson  de  Thibault  4 — 
Mathieu. 

Maintinsky  A.  Lutetia,  marche  1.75  n  Du- 
rand. 

-  Oc6ana,  polka  lente   1.75  n  Durand. 

-  Premier   Secret,   valse  lente   2 —  n   Durand. 
Mainviello,  Di  Lasciorti  Covotina  — 50  Cott- 

raii. 

-  Nelt  alto  velta   notte  — 50  Cottrau. 

-  Oh  come   in   sul  mattino    — 50   Cottrau. 
Mainzer  Abbe.  Schott:  Deutsche  Lieder  aus 

Italien,   TTBB   2.75. 

-  Gesang-Bibliothek    fiir    Schulen,    zwei-    und 

dreist.  Gesange  enthaltend,  4  Hefte  a  — 75. 

-  6  Kirchenlieder,  SATE,  Part  1 — . 

-  Music  Book  for  the  Young,  a  series  or  easy 

two-part  song  — /8   Novello. 

-  Singschule  fiir   Kinder,   mit  Vorwort,   Vor- 

rede  fiir  die  Kinder  und  Vorerinnerungen 
fiir   Eltern  und  Lehrer  2.25. 

-  Singschule,   od.   prakt.   Anleitung   zum   Ge- 

sange, verb.  m.  einer  allg.  Musiklehre  9.50. 

Maioresca,   Serenade  lointaiue,   P  — 50   Ma- 

gasinul   Conservatoriului. 
Maiorfi   A.    L.     Campana   dei   morti,   ovvero 

Santa    Cecilia    alle    Catacombe,     elegia,     P 

4 —  Carisch. 

-  Na.scita   del   Salvatore,   piccolo  canto   sacro, 

con  P   ed  Hurinouifliite  a   piacere   3 —  Ca- 
risch. 
Mair  A.  E.  A.  Because  your  eyes  are  lovely 
4/ —  Willcocks. 

-  Lady,   I   have   tarried   long   4/ —    Willcocks. 

-  Love's  Elegy  4/ —  Willcocks. 

Mair  D.  F.  Only  a  withered  violet  — 25  Brai- 

nard. 
Mair,  Evening  Peace,  oct.  quart.  — 10  Pond. 

Mair  Franz,  op.  4  Vier  Lieder:  1.  Das  Herz 
ist  ein  Roslein.  2.  Gelobt  sei  alles  Lieben. 
3.  0  schone  Friihlingszeit.  4.  Vogleins 
Lust,  SATE  2.60  Schlesinger. 

-  9  Ich  bin  bei  dir  1 —  Cranz. 

-  10  0  stille   dies  Verlangen   1 —  Cranz. 

-  1 1    Zwei    Lieder :    Wenn    sich    zwei    Herzen 

scheiden.    Ungewisses    Licht    1 —   Schlesin- 
ger, Ungewisses  Licht  1 —  Cranz. 


Mair  F.  op.  12 


86     — 


Mair  F.  Die  Volker  und  ihre  Lieder 


12  Am  See,  4st.  Clior  m.  P(PHorn)  1.10 
Cranz. 

13  Tanzlied   im  Mai,   TTBB  —80   Cranz. 

14  Zvvei  Gesauge :  Der  wuude  Hitter.  Grufi 
vom  Meere  2 —  Schlesinger. 

•15  Fruhlingsbilder,  8ATB  m.  P  2—  Vranz. 

15  Grufi  an  Wien,  Bagatelle,  P  — 80  Cranz. 

16  Der  arme  Peter,  B   1.50  Schlesinger. 

18  Drei  Lieder :  Nun  fangen  die  Weiden 
zu  blUhen  an.  Uf'm  Bergli  bin  i  g'sesse. 
Im    Nebelgerie.sel,   TTBB   2.70    Schlesinger. 

19  Drei  Mannerchore  :  1.  Liebessehnen.  2.  An 
den  Maienwind.  3.  Abendruhe  1.50  Cranz. 

32  Germaneuzug,  TTBB  m.  0,  Part  6—, 
St  3.90,  KA   1.50,  Siugst  2.40  Schlesinger. 

33  Der    arme   Taugenicht.s    1.25   Dohlinger. 

34  Drei  Gesange:  1.  Ein  verlorner  Klang. 
2.  Das  Herz,  a  —50.  Nr.  3.  ijber  die  See 
1 —  Dohlinger. 

35  Die  Auswanderer,  f.  Soli,  Clior  n. 
0(P),  KA  12—,  Chorst  3.75  Dohlinger. 

36  Grnf3  an  Deutsch-Osterreicb,  TTBB  m. 
Begl.  der  Blechharmonie  od.  /'  3.50  Schle- 
singer. 

37  Prober  Sinn,  TTBB  u.  Soloquartett  m. 
P  3.20  Schlesinger. 

39  Vier  Miinnercbore :  1.  Wie  die  wilde 
Ro.«'  im  Wald,  Lied  im  Volk.ston.  2.  Liebe, 
o  Liebe  (T-S.).  3.  Gott  willkommen,  liebe 
Sonne.  4.  In  stiller  Nacht,  Lied  im  Volk^- 
ton,  a  1.40,  Nr.  1.  Cornet  A  P  1—  Schle- 
singer. 

•40  Zwei  Lieder  im  Volkston :  1.  Die  schone 
NacLbarin.  2.  Scheiden,  TTBB  1.60  Ru- 
hitschek. 
41  Vier  Miinnercbore:  Nr.  1.  Das  Herz  ist 
ein  Eoslein  1.20.  Nr.  2.  Gelobt  sei  alles 
Liebeu  1.20.  Nr.  3.  O  wuuderschone  Friib- 
lingszeit  1.20.  Nr.  4.  Vogleins  Lust  1.20 
Schlesinger. 

■42  Friihling.sahnung,  Cbor  mit  Soloquart. 
1.40  Schlesinger. 

■47  Sangesweibe,  TTBB  m.  0  od.  P,  KA 
1.80,  Cborst  1.20,  0,  Part  7— u,  St  8.50  n 
Rohitschek. 

■  48  Mucker   und   Schlucker,   TTBB   1.20  Ro 

hitschek. 

■  50    Ascbenbrodel,     deut.scbes     Familienmar- 

cben  fiir  Cbor,  Soli,  P-Begl.  und  Dekla- 
mation,  SSMSA,  KA  5—,  Cborst  1.80,  SA 
TB,  KA  5—,  Cborst  2.40  Rohitschek. 

■  51    Eine   Sangerfabrt   zu   Pfingsten,   moder- 

nes  Epos  in  5  Gesangen,  TTBB  m.  P,  KA 
3.60,    Cborst    3.60    Rohitschek. 
-54   0   deutsche   Sangeslust,    TTBB    1.20    Ro- 
hitschek. 

-  55  Uuser  Kiirutnerland,  Cbor  im  Volkston, 

5  Miinnerst   1.20  Rohitschek. 
-56  Suomis'  Sang    (aus  dem   Scbwediscben), 
TTBB     1.20     Rohitschek,     —25     Rohlfing, 
— 06  n   Schirmer. 

-  59  Es  rauscbt  ein  stolzer  Strom  zum  Meer, 

TTBB   m.   od.   obne   0   od.   P,   Part  —40  n, 

KA   —80,   Cborst  —48   Lyra. 
-62    Hiiben    und    driiben,    TTBB    m.    /',    KA 

2.70   Rohitschek. 
-63    Die    einsame   Miible,    TTBB    m.    P,    KA 

2.70  Rohitschek. 


-  64  Das  Ehein-  und  Donau-Lied,  TTBB  1.20' 

Robifschek. 
-65  Standcben,   TTBB   1.20  Rohitschek. 

-  66    Hofer's   Tod,   Ballade,    B-Solo   u.    TTBB 

m.  0  od.  Jftns,  KA  4—,  Solost  —30,  Cborst 
1.80,    0,    Part    15— n,    0-St    9— n    Rohit- 
schek. 
-69  Hinter'm  Busch,  TTBB  1.60  Rohitschek. 

-  70   Der   arme   Nabob.   TTBB   m.   P   u.   hlM 

1.80  n,  Part  u.  Cborst  1.50,  Instr-St  — 80  n 
Siegt  I. 

-  73  Wegewart,  TTBB  1—  Siegel. 

-  74   Abenddammerung,   TTBB    1 —   Siegel. 

-  75   Siebst   du    das  Meer,   TTBB  m.   P,   KA 

1.20,   Cborst  —60  Siegel. 

-  76    Strafiburg    nimmermebr    — 75    Forherg. 

-  79    Das    Minnerlein :     ,,Es    war    ein    armes 

Minnerlein",   TTBB    1.60   Eulenhurg. 

-  80  Das  Gruslige  :  „Gruslig,  gruslig  kommt's 

gezogen",   TTBB    1.20   Eulenhurg. 

-  81     Lied     der     deutscbeu    Waffenscbmiede, 

TTBB  1.20  Eulenhurg. 

-  83  Dreimal  sieben  Soprausolo  m.   TTBB  u. 

P-Begl.  KA  u.  St  1.50,  Chorst  —60  Rohit- 
schek. 
-87  Der  Postilion,  f.  TTBB,  /i-Solo,  Pist-  u. 
P-Begl.,  KA,  J5-Solo-  u.  P^s^St  2.10,  Cbor- 
St  1.20  Rohitschek. 

-  89  Des  Kaisers  Reiter.sleut' :   „Wir  sind  des 

Kaisers  Reitersleut'",  TTBB  m.  2Tr  ad 
lib.   1.20  Kistner. 

-  93    Scblittenfabrt,    TTBB    m.    P-Begl.     KA 

1.20,    Cborst   —60    Rohitschek. 
-98   Auf   dem    Scblacbtfelde,    TTBB   m.    Soli, 

P-   od.   0-Begl.,   KA   2.20,   Chorst   1.50,   0- 

Part  6— n,   0-St   8— n   Rohitschek. 
-99    Konig    Ring     (Roi    Ring),    TTBB     1.2a 

Hug. 

-  101    Des    Jagers    Sehnsucht,    TTBB,    Wald- 

horn  u.  P,  KA  1.20,  Horn-St  —15,  Chorst 
—60    Rohitschek. 
-Am   Grabe   eines   Sangers,   TTBB   1.20   Bos- 
worth,    Wr.    Musik-Verlagshaus. 

-  An  die  Nacht,  TTBB  m.  Str-Instr,  Part  m. 

KA  4—,  0-St  2.50,  Singst  —80  Schle- 
singer. 
-Chore  und  Quartette:  Nr.  1.  .lucunde 
(Rollet),  Cbor  m.  IfHbrnern,  Part  u.  St 
1 — .  Nr.  2.  Bundeslied  der  Turner  (P  e  r- 
gamenter),  Cbor,  Part  u.  St  1 — .  Nr. 
3.  Und  immer  nicht  verzagt  (S  i  1  b  e  r  - 
stein)  1 — .  Nr.  4.  Mucker  und  Schlucker 
(Reineck),  Cbor  1 — .  Nr.  5.  Gretelein, 
Volkslied,  Quartett  f.  TTBB  —80.  Nr.  6. 
Am  See  (vide  op.  12)  1.10.  Nr.  7.  Mein 
Schatz  — 80.  Nr.  8.  Karls  Wiederkebr, 
Volksweise  — 80  Cranz. 

-  Deutscbes    Soldatenlied,    TTBB    u.    P    1.80 

Schlesinger. 

-  Die  verdamniten   Heiraten,   3st.   Canon,   TT 

BB  2.40  Rohitschek. 

-  Die    Volker    und    ihre    Lieder,     oder :      Die 

Reise  um  die  Welt,  Zyklus  von  Original- 
Volksliedern,  harmouisiert  und  bearbeitet, 
TTBB:  1.  Abschied  (osterreichisch) ,  TTBB 
m.  T-Solo.  2.  Ewigkeit  der  Liebe  (unga- 
risch),  TTBB.  3.  Slovakisches  Liedchen, 
Lied   f.   T  u.   P.     4.   Jungfraulein    (poln.), 


Mair  F.  Die  Volker  und  ihre  Licder 


87     — 


Maithol    Un  peeheur  en  chambre 


Soloquartett.  5.  Des  Kosaken  Abschied 
(russisch),  Duett,  8T  m.  P.  6.  Litauischos 
Ilirtenliedchen.  Chor  m.  0  ad  lib.  7.  Klage- 
lied  des  Mussin  Oglu  (ttirkisch),  Chor  m. 
T-Solo.  8.  Abendfahrt  (hindostan.) ,  Chor 
ni.  0  ad  lib.  9.  Persisches  Volkslied,  T- 
solo  m.  Brummst.  10.  Tsin-Fa  (chinesisch), 
Chor  m.  0.  11.  Liebeslust  (irisch),  Solo  u. 
Chor.  12.  Karls  Wiederkehr  (schottisch) , 
Chor.  13.  Altfrankisches  Troubadourlied, 
Chor  m.  7'-Solo.  14.  Mein  Schatz  (schwa- 
bisch),  Chor.  15.  Deutsches  Weihelied, 
Chor  m.  0,  Part,  Solo-  u.  Chorst  7.50 
Cranz. 

-  Kronungs-Marsch   zu   Schillers  Jiingfrau    v. 

Orleans,  ^ms  1.50  Schlesinger. 

-  Lebensbilder  2.80  Cravz. 

-  Lebensbilder  zu  F  r.  S  c  h  u  b  e  r  t's  Liederu, 

Gedicht  von  Dr.  L.  F  o  g  1  a  r,  musikalisch 
illustriert  mit  f  reier  Beniitzung  S  c  h  u  - 
b  e  r  t'scher  Motive,  als  Begl.  zur  Dekla- 
mation  des  cbigen  Gedichtes,  P  1.50  Cranz. 

-  Liederbuch  f.  osterreichische  Biirgerschulen 

1.10  n   Picltlers   Wwe. 

-  LiederstrauS,  ein-  u.  zweist.  Lieder.  Heft  I : 

1.  u.  2.  Schuljahr  — 20  n.  Heft  TI :  3.  u.  4. 
Schuljahr  — 30  n.  Heft  III:  5.  Schuljahr 
—30  n  Pichlers  Wice. 

-  Like  the  Woodland  Roses,  chorus  for  men's 

voices  — 06  n  Schirmer. 

-  Margret    am    Tor.      Siibernes    Bachlein,      2 

Chore,  TTBB  m.  Bar-  u.  T-Solo  2—  ScJile- 
sivyer. 

-  Meine    Muttersprache :    „0,    Muttersprache, 

weich    und    schon !"    Duett    1.20    Boswortk. 

-  Miillerbursoh,   TTBB  2—  Bosworth. 

-  Rau&che,    froher    Bach,      TTBB    u.    P    2.20 

Schlesinger. 

-  Scheiden   und   Leiden 
-Schuber  t-Hymne    i 

MM  u.  P  2—  "^Cranz. 

-  Tanz  auf  dem  Schiffe, 


—80   Cranz. 
(Rollet),    TTBB 


m. 


-  Vergifimeinuicht 


u. 
Bolt  m . 
30  n 


4nis  1.50  Schlesinger. 
„Blaubliimelein  spiegel- 
ten  sich  im  Bach",  TTBB  1—  Kistner, 
(Forget-me-not)    — 10  n   Schirmer. 

-  Vergifimeinnicht,  Barcarolle,  P  — 80  Cranz. 
-Voglein   im  Walde,   TTBB  —80   Cranz. 
-Wiener    Kinder-Walzer    1.80    Kramer. 

Mair   H.  Me.ses  in  F,  f.  1   Singst  m.   Org 

kl.  0  4—,  f.  3  Sing.st  u.  Org  2.50 
Maire    de    la    Glacifere    1 — n,    Ch.    ; 

Ondet. 
Maire  N.  et  Nardon  G.  Le  Moulinet  du  pas 

dc    quatro,    nouvelle    danse    de    salon,      P 

2 —  n   Gaudet. 
Mairel   M.  Douce  jalousie,   Ch.  s.  —35  n   .V. 

J/atrei-Vincennes. 

-  Sous  le  clair  de  lune,  Ch.  s.  —35  n  Mairel. 

-  Tes  yeux!  Ch.  s.  — 35  n  Mairel. 

Mairesse   M.  Didite,  polka  6 —  Laplunche  et 

Forlin. 
Mairet,  op.   18  France  et  Espagne,  more.  P 

9 —  Sulzhach. 

-  19   L'Allemagne,    souvenir    de    H  a  y  d  n,    P 

7.50    Sulzhach. 
-20    Th&me     de    Mozart     (La     Flfite 

chant^e),    P    7.50   Sulzhach. 
Mairetet  E.  Dors,  berc.     Videan. 


en- 


-  Mon   p'tit   trompette,      Videati. 

-  Morceaux   pour   pet.  P?   r6b^niol:    1.   Avant 

le  bal,  ouverture.  2.  Citharique,  polka.  3. 
St^phanotis,  mazurka.  4.  Coudrette,  schot- 
tisch. 5.  Les  Dunes  roses,  valse.  6.  Le 
Spectre  ambulant,  quadrille.  7.  Viens! 
polka.  8.  Fantasmagorie,  mazurka.  9.  La 
Belle  Philogone,  schottisch.  10.  Le  R^veil 
des  sireues,  valse.  11.  Pense  a  moi !  qua- 
drille. 12.  Isabelle,  polka.  13.  Les  Chrysan- 
th&mes,  mazurka  14.  Nuit  de  songe,  schot- 
tisch. 15.  Les  Aveux  de  Lydie,  valse.  16. 
Les  Myst&res  de  Saturne,  quadrille.  17. 
Les  Laneiers  modernes,  quadrille-lanciers. 
18.  Valerie,  varsoviana.  19.  Le  Vainqueur, 
pas  redouble.  20.  Aluminium,  retraite, 
Videuu. 
-Notes  d'or,  pour  Maud:  9.  serie:  Ad6le, 
valse.  Fleur  des  salons,  schottisch  — 80  n. 
10.  s6rie:  Le  Mot  d'ordre,  quadrille.  Ter- 
minus,  polka  — 80  n   Videan. 

-  Pinson  amoureux,     Videau. 

-  Si   le  bon   Dieu  m'avait  faite  homme,      F*- 

deaii. 

-  T'en  rapelles-tu.     Videau. 

Mairino   J.   L'Universelle,   methode   element. 

de   la   scien*ce   des  accords   3.50  n  Durdilly. 
Mais    a    part   ca    (av.    parle)    1 — -  n,      Ch.    s. 

— 35  n   Eveillard. 
Mais  en  attendant  1 —  Chavat. 
Mais  oui,  ma  ch&re  1 — n,   Ch.  s.  — 30  n   On- 

def. 
Mais   qu'   c'est    bon    1 —  u   Jotibert. 
Mais  qu'est-ce  que  j'ai  done  1 —  Chavat. 
Mais  voyez  done  1 — n  Jouiert. 

Maiscocq,  Recueil  de  Motets,  Org,  Part: 
1.  Tuntum  ergo,  duo  pour  CB,  2.  Tantum 
ergo,  solo  de  B,  3.  Tantum  ergo,  trio  pour 
2SB,  4.  Tantum  ergo,  duo  pour  TB,  5. 
Tantum  ergo,  trio  pour  CantoTB,  6.  Tan- 
tum ergo,  duo  pour  TB,  7.  Tantum  ergo, 
trio,  8.  Ave  Maris  Stella,  9.  Motet,  trio, 
10.  Motet,  duo  pour  TB,  11.  Motet,  duo 
pour  BC,  12.  Pange  lingua,  trio,  13.  Alma 
Redemptoris,  trio,  14.  Ave  Regina,  duo 
pour  TB,  15.  Regina  coeli,  duo  pour  TB, 
16.  Salve  Regina,  duo  pour  TB,  17.  Salve 
Regina,  trio,  18.  Salve  Regina,  duo  pour 
TB,  19.  Salve  Regina,  T-s.,  20.  Ave  Maria, 
a  1.35  Entto. 

Maisey   Clara,   Clarina   March   4/ —   Weekes. 

Maison  P.  A  I'aube,  bluette  1 — u  P.  Maison- 
Limoges. 

-  Ingrate,   meditation    1.75  n    Maison-Va.v\s.. 

-  Parjure  ou :  Julie:  drama  lyrique,  scene  de 

I'or   2.50  n   1/otson-Paris. 

-  Repenti,   P&re   Calixte,   3/aisow-Limoges. 
Maison    de   campagne    1 —  Delormel. 
Maison   de   mes  amours  ou   Maison  H  louer 

1 —  Ji    Jonbert. 
Maison  de  sante  1 — n,  (7i.  s.  — 30  n  Ondet. 
Maison  de  Suzon   1 —  Delormel. 
Maison   du   bon   Dieu  — 50  n  Bornemann. 
Maison   rose   1 —  Delormel. 
Maistre    Matth.    le,    Aus    tiefer    Not   schrei' 

ich  zu  dir,  SATB,  Part  —20   Bote. 
Maithol,      Un    p^cheur    en    chambre, 

operette  4 —  n   Eveillard. 


Maithuat  L.  Andrie  le  fou 


88     — 


Majani  E.  Or  a  triste! 


Hudovic.    Lahbe:     Andrie    le    fou 


n 


G   — 40n. 


Maithuat 
1— u. 

-  Ange   1- 

-  Annette  J 
-All    Inrge, 

avec   G   - 

-  Bopteme 

— 20  n),   parle    1 — n, 
mann. 

-  Caporal  et  le  Couscrit  1 

-  Chansons  de  Lisette   1 —  n. 
-Chant  de  drisse  1 — n,  Ch.  «. 

-  Chant  des  vieux  1 —  n,  av.  G 


av. 
—  n. 

ma    nacelle 
-40  n. 
du     petit     Courchiguoiix 


]  —  n    Bornemani 


(Dma 


Ch. 


s. 


-40  n    Born"- 


G    — 40n,    Oh.    s. 

If 

— 20n)    1— n,  Ch. 
G 


n.  av.  G  — 40  n. 

—20  n. 
-40  n. 

-  Chats  et  les  rats  1 —  n,  avec  G  — 40  n,  Ch. 

s.    —25  n. 

-  Chaumigre    1 —  n. 

-  ChifFonnette   1 —  n. 

-Cloches   c'est   la    voix    du    bon    Dieii    1 — n, 
Ch.   s.  *— 40  n   Bornemann. 

-  Comnie  on  change  en  vieillissant  1 — n,  av. 

G  —40. 

-  Contrebandiers   1 —  n. 

-  Coqs  de  mer   1 —  n. 
-Croix   de   diamants    1 — n. 

-  Deception   1 —  n. 

-  Deux    tresors    1 —  n,    av. 

— 20u. 

-  Dieu  des  Garoons    (Dma 

8.    — 40  n    Bornemann. 

-  Dip-moi    oui,    dis-rnoi    non    1 —  n,     avec 

— 40u. 

-  Enibarras    1 —  n. 

-  Falerne   d'Horace   1 — n,   av.    G  — 40  n. 
-Fete  de  Ninette  1 — n,  av.   G  — 40  n. 

-  Gant  trouv6  1- —  u. 

-  Girofle,  Girolia   (Diorama — 20  n)    ] — n, 

s.  — 40  n  Bornemann. 

-  J'avais    r?v^    1 — n,    av.    G    — 40  n,    Ch 

—30  n. 

-  J'etais  fou   i —  n,  av.  G  — 40  n,  Ch.  s.  - 

-  Je  ne  vous  aime  plus    (Dior.  — 20  n)    1- 

Ch.   s.  — 40  11    Boriu  mann. 

-  Je    ne    vous    aime    plus     et    pourtant     j'en 

mourrai    (Da.)   — 20  Bornemann. 

-  Je  pense  a  toi,  Marie  1 — n. 

-  Je  vous  ai  vu  mentir   1 —  u,   av.   G 
-Madeleine    la    coquette    (Dior.    — 20) 

Ch.   s.  — 40  n   Bornemann. 

-  Mon  palais  en  Bretagne  1 —  n,  av.  G 

-  Mon   p'tit  chien,   chansonnette  — 85 

Freres. 
•  Part    du    pauvre. 

-  Pfere  Croqueniitaine   1 —  n,  Ch.  .s.  — 20. 

-  Petit  Noel  1 —  n,  Ch.  s.  — 40  n  Bornetnann. 

-  Petites    fieurs    bleues    1 — n,    Ch.    s.    — 40  u 

(Da.  — 20  n)    Bornemann. 

-  Predictions  pour  I'an  prochain    I —  n.   avec 

G  — 40n. 

-  Qu'on  apporte  du   vin   3 — ,   Ch.   s.   1 —   Car- 

ter eau. 

-  Restez  mes   vingt  ans    1 —  n,   av.   G   — 40  n. 

-  Roi  du  mal   1 —  n. 

-  Ronces    du    chemin      1 — n,      Ch.    s. 

Bornemann. 

-  Ruisseau   1 —  n,  av.   G  — 40  n. 

-  Sans  quartier    1- —  n. 

-  Seigneur  d'Evreux   1 —  n. 

-  Senticr  qui  suit  la  mare  1 —  n,  Ch.  s 

Bornemann. 


Ch. 
.  s. 
-30. 


—40  n. 
1—  n, 

—40  u. 
Hrhoft 


-40  u 


-40  n 


-  Si   tu   voulais  bien    1 —  u. 

-  Simple  bachelette  1 —  n. 

-  Souvenirs    de    Lisette    1 — n,    Ch.    s.    — 40  n 

Bornemann. 

-  Souvenirs   d'un   etudiant,    av.    G   —40  n. 

-  CJn  Mot  d'amour   1 —  n. 

-  Un   petit   sou   s'il   vous   plait    1 — n,   Ch.   s. 

— 40  11   Bornemann. 

-  Une  enfant  de  seize  ans  1 —  n,  av.  G  — 40  n, 

Ch.  s.  — 30n. 

-  Veneur  du  roi  1^  n,  av.  G'  ^40  n. 

-  Voila  mon   reve   1 — n,  Ch.  s.  — 20  n. 
Maitinsky    A.   Charmeuses,    val.se   2 — u   Du- 

rand. 

-  Elysiana,  valse  2 —  n  Durand. 

-  Joyeux  Paris,  valse  2 — n  Durand. 

-  Oceana,  polka  lente   1.75  n  Durand. 
Premier    secret,     valse    Icnte,      0    avec     P, 

Durand. 
Maitland    &    Seymour,    Love    for    you     —50 

Nafional  Music  Co. 
Maitland  J.  A.  Fuller,  Autrefois  2/ —  Boosey. 
-Biddy   Aroo    (Db,   D,   F)    2/—  Boosey. 

-  Intrepid  Lover  2, —  Boosey. 

Maitland    Percy    F.     Minerva,    Walzer     2 — 

Putey. 
Maitre  le   (Arnold),  Ecce  Panis  — 20  n  Pere- 

gally. 

-  O  Salutaris  —20  n  Peregally. 

-  Sanctii  Maria  — 20  n  Peregally. 

-  Tantnm   ergo  — 20  n   Peregally. 

Maitre    Jean,    Heine    du    Bal,    quadr.    L70  n 

Bornemann. 
Maitre    Blaguefort    1 — n   Joubert. 

Blagueur,   P   a  parle   1 —  u   Joubert. 

danseur    1 —  n    Joubert. 

de   danse    1 —  Delormel. 


Maitre 
Mattre 
Maitre 
Maitre    d'Ecols 

mann . 
Maitre    d'ecole 

Gheluire. 
Maitre  d'ecole 
Maitre    d'ecole 

Gheluire. 
Maitre  d'hote! 


(av.     parle)    — 

alsacien     1 — , 

alsacien    1.75  n 
auvergnat    1 — . 

1- 


-50  n     Borne- 


Ch.  s. 


-30 


Joubert. 
Ch.    s.   —35 


n,  Ch.  s.  —30  n  Ondet. 

Maitre   Gregoire   1 — u    Ondel. 

Maitre  nageur  1 — n,  Ch.  s.  — 35  n  Eveil- 
hi)d. 

Maitres  buveurs  1 — n,  Ch.  s.  — 35  n  Eveil- 
hird. 

MaTtres  du  clavecin,  P,  eu  3  vol.:  I.  Bach, 
Mehul,  Cherubini,  etc.  II.  H  a  e  n- 
d  e  1,  SdC  arlatti,  Loeillet.  III.  C  o  u- 
p  e  r  i  n,  R  a  m  e  a  u,  P  a  r  a  d  i  e  s,  chaque 
vol.  6.75  n  Costallat. 

Maitres  modernes  (Echos),  danses  et  pet. 
more.    12  series  (a  6  pi&ces)    a  2 — n  Rouart. 

Maitresse   au    logis   1 — n  Joubert. 

Maitresse  corse   1 — n  Joubert. 

Mattresse  d'acteur  1 — n,  Ch.  s.  — 30  n  On- 
det. 

Maitresse  de  chant  et  de  piano  — 50  u 
Bornemann. 

Maitret  Maxm.  Divertimento,  V  — 60  Cranz. 

Maizier  C.  W.  Musikal.  Bagatellen,  Lieder 
m.  P  1 —  n  Breitkopf. 

Majani  E.  Non  e  pid !  Canto:  Era  bella  ed 
era  pura   2.50  Ricordi. 

-  Ora  triste !   Romanza   3 —  Ricordi. 


Majer  C.  10  Lieder 


—     89 


Major  J.  J.  op.  41 


Majer  C.  10  Lieder  im  Volkston  1.80  Cranz. 
Majestic,    Processional    March    (N.     671     of 

Broome's  Music),  Org(E)  — jZ  Broome. 
Majetti,  Aimez  bien  votre  m&re  1 — n,  ('/(.  s. 

— 35  n    CostalJat. 

-  Gr.   Galop  de   la   M6duse,   J^ms  5 —   Heu<iel. 

-  Valse    fav.     (de    la    reine    de    Prusse),    Jims 

2.50  Girod. 
Majetti    Karl,   Belle  Espagnole   1 — n   Labbe. 

Majlath  Josef  von,  op.  1   Bitte  Platz,  Polka 

Kchuell  — 84   Bosicorth. 
-2  Gartenfest-Polka    (fr.),  P  —84  Bosworth. 

-  4  Maiglockcheu,  Polka  fr.  P  — 90  Bosioorth. 

-  Sz6p    idok,    Keringo    (Sclione    Zeiten,    Wal- 

zer)    1.60  Rozsavolgyi. 
Majneri   A.  Foglie  d'autunno,  maz.  2 —  Mu- 

riani. 
Majocchi    Antonio.    Ricordi :    Op.    2    Recon 

uaissance,   P   2.50. 

-  14  Geranio  rosato,  maz.  1 — . 

-  15   Gelsomio,   maz.    1 — . 

-  16  Verbena,  maz.   1.50. 

-  18   Marie,   maz.   ^ms  2.50. 

-  20  Souvenir  de  Zena,  Angelina,  polka   1.50. 

-  21   Sofia,  polka  1 — . 

-  22   Mazurka    1.25. 

-  26  Idee  fixe,  polka  1 — . 

-27    12    Ottobre    1857,   polka    1—. 
-29    Souvenir    de    Bellotta,    maz.     1.50     Ma- 
riuni. 

-  31    Aglaja,   polka    1 — . 

-  32   Un   Saluto  a   Palermo,   maz.   1 — . 

-  Addio,  polka  de  salon   1 —  Mariani. 

-  Angiolina,  maz.    1 — . 

-  Barcarola  a  voci  sole,  T  e  B,  con  P  ad  lib. 

5.50. 

-  Canzonette  popolari  Veneziane  6 — :     N.   1. 

Amor  ti  xe  un  putelo  1.25.  N.  2.  Vissin 
de  Nina  1.25.  N.  3.  Tiolemo  su  el  fa- 
gotto 1.50.  N.  4.  La  Marina  1.50.  N.  5. 
Mia  cara  cocola  1.50.     N.  6.  El  Dubbio  2—, 

-  Estremo  addio  2 — . 

-  E.stremo  addio  d'un  figlio  moriente  1.50. 

-  Evviva  di  Nozze,  polka   1 — . 

-  Felieita,    notturnino,    P    1.50. 

-  Gardenia,  maz.  capricciosa   2.50. 

-  Lamento   1.50. 

-  Luigia,    polka    1 — . 

-  Mazurka   1 — . 

-  Non   t'accostare  aH'urna    2 — . 

-  Notturno,   Jfma  2 —   Mariani. 
-Petit   Souvenir,   maz.    1.25. 

-  Piaceutina,  maz.   1.50. 

-  Piacenza    e  Torino,   maz.    sentim.    1 .50    Ma- 

riani. 
-Polka   1—. 

-  Quanto  sei  bella  !   1.25. 

-  Questa,   polka    1 — . 

-  Regina   Coeli,   a   3  voci,   jS'  e   B    1 —   Eeren- 

beemt. 
-Romanza:    Forse,   ah!    forse  al  suo   pensier 

2.50. 
-Rosa  Tea,  maz.  eleg.   1.50. 

-  Serenata  :    Alta  6  la  notte  2- — . 

-  Sospiro  2 — . 

-  Stella,  maz.    1.50. 

-  Teresa,   polka   1 — . 


-  6   Valzer  e  Galop   1.50. 

-  Viola  mammola,  maz.  fant.  1.50. 

-  Vivi   felice  !   Maz.   1 — . 

Majocchi  Luigi.  Ricordi:  Cieca  che  vende 
fiori,  arietta    1 — . 

-  Cieca    Flora  ia,    arietta   — 75. 

-  Divertimento,   FIP  3—,   VaP  2—. 

-  Elegia  di   Sipili  2.10. 

-  Rosamunda,    aria:    Perdon    ti    chiedo    sup- 

plice,  trasportata ;   cavatina  :   Quel  cor  che 
mi   feria,   trasportata,   il    1.50. 
Major  Charles,   op.  2  L'Invation,  valse  5 — 
Ileugel. 

-  3  Konzert-Walzer   (As)  2 —  Bachmann,  Na- 

yel. 

-  7  Drei  Lieder:   1.  Das  erste  Veilchen.  2.  Es 

ist  das  Gliick  ein  fliichtig  Ding.  3.  Viel 
tausend  Kiisse  gib  2 —  Nugel. 
-8  Drei  Lieder:  1.  Die  stille  Wasserrose. 
2.  Und  gestern  Not  und  heute  Wein.  3. 
Zwei  Straufie :  „Hier  von  Friihlingsblu- 
men"  2 —  Nagcl. 

-  0,    sweeter    than    the    fragrant    flower    1/ — 

Ashdown. 

-  Office    for    the    Holy    Communion   — /8    No- 

vello. 

-  Satan,  valse  brill.   P  5 — ■  Heugel. 

Major  G.  W.  Ditson:  Bachelor's  button,  ga- 
lop — 25. 

-  Climb   de   golden   stair,    song   &  chor.   — 35. 

-  Daisy,  schotti.sche  — 25. 

-  Lily  bell,  waltz  —25. 

-  Pinkie,  march  — 25. 

-  Poppy,   polka   — 25. 

Major   Gladys,      In   Summer,    2   keys   2, —  n 

Williuras. 
Major    Jul.    Jacques     (1859),    Mery:    Op.    4 

Ilarmas,  PWc  7 —  Rozsavolgyi. 

-  8  Capriccio,  P  2—  Rozsavolgyi. 

-9  Deux  Morceaux:  1.  Menuet.  2.  Im- 
promptu, P  a  1.50  Ries  &  Erler. 

-11  Charakterstiicke,  P :  Mazurka.  Serenade 
hongroise.  Marche  hongroise  1.50  Nordisk 
Musikforlag. 

-  12    Concert-Symphonique,    PO,    P    av.    P II 

7.50. 

-  17    Symphonie    hongroise.     Part     10 — ,     St 

20—',  4ms  5—. 
-18  Concerto,   VO,  part.  d'O  5— n,  PV  8.50, 
V-s   .2.50  Hainauer. 

-  20  Trio  N.  2,  PVVc  10—  Leuckart. 

-  24  Serenade  f.  stO,  Part  5 — n,  St  6—,  Jfms 

(Gustav    Jansen)    6 —   Leuckart. 

-  26   Rhapsodie   hongroise,   P  2.50   Zipser. 

-  29  Sonatinak,  P,  5  fiizet  k  1.20,  progr.  ge- 

ordnet,   fiiz.    I— II    a    1.80,    III— V   a   2.40 
Bard. 
-33  Sonate    (in  D-dur).   VP  5 —  Leuckart. 

-  35   Gr.   ungarische   Sonate,    P   3 — . 

-  36   Scfenes  millenaires,  suite,   0,  Part   10 — , 

St   20—,  Jfms  6—. 

-  38   Niels   Finn,   Chor   mit  .^ws  oder   0,   Ar- 

rangement,  4'>ns   3 —  Hai7iauer,   Part   G — , 

Chorst   2 — . 
-40   Vierte   Symphonie    (Fis-m.),   Part  40 — , 

St  40 — ,   4ms  7 —  n   Breitkopf. 
-41    Lisbeth,    Oper,    Part   20—     KA    S— , 

Potp.  P  3—. 


Major  J.  J.  o}).  42 


90     — 


MaKapoB'b  n.  op.  83' 


42  Rhapsodic,   P   3—. 

43  Jiinge  Liebe,  Chor  m.  P,  Part  6 — ,  Chor- 
st  1.60. 

45  Psalm  (47.)  fiir  TTBB,  SSMSA  oder  8 A 
TB  m.   0,  Part  6—,  Ohorst  a  —40. 

46,  47,  48  Zebu  Lieder,  I— II  a  3—. 

47  Friiblingsstimmungen,  8  SMS  A,  Part 
2.50,   St  2—. 

47  Kiiruczenlieder,  S8M8A,  Part  1.50,  St 
1.60. 

49  Konzert  (A-m.),  PO,  Part  10—,  St  20—, 
PVc  10—. 

51  Grofipapa's  Spielubr,  Kinderszenen,  P 
(m.  iind  ohne  Cbor)  :  1.,  2.  Praludium. 
Spielubr.  3.  Berceuse.  4.  Rondo.  5.  Ron- 
dino.  6.  Mazurka.  7.  Rondoletto.  8. 
Marc'ia  funSbre.  9.  Scberzino.  10.  Pra- 
ludium e  Tema  con  variazioni,  a  1 — n 
Breitkopf. 

51  Grofipapa's  Spielubr,  Suite,  ein  Kinder- 
oratorium,  Part  10 — ,  Cborst  2.40,  6ms 
10—. 

53  Violinsonate   6—,    VcP   6—. 

55  Balaton,  symph.  Dicbtung,  0,  Part  30—. 
St   30—,   4ms   12—,   87ris    12—. 

56  Rund  um  den  Balaton,  Suite,  P,  I — II 
S   6 — ,  6ms  12 — •. 

57  Der  Wasserfall,  88  MS  A,  Part  4—,  Cbor- 
st 2—. 

58  Suite  galante,   P   6 — . 

59  Die  alte  Jungfer,  88M8A,  Part  3—,  St 
1 .20. 

61  Nacb  dem  Strike  2 — .  Vergessen.  Hab' 
einen   Traum   begraben    3 — . 

62  Trio,   PVVc   10—. 

63  Drei  Konzertfantasien,  P  10 — ,  Jm.s- 
10—,   PO,  Part  25—,   0-St  25—. 

64  Lieder  der  Sabatbarier  5—. 

65  Ungariscbe   Lieder   6 — . 

66  Orpbeus-Mannercbor-AIbum,  I — II  a  2 — . 

A    bamis    jubaszleany :    Reggelen    egy    sz€p 

tavasznak    (Die   Sprode :    An  dem   reinsten 

Friiblingsmorgen)     1.50    Rozsavolgyi. 
Azellenpont    (Contrapunkt),   a   canon   6s   a 

fuga  zene  tankonyve  5 —  Klokner. 
Chanson    du    XVe    sieele.    La    vera    Sorren- 

tina.  Siciliana,  88MSA,  Part  4—,  St  2—. 
Clerici  beati  sunt,  Chor  m.  /-•,  Part  4 — .  St 

1.60. 
Dalai:     I.    Szegeny     Margit     kre.si     madar 

Megy  a  juhasz,  Part  2.40.  II.  Alkonyatkor, 

3  stol   uoi  kar,  Part  2.40. 

Dalgyiitemeny  (Lieder-Album) ,  ara  2.40 
Zipser:  1.  op.  34.  En  (leb).  2.  op.  34.  Ver- 
fehlung  (Gyakran  ha  szep  erzemeny).  3. 
op.  34.  Am  See  (A  tonal).  4.  op.  34.  Das 
Rudermiidchen  (A  bajosleany).  5.  op.  34. 
A  bavasi  Rozsa  (Die  Alpenrose).  6.  op. 
37.  Rom&ncz  (Romanze).  7.  op.  23.  Ich 
liebe  dicb  (Szeretlek).  8.  op.  13.  Gyfisze- 
nek  (Trauergesang).  9.  op.  13.  EskiivOi 
kar  (Trauungscbor) .  10.  op.  7.  Der  Lenz 
(A  tavasz).  11.  op.  7.  Ich  babe  dicb  ge- 
kiifit.  12.  op.  7.  Ein  Scbrei  (Ketsegbeeses). 
13.  op.   13.  A  te  satraid    (Deine  Zelte).  14. 


Loboffo    l&ngb<an 


(Offeubarung) 


15. 


op. 


6.   Rondel.      16.  op.   6.   Im  Traum  nur  bist 
du  .  .  .    (Csak  alomk6p).   17.  op.  5.  An  den 


Friihling    (A   tavasz),   Duett.      18.   op.    19. 

KettSs    a  Dalma     czimfi     oper&b6l     (Duett 

aus  der  Oper  Dalma): 
-Ein  Scbrei  1.50  Zipser. 
-Ich  babe  dicb  gekiifit,  S  1.50  Zipser. 

-  If  love  make  me  forsworn    (Love's  labour's 

lost)    1/ — n  Augener. 

-  Kossuth    Gyaszindul6    1.50   Zipser. 

-  3    Kuruc   Dal,    3    szolam,    noi    karok.   Part 

3.50,   skolamok  2—. 

-  Lenz   1 .50  Zipser. 

-  Lieder-Album  4 —  Zipser. 
-Marine-Polka    m.    Tanzbeschreibung    L80  n 

Iloffheinz. 
■  Meine  Lieder,   8  SMS  A,  I— II,  Part  a   2.40,, 
St  a  2.40. 

-  Orpheus-Frauenchor-Album,   I — II   a  2 — . 
-5  Sonatine,  P :  N.  1.  Do  maggiore  3 — .  N.  2. 

Do  maggiore  4 — .  N.  3.  La  minore  5 — .  N. 
4.  Sol  maggiore  5 — .  N.5.  Si  maggiore  (pa- 
tetica)    5 —  Carisch. 

-  3  Streichquartette  (D-m.  E-m.  C-ni.)  a  10 — . 

-  Szegeny  Margit,  ballada  3 —  Zipser. 

-  Tavaszi    Ldngulatok     (Friihlingsstiirme),    3" 

szolam,   nOi   kar,  Part  2.50,   szolamok   2 — . 

-  Traumbilder,   ^ms   2.50   Harmonia. 

-  t'nnepnapak,    I — II    fiizet    a    1.50    Zipser. 

-  Zongora    iskola     (Klavierschule),     I — IT     k 

4 —  n   Nddor. 

-  Zongora-,  vagy  harmonium  i.skola   (Klavier- 

oder    Harmouium-Scbule)    4.80  u    Nddor. 

Major  and  Minor  scales  by  an  Eminent  Pro- 
fessor at  the  Royal  Academy  of  Music  2/6 
Williams. 

Major  Ipgca  1 — n,  Ch.  s.  — 30  n  Ondet. 

Majorani  L.  Ideali  perduti  „C'era  una  stella 
d'oro",  romanza  per  Bar  o  MS,  in  cliiave 
di  sol  — 50  n  Martinenghi. 

Majors,  De  Gospel  Bells  Am  Sounding  — 10 
National  Music  Co. 

-  Sailing  on  the  Lake    (Duet)   — 10  National 

Music   Co. 
Majthenyi    F.  Rose  d'Alpe,   romance,  P   1.10 

Rozsavolgyi. 
Majulli  V.  op.  4  Un  moment  de  joie,  caprice, 

P  1.75  n  Ricordi. 

-  7  Fior  di  notte,  romanza :  Quando  nel  Um- 

pido  3.50  Ricordi. 

-  10  Angelo  biondo,  melodia  3 —  Ricordi. 

-  Amiamoci    sul   mar !    Barcarola  :    Vieni    fan- 

ciulla  al  cerulo   2.50  Ricordi. 
-Pallida   bimba,   melodia   1.50  n   Mariani. 

-  Veletta  4 —  Izzo. 

M<iiopoB'B   A.   ^eMHflOB-b  -  MapuiT.   — 40  Jur- 

genson. 
Makarewicz  T.   Ks.  Rozauiec  o  Naplodszem 

Imieniu    Jezus,  2   St  — 60  n   Gehethner. 

3IaKapoB'b  A.   BecejiHe  upas^nHKii,  IIoJibKa 

— 30  Jurgenson. 
MaKapoBi>  II.     Jurgenson:  Op.  81  P  Nr.  1. 

MysbiKajibHMH  nycTfliieK'b  — 20.  Nr.  2. 
MejiaHxoJiHHecK.  Bajibct  (a  la  Chopin)  —40. 
Nr.  3.  PyccKaa  njiacKa  — 30.  Nr.  4.  MiiHia- 
TiopHwH  BoeHHMH  Mapui-B  — 20.  Nr.  5. 
Me.io^ia  —20.     Nr.  6.    Mazurka  F-dur  — 30. 

-  82  lOyoHJieHHWH  aiapim.  — 5u. 

-83  P  Nr.  1.  ntcHa  663^  cJiOB-b.  2. 
Bajibc-b-HoKTiopHs  a  — 50. 


MaKapoBii  II.  Aure.TB  Boniaiiie 


—     91     — 


Maker  F.  C.  6  Pieces 


■  AHreJii.    BoniflUie.     Trio     C"b    xopoM-E    — 40 

Junfenson. 
MasypKa  — 30  Jurgcnson. 

■  Polonaise  — 30. 

^epexo;^'b   pyccKiixt    yepes-b  /^yHafi  P  — 30 
Jurgenson. 
PoaiaHCW   Qutheil: 

1.  CnycTHJiacb  HOHb  —40. 

2.  rojiyowe  rycapw  — 40. 

3.  PHiap^t  JlbBiiiioe  cep^ii,e.  Ba.i.ia^a  — 50. 

4.  OotiiTbiH  xyManHMJiH  cHajiH  — 40. 

■PoMaHCbi  H  n-fecHH  Jurgenson: 

1.  yainiK-B  —20. 

2.  H  nepeJKn.TB  cboh  aceaaHba  — 30. 

3.  He  u.iiaib,  He  njia^ib,  Moe  ]1}itsi  — 20. 

4.  Ha  B03/^yuIH03I'B  OKeaHt  — 20. 

5.  CnajKH,  BopoTiiuibca  jih  tw?  — 30. 
<;.  CupoTa  —20. 

7.  He  Ha  asy  h  He  bo  CH-b  — 30. 

8.  Bo  ca;^y-ca/^OHK■fe  — 20. 

9.  K.)Ia?^OM'B  saKOjiTtoBaHHbiM'b  — 20. 

10.  Bwilop-b  SKCHbi  — 20. 

11.  OycH  TBOHx-B  o»iapoBaHbe  — 30. 

12.  n-fecHa  ^OH;^o.'Ibepa,    ^.la  1  hjih  2  ro.io- 
coBt  — 20. 

13.  HpiiBajKii,  3yma  pbi6aHKa  — 20. 

14.  JK/iy   /^aBHO,   miijimh   flpyn.     HojibKa- 
Maaypna  — 30. 

15.  JleTiixe,  jiHiixeca  obicTpte.  MaaypKa — 30. 

16.  Ha  ctsepb  ^nKoM'b  — 20. 

17.  Maxb  Bi  cepAi^ax-b  ivieaa  acypn.ia  — 20. 

18.  Bo  CHt  HeyT-feuiHo  a  njiaKaa-B  — 30. 
186.To-3Ke,  Ha  ^^Ba  roJioca  — 30. 

19.  CHHJiacb  MH^fe  ^^BymKa  — 30. 

20.  OcxaBb  Mena  — 30. 
21.no  rpH6bi  —30. 

22.  Sfits^a  jiio6bh  — 20. 

23.  3ojioxaa  u,-fenb  — 30. 

24.  Onaxb  aBHJiocb  B;ioxHOBeHbe  — 30. 

25.  M^epHOOKOH  — 20. 

26.  y»ipy  oi-b  GjiaacencTBa  h  mj^kh  — 20. 

27.  PeBHOCxb  — 20. 

28.  He    3Haio,     oxiero    xant    rpycxHo    mh* 
npH  hch  — 40. 

29.JlHJiia  —30. 

30.  Tbi  Kpaca  nn  Moa  ;i,'feBHU,a  — 30. 

Sl.MH-fe    CHHJIOCb   — 80. 

32.  Papojib^^'B  n  Pap^arapt.   Ba-Liafla  — 50. 

33.  C-b  BepeHHi;eK)  cjiaflocxHbixi)  rpes-b  — 30. 

34.  Hajia   na  ]SfiJim   Mat   iicusHb    o7i;HHOKaa 
—40. 

35.  Hycxb  roBopaxs  — 30. 

36.  PoHei^T..     BaJiJiaTia  — 30. 

37.  BtiKa  na.iecxiiHbi  — 50. 

38.  0c'fe7^JIaI0  Kona  — 20. 

39.  To-ace,  /^JIfl  KOHxpa.ibxo 

40.  Cep/^^e,  ^Jia  conpano  — 30. 

41.  To-ace,  fljia  Koaxpajibxo  — 30. 

42.  Bypa.     /i,y3xt  — 60. 

43.  y  K0.ibi5e.iH  — 50. 

44.  BopoH-b  Ki.  BopoHy  jiexHi-b  — 20. 

45.  TajK.  Jio,  He  cxajio  CH.5bi  — 20. 

46.  BcxaHb,  npocHHCb,  Moa  po^aaa  — 30. 

47.  Kor^a  xw  n.iaieuib  — 30. 

48.  Be36pejKHoe  Mope  Kpyroai-b  — 30. 

49.  Saq-feM-b  B-b  ;i;eHb  BCxptiH  — 30. 

50.  CKajKii,  saifcii  iboh  rjiasa  — 30. 

51.  fl  3Haji'b  ee  niHJibiM'b  peSeHKOMi  — 30. 

52.  PpycxHO  y  oKonq^a  — 30. 

53.  Axt  3a  Hxo,  3a  iio  pasjioSH.TB  mchh  — 30. 


54.  H^TO  Ha  3opbKt.  Ha  3op'fe.  — 20. 

55.  HleHHHxe  mh^  — 45. 

56.  H3'b  uo/i-b  xaHHCXBeHHon,   xojio;^hoh  no- 
jiyniacKH  — 45. 

57.  PasaioiJHJi'b  niena  — 40. 

58.  yjK-b  a  cep/^u,e  CBoe  xoponio  — 40. 

59.  Taaiapa.    BajiJia7(a  1 — . 

60.  MoHacxbipKa.    /J^paMaxHiecKaa  ^anxasia 
—90. 

61.  I^B^xbi.   CKa5Knxe,  xaKHce  KaKt  h  jik)]\k 
—60. 

62.  Saq'feji'B  JiFo6Hib  'i  — 60. 

63.  He  MOJiHCb  3a  laena  — 60. 

64.  JKaac^oH  ntrn  ^wuia  — GO. 

-  TypKH ! !  Bt  A3iK) !     Mapuit  — 30. 

-  yBJieieaie.    Bajibcx  — 50. 

-  Bo    ca/iy    caflOHKy.     I^biran.    ntcna,    uepe- 

jiojKenie  P  — 30. 

AlaKnpoB'b  O.   MaiicKoe  yipo.   Ba-ibCb  — 75 

Idxikowski. 
Make  hay  while  the  sun  shines,  motto  soug 

— /4   Sheard. 
Make  me  a  jacket  of  Pa's  old  coat   (Christy 

Song)    — /2   Sheard. 
Make    yourself    at    home     4/ —    Dean,    — /4 

Sheard. 
Makechnie,   Fire-fly,   polka,   1    page,   P  — 10 

White. 
Makepeace,  Little  Lulu  — 35   White. 
•  Veto   Galop  — 35   Ellis. 

Maker   F.   C.   Novello:    A   Fairy  Lullaby,   P 

3/ —  Evans. 

-  Arise,   shine,   SATB  — /3,  — 10  n   Schirmer. 

-  Awake,    thou     that    sleepest,     SATB     — /3, 

— 12  n  Schirmer. 

-  Awake  up  my  glory,  SATB  — /3. 
-Daughter     of     Zion,     SATB     — /3,     — lOn 

Schirmer. 

-  Earth   is  full   of   the  goodness,   SATB  — /3. 

-  Fairy   Kipples,   P   3/ —   Evans. 
-Fear   not,   0   land,   SATB  — /3. 

-  Flowers   appear  — /3    Ciirwen. 

-  Gavotte  in  D,  P  3/ —  Evans. 

-  Go  into  alle  the  world  — /3  Gurwen. 

■  Golden    treasury'    of    school     songs,     twelve 

part-songs  for  two  treble  voices:  1.  The 
hills.  2.  The  primrose.  3.  Fairyland. 
4.  Morning  and  evening  stars.  5.  Boating. 
6.  Distant  bells.  7.  The  hunt  is  up.  8. 
Twilight.  9.  Nutting.  10.  Skating  song. 
11.  The  goldfinch.  12.  Evensong,  a  — /2  n, 
or  complete  in  one  book   1/ — n  Ashdown. 

-  Halleluah  !  — /2  Curwen. 

-  I   will   extol  Thee,   SATB  — /3. 

-In    that    day    (Open   ye   the    gates),    SyiTB 
-/3. 

-  In  the  choir    (H  ad  lib.)    4/ —  Ashdown. 

■  Is   it   not   Whe   at  Harvest?    — /2,     0  — /3 

Curvoen. 
-Lord   is   my   Shepherd,   SATB  — /3. 

-  Moses  in   the   Bulrushes    1/6   Curiven. 
-Now  is  Christ  risen   (Easter),  SATB  — 16n 

Presser. 

-  0  how  amiable,  SATB  — /3. 

-  One   soweth,   another    reapeth,    SATB   — /3. 
-6  Pieces,  P:  1.  Reverie.  2.  Souvenir.  3.  Ta- 

rentelle.  4.  Swing  song.  5.  Valse  caprice. 
6.   Berceuse,   a   3/ —   Leonard. 


Maker  F.  C.  Praise  the  Lord 


92 


Malaschkine  L.  op.  16 


Die    Entfiihrung    der    Heleue, 


Solo- 


-  Praise  the  Lord,  8ATB  — /3,  —10  n  Schir- 

mer. 

-  liemember   now   thy   Creator  — /3    Curwen. 

-  Thou  crownest  the  year,  SATB  — /3,  — 10  n 

Schirm  er. 

-  Woodland  echoes,  P  — 50  Ditson. 

-  Woodlands,    treble    voices    — /6  n    Ashdoirn. 

IIIaK;iaKOB'B.     JIio6jieo    Te6H.  PoMancB  — bO 

Jurgenson. 
Makkay-Bela,   op.   9  Viribiis   unitis,   Marsch 

—60   Blosfeld. 

-  11    Diinafahrt-Polka   — 45    Neldner. 

-  12   Souvenir-Polka   — 45    'Neldner. 

MaKKaBeilcKiil    E.    KaHxaTa    SATB  ct  P 

ITapT.   1 —  Jurgenson. 
Maklary  Gy.  ifj.  Pair  oar.  polka  1.50  Rozsa- 

volgyi. 
Mako, 

szene  1—  Danner. 
Makoi-csardas  — 84   Rozsavolgyi. 
Makomaski    Edmond   de.   Gebethner:   Op.   8 

Mazourka,    P   — 30  n. 

-  Adagio  religioso,   VP   1.50  Eisoldt. 

-  Ave  Maria,   P   1 —  Bosworth. 

-  Ave  Ma  ria,   P  lub   Org  — 50  n. 

-  Casteja  valse  — 60  n. 

-  Chantante,  valse  — 60  n. 

-  Cyrano,   valse   — 80  n.  # 
-Florentine,   valse  — 60  n. 

-  Madzeska,   valse  — 90  n. 

-  Monitijo,  valse  — 75  n. 

-  Nadar,   valse  — 60  n. 

-  Ophire,  valse  — 50  n. 

-  Polonaise,  P  — 45  n. 

-  Komanesques,   valse  — 90  u. 

-Romanze  (G),    FP  1.50,    {A-m.)  ]. 20  Eisoldt. 

-  Si    vous    n'avez    rien   a    me   dire,   mazourka 

—45  n. 

-  Skating,  valse  — 60  n. 

-  Ukrainka,    polka   — 25  n. 
Makouna    1^ —   Delormel. 

Makower  St.  v.  Voicy  le  bois  4/ —  Forsyth. 
Makowez,   Duo  fiir  Horti  und  Bratsche   1.50 
Breitkopf. 

-  Quartett     fiir     Ilorn2VFagott,     F-dur     2— 

Breitkopf. 
Makowski   Henrico,  op.  1   Missa  in  honorem 
Beatae   Mariae   Virginis   ad    IV   voces    in- 
aequales.  Part  1 —  n,  St  — 60  n  Pustet. 

-  Die    zweite    Jugend,    Walzer,    Z    — 75,    mO, 

Part   1 —  Zimmermann. 

-  19  Preludye,  Org  1.20  n  Gebethner. 
Makowski     Ludwig.    Danner:    Auf    Gummi, 

Soloszene  — 60. 

-  Der    fahrende    Bauchredner,    Duett    1 — . 

-  Eine  perfekte  Kochin  fin  de  siScle  1 — ,  Solo- 

szene 1 — . 

-  Feuerwehr   und   Skat,   Soloszene  — 60. 

-  Fritzens  erster   Kommers,   Soloszene   1 — . 

-  Hausfrauenleiden,   Damen-Szene  — 75. 

-  Herr  Nauke,   Soloszene   1 — . 

-  Ihre  Schwiegertochter,   Soloszene   1 — . 

-  Liebe  am  Klavier  oder  Das  Telephon  — 60. 

-  Michel     Pogulski,     der     schlaue     Offiziers- 

bursche,    Soloszene  — 60. 

-  Sprachrohr,    Couplet    1- — . 

-  Turner    oder    Seine    Schwiegersohne    1 — . 

-  Weibliche    Feuerwehr    3 — . 


Makowski     R.    op.    5      Tlosenbliitter-Walzer 

1.50  Schlesinger. 

-  6  Dir  zu  Fiifien,  Polka-Mazurka  — 80  Schle- 

singer. 
Makrai    L.    Mariani:    Ebrezza    d'amore    .3 — 
Puccia 

-  Ei  venne    (Er  ist  gekommen)    5 — . 

-  Ici    bas    (Chansonnette)    3 — . 

-  Lamento  di  Margherita    (Gretchens  Klage) 

5—. 

-  Pellegrino  davanti  S.  Giusto    (Der  Pilgrim 

vor  St.  Just)   4 — . 

-  Se    la    canzon    risento    (Hor'    ich    das   Lied- 

chen)    3—. 

-  Serenata    (Serenade)    4 — . 

-  Soli  e  sicuri   (Stille  Sicherheit)    (teste  ital. 

e  tedesco)    3 — . 

-  Solitaria  Lacrima  (Die  einsame  Trane)  3 — . 
Makray    L.      Elegie     (R.    Schmidt),     VP 

1.50  n  Gries. 

-  Rimembranza,  Walzer  — 45  Lyre. 

MaKcaHT-b  <I>.  BecejiwH  Kjiy6i>  IIojibKa  — 30 

Idx,ikon'ski. 
MaKcii.\iOBii*i'fi  A.    HMnpoBH3au,ia  na  poM. 
^oHaypona:   Tm  KaK-B   MaficKoe  yTpo  npe- 
Kpacna  P  — 40  Jurgenson. 

-  B-feHCKiH  JiacTOiKH.  BajibCb  — 45  Jurgenson. 
Mai  d'amour  1 — n,  Ch.  s.  — 35  n  Eveillard. 
Malade  imaginaire    (av.  parle)    1 — n,  Ch.  s. 

— 35  n   Eveillard. 

Maladies  and   Medicines  — /2   Sheard. 

MalagueSa,  Flores  de  Andalucia  — 50  Wag- 
ner y  Levien. 

Malaguenas  fac.  y  ace.  1 — n  Bergali. 

Malan  Casar,  Harre  des  Herrn,  TTBB  —80 
Eulenburg. 

-  Hymne :    „Harre,    meine    Seele",    8ATB    (J. 

Lander,  Geistl.  Lieder   und   Volkslieder 
Nr.    1)    1.20  Andre. 

-  Je    la    connais,     cette    joie,     siehe:     Aug. 

R  e  i  n  h  a  r  d,    Harmonium-Schule,    op.    16, 
§   23,   Nr.   13.     Simon. 

-  0    Lord,   my   God,    SATB,    Yoc.    score   — /6 

Novello. 
Malaret   J.   Canteloube   de.   Hamelle:   Clair 
de  lone  6 — . 

-  En  Sourdine  6 — . 

-  Marche   funfebre   7.50. 

-  Serenade   6 —  n. 

-  Tristesse   5 — . 

-  Un  grand  sommeil  noir  6 — . 

-  Viens   sur   ce  coeur    1.75  n   Roiiart. 
Malaschkin    L.  0  konnt'  ich's  sagen  in  T6- 

nen,  S  m.  P,  MS  m.  P    (deutsch  u.  engl.) 
a  — 90  Jurgenson. 

-  Pa   Steppen  — 50  Gehrman. 
Malaschkine    L.      Jurgenson:      Op.    7    Ro- 
mance,   VP  — 60. 

-  8  Polonaise,  Jfms  — 60. 

- 10  TpH  ^opTeuianHbix-b  acKHsa  P:  Nr.  1. 
Adagio  — 20.  Nr.  2.  Andante  ma  non  lento 
— 30.     Nr.  3.  Alle>;ro  scherzando  — 30. 

- 11  BKcnpoMT-B,  Improptu  P  — 30. 

-16  P:  1.  Mazurka,  2.  Mazurka  melanco- 
lique,   3.    Mazurka,  a  — 50. 

Kpyrt  u.epKOBHMX'B  n'tcHoritiuH  no  naniBy 
KieBo-IleqepcKOH  JIaBpi.i,  nojiojKeHHux'b  na 
4  rojioca  TTBB,  SATB: 


Malaschkine  L.  op.  40 


93    —      MajaniKiiH'b  Ji.  J\.  50  yKpaiiHCbKux-b 


-  40  I.  JTiiTypria  Cb.  loanna  SjiaxoycTa,  ITapT. 

1—. 
-40a   la.    To-3Ke,   ]i,nii   Tpexrojiocnaro    xopa, 
Part  1—. 

-  42  II.  BccHomHoe  fi^tnie,  Part  3 — . 

-  42a  Ha.  BcenomHoe  G^tnie,  3-ro.i.  Part  2 — . 

•  43  in.   JTiiTypriii   Cb.    Racnjiia   Be.iiiKaro   n 

DpoHC/ieocBHUj.eHHbix'b    /I.apoB'i,,    Part  — 80. 
■44   IV.    IInHIIXII/^a,    c-b   /loGaBJi.    norpedeniH 
MonaiiiecTByiomcH  6paTin,  Part  — 60. 

-  45  y.  BjiajKeHHbi  ii  ripoKU.MUbi  (BoCKpecHwe) 

Ha  8  r.^iacoB-b,  Part  — 40. 
■  46   VI.    IIo^uShm     Cb     7^o6aBJI.     cthx.    „Ha 

p-feKax-b  Basii.TioHCKHX'b",  Part  — 70. 
•47  Vn.  Cjiy5K6bi:    1.  Ha  Po5K/^ecTBO   Ilpac- 

BHTbifl  Bo^opo/^H^bI,  2.  Bo37^B^5KeHie  Kpecxa 

^ocIIo/^HH.      3.    BBe^eiiie     bo    xpaai-b    IIp. 

Borop07lHU,hI.         4.       P0JK7^eCTB0       XpiICTOBO. 

5.  BoraaBjienie  (Kpeii^enie).  6.  CptTenie. 
7.  B-iaroBtmenie.    8.  BosHecenie  Focno/iHe. 

9.  npeoi5pa3KeHie  roeuo^He.  10.  YcneHie 
IIpecB.  Boropo/iHi^bi,  Part  4 — . 

•  48   VIII.    Cjiy3K6bi    (HeuojiHbia),    HpMOCbi    h 

npoy.  11.  Kx  Saiaxiio  IIpaBe^Hwa  Ahhh. 
12.  B-b  He/^•fe.^EO  KpecxonoKJioHHyio.  13.  B-b 
He^.  Baiii.  14.  Ki  CTpacxHofi  Ce^Mim-fe. 
15.  Bi  He^.  AHxnnacxH.  16.  B'b  nefl.  Mypo- 
HOCHn-b.  17.  Bi>  ne^.  Pa3e.ia6;ieHHaro.  18. 
Bi  He;^.  CajiapflHHHa.  19.  B'b  hqji,.  C.Tbnaro. 
20.  B'b  ne^.  II>iiii;iecflXHuii,bi.  21.  CiHXHpw 
CaMor.iacHbi  (xpii).  Part  2—. 

49  IX.  Hpaiocbi  (/I,HeBHbie)  Ha  8  r.iacoB's  cb 
^o6aBJieHieM'b  KanoHOBi,  Tpnn'feCHi^eB'b  h 
npoi,  Part  2.50. 

50  X.  PasHbiH  n'fecHon'bHiH:  B.iasKen'b  My^'b. 
IIpHntB-b  K'b  aKaencxy  Bo»cbeft  Maxepn :  0 
Bcen-fexaa  MaxH.  Ce  aceniix'b  ^pfl;^ex^.  Er^^a 
cjiaBHiH  yqeHHU,!!.  PasConnnKa  ^.xaropasyivi- 
Haro.  Hepxor'b  xboh.  Er^a  ox-b  ;ipeBa  Ta 
McpxBa.  BeiepH  TBoea  xaiiHwa.  IIpiiiflHTC 
yfijiasKiiM-b.  BocKpecHii,  BoJKe.  BsopanHon 
BoeBo;^■fe  H  3p.  Part  1 — . 

•Ax'b  MMJibiH  Moii  — 40  Qutheil. 
Ax'b  xbi   JKH3Hb,  Moa  3Kii3Hb  — 30    OutheU. 
9.ieria.  Te6t  moh  ^ap'b   VcP  — 50. 
PoniaHCbi: 

1.  HpoKviaxie.  1-a  6ajiJia^a  — 40. 

2.  8jieria.  Te6a  moh  /^ap'b  cMnpenHbiH  Vc 
—50. 

3a.  0,  ecjin-6'b  Mor'b  Bbipa3nxb  — 30. 

4.  Pascxa.xiicb  mw  ct,  xoGok)  9./ieria   — 20. 

5a.  TaKi  sKHSHb  MJia^iaa  npoxo^iix'b  — 30. 

6.  Cepn'b.  PyccKaa  n-fecHa  — 30. 

7.  P/tt  Bbl  ^HII  MOH,   ,1HII   BeccHHie  — 30. 

8.  He     cxpaiuna     mh^     Bojira     Maxymna. 
PyccKaa  ri-fecna  — 40- 

9.  Ko.Tibi6eJibHaa  n-fecna  — 30. 

10.  Cibiiuy  jiH  ro.Tiocb  XBoft  —30. 

11.  He  cKaacy  HiiKOJiy  — 30. 

12.  O/iHHOK-aa  c.iesKa  — 20. 

13.  Hpomy    a    .miub    BHiiiviaHba    CepeHa7^a 
—20. 

■PojiaHCbi,  L/xikotcski  : 

1.  Htx-b,  xojibKO  lox'b  — 40. 

2.  KaK'B  CJIa/^KO  — 40. 

3.  Pjiaja  — (iO. 

4.  H  BcxptxHJix,  Bacb  — 75. 

5.  Cjia;;K03ByHH0  Kt  neii  — GO. 

6.  Po3a  — 45. 


PoMancbi,  C.  A.: 

-  Ax'b   Xbl  5KH3Hb   — 40. 

-  Ko^/^a  6bi  tm  MOr.ia  — 40. 

-  HpocxH  — 40. 

-  C.ioBO  noc.Tt;^Hee  — 30. 

-  Y:)K'b  KUK-b  r.iany  — 30. 

-  Box'b  dt^naa  yba  lo  — 20. 

-  Bee  XHxo,  c.ia/iKO  — 80. 

-  B'b  xiixoM'b  uienoxt  — 30. 

-  HexbipexrojiocHbia     7i;j'xobho  -  MysbiKajibHbia 

coiiiHenia:  Nr.  1.  HwH'fe  CH.iw  He6ecHbia, 
2.  HoMbimjiaio  ^enb  cxpauiHWH.  3.  CB'fe- 
xe  xiixift.  4.  He  pb^aft  Mene  Maxii.,  Hapx. 
1—. 
Ma.iaiUKiiH'b  ^.  ^.  Idxikowski:  Majiopoc- 
cificKia  ntcHH  ^.la  xopa.  1.  Oh  y  .xy3H 
xafi  npH  6epe3H  (naaai^Kaa).  2.  Oh  uyjiaie 
(yyjMau,bKaa).  3.  M!h  ceacb  xaa  KpbiHbiieHbKa 
(yyMai^bKaa).  4.  Tuxo  BO/^a  6epe3KKbi 
po3Hocbixb  (Ka3au,Kaa).  5.  Oh  xo^w.ia 
^HBiHua  ropoK)  (ceMei'iHaa).  6.  Ilociro 
3o6o/iy  B'b  ca/^y  1.50. 

-  50    YKpaHHCbKbiX'b     iiHceHb :     Co/^epa^aHie : 

1.  On  a  BbiH/iy  3a  Bopoxa.  CxapHnnaa 
Ka3ai],Kaa  1800  ^o;^OB'b.  2.  /I^a  bjkc  xpexifi 
Benep'b  (Kasai^bKaa).  3.  EpomaHxe,  xecoBw 
noporbi.  (Ka3au,Jiafl;.  4.  Oii  xo/iwB'b  lyMaK'b 
CHM'b  pHK'b  no  /IjOHy.  (^yMaii,Kaa).  5.  Ty- 
MaH'b,    xyiviaH'b     no    ^o.iwhh.     (CeMefiHaa). 

6.  Bo.^bixb  6ojibixb  roJioBOHbica  (cemeHHaa). 

7,  ^HxoHKH  MOH  (ccMefiHaa).  8.  Oii  a  Bb^^/^y 
3a  Bopoxa  (ceMeiiHaa).  9.  /l^HBinHa  Moa 
^a  sapyyenaa  (ceMefinaa).  10.  HoM'b  tm 
acb  Mene  Moa  Maxbi  (ceMeHnaa).  11.  Oh 
Boace-acb  aiin  Boace  Mbi.xbifi  noKH/iae  (ce- 
Meftnaa).  12.  Oh  myMwxb  ry^e  cocoHO'iKa 
(ceMeHHaa).  13.  Cxohxb  ropa  BucoKaa 
(ccMeiiHaa).  14,  Iljyxb  moh  /^HH  3a  ;^HaMH 
(ceMeiinaa).  15.  IlAyTb  ^hh  sa  ^naMw 
(Bapianx'b).  16.  II],binajia  jioMajia  snxKy 
(ceMenaaa).  17.  ila'b  nonxas'b  Mbi.iwH  B-b 
KpwM'b  no  cHJib  (HVMauKaa).  18.  On  rope 
rope  ii;o  lyacaa  cxopona  (ceMCHnaa).  19. 
KoMy   BO.ia,    a   KOMy   nuBOJia    (ceM^HHaa). 

20.  On  nn^y  acB  .lyroM'b  jiyroai'b  (ceMefiHaa). 

21.  y  no.;iH  Moni.ia  a-b  Baxpoji-b  roBopii.ia 
(ceMeHHaa).  22.  Ho  xbiM-b  6oi^h  /tj'naK) 
(nacTyuiba).  23.  IIoBifi  BHxpe  na  Hnpanny 
(Ka3au,Kaa).  24.  Oii  raio  mIh  raro  (ceMennaa). 
25.  Oh  'ibiH  ce  bojiw  (Koaai^Kaa).  26.  Jl,nv.- 
inna  Koxana  STjopoBa  oy.ia  (Kaaai^Kaa). 
27.  Hh  MaMo  He  Moacna  ne  .iEo6a  .iK)6bixbi 
(ceMennaa).  28.  Hkt,  ain^^y  a  na  xy  ropy 
(ceMCHHaa).  29.  Oh  aaacKC  (Ka3au,K;ia). 
30.  Ornbin^e  (Ka3au,aaa).  31.  On  na  ropn 
xa  3KeHU,H  JKHyx'b  (Ka3an,Kaa).  32.  3iH;^y 
na  ropy  rjiany  na  Mope  (ce^iennaa).  ;-)3. 
HjibiBe  lOBHbiK'b  6e3'b  Becejibu,a  (6ypjiau,Kaa). 
84.  Byjio  acb  ne  py6axbi  se.ienofi  B'bUinH 
(K03a^Kaa).  35.  Oii  opaB-B  MyJKHK-b  Kpafi 
^oporw  (no.iCBaa).  3(>.  II  KHuaja  n  Mopra.ia 
HopHaBa  na  Mene  (Ka3an,Kaa).  37.  Oii  na 
^Bopii  xMapnxca  (nasai^Kaa).  38.  Oii  y 
nojiH  KpbinbiieHbKa  (Ka3an,Kaa).  89.  By.ia^c-b 
na  pHHOMKy  ^a  nw.ia  ropn.ioiKy  (y.xii'iiiaH). 
■^0.  Oii  y  no.iH  nwBKa  (h-asanKaa).  41. 
KosaKi,  KOsaK'b  MO.xoflenbKbiH  (Koaannaa). 
42.  Oii  noc.iajia  npnnoxna  no  Bn/^y  (Ka3au,- 
Kaa).  43.  OacenbiBca  a  He,iaBno  (lyMai;- 
h-aa).     44.  KojimSs  Mwnn  He,in.iii  .in^/iaxH 


Ma.ianiKiiH'b  Jl,  J^.  50  yKpaiiHCbKbix'B      —    94    — 


Malat  J.   Vystavni  poehod 


(yjiHinaa).  45.  Oh  y  Jiysn  trh  upii  6epe3H 
(KasanKaii).  46.  Oh  lyMCie  Hyjiaye  ('ly- 
Mai],Ka>i).  47.  ^h  ce^-b  ma.  KpbmwqeHbKa 
(lyiviai^Kafl  ^Jia  xopa).  48.  Tbixo  Bo/^a 
fiepejKbi  po3HocbiTb  (Kaaai^Kaa).  49.  Oh 
xoflbijia  sHBiHHa  ropoH)  (ceaieHHafl  jj,jih 
xopa).  50.  Ilociio  JIo6o/^y  bo  ca^y  (Kasai^- 
Kafl  ^Jia  xopa).  Bcfe  50  ntcen-b  Bb  o^hoii 
Texpa^lH  1.50. 

Malaspina  L.  Viaggio  di  Nozze,  P  L.'jO 
Carisch. 

Malat  Jan  (1844).  Urhdnek:  Bedfich  Sine- 
tana  Kytice,  melodic  z  oper  Smetanov^ch, 
P  4—. 

-  Belohradskg  zvony,  TTBB,  Part   1.20,  hlasy 

po   —24   ^f.    Urhdnek. 

-  Blah§  chvlle.  Sblrka  narodnlch  pisnl,  P  4 — . 

-  Breloque.s,  Sbfrka  snadnfch  skladeb  ruzn^ch 

skladatelu,  P,  J^ms  a  2 — . 

-  Ce.sk:^  nSrodnl  poklad,  Sbirka  70  pisnl  lidu 

cesk^ho  V  Cechfich,  na  Morave,  ve  Slezsku 
a  na  Slovensku  (stfednl  a  vy.ssi  bias). 
]— 70  a   1.20  n,  I— II  a   12— n. 

-  Ctveracivf,   scherzo,   P,  4ms  a  1.60. 

-  Den    stesti,     12    skladbicek    v    slohu    zcela 

snadnem,   VP,  I — II   a  3 — . 

-  Duetta,    Za    doplnek    ku    sve    Theoreticko- 

prakticke  skole  na  housle,  2V ,  I — IX  a 
1.20. 

-  Dvojzpgvy    pro   mladez :    1.    Jarni    piseii.    2. 

Andel  strSzce.  3.  Hvezdy.  4.  Jahody.  5. 
JarnI  5 —  M.   Urhdnek. 

-  Furiant,  mal^'^  0   6 — . 

-  Harmonium- Album   4 —    M.    Urhdnek. 

-  Hra  na  houenou  z  op.  S  t  ft  fi  a,  P  1 — ,    'yma 

1.20   M.    Urhdnek. 

-  Hubicky    1—   Otto. 

-  Jak   mam   te   rad    1—   Otto. 

■  Kdyz  jsme  se  loucili   1 —  Otto. 

-  Kvety    ruzni''^ch    barav.      PIsne :      Neco    za 

neco.  Co  v  dusi  lidskou.  Vfdal  jsem  te 
ve  snach.  Mam  te  rad.  Az  pujdes  na 
hrob  maticky.  Poznani.  Charpa.  Je 
temn;y^   tvvij    zrak   5 —   Otto. 

-  Kvltf  z  luhu  cesk:^ch,  Kytice  ze  zpgvu  na- 

I'odnfch,  P  4 — . 

-  Listky  do  pamatnik,  P,  I — IV  a   1 —  Otto. 
-Maje,  TTBB. 

-Mazurka    —60. 

-  3    Mazurky    2—. 

-  Narodnl   pisn?    (4),   TTBB   4—. 

-  Narodni    pisne    ceskoslovanske     (61     TTBB, 

44  .SV1773,  6  BBA),  I— IV,  Part  a  1.60J 
hi.  a  — 40  Ustf.  jedn.  zpev.  spolku  cesko- 
slovanskfch-'PTahii. 

-  Nasim    zenSm,    pro    3  hi.    Part    1.50,    hlasy 

po  — 20   M.   Urhdnek. 

-  0   salutaris  hostia,   TTBB. 

-  Perly    cesk^ho    zpevu    narodniho    pro    nasi 

mladez,  Sbirka  100  nftrodnlch  pisnl:  II. 
Maskovy  sbirky  „Nov6  dite  vlasti",  PfHJ 
5—. 

-  6  Pisnt:   1.  Zdaio  se  mi.  2.  Byla  to  pisnioka 

po    vzdechu    kratsi.    3.    Za    deset    roku.    4. 
Ten  prsti^nek  zlat.f.  5.  Eftd  bych  tl  nap.sal 
pisen  dnes.  6.  Melodie    (valcfk)    2 — . 
-4    Pisne:     Ja    v     snach     te     vid61.     Dumka. 
Oklamana.   Pijficka,      Koci. 


-5    Pisnl:    Modlitba.    Mgsicnl    noc.    Oj,    na§e 
rovina.   Slib.  Na  pfastku,  M.   Urhdnek. 

-  Pisne   pro   skolu    a   dum,   pro    1,    2,   3    a   4 

lilasy  s  pruvodem   i  bez  pruvodu   4 — . 
-4  PIsnl,  8:  ].  Odl^tala  holubice.  2.  Gdoulou. 
3.  Vzpominam.  4.  Let!  easy  2 — . 

-  3    Plsn§ :      Odbyt^.     Rozs#vac.     Holubicka, 

Koci. 

-  2  Pisne  s  pruvodem.  PH  (ad  lib.)  :  1.  Vzdech- 

nuti.  2.  Majovi''-  vecir  3 — . 

-  Posvfitn;('^   cas   VAnoenl.    Zpevy   k    JeMskovi. 

Pisne,  hry  a  koledy  pro  jeden  i  vice  hiasu 
s  H(PJ,  Sesit  1—3  po  3—. 

-  Prakticka  skola  hry  na  housle,  I — X  po  1 — 

Vlustni   ndklad -Smichov. 

-  Prava  ceska,  polka,  P,  Jfins  a  1 — . 

-  Riize    stolista,    100    ceskoslovansk^ch    plsni 

v  snadn^m  slohu,  P  4 — ,  Upln^  text  v.sech 
pisni   vaz.    1.80. 

-  Sanctus,   TTBB. 

-3    Sbory,   pro  4  hi.   Part   L50,   hi.   po   —40. 
-a   Sbory,    TTBB,    Part    1.50,   hlasy   po   —60 
M.   Urhdnek. 

-  Slovanska   llpa,     100    lidovych     pisnl   v.sech 

slovansk^ch  narodfl,  I,  P  4 — ,  II,  2F  4 — 
Vlastni  ndklad. 

-  Smyccova   kvarteta,    I — IT,      Koci. 

-  Svarna  venkovanka,  polka  — 60. 

-  Tak   laska   vesla   v   dusi   mou   1 —   Otto. 

-  Theoreticko-prakticka    skola    na    H,      Sesit 

1—9  po  2—,   Sesit  10  3— 

-  Theoreticko-prakticka  skola  na  Fl:  I.  gkola 

hmatuv,  Sesit  1,  2  po  4 — ,  II.  §kola  pfed- 
nesu,   Sesit  3,  4  po  4 — . 

-  Theoreticko-prakticka    §kola    na    V,    SeSit 

1—14  po  1—. 

-  Touha  po  vlasti,  Piseii  cesk^ho  vyst§hovaloe 

do  Ameriky    (stfednl  hlas)    1 — . 

-  Transkripce     (fantasie,     parafrase),    cesko- 

slovansk:('ch  pisnl  narodnlch,  H:  I:  C.  1. 
Mela  jsem  chlapce.  2.  Nechal  si  ma,  nechal. 
3.  Kdyz  t6  vidim,  ma  panenko.  4.  Aj  za 
horii.  5.  Ach,  neni  tu,  nenl.  6.  Ja  nechci 
Sadneho.  7.  Kazd:^  se  nam  divl.  8.  Kdybys 
mela,  ma  panenko,  sto  ovec.  9.  Roste  stro- 
mek    dubovy.    10.    Travicko    zelena   4 — . 

II:  C.  11.  Ach,  tece  voda  za  vod6.  12. 
Po  nabrezi  konik  bezl.  13.  Coz  se  mne, 
ma  mila,  hezka  zdas.  14.  Pfekerak  jsem 
ja  sem  pflsel.  15.  Pekna  moje  mila.  16. 
Cervena  ru2ieko.  17.  V  torn  Racick6ni 
zaniku.  18.  Na  torn  nasem  dvofe.  19. 
A  ja  vzdycky,  co  mne  ma  hiavicka 
pobollva.  20.  Kdybych  ja  vMela,  kdo  me 
s  mil^m  louci  4 — . 

-  V    dobrem    rozmaru,    valse    impromptu,    P 

1.20    Vilimek. 
-Venkovske  obrazky    („Besedv"   I.),   2VVcB 
(ad  lib.)    P  8—.  ' 

-  V  jasu   i   stinu.   Pisne :    Tak  laska   vesla  v 

dusi  mou.  Jak  mam  te  rad.  Zplvej  mi  z 
dalkj^  Hubicky.  Matcina  pIsen.  St6stl  4 — 
Otto. 

-  Velka      theor.-prakticka     skola,     P,      vide : 

F  i  b  i  c  h    Z  d. 

-  Vlastni  silou,  S.ITB,    Lumir-FriiM. 

-  Vystavni   poehod    1—. 


Malat  J.   Vx,pominka  na  Prahii 


—     95 


Maiek  W.  op.  148 


-  Vzpomfnka    na    Prahu,    40    nejobUbenejsich 

nSrodnfch  a  vlasteneck^'ch  pisnl,  Cts.  1 — 40, 
Napevy  stextem  1.20,  P,iims,  I— II  jl  3.20. 

-  Z    cesk:^ch    vesnic :       I.    Utecha.    Kyrysnlk. 

Chucla  laska  1.32.  II.  Hajdalaci.  Raci  1.32 
Ustv.  jedn.  zp<kv.  spoifcu-Praba. 
-Z  rftje  mlfidr.  Detske  pisn^:  1.  Letni  vecer. 
2.  V  zinie.  3.  Konvalinka.  4.  Babicka.  ">. 
Vlastovky  tfihiiou.  6.  Kouli  se,  kouli.  7. 
Deu  pnlce.  8.  Ukol^bavka.  9.  Mrzout.  10. 
Maticoe.  11.  Sirotkovo  cekani.  12.  Vlastu- 
vicka  3.60. 

-  Zlata    pokladnice    cesk.fcb    pisnl     a    zpevu. 

Pomucka  a  dodatek  ku  kazde  klavirni 
skole:  I:  Sesit  1 — 5  (po  20ti  pisnich)  po 
2— n.  II:  Se.sit  1—5  (po  20ti  pisnlcb)  po 
2 —  n.  Upln^  text  pisni  k  obema  fadfini 
(vfiz.)    2—. 

-  Zpevy  lidu  ceskeho.  Smes  z  narodnk-li  pisni. 

T.  Pro  ^2 A,  Part  a  hlasy  4—,  lilasy  po 
— 40ii.  II.  S  ^»is  a  H  (ad  lib.),  Part  a 
hi.  6—,  hi.  po  — 50n;  TTBB,  P(E)  (ad. 
lib.),  I  8.20,  II  8—;  8ATB,  P(TI)  (ad 
lib.),  I  6.40,  II  11.20. 
-Zplvej,  duse,   TTBB. 

-  Zvuky    slovanske    (stfednl   hlas)  :    1.    Pisik- 

dcery  ducha  meho.  2.  Kde  domov  luuj.  3. 
Cecliy  krasne.  4.  Moravo.  5.  Pfichazfm 
pf  Imo  z  Moravy.  6.  Hej  Slovane !  7.  Kde 
muj  je  kraj?  8.  Slovan  jsem  a  Slovan 
budu.  9.  Naprej  !  10.  Slozno.  11.  B^vnli 
Cechov^.  12.  Tam,  kde  venci  modre  hory. 
13.  Nitra.  14.  Tesme  se  blaliou  nadeji.  ir>. 
V  Cechftch,  tam  ja  jsem  zrozena.  16.  My 
jsme  hosi  od  .^umavy.  17.  Tazete  se,  proc 
jsem  Slovau.  18.  Zasvit'  mi,  ty  sluuk  ozlate. 
19.  NenI  muze  nad  kovare.  20.  V  dobreni 
jsme  se  sesli  6 — . 

-  2   2enske,   4    zpevy,   Part   2.10,   hi.   po   —80 

Ustv.  jednota  zpev.  spoZfeu-Praha. 

-  2  2enske,  4  zpevy,  Story. 

Malat  Jan  a  Jan  Masek,  Theoreticko- 
prakticka  skola  na  P,  Sesit  1 — 12  po  1.20. 

Malat  Jan  a  Jul.  Rauscher,  Nova  prakticka 
skola  hry  na  V,  I— XIII  ft  1—. 

Malats  Joaquin,  Barbillage,  capr.  P  2 — 
Dotesio. 

-  Capriccio,  P  2.50   Llobet,   Lemoine. 

-  Deuxieme  mazurka   1.50  Dotesio. 

-  Moreua  ciibana,  P   1.75   Dotesio. 

-  Napoli,   bare.   P  2 —   Dotesio. 

-  Valse   caprice,    P   2.50   Dotesio. 
Malborough  s'en  va-t-en  guerre   (Da.  — 20  ii) 

1 — n,  Ch.  s.  — 40  n  Bornemann . 
Malbouz,   Retour   du   printemps  — 30  n   Jou- 

bert. 
Malchair,   IJon   Souliait,   maz.    ] —  Brahy. 
Malchow   Ferd.   op.   7   Walzer :    „Aus  guter, 

alter  Zeit"    (F)    1—  Simo7i. 
Malcolm    Jeanne,      Keeper     of     my    Heart, 

2  keys  2/— n  Enoch. 
-Shall   I  not  wake  2/ — n   Boosey. 
Malcolm    Mrs.    Maitland,    A    Mother's    Song 

4/ —  Weekes. 
Malczewski   F.  4  Mazurkas  2 —  Schlesinger. 
Malczewsky    Jules,   op.   8    Zehn    Mazurkas: 

Nr.  1.   (C-m.)   1—.  Nr.  2.   (F-m.),  3.    (C-m.), 

4.    (F-m.),   5.    (B-m.),   6.    (Fis-m.),   7.    (C). 


9.    (H-m.),   10.    (E- 


a  —50.   Nr.   8.    (C-m. 
m.),  a  — 75  Kistner. 

-  9    Piesni    ludowe    z    Galicyi    wschodniej,    P 

— 30  n    Geiethner. 

-  10    Berceuse    sur    uu    Thfeme    populaire,     P 

1 .50  Kistner. 
15  Reminiscences  du  Carnaval,  5  morceaux 
de   salon,   P   2.50   Kistner. 

-  16    Variations   sur   un   Theme    original,     P 

2 —  Kistner, 
Maldacea   N.  'Ncopp'  'arena!  Canzone  popo- 

lar  >    per    Piedigrotta   5 —   Ricordi. 
Maldonado  P.  Divina  aldeana,  mazurka  —50, 

0  1 —  Wagner  y  Levien. 

-  Prima  vera   em   Portugal,   maz.    1 —   Guima- 

rJles. 
Maldura    G.    B.    Ricordi:    Op.    5    Otello    di 

Verdi,  fantasia,   V (Mand)  con  P  5 — . 
-7  Metodo  popolare  per  I'acc.  di  Chit  1.50  n. 
-9  Meditazione  di  C.  Gounod  sul   1.  Pre- 

ludio   di   S.    Bach,   trascritta   per   5Mand 

con  PfChit)   6—. 

-  11    Ispirazione  Melodica,  trascritta,  SMand 

con  Chit,  o  per  0  di  Mand  e  Chit  4 — . 

-  12   Barcarola,   trascritta,   MandChit   2.50. 
-16  Lullaby,  V(Mand)  with  P  1.75  n. 

-  Barcarola  Veneziana  di  Mendelssohn, 

trascritta,  MandP  con  2.  Mand  e  Chit  ad 
lib.    1.50  n. 

-  Facile    Trascrizione    di    due    Canti    Napole- 

tani,  2MandP:  N.  1.  Melodia  3—.  N.  2. 
Serenata   4—,   2MandChit  a    1.50. 

Male   at   la   Femelle    1 —   Ondet. 

Male   Quartet   Collection  — 50  Brainard. 

Male  Voice  Chant  Book,  a  collection  of 
three-part  (ATBJ,  chants,  adapted  to  the 
Book  of  Psalms  3/ —  Novello. 

Male  Voice  Club,  a  series  of  Masterpieces 
for  male  choirs,  (Edward  Brans- 
combe  N.    1 — 40) ,   Bayley. 

Malecot  A.  Chant  du  ,, Rayon  de  soleil". 
Rayon   de   soleil-Vavis. 

Malediction    1.35  n  Bornemann. 

MaIek  Adolf,  op.  200  Der  Kommandeur  v. 
der  Leipziger  Feuerwehr :  ,,Die  Biirger- 
wehr  ist  meiner  Ehr"   1.50  Glaser. 

-  Der   Anfang   ist  schwer    1 —  0.   Dietrich. 

-  Der  ist  verriickt,  Duett   1 —  0.  Dietrich.. 
MaIek    Wilhelm,    op.    84    Musikalische    Mo- 

mentaufnahmen :  ,,Auf ,  lust'ge  Sanger 
all",  Gesangs-Quadrille,  TTBB  m.  P,  KA 
2—,  Chorst  2.40  Gluser. 

-  88    Bosko's    Zauberkopf,     urkomisches     Ge- 

samtspiel  f.  1  Dame  und  6  Herren,  KA 
3 — ,   6   Rollenexempl.   3 —  n   Glaser. 

-  89   Treue   Liebe :    „Ein   Wanderbursch   sein 

Liebchen   halt",   TTBB    1.20   Glaser. 
-121     Im     dunklen    Buchenhain:      „In     dem 
dunklen  Buchenhain",  Walzerlied,   1   Sing- 
st  m.  P   1—  0.  Dietrich. 

-  124    Professor    Speckbein's    Vorlesung    iiber 

die  Ehe,   Soloszene  m.   P   1.20   Glaser. 
-128   Im  leichten  Kahn :    „Heut  ging  ich   so 
still  allein",  Walzerlied   1 —  0.  Dietrich. 

-  143  Fiir's  einz'ge  Kind  gibt  man  das  aller- 

letzte  1.20  Dietrich. 

-  148  Marsch  der  Seydlitz-Kiirassiere,  P   1 — 

Bendiw. 


Maiek  W.  op.  166 


96     — 


Malezieux  G.  E.  Ave  Maria 


-  166  Wie  eine  Rose  zart  und  schon   1.20  P. 

Schirmer. 

-  182  Elektrische  Funken,  Potpourri  f.  TTBB 

m.   P  4 —  Dietrich. 

-186  Zecherstreit,  B  m.  P   1.20  Dietrich. 

-220  Miitterchen  schlufst  du?:  ,,Ich  war 
nocli  sehr  klein  und  kindisch  mein  Sinn", 
herziges  Lied   1.20   0.  Dietrich. 

-  Der   siebenjahrige   Krieg,    fiir    4   Herren    u. 

1    Dame   2..50   0.   Dietrich. 

-  Tm    frohen    Kreise:    „Auf.     liisfge     Sanger 

all'  und  singt  nun  froh",  TTBB  3—  0. 
Dietrich. 

-  Nach    der    groisen    Parade,    f.    5 — 7    Herren 

3—  0.  Dietrich. 

-  Spuk  in  der  zweiten  Etage,  f.  5  Herren  u. 

1   Dame  2.50  0.  Dietrich. 

Malemberg  Carl.  Ascherherg :  A  Shadow, 
dance,  P  score  4/ —  Donajowski. 

-  Across  the  Desert,   P   2/ — . 

-  Austrian   Dance,   P  2/ — . 

-  Barbara,   P  Ai- —  Swan. 

-  Bon    Voyage,    waltz    2/ — ,     VP    1  6,     Mand 

1/6. 
-Burlette,  P  3/—. 

-  Casilda,  danse  antique,  P  4, — ,  FiillO  1/6  n, 

Sept.   1/— n. 

-  Clarinda,   intermezzo,  P  4/ — . 

-  Coliuette,   intermezzo,   P   1/6. 

-  Danse  humoreske,  P  1/6. 
-Diana,  P  1/6,  J,ms  — /9. 

-  Dresdina,   P  — /6,   2V   w.   P   ad   lib.    1,6,    P 

4/—,  Jfms  4/—,  6ms  4/—,  VP  4/—,  (T  r  e  a- 
h  e  a  r  n  e)  FIP  1/6,  1/—,  VVcP  4/—,  m. 
Band   5/—  n.    Brass   Band   2/6  n. 

-  Enchantment,   rondo,   P  4/ —   Whittingham. 
■  Fair    Rosamund,    P    3/ — ,    simpl.    1/ — ,    J/ms 

4 — ,  O   1/ — n  Ashdoicn. 

-  Favourite  Barn  Dance,  P  2/ — . 

-  Floriuda,   P   1/6. 

-Flower   Queen,   polka  4/ —   Paterson. 

-  Gretna  Green,  P  1/6. 

-  Ilypodrome-Polka  2/—,  2V  w.  P  ad  lib.  1/6, 

FiillO    1/6  n,   Sept.    1/— n. 

-  Mammy's  Barn   Dance,  P  2/ — . 

-  ^laudolina,  graceful  dance,  P  4/ —  Ashdoicn. 

-  March   magnetic    3/ — . 

-  Marionette  dancfe,  P  4/ —  Ashdoicn. 

-  Masks  and  Faces,  P  4/ — . 

-  Masquerade   Dance   2/6,    VP   2/ — . 

-  May  Queen,  graceful  dance  4/ — ,  Jfms  2/ —  n, 

FullO  &  Sept.  2/— n  Sheard,  Mil.  Band 
15/— n   Rudall. 

-  Maypole  Frolic,  characteristic  piece,  P  3/ — 

Ashdoun. 

-  Melinda,,  a  stately  dance,  P  3/ —  Ashdoicn. 

-  Milanese  Dance,  P   1/6. 

-  Minuetto    (Bflat),   P   3/—. 

-  Myrthe    Blossoms,    P    1/6. 

-  Nell   Gwynne,   P  4/—,   ^ms  2/—  n,   FullO  & 

Sept.   2/ —  n   Sheard. 

-  Old  Dresden,  P  1/6,  Mand(V)  — /9. 

-  Old    Normandie,   P    2/ — . 

-  Old  Rome,  P   1/6. 

-  Pfimavera,  mazurka  3/ —  Ashdown. 

-  Rainbow    Dance,   P   1/6. 

-  Romany   Dance   4/ —  B.    Williams. 

-  Romilda,  intermezzo,  P   1/6. 


3/- 


VP    1/6,     FullO    1/6  n. 


-  Rondinella,   P 

Sept.   1/— n. 

-  Roulette   Dance,   P   1/6. 

-  Roundelay,  P  1/6,  Jfms  2/—,  yp  1/6.  ^F  w. 

P  ad  lib.   1,6. 

-  Savona,   intermezzo,   P   3/ — . 

-  Silver   Stream,  P  2/—. 

-  Silvery  sea,  charact.  piece,  P  4/ —  Ashdown. 

-  Student's   Repertoire,    a    serie   of   easy    tea- 

cliiug  pieces.  P.-  1.  Scherziuo.  2.  Sona- 
tino.  3.  Rondoletto  in  G.  4.  Gavotte.  5. 
Bagatelle.  6.  Rondo  Petite.  7.  Rondo  in 
G.  8.  Danse  rustique.  9.  Scherziuo  in  G^ 
10.  Intermezzo.  11.  Canzonetto.  12.  Ron- 
doletto  in  C,   a   1/ — . 

-  Sylvine    (Bourree),   P   4/ —  Swan. 

-  Venetian   Barcarolle,  P   1/6. 

-Verona  (Shakespearean  Dance),  P 
4/—,  ifms  2,1—  n,  FullO  &  Sept.  2/—  n  She- 
ard. 

-  Viennese  Dance,  P  — /6,  4ms  — /9,  6ms  2/ — , 

VP   2/—,   2V   1/6,   Mand(V)   — /9. 

-  When  the  lights  are  low  (G  e  r  a  1  d  L  a  n  e) , 

P  4/ —  Leonard. 

llIajieH^op<P7>  II.    Cepenay^a.    Si  ac/iy   Te6a 

(p.  H.)  — 45  Jurgenson. 
Ma.ieHbKifl    .Iiic't-b  (Der    kleine    Liszt).     6a 

IlbecH  II  jaHUbi  2.25  Zimmermami. 
MaJieHbKifi  llaraiiiiHii  (Der  kleine  Paganini). 

100    nbec-b    H    TaHD^eu'B:     V  2 — ,    VP   3 — 

Zimmermann. 
Ma.ieHBKill  PyoiiiiniTeilHT.  (Der  kleine  ifu- 

binstein):    I  (68  nbecw)  1.75,    II  (70  ubecb) 

2.25,     I     H    II     BM'tcrtj    (133    iibecw)    3.25 

Zimmerniann. 
Ma.ieHbKiif  HaiiKOBCKiif.  do.ibiuofi  c^opunK'B 

H3JIK)0JieHH'feniIIHX'b  H  HOB'lJHmilX'B  UbeCT.  11.31. 

onep-B,  onepeTOK-b,  Mapiueii  Pl.25  Daicingow. 
Malenitza    von    Stamora    A.      Herzens-Bot- 

schaft  — 80   Schlesinger. 
Malerba   E.  Aflfezione,  P  1.25  Ricordi. 
Malerba    F.      Bella   bruna,    minuetto,    Mand 

—20,  MandChit  —50,  MandP  1.20  Rebagli. 

-  Capelli   d'oro,   Mand  — 20    Rehagli. 

-  Mimmi,  schott.  Mand  —20,   MandChit  —50 

Rehagli. 
Malerba    S.      Piedigrotta,    canto    delle    fan- 

ciulle   napol.   2.75   Ricordi. 
-Ritorna!   2 —  Ricordi. 

-  Se    t'avessi     un    di    baciato !     Melodia-Stor- 

nello :    Dissero    che    I'inferno    3 —    Ricordi. 
Malet   F.   Changements   de   Mand.     Andrieiu 

-  Chanson    des    amoureux.      Andrieu. 

-  Douce   folie !    Valse,    0,   partie    de   P   cond.. 

Her  mand. 

-  Livadia,   maz.   russe,   0,   partie   de   P  cond. 

Herniuvd. 

-  Pierrot   sceptique.      Andrieu. 

Maleyse   CI.   Berceuse,   valse.     Labbe. 
Malezieux    B.    Polichinelle,    caprice    orig.    P 
1.75  u,  J/ms  2.50  n  Rouart. 

-  Reveil  de  B6be,  ^ms  1.75  n  Rouart. 

-  Reveil   du  printemps,   P  2 —  Loret. 

-  Sommeil   de  Bebe,  ^?hs   1.25  u   Rouart. 

Malezieux  G.   E.  Adagio,  Corno  da  CacciaP 
2 —  n   Ricordi. 

-  Adieu    a    Graziella,    CorP    1.50   Schoenaers. 

-  Ave  Maria,  av.  Org  — 50  n  Pinatel. 


Malezieux  G.  E.   (  'ujilieite 


—     97 


Malfeyt  A.  Baiser  dii  jmrdon 


-  (Japtivite,      reciii-illemeut     po6tique,     Corno 

ingl.  F  1.75  u  Kicordi. 

-  Cc  que  (lisait  graiul'  mfere,  P  4 —  Charticr. 
A   chaniiauU'.s    melodies    6 — n,    Ch.   s.   2 — n 

Oaudel. 
Claire   de    lune,    fant.    HoAith   — 50  n,   av.   P 
2.50  Pointer,  HautbCorP  2.50   Schoenaers. 

-  Dans  TAIcove  sombre    1.75  n    Loret. 
E.squisse  Villageoise,  faut.  HautbCorP  2.50 

Schoenaers. 

Extase  — 80  n  Pinatel. 
Largo     (Handel),     SaxophP     1 — ,     Cor  I' 

(Org)  1.50,  av.  VOrgHa  3 —  Schoenaers. 

-  Lili    virtuose,    album    pour    les    tout    petits 

(3e  s6rie),  12  petits  morceaux  d'auteurs 
celebres,  grav6s^  en  grosses  notes,  arranges, 
excessivement  faciles  et  soigneusemeiit 
doigt6s  4 —  n  Legouix. 

Meditation,  Cornet  ou  Saxoph,  Fl,  Hauth, 
CorP  2 —  n,  partie  solo  — 25  n  Schoenaers, 
Millereau. 

Melodie  religieuse.  Cornet  a  PP  2.50  n,  Cor- 
net a  P-s.  — 75  n   Gandet. 

-  Melodie    religieuse,     SaxophP,     CornetP.    a 

1- —  Schoenaers. 

-  Melodie  religieuse,  P  2.50  n.  //  — 75  n  Gau- 

det. 
-2    Melodies:    1.    Printemps.    2.    Nocturne,    ii 
.  2.50  Schoenaers. 

-  Nocturnes,  N.  1 — 2,  CorP  a  1.50  Schoenaers. 

-  Pens^e  intime,  P  5 —  Chartier. 

-  Petit  menuet,  P  5 —  Legouix. 

-  3  Petites  recreations,  excessivement  faciles, 

>yms:    1.   Carillon   de   Saint-Pierre.      2.    En 

avant !   3.  Prfes  du  moulin  6 —  Legouix. 
-2  Piftce.s,  ObP  3.50  n :  N.   1.  Sous  les  grands 

arbres,     r§verie     2 —  n.       N.  2.     Pastorale 

2 —  n   Ricordi. 
-3   Pi&ces,   P   2— n:      N.  1.   La   Rose.   2.    La 

Violette.     3.  Le  Lys,  a  1— n  Rouarl. 

-  Poupee   de   ma   cousine,   polka.      Ilayet. 
-Pr&s  du  Berceau,  P  3—  Charticr. 

-  Printani&re,    maz.    1.70  n,    simpl.     1— n.    0 

2 —  n   Fotiquet. 
-Reverie    (Berceuse),   P  -4—   Chartier. 
-Rgverie,   SaxophP,  Cornet  ( Bougie ) P  ii   1.50 

Schoenaers. 

-  Romance   sans   paroles,    Cornet  a  PP 

Cornet  d  P-s.   —75  n.   HP  2.50  n,   // 

Gandet. 
-Ronde  de  petits  pantins,  P  4—  Chartier. 
-Ronde   Montagnarde,   P  4 —  Chartier. 

-  Saltarelle,  morceau  de  salon,  P  1.35  n  Gai- 

det. 

-Sergent  et  Caporal,   polka,   O    1—    O  a  cor- 
des   av.    Tromh   &    Pist    1—,    Harm    1.25  n. 
Fanf  1— n   Dehert. 
Sol,  fa,  si,  la,  si,  re,  P  4—  Chartier. 

-  ^ur  le  lac,  rgverie.  Cornet  a  PP  2.50  n.  Cor- 

net d  P-s.  —75  n,  HP  2.50  n.  H  —75  n  Gan- 
det. 

-Toccata,  P  6—  Legouix. 

-Un   Bapt^me   au   village,   P  3—   Chartier. 

-  Une  noce  au  village,  P  4 —  Chartier. 
Vielle    et    la    Fileuse,    etude,    P    2— n    Le- 
gouix. 

-  Volontariat,    pas    red.    Harm    1.25  n,    Fanf 

1 —  n  Debert. 

UnivorRal-Handbuch  it<-r  Musikliteratur.    M. 


2.50  n, 
—75  n 


Malfait    H.    Amour   brise.      Coslil. 

-  Faut    pas    qu'tu    m'grondes !    3—    Sulzhach. 

-  Fraiche  et  rose,  maz.   1 —  n  Cairanve. 

-  Pomme  ii  Nana  3 —  Sulsbach. 

-  Pour   uue   cocotte.      Grimy. 

Malfatti-Romagnoli    L.  Una  gita  ai  Lagoni, 
niareia,    fms  3.50   Carisch. 

Malferrari    L.   Oanzoncina   d'apriie   2.50   (hi- 
lisch. 

-  I'anzonetta,    2MandChit   2.50    Ricordi. 

-  Fiaba,   melodia,   con    MandP.    MS(Barj    3 — 

Uicordi. 

-  (ravotta,   2MandChit   2.50    Ricordi. 
Malfetti   Paolo.   Carisch:  A   lei   3.50. 

-  Al  Mare,  coro,  SC  4 — . 

-  .lUa   mia  stella  2 — . 

-  Bacio  della  mamma  2.50. 

-  Campane  del   Villaggio,  maggiolata,  coro  a 

2  voci  3 — . 

-  Canto  di   villanelle  Senesi,  coro.  SC  3 . 

-  Chacoue,   P   3 — . 

-  Danza     orientale,     Fl(Mand)Chit     3 ,     Fl 

(Mand)P  4—,  FUIundChit  3.50,  FlMand 
P  4.50,  2MandChit  3.50,  2MandP  4.50, 
2MandFlChit  4—,  2MandMnndolaChit  4—, 
SMandMandolaP  5—,  0  di  MandiMeChite 
ed  H,  Cembalo,  Naccharese,  e  Triangolo  a 
piacere  4— ,  Part  per  0  di  strumenti  a 
Plettro:  con  H,  Cembalo,  Naccare  e  Trian- 
golo 4 — . 

-  Danza   zingaresca   3 — . 

-  Disgrazia   della    cuoca    (o    del    cuoco) ,    sce- 

netta  com.  music,  per  fanciulli  4 —  Mondo. 

-  Evviva  la  Tromba,   coro  e  marcia  per  voci 

di  bambine.  con  movimenti  ginnastici  P 
1.50. 

-  Fatina,   piccolo   pensiero,    P   .3 — . 
-Folletti,    operetta    per    fanciulli    <>    fan- 

ciulle   6—,   libro  —50. 

-  Gattina,  coro  per   voci   di  Bambine,  con  as- 

bolo,   P  -2—. 

-  Gavotta  del  gatto,  P  3 — . 

-  Giorno   della    distribuzione   dei   premi    Coro 

per  bambini  o  bambine,  P  1.50. 

-  In  Primavera.  canto  ginnastico,  coro  inf.  P 

L50. 

-  Inno  Savoia-Montenegro,  trascrizione  sopra 

i  due  Inni  Nazionali  3 — ,  parte  staccata 
del  coro  senza  ace.  — 25  ii  Graziani  Wal- 
ter. 

-  Messa   ad   una   sola    voce   ad    uso    Istituti, 

Educandati   ecc,   con   ace.    Org   5 — . 

-  Montauine,  danza  carat.   3 — . 

-  Natale,   coro  di   concerto,   SCP  .3 — . 

-  Siam   farfalle.  coro,   2   voci  per  bambine,  P 

2 

-  Son  finiti  gli  studi,  coro  per  bambini  o  bam- 

bine, P   1.50. 

-  Una    bella    vittoria,    canto    ginnastico.    coro 

inf.   P. 

Malfeyt  A.  Ah,  Ah!   Tchii !   Imitative  Polka, 

0  a  cordes   1 —  n   Gobert. 
-Amour  pense  et  ne  parle  pas   1 — ii,   ('/i.   s. 

— 35  n  PuigeUier. 

-  Au  revoir,  galop,  O  1 —  n  Ghdluwe. 

-  Baiser   du    pardon    1  —  u,   Ch.   s.   — 35  n    Le- 

signe. 


Wlalfeyt  A.  Bvbv  vi&ns  done 


98 


Malherbe  E.  Pieces  enfant ine^ 


-  Bebe   vieus   done  3 —  Sulzbach. 

-  Bouffon,  quadr.  0  1 —  n  Gheluwe. 

-  Cam^lia,  gr.  valse,   P  av.   V  fac.  —50  n,   O 

d  cordes  1.50  n  Debert. 

-  Coquette,  maz.  P  av.  V  fac.  — 30  n  Debert. 

-  D4sir,   gr.   valse,   P  av.    V   fac.   — 50  n.   O  a 

cordes   1.50  n   Debert. 

-  Etoile  du  midi,  fant.  P  2.50  Gheluwe. 

-  Folie  d'amour  3 — ,  Ch.  s.  — 30  u  Eveillard. 

-  Grandville,  valse  2 —  Gheluwe. 

-  Legende    de    Ric-ft-Ric    3 — ,     Ch.  s.     — 30  n 

Eveillard. 

-  Luronne,  polka,  0  1 —  n  Gheluwe. 

-  Lut&ce,  pas  red.  polka,  0  1 — a  Gheluwe. 

-  Maison   Rous-sin   3 —   Sulzbach. 

-  Paris,  marche  brill.   1.70  Gheluive. 
-Pirouette,  polka.  0  av.   Piston    1.50  n   Mar- 

gueritat. 
Malflggiani    A.    W.      Adelina    Patti,    P    1  50 

Ricordi. 
Malflggiani   G.  La  Melodia,  notturno-valzer, 

P  4 — .  II  solo,  notturno  2- — .  II  solo,  valzer 

3 — .  La   Melodia  .3 —  Ricordi. 
Malflggiani    G,   W.   Occulto   a  lei   che   adorn 

2 —  Ricordi. 
Malfilatre   G.   Beau   Mathurin,  scfene  chor^o- 

graphique    5 — ,    Ch.    s.   — 30  n    Eveillard. 

-  B§quillard    1 —  n,    Ch.   s.   — 35  n    Puigellier. 

-  Qa    fait    plaisir    a    Barnab6    1 — n,      Ch.    s. 

— 35  n  Puigellier. 

-  Qa.    u'    pouvait    pas    mieux    tomber     1 —  ii, 

Ch.  s.  — 35  n  Puigellier. 

-  Ca  vous  douue  a  reflechir  3 — ,  Ch.  s.  — 30  n 

Eveillard. 

-  Caracoleuse  3 — ,  Ch.  s.  — 30  n  Eveillard. 

-  Ces    choses-la    n'arriveut      qu'a    moi    1 — n. 

Ch.   s.   — 40  n   Bornemann. 
-Dernier    homme    1 — n,    Ch.    s.   — 35  n    Pni- 
gellier. 

-  Fables    de    Jean- Jean,    chansonnette    1 —  i\ 

Ch.  s.  — 35  n   Gregh. 

-  Faut   qu'    j'epouse    uu    musieien    3 —    Siilrj- 

hach. 
-Fete  Republicaine   ] — n,  Ch.  s.  — 35  n   Pui- 
gellier. 

-  Gantier    1 — n,    Cli.   s.   — 35  n   Puigellier. 


1—  u,      Ch. 


Ch. 


-40  M 


1— n.    Ch. 


Ch.    s.    — 30n 


3—,      Ch. 


-30  n 


-  Guignons  d'un   petit   homme 

— 35  n   Puigellier. 

-  Hirondelle    attardee    1 —  n, 

Bornemann. 

-  II    faut    regaguer    la    maisoii 

— 35  n  Lesigne. 

-  J'    I'aimons    tout   plain    3 — , 

Eveillard. 

-  J'   I'aurais   jamais   cru 

Eveillard. 

-  J'  I'ons   vu   3—,   Ch.  s. 

-  Je   n'   coup'   pas   dans 

— 30  u  Eveillard. 

-  Je  n'c^perais  pas  c'  bonheur  IS  1 —  n,  Ch.  s. 

— 35  n  Puigellier. 

-  J'os'    pas    m'    risquer    1 — u,    Ch. 

Puigellier. 

-  Je    suis    poltrounc     1 —  n,      Ch. 

Labhe. 

-  J'    vous    defi'    d'    m'en    montrer 

Ch.  s.  — -55  I!    Puigellier. 


V 


-30  n 
pout 


Eveillard. 
3—,      Ch.    s. 


-35  n 


s. 


-35  n 


un    1 — n, 


-  Mes   desirs   1 —  u,   Ch.   s.  — 35  n   Puigellier. 

-  Mon   heritage  3—,  Ch.  s.  — 30  n  Eveillard. 

-  Mon    p'tit   coeur    va    parler    1 —  n,      Ch.    n. 

— 35  n  Puigellier. 
■  Nabab   1 —  n,   Ch.   s.   — 35  n   Puigellier. 

-  Plus   savant   du   village   3 — ,   Ch.  s.  — 30  n 

Eveillard. 

-  Scliobistique   1 — n,  Ch.  s.  — 35  n  Puigellii^'-. 

-  Tour  de  Nesles  3 — ,  Ch.  s.  1 —  Noel. 

-  Tra    la    la    deri    d^ra    1 —  n,    Ch.    s.    —40  n 

Bornemann. 

-  Via  c'  que  j'appelle  un  ami  3 —  Sulzbach. 

Malfoutu  1 — n,  Ch.  s.  — 30  n  Ondet. 

Malfrise    1 — n   Joubert. 

Malgoude,  Rose  blanche,  valse  3 —  Legoui-r. 

Malherbe,     Laudate    dominum,    SSB    — 50  n 

Pinatel. 
Malherbe    Charles     (1863),    Cendrillon, 

ballet-pantomime,  J^ms   10 — n   Hamelle. 

-  :i   Danses    (C  e  n  d  r  i  1 1  o  n)  .-    N.  1.   Menuet, 


■Ifms: 


ChP 


2.   Pavane.  a  5—.   N.   3.   Gigue   6— 
N.    1,  2   a  6—,    N.  3    7.50   Uamelle. 
-Don      Procopio,      op6ra-bouflFe, 
20 —  n    Choudens. 

-  Duo  concertant,  J^ms  3—  n  Durand. 

-  Esclarmonde   (J.  Massenet),  transcr.  P: 

N.  1.  Danse  des  Esprits,  2.  Evocation  et 
Chasse,  3.  Appa.ssionato,  duo  du  4.  acte, 
a  7.50,  ^ms,  I— II  a  7.50  Heugel. 

-  Liindler  Alsaciens,   P  7.50   Heugel. 

-  Meditation  religieuse,   VH  2 —  n  Durand. 

-  Notice    sur    la    Symphonic    pathetique    (op. 

74)  de  P.  Tsch  ai  ko  w  sky,  P(mO) 
— 50  n  Noel. 

-  Petite  Etude  pour  la   main  gauche  seul,  P 

1.70  u   Durand. 
-Pizzicato-Scherzo,    Ifms    1.50,    P-Part   3 — n, 
0-St   6— n   Kahnt. 

-  Preludes  de  I'Ouragan,  I/ms  5 —  n  Choudens. 
-Reverences,    Les    Tricotes,    VP    a    7.50    TIo- 

melle. 
-Romance   sans  paroles,    VP   1.75  n   Durand. 
Malherbe    Ed.    op.    17   Danses   anciennes   en 

forme  de  menuets.  P.-  N.  1.  En  fa  majeur 

1.65.  N.  2.  En  si  bemol  majeur  1.75.  N.  3. 

En  mi  b6mol  majeur   1.65   Leduc. 

-  173  Danses  anciennes  en  forme  de  menuets, 

P:  1.  en  fa  majeur,  2.  en  si  b6mol,  3.  en 
mi  bemol,  a  5 —  Leduc. 

-  Air  de  ballet,  P  2 —  n  Durand. 

-  Amour  et  parfum  4 —  Leduc. 

-  Caprice,   P   2 —  n   Durand. 

-  Ete,   VP  2.50  n  Monde  musical. 

-  Fleurs   et   papillons  5 —  Leduc. 

-  Fleurs   et  papillons,   Ch.  s.    1 —  Heugel. 

-  Gavotte,  style  ancien,  P  1.75  n  Durand. 

-  Mignonne,  prends  ta  mandoline  4 —  Leduc. 

-  Mignonne  prends  ta  mandoline,  Ch.  s.   1 — 

Heugel. 

-  Pi&ces  enfantines,  P :  I.   serie    (du  tr§s   fa- 

cile an  facile)  :  Mes  poupSes :  1.  Beb6  pou- 
part.  2.  Beb6  jumeau.  3.  Beb6  maillot.  4. 
B6be  baby.  5.  B6be  marcheur.  6.  Poupge 
dormeuse.  7.  Poupee  valsante.  8.  Poupee 
uageuse.  9.  Poupee  parlante.  10.  Poupee 
merveilleusp. 


Malherbe  E.  Pieces  enfantines 


—    99 


Malichevsky  W.  op.  4 


IT.  sorie  (dii  facile  A  la  moyenne  diffi- 
cult^) :  Mos  jouets :  11.  PolichinoUe.  12. 
Tambour  et  Trompette.  13.  Jeu  de  mas- 
sacre. 14.  Lanterne  magique.  15.  Botte  a 
miisique.  16.  Le  Chemiu  de  fer.  17.  Jeu 
de  grace.  18.  Guignol.  19.  Le  Volant.  20. 
Le  Diabolo,  chaque  num^ro  1 — n,  chaque 
s6rie  5 — u,  Les  2  series  r^unis  8 — n 
Heugel. 
Malheur   aux   vaincus    1- —  ii   Joubert. 

Malheur  de   Balandard    1 — n,   Ch.  s.  — 35  n 

Eveillard. 

Malheur    de    malheur    1 — u,     C/t.    s.  — 35  n 

Eveillard. 
Malheureusement  1—  Snlzbach. 

Malhome  Joannes,  Alg^rieuiie,  valse  z — n 
Ditrdilly. 

-  Flanime   d'Aniour,    valse.    PfO)    2 — n    Dur- 

dilly. 

-  Grande  Eleue,    here. -bare.  P  2.50  n,  0  4 —  n 

Durdilly. 

-  O   nuit  limpide,   duo   2 —  n   Durdilly. 

-  O  nuit  limpide,   noct.   a  2   voix   2 —  n   Dur- 

dilly. 

-  Orientale,   P  2.50  n,  0  4 — n  Durdilly. 

-  Traite    des    artifiees    m^lodiques    appliques 

A   I'harmouie  4 —  u   Leduc. 

Mali  bran  A.  Pensees,  4  duos  (franz.  und 
deutsch)  1.50:  N.  1.  Le  batelier  (Der  See- 
luaiin),  nocturne,  2.  Le  Rendez-vous  (Stell- 
dicliein),  uoctturne,  3.  Belle  vieus  a  moi 
(Liebcheu  komm),  4.  Le  lutin  (Der  Was- 
sergeist),  k  — 50  Sehlesinger. 

Malibran  Maria  Felicita  (1808— 1836) ,  Adieu 
a    Laure    1 — -n   Joubert. 

-  Barcoiulo  — 50  n   Cottrau. 

-  Bayadere,   romance  — 50  n   Cottrau. 

-  Bella  Molinara,  Schott  Frvres,  4 —  Ricordi. 

-  Belle,  viens  a  moi,  duo   1 —  n  Joubert. 

-  Breathe  not  that  Mountain  Cry    (Le   Kanz 

des   Vaches) ,   duet  — 40   ^chirmer. 

-  2    Canzonetter :      Bajaderen :    „Kanner     ni 

Bajaderen."  Vtlrmorgou  i  Tyrolien :   „Har- 
tigt  opp  dagen  gryr"  — 50  Hirsch. 
-Chagrin  d' Amour    (Grief  of  my  Love),  ty- 
rolienne  — 30   Schirmer. 

-  Chanson   tyrolienne.   Lgve-toi   jeune   enfant 

— 50  n  Cottrau. 
-Collection  de  12  airs  (franz. -engl.-deutsch)  : 
1.  Leve  toi,  2.  La  voix  qui.  Petits  ros- 
siguols,  3.  Le  village.  L'aube  matinal,  4. 
La  Tarantelle.  Le  plaisir  nous  appelle,  5. 
Les  refrains.  Sur  ce  rivage,  6.  Rataplan, 
7.  La  Bayad&re,  8.  La  Resignation.  Sous 
ces  rameaux,  9.  Le  Menestrel.  Avee  moi 
j'ai.  10.  Enfants,  ramez !  Le  temps  est 
lourd,  11.  Le  retour  de  la  tyrolienne,  12. 
L'Ecossais,  a  — 50  Schlesinger. 

-  Derni&res    Pensees     musicales,     av.    P(GJ, 

(fr.-all.)  9.50:  N.  1.  La  Fianc6e  du  bri- 
gand (Die  Braut  des  Raubers) ,  ballade 
— 75.  N.  2.  Le  Message  (Die  Botschaft), 
romance  —75.  N.  3.  Prifere  a  la  Madone 
(Gebet  zur  Madonna)  — 50.  N.  4.  Hymne 
des  Matelots  (Gebet  der  Matrosen)  — 75. 
N.  5.  Les  Noces  d'uu  marin  (Die  Hochzait 
eines  Seemannes),  chanson  1- — .  N.  6.  Au 
Bord    de   la    mer    (Am    Meeresufer)    — 75. 


N.  7.  Adieu  4  Laure  (Lebewohl  an  Laura) 
1 — .  N.  8.  Le  Montagnard  (Der  Gebirgs- 
btnvohner)  — 75.  N.  9.  Les  Brigants  (Die 
Rjiuber),  ballade  —75.  N.  10.  Le  Mori- 
baud    (Der  Sterbende)    — 75   Schott. 

-  Ecossais   (Der  Bergsch'otte),  av.  P(0)  — 50 

Schott. 

-  Enfans,   ramez  — 50  n   Cottrau. 

-Engl.    Matrosenlied :    The    Sun    sinks    (Die 
Sonne   sinkt)    — 50   Cranz,   Hofmeister. 
Follettino  — 50  n  Cottrau. 

-  Gondoliere    — 50  n    Cottrau. 

-  II  Matino   1—  Ricordi. 
-Indifference    (a  2  voix)    1 — n  Costallat. 

-  Jetais  sur  la  rive  lleurie   (h  2  voix)    1 — n 

Costallat. 

-  Je  fuR  heureux  1—  n  Costallat. 

-  Le  beau  page  — 50  n  Cottrau. 

■  Ma  mere  est  morte  3 —  Sulzbach. 
-Meeting    (D6ja   la   nuit   sombre),   notturno, 
SMS(TBar)   1/6  n  Augener. 

-  Menestrel   — 50  n    Cottrau. 
-Message   1 — n   Joubert. 

-  Molinara,     air    varie     intercale     dans    „I  1 

B  a  r  b  i  e  r  e  d  i  S  i  v  i  g  1  i  a"  2.50  n  Co- 
stallat. 

-  No  echift  lo  Guarracino  —50  n  Cottrau. 

-  Pensge    1 —  n   Costallat. 

-  Pensees    de    Malibran,    collection    d'airs 

et  de  duos  7 — ,  N.   1 — 14  k  — 80  Simrock. 

-  Prindi,  per  me  sei  libero,  da  lei  introdotta 

nelFEIisir  d'amore  di  Donizetti  1.50  n 
Cottrau,  2 —  Ricordi. 

-  Pri&re   a  la   madone    1 —  u    Joubert.  — 50  n 

Cottrau,    1.50    Ricordi. 

-  Prisonnier    (a  2  voix)    1 —  n    Costallat. 

-  Rataplan,     romance    frangaise      — 24    Bote, 

— 50  Cranz,  Hofmeister,  1.50  Mariani, 
— 50  n   Cottrau. 

-  Refrains  — 50  n   Cottrau. 

-  Retour   de  la  tyrolienne   1 —  u   Costallat. 

-  Reveil   d'un   beau  jour   1 —  n   Joubert,   1/ — 

Ashdnini . 

-  Ritrovo,  duo  — 50  n   Cottrau. 

-  There  is  no  home   like  my   own   3/ —  A<ih- 

dovm . 

-  There  is  no  home  like  my  own    (with  var. 

for  the  P)  — 40  Brainard,  — /2  Sheard, 
w.   6  — 25   Brainard. 

-  Tyrolerskans  hemkomst:  „Skall  dS  sk  snart 

mitt  hjertas  lugn  fijrsvinna",  med  P(G) 
— 50  Hirsch. 

-  Tyrolienne.    En    soupirant   — 50  n    Cottrau. 

-  Voix  qui  dit  je  t'aime  — 50  n  Cottrau. 
Malices   de   Macloux    (av.   parle)    1— n,   Ch. 

s.  — 35  n  Eveillard. 

MajiBinieBCKiJf  A.    TTaHHoiKa   noJibKa   — 30 

Jurgenson. 
Malichevsky  W.  op.   1   Sonate   (G),  VP  5.50 
B'iaieff. 
2   Quatuor,   2VVaVc,    Part    1.20,    p.   s.    7— 
Belaieff,  2.75  n,  ^ms  3 —  n  Schirmer. 

-  3    Quintett,    2VVa2Vc,    Part    1.40,    St    6— 

Belaieff. 
-4   P:   N.  1.   Melancolie  —20.   N.   2.   Pr.'lude 
—30.   N.   3.   Scherzo   —40.   N.   4.   Morceau 
de  Ballet  —30.  N.  5.  Menuetto  —30.  N.  6. 
All    siilon    — 40   Jurgenson. 

7* 


Malichevsky  W.  djj.  ■') 


100 


Mallach  J.  jr.  Little  Daisy 


-  5  P:  N.  1.  Elegie  —40.  N.  2.  Fantasie  —60. 

N.   3.    In   modo   classico   — 60.    N.    4.    Ciuq 

VariatioDS   —60   Jurgenson. 
-6  Deuxifeme  Quatuor,  2VVaVc,  Part  1.20  n. 

St  6 — ,  ^ms  6 —  Belaieff. 
-8   Erste   Symphonie'  (G-m.),    0,   Part    12—, 

St  30—  Belaieff. 

-  AMa30HK;i,   JEfort.iro   a   MaTHJIb/^y  — 50  Jur- 

genson. 

-  HesadyTjoiKa,    Pa/^oeTI>    T{um    mohx-b    — 40 

Jurgenso7i. 

-  Cep/^^e  HoeT^b  h  6ojiht'i>  — 40  Jurgenson. 

-  Gaean,    H^to   na   cep^u.'b   .leJKHT'b   —20  Jur- 

genson. 
-D^wraHKa,  SI  ra^aTb,   BopoacHTb   MacTepn!i,a- 

— 40  Jurge?iso7i. 
Ma;iliH'B  B.  YKpaHHa-Mapin-B  — 30  Jurgenson. 

-  3ojiOTHCTaa   posa.    IIojibKa   — 30  Jurgenson. 
Malicieuse,    maz.   —85  n,    4'>^s    1.35  n    Eveil- 

lard. 

Malin  des  malins  1 — n,  Ch.  s.  ■ — 40  n  Borne- 
ma  nn. 

^''alin  des  malins  (av.  parl#)  1 — n,  i'h.  s. 
— 35  n  Eveillard. 

Malin   du    pays  — 30  a   Jnuhert. 

Malin  paysan   1 —  Delormel. 
Malina   Jos.   op.   20   Emeline,   Polka   schuell 
1 —    Hoffmann. 

-  22  Reverie,  PY   1.50  Andre. 

-26   Adieu!    morceau    caraet.    V    1.50    Andre. 
-38  Hochzeitsmarsch,  P  1.30  Andre. 

-  Je    me    souviens!     valse    moldave.       P     6 — 

Joubert. 

-  5   Morceaux    (op.   41.   Polka,   op.   36.   Inter 

mezzo,      op.    39.    Menuett.      op.    12.    Polka 
slave,     op.  33.  Papillon),  P  3 —  Urbdnek. 
Malinconico  G.  Legrein,  P   1.50  Ricordi. 

-  Ligure,  maz.   sentim.   2 —  Ricordi. 

-  Ritorno  in  Udine,  P   1 —   Ricordi. 

-  Silfide,  P  2—  Ricordi. 

-  Souvenir,   maz.   el4g.   2 —   Ricordi. 

Malinska  Friederike,  6  Lieder:  I:  Ich  hab' 
im  Traum  geweinet.  Du  bist  wie  eine 
Blume.  In  der  Fremde :  ,,Icli  hor'  die 
Biichlein  rauschen"  —80. 

II :  Mein  Herz  ist  wie  die  dunkle 
Nacht.  Erinnerung:  „Lindes  Rauschen  in 
den  Wipfeln."  Erster  Verlust:  „Acli,  wer 
bringt  die  scliouen  Tage"    1—  Brauer. 

Malinverno  A.  Mezzanotte.  Ultimo  bacio, 
mazurka,  P   (con  FIV  ad  lib.)   2 —  Ricordi. 

-  Mezzogiorno.    Primo    bacio,    polka,    P    (con 

FIV   ad   lib.)    2—   Ricordi. 

-  Pazienza,  polka  2- —  Fa7itui::zi. 

-  Partenza,  P  2 —  Ricordi. 

-  Souvenir  de  Casina,  P  2 —  Ricordi. 
-Tynemouth  Villa,  P  2.50  Ricordi. 
Malipiero    F.    Ricordi:    A    Rossini,    cantata 

per  coro  di  donne  ed  uomini  1 — . 

-  Barcarola :    Vieni,    la    barca   e   pronta    1 .50. 

-  Marinari,  duetto,  TB  4.50. 

-  Piccola  Fantasia  sopru  due  motivi  del   Pro- 

i'eta,  6m.<i  5- — . 

-  Romanza :    Si,   amjci,   uoi   partiam    1.75. 

-  Serenata :   A  quel   raggio   increato  — 75. 

-  Serenata   alia  Belle,  terzettino,  8Ba,rB,  7'-.s. 


Malipiero  G.  F.  6  Morceaux,  P:  N.  1.  Se- 
renata 1.25.  N.  2.  Scherzando  1.25.  N.  3. 
Notturno  pastorale  — 75.  N.  4.  Bizzaria, 
5.  All'Alba,  6.  Tarantella,  a  1.25   Carisch. 

Malipiero   L.  Aida,  fant.  HP  6 —  Ricordi. 

-  Mefistofele    (A.  Boito).  fant.   HP  6—  Ri- 

cordi. 

-  Nenia  Margherita,  trascr.  HP  3 —  Ricordi. 

-  Preludio    nel    Prologo,    trascr.    HP   4 —    Ri- 

cordi. 
Malipiero  N.  Sogni  dorati   (Goldene  Trume), 

Salon-Mazurka,  P   1.50  0.  Fischer. 
Maliszewski    C.   v.   2   Gesange:    Nr.    1.    Auf 

dem   See:    „Nun   fliefit  die   Welt"   1—.   Nr. 

2.    Ein    Blatt:    „Der    Sommer    ging"    —80 

Bote. 

-  Infanterie-Marsch :       „Hoch     lebe     da.s     IT. 

Garde-Regiment!"   1 —  Bote. 

-  Torrent,  etude  brill.  P  1.50  Bote. 
Malivert    H.      Edm^e,     valse    facile     1.75  u 

Gallei. 

-  Gareunoise,  polka-marche    1.50  n    H.   Mitli- 

vcrf-Colombes,  Coutarel. 

-  Mimosa,   valse,      Coutarel. 

-Petite  marine,   valse   facile   1.75  n   Gallei. 
Malkin    Harald,    Hymn    Tune   &   Chant    ton 

Card)   — /2  Novello. 
Malkmus   Wilhelm,   op.  4  Achtzig  kurze   .i. 

leichte  Trios  fiir  Org  nebst  30  dreist.  Ver- 

setten   1.50  n  Maier. 

-  40   Orgelsatser   — 75    Elkan. 

Malkoff  A.  Adieu,  maz.  VP  — 50  Jurgenaon. 

-  Gracieuse,   P  4/ —  Laudy. 

-  Mazurka,   VP  — 30   Jurgenson. 

-  Melodic,    champetre    et    rondo,     CornetaPP 

— 70  Jurgenson. 
Mallach    J.    Com'   back   to   Erin,    Mil.    Batid 

— 50  Standard. 
-Donna    J  u  a  n  i  t  a,    selection,      14    Instr 

—80,  10  Instr  —65  Standard. 
-Madame   Piper,   march    (W.    Morse),    mO 

— 50  Fischer. 
Medley  Waltz   N.    1    and   2,   10   Instr  —80, 

P  ace.  — 15  Fischer. 

-  Medley  Waltz  N.  3,  and  Medley  Schottische 

N.  1,'  10  Instr  —60,  P  ace.  —15  Fischer. 
Medley  Waltz  N.  4,  and  M.  L  u  t  z,  Skirt 
Dance,  schottische,  10  Instr  — 60,  P  hx-c. 
— 15   Fischer. 

-Standard  Airs:  1.  America,  our  Country. 
2.  All  Id  lang  syne.  Mil.  Band  — 50  Stan- 
dard. 

Mallach  Jacob  jr.  Debutante  March  — 40 
Fischer. 

-  Debutante    March   &   Little     Daisy,     polka, 

FullO  1—,  U  Instr  —80,  12  Instr  —60,  P 
— 15  Fischer. 

-  Debutante,    two-step,    mO   — -50    Fischer. 

-  Eleanor   Gavotte  — 40   Fischer. 

-  Eleanor     Gavotte,     &     W.    Bendix:     On 

Horseback,    galop,     FullO     1 — ,     14    Instr 
—80,  10  Instr  — 60,  P  ace.  —15  Fischer. 
Floral   Festival   Waltz  —65,   FullO   1—,   U 
Instr  —80,  12  Instr  —60,  P  —15  Fischer. 

-  Little  Daisy,   polka  — 40  Fischer. 

-  Little    Daisy,    polka,    &    Debutante    March, 

FidlO  1—,  14  Instr  —80,  12  Instr  —60,  P 
— 15  Fischer. 


Mailachow  A.  op.    I 


—     101     — 


Mallett  L.  B.  Maxurka 


Mallachow  Agathe,  op.  4  Zwei  Lieder:     1. 

(»     Blatter,     diirre     Bliitter.      2.    Stummer 

(.rufi   1.20  Aronhold. 
-2   Lieder   f.    1    Singst  m.   P :      1.   Heimliche 

Cewiilt.      2.    Sang   des   Schifferniadels    1.50 

^''ae£re7?!ann. 
Mallandaine,      Blue    Bells   of   Scotland.    FIP 

2 —  Jefferys. 

-  Carnival  of  Venice,  FIP  2/4  Jefteri/s. 

-  Harmonious    Blacksmith,    FIP    li —    Rudall. 
Mallandaine   J.    E.    A    glass   of   old    English 

ale  3/ —  Ashdoicn. 

-  Almavia,    bolero,    FrillO    2—.    S7nallO    1.40 

llowkes. 

-  Bells  Galop   4  -  .   ditto   Waltz   4/-     Ascher- 

berg. 

-  Bohemians     Galop,     Full    Band    2/8,     Med. 

Band  2/ — ,   Small  Band   1/4  Hawkes. 

-  Bread  &  cheese  &   kisses  4/ —  Chappcll. 

-  Cardinal   Polka   3/ —  Ascherberg. 

-  Cupid  hath  a   sad  repute  4/ —  Chappell. 

-  Dause   des   Satyrs    (entr'acte   to    Medea    in 

Corinth),  P  4/ —  Ascherberg. 

-  6   easy  and   effective  Transcriptions   of  old 

english  melodies,  VP :  N.  1.  Sally  in  our 
Alley,  and  The  Vicar  of  Bray  4/—.  N.  2. 
Bid  me  discourse  4/—.  N.  3.  The  Pilgrim 
of  Love,  and  Down  among  the  Dead  Men 
4  — .  N.  4.  Tell  me,  Mary,  how  to  woo 
thee,  and  Begone,  Dull  Care  4/—.  N.  5. 
The  Thorn,  and  Early  one  morning  4/ — . 
N.   6    The  Chough  and  Crow  4/ —  Chanot. 

-  Faces   I   see   in   my   dreams,   MSfBarj   —40 

Brainard. 

-  Ida  Valse  4/ —  Ascherberg. 

-3  Melodies  (Gounod),  VP  a  3/ —  Ascher- 
berg. 

-  My   darling   4/ —   Ascherberg. 

-  My   little  charmer   4/ —  Chappell. 

-  Oberlander-Gavotte,   VP  3/ —  Ascherberg. 

-  Olympian  March  4. — ,  VP  4/ —  Ascherberg. 

-Select  Melodies,  VP  1/—:  NT.  1.  E.  Ba- 
tiste: Andante  in  G.  2.  R.  Schu- 
mann: Traumerei.  3.  J.  Schulhoff: 
Chant  du  Berger.  4.  R.  Schumann: 
Abendlied.  .5.  Czibulka:  Stephanie 
(lavotte.  6.  A.  Ruben  stein:  Melody 
in  F,  a  2/ —  Donajoioski. 

-  Soir,  3rd  romance  sans  parol.    (Gounod), 

VP  3/—  Williams. 

-  Thunderbolt   Galop   4/ —   Ascherberg. 
-Trovatore,  SVP    [Va,  Vc,  Kb  ad  lib.)    5/— 

Donajoioski. 

-  Uncle   Tom's   Cabin,   songs   &  choruses,   iu- 

trod.   in    the   drama    1/ —  n  Ashdovon. 

-  Verdangeurs,    waltz    4/ —     Cramer.     FullO 

— 75,  SmallO   — 50   Eawkes. 
Mallandaine    J.    F.   Ascherberg:    A   steed,   a 
s^teed    (a   cavalier's   war     song)    3/ — . 

-  .Mi   Baba :    Drinking    song ;    Soldier's    song, 

a  3/—. 

-  Cavalier's  Return   3/ — . 

-  Dorabel,  ballad  4/ — . 

-  Gray   eyes   4/ — . 

-  Irish  Exile's  Love  4/ — . 

-  Little   grave   4, — -. 

-0   «Uut<iris.    STB   6/—. 


-  Song  of  the  betrothal    (sung  in   the  drama 

of   „The   Bells")    4/—. 

-  Under  the  trysting  tree  3/ — . 
Mallandains  J.  T'd  rather  be  a  soldier  2/ — n 

■JefferyK. 
Mallard  Alfred,  Valse  Marguerite,  P,  FullO 
1/6,   Sept.   1/ — ,   P  — /6,   extra   parts  — /3  n 
Jefferys. 
Mallard  Clarissa.   Woolhouse :  Could    f  For- 
get 4/—. 
Croon  4/ — . 
Dame   Dorothy   Aj- — . 

-  Daybreak   4/ — . 
Empire   Song   4/ —  n. 

-  Harvest  Home    (fem.  chorus,  2   parts,  &    i**- 

solo).  Schirmer  jr. 

-  Harvest  Home    (Chorus  &   Country  Dami-i 

— /4  n. 

-  Hymn  to  Diana   (fem.  chorus,  2  parts)  — 15 

Schirmer   jr.,   — /4  n    Woolhouse. 

-  In    the    Merry,    Merry    May     (fem.    chorus, 

2    parts)    — 15    Schirmer   jr.,   — /4  n    Wool- 
house. 

-  'K6ramos',  The  Potter's  Song  4/—. 

-2   Pieces.    PV :    1.    Sehnsucht.    2.    Hoffnung 

4/—. 
-2    Sketches,    VP:      1.    Dornroschen     (Briar 

rose).     2.  Elfentanz    (Elfin  dance),  a  3/ — 

Ashdown. 

-  2  Solos,  PV :  1 .  Longing.  2.  Hope,  complete 

— 75  Schirmer  jr. 

-  Song  of  Love  4/ — . 

-  Violet    (Veilc.hen)    4/—. 

-  Where  Claribel    Low   Lieth   — /4  n. 
Mallary  R.  de  Witt,  Bird's  lullaby,  t.  —25  n 

Presser. 

-  Life    Forevermore,    easter    service     for     the 

Sunday   School   — 05   Ditson. 

-  Voices  of  Praise  (C  h  i  1  d  r  e  n's  Day's  Ser- 

vice for  the  Sunday   School)   — 05  Ditson. 

-  Yule  tide   bells,   Christmas   Service  for   the 

Sunday   School  — 05  Ditson. 
Mallendaine   J.    E.     II    Trovatore,    VaVcKb 

ad  lib.  5/—  Donajowski. 
Mailer    Imre,    Semiramis,    Walzerlied    2 — ^  n, 

fiir     Cimbal      1.20  n.     fiir     Zigeunermusik 

?i —  n   Nudor. 
Mallet,  Lever  de  Soleil,   valse  2- — n  Jullien. 

Mallet  A.  Le  Renouveau  1 — n,  Ch.  s.  — 35  n 

Labb4. 
Mallet  J.   B.   Sur   le  Trieux,   maz.     J.   Bau- 

Zrtin-Laval. 
Mallett  C.   H.  When  my  ship  comes  in  — 35 

Ditson. 
Mallett     Louis     Balfour,      Ala-ska.     russiau 

dance,   P   3/ —   Ashdoicn. 
■  Ancona,  dance  4/ — ,  0  1,'6,  Sept.  1/ —  Agate. 

-  Andante,  MandfVJP  2/ —  n  Turner. 

-  Bourr^e,   VP  2/ —  n  Turner. 

-  Cahzona,   VP  3/ —  Ashdoxcn. 
-Canzonetta,   VP  2/ — n  Turner. 

-  Caprice,   VP  2/—  n   Turner. 
-Caprice  de   Salon,   VP  2/ — n   Turner. 

-  Danse  N^gre,  VP  2/ — ■  n  Turner. 

-  Gavotte,   VP    1.75   Schott. 

-  Jona  March,   VP  2/ —  n  Turner. 
-March,    MandfVJP   2/— n   Turner. 

-  Mazurka  in  D.   VP  2/—  n   Turner. 


Mallett  L.  B.  Ma.vurka 


102 


Mailing  O.  op.  IH 


-  ]\lazurka  in  G,   VP  2/ —  n  Turner. 

-  Melodie    Religieuse,    VP    2/ — n    Turner. 

-  Xocturne.    VP    2/ — n    Turner. 

-  Punama,  valse,  VP  2 —  Schott. 

-  Reverie,    VP   2/- —  n    Turner. 

-  Romance,  VP  2/- —  n  Turner. 

-2   Romances   sans   paroles,    ^'P,    N.    1 — 2   a 
1.50  Schott. 

-  Scherzino,  VP  2/ —  n  Turner. 
-Second  bourree,   P   3/ —  Ashdoi<:u. 

-  Souvenir   de   Slapton,    VP   2/ —  u   Turner. 

-  "Violin   Cabinet,    VP   I    1/ —   Ascherberg. 
-Waltz,   VP  2/ — n   Turner. 

Mallett  Sydney,  Just  as  Mother  used  to  do 

4/ —  Reynolds. 
Malleville  T.  Ch.  de,  op.  1  Polonaise,  P  5— 

Lemoine. 

-  13   Souvenirs   de   Bizy,   maz.   4.50   Lemoinc. 

-  Souvenir   de   Trye-Chateau,   polka-maz.   4 — 

Lemoi7ie. 
Malley  J.  Cry  out  and  shout,  verse,  S(T),  & 

4  Hymn  Tunes  — /6  Novello. 
Malley    W.    E.    Setonia.    grand    march    — 35 

tlitson. 
Mallinckrodt   Elsa  v.   Sonne,  Sonne   seheine, 

12    ]\iiiderlieder   ni.    P   2 — n   Sinirork. 

Mailing    J^rgen     (1836),    op.    3    Elegie    und 
Scherzo,    P   — 75    Hansen. 

-  Aus   dem    .Skizzeubuehe,   kleiue    Piauoforte- 

Stucke,  Heft  I— II  a   1.30  Cranz. 

-  Bagatellen,     leiehte    Klavierstficke,     I    1 — , 

TI   1.25   Hansen. 

-  Coquette,  /-'  — 50  Hansen. 

-  Fant^.i.'^ie  sur  dos  -lirs  danois,   P  — 30  .7 iir- 

genson. 
-10  Listoriske  Sange  af  H.  N  u  t  z  h  o  r  n's 
og  S  c  h  r  0  d  e  r  s  Samling  :  Idunnes  gen- 
komst :  Velkommen,  Idunne.  Regnar  Lod- 
brog:  Der  er  en  sang  sa  gfidefuld.  Holgers 
sang  om  livet :  Jeg  sS  kun  tilbage.  Jor- 
salfarerne:  Her  er  saa  stille.  Kong  Valdi- 
mar  den  unge :  Til  Refsnaes  kong  Valde 
mar  red  p&  jagt.  Kobenhavns  belejring : 
Det  var  en  Februarikvaeld.  Ewalds  sang 
om  Rungsted:  I  k0lende  Skygger.  D-^n 
ny  tid :  Som  „dejligst  vang  og  vaenge". 
Det  jyske  „t0v  lidt"  ved  Frederiksstad : 
.,T0v  lidt !"  sagde  Jyden.  Folkeh0jskolen  : 
Er  skolen  for  andre  end  pilt  og  pog  — 80 
Nordisk   Musikforlag. 

-  Kleine    Stiicke,     P    2 — ,     Bauerntanz     — ^50 

Hansen. 

-  Kiiwala,     dramatisches     Gedicht     fiir     Soli. 

Chor  und  0,  KA  m.  diinischem  und  deut- 
schem   Text   10.50   Hansen. 

-  Liebesf riihling :   „Ich  sah   diii    Lt^iiz  tMumal" 

— 30  n   Griininger. 
Maskeradetog,  8ms  2 —  Nord.  Musikforlag. 

-  Nye     Melodier     til     Bojeseus,     K08ters     og 

Skytteforeniugernes  Viseb0ger  :  De  "tolv 
Jaevninger.  0,  I  Christne,  ruster  Eder. 
Giv  Tid !  Danmark  i  Havsn0d.  Den  s0n- 
derjyske  Bonde.  Den  jyske  Bondes  Aften- 
sang.  Bidronningen  og  Fuglekongen.  Hol- 
ger  Danskes  Hilsen.  Aftensang.  Hjemve. 
End  lever  den  Gamle  af  Dage.  Danskes 
Vise.  Danmarks  N0d.  Skjold  kommer  til 
Danmark.    Alt   staar    i  Guds    Faderhaand. 


EfteraarSsang.  Faedrelandssang.  Bjarke- 
maal.  Hedelaerke!  haardt  maa  du  maerke. 
Som  Dug  paa  slagne  Enge  — 62  Nordisk 
Musikforlag. 
-4  Sange,  MS  eller  Bar  m.  Vc  og  P :  I.  Af- 
tenskumring :  Hver  en  Smaafugl  blunder. 
Himlen  smiler,  Solen  iler.  II.  Et  Aft/^;i- 
suk :  End  blegr0dt  af  Solen  og  blankt  lig- 
ger  Vandet.  Serenade  ved  Strandbredden  : 
Hytten  er  lukket.  Heft  I— II  a  1—  Nord. 
Musikforlag. 

-  Sangerstemninger,       Digte      af      H  o  1^  c  v 

D  r  a  c  h  m  a  n  n  s  „Ranker  og  Roser"  : 
Den  Spillemand  snapped  Fiolen.  Nu  er 
Aftenen  lys  og  lang.  Du  retter  tidt  dit 
0jepar.  Jeg  baerer  den  Hat,  som  jeg  vil 
1.50,  Den  Spillemand  snapped  Fiolen  — 50 
Nordisk   Musikforlag. 

-  Stete   Sehnsucht,   4   Gedichte :    1.    Im   Win- 

ter: ,,Wenn  der  Lenz  wiederkehrend  sein 
Fullhorn  erschliefit".  2.  Im  Friihling:  ,0 
ware  schon  gekommen  die  siifie  Sommers- 
zeit".  3.  Im  Soramer :  ,,Wie  ist  die  Hit  ?e 
druckend".  4.  Im  Herbst :  ,,Nun  ist  der 
Herbst    erschienen"    1.80   Bos^corth. 

-  Wegwart,   P  — 80  Schuherih  jr. 

-  Weihnachten.  10  Lieder  fiir  2  St  m.  P  1.30 

Cranz. 
Mailing   Otto    (1848).  Nordisk  Musikforlag: 
Op.  4  Humoresken,   P  3 —  Hainauer. 

-  4   N.   1.    Humoreske.      2.   Nocturne.      3.    No- 

vellette,  a  — 40   Oebethner. 

-  7  Tolv  nye  Romancer  og  Sange  til  Tekster 

iit  forskellige  Forfattere,  I  1.50,  II  1.25: 
I.  Suttungs  Mj0d:  Den  bedste  Drik  ved 
Guders  Gilde.  Haandvaerkssvendens  Sang  : 
Faivel  du  liden  Ravnekrog.  Kleokrate.s' 
Kaerlighedssang :  Helikons  blaanende 
Klippetind.  Fiskerens  Familie  paa  Strand- 
bredden :  Ser  du,  Moder !  hvor  det  b0lger. 
T  Foraaret:  Nu  saenker  sig  Vaarens  svan- 
grende  Luft.  I  Naer0dalen  er  Vejen  trang. 

II.  Den  friske  Sang :  Leander  var  en 
Kidder.  Gudstjeneste:  Stille.  stille,  B0l- 
ger !  Buesnoren :  Thorarin  Bueskytte 
skulde  i  Leding  gaa.  Tankens  Elv :  Den 
larmende  Dag  maa  svinde.  H0stminde : 
Lad  andre  med  forelsket  Aand.  Den 
>;unkne  Stad :  Der  gaar  Sagn  tra  gamle 
Dage.  N.  2.  Farvel,  du  liden  Ravnekrog, 
Digt    af    II  o  1  g  e  r    D  r  a  e  h  m  a  n  n    — 50. 

-  10  Billedtekster  :  Saedemandens  Sang:  Flyv 

ud,  mit  Korn  i  Mulde.  Hvad  mente  han  : 
Forleden,  da  vi  skiltes.  Efter  Sygelejet ; 
■  Jeg  tro  de  aldrig  mer  jeg  skulde  Solen 
skue.  September :  Nu  kappes  med  den 
r0de  Rose.  Plovmandens  Sang:  Hyp.  min 
Host   1.50. 

-  11    Skaersommersange  af  Charles   Li  a  n- 

d  r  u  p  :  Morgen  :  Den  straalende  Dag  er 
oprunden.  I  Baaden :  Hist  vinker  den  luft- 
svangre  Vove.  I  Skoven :  Under  B0gens 
Bladehang  vi  vandre  vil.  Uvejr:  Se,  hvor 
det  ni0rkner.  Nat:  Alt  er  tyst  1.50. 
13  Reveille,  Foraarssang  af  P.  E.  B  e  n- 
zon  (med  tysk  Oversaettelse  af  W  i  I  h. 
(j  r  e  g  e  r  s  e  n) ,  for  4  Solost  og  stO.  K.\ 
9 


Mailing  O.  op.  lo 


103 


Mallinson  A.  linvare 


15  Lyriske  Digte  af  Ernst,  v.  d.  R  e  o  k  e: 
Hryd  frem,  Kaermiiuier.  Duggeu  er  fal- 
cleii.  Min  Hjaertenskaer,  I  have  Godnat. 
Id  paa  Jagt  til  min  H0jsals  Pragt.  Mens 
I.undens  Skygger  sig  brede.  Grav  mig  en 
Grav   ved   Stranden    1.50. 

16  Seks  Fantasistykker.  P  3.50,  6  Fanta- 
^iebilde^,  P  4.50  Hainauer,  6  Morceaux  do 
iantaisie:  1.  Allegro  appassionato.  2.  An- 
dante pastorale.  3.  Allegro  niolto  scher- 
zando.  4.  Allegro  moderato  festivo.  5. 
Allegro  molto  con  legger.  6.  Allegretto 
Tempo  di   Men,  a  4/ —  Laudy. 

19  a  Det  daemrer,  for  en  St  m.  0  ell.  P 
1.25. 

19  b  Ved  Allehelgenstid,  for  en  St  m.  0  ell. 

P  1—. 

20  Konzert-Fantasie:  Introduktion,  AUe 
gretto.  Finale,  VO,  VP  4.25  Hainauer. 

21  Zwei   Ehapsodien,   P  2.75   Hainatier. 

22  Foraar :  Bebudelse :  Der  fl0jter  en  Sol 
sort  saa  s0dt.  Vaaguende  Vaar:  Hvor  er 
(let  dog  en  dejlig  Tid.  Visne  Blade:  T 
xisne  Blade,  dn  t0rre  L0v.  Vindenes 
Vaerk:  Stormens  Konge,  Luftens  Drot. 
Vaarens  Fylde :  Nu  drysser  det  med  lino 
Dun   1.25,  N.  5  —50. 

28  Spanische  Lieder :  Und  schlilfst  du,  mein 
Maddien.  Madehentraume :  „Unter  den 
Bilunien".  Will  die  Nachtigall  belausc-hen : 
.,In  dem  Garten  spriefit  die  Rose".  Blaue 
Augen  hat  das  Madchen.  An  die  heilige 
Maria:  ,,Nun  bin  ich  dein".  Das  Echo: 
„An  des  Baches  stillen  Weiden".  Schon- 
heit  dea  Miidchens:  „Voller  Anmut  ist 
mein  Miidchen"  1.50,  2—  Hainauer,  Nr. 
2.  Madehentraume  — 50. 

-  SO    Dix    impromptus    instructifs,    /',     1 — IT 

h  2—  Hanseti. 

-  31    Effata   — 60   Hansen. 

-36  Trio    (A),  PVVc  6—  Hansen. 

-  40  Quintett,  P2YVaVc  (E-dur)   6—  n  Breit 

kopf. 
-42  Musique  de  ballet,  suite  d'O,  Jfins :  N.  1. 

!Dan.se    grotesque    1 — .      N.    2.    Danse    gra- 

cieuse   — 75.      N.    3.   Menuet.    4.   Mazurka. 

5.  Danse  fantastique.  6.  Marche  solennelle. 

a  1 —  Hansen. 
-43   Konzert,   PO,   Part   15— n,    0-St   15— n. 

^p  7 —  Hansen. 
-46  Das  heilige  Land,   Soli,  Chor   u.   O,   KA 

4 — ,  Chorst  3.20  Hansen. 
-50   Octett,   4V2Va2Vc,    Part    7—,     St    10— 

flaiisen. 
■  51  Orientalische  Suite,  0,  Jfms  3.50  Hansen. 

-  55    Faust-Suite,     Fantasiebilder.     VP    2.50 

Hansen. 
-57  Senate    (G-moll),    VP  6—  Rahter. 

-  58  Es  war  einmal   eiu   Konig,   Gedicht    im 

Volkston,  318  u.  Bar-Solo,  8ATB  u.  0 
(deutsch-engl.-dan.),  Part  6 — n,  0-St 
'.)— n,  Chorst  8 ATE  2.40,  KA  2—  Rahier. 
-65  Die  heilige  Schrift:  ,,Ich  weifi  ein 
lUu-h",  fijr  3  Solost  (STBar)  m.  P(Org), 
iliinisch-deutsch   3.50   Hansen. 

-  66  Die  Festtage  des  Kirchenjalires,  12  Po.st- 

ludien  f.  Org  zuni  Gelir.Tnoh  beim  Schluss^i 


des   Gottesdienstes  od.   bei   Kirchenkonzer- 
ten,  I.  Harm   2.50  Hansen. 

-  68  Bilder  aus  den  vier  Jahreszeiten,  Suite 

liir  VP  5 — :  I.  Friihling  2 — .  II.  Sommer 
1.50.  III.  Herbst  2—.  TV.  Winter  1.50 
Rahter. 
-69  Lieder  von  Mirza  S  «•  h  a  f  f  y  fiir  4 
Solost  (SATBJ  in.  P:  1.  Nicht  mit  En- 
geln  im  blauen  Himmelszelt.  2.  Die  helle 
Sonne  leuchtet.  3.  Wenn  der  Friihling  auf 
die  Berge  steigt.  4.  Wie  die  Nachtigallen 
an  den  Rosen  nippen.  5.  Jenem  Tage  zum 
Gedachtnis.  6.  Gelb  rollt  mir  zu  Fiifien 
der   brausende  Kur,   KA   3.50   Hansen. 

-  70   Die  heilige   Jungfrau,   Stimmungsbilder 

fiir  Org,  2  Hefte  ii  2—  Hansen:  I.  Die 
Verkiindigung.  Maria  besucht  Elisabeth 
und  preiset  Gott.  Die  heilige  Nacht.  II. 
Jesu  Darstellung  im  Tempel,  wo  Simeon 
und  Anna  von  ihm  sprechen.  Maria  findet 
lesu  zwischeu  den  Lehrern  im  Temi)el  bei 
dem  Osterfeste.  Am  Fufie  des  Kreuzes. 
30  Quartett.  PVVaVc  9— n  Kistner,  4.50  n 
Schirmer. 

-  81    Die     sieben     Worte     des     Erlosers     am 

Kreuze,   Stimmungsbilder   f.   Org,  2   Hefte 
a   2.50   Hansen. 
-84   Die   heil.    drei   Konige,    Org,   2   Hefte   a 
3 —   Hansen. 

-  Album  :  Haaudvaerkssvendens  Vise  geunem 

Skoven.  H0sl.minde.  Saedemandens  Sang. 
Hvad  mente  ban?  Efter  Sygelejet.  Plov- 
mandens  Sang.  I  Baaden.  I  Skoven.  Bryd 
frem,  T^aerminder.  Mens  Lundens  Skyg- 
trer.  Bebudelse.  Vaarens  Fylde.  Madehen- 
traume.   Schonheit   des    Miidchens   2—. 

-  Humoreske,   P    1—   Hansen. 

-  Humoresques,    P :      1.    Allegro    scherzando, 

2.  Allegretto  grazio^o,  3.  Andante  con 
moto,  4.  Allegro  vivace,  a  4/—  Laudy. 

-  Kvindens    Skabelse,    Digt    af    H.    V.    Kaa- 

luud,  m.   0,  KA  —75. 

-  Nocturne,   P    —40  n   Gehethncr. 

-  Novellette,   P   —40  n    Geletlmer. 

-  Ouverture      til      Studeuterkomedien      .,Vor 

rjngdom",    'tms   1.25. 

-  Sang   til    Limf  jorden    af    (J  h  a  r  1  e  s   G  a  n  - 

d  r  u  p  — 25. 
-2  Sange:   En  lille  Drengs  Klage :  Mig  Sva- 
len  bar  bedraget.     Lette  Fjed :  Een  Blomst 
er  god,  men  bedre  to  — 75. 

-  Sommertagsfriihe,    Bar    m.    kl.    Chor 

Hansen. 

-  Vuggerne    1 — . 

-  W:ilpurgi?lied,  TTBB  1.35  Hansen. 
Mallinson    Albert.    Apfelbliiten :    „Du    feine 

weifie    Apfelbliit"'     (deutsch-engl.-danisch) 
1.25   Hansen. 
-Auf  Wiedersehn   2/ — n   Reynolds. 

-  Baby  2/ —  n  Reynolds. 

-  Behind  the  Plough    (engl.  and  dan.  words) 

2/ —  n    Reynolds. 
-Bells    of    St.    John    and    The    Nightingales 
(N.    1.    Original,    N.    2.    Transposed)     2  — 
Boose  y. 

-  Beware,    TTBB     (unaccomp..  •eiig].,    germ., 

dan.  words)   — /4  Nnvello. 


1.10 


Mallinson  A.  Blauveigelein 


—     104 


Mallio  F.   White  rose- 


Blauveigelein:      „Du    Bltimlein    f  ein !      Du 

Vogleiu    kleiu!-',    h.  t.   h.  1.20    Hansen. 
Four  by   the  Clock  2/ —  n  Reynolds. 
Gesange    (deutsch,   engl.   u.   dan.).   Hansen: 

1.  Springlets:  a  J  tJber  die  Winterdacher 
sacht  manch'  Zweig  sich  schwingt  1 — . 
bj  Sacht,  Rosse,  sacht,  wenn  durch  den 
Wald  wir  zieh'n,  h.  t.  tl   1 — . 

2.  Eleanore :  „Die  Waldes^blumen  welkten 
all",  h.  I.  a  1—. 

3.  Schneeflocken :  „Und  wenn  die  Flocke 
scheiden  soil"   1 — . 

4.  Kauadisches  Jagerlied :  „Im  Norden 
blitzen   Fackeln"   1.50. 

5.  Botsehaft  u.  Lied:  „Eir  zu  dem  Herz- 
lieb,   flusteruder   Wind"   1.50. 

0.  Zwei  Gesange :  a)  Der  Blatter  Klago : 
,,Klagten  die  Blatter :  Sommer  schwand." 
i)  0  danke  nicht  fiir  diese  Lieder,  k  1 — . 

7.  Schlummerlied :  „Wach'  nicht,  doch  hor' 
mein  Lied"   1 — . 

2.  Sieben  Lieder  :  aj  Zeitvertreib :  „Ein 
Nachen,  den  die  Welle  sanft  urarieselt" 
1 — .  b)  Keimende  Zukunft:  „Wald  und 
Himmel,  ach  I  wie  winterlich !"  — 60. 
c)  Ein  Geburtstag:  ,,Mein  Herz  ist  wie 
ein  Wonnetraum"  1 — .  d)  Leidvoll  und 
freudvoU :  „Reizend  und  lieblich"  — 60. 
e)  Jung  Fredi :  ,,Schmucke  dich  als 
Brautelein"  1—.  /;  Was  kommt?:  „0, 
was  kommt  iiber  das  Meer"  1 — .  g)  Va- 
kntein :  „Mehr  Schauer  bringt  als 
Schein     Sankt   Valentein"   —60. 

3.  Herbst :  „Vater,  wo  iiiegen  die  Schwano 
hin?"  1— . 

4.  Sehnsucht  nach  dem  Meere :  „Es  ist  vor- 
bei"  1.50. 

5.  Mein  Liebchen  gleich  der  Rose  bltiht : 
„Und  mein  Liebchen  gleich  der  Rose 
bluht"  —60. 

6.  Abendstunde:  „So  taukiihl  geht  der  Tag 
zu   Ende"   1—. 

7.  Sommerklage :  ..Herbstwinde  .  klaget 
laut"  1—. 

8.1m  Kahn  der  Liebe:   „0  leichter  Kahn, 

wie  fahrst  du  echnell"   1 — . 
9.  Eldorado :   „In  Zier  und  Prunk  ein  Rit- 

ter  jung"  —60. 

10.  Friih  zu  Bett:  „Im  Winter  steh'  des 
Nachts  ich  auf"  —60. 

11.  Im  fiinften  Stocke:  „Mu6  ich  vom  fiinf- 
ten  Stocke  die  Schornsteine  ragen  sehn  * 
—60. 

12.  Mit  einer  Narzisse :  ,,Wenn  ich,  Nar- 
zisse,   dich  seh'"  — 60. 

Hab  Acht,   TTBB  — /4  Novello. 

Love  Constant  2/ —  n  Reynolds. 

Lyrics  from  other  Lands,  8  songs  w.  engl. 
and  germ,  words:  1.  Osterlied  (Easter 
song) .  2.  Waldeinsamkeit  (Wood-loneli- 
ness). 3.  An  eine  Freundin  (To  a  beloved 
one).  4.  Der  JHger  Abschied  (The  Hun- 
ter's Farewell).  5.  Gut'n  Abend,  gute 
Nacht  (Good  Night).  6.  Gott  grufie  dich 
(God  be  with  you).  7.  Erster  Schnee 
(Early  Snow).  8.  Die  blauen  Friihlings- 
uugen  (Filne  Eyes  of  Spring)  4/ —  u  Fre- 
ilrricl:    florri:i   Music  Co. 


-My  Garden,  a  song  cycle.  The  words 
selected  by  permission  from  P.  B.  Ma  r- 
s  t  o  n's  ,, Gar  den  Secrets":  My  Garden. 
The  Rose  and  the  Wind  (Dawn).  The 
Rose  and  the  Wind  (Evening).  Rose's 
Song.  Summer  Tide.  The  Dispute  3/ — n 
Rey^wlds. 

-  My  true  Love  hath  my  Heart  2/ —  n  Rey- 

nolds. 
-New    Years'    Song    (17th   Century)      2/— n 
Reynolds. 

-  Rose's  Song  2/ —  u  Reynolds. 

-  Song  of  the  Torrent  2/ —  n  Reynolds. 

•  2  Songs  from  Abroad :  Let  them  not  vanish. 

The  Servian  Girl  2/ —  Boosey. 

-  Summertide  2/ —  n   Reynolds. 

-  Two   in   a  swing   2/ —  n   Reynolds. 

-  2  Valentine  Songs :   Mother  mine.  Winter's 

latest   snowfiake   2/ —   Boosey. 
-What  is  a  home?    (B,  D),  Org  ad  lib.  2/— 
Boosey. 

-  Whene'er  1  gaze  within  Thine  Eyes  2/ —  n 

Reyyiolds. 
Mallinson    J.    A.    Magnificat   and    Nunc   di- 
mittis  — /6  Noiyello. 

-  3    Original    Hymns    — /6,    words    only    2/ — 

per   100,     Novello. 
Mallio  A.  Guiniara.es:  Carinhos  de  Carmen, 
valsa  1—. 

-  Colibris,   valsa   1.50. 

-  Judith,  valsa   1 — . 

-  Um  beijo,  valsa  1.50. 

Mallio   F.   P.  Lucia,  P  2 —  Sandron. 
Mallio  Fred.  Guimara.es:  Arinda,  valsa  1.50. 

-  Auri-Verde,   valse  2.50. 

-  Bouquet   de   noiva,   quadr.    1.50. 

-  Cahe  n'agua  pato,  polka  1 — . 

-  Carnavalesca,   polka    1 —   Bevilacqrm. 

•  Cavillosa,  valsa  1.50. 

-  Cherchez  la  femme,  polka  1 — . 

-  Chuvisco  de  flores,  quadr.   1.50  Bevilacqu4i, 

-  Conio  es   formosa,   polka   1.50. 

-  Como  se  ama,  polka  1 — . 

-  Conversa   fiada,   quadr.    1.50. 

-  Coquelicot,  polka  1 — . 

-  Corisco  dos  bailes,  polka  1 — . 

-  Cotinha,  polka   1.50. 

-  Deus,  Patria  e  Liderdade,  marcha  2 — . 

-  Fiordaliza,  P  1 — . 

-  Heitor,  polka  1 — . 

-  Hymno   Nupcial,   P   1 — . 

-  Ideal,  capr.  P  2—. 

-  Impromptu,  P   1 — . 

-  N?io  sei  o  nome,  polka   1 — . 

-  Nilina,  gav.  P  2 — . 

-  Nocturna,  valsa   1.50. 
-0  Conto  do  vigario  1.50. 

-  0  Pato  de  tres  bicos,  valsa  2 — . 

-  Pas  d'argent,  pas  de  suisse,  polka  1 — . 

-  Prophetisa,   valsa   1.50. 

-  Quem  casa  nao  pensa,  polka  1 — . 

-  Recuerdo,   P   1.50. 

-  Stella,  quadr.   1.50. 

-  Trumpho  6  Copas,   polka   1 — . 

-  Um  casamento  por   tabella,   polka    1.50. 

-  Valse-Concert,  P  2—. 

-  Voce  gosta  de  min,  polka  1 —  Bevilaoqtut, 

•  White   rose,   polka   1 — . 


I 


Malliot  L.  Achetex,  du  plaisir 


105 


Malo  Ch.  Belle  Josepha 


40  n. 

*•.  — 40  n 

n.  av. 


1 


Malliot  L.  Labbe:  Achetez  dii   plaisir   J — u, 
av.  G  —40  n. 

Vu  temps  de  roses  1 —  n,  av.  G  — 
Barque  et  le  Vaisseau   1 —  n.   Ch. 
Bornemann,  av.  G  — 40  n. 

-  [{ienheureux  les  pauvres  d'esprit 

G  — 40n. 

Monheur    des    cieux     1 — n,      Ch.    x.    — 40  n 
Bornemann,  av.   O  — 40  n. 

-  Cage  de  Marguerite  2.50  Heugel. 

-  Coupe  2 —  n. 

-  Cruche  cass^e   3 —  Sulzbach,  av.   G   — 40  n. 

-  Deo  gratias  1.20  n,  av.  G  — 40  n. 

-  Doute  1  et  2  1—  n. 

-  Ermite  1.20  n,  av.  G  —40  n. 

-  Espi&gles    1 —  n   Bornemann,   a  v.    G   — 40  u. 

-  F4e  Aurore  3 —  Cartereau. 

-  Garde-chasse   I —  n,  av.   G  — 40  n. 

-  Grand  air  de  la  Vend6enne  „Pays  de  notre 

amour"  2.50  n  Klein. 

-  Herbe  et  le  gazon   1 — n,  av.  G  — 40  n. 

-  I  sella  4 —  Sulzbach. 

-  Jeunesse,  av.   G  — 40  n. 

-  Journal  de  bon  papa  1 —  n,  a^ .  G  — 40  n. 

-  Laissez  dire  1.20  n,  av.  G  — 40  n. 

-  T-oi  de  Dieu  1.20  n. 

-  \[arguerites  1 —  n. 

-  Marie  3 —  Sulzbach. 

-  Mignonne,   romance   2.50   Heugel. 

Nuage  et  I'enfant  1 —  n  Bornemann,  av.  G 
— 40n. 

-  Nuit  d'orage  2.50  Heugel. 

-  Parole  d'un  normand   1.20  n,  av.   G  — 40  n. 
Pauvres  petits   1 —  n,  av.   G  — 40  n. 

-  Pensez    a  Dieu    1 —  n    Bornemann,    avec    G 

— 40n. 

-  Perle    de    ros<?e    1 — n    Bornemann.    avec    G 

— 40n. 

-  Petit  chevrier,  av.  ObP  1 —  n. 

-Petits  bonheurs  1 — n  Bornemann,  av.  G 
— 40n. 

-  Plus  de  printemps   1 —  n. 

-  Portrait  de   la  grand'  mfere,   av.   G   — 40  n. 

-  Ravenelle   3 —   Cartereau. 

-  Restez  enfant  1 —  n,  av.  G  — tO  n. 

-  Rose    mousse    1.35  n    Bornemann,    ave<-    G 

— 40n. 
-Sacrifice   1.20  n,  av.   G  — 40  n. 

-  Seigneur  Jour  de  I'an  2.50  Hetigel. 
-Serf  et  le  seigneur  1.20  n,  av.  G  — 40  n. 

-  Songe   1 —  n. 

-  Sur   la   Gr&ve   2.50   Heugel. 

-  Tabac   1 —  n,   av.   G  —40  n. 

-  Tes  yeux   2.50   Heugel. 

-  T  r  u  f  f  o  m  a  n  i  e,   ChP  7 —  n. 

-  Vacances  1.20  n,  av.  G  — 40  n. 

-  Vacances   des   demoiselles,   duo.    2  voix   4g. 

P  obi.   1 —  n   Bornemann. 

-  Veuve  du  sauveteur  1.20  n,  av.  G  — 40  u. 

-  Vivre  c'c^t  aimer   2.50  Heugel. 

-  Voici  I'automne   1 — n,  av.   G  — 40  n. 
Vrais  plaisirs   1—  n,  av.  G  —40  n. 

Malloy,  Kerry  dance,  duo  and  Full  Harm, 
Mand  (A  u  b  r  y  Stauffer)  —50  Lyon 
<f  Healy. 

Malmberg.  Sorg  i  Varetid,  Drapa,  P  —75 
■/o/in?/.s'. 

-  Visa    ur    skadespelet    „F6r    Kronan"    —50 

Jchnns. 


2.J0 

d.is 
D-r 
will 
1.40 


SATIi 


Au- 


Malmberg   C.  Across  the  Desert,   Mil.  Band 

5—  Haicke.t. 
Malmecke   Richard,   Der  bose  Feodor :   „]v[\ 

bin  'ne  kleine  .junge  Frau".  Damen-Coupl. 

1.50   Paul   Fischer. 

Malmene  Carl,  op.  4  Die  Maiennacht.  TTlili 

1.20   Andre. 
-5  Griifi  Gott,  TTBB  1.20. 

-  7    Entvveder    —    oder :    „Friniude,    um    da« 

Pest  zu  weihen",  humor.  Potpourri,  TTBli 
2.10   Kniin. 

-  12  Halb  und  halb,   hum.   Potp.   TTBB 

Bratfisch. 

-  2    Mannerchore :      Nr.    1.    Kennst    du 

MuttJrherz,    das    treue    1 — .      Nr.    2, 
lustige    Wanderbursch :       ,.Die    Welt 
ich       durchwandern",      Wanderlied 
Wertithal. 

-  Weihnachtshymne:    „Stille    Nacht". 

m.  obi.  A-Solo  1.80  Bote. 

Malmene    Waldemar.    Nat.    .iy//,s?r   Co 

gusta,  galop  — 40. 
■  Brook  Song  — 40  n  Presser. 

-  Finette  —35   White. 

-  Forest    Park,    quadrilles    — 10,    schottiscLi." 

— 10,  galop  — 10,  polka  — 10,  waltzes  — 10. 

-  Heart  of  my   heart,   SA  — 50    Brainard. 

-  Help  me  across  — 10. 

-  I   have  troubles   of  my   own  — 10. 

-  I  never  would  have  thought  —10. 

-  Italian   Troubadour's   Song  —10. 

-  Loving  and   faithful   — 35   Ditson. 

-  O   lieb',   so   lang*   du    lieben   kannst,    TTBJi 

1.80  n  Junnc. 
-0  Sing  unto  the  Lord,  s.  for  S(T)  and  AT 
—06   Wood. 

-  20   Oflfertory   Sentences,   8ATB  —30   Wood. 

-  Psyche    Waltz   — 40. 

-  Sound   Money   March  ^50. 

-  Sunset,  reverie,  P  — 50  n. 

-Sweet  Eyes  Waltz  or  Polka,  Mand   (or   Y) 
FIP  —10. 

-  To-Night  —10. 

-  Tubal  Cain  — 50  n  Presser. 
-Two  Nice  Old  Maids  — 40. 

-  We  Sailors  are  bold  — /3   Curwen. 
What  does  little  birdie  say?  — 35   White. 

Malmesi   E.  Ave  Maria  2.50  Carisch. 

Malmstrom,    High    Life    Polka   — 60    Elkan. 

Malo    Aug.    Andante    r^ligieuse,    Vc    ou    V 
av.   P  ou   Org  2.50  n   Gallet. 

-  Menuet,   V(Vc)P  2.50  n   Gallet. 

-  Offertoire,   VcP  2.50  n  Gallet. 

Malo  Charles,  A  bas  les  pattes!  n'y  touehez 
pas  3 — ,  Ch.  s.  — 30  n  Eveillard. 

-  Aboukir  1 —  n,  Ch.  s.  — 35  n  Labbe. 

-  Apr^s   la   tempgte   3 —   Sulzbach. 

-  Atroce    (parl^I)    1 — n,  Ch.  s.  — 40  n   Borne- 

mann. 

-  Aurore,   duo    1.75  n   Joubert. 

-  Baisers  d'adieux  3 — ,  Ch.  s.  — 30  n  Eveillard. 

-  Baisers   et    Glouglous    1 —  n,    Ch.    s.   — 3.1  n 

Piiigellier. 

-  Bataille   de   bossus,    operette,      Eveillard. 

-  Beau   Narcisse,   op6rette,      Eveillard. 

-  Belle    Josepha,    I'ecaillfere    de    la    rue    Mon- 

torgueil   3 — ,   Ch.  s.  — 30  n  Eveillard. 


Malo  Ch.  BuDons  le  vin  du  eentenmre 


—     106 


Ma^opocciJfCKia  n-bcHH 


1.50 


-30  n  Eveillard. 
Eveillard. 


s.  — 30  n  Eveil- 


Bxivons   le   viu   du   centenaire    1 — u,   Ch.   s. 

— 35  n  Puigellier. 
Caud  luna  n'  Mai,  romanta,  text  romanesc 

si  francez,  cu  P  1 —  Feder. 
C'est  la  derni&re  fois  qn'  ga  m'arrive  1 —  n, 

Ch.  s.  — 35  n  Labhe. 
Cendrillon  3 — ,   Ch.  s.  — 30  n  fJvcillard. 
('banwon   de  la  Nature   1 — n,   Ch.  s.  — 35  u 

PuiyeUier. 
Chansou  des  uids  3 —  Sulzbuch. 
C'hanteurs  peints  par  eux-memes  4 — ,  Ch.  s. 

— 30  n  Eveillard. 
Chapitre    des   chapeaux    5 — ,    Ch.    s.   — 30  n 

Eveillard. 

Chasseurs   alpins,   polka,    0    1.50  n    Rouart. 
Chercheuse  de  violettes  1 —  n,  Ch.  s.  — 35  n 

Gallet. 
Chiens  du   St.-Bernard    1 — n,   Ch.   s.  — 40  n 

Bornemann. 

Coeur  de  ma  Mie  3 —  Grus. 
Coin4die    h    Compi&gne,    op6ra.    CliP    6 —  n 

Jouhert. 

Digue  digue  don,  polka  4—  Sulzbwh. 
Digue    digue    don,    polka-ma rche,      O 

^ulzbach. 
Ecoliers  soldats  3 — ,  Ch.  a. 
En   tramway,   op^rette, 
Ef:m4ralda   2.50  n   Joubert. 
Eppoir   1 —  n  Joubert. 
Etapes  de  I'amour  3 — ,  Ch. 

lard. 
Faucheur   1 —  n,  Ch.  s.  — 35  n  Labbe. 

Grille  d'Egout  et  la  Goulue   (Ab.  Petit), 

quadr.  0  1.50  n  Rouart. 
Gros  yeux    1 —  n,   Ch.  s.  — -35  u   Puigellier. 
Histoire    du    drapeau    3 — .      Ch.    s.    — 30  n 

Eveillard. 

Ineonstante  3 — ,   Ch.  s.  — 30  u  Eveillard. 
Indiana,   valse  de   M  a  r  e  a  i  1  h  o  u,   arr.   p. 

chant  8 —  Lemoine. 
Jacques   3 —   Sulzhach. 
J'  suis  un  ange  3 — ,  Ch.  n.  — 30  n  Eveillard. 

■  Je    voudrai8-t-§tre    une    rose     3 — ,      Ch.    s. 

— 30  n  Eveillard. 

■Jean  de  Bruyfere  3 — ,  Ch.  s.  — 30  n  Eveil- 
lard. 

-Jiimeaux  de  Paimpol,  operette 
bouflfe  5 — n   Eveillard. 

Larmes  du  pitre  4 — ,  Ch.  s.  — 30  n  Eveillard. 

■  Ma   chaumifere    est   encore    frangaise    1 —  n, 

Ch.   s.   — 40  n   Bornemann. 
•  M'ai    parasit    —20    Magasinul    Conservato- 
riului. 

-  Medecins  3 — ,   Ch.  a.    — 30  u   Eveillard. 

-  Oh  !  la  reserve  3 — ,  Ch.  s.  — 30  n  Eveillard. 

-  On  demande  des  balayeurs  3 — .  Ch.  a.  — 30  n 

Eveillard. 

-  Patre  lorrain  3—,  Ch.  s.   1 —  Noel. 

-  Paysage  1 —  n,  Ch.  s.  — 40  u  Bornemann. 
-Pierrot     ou     le    petit    Saltimbanque      1 — u 

J  allien. 

-  Pleurnieheurs  3 — ,  Ch.  s.  — 30  n  Eveillard. 

-  Poll  a  gratter  3 — ,  Ch.  s.  — 30  n  Eveillard. 
-Polka  des  Voyelles,  polka,  0  1.50  n  Rouart. 

-  Portrait  b6ni,  mfilodie,  &  Rossini:   Bar- 

bier  de  Seville,  valse  av.  variations,  CI,  Fl, 
Pw<,   V  --20  n   Rouart. 


iii.  valse  eh.   1 — n.  f'/i. 


-.50  n 


-  Portrait  bt 

Rouart. 

-  Pour  la  France  1 —  n,  Ch.  s.  — 35  n  Labbe. 

-  Premier  amour  3 — ,  Ch.  s.  — 30  n  Eveillard. 
-Premiere    Hirondelle    1 — n,      Ch.    s.   — :10  n 

Rouart. 
-Refrain    de    la    Marseillaise    1 — n,      Ch.    s. 
— 35  n  Labbe. 

-  Rieu  qu'un  baiser   1 — u,  Ch.  s.  — 35  n  Pui- 

gellier. 

-  Rititipi  .  .    6  apologue    ] — n    Joubert. 

-  Si    tu    nc    m'aimcs    pas    3 — ,    Ch.    ft.   — 3U  n 

Eiieillard. 

-  8  0  11  \  i  e  u  s  -  t  o  i  d  e  Clementine,  op<:'- 

rette,    ChP   4 —  n    Joubert. 

-  Superflu    1 —  n,  Ch.  s.  — 35  n   Labbe. 

-  Theatre  a  I'euvers  3—.  Ch.  s.  —30  n   Eveil- 

lard. 
■  Ton  nom  !   3 — ,  Ch.  s.  — 30  n  Eveillard. 

-  Tonnerre   3 — ,   Ch.   s.   — 30  n   Eveillard. 

-  Torrent     (M  a  r  c  a  i  1  h  o  u) ,    iirr.    p.    ch,i ut 

8 —  Lemoine. 

-  Toujours  amis  1 — n,  Ch.  s.  — 35  n  Puigellir. 

-  Traineaux     (Ascher),      arr.    pour    chant 

7.50  Lemoine. 

-  Trois  cure-dents  pour  un  sou    (parl6) 

Ch.   is.  — 40  n    Bornemann. 

-  Turcos  de  Wissembourg  1 —  n,  Ch.  s. 

Puigellier. 

la    vie    3^.      Ch.    s. 


a. 


50  U 


de 


-:;0  n 


3 — ,  Ch.  s.  — 30  n  Eveillard. 
a   p  o  i  g  n  e,   operetta,    ChP 


-  Tyroliennes 

Eveillard. 

-  Un  ^cart  franc 

-  U  n   g  e  n  d  r  e 

5 —  n    Joubert. 

-  U  u  m  a  r  i  a  g  e  a  u  flageolet,  opgrel  ^  •, 

ChP  4— n  Joubert. 

-  Valse   des  etoiles   4 — ,   Ch.   s.   — 30  n   Eveil- 

lard. 

-  Velleda,    eh.    gaulois    1.35  n,    Ch.    s.    — SO  n 

Rouart. 

-  Vocations  de  Landouille   3 — ,   Ch.  s.  — 30  u 

Eveillard. 
Malone,  Picture  that  we'll  never  turn  from 
view  —35  White. 

-  When  my  sailor  lad  comes  home — 35  White. 
Malone  A.  Sailing  home  to  sweet,  Kathleen, 

song  and  chor.  — 35  Dltson. 
Malone    Robert,    Magnificat    and    Nunt     di- 

mittis    (in   E  flat)    — /'4  Novella. 
Maloney   &  the   Brick  2/ — n   Sheard. 
Mn.iopoeciiicKiJi.  KaaaqeKt  P  — 20  Meykow. 
Ma.iopocciiicKiii   snaMeHHTMH    TaHen-s  — 30 

Lyre. 
Ma.iopocciilpKia  irhcHH  i?ess6/ ;  1.  Oil  Bt^■l/^y 

fl   Ha    mniijieiOKi..    2.   Oil   noMoran   Bon.. 

3.  Hh   ce   Taa   /^IIB'^eHOHbKa  acHBe.    4.  Oh 

nnii^y  a,  nHH/^y  He  Geperoait,  /^y^0M'b.     5. 

Oh    Mncan,y,    MHCflieubKy.      6.    BecHKHKa. 

H  ce  cejio,   h  to   ce.no.     7.  A   Bace  Becua, 

a   Bace    Kpacna.    8.  I^e/^pHHKa.     Oh   ciiBt. 

XpHCTocB  Ta  BeiepflTH.     9.    Hh  a  b^b  aysn 

He  Ka.iHHa  6yjia?  10.  XoanT-b  copoKa  kojio 

noTOh-a.    11.  Oil  aiopoae  ^a  MopoaeHbKV.  12. 

JTe^aqa  neBHCTKa,  Jie,iay;(.     13.  Oii  hsiih/ih, 

3HH3H.    14.  B-b    qilCTOMlj    UOJlt    KpHHHqeHbKa. 

15.  CKaacH.  CKaacH  cepame  npaB/iy.  liJ. 
BeenjibHfl.  A  bi  .ihuhhu,  ^a  bi,  ocvmnHw.. 
17.    ^a  Bacc  xpeTin    Be'iiipi,    HK'h  aHB'jffHy 


MaJopocflilcKia  ntcmi 


—     107     — 


Malteau  E.  Au  bnl  dr  ma  cousine 


Sa^HBi.  IS.  Oh  noryflHaa  ropanua  ]iyiTQVi. 
19.  /i;a  He6y;ie  .lyyie.  20.  Oh  bhhav  a  3a 
Bopoxa.  21.  ITo  ea^oHKy  iioxaMcaio.  22. 
^a  xyMan-b  no.ieMT>  a  — 20.  Nr.  23.  Bajia- 
MjTe  H/iM  31  xaxH.  (Ha  o^iiHib  HJiH  2  ro.i.) 
—30.  Nr.  24.  Ctohti.  ropa  uwcoKaa  — 30. 
Nr.  25.  KoJiuoejibHaa  ntcaa  — 4'>.  Nr.  26. 
(3T0HT1.  ropa  BwcoKaa  (na  ^sa  roaoca)  — 50. 
Nr.  27.  SaHeiiaHT.  H^y  —60.  Nr.  28.  CKa^n 
MUHH  iipaB/iy  (na  ;^Ba  rojioca)  — 30.  Nr.  29. 
ToHce  (Ha  4  ro.ioca)  —50.  Nr.  30.  PeBe  xa 
cxoree  /^Hnnpi.  mbipoKwii  — 30. 
Malot  R.  Amour  pardonne!  valse  chaiitee 
•>_  n,  Ch.  s.  —35  n  Malot. 

-  Amours    d'autrefois.     valse    chante<>      2 —  n 

Malot. 

-  ChcK     rautiquairtv     vieille     histoiif      1 — ii 

Malot. 

-  Joyeuse    arriv6e,    marche    2 —  n    Malot. 

-  Lils,   rondeau.     Malot. 

-  Menuet  des  mariounettes,  P  ).75   Loret. 
-Nous  etious  en  avril,  gavotte-souvenir   1.75 

Loret. 

-  Pas  de  Monsieur  le  Marquis,  P  1.75  n  Loret. 

-  Pour   une  toupie   1 —  n   Malot. 

-  Happelez-vous!    1.50  n    Malot. 

-  Valse  des  nymphes,  P  2—  Jjoret. 

Ma.ioB'b  B.  K.  BapKapo.i.ia  —50,  2  ro.i.  —60 
Leopas. 

-  O^H.  Ba.ibCT>   (Cp.    u.)    —40,   2  ro.i.  P  —40 
Leopas. 

Malpassuto    R.    Mariuni:    Op.   28   Pressa   di 
Scbastopoli,   i-apriccio   fant.    '/ms   6 — . 

-  35  Esule.  romanza   senza  parole,  P  3 — . 

-  37  Un  saluto  alia  Patria,  notturno,  P  3—. 

-  38  Sera,  barcarolla  orient.   P  3 — . 

-  39  Dolore,  notturno  sentim.  P  3.50. 

-  40  Nuit,  Derni^re,  romance  sans  paroles,  P 

3.50. 
-41   Mon  arrive  a  Smyrne,  caprice,  P  4 — . 

-  42  Orfanella,   notturno,   P   3 — . 

-  43  Rgverie,  andante,  P  3.50. 

-  45   Dernier   Souvenir,   pens^e  po6t.   P   3.50. 
-46  Duettino  2—. 

-  47   Invito,   maz.   2 — . 

-48  Fille  ob^issante,  pet.  fant.  P  3 — . 

-49   Notturno,   P  3.50  Eicordi. 

-50   Addio,   notturnino,   P   2.50   Ricordi. 

-  51  A.  S.  M.  le  Sultan  abdoulmediid,  marche 

imperial  3.50,  J^ms  5 — . 
-52  Tristesse,  m^lodie,  P  3 — . 
-53  Marcia-Sinfonia,  ^ms  3 — . 

-  54  Pastorella  delle  Alpi,  canto  montanaro. 

P  4—. 
-55  Grande  Polacca,  P  3.50. 

-  57  Addio  a  Mezzanotte,  duetto  4 — . 
-58  Povera!  2.50. 

-  60  Riconoscenza,  gr.   valzer   3.50. 
-62  Zeffiro  2.50. 

-  63  Un   Reve  de  bonheur,  maz.  3^ — . 

-  65   Aveugle   Mendiant,     m^lodie   earact.     P 

4—. 

-  70   AllorcM  teco   al   cembalo,   concerto   ode 

2—. 

-  77  Sognai  ?  2 — . 
-78  Tomba  2—. 

-79  Pazza  d'Ischia  2—. 

-  80  Barcarola  2 — . 


-  81    Preghiera  alia   Madonna   del  Buon  Con- 

siglio   4 — . 

-  82   Fioraia,  arietta   4 — . 

-  83   Salutazionc   Angelica  3 — . 
-84  Ad  Isc'hia,  rimembranza  2 — . 
-85   Addio,   duettino  5 — . 

-86   Pensieri    1.50. 

-  87  Pauvre  notturne  2.50. 
-S8  Un  fiore  2—. 

-  Addio  alia   Patria,  maz.   1 — . 
-Alia  cullfi    1.25  n   Blanchi. 
-Ave   Maria    1.20  n  Blanchi. 

-  Barcarola   1.25  u  Blanchi. 

-  16    Contraddanze    (Quadrilia)    4 —    Ricordi. 

-  Echi  del  tuore,  piccolo  album    (op.  86 — 88). 

-  Ennui   et   le   Plaisir,   maz.   2 — . 

-  Fautasie  6leg.   P   3.50. 

-  Fiori    di    Primavera,   piccolo   album    vocale 

(op.   82—85)    12—. 

-  Fleur  de  Marie.  P   1 —  Ricordi. 

-  Heureuse,  fant.  sur  des  motifs  orig.  P  3.25 

Ricordi. 

-  Indovina,   maz.    2 — . 

-  Ingenua,  P  2 — . 

-  Invito,   maz.   2.50. 

-  Marche   imperiale.   Jftus   5 — . 

-  Marcia,  J^ni.s   3 — . 

-  Marietta,  P  1 —  Ricordi. 
-Nemours    1.25  n    Blanchi,    1 —    Ricordi. 

-  Passaggio  in  Orient,  capriccio  fant.  P  3.50. 

-  Per   sempre    1.25  n   Blanchi. 

-  Reverie   fantastique,   P   2.50   Ricordi. 

-  Riconoscenza,  gr.  valzer  3.50. 

-  Rigolette,  P  1 —  Ricordi. 
■  Ronda   dei  Grilli,  P  2—. 

-  Sirene,  P  1 — . 

-  Sofia,  maz.   1.50. 

-  Speranza,   valzer  2 — . 

-  Stella   d'Oriente,   maz.   2.50. 

-  Strenna,  album  di  danze  5 — :   N.  1.  Ronda 

dei  Grilli,  polka.  2.  Indovina,  maz.  3.  In- 
genua, polka.     4.  Ennui  et  le  Plaisir,  maz. 
a  2—. 
-Tempo  di  Menuetto,  P  1.50  n  Borriera. 

-  Una    festa   da   ballo   in    Constantinopoli.    P 

2 . 

-  2  Valzer  2 —  Ricordi. 

-  6  Valzer  2.50  Ricordi. 

Malstorff   M.   de,   Sonate    (Es-dur),   PV   2— 

t^imrock. 
Malta  jr.  Exercicios  de  Mecanismo,  P  — 90 

Neujmrth. 
Maltarello  L.  Amor  tradito,  romanza  dram- 

niatica,   S  3.50  Ricordi. 

-  Amusement,  sur  des  motifs  de  La  Traviata, 

FIP  6 —  Ricordi. 

-  Trio,  PVVc  8—  Ricordi. 

Maltby   Alfr.   Pretty   souls   3/ —   Ascherbcrg. 
Maltby  Frances  Goggin,  At  Rest  — 30  Jen- 
nings. 

-  Little  Alice  — 40  Jennings. 

Malte  J.  Gr.  Quartett,  2VVaVc  1- n  Breit- 

kopf. 
Malteau    E.      Sulzlach:      Ami    baigne   dans 

I'huile  3—. 

-  Attention  au  commandement  3 — . 

-  Au  bal  de  ma  cousine,  T,   Bar  o — . 


Malteau  E.  Ballon  dirigeahle. 


—     108 


Mam'zelle  Fretillon 


-  Ballon   dirigeable   3 — . 

-  Bolero   de   I'Auve.rgnat   3 — . 

-  C'est  de  I'amour  3—. 

-  Cheveux  blancs   1 — n,  av.   O  — 40  n.   Ch.  s. 

— 25  n  Lahbc. 

-  Faut  pas  s'y  fier  3 — . 

-  Fille  a  Poivrier   3 — . 

-  Folle  de  la  rue  3 — . 

-  Gas  de  mon  pays  3 — . 

-  Gobinette  1—  n,  av.  G  —40  n,  Ch.  s.  —25  n 

Labbe. 

-  J'ai  rbonjour  a  voiis  souhaiter  3 — . 

-  J'aime  les  betes  1 — . 

-  J'  brosse  les  prumeux  chez  Potin  3 — . 

-  J'  n'ai  jamais  su  c'que  c'^tait  3 — . 

-  Madame  la  capitaine  3 — . 

-  Mandarine,    Thsin-ka   tha-lha    1 —  n,   av.    G 

— 40n,  Ch.  s.  —25   Labbe. 

-  On  n'a  pas  idee  d'ga  3 — . 

-  Quatre  beures  du  jour  3- — . 
-Succession      G^nuffard,      op6rette, 

Part  2— n. 

-  Sur  la  raontagne  ousque  j'suis  n€  3 — . 

-  Un  ^pouseux  dans  I'embarras,  Ch.  s.  — 35  n 

Lesigjie. 
Malten   Fr.  Im  Walde,  P  1.50  Henkel. 

Maltese  Cav.  Vincenzo.  Carisch:  Gioie  della 
Danza,  30  ballabili,  Mand. 

-  Idillio,  valzer,   Mand(V )P  6 — ,  Banda  6 — . 

-  Inno-Marcia  del  Montenegro,  Banda  5 — . 

-  Serenata  orientale,   P  2 — ,  Mand(V )P  4 — , 

Banda   5 — . 

-  Vittoria,   marcia   milit.   Banda  5 — . 

Malton   W.   H.  C.  5  Metrical  Melodies  from 
an  Italian  Hymn  Book  — /2  Novello. 

-  Order  for  a  Flower  Service  — /2  Novello. 
Maltorell    P.      Polichinelle,    polka    1.25    Do- 

tisio. 
Maltournes   1 — n,  Ch.  s.  — 30  n  Ondet. 
Maltzan    Herm.    v.   J.    Bornemann:    Op.    12 

Loreley :  „Tcli  weifi  nicht  was  soil  es"  1 — . 

-  Abschiedslied :      „In      bittrer      Trennungs- 

stunde"  —80. 

-  Berlin  ist  Weltstadt  worden,  Couplet  — 80. 

-  Friedensmarsch,  P  1.20. 

-  Friihlingslied   1 — . 

-  Hat  gar  nicht  mehr  gemuckst,  Coupl.  — 80. 

-  Hohenzollernwetter-Marsch,    P    1.20. 
-Kunstmegare,   Posse  m.   Gesang  — 80. 

-  Kufiwalzer :  „  Ja,  ein  verbot'ner  Kufi"  — 80. 

-  Nee,  so  was  wachst  nich  uff'n  Gerschboom, 

Couplet  —80. 

-  Noch  sind  die  Tage  der  Eosen  — 80  Andre. 

Malucchi     Emilio,    Speranza,    marcia    milit. 

Banda  2 —  n  Bratti. 
Maluschka    Karl,      Gaudeamus,    TTBB    1.44 

Pock. 
Malva    Placide,      Mousquetaire,    esquisse,    P 

41 —  Ashdov^n, 

-  Perce-foret,   esquisse,    P   Zf —   Ashdown. 
Malvano    G.      Mariani:      Allegretto,    P    3 — , 

2Mand(2V)P    5—,    2Mand2VVaVc    &    Kb, 
Part  6—. 
-Bohemieune,  Fl(Mand,   V)    1.50. 

-  Cansonn   d'ii  Canotie  2 — . 

-  Cavalieri    erranti,   maz.   2 — . 
-Dancing,    FlfMand.V)    1.50. 


-  Dolce   Luua,  P  5 —  Pe.rosino. 

-  Fiori  e  danze,  valzer  5 — . 

-  Flora    elegante,    polka,     Fl(Mand,  V )    1.50, 

ChitfFDMand     2.50,     FlfMn^id,  V)P     3—, 
ChitVFl  3—    FIVP  4—. 

-  Giorno  di  pioggia  3.50. 

-In  Medio  evo,  album  di  danze  8 — :  N.  1. 
Paggio  e  dama,  valzer  6 — .  N.  2.  Cava- 
lieri erranti,  mazurka  2 — .  N.  3.  Quando 
Berta  filava,  polka  2 — . 

-  In  vino  Veritas,  P  3 — . 

-  Lattaia  3 — . 
-Mia  passione   1.50. 

-Mosca  cieca,  operetta  per  voci  bianche, 
con  assoli,  duetti,  pezzi  concertati  o  cori 
3 —  Giuseppe. 

-  Ncopp'u   scanno,   duetto   in  dialetto   napole- 

tano,  BIS  Bar  3.50. 

-  Paggio  e  dama,  valzer  6 — . 

-  Pompiere,   canzone   1.50,   P   2 —   Perosini. 

-  Primavera,   cori   &   P   3 — :    N.    1.    Preludio 

1.25.  N.  2.  Inno  dei  Fiori  1.25.  N.  3.  Danza 
dei   Rami   1.25.  N.  4.   Maggiolata   1 — . 

-  Saltirabanchi,  duettino  3.50. 

-  Serenata,   Jfms   5—  Perosino. 

-  Sogno  di  Liliana,  ^ms  7 — :    N.    I.   Preludio 

2.50.  N.  2.  Serenata  4—.  N.  3.  Danza  4^-. 

-  Sonni  tranquilli,  maz.   3 — . 

-  Sursum  corda   1.50. 

Malvern  Lee,  Little  Sprig  of  Mistletoe, 
waltz  song  &,  refrain  — 40  Goggan. 

Malvey,  Pirouette,  polka,  0  1 — n  Mar- 
queritat. 

Malvezin  P.  Une  Fleur,  valse.     Crevel. 

-  Valse  d'une  fleur.     Impr.  moderne  de  mtt- 

sique-Faris. 

MalvezzI  G.  Dolore  e  Speranza,  stornello 
2.50  Ricordi. 

Malvezzi  Giuseppina,  Fiorin  d'olivo,  stor- 
nello 2.50  Carisch. 

Malvina  1 — n  Joubert. 

Maly  Anton,  op.  16  Zwei  Lieder  ohne  Worte, 
Z  —80  Gruber. 

Maly  Franz,  op.  1  Am  Starnberger  See, 
Walzer   1.80   Eberle. 

Malycka,  Calme  de  la  nuit  1.50  n  Malychu- 
Paris. 

-  Fternel  souvenir   1.50  n  Aux  Chansons. 

-  Funeste  orgueil   1.50  n   Aux  Chansons. 

-  Hymne  a  Ja  paix  1.50  n  Aux  Chansons. 

-  Stances  a  Ninon  1.50  Aux  Chansons. 
Malz     Heinrich,      Tonleiterstudien,     V    3 — 

Licht. 

Mam'  mon  epouse  (av.  parl6)  1 — n,  Ch.  s. 
— 35  n   Ereillard. 

Mam'   Polyte    1 — n  Joubert. 

Mam'zelle    Bichon    1 — ,   Ch.   s.   — 25   Deberi. 

Mam'zelle  Chanson  1 — n,  Ch.  s.  — 30  n  On- 
det. 

Mam'zelle  Chouchou   1 — n  Joubert. 


Mam'zelle    Cordillon     1 — n, 

Ondet. 
Mam'zelle    DImanche    1 — n 

Ondet. 
Mam'zelle    Dumollet 

Ondet. 
Mam'zelle    Fretillon 

Ondet. 


Ch.  8. 

Ch.  s. 

1 —  n,     Ch.  8. 

1 —  n,     Ch.  8. 


— 30n 


-30  a 


-30  n 


-30  n 


I 


Mam'zeile  Gambillette 


—     109 


Manas  J.  Ma  petite  Amie 


Mam'zeile   Gambillette   1 — n    Ondet. 

Mam'zeir  Glingln  1 —  Delormel. 

Mam'zeile  Jeannette  — ^30  n  Joubert. 

Mam'zeile   Malaga    1 — ,   Ch.   s.  — 25   Dehert. 

Mam'zeile  Margot  1 — n,  Ch.  s.  — 30  n  Ondet. 

Mam'zeile   Nerveuse   1 — n   Ondet. 

Mam'zeile    Nichon    1 — n   Joubert. 

Mam'zeile  Putiphar  1—,  Oh.  s.  —35  Gh4- 
lutce. 

Mam'zeile    Ramlllot   1 — n   Joubert. 

Mam'zeir   sans  facon    1 — n   Joubert. 

Mam'zeile   saute   en    I'air   1.35  n   Joubert. 

Mam'zeile,   si   vous   savlez   1 — n  Joubert. 

Mam'zeile  Therese  ] — ,  Ch.  s.  — 25  Debert. 

Mam'zeile  Toulon  1.70  n,  Ch.  s.  — 30  n  On- 
det. 

Mamizelle   Troun   de   I'air   1.35  n  Joubert. 

Mam'zeile  Ville  d'Eaux  1— n,  Ch.  s.  — 30  n 
Ondet. 

Maman,  Ch.  s.  — 30  n  Joubert. 

Maman    1.70  n,   Ch.  s.  — 30  n   Ondet. 

Maman,  c'est  aujourd'hui  ta  fete  1 —  Ghe- 
luwe. 

Maman  me  I'a  defendu  1 —  n  Gheluwe,  Jou- 
bert, Ch.  s.  — 25  Gheluwe. 

Maman  n'a  pas  vouiu!  1 — n,  Ch.  s.  — 30  n 
Ondet. 

Mame  Ch.  fils,  Aux  pays  bleus  1.50  n,  Ch.  s. 
— 30  n   C.   Arnaud-M.d.Tiieille. 

-  Baisers    permis     1.50  n      J.    Gauthier-Ma.T- 

seille. 

-  Chose  et  Machin,  polka  1 —  Demets. 

-  Coquine   et   polissonne,   maz.    5 —   Bernard- 

Govlesque. 
-Coquine   et    Polissonne,     polka-maz.     1.70  n 
Demets. 

-  Femme-Serpent,      Jnia tid-Marseille. 

-  Jalouse,    valse    sentimentale    2 — n    C.    Ar- 

naud-Ma.Tsei\le. 
-Jamais     ou     toujours,      polka-maz.      1.70  n 
Demets. 

-  Je  suis   vicieuse,  chanson   diction,   Journal 

musical. 

-  Lettre  jalouse,     Impr.  Dwpr^-Paris. 

-  Marche     de     la     galette,     chanson-marche, 

Journal  musical. 

-  Marche    des    r4form6s,    ChP,      C.    Arnaud- 

Paris. 

-  On  cherche  une  chambre,  duo  grivois,     Or- 

geret. 

-  R6ve  ou   Folic?   1— n   Rouart. 

-  RouTba-Mousseux,  valse  5 —  Impr.  Roeder. 

-  Sens  dessus  des30us,  P  5 —  Goulesque. 
-Sens  dessus   dessous,   polka    1.70  n   Demets. 
-Suzanne,   maz.    1.70  n   Demets. 

-  Voix,   melodic.    Arnaud-Marseille. 

Mame  Trumeau  ou  La  noc  de  Fifine   1—  n 

Joubert. 
Mameli,   Fratelli   d'ltalia   — 50  n    Cottrau. 
Mamie,    come    kiss    yo'    honey    boy     2/ —  n 

Hheard. 
Mamie,  don't  you  feel  ashamie  2/ — n  Sheard. 
Mamini,  Tantum   Ergo   3.50   Mariani. 

Mamini   C.  Progresso,  maz.   1.50   Mariani. 

-  Un    breve    lamento,    suonata,    P    1.50    Ma- 

riani. 
Mamlok  R.  op.  4  Drei  Lieder:  1.  Liebeslied: 
,,Uas   Liiftcheu    flattert  in.s   Rosenbeet",   2. 


Soil  ich  ihn  lieben?,  3.  Der  Schmetterling 
ist    in   die   Rose   verliebt,   a    1 —  Haivnui^r. 
•  5   Hochzeitsreigen,   P   1.20  Hainauer. 

Mammas    visor    af    A    de    B — y    1.25    Lund- 

quist. 
Mammatt  Ed.  Cantate  Domino,  8ATB — 12  n 

Schirmer. 

-  Cantate    Domino       (and    Deus    misereatur) 

— /6  Novello. 

-  Deus  misereatur  — /6  Novello. 

-  Deus    misereatur     — 06  n     Presser,      SATB 

— 10  n  Schirmer. 

-  God  be  merciful  unto  us,  SATB.  Voc.  score 

1/—  Novello. 
Mammola    Bruna,      Te    ne    ricordi?    P    4 — 

Perosino. 
Mammy!    2/ — n   Sheard. 
Mammy's  Carolina  Twins  2/ — n  Sheard. 
Mammy's    little    blue    grass    honey      2/^n 

Sheard. 
Mammy's     little     Pickaninny     Boy      2/— n 

Sheard. 
Mammy's    little    Pumpkin-Coloured    Coons 

2/— -n    Sheard. 
Mammy's   Littlest   Coon   2/— n   Sheard. 

Mammy's    love    will     never    change      -1/ — 
Dean. 

MnMOHTOBa  M.   /Ij'bTCKia  ntcHH  na  pyecKie 

n   Ma.iopocciHCKie    HandbBw,    no^'s   pe/^.    11. 

HaHJiOBCKaro  1.25  Jurgenson. 
Mampe-Babnigg    Emma,  op.  7    Drei  Lieder 

1.50   Ries  d  Erler. 
Mampieri    P.   II   passaggio   di   Venere,   maz. 

L50   Carisch. 
Man  came  first  2/ — n  Sheard. 
Man    Next    Door,      operetta,      4    characters 

(2  m.,  2  f.)    — /3  Pitman. 
Man's    wrong    we    still,    Temperance    Music 

Leaflet  — /'/=   Curioen. 
Manara  Filippo,  Aprile  novo,  notturno :  Che 

mormoran,    tra    loro,    le    rose    profumate? 

S(T)  con  PV(Vc),  MS(Bar)   con   PVc(V) 

2 —  n  Ricordi. 

-  Ultimo  voto,  melodia :   Donna,  volar  fugaci 

i  giorni  dell'amor  1- —  n  Ricordi. 
Manari   L.  A  Leone  XIII  Pont.  Mass.  Coro 

a  due   (voce  di  Ca) ,  adatto  per  CoUegi  ed 

Asili  infantili :  Con  ritratto  del  Papa  3 — n, 

Senza  ritratto  2 —  n   Ricordi. 
Manas.      Wagner   y    Levien:      Album   de   la 

infaiicia,  7  piececitas  de  baile  nuy  faciles 

a  —40. 

-  Barcarola  — 50. 

-  El  lago  roto  — 75. 

-  En  alta  Mar  — 50. 

-  Mazurka   romSntica   — ^50. 

-  Minuetto    de    Sal6n,    P   —50. 

-  Polka   polichinesca   — 50. 

Manas   Josef,    op.   36      Helgolander    Strand- 
schonheiten,  Marsch   1 —  Oertel. 

-  Ganz    ofFen    will    ich    es    dir    sagen,    Duett 

—80  Litolff. 

-  Kufi-Duett :      „Ach,    Majestat,      ich   mScht' 

gern  wissen"   1.50  Litolff. 

-  Ma    petite   Amie,    valse   gracieuse,     P     1 — 

Oertel. 


Manas  J.  Maurisehes  Stcindchen 


110 


Mancinelli  L.  Isnra  di  Prnoenxa 


-  Maurisehes  Standchen,  P  1 —  Oertel. 

-  Nacht  bricht  an,  Duett  1.20  Litolff. 

-  Potp.    iiber :    Die   Royalisten,  P   2 —   Litolff. 

-  Royalisten-Marsch    — 60    Litolff,      0    2 —  n 

Bellmann. 

-  Sizilianisches    Gondellied    1 — ,      Fliigelhorn 

m.  P  1 — ,  m.  0  2 —  n  Oertel,  (Gondoliera 
Siciliana),   pice.  0  2.05  u   Carisch. 

-  Sternenwalzer     1.80,      4ms    2—,      VP    2— 

Litolff. 
-Unser   Theodor,   Operette.   Brockhaus: 
KA  8— n: 

Couplet:   ,,Beim  Gendarm"   1.50  n. 
Couplet;   „Icli  hab'  an  einein  dreizehnten' 

1.50. 
^lein  lieber  Heir,  die  Frauen   1.50  n. 

4.  Telegraphenlied :   ,,Ich  mocht'  mein  Wei- 
berl"   1.50  n,   VP  1.20  n,  IM,  KM  2.50  n. 

Terzett:    „Ein    Leutnant     von'    Husaren" 
1.50  n. 

5.  Walzerlied :     „Wenn     irh    sehe     manclie 
Eh'"   1.80  n. 

-  ^'erschworer-Tel■zett   fur    3    Mannerst :    ,,In 

der  Nacht,  in  der  Nacht"  1.50  Litolff. 

■  Zigeunerfahrt,      4    Stinimungsbilder :      Ab- 

schied  von  der  Heimat.  Auf  der  Wando- 
runo  Traum  vom  sehwarzbraunen  Lieb- 
chen.  Ritt  in  den  Kampf,  Jfms  2 —  Litolff. 
Manas  V.  Wagner  y  Levien:  Alerta,  polka 
railitar   — 50. 

-  Coleccion  de   12  Danzas  artisticas,  gavott.i, 

P  1.50. 

-  Estudio   Capricho,   P  — 75. 

-  Extasis,   romanza,   P  — 63. 

-  Los  5   dedos,  polka   infantil   — 25. 

-  Mazurka  de  Salon,  P  — 40. 

-  Serenata    espaiiola,    P    1 — . 

-  Souvenir,   vals,   P  — 50. 
Manas-Schier,    Telegraphenlied:    „Mir    fehit 

was"   1.50  Brockhaus. 
Manasse    Antonio,      Violetta,    maz.      — 20  n 

Ranzini. 
Manasse    G.      Deslo,    romanzetta,    V(Mand) 

Chit,  servibili  anche  per  V  o  Mand-s.  con 

Canto  ad  lib.  — 20  n   Ranzini. 

■  Esultanza,    polka   — 20  n    Ranzini. 

Manby    H.    B.    Manietta,    schottische    — 40  n 

Presser. 
Mancardi    E.    Bouton    de    Rose,    P    2 —    Ma- 

riani. 

-  Fum6e   d'un   cigare,   maz.    1.50   Mariani. 

-  Marie,    maz.    1.50,      Bandu    mil.    &    0    3— 

Mariani. 

-  Sorrento,  maz.  2 —  Mariani. 

Manceau    Adrian,    Dans    la    Fougere,    valse 
1.75  n   Pisa. 

-  Dans    la    Foug&re,   &   Car  m  a  n,    Brise   le- 

gere  ces  deux  morceaux  diff.  p.  P-s.  p.  se 
jouer  a  2P  concert,  cbacun  des  deux  ser- 
vant p.  un   P,  les  2  ensemble  3 —  Pisa. 

-  Illusions,   suite   de  valses  symphoniques,   P 

7.50  Joubert. 

-  Joyeuse    fete,    polka-marche,    4  ou    6Tr    de 

Cav.   — 40  n   Pomier. 

-  Lili-Rondo,    P   4 —   Joubert. 

-  Meditation   p.  1.  main  gauche  5 —  Jouberl. 

-  Polka   des  octaves  5 —  Joubert. 


0    1- 


VP, 


1   2.50.  N.  2 

\alse    brill. 

-  n    Turner. 


Mancerolle    T.   4    Feuillet^s   d'Album,    P   9— 

Hainelle, 
■  2    Mazurkas,    P    7.50   Hamelle. 
Mancewioski,    Petite   Anna,   polka 

Pinatel. 
M anche    A.      Fol    E.spoir,    chant    avec 

Roaart. 

-  Pens6e  fugitive,   PV  2.50  n   Rounrt. 

-  Reverie  expression,  PVfVc)   2.50  n  Rouart. 

-  Souvenir  d'autrefois,  intermezzo,  VP  2 —  n 

Rouart. 
Manchegas  y   Soleras,  G  1 — u  Bergali. 
Manchettes    et    Jabot,     menuet,     P     — 85  tt 

Eveillard. 
Mancilla,   Amor,   schottisch  — 50   Wagner   y 

Levien. 
Mancinelli   Benilde,  op.  12  Fantasia  sul  Na^ 

bucodonosor,  P  5 —  Ricordi. 

-  3  Fantasie  sul  Ruy  Bias,  P :  N. 

3—.  N.  3  5—  Ricordi. 
Mancinelli    F.      Mezze    Notte, 
MondP   2/ — u   Turner. 

-  Rosa    Bianca,    rom.    MandP   2/- 
Mancinelli    Luigi     (1848).      Ricordi:      Aida 

(Verdi),  transcr.  VcP  6—  Ricordi,  3.50 
Bote. 

-  Al  chiaro  di  Luna,  album  10 — :  N.  1.  Siete 

una  dolce  pera  camoglina,  stornello  2^ — . 
N.  2.  L'Orfanella,  melodia :  lo  non  ho 
nulla  3 — .  N.  3.  Serenata  di  un  Moro : 
Alia  raia  dormente  bella  2.50.  N.  4.  Chi 
ami  ?  melodia :  Amo  la  luce  2- — .  N.  5. 
Celeste !  !  barcarola :  Oh  come  &  bello  2 — . 
N.  6.  Povero  fior,  romanza  2.50.  N.  7. 
In  mare,  barcarola :  Sedevamo,  o  mia 
cara  2.50.  N.  8.  Chi  va  la?  duetto:  Mezza- 
notte   .  .  .    AU'erta!    3  50. 

-  Arrullos    (Cradle  Song)     (Manuel   de   Pala- 

cios)    — 60   Schirmer. 

-  Barcaroln,    P   3 — . 

-  Berceuse,  P  2.50. 

-Berceuse:     Bylow,    Baby    all     rosy     (Tho- 
mas   Salignac)    — 75    Schinner. 

-  Calma  del  mare :  Una  calma  profonda  3 — . 

-  Cleopatra,    intermezzi    sinfonici,      O,     Part 

10— n:  N.  1.  Overtura  3— n.  N.  2.  Marcia 
Irionfale  1.50  n.  N.  3.  Battaglia  d'Azio 
3 — n.  N.  4.  Scherzo-Orgia  2 — n.  N.  5.  An- 
dante-Barcarola  (Quartetto  ed  Arpa)  1 — n. 
N.  6.  Marcia  funebre  1.50  n.  (N.  2.  Tstrum. 
di    M.    d'A  1  e  s  s  a  n  d  r  o)    .3 — n. 

P  5—  n :  N.  1  5—,  N.  2  3—,  N.  3  .5—, 
X.  4  4—,   N.  5   e  6   il  2—. 

J,ms  8—  n :  N.  1  6—,  N.  2  4—,  N.  3  6—, 
N.  4  5—,  N.  5  e  6  a  3—. 

-  Don   Carlo,   fant.    VcP   7—. 

^Ero    e    Leandro    (Hero    and    Leander), 
opera    (1896),  Voc.  score  5/ — n   Novello. 

-  Figlia    morento    1.50  n    Blanchi. 

-  Inno-Marcia  per  I'inaugurazione  del  monu-' 

mento   a   Guido   Monaco,   P   6 — .   Jfms   7 — , 

0   2— n. 
L---Isaias,  duet :  Sister  of  Hezekiah  4/ — .  Part. 

I :    Prelude   and    Chorus   of   Maidens,   SA. 

II :    Chorus  of  Maidens.   SA,  a  4/ —  C/icp" 

pell 
k-Tsora    di    Provenza,     opera     (1884), 

ChP    15 — n.    Madrlgale-Ii^ora:    Rendeteini 

il   mio  sol    1.75  n. 


Mancinelti  L.  Messa  in  onore 


—     Ill 


Mancini  R.   Yoyeur  ronfiscm- 


-  Messa    in    onore    di    Maria    Ausiliatrice,    a 

4  voci  eon  Org,  Part  e  parti  5.20.  parti  di 
canto  — 30   Capra. 

-  Messalina,    intermezzi    siufouici,    0    4—  n : 

N.  1.  Preludio  sinfonico  1.50  n.  X.  2.  La 
Suburra,    intermezzo    .3.50  u. 

-  Mia  Stella  1 —  n  Blanchi. 

Ondine    (The    Mermaids)    — 75    Schirmer. 
Primo  araore:  Chi  mi  rende  i  di  felici  2.50. 

-  Rendimi  il  bacio  — 75  n  Blanchi. 

-  Romanza   senza  parole,   V(Vc)P  2 —  n. 

-  Sancta  Agnes,  Carmen  tragicum,  STB,  cori 

e  0  3.75  Capra. 

-Scene  Veneziane,  suite  d'O,  4/"«  10 — ^• 
N.  1.  Carnovale,  allegTO  brillante  4 — n. 
N.  2.  Dichiarazione  d'amore,  allegro  .soste- 
nuto  2 — n.  N.  3.  Fuga  degli  amanti  a 
Chioggia,  scherzo-presto  3.50  n.  N.  4.  Ri- 
torno  in  gondola,  andante  con  moto  2.50  n. 

>-N.  5.  Cerimonia  e  Danza  di  nozze,  lento 
e   allegro   brillante   4 — n. 

-  Sogno   .  .  .   2 — . 

-  Hong    on    a  faded    violet    (Violetta    appas- 

siouata)    (parole  ingl.-it.)    3.50. 

-  Sposa  2 —  Carisch. 

-  Sylvie   (paroles  franc.-it.)    3.50  Ricordi,  1.35 

Schott   Fr^res. 

-  Talisman     (The    Talisman)     — 60    Schirmer. 

-  Tempo  di  Mazurka,  P  2 — . 

-  Ti    ricordi?    duettiiio    1.25  n    Blanchi,    Noc- 

turno,    MandP   — 40   Pond. 
^-^izianello,    bozzetto,    con    diversi    strumenti 
o   P   6— n. 

-  Un'   Estate   a   Perugia,   album    12 — :    N.    1. 

La    Rondinella,     ballata :     Non    paventar, 

2.  Lungi  da  me!   melodia:   Ama  I'inverno, 

3.  Tristezza  (Tristesse),  melodia:  Dal  mio 
core  sparve  (parole  it.-francesi),  4.  Non 
amo  piu,  melodia,  k  2.50.  N.  5.  Ad  uu 
fiore  (A  une  fleur),  canzonetta:  Che  vuoi 
dirmi  (parole  it.-francesi)  3.50.  N.  6. 
Addio,  romanza :  Quel  dl  che  ti  lasciai 
3 — .  N.  7.  La  Fanciulla  straniera,  melo- 
dia :  Al  garrir  della  prima  lodoletta  3.50. 
N.  8.  La  Porta  del  Camposanto,  duettino : 
Dimmi,   fanciulli   uno   3 — . 

-  Un'ora   di   musica,   album    8 — :    N.    1.   L'ho 

veduto  vestito  da  saldato !  stornello  2 — . 
X.  2.  Sotto  il  Cbiostro,  melodia  2—.  N.  3. 
II  Sole  6  tramontato,  serenata  2.50.  N.  4. 
L'amore  del  Bardo,  romanza  2.50.  N.  5. 
Dopo  I'assenza,  duetto  4.50. 

-  L^n  po'  di  carita  1.25  n  Blanchi. 
-Valzer  brill.   4.50. 

Mancinelli  Marino  (1842).  Ricordi:  Ab- 
sence, melodie-ieverie,   P  4 — . 

-  Berceuse,  P  4.50. 

-  Chanson   de   Mignon,   bluette,   P   4.50. 

-  Historiette,    P  — 40    'Nenporth. 

-  Lamento  d'una   Madre  3.50. 

-  M'amasti  mai?  3 — . 

-  Serenata  d'un  Angelo  4 — . 

-  Vaga  Zulcme  3 — . 

Mancini,     I    miei    pensieri,    mazurka     1.50  n 

Cottrau. 

-  Pastorale,  BassonfFlJEautb   7.50   Evette. 

-  Puits    qui    parle,    ouverture,     HarmfFanf) 

3 —  n.   Cond.  — 50  n   Lory. 


Mancini  et  Venier,  Seduction,  valse  chant^e, 

Sicver. 
Mancini   A.   Chanson  cr6olo,  P  5 —  CohHI. 

-  Nfrinche,    nfrinche,    nfra !    3.50    Santojavvi. 

-  Ngiulinella   3 —  Santojanni. 

-  Margaretella.   canzone   per   Piedigrotta    3 — 

Sa7itojanni. 

-  Noel  5 —  Costil. 

-Petit   Malherbe    1.50  n   Bonnaventure. 

-  Primavfere  5 —  Costil. 

-  Rotoli    rotola!     (a    duettino)      1.50     Sanlo- 

janni. 

-  Scherzo-valse   7.50  Bonnaventure. 

Mancini   C.   Analfabeta,    P  Q —   Ricordi. 

-  Stramberia,    P   6—    Ricordi. 
Mancini    E.  Alle  bionde,  maz.  4 —  Izzo. 

-  Dalle  scene,  valzer  5 —  Izzo. 

Mancini  Fr.  (1674 — 1739),  Geliebte,  einzig 
Geliebte  (Mitilde,  o  Dio!),  u.  Arie:  „Sollt 
ihr  langer  nicht"  (Se  per  me  pift),  3.  Bg. 
Heinrichsh  of  en. 

Mancini  G.  Bahiana,  maxixe,  danse  nat. 
bresilienne,   0.     France. 

Mancini    R.   Siever :   Amour   de  frfere. 

-  Antiquaire    farreur.      Lahhe. 

-  Borobeur. 

-  Boudin   noir,    boudin   blanc,   valse   comique. 

-  Brocante. 

-  Chat  de  Madame  Anastase,     Sulzbach. 

-  Chanson   k  Manon. 

-  C'n'est   pas   c'qu'on   pense. 

-  Chaudlapince. 

-  Clovise,   rondeau.     G.   Siever. 

-  Colibri   de   Marietta. 

-  Donn'  moi   d'  I'amour ! 

-  Dupes  de  la  societe,     Sulzbach. 

-  Ell's  ne  d'  mand'nt  que  ga. 

-  Epicier  blaqueur. 

-  Fais-moi   ce  que  tu   veux.     Gueprotte. 

-  Gueux  philosophe.      G.   Siever. 

-  Je  me  les  roule. 

-  Le  tien,  c'est   le  mien. 

-  Little  Paquerette,  air  de  ballet,  P. 

-  Louisette. 

-  Ma   bedite   Suissesse. 

-  Magne-moi-le  done! 

-  Marche   de   rieuses. 

-  Marie  Gamelle. 

-  P'tits   Trognons. 

-  Petite    Ouvri&re    parisienne.      G.    Siever. 

-  Plein  comme  un  cochon. 

-  Pour   toutes   les   bourses. 

-  Polka    du   charcutier   1.75  n. 

-  Polka   du    p'tit    z'oiseau. 

-  Quincaillier    rigolo,      Sulzbach. 

-  Ratacoum. 

-  Reverie. 

-  Romance  des  petits   moineaux. 

-  Sensations   de   proserpine. 

-  Simple   Roman. 

-  Situ  voulais. 

-  Sono   Napolitana. 

-  Troncs. 

-  Union  libre. 

-  Vivre  sans  toi ! 

-  Va-et-vient. 

-  Yoveux    confiseur    1.75  n. 


Mancini  R.  et  G.  Glarett 


112 


Mandanici  PI.  Maria  ilpgii  Alhixxi 


Mancini  R.  et  G.  Clarett,  Ces  goujats  d'hom- 
mes !      O.  Siever. 

-  Clarett,  Coqueluche  des  bonniches.   G.   Sie- 

ver. 
Mancini  S.  Sconforto,  romanza  2.50  Ricorii. 

Mancini    Temistocle,    Melodia,    VP      1.75  n 

Ricordi. 
Mancini-Fattorini,    J'suis   pas  mechant.      G. 

Siever. 

-  V,  arche   des  toilettes.     M ancini-'P aris. 

Mancini-Villermin.      Weiller:      Amour,      '.a 
ni'    chatouille. 

-  Baigneuse.      New-Edition-BoTdeiiu.:s.. 

-  Chnocard,   saynfete  militaire   1.50  n. 
-Chose?     A  la   chanson  moderne. 

-  D'  ga  qu'est  bon ! 

-  Devant  la  tempete,  scfene  dramatique  2 —  n. 

-  Entrevue    Marcelin-Cl6menceau    1.75  n. 

-  Fleur    de   muflf'    1.75  n. 

-  Folie    comique,   loufoquerie    vocale. 

-  Gentil  Bouquet. 

-  Grfeve  des  vidangeurs. 

-  J'ai  la  pgcosi 

-  Je  I'ai,  la  fin'  pochette  1.75  n. 

-  Je  reste  en  panne  au  plus  chouette,  Labbe. 

-  Ma   mie    aux   yeux   bleus. 

-  Ma   Moiliette,   histoire   normande. 

-  Ma  petite  Pochette,     ManciniV  avis. 

-  Mes  nerfs  sont  calm^s,  chans.  6pilepti-com. 

1.75  n. 

-  Mets-y   la   main. 

-  Moulin  a  faf6,  scie  populaire. 

-  Parasite. 

-  Pipinette,  chanson-marche. 

-  Pouit-PouTt,     Ixibb^. 

-  Printemps  de  la  grisette. 

-  Quand   1'    regiment   marche,   chans.-marche. 

Edition  parisienne. 

-  R6,  Fa,  Mi,  polka  chant6e. 

-  Souverains   en   R6publique    1.75  n. 

-  Talonnette,  nouvelle  danse  parisienne  avec 

grelots,     P,     Theorie     d'E.      G  i  r  a  u  d  e  t 

2.50  n. 
Mancion,    Fantaisie    villageoise,    concert.    CI 

Saxophone-Alto  &   Bugle  ou  Cornet  2.50  n 

Lory. 
Mand    J.    op.    9    Sehr    leichte    lauretanische 

Litanei,  fiir  8A,  B  ad  lib.  u.  Org(E)    1.30 

Pustet. 

-  16  Missa  brevis  et  facilis  in  hon.  S.  Joan- 

nis  Evangelistae  una  cum  Offertorio : 
Justus  ut  palma  ad  unam  vocem  vel  uni- 
sono-chorum  parvuloriim  comitante  Org 
(B)  1.20  Pustet. 
Mandanici  Placido  (1798—1852).  Ricordi: 
Ave  Maria,  S(T)MB(Bar)  &  B  con  coro 
a  piaeere  &  Org  1.50. 

-  15  u  o  n  t     em  pone,     opera      (1841),     ChP 

30—: 

Sinfonia  3 — . 

Parte    I:      Coro    d'Introduzione :    Su,    da 

bravi   2.25. 
Sortita    di    Ghiringhello :    Or    che    indossa 

ha   quella  frega   2.75. 
Sortita  di  Carlambrogio :   Un  artista  qual 

mi  vanto  2.25. 
Recit-ntivo:    Oh    cospetto    — 25. 


Mangiare  e   bevere 


Cavatina :  La  sua  diletta  2.75. 
Recitativo  e  Canzone ; 

2.75. 
Finale   della    Parte    I :    Che   vuol   dir    7 — . 
Parte   II :      Recitativo   e   Cavatina :    Amo, 

e  sperai  di   vincere  2.50. 
Recitativo :   La  gloria,  il  vin  — 50. 
Recitativo   e   Duetto :    Non   avresti   3.50. 
Aria :    E   permesso   3.75. 
Recitativo   e   Duetto :    Dimmi,   o  cara    4 — . 
Recitativo:    Oh  signora   Scolastica  — 25. 
Principio  del   Finale  della  Parte   II     1.5U. 
Brindisi  con  Cori :   Vieni,  prezioso  nettare 

2.25. 
Seguito  del  Finale  della   Parte  II     2 — . 
Sestetto  con  Cori  nel  Finale  della  Parte  II 

2.75. 
Seguito  e  Stretta  del  Finale  suddetto  5 — . 
Parte  III:  Coro  d'Introduz.ione :  Puo  star 

poco  3 — . 
Recitativo:  Dunque  la  mia  Scolastica  — 60. 
Recitativo   ed   Aria:    Come  potea   2.50. 
Coro :   Signor  si   1.50. 

Recitativo :    E  pur   il   buon   signor  — 25. 
Canzonetta :   Parla,   parla,   idolo  mio.  Ter- 
zetto :    Ah !    chi    veggo !    Quartetto :    Si- 

gnori  miei  scusatemi   6 — . 
Recitativo:    Maledetto   don   Satiro  — 75. 
Duetto :   Tu  che  sei  3.75. 
Scena :   L'ho  vista  sul  balcone  2 — . 
Aria  finale :   Voi   signor   3.75. 

-  Capriccio   concertante,   2VVaVc   2 — . 
-Coro   di   Pastorelle   1.7.'>. 

-  2  Fughe  in  una :   Cum   Sancto  Spiritu,   HA 

TB  —30. 

-  Guarda    che     bianca     luna,     notturnino     a 

quattro    voci    di    Donne   sole,    o  di   Uomini 
soli   1.25. 
-Maria    degli    A  1  b  i  z  z  i.    opera      1S42), 
ChP  32.50: 

Atto    I.    Preludio  e    Coro    d'Introduzion.> : 
Oh  spavento !   oli   uoi   inf eliei !    3.25. 


Amo    quell'alma    inge- 

Una  larva  sanguin(jsa 

tu  sola  a  me  sei  cara. 
:   Crudel,  mentr'io   iiel- 


Scena    e   Cavatina  : 

nua  3 — . 
Scena    e   Cavatina: 

3.25. 
Scena  e  Duetto :  Si, 

Terzetto-Finale  I 

I'anima  6 — . 
Atto   II.   Scena  e   Duetto:    SuU'Arno   mio, 

bellissima    5.50. 
Recitativo    e    Romanza  :     Oh     mio     pensier 

1.75. 
Coro  ed  Aria :   Vieni,  o  bello  2 — . 
Coro  d'Armati :   Lo  vedeste?  3.50. 
Scena  nel  Finale  II:   Ne  riede?  4.25. 
Sestetto   nel   Finale    II :    Un   traditore.    an 

empio  amai !  4 — . 
Seguito   e  Stretta   del    Finale    II   5.50. 
Atto    III.    Preludio,    Scena    ed    Aria:    Sia 

funesta,   plena   sia   4 — . 
Coro-Preghiera :      Padre     d'eterne     grazie 

—75. 
Scena  e  Duetto:   Ah!    Ginevra,   appien   tu 

sai  4.25. 
Coro  ed  Aria:   Tu?   fia  vero?   2—. 
Scena    e    Cabaletta    finale:     O     Signor,     jl 

nappo  amaro  1.50. 


Mandanici  PI.  Maxurka 


113     — 


Mandiry  E.  de  Mi 


mi 


-  Mazurka  — 50. 

-  Messe  a  3  voix  a  v.   Org  5.50  ii   Crau.:. 

-  Messa,  2TB  &  Coro,  Org  8—. 

-  Messa,  2TB  cou  Coro,  Org   18—. 

-  Ombra  di   Tsi-Ven,  gr.  niarcia  2 — . 
-Pater  noster,  4  voci  &  Coro,  Org(P)  a  piaci- 

3.30. 

-  R  a  p  i  m  e  11  t  o     (Opera) ,    siufonia,    P    2.50. 

-  Romanow,   P:   Marcia   trionfale   1.75.   Passo 

doppio   1.25. 
-Salve   Regina,    STBOrgfPJ    1.80. 
-Segreto,   opera    (1836): 

Sceiia   e  Duetto :   La   Duchessa,  beu   lo  sai 

3.50. 
Cavatina:  Sai  di  qual  brama  ardente   1.7.'). 
Terzetto:    Brava  .  .  .    bene  .  . .    4.50. 
Cauzonetta  :    Senti,   senti,  gentil   villanelLi 

3.50. 
Scena  ed   Aria:    Era   Auuetta   2.50. 
Seena  e  Duetto:  Tu  non  udrai  rimproveio 
3—. 

Scena  e  Terzetto:   Fermo  ero  gia  di  cliie- 

dervi  5 — . 
Aria   finale:    Ah!    Signora.   iioii   mi  &   uoto 

2.50. 
Sinfonia,   ^ms   4 — . 

-  24    Solfeggi    ad    uso    di    Vocalizzo    per    MS 

18— :    I  3—,   II— IV  a  6—. 
-12  Solfeggi   per  B :   I   7—,   II   8—. 

-  12  Solfeggi  per  T  o  8,  I— II  a  7—. 

-  Sulle   tue   fredde   ceneri   2 — . 

-  12   Vocalizzi,   8,  libro   I— TI   a   6.50. 

Mandarin    de    Nandin    1— n,    Ch.  s.    — 40  n 

Borncnunnt. 
Mandarin    jaune,    Ch.  s.    -30  u    Joubert. 
Mandarinette    1 — u    Jouhert. 
Mandataires   de   Dieu    1 — n   Joubert. 
Mande  Carl,  Entr'acte  „By  the  Sea",  P  4/— 

Weekes. 
Mandel,  Gavotte  de  Louis  XIII,  P  2—  Boo- 

sey. 

Mandel  N.  Kohci^i  Bina  (Fin  de  Si&cle  Ba.iBCB) 

— 60  Idxikoivski. 
Mandelbaum,      Miguou      Yorke,      mazurka, 

FullO    1—,     i-i   Jnstr   —80.     10   Instr  —60 

Stattdard. 
Mandell   de,   Pendant   Tab-sence,   nocturne.    P 

5—  Noel. 
Mandelli   A.   Ad   Adelina   Patti,   un  brindisi 

alia  Diva   del  Canto,   P  .3—  Ricordi. 
-Arcauo!  Valzer,   VP  8—  Mariani. 
-Carlo  Bignami   e   Nicolo   Paganini.   eon    ri- 

tratti    1 —  n   Ricordi. 
-Sai   chi   sei   tu?    Polka-Scherzo, 

eordi. 

-  Un  soir  a  Bex,   /'  4 —  Ricordi. 
Mandelstam     F.     :]     Lieder :      1 

Schwelle.  2.   In  den  Dorneu.   ?, 
milrchen,  a   1 —  Raabe. 

MaH4e;ii>iiiTaM-B  B.  HoqeBajia  lyqwa  soiioxaa 
— 40  Idnikoicski. 

-  Bupuxa    aacrynoM-b     nma    ivxyooKaH.    — 40 

Idiikows/ci. 
Mander    H.   Banditti,   galop   3/ —  Enoch. 

-  One    for    Evermore   4/ —   Donajoicski. 

•  fi    Selected    Pieces,    transcr.    from    the    Old 
Master,   VP.-    ].   Gavotte  en   Sol    (Bach). 

Universal-Haiidbneh   fler  Musiklitpratur.    M. 


P   2.50    Ri- 


Auf     der 
Friililing'^- 


Novello. 

2  Vier  Vaterlands- 


2.  Corrente  en  Fa  (Corelli).  3.  Madri- 
gal, „Siuce  first  I  saw  your  face"  (Ford). 
4.  Where  the  Bee  sucks  (Arne).  5.  As 
when  the  Dove,  Acis  and  Galatea  (H  a  n- 
d  e  1) .  6.  A  Reminiscence  of  the  olden 
time    (Allen),  a  3/—  Chanot. 

-  Those  withered  leaves,  w.   VCVc)  4/ —  Ash- 

down. 
-Transcriptions  from  the  Old  Masters,   VP: 

1 .  Menuetto,  Surprise  Symph.    (Haydn). 

2.  Lied  ohne  Worte  (op.  62  Nr.  1)  (Men- 
delssohn). 3.  Andante  Cantabile  (Mo- 
zart). 4.  Andante  from  Org,  Sonata 
(Mendelssohn).  5.  Allegretto  from 
Sonata  in  E  (op.  14  N.  1 )  (B  e  e  t  h  o  v  e  n) . 
6.  Menuetto  and  Trio  (op.  78)  (Schu- 
bert), a  3/—  Weekes. 

-  0   Transcriptions  on   Sacred   Subjects,    VP: 

1.  Mozart:  Agnus  Dei.  2.  Rossini: 
Cujus  Animam.  3.  Mendelssohn: 
The  Lord  is  mindful.  4.  Handel:  Holy  I 
Holy!  Holy.  5.  Haydn:  With  verdare 
clad.  6.  Mozart:  Gloria  (12th  Ma.ss) 
1  ■ —  J^onajoicski. 

Manders   B.  Athanasian  Creed,  in   F,  8ATB 
— /3    Weekes. 

-  Benedicite    (in    F)    — /2 
Manderscheid   Paul,  op. 

lieder  fiir  dreist.  Frauenchor  m.  P:  1. 
Segenswunsch :  „Heldenheimat,  die  wir 
schauen".  2.  Das  deutsche  Lied:  „Kennst 
du  die  Wehr".  3.  Mein  Kaiserreich :  „Wie 
wallt  mein  Fufi  so  gern  durch  deine 
Auen".  4.  Kaisergrufi:  „Frisch  auf  mein 
Sang"   1.80  n  Schwann. 

-  Fraueuchore   fur   den   Gcsangunterricht   .in 

Lehrerinnen-Seminaren  und  hoheren  Mad- 
cbenschulen   1.50  n  Schwann. 

-  J^lassische    Chor-Gesange    fiir    Frauenst   m. 

P,  gr.  8°:  I.  5  kleinere  Chore  von  Bee- 
thoven, Mendelssohn  und  S  c  h  u- 
maun,  8A  (2-  u.  Sstimmig),  Part  1.80  n, 
St  a  — 15n.  II.  Haydn:  2  Chore  aus 
,,Die  Jahreszeiten" :  Friihlingschor,  Spinn- 
lied.  Part  1.50  n,  St  a  —15  n.  III.  S  c  h  u- 
bert:  Der  23.  Psalm,  4st.  Part  1.20  n, 
St  a  — lOn.  IV.  Mendelssohn:  Op. 
39,  Nr.  2.  Motette,  fur  3  Frauenst  m.  Org 
(H  od.  P),  Part  1.50  n,  St  a  — 15  n 
Schwann. 

-  Klassische    Frauenduette    fiir    Einzel-    oder 

Chorgesang  m.  P,  I— IV :  I.  Natur.  II. 
Menschenleben.  Ill— IV.  Geistliches,  Part 
a  2—,   St  a  — 40  Schwann. 

-  Klassische    Vortragsstucke,    1    od.    2VP, 

Hefte  a   1 .50  n  Vieioeg. 

Mandeville    E.      Go     to     bye,     Manny 
Broome. 

■  It  was  all  a  mistake  — /2  Broome. 

■  Merry  land,    P  — /2   Broome. 

Mandeville  Viscountess,  Creole  Valse  2,' — n 

Novello. 
Mandin    Th.    E.      Moonoo's    Cake    Walk,    P 

3 —  11    A/f//((er-Marseille. 
Mandiry   E.  de,  Mimi,  polka,  MandP  2— n 

CostuUut. 


3 


-!0 


Mand!  J.  op.  12 


114    — 


Mandolinen-Album 


IVIandl  Johann,  op.  12  Die  vier  Mariauisehiu 
Antiphonen  fiir  2  gleiche  St  in.  Org(H), 
Part   u.   St   1.20   Coppenrath. 

•  13   Leichte   Messe    zu    Elireu     des    heilig'jn 

Antonius  von  Padua,  fiir  2  gleiche  St  m. 
Org (II J    1.40  n  Coppenrath. 

-  18    Leiclites,    vollptiindig     liturgisches     Re- 

quiem   ni.   Libera,     1    Singst     m.     Org(H) 
].40n  Coppenrath,. 

•  19   Leichte  liturgische   Gesiinge   fiir   die   hi. 

Charwoche,  28 A  u.  B  oder  SAT  u.  B,  Part 
u.  St  3.60  n  Bohm. 

Mandl  Jos.  op.  16  Missa  brevis  et  facilis  in 
hoiiorem  S.  Joaunis  Evangelistae  una  cum 
Offertorio  „Justus  ut  palma"  ad  unam  vo- 
cem  vel  unisono  chorum  parvulorum  co- 
mitante,  Org(H),  Part  1—,  Singst  —20 
Pvstet. 

Mandl  Leopold,  Signalhornschule,  Leitfaden 
zur  Heranbildung  der  Hornisten  (Trom- 
peter)  fiir  das  k.  u.  k.  osterr.  Heer  — 20  n, 
tschechisch  — 20  n,  ungarisch  — 20  n  Bos- 
worth. 

Mandl  Rich.  Durdilly :  Op.  1  Drei  Lieder 
2 —  Dohlinger. 

-  A  ma  bien-aimee  1.40  n. 

-Ah!   si  j'etais  un  papillon  1.50  n. 

-  Ave  Maria   1.75  n. 

-  Berceuse   1.75  n. 

-  Capriccio,    VcP   2 —  n. 

-  Chanson  du   Jouvenceau   1 —  n  Joubert. 

-  Chant  de  la  Fiancee  2.50  n. 

-  Cigognes    de    Strasbourg    1.70  n    Klein. 

-  Confidence  1.75  n. 

-  Crepuscule    1.50  d. 

-  6  Danses  t  la  Viennoise,  P,  I— II  k  2.50  u, 

.'snis  a  3.50  n,  1.80  Rose,  0,  Part  10— n,  p. 
s.   15 — n. 

-  Etoile  d'amour   1.50  n. 

-6  Gedichte:  1.  Im  Volkston :  ,,Als  ich  dich 
kaum  gesehen".  2.  Im  Volkston:  ,,Einen 
Brief  soil  ich  schreibeu".  3.  Weihnachts- 
lied :  „Vom  Himmel  in  die  tiefst.  Kliifte". 
4.  Die  Nachtigall:  „Da8  macht,  es  hat  die 
Nachtigall".  5.  Lose :  „Der  einst  er  seine 
junge".  6.  Goode  Nacht :  ,,Oever  de  stillen 
Striiten"  3 — .  Nr.  3.  deutsch.  und  franz. 
Text  1 —  Hainauer. 

-  L6gendes    d'amour,     recueil    de    6    melodies 

5 —  u  Jovbert. 
-Lieder  und  Gesange:  Nr.  7.  Grofimiitter- 
chen  erzilhlt  den  Kindern.  8.  Polnisches 
Volkslied:  „Weun  die  Linde  bltiht".  9. 
Selige  Nacht :  ,.,Ein  Tonen  wiegt  sich  durch 
den  Traum",  a  —75.  Nr.  10.  Die  Glocken : 
„Er  sprach :  Wenn  das  Feld  in  Halmen 
erst  steht"  1 — .  Nr.  11.  Im  Voriibergeheu : 
,,Klipp  und  klapp,  so  klang  mein  Schritt". 
12.  Als  Nachts  wir  uns  kiifiten  (Tons 
deux,  par  la  nuit  sombre),  mit  deutschom 
und  franzosischem  Text.  13.  Vor  Jahren 
einst  war's.  14.  Miidchenlied :  „0  Blat- 
ter, diirre  Blatter",  a  — ^75  Hainauer. 

-  Mandoline    nach    Zahleu   sofort   zu    spielen, 

Anweisung      nebst 
—75  W,  Dietrich. 

-  ^larche  solennelle,  4^ns  3 —  n 

-  Matin   1.70  n  Klctn. 


Unterhaltungsstiicken 


-Moment   musical    (extr.),   P    1.75  n. 

-Nuit  de  Printemps  1.75  n,  av.  V(Vc)  2 — n. 

-  Oracle   d'amour    1.50  n. 

-  Petite  marche  de   fete,  ^jns  3 — . 
-Rencontre     imprevue,     opera,     ChP 

8— n. 

-  Romance,   VP  1.50  Hainauer. 

-  Romance,   VP,  VcP  a  2 —  n. 

-  Rose   and  the   Brooklet  — 50   Schroeder. 

-  Rose  et  le  Ruisseau   2 —  n. 

-  Scherzo,    P    (C  o  e  n  e  n)    2.50  n. 

-  Serenade   1.50  n. 

-Serenade,   P    1.25,    l,ms    1.50,    V(Vc)P    1.75 

Hainauer. 
-Serenade,  P  1.75  n,  V(Vc)P  2— n,  0  4— n. 

-  Spring     Night,     Nuit    de    Printemps    — 40 

Schroeder. 

-  Temps  pass6   1 —  n. 

-  Valse  serieuse    (extr.),  P  1.50  n. 

-  Vertige    1.50  n. 

Mand  linger  J.  O  Salutaris,  .4-s  &  chor.  — 30 
J .  Fischer. 

-  Schneider    von    Brinzingen,    TTBB(SATB), 

Part  —20,  St  —30  J.  Fischer. 

-  Tantum  Ergo,  s.  &  chor.  8'  — 10  J.  Fischer. 
Mandoli-Mandola,    ch.    napolit.    1 — ,    Ch.    s. 

— 35    Gheluwe. 
Mandoli-Mandola    1 — n   Ondet. 

Mandolin-Album,  50  beliebte  Volksmelodien 

1.50  Gerdes. 
Mandolin-Album,     Book    52,    107     a     1/— n 

Ascherberg. 
Mandolin-  and    Piano-Album,   Book  98,   117 

A  1/ — n  Ascherberg. 
Mandolin  Collection  — 50  Brainard. 

Mandolin    Etudes    (18)    —50   Rohlfing. 

Mandolin  Player's  Pastime,  The,  a  grand 
collection  of  124  popular  and  standard 
airs,  songs,  dances  &  operatic  melodies 
— 50  n    Fischer. 

Mandolinata,  G   1.50  n  Bergali. 

Mandoline  a  dodo  1 — n  Joubert. 

Mandoline  Albums,  Mand  w.  P(0)  ad  lib. 
I— V    a    2/— n    Enoch. 

Mandoline  and  Guitar  Journal,  N.  1 — 5  h 
1,6  n   Turner. 

Mandoline  and  Guitar  Journal,  N.  5,  16  po- 
pular pieces,  a  1/6  n  Turner. 

Mandoline  Annuals,  N.  1 — 7  h  1/ — n  Fran- 
cis. 

Mandoline  Cabinet,  MandP,  I — V  a  1/ — 
Asclierberg. 

Mandoline  Journal,  N.  1 — 62  a  1/6  n  Turner. 

Mandoline    Library,  N.   1—22  a  — /6  n  Tur- 
ner. 
Mandoline  Melody  Book  1/ —  Ascherberg. 
Mandoline    Methode   1 — n  Margueritat. 
Mandoline  Tutor  1/ —  Ascherberg. 
Mandolinen-Album  1.50  llug. 

Mandolinen-Album,  I — III,  Hand  h  2 — u, 
MandP  a  3— u,  2MandP  h  4— n,  2Mand 
MaP  a  5—  n,  MandG  2—  n,  2MandG  3—  n, 
2MandMaG  a  4— n  Un.-Ed. 

Mandolinen-Album  (18  Stiicke  mit  G-Begl. 
ad  lib.)    1.50  Peters. 

Mandolinen-Album,   150  Lieder   2 —   Un.-Ed. 


Mandolinen-Musik 


—     115     — 


Man&n  J.  op.  20 


pojiaiiCL    — 40 

—  Turner. 
Serenade    — 60 


Mandolinen-Musik.  Nr.  1.  A.Tib6oMt  MeJio^n- 
HOCKiix-b  nbec-b  ii3Bt.CTHHXi>  asTopoB-B.  Texp. 
I  — lio.  Nr.  2.  Ajib6oiMi  Me-io^iiPiecKHXt 
nbec-b  HiiBtcTHwx'b  aBTopoB-B.  Texp.  11.  — 60. 
Nr.  3.  Sing^lee,  I.  B.  Faust  —30.^  Nr.  4. 
Sclivatchkine  [Soirees  intimes.  CoopniiK'B 
iiaBtcTHbixt  Me.^o/^i»  — 75  Leopas. 

MaHipbiK.i  II.  II.  „He  B-fepb",  I^biraHCKiii 
po.MaHCb  — 40  IdK.ikotrski. 

-3aoy,T;b    MCHa.    lJ,biraHCKiH 
Idxilioirslii. 

Mandolinist,   N.   1—539  a  2/- 

Mandos    Antoon,      Mishitte 
Bc)gma7is. 

-  Peerke  wip  — 60  Bergmans. 
Mandy   Lee  2/ — n  Slieard. 
Mandyczewski    Eusebius    (1857),   op.   1    Zu- 

leikha,  7  Lieder  des  Mirza-Schaffy,  von 
Bodenstedt,  fiir  TfS)  2.40  n  Gut- 
■inann. 

-  2  Trlinen,    ein   Liederzyklus    von   A  d  a  1  b. 

von    C  h  a  m  i  s  s  o,    fiir    MS    2.40  n     Gut- 

mann. 
-3  Nr.  1.  Dem  aufgehendeu  Vollmonde,  Lied 

m.    VP   2 — .      Nr.   2.   In   der    Dammerung, 

Duett,   SA  mit   VVcP   3 —  Rohitschek. 
-4  Miinnercliore :   I.   1.   Mein   Schatz.   2.  Ha- 

fis.   3.  Marie.  4.  Erinuerung.     II.  5.  Hafi- 

sisches   Trinklied.    6.    Studenten-Trinklied. 

7.  Reflexion.  8.  Trinklied,  Heft  a  2.30,  Nr. 

8   1.20  Rohitschek. 

-  5  Dreifiig  Variationen  uber  ein  Thema  von 

G.  F  r.  Handel,  P  2—  Bosworth,  4— 
Rohitschek,  2.40   Un.-Ed. 

-  6    Zehn    Variationen   iiber    ein   Thema   von 

G.  F  r.  Handel,  P  1.50  Bosworth,  3— 
Rohitschek,   1.80   Un.-Ed. 

-  7   Achtzehn    rumanische   Lieder,    mit   deut- 

Rchem  und  rumiinischem  Text :  Heft  I. 
1.  An  ein  Madchen.  2.  Herzenswunsch. 
3.  Maienglockchen.  4.  Barcarole.  5.  Friih- 
lingslied.  6.  Todesahnung.  II.  7.  Holdes 
MUdchen.  8.  Stiindchen.  9.  Frage.  10. 
Romanze.  11.  Schwestergrufi.  12.  Trost. 
III.  13.  Nacht.  14.  Ratsel.  15.  Einst.  16. 
Das  Grab.  17.  Erinnerung.  18.  Der  Ein- 
same  3 —  Bosioorth,  3.60  Un.-Ed.,  in  3  Hef- 
ten  k  3 —  Rohitschek. 
-8  Lieder  und  Gesange,  SATB:  Heft  I.  1. 
Eileen-a-Roou  (Irisches  Volkslied).  2. 
Findlay.  3.  Lied.  4.  Zur  Nacht,  Part  und 
Chorst  a  1.20.  II.  5.  Slierspruch.  6.  Vor- 
iiber.  7.  Sommer,  Part  u.  Chorst  a  1.20. 
III.  8.  Hiite  dich.  9.  Spruch  (aus  Anwari 
Soheili).  10.  Lieb  und  Lob  der  Schonen, 
Part  1.20,  Chorst  1.20.  IV.  11.  Ein  bifi- 
chen  Freude.  12.  Wunsch.  13.  Spiel,  Part 
und  Chorst  a  1.20  Rohitschek. 

-  Melodic,  P    (Beilage  zur  Deutschen  Kunst- 

und   Musik-Zeitung,   XX.   Jahrg.   Nr.    14). 
Rohitschek. 

-  28   russische  Lieder,   gesungen  in   den   Sla- 
■  viansky'schen    Konzerten,    P    (Beil.    z.    D. 

Kunst-    u.    Musik-Ztg.    XVII.    Jahrg.    Nr. 
7,8).   Rohitschek. 
Maneja.   Dotesio:   Los    aros,    schott.   — 50. 

-  Los  bolos,  vals  — 50. 


-  Mufieca  y  La  comba,  dos  danzas  facillsimas 

—50. 

-  Perles    infantiles,    muy    fficiles,    P:      1.    El 

trcmpo,  vals.  2.  El  volante,  polka.  3.  La 
Mufieca,  americana.  4.  Los  bolos,  vals.  5. 
Los  aros,  schotisch.  6.  La  comba,  ameri- 
cana   1.75. 

-  Proscrito  — 75. 

-  Trompo,  vals  — 50. 

-  Volante,  polka  — 50. 

Maneke  F.  Albumbliitter,  Sammlung  von 
Volksliedern  und  anderen  beliebten  Melo- 
dien,  VcP :  I:  Nr.  1.  Gestern  Abend  ging 
ich  aus.  2.  Fahret  hiu  Grillen.  3.  Auf  un- 
serer  Wiese  gehet  was.  4.  Warum  sind  der 
Trlinen  unterm  Mond  so  viel.  5.  Ein  Jiiger 
aus  Kurpfalz.  6.  Fuchs,  du  hast  die  Gans 
sestohlen.  7.  Was  kommt  dort  von  der 
Hoh'.  8.  Wir  hatten  gebauet  ein  statt- 
liches  Haus.  9.  Hopp,  hopp,  Pferdchen  lauf 
Galopp.  10.  Schlaf,  Herzenssohnchen  1.50. 
II:  Nr.  1.  Kuckuck  ruft  aus  dem  Wald. 
2.  Jiiger  und  Hase.  3.  Wenn  ich  ein  Vog- 
lein  wiir'.  4.  So  viel  Stern'  am  Himmel 
stehen.  5.  Kommt  ein  Vogel  geflogen.  6. 
Liebchen  ade,  Scheiden  tut  weh.  7.  Bald 
gras'  ich  am  Neckar.  8.  Ach,  wie  ist's 
moglich  dann.  9.  Mu6  i  denn  zum  Stadtle 
hinaus.  10.  In  des  Waldes  tiefsten  Griin- 
den   1.50. 

Ill:    Nr.    1.    An    Alexis    send'    ich    dich. 

2.  Stimmt   an   mit   hellem    hohem    Klang. 

3.  Was  blasen  die  Trompeten.  4.  Es  ritten 
drei  Reiter.  5.   Ich  wei§  der  Lieder  viele. 

6.  Ich  hatt'  einen  Kameraden.  7.  So  leb' 
denn  wohl,  du  stilles  Haus.  8.  Gaudeamus 
igitur.  9.  Komm,  lieber  Mai.  10.  Ich  bin 
der  Doktor  Eisenbart  2 — . 

IV:  Nr.  1.  Heil  dir  im  Siegerkranz. 
Ich  hab'  den  ganzen  Vormittag.  3.  Zu 
Mantua  in  Banden.  4.  Ca,  ga,  geschmauset. 
5.  Lang  ist's  her.  6.  Freiheit,  die  ich  meine. 

7.  Die  Wacht  am  Rhein.  8.  Freut  euch  des 
Lebens.  9.  Gott  erhalte  Franz  den  Kaiser. 
10.  Wohlauf,  noch  getrunken  1.50. 

V:  Schumann:  Kinder  szenen :  Trau- 
merei.  Am  Kamin.  Kuriose  Geschichte. 
Album   f.   d.   Jugeud.   Abendlied    1.50. 

VI:  Schumann:  Schlummerlied  1.50. 

VII :  Schumann:  Adagio  a.  d.  Kon- 
zert  fur  Vc  1.50  Glas. 

-  Ballett  aus  der  Oper  „Orpheus"  von  C  h  r. 

W.    V.    Gluck,    VVcP(Ua)    2—      VVcH 

PfHaj    2.50   Sivirock. 
-Standchen    (G),   VcP(H)   1—,  YcSfr-Quint., 

Diriff.-Solo   u.   8tr-^t  2.50   Simon. 
Manen  Joan.  Simrock:  Op.  3  Le  Carrousel, 

morceau,  YP  2 —  Bote. 

-  7  Romancita,  VP  1 — . 

-  10  Studio  di  Concerto,  VP  1.50. 

-  13  Anyoransa,  premier  caprice  Catalan,   VO 

3— n,   0-St   6— n,   VP    1.50. 

-  14  Serenate    (G) ,  VP  1—. 

-18    Concerto    espagnole,      VO    9 — n,      0-St 

15— n,   VP  8—. 
-20    Aplech     (FMe    campagnarde    Catalane), 

second   caprice   Catalan,    VO,   Part  4 — ,   p. 

d'O  6—,   VP  4—. 

ft* 


Manen  J.  op.  22 


—     116    — 


Manfred  H.  op.  3G 


VP   9- 


TO,     Part    20— u,     St 


1.25 


Part 


Bote. 


1.50  11,    BlechM 

Comtois,    raise 
-  11,    Harm    6 — , 


-22    Suite, 
1 5—  n. 

-  23   Plainte.s  et   Joies,   troisi&nie   caprice   Ca- 

talan, VP  3—,   VO,  Part  4.50  ii,  St  8—. 

-  24    Strophes    d'Amoiir,      quatrieme    caprice 

Catalan,   VP  3—,    VO,  Part  4.50,  St  10—. 
-25  Elegie,   VP   1.50. 

-  26    Petite    Suite    espagnole,    VP,    5    pifeces 

artistique-s  et  faciles :  1.  lloiidella.  2.  Ma- 
rina. 3.  01(§.  4.  Dolora.  5.  Seguidillas  en 
forme   de   „Moto  perpetuo",   ft   1 — . 

-  27    Bolero,    morceau    de    concert,    VP 

Zimmermdnn. 

-  28  Scherzo  fantastique,   VP  2 — ,    VO, 

2 — ,   St  4 —  Zi7nmerni(nni. 
-29   Reve,   VP  2—  Bote. 

-  32  Papillon,  valse  de  concert,  VP  2 
-33    Troi.s    Morccaux,    VP:      1.    Aragon,    2. 

L'Eventail,  3.  Canconeta,  ft  2.50  Ries  <(: 
Erler. 

-  Herald-Marsch,    P    1.20,    0 

1.50  n,   1M   1.50  n  Bote. 
Manens,    Echos   des   Vallons 

2— n,   FIP,   Cornet aP   a   2- 

Fanf  5 —  Schoenaers. 
Manente   Giuseppe,   A    Narni,   valzer  — 20  n 

Ranzini. 

-  Adagio-Cantabile,   P  — ^20  n   Ranzini. 

-  Antico   e  Moderno,   grande  sinfonia,  media 

difficoltft,    Banda    4 —    Lapini. 

-  Areola,  Banda,  Part  2 — u  Ricordi. 

-  Hagni    di    Lucca,    Banda,    Part    1.50  n    Ri- 

cordi. 

-  Berceuse,   FIP  — 20  n   Ranzini. 

-  Buon  principio,  marcia  — 20  u  Ranzini. 

-  Ciao,  neh !   galop  caratteristico   1 —  n   Pero- 

sin  o. 

-  Em.   Filiberto,  P  2.50  Perosino. 

-  Esposizione    di    Torina    1898,    Banda,    Part 

1—  n   Ricordi. 

-  Fausto  Evento,  marcia,   Banda.   Part  3 —  n 

Marianl. 

-  Follie,   valzer   3 —  Izzo. 
-Ida,    Banda    1.50  n    Lapini. 

-  Improvviso,  barcarola,  P  — 20  n 

-  Incoronazione   di    N.    S.   Banda, 

Ricordi. 

-  Inno    3 —   Mariani. 

-  intermezzo  Sinfonico,   intermezzo  sinfonico, 

media  diffcolta,   Banda  4— n  Lapini. 

-  Lieti  Augur  1,  mazurka  — 20  n   Ranzini. 

-  Marcia  trionfale,  grande  effetto,  media  dif- 

ficoltft,   Banda,   Part   2.50    Lapini. 
-Meditation  religieuse,  Bayida  1 — n  Ricordi. 

-  Miracolo   Eucaristico,   marcia,   Banda,  Part 

1 .50  n    Ricordi. 

-  My  baby,,  Banda.  Part  1 —  n  Ricordi. 

-  Notte   Serena,   sereuata,    V(Mand)P  — 20  n 

Ra7izini. 

-  Onomastico,   i)olkH   — 20  n   Ranzini. 

-  Promozione,   Banda,  Part  1 —  n  Ricordi. 

-  llicordo,   Batida,   Part   1.50  u   Ricordi. 

-  Ritirata.   Banda,   Part  2.50  n   Mariani. 

-  Sempre   felici,   mazurka  — 20  n  Ranzini. 

-  Sompre    vittorie  I    marcia  militare,     Banda, 

Part    1.50  n   Ricordi. 
•  Sento   che   t'amo    e  te   lo    voglio    dire,   me- 
lodia  — 20  n  Ranzini. 


Ranzini. 
Part  2— 


-  Sincero    Augurio,      marcia    trionfale      2.50, 

Banda,   Part   2 — n    Lapini. 
-Tempo  di  Minuetto,  MandP  — 20  n  Ranzini. 
Manescu  E.  Au  son  des  cloches  1.70  n  Ond^'t. 

-  Brune.  Le  Chant   de  vilains.  Pour  ma  mie. 

Les  Sillon.s.     Ondef. 

-  Chimferes   et   Songes,      Ondei. 

-  Conscrits,      Ondet. 

-  Credo  paieu.  Les   Sourires,      Ondet. 

-  Des  hommes,     Blanc. 

-  Femme,   si   tu   fais   un  enfant,     Ondet. 

-  Gars  et  les  Filles  4 —  Ondet. 

-  Girouettes.   Ode   a  la   Libert^,      Ondet. 

-  J'ai   cru  — 50  n   Lange. 

-  Je  t'aime  tout  de  meme,  romance,     Ondet. 

-  Je  vous  parl6  d'amour  5 —  Digovde. 

■  Je  vous  parle   d'amour.   Quand  on   voisine, 

Dorey. 

-  Jean- Jean,     Pascal. 

-  Jeaunetoii,      Ondet. 

-  L#gende  de  la  chatelaine,     Ondei. 

-  Ma  charmante  !  s6r(5nade,  P,     PaicaL 

-  Ma  pauvre  Jeauneton,     Ondet. 

■  Ma   vigne  pousse.     Dorey, 

-  Mois  dor^,     Pascal. 

-  Petits  bateaux,     Ondet. 

-  Quand  on   voisine,      Digoud6. 

-  Regrets  d'automne,     Dorey. 

■  R6ves  d'amant,     Ondet. 

-  Rien  n'est  plus  doux !   Ondet. 

-  Rondes   enfantines.     Gaillard. 

-  Saint-Marceaiix,      Lange. 

■  Triolets  amoureux,     Dorey. 

-  Un  soupir,     Ondet. 

Manet  J.  Cranz :  Auberge  du  bon  Dieu  — 80. 
•  Bonheurs  de  I'enfance  — 80. 

-  Chant  du  Prisonnier  — 80. 

-  Chantez,    donnez,   priez   — 80. 

-Couplet   de    F6te:    1.    Compliment    ft    Papa, 
2.   Bouquet  ft  Maman,   ft  — 80. 

-  Desirs   de   Madeleine   — 80. 

-  FenStre  du  bon  Dieu  — 80. 

-  J'aime  ma   patrie  — 80. 

-  Mignonnette,    rondo-valse   p.   chant   — 80. 

-  Pftquerette,    historiette    — 80. 

-  Petit  chaperon    rouge  — 80. 

-  Porte   Bonheur   — 80. 

-  Ruisseau  d'argent  — 80. 

-  Silvio  Pellico  —SO. 

Manetta    F.   Divertimento   per    la  sola  ma  no 
sinistra  sulla  Sonnambula,  P  3 —  Ricordi. 

-  Inno  del  Collegio  Vescovile  di  Celana,  coro 

3.50  Ricordi. 
Manetti    A.      Fogli    volaiiti,    polka,      Mandd 

—10  n    Salani. 
-San    Martino,    marcia    militare,      P    — 10  n 

8alani. 
Mancy,  Woodbine  Club  March  — 50  Thomp- 

son. 
Manfeld   C.   op.  42   Der   Journal-Verkiiufer : 

„Von   friih  bis  in  die  sprite  Nacht",  Coupl. 

1.20  O.  Die! rich. 
-Der      Journal-Verkiuifer,      Duett      1.20      0. 

Dietrich. 
Manfred    H.   op.   23   Zwiege.spriich    (Dialog), 

sO    1.20  n    Bosworth. 
-  36  Pr^s  du   moulin,  P  —30  Gebethner. 


V 

I 


Manfred  H.  Orighial-Vortrdge 


—     117     — 


Mangeon  E.  Ave  Maria 


-  Original- Vortriige :   Nr.  1.  Der  Stiohwitwer, 

Couplet   1.20.   Nr.   2.   Im   Winter,   wenn  es 

draiifien   schneit    1.20   Glascr. 
Manfred!    A.      II    Coraggio,      polka-marcia, 

2MandG   — 1.5  n   II   Concerto. 
Manfred!  Angelo,  Mazurka  elegante,  P  2.50 

Ricordi. 
Manfred!    C.    Delia,    mazurka   2.50    Muruini. 

-  Litanie    del    S.    Cuore    — 25    Libreria   SaJe- 

sia7ia. 

-  Melodie  Sacre,  lib.  I  2.50  Libreria  Sales^iana. 

-  Modulo   per    le   Lit.   del    S.    Cuore   di    Ge.su, 

da    cantarsi    dal    popolo,      con    Org      — 25 
Brand  fi. 
Manfred!   E.  Mariani:  Op.  63  Dimmi,  t'amo, 
melodia    2 — . 

-  Eirichin,   canzone  popolare   in   dialetto  pie- 

raontese  2.50. 

-  Fonografo,   melodia   2.50. 

-  T'  las  mai   fait  parei,  canzonetta  2.50. 

-  Vita  artistica,  P  2 — . 

-  Volare,  melodia   3- — . 

Manfred!  Fil!ppo  (1729—1777),  op.  1  Se- 
nate (N.  6),  VP  9—  Noel,  3.25,  Adagio 
(D.   Hard)    1.25    Schott. 

-  Felice  avvenire,  P  2.50  Ricordi. 
Manfred!    L.   Mariani:   Mignon,  maz.   2 — . 
-Non  t'amo  piii,  maz.   1.50. 

-  T'amo,  maz.  2 — . 

Manfredo  M.  Trionfo  di  Gesii  — 60  n  Pero- 
sino. 

Manfredo  Don  M!chele,  Missa  Defunctorura, 
ad  chorum  2  vocum,  facillima  inter  facil- 
limas,  et  brevissima,  Org(H)  comitante 
1.50  Bertarelli. 

Manfried  Leo,  American  Wedding  March 
—60  Bloom. 

Manfr!n  G.  op.  1  Uu  sospiro  a  Veuezia, 
pensiero  patetico  di  concerto,  P  4 —  Ri- 
cordi. 

Manfroce  N.  (1791—1813),  Alzira:  Scena 
ed  Aria:  Ah!  non  serve  il  piangere  1 — 
Ricordi. 

-  Povero   cor,   arietta  — 50  n   Ricordi. 

Manganell!    P.    Un    Giglic    nel    Camposanto, 

romanza  3 —  Ricordi. 
Mangeant    Sylvain,    Amour    pris>    aux    che- 

veux  2.50  Heiigel. 

-  Anglais  melancolique  2.50  Heugel. 

-Art  de  plaire  a  sa  femme  3 — ,  Ch.  n.  1 — 
Noel. 

-  Aux  Armes,  choeur  a  3  voix  — 40  u  Labbe. 

-  Belle  Patissifere   3—,   Ch.   s.    1—   Noel. 

-  Bruy&re  2.50   Mathieu. 

-  Bureau   des   Passeports  2.50   Heugel. 
-Cantique   a   Sainte-Marthe,    .solo   et   choeur 

4 —  Mathieu. 

-  Cantique  a  Sainte  Marthe,   3  voix  et  P   et 

solo  4 —  Mathieu. 

-  Cantique  de  Noel,  et  solos  4 —  Mathieu. 
-Cantique  a  Sainte-Marthe,  duo  4 —  Mathieu. 

-  Carillon     de      Dunkerque     (Jean    Bart) 

1 — n,   av.    G   — 40  n,    Ch.   s.   — 20  n    Labbc. 

-  Ce   que   chantent  les   rossignols   3 — ,   Ch.    <;■. 

1 —  Noel. 

-  Chanipagner   mufi   es   sein    (Szene   auf  dem 

Maskenballe) ,    nach    le    Punch-Gras- 
sot  —80  Bote. 


5—,  0  2— n 
t)    1 —  n,  a  v.. 
Noel. 


t.    1- 
Ch. 


1- 


-  Cheveux  blancs  2.50  Heugel. 

■  Cliquot  le  mythologiste  2.50  Heugel. 

-  Coucou   qui  chante  3 — ,   Ch.  s.   1 —  Noel. 

-  Croix  .sur  le  pain   2.50   Heugel. 

■  Diane  Bazu  2.50  Heugel. 

-  Directeur    et    T^nor,    duo    2.50  u    Eveiltard, 

7.50   Noel. 
-Dragon  du  pape  1 — n,  av.  G  — 40  n  Labbc. 

-  Duo    de   la    „Vie   de   chateau".    2.    Veux-t-i 

que  je  t'accompagne  2.50  n   Gregh. 

-  Entr'acte-Polka    2.50    Heugel. 

-  Esclave   mauresque    (Jean    Bart)     1 — n, 

a  v.   G  —40  n,   Ch.  s.  —20  n  Labbe. 

-  Esprit  Frappeur :  Diane  Bazu  2.50  Heugel. 

■  Golfe    de    Gascogne     1 —  n,      av.    G    — 40  n 

Labbe. 

-  Grande  raar6e  1 —  n   Gallet. 

-  Guinguette,  les  Aventures  de  Suzanne,  ('/;. 

s.  — 20n  Labbc. 

-  Hommes  peints  par  Buffon   3 — ,   Ch.  s.   1  — 

Cartereau. 

-  Jours    gras    de   madame,    quadr.    .5 —   Noel. 

-  Ma  Ni6ce  et  mon  Ours  3 — ,  Ch.  s.  1 —  Noel. 

-  Ma  Ni§ce  et  mon  Ours,  quadr. 

Noel. 
•  Ma  petite  Croix    (Jean   Bar 
G  — 40n  Labbc. 

-  Medecin  des  Pauvres  3 — ,  Ch.  : 

-  Memoires    de    Mimi    Bamboche, 

Noel. 

-  Merci,   Vierge   Marie   3 — ,    Ch.   s.    1 —   Noel. 
-Mon    Pantalon    de    Nankin    1 — n.      ('h.    .s. 

— 40  n  Bornemunn. 

-  Noce  a  Gros- Jean    (La  paysanne  pervertie) 

1— n,   Ch.  s.  — 20n   Labb^. 

-  Noel,  2  voix  et  solos  4 —  Mathieu. 

-  On  m'  gate  mon  Paris  3 — ,  Ch.  s.  1 —  Noel. 

-  Pain  vol6   1.50  n  Gallet. 

-  Pain  vole,  rom.  dram.  3 — ,  Ch.  s.  1 —  Noijl. 

-  Pavilion  amiral  .3 — ,  Ch.  s.  1 —  Noel. 

-  Plaine  des  Vertus  3 — ,  Ch.  s.  1 —  Noi-I. 

-  Proc&s  de  la  chausonnette  2.50  Heugel. 

-  Punch  Grassot  5—,  Ch.  s.  1—,  V,  Fl,  Cornet 

a  1 —  Noel. 

-  Quand  je  vols   un  enfant  2.50   Heugel. 

-  Recherche    de    I'inconnu,      Part,    chant,    /' 

5 —  n  Labbe. 

-  Konde  des  barri&res  de  Paris,  Ch.  s.  — 20  n 

Labbe. 

-  Sultan   Mu.stapha    3—,    Ch.   s.    1—   Noel. 

-  Tais-toi  mon  coeur,  av.  P(G)   2.50  Grus.  . 

-  Un    Kayon    de    soleil    (La    Boisi&re)     1 — n, 

av.   G  — 40  n,  Ch.  s.  —20  n  Labbe. 

Mangel!  N.  de,  Marche  des  dragons,  pas  re- 
double,   Harm(Fanf),      Monvoisin. 

Mangeisdorf  W.  Edelweifi  u.  Almenrauseh, 
Oberliindler,  2V{VFl)  m.  Quart,  u.  P  1.50 
C.  F.  Schmidt,  VFP,  2VP  a  —65  Fischer. 

Mangelsdorff  A.  Kyrie   (in  G)   — /I   Novello. 

-  Kyrie  N.  2   (in  D  flat)   —/I  Novello. 
Mangeon    E.    Costallat :    Op.   26   Six   Pieces, 

H(Org)   2.50  n. 

-  Angelus,   melodie   1 — n. 

-  Ave   Maria   en   la   bemol,   choeur   a  4    voix 

av.    Org(H)    1— n. 

-  Ave  Maria  en  la  min.  solo  et  choeur  a  4 

voix   :\\.    Org/'IJ'!    l.-iOn. 


Mangeon  E.  Ave  Maria 


—     118     — 


-Ave  Maria  en  si  bgmol,  SBTB  av.   Org (II) 
1.75  n. 

-  Ave  Maris  Stella  en  sol,  solo  p.  T  et  SSTB 

av.  Org  (II)  —75  n. 

-  Benedictus,  S  et  MS  av.   Org(H)   1—  n. 
-Benedictus  en  la,  S(T)  av.  Org(E)  — 75  ii. 

-  Cantique    de    Benediction,    a  2    voix   ggales 

av.  Org (II)  — 75  n. 
-O  Salutaris,   S(T)   av.   Org(n)    1— n. 
-O  Salutaris  a  3  voix  6g.  av.  Org(H)  1.50  n. 
-Pie  Jesu,  S(T)   av.   Org(E)   1— n. 

-  Tantum  ergo,  B(C)  solo  av.  Org(n)  — 30  n. 
Mangeon    M.   Declaration    1.75  n   Ploix. 
Mangeot    L.    Je   n'   savais   pas   3 — ,      Ch.   s. 

— 30  n  Eveillard. 
-Voyage   au    pays   des    reves    1 — n    Dtirand. 
Mangeot   V.   Ileugel:   Isabelle,   valse  4.50. 

-  Sergent  de  ronde,  duettino  3.75. 

-  Sylphides,    3  polkas   4.50. 

-  Sylphides,   valse  4.50. 

Manger  L.  Ma  mfere,  Ch.  s.  — 20  n  LabM. 
-Qui  pourrait  ne  pas  vous  aimer  1 — n,  Ch. 

s.  —20  n  LabM. 
Mangiagalli.   Dotesio:   El   Artista  — 75. 

-  El   De.sterrado  — 75. 

-  La  Fe  —75. 

-  Picio,  Canci6n  de  la  Fosterera  — 37   Wag- 

ner y  Levien. 
-Picio,    Adan    y    Compaiiia,    vals:    Corno    el 
Sol  — 37   Wagner  y  Levien. 

-  Recuerdo    1 — . 

-  Serenata  del  gondolero   1 — . 
Mangiameli    Carmela,   Dolce   ricordo,   fanta- 
sia,  P    1.75  n    Vent'uri. 

Mangiarotti  A.  Baume  Divin  1 — n  Labonde. 

-  Deux   Toreros    1 —  n    Labonde. 

-Dors,    Colombine!      1.50  n,      Ch.    s.     — 30  n 
Rouart. 

-  Dors,  Pierrot !   1 —  n,  Ch.  s.  — 30  n  Roiiart. 

-  lies  petites  femmes  1 —  n  Labonde. 

-  Oisoaux  de  Passage   1 — n   Labonde. 
-Torero  d'occasion,  Ch.  s.  — 35  n  Labonde. 
Mangiarotti    M.  Bouquet,   pantomime  en   un 

acte,  P  4 —  n  Meuriot. 

-  Claudinette,      Perrand. 

-  Dors,    Pierrot !      Meuriot. 

-  Du  Moulin   si  Bullier,     Correspondance. 

-  Je  voudrais  vous  aimer!   1.50  n  Perraud. 

-  Pompiers   de   Provence,      Correspondance. 

-  Rose    efieuillee,    idylle    realiste,      Aux    Re- 

perloires  reunis. 
Mangin   E.  Girod:  Op.  4  Confidenza,  Ire  ro- 
mance  sans   paroles,   P   4 — . 

-  5  Sur  rOeean,  caprice  marit.  P  6 —  Girod. 

-  6    Impt^tueuse,   polka   5 — . 
-7  Procida,  tarentelle,  P  6—. 

-  10  Idylles,  P  7.50. 

-  Airs    d'operas,     p.  voix    de    femmes    8 —  n, 

p.   voix   d'hommes   8 —  n. 

-  Bonjour,  Suzon  2.50. 

-  Chanson  de  bateau,  duo   1.35  n  Durnnd. 

-  Chanson   du   paresseux   2.50. 

-  Daughter's    Love,    operetta    in    1   act,    espe- 

cially adapted   for  fern,   voices    1 —   Willig. 

-  Feuilie  fl^trie  3—. 

-  Furioso,    valse    sur    I'opera    buffa     (Doni- 

zetti)   7.50. 

-  Galop  elegant  2.50,  Jfms  3.75   Ileugel. 


Mangold   C.  A.  op.  6 


•  Gracieuse-Polka  2.50  Ileugel. 

-  Grande  revue,  quadr.  5 — ,  Jfms  6 —  Eeugel. 

-  Hymne   de   Noel,   8ATB  —50  n   Pinatel. 

-  Imperiale,   polka   6 — ,    fac.   2.50. 

-  Imp§tueuse,   polka  5 — . 

-  J'ai   fichu   I'camp   3 — . 

-  Jean   le   reveur   3 — . 

-Ma  tanto  dort    (Gaspers),  polka  6 — . 

-  Matelots  3—. 

-  May   3—. 

-  Mer,  2  cu  3  V.  d'Enfants  —25  n  Per^gally. 

-  Pauvre   Jacques,  P  5 —  Clot. 

•  Premier  amour  3 —  Sulzbach. 

-  Beves  de  Noel,  andante,  P  5 —  Eeugel. 

-  Riflemen,  polka  5 — . 

-  Ronde  matinale,  pour  3  voix  eg.  Part  — 50. 

-  Royal    Piemont,    schott.    sur    I'air    national 

sarde  4 — . 

-  Souvenir  du  Tyrol,  polka-maz.  5 — . 

-  Turcos,  polka   5 — ,   fac.   2.50,   4m.s   7.50. 

-  Victoria,  valse  5 — . 
-Villanelle   3—. 

-Zouave-Polka  1.75  n,  fac.  1 — n,  0  1.50  n, 
Jfins  6 —  Fremont. 

Mangin-Sizaret,  Favorite    (La),  grande  fan- 

taisie,   VP  9 —  Grits. 
-Favorite     (La),    petite    fantaisie,    VP    7.50 

Grus. 
Mangin!   A.  Bideri :  'A  Serva  e  'o  Pecuozzo 

—50. 

-  'A   Serva   e  'o   Pecuozzo,    Mand 
-'A  Capera,  Mand  — 10. 

-  Crestina  'e  Mondragone  ■ — 50. 

-  Crestine    'e   Mondragone,    Mand 

-  'E   nnammurate  — 50. 

-  Fa  chello  che  buo  tu    (duetto)    - 

—10. 

-  Giuliarita    — 50,    Mand   — 10. 

-  Me   prore  — 50,   Mand  — 10. 

-  Me  voglio   appicceca  ^50,   Mand  — 10. 

-  '0  Pulicillo  —50,   Mand  —10. 

-  'O   Studente   e  a'   Cammarera  — 50. 

-  Oj  Caruie  1 —  Izzo. 

-  Rotoli,  rotola,  Mand  — 10. 

-  Rusinella  — 50. 

-  Ve    Vengo     semp'    apprietto    Duettino 

Izzo. 
Mangin!    E.    Royal-Piemont,    sur    I'Air    Na- 

tionale  Sarde,  P  2 —  Ricordi. 
Mangliano  G.  Polka  1.50  Mariani. 
Mango  S.  Lieo,  fantasia,  P  8 —  Mariani. 
Mangold.    Lemoine:    Joyeux   villageois   2.50. 

-  Jugement  de  Dieu  2.50. 

-  Main    de    Dieu    2.50. 

-  Vive  le  vin!   2.50. 

Mangold  C.  Amadeus,  op.  1  Vier  Lieder  : 
1.  Die  Spi'ode :  ,,An  dcm  reinsten  Friih- 
lingsmorgen".  2.  Das  Heidenroslein :  „Sah 
ein  Knab'  ein  Roslein  stehn".  3.  Schwei- 
zerlied :  ,,Uf'm  Bergli  bin  i  g'sessen".  4. 
Nahe  des  Geliebten:  „Tch  denke  dein" 
— 75   Kuhnt. 

Mangold  Carl  Amand  (1813—1889),  Schott: 
Op.  6  Drei  Miinnerchore,  mit  oder  ohne 
P(0):  Nr.  1.  Rataplan,  Soldatenlied  1.50, 
0-St  3.50.  Nr.  2.  Der  Morgen  1.50,  0-St 
1.75.  Nr.  3.  Die  Abendglocken  1.50,  0-St 
1—. 


-10. 


-10. 


-50,  Maud 


1- 


Mangold  C,  A.  op.  8 


—     119 


Mangold  C.  A.  op.  65 


-8  Placido  zefFiretto  (Liifte  zichet  im 
Kreise),   canzonetta   1 — . 

-  10  Droi  Lieder  —75,  Nr.  3.  Zwiegesang  v. 
Reinick  (Madeline  ai;d  the  Bird,  a 
double  song)    1.50. 

- 16  Die  Seiltanzeriu   1 — . 

-19  Zwei  Chore:  Nr.  1.  Sie  pollen  ihn  uicht 
haben,  Gedicht  —25,  m.  G  —20,  TTBB  (S 
u.  A  ad  lib.)  1—  0-St  1—  Nr.  2.  £i 
Frauzmann,  sag,  was  fallt  dir  ein  — 25, 
m.  G  —25,  TTBB  (S  u.  A  ad  lib.)  m.  P 
1—. 

•20  Vier  Gesange  fiir  4  Miinnerst:  Lebewohl. 
Reiterlied.    Giite   Nacht.    Trinklied    4.25. 

23  Vier  Lieder:  Nr.  1.  Heiterer  Lebenslauf : 
„Meiu  Lebenslauf  ist  Lieb  uud  Lust"  1.60. 
Nr.  2.  Seid  einig  1 — .  Nr.  3.  Wanderers 
Nnchtlied:  „uber  alien  Gipfeln  ist  Ruh"' 
—80.  Nr.  4.  Waldlied :  „Wo  Btische  steh'n" 
1 —  A7idr^. 

24  Nr.  1.  Deutsches  Kriegerlied,  TTBB  in. 
0  1.75,  0-St  5.25.  Nr.  2.  Das  Lied  von  der 
Freiheit,  fiir  T-Solo  u.  TTBB,  mit  oder 
ohne  O  1.25,  0-St  2.75.  Nr.  3.  Horch  auf, 
mein  Volk,  fiir  TTBB,  mit  oder  ohne  0 
1.50,   0-St   2.75,   Part    1.25. 

26  Liederkranz,  12  Lieder:  1.  HofFnungs- 
scliimmer:  „Das  diistre  Meer".  2.  Abbitte: 
„Sah  dich  ziirnend  von  mir  scheiden".  3. 
Lied  des  Gartners,  von  U  h  1  a  n  d  :  „Lai3t 
euch  pflucken".  4.  Der  Schmied :  „Ioh 
h5r'  meinen  Sr-hatz".  5.  Sterbekliinge,  von 
U  h  1  a  n  d  :  „Was  weeken  aus  d.  Schlum- 
mer".  6.  Die  Nacht :  „Lai3  die  Sonne  sin- 
ken".  7.  Niihe  des  Geliebten :  ,,lch  denke 
dein".  8.  Verlangen :  „Ich  weiS  im  grii- 
nen  Walde".  9.  Mailied :  „Der  Mai  ist  da". 
10.  An  den  Mond :  ,,Fiillest  wieder  Busch 
und  Tal".  11.  Vanitas,  Vanitatum,  Vani- 
tas:  „Ieh  hab'  mein'  Sach'  auf  nichts  ge- 
stellt".  12.  Heidenroslein :  „Sah  ein  Knab' 
ein  Roslein  stehn"  4 —  Bote. 

30  Die  Hermannsschlacht,  ein 
Piian  in  2  Abteilungen,  KA  17.50,  Chorst 
4.25. 

33  Drei  Lieder,  TTBB:  1.  Sonntagsfriihe : 
„Sabbatstille  fliefit  zur  Erde".  2.  Sehn- 
sucht :  „Acli,  aus  dieses  Tales  Griinden". 
3.  Auch  ich  will  trinken :  „Die  Erde  trinkt 
ihr   frisches   NaB",   k    1 —  Andre. 

34  Sieben  Liedet  3.50:  Nr.  1.  Am  friihen 
Morgen  —75.  Nr.  2.  Siehst  du  das  Meer 
— 50.  Nr.  3.  Landliches  Friihliiigslied 
— 75.  Nr.  4.  Gute  Nacht  mein  Herz  — 50. 
Nr.  5.  Der  Zigeunerbub  im  Norden  1 — . 
Nr.  6.  Die  junge  Nonne  — 75.  Nr.  7.  Die 
Liebe   als   Nachtigall   — 75. 

35  Drei  Lieder,  TTBB:  Nr.  1.  In  dem  Him- 
mel  ruht  die  Erde  1 — .  Nr.  2.  Pereat  alles 
Halbe:  „Was  soil  mir  eine  Halbe  Weia" 
1.60.  Nr.  3.  Kein  Meister  fallt  vom  Hini- 
mel  1.30  Andre. 

39  Volkstiimliche  Lieder,  Duette :  1.  Hoheii 
und  Taler :  ,,Mein  Madchen  wohnt".  2.  Der 
Berghirt:  ,,Wenn  auf  dem  hochsten".  3. 
Abschied:  „Was  soil  ich  erst  kaufen".  4. 
Erlosung :  „Vor  meines  Mildchens".  5.  Aus- 

'forderung:    ,,Eiue  hohe   Hahnenfeder".     6. 


Ergebun<x: 


„Bia  gefahren  auf  dem  Was- 
ser,  hab'  kein  lluder  eingetaucht"  1.50 
Breitkopf. 
-41  Sechs  Gesange  fiir  4  Miinnerst:  Nr.  i. 
Schlechte  Zeiten,  guter  Wein:  ,,tjber 
schlechte  Zeiten  klag'  ich  nimmermehr". 
2.  Konig  Wein:  ,,Der  Konig,  dem  ich 
diene".  3.  Die  schonsten  Tone :  „Von 
alien  Tonen".  4.  An  die  deiitschen  Frauen : 
,,Seid  mir  gegriifit,  ihr  deutschen  Frauen". 

5.  Die  Bauern  in  der  Schenke :  „Die 
Bauern  in  der  Schenke,  sie  stritten  sich". 

6.  Eins  und  Alles :  „Deutschland  erst  in 
sich  vereint",  Part  1 — n,  Chorst  1.20  n 
Breiikopf. 

-43  Drei  Lieder  1.75:  Nr.  1.  Abendfeier  in 
Venedig.  2.  Tausend  Kiisse.  3.  Gebt  mir 
vom    Becher   den    Schauni,    a   — 75. 

-54  Drei  Gedichte  1.75:  Nr.  1.  Hoffnung. 
2.   Im   Gebirg.     3.   Einkehr,  a  —75. 

-57  Drei  Lieder  1.25:  Nr.  1.  Juchhe !  von 
Reinick.  2.  Jetzt  weiS  ich's,  v.  Rei- 
nick. 3.  Der  Schmied  im  Dorfe,  von 
S  i  g  m  u  n  d,  Ti  — 50. 

-58  Drei  Lieder  2—:  Nr.  1.  Durch  d.  Wald, 
von  Reinick  1 — .  Nr.  2.  Keine  Ant- 
wort,  von  Reinick  — 75.  Nr.  3.  Lied 
des  Mildchens,  von  G  e  1  b  e  1  — 75. 

-  59   Friihlingsreigen,   6   Skizzen,   P,   I — II   H 

2 

-  60    Sechs    Gesilnge,    TTBB :    Morgenwande- 

rung:    ,,Wer    recht   in    Freuden     wandern 


will".  Siingerwonne :  „Wenn  kaum  der 
Alte  im  diistern  Gewand".  Mein  Vater- 
land:  „Treue  Liebe  bis  zum  Grabe".  Friih- 
lingsaugen :  „Wenn  im  Lenz  der  blaue 
Himmel".  Trinklied :  „Fiillt  noch  einmal 
den  Becher  !".  Noveniberwetter  :  ,,Es  deckt 
den  Himmel  weit  und  breit".  Part  1.80, 
St    (a  —90)    3.60,  Nr.  1    1.20  Rieter. 

•  62  Serenade :  „Komm  in  die  stille  Nacht", 
Chor  mit  0,  Part  2—  n,  0-St  1—  u,  Chorst 
1.20,  KA  2.30  Rieter. 

-  63  Johanna  d'Arc,  Szene  und  Arie,  KA 
3 —  Rieter. 

-65   Abraham,   Oratorium,   Rieter:   Chor- 
st   6.90,   KA    19.50,    Textbuch   — 20  n : 
Einleitung,  P  —80. 
l.Doppelchor     (Jehova's    Stimme) .    Rezi- 
tativ      (Abraham)  :     „Abraham!     Gehe 
aus  deinem  Vaterlande"   1 — . 

2.  Arie  (Abraham)  :  „Du  bist  der  Herr, 
unser  Gott"   1.50. 

3.  Chor :  „Wohl  dem  Volk,  dessen  Gott 
der  Herr  ist"  —80. 

3  a.  Rezitativ  (Abraham,  Lot)  :  „Lieber 
Bruder,  unsrer  Herden  und  Hiitten 
sind   zu  viel"  — 80. 

4.  Doppelchor  (Jehova's  Stimme)  :  „Abra- 
ham,  hebe  deine  Augen  auf"  — 50. 

5.  Rezitativ  (Ein  Engel,  8]  :  „Hore, 
Abraham!  Die  Konige  von  Sodom" 
—50. 

5  a.  Arioso  (Abraham)  :  „Herr,  gedenke 
meiner   nach   der   Gnade"  — 50. 

6.  Arie  (Der  Engel,  S)  :  „Wohlan,  o 
Held,  zieh'  aus  in  deinem  Schmuck" 
—80. 


Mangold  C.  A.  op.  65 


—     120 


Manica  P.  op.  202 


7.  Kriegerisc'her   Maisch   —50. 

8.  Duett  (Melchisedech,  Abraham)  :  ,,Ge- 
segnet    seist    du,    Abraham"    — 80. 

9.  Doppelchor  (Jehova'.s  Stimme).  Arioso 
(Abraham):  ..Abraham !  Tdi  bin  dein 
Schild"  1.80. 

10.  Rezitativ  und  Arie  (Hagar)  :  ,,Hier, 
bei  dem  Wasserbrunneu  in  der  Wuste 
will    ich   bleiben"   —80. 

11.  Rezitativ,  Soli  und  Chor  der  Engel 
(Eiu  Eugel,  S,  Hagar)  :  „Hagar,  Sara's 
Magd,  wo  kommst  du  her"   1.50. 

12.  Rezitativ,  Soli  und  Doppelchor  (Drei 
Engel,  T I/II,  B,  Abraham)  :  „Hebe 
deine   Augeu   auf,   Abraham"    1.80. 

lo.  Soli  und  Chor-Rezitativ  (Lot,  zwei 
Engel,  TI/II)  :  „Abend  will  es  werden" 
1.30. 

14.  Chor:  ,, Seine  Blitze  leuehten  auf  dem 
Erdboden"  2—. 

15.  Rezitativ  und  Doppelchor  (Abraham, 
Jehova's  Stimme)  :  „Siehe  dort,  gen 
Sodom   und  Gomorra"  —80. 

16.  Chor:  „Alle  Welt  furchte  den  Herru" 
—80. 

17.  Rezitativ  und  Arie  (Abraham):  „Der 
Herr  suchte   Sara   heim"  — 80. 

IS.  Chor:   „Gelobet  seist  du,  o  Herr"  —80. 

18  a.  Rezitativ  (Abraham,  ein  Engel,  S, 
Hagar)  :  „Sara  verlangt  von  mir,  da6 
ich   die  Magd   austreibe"   — 50. 

19.  Duett  (Abraham,  Hagar)  :  „Der  Herr 
sei  deine  Zuversicht"  — 80. 

20.  Rezitativ    und   Arioso    (Ein   Engel,     T , 
Hagar)  :    „Dort   zieht 
Wuste"   —80. 

21.  Arie  (Der  Engel,  T) 
dein  Hirte,  dir  wird 
—50. 

22.  Doppelchor  (Jehova's  Stimme).  Rezita- 
tiv (Abraham,  Isaak)  :  „Abraham ! 
Nimm  Isaak,  deinen  eigenen  Sohn" 
1.30. 

23.  Rezitativ  u.  Duett  (Isaak,  Abraham): 
„Siehe,  Vater,  dort  den  Widder  in  der 
Hecke"   1—. 

23  a.  Rezitativ  (Ein  Engel,  T)  :  „Abra- 
ham !   Du  hast  Gott  geglaubet"  — 50. 

24.  Schlufichor :  „Siehe.  das  ist  meJu 
Knecht    und   mein   Auserwahlter"    1.3D. 

66  Lebensfriihling,  6  Lieder  2 — :  Nr.  1. 
Frtihlingsminne.  2.  Friihlingsmorgen.  3. 
Liebesfiieden.  4.  Wenn  die  ersten  Blu- 
men  kommen.  5.  Ich  hab'  eine  Blume  ge- 
funden.     6.   Friihlingsleben,   a  — 50. 

73  Sechs  Lieder,  TTBB:  Heft  I.  1.  Der 
Friihling  kommt  als  Freiersmann.  2.  Wal- 
destriiume:  „Im  Waldesdunkel  entschlum- 
mert'  ich  heut'".  3.  Liebeszauber :  ,,Wie 
im  Golde  strahlt   Smaragd"    1.50. 

II.  4.  Sorgen,  bleibt  zu  Haus :  „Einst 
wollt'  ich  hinaus  in  den  griineu  Wald". 
5.  Nachtstille:  ,,In  stiller  Nacht  der 
Sterne".  6.  Wanderlied:  „Wohlauf,  nocfi 
getrunken"  2—,  Nr.  2,  6  a  1—  Tonger. 
-  Abendlicd :  „Nun  schlafen  die  Voglein  im 
Neste".  TTJiP.  —60  Lriiokarl. 


sie    hin     in     der 

:    ,,Der    Herr     ist 

nichts    mangeln" 


-Auf   der   Wacht:    ,,Viel   tausend   Stern'   am 
Himmel  steh'n",   TTBB  —60   Leuckart. 

-  Auf,   deutsches   Volk,    zum   Licht,   Manner- 

quartett  mit  Chor  und  P   1.75. 

-  Beliebte  Gesange  aus  der  Oper  Tannhauser, 

P :  Nr.  1.  Mein  deutsches  Vaterland  — 75. 
Nr.  2.  Romanze :  ,,Ach,  all'  mein  Leben ' 
—50.  Nr.  3.  Ave  Maria,  S  —50.  Nr.  4. 
Lied  des  Harfners.  fur  Bar-Solo  u.  TTBB 
—75. 

-  Der  deutsche  Rheiu :    „Sie  sollen  ihn   nicht 

haben"  —50. 

-  Fantasiestiick,  KbP  1.20  A.  E.  Fischer. 

-  Heil   dir,   Germania,   Volkshymne,   Manner- 

quartett  mit  Chor  und  P  1.75. 
-Heimkehr,   TTBB    1.20   Zumsteeg. 
-Hurra,  Germania  I   —50,  TTBB  1.25. 

-  Mein  Herz  ist  am  Rheine,  TTBB  —60  Leu- 

clorf. 
Mangold   C.   G,    (1812—1887),   op.   1    Rondo, 

P   2 —  Kahnt. 
Mangold  Carl,  Harmony  2/ — n  Leonard. 

■  Hymne  an  die  Kunst,  TTBB  1.40  EUing. 
Mangold  G.  op.  8  Trois  Polonaises  pour  PV 

2.25  Schotf. 
Mangold     Wllhelm      (1796—1875),      Schott  : 
Op.   2  Six   Sonatines  faciles,   P    1.75. 

-  7   Trois   Sonatines,  P  2.75. 

-  9   Potpourri,   VVc  2 — . 

-  TO  Cilcilia,  kleine  Cantate  fiir   4   Singst  u. 

Chor  mit  P  2.75. 

-  3  Canzoni  italiani  per  una  voce  con  P  1 — . 

-  Der  Hirtin  Wahl,  m.  P(G)  —50  Kahnt. 

-  3  Duettini  a  due  voci  con  P  1.50. 

-  Festlied  fiir  4   Mannerstimmen    1.25. 

-  Harmonie,   TTBB   2—   Kahnt. 

■  Trinklied  der  Rauber  aus  „Robert  der  Teu- 

fel",  von  C.  V.  Holtei,  TTBB,  Part  und 

St  2—  Kahnt. 
Mangs   H.  Polaire,   valse  2 — n  Ponlalion. 
Manheimer   E.   op.  70  Sivons  n'avez   rien  a 

me  dire,  /'   1 —  SommermeyiT. 
-73  Air  de  Ballet,  P  L30  ^ornmermeyer. 
Durand: 

-  Capriccio,  valse,   /'   2 —  u. 
-Cloture,   valse   de   s:ilon.   P  2 — n. 

-  2e  Marche   1.75  n. 

-  Mareszka-Csardfls,   P  2 —  n. 

-  Souvenir,  maz.  de  salon,  P   1.7;"  u. 

Man!  Angelo,  Un  pensiero  all'Italia.  nianin. 

Banda   1.50   Lapini. 
Maniac  — /4  Shear d. 

Maniaki    T.   Au    clair 
2.50  Ricordi. 

Manica    P.     Ricordi: 

Alpinisti   Italiani,   coro  a   due   voci   2 — . 
-112   Pardon!    Preludio    e   Valzer    originale 

4—. 

-  114  Ghirlanda  del  Pianista,  raecolta  di  so- 

natine  facili,  progressive  e  diteggiate  rhe 
non  arrivano  all'ottava :  N.  1.  I  Vespn 
Sicilian!  1.50.  N.  2.  Messa  da  Requiem  di 
Verdi  1.50.  N.  3.  Ruy  Bias  1—.  N.  4. 
Dolores  1—.  N.  5.  Aida  1.50.  N.  6.  Don 
Carlo    1.50,   Jfrns   a  2.50. 

-  201   Souvenir,  romance  sans  paroles,  /'  2—. 
-202   l^.Trcnrolle.    P   2—. 


de    lune.    nocturne,    P 
Op.    110   Canto   degli 


Manica  P.  op.   203 


121 


Mann  A.  H.  /  will  sing  unto  the  Lord 


-  203  Scherzo  Pianistico,  P  4 — . 

-  205   II   viaggio  a   Vienna  delle  LL.   Maesta 

T^eali    d'ltalia,    reverie,   P   3.50. 

-  208  I  tre  Cugini,  3  ballabili  diteggiati  che 

non  arrivano  all'ottava  2.50:   N.  1.  Polka. 
2.  Mazurka.  3.  Valzer,  Ti  1 — . 

-  Ad  una   giovinetta   3 —  ^[a7■iani. 

-  A  i  d  a,    rivedrai    le    foreste.    '/w.s    1.50    Na- 

polea.0. 

-  Alia    felifita,   canzone   araba.      Mariani. 

-  Ave  Maria   4 —  Mariani. 

-  Barcarola,    VP   4 —   Mariani. 

-  Contenta   fu   d'avtr   la   porta   spezza !    Can- 

zonetta   3 —  Mariuni. 

-  Fiorella,   cailzonetta   2.50   Mariani. 

-  Gavotta,  P   1 —  n   Mariani. 

-  II  paggio,  oanzonetta   con   nacclicre  e  hallo 

3 —  Mariani. 

-  Inglesina,  P   1.50  n  .Mariani. 

-  Notturniao,  a   due   voci   5 —  Mariani. 

-  Qual    pretesa!     Canzonnetta    2.50    Mariani. 

-  Salvator   Rosa,   -Jjws   2 — -   NapoleaiO. 
Manici    G.   Arrigoni-Puris:   A  Bahiana,  ma- 

xixe,  danse  Rationale  br4silienne,  P  4 — 
France. 

-  Air   do  ballet,   P. 

-  Fol  amour  !   Valse  lente  4 — . 

-  Habanera,   danse  brfisilicnne,   OP. 

-  Montmartre-Folie,  chanson  populaire,  Ch.  s. 

Tosoni-Tahnas-Paris. 

-  Place    Blanche,    marche    1.50  ii. 

-  Romfu'.ce,    VP.      Delaner. 

-  Viva     mi     tierra,     marche     espagnol.     OP. 

France. 

Manicus  H.  T,  Amaryllis,  Hirtenserenade, 
P  —60  nanscn. 

-Ranker  og  Ro&er :  Rosenr0de  Dr0mme :  Du 
sidder  i  Baaden,  som  sv0mmev.  n0stafteii : 
Luften  sitred,  da  Solen  gik  ued.  Fagve 
Nat  med  Blomsterstr0mme.  Hvil  over  Ver- 
den,  du  dybe  Fied  1 —  Nord.  Mu.^ikforlag. 

-  Saltarello,   P   1.50   Hansen. 

-  Tarantella,   P  — 75   Hansen. 

Maniere  de  traiter  les  femmes  comme  ellos 
le  meritent  1 — n,  Ch.  s.  — 40  n  Borne- 
munu. 

Manigler.    Xelina.    polka-maz.    2.50    Grns. 

Manigold    Julius,    op.    3    Phantasiestiick,    Fl 

m.  P   1.25   Zimmermanv. 
-4  Idylle,  FIP   1.85  Zinvmermann. 
Manildi.  Pepin:   Adieu   3 — . 

-  Etoiles  du  midi,    (Recueil)    6 — n. 

-  Larmes-Fleurs   .3 — . 

-  Madrigal  3 — . 

-  Reveil  des  margueritet.   P  5 — . 

-  Secret  du  Coeur  3 — . 

-  Serenade   3 — . 

-  Tricycle,  P  4.30. 

Maniileur   1 — n,  Ch.  .s-.  — 30  Ondei. 
Maniquet  A.  Polka  des  bannetons  3 —  Clot. 

Mankell  Abr.  Enkla  melodiska  sSnger  for 
alt  eller  liigre  /S'  af  atskillige  komponistor 
2.75,  I— II   a   1.50   Hirsch. 

-  Skaldestycken  af  Wallin  Franz6u  och  Sta- 

gnelius  Fatte  i  musik :  Hemsjukan  ,,Hvart 
stigor  din  suck".  Varliingtan :  „Din  sol, 
natur  gfir  opp  ah  skon".  Stjernorna:  ,,Se 
stjernoriia !    so    luir    d'^    svigt    unga".      Ur 


Guds  lof  D3  sankte  sig  den  .stilla  dal  — 50 
Hirsch. 
Mankell   G.  Album  for  orgelnister  och  ama- 
torer,   I — IV  a    1.50   Lnndquist. 

-  Orgelmusik    for    kyrkan,    Samling    af    pre- 

ludier,  postludier,  fugor,  fantasier  m^d 
flera  storre  och  mindre  liitt  utforbara  solo- 
stycken,  dels  samlade  ur  arbeten  af  de 
mest  utmiirkta  orgelkompositorer  8 — , 
I— VI   a   1.50  Hirsch. 

-  Sveriges  herrliga  Melodier,  2  st^lm,  I — V  ft 

—25  Elhan. 
Mankell     Henning,    Jag    sorjer    — 60    Lund- 

(jnisl. 
Mankiewicz    Otto    Hans.    Harmonic:    Op.    6 

P]s    war    einmal    ein    junger    Husar,    tJber- 

brettllied    1.50  n. 

-  8  Auf  der  Alster :   ,,Madel  in  Sammet  uud 

llatternden  Biindern",  tJberbrettllied  1.50  n. 

-  10  Das  Rosenblatt  1.50. 

-11  Ostpreufiisches  Volkslied:  „Gib  mir  de'iu 
Herze"    1.50  n. 

-  12    Das    macht    die    Liebe :      „Ein    Voglein 

fliegt    von    Ast     zu     Ast",     tJberbrettllied 
1.50  n. 
Mankowski    Alex,    op.    13    Zwei    Lieder,    P: 
Nr.  1.  Stiindchen  — 80.  Nr.  2.  Liebesrausch 
— 80   Fiirstner. 

-  14  Mazurka,   P  — 80   Fiirstner. 

Maniey  Frank,  Book  of  Organ  Voluntaries, 

Org(H)    \j — n   Meizler. 

-  10  Voluntaries,  Org(H)   1/—  Ascherberg. 
Maniey  J.   M.   I  Guess   You'd  Better  Hush! 

Hush!   Hush!  —50  Bloom. 

-  I    Know    It's    Wrong    to    Love   you,    but    I 

Love  You   Just  the  Same  — 50  Bloom. 

-  I'll  Have  to  Telegraph  Another  Baby  — 50 

Bloom. 

-  She's  Mine,  All  Mine  —50  Bloom. 

Maniey    Morris.   Nat.    Music    Co.:    A    Couoy 
Island  Coon  — 50. 

-  Ding   Dong   Bell   —50. 

-  My    Maryland    Queen   — 50. 

-On    a    Fourth    of    July,    comic    waltz    song 

—50. 
Maniey    and    Burdge,      Waiting    for    Santa 

Glaus  — 50  Bloom. 
Manly    Frank,    Nocturne    in   G,   P   3/ —   Ait- 

gener. 
Manly    Praise,    a    collection    of    sixty-three 

sacred   solos,   quartettes   and   choruses   for 

male   voices    (Wm.    Nelson)    1/6   Bayley. 
Mann    A.   op.    15   Les   soupirs,   P  — 30   Jur- 

genson. 
Mann  A.  H.  A  Song  in  Autumn,  TTBB  —06 

Wood. 

-  Arise,   shine  — /2   Curwen. 

-  Confession  Preces  and  Responses,  for  Mor- 

ning    and    Evening    Service     (on     cards), 
SATB  —/I   Weekes. 

-  Festival  Te  Deum  in  E,  SATB  — /8  Weekes. 

-  God   be   merciful    unto    us,    8ATB  — /4    A'o- 

vello. 

-  I  will  lay  me  down  in  peace,  verse,  S  — 11^ jt 

Novello. 

-  I  will  sing  unto  the  Lord,  SATB  — /3  No- 

vello, —12  n  Schirmer. 


Mann  A.  H.  Lord  Ullhi's  Daughter 


122 


Mann  J.  G.  H.  Satandla 


■  Lord  UUin's  Daughter,  SATB  — /6  Weekes. 
-Magnificat    and    Nunc   dimittis    (in   Aflat) 

— /6   Nnvello. 
-Magnificat      and      Nunc     dimittis     (double 
choir)    — '9  n   Vincent. 

-  Magnificat   and   Nunc   dimittis,    for   chorus, 

O  &  Orrj    (in   E)    — /6  Novello. 

-  Magnificat  and  Nunc  dimittis,  suitable  for 

Parish  Choirs    (in   D)    — /2  Novello. 

-  March.    Prelude.    Allegro.    Adagio.    Minuet. 

Interlude.    Largo.    Postlude,      OrgfHJ     or 
Ame^-ican   Org   — /6   Donajowski. 

-  0  love  the  Lord,  SATB  —/V/.  Novello. 
-0   taste  and   see,   SATB  — /3   Novello. 

-  Prelude.    Allegro.    Minuet.    Tenor    Melody. 

March.    Interlude.    Adagio.    Postlude,    Org 
(E)  or  American  Org  — /6  Donajowski. 

■  Sing   Praises   to   the   Lord,    choral    festival 

— /4  n    Vinceyit. 

-  Sing  Praises  to  the  Lord,   general  anthem 

— /4  n    Vincent. 

-  Song  in  autumn,  male  v.  — /3  Leonard. 

-  Te    Deum    Laudamus,    festival    chor.    OOrg 

— /8  Weekes. 

-  Te  Deum  Laudamus,  in  D,  with  Benedictus 

— /4  n    Vincent. 

-  Unrest   in   rest   2/ —  Novello. 

Mann    Adolf,      Beloved    if    you    came   2/— n 

Ascherberg. 
Mann  Alex.  Du  willst  in  meiner  Seele  lesen 

1 —  liies  £  Erler. 
Mann  C.  Adieu  au  4e  Marche  militaire  2.50 

Kessels. 
Mann   C.   N.   All   the   rage,   schottische  — 35 

Ditson. 
Mann    E.  Klavier-Schule  2.50  n   Gleichauf. 
Mann     Edith     E.    The    Angel's    Song    — /P/, 

Weekes. 

-  In  Excelsis  Gloria  — /3  Weekes. 

Mann  F.  Augener:  Op.  6  Deux  Mazurkas: 
N.  1.    in   A  minor,    2.    in    E  minor,  .a    2/ — . 

-  12  Valse  de  Victoire  1 —  Breitkopf. 

-15  Guai!  se  ti  sfugge  un  moto,  trio  from 
„L  u  c  r  e  z  i  a    B  o  r  g  i  a",    P    4/ — . 

-  Allegretto,    from    H  a  n  d  e  I's    „Ottone",    P 

3/—. 

-  Bella    Espanola,    morceau   espagnol,   P    3/(3. 

-  Fanfare,   morceau   6l4gant,   P  4/ — . 

-  Foaming   billows,   caprice,   P   4/ — . 

-  Gavotte  from  H  a  n  d  e  I's  „Ottone",  P  3/—. 

-  Libelle,    Ctude    chantante,    P    — 40    Gordon, 

4/—. 

-  Mignonette,  pensee  m^lodique,  P  4/ — . 

-  Moonlight    raptures,    a    love    poem,    P    3/ — . 

-4  Morceaux  elegants,  P :  1.  Nocturne  Me- 
lodic, 2.  Caprice,  3.  L6g6ret6,  4.  L'Extase, 
a  3/—. 

-  Ondine,  morceau  de  salon,  P  4/ — . 

-  Papillon,   morceau    de   salon,   P   4/ — . 

-  Pofeme  d'amour,   P   1.20  Bosworth. 

-  Rubis,  valse  brill.  4/ — . 

-  S4r6nade  du   Gondolier,  barcarolle,  P  4/ — . 

-  Sweet  Souvenir,  m6lodie,  P  3/ — . 

-  Te  Deum  — /6   Novello,  —35   Pond. 

Mann    G.   C.   Magnificat   and   Nunc   dimittis 

in  A,  0  ace.  — /6  n  Novello. 
Mann    Gottfr.    op.    76     Andante,     VP    —90 

Eggera. 


-  77  N.  1.  Serenade  voor  2  Vrouwenstemmea, 

SA  — 50  Eggers. 

-  77  N.   3.   Poeme  d'amour :    Ouvre  tes  yeux 

bleus  — 50  Eggers. 

-  80    „Melaeuis" :     N.    9.    Choeur    de    jeunes 

filles    pour    3  voix    de    femmes   avec   Inslr 

a   cordes   et    Ha   2.70    Eggers. 
-93  Nr.   1.  Groete  — 40.  Nr.  2.  Voglein,  wo- 

hin  so  schnell  — 50  Eggers. 
-93   Nr.    6.    Zauberweise:    „Ein   Klingen,   so 

leise"   1 —  Eck. 

-  94  Andante,   VcP  —60  Eggers. 
-101   Concert   (Dm.),  VP  5— n  Eck. 

-118    Canzone,    VP    1.60    Van   Meer   &    Ros- 
«ia  Zen- Amsterdam. 

-  Afscheid    van't    Vierde,      militaire    marsch 

- — 40  Eggers. 
-Album  de  Danses :  op.  13.  Fruits  defendus, 
valse.  op.  63.  Boh^mienne,  extrait  de  la 
suite  d'O  Scfenes  de  genre,  op.  79.  Sara- 
bande  et  air  de  ballet,  op.  85.  Divertisse- 
ment Ballet  Espagnol.  op.  81.  Fragments 
du  Ballet :  ,,Le  Reve  du  Sonneur".  Yedda, 
polka   1.25  Eggers. 

-  Du   Sublime   au   Ridicule,   marche  militaire 

— 40  Eggers. 

-  Een  Liedeken  van  Smerte  — 60  Eggers. 

-  Jonge  Liefde  —90  Eggers. 

-  7    Klavierstukken,    I- — II    a    — 75    Nieuv:e 

Mnziekhandel,  Standard. 
-4  Lieder  1.50:  Nr.  1.  Ich  fuhl's,  dafi  ich 
tiefiunen  kranke  — 50.  Nr.  2.  Sie  sagen : 
„Winter  sei's  geworden"  — 50.  Nr.  3.  Zwei 
Auglein  braua  • — 50.  Nr.  4.  Zwei  Blumen 
—60  Eggers. 

-  Maskerade-Marsch   1.20  Eggers. 

-  Out   Liedeken   van   Minue :    „Een   sonniken 

licht'r   mi    in   mien   hert",   MS   u.  P   —80 
Va7i  Meer  d  van  Rosmalen. 

-  Prinseiimarsch  — 40  Eggers. 

-  Salut    a  Paris,    marche    militaire,  P   — 40 

Eggers. 

-  't   Vierde  Militaire  Marsch  — 40  Eggers. 
-Van    een    Mulderinneke   — 50    Nieuwe    Mu- 

ziekhavdel,  Standard. 

-  Von    juuger    Liebe,    afz.    duitschen    Tekst 

— 20   Eggers. 
Mann   J.   G.   H.    (1858—1904).  Alsbach:   Op. 

88    Ich   habe   dich   geliebt    und   liebe   dich 

noch  —50. 
-90    Konzert,    CIP    3.50,    0-St    4.50    Ruhle    & 

Wendling. 
-2  Choeurs  pour  3  voix  de  femmes  av.  VP: 

1.   Serenade.   2.   Au  bord   de  la  mer.   Part 

2—,  St  —10. 

-  Crescent-Cycle   Galop  — 60. 

-  Klokkeumarsch    uit    het    Ballet    de    Droom 

van  den  Klokkenluider,  P  — 40. 

-  Kroningsmarsch  ;  opgedragen  aan  H.  M.  de 

Kouingin,      uitgegeven    door    de    Vereeni- 
ging  „Keurvendel  Prins  Maurits"  — 75. 

-  Mer,   pour   3  voix   de   femmes   et   P,     Part 

1.20,    St  —25. 

-  Nog  een  liedeke  van  Smerte,  voor  hooge  en 

middelstem   — 50. 
-Romance,    V(Vc)P    1.20. 

-  Satanella,    suite    de    valses    sur    les    motifs 

du  ballet :  Le  Reve  du  Sonneur,  P  — 90. 


Mann  M.  W.  Niagara  Dance 


—     123 


Manna  R.  Prexiosa 


God,    to    Thee   — 75    Brainard. 
Goggan:   Christmas  Serenade, 


2.50  n 


Mann   M.  W.  &  Karl   Kaps,  Niagara  Dance, 

/'  4/ —  Francis. 
Mann    Nat.      Cascade    (quickstep),      P    4/ — 

^hcard. 

-  Climb    the    Golden    Fence,    schottische,      & 

d  e  Witt,  When  your  Love  grows  Cold, 
That  pretty  Girl  of  mine,  waltz,  1^  Instr 
—80,   10   hisfr  —60,  P  ace.  —15   Fischer. 

-In   der  Windmiihle,   P   1.50  n  Rohr. 

-Niagara  March   4/ — ,  PBanjo  2/ — n  Shear  d. 

-Resistless    (quickstep),   P   4/ —  Sheard. 

-Windmiihle,  0  2.50,  kl.  0  1.80,  P  1.80 
Rohr. 

Mann  Richard,  A  Manual  of  Singing,  for 
the  use  of  Choir  Trainers  and  School- 
masters   1/ —   Novello. 

-  Grant,  we  beseech  Thee,  SATB,  Voe.  score 

— /6,   Voc.    parts  — /6   Novello. 

-  Ye    little    birds    that    sit    and    sing,    SATB 

]/ — ■  Novello. 
Mann    T.    op.    1    Impromptu,   maz.      P   — 50 
Brainard. 

-  Nearer,    my 

Mann   T.   de. 

P  —30. 
-Gazelle,  two-step    (in   Press). 

-  Little  Ixecruit,  march,  P  — 30. 

-  My   Mother's  Lullaby  —30. 

-  Two   Little   Sisters,   waltz  —30. 

Manna    G.    2    Etudes,    Tro  d  coulisse 
Costallat. 

-  12  Studi  per  Trombone  3 —  Ricordi. 

Manna  Ruggero  (1808—1864).  Ricordi: 
Addio  ai  Balneanti  di  S.  Pellegrino,  uot- 
turno,  P  3 — . 

-Alia  memoria  di  Giambattista  Rubini,  pen- 
siero   funebre,  4^ns  2.25. 

-  Augurio,  scherzo   (Questo  pezzo  si  eseguisce 

per    dritto    e  capovolto)     1.25. 

-  Ave    Maria    1.50    Ricordi,    — 30    Jurgenson. 
-Bouquet  musical,  raccolta  di  composizioni : 

I  7.50:  N.  1.  Piangiamo  insieme  2.50.  N.  2. 

II  Segreto  2—.  N.  3.  I,a  Rosa  2—.  N.  4. 
Canzone  caratteristica  2 — . 

II  10—:  N.  5.  L'Orfanella  2.50.  N.  6. 
La  Campana  della  sera,  ballata  2 — .  N.  7. 
II  Congedo,  scherzo  1.50.  N.  8.  La  Lonta- 
nanza,  romanza,  con  CornofVcJP  2—.  N. 
9.  Taci!  duettino  2—. 

-  Canta   Sirena   1.50. 

-  Capriccio  brill,  sopra  uu  tenia  orig.  P  3 — . 

-  Capriccio   in   forma   di   Toccata    (opera    po- 

stuma),   P   4 — . 

-  Charmes  de  la  tristesse,  fant.  P  3 — . 

-  Divertimento,   P   3 — . 

-  Divertimento,  FIP  3 — . 

-  Divertimento,   FIP   4.50. 

-  Divertimento  brill.  PVfVc)  5 — . 

-  Divertimento  umoristico,  P  3 — . 

-  Elegia-Petrarca,    frammento    della    canzone 

XLIII   2—. 

-  Esule  3—. 

-  Fantaisie  passionn6e  et  brill.  FIP  7 — . 

-  Fantasia,  FIP  3—. 

-  Fiorista,   arietta    3 — . 
-Gingillico,  divert,   fant.    FIP   9—. 


d'l  s  r  a  e  1 1  o,     cantico,     CF 
e    Coro :     Mesti,    tacenti    ed 


-  G  I  i    E  s  u  1  i 

18—: 
Introduzione 

esuli    4.50. 
Recitative    ed    Aria    con    Cori :    Su    queste 

rive  inospite  5 — . 
Terzetto:   Padre  e   Signer  dei   miser i   3--. 
Aria  :    Vedi   com'ora   il   perfido  2.50. 
Pezzo   concertato.   Finale:    Ahi !   Babilonia 

mi-sera   5 — . 

-  Gran   Duetto   espressivo,   FIP    10 — . 

-Jacopo  di  Valenza,  opera,   CP  30 — : 

Sinfonia   2 — . 

Atto  I:   Introduzione:  Prodi  all'armi  5.50. 

Recitative :   Non  paventar  — 50. 

Terzetto :   Agli  ecchi  miei  mostravasi  6 — . 

Coro  di   Donne   1.25. 

Recitative :    Itene,   amiche  — 50. 

Cavatina :    In    aspetto    disperato   2.50. 

Scena :  Vieni  fra  queste  volte  1.50. 

Duetto:   Tutto  ardirei  5.50. 

Scena  :    Udisti  !    —25. 

Coro:   Qui  dove  a  gara  splendono  4 — . 

Finale  I     10—. 

Atto  II :     Coro  ed  Aria :  Si,  del  crudel  io 

giuro  5.25. 
Coro:   Non   giova   alcun   conforte  2 — . 
Duetto :  D'un  cenferto  io  sol  ti  prego  4 — . 
Coro  :  Qui  nescesi  2 — . 
Scena  :   Vendetta  avrein  —25. 
Duetto :  Taci,  taci,  &  rea  I'accusa  4.50. 
Preghiera :   Die  pietese,  e  Duettino :   Fug- 

giam  da  queste  tette   3.50. 
Scena  che  precede  I'Aria  finale  2 — . 
Aria   finale:    Su    questo   sen   ripesati   3.25. 

P: 
Cavatina:    In   aspetto   disperato    1.25. 
Coro:  Qui  dove  anuidane  1.25. 
Core  di  Zingarelle  1.50. 
Stretta  nel  Finale  I     1.25. 
Divert,    sopra     diversi    motive     della    sua, 

FIP  3.50. 
-Leonora    (M  e  r  c  a  d  a  n  t  e) ,      melange    sur 
des  motifs,  FIP  6 — . 

-  Loatananza,   romanza,   Tr  con   CornofVcJP 

2 . 

-  Messa   di   Requiem,   STB   primi   &   sec.   con 

Istrumenti  &,   Org  a  place,  Part  — 40. 

-  Range   lingua,    SATB   con    0   &    Org,    Part 

2.50. 

-  Pastor    Svedese,      capriccio     in     forma     di 

rondo,      P   2.75. 

-  Popole  e  Re,  inno,  STB  3—. 

-  Pot-pourri    sopra    diversi    temi    conesciuti 

(Assedio    di    Cerinto,    Ebrea    e    Sennam- 
bula),  PVc(V)   3.50. 

-  Preghiera,  MS  con  PH  4.50. 

-  P  r  e  z  i  o  s  a,   opera,    CP   30 —  n  : 

Sinfonia,  P  3—,  Jfrns  5—,  Org  2.50. 

Atto    I:      Introduzione,    Core    di    Zingari : 

Erranti,  felici  6 — . 
Scena    e    Romanza:      Ebbi    una    sposa     e 

tenero  2 — . 
Recitative    e    Terzetto :    Uno    sguardo,    un 

solo  accento  4.50. 
Coro  caratteristico  :   Viva  Preziosa  2 — . 
Pezzo  concertato:  Di  mia  mano  io  vi  prs- 

sento   3.50. 


Manna  R.  Prexiosa 


—     124     — 


Mannfred  H.  op.  31 


Seena:   II  contento  d'una  figlia  — 75. 
Finale    I.     Improvviso :    Tl    tuo    poter    nel- 

I'anima  5.50. 
Atto     II:       Scena     e    Notturno:     Vergine 

Dea,  che  tacita  2 — . 
Scena    e  Duetto:    Hospiro    di    qiiest'aninia 

4—. 
Sceua    e    Duetto :    Come    Ktella    a    stella    in 

cielo  4.50. 
Coro:   Splendi  a  noi  dall'azzurro  del  eielo 

3—. 
Atto    III:      Preludio,    Scena    e    Eomauza  : 

0  cari  luoghi  2.50. 
Pezzo    concertato:      Chi    e    la    doima     che 

riposa  ?  7 — . 
Scena    e    Recitativo:    Ch'ei    vada    iu    sua 

malora  — !'>0. 
Scena   e   Duetto :    Alto   Iti  !    4 — . 
Recitativo  e  Duetto:   D'una  vergine  m'ac- 

cese    3.50. 
Finale    III      6—. 

-  P  r  o  f  e  t  a    V  e  1  a  t  o  : 

Scena    e    Duetto:    (liovinetto    ardente    au- 

ch'io  4.50. 
Duetto:    Mai   sperasti   di   sotirarti   3 — . 
Gran    Scena    e    Duetto:    Che!    tu    stes.sa  ? 

4.50. 

-  Romanza,  von  PVc  obi.  2 — . 

-  Salve    Regina,    SA    con    P,    composta    nello 

stile   di   F.   Durante   2.50. 

-  Salve    Regina,    a  3    voci,    con    P,    composta 

pei    Giovanetti    della    Scuola    gratuita    di 
Canto   in   Cremona   9 — . 

-  Sequenza   de'   morti    (Dies   irae),   SATB   et 

P    15—. 

-  Sonetto,  con  PVc  obi,  2.50. 

-  Toscana   a   Vittorio   Emanuele   II   3 — . 

Mannacio   C.   Marcia   iiiglese   4 —   Societd. 

-  Souviens  loi  2 —  Societd. 

Mannacio    D.     Printemps    d'amour,     P    3.50 

Izzo. 
Mannajoni   A.  Oflertorio,  Elevazione  e  Post- 

(omunio  in  stile  floiido,  Org  2.50  Kicordi. 
Mannall-Frettwell   Carl,  2  Songs:    1.   T  can- 
not   Part    from    Thee.      2.    Hu.sh    Thee    to 

Sleep  2/ —  n  Ascherberii. 
IVIannasse    Jenny,    op.    1      Liebesgluck    (Du 

meine  Wonne),  P   1 —  Challier. 
Mannering    J.     Boys    and    Girls,    duet    — 50 

Bloom. 
Mannering  Kathleen,  Lo\(''s  Lullaby,  2  keys 

2/ —  n   Ascherherg. 
Manners  C.   W.   Antiphons  for  the  office  of 

Palm   Sunday,  Voc.   score   1/6,  P(Org)    16 

^ovello. 

-  Come,  let  us  adore ;  the  Invitatory  Prayer 

1/6   Novello. 
'  Come,    let    us    adore.      Invitatory    Prayer, 

quartet  or   chorus    1/6   Novella. 
Mannetti    V.      Disinganno,     romanza      2.75 

Bicordi. 
•  Povero  core !   romanza  3—  Ricordi. 

-  Verbena,  P  2.50  Ricordi. 

Mannewitz  Georg,  op.  14  Trauungsgesang: 
„Gott  ist  die  Liebe",  SATB  1.20  Hoffmann. 

Manney  Charles  Fonteyn.  Ditson:  Op.  1 
Nr.  1.  When  two  have  loved  are  parting 
(Wenn  zwei   von  einander  scheiden)    — 40. 


—50 


60 


-3  N.  1.  When  Gazing  in  Thine  Eyes  So 
Dear  (Wenn  ich  in  deine  Augen  seh') 
— 40.  N.  2.  Comes  My  Love  To-day? 
(Konimt  Feins-Liebcheu  heut?)  — 30.  N. 
3.  Dedication  (Widmung)  —30.  N.  4.  Yon- 
der Now  the  Sun  is  Sinking  (Driiben 
geht  die  Sonne  scheiden)  — 40.  N.  5.  Oi- 
pheus  with  His  Lute  — 40. 

-4  P:  N.  1.  In  Springtime  —50.  N.  2.  In 
Fancy  Free  — 50.  N.  3.  Premi&re  Valse 
— 60."  N.  4.  Badinage  —50. 

-5  5  Sketches,  P:  N.  1.  A  Happy  Day  -50. 
N.  2.  In  the  Theatre  (Mazurka)  — 40.  N. 
3.  Marquis  &  Marquise  (Gavotte)  — 50. 
N.  4.  Fantastic  March  — 50.  N.  5.  A  Love 
Song  —40. 

-Chanson    d'Automue    (.'vutumn    Song) 
Schirmer  jr. 

-  Daisies  — 50  Schirmer  jr. 

-  Des  Miiden  Abendlied   (Evening  Song 

Schirmer  jr. 

-  For   Somebody  — 50   Schirmer  jr. 

-My  Thought  is  of  Thee  (Denk  ich  dein) 
—40. 

-  My  True  Love  Hath  My  Heart  —40. 

-  Resurrection,    easter-cantata    — 40. 

-  Romanza,  P  — 50. 

-  Stars   in   Heaven   Shinning    (Es   stehen   uu- 

beweglich)    — 40. 

-  Sweetheart,  Sigh  No  More !  —50. 

-  Thou    Who    of    the    Heavens    Art    (Der    du 

von  dem  Himmel  bist)    — 30. 

-  Toujours    (Fidelity)    — 50   Schirmer  jr. 

-  Yernings    (Sehnsucht),   P  — 35. 
Mannfred   Heinrich,  op.  6  Drei  kl.  Charak- 

terstucke,  P:  1.  Gondellied.  2.  Der  kleine 
Spring] nsfeld.   3.   Sehnsucht,   fi  —75   Piatt. 

-7  Die  Spieluhr,  Charakterstuck,  P  1.20 
Piatt. 

-8   Alponveilchen,   Tyrolieune,   P   1.20   Piatt. 

-9   Wintermiirchen,    Gavotte   1.20   Piatt. 

-  15    Spreegeister,    W^alzer    1.80,    PVVcFl    u. 

Tr   1.50  n,  OfmO)   2— n  Sington. 
-16    Balluachts-Traume,    Walzer    1.80,    Par. 
Bes.    1.50  n,    0  2.50  n,   mO   3— n   Brandt. 

-  18  Neckerei,   Polka   franc   1-20   Piatt. 

-  19    Auf     Wiederseheu,     Walzer      1.80     W. 

Schroder. 

-20  Husarenstreiche,  Mansch  1.50,  Jfms  1.80, 
y-S.  —50,  VP  1.80    W.  Schroder. 

-22  Amor's  Botschaft,  Polka-Maz.  1.20 
Sington. 

-23  Zwiegespriich,  P  1.50  Boswortk,  (Dia- 
logue) —50  Wood,  Jfms  2—,  PV  2—,  stO 
1.50  n,  iibertr.  von  G  i  o  v.  Gampietro, 
Mand  1—,  MandG  1.50,  MandP  2.50, 
2MandG  1.80,  2MandP  2—,  2MandMan- 
dolaCr  2—,  2MandMandolaP  2.50,  2Mand 
MavdolaGP  2.50  Bosicorth. 

-24  Ftichersprache,  Polka-Maz.  1.50,  OfmO) 
2.50  n  Friedliindcr. 

-25  Am  Springbrunnen,  Charakterstuck,  /' 
1.50   Friedlander. 

-  28  O  gold'ne   Jugendzeit,   Walzer  —30   Mi- 

chow. 

-30  Dameuspende,  Polka  fr.   1.20  Bosworih. 

-31  Aus  der  guten  alten  Zeit,  P  1.50  Sim- 
rock. 


Man nf red  H.  op.  32 


125 


Manning  W.  N.  I'm  but 


Intermezzo,    I' 
(ad  lib.),  Pnrt 


l- 


.50, 
-  11, 


1.20, 
2— n, 


20 


o 


-32  An  der  Weichsel,  polnisch,  /'  1.50  Sim- 
rock,  (.A.u  bord  de  la  Vi.stule,  mazurka) 
— 30  n   Gebethnpr. 

-33    Ball-Konversatiou,    /'    1.50   Simrock. 

-34  Pierrot-Polka   1.50   Simrock. 

-  35  Elfeu.spiele,  /-*  1.50  Sini7-ock. 

-36   An   del-   Miihle,   Idylle,   P   1.50    Simrock. 

-38  Selige  Stunden    (Blissfull   Hours),  Wal- 

zer   1.80,   0  2.50,  Par.  Bes.   1.50,  mO  3— n 

Brandt. 
-39   Treu  bi.s  in   den  Tod,   Marsch    1.20  Par. 

Bes.  1— n,  O  2— n,  kl.  0  1.50  n,  mO  2.50  n 

Brandt. 
-43  Vielliel)clien,    I'olka-Maz.   1.20,  Pur.  Bes. 

1— n,     0    2.50  n.     kl.    O    2~  n,     mO    2.50  n 

JUftndt. 

-  44    Zarte    Krinnerung, 

nlO  m.  Tla  u.  Glocken 
St.  A  —20  n   Brandt. 

-  48    Ball-Atjno.s]jliare,    Intermezzo,     P 

Jm.s   1.50,  ,Sfr-Quart.  u.  Ha  2— n,  0 
Harm    3 — n   Staegemann    (Rauhe). 

-  49    Mit     Chic     nnd     Grazie,     Gavotte     1 

Kurih. 

-  50    Wenn     der    Friihling     kommt,     Walzer 

1.80.    O   3— n,   sO    1.50  n,    hlM   3— n    Zec/i- 
lin. 

-  52  Unterm   ^^'eibnacht.sbaum,  /-•  — (50  Zech- 

lin. 

-  53    Weibuacbt-sstimmung,    leifbte    Fautasie, 

P   —60   Zechlin. 

-  66   Prima   Ballerina,   Intermezzo,   P   1  — , 

1.50,  stOHa   1.50   Ulbri-ch. 
-68   Quadrille  a   la   lour,   P   1.20   yobat'//. 
-71    Jugend-Erinnerungen    1.50    Vohach. 
-72    Zigeunerlebeu,    Walzer    1.80    Vobach. 

-  73   Menuett- Walzer    1.50    Vohach. 

-  78  Friihlingsboffen,   m.  mit   P   1.50 

-  82    Herzen.sgebeimnisse,    Gavotte, 

Allegro-Berlin. 

-  83  Tanzkranzchen,  Rheiulauder  1 — 
-84     Vi.sionen.     Walzer-Tntermezzo, 

Allegro. 

-  86   Augensprat'he,    Walzer,    P,   0, 

I  heon-Verl  .-Berlin. 
-87  Taubchen  und  Taubor,   Lied  im   Walzer- 
stil   1.20  n  Pantheon-Verl. 

-  Anno    dazumal.     Gavotte,    Tanz-Poem     mit 

Tanzbe.scbreibung  2.50  n  Bloch. 

-  Debet  et  Credit,  valse,  P   1.80  Plat  I. 

-  Der    Meisterfabrer,    Marsch    1.20,    PV    1.50, 

IM    3— n,    IM(KM)    2.50  n,    0    2.40  n,    sO 
1.50  n   Sul.~er. 

-  Opern- Album,   P,  I — II  a  tJ —  Globus. 

-  Pr§s  de  moulin,  P  — 30  n  Gebethner. 

-  Prinzefi-Gavotte   1.20  Friedliinder. 

-  Reichspo.«t-Mar.sch  — 20   Michow. 

-  8chnurrbart,     ach     der     Schnurrbart     niieh 

entflammte,   Damen-Vortrag   1.50   Glas. 

-  Schnurrbart-Mar.sch,      mO      1.75,      Quintett, 

Par.   Bes.    1.50,  P   1.20   Glas. 

-  Schone  Frauen,  Gavotte,  P  — 60   Vohach. 

-  Tnter  vier  Augen,  Polka   franc   1-20  Sr7ig- 

fon. 
Mannheimer  Julius,  op.  6  Zweite  Serenade, 

0,  Part   12— n,  St   15—,  4ms  6—  Simrock. 
Manni   A.     A  buon   rivederci,   polka,   M(V) 

— 25  n  Forlivesi. 


Vobucli. 
P      1.20 

-  Allegro. 
P     1.50 

.sO.    Pau- 


-  Album   di   danze,  Mund   1 —  Maurri. 

-  Alliance,   P  2 —  Manni. 

-  Amicizia,  Mand  — 50,  MandG   1 — ,  SMandG 

1.50,   2MandMaG  2—  Manni. 

-  Amor    constante,    valzer-    Mand    — ^25    F'or- 

livesi. 

-  Antignano,   valzer,   M(V)   — 25  n   Forlivesi. 

-  Argia,  polka,   M  (V )   — 25  n   Forlivesi. 

•  Arrivi  e  partenze,  polka-galop  2 — ,  Mand 
1—,  MandP  2.50,  Mand(V  )CUt  2—, 
2MandP^  3—,  "2MandVChit  2.50,  2Mand 
(o  VJMaChit  3—,  2Mand(o  VJMaP  3.50 
Forlivesi. 

-  Birbantella,    maz.    Mand   — 25    Ricordi. 

-  Birichino,    valzer,    M (V )    — 25  n    Forlivesi. 

-  Cani    e  gatti,    marcia,    Mand     — 25,     1  o  2 

MandChit   — 40    Forlivesi. 

-  Corrida  de  Toros,  valzer  eapagn.  3 — ,  Mand 

1—,  MandfVJP  3.50,  MavdfVJChit  3—, 
2Mand(V)P  4.50,  2Mand(o  VJChit  4—, 
2Mand(o  VJMaChit  5—,  2Mand(o  VJMaP 
5.50  Forlivesi. 

-  Eureka,    P   2 —   Mariuni. 

-  Fiori     primaverili.     valzer,     M(V J     — 25  n 

Forlivesi. 
Fiori    primaverili,    valzer    2.50,    Mand    1 — , 
MundP    3—,    MandfVJChit    2.50,    2MandP 
3.50,  2Mand(o  VJChit  3—,  2Mand(o  VJMa 
Chit   3.50,   2Mand(o  VJMaP   4—   Forlivesi. 


-  Firenze,   Mand  — 50,   MandG 

1.50,   2MandMuG   2—   Manni. 

-  Londra,     valzer     (Biblioteca 

Mandolinista     Paccolta    4), 


1- 


SMandG 


popolare     del 
M(VJ    — 25n 


\alzer,   Mand  — 50,   MandG 

1.50,  2MandMaG  2—  Manni. 

Valzer,   M (V )  — 25  n  Forli- 


nuiziirka,    M(VJ 


-25  n 


Forlivesi. 

-  Marco- Vinicio, 

1—,  SMandG 

-  Perche   ridite? 

vesi. 

-  Pizzicotti    e  baci, 

Forlivesi. 

-  Premier    Amour,     valzer    2.50,     Mand     1 — , 

MandP  3—,  MandfVJChit  2.50,  2MandP 
3.50,  2Mand(o  VJChit  3—,  2Mand(o  VJMa 
Chit   3.50,   2Man4(o  V)MaP   4—   Forlivesi. 

-  Scapatella,    mazurka,    MfV)    — 2.')  n    Forli- 

vesi. 

-  Sdegno,    mazurka,    M(V)    — 25  n    Forlivesi. 
•  Sempre    insieme,     polka    2.50,     Mand     1 — , 

MandP  3—,  MandfVJChit  2.50,  2MandP 
3.50,  2Mandfo  VJChit  3—,  2Ma7idfoV) 
MaChit  3.50,  2Mandfo  V )MaP  4—  Forli- 
vesi. 

-  Serate      It^iliane,     album      completo     di      6 

danze  2 —  Forlive.n. 

-  Serenata,  Mand  — 50,  MandG   1—,  SMandG 

1.50,   2MandMaG   2—   Manyii. 

-  Sul   Manzauare.s,    P   1.50   Manni. 

-  Toreros,   valzer,   Mand  — 25   Ricordi. 
MfV  J    — 25  n    Forlivesi. 

Tarantella,    P    4/—   Ash- 


-  Turiddu,    polka, 
Manning    Jessie, 

doun. 
Manning    W.    N. 

Johnny,  waltz 


Bring 


back   niv 


White. 
~ong  — 40. 
Have  courage,  my  boy,  say  no  — 35. 
I  am  happv,  mother  darling,  song  &  chor. 
—35. 

I'm   but   a   little   human   child,   solo  &   duo 
—25. 


Manning  W.  N.  Fse  i/icine 


126 


Manns  F.  Serenade 


-  I'se  gwine  to  mourn  no  more,  song,  chorus 

&  dance  —40. 

-  My  old  'cello  and   I,  with   Vc  — 60  Ditson. 

-  Our  Cape  Ann  home,  solo  &  duett  — 40. 

-  Our,    dear    old    home,    with    Cornet    ad    lib. 

— 40  Ditson. 
-Rainbow,  sg.  &  trio,  w.  Cornet  ad  lib.  — 40. 

-  8chool    bells,    unison    chant    &    solo   — 10. 

-  Sleep    in    smiles,    waltz    song,    Cornet   — 4U. 

-  Uncle   Adam's  going   home  — 35. 

-  Yoys  of  youth,   Cornet   ad   lib.  —^35. 
Mannitzscheck    Ullrich,   op.   60   Strahlt   dir 

die  Welt  im  Sonnengbmze   1 —  Wagner. 
Mannl<opf,   3   geistliche   Gesiinge    (4st.)    1.80 

Bchlesinger. 
Mannkopf  A.  Betrogene  Liebe :  „Mutter  mir 

wird  so  weh"  1.20  Glas. 
Mannkopf      Adolphine,      Mutterliebe:      „So 

weich   und  warm"  - — 50  Bote. 
Manno    S.      Gilda,    Banda,    Part    1.50  n    La- 

pini. 
-Mortal    1.50   Sandron. 
Manns  A.  Hnfmeister:  Abendstandchen,  PV 

—80,   rVVc  —80   Alsbuch. 
•  Auld    lang    syne,    quadr.    2.25. 

-  Chimes-Redowa    1.25. 

-Coiner  Car  naval,  grand  potp.  burlesque,  P 
1.50   Alsbach. 

-  Des  Polen  Traum,  Maz.  2 — . 

-  Florence-Schottisch    1.25. 

-  Gounod's  Faust,   2  grand  selections,   FulU) 

a   15.,—,    (the   1st,   SmullO   10/6)    Chappell. 

-  Lorley- Waltzes  2 — , 

-  Prize-Flower,  waltzes  2.25. 
Rendez-vous,   polka   1.50. 

-  Shamrock-Quadr.   2 — . 

-  Soldier's   Return,   waltzes   2.25. 

-  Souvenir   de   Pologne,   varsovienne,   P   1.50. 

-  Sylpheu-Polka    1.25. 

-  Windsor   Galop   1.25. 

Manns  August,  Little  birdie    (Cradle  song) 

4  —   Aslidoirn. 
Manns   Ferdinand.     A.   E.  Fischer:     Op.  6 

Sonate,   ^ms   3 —   Siegel. 
-8   Fackeltanz,   0   2— n,    mO   2.50  n. 
-9    Xotturuo.    P    1 — ,    0    1.50  n. 

-  10  Nr.   1.   Staudchen.   2.   Nachtgesang,  P  a 

]— ,   0     (Nr.   1  u.  2)    1.50  n. 

-  11    Fe^tmarscli,   0   2— n. 

-  12  Einleitung  u.  Polon.  m.  obi.  VVa  1.50  n. 

-  14    Andante    religioso,    VVaOrgfH    od.    P) 

1.50  Siegel. 
-15  Trio   "(A-m.),   2VVa   4.50   Siegel. 

-  16  Drei  Trios,  2VVa:  N.  1.    (G)   2—.  N.  2. 

(C)    3—.   N.  3.    (A)    3—  Siegel. 

-  17    Orei    Improvisationen,    2VVaVc    2.25. 

-  18  Elegie,   VP  2.30  Praeger. 

-  19  Konzertstuck,   VcP  2 —  Praeger. 

-  21   Sonatine,  VP  3 —  Praeger. 

-22   Vier   Tonstiicke,   P:      1.   Ouvertiire.      2. 

Drama.  3.  Serenade.  4.  Trauerspiel,  a  1 — , 

0    (Nr.    1—4)    2— n. 
-23  Sonate  G-dur,  VP  4—, 
-24    Suite:    Praludium.    Andante    cantabile. 

Gavotte.  Arie.  Finale  alia  Tarantella,  Jfms 

3—. 

-  25  Orchester-Variationen  iiber  ein  Original- 

Thema,  mit  Solo  f.  Fl,  Vc,  T  m.   V  2— n. 


-26  Drei  Trios,  PVVc(Va)  a  3.50. 

-  27   Ein   Altarblatt,   Adagio   fiir    VVaVcOrg 

(TI)   2-. 

-  28  Blumen  am  Wege,  Sammlung  von  Kin- 

der- und  Volksliedern,  Opern-  und  Tanz- 
melodien  etc.,  als  Beigabe  zu  den  Lektio- 
nen  der  Schule,  systematisch  geordnet,  V, 
4  Hefte  1— n,  a  — 50n,  VP(2V)  2— n,  a 
— 80n,   P2V   3— n,   a    1.20  n. 

-29   Konzert,    CIP    1.75  n. 

-31   Romanze  fiir   Va  m.  0  2— n.  m.  P  1.50. 

-32  Konzert,   FIP  2— n,  FIO  3— n. 

-  33  Einleitung  und  Walzer- Allegro,  VP  3 — , 

0  3— n. 

-  34    Fackel-Polonaise,    0    2—  n,   J/ms   2.50. 

-  36  Sonate  fiir  P  mit  beliebiger  Begleitung 

einer  V  oder  Vc  oder  beider  Instrum.ent<>, 
KA   3—,   V-   u.   Fc-St   a  —50  Praeger. 
-38   Serenade   in   zwei   Siitzen :      1.   Damme- 
rung.  2.  Standchen,  P  1—,  2VVaVc  1.50  n. 

-39  Vier  kleine  Quartette:  1.  Lied  ohne 
Worte.  2.  Auf  ruhigem  Wasser.  3.  Kleines 
Standchen.  4.  Perpetuum  mobile,  SVVa 
3—. 

-  41     Musikalische     Illustrationen     zu     deiit- 

schen  Dichtern :  1.  Uhlan  d:  Harald. 
2.  Heine:  Atta  Troll.  3.  Goethe: 
Hochzeitslied,  P  2.75,  0  3— n. 

-  44  Sturmgalopp    1 — ,   0  2.50   Hintzen. 

■  46   Heil   dir,   o   Oldenburg,   Walzer   1.80,   0 

5 —  llintzen. 
-47  Sechs  kleine  Stiicke,  P:  \.  Schone  Nach- 
barin.     2.   Tischlein   deck   dich,     3.   Kling 
und   Klang.     4.   Minnelied.     5.   Rosmarin. 
6.    Dragonermarsch    1.50   Hintzen. 

-  48  Festvorspiel,  0  2.50  Riihle  &  Wendling. 

■  51    Fanfare   des   Oldenburger   Dragoner-Re- 

giments  Nr.   19,  P  1 —  Oertel. 

-  57  Fest-Marsch,  0  2.50  n   Oertel. 

-58  Konig  Rudolf's  Ende:  „Voriiber  war 
die  blutige  Schlacht",  Ballade,  Bar  mit 
Euphonion  (Posaune)  mit  P  1.50,  mit  0 
3 —  n  Oertel. 

-  Alles   ist  ja   nur   ein    Traum.    TTBB     1.20 

Rchbrri. 
-Andante   religioso,   VVcH   1/6   Novello. 

-  Der  FriJhling  ist  da,  TTBB  —80  Tonger. 

-  Deut.schland   zur   See,   deutsches  Seemanns- 

leben  in  Liedern,  TTBB  m.  verbindender 
Deklamation  u.  P  (ad  lib.),  KA  2— n, 
SATB,  oder  dreist.  od.  zweist.  Chor  mit 
verbiud.  Deklamation  u.  P  ad  lib.,  KA 
1.50  n,   Chorst   a  — 30  n   Httg. 

-Ein  kleines   Lied,   TTBB   1—  Tonger. 

•  Erinnerung  an  Wilhelmshohe,  Polka,  P 
—50. 

-  Fahr  wohl,  du  junge  Liebe:   „Wo  zwischen 

grunumbuschten  Hiigeln",  TTBB,  Part 
—40,    St  — 15    Tonger. 

-  Grofier  Festmarsch,  0  2.50  Oertel.  ' 

-  Kaiser    Wilhelm-Marsch,    deutsche    Kaiser- 

Hymne,   0  3 —  Hintzen. 

-  Konzert-Fanfare  Nr.  2,  KM  3— n  Oertel. 

-  Lancier  a  la  cour    (Lanzenreiter  bei  Hof), 

P   1.30,   0   2—   Praeger. 
-Romanze  m.   P  1.50  n,   0  2— n. 

-  Serenade,  2VVa  2—  Siegel. 


Manns  F.  /.   Weihnachtsfantasie 


—     127 


Manoury  P.  Detix  clowns 


-1.  Weihnachtsfantasie:  „Voni  Himmel 
lioch  (la  koinin  ich  her",  und  ,,0  du  froh- 
liche,  o  du  selige",  2V  —60,  VP  —75,  P2V 
1—. 

-2.  Weihnachtsfantasie:  „Es  ist  ein'  Ros' 
eutspriiDgen",  ,,Sti]le  Nacht,  heil.  Nacht", 
„Seht,  er  kojnmt",  2V  —80,  VP  1—,  P2V 
1.20. 

-  Weilmachts-Kantate    fiir    Sstimm.    Franeu- 

chor   und   iS'-SoIo  2.50  Bintzen. 
Manns    J.      Fleur    d'Automne,    P   4/ —   Rey- 
nolds. 

-  Girl  I  left  behind  me,  rondino,  P  2/ —  As7i- 

doicii. 
Manns    Jean,      Heliotrope,    schottisch    — 40 
Pond. 

-  Lauterbach   waltz,    var.    P   — 60   Ditson. 
•  New    elem.    P   method   2 —   Pond. 

-  Prince   Alfreds   March   1.50   Hofmeister. 

Mannsfeld  F.  Wiener  Lieder  der  Liedersan- 
gerin  Antonia  Mannsfeld:  1.  Die 
gottliche  Liebe.  2.  Vergifimeinnicht.  3. 
Na  versteht  si.  4.  Hat  ihm  schon.  5.  Ein 
eigeuer  Zauber.  6.  Wiener  G'frettg'schich- 
ten.  7.  Unser'  Nachbarscliaft.  8.  Einst 
und  jetzt.  9.  Nicht  in  der  Lage.  10.  Be- 
ruhige  dich,  bewegt  Gemiit.  11.  Unser' 
G'schwindigkeit.  12.  Liebeslieder.  13. 
I'nsere  G'schaftsleut'.  14.  Die  Geheim- 
jiisse  von  Wien.  15.  Man  muB  sich  trosten. 
16.  Und  amol  dudeln  dazua.  17.  Wiener  Sit- 
tenstudien.  18.  Verschiedene  BegriflFe,  a 
1 —    Sclile  singer. 

Mannsfeld  Louis,  op.  17  Erinnerung  an 
Lanuer,   Quadrille,    P    1 —   Bostvorth. 

-  Mein   Skizzeubuch,  Potp.  uach  Motiven  be- 

liebter    Melodien,    P   2 —   Bosworth. 

Mannsfeldt,    op.    30    Marzveilchen-Polka,    0 

1 — ,  P  — 75   Bellmann. 
Mannsfeldt    Edgar.    Bosworlh:    Air,    Jagers 

Abschied,     P    (A.    Dreys  chock)     2.10. 

-  An  Madonna  Cousolatrice.  O  meine  schonstc 

Hoffnung.   Maria   siiiie   Liebe   1.08. 
-Ave    Maria,    OfTertorium,    1   Singst    u.    P- 
od.  0-Begl.  KA  1.08,  0-St  2.10,  Part  1.20. 

-  Jagers   Abschied.   Mein  Herz   ist   im   Hocli- 

laud,  ]    Singst  ni.  Horn-Begl.  1.60. 

-  Komantische    Ouverture    (D),      P    2.64,      O 

1.92,  St  7.14. 
-Schnee:    ,,Wenn    der   kalte   Schnee    zergan- 
gen"    1.08. 

-  Vor   der   Schlacht:    „Da6   Schlachtgetos   ist 

meine   Lust"  — 84. 
Mannsfeldt    H.    op.    18     Techniker-Vereins- 

Balltanze,   Walzer   1.50  RilhJe. 
•  19   Fe.stmarsch    1 —  Riihle. 
-83   Erinnerung   an   Tarasp,    0   1.50,   P   1.50 

Bellmann. 
Mannstaedt    Franz,    2    Lieder:    1.    Vergiftet 

sind  meine  Lieder.  2.  Gedenke  mein :  „Leb' 

wohl     mein    Herz",    Bar(MS)    m.    P     1.30 

Fiirsfner. 
Mannstaedt    Wilhelm     (1837),     Brautjung- 

fein-Gavotte,  P    (m.  Text)    1 —  Glas. 

-  Das  Lied  vom  Kufi :   „Weun  mich  ein  her- 

ziges  Kindchen  kiifit",  P   1 —  Challier. 
-Das    sag'    ich    nicht:    „Ein    Yoglein    sang", 
P  —50  Challier. 


-  Engel  ohne  Fliigel   1.20  Bosworth. 
-Festgrufi:    „Willkommen    hier    im    trauton 

Kreis",  TTBB  1.35,  B-Solo,  Solost  —15 
Challier. 

-  Liebesgotter-Walzer,  P  (m.  Text)  1.50  Glas. 

-  Schiddebolds  Eugel,  Posse:  Nr.  1.  O  komni, 

du  kleines  Vogelein :  „Ein  Magdlein  safi 
an  des  Waldes  Rand",  Lied  1 — .  Nr.  2. 
Komische  Ballade  (Dorothee  u.  Salome)  : 
„Auf  einer  feiuen   Soiree"   1.20  Glas. 

-  Waldt^ssiingerin :     ,.lch    bin    ein    Kind    d.'s 

Waldes",  >    1—   Challier. 
Mano    Rodrique,    Valse    des   pervenches    2 — 

Fcder. 
Manoach  E.  L.  Danse  hongroise  1.50  Porges. 

-  2  D&nses  roumaines,  2  valses   (Valse  fanta- 

stiques.  Petite  Valse),  P  a  2—  M.  Ur- 
hiinek. 

-  Premiere   Mazurka    (G-ni.)    2 —  Porges. 
-Valse  brillante  N.  4    (C),  P  2 —  Porges. 

-  Valse-Impromptu,    P    1.80    M.    Urbdnek. 

-  2  Valses,  P  2—  M.  Vrhdnck. 

Manoach   L.   M.  A  qui  le  tour?  — 30  Maga- 
sinul   Conservatoriului. 

-  Aubade   — 25    Magasinul    Conservatoriului. 

-  Frunza    de    trauma    — 25    Magasinul    Con- 

servatoriului. 

-  3e   Mazurka   de   Salon,   P   2 —   Feder. 
Manoel  A.  Serenade  a  Pepita,  ou  En  suivant 

P^pita,     Ondet. 
Manoel    Fr.  Compendio  de   Musica   1 —  Gui- 
mariies. 

-  Compendio     de    principles    elementares     de 

musica   3 —  Guimnriies. 
Manoel    Francis,   Chansons   I:    1.   Quitte  ta 

voicette.     2.  Au  fil  de  I'au.     3.   Berceuse. 

6.   Ce  que   disent  les   sources  5 —  Pitault. 
Manograssi    P.     Sposa    e    madre,    maz.     2 — 

Mariani. 
Manojiovic    S.    Der    Liebeswunsch    der    Ser- 

benmaid   1 —  Goll. 
Manoly   L.   E.  op.  15  Feuille  d' Album,  KhP 

1.20  n  C.  F.  Schmidt. 
Manon  la  fermiere  — 30  n  Jouiert. 
Manoni  G.  Bambina,  romanza  3.50  Forlivesi. 

•  Parisienn,      (IlapHJKaHKa),      Quadrille     — 50 
Bessel. 

-  Reconnaissance,   valse   — 75   Forlivesi. 

Manotte,    Folle    Avoine,    maz.    Harm    3 — n, 
Fa7if  2.25  n  Andrieu. 

-  Patrouille  alpine,   marche   1.70  n   Pares. 
Manotte  Th.  Folle  Avoine,  maz.  Harm  3 — , 

Fanf   2.25   Andrieu. 

-  Patrouille    Alpine,    Harm    3 — ,    Fanf    2.25 

Andrieu. 

-  Ronde  de   Nuit,   P   1.35  n   Decourcelle,   1.50 

Guimara.es,  Jfms  2 —  n,  O  1 —  n  Decourcelle. 

-  Saint-Pierre,  marche  episcopale.  Harm   1.50 

Monvoisin. 

-  Souvenirs    d'enfance,    P    2 —  n    Decourcelle. 

-  Zympia,    P    1.70  n    Decmircelle. 
Manouklan  V.  S.  Reconnaissance,  P  2 —  Ri- 

cordi. 
Manoury  P.  Alfonso  1.10  n  Lefeure-Paris. 

-  Bras    dessus,    bras    dessous    1.35  n,      Ch.    s. 

— SO  n  Societe  noutelle. 

-  Deux    clowns     (two    steps)     5 — ,      0    1.50  ii 

Hachette. 


Manpeou  de  Ariane 


—     128 


Mansion  H.  oj).   7 


Manpeou  de,  Ariane,  pofeme  lyrique,  ChP 

8 —  n   Heugel. 
Manque  de   memoire   1— n  Jouiert. 
Manquet,   Rondol   1.75  n   Jcubert. 
Mansarde  de   Rose  — 30  n   Joubert. 
Mansarde    rose    1 —  n.    Ch.    s.   — 35  n    EveU- 

lard. 
Manschinger    J.    Oberou-Walzer    und    zwei 

Original-Galoppe  m.  Trios  — 75  Hoffmann. 
Manse  1 1,  Swinging  on  the  golden  gate,  song 

and  chorus  —35,  Banjo  ace.  — 15  White. 

MaiiceeJibU'h  lO.    „BjiarocjiOBH  Mena"  — 40 

Jokansen. 

-  „He  3a3KHJiran  orHa"  — 40  Johansen. 

Mansfeld    Otto    Pal.    K6t   dal,   2   Lieder :    1. 

SzivembSl    t^ptem    ezt    a    dalt.    2.    Tavolba 

1.60   Nfidor. 
Mansfeldt    Henry,    Canzouetta:    „Nachtlichp 

Stille,  sternenklar"   1.50   Hofmeister. 

-  Das    Madchen    1—    Andre. 
-Die    Musikantin    1.20    Andre. 

-  Friihlingsnacht   1 —  Andre. 

-3  Gedichte  als  Duette,  SA:  1.  Die  Tiln- 
zerin:  „Castagnetten  lustig  schwingeu." 
2.  Der  Bote:  „Am  Himmelsgrund  .schiefien 
so  lustig  die  Stern'."  3.  Die 


Nachtigallen ; 


wissen,    was    sie 


schlagen' 


1.50 


Am 
sitz' 


lieb( 


,,Un    wenn 
Prinzessin : 
Rahter. 
'    Sie,    waltz 


„Mocht' 
Schott. 
-Lieder  eines  fahrenden  Gesellen :  1. 
Rohrenbronnen :  „An  dem  Steintisch 
ich  hier."  2.  Wachterruf:  „Liebchens  Arm 
mich  weich  umschlingt."  3.  Mai :  „Mit 
Sturmwind  und  Regen  verschied  der 
April."  4.  Reue:  „Schwer  die  Brust  von 
Reu'  und  Herzeleide."  5.  Heim :  ,,Bin 
durch  die   Alpen   gezogen"   3 —  Senff. 

-  Mutter,  lafi  mich  tanzen  geh'n  1.20  Aiidre. 

-  Vor  de  Gorn :    1.  Still,  min  Hanne,  hor  mi 

to.    2a.    Sneewitchen:    „Harr    min    Hanne 

Steweln    an."    2b.     Utsichten : 

min    Hanne    lopen    kann."    3. 

„Se  weer  as  en  Poppen"   1.50 
Mansfied    L.    Madame,    ich 

4/ —   Asclierherg. 
Mansfield   A.    M.   Song  my 

Me  — 40  Schroeder. 
Mansfield  C.  Nymph  of  flu 

maz.   — 75   Ditson. 
Mansfield  Orlando  A.  op.  28   Roudino  in  E 

P  2/— n    Woolhotise. 

-  36   Alia   Capricfio,   P  2/ —  n   Heller. 

-  52    Maestoso    e    Fughetta    in    D,    Org 

Schirmer. 

-  53  Postlude,  Org  — 60  Hchirmer. 

-  Alia  Capriccio,  P  4/ —   Weekes. 

-  Alia  Marcia,  Org  4/ —  Weekes. 

-  And   there   shall    come   forth    a  Rod   — /4  n 

St.  Cecilia. 

-  Andante    Piacevole,    Org    4/ —    M'eeke.s. 

-  Bagatelle,  duo,  VcfVJP  4/—  St.  Cecilia. 

-  Blessed  be  Thou,  SATB  — /3  Weekes. 
-Classical    Selections:    1.    Scherzo    in 

(Schubert),  2.  Gigue 
in    A    (Hummel),    3. 
(N.  4   of   the   1st  set   of 
Paganini's      Caprices, 


Mother   Sang  to 
showering  pray, 


60 


Bflat 

in  D  and  Scherzo 

Allegro    in    B  flat 

Six   Studies   after 

op.      3)       (Schu- 


Variatione  on  a  German  National  air  in 
E)  (Chopin),  6.  Scherzando  in  D  (from 
N.  3  of  three  Sonatas  composed  in  1781) 
(Beethoven),   P  a  4/ —   Weekes. 

Con    Moto   Maestoso,    Org    3/ —   8t.    Cecilia. 

Key  to  the  Student's  Harmony  containing 
of  the  Figured  Basses,  Harmonisations  of 
the  Melodies,  and  Answers  to  the  more 
important  Questions,  P  2,6   TFeeA;es. 

Key  to  Student's  Harmony  — 75  u  Presser. 

Magnificat  and  Nunc  dimittis  — /3 

Marche    Militaire    — 50  n    Presser. 
4/ — ,  Org  (J.  W  o  d  e  h  o  u  s  e)  4/- 

Novellette,  P  4/—  Weekes. 

Original  Voluntaries,   Americ.   OrgH 
St.  Cecilia. 

Postlude,   Org   3/—  St.   Cecilia. 

Praise  ye  the   Lord  — /3   Gitrwen. 

Quasi  Pa.storale,  Org  3/ —  St.  Cecilia. 

Series  of  Classical  and  Modern,  P :  N.  1. 
S  c  h  u  m  a  n  n  :  Five  Album  Leaves  (op. 
68),  2.  Dussek:  Rondo  alia  Turca,  3. 
Kuhlau:  Sonatina  in  C  (op.  55  N.  1), 
4.  H  e  1 1  e  r  :  Rondino  in  G,  5.  J.  S.  B  a  c  h : 
Inventions,  in  C  and  F,  C. 
Allegro  in  G  minor  (7.  suite). 
Variations  on  an  ori- 
S  i  r  W.  S.  Bennett: 


Weeke,H. 
VfVcJP 
Weekes. 


1  —  n 


Two    Part 

Handel: 

7.    Beethoven: 

ginal  Air  in  G,  8. 


mann),    4.    Allegro    iu    C    (Haydn),    rj. 
Tempo    di    Valse     (from    the    posthumous 


The  Lake,  9.  Ga  de:  Capriccio  in  E  b  (op. 
19  N.  6:  Aquarellen),  10.  Mozart:  So- 
nata in  E  b,  11.  Chopin:  Nocturne  in 
G  minor  (op.  37  N.  1),  12.  Mendels- 
sohn: Scherzo  in  E  min  (op.  16  N.  2), 
ft   2/ —  n   Woolhotise. 

■  Souvenir  de  Torquay  (Marche  militaire) 
4/ —  Weekes. 

-Student's  Harmony   1.25  n  Presser. 

-  Student's  Manual  of  Pedal  Scales  and  Ar- 

peggi  for  the  Org  3/ —  Weekes. 
-There  shall  come  forth  a  star    (Christmas), 
SATB  —Id  Novello. 

-  These   are   thy   glorious   works,   SATB  ^3 

Weekes. 
Mansfield   R.  Asleep  2/ —  Boosey. 
Mansford  May,  Primrose,  Walzer  2 —  Paiet/. 
Mansilla    de    Eduardo    de    Garcia,    Blonde 

Wienerin,   Salon-Walzer    1.50   Weinberger. 

-  Maggio,   romance,   P   1.50    Weinberger. 
-Marche  triomphale  1.25   Weiiiberger. 
Mansini,  Pro  patrio,  3  v.  — 50  n  Pinatel. 
Mansion,  Ami  des  Trombones,  pas  red.  Jlarm 

1.50,   Fa7if   1.25,   Cond.   — 25   Pomier. 

-  Aveu,  cavatine   pour   Saxophone- Alto   mi  b, 

le  solo  — 75,  avec  P  2.50  n  Pomier. 

-  Bravoure  et  gaite,  P  C —  Ploix. 

-  Cauaris,  polka  4.50   Ploix. 

-  Dans  le  bon  vieux  t«mps,  P  5 —  Ploix. 

-  N.-D.  du  Ch€ne,  andante,  Eurm(Fanf)   1.25 

T^andin. 

-  Orleans,  valse  6 —  Ploix. 

Mansion    H.    Noel:    Op.    1    !"•    Trio,    PVVc 
5— n. 

-  2  Montagnarde,   bourree,   P   3 — -. 

-  3  Ave  Maria,  POrg  3 — . 

-  5  R^ve  de  jeune  fille,  nocturne,  P  5 — . 

-  6  Dors,  mon  Ange,  berceuse,  P  3 — . 

-7  Un  Mot  du  Coeur,  romance  sans  paroles, 
P   3—. 


Mansion  H.  op.  101 


129 


Mantelli  E.  Alle  Seuole  Corali 


Harm  (Funf) 
-10  n  Thomas. 


■  101  Cavatiue,  V  1 —  n,  VP  2 —  u,  V  princ.  0 

Part   2 — n,   p.   sep.   2 — n,   p.   suppl.   cordes 
a  — 25  n. 

-  Diana,  valse  6 — . 

-  N.   D.   du    Chene,    and    relig. 

1.25  n,  Cond.  — 25  n,  p.  s6p.  - 
Mansion    L.   Souvenir   d'Ecosse,   fant.P   6 — 

Carterean. 
Mansion   O.  Erise  dos  bois,  suite  des  valses 

2 — n    Rouurt. 

-  T{ecrt%tion,  CIP  G—  Erclfe. 

-  Salutaris   en    si  b,   T-s.   on    N-s.   av.    Oi;/   ou 

H  — 50  n  Pinatel. 

-  Sanctus   en   sol,   2   voix   — 50  n   Pinatel. 

-  Taquinerie,    valse    2 — n,    simpl.     (J.    V  a  s- 

s  e  u  r)    1.50  n   Lesigne. 

Manson,  A^e  verum,  SATB  1.50  n  Peregally. 

-Ave  verum,  ^ATB  avec  Org(IJJ  2— n  Co- 
st allui. 

-Ave  verum,  .S'.STB  avec  Org(B)  2— n  Co- 
slnllnl. 

Manson  W.  Vesper  Hymn  N.  1  — /I  Norello. 

Mansour  A.  op.  1  Les  Gouttes  d'eau,  l'" 
etude  de  salon,  P  6 —  Janin,  3 —  Mariavi, 
Ricordi. 

-  2    Graziosa,    le    maz.    de    salon    2.50  n    Fro- 

moiit.  2 —  Ricordi. 
-3    Tarentelle,    P    2.50  n    Froniout,    3.50    Ma- 
ria ni,  2.50  Ricordi. 

-  4  Souvenir !  Mclodie,  P  6 —  Girod,  — 60  Li- 

tolff,  3.25  Ricordi. 

-  5  Priere !   Mel.  P  6—  Girod,  2—  Ricordi. 

-  6   Pomposa,     2o   maz.   de   .salon    6 —    Girod, 

2.50  Ricordi. 

-  7  Tristesse,  mel.  P  5 —  Girod,  2.25  Ricordi. 
-8  Marclie  des  Sylphes  2.50  n  Fromont,  3.75 

Ricordi,  2P   3.35  n,   0   7—  n   Fromont. 
-9   Keve  de  bonheur,   P   6 —   Girod,   2.25   Ri- 
cordi. 

-  10  Noce  ehampetre,  scene  villag.  P  6 —  Gi- 

rod, 3 —  Ricordi. 

-  11    Gr.   Valse  6 —  Girod,  3.25   Ricordi. 

-  12  Sirene,   polka   5 —  Girod,  2.25  Ricordi. 

-  13  Xocturne,  P  5 —  Girod,  2.50  Ricordi. 

-  14  Sonate  en  mi  bemol,  P   10 —  Girod,  7 — 

-15  Menuet  d'H  a  y  d  n    (5iiie  Svmplionie),   P 

1.25  6'c/(of/,  2.25  Ricordi. 
-16  Menuet  de  Mozart    (2iDe  Symphonic . 

P   1.25   .SY-?(o//,  3—  Ricordi. 

-  17  Menuet  de  Bee  t  li  oven    (lie  Symplio- 

nie),  P   1.25   Schott,  3.25   Ricordi. 

-  18  Chanson  de  I'Alouette,  P  6 —  Girod,  2.75 

-  19  2e  Valse  brill.  3.50  Ricordi. 

-  20    Dix    Etudes    d'expression.     P     15—     A'l- 

-  21    Fete   an    Hameau,     scene   villageoise,     P 

7.50  Joiibert,   3.50   Ricordi. 

-22  Solitude,  melodie,  P  G —  Jouhert,  2.50 
i?(cord/. 

-24  3e  Valse  brill.  3.50  Ricordi. 

-25  Chanson  Arabe,  P  5—  Heugel,  2.50  Ri- 
cordi. 

-26  Nuit  d'ete,  reverie,  P  6 —  Girod. 

-  28  Matinee  de  printemps,  P  6 —  Girod. 
-2^   Fabliau,  P  5—  Girod. 

■  30  Chanson   du   Euis.seau,   P   6 —   Girod. 

Universal-Handbuch  der  Musikliteratur.    .M. 


-  31   4   Mazurkas  en  2  livres  a  6 —  Girod. 

-  32   Souvenirs  d'enfance,  P  5 —  Girod. 

-  33  Chanson  du  soir,  P  5 —  Girod. 

-  34  Barcarolle,  P  2 —  n  Fromont. 

■  Absence  d'un  jour  6 —  Girod. 
-Allegro  de  concert,  P  12 —  Girod. 
-Barcarolle,  MS   1.75  n  Fromont. 

-  Caprice   villageois,   P   7.50   Girod. 

-  Depart  des  Volontaires,  P  6 —  Girod,  0  cp!. 

12 — ,  p.  suppl.  a   1.50. 

-  10  Etudes  d'expression  adoptees  par  le  co- 

mity des  etudes  du  Conservatoire  de  mu- 
sicjue   avec  cette   mention   20 —   Girod. 

■  48  Etude.?  des  tonalitfe  des  difficultes  spe- 

ciales,  en  deux  livres,  P.-  I.  24  petites  etu- 
des faisant  suite  a  la  methode  4 —  n.  II. 
23  etudes  graduees  des  tonal it6s  et  des 
difficultes    speciales    4 — n    Fromont. 

-  Graciosa,  maz.  chantee  2 — n  Fromont. 

-  Graciosa,   polka-maz.   0   1.50  n  Fromont. 

-  Impromptu,    P   5—    Lemoine. 

-  Methode    theorique    et    pratique     pour     les 

commercants,   P   5 —  n   Fromont. 

-8  Morceaux  de  chant:  N.  1.  Mignonne,  B 
(MS)  2.50.  N.  2.  La  Jeune  captive,  MS 
5 — .  N.  3.  Puisque  j'ai  mis  ma  levre,  /' 
(MS)  5—.  N.  4.  Les  Espagues,  B  5—.  N.  ."-.. 
Pourquoi  pensai-je  a  vous.  T(MS)  5 — . 
N.   8.   Le  Violon  bris4,   B(MS)   6—   Girod. 

-3  Transcriptions  sur  les  grands  maitres,  P.- 

1.  Menuet  de  la  5e  symphonie  d'H  a  y  d  n. 

2.  Menuet  de  la  2e  symphonie  en  ut,  de 
M  o  z  a  r  t.  3.  Menuet  de  la  Ire  sympho- 
nie, en  ut,  de  Beethoven,  a  6 —  Girod. 

-  Un  jour  d'Avril,  morceau  descriptif,  P  4  — 

Afslidnini . 
Mansson,  20  Danser  och  Polskor  fran  Jos.se- 

harad,   V(Cl)Fl  1 —  Lundquist. 
Mansui  C.  op.   11   Grande  Sonate,  F-moll,  P 

2.50  Sim  rock. 

-  12   Deuxifime   Fantaisie,    P   3 —   Simrock. 

-  Fantaisie    sur    Plaisir    d'amour,    T'P    .3 — n 

Costa  Hat. 
Mantanari  A.  1  quattro  Mori,  polka  mavcia 
caratteristica    1.50  n   Lapini. 

Matn^aQOv>    N.     "Y^ivoi;    slg    xrjv    'EXe^ri^sQlav 

(6  'Edvixog  'E/.Xtpnxog  "Yf.ivog  — 40  Fcxis. 
Mantell  S.  Ave  Maris  Stella  — /3  n  Carp. 
Mantellano  G.  E^stasi,  mazurka,  Banda,  Part 

1 —  n  Perosino. 
Mantelli-Bonalda  A.  La  Battaglia  di  S.  Mar- 

tino,  eseguita  in  Milano  da  otto  Bande,  P 

0—  Ricordi. 
Mantelli   C.   Uflficialita    1.50  n   Lapini. 
Mantelli    Emilio.     Ricordi:     Addio  I    Duetto, 

MST(CB)    3—. 

-  Addio,   maz.    1.50. 

-  Al  Reggimento  Cavalleggieri  di  Montebello, 

marcia  1 — . 
-Alia  Societa  Danzaute,  album  10 — :  N.  1. 
Cesenatico,  valzer  .3 — .  N.  2.  Belle  teste! 
Polka  1.25.  N.  3.  Eugenia,  polka  1.25.  N. 
4.  Emma,  mazurka  1.25.  N.  5.  II  primo 
douo,  mazurka  1.50.  N.  6.  Levviere,  ga- 
lop 2.50  N.  7.  Centauro,  galop  2.50.  N.'  8. 
Rimembranze  di   Ferrara,  quadriglia    2.50. 

-  Alle  Seuole  Corali  Femminili,   12  canti  fa- 


cili  e  graduati   8 — :   N.   1.   II   Canto 


-50. 


Mantelli  E.  Alle  Setiole  Corali 


—     130    — 


Mantelli  E.  Tesoro. 


N.  2.  II  Tempo  e  oro  1—.  N.  3.  La  Vita 
umana  1 — .  N.  4.  La  Eondinella  1 — .  N.  5. 
L'Acqua  1 — .  N.  6.  La  Potenza  di  Dio  L50. 


N. 


La 


Farfalla  L50.  N.  8.  Dio  6  per 
tuito  1 — .  N.  9.  La  Notte  dell'Inuocenza 
1—.  N.  10.  La  Eicreazione  1—.  N.  IL 
Inno  a  Dio  1 — .  N.  12.  II  Nome  di  Maria 
1 — .  La  Parte  staccata  dei   12  Canti  2.50. 

-  Allievo  musicante,   ossia   Guida   per   la   Di- 

visione,  ad  uso  delle  Sciiole  popolari, 
Bande  ed  Istituti  musicali  8 — :  Teoria 
musicale  L50.  I.  Solfeggio  numerato  e 
parlato  2.50.  II.  Solfeggio  applicato  all'> 
note  del  Canto  2.50.  III.  Solfeggio  appli- 
cato agli  Lstrumenti  di  Banda  5 — . 

-  Amina,  P  1.25. 

-  Amor  del  Canto,  SSMS  3—. 

-  Arlecehtino,  polka   1—. 

-  Avventuriera,  P: 

Prolcgo,    Preludio,    Orgia,    Sortita,    Scena, 

Polka    1—. 
Gran  Ballabile,  valzer  e  finale  prologo  5 — . 
Coda-Galop  2 — . 

Quadro  II.  Ballabili,  delle  Nazioui   6 — . 
Quadro  IV.  Passo  a  died,  mazurka  earat- 

teristica  3 — . 
Mascherata,   galop   2.50. 
Quadro  V.  Gran  Marcia-Ballabile  finale  5 — . 
II   Ballo  completo   18 — . 
Mazurka   estratta   dal   Passo   di   carattero 

del    suddetto   ballo   2- — . 

-  Ballomauia,    album    6 — :      N.    1.    La    Fiera, 

polka.      2.    La    Giocosa,    polka.      3.    Estasi, 
d'amore,    mazurka    (a    4    maui).      4.    Bice, 
mazurka,  a.  2 — ■. 

-  Bebe,   polka   2 — . 

-Bella    Fireuze,   melodia,    V  (Maml)P   — 20  i> 

Ranzini. 
-Belle   teste!    Polka    1.25. 

-  Bice,  maz.  2 — . 

-  Bizzarria,  polka  2 — . 

-  Blessure,  polka   1 — . 

-  Boston- Valzer,    V(Mm 

-  Bvighella,  polka    1 — . 

-  Briudisi,  polka   2.50. 

-  Buona   fortuna,   polka 

-  Canto  del  Volontario. 

■  Carica,   P  2—. 

•  Contauro,   P   2.50. 

■  Cesenatico,  P  3 — . 

•  Chi  amo  !   2.50. 

■  Ciclo-Mania,   polka   — 20 
Cio?...   (Motto  Veneto) 
Colombina,  maz.   1.50. 

2  Cori  Beligiosi,  per  voci  bianehe,  con  /-* 
4 — n:  N.  1.  Prima  della  Messa :  Si,  tii 
scendi  ancor  dal  Cielo,  ad  una  voce  2.50, 
la  sola  Parte  staccata  — 50.  N.  2.  Dopo  la 
Comunione:  Sei  mio,  con  te  respiro,  a  due 
voci  2.50,  la  sola   Parte  staccata  — 50. 

Cuor  contento !   Polka  2 — . 

Cuore   abbaudonato   3 — ■. 

Cuore  ed  Arte,  6  pezzi  da  .sala  12—:  N.  1. 
Un  Segreto,  melodia  2.50.  N.  2.  Simpatia, 
romanza  2.50.  N.  3.  Arpa,  un  addio !  Me- 
lodia 3 — .  N,  4.  Se  avessi  I'ale,  rispetto 
3 — .  N.  5.  Se  cauta  I'usignol,  canzone  2.50. 
X.   G.  II  Cacciatore,  romanza  2.50. 


d)P 

—20 

n 

Ranzivi. 

2.50. 

coro 

per 

TB 

—50. 

n    Ranzivi. 
scherzo-polka  2.50. 


-  Eco  di   Pie-di-Luco,   maz.   1.25. 

-  Elena,  maz.  2 — . 

-  Emma,   maz.    1.25. 

-  Ernestina,  polka  1.50. 

-  Estasi    d'amore,   maz.   Iftris   2 — . 

-  Eugenia,  polka  1.25. 

-  Facanapa,    polka    1 — . 

-  Farfalla  e  il  Lume,  coro  fane.  3 — . 

-  Fiera,  polka  2 — . 

-  Galante,  polka  1 — . 

-  Giocosa,   polka   2 — . 

-  Gioia   e  Amore,    maz.    3 — . 

-  Grazietta,  maz.  2 — . 

-  Grilli  di  Gioventu,  polka   1 — . 

-  Ida,   maz.   2 — . 

-  Ideale  2.50. 

-  lole,  maz.  I^ms  4 — . 

-  Lamento,  maz.   1.50. 

-  Levriere,  P  2.50. 

-  Lontan   da  te !   2.50. 

-  Lucera,  marcia    1.75. 

-Luna  di  miele!...   Polka  2.50. 

-  Mamma   non  vuole  3 — . 

-  Marcia    speciale    del    Pveggimento    Lancieri 

Montebello,  P  2.50. 

-  Margherita,   polka    2 — . 

-Marionette,  album  5 — :  X.  1.  Facanapa, 
polka,  2.  Rosaura,  mazurka,  3.  Arlecchiuo, 
polka,  a  1 — .  X.  4.  Colombina,  mazurka 
1.50.  N.  5.  Brighella,  polka  1—.  X.  0. 
Pantalone,   schottisch    1 — . 

-  Matarane,  polka   2 — . 

-  Mazurka    1 — . 

-  Miosolilde,   maz.   2 — . 

-  Musique  et  Sentiment,  maz.  Ijins  1.50. 

-  Xineue !   .  .  .  Polka  2 — . 

-  Pantalone,   P   1—. 

-  Peusiero  funebre    (a   Vittorio   Emanuele  II 

Re  d'ltalia),  P  2—. 

-  2    Piccoli    Divertimenti     ])er    HftrmoniflCif'- 

(o  H)  con  P :  1.  Preludio  del  Monologo : 
Ricordi  della  Contessa  di  Cellant,  2.  Not- 
turnino,   a   1.50. 

-  Polka    1.50,  Ifins  2—. 

-  Povero    fior  !    2.50. 

-  Prinio   dono,   maz.    1.50. 

-  Pugliese,    polka    2 — . 

-Quo    ibis?   maz.   — 20  n    Ranzini. 

-  Ricordati   di  me!   maz.   1.50. 

-  Ricordo  di   Pracchia,    valzer,    VfMundJChit 

— 20  n    Ranzini. 

-  Rimembrauze  del  La  go,  maz.  J/nis   1.50. 

-  Rimembranze   di    Ferrara,   quadr.   2.50. 

-  Rosaura,   maz.    1—. 

-  Scottish   —20  n   Ranzini. 

-  Sinfonia,    P   3 — . 

-  Souvenir  de   Codevilla,   maz.   1 — . 

-  Spazzavento,     polka    — 20  n,      Mand    s.      o 

2MandChit  — 20  Ranzini. 

-  Suo  Xome,  duetto,  MSC  4 — . 

-  Tacio   mio   cor  !    3 — . 

-  Ta\ola  sinottica  che  sottopone  ad  una  sola 

numerica   la   scala   cromatica   ascendente  e 
discendente    degli    strumenti    di    ottone    a 
tre    cilindri     o    pistoni    piil    usitati     nelle 
Bande   musicali   2—. 
•  Tesoro  !   polka    2 — . 


Mantelli  E.  Tono  maqgicre 


131 


Mantini  F.  Un  saluto  a  Napoli 


-  Tono   maggiore    e   Tono    minore,    serenata : 

L'annonia  del  vostro  liso  3 — . 

-  Tria   3—  Vari.srh. 

-  Tiula,  maz.   1.50,    'fms  2 — . 
-Tiitto  fuoc-o!   P   1.50. 

-  Ultima  notte  al  Campo  d'lstruzione,  scherzo 

Hiilitaie,  .'//».s-  8 — . 

-  Un  Bat'io  !  2.50. 

-  Un  Pensieio  alia  Venezia,  maz.  2 — . 

-  Un   Ricordo  !   2.50. 

-  Un    8aluto,    maz.   ^ms    1.75. 

-  \'i\;\   (!i  piii,  polka    1.25. 

-  \'ie,   couplets   ital.   et   frang.   2 —  C'urisch. 

-  ^'ita    milanese,    valzer,      Giiidki   cC-    Str-ada- 

?iIiluno. 

iper    perehe   nou    mi    vuoi    bene? 


-  \'uoi    til    i- 

2.50. 
Mantelli   V 

^—    Lihi: 


Litauie  Lanretane,   a  2   v.   pari 
Artigiani'Jli. 

-  Litanie    Lanretane    a  2    voci    1 —   Giuseppe. 

-  ()    sacrum   convivium.     E    sculta   filia   Siou, 

mottetti   a  2   voci   pari   — 60   Giuseppe. 

-  Tautum    ergo,    a  2    voci    pari,    Ave    Maria 

— 00   Giuseppe. 

-  Tola,  pulchra   es  Maria,   mottetto   a  2   voci 

brill.,  3  numeri  di  litauie  alia  B.  Vergine 
a   2  voci  — 60  Giuseppe.    , 

-  Vu    gobbetto    felice,     canzone    bufYa      — 60 

Giuseppe. 

Mantelllno    G.    Felice   avvenire,    marcia    3 — 

Borriero. 
Mantemach    Phllipp,      Flotenschule      1.20  n 

Slumps. 

-  Marche   patriotique   — 80   Stouips. 
-Printania,    polka-maz.    2 —    Kessels. 

-  Salut   a    Echternach,    pas    red.    2 —   Kessels. 

-  Santa    Caecilia,   marche    de    procession    2 — 

Kessels. 

-  Souvenir  d'Ettelbruck.  pas  red.  2 —  Kessels. 

Manteuffel     Gustav     Baron,      Air    de    Mo- 

n  i  u  s  z  k  o,   transcr.    VcP   1.75   iScJtoif. 

-  Andante    aus    einer    verschollenen    Klavier- 

Sonate  v.  J.  S  c  h  u  1  h  o  f  f,  op.  37,  Vel' 
1.50    yddiier. 

-  Berceuse  livouienne,  V(Vc)P  — 80  Neldner. 
-Deutsche     altlivlandische     Volkslieder :       1. 

Das  arnie  Dorfschulmeisterlein :  „Willst 
du  wissen,  lieber  Christ."  2.  Der  Bur: 
,.Wer  dem  Buren  dient."  3.  Der  Junker 
und  das  Biirgermadchen  :  „Ich  komme  her 
von  weiten."  4.  Die  Frau  soil  nacli  Hause 
kommen.  5.  Schlaf,  Kindchen,  schlaf. 
draufien  steht  eiu  Schaf.  6.  Bruder  Lie- 
derlich,  Herz  so  briiderlich.  7.  Der  aller- 
beste,  den  icli  hab'.  8.  Mutter  und  Tochter 
am  Spiunrade:  ,,Spinn',  meine  liebe  Toch- 
ter" {1  —  I.  9.  Ich  und  mein  altes  Weib. 
10.  Jung',  schenk'  ein !  11.  Wide  wide 
witt!  mein  Mann  ist  Schneider  3 — n 
Seldnt  I . 

-  Die  Wacht  im  Ost,  TTBB  2—  n  Neldner. 
-2    Lieder    aus    dem    Baltenlande :    Berceuse 

livonienne.  Sehnend  seufzt  das  Meer  1 — 
Xeldner. 

-  iUissische  Zigeuner-Polka  1 — ,  u.  Stasnv 

L. :   Badinage  Polka,   0    1.50  n   Schott. 
Mantey   O.   Fantaisie,  P  2 — n  Joanin. 


Soa\i 
Prime 

a  2-, 

a   3—, 


— 25n. 
MandChit 

—75  n,  2Mandi'hii 

Rugi. 


Mantica    Francesco,   Piccola  Pastorale,    VH 
(P)   1 —  Eerenbeemt. 

-  Rendete  a  me  quel  cor  3 —  Izzo. 

-  Reverenze,     pezzo    caratteristico,      P     2.50 

Izzo. 
Mantini   F.  Forlivesi:  A  dispetto  di  chi  mon 
vuole,  polka,  MandChit  — 75  n,  BMandChi! 
1 —  n  Rugi. 

-  Abbandono,  maz.  Mand  — 30  n  Rugi. 

-  AflTacciati,  valzer,  MandChit  — 75  n,  2Mund 

Chit  1 —  n  Rugi. 

-  Album,    4    pezzi :    Sul    tago,    valzer 

rimembranze,  maz.  Fra  i  fiori,  maz 
liori,  valzer,  Mand(V )Chit  6 — , 
MandP  8—,  a  2.50,  2MandP  9—, 
2Mand(V)Chit  7—,  a  2.50,  2Mund(V)Ma 
Chit  8—,  a  3—,  2Mand(V)MaP  10—,  a 
3.50. 

-  Alhambra,    valzer,    Mand   — 30  n    Rugi. 

-  Berta,  polka,  MaudfV)    — 25  n. 

-  Clary,  valzer,  Mund(V) 

-  Coatit  e  Senaf&,  marcia,  Manaviiit  — von. 

2MandChit   1— n  Rugi. 

-  Destati,  maz.  MandChit 

1 —  n   Runi. 

-  Edelweifi,   Maz.   Mand  — 30  u 

-  Emilia,   maz.   2 — ,   Mand(V )    1 — ,   &  — 25  n, 

Mand(V)Chit  2.50,  MandP  3—,  2MandP 
3.50,  2Mand(V)Chii  3—,  2Mand(V)Ma 
Chit   3.50,   2Mand(V)MaP   4—. 

-  Fior    di    Maggio,    valz,    Mand   — 30  n    Rugi. 
-Flora,  maz.  MandfVJ  — 25  n,  MandfVJChil 

2.50,  MavdfVJP  3—,  2Matid{V)P  3.50. 
2M(ind(V)Chit  3—,  2MandfVJMaChit  3.50, 
2Maud(V)MaP   4—. 

-  Fra    i  fiori,   mazurka,    Mand(V )   ■ — 25  n. 

-  Fram,    valzer,    MandfV)   ■ — 25  n. 

-  Gambrinus,   marcia,   Mand  — 30  n   Rugi. 

-  Germana,  maz.   Mand  — 15  n   Rugi. 

-  Gilda,   mazurka,   Mand(V)   — 25  n. 

-  II  primo  liore,   valzer,  MandfV)  — 25  n. 

-  Jole,    maz.    MandfV)    — 25  u    MandfV )Ch it 

2.50,  MandP  3—,  2MandP  3.50,  2Ma7idfVj 
Chit  3—,  2MandfV)MaChit  3.50,  2Mand 
(V)MaP   4—. 

-  Lina,   polka,   MandfV )   — 25  n. 

-  Lulu,  valzer,   MandfV )  — 25  n. 

-  Nina,   mazurka,   MandfV )   — 25  n. 

-  Nuit    d'amour,    valzer,    Mand   — 25  n    Rugi. 

-  Oliuda,   polka,   MandfV)   —25  n. 

-  f)rah    Eh!,    polka,    Mand   — 20  n,    MandChit 

— 75  n   Rugi. 

-  Ortensia,  mazurka,  MandfV)   — 25  n. 

-  Pettegola,  polka,   Mand  — 30  n  Rngi. 

-  Rina,   polka,    MandfV)   — 25  n. 

-  Soavi     rimembranze,     ir.azurka,      MandfV) 

—25  u. 

-  Subito,  galop,  MandChit  — 75  n,  2MandCliil 

1 —  n  Rugi. 

-  Sul  Mare,  valzer,  MandfV)  — 25  n. 

-  Sul  Tago,  valzer,  MandfV)  — 25  n. 

-  Tristi   sogni,   valzer,   MandfV)    — 25  n. 

-  Trottolina,  polka  brill.   2 — ,  MandfV)    1 — , 

&  —25  n,  MandfV )Chit  2.50,  MandP  3—, 
2MahdP  3.50,  2MandfV)Chit  3—,  2Mand 
fV)MaChit   3.50,   2MandfV)MaP  4—. 

-  LTn   saluto   a   Napoli,  marcia,   Mand  — 15  " 

Rugi. 


Mantini  F.   Unge  (Vamour 


132    — 


Manzanares  M.  G.   Vi  y  ami 


-Unge   d'ainour.    valzer,    Mand  — 20 n    RikjI. 

-  Volutta,    maz.    Maud    —30  n    Rugi. 
Mantius    Ed.    Friililingstriede:    „Die    Lilio)i 

gliih'n    in    Liiften"   — 50   Heinrichshofoi. 

-  Stiinckhen  — 50  Sclilesinger. 

-  TfTzetl  :   ,.Wie  ist  dock  die  Erde  so  sclion"'. 

SSA  1—  Bote. 
-Wiegenlied:    „Geschlossen    sind    die    Augo- 

lein"  —50  Bote. 
Mantonya,   An   Echo  — 40   WhUe. 

Mantovani    B.   Tramonto   3—  Fantuzzi. 

Mantovani  T.  Orlando  di  Lasso,  notizie  bio- 

grafifhe,  r-on   ritratto   1 — n  Ricordi. 
Mantrant   E.  7   Pieces  pour  Org:    1.  Hymne 

des    confesseurs    pontifes    (Iste    confessor). 

2.    Meditation.    3.    Cautique.    4.    Antiennc. 

5.  Melodie.  6.  Sortie.  7.  Duetto  4 —  n  Impr. 

Roeder. 
Mants     Leo     H.    Jubilate    Deo     (A),    HATB 

— 10  n    Schirmer. 

-  Te   Deum    (A),   SATB  — 20  n   Schirmer. 

Mantua,  Broiuhas,  pas  de  quatre  — 50  Lam- 
hertini. 

-  Desillusao   — 30    Viiiia    Pa(//o-Lissabon. 

-  Eserevo  ou   nao?  — 40   Viiiva   Paulo. 

-  Fados,  para  o  auto  — 30   Viuva  Paulo. 
■  Grata,    valse    — 50    La  tuber  tini. 

-  Para    inglez   ver,   valse  — 50   Lamberiini. 
Mantzaros,      Hellenisk    hymn     till    friheten 

— 75    (iehrman. 

Mantzaros  N.  Hymne  National  Grec  — 40 
Fe-cis. 

Manual  de  urmonia  y  de  modulacion  en  24 
lecciones  3.50   X^'ugner  y  Lecieii. 

Manual  de  instrumentacion  1.25  \\'(tgner  ij 
Lcrien. 

Manual  of  Plainsong,  For  Divine  Service, 
coutainiiig  the  Canticles  Noted,  the  Psal- 
ter Noted  to  Gregorian  Tones,  togeth.^r 
with  the  Lit.iny  and  Ke.-ponses  4  6.  words 
only  1/6,  ace.  Harm  (W.  G.  A.  Sheh- 
b  a  r  e)    3/6  ^o cello. 

Manuale    breve,   Cantiouum   ae 
rurgicaruni    etc.     selegit     et 
Pustet. 

Manuale  Missae  et  Oificiorum.  Reproduction 
exacte  du  N.  562  mais  avec  les  rubriques 
et  explications  en  latin   1.50  Schola. 

Manuale  pro  Beuedictiouibus  et  processio- 
nibus  SS.  Sacramenti  ex  libris  Solesmensi- 
bus  excerpt um.  In  recent ior is  musicae  uo- 
tulas  trauslatum,  cum  cantu  Gregoriano, 
Desclee. 

Manubens,  Chilenos,   rigod.   1.20  Doicsio. 

-  Prusianos   en   Paris,   rigod.    1.20   Dotesio. 
Manuel  Ch.  op.  7  Le  Carnaval  de  Bruxelles, 

P    1.50    Jiiune. 
Manuel     E.     Home,    sweet    home,    var.     IIP 

—40   Dltnon. 
Manuel  Garcia  fils,  Nouveau  traite  de  I'Art 

du  Chant,  contenant  la  description  de  I'ap- 

pareil  vocal,  une   analyse  des  diverses  e:<- 

]jeces   de  sons  vocaux   12—   Heugel. 
Manuel    M.  Geutils  amoureux,     Fouquet. 
Manuel    de  la   Messe   et  des   Offices,   extrait 

(hi  Paroissien  et  des  ^'ariae  Preces  de  So- 

lesmes  1.50  Schola. 


PnHiim    Li- 
edidit     — On 


a.    8  o  g  n  o    d  i    P  r  i  m  a  v  e  r  a. 
Soggiorno   d'innocenza    2.50. 


-40. 


—40. 


Manuel  des  Organlstes,  Collection  de  mor- 
ceaux  p.  Org  (11  Annees),  86  livr.  fi  1.25 
Craiiz. 

Manusardi 
Ricordi : 
Cavatina 

Aria:  Qual  ragazzo  o  donna  mai  1.50. 
Duetto:  Senz'occhiali  ed  occhialino  4 — . 
Aria  :    Oh,   come   d'amica    fiducia   2 — . 

Manuscript  Chant  Book,  Episcopal  Churc'i 
1.50   Gordon. 

Manveldt  G.  Album  of  favorite  Airs  from 
B  a  1  f  e's  opera  ..The  Bohemian  Girl", 
BanjoP  fClP,  CornetP,  FIP)  1/— n,  GP 
1,6  n,  MandP(VP)  1/— n,  VuP  1  6  n,  VcP 
1/ — n  Turner. 
Album  of  favourite  Airs  from  V.  Wall  a- 
c  e's  opera  „Maritana",  BanjoP  (ClP,  Cor- 
netP, FIP)  1/— n,  GP  1/6  n,  MandP  1/6  u, 
YP  1— n,   YaP   1/6  n,   YcP  1  —  u  Turner. 

Manveloff,  Bienveuue,  vals,  P  1 —  Gehrmun. 

-  Friskt   Lif,  hambopolska,  P  — 50  Gehrmu)i. 

MaHBC.iOB'b  A.  KH  Ijeopas : 

-  Bouquet,   valse  — 75. 

-  La   bienvenue,   valse   — 75. 

-  Le   bon    vieux   temps,   mazurka 

-  MeiTa,  Ba-ibCb  — 60. 

-  OceHHiu  i^B'fexoK'b.  Ba.ibCT,  — 75. 

-  Souvenir   de   Peterhof,   mazurka 

-  BosBpamenie,  MasypKa  — 40. 

Manvers  C.  H.  Dress  parade,  military  waltz, 
P  —40.  G  —25,   VP  —40  Brainard. 

-  ()  1  wish  the  war  were  over  — 40  Brainard. 

Manvieu  M.  de,  Cure  de  village  1 — n.  avec 
G   — 40n   Labbe. 

-  Fruit  defendu   1 — n,  av.  G  — 40  n 

MaubiKiiH'B-HeBCTpyeB'B  H.  op. 

;iCK:iaMau,Hi:    1.  Te6a  a  xo'iy.    2 

3Bfe;ia.     3.   ^aiiKa.      4.   CMcpTb, 

Mena  — 50  Jurgeusoii. 
Manx    National     Music,    arr.    by 

2  6   Booscii. 
Many    changes    I    have    seen    — 4 

Manzanares  G.  Sogno  e  danza,  valzer,  Mand 
(Y)P  6—,  2Mand(2Y)P  8—,  2MandMan- 
dolaP   10 —  HandrOH. 

-  Triuacria,    valzer,    Mand    2 — ,    MandP    5 — 

Saiidroii. 
Manzanares   M.  G.  Wagner  y  Leclen:  A  la 
fiesta,   valse  — 75,   Banda  2.75. 

-  Adios  a  mi   bella,   valse  — 75,   0    1 — . 

-  Adoracion,   valse   — 75,    0    1 — ,    Banda    3 — . 

-  Angelina;  polka  — 50. 

-  Brisa.>  de  estio,  valse  — 75. 

-  Celajes   de  ora    (Rays  of   Gold 

Goggan, 

-  Celajes  de  Oro,  mazurka  — 50, 

-  Despues    de    la    Uuvia,    valse 

3—. 

-  Diez   y  ocho   Abriles    (Eighteen   Summers), 

schottisch  — 50. 

-  Dukes   confidencias,   valse    1 — . 

-  Elvira,  schottisch  —50,  0  1 — ,  Banda   1.50. 

-  Inspirado   por   tf,    schottisch   — 50. 

-  Poema   de   Amor,   val.se  — 75,  2MandG    1 — . 

-  Vi    v  ame,    valse    — 75. 


Labbe. 

4    Me.io- 

.  3oJiOTaa 

yCafOKau 

C  i  1  1,    /' 
Leonard. 


maz. 


6-y 


Banda   1.50. 
— 75,    Bandn 


,1 


Manzanares  R.  Distraxioni 


133     — 


Maquarre  A.   Were  I  a  Butterfly 


Manzanares    R.    Distrazioui,   valzer,   MundP 

2 —  II   Rivordi. 

-  ^Maroherita,   polka,   MandP   2 —   Sandron. 

-  SuH'Arno,  barcarola,   MandP   1.75  n  Ricordi. 
Manzaro  N.  C.  Basso  N.  12  del  V,  libro  dei 

partimenti,     disposto     per    Org(P)    da    i). 
A  o'  a  t  h  i  d  e  s   3.50   Ricordi. 
Manzato  A.  Fautasia,  sopra  uu  motivo  della 
Parisiua,    con    Introduzione    e    adagio    ori- 
ginale,   VP  6 —  Ricordi. 

-  Gran   Studio,   con   P,   CIP   4 —    Ricordi. 
'    Kitorna  a  me!  2.50  Ricordi. 

Manzella    S.    op.    15    Al   mare,   barcarola,    P 

3 —  Carisch. 

-  Ove  sei  tu?  Romanza  2.50  Ricordi. 
Manzer  J.    D.   op.   65     Messe   zu   Ehreu   der 

sieben  Schnierzen  der  sel.  Jungfrau  Maria 
7 — ,   4   Singst   u.   Org  3.50   Pietsch. 

-  Clioralbuch,^  I  2.40,   11    3—    Wetzler. 

-  Orgelscliule   5 —    Wetzler. 

Manzetti    L.   Tantum  ergo  2 —  Perosino. 
Manzocchi,    Dolores    Sempre    ne   miei    deliri 
1.50    Xapoleao. 

-  Pescatori,    duettino,    2Bur(2MS)    2—    Mu- 

riuni,    (Fishermen),    it.-iugl.    4 —    Ricordi, 
(Row    us    afor)     4, —    Ashdoicn,     (Fisher- 
boy)      —75      Hchirmer,        2—      Napoleho, 
(PbiflaKii)  — 45  Johansen. 
Manzocchi  Chev.  A.  Farewell  4 —  Chappell. 

-  Hearts    meet    to    part    again    4/—   Chappell. 
-Oh!   slumber   4, —   Chappell. 

-  Voices   of  the  night  4/ —  Chappell. 
Manzocchi   M.  3  Ariette  4 —  Ricordi. 

-  I   Pescatori,  duet   4 —  Ricordi. 
Manzocchi    S.   Auteri,    Ave   Maris   Stella,    B 

16   Xovello. 

-  Come,  :May,  .S'^T,  folio  1/6  ^'ovello. 

-3   Lieder :    1.   O   trockue   diese  Trane   nicht. 
2.  Liebesgluck.     3.  Die  Schwalben,  a  — 80 

Manzonl,  Canto  di  suor  Maria  1 — n  Blanchi. 
Manzoni   A.  Angelica,  P  1.50  Mariuni. 
-Auguiio,  maz.  2 —  Mariani. 
-Capriccio  sul  Faust,  P  5 —  Ricordi. 
•  Olimpia,  maz.   2.50   Mariani. 
Manzoni   C.  Giunta  di  Gambolo,  P  2.50  Ri- 
cordi. 

-  Pescarenico,  P  3.50  Ricordi. 

-  Polonese,   VP   3.50   Ricordi. 

Manzoni   Guanzati,  Le  Chant  du  brave,  Ch. 

.V.   — 5(t  u    Lahbe. 
Manzotti  G.  B.  Pond:  Austrian  Dances  — 75. 

-  Gavotte,  Pysche  — 40. 

-  Gavotte,  amour  — 40. 

-  Guardian   Star,   polish   song  — 25. 

-  Guardian    Star,   male    v.   — 25. 

-  Kiss  me.  Quick  — 75. 

Manzotti    L.  Sport,  Ballo  — 50  n  Ricordi. 
Mapelli   A.  Trezzo  sull'Adda,  marcia,   Mund 

— 25  II  Mandolino. 
Mapelli    Luigi,    A    M.    V.    Immacolata,    tota 

pulchra   a   2   voci    (^'r'  con   TB  ad  lib.)    ed 

Org    1 —  n   Bertarelli. 
'  Alia    meute    confusa,    preghiera    a    quattro 

voci,  con  P  1.50  n  Ricordi. 

-  Alia   Vergine   Immacolata   „Tota   pulchra", 

I'^'.l    con   Org   1 —  n   Bertarelli. 

-  Annita,   P   2 — -  Ricordi. 


-  Beata  Mater,  2  v.  c.  Org  — 60  n  Musica  sacra. 

-  Dignare  me,  con  Org  ^35  u  Musica   sacra. 

-  Elevazione    (da     un   tenia    di     Palestrina), 

Org  — 35  Musica  sacra. 

-  Fantasie   del   core,   album    12 — :    N.    1.   Po- 

vero  fiorellin,  melodia  2 — .  N.  2.  Serenata 
2.50.  N.  3.  Alia  Speranza,  melodia  decla- 
mata  2.50.  N.  4.  Italo  Marinar,  remigata 
3 — .  N.  5.  Dolce  sera,  romanza  3 — .  N.  6. 
Ad  una  Rondine,  canzouetta  2.50   Ricordi. 

-  Norma   Sanctorum,   corale    a  5    voci    reali. 

arnionio  ad  lib.  2 — n  Bertarelli. 
■  Sanctus  a  5   voci  dispari  con   Org   1 —  Mu- 
sica sacra. 

-  Seconda    romanza,   P   3 —   ^untojanni. 

-  Ton   regard-Souvenir  d'un   nocturne,  P  3 — 

Santojaimi. 

-  ^'alzer  brill.  3.50  Hanlojanni. 

Maple  George,  Maid  of  Dhovu  Glen  4  — 
Reeder. 

Maple  Mervyn,  10  Characteristic  Pieces  for 
Small  Hands,  P,  Book  I:  1.  In  the  Fields. 
2.  Myra's  Birthday.  3.  Gathering  Violets. 
4.  Bat  and  Ball.  5.  A  frolic.  6.  Birdie's 
Song.  7.  Rocking  the  Cradle.  8.  Ethel's 
Picture  Book.  9.  The  Little  Soldiers.  10. 
Nutting  in  the  Wood   1, — . 

II:  1.  By  the  Sea.  2.  The  Humming 
Top.  3.  Dolly's  Funeral,  march.  4.  On 
the  Swing.  5.  Skipping  in  the  Lane.  6. 
Jack-in-the-Green.  7.  ^Dolly's  Reception, 
march.  8.  A  Race  round  the  Playground. 
9.  Evening  Bells.  10.  Good  Night  1/ — 
llarumond. 

-Dresden  China,  P.-  1.  The  Maypole.  2.  The 
Little  Marquis.  3.  The  Shepherdess.  4. 
The  Little  Marchioness.  5.  Sweet  Ama- 
ryllis.    6.  Darby  and  Joan  1/ —  Hammond. 

-  Fetes  des  Nymphes,  P  3, —  Orpheus. 

-  Golden   Cascade,  P  3/ —  Orpheus. 

-  Jesters,  P  3/—,   Y ,  Cornet,  or   Fl,  parts  a 

— /3,  Sept.  1,—,  FidlO  1/6  Orpheus. 

-  Summer    Sunbeams,    twelve    easy    characte- 

ristic sketches  for  beginners,  P:  1.  Ida, 
valsette.  2.  The  Blackbird,  melody.  3. 
The  Daisy  Chain,  idyll.  4.  Trumpet  and 
Drum,  march.  5.  See-Saw,  mazurka.  6. 
The  Picnic,  polka.  7.  On  the  River,  bar- 
carolle. 8.  Punch  &  Judy,  schottische.  9. 
Dewdrops,  caprice.  10.  The  Village  Fe- 
stival, rustic-dance.  11.  In  the  Woods, 
reverie.  12.  The  Rose  Queen,  gavotte,  .a 
2y —  Orpheus. 

Maples  C.  Bourree  Minuet,  k  Trio,  &  Ga- 
votte.  P  2  —  Novello. 

Maquaire,  Trois  scenes  lyriques  3 — n  Pi- 
iiatel. 

Maquaire  A.  Premiere  symphouie.  Org  5 — n 
Hamelle. 

Maquaire  J.  Cueillette  des  fleurs,  valse  6 — ; 
O  2— n   Noel. 

-  ler  Menuet  4 — ,  0  1 — u  Mathieu. 
Maquarre,   Grillon   1.70  n  Bourlant. 
Maquarre  Andre,  Harvests    (Moissons)    — 50 

Schirmer  jr. 
-Were     I  a     Butterfly      (Billet-Doux)     —60 
Schirmer  jr. 


Maquarre  G.  Germination 


—     134 


Maquet  H.  Sport-Marclie 


Maquarre   G.   C4erniinatioii.     3/fl/tei-Nice. 

-  Inter  nos !  Marche,  OP.     RUder  impr. 

-  Matinee      d'avril,      valse     brillante      1.70  u 

Journal  musical. 

-  Perlcs  d'amour,  valse  lente  chantee.  Mail  el. 

-  Pour   la    France,   chanson-marche.      Mattei. 

-  Prifere   u   Mimi,   diction   a   voix.      Mattei. 

-  Kose    et    Bleiie,    valse   lente    1.70  n    Journai 

musical. 

-  Toute  graeieuse !   Maz.   1.70  n   Journal  mu- 

sical. 

■  A'iolettes  fanees,  valse  lente,  0  av.  P  cond. 

2— n  Velde. 
Maquet  Oh.   Tableau   des   Gammes,  P   1.75  n 

Jouhert. 
Maquet    H.   A   I'abseute   5 —  Legouix. 
-Adieu    Suzon    1.70  n    Choudcns. 
-Allih!   Alloh!   Polka,   0   1— n   Gaudet. 
-Aoh-Yesb!   Polka,  0   1— n  Gaudet. 

-  Au  matin  2 —  n  Jouhert. 

-  Avalanche,  air  var.  Harm  5 —  Margueritat. 

-  Belle  Philis    1.35  n   Jouhert. 

-  Bien   faire,   mazurka,   VIP,   CIP,   OhP,   Cor- 

netP  a  1.50  n,  av.  Uarm  2.50  n,  Favf  2— n 
Gaudet. 
-Blanche  rosee  !  Valse,  Harm   5 — ,  Farif  4 — , 
P  cond.  — 50  Andrieu. 

-  Bonjour,   voisin  !    1.70  n   Choudens. 
-Bonne   Nouvelle  !    Maz.    5 — ,    0   2 — -n    >S'«/«- 

hert. 

-  By  the  Brook,   reverie,  P.     Ellis. 

-  Catalana,   valse   espag.    0.      Costil. 

-  Cathedral  Bells,  P  —75  Ellis. 

-  Chaleureux    Anniversaire    1.35  n    Leclerq. 

-  Chanson  russe  1.75  n  Jouhert. 

-  Colombe    1 — n    Choudens. 

-  C'reole,  valse,  0  1 — n,  pet.  0  ] — u  Gaudei. 

-  llans   un  Reve,  gavotte  5 — ,   0  2 — n   Salo- 

bert. 

-  Danse    anuamite,    morceau    caracteristiquc, 

P   5—,    0   2— n,   Harm    3— n,   Fanf   2— n 
Salahert. 

■  Danse   des   Lazzaroni,   tarentelle,   P   5 — ,    O 

2 —  n  Halahert. 

-  Demain   2 —  n  Jouhert. 

-  Diavoletta,  grand  galop  — 60  Ellis. 

-  Divine   antithfese    1.70  n    Choudens. 

-  Droit  Minuet,  P  —40  Ellis. 

-  En    lietornant     a    la    Caserne,     Harm     3 — , 

Fanf  2.25  n,  P  cond.  — 50  Andrieu. 
-Entrez!    Polka,   sO   1— n    Gaudet. 

-  Eternelle    chan.son :      N.    1.    J'ai    rompu    le 

charme   divin   3 — .    N.    2.    Du    seiu   des   co- 
rolles  passees  5 —  Hachette. 

-  Euterpe,   galop  brill.  — 60  Ellis. 

-  Extasia,  valse,   OP   1.50  n   Gaudet. 

-  Falling   Leaves,   reverie,   P   — 40   Ellis. 

-  Fantasia-Maz.   5 —  Jouhert. 

-  F(5e   des   Bois,   maz.   5—,   0   2 —  n   Balahert. 

-  Fete   au    village,   maz.    0,      Leclercq. 

-  Folle   jeunes.se,    Ch.   s.   — 25  n,    2    v.   — 50  n, 

mazurka,  sO  1 —  n  Gaudet. 

-  Glen  Echo,  gavotte,  P  — 40  Ellis. 

■  Golconda,   polka  — 40  Ellis. 

-  Grace  et  Souplesse,  gavotte,  sO  2 —  n   Gau- 

det. 


-  Gracieux  murmures,  polka  de  concert,  FIP, 
CIP,  CornetP  a  2 — n,  av.   Harm  (Fanf  /   a 


>— n,  av.  0 


a  1.50  n   Gaudet. 
valse  espagn.   2- 


n,   0  2- 


0    2— n    8ak 
3—.   Ch.   s 


1  — 


-  Guadalquivir, 

Bosc. 

-  Heart  of  Love,  petite  rondo,  P  — 40  Ellis. 

-  Humeur  rieuse !  Valse  caprice,  P.  Leclercq. 

-  Jalouse,  valse,  EurmfFanf)  3 — n  Salahert. 

-  Jardiu    joj'eux,    quadr.    5 — , 

hert. 

-  Jeune   fille   n'aimez   jamais 

Carltreuu. 

-  Jeunesse   1.75  n   Jouhert. 

-  Lande  4 —  Hachette. 

-  Laura's   Dream   Waltz   — 40    Ellis. 

-  Love   at   Twilight,    nocturne,    P   — 40    Ellis. 

-  Malmaison,   valse,  HarmfFanfJ   3 — n   8al(i- 

hert. 

-  Mandole     et     Mandoline,     marche     5 — .     O 

2 —  n  Sulahert. 

-  Marche  des  fantbches,  P.     Leclercq. 

-  Marche    des    philosophes,     pas     red.     Harm 

(Fanf)    1.50   Gaudet. 
-Marche      mauresque,      Harm      3 — n,      Fanf 
2.25  n,  P  cond.  — 50  n   Andrieu. 

-  Mauvais  Soldat   1.35   Leclercq. 

-  Meg&re,  jjolka  de  concert,  FIP,  CIP,  Cornet 

P  a  1.50,  av.  0  a  1.50  n  Gaudet. 

-  Mignonnette,  maz.     Leclercq. 

-  Murmuring   Zephyrs,    P  — 40   Ellis. 

-  Nouvelles  Vari^tes,  quadrille  varie,  0  1.50  n 

Gaudet. 

-  Nuit   a   seme   ses  etoiles   2 —  n   Jouhert. 

-  Palais  de  Glace,  pavaue-pas  des  patineurs, 

P.     Leclercq. 

-  Paquerette,  polka-maz.  — 40  Ellis. 

-  Pas  de  ballet,  divertissement  (J.  B  a  b  1  o  n) , 

0.     Leclercq. 

-  Perles   d'or,    polka,    0   a  v.    P.  Leclercq. 

-  Pic-nic,   galop  — 40   Ellis. 

-  Polka    des    Filettes    1 —  n,    0  — 75  u    Mon- 

voisin. 

-  Pour    le    plaisir,    polka. 

-  Pour  une  ileur,  maz.   1- 

t'oisin. 

-  Premier  entr'acte,  romance,  VP, 

TrP,  CornetP  a  2— u,  av.  0  a 
det. 

-  Prelude  du   Berger,   menuet,    0.      Costil. 

-  Rambla,    valse    espagnol    6 — ,    0    2 —  n,    01* 

2 —  n   Salahert. 

-  lietournant    a  la    caserne,    pas    red.    Harm 

3 — ,   Fanf  2.25  Andrieu. 

-  l\ien  ne  vaut  la   liberte !    1.35  n   Leclercq. 

-  Roses  rouges,  valse  de  L.  Bruyere,  OP.     Le- 

clercq. 

-  Scfenes   humoristiques,   0  5 —  n   Costil. 

-  Semeuse,   polka.      Leclercq. 

-Sensitive,   maz.    (H.    Mabille),    0   av.   P 

Leclercq, 
-Serenade    du    passant    1.35  n    Jouhert. 

-  Si   ce   n'est  pas   aimer    1.70  n   Choudens. 

-  Signal,   Depart,   galop,   0   av.   P.     Leclercq. 

-  Soleil  de  Parme !   Maz.  0  av.  P.     Leclercq. 

-  Souvenirs    de    Compague,    pas    red.     Harm 

(Fanf)    1.50  n   Gaudet. 

-  Sport-Marche,     Harm     3—,     Fanf     2.25,     P 

cond.   — 50   Andrieu. 


Leclercq. 
-  n,  0  — 75  n  Mo)i- 


VcP,  KhP, 
2— n  Gau- 


Maquet  H.  Sylphide! 


—     135 


Maquis  G.   C'est  lantrp.' 


-Sylphide!    Intermezzo,    P.      Leclercq. 

-  Sweet  Sunshine,   schottische  — 40   Ellis. 

-  Tourbillonnante,  A'alse  1 —  n,  0  — 75  n  Mon- 

coisiii. 

-  Toute  pimpante,  marche,   0.   Costil. 

-  Transaction   1 —  n   Chondens. 

-  Triplette,   polka,  2Cornets    pet.   FIO   1.50  n, 

(2Cornets  et  Bugle  an  Trio  p.  FanfJ   2 — , 
Harm    3 —   Svhoenaers. 

-  V^ase  bris6   1.70  n   Choudcrts. 

-  Verite,   polka.      Leclercq. 

-  Vieille   chanson    1.70  n    Choudens. 

-  Vigoureux,  quadr.  — 50  n  Bosc. 

-  Zanzibar,  march  — 40   Ellis. 

Maquet  Ph.  Berger  sans  bergere,  PfllaJ  3 — 
Joubert. 

-  Folie,  valse  6 —  Joubert. 

-  (lUe  4 —  Noel. 

-La   vie,  c'est  ca    1 — n,    Ch.  s.    — 35  n    Co- 

stallat. 
■  Nounou   1 — ,  Ch.  s.  — 35  n   Costallat. 

-  Serenade   du    Passant   — 25  n    Rouart. 

-  Songes   bleus,    valse    6 —   Joubert. 

-  Stances   1.35  n  Joubert. 
-Vision   1.75  n   Joubert. 

Maquillages  de   Paris   1 — ,  f'7(.  s.  — 30  Ghe- 

luire. 
Maquis  Chelu.  Sulzbach:  Un  jour  de  pluie, 

operette,  ChP  2 —  n. 

-  Un   larbin   chic,   operette,   CJlP   2 —  n. 

-  Une  maltresse  servante,  operette,  ChP  2 — u. 
Maquis  G.  A  la  Chanson  moderne :  A  Boirc 

3 —  Eveillard. 

-  A    demain !    sur    les   motifs    de :    Au    r'voir, 

my   little    Hj^acinth.      Grawier-Paris. 
-A  rinstruction,  fait  divers  1.75  n. 

-  A   la  lueur   de   la   chandelle     1 —  n,    Ch.   s. 

— 35  n   Puigellier. 
-A    la    lune,    fermons    le    volet    1— n,    Ch.    *. 
— 35  n  Puigellier. 

-  A   ma    voisine   3 —   Eveillard. 

-  A  quoi  tien,  I'amour  1.75  n. 

-  A    un   louis   d'or !    A  ux  Repertoires  reants. 

-  Acquittez-le!    1.75  n. 
-Affaire  Paul   Ironc    1.75  n. 

-  Affiches  electorales   1.75  u. 

-  Ah  !   je  m'connais   1.75  n. 

-  Ah  la  charmante   1.75  n. 

-  Ah  !   u'va   pas  si   vite  !      Chavat. 

-  Ah!  qu'  c'est  done  bete!  niais  qu'  c'est  done 

bon !   1.50  Rouart. 
-Ah  tu   vu   la   porte   St.   Denis   1 — n,   Ch.  s. 
— 35  n  Puigellier. 

-  Alors,  j'ai  pleure  !    1.75  n. 

-  Alors  si  on  est  d'accord   1.75  n. 

-  Alouettes  r6ties  3 —  Hulzbach. 

-  Allume  ta,   lampe    1.75  n. 

-  Amant  raalheureux   1.75  n. 

-  Amour  c'  que  c'est  bete   3 — . 

-  Amour  est  un  reve  1.75  n. 

-  Amour  est  fugitif  1— n,  Ch.  s.  — 30  n  Rou- 

art. 
-Amour  est  oiseau   de  passage    1 — u,   Ch.   s. 
— 35  u   Puigellier. 

-  Amour   gourmands    1.75  n. 

-  Amour    profanes    1.75  n. 

-  Anes  de  Robin.son  1 — n,  Ch.  s.  — 35  n  Pui- 

gellier. 

-  Appats  de  la   boiteuse   1.75  u. 


-  Apprenti   3 —  tiulsbach. 

-  Arlequin    3 —   Sulzbach. 

- -Armee   territoriale,     marche     1 — n,    Clt.    v. 
— 35  n  Puigellier. 

-  Armes  de  la  paix   1— n,  07).  s.  — 35  n  Pui- 

gellier. 

-  Articles  pour  dames,  quadr.   5 —  Sulzbach. 

-  Au  Champ  de  Mars,  marche  5 —  Sulzbach. 

-  Au   decrochez-moi  ca   1.75  n. 

-  Au  pays  de  Lorraine  3 —  Sulzbach. 

-  Au    printemps,    reviendras-tu    3 —  n,    Ch.    .',•. 

1 — n   Aboi. 

-  Aubade  a  la   huie   1.75  n. 

-  Auberge    aux    cerises    1 —  n,    Ch.    s.    — 35  n 

Puigellier. 

■  Aux  travaux   1.75  n. 

-  Avec  mon  cousin   2/ —  n   Ascherberg. 

■  Aventuriere   1.75  n. 

-  Averses    1.75  n. 

-  Babillarde   interrompuo    (parodie   de   lettre 

inachevee) .      Delignif-Faris. 

-  Baisers   et  les   roses   3 —   Eveillard. 

-  Baisers   polissons    1.75  n. 

-  Bal   du   colonel    1.75  n. 

-  Ballade  des  ouvriferes   1.75  n. 

-  Ballon   rouge  3 —  Sulzbach. 

-  Baton  de  Marechal  3 —  Sulzbach. 

-  Bavard    1.75  n. 

-  Bavarde   1.75  n. 

-  Beau  polyglotte   1.75  n. 

-  Bebes  roses,  T,  Bar  3 —  Sulzbach. 

-  Belle  fermifere  1.75  n. 

-  Berceuse   faubourienne   1.75  n. 

-  Bergfere   3 —  Sulzbach. 

■  Bijoux  de  la  femme  1.75  n. 

-  Blondinettes   1.75  n. 

-  Bon   chien  3 —  Sulzbach. 

-  Bonheur  qui  passe !   Gueprotte. 

-  Boniments  de  gueule  1.75  n. 

-  Bonjour,   monsieur  le   Printemps!    1.75  n. 

-  Bonjour,   madame   3 —   Eveillard. 

-  Bonne   methode    1.75  n. 

-  Bonnet    de    Madeleine    1—  n,    Ch.   s.   — 35  ii 

Puigellier. 

-  Bonsoir,   amie  !    Romance    1.75  n. 

-  Boulevardiers  1 — n,  Ch.  s.  — 35  n  Pnigellier. 

-  Bouquet   de   rosmarin    ]  .75. 

-  Buches  de   voisin   1.75  n. 

-  Buvons  au  meme  verre !  1— n,  Ch.  s.  — 35  n 

Puigellier. 

-  Brin   de  lilas   3 — . 

-  Brioche   1.75  n. 

-  Ca  me  rappelait  ma  jeunesse  3 — ■  Sulzbach. 

-  Ca  passe  !   1.75. 

-  Qa  va  se  passer!    1.75  n. 

-  Ca   vient   du   poumon    1.75  n. 

-  Cadeau  de  Beb6  1 —  n,  Ch.  s.  — 30  u  Rouart. 

-  Cadeau  de  grand-pere  3 —  Sulzbach. 

-  Calvaire    feminin  !    1.75  n. 

-  Cantinifere   du   39   Dragons    1.75  n. 
-Carmagnole  des   femmes   1.75  n. 

-  Catechisme   de   ces   dames    1.75  n. 

-  C'est  a  mon  tour  1.75  n. 

-C'est  au  clair   Je  lune  2/ — n  Ascherberg. 

-  C'est  bieutot  fait  3 —  Sulzbach. 

-C'est  la  barbe !  chanson  de  route,     Guudet. 

-  C'est  la  faute  des  vendanges  3 —  Sulzbach. 
-C'est    I'autre!    romance,      Mercadier. 


Maquis  G.  G'est  le  priiitemps 


136 


Maquis  G.  Entre   Voisias 


-  C'est    le    printemps     qui    vient     de    naitro, 

mel.  3 —  Eveillard,  &  Donizetti,  Lucio 
de  Lammermoor  (Vers  toujours)  duo,  V, 
Cornel,  Fl  —20  u  Dehert. 

-  C'est  les  magasins   1.75  u. 

-  C'est    policliinelle   Mam'zelle    1.75  n. 

-  C'est  pour  la   Frauce,     Digoude. 

■  C'est   si  geutil   la  femme   1.75  n. 

-  C'est   si   gentil   les   hommes   1.75  n. 

-  C'est  si  gentil   les   poires    1.75  n. 

-  C'est  un  eochon  1.75  n. 

-  C'est  une  gigolette!  etude  parisienne  1.75  n. 

-  C'est  une  veine  1.75  n. 

-  C'est -V  d'  I'humanite?  scene  com.  1.75  u. 
-C'est-y  d'  I'egalite   1.75  n. 

-  C'etait    un    reve   1.75  n. 

-  C'etait   une  blonde   1.75  n. 

-  Ce  gros  bebe-la  1.75  n, 

-  Ce  n'etait   qu'un  baiser,   romance  3 — -. 

-  Ce   que   c'est   que   Tamour    1.75  n. 

-  Ce  que  c'est   que   la    vie!      Giieprotte. 

-  Ce  que  font  les  amoureux  1.75  n. 

-  Ce  qu'on  pent  fair  avec  I'amour   1.75  n. 

-  Ce   soir   la    1 — n,    Ch.   s.   — 35  n    PuigeUkr. 

-  Celle  qu'on   aime,   P   2 — u. 

-  Celle  qui  vous  aime,  sur  les  motifs  de  „Xi.'- 

colini",    Crro Hi t'r-Paris. 

-  Ceudrillonnette,      (/j-a/u'er-Paris. 

-  Ces  bon^   amis   1.75  n. 

-  Chanson   a  la   grand'-mere   3 —  ^ulzhuch. 

-  Chanson  de  la   Gr&ve  3 —  8iilzbac]i. 

-  Chanson    des   berceaux    1.75  u. 
-Chanson  des  bouteilles   1 — n,   Ch.  s.  — 35  n 

Puigellier. 
-Chanson    des    jouvoncelles     1 — n,      C/(.    *■. 

— 35  n    Puif/p/lier. 
-Chanson    d'uutomne     1 — u,      ('//.    s.    — Son 

Paigellier. 

-  Chanson  des  parias  5 — . 

-  Chanson   des   routes,  Ch.  s.  — 35    Lahbe. 

-  Chanson   du   gueux   3 —   Hulzhach. 

-  Chanson  du  Macchabee  1.75  n. 

-  Chanson   du   pain    1.75  n. 

-  Chanson   du  Kouet    1.75  n. 

-  Chansons  des  iilas   1.75  u. 

-  Chante,   cigale  !    1.75  n. 

^  Charmes  de  nos  maitresses   1.75  n. 

-  Chatiment  1.75  n. 

-  Chemin   de  France  3 —  ^nlzhach. 

-  Chez  le  percepteur  1.75  n. 

-  Chien  et  le  vagabond  3 — . 

-  Chose   ideale   1.75  n. 

-  Cid   campeador,  grand  air,     Gueprotte. 

-  Cmq  minutes  en   retard   3 —  t!<iil.::hach. 

■  Claudinet  1.75  n, 

-  Coeur  de  la  femme   1.75  n. 

-  Coeur  de  Jeannette  1.75  n. 

-  Coeur    de    trottiu    1.75  u. 
-Coeur   des   ma  mans    1 — n   lioHarl. 

-  Collages  1.75  n. 

-  Colles  des  femmes  3 — . 

-  Comme  la   lune   1.75  n. 

-  Comme  la   vendre,   Gueprotte. 
-Comme  tout  change!   1.75  u. 

-  Comme  tu  seras  jolie   3 —  Eveillard. 
-Comment  ca  commence  1 — n,  Ch.  s.  — 30  n 

Rouarl. 

-  Comment  ca  se  prend  1.75  n. 


^o'el. 


-35  n 


-  Comment  on  nomme  sa  mfere   1.75  n. 

-  Comment  on  sert  son  pays   1.75  n. 

-  Complainte   du   canape    1.75  n. 

-  Confidence  a  Polichinelle  3 — ,    Ch.  s.  1- 

-  Conseil  d'ami   1.75  n. 

-  Conseiller   des   demoiselles    1.75  n. 

-  Coquin    de    soleil    1.75  n. 

-  Cosmopolita    1.75  n. 

-  Coteaux    de    France    1 — n,      Ch.    s. 

Pvigcllier. 

-  Cour  du   Roi   Petaud  3 —  Siilzbach. 

-  Course  au   diner,  chanson  vecue  3 — . 
-Ciayon   anti-migraine    1 — n,    Ch.   s.   — 30  n 

Koiiart. 

-  Croix    meritee    3 —    Sulzbach. 

-  Cyclistes    1.75  n. 

-Dans   les   tambours,    marche    1 — n,      Ch.   s. 

— 35  n   Puigellier. 
-Dans  mon  Carrosse   (Ch.  Louis  XIV)    1 — u, 

Ch.  s.  — 30  n  Rouarf. 

-  Dans   nos  menages    1.75  n. 
-De  haut  en  bas  1.75  u. 

-  D'oil  ca  vient-il  done  1.75  u. 
-Deceptions    d'un    reserviste    1 — u,      Ch.    s. 

— 30  n   ^ociete  nouvelle. 

-  Declaration    1.75  n. 

-  Depechez-vous   d'aimer   1.75  n. 
-Deplume   1 — n,   Ch.   s.   — 30  n   Kouort. 

■  Dernier    baiser,    T,    Bar    3 —    Hulzhach. 

-  Derni&re   Medaille    1.75  n. 

-  Derriere   le   bataillou,   marche    1 — n,   Ch.   s. 

^35  n    Puigellier. 
-Deux   Camille    1 — n,    Ch.    s.   — 30  n    Societv 
nouvelle. 

-  Deux  chiens   1.75  ii. 

-Deux    fois    un,    deux    1 — n,    Ch.    s.    — 35  n 
Puigellier. 

-  Deux  Jambes,     Rueff. 

-  Dialogue  en  plaine  1.75  n. 

-  Diamants   de    Dieu   3 —   Balzbaeh. 

-  Diseuse  de  bonne  avenlure,   duo  com.   avec 

parle  4 —  Sulzbach. 

-  Dites-moi  si  vous  avez  un  coeur   1 —  n,  Cli. 

s.  — 30  n  Rouarl. 

-  Donne-moi  ton  baiser,  Suzon  3 —  Siilzbu'^It. 

-  Dors,    petite    soeur    1 —  n    J ullieii. 

-  Double  Serenade  1 — n,  Ch.  s.  — 30  n  Rouarf. 

-  Drame   dans   un   taxametre    1.75  n. 

-  Duel   de  Labidoche,   duo  3 —  Sulzbach. 

-  Eclipse  3 —  Sulzbach. 

-VA\l    dites   done,    la    pipelette    1 — n,     Cli.   s. 
^35  n    Puigellier. 

-  }i.\\e  croquait   des   radis   roses   1 — n,   Ch.   s. 

— 35  n  Puigellier. 

-  Elle  etait  charmante  1.75  n. 
-File  etait  trop  belle!   Rueff. 

-  Elle  etait  roulante  3—. 

-  Elles  y  \'iennent   1.75  n. 

-  Employes  de  la   mairie   1.75  n. 

-  En  allant  au  magasin  3 —  Sulzbach. 
-En  amoureux  2, —  u  Ascherberg. 
-En    ballon    2, —  n   Ascherberg. 

-  En   copains   1.75  n. 

-  En  reve  1 —  n,  Ch.  a.  — 35  n  Puigellier. 
Enfant  de  I'amour   1.75  n. 

-Enfant   et   le    Polichinelle    1.70  n    Eveillard. 

-  Entr'ouvertes,      Gueprotte. 

-Entre  A'oi-^ins    1 — u,   Ch.  s.  — 30  n   Rouarl. 


Maquis  G.  Envers  de  la  fciiitnc 


187     — 


Maquis  G.  Larmes  d'offant 


-  KiiA  ers  do  la   femme  3 — . 

-  Epingle   3 —   Sulzhach. 

-  Esbrout'e    1.75  n. 

-  El,  voilu  comment,     Delinny. 
■  Etapes  de  I'ivresse   1.75  n. 

-  Faches  depuis  Meudon    1 — d,   Ch.  s.  — 35  ii 

Piiifjellier. 

-  Facon  de  donuer   1.75  n. 

-  Facons  d'aimer   1.75  n. 

-  Facteur   et  ro.sifere   1.75  n. 

-  Fais-toi   belle   1.75  n. 

-  Faites    risette    a  votre    mere    1 — u,    Ch.    &. 

— 35  u   Puiyellier. 

-  Famille  Poirot  1.75  n. 

-  Fanfreluchette    1.75  u. 

-  FantoeLes   3^ — . 

-  Farandole  jeune  1.75  n. 

-  Fatlima  la    Maure-sque    1.70  n   Eveillurd. 

Hitlzhuch. 


50  u 


—35  n    Piii- 
— 35  n  Phi- 


s. 


-30  u 


-35  u   Pul- 


Faut-il  des  oliampiguons  3- 

Faut  plus  m'  la  faire!    1 — u,  Ch.  s. 

Rouurt. 
Faut  que  je  rigole  1 — u,  Ch.  s.  — 35  u  Pnl- 

fjellier. 

Faux  menage,     Delornie/.. 
Femme  a  beguin  1.75  n. 
Femme    candidal    1.75  n. 
Femme  comme  celle-la    1.75  u. 
Femme  de  20  ans   1.75  u. 
Femme    du    jour    1 — n,    Cli. 

(jellier. 
Femme  du  pecheur  1 — n,  Ch.  s. 

(jellier. 
Femme  et  Maitresse  1.75  u. 
Femme  parfaite  1.75  n. 
Femme  aimees  1.75  n. 
Femmes  aussi,     Chavat. 
Feminins     (parle)      1 — n,       Ch. 

I'ouurt. 

Fete  de  la  premiere  1.75  u. 
Fete  uationale   1.75  n. 
Flanelle   et  coton    1 —  n,   Ch.  s.  — 

qellier. 

Fleur   de   smart    1.75  n, 

Foin    1.75  n. 

Folie   1.75  n. 

France  et  charite   1— n,  Cii.  s.  — 

(jellier. 

Franche    Liehette    1.75  u. 
Frele  Parisienne  1.75  n. 
Fromage    en    ballade    1 — n,    Ch. 

Piiigellier. 
Frou-frou   1.75  n, 

Garanties   1.75  n. 

fiastou,  vien  dejeilner  1.75  n. 
(iattes  d'Eugene  1.75  u. 
fxattes  telephoniques  1.75  n. 
Grande  berceuse   1.75  n. 
Grandes   Families!    1.75  n. 
Grands  hommes  1—  n,  Ch.  s.  — 30  n  Hocietc 
noiicelle. 

Grisette   3 —    tiulzhuch. 

Gros   mensonge    3 —    Siilzhaclt. 

Gueule    de    Macabiou    1.75  u. 

Habitude,     Dntreih. 

Hirondelles  vont  revenir  1 — n,  Ch.  s.  — 35  n 

Pui(jellicr. 
Histoire  d'uue  caune  1.75  n. 


-35  n  Pvi- 


-35  n 


-35  n 


Histoire     Au    petit    Chaperon    Rouge 
Sulzhueli. 

-  Homme  brun   1.75  n. 

-  Homme  sage  1.75  n. 
-Hommes  et  les  Betes   1.75  n. 

-  Honnete   1.75  n. 

-  Honneur  1.75  n. 

-  Honneur   et   I'argeut,      Chavat. 

-  Honneur  de  Pochard   1.75  n. 

-  Hussards,    duo    milit.    2 — ^  n,    Ch.    s.    - 

Rouori. 

-  II  avait  vingt  ans,  elle  en  avait  seize!  1 — n, 

Ch.  s.  — 35  n  Puifjellier. 

-  11  fait  bien  noir,  mademoiselle  1 —  n  Ev?il- 

lard. 

-  lis  n'en  ont  pas   1.75  n. 

-  Tnterrogez  les  paquerettes  3 —  Eveillurd. 

-  J'acouse    1.75  n. 

-  J'ai    du    chagrin    1 — n,    Ch.   s.   — 35  n    Piii- 

f/ellier, 
-J'ai    en    tort!    chans.    monologue    1.75  n. 

-  J'ai  place  mou  coeur   1.75  n. 

-  J'ai  pleure   1.75  n. 

-  J'ai   trompe   1.75  n. 

-  J'avais  fait  un  reve  joli  1.75  n. 

-  J'avais  une  amoureuse   1.75  n. 

-  Je  bois  a  la  France  3 —  tiulzbucJi. 

-  J'  cours  apr^s  les  p'tites  femnies  3 —  Sidz- 

bach . 

-  J'enterre   ma    vie   de   gar(;ou    1 — n,      (7/.   ,s. 

—30  n   Eveillurd. 

-  J'etais   ta   chose    1.75  n. 

-  J'  fais  mon  trou,     Chavat. 

-  Je,  m'  counais  3 —  ^nlzbach. 

-  J'    me    Gondole    1 —  n,    Ch.    s.    — 35  n    Piii- 

gellier. 
•  Je  n'os'  pas  vous  1'  dire  1 —  n,  Cli.  s.  — 30  u 
Rouurt. 

-  Je  sals  tout!    1 — n. 

-  Je  suis  content   1.75  n. 

-  J'y  etais  pas!  5 —  Labbe. 

-  Jean  bou  coeur  1.75  n. 

-Jeanne  la   blonde   1 — n,   Ch.   *■.  — 35  u  Piii- 
gellier. 

-  Jeanne,  aimons-nous  toujours  2/ — n  Ascher- 

her(j. 

-  Jeunes  personnes  distinguees   1.75  n. 

-  Jiujitsusomanie,    chans. -monologue    1.75  n. 

-  Joies   d'adult&re    1.75  n. 

■  Joies  du  menage  1.75  n. 

-  Joli    Balcon,   serenade    1.75  n. 

-  Jolies    poupees    1 — n,    Ch.    s.    — 35  u    Pui- 

fjellier. 

-  Josette   1.75  n. 

-  Journee  des  Adieux   1.75  n. 

-  Joyeux  chemineau    1.75  n. 

-  La   bonne   Dame,      Labbe. 

-  La   v'la,   la   liberte,   Gueprotte. 

-  Lagourde   chez    les    bgtes,    promenade    com. 

1.75  n. 

-  Laissez  passer  la  folle   1.75  n. 

-  Lamento  du  Macchabee  1.75  n. 

-  Lancier  de  M.  le  Prefet  1.75  n. 

-  Langage   des    lits    1.75  n. 

-  Langage  des  yeux  1.75  n. 

-  Larmes   1.75  n. 

-Larmes  d'amour   3 —  Sulzbach. 
-Larmes    d'enfant    2/ — n    Ascherberg. 


Maquis  G.  Larmes  du  raisin 


—     138     — 


Maquis  G.  Par  amour-propre 


•Larmes  dii  raisin   1 — n,   Cli.  s.  — 35  n  Pui- 

gellier. 
■  Lassitude,   lettro   de   femme   L75  n. 

Legon   d'amour,   Joullot. 

Leoou   de  diplomatie  2/ —  n   Asclierherg. 

Legeiide  des  trois  cavaliers  L75  n. 

Legende  des  trottins  1.75  n. 

Lettre  a  Bridoi  1.75  n. 

Lettre  il  la  premier  1.75  n. 

Lettre  a  mon  boheine  1.75  n. 

Lettre    a    Nini    1 — n,      C/t.    .s.    — 35  u    I'ni- 
gellier. 

Lettre  tl  Noel  3 —  Sulzbach. 

Lettre  a  une  Poupee  3 — ,  Ch.  s.  1 —  Nol'L 

Lettre  au  papa  1.75  n. 

Lettre   de   Biribi    1.75  n. 

Lettre   de   femmes   1.75  n. 

Lettre   de  la   soeur   alnee   1.75  n. 

Lettre  de  la  eabotiue  1.75  n. 

Lettre  d'un  mari  trompe   1.75  u. 

Lettre  du  trottin,     Bourlant. 

Lettre   inachevee,     Deligny. 

Lettre  pour  Gaston   1.75  n. 

Leurs   amants   1.75  n 

Loin  de  France  3—  Sulzbach. 

Loin  de  la  patrie   1 — n. 

Lorgnette  3 —  Sulzbach. 

Lorsque  tu   dors  2/ —  n  Ascherherg. 

Loupiots  du  bleu  1.75  n. 

Ma  chambree,  chansonnelt*  militaire  1.75  ii. 
Ma  Cousine  Irma    1 — n,  Ch.  s.  — 35  n  Piil- 

gell'ier. 
Ma   faubourienne   1 — u,   Ch.  s.  — 35  n   Ptil- 

gellier. 
Ma    Jolie    1.75  u. 

Ma  jolie,  romance   1.75  n,  valse  6 — . 
Ma  maltresse  a  trop  de  famille  3 —  Ercil- 

lurd. 
Ma  petite   reine,     Hachelie. 
Madame  est  bien  bonne'     Eiieff. 
Madame  recoit  1.75  n. 
Madame    Tour    Eiflfel    1 —  u,    Ch.    s.    — 35  u 

P'liigt'Uicr. 
Malhonnetes   gens    1.75  n. 
Mamau !    (Lettre  d'une  capote  grise)   1.75  n. 
Mam'zell'   Pervenche    1.75  n. 
Marchand  de  i^aroles  1.75  n. 
Marchande   de  jilaisirs   1.75  n. 
Mariage    en    quatre    temps    1.75  n. 
Mariages  d'a  present   1.75  n. 
Marquise    1.75  n. 
Marquisette   1.75  u. 
Marrons  1.75  n. 
Mea  culpa  1 — n,  Ch.  s.  — 30  n   Societe  nuii- 

celle. 
Medaille    d'argent    1.75  n. 
Medecin    des    poivrots    1 —  n,    Ch.    s.   — -30  n 

Rouart. 

Mensonges   1.75  u. 
Mes  amis  3 —  Eveillurd. 
Mes  femmes   1.75  n. 
^lettez   vos  plus   frais  atours    1 —  n,    Ch.   ft. 

— 35  n    Puigellier. 
Mie  jolie!   1.75  n  Rouart. 
Mimi  Satin!   P  2— n. 
Mobilier  de  gargonniere   1.75  n. 


Moi,  c'est  moi !   1.75  n. 
Mon   avis  sur   les   clioses 


1.75  n. 


bon    Dieu,    lettre    d'enfant.      De- 


1- 


Ch.   s. 


-35  n 


1.75  u. 
Sacree 


musique,      Pui- 


Siilzbacli. 


1.75  n. 

1— n, 


Ch.    s. 


-  Mon  Chien  et  ma  femme   (av.  parle)    1 —  n, 

Cli.  s.  — 35  u  Puigellier. 

-  Mon  ex-blaucliisseuse  3 —  Sulzbach. 

-  Mon   pauv're   copain   1.75  n. 

-  Mon   perroquet   3 —   Sulzbach. 
-Monsieur  I'amour   1 — n,  Ch.  s.  — 35  n  Pui- 
gellier. 

-  Monsieur 

lignif. 

■  Monsieur    et    Madame    Canard,    duo 

Ch.  *■.  — 35  n  Puigellier. 

-  Morgue    1.75  n. 

-  Mort  du  propre  a  rien  1.75  n. 

-  Mort  du  vieux  1.75  n. 

-  Moutard  cosmopolite   1.75  n. 

-  Mouvement    perpetuel    1 —  n, 

Pnigellier. 

-  Mufles   1.75  n. 

-  Musette  a  Pacome 

-  Musique    sacree ! 

gellier. 

-  Nai'f  aveu   1.75  n. 

-  Navets   1.75  n. 

-  N'  les  eeoute  pas  1.75  n. 

-  Ne  nous  oubliez  pas  3 — 

-  Ne  relisons  pas!   1.75  n. 

-  Ne  riez  pas  des  amoureux  I 

-  Necessaire    de   Grand'    Mfere 

— 30n   Rouart. 

■  Neige  1.75  n. 

-  Nids   d'amour   1.75  n. 

-  Nids   de    France    1 — n,    Ch. 

gellier. 

-  Ninette  1 —  n,  Ch.  s.  — 35  n  Puigellier. 

■  Ninon  a  des  amants,     Gueprotte. 

-  Ninon  la  Gaiete   1.75  u. 

-  Noble  Conquete   1.75  u. 

-  Noceuse  !    1.75  n 

-  Noel  a  Madame   1.75  n. 

-  Noel   d'enfant  3 —  Sulzbach. 

-Noel   du  petit   ramoueur   1.70  u  Halet. 

-  Noisettes   1.75  n. 

-  Nos  frontieres   1.75  n. 

-  Nos  sous-offs  1 —  n,  ('/(.  s-.  — 35  u  Puigellier. 

-  Not'  gars,  Ch.  s.  — 35  n  Labbe. 

-Notre    France     (av.    parle)     1 — n,      Ch.    s. 
— 35  n  Puigellier. 

-  Notre  si&cle  1^  u,  Ch.  s.  — 35  n  Puigellier. 

-  Nous  avions   vingt  ans   1 —  u  Ereillard. 

-  Nous    avions    vingt    francs,    parodie    1 —  n 

Eveillard. 

-  Nouvelle  bonne   1.75  n. 

-  Nouvelle    langue    academique    1.75  n. 

-  Nuits  roses   1 —  n,  Ch.  s.  ■ — 35  n  Puigellier. 

-  O   mes   rev3S,     envolez-vous    1.75  n,     Ch.    .s-. 

— 30  n,   &   Rossini:    Barbier   de    Seville, 
variations,   CI,  Fl,  Pist,   V  —20  n   Rouart. 

-  Observateur   moderne   1.75  n. 
-Oh!    y   a   quelque   chose    1.75  n. 

-  On  entend  des  baisers  joyeux  1 —  u,   Cli.  s. 

— 30  n  Rouart. 

-  On   I'app'lait   I'Gourdiflot   1.75  n. 
-On  s'aimera  toujours  !    1.75  n. 

-  Oil  done  qu'ca  s'en  va  1.75  n. 
-Oil  va  la  femme   1.75  n. 

-  Ouverture  de  la  pfeche   1 — n,   Ch. 

Puigellier. 

■  Par  amour-propre  3 —  Sulzbach. 


s. 


~o-i  n 


Maquis  G.  Par  ci 


—     139     — 


Maquis  G.  Retour  de  Musette 


-35  n  Piiigellier. 
.  — 35  u  Piiig-'l- 


.  — 35  n  Piiigellier. 
Ch.  s.  — 35  u  Piiiqel- 


-  Par  ci,   par   la   3 —  tiulzhucJi. 

-Par  la  fenetre   1 — n,   Ch.  s.  — 35  n  Piiigel- 
lier,  1.50  Napoleiw. 

-  Par  la  portifere  1 —  n,  Ch.  s.  — 35  n  Puigil- 

lier. 

-  Pardon   d'enfant   1.75  n. 

-  Paresseuse    1.75  ii. 

-  Paris-nature  1 — n,  Ch.  s 

-  Paris-Omnibus   1 —  u,  Ch 

Her. 

-  Parisien   1.75  n. 

-  Parisiens   1 —  n,   Ch.   s.  - 

-  Partie  de  peche  1 — u 

Her. 
-Pas   de   fetes   pour   les   malheureux!    1.75  n, 
-Pas  inoyen   de  placer  un  mot    1.75  n. 

-  Pas   sur   I'oeil.      Chavat. 

-  Pauvre   cabotin    1.75  n. 

-  Pauvre  petite  fleur  1 —  u,  Ch.  s.  — 30  n  Ron- 

ari. 

-  Pauvres  gens  de   theatre    1.75  u. 

-  Pauvres  bommes   si   Ton   voulait    1.75  u. 
-Pays  des  songes  2/ — n  Aseherherg. 

-  Pays   que   Ton   aime.      Labbe. 

-  P^ches   mignons    de   ma    femme    3 —   E veil- 

lard. 

■  Peine  et  plaisir   1.75  n. 

-  Pense  a  la   vieille!    1.75  n. 

-  Pens^es  de  jeune  femme  1.75  n. 

-  P^re  du  sergent   1.75  n. 

-  P'etit  coeur  de  moineau   1.75  n. 

-  P'tit  emprentre    1.75  n. 

-  Petit  espiegle  3 —  Sulzbach. 

-  Petit  lorrain  1 —  n,  Ch.  s.  — 35  n  Puigellier. 

-  Petit  Martyr   1.75  n. 
-Petit  Noel' 3—  Sulzbach. 

-  Petit  Voyageur  3 — ,  Ch.  «. 

-  P'tite  Canaille.     Labbe. 
-Petite  Chemise  rose  1.75  u. 

-  Petite   Elise.      Gandet. 

-  P'tite  Gentille   1.75  n. 

-  Petite  Loute   1.75  n. 

-  Petite  maitresse   1.75  u. 

-  Petites  chattes   1—  n,  Ch 

tier. 

-  Petites  mamans   1.75  n. 

-  Petites  m^nagferes,  duo  3 —   Sulzbach. 

-  Petit's  m&res   1.75  u. 

-  Petits  Bearnais,  duo  ou  trio  3 — ,  Ch.  s 

.Yoe7. 

■  Petits  Guides,  duo  3 —  Noel. 

-  Petits   Marmitons,   duo   3 — . 

■  Petits  Mendiauts,  duo   1.75  u,  ('/( 

Rouart. 

■  Petits   Muletiers,   duo   3 —  Xoi^l. 

■  Petits    Patissiers,    duo    3 —    NoHl. 
Petits  peches  de  rosiere  1 —  n,  Ch 

Puigellier. 

Pick  et  Pouck   et  Poo   1.75  u. 

Pierreuse  rouge  1.75  n. 

Pierrot  medecin   1.75. 

Pion    1.75. 

Planche   1 —  n,   Ch.  s.  — 35  n  Puigellier. 

Plaisir   1.75  n. 

Plumes  3 —  Sulzbach. 

Plus  la  meme  chose  1.75  n. 

Pout  de  la   verite  3—  Sulzbach. 

Portefeuilles  ministeriels   1.75  n. 


1 —  Uumblot. 


s.  — 35  n  Puigel- 


1- 


s.  —30  n 


-35  u 


•  Poule   noire   3 —   Sulzbach. 

-  Pour    avoir    Margot    1.75  n. 

-  Pour  cueillir  la  fraise  1.75  n. 

-  Pour   feter  I'avril    1.70  n    Ereillard. 

-  Pour   I'amour  de   Dieu    1.75  n. 

-  Pour  I'Enfant   3—  Ereillard. 
-Pour  plaire  aux  femmes  1.75  n. 

-  Pour  seduire  la   femme   1.75  n. 

-  Pour  t'avoir  encore   1.75  n. 

-  Pourquoi  elle  nous  trompe  1.75  u. 

-  Pourquoi  elles  font  la  noce.     Rueff. 
-Pourquoi    fair    des   enfants?    1.75  n. 
-Pourquoi  m'en  veux-tu?   1.75  n. 

-  Pourquoi   ne  chantes-tu  pas  2/—  n   Ascher- 

berg. 

-  Pourquoi,    Suzette?    1.75  u. 

-  Pourvu   qu'on    rigole    1.75  u. 

-  Poussiere    1.75  n. 

-  Premier   froid,   P  2 —  n. 

-  Prends  garde  au  chemin    1.75  n. 

-  Prenoms    1 — n,   Ch.   s.  — 30  n   Societe   nou- 

lelle. 

-  Priere  du  petit  Prince   1 —  n,  Ch.  s.  — 30  n 

Rouart. 

-  Printemps  qui   vieut  de  uaitre  1 — n  Eveil 

la  rd. 

-  Probloques    1.75  n. 

-  Professeur   d'argot   1.75  n. 

-  Programme    de    Chopinard    1.75  n. 

-  Projets   1.75  n. 

-  Promenade  du   Christ   1.75  u. 

-  Prudence    3 —    Sulzbach. 

-  Pudeur    anglaise.      Labbe. 

-  Quaud   le   beau   temps   revient   1.75  n. 

-  (Juand   les   enfants   font   dodo    1.75  n. 
-Quaud  uous  nous  quitterons   1.75  n. 

-  Quatre  genres   1.75  n. 

-  Qu'est-ce  qu'y  a   d'arrive?   1.75  n. 

-  Que  fais-tu   Paris?   1.75  n. 

-  Quequ'  chose  dans  le  ventre 

-  Querelle   d'amoureux    1 —  n, 

Puigellier. 

-  Question   des   nez    1.75  u. 

-  Questions   indiscrfetes   1.75  n. 

-  Qui    vent    des   baisers    1 —  n,    Ch.   s 

Puigellier. 

-  Kacontars   de   mou   portier    1.75  n. 


1.75  n. 
Ch.   s. 


-do  n 


-.Jo  11 


Dans   un   journal   du 


-  Recompense   honuete 

soir,  P  — 80  Cranz. 

-  Rcfuerdo  de  Bilbao,  marche  espag.  0  2 —  ii 

Velde. 

-  Kefrain   des  bees   sales   1 —  n,   Ch.  s.  — 35  u 

Pu  igellier. 

-  Refrains  a   Madelon    1.75  n. 

-  Regiment  des  cafards  1.75  n. 

-  Regrets  de   femme   1.75  n. 

-  Rendez-vous    1 — n,     Ch.    s.    — 30  n     Societe 

nouvelle. 

-  Reponses  du  petit  soldat  1.75  n. 

-  Reprenez  vos  jupons  1.75  n. 

-  Reprtsailles  d'amour. 

-  Reservistes,    marche     1 — 

Puigellier. 

-  Restons  chez   nous. 

-  Resurrection    1.75  u. 

-  Retour   d'Afrique    1.75  n. 

-  Retour  de  Musette  1 —  n, 

gellier. 


Ch. 


-35  n 


Ch.  s.  — 35  n  Piii- 


Maquis  G.  lievanche  du  coehon 


140    — 


Maquis  G.  Une  jictrtie  de  campagne 


Ch.  s. 


50  n 


Kevanche  du  coehon  1.75  n. 
Heve  au  paj^s  Lorrain   1 —  n, 

Fouart. 
Ke\e  de  Bebe  3 —  Sidzboch. 
K6ve  de  Laripette   1.75  n. 
T>4veillez-vous    1 —  n,    Ch.   s.   — 35  n    Puiyel- 

lipr. 
Eov^latiors   1.75  n. 
FpAiems,    charmante,     valse    1 — n,     Ch.     «. 

— of)  11   Pninellier. 

Kieii!   pret^que   rien !    1.75  n. 

Rieii  quo  Jon  baiser   1.75  n. 

Eigolo    1 —  n,   Ch.   s.  — 35  u   Puigellier. 

Eire  et  pleuier,  P  2 — n. 

liobc   d'iunocence   1.75  n. 

Roman   d'une   vieille   lille    1.75  n. 

Roman  du  p'tit  chanteur.     Gueprotte. 

Romance  subjonctive   1.75  n. 

Ronde  des  nichons   1.75  n. 

Rondeau    des    mattresses    1.75  n. 

Roga-Josepha    1 — n,    Ch.    s.    — 35  n    Piiigil- 

lier. 
Rose   parlous   de   nos  amours    1—  n,   Ch.  s. 

— 35  r   Puigellier. 
Roubhirde   1.75  n. 

Rouet   de  la  Vierge,   duo  3 —  iiulzhuch. 
Rouge-cerise  1 —  n,  Ch.  a.  — 35  n  Puigellier. 
Roule  ta  bosse   1.75  n. 
Rcustoubique.      Puigellier. 
Ruban.  rose  de  ma  brune  3 —  Eveillard. 
Rue.;  do  Paris  1 — u,  Ch.  s.  — 30  n  Rouurt. 
Ri  ptures  1.75  n. 

Sa  Majeste  d'Argent  1.75  n. 

Sac  au  dos  3 —  Sulzhach. 

Sais-tu   parler?   3 —   Sulzbach. 

Salut,  amour!   Salut  Printemps !  3 —  Katto. 

Srlut,   soleil   3 —   Sulzhach. 

Sans  en  saA'oir  plus  long  3 —  Sulzbach. 

Savez-vous  ce  que  c'est   1.75  n. 

Secret  d'amour   1.75  n  G.  Siever. 

Semeur   1 —  n,   Ch.   s.  — 35  n   Puigellier. 

Serenade  a  Cupidon   1.75  n. 

Serenade  a  Suzon  1 — n,  Ch.  s. 

gellier. 
Serenade  blagueuse   1.75  n. 
Serenade   d'Alfonso    1 .75  n. 
Serenade  de   I'ancienne   1.75  n. 
Serenade  de  Pierrette   3 —  Sulzbach. 
Si  Gustave  savait   1 — n,  Ch.  s.  — 30  n  Rou 

art. 
Si    j'etais    un   petit    rossignol    1 —  n 

— 35  n  Puigellier. 
Si  les  femmes  savaient  1 —  n,  Ch.  s 

Rouart. 
Si  les  hommes  savaient  1 — n,  Ch.  t 

Rouart. 
Si  le  Mastroquet  savait  1 — n,  Ch.  t 

Rouart. 
Si   mon  coeur  avait  des  ailes  1 —  n 

— 30  n  Rouart. 

Si   nous  etions  des  animaux   1.75  n. 
Si  tu  peux   1.75  n. 
Signalements    1.75  n. 
Simples   recettes    1.75  n. 
Singe   3 —  Sulzbach. 
Soir  de  noces  1.75.  n. 
Soiree  chez  mes  bourgeois  1.75  u. 
Soiree   conjugale    1.75  n. 


55  n  Pui- 


Ch.  s. 
— 30n 
— 30n 
— 30n 
Ch.   .s. 


-  Soldat  frangais  1 —  Pe/ie«-Paris. 

-  Soleil  de  Mai  2/ —  n  Ascherberg. 

-  Sonneur  de  Notre-Dame  1 —  n,  Ch.  s.  — 35  n 

Puigellier. 

-  Soupirs   imprfevus   1.75  n. 

-  Sous  les   toits   3 —   Katto. 

-Sous  un  reverbere  1 — n,  ('/(.  s.  — 35  n  Pui- 
gellier. 

-  Souvenir  de  Colombine   1.75  n. 

-Statues   du   Luxerab.    1 — ^  n,     (7(.   s.    — 35  n 
Puigellier. 

-  Suivant  la  position  1.75  n. 

-  Sur  la  route  de  Robinson  3 —  Sulzbach. 

-  Sur   la  route  de   Seville   2/ — n   Ascherberg. 

-  Sur  le  chemin  de  Bagnolet  1 —  n  Eveillard. 

-  Sur   nos   boulevards    1.75  n. 

-  Surexitee    1.75  n. 

-  Suzon   voulait   me   renvoyer    1.75  n. 

-  Symphonic  du  silence  1.75  n. 

-  Tata   a  la  noce   1.75  n. 

-  Tata   Sautenlair   3 —   Sulzbach. 

-  T'en   meles  pas!    1.75  n. 

-  Testament  de  papa  Fritz  1 — n,  Ch.  s.  — 35  u 

Puigellier. 

-  Theatre   du   mariage   1.75  n. 

-  Titi  1 — n,  Ch.  s.  — ^35  n  Puigellier. 

-  Tirelontaire    la   Cantini&re    1.75  n. 

-  Toaste   a   la   frangaise   1 — n,    Ch.   s.  — 35  n 

Puigellier. 

-  Toe,   toe  !    Ouvrez  !    Mercadier. 

-  Toi   qui   donne   livresse   3 —  Sulzhach. 

-  Toilettes    modernes.      Rueff. 

-  Ton  sourire   1 —  n,  (7i.  s.  — 35  n  Puigellier. 
-Tout   il  deux  sous   1.75  n. 

-Tout  comme  les  autres   1.75  n. 

-  Tout   nous   parle   d'amour    3 —   Eveillard. 

-  Tout  petits  1.75  n. 

-  Train   de  I'amour   1.75  n. 

-  Trait  d'union   1.75  n. 

-  Tre.sors  de  la   femme   1.75  n. 

-  Tresors  de  riiomme    1.75  n. 

-  Tu  mens  si  bien !    1.75  n. 

-  Turluton  1 — n,  Ch.  s.  — 35  n  Puigellier. 

-  Types  de   femmes   1.75  n. 

-  Un  bapteme  1 — n,  Ch.  «.  — 35  u  Puigellier. 

-  Un  bouquet  bien  place  3 —  Sulzbach. 

-  Un  cri  seditieux  1 —  n,  Ch.  s.  — 30  n  Socieic 

nouvelle. 

-  In  jour  de  pluie  3 —  Eveillard. 

-  Un   menage  fin   de   siecle,   saynete,  Part   in 

S"  3 —  n  Sulzbach. 

-  Un  mois  d'amour   1 — n,   Ch.  ,s-.  — 35  n  Pui- 

gellier. 

-  Un   Monsieur   pas   commode     1 — n,    Ch.    k. 

— 30  n   Societe  nouvelle. 

-  Un  nouveau  metier  1 — n,  Ch.  s.  — 30  n  So- 

ciete nouvelle. 

-  Un  petit  coup  de  pelure  d'oignon  1 — n,  Ch. 

s.  — 35  n  Puigellier. 

-  Un   Souper   de  garcon    1 — n,    Ch.   s.   — 30  ii 

Rouart. 

-  Un   voyage  mouvemente  3 —  Sulzbach. 

-  Une  erreur  !      Chavat. 

-Une    nuit    de    noces,     operette,     Part 

2.50  u  Sulzbach. 
-Une  p  a  r  t  i  e  d  e  c  a  m  p  a  g  n  e,   operette, 

Part.     Sulzbach. 


Maquis  G.  Utie  tombe  dans  la  neige 


141     — 


Marasso  F.  Duetto 


-  I'lie  tombe  (hins  la  neieo  1 —  n,  (7(.  s.  — 35  ii 

Puiijellicr. 

-  Va,   mon   coeiir    1.75  n. 

-  Vache  et  le  Pompier    1.75  n. 

-  Valse  de  la  Patronne  1.75  ii. 

-  Valse   des   bas   noirs,   chantee    1.75  n. 

-  Valse    des    Bas     noirs,     valse     2 —  n     Mar- 

gueritat. 
-Valse  des  cotillons   1.75  u. 

-  \'alse   des   pieds   noirs    1 — n,    (7/.   s.   — 30  n 

Socicte  nouvelle. 
■  X'alsons  marquise   1.75  u. 

-  Vas-y,  mon  gars!   1.75  n. 

-  Veinards    et    Coons    1.75  n. 

-  A"eudanges  ronges   1 — n,  Ch.  s.  — 35  n   Pi<i- 

gellier. 

-  Vent   1.75  u. 

-  \'ertus   de  femmes   1.75  n. 

-  >'euves  du  Luxembourg   1.75  n. 

-  Vicaire  de  mon  village  1 — n,  Ch.  s.  — 35  n 

Pnigellier. 

-  Victor,  voila  que  tu  dors  1 —  n,  Ch.  s.  — 35  n 

Pnigellier. 

-  Vie  1.75  n  G.  Sierer. 

•  Vie  a  grandes  guides  1.75  n. 

-  \'ie  pratique   a   la   campagne    1.75  n. 

-  \'ieille  poupee  3 —  Sulzbach. 

-  Mens,  mon  p'tit  chien  1.75  n,  Ch.  s.  1 — • 

-  Vieux  a  Nana   1— n,  Ch.  s.  — 35  n  Puigel- 

Jicr. 

-  Vieux  voyou  1.75  n. 

-  \'igne  a  papa   1— n,   Ch.  s.  — 35  n   Pnigel- 

lier. 

-  X'ignerou   de   Bourgogne   3 —   Sul:^bach. 

-  \in   d'Alsace   3 —   Sulzhach. 

-  Vin    de    Cyth^re    1— n,    Ch.    s.   — 35  n    Pni- 

gellier. 

-  Visite  1 — n,  Ch.  s.  — 30  n  Hociele  nouvelle, 

2 —   ^^apolerio. 

-  \  ive   Paris    1— n,   Ch.   s.  — 35  n   Pnigellier. 

-  Voici    ma   bouche    1.75  n. 

-  Voila  ce  qui  disent  les  yeux   1.75  n. 

-  Voila   comm.   ca   vient   sans   qu'on   y   peuse 

l^u,  Ch.  s.  — 35  n  Pnigellier. 

-  \"!a  des  cocus !    1.75  u. 

-  ^■oila   la    vie!    ou    La    Marseillaise    de    I'ou- 

vrier   3 — . 

-  \'la  le  vitrier  qui   passe   1.75  n. 

-  Voisine   allons   cueillir   la    fraise    1 — n,   CA. 

s.  — 35  n  Pnigellier. 

-  Voix  divine  1 — n,  Ch.  s.  — 35  n  Pnigellier. 

-  Voulez-vous?   3 —   Eveillard. 

-  Vous  m'en  mettrez   une  caisse   1.75  n. 

-  Vous  ne  connaissez  pas  la   femme  1.75  n. 

-  Vous   u'etes  pas  parisiennes   1.75  n. 

-  Vous   n'osez   pas   le   dire   1.75  u. 
-Voyage  autour  de  ma  femme   1 — n,  Ch.   v. 

— 35  n   Pnigellier. 
Maquis    G.   et    Doloire,      La    plus   belle   iille 

!.75n   A   la   Chanson    nioderne. 
Maquis    G.   et    C.    Maupas,    Minuit   d'amour 

1 .75  n  G.  Sierer. 
Maquis   G.   &   Ouvrard,   Apr&s  sa   faute   3 — 

S  iilzhuch. 
Maquis  G.  et  L.  Simon,  Le  Bien  des  autres 

L75  n   .4.   la   Chanson    nioderne. 
Maquis   G.   &    L.    Halet,      Celle   qu'on   aime, 

valse,  0  2—  n  Halet. 


Maquis  R.  Les  Filles  de  Pontoise  3 —  Snlz- 
hdch. 

Mar  Earl  of,  Blessed  be  the  Lord  God,  verse, 
S   — Ty.   Novello,   — 10    Brainard. 

Mara  J.  de,  March  to  the  Cloister,  P  — 40 
Gordon. 

Marabini  G.  B.  op.  33  Tota  pulchra  es  Ma- 
ria, a  3  voci  cou  Org  - — 50  BertarelH. 

-  Adjutor    in    opportunitatibus     (C4rad.    rom. 

dom.  septuag.),  motetto  a  3  voci  con   Org 

1 —  n  BertarelH. 
Marache   N.  Let  me  go  once  again,  with   G 

— 25  Brainard. 
Maragliano   A.    Al   bagni   di   Alassio,   P   2 — 

Mariani. 

-  Annetto,   polka   2.50   Perosino. 

-  Dina,   P  2 —  ^[ariani. 

-  Piede   Alato  2 —  Mariani. 

-  Bicordo   d'Andorra,  P  2 —  Mariani. 

-  Taci !   chs  !  chs  !   Valzer  2 —  Mariani. 

-  Vachet  Fieramosca,  polka  — 50  Eerenheenil. 

Maraichere   1 — n,  Ch.  s.  — 40  n  Bornemann. 

Marais  Roland  (1686),  Chaconne,  VaP 
(Waefelghem)    3—   Dnrand. 

-  Mariee,    transcr.    et    harmonisee,    VP    1 —  n 

Rondanez. 
-3    Pieces    de    Viole,    P    (La    Tombelle) 
1.75  n  Dnrand. 

-  Sarabande,    VaP    (Waefelghem)    2 —  n 

Dnrand. 

-  Sonata   (C-major)   arr.  by  C.  S  c  h  r  o  e  d  e  r, 

^'(■P   1/ — n   Angener. 
Marak   Jan,   Brillantnl  fant.asie   z   op.   C  a  r- 
men,   VP   4 —   M.   Urbdnek. 

-  Clussique    et    Moderne,    Sammlung    der    be- 

riihmtesten  Kompositionen,  VP,  I — 11  a 
2.50  n  M.   IJrhdnek. 

-  Opern-Melodien,    VP    4^    Urbdnek. 

Maraldi    E.      L'ltalia    militare,    nuircia    con 

Fanf  2— n  Bratti. 
Maranghini     F.    Eerenbeemt:    Alba    ridente, 

valzer  1.50. 

-  Catena   di   rose,   maz.    1.25. 

-  Lina,  polka.  1 — . 

-  Oh  !   Op!   Galop   1.25. 

-  Sulle    rive    della     Dora,     serenata,     MandP 

1.50. 
Marangoni    E,   Foglia   1.50   Carisch. 

-  Passero   solitario   2 —   Carisch. 
Marangoni    F.    Ellade,    polka,    FIP    1.25    Ri- 

eordi. 

-  Smyrneenne,   P   1.25   Ricordi. 
Marangoni    G.    B.   Conte  Orlando   d'apres   S. 

M  o  1  i  n  a  r  o  :  Branle  gay,  d'apres  J.  13. 
B  e  s  a  r  d  e,  danses  du  XVI  siecle  recueil- 
lies  par  0.  C  h  i  1  e  s  o  1 1  i,  arr.  P  1.50  n 
Ricordi. 

-  In  Tempo   di   Mazurka,  P  2 —  n  Ricordi. 

Marangoni  L.  Ammaliante  (Fascinante) , 
maz.   1.50  n  Pisa. 

-  Dame  e  Fiori,  polka,   P  2.50   Mariani. 
-Vive   Cavouret!    Polka-Marche   1.75  n   Pisa. 
Marasco    Giuseppe,      II    Corteggio,     marcia 

grandioso,  facile,  Banda  2.50  n  Lapini. 

-  12  Studi  di  perfezionamento  per  la  Scuola 

del    CI   2— n   Ricordi. 
Marasso  F.  Duetto  3 —  Mariani. 


Maraval  E.  A  trovers  I'ocean 


142 


Marcailhou  G.  Amanda 


Maraval   E.  A  traAers  I'ocean,  gr.  valse  9 — 

Lapeyrie. 
-Premier   duo   d'amour    1 — n,   Ch.   s.  — 35  n 

Puigellier. 
Maraval    J.     Album    pour    la    Jeunesse,     P, 

I— II    a  2.50:    I:    N.  1.    La    Cornemuse,    2. 

Souvenir  du  bal,  3.  Entree  joyeuse  du  roi, 

4.    Chant    d'Alsace,      Menuet    pastoral,     a 

1— n. 

IT:    N.  1.    Ce   que    raconte   le   moulin,    2. 

Le    Chant    du    matelot,    3.    En    chasse !     4. 

Coeur  gros.     Prifere,   a   1 —  n  Societe  voii- 

velle,  N.  3.  En  chasse  — 25  Jurgenson. 

-  Carabana   1 — n,   Ch.  s.  — 30  n  Societe  nou- 

velle. 
-Gavotte     de    la     petite    Jeanne,      P    1.70  n 

Societe  notivelle. 
Maraviglla  G.  Bella,  qnal  rosea  aurora  3/ — 

Ascherberg. 

-  Fantasia    originale,    MandfV )P    6 —    Forli- 

resi. 

-  Konianza,   VP  3 —  Bralti. 

-  Souvenir,   polka   2 —  Brafli. 

-  Spiritosa,  mazurka  2.50  Brutti. 
Marazza  V.   op.  2  Una   triste  rimembranza, 

P   1.50  Kicordi. 

-  3   lu  Convalescenza,   P  2 —  liicordi. 
■8  Ti  rieordi?  P  2—  Ricordi. 

■Una  dolce  speranza,  P  1.50  Ricordi. 

Marble  W.  E.  13th  Regiment  March  (Two- 
Step),  1)1 0  — 50  Fischer. 

Marbot  E.  Salut  Sainte-Vierge,  duo  (ad 
lib.)    3 —  Carlereaii. 

Marc,  Patrouille  Algerienue,  P  2/ — n  Tur- 
ner. 

Marc-Burty,  Verriers  lorrains  1.75  n,  (7(.  s. 
—30  n    Roiunl. 

Marc-Chautagne  J.  Cocasseries  de  la  danse, 
(juadr.   1.70  n   Bornemann. 

-  Question    des   nez    {\\.\.   parl^)    1 —  n,   f7(.   s. 

— 35  n  Gregh. 
Marc  Constantin,  Baron  Brise,  CJt.  s.  — 25  n 
Le  Beau. 

-  Code    des   femmes   — 90  n,    67/.    s.   — 25  n    Le 

Beau. 

-  Pere  Bontemps   1 — n,   Ch.  .s-.  — 40  n   Borne- 

mann. 
-Petite  Marchande  de  jouruaux  — 90  n.  Ch. 

s.  — 25  n    Le   Beuu. 
-Tout    augmente    dans    Paris    — 90  n,    Ch.    s. 

— 25  n  Le  Beau. 

-  Venus  et  Bacchus  2.50  lleiigeL 
Marc-David,   Chansons  popul.   bretonnes,  ex- 

traites  du  recueil  de  melodies  bretonnes. 
Etre  daou  zen  yaounank  (Entve  2  jeuues 
gens)  ;  Sitoyen  Molarje  (Citoyen  mardi- 
gras)  ;  Grfes  mat.  Pier!  (A  la  tienn',  Pi-^^r  !) 
a  — 75  n  A  David-Quimper. 
Marc-lz,  Gypsie,  valse  tzigane  2 —  Gailhard. 

-  Ligoreza,   habanera,    VP   2 —  n    Oailhard. 
Marc-Joly,  Bergette  et  seigneur,  valse  2 — n 

CostaUat. 
-Myope    e  t    P  r  e  s  b  y  t  e,    operette    4 —  n 
Jouhert. 

-  Rubis  sur  I'ongle  3 —  ^ulzhach. 
Marc   M.  Sous  les  branches  5 —  Noel. 
Marc-Meny,  Effluves  d'alue,  valse  6 —  T'ois- 

siere. 


Marcailhou  G.  op.  16  Indiana,  gr.  valse 
brill.  1.50  Bonnefond,  1 — n  CostaUat, 
1.75  n  Coiitarel,  1.25  Debert,  1.75  n  Fa- 
tout,  Fromont,  Gallet,  1.70  Gregh,  5 — 
Heugel,      2.50  n    Jonbert,      1.70  n    Julliev, 

4 —  Katto,  5 —  Ledtic,  Legouix,  Lemoin<', 
1.35  n,  (simpl.  1 — n)  Lesigne,  6 — ,  (simpl. 
4 — )     Mathieu,    5 —    Mennesson,    3—    Noel, 

5 —  Ploix,  1.25  n,  (simpl.  — 65  n)  Roitart, 
1.50  ,^chott  Freres,  2'/.  Bg.  Andre,  1— 
Fdrstner,  1 — ,  (p.  pet.  ms.  1.25)  8chotl, 
Simrock,  2/6  Ashdown,  3/ — ,  (fac.  1/ — ) 
Augener,  — 25  Brainard,  3/ —  Chappell, 
Cramer,  —35  Bit  son,  3/—  Duff,  —40  Ellis, 
— 35  Gordon,  — /2  Sheard,  3/ —  Weekes, 
1/6  n    Wick  ins,    3/—    Willcocks,    2/6    Wil- 


n    Cottrau,    3- 
-50 


Mariani,    2 —  n 


Mams,    1 

Ricordi,  — 50  Elkan,  — 40  Sassetti,  Neu- 
parth;  Ifms  2.50  u  Gallet,  10 —  Ledtic, 
1.70  n  Lesigne,  6 —  Mathieu,  1.25  SchoU, 
1.30  Simrock,  4/ —  Ashdoicn,  1 —  Brainard, 
—90  Ditson,  4/—  Buff,  —80  Gordon,  3  — 
Williams,  2 —  Napoleao,  1.25  Hirsch  ; 
Fl(V )  — 25  n  Fromont,  1 —  Noel,  Cornet 
— 25  n  Fromont,  Mand(V)  — 20  n  Fatoiil, 
Mand  — 50  Sundron,  ConctrtinaP  2/6  As]i- 
doun,  VP  2.50  n  Gallet,  2VP  3—  8chotl, 
2P  4/ —  Cramer. 

Indiana  et  le  Torrent,  valses  1.50  n  Ma- 
thieu, edit,  de  poche  1— n  Mathieu, 
^50   Noel. 

Indiana,  valse,  &  J.  Jacob,  Souvenirs 
du  village,  m^lodie,  V,  Cornet,  Fl  — 20  n 
Debert. 

24  Circassienne,  gr.  valse  5 —  Lemoine,  I — 
Simrock. 

26  Fleur  de  Marie,  gr.  valse  brill.  5 —  Cc- 
nioine,  1 —  Simrock,  3, —  Ashdoion,  — 50 
Gordon. 

27  Sicilienue,  gr.  valse  brill.  5 —  Lemoine, 
1 —   Simrock,   — 50   Brainard. 

30  Velleda,  valse  5 — ,    J/zis  6 —  Grus. 

31  Suzanha,  valse  5 — ,    '^ms   6 —  Grus. 

38  Rose  et  Blanche,  2  valses,  J/ms  a  1.50 
Simrock. 

43  Olga,  gr.  valse  5 —  Lemoine,  1.30  Sim- 
rock,      Jyms    6 —    Lemoine,     1.30    Simrock, 

-    Hamelle,    1 .50 

nocturne,    /-•    6 —    Fhi- 


2.50   Gregh. 

favor  is,      Mand    1.' 


o  a 


Mand  — 50   S<rndron. 
SO    Inkermann,   niarche    5 
Schott. 

■  81     Rayon    d'ltalie, 

inelle. 

■  303  Gr.  Valse  brill, 

-  20    Airs    et    Da  uses 

Durdilly. 

■  Album     de    dauses     (Oeuvres    posthumec*)  : 

Mariana,  valse.  Brune  hirondelle,  valse. 
L'Espaguole,  valse.  Dernier  souvenir,  valse. 
Ma  viUe  natale,  polka.  Fleurs  du  Nord, 
polka-mazurka.  Fleurs  du  Midi,  polka- 
mazurka.  Souvenir,  polka-maz.  Marly, 
quadrille.  Soirees  de  Grenade,  quadrille 
2—  n   Gallet. 

■  Algerienue,    valse    brill.    1.75  n    Gallet,    1 — 

Schott. 

-  Amabiles,  valse  6 —  Noel. 

-  Amanda,  valse  brill.  6 —  Noel,   1 —  Schott. 


It 


Marcailhou  G.  Arabelle 


143     — 


Marcailhou  G.  Nemea 


1.50 

-'ftHS 


1.25 


-  Arjibelle,   valse   6 —   Lemoine. 

-  Arte    (li    comporre    ed    eseguire    la    inusica 

per  danza  10 —  Ricordi. 

-  Baguette  d'or,  gr.  valse  1.50  Schott. 

-  Bayaderes,  raises  en  2  suites  a  1.50  Schott. 

-  Belle    Agnes,    gr.    valse    6 —    Lemoine,    1.50 

Schott,  1.75  Ricordi. 

-  Berceuse,  A-alse  1.75  n  Gallet. 

-  Bon.-?oir  Monsieur  Pantalon   (op.  de  A.  Ori- 

f-ar),    valse    1.50   Gregh,  — 75    Schott. 

-  Bouton   de  rose,  gr.  valse  1.70  Gregh, 

Schott,   — 25    Brainard,    1.75    Ricordi, 
6—  Sulshach,   1.50   Schott. 

-  Bri.>e  du   soir,  reverie,  P  5 —  Lemoine, 

Schott. 

-  Bruno    et    Blonde,    2  valses    5 —    Lemoive, 

] — •  Simroclc. 

-  C'accia   reale,   valz,   Mund  — 80  Sandron. 
-Caul,    fant.    P    6—    Heugel,     1.25     Schott, 

valse  brill.   5 —  lieu  gel,   1.50   Schott. 
Carnaval   de   Venise,   air   populaire,   7*    1.25 
Debert. 

-  C-atalane,    polka    1 — n    Gullet,   — 50    Scholi, 

— 25   Brainard. 
-Chaiue  d'or,  valse  1.75  u  Gallet, 

-  C'hafne  magnetique,  polka  — 75. 

-  Chasse    royale,      valse    brill.     1.75  u.      .'//;'*• 

2.50  n  Gallet. 

-  Chatelaine,   polka    4 —    Noel. 

-  Circussa,  valz,  Mund  —50  Sandron. 

-  Clarisse    Harlowe,      gr.    valse    1.50    Scliott, 

— 50    Brainard,      1.75    Ricordi,      JfUis    6 — 
Joutjert,   Siilzbuch. 

-  Claudine,     polka-maz.      1 — n     Gallet,     — 50 

Schott,   —35    Ellis. 

-  Cleopatra,  gr.  valse   1.50  Schott. 
-Coquette,  valse  brill.  1.75  u  Gallel,  2  6  A.s/(- 

dovn.  4 —   'Williams. 

-  Couronue   de   roses,   valse   brill.    1.50. 

-  Couronne    de    Violettes,    valse    brill.     2 —  ii 

Gallet,    I—   Schott,  J,ms   2.50  n   Gallei. 

-  CroAvn    of    roses,    waltzes     (H.    Cramer), 

'/ms  —35,   FlfVjP,     Gordon. 

-  bans  la  Vallee,   fant.   1'   1.25. 

■  Danse    des    Koses,    polka,    et    \'ert-A'ert,    re- 

dcwa    1.25. 

-  Die    Namenloseu,    Walzer    1.30    Bote. 

-  Donna    ilaria,  gr.   valse,    '/nis   6 —  Lemoine. 

-  Oonna   Sabine,  valse  brill.   1.50  Schott. 

-  Echos   du   vallon,   valse  brill.    1.75  n   Gallet. 

Ecole  moderne  du  Pianiste,  traite  theoriqne, 
analitique  et  pratique  pour  servir  d'lntro- 
duction  aux  comjiositions  de  T  h  a  1  b  e  r  g 
et  de  son  ecole  (Theoretisc-lie  und  prak- 
tische  Anweisung  fiir  P,  um  als  Einlei- 
tung  zu  T  h  a  1  b  e  r  g's  Werkeu  etc.  /,u 
dienen)    7.75  Schott. 

-  lu-ureuil,  gr.  valse  5 — Lemoine,  l.oO  Schott. 

-  Elisabetta,  valze  sopra  motivi  dell'opera   di 

Donizetti,  P  2.25   Ricordi. 

-  I^li.-e  et   Marie,   2  valses   5 —   Lemoine. 

-  E Iodic,   valse   6 —   Xoel. 

-  Entrain,  quadr.   1 —  Scholi . 

•  Esperance,    polka-maz.   — 75    Schott. 
■Etoile  du  Xord,  \alse  1.75  n  Gallet. 

-  Eugenie,  polka   5 —  Noi^l. 

■  Fauvette,    gr.    valse      5 —     Lemoine,      1.50 

Schott,    .'fms    6—    Lemoine. 


-  Fenella,    valse    brill.    1.50    Schott,    3.30    Ri- 

cordi. 

-  Feu,  valse  brill.  1.50  Schott. 

-  Feuilles  d'automne,   idylle,    P  4 —  Lemoine, 

— 75  Schott,  — 50  Brainard. 

-  Fille   des   Fleurs,   gr.    valse    1.50   Schott. 

■  Fleur  de  Bois,  valse  1.75  n  Gallet. 

-  Fleur   d'Esperance,   gr.   valse   1.75  n   Gallet. 

]. 50  Schott,     J^ms  2.50  n  Gallet. 

-  Fleur   du   souvenir,   valse  brill.    1 —  Schott. 

-  Fleurs    d'Allemagne,      8    valses      de    L  a  - 

b  i  t  z  k  i,  Lanner  et  Strauss:  1. 
Les  Anemones  (Les  hommages),  2.  L'Au- 
bepiue  (La  belle  Gabrielle),  3.  Les  Bru- 
yeres  (Les  Germaines  a  Paris),  4.  L'Eglan- 
tiue  (La  belle  Rose),  5.  Le  Geranium  (Les 
Dentelles  de  Bruxelles),  6.  L'Hortensia 
(Woronzoff),  7.  Le  Myosotis  (Le  r&gne  de 
la  folie),  8.  Les  Primeveres  (Les  chants 
du  Danube),  a  4.50. 

-  Fleurs   de   diamps   et    Fleurs   des   salons,   2 

polkas  a  — 50  Schott. 

-  Folie,  valse  6 —  Noel. 

■  Folie,  valse,  &  J  o  u  r  d  a  u,  Liseron  Topa/i-. 

var.sovienne.   Cornet,   Fl,   V   1 —  Noel. 

-  Gazelle,  valse,  .'fms  3 —  Lemoine. 

-  Gout    du    jour,    2  polka-maz.    — 75,    a    — 50 

Schott. 

-Grande  Fantaisie  brill,  sur  I'Edeu  (F.  Da- 
vid), P  2.50  Bornema)ni. 

-Irresistible,  valse  el^g.  1.75  n  Gallet,  1 — 
Schott. 

-  Juana,    valse    sentim.    1.75  n    Gallet,      — 75 

Schott,  — 35    Gordon,   — 30   Willig. 

-  Lelia,   polka-maz.   5 —   Noel. 

-  Ltdia,    schott.   —75    Schott. 

-  Lelia,  gr.  valse  5 —  Lemoine. 

-  Lisette    et    Ninette,      2    valses    1 —    Schott. 

— 30  Sassetti. 

-  Luisa   Miller    (oper),  polka   1 — ,  polka-maz. 

— 75,   valse   1 —  Schott. 

-  Marche  des  Beiges,  chant  patriotique  — 50 

Schott. 

-  6  Marches,  tirees  d'operas  1.25  Schott. 

-  Maria,   redowa  — 75  n   Le  Beau. 

-  Melaucolie    et   Myst&re,    valse   2 — n    Gallet. 

-  Mignonnettes,    3    valses    tr&s    faciles    2 — n. 

en  feuille  chaque  1 — n  Gallet,  1.50,  (a 
—50)  S-hott,  —30  Sassetti,  V  —10,  Fl(\'/ 
P  —30,  VG  —30,  2VG  —40,  2VP  —40, 
CI  in  CG  —30,  ClinCP  —30,  2CIG  —40, 
2CIP  —40,  FIG  —30,  FlCl  in  CG  —40. 
FlClinCP  —40,  FIVG  —40,  FIVP  —40, 
Mand  —10.  2Mand  —20,  MandG  —30. 
VClinCG  40,  VCl  in  CP  —40,  VCIFIG 
—50,  VCIFIP  —50,  VFl  —20,  FCT  in  C 
—20,  YMand  —20,  2V  —20,  FlCl  in  C 
—20,  FlMand  —20,  CI  \nC  Mand  —20. 
2Cl  —20,  2MandG  —40,  MandP  —30, 
2MandP  —40,  2Mand  or  V,  G  with  P  ace. 
— 60  Brainard. 
■  Minette  et  Lisette,  2  ^alse  — 80  n  Lemoine. 

-  Mon  petit  chalet,  polka  sur  des  airs  suisses 

1.35  n    Lesigne. 

-  Moonlight   waltz   — 35    Gordon. 

-  Mousse  d'or,  mazurka,  P  5 —  Ilamelle. 

-  Nemea,  valse  6 —  Noel. 


Marcailhou  G.  Ninette  et  Lisette 


144     — 


Marcarini  G.  Rataplan 


N.  1—2 


(li- 


en 


1.50 


1- 


Xiuette  et  Lisette,  2  valses  fac.  5- 
a  3 — ,  Jftns  a  6 —  Lemoine. 

Xoemi,  valse  brill.  1.75  n  Gullet. 

Oevres    Posthumes,    album    de    danses 
verses,  P  2 —  u    Gallet. 

Pervenche,  gr.  valse  5 —  Lemoine. 

Petites   Etoiles,    3  valses   faciles    1.75  n, 
feuille,  chaque   1 —  n  Gallet. 

Petits  Lutins,  2  valses  faciles,  chaque  1.50  u 
Gallet. 

Point  du  Jour,  valse  brill.   1.75  n  Gallel. 

40   Polkas,    Mavd   1.25  n    DurdUlij. 

Kaphaela,   valse    brill.    1 —    Gallet. 

Raymond,   pastorale,   polka-maz.   4.50   Heu- 
gel,  — 75  Schott,  scliottisch   1 —  Schott. 

liayon   de   Lune,   polka-maz.   5 —   Noel. 

Rebecca,    valse    brill.    5 —    Lemoine, 
Scholt. 

Peine   des   Roses,    valse   3 —   Lemoine. 

Rose    et   Bluet,   2  valses   5 —   Lemoine, 
Simrock. 

Rose  royale,  valse  5 —  Lemoine. 

Si  j'e  t  a  i  s  R  o  i,   valse  5 —   Lediic. 

Sicilienne,  valse  brill.  1.25,  J,ms  1.50  Gallet. 

Souvenir,  gr.  polka-maz.  4 —  Lemoine. 

Souvenirs  des  Pyrenees,  maz.   de  salon  5— 
Lemoine,    1.25    Schott. 

Starlight,    waltz    — 35    Gordon. 

Sunlight,   waltz  — 35    Gordon. 

Torrent,  gr.  valse  brill.  1.50  Bonnefond, 
l__ii  Costallaf,  1.75  n  Coutarel,  1.25  i>c- 
herf,  1.75  n  Fatoni,  Fromont,  Gallet,  1.70 
Gregh,  5 —  Ileugel,  2.50  n  Joubert,  5 — 
Katto,  Leduc,  8—  Legouix,  5—  Lemoine, 
1.35  n  (simpl.  1 — n)  Lesigne,  6 —  Mar- 
chand,  6 —  (simpl.  4 — )  Mathieu,  5 — 
Mennesson,  3 —  Noel,  5 —  Ploix,  1.25  u 
Rouart,  1.50  8chott  Freres,  1.25  (fac. 
— 75)  Schott,  1 —  Fiirstner,  3/ —  Ashdoun, 
Chappell,  Buff,  —40  Gordon,  3—  Ma- 
riani;  I/ms  2.50  n  Gallet,  9 —  Leduc,  7.50 
Lemoine,  1.70  n  Lesigne,  6 —  Mathieu,  2 — 
Schott,  V,  Fl,  CI,  Pist,  Mand  — 30  n 
Gallet,  VfFl)  1—  Noel,  Fl(V,  EauthjP 
5—  Gruii,  2yP  3.50  Schott,  Mand  —50 
Sandron,  0  2 — n  Gallet. 
■Torrent,  valse,  &  .1.  Jacob,  Fille  du 
mandarin,  melodic,  V 
Deberl. 

r.    valse 


,    Cornet,    Fl    — 
5 —    Lemoine, 
Deherf,    1.75  n 
,    5 —    Lemoine, 
3 —    Lemoine, 
Gallet. 


10  n 


1.50 
Fa- 
1.50 
].50 


Toulousaine,    g 

iicholt. 
Tourbillon,    valse    1.25 

tout. 
Tourterelle,    valse   brill 

i^chott. 
Val    d'Andorre,    valse 

i^chott. 
^'aleria,    gr.    valse    1  — 
Valse    av.    theorie    et    figures    1.35  u    Clion- 

dens. 
•2  Valses  eufantines :   1.  Fete  a  grand'-papa, 

2.   Fete   a   graud'-maman,   a  3 —  Heugel. 

■  20    Valses    choisies    1.50  n    Leduc. 

■40   Valses    1.50  n   Gallel,   Mand   1.25  n   Dirr- 
dilly. 
Varsoviana,  P   1.35  n   Choudens. 

■  A'eritable,    polka,    arr.    for    Fl   eller    Y   lUcd 

ackomp.  af   G  — 50  Hirtirh. 


-  Violettes,  polka   1 —  Bcvilacqua. 

-  Vivandiere,  ballet,  quadr.  1 —  tichott,  valse 

Ci —  Lemoine,   1.50  Schott. 
Marcarini     Demetrio.    Ricordi:    Impromptu, 
P  3—. 

-  Passo   di   carica,   galop,   I^ms  5 — . 

-  Ronianza  :   Madre!   un'ambascia   ignota  2 — . 

-  Tarantella,  P  2.50. 

-  Valzer,  3 — . 

Marcarini    G.      Addio     alia    prode     armata 

francese   2 —    Mariani. 
Marcarini    Giuseppe.    Ricordi:    Autunuo    a 

Verzago,  reverie,  P  3 — . 

-  Bressanoro,    P   2.50. 

-Breve  metodo  elementare  per  P  2 — n  Mar- 
tinenghi. 

-  Canrobert,   marcia    1.50,   Banda,   Part    4.50. 

-  Canti  corali :    I   5 — n:   N.  1.   Gia  la   tromba 

souora  rimbomba  1 —  n.  N.  2.  Son  tribo- 
lato,  son  poverello,  3.  Rataplan,   rataplan, 

4.  Giovinetto  d'ltalia   son  io,  a    1.25  n.    N. 

5.  Soldati  siam  d'ltalia   1.50  n. 

ir  5 — n:  N.  1.  Squillam  le  trombe 
1.25  n.  N.  2.  All'armi  !  All'armi !  1.50  n. 
N.  3.  Soldato  anch'io  1.25  n.  N.  4.  11 
Fabbro  Ferraio  1.25  u.  N.  5.  II  vecchio 
Sergente  1.75  n. 
-5  Canti  corali  5 — n:  N.  1.  L'Esule  1 — n. 
N.  2.  I  Profughi  di  Parga  — 75  n.  N.  3. 
Le  ^\lpi  1.25  n.  N.  4.  La  Lega  Lombarda 
1.25  n.   N.  5.  Tirteo   1.75  u. 

-  Disinganno  e  Conforto,   melodia   3 — . 

-  Element!    di    Musica,    con    nozioni    prelimi- 

nari,  per  la  Scuola  di  Canto  Corale  2.50  n. 

-  E.sercizi,    Solfeggi    e  Canoni    per    la    Scuola 

di  Canto  Corale,  Anno  I — III  a  2.50  u, 
Parti  coro  sep. :  Anno  I  — 75  n,  II — III 
n   1.25  n. 

-  Esercizi    estratti    dal    metodo    da    eseguirsi 

giornalmeute  dagli  affrendisti  di  P  2 — 
Murtinenghi. 

-  35    Esercizi   progressivi.   Guida    alia    Scuola 

della  A'elocita,  op.  299  di  C.  C  z  e  r  n  y, 
P  15—:  Fasc.  I  2.50,  II  3—,  III  3.50,  IV 
3.50,   V— A^I    a   4—. 

-  Foglie   dauzanti,    di   Tito   M  a  1 1  e  i,   mor- 

ceau    de   salon,   variato,   P   5 — . 
-Francesca    da    Rimini,    opera: 

Preludio   Sinfonico,   IfUis   5 — . 
Duetto-Finale  Atto  I:   Paolo  e  Lanciotto: 
Di   congedo   al  mesto   addio   5 — . 


Lanciotto :  O  Fran- 
Paolo  : 
Paolo : 


Sceua    e    Romanza : 

cesca  mia !  3.50. 
Preghiera    e    Duetto:    Francesca    e 

Dal   giorno   che   di   Rimini   6 — . 
Atto    III :    Preludio    e    Romanza : 

Francesca    son    morir !    3.50. 

-  II   buon   augurio,   siciliana,   ^ms  5 — . 

-  Imeueo,   valzer  3.50. 

-  Marcia    Lamarmora    1.50. 

-  Moviamo   all'ara,    duettino   3.50. 

-  Notturnino.  P  3 — . 

-Petit    Album    de    Danses    4.50 :    N.  1.    Valse 
3.25.   N.  2.   Polka    1.25.   N.  3.   Polka    1.25. 

-  Rataplan,    coro    per    gli    Esercizi    Militari 

Italian!,    espressamente    composto    ad    uso 
dei  Collegi   3.50. 


M 


Marcarini  G.  Rimembranxe  di  Tavernio      —     145    — 


Marcello  B.  Kyrie 


-  Kimembrauze  di  Tavernio,  P  5 — . 

-  Honia  e  Venezia,  canto  marziale  degli   Ita- 

liani,   a  3   voci    3.50. 

-  Rovellasca,   P  2.50. 

-  Scale    in    tutti    Toni    magg.    e  Coro    somi- 

glianti    min    con    fas.saggio    di    attacco,    P 
2.50  Martinengln. 

-  Scherzo,   P  2.50. 

-  Sulle  Alpi,  P  3—. 

-  Tuba  mirum  e  Mors  stupebit,  per  iS  e  coro 

con    Oiii   4 — . 
Marcato    B.    O.    Gordon:      Evening    Prayer, 
Saviour      breathe      an      evening      blessing 
^r;  o  e  n  e  n)    —35. 

-  Praise  ye  the  Lord,  8A  — 35. 

-O    Saviour    precious    Saviour    (K  r  e  b  s) ,    jS' 
or  T  —30. 

-  Saviour,      breathe      an      evening      blessing 

(Cown)    —35,   Bar(B)   —35. 
-Wonders   of   his  love    (Riegg),   Bar  — 40. 

-  Wonders   of   his  love,    Bar(B)   — 25. 
Marceau   — 25  n   Dehert,   1 — n   Jouiert. 
Marcel   Ch.  Brise  de  soir,  vals   1 —  Nordisk 

Mxsikforlnij. 
Marcel    Ef.    Je    crois    en    toi,    Mutuelle    des 

auteurs  et  compositeurs  de  mMsigwe-Paris. 
Marcel    F.    Les    petits    pas,    nienuet,    P    5 — 

Muroky. 

-  Valse  du   Vieux-Paris  6 —  Maroky. 
Marcel    Henri,   In   Arcadia,   P  3 —  Larway. 

-  Light   Infantry,   march   3/ —  Larway. 

-  Sweet  spirit,  hear  my  prayer   (W  a  1 1  a  c  e) , 

a  _25   Difson. 

-  Whispering  Wavelet,  P  3/ —  Larway. 

Marcel    P.   op.   32   Souvenir   de   I'exposltion, 

march  — 50  Gordon. 
Marcelle    Georges,    Eiflel,    polka    1.50    Cou- 

tarel. 
Marcelles,   Chanson   des   bles   1 — n   Joiihert. 

Marcelles    M.    P.    B  a  b  y  I  o  n  e  s,    prophetie- 

lyrique,  ChP  6 — n  Jouheri. 
Marcelles    P.    B  a  b  y  1  o  n  e  s,    prophetic    ly- 

rique  en  23  tableaux,  ChP  6 —  n   Mazo. 

-  Chemise,      Ondet. 

-  Dodinette   1.70  n  Enoch. 

-2    Fables   de   M.    Zamacois:      1.    Caviar. 
2.   Avocat.     Ondef. 

-  Lavande   philosophe.      Ondet. 

-  Pauv'  p'tits  fieux  1 — n,  Cli.  .s.  — 30  u 

art. 

-  Pour  la  patrie.     Mazo. 
■  Prince    consort,    comedie    fantaisiste 

actes,   Part,    ChP   2— n    Mouillot. 

-  Saison   des   roses   1.70  n   Enoch. 
-Surprises    du    teleplione    1.50  n    Ondet. 

-  Tlirough  the  fields  of  corn  — 35  Ditson. 
Marcelin    H.  O   salutaris   1 — n  Ploix. 

-  Ouverture  du  mois  de  Marie,  3  voix  2.50  u 

Ploix. 

-  Kegina    coeli    (en     sol),     4    voix     d'hommes 

— 50  n  Le  Beau. 
Marcel  I  in!   C.   L^n   primo   pensiero,  tempo   di 

mazurka,   P    1.50. 
Marcellino  E.  op.  30  Tarentelle,  P  7.50  'Noel. 

-  31    Belle   de   nuit,  bluette,   P  5—  Noel. 

-  32  Sur  le  Lac,  P  7.50  Noel. 

-  33   Etincelle,  P   6—  Noel. 


Ron- 


en 


-  34  Mapola,  gavotte,  P  6 —  Noel. 

-  36   Menuet,   caprice,   P  5 —  Noel. 

-  Babillage  d'enfants,  P  4 —  Pepin. 

-  Bolero,  P  6 —  Carbonel. 
•  Gavotte  5 —   Carbonel. 

■  Lettre  a  un  reserviste  3 —  Pepin. 

■  Parti   3 —  Pepin. 

-  Promenad,    nocturne,    P    5 — .      Uastulo,    P 

4.50.    Scherzo    capricioto,    P    2.50. 

-  Propos    d'amour   2.50  u    Blanchi. 

■  Reverie,  PVc  5 —  Pepin. 

Marcello    Benedetto      (1686—1739),     Agnus 
Dei,  CTB  av.  Org(U)   1— n  Costallat. 

-  Agnus   Dei,   2B   1 —  n   Per^gally. 
-Allegro     (Es-m.),    Andante    (B-m.),    Presto 

(C-m.),    livr.    XVII    des     oeuvres     choisies 

des   c#l&bres    clavecinistes,    P    6 —    Hengel. 

-Andante    (Pa  pin),    VcP    1.70  n   Costallat. 

-  A  r  i  a  n  n  a,    intreccio    scenico-musicale    (0. 

Chilesotti)    6 — n  Ricordi. 
-Arietta:  „Q.uella  fiamma"    (Dieses  Gliihen), 
aus  einer  Cantate   1 — ■  Kistner. 

-  As  the  hart  panteth,  2  trebles  2/6  Ashdown, 

— /9  Novello. 

-  Auf  dich  Herr,  traue  ich    (P.salm  7),  siehe 

Stapf    Ernst;    op.    7. 
-Ave  Maria,  B(C)  siy.  OrgfH)  1.25  n  Costal- 
lat. 

-  Ave  Maria,  solo  de  MS(Bar)  1 —  n  Durand. 

-  .\ve   Maria,    T-s.  (S-s.)    av.    Org   — 50  n    Pi- 

natel. 

-  Ave   verum    1 —  n    Durand. 

-  Bergers  de  Bethleem,  noel  1 —  Brahy. 

-  Cantate   „Dopo  tante  e  tante  pene"    (Nach 

dem    Leid,    dem    vielen,    schweren)     3 
A7idre. 

-  Christus   resurrexit,   SATB   7.50   Peregally. 

-  Coeli    enarrant,   psaume   a   4  voix   av.    Org 

1 —  n  Choudens. 

-  Confitebor  Tibi,  3  voix  av.  Kb  1.70  n  Chou- 

dens. 

-  Duo,  pour  2S,  extrait  du  41e  psaume   1.35 

Schott   Freres. 

-  Ecce  enim  veritatem,  TTB  — 40  n  Bote. 

-  Flagello    dei    Musici,    capriccio,    STB 

Ricordi. 

-  Fragment  du  Psaume 

-  Give   ear    unto   me,    0 

— /2  Novello. 

-  Heavens    declare    the 

chamber    anthem    for    3 
doirn. 
-I  cieli  immensi  narrano    (Salmi),  arr.  by 
Callrott,   P  1/6  Augcner,    (G.  Bizet) 
3 —  Heuqel. 

-  Illuxit  dies  tertia,  SATB  &  20rg    (ad  lib.) 

2.50  n  Peregally. 

-  In  omnem  terram  exivit,  canone  triplice  a 

6  V.   1—  Bertarelli. 
■  Inviolata,   2   voix  eg.  &   Org  — 60  Procure. 

-  Jehovah's  Power,  fern,  chorus,  3  pts.  — 12  n 

Sch  irnier. 

-Kantate:  Dopo  tante  e  tante  pene  (Nach 
dem  Leid,  dem  vielen,  schweren)  1.50 
Andre,   2^j.,  Bg.   Heinrichshofen. 

-Kyrie,  TBf'SA)  av.  OrgfH)  1— n  Costallat. 

-  Kyrie,    MTB    av.    OrgfH)    1.75  n    Costallat, 


Bg. 


4.50 

XXI  3—  Hamelle. 
Lord    1/6    Ashdown, 


glory 


of 
trebles 


Jehovah, 
2,6    Ash- 


Universal-Handbuch  der  Musikliteratur.    -M. 


10 


Marcello  B.  Kyrie 


—     146 


Marcello  B.  50  Salmi 


da  11    empia). 
P  4.80   Bos- 


Kyrie,    ^ATB    1.50  n    Perecjallij. 
Laberinto    (le  Labyriuthe),  P.     Monde  mu- 
sical. 
Largo   (Commiione)   — 35  Musica  sacra. 
Largo  et  Allegro,  P  — 40  n  Gebethner. 
Lauda   et  laetare,   TB   1.50  q   Peregally. 
Messa    di    Clemente    XI    a  4   voci   con    Org 

{B    uumerato)    2 —     BerturelU,    6 — n     Ri- 

cordi. 
Nahet    euch     zu     dem   Herru    (33.    Psalm), 

siehe   S  t  a  p  f   Ernst,   op.   7. 
Non   m'fe  grave   1 —  u   Ricordi. 
O   cieli    immensi,    !f^ns   3/ —   Augener. 
O    fortuuato,   duetto   4 —   Heiigel. 
0    gliickselig,    ihm     zu     leben     (32.    Psalm), 

siehe   S  t  a  p  f    Ernst,    op.    7. 
0  Lord,  our  governor   1.'6  Ashdoicn,   1/ — n 

Augener,    Chappell,     13    Novello,     P    1, — 

Willi't  ms. 
0    Pastor    Israel    (Qual    anelante),    S8    1/3 

Novello. 

■  O  quam  suavis  est,   88  — /9  Novello. 

O  Sacrum  convivium,  8TB  — 10  Procure. 

■  Occisus  es  Domine,   TB  1 —  n  Peregally. 
One     thing     have     I     desired      (Non     per5 

d'ampi),   aria   1/ — n   Augener. 

■  Pastorale,  Org(E)  — 20  Musica  sacra,  — 25 

Bertarelli. 
■Pie  Jesu,  ouv.  av.   Org  — 50  n  Pinatel. 

■  Preludio,  P  — 50  Hug. 

■  Preserve    me,    Lord     (Signor ! 

aria  1 — n  Avgener. 

■  Presto  aus  der  C-moll-Sonate. 

worlh. 
■12    Psalmeu     fiir    Solo   und     Chor    (Lind- 
p  a  i  n  t  n  e  r) ,   Part  m.   unterl.   KA   6 —  n, 
jede  Chorst  — 60  Zumsteeg. 

-  Fsalmen :    1.  Seht  er  vvird    (Egli  sara  qual) 

— 50  8chlesinger.  Denn  er  wird  sein  wie 
ein  Baum  ■ — 20  Bote.  7.  Icli  scliau  von 
liinnen  1.25  Zumsteeg.  10.  Choeur,  8ATB 
3 —  Eeugel.  12.  I  cieli  immensi.  Org  1.35  n 
Durand.  15.  0  Herr  (Signor,  dall  empia) 
4Vj  Bg.  Eeinrichshofen,  — 50  8chlesinger. 
17.  In  meines  Herzens  (In  mezzo  a  tanti) 
— 50  8c}itesinger.  18.  Chor:  Die  hohen 
Himmel  2—  Zumsteeg.  20.  Duett:  All 
mein  Begehreu  1 —  Zumsteeg.  21.  Verset : 
O  Herr  (Signor  montardi)  — 80  8chlesin. 
ger,  3 —  Hamelle.  26.  Wenn  der  Hochste, 
meine  Sonne,  vide  :  E.  S  t  a  p  f .  30.  Vater 
fiir  all  1 —  Zumsteeg.  32.  Chor:  O  gliiek- 
selig  1 —  Zumsteeg.  41.  Duett:  Wie  der 
Hirsch  1 —  Zumsteeg. 
vom  Erhab'nen  1.25 
S  t  a  p  f . 

-  Psaumes  textes   it.   et   fr.   7 —  n   Durand. 

-  Quel    anelante,    duet,    in    G   3/ —    Ashdoirn, 

2/6  Cramer,  — /9  Novello,  — 65  8chirmer, 
P  1/6  Augener,  1/ —  Chappell,  Jfms  2  6 
Augener,    1/6   Chappell. 

-  Quella   fiamma    1 —  n    Ricordi. 

-5  sacred  duets  from  the  Psalms:  1.  O  Lord, 
my  God.  2.  Hear  me  when  I  call.  3.  To 
Thee  I  cry.  4.  Make  haste,  0  Lord.  5.  O 
put  thy  trust,  a  3/ — ,  edition  14  compl. 
1/ —  n  Ashdown. 


42.    B-Arie:    Einst 
Ztimsteeg,     vide     E. 


-  50  Salmi,  corredati  del  basso  originale  e 
della  trascrizione  per  Org(P),  i  5  volumi 
41 — ,    iin    volume    separate    9 —    Ricordi: 

Volume   I : 

1.  CB:   Beatus   vir   qui   non   abiit  in   con- 
silio   impiorum    1.20. 

2.  CB:    Quare   fremuerunt   gentes    1.30. 

3.  SC :     Domine    quid     multiplicati    sunt 
1.15. 

4.  8C :      Cum     invocarem     exaudivit     me 
D(us    1.20. 

5.  CB:    Verba    mea    auribus    percipe    Do- 
mine   1.55. 

6.CB.    Domine,   ne  in   furore  tuo  arguas 
me   1.35. 

7.  8B :   Domine  Deus  meus   in  te  speravi 
1.95. 

8.  C :  Domine   Dominus  noster   1.05. 
9.CTB:   Confitebur   tibi   Domine  2.75. 

X!  10.  8CTB:   In   Domino   eonfido    1.20. 
V/j   11.  CC :   Salvum   me   fac  Domine   1.35. 
//x    12.  CT :      Usquequo      Domine     oblivisceris 
1.60. 


IC-  14. 

I'r.  17. 

10'  19. 
7{  20. 

fl%  21. 


Volume   I  [  • 

BB :  Dixit  insipieiis  in  corde  suo    1.75. 

8:  Domine,  quis  habitabit  — 95. 

C:   Conserva    me,   Domine    1.30.     1 

TT :   Exaudi,   Domine,  justitiam   meam 

1.65.        X  O 

CTB.   Diligam  te  Domine  3.05.  V  4> 

CTTB:    Coeli    enarrant    1.95.    /  S' ^ 

CTBB:  Exaudiat  te  Dominus  1.55.  J  Ti 

CCTB:    Domine   in    yirtnte   tua   laeta- 

bitur   1.95.  5>  »  ci 

C:    Deus,    Deus    meus    respice    in    me 

2.05.  ^■'  6   / 


Volume  III : 
Dominus    regit   me    1.40.  -"^ 


;) V  22.  CT;    Dominus    regit   me    1.40.  vT  £> ^ 
?M    23.  CTB:   Domine   est  terra    1.90.  3  5  T 

24.  TB:  Ad   te   Domin.>  levavi   2.253^  j 

25.  CTB:   Judica  me  Domine   1.75.  i^/j 

26.  STB:    Dominus    illuminatio    mea    2.35. 

27.  SC :  Ad  te  Domine  clamabo,  Deus  meus 
Sileas    a  me    1.70. 

28.  CTB :  Afferte  Domino  filii  Dei  2—. 

29.  TB.-    Exaltabo  te   Domine    1.55. 

30.  CTB.-    In   te    Domine   speravi   2.05. 

Volume  IV: 

31.  CTB.-   Beati   quorum   remissae  sunt  iu- 
iquitates   1.85 

32.  CTB:   Exultate   jus-ti   in   Domino   2.25. 

33.  CB.-     Benedicam     Dominum     in     omni 
tempore   1.80. 

34.  CTB:   Judica  Domine  nocentes  me  2 — . 

35.  TB;    Dixit   injustus    ut    delinquant   in 
semetipso   1.40. 

36.  SCTB;    Noli    aemulari    in    malignanti- 
bus  2.25. 

37.  SC:  Domine,   ne  in   furoie  tuo  arguas 
me  1.55. 

38.8:    Dixi,   custodiam   vias   meas    1.05. 
39.  CB;      Expectans    expectavi     Dominum 
1.75. 


.1^1 


Marcello  B.  50  Salmi 


—     147     — 


March  Album  I 


V; 


40. 


41. 


44. 


intelligit 


super   ege- 
desiderat    Cerviis 


Volume 
CTB:   Beatus  qui 
num   1.45. 

SS:    Quemadmodum 
1.55. 
42.2?.-   Judica  me  Deus   1 
■iS.SCTB:    Deus    auribus 
mus   1.90. 

Eructavit  cor  meum  verbum 
1.70. 
Deus    noster    refugium 


.05. 
uostris 


audi\i- 


bo- 


45. 


et    virtus 
Omues    gentes     plaudite     luanibus 
Dominus    e    laudabilis 


Magnus 
1.60. 

,Vudite    hoec   oiunes   geutes    1.60. 
Deus   Deorum   Dominus    1.75. 
Miserere  mei,  Deus  3.20. 

on   3   voix  eg.  &   Org  — 60 


CTB: 
num 
CB: 
1.30. 

46.  ;Sf: 
—95. 

47.  STB: 
nimis 

48.  CTB. ■ 
■id.SCB: 
oO.CTB: 

-  Sicut  Cervus.   2 

Procure. 
-Sonata    (E-minor)    &   Grazioli:    Sonata 

(in  F) ,  arr.  by  S  c  li  r  o  e  d  e  r,   VcP  1/ —  u 

Augener. 
-Sonata       (A-minor)       &       Boeclierini: 

Rondo,  arr.  by  C.  S  c  h  r  o  e  d  e  r,   VcP  (in 

A  u  g  e  n  e  r's   Ed.)    1/ — n   Augener. 
-2   Sonatas    (in   G  &  C),  arr.   by  S  c  h  r  o  e- 

d  e  r,  VcP  1/ —  n  Augener. 
-2    Sonatas:     (G-minor,     F-major,     arr.     by 

Sebroeder,    VcP    1/ —  n    Augener. 

-  Sonate  du   18.   siecle,  P  —80  Hug. 

-  Sonate,  P   (Klavierstiieke  aus  den  Konzert- 

Programmen     von     Frau    Wilhelmine 
S  z  a  r  V  a  d  y,    Heft    3,    Nr.    2) .    D-m.    2— 
l<enff. 
-Sonate    (D-m.),   Org  2.50   Heugel. 

-  Sonate,   P   3 —   Ricordi. 

-  4  Sonaten,  VcP   (A.  Moffat,  op 

1    1.75,  Nr.  2—4  a  2—. 

-  4  Sonaten,  7''7  m 

m.),  4.    (G-m.), 
Costallat. 

-  There    is  a    river,    2   trebles    2/ — 

-  There    is  a    River ;    &    But    thou 

leave    (Carl    M  ii  1 1  e  r  :    Gems 
del  etc.  N.  6),  F  1/6  Williams. 

Marcello   J.   Pie   Jesu,   solo  — 75  n   MuraiUr. 

Marcello  M.  Mariani:  Op.  16  Arc-en-ciel- 
musical,  5  petits  morceaux  elegants  et 
doigtes,  P  6 — :  N.  1.  Petite  fantaisie  sur 
le  Bravo  de  Mercadante.  2.  Melodic 
du  Stabat  de  Rossini.  3.  Chansonnette 
du  Crispino  de  R  i  c  c  i.  4.  Noctur.  sur  la 
Romance  du  Saul  de  M  a  r  c  e  1 1  o.  5.  Ca- 
price sur  la  Linda  de  Donizetti,  a 
2—. 

-  32  La  Croce,  romanza  2 — . 
-33  Versetti,   Org   2—. 

-  Balilla,  capriccio,  P  2^. 

-  Canzoncina  1 — ,  Org   1 — . 

-  Fantasia   sul   Profeta   di   Meyerbeer,   P 

3.50. 
-Mazzolino  primaverile,  raccolta  di  ballabili 
facili  ed  eleg.  P  4 — :  Fa.sc.  I.  Valzer  e 
Mazur.  II.  Polka,  Schottisch,  Galop  e 
Italiana.  III.  Contraddanza  e  Monferina, 
Mazurka  e  Polka,  a  2 — . 


19),  Nr. 


P:  1.    (F),  2.    (G),  3.   (D- 
l   2.60  Breitkopf,  k  3.50  n 


Ashdoivn. 
didst  not 
of    H  a  n- 


-  Messa   per    TTB    12 — ,   Sole   parti   di   canto 

sep.    1.25  n. 

-  Miss    Ella,    polka     delle     campauelle,     FIP 

1.50. 

-Sera  d'autuiino,  album  di  sei  ariette  6 — : 
N.  1.  Compassione,  melodia  1.50.  N.  2.  II 
pallido  fiore,  romanza  1.50.  N.  3.  La  Se- 
renata,  canzone  1 — .  N.  4.  Bianca  e  il  Me- 
ne.strello,  ballata  1 — .  N.  5.  T'amo,  t'amo, 
arietta  1 — .  N.  6.  lUusione,  mazurka  2 — 
Canio. 

Marcello  Marco  M.  Ricordi:  Op.  15  Im- 
]»ressioni  teatrali,  pensieri  d'opere,  com- 
posti  in  Divertimenti  facili,  eleganti  ed 
accuratamente  diteggiati,  P :  N.  1 — 4.  II 
Profeta,  a  1.50.  N.  5—8.  Luisa  Miller,  a 
1.50.  N.  9—12.  La  Traviata,  k  1.50.  N. 
13—16.  II  Trovatore,  a   1.50. 

-  16  Deux  petits  Morceaux  elegants  et  doig- 

tes, P:  N  1.  Essai  du  Trovatore  2—.  N.  2. 
Pensee  m^lodique  de  Luisa  Miller   1.50. 

-  20  Triste  sogno,   fantasia,  P  2 — . 

-  Fantasia   sul   Profeta,   P   3.50. 

-  Sogni    dorati,    grande    mazurka    fantastica, 

P  3—. 

-  Un   Lamento,   romanza   2 — . 

Marcellot   A.   Flour   de   Mai,   valse   4 —   Ma- 

thieu. 
Marcelot   L.  Calineuse,  valse   1.70  n  Demets. 

Marcenac  Ch.  Demets:  Ave  Maria,  av.  Org 
1.50  n. 

-  Benediction    nuptiale,    chant    a  v.    Org    4 — 

Choude7is. 
-Berceuse  blonde   1.50  n  Hayet. 

-  Cantate   a    sainte    C^cile,    TTBB     av.     Org. 

Monvoisin. 
-Caprices  pour  P:   Enjouement   1.70  n.   G-in- 
tillesse   2 — n. 

-  Elegie,   VP,   VcP  k  2—  n. 

-  El6gie,   VcP,   VP  k  6—. 

-  Enjouement,  caprice,  P  1.70. 

-  Gentillesses,   caprice,   P   1.70. 

-  Intermezzo,   P   2.50   Loret. 

-  Panis    Angelicus,    MS    av.    VfVcOrg)     5 — 

Choitdens. 

-  Pensee  lointaine,  valse  lente,  0  2 —  n,  p.  s. 

a  —20  n. 
-Pensee   lointaine,   valse  lente   1.70  n. 

-  Reconnaissance    1.75  n    Roder   impr. 

-  Reverie,   VP  2 —  n  Hayet. 
-Souvenir,   VP  1.70  n. 
-Souvenir  de  Mai   1.70  n. 

-  2me   Valse   2.50    Loret. 

Marcer,  Galop  sur  Jeanne,  Jeannette  et 
Jeanneton    (La  come),  P  2 —  Mariani. 

Marcesx  Leo,  Petite  fantaisie  sur  Le 
C  h  e  f  d'o  euvre  de  Dieu  d'Abadie,  P 
2 —  n  Costallat. 

Marcey,  The  Busy  Bees,  P:   1.  The  Bees  in 
Clover.  2.  The  Bees'  Music  Lesson.  3.  The 
Bees'   Afternoon   Tea.   4.   The  Bees'   Carni- 
val. 5.  The  Bees'  Dream,  a  —30   White. 
Clover  Tops,  polka  march  —-40  White. 

March,   Cloches   du   soir,   valse  4.50  Heugel. 

March  Album  I  (Ed.  Wood,  N.  132),  P 
— 75  Wood. 

10* 


March  Album 


—     148     — 


Marchal  F.  Moreeaux 


March  Album  N.  1  for  Small  Band  (Ge- 
orge Lane)  2,6,  2V ,  Yc,  GornetfClario- 
net  ou  Fl),  a  — /6  n   Williams. 

March  Album  for  the  Z  1—,  2Z  2—  Fischer. 

March  Album,  the  most  celebrated  Italian, 
German  &  French  Marches,  arr.  by 
P  a  u  e  r  2/—  n,  8"  1/6  n  Augener. 

March  Album,  the  most  celebr.  French.  It. 
^-  German  iVIarches,  arr.  by  West- 
brook,  Or<f,  3  books  a  1/ — n  Augener. 

March  Album,  10  Marches,  PV  (Kincler<rnr- 
ten,   series  book  7)    1/ — n   Enoch. 

March  Album,  12  celebr.  Marches  1/ —  Bno- 
sey. 

March  Album,  12  beliebte  Miirsclie  —50 
Bosworth. 

March  Album,  FIP,  VcP,  20  celebrated 
marches,  a  2/ —  Enoch. 

March  Album,  27  pop.  Marches,  PfH)  — /6 
Pit)ti(nK 

2.  March  Album,  29  pop.  Marches,  P,  Amer. 
Org (II)  (Empire  Dance  Albums  N.  35) 
— /6  Pitman. 

March   Album,   36   Marches   1/—  Boosey. 

March   Album    1/ — n  Reynolds. 
March    Album,     a    Collection    of   45    of    the 
most  celebrated  Italian,  French,  and  Ger- 
man   Marches,    by    L  u  1 1  y,    Couperin, 
Rameau,      Handel,      Haydn,      Mo- 
zart,    Gr^try,     Cher  u  bin  i,     Bee- 
thoven,    P  a  e  r,     S  p  o  n  t  i  n  i.     Hum- 
mel,      Spohr,       Weber,       Eossini, 
Schubert,    Mendelssohn,    etc.     (E. 
Pauer),  Ifins  5/— n  Augener. 
March    Album,    a    Collection    of    celebrated 
Italian,  French,  and  German  Marches,  arr. 
by     F.     Hermann     &    others,     VP     (in 
Augener's    Ed.):    Book    I.    14    Marches 
by      L  u  1 1  y,      Couperin,      Rameau, 
Handel,  Haydn,  G  r  6  t  r  y,  Mozart. 
II.   9   Marches   by   C  h  e  r  u  b  i  n  i,   L  e  s  u- 
e  u  r,  Beethoven.     III.   10  Marches  by 
Paer,  Spontini,  Hummel,  Spohr, 
Weber,  Rossini.     IV.   11   Marches  by 
Rossini,     S  c  h  u  b  e  r  t,     etc.     etc.       V. 
4    Marches  by    Mendelssohn,    a   book 
1/ — n   Augener. 

March   Album,   B,   I— III   a  1/—  Curwen. 

March    Album,    containing    45    celebr.    mar- 
ches,  IIP  6/ —  n   Augener. 

March    and    Dance    Album    1 — u    Wood. 

March  beneath  the  temp'rance  banner  —  2 
KdJiler. 

March   of  Argyle  — 35   Gordon. 

March    of   the    Cameron    men   — ,2    Kohler. 

March   of  the   men  of  Harlech,  welsh   song, 
15  Fst.  Allav  Mozart,  —12  Broome,  Sheard. 

March   on,    March   on   — /2   Kohler. 

March   to   the    Battle-field   —15   Gordon. 

March,  Chant  du  pilote,  TTBB  1.50  n  Lory. 

-  Lomaneurs,    3    voix    ^g.     enf.     Part    —50  n 
Lory. 

March  Treasury,  64  Pieces  for  P,  paper — 50 

Gordon. 
March  S.  Herbert,  Fight  for  your  Queen  & 

Country  — /I    Novello. 
■  Rest.   O   beloved.      Novello. 


March  J.  E.  My  shepherd  — 35  Ditson. 

-  Old  homestead,  song  &  chor.  — 40  Ditson. 
March    Lucy,   Bird  Raptures  2/ —  Boosey. 

-  Chloe  2/ —  Boosey. 

Marcha  a  paso-doble  — 50  Wagner  y  Leviin. 

Marcha    boera   — 37    Wagner  y   Levien. 

Marcha  de  Cadiz,  dfio  de  los  patos  1 — 
Wagner  y  Levien. 

Marcha  de  los  cadetes  — 50  Wag7ier  y  Le- 
vien. 

Marcha  de  los  Turlstas  — 50  Wagner  y  Le- 
licn. 

Marcha   de   San    Ignacio   1 — n  Diaz. 

Marcha    Favorita,   Fl   1 —   Guimara.es. 

Marcha   f estiva   — 50    Wagner  y   Levien. 

Marcha  militar  — 50   Wagner  y  Levien. 

Marcha  morisca,  'fms  — 75  Wagner  //  Le- 
vien. 

Marcha  Triumphal,  Jfrns  — 20  Fonseca. 

Marcha  Zaragoza  — 50  Wagner  y  Levien. 

Marchais  J.  Naudin :  Bavarde,  polka,  0 
1 — n    Gheluwe,    OCors.ilto    1 —    Naudin. 

-  Berthe,   polka,   OCorsAlto    1 —   Naudin,   0  d 

cordes  1 —  Pomier. 

-  Bords  de  I'Oder,  quadr.  0  av.  CorsAlto  1 — . 

-  Brisetout    ,quadr.    O   av.    CorsAlto    I — . 

-  Catherine,  polka,   0  — 90. 

-  C'est-y-bon,   quadr.   0   av.   CorsAlto   1 — . 

-  Chants   du    Barde,   quadr.    0   — 90. 

-  Clarinette    de    Pompaloeil,    quadr.     0     av. 

CorsAlto   1 — . 

-  Concave,  polka,   0   av.   CorsAlto   1 — . 

-  Dis-moi-oui,   val.se,   0  — 90. 

-  J'ai    vu    ca,    maz.    OCorsAlto    1 — . 

-  Laissez   dire,  polka,   OCorsAlto   1 — . 

-  Mastroquet  de  la  Gare,  quadr.   0  av.   Cors 

Alto   1—. 

-  Ne  touchez  pas  la,  valse,  OCorsAlto  1 — . 

-  No^li,   polka,   0  —90. 

-  Pontaillac-les-Bains,   quadr.   O  — 90. 

-  Reve  d'Amour,  maz.  0  — 90. 

-  Roses  sans  epines,  valse,  0  — 90. 

-  Un  Souvenir  de  la  Rochelle,  quadr.  0 — 90. 

-  Vilage,  quadr.  brill.  — 90. 

-  Vin  de  la   Girond^,  quadr.   0  av.  Cors- Alto 

1—. 
Marchal,  A  la  bloquette  1— n,  Ch.  s.  — 35  n 
Puigellier. 

-  Goujon   1 —  n,  Ch.  s.  —35  n  Ptiigellier. 

-  Grenouille  1—  n,  Ch.  s.  —35  n  Puigellier. 
Marchal  &  Chapuis,  Ca  I'embi  I'embo  1 — n, 

Ch.  s.  — 35  n  Puigellier. 
Marchal    F.   Aimante,   valse   lente,    V(Oh)P, 

Vc(Fa)P  a  7.50  Heugel. 
-Devoirs  de  solf&ge,  N.  8,  9,   10,   11   a  — 40  n 

Alleton. 
■  Devoirs   de   solfege   N.    12   —40    Crevel. 

-  Devoirs   sur   les   armures   — 35  n   Alleton. 
-Hture.sd'oubli,  valse  lente  6—,  valse  chaiitee 

5—,   OP,     Heugel. 

-Marche   militaire    (R6veil),   OP,     Bosc. 

-Marche  tcheque  2— n,  OP  2— n  Ricordi. 

-Moreeaux  pour  P :  1.  Marche  militaire  2—. 
N.  2.  Polka  des  rigolos  1.50.  N.  3.  Schot- 
ti.sch  mondaine  1.50.  N.  4.  Stella,  mazurka 
1.50.  N.  5.  Un  brill  de  valse,  valse  lente 
2 —  1'Auteur-Fa.Tis. 


Marchal  F.  Mystere 


149 


Marchant  A.  W.  Firelight  hour 


-  Mj'stfere,  valse  6 —  Heugel. 

-  Niehonnette,   nouvelle  danse   1.50  n  Musical 

Officc-Viiris. 
Ombre   mj-steiieuse,    raise    6 —   Heugel. 

-  Parle  encore  !  valse  lente  2 — n,  OP,  Heugel. 

-  Pens^e  d'enfant,  berceuse,  VP  1.75  n  Gallet. 

Marchai     M.    op.    52    Granadina,    valse    6 — 
Jouhot. 

-  Happelle-toi   2 — n  Joubert. 

Marchal    R.      Echo    du    bal,    polka    brill.     P 

1.75  11  Ploiw. 
Marchand  A.  Air  de  ballet,  P  2 — n  Boulant. 
-Chansons    des    rues    et    des    bois :    1.    Turlu- 

rette,   2.   Blanchisseuse,   3.    Jean    Severe,    a 

2.50  Leinoine. 

-  Espieglerie,  P  2 — n  Boiirlanl. 

-  I'-e  Valse  2 — n   Bovrlant. 

Marchand    E.    Chant    du    depart     (J.    Che- 

n  i  e  r  et  M  6  h  u  1) ,  hymne  guerrier,  TTBB, 

Ch.  s.   1.25  A  r Accord  parfait. 
Marchand    G.    A    nos    Amis,    marche    franco 

riisse   1 — n,  Ch.  s.  — 30  n    Rouart. 
Marchand    Louis,    Gavotte   aus   einer   Suite, 

P  — 60   Praeger. 
Marchand   de   billets    (av.   parle)    1 — n^   Ch. 

s.   —35  n   E re U lard. 
Marchand  de  chiens  1 — n  Joubert. 
Marchand  d'  confettis   1 —  Gheluwe. 
Marchand    d'ecriteaux    1 —  n,    Ch.    s.   — 35  n 

Piiigcllier. 
Marchand   de  faux  appas   1 —  Delormel. 
Marchand  de   Fez  — 30  n  Naudin. 
Marchand   de   ficelle    1 — u   Joubert. 
Marchand    de    goupillons    1 —   Delormel. 
Marchand   de    legumes   1 — n,   Ch.  s.   — 35  n 

Eveillnrd. 
Marchand  de  lorgnettes  1 — n,  Ch.  s.  — 35  n 

EveiJIard. 
Marchand    de    lorgnettes    1 — n   Joubert. 
Marchand  de   marrons  1  — n  Joubert. 
Marchand   d'   megots   1 — n   Joubert. 
Marchand    de    pantins    1 —  Delormel. 
Marchand   de   pastilles   1 — n,   Ch.   s.  — 30  n 

Ondet. 
Marchand  de  poussier  d'  mottes  1 — n  Jnu- 

h(  rt. 
Marchand   de   prunaux   1 —  Delormel. 
Marchand   de   salade    1 — n   Joubert. 
Marchand   do   soufflets   1 — n   Joubert. 
Marchand  de  tabac   (av.  parle)    1 — n,  Ch.  s. 

--35  n   EreUlard. 
Marchand    de    vulenaire    (av.    parle)     1 — n, 

Ch.  s.  — 35  n   Eveillard. 
Marchand'   pain   d'epice    1 — n   Joubert. 
Marchande   d'artichauts   1 — n  Joubert. 
Marchande   d'artichants   1 — n  Joubert. 
Marchande   de   cerise      1 — n,   Ch.   s.   — 40  n 

Bornemann. 
Marchande  de  cerise  1 — n  Joubert. 
Marchande  de  chansons   1 — n  Joubert. 
Marchande   d'echalottes  — 30  n   Joubert. 
Marchande    d'escargots    1 — n    Joubert. 
Marchande  d'oiseaux  — 50  n  Bornemann. 
Marchande  de  pois  verts   1 — n  Joubert. 
Marchande    de    vin    1 — n    Joubert. 
Marchande    des   quatre    saisons,    P    a  parle 

1 —  n    Joubert. 
Marchande   du   Temple   1 — n  Joubert. 


Marchant  Arthur  W.  op.  92  Vocal  Duets  for 
female  voices:  1.  Morning-  Song,  2.  Song 
of  the  Sea,  3.  Ye  little  birds,  4.  Twilight, 
5.  The  Curfew,  6.  Evening  Song,  a  — /4  n 
Augetier. 

-95  N.  1.  Softly  fall  the  Shades  of  Evening, 
two-part  song,  2.  Awake,  awake,  the  Flo- 
wers unfold,  two-part  song,  a  — /4  n  Au- 
gener. 

-  A    Summer  Day,  fern,  duet  — /4  n  Augencr. 

-  Abbey  — 40  Gordon. 

-  Abbey     voluntaries,     OrgH,      Book  I     1/ — 

Ascherberg. 
-Adagio    Cantabile    (from    Haydn's    Quar- 
tett,  op.  64  N.  5),  Org  2/ —  Donajoioski. 

-  AUemanda   by   Locatelli,    Org    1/ —   Do- 

najowski. 

-  Almighty    and    merciful    God,    SATB    — /3 

No'vello. 

-  Andante   Grazioso    (from   H  a  y  d  n's   Quar- 

tett,  op.  74  N.  2),  Org  2/ —  Donajoioski. 

-  Aspirations,  fem.  duet  — /3  n  Augencr. 

-  Baby  — 35  Ditson. 

-  Baby,  school  song  — /3  Leonard. 

-  Baby,  2-part  song  f.  school  use  with  P  ace. 

—06  Wood. 

-  Barcarole,  Org  1/ —  n  Wickins. 

-  Benedictus  — /3   Novello. 

-  Best  of   Friends  2/ —  Ascherberg. 

-  Best  of   friends  must   part  — 50   Ditson. 
-Blessed    are    they    that    dwell,    HATB    — /3 

Novello. 

-  Blessed  are  they  that  dwell  in  Thy  house, 

SATB  —06   Wood. 

-  Bourree,  P  3/ —  Leonard,   1.50  Patey,  — 50 

Hchmidt. 

-  Called  back  — 35  Ditson. 

-Cantilena,  Org  1.50  Schott,  2/—  Don:i- 
joioski,  — 75  Schirmer. 

-  Celia's  charms,  SATB  — /3  Leonard. 

-  3  charact.  Dances,  VP  a  4/ —  Doremi. 

-College  Series,  ladle's  voices:  1.  Stars  of 
the  Summer  Night,  2.  Gentle  Spring,  3. 
Twilight,  4.  Curfew,  5.  It  is  not  always 
May,  6.  The  Rainy  Day,  a  3/ —  Ascher- 
berg. 

-  Communion,  &  A.  H.  Brown,  Communion 

in  G   (Simpson),  Org  — 35  Ditson. 

-  Companions,      2-part    song    for    fem.    voices 

— /4  n  Augener. 

-  Danse  Irlandaise,   P  3/ —  Duff. 

-  Danse  Negre,  P  3/ —  Duff. 

-  Danse    Pompeuse    — 40    Ditson,    3/ —    Will- 

cocks,   IfTns   4/ —    Willcocks. 
■  Don't  tell  —35  Ditson. 

-  Early     days,      characteristic 

Home  for  the  holidays,  2. 
ride,  3.  Hide  and  seek,  4 
song,  5.  Shuttlecock  and  battledore,  6. 
Sunday  morning  at  church,  P  a  1/6  Ash- 
down. 

-  Echo  and   the   Shepherdess,  part  song  — /3 

Ashdown. 

-  Echoes,  fem.  duet  — /3  Augener. 

-  Fairies'   revel,  canon   in   unison   — /3  n  Au- 

gener. 

-  Firelight  hour  — 25   Ditson. 


sketches:  1. 
The  morning 
The   cuckoo's 


Marchant  A.  W.  Firelight  hour 


150 


Marchant  A.  W.   Torrent 


Firelight    hour,    school    song   — /3    Leonard. 
Firelight    hour,    two-part    song    for    school 

use  with  P  ace.  — 06  Wood. 
Fishing  — 35  Ditson. 
Fishing,  school  song  — /3  Leonard. 
Fishing,  two-part  song  for  school  use  with 

P  ace.  —06  Wood. 
From   Olden  Times,  6  pieces:    1.   Sarabaude 

in  D  minor,  2.  Gigue  in  B  minor,  3.  Bourre 

in   A  minor,   4.   Allemande   in   F  major,   5. 

Sarabande    in    A  minor,      6.    Gigue    in    C 

major,  P  a  3/ —   Donajoxoski. 
Fugue,  Org  2/ —  Donajoicski. 
Gaite    (Scherzo  brill.),   P   4/—  Duff. 
Gentle   Spring,    fem.    duet   — /4  n    Avgener. 
Gigue,  P  — 40  Ditson. 
Gondolied,   Org    1/ —  n  Asch^rherg. 
Gondolier's   Song,  P  3/—  Duff. 
Good-night  — 35  Ditson. 
Good-night  I   school   song  — 3   Leonard. 
Good-night!   2-part  song  f.  school  use  with 

P  ace.  —06   Wood. 
Grand  Choeur,  Org   1/ —  Wickins. 
Great    is    the    Lord    (Harvest),    SATB   — /3 

Novello. 
Hail    to    the    Lord's    Anointed,    SATB   — /3 

Novello. 
Harmonium  or  american  Organ  Tutor  5/— 

Wickins. 
He  shall  be  great    (Christmas),  SATB  — ,3 

Weekes. 
Hear  me,  when  I  call,   SATB  — /3  Novello. 

Hemy's  Royal  Modern  Tutor,  IlfAmeric. 
Org)    2/6  n    Wickins. 

Hilarite,  morceau  a  la  gavotte,  P  3/ —  Leo- 
nard,  1.50   Patey,  — 50  Schmidt. 

Humoreske,    6  pieces,    P    4/ —    Doremi. 

Humoreske,  VP  4/ —  Doremi. 

■  I  know  a  glade    (fem.  or  boys'  voices)   — ,3 

Novello. 

■  I  love  but  thee  — 35  Ditson. 

•I   will    magnify   Thee,    SATB   — /3    Novello. 

■  Idylle,   VP  4/ —  Doremi. 

■  Idylle,   Org  2/ —  Donajowski. 

■Idylle,  a  Meditation,  Org  1 — n  Wickins. 

■  Interlude.  Cantil&ne.  Minuet  and  Trio.  An- 

dante con  moto.  Marche  triomphale.  Sici- 
liauo.  Verset.  Andante  grazioso.  Pastorale. 
Postlude,  Org(E)  or  American  Org  — /6 
Donajowski. 

■  It  is  not  alway  May,  fem.  duet  — /o  n  Au- 

gener. 

■  It  may  not  be !  — 50  Schirmer. 

■  Just  like  love  4/ —  Leonard. 

■  Ladies    and    Gentlemen,    SATB    — /3    Leo- 

nard, — 06  Wood. 

■  Let  us  now  go,  SATB  — /3  Novello. 

-  Lord    is    Full    of    Compassion    and    Mercy, 

M-itli  Org (II)   ace.  4/ —   Weekes. 
-Lord   liveth    (Easter),   SATB  — /3   Novello. 

■  Magnificat  and  Nunc  dimittis  — /3  Novello. 

-  Maiden  and  the  rain  — 35  Ditso7i. 

■  Maiden  and  the  rain,  school  song  — '3  Leo- 

nard. 
-Maiden  and  the  rain,  2-part  song  for  school 

use  with  P  ace.  — 06  Wood. 
•  Mand-o'-war's  man  — 50   Ditson. 


-/3  Novello, 
Upon    God, 


-Marche   militaire.    Org    1/ — n    Wickins. 

-3  Marches,  P :  Marche  de  Soleure.  Marche 

des  Armouring.   La  Carmagnole   1.20   F'oe- 

tisch. 

-  Marjorie   2, —   Ascherherg. 

-Memories  of  Home,  fem.  duet  — 4n  Au- 
gener. 

■  Minuetto,   Org  2/ —  Donajowski. 

-  Minuetto,  by  Haydn    (op.  54,  N.  2),  Org 

1/ —  Donajoxoski. 

-  Minuetto  in  F   (from  M  o  z  a  r  t's  Quartett), 

Org   1/ —  Donajoicski. 

-  Morris  Dance,  P  1/6  Ashdown. 

-  My  soul  truly  waiteth,  SATB  - 
-My    Soul    Truly   Waiteth    Still 

SATB  —06   Wood. 

-  Old  couple  4/ —  Ascherherg,  —40  Ditson. 

-  One  and  all,  camp  song  4/ —  Chappell. 

-  12   Organ   voluntaries   5/ —   Wickins. 

-Original  Voluntaries:  1.  Interlude.  2.  An- 
dante Grazioso.  3.  Idylle.  4.  Minuetto. 
5.  Pastorale.  6.  Marche  Triumphale.  7. 
Melodie  Eeligieuse.  8.  Postlude  1/ —  n 
Reynolds. 

-  Original      Voluntaries,      with      Pedal     obi. 

I — VI   a   1/ —  Ascherherg. 

-  Peace  shall  follow  battle  4/ —  Leonard. 

-  Phrasing,    as    applied    to,    P    playing    — 40 

Ditson. 

■  Prelude    &    Fugue,    Martyrdom,     Org     2/ — 

Donajowski. 
•  Prelude    &    Fugue,    Rockingham,    Org    2/ — 
Donajowski. 

■  Rainy  Day,  fem.   duet  ^/3  n  Atige^ier. 

-  Rest  4/ —   Woolhouse. 

-  Reverie,   Org   1.50  Schott. 

-  River  of  God  1/ —  n  Bayley. 
-Romances    s.  p.    P;      1.    Chanson    du    prin- 

temps.  2.  Repos  d'amour.  3.  Chasse.  4. 
Gondellied.  5.  Absence.  6.  Humorcsque, 
jl    1/6  Ascherherg. 

-  Rondo  Piacevole,  P  4/ —  Weekes. 

-  Saved  from  the  deep  4/ —  Ascherherg. 

-  Saved  from  the  deep  4/—  Orpheus. 

-  Shecomes  to  me  4/ —  Leonard. 

-  Sing   praisers   unto   the  Lord,    SATB    — /3 

Novello. 

■  Sing  ye  to  the  Lord,  SATB  — /3  Novello. 

-  6  Songs  5/ —  n  Ascherherg. 

-  20    Songs    for    children,    in    both    notations 

(a  set  of  6)    1/—,  2  v.   1/ —  Leonard. 

-  Spirit  of  God,  SATB  —3  Novello. 

-  Strife  is  o'er,  SATB  —,'3  Novello. 

-  Ire   Suite    de   Pifeces:     1.   Prelude.     2.   Alle- 

mande. 3.  Bourr^e.  4.  Sarabaude.  5.  Ga- 
votte. 6.  Gigue,   VP  a  3/ —  Weekes. 

-  Sweet  words  2/ —  Ascherherg. 

-  Tanzende  Elfen,  Intermezzo,  P  3/ —  Orpheus. 

-  Te  Deum  — /3  Novello. 

-This  is  the  day  (Easter),  SATB  — /3  No- 
vello. 

-Thou  art  all  the  world  to  me  4/ —  Ascher- 
herg, - — 35  Ditson. 

-Three  fishers,  SATB,  8"  — /3  Leonard.  —06 
Wood. 

-  To  Mary  in  Heaven  2/ —  Morley. 

-  Torrent  (fem.  or  boys'  voices)  — /3  Novello. 

-  Torrent.  S8A  4—  Silver. 


I 


Marchant  A.  W.  3  Transcriptions 


—     151 


Marches 


-3  Trauscriptions  from  Haydn's  Quartets, 
P  — /6  Donajoivski. 

-  Tween  Decks  2/ —  n  Sheard. 

-6  Two-part  songs  for  female  voices  (in  A  ii- 
g  e  n  e  r's  Ed.):  Spring  Song  — ,'4  n,  The 
Streamlet  — /3  n,  Summer  Song  — /3  n, 
Companions  — /3  n,  When  the  world's 
asleep  — /3  n,  Ye  merry  elves  — /3  n 
Auge7ier. 

-Vocal  Duets  for  female  voices,  op.  92:  N.  1. 
Morning  Song.  2.  Song  of  the  Sea.  3.  Ye 
Little  Birds.  4.  Twilight.  5.  The  Curfew. 
6.  Evening  Song,  i\  — /4  n  Augener. 

-  Voin  is  beauty  4/ —  Leonard. 

-  15  Voluntaries,  Org(H)   1/ —  Ascherberg. 

-  What  the  birds  4/ —  Leonard. 

-  When?  —35  Ditson. 

-  When!  School  song  — /3  Leonard. 
-When!    2-part   song   f.    school    u.se    with    P 

ace.  —06  Wood. 

-  Wiegenlied,    VP  4/ —  Doremi. 

-  Young  old  maid  — 35  Ditson. 
Marchant    F.   Called   Back   2/ —  Ascherberg. 

-  Symphony  2/ —  Ascherberg. 

Marchant   Percy,   Back   from  the   Fray   4/ — 

Orpheus. 
Marchant  2.   op.   4  Tarentelle   chromatique, 

P  6 —  Lemoine. 

-  6   Feuilles   d'automue,  P  4 — -  Lemoine. 

-  7  Souvenir  natal,  nielodie-valse,  P  4 —  Le 

moine. 

-  8   Fleur    des    champs,     polka-maz.     5 —   Le- 

moine. 
Marchbank  A.  A  May  Morning,  P  score  4/ — 
Donajoivski. 

-  Doll's   Wedding,   P  score   Aj- — •  Donajoivski. 
■  In  the  Springtime,  P  score  4/ —  Donajoivski. 
•  Twilight  Gavotte  3/ — ,  Jfrns  4/ —  Moore. 
Marche  des  amoureux,   Ch.  s.  — 30  Debert. 
Marche  des  amours  2 — n  Joubcrt. 
Marche  des  Artilleurs   1 — n  Ondet. 
Marche    des    becasses,    polka-marche    2 — u 

Jouberf. 
Marche    des    belles    petites    1.35  u   Joubert. 
Marche    des    Bleus,     pas     red.     4  Tr     — 75 

Nnndiv. 
Marche   des    Boers,   Esfudiantina   2.50  u    Le- 
moine. 
Marche  des  Boulevardieres  1 — n  Ondet. 
Marche  des  chahuteurs   1.35  n  Joubert. 
Marche  des  Chevaliers  de  I'Ordre  de  Sera- 

phins  en  Suede.  /'  — 30  Schlesinger. 
Marche  des  chituteuse  1 — n  Ondet. 
Marche   aux   choux   1 —  Delormel. 
Marche  coloniaie,  <'hP  — 30  u  Naudin. 
Marche  des  commis-voyageurs  1 — n,  polka 

1 —  a   Oiidrf. 
Marche  de  conscrits,  Cli.  s.  — 30  u  Joubert. 
Marche  des  contrabandiers  1 — n  Joubert. 
Marche  des  contribuables   1 — n  Ondet. 
Marche    du    Corps    du    Marechal    Davoust 

— 50   Hofnieister. 
Marche   d'Emilienne   1.70  n  Ondet. 
Marche   des   fanfarons   1 — n,   Ch.  s.  — 25  n 

Ghcluive. 
Marche   des  facteurs,   duo   2 — n  Joubert. 
Marche  de  fete  2 — n,  O  3 — n  Ondet. 
Marche  de  Fourneaux  1 — n  Ondet. 
Marche    funebre    .sur    la    Fille    de    Madame 

Angot,  P  1 —  n  Joubert. 


Marche  funebre  et  Rondeau,  G  3 —  Debert. 
Marche  frangaise,  Harm  3 — n  Schott  Fri'res. 
Marche   Gaiilarde  — 85  n  Eveillard. 
Marche  de   la  garde  1 — n  Ondet. 
Marche  de  Glouglous  1 — n  Ondet. 
Marche  des  Grandes  Cocottes  1 — n  Ondet. 
Marche  des  Grenadiers  francais — -30  Schle- 

singcr. 
Marche  des  grevistes  1 —  n  Ondet. 
Marche  des  Grisettes   1 — n  Ondet. 
Marche  des  heritiers  1 — n  Joubert. 
Marche  des   hommes  d'Harlech,  air  gallois 

3 — -  Bortiemann. 
Marche    Hongrolse,  4m.s   1.35  n  Eveillard. 
Marche  de  la    Potpourri  sur  des  airs  popu- 

laires    1.70  n  Eveillard. 
Marche,   lorraine,  Ch.  s.  — 30  n  Debert. 
Marche  de  la  Madelaine   1 — n  Joubert. 
Marche   de    Lublin    1.20   Rozsuvolgyi. 
Marche  des  marcheurs  1 — ,  ('h.  s.  — 35  Ohi- 

lutce. 
Marche  des  marcheurs  1- —  Chavat. 
Marche  des   Maris  Cossus   1—,   Ch.  s.  — 25 

Debert. 
Marche  Marocaine  1.70  n  Ondet. 
Marche  des  Marselllais:   Allons  Eufants  de 

la  Patrie  — 50  Crans. 
Marche  des  modeles  1.35  n  Ondet. 
Marche  des   Montmartrolses  1 — n  Ondet. 
Marche  Montmartroise  1.70  n  Ondet. 
Marche  des  muslclens  1 — n  Ondet. 
Marche   de   nuit   1 —  Delormel. 
Marche  orientale  2 — n  Ondet. 
Marche  de   la  petite  Villette   1 — n  Joubert. 
Marche  des  petits  lignards  1 — n  Joubert. 
Marche   de   petits  patissiers   1 — n  Joubert. 
Marche  des  petits  1 — n  Joubcrt. 
Marche  des  pieds  1 — n  Ondet. 
Marche  du   pochard   1 — u  Ondet. 
Marche  des  poilus  1 — n  Ondet. 
Marche   des  potaches  1.35  n  Ondet. 
Marche    du    Prince    de    Galles  — 85  n,    Jfma 

1.35  n    Eveillard. 
Marche  quand  meme   1 —  n  Joubert. 
Marche   du   „Raincy-Sports",   Ch.  s.     Impr. 

Crevel. 
Marche   des   rapins   1 — n   Ondet. 
Marche   du   regiment  1 — n  Ondet. 
Marche  du  regiment  ou  Le  l^i-  pin.sou  1.75  n 

Joubert. 
Marche    du    regiment    de    Sebastopol,    mO, 

Part  3.50  Bote. 
Marche  des  reservistes  — 35  n  Ondet. 
Marche  des  rosieres  1.70  n  Ondet. 
Marche  de  Saint-Hubert  — 50  Naudin. 
Marche  des   Smarts   1 — n  Joubert. 
Marche    tzigane,    chantee    1 —  Delormel. 
Marches,  A   Collection   of   Marches   of  diffe- 
rent character  redited  by  E.  P  a  u  e  r.  Mili- 
tary Marches  1/6  n  Augener. 
Marches  bv  American  Composers  (Cavendish 

:\Iusie     Books     60.133).     2     books     a     1/— 

Booset/. 
Marches   and    Dances,   Album    (Hellmes- 

b  e  r  g  e  r) ,  VP  1/3  Ascherberg. 
Marches   and    Dances,    Album     (J.    Hell- 

m  e  s  b  e  r  g  e  r  j  u  n.) ,  2Y  I; —  Ascherberg. 
Marches,  6  celebr.  American,  arr.  in  a  pop. 

&  easy  form  for  P:      1.  Mack:     General 

Grant's  March.     2.   Blake:    Ivanhoe.     3. 

Sous  a:    The  Liberty   Bell.     4.   Sudds: 


Marches 


152     — 


Marches!  M.  op.  5 


Country  Life.     5.  Blake:   Grand  March. 
6.    Sous  a:    Washington    Post  — /6   Dona- 
j  Old  ski. 
Marches,  chantees   1—  DelormeJ. 

Marches  deux  composees  pour  les  fun6- 
raille.s  de  feu  S.  M.  le  Roi  Charles  XIII,  /' 
— 75  Hirsch. 

Marches  (Diamond  Music  Books  9)  — /6 
Boosey. 

Marches,  P:  see  N  o  v  e  1  1  o's  P  Albums  N.  7, 
8,  9,     Novella.  ' 

6     Marches      par 
Si7)wocl\ 

32    Marches,    suitable 
I— II  a    1/6  n  Bayley. 

42    Marches,    suitable    for 
I — II  a    1 '6  n  Bayley. 

24  Marches  for  the  Org,  I — II  a  4/6  Novello: 
I:  N.  I.  F.  A  r  c  h  e  r :  Marche  Triomphale. 
2.  J.  B  a  r  n  b  V:  The  Bride's  March,  from 
„Rebekah".  3.  J.  B.  Calkin:  Harvest 
Thanksgiving  March.  4.  E.  T.  D  r  i  f- 
field:  March  for  a  Church  Festival.  5. 
E.  E  1  g  a  r  :  Imperial  March.  6.  C  h.  G  o  u- 
n  o  d :  March  to  Calvary,  from  „The  Re- 
demption". 7.  G.  A.  M  a  c  f  a  r  r  e  n:  Reli- 
gions March.  8.  B.  Molique:  March, 
from  „ Abraham".  9.  E.  Silas:  March 
in  Bflat.  10.  H.  Smart:  Festive  March 
in  D.  11.  B.  Tours:  March  in  G.  12. 
Z  i  m  m  e  r  m  a  n  n  :      ilarch      in 


diflfereuts      auteurs      2 — 
for    the    school-room, 
the    school- room. 


Agues 

D  minor. 

II:    N 


13.    W. 


Church   Festival, 
cessional  Wedding 


T.  Best:  March  for  a 
14.  H.  R.  Bi  r  d:  Pro- 
March.  15.  J.  B.  Cal- 
kin: Festal  March.  16.  E.  E  1  g  a  r : 
Solemn  March,  from  ..The  Black  Knight". 
17.  G.  Elvey:  Festal  March.  18.  C  h. 
Gounod:  Marche  Solenelle.  19.  F.  A. 
G.  O  u  s  e  1  e  y :  March,  from  ,,St.  Poly- 
carp".  20.  B.  L.  Selbv:  March,  with 
Pastoral  Trio.  21.  H.  Smart:  March 
in  G.  22.  J.  Stainer:  Jubilant  March. 
23.  J.  H.  W  a  1 1  i  H :  March  in  F.  24. 
John  E.  West:  Couimemoratioii  March. 
Two-Steps  — 50  Dltson. 
(Chopin,  Mendelssohn, 
Wagner),  arr.  by  E  y  k  e  u, 
n  A'ngener. 


E. 
Marches  & 

6    Marches 

S  p  o  h  r, 
Jfms  2.1— 


Marchesa  G.  Album  di  ballabili,  P  5 — :  N.  1. 
L'Amicizia,  valzer  2 — .  N.  2.  La  Strega, 
polka,  3.  Fiore  ai  santi,  mazurka,  4.  Italia, 
fechottisch,  5.  Amorino,  polka,  a  1 —  Ma- 
ria ni. 

-Album  di  melodie  e  ballabili  2.50  n:  N.  1. 
Primi  passi,  polka,  2. Maria,  mazurka,  3. 
Mario,  valtzer,  4.  Semplicita,  melodia,  5. 
Marinaresca,  barcarola,  6.  Paquita,  polka, 
7.  Teresa,  mazurka,  8.  Zig  zag.  valtzer,  a 
— 30  n  Perosino. 

•  Amorino,  polka  1 —  Mariani. 

-  Antonio,  polka,  .^ws  2 — ,  FIVP  2.50  Mariani. 

-  Belle  speranze,   valzer  2.50,   V,  Fl,  Maud  A 

1.50,  YP,  FIP,  MandP  a  4—,  GV,  GFl, 
GMand  ft  2.50,  FIVP  4.50,  MandGFl  3—, 
GVFl  3—  Perosino. 

-  Berceuse,  YP  4 —  Perosino. 

-  Bouquet  de  noces,  polka  2.50,   V,  Fl,  Mand 

a  1.50,  Y(Mand)P  3.50,  FIP  3—.  GFl, 
GMand  a  2.50,  FIVP  4—,  GVFl  3—  Pero- 
sino. 


-  Divertimento  sinfonico,  FlYP  4 — ,  YP,  FIP 

a  6 —  Perosino. 

-  Due  Maschere,  valzer  4 —  Perosino. 

-  Enrichetta,   maz.    3 — ,    Y,   Fl.   Mand  a    1.50, 

YP,  FIP  a  3.50,  MaiidP  3—.  GV,  GFl, 
GMand  a  2.50,  GVFl  3.50,  FlYP  4.50,  Matid 
GFl  3.50  Perosino. 

-  Fiori  ai   Santi,  maz.   1 —  Perosino. 

-  II   FoUetto,  P  1 —  Perosino. 

■  In  Valsesia,  maz.  2.50,  F,  Fl,  Mand  a  1.50, 
YP,  FIP,  MandP  u  3—.  GV ,  GFl  a  2.50, 
GMand  2.50,  FIVP  4—,  MandGFl  3—.  GV 
Fl  3—  Perosino. 

•  Italia,  P  1^  Perosino. 

-Jean,  maz.  2.50,  T,  Fl,  Mand  a  1.50,  VP, 
FIP,  MandP  a  3—,  GV,  GFl,  GMand  a 
2.50,  FIVP  4—,  GVFl  3—  Perosino. 

-  'L  redii  decruteur,  canzonetta  2.50  Perosino. 

-  Lanterna     del     Diavolo,     ballo     fantastico: 

Polka,  ballabile  degli  zingari  2 — ,  Ma- 
zurka,  il  piu  bel  di  della  vita  2 —  Perosino. 

-  Lorenzina,   maz.    I,   Fl,   Mand  a    1.50,   VP, 

FIP,  MandP  a  3—,  GV,  GFl,  GMand  ft 
2.50,  FlYP   4—,    GVFl   3—  Perosino. 

-  Luisa,   polka,  FlYP  3 —  Perosino. 

-  Metodi,  G  1.50  Lapini. 

Moudo  piccino,  valzer  4 — ,  Y,  Fl,  Mand  ft 
2—,  YP,  FIP,  MandP  ft  5—,  GY  3.50,  GFl 
4.50,  GMand  3.50.  GVFl  5.50.  FlYP  6—. 
MandGFl   5.50  Perosino. 

-  Nosse  'd  tola,  polka  2 — ,  Mand  — 80,  Mand 

P  2—,   VP  2—,  FlYP  3—  Perosino^ 

-  Nozze  d'argento,  maz.  2 — .  FlYP  3.50  Pero- 

sino. 
■  Paradiso,  P  3 —  Perosino. 

-  Ricordi     d'infanzia,    maz.     1.50,     YP,    FIP, 

MandP  a  1.50  Perosino. 

-  Ricordo     di     gentilzze,     polka    2.50,     V.   Fl, 

Mand  a   1.50,    YP,  FIP,  MandP  a   3—,   GY, 
GFl,   GMand   a   2.50.    GYFl  3—.    FIVP  4— 
Perosino. 
-Rosa,   polka   1.50.   iw.s   2—,   Y.  Fl,  Mand  ft 
— 80,   VP,  FIP,  MandP  a  -l—  Perosino. 

-  Santa  Cecilia,  preg.  — 30  n  Perosino. 

-  Sempre    felici,    polka    2.50,    '.    ^-7,    '"and   a 

1.50,  YP,  FIP.  MandP  a  3—,  GY,  GFl,  G 
Mand  a  2.50,  GYFl  3—.  GMandFl  3—, 
FlYP  4—  Perosino. 

Souvenir  de  Biella,  maz.  2.50,  Y,  Fl,  Mand 
a  1.50,  YP.  FIP,  MandP  a  3—,  GY ,  GFl, 
GMand  a  2—,  GMandFl,  GYFl  a  3—,  Fl 
VP  4 —  Perosino. 

Marchese  F.  Astengo  T.  Uii  ricordo.  polka 
2 —  (^ariseh. 

Marches!  Mathilde  (1826),  op.  1  Exereiees 
6l^meutaires  gradues  poiir  le  developpe- 
ment  de  la  voix  4 —  u  Ries  cC-  Erler,  1 — 
Ditson,  2 —  Gordon,  1 —  Schirmer,  2 — 
White,  10 —  Picordi.  1.50  Bessel,  Jiir gen- 
son. 

-  2   24    Vocalises    pour    »S'  ou    MB   4.50  n    Ries 

&  Erler,  1 —  Ditson,  ficliirmer,  2.50  White, 
10 —  Ricordi,   1.50  Bessel,  Jurgenson. 

-  3  24  Vocalises  pour  S  6 —  n  Ries  t€  Erler, 

1 —  Bchirnier,  3.15  Bessel. 

-  4  Douze  Etudes  de  Style  pour  voix  de  B  av. 

P  3.25  Schott,  1.50'  Schirmer,  8—.  I— II 
a   5 —  Mariani,  1.40  Bessel. 

-  5  24  Vocalises  ^lementaires  et  progressives 

pour    MB  ou    Govtr'alto    av.    P   6 —  Senff 


Marches"!  M.  op.  5 


153 


Marches!  S.  C.  op.  17 


2 —    Diiaun,    3 —    IScJiiriner,    12- 
'> —  Bessel,  Jtirgensoii. 


Ixkordi 


6  24  Vocalises  (perfectionnenient  du  m^ca- 
nismo  de  la  voix)  pour  MS  ou  Contr'aUo 
av.  /'  9—  Senff,  4.50  Schirmer,  3.65  Bessel- 

7  Douze  Etudes  de  Style  pour  MH  ou  Cov- 
tr'alto  av.  P  4.50  Senff,  2.25  Schirmer, 
10—.   I— TI  a  6—  Mariani,  1.80  Bessel. 

8  Studi  di  agilita.  due  temi  variati  con 
parole  per  8  7 — ,  I — II  1.50  Cranz,  a  4 — 
Mdriani. 

9  Studio  di  agilita,  tenia  variato  con  parole 
per  MS  con  P   1.50,  5 —  Mariani. 

10  24  Vocalizzi  elenientari  e  progressivi 
per  Contralto  av.  P  6—  <Sen#,  12—  /?i- 
cordi,  3 —  ScJrirtner,  2.65  Bessel. 

11  Douze  Etudes  de  Style  p.  -S'  ou  .1/aS'  3— 
('ranz,  8 — ,  I — II  a  5 —  Mariani. 

12  18  Vocalises  a  2  voix  T— II  a  2.50  Cranz. 
a   1.50  Ditson,   10 — ,  I — II   a   6 —  Mariani. 

13  Douze  Vocalises  6lementaires  p.  MS  2 — 
Cranz,  6 —  Mariani,   1 —  Bessel.   1.20  iA<r- 

14  Etude  d'agilit6  pour  voix  de  <S'  1  — 
Cranz,   Studi   di    agilita   4 —   Mariani. 

15  24  Vocalises  ^l^mentaires  et  progressives 
p.  MS  3.80.  I— II  a  2.50  Cranz,  10—,  I— II 
a  6 —  Mariani,   1.65  Bessel. 

16  Etude  d'agilite  pour  voix  de  S,  vari- 
ations  1 —  Cranz.  4 —  Mariani. 

17  Etude  d'agilitS  pour  voix  de  MS,  iin 
theme  compose  et  varie  1 —  Cranz,  4 — ■ 
Mariani. 

IS  Etude  d'agilite  pour  voix  de  S,  un  theme 
compose  et  varie   1 —  Cranz,  4 —  Mariani. 

19  Ave  Maria  — 80  Cranz. 

20  0  Sanctissima  — 50  Cranz. 

21  L'art  du  chant  15—:  I  4.50.  II  4.80,  III 
2.30,  IV  1.80,  Edition  Cranz:  7.50,  I— II 
u  3—.  Ill  2.50  Cranz. 

21   Method.  The  Art  of  Singing:   N.   1.  Ele 
mentary  &  Graded  Exerc.  1—.  N.  2.  30  Vo- 
calises for  MS  1 — .  N.  3.   12  Vocalises  for 
CMS  — 90.  N.  4.   6  Melodies,   with   words, 
1/<S*  — 75,  eompl.  3.50  Diison. 

21  Art  of  singing.  Part.  I  1.75  While,  I 
()— .  II  S— n  DurdiUy. 

21  niKO.ia  ntnia,  bx  ycThipexij  qacxax'B  (b-b 
o;^HOM'i.  TOM-fe).  Oo-BHCHiiT.  TeKCTT.  Ha  pyc- 
cKOMi,  H^M.  II  *paHu,.  HSMKax-B  3 —  Besscl, 
(jutheil. 

■  22   L'Art    du    Chaut,   huit    vocalises   a    trois 

voix   avec   ace.    de    P   3 —   Senff.     8 —   Ma- 
riani. 
24  Oflfertorio:   Ave  Maria  — 80  Cranz. 

■  25  O  Sanctissima  — 50  Cranz. 

■  26  Etude  d'agilite  pour  voix  de  .S',  un  th6nie 

compost  et  varie   1 —  Cranz. 
29  Vocalises  pour  MS  ou   Contralto  8.50  n 
Grus. 

■  29    L'arte    del    canto    (perfezionamento    del 

meccanismo  della  voce),  24  vocalizzi  per 
MS  o  Contralto  20 — :  I.  Messa  di  voce, 
scala  diatou.  8 — .  II.  Scala  diat.  puntata. 
Scala  cromatica.  Note  ripetute  8 — .  III. 
Arpeggi,  abbellimenti,  sincope,  trillo  8 — 
Mariani. 
-30  Vocalises  p.  8(MS)  8.50'n  Grus,  2.50 
Ditson. 


-  30   L'arte   del   canto    (perfezionamento    del 

meccanismo    della   voce),   30   vocalizzi    per 

5  o  MS  20—,  I— III  a  8—  Mariani. 

-31  16  Pezzi  per  Canto  ad  una,  due  e  tre 
voci,  O:  N.  1.  Preghiera,  melodia  1.50. 
N.  2.  Ninna  Nanna.  id.  1 — .  N.  3.  La  Me- 
stizia,  id.  2—.  N.  4.  Dolore,  id.  2—.  N.  5. 
Timido  Amor,  id.  2—.  N.  6.  La  Sera,  id. 
1.50.  N.  7.  La  Gioia,  id.  L50.  N.  8.  La 
Danza,  tempo  di  valzer  2 — .  N.  9.  Barca- 
rola,  duettino  1.50.  N.  10.  La  Gioia,  id, 
1.50.  N.  11.  La  Sentimeutale,  id.  2—.  N.  12. 
Amor  fedele,  id.  2 — .  N.  13.  Consolazione, 
id.  1.50.  N.  14.  Pianto  e  Riso,  id.  2—, 
N.  15.  Desolazione,  terzettino  1.50.  N.  16. 
In  Mare,  id.  2 —  Mariani. 

-31  Metodo  Teor.-Pratico  28—:  N.  1.  Eser- 
cizi  elemen.  e  graduati  14 — .  N.  2.  Svi- 
luppo  degli  esercizi  elementari  e  granduati 
14 — .  N.  3.  Vocalizzi  con  parole  a  1,  2  e 
3  voci  10 —  Mariani. 

-  31  Methode  de  Chant  theorique  et  pratique 

en  trois  parties   15 —  n  Grvs. 
-31    Method    of    Singing:    N.    1.    Elementary 

6  Progressive  Exerc.  2 — .  N.  2.  Conti- 
nuation of  Elem.  Exerc.  in  the  form  of  Vo- 
calises 2.50.  N.  3.  Articulation  with  Vocali- 
zation. 1,  2  &  3  voices  2 — .  compl.  5 — 
Ditson. 

-31  HoBMinaa  inKO.ia  ^.la  n'tnifi,  Teopera- 
lecKafl  II  iipaKTnqecKaH,  OoiacH.  TeKCi'B 
Ha  pyccKOM-B,  H-feM.  H  ^paHi^,  asbiKax-B 
6 —  Bessel. 

-  32  Trente  Vocalises,  MS  5 —  n  Heugel,  1.25 

Sehirtner. 

-  33  Douze  Vocalises,  a  2  voix  4 —  n  Heugel. 

-  35  Marchesi-Schule,   100  Intervall-tJbungen, 

mittelstim.  m.  P  1.50  Litolff. 

-  36    Achtzehn     nouvelles     Etudes     de    Style 

(moyenne  Difficulte),  SfMSJP  4.50  Andre, 
1.50  Schirmer. 

-  Ave  Maria,  /S'-s.  — 30  Williy. 

-  Barcarolle,  duet  — 25  Ditson. 

■  t  onsolation,   duet  — 25  Ditson. 

-  Cradle  song  —25  Diison. 

-  Dance  — 35   Ditson. 

-  Desolation,   trio  — 25   Difso)i. 

-  Faithful   love,   duet  — 35   Ditson. 

-  Grief  — 35  Ditson. 

-  ]\Iy  dear   old   auntie    (Velocity  study)    — 50 

Ditson. 

-  O  the  sea,  trio  — 35  Ditson. 

-  Perfezionamento  del  meccanismo  della  voce, 

24  vocalizzi  per  >S'  6—:  I  8—,  II  10— 
Ricordi. 

-  Prayer  — 25  Ditson. 

-  Sentiment,  duet  — 35  Ditsov. 

-  Tears  and  smiles,  duet  — 35  Ditson. 
-Timid  love  —35  Ditson. 

■  Variantes  et  Points  d'Org  p.  1.  principaux 

airs  6 —  n  Heugel. 

Marches!  Salvatore  C.  (1822),  op.  15  20  Vo- 
calises. C(Bur),  S  i\  4 —  Andre,  h  1 —  Dit- 
son. Gordon.  Schirmer,  2.25  Bessel. 

-17  Sechs  kleiue  Lieder :  1.  Das  Veilchen 
und  das  Madchen:  „Madcheu,  sieh  das 
Veilchen  an".  2.  Das  Kind  am  Grabe  der 
Mutter:  „Schlafst  sanft,  schlafst  sanft  in 
deinem  Kammerlein".  3.  Das  VergiBmein- 
nicht:       „Freundlich      glanzt      an      stiller 


Marches!  S.  C.  op.   17 


154     — 


Marches!  S.  C.  10  Ganti  sieiliani 


Quelle".  4.  Schlummerlied:  ,,Alles  still  iu 
siiBer  Ruh"".  5.  Leise  rausclit  es  in  den 
Baumen.  6.  Die  Naclit:  „Es  zieht  herauf 
die  stille  Nacht",  von  W.  M  ii  1 1  e  r  von 
Konigswinter   2.50  Kistner. 

-  18  Canto  sieiliano,   duett   1.50  Doblinger. 

-  19     24     leichte     uud     .stufenweise     fort.schr. 

libungen   f.   Ges.    10.80  nohlinger. 

-  19  24  Esercizi    facili   e  progressivi    per   lo 

sviluppo  del  meccanismo  della  voce  e 
6  Esercizi  di  stile  per  BussoBar  8 — :  1 
8 — .  II  10 — .  Ill  5 —  Kicordi,  I  2.25 
Bessel. 

-  20  Johanna,  valse  p.  chant  1 —  Granz,  Cau- 

tato  dalla  Signorina  Carolina  Smerosky 
3 —  Ricordi. 

-  21   La  Desir^e,  valse   [xm-   il  canto    1 —  Do- 

Minger. 

-  22  II  Ritorno  a  Vienna,  album  di  canti  siei- 

liani    (Die    Heimkehr    nach    Wien,    Album 

sizilianischer   Lieder),   Text   von   S  a  1  v  a- 

t  o  r  e     C.    M  a  r  c  h  e  s  i,     deutsche     tJber- 

setzung  von   Dr.   L  u  d  w  i  g   F  o  g  1  a  r : 

l.L'Incredula    (Die    Ungliiubige)  :    Amico 

caro    in   vano   Tu   m'ofTri   la   tua   mano 

(Du    bietest,     Freund,     vergebens     den 

Preis   mir    deines   Lebens)    — 45. 

2.  Povera  rosa  (Arnies  Roschen)  :  Eri  si 
bella  di  forme  e  colore  (Schou  warst 
an  Form  und  Farbeu,  holde  Rose)  — 30. 

3.  La  Parteuza  (Abschied)  :  Ah,  per 
pieta,  non  guardarmi  si  mesta  (0,  hab' 
Erbarmen,  und  blicke  nicht  so  triibe) 
—45. 

4.  II  buon  Consiglio  (Outer  Rat)  :  Don- 
nette  mie  se  credere  (Ihr  Madchen 
glaubct  mir)    — 45. 

5.  La  Stella  (Der  Stern):  Son  piccina, 
non  son  bella  (Nicht  durch  Schrmheit, 
nicht  durch  GroBe)   — 60. 

6.  La  Tradita  (Die  Verratene)  :  Non  piil 
resiste  I'anima  (Alsbald  die  Seele 
vinterliegt)    — 30. 

7.  Ninnerella  (Wiegenlied)  :  Dormi,  dormi, 
figlio  amato  (Schlafe,  schlafe  liebster 
Knabe)   —30. 

8.  La  Pastorella  (Die  Ilirtiu)  :  Spuuta  iu 
ciel  I'aurora  (Aus  der  Morgenrote 
tauchet)  —30. 

9.  La  Raminga  (Die  Einsame)  :  Sola, 
raminga  pel  mondo  (Einsam  schou 
Ella  hiuauszog)   — 45. 

10.  Romauza  (Romanze)  :  Cerca  indarno 
I'anima  (Ach,  vergebens  suchet  das 
Herz)    — 45. 

11.  Non  t'amero  (Hoffe  nicht)  :  Non  t'amero 

(Nio  lieb  ich  dich)   — 45. 

12.  La  Fioraja  (Das  Blumenmadchen)  :  Chi 
vuol  comprar  le  mannuole  (Herbei! 
Wer  kaufet  Veilcheu  sclion)    — 45. 

13.  La  Pazza  (Die  Walmsinnige)  :  Squal- 
lida,  affianta  gemente  (Schvvankenden 
Schrittes,   aufsoufzend)    — 45. 

14.  La  Caccia  (Die  Jagd)  :  Allerta  Coni- 
pagni  Corriamo  (Fri.scli  aiif  nun  her- 
bei !   Kameradeii ! )   — 45. 

15.  La  Contenta  (Die  Zufriedene)  :  Non  ci 
pensare  sposino  amato  (Lieb.ster  nicht 
zage,   Schatz  meiner   Seele)    — 45. 


16.  L'Ineerta  (Die  Ungewisse)  :  Non  posso 
pivl  comprimere  (Ich  kann  sie  nicht 
mehr  biindigen)    — 45. 

17.  Non  amero  (Ich  will  nicht  liebeu)  :  No 
forza  umana  mai  potra  (0  gold'ne  Frei- 
heit!   Deine  Huld)   —30. 

18.  Mortal  (Tot):  Morta  -si  bella!  Plena 
di  vita  ancora  (Todbleich  die  Schon- 
heit,  noch  voll  des  hellsten  Lebens) 
—30. 

19.  La  Lite  dei  fiori  (Der  Streit  der  Blu- 
men)  :  Dell'  aprile  in  un  bel  giorno 
(Eines  schoneren  Tags  im  April)   — 45. 

20.  Amor  perduto  (Verlorene  Liebe)  :  Ah, 
per  pieta  coucedimi  una  speranza 
almeno!  (Ach  hab'  Erbarmen;  gonne 
mir  uur  eiuer  Hofinuug  Schimmer) — 45. 

21.  Lamento  (Klage)  :  Pieta,  signor,  del 
mio  dolor  (ErlaB,  o  Herr,  mir  diesen 
Schmerz)   — 45. 

22.  Preghiera  (Gebet)  :  Oh,  signor,  padre 
del  ciel  (Herr,  o  Herr!  Vater  der  Welt) 
—45. 

23.  Impazienza  (Uugeduld)  :  II  mio  Gia- 
metto,  ch'  &  carino  tanto  (Mein  Lieb- 
ster meint  es  gut  und  ist  audi  zart- 
lich)   —45. 

24.  Tutto  ritorna  (Alles  kehrt  zuriick)  : 
Tornano  con  I'aprile,  e  liori,  c  foglie 
(Sehmiickt  wieder  sich  mit  Bliit'  und 
Blatt  die  Laube)  — 45  Bos  worth. 

-  23  24  Nouv.  Vocalises,  T(8),  I  4.30,  II  4.50 
Cranz,  I — II  a  7 —  Marian  i,  3 —  Bessel. 

•  Addio  a  Vienna,  album  di  canti  sieiliani 
2.80:  N.  1.  Canzone  alia  Napolitana.  2. 
Mandolinata,  3.  La  povera  fioraia,  4.  Bur- 
leska,  5.  La  Primavera,  a  — 50.  N.  6.  La 
Derelita  —80.  N.  7.  Tarantella  —80.  N.  8. 
Barcarola,  9.  La  bella  villanella,  10.  Can- 
zone pastorale,  11.  La  culla,  12.  La  gita 
in  barca,  a  —50.  N.  13.  Preghiera  alia 
Madonna  — 80.  N.  14.  Conzonetta  variata 
— 80  Cranz. 

-Album  di  Canti  Sieiliani  15—:  N.  1.  L'ln- 
credula:  Amico  caro,  2.  Povera  Rosa:  Eri 
SI  bella,  3.  La  Stella:  Son  piccina,  4.  Non 
t'amero,   5.  La  Contenta:    Non  ci  pensare,^ 

6.  L'Ineerta:    Non    posso   piil   comprimere, 

7.  Preghiera:    Oh    Signor,   padre   del   ciel, 

8.  Impazienza:  II  mio  Gianetto,  9.  Tutto 
ritorna:  Tornano  con  I'aprile,  10.  La 
Folletta:  Posa  la  mano  sul  mio  core,  11. 
Canzone  alia  napolitana:  Nel  cor  sento 
una  smania,  12.  La  povera  Fioraia:  Ho 
giacinti,  ho  belle  rose,  13.  Barcarola: 
Voga,  voga,  o  marinar,  14.  La  bella  Villa 
nella:  Son  la  bella  villanella,  15.  La  gita 
in  barca:  Vien,  mio  bene,  16.  Preghiera 
alia  Madonna:  Santa  Maria,  17.  Serenata: 
Lo  zeffir  .scherza  tra  i  rami,  a  3 — .  N.  18. 
Canto:  Spezzar  mi  sento  il  core  5 — .  N.  19. 
L'Alba,  barcarola:  All'opra !  Sorge  I'alba 
4 — .  N.  20.  La  brezza  della  sera: 
Corriamo.  balliamo  4—  Bicordi.  N.  2. 
(BtAnaa  posa)  —20  Otdheil.  —15  Jiirqen- 
son.  Nr.  5.  —30.  Nr.  10.  —25  Jurgcnsoii, 
Outheil. 

-10  Canti  sieiliani  6—:  N.  1.  L'incredula 
1.50.  N.  2.-  La  bella  villanella  1—.  N.  3. 
La  gita  in  barca  1 — .    N.  4.  Preghiera  alia 


Marches!  S.  C.  10  Ganti  siciliani 


—     155     - 


Marchetti  F.  Fantasia 


Madouna  1.50.  N.  5.  La  stellt  1.50.  N.  6. 
La  sereuata  1 — .  N.  7.  La  povera  fioraia 
1_.  N.  8.  Preghiera  1.50.  N.  9.  Tutto 
ritorna  1.50.  N.  10.  La  conteuta  1.50  Ila- 
mclle. 
■4  Canti  Siciliani:  N.  1.  La  Nonna  niia 
diceva,  canzonetta,  2.  L'Orfanella,  ro- 
manza,  3.  La  Luna  splonde  in  cielo,  a  — 75. 
N.  4.  Sara,  ballata  moresca  1 —  Schott. 

Contenta:  No  more  Sighing  — 35  Schirmer. 

^OBOflbHaa  (p.  H.  n.)  —30  Jurgenson. 

2  Duette:  Nr.  1.  Am  Morgon  1 — .  Nr.  2. 
Am  Abend  1 —  Tonger. 

Gabriella,    valse   chanWe  2.50  n   Durdilly. 

■  Gabriella,    vocal    waltz     (ital.-engl.)     2 — n 

Augener. 

Gentle   question   — 40  Ditsou. 
Johanna,   waltz   song   — 65   DUson. 
Maman  ne  s'6veille  pas!   — 75  Schott. 
0  Salutaris  3 —  Heugel. 
Povera  fioraia  — 50  Vranz. 
Poter  arcan,  valse,  >S^  — 50. 

Pourquoi?      Sai-feM-b?      — 75     Sehott,      — 25 

Johansen. 
Preghiera:    Oh,   Signor,    padre   del  ciel   3 — 

Ricordi. 
Preghiera  alia   Madonna:    Santa  Maria  3 — 

Ricordi. 

■  Kesumg  de  I'art  du  chant,  20  vocalises  7 —  n 

Heugel. 
Eiassunto   dell'Arte  del   Canto   l>er   tutte   le 
voci,  20  voealizzi  elementari  e  progressivi 
con    parole    per    unire    I'articolazione    alia 
vocalizzazione   5 — ,   1 — II   a  3 —  n   Ricordi 

PtsByniKa,  Cep3n,a  KOCHnca  (p.  h.  h.)  — 25 
Jurgenson. 

■Romance:  If  you  have  not  something  to 
tell  me.  Si  vous  n'avez  rien  a  me  dire,  SP 
1—  Schott. 

•  Sei  Sorelle  (Die  seehs  Schwestern),  nuovi 
canti  siciliani  (siziliani.sche  Volkslieder)  : 
N.  1.  La  Scaltra  (Die  Kluge)  :  Freuor  non 
posso  (Verbergen  will  ich  mich),  2.  La 
Desolata  (Die  Ungliickliche)  :  Chi  mai 
provo  d'amore  (Wer  niemals  hat  erapfun- 
den),  3.  La  Civetta  (Die  Kokette)  :  Bada, 
bada  mio  Gianetto  (Nimm  in  acht  dich) , 
4.  La  Semplicetta  (Die  LTnschuldige)  : 
Non  mi  guardar  tanto  (Schau  mir  nicht 
so  zartlich),  5.  La  Sincera  (Die  Offen- 
herzige)  :  Non  mi  lasciar  (La6'  nicht  von 
mir),  6.  La  Folletta  (Die  Lustige)  :  Posa 
la  mano  sul  mio  core  (Will.st  du  nicht  auf 
das  Herz),  a   1 —  Kistner. 

■  Sei  nuovi  Canti  siciliani  per  una   voce  con 

ace.  die  P:  N.  1.  Goudoliera,  2.  Cittadina, 
3.  Barcarola,  4.  Nonna,  Nonna.  5.  Pasto- 
rale, 6.  La  Ninetta,  a  — 75  Schott. 

-  Si    vous   n'avez   rien   a   me   dire,    rouauce   a 

une  voix  avec  ace.  de  P  — 75  Schott. 

■  Si  vous  n'avez  rien  a  me  dire!    (If  you  have 

not  something  to  tell  me!)  Romance, 
Schott. 

-  Un  sogno    (Ein  Traum)  :    „Ich   zog  umhlillt 

von  tiefer  Nacht"  1 —  Bote. 

-  Und   hattest   du  nichts  mir   zu  sagen,   f.   T 

od.  S  m.  P-Begl.  —75  Schott. 

-  Vademecum      for      Singing  -  teachers      and 

Pupils,  boards,  gilt  top  1 —  Schirmer. 


-  20  Vocalises,  resume  de  Tart  du  chant  2 — - 

Gordon. 

-  Waltz  of  love,   waltz   song  — CO  Ditson. 

MapKesii     C.      „MoeH     aYuioh     oBJia^'fejiH" 

(ntTHH  r-Hceio    CjiaBHuou  bi.   on.  „CeBHjiB>- 

ckIh  u.iipEO.ibHnK'b")  —50  Bessel. 
Marchesi   T.   Dank   dir   o  Liebe,  Rezit.   und 

Arie  — 75  Schott. 
Marchet   Gaston,   Meditation,   VPfOrg)    1.50 

Raabe. 
-3   Pi&ces  dans  le   style  ancien,   VP:      N.   1. 

Pastorale,  2.  Romance,  3.  Pensee  poetique, 

a   1.20   Raabe. 
Marchetti  A,  lo  Canto!   Coro  a  3  voci  con  /• 

1 —  u  Martinenghi. 

-  Valzer,  P  2 —  Mariani. 

Marchetti    Agostino,    Bnon    uso    del    tempo, 

romanza   2.50  Ricordi. 
Marchetti  Antonio,  Ave  Maria  2.50  Ricordi. 

-  Salve    Regina,    melodia   religiosa    in    chiave 

di   sol  con   Org(P)   2 —  Martinenghi. 

-  Tipi  celesti,   melodia  4—  Ricordi. 

-  Volonta  sia  fatta  del  Signore,  melodia  4.50 

Ricordi. 

Marchetti  Fiiippo  (1831—1902).  Ricordi: 
A  Roma,  album  8 — :  N.  1.  La  Figlia 
d'ltalia,  melodia  1.50.  N.  2.  L'Arancino, 
canto  popolare  1.25.  N.  3.  La  Gemma 
d'amore,  canzone  1.50.  N.  4.  La  Gaggia, 
canto  popolare  1.50.  N.  5.  Ei  pivl  non 
torna,  romanza  2 — .  N.  6.  Partenza,  duet- 
tino  2.25. 

-  A  tes  l&vre,  P  6 —  Hachette. 

•A  una  nina   (Ad  una  bambina)   4 — .  P  2.25. 

-  All'amica  lontana  5 — :  N.  1.  Forse  mentrio 

ti  chiamo  2 — .  N.  2.  Morremo,  duettino 
3—.  N.  3.  Torna  la  cara  2.50.  N.  4.  II 
sai,  d'nopo  ho  di  te  2.50. 

-  Alia  sua  fanciula  3 — . 

-  Angele    Dei,    coro    con   P   — 50  n,    Part.    St 

— 25n. 

-  A  ttesa  3 —  Mariani. 

-Ave  Maria,  coro  a  3  voci  con  P(Org)  3..50, 
Part,  St  —75,  S8A  — /3  Novell  o,  —15 
Schirmer. 

-Broken    heart    (Poveretta)     1, —  n   Augener. 

-Canti  popolari  .5 — :  N.  1.  Firenze  a  Vit- 
torio  Emanuele,  2.  In  risposta  alio  Stor- 
nello  di  Prati,  3.  Moriro,  moriro,  sarai 
contenta,  4.  Se  non  volevi  ch'io  m'inna- 
morassi,   a   1.75. 

-Canti  popolari  Romanesclii.  raccolti  e 
trasritti  2.50. 

-  Canzone   della   Moudriana   3 — . 

-  Dair  Alpi   al   Mare,   album:    N.  3.  Firenze. 

Lung'    Arno,    stornello-melodia:       Tu    mi 
doniaudi   3.50. 
-Deserted     (Poveretta),    song:    N.    1.    In    Mi 
bemolle,    parole   italiane   ed   inglesi,   2.   In 
Re  bemolle,   parole  inglesi,  a  4 — . 

-  Di   che  ti   lagni?  Melodia   1.75. 

-Don      Giovanni      d'A  u  s  t  r  i  a,      opera 
(1880),   ChP   15—: 
Atto    II.    Duetto:    Pablo    e    Giovanni:    Piil 

bassa  la  favella,  ST  5 — ,  P  4 — . 
Atto    III.    Preludio    e    Ballata:    Pablo:    Se 
fossi  un  augellino,  S  4 — . 
-Era  stanca!    Cantilena  2 — . 

-  Fantasia   sopra  motivi    piii   favoriti   dell'op. 

Attila  di  Verdi   4 —  Mariani. 


Marchetti  F.  Oia  mesta! 


—     156     — 


Marchetti  F.  Ruy  Bias 


-  Giil    mesta!     Melodia:     Obliar     nou    poss'io 

2.50. 
-Gustavo     Was  a.     opera      (1875).      GP 
20— n.  P  28—: 

P: 
Atto  I.  Preludio,  Recitativo  e  Coro  3 — . 
Duetto:    Prendi,   6  una    ])ia   memoria    3.50. 
Aria:    lo  pur,  rammeutalo  2.75. 
Congiura   3 — . 
Concertato-Fiuale  I.  2.75. 

Atto  II.   Coro  di  Ronda   e  Mouologo  d'Os- 

valdo  2.50. 
Duetto:  Padre  die  iutendi?  guardami  3 — . 
Duetto:    Quai   novelle?  2 — . 
Aria:  lo  voglio  in  lei  saziar  la  brama  2 — . 
Aria:    Angeli   santi   del   Paradiso  2.50. 
Duetto:    Pudore   dunque   nou    fu    3 — . 
Duetto:    Peusa   alle   pure  gioie   dell'animo 

3.50. 
Terzetto:    E   ver   die   il    vo.stro   cuore   3 — . 
Atto  III.  Canto  popolare  3 — . 
Romanza:    Perelie   nell'unico   2 — . 
Duetto:    L'ora   dunque  e  suonata?   3.50. 
Marcia  pastorale  ed  Inno  3 — . 
Ballabile   4—. 
Ripresa    dell'Inuo    e    Ballata:      E    bello,    e 

valeute  il  giovin  Rambaldo  3 — . 
Scena   del    Delirio:    Gustavo,   oh!    ciel    non 

credere   3 — . 
Scena    della    Rivolta :      Del    Re    Cristiauo 

vittima   ell'fe   3.50. 
Atto   IV.   Coro  di  Popolani   e   Soldati   3 — . 
Marcia-Fanfara  2 — . 
Gran    Scena   della   Chiesa    2.50. 
Gran    Scena     e     Concertato-Finale    ultimo 

5 — . 

Fantasia  e  Trascr.  P:  Canonica  P. 
op.  70  bis,  71,  Celega  N.  op.  188, 
G  i  r  o  m  p  i  n  i  P.  op.  93,  M  e  n  o  z  z  i  G. 
op.    134,    156. 

-  Himno    de    inauguracioii    de    la    Esposicion 

Internacional    de    Chili,    .ST,    bajo    y    coro 
10—,  P  5—,  I,ms  8—. 

-  Hymn  of  Praise,   from  Ave  Maria   4 —  Jen 

nings. 

-  Ho    sentito     cantare     una    Sirena.     melodiii 

2—. 

-  II  mio  canto  2 —  Mariani. 

-  Invito  2 —  Mariano. 

-  Invocazione   al   sonno    1.50,   Love-Song    (it, 

eugl.)    3.50. 

-  lo  Canto!    Coro  a  3  voci  con  /'  2.50  Marti- 

nenghi. 
-La  Pia   1.50. 

-  Loxitananza  3 —   Mariani. 

-Love's     complaint:      Se     non     volevi     ch'io 
m'innamorassi,  canto  popolare  4 — . 

-  Malia,   maz.    1.50   Gnimarnes. 

-  Mia  figlia  2 —  Mariani. 

-  Ne   plus   aimer    (Se  non   volevi)    4.50. 
-Nenuphars     (Ninfee),    it.-ingl.     5 — ,     it.-fr. 

4 — ,   P    (G.   B  u  o  n  a  m  i  c  f )    2—  n. 

-  Notte  in.sonne  2.50. 

-  One  tiny  kiss   (Un  bacio  solo)    3—. 

-  Orientale,   trio,    T'FcP    1 —  u    Gaudel. 

-  Partenza     4 —     Ricordi,      (Parting)      — 50 

Schirttier. 

-  Prayer,  S.iTB  —15  ^chirmer. 

-  Quando  la  squilla  1 —  n  Coffrau. 

-  Quanto  fe  bella!   Serenata,  trasportata  in  Re 

1.75. 


opera    (1865),  CP 


Quel   di   che   tivedro    1.25. 

Reverie:    II  sole  tarao  3 — . 

Ricordi  di  Roma,  album  9 — :  N.  1.  L'Ora 
del  Tramonto,  melodia  1.25.  N.  2.  Aspetto 
la  risposta,  canto  popolare  1.25.  N.  3.  Sei 
tenerina  come  la  lattuca,  canto  popolare 
1.25.  N.  4.  E  te  credevi  vanarella  mia, 
canto  popolare  1.25.  N.  5.  Primavera, 
duettino  2.50.  N.  6.  Preghiera,  quart,  o 
coro,  8ATB   3.50. 

Rimembranza,    ballata    2 — . 

Romeo  e  G  i  u  1  i  e  1 1  a. 
40—,  P  28—: 

Preludio,  P  1 — . 

Atto    I.      Introduzione:    Balli,    teatri,    ma- 

schere  5 — ,  P  3.75. 
Scena  e  Duetto:   Se  la  vedessi  a  un  angelo 

5—,  P  3.75. 
Coro  della  Festa:    Alia   piu  bella  un   briu- 

disi  3.50,  P  2.50. 
Sceiia   e  Romanza:    Sara   felice,   ve  lo  pro- 

metto  2.50,   P   2—. 
Recitativo   e   Ballabile   2.50. 
II  primo  incontro,  duettino:    Se  colla  man 

sacrilega  2.50,  P  2 — . 
Scena  e  Finale  I  6.50,  P  3 — . 

Atto  II.   Preludio   e  Duetto  del  Giardino: 

Celarti  del  core  il  mistero  3.50,  P  3 — . 
Coro  di  Scheraui:  L'ombra  &  profonda  1.75, 

P   1.50. 
Terzettino:    D'onde  vieni?   2.50,  P  2 — . 
Scena   dello   Sposalizio:    Bendi&   non   brilli 

il  tempio  4 — ,  P  3 — . 
Scena  ed   Invocazione   alia    notte:    Esci,   o 

notte  divina  2.50.  P  2—. 
Scena  e  Finale  II  5 — ,  P  3 — . 

Atto    III.    Amore    e    Speranze,    preludio    e 

duetto:  Partir  gia  vuoi?  4 — ,  P  4 — . 
Scena  e   Recitativo:    Maligne   voci   iutorno 

1.50,  P  1—. 
Scena  ed  Aria:  (^ui  dentro  un  farmaco  tale 

si  chiude   2.50,   P  2.50. 
Scena  ed   Aria:    Ma,   se  deposta  dentro   il 

chiuso  avello  4 — ,  P  4 — . 
Gran  Scena-Finale  III  5 — .  P  4 — . 
Atto    IV.    Preludio,    Monodia   e    Catastrofe 

6—,  P  6—. 
Valzer  (scritto  appositamente  per  il  cele- 
bre  tenore  Italo  Campanini)  5 — ,  P  4 — , 
'ims  6 — . 
Ruy  Bias,  opera  (1869),  CP  20—,  8* 
12— n,  P  28—,  8°  7— n,  4ms  40—;  ChP 
3.60  Neuparth,  13—  n  Salvai,  P  2.10  Nen- 
parth,   8 — n  ^alvat: 

Preludio,  P   1.50,  J,ms  2.50. 

Scena  e  Duetto:    Come  protegga  la  chiera 

eletta  4—,  P  3.50,  Jms  5—. 
Aria:    A'miei    rivali    cedere    1 — n,   P   1.75, 

4ms  2.50. 
Scena  e  Duetto:    Oh!    come  e  bella  5 — ,  P 

3 — ,  Jfi^is  5 — . 
Gran     Scena     delle    noie:      O    madre    mia 

dall'intimo  — 60  n,  P  3 — ,   Ifms  5 — . 
Ballata:       Cera    una    volta    una    Duchessa 

1.50  n,    P   2—,   4ms  4.50. 
Gran   Scena    della   Regiua : 

del    mio    peiisiero     1 — n, 

4.50  n. 
Scena    e    Duetto:      Vuol    dir    che    voi 

Cesare  3.25,  P  3—,  4ms  4.50. 


Larva  dorati 
P    2.50,     47ns 


Don 


Marchetti  F.  Ruy  Bias 


157 


Marcheuses 


ma   invauo   o- 


Duetto:    lo   ohe   tentai 

3 — ,  Jims   5 — . 
Duetto:  Dunque  voi,  se  la  fama  nou  mento 

5.50,  P  4—,  Jtms  4.50. 
Preludio,  Sceua  ed  Aria:   Ed  ei  noii  viene 

ancor!    3.25,  P  3 — ,  Ifvis  6 — . 
Arietta:  II  Duca  or  qui  verril  3.50,  /*  2.75, 

-'ims    3.50. 
Scena  e  Duetto:   Meeo  vorre.ste,  niio  buou 

signor  4 — ,  P  2.25,  J^ms  3.50. 
Scena  e  Terzetto:   E  ricco.  e  bello,  e  nobile 

8—,  P  5—,  >,ms  6—. 
Scena  e  Duetto:  Sol  vi  dirO  clie  un  raggio 

5—,   P  2.50,   J,ms  4.50. 
Preghiera:   0  madre  mia  dairiutimo,  nella 

gran   Scena  delle  uoie  2 — . 
Gavotta,    P    3.50,     Ifms    4—,     P   —40     Ge- 

bethner. 
Introduzione,  I/ms  4.50. 
Passapied,  P  3 — . 
Passo  a  quattro,  P  4 — ,  ^>ns  5 — . 

F  a  n  t  a  s  i  e  e  T  r  a  s  c  r.  P:  A  1  a  s  s  i  o 
S.,  Albanesi  L.,  Alessi  F.,  A  m  a- 
d  e  i  R.,  A  n  e  1 1  i  P.,  A  n  t  o  n  i  e  1 1  i  D., 
B  a  r  b  e  r  i  s  P.,  B  e  r  u  e  c  i  F.,  Beyer 
F.,  Bucellati   F.,  Caglio  C.   F.,   C  a- 


nonica   P.,   Celega  N.,   Coletti    F., 

Dal  I'A  r  g  i  n  e 


Creonti  A.,  Dacci  G 
O.,  Dal  Margine  O.,  Del  Bianco 
E.,  F  a  s  c  a  n  o  1 1  i  F.,  F  u  m  a  g  a  1 1  i 
D  1  s  m  a,  G  a  1 1  i  A.,  Garibaldi  G., 
G  a  s  p  a  r  i  n  i  A.,  G  o  r  g  n  i  G.,  G  r  a- 
z  i  o  n  i  -  W  a  1 1  e  r  C,  I  v  e  n  c  i  c  h  A., 
J  a  e  1 1  A.,  L  a  m  b  i  r  i  G.,  L  e  y  b  a  c  h  J., 
M  a  n  c  i  n  e  1  1  i  B.,  M  a  n  i  c  a  P.,  M  a  r- 
c  o  n  i  E.,  M  a  r  g  a  r  i  a  S.  A.,  Marti- 
n  e  z-  E.,  M  e  n  o  z  z  1  G.,  Morales  M., 
Nicolai  M.,  N.  N.,  Paoletti  N., 
PastoreG.,  PerosiG.,  Pfeiffer 
O.,  P  o  1  i  d  o  r  i  P.,  P  o  m  &  P.,  Small- 
w  o  o  d  VV.,  Soma  G.  B.,  S  p  e  z  i  F., 
S  t  o  c  c  o  C.,  T  e  d  a  1  d  i  F.,  T  e  s  s  a  r  i  n 
A.,  V  a  c  c  a  r  o  V.,  V  e  c  c  li  i  G.,  Z  a  v  e  r- 
tal  L. 

^ms :  A  m  a  d  e  i  R..  A  n  t  o  n  i  e  t  t  i  D.. 
B  e  c  u  c  c  o  E.,  B  e  r  t  o  1  i  n  o  G.,  B  i  a  g  g  i 
R.,  C  a  n  o  n  i  c  a  P.,  C  a  r  a  c  c  i  o  1  o  Ed., 
C  o  n  t  e  A.  E.,  Creonti  A.,  Dacci  G., 
D  a  i  d  o  u  e  -  C  u  t  e  1 1  i  C,  D  e  R  i  1 1  e  r- 
fells  G.,  F  r  e  n  g  u  e  1 11  F.,  G  i  a  n- 
n  e  1 1  i  C.,  G  i  r  o  m  p  i  n  i  P.,  G  r  a  z  i  a  n  i- 
Walter  C,  M  a  n  i  c  a  P.,  M  a  r  g  a  r  i  a 
S.  A.,  M  e  n  o  z  z  i  G.,  P  a  l  m  i  e  r  i  F., 
P  o  1  i  d  o  r  i  P.,  S  e  1 1  e  n  a  t  i  E.,  S  u  11  i 
G.,  S  t  o  c  c  o  C.,  T  e  s  s  a  r  i  u  A. 


V   4—,   2.50,   Fl 
2.50. 

Maud:      Grand 
Duetto. 

VP :      Alessi 
C  a  1  d  e  r  a     G.     B. 


5—    I 
Scena. 


-50, 
Aria. 


3.50,   II 
Ballata. 


F.,      B  r  o  g  i  a  1  d  i     T., 
J    M  a  r  g  a  r  i  a    S.    A., 
M  e  n  o  z  z  i  G.,  R  o  s  s  e  1 1  i  F.,  V  e  r  m  e  G. 
FIP:    Galli  Raff. 
0  :    Fantasia,   G.   T  a  r  d  i  t  i   8 —  n. 

Salve  Regina,  per  Bar  e  Coro  di  donne,  cou 

P  5—. 

Schiava  2 —  Mariani. 
Sempre  uniti  2.50. 

Sera,  melodia:  Vieiii,  la  sera  &  bella  2.25. 
Si   no  querias    verrae    enamorado     (Se    nou 

volevi  ch'io  m'inuamorassi)   3—. 


-  To  a  little  girl    (Ad  una  bambina)   .3 — . 

-  Tu    vaneggi!    Canzone:    Fanciulla   mia   2 — . 
-t'n  bacio  solo,  melodia  3 — . 

-  Una  rosa  2 —  Mariani. 

-  Versetti   in  la  — 40  n  Mariinenghi. 

-  Versetti  in  si   — 40  u  Martinenghi. 

-Vita,  album  9 — :  N.  1.  Perclie  si  more? 
Melodia-Meditazione.  2.  Lo  Strazia  Fan- 
ciulle,  canto  popolare.  3.  Ritornate  pre.sto, 
canto  popolare.  4.  Quanto  e  bella!  Sere- 
nata.  5.  Poveretta!  Ballata,  a  1.7.5.  N.  6. 
Madre  e  Figlio,  delirio  3 — . 

-  Voga,  barcarola  2.50  Mivrinni. 

-Weary    Spinner    (La   Filatrice) ,    song   4.50. 
Marchetti   F.  D.  A  tes  levres!   valse  chantee 
1.75  n  Hachette. 

VP  7.50  HacheUe. 
G.  Gross. 
more,     caract.     P 


A  tes  Ifevres,   valse  tzig. 
Artagnan,   marche   1.50. 
Ballade      carnavalesque, 
2—  n   G.   Gross. 


-  Bonne  nuit,  bebe!    berc.   0.  Gaiidet. 

-  Capitale,   suite  de  valses  2 — n  G^.   Gross. 

-  Captivante,  valse  lente,  P  2 —  n  Marchcili- 

Paris. 

-  Chant    d'automne,    meditation,     P     2.50  n, 

VP   2.50  n   Hachette. 

-  Chemineux  d'amour   1.35  n  Marchetti-VAris. 

-  Coeur  affole!   ....  andante  appassionato,  P 

2— n  Costil. 

-  Cceiir  se  lasse,  valse  chantee.  Laa?er-Paris. 

-  Dans  I'inlini,   rev.   O.     Gaudet. 

-De    tout   mon   coeur!    valse   chantee    2 — n, 
P  2— n,  0  1.50  n  Decourelle. 

-  Elysee-Valse.  G.  Gross. 

■  Eperdument,   valse  lente   2 —  n   Hachette. 

-  Fanfreluche,   polka,   0   av.  P.     Gaudet. 

-  Fascination,  valse  chantee  2 —  Costil,  P  2 — 

Benjamin. 

-  Fascination   Valse.   FiillO   2/ —  n,   sO    1/ —  n 

ChappeU. 
-Marche  des  petits  tambours  1.50  n  G.  Gross. 
■Marche   des   petits    tambours    1.20,   O    2 — n 

G.  Gross ^  SchubertJt,  jr. 

■  Mascarade   napolitaine,   tarent.   P  2 —  n   G. 

Gross. 
-O   Salutaris,   Org(P)    1.50  n   Le  Beau. 
•  Oiseaux  bleus,   rev.  P  2 —  n.   G.  Gross. 

-  Parfum    d'amour,    valse    lente   de   Y  e  b  a  r- 

E  n  e  r,  0  av.  P.     Parmentier. 

-  Petit  Trianon,  gav.  P  2 —  n  G.  Gross. 

-  Pichenette,   polka   1.75  n  Hachette. 

-  Reverences    d'autrefois,    menuet    pour 

av.  P  eond.  Da  pre. 

-  Rose  effeuillee,   maz.    1.75  n   G.   Gross. 

-  Salut    a    Paris,    polka-marche    1 —  n,    0 

P  cond.   1.50  n  DecoitrceUe. 

-  Sierra  Marena,  valse  espagnol  1 —  n  Gaudet. 
-Supreme  Ivresse,  valse  chantee  2 — -n  Mar- 
chetti. 

-  Supreme   Ivresse,   valse   boston   2 —  n 

chetti. 

-  Tes  jolis  yeux,  intermezo-valse  de  H. 

der   Zanden,   arr.  pour  0   av.  P. 
mentier. 

-  Valse  fleurie  2 —  n  G.  Gross. 

Marchetti   F.  D.  et  Camusat,  Coeur  se  lasse, 
valse    lente,    VfMandJP.    Laxcr-Faiis. 

Marcheuses    1 —   Delormel. 


stO. 


av. 


Mar- 

Van 
Par- 


March!  V.  Etitrata 


158     — 


Marchisio  G.  E.  op.  30 


March i    V.    Entrata     delle     armi    italiane    a 
Veuezia,   marcia  trionfale  2 —  Ricordi. 

-  Sensa  a  Venezia,  coro  marziale,  T  e  B  2.50 

Ricordi. 

-  Ti  son  fedel  2.50  Ricordi. 
Marching    along,    171    — /2    Kohler. 
Marchini  A.  Fiue  di  Secolo,  marcia,  2MandG 

e  Chit  — 15  n  //  Concerto. 
Marchio    E.    Battaglia    di    Solferino,    P    5 — 

Ricordi. 
Marchiori    G.    Barcarola,   MandChit   — 30   7/ 

Concerto. 
Marchisio    A.    op.    2     II     Sostenuto,     studio 

romantico,  P  3 —  Ricordi. 

-  Allegria,  galop  in  forma  di  rondo,  Jfms  2 — 

Mariani. 

-  Speranza,    galop    in    forma    di    rondo 

2 —  Mariani. 
-Trio,  PVVc   15 —  Ricordi. 
Marchisio    Barbara,     Esercizi     vocali 

tutte  le  voci),  con  P  2.50  n  Ricordi. 

-  Solfeggi  per   MS  della  Scuola  Classiea 

politana,  scelti,  ordinati  e  trascritti, 
P  3 — :  I.  Solfeggi  di  Leo,  Scarlatti, 
Hasse,  C  a  faro,  Durante,  Por- 
p  o  r  a.  II.  Solfeggi  di  Vinci,  T  r  a  e  1 1  a, 
Pergolesi,  Sacchini,  Jommelli, 
Piccinni,  Cimarosa,  a  2—  Ricordi. 
Marchisio  G.  C4uglielmo  Tell,  trascrizione, 
P  4 —  Mariani. 

-  Lucia   di  Lammermoor,  trascrizione,  P  4 — 

Mariani. 

-  Matilde   di    Chabran,     trascrizione 

Mariani. 

1.50  Mariani. 
Rossini,    trascrizione. 


J/ 7ns 


(per 

Na- 
con 


Mazurka 
Mose    di 
Mariani. 
Reminisc. 


P    3— 


P    4.50 


di    Pe- 


dell'op.   Marco   Visconti, 
t  r  e  1 1  a,  P  4.50  Mariani. 

-  Sul  Lago,  serenata,  PVVc  5.50  Ricordi. 

-  Trascrizione  sull'Assedio  di  Corinto,  P  3.50 

Mariani. 
Marchisio    G.    B.    op.    53    Zeffiro   Soave,    ro- 
mance, Mand(V,Fl)  &  P(lla)   1.50  Scliott. 

-  102  Cosacca,  danse  caract^ristique,   VP  2 — 

Schott,  - — 75   Fischer. 
-A    little     story     (Powell),     MandP     if— 

Ascherberg. 
-Album    leaves:    1.    New   Year's   Eve,    polka. 

2.   Vessoza,   maz.    3.   Ermonegilda,   maz.    4. 

Vaga  Sirena,  marina  resca,  MandP  a  4/ — 

Keith. 
-Alice,  where  art  thou?   (Ascher),  MandP 

3/—,    2MandGP   4/—   Ascherberg. 

-  Aure      Serene,      melody,      MandfVJP     4/ — 

Metzler. 

-  Aux  Champs  Elysees,   Mand  (or   V)P  2 — n 

Ascherberg. 

-  Belle    of    New    York     (K  e  r  k  e  r) .    MandP 

5/ —  Ascherberg. 

-  Broken    Melody     (Van    B  i  e  n  e) ,    MandP 

3/—,  2MandOP  4/—  Ascherberg. 

-  Brunette !   a  toi,  MandP  2/ —  Tnryier. 
-Dream     of     Venice,     waltz,      MandP     4/ — , 

BMandGP  4/ —  Ascherberg. 

-  Espanita    (Mora),   P   3/ —  Ascherberg. 

-  Estudiantina    (L  a  c  o  m  e) ,  2MandMaG  4/ — 

A.-icherberg. 
■  Etiquette  Gavotte,  MandfV)P  2/ — n  Ascher- 
berg. 


girl 


-  Fantomes   en   Fete,   tarantelle,  MandP  2/ — 

Turner. 

-  Fiancee,    MandP  2/ —   Turner. 

-  Florodora     Selection,     MandP    5/ — ,     (with 

2nd     Mand,     TB,     MaG,     parts     ad     lib.). 
Fra77cis. 

-  For  You    (S.  Smith),  MandP  3/- 

berg. 

-  Honeysuckle 

Francis. 

-  Hush,     little 
Ascherberg. 

-  In   love   with   the  Man   in   the   Moon 

cher),   MaridP   3/ —  Ascherberg. 

-  In  the  Gloaming,  MandP  4/—  Wittingham. 
-Intermezzo     (Cavall.     Bust.),     MandP    4/ — 

Ascherberg. 

-  Intrepida,     grande    marche.     2MandP    2.50 

Schott. 

-Killarney     (Balfe),    MandP 
GP  4/ —  Ascherberg. 

-  Langage    d' Amour,    serenade, 

Tiirner. 

Cabinet,     Symph. 
and    2MandGP,    I- 


Ascher- 

&     the     Bee,     MandP     2/— n 
(Rice),     MandP     3/— 

(Ar- 


3/—,    2Mand 
MandP    2/— 


a. 
-IV 


Arrange- 


a    1/— 1 
(B  ruhns) 


-  Mandoline 

ments,    1 
Keith. 

-  Mariquita,     valse     espagnole 

MandP   4/ —  Ascherberg. 

-  Marry   Madcap,   MandP   2 —  Ascherberg. 

-  Moment   Heureux,   MandP   2/ —   Turner. 
-Nocturne    (Denza),    MandP   3/ —   Ascher- 
berg. 

-Once     (Hervey),     MandP     3/ —     Ascher- 
berg. 

-  Pensiero   Patetico,   MandP   2/ —  Turner. 

-  Preghiera    (Mascagni),   P   3/ —   A,^cher- 

berg. 

-  Priscilla,  serenata,  2Mand(2V)P  1.50  Schott. 

-Rippling    Lake     (Small  wood),     MandP 

4:1 —  'Wittingha7n. 
-San  toy,  gr.  fantasia,  MandP  5/ —  Keith. 
-Serenata,  Mand(2n6.  Mand  ad  lib.)yP  2 — n 

Ascherberg. 

-  She   wanted   something    to    play    with    (E. 

Chapman).    Ma^idP   3/—   Ascherberg. 

■  Solitude,     P(V)     2/~  n,     .sO     2/6  n.     FullO 

5/ — n   Williams. 

-  12      Songs      without 

soh  n),  MandfVJP 

■  Spanish      Serenade 

4/ — •  Ascherberg. 

-  Sunflower  &  the  Sun,  MandP  2/ —  n  Francis. 

-  Syren,  Mand  4/ —  Keith. 

-  Vaga  Sirena  4/ —  Keith. 

-Vermouth,     Mand(V)P     2/— n.     2MandGP 

4/ —  Ascherberg. 
Marchisio  Gius.  Enrico,  op.  2  Scherzo,  P  3 — 

Ricordi. 

-  3  Polka  brill.  Jfms  2 —  Ricordi. 

-  5   Rimembranze  del  Rigoletto,   fant.   P  4 — 

Ricordi. 

-  19  Scherzo,  /'  3.50  Mariani. 

-  21   Bolero,  P  4 —  Mariani. 

-  22   Canzone,    P  3 —   Mariani. 

-  23  Idillio,  P  4.50  Mariani. 

■  24  Melodia   variata,   P  4 —   Mariani. 

-  27  Era  i  monti,  melodia,  P  3 —  Mariani. 

-  28   Fra  I'armi,   melodia,  P  3 —  Mariani. 

-  29  Nel  tempio,  melodia,  P  3 —  Mariani. 

-  30  Oapriccio  brill.  Ifms  5 —  Mariani. 


Words     (M  e  n  d  e  1  s- 
a  3/ —  Ascherberg. 
(B  ruhns), 


MandP 


Marchisio  G.  E.  op.  31 


—     159     — 


Marciano  E.  Boheme 


-  31   Barcarolle,  P  3 —  Nicordi. 

-  32  2.  Barcarolle,  P  4 —  Nicordi. 

-  33  Reverie,  P  2.50  Ricordi. 

-  34  Tarentelle,  P  4 —  Ricordi. 
35  2.  Ballade,  P  4 —  Ricordi. 

-  36   Le  Papillon,   caprice,  P  4 —   Ricordi. 

-  37   Les   Oiseaux,    petit  caprice,    P  3 —  jRt- 

tordi. 

-  38  Souvenir  de  H  ii  ii  d  e  1,  fantaisie,   P  4.50 

l^icordi. 

-  39   Fantaisie    imitative,    P    (ou    Melopiano) 

6 —  Ricordi. 

-  40  Andante  dii  Kaiser-Quartett  de  H  a  y  d  n, 

transcrit,    P    (on    Melopiano)    3 —   Ricordi. 

-  41  Jeunesse,  impromptu,  ?  4 —  Ricordi. 

-  42  Remord,   2.   impromptu,  P  3.50  Ricordi. 

-  43  Folic,  3.  impromptu,  P  4 —  Ricordi. 
-44   Six   Morceaux    earacteristique,    P    12 — : 

N.   1.  La  Jeune  Arabe  3 — .  N.  2.  Derniers 
Adieux   2 — .   N.   3.   Ne   m'oubliez   pas   2 — . 
N.  4.  Souvenir  de  jeunesse  3 — .  N.  5.  Sur 
le  lac  3—.  N.  6.  I  Grilli  4 —  Mariani. 
-61   Studio  di  concerto,  P  2.50  n  Blanch  i. 
8b  Saltarello,  P  2.50  Borriero. 

-  69  Capriccio,  P  3 — ,  Uuiti  5 —  Borriero. 

-  77  Ave  Maria  2 —  Perosino. 

-78  Preludio   1.50.  Galop  3—.  Complete  4— 
jBor/Zc/'o. 

-  79  Tiroles,  P  3.50,  Melopiano  3 —  Borriero. 

-  Agnus  Dei,  3  voci,  P  1.50  n  Blanchi. 

-  Andante,   P  3.50  Mariani. 

-  Ballata,  P  4 — ,  5 —  Mariani. 

-  Bozzetti,  P  10—:    N.    1.   Spirto  gentil  2.50. 

N.  2.  Ninna  uanna  2 — .  N.  3.  Squilla  2—. 
N.  4.  Canzone  2.50.  N.  5.  Arpe  angeliche 
4- —  Bwriero. 

-  Canto  epitalamico  2.50  n  Blanchi. 

-  Capriccio  fantastico,  P  5 —  Borriero. 
Capriccio,  P  2.50  Borriero. 

-2  Composizioni,  P  4 — :   N.  1.  Pastorale.     2. 
Bolero,  a  3 —  Mariani. 

-  Del  modo  di  suonare,  P  8 —  n :  Estratti  dal 

metodo:  Andamenti  3 — n,  Arpeggi  1.25  u 
Blajichi. 

-  Elementi    d'armonia    1.50  n    Blanchi. 

-  Luisa  Miller,  fant.  P  4 —  Ricordi. 

-  4  Nuove  composizioni,  P    (op.  21 — 24)    12 — • 

Mariani. 

-  I'reghiera.  melodia,  P  4.50  Ricordi. 

-  Psiche,   scherzo,   P   3.50   Ricordi. 

-  Rimembranze  campestri,  P  2.50  Mariani. 

-  Rimembranze  camp.   P  10 — :    N.   1.  Passeg- 

giata  2.50.  N.  2.  Contrasti  3.50.  N.  3.  Ca- 
pretta  3—.  N.  4.  Molino  3.50  Perosino. 

-  Schottisch   1 —  Mariani. 

-  Scozzese,  P  2 —  Mariani. 

-  Tantum  ergo  2 — n   Blanchi. 

Marchisio    Massimo,   op.   5   Danza   Alpestre 
2.75  Ricordi. 

-  6  Pastorale,  P  3 —  Mariani. 

-  7  Sera,  Bozzetto  campestre,  P  3 —  Ricordi. 

-  8  Notturno,  P  2.50  Mariani. 

•  13   Novembre,   valzer   malinconico,    P    2.75 
PtcorfZ(. 

-  14  Idillio,  romanza,  P  3 —  Ricordi. 

-  15  T'amo!  Canzone,  P  3 —  Ricordi. 

-  16  Sonata  caratteristica,  2.  tempo,  scherzo, 

P  3 —  Ricordi. 
■  17  Sotto  al  verone,  serenata,  P  5 —  Ricordi. 

-  18  In  riva  al  Nilo,  orientale,  P  4 —  Mariani. 


22  Fine  2.50  Perosino. 

23  Scena  di  uozze,  P  5- 


Mariani. 


■  25  Salve  Regina  3.50  Perosino. 

-  26  Leggenda  di  Maggio,  P  5- —  Mariani. 

-  27  Ricordati  di  me  3 —  Perosino. 

-35  Sedizioso,  allegretto,  P  ]  .50  n  Ricordi. 

-  36    Misteri    del    cuore,    audantino,    P    1.50  n 

Ricordi. 

-  45  My  dream,  P  3 —  Perosino. 

■  46  2a  Gavotta  3 —  Perosino. 

■  48  Terzo  Menuetto,  P  1 —  Hvg. 

-  49  Al  chiaro  di  luna,  s6r.  P  1 .50  Hug. 

-  50  2o  Scherzo,  P  1 —  n  Ricordi. 

-  51  I  Bersaglieri  passano,  piccolo  galop  1 —  n 

Ricordi. 

-  52  Contemplazione,   composizione,  P   1.25  n 

Ricordi. 

-  53  Chitarrata  Andalusa,  P  1.25  n  Ricordi. 
-55  Sulla  Laguna,  P   1.20  ff«(7. 

-  57  Sento  che  t'amo  e  te  lo  voglio  dire  1.25 

Capra. 

-  57bis    Preludio,  P  1.25  Capra. 

-  58  2a  Berceuse,  P  1.25  Capra. 

-  59  Reverie,  P  1 —  Capra. 

-  60  Ungaria,  P  1 —  Capra. 

-  Lacrymosa  2 —  Mariani. 

-  la  Mazurka  4.50  Borriero. 

-  Mentre  tu  canti  1.50  n  Blanchi. 

-  Minuetto,  P  4 —  Borriero. 
-Quid  sum  miser  2.50  Mariani. 

-  Sento  che  t'ami  3 —  Borriero. 

-  Slegadita,    74   esercizi   jjer   rinforzare,   scio- 

gliere  ed  eguagliare  la  forza  delle  dita. 
Possouo  essere  eseguiti  con  o  senza  I'appa- 
recchio  Slegadita  (per  I'apparecchio  Slega- 
dita Marchisio  da  applicarsi  al  P,  invio  di 
prospetti  a  richiesta),  P  2 —  Capra. 
Marchisio   P.   L.  Capriccio,  P  5 —  Borriero. 

-  Pastorale,  P  4.50  Ricordi. 

Marchot  Alfred,  Album,  6  morceaux  carac- 
teristiqvies,  P:  N.  1.  Cort&ge  de  Marion- 
nettes.  2.  Les  Barres.  3.  Le  Bal.  4.  Sur 
la  Glace.  5.  Hue!  Cocotte.  6.  L'Escar- 
polette  4 —  Schott  Freres. 

-  Berceuse,  VP  4/ —  Lavdy,  6 —  Muraille. 

-  Etudes  de  concert,  V  3 —  n,  les  memes  sepa- 

rees  2 —  n  Muraille. 

-  Sonate,  V   (Style  ancien)   2 — u  Muraille. 

Marchot  Victor,  Cortege,  Org  1 — n  Muraille. 

-  Elevation,  Org  1 —  n  Muraille. 

-  Lento  tristo,  Org  — 85  n  Muraille. 

■  Meditation,  Org  — 85  n  Muraille. 

-  OflFertoire,  Org  1.50  n  Muraille. 

-6  Pieces:  Elevation,  Offertoire,  Pri&re,  Cor- 
tege, Lento  tristo.  Meditation,  Org  4/ —  n 
Laudy. 

•  Prifere,  Org  ■ — 85  n  Muraille. 

-  Te  Joseph,  solo  — 60  u  Muraille. 
Marcia-Polka  — 50  Willig. 

Marciano  A.  op.  8  Fantasia  sull'Aida  6 — 
Ricordi. 

-  Emilia,  P  1.75  Ricordi. 

-  Rosalia,  P  2 —  Ricordi. 

-  Scena  romantica  sui  tasti  neri,  P  5 —  Santo- 

jayini. 
Marciano    E.    Andrea    Chfeuier,    racconto    di 
Maddalena,  P  2 —  Sonzogno. 

-  Boheme  di  Puccini,  quattro  trascrizioni 

facilissime,   P:      N.    1.   Quadro   I.   Solo   di 


Marciano  E.  Boheme 


—     160    — 


Marcucci  A.  Regina, 


Rodolfo:  Che  geljda  manina  1.50  n.  N.  2. 
Solo  di  Mimi:  Si,  Mi  chiamano  Mimi 
1.25  n.  N.  3.  Quadro  II.  Valzer  di  Mu- 
setta:    Quando  me'u   vo  soletta  per  la   via 

1—  n.  N.  4.  Quadro  IV.  A  due  di  Rodolfo 
e  Marcello:  O  Mimi  tu  piii  non  torni  1.25  n, 
trascr.  Ifms  3 — n,  fae.  2 — n  Ricordi,  valsa, 
P    1.50   NapoleTio. 

-  Coro    di     pastorelle,     trascr.    per     P     1.50  n 

Sonzogno. 

-  Iris  di  M  a  s  e  a  g  n  i,  serennta  di  Jor :  Apri 

la  tua  fiuestra!  Trascr izioiie  facile  (per  le 
piccole  mani,  senza  il  passaggio  del  poUice 
e  senza  rottava)    1 —  Ricorcli. 

-  Maruzza  di  F  1  o  r  i  d  i  a,  2  trascrizioni,  P: 

N.  1.  Atto  I.  Eomauza  di  Maruzza:  II  lutto 
&  qui,  2.  Atto  II.  Canzone  di  Sdegno:  Ti 
credi  forse,  a  I —  Ricorcli. 

-  Tannhiiuser    di    Wagner,    2    trascrizioni, 

4ms:  N.  1.  Romanza  di  Volframo  1.50. 
N.  2.  Coro  dei  Pellegrini  1.75  Ricordi. 

-  Tosca  di  Puccini,  3  trascrizioni,  f :  N.  1. 

Atto  I.  Solo  di  Tosca:  Non  la  sospiri  la 
nostra  casetta,  2.  Atto  II.  Solo  di  Scarpia: 
Gift  mi  struggea  I'amor  della  diva,  3.  Atto 
III.  Solo  di  Cavaradossi :  O  dolci  mani 
mausuete  e  pure,  S.  1 —  Ricordi. 

Marcillac  D.  de,  Qui  seminant  in  lacrymis, 
choeur  av.  Org  1.75  n,  p.  de  ch.  — 25  n 
SchoJn. 

Marcinkowski  C.  op.  4  Chant  du  Soir,  melo- 
die  de  S.  M  o  n  i  u  s  z  k  o,  fantaisie-transcr. 
P  1.25  ^choU. 

Marck,  Der  Bund  der  Landwirtinnen,  Coup]. 

2 —  Dnnvcr. 

Marck  G.  de,  Joli  Mai,  valse  6 —  Costil. 

Marck  G.  de,  Deux  morceaux  faciles,  P : 
1.  En  promenade,  marcietta,  2.  Valse  en- 
fanline,    il  3 —    Costil. 

Marcks  Fritz,  op.  10  Drei  Lieder  :  1.  Volks- 
lied,  2.  Morgens  steh'  ich  auf  und  frage, 
3.  Lieb  Liebehen,  leg'  's  Hiindchen,  H 
— 90  n  DrelUien. 

Marcks  J.  F.  Rise,  Swiss  lad,  variations,  /' 
3/ —  Ashdoirn. 

-  Swiss  boy,  P  — 60  Gordon. 

-  Swiss  boy,  variat.  P  — 60  Ditson. 

-  Variation   iiber    das    Thema :    Steh   nur    auf 

du  Schweizerbub.  P  I —  FeiicMinger,  2  Bg. 

Heinrichsliofen,  — 30  Litolff,  — 50  Tonger, 

2  Bg.   Schott  Freres. 
-Variations  sur  un  air  Suisse,  P  1.35  ScJiott 

Freres. 
Marco  Visconti,  cauz.  Fl  — 50  Guimaraes. 

Marco    Visconti     (In   placida   note),   cav.   Fl 

I —  GiiiDiarncf. 
Marcolini  V.  op.  118  Douze  lecons  de  chant 

pr€ced6es   d'exercices   gradues  pour   le  de- 

veloppement   de  la   voix,   Liv.  I     1 —   Jiir- 

gensou. 
Marcollo    L.     Millyette  -  Polka,      Chonmorii- 

Paris. 
Marcon   G.    B.  Hingh-life   1 — n   Garisch. 

-  Laotra  di  stelle  1 — n  Carisch. 

-  Maggio  1.25  n  Carisch. 

Marcone-De     Raffo    C.     Ricordo     di     Lima, 

valzer,  P  2.50  Carisch. 
Marconi    Enrico,   Amia   figlia,   romanza  3.50 

Ricordi. 

-  Passatempo  melodico,  P  3 —  Ricordi. 


-  Ruy  Bias,  divertimento,  P  4 —  Ricordi. 
■  Tortillero  Santiaguino  3 —  Ricordi. 

-  Triste  passato  5 —  Ricordi. 

-  Vuelta  a  Chile,  P  5 —  Ricordi. 

Marconi    E.    e    Venturelli    V.    Campaguuola, 

polka.  Jfms  2 —  Ricordi. 
Marconi    G.   Passe-Temps,   Ocarina:    1.    Air.s 

populaires,     2.     Danses     populaires     1 —  n 

Katto. 

-  Momento     melanconico,     Notturno,     P     4 — 

Ricordi. 

-  Sonetto  die  Dante:   Tanto  gentile  e  tanto 

onesta  pare  3.50  Ricordi. 
Marcora    C.    Ricordi:    Op.    17  Macbeth,   me- 
lange fantastique,  P  3 — . 

-  Ai  prodi  zuavi  baccanale,  P  3.50. 

-  Bella    lombarda.    P  —60. 

-  Bonheur,   maz.   brill   2 — . 

-  Contemplazione    1.50. 

-  Giardiniera   1.75. 

-  Macbeth,    divertimento.    FIP    5 — . 

-  Mazurka   de   concert,    P   3 — . 

-  Mestizia  2.40. 

-  Nocturne,    CIP   2.50. 

-  Polka  1—. 

-  Separazione    e    dolore.    duettiuo,    SMS    i — . 

-  T'amo   1.50. 

-  Vivandiere,    duettino,    .ST    1.50. 

Marcos  Y.  Aleu,  Carmen,  P  — 40,  Maud  — 20, 
MandP  —70     Rebagli. 

-  Fuente    de    la    reina,    P    — 40,    Mand    — 20, 

MandP  — 70   Rebagli. 
Marcou,  Maria  Ther^se,  suite  de  vaLse  2 —  n 

ScJiocnaers. 
Marcou     G.     op.     27     Scherzetto.     /'     1.75  u 

Duraud. 
Marcou    P.   Diiraud:    Op.    7     Reflet    de    Bal,^ 

polka  de  salon,  P  5 —  Noel. 

-  8    Florence,    nocturne,    /*    1.75. 

-  9  Le  Soir,  reverie,  P  1.35. 

-  10  Romance  moscovite,  P  1.75. 
-11    Inquietude,   caprice,  P   1.75. 

-  12  Le  Papillon,  .scherzo,  P  1.75 

-  13   Barcarolle,  P   1.75. 

-  14  Tarentelle,  P  2.50. 

-  15  Le  Cosaque,  impromptu,  P   1.75. 

-  16  La  Fleur  et  le  Ruisseau,  P   1.75. 

-  17   Chant  du  berceau,  P   1.35. 

-  18  Andante  alia  marcia,  P  1 — . 

-  19  Le  Hamac,   mel.  champetre,   P   1.35. 

-  20  Sc&ne  russe,  P  2 — . 

-  21    La  Foret-Noire,  legende,  P  2.50. 

-22  Souffle  de  printemps,  rom.  s.  p.,  P   1.35. 

-  23   Idylle,  P  2.—. 

-  24  Nr."  1.  Marche  funebre  1. — .  Nr.  2.  Marche 

religieuse    1.75. 

-  25   Valse   villageoise   2 — . 

-  27  Echo  russe,  P  5 —  Noi'l. 

Marcoud  N'y  a  d'  la  chanc'  que  pour  ces 
gens-la    3-^,    Ch.    s.   —30  n    Eveillard. 

Marcounet,    6    Fanfares,    '/Tr    1 — n    Gaudet. 

Marcouyeu  0.  Doux  Miirmures  des  bois. 
Valse   lente   2 —  n   Dorey. 

-  Le  Roman  de  ma  mie    (Melodie  de  P.  L  a- 

f  a  y  e) ,    Dorey. 

-  Toinon     (P.    L  a  f  a  y  e) ,    Dorey. 
Marcucci  A.  Popole,  P  2 —  Ricordi. 

-  Primo   Peusiero,   P   1 —  Ricordi. 

-  Reatini,  P  1 —  Ricordi. 

-  Regina,    schottisch,    Jfms    1.50    Ricordi. 


Marcucci  E. 


op.  2 


1(31 


Marczewski  L.  op.  10 


Marcucci 

picOP 


gavotta 


1.50, 


Ernani,   arr.   en  fant. 


E.    op.    2.    Piccola 
1 —  kiandron. 
Marcucci    F.   Ricordi: 
Arpa   3 — . 

-  (riovanna  d'Areo,   aria,   Arpa   2.10. 

-  Italiana    iu    Algeri,    finale    var.   Arpa    2 — . 

-  Lombardi,  duo  sul  Terzetto,  Arpa  Fisarmo- 

iiica   3.50. 
-Lombardi,  reminisceuze  sul  Terzetto:    Qual 
voliitta  trascorrere,  preceduto  dalla  marcia 
de   crociati,    Arpa    3.60. 

-  Liiisa  ]Miller,   transcr.   mise  en   paraphrase 

siir  la  Romance:  Quando  le  sere  al  placido, 
Arpa  3.50. 

-  ^larino  Faliero,  fant.  con  var.  e  rondS  finale 

suir     Aria:     Bello     ardir     di     congiurati, 

Arpa  2.50. 
-Marta,  fant.  Arpa  4.50. 
-Norma,   aria   finale:    Qual  cor  tradisti,  con 

introd.    e   variat.   Arpa    3 — . 

-  Norma,    fant.    e    var.    sopra    la    cavatina : 

Casta  Diva,  Arpa  3.50. 

-  Semiramide,  coro  e  cavatina,  Arpa  4.50. 

-  Sonnambula.    Ah    non    giiinge    uman    pen- 

siero,   aria   eon   var.   brill.   Arpa   3.50. 

-  Sonnambula,    fant.    brill.     iP    de    I.    L  e  y- 

b  a  c  h,  Op.  27)   Arpa  4.50. 

-  Studio   melodico   sul  Canto   popolare :    Ogni 

sabato  avrete  il  lume  acceso,  di  L.  G  o  r  d  1- 
g  i  a  u  i,   Ha   3.50. 

-  Variazioni  sopra  un  tema  favorito,Arpa  2 — . 
Marcucci  F.  e  Giovacchini  G.  Fantasia  sopra 

motivi  del  Nabucco,  VArpa  6 —  Ricordi. 
Marcucci    G.    Prelude,    extr.    du    drame    ly- 

riijue   ,,La   Violinista",   0,     Salaiert. 
Marcucci    S.    Sul    mar.    Barcarola    4 — ,    ace. 

Chit  '■i—,J'  3—,  MandfV)  1—,  MandP  4—, 

2MandP  5—,  2Mand(oV)Ghit  4.50,  2Mand 

(oV)MaP  5.50,  2Mand(oVjMaChit  5—  For- 

livesi. 
Marcucci    S.    Melodia    sopra    il    Sonetto    di 

Dant«:    Tanto  gentile  e  tanto  onesta   pare 

4 —  Ricordi. 

Marcus,     Au     chat!     galop     6 — ,     //ws     7.50 
Mathieu,  6ms  3 —  n  Leduc. 

-  Baisez,  mignon    '•> — .  Jfiiis  6 —  Muikieu. 

-  Bleuets,  collection  des  plus  jolis  airs  d'ope- 

ras,  romances  et  motifs  c^l&bres,  P :  1.  Jo- 
seph, de  M  e  h  u  1,  2.  Richard  Coeur-de-Lion, 
3.  Derniere  pensee  de  Weber,  4.  Ronde 
des  Filles  de  Marbre,  5.  Derniere  rose 
d'4te,  6.  Carnaval  de  Venise,  7.  La  Norma, 
8.  Le  Barbier  de  Seville,  9.  Robin  des  Bois, 
10.  Don  Juan,  11.  Melodic  ecossaise.  12.  Les 
Puritains,  13.  Somnambula,  14.  Faust,  15. 
Dans  les  Bois,  valse,  16.  Guillaunie  Tell, 
17.  Les  Pifferari,  impromptu,  18.  Tic  e 
Tic  e  Toe,  chanson,  19.  Souvenir  des  Alpes. 
tyrolienne,  20.  Un  premier  amour,  redowa, 
21.  Valse  du  due  de  Reichstadt,  22.  Marche 
turque,  de  Mozart,  23.  Chasse  du  Jeune 
Henri,  24.  Cantiques.  25.  Pot-pourri,  a  3 — , 
J^ms  Nr.  4,  6 — 10,  15,  18,  22,  23,  a  5— 
Mathieu. 
•  Chanson  de  I'amour   1 —  n  Jouherl. 

-  Compliment  de  fete,  duo  5 —  Mathieu. 
-Dans    les    bois     (J.    Prieux),    valse    Jfms 

5 —  Mathieu. 

-  Dream  city,  P  — 10  National  Music  Co. 

-  Gracieuse     (Philippe),    valse,    Jfins    5 — 

Mat]iieu. 


-Invitation    a    la   valse    (Weber),    P    7.50, 
simpl.  4—  Malliieu. 

-  Jul-Ilambo      och      Midsommar-Hambo   — 75 

Elkan. 

-  Laughing  Eyes,  polka  — 10  Nat.  Music  Co. 

-  Marche  turque  de  Mozart  2.50,  4»is  5 — 

MatJiieu. 

■  Orage   (S  t  e  i  b  e  1 1) ,  P  7.50  Mathieu. 

-  Petit  Rien  (Cramer),  P  5 —  Mathieu. 

■  Polonaise   (S  t  e  i  b  e  1 1)   6 —  Mathieu. 

-  Pour  Grand'm&re,  valse  3 —  Mathieu. 

-  Pour  Grand-Pfere,  polka  3 —  Mathieu. 

-  Pour     graud-pere,     polka    mignonne     1—  n 

Leduc. 

-  Pour     petite     mere,     valse     mignonne     5 — 

Mathieu. 

-  Pourquoi  ?  3 — ,  Ch.  s.  — 30  n  Eveillard. 
-Rondo  Turc    (Steibelt),  P  6 —  Mathieu. 
-3   Sonates    (Clementi,  op.   36),  P  a  5 — 

Mathieu. 

-  Tancrede,  ouv.  P  6 —  Mathieu. 

Marcus  A.  Pas  ecuyer  ni  capitaine,  gr.  scfene 

2.50  n,  Ch.  s.  — 60  n  Bornemann. 
-Polka  des  Asperges,  P  1.75  n  Rouart. 

-  Polka  des  Ecureuils,  P  2 — n,  en  feuille  1 —  n 

Lesigne. 

-  Qu'on    emplisse    mon    verre    1 —  n,    Ch.   s. 

— 35  n  Puigellier. 
-Sans    souci    1 — n,    Ch.    s.    — 40  n     ( — 20  n) 
Bornemann. 

-  Si  c'etait  a  r'faire  1 —  n,  Ch.  s.  — 40  n  Borne- 

mann. 
Marcus  F.  Alpine  song,  idyl,  P  — 50  Gordon. 
-Dancing   Waves     (Barcar.),    P    — 10     Nat. 

Music  Co. 

-  In  light  mood,  gavotte,  P  — 35  Gordon. 

-  Merry  wanderer,  P  — 40  Gordon. 

-  Valse  Bleu  — 10  Nat.  Music  Co. 

-  Voices     from     Beyond,      r§verie,     P     — 50 

Goggaji. 
Marcus    Ferd.    op.    6    nofball-Q,uadrille    1 — 

Bote. 
Marcus    Herman, 

dance,   schott.   O, 

—60,  P  ace.  —15 
Marcus     Martin, 


In    Merry 
10   parts  - 
Gagel. 
Until     „Nii 


Wood, 
-40,    14 


rustic 
parts 


gara     Falls" 


Universal-Handbuch  der  Musikliteratur.    M. 


march,  and  two-step  — 50  Thompson. 
Marcus   Paul,  Apres  la  fgte,  bare.  Mus.  mil. 
1.25,  Cond.  —10  Tilliard. 

-  Ce  que  nous  en  faison,     M.  Bordellay -Parity. 

-  Et  allez  done !  maz.    Doret. 

-  Je  vous  aime!    chanson-valse,     Barthelemy. 
-Marche    Metropole    2 — n   Zoofc-Paris. 

-  Mazurka    des    Grison    2 —  n    Zook. 

-  Montdidier,  marche,  O  av.  P,     Hachette. 

-  On  a  voulu  1.50  n  Aux  Chansons-Jjinne. 

-  Petit  journal,  marche,  0,     Elleaume. 

-  Uepentier,     Dorey. 

-  Riant  Sejour,  maz.  O,    Lange. 

-  Serenade  moderne.  Si  tu  veux,     Lange. 

-  Sevillane,  dause  espag.  P,     Dorey. 

-  Sous  les  feuilles  1.75  n,  Ch.  s.  — 30  n  Rouart. 
-Souvenirs  passees   1.50  n  Dorey. 

-  Sur  I'amour   (stances),     Dorey. 

Marcus  Paul   et   Kelley,  L'Endormi,  sur  la 

chanson      „Sweet     little      Carabos",     Aux 

t^ucces. 
Marcy  W.   E.  Polka  d'Espagne  — 50  Dilson. 
Marczewski  Lucyan,  op.  10  Qiiatre  preludes: 

N.  12.  R6ve.  N.  13.  Tri.stesse.  N.  18.  Oubli. 

N.  28.  Peu  m'importe,  P  — 30  n  Gehethner. 

11 


Marczewski  L.  op.  14 


—     162 


Marechal  H.  Natiriti 


-  14  N.   3.  Ty  czekaj   mine,  wale  — 40  n  Ge- 

hctliner. 

-  Never  More,  valae,  P  — 50  Oebethner. 
Marczinczek   Erich,  Prinz  August  Wilhelm 

Marsrh.  P   1.50  Apollo. 
Mardi   gras  d'oiseaux  1 —  Delormel. 
Mardochee   2 — n   Borvemunn. 
Mardon   W.  Tom  Thumb's  polka  — 10  Brai 

nard. 
Mare  au  Diable  1 — ,  Ch.  s.  — 30  Ghelnwe. 
Mare    A.      Fleurs    de   pommiers,     valse     2- 

Ronhier. 

A.   Souvenirs   de   Carlsbad,   P 


6- 


op6ra- 
P   6-, 


Marechal 

Herigel. 
Marechal    Henry    (1842),    Absence,    duo   ou 
choeur  5 —  Lemoine. 

-  Agnus  Dei,   STB  — 90  n   Lemoine. 

-  Amour   ChampStres   2.50   Lemoine. 
-Amoureux     de     Catherine, 

comique    (1870),   GhP   10— n,   Ouv. 
0    10 — a   Grvs: 

1.  Chanson:   Doux  pays  natal  6 — . 

2.  Couplets:    Le   Soir,   dans   I'ombre   4 — . 

3.  Duo :  Oui,  je  me  fie  a  toi  qui  m'aimes  7.50. 
3bis.    Romance:    Ce   que    je    voudrais,    Sa- 
lome 3—. 

4.  Air :   O  maison  que  j'adore  6 — . 

5.  Couplets:      Monsieur      de      ses      devoirs 
semble  se  faire  un  jeu  5 — . 

6.  Couplets  :  Oui,  je  quitterai  ce  village  4 — . 

-  Antar,  po^me  symphonique,   0  20—  n,  p.  s. 

25 —  n  Noel. 

-  Arioso  de   Daphnis  et  Chlo6  5 —   Grus. 

-  Ave  Maria,  S-so\o  et  choeur  av.  Org  et  Kb 

ad  lib.  7.50  Heugel. 

-  Ave  verum,  solo  de  Bar  — 50  n  Lemoine. 

-  Avril,    chanson    frangaise,     TTBB,     Ch.    s. 

— 50  n  Monvoisin. 
-Calendal,     opera      (1894).     ChP     20— n 
Clioudenfi : 

1.  Arioso:  Te  voila  done,  castel  des  Baux. 
r   1.70  n. 

2.  Pri&re  :  Kien  encore,  aucun  bruit,  S  1.70  n. 

3.  Chans. :   De  quoi   riez-vous?  S  et  ch.  ad 
lib.   1.70  n. 

Ballet,   0,  Part  30— n,  p.  .s.   30— n. 

-  Captive  6 —  Noel. 

-  Cerf-volant,  choeur,  Ch.  s.  —25  n  Choudens. 

-  Cerises,  petit  choeur  pour  3  voix  d'enfants, 

Ch.  s.  — 50  n   Monvoisin. 

-  Chanson   alsacienne,   SSM8A    1—  n   Grus. 

-  Chanson  bearnaise  3 —  Heugel. 

■  Chanson    d'Asoce,   choeur  — 25  n   Choudens. 
-Chanson   de  midi    1 — n   Choudens. 

-  Chanson   de   Myrtile   5 —  Grus. 

-  Chanson  de  Suzel   (de  I'A  m  i  Fritz)    5—, 

la  mgme  av.  choeurs  5 —  Noel. 

-  Chanson  des  Rabots,  choeur,  P  k  3  v.  2 — , 

Ch.  s.  — 20  n   Lemoine. 

-  Chanson  des  Rabots,  3  voix  av.  P  2 — ,  Ch. 

s.  — 20  n  Durand. 

-  Cloches  qui  chantent  2.50  Lemoine. 
-Coin  bleu,  duetto   1.35  n  Menriot. 

-  Coin  bleu,  duetto,  v.  <^g.  1.35  n,  Ch.  s.  —30  n 

Rouart. 

-  Crepuscule,  duo  6—,  Ch.  s.  —25  n  Noel. 
-Daphnis  et  Chlo6,  ChP  12—  Grus. 
-D^chiffrage   du   manuscrit,   2Kb,   2Vc,  2Va, 

'?V,    Ha,    2Tro,    2CornetaP,     2Tr,     2Cors, 


2Fa,  2Cl,  20b,  2FI,  a  1.50  n,  chaque  feuille 

— 15  n  Lemoine. 
-D6Tdomie,    op6ra     (1893),     ChP     15— u 

Choudens : 

1.  Arioso:    J'ai    triomphe     trop     t6t,     Bar 
1.70  n. 

Ballet,    0,    Part    30— n,    p.  s.    30— n,    cor- 
tege antique,  pet.   0  2 —  n,  P  3 —  n. 

-  Demain,   TTBB,   Ch.   s.  — 50  n   Monvoisi». 

-  Djellah  5—  Heugel. 

■  En  goudole,  P   1.35  n  SociSte  novvelle. 

-  Enfant   (Les  Feuilles  d'automne) ,  choeur  a 

3    voix     de    femmes     ou     d'enfants,    Ch.  s. 
— 50  n  Monvoisin. 

-  Esquisses   chor^graphiques,   P :    1.   La   Bou- 

deuse,  air  de  ballet.  2.  La  Joyeuse,  air 
de  ballet,  a  2 —  n  Cairanne. 
-Esquisses  v^nitiennes :  N.  1.  Passepied,  P 
1.70  n.  0  8 — n.  N.  2.  S6r6nade  m^lan- 
colique,  P  2— n,  0  8— n.  N.  3.  Desd6- 
mone  endormie,  P  1.35  u,  0  6 — n.  N.  4. 
Guitare,  P  2 — n,  0  8 — n  SocietS  nouvelle. 

-  E  t  o  i  1  e,    idylle    antique    p.    soli    et    SATB 

5 —  n   Heugel. 
-Etoile,    idylle    antique     (1881),    Heugel: 
l.R^cit    et  air   de  Daphnis,  T  7.50. 
2.  Choeur    des    jeunes    Bergferes,    en    parti- 
tion 1.50  n. 
Femmes  raffolent  de  ca.  Delormel. 

-  Feuillets   d' Album,    suite   d'O,    P    3—  n,    0, 

Part   5 —  n,   p.  s.   6—  n   Noel. 

-  Flotte    des    Tuileries,    2    voix    av.    P    1.70  ii, 

Ch.  s.  — 20  n    Durand. 

-  Grand'm&re  5 —  Lemoine. 

-  Kyrie  — 90  n  Lemoine. 

-Kyrie  des  Rantzan,  av.  P(Org)  1— n  Chou- 
dens. 

-  Legende  de  Syringe  5 —  Grus. 

-  Legende  du  Roi  David,  pour  T,  extraite  de 

la  scfene  des  B  e  r  g  e  r  s,  N.  Obis  de  Iti   Na- 
tivite  3—  Noel. 

-  Malgr6  moi  4 —  Heugel. 

-Meditation  religieuse,  VP(Org)  1.70  n,  VcP 
(Org)   1.70  n  Societe  nouvelle. 

-6  Melodies:  N.  1.  MMitatiou  1— n.  N.  2. 
Laisse-moi  t'adorer  1— n.  N.  3.  Relique 
d'amour  1— n.  N.  4.  Philis  (2e  edition) 
1.35  u.  N.  5.  Chanson  1.35  n.  N.  6.  Chant 
d'amour  1.35  n  Societe  nouvelle. 

-Miracle  d  e  Nairn,  drame  sacre,  0, 
Part  50—  n,  ChP  10—  n,  parties  de  choeur 
a  1 —  n  Noel: 

2.  Air  de  la  veuve,  MS  .5 — . 
6.  Air   de   Jesus,   T   4—. 

-  Mona  6 —  Heugel. 

-Nativite,  po&me  sacre,  0,  Part   100— n, 
p.  s.   150— n,  ChP  12— n  Noel: 
Ouv.   0,  Part  25— n,  p.  s.   35— n. 

1.  Introduction  et  choeur.  Part  10— n,  p. 
s.  15 — n,  p.  de  ch.,  chaque  1 —  n. 

2.  Prifere,  duetto  6 — ,  et  choeur,  Part  8 — n, 
p.  s.  12— n,  p.  de  ch.,  chaque  —75  n. 

3.  Marie  dans  la  maison,  pr6lude-pasto- 
rale,  apparition,  scfene  et  finale,  Part 
25— n,  p.  s.  35— n,  p.  de  ch.,  chaque  1.50n. 

3bis.  Prelude-pastorale  (D6tach6  de  cette 
sc&ne,  avec  coda  sp6ciale).  Part  4— n, 
p.  s.  8— n,  P  5—. 


Marechal  H.  Natiinti: 


163 


Marek  L.    op.  28 


4.  Intermfede,  Part  30 —  n,  p.  s.  40 —  n, 
parties    de   ohoeiirs,   ohaque    1.50  n. 

4bis.   L'Ange  du   mal,  air   7.50. 

5.  Le  Sommeil  de  J^sus,  prelude  et  duo 
7.50,    Part    15— n,   p.    8.    20— n. 

5bis.  Le  Prelude  seul,  Part  3 —  n,  p.  s. 
5— n,  P  5—,  fac.  3—. 

fl.  Les  Bergers,  sc§ne,  choeur,  l6gende,  ap- 
parition, Part  15 —  n,  p.  3.  20 —  n,  par- 
ties de  choeurs,  chaque  — 75  n. 

Cbis.  L6geude  4 — . 

7.  Les  Mages,  prelude  et  ehoeur  eii  forme 
de  marche,  Part  15 —  n,  p.  s.  20 —  n, 
parties   de  choeurs,   chaque  — 75  n. 

8.  L'Adoration,  sc&ne,  sextuor  et  finale, 
Part  25 —  n,  p.  s.  35 —  n,  parties  de 
choeurs,   chaque   2 —  n. 

-Nocturne,  P   1.70  n  Society  nouvelle. 

-  Noel  d'Artois  5 —  Heugel. 
-Notre  pfere,  TTBB  1.50  n  Heugel. 
-0  Salutaris  — 50  n  Lemoine. 

-  Pater  noster,   TTBB   1.50  n   Heugel. 

-  Patrouille,   scfene  choral,   TTBB,  paroles  et 

musique,  Ch.  s.  — 50  n  Deplaix. 

-  Pierres  de  Carnac,  l^gende,  choral,  parol  et 

musique,   Ch.  s.  — 50  n   Deplaix. 

-  Pot  de  fer,     Monvoisin. 
-Provence,   TTBB   3 — n    Margueritat. 
-Qu'ai-je  fait  1— n,  Ch.  8.  — 35  n  Labb4. 

-  Rantzan,   kyrie,   SATB   2 —  n   Choudena. 

-  R6veil  1—  n  Oallet. 

-  E6veillez-vous  la  belle.     Delormel. 

-  Roseau,  mglodie  1 —  n  Gallet. 

-  Selection  sur  la  Taverne  des  Trabans,  Harm 

(H.  B  o  r  r  e  1)  6—,  Fanf  5—,  p.  s.  ft  —25, 
Cond.    1 — ^Monvoisin. 

-  serenade  du  Bohemien   (Ami  Fritz),  VP 

5 — ,   quatuor  a   cordes   2 —  n  l^oel. 

-  Smilis:  1.  Berceuse.  2.  Chanson  1 — n  Chou- 

dens. 

-  8oir,    TTBB,      Monvoisin. 

-  Soldat  au  cabaret    1.20  n,   av.G  —^0  n  LahU. 

-  Sommeil   de   Jesus,    extrait   de   la   Nativity, 

p  5 — ^  gdit.  fac.  par  T  a  v  a  n,  P  3 —  VoeU 

-  Sonnet  du   XVII.  si6cle  6—  Heugel. 

-  Souhait  de  fete  1.35  n,  Ch.  s.  —30  n  Rouart. 
-TabatiSre  1 — n,  Ch.  8.  — 35  n  Lahbe. 
-Taberne     des     Trabans,     op.     com. 

(1881),   ChP    15 — n   Choudens: 

1.  Duetto:    Le   soleil   2.50  n. 

2.  Terzetto  :    Sur   les  marches  2 —  n. 

15.  Air  :    O    Saint- Yves   2—  n. 

16.  Romance:  Fridoline,  entends-moi  1.70  n. 
Chanson  du  Dieu,  av.  solo  de  Bar  2 — n. 
Choeur,  a  2  v.  av.  P  1— n,  TTBB  3— n. 
Adieux,  polka  1 —  n,  valse  2 —  n. 

-  Vers  la  Vigne  5 —  Noel. 

-Vivants  et  Morts,  4  voix  av.  P,  Part  6 — , 
p.  voc.   1 —  n   Heugel. 

-  Voyage,  duetto  1.35  n,  Ch.  s.  —30  n  Rouart. 
Marechal   J.  Berceuse  3 —  Katto. 

-  Enfant   du   p6cheur   3 —  Katto. 
Marechal    L.   Gabrielle-Polka   5 —   Heugel. 

Marechaux   Ed.  Angelus,   P  4 —  Oirod. 
-Chant    d'Amour,    VP,    Vc(V )Ha    2.50  n    Le 
Beau. 

-  Illusion,  SC  2 —  n  Crevel. 

-  Valse  5 —  Oirod. 


Maree   Josef,    Ah!    well-a-day  — 35   Ditson. 

-  Hunter's  life  — 35   Ditson. 

-  Two  by  two,  march  — 35  Ditson. 
Mareille     Xavier,     La,     Gargons     coiffeurs, 

marche   1 —  n,  Ch.  s.  — 35  n  Puigellier. 

-  Nos  marins.     Digoud4. 

-  R6giment-marche,   duo   5 —   Digoudi. 

-  R^gne  des  tendrons  3—  Digoude. 

-  Rgveillon  d'amour.     DigoudS. 

-  Vivent  les  fins  1 — n,  Ch.  s.  — 35  n  Puigellier. 
Mareis  Roland,  Sonate,  VcP  1/ —  Augener. 
Marek  Josef,  op.  40  Hopp  auf !  Polka  schnell 

1.20,  stO,  Part  2— n  Robitschek. 

-  41    Rosenlaune,    Polka    fr.    1 — ,    stO,    Part 

1.80  n   Robitschek. 

-  50   Wie   konnt'   ich    dein   vergessen.   Polka 

concert.  P  1.80  Robitschek. 

-  54  Narod-Polka   1 —  Urbdnek. 

■  55   Schwegler-Marsch    1 —    Urbdnek. 

-56    Spezialisten-Polka-Maz.    1.50   Bosworth. 

-57    50er    Regiments-Marsch    1.20    Bosworth. 

-58  Landl.  Passionen,  Konzertst.  2Z  1.50 
Bosworth. 

-59  Ach  die  Hilda,  Gesangspolka  1.20  Bos- 
worth. 

-  60    Jagdklange,    Konzert-Walzer    1.80    Bos- 

worth. 
-67   Ressource-Polka   1.20   Hofbauer. 

-  71  Mein  Herz  hat  die  Sterne  so  gern,  Wal- 

zer   2 —   Selbstverlag. 
-98   Hand    in   Hand,    Walzer    1.50     Ehrich- 
Gablonz. 

-  104  Chryzantemy,  Walzer  2 —  Piwarski. 

-  105  Krakowianka,  Polka-Mazurka  1.20  Pi- 

warski. 

-  Akademickfi,   Polka-Maz.   — 90   Piwarski. 
-Chant  du  Rossignol,  polka  de  salon,  P  1.80 

Piwarski. 

-  Emilia-Walzer  2 —  Piwarski. 

-  Eufrozyna-Walzer    2 —    Piwarski. 

-  General   Hablitschek  -  Defilier  -  Marsch     1 — 

Selbstverlag. 

-  Gut  Heil !   Gavotte,  P  2—  Sollors-Reichen- 

berg,   Str-  u.   blM  2 —  Ehrich-Gah\oaz. 

-  Mido,   valclk,   0  3—,  sept.   1.20  Kurz. 

-  Oberst   Bauer-Marsoh,   P   1.25   Pitcarski. 

-  Polonez   uroczysty,   P   1.20   Piwarski. 

-  75er     Regiments-Defilier-Marsch,     blM     2 — 

Ehrich-Gahlonz. 

-  Schwegler-Marsch    1 —   Robitschek. 

-  Waldmarchen,  Gavotte,  P  2 —  Selbstverlag. 
Marek  L.  Schlesinger :  Op.  4  Valse  brillante, 

P  1.50. 

-  6  Drei  Mazurkas  1 — . 

-  7  Drei   Mazurkas   1 — . 

-  10  Scherzo,  P  3 —  Breitkopf. 

-  11    Impromptu,   P   2 — . 

-  14   Reverie,   P   1.30. 

-  15  Romanze  und   Seherzino,  P  2 — . 

-  19  Gr.  Etude,  P  1—. 

-  20  Der  Seelenkranke  1 — . 

23  Deuxi&me  Valse,  P  2 —  Kahnt. 

-  24  Caprice   de  Concert,   P  2.50   Kahnt. 

-  25  Romance  sans  Paroles,  P  1.50  Kahnt. 
-26  Gavotte,  P  —50  Kahnt. 

-  27   Auf  Wiederseh'n :    „Es   ist   bestimmt   in 

Gottes  Rat",  Volkslied  1—  Kahnt. 
-28  Drei   Worte   1—  Kahnt. 

11* 


Marek  L.  op.  29 


lU 


Marenco  R.  Dai  Xatim 


-29   Nr.    1.   Wie   ich   dich   Hebe    1.50.      Nr.   2. 

Ich  reit'   in's  fiustre  Land   1 —  Kahnt. 
-30  Saltarello,  P  3—  Kahnt. 
-32   Trois   Pieces   caracteristiques,    P :    X.    1. 

Barcarolle    1 — .   N.   2.   La   Sirfene,   caprice. 

N.  3.  All  soir,  reverie  — 80  Cranz. 
-35  Polonaise  brill.  P   1.80. 
-40  Zwei  Balladen,  P,  a  1.50. 

-  44  Valse  melancolique,  P  — 80. 

-  45   Suite,   P :    Serenade.    Intermezzo.   Valse 

1.50  Cranz. 

-46  Valse  caract^ristique,  P  1 —  Cranz. 

-47  Rhapsodies  polonaises  N.  1,  P  2.50 
Cranz. 

-48  Trois  Pi&ces,  P:  Romance.  Marche.  Ca- 
price  1.50  Cranz. 

-  49  Berceuse,   P  1 —  Cranz. 

-  50   Rhapsodies    polonaises    1.70   Robitschek. 
-52  Deux   Menuets:    1.   E-moll.   2.   C-dur,   P 

2—  Rohitschek. 

-  Noct.,  Gondoliera  et  Romance,  P  1.75  Sclwtt. 

-  Romance  arabe,  P   1.30. 

-  Valse  mglodique,  P  — 80  n   Gebethner,  2 — 

Jakubowski. 
Marella,    Half   an   hour   past   twelve,    TTTT 

&  other  part-songs  • — 1   Ashdouv. 
Marelli      G.      Bistockette,      Ch.     s.      — 35  n 

J.'u  iiteur. 

-  Rimembranze  di  Tartavalle,  polka,  ^ms  3 — 

Ricordi. 
Marenco  C.  Fausto  avveuimento,  P  2 —  Pero- 

sino. 
Marenco    Romualdo    (1841).     Ricordi:      Al 

Genio  di  G.  S  t  r  a  u  B,  valzer  3 —  n,  0  2 — n 

Maria7ii. 

-  Album    di    Danze    sulla    musica    del    Ballo 

Amor,  P  10—:  N.  1.  Valzer  4—.  N.  2.  Polka 
2—.  N.  3.  Mazurka  2—.  N.  4.  Galop  2—. 
N.  5.  Quadriglia  3 — .  N.  6.  Orgia,  galop 
2.50,  0,  Part  2—  n. 

-  Air  osteria  del  tempo,  P  1.50. 
-Amor,  ballet,  P  8 —  n : 

I:  Scimmie  ed  Orsacchiotti,  scherzo  2 — . 
II  torrent'e  dell'Umanita,  1.  parte  4.50,  Jims 

6—. 
II  torrente  dell'Umanita,  2.  parte  4 — ,  Jfms 

6—. 
II  torrente  dell'L^mauita,   1.  e  2.  parte  in- 

sieme  8 — ,  J^ms  10 — . 
II  Parnaso.  II  Tempio  delle  Arti  in  Grecia 

5—. 
II  Parnaso,   valzer  della  Pittura    (estratto 

dal   Numero   suddetto)    — 25   Jurgenson. 

2—,  J,ms  3.50. 
II  trionfo  di  Cesare,  gran  marcia  5 — ,  ^//is 

7 — ,  Mand  — 25  n,  0,  Part  2 —  n.  7nO  3 — n. 
II :  Brindisi  agli  Dei,  orgia  romana  2 — . 
I  Satirelli,  danza  caratteristica  colle  zani- 

pogne  2.50. 
Baccanale  dell'Orgia,  romana,  1.  parte  3.50, 

Jfms  5 — . 
Finale   dell'Orgia,    romana,    2.    parte    3.50, 


1. 


Jf7ns  o — . 
Orgia  Romana, 

4ms  8 — . 
Danza  feutona  2.50,  Jfnis  4— 
II  Giuramento  di  Pontida  4- 


parte  insieme  6 — , 


ms  fi- 


ll CJorteggio  di  Amor  4 — ,  J/ms  6 — . 
II  trionfo  d'Amor,  gran  balhibile  e  quadro 
finale,   '/ins  7 — ,  Mand  — 25  n. 


Selection   p.   pet.  0  av.  P  coiid.  4 —  n. 
Sopra  motivi,  P  2 — . 

-  Amor  sublime,  valzer  3 — n,  0  2 — n  Mariani. 

-  Annibale,   ballo,  P  7 —  u  : 

III.  Discesa  dalle  Alpi,   gran  marcia  5—. 

V.  Danza  della  Coppa  d'oro  5 — . 

VI.  Danza  della  Favorita  e  Amorini,  valzer 
2.50. 

IX.  Trionfo  di  Scipione  3.50. 

I  Baccanali,  galop  finale  4.50. 

-  Apparir  delle  stelle,  P  2 — . 

-Astro   degli  Afgan,  ballo,  P  20 — : 
Gran  Marcia  religiosa,  scena  I  5 — . 
Le  Urne  ed  il  Martello,  scena  II  6 — . 
L'Inviato  e  lo  Specchio,  scena  IV  3 — . 

II  Paese  vulcanico,   scena  V  1.50. 
Ballabile  di  Montanari  3 — . 
Scena  mimica,  seguito  scena  V  4 — . 
II  Regno  del  fuoco,  scena  VI  3 — . 
Seguito  Scena  VI  2 — . 

Grande  Adagio  di  azione  2 — . 
Danza  armata  fantastica  1.50. 
Gran  Marcia  finale,  scena  IX  5 — . 

-  Bacco  e  Gambriuus,   0,  Part  3 —  n,  Banda, 

Part  3.50  n. 

-  Bella  Elvezia,  P  1.50  n,  0  2 —  n  Mai-iani. 
-a)     Bereits     engagiert!      (Deja     engagee!) 

Mazurka,  h)  Bitte  eine  Extratour  (Un  seul 
tour  vous  permettez),  Walzer,  a)  1 — ,  h) 
1.80,  Mand  a  —75,  MandP  a  1.25.  2MandP 
ft  1.60.  2MandMaP  a  2—,  MandG  a  1—, 
2MavdG  a  1.25,  2Ma7idMaa  k  1.60,  2Mand 
MaPG  a  2.50,  pice.  0,  a)  2—  n,  bj  2.75  n. 
Par.  Bes.  a  2 — n  Carisch. 

-  B  e  r  t  a    (L  e  D  i  a  b  1  e  a  u  C  o  r  p  s) ,  opera 

com.  CP  15 —  n  Maria7ii. 
-Bianca  di  N'evers,  Eallo,  P : 

Ballabile    (Valzer)    dei   Mietitori    nel   Pro- 
logo  3.50. 
Allegria-Polka  nel  Prologo  2 — . 
Polka  dei  Cacciatori,  I  1.50. 
Galop  dei  Cacciatori,  I  1.50. 
Galop  degli  Elementi,  III  3.50. 
Valzer  delle  Maschere,  V  2.50. 
Polka  del  ventaglio,  V  1.50. 
Galop  del  ventaglio,  V  1.50. 

-  Capelli  biondi,  P  1.50. 

-  Charitas,  P  4-^. 

-Dai  N  a  t  h  a.  ballo  romantico  fanta.stieo  in 
10   quadri,    P   20 —   Mariani: 
Preludio   2 — . 

I:  N.  1.  II  campo  degli  Zingari  1 — . 
II:   N.  2.  La  Gitana,  Maznrka  2.50,  N.  3. 

Patto   e   rapiraento    del   bambino    3 — . 
Ill :  N.  4.  La  foresta  vergine  e  la  scoperta 

del     tesoro     1.50,     N.     5.     Gran     Marcia 

Indiana   4 — . 
TV:   N.  6.  II  soterraneo  del  tesoro  di  Dai 

Natha   5—. 
V:    N.   7.   II  Resno   delle  Gemme  2—. 
VI:   N.  8.  II  INIanzanillo,  Polka  2—,  N.  9. 

Valzer  delle  gemme  animate  3 — ,  N.   10. 

Galop    2 — ,    N.    11.    Seguito    del    quadro 

VI    2—. 
VII:   N.   12.  Londra  1—,  N.  13.  Galop  dei 

Canottieri    inglesi    3 — ,    N.    14.    Seguito 
del   quadro  VII   1—,  N.   15.   Idem   3—. 
VIU:    N.   16.  Progetto  di  Vendetta   2—. 
IX:    N.   17  La  Vendetta   2—. 
X:    N.    18.    I    Tenipli    d'    Adjnntah.    ffran 

?>rarcia  ballabile  4—.  N.   19.  Finale  ^2—. 


Marenco   R.  Dnmenirald! 


165     — 


Marenco  R.  Sieha 


-a)  Daiiit'u\\  ahl !  (Tour  des  dames!)  Polka, 
h)  Der  Allerletzte!  (Le  dernier  de  tons!) 
Galopp  a)  1.20,  h)  1—,  Mund  a  —75, 
MandP  a  1.25,  2M'ivdP  a  1.60.  BMnndMaP 
a  2—,  MandCr  a  1—,  2MamU:  a  1.25. 
2MandMaG  a  1.60,  2MandMaPG  a  2.50, 
plccO   a  2 — n.    Par    Bes.   il    2— u    Oarisch. 

-Danze   in    Villa,    P   3.50. 

-  D  a  y  -  S  i  u,  ballo,  P  20—: 

Preludio  2 — . 

Prologo    3.25. 

Sortita    di    Day-Siii    e    Ballabile    4—. 

Sortita  Fats-Man  Dio  della  guerra  2 — . 

II.  Valzer    delle    Farfalle    6.50. 
HI.   Danza   del   Velo   fatato   2.50. 

IV.  Levata  delF  Alba  e  Danza  Day-Sin 
4—. 

ISallabile    tart.aro   5 — . 

(tiau   Matsuri    di    Saunoo   7 — . 

-  D  e  11  a  1,  ballet,  P  : 

T.    Gran   Marcia-Ballabile    4.50. 
Perk.    Danza    Zingara   4.50. 

III.  Danza  dei   figli   di   Paracleto   3 — . 
Valzer   4.50. 

La    Consacrazione,    galop    3 — . 

V.  La  Giovinezza,  ballabile-polka  5 — . 
VTI.   La   Luce,   galop   tinale  3 — . 

-  Dernier    amour    2 — . 

-Diable  au  corps,  opera  comique,  OhP 
15 —  n   Joubcrf. 

-  E  r  m  a  n  z  i  a,     ballo.     P     1 2 —    Mariani : 

Ballabile   dei    candelabri,    valzer    5 — . 
Soguito   detto,   mazurka   e   polka   3 — . 
r>allabile   dei   Pagliaccetti,   polka   2.50. 
P>allabile   de'   Fiori,   valzer  5 — . 
Ballabile   delle   Follie.   valzer   3—. 
Gran   Marcia   Persiana    5 — . 

-  Esposizione,   marcia,   -'inis   6 —   Mariani. 

-  Excelsior,  ballo,  P  5 — n: 

I.  La   Fam^,  danza   1.50,  Mmid  — 25  n. 

La   Civilta.   polketta    1.50. 

IT.  Eisorgimento,  gran  valzer  e  galop  5 — , 
fac.  5 — ,  chantes  5 — ,  Mand  — 25  n  Ri- 
cordi,  P  1.50  Napoleao,  FullO  1 — ,  U 
Ivstr  —80,   10   Instr  —60  Fischer. 

HI.  II  Vincitore  della  Kegata.  polka  1.50, 
fac.  1.50,  Mand  —25.  n^ 
Sulle  rive  del  Weser,  raaz.  2.50,  fac. 
2—,  VP,  FIP  a  3—,  Mand  —25  n, 
MandfVJP  1.50  n,  Ma7id(V)G  1.25  n, 
2Mand(V)P  1.75  n,  2Mand(y )a  1.50  n, 
2MandfV)MaP  2—  n,  2Mand(V)Maa 
1.75  n  Ricordi,  P  1.50  Napoleao. 

\\.  I  Fattorini  del  Teb-grafo,  galop  3.50. 
fac.   3.50   Ricordi,  P   1.50   Napoleao. 

VIII.  L'  Indiana,  danza  caratteristiea  3 — . 

Omaggio  a  Lesseps,  danza  caratteristica 
5 — . 

La  Concordia,  quadriglie-marcia  delle  Na- 
zioni   5 — ,   O,   Part   10 — u. 

VI.  I  Fattorini  del  Telegrafo,  nuovo  ga- 
lop 4r — . 

Variation   et  Galop   du    pas   de   deux    dan- 

s4s   par   Mile.   Palladino  4 — . 
Fantasia,   MandfV)G  2.50  n. 
Selection,  pet.  0   av.    P  cond.  5 — -  u. 
Grand  Selection.  FullO  1.50,  U  Instr  1.25, 

10  Instr   1 —  Coleman. 
Preludio    et    parte    I,    Bavda    8.50,    Potp. 

Banda   8 —  Lapuii. 


fantastico.    valzer     3- 


-Farfallini,  P   l.oO. 

-  Fianco  lesto,  P  2 — . 

•  Fibre  femminili,  P  1.75. 

-  F  1  i  k  e  F  1  o  k,  P : 

Valzer  e  Galop  dei  Tritoni  5 — . 
Scena  e  Ballabile  degli  Italiani   6 — . 
Galop   dei  Jockey  3 — . 

-  Galop,  P  2 —  n  Fromont. 

-  Genielle  2 — . 

-  Gia  impegnata !   maz.  3 —  Carisch. 

-  Gina,  polka  1 — n,  MandP  2.50  n,  quartetto. 

Part,  St  — 20  n  Fnntuzzi. 

-  Honneurs  militaires.  marche  3 — . 

■  II  Futuro.  ode,  con  H  2 — . 

-  II  Varo  della  Lepanto,  P  4 — . 

-  Tllusioni  giovanili,  P  4 — . 

-  In  Treno  celere,  P  1.50. 

-  Je    rSve    mon    pays,    maz.    1.50  n,     0     2 — n 

Mariani. 

-  Jeanne,  P  2 — . 

-  L  e  o  n  i  11  e.     ballo 

Mariani. 

-  Mano  a  tutto.  P  1 — ,  Mand  — 25  n. 

-  Marcia    dei    Ginnasti,    pel    Concorso    inter- 

nazionale  ginnastieo,   ^ms   1.25. 

-  Mazurka  alsacienne  5 —  Heugel. 

-  Motocycle,  P   1.25  n. 

-  N'la  toucliez   pas,  P  1.25. 

-  N'la   toucliez  pas,  polka,  sO  1.50  n. 

-  Non    voglio    rnarito,    polka    1.50  n.    0    2 —  n 

Mariani. 

-  Note  al  vento.  galop  1.50  n,  0  2 — n  Mariani. 

-  Occhi  neri,  P  2 — . 

-  Parola    d'ordine,    marcia    1.50  n.     0     2 —  n 

Mariani. 

-  Permette  un  giro?   valzer  5 —  Carisch. 

-  Portrait  de  Mile.  Laus,  P  2.50. 

-  Promessa,  mazurka  3 —  Brocco. 

■  Quant'    era    bello !    Rimembranze,    romanza 

2.50   Mariani. 

-  Raggi  di  Luna,  P  4 — . 

-  Rimembranze    dei    Colli    di    Lecco,     album 

7.50:  N.  1.  Invito  al  Mare,  barcarola  2 — . 
N.  2.  II  Futuro,  ode,  con  B  2—.  N.  3.  La 
Partenza,  romanza  2 — .  N.  4.  L'Abban- 
dono.  ode-romanza  2 — ■.  N.  5.  Desideri, 
ballata  2—. 
-Rive  del  Verbano,  marcia   1.25. 

-  Rosetta,  maz.  1.50  n,  O  2 — n  Mariani. 

-  Scintille     roventi,     galop     1.50  n,     0    2 — n 

Mariani. 

-  S  i  e  b  a,  azione  Coreografica  in  8  quadri,  P 

18 —  Mariani: 

Preludio  1.50. 

T.  Officina  dei  Pirati,  polka  delle  incudini 
-) 

II.  Gran  Convito.  mazurka,  ed  entrata  del 

Re  Aroldo  3 — . 
TI.  Danza  Caratteristica  di  Sieba  2 — . 
II.  Gran  Ballabile,  tarantella  e  polka  dei 

Giooolieri  3 — . 

II.  Rientrata   di   Sieba,   galop,   Allarme    e 
partenza  per  il  Campo  4 — . 

III.  Tentazioue  4 — . 

IV.  Omaggio    al   Nume,    adagio    valzer   e 
galop  5 — . 

IV.  Castigo  di  Sieba   1.50. 

V.  Tregenda  3 — . 

VI.  Barcarola  e  Preghiera  2 — . 

VII.  Variazione    di    Sieba    e    Marinaresca 
4—. 


Marenco  R.  Sieba 


166 


i^IapeHHI'b    II.   POiVKlHCM 


VII.  Tempesta  4 — . 

VIII.  Gran  Marcia  finale  4 — . 

-  Sieba,  piccolo  capriccio  (rid.  di  Graziani 

Walter),  GMmid  2—. 

-  Sinfonie  del  Popolo,  P  3 — . 

-  Sirena,  ballo,  P: 

Polka  dei  bicchieri  4 — . 
Valzer   delle  Sirene  3 — . 
Galop  delle  Sirene  2 — . 
Mazurka-Zingaresca  2 — . 
Valzer  e  Galop  dello  Sciallo  3.50. 

-  Sirene  dell'arte,  Jitns  4 —  Mariani. 

-  Soggiogati,  P  1.50. 

-  Souris  de  ma  belle,  P  1.25. 

-  Sport,  ballo,  P  6— n: 

II.  Valzer   dei  Pattinatori   2 —  n. 

Le  Incognite,  mazurka  1.25,  0,  Part  1.50  n, 
Banda  1 — n,  MandfTJP  1.25  n,  Mand 
(V)G  1— n,  2Mand(Y)P  1.50  n,  2Mand 
(V)G    1.25  n. 

Gran  Ballabile  dei  fiocchi  di  neve  e  dei 
ghiacci  2.50,  0,  Part  3.50  n. 

III.  Ballabile  dello  Champagne  2 — . 

V.  Polketta  dei  Signorini  e  delle  Signorine 
— 50,  0,  Part  1.50  u,  Batida  1 —  n,  Mand 
(V)P,  MandfVJG  a  — 75  n,  2Mand{V)P, 
2Mand(VJG  a  1— n. 

La  Chioggiotta  — 50. 

La  Gondoliera  1 — . 

Gran  Ballabile  Veneziano  2 — . 

VI.  II  Minuetto   1.50. 

VIL  Gran  Marcia  dello  Sport  2—.  0,  Part 

3— n. 
VIII.   Valzer    dello   Sport     1.50,     0,     Part 

4— n. 
Apoteosi   dello   Sport  2 — ■. 
Pot-pourri,  0   6 —  n. 
-Sposateemi?  polka  1.50  n,  0  2— n   Mariani. 

-  Telegrafiste,  P  5—. 

-  Teodora,  ballo,  P  7—  n : 

III.  Imene  ed  Impero,  sogno  e  ballabile 
6—. 

V.  Danza  Orientale  2.50. 

VI.  Intermezzo  e  Danza  Armena  3 — . 

VII.  Gran  Ballabile  dei  Fiori  5—. 
VIL    Le    Farfalle,    ballabile    5—. 

VIII.  Danza  Czeca,  mazurka  3 — . 

-  Tout    pour    elle     suite    de    valses,    P    2 — 

Gregh. 

-  Ultissimo !    galop  3 —  Cariach. 

-  Une  douce  parole,  P  2 — . 

-  Vagues  argentines,  P  5 — . 

-  Viole  e  Margherite,  P  2 — . 
-Visite,  P  4—. 

-  Voce  dal  Nord,  P  2—. 

Marenco  R.  e  Corvetto  F.  Lea  Caprices, 
ballabile  diviso  in  4  parti,  colla  teoria,  P 
3.50  Ricordi. 

Marenco  R.  e  Serponti  G.  R.  I  sette  peccati 
Capitali,  P:  I.  Polka  di  Popolani  2 — . 
III.  Polka  dei  Giullari  2—.  V.  Valzer 
degli  Specchi  4 — .  VII.  Delirio,  galop  1.50 
Ricordi. 

Marenco   T.   Saltarella,   polka    1.50  Mariani. 

Marenco  Tomaso,  Fantasia,  sopra  motivi 
della  Linda  di  Chamounix,  TcP  7.50  Ri- 
cordi. 

-  Fantasia,    su    motivi    del    Mefi.stofele,    VcP 

7 —  Ricordi. 

-  Tl  Re  di  Lahore  di  Massoiipf.  fantasia,  YcP 

7 —  Ricordi. 


Marengo  D.  G.  11  diavoliuo,  farsa  lirica  con 
P    12 —    Giuseppe. 

-  II  piccolo  martire,  melodramma  in  3  parti 

con  P    (libretto  — 50)    20 —  Giuseppe. 

-  Inno  delle  sezioni  giovani  1 —  Giuseppe. 

•  Inuo  delle  Sezioni  Giovani,  canto  a  due 
voci   1 —  Giuseppe. 

-  Tanturn  ergo  a  due  voci  i)ari  — 60  Giuseppe^ 
Marengo    L.  Indipendenza   1.25  Ricordi. 
Marengo   R.  Alsaziana,  P  1.25  Lapini. 

-  I      Mandolinisti,      marcia,      Mand      — 25  n 

Bkiiiclti. 
Marengo  et  Bull.  Choudens  -.  A  r  1  6  s  i  e  n  a  e, 

CornetP  2.50  n. 
-Attaque    du    Mouliu     (Bruneau), 

CornetP   2.50  n. 

-  B  a  s  o  c  h  e,  CornetP  2.50  n. 
-Carmen,  CornetP.  fant.  2.50  n,  habau6ra 

2.50  n. 

-  C  o  1  o  m  b  e,  CornetP  2.50  n. 

-  C  o  n  t  e  s  d'H  o  f  f  ra  a  n  n,  CornetP  2.50. 

-  Fantasia  facile   (Pescatori  di  Perle),. 

CornetP  3 —  n  Sonzogno. 
-Faust   (Gounod),  Fant.  CornetP,  I — II 

a  2.50  n. 
-Gillette   et   Narbonue    (Audran),. 

CornetP  2.50  n  Choudens,  1.50  n  Sudre. 
-Grand     Mogol      (Audran),     CornetP 

2.50  n. 

-  I  o  c  e  1  y  n.  berceuse    (G  o  d  a  r  d) ,  CornetP 

2.50  n. 
-Jos^phinevenduepar  sessoeur*} 

(Roger),  CornetP  2.50  n. 
-Mascotte     (Audran),    fant.    CornetP,. 

N.   1—2  a   2.50  n. 

-  M  i  r  e  i  11  e,  CornetP  2.50  n. 

-Miss     n  e  1  y  e  1 1     (Audran),     CornetP 

2.50  n. 
-Pailasse      (Leoncavallo),     CornetP 

2.50  n. 
-Patrie    (Paladilhe),    CornetP   2.50  n. 
-Pecheurdeperles  (Bizet),  CornetP 

2.50  n. 
-Philemon     et     Baucis      (Gounod), 

CornetP  2.50  n. 

-  R  6  V  e  (Bruneau),  CornetP  2.50  n. 
-Rip    (Planquette),  CornetP  2.50  n. 
-Romeo&Juliette  (Gounod),  Cornet 

P  2.50  n  Choudens,  2 —  Sudre. 

-SalammbS   (Reyer),  CornetP  2.50  n. 

-Sapho  (Gounod),  fant.  CornetP,  1 — -2. 
a  2.50  n. 

-Serment  d'a  m  o  u  r  (Audran),  Cornet 
P  2.50  n. 

-Soir  (Gounod),  CornetP  2.50  n  Chou- 
dens, 1.50  Sudre. 

-Vingt-huit  jours  de  Clairette 
(Roger),   CornetP  2.50  n. 

-Vivandi&re  Godard),  CornetP  2.50  n. 

Mapenii'i'B  F.  A.  IIpaKTHH.  KypcB  sJieMeH- 
Tapnaro  ntnia  2 —  n.  CoKpamenuoe  Ha^anie 
B-b  CKpnn.  KJiioi'b  1 —  n.  Bi  6acoBOM'B  KJiioTt 
1 —  D  Bessel. 

-  CoJi6*eAacio  1.50  n  Bessel. 

.MapeHii<i'b  II.  Kor/ia  ynecy  b-b  iyac6HHy. 
PoMaHC-b,  Ch  PV(Vc)  — 50  Jurgenson. 

-PoMaHCH:  Nr.  I.  YesHHeHHaa  cocHa  — ^20. 
Nr.  2.  Uapyc-B.  Bt-iieii.  napycB  o^hhokIr 
— 30.  Nr.  3.  Kol7^a  ynecy  bb  qyacOHwy. 
Ct  aKK.  CKpHUKii  n.ra  Bio.ionqeJiH  — 50- 
Jurgrnson.  .    : 


Mareno  Ni^tcrio  de  Ahn 


—     1G7 


Marescotti  E.  A.  A'o,  non  ckiamarmi 


Mareno,  Misterio  de  Alma,  sehottische,  Mand 
G  —50  T^'at.  Music  Co. 

-  Mystery   of   the    Soul,     MandG    — 50     Nat. 

Music   Co. 

Marens  A.  Mon  Coeur  ne  t'en  veut  pas 
1— n,  Ch.   s.  — 35  n  Lahid. 

Marenzio  Luca.  Novello:  Cantantibus  orga- 
tiis,  antifona  a  4  v.  dis.  Part  1.40,  parti 
— 10  Capra. 

-  Cedan  I'Antiche  —  Thou   queen  of  all  the 

world,  6  parts  — /4  n  Lmtdy. 

-  Come   fuggir   —  How    shall   I   flee,   6   parts 

(Arion  N.  73)   — /4  n  Laudy. 

-Fair  May  Queen   (Madrigal),  8ATB  — /9. 

-  Fair    shepherds'    queen,    8ATB,    Voe.    parts 

— /6. 

-  Gently  falls  the  evening  shade   (Madrigal) . 

SATB  —12. 

-Heigh  ho,  I  die  for  pure  love    (Madrigal). 

S8ATTB  — /9. 
-Lady,  see  on  every  side    (Madrigal),  SATB 

— /9. 
-Lilies     white,     crimson     roses    (Madrigal). 

l^SATB  — /3. 

-  Madrigal :      Scendi     dal     Paradiso     venere 

Venus    (Vom   Himmel    stiegst    du    nieder), 
28ATB  — 50n  Breitkopf. 
-Madrigal:    „Sehau'   ioh   dir   in   die  Augen", 
SATB   1.20  n   Sulzhach. 

-  Madrigale     a     voci     sole :      Ah !     dispietata 

inorte!  (Seguito  da  un  Pater  noster  di 
Pietro  Lieh  ten  thai),  SATB  2.10 
Ricordi. 

-  7   Moteta   ad   4   voces   inaequales   hodiernis 

ehoris  accomodata  1.65  Pustet. 

-  See,  where  with  rapid  bound,  88AATB  — /3. 

-  Shepherd's  pi])e.s  are  sweetlv  playing   (Ma- 

drigal),  88ATB  — /3  Novello,  —10   Schir- 

mer. 
-So  aith  my  fair    (Madrigal),  88ATTB  — /3 

Novello,  — 08  n  Schintier. 
-Spring  returns    (Madrigal),  88ATB  — /3. 
-Stay,  limpid  stream  (Madrigal), /SiS'lTB  1/6. 

-  Unkinde,  o  stay,  88ATTB  — /4  Leonard. 

-  Veggo.   dolce   mio   bene    (Madrigal).   8ATB 

—,'9. 
When     April     decked     (Madrigal) ,     8AAB 

1 ;'— . 

Marescalchi  F.  liicordi:  Alba,  canzonetta,  P 
I.-IO. 

-  Aila    giovine    Italia,    album     f2 — :       N.     1. 

I''irenze  a  Vittorio  Emauuele,  stornello: 
i^i'co:  e  venuto  1.50.  N.  2.  La  Mendica, 
t  umanzina :  Nuda  in  piedi  1 — .  N.  3.  Rilla, 
Kiornello:  Mi  chiamo  Rilla  1.25.  N.  4. 
Ella  m'aspetta.  barcarola-.  Voga,  voga  1.25. 
N.  5.  Non  amo  pift,  romanza:  Sogno 
(iell'anima  2 — .  N.  6.  II  Bacio,  stornello: 
ler  sera  I'amor  mio  1.50.  N.  7.  Giapo, 
barcarola  1.75.  N.  8.  La  Tradita,  romanza: 
.\h!  quest'anima  1.50.  N.  9.  Perchfe? 
I^allata  1.25.  N.  10.  Norina  e  Folchetto, 
dnettino:   Alta  6  la  notte  2 — . 

-  Uolero,  P  2.50. 

-  Canti   popolari   Ttaliani,  album  6.50:      N.  1. 

La  Scolta  agli  Avamposti,  stornello  2 — . 
N.  2.  II  Friuli  2—.  N.  3.  Romanza  2 — . 
N.  4.  La  mia  Santa,  barcarola  1.50.  N.  5. 
Siete  bella.   stornello    1.50. 


-  Cosette  del   core,  4  Canti   nello   stile  popo- 

lare  5 — :  N.  1.  Lina  (Di  quella  bocea) 
1.50.  N.  2.  Un  Sospiro  (Un  desir  m'iu- 
fiammd)  1.50.  N.  3.  Bei  giorni  (Ognor 
nell'anima)  1.50.  N.  4.  Amor  lontano 
(Mesta,  mesta)    1.50. 

-  Gavotta   di    Luigi    XIII,    trascrizione,    .Jm.v 

4—. 

-  Lohengrin,  trascrizione,  Jfttis  6.50. 

-  Mazurka,  Mand  — 30,  MandG  — 50,  MandP 

— 60  Fischer. 

-  :\Ielodie,    Mand   —30.    MandG  —50,    MandP 

— 60  Fisclicr. 

-  Minuetto,  P  2.25. 

-  Napolitana    1.50  n   Cotlraii. 

-  Ninna-Nanna,  P  2 — . 
Xotturnino,  P  3 — . 

-  Pastorale,  IIP   1.50  Coitrau. 

-3  Pezzi,  MandP:   N.  1.  Romanza  3—.  N.  2. 

Mazurka  4—.     N.   3.   Melodia  3.50. 
-3   Piceoli   Pezzi,  P:      1.   Duettino   d'Amore, 

2.  Minuetto  all'antiea.   3.   Piocola  filatrice, 

a   1- —  Carisch. 

-  Romance,  Mand  —30.  MandG  — 50,  MandP 

—60  Fischer. 

-  Romanza,  TcP  4 — . 

-  Serenata,  P  2 — . 

-  Un  Fiore  a  B  e  1 1  i  n  i,  7.  Album  8 — :  N.  1. 

Aprimi!  Notturno:  Bella  ?  la  notte  1.75. 
N.  2.  Addio,  romanza:  Addio  per  sempre 
1.75.  N.  3.  Ricordanza,  canzone:  Or  son 
tre  lune  1.75.  N.  4.  T'avessi  amato!  Ro- 
manza 1.75.  N.  5.  Fra  sonno  e  veglia, 
stornello:  Lasciatemi  dormir  1.75.  N.  6. 
Vieni,   duettino   2.25. 

-  Venditrice  di  fiori,  romanza  1 —  Cottrau. 

IVlnpemib  II.  JKepeSKOB-B,  IIojibKa  — 30  Out- 
heil. 

■  Nos  Soirees,  polka  — 30  Jurgenson. 

Maresch  P.  op.  7  Sechs  Melodien,  PV,  a  1 — 
Crana. 

-  9  Das  letzte  Standchen,  P  — 80  Cranz. 

-  14  Polonaise,  PV  1.30  Cranz. 

■  16  Drei  leiehte  Salonstiicke,  VP:    1.  Rondo, 

2.  Franz.  Lied,  3.  Miunelaed.  il  1 —  Cranz. 

-  29   Lebewohl,   P  —80  Cranz. 

-34  Nr.  1.  Des  Geigers  letztes  Standchen. 
2.  Auf  der  Alpe.  3.  Herzensfrieden.  4.  Rei- 
terlied.  5.  Spaniers  Stiindohen.  6.  Liebes- 
ahnung,  PV  a   1.20  Blaha. 

-  Romance   sans   paroles.   P  — 80   Cranz. 

-  Separation,  4tude,   P   1.50  Cranz. 

Mareschal,  R6veil   pintanier.   m^lodie   1.70  n 

CosfaUaf. 
Mareschal    M,   ^lessage    1.75  n    Hachette. 

-  Romanze,    VcP   2 —  n   Pisa. 

-  Songes,   quadr.    5 —   Heugel. 

-  Valse   des  oeillets   roses  5 —  Dupont. 

-  Valse  des  oeillets  roses  1.70  n   SocietS  non- 

velle. 
Marescotti,    12   duos,  if'omets  9 —  Legouix. 

-  24    duos.   2Cornets   9 —  Legouix. 
Marescotti     E.    A.    Ballata    medioevale,    ro- 
manza 3 —  n   Mariani. 

-  Cantata  medioevale,  romanza  3 —  u  Mariani. 

-  II   fiore  cl'acque   Ges.   2 —  n   Ricordi. 
-Libera   Trascrizione,  P   2 — n  Pagliacci. 

-  Morta,    Romanza    2.50  n    Mariani. 

-No,  non  chiamarmi.  T-omanzn  1 — ii  Mariani. 


Marescotti  £.  A.  Pagine  sparse 


ins 


Margaria  S.  A.  Allnwi  di  ilanxe 


-Pagine  sparse:  1.  A  Biaueoliare,  2.  Ris- 
pandit,  3.  Jo  mie  voUi  levar,  4.  Occhi  lu- 
centi,  5 —  n   I'icordi. 

-  Preghiera  della  sera,  romanza  2 —  u  Mariani. 

-  Scritto     sopra     uii     sasso,     romanza     1 —  n 

Mariani. 

-  Siete    bella,    ma    ladra    1.25  n    L'icordi. 

-  Sonno  e  morte,  romanza  4.50  Mariani. 

-  Ventile  al  verone,  io  son  1'  amore,  serenata 

2 —  n  Mariani. 
Maressse    Leo,    op.    18.    Douce   Recompen.se, 
variations  sur  Ah!    vous  dirai-je,   raaman, 
P  6 —  Mathieu. 

-  19   Grelots    d'Espagne.   bolero,  P   6 —   Noel. 
-20   Italia,   P   7.50   Lemoine. 

-  23  Fleur  de  I'ame.  morcean  de  salon.  P  6 — 

Noi'I. 

-  Auge  et  I'enfant  1 — n,  Cli.  s.  — 40  n  Borne- 

mann. 

-  Bolero    sur    la    R  e  i  n  e    T  o  p  a  z  e,    P    6 — 

Lemoine. 

-  Coquetterie,    polka    1.50  n    Gullet. 

-  Echos    des    operas    celebres,    P:     1.    Alceste 

(Glue  k) ,  2.  11  Crociato    (Meyerbeer), 
3.    Semiramis     (Rossini),    a    6 —    Sidz- 
hach . 
-Etudes  de  la  memoire.   /'   18 —  Sidzbach. 

-  12    Etudes,   P    12—   Noel. 

-  Fantaisie,    H    5 —    PeregaUy. 

■  Gloires  de  I'opera,  P:  1.  LeBarbierde 
Sevilla  (Rossini).  2.  La  Norma 
(Bellini),  3.  L'E  li  s  i  r  e  d'Amore 
(Donizetti).  4.  0  r  p  h  e  e  (G  1  u  c  k) , 
Don  Juan  (31  o  z  a  r  t) ,  6.  F  r  e  y- 
s  c  h  ii  t  z    (Weber),  a  6 —  Hnlzbacli. 

-Grelots  d'Espagne,  bolero,  P  2 — n  Lesigne. 

-  Italia,   P  7.50   Girod. 

-  La  8e  merveille  du  monde.  quadr.  4 —  Sitlz- 

hacli. 

-  Methode  de  Piano  12 — ,   extraite  de  sa   gr. 

methode    1.25  n   Noel. 
'-  Polka    des    x^rtistes    1.50  n    Gullet. 
-Sous   le   chaume    1 — n   Lesigne,   Ch. 

Noel. 

-  Sous  le   chaumo 

-  Souvenir   de   la 

Lemoine. 
Maresma    E.    Rebagli:    Barcarola   — 60. 

-  Ferita  mortale,   rom.  — 60. 

-  Notte   palermitana,    ser.   — 60. 

-  Sogno,   ronmnza  — 60. 

-  Torna   il  sereno,   rom.  — 40. 

Maresto    M.   Scherzo- Valse,   P  4/ —   Leonard. 
IVIaret  Leo,  On  n'ach&te  pas  le  bonheur  1 — n 

Lesigne. 
IVIaretzek,   Pas   des   fieurs,   valse   — 75    Brai- 

nurd. 

-  Passi  eseguiti   dalle  48  allieve  di   Madauui 

Weissr     1.   Pas.so   dei   Fiori.     2.   L'Alle- 
manda.      3.    Passo   Chinese,   k   3 —  Ricordi. 
Marey   G.   Divertimento,   2V   5 —   Ricordi. 

Marfella  R.  Ad  una  fanciuUa,  melodia  :  Sai 
tu,   fanciuUa    3 —   Ricordi. 

-  Barcarola :    Or    che   I'ora    e   si    romita    2.50 

Ricordi. 

-  Canto   dell'Alba,   Destnti !   2 —   Ricordi. 

-  Chiacchiere,  polka  2.50  Santojanni. 

-  Dolcezza  I  Notturno  melodico,  P  3 —  iSunto- 

janni. 


3—   Noel. 

R  e  i  n  e    T  o  p  a  z  e. 


1- 


P    6— 


-  'E   suspire   3.50   ^antojonni. 

-  I    fiori    dell'Esposizione,   polka    2.50    8anto- 

janni. 
-I   suspire,   serenata,   SfT)    1.50   Huntojanni. 

-  Irene,    mazurka    2.50   ^antojanni. 

-  Lo    sguardo    avea     degli    angeli,     romanza 

2.50  Ricordi. 

-  Memorie,  quattro  canti :  N.  1.  Notte  estiva, 

serenata  3.50.  N.  2.  La  lontananza,  ro- 
manza 3 — .  N.  3.  Mestizia,  melodia  3 — . 
N.  4.  Alia  mia  stanza,  melodia,  stornello 
3 —  Suniojanni. 
Margani  G.  Adagio  e  Minuetto,  VP  3 — n 
Fantuzzi. 

-  Fogli    lirici,    album    di    romanze    7 —    Pero- 

sino. 

-  lUusione  !   2—  Fantuzzi. 

Margarethe,  Fiirstin  von  Thurn  und  Taxis. 

Clotild-Gavotte,   P   1—,   0  3— n   Germann. 

Margaria  G.  Perosino:  Care  memorie,  valtz. 

Jfmfi   6 — . 

-  Melodia,    Org(E)    2.50. 
-Polonese,    Org(II)    2.50. 

-Solo  a   Clarinetto,   Org(E)   2.50. 

-  Suonata,    Org(U)    2.50. 

-  Suonata    alia   Petrali,    Org(E )    3 — . 

-  Suonata  con   risposta,    Org(H)    3 — . 

iVlargaria    S.    A ?    Galop,    l^ms    1.50 

Mariani. 
-A  quoi   bon?   Polka,   ^ms   2.50   Mariani. 
-Adagio    sentimentale    (stile    non    difficile), 

V(Mand)P  2.25  u  Ricordi. 

-  Afl'anno,   polka,   .'fms   2 —   Mariuiii. 

-  Aida,    divertimento    concertato,    FIVP    8 — 

Ricordi. 
-Album  10—:  N.  1.  Piccola  scena  fantast. 
2.  Orgia,  canzone.  3.  Ad  una  fanciuUa, 
stornello.  4.  Preghiera,  melodia.  5.  Vieni 
al  mar !  Notturnino  a  due  voci.  6.  Can- 
zone dei   cauottieri,  coro,   k  2.50   Mariani. 

-Album  ballabile,  FIVP  10—:  N.  1.  Lan- 
cieri,  quadriglia  3 — .  N.  2.  Ne  me  refusez 
pas,  maz.  2 — .  N.  3.  La  sveglia,  polka  2 — . 
N.  4.  II  Tramonto,  mazurka  2 — .  N.  5. 
R^ves  de  jeunesse,   valzer   4 —   Mariani. 

-Album  di  Danze,  P  7.50:  N.  1.  Invocazione 
a  Tersicore,  valzer  3 — .  N.  2.  La  Ritrosa, 
mazurka  2 — .  N.  3.  La  Halte  de  la  Chasse, 
mazurka  2 — .  N.  4.  La  Sorpresa,  polka 
1.50.  N.  5.  Bizzarria,  polka  2 —  Ricordi. 

-  Album  di  Danze  10 — :  N.  1.  Invito  a  festa, 

valzer  4 — .  N.  2.  Qu'en  direz  vous,  polka 
2.50.  N.  3.  L^na  Serenata  in  Gondola, 
polka  2 — .  N.  4.  L'Amicizia,  mazurka  2 — . 
N.  5.  Nj  jamais,  ni  toujours,  mazurka  2.50. 
N.   6.  Lancieri,  quadriglia   2.50  Ricordi. 

-Album  di  danze  nello  stile  facile,  J^ms  8 — : 
N.  ].  Unione,  valzer  3.50.  N.  2.  Allegria, 
polka  2—.   N.  3.  Eta  felice,  polka  2—.   N. 

4.    Cordialita,    mazurka    2 — .    N.   5 ? 

galop   1.50  Mariani. 

-Album  di  danze,  FIVP  10—:  N.  1.  Piii  o 
meno  belli?  valzer  5 — .  N.  2.  La  Checca, 
polka  2 — .  N.  3.  La  Regina  della  festa, 
mazurka  2 — .  N.  4.  All'Erta,  galop  2—. 
N.  5.  Rose  e  spine,  contradaii7.;i  4 —  Ma- 
riani. 


M  angaria  S.  A.  Album  di  danx,e 


1(5!  I 


Margaria  S.  A.  RicreaxwHe 


-.Album  di  danze,  FIVF  8—:  N.  1.  La  Cac- 
cia.  alle  farfalle,  valzer  4 — .  N.  2.  Un 
sogno,  mazurka  2 — .  N.  3.  Rimembranze 
eampestri,  mazurka  2—.  N.  4.  L'Aurora, 
polka  2—.  N.  5.  La  Follia,  polka  2— 
Mariaiu. 

-Alia  sera,  niiiz.  PFIV  4 —  Borriero. 

-Allegria,   polka,   4>>is  2—  Mariani. 

-  Amicizia,   P  2 —   Ixicordi. 

-  Armida,  maz.  ].50,  ^vis  2 —  Mariani. 

-  Augurio  di  felicita,  maz.  2 —  Mariani. 

-  Augurio   di   felicitil,   -)ws   3 —   Mariani. 

-  Bizzarria,  P  2—  Uicordi. 

-  Cauzone  dei   canottieri,  coro  2.50   Mariani. 

-6  Canzonette  caratteristiche,  P  6 — :  N.  1. 
L'afflitta  1—.  N.  2.  La  sentimeutale  1—. 
N.  3.  La  volubile  1.50.  N.  4.  La  campestre 
1 — .  N.  5.  La  capricciosa  2 — .  N.  6.  L'ap- 
passionata    1.50  Mariani. 

■G  Canzonette  caratter.  VP  8—:  N.  1.  L'af- 
flitta, in  La  minore,  2.  La  seutimentale, 
in  Do  magg.,  3.  La  volubile,  in  Mi  minore, 
4.  La  campestre,  in  Do  minore.  5.  La  ca- 
pricciosa, in  La  maggiore,  6.  L'appassio- 
nata,  in  Fa  maggiore,  a  2 —  Mariani. 

■4  Canzoni  senza  parole,  P  4 — :  N.  1.  Can- 
zone d'amore  2—.  N.  2.  Canzone  villerec- 
cia  2 — .  N.  3.  Canzone  del  Gondoliero  2 — . 
N.  4.  Canzone  del  Soldato   1.50  Mariani. 

■  Capricciosa,  P  2 —  Kicordi. 

■  Capric?iosa,  maz.  Ifms  3.50  Kicordi. 

Carnevale  dell'Infanzia,  piccolo  album  di 
danze  eon  la  numer  a  per  le  dita,  P 
3 — :  N.  1.  Un  buon  augurio,  valzer  2 — . 
N.  2.  La  Promessa,  polka  1.25.  N.  3.  La 
Serenata,  mazurka  1.25,  ^nis:  N.  1  3. ,50, 
N.  2—3  a  2—  Carisch. 

Carolina,  polka  4.50   Mariani. 

Contessa  d'Amalfi,  pice.  fant.  P  4 — ,  JfO's 
6—,  FIP,  VP  a  5- 


Cordialita,    J/ins   2 


Mariani. 
Mariani. 

Corri,  corri,  galop,  PV,  PFIV,  PFlfMandJV 
a  5 —  Borriero. 
Crepuscolo   del   mattino,   valzer,   PFIV   6 — 

Borriero. 
Crispino    e  la   Comare,   piccola    fantasia    in 
stile    facile    e    brillante,    P    3 — ,    I^ms    5 — , 
VP,  Fl  a  4 —  Kicordi. 

4  Danze,  in  stile  facile,  V(Mand)P:  N.  1. 
A^oci  del  cuore,  valzer  2.50  n.  N.  2.  Adelia, 
polka  1.50  n.  N.  3.  Ricordo  di  Salerno, 
mazurka  1.50  n.  N.  4.  Myosotis,  mazurka 
1.25  n  Kicordi. 

0  Divertimenti  sopra  motivi  diversi,  VVcP : 
\.  Don  Pasquale,  2.  Elisir  d'amore,  3.  Pi- 
rata,  4.  Giurameuto,  5.  Caterina  Howard, 
(3.  Don  Carlo,  a  6 —  Mariani. 

7  Divertimenti  sopra  diversi  motivi  d'opere 
teatrali,  VVaP,  VVcP :  1.  Mosfe,  2.  Korma, 
3.  Crispino  e  la  Comare,  4.  Menestrello, 
5.  Contessa  d'Amalfi,  6.  Cadetto  di  Guas- 
cogna,  7.  Celinda,  a  6 —  Mariani. 

9  Divertimenti  sopra  motivi  di  diversi  au- 
tori,  FIVP:  1.  Mos&,  2.  Elisir  d'amore,  3. 
Norma,  4.  Crispino  e  la  Comare,  5.  Ugo- 
notti,  6.  Marta,  7.  Menestrella,  8.  Giura- 
mento,   9.   i\Iarco   Visconti.   a  5 —   Mariu)il. 


-  5  Divertimenti  sopra  diversi  motivi  d'opere 

teatrali,  VVaP,  VVcP:  1.  Don  Pasquale, 
2.  Elixir  d'amore,  3.  Pirata,  4.  Giura- 
mento,  5.  Caterina  Howard,  a  6 —  Mariani. 

-0  Divertimenti,  VVaP,  FIVP,  VVcP:  N.  1. 
Don  Giovanni  6—.  N.  2.  Saffo  6—.  N.  3. 
Faust  5—.  N.  4.  L'Ebrea  G— .  N.  5.  Lucia 
di  Lammermoor  9 — .  N.  G.  II  Trovatore 
8 —  Kicordi. 

-2  Divertimenti,  VVaP,  VVcP:  1.  Marta, 
2.  Marco  Visconti,  jl  6 —  Kicordi. 

-  Divertimento  sul  Don  Carlo,   VVaP,  FIVP 

Jl  6 —  Kicordi. 

-  Divertimento    in    stile    non    difficile,      VcP 

4 —  Kicordi. 

-  Eta  felice,  polka,  Jyms  2 —  Mariani. 

-2  Fantasie  in  stile  facile,  P:  1.  La  Favo- 
rita.  2.  Marta,  a  4 —  Kicordi. 

-2  Fantasie  in  stile  facile,  Jfins,  VP,  FIP: 
1.  La  Favorita.  2.  Marta,  a  6 —  Kicordi. 

-3  Fantasie  facili  e  diteggiate,  P:  I.  Rigo- 
Ictto.  2.  Un  Ballo  in  maschera.  3.  II  Tro- 
vatore, a  2 — ,  ^ms,  VP,  FIP  a  4—  Kicordi. 

-  Faust,    piccola    facile    e  brillante,    P    3 — , 

Jfms  4.50,  in  stile  facile  6—,  VP,  FIP  a 
3.50  Kicordi. 

-  Fra  il  Gesso  e  la  Stura,  mazurka,  Jfms  4 — 

Borriero. 

■  Gioconda,     divertimento   concertato,     FIVP 

7 —  Kicordi. 

-  Halte  de  la  Chasse,  P  2 —  Kicordi. 

■  II    Postiglione,      valzer    caratteristico      5 — 

Mariani. 

-  Invito  a  festa,  P  4 —  Kicordi. 

-  Invocazione  a  Tersicore,  P  3 —  Kicordi. 

-  Lancieri,  P  2.50  Kicordi. 

-Luisa  Miller,  divertimento  per  VVcP, 
VVaP,  FIVP   a   6—   Kicordi. 

-Marta,  piccola  fantasia  in  stile  facile, 
FIP  5—  Kicordi. 

-  Mefistofele,   divertimento   concertato,   FIVP 

8 —  Kicordi. 

-  Mestizia  e  Speranza,  raelodia   (stile  facile), 

VfMandJP  1.50  n,  2Mand(V)P  1.75  n  Ki- 
cordi. 

-  Nel  pomeriggio,  polka  5 —  Borriero. 

-  Ni  jamais  ni   toujours,   P  2.50  Kicordi. 

-  Ninna-nanna,     cantilena     (stile     facile),    V 

(Mand)P  1.25  n  Kicordi. 

-  Nottiirnino     in    stile    facile,     2MandP     con 

•ie  Mand  ad  lib.  2.50  Kicordi. 

■  Pantaloue,     valzer     brillante,     P    3- 

riani. 

-  Poliuta,   pice    .fant.    P    3 — ,    4f>^s   5- 

FIP  a  5 —  Kicordi. 

-  Postiglione,   valzer   carat.   P   3 — ,   Jfms  4 — , 

VP,  FIP  a  4—  Maria7ii. 

-  Preghiera,    melodia    per    MS    con    PV    2.50 

Mari'nii. 

-  Qu'en  direz  vous,  P  2.50  Kicordi. 

-  Ricreazione  nello  studio  Raccolta  di  piccole 

Fantasie  in  stile  facile  e  brillante  com- 
poste  sopra  motivi  d'opere  teatrali:  I.  1. 
Barbiere  di  Siviglia.  2.  Norma.  3.  Son- 
nambula.  4.  Elisir  d'amore.  5.  Lucrezia 
Borgia.  6.  Lucia  di  Lammermoor,  P  12 — , 
a  2.50,  Jfins  a  4—.  17'  a  3.50,  FIP  a  4—. 


Ma- 


VP 


Margaria  S.  A.  Ricreaxivjie 


—     170     — 


Margis  A.   Tsouki 


polka,    Ifms    3 — 


'pns  4.50,   VP, 


IT.  N.  1.  Puritani,  P  2.50,  Itms  4—.  N. 
2.  Guglielmo  Tell  2.50,  Jyms  4.50.  N.  3. 
Gli  Ugonotti  3—.  l,ms  4.50,  VP  a  3.50,  FIP 
h  4—. 

III.  1.  Mos&.  2.  Beatrice  di  Tenda.  3. 
Eoberto  il  Diavolo.  4.  Semiramide.  5. 
Otello,  P  a  3—,  Ifms  h  4.50,  VP  a  3.50, 
FIP  a  4—  Carisch. 

-  Rimembranze    del    teatro    italiano,    diverti- 

nienti,  FIVP :  1.  P  e  t  r  e  1 1  a  :  Caterina 
Howard.  2.  Petrella:  La  Contessa 
d'Amalfi.  3.  D  e  Ferrari:  II  Cadetto 
di  Guascogna.  4.  Petrella.:  Celiuda. 
5.  Donizetti:  Don  Pasquale.  6.  V  a  c- 
e  a  j :  Giulietta  e  Romeo.  7.  Bellini: 
II  Pirata.  8.  F  1  o  t  o  w  :  L'Ombra,  a  6— 
HI  arid  ni. 

-  Rimembranze    di    Napoli, 

Marin  ni. 

-  Ritrosa,  P  2 — -  Ricordi. 

-  Ruy  Bias,  piec.  fant.  P  3 

FIP  a  3.50  Ricordi. 

-  Sii  felice,  Jfms  2.50  Mariani,  MandO  — 10  n 

Salani. 

-  Silvina,   polka,   J/ms   3.50   Mariani. 

-  Sorpresa,   P   1.50   Ricordi. 

-  Sul   Mare,   notturno,   V (Mand)P   1.25  n   Ri- 

cordi. 

-  Tante  belle  cose,  Jjms  3 —  Mariani. 

-  Ti  rivedrS  ?  P  2—  Ricordi. 

-  IJn  saluto   a   Fireuze,   galop,   Jfms 

riani. 

-  Un   saluto   a    Torino,    polka,   4^s 

riani. 

-  Una   Serenata  in   Gondola,   P  2 — 

-  Vieni   al  mar !   M8C  2.50  Mariani 
Margarit,    Cataliinya    y   Avant,    3 

Dotesio. 

-  Himno  a  la  Virgen,   Org  — 75  Dotesio 

-  Un    Recort    d'Hostalrich,    americ,    1 — 

tesio. 

MaprapHTa.  HeanojiHTaHKaa  n-bccHKa  F 

Johansen. 
Margarita  — 30  n   Jouiert. 

Margaritescu    M.   Gavotte  de  la   Princ. 

yale,  P  — 30  Magasinul  Conservatoriului. 

-Princess    Marie,    inarche  1.50     Magasinul 

Conservatoriului. 

Margat  L.  Berceuse  bretonne,  P  6 — 

-  Idylle.    P   1.75  n   Rouart. 

-  Naivete,  P  4.20  Oay. 

-Pendant    la    mazurka,     souvenir,     P    2 — n 

(lay. 
Margetson   E.  J.  Berceuse,   VP  4/ —  Chanot. 

-  Far  from  my  Heavenly  Home,  sacred  song 

for  tifTJ  2/— n  Noveko. 

-  Lullaby  4/ —   Willcocks. 

-Two   Short  Songs:    1.   Meeting.   2.   Girleen. 
2   keys   2/ —  n   Ascherberg,   Uopuood. 

-  AYhile    my    lady    Sleepeth    2/ —    Ascherberg. 

-  Yv  Ho !   a   sea  song  of  the  past,  in  2  keys 

2; —  n  Ascherberg. 
Margharita,  Eternal  Spring,   S(TJ   2/ —  No- 

vello. 
Margheri    L.  Carmen,  maz.  — 10  n  Salani. 

IVlargiewich,   Victoria,   marche,   Harm(Fanf) 
1.25  n,   Cond.  — 25  n   Gheluwe. 


4—  Ma- 
3—  Mo- 
Ricordi. 

voc.    1.75 


Do- 


-40 


Ro- 


Oay. 


Margis  Alfred,  op.  31  Paques  fleuries,  valse 

lente,    P    1.50,    Jfms    1.50,    PV(Fl)    1.80,    V. 

Fl  a  —60,   Z    1.20,    0   3— n,   kl.    0    1.20  n 

Cratiz. 
-34  Fleurs   et   Femmes.   valse  lente,    F    1.50, 

0    3—  n,   kl.    0    1 .80  n   Cranz. 

-  35  Fleur  de  Neige,  valse  lente,  P  1.50,  J/tus 

1.50,  VfFlJP  1.80,  V,  Fl  a  —60,  Z  1.20,  0 
3— n,  kl.  0  1.80  n  Cranz. 

-  Amour  chante  et  pleure,  sur  les  motifs  de 

.,Christmas-Valse"    2 —  n     Edition     Almar- 
Paris. 

-  Aubade  a  I'Amour  4 —  Carisch. 

-  Baisers  5 — ,  valse  6 — ,  0  2 — n  Salaieri ,  P 

2.25,     0    3— n    Benjamin,     P   4/—,     FvllO 
2/ —  n  Chappell. 

-  CMtelaine,   valse   chant6e,   P   1.70  n,   Gh.  s. 

— 35  u  Enoch. 

-  Chatelaine,  danse  2—  n,  VP  2.50  n,  0  2—  n 

Enoch. 

-  Christmas,  valse,  O  av.  P  cond.  2 —  n  Edi- 

tion Almar. 

-  Cygnes   du   Lac  Leman,   val.se   lente,   P   5 — 

Carisch. 

-  Danse  du   Voile,   P   2 —  n    Hachette. 

-  Duel   de  feinmes    1.70  n,   Ch.   s.   — 30  n   Jou- 

bert. 

-  Euchanteresse,   valse   lente,   P   5 —   Carisch. 

-  Ephrata,  marche  danse  am^ricaine,  P  2 — n 

Almar- Paris. 

-  i-]ternellement    sur    la    Valse    rose    6 —    Ua- 

chette. 

-  Fantf>sio,    polka    2- — n    Almar-Vsris. 

-  Faret    de    Noel,    duo     sur     les     motifs     de 

„Christmas- Valse"   2 —  n  Edition  Almar. 

-  Femmes   qui    ne   content   rien    (sur   les   ino- 

tifs  de  „Rugby")    1.75  n   Hachette. 

-  Garden-Party,  danse  2 —  n,  0  2—  n  Enoch, 

-  Intermezzo,    VP   2.50  n   Hachette. 

-  Joujou,   danse  2— n,    0   2 — n   Enoch. 

-  Lassitude    (sur    les    motifs     de     la     „\'al.se 

blanche")    1.75  n    Hachette. 

-  Lison   I'enjSleuse,   chanson-valse    1.75  n,      O 

av.  P  2 —  n  Edition  Almar. 
-Marche  des  petites  miss,  P  2 — n  Hachette, 

-  Papillon   5 —  Salubert. 

-  Paris-Vienne,   valse   2 —  n    Hachette. 

-  Paris- Washington,     marche     2 —  n     Editi^m 

Almar. 
-Petite   Source,    danse   2 — n   Enoch. 

-  Petite  source,  valse  6—.  PV  2.50  u.  0  2— n 

Enoch. 

-  Placet  d"amour   5 —   Dn    Wast. 

-Pour    ramour,    sur    les    motifs    de    „Christ- 

mas- Valse"   1.75  u   Edition  Almar. 
-Pour  tes  beaux  yeux,  valse  2 — n  Hachette. 

-Premier    printemps,    valse    2 — n,    0    2 — n 
Hachette. 

-  Reve  fini  5 —  Du  'Wast. 

-  Roses   de   France  2 —  n   Hachette. 

■  Roses  de  Noel,  valse  lente.     Bocuse. 

-  Rughy-March  6 —  Hachette. 

-  Si  je  vous  disais  -5 —  Du  Wast. 

-  Tammany,  sur  le  grand  succes  americaiu.  P. 

Gra7iier. 

-  Tsouki,  scfeue  orientale.   P  5 — ,  0  2 —  n  Wa- 

labert. 


Margis  A.    Valse  Blanche 


171 


Margueron   C.   Tais-toi: 


-  Valse  Blanche  6 — ,  Jftns  7.50  Hachette. 

-  Valse  bleu,  chantge   (Poiirquoi  ne  pas  m'ai- 

mer,  Little  blue  cornflower)  6 —  Salabert, 
4/—  Chappell,  8ATB  —25  Fischer. 

-Valse  b  1  e  u  e  6—  Salabert,  1.20  Ben- 
ja7}ii7i.  2.70  Maas,  4/ —  Chappell,  — 50 
Bloom,  — 75  Century,  — 50  Fischer,  — 10 
National  Music  Co.,  — 50  Presser,  Wood, 
— 80  F6xis,  6 —  Carisch,  — 50  Neuparth, 
Wafjncr  y  Levien,  1 —  Feder,  — 25  Gc- 
bethner.  — .30  Seytcang,  Dawingow, 
1.50  Lundquist,  Nordisk  Mtisikforlag; 
Jfin  7.50      Salabert,        2.50      Benjamin, 

5/_  Chappell,  7.50  Carisch,  VfMandJP 
7.50  Salabert,  2.50  Benjamin,  5/ —  Chap- 
pell, —75,  MandG  —40  Century,  PFl  7.50, 
V,  Aland,  Fl  a  2—,  Z  6—  Salabert,  1.70 
Benjamin,  0  2—  n,  Harm  2.50  n,  Fanf 
2 —  n  Salabert,  0  3—  u,  sO  2 —  u  Benja- 
min, mO  1.50,  FullO  1—  Fischer,  2/ — u 
Chappell,  Ik  Instr  —80,  iO  /ji.sfr  — ^()  Fi- 
sc/ier,  PO  2 —  Benjamin,  Z  — 30,  Mond 
—20,  V(Fl)P  —50,  MandP  —50,  V,  i?'? 
a  — 20  Ztmwerwionn. 

-Valse  bleue:  Pourquoi  ne  pas  m'aimer  1.50 
Napole&o. 

-  Valse  des  violettes,  raise  chant^e    (sur   les 

motifs  de  „Premier  printemps")   2 — n  Ha- 
chette. 
-Valses    lentes,    P :      1.    Valse    matinale,    2. 
Valse-Idylle,    3.    Valse   d'azur,    4.   Horten- 
sias  bleus,  a  2 —  n  Astruc. 

-  Valse  mauve  2 —  n   Uachette. 

-  Valse  Printaniere,   valse  — 40  n   Gebethner. 
-Valse    rose     6 —    Hachctfe.     1 —    Benjamin. 

2.40    Maas,   —30    Gebethner,    J^ms    7.50,    Y 
(M)P  7.50  Hachette,   0  2 —  Benjamin. 
-Valse  Royale   6 —  Uacheiic,  2 —   Benjamin. 

-  Vous-€tes  si  jolie,  valse  2 —  n   Hachette. 
Margold  J.  Steffel-Marsch  —90  Doblinger. 
-Wiener   Gsangln,  Walzer    l.SO  Doblinger. 
Margone  F.  Due  lacrime  e  due  fior !   Elegia 

3 — ,  P  2 —  Mariuni. 

-  Un  sogno,  barcarola  4 — .  P  3 —  Marimii. 

-  Virtil    d'amore,    anacreoutica     2 — ,     P    2 — 

Mariani. 
Margone   F.   B.  Litanie  I^auretane  a   2  vooi 

1.50  n  Perosino. 
Margot   et   Babet   1 —   Chavat. 

..Margot".  Chansonette.  „Mapro"  ^paHuyacKaa 

ntceHKa  —30,  P  —20  Bessel. 
Margot    la    cantini&re    1 — u,    Ch.    ,s.    — 30  n 

Ondet. 
Margot   T.      Ein    Backfiscbstreich,   komische 

Gesangsauffiihrung    fiir    3    Damen     m.     P, 

Part  u.  St  4.50  n  Bloch. 

-  Frau    Schiller     und    Frau    Hiller.      Duett 

3.50  n  Bloch. 
-Gavotte    d'Araour,    P    1 —    Riihle    d    Wend- 

ling. 
Margoton  va-t-a  I'eau  1 — n  Durand,   (fr.-d.) 

— 16n   Bote. 
Margstein    J.      Presser:      Doll's    Lullaby,    P 

— 25  n. 

-  Going   home,   P  — 25  n. 

-  Leap  frog,  P  —25  n. 

-  On   the  Swing,   P  —25  n. 


-  Petite  Tarentelle,   P  —30  n. 

-  Playing  Tag,  P  —25. 

-  To   the  Playground,  march  — 30  n. 

Marguerie    P.    Pater   noster,    3    voix   &    Org 

— 60  Procure. 
Marguerin    E.   0   salut^aris   1.50  n   Peregally. 

-  Panis  Angelicus   1.50  n  Klein. 

-  Petit  pinson   3 — •   Sulzbach. 

-Sub  tuum  praesidium  1 — n  Klein. 

Marguerin    J.      Labbe:      Appel   a   la   charity 
1 —  n,  Ch.  s.  — 40  Bornemann. 

-  Automne  adieu,  bonjour  hiver  1 —  n,  av.  0 

—40  n,  Ch.  s.  —35  n. 

-  Berceau   desert   1 —  n,  av.   G  — 40  n. 
-Bredouille    1.20  n,   av.    G   — 40  n. 

-  Cavalier  et  cheval  1 —  n,  av.  G  — 40  n. 

-  Courier    du    pauvre    1 —  n,    av.    G    — 40  n, 

Ch.  s.  — 35n. 

-  D6ja  seize  aus    1 — u,   av.   G   — 40  n. 
-Enfant,   peux  tu  mourir?   1 — n. 

-  Fantine  1.20  n,  av.   G  — 40n. 

-  Fumons  !    1 —  n. 

-  Gargons  en   gr&ve   1.20  n,   a  v.   G  — 40n. 

-  Ma  Lorgnette   1 —  n,   av.   G  — 40  n. 

-  Ma  montre   1 —  n,  av.   G  — 40  n. 

-  Hon  Cur6   1 —  n,  av.   G  — 40  n. 

-  Pauvre  hiroudelle   1 —  n,  av.  G  — 40  n. 

-  Pech6s   mignons    1.20  n,    av.    G   — 40  n. 

-  Pensionnaire    a    seize    ans    1.20  n,      av.    G 

— 40n. 

-  Progres  au  village  1.20  n,  av.  G  — 40  n. 

-  Qu'un    bel    homme    est   malheureux    1.20  n, 

av.    G   —40  n. 

-  Que  seras-tu  ?    1 —  n,   av.   G  — 40  n. 

-  Snlut,    bons    moissonneurs     1.20  n,      av.    G 

—40  u. 

-  Si   j'avais   c'que   j'   n'ai   pas,   av.   G    — 40  n. 

-  Souhails  du  coeur  1.20  n,  av.  G  — 40  n. 

-  Un    Futur   a  tons   les   t«mps   1.20  n,   av.    O 

—40  n. 

-  Un    Pen   gros,    mais   aimable   1.20  n,   av.   O 

— 40  n. 
Marguerittes    de,    Laurier   vert,    quadr.    5 — 

IJrugel. 
Margueron   S.  de,   Jeu   d'oie  mu.sical.  Leduc, 

Bertraud. 
Margueritat.   Margueritat :  Chevaliers  de  la 

Gaudriole,  quadr.  0  1 —  n. 

-  Collection   de   25   quadrilles,   valses,   polkas, 

schottisch,    redowa    etc..    Cornet  d  P    2 —  n. 
-Coupe   du   Tioi,   quadr.   0    1 — n. 

-  Francisca,  polka,   0   1 —  n. 

-  Grelots  de  la  Folie,  polka.  O  1 —  n. 

-  Mardi  gras  n't'en   vas  pas,   quadr.   0   1 — n. 
Margueritat  D.  Inconstante,  valse  2 — ,  chan- 

t^e  2 —  n,   8°  — 25  n   Margueritat. 
Marguerite    1 — u,   Ch.   s.  — 35  n   Ondet. 
Marguerite  i^veillez-vous  1 — n,  Ch.  s.  ■ — 35  n 

Ei--eillard. 
Marguerite,     quittons-nous      1 — n,     Ch.     s. 

— 40  n  Borvemann. 
Marguerite,  un  dernier  baiser  1 — n  Joub'zrt. 
Marguerites,    valse   p.   chant   2 — n   Jouhcrt. 
Marguerites    fanees     1 — n,     Ch.    s.     — 35  n 

Eveillard. 
Marguerites   sont   en   fieurs    1 — n   Jouhert. 
Margueron  C.  Tais-toi  !  Romance  4  —  Laiidy. 


Margulies  A.  op.  2 


172 


Mariani  A.  Album 


Margulies   Adolf,    liuuhe :    Op.   2    Ehapsodie 
hongioise,    VP   2.50. 

-  3  Polonaise,   VP  3 — . 

-4  Hominage  a  J.  S.  Bach,  VP  3—. 

-  5  Sarabande  iind  Tambourin,   VP  3 — . 

-  6   Fandango,    VP   3—. 

Marholdt    Fr.     op.    4      Meine     Gratulation, 

Marsch   — 75   W.   ^chroeder. 
Mari  bavard   1 —  Delormel. 
Mari  complaisant  — 25  Dehert. 
Marl    converti    1 — n,    Ch.    s.    — 40  n    Borne- 

mavn. 
Marl   de   la  diva   1 — n  Jouhert. 
Mari  de   ralmee   1 — n  Jouheri. 
Mari    de    Madame    Bougon    — 30  n    Jouhert. 
Mari,    Femme   et   Cousin    1 — ,    Ch.   s.    — 30 

Oheluwe. 
Mari    gargon    1 — n,   Ch.  s.  — 35  n   Eveillard. 
Mari    gourmand    1.75  n    Jouhert. 
Mari  grossier  1 —  Delormel. 
Mari   Jaloux  — 30  n   Jouhert. 
Mari    mecontent    1 — n   Jouhert. 
Mari   modele  1 —  Delormel. 
Mari    regne    et    ne   gouverne   pas.      Jouhert. 
Mari    F.    Elena-valse   1.75  n   Delrieu. 
Mari   Gigia,  Fra  Ragazze,  P  1.50  Ricordi. 
Mari   Rima,  Auf  dem  Asphalt  liegt  ein  Aal, 

Rheiulander,    P    1 — ,    0    1.50  n   Burmester. 

Mari    Tulio.    Ricordi:   Op.   1    Pensiero   affet- 

tuoso,  P  2 — . 
-2  Pepita   3—. 

-  5   Pensee  po6tique,   P   2 — . 

-  6  Le  Carmi  di  Cupido  3.50. 

-  7   Dolce   ricordo,   melodia,   /'   2 — . 

-  8  Capriccio  romantico,  P  5 — . 

-9  Souvenir  de  Galbiate,  morceau  de  genre, 
P  4—. 

-  10  Smeraldo,  P  2—. 
-11    El   Napoli,   P  2—. 

-  12  Perch&  no?  2—. 

-  14  Capriceio-Mazurka,  P  2.50. 

Ricordo  di  Lesino,   album,   P   6.50: 

-  15  N.   1.  Valzer  della  Dea  3—. 

-  16  N.  2.  Scherzosa,  polka   1.50. 

-  17  N.   3.   Idillio,  mazurka    1.50. 

-  18  N.   4.   Sfrenato,   galop   2 — . 

-  19  Douce  illusion,   reverie,  P  2 — . 
-20  Scherzo,  P  2.50. 

-  21    Alia   Societa   deH'Avvenire,   P   2.50. 
-22     Ghe     semm    (Ci    siamo),     polka-marcia 

2.50. 

-  Capricciosa,  P  2 — . 

-  Esule,  romanza  3.50. 

-  Polka   elegante,   P  2^. 

Maria    (Dominico  della),  0  salutaris,  88TB 

av.  OrgfH)   1 — n  Costallat. 
Maria,   polka  — 85  n   Eveillard. 
Maria    Guerin,      Belliqueuse,     schott.     1 — n 

Borne  ma  tin. 
Maria   J.   Romanza,   P   1.75  n   Durdilly. 
Maria  de   Rohan,  Cav.  Fl  1 —  Guimaraes. 

Mariacher   C.      Ricordi:      Op.  20   Carabina, 

marcia  2 — . 
-23  Alessandro,  marcia   1.50. 

-  35   Ancora   una    volta,   P   1.50. 
-38  Antonietta,   P   1.75. 
-AfVettuosa,  P   1 — . 

-  Ai    valorosi    Pohicchi,    mnrcia    2.50. 


-  Alpigiana,    /'    ]  .50. 

-  Avanti !   Marcia   1.50. 

-  Bouquet,  P  2.50. 
-Burla,  P  1.50. 

-  Carolina,  P  1.25. 

-  Crepuscolo,   marcia    1.50. 

-  Defile  della   Guardia,   marcia   1.50. 

-  Simpatia,  P  1.25. 

-  Speranza,   P   3.50. 

-  Un  bel   tecer,   quadr.   2 — . 

-  Un    Saluto    all'    Esercito    italiano,    marcia 

1.50. 

-  Una  Festa  di  Famiglia,  album,  P  8 — :   N. 

1.  L'Affettuosa,  polka  1 — .  N.  2.  La  Sim- 
patia, mazurka  1.25.  N.  3.  Le  Viole,  val- 
zer 3 — .  N.  4.  Carolina,  schottisch  1.25. 
N.  5.  Un  bel  tacer  non  fu  mai  scritto, 
quadriglia  2 — .   N.  6.  Vola,  galop   1.25. 

-Unione,  P   1.50. 

-Viole,   P  3—. 

-Vola,  P  1.25. 

Mariage    a    la    Mandoline   2/ — n   Reynolds. 

Mariage  auvergnat  1 — ,  Ch.  s.  — 30  Ghe- 
lii'ive. 

Mariage  berrichon   1 —  Delormel. 

Mariage  de  Claudine  — 30  n  Jouhert. 

Mariage  de  Colinette  1 — n,  Ch.  s.  — 35  n 
Eveillard. 

Mariage  de  convenance  1 — n,  Ch.  s.  — 30  n 
Ondet. 

Mariage  des  fleurs  1 — n,  Ch.  s.  — 30  n  On- 
det. 

Mariage  en  fanfare   1 — n  Ondet. 

Mariage  manque  1 — n,  Ch.  s.  — 35  n  Eveil- 
lard. 

Mariage    manque,    3   horn.    2 —    Ghelmve. 

Mariage  manque,  saynfete,  3  horn.  2 — ,  pa- 
roles s.  — 50    Lory,   Naudin,   Pomier. 

Mariage  de   polichinelle   1 — n  Jouhert. 

Mariage   d'un   cabotin    1 — n  Jouhert. 

Mariage  d'une  Fauvette  1 — n,  Ch.  s.  — 35  n 
Puigellier. 

Mariage  d'une  rose  1 — n,  Ch.  s.  — 35  n  Pui- 
gellier. 

Mariage  J.  P.  Serenade  1.70  n  Laurens. 

-  Toast  a  Suzon   1.70  n   Laurens. 

Marian   Florence,  Fawn  Schottische,  P  — 50 

Thompson. 
Mariani    Angelo     (1822—1873),    Ricordi:    A 

Lei  Pensiero  melancolico,  P   1 —  Schirmer. 
•  A    meno    che    (Unless) ,    stornello,    adapted 

by  T.   E.   Comb  a  —35. 
-A   une   Hirondelle.    Ne   change    pas!     (Non 

cambia  mai!),  melodie  4 — . 

-  Abandono,   voce   del   core    (it.-esp.)    4 — ,    V 

(Mavd)Pi—,  V fMandJG  Z.50,  2Mand(V)P 
6—,      2Mand(V)G    5—,      2MaridMaP    6—, 
2MnndMaG   5—. 
-Ad  una  Fiume   (To  a  River),  romanza  — 35 
Schirm  er. 

-  Addio,   cantata  per   »S'  e  coro   5 —  Mariani. 

-  Ah !   tu   non   m'ami   piil  4.50   Lemoine. 
-Album,  dedicato  a  Massimo  d'Azeglio  15 — : 

N.  1.  Lia  .  .  &  mortal  canto  popolare  pi- 
ceno:  Passo,  ripasso  1.75.  N.  2.  L'Amore? 
canto  popolare  piceno  2 — .  N.  3.  La  pov?ra 
Lisa!  stornello:  Son  giovinetta  2.50.  N.  4. 
Giovinettino     dalla    beUa    voce,      stornello 


Mariani  A.  Album 


—     173     — 


Mariani  A.  Rimembranxe 


2.25.  N.  5.  Alia  Luua,  romauza:  Segui  il 
lucido  sentiero  2.75.  N.  6.  II  Postiglioiie, 
ballata:  Mai  eontenti  4 — .  N.  7.  La  po\era 
Madre,  scena  lirica  :  Vedi  ch'io  pendo  3.50. 
N.  8.  Silfo  e  la  Mammola,  duo  3 — . 

Album  vocale :  1.  II  mio  santo !  stornello. 
2.  L'addio,  stornello.  3.  Rimembranza,  stor- 
nello. 4.  La  Desolazione,  stornello.  5.  Di- 
menticarti?  6.  Corrucio,  stornello.  7.  Fac- 
ciam  la  pace,  stornello,  8.  Lei  sola  !  a  2/6 
Chappell. 

Alma  Redemptoris  Mater,  antifoua  alia  Ma- 
donna, con  EfOrg  o  P)  1.25,  1/ —  Novella, 
—35   Schirmer. 

Andante  mesto,  /'  1.50  Mariani. 

Appassionato,  P  3.50,   1.75   ScJiott. 

Ave  Maria    1.25. 

Ave,  Stella  del  mar,  ave  Maria,  preghi<^ra 
alia  Madonna,   per  S  e  coro  con   P  4 — . 

P.aby,  P   1—. 

Tare  memorie  della  Liguria,  album  14—: 
N.  1.  La  Prece  della  sera  3.50.  N.  2.  Una 
Rosa  in  Cimitero  (it.-fr.)  2.25.  N.  3.  To 
son  poeta  e  re  di  gran  corona  2.25.  N.  4. 
La  povera  Operaia  e  I'Usignuolo  3 — .  N. 
5.  Dolore  e  Speranza  1.75.  N.  6.  Vendem- 
miatrici,  duetto  5 — . 

Chiamatelo  destino,  romanza :  lo  lo  scon- 
trai  per  via  3 — . 

Colle  di  Carignano,  album  14 — :  N.  1.  Una 
Speranza  3 — .  N.  2.  Stornello  amoroso 
2.50.  N.  3.  La  Prece  di  Fioretta  2—.  N.  4. 
Sconforto  3.50.  N.  5.  Fosse  mortal?  2.50. 
N.  6.  Rivelazione  (it.-fr.)  2.50.  N.  7. 
Amore  2.50.  N.  8.  II  Cacciatore  Alpino 
5 — . 

(ontrabandista  (II  Contrabbandiere) ,  bal- 
lade  4 — . 

Eco  delle  Riviere  di  Genova,  album  20 — : 
N.  1.  L'Amante  del  Volontario  Italiano 
•> — .  N.  2.  La  Fidanzata  del  Guerriero 
morto  sui  campi  di  Lombardia  3.50.  N.  3. 
L'lnvito  alia  liberta,  romanza  (cantata  da 
Ginglini  nel  ballo  Bianchi  e  Neri)  2 — . 
N.  4.  Ad  un  Fiume,  melodia  2.50.  N.  5. 
T'Amo !  romanza  2.50.  N.  6.  I^a  Partenza, 
romanza  3.50.  N.  7.  Dio  non  paga  il  Sa- 
bato !  ballata  4- — .  N.  8.  Invocazione  a  Dio, 
preghiera  2.50.  N.  9.  A  nieuo  che,  stor- 
nello  2.25.   N.    10.    Serenata,   terzetto   4 — . 

Fantasia,   FaP    7 — . 

Fiorenza-Marcia    (Passo   doppio),   J^ms   4 — . 
Fleur  sans  parfum  4.50  Heugel. 
Gardenia,  valse  6 —  Lemoine. 
20  Gennaio,  pensiero,   P  2.50   Mariani. 
Giglio,    canto    d'un'    Orfana,    romanza :     O 
solitario  figlio  2.40. 

tiiovanettino  4.50  Lemoine. 
Giovine   accattone,   romanza:    Soccorrete  al 
moriente  2 — . 

Inno  Nazionale  Turco  dedicate  a  S.   M.   I. 
il  Sultano  Abdul  Medjid,  Part  con  P  6 — . 
•  II  postiglione  7.50  Lemoine. 
■Invocazione     a    Dio      (Invocation),     sacred 
song,  B  — 50   Schirmer. 

■  Ismalia,   polka  — 50  n   Cottrau. 

■  Je   t'aime   4.50    Heugel. 


-  Lia  ...   6  morta   4 —  Lemoine. 

-  Lia  n'est  plus  2 —  Heugel. 

-  Liete  e  triste  Rimembrauze :   N.   1.  II  Con- 

trabbandiere, ballata :  Col  mio  sacco  2.75. 
N.  2.  L'ora  fatale,  stornello :  Gi4  sento 
avvicinar  2 — .  N.  3.  Sibariti,  duetto  3.75. 
N.  4.  Ah !  tu  non  m'ami  piil !  rimprovero 
amoroso  2.25.  N.  5.  Povero  il  fiore  che 
non  ha  profumo  1  romanza  2.25.  N.  6.  Ave, 
Stella  del  mar,  Ave  Maria,  B  con  coro  4 — , 
unite   11 — . 

-  Lira.    Anacreontica,    traduzione    di    M  a  f  - 

f  e  i   2.50. 

-  JiHCTOK'b,  BbiJi-B  Tw.  — 25  Jurgenson. 

-  Llamadlo  destino    (Chiamatelo  destino),  ro- 

manza  3 — . 
-Matilde  o  La  Fidanzata  del  Guerriero, 
cantata,  CP  7 — : 
Tempesta  2.50. 

Scena  ed  Andante :  Veglia  su  lui  2.50. 
Coro  :   Vittoria,   vittoria   3 — . 
Cabaletta  finale:  Non  sperava  tal  content© 
3—. 

-  M6lodie    cel6ste,     VP      (C  z  e  r  n  y)       — ,9  n 

Williams. 

-  22    Melodie   Italiane   2/6,   or   singly   a    1/ — 

Novello:  I.  Ave  Maria.  2.  L'Augellin  della 
Biondina.  3.  Una  Foglia.  4.  Vi  Chiamo 
invano  notte  e  giorno.  5.  L'ora  fatale.  6. 
Ah!  tu  non  m'ami  pift.  7.  Lia  6  morta. 
8.  Giovinettino  della  bella  voce.  9.  La  po- 
vera madre.  10.  Oh !  come  tu  soffri  mio 
povero  cor!  11.  Mia  dolce  speranza.  12. 
II  silfo  e  la  mammola.  13.  La  Zingarella. 
14.  Date  un  pane  al  poverello.  15.  L'ab- 
bandono.  16.  La  prece  della  sera.  17.  La 
povera  operaia.  e  I'usignuolo.  18.  Una 
Rosa  in  cimitero.  19.  Dolore  e  speranza. 
20.  lo  son  poeta  e  re  di  gran  corona.  21. 
L'invito  alia  liberta.  22.  Passato,  presente, 
e  future. 

-  My  God !   'tis  to  Thy  Mercy  Seat,  adapted 

by  T.   E.   C  o  m  b  a  — 50  Schirmer. 

•  Non     cambia    mai !     (I    change    can    never 
know),    stornello   — 50    Schirmer. 

-  Non,  tu  ne  m'aimes  plus  4.50  Heugel. 

-  O  gran  Vergine  Maria,  canzone  1 —  Eeren- 

heemt. 

-  Ostatnia   godzima  — 40  n   Gehethner. 

-  Passato,    presente    e  futuro,    romanza :      II 

tuo   cor    1.50. 

-  4  Pensieri   a  guisa   di  Polka-Mazurka  7 — , 

a  2—. 

-  Postilion  7.50  Heugel. 

-  Povero  il  fiore  4.50  Lemoine. 

-  Reviens  hirondelle!   mglodie    (Paroles  fran- 

caises)    4 — . 

-  Rimembranza,     romanza :      Rammenta    deh 

rammenta  1.80. 
-Rimembranza  del  Bosforo  10 — :  N.  1.  La 
Zingarella,  canzonetta :  Giovinetta  zinga- 
rella 4—.  N.  2.  II  Canto  dell'Esule,  ro- 
manza: Perchfe  la  mia  canzon  2.25.  N.  3. 
Amami,  romanza :  O  giovinetta  vergine 
3 — .  N.  4.  Abbandono,  voce  del  cuore, 
romanza :  Dal  paradiso  all'Erebo  2 — .  N. 
5.    II  2    Giugiio.    Anniversario    del    giorno 


Mariani  A.  Rimembranxe 


174     — 


Mariani  L.  Romanxas 


di  nascita  di  una  cara  persona  lontana, 
piccolo  improvviso :  Oh  come  tu  soflfri  2 — . 
N.  6.  Mia  dolce  speranza  !  Risposta  al  pic- 
colo Improvviso  del  2  Giugno,  pensiero 
fuggitivo  1.50. 

-  Rimembranze    del    Bosforo.    Ottavia    2 — . 

-  Rimembrauze    del    Bosforo.    Virginia    1.75. 

-  Rimprovero    amoroso :    Ah,    tu    non    m'ami 

pii,  duo  — 3U  Jtirgenson. 
-Rosa  Felsinea,  album  12 — :  N.  1.  II  mio 
Santo!  (0  amore,  amor),  stornello  2.50. 
N.  2.  Nou  cambia  mai !  3  stornelli  ad  una 
rcndine:  I.  L'Addio  (0  Rondinella  s'avvi- 
cina  il  giorno)  2.50.  N.  3.  Non  cambia 
mai!  3  stornelli  ad  una  rondine:  II.  La 
Rimembranza  (0  rondinella,  perchfe  non 
tornasti?)  2.50.  N.  4.  Non  cambia  mai! 
3  stornelli  ad  una  rondine :  III.  La  Deso- 
lazione  (0  rondinelle  che  di  qua  muovete) 
2.50.  N.  5.  Dimenticarti?  2.50.  N.  6.  Scene 
amorose,  2  stornelli:  I.  Corruccio  (Eccovi 
i  nastri)  2.50.  N.  7.  Scene  amorose,  2  stor- 
nelli: II.  Facciam  la  pace!  (Son  dieci 
giorni  che  mi  fate  il  muso)  2.50.  N.  8.  Lei 
sola!    (Come  tra  tutti  i  fior)   2.50. 

-  Salve    Regina,    per    T    e  coro   con    Org    6 — 

Ricordi,  — 20  n   Schirmer. 

-  Solfeo    de    perfeccionamientos   sint^ticos    de 

las  principales  dificultades  mel6dicas  y  rit- 
micas ;  10  solfeos  (primer  grado)  5 — n 
Bergali. 

-  To  a  river    (Ad  un  liume)    1/ —  n  Auge7ier. 

-  Trovatore  della  Liguria,  album  10 — :  N.  1. 

Ave  Maria  1.25.  N.  2.  L'Augellin  della 
Biondina,  canto  popolare  2 — .  N.  3.  Una 
Foglia,  canto  popolare  (it.-fr.)  1.50.  N.  4. 
Vi  chiamo  invano  notte  e  giorno,  canto 
popolare  1.50.  N.  5.  Un  Fiore,  melodia 
1.50.  N.  6.  Angelo  mio,  stornello  1.50.  N. 
7.  In  morte  d'una  cara  creatura.  Ricordo 
del  Bardo  al  suo  primo  Amore,  recitative 
e  romanza  1.75.  N.  8.  L'ultimo  canto  del 
Giovine  Cantore,  romanza   1.75. 

-  Un   fiore :    0   vago   fior,   melodia  — 25   Jur- 

getison. 
-Una    Foglia    1.75    Ricordi,      1.50    NapoleZo, 

— 25   Jurgenson. 
■  Volontario  Veneziano  dopo  la  pace  di  Villa- 

franca,  .scena   drammatica   per  Bar  e  coro 


-  I^B'tTOK'B.  Mhjihh   i^B'feTOK'B  — 25   Jurgenson. 
Mariani    B.   Vous   ne  m'avez   done   pas   com- 

pris?  4 —  Ondet. 
Mariani     Eligio,     Preludio    e  Fuga,     P    5— 
Ricordi. 

-  Pie  Jesu,  coro  a  4  voci  1 —  n  Fantuzzi. 

Mariani    F.   Album   di   5  melodie   per    canto 
3 —  Romano. 

-  An   Arab   Flower   4/ —   Chappell,  — 35   Dit- 

son. 

-  Margherita,    mazurka    2.50    Mariavi. 

-  Momenti  lieti,  marcia  militare  2.50  Carisch. 

-  Off  rendo  un  fiore,  romanza  3 —  Mariani. 

-  Povero  fiore !  melodia  2.50  Mariani. 

Mariani   Giuseppe.  Ricordi:  Asclepias,  mar- 
cia, Bandu  3 —  n. 

-  Appassionata,  P  1.25. 


-  Battaglia    di    Legnano,    sopra    motivi    del- 

I'opera  di  G.  Verdi,  O  5 —  n. 

-  Calliope,   marcia    1.50. 

-  Capricciosa,   P   1.50. 

-  Capricciosa,    mazurka    1 — ,    VP,    FIP,    CIP 

a   1.25,   V,  Fl,  CI  a  1.25. 

-  Consolato  delle  SocietJl  Operaie  di  Milano. 

Le  5  Giornate  1848,  marcia  sopra  motivi 
popolari   2 — . 

-  Elementi   di   Musica,   espressamente  compi- 

lati  pei  Metodi  popolari  per  Strumenti  a 
fiato :  In  Chiave  di  V  — 50  n.  In  Chiave 
di  Basso  — 50  n. 

-  Fcsta   onomastica,  0  3- —  n. 

-  Forza  e  Corraggio,   inno-marcia  2 —  n. 

-  Gioie  carnevalesphe,  piccolo  valzer,  0  4- — n. 

-  Giuseppina,   marcia,   Banda  3 —  n. 

-  Gottardo,  marcia,  Banda  3 —  n. 

-  In    memoria     di    Umberto  I     Re    d'ltali-i. 

Sventura  1   Banda,  Part  2 —  n. 

-  Tnaugurazione     della     Nuova     Piazza     de 

Duomo,      marcia    1.75. 

-  Inezia,   0  3 —  n. 

-Metodi,  Corneito  o  Flicorno  2 — n.  Cla- 
ricorno  o  Genis  in  Mi  bemolle  e  Clavi- 
corno  in  Si  bemolle  2 —  n.  Bombardone  in 
Mi  bemolle  1.50  n.  Bombardone  in  Fa 
1.50  n.  Pelittone  in  Si  bemolle  e  Contra- 
trombone  1.50  n.  Bombardino,  Basso,  Fli- 
corno e  Trombone  in  Si  bemolle  2 —  n. 
Tromba  2 —  n.  Corno  da  Caccia  2 —  n.  Pi- 
stonino  in  Mi  bemolle  2 — n.  Trombone 
Basso  in  Fa   1.50  n.  Oboe  2.50  n. 

-  Metodo    popolare   per    Trombone    in    Si   be- 

molle,   Bombardino   e   Basso   Flicorno,   eon 
disegni   illustrativi   2 —  n. 
-Metodo    popolare    per    Trombone    Basso    in 
Fa,  con  disegni   illustrativi   1.50  n. 

-  Metodo  teorico-pratico  progressivo  p.  Corno 

da  Caccia  a  mano  ed  a  cilindro  35 — : 
I.  Corno  a  mano  10 — .  II.  Corno  a  cilindro 
12—.  III.  Corno  a  cilindro  12—.  IV.  Corno 
a  cilindro  8— ;  Duetti  e  Trasporti  (estrat- 
ti  dal  Metodo)  7.50. 
-Oh!  quanta  gioia !  polka  1.25,  VP,  FIP, 
CIP  a  1.25,  V,  Fl,  CI  a  —75,  Mand  —25  n. 

-  Omaggio  a   Chopin,   P  4 — ,   0   6 —  n. 

-  Onde  di  Lago,   P  3—    O  7—  n. 

-  Passeggiata  ai  Monti,  marcia"! — n. 

-  Pazzarella,   polka    1.50. 

-  Riconescenza,  polka  1 — . 

-  Rosa  delle  Alpi,  0  3—  n,  Banda  3—  n. 

-  Tipografia  italiana,  P  2—,  0  2—  n. 

■  Tutto  sereno,  P  2—,  0  5—  n,  Banda  5—  n. 

-  Un  Sorriso,  polka  1—    VP,  FIP,  CIP  a  1.25, 

y,  Fl,  CI  a  —75. 
Una    Gita    in    Tramway,    valzer-pot-pourn 
earatteristico    popolare,    P   4 — . 
Mariani    L.    Bergali:    Al   pie   de   la    reja,    P 
2.50  n. 

-  Bogando,  P  2.50  n. 

-  Claveles  rojos,  maz.   3 —  n. 

-  Pavana,   P   3—  n. 
-Recuerdos  de  Sevilla,  P  2.50  n. 
-Romanzas    sin    palabras    6—:    N.    1.    Dicha 

.'^ouada  2.50  n.  N.  2.  Canto  de  Amor  2—  n. 
N.  3.  Lagrimas  2— n.  N.  4.  En  Re  menor 


Mariani  L.  Ro7}mnr,u)< 


—     175 


Marie  C.  de  Tantum  ergo 


1.50  n.  N.  5.  En  Do  sostenido  menor  1 — n. 
N.  6.   En  Mi  menor  1 —  n. 

-  Valgame    Dies    de    los    Cielos,    transcr.     P 

3— n. 
Mariani   Luis  L.  Al  pi^  de  la  leja,  trova,   /' 

— 50   Wagner  y  Levien. 
Mariani   L.  S.  Album  Espagnol,  3  morceaux 

oaract^ristiques,    P :    N.    1.    Noches    Anda- 

luzas    2 —  n.    N.    2.    Solea !    transcr.    2 —  n. 

N.   3.   Sereuata   1.70  n  D«   Wast. 
Mariani    Mario.   Moore:  Kyrie  Eleison  4/ — . 

-  Like    You    4/—. 

-  Little  Stone  Cross  4/ — . 

-  Love,   Pray,   and   Best  4/ — . 

-  Trust  Me  Once  More  4/ — . 

Mariani    Pasquaie,    Auguri    felici,    mazurka 

3 —  Izzo. 
Mariani   Pompeo,  Elisa,  P  2 —  Ricordl. 

-  Esperance,   mazurka    3- —    Izzo. 

-  In  bicicletta,  mazurka  2 —  Izzo. 

-  Reverie  de  Jeunesse,   polka.  3 —  Izzo. 

•  Souvenir   d'autrefois,   valzer    3 —   Izzo. 
Mariani   T.   Di  quindici  anni !   stornello   2 — 

Carisch . 
Mariani   V.   Bionda   larva   3 —  Borriero. 

-  Preludio  per  armonio   1 —  Eerenbeemt. 

-  Versetti    in    vari    toni.      Org    — 70     Musica 

sacra. 
Mariani    Virginia,    Barcarola:    0    giovinetto 
che  vai  p"r  I'onde  4 —  Ricordi. 

-  Ne  voglio  far  il  morbido  cuscino,  romanza : 

S'  fe  un  praticel  3 —  Ricordi. 

Marianof,  Couronne  a  Marie  on  12  lita- 
nies  solennelles  4 — n  Haton. 

Mariat  A.  Ah!  la  voila !  chanson-marche, 
Corrcspondance. 

-  Solf^ge   a  4    voix    et    solf&ge   a  2    voix,    N. 

I   et  2,     A  I'Accord  parfait. 
Maribert  R.  Flor  de  Grenade,  bolero,  MandP 

].50  n  Fatout. 
Maricliel   Alfred,   Offertoire,   Org   av.   p6dale 

2.50  n   Societe  nouvelle. 

Marichelie    A.    Marchand:    Andante,    TTBB, 

pour   concours   de   lecture   a  vue. 
-Beaux  jeux  de  velours,  valse,  0  av.  P. 

-  Beaux  yeux  de  velours,  valse  2 —  n. 

-  Chanson    mglancolique,      V(Fl)P    4.50    he- 
.  plaix. 

-Chants  d'amour :  1.  Le  Flacon.  2.  L'Auni- 
versaire.  3.  Rayons  du  soir.  4.  Le  Reveil. 
5.  L'Eventail.  6.  Le  Bijou.  7.  Les  Reves. 
8.  La  Perle  du  d4sir.  9.  Romance  orientale. 
10.  La  Gamme  de  I'amour   7 —  n. 

-  Divertissement,    P    1.75    Loret. 

-  Jeanne  d'Arc  a  Beaurevoir. 

-  Jour  d'hym^n^e,  TTBB. 

■  Lion    de   Florence,    TTBB,      Monvoisin. 

-  Mazurka-Ballet    1.95    Loret. 

-  Ode  au  printemps,  TTBB. 

-  Pavane   des   grands   parents,    P    1.35    Loret. 

-  Pavane  des  grands  parents,  P  4 —  Loret. 

Mariconda  M.  Speranza,  mazurka,  vedi : 
Fanfarista    moderno. 

Mariconi  A.  O  cor,  voluptas  caelitum,  mo- 
teto  para  8T  y  Bnjo,  con  ace.  de  quinteto 
de  cuerda  u  Org  1.50  Wagner  y  Levien. 


iViarie,  Al  aire  libra,  mazurka  — 50  Wagner 

y    Levim. 

-  Andante  religieux,  FullO  1 — ,  SmallO  —75 

Ha  ic  Ices.         ^ 

-  Appel    aux    peuples    1 —  n,      av.    G    — 4i)  \\ 

Laibe. 

-  Archer  dii   roi,  Ch.  s.   1 —  Lesigne. 

-  Bataille  de  I'Alma,  marche,  Harm,  Fanf  A 

1.50  n. 

-  Camargo,    fantaisie    sur    I'op.    Harm    4 —  n,. 

Fanf  3 —  n  Gaudet. 

-  Chasse,    pas    redouble.    Harm  (Fanf)    1.50  n 

Gaiidet. 

-  Clotilda,   schott.    0    1—  u    Ghelmce,     FullO 

— 75,  SmallO  — 50  Hawkes. 

-  Coup  du  lapin,  quadr.  O  1 —  n  Pinatel. 
-Dieppe,  pas  red.  Harm  (Fanf)  1.50  n  Gaudet. 

-  Enchantresse,  ouv.  FttllO  1.75,  SmallO  1.40 

Hatokes. 

-  F4es    aux    roses,    ouverture,    Harm    3 —  c, 

Fanf  2.50  n   Gaudet. 

-  Fleur  de  mer,  polka  1 —  n  Gaudet. 

-  Fleur    de   mer,    polka,      O    1 —  n,      P    1 —  n 

Gaudet. 

-  Flirtation,    waltz    2/ —  n    Wickins. 
-Gage  d'amour,  maz.  1.50  Gh^luwe. 

-  Gigoteurs,   quadr.    0    1 —  n   Pinatel. 

-  La  noie  a  Margot,  0  1—  n  Gaudet. 

-  Lanciers  blancs,   0  d  cordes  1.50  Debert. 

-  L^onidas,   quadr.   0   1 —  n   Gaudet. 

-  Ma  pauvre  fleur  2.50  Legouix. 

-  Nuit  a  Venise,  rgverie,  P  1.70  GMluwe. 
-Pergola,   polka    1.70  n  Pomier,  — 50   Elkan, 

FullO  —75,  SmallO  —50  Hawkes,  Full 
Band  2/8,  Med.  Band  2/ — ,  Small  Band 
1/4  Hawkes. 

-  Peronelle,  polka  — 75  DotSsio. 

•  Pr6tentaine,    polka    1.50   GMluwe. 

-  Radieuse,  mazurka  — 50  Wagner  y  Levien. 

-  Ronde   villageoise,   fant.    0   2 —  n   GMluive. 

-  Sac-au-dos   1 —  Chavat. 

-  Simon   le   Cantinier,   pas   red.   Harm(Fanf) 

1.50  n   Gaudet. 
-Territorial,  pas  red.  mO  1.25  n  Pinatel. 

-  Topaze,   polka.    Full  Band   2/8,   Med.    Band 

2/ — ,   Small  Band   1/4  Hatokes. 

-  Tout  au  plaisir,  quadr.  0  1 —  n  Pinatel. 

-  Trombone  a  pistons,  quadr.  0  1 — n  Pinatel. 
■  Tyrolienne,  air  vari6,  Saxoph.  1 —  Gheluwe. 
Marie    A.    Aux    6toiles,    serenade,    P    2.50  n 

Rouhier. 

-  Le  Bapteme  d'une  rose  1.50  n  Abot. 
-O    nuit!    berceu.=ie    1.25  n    Labbe. 
Marie-Anne,    Ch.   s.   — 30  n    Joubert. 
Marie    Antoinette,    C'est    mon    amour    — 75 

Blanchi. 

-  ntcHfl  ^jiopiana    ,^cjia    ecTb  b^b   ^epeBH-fe 

Bamea  — 20  Bessel. 

-  ChfT.son   de  Florian  —20  Bessel. 
-Das  ist  mein  Freund,  P  1.20  Zumsteeg. 

-  Hail,  Evening  bright,  fern,  chorus,  3  parts 

— 1 0  n   Schirmer. 

-  Pauvre    Jacques    3 —   Noel. 

Marie    C.    de,      Laudate    Dominum,    4    voix 
(lat.)    5—  Mathieu. 

-  Tantum    ergo,    2  voix     (lat.)     3 —    Mathini. 


Marie  Ch.  Mon  ideal 


—     17(3     — 


Marie  E.  Courses  de  DeanriUe 


ideal    1 — n,    Ch.    s. 


-40  n 


n,  (.'h.  s.  — 40  n  Borne- 


iVlarie    Ch.    Mon 
Borne  )nann. 

-  Un  joli  Farceur  1 

)aan7i. 
iVIarie    E.   Margueritat:    A   cHeval   Postilion, 
(]uadr.   0   1— n,   Harm,  Fanf  a   2 — n. 

-  A  Hunt  in  the  Ardennes,  overt.  FullO  1.25, 

U  Instr  1—,  10  Instr  —75,  P  —20  Cimdy. 

-  A  la  Voile,  valse  2 —  n,  0   1 —  n. 

-  A  la  Voile,  valse.  Harm  2.50  n,  Fanf  2 — n. 

-  Abeille,  ouv.   Harm  4 —  n,   Fani   3 —  n. 

-  Aglae,  schottisch,   0   1 —  u. 

-  Alice,  schottisch,  0  1 —  n. 

-  Alsacienne,  polka,  0  1 —  n. 

-  Amaranthe,  polka,   0   1 —  n. 

-  Ame  de   la   Pologne,  pas  red.   Harm  (Fanf) 

a  1.50  n. 

-  Amoureux   de   Mignonuette    1 —  u. 
-Anglais,  Francais  et  Turcs,  quadr.  0  1 — n. 
-Annette,  polka,  Harm,  Fanf  a  1.50  n. 

-  Annonciation,     andante,      Harm,     Fanf      a 

1.50  n. 

-  Antigone,  marche,  Harm,  Fanf  h  1.50  n. 

-  Apollon,    quadr.    0    1 —  n. 

-  Apres  la  guerre,  polka,  O  av.  Piston  1.50  u, 

Harm,  Fanf  a  1.50  n. 
-Aquarium,  pas  red.  Harm,  Fanf  a  1.25  n. 

-  Aspirants,  ouv.  Harm  4 —  n,  Fanf  3 —  n. 

-  Assant    musical,    fant.    Harm    4 — n,    Fanf 

3— n. 

-  Assemblee,   pas   red.   Harm,   Fanf  a    1.25  n. 

-  Asturiana,  varsoviana,  O  1 — n. 

-  Au  revoir,  valse.   Harm,  Fanf  a   1.50  u. 

-  Au   son    du   clairon,   pas   red.    Harm,   Fatif 

a   1.50  n. 

-  Augusta,  varsoviana,  0  1 —  n. 

-  Aux    Bords    de    la    Touque,    schottisch,    0 

1— n. 

-  Avant-Garde    des    Turcos,    pas   red.    Harm, 

Fanf  a  1.50  n. 

-  Aventuri&re,     polka-maz.     Harm,     Fanf     k 

1.50  n. 

-  Barbier  de  Seville,  valse,  0  1 —  n. 

-  Barbier   de   Seville,   quadr.   1.75  n,   0   1 — n. 
-Barbier  de  Seville,  fant.  Harm  4 — n, 

Fanf  3— n. 

-  Bataille  de  Magenta,  pas  red.  Harm,  Fanf 

a  1.50  n. 

-  Bataille  d'Inkermann,  pas  red.  Harm,  Fanf 

a   1.50  n. 

-  Battle   of   Magenta,   mO  — 50   Fischer. 

-  B§arnais,   quadr.    O   1 —  n. 
-Beatrice,  fant.  Harm  4 —  n,  Fanf  3 —  n. 
-Bel  Epi,  quadr.   1.75  n,  0  1 — n. 

-  Belfort,  pas  red.  Harm,  Fanf  a.  1.50  n. 

-  Belle  glaneuse,  schottisch,  0  1 —  n. 

-  Belle  Varsovienne,  polonaise.     Harm. 

a  1.50  n. 

-  Belle    V6nitienne,    barcarolle.    Harm, 

a  1.50  n. 

-  Benediction   de   St.-Pierre,   andante.   Harm, 

Fanf  a   1.50  n. 

-  Berceuse,   P  — 40  n   Gehethner. 

-  Berenice,   polka-maz.   0   1 —  n. 

-  Bertrand  Duguescliu,  quadr.   0   1 —  n. 
Bertrand  et  Eaton,  quadr.  0  1 — n. 
"'''■'"     1       p^j,g    Antoirte,    quadr.    1.75  n. 


Fanf 
Fanf 


-  Bibelots    du 


0  1- 


\ 


-  Biribi,  quadr.   0   1 —  n. 

-  Blanche    Colombe,    redowa.    Harm,    Fanf    k 

1.50  n. 

-  Blanche    Fleur,     varsoviana,     P    1.75  n,     O 

1— u. 

-  Bonhomme   Normand,   quadr.    0    1 — u. 

-  Bosphore,  pas  red.   Harm,  Fanf  a   1.50  n. 

-  Bouquetifere,  polka,   0   1 —  n. 

-  Bourguignon,  pas  red.  Harm,  Fanf  a  1.50  n. 

-  Boute-feu,  pas  red.  Harm,  Fanf  k  1.50  n. 

-  Bouton    d'or    1.75  n,    0    1 —  n. 

-  Brigantine,   polka    1.75  n,   0    1 — n. 

-  Brimbelle,     polka    1.75  n,     0    1 — n.     Harm, 

Fanf  a  1.50  n. 

-  Brise   du    Soir,    redowa    1.75  n. 

-  Briile-Pave,  galop,   Harm,  Fanf  k   1.50  n. 

-  Bruxellois,   pas   red.    Harm,  Fanf  k    1.50  n. 

-  Cadix,   bolero,    Harm,   Fanf   k    1.50  n. 

-  Cailie   et    Coucou,   Harm,   Fanf   k    1.50  n. 

-  C  a  1  i  f  e   d  e   Bagdad,   ouv.   Harm    4 —  n, 

Fanf  3 —  n. 

-  Oalle  et  Coucou,   polka  1.75  n,   0   1 — n. 

-  Camille,   polka,   0   1 —  n. 

-  Canards,  quadr.  0  1 —  n. 

-  Canne   a   Dard,   quadr.    1.75  n,   0    1 — n. 

-  Cantique   au  bienheureux   cure  d'Ars,   uni- 

son   et    SfTJOrg    2— n    Oeuvre    de    Saint- 
Philomcne-'PaTis. 

-  Caporal   Fashionable,  pas  red.   Harm,  Fanf 

a    1.50  n. 

-  C  a  p  u  1  e  1 1  i,      fant.     Harm      4 —  n,     Fanf 

3— n. 

-  Carnaval   Parisien,  quadr.   0   1 —  n. 

-  Carrousel,  fant.   Harm  4 —  n,  Fanf  3 —  n. 

-  Cascadeur,   galop,    Harm,   Fanf  k    1.50  n. 

-  Casseur,  pas  red.  Harm,  Fanf  a  1.25  n. 

-  Cecilia,   valse,   0   1 —  n. 

-  Champagne,   polka,    0    1 —  n. 

-  Chant  du  Patre,  quadr.  Harm,  Fanf  k  2 —  n. 

-  Char  d'Apollon,  valse.  Harm,  Fanf  k  1.50  n. 

-  Char   de   la   Fortune,   varsoviana,   0    1 —  n. 

-  Charlemagne,   quadr.   Harm,   Fanf  k  2 —  n. 

-  Charlemont,  pas  red.  Haim,  Fanf  k  1.50  n. 

-  Charlotte,  gav.   P  4.50  Marie. 

-  Charmettes,   valse,   0   1 —  n. 

-  Chasses    de     Compifegne,     quadr.     0     1 —  n. 

Harm,  Fanf  k  2 —  n. 

-Chatelaine,    schottisch    1.75  n,    0    1 — n. 

-  Chevalier    du    Guet,    quadr.    0    1 —  n. 

-  Chiquenaude,   polka,    0    1 — n. 

-  Claudinette,   redowa,   Harm,  Fanf  k   1.50  n. 

-  Cle  du   Caveau,  quadr.   0   1 —  n. 

-  Clementine-Polka-Maz.   0    1 —  n. 

-  Clodilda,   schottisch   1.75  n,   0   1 — n,  Harm, 

Fanf  a   1.50  n. 

-  Clodochas,  quadr.   0   1 —  n. 

-  Cognac,  pas  red.  Harm,  Fanf  a  1.50  u. 

-  Collegien,  quadr.   Harm,  Fanf  k  2 —  n. 

-  Contes  de  la   Chaumifere   1 —  n. 

-  Coquetterie,    polka,    0,    Pist    1.50  n.    Harm, 

Fanf  a   1.50  n. 

-  Coraline-Polka-Maz.    0    1 —  u. 

-Cote   d'Or,   polka-maz.   1.75  n,   0   1 — n. 

-  Coup   de   Mer,   quadr.    0    1 —  n. 

-  Couronne   imperiale,   quadr.    1.75  n. 

-  Courses  de  Deauville,  galop,  Harm,  Fanf  k 

1.50  n. 


1 


Marie  E.  Courses  de  Dieppe 


177     — 


Marie  E.  Last  Howaye- Funeral 


■  Courses    de    Dieppe,    galop    1.75  n,    0    1 —  ii. 
-Courses   de   Deauville,   galop,    0    1 — n. 

■  Craiute   et   I'Esp^rance,    fant.    Ilarm    i — u, 

Fanf  ;5 —  n. 

■  Cris  de  Paris,  quadr.  Harm,  Fanf  3.  2 —  u. 
Crochets  du  Diable,  quadr.  !.7>n,  0  1 — ii. 
Cupidon,  quadr.  0   1 — n. 

Delioranoe,  marclie.  Harm,  Fanf  k  1.5U  u. 
Desiree,  schottiseh,  Harm,  Fanf  Sl  1.50  n. 

Diane  de  Poitiers,  fant.  P  1.75  n,  0  4 — ^  u. 
pet.  0  2— n,  P  2— n,  Harm  4— n,  Fanf 
3— n,  (Catliu),  FullO  1.25,  1'4  Instr 
1—,  10  Instr  —75,  P  —20. 

Diaue  de  Lys,  valse,   Harm,  Fanf  a   1.30  u. 

Djeneira,    polka-maz.    0    1—  n. 

Doroth6e,   redowa,    0    1 — n. 

Duguesclin,   pas  red.    Harm,   Fanf  a   1.50  ii. 

Duquesne,  pas  red.  Harm,  Fanf  3.  1.50  n. 

Ourance,   valse,   Harm,  Fanf  Ti   1.50  u. 

Kchanson  d'amour  1.50  n  A  la  Gamnie. 
Kcole  d'Artillerie,   pas   red.   Harm,   Fanf  a 

1.50  n. 
ICglantine.  schottisoli,  Harm,  Fanf  a  1.50  n. 
Egyptien,  pas  red.   Harm,  Fanf  a   1.50  n. 
Electric-Post,   galop,   Harm,  Fanf  a    1.50  n. 
E  1  i  s  i  r  e    d'A  m  o  i-  e,     fant.     Harm    4 —  n, 

Fanf  3— n. 
Emancip^,  quadr.   Harm  2.50  ii,  Fanf  2 — -n. 
Emigrants,  quadr.  0  1 —  n. 
Emilienne,   schotti.^ch    1.75  n,    0    1 — n. 
En  Avant,  pas  red.  Harm,  Fanf  a   1.50  n. 
En  avant  deux,  quadr.   0   1 —  u. 
En  avant  I'tambour,  quadr.  1.75  u,  0  1 — ii. 
En  Normandie,   quadr.   O   1 — n. 
Enchanteresse,   overt.   7nO  2 —  Fischer. 
Enfants   de   la   Kisle,   niarche.    Harm,   Fanf 

a   1.50  n. 
Enfant   du    Regiment,    quadr.    Harm,    Fanf 

a  2— n. 

Enlevante,  marche.   Harm,  Fanf  a   1.50  u. 
Entrainant,    pas    red.    pour    d^filer,    Harm 

I" Fanf)    av.    Tamb(Clairons),    Part    3 — n, 

p.   s.   a  — 10  n   Evette. 

Entreprenant«,  schottiseh,  O  1 —  n. 
Eoline,  polka-maz.  1.75  n,  0  1 — n. 
Epaulette    rouge,    marche,     Harm,    Fanf    a 

1.50  n. 
Ernestine,  .schotti.sch,  Hartn,  Fanf  a  1.50  n. 
Etangs  de  Latour,   quadr.   O   1 —  n. 

Fanfare  des  Soisson.s,  pas  red.    ffmni.   Fanf 

a    1.50  n. 

Faninka-Polka-Maz.    O    1 — n. 
Ferames  artistes,  valse,  0   1 — u. 
Fernandez,      varsoviana,      Harm.      Fanf     a 

1.50  u. 
F§te-Dieu.    andante.    Harm,    Fanf    a    1.50  n. 
Fete  du   Bapteme,   polka    1.75,   O    1 — u. 
Fida,  .schottiseh,   0   1 — u. 
Fifref;    et    Tambours,    quadr.    0    1 —  n. 
Fille   de    Madame   A  n  g  o  t,    fantaisie, 

Harm    4 —  n,   Fanf  3 —  n    Gaudet. 

Fleur  de  Mai,   polka-maz.   0   1 — n. 

Fleur  de  Noblesse,   valse,   0   1— u. 

Fleurs   de  la    Vall4e,    valse,    Harm    2.50  n, 

Fanf  2—  n. 
Flibustier,  quadr.  Harm  2.50  n,  Fanf  2 — u. 
Florentine,    valse,    0    1 — n. 


ouv.    Harm    4 —  n. 


1- 
2- 


1- 


n. 
n. 


Harm, 


Harm, 


Harm 


n,    Fanf 


I— n, 
—50 


Fliite    enchantSe, 
Fanf  3 —  n. 

■  Folle    d'amour,    schottiseh    1.75  u,    O 

■  Folle  Nuit,  valse.  Harm  2.50  n,  Fanf 

■  Franc  Luron,  quadr.   0   1—  n. 

■  Frivolinette,   polka,    0    1 —  n. 
Frou-Frou,   polka,   0    1 —  n. 
Gage  d' Amour,  polka-maz.    1.75  n.   O 

Harm,   Fanf  a   1.50  n. 
Gais  Portugais,  polka,  Harm,  Fanf  k  1.50  n 
Gavotte  de  Pages  de  la  Reine,  P  4 — . 

■  Gen&ve-Polka-Maz.   1.75  n,   0   1— n. 
•Georgette,  schottiseh  1.75  n,  O  1 — n 

Fanf  a  1.50  n. 
-  Georgina-Polka-Maz.    0    1 —  n. 

■  Gigotteurs,   quadr.   0   1 —  u. 
Giroflfi-Girofla,       fantaisie, 

4 —  n,  Fanf  3 —  u  Gaudet. 
Girofl6-Girofla,      pas      red. 

(Fanf  J    1.50  n   Gaudet. 
G  1  u  r  a  m  e  n  t  o,    fant.    Harm   4 

3— n. 
Glaneuse,   polonaise,   Harm,  Fanf  a   1 .50  n 

■  Grand   Vainqueur,   quadr.    0    1 —  u. 
Grande    Dame,    schottiseh    1.75  n,    O 

Margueritat,     FnllO     — 75,     t<maUO 
Hawkes. 
Grande  duchesse  de  Gerolstein, 
fantaisie.  Harm  4—  n,  Fa,nf  3 —  n  Gaudet. 
■Grenoble,  pas  red.  Harm,  Fanf  a   1.50  n. 
Gros  Major,  pas  red.  Harm,  Fanf  k  1.50  n. 
Guerre  Musicale,  quadr.   1.75  n,   0   1 — n. 
•  Guy   Stephan,   varsoviana   1.75  n,   P   1.75  n. 

■  PMoise,  valse,   0   1 —  n. 

Hirondelle.    polka.     Pist,     Harm.     Fanf     Sl 

1.50  n. 
Homme  qui   rit,   quadr.   O   1 —  n. 
Honneur  aux  Braves,  marche,  Harm,  Fanf 

a   1.50  n. 
Honneur  et  Patrie,  marche.  Harm,  Fanf  k 

1.50  n. 
Huit  Mai,  schottiseh.  Harm,  Fanf  a  1.50  u. 
Isabelle,   marche,   Harm,   Fanf  k   1.50  n. 
Italienne  k  Alger,  ouv.   Harm  4 —  n, 

Fanf  3— n. 

Iza,   schottiseh,   O   1 —  n. 
Jean  Bart,  marche.  Harm,  Fanf  a  1.50  a. 
Jean  qui  pleure  et  Jean  qui  rit,  quadr.  0 

1—11. 
Jeanne  d'Arc,  marche.  Harm,  Fanf  a  1.50  n. 
Teunesse   Francaise,  polka   1.75  n,   0   1 —  n. 

Harm,   Fanf  k    1.50  n. 
Joliette,  polka,  Harm,  Fanf  a  1.25  n. 
Judith,  schottiseh,   0   1 — n. 
Juge     d'instruction.       Repertoire     Robtrlif- 

Paris. 
Jules   C^sar,   quadr.   0   1 —  n,   Harm  2.50  n, 

Fanf  2— n. 

Lancer's     (Ph.    G  a  w  11  k  o  w  s  k  i)     1.75  n. 
Lanciers   Anglais    (Metra),   Harm  2.50  n, 

Fanf  2 — n   Marfjueritat,   Harm  2.50.   Fanf 

2 —  Pomier. 

Lanciers  blancs   1.75  n,   O   1  —  n. 
Lanciers  de  la  garde,   0   1 — n. 
Landstran,  polka  1.75  n,  O   1 — n. 
Landsfrau,   Polka,   Harm,   Fanf  a   1.50  ii. 
Last     Homage-Funeral,     march,     FaUBrass 

Band  —50,   a.   Reed  Band   2—  Cundy. 


I'niversal-HaiKlljiicli  der  Musikliteratur.    M. 


12 


Marie  E.  Lelia 


178 


Marie  E.  Retraite  des  Concours 


•  L6lia,   polka-maz.    1.75  n,    0    1 — n. 

•  Leonie,  polka   1.75  n,   0   1 — n. 

•  Les   petits   Pioupious,   allegro   militaire,    P 

1.50  n  L'Autenr-T?iiT\». 

■  Lezinska,    polonaise,    Harm,   Fanf   k    1.50  n. 

■  Lune,  quadr.   0   1 — n. 

•  Liitte    artistique   quadr.    1.75  n,    0    1 — n. 

■  Luxeuil-Polka-Maz.   0   1 —  n. 

Mademoiselle  Cravachon,  polka,   0   1 —  n. 
•Main  de  Dieu   1 — n. 

Maintenon,    fant.    Harm   4 — n,    Fanf   3 — n. 
■Mnnana,     valse     espagnole,     Harm     2.50  n, 
Fanf  2— n. 

■  Mandragore,  polka-maz.   1.75  n. 
•Manolita,   valse,   Harm,  Fanf  d   1.50  n. 

■  Manzanarez,   bolero,    Harm,   Fanf   a    1.50  n. 

■  2e  Marche  fun&bre.  Barm,  Fanf  h  1.50  n. 
Marche   nuptiale  (M  e  n  d  e  1  s  s  o  h  n) ,  Harm, 

Fanf  a    1.50  n. 
•Marchons    quand    meme,     pas    red.     Harm, 

Fanf  d   1.50  n. 
•Marquis  de  Belle  Humeur,  quadr.  0   1 — n. 
•Mater  Dolorosa,  Barm,  Fanf  A.  1.50  n. 

•  Mathilde,   valse,   O   1 —  n. 

■  Maximilienne,    polka-maz.    O    1 — n. 

-  Medaille   d'or,   valse.   Barm,   Fanf  a    1.50  n. 

•  Mesange,  polka-maz.    1.75  n. 

■  Methode  de  Cornet  d  P  8 — n. 
-Milady,  polka-maz.  Barm,  Fanf  a  1.50  n. 

•  Militariana,  quadr.  0  1 — n. 

■  Mirahelle,    polka-maz.    1.75  n,    0    1 — n. 

-  Mirliton,  pas  red.   Barm,  Fanf  h  1.50  n. 

■  Mistigri,  quadr.   0   1 — n. 

•  Modeste,  marche,  Barm,  Fanf  a  1.25  n. 

•  Mois  de  Marie,  Barm,   Fanf  a   1.50  n. 

-  Monde   pour    rire,    quadr.    0    1 —  n. 
-Monsieur    d'Argencourt,    quadr.    0    1 

-  Monsieur  Double-Croche,  quadr.   0   1 
-Monsieur    Durasoir,    quadr.    0    1 — n. 

-  Monsieur  Pacifique   1 —  n. 
-Monsieur   Remy,    quadr.    1.75  n,    0    1 

-  Montespan,    ouv.    Barm    4 — n,    Fanf    3 — u. 

-  Montmirail,  pas  red.  Barm,  Fanf  a   1.50  n. 

-  Montretout,   quadr.   0    1 —  n. 

-  Mouche  du  Coche,  schottisch  1.75  n,  0  1 — n. 

-  Moulins   de    Sannois,     valse,     Barm     2 — n, 

Fanf   1.50  n. 

-  Mousquetaire,    quadr.    0    1 — n. 

-  Myrtilles,   valse,   0    1 —  n. 

-  Navarette,  polka.   Barm,  Fanf  a   1.50  n. 

-  Nemrod,   quadr.   0    1 —  n. 

-  Nisida,  polka,  0  1 —  n. 

-  Nita,  schottisch,    0    1 —  n. 

-  Noelia,   valse,   0    1 —  n. 
-Norma,   faut.   Barm   4 — n,   Fanf 

-  Not  re-Dame   de   Fourviferes,    Barm. 

1.50  n. 

-  Notre-Dame  de  Liesse,  Barm,  Fanf  a  1.50  n. 

-  Notre-Dame   de   Nanteull,     Barm,    Fanf    a 

1.50  n. 
-Notre-Dame  de  Paris,  Barm,  Fanf  a  1.50  n. 

-  Notre-Dame  de  Plombiferes,  Barm,  Fanf    a 

1.50  n. 

-  Notre-Dame   des   Victoires,    Barm,    Fanf   a 

1.50  n. 

-  Le   22    Novembre,    quadr.     Barm,     Fanf    a 

2— n. 
-Oasis,   polka-maz.    0    1 — n. 


n. 
n. 


n. 


3— n. 
Fanf   a 


1— n. 
0  av.  Pist. 


Ombrages    de     Cremone,     polka     1.75  n,     0 

1— n. 
Palmira,   polka,   Barm,   Fanf  a   1.50  n. 
Papillon  dor6,   redo\ya   1.75  n,   0   1 —  n. 
Paris  Cascadeur,  quadr.  0   1 — n. 
Patineurs,   quadr.   1.75  n,   0   1 — n. 
Pelerin   Voyageur,   quadr.   0    1 —  n. 
Pelican,  quadr.   0   1 —  n. 
Pfere  la  Gaiet6,  quadr.  0  1 —  n. 
P&re  Gr^goire  en  Goguette,  quadr.  0  1 —  u. 
Pergola,    polka    chant6e    2 —  n. 
Pergola,  polka    1.75  n,  l^ms  1.75  n,   0   1 — n, 

Barm,   Fanf  h    1.50  n. 
Perle  d'ltalia,  marche,  Barm,  Fanf  k  1.50  n. 
Permission   de   Minuit,   quadr.   Harm,   Fanf 

a  2— n. 
Peronnelle,  polka,  Pist  1.50  n,  Barm,  Fanf 

a   1.50  n. 
Petit  Noel,  a  3  voix  av.  Org  — 25  n  Pinatel. 
Petit    Voltigeur,    pas    red.    Barm,    Fanf    a 

1.50  n. 

•  Petits  Cadeaux,  polka,   0   1 —  n. 
■Petits    Sabots,    quadr.    1.75  n,    0 

•  P6troline,  polka   1.75  n,  0  1— n, 

1.50  n. 
■Picciola,   valse,   0   1 — n. 

•  Pi&merette-Polka-Maz.    0    1 — n. 

-  Pierrette,  polka,   0   1 —  n. 

•  Pipelots,   quadr.    0    1 —  n. 

-Pirate,   fant.   Barm  4 — n,  Fanf  3 — n. 

-  Piston    enchantfie,    quadr.     Barm,     Fanf    a 

2— n. 
■  Plage  de  Trouville,  barcarolle,  Barm,  Fanf 
a   1.50  n. 

-  Plaines  de  Marathon,  marche.  Barm,  Fanf 

a  1.50  n. 

-  Plaisirs  d'Hiver,  valse,   0   1 — n. 

-  Plumkett's    Polka,    0    1—  n. 

-  Plus     Beau     des     Amoureux     1 — ,     quadr. 

1.75  n,  0   1— n. 

-Polka  du  Rappel,   0   1 — n. 

-Polka  des  Zfebres,  Barm,  Fanf  a  1.50  n. 

-  Pompiers   de   Sancerre,   quadr.   0    1 —  n. 
-Post-Horn,   Polka,   0    1— n. 

-  Pot  aux  Eoses,   quadr.   0   1 —  n. 

-  Prairial,   polka-maz.   1.75  n. 

-  Presse   illustree,   quadr.   1.75  n. 

-  Pretentaine,   polka,    0    1 —  n. 

-  Psyche,   valse.   Barm,  Fanf  a 

-  P  u  r  i  t  a  i  n  s,     fant.     Barm 

3— n. 

-  Quatre   Mendiants,   quadr.   0 
-Qui   perd   gagne,   quadr.    1.75  n,   O    1 — n. 

-  Ba-fla-fla,  pas  red.  Barm,  Fanf  a  1.50  n. 

-  Eecueillement,    Barm,   Fanf   a    1.50  n. 

-  Regalia-Polka-Maz.   0  1 —  n. 

-  Eegente,  marche,   Barm,  Fanf  a  1.50  n. 

-  E#gimeut  qui   passe,   pas   red.   Barm,  Fanf 

a   1.50  n. 

-  Eeims,  pas  red.  Barm,  Fanf  a  1.50  n. 

-  Eeine  du   plaisir,  schottisch,   0   1 — n. 

-  Eeine  Marguerite,  valse,  Harm  2.50  n,  Fanf 

2— n. 

-  Eenommee,  schottisch.  Harm,  Fanf  a  1.50  n. 

-  Renverse  tout,   quadr.   0   1 —  n. 

-  Reserve,   marche.   Barm,  Fanf  a   1.25  n. 

-  Eetraite  des  Concours,  Barm,  Fanf  a  1.50  n. 


1.50  n. 
4— n. 


Fanf 


1- 


-  n. 
0 


Marie  E.  Rctoiirde  Crimee 


—     179     — 


Marie  E.   Wiegenlied 


-  Retour  de  Crimee,  pas  red.  Harm,  Fanf  a 

1.50  n. 

-  Reveil     de     la    nature,     symph.     pastorale, 

Harm  4 —  n,  Fanf  3 —  n. 

-  R6veil   Matin,   quadr.   Harm,  Fanf  a  2 —  n. 

-  Revenant,   quadr.    1.75n,     0    1.50  n. 
-Richard        Coeur-de-Lion,        I'ant. 

Harm  4 —  n,  Fanf  3 —  n. 

-  Roi  du  Desert,  quadr.   0  1 —  n. 

-  Roi    Navet,    quadr.    O    1 —  n,    Harm    2.50  n, 

Fanf  2— n. 
-3  Romances  s.  p.    (Mendelssohn),  CIP 

2.50  n. 
-Rose  Printemps,  polka-maz.  1.75  n,  0  1 — n. 

-  Rosita      (J  u  lien),     valse.     Harm     2.50  n, 

Fanf  2 —  n. 

-  Rossignol  et  Musette,  polka  1.75  n,  0  1 — n. 

-  Rout  de  I'An,  Harm,  Fanf  a  1.50  n. 

-  Royal   Navarre,   quadr.    1.75  n,    0    1 —  n. 

-  Royaume  de   Fous,   quadr.    1.75  n,   0   1 — u. 

-  Rule   Britannia,   pas    red.     Harm,,    Fanf    a 

1.50  n. 

-  Sacripant,   quadr.   0   1—  n. 

-  Sainte-Cecile,    Harm,   Fanf  a    1.50  n. 

-  Sainte-Philom&ne,   Harm,   Fanf  a    1.50  u. 

-  Saint-Sacrement,    marche.     Harm,     Fanf     a 

1.50  n. 

-  Salmigondis,   quadr.    1.75  n,   0    1 — n. 
-Sans  fm,  galop.   Harm,  Fanf  a   1.50  n. 

-  Sans-Fagon,   quadr.  .0    1 — n. 

-  Sapbir,   fant.   Harm   4 — n,   Fanf   3 — n. 

-  Sardoine,  schottisch,   0   1 —  n. 

-  Scabieuse,  varsoviana,   0   1 —  n. 

-  Secrets  de  I'Art,  varsoviana,  0  1 —  n. 

-  S6millante,   valse,  Harm,  Fanf  a   1.50  n. 

-  S  4  m  i  r  a  m  i  d  e,    fant.    Harm    4 —  n,    Fanf 

3— n. 

-  Semouze,  marche,  Harm,  Fanf  a   1.50  n. 

-  S^raphine,  polka,   0   1 —  n. 

-  Serpentine,    valse,    0    1 —  n. 
du   zodiaque    1 —  n. 


Signes 

Sirenes,   valse.   Harm   2.50  n,   Fanf  2 —  n. 
Solferino,   marche.   Harm,  Fanf  a   1.50  n. 
Sommeil   des   Anges,    Harm,   Fanf   a    1.50  u. 
Sous  les  Sapius,  quadr.  O  1 —  n. 

Souvenir    du    45e,    pas    red.    Harm,    Fanf   a 

1.50  n. 
Souvenir 

a  1.50  n. 
Souvenir 


de    Bruges,    marche.    Harm,    Fanf 


fant.     Harm 


I 


O   1— n. 
1.50  n.  ! 

4 —  n,     Fanf 


de    St.     Sebastien, 
4 —  n,  Fanf  3 —  n. 
Spahis  a  Paris,   quadr.    1.75  n, 
Stella,   marche,   Harm,   Fanf  a 

Straniera,     fant.     Har^yi 

3— n. 
Straniera,  marche  funfebre.  Harm,  Fanf 

a    1.50  n. 

Strasbourg,  pas  red.  Harm,  Fanf  a    1.50  n. 
Suivide  impossible   1 — n. 
Sultan  Misapouf,  quadr.  1.75  n. 
Sultan,  pas  red.  Harm,  Fanf  a   1.50  n. 
Sur  le  lac,  pas  red.  Harm,  Fanf  a  1.50  n. 
Surprise,   polka   1.75  n,   0   1 — n. 
Sym.pathie,  Harm,  Fanf  a   1.50  n. 
Tage,  bolero.  Harm,  Fanf  k  1.50  n. 
Tambours  et  Clairons,  pas  red.  Harm,  Fanf 

k  1.50  n. 


-  Toison     d'Or,     polka-maz.     Harm,    Fanf    a 

1.50  n. 

-  Tournoi  musical,  fant.  variSe,  Harm,  4 — n, 

Fajif  3— n. 

-  Triomphe  et  Gloire,  marche,  Harm,  Fanf  k 

1.50  n. 

-  Trois  Succfes   1 —  n. 

-  Trombone  a  pistons,  quadr.   1 —  n,   0   1 —  u, 

Har7n   2.50  n,   Fa7if  2—  n. 

-  Trompette  de  Jericho,  pas  red.  Harm,  Fanf 

a  1.50  n. 
-Tumulus,   Harm,  Fanf  k   1.50  n. 

-  Turin,    polka    1.75  n. 

-  Tyrolienne,  air  vari6,  SaxophP  2.50  n. 

-  Tyrolienne,    air    varie.    Harm    4 — n,    Fanf 

3— n. 

-  Tyrolienne,    redowa,    0    1 —  n. 

-  Une    chasse    dans     les     Ardennes,     ouv.     P 

1.75  n,    0    2— n,    pet.    0    1.50  n,    P    1.75  n, 
Harm   4 —  n,   Fanf  3 —  n. 

-  Un    coeur     d'or,    ouv.     Harm     3 —  n,     Fanf 

2.50  n   Gandet. 

-  Un     dernier     Hommage,     marche     funebre, 

Harm,  Fanf  a   1.50  n. 

-  Une  fete   Flamande,  quadr.   0   1—  n. 

-  Un  gendre  S.  V.  P.,   quadr.   0   1 —  n. 

-  Une  noce   d'Artistes,   quadr.   0   1 —  n. 

-  Une   nuit   a    Barcelone,    fant.   Harm   i —  n, 

Fanf  3— n. 

-  Un  premier  Amour,  redowa,  Harm,,  Fanf  k 

1.50  n. 

-  Une  priere  pour  tous,  Harm,  Fanf  k  1.50  n. 

-  Vainqueur,   pas   red.   Harm,  Fanf  k   1.50  n. 
-Valencia,   bolero,   Harm,   Fanf  a    1.50  n. 

-  Valine   d'Ange,   polka-maz.    0    1 —  n. 

-  Vallee   des  Roches,   polka-maz.   0   1 —  n. 

-  Vgloce,  galop.  Harm,  Fanf  a  1.50  n. 

-  A'^locipede,  galop,  Harm,  Fanf  k  1.50  n. 

-  Vie  d'un  Soldat,  quadr.  Harm,  Fanf  k  2 —  n. 
-Vie  d'un  soldat,  quadr.   1.75  n. 

-  Vieux   souvenirs,   quadr.    1.75  n. 

-  Vingt   ans    apr&s,     1    voi.x     — 25  n,     2    voix 

— 50  n,  3 — 4  voix  — 50  n,  av.  P  1.70  n,  av. 
Harm(Fanf)  1.50  n,  Marche,  0  1.70  n 
Gaxidet. 

-  Vistule,   polonaise.   Harm,  Fanf  a   1.50  n. 

-  Vixit,  marche  fun&bre,  Harm,  Fanf  k  1.50  n. 

-  Vol    au    Vent,   quadr.    0    1 —  n. 

-  V  o  1  t  i  g  e  u  r  s  d  e  la  22e,  pas  red.  Harm, 

Fanf  a"  1.50  n. 

-  Vosgiennes,  valse.  Harm  2.50  n,  Fanf  2 —  n. 

-  Yvonne,  schottisch.  Harm,  Fanf  k  1.50  n. 

Marie  Elisabeth,  Prinzessin  von  Sachsen- 
Meiningen,  Fackeltanz  zur  Vermilhlungs- 
feier  des  Erbprinzen  Bernhard  von  Sach- 
seu-Meiningeu  mit  der  Prinzessin  Char- 
lotte von  Preufien,  P  1.20,  Jfms  1.50 
tjeuckart. 

-  Fackeltanz  Nr.  2  zur  Vermahlungsfeier  Sr. 

kgl.  Hoheit  des  Prinzen  Wilhelm  von 
Preufien  mit  I.  Hoheit  der  Prinzessin  Vic- 
toria   von 


Schleswig-Holstein-Sonderburg- 
Augustenburg,  P  — 80  Letickart. 
Walzer    (Valse  gracieuse),  P  1 — ,   VP   1— , 
Leuckart,  P  — 25  Jurgenson. 

Wiegenlied,  Berceuse,  0,  Part  u.  St  3.t)0  n, 
stO    (od.    Quart.)    in    St   —80,    VP,    VaP, 


12* 


Marie  E.   Wiegenlied 


180 


Marie  J.  Oeuvres  originales 


VcP  k  —80,  P  —60  Leuckart,  P  —25  Jur- 
genson. 

-  Willkommeu,    Einzugsmarsch,    0    6 — ,    Jfms 

1—,  P  1—  Kahnt. 

Marie  F.  Les  Bords  de  la  Drome,  pas  led. 
Harm(Fanf)  1.25  n,  Cond.  —25  n,  p.  i-(^. 
— lOn  Thomas. 

Marie  G.  Margueritat :  A  Hunt  in  the  Ar- 
dennes, overt.  Mil.  Band  1.50  Cundy, 
Standard. 

-  A  la  Taverne,  TTBB  2.50  n. 
-Andante  religioso,  P  1.75  n,  0  2 — u. 

-  Attention  !    chant   patriotique    1 —  n. 

-  Au   Depart,    TTBB   2.50  u. 

-  Au  Temps  de  la  Moisson,  TTBB  2.50  u. 

-  Au  Temps  jadis,  P  1.75  n,  0  2 —  ii. 

-  Au  Velodrome,  galop,  O   1 —  n. 

-  Aubade,    morceau    de    concert,    P    1.75  u,    0 

2— n. 

-  Aubade,   /'   1.75  n. 

-Beau   Muguet,   polka   1.75  u,   0   1 — u. 

-  Berceuse,  VcP  5 —  Girod. 

-  Cabriole,   polka,    0    1 —  n   Pinatel. 

-  Capriccio,   VcP  7.50  Girod. 

-  C  h  a  1  e  t,    faut.    7.50    Lemoine,      0    4 —  n, 

pet.  0  2—  n,  P  2—  u. 

-  C!hanson    de    Eoute,    pas    red.    O    2 —  n,     P 

1.75  n. 
-Chant    de    Gloire,    marche    1.75  n,    O    2 — n, 
P  1.75  u. 

-  Chant   de   Gondoliers,   barcarolle,   P    1.75  u, 

0  2— n. 

-  Chasse,  romance  saus  paroles   (M  e  n  d  e  1  s- 

.sohn),  P  1.75  u,  0  2— n. 
-Child    of    the    Arcade,    overt.      FullO    1.25, 
/-i  Instr  1—,  10  Instr  —75,  P  —30  Cundy. 

-  C '  i  g  a  1  e  e  t  la  F  o  u  r  m  i,   fant,   0   4 —  n, 

pet.    0  2— n,  P  2— n. 

-  Cinquantaine,     FullO    1.25,     IJf    Instr    1 — , 

JO    Instr   —75,    P   — 20,    Brass    and    Reed 
Band  — 75   Cundy,   MandG  — 40   Century. 

-Cinquantaine   (2)    Toby,  E  1.75  Mustel. 

-Dans  i'Oisis,   TTBB  2.50  u. 

-  Doux  Sommeil,  berceuse  p.  quintette  2^  u, 

/'  1.75  n,  Org(H)  2— n,  VP  2— n. 

-  Eu  plaine,  paysage,  0  2 —  n,  P   1.75  u. 
-En   Vacances,   pas   red.    0   2 — n,   P    1.75  n. 

-  Enchentress,    overt.    Full    Band    4/ — ,    Med. 

Band  2/ —  Eawlces. 

-  IHamengo- Waltz,  FullO  1—,  i^  /nsfr  —80, 

10  Instr  —60,  P  — 15  Cundy. 

-  Fleur  de  Genet,  waltz  2 — ^  n,   0   1 — u   Mar- 

gueritat, FullO  1—,  lit  Instr  —80,  10  Instr 
—^0,  P  —15  Cundy. 

-  Fleur    du    Bal,    schottisch    1.75  n,    0    1—  n. 

-  Fretillon,  polka,   O   1 —  n. 

-Gavotte  de  F  Infante,  P  1.75  n,  quint.  2 — n, 

VP  2—  n. 
-Gondoliers    veuitien.s,    barcarolle,    P    1.75  n. 

-  Gondoliers  venitiens,  romance  sans  paroles 

(Mendelssohn),   0   2—  n. 
- -T  u  i  v  e,    font.    P    7.50    Lcinoinc,     0    4— n, 
pet.  0  2—  n,  P  2—  n. 

-  Lanciers  Blancs  1.75  n,  O   1 — n. 

-  liRst    Homage,    funeral    march,    Mil.    Band 

—50  Cundy. 

-  Marchon.s  gaiement,  marche,  0   1 — n  Bosc. 


-  Mazovienue,    maz.    0    1 —  u. 

-  Meditacion,    V(Vc)P    1.20    Dotesio,    P   4/— 

Willia^ns. 

-  Minuit,   reverie    (L.   Cohen),   V  av.   quat. 

et  de  Cor  2— u,  P  1.75  n. 
-Mousquetaircs   de   la  Reine,   fant. 
P   7.50   Lemoine,   0   4—  n,  pet.  0   2—  n,   P 
2— u. 


P 


1.75  n. 
quin- 


VP  2— n. 


Instr 
Brass 


Band  — 50,  a.  Reed  Band  2- 
Pavane   favorite,   p.   quint.   2- 


-  Nocturne,  p.  CI  et  Cor  d'O  2—  n, 

-  Novios    (Les    Fiancees),    s§r6nade 

tette  2— n,  P  1.75  n. 

-  Nuit  Sl  Venise,  reverie.  P  1.75  n 

0  2— n. 

-  On   the   route,   march,   FullO    1—,   1^ 

—80,   10   Instr  —60,   P   —15,   Full, 

Cundy. 

n.   P    1.75  n 
VP   2— n. 

-  Pecheurs  d'  Jolando,  TTBB  2.50  n. 

-  Pendant  la  Nuit,  TTBB  2.50  n. 

-  Petite  Fleur,  valse  2 —  n   Gallet. 
-30  Petits  duos,  2CornetdP  2— n. 

-  Pie  Jesu,  Bars.  av.  8ATB  1 —  n  Pinatel. 

-  6   Piezas   originales,   P.-    1.   Idille,   2.   Dans 

la  plaine,  3.  Serenata,  4.  Movimiento  de 
vals,  5.  Minuetto  di  tempo,  &  — 50.  N.  6. 
Boht^mienne    1 —   Dotesio. 

-  Pimpant  Soldat,  quadr.  0   1 —  n. 

-  Prairial,   maz.    1.75  n,   0   1 — n. 


Kelraite    Croate,     0    2- 


P    1.75  n,    VP 


-  i^eveil   Printanier,   TTBB   2.50  n. 

-  Rien  dans  les  mains  (av.  parl6)   1.35  Borne 

mann. 

-  Ronde  villageoise,  0  2 — n,  P  1.75  u. 
-Rose  et  Colin,  bergerie,   0  2 — n,  / 


menuet,    0    2 —  n,    P 


1.75  n. 
1.75  n. 


Pou- 


marche    7.50,    0    i 

-50   Ditson,   Cornets. 
P    1.75  II.    0 


-  Royal-Plaisir, 

VP  2— n. 

-  Salut   a    Vichy 

lalion. 

-  Serenade  badine,   P 

w.   FullO   1 —  Ilawkes. 

-  Serenade    (M  endelssohn 

2— n. 

-  .Souriante  et  Lggfere,   air   de  ballet,   P  4/ — 

Reynolds. 
-Sous  la  Saulaie,  .schottisch   1.75  n,  0  1 — n. 

-  Souvenirs  lointaius,   petite   scfene,   P   2 —  n, 

quintette   d  cordes   1 —  u,    VVcP   3 —  Bosc. 

-  Sur     les    Bords     de    la    Tweed,      schottisch 

1.75  n,  O   1— n. 

-  Tourangelle,    overt.    FullO    1.25,    IJf    Instr 

1—,  10  Instr  —75,  P  —30  Cundy. 

-  Tournoi,  TTBB  2.50  n. 

-Tout  au   plaisir,   quadr.    1.75  n,   0    1 — n. 

-  Tyrolienne,    air    a.    variations,     CIP 

Cundy. 
-Voyage    en    Chine,    fant.    P    7.50 
moine,  0  4 —  n,  pet.  0  2 —  n,  P  2 —  n. 

Marie   H.  II   faut  remercier  le  bou   Dieu 

tout,   Ch.   s.  — 25u    Labbe. 
Marie    J.    Berger,    romance    1.75  n    Dnrdilly. 

■  Geuvres  originales  pour  Org:  N.  1.  Peu- 
s6e  lointaine  1.50  n.  N.  2.  Marche  fuii^bre 
1.50  n.  N.  3.  Berceuse,  avec  variations 
3 —  n.  N.  4.  Ronde  villageoise  2 —  n 
Mustel. 


80 


he- 


ae 


Marie  J.  4  Pieces  originales 


—     181 


Marie  sitot  gargon 


-4  Pieces  originales,  H:  N.  1.  Pens^e  loin- 
taine  1.50  n.  N.  2.  Marche  funfebre  1.50  n. 
N.  3.  Berceuse  3 —  n.  N.  4.  Ronde  villa- 
geoise  2 —  n   Mustel. 

Marie   L.  Legouix:  Archer  du   roi  2.50. 

-  Bale   des   Caroubiers   2.50. 

-Marinette   1— n,   Ch.  s.  — 40  n   Borneman)i. 

-  Prier  de  I'enfant  2 —  Dupont. 
-Souvenir  1 — n,  Ch.  s.  — 40  n  Bornemanv. 

-  Ste.    C^cile    3—. 

Marie-Madeleine,   choeur   des  servantes  2 — 

Ghehiwe, 
Marie    R.    Baisers    supremes,    Aiilse    chant6e 

2 —  n,   Ch.  s.  — 35  n   Leduc. 

-  Boutons    boutonnement,    ehans.    Puyeme. 

-  C'est     une     plisseuse!      Nouvelles    editions 

musicales. 

-  Coloniale,   chanson-niarche,     Ilaakmann. 
-En  pensant  ft  vous,   VcP  1.50  n  Iluukinnnn. 

-  Genre   pedaleuse,      Dorey. 

-  Main  chaude,     Dorey. 

-  Par   temperament,     Joullot. 
-Parfait!   3—  Edition  Gallia. 

-  Paris-Plage,    valse,      naakmunn. 

-  Petites    folles,    galop-marche    1.50  u     Haak- 

mann. 

-  Premiers    frimas.      Edition   Gallia. 

-  Regardez   c'  t'amour,     Joullot. 

-  Retraites    ouvri&res,      Payerne. 

-  Salamaleck,   chans.   arabe,      Edition    Gallia. 

-  Serenade    a    Juana,    bolero    com.      Edition 

Gallia. 

-  Tu  m'as  laisse !   Ch.  s.     Barthelemy. 

-  Tulipia,   marche   americain,      Joullot. 

Marie    R.    et    Lud.      Caou-Caou-Caoutchou'- ! 

Maurel. 
Marie   W.   Legouix:   A  ma   Mie  3 — . 

-  Adieu   Fauvette  .5 — . 

-  Carolle.s   du   Moyenage,   P   12 — . 

-  Chanson  arabe,  P  5 — . 

-  Chanson    de    Malherbe   3 — . 
-Chant  norvegien  5 — . 

-  Contredanse   du   Directoire,   P,   9.    suite.    0 

3— n. 

-  Danses  du  grand  sifecle,  P  12 — . 

-  Danses  Louis  XV,  P  9 — . 

-  Danses  romantiques   12 — . 

-  Idylle  de  Berquin   3 — . 

-  Menuet  4 — . 

-  Ophelia's  Song  P  5—. 

-  Prfivoyante   5 — . 

-Suite  de  danses  romantiques,  P :  1.  La 
Gracieuse,  mazurka,  2.  Loin  d'elle,  vals;>, 
3.  La  Frangaise,  polka,  4.  Le  Ranelagh, 
quadrille,   chaque   5 — . 

-  Tempo  di  Minuetto,  P  6 — . 

-  Valse  de  la  jeunesse,   P  4 — . 
-Villanelle    a    I'lnconstance   a    Rozette   5—. 
Marie    &    Warden,      Moulinet     au    pas     de 

quatre,   0   1.50  n,  P  1.70  n  Gaudet. 
Marie   fils.    Margueritat:    A    fond    de   train. 

galop   1.75  n,   0   1— n. 
-A  la  plus  belle,  polka-maz.   1.75  n,  0  1 — n. 
-Amoureuses,  polka-maz.   1.75  n,  0  1— n. 

-  An  Veledrome,  galop,  0  1 —  n. 
-Beau  Muguet,  polka   1.75  n,  0   1— n. 
-Bol  Officier,  polka  1.75  n,  O  1— n. 


-Belle  jeunesse,   polka-maz.    1.75  n,   O   1 — n. 

-  Bernerette,   polka    1.75  n,   0    1 — n. 

-  Blondichonne-Polka  1.75  n,  0   1 — n. 
-Bon  voyage,  galop  1.75  n,  0  1— n. 

-  Bouhomme   en    Bois,   polka   1.75  n,    0    1 — n. 
-Chalet   (Adam),  fant.  P  2 —  n. 
-Chants  du  pays,  polka-maz.  1.75  n,  0  1 — u. 
-Cigale   et   la   fourmi,   fant.    P   2 —  n. 
-Coup  du  Lapin,  quadr.   1.75  n,  O  1^ — n. 

-  Doux  Avril,  valse  2 —  n,  0   1 —  n. 

-  Echos   de   TElys^e,   quadr.    1.75  n,    0    1 — n. 
-Ed   plein  air,  polka-maz.   1.75  n,  O  1 — u. 
-En  Vacances,  polka  1.75  n,  0  1 — n. 

-  Fille    de    I'Alcade,    ouv.      0    2 —  n,      pet.  0 

1.50  n,  P   1.75  n. 

-  Flamenca,  gr.  valse  2— n,  0   1.50  n. 

-  Flamenca,   valse  espagnole   1.75  n,   0   1 — n. 

-  Fleur   de   Genet,   valse   2 —  n,   0    1 —  n. 

-  Fleur  du  Bal,  schottisch  1.75  n,  O  1 — n  . 

-  Flirtage-Polka    1.75  n,    0    1 — n. 

-  Folle  Joie,  valse  2 —  n,  0  1 —  n. 

-  Frais  Minois,  polka   1.75  n,   0   1 — n. 

-  Fretillon,  polka   1.75  n,   0   1 — n. 

-  Cais  propos,  polka   1.75  n,  0   1 — n. 

-  Iliver  a  Paris,  quadr.   1.75  n,   0   1 — n. 

-  J  u  i  v  e,  fant.  P  2 —  n. 
-Luronne,  polka   1.75  n,   0   1 — n. 

-  Mandragore,  polka-maz.   1.75  n,  0   1 — u. 

-  Mazovienne,    oplka-maz.    1.75  n,    0    1 — n. 

-  Mesange,  polka-maz.   1.75  n,  0   1 — n. 

-  Mirliliore,   quadr.    1.75  n,    0    1 — u. 

-  M  o  u  s  q  u  e  t  a  i  r  e  s   d  e   la   R  e  i  n  e.    fant. 

P   2— n. 

-  Percadillo,   polka    1.75  u,   0   1 — n. 

-  Pimpant  Soldat,  quadr.   1.75  n,  0  1 — u. 
-Polka    des   Fantoches    1.75  n,    0    1 — n. 

-  Prairial-polka-maz.  1.75  n,  0  1 — n. 
-Premier  sourire,  valse  2— n,  0  1 — n. 

-  Radieuse,   polka-maz.    1.75  n,   0    1 — n. 
-Rataplan,  polka   1.75  n,   0   1 — n. 

-  Songes   roses,  gr.   valse,   0   1.50  n. 

-  Sous  le  Frgnes,  valse  2 —  n,  O  1 —  n. 
-Sous  la  Saulaie,  .schotti.sch   1.75  n,  0   1 — ii. 

-  Sur  les  Bords,  schottisch   1.75  n,  0  1 — n. 

-  Sur   la   Dwina,   polka-maz.    1.75  n,   0   1 — n. 

-  Sylvaua,   polka-}naz.    1.75  n,   O   1 — n. 

-  Tartarin    de    Tarascon,    quadr.     1.75  n.       O 

1— n. 

-  Tata-Polka    1.75  n,    0    1—  n. 

-  Tcherkesse,  polka-maz.   1.75  n,   0   1 —  u. 

-  Thylda,   polka-maz.    1.75  n,   O   1 — n. 

-  Toujours  jolie,   polka-maz.    1.75  n,   O    1 — n. 

-  Tourangelle,    ouv.    0    2— n,    pet.  O    1.50  n. 

P   1.75  n. 
-Tout  au  plaisir,  quadr.  1.75  n,  0  1 — u. 

-  Truie  qui   file,  quadr.   0   1 —  n. 

-  Vers  les  Sommets,  valse,  0   1.50  n. 

-  Verte  Allure,  polka  1.75  n,  0  1 — n. 
-Vie  joyeuse,  quadr.  1.75  n,  0  1 — n. 
-Voyage  en   Chine,   fant.   P  2 —  u. 

-  Zig  et  Zan!  polka  1.75  n,  0  1— n. 
Marie    (Julieu  me  chgrit)   — 30  n  Jouiert. 
Marie   dors-tu!    Ch.   s.  — 60  n   Jouhert. 
Marie    dort    toujours!     1— n,    Ch.    s.   — 30  n 

Ondet. 
Marie,   notre   esperance,   Marvis. 
Marie    sitot    garcon,    op^rette    3 — n    Ondet. 


Mariee 


—     182 


Marietti  G.  Terre  repose-toi 


1 —  n,   Ch.   s.   — 40  n    Bornemann. 
de   la   rue   Saint-Denis,   romance  du 
— 30  n  Joubert. 
de    Robinson    1 — n  Jouhert. 

L.  Houre  du  Rgve,  valse,  P(0)  2 —  n 


Mariee 
Mariee 
reve 
Mariee 

Mariel 
Bosc. 

Marienblumen,  Lieder  zu  Ehren  der  aller- 
seligsten  Jungfrau  Maria,  m.  OrgfUJ, 
Heft  13,  14,  16,  17,  21,  22  a  1—,  Heft  15 
—80,  Heft  20:  Drei  Marienlieder,  SATB 
(Carl  Detsch,  op.   13)    1.50  Bohm. 

Maries  d'Auvergne,   duo   1.70  n   Eveillard. 
Maries  de    Suresnes    1 — n   Jouhert. 

Mariet    P.    Brainard:    Adaline   — 40. 

-  Birdie  —50. 

-Little  maid  that  smiled  an  me  — 40. 

-  Love  at  sea  — 50. 

-  Nearest  way  home  — 40. 

Mariet  de  la  Chesnereye,  J'ai  bu  du  Soleil 
2.50   Iltiigel. 

-  LTne  Bergerie   de   tiumeau   2.50  Heugel. 
Marietta,  maz.  — 50  Fonseca. 

Mariette    H.  Cainchon  des  anes,  Ch.  s.  — 30 

Jacqueli7ie-Saint-Ijo. 

■  Dans    les    graindes    deunnes,      Ch.    s.  — 30 

Jacqueli7ie. 

-  Saint-Laud,  Ch.  s.  — 30  Jacqueline. 

Mariette,    Mon    coeur    renait,    Ch.    s.    — 35  n 

Coutarel. 
Marietti   A.  La  Chanson  des   Cigales   1.75  u, 

Ch.  s.  —35  n  Gullet. 
Marietti  G.  Gallet :  Adieu  Suzon   1 — n  Jer- 

lane. 
-A116e   1.75  n,   Ch.  s.  — 35  n. 

-  Amour,  romance  1 —  n   Coutarel. 


Art  nouveau,  gr.  scene  av.  parl6  6- 


8ulz 


—35  n. 

-35  n   Coutarel. 
sayn&te     3- 


-35  n. 


n,  Ch.  s. 


bach. 

-  Au  Louvre  1 —  n,  Ch.  s. 

-  Badinage   1 —  n,  Ch.  s. 

-  Barbillon     et    Saint-Hubert. 

Oobcrt. 

-  Bienfaisance   3 —   Sulzbach. 

-  Boiicle  d'oreilles  1.35  n,  Ch.  s.  - 

-  Bouquet  de  roses  5 —  Grns. 

-  Bouquetifere  et  le  Faraud,  duo  2 

— 20n  Rouart. 

-  Canonieres  1 —  n,  Ch.  s.  — 35  n. 

-  Caprice  5 —  Grus. 
■  Chambre  N.  12,  sayn&te  4 —  Goberi. 
-Changement     de     garnison, 

rette,  ChP  2 — n  Heugel. 

-  Chanson   des   Cigales    1.75  n, 

-  CLan.son    de    Clair    de    Lune 

—35  n. 

-  Cliant    du    Printemps    1 —  u, 

Coutarel. 

-  Comme  toi !   1.50,  Ch.  «.  — 35  n. 

-  Cueillette   1 —  n,   Ch.  s.  ■ — 30  n  Roiiart. 

-  Cuirassiers    en    avant    4 — ,    Ch.    s.    — 30  n 

Eveillard. 

-  Deux  gabiers,  .saynfete  3 —  Gobert. 

-  Dormez,   Bonsoir    1.75  n,   Ch.  s.  — 35  n. 
-Douce    Reminiscence,    valse   lente   2 — u    A. 

Widier- Verdun-sur-Meuse. 

-  Electeur  et  Candidats,  saynfete  3 —  Goberi. 
-En    reve,    intermezzo,      P    2 — n,      0    1.50  n 

Choudens. 


Ch. 
1— 

Ch. 


s. 


ope- 

—35  n. 

Ch.    s. 

— 35n 


1 —  Heugel. 
1.70  n  Eveillard. 
Coutarel. 
Ondet. 


-  Entre   deux   valses,   duetto   2.50  u. 

-  Examen  du  Colonel,  saynete  3 —  Gobert. 

-  Feuillets    d'amour :    Si    tu    me    reviens.     A 

deux !  Un  baiser  de  toi.  Quand  on  aime. 
Pres  de  vous.  Fleur  donn^e.  Pourquoi 
pleurer?   2.50   Jerlane. 

-  Finaud  3 —  Grus. 

-Gloria  Patri,  duo  2.50  n,  Ch.  s.  — 35  n. 

-  Grand'-Mamans   1.75  n,   Ch.   s.  — 35  n   Cou- 

tarel. 

-  Greve   des  Amoureux   1.75  n,   Ch.   s.  — 35  n 

Coutarrl. 

-  Heure  ou  Ton  aime  1.75  n,  Ch.  s.  — 35  n. 

-  Horripilant,      chansonnette    av.    parl§     3 — 

Sulzbach. 

-  Ivrogne,     Puigellier. 

-  Je  la  regarde  encore  3 — ,  Ch.  s.  1 —  HeugeL 

-  Joli  moi  de  Mail   1 — n,  Ch.  s.  — 35  n. 

-  Jcli   Eeve   1 —  n. 

-  Jeunesse  moderne,  Ch.  s.  — 35  n  Labbe. 

-  Lettre  &   Bergeronuette   1.50  n   Quinzard. 

-  Lettre   de   Marianne   k   Nicolas   3 — ,   Ch.   s. 

1—  Noel. 

•  Lison  1.50  n  Jerlane. 

•  Mai  du  pays  3 — ,  Ch.  s. 

-  Marche  des  Parigots,  P 

-  Mon   coeur   renait   1 —  n 

-  Monsieur  de  Kergariou, 

-  Miousic    (av.    parle)     1.70    Bornemann. 
-Muse  1 — n,  Ch.  s.  — 35  n  Coutarel. 

-  Noel   1—  n,   Ch.  s.  —35  n. 

-  0  Salutaris  4 —  Heugel. 

-  Papillon  de  Paris  1 —  n  Societe  nouvelle. 

-  Parfois   rire,  souvent   pleurer   1 — n,   Ch.  ». 

— 30  n  Rouart. 
-Parfums   mouilles   1.75  n,   Ch.  s.  — 35  n. 
-Partie!    1— n,    Ch.  s.   — 35  n. 

-  Partie  de  dominos  3 —  Sulzbach. 

-  Partout  ovl  son  pied  s'est  pose  1.50  n,  Ch.  s. 

—35  n. 

-  Pas  d'betises  3—,  Ch.  s.  1—  Noel. 

-  Pater   Noster    1 —  n,    Ch.  s.  — 35  n. 
-Pavane   Louis    XIII,     P     1.70  n,     0     1.50  n 

Choudens. 

-  Petite  bete  1—,  Ch.  s.  —35  u. 

-  Pcur   un  proefes-verbal   1 —  n,   Ch.  s.  — 30  n 

Rouart. 

-  Premi&re    Gavotte    1 —  n,    Ch.    s.   — 35  n. 

-  Premiere   lettre   d'un    bleu.      Puigellier. 

-  Promise,  grand  succds  3 — ,  Ch.  s.  1 —  Noel, 

(Drag  a      Nicusor)      — 20      Magasinul 
Conservatoriului,   0  2 —  n   Noel. 

-  Promise,   quadr.    par   L.    D  e  n  j  s  5 —   Noel. 

-  Rgponse  a  la  Promise  3 — ,  Ch.  s.   1 —  Noel. 

-  Repouse  de  Nicolas  a  Marianne  3 — ,  Ch.  s. 

1—  Noel. 

-  Ritournelle   d'Avril    1.75  n   Grus. 

-  Ronde  annamite,  Jfms  2.50  n,  0  1.50  n  Chou- 

de?is. 
-Si  j'etais  Dieu   1.70  n  Marvis. 

-  Si  les  petits  enfants  savaient  1.75  n,  Ch.  s. 

— 35n. 

-  Souhaits   de  Noel   1 —  n,   Ch.  s.  — 35  n. 

-  Strophes,  P  1 —  n,  Ch.  s.  — 35  n,  av.  VVcHa 

2— n. 

-  Tema  con  4  variazioni  e  finale,  P  3 —  Ma- 

riani. 
-Terre   repose-toi    1 — n,   Ch.   s.  — 35  n. 


Marietti  G.   Tresor  perdu 


—     183 


Marin  E.  Sport 


-  Tresor   perdu.      Piiigellier. 

•  Un    Jugement    de    Pierrots   5 —    Grus. 

-  Un  pen  de  joie  1.70  n   Society  nouvelle. 

-  Verse-moi  du  vin  vieux  1 —  n,  Ch.  s.  — 30  n 

Roiiart. 

-  Vierge,   idylle  5 —  Enoch. 

-  Vieux   puits   1.75  n   Grun. 

-  Vis   parmi    les    fleurs,     av.    V(Vc)    ad   lib. 

1.35  n   Societe  nouvelle. 

-  Vous   qui   passez  !    1.75  u. 

Marietti    H.     Heugel:     Confession   de  Vert- 
Pilon  4—. 

-  Inspecteur  4 — . 

-  Lettre  Sl  ma  petite  femnie  4 — . 

-  NTonchalanle   4—. 

-  Rgve  Violet  4—. 

Marietti    R.  Ritournelle  d'Avril  5 —  Orus. 

-  Vierge,   Vh.   s.   1 —  Enoch. 

Marietti  Meusy  H.  Nos  five  o'clock  6 —  Heu- 
gel. 

-  Quais  4 —  Heugel. 

-  Ton  coeur  4 —  Heugel. 
Marieur   1 — n  Jouhert. 

Marieve  A.  Bourlant:  Berceuse,  P  — 85  n. 

-  Crepuscule,  melodie   1.70  n. 

-  Feuillets    d'album,     5    pifeces     de     moyenne 

farce,  P  (Ire  serie)  :  Chanson  d'automne 
— 85  n.  Souvenir  d'Espagne  — 85  u.  Me- 
nuet  — 85  n.  Fantaisie-Tarantelle  — 85  n. 
En  rgvant,  valse  lente   1 —  n. 

-  Footing  March  2 —  n. 
-Jalousie!    Valse  tzigane,   P   2 — n. 

-  Tes  larmes,  son  sourire   1.70  n  Bourlant. 

-  Trotting  Marcli   1.75  n. 

-  Val.'^^e  a  la  nuit  2 —  n  Bourlant. 

-  Valse  originale,   P   1.75  n. 

Marigiiano    A,    Serenata    d'Estate    3 —   Izzo. 
Marigold    Maggie,    Iris    Valse   2/ —   'Novello. 

-  Memoires,   3  sketches,  P  2/ —  Novello. 
Marigold  Marguerite,  A  prayer  to  sleep  2/ — 

Novello. 

-  Ah,  like  a  tender  flower  thou  art  2/ —  No- 

vello. 

-  Merrily,  merrily,   SfT)   2/—  Novello. 

-  Midsummer,    valse    lente    2 —    Rohr,    FullO 


1- 


SmnllO 


-75,    mO,    2S   Instr   4:r 


10 


Insfr  3/—,   12   Ivstr   2,—  Hawkes,   0   2.50, 
kl.  0   1.80,  IM  10—    P  —70  Rohr. 

-  My   will   is   gone   to   sleep,   dear,   love  song 

2/—  Novello. 
-Paradise  Valse,  FullO  2/— u,  SmallO  1,4  n, 
P   cond.   — /8  n    Hatvkes. 

-  Scythe   Song   2/—  Novello. 

-  Song  without  Words,   VP  21 —  n  Novello. 

-  Twilight    Valse,   Reed   and    Brass   Band   of 

28   Instr  4/— n,   20   Instr   3/— u,   12   Instr 

2/—  n   Hawkes. 
Marimon,    El    domino    negro,    vals    1 —    Do- 

tcsio. 
Marimon    R.  de,  Lluua   confidenta,   pregaria 

catalana,   paroles   de   I.   V  a  n  c  e  1 1  s,   nied 

spansk  og  dansk  Tekst   1—  Nord.  Musik- 

forlug. 
Marin,   Aicha   la   brune    1 — n   Laionde. 
Marin   E.  Evette :  ATn  Sefra,  pas  red.  Harm 

3 — ,  Fanf  2 —  Schoenaers. 

-  Au  Drapeau,  marche  av.  chant  ad  lib.  Part 

3 —  n,  p.  s.  a  — 10  n. 


-  Au     drapeau,     marche,     Harm  (Fanf )      av. 

chant.   Part   3 —  u,   p.  s.   — 10  n,   p.   de   ch. 
— 30n. 

-  Aux  Francais  le  bouquet  3 — ,  Ch.  s.  — 30  n 

Eveillurd. 
-Breton   1 — ,  Ch.  s.  — 35   Gheluwe. 

-  Caprice  p.  Pist,  Harm,  Part  3 —  n,  p.  s.  a 

— lOn. 
-Cascade  enchant^e,  maz.  Harm,  Part  3 — n, 
p.  s.  a  —15  n. 

-  Colombe,    valse,    HarmfFanfJ,    Part    6 — n, 

p.  s.  a  — 25  n. 

-  Dames  de  coeur,  polka,   O. 

-  Fior   di    Bordighera,    P   3.25    Ricordi. 

-  Fior   di   Giovinezza,   P   2 —   Ricordi. 

-Garde   du   Bey    (Patrouille),     Harm,     Part 

3 — n,   p.  s.   a  — lOn. 
-Gavotte      provencale,      Hurm(Fanf),      Part 

3 —  n,  p.  s.  a  ■ — 15  n. 

-  Gracieux,     boK'ro,     Harm     4 — ,     Fanf     3— 

Schoenaers. 

-  Hammam   bou    hadjar,    airs   arabes.    Harm 

(Fanf),  Part  4.50  n,  p.  s.  a  — 15  n. 

-  Joyeux,   allegro,    Ilarm(Fanf),   Part   3 —  n, 

p.  s.  a  — 10  n. 

-  Joyeux    B6b6s,     polka,    Hurm(Fanf),    Part 

3 —  n,  p.  s.  a  — 10  n. 
-Jules  C^sar,  pas  red.  Harm,  Part  3 — n,  p. 

s.  a  — 10  n. 
-Marche  du   ler  zouaves,  mO,  av.  tambours, 

clairons    et   chant    (ad   lib.)    3 — n,    Ch.    s. 

1 —   Bornemnnn. 

-  Marche  nuptiale,  Harm(Fanf),  Part  3 —  n, 

p.  s.  a  —10  n. 

-  Marche   triomphale    des   Francks,    entr'acte 

du    2me    acte    de    la   Legeude    de    I'Ondine, 
drame   lyrique    en     3    actes    (G.    Rosen- 
b  e  c  k  e  r).   Harm. 
-Maria,  mazurka,  sO  1 — n  Gaudet. 

-  Marie- Amf'lie,  maz.  Harm,  Part  3 — n,  p.  s. 

a  — lOn. 

-  Metodo  de  Bandurria  por  cifra  compaseada 

3 —  n  Ayne. 

-  Metodo  de   Guitarru   por   cifra   compaseada 

3 —  n  Ayne. 

-  Nuevo  metodo  facil   y   progresivo   para  to- 

car  con  la  perfeccion  posible  la  Bandurria, 
laud,  lira  u  octavilla  5 —  n  Ayne. 

-  Oran,  valse,   Harm(Fanf),   Part  6 — n,   p.  s. 

a  — 25  n. 

-  Perlette,  polka,  Harm  3 — ,  Fanf  2 —  Schoe- 

naers. 

-  Pictavienne,   marche,   Har'm(Fanf)    3 — ^  n. 

-  Pierrettes,  polka  orig.  av.  Mirlitons,  Harm 

(Fanf),  Part  3 — n,  p.  s.  a  — 15  n. 
-Polka  des  roses.  Harm  (Fanf)   3 — n. 

-  E egrets,      marche      funebre,      Harm(Fanf), 

Part  3 — n,  p.  s.  a  — 10  n. 

-  Salut   aux    zouaves,    pas    red.    Harm,    Part 

3 —  n,   p.  s.   a   — 10  n. 

-  Sous  les  Palmiers,  maz.  Harm(Fanf),  Part 

3 —  n,  p.  s.  a  — 15  n. 

-  Sous   I'Inlluenza,    maz.    Harm ( Fanf ),    Part 

3 —  n,  p.  s.  a  — 15  n. 

-  Sp^rata,  maz.   Harm(Fanf),  Part  3 — n,   p. 


s.  a  — 15  n. 
Sport,  galop  5- 


Noel. 


Marin  E.  Sport 


184 


Marini  P.  Alia  memoria 


-Sport,  Grelots  et  accessoires,  galop,  Harm, 
Part  3— n. 

-  Tapageur,  av.   TamlGlFifrc  et  Harm,  Part 

3 —  n,   p.  s.   a  — 10  n. 

-  Une   rosifire   de   garnison,    polka,     0    1 —  u 

Gaudet. 
Marin  G.  Valse  aunale  2 —  Dupont. 
Marin    Georges,   Valse   amicale.      Dupont. 
Marin    Max.    Cranz:    Op.    80   Defil6   joyeux. 

P  1.20,  Ifms  1.50,  0  3— n,  kl.  0  1.80  n,  sO 

1.50  n. 
-82    Gaillardise,    polka-marche,    Jfrns    1.80. 
-84   Paquerettes,    valse   2 —   Cranz,    VP    1 — 

Bchirmer. 
Marin  M.  C.  Margarita,  danza  — 50  Wagner 

y  Levien. 
Marin  de  la  France  — 30  n  Joubert. 
Marina    H.      Good    night    (Longfellow) 

ly —  n  Augener. 

-  Serenade  1/ —  n  Augener. 

Marina    L.    Schott    Fr^res:    Chanson    de    la 
brise   1 — . 

3  voix   1.35. 
n'4tais    rien, 
2—. 

t—  Katto. 
a  3   voix  av. 


romance 


-85. 


Org    1.35. 


-  Ecce  Panis,  a 

-  Mon   Dieu,   je 

-  Pape,  melodie 

-  Petit  Pauvre 

-  Salve   Regina, 

-  Sub    tuum,    solo    et   choeur    1 —  n.    Rosaire 

—50  n. 
-Tautmn  ergo,  a  3  voix   1 — . 
Marinaco  C.  Bonnie  Banks  o'  Loch  Lomond. 

waltz   1/— n,   V  — /6   Phillips. 
Marinari.   Serenad  ■ — 75   Gehrman. 

-  Sorriso   ideale.   mazurka    de   salon,   P  — 75 

Gehrmati. 
Marinari   P.  op.  18  Poesia  e  amore,  melodia 

3 —  Carisch. 
-Donna   vorrei   morir,    melodia   2 —   Carisch. 

-  For   au    album    (Per   album ) ,   melodia    2 — 

Carisch. 
-l\Iiizurka,  opera  postuma,  Itms  2 —  Ricordi. 

Marinaro,  Amor  senza  speranza,  Mand  — 20, 

MandG  — 50  Rehagli. 
Marinelli  A.  Sul  liume  1.50  Bertarelli. 
Marinelli    Rassaur,    (B.ssa  Antonia)    Isonzo, 

polca  2 —  Schmidl. 

-  Beb#,  polca  1.70  Schmidl. 

Mariner's  orphan  girl,  MS  — 40  Brainard. 
Maringue    M.      Cantilfene    d'automne     1.75  n 

Poiildlinn. 
Marinescu,    Dragostea    alunelelor    — 25    Ma- 

gusinul  Conservatori\tlui. 
Marin  ho  A.  A.  O.  Etc.  e  tal  e  coisas,  polka 

1 —  Guimaraes. 
Marinlio    Osk.    Enthusiasmo    do    .Toaosinho, 

polka   1 —  GnimarVies. 

-  Indecisa,   valsa    1.50   Guimara.es. 
Marini,  Liabolica,  Bavda  5 —  Mariani. 

-  Et^tella,    polka    1.25    J.    P ugliess-'N euilly . 

-  Speranze    d'ltalia,   valzer,    Banda    5 —   Ma- 

riani. 

-  Tentazioni,  valzer,  O  5 —  Mariani. 

-  Vaniglia,   polka,    Bundu    3 —   Mariani. 
Marini  Ant.  Tantum  Ergo  a  tre  voci  1.20  n 

Martinenghi. 
Marini    Biagio,   Allegrazza   del   nuovo   mag- 
gio,   canzouetta  :    Or   che   I'alba   — 50  n  'Ri- 
cordi. 


IX. 

Ri- 

12— 


-  Canzonetta :    Semplicette    verginelle   — 25  n 

Ricordi. 

-  Chiome     inanellate     della     sua     pargoletta, 

canzone:      Ricciutella     pargoletta     — 50  n 
Ricordi. 
Marini   F.  Elevazione,  Org  — 80  Eerenbeemt. 

-  Felice?  3 —  Ricordi. 

-  Mattino      campestre,      pezzo     caratteristico 

(Premiato    al    Concorso    1892),     O     12— n 
Ricordi. 

-  Plaisir  d'amour,  valse  2— n   Romano. 

-  Poveretta  in  te  raccolta,  romanza  2.50  Ri- 

cordi. 

-  Tombe   del   vivi,   romanza   3.50   Ricordi. 

-  Torna,    romanza   2 —   Romano. 

Marini  Fermo,  12  Pagine  d'Album:  I.  Con- 
templazione.  II.  Ora  Serena.  III.  Ca- 
priccio  Microscopico.  IV.  Canto  Popo- 
lare.  V.  Pattuglia.  VI.  Preghiera.  VII. 
Ricordo  calabrese.  VIII.  Agitato. 
Preludiando.  X.  Mesta  frase.  XI. 
cordo  di  un  Battesimo.  XII.  Studio 
Izzo. 

Marini    I.  Elisa,  P  2.50  Ricordi. 

-  Eva,   improv. -polka    1 —  n   Mariani. 

-  Ho   fome,   romanza  4 —  Ricordi. 

-  Lagrime,  sonetto  1.50  n  Mariani. 

-  S'avessi  I'ali   3 —  Ricordi. 

-  Strolling    round   the   Tigre,    celfebre   pas   de 

ijuatre  1 — n  Mariani. 

Marini  L.  Ricordi:  Op.  20  Fantasia  e  Va- 
riazioni,  con  P,  sopra  un  tema  della  Muta 
di  Portici,  FIP  6—. 

-26   Concerto,   FICIP   7—. 

-34  3  Duetti,  2FI   12— :   a  5.50. 

-  35    Variazioni    brillanti,    con    P,    sopra   un 

tema   del   Marino   Faliero,   FIP  6 — . 

-  36  Gran  Duetto  concertato,  2FI  7 — . 

-  38   Reminiscenze    della   Beatrice   di    Tenda, 

trascritte  e   variate,   FIP  6—. 

-  39    Reminiscenze    della    Saffo    di    Pacini, 

fantasia,  FIP  7—. 

-  40  Fantasia,  con  P.  su  vari  motivi  dell'Er- 

nani,   FIP  6—. 

-  41    Fantasia,    con    /'.    sopra    alcuni    motivi 

dell'Alzira,   FIP   6—. 

-  42  Divertimento,  con  P,  su  motivi  del  Ro- 

berto il  Diavolo,  FIP  6—. 

■  45   Reminiscenze   dell'Atto   III   della   Lucia 

di  Lammermoor,   FIP  7—,   P  5.50. 

-  46    Pensieri    del    Poliuto,     trascriti.     2FIP 

7—. 
-Trovatore,   motivi   variati,   FIP  5.50. 

Marini    P.   op.   21  a   Die  alten   Helden,   Fest- 
gesaug,    TTBB    1.60    Gilnther 
Mariani : 

■  A  gran  velocita,  galop   2 — . 

-Album,    P    10 — :    N.    1.    Giuseppina,    valzer 

3 — .     N.  2.  Giusepipna,  polka  1.50.     N.  3. 

Elisa,   polka.      4.   La    Pupii,   mazurka.      6. 

La   Savoiarda,   schottisch,   a  2 — . 
-Album,   P    10—:    N.   1.  Luigia,  valzer  2.50. 

N.    2.    Tersilla,   polka    2—.      N.    3.    Laura, 

polka  1.50.  N.  4.  Costanza,  mazurka  1.50. 

N.  5.  Ida,  mazurka  2 — .  N.  6.  Clementina, 

schottisch   2 — . 
Alia    memoria    di    Cavour,    quadr.    P   4 — . 


Marini  P.  Allegria. 


185     — 


Marini  P.  Strenna 


Allegria,   quadr.   2 — . 
Assalto,  galop   1.50. 

Caiezzante,    k^^s    6 —   Mariani. 

Catlinin,  Minot  c  Michel,  pol.  e  val.  4 — : 
Catlinin,  polka  2 — .  Minot  e  Michel,  val- 
zer  3.50. 

Contradanze  e  Polka  2 — . 

Contradanze  sopra  raotivi  de  I'op.  G  u- 
g  1  i  e  1  m  o  Tell  3—. 

Erwachen  der  Geister,  8ATB  1.60  Ounther. 

Fantaisie    sur    iin    motif    de    Top^ra:     La 
Straniera,   P  3 — . 
Flora,  quadr.   2 — . 

II  Capo  d'anno,  piccolo  album,  P  6 — :  N.  1. 

Virginia,  mazurka  2 — .  N.  2.  Adele,  maz. 

2—.   N.    3.    Clementina,   polka    1.50.    N.   4. 

Irene,  polka  1.75.   N.  5.  Luigia,  schottis;h 

1.75. 
Luigia,  galop  2 — . 

Marcia  militare  2.50. 
Mazurke: 

1.  Delfina  2—. 

2.  Madera  2 — . 

3.  Camelia  1.50. 

4.  Dinah  2—. 

5.  Eosina  1.50. 

6.  Virginia   2 — . 

7.  Adele  2—. 

8.  Costanza  1.50. 

9.  Ilia  2—. 

10.  Teresa    1.50. 

11.  Bianca  2 — . 

12.  Federica   1 — . 

13.  Barbara  1 — . 

]  4.  La  Pupil  2—. 

15.  Emilia   2 — . 

16.  Delfina  2—. 

17.  Maria   2 — . 

18.  L'.\lberto   di    Natale    1—. 

19.  Elisabetta   1—. 

20.  Verbena  2—. 

21.  Luigia   2—. 

22.  Elisa  2—. 

23.  Madera  2—. 

24.  Teresina    1.50. 

25.  Felieina  2—. 

26.  La   Silfide  1.50. 

27.  Una  stella  2—. 

28.  La  Prediletta  2—. 

29.  Ida  2—. 

30.  Maria  2—. 
31.L'Entrainant    2—. 

32.  Maria  2—. 

33.  Savina  1.50. 

34.  Adele    1.50. 

35.  Mariannina  2 — . 

36.  Alice   2—. 

37.  Annetta   1.50. 

38.  Enrichetta   1.50. 

39.  Camelia   1.50. 

Pery  Ballo,  valzer  5 — . 

Piccolo  Album  di  danze  1859,  P  4—:  N.  1. 
Clotilde,  polka.  2.  Olimpia,  polka.  3.  Fe- 
derica, mazurka.  4.  Barbara,  mazurka. 
5.  Adele,  schottisch.  6.  Giorgio,  valzer,  a 
1—. 


Polke : 

1.  Adele  2—. 

2.  Teresa  1.50. 

3.  Celestina  1.50. 

4.  Diabolica   1.50. 

5.  Gri,   Gri,   Gri    1.50. 

6.  Vaniglia   1.50. 

7.  Ananasse   1.50. 

8.  Enrichetta  1 — . 

9.  Angelina  1.50. 

10.  Maria   1.50. 

11.  Cremontina    1.50. 

12.  Irene   1.75. 

13.  Fanta.sticii  2—. 

14.  Strega   2—. 

15.  Clotilde   1—. 

16.  Olimpia  1—. 

17.  Gixiseppina  1.50. 

18.  Elisa   2—. 

19.  Tersilla  2—. 

20.  Laura  1 — . 

21.  Emilia  2.50. 

22.  Adele  2—. 

23.  Ida    1.50. 

24.  Vermouth  e  China  2 — . 

25.  Carlotta  1.50. 

26.  Annina   2—. 

27.  Paolina  2—. 

28.  Gianduja   1.50. 

29.  Angelina  1.50. 

30.  Giovannina    1.50. 

31.  La    Maga    Sabina    2 — . 

32.  L'aurora    1.50. 

33.  Gianduja,  polka  ridotta  facile  dal  mae- 
stro Berra   1—. 

34.  Folletto  2—. 

35.  Barbara  2—. 

36.  Leocadia   1.50. 

37.  Porte  si  da  beive  1.50. 

38.  Delfina   2—. 

39.  Teresa  2—. 

40.  Carolina  2—. 

41.  Catlinin  2—. 

42.  Carillon  2—. 

43.  Manfredi    1.50. 

44.  Edera  2—. 
Poveiella  2.50. 
Schottisch : 

1.  Clotilde  2—. 

2.  Luigia    1.75. 

3.  Schottisch  militaire    1.50. 

4.  Adele    1—. 

5.  La   Savoiarda   2 — . 

6.  Clementina  2 — . 

7.  Elisabetta  2—. 

8.  Emilia  2—. 

9.  Cristina   1.50. 
10.  Orsolina   2—. 

Strenna    pel    1862,    P    10—: 
galop,    2.    Emilia,    polka,    3. 
4.    Delfina,    mazurka,    5.    Maria,   mazurka, 
6.  Elisabetta,  schottisch,  k  2 — . 

Strenna  pel  1863.  P  10—:  N.  1.  Ida,  polka 
1.50.  N.  2.  Verbena,  mazurka,  3.  Ver- 
mouth e  China,  polka,  4.  Luigia,  mazurka, 
a  2—.  N.  5.  Carlotta,  polka  1.50.  N.  6. 
Elisa,  mazurka  2—.  N.  7.  Elisa,  schot- 
tisch   2—. 


N.  1.    Luigia, 
Adele,    polka. 


Marini  P.  Strenna 


186 


Marinier  P.  Comment  Us  voyagent 


-Strenna,  album  di  danze,  P  10 — :  N.  1. 
L'assalto,  galop,  2.  Gianduja,  polka,  3. 
Angelina,  polka,  4.  Giovannina,  polka,  9. 
1.50.  N.  5.  Madera,  mazurka  2 — .  N.  6. 
Teresina,  mazurka  1.50.  N.  7.  Felicina, 
mazurka  2 — .  N.  8.  Massimiliano,  valzer 
3—. 

-Strenna,  album  di  danze,  P  8 — :  N.  1.  Un 
invito,  marcia  2 — .  N.  2.  La  Maga  Sabina, 
polka  2—.  N.  3.  L'Aurora,  polka  1.50.  N. 
4.  La  Silfide,  mazurka  1.50.  N.  5.  Una 
Stella,  mazurka  2 — .  N.  6.  Flora,  qua- 
driglia  2—. 

-Strenna,  album  di  danze,  P  12 — :  N.  ]. 
Angelo,  valzer,  2.  Folletto,  polka,  3.  Bar- 
bara, polka,  a  2 — .  N.  4.  Leocadia,  polka 
1.50.  N.  5.  La  Prediletta,  mazurka,  6.  Ida, 
mazurka,  7.  Maria,  mazurka,  8.  Orsolina, 
schottisch,   a   2 — . 

-Strenna,  album  di  danze,  P  8 — :  N.  1. 
A  gran  velocita,  galop,  2.  Annina,  polka, 
3.  Paolina,  polka,  4.  L'Entrainant,  ma- 
zurka, 5.  Maria,  mazurka,  k  2 — . 

-Strenna,  album  di  danze,  P  10 — :  N.  1. 
Clotilde,  valzer  3 — .  N.  2.  Carolina,  polka, 
3.  Amieizia,  polka,  4.  Giulia,  polka,  5. 
Prosperina,  mazurka,  6.  Annetta,  ma- 
zurka,  7.   Maddalena,   mazurka,   a   2 — . 

-Strenna,  album  di  danze,  P  8 — :  N.  1. 
Teresa,  valzer  3 — .  N.  2.  Allegria,  qua- 
driglia  2 — .  N.  3.  Savina,  mazurka,  4. 
Porte  si  da  beive,  polka,  5.  Adele,  ma- 
zurka, a   1.50.  N.  6.   Dellina,  polka  2—. 

-Strenna,  album  di  danze,  P  8 — :  N.  1. 
Vezzi  e  lusinghe,  valzer  3 — .  N.  2.  Teresa, 
pclka,  3.  Carolina,  polka,  4.  Mariannina, 
mazurka,    5.    Alice,    mazurka,    a    2 — . 

-Strenna,  album  di  danze,  P  10 — :  N.  ]. 
Gelsomino,  valzer  2.50.  N.  2.  Fantastica, 
polka  2—.  N.  3.  Strega,  polka  2—.  N.  4. 
Scottisch  militare  1.50.  N.  5.  Teresa,  ma- 
zurka  1.50.  N.   6.  Bianca,  mazurka  2 — . 

-  Strenna  musicale,  album  di  12  ballabili,  P 

12—:  N.  1.  Giulia,  mazurka  1.50.  N.  2. 
Adele,  mazurka  1.50.  N.  3.  Zanetta,  ma- 
zurka 1.50.  N.  4.  Cica,  cica,  cica,  mazurka 
1—.  N.  5.  Dalia,  mazurka  1.50.  N.  6.  Adele, 
A'alzer  3—.  N.  7.  Teresa,  polka  1.50.  N.  8. 
Celestina,  polka  1.50.  N.  9.  Diabolioa, 
polka  2.50.  N.  10.  Gri,  gri,  gri,  polka  1.50. 
N.  11.  Vaniglia,  polka  1.50.  N.  12.  Cri- 
stina,  schottisch   1.50. 

-  Strenna    musicale,    album    di    8    danze,     P 

10—:  N.  1.  Un  fiore,  valzer  3 — .  N.  2. 
Enrichetta,  polka  2 — .  N.  3.  Angelina, 
polka  1.50.  N.  4.  Maria,  polka  1.50.  N.  5. 
C'amelia,  mazurka  1.50.  N.  6.  Dinach,  ma- 
zurka 2 — .  N.  7.  Rosina,  mazurka  1.50. 
N.  8.  Clotilde,  schottisch  2—. 

-  Tectazioni,   ^ms  6 — . 

-  Un  invito,  P  2 — . 

-  Valzer : 

l.Elisabetta  3—. 

2.  Un  fiore  3—. 

3.  Valzer   2—. 

4.  Adele  3—. 

5.  Giorgio   1 — . 


6.  Gelsomino   2.50. 

7.  Giuseppina   2.50. 

8.  Luigia   2.50. 

9.  Massimino  3^ — . 

10.  Angelo    2 — . 

11.  Tentazioni   5 — . 

12.  Speranze  d'ltalia  5—,   VP,  FIP  a  4—, 
FIVP  5—,   V,  Fl  a   1—. 

13.  Carezzante    4 — . 

14.  Teresa    3—. 

15.  Vezzi  e  lusinghe  3 — . 

16.  Minot   e  Michel   3.50. 
17.11  Traforo  delle  Alpi  4—. 

18.  Giuseppina   2.50. 

19.  In   Galleria   4—. 
-Valzer   3—. 

-4   Valzer   2.50. 

-  Valzer    2.50. 

-  Valzer   facile   2 — . 

-  Valzer  Styrienne  3 — . 

Marinier   P.   Roiiart:  A  cheval  I      Ondet. 

-  A  la  cabane  Bambou.  Proverbe.     Ondet. 

-  A    present    qu'    t'es    vieux    1.35  n,    Ch.    a. 

— 30n. 

-  Abandon   1.70  n  Meuriot. 

-  Abandon,   valse  lente   chant^e   2 —  n. 

-  Ah  !  r  progres.  Le  mauvais  c6t6.     Ondet. 

-  Ame   de    Pierrot    1.25  n,    Ch.    s.   — 25  n    Ri- 

cordi. 

-  Amour  ga  vous  joue  plus  d'un  tour  1.25  n, 

Ch.  s.  — 30n. 

-  Amour  qui  s'en  va,     Gramer-Paris. 

-  Au   clair    de   la   lune   1.25  n,    Ch.   s.   — 25  n 

Ricordi. 

-  Au    son    des    Mandolines,    valse   espagnoles 

1 .75  n,    Ch.   s.   —30  n. 

-  Au  son  des  Mandolines,  Mand  — 20  n,  Mand 

P,  2MandP  a  1.70  n. 

-  Au    temps    des    Gavottes,    P    1.35  n,    Mand 

(2e  Mand  ad  lib.)    —20  n. 

-  Aubade   a   Babet   1.75  n   Ilachette. 

-  Aubade    Parisienne    1.35  n,    Ch.    s.    — 30  n, 

Mand    {2e  Mand   ad   lib.)    — 20  n. 

-  Avril   vainqueur    1.75  n   Huchette. 

-  Bon   gueux,   Le   diner   de   Pierrot,   a   1.25  n 

Ricordi. 

-  Bonne  Aventure  5 —  Hachette. 
-Bonne  fille  1 — n  Tlalet. 

-  Bonsoir   Madame   la   Lune!    1.75  n,      Ch.   s. 

— 30n,   Mand    {2e  Mand   ad  lib.)    — 20  n. 

-Bouquet  1.75  n  Ilachette. 

-  Bouquet    de    fSte    1.25  n,    Ch.    .s.    — -25  n    Ri- 

cordi. 

-  Brin   d'amour    1.75  n   Hachette. 

-  Ce  qu'  une  femme  n'oublie  pas  1 —  n,  Ch.  s. 

— 30  n  Socicte  nouvelle. 

-  Chapeau  de  chez  Benoiston,  Ch.  .s.     Benoi- 

ston-'Paris. 

-Chanson    d'un    soir    1.25  n,      Ch.    s.  — 25  n 

Ricordi. 

-Chanson  des  tout  petits  1 — n,  Ch.  s.  — 25  n 

Ricordi. 

-  Chieus   sauveteurs   5 —  Hachette. 

-  Chipolati-Chipolata,      seren.    napol.  1.75  n, 

av.  MandP  1.75  n,  Ch.  s.  —30  n,  ChMandP 
(on  2MandP)   1.70  n. 

-  Comment  ils  voyagent,     Dorey. 


Marinier  P.  Confidences  a  la  Lune 


—     187     — 


Marinkovic  K.  op.  25 


Ch.  s.  — 30n. 
Eacliette. 

Hachette. 


Confidences    k  la    Lune,      Hachette. 
Corr'ect    1 —  n,   Ch.   s.  — 35  n   Puigellier. 
Couplets  de  noce  1.75  n  Hachette. 
D'Elle    a  lui    1— n,    Ch.    s.    — 30  n    Societe 

nouvelle. 

De  vous  a  moi,  intermezzo,  P    1.75  n. 
Diner  de  Pierrot  1.25  u,  Ch.   s.   — 25  n  Ri- 

cordi. 

Dors,  ma  vie   1.25  n,   Ch.   s.  — 25  n   Ricordi. 
Effet  lunaire   1.25  n,   Ch.   s.  — 25  n  Ricordi. 
En  cherchaut  des  nids  1.25  n,  Ch.  s.  — 30  n. 
En  Menage  5—  Hachette. 
Existence   1.75  n  Hachette. 

Fermons  nos  giiichets,  ch.  somnolente  de 
MM.  les  Employes  des  Postes  et  T^legra- 
phes  1.35  n,  Ch.  s.  —30  n. 

•  Fet'  de  la  vertu    1.70  n   Halet. 

■Felons  la  Cinquantaine  1.75  n,  Ch.  ,s. — 30  n, 
Mand    (2e.  Afand   ad    lib.)    — 20  n. 

■  Fiances  1 —  n,  Ch.  s.  — 30  n  Societe  noiwelle. 

■  Fifille  a  sa  m6re   1.75  n  Aitx  Succis. 

■  Frau    Luna,    wiinsch'    guten    Abend      1.80 

Junne. 

■  Frissonnette-Polka    1.25  n,   Ch.   s.   —30  n. 
■Grain  de  B16  1.75  n  Hachette. 

Idylle   1.75  n,   Ch.  s.  —30  n. 

-  II   en   reste  tou jours  quelque   chose   1.25  n, 

Ch.  s.  —30  n. 
■Invitation   1.70  n  Halet. 

■  J'ai   fait  un   r§ve   1.25  n,   Ch.  s.  — 25  n   Ri- 

cordi. 

-  Legon  de  Solfgge   1.25  n, 

-  Lettre  de  province  1.75  n 

-  Lettre  d'une  femme  honnete  5 

-  Ligne  N.  3,     Granier-Paris. 

-  Louvre-Printemps,      Digoude. 

-Lune  a  un  mfetre  1.25  n,  CIi.  s.  — 30  n. 

-  Maison  de  mes  amours,     Briollet-Faris. 

-  Mendiant  Philosophe  5 —  Hachette. 
-Menteuse!!    1.25  n,    Ch.    s.    — 25  n    Ricordi. 

-  Mon  appartement,     Aux  Sticces. 
-Musette    1.25  n,   Ch.   s.   — 25  n   Ricordi. 

-  Nuit  de  Noel  1.25  n,  Ch.  s.  ^25  n  Ricordi. 

-  Par  les  bais  et  par  la  pleine  1.25  n,  Ch.  s. 

— 25  n   Ricordi. 
-Petit  Prison  1.70  n  Meuriot. 

-  Petit   Pierrot,  paraphrase  de  „Au   clair 

la  lune"   1.25  n,  Ch.  s.  — 25  n  Ricordi. 

-  Petites    Amies    de    Pension    1 — n,      Ch. 

— 30n. 

-2    Pi&ces,    pet.  0;    1.    Bonsoir,    Madame 
Lune.  2.  Au  son  des  mandolines  1.50  n. 

-Pierrot  s'en  v  a-t-e  n  Guerre,  episode 
musicale  7 — n:  N.  1.  Les  Adieux  de  Pier- 
rot, valse  lente :  C'est  ce  soir  que  Pierrot 
doit  partir  pour  la  guerre.  En  la  cham- 
brette  toute  blanche  que  visite  un  rayon 
de  lune,  le  pauvre  conscrit  a  pris  dans 
ses  bras  Colombine  en  larmes. 

N.  2.  Marche  du  Regiment,  defile :  Le 
tambour  bat,  le  clairon  sonne.  Voici  le 
regiment  qui  defile.  En  passant  Pierrot 
regarde  tout  la-haut,  prfes  des  toits,  la 
petite  fenetre  d'ou  Colombine  lui  envoie 
son  baiser  d'adieu. 

N.  3.  Pierrot  sentinelle,  meditation : 
Pierrot,  sentinelle  avancee,  reve  parmi  le 
jour    tombant.      Peu    a    peu    les    derniers 


de 


la 


bruits  du  camp  voisin  s'6teignent.  Voici 
la   nuit.   Le  ciel   s'^toile. 

N.  4.  Nouvelles  de  Paris :  Au  camp. 
Pierrot,  assis  devant  une  tente,  est  ab- 
sorbs par  la  lecture  de  la  lettre  de  Colom- 
bine tandis  que  quelques  soldats  fument 
et  chantent  en  jouant  aux  des  sur  un 
tambour.  Lettre  de  Colombine.  Appel  aux 
armes. 

N.  5.  La  Mort  de  Pierrot,  scfene:  Le 
champ  de  bataille  aprgs  Taction.  Au  loin,, 
au  son  d'ur.e  marche  dont  les  accents 
vont  s'afFaiblissant,  I'arm^e  d6fil6  et  s'6- 
loigne.  Pierrot,  bless6,  s'en  vient  chance- 
lant.  D'une  voix  presque  6teinte  il  evoque, 
au  souvenir  de  Colombine,  les  bonheurs 
d'autrefois  disparus  a  jamais  et  meurt  en 
croyant  entendre  les  cloches  sonner  leur 
hymen^e.     N.  a  2 —  n. 

-  Plaisirs   de   la   plage    1.75  n,    Ch.   s.   — 35  n 

Hachette. 
-Plaisirs  du  Dimanche  1.50  n  Ondet. 
-Pleine  Lune   1.35  n,   Ch.  s.  — 30  n. 
-Plus  tard!  1.75  n  Hachette. 

-  Portefeuille   de  mon   mari. 

-  Portrait  de  ma  Mie  1.75  n  Hachette. 

-  Quand  vient  \'&t6  1.75  n,  Ch.  s.  — 35  Bour- 

lant. 

-  Repos  du  dimanche,     Grawier-Paris. 

-  Resignation    (lettre   de   femme)    1.75  n,   Ch. 

s.  —30  n. 

-  Retraite  Anglaise,  Majid   {2e  Hand  ad  lib.) 

— 20n. 

-  Reve   d'Avenir   5 —   Hachette. 

-  Rive   de   I'amour    1.25  n,    Ch.   s.   —25  n    Ri- 

cordi. 

-  Serenade   a  la  marquise    1.70  n   Halet. 
-Serenade  a  I'Inconnue  1.75  n,  Ch.  s.  — 30  n, 

Maud    {2e  Mand   ad   lib.)    — 20  n. 

-  Serenade   blanche    1 —  n   Halet. 

-  Ses  yeux   1 —  n,   Ch.  s.  — 30  n. 

-  Soirs  de  lune,     Hachette. 

-  Souhaits  de  fete  5 —  Hachette. 

-  Sous  les  ailes  de  mon  moulin  1.75  n,  Ch.  s. 

— 30n. 

-  Sur  la   route   2 —  n,   Ch.  s.  — 30  n. 

-  Tout  en  haut  des   Buttes-Chaumont  1.35  n, 

Ch.  s.  —30  n. 

-  Tout  en   revant,   valse  lente  2 —  n. 

-  Trompettes  de  la  garde   1 —  n  Halet. 

-  Un    beau    meriage,    reflexions    pendant    la 

messe   1.75  n,  Ch.  s.  — 30  n. 

-  Vaine  chanson  1.25  u,  Ch.  s.  — 25  n  Ricordi. 

-  Vieux  Missel   1.25  n,  Ch.  s.  — 25  n  Ricordi. 

-  Voou    d'Isaac,    histoire    resueillie,      Ch.    .s. 

— 35  n  Bourlant. 
Marinkovic    K.    op.    2    Fischer-Polka     — 60 
Bosivorth. 

-  4  Zuckersiifi,  Polka  schnell  — 90  Bosivorth. 

-  10  Lumir-Gavotte,   VP    1—  Simrock. 

•  12    Reverie    u.    Berceuse,     VP   —60     C.    F. 
Schmidt. 

-  14  Berceuse,  VP  —80  C.  F.  Schmidt. 

-  15    Jeny,    Jeny,   Polka   — 80   Bosworth. 

-  21   Gavotte,  P  —60  n  C.  F.  Schmidt. 

-23   Drei   Stucke,    VP:    1.   Romanze,   2.   Ma- 
zurka, 3.  Gavotte,  a  —80  n  C.  F.  Schmidt. 

-  25  Serenade,  VP  —80  n  C.  F.  Schmidt. 


Marinkovic  K.  An  der  Save 


188 


Mario  A.  Bon  General 


fhe   ni'ami    an- 


bioncla   ti- 


-  An   der   Save  und  Donau,  Polka  nach  ser- 

bisohen   ^Melodieii  — 90  Bostcorth. 

-  Schiitzen-Kollo,    P    1 —    Bosworth. 

Marino  G.  Ricordi:  Amami,  pagina  d'albuni 
2 —    Carisch. 

-  Due  cuori  innamorati,  peusiero,  P  3 —  Ma- 

riani. 
-Due   piccole    Violette    1.50  n    Morunii. 

-  'E   ffeste  'e  Napole  — 50  Bideri. 

-  II  txio  sguardo !   3 —  Mariani. 

-  Incostanza !   melodia :   Te  lo  ricordi  quel  di 

beato?  1— n. 

-  Letterina  2—  Carisch. 

-  Mi  vuol  bene?  2.50  Mariani. 

-  Non   farmi   morire !   3.50   Mariani. 
-Non   guardarmi   cosi   2 — n    Carisch. 

-  Pene !    2.50  n   Carisch. 

-  Pieta  2 —  n  Carisch. 

-  Povero    cor !    romanza :     E    si    gran    tempo 

che  mi  sento  stanco  1.25  n. 

-  Quando   tornerai    ancor?   3 —   Mariani. 

-  Sconforto   3 —   Mariani. 

-  Sei    siccera  !    1.50    Sandrov. 

-  Serenata   3.50   Mariani. 

-  Sospiro !  foglio  d'album  :   Un  riccio  t  uo  8ol- 

tanto  vorrei  rapire  — 75  u. 

-  Tormento  2.50  n  Carisch. 

-  Torna  !    melodia :    Se   e  ver 

cora   1.50  u. 

-  Valzer   „Ricordo"  :    Danzando, 

mida   1.75  n. 

-  Vana   speranza  !    3.50  n   Mariani. 

-  Vi  baciai  cosi!   melodia:   Voi  suonavate  al 

piano   ed   io   cantava   — 75  n. 
Marino  V.  Nel  tramonto,  P  3 —  Izzo. 

-  Una    notte    d'Esta,    notturno,    P    3 —    Izzo. 
Marinoni  A.  Pastorale  in  sol  maggiore,  Org 

— 50   Martinenghi. 
Marinoni    Mme.    F.    de,    La    jolie    Catalane 

— 50   Hofmeister. 
-Le    Gaditano,    av.    G    —40  n,    Ch.    s.   — 20  n 

Lahhe. 
Marins  d'eau   douce    1 — n   Jouberl. 
Marins   de    France  — 30  n   Jouberi. 
Marins   au    plateau    d'Avron    1 — u   Jouberl.. 
Marins  de   la   Republique  — 30  n  Joubert. 
Marins   du    Vengeur   1 — u   Joubert. 
Marinus   H.   G.   op.   1   Ave  Maria,   TTBB  m. 

Org   1—  Alsbach,  1.50  Schott. 
-2  Veni   sancte  Spiritus,  TTBB  m.   Org    1— 

Alsbach,  1.50  Schott. 

-  3  Ecce  Panis,   TTBB  m.   Org   1—  Alsbach, 

1.50  Schott. 

-  Nato  Deo  gloria  solemnis   (Kerstlied),  Bar- 

solo   met   TTBB   en    Org,   Part   —50,   elke 
stem  — 12    Waanders. 

-  0    sacrum    couvivium,    U«r-solo,    TTBB    en 

Org,  Part  —60,  St  —40   Waanders. 

-  Tantum  ergo,  ergo,  N.  1  in  des  voor  TTBB 

en    Org,   Part  —30,  St  —30,    N.  2   in   d, 

Part  —30,   St  —30,  N.  3     in    bes.     Part 

—30,   St  —30,   N.   4  in   es.    Part  —30,    St 
— 30    Waanders. 

Marinuzzi    G.    Dicci    1.50    Sandron. 
-Madrigale:   Se  m'amate,  io  v'adoro    (da  un 

Madrigale   di    G.    F  r  e  s  c  o  b  a  1  d  i)     1.75  n 

Ricordi. 


Romanee- 


les     fruits. 

v^cue. 
Aux  Repertoires 


Mario  A.  Ondet:  Ah!  t'en  as  un  oeil !  Ch.  s. 
1—. 

-  Amour   qui   tue  ! 

-  Aoh    dear !    Aux  Repertoires  reunis. 

-  C'est  la  charcuterie ! 

•  C'est  le   moment !    Aux  Repertoires  reunis. 

-  Chanson   de  la   semeuse.     Oounin. 

-  Crois-moi,  petit.     Labbe. 

-Dans   le   jardin    du    Luxembourg.      J /war- 
Paris. 

-  Derni&re  rasade. 

-  Dors,  mou   Julot ! 

-  Giovanina. 

-  Idylle  d'un  soir.      Digoude. 

-  J'ai    besoin    que     tu     m'aimes! 

Boufife. 

-  Je  I'ai  vue.     Labbe. 

-  Je  suis  doucheuse.     Cosiil. 

-  Lamentations  d'une  petite  Miss. 

-  Leli&vre    L#v,    conference     sur 

Almar. 

-  Lettre   a   Monsieur    Clown,   chanson 

-  Marche  des  cors  au  pied. 

reunis. 

-  Mariage   au    eake-walk,    chansonnette.    Auw 

Repertoires  reunis. 

-  Manage    6conome.      Costil. 

-  Module   parfait. 

-  Mutuellement. 

-  Ode   a   ma   cremiere,   chanson-bouffe. 

-  Petit  Bazardier. 

-  Petite  Parigote. 

-  P'tite  rosse. 

-  Pleure  pas,   Lison  ! 

-  Poivret   par    amo;ir. 

-  Prfes  de  son  b6guin. 

-  Puisque  e'en  est  fait  3—  Barthelemy. 

-  Hoi  Boule  de  Zan.     Almar. 

-  Eouleaux.     Labbe. 

-  Saint- Amour.     Almar. 

-  Strophes   a   Kriiger. 

-  Ta   voix   charme  !      Oounin. 

-  Trois  dames  causaient,  rondo. 

-  TurUitutu.      Atix   Repertoires   reunis. 

-  Valse  des  desirs.     Aux   Repertoires  reunis. 

-  Yendredi  treize.     Almar. 

-  "Winner   in   the  end,   motto   — 35    White. 
Mario  A.  et   Christine,   Fleches  de  Cupidon. 

Christine. 

Mario   A.   et    L.    Diodet,     Au    sixifeme.     Di- 
goude. 

Mario  A. 
Ch.  .5.   - 

Mario   et 


romance-bouffe. 
Almar. 


Aux  Repertoires 


et  R.  Georges,  Voisine  et  Voisin, 

—35  n    Labbe. 

Lud,   Mangeons-en   bien !   5 —  Au.v 
Repertoires  reunis. 

-  T'accupe   done  pas  d'ga  ! 

reunis. 

Mario    A.    et    Naudin    W.    Diabolo   de   Mon- 
sieur le  cure.      Gueprotte. 

-  Enfileurs   de   perles.      Gu&protte. 

Mario    A.    et   C.    Pillon,    Tr&s   chatouilleuse. 

Costil. 
Mario  A.   et   V.   Soulaire,  Amour  aux  pom- 

mes.     Costil. 

-  Bals  rigolos.     Delormel. 

-  Beguin  manqu6.     Pascal. 

-  Bon   General.     A^lx  Repertoires  reunis. 


Mario  A.  G'est  du  nanan 


189     — 


Mariotti   Voce  del  maestro 


-  (Test  (ill   iianau.      Costil. 

-  O'est  bon,   Suzon.     Dntreih. 

-  Hommes    font    pleurer    les    fenmies !       Aux 

Succes. 

-  Je    me    d^goute !      Aux   Repertoires   reniUs. 

-  Lorsque    tu    reviendras,    siir    les    motifs    de 

la  valse  „Voluptueuse".     Pascal. 

-  Mais  maintenaut.     A    la  Chanson  moderne. 

-  Ne  me  chasse  pas.     Hachettc. 
-On  peut   rieu  m'cacher !      Dutreih. 
-On  s'a  tromp6  !      Dutreih. 

-  Petit   Mich'ton.      Pascal. 

-  Petites    Milliardaires.      Ondet. 

-  Polka  des  compliments.      Uavhette. 
-Polka  des  vieiix  tableaux,  chausoii.  J.  Bor- 

rfeZai/-Paris. 

-  Prends    garde.    Ninette!      Aux    Repertoires 

reunis. 

-  Profe.sseur       d'amour.         Aux       Repertoires 

reunis. 
-t^uand  elle  d'mande.     Dutreih. 

-  iioule,   mon   coeiir  !      Pascal . 

-  Ra  pomme  !      Dutreih. 

-  Serenade  A   ma    pipelette.     Ondet. 

-  Toiites    les    femiues    se    r'tournenl  !     l'((.seal. 

-  Trues  de  la  femme.     Sulzhach. 

-  I'ue  bonne   affaire.     M.    Bordellay-Viiii». 

-  Y  a  pus  moyen  de  s'  suicider !     Dutreih. 
Mario    A.    et    V.    Tarault,    La    Fine    Allure, 

(!hans.  com.     Ondet. 
Mario  H.  Elle  dort.     Ondet. 

-  La  p'tit  femme  du  commene'ment.      Ondet. 
Mario  M.  La  Diana  2 —  Ricordi. 

Mario   S.   Te   parlaro   d'amor    (Ninetta)    1 — 

Schinidl. 
Mario    T.      Rugi:      Bisca,    mazurka.    Mand 

— 15n. 

-  Ciurma   di   bordo,   valzer,    Mand  — Ion. 

-  Espressioni  galanti,  mazurka,  Mand  — 15  u. 

-  Monte  Carlo,  valzer,  Mand  — 15  u. 

-  Sardegna,    marcia,     Mand    — 20  n,     MandG 

— 75n. 

-  Sempre  in  bollett<i,  polka,  Mand  — 15  n. 

-  Viva    zeechinetta,    mazurka,    Mand    — 20  n. 

Mario-Costa    P.      Les    Soldats    qui    passent, 

marche  2.50  n  Haehette. 
Mario   lo  Giudice   M.   Claire   nuit.     Maillot. 

-  HJmbrasse-moi,      Maillot. 

-  Folle   Nuit,      Maillot. 

Marion    1 — n  Jouberl. 

Marion   Burt,   A  Good  True  Friend    (1   Love 

You,  Jack)    — 50  Gacjel. 
Marion  C.  Chanson  d'un  papa  2.50  MuUiieu. 
Marion  CI.  Primav&ra,  polka   2.50  Eeufjel. 

^      Marion    Dave,      Along    the   dewy    lane    — V.) 
Ditson. 

-  A.sk  if  I  love  thee  — 40  Ditson, 

-  Boys,    I've   Won   a   Prize,   waltz   song   — .')0 

Mills. 

-  Bugeysieu,    pas    red.    Harm    3 — ,    Fanf    1 — 

HchoeruierH. 

-  C^omin'  a'  doon  the  lane  — 40  Ditson. 
-Hark,   the  birds  —30,   in  Bb   —40   Diison. 

-  lie  was  but   a   village  lad   — 40   Ditson. 

-  1   love  Voii  and  You  love  me  — 50  Whiti:. 

-  in   the  old   church   tower    (Ba.ss   clef)    — 40 

JHtito?) . 


— 40   Ditson. 
(Plantation) 


;  Polish    song) 


50   Groene. 


a.    veu  r 


10 

50 
40 

40 


Harm 


-  It's  not  what  you  were.  It's  what  you  are 

'I'o-Day   1/ —  Price. 

■  Just   as  of  old  — 40  Ditson. 

-  Laddies  three  Descr.  sailor  song  — 50  Brai- 

nard. 

-  Mary  Malone,  waltz  song  — 50  Gordon. 

-  Must  we  forget  — 40  Ditson. 

-  My  Rose  from  Tennessee  — 50  Paull. 

-  Nancy  Brown  — 50,  song,  Z  — 30  Mills. 

-  On   New  Year's  Day  —50   White. 

-  One    Christmastide,    scotch    — 25    Brainard. 

-  One  day,  ballad  3/ —  Ashdown,  — 40  Ditson. 

-  Peace,   good  will   — 40   Ditson. 

-  Picture   of   My  Mother  — 50   Groene. 

-  She   Might    flirt,    waltz,    i.J    Instr   —80, 

Instr  — 60  Standard. 

-  Storm-King    (Bass   clef) 

-  Sunshine    of    my    Heart 

White. 

-  Tell    me,    little   maiden 

Brainard. 

-  There's  Always  a.  smile 

-  Tired  — 40  Brainard. 

-  'Twas    many    and    many 

Ditson. 

-  Valentine,    marche    de    concert 

P\inf  2 —  Schoenaers. 

-  Vesper  song  —40  Brainard. 

-  When  the  laddies  are  all  at  sea.  — 40  Dit- 

son. 

-  Your  Promises  Keep  for  Baby's  Sake  — 50 

National   Music   Co. 
Marion    H.   S,  How  Would   You   Like  to  Be 
Bluebeard?  Bloom. 

-  In  the  Spring-time,  Annie  Dear  — 50  Bloom. 

-  Lallapaloosa,   cliaract.   march   and   two-step 

— 50  Bloom. 
Marion    M.      Le     rondel     de     I'adieu.      Imp. 

Chaimbaud. 
Marion   M.   B.   de.     Chicago  Marching  Club 

—10  Nat.   Music   Co. 
Marion    Will,    Liebesabenteuer :    ,,Magdeleia 

superfein     sah     ich     am    Boulevard"     1.50 

Weinberger. 
Marionette's    Frolic,    charact.    daucp,    O,    JO 

pts.  P  —65,  IJf  pt.  — 85   Royal  Music. 
Marionnettes   1.35  n,   Ch.  s.  — 30  n   Ondet. 

Marionnettes  2 — n  Joubert. 

Mariot  A.  Autour  du  pres.soir,  TTBB,  Ch.  v. 
2.50   A   I'Accord   parfait. 

Mariot  S.  Die  verflixte  Landpartie :  ,,Am 
Sunntag  friih  die  Nacht  ist  aus",  humor. 
Marschlied    1 —    Tonger. 

Mariotte  A.  Sonate  en  fa  dieze  mineur,  P : 
I.  Fantaisie.  II.  Nocturne.  III.  Diver- 
tissement 6 —  n  Janin. 

■  Sonatines    d'Automne    (2e    suite)  :    1.    Dou- 

ceur.     2.    Le    Calvaire.      3.    Bruine    d'au- 

tomne  5 — n  Demcts. 
- '■',    Sonatines   d'Automne:    N.    1.   Cr6puscule 

Candide  5—.     N.   2.   I^es  trois  clefs    (avec 

VVc  ad  lib.)    6 — .     N.   3.   Caresses  tristes 

•> —  Hamelle. 
Mariotti,  II  raattino,  per  *S'  i  soli  senza  ace. 

1.50   Mariiini. 

-  Monferrine,    Nell'aia,    P    1.50   Mariani. 

-  Trebbiatura   1.50   Mariani. 

-  Voce   del  maestro,   per   .S'-soli   1.50  Mariani. 


Mariotti  C.  op.  21 


190 


Marius  G.  Ave  verum 


Mariotti  C.  Mariani:  Op.  21   L'Ultima  rosa, 
\alzer   4 — . 

-  Bella  Torinese,  P   1—. 

-  Canto    nazicnale     del    giovane     ginnastico, 

coro  per  voci  niaschili  con  ace.  di  P  3 — 
Carisch. 

-  Canzoniere     Nazionale,     raccolta     di    canti 

popolari  patrii,  morali,  composti  ad  uso 
del  popolo  italiano.  Serie  prima.  Canti  del 
Popolo.  Libro  I.  Cori  per  TB:  N.  1.  Gli 
Operai  Piemontesi,  canto  della  Ricrea- 
zione  2.50.  N.  2.  'L  Tricolor  an  Crimea, 
cansson  Piemonteisa  2 — .  N.  3.  II  Tam- 
biiro  di  Novara,  coro  militare,  con  ace.  di 
PTamiuro  4 — .  N.  4.  II  Fabbro  Ferraio, 
coro  2 — .  N.  5.  I  tre  Colori,  coro  2-^.  N.  6. 
II  Marinaio,  coro  3 — .  N.  7.  La  Piemon- 
teisa, cansson  d'gucra  1.50,  completo  10 — . 

-  Desiderio,  mazurka  1 — . 

-  Eugenia,    polka    1.50. 

-  Giorno  onomastico    (fac),  mazurka  1 — . 

-  Gli   operai  a  Londra,  valzer   2.50. 

-  Gramola   campestre,    polka    1.50. 

-  II    giorno    onomastico,    polka    facile    1 — . 

-  L'Enotera  o  fior  della  notte,  polka  1 — . 

-  Mattino,  polka  1 — . 

-  Messe,   mazurka    1.50. 

-  Orchestra    in   famiglia,    tre   ballabili    (Pol., 

Maz.  e  Schottisch  nello  stile  facile)   2 — . 

-  Paesaggi    musicali,    album    di    ballabili    fa- 

cili,  brillanti  e  diteggiati,  P  5 — :  N.  1. 
La  Messe,  mazurka.  2.  La  Vendemmia, 
schottisch.  3.  La  Gramola  campestre, 
polka.  4.  II  Ballo  nell'Aja,  monferrina. 
5.  La  Trebbiatura,  galop,  a  1.50. 

-  Partito   e   per    la    guerra   I'amor    mio,    can- 

zone  romantica   2 — . 

-  Pastora  innamorata,  polka  1 — . 

-  Primavera,  varsovienne,  P  2 — ,  J^ms  3 — . 

-  Pusilla,   polka   1 — . 

-  Ricordi  di  Pavia  5 — :   N.   1.   Bella,  ma  po- 

vera,  canzone  1.50.  N.  2.  Brutta,  ma  ricca, 
canzone  1.50.  N.  3.  La  donna  piccina, 
arietta  3 — . 

-  Sospiro,  melodia  per  Canto  2 — . 

-  Un   pensiero    innocente,   P    1.50. 

-  Una  notte  serena,  mazurka  1 — . 

-  Una  sera   d'Autunno,   P   1 —  Ricordi. 

-  Veglia   artistica,    mazurka    1.50. 
-Vendemmia   (facile),  P  1.50. 

Mariotti  E.  Votre  pensee,  fantaisie  de  con- 
cert 5 —  Ricordi. 

Mariotti  H.  Adieux  chimferes  1.75  n  Fro- 
iiiont. 

Mariotti  O.  Desiderio,  romanza  2.25  Ricordi. 

-  Messa  da  Requiem  a  2  voci  strumenti  8—  n 

Lapini. 

-  Messa  a  2  voci  con  strumenti  a  fiato  10 — n 

Lapini. 

-  Salve  Regina,   a  quattro  voci   2.50  Ricordi. 

-  Suddetta    con    parti    di    canto    ed    Org    6 — 

Lapini. 

Mariotti   S.  Amedeo,  Banda  — 50  Lapini. 

-  Firenze,    Banda   — 50    Lapini, 

-  La   bella    riva,   Banda  — 50   Lapini. 

-  La  mia   forza,  Banda  —50  Lapini. 

-  La   Tirolese,   Banda  — 50  Lapini. 


■  Ritrosetta,   Banda  — 50   Lapini. 

•  Venezia,    Banda   — 50    Lapini. 

-  Vittoria,  Banda  — 50  Lapini. 

Mariotti   U.  Mazurka,  O  — 15  n  II  Concerto 
Mariquita    1 — n  Jouhert. 
Maris    de    Beaugency    1 — u    Jouhert. 
Maris  de   Pontoise   1 — n  Jouhert. 

Mariscotti   A.  op.   12  Chanson  sur  I'eau,  re- 
verie, P  5 —  Oirod. 

Mariscotti    E.  Ricordi:   Alfin  ti   vedo  I    1.25. 

-  Costante   amista,   album,   P   6 — :   N.   1.   Ti- 

midi  tripudio,  valzer  3 — .  N.  2.  Morr6, 
ma  tua !  Mazurka  1.25.  N.  3.  Alfin  ti  vedo! 
Polka  1.25.  N.  4.  Sono  felice,  schottisch 
1.25.   N.   5.   Un   fremito  soave,  galop   1.25. 

-  Miserere    nel    Trovatore,    liberamento    tra- 

scritto,   P   3 — . 

-  Morr6,  ma  tua!  P  1.25. 

-  Sonnambula,    fantasia,   P   4 —   Carisch. 
-Sono  felice,  P   1.25. 

-  Timido  tripudio,  P  3 — . 

-  Un   fremito   soave,  P   1.25. 

-  A'^ioletta,   mazurka   1.50   Carisch, 

Mariton    M.  Avril  en  fleurs   1.75  n   Gregh. 

•  Bergeron  nette,  maz.   VP  1.75  n  L'Auteur. 

-  Coecilia-Marche,   MandfVJP   1.75  n   Rowies. 

-  Coquelicot,      polka   -    marche,      Mand(V )P. 

Grcgh. 

-  Fleurette,  maz.  MandP  1.75  Pisa. 

-  Gracieuse,  maz.   Mand(V )P   1.75   Rowies. 

-  Jolie   Patineuse,   Mand   1.75  n  Pisa. 
-Marche    des    jamais    contents,    Mand    2 — n 

Pisa. 

-  M6thode    de    Mandoline    thdorique    et    pra- 

tique 3 —  n  Rowies. 

-  Nanette,  valse,  Mand  2.25  n  Pisa. 

-  Petit  pioupiou,  pas  red.  MandP  1.25  n  Ro- 

wies. 

-  Polka  des  canards,  MandP   1.75  n  Pisa. 

Mariucci  M.  I  nostri  veceti,  P  1 — n  Ricordi. 
Marius    Gueit.    Peregally :    Op.    3    Six   mor- 

ceaux  en  ut  mineur  suivis  d'un  Ofi'ertoire 

2.50  n. 

-  19   2e   Divertissement,   H   7.50. 

-  23   Fantaisie   brillante,   H    12—. 

-  25    Recueil    de    trois    OiTertoires,    gr.    Org 

3— n. 

-  32  Trois  OiTertoires   faciles,  gr.   Org   3 —  n. 

-  35  Favorite,   fant.  H  7.50   Grus. 

-  40  Vingt  morceaux  d'Org,  divises  en  deux 

livres,   gr.   Org,  a   4 —  n. 

-  44  Dix  morceaux  en  r^  majeur  et  mineur, 

gr.    Org   2.50  n. 

-  45   Marches,   Elevations,   et  OiTertoires,   gr. 

Org  3— n. 
-49   Son  ate,   PH   IS—. 

-  49  Recueil  de  six  OfFertoires  non  difficiles 

deux   suites,   chacune.   Org   3 —  n. 

-  63  Six  Offertoires  caracteristiques,  en  deux 

suites,   chacune.    Org   3 —  n. 

-  68  Versets  ut  majeur  et  mineur,  Org  3 —  n. 

-Ave    Maria,    8ATB    2— n. 

-Ave  Maria  1.50  n,  P  1.50  n. 

-Ave  Maria,   duo,   v.  6g.   ou   ST  2 — n, 

-Ave   verum,   duo    (v.   6g.)    1.50  n. 

-  Ave  verum,  S(T)   1 —  n.  Bar  2 —  n. 


Marius  G.  Ave  verum 


—     191     — 


MapKCBiiq-B  B.  M.  YanHKi 


-  Ave  verum,  8TB  en  si  min.  1 — n,  en  si  b  2 — n. 
-Ave   verum,   8ATB    1.50  n. 

-  Chants    religieux,    H   3 —  n. 

-  Christus    resurrexit,    STBar    1.50  n. 

-  Divertissement,   H   5 — . 

-  Echo  des  Cathedrales,   recueil  de  soixante- 

quatorze  morceaux  dans  les  principaux 
tons  majeurs  et  mineurs,  divis6s  en  sept 
series,   gr.    Org,   chacune    3 —  n. 

-  3  Elevations  suivies  d'un  OfTertoire  et  Fu- 

gue, Org  4 —  n. 
■Fant.   s.   Richard   Coeur   de  Lion,   E  6— n. 

-  Fantaisie    sur    une    melodie    originale,    sui- 

vie  d'un  chant  religieux,  H  7.50. 

-  Fantaisie   sur   la   prifere   de   Moise   et  final 

sur  une  melodie  originale,  H  7.50. 
-Harriers   Galop,   FullBand   2/8,   Med.   Band 
2/—,  8maU  Band  1/4  Ilawkes. 

-  Indicateur    de    I'Organiste,    recueil    de    soi- 

xante  pieces  d'Org  dans  les  tons  les  plus 
usit6s,  disposes  de  manifere  a  pouvoir  ser- 
vir  pour  les  differents  chants  de  I'Office 
divin,  precedes  de  notions  sur  les  jeux 
de  I'orgue  et  leurs  combinaisons,  Org 
10— n. 

-  Introduction   et   rondo   pastoral,   H    7.50. 

-  0  salutaris   1.50  n. 

-O  salutaris,  duo,  v.  6g.   1 — n. 
-0  salutaris,  3  voix  6g.   1.50  n. 

-  12  Pieces  formant  deux  suites,  la  premifere 

contient  trois   offertoires,   Org  3 —  n. 

-  6  Recreations  faciles  et  chantantes,  H  9 — n. 

-  Eegina  coeli,   STBar  2 —  n. 

-  3  Romances  s.  p.  H  5 — . 

-  Sancta  Maria,  STBar  2—  n. 

-  3  Serenades,   H  9 — . 

-  Sub  tuum  2 —  n. 

-Sub  tuum,  duo,  v.  6g.  1.50  n. 

-  2e   Suite  contient  des  petits  morceaux   qui 

peuvent  servir  pour  versets  d'llymnes  ou 
de  Magnificat,  etc.   Org  3 —  n. 

-  Tantum  ergo   1 —  n. 

-  Tantum   ergo,    duo,   voix   6g.   en    ut   1.50  n, 

en   re  2 —  n. 

-  Tantum  ergo,  STBar  1.50  n. 

„Mapima'".    BojirapcKift    Hapo^Hsifi    Mapin-b 

HciioJiH.   KaneJi.    CjiaBHHCKaro    (2  T.    2  B.) 

— 50  Outheil. 
Marjetson  E.  J.  A  Song  of  Andalusia;  Down 

where    the    Water-Lilies     Grow,     a    2/ —  n 

Clurppell. 
Marjolaine  1 — ,  Ch.  s.  — 35  Gheliiwe. 
Mark.  Etoile  du  Nord,  P  — /4  Sheard. 

-  Himmels-Kiinste    1 —  Banner. 

-  Hypnotiseur   Schiilzky    1—  Banner. 

-  Nach   beriihmten   Mustern    1 —   Banner. 
Mark  A.  6  Lieder:    1.   Fruhling:   „Die  wun- 

dersch(5ne  Friihlingszeit".  2.  Ninetta:  „0 
Ninetta,  kommst  nicht  wieder".  3.  Es 
schauen  die  Blumen  alle.  4.  Mir  traumte, 
traurig  schaute  der  Mond.  5.  Auf  dem 
Ball :  ,,Seit  ich  dich  einst  geseh'n".  6.  Nun 
hab'   ich   alle   Seligkeit   3 —  n   Kramer. 

Mark  G.  5t  magyar  dal  enekhangra  6s,  P 
2.40  Rozsavolgyi. 

Mark  Hy.  R.  In  thy  Dear  Arms  4/—  Wee- 
kes. 

-  Lead,    Kindly   Light   4/ — ,   — /2    Orpheus. 


-  Primrose   a.   Violet  4/ —  Whiitinghatn. 

•  There    is  a    Green   Hill   4/ — ,   — /2    Orpheus. 
Mark-Hessel,    Noel    eucharistique    1 —    Bos- 

sard. 
Markees    Ernst,    op.    5     Fiinf    Gesange:      1. 

Herbst,    2.    Der    Fruhling    wird    wach,    3. 

Requiem,   4.    Am   Kreuzweg,    5.    Nachtlied, 

a  1 —  Ries  d  Erler. 
Markees  C.  Beitrage  z.  tagliehen  techn.  Stu- 

dien,  V  3 —  n  Stuhl. 
Markel  G.  Moderato,  Org  — 20  Musica  sacra. 

Markert  Anton,  Festmarsch,  4ms  — 50 
Fiirstner. 

-  Jacobs- Ma rsch,  P  — 50  Fiirstner. 

-  Schneeflocken,  10  Tanze  1.50  Klemm. 

MnpKeitiiU'b  A.  IIpocTH,  ne  noMHH  /^He^I 
ua^enbi!  — 30   Outheil. 

-  CoopHHKi)   MajiopocciHCKHX'B    ntceHb    1.50  n 

Bessel. 
AliipKeBiiq'b  B.   Kxii  ^hth,  ki  166^  npiiBa- 
saHt  — 20  Jurgenson. 

•  KaKt  anre^'B  neSa  SesMaieacHUH  — 20  Jur- 

genson. 
MapKeBii'i'B      K.      /IjyxoBHO  -  MysMKaJibuwa 
couiiHenia  SATB: 

1.  CuaBa,  E^HHO^HbiH  Cmhc  — 70. 

2.  /IJOCTOHHO  ecTb  — (jQ. 

3.  XepyBHMCKaa  n-feciib  — 70. 

4 — 5.  Teoe  uoeivi'b,  Nr.  1  h  2  — 70. 

6.  CBljTe  THxift  — 60. 

7.  HbiHt  oTriymaeuiii  —60,  TTBB  —60. 

8.  XBajiHTe  HMfl  ^oc^o/^He  — 60. 

9.  Co    CBilTblMH   yUOKOH   — 60. 

10.  Tpouapb  PoJK^ecTBy  XpncTOBy  — 60. 

11.  Ox^e  Hiiui'B  — 70. 

12.  CjiaBa  E/^IIHopo/^HblH  Cbine,  Nr.  2.  — 70. 
14.  XepyBHMCKaa,  Nr.  2.  — 70. 

\h.  Te6e  noeivn>,  Nr.  3.  — liO. 

16.  Te6e  uoeji-b,  Nr.  4.  —60. 

17.  Iljiaiy  II  pbI7^aK)  — 70. 
is.  MnJiocTb  Miipa  — 70. 

IS).  XepyBHMCKaa  n'fecHb  Nr.  — 70. 

20.  Otic  naui-b  Nr.  2.  — 70. 

21.  Te6e  noeM'L,  Nr.  5.  — (iO. 

22.  noA'b  Tboh)  MHJiocTb  TTB  —35. 
AlapKeitiiq-B    M.    A.    CupoTa.   Hamo    mchh 

HopHM  GpoBbi  — 45  IdX'ikowski. 

MapKeBiiM'b  n.  19  MajJopocciHCKHx-B  ntcen-b: 
1.  Oh  Tbi  ;^IIB'^bIHa  rop^a  /la  nbiuina.  2.  Oh 
Hspa^a  KapH  o'ih.  3.  3auiyMHJibi  rycTM 
.lo.^bi.  4.  A  Bt  KOBajibixH  co6aKH  jiuxh. 
5.  Oh  ibia  TBI  cepjieHbKO  ibia  tm?  A  BacejKt 
/i;0HyMaKOBaB3fl.  7.  MHcai^b  Ha^i  bo^ok), 
^HBKa  Ha  ioJioHn,H.  8.  To  ue  ii6jiOHKO.  9. 
Oh  yJiT  jKe  to  ^Enp^.  10.  He  xo/^bI  rpbmio 
Ha  BeyepHbmto.  11.  O^na  ropa  BbicoKaa, 
a  flpyran  HwsKa.  12.  Oh  bojiw  won  ;^a 
nojiOBbiH.     13.   Oh  xto  B-b  .ihch  osoBbica. 

14.  H  Bb  Biopa  ropox'b  n  cnrojiHa  ropox'b. 

15.  /^HBinaa  HopnaBa  a^opoBa  6y;ia.     16. 
Oh  nii/i-b  BHraeHbKOio   nnji,T>  HepeuieHbKOio. 

17.  TaHu,K)Bajia  IlHHfltopHxa  cb  llHH^iopoM'b. 

18.  Oh  noHxaBi  mih  MbijieHbKiH  /^o  MJibiHa. 

19.  Oh  bihhh  laacKO  — 75  Idtikowski. 
MapKesim'B  B.  M.  Jlnjila  — 20  Jurgenson. 

-  Ilpomaaie  — 15  Jurgenson. 

-  Cjibiiuy  .iH  ro.iocb  tboh  — 15  Jurgenson. 

-  ySHHK-b.    OxBOpHie     MH*    TCMKHI^y    — 30   JUT- 

genson. 


Markgraf  F.  Das  hoke  Lied 


—     192 


Marks  G.  Sailing 


Markgraf  Fritz,  Das  hohe  Lied  der  Liebe : 
..Wenn  brausend  sich  der  Friihling  nahf ' 
—20   Riihle. 

Markgraff  G.  F.  Bed,  red  Rose,  duet  —30 
Goggan. 

-  Thoughts    on    the    ocean,    fantasia,    P    — 90 

Gopga?!. 
Markham    A.   A.    Dedication,   anthem   — /4  n 
Vince7if. 

-  Prelude   and   Fugue    in    C  minor    (Anglican 

Organist,   Book  5,  N.   72),   Org,     Vincent. 
Markham  Nina,  Bourr^e,  P  4/ —  Weekes. 

-  Faded   Flowers    (Valse   Caprice)    3/ —   Wee- 

kes. 
Markhof  Mltzi  v.  12  Lieder  fiir  1  Singst  ni. 
P:  1.  Lebe  wohl.  2.  Zuvveilen  diinkt  es 
mir.  3.  Traum.  4.  Du  triiber  Nebel  hiillest 
mir.  5.  Frauenminne.  6.  Abschied.  7.  An 
den  Schlaf.  8.  Minnelied.  9.  Schlummer- 
lied.  10.  Lied:  ,,Ich  sah  deine  Augeu  wie- 
der."  11.  Lied:  „So  taukuhl  geht  der  Tag 
zu  Ende."   12.  Nachtigall   3.50  Robitschek. 

Markmann  S.  J.   CTpa/^anie   Bajisc-B   —40,  V 

—30,   VP  —60  Idzikowski. 
Markoe,  Come  home  my  boy  —35  White. 
Markow  Feodor,  Das  fehlt  uns  noch :   „Alle 

moglichen  Maschinen",  Herren-Couplet  m. 

P-Begl.   1—  Apollo. 

-  Mikosch,    der    ungarische    Witzbold,     Solo- 

szene  1.50  Teich. 
MapKOBl   If.    7I|yxOBHO-My3MKaatHMH   e04H- 

Heaia  Ha  4  rojioca  cb  P.  Nr.  1.  BKycHTe  ii 
BHflHTe  —40.    Nr.  2.  /i;a  Bospa^yexca  7i;yina 
TBoa.  — 35  Jurgenson. 
MapKOB'b    II.    op.  15.    KasaieKt    —40   Jur- 
genson. 

-  20  Scene  russe,  PyccKaa  P  — 40  Jurgenson. 

MapKOBi)  B.  rpaH/i,t-rajiou'&  — 80  Jurgenson' 
Markovska   Elise,  op.  87  Valse,  P  2 —  Bos- 
worth. 
Markowska   W.  op.   1   Le  Depit,  polka  — 40 

Idzikowski. 
Marks,  Steh'  nur  auf,  du  lust'ger  Sehweizer- 

bua,  P  — 20  Kunz. 
Marks    A.    C.      A     Louisiana     Barn     dance, 

marche    charact.    0,    10   pts.   —50,    14    pts. 

—70,  FullO  —90,   P  ace.  —15,   3/iL   Band 

— -50  Royal  Music. 

-  Love's    First   Kiss  —50   Mills. 
-My   Old    Dad   Tom   —50    Mills. 

-  San  Domingo,  waltz  —50  Mills. 

-  Sophie  —50  Mills. 

Marks  A.  Sidney,  Magnificat  and    Nunc   Di- 

mittis  — I'o  Abbott. 
Marks    C.    Mawson,      A    Sailor's    Lass    17 — 

Ascherberg. 

-  Coat  of  mail  2/ —  n  Jefferys. 

-  Life's  Sweetest  Song  4; —   Willcocks. 

-  Pastorale  4/ —   Metzler. 

-  Sengs  without  words  for  V    (with   P  ace.)  : 

1.    Song   of   Eventide.    2.    Cradle    Song.    3. 

Song  of  Sleep  — /6  Donajotvski. 
Marks    Eugene    F.   Presser:    Op.    27    Petite 

valse  de  ballet  — 40  n. 
-40  Spring,  fantasie-mazurka  — 60  n. 
-A   lesson   from   the   violets  — 40n. 
-As  Pants  the  Hart        40  n. 


-  Farfalletta,   polka   de  salon  — 40  n. 

-  Gavotte  facile  in  F  — 40  n. 

-  God  is  love,  8A  — 40  n. 

-  In  gallant  array,  march  — 40  n. 

-  Not  every  one  that  saith  unto  me,  sentence, 

SATB   — 06n. 

-  Old  Mill  at  twilight,  reverie,  P  — 65  n. 

-  On   the  lawn  — 50  n. 

-  Tantum  Ergo,  ST  — 10  National  Music  Co. 

Marks  F.  A.  Court  Dance,  Mil.  Band  15/ — n 

Rudall. 
-Dance    of     tlie    Imps,      Mil.    Band     15/ — n 

Rudall. 
Marks   G.   A    Dutchman   of   tlie   Zuyder   Zee 

2/—  n   Wickins. 

-  A  float   (arr.  by  Knight)   — 40  Ditson. 

-  A  Graceful  Dance,  P  — 10  Nat.  Music  Co. 

-  Alarm  2/ —  Ascherberg. 

-  Arab's   Bride    (C,   D)    2/—  Boosey. 

-  Beggar    Student,    2    selections,    P    a    4/ — • 

C  happen. 

-  Blind    sailors    of    Bristol,    in   B  flat   and    C 

4-/- —   Ashdown. 

-  Butterfly  Song  —50  White. 

-  Doris,   gavotte   1/ —  Price. 

-  Down   .\mong  4/ —  Ascherberg. 

-  Duchesse,   waltz   4/ —   Ascherberg. 

-  Fairy  Land,  maz.  3/ —  Ascherberg. 

-  Fairyland,   polka-maz.   4/ —  Ascherberg. 

-  From   Cross   to   crown   4/ — ,   Org   ace.   — /3, 

CornetP  4/ —  Orpheus. 

-  How   quiet   all    the   world   — /2    Kohler. 

-  I  love  to  Roam  4/ —  Ascherberg. 

-  Jack's  Return   4/ —   Whittingham. 

-  King  of  ages  4/ —  Leonard. 

-King   of   the   main,   in   C   and   D   4/ —   Ash- 
dntrn. 

-  Ivnight's   Guerdon,    Bar   4/ —   Cramer. 
-Life's  Pilgrim    (in   B  flat,   D)    4'—  Cramer. 

-  Love  Adrift  2/ —  Ascherberg. 

-  Love  the  Sentinel  4. —  Ascherberg. 

-  Magnificat    and    Nunc    Dimittis    — /3    Cur- 

wen. 
-Merry    Elye->,    pizzicato-polk  i    4 —    Ascher- 
berg. 

-  More    Ways    than    One    2/ —    Potey,     41— 

Leonard. 
-.My  bonny  barque  4/ —  Leonard. 

-  My  own  love  4/ —  Whittingham. 

-  O'er  Hill  and  Dale,  polka  —50  Groenc. 

-  Off  to  the  Rio  Grande  2/—  n   Wickins. 

-  Old   Boat   House    1/4  n   Turner. 

-  Old    Davy    Jones   4/ —   Ashdown. 

-  Old  flag  4/—  Orpheus. 

-  On  the  rolling  wave   (D,  E,  F)  2/ —  Boosey. 

-  Our  ship  sprang  a  leak,   in  C   and   D  4/ — 

Ashdoim. 

-  Over  the  Harbour  4/ —  Leonard,  — 50  Dit- 

son, —10  Nat.  Music  Co. 

-  Rest,  darling,   rest  4/ —  Ashdown. 

-  Rise,  Swiss  Lad,  rev.  by  K  a  1  k  b  r  e  n  n  e  r, 

p  3/__  Chappell. 

-  Romance  pastorale,  P  3/ —  Ascherberg. 

-  Sailing   — 40    Brainard,   — 35    Ditson,   — 30 

Gordon,  —10  Nat.  Music  Co.,  4/—  Whit- 
tingham, w.  O  — 40  Brainard,  — 35  Ditson, 
P  —35  Ellis,  with  Bayijo  —25  White,  1  or 
iBanjos  w.   P  — 40   Brainard. 


Marks  G.  Sailim/  march 


193     — 


4/— 
part 
C 


Variationen 
„Denkst    du 


-  Sailing   march  — 40,   G  — 40  Brainard. 

-  Sailor's   Home    (in   B  flat,   C)    4/ —   Cramer. 

-  Sc&ne  de  ballet,  P  4/ —  Leonard. 

-  Scene  shifter,  in  C  and  D  4/ —  Ashdown. 

■  Sea  or  shore,  in  E  flat  and  F  4/ —  Ashdoioi. 

-  Skipper's  yarn  4/—  Leonard. 

-  Soldiers   Story   4/ —   Ascherherg. 

-  Song  of  the  Coat  of  Mail  —50   White. 

-  Song  of   the   Sword    (in    F,    G,    B  flat)    4 — 

Crainer. 

-  Steering  home  2/ —  n  Reynolds,  4/ —  Whit- 

tinghani. 

-  Steering  home,  Banjo  ace.  — 25  While. 

-  Streamlet   4/ —    Whittinghum. 

-  Tenor's   lament   4/ —  Leonard. 

-  Triumphal   March   4/ —   Ascherherg. 

-  Trumpet's    Voice     (in    B  flat     or    C) 

Cramer. 
-Voice   of   Song    (F,   G)    2/—,    Org(H) 
— /3  Boosey. 

-  We're    homeward    bound,    in    B  flat    and 

4/ —   Ashdo  wn. 

-  When  his  ship  comes  home  4, —  Leonard. 

-  When  Stormy  Winds  do  Blow  4/ —  Ascher 

herg. 

Marks    G.    W,    Cranz:    Op.    9 
iiber     das     polnische    Lied : 
daran",  P  —80. 

-  11   Variationen  iiber  das  beliebte  russische 

Lied :    Poschaluite    siidarina,    P   — 80. 

-  12  Divertissement  iiber  das  Aschenlied  und 

das  Duett:  „Briiderlein  fein",  aus  der 
Operette:  Der  Bauer  als  Millionar 
(Drechsler),  P  —80. 

-  13    Vier   angenehme    und    gefiillige    Rondos 

nach  beliebten  Themen  aus  der  Oper : 
Zampa,  oder  die  Marmorbraut  (H  o  r  o  1  d) , 
P,  Nr.   1—4  a  —80. 

-  14   Drei   angenehme   und   gefiillige   Eondos 

nach  beliebten  Themen  aus  der  Oper :  Der 
Templer  und  die  Jiidin  (Marschner), 
P  Nr.    1—3   a  —80. 

-  15     Quatre    Divertissements 

Th&mes  favoris  de  I'opgra 
Diable,  de  M  e  y  e  r  b  e  e  r, 
TI— IV   a  1.25   Hofmeister. 

-  18  Bayadere,  Felsenmiihle,  Marquise,  Temp- 

ler,   Teufel    in    Sevilla,    Zampa,    P   2 — . 

-  19  Vampyr,  Elisabeth,  Felsenmiihle,  Flibu- 

stier.  Bayadere,  P  2 — . 

-  20   Rondo   nach   beliebten   Themen   aus   der 

Oper :  Der  Schwur,  oder  die  Falschmiinzer 
(Auber),    P    1—. 

-  21   Armida,  Fidelio,  Jessonda,  Kreuzritter, 

Oberon,  P   2—. 

-  23      Aus      Lorbeerbaum      und      Bettelstab : 

„Sitzen    wir    im    heiter'n    Bunde",   P   — 80. 

-24   Lied   des   Zampa:    „Wenn   ein   Madchen 
niir   gefallt",   P   —80. 

-  25   Walzer    von    S  t  r  a  u  fi  :    Das   Leben    ein 

Tanz,   P  —80. 

-  26    Potpourri    und    Zusammenstellung    der 

beliebtesten  Melodien  von  J.  S  t  r  a  u  fi,  P 
N.   1—2  a  —80. 

-  28    Divertissement    d'aprfes    des   thfemes    fa- 

voris de  I'opera:  II  Pirata    (Bellini),  P 
1.30. 

Universal-Handbuch  der  MusikliteratTir.    M. 


d'apres     des 

Robert     le 

P,       I      1— , 


sur    des    mo- 
Ory    (R  o  s  - 

1—3   a  —70. 


Marks  G.  W.  op.  56 

-  29    Divertissement    d'aprfes   des    thfemes    fa- 

voris   de    I'opera :      La    Straniera     (.Bel- 
lini),   P    1.30. 
-30  Potpourri  nach  Melodien  aus  der  Oper: 
Hans  Heiling,  von  M  a  r  h  c  li  n  e  r,  P  2.25. 

-  3t   Trois   Rondinos   d'apres   des   themes   fa- 

voris de  I'opera:  Hans  Heiling,  P.-  N.  1 
(D)  1.25.  N.  2  (G)  1—  N.  3.  Rondeau  alia 
Polacca  (F)  ] —  Hofmeister. 
-32  Trois  Fantaisies,  P:  N.  1.  Pirata 
1.75.  N.  2.  Straniera  1.50.  N.  3.  M  o  n- 
t  e  c  c  h  i   1 .75   Hofmeister. 

-  36   Der   Seeriiuber,   Romeo   und   Julie,    Die 

Uubekannte,   Robert   der  Teufel,  P   2 — . 

-  37  Lestocq,   Fausta,   Anna   Bolena,   Furstin 

von   Granada,   Norma,   P   2 — . 

-  38    Trois    Rondeaux    mignons 

tifs     de    I'opf^ra:     Le    Comte 
sini),  P  1.50. 

-  38  Les  memes  separes,   P,   N. 

-  39   Trois   Rondeaux   agr^ables   sur   des  mo- 

tifs de  I'opera  :  Gustave  ou  le  Bal  masqu6 
(Aube  r),   P  2—. 

-  39  Les  memes  separ6s,   P,   N.   1—3   a  —80. 

-  41   Deux  Rondeaux  amusants   sur  des  mo- 

tifs de  I'opera  :  I  Montecchi  ed  I  Capu- 
leti    (Bellini),  P   1.50. 

-  42  Trois  Rondeaux  mignons  sur  des  motifs 

favoris  de  I'opera:  Lestocq  (Auber)  (G, 
A,   B),   P   1.50. 

-  42  Les  m§mes  s^par^s,  P,  N.   1 — 3  a  — 70. 

-  43   Deux  Rondeaux   agreables   sur   des  mo- 

tifs   de    I'opera:     I  Puritani     (Bellini), 
P  1.30. 
-44  Les   Soirees  musicales    (Rossini),  ar- 
rangges    en    quatre    Rondeaux,    P,    I — TI 
a  1—. 

-  45    Divertissement   d'aprfes    des    thfemes    fa- 

voris de  I'opera:  La  Sonnambula  (Bel- 
lini), P   1.30. 

-  46    Divertissement   d'aprfes    des    themes    fa- 

voris de  I'opera:  Norma  (Bellini),  P 
1.30. 

-  47    Divertissement    d'apr&s    des    thfemes    fa- 

voris de  I'opgra :  I  Puritani  (Bellini), 
P   1.30. 

-  48    Der    Zweikampf,    Die    Nachtwandlerin, 

Die  Jiidin,  P  2—. 

-  49   Die  Puritaner,  Beatrice  di   Tenda,   Das 

eherne  Pferd,   P   2 — . 

-  50  Pieces   de   Soci6t^   pour   les   jeunes  Per- 

sonnes,  sur  des  motifs  de  H  e  r  z,  H  u  m- 
m  e  1,  K  a  1  k  b  r  e  n  n  e  r  arr.  P :  I.  3  Ron- 
dos (Herz),  II.  3  Rondos  (Hummel), 
III.  3  Rondos   (K  a  1  k  b  r  e  n  n  e  r),  a  1.30. 

-  52    Deux    Amusements    d'apres    des   th&mes 

favoris  de  I'opera  :  Les  Huguenots,  P,  N. 
1—2  a  1.50. 

-  53  Acteon,  Bianca  u.  Fernando,  Der  Blitz, 

Die  Hugenotten,  P  2 — . 

-  54    Trois    Rondeaux    mignons     de    I'opera : 

La   Juive    (H  a  1  e  v  y) ,   P   1.80. 

-  55    Deux    Divertissements    sur    des    Motifs 

des  Operas :  Anna  Bolena  et  Fausta  (D  o- 
n  i  zetti),  P,  N.   1—2  a  2.50. 

-  56   Trois   petits   Rondeaux   de   I'opera :    Les 

chaperons  blancs,  P  1.80. 

13 


Marks  G.  W.  op.  57 


—     194 


Marks  G.  W.  Collection  de  Fantaisies 


57  Les  Chaperons  blancs,  Sarah,  Le  Cha- 
let, P  2--. 

59  Trois  Roadolottos  de  I'opera :  Le  Po- 
stilion  de   Longjunieau,    P    1.80. 

62  Die  bezauberte  Rose,  Die  Botschafterin, 
Der  Postilion  von  Lonjumeau,  P  2 — . 

63  Trois  petits  Rondos  de  I'opgra :  L'Am- 
bassadrice,  P   1.80. 

64  Trois  Fantaisies,  P :  l.Sonnambula, 
2.  Norma,  3.  P  u  r  i  t  a  n  1,  a  2 —  Hof- 
meister. 

65  Pi&ces  de  Societe  pour  les  jeunes  Per- 
sonnes,  sur  des  motifs  de  Beethoven, 
M  o  s  c  h  e  1  e  s,  Weber,  P:  I.  3  Rondos 
(Beethoven)  1.30.  II.  3  Rondos  (M  o- 
scheles)  1.80.  III.  3  Rondos  (Weber) 
1.30. 

66  Divertissement  sur  des  thtoies  favoris 
de  I'opgra :  Guido  et  Ginevra  (H  a  1  6  v  y) , 
P  1.30. 

74  Le  fid&le  Berger,  Naclitlager  von  Gra- 
nada, Der  Fecn-See,  P  2—. 

75  Lucia  di  Lamniermoor,  Belisario,  La 
Reine  d'un  Jour,  P  2 — . 

76  Le  Brasscur  de  Preston,  Guido  et  Gi- 
nevra,  Le  Domino   noir,   P  2 — . 

89  Zanetta,  La  Fille  du  Regiment,  Pari- 
sina,  P  2 — . 

90  Die  beiden  Nachte,  Die  Martyrer,  Dsr 
Lieb€strank    P  2 — . 

93    Casanova,    Les    Diamants     de    la    Cou- 

ronne,  Le  Guitarrero,  P  2 — . 
96    Trois    Fantaisies,    P :    1.    L  u  c  r  e  z  i  a, 

2.   Belisario,    3.    Elisire   d'a  more, 

a  2.25  Eofmeister. 
98  Die  Konigin  von  Cypern,  Linda  di  Cha- 

moi:nix.  Die  beiden   Schiitzen,  P  2 — . 

100   Der   Herzog   von   Olonne,   Des   Teufels 
Anteil,  Der  Wildschutz,  P  2—. 
105    Maria    di    Rohan,    Don    Pasquale,    Die 
Sir(  ne,   P  2 — . 

•  110  Marche  favorite,  introduction  et  ron- 
deau, P  1 — . 

•Ill  Quatre  petites  Fantaisies  sur  des  mo- 
tifs des  Operas  de  S.  M  e  r  c  a  d  a  n  t  e,  P : 
1.  II  Giuramento,  2.  II  Bravo,  3.  Elena 
da   Feltre,   4.   La   Vestale,   a  1 — . 

-114  II  Bravo,  Elena  da  Feltre,  II  Giura- 
mento, La   V^estale,  P  2 — . 

-115  Trois  Divertissements  en  Forme  de 
Rondeaux  sur  des  motifs  les  plus  faA'oris 
de    l'op6ra:      Zar    und    Zimmermann,     P: 

1.  Lebe    wohl,    mein    flandrisch    Madchen, 

2.  Sonst  spielt'  ich  mit  Szepter  und  Krone, 

3.  All  diese  bangen  Zweifel,  k  1.30. 

-  120  Reminiscences  en  forme  de  Divertisse- 

ments de  I'opgra :   Adolphe  de  Nassau,  de 
M  a  r  s  c  h  n  e  r,   N.   1 — 2   a  1 —  Bachmann. 
-125  Potpourri  aus:   Sein  Schatten    (F  r.   v. 
F  1  oto  w)    3.80  Bote. 

-  140  Immortelles,  24  morceaux  de  differents 

caractferes,  P:  Liv.  I  7 — ,  II  5 — ,  III  7 — . 
Les  mgmes  s4pares :  N.  1.  Sc&ne  pastorale 
1.30.  N.  2.  Marche  de  noce  1.30.  N.  3.  Sou- 
A-enir  d'Espagne,  bolero  1.30.  N.  4.  Gondo- 
li&re  1.30.  N.  5,  6.  Chanson  des  Savoyar- 
des    et    Idylle    1.50.    N.    7,  8.    Chanson    de 


Chasse  et  El^gie  1.80.  N.  9.  Une  folie  1.50. 
N.  10.  Pensez  a  moi  1.20.  N.  11.  Novellette 
1.30.  N.  12.  Etude  burlesque  1.50.  N.  13. 
Tarantelle  1.30.  N.  14.  Canzonetta  1.30. 
N.  15,  16.  serenade.  Tyrolienne  1.50.  N. 
17,  18.  Resignation.  Valse  Etude  vari6e 
1.80.  N.  19.  Souvenir  de  la  Suisse  1.50. 
N.  20.  Terpsichore  2 — .  N.  21.  Nocturne 
sentimental  1.50.  N.  22.  Impromptu  bril- 
lant  1.50.  N.  23.  PensSe  varige  1—.  N.  24. 
Ballade   2—. 

-  151    Souvenir   de   la   Russie,   transcriptions 

en  forme  de  fantaisies  sur  des  airs  russes 
et  bohemiens,  P :  N.  1.  Hymne  national 
russe  1.30.  N.  2.  Chansonnette  (Tit  off) 
1—.  N.  3.  Romance  (W  a  r  1  a  m  o  f  f )  1.30. 
N.  4.  Le  Rossignol  (A  1  a  b  i  e  f  f )  1—.  N. 
5.  Chant  boh^mien  1 — .  N.  6.  Chant  bohe- 
mien   1 — . 

-  158    Trois    Fantaisies    sur    des    Operas     de 

Meyerbeer,  P :  1.  Robert  le  Diable, 
2.  Les  Huguenots,  3.  Le  Proph&te,  a  2.50. 

-  160    Trois    Fantaisies    sur    des    Operas    de 

Donizetti,  P:  1.  La  Fille  du  Regi- 
ment, 2.  Lucia  di  Lammermoor,  3.  Maria 
di    Rohan,    a  2.50. 

-  160    Grande    Valse-Etude   brillante,    P    2—. 
-161    Le   Desire,    romance,    P    1.30. 

-  162  Complainte,  nocturne,  P   1.50. 

-178  Potpourri  aus:  Die  Prinzessin  von 
Trapezunt  (J.  Offenbach),  J^ms  4 — 
Bote. 

-  196  Potpourri  aiis :  Die  sclione  Helena,  .|m,v 

4.30    Bote. 
-211    Valse-Etude  elegante,   P   1.30. 

-  268  Trois   Romances  m^lodiques,   P  a   1.50. 

-  310    Bouton    de   roses,    valse-impromptu,    P 

2—. 

-  312    La    ronde   des    esprits,    valse-6tude,     P 

1.50. 


-  Beggar 

Boosey 

-  Blumen 


Student,    2    selections,    P     a     2/- 


aus    100   Opern.   Eine   ausgewahlte 
Sammlung  gefalliger  und  beliebter  Opern- 
melodien    im    leichtesten    Auszuge    fiir    P 
(Zur  Unterhaltung  und  Aufmunterung  f. 
junge    Pianofortespieler    zweckmafiig    ein- 
gerichtet).   Heft   2—29   a  1.30. 
Collection  de  Fantaisies  en  Forme  de  Pot- 
pourris   sur    des    thfemes    des    Op6ras    fa- 
voris,   P  : 
I.Wagner:    Tannhauser    1.80. 
A  u  b  e  r  :  Marco  Spada  2 — . 


Wagner:    Lohengrin    1.80. 


Meyerbeer:   Robert  2 — . 
O.Meyerbeer:  L'Etoile  du  Nord  1.80. 

6.  V  e  r  d  i :   Rigoletto  2—. 

7.  V  e  r  d  i :   II  Trovatore  2—. 

8.  W  e  b  e  r  :   Der  Freischiitz  2 — . 

9.  Donizetti:    Poliuto    2—. 

10.  A  u  b  e  r  :   La  Muette  de  Portici  2 — . 
11. Donizetti:      Linda     di    Chamounix 
1.80. 

12.  B  ell  i  n  i:    Norma   1.80. 

13.  D  o  n  i  z  e  1 1  i :    La    Fille    du    Regiment 
1.80. 

14.  M  e  y  e  r  b  e  e  r  :    Les  Huguenots  2 — . 


Marks  G.  W.  CoUeetiwi  de  Fantaisies 


195     — 


Marks  G.  W.  Collection  de  Fantaisies 


15.  B  e  1 1  i  n  i :  Eomeo  et  Julie  2 — . 

16.  Verdi:    Ernani  2 — . 

]  7.  N  i  c  o  I  a  i :  Die  lustigen  Weiber  2 — . 

1 8.  V  e  r  d  i :  La  Traviata  2—. 

]  9.  V  e  r  d  i :   Luisa   Miller  2 — . 

20.  F  1  o  t  o  w  :    Martha   2—. 

21.M  o  z  a  r  t :   Die  Zauberflote  2 — . 

22.  Mozart:   Figaro  2 — . 

23.  Meyerbeer:   Dinorali  on  le  Pardon 
de  Ploermel  2 — . 

24.  M  o  z  a  r  t :   Don  Juan  2 — . 

25.  D  o  n  i  z  e  1 1  i :    Lucia    di    Lammermoor 
2—. 

2G.  D  o  n  i  z  e  1 1  i:   Lucrezia   Borgia  2 — , 

27.  Verdi:    Les    Vgpres    siciliennes    1.80. 

28.  Rossini:   Tell   2—. 

29.  V  e  r  d  i :  Un  Ballo  in  Maschera  2 — . 

30.  Bellini:    La   Sonnambula    1.80. 
31.Bellini:    T   Puritani    1.80. 

32.  R  o  s  s  i  n  i :  Le  Barbier  de  Seville  1.80. 

33.  Verdi:    Nabucodonosor    1.80. 

34.  Don  i  ze  tt  i:    La    Favorite    1.80. 

35.  Wagner:   Rienzi  1.80. 

36.  B  o  i  e  1  d  i  e  u  :    La  Dame   blanche   1.80. 

37.  G  1  i  n  k  a  :   La  Vie  pour  le  Czaar   1.50. 

38.  Werstoffsky:    Gromoboi    2—. 

39.  Gounod:    Faust  2—. 

40.  Of  f  enba  ch:    Fortunio    1.80. 
41.Handel:    Der   Messias   2 — . 

42.  Weber:   Preciosa   1.80. 

43.  Offenbach:  Orph^e  aux  Enf  ers  2 — . 

44.  Verdi:   La  Forza  del   Destine  2- — . 

45.  Benedict:    Die   Rose   von   Erin   2 — . 

46.  R  o  s  s  i  n  i :  Le  Comte  Ory  2 — . 

47.  M  e  y  e  r  b  e  e  r  :   L'Africaine  2 — . 

48.  F  1  o  t  o  w  :    Stradella   2—. 

49.  D  o  n  i  z  e  1 1  i:    L'Elisire    d'amore 

50.  Kreutzer:   Das  Nachtlager   zu 
nada  2 — . 

51.  Of  f  enbach:   La  belle  Hel&ne  2—. 

52.  A  d  a  m  :    Le    Postilion    de    Lonjumeau 
1.80. 

53.  Offenbach:   Barbe  bleue  2 — . 

54.  A  u  b  e  r  :    Fra   Diavolo    1.80. 

55.  Meyerbeer:    Le   Prophete   2 — . 

56.  B  a  1  f  e  :   La   Boh^mienne  2-^. 

57.  S  u  p  p  e  :  Die  schone  Galathea  2 — . 

58.  Verdi:   Don  Carlos  2—. 

59.  Gounod:    Romeo  et  Julie  2 — . 

60.  0  f  f  e  n  b  a  c  h  :   La  Vie  parisienne  2 — . 
61.Moniuszko:  Halka  2 — . 

62.  Beethoven:   Fidelio  2 — . 

63.  W  e  b  e  r  :    Euryanthe   2—. 

64.  W  e  b  e  r  :  Oberon  2—. 

65.  Fantaisie  sur   des  airs   russes  et  boh6- 
miens   (Souvenir)    2.50. 

66.  M  o  z  a  r  t :  L'Enlfevement  du  Serail  2 — . 
67.Boieldieu:    Jean   de  Paris  2 — . 

68.  M  o  z  a  r  t :   Titus  2—. 

69.  H  e  r  o  1  d  :    Zampa   2—. 

70.  Boieldieu:  Le  calif  de  Bagdad  1.50. 
71.Lecocq:   Mamsell  Angot  3 — ■. 

72.  Werstoffskv:    La   tombe    d'Ascold 
2—. 

73.  S  p  o  h  r  :    Z^mire   et   Azor   2 — . 

74.  B  e  1 1  i  n  i :   Beatrice  di  Tenda  2 — . 

75.  M  6  h  u  1 :   Joseph  2—. 

76.  M  o  z  a  r  t :    Cois   fant  tutte  2 — . 


2—. 

Gra- 


i  I . 
78. 
79. 
80. 
81. 
82. 
83. 
84. 
85. 
86. 

87, 
88. 
89. 
90. 
01. 
92. 
93, 
94, 
95, 
96, 
97, 
98 

99. 

100. 
101. 
102. 
103. 
104. 
105. 

106. 
107. 

108. 

109. 
110. 

111. 

112. 
113. 
114. 
115. 
116. 
117. 

118. 

119. 

120. 

121. 

122. 

123. 
124. 
125, 
126. 

127. 
128 
129, 
130 


Bellini:    Straniera  2 — . 
Mozart:   Idomeneo  2 — . 
Auber:   Maurer  und  Schlosser  2 — . 
Glinka  Russian  et  Ludmilla  2 — . 
S  t  r  a  u  6  :    Fledermaus  I    2.50. 
Straufi:   Fledermaus  II  2.50. 
S  u  p  p  6  :    Fatinitza  I    2.50. 
Fatinitza  II    2.50. 
Der  Karneval  in  Rom  I  2 — . 
:    Der    Karneval    in    Rom    II 


S  u  p  p  e 

S  t  r  a  u  l3 

S  t  r  a  u  Is 

2.30 

S  t  r  a  u  fi 

S  t  r  a  u  i3 

St  r  a  u  fi 

S  t  r  a  u  fl 

S  t  r  a  u  6 

S  t  r  a  u  fi 

S  t  r  a  u  fi 

S  u  p  p  6  : 

S  u  p  p  6  : 

S  u  p  p  6  : 

S  u  p  p  6  : 

S  t  r  a  u  fi 

nigiu  I    2.50. 

S  t  r  a  u  fi  :     Das 

nigin  II  2.50. 

Genee:   Nisida 

G  e  n  6  e  :    Nisida 


:  Cagliostro  I  2.30. 
:  Cagliostro  II  2.50. 
;   Cagliostro  III   2.50. 

Prinz    Methusalem  I    2.50. 
;    Prinz   Methusalem   II   2.50. 
:    Blindekuh  I    2.50. 
:    Blindekuh  II    2.50. 
Boccaccio  I   2.50. 
Boccaccio  II    2.50. 
Donna    Juauita  I    2.50. 
Donna   Juanita  II   2.50. 

Spitzeutuch    der    Ko- 


Spitzentuch    der    K6- 


Das 


I  2.50. 

II  2.50. 
S  u  p  p  e  :   Der  Gascogner  I  2.50. 
S  u  p  p  6  :    Der    Gascogner    II    2.50 
S  t  r  a  u  6  :    Der    lustige    Krieg  I 
Straufi:    Der   lustige   Krieg  II 
M  i  1 1  6  c  k  e  r  : 
2.50. 

M  i  1 1  6  c  k  e  r  : 
2.50. 

Die    Afrikareise  I    2.50. 
Die    Afrikareise    II    2.50. 
Eine    Nacht   in    Venedig 


Der     Bettelstudent 
Der    Bettelstudent 


2.50. 

2.50. 

I 


II 


Eine  Nacht   in   Venedig   II 


Nanon 
Nanon 


I  2.50. 

II  2.50. 
Gasparone  I    2.50. 
Gasparone    II    2.50. 

Der  Feldprediger  I  2.50. 
Der    Feldprediger     II 


Prinz    und    Maurer 


S  u  p  p  6: 

S  u  p  p  e  : 

Straufi 

2.50. 

Straufi 

2.50. 

Genee: 

Genee: 

M  i  1 1  o  c  k  e  r  : 

M  i  1 1  o  c  k  e  r  : 

Millocker: 

IM  i  1 1  o  c  k  e  r  : 

2.50. 

Oelschlegel: 

2.50. 

C  z  i  b  u  1  k  a  :    Pfingsten    in 

2.50. 

C  z  i  b  u  1  k  a  :    Pfingsten   in   Florenz 

2.50. 

G  e  n  §  e   und   Roth:    Die   Zwillinge   I 
2.50. 

G  e  n  6  e  und  Roth:  Die  Zwillinge  II 
2.50. 

S  u  p  p  e  :  Des  Matrosen  Heimkehr  2.50. 
D  e  11  i  n  g  e  r  :    Don    Cesar  I    2.50. 
Dellinger:    Don   Cesar    II   2.50. 
Millocker:    D.  verwunschene  Schlofi 
3—. 

Straufi:    Der    Zigeunerbaron  I    2.50. 
Straufi:    Der    Zigeunerbaron  II   2.50. 
F  err  on:    Der    Ratsschreiber  I    2.50. 
I.  F  e  r  r  o  n  :    Der    Ratsschreiber    II    2.50. 


Florenz    I 


II 


13=' 


Marks  G.  W.  Collection  de  Fantaisies 


196 


Marks  G.  W.  Collection  de  Potpourris 


131.  Ge  nee:    Die 

132.  Gen  ee:    Die 

133.  M  i  llocke  r: 

134.  Mi  llocke  r: 
2.50. 

135.  Del  1  i  nge  r: 

136.  Dell  in  go  r: 
139/40.  R  a  i  m  a  n  n 

rette,   Nr.   ],  2 


Piraten  I   2.50. 
Piraten  II   2.50. 
Der  Vizeadmiral  I  2.50. 
Der     Vizeadmiral     II 


Lorraine  I    2.50. 
Lorraine  II    2.50. 
:     Das    Ellisliorn,     Ope- 
a  2.50. 
141  42.  H  a  n  s    v.    Zois:    Colombine,    Ope- 

rette,    Nr.    1,  2    a    2.50. 
143/44.  M  i  11  6  c  k  e  r  :      Die    siebeu    Scbwa- 

ben,  Volksoper,   Nr.    1,  2   a  2.50. 
145/46.  L.    Roth:    Die    Lieder    des    Mirza- 

Schaffy,   Nr.    1,  2   a   2.50. 
147/48.  Job.     S  t  r  a  u  fi :     Simplicius,     Ope- 

rette,  Nr.  1,  2  a  2.50. 
149/50.  Adolf  Wilt:  Marrftzevi,  Operette 

Nr.  1,  2  a  2.50. 
151/52.  A.    Z  a  mar  a    j  u  u. :      Der    Sanger 
von  Palermo,  Operette,  Nr.  1,  2  a  2.50. 
153/54.  0.  F  e  i  t  h  :      Der    Savoyarde,     Sing- 
spiel,  Nr.   1,  2  a  2.50. 
155/56.  J.    Bayer:      Der     schone    Kaspar, 

kom.   Oper,  Nr.   1,  2   a  2.50. 
157/58.  R.  D  e  1 1  i  n  g  e  r  :  Kapitan  Fracassa, 

Operette,   Nr.    1,  2  a  2.50. 
159/60.  C.  S  t  i  X  :  Der  Abenteurer,  Operette, 

Nr.  1,  2  a  2.50. 
161;62.  A.  Czibulka:   Gil  Bias,  Operette, 

Nr.   1,  2  a  2.50. 
1 63/64.  G  o  t  b  o  v-G  r  ii  u  e  c  k  e  :     Der    Ame- 

rikauer,  Operette,  Nr.   1,  2  a  2.50. 
165/66.  C.    Millocker:    Der    arme    Jona- 
than, Operette,  Nr.   1,  2  a  2.50. 
167/68.  R.    D  e  1 1  i  n  g  e  r  :    Saint    Cyr,    Ope- 
rette, Nr.  1,  2  a  2.50. 
169/70.  Ch.      Rolling:       Scbmetterlinge , 
phantastische  Operette,  Nr.  1,  2  a  2.50. 
171/72.  Gu  st  a  V    Meyer:    Der    Hochstap- 

ler,   Operette,   Nr.    1,  2   a  2.50. 
176/77.  2  Potp.  Carmen  a  2.50. 
Nr.  1,  11,  35—37,  42  a  —50,  Nr.  3,  6—10, 
12—14,    16,    18,    20,    22,    24—26,    28—32, 
34,  38,  39,  48,  51,  54,  55,  57,  59,  72,  80, 
83,   84,   94,   95,    106,    107   a   —60,   Nr.   4 
—45,    Nr.   47   —75    Gutheil. 
Nr.  51,  94,  95,  106,  107,  114,  115,  124,  165, 
166  a  —60,  Nr.  71   — 80  Jurgenson,  Nr. 
39    —60    Johansen,    Nr.    23,    59    a  —60 
Lyre,  Nr.   14,  28,  32  a  —60  Seywang. 
-  Collection   de   Potpourris   et   Fantaisies   des 
meilleurs   Operas,   J/ms: 

1.  M  e  y  e  r  b  e  e  r  :    Robert    le    Diable    3 — . 

2.  A  u  b  e  r  :    Lestocq   3 — . 

3.  A  u  b  e  r  :    Gnstave    3 — . 

4.  Meyerbeer:    Les   Huguenots   4 — . 

5.  A  u  b  e  r  :    Les   chaperons   blancs   3 — . 

6.  Adam:    Le    Postilion    de    Lonjumeau 
3—. 

7.  A  u  b  e  r  :    L'Ambassadrice    3 — . 

8.  H  a  1  e  V  y  :    Guido    et   Ginevra    4 — . 

9.  A  u  b  e  r  :    Le   Lac   des   F6es   4 — . 
10.  D  o  n  i  z  e  1 1  i :    Belisario   4 — . 

11. Donizetti:    Lucia    di    Lammermoor 


12.  Donizett  i 

13.  D  o  n  i  z  e  1 1  i 


Lucrezia 
Parisina   4 — 


Borgia 


4- 


14.  D  o  n  i  z  e  1 1  i :    Marino    Falliero    4 — . 

15.  Donizetti:    Les   Martyrs   4 — . 

16.  Bellini:   I  Montecchi  ed  i  Capuletti 
4—. 

Bellini:    Norma   4 — . 
Rossini:    Guillaume   Tell  4 — . 

La  Favorite  4 — . 
Sonnambula    4 — . 
Adelia    4 — . 
L'Elisire    d'amore 
Diamants     de     la 


22. 
23. 


4—. 
Cou- 


4—. 
4—. 


4—. 


17. 
1} 

19.  Donizetti: 

20.  B  e  1  1  i  n  i :    La 

21.  Don  i  ze  tt  i: 
Donizetti: 
A  u  b  e  r  :  Les 
ronne  4 — . 

24.  A  u  b  e  r  :   La  Muette  de  Portici  4 — . 

25.  Donizetti:     Linda     di     Chamounix 
4—. 

26.  Donizetti:    La    Fille    du    Regiment 
4—. 

27.  A  u  b  e  r  :  La  Part  du  Diable  4 — . 

28.  D  o  n  i  z  e  1 1  i:    Don    Pasquale    4 — . 

29.  W  e  b  e  r  :    Oberon   2—. 

30.  H  e  r  o  1  d :  Zampa,  la  fiancee  de  marbre 
4—. 

31.  D  o  n  i  z  e  1 1  i :    Maria  di   Rohan   4 — . 

32.  M  e  r  c  a  d  a  n  t  e  :    II  Bravo  4 — . 

33.  M  e  r  c  a  d  a  n  t  e:     II    Giuramento 

34.  R  o  s  s  i  n  i :   Le  Barbier  de  Seville 

35.  A  u  b  e  r  :    La    Sirene   4 — . 

36.  H  a  1  e  V  y  :    La   Juive  4 — . 

37.  M  e  r  c  a  d  a  n  t  e  :   Elena  da  Feltra 

38.  M  e  r  c  a  d  a  n  t  e :    La   Vestale   4 — . 

39.  D  o  n  i  z  e  1 1  i :    Dom    Sebastian    4 — . 

40.  R  o  s  s  i  n  i :    Semiramis    4 — . 

41.  V  e  r  d  i :    Nabucodonosor    4 — . 

42.  B  e  1 1  i  n  i :    I    Puritani    4—. 

43.  Bellini:    Beatrice   di   Tenda   4 — . 

44.  Verdi:    I   Lombardi   4 — . 

45.  P  a  c  i  n  i :    Saffo   4 — . 

46.  Verdi:    Ernani    5 — . 

47.  N  i  c  o  1  a  i :    Templar io   4 — . 

48.  Verdi:    Attila   4—. 

49.  V  e  r  d  i :   Macbeth  4 — . 

50.  Verdi:    I   Masnadieri   5 — . 

51.  Verdi:   I  due  Foscari  4.50. 

52.  Verdi:   Giovanna   d'Arco   4.50. 

53.  M  e  r  c  a  d  a  n  t  e:   I  Briganti  4 — . 

54.  Verdi:   Alzira  4 — . 

55.  V  e  r  d  i :   II  Finto  Stanislao  4 — . 

56.  Weber:    Der    Freischiitz    4 — . 

57.  Verdi:    II   Corsaro    4 — . 

58.  Meyerbeer:    Le    Proph&te   4 — . 

59.  FlotoAV:    Martha  4—. 

60.  W  e  b  e  r  :    Euryanthe   4.50. 
ei.Balfe:   La  Boh^mienne  4.50. 

62.  F  1  o  t  o  w  :    Sophia    Catharina,    ou  :    La 
Grande-Duchesse  4.50. 

63.  Adam:   Giralda  4.50, 

64.  Bellini:    La   Straniera   4.50. 

65.  Mozart:   Figaro  4.50. 

66.  F.    Mendelssohn  -Bartholdy: 
Ein    Sommernachtstraum    4.50. 

67.  Mozart:   Don  Juan  4.50. 

68.  R  o  s  s  i  n  i :  Le  Si&ge  de  Corinthe  4.50. 

69.  V  e  r  d  i :    Rigoletto   4.50. 

70.  Verdi:    Stiffelio   4.50. 

71.  B  o  i  e  1  d  i  e  u  :    La   Dame   blanche  4.50. 

72.  Beethoven:    Fidelio    5 — . 

73.  W  a  g  n  e  r  :    Tannhiluser   4.50. 

74.  M  o  z  a  r  t :    Titus   4—. 


Marks  G.  W.  Collection  de  Potpourris 


—     197 


Marks  G.  W.  Collection  de  Potpourris 


75. 
76. 

77. 
78. 
79. 

80. 
81. 

82. 

83. 
84. 

85. 
86. 
87. 
88. 
89. 
90. 
91. 
92. 

93. 

94. 
95. 
96. 

97. 

98. 

99. 
100. 
101. 
102. 
103. 
104. 
105. 
106. 
107. 
108. 
109. 

110. 
111. 
112. 
113. 

114. 
115. 
116. 
117. 
118. 
119. 
120. 
121. 
122. 
123. 

124. 

125. 

126, 
127, 
128, 

129 


Mozart:   La  Fhlte  magique  5 — . 

Verdi:    II  Trovatore  5 — . 

Meyerbeer:   L'Etoile  dii  Nord  4.50. 

R  o  s  .s  i  n  i :    Othello    4.50. 

Werstoffsky:    La    Tombe   d'Ascold 

4.50. 

Rossini:   Moise  4.50. 

Verdi:    Les    Vepres    sicilieunes    4.50. 

Fantaisie  sur  des  Airs  russes  et  bohfi- 

miens    (Souvenir)    5 — . 

Verdi:  La  Traviata  4.50. 

N  i  c  o  1  a  i :    Die    lustigen    Weiber    von 

Windsor  4.50. 

F  1  o  t  o  w  :    Indra    5 — . 

Meyerbeer:    II  Crociato  4.50. 

Verdi:    Simon    Boccanegra    5 — . 

Fra  Diavolo  5 — . 

Luisa   Miller  5 — . 

Aroldo   4.50. 

:    Stradella    4.50. 
Le    Pardon 


de    Ploer- 


A  u  b  e  r  : 

Verdi: 

Verdi: 

F  1  o  t  o  w 

Meyerbeer: 

mel  5 — . 

K  r  e  II  t  z  e  r  :   Das  Nachtlager   in  Gra- 
nada 4.50. 

Wagner:    Lohengrin    5 — . 
Verdi:    Un   Ballo   in    Maschera   4.50. 
Wagner:     Der     fliegende     Hollander 
4—. 

Gounod:   Faust  4 — . 
Werstoffsky:    Gromoboi    2 — . 
Offenbach:  Orphee  aux  enfers  3.50. 
Handel:   Der  Messias  4 — . 
Mozart:    Die    Entftihrung    4 — . 
Verdi:  La   Forza   del  Destino  4 
Rossini:   Le   Comte  Ory   4.50. 
P  e  d  r  o  1 1  i :    Fiorina    5 — . 
Glinka:   La  Vie  pour  le  Czaar 
Moniuszko:    Halka   5 — . 
Meyerbeer:    L'Africaine   4.50. 
Petrella:    Jone   4 — . 
L  o  r  t  z  i  n  g:     Zar     und 
4.50. 

Mendelssohn:    Elias 
M  e  h  u  1 :    Joseph  4 — . 
Offenbach:    La    belle 
Marschner:     Templer 
5—. 

Mendelssohn:    Paulus    4.50. 
Handel:    Judas    Maccabaus    4.50. 
Offenbach:    Barbe    bleue    3.80. 
Weber:   Preciosa  4 — . 
S  u  p  p  6  :    Die   schone   Galathea 
Gounod:    Romeo   et    Juliette 
Verdi:    Don  Carlos   4.50. 
Hommage  a  la  Russie  4 — . 
Thomas:    Mignon    3 — . 
Wagner:  Die  Meistersiuger  v 
berg  4.50. 

Offenbach:   La   princesse  de  Tr6bi- 
zonde  4 — . 

Flotow:     L'ombre     (Sein     Schatten) 
3.80. 

Boieldieu:   Jean  de   Paris   3.50. 
,  L  e  c  o  c  q  :    Mamsell   Angot  4.50. 
Offenbach:   La  grande  duchesse  de 
G6rolstein  4.50. 
.Boieldieu:     Le    calife     de    Bagdad 
4.50. 


.50. 


3.30. 


Zimmermann 

4.50. 

Helfene    4.50. 
und     Jiidin 


4.50. 
4.50. 


Niirn- 


130. 
131. 
132. 
133. 
134. 
135, 
136. 
137. 
138. 

139. 
140. 
141. 
142. 
143. 
144. 

145. 

146. 
147. 
148. 
149. 

150. 

151. 
152. 
153. 
154. 

155. 

156. 

157. 
158. 

159. 

160. 
161. 

162. 

163. 
164. 

165. 

166. 

167. 
168. 

169. 
170. 

171. 
172. 

173. 

174 
175 


Glinka:   Ruslan  et  Ludmilla  4 — . 

S  u  p  p  6  :   Fatinitza  4—. 

S  t  r  a  u  6  :    Prinz    Methusalem    4 — . 

S  t  r  a  u  6  :    Die    Fledermaus    4 — . 

S  u  p  p  e  :    Der   Teufel   auf   Erden   4.50. 

S  u  p  p  e  :    Boccaccio   4.50. 

S  t  r  a  u  jS  :    Blindekuh    4.50. 

Supp6:    Donna   Juanita   4.50. 

S  t  r  a  u  fi  :     Das    Spitzentuch    der    Ko- 

nigin  4.50. 

Geuee:   Nisida  4.50. 

S  u  p  p  6  :    Der    Gascoguer    4.50. 

S  t  r  a  u  fi  :    Der   lustige   Krieg   5 — . 

Millocker:    Der    Bettelstudent    5 — . 

S  u  p  p  e  :    Die   Afrikareise    5 — . 

S  t  r  a  u  fi  :      Eine    Nacht     in    Venedig 

5—. 

Millocker:    Gasparone    5 — . 

G  e  n  e  e  :    Nanou   5 — . 

Roth:    Der    Marquis    von    Rivoli    5—. 

G  e  n  6  e  :   Rosina  5 — . 

Millocker:    Der    Feldprediger    5 — . 

Czibulka:      Pfingsten     in     Florenz 

5—. 

S  u  p  p  6  :   Des  Matrosen  Heimkehr  5 — -. 

G  e  n  6  e  :    Zwillinge   5 — . 

Dellinger:   Don   Cesar   5 — . 

S  t  r  a  u  fi  :    Der    Zigeunerbaron    5 — . 

C.    Millocker:     Das     verwunscheue 

Schlofi   5—. 

A.   Oelschlegel:    Prinz   u.   Maurer 

5—. 

R.   G  e  n  6  e :   Die  Piraten  5 — . 

C.     Millocker:      Der     Vizeadmiral 

5—. 

A.  Z  a  m  a  r  a  j  u  n. :  Der  Doppelganger 

5—. 

Ad.  Miiller  jun. :  Der  Hofnarr  5 — . 

Hans   von    Zois:    Colombine    5 — . 

C.  Millocker:  Die  sieben  Schwaben 

5—. 

Joh.    Straufi:    Simplicius    5 — . 

A.    Z  a  m  a  r  a   jun.:    Der    Sanger   von 

Palermo  5 — . 

Louis  Roth:   Die  Lieder  des  Mirza 

Schaffy   5—. 

Franz  von  S  u  p  p  e :  Die  Jagd  nach 

dem  Gliick  5 — . 

A.  M  it  1 1  e  r  jun.:   Der  Liebeshof  5—. 

Jos.    Bayer:     La   F6e    des    Poup6es, 

ballet  5—. 

Jos.  Bayer:  Der  schone  Kaspar  5 — . 

R.  Dellinger:  Capitain  Fracassa 
5—. 

A.  Czibulka:   Gil  Bias  5—. 
C.   Millocker:    Der   arme   Jonathan 
5—. 

Jos.   Bayer:    Sonne   und   Erde,   Bal- 
lett  5— . 
.  R.   Dellinger:    Saint  Cyr   5 — . 

Potpourri  uach  dem  von  L  u  d  w  i  g 
S  c  h  1  o  g  e  1  komponierten  Streifzug 
durch  die  Operetten :  Indigo,  Fleder- 
maus, Cagliostro,  Karneval  in  Rom, 
Methusalem,  Der  lustige  Krieg,  Blinde- 
kuh, Das  Spitzentuch  der  Konigin, 
Eine  Nacht  in  Venedig,  Der  Zigeuner- 


Marks  G.  W.  Gollection  de  Potpourris 


198 


Markt  C.  Happy  home 


Griifin    Pepi, 
Wiener  Blut, 


80,   84,    112,   130, 
82,   107,  a   1.35, 
46,    49,    66,    69, 
121,  a   1.25,  Nr. 


baron,   uud   Simplicius,   von    J  o  li  a  n  n 
S  t  r  a  u  fi   5 — . 

176.  Jos.   Bayer:    Ein   Tanzmarehen   5 — . 

177.  C.  M  i  1 1  o  c  k  e  r  :  Das  Sonntagskind 
5—. 

178.  J  oh.  Straufi:    Furstin  Ninetta   5—. 

179.  C.    M  i  11  6  c  k  e  r :    Der    Probekufi    5 — . 

180.  Jos.   Bayer:    Rund  urn  Wien   5 — . 

181.  J  OS.   Bayer:    Wiener   Walzer   6 — . 

182.  M.  Ziehrer:  Geistererscheinungen 
4.50. 

183.  Anton  U  r  s  p  r  u  c  h  :  Das  Unmog- 
lichste  von   Allem   5 — . 

184.  Gustav  Meyer:  Der  Hochstapler 
5—. 

185.  Z  i  e  h  r  e  r  :  Potpourri  iiber  beliebte 
Themen  von  Job.  S  t  r  a  u  6,  Mil- 
locker    und    Supp6    4.50. 

186.  Job.   S  t  r  a  u  fi    (Sobn; 
Operette  5 — . 

187.  Job.  Straufi    (Sobn) 
Operette  5 — . 

Potp.  Carmen,  ^ms  5 — . 
Nr.    1,    11,  12,   15,    17—19,   22,   24—26,    28, 
29,  33—34,  36,  42,  44,  56,  73,  79,  81,  83, 
94,  99,  103,  122,  a  1—,  Nr.  4,  40,  59,  78, 
a   1.20,   Nr.  20,  58,   67, 
Nr.   30,  98,  a  —60,  Nr. 
76,  77,    88,    92,    95,    97, 
105  —85,   Nr.    154    1.50 
Gutheil,  Nr.  76,  80,  a  1.20  Jtirgenson. 
-Black  Husar,   Potp.  P  1—  Willig. 

-  Dem    Vaterlande!    Preufi.    Volkslied    — 50. 

-  Der    musikaliscbe    Jugendfreund,    P,    I — IT 

a  1.30. 

-  Der  musikaliscbe  Kinderfreund  am  Piano- 

forte. Eine  Auswabl  der  beliebtest.  Opern- 
Arien,  Marscbe,  Tiinze  u.  Lieder  im  leicb- 
testen  Arrangement  zu  4  Handen,  fiir  die 
ersten  Anfanger,  Heft  1—12,  P  a  1.30, 
J^ms   a  1.50. 

-  Die     junge     Tjinzerin,     eine     ausgewahlte 

Sammlung  d.  scbonsten  Tanze,  im  leiebteu 
Arrangement,   Heft    1 — 34    a    1 — . 

-Don  Cesar,  Potp.  P  —75  Ditson. 

-Hamlet,  Potp.  4ms  7.50   Heugel. 

-Little  I3oy  Blue  4/ —  Cramer. 

-Lohengrin,  Fant.  P  1 —  Nord.  Musik- 
forlag. 

-  M  i  g  n  o  n,   Potp.  ^ms  7.50  Heugel. 
-Sehone  Helena,   Potp.  Jfttis  4.30   Bote. 

-  T  r  o  V  a  t  o  r  e,  Fant.  P  4/ —  Ashdown. 
-Wiener  Blut,  Potp.  Jfms  2.50  Schirmer. 
Marks   J.   Christopher.     Ashdown:     Bandit 

chief  4/ — . 

-  Blow,  ye  gentle  breezes,   8ATB  — /Vj-,  No- 

vello. 

-  Castles  in  the  air  4/ — . 

-  Come   away,   serenade   4/ — . 

-  Cusbla-machree  4/ — . 

-  Day  i  gently  — 50  Pond. 

-  Day  is  past  and  over,   SATB 

-  Days  of  yore,  gavotte  3/ — . 

-  Dorothy    Mc.    Guinness   — 75 
-Forsaken  Maid  — 60   Schirmer. 

-  Gipsy's   lament   4/ — . 

-  Glory  be  to  Jesus,  anthem  for  S-s.  &  quart. 

&  chorus  (SATB)  — 15  n  Presser. 


-/3   Novella. 


Schirmer. 


-  Go  to  sleep   (Lullaby)   4, — . 
-Hark!    what  mean  those  — 50  Pond. 

-  2  Hymns  Tunes  and  Twenty  Chants  — /4  n 

Vi7ice7it. 

-  I'll   think   of   thee,   TTTBB  — /4  n. 

-  Love  of  Jesus  — 50  Pond. 

-Magnificat    and    Nunc    dimittis     (B),     (C), 
(D),  a  — /4  Novello. 

-  'Neath  skies  of  Spain  4/ — . 

-  No,  not  despairingly,  sacred  song  4/- — . 

-  Now  the  day  is  over,  sacred  song,  in  E  flat 

&   F   4/—,   S-s.   &  chorus    (SATB)   — /2. 

-  0  praise  the  Lord  — ,3   Curwen. 

-  Oft  we  wandered,  SB  4/ — . 

-  0,  Swallow,  fly  not,  ST  4/—. 

-  0  would  I  were  an  angel  4/ — . 
-Eeverie,   VP  2/ — n. 

-  Roving  gipsies,  bolero  song  4/ — . 

-  Sleep,  little  one,  cradle  song  4/ — . 

-  Sleep,  baby,  SATB  —/Vj.  Novello. 

-  Souls  of  the  righteous  — /3  Curwen. 

-  Sweetest  songs  of  all  4/ — . 

-  Triumphal    March    „Gideon",    Org    — 60    J. 

Fischer,  2/ —  Novello. 

Marks   J.    F.   Variationen  iiber   das   Schwei- 

zerlied:  „Steh'  nur  auf,  du  junger  Schwei- 

zerbub'",  P  —80  Cranz. 
Marks    Louis   A.   A   Maiden's   Dream,   waltz 

—75,   FullO    1—,   14   Instr  —80,   10   Instr 

—60,  P  — 15  Fischer. 

-  Donna  Diana,  span,  waltz  — 75,  FullO  1 — , 

14  Instr  —80,   10  Instr  —60,   P  —15   Fi- 
scher. 
Marks    Malcolm    C.   Tivoli   Waltz   4/—  Ash- 

down. 
Marks   Percy,      In   the   hour   of   trial  — jVjt 

Curu'cn. 
Marks  T.  Osborne,  Lord  shall  comfort  Zion 

(with   B-s,.)    — /4  n   Vincent. 
-Magnificat  and  Nunc  Dimittis,    (E)   — /3  n, 

(D)    —12  n   Vincent. 
-Who  is  Sylvia?  TTBB  — /3  Novello. 
Markscheffel    J.    Hoch    Schlesiens    Pioniere, 

Marsch    (mit  Text)    — 60   Oraveur's  Verl.- 

Neifie. 
Markstedt-Hjorth,    op.    1      Sonate,     P     2.50 

Liindquist. 

-  2   Tre   Pianostycken   2—   Lundquist. 

Markstein   S.  Ditson:   Columbus  centennial, 

march  — /2  Sheard,  — 40  Ditson. 
■  Courting  in  Connecticut,  song  &  chor.  — 35. 

-  Distant    Sounds   Waltzes   — /4    Sheard. 

-  El   Dorado,   march  — 40. 

-  Emilie,    valse    sentimentale   — 35. 

-  Forsaken  love,   P  — 35. 

-  Josiah's   courtship,   song  &  chor.  — 35. 

-  Lily   leaf,  waltz  — 35   Gordon. 

-  Nellie  May  — 40,  w.  G  — 25  Brainard. 

-  New   York  7th   regiment  march  — 40. 

-  Patrol   of  the  guard,  march  — 50. 

-  Sparking  Sunday  night,  solo  &  chor.  male 

voices  — 40  Gordon. 
Markt  C.   Brainard:  Amazon,  schottische,  P 
—40. 

-  Aurora,  polka,  P  — 50. 

-  Gipsy,  march,  P  — 40, 

-  Happy  home,  maz.  P  — 50. 


Markt  C.  Laughing  May 


199     — 


Markull  F.  W.  Choral- Melodien 


-  Laughing  May,  schottische,  P  — 40,  G  — 25. 

-  Morning,   polka  — 25. 

-  Pearl   Feather,    polka   — 40. 

-  Pliilomelen,   galop,   P  —50. 

-  Pirate's  polka  — 40. 

-  Prairie  flower,  waltz  — 50. 

-  Preciosa,  schottische,  P  — 40. 

-  Red  swan,   schottische,   P  — 40. 

-  Undine,  waltz  — 40. 

-  Valley   bell,   schottische,   P  — 40   Brainard. 
Markt    Gust.      Merry    Hours,     Walzer     1.50 

So7nmer»ieyer. 
Markull   F.  W.    (1816—1887),  op.  2  Charak- 
terstiicke  2 —  Hofmeister. 

-  3   Eine   Nacht   auf   Kamtschatka    1 —    Eof- 

rneister. 

■  4  Vier  Mazurken   1 —  Breitkopf. 

-5  Drei  Gesiinge :  1.  Der  Morgenstern : 
„Wenn  ich  in  stiller  Friihe".  2,  Morgen- 
gesaug:  „Wenn  die  LSmmer  wieder".  3. 
Clotilde:  ,,Wie  eine  Wasserlilie"  1 — 
Breitkopf^ 

-6  Zwei  Gedichte:  1.  Winternacht:  ,,Vor 
Kalte  ist  die  Luft  erstarrt".  2.  Der  V?il- 
chenkranz :  „Ich  wand  einst  einen  Veil- 
chenkranz"    1 —  Breitkopf. 

-7  Drei  Gedichte:  1.  Der  Gartner  auf  der 
Hohe:  „Verla6  die  kalten  Hohen".  2. 
Stille  Tranen :  „Du  bist  vom  Schlaf  er- 
standen".  3.  Gliick  des  Verlassenseins : 
„Wohl  ist  es   schou"    1 —  Breitkopf. 

-  10  Fluchtiger  Gedanke,  P  —75  E.  Stoll. 

-  17   Variation    iiber    Das   Lied    vom    Herzen 

2.50  Schlesinger. 

-  19  Waldblumen,  P :  I.  Maibliimchen.  Wilde 

Rose.    Veilchen.    Nachtschatten    2.50    Bon. 

-24  Drei  Gedichte  1.50:  Nr.  1.  Der  letzte 
Grufi:  „Ich  kam  vom  Walde"  —80.  Nr.  2. 
Das  Standchen :  „Auf  die  Dacher"  — 80. 
Nr.  3  Der  Wanderer:  „Du  sollst  mieh 
doch  nicht  fangen"  — 50  Heinrichshofen. 

•  33  Drei  charakteristische  Tonstiicke,  P 
1.50:  Nr.  1.  Liebestaudeln.  2.  Siifier  Trost. 
3.   Waldvoglein,    a   — 80    Heinrichshofen. 

-  45  Auf  der  Reise,  9   Fantasiestiicke,  P :   I. 

1.  Sehnsucht  in  die  Feme.  2.  Auf  der 
Reise.  3.  Idjdle.  II.  4.  Im  Gebirge.  5. 
Lachendes  Tal.  6.  Im  Dom.  III.  7.  Bal- 
lade. 8.  Auf  dem  See.  9.  Die  Heimat, 
I— III   a   2.50   Kistner. 

-46  Illustrationen  iiber  deutsche  Volkswei- 
sen,  P:  1.  In  der  Christnacht.  2.  Das 
Kirchlein.  3.  Abschied 
3—  Bote. 

-  47     Illustrationen     deutscher    Volksweisen, 

P:     1.     Abendlied,     2.     Friihlingsgrufi,     ,3. 
Herbstlied,  4.  Wanderlied,  a   1 —  Cranz. 
-51    Im    Salon,    P.-    ].    Elfenspiele,    Scherzo, 

2.  Walzer,  a  1.50  Heinrichshofen. 

-53  Waldleben.  Tonbilder,  P :  I.  1.  Die  Wald- 
nymphe.  2.  Das  Bachlein.  II.  3.  Sonniges 
Platzchen.  4.  Traum  der  Nacht,  I — II  a 
2 —  Mersehurger. 

-  54   Illustrationen   iiber    deutsche   Volkswei- 

sen, Nr.  2  —30,  Nr.  3  —40  Thieme. 

■  58   An   eine  Blume  —   das   Herz :    „Blatt.ir 

wanken,   Wolken    ziehen"    1.25    Kahnt. 


4.   Friihlingsabend 


-66   Ballade,   P   1.50   Raabe. 
-67  Polonaise,  P  1.50  Raaie. 
-68  Barcarole,  P  1.50  Raabe. 

-71  Drei  Gedichte:  1.  An  die  Lerche :  „V6g- 
lein  in  den  Liiften".  2.  Friihling  u.  Liebe: 
„Im  Rosenbusch  die  Liebe  schlief".  3. 
Juchhe ! :  „Wie  ist  doch  die  Erde  so  schon" 
1 —    Breitkopf. 

-72  Vier  Gedichte:  1.  Gondoliera :  „0  komm 
zu  mir".  2.  Gltick :  „Wie  jauchzt  meine 
Seele".  3.  Wie  gerne  dir  zu  Fiifien.  4. 
Wiegenlied:  „Die  Ahren  nur  noch  nicken" 
1—  Breitkopf, 

-73  Drei  Gedichte:  1.  Die  Himmelstriine : 
„Der  Himmel  hat  eine  Trane  geweint". 
2.  Komm  in  die  stille  Nacht.  3.  Das  flotte 
Herz :  ,,Wenu's  im  Schilfe  siiuselt"  1 — 
Breitkopf. 

-74  Drei  Gedichte:  1.  Der  Himmel  im  Tal: 
„Der  Himmel  da  oben".  2.  Vogelsprache: 
„Was  schmettert  die  Nachtigall".  3.  Mai- 
lied:  „Wie  herrlich  leuchtet  mir  die  Na- 
tur"  1—  Breitkopf. 
3  Sonaten,  Jftns: 

-  75   Nr.   I    in   A-moU   3.50.   Op.   76   Nr.   2   in 

D-dur  4—.  Op.  77  Nr.  3  in  Es-dur  4— 
Rieter. 

-  82    Album    pour    Orf7-M6lodium,    contenant 

12    morceaux    caract.    4.25,     I — II     a     2 — 

Schott. 
-83  Impromptu,  P   1.50  Schuherth  jr. 
-84    Zwei    Phantasiestiicke,    P    1.50:    Nr.    I 

—75,  Nr.  2   1—  Kahrit. 
-85  Brautlied,  P  1.50  Rieter. 

-  87  Gondoliera,  P  1 —  Breitkopf. 

-  88  Jagdstuck,  P  1—  Breitkopf. 

-  95   Mein    Feiertag,   mein    Friihlingstag    1 — 

Bote. 
-114    Zwei     Chore     aus     J.    Haydn's     Die 
Schopfung,    Org    1 —   Schott. 

-  116  Idylle,  P  1.25  Litolff. 

-  123  24  Choral- Vorspiele  und  figurierte  Cho- 

rale zu  den  schonsteu  und  gebrauchlich- 
sten  Choral-Melodien,  I — II   a  2 —  Kahnt. 

-  124  Sechs  Trios  fiir  die  Org   (zwei  Manuale 

und  Pedal)    2 —  Kahnt. 

-  131    Der  rasende  Ajas  des   Sophokles,  nach 

Donners  tJbersetzung,  f.  TTBB  u.  0, 
KA  6—,  Ch&rst  2.40  Breitkopf. 

-  136  Rolands  Horn,   TTBB,  Soli   u.   0,   0-St 

13.20  n,  KA  3— n,  Chorst  2.40  Breitkopf, 
Roland's  Horn,  a  cantata  for  soli,  chorus 
(male  voices)  a.  0,  Vocal  score  2/6  n.  Vo- 
cal parts  (german  words)  4/ — n,  0  parts 
17/6  n  Novello,  men's  A'oices  with  solos  for 
TB  &  P  ace.  —75  Ditson. 

-  137  Sieben  Lieder  f.  SATB:  Nr.  1.  Rausche, 

rausche,  froher  Bach  1 — .  Nr.  2.  Nun 
komjnt  die  Nacht  so  blau,  so  warm  — 80. 
Nr.  3.  Verschiedenes  Los :  „In  der  Sonne 
siifi  und  luftig"  —80.  Nr.  4.  Maitag:  „Die 
Zweige  wieder  schiefien"  — 80.  Nr.  5. 
Zur  schonen  guten  Nacht  — 80.  Nr.  6. 
Eine  lust'ge  Hochzeit  wohl  es  war  1.25. 
Nr.  7.  Scheideu :  „Fahr'  wohl,  fahr'  wohl 
auf  immerdar"  — 80  Hesse. 

-  Choral-Melodien    fiir     den     evang.    Gottes- 

dienst,  vierst.  bearb.   1.50  n  Oertel. 


Markull  F.  W.  Dentscher  Siegesmarsch        —     200     — 


Marliani  M.  A.  Laxxarello 


■  Deutscher    Siegesmarsch,    O   2.50,   Jfms    1.25 

Bachinann. 
-Heimweh:      „Es      bleibt      ein      Zug"       (A. 

Muth),   TTBB,   Part  ii.    St   1.20  Kistner. 

-  2   Trios  fiir   Org    (Album   fiir   Orgelspieler, 

Nr.   13)    —80  meter. 

-  Waldmittag :    „Wie   heifi    ist   der   Tag"    (A. 

Muth),   SATB,  Part  u.   St  1.40  Kistner. 
Markus,  Juristen-Walzer  2 —  Bard. 

Markus   A.   Dicsertessek,    fiir    Cimhal    1.20  n 

7\ador. 
Markus  Dezso,  Dal  a  regementrrtl   1.50  Ear 

m  07iia . 
Markus   Jerici,   op.   2   Haupt-    und  Residenz- 

stadtmarsch    1 — ,    0,     Part     2 —  n     Bozsa- 

volgy. 
-3  Valse  caprice,  P  2.50  Harmonid. 

-  10  Gitus,  valse  2.40  Uozsavolgyi. 

-  Gitusw  alzer,   P   2 —   Mery 

Markus  J.  Gituswalzer,  P  2 —  Mery. 
Markus  Jr.  M.  Herbstbliimchen,  Mazurlia,  P 
—50  AlshacJi. 

-  Tmmer  heiter,   Galopp  — 50  Alsbach. 

MapKyjie  B.  „MyKH  jiK>6Bn",  sajibCB  — 60 
Johanse?i. 

Markwort  J.  Ch.  (1778—1866),  Germauia's 
Weihgesang,  ernster  Liederkranz  von  vier 
durch  Rezitative  zu  einom  ganzen  ver- 
bundeneu  ein-  und  vierstimmigen  Vater- 
landsliedern,  KA  u.  4  St  3.80  Kahnt. 

-  Liebe  zum  Vaterlande,  Lied  m.  P(G)   — 50 

ScJiott. 
Marlborough,     Pianoforte    School,     I — IX    a 

^/6  Ascherherg. 
Marie   de   Witt, 'Sweet   Elsie,   B  —50   Brai- 

vard. 
Marietta,   Cameleou    1 —   SulziacJi. 

-  Emotions   de  Claire   1 —  Sulzbach. 

Mariette  Abel,  Chante,  douce  fauvette  1 — n 

J  ullicn. 
Marliani       Marco      Aurelio        (1805 — 1849), 

Addio  per   sempre   Addio    1 —   Cottraii. 
-Airs   de   la   Xacarilla    (arr.   par   G  a  1 1  e  r- 

man),  pour  Fl  2.50  n  Costallat. 

-  Aria :    Stanca   di   pivl   compattere    (Ninim«n- 

vermag  zu  tragen  ich)    1.50   Cranz. 
-Eravo    (II),    opera     (1834),    Ricordi :    CP 
30—,    P    18—,    fac.    12—,   ^ms   24—. 
Atto   I.   Coro   d'Introduzione :    Viva   Anto- 
nio 3—,  P  2—,   J, ins  3—. 
Seguito  e  fine  dell'Introduzione,  cavatina : 

Reo  di  colpe  ognun  mi  vuole  3.50,  P  2 — , 

con  Introd.  fac.  2 — ,  JfVis  3.50. 
Duetto:  Nel  folto  della  notte  3.50,  P  2-    , 

Jfms  2.50. 
Coro   di    Dalmati:    Pivl   non    vedrtl    1.25,   P 

1—,  Jftns  1.50. 
Cavatina:    II  gondolier   tranquillo   2.75,   P 

2 — ,  fac.    (con   Duetto)    2—,  4ms  3 — . 
Recitativo  e  Finale  dell' Atto  I  1—,  P  4.50, 

fac.  2 — ,  Ifins  4.50. 
Terzettino:   Farmi  vuoi  tu  proscritta   2 — , 

4ms  2 — . 
Seguito  e  Stretta  del  Finale  I  6.50. 
Atto   II.   Orgia :    Sommergansi   gli   affanni 

2.75,   P   1.50,   fac.    (e   Duetto)    2- 

2.50. 


4ms 


Duetto:    No,    non    sperar,    crudel    4.50,    P 

2.50,  7/ws  4 — . 
Terzetto:     Qual    sorpresa    6    questa    mai' 

4.50,  P  2.75,  fac.    (e  Preghiera)   2—    4ms 

4 — . 

Atto    III.      Preghiera:    Quando    il    di    fra 

I'ombre   incerte    1—,   P  —75,   4ms  —50. 
Duetto:   Odiare  io  non  potrei  3 — ,  P  2.25 

P   (e  Aria)    2—,  4ms  3.50. 
Aria :   Se  nella  tomba  almeno  4 —    P  2  25 

4ms  3.50.  ■     ' 

Recitativo    e    Coro:    Avrem    vendetta    jn- 

tera   1 — ,   4ms  1.50. 
Aria    finale:    Sospendete     il     colpo     atrooe 

2.75,  P  2.75,  fac.   (e  Coro)   2—   4ms  3.50. 
Nel  Folto   1.50  Cottrau. 
S'oltre  la  tomba  — 50  Cottrau. 
Reo   di    colpe,     FIP    (J.    Clinton)    2/— 

Ashdoicn. 

-  1 1  d  e  g  o  n  d  a,   opera    (1837) ,   Ricordi:    'JP 
30—,  P  18— : 

Atto    I.    Preludio    e    Coro    d'Introduzione: 

Viva    il   grande    3.50,    P    (e    sertetto  e 

.stretta)    3.50. 
Sestetto    nell'Iutroduzione :     E     Rizzardo  1 

Oh  qua!  momento  2.75. 
Seguito  e  Stretta  dell'Introduzione  5 — . 
Recitativo  e  Marcia   1 — . 
Sceua  e   Cavatina:    Pria   d'incontrarmi   in 

lei  2.25,  P  1.50. 
Scena   e   Duetto :    Dolce  A'incolo   sarai   5 — , 

P  2.25. 
Finale   I   2.50,  P  2.75. 
Quartette,  Largo  nel  Finale  I:  Del  genitor 

all'ira  1.50. 
Seguito  e  Stretta  del  Finale  I  5 — . 

Atto  II.  Coro  d'Introduzione :   Dalla  mor- 
tal caligine  1.50,  P  1.25. 
Scena    e    Cavatina :    A    che   mi    .spinge,    oh 

Dio!  2.75,  P  1.25. 
Scena    e    Duetto :    Non    voler,    te    ne    scon- 

giuro  3.75,  P   1.75. 
Recitativo :    Io   vinto  !    — 50. 
Coro  di  Giudici:  Mai  non  ebbe  amico  1.75. 
Aria:  Di  leale  ardente  affetto  3.25,  P  2.25. 
Finale  II.  Scena  e  Duettino :   0  Rizzardo, 

a  quest'avello  2.25,  P   (e  finale  II)   3.50. 
Largo   nel   Finale   II   3 — . 
Seguito  e  Stretta  del  Finale  II  6 — . 
Atto    III.    Recitativo   ed   Aria:    A   lui   che 

tutto  vede  2.75,  P  2.25. 
Coro  di   Popolo :   LTdiste  ?   fra  poco  2.50,  P 

1—. 
Gran  Scena  e  Rondo  finale :  Insensato,  in- 

erte  popolo  5 — ,   P  2 — . 

-Lazzarello,  Opera    (1842) ,  Ricordi :  CP 
30—. 

Sinfonia,  P  3—. 

Atto   I.   Introduzione   e   Coro  2.50. 

Scena  e   Cavatina:    Addio  ti   dissi,   o   cara 

2—. 
Recitativo :   Ecco  la  notte  — 75. 
Coro    e    Duettino:     Oh!    novella     sorpresa 

2.50. 
Scena  avanti  la  Cavatina  :   Rita,  in  quella 

casa  entrate  1 — . 
Cavatina :   Ahinife,  che  far  degg'io  2 — . 


Mariiani  M.  A.  Laxxarello 


—    201 


Marmontel  A.  F.  op.  21 


Sceua:    Che    mai    fanno,     e     Duetto:     Ah! 

qiial  soave  incanto  4 — . 
Scena  e  Terzetto :   Gli  effetti  magici   2.75. 
Finale  I   e  Coro  2.50. 
Canzonetta  del  Finale :  Se  la  nave  in  porto 

ritorua  1.50. 
Seguito  e  Stretta  del  Finale  I  6.50. 
Atto  II.  lutroduzione  2 — . 
Scena  e  Duetto :   II  mio  labbro  menzogner 

4—. 
Scena  e  Duetto :  Ma  i  patti  non  son  quosti 

3.50. 
Scena  e  Quartette :   lo  non  so  che  rispon- 

der  5 — . 
Coro  che  precede  il  Rondd  2 — . 
Hondo:    Se   della   Santa   Barbara  2.50. 

-  Odi    d'un    uoni   che   muore,   arietta    1 —   Ri- 

cordi. 

-  Stanca  di   piii   combattere,   in   D  3/ —  Ash- 

doicn,  FIP  (W.  F  o  r  d  e)  —60,  2FIP  —75 
Brainard. 

-  Teco  vorrei  dividere,  with  PG  1/6  Williams. 

-  Un'auretta   lusinghiera,   barcarola  — 75    Bi- 

cordi. 

-  Xacarilla,  airs,  2FI  2.50  n   Costallat. 
Marlier   Andre,      Aquarelle,    P    1.20    Cran.z, 

— 60   Schirmer. 

-  Consolation   4 —  Katto. 

-  Cr^puscule  en  Mer,  P  1.20  Cranz. 

-  Danse  originale,  P  1.20  Cranz,  — 60  Schir- 

mer. 

-  Dors  2.50  Katto. 

'  Nocturne   5^ —   Katto. 

-  Pofeme   romantique:    Dans   les   gengts   et    la 

bruy&re  1.30  Cranz. 

-  Primes  Amours  4 —  Katto. 

-  Suite  pittoresque,  P :  Pas  de  Ballet.  Feuille 

d'Album.  Simple  Poeme.  Scherzevole.  Ma- 
drigal. Marche  nuptiale  romantique  2 — 
Cranz. 

Marliere    M.   A.   Abeilles   d'or   3 —  Sulziach. 

-  Aveugle  de   1871    1 — n   Lesigne. 

-  Berceau  3 —  Sidzhach. 

-  Bois  de  Sannois   1 — n  Lesigne. 

-  Chant  du  patre,  T(Bar)   3 —  Sulzbach. 

-  Ma   Brune   3 —  Noel. 

-  Ma  fleur   1 —  n  Lesigne. 

-  Miroir    1 —  n    Lesigne. 

-  Violettes   3 —  Sulziach. 

Marlitt   B.   Christnachtslied  — 60   Hartmann. 

-  Glocklein  im  Tal,  charakt.  Tonstiick,  P  1  — 

Simrock. 

-  J'y    pense,    Salon-Polka    1.50    Simrock. 

-  Moselbliimchen,   Landler    1 —   Simrock. 

-  Vogel  Storrebein :   „Nein,  mein  Herr  Vogel 

Storrebein",  tJberbrettl-Lied  1.50  n  Hart- 
mann. 

-  Weihnachts-Album,     zwolf     beliebte    Weih- 

nachtslieder,    P    1.50    Simrock. 
Mario,    A    cacada,    polka,    Banda    — /5    Neu- 
parth. 

Marlois  Edouard,  Ave  Maria,  arr.  by 
C  z  e  r  n  y,  3  fem.  voices  &  P  — /4  Ash- 
down,  — 12  n   Schirmer. 

-  Bright     the     yule     logs     glow,      arr.      by 

C  z  e  r  n  y,  3  fem.  voices  &  P  — /4  Ash- 
doicn,  — 12   Schirmer. 


-Christmas  comes  again,  two-part  (Agate 
&  C  o.)    — /3  n  Agate. 

-  Melodic,   VP  6—  Hamelle. 

-  Postlude,    Org   3/ —   Williams. 

-  Komance,    VP,   VcP  k  4/- —  Williams. 

-  Toy    Symphony,    P,    solo-    and    toy    Instru- 

ments, Quail,  Cuckoo,  Nightingale,  Tur- 
kish Bells  or  Cymbals,  Rattle,  Trumpet  in 
G  and  Drum.  (ace.  for  V  and  Vc  ad  lib.) 
1/ — ,  Jfms  and  toy  Instruments  (ace.  for  V 
and  Vc  ad  lib.)  1/ —  Donajowski. 
Marlow    Ant.    Noske:    Boerenlied   — 30. 

-  3  Klavierstiicke  —90. 

-  Miniaturen,    5   Klavierstiicke   — 60. 

-  Van   een   Mulderinneke  — 50. 

-  Wiegenlied :     „Aus     dem    Nestchen    schaut 

heraus"  — 70. 

-  Wiegenlied  — 40. 

Marlow  K.  Eug.  op.  10  Birkentraume,  Ga- 
votte,  P    1.20   Schutter-DnTnistsidt. 

Marly  J.  Grus:  Libellule,  valse  caprice,  P 
1.75  n. 

-  Oil  vas-tu  ?  Valse  triste  2 —  n. 
-Reviendra-t'elle?   1.75. 

-  Si  je  n'ai  ton  amour,  valse  lente  2 —  n. 

-  Souvenirs ,   valse  lente  2 — . 

-  Tecnis-Marche,    P    2 — . 

Marmier,   Ronde   des   Maiientzets   1 — n   San- 

doz. 
Marmild    G.      La   pace   Turco-Russa,   P    1.75 

Ricordi. 
Marmin    Albert,    Aprfes    un    Reve,    fantaisie- 

bol6ro,  HautbP  1.75  n,  av.  0  1.50  n  Fatout. 
-Braves  Matelots   1.70  n  Parmentier. 

-  Castel   d'amour    1.70  n   Parmentier. 
•  Chatelaine,   gav.   0.     Andrieu. 

-  Fin   du   monde    1.70  n   Parmentier. 

-  Jerusalem,  serenade,  VVcP  2.50  n  Andrieu. 

-  Jour  de  Noel,  naivete  5 —  Cairanne. 

-  Mcdiste    parisienne,    chanson-marche    1.70  n 

Parmentier. 

-  Saperlipopette,  polka-marche,   0.     Andrieu. 

-  Une  amie,  valse  lente,   0.     Fatout. 
Marmite   1 — n,   Ch.  s.  — 40  n   Bornemann. 
Marmontel   A.    (pere),   op.   157   III.   Idylle, 

P  4l —  Lemoine. 

-  158   Souvenance,   P   5 —   Lemoine. 
Marmontel  Antoine  Frangois    (1816 — 1898), 

Grus:  Op.  7  Granimaire  musicale  et  popu- 
laire,  P  5 — . 

-  8  Augusta,   valse  5 — . 

-8  Sonatine    (D),  P  6—  Hengel. 

-  9  Etudes  speciales  et  progressives,  P  12 — . 

-  10   Nocturne  brillant,   P   5 — . 

-  11   2e  Nocturne  varie,  P  6 — . 

-  12   Caprice   valse,    P   6 —   Heugel. 

-12  Deux  nocturnes:  Serenade  et  Reverie, 
P  6—. 

-  13    Souvenir    du    Pays,    melodie    varige,    P 

5—. 

-  15  Marie,  valse  6 — . 

-  16  H6l&ne,   polka  2.50. 

-  17  Ballade,  P  4.50. 

-  18   Mazurka   brillante   4.50. 

-  19    Melodies    caract^ristiques,    P    6 — . 
-20  Valse  brill.  5—. 

-  21   Serenade,  P  5—. 


Marmontel  A.  F.  op.  22 


—     202 


Marmontel  A.  F.  op.  140 


-  22  Nocturne  6l6gant,  P  6 — . 

-  23  ler  morceau  de  salon,  P  7.50. 

-  24  2e  morceau  de  salon,  P  7.50. 

-  25   Etudes   caract^ristiques  — 25. 

Heugel: 
-30   Les   Chants   du    Nord,    P :      1.    Mazurka 
sentimentale,  2.  Mazurka  marciale,  a  6 — . 

-  31   Eondo-Mazurke,  P  7.50   Grus. 

-  32  En  mer,  bare.  P  6 —  Sulzhach. 

-  33   Andante    religioso,    P    5 —   Heugel,    1— 

-  34  Mazurka  de  Salon,   P  5 —  Hamelle. 
-35  Trois  Mazurkas,  P  7.50  Hamelle. 

-  36  Impromptu-Etude,  P  6 —  Lemoine. 

-37   Deux   marches   caract^ristiques :      N.    1. 

Marche   magyare   7.50.     N.   2.   Marche   fu- 

nfebre  5 — . 
-38  Deux  idylles  6—. 

-  40  Polonai.se  de  concert,  P  2.50  Gregh. 
-40    Pierre    de    Medici  s,    andante    et 

arioso,  P  7.50  Jouhert. 

-45  Etudes  d'agilite,  P  20 — . 

-  48    Sp^ranza,    6e    nocturn.    varie,    P    2.50  n 

Gallet. 
-49  Th&me  original  vari6  5 — . 

-  50   Musette,   souvenirs   du   Mont-Dore   7.50. 
-50  L'Etoile  du   soir,   valse   6 — . 

-  51   Venezia,  barcarolle  7.50. 

-  52  Solo  de  concours  5 — -. 

-  53  Les  Larmes,  4l4gie  6 — . 

-  59    Pens^e    dramatique,    P    .5 —    Grus,    2.50 

Mariani. 

-  60   L'Art   de   dgchiffrer,    100   petites   etudes 

de  lecture  musicale,  el^mentaires  et  pro- 
gressives, destinies  a  developper  le  sen- 
timent de  la  mesure,  de  la  m6lodie  et  de 
I'harmonie,  P,  I   12—,   II   18—. 

-  61  Au  bord  du  lac,  r6verie,  P  2.50  n  Gullet. 

-  66  La  Brise,  valse  brill.  P  6 — . 

-  67   Chant   de   I'alouette,   6tude   de   salou,   P 

2 —  n  Gregh. 

-  72   Souvenirs   d'Jschia,   barcarolle,   P   2.50  n 

Froinont. 

-  73    L'absence,    rom.    sans    paroles,    P    2 —  n 

Gregh. 

-  74   Chant   du   gondolier,   barcarolle,   P   6 — . 

-  75   Souvenir   de   Royat,   valse   de   salon,    P 

7.50. 
-79  El6gie,  P  6—  Joiihert. 

-  80  Petites  etudes  M6lodiques  de  m^canisme, 

P   18—. 

-  81  Nuits  d'Asie,  nocturne  de  salou,  P  2 —  n 

Pisa. 

-  84  Aubade,  P  5—. 

-85  Grandes  etudes  de  style  et  de  bravoure, 

P  12— n. 
-86  Deuxifeme  sonate,  P  15 — :  N.  1.  Allegro 

7.50.  N.  2.  Andante  tranquillo  5—.     ^°  Z. 

Scherzo  5—.   N.  4.  Finale  7.50. 

-  91    Reveil   du  printemps,   P  7.50. 

-  92  Deuxifeme  polonaise,  P  2.50  n  Gregh. 
■  97  La  Chute  des  feuilles,  P  5— 

•98  L'Hiroudelle,  P  6—. 

101  Scherzo,   P   9—. 

102  Air    de    ballet,    style    moderne,    P    6—. 

103  Impromptu,  P  6 — . 

104  Scherzo,  P  9—. 


-  108  Cinquante  6tudes  de  salon  de  moyenne 

force   et  progressives,   P   15 — n. 
-110  Danse  orient.   P  2.50  n   Durand. 

-  1 1 1   Toccatina,  P  2 —  n  Durand. 

-  Ill   L'Art  de  d6chiffrer  a  4  mains,  50  etu- 

des melodiques  et  rythmiques  de  lecture 
musicale,   I — II   a   15 — . 

-  114  Deux  menuets,  P.-   1.  Menuet  de  Mile. 

L  a  V  a  1 1  i  &  r  e.  2.  Menuet  de  Mme.  de 
S  6  V  i  g  n  e,  a  5 — . 

-  115   Air   de  danse   dans   le  style  ancien,   P 

6—. 

-  116    Sous   bois,    deux    caprices   caracteristi- 

ques,  P:  1.  En  chasse.  2.  Le  Muguet  5 — . 

-  117  Trois  pi&ces  caract^ristiques,  P;  1.  La- 

ment©. 2.  La  Marini&re.  3.  Piccolo  scherzo 
7.50. 

-  118  Allegro  fuocoso   7.50. 
-119  Pavane,  P  2.50  n  Pisa. 

-  120    Sc&nes   champetres,    P.-    N.    1.    Refrain 

de  printemps  1.70  n.  N.  2.  En  foret,  rSverie 
1.70  n.  N.  3.  Violette  des  bois  1.70  n.  N.  4. 
L'heure  du  depart,  chasse  1.35  n.  N.  5. 
Pervenche  1 — n.  N.  6.  L'Angelus,  impres- 
sion du  matin  2 — n  Gregh. 

-  121  Legende  des  cloches,  6  morceaux  carac- 

teristiques  10 — n:  N.  1.  Le  Bapt^me  5 — . 
N.  2.  Paques  5—.  N.  3.  Noce  au  village 
7.50.  N.  4.  Noel  6—.  N.  5.  La  dernifere 
heure  4 — .  N.  6.  Le  Tocsin,  cri  de  guerre 
/.50. 

-  122   Douze   Airs   de   danse,   suite   de   pieces 

dans  le  style  ancien,  P  10 — n:  N.  1.  Deux 
Gavottes  7.50.  N.  2.  Deux  Chaconnes  6 — . 
N.  3.  Deux  Tricotets  7.50.  N.  4.  Deux  Sa- 
rabandes  6 — .  N.  5.  Deux  Bourr6es  7.50. 
N.   6.  Deux   Gigues   5 — . 

-  123  Impressions  et  Souvenirs,   7  pi&ces  ca- 

racteristiques,  P  4 — n:  N.  1.  M6lodie  sen- 
timentale  3—.  N.  2.  Valse  melancol.  3 — . 
N.  3.  Fleur  d'automne  3 — .  N.  4.  Chanson 
agreste  4—.  N.  5.  Au  R^veil  3—.  N.  6. 
Reverie-Meditation  5 — .  N.  7.  Allegretto 
4—. 

-  123  TrLstesse,  meditation,  P  2.50  n  Pisa. 

■  124  Derniers  Souvenirs,  pifeces  caracteristi- 
ques  3 — n:  N.  1.  L'Alouette,  chanson.,  2. 
Romance  sans  paroles,  3.  Doux  penser,  4. 
Berceuse,  5.  Pastiche,  a  3 — .  N.  6.  Appas- 
siouata,    etude    5 — . 

124  Rgverie  sentimentale,  P  2.50  u  Pisa. 

125  Deux  Esquisses  poetiques.  P.-  1.  In- 
quietude.   2.    Insouciance    7.50   Noel. 

126  Trois  Romances  sans  paroles.  P.-  1. 
Chanson  du  matin.  2.  Loin  du  pays.  3. 
Resignation   7.50  Noel. 

127  Graziosa,  P  7.50. 

128  Esquisse  dramatique   6 — . 

130  Divertimento,  P  6 — . 

131  Allegro  scherzando,  P  6 — . 

132  Piccolo  minuetto,  P  6—. 

134    Tempo    di    minuetto,    P    6 — . 

139  Trois  mazurkas,  P  7.50. 

140  Feuilles  d'automne,  6  pi&ces  caracte- 
ristiques,  P:  1.  Inquietude.  2.  Souvenirs. 
3.  Regrets.  4.  Villanelle.  5.  Au  depart.  6. 
Pensee  musicale  9 — . 


I 


Marmontel  A.  F.  op.  150 


203 


Marmontel  A.  F.  Pantum  indien 


■  150  Caprice  poetique,  P  7.50. 

•  151    Prelude-Impromptu,   P   6 — . 

■  152  Deux  chansons   havanaises,   P  7.50. 

■  153   Airs   de   danse,  style  espagnol,    P   7.50. 

•  155  Humoresque,  P  6 — . 

•  156  Aragonesita,  jotii,  P  6 — . 
157  Meditation,   P  6—. 

157  Enseignement  progressif  et  rationnel 
du  piano,  Ecole  de  m^canisme  et  d'accen- 
tuation,  P  15 —  n :  I.  Tons  majeurs  dieses, 
II.  Tons  majeurs  b6molises.  III.  Tons  mi- 
neurs  dieses,  IV.  Tons  mineurs  bemolis6s, 
a  4 —  n.  V.  Gammes  chromatiques  1 —  n. 

158  Melancolie,  romance  sans  paroles,  P 
1.70  n  Society  nouvelle. 

■159    L'Etincelle,    bluette,    P    1.70  n    Soci6U 
noin-elle. 

■  160  In6s,  valse  2 —  n   Societe  nouvelle. 

■  170  Quatri&me  polonaise,   P   7.50. 

180  Canzonette,    P    5 —   Leduc. 

181  Allegro  capriccioso,  P   7.50  Leduc. 

Adieu   Venise,   mes   amours,   av.    P(0)    3 — 

Grvs. 
Aimez-moi  bien  2.50. 
Air  de  ballet,  P  5 — ,  2P  7.50  Lemoine. 
Air  des  Bijoux   (Faust),  P  7.50  Mtiraille. 
Ame    envol6e    I —  n    Jouhert. 
Angelus,   P   5 —   Lemoine. 
Anneau   de  la  Fiancee  2.50. 
Anonyme-Polka    4.50. 
Apparition,  romance  sans  paroles,  P  1.70  n 

Choudetis. 
Arabesque,   P   5 — . 
All   desert   6 — . 
Au  Matin,  P  5 — . 
Au  soir,  P  4 — . 
Aubade  5 — . 
Autrefois,  P  4 — ,  — 40   Oebethner. 

Balancelle-valse,  P  6 — . 
Ballet-valse,   P   5—. 
Barcarolle,  P  5 — . 

Bluette  sur  la  scfene  des  Tombeaux  de  Lu- 
cie, P  5 —  Grus. 
Bcnjour,    P    4 — . 

Cantil&ne,   P   2.50   Loret. 
Capitaine    noir    2.50. 
Caprice    (D-m.),  P  5 —  Lemoine. 
Caprice-etude,   P   5 —   Lemoine. 

■  Caprice-valse,   P   6 — . 

Chanson  arabe,  P  5 — ,  — 30  n  Gehethner. 

■  Chanson   d'automne   5 — . 

•  Chanson  de  Marie  2.50. 

•  Chanson  slave,  P  5 — . 

■  Chant  de  jeunesse,  P  5 — . 

•Chants  du  Soldat:   1.  En  avant.  2.  Le  Re- 
veil.  3.  Le  Soldata  5 — . 

■  Cinq  Cousines  de  Oscar  Comettant,  5  mor- 

ceaux  faciles  et  doigtes,  P  7 — n:  N.  1. 
Madeleine,  niouvement  de  valse  5 — .  N.  2. 
Simone,  carillon  6 — .  N.  3.  Th6r&se,  rondo 
5 — .  N.  4.  Renee,  galop  5 — .  N.  5.  Geor- 
gette, berceuse  5 —  Noel. 
Ciuquantaine,  BS  1 —  n  Gullet. 

•  Ccmpositions  pour  P:  N.  1.  Crepuscule  5 — . 

N.  2.  Le  Ruisseau  5 — .  N.  3.  Impromptu 
5—.  N.  4.  Feuillet  d'album  3—.  N.  5. 
Etude  dramatique  7.50. 


-  Conseils  d'un  professeur  sur  I'enseignement 

technique    et    I'esthetique    du    piano    5 — : 
I.    Conseils     d'un     professeur,      II.    Vade- 
mecum,  a  3—. 
-Courante,  P  4 — . 

-  Del  ices  de  I'Allemagne,  melodie  de   Schu- 

bert, P,  transcr.  en  2  suites :  I.  Chant 
du  matin.  Le  Depart.  Chant  du  soir,  II, 
Barcarolle.  Priere  k  la  Vierge.  Joueur  de 
vielle.  La  Poste,  la  suite  4.50  Legouix. 

-  Demoiselle  d'honneur,   Ch.  s.  — 50  n   Labbe. 

-  Ecole    classique    du    Piano,    S6rie    I — V    a 

3— n. 
-Effluves,  P   6—. 

-  Elements   d'esthetique   musicale   et  conside- 

rations sur  le  beau  dans  les  arts,  P  5 —  n. 

-  Emerillons,  valse  5 —  Grus. 
-En  chasse,   P   1.50  n   Lemoine. 

-  Enchanteresse,    P    6 — ,    fac.    6 —    Lemoine, 

1.50  Bevilacqua. 

-  Essor,  P  6—. 

-  Etoile  du   soir,  valse  6 — . 

-  Etude   de   concert,    P   5 — . 

-  2e  Etude  de  concert,  P  5 — . 

-  2  Fantaisies  mignonnes  sur  des  rondes  en- 

fantines,    P :    1.    La   tour    prend   garde,    2. 
II  etait  une  berg&re,   a   1.50  n   Gregh. 
-Faust    (Gounod),    P    2.50  n    Choudens. 

-  Fin  du   Jour,  TS  1.75  n  Gallet. 
•  Fleur  de  I'onde  2.50  n  Durand. 

-  Franck    le    chasseur    1 — n,      Ch.    s.    — 20  n 

Labbe. 
-2    Grandes    Valses,    P.-    1.    L'Expressive,    2. 
La  Melodique,  a  1.25  Breitkopf. 

-  Hymne   d'amour  4 — . 

-  Impromptu,  P  4 —  Lemoine. 

-  Intermezzo,   P   4—. 

-Intermezzo  et  scherzetto,  P  1.50  n  Lemoine. 

-  Isabella  2.50. 

-  Juania  2.50  Lemoine. 

-  Long  du  chemin,  P  5 — . 
-Marche   Triomphale   2.50  n    Rouart. 

■  Martyrs  Chretiens,  3  v.  Part  — 50  n  Mar- 
gueritat. 

-  Mazurka   expressive   5 —   Legouix. 

-  Mecanisme    du    piano,    7    grands    exercices 

modules,  resumant  toutes  les  difficultes 
usuelles  du  piano,  depuis  les  exercices 
elementaires  jusqu'aux  formules  transcen- 
dantes  de  mecanisme,  formant  I'oreille  aux 
differentes  tonalites  et  assurant  a  relfeve 
une  prompte  independance  des  doigts,  la 
parfaite  connaissance  du  clavier  et  des 
viirietes  de  rytlime  et  d'accentuation, 
I — VII  a  9^  n,  3  exercices  elementaires 
7—  n,  3  exercices  superieurs  7 —  n,  6  exer- 
cices  reunis    12 — n. 

-  Melancolie  2.50. 

-3  Melodies  de  Salon,  P  5 — n:  N.  1.  Dans 
les  pres,  2.  A  une  rose,  3.  Sur  la  mer,  a 
2.50. 

-  Melodie   rouniaine  5 — . 

-  Miroir,  valse  2 — . 

-  Napolitana,  etude  de  concert,  P  7.50  Ploix. 

-  Novelette,  P  5 —  Lemoine. 

-  Ora  pro  nobis  2.50. 

-  Pantum  indien  4 — . 


Marmontel  A.  F.  Par  le  bo/'s 


—     204 


Marquardt  F.  Heidexauber 


-  Par  les  bois,  P  5 — . 

-Pecheurs  de  Tarragone,  BT  I— n  Gallet. 

-  Pens6e-valse   4.50. 

-2  Pifeces  caract^ristiques,  P:  1.  Intermezzo. 
2.  Scherzetto  — 45  Lemoine. 

-  Polonaise  de  concert  3,50  Loret. 
-Postilion  de  Longjumeau   (Adam),  quadr. 

N.  1 — 3  a  — 60  Brainard. 

-  Preludes,   P   3—. 

-  Premier   jour   de   bonheur,   transcr.   P   7.50 

Jouhert. 
-Premier  impromptu,  P  1.75  n  Pisa. 

-  Prifere   des    enfants,   SMS    1 —  n    Gallel. 

-  Printemps  de  la  vie  3 — . 

-  Proph&te,  m^lodie  3 — ,  Ch.  s.  — 25  Orus. 
-Redemption    1.75  n   Jouhert. 

-  Peine  d'Espagne,  polka  2.50  Leduc. 

-  Eomance   sans   paroles,    P  — 50   Schott. 

-  Rossignol,     grand    valse     par    Julien,     FIP 

4 —  Mathieu. 
-Saisons:    Le    Printemps,    L'ete,    L'automne, 
L'hiver,   SMS,  cliaque   1.35  n   Gallet. 

-  Saucta  Maria  2.50. 

-  2e  Scherzo,   P   5 — . 

-  3e  Scberzo,  P  5 — . 

-  S^Tgnade,    Italian    style     (Fing.    by    M.    L. 

Brown),  P  — 50  Ditson. 

-  Signez  la  paix  2.50. 

-  Sonate,  P  2 —  n  Lemoine. 

-  Sonate,    VcP    6—  n,      Andante,    VcP    2—  n 

Lemoine. 
-Sonate,    P   2 — n    Lemoine. 

-  Sous  le  beau  ciel   napolitain   2.50. 

-  Tarentelle  brill.   P   7.50   Legouix. 

-  Tarentelle,   2P   9 —   Lemoine. 

-  Tarentelle,    P   6 —   Lemoine. 

-  Toccata,  P  6—. 

-  Un    Sourire,    valse,    P    4 — . 

-  Vacbe   perdue   2.50. 

-  Valse   lente,   P   5 —  Lemoine. 

-  Valse  mazurk  5 —  Lemoine. 

-  "S'alse-Serenade,   P   5 — . 

-Vivandifere,   polka    des   villageoises,   P    1.25 
Schott. 

-  Wanda,    redowa^   P   4.50. 
-Wert  her,  P   10— n. 

Marmontel-Corbas,  Aubade  3 —  Bornemann. 
-3  Pifeces:   1.  Heroide.  2.  Barcarolle.  3.   Mo- 

nuet-valse,  P  1.70  n  Gregli. 
Marmorito    V.    di,    Alia   Luna,    ode    2 —   Ri- 

cordi. 
Marmotte  en  vie   1 — n  Joiibert. 
Marneff  Jules,   Doux   reve,   mel.    Vc,   V,  Fl, 

Mand,  av.  P,  Harpe  a  1.75  n  Rouhier. 

-  Salve  Eegina    1.75   Ricordi. 

Marnet   Leo.   Costallat:   A  mon  ame,  6legie 
avec  choeur,  Vc,  H  ad  lib.  3 —  n. 

-  Au  Myosotis,  duo,  v.  6g.   3 —  Noel. 

-  Au  pigeonnier,  romance   1 —  n. 

-  Chanson  du  loup,  ballade   1 —  n. 

-  Chant  des  Anges  3 — ,  en  choeur  k  I'unisson 

(ad  lib.)    3—  Noel. 

-  Coucou  — 50  n. 

-  Coupe,   2  tons   1—  n. 

-  Cueillette   aux  bluets   1 —  n. 

-  Derni^res   fleurs,   4l6gie   1.70  n. 

-  Fleurs  d'automne,   valse   6 —  Clot. 

-  Fontaine  1—  n. 


-  Grandi.s.sez   bien   vite  3 — ,    Ch.   ,s.    1- —   Noel. 

-  Lendemains   4 —  Noel. 
-Marguerite,  melodie-valse,  2  tons  2 — n. 

-  Oiseau  que  j'attends,  Ch.  s.  1 —  Noel. 

-  On  n'achete  pas  le  bonheur  3 — ,  Ch.  s.  1 — 

Noel. 

-  Printemps  3 —  Noel. 

-  Rat   de   ville,    rat   des   champs    (a   2    voix) 

1— n. 

-  Reverie  2 — ■  n. 
-Rose   sauvage   1.70  n. 

-  Si    vous    m'aimiez,    romance    1^  n. 

-  Souhaits   1 —  n. 

-  Souvenirs    d'enfance    3 —    Clot. 

Marney  L.  I'm  going  to  get  4/ —  Ascher- 
herg. 

Marnow  E.  op.  1  Konig  Wilhelms-Marsch 
—50  Bote. 

Marocco  C.  Perosino:  0  Beata  Virgo  Ma- 
ria Autifona,  a  3  voci   I —  n. 

-  Romanza   3 — . 

-  Salve  Regina  per  1/28  2 — . 

-  Serenata  3 — . 

-  Sulle   rive   del   Tanaro,   mazurka   2,50   Ma- 

riani. 
Marcel,   Chanson   de   St.   Nicolas   1 — n   Jou- 

bert. 
Maroix    J.    Jeanne,    valse   2 — n    Durdilly. 

-  Surprise,  polka   1.75  n  Durdilly. 

Maron,     Recueil    do    Danses,     Mand    2.50  n 

Pisa. 
Marot   CI.   Hermite   1 — n   Choudens. 

-  Plus   ne   suis    1 —  n    Choudens. 

Marotta  Alessandro,  Canto  della  Liberta, 
a   3  voci  — 50   Cottrau. 

-  Fioraia  di   Firenze,   bizzarria   3 —  Ricordi. 

-  Lamento   del   Vate,   romanza   2.50   Ricordi. 

-  Lamento,  romanza  1 —  Ricordi. 

-  LTn    Duello,    duettiuo    tragi-comico    3 —    Ri- 

cordi. 
Marple    G.    W.    Weehes:    Andantino     from 

6th  Quartet    (P  1  e  y  e  1) ,  Org  4/—. 
-Fugue,   A  minor    (Eberlin),    Org   4^1 — . 

-  March   in  D    (H  i  m  m  e  1)    4/—. 
Marpurg    F.    (1825—1884).    Schott:      Op.    1 

Sechs  Gesange  ftir  4  Mannerst :  I :  Vor- 
friihling.  Nachts.  An  den  Sonnenschein 
2.25.  II :  Ode  von  Corradi.  Abendruh'. 
Der   Heimat   Zauber   2.25. 

-2  Drei  Gesange  1.75:  Mein  Herz  ist  im 
Hochland,  2.  Macaura's  Grab,  3.  Du 
schone   Maid,    a   — 75. 

-3  Filnf  Gesange  2.75:  Nr.  1.  Tngeborg's 
Klage  — 75.  Nr.  2.  Wiinsche  aus  Hafis 
—50.  Nr.  3.  Im  Walde,  4.  Zul6ikha,  5. 
Schottisches   Wiegenlied,   a  — 75. 

-5  Sechs  Gesange  1.75:  Nr.  1.  Fruhlings- 
nahen,  2.  Im  Glanze  deines  Angesichts, 
3.  Unter'm  Baum,  4.  Friihling,  5.  Volks- 
lied  in  elsassischer  Mundart,  6.  Ftir  Mu- 
sik,   a  — 50. 

Marpurg  F.  W.  Capriccio  (F),  P  3/—  Duff, 
— 30  n   Gehethner. 

Marquardt  Fritz,  op.  10  Kleine  Suite, 
4    Kinderstiicke,    P    1.50    Simrock. 

-  15  Vier   Kinderstiicke,   P   1.50   Simrock. 

■  Heidezauber :  „Geh'  nieht  allein",  TTBB 
1.20   Schierwater. 


Marquardt  P.  op.  24 


205     — 


Marquerie  A.  Duo 


Marquardt  Paul.  Marquardt:  Op.  24  Der 
Kheinweiii  hat  bald  es  erreicht:  „Es  war 
einst  in  herbstlichen  Tagen"  1.25  Mar- 
quardt. 

-26  Du  bist  mein  Gott:  „Wenn  miide  nacli 
der    Tageswende"    1 — . 

-31    Unsere    66er,    Marsch     1 — ,    0    1.50  n 
Rathke, 

-33  Du  weifit,  wie  ich  so  lieb  dich  hab'  1.25. 

-37   Schwerterklange,   Marsoh    1.20. 

-  41    Hip,   hip,    hurra  !    Marsch    1 — . 

-  42   Vergifimeinnicht    1 — . 

Marquarre  G.  Sonnet  a  Marie,  Impr.  Bntt- 
jivr-Thierri'-'P  aria. 

Marque    A.    Gaudet:    Accord   parfait   av.    V 

—25  n. 
-Ah!    vcus    dirai-je    maman,    varie,    V    2.50 

Mothieu. 
-Air  varie  en  si  b^mol,  VP  2.75  n,  V  1 — n. 
-Air  vari6,  VP  7.50,  V  2.50  Mathieu. 

-  Bresilien,    quadr.    0   a  8   p.   — 75    Mathieu. 
-5  Caprices  o^  etudes,   V   1.50  n. 

-Duo,    Vs.  — 60n. 

-  3  Duos,  VVc  3—  n. 
-32  Duos,  2V  3— n. 

-  Escamoteur,  quadr.  0  a  8  p.  — 75  Mathieu. 

-  Elisa   et   Glaudia,   ouverture,    2V    1.50  n. 

-  Etudes  pour  la  4e  corde  — 75  n. 

-  26   Etudes,   V  9—  Mathieu. 

-  Grande  fantaisie,  F,  Va   2 —  u   Costallat. 

-  Grande   m^thode   de    V    9 —  n,    I    4 —  n,    TI 

3.50  R,   III    3— n. 

-  Jolie    et    la    facile,    2  raises    &    1    maz.    V 

3.75    Legouix. 

-  6   Nouvelles   6tudes   2 —  n. 

-  Petite   methode   6l6mentaire   de   V    1 —  n. 

-  Petite    methode    el6m.    et    progr. 

Ghelmoe. 

-  Quadrille  la  Poule  coquette,  imit.  V 

Mathieu. 

-  Quadrille   sur   des   gammes,    V  — 30  n   Ma- 

thieu. 

-  Une   Visite   au    Camp   pot-pourris   sur    des 

airs  popul.  frang.  V  5 —  Legouix. 
Marqueur,    Mein    Herr     (aus    Schwartz: 

Beliebte    Mannerchore)    — 80    Tonger.   - 
Marquerie   A.   Labbe:    Op.   21    D  i  a  d  e  s  t  6, 

2  bluettes,  ^^ns,  I — II  a  5 —  Heugel. 

-  22   Le   Postilion   de   Longjumeau,    3    petits 

duos,  soigneusement  doigtes  pour  les  pe- 
tites  mains,  Jfms:  1.  Eondino,  2.  Varia- 
tions,  3.   Fantaisie,   h.  1.50   Schott. 

-  24  Le  Brasseur  de  Preston,   2  petits  duos, 

soigneusement  doigtes  pour  des  petites 
mains,   4ms,   I — II   a  1.50   Schott. 

-  Ah  !  que  tes  yeux  3.50  Heugel. 

-  Ame  de    15   ans   1 — n,   av.   G  — 40  n. 

-  Amoureux     de    la     belle    Madeleine      2.50 

Heugel. 

-  Amoureux  de  Caen  3 — ,  Ch.  s.  2 —  Heugel. 
-ArcGuri'Ux    des    cloches,    Ch.    s.   — 20  n. 

-  Ange  de  la  mansarde,  Ch.  s.  — 20  n. 

-  Ange  et  D^mon,  av.  G  — 40  u. 

-  Anglais  touriste   3 —   Noel. 

-  Anneau    d'or    4 — ,    Ch.    .9.    1 —    Bornemann. 

-  Appel    a  la    charite    1 —  n,    Ch.    s.    — 40  n 

Bornemann. 


V      1.50 


-30  n 


11, 

av.   G  — 40n. 
— 40n,  Ch.  s. 

G  — 40n, 

40  n,   Ch.  s. 

1—   Noel. 


-  Apr&s  I'orage,  av.  G  — 40  n. 

-  Bagne  de  ma  m&re  2.50  Heugel. 

-  Baisers   perdus    1 —  n,    av.    G    — 40,    Ch.    s. 

— 20n. 
-Baton  de  mar^chal   1 — n,  av.  G  — 40  n. 

-  Battears  de   gerbes,   Ch.   s.  — 20  n. 

-  Beau  tambour-major   1 —  n  Gregh. 

-Belle  Feironni&re  1 — n,  av.  G  — 40,  Ch.  s. 
— 20n. 

-  Bernerette,   Ch.  s.  — 20  n. 

-Bete  a  bon  Dieu  1 — n,  av.  G  — 40  n,  Cli.s. 
— 20u. 

-  Boh^miens  de  Paris  1 — ii.  av.  G  — 40  n. 

-  Bonnet  de  Li.se,  Ch.  n.  — 20  n. 

-  Evttes  Montmartre,   Ch.  s.  — 20  n. 

-  Calembourdin    a    Constantinople    1— n. 

-  Caravella,  av.  G  — 40  n. 

-  Carnaval    du    Galopin,    avec    parle      1 

Ch.    s.    —35  n    Gallet. 

-  Qa,  s'ra  ben   fait  pour   vous, 

-  Ce  qui  perd  les  anges,  av.  G  — 

— 20n. 
-Chanson   du   tonnelier   1 — n,   a\ 
Ch.   s.  — 20n. 

-  C'etait  bien  la  peine,   av.   G 

— 20n. 

-  Chant    de   Canotiers   3 — .    Ch.    s 

-  Chant  de  I'Arabe,   Ch.  s.  —20  n. 

-  Chant    du    Bosphore    1 —  n. 

-  Chanteuse  des  rues,  Ch.  s.  — 20  n. 

-  Chemin  des  Pollers,  Ch.  s.  — 20  n. 

-  Ch&ne  et  la   Roseau  2.50  Heugel. 

-  Cheveu   blanc,   Ch.  s.  — 20  n. 

-  Chinois,  quadr.  5 —  Heugel. 
-Clarita,  Ch.  s.  — 20  n. 

-  Comme  a  vingt  ans,  Ch.  .'?.  — 20  n. 

-  Conducteur   Parisien   1 —  n. 

-  Centre  fortune  bon  coeur,  Ch.  s.  — 20  n. 

-  Coq  du  Village  3—,  Ch.  s.  1—  Noel. 

-  Cousin  du  beau  -Nicolas,  Ch.  s.  — 20  n. 
-Craignez   le   diable,   ay.   G  — 40  n. 

-  Crinolette  1—  n,  av.  G  —40  n,  Ch.  s.  —20. 

-  Dans    ciuquante    ans    1 —  n,      av.    G    — 40, 

Ch.  s.  — 20n. 

-  Dans  les  archers  du  Roi,  av.  G  — 40  n. 

-  Danse    des    Moissonneurs,    quadr.    4.50    Le- 

gouix. 

-  Demoiselle  et  Grisette   1 —  n,  av.  G  — 40  n, 

Ch.  s.  — 20n. 

-  Dernier   bal    d' Alice,    av.    G   — ^40  n, 

—20  n. 

-  Dernier   vin   vieux, 

-  Derni&re  feuille   1  — 

—20  n. 

-  Desespere,   av.   G  - — 40  n. 

-  Dialogue   d'un   fou   2.50   Heugel. 

-  Dix  cors    (fanfare  du  cerf  dix  cors) 

Ch.  s.  —20  n. 

-  Dix-huit   sous   du   petit   Andre    (av.   parl6) 

3 —    Mathieu. 

-  Docteur    Pathos    1 — ■  n. 

-  Dompteur   d'animaux    1 — u,    av.   G   — 40  n, 

Ch.   s.  — 20n. 

-  Dot  de  Jeanne,   Ch.  s.  — 20  n. 

-  Doux-doux   ch6ri    1 —  n,    av.    G   — 40  n. 

-  Duo,    pour    petites   mains,    Le   brasseur    de 

Preston,   J/ms   2 — n    Costallat. 


Ch.    s. 


Ch.   s.  —20  n. 
n,  av.  G  — 40  n, 


Ch. 


1—11, 


Marquerie  A.  Ebena 


—     206     — 


Marquerie  A.  Reves 


Ebena,   ou   I'Espagnole   de  Paris   1 —  n,  av. 

G  — 40  n,  Ch.  s.  —20  n. 
Ecuyer   dii   cirque    1 — n    G7egh. 
Elixir  d'amour  1 — n,  av.  G  — 40  n. 
Elle  est  au  ciel  2.50  Eeugel. 
Embarras    du    choix    1 —  n,    av.    G    — 40  n, 

Ch.  s.  — 20n. 
Etrennes  de  Rosine,  Ch.  s.  — 20  n. 

Farceur  du  village   1.20  n,   Ch.  s.  — 20  n. 
Fee  aux  joujoux,  Ch.  s.  — 20  n. 
F6e  aux  miettes,  Ch.  s.  — 20  n. 
F6e  aux  songes  d'or,  Ch.  s.  — 20  n. 
Fernand  le  bandit  1 —  n,  av.  G  — 40  n. 
Fete-Dieu   - — 30  n   Joubert. 
Feu   d'artifice   3 —   Sulztach. 
Fiancee   du   marin,    Ch.  s.   — 20  n. 

•  Fin    du    Monde,    chansonnette,    avec    parl^ 

1— n,   Ch.  s.  — 35  n  Gallet. 
Fleur  du  pays  normand,  Ch.  s.  — 20  n. 
Fleur   de  Carotte  3 —  Noel. 

■  Flibustiers,  Ch.  s.  —20  n. 

■  Floricola,  Ch.  s.  —20  n. 

■  France  et  Italic,  Ch.  s.  — 20  n. 

•  Fricoteur   1 —  n,   Ch.  s.  — 80  n  Bornemann. 
•Gages  d'amour   1 — n,  av.  G  — 40  n. 

Galant  postilion  1 — n,  av.  G  — 40  n,  Ch.  s. 
— 20n. 

Galopin  industriel   1—  Gregh. 

G^ant  de  Livarot  1 — n,  Ch.  s.  — 40  n  Borne- 
mann. 

Gentilhomme  d'a  present  3 — ,  Ch.  s.  1 — 
Noiil. 

■  Graine   de  lin,   Ch.   s.  —20  n. 
Grenadine  la  vivandi&re  1 —  n,  av.  G  — 40  n, 

Ch.  s.  — 20n. 

■  Grenadiers  du  Roi,   Ch.  s.  — 20  n. 
Grii-ette    d'aujourd'liui,    Ch.    s.   - — 20  n. 

•  Guepes    de    la    rue    Vivienne    1 —  n,    av.    G 

2 —  n   Gregh. 

■  Heritage  de  mon  cousin, 

•  H^ritier  Bas-Normand   1- 

Ch.    s.   — 20n. 

•  Histoire   du   genre   humain,    Ch.   s. 

■  Histoire   d'Yvonne,    Ch.   s.   — 20  n. 

■  Homme  noir,  Ch.  s.  —20  n. 

■  Tndiscret,  Ch.  s.    — 20  n. 

■  J'ai   mon  livret,   av.   G  — 40  u. 

•  J'   suis   amoureux    2.50    Heugel. 

■  Je  ne  bois  plus  de  vin,  Ch.  s. 

■  Je  voudrais  etre  mon  portier,  Ch.  s.  — 20  n. 

•  Jeanne,    Jeannette    et    Jeauuetou,      Ch     t-i. 

— 20n. 

-  Jerome    Bloquet,    ou 

(av.  parl6)    2.50,   Ch. 

■  Jeune  timonier   1 —  n, 

-  Leona   2.50    Beugel. 

■  Leona :    J'admire    sa 

Heugel. 

■  L6ontine    1 —  n,   av.   G    — 40  n. 

■  Lettre    d'un    conscrit    a  son    p^re,      Ch.    s. 

— 20n. 

■  Lever    de    I'aurore,    2e    duo    concertant,    P 

Hautb    7.50   Sulzlach. 

■  Lion   du    Boulevard    2.50    Heugel. 

■  Lion  d'or    (fanfare  du  renard)    1 —  n,  Ch  s 

—20  n. 
-Ma    fenetre,   Ch.  s.   — 20  u 


Ch. 
n. 


s.  — 20n. 
av.  G  —40  n. 


-20  n. 


-20  n. 


le    Betour    de    Paris 
s.  — 25  n   Grus. 
av.   G  —40  n. 

riche    campagne    2 — 


-  Madeleine    (fanfare  de  1'  hallali  sur  pied) 

1— n,   Ch.  s.  — 20n. 
-Madeleine  mariez-vous   1 — n,  av.  G  — 40  n, 
Ch.  s.   — 20n. 

-  Maltre  Plaidant  (parl6)   1 — n,  Ch.  s.  — 80  n 

Bornemann. 

-  Marianne,  Ch.  s.  — 20  n. 

-Marjolaine    1 — n,      av.    G    — 40  n,      Ch.    s. 
—20  u. 

-  Mere  de  famille,  Ch.  s.  — 20  n. 

-  M6sange   prisonni^re   1 —  n. 

-  Messire   le   Loup    2.50    Heugel. 

-  Mon    premier    cheveu    blanc    1 —  n,    av.    G 

—40  n,   Ch.  s.  —20  n. 

-  Monsieur    Beaupif    ou    les    malheura    d'un 

homme  bien  n6  1 —  n,  av.  G  — 40  n. 

-  Ne  m'aimez  pas,  av.  G  — 40  n. 

-  Ne  quitte  pas  ton  frfere  1 —  n,  Ch.  s.  — 40  n 

Bornemann. 

-  Nicolas   le   pauvre  gueux,    Ch.  s.  — 20  u. 

-  Nigaudinos   en   Afrique   3 —  Noel. 

-  Nourrice   Caucboise  3 —  Sulzhach. 

-  Nouveau   theatre   monstre    3 — ,    Ch.   s.    1 — - 

Cartereau. 

-  Ombre  de  Beranger,   Ch.   s.  — 20  n. 

-  Oraison    de    feu    Miaulard    (av.    parl6)    3 — 

Grtis. 
-Oil   vas-tu?   av.    G   — 40  n,    Ch.   s.   — 20  n. 

-  Pain   du  bon   Dieu,   Ch.  s.  — 20  n. 

-  Pannotet     aux    Champs-Elys6es,     chanson- 

nette avec  parl6  1 —  n,  Ch.  s.  — 35  n  Gallet. 

-  Parrain   1 —  n,  av.   G  — 60  n,   Ch.  s.  — 40  n. 

-  Pauvre    fleur    du    chemin,    av.    G   — 40  n. 
-Pauvre   Mere   L70  n   Bornemann. 
-Pauvre   mfere   5 — n   Bornemann. 

-  Pat  vrt-  petit  prends  garde  a  toi  1—  n,  Cli. 

s.  — 20n. 

-  Pauvre  petit  Eloi   1 —  n,  av.  G  — 60  n,  Ch. 

s.  — 40n. 

-  Pecheurs   et  I'orage,    Ch.  s.   —20  n. 

-  Pfere   Chasselas   1 —  n,    Ch.  s.  — 20  n. 
-Permission  de  dix  heures,  2  quadr. :   L  De- 
part, 2.  Retour,  a  4.50  Legouix. 

-  Petit  doigt   de   ma   grand'  m&re    1 —  n,   av. 

G  — 40n. 
-Petite  fileuse  de  lin   1 — n,  av.  G  — 40  n. 

-  Petite  montre  de  Denise,   Ch.  s.  — 20  n. 

-  3   Petits  duos  sur  le  Postilion  de  Longju- 

meau,  ^ws  a   6 —  Joubert. 

-  Petits  myst&res  de  Paris  3 —  Sulzbach. 

-  Peuples    1 —  n,    Ch.  s.    — 20  n. 

-  Piquilla,    Ch.  s.    —20  n. 

-  Poisons    1 —  n. 

-  Polkamanie    1 —  n,     Ch.  s.    — 40  n     Borne- 

mann. 

-  Poudre  de  perlimpinpin   1 —  n. 
-Pourquoi?    1 — n,   av.    G  ■ — 40  n. 

-  Prince   Colibri,   quadr.   4.50   Legouix. 

■  Priucesse    Colibri,    quadr.    4.50    Legouix. 

-  Reine  des  pficheurs   1 —  n,   av.   G  — 40  n. 

-  Renard  et  les  Raisins  2.50  Heugel. 

-  Reste  au   pays   1 —  n,   av.   G  — 40  n,   Ch.  s. 

— 20n. 

-  R6veil   de   la   nature    1 —  n   Joubert. 

-  Rgverie   et   souvenir   a   la   musique,   Ch.   s. 

— 20n. 

-  Reves  2.50  Heugel. 


Marquerie  A.  Reviens 


207 


Marraco  O  salutaris 


-  Revieus  av.   G  — 40  n. 

-  Rita    I'Arragonaise,    Ch.  s.   — 20  n. 

-  Roi  de  la  bouche,  av.  parle  3 —  Grus. 

-  Roi    de    la    montagne    1 — n,    av.    G   — 40  n, 

€h.   s.  — 20n. 
-Rose    blanche    1 — n    Joubert. 

-  Sentinelle  perdue   1 —  n,  av.   G  —40  n. 

-  Sergent    de    recrutement    3 — ,    Ch.    s.    1 — 

Curterenu. 
-Soldats  du   Christ,   Ch.   s.  — 20  n. 

-  SoniKur   de   Bagnolet,   Ch.  s.  — 20  n. 

-  Souvenirs    1 —  n,   av.    G   — 40  n. 

-  Sur    la    route    1 — n,    av.    G    — 40  n,    Ch.    s. 

—20  n. 

-  Sur  I'eau,   Ch.  s.  —20  u. 

-  Th^r^se     (Fanfare    de    Thallali    par    terre) 

1- n. 

-  Tireuse  de  cartes  1.20  n,  av.  G  — 40  n,  Ch. 

s.   — 20n. 
-Tireuse  de  cartes    (av.  parle)    3 —  Mathieii. 
-Tisserand,   Ch.  s.  — 20  n. 
-Tombola   de   Perlinpinpin    1 — n    Gregh. 

-  Trois  ages   1 —  n,  av.  G  — 40  n. 

-  Trois   amours  pour    un   coeur    1 —  n,   av.    G 

— 40  n,   Ch.   s.  —20  u. 

-  Trompette   a  pistons   2.50  Heugel. 

-  Trop  tot  vous  grandirez  !    1 —  n. 

-  Un    amour    d'Auvergnant,    Ch.  s.   — 20  u. 

-  Un  amour  de  proprietaire,  Ch.  s.  — 20  n. 

-  Un   amour   sans   espoir    1 —  n   Margueritat. 

-  Un   grand   Sermon   3 — ,   Ch.   s.   1 —  Noel. 

-  Un    monsieur    qui    a   la   vue   basse,    Ch.    s. 

—20  n. 

-  Un   Pauvre  jeune  homme,   Ch.  s.  — 20  n. 

-  Une    cantatrice    en    herbe     1.20  n,     av.     G 

— 60n. 
-Une  vente  d  la  cri6e,  avec  parl6  1 — n,  Ch. 

s.  — 35  n  Gallet. 
-Uisule   1— n,   Ch.  s.  — 20  n. 

-  Valsez,    mes    soeurs,    Ch.  s.    — 20  n. 

-  Veritable    Mathieu    Laensberg,     av.     parl6 

1 —  n,   Ch.   s.  — 35  n   Gallet. 

-  Vieillard,  Ch.  s.  —20  n. 

-  Vierge    aux    raisins    1 — n. 

-  Vieux   Paris,   Ch.  s.  — 20  n. 

-  Vivandi&re   des   zouaves,   Ch.   s.   — 20  n. 

-  Voila   I'journal    1 —  n,   av.   G  — 40  n. 

-  Voile  verte  2.50  Eeugel. 
Marques   1 — n,   Ch.  s.  — 30  n   Ondet. 

Marques,      Preludio    del    Anillo    de    Hierro, 
Ayjie. 
del    Anillo     de    Hierro,     0     10— 


de    zarzuela    mo- 


O  2.50  u 

-  Siufonia 

Ayn4. 

-  Sinfonia    sobre    motives 

dernas,   0   8.50  n   Aynd. 
Marques    A.    op.    68    Clara,    polka-mazurka, 

yp   5_   Carisch. 
Marques   C.    Jalde,   schott.    1.50   Bevilacqua. 

Marques    Felisberto.   Guimaraes:   A  Tunna, 
quadr.    1.50. 

-  Conspiradora,   polka    1 — . 

-  Gavroche,   polka   1 — . 

-  Japoneza,  polka   1 — . 

-  Manuelita,   polka   1 — . 

-  Opulencia,    polka    1 — . 

-  Pluie  d'Argent,  valsa  2 — . 

-  Se  querrem   eu   choro,   polka    1 — . 

-  Vina,   valsa   2 —  Bevilacqua. 


A  n  g  o  t,    valse, 
s.   a   —20   Mon- 


Chanson   bachique   6 —   Chou- 
Ave    Maria,    av.    Org    1.50  n 


Marques  Wilkie,  Narcisse- Valse  5 —  Ca- 
risch, 2—  n,  PV,  PFl,  PCI  a  2.50  n,  0  2—, 
Instr  a  cordes  1 — n,  a  v.  Fl  1.50  n  Foe- 
tisch. 

Marquet,  Fille  de  Mme 
Harm  3—,  Fanf  2.50,  p. 
voisin,  Pomier. 

-Premier  entr'acte,  romance,  VcP  — 80  n, 
VcO   2—  n,    Fc-s.   —30  n    Gaudet. 

Marquet   G.   Ritournelle  5 —  «7om re-Paris. 

Marquet-Sorandi   E.  G.  Ave  Maria,  8T,  Org 

5 —   t/o!(re-Paris. 
Marquette    de     Bedie,    Lacher    de    Pigeons, 

marche   1.70   Gheluwe. 
Marquetty  G 

dens. 
Marquez    Ch. 

Deniets. 

-  Clermontaise    1.50  n,   Ch.  s.  — 35  n   Demets. 

-  El    Anillo    de    Hierro,    prilludio     1.50    Na- 

poleao,   — 50    Wagner    y    Levien. 

-  Maroussia    1.25  n   Dattremte-Paris. 
-0   Salutaris,   av.    Org    1.50  n   Demets. 
-Pater   noster,   av.   Org   1.70  n  Demets. 

-  Priera   del   Christ,    MS   5 —  n   Demets. 

-  Valse  con  letra  de  la  zarzuela  Un  Regalo 

de  Boda,  valse  — 75  Wagner  y  Levien. 
-Vive  le   roi!    Vive   la  France!    1.25  n  Dau- 

renn'e-Paris. 
Marquez  le   pas   1.35  n,  Ch.  s.  — 35  n  Eveil- 

lard. 
Marquis   C.   I  know   beyond   the   sea  a  vale 

—35    Ellis. 

-  Par  la  fenetre  1.50  Bevilacqua. 
Marquis   E.  Student's  march  — 25  Brainard. 

Marquis  H.  Les  belles  Montmartroises  1 — -n 

Lahonde. 
Marquis  et  le  Malandrin  1 — n,  Ch.  s.  — 30  n 

Ovdet. 
Marquis   et    Marquise    1.35  u   Joubert. 
Marquis  et   Vicomte    (duo)    1 —  Chavat. 
Marquise  a  voyage  1 —  Chavat. 
Marquise  Taupin    1 —  Delormel. 
Marquises   de    la  fourchette    1 — n  Joubert. 

Marr  G.  Konferenz-Walzer  1 —  Schuherth  jr. 

-  Landler   fur   2Cl    (in    B)    m.    0   2—,   m.    P 

1.50   Seeling. 
Marr    Karl,    Gottfr.    Rode,    Martin    Trappe, 

Liederbuch    fiir   Scliule    und   Haus  — 60  n, 
f.  katholische  Schulen  — 60  n  Hoffmann. 

Marr  W.  Konigs-Chevaulegers-Marsch  1 — , 
Jtms  1.50,  blM  1.50,  PV  1.80,  ^msV  2—, 
PVFl  1.80,  ^tnsVFl  2.50,  V  —50,  PFl 
1.50,  4msFl  2—,  Fl  —50,  2Z  I—,  Z  —60 
Boh  m. 

Marra   A.   Chiarastella   4 —   Santojanni. 

-'0   Suldato   —50   Bideri. 

■  Occhi  neri,  romanza :  Quando  mi  guardi 
3 —    Ricordi. 

-  Quando  al  fuggir  2.50  Santojanni. 

Marra   G.   '0  Velo,  canz.   nap.  — 60,  MandP 

—70   Rebagli. 
Marraco.   Dot4sio:  Anita,   danza  — 75. 

-  Fiesta  de  los  Angeles,  P  1.40. 

-  Hotel   Internacional,   vals   1.50. 

-  O    salutaris,    T  y    Org    1.25. 


Marraffa  F.  Lo  chiami  iiivano 


—     208     — 


Marri  A.  6  Petites  danses 


Marraffa   F.  Lo  chiami  invano,  melodia  3 — 

Sandro7i. 
-Rosina,  P  2.25  Sandron. 

-  Tipo  siciliano,   P  4—  Sandron. 
Marraine  du  petit  Leon  1— n,  Ch.  s.  — 30  n 

Ondet.  : 

Marraine    1 — n    Joiilxrl. 
Marraine   d'Argenteuil    1 — n,   Cli.   s.   — 30  n 

Oiidel. 
Marraine   de    Bagnolet    1 — n,    Ch.   s.  — 30  n 

Ovdet. 
Marraine  de   Landernau   1 — u  Jotibert. 

Marras    Giacinto,    Alito    di    Nice,    with    PG 
1/6    Williams. 

-  Blume  so  hold   (0  vaga  fior),  A  1 —  Schk- 

singer. 

-  Cara   di   notte  tacita,  serenade,   SMS   1/6  n 

Augever. 

-  Cara,    se    cado    esanime,    romanza    1 —    Ri- 

cordi. 
-Concetti  Italiani :  1.  L'lnnamoramento, 
serenata,  2.  Esci,  o  sospir,  dal  Care,  gon- 
doliera,  3.  L'Impazienza,  il  canto,  4.  Ad 
Amore,  melodia,  5.  Vagando  in  Ciel,  bo- 
lero, 6.  Al  mio  Cavallo,  scherzo,  7.  La 
Suonatrice,  malinconia,  8.  Vittoria !  Vit- 
toria!,    inno    trionfale    a    1/ — n    Augener. 

-  Cuor  Pellegrino,  w.   PG    1/6   Williams. 

-  Dimmi  ricordi  tu,  terzetto  6 —  Lemoine. 

-  Edenland,    in  C   and    E  flat   4/ —   Ashdown. 

-  Elementi    vocali     (Elementos    vocales)     per 

formare,  eguagliare  e  dare  estensione  alia 
voce,  insieme  alia  grazia.  Edizione  col 
testo    italiano    e   spagnuolo    12 —    Ricordi. 

-  Fair  Cynthia    (La  Luue)    3/ —  Chuppell. 

-  I  pallido  fiore  4/ —  Leonard. 

-Italia,  canti  d'amore :  1.  Amor  di  patria 
(Cara  patria  il  tuo  pensiero),  arietta,  2. 
II  desiato  fiore  (Togli  al  tuo  crine),  can- 
zonetta,  3.  L'Entusiasmo  (O  Donna  diviso 
non  reggo  da  te) ,  melodia,  4.  AH'  arnica 
lontana  (D'ottobre  rorida  tacea  la  luna), 
romanza,  5.  La  Rosa  del  cielo  (Entro  la 
valle  inospite),  romanza,  6.  Un  istante 
di  placer  (Sulla  placida  riviera),  barca- 
rola,  7.  Carme  di  guerra  (Alia  morte  col 
sorriso),  romanza,  8.  La  Naiade  (Ove  si 
bella,  o  Vergine) ,  barcarola,  9.  Meschi- 
nella !  (Proveretta  t'ha  tradita),  romanza, 
10.  Bella  se  amar  non  vuoi,  arietta,  11. 
II  Brigante  della  Sila  (Silvia  diletta  Sil- 
via!), scena  e  romanza,  12.  Affetti  ingp- 
nui  (Da  chi  nacqui?),  canzonetta,  13. 
L'Abborrito  (Si  tu  m'  abborri!),  romanza, 

14.  Cerco   fra   mille   uu'   anima,   romanza. 

15.  II  Nauirago  (All'  ancora  nocchieri), 
scena  descrittiva,  16.  Un  Addio  (Se  per- 
der  te  deggio  io),  melodia,  a  — /6  n  Aii- 
gener. 

-  Io  t'amero,   canzonetta   1/ —  n  Augener. 
-Luna    (Fair   Cynthia),   duet   3/ —   Chappell. 

-  Moonlight,      drawing-room    trio    for    treble 

voices   3/ — ,   Voc.   score  — /2  n  Ashdown. 

-  0 !    flower    so    fondly    cherish'd    3/ —    Ash- 

do  icn. 

-  Oh !    Santo    Spirito,    preghiera    per    MS    o 

Contralto  con  P   1.50  Ricordi. 


-  O  vago  fior,  canzonetta  3/ —  Ashdown,  5 — 

Lemoine,  2.25   Ricordi. 

-  0 !   were  I  blest  above,  an  english   version 

of   „S'io   fosGi"   4/ —  Ashdown. 

-  Primaverili   aurette,   notturno,   duetto   1.50 

Ricordi. 

-  Rimembranze    di   Napoli    1 —   Ricordi. 

-  Sempre;'i>'a,  Questo  ligustro,  romanza  — /6  n 

Augener. 

-  S'io    fossi    un    angelo    3/ —    Ashdoion,     1 — 

Schlesingt-r,   4 —   Lemoine,    1.75    Ricordi. 

-  Tu  scenda^ti  (D.  G  o  d  i  r  e  y's  Mabel  Valse) 

3/—   Ch.tppell. 
-War'  ich  ein  Engel    (S'io  fossi  un  angelo), 
8A    1 —  Schlesinger. 

-  Whit  thee  —40  Vitson. 

Marras  J.  Je  voudrais  oublier  1 — n  Lahbe. 

-Tout  pour  toi   1 — n  Lahhe. 

Marre  A.  6  Petit  Danses :  1.  Arlequinette, 
Scottish,  2.  L'Etcurdie,  valse,  3.  Gavotte 
mignonne,  4.  La  Graciei  se,  5.  La  jeune 
Moscovite,  mazurka,  6.  La  petite  Cosaque, 
h   1 —  Demets. 

-  Tristesse  6 —  Loret. 

Marreco  J.  C.  C:sabero,  tango  1.50  Be- 
vilacqud . 

Marre!  Victor,  Les  dix  plus  jolis  morceaux 
de  la  Sonnambula,  de  Bellini,  arran- 
ges  pour   les   commencants,   V   6 —   Girod. 

-Les  dix  plus  jolis  morceaux  de  Beatrice 
di  Tenda,  arranges  pour  les  commeugants, 
V   6 —   Girod. 

-  12   Variations   sur   le   Carnaval    de   Venise, 

VP    (quat.  0)    7.50   Girod. 
Marret   H,  Desforges:  Alicia,  barcarolle  eo- 
lienue,   Mund(V)   — 30  n. 

-  Andalousie,  bolero,  3Iand{V)  — 30  u. 

-  Au  temps  passe,  ronde  ancienne,  Mand(V) 

—30  n. 
-Bouquet   de   Roses,   maz.   Mand(V)    — 30  n. 

-  Chanson   d'amour,   genre  ancien,   MandfV) 

—30  n. 

-  Coquette,   polka,   MandfV)   — 30  n. 
-Illusion    (scuvenir   d'enfance),   grand   valse 

brillante,   MandfV)   —30  n. 

-  Lilas    blanc,    jolie    valse,    MandfV)    — 30  n. 

-  Marche  cspaguole,   MandfV)  — 30  n. 

-  Margot,   polka,    MandfV)   — 30  u. 
-Menuet   Louis   XV,    3IandfV)   — 30  n. 

-  Muguet,    valse,    MandfV)    — 30  n. 

-  Pensees   d'avril,   maz.   gracieuse,   MandfV)^ 

-  Reve    d'un    ange,    romance,    MandfV). 

-  Reve  matinal,  maz.  MandfV). 

-Soiree      Printanifere,      rgverie,       MandfV) 
—30  n. 

-  Souvenir  du  Havre,  valse,  MandfV)  — 30  n. 

-  Souvenir   de   Jeunesse,   romance,   MandfV ) 

-30n. 

-  Souvenir   de  Lille,   valse,   MandfV )  — 30  u. 
-Souvenir    de    Trouville,     valse,      MandfG) 

—30  n. 

-  Triomphale,       marche       sonore,       MandfV) 

—30  n. 
Marri  A.  6  Petites  danses  faciles:  Gavotte 
mignonne.  La  Petite  Cosaque.  L'Etourdie, 
valse.  La  Jeune  Moscovite,  mazurka.  La 
Gracieuse,  polka.  Arlequinette,  schottisch, 
a   3 —  Demets. 


Marrietta 


209 


Marriott  C.  H.  R.  Janet 


Jftns 


4,—. 
FullO 


1/6  II, 


1  lii. 


Marrietta,      Primrose    Polku      1  3  ii       Allan 
Mozart. 

Marriner    H.    A.    Te    Deuiu    Laudamus,    2-1 

chaats  — I'.i  n    Vincent. 

Marrion,    Mother    Hubbard,    children's    -oiig 

— /6  n    Vincent. 
Marriott,    Alladiu   — liS  u    Augener. 
Marriott  A.  Sweet  Mary,  mild    (Christmas), 

men's  voices  and  chorus  — ,'1   Novello. 

Marriott    C.    H.    R.      Williams:       Aberdeen 
Quiidrine  4/ — . 

-  Ada,    schottisch    3/ — . 

-  Alaim    Waltz    4  — . 

-  Albert    Edward,    quadrille 

-  Alexandra,    gavotte    in    F,    P    4/ 

I  (i  n,   sept.    1/ —  n    Cramer. 

-  Alladiu,  fechottische  2/ —  Augener. 

-  Alpine,    schottisohe,    P    3,—,    FvllO 

sept.    1/ —  u   Cramer. 

-  .\neona,  quadrille  4/ — . 

-  St.  Ang.^lo,   quadrille   3/ — . 

-  Annie,  waltz  4/ — ,  J/ms  4/ — . 

-  Argyle  4/ — ,  ^ms  4/ — ,  0  2/ —  n.  sept 
-Ariel,    polka    3/ — .    0    2 — n,    sept.    1/4  n. 

-  Ascot,    galop,    FvU    Band    2/8,    Med.    Bund 

2/ — ,  Small  Band  1/4  Hawkes. 

-  Autumn    Manoeuvres,      march     and    polka 

4/—,  FullO   1/6  n.   sept.   1/— n   Cramer. 

-  Babes   in  the  Wood  — /6  n  Augener. 

-  Baud   March   —30    Willig. 

-  Bard   of   Avon,    quadrille    4/ —    Williams. 

-  Bavards,   quadrille   4/ — ,   .J?».s-  4/ —  Cramer. 

-  Belle- Vue,   quadrille  4;' —  A-'shdown. 

-  Bells  of   Islington,   galop   3, — . 

-  Birds  of  Spring,  waltz  4/ — . 

-  Blind  Man's  Buff,  quadrille 

-  Blue  Board   — '6  n  Augener. 

-  Blue    Danube,    quadrille    4/— 

-  Bluebell,    polka-mazurka    3/ 

Ashdoicn. 

-  Brighter  Days,  waltz   4/ —  Chappell. 

-  Broken  Tie  — 50  Goggan. 

-  Buckley's    Serenaders,    quadrille    3/ —    Wil- 

liams. 

-  Butterflj-  Waltzes  4/—,  ^tns  4/ —  Williams, 

l-'f    Instr    —80,     10    Instr     —60,     P    —15 
Cundy. 

-  Caledonian,    quadrille    4/ 

down. 

-  Captive,  polka   3/ — ■. 

-  Cherry   Garden    Stairs    (in    D,    F,    A) 

Cramer. 

-  Chilp6ric,    (juadrille    4'—,     'rms    4/ — 

down. 

-  Chloe,    gavotte,    P   4/—,    FullO    1/6  u,    sept 

1/ —  n   Cramer. 

-  Christine  Nilsson,   waltz   4/ —  Cramer. 

-  Christmas  Log,  ballad  — /4  Sheard. 

-  Come    Away    (on    the    Celebrated    Song, 

heard   a  Spirit   Sing),   waltz   4 — . 

-  Comic    Opera,     lancers,      P     4/ —    Cramer, 

FullO  —75,  SmallO  —50,  Full  Band  4/—, 
Med.  Band  3/ — ,  Small  Band  2/ —  Haiokes. 

-  Connaught,    polka    4/ — ,    FullO    1/6  n,    sept. 

1/ — n   Cramer. 

-  Dav/n    of    Love,    waltz    4/—,    FullO    1/6  n, 

sept.   1/ —  n   Cramer. 

I'niversal-Handbuch  der  Musikliteratiir.    M. 


-4  Sheard. 

Cramer. 
■,       Jfms    3/ 


'pns    4/ —   Ash- 


4/— 
Ash- 


I 


-  Days  of  old  4' —  Chappell. 

-  Dixey's  Laud,   galop   3/ — ,   J^ms  4/ — . 

-  Dolly    Vardeu,    quadrille    4/ — ,      Ifms    4/ — 

Ashdoicn. 

-  Duke  of  Edinburgh,   polka  4/ —  Cramer. 

-  Duke's   Motto,   waltz   4/ — . 

-  Dundee,  quadrille  4/ — . 

-Dundreary,  galop  3/—,  0  2/— n,  sept.  1/4  n. 

-  Dundreary,  schottisch  4/ — . 

-  Empress,   varsoviana,   P   3/ —   Ashdown. 

-  Enchanted   Castle,   polka   3/ — . 

-  England    and    Wales,    quadrille    4/—,    Ifms 

4/ —   Ashdoion. 

-  Evangeline,  valse  4/ —  Augener. 

-  Evelyn    Polka    4/—,      FullO    2!—  n,      sept. 

1/ —  n  Chappell. 

-  Fair  Reaper,  waltz  4/ — . 

-  Ferryman's    Daughter   4/ —    Cramer. 

-  Fille    du    Tambour,    lancer    4/ — ,   J^ms   4—, 

FullO    1/6  n,    sept.    1/— n    Cramer. 

-  First   Step,   polka   3/ — . 

-  Florence,    quadrille   4/—. 

-  Frozen  fountain,  polka  3/ — ,  Ji.ms  4/ —  Ash- 

dotcn. 

-  Fun  of  the  ball,  galop  4/ —  Ashdown,  Full 

Band    2/8,    Med.    Band    2'—,    Small    Band 
1/4   Hawkes. 

-  Garibaldi's  March  3/—. 

-  Garibaldi's    Triumphal    Galop     3/ — ,      4ms 

3/—,    0   2/— n,   sept.    1/4  n. 
-Geranium,  waltz  4/ — ,  0   1/4  u,  sept.   1/— n 
Enoch . 

-  German    baud,    quadrille    4/ — ,      ^ms    4/ — 

Ashdown. 

-  Gipsy   Queen,   waltz   4/ —   Weekes. 

-  Golden     Dreams,      waltz     4/ — ,      .'/ms     4/ — 

Francis. 

-  Golden   Past    (in   A,   C)    4/ —  Cramer. 

-  Gorilla,    galop    3/ — . 

-Gorilla,  quadrille  4/ — ,  J/ms  4/ — ,  0  2/ — n, 
sept.  1/4  n  Williams,  P  — 75  Brainard, 
— 50   Gordon. 

-  Gviy    Manneriug,    waltz   4/ — . 

-  Happy    days    departed     (in    B  flat    and    C) 

4/ —   Chappell. 

-  Happy    home,    quadrille    4/ — ,      J^ms    4/ — 

Ashdown. 
■  Hastings  Polka  3/ — ,   0   1/4  n,   sept.   1/ —  n, 
Enoch,    FullO    1 — ,    SmallO   — 75    Hawkes. 

-  Hastings   Polka,   CornetP   1/ —   Hawkes. 

-  Haven  of  Rest  4/ —  Chappell. 

-  Herald  of  Love,  in  A  and  C  4/ —   Weekes. 

-  Highbuiy,  polka  3/ — . 

-  Horse    Guards,    march    4/ — ,      FullO    1/6  n, 

sept.    1/ —  n    Cramer. 

-  T   dream  of  thee  still  — 40  Brainard. 

-  Ida   Waltz   4/—,   0   2/—  n,   sept.    1/4  n. 

-  Tnimenseikoff,    galop    3/ — ,    ^wis    4/ —    Ash- 

down. 

-  International  March  3/ — . 

-  International   Quadrille  4/ — ,   4^ns   4/ — . 
-Ireland     (on    Irish    Airs),    quadrille    4/ — , 

■ims   4/ —   Ashdown. 

-  Irish  Quadrille   4/ —   Ashdown. 

-  Isola  Bella,  quadrille  4/ — . 

-  Ivauhoe,   waltz   4/ —   Cramer. 

-  Janet,   polka   3/ — . 

14 


Marriott  C.  H.  R.  Japanese 


—     210     — 


Marriott  C.  H.  R.  Tivo  in  the  morning 


Japanese,  galop  3/—,  polka  3/—,  Jfms  4/—, 

O   2/— n,   Sept.    1/4  D. 
Jeannette,   maz.    3/—   Cramer. 
Jessica,    waltz    4, — ,    Ifms   4/ — . 
Jolis   oiseaux,   waltz   4/ —   Ashdown. 
Joliy  dogs,  galop  3/ — ,  -Jots  3/ —  Ashdown, 

P  —30   Gordon. 
Jolly  dogs,  polka  4/ — ,  jJots  4/ —  iLsTidouni, 

P  — 30   Gordon. 
Kathleen,  waltz  4/—,   0  2/—  n,  Sept.   1/4  n. 
Land  Ahead,  in  D  &  F  4/—  T^^eefces. 
Latest,   sensation,   galop   3/ — ,   Jfins   3/ — . 
Let  go !    Gralop   3/ —   Enoch. 
Lily    of    the    North,    waltz    4/ — ,    Jf'"^s    4/ — 

Cramer,  FullO  — 75,  SmallO  — 50  Eawhes. 
Linda,   waltz   4/ —   Cramer. 
Lisette,   mazurka   3/ — . 

■  Little  Bo-Peep  — /6  n  Augener. 

Little   Eed-Riding-Hood   — /6  n    Augener. 

■  Love  Bird,  waltz  4/ — . 

■  Mac    Mahon,    polka    3' — . 

Madame  I'Archiduc,  galop  4/ —  Ascherberg. 

■  Madame    Favart,    lancers   4/ —   Ascherberg. 

■  Magic  serpents,   polka  3/ —  Ashdowri. 

■  Maids  of  Merry  England,  waltz   4/ — ,  Ifms 

4/—. 
■Manola,   lancer,    P   4/—,   FullO    1/6  n,   Sept. 
1/ —   Cramer. 

■  Medora,   schottisch   2/6. 

■  Merry  Midnight,  lancer,  FullO  — 75,  Small 

0  — 50  Ean-kes. 
-Midnight,  galop  3/—,  0  2/— n,  Sept   1/4  n. 

■  Midsummer  Night's  Dream,  quadrille  4/ — , 

4ms  4/ — . 

■  Militar-Polka    (N.  M.  T.  1887,  N.  12)   —25 

Warmtith. 
-Military    (on  military  melodies),   quadrille 
4/ — ,   Jfms  4/ —   Ashdown. 

-  MjUchester  market  4/ —  Chappell. 

-  Mistletoe,  polka  3/ — ,  waltz  4/ — ,  -Jms  4/ — , 

0  2/—  n,  Sept.   1/4  n. 

-  Mountain  Echo,  polka  3/ — . 

-  Mousquetaires,     polka    4/ — ,     FullO     1/6  n, 

Sept.    1/ —  n   Cramer. 
-Naval     (on    popular    nautical    airs),    qua- 
drille 4/ — ,   Ifms  4/ —  Ashdown. 

-  New  Derby,  galop  4/ —  Ashdown,  Full  Band 

2/8,     Med.    Band     2/—,     Small    Band     1/4 
Eatvkes. 

-  New  Lancers  3/ — ,  Jtms  4/ — ,  O  2/ —  n,  Sept. 

1/4  n. 

-  Nev\'  lancers   (original),  quadrille  3/ —  Ash- 

dov:n. 

■  New   Medley   Lancer   4/ — ,  Ifms  4/ — ,  FullO 

1/6  n,  Sept.   1/ — n   Cramer. 

-  Nursery   Ehj'mes,   quadrille   3/ —   Augener. 

-  Offenbach  Waltz   4/ —  Cramer. 

-  Olivia,   waltz   2/ —  Boosey. 

-  Only,    Love   Remember    4/ —    Weekes. 
-Operatic   fantasias    (Verdi),    P :    1.    Tro- 

vatore,   2.  Traviata,   ^  3/ —  Ashdown. 

-  Organ  grinder,   polka   3/ — ,   Jfms  4/ —  Ash- 

doicn. 

-  Original  Lancers  4/ — ,   jf^ms  4/ — ,   0   2/ —  n, 

Sept.   1/4  n. 

-  Orpheus    (Offenbach),   polka    3/ — ,   J^ms 

4/ —   Ashdown. 


—75,    SmallO   —50, 
Band   2/ — ,     8m,all 


4/—. 
Ash- 


■  Outpost,   polka,   FullO 

Full    Band   2,8,     Med. 
Band  1/4  Hawkes. 

-  Phoebe,  waltz  4/ —  Cramer. 

-  Prince   of   Wales,   polka   3/ — . 

-  Prince  of  Wales'  Wedding,   quadrille 

-  Prince     of    Wales,     schottische     3/ — 

down. 
•  Princess   Alexandra,   waltz    4/ — . 

-  Princess    Beatrice,    waltz    4/ — ,    0    2/—  n, 

Sept.    1/4  n. 

-  Prince&s   Louisa,   maz.   4/ —   Cramer. 

■  Princess   of   Wales,    quadrille    3/ — . 

-  Prussian   Polka,   0   1/ —  n  Augener. 

-  Punch  &   Judy,  polka  3/ —  Ashdown. 

-  Queen's  Royal,   lancer   3/ — . 

-  Queen   of   the   Village,   waltz   4/ —   Cfamer 

-  Rainbow,    schottische    2/ —  n    Sheard. 

-  Ranelagh     (old 

Ashdown. 

-  Rest,  song  4/— 

1/— n. 

-  Royal   Horse   Guards,   march   4/ —   Cramer. 

-  Russian   Quadrille   4/ — ,   FullO    1/6  n,   Sept. 

1/ —  n  Cramer. 

-  Ruth    (Entr'act    Me   not    to     Leave    Thee) 

4/ —   Weekes. 

-,   -Jjws   4/ —   Ashdoion. 

3/—. 

Cramer,  — 50 


English) ,    quadrille     4/ — 
P   1/—,  FullO   1/6  n,  Sept. 


Brainard, 
0,     Sept. 


quadrille     4/- 


Chappell. 
6l6gante,  P  — 60 


-  Sailor's,   polka   3/— 

-  Salerno,  quadrille 

-  Salute,   galop  4/ — 

^ms   4/ —   Cramer. 

-  Sandringham,    gavotte,    P    4/ — , 

1/— n,   FullO   1/4  n   Weekes. 

-  Sandy's   Polka    3/—. 

-  Santa    Lucia,    quadrille    4/ — . 

-  Saragossa,    quadrille   4/ — . 

-  Sardinian,    quadrille   4/ — . 
-Scotland      (Scotch     airs), 

J/ms  4/ —  Ashdoion. 

-  Sensation,    quadrille   4/ — , 

-  Shadows  of   the   past  4/ — 

-  Showers  of  sunshine,  maz. 

Braiiiard. 

-  Skipper,   galop  4/ —  Francis. 

-  So  Soon  Forgotten    (in  D  or  F)    4/—  Cra- 

mer. 

-  Songs  of  the  night,  waltzes  — 75  Brainard. 

-  Staff,   galop   4/ —  Ashdoicn. 

-  Stolen    Kiss,    polka    3/ — . 

-  Sweet    Marguerite    4/ —    Cramer. 

-  They    all    do   it,   quadrilles   4/ — ,    ^ms 

Francis. 

-  Thunderbolt,    galop    3/ —   Augener. 
-Thy    Face    (in    B  flat,    C,    D)    4/—,    P 

FullO   1/6  n   Cramer. 
■  Thy    face   — 30     Gordon,     Presser,     Willig, 
— 40  Brainard,  — 35  Ditson,  — 50  Century. 

-  Topsy-turvy,    galop    3/ — . 

-  Tramp,   tramp,   galop  4/ — . 

-  Trapeze,  polka   3/ — . 

-Traviata    (Verdi),   waltz   4/ — ,   Jtms   4/ — 
Ashdow7i. 

-  Treasure-trove,    polka   — 50    Brainard. 

-  Treasures,   in   E  flat  &   F   4/ —   Weekes. 
-Trovatore    (Verdi),    waltz   4/ — ,   Itms 

5/ —  Ashdoion. 

-  Two   in   the   morning  —40   Brainard. 


4/- 


1- 


Marriott  C.  H.R.  UnBallo  in  Maschera 


211 


Marsa!  E.  Narbonne 


-  Un    Ballo    in    Maschera,    galop    3/ — ,    polka 

3/ — ,    quadr.    4/ — ,    waltz    4/ — . 

-  Unforgiven   4/ —  Chappell. 

-Victoria,    gavotte,     P    4/—,     FullO     1/6  n, 
Sept.    1/ — n    Cramer. 

-  Vie,  quadrille  2/ — ,  valse  2/ —  Boosey. 
-Vie    pour    le    Czar,    polonaise,    P    4/ — 

Cramer. 

-  Violin  tutor    (Rudiments  of  music,  bowing 

scales,   exercises,    etc.)    1/ — n    Ashdoicn. 

-  Voice   of    an    Echo    (in    E  flat,    F,   G)    4/— 

Cra7ner. 

-  Voyage  dans  la   Lune,   quadrille  4/ —  Cra- 

mer. 

-  We   Meet   Again,    song,    FullO    1/6  n,    Sept. 

1/ — n   Cramer. 

-  White    Squall,    quadrille    4/ — ,    ^ms   4/ — . 

-  Who's  that  Calling,   scotch   airs,   lancers,  P 

4/ —  Cramer. 

-  Who's    that    Calling?    Quadrille    4/ — ,    -Jm.s 

4/ — ,   FxdlO    1/6  n,    Sept.    1/ —  n    Cramer. 

-  Wide-awake-quadrilles   4/ — ,  Jtms  4/ —   Leo- 

nard. 

-  Winifred,    waltz    4/ —    Ashdown. 

-  Young   Aristocrat,   quadr.   Ftdl  Band  i/ — , 

Med.  Band  3/ — ,  Small  Band  2/ —  Hawkes. 
Marriott    E.   Daisy   Chains  2/ —  Ascherierg. 

-  How   shall  I  Woo  2/ —  Ascherherg. 
Marriott    J.    Norah,    Remembrance,    m.    2/ — 

Novello. 

-  Your   gentle    race,    m.    2/ —   Novello. 
Marriott    J.    H.    S.      Hilda    graceful    dance 

2/ —  n  Aseherberg. 

-  Romance,   FIP   3/—  Rudall. 

-  Troll,    tioU    the    bonny    brown    bowl,    old 

english   drinking   song,   8  &   chorus    (mix. 
voices)    — /4   Novello. 
Marriott    Vai.   Barcarolle,    VP   4/—   Chanot. 

-  Lily    of    the    Nort,    valse,    Full    Band    4/—, 

Med.  Band  3' — ,  Small  Band  2/ —  Hawkes. 
-Sweet  Lavender,   VP  3/—  Chanot. 

-  Valse-caprice  4/ —  Ashdown. 

Marriott  Wilmer  K.  Broken  Tie,  song  & 
chorus  — 50    Goggan. 

-  I  think  of  old  Times  to-night,  song  &  cho- 

rus — 40   Goggan. 
Marrocco  A.   Passato   Renioto,   polka,   Maud 
— -10  n   Ranzini. 

-  Sereuatella,    P    —40,    Mand    —20,    MandP 

—80,   MandG  —50   Rebagli. 
Marry    Blane,    Darky    Song   — 25    Brainard. 

Marryatt  P.  My  soul  shall  know  thine  in 
that  beautiful  land,  song  &  chorus  — 50 
Brainard. 

Marryvale  F.  Au  Revoir,  maz.  brill.  — 40 
Brainard. 

-  Sleigh-bells,  polka-galop,   P  — 40  Brainard. 

Mars  H.  En  Montagne,  schottisch  1.75  n 
Ar'ylw^eur-Paris. 

-  Jadis,  gavotte,  P  1.75  n  L'Auteiir. 

Mars  H.  L.  C'est  pour  vous  plaire,  VP 
1.75  n   Impr.   moderne-'PiXTis. 

-  Prcmier-Ne    2.50    Impr.    moderne-Paris. 
Mars   S.   L.   op.   1    Pasteur,  pet.   rondo,  I/ms 

4 —  Leraoiyie. 

-  2  Muguet,  quadr.   4.50,  ^jn*  4.50   Lemoine. 

-  Pastour,    rondo,    4'»s    — 80  n    Lemoine. 


Mars   a    la    Bohemienne    1 — n    Ondet. 

Mars   ou    Bebe   a   la   grippe    1 — n  Jouiert. 

Marsal  E.  Agnfes,  schottisch,  0  a  cordes  1 — n 
Gobert. 

■  Air   vari6,   0,   P   cond.   — 50  n   Billaudot. 

-  Ange  des  concerts,   valse,  Harm  5 — ,   Fanf 

4—  Gobert. 

■  Baiser      de      Fiancee,      maz.      Harm  (Fanf ) 

1.25  n,    Cond.   — 25  n,    p.    s6p.   — lOn    Tho- 
mas'. 

-  Bords    de    I'Aude,    valse,    0  a  cordes    2 —  n 

Gobert. 

-  Bouton  de  Rose,  maz.   0  A  cordes  1 —  n  Go- 

bert. 

-  Brenmis,    pas    red.    Harm(Fanf)      1.25,     p. 

Sep.  — 10,  Cond.  —25  Sudre. 

-  Casse-cou,    schottisch,    0  a  cordes    1 — n    Go- 

bert. 

-  Coeur    promis,    valse.    Harm  (Fanf )    1.25  n, 

Cond,   — 25  n,   p,  sep,   — 10  n   Thomas. 

■  Dames   de   France,   polka,    0,      Gobert. 

-  Danae     fantaisie,     Harm(FanfJ     4 —     Bil- 

laudot. 
-Dans  la   Foret,   valse.   Harm  (Fanf  J    3 — ,  p. 
Sep.   — 15,    Cond.   —50    Sndre. 

-  Declaration,   maz.    0   1 —  Billaudot. 
-Delicate,    maz.    0  a  cordes    1 — n    Gobert. 

-  En  gaite,  polka,  P  cond.  — 25  n  Billaudot. 

-  Enfant   du    Peuple,    pas    red.    Harm  (Fanf  J 

1.25,   p.  s#p.   -10.   Cond.  — 25   Sudre. 
-Entree  a  Tananarive,  pas  red.  narm(Fanf) 
1.50,  p.  Sep.  —10,  Cond.  —25  Sudre,  Tho- 
mas. 

-  Espoir,  schottisch,  0  d  cordes  1 —  n  Gobert. 

-  Etoile,   mO  p.   Piston  2 — n  Gobert. 

-  Exil,    ouvert.     Harm(Fanf)     3— n,     Cond. 

— 50  n,  p.  s6p.  — 15  n  Thomas. 

-  Fantasque,    pas    red.     Harm(Fanf)    1.25  n, 

Ccnd.  —25  n,  p.  sep.  — 10  n  Sudre,  Tho- 
mas. 

-  Fleurs   parfumees,   maz.    0    1 —  n    Ghelmce. 

-  Fr^nf  tique,  quadr.  0  a  cordes  1 — n  Gobert. 
-Grande    Fantaisie-Polka,     mO    av.     l(2)Cl 

4—,  Cond.   1—  Gobert. 

-  Haut  les  coeurs  1  Pas  red.  Harm(Fanf)  av. 

chant  ad  lib.  2.50  n   Thomas. 

-  Hirondelle,     fantaisie-polka,      O,     P     cond. 

— 50n  Billaudot,  mO  p.  CI  2 — n  Gobert, 
Harm  (Fanf)  av.  CI  (—20)  2—,  Cond. —25 
Naudin. 

-  Insouciante,      valse,      Harm(Fanf)     1.25  u, 

Cond.   — 25  n    Gheluwe. 
-Intrigant,  quadr.  Harm(Fanf)  2— n,  Cond. 
— 50  n,  p.  sep.  — 15  n  Tho^nas. 

-  Lauriers    de    Miltiade,    fant.    Earm(Fanf) 

1.50  n   Billaudot. 

-  Marche    des     Thermopyles,     polka  -  marche, 

Harm(Fanf)  1.50,  p.  sep.  —10,  Cond, —25 
Sudre. 

-  Martyrs   et   Esclaves,    fant.    av.   Piston   ou 

Bougie,  Harm  4—,   Fanf  3 —  Gobert. 

-  Met^ore,   quadr,   0  a  cordes   1 —  n   Gobert. 

•  Minerve,     fant.    Harm  (Fanf)     3—,    p.  sep, 
—15,  Cond,  —50   Stidre. 

-  Narbonne,  pas  red.   av,  contre-chant  1.25  u 

Gobert. 


14* 


Marsal  E.  OrpheUnc 


212     — 


Marsch-  u.  Tanzweisen 


-  Orpheliue,    jolie    faiitaisie,    solo    de    Piston    | 

ou  Bugle,  valse,  solo  de  Tromhone,  allegro 
final,  nurm(Fanf)  3— n,  Cond.  — 50  u,  p. 
sep.  — 15  n   Thomas. 

-  Pandores,    pas    red.    HariiifFunf)    1.50    Bil- 

laudot. 

-  Perles    d'Or,    ychottiseh    1.25  u    Gohert. 

-  Pgtillante,    polka,    0  a  cordes    1 —  u    Gohert. 

-  Potite    Jolle,    polka    —25  n,    0    1—  u    Gh6 

luwe. 

-  Philautrope,    pas    red.    Harm(Fanf)    1.25  n, 

Cond.  — 25  n   Gheluwe. 

-  Polka    des    Ecuyers,    (Harm(Fanf)    1.25  n, 

Cond.   — 25  n,    p.  .<>p.   — 10  n   Thomas. 
■  Polka    des    Polichiuelles,    0  d  cordes     1—  n 
Oohert. 

-  Rachel,    fant.-niaz.    0,    F    cond.    —50  u    Bil- 

laiidot,  0  a  cordes  av.  TrfB)  1.50  u  Gohert. 

-  Raniage,   maz.    0,   P  cond.  — 50  n,    0  a  cor- 

des av.  CI  1.50  n  Gohert. 

-  Ravissante,    maz.    0  a  cordes    1 —  n    Gohert. 

-  Recueil  de  danses  faciles  pour  jouer  a  pe- 

tit nombre,  contenant  3  polkas,  2  quadril- 
les, 1  lancier,  4  raises,  4  mazurkas,  4 
scliottisch,  1  pas  de  quatre,  1  pas  des 
patineurs,  1  berline,  1  ostendaise,  pour 
J[e  Piston  si  b6mol,  gme  Piston  si  b6mol, 
Gl  si  bemol,  Tro  ut,  Bar  si  bemol,  petite 
Fl  re  bemol,  Va  mi  bemol,  B  si  b^mol, 
diaque   7ns/r    1.50  u   Billatidot. 

-  Reve   de   fiancee,    reverie,    P.      Bethune. 

-  Roche      Tarpeienne,     ouvert.      Ilarm(Fanf) 

norm   4 —  n,   Faiif  3 —  n,   Cond.  — 50  n,   p. 

Sep.  — 20  u   Thomas. 
-Roses  Tremi&res,  ouvert.  HarmfFanfJi — n, 

Cond. — 50  n,   p.   s.   — 15  u   Hudre,   Thomas. 
-Ruines     de     Palmyre,     fant.     Ilarm(Fanf) 

1.25  u,   Cond.  — 25  n,   p.   s.  — 10  n   Thomas. 

-  Sous   le-s   Ormeaux,   maz.    iutrod.   de   CI,    0 

a  cordes   1— n    Goherl. 

-  Tendre    affection,    valse,     0  d  cordes     2 —  n 

Gohert. 

-  Tourterelle,     polka,    llarm(Fanf)    1.25,     p. 

sep.   — 10,   Cond.   — 25    8ndre,   Thomas. 

-  Uii  jour  de  Priutemps,  polka,  HarmfFanf ) 

2 — ,  p.  sep.  — 15,   Cond.  — 25   Sudre. 
-Vers  Luisant-s,  pas  red.  Harm(Fanf)  1.25  n, 

Cond.   — 25  ii,    p.  sep.   — 10  n    Thomas. 
Marsan    A.   Agnus  Dei,   duo   av.    Org   — 50  )i 

I'inatel. 
-Berline,   danse    1.70  n    Bornemamt. 

-  .Teanue    d'Arc,    ode    triomphale,    duo    2 —  u 

liornemanv . 
-Pas  de  quatre;   2 — u    lioruemann. 

-  Pater  noster,  T(ii)   &  choeur  a   volont*''  av. 

Org(V)   &    Harpe    (ad   lib.)    2.50  n    Burnc- 
inann. 

-  Romance   s.  p.   CIP   7.50   EreHe. 
Marsano  W.  StUndchen,  Worte  v.  W.  M  a  t- 

sano  — 50   Hoffmann. 
Marsch    (Altniedcrlandi.scher)    — 20  Michow. 
Marsch    der    linnlUndischen     Reiterei     — 50 

Bote,   —30    Gluser,    —50 

Ihns    \—    Andr6,    FIP    1- 

— 80  Eulenhurg. 
Marsch    hegagnad    af    Kgl. 

ill.    fl.    regementen    under 


Gro/ie,s-,s-Leipzig, 
-    iiimon,    TTBB 

S\ea    Lit'gardel 
1833    <lrs    ofnm- 


konigl.- 
P    —50 


P    1— 


Marsch  vid  de  med  liar  bevapnade  Polacker- 

ne<    I'tryckande    frSn    Warschau,    P    — 35 

Jlir-sch. 
Marsch    des   Regiments   Sebastopol, 

preufi.    Armee-Marsch     Nr.    183, 

Bote. 
Marsch-Album,   P    1 —  Bosworth. 
Marsch-Album,    10    Pop.    marscher, 

Ilirsch . 
Marsch-Album,  Eenihnite  Marsche,   '/ms  1.50 

Breit/copf. 
Marsch-Album,     10    beramda    mar.sclier,     P 

1.50   Lundquist,   10  populara  marcher   1 — 

Hirsch. 
Marsch-Album,    Sammlung    der    vorziiglich- 

steu  u.  beliebtesten  Marsche,  P,  I — XXTV 

a    1—  Oertel. 

fiir   die   Jugend,   P    1.20   Pe- 


Marsch-Album 

ters. 
Marsch-Album, 
Marsch-Album, 
Marsch-Album, 
Marsch-Album, 

W.   Schroder. 
Marsch-Album, 

Schiiberth. 
Marsch-Album, 

Tonger. 
Marsch-Album, 
Marsch-Album, 
Marsch-Album, 
Marsch-Album, 


P    1.50   Peters. 

P    1.50  n    Uauer. 

P    1 —    Scheithauer. 

10  Armee-Marsche,  P  — 75  n 

20    bel.    Marsche,    P    1—    •/. 

20    bel.    Marsche,    P    1 —  n 


1—    Elkan. 
1.50  n,    sO, 

I 


J' 


-35    Hirsch. 


P  2—   Un.-Ed. 
P,  I— III   a   1.50   Wernthal. 
!,ms   2—   Un.-Ed. 
VP    1— n     A.    E.    Fischer, 
1.20  C.   F.   Schmidt. 
Marsch-Album,  PVVc,  PVFl,  PVTr  a  1.20  n. 

PVFlTr  1.40  n  A.  E.  Fischer. 
Marsch-Album,     PVVcFlCornet    1.50  n    Phi- 

lipp. 

Marsch-Album,  Z,  I— II  a  1.50  n  Robitschek. 

Marsch-Album,  Z   2 — n   Kahotek. 

Marsch-Album,  Z   1—,  2Z  2—  Fischer. 

Marsch-Album,  V    1.50  n    Hug,    1— n    Bos- 

icortJt. 

Marsch-Album,  VfFl),    I— II    a 

Marsch-Album,    0    2— n,    kl.    0 

Par.  Bes.  a  1.60  n  A.  E.  Fischer. 
Marsch-Album     (Dessauer),    Harm,    Heft 

bis  23  a  2—  Lehne. 
Marsch-Album,   vide:    Oertel. 
Marsch-Album     (Hannoversches) ,    I— III,    O 

3—  11,   kl.    O   2— n   Lehne. 
Marsch-Album,    Harm,    hlM    a    2 — n    A.    F. 

Fischer. 
Marsch-Hefte,    vide:    Oertel. 
Marsch-Hefte,  I— III,  stO,  a  1.50  u  Seeling. 

Marsch-Lieferungen   fiir   Harm-  u.  Messing- 
Musik,  I— VI  —25,  jede  St  —15  Lehne. 

Mapni'B,    IIpeoGpameHCKaro  iio.iKa  BpenieHt 

IleTpa  BciiiKaro  — 20   Seli/ccr.'<tow,  0  Part 

— .50  Jurijenson. 
Marsch-    u.    Tanz-Album,    P    1.50  n    Musik- 

U'Ochc. 
Marsch-     u.     Tanz-Album     fiir     Harmonika 

—50  n   Hug. 
Marsch-  u.  Tanz-Album  fiir  CI  1 — ,  Okarina 

1.20  Domkou'sky. 
Marsch-    u.    Tanzweisen,     VP    3 — ,     V    1 — 

Fiirstve-r. 


Marschalk  Reveil  de  la  France 


213    — 


Marschan  A.  Concert  Pieces 


Zigeuneriu 


Marschalk,  Reveil  de  la  France,  quadr. 
(La  mo  the),  Harm,  Part  4.50  n  Evette. 

-  Souvenir   de  la   valine   de   Munster,    Harm, 

Part  4.50  n   Evette. 

Marschalk  Max.  Dreililien :  Op.  1  Y'u-): 
Lieder.  Aus  dem  Testament  von  P. 
Fritsche:  1.  Abendstimmung:  ,.Es« 
fliistert  der  Wind  in  den  Wipfeln".  1. 
Einst  im  Januar,  als  wir  beide  uns  zii- 
erst  geseheu.  3.  Morgengraiien :  „Icli 
stand  am  friiheu  Morgen".  4.  Wenn  im 
Hag  der   Lindenbaum,   ii    1 —   Wernthal. 

-7  Drei  Lieder:   In  meiner  Liebsten  Garten. 
Ligurisches     Volkslied.      Die 
1.50  Ries  tC  Erler. 

-8  Zwei  Lieder:  1.  Abendfriede.  2.  Sonnen- 
untergang    1.50    Ries   d    Erler. 

-9  Fiinf  Lieder:  Nr.  1.  Sehutzengel  1 — . 
Nr.  2.  Narzissen  — 60.  Nr.  3.  Zu  split 
— 60.  Nr.  4.  Liebesnacht  1 — .  Nr.  5. 
Scblag'    ihn   tot    1—   Plothow. 

-  13     Melcdramatische     Musik      zu     Gerhait 

Hauptmanns  Traumdichtung  ,.Hannele'', 
P  3—. 
-14  Fiinf  Gedichte:  Nr.  1.  Die  Wolken  1.50. 
Nr.  2.  Eine  blasse  Wiischerin  1.50.  Nr.  3. 
Colombine  1.50.  Nr.  4.  Souper  1.20.  Nr.  5. 
Nacht   1.50. 

-  15  Miidchenlied   und  Tanz  der  Salomi»  aus 

Sudermanns  „Johannes",  4fns  2 — . 

-  IS    Zwei    Gesange:    Nr.    1.    Sehnsucht:    „0 

singe  mir  das  Lied"  1.50.  Nr.  2.  Sehn- 
sucht:   „Ich   ging  den  Weg  enthing"   1.80. 

-20  Sieben  Gedichte  5 — n:  Nr.  1.  Friihlings- 
nacht  1.20  n.  Nr.  2.  Waldfrieden  1.20  n. 
Nr.  3.  Warum  —90  n.  Nr.  4.  Holdes  Kind 
— 90  u.  Nr.  5.  Nach  Westeu  zieht  dc^r 
Wind  da  bin  1.20  n.  Nr.  6.  Erinnerung 
— 90n.   Nr.   7.  Eoman   1.20  n. 

-22  Fiinf  Lieder  3.60  n:  Nr.  1.  Sanfte  Schat- 
ten  1.20  n.  Nr.  2.  Elfenliedchen  — 90  n. 
Nr.  3.  Botschaft  —90  n.  Nr.  4.  Miigdlein 
am  Quell  — 90  n.  Nr.  5.  Wiegenlied  im 
Freien  — 90  n. 

-23  Sechs  Lieder  4.50  n :  Nr.  1.  Flied^-r 
1.20  n.  Nr.  2.  Abendwolke  — 90  u.  Nr.  3. 
Schlummerlied  — 90  n.  Nr.  4.  Eingelegte 
Ruder  1.20  n.  Nr.  5.  Helle  Nacht  1.20  n. 
Nr.   6.   Waldnacht   1.20  n. 

-24  Fiinf  Lieder  3.60  n:  Nr.  1.  Du  Blum' 
im  Tau  — 90  n.  Nr.  2.  Irrlichter  1.20  n. 
Nr.  3.  Im  Zaune  klagt  die  Nachtigall 
— 90n.  Nr.   5.   Yorflucht   1.20  u. 

-  Sidselills  Lied :   ,,lch  schlage  einen  weieheu 

Harfenklang"    1.20. 

Marschall   Mrs.  Charles,  Ever  Yours,  walt- 

zer    2, —   Ascherberg. 
Marschall    F.    op.    15    Brandenburger   Haus, 

Walzer    1.50    Zechlin. 

-  16  Elisa,  Polka-Mazurka,  P  — 75  Augustin. 
Marschall     Hermann,    op.    3    Drei    Lieder: 

1.  Abeudfeier    in    Venedig:    „Ave    Maria." 

2.  Du  bist  wie  eine  Blume.  3.  Erster  "\^er- 
lust:  „Ach,  wer  briugt  die  schonen  Tage" 
1.75    Kahnt. 

-  5  Neuu  vierhandige  Klavierstilcke  im  Uni- 

fang  von  3  und  5  Tonen  hei  stillst.ehender 


Kinder    zum    Vorspieleu     2.50 


Hand    ftir 
Kahvt. 

6  Sechs  Lioder :  1.  Wiegenlied:  „Schliefie, 
mein  Kind."  2.  Mein  Stern :  „0  lafi  dein 
Auge  freundlich."  3.  Vorsatz :  „Ich  will's 
dir  nimmer  sagen."  4.  Wie  lieb  ich  dich 
hab'!:  „Und  ob  aueh  in  alle  Winde."  5. 
Bitte :  ..,Bin  ich  von  dir  geschieden."  6. 
Ich   wili   zur  Ruh'  2.25   Kahnt. 

8  Drei  Lieder:  1.  Wie  hat  euch,  Bliimlein, 
Gott  gemacht?   2.   Geheimnis:    „Wir   seuf- 


1 


50 


zen  nicht."  3 

mein    Scliiff   1.25.      Nr. 

10  Vier  Lieder:    1.  Ein 
Miidchen.      2.    Das    Standch^en 


Mit  schwarzen  Segein  segelt 
Kahnt. 

liebt  ein 
„Auf    die 


Jiingling 


Dacher."  3.  Drei  Glaser :  „Der  Pfropfen 
springt."  4.  Der  letzte  Grufi:  „Ich  kam 
vom   Walde  her"   2.25   Kahnt. 

-  11     Die    Lieder    des    Mirza-Schaffy,    Nach- 

kliinge  aus  der  Schule  der  Weisheit:  1. 
Gelb  rollt  mir  zu  Fiifien.  2.  Die  helle 
Sonne  leuchtet.  3.  Ich  fuhle  deinen  Odern. 
4.  Tu  nicht  so  sprode,  schones  Kind  2 — 
Kahnt. 

-  12    Wenn    zum    Tanz    die    jungen    Schonen 

1 —   Lenckart. 

-  14    In    dieser    Stunde    denkt    sie    mein.    P 

1.20   Leuclcart. 
-15    Vier    Lieder:      Liebestelegraphen.      Du 
sprachst,    die    Liebe    schwindet    nicht.    Ich 
weifi   nicht  warum.   Hinaus   1.50   Praeger. 

-  1 6    Drei    Lieder :    Siehst   du    am    Weg'    ein 

Bliimlein    stehu.      Blauer    Himmel,    blaue 
Augen.      Niemand    will     ich's     sagen    1.50 
Praeger. 
-17     Erwachen :       „Schne(glockchen     lauteu 
leis  im  Tal"  — 75  Praeger. 

-  18  Bremer   Rathaus-Hymnus    1.30   Praeger. 
-19    Fiinf    Lieder:    In    meinem   Lebensringe. 

Ich  liebe  dich.  Und  wenn  es  dunkel  wer- 
den  will.  Die  Stunde  naht.  Als  mich  dein 
Blick  beim  Scheiden  traf  2—  A.  E.  Fi- 
scher. 

Marschall  Laura,  Drei  Mutterlieder  1.75: 
Nr.  1.  Eiu  froliliches  Geknatter  geht  1 — . 
Nr.  2.  Storche,  eine  ganze  Schar  — 75. 
Nr.  3.  Geht  mein  Miigdlein  in  den  Gart'Mi 
— 75    Bosicortli. 

Marschan  Adolph.  Williatns:  Op.  36  Ron- 
deau  elegant,   P   1 —   Challier. 

•  Alexandra,   grand   galop   brilliant,   P   3/ — . 

-  B  a  r  b  i  e  r  e,   P   2/6. 

-Beatrice  di  Tend  a,   fantasia,  P  2/ — . 
-Beethoven's   Last   Waltz,   P   2/—. 

-  B  e  11  s  a  r  i  o,    P    2/—. 
-Clemenza   di  Tito,  P  2/6. 

-  Coming  thro'  the  Rye,  P  2/6. 

-  Concert  Pieces  from  the  works  of  celebra- 

ted composers,  P:  1.  Larghetto  from  M  o- 
z  a  r  t's  Concerto  in  C  minor  2/6.  N.  2. 
Allegro  Maestoso,  from  W  e  b  e  r's  Con- 
certo in  E  b  N.  2  2/6.  N.  3.  Allegro  Mo- 
derate from  H  u  m  m  e  I's  Concerto  in  A 
minor  op.  85  2/6.  N.  4.  Allegro  Brillant 
from  "S  t  e  i  b  e  1  t's  Concerto  a  la  Chassc 
op.  64  2  6.  N.  5.  Larghetto  from  D  u  s  - 
s  e  k'K   grand    Concerto   op.    22    2/6.      N.    6. 


Marschan  A.  Concert  Pieces 


—    214 


Rondo  brillant  from  John  F  i  e  1  d's  6th 

Concerto  2/6  Augener. 
■Cottage  by  the  Sea,   P  3/—. 
Cujus    Animam,    from    R  o  s  s  i  n  i's    Stabat 

Mater",  P  2/—. 
•Der    letzte    Grufi     (The    last    farewell),    P 

2/ —  Ashdown. 
Der    Mann    von    Wiirde :    „Der    Mann    von 

Wiirde  tragt  stets",  B-Arie  aus  der  Oper : 

Orsino  — 50  Bote. 
Der     praktische     Pianoforte-Spieler.      Eine 

Folge  von  angenehmen  und  leichten  Ton- 

stiicken,     mit    Bezeichnung     des    Finger- 

satzes,   P:    I  —80,    II    1—,   III    1—   Bote. 

Diamans  de  la  Couronne,  P  3/ — . 

Divertissemento  aus  der  Oper :  Lestocq,  von 
Auber,  P  —80  Bote. 

Don  Giovanni,  fantasia,  P  3/ —  Ash- 
down. 

Don   Pasquale,  P  2/ — . 

Du,  du  liegst  mir  im  Herzen,  P  2/6. 

Favor ita,  petite  fantaisie,  P  2/ —  Ash- 
down. 

Flying  Dutchman,  P  2/6. 
Fra   Diavolo,   P  3/—. 
Freyschiitz,   P  3/—. 
German    Polka   — 50  n    Cottrau. 
Guillaume  Tell,   P  3/—. 
Herz,   mein    Herz    (W  e  b  e  r) ,   P   2/ — . 
II  mio  tesoro,  from   Don  Giovanni,   P 

2/-. 

Lombard  i,  petite  fantaisie  2/ —  Ash- 
down. 

Lucia  di  Laromermoor  (Doni- 
zetti),   P   2/—. 

Masaniello    (Auber),    P    3/ — . 

0  b  e  r  o  n,  petite  fantaisie,  P  2/ —  Ash- 
down. 

•5  Operatic  Melodies,  P  4/—:  N.  1.  La 
Traviata,  2.  II  Tancredi,  3.  Martha,  4. 
La  Favorita,  5.  Don  Pasquale,  a  1/ — . 

-OrphSe  aux  Enfers,  N.   1,  P  3/ — . 

■Orphfe  aux   Enfers,   N.   2,   P   3/—. 

-Orsino:  Arie,  B :  „Der  Mann  von 
Wurde"  —50  Bote. 

-  Partons,     Marchon's    air     from    O  r  p  h  6  e 

aux  Enfers,  P  2/6. 

-  P  r  e  c  i  o  s  a,   P  2/6. 

-  Robert,   toi   que   jaime,   from   Robert   1  e 

Diable,  P   2/—. 

-  Rode's  Air,   P   2/—. 

-  Romance   sans   paroles,    P   2/ — . 

-  Romanze     „Des  Abends  bleicher  Sehatten", 

m.  G  —30  Bote. 

-  Rondino    (B),  P  —30  Bote. 

-Scherzo    (A),   P  —50   Bote. 
-Semiramide,    P   2/ — . 

-  Serenade,    VP    (T  o  u  r  v  i  1 1  e)    3/—. 

-  Serenade    (Palmer),    VP   3/ — . 

-  Serenade,  P  3/ — . 

-  Souvenir  d'O  f  f  e  n  b  a  c  h,  P   3/—. 

-  Straufifedern,   P;    I.   Heft:    Mimi-   u.   Bibi- 

Walzer  und  Kavallerie-Galopp,  II:  Hy- 
giea-Walzer  und  Hygiea-Galopp,  HI :  Ele- 
gant-Walzer  und  Jiigei-Galopp,  IV:  Hul- 
digung   den    Frauen,   Walzer,    a    1- —    Bote. 


Marschner  A.  E.  op.  16 
Galopp     3/ — ,      ^ms     4/ — 


-  Sturm-Marsch, 

Ascherherg. 
-Sun  of  mv  Soul    (Keble's  Evening  Hymn), 
P   2/6. 

-  Swiss,   P   3/—. 
-Trovatore,   P   2/—. 

-  Watch   on   the   Rhine,   P   3/—. 

-  W  e  b  e  r's    Last   Valse,    P    2/—. 
-William   Tell,   P   2/—. 

Marscher,      6    Begagnade   vid    1836 


niugslager     a     Ladugardsgardet : 


&rs  6f- 
Revelj. 
Lifgar- 


Alpine  herdsman. 


Anton,  Marsch  begagnad  af  Kgl 
det  till  hast.  Marsch  begagnad  af  alia  re- 
gimenten.  Meyen,  Marsch  begagnad  af 
Kgl.  Andra  Liftgardet.  Neithardt,  Marsch 
begagnad  af  Kgl.  Kalmar  regimente. 
Winkler,  Marsch  begagnad  af  Kgl.  Forsta 
Lifgardet,  P  — 75  Eirsch. 

-  Samling    af    Dessauer    Marsch,    Ko  skull 

U.  •  Carl  XIV.  Johans  begrafningsmarsch, 
P  i  e  f  k  e  G. :  Dyppel-Strom-Marsch,  Z  i- 
k  o  f  f  F. :  Defilerings-Marsch  1 —  Eirsch. 
Marscher  tva  Becker,  Schiitzer  -  Marsch 
(Fort  tappra  kompani),  Rappos  favorit- 
marsch   Weller,   P  — 75   Eirsch. 

Marschiczek    L.    Addio,   P   2.50   Ricordi. 

-  Amicizia,    mazurka    2 —    Mariani. 

-  Maschere,   galop,   ^ms   3.50  Ricordi. 

-  Serenata    3 —   Mariani. 

-  Tre  baci,  /-'  2.25   Ricordi. 

-  Un   pensiero   a   Milano,   scherzo-polka,   Jfins 

3 — -  Ricordi. 
Marschklange,    Siichsische.      Sammlung    von 
Marschen   verschied.   Komponisten,    Earm, 
Heft  I    1.50  n   Fiedler. 

Marschner   A.   Brainard: 

w.   P(G)   —40. 

-  Heart,   my  heart  — 40. 

-  Invitation    —40. 

-  Spring  Alp  song,  8A  w 

-  Swiss   mountaineer,   PG 

-  Switzer  boy,  w.  PG  —40. 
Marschner  A.   E.   Eofmeister 

duktion   u.   Polonaise,  JfVis 

-  3   Sechs   Lieder    1.75. 
-4   Sechs   Lieder    1.50.   Nr.   2. 

plaudert  so   viel  — 50. 
-7  Fiinf  Lieder   1.25. 

-  9  Wo  find'  ich  dich?   1—. 
-10    Zwei    Lieder:     1.    Winterstandchen. 

An  die  Einzige   1 — . 

-  11    Der   wandernde   Bursch   — 75. 

-  12   Vier   Lieder    1.25. 

-  14  Drei  Gesiinge :   Nr.  1.  An  die  Friihlings- 

wolken :  ,,Ihr  Segler  dort  oben"  1 — .  Nr. 
2.  Grufi  an  Madonna :  „Ist  meine  Seele 
bang"  — 75.  Nr.  3.  Wasserfahrt:  „Auf  des 
Sees  sanften  Wellen"    1 —   Klemm. 

-  15    Sechs    Lieder    fiir    4    Mannerst:    Nr.    1. 

Schlumm're  sanft,  schon  sinkt  die  Nacht. 
2.  Ihr  Freunde  packt  die  Sorgen  ein.  3. 
Sterne,  verschwieg'ne  Wandler.  4.  Frisch 
auf,  ihr  deutschen  Scharen.  5.  Wenn  der 
junge  Lenz  erwacht.  6.  La  fit  tonen  Ka- 
meraden  ein  kraftiges 
mann. 
■  16   Drei   Romauzen.   P   1.50 


PfGJ 
—40. 


-40. 


;   Op. 

1.25. 


2   Intro- 


Liiftchen,    ihr 


2. 


Lied     3—    Bach- 


Marschner  A.  E.  op.  17  —     21f) 


Marschner  H.  op.  42 


-  17   D^lices   de   Fopfira   italien,   6   morceaux 

€le"-ants,  P:  Liv.  I:  Divertissement  sur 
la  Satfo.  Cavatine  de  Maria  de  Rudenz, 
II:  Fantaisie  sur:  Linda  di  Chamounix. 
Impromptu  sur  la  Saffo,  III:  Amusement 
sur :  Linda  di  Chamounix.  Bolero  delle 
illustri   Rivali,   a  1.25. 

-  18   Sechs   Lieder    und   Gesange:    1.   Abend- 

lied,  2.  Trost  der  Nacht,  a  —50.  Nr.  3. 
Wandl'  ich  in  den  Wald  —75.  Nr.  4.  Lied 
der  Liebe  — 50.  Nr.  5.  Fata  morgana,  6. 
Lafit   mir   den   Schlummer,   a   — 75. 

-75  Nr.  1.  Vaterlandslied:  „Und  horst  du 
das  mtiohtige  Klingen",  TTBB  — GO  Haus- 
hahn,  (Josef  Schwartz)  —80  Ton- 
gcr. 

-Potpourri  aus:  Der  Babu  "(Marsch- 
ner II.),  4ms  3 — . 

-Stiindchen:  „Warum  bist  du  so  feme?" 
TTBB  — SO  Eulenlurg,  A.  E.  Fischer, 
—60   Hau.<ihahn,  —80   T anger. 

-  Und  horst  du  das  machtige  Klingen,  TTBB 

— SO   Tonger. 

-Vaterlandslied:  „Uud  horst  du  das  mach- 
tige Klingen",  TTBB  — 60  Haushahn. 

Marschner  E.  Awake  the  Loud  and  Cheer- 
ful Song,   SATE  —10  J.  Fischer. 

-Standchen,  TTBB  —80   Hug. 

Marschner  Franz  (1855),  Ausgewahlte 
Lieder :  I.  Reinhold  Fuchs:  Abend 
am  Strande.  Der  Heidehiigel.  Heimwiirts 
2.40.  II.  Goethe:  Wanderers  Nacht- 
lied.  Ein  Gleiches  L20.  III.  Goethe: 
Heideroslein.  Das  Gartohen,  Volkslied 
1.50.  IV.  Arnold  Schloenbach: 
Vor  dem  Sturme.  Job.  Fastenrath: 
Des    einsamen    Troubadours     Klage    1.50. 


V. 


Stelngrlmur 


Thorsteins- 
s  o  n :  Schwanengesang  auf  der  Heid". 
Maria  v.  Ernest:  Federnschleifien 
2.10.  VI.  H.  Heine:  Ein  Fichtenbaum. 
Martin  Greif:  Die  Fischersbraut. 
Gottfried  Keller:  Das  Tal  1 .50. 
VII.  C.  V.  Susan:  Unser  Gliick. 
Stefngrlmur  T  h  o  r  s  t  e  i  n  s  s  o  n  : 
Schwanengesang  auf  der  Heide  2.40 
Eberle. 

6    Lieder:    Nr.    1.    In    Banden :    „Es   streckt 
ein   armer    Gefangner"   —75.    Nr.    2.    Wil- 
Ritt:    „Sie  liebt  mich   nicht,   ihr   Ohr 
taub"   1—.   Nr.   3.   Du   flutender   Betis, 
grunend    Gestad    1 — .      Nr.    4.    Abend- 


der 
ist 
du 


lied :  „Ich  sitz'  am  einsamen  Strande" 
—75.  Nr.  5.  Geistesgrufi :  „Hoch  auf  dem 
aiten  Turme"  — 75.  Nr.  6.  Der  Ministrel : 
„Der  Ministrel  zog  fiir's  Vaterland"  — 75 
Rorich  d-  Co. -Wien. 
Marschner  Heinrich  (179.5 — 1861).  Ilof- 
meister:  Op.  5  Zwolf  Lieder  ra.  C, :  1.  Qual 
der  Erinnerung:  „Auf  vcrborgener".  2.  Er- 
innerung  an  Elisen:  ,,Einsam  bin  ich".  3. 
Der  Bauer:  ,.Sehon  locket  der  Mai".  4.  Lied: 
„Du  der  ewig  um  mich  trauert".  5.  Sehn- 
sucht:  ,,Ich  hore  das  sanfte  Gemurmel". 
6.  Ich  liebe  dich  so  inniglich.  7.  Hochzeit- 
lied :  „Wie  am  Bach  mit  siifier  Lust". 
8.  Der  Fischerknabe :  ,.Es  lachelt  der  See". 


9.  Die  Geliebte :  „Auf  Berg  und  Tal  ruht". 

10.  Liebe:   „Was  zieht  zu  deinem  Zauber- 
kreise".   11.   Lebenslied:    ,,Junge  Freuden- 


Leben : 
'■   2—. 


12.     Tod     und 
warm   im   Leben" 
P  1.25. 

1.    Schifferin.      2.    Mein 
der    See.      3.    Schiffmann 


gotter,     flattert. 

„Hefte  nicht  zu 
10  Rondeau  (F), 
12    Drei    Lieder: 

SchiiT    geht    auf 

1.75. 

17  Divertissement,   Ifms  4 — . 

18  Le  Papillon,  caprice    (D),   P 
22   et  23   Douze  Impromptus,  P 

2.25. 

Gr.   Sonate    (G-m.)    Nr.  3,  P  4—. 
Polonaise   brill.    (D),    P    1.25. 
AH   Bab  a,   ouv.   P    1.25. 

zu   dem   Schauspiele 


1.50. 
3—, 


I— II 


a 

24 
25 
26 
27  Ouv.   und   Gesange 


4.50. 


(A-m.),    PVVc    9— 


P    2—. 

des  mot. 
de    We 


de  Top. 
ber,    P 


„S  c  h  o  n    Ell  a",   KA 

-  28  3   Scherzo,  ^nis  2.50. 
-29    Grand    Trio    N.    1. 

Kistner,  Costallut. 

-  30  Deutsche  Lieder  2 — . 
-31    Euryanthe,    fant. 

-  32  Fantaisie  pour  P  sur 

„Euryarithe"    de     C.     M. 
2.50  'Simrock. 

-  33  Trois  Sonatines,  P  a   1.50. 

-  34  Sechs  Tanze  fiir  die  elegante  Welt  1.25. 

-  35  Sechs  Wanderlieder :  1.  Ich  ging  hinaus. 

2.  Es  ist  vorbei.  3.  Kennt  ihr  die  Wunde. 
4.  Fort,  mich  duldet's  nicht  hier.  5.  Wie 
schon  ist  doch.  6.  Ich  seh'  dich  endlich 
M-ieder  2.25,  Nr.  1  —50. 

-36  Quartett  (B),  PVVaVc  7.50  Hofmeister, 
7 — n  Costallat. 

-  38  Gr.   Sonate    (Es)    Nr.   5,  P  2.50. 

-  39  Gr.   Sonate    (As)    Nr.   6,  P  2.50. 

-40  Sonata   quasi   Fantasia    (E-m.),   P  2.50. 

-41  Sechs  Gesange  fiir  Miinnerst:  1.  Freude 
in  Ehren:  „Jo,  jo,  jo,  ne  G'sang".  2.  Hans 
und    Verene:    „Es    g'fallt    mer    nummer". 

3.  Der  Schwarzwiilder  im  Breisgau : 
,,Z'  Mullen  an  der  Post".  4.  Neue  Liebe, 
ueues  Leben :  „Herz,  mein  Herz".  5.  Se- 
renade: „Liebclien,  bist  du  eingeschlum- 
mert?"  6.  Noch  —  Doch:  „Noch  steht  dia 
ganze  Welt  mir  offen"  3.20   Simrock. 

-42  Der  Vampyr,  Oper  (1828)  18—,  P 
5 — n,  4ms  8— n,  Ouv.  P  1.25,  4ms  2—, 
8ms  4—,  4msVVc  4—,  0,  Part  4.50,  St 
5 — ^  8°  9 — n  Ilofmeister,  6.90  Breitkopf, 
6 —  Peters,  12 —  Lemoine,  kl.  0  2.40  n 
Cranz,  Sfr-Quart.  I— II  a  10.50  Hofmei- 
ster, Ouv.  P  — 30  Litolff,  Michoic,  1 — 
Jvrgenson,  4ms  —60  Litolif,  HP  2.50  Si- 
mon, Str-Quart.  2—  Hofmeister,  P2VFI 
VaVcKb  6/—  Leonard,  V  — 60  n,  2V 
— 90n,  VP  1.20  n,  VVaP  1.50  n,  VVcP 
1.50  n,  VFIP  1.50  n,  VVaVcP  1.80  n,  2V 
VuP  1.80  n,  2VVcP  1.80  n,  2VVaVc 
1.5Cn,  2VVaVcP  2.10  n,  PVFlCornet  a 
Pist  1.80  n,  P2VFlCornet  a  Pist  2.10  n, 
P2VVaFlCornet  a  Pist  2.40  n,  P2VVaVcFl 
Cornet  a  Pist  2.70  n   Wei/j. 

1.  Introduktion:    Ihr   Ilexen   und   Geister 
1—    F    1-. 

2.  Rez.    und    Arie :    Ha,   welche   Lust    1 — , 
P   1—. 


Marschner  H.  op.  42 


216 


Marschner  H.  op.  60 


\ 


3.  Duett :   Teurer   Eltern   1—,   P   1—. 

4.  Cbor    (Mtiunerst)  :    Wo   kann   sie   sein 
1.25,  P  1—. 

5.  Begleitendes   Musikstuck  — 50,    P  — 50. 

6.  Aiie:    Heiter    lacht    1—,    P    1—. 

7.  Duett:    Du    bist's    1.50,    P    1—. 

8.  Terzett:     Wie?    mein    Vater    1.75,     P 
1.25. 

9.  Chor :     Blumen    unci    Bliiteii    — 75,    P 
2.50. 

10.  Introduktiou :  Munter,  edle  Zeclier 
1.50,  m.  G  —50,  P  1—. 

11.  Lied:  Dort  an  jenem  Felsenhang  — 40, 
m.  G  —25,  P  —50. 

12.  Roraauze:  Sieb,  Mutter,  dort  — 50,  m. 
G  —50,  P  —50. 

13.  Terzett:  Ibr  wollt  micb  nur  bescha- 
men   1.50,   P   1.25. 

14.  Grofie  Szeue :  Wohl,  du  zwingst  micb 
1-,  P   1-. 

15.  Arie:  Wie  ein  sclioner  Friibliugsmor- 
gen  —75,  m.  G  —25,  P  —75. 

16.  Duett:  Leise  dort  zur  fernen  Laube 
1—,  P  —75. 

17.  Triuklied :  Im  Herbst  da  mufi  man 
trinken  — 25,  (4  Mannerst)  —90,  mit 
Quintett  (A2T2B):  Jucb !  das  ist  'ne 
Froblicbkeit  2—,  m.  G  —50,  P  1—. 

3  8.  Cbor:  Freuden  uiid  Leiden  — 40.  in.  G 
—50,  P  1—. 

19.  Duett:    Halt   ein    1—,   P    1—. 

20.  Blumeu  und  Bliiten  2.50.  m.  G  —50. 
P  2—. 

Trinklied :  Im  Herbst,  da  rnuis  man  trin- 
ken, TTBB  (—40),  8"  —60  HausJiahn, 
1—  Robitschek,  Part  u.  St  (—40),  8" 
—80  Siegel,  —80   Tonger. 

In  autumn  we  must  drink,  boys  (Der 
Vampir)    3/ —  Ashdotvn. 

Auswabl    beliebter    Melodien,    Fl    2 — . 

Potpourri,   P    1.50   Bachmann,   2 —   Andre, 

Bote. 
Walzer   1 — . 

-  43  Les  Charmes  de  Bronsvir,  rondeau  brill. 

(G),  P  2—  Bachmann. 

-46  Tunnellieder,  TTBB:  Tunnel-Festlied : 
„Bruder  lafit  uns  lustig  sein".  Serenade: 
„Schlummerst  du  scbon  ?"  Freude :  „Was 
perlet  im  Glase".  Silngers  Grufi :  „Wie  im 
Lenz  aus  fernen  Zouen"  3 — .  Nr.  1.  Tun- 
nel-Festlied :  „Briider,  lafit  uns  lustig 
sein"  —75,  —30  Riihle  d  Wendling,  Nr.  1, 
3  a  — 80  Eulenhurg. 

-46  Nr.  1.  Trinklied:  „Bruder,  lafit  uns 
lustig  sein",  TTBB,  Part  u.  St  (—40),  8" 
—80  Siegel. 

-47  Sechs  deutsche  Lieder :  1.  Monden- 
schein.  2.  Zum  Tanzabend.  3.  Das  Bad. 
4.  Das  tlotte  Herz.  5.  Frau  Leakey.  6.  War 
eine  Ratt'   1.50. 

-48  Intr.  ed  Variat.  brill,  s.  V  a  m  p  y  r,  P 
2— . 

-  49   Esquisses   caract^ristiques,   P   2 —  Eist- 

ner. 
-50   Drei    Scberzi,   PVVc   5—:      Nr.    1.    (F) 

2.25,   Nr.   2.    (A)    1—,   Nr.   3.    (F-m.)    2.25. 
-52     Secbs     Gesaivge,     TTBB:      Liedertafel : 

„Wir  sitzen   80  frobliob".   Hans  ohne  Sor- 


gen :  ,,Und  gofi  wobl  aus  Versehen". 
Weinlied :  „Baccbus  naht,  der  die  Blodig- 
keit  bemeistert".  Staudchen :  ,,Alles  rubt 
wie  abgescbicdeu".  Kiihlung:  „Ileicbet 
mir  den  Becber  ber".  Liebeserklarung 
eines  Scbneidergesellen :  „0  siifies  Mad- 
cben   sei    docb    nur   kein    Klotz"    2 — . 

-  53  Zwolf  Tiinze  —75. 

-54  Drei  Lieder:  1.  Herzensergiefiung : 
„Acb!  Mutter  lafit".  2.  Der  gefiederte 
Bote:  ,;Wandre  nur  immer".  3.  Kufi  oder 
Tod :  „0  sei  nicbt  so  sprode"  2 —  Breit- 
kopf. 

-  55    Drei    Gesange,    SSTTBB :    1 .    Die    Selig- 

keiten :  ,,  Jucbhe !  die  beilige".  2.  Braut- 
gesaug:  „Kennt  ibr  den  Jiingling".  3. 
Der  Troiibadour :  ,,Der  Troubadour  folget 
der  Scbar"  4.50  Breitkopf. 

-  56    Ouverture :    Der    Prinz    Aon    Homburg, 

0  6—  Breitkopf. 

-  57  La  belle  Prude,  Introduktion   u.  Rondo 

mignon    (A) ,   P  2 —  Breitkopf. 
-58  Rondino    (D),  P   1—. 

-  59    Capriccio    scherzando,    P    1.50    Kistner. 
-60    Der    Tern  pier    und    die    Judin 

(II  Templario  e  I'Ebrea),  Oper,  KA  21—, 
8»  6— n  Hofnieister,  6 —  Se^iff^  12 — n  Le- 
moine,  P  5 — ,  Jjms  8 — ,  VP  10 — ,  Ouv.  P 
1.50  nofmeister,  ^40  Kimz,  — 30  Litolff, 
Michoto,  2.50  Costallat,  ^ms  2 —  Hofmei- 
ster,  —60  Litolff,  8ms  5—,  P  1.50,  0  9—: 

1.  Introduktion  (Mannerst):  Ibr  lagert 
still  2—. 

2.  Sclilacbtlied  der  Sacbsen  (Mannerst)  : 
Wer  Kraft  und  Mut  —50. 

3.  Lied  mit  Cbor  (B) :  Der  Barfufiler 
Mi3ucb  1.25,  ni.  G  —50,  1.25  Schlesinger, 
dasselbe  leicht  arr.,  im  T'-Sclillissel  — 50. 
dasselbe  fB),  Text  vom  Cbordirektor 
Fiscber:    ,.Der   Waldbruder"    1.25. 

4.  Lied  des  Narren  (T) :  's  wird  besser 
gehu  — 75,  m.  (/  — 50,  1 —  Schlesinger, 
dasselbe  leicbt  arr.  — 50. 

5.  Terzett     (8TB) :     Ha  ! 
maun  2 — . 

6.  Gr.  Szene  und  Duett  m. 
Bar) :  Erkenne  micb 
Romanze  (Bar) :  Der  weiblicben 
Scbonbeit  —50,  m.  (/  —25.  VP  3/— 
Williams,  KM  1.50  Bellmann. 

7.  Duettino  (ST) :  Teures  MUdchen  —50, 
m.  G  — 75. 

8.  Finale:    Horch,  welcber  Larm  3.75. 

9.  Introduktion  (Mannerst)  :  Es  zittert 
im  Friihrot  1.50,  m.  G  — 75. 

1  0.  Lied    und    Cbor    (B) :     Briider     wacht 

1.75,  bieraus:  Lied:  Briider  wacht 
—75,  dasselbe  leicbt  arr.,  im  F-Scbliis- 
sel  —50,  m.  G  —50. 

11.  Arie  m.  Cbor  (T):  Es 
Ehr'   und   Ruhm   1—. 

12.  Szene   und   Arie    (Bar)  : 
scbmilben   1.50. 

13.  Finale:  Wie  so  ernst 
5 — ,  bieraus:  Cavatine 
den   Scbleier   mir  — 75. 

14.  Introduktion:     Sehlinget    frohe    Tanze 
1.50,    iiieraus:    Romanze:    Wer    ist   dp; 


falscber     Nor- 

Cboren   (S  u, 
3 — ,     bieraus  : 


ist  dem  Konig 

.■   Midi   zu   ver- 

und     feierlich 
(S):  Lafit  den 


Marschner  H.  op. 


60 


217 


Marschner  H.  up.  SO 


-50,  m.  G  — 25,  1- 


arraugiert 


i^chlesinger, 
—50.    TTBB 


Ritter 

dieselbe   leicht 

(G.  W  i  u  t  e  1)    1 —  Seeling. 
15.  Lied  des  Narren   (TJ:  Es  ist  doch  .^ar 

kostlich  —50.  m.  (J  —50. 
le.-Pregbiera    (S)  :   Herr,  aus  tiefen  Jam- 

mersnoten  — 50. 

17.  Duett   (SBar):  Und  doch  will  ich  1.50. 

18.  Finale:    Hier    steht    der    tapfre    Ritter 
3—. 

P:  Nr.  1,  10,  14  ft  —75,  Nr.  2,  3,  4,  7, 
9,  11,  16,  17  a  —50,  Nr.  12  1—,  Nr.  15 
—40;  i,ms:  Nr.  2—4,  7,  10,  15,  18  a  —50. 
Auswalil     beliebter     Stiicke,    P    1.50.    Ifms 

(Mockwitz)      7.50,     2F1     1.50,     MM 

15—. 
Potpourri,    P    2.50    Andre,    2—    Breit- 

kopf,    1—    Klemm,    1—    Siegel,    O    —60 

Eoffmann,  VP,  VcP,  FIP  a  3—  Andre. 

-61     Sechs    Liedor:       1.     Wanderschaft.       2. 

Abendreihn.   3.  MorgengruS.  4.  Friihlings- 

grufi.    5.    Wasserfahrt.    6.    Hannchen    vor 

Allen   2.50. 

62  Duo,  J/ms  3—,  I— II  a  2.25. 

63  Ernst  und  Sdierz,  3  Lieder  und  1  Arie 
aus  der  Oper  „D  e  r  K  i  f  f  h  a  u  s  e  r- 
berg":  1.  Seefahrers  Abschied :  „Die  du 
fliegst".  2.  Die  gliickliche  Fischerin : 
„Sie  stand  im  Boot".  3.  Des  Baches  Wie- 
genlied:  ,,Gute  Rub'".  4.  Arie:  „Es  setzto 
brumnieud    sich    der    Alte"    2 —    Breitkopf. 

64  Introduktion   und   Rondo    (B),   P   1 — n. 

65  Des  Falkners  Braut  (La  Sposa 
promessa  del  Falconiere),  Oper  (1832), 
Breitkopf:  KA  9—,  P  3—,  4ms  18—,  Ouv. 
P  —30,   4ms  2—,   0   1 —  n : 

1.  Introduktion  :    Lafit  uns 
bilate    e   ballate)     1 — n. 

lb.   Arietta:   Ihr   waokevn 
saluto)    — 50  n. 

2.  Chor    und    Duett:    Herr 


tanzen    (Giu- 
Leute    (Jo   vi 


Pachter, 


:-! 


sine    (bignore, 
Chor :     Immer 
lesti  avanziani) 
Rezitativ    und 
(Alto!    Fermo 


Ro- 
convien)  1 — n. 
voran     (Semper 


Rosine 
mutig 
1—  n. 
Arie:    Halt   da!    keiner 
ognum)     1 —  n. 
;i.  Ariette:    Seid   unbesorgt    (Non   vi   tur- 
bar)    1 — u. 

7.  Arie :    Wohl   lacht   im   mildeu    (Di   pri- 
mavera    nel    splendor)     1 — n. 

8.  Szene   und   Arie :    Hinweg,   hinweg,   sie 
sei    (Lasciar   fuggir)    1 — n. 

9.  Szene  utid  Duett:   Zu  ihr?  ha  nimmer- 
mehr!    (Da   lei?   giammai)    1 — n. 

10.  Szene  und  Duett:  Wie?  euch?  ich 
fand  ihu  (Come?  voi?  6  consolato) 
1— n. 

12.  Introduktion:    Kamradeu,    nehmt    das 


(Campagni    allegri     su     beviam) 

mein   Freund    (Dunqu^ 

Herein, 


Glas 
2.25. 

13.  Terzett:    Nun, 
amico)    2.50. 

14.  Szene     und    Arie    mit    Chor 
herein    (Audiam,   audiam)    4 — . 

1  b.  Ariette,  m.  G   (Bobrowiez)    1 
5.  Ariette,   m.    O     (Bobrowiez)     1 
Galop  — 25   Klemm. 


n. 
n. 


Tanzmusik,  FIP  1/— n,  FlVVaVcKh  1/— n 

Augener. 
12    Tiinze    nach   beliebteu   Melodien    1 — n. 
Potpourri,   P  —30,  4ms  2—,  2'VVaYc 

I— III  a  1— n.  FlVVaVc  I— III  a  1— n, 

0   1— n. 

-  66  Sechs  Lieder  fiir  4  Manuerst,  Part  —60, 

jede  St  — 60:  Nr.  1.  Was  kannst  du  da- 
fiir?:  „Wie  prangest  du,  Miidchen".  2. 
Des  Postilions  Morgenlied:  „Vivat  und 
in's  Horn".  3.  Der  Liebesbund :  „Gibt 
den  heifien  Liebesblick".  4,  Briiderschaft: 
„Im  Krug  zum  griiuen  Kranze".  5.  Ja- 
gers  Branch :  „Die  Biichse  knallt".  6.  Der 
Trinker :  „Der  Arzt  hat  mir  verboten" 
3 —  Kistner. 
■  67  Ouverture  zu  der  Oper  „Lucretia",  P 
1 — ,   .4??/s    1.75,   0   6 — n   Kistner. 

-  67   Nr.    1.    Kochersberger   Bauerntanz,    alt- 

deutsches  Volkslied  mit  12  charakteristi- 
schen  Veriinderungen  1—.  Nr.  2.  Die  Kan- 
tele-Spielerin,  linnisches  Volkslied  mit  15 
charact.   Veranderungen,   P    1.30   Cranz. 

-68  Sechs  Gesange :  1.  Fastnachtslied : 
„Milgdlein  mit  den  goldnen  Zopfen".  2. 
Des  Finkeu  Grufi :  „Im  Fliederstravich". 
3.  Wanderlied :  ,,Ich  ziehe  so  lustig".  4. 
Entschuldiguug :  „Wenn  wir  durch  die 
Strafieu".  5.  Briiderschaft:  „Im  Krug 
zum  griineu  Kranze".  6.  Doppelte  Ge- 
fahr :  .,Ich  armer  Fischerbube"  2.25  Kist- 
ner. 

-  69    lutioduction    et    Variations    brillantt's 

sur   un   theme   favori    (B),   P    1.50   Cranz. 

-73  Sechs  Lieder  —SO:  Nr.  1.  Friihlings- 
sehnsucht:  ,.Sauselnde  Liifte".  2.  Mai- 
lied:  „Tirili".  ?>.  Stiindchen :  „Rauschet 
Tone  sanft".  4.  Arie  des  Sadi  aus :  Ali 
Baba:  „Die  liebe  Jugend".  5.  Zigeuner- 
lied  aus  Ali  Baba:  „Lasset  mit  Ver- 
trauen",  a  — 25.  Nr.  6.  Der  Prager  Mu- 
sikant:    „Mit  der   Fidel"  — 35   Klemm. 

-74  Ir.trcdukt.  und  Rondo,  P  1.75  J.  ScJin- 
berth. 

-  75    Vier    Gesange :      Liedesfreiheit.      Trost. 

Woune  der  Wehmut.  Vater  unser,  TTBB 
1.60  J.  Schnlerth,  Liedesfreiheit,  TTBB 
— 80  Eulenbiirg,  A.  E.  Fischer,  Hug,  Ton- 
ger,  —60  Ilaushahn,  1—  RoUtschek,  1.20 
Ullrich,   —25  n    Schirmer. 

-76  Vier  Gesange:  1.  Die  Verbtindeten :  „0 
llerze,  was  pochst  du".  2.  Spanisches  Lie- 
beslied:  „In  Liebe  ersterben".  3.  Veilchen 
und  Astern :  „Ein  Miigdlein  f risch  von 
Wangen".  4.  Aufenthalt:  „Rauschender 
Strom"   1 —  n  Breitkopf. 

■  77   Trois   Pi&ees   fac.   et  agr^ables,   P   2.25. 

-78  Fest-Ouverture,  P  1.50,  4ms  2.25,  Sn:s 
5.25,    0   6—. 

-80  Hans  H  e  i  1  i  n  g,  Oper  (1833),  K\ 
18—,  8"  fa— n  Hofvieister,  6—  Litolff,  ]'•- 
ters,  7.20  Un.-Ed'.,  P  5—  Hofmeister,  2- 
Litolff,  Peters,  2.40  Un.-Ed.,  >,r,is  8—,  VP 
10—,  Chorst  2.40  n,  Ouv.  P  2—  Hofmeister, 
— 30  Kun.t,  Litolff,  Mic'.ov.  I  —  Dona- 
jowski,  4ms  2 —  Hofmeister.  — 60  Litolff, 
Sm.s   4—.    VP    1.50.    4msVl'c   4—.    O.   Part 


Marschner  H.  op.  80 


—     218     — 


Marschner  H.  op.  9S 


4.50,  St  5.50  Hoftneister,  kl.  0  1.80  Cranz, 

0  3—  Oertel. 

Vorspiel :   Bastlos   geschafft   3.75. 

1.  Introduktion:   0  bleibe  bei  mir   1 — . 

2.  Terzett:    Hal   welche   Zeichen    1.25. 

3.  Arie:  An  jenem  Tag  1 — .  m.  G  1 — ,  — 50 
Breiikopf,  1.50  Schlcsinger,  — 75  ScJiir- 
mer,  0  5.10  n  BreitJcopf,  6 — n  Bote. 

4.  Terzett :  Wohlan,  so  lafit  uns  gehea 
1—. 

5.  Bauernchor  :    Juchheisa    1 — . 

6.  Lied  init  Chor :  Ein  sprodes  allerlieb- 
stes  Kind  —50,  m.  G  —50. 

7.  Finale:  Wie  hiipft  mir  voll  Freude 
das  Herz   1 — . 

8.  Szene  und  Arie :  Einst  war  so  tiefer 
Friede  1.25,  m.  G  — 75,  1.50  Sclilesinger. 

9.  Ensemble  und  Arie  mit  Chor :  Aus  der 
Kliifte   Schlund    1—. 

10.  u.  11.  Szene  imd  Duett:  Wohl  durch 
den  griinen  Wald,  und  Ha!  dieses 
Wort  1—. 

12.  Melodram  und  Lied:  Des  Nachts  wobl 
auf  der  Heide  — 75. 

13.  Arie:  Gonne  mir  ein  Wort  der  Liebe 
— 75,  m.   G  — 50,   1 —  ^ihleshtger. 

14.  Melodram,  Szene  und  Arie  m.it  Chor: 
Herauf,   ibr   Geister  2 — . 

15.  Bauernmarsch,   und 

16.  Lied  mit  Chor :  Es  wollte  vor  Zeiten 
—50,  m.  G  —50. 

17.  Gesang  in  der  Kapelle :  Segne,  All- 
machtiger   — 50. 

18.  Duett:  Nun  hist  du  meiu  — 75.  m,  (/ 
—50,  O  2.50  Starke. 

19.  Lied  der  Brautjungfern  :  So  wollen 
wir  — 50,  m.  G  — 50. 

GroBe   Szene:    Ha,    ihr    glaubt   audi    scbon 
am  Ziel,  m.  0  3.50. 

P:  Nr.  5—11  a  —75,  Nr.   12,  16,  17,  19 
a  —50,   Nr.    14,    18    a  1—. 
2  Arien  und   1   Duett   neukomponiert  zur 

Oper:    Hans    Heiling    (f.   d.    k.    k.    Hof- 

operntheater   in  Wien). 
8b.  Szene  u.  Arie,   (SJ  :  Einst  war  so  tie- 
fer  Friede    1 — . 
17b.  Grofie  Szene,  Gesang  in   der  Kapelle 

u.    Arie    (Bar) :    Ha,    ihr    glaubt    euch 

schon   ain   Ziel    1 — . 
18b.  Duett   fSTJ:  Nun  bist  du  mein  1.75. 
Ich   liebe  dich,   O  2.50  n,   kl.  0   2—  n,   hUf 

2 —  n   Oertel. 

Potpourri,  P  2.50  Andre,  2 —  Bote, 
Breitkopf,  — 60  Eberle,  1—  Klemm,  —60 
Wernthal;  Itms  3—  Andre;  HP  2.50  Hi- 
mon;  PV  (H.  Necke)  —20  Ruhle,  1— n 
Wernthal,  1/ — n  Augener;  PVVc  1.50  n 
Wernthal,  V  —60  n  Wernthal,  2FI  2.50 
Eofmeister;  P2V  1/4  n,  2V  — /8  n,  V 
— /6  n,  PFlVc  1/4  n,  FIP  1/—  n,  Fl  — /6  n 
Augener,  0  1.80  n  Wernthal. 
81  Rondo  scherzando,  ^ms  — 80  Litolff. 

83  Variations    (F) ,    s.    Hans   Heiling, 
P    1.50. 

84  Fantaisie    (A-m.),   P   2.50. 

85  Sechs    Lieder,    TTBB:    1.    Jagerlied.    2. 
Fastnaehtslied.    3.    Der   boseste   Schlufi.   4. 


Matrosenlied.    5.    Stiftungsfest.    6.    Liebes- 

werbung    4 — . 
-  86    Os^tertage   eines   Musikanten    im    schles. 

Gebirge,  6  Gesiinge  2 — . 
-89    Der    Kiffhauser-Berg,    roman- 

tische  Oper,  KA  6—,  Ouv.  P   1.30  Vranz. 

-90  Bilder  des  Orients:  I:  Nr.  1.  Vor  Fitt- 
ne's  Zelt :  „Der  Sonnenbrand  durrt  aus 
das  Land."  2.  Das  Todeslos :  „Mit  Pfeihn 
loser  die  Husseinitten."  3.  Jassuf:  „Gluhe 
nur,  Siidwind."  4.  Fittne's  Klage :  „Und 
weckt  mich  meines  Herzens  Sehnen."  5. 
Maisuna  am  Brunnen :  „Ihr  habt  genug 
getriinken,  ihr  Herden."  6.  Der  ver- 
schmachtende  Pilger :  „Einmal  Mekka 
noch  zu  sehen."  7.  Meleks  Kampfgrufi : 
„Du    schaumst   und   spriihst"   2 — . 

II:  Nr.  1.  Maisuna  im  Zelte:  „Die 
Quelle  murmelt  durch  die  stille  Nacht." 
2.  Hordenlager :  „Aus  dem  Gekliift  her- 
vor."  3.  Voriiberziehende  Horden :  „Seht 
an  der  Schlucht  dort  lagern."  4.  Hafis: 
,,Schaumen  die  Becher."  5.  Hafisens  Schei- 
den :  „Am  Kufi  von  einem  siifien  Munde." 
6.  Blumengrufi :  „Der  warme  Kufi  ge- 
haucht."  7.  Leiermann  unter  Nusohabe's 
Zelt !  :  „Ich  safi  am  Euphratquelle"  2.30. 
Nr.  6.  Blumengrufi:  „I)er  warme  Kufi 
gehaucht"   —50    Bote. 

■  95  Das  Schlofi  am  Xtna,  Oper,  KA 
18—,  P  12—,  I,ms  15—,  Ouv.  P  2—. 
Ifms   3 — : 

1.  Introduktion:   Golden  brennt  1.50. 

2.  Duettino,    SB:    Mild    auf    rosigem    1 — . 

3.  Chor   und   Tanz :    Evan   Evoe  2.50. 

4.  Rezit.    u.    Kav.    (S) :    Wie    fiihlt'    ich 
sonst   — 50. 

5.  Rezit.    u.    Duett    (T8):      Hinweg    den 
Blick   1— . 

6.  Rezit.   u.  Arie   (S)  :   Um  meine  Wiege 
1.50. 

7.  Finale:   Ha,  sieh'  1 — . 

8.  Szene   u.   Arie,   B:   Das  griff  mir   nun 
an's   Vaterland    1.50. 

9.  Duett,  SB:   Flieh'  die  Lust  1—. 

10.  Rezit.   und   Arie    (T):   Traum'   ich   zu- 
rlick    1 — . 

11.  Finale:    Hier    ist  der   Aufenthalt   4.50. 

12.  Romauze  (S  J :  Ruslein  hold  in  Liebe  1—. 

13.  Rezit.    u.    Arie    (Bar):      Mein    Schlofi 
liegt  1 — . 

14.  Terzett    (STB J:    Tauch'    diese    gold'ne 
Feder   2.50. 

15.  Duett  (SBar):  Willst  du  mir  nicht  1.50. 

16.  Lied  (T):  Hor'  Schatzchen  1—. 

17.  Szene    u.    Duett    (ST):    Gesunken    ist 
der   Mut   1.50. 

18.  Finale:   Wie  pocht  mein   Herz  2 — . 
Polonaise   und   2   Galoppaden,   P    1 — . 

96  Sechs  Lieder:  1.  Sie  und  ich.  2.  Nicht 
verzagt.  3.  Mein  Spruch.  4.  Schifferlied. 
5.   Ur.sache.   6.   Zufrieden   3 —  Schlesinger. 

98  Der  B  a  b  u,  Oper,  KA  21—,  P  12—, 
hras    16.50,   Ouv.   P   2—,   Ifms   3—,   0   9—: 

1.  Introduktion:   Bei  dem  Barte  des  Pro- 
pheten   2.50. 

2.  Dueli  fUIUiy}:   Ich  dir  mein  Kind  —75. 


Marschner  H.  op.  98 


—     219 


Marschner  H.  op.  127 


3.  Duett  (SB) :  Teurer  Vater,  welch  Ent- 
ziicken   1.50. 

4.  Romanze    (8) :    Wie    sang   so    siifi    die 
Nachligall  —75,  m.   G  —50. 

5.  Rezit.    u.    Arie    (TJ :    Ach    ein    Opfer, 
(lessen  Grr-Ce  1 — -,  m.  G  — 75. 

6.  Finale:  l^iibii !  Biibii!   Brisfhnioliun  5.50. 
6a.  Arie  m.  Chor   (Bar) :  Gleich,  gleich ! 

Man   ruft   1.50. 
6b.    Rezit.    u.    Duett    (ST):     Willst    du 

darum  ewig  klagen  1 — . 
6c.   Terzettino   (STB):   Ja,  er  ist's  —50. 
6d.   Festchor:    Welch   ein   Test  —70. 
6e.  Marsch  der  Zwerge  und  andere  Auf- 

ziige   1 — . 
6f.    Wahrsagerszene:    „Nun,    was    gibt's, 

Biibu?    1—. 
6g.    Matrosenchor:    Ha,   Matrosen,    frisch 

herauf  — 75. 
6b.  SchluBsatz:  Eva,  Eva,  hore  iniicb  !  — 75. 

7.  Traumszene  (T8):  Bin  ich  am  Ziel  1.50. 
7a.   Duett    (T8J:    Ach.   er   liebt   mich    1— , 

m.  G  1—. 

8.  Rezit.    u.    Lied    (S) :    Komm    an    mein 
Herz   —50. 

9.  Quintett :   Leise  lafit  uns  naher  schlei- 
chen  2 — . 

10.  Chor,   Rezit.,   Lied   u.    Chor    (Bar   und 
Mannerst)  :    Heil    der    Sonne    1.50. 

11.  Lied   (Bar):   Der   Dumme   wird   iramer 
zur  Strafe  — 50.  m.   (/  — 50. 

12.  Szene  u.   Arie   (TBar) :   Ha,   du   wagst 
mich   1 — . 

13.  Quintett  m.  Chor:  Vergessen  und  Y  ^t- 
geben  3.50. 

14.  Chor  des  Fakirs:  Wah !  wie  schwer  ist 
doch  — 75. 

15.  Finale:    Liebchen,    stille   mein    Verlan- 
gen  4 — . 

15a.   Duett   (BarS):  Liebchen,   stille   mein 

Verbmeen  1.50,  m.  G  ] — . 
KoL'tertanze   nach   Melodien   — 75. 
Tanze:   2   Walzer,  3  Schottische,  2  Galop- 

paden   1.50. 
99  Sochs  Lieder  f.  Bur  1.50. 
101    Nr.    2.    Liebchen,    wo    bist    du?    — 35. 
Nr.  5.  Der  Himmel  im  Tale  — 25  Klemni. 

101  Nr.  5.  Der  Himmel  im  Tal :  „Der  Him- 
mel da  oben  der  freut  mich  sehr"  — 20 
Kunz,  Michow,  1.50  Seeling,  1 —  Tonger, 
—50  Schirmer,  m.  Z  —80  A.  E.  Fischer, 
P  1.30  Praeger,  m.  0  2 — n,  m.  kl.  0  1.50  n, 
blM    1.50  n,   Harm    1.50  n    Oertel. 

102  Vier  Lieder  v.  R.  Reiuick   1.75. 

103  Lieder  nach  Robert  Burns  2 — : 
Nr.  1.  Die  siifie  Dirn  von  Invernefi,  2. 
O  srih'  ich  auf  der  Heide  dort,  3.  Einen 
schlimmen  Weg,  4.  Mein  Herz  ist  schwer, 
5.  John  Anderson,  6.  Mein  Herz  ist  im 
Hochland,  7.  Meine  Lieb'  ist  eine  Ros', 
a  —50   ScJwtt. 

105  Zwei  Charakterstiicke :  1.  Nordische 
Mondscheinnacht.  2.  Flattersinn  u.  tJber- 
mut,  P  1.75. 

107  Robert  Burns  Lieder  fiir  T(S)  in. 
P:  1.  In  Westen:  „Ich  schau'  iiber  Fort." 
2.  Lebe  wohl :  „Einen  Kvifi  noch  eh'  wir 
scheiden."  3.  Das  Straufichen :   „Was  wagt 


Liebe  nicht."  4.  Liebesweh:  „Wie  ist  mein 
Auge  .so  triinenschvver."  5.  tJberraschung: 
„lch  seufzt'  einmal  bei  Mondesstrahl."  6. 
Dein  mit  jedem  Herzensschlag:  „Dein  bin 
ich."  7.  Der  waudernde  Willie:  „Wandre, 
mein  Willie"  1 — .  Nr.  5,  7  a  — 30  Breit- 
Icopf. 
-108  Unpolitische  Lieder,  TTBB:  Stopsel- 
zieher :  ,,Wenn  es  keine  Flaschen  gabe." 
Trinklied :  „Den  Stopsel  weg."  Kniippel 
aus  dem  Sack :  „Von  alien  Wiinschen  in 
der  Welt."  Neujahrslied :  „So  singen  wir, 
so  trinken  wir."  Trinklied:  „Die  Frosch* 
und   die  Unken"   3.50. 

-  lOSb    Der     deutsche    Rhein :     „Hurra !     Sie 

sollen   ihn   nicht  haben",   TTBB  —75. 
-109     Klange    aus    Osten,      KA    4.50, 
Ouv.  P  1.50,  O  7.50: 

1.  Zigeunergesaug   — 50. 

2.  Assads  Standchen,    3.  Maisunas  Lied  1.25. 

4.  Rauberchor,    TTBB   —50. 

5.  Kampf   der   Riluber,   ST  2 — . 

-  110    Der    11.    Psalm:    Ich    traue    auf    den 

Ilerrn.  TTBB  3.50. 
-Ill     Gr.    Trio     (G-m.)     Nr.    2,    PVVc    7.50 
Hofineister,    7 — n    Costallat. 

-  112    Humoresken,    kom.    Lieder    im    Volks- 

ton,  TTBB:  Der  Gevatter  Schneider: 
,,Unser  Herr  Gevatter  Schneider."  Die 
Pfarrjiingforchen :  ,,Herr  Pfarrer  hat  zwei 
Fraulchen."  Der  Krautschneider :  „Der 
Krautschneider  Graumann  weifi."  Die 
gnad'ge  Frau :  „Wir  haben  eine  gnad'ge 
Frau."  Der  Amtmann :  „Wir  batten  kei- 
nen  Storch."  Die  verzauberte  Jungfrau: 
,,Die   Jungfrau,   die   verzaubert"   2 — . 

-  116  Drei  Gesiinge :  1.  Treu,  siifies  Madchen, 

lieb'  ich  dich."  2.  Er  liebt  und  reitet  fort: 
„Ein  Knappe  mit  einem  schwarzen  Rofi." 

3.  Komm,  komm,  und  fort  auf  die  Berges- 
hoh'    1.50   Kistner. 

-120  Zwei  Vigilien :  1.  Die  Liifte  wehn  so 
schaurig.  2.  Spat  nach  dem  Tag  1 — n 
Breitkopf. 

-  121     Gr.    Trio     (F-m.)     Nr.    3,    PVVc    7.50 

Hofmeister,   7 — n   Costallat. 
■  121    Andante   espressivo  tire   du   3me  Trio, 
Jf7ns   1.75. 

-  122  Festspiel   zur  Vermahlung   Seiner  kgl. 

Hoheit  des  Kronprinzen  Georg  von  Han- 
nover, KA  5.50 :  Nr.  2.  Arie  f.  T  m.  Chor  : 
„Durch  kiihle  Morgenliifte"  — 75.  Nr.  5. 
Lied  f.  Bar:  „Was  ist  das  Machtigste  im 
Leben"  — 75  Bachviann. 
-125  Caledon,  5  Lieder  3—:  Nr.  1.  Ent- 
ziickea :  „0  wie  entziicken  mich"  1 — .  Nr. 
2.  Die  Stimme  der  Liebe :  „Wenn  die 
Landsehaft  deckt"  —75.  Nr.  3.  Er  ist 
fort:  „Wie  vom  Baum  das  Laub"  1 — . 
Nr.  4.  Liebesvertrauen :  „0  geh'  und  nim- 
mer  sag'"  — 75.  Nr.  5.  Kunde  aus  dem 
Feealande :  „Ich  soil  dir  gestehen"  — 75 
Bachmdnn. 

-  127  Sechs  Lieder  2.50:  Nr.  1.  Liebesschwur : 

„Schw6r'  mir  nicht  den  tollen  Schwur" 
— 50.  Nr.  2.  Uns're  Tranen :  „Ich  safi  ihr 
gegeniiber"  — 50.  Nr.  3.  Standchen : 
,,Duroh  der  Linden  Wipfel  rauschen" — 75. 


Marschner  H.  op.  12, 


220 


Marschner  H.  op.  154 


Nr.  4.  Wohl  war  e&  eine  sehone  Zeit : 
„Im  Fernen  weilest  du"  — 50.  Nr.  5. 
Hinaiis:  „Icli  wandle  am  gelben  Strand" 
— 50.  Nr.  6.  Im  Friihling:  „Es  ist  mein 
Herz  verwelkt"  1 —  Bachmann. 
130  Kaiser  Adolf  von  Nassau, 
Oper.  Bachmann:  KA  24 — ,  Oiiv.  P  1.75, 
Jfms   2.75,    0   9—: 

2.  Rezit.   u.   Duett:    Deiu   Auge   hat   dicli 
nicht  betrogen   2.25. 

3.  Konianze:    Umhiillet    von    Purpur,    von 
irdischer  Macht  — 75. 

5.  Chor    der    Nonuen:    Ave    Maria,    Him- 
melsfiirstin    1 — . 

6.  Rtzit.    und    Eomanze:     Einsteus    nach 
der   Vater  Schlofi  —75. 

7.  Rezit.  und  Kavatine:   O  sage  doeh  der 
Luft  nicht   Ktihlung   1 — . 

8.  Rezit.   u.   Duett:    Dem   Schicksal   muf?.t 


du   dich   nun   fiigen  — 75. 


J a    er    ist 


9a.   Duett :    Ha,   was   sell'   ich  ? 

es!    1—. 
9b.   Rezit.   u.   Duett:    Des   GJeliebten   Wie- 

dersehen    1 — . 

10.  Preghiera :  Wenn  das  Herz  voll  Anffst 
und  Bangeu  — 50. 

11.  Rezit.  und  Duett:  O  Gnade !  Gnade! 
fiir   des  Kaisers   Haupt   1.50. 

12.  Rezit.  und  Duett:  Nein,  o  iiein,  mioh 
tiluscht  kein  Wahn !   1.25. 

16.  Duett:  Es  ist  gescheh'n !  Der  Kaiser 
ist    vernichtet    1.50. 

17.  R'izit.  und  Duett:  0  teure  Freuudin, 
o   welches   Gliick    1.50. 

18.  Rezit.  und  Trio :  O  schones  Weib ! 
Stofi  mich  nicht  zuriick  2 — . 

19a.  Arie  niit  Chor:  Fluch  ihni,  der  diese 
stifie  Jugend  1 — . 

20.  Sehlachtlied  m.  Chor:  Nenut  mir  deu 
schonsteu   dcutschen   Strom  — 75. 

21.  Rezit.  und  Arie  mit  Chor :  Die  Trom- 
pete  schalle,  dafi  kiihn  die  Fahneu 
weh'n   1.50. 

Potpourri,   P,    1—2   a   2—. 
132   Vier    Gesange :    Wenn    ich    ein   Bettel- 
mann   war'.      0   kiihler    Wald.      Lieb    und 
Leid.     Am  Rhein  2 —  J.   Schuberth. 

134  Seehs  Gedicht?:  Nr.  1.  In  der  Ferno 
] — .  Nr.  2.  Wenn  sich  zwei  Herzeu  scheiden 
— 50.  Nr.  3.  Geh  du  nur  iinmer  hin  — 75. 
Nr.  4.  Was  man  niclit  antasten  soil  1 — . 
Nr.  5.  O  Jugendzeit  1 — .  Nr.  6.  Spielmanns- 
lied  — 75. 

135  Trio  (Nr.  4)  in  D,  PVVc  9.48  Bos- 
worth,  7 —  n  Costallat. 

138  Gr.  Trio  (D-m.)  Nr.  5,  PVVc  7.50 
Hofmeister,  7 — n   Oostallut. 

139  Sechs  Lieder  und  Gesange,  TTBB: 
Wahrheit  und  Wein :  „Die  Wahrheit  ist 
im  Wein."  Die  Erwahlte:  „Wie  Schnee 
60  weifi."  Trinkers  Erfahrung:  „Freundc, 
wollt  ihr  recht  voll  Wonne."  Dem  Gene- 
ral Dufour :  „Frisch  auf,  mein  Lied,  wie 
Tromnielklang.'"  Mein  Vaterland :  „Treue 
Liebe  bis  zum  Grabe."  Die  fiinfte  Fa- 
kultJit:  ,.Als  Bacchus  wein  I^ollepium"  3.50. 

140  Bilder  des  Orients:  Heft  HI:  Nr.  1. 
Der  Bund :  „Im  gliiheuden  Weg,  auf 
dunklom  Ro£';."  2.    Fitno's  Gs^saiis:   „DraH- 


fien  im  Sandbrand  schlagen  die  Manner 
sich."  3.  Beim  Siegesmahl :  „Mein  Schwert 
und  meine  Lanze."  4.  Turaus  Heimkehr : 
,,Nun  stille  deine  Tranen."  5.  Turans 
Zelt:  „Im  weiten  Meer  der  Wiiste."  6. 
Fitne's  >Sehnen :  „Wo  schweifst  du,  Tu- 
ran"  3— 

IV:  Nr.  7.  Vorklang:  „Wanderleben, 
Wanderlust."  8.  Melenk's  Abendlied :  „Es 
ist  doch  herrlich  in  Vaters  Zelt."  9.  Me- 
lek's  Wanderlied:  „Weit,  wohin  das  Auge 
schweifet."  10.  Der  Leu  der  Wiiste:  „WiId 
in  der  Wiiste  brtillet  der  LoAve."  11.  Die 
Blutrache :  „Nun  auf !  zum  Mahle,  ihr 
Zeltgenossen !"  12.  Lied  eines  Vogleins  in 
der  Oasis :  „Tch  schaukle  leicht  mich  im 
griinen  Laub."  13.  Nachtgesang:  „So  nah, 
so  feme,  so  tief"  2.50.  Nr.  13.  Nacht- 
gesang,   f.  Bar   — 75    Kistner. 

-  141     Der    Gefangene:    „Es    rauschen    Tage 

immerfort".  nach  dem  Russischen  1.50 
Kistner. 

-143  Drei  Lieder    1.50:    Nr.   1.  Rose   u.   Ros- 
marin,  2.  Am  Tore,  3.  Voglein  im  Walde, 
a    — 75   BacJimann. 
144  Vier  deutsche  Lieder,  I — II  il   1 — . 

-145  Drei  Duette:  1.  Duettino:  „Weuu 
kiihl  der  Abend  sinkt."  2.  Der  Herbst : 
„Es  rauschen  die  Winde."  3.  Duetto :  Die 
tauzenden  Madchen :  „0  Tanz,  du  Lieb- 
licher"   4—.   Nr.   3    1.75   Kistner. 

-146  Juniuslieder  5  Bg. :  Nr.  1.  Trinklied 
der  Alten  2  Bg.  Nr.  2.  Du  mit  den  schwar- 
zen  Augen  2  Bg.  Nr.  3.  Weit,  weit  aus 
ferner  Zeit  Vj2  Bg.  Nr.  4.  Unter  der  Lo- 
reley    V/-,    Bg.    Andre. 

-147    Grand    Duo    (Es),   PV    13    Bg.    Andre. 

-  148  Gr.  Trio    (C-m.)   Nr.  6,  PVVc  6—  Hof- 

ineister,    7 —  n    Costallat. 

-  149    Denkst    du    daran?    Eine    Ball-Erinne- 

rung,   P  2.30  Eeinrichshofen. 

-  150  Vier  Lieder:   1.  Im  Garten:  ,,Ich  pocL' 

an  deiner  Tiire."  2.  Im  Wald :  „Voglein 
auf  dem  griinen  Zweige."  3.  Am  Bach : 
„Bach,  mein  Bach,  wo  kommst  du  her?" 
4.  Ein  seliger  Augenblick :  ,,La6t  mich 
Sterne"  2—  Senff. 
-151  Flinf  Lieder  4^,  Bg. :  Nr.  1.  Treue : 
„Mein  Lieb",  2.  Serenade:  „Ihre  blauen 
Augen",  3.  Eine  dunkle  Stunde,  a  P/j  Bg- 
Nr.  4.  Die  Vertraute  2  Bg.  Nr.  5.  Un- 
gleiche   Teilung    1   Bg.    Andre. 

-  152   Sechs   4st.    Gesange   fiir   Miinnerst:      1. 

Vorfriihling :  ,,Waldmeister  steckt  sein 
Kopfchen  heraus."  2.  Unsre  Zeit:  „Mau 
schwatzt  und  klagt."  3.  Die  Wette:  „Drei 
Bursche  mit  roteu  Naseu."  4.  Friihlings- 
nacht:  ,,Der  Abendtau  gliinzet."  5.  Ein 
Maun  —  ein  Wort:  „Wir  wollen  deutsch 
und  einig  sein."  6.  Kirmefirutscher :  „Her 
bei  zum  Kirmefireihn  I",  Part  u.  St  6 — , 
St  einzeln  a  1 —  Senff,  Nr.  5  — 80  Eulen- 
burg,  — 60  Haushahn,  — 75  Robitschek, 
1.25  ^Sevff,  Nr.  6.  Lied  fur  1  Singst  u.  P 
1—  Senff. 
-154  Sechs  Gesange  und  Lieder:  I  1.50: 
Nr.  1.  Gebet:  „Du,  den  ich  tief  im  Her- 
zen  trage"  — 80.  Nr.  2.  Protest-Lied  fiir 
Sehleswig-IIolstein        (m.     TTBB     ad    lib.) 


Marschner  H.  op.  154 


221 


Marschner  H.  op.  179 


—50.    Nr.    3.    Till 

im    Moi'geiiAvinde"   — 50 


Gebirge ; 


.Null    rauscht 


II  1.50:  Ni.  4.  Ilerbstlied :  „AcIi,  in 
(liesen  blaueii  Tageii"  — 60.  Nr.  5.  Lied 
dos  Alten  im  Bart :  ,.Diirch  tiefe  Naclit" 
111.  TTBB  —80.  Nr.  6.  Glaubst  du?:  „Wemi 
spahend  mein  Auge"  — 60,  m.  G  — 30. 
Xr.  1,  3,  4.  (1  zusammen  2.20  Heinrichshofcn. 

154  Drei  Duette :  1.  Tarautella,  2.  Kor- 
.sarenliebe,  a  2 — .  Nr.  3.  Trost  beim  Ab- 
schied    1.30    Crunz. 

155  Nr.  1.  Ja,  du  bist  mein  — 35  Klemm, 
1 —   Tunoer. 

155  Nr.  3.  Die  Baume  griinen  uberuil  f — 
Tonger. 

156  Vier  CTe.siinge  2.50: 


Nr.   1. 

gvsela'n,    glaiib'    ich    blind    zu 


Seit 
seiu. 


ifh 


ihn 
Ich 


Kunn  s 


nit'ht  fassen,  nicht  glaubeu,  3. 
Abend  am  Meere :  ,,0  sieb',  der  Abend- 
liimmel  gliihl",  ft  — 80.  Nr.  4.  An  den 
Sonnenschein :  ,,0  Sounenschein,  wie 
bliclcst  du  inir  ins  Herz  hinein"  1 —  Cranz. 

157  Vier  Duettiuen :  I:  Abend  am  Meere : 
.,0  sieh',  der  Abendbiinmel  gliiht."  Wie- 
derseben :  „0  weine  nicht.  weun  aii^  deui 
Ntillen   Vaterhaiis"   2 — . 

II:  Der  Sclialk :  „Lauten  kaimi 
Maienglocken."  Das  Kindesauge:  ,.(> 
ein  unergriiudlich   Meer"   2 — . 

158  Quatuor    eu    sol,    PVVaVc    8— u 
stallat. 

160   Vier 


die 
wie 

Co- 


(iesiinge : 


Thule, 

legis  — 75.  Nr. 


Konig 


von 

Wil- 

Des  Harfners  Klage  — 50. 


Nr.  1.  0  du  ineine 

2.    Drei    Knospen, 

4.   Was  kiiiuinert's 

von    der    Heide,    0. 


Nr.    1.    Uei 
Die   Rache,    a   —50.   N 
4 

161  Madelon!  Bauernlied :  ,,Madelon,  juch- 
he !  AUes  prangt  im  Kirmesglanz",  ein 
musikalischer  Scherz  fiir  T-Solo  u.  TTBB 
3—,  1  Singst  m.  P  (A.  E.  Marsch- 
u  e  r)    1.50   Benff. 

162  Sechs  Lieder  5  Bg. : 
liebe  Taube  1  Bg.  Nr. 
3.  Das  Winterveilcheu, 
niich,  5.  Das  IMiidchen 
I3as  sehnende  Herz,  a  P/j  Bg.  Andre. 

163  Friedrich  Bodenstedt's  Lieder,  2  Hefte: 
r.  Nr.  1.  Ohne  Miitterchen  zu  frageii. 
2.  Alter  Mann,  grauser  Mann.  3.  Sing' 
mit  Sounenaufgang,  sing'.  4.  Fiillt  inir 
das  Triukhorn.  5.  Heimweh :  „Uud  fiihlst 
du  nicht".  6.  Der  Eose  Duft  will  mir 
nicht  siifi.  7.  Wenn  sclione  ^laid  \  on 
Schiras   3 — . 

IT.  Nr.  1.  Oft  sinn  ich  bin  und  \\  ieder. 
2.  Wir  haben  nicht  Binge.  3.  Ich  singe 
dich,  liebliches  Madchen.  4.  Deine  Liebe 
ist  mein  TTimmel.  5.  Ein  Bettler  klopft' 
ich  bei  dir  an.  6.  Ich  halte  Edlitum  am 
Fenster.  7.  Mir  traumte  einst  ein  scho- 
uer  Trauin  3 —  Bote. 

166  Epiphaniafest :  ,,Die  heil'gen  drei  Krj- 
nig*  mit  ihrem  Stern",  Humoreske,  TBarB 
m.  P  ad  lib.  2.50  Senff. 

167  Trio  (F)  Nr.  7,  PVVc  7.50  Hofmeister, 
8— n   Costallaf. 

168  Der  fahrendc  Schiller,  (i  Lieder  3.50: 
Nr.  ].  Eiukehr:  „Das  Dort  zweimal  hin- 
auf,  herab"  1—.  Nr.  2.  Nachts  in  der 
TIerberge:    „Ei,    safi'    ich,    wo    der    Pfeffer 


waehst"  —80.  Nr.  3,  4.  An  der  Schenkeii- 
tiir  und  Tanzlied :  „Und  als  ich  des  Mor- 
gens  fruh  aufstand"  1.30.  Nr.  5.  Wirts- 
tochterlein  singt :  „Da  zieht  der  Bursch' 
mit  dem  wallenden  Haar"  —80.  Nr.  6. 
Abschied :  ,.So  schau'  ich  deun  zum  letzt  jn 
Mai"  —80  Cranz. 

-  169    Orieutalischer    Liederschatz,     T — II     & 

3 — :  Nr.  1.  Dichters  Empfludung:  ,,Und 
was  die  Sonne  gliiht"  — 80.  Nr.  2.  An  Zu- 
leika :  „0  saufter  Wind !  zum  Ort  bin 
wehe"  —50.  Nr.  3.  Lob  Zuleika's:  „Nicht 
mit  Engeln  im  blaueu  Himmelszelt"  — 80. 
Xr.  4.  Zuleika's  Anmut:  ,,Seh'  ich  deiae 
zartei!  Fiil^cheu  an"  — 80.  Nr.  5.  An  die 
Rose  von  Tifiis :  „Anmut  giirtet  deine 
Lendeu"  —80.  Nr.  6.  An  die  Rose  von 
Tiflis:  „Es  drohte  mir  ein  Abgrund  tief" 
1 — .  Nr.  7.  Ada  :  „Seit  du  mich  ange- 
blickt"  —50.  Nr.  8.  Sussufs  Lied:  „Mit 
(reschenken  beladeu"  —80.  Nr.  9.  Lied 
All's,  des  Eotbarts  von  Karabagh :  „Die 
Mildchen,  die  Weiber  ruhren  mich  nicht" 
— 80.  Nr.  10.  Selim's  des  Kurden  Lied: 
.,Uber  alles  hoch  und  fiber  alles  schon" 
-80.  Nr.  11.  Des  Kriegers  Sterbelied : 
„Die  Kugel  traf,  mich  ruft  der  Tod"  —80. 
Nr.    12.    Zigeuuerchor    (SATBj    1—  Cranz. 

-  171    Burgfraulein,    grofie    Gesangszene    fiir 

eine  A-St:  Traum  der  Sehnsucht.  Tren- 
nungsschmerz.  Seliges  Hcffen.  Heimkehr 
des   Geliebten   3 — ,   m.    0   5 —  Cranz. 

-  172   Liebe,   Wein   und  Krieg,   6  heitere   Ge- 

sange,  TTBB:  Wiederkehr  „Soll  ich  dich 
denn  wieder  haben'".  „Jedtm  das  Seine 
am  besten  gefiillf.  Im  Weinhaus:  „Ins 
Weiuhaus  treibt  mich  dies  und  das".  Der 
Zufriedene:  ,,Zwar  schuf  das  Gliick 
hinieden".  Soldatenlied :  „Die  Trommela 
und  Pfeifen".  Soldatenabschied :  „Bumm, 
bide-bumm.  morgeu  marschiereu  wir"  3 — 
Cra7iz. 

-173  Sechs  Lieder  6  Bg. :  Nr.  1.  Herbst  im 
Meere  1  Bg.  Nr.  2.  Wach'  auf,  du  schone 
Traumerin  1'/-  Bg.  Nr.  3.  So  weit!: 
,,Bachleiu  am  Wiesenrand"  P/-  Bg.  Nr.  4. 
()  wie  lockst  du  mich  I'J.  Bg.  Nr.  5.  Jun- 
ges  Blut  2  Bg.  Nr.  6.  Mit  guteni  Fahr- 
wiud   P/i  Bg.  Andre. 

-174    Gr.    Duo    (A-m.),    Nr.    2,   PV   6—. 

-175  Sechs  Lieder,  TTBB:  1.  Sei  unver- 
zagt:   „War'  gleich  dein  Hofi"en  schwach". 

.f,,  kommst  du  wie- 
was  fein  ist.  4.  Mor- 
gcnstiindchen :  .,Wach'  auf,  du  schone 
Traumerin".  5.  Johannisnacht:  „Die  Luft 
geht  mild  und  weich".  6.  Muntrer  Bach : 
„Muntrer  Bach,  was  rauschest  du  so?" 
4.50,  Nr.  1.  TTBB  1—  .S'en/f,  —80  Eiden- 
hurg,   Tonger. 

177  Drei  Lieder:  Nr.  1.  Siehst  du  das 
Meer  1—.  Nr.  2.  In  der  Feme  1.30.  Nr.  3. 
Lied  eines  fahrenden  Schiilers  1.30  Cranz. 

178  Der  Schmetterling:  „Ein  Wetterfalin- 
lein  ist  mein  Sinn"   1.50   Cranz. 

179  Nr.  1.  Antwort  1.30.  Nr.  2.  Monduacht 
—80.  Nr.  3.  Abendfeier  in  Venedig  1— 
Cranz. 


2.    O    schouer    Friihliuj. 
der?      3.    Ich   liebe 


Marschner  H.  op.  180 


—     QQ-^ 


Marschner  H.  I)as  Testament 


-180  Drei  humor.  Gesange:  Nr.  1.  Der  arme 
Taugenichts  1.30.  Nr.  2.  Einkehr  1— . 
Nr.  3.  Im  Weinberge  — 80  Cranz. 

-  181  P:  1.  Die  Keifende,  2.  Die  unschuldige 

Kokette,    3.    Plaudereien    einer    Grofimut- 
ter,   a    1.25. 
-182  Zwei  Lieder:   Nr.   1.  An  die  Entfernte 
1 — .  Nr.  2.  Wo  find'  ich  mein  Lieb?   1.50 
Siegel. 

-  183  Drei  Gesange,  TTBB:  1.  Wolfgang 

Muller:  Lenz  und  Liebe:  „0  Liebes- 
segen  alluberall".  2.  Carl  Siebel: 
Lustige  Leute:  „Wir  Herren  Studenten". 
3.  Carl  Siebel:  Madel  I  mein  Madel : 
„Blickst  du  mich  an"  4.50  Seyiff. 

■  184  Sechs  Lieder:  Nr.  1.  Umsonst  ist  mein 

Sehnen :  ,,Wie  blicken  die  Biiume",  und 
Nr.  2.  Ziehen  und  halten:  „Wohl  schei- 
den  Tal  und  Hiigel",  zusammen  — 20.  Nr. 
3.  Mein  Lieb'  ist  das  Biichlein  — 20.  Nr.  4. 
Trennung:  „0  du  lieber  Sehatz,  wir 
miissen  scheiden",  7(-.  — 20,  t.  — 20.  Nr.  5. 
Wiederkehr :  „Soll  ich  dich  denn  wieder 
haben",  und  Nr.  6.  Lied  eines  fahrenden 
Schulers:  „Kein  Tropflein  mehr  im  Be- 
cher",  zusammen  — 20  Rvhle,  Nr.  4.  TT 
BB  1 —  Jaknhon-ski,  1.20  Lcvckart,  — 80 
Tonger,  1.20  Zumsteeg,  SATB  1—  Klemm, 
fur   1    Singst   m.   P   1—  Tonger. 

■  185  Vier  Lieder  5  Bg. :  Nr.  1.  Der  deutsche 

Wald,  das  deutsche  Herz  Vj.  Bg.  Nr.  2. 
Ermutigung  P/,  Bg.  Nr.  3.  Einsiedler 
mocht'  ich  sein  Vj.  Bg.  Nr.  4.  Liebeslied 
2 —  Andre. 

186  Liederheft  vorn  Rhein :  1.  Still  an  der 
kiihlen  Flut.  2.  Ein  Miidchen  so  schon 
wie  die  Loreley.  3.  Es  schauen  die  Rui- 
nen.  4.  Steige  auf  die  duft'gen  Hoh'n. 
5.  Auch  in  der  Fremde.  6.  0  war'  ich 
wo  anders  her   1.50   Peters. 

188  Fiinf  Gesange  fiir  drei  M-eibliche  St 
mit  P:  I.  Weihnachtsabend:  „0  du  froh- 
liche,  selige  Nacht".  Die  Nymphen  im 
Rhein  :  „Herbei !  Ihr  Sehwestern  herbei  !" 
4—.  TI.  Storch's  Ankuft:  „Sieh'  der 
Storch  ist  wieder  hier  !".  Die  kleine  Strik- 
kerin;  „Wenn  der  Mensch  kein'  Fiifi' 
hatt'".  Empor:  ..Mufit  du  denn,  o  Men- 
schenherz"   4 —   Rieter. 

189  Sechs  Lieder;  I.  In  der  Nacht:  „In  der 
Nacht,  wenn  die  Sonne  zur  Ruh'".  Nacht 
am  Rheine :  „Es  waren  drei  lust'ge  Ge- 
sellen".  Ob  du  mein  Lieb  bist?   2 — . 

II.  Der  treue  Ritter :  „Es  war  ein  Rit- 
ter  ohne  Furcht".  Warnung:  „Madel,  ich 
warne  dich  gut".  Dunkelbraune  Auge- 
lein  2 —  Rieter. 

189     Der     K  i  f  f  h  a  u  s  e  r  -  B  e  r  g,     Oper, 
Cranz : 
l.Ariette:  Drehe  dich,  mein  flinkes  Riid- 
ehen  — 70. 

2.  Duettiuo :    O   gib   mir   die   Hand   —80. 

3.  Terzettino :     Hilflosen    Kindern    Vater 
—70. 

4.  Arie :    Es    setzte    brunimend    sich    der 
Alte  —70. 

o.  Trinklied    mit    Chor :     Soil     ein    Hoch- 
zeitsfest    erfreu'n   — 50. 


6.  Lied :     Dreihundert     Jahre     sind     ver- 
ronnen   - — 50. 

7.  Duettino :   Ich  habe  dich  schiitzend  be- 
gleitet  —70. 

8.  Quartett  mit   Chor :   Lustig   d'ran   und 
d'rauf  —80. 

9.  Sextett  und  Bauernchor :  Krick,  krick, 
krick   —80. 

10.  Cavatine :    Den   sauern    Gang   hab'    ich 
vollbracht  — 50. 

11.  Arie:   Ja,  nach  dem  verfluchten  Berge 
—80. 

12.  Finale:    Lustig,    lustig,    zwanzig    Jahr 
—70. 

-190  Drei  komische  Gesange:  Der  Zeitungs- 
leser :  ,,Der  Herv,  der  schickt  die  Kochin 
aus".  Ungliickliche  Liebe :  „Nichts  Scho- 
neres  mir  auf  Erden  gefallt",  Romanze, 
abends  im  Freien  zu  singen.  Ballade  vom 
Ritter  Hugo :  „Mit  seinen  wilden  Knap- 
pen   zwo''   3 —  Rieter. 

-191  Sechs  Lieder:  I.  3  Bg. :  Nr.  1.  Hiite 
dich  2  Bg.  Nr.  2.  Ich  weifi  zwei  Bliim- 
leiu    1   Bg.   Nr.   3.   Bezaubert   1   Bg. 

II.  4' A,  Bg.:  Nr.  4.  Wandern  V,U  Bg. 
Nr.  5.  Und  weil's  nun  einmal  2  Bg.  Nr.  6. 
Du   bist   meine   Liebe   27-   Bg.    Andre. 

-193  Gr.  Duo  (H-m.),  PV,  PVc  a  7—  Eof- 
meister,   a   6 — n    Costnllat. 

-  194   Drei   Gesange  fiir  4   Mannerst:   Nr.   1. 

Erste  Liebe:  „Ich  mochte  wohl  die  Schild- 
wacht  sein"  2—.  Nr.  2.  Der  Reiter :  „E9 
reitet  ein  Reiter  vor  Liebchens  Haus" 
2.50.  Nr.  3.  Lied  des  Kutschers:  „Mein 
Herz  ist  wie  ein  Kutsehenschlag"  1.75 
Sieycl. 
-195  Sechs  Gesange,  TTBB:  I.  Handwerks- 
burschenlied.  Rosenzeit.  Wirkung  des 
Weins.  Der  neue  Kaiser  3.25.  II.  0 
gliicklicher  Mann.  Zigeunerleben  3.25 
Schott,  Zigeunerleben  — 80  Eulenburg, 
Tonger. 

-  A  table,   TTBB  —25  n  Pinatel. 

-  Ach  konnt'   ich   diesen   Abend,    TTBB  —80 

Ullrich. 
-Album,    12    Lieder     (L.    Benda),    h.  t.    a 

1—   Litolff. 
-Album,    P    (G.    Miinzer),    (Unsere    Mei- 

ster.   Band  42)    1.50  Breitkopf. 

-  An  is,    vidons    nos     verres,     TTBB     — 25  n 

Pinatel. 

-  Auf  dieser  Welt  hab   ich  kein'  Freud',  TT 

BB  —80   Ullrich. 
-Austin,    Ballettmusik,    0    5.50,    sO    4 — , 
gr.   Harm  6 — ,   kl.   Harm  4.50   Lehne. 

-  Ave    Maria,     MSfA)    — 35     Gordon,     -^50 

Schirmer. 

-  Awake  the   loud  — /2   Curwen. 

-  Bliss   in  Sorrow,   chorus  — 05   Pond. 

-  Christmas   Eve    (fem.   or   boy's  voices)  — /4 

'Novello. 

-  Come,    boys,    drink    and    merry    be,    TTBB 

— /4  Novello. 

-  Come,   Let's   Sing   a    Merry   Round,    SATB 

—03   Silver. 
-Das  Testament:   „Im  alten  Fafi  zu  Heidel- 
berg", TTBB  —80  Eulenburg. 


Marschner  H.  Der  Holxdieb 


223 


Marseillaise  officielle 


-Der  Holzdieb,  komische  Oper,  KA 
4 —  D,  Mein  Herz  ist  voll  Wonne,  Lied,  P 
—50  Bote. 

-  Der   lustige   Wanderer  — 10   Kunz. 

-  Deutsches  Kaiserlied,  8ATB,  TTBB  t  —80 

Vieireg. 
-Diebstahl:    „Madel   trug  des   Wegs  daher", 
SATB    1—   G  anther. 

-  Donnez-moi   ton   coeur    1.35  n   Dvrand. 

-  Ein    Mann,    ein    Wort,    TTBB    —60    Haus- 

huhn. 

-  Freedom    in   Song,   chorus   — 10   Pond. 
■  Freibeuter,   m.    PfG)    —50   S^chott. 
-Frcude:    „Was    perlet    im    Glase?"    TTBB 

— 80   Eidenhurg. 

-  Galcpp-Walzer   ■ — 25    Eeinrichsliofev . 

-  Grand  Marsch,  transcr.  by  R.  Andrew  s, 

P   2—    'Williams. 

-  Heaven    above,    and    in    the    vale,    T    — 40 

Gordon. 

-  Hunter's  Bride,   mO  — 50  Fischer. 

-  Im     Herbst     da     mufi     man     trinken    — 10 

Kunz. 

-  Ja  du   bist   mein  — 20  Kvnz,  Michoiv. 

-  Karlekens    Dromland,    vals    af    E  o  e  d  e  r, 

V(Fl)    1—    Elkun. 

-  Komm,  komm   und  fort  auf  die  Bergeshoh 

— 20  Michow. 

-  Kommunalgarden-Reveille    zum    Konstitu^- 

tionsfeste:  „Was  ruft  der  Trommelvvirber', 
TTBB  —60. 

-  Liebchen  vv^o  bist  du?  — 20  Peters. 

-  Lieder       (ausgewahlte),      h.  t.      m.       VcP 

(D  o  r  f  f  e  1) ,  a  1—  Michow. 
-Lieder  und  Gesiinge,  fiir  VcP:  I.  Mein 
besseres  Ich.  Beseligtes  Sein.  Assats 
Standchen.  tJberfahrt  3.50.  II.  Nacht- 
gesang.  Beim  Scheiden.  Spielmanns  Lied. 
Gute  Nacht,  mein  Herz.  Turan's  Zelt 
3.50.  III.  Was  man  nicht  antasten  soil. 
Wenn  sich  zwei  Herzen  scheiden.  0  sieh 
mich  nicht  so  lachelnd  an.  Melek's  Wau- 
derlied   3.50   Rieter. 

-  2    Lieder    fiir    das     10.     Armee-Korps     des 

doutschen  Bundes-Heeres  fiir  TTBB  m.  P: 

1.  Hell    strahlt    die    riist'ge    Heeresmacht. 

2.  Wer  sind  die  Manner  wohlbewehrt  1.50 
Bachmann. 

-Mailied,   Lied,   P(G)   —50   Schott. 

-  Metamorphosen :    „0    ware    mein    Liebchen 

das    Eoslein    rot'*,    schottisches    Lied   — 80 
Bote. 

-  Monsieur   Jeudi,   Ch.  s.   — 25  n   Pinatel. 

-  Nachtigall,   P   1 —  J.   Schuherth. 

-  Narren-Galopp    — 25    Reinrichshofen. 

-  Nymphs    in    the    Rhine    (fern,    voices)    — /4 

'Novello. 

-  Ouvertiiren,   P    1.50,   Ifms   1.50   Peters. 

-  Peasant's     Wedding     March,     Ifms     — 35  n 

Presser. 
■  Rheinweinlied :    „Wo  solch  ein  Feuer   noch 
gedeiht",    TTBB    1.25    Bachmann. 

-  Richard   Coeur   de   Lion    1/ —  n   Augener. 

-  Romanze,    PVVc     (Hermann)     1.50    Pe- 

ters. 

•  Sehnsucht  —80  Ries  d  Erler. 

•  Serenata,  4  voces  — 75  Wagner  y  Levien. 


-  Standchen :  „Warum  bist  du  so  feme",  TT 

BB  —80   Rohitschek. 

-  Stork's   return    (fem.   voices)    — /4   Novello. 

-  Sweet   peace,   trio   — 40   Ditson. 

-  Tanzmusik  aus   „Des   Falkner's   Braut",   V 

P    1/ — n,    0    1/ — n   Augener. 

-  The  Last  request,  TTBB  — /4  n  Angener. 

-  Trennung  ]—  M.  Jakubowski,  — 10  Kunz, 

Michoio,    TTBB    1—    Rilhle,    Schott,    —80 
Tonger,  SATB   1—  Gunther. 

-  Treu    siifies    Madchen    lieb    ich    dich    — 10 

Michow. 

■  Upward    (fem,    voices)    — /4    Novello. 

■  Wachtlied   der   Leipziger   Biirger,   m.   Chor 

u.   P  — 50   Kistner. 

■  War  ich  bei  dir,  P  —50  J.  Schuherth. 
-Was  kannst  du   dafiir?   TTBB  —80  Eulen- 

burg. 

-  When  golden  autumn's  smiling,  SATB  — /3 

Novello. 

-  Wiedersehn,  schwabisches  Volkslied,   TTBB 

—80    Ullrich. 
Marsden  Estelle,  Be  My  Own  — 50  Planner. 

Marsden   Geo,   Andante    (F),   Org   3/ —  For- 
syth. 
-Andante   (G),  Org  3/—  Forsyth. 

-  As    pants    the     hart,     transcription     from 

S  p  o  h  r's    Crucifixion,    P    3/ —    Ashdown. 

-  Danse  de  Gavots    (F.  N.  Lohr),  Org  3/ — 

Forsyth. 
-Herz,    mein    Herz    (Song    of    Weber),    P 
3/ —  Ashdown. 

■  March  of  the  Templars,   Org  3/ —  Forsyth. 

■  2   Movements,   Org   3/ —  Forsyth. 

-  Sweet    wild    flowers,    sketch,    P    3/ —    Ash- 

down. 
Marsden  Louis  Delabene,  Love's  Confession 

2/ —  n   Bunz. 
Marseille,   Amynthe,  OPist  a  parties  — 90  n 

Gheluwe. 
Marseille-Bordeaux,    1.70  n,      Ch.    s.    — 30  n 

Ondet. 
Marseille,  c'est  ma  rose   1 — n  Joubert. 

Marseille-Marche,    estudiantina    2.50  n.    Le- 

moine. 
Marseillais    et    dentiste     (av.    parl6)     — 35 

Pomier. 
Marseillais    pretentieux    1 —    Sulzbach. 

Marseillais   rigolo    1 — n   Joubert. 

Marseillaise,  hymiie  nationale  francaise: 
Allons  enfants  1 — ,  Ch.  s.  — 25  Debert, 
Eveillurd,  Gheluwe,  4  tons  — 35  Costallal, 
— 60  Andre,  — 50  Cranz,  Ueinrichshofen, 
2/  QAshdo'wn,  — /6  n  Augener,  — /2  Sheard, 
—50  Brainard,  —35  Ellis,  —50,  m.  PfG) 
— 75  Ilirsch,  Choour  — 75  Ghelune,  — /P/o 
Novello,  — 40  Brainard,  — 06  n  Schirmer ; 
P  —60  Andre,  —50  Cranz,  —10  Gordon, 
— 15,  fac.  — 15  Jurgenson,  — 20  Besselj 
IfTns  — 50,  (H.  Cramer)  1 —  Andre, 
Z  (s  cesk^m  textem)  —40  Starf,  VP  —80 
Andre,  V(Vc)P  4/—  Chanot,  mO,  blM, 
Part  a  — 50  Zimmermann. 

Marseillaise  officielle,  4  v.  Part  1.50  n,  p. 
s.  a  — 25  n,  2  V.  1.80  n,  P  1— n,  mO,  Part 
1.50  n,  p.  s  a  — 10  n,  0,  Part  1 — n,  p.  s. 
a   — 10  n,   A  cordes    1.50  n,   av.    Clairons  et 


Marseillaise  officielle 


—     224     —         Marshall  C.  Office  for  the  Iluly  Gomm. 


Tambours  3— n  Margueritat,  Earm(Fanf) 

1.50,    p.    s.    — 10,    P    cond.    — 25    Naudin, 

Fiudre. 
Marseillaise  &  Chant  du   Depart,  airs  uat. 

Harm(Fanf)    1.25   Naudin,   V,   Cornet,   CI, 

Fl  a  — 40n   Katfo. 
Marseillaise    bourgulgnonne    1 — n,      Ch.    n. 

— 35  n    Puigellier. 
Marseillaise    de    la    nature    1 — n,      Ch.    s. 

— 30n    Ondet. 
Marseillaise    de    Noel    2 — n    Joubert. 
Marseillaise    de    la    Paix    1 — ,    Ch.    s.    —25 

Debcrt. 
Marseillaise   des  treilles    1— n   Joubert. 

Marseillaise    du    vin     1 — n,    Ch.    s.    — 35  n 

Puigellier. 
Marsh    J.    B.    Pond:    Abidf*    with    Me,    trio 

—15. 
-Art  thou  Weary?  solo  and  quart.  — 15. 

-  Beest  be   the   Tic   that  birds,   duet  —50. 

-  Begin   my   soul,   ATB  w.   quart  — 20. 

-  Breast  the  Wave  Christian,  SA.TB  —10. 
-Come   my   soul,    quart.   — 15. 

-  Come  we  that,  trio  — 40. 

-Crossing    the    bar     (F.    Minor),    8 A    and 
quart.  — 15. 

-  Day  is  Past,   SA   and   quart.  — 10. 

-  Earth   is  the  Lord's,   duet  — 50. 

-  Great   God   of  nations,   duet  — 50. 

-  He  livcth   Forever,   duet  — 60. 

-  How   amiable  — 40. 

-  I  will  lift   up  my  eyes,  trio  — 40. 

-  I   will   magnify   Thee  — 60. 

-  In  Thee,  o  Lord  !  —60. 

-  Jesus,   the  very   tho't  of  Thee,,   A,  duet  a. 

quart.  — 15. 

-  Jesus   is   my   cross,   duet  — 50. 

-  Like  as  the  hart  —35,  con.  solo  —15. 

-  Lord  is  my  light  — 60. 

-  Lord   is  my   Shepherd  — 40. 

-  Lord,  with  glowing  heart,  solo   and  quart. 

—15. 

-  Martyr,   quart.  — 20. 

-  My  faith  looks  up  to  The,   8ATB  —15. 

-  0  Day  of  rest,  quart.  — 15. 

-  0  Jesus  thou   art   standing,  SAT  av.  chor. 

—10. 

-  Pleasant   are   thy   couts   above,    duet   — 50. 

-  Remember   now,   quart.   — 15. 

-  Show  me  tliy  way  — 15,  trio  —40. 

-  Sing  my   soul,    trio   — 40. 

-  Te  Deum  —75. 

-  There  is  a  Land  immortal,  quart,  w.  solos 

—15. 

-  Thou   wilt  show,   trio  —20. 

-  Trough   thy  protecting  care,   AB  a.   quart. 

—10. 

-  Weary  of   Earth,  solo  and  quart.  — 15. 

-What  e'er  my  god  ordains,  solos,  duet  and 
quart.   — 15. 

-  While   thee    i  seek,    hymn   — 15,   trio   — ^20. 

Marsh  W.  Ranks  of  the  brave  1/ —  Curwen. 

Marshala   C.   O.  Guerra   del  Sudan,  marcia- 
inno  del  Mahdi,  /■•  2.50  Ricordi. 

Marshall  C.  Silver:  Absence  2/ — u  Jeff  ergs. 


-Alpine  Shepherd  (from  Abt),  A-  or  S-s. 
SATB   3—. 

-  American    Flag,    SSAATB,    B-  &    S-s.    7.50. 

-  Amy  Waltz  4/ —  WeeJces. 

-  .\ngels   will   come   home,    song   and   chorus 

—30    White. 
-Barcarolle    (K  tick  en),    SA    4.50. 

-  Beauty   and   song,   SATB  — /I    Boosey. 

-  Behold,  God  is  my  salvation,  verse,  B  — -/6 

yovello. 

-Brocade  Gown   1/4  n   Turner. 

-Bugle  Song,   SSA  or  8SAB  3—. 

-6  Charf.cteristic  Pieces,  VP :  1.  A  tran- 
quil dawn,  2.  In  the  sunlight,  3.  Clouds, 
4.  Peace,  5.  Nocturne,  6.  A  pastoral,  ft 
3/ —  Ashdoton. 

-  Country  Fair,  arr.  from   Abt,   SSAB  6—. 

-  Courtship   4/ —  Leonard. 

-  Cumberland    (C,  D)    2/ —  Boosey. 

-  Day   of  Love,   SATB  —/I    Boosey. 

-  Fantasia,   FIP   6/—  Rudall. 

-  Felicie   Polka  — -40    Witzmann. 
-Festival  march   in  D    (J.  W.   Simpson), 

Org  — 40  Ditsou. 

-  Flower  of  Liberty,  SATB  4—. 

-  Gondolier,      from    Lucia,     di 

(Donizetti),      SSA,      & 

s  o  h  n.   Sailing  Home,   8SAA   3 — . 

-  Group  of  Songs  for  female  voices,  SSA-  6 — . 

-  Harmocilia   Waltz  — 50   Witzmann. 

-  Hear  our  petition  — 35   White. 

-  Holy  Father,  solo  and  chorus  — 35   White. 

-  I  love  the  path  of  the  free  — 40  White. 
-In   May-Time    (Billeter),    Eventide,    8S 

AA   2.50. 

-  Indian   Maid, 

-  Johnnie    and 

—35   White. 


Lammernioor 
M  end  el s  - 


SATB  —/I    Boosey. 

Laura,    comic    dialogue    duet 


-  Joy,   Joy,   Freedom  To-day,   arr.   from   B  e- 

n  edict,   SSATB   5.50. 

-  King  of  Night,  unison  song  with  ace.  3 — . 

-  Larghetto.       Allegro     Maestoso.       Chorale. 

March.  Impromptu.  Abendlied.  Minuet. 
Prelude.  Allegretto.  Interlude,  Org(E)  or 
American    Org    — ,6    Donajoivski. 

-  Legend  of  the  Bells  from   „The  Chimes  of 

Normandv"  bv  P  1  a  n  q  u  e  1 1  e,  S-s^.  88 
A ABB   6—. 

-  Lightning,   pas   de   quatre,   P  4/ —   Weekes. 

-  Longing   to  be  at  rest,  sacred  quart.  —30 

White. 
-Lullabv,  SA  3—. 

-  Lullaby   from   „Erminie",   SSAAB  6—. 

-  Lusitanian  war  song,  SATB  — /I  Boosey. 
-Madeleine     (Roeckel),    SSAB    or    SATB 

3.50. 

-  Magnificat  and  Nunc  dimittis    (in  D)    — /6 

Noi^ello. 

-  Many  to  love,  song  and  chorus  — 40  White. 

-  Marathon  Race,  adaption  of  toreador  song 

from   „Carmen",   SSAB   5—. 

-  Nina  Gavotte,   P  4/ —   Weekes. 

■  O   little  town   of  Bethlehem  — 50   National 
Music   Co. 

-  Oflfcrtoire     (J.    W.    Simpson),    Org    —40 

Ditson . 

-  Office    for    the    Holy    Communion     (in    D) 

1/6   Novello. 


Marshall  C.  14  On'ijinal  Pieces 


—     225 


Marshall  L.  Welcome  me-fAng 


the 
Song 


clover  — 40   White. 
(Rossini),   8BA   or 


/I 


Tli 


-14  Originnl  Pieces:  Andante  con  moto  in 
E  fliit.  Allegio  niolto  in  C.  Berceuse  in  G. 
Andante  in  A.  Sbeplierd's  Song  in  B  flat. 
Allegro  Moderate  in  C.  Chorale  in  A  flat. 
Allegretto  Pastorale  in  P>  flat.  Minuet  in 
E.  Adagio  in  D.  Pcco  Allegro  in  C.  Cho- 
ral Song  in  A  flat.  Pastorale  in  C.  March 
in    D    1/ —   Booney. 

-Out    in   the   orchard   2/ —   Boosey. 

■  Peace    to    him     that's    gone,     BATB 
Boosey. 

-  Pigs   are   in 
Power    of 

4—. 

-  Prize   day    (for   ladies'   voices)    1/6  n   Will- 

cocks. 

-  Rally,  oh  ye  friends  of  temperance,  quart. 

—35  White. 

-  Rest  Thee,   My  Little  One,  arr.   from   F  a  - 

cer,   SATB   5—. 

-  Rhine-Raft      Song       (P  i  n  o  u  t  i) ,      SSA.'l 

2.50. 

-  Romance  and  Elfin  Dance,  FIP  5/ — Riidall. 

-  Sailing   Home    (M  endelssohn),   SSA.I , 

&    Donizetti.    Lucia    di    Lammermoor 
(Marshall),   SSA   3—. 

-  Sentry   4—   Leonard. 

-Serenade.  Larghetto.  A  Lament.  Offertoire. 
Rondo.  Canon.  Melody.  March,  Org  (II) 
or   Americun   Org  — /6   Donajowski. 

-Shepherd's  song  (J.  W.  Simpson),  Org 
—40  Dilson. 

-  6    Short    Sketches,    P   4/ —   Augever. 

-  Sleep,  darling  sleep,  song  and  chorus  — 35 

White. 

-Slumher  Song  —50  White,  SSA,  &  A  b  t, 
Ave  Maria,  SSA,  &  P  i  n  s  u  t  i,  Kind 
Words,  SSA,  &  Bishop,  Moon  Just 
Peepa  from  Out  the  Sea,  SSA,  &  R  e  i  - 
c  h  a  r  d  t,  Image  of  the  Rose,  SSA,  &  K  o- 
s  c  h  a  t,  Lord  is  My  Shepherd,  SATB 
—08. 

-Softly   Nows  the   Shadows   Fall,   SSA   2.50. 

-Song  of  the  Flower  Spirit  (Rossini), 
SSA   or   TB  4—. 

-  Song     of    Peace,      arr.    from    Sullivan, 

SATB    6—. 

-  Star    of    f]vening,    arr.    from    R  o  e  c  k  e  1, 

8A   4—. 

-  Swedii^h    Love    Song,    The    Sensitive   Plant 

4/ —    M'itlcocks. 
-Sweet    Spring    is    Near,    arr.    from    A  b  t, 

SSATB  2.50. 
-Thought  of  you  2/ — n  Jefferys. 
-Tribute     to     Washington,     SSAA(or    TJB 

6—. 

-  Violet's  Fate,  arr.  from  A  b  t, 

3.50. 

from   the   West,   SSATB 
care   I?   4/ —   Leonard. 
twilight    dews,    SATB    —/I 


SSA  or  TB 
3.50. 


-  Voice 
-What 
-When    twilight    dews,    SATB    —/I    Boosei 

-Wind  and  the  Sea,  unison   song  with   aco. 
3— 

-  Wraith  of  a  Song  4/ —  Cramer,  — 50   Dlt- 

son. 
Marshall    C.    A.      Lo !     a    star     (Christmas 
song),    V  obi.   —70   Ditson. 

Universal-Handbuch  der  Musikliteratur.    'M. 


Marshall  Cook  W.  'Tis  Sweet  to  be  Remem- 
bered   --.50    V'aiidersloal. 

Marshall  Dendy,  March  (F)  4/—,  Org  2/— 
Norello. 

-  Polka    de   S:ilon   2 —  Korcllo. 

Marshall  Florence  A.  Korello:  Behold  the 
sun   in  gold,  SATIi  —iVj... 

-Choral  Dances  (Minuet,  Waltzes  and  Ga- 
lop), for  2-part  chorus  of  Girls'  Voices, 
from  „Priuce  Sprite",  a  Fairy  Operetta 
1/—. 

-Fairies'    Lullaby,    2-part    song   — iVj.. 

-  Fairies'   Lullaby  (T  h  o  m  a  s) ,  SA  3.50  Silver. 
-Five    Miuut(s'    Exercises,-    in    2    Parts    for 

tlie    use    of    Singing    Classes    in    Schools 
— /6. 

-  TTohenlinden.  The  words  written  by  Camp- 

bell.   The    n.usic    conip.    for    choral    recita- 
tion   (feir.ale)    — /3. 
-I    airise    fro;u    dreams   of   thee    2/ — . 

-  Interval   Exercises   for   Singing  Classes,   to 

which     are    added     a  few     two-part    Time 
Exercises  — 6. 

-  Lullaby   2/ —  n   Weekes. 

-  New   Year's   burden   2/ — . 

-Prince  Sprite,  a  fairy  operetta  for 
fern,  voices,  Voc.  score  2,6  n.  Choral  dan- 
ces, from  above,  Voc.  score  1/ —  n,  Siring 
parts   4/ — n. 

-Rest  hath  come   (Dirge),  SATB  — /2. 

-  Seventy    Solfeggi    for    Class    Singing    4/ — , 

or    in    3  Parts   u   1/6. 

-  Sweet    and    low    2/ — . 

-  To  sea,  tlie  calm   is  o'er,  SSATB  — /4. 

Marshall    Frank,    By    a    Babbing    Brook,    P 

—60    Milh. 
Marshall    George,    Had    I  met    thee    in    thy 

beauty   4/ —   Chappell. 
Marshall     H.      Twilight     Whispers      2/ — n 

Ascherhcrg. 
Marshall  H.  A.  I'll  see  you  again,  song  and 

dance   —40    Brainurd. 
Marshall    H.   B.  Dancing  on  the  green 

Br-aiiiurd. 

;ong    and 


Go    'way. 


refrain 
skeeter ! 


A  Book  of  4  Son"s 


—40 
—40 
—40 
-75  n 


-  Love's    Lament, 

Cloggan. 
Marshall     H.     O. 

Brainard. 
Marshall  John  P. 

/^rc.s.srr. 
-O   INTighty   One    (O  Mattre   de   Tout)    from 

„Izcyl"  '—40   Dit.'wn. 

-  Over   the   Way   —40   Ditson. 

Marshall    Jul.    School    march   — /3    Leonard. 

Marshall     L.    Brainard:    Blessed    art    thou, 

O   Lord  —35   Ellts. 
-Carry  me  back  where  my  father  lies  — 25. 
-Faithful   heart,   TTBB  and   chor.  —40. 

-  Gaffer   Gray,   TB  —35   Ditson. 
-Good    staunch    ship,   sailor   song   — 50. 
-Hunter's  glee    (In   the  forest   wild),   TTBB 

and    (  borus   — 40. 
-Hurrah    for    the    swelling    sea,    SATB    and 
ciiorus   — 40. 

-  T   love   the   sea,   sailor   song  — 50. 

-I    love   to    think    of    happy   home  — 40. 

-  Mountaineer  — 40  Ditson. 

-  Welcome  meeting,   TTBB  —35   Ditson. 

15 


MBrshall  L.  TT7?o  irovld  be 


rgfi     —  Msrston  CW.  Calm  on  fhe  lisferting 


Who   would   le   a   bachelor's   wife?   —40. 
-Would  you?  Humorous  — 40. 

-  Yankee   boys'   glee,   TTDB   aud    chor.   —40. 
Msrshall  Leonard  B.  Sougs,  1,  2  &  3  voices 

—  12    ^iircr. 

Marshall  Leonard  B.  &  Hamlin  E.  Coggs- 
well,  Songs  for  High  Schools  (In  Press). 
Silret-. 

Marshall  O.  Shsrwfin.  Ashdoivn:  Aido.,  se- 
cond  Hiazurka   3, — . 

-Cliant   sans   paroles,   P   3/ — . 

-Gf!\otte  and  musette,   P  3/—. 

-In   tlie  meadows,   sketch,   P   2/—. 

-4  Roir.ances,  VP  9/—:  N.  1.  In  E  3/—. 
N.  2.  In  A  minor  8/—.  N.  3.  in  C  4,—. 
N.  4.   In  G  4/—. 

-Series  of  organ  pieces:  N.  1.  Canzonetta 
2/6  N.  2  Idyl  2/6.  N.  3.  Melody  2/6. 
N.'4.  Bridal  march  3/—.  N.  5.  Cavatina 
3/ — .  N.  6.  Meditation  2/6. 

-4  Settings  of  the  Kyrie  eleison  — /3. 

-Tarantella.  P  4/—. 

Marshall  W.  G.  Arc  d'Amour,  waltz  4/— 
Cramer. 

-  4   Easy    settings   of    the    Responses   to   the 

Commandments   — /I    Novella. 
-Magnificat    and    Nunc    dimittis    (in    F-ma- 
jor)     (chiefly   uni.son)    —/S   Novella. 

-  Spring-time  "—/2   Cur-wen. 

Marshall    di,'Merrimac   March  —50   Willuj. 

Marshall-Hall  G.  2  Fantaisies,  VP:  1.  A- 
dur,   2.   Cis-moll,   a   3—   Schotf. 

Marsicani  M.  Gvtheil:  Op.  4  Polka-Scherzo 
de  concert,   VP   1 — . 

-12  Le  Carnaval  de  la  petite  Eussie,  varia- 
tions burlesques  et  comiques  sur  des  airs 
populaires,    VP    1.75. 

-  18    Dan.'^e    des    Sorci&res,    morceau    de   con- 

cert,  yP   1.85. 
-27  2'ae  Mazurka  — 50. 
^27  Mazurka  de  concert,   VP  —80. 

-  53  BocnoMiniaHic  o  Eo.irt.  PyccKaa  ^aKTaaia 

]'  1 —  J'ir(]er)son. 
Marsick    A.    Adagio    pathetique,    VP    2.50  n 

Cost  alia  t. 
-Amante   1.75  n   Ledttc. 

-  Nocturne,  P   1.75  n   Lcduc. 

-2  Pofemes  lyriques:  1.  L'Amante,  2.  Noc- 
turne, il   1.75  n   Lcduc. 

Marsick  L.  Eecueil  de  vingt-cinq  chants 
pour  ^coles  priniaires   1 — n   Katto. 

Marsick  M.  lleugel:  Op.  4  Rgverie,  VP 
1.50  Schott. 

-6  VP:  N.  1.  Adagio  1.75  n.  N.  2.  Scher- 
zando    2 — n    Durund. 

-7  Pater  noster,  pri&re  transcrite  pour  VP, 
av.   Ort]   ad   lib.   7.50,   SPVOrg   9—. 

-8  3  Pieces,  VP,  VcP :  N.  1.  Romance  5—. 
N.  2.   Berceuse   6—.   N.  3.   Capviccioso   9—. 

-  15  2p  Reverie,  VP  av.  quatuor  ad  lib.  5— 

Noi'l. 
-21   Le  E«ve,   VP  5—. 
-22   Eppoir,    VP   7.50. 
-23  Tendre  avcu,   VP  5—. 
-24    Po6me    d'6t6,    J/ins:      1.    Captivante,    2. 

Exaltation,    3.    Attcnte,    4.    Valse    triom- 

phalc,  a  2.50  n  Duraiid. 


:— n 
VP 


Schoit 
1.50  n 


Freres. 
Schott 


VP     1.25  n     Schotf. 


1 — n   Scliott   Freres. 


-25    Fleurs     des    Cimes,     VP     2— n     Schott 

-25  Valencia    (Au  Gr6  des  Plots),  VP  2— n 
Schott   Ftcres. 

-  27  Les  Ilesperides,  VP 

-  28    Ou\  erture-Marche, 

Frcrrs. 
-29     EomiiDCe     (E-m.), 

Freres. 
-30  Eerctuse    (G),   VP 
-31    Colombine,    VP   1.50  n   Schott   Freres. 
-32    Petite    Romance   expressive,    VP    1.25  n 

Schoit   Freres. 

-  Barcarolle     and     Pizzicati     „Sylvia",     VP 

— 75   D  it  son. 

-  C6l&bre     Valse-Caprice,     de     A.     Rubin- 

stein,   VP    9—. 
-Eureka!     (J'ai    trouve!),    mecauisme    nou- 
veau    pour   se   mettre   en   doigta   en   quel- 
ques  minutes  sur  le   V  6 — n  Fronwnt. 

-  Fraucoise   de   Eimini    (A.   Thomas),  aira 

de  ballet,  VP:  N.  1.  Adagio  et  Capriccio 
6 — .  N.  2.  Pastorale,  Scherzo,  Habanera 
7.50. 

-  Korriuane    (C  h.    M.    Widor),    deux    airs 

de   ballet,    VP:    1.   La   Sabotifere,   2.   Valse 

lente,  i1  0—. 
-Meditation    de    Thu  is,    SPVOrg    9—     VP 

6—,   VOrglhi(P)    7.50. 
-Poeme  d'el6,  Py.-   N.   1.  Captivante  2.50  n. 

N.    2.    Exaltation    2.50  n.      N.    3.    Attente 

2.50  n.   N.  4.   Valse  triomphale  2.50  a  Du- 

rand. 

-  Pri&re, 

-  Sylvia, 

Valse 
zicati 

-  Tendre 
-Thais 


VPOrg    7.50. 

deux  airs  de  ballet,  VP:  N.  1. 
lente  7.50.  N.  2.  Barcarolle  et  Piz- 
6—. 

aveu,   VcP  5 — . 
meditation,    VOrgTla(P)    7.50. 


Lord  is  My  Shepherd  — 40  Pond. 
B.  Messa,  a  tre  voci  con  OrgB,  Part 
Ricordi. 
C.    Mazurka    elegante,    P    2 —    Ca- 


Marsil, 

Marsili 
5— n 

Marsili 
risch. 

Marsilius  Julius,  Mykocid-Walzer :  ,.Wer 
kennt  niclit  alle  die  Pulver  der  Welt" 
1- —   Sclicithaiter. 

Marsilli  P.  Sul  mare,  melodia,  VP  3.50  Ca- 
risch . 

Marson  Geo,  Nymphs  and  Sliepherds  Dan- 
ced,   madrigal,"  ATTBB   —14   Baijley. 

Marsouin  air^oureux  1 — n,  Ch.  s.  — 36  n 
Ondct. 

Marsters,   My   Little  Colleen  —35    Wliite. 

Marston  Earle,  Prospere,  mazurka  de  .sa- 
lon   de    IT  i  t  z   4/ —   Ashdovn. 

Marston    G.    W.    Across   the    far   blue 
Marie   — 40    Ditsnn. 

-Album  for  Children,  P,  I— VI  il  —25 
Schmidt. 

-Bagatelle,   P  —35   Schmidt. 

-Berceuse,   P  — 35    Schmidt. 

-Bird  let  loose  in  Eastern  Skies  (Hymn), 
A-  or  P-s.  &  quart.  — 08  n   ScJiirmer. 

-  Break,    break,    break    — 40    Ditson. 

-Calm  on  tlie  listening  Ear  of  Night 
(Hymn),  A-  or  B-s.  &  quart.  — 10  n  Schir- 
mer. 


hills, 


Marston  G.  VV.  DayWeak 


227 


Mart  G.  Grande  Valse 


Daybreak,    ilH   — 50   ^chirmer. 
■DouiiUI   — 35   Hchirmcr. 
■  Foic\ er   acd    for    aye   — 40    Ditson. 

From  the  dose-shut  Window,  A  — 3'^ 
Schirjtur. 

Goodniglit  — 25   Difso7i. 

1   arise   from  dreams  of  thee  — 40   Ditsmi. 

5  Impromptus:  1.  Memories.  2.  A  Styriau 
Love  Song.  3.  An  April  day.  4.  Aspiration. 
5.   Kegiet    1.50   Schmidt. 

Lieder-Albuni  (Song  Album,  english  ver- 
sion bv  S.  W.  Bancroft):  I.  14  Lie- 
der  fur  S(T}:  1.  Fruhling:  „Wenn  der 
Friihliug  nuf  die  Berge  steigt"  (Spring- 
time: „\Vhi'n  the  spring  climbs  up  the 
mountain  height").  2.  In  nieinem  Gar- 
ten die  Nelken  (In  my  Garden:  „The 
pinks  in  my  garden  growing").  3.  Veil- 
chen,  freue  dich  mit  mir:  „Veilchen  un- 
term  Gras  versteckf  (Violet,  come  re- 
joice with  me:  „VioIet  hiding  neath  the 
grass';').  4,  Das  Blatt  im  Buclie:  „Tch 
hab'  cine  alte  Rluhme"  (The  Leaf  in  the 
Book:  „My  auut  so  old  and  feeble").  5. 
Icli  hab'  die  Nacht  getriiumet,  Volkslied 
(The  Dream:  „Last  night  a  dreara  came 
to  me").  6.  ber  Fichteubaum:  „Ein 
Fichtenbaum  steht  eiuiiam"  (The  Pine 
Tree:  ,jA  stately  pine  stands  lonely"). 
7.  Seliger  Tod:  ,,Gestorben  \var  ich" 
(Happy  Death:  „0f  love  I  died").  8. 
Zwiegesang:  „Ini  Fliederbuscli  ein  Vog- 
lein  safi"  (The  Duet:  „A  bird  sat  on  an 
elder  bougii").  9.  Abends:  „Stille  nun 
ist  Flur  und  Ilain"  (Evening:  ^Silent 
new  are  wood  and  plain").  10.  Lehn' 
deine  Wang'  an  meine  Wang'  (Lay  thy 
Cheek  to  mine :  „0  lay  thy  cheek  on 
mine,  my  Jove").  11.  Die  Wasserrose: 
,,Die  .stille  Wasserrose"  (The  AVater  Lily: 
'„The  placid  water  lily").  12.  Wiege'n- 
lied:  „Der  Abend  schaut  durch's  Feu.sler- 
lein"  (Cradle  Song:  „The  evening  .sha- 
dows darker  grow").  13.  Im  April:  „Du 
feucliter  Friihlingsabend"  (In  April: 
„Tliou  dewy  April  evening").  14.  Sonn- 
lag:  „Die  Nacht  war  kaum  verbliihof 
(Sunday:  ,,The  morning  dew  was  pear- 
ling")   3— n. 

IT.  15  Lieder  fiir  A(Bar):  1.  Im  wun- 
derschonen  Monat  TMai  ('Twas  in  the 
charmiug  montli  of  May).  2.  Es  trjlumte 
mir  von  einer  weiten  Hcide  (In  dreams 
I  saw  a  desert  heath  before  me).  3.  Wan- 
derlied:  „Nun  licgt  die  Heimat  liinter 
mir"  (Wanderer's  Song:  „I  leave  behind 
my  boyhood's  home").  4.  Ave  Maria  dor 
Schiffer:  „Ave  Maria,  Stern  der  Meere" 
(The  Sailor's  Ave  Maria:  „Ave  Maria! 
Star  of  Ocean").  5.  Meerfahrt:  „Moin 
IJebchen,  wir  salsen  beisammen"  (On  the 
Water:  „My  darling,  we  sat  in  our  light 
bar(]ue").  6.  Abends:  „Der  Tag  beginnt 
2u  dunkein"  (Evening:  „The  day  is  fast 
declining").  7.  Du  bist  wie  eine  Blume 
(Thou'rt  like  a  lovely  flower).  8.  Friih- 
morgens:   „Ich  weiii  nicht,  siiuselt  in  den 


Bliumen"  (At  early  Morning:  „Last  night 
a  breeze  fo  spring  was  blowing").  9.  Es 
war  ein  alter  Kiinig  (There  was  an  aged 
Monarch).  10.  Fern  an  schottischer  Fel- 
senkiiste  (Far  on  the  stormbeaten  coast 
of  Scotland).  11.  Die  Knpelle:  „Droben 
sti'het  die  Kapelle"  (The  Cliapel:  ,;Lont'ly 
stands  a  mountain  chapel").  12.  Sancl- 
miinnchon  :  ,,Die  Bliimelein,  sie  sciilafen" 
(The  little  Sandman:  „The  flowers  all 
are  sleeping").  13.  Friihlings  Ankunft: 
,,Der  T,en.'.  ist  angekommen",  Volkslied 
(Heralds  of  Spring:  „Fair  Spring  is  com- 
ing nearer").  14.  Siehst  du  das  Meer? 
'  See'st  thou  the  sea?).  15.  Es  muG  was 
Wunderbares  sein  (O  sweet  and  wondrous 
mystery)    3 — n    Schmidt. 

-  Lord    is   King   — ,3    Curivcn. 

-  Many  a  time  and  oft  — 40  Ditson. 
-Marguerite  — 40  Ditson. 
-Memories   — 35    'While. 
-Mill-Wheel,   P  —50.    Schmidt. 

-  My  heart  has  learned   a  simple  song  — 35 

Ditson. 

-  My  li;dy   sleeps  — 40  Ditson. 

-  Pleasures    of    Youth,    easy    recreations,    P.- 

Happy home,  march;  Vacation,  waltz 
— 25.  Village  Dance;  Cradle  Song  — 25. 
Molod}' ;  Playtime  —25.  Hunting  Song; 
Boat   Song  —25    Schmidt. 

-Beverie,   P  —40   Schmidt. 

-6  sacred  Songs:  N.  1.  Hark,  hark  my  soul 
1 — .  N.  2.  Far  from  my  heavenly  home 
— 80.  N.  3.  0  Thou,  who  driest  the  mour- 
ners tear  — 80.  N.  4.  It  is  the  hour  of 
prayer  — SO.  N.  5.  I  cannot  always  trace 
the  way  — 60.  N.  6.  O  shadow  in  a  sultry 
land  —80  Schmidt. 

-  Serenade  — 20  Ditson. 

-  Serenade,   nocturne,    P   — 50    Ditson. 

-  Slumber   song  — 25   Ditson. 

-  Slumber   Song,   P   —25    Schmidt. 

-  Snow   lies  white  — 40  Ditson. 

-  So  far  away  — 35  Ditson. 

-  Song  of  May  — 35   White. 

-  Summer  moon  — 35  Ditson. 

-  Tender   and   true  — 40   Ditson. 

-  Wliere  go  you,  lovely  Maggie  — 40  Ditson. 
Marston  L.  &  Johnson  Noel,  Six  Songs  for 

Childien    1/G  n    WiUiums. 
Marston  Olive,  Lonesome  Coon  4/ —  Ascher- 

herg. 
Marston      Ph.     Dutch     Dolls,     j^ms     1/— u 

Asrherhc7-g. 
Marston    V.    E.      Love     Works     It's     Way, 

Sweetheart   — 50   Gordon. 

-  Oh,    we    are     jolly     pedlars,     mix.    v.     — .3 

Curwen. 
Marston    &    Kratz,    Awaiting    Thy    Coming 
Am   I   — 40   Kaiional  Music  Co. 

Marstone  M.  M.  Shepherd  told  a  story  — 35 
Ditson. 

Marsyas  J.  La  Tabatiere  1.50  n  Aux  Chan- 
son. 

Mart  George.  Auyener:  Chant  des  Naiades, 
morceau,  P  3/ — . 

-  Grande  Valse  4/ — . 


15* 


Mart  G.  It  was  a  dream 


—     228 


Martens  Ch.  Die  Puppv 


Berlin 


Congress 


-  It    was    a    dream     (Es    war     ein    Traum) 

21— V. 

-  Pensfe   m^'lodique,   P   3/ — . 

Mart  G.   B,   For  ever,  love  4/—  Chappell. 

-  Eose    Quc^^t,    a    cantata    for    female    voices, 

soli   and   2-part  chorus  2/6  n   Angener. 
Martainville.    Girod:    II    reviendra    demain 

matin    2.50. 
-Petit    ricrre    2.50. 
-Soir   et   Martin   2.50. 

-  Sommeil  de  Julien,  duo  2.50. 

-  Stances  2.50. 

Martapoura,    Echo   du   baiser   3 —   Siilzhach. 
Marteau    Henri     (1874).    Sliddeutscher    Mii- 

sil:rerl(ig :  Op.  1   Berceuse  2 — . 
-2  N.   2.   Fenillet   d'Album,   VaP  2— n. 
-2   N.    3.    Andantino,    VP   2— n. 
-3    Fantasiestuck,      VP     (H.    Valentin) 

2—. 
-4  N.   1.  Ave  Maria  gratia  plena,  p.  chant, 

VJl(P)   et    OrgfU)   3—. 
-5    Streichquartett     (Des),    Part    1 — n,    St 

5— n. 

-  7  Concert,  VcO,  Part  20—  n,  St  25—,  VcP 

8 —    Simrork. 
-9   Zweites   Quartett,   2VVaVc,   Part  4.50  n, 
St  8—  Simrock. 

-  10    Acht    Lieder     m.    /S'r-Quartett,     Part 

4.50  n,    Str-St    10—    Simrock. 
-12  Trio,    VVaVc,  Part  2— n,  St  7.50  Sim- 
rock. 
-Gigue,   VP  9—  neugel. 
Marteau    Leon.    Novello: 

Polka  2, —  n. 
-Cinderella    Polka    1/ — n. 
-Flora,  Liindler   1/ — n. 
-Little   Red   Riding  Hood 
Marteaux  Ch.  Sulzhach:  Op.  5  La  Solitude, 

nocturne,  P  1.32  Bosicorth. 
-12   Chant   du   captif,    P   2 — n   Bornemann, 

1.50    Schott. 
- 13    La    Creole,    valse    de   concert,      P     1.75 

Sihott. 
-14   Le   Gaulois,   galop   de   concert,      P    1.75 

Schott. 
-15.Le    Clocher    de    mon    village,    rondo,    P 

1.75  Schott,  2 — n  Bornemann. 
-Adieu,  sur  la  m6l.  de  Schubert,  P  5—. 

-  Ave    Maria,    sur    la    m61.    de    Schubert, 

P  5—. 

-Chasseur  des  Alpes,  sur  la  m(5l.  de  Schu- 
bert, P  5—. 

-Cicelies  du  soir,  angelus  et  p^i^re,  P  7.50. 

-  Eloge   des   laimes,   sur   la   mel.    de   S  c  h  u- 

b  e  r  t;  P  5—. 

-  Petite    chapelle,    15    more,    en    3  suites,    P 

-I\uisseau  de  la  vallee,  capr.  P  7.50. 

-  Serenade,   sur   la   mel.   de   Schubert,    P 

5—. 
-Truite,  sur  la  mel.  de  Schubert,  P  5 — . 
MartelH.  Retraite  moderne,  bien   rythmee, 

Harm    1.25  n,    Fuvf    1 — n    Ilemmerle. 

-  Un  ami,  pas  red.  Harm   1.25  n,  Fonf  1 — n 

Ilemmerle.  ' 

Martel    Lynton,  Airs   canadiens,    VP     4 — 
Bruhy. 

-  Fringante,  maz.  6 —  Jouhert. 


waltz   1/^ —  n. 


-Gavotte,    P    4/—    Cramer,    3/—,    J^ms    3/ 
Phillips. 

-  Hungarian    Dance    3, — 
-]\furietta,  polka-maz.  1/ 

-  Princess  May,  waltz  1,- 
Vive  U;   Canadienne,   VP  2.50  n  Brahy. 


Jfms   3/ —   PhiUipn. 

■n,  V  —.6  Phillips. 

n.  V  — /G  Phillipa. 


schottiscbe    1/ —  n,    V    — /6 
av.    G 


P   4.50    Ri- 


CIP    2.50  n 


-  Winter    Palace, 

Ph  mips. 
Martela,    Le    Vin    de    France    1- 

— 40  n,    Ch.   s.   — 20u    Lalhe. 
Martelll    E.    Cottrau:   Addio,   Biondina,   ad- 

dio   — 50  n. 

-  Bandiera    tricolore    — 50  u. 

-  Camicia   rossa   — 50  n. 

-  Femmene   son'nfa   — 50  n. 

-  Ingrata    addio   — 25  n. 

-  Lo   Paparacianno   — 50  n. 
-Lui  mo  passa  a  Vacca  — 25  n. 

-  Masto   RafTaele  — 50  n. 

-  Mia   madre   poverctta   — 50  n. 

-  O  giovani   ardenti  — 50  n. 

-  Sorella   roia   uon   piangere  — 50  n. 
Martelli   F.  op.  3  Ave  Maria,  melodia  per  8 

e  coro  ad  lib.  con   /'  4.50   Ricordi. 
-Anime  Pellegriue,   rcnianza   1 — n  Mariani. 

-  Capriccio,    valzer,    P   4—   Forlivesi. 
-Gavotta,   P  2.50   Forlivesi. 

-  I   tre  pezzi   rinniti,  P  8 —  Forlivesi. 

-  Minuetto,   P  2.50  Forlivesi. 

-  Pensiero  amoroso,   capriccio,   P  3.50   Forli- 

vesi. 

-  Pomanze    1 —   Mariani. 
Martellini    G.    Capriccio-Valzer, 

cordi. 
M  artel  lo    A.    op.    3    Air    vari6, 

Costullat. 
•  Buy  a  broom,  variations,  P  — 50  Brainard. 

-  Oriole  pclka  — 40  Brainard. 

Marten  Aug.  op.  8  Vier  Charakterstiicke, 
P  2.50:  Nr.  1.  Reverie  (Melodi.sches  Vor- 
tragsfrtiick)  —80.  Nr.  2.  Saltarello  1—. 
Nr.  3.  Mazurka  — 80.  Nr.  4.  A  la  Polacca 
—80  C.  F.  Schmidt. 

Martenot.   Miran :   An   clair   matin   1.70  n. 
-Betty,    gavotte,    P    1.35  n. 

-  Calme  du  soir  2 — n. 

-Dors,    ma    Ginette,    berceuse,  .T^FcP    2 — ^  a. 

-  Lamento,    P    1.75. 

-  Menuet,   P    1.75. 
-Tarentelle,  P  2— n. 

Martenot  M.  Choeur  villagsois,  Impr.  mo- 
derne. 

Martenot  R.  ^lethode  de  Ilarpe  15 — n 
Enoch. 

Martens  A.  Der  Bua  und  's  Dirndl,  Tiroler 
Duett   mit   Jodler  —GO  Bloch. 

-  Der    Wasserfall,    Tiroler    Lied    mit    Jodler 

—GO   Bloch. 
Martens    Charlotte,      Abcr     sonst     hab'n's 
keine     Schmerzen?:      „0,     Ifi^rr     Doktor, 
klagt    ein    Weiberl",    Covplet    —GO    Bos- 
icorth. 

-  Blumen-Ccuplet :    „Mcine    Sehnsucht,    mein 

Verlangcn"    — GO    Bosicorlh. 
-Die    Nergierige:    „Jch   bin   fleifiig,   ich   bin 

sittsam"  — 60   Boncorth. 
-Die    Puppe:    „Sel-.t    niich    an,    ich    bin    ein 

Madchen"   — 60   Bosivorth. 


Martens  H.  op.  4 


—     229    — 


Marti  E.  Barcarolle  du  soir 


Martens  Heinrich.  Warmvih:  Op.  4  Fire 
ncrfeke  Sange  m.  P :  1.  l?i  ri  te  kj0rkje.  2. 
Heiar.    3.    Med    en    Vaiullilje    1.50. 

-  Aften-stemniug,    TTBB   —25. 

-  Edderfiiglen   — 75. 

Eine   alte    Gebchidite   —50    By. 

-  Gud  sipne  Norigs  Land,  Pfll)  —25,  VVcP 

—75,  TTBB  —25,  blaudet  Kor  —25.  Uorn- 
Sextet  t  —25. 

-  Gyldenlak  —75   By. 

•  Koeldsl)0n   — 50    llainaiier. 

-Lev    (lext   af  S  i  v  1  e)    —50. 

-2  Lieder:  I.  Stininuing:  ,,Z\viscl]en  den 
Rchlanken  Tannen",  2.  Meine  Mutter: 
„0  Mutter  mein,  o  Mutter  traut",  H.  — 75. 

-4  Norske  Sange:  Ei  ri  te  kj0rkje.  Buar. 
Med   en   Vandlilje   Mor    L50  By. 

-  Over    Mor     (Meino    Mutter)    — 75. 

Over   de   htJje   Fjelde,   blandet   kor    med    P 
1— . 

-  I'raeludium   for   Org   med   Pedal  — 75. 


3   Sange:    1.   Hausten. 
1—. 


'>    Lille   Ilansemand 
2.    Moderen. 


-3    Skitser   for    P :    1.    Bruden. 
3.   Bedste   moderen    1.25. 

-  St.   Hans  —50. 

-  Sterr.ring    (Stimmung)    — 75. 

-  Stormvalen    — 50. 

-  To  relig.  Sange  — 50. 

-  Uro  —50  By. 

Martens  O.   Schule   fur   Tro    (E.s)    2—  Dom- 

kov:slcy. 
Martens   P.   A^n   Tore:   „Icl!   ging  die  stille 

Gasse",   TTBB   1.30   Auyunfiii. 

-  Matro.sen-Mar.sch    1 —   Augustin. 

Martens  Wilh.  op.  1  Fiinf  fromnie  Lieder: 
1.  Freude  im  Herrn :  „Frei  und  frolilieh 
schlagt  nieiu  Ilerz."  2.  Sonntag:  „0  Sonu- 
tag,  stiller  Gottesengel."  3.  Zum  Sclilufi 
des  Gottesdienstes :  „Wir  kamen,  Herr, 
in  deinem  Namen."  4.  Drei  Kreuze:  „Drei 
Kreuze  steh'n  auf  Golgatha."  5.  Oster- 
lied:  „Der  Herr  ist  auferstanden"  1.30 
Bote. 

2  Im  Maien  :  „Es  war  ein  heller  Friihlings- 
tag-'   1—  Ro.it. 

4  Sonate  (Es),  P  5.30  Bote. 
-24  Eichendorff-Album,  20  Lieder:  Beli- 
giose  Lieder:  1.  Kircheniied:  „0  Maria, 
meine  Liebe,  denk'  ich  recht  im  Herzen 
dein."  2.  Marienlied:  ,,Wenn  ins  Land  die 
Wetter  hiingen."  3.  In  der  Nacht :  „Da.s 
Leben  draufien  ist  verrauschet."  4.  Der 
Umkehrende :  :,llier  bin  ich,  Herr!  Ge- 
griiGt  das  Licht."  5.  Der  Piiger:  „Dein 
Wille,  Herr,  ge.schehe  I"  6.  Der  Einsiedler : 
„Komm'  Trost  der  Welt,  du  stille  Nacht." 
Ernste  Lieder:  7.  Auf  seines  Kindes  Tod: 
„Mein  liebes  Kind,  ade !"  8.  Der  traurige 
JSger:  ,,Zur  ew'gen  KuL'  sie  sangen  die 
schone  Miillerin.''  9.  In  der  Fremd<-: 
„lch  lu'ir'  die  Bachlein  rauschen,  im  Walde 
her  i;nd  bin",  i'^.  Gute  Nacht:  „Die  Hoh'n 
und  Wiilder  sciion  steigen."  11.  Nach- 
klang:  „Lust'ge  Viigel  in  dem  Wald,  singt 
80  lang  es  griJn."  12.  Erinnerung:  ,,Die 
lernen     Heimatshoheu,     das     stille     hohe 


Ilaus".  13.  Die  Stille:  „Es  weiS  es  und 
riit  es  doch  keiner."  14.  Wunder  der 
Niicht:  ,,IIorst  du  die  Griinde  rufen." 
Friililings-  u.  Wanderlieder :  15.  Frische 
Fahrt:  „Laue  Luft  kommt  blau  geflos- 
sen."  16.  Die  Nacht:  „Wie  schon,  bier  zu 
vertriiumen  die  Nacht  ira  stillen  Wald." 
17.  Mondnacht:  „Es  war,  als  hiitt'  der 
Ilimmel  die  Erde  still  gekiifit."  18.  Sehn- 
sucht :  ,,Es  schienen  so  golden  die  Sterne." 
19.  Duich  Feld  und  Buchenhnllen.  20. 
Der  frolie  Wandersmanu:  „Wem  Gott 
will  rechte  Gunst  erweisen"  4 — n  Ei.9oldt. 
•  Erinnerung  an  den  21.  Sept.  ISGG,  ein  Ju- 
biliiums-Album,   P   G —  Bute. 

Marten    G.    Piccola    Fantasia    sopra    motivi 

popolari,    FIP   4.50    Uicordi. 
Marter  G.  e  Mugnone  P.  La  Traviata,  duet- 

tino,  IIP  3.50  Uicordi. 

Martha    1 — n   Joxbert. 

Martha  E.  Fleur  de  ma  pens^e,  P  1 —  Schott 
Freres. 

-  Loreley.   barcarolle,   P   1.35   Schott   Freres. 

Martha!,    Au    grg    de   I'ondc    1 — n,      Ch.   s. 

— 35  n    Puigellicr. 
Marthe   de    la.    Variations   concertantes   sur 

un    th^me   original,   PV   7.50   Girod. 
Marthe    P.    Luhovde:    Commo    des    Soldats, 

pas  red.  Tr  de  Cltasse  — I  On. 

-  Eclios  d'Auvergne,   Tr  de   Chasse  — 20  n. 
-Histoire  d'Antan,  VVcP,  quatuor,  0  2 — n, 

P    4—. 
-Onslow,  pas  red.  Harm  1.50  n,  Fanf  1.25  n. 

-  Pi^ce   pour  Instr  a  cordes  2 — n. 

-  Pinson,   polka   p.   pet.  FZ,   P   4.50,   O   1 — n. 

-  Rgveil  des  Sonneurs  de  trompes  — 10  n. 

-  Sauvons    la    Caisse,    quadr.      Ilarm    2.50  n, 

Fanf  2— n. 

-  Transpositeur    2 — n    Wciller. 
-Trianon-Galop   3—,   0    1— n. 

-  Une    fete    dans    les    Bois,      Tr    de    Chasse 

— 20n. 

-  Vaillanfs  Piqueurs,  pas  red.  Tr  de  Chaase 

— lOn. 
-Ventre   a  terre,   galop   3 — ,   0   1 — n. 
Marthon    G6za,    op.    14   Unterbrettl-Marsch, 

P    1.50   Bosirorih. 

-  HortobAgyi  csflrdAs,  e  k(5t  magyar  n6t3b6l: 

1.  Hiizd  rft  cigAny  az  angyalat.  2,  Kinyi- 
lott  az  erdOn  i  vadr6zsa,  6nek  ^s  zongo- 
rflra  2 —  Klukner. 

-  M  a  d  a  r      M  h  t  y  i,      Operette,      KA      3 — 

Zipstr. 
Marti    Esteban,   A   los   Toros,   polka    1.50  n 
Diirdilly. 

-  Amours    d^fleuries    2 —    Ficordi. 
-Aragonaise,    duo   espagnol,    transcr.   by   M. 

Laistner,   P  — 75   Schirmer. 

-Aragonaise:  De  notre  beau  pays  I'Espagne, 
duo   espagnol   2 —   Schott. 

-All  Trianon,  valse  lente  Louis  XV,  P 
2— n,  Muvd  — 50n,  iluudP  1.75  n,  MandO 
1.50  n,  2MnndP  2— n,  2MundG  1.75  n, 
0,  Part  2.50  u,  p.  s.  2.50  n,  Bu7ida  1.50  n 
Uicordi. 

-Ave  Maria,  av,   V  2 — n  Diirdilly. 

-Barcarolle   du   soir   1.75  n   G.  Grop, 


Marti  E.  BeHcs  au  hois 


230    — 


Marti  P.  op.  142 


-Bellos  an  bois,  air  de  ballet,  F  2— n  Ri- 
cordi. 

-Cariru'ln,  habanera,  P  1.50,  VP  1.50  Sclioit. 

-  Ciunienfita,  chanson  fspajjn.  trnnsfr.  pnr 
Max  L  a  i  .s  t  n  e  r,  P  1.50  Scholt.  —50 
11  {/(//irr   1/   Leuien. 

-CaKjiiois  epui.se,  vicillo  chanson  d'aprRs 
line  estanipe  du  XVIII  sifecle  1 — n  Ri- 
co rdi. 

■  Ce   que   cliantait   Grand'    p&rc,    air    ancien, 

P    1.70  n,    V(Vc)P   2— n   JiiUicn. 
■Chanson    re\6e    1.50   t<c]io1t., 
■Cliansons  galantes  d'apres  dps  estampes  du 

XVITI    siVle:    1.    L'Escaipolette.    2.    Rlar- 

cliez  tout  dou.K.  3.  II  est  trop  tard!  4.   Lo 

Contretemps.    5.    La    Comparaison.    6.    L'a- 

groaMe    lecon    o — n    Ricordi. 
•CoiifUlence.s,  air  de  ballet,  0  2.40  n,  P  1.50, 

VP  1.50  Schott. 
■Conseils  a   Ninette   1 — n   Pullie. 
•Cueiilette    qui    finit    bien,      Oridet. 
•Depirt   1.25,  Cli.  s.  — 25  n   Ricordi. 
■Dernier   Bai.'^er    (Ultimo    Bacio),    (fr.-ital.) 

1.75  n,    Ch.    s.   — 30  n    Rouurt. 
■Dinette,     chanson    lendre      1.50  n,      Cli.    s. 

-r-25  n   Ricordi. 
Divertissement  andalou,  fragment,  P  1.70  n 

Jullien. 
Doux   murmure,  pifece,  P   1.25  n,   VP  2 — n 

Ricordi. 
Echo  de  minuit  1.75  n  Durdilly. 
Eternel   cantique   5 —   Ileuffcl, 
Etoile   de   Catalogue,   duo   2.50  n   Durdilhj. 
Ferme  te.s  beau.x  jeux,  berceuse  pour  chant 

et  /'  av.  Mand(V)  ad  lib.  2 — n  Ricordi. 
Fleurs  coupees,  MS  ou  liar  1.75  n  Crtes. 
Floraisqn,  chanpon  en  prose  2 —  Ricordi. 
Gai    retour,   valse    lente,    O    2.40  n,    P    1.50 

Schott. 
Gavotte     Marguerite,      P     2 —  n,     MandP 

1.75  n   Durdilly. 
Ilasard   ou   chance   1.75  n   Durdilly. 
Impertinences    1 — n   Jlevyel. 
Impossible  5—  lletiyel. 
Intermezzo,   P   1.75  n   Durdilly. 
Jovita,   habanera  2 — n   Greyh. 
Legon    de    chant,    Tart,    chant    et    P    6 —  n 

Jnuhert. 
Lettre   si  une   petite    femme    1 — n,      Ch.    s. 

— 25  ri   Ricordi. 

Lisette  1 —  n,  Ch.  s.  — 25  n  Ricordi. 
Love's  Murmur,  P  — 35  n  Presser. 
Madrigal-Gavotte,       V(MundJP    2— n,       0 

2.50  n    Ricordi. 

Mrdrigal   moderne,   P  — 20   Jurgenson. 
ilais  je  n'ose  pas  vous  le  dire  2 — n,  Ch.  s. 

— 25  n   Ricordi. 
JTarcIie  ospngnole,  P  1.50  Scliott. 

■  Mensonge  d'amour   1.50  Schott  Frdres. 
MercH'ditas,  bol4ro  2 —  Durdilly. 

Jlienx   que  joiie  5 —  llcugel. 

Minet  anx  aguets,  vieille  chan.son,  d'apr&s 
une  estampe  du  XVIII  siCcle  I — n  Ri- 
cordi. 

NVst-ce  qu'un  Songe,  valse  chantSe  1 — , 
0   1.50  n  Schott. 

Ncces  d'or  du  Chatelain,  gavotte,  P  1.50 
Schoit. 


-  Nocturne  fleuri   1 —  Ricordi. 

-Pendant  hi  Cliasse:  Voyez,  le  jour  se  Ifeve 
A   peine,   valse   diantee    1.50   Sclioit. 

-3  Pieces,  /'.•  Menuet.  Andante.  Tarantelle 
2.50  n   Rifordi. 

-3  Pieces,  VP:  N.  1.  Bolero  L50.  N.  2.  Ha- 
banera 1.50.  N.  3.  A  la  Plaza,  march  2 — 
Srholt. 

-Pierre    et    Siizon    1.75  n    Fiomovt. 

-Pierrot  et  Colombine,  air  de  ballet,  O 
2.50  n,    Punidd    1.50  n,    P   2—    Ricordi. 

-Premier   Soleil,   valse,   P   1.50   Schott. 

-  Quenotte    1.35  n    Ondct. 

-lietcur  du  Soldat  1.25  n,  Ch.  s.  — 25  n 
Ricordi. 

-  Eeveille-toi,   aubade   av.    Vc   ad    lib.   2 — n. 


Ch. 


-30  n,  av.   Mcnid   1.75  n,  CIiMundP 


(ou    2McmdP)    1.70  n    Rouart. 
-Eicordati    Bosetta,   gavotte,    /'    1.50  Schott. 

-  Bonde    de    viBage,    VI*    1.75  n    JitUipn, 
-Secret  de  la   paquerette   1.75  Durdilly. 
-Sentiment   de   la    couleur,      Ovdcl. 
-Serenade:   La  brise  apportc  des  bois  2 — n, 

Ch.   s.   —25  n   Ricordi. 

-  Serenade   du    retour   3 —   Ilevyel. 
-Sevilla,   habanera    1.75  n    Durdilly. 
-S^villana,    0    2— n    Durdilly. 

-Si  je  t'aime?   1.50  n,  C'/(.  s.  — 25  n  Ricordi. 

-Si  je  vous  aime   1 — n  Jcrlave. 

-Simple  Causette,  caprice,   /'   1.50  Schott. 

-  Spaniya,   caprice,   P   7.50  Jouhert. 

-  Ta    petite    main    1.25  n,    Ch.    s.   — 23  n    Rt^ 

cordi. 

-  Tes  Caresses  1 — n  IJeugel. 

-  Tes  yeux   1 —  n  Jleugel. 

-  Timide,    berceuse   4 —    llrvgel. 

-  Tu   ne  m'aimes  pas!   2 — n   Ricordi- 

■  Thoh  B3op-b  — 30  Sptiwerstoiv. 

-Un   soir   h  Tuni.s,    VP   2— n   0.   Or'ofs. 

-  Valse  2 —  n   Rouart. 

-  Verdadera    Paloma    1.50   Durdilly. 

-  Vers   les   cheniins  4 —   Uciigel. 

-  Vieilles  lettres  2 — n,  Ch.  s.  — 25  n  RicordL 

•  Viens,    mignonne    2 —   Ricordi. 

-  Viva  la  Cana  !  habanera   (fr.-espagn.)   2 — n, 

Ch.  s.  —30  n  Piuutel. 

•  Vos  doigts  3 —  lleugel. 

-  Vos   levres  4 —   Jleugel. 

•  Vous  le  juriez  1.75  n  Durdilly. 

Marti    F     Ditson:    Ah,   me!    liow    fair   — 55. 

-  By  tlie  ri\er  — 35. 

-  Friends  in   heaven  — 35. 
-Give  me  kisses  — 35. 

-  Keeping    watcli    — 35. 
-Three   roses  —35. 

-Where    is   heaven?    in   F   &   A  b   3/ —   Aiihr 
down,  — 40. 

-  Wooing  in  the  lane  — 35. 

Marti    Hugue,  Feuillet   d'Album,  P   1/6  'So- 

vcllo. 
Marti  J.  Ecoutez  ma  chanson,  Ch.  s.  — 35  n 

C  Gross. 
-Une  blague   1.25  n   Ovdct. 
Marti    O.   Fleurs  coupees    (1 — 2).     Grus. 

Marti    P.    Dolesio:    Op.    141    Cascaes,    polka 

— 24    Sttssetti.  '■ 

-  142  Larmanjat,   gal.  — 50  Sassetti. 


i 


Marti  P.  As  dc   Oros 


231     — 


Mart" n  Ch.  Brtc  <le  In  commnndnnte 


]  .25. 

mazuika,   Jims   3.50   Ri- 


-  As  de  Ores,  polku 

-  Bris:is   de   Esp:u""ui, 

cordi. 
-Canuulio   ya   cayo,   polka    1.25. 
-Carainelo,    pclictt.    — 60. 
-Danzas    penin.'^Tilares    2 — . 

-  Estudia    y    st'ias    lionibro,   vals  — 60. 
-Flor   de   MariA,    inaz.    1 — . 
-Merc-odes,  polka    1.25. 

-  Nina.    nui7.   — 00. 
-No    t'arrcnsis,    americ.    1 — . 
-Plegaria    de    una    Nifia,    i;octurno,    P    3 — 

Ricordi. 
■  Pomdla    1 — . 
-Qiiadr.    sur   ISTarco   Visconti    (Petrella) 

—24   Sasstiti. 
-Solila,    polka    — 60. 
-8t,  St,  St,  polka    1.25. 

-  Un   brote   de  acacia,   maz.    1.25. 

-  Uno,   dos,  polka   — 75. 
Marti    S.  O   sahilaris   1—  Volesio. 
-Trisagio    ft    la    Santisima    Trinidad,    2    o    3 

vor.   y   Or-f/  — 75    Dolesio. 
Martial    G.      New-American    Quadrille    avec 

T!i('-orie,    P    1.75  n    Fromovt. 
Martial    S.      La     Dernifere     Guerre,     Ch.    f. 

Dvpre. 
Martiere,      Le    Chant,    c'est    Tesperance,    T 

(Bar)   3 —  Siilzbach. 
Martignat   G.   de,   Cyclamen,   scliottiscli-ber- 

line,   P   1— n  A.   Koques-VJine. 
-Polka  des  clochettes   1.25  n   Roqnes. 

-  R^veil    des    F^es,    quadr.    4  50    Mathieii. 

-  Violette,    valse    1.50  n    Roqnes. 
Martigzin  W.  H.  op.  7  Nunsicora  „Jeptha", 

fant.   P  —60  Ditson. 
Martimer   P.     Go,    Forget   Me  4/—,   G   »-CC. 

3/ —  Moore. 
Martin  A.  op.  8  Notturno  fur  5  IJorner  9 — 

Lcinoiue,   3   Stimmenhefte   il   —30  n   Breil- 

ko])f. 
-9    Fantaisie   sur    un    thfeme    de   E  o  s  s  i  n  i, 
■  CorCl    concertants    avec    2VVaF2Cor    a-c 

2.50  n,    Cavatine    de    Tancrdde,    ClCorSlr- 

Quart.  3 — n  Costallut. 
-11   Nccttirne  sur  un  air  de  Tancr&de,   POb 

Cor      2.50  n,      Nocturne,      C/CorS?r-Quart. 

3 — n  Cost  (I  Hal. 
-14    serenade,    SCors    3— n    CosUillnt,    Solo 

extrait    de    Tancri^de,    Cor    av.    «<r-Quart. 

2.50  n  CosiuUut. 
■  Bal   de   noces,   quadr.   4.50    Legomx. 
-4   Fantaisies,   themes   de   Fi  o  s  s  i  n  i,   CorP, 

I — II  a  9 —  Lemoine. 
-ITussavds  a  Seville,  quadr.  4.50   Legonix. 
-J'aime     la     mer,     berceuse.      'Sew-Edition- 

Eordeaux. 

-  Jolies    filles    du    Maroc,    quadr.     4.50     Le- 

goui.v. 
-Ma    Mie    1— n,   Ch.  s.   — 35  n    Piiigellier. 
-Petit    Gustave,    quadr.    4.50    Legoiiix. 
-Serenade   ispagncl,    ^Cor    ou    J^iiuxhornsVa 

on    -'/Bar   3 — n    Cosiallat. 

-  Trois   bonne?   clioses   3 —    Kalto. 

Martin  Aleks,  ;Mazur  z  opery  wianki  — 75  n 
'     Gehtihner. 

Martin     A.     H.      Grand     ascension,     mar.?h 
•    Vising  of  the  air)    — 40  Bruinurd. 


grand    ascension    march 


-King    of    the    air, 
— -10    Brahiard. 

Martin  Alice  S.  &  Kristine  Mann,  Smith 
College,  f>ong  book  {female  voices)  1 — 
Dilson. 

Martin  C.  Bote:  Op.  19  Zwei  Rondos  liber 
lelielte  Opern-Tliemcn :  1.  Norma,  2. 
Naditwandleriu,    /'    a    1—    W.    ^chroedcr. 

-  32  Sapho,  de  P  a  c  i  n  i,  P  —30  Jiirgenson. 

-35  Musikalische  Jugendbilder,  4  l?ondos, 
P:  1.  GroCifiirstin,  2.  Giralda,  3.  Martha, 
4.   Smiramis,   a    1 — . 

-36  Zwei  Fondos,  P  1.80.  Nr.  1.  Rondo 
liber  Flo  tow's:  Indra,  2.  Rondo  uber 
StrauG':     Anoen-Polka,    ;1    1 — . 

-37    Vingt-quatre    Roudeaux,    fantaisies    ou 
variations    sur    des    themes    favoris,    dans 
une    maniere    elegante    et    facile,    /':       I. 
IIal4vy:    Le    Val    d'Andorre.    2.    O.    N  i- 
colai:    l^ie   lustigen   Weiber   von    Wind- 
sor.     3.   M-idle   ruck,    ruck,     4.   Kreipl: 
's  Mailiifterl.      5.   Kronungsmarsch    aus  d. 
Prcplieten.      6.   Hochzeitsmars<  h   aus   dem 
Sommernachtstraum.      7.   Stigelli:    Die 
s(ho"sten    Augen.      8.    Preyer:    Ob    sie 
wohl  kommen  wird.     9.  Preyer:   Jedem 
das    Seine.    II.    Straufi:    Freudengrufi- 
Polka,  A    1— . 
-40  Chant  boh^m.  i\  la  Rosellen,  P  1.50. 
-41    Fantaisie  espagnole,   P   1.50. 
-43  Invitation   il   la   Polacca,  fant.  PI—. 
-44  La  Violette    (de  Faust),  polka-rondeau, 
P   1.30. 

-  Ach    wenn    du    wilrst    mein    eigen,    Galopp 

—60  Lan. 

-  Blumenweihe,  Galopp  — 60  Lau. 

-  Des     Konigs     Grenadiere,     Polonaise     1— 

Lun. 

-  Galopp    nach    dem     beliebten     ungarischen 

Sturmmarsch    von    J  o  6 -»  f    G  u  n  g  1    — 50; 

-  Goldenes    Jlelodienbuch    zum    Gebrauch    b. 

Unterricht,  J,ms:  I.  Nr.  1.  Moderato.  2. 
Andante.  3.  Marsch.  4.  Allegretto.  5.  Fah- 
ret  bin.  II.  Nr.  6.  Arie  von  Rossini. 
7.  Madch.en,  warum  weinest  du.  8.  Putt- 
honeken.  III.  Nr.  9.  Du,  i\\\  Hegst  mir 
im  Ilerzen.  10.  Was  ist  des  Lebens  hiichste 
Lust.  11.  Arie  aus:  WeiSe  Dame.  12. 
Frisch  auf,  Kameraden.  IV.  Nr.  13. 
Mi(h  flithen  alle  Freuden.  14.  Russische 
Nationalhymne.  15.  Immer  langsam  vor- 
an,   I— IV  il   1 —  Hchlesinger. 

-  GruG    an    Bremen,    Polka   —50    Praeger. 
-Indra,    Polka-Mazurka    — 60. 

-  Kolosseum-Walzer    1 — . 

-  Lieder-Walzer    1 — . 

-  2    Petits   More.    (Zum   Bijoux   geborig),    P 

1.30. 

-  Regim.entstochter,    W^alzer    —60    Lot*. 
Martin   Ch.  A    hi  Chavson  moderne :  Alerte, 

pas   red.   0  Pj  Tr   1.50  n   Avdrieit. 

-  Au    Combat,   pour   Fuvf   seulement   av.   Sa- 

xni)hnvA's  av.  Clairovs  ad  lib.  1.25  n,  Contl. 
— 25  n,  p.  s4p.  — 10  n  Navdi7ij  Budre,  Tho- 
mas. 

-  Avfc   le   poi'iire.     PelifK-Taris. 

-  Bac  dp  la  commandante  3 — ,  Ch.  s.  1 — . 


Marti-i  Ch.  Badinage  champctre 


—     232     — 


Martin  CI.  Crnupettea 


-  Eadiuage   champetre   2 — n. 

-Binious  et  Musette,  pastorale,  nnrm(Favfi 
3—,  p.  Sep.  —20,   Loud.  —50  Hiidre,   Tho- 

VI  (I  N. 

-  Eoiiqiiet    d'violettes.      Z>«iH-Paris. 
-Cadets   de   Nerac,   marc-he   2 — n. 
-Carillon,    polka,    Uurm(Favf)    1.50  n 

mas. 

II  arm     7— 


fant. 


mal ! 
5—. 


C. 


Tho- 
7 — ,  Fanf  6 — 
Martin-VaTis. 


IJarm 


p.    sep. 


-Carmen, 

SchGi'i<oers. 
-C'est   bien!    C'est 

-  Champetre   Id^iie 

-  Chanson    du   cidre   5 — . 

-  Chan.son   des   Vierges   5 — . 
-Chanson  de  Grand-P&re  5 —  Noel. 
-Chant   des   moissonaeurs   5 — . 

-  Chant  de   Priutemps,  3   voix  6g.  enf.   Part 

— 50  n    Lor  11. 
-Clochettes  de   B^narfes,   niarche   2 — n. 
-Coeur    ^ol6,    romance.      Vcrcolifr. 
-Colette   et   Cola^,   polka    1.70  n,    VP    1.70  n, 

IJarm  (Fanf  J      1.2."),     p.  sf-p.     —10,     Cond. 

— 25  Thomas  Sudre. 

-  Comme  ga   vieut.     Peheu-Faris. 
-Cousufclo,  marche  grac.  Uurin(Fanf)   1.50  u, 

Cond.  — 50  n   Lory. 

-  Dans  le  temps.     C.   Martin. 
-Eernier     Adieu,     marche     funfebre, 

(Fanf)    2 — n,   Cond.   — 50  n    Lonj. 

-  Diademe,    fnnt.    Uarm(Funf )    3 — , 

— 15,  Cond.  — 50  Sudrc,  Thonia.t. 

-  Dormez  jusqu'au  jour,  berceuse  3 — ,  Ch.  s. 

1—. 

-  Eouce  Souvenance,   valse  lente  2 — n. 

-  Fil  d'or,  valse  lente  2 — n. 
-Fleuristcs   de   Paris.      G.    Siei-er. 

-  Galette  lorraine   1 — n   Thomas. 

-Gazier  du  regiment,  monologue  militaire, 
Ch.  s.    1—. 

-  Gazier   du    regiment    3 — . 

-II  n'est  plus,  marche  fun&bre,  IlarmfFanf) 
1.25  n,  Cond.  — 25  n,  p.  s6p.  — 10  n  Nau- 
div,  Sindre,  Thomas. 

-  Indiscret.     Ovdet. 

-Ma   derni^re  clianson   1 — n  Thomas. 
-Madrigal    Francois    ler,    p   9 — n. 
-Mais!    voici    Bobache !    cri    populaire 

Ch.  s.   1—. 
-Marseillaise  dee  vignerons  3 — ,  Ch.  s. 

-  Menuet  du   Hoi  d'Yvetot,   P  2— n. 

-  Moderne  Chanson,  intermezzo-maz.  P  2 
-Men   depute.      L.    Garde-Paris. 

-  Mystere.      C.    Murtin. 
-Ninette-Ninon,    rcmanre    1.75  n    Mcrcadier. 

-Pasqua   Napolitana    (Pilques   napolitaines), 

tarantoUe,   P  2 —  u. 
-Pavane  d'antan  2 — n. 
-Pavane  nngevine,   P  2 — n. 
-Pendant   la    chaieur.      Luhhe. 

-  Pervenche,  maz.    1.70  n   Costnllaf. 
-Polka     des    masques,     Uarm(Fanf)     4 — n 

Glielinve. 
-Pile  au  face,  polka-marche  2 — n. 
-Pclka    des    \izirs    l.^On    Vostallat. 
-Pot  au   lait  de  Perrette.     G.  Sit-ver. 
•Pr?s  d'un  berceau,   VP  (j—  Noel. 
-Quand   I'amour  tient   les   hommes  2 — n. 
Quand  tu  me  boudes !  2 —  n. 


5- 

1— . 

—  n. 


-  B^ve  Lieu,   valse  2 — n   Costallat. 

-  l\e^enons   au    bon    temps.      (/.   Hievcr. 
-Bieu.se,    valse,    Uarm( Fanf )      1.25,     p.    g^p. 

— 10,  Cond.  — 50   Sudre,  Thovtas. 

-  Bigaudon    Directoire,    P   2 — n. 

-  Bigolez-tut,  marche  2 — n. 
-Sans  lui  !  1 — n  Costallat 
-Saral.ande    du    Doge,    P   2 — n. 

-  Sur    la    I'lage,    gracieuse   et    jolie,   solos   de 

Bur,     Pi.slon,     tutti     de     li,     llarm(Funf) 
3 —  n,    Cond.    — 50  n,    p.  sep.    — 15  n    Tho- 
mas, Sudre. 
-Tambour   de   la   Pnix.      Gvcprotte. 

-  Tra   da  ou   di.     /'c/iCH-Paris. 
-\'a!se   printaniere   2 — u    Costallat. 
-^'i(toire   et    Paix   3 —  Noel. 

■  \'iens,   cher    Enfant   3 —   Noel. 

-Vingt  ans  apr&s,  monologue.     Peheu-VtyrXs, 

Martin    C.    et    J.    Martyne,      Ma   coruemuse 
2 — n  A   la   Chavsoa  moderne. 

Martin    C.    et    L.    Michaud.    Michaiid:    Ail- 

loli,   chanson-marche   5—. 
•  Au    rein    du    feu,    reverie   5 — . 
-Aubade    il    Marguerite    (Souvenir    de    nas 

liaiuaiiles)    5 — . 

-  Bouillabaisse   5 — . 
-Dentiste    modern'    style   5 — . 

-  Enfant    de    Marseille    5 — . 

-  Extase   5 — . 

-  Flambeau,   le  charlatan   5 — . 

-  Girouettes  5 — . 
-J'suis  c-lianceux  5 — . 

-  Marche    aux    frontiers,    chant,    patriotique 

5 — . 

-  Marche  navarraise. 

-  Mycsotis  5 — . 

-  Papillcn,  maz.  chantee  5 — . 

-Sans    ei-pcir,    chant   elegiaque   5 — . 

Martin  Camille.  Lory:  Ciievaliers  du  De- 
voir, fant.  Ilarm(Fuvf)  3 — n,  Cond. 
—50  n. 

-  Coeurs   ciiarmes,    fant.    Ilarm(Fanf) 

Cond.   — 50  n. 

-  Dans  le   Nuages,  gr.   valse  2 —  n,   O 

Margiieriiat. 
-Fee    des    eaux,     fant.     llarm(Fanf) 
Cond.  —50  n. 

-  Noblesse    oblige,    fant.    brill.     llarm(Fanf) 

av.    IJarTrowboiie   3 — n,   Cond.   — 50  n. 
-Souvenirs   de   garni.sou,    fant.    lIurm(Fanf) 

3 —  n,  Cond.  — 50  n. 
-Souvenirs  d'un  Touriste,  fant.  Uarm(Fanf) 

3 —  n,   Cond.  — 50  n. 

Martin  C.  F.  W.  Andante  in  G,  Org  — /6 
Novrllo. 

-  Two  Sketches,   Org   1/ —  Novcllo. 

Martin  Charles,  Di  Tanti  Palpiti,  varia- 
tions,  I'   3/ —   'Williams. 

-  Nigiitingale    Waltz   3/—   Lupton. 

-  Prince   of   Prussia's   Marcli   and   Bondo,   P 

2  0    Williatns. 
-Queen's    Birtiiday,    a    characteristic    rondo, 
P  4/—  Weeke.<i. 

-  Woodlands,     characteristic     piece,     P    4/ — 

Ashdown,    Cramer,    Duff,    3/ —     \Villiam,s, 
4  —    Wifl.iiis. 
Martin     Clement,     Croupettes,    iJatJi-Paria. 


3— n, 
1.50  n 
3— n, 


Martin  D.  Ma  Oianetia 


233     — 


Martin  F.  E.  Castanets 


Martin  D.  Ma  Gianetta,  Ch.  s.  — 25  n  Labbe. 

-  Plaintive    tourtcrelle    3 —    Siilzbuck. 
Martin    E.  A  treiz,   tout  il  treize   1 — n,  av. 

a  —40  n   Lubbc. 

-  Ainbioisinc,  maj:.  0  d  cordes  1 —  Pomier. 
-Anglais  et  rAlleinaiul,  duo  av.  parle  1 — n, 

Ch.  s.   — 40  n   Bornemann. 
-Anglais    en    ballon     1 — n,     av.     0     — 40  n 
Bornemann. 

-  Angiaise    nerveuse    1.20  n.     av.     G     — 40  n 

Labbe. 
Arie,   irorceau    religieux,    VP   2 —   Dupont. 

-  Arlesienne,   polka,   Ihirm(Fanf)    1.50,   p.   s. 

— 10,   Cond.  — 25   Sudre. 
-AnotiicM'    Spring,    scliottisclie   — 40    Groeioe. 
-AvtMiir,   polka,   0    1 — n   Labonde. 
-Eataille   de   Eo-ses,   maz.    0    1— n   Labonde. 

-  Bras  de  fer,  pas  red.  0  2.50  Faes, 
-Caprice,  /-•  2 —  Dupont. 

-  Ciel   pur,   schottiscli,    0    1— n   Pinatel. 

-  Courtraisienne,   pas   red.   O   2.50   Faes. 

-  D^sespoir   d'un   epicier    (parl6)    3 — ,   Ch.   s. 

1 —  Curtereau. 

-Douce   pmiti^,   schottisch,   0   1 — n   Pinatel. 

-  Eaux  de  Contrexeville   1 —  n,  av.   G  — 40  n 

LabbS. 
-En   Goguettes!   Polka,   0   1 — n   Gh^liitve. 

-  Espoir,   valse   2 —  Gheluice. 

-Eeuillets   d'AlLum,   P,   N.    1—2   a   2—  Du- 
pont. 

-  Fleurs   d'ltalie,    valse    1 — n    Bornemann. 

-  Georgina,   maz.    0  a  cordes    1 —   Pomier. 

-  Guillerette,    schottiscli,    0    1 —  n    Gheluwe, 

Pinal eL 

-  Hirondelle,   polka   4 —   Marchand. 

-  Honneur  aux   Palmes,  pas   red.   Harm  3 — , 

Fanf  2 —  Schoenaers. 

-  Impossible  de  s'en   passer  3 —  Mathieu. 

-  Jolie     fille     de     Blaye,     polka-maz.     1 — n 

Bornemann. 

-  L^ger.de    du    chat      1 —  n,     av.      G    — 40  n 

Labb^. 
-Locataire  et  portier,  duo  com.  1.60nLo&6'?. 
-Mazurka    des    Mandarines    5 —    Girod. 

-  Merry   heart,   schottische   — 35    White. 
-Mister    Cabetch     et    Herr     Krakmol     2.50 

Bornemann. 

•  Mon   espoir,   polka-maz.   3 —   Marchand. 

-  Monsieur  <^ljalistique   1 — n,   Ch.  s.  — 40  n 

Bornemann. 

-  Petites   affiches  normandes  3 — ,   Ch.  s.   1 — 

Bornemann. 
'  Polka   des  amours   4.50   Cartereau. 

-  Roflet  des  Cieux,   reverie,   P  2.50  n  Borne- 

man  7i. 

-  Schotti'^ch   de   Bluets   5 —   Girod. 

-  Soirs  d'et€  a  2  v.  5 —  Choitdens. 

-  Souvenirs   de   Bains   de   Salins,  valse   brill. 

2 —  n   Bornemann. 

-  Succfis,   polka  2 —  Dvpont. 

-  Tamlcui  ineux    du    village     1 — n,     Ch.     s. 

— 40  n    Borvemann. 

•  Tamlourineux   du    village   3 — ,   Ch.   «.    1 — 

Bornemann. 
-Tyian  des  coeurs  1 — n,  av.  G  — 40  n  Lohb^.. 
•Valse  expressive   3 —   Dupont. 

Martin   E.  C.  Merry  Swiss  Boy,  FIP  2.1— n 
Turner. 


Berceuse,     D-dur,     P    1.20 
polka,     Fl 


^Olx 


-50  n 


Martin    Ed.    F. 

Eulenburg. 
Martin    E.    L.      Chardonuerette, 
— 30  n   Pomier. 

Martin    Emile,      Agnus   Dei,   2 
Lory. 

Martin     Emily,    Columbus,    marcl,    P    — 30 
BraiiKird. 

Martin    Emmeline,    Bank    rioliday.,  quadril- 
les — ;4   Hheard. 

-  Holly   berry,   P  — /2   Sheard. 
-Sunflower,    P   — /2   Shcurd. 

Martin    Ernest,   Ah  I    j'aime   bien   aieux   ca 
1 — n,  av.   G   — 40  n   Labbe. 

-  Sonneur   3 —   Ista. 

Martin    F.    F.    ifuriin:    Amoureux    irissonl 

-  Balance   du   bonlieur. 

-  Bi(  hette. 

-Biogirphie  de  Guillaume  II,  chanson  sati- 
rique. 

-  Eouffarick,    chansonette.      Oh!     les    fill-jsl 

chansonnette.    Pas   le    seul  I    chau.sonuette. 
Points   myst^rieux. 

-  Ca   colle  I 

-  Cane  et  Canard,  fabliau  3 — . 

-  Chichina,   clians.   esp.Tgnol. 

-  Danse  chinoise,  Ilarm(Fanf)  2 — n. 

-  Escarpolette. 

-  Fais-moi  la  bise  ! 

-  Folle   jeunesse!    chanson-marche. 

-  Galop  des  Amazones,   0. 

-  Graine  de  chastete. 

-  Heritage  de  Loufoc. 

-J'    suis    escagass^!    chans.-monologue    com. 
-Jugement  de  Cupidon. 

-Li    bon    noir,    polka    sur    les    motifs    d*A. 
Gouzieu    1.35  n    Bornen  ann. 

-  Ma   Birette,   chansonnette   3 — . 

-  Mamzelle  Teuf,  Teuf. 

-  Marclie   des  coll(?giens,   0   av.   P  codd. 

-  Modistes  en  ballade,  chans.-marche. 

-  Mon  petit  kiosque. 

-  Mon   refrain. 

-  Monsieur   du   bar. 

-Oh!    que   non  !    1 — n,   av.   0  — 40  n,  Ch.  «. 

— 25  n    Labb6. 
-On   m'aime! 

-  P'tite  Coquine,  chanson  polka. 

-  P'tit'  dam'  du  bar. 

-Petites   Sensations,    chansonnette. 

-  Pourei.se!    chanson-valse. 
-Pour  toujours!   valse  chant6e. 

-  Quand  les  bomm's  tienn'nt  ca  ' 

-  Qu'en   dira-t-on   1 — n,  av.  G  — 40  n,  Ch.  s. 

— 25  n,   quadrille,   0   1 — n. 

-  Satellites,   valse,   0   av.   P. 

-  S'en  es  anat,  pastorale  4—,  Ch.  s.  1 — . 

-  litres   comi(]ues,   chanson   monologue. 

-  Tres   denian(l<?e ! 

-  Vieux   Planteur   1.25  n. 

Martin    F.    et    B.    Prezot,    Miss    AmericaJn, 

F.    Mari'.n. 
Martin    Fabre,   Je  viens  d'  Vichy,  marche- 

polka   chant^e   1.50  u   Jtnpr.  Harder. 
Martin   F.  E.  Cassandra,  maz.  VP  1.50  Bos- 

north. 

-  Castanets,   bol6ro,   PV  2 —  Bosxcorth. 


Martin  F.  Sircrt  Jasmine,  Floirer 


2?,X 


Martin  G.  C.  JubHate 


Martin  Francis,  Sweet  Jasmine  Flower  — ')0 

Nat.    M iit-ic   Co. 
Martin    Frz.   op.   19   Bie   kleine   Eiskoiiigin, 


Walzer,    P    ].'^0,    IIP    1.75,    F-So!o 


•20, 
VP    ].75,    2VKh    —60,    2VVuVcKb    —SO, 


IM,    Jiifjer-M,    Harm     a 


•)_ 


mO     2.50, 
Slurkc. 

-  25    \'enetianiKcI)e.s   Gondellied   — 60   Beclicr. 
-31   Einst  war  icii  jung,  audi  war  ich  sclion 

] —  A  i)ollo. 
-36  Liebeszauber :    „In  des  Lebens  Wechs  >1- 
kreis"    1.50   Becher. 

-  Sclilesiers    Ileimat:    „Wo    der   Oder    dunkle 

Welle"  —60  Becker. 

Martin  G.  Joitbert:  Amazones  au  bois,  .'/>;is 
7.50   Ilumelle. 

-  Apr&s  le  bal,  P  6—. 

-Ave  IMaria   1.50  n   Peregalh/. 

-  Derni&re  S^r^nade  4 — -  Ileugel. 

-Dies   Irae    (Messe   de   Requiem),   p.   soli    ct 
choeurs    10 — n    Iletiijel. 

-  Duo  sans  paroles,   VP  6 —   Leinoine. 
-Embarras    du    clioix    3 — ,    Ch.    s.    1 —    Cur- 

tereaii. 

-  Etoile  du  soir  6 —  Ploix. 

-  Fantai.sie-valse,    P    7.50. 
-Gavf.tte   renaissance,  P  4 — . 
-Heures  du   printemps,  P  7.50. 

-  Hi.stoire    d'une    poup^e,    ode    sympbonique, 

^ms  8—. 

-  Lamento,    VOrg    1.75  n   Huron. 

-  Men^trier   de    village,    Jf/ms    5 — . 
.^Noel   il   I'enfant,   Ch.  .s.  — 30  n. 

-O  crux  avc,  solo  et  choeur  1.50  n  Pfr4gallij. 
-0   salutaris    1.50  n    Perf'igully. 

-  Ode  il  la  chants  2.50  n  Ileugel. 

-  Oiseati  blieu,  valse,  Jims  6 — . 

-  P;lques,    m^lodie    rfiligieuse    1.75  n,    eoli    et 

choeur  i\  2  V.  6g    av.  P   1.70  n. 

-  Pri&re  de  Madeleine,  P  5 — . 

-Ire    Eomance     sans    paroles    (H),     P 
2e    Eomance     sans    paroles     (F),     P 
3e    Romance     sans    paroles     (B),     P 
Ilamelle. 

-  2  Romances  sans  paroles,  P  3 — . 

-  Saltarelle,   P  6—. 

-Soirs   d'6t^,   duo   av.   solo   1.70  n   Choudens. 
-Ronatine    (G),   VP  3— n. 

-  Sous  les  gtoilcs,  trio,   PVVg  2^— n   Huron. 
-Souvenir  du  Lido,  barcarolle,   VP  2 — n. 

-  Sultane   du    Solcil    3—   Pluia-. 

-  TJn  reve  en  gondole,  barcarolle,  VP  1.75  n. 

-  XJne   diasse   royale,   4^^   9 — . 
-Vidoire   et   la   Paix    1 —   Ifoel. 

-  Vieux   rondeau,  duo  2 — n. 

Martin  G.  C.  Novello:  A  Festival  Magnifi- 
cat  and   Nunc   dimittis    (in   C)    — /6. 

-A   Hymn   to  Cupid,   ATTB  — /6. 

-Art  of  Training  Choir  Boys  3/ — ,  Ex.^r- 
cises  only,   for  the  use  of  beys  1/ — . 

-As  it  began  to  dawn,  8ATB  — /3  ISIovell-i, 
— 16  n    J'resser,   — 12  n    ^cJiirmer. 

-Behold  hew  good  and  joyful,  ATTB  — /3  n. 

-  Behold,   O  God,  our   Defender,   SATB  — /2. 
-Benedicite    N.    1     (F)    — /4. 

-  Bened ictus    N.    2    (A)    — /4. 
-Benedicite   N.    3    (G)    — /4. 


3-, 


-  Eenedictus  &  Agnus  Dei,  from  the  Holy 
Communion    {C)    — /3. 

-Cold  blows  tlu'  winds,  ATTB  —,3. 

-Come,    my    soul,    SATB   — /4. 

-Communion  s-.-rvice  in  A,  Vcc.  score  1/ — n. 

-Communion  service  in  C,  Voc.  score  1/ — n. 

-Croft  &  Purcdl's  Order  for  the  Burial  of 
the  Dead  &  the  Psalms  pointed  for  diau- 
tiiig    1/ — . 

-Dvorak's  St.  T.iidmila,  a  '^election  of  mo-'O- 
nu-nts,  Org:  1.  Air-  I  long  witli  diild- 
like  longing.  2.  Ciiorus:  Tlie  gods  are 
ever  near.  3.  Air:  O  God,  grant  me  in  the 
du.st  to  fall.  4.  Air:  Thy  leading  would 
I  had  not  followed.  5.  Prelude  and  Cho- 
rus:   Mighty   l^ord    3, — . 

-Easy  Offertory  Sentences  f.  Parish  Choirsr 
1  Let  your  liglit  so  shine.  2.  Lay  not  up 
for  yourselves.  3.  Net  every  one.  4.  Zac- 
chaeus  stood  forth.  5.  Tf  we  have  sown. 
Do  ye  ret  know.  6.  He  that  sowetli  little. 
7.  To  do  good.  8.  Whoso  hath  this  world's 
good.  9.  Give  alms  of  thy  goods.  10.  Be 
merciful  after  thy  power.  11.  He  tliat 
hath  pity.  12.  Blessed  be  the  man.  13. 
Blessed   be  the  man,   2nd  setting  — /G, 

-Evening,    SATB    — /2. 

-Festival  Te  Deum  in  A,  Voc.  Fcore  — /Qn^ 
Mil.   Band    14,6  n. 

-  G  o  u  n  o  d's    „Redemption",    a  selection    of 

movements.  Org  5/ — :  N.  1.  The  Creation. 
The  Darkness  1/—.  N..  2.  The  March  ta 
Calvary  2/ — .  N.  3.  Beside  the  Cross  re- 
maining, 4.  From  Thy  love  as  a  P'ath^»r, 
5.  Unfold,  ye  portals  everlasting,  6.  Lo- 
vely appear  over  the.  mountains,  7.  Uymn 
of  the  Apostles,  i  1/ — . 

-  G  o  u  n  o  d's  ,,Mors  et  Vita",  a  selection  of 

movements.  Org:  Dies  irae.  Felix  cul^a. 
Quaerens  me,  sedisti  lassus.  Inter  oves 
locum  praesta.  Lacrymosa  dies  ilia.  Sed 
signifer  Sanctus  Michael.  Pie  Jesu.  Epi- 
logue. Lacrymae,  dolor,  mors.  Ego  sum 
Alpha  et  Omeg:i.  Hosanua  in  Excelsifi 
Deo!   5/—. 

-1.  Gounod's  Wedding  March,  2.  Gou- 
nod's Wedding   March,   Org   a  2/ — . 

-Great   day   of  the  Lord   is  near    (Advent), 

SATB  — /r/.. 

-Hail,  gladdening  light  (Choral  FestivaK 
Eveni-ong),   SATB  — /4. 

-  n  a  n  d  e  i's    Choruses    from    the    Oratori&a, 

Org,    see:    Handel. 

-Ho  every  one  that  thirsteth,  verse,  B  — /4 
Novella,    — ".2  n    Scliirmcr. 

-Holiest,  breatlie  an  evening  blessing  (Eve- 
ning),   SATB   — /r/.,   — 05  n    Schirmer. 

-Holy  Communion,  with  0  ace.  in  A  1/ — a^ 
in'^C    1/— n. 

-  Holy  Spirit,  come,  0,  come,  s.  STB  &,  cho- 

rus — /l'/,. 

-How  sliall  we  teach  our  children  (Quoen 
Victoiia's  Nurses)    — /Vj,. 

-Jubilate  Deo  (for  Choral  Festivals)  (in 
A)    — /G. 

-Jubilate,  in  A,  0  ace.  (Cornels,  Trombo- 
nes &  Drums)  — /6  n. 


Martin  G.  C.  Kln'js  shall 


M   rtin  G.  W.  Eocnhirj  hour 


Kin;,'s  .slmll  Iio  tliy  nursing  fathers  (Ac- 
co.s.sioii),    SATI)   —12. 

Let  innids  be  false,  so  wine  be  true,  SATD, 
ATTli  —14. 

Let   n)y   prayer  be  set   forth,   SATE  -iVj.. 

Let  lliy  Land  be  strengthened,  SATB  — /2. 

Little   Mary    1/0. 

Magnificat  and  Nunc  Dimittis  in  A,  Vocal 
score  — ,  0  n. 

Magnifuat  and  Nunc  Dimittis  in  B  flat, 
Vocal   sccre  — /6  n. 

I\ingnificat  and  Nunc  Dimittis  in  C,  Vocal 
score  — /6  n. 

Magn:fifat  and  Nunc  Dimittis  in  G,  Voc-al 
score  — (6  n. 

MagniCcat  and  Nunc  dimittis,  set  to  Irre- 
gular   Chants    (in    D)    — /3. 

Magnillcat  and  Nunc  Dimittis,  with  0 
ace:  in  A  — /6  n,  in  B  flat  (mO)  —/On, 
in  C  — /G  n,  in  G  (CornetsTromhone.H) 
— /6  n,   in   G    (0)   — /G  n. 

Magnify  His  Name,  anthem  for  quart.  & 
rl  ori's  — '4. 

Jlomory  of  the  past  — /P/:  Curicen. 

Merry   month   of   June  — /2   Curicen. 

Monarch  of  the  Heavenly  Host  (Metrical 
Litany)    — /I. 

My   Sailor   Love   2/ — . 

O  be  jovful  in  the  Lord  (Jubilate  Deol, 
clicral    festivals,   SATB  — /6. 

O  come  before  His  presence,  verse,  T  — /6. 

O  praise  Gcd  in  His  holiness,  set  to  an 
cncient    chant,    SATB   — /2. 

OfTertory  Sentences,  for  Parish  Choirs: 
1.  Let  your  light  so  shine.  2.  Lay  not 
up  for  yourselves.  3.  Not  every  one.  4. 
Zacchaeus  stood  forth.  5.  If  we  have 
sown.  Do  ye  not  know.  6.  He  that  so- 
weth  little.'  7.  To  do  good.  8.  Whoso 
hath  this  world's  good.  9.  Give  alms  of 
tliy  goods.  10.  Be  merciful  after  thy  po- 
wer. 11.  He  that  hath  pity.  12.  Blessed 
be  the  man.  13.  Blessed  be  the  man,  2nd 
Betting  — /6. 
-Oflice  for  the  Holy  Corhmunion,  including 
Benedictusi  and  Agnus  Dei  (N.  35.  Short 
Seetings  for  Parochial  and  General  use) 
(in  C  and  A),  jI  1/—. 
-Oh!  my  love,  my  love  1/G. 
-Out  of  the  deep    (De  profundis),  a  solemn 

psalm,    SATB   — /6. 
-Paris   Hymn   — '1. 
-Processiot  al   March   from  J.  F.  Bridge's 

Cantata,   Callirhoe,   Org    1/6. 
-Rejoice  in  tiie  Lord    (Evening),  BATE  — /6. 

-Rocks    were    rent,    the    mountains    stirred 

— /]. 
-Short  Festival  Te  Doum,  composed  for  the 

Thanksgiving  Services  at  St.  Paul's  Ca- 
thedral in  celel^raticn  of  the  GOth  year 
of   Her   Majesty's    reign    (in    A)    — /6. 

-Sleep,   darling,   sleep,   SATB  —iVj-,. 
-Solemn    Marcli     (Story    of    Sayid)     (A.    C. 

'M  a  c  k  o  n  7  i  <■),    Orq    L — . 
-Sweet  ministrel  — /2  Curtcen. 
-  Te  l;;eum,  in   A,  0  ace.  — ,6n. 
'•'te     Peiim,    &    Renedictus    (Chant     Form), 

ATTB    (in   Aflat)    — /6. 


— 50n. 
P   — 40n. 


-50  n. 


-Te   Deum   &    Benedictus    (in   C)    — /8. 
-Thanks  be   to   God  —/I. 

-  Veni   Sancte  Spiritus,   SB  — /17> 
-While   shepliords   watched,   SATB  — /3. 

-  Whoso   (hvelleth    und<»r   the   defence   of   the 

Mo.st   High,   verse,   S(T)   — /4. 
-Whoso    Dwelletii    under   the    Defense,   mix. 

chorus  &   Org  — 05  n   ScJiirnicr. 
Martin    G.    Dudley.   Prcsser :   A   Merry   Mo- 

mtnt,   dance   — 40  n. 
-Ballerina,  air  de  ballet,  P 

-  Coquetterie,    scene    de    bal, 

-  Cornelia    Waltz    —30  n. 

-  For   Us,   It.  ■ — 50   Diison. 
-Golden    Drearrs,    P  — 30  n. 

-Koszinsko   High   School   March  — 40  Witz- 

minin. 
-Littio    Trovers,  waltz  — 40  n. 

-  Smith's  march,  Ifms  — 40  Pitaon. 

-  Sweet  Souvenir,  valse  sentimeutale 

-  Valse   Pittoresqup   — 50  n. 

-  Victoria   Waltz  —40  n. 

Martin  G.  F.  Wesley.  Novello:  Magnificat 
ard    Nunc    dimittis    (in    E)    — /4. 

-Office  for  the  Holy  Communion,  including 
Benedictus  &  Agnus  Dei  (N.  34.  Short 
Settings  for  Parochial  &  General  use, 
edited  by   George  C.   Martin    (in  E) 

1/— • 

-  Oflice   for   the   Holy   Communion   including 

Beredictus  &  Aghtia  Dei  (N.  29.  Short 
Setting  for  Parochial  &  General  use,  edi- 
ted by  George  C.  Martin)  (in  E 
flat)    1/—. 

Martin  G.  H.  Cross  (In  thfe  cross  of  Chriot), 
quart.  — 35   DUnon. 

•  Refuge,   quart.   —35   Diisan. 

Martin  G.  W.  Pitirx/n:  All  Hail  thou 
Queen  of  Night,  SSC  ^1%  Bay  ley,  ATTB 
— /3    diriren. 

-Angel  of  the  tenement  -^/6  Curicen. 

-Army   &   Navy,   national   part   song  •— /IVi. 

-Barbara  Allen,  &  Weber:  The  merry 
month  of  May,  part  songs  -^/i'/^. 

-  Battle   Song,   choral   march   — fV/-,. 

-  Beautiful    Flowers,   part'  song   — /V/-.. 

-  Penutifnl    Spring,    part    song  -— /l'/... 

-  Black  Venus,  two-step  — 50  3Ic.  Kinlcy. 
-line    Eells    of    Scotland,    part   song   -^/Vli. 

-  Break  —40  Elli.<>. 

-1  ridge,   part   song  —iVj... 

-  Busy,    curious   — /2    CurWen. 

-  Campbells  are  coming,  song  &  chor.  -=^71'/:. 
-Children's   Prayer,   part   song  — /iV=- 

-  Christ      being      raised      (Easter      Anthem) 

-/1 7.. 

-  Cloud-capped   toVvers,  &   Gather   your   rose- 

buds,  part   songs  — /l^l-.. 

-  Come,    follow    me,   &    Scots   wha    hae,    part 

f^ong  — /I'/- 

-  Come,    let    us 

—/I  v.. 

-  Cuckoo,   part   song   — /P/o. 

-  Defence,   not   Defiance,   national   part  song 

—/I'/.. 

-  Echo,   part   song  — /I'/i- 

-  Evening    hour   — /I'/j   Curicen,  — P/z. 


all    a-maying   go,   part   song 


Martin  G.  W.  Evening  atar 


23 -i 


Martin  H.  op.  24 


-  Evening   star   — '2    Ciiricen,  — /IV2. 
-Farewell  — /2   Ciiriren,  —/V/-,. 
-Forward,   choral    marcii   — /I'/a- 
-Freiuh   ]\Iar.seillaise,   ponji;  &  cliorus  — /V... 
-German   Fatherland,  sonj;^  &  chorus  — /I'l... 
-German    Marseillaise,    song   &   clior.   — /IV- 
-Go  to  (he  Ant,  &  As  the  stream,  part  sgs. 

-Hamlock   tree,   part  song  — /IV-... 

-Happy   is  the  man,  trio  — /!'/> 

-Haik,  the  Herald  Angels  (Christmas  An- 
them)   — /I'/- 

-Hark!  the  vesper  hymn  is  stealing,  hymn 
— /IV. 

-Haste,  ye  soft  gales  — /3,  mix.  voic.  — /2 
Cvriveii. 

-Hear  our   prayer    (Hymn  of  peace)    — /V/.. 

-Hemlock    tree   — /2    Ciiriren. 

-Holy  Father;  Nearer  Home;  Brightest  and 
Best,    part   songs   — /T/.- 

-Home!    sweet    home!    part   song   — /V/-,. 

-Hosatna,    trio   — /l'/^. 

-I    will    lift    up   mine   eyes,    trio   — /IV2. 
-Jesus,  refuge  of  my  soul,  part  song  — /V,-.. 
-Lamb   of   God,   chorale  — /l'/;- 
-Last    rose   of    summer,    part    song   — /I'/a- 
-Lord    is   my    Sliepherd,    anthem   — /V/.,. 
-Memory  of  the  Past,  part  song  — ,1'/^. 
-Men    of   Harlech,   choral   march   — /IVj. 
-Merrily  all  our  voices  raise  — /I'/s  Ctirven. 
-Minstrel    Boy,    &    Rogers:    Come,    come, 

all    noble   souls,   part   songs  — /1Vj. 
-Nature's  Queen,   SATB,  per  dozen  — /6, 
-Nearer,  my  God,  to  Thee;   Abide  witli  m-i ; 

Eecit.,   Thy   will   be   done;    Recit.,   Psalms 

&   Hymns   —/!'/,.. 
-No  Shadows:   Pilgrim's  Song;  Come  sound 

His    Praise,   chorales  — /V/-.. 
-O  sing   unto   God,   anthem   — /IV;. 
-Once  nore  before  we  part,  &  D  u  r  y :  How 

calmly    the    Evening,    chorales   — /I'A- 

-  Our    Saxon    Fathers,    national     part     song 

-Parfnnt    pour    la     Syrie,     song   &   choriis 

— /l'/,. 
-Rend  your  hearts,  anthem,  &,  H.  R.  H.  the 

late    Prince    Consort,    Awake     my     glory, 

chor.-le  — /!'/.. 
-Rifle,  national  part  song  — /P/i. 
-Roses    Red,    part    song   — /I'/-.'. 
-Rule    Britannia,    &    God    save    the    Queen, 

natioiial  part  songs  — /I'/s- 
-Sailor's   native   home,  part   song  — iV/n. 
-Shall    hymns  of   grateful   love;    Jesu,   lo>er 

of  my  soul;  Sing  unto  the  Lord,  chorales 

— /I'/.... 
-Slow    in    the   Eastern    Sky,   chorale   — /I'/... 

-Softly,  shines  the  pleasant  morn,  harvest 
song  — IV/.. 

-Southerly  wind,  &  Let  not  dull  sluggish 
sleep,   part   songs  — /I'/... 

-Summer's   Call,   part    song   — /]'/;• 

-Sweet  day,  part  song  — /IV2  Curwen,  Pit- 
man. 

-  Te   Deum   Laudamus,   a   simple    setting    in 

G,  antiiem  — /I. 

-  Teach   n.e,   0   Lord,   anthem   — /I'A- 


-  There's  joy  in  merry  England,  SATB  — /2 

Leonard. 
■  Try  again,  &  May  Day,  part  songs  — /I'/j. 

-  Wake,  ye  lovers  of  freedom,  song  &  chor. 

-/iv... 

-Warrior    Norseman,    part    song    — /V/^- 
-Watch  on  the  Ivhine,  song  &  chorus  — /I'/s. 
-We    merry    Minstrels^    &    Briglitest    hopes 
are   fleetest,   part   songs  — /!'/- 

-  What    is    life,   &    0,    where     shall     rest     be 

found,  chorales,  &  Make  me  to  go  iu  the 
path,   anthem   — /l'/.- 

-  Wind,     gentle     evergreen,     &     Auld     Lang 

Syne,    part    songs    — /I '/•-•• 

Martin  Guy,  T!ie  Day  of  Resurrection 
(Easter),   SATB  — 10  n   Schirmer. 

Martin  H.  Riihle:  Op.  10  Transcriptio  is 
dans  If  style  moderne  et  brilhint  sur  d(;!« 
airs  nationaux.  P.-  N.  1.  La  Mar.M;illa<sc 
1.30.  Nr.  2.  Was  ist  des  Deutscnen  Vater- 
land   1.30. 

-  14   Drei    kleine   elegante   und   leichte   Fan- 

tasien  iiber  Lieblingsthemen  der  Oper: 
Der  Prophet,  von  Meyerbeer,  /*;  L 
La  Pastorale,  2.  La  Mendiante,  3.  Marche 
du   Sacre,   fi    1.30. 

-  16   Zwclf  kleine   instruktive   Fantasien  iib. 

Lieblingsthemen     italiei.ischer     Opern,    P: 

I.  Verdi:  I  due  Foscari.  2.  Verdi: 
Ernani  3.  Donizetti:  Lucrezia  Bor- 
gia. 4.  Donizetti:  Linda  di  Cha- 
morni.  5.  Verdi:  Nabucodonosor.  6. 
Bellini:  Beatrice  di  Tenda.  7.  Doni- 
zetti: Don  Pasquale.  8.  Donizetti: 
L'Elisire  d'Amore.  9.  Verdi:  Macbeth. 
10.  Donizetti:  Lucia  di  Lammer- 
moor.  11.  Donizetti:  La  Figlia  del 
Reggimento.  12.  Verdi:  I  Lombardi, 
a   1.30. 

-17  Tiois  petils  Rondinos  sur  des  th&mca 
favoris  de  op6ra  Martha,  de  F  1  o  t  o  w, 
P,  N.   1—3  il   1—. 

-18  Lieder- Album  fiir  die  Jugend,  3  Bilude 
il    1.50,   in   9   Heften   il    1.30. 

-21   Sou\enir  d'Allemagne,  7  Stiicke  A  — S9. 

-24  Repertoire  de  I'Op^ra.  Aupgowjihlte 
Potpourris  der  beriihmtesten  Opern,  in 
leichtem  brillanten  Stil,  /'.•  1.  Doni- 
zetti: La  Favorita.  2.  Sanelli:  II 
Fornardto.  3.  Ricci:  Cliiara  di  Ro- 
Fcirbcrg.  4.  Verdi:  II  fmlo  Stanislao.  5. 
V  e  r  d  i :  11  Trovatore.  6.W  a  g  n  e  r  :  Tann- 
hauser.  7.  Mercadante:  H  Bravo.  8. 
Flotow:  Martha.  9.  Verdi:  La  Tra- 
viata.  10.  Auber:  La  Muette  de  Portici. 

II.  Meyerbeer:  Robert  le  Diable.  12. 
^1  o  z  a  r  t :  Don  Juan.  13.  M  e  y  e  r- 
beer:  L'lCtoile  du  Nord.  14.  Verdi: 
I  Vfcspri  Siciliani  (G  i  v.  da  0  u  z- 
mann).  15.  Gounod:  Faust  (Margtv 
rethe).  16.  Meyerbeer:  Les  HtigutS- 
nots.  17.  Meyerbeer:  L'.Vfricaine. 
18.  Verdi:  Un' ballo  in  Maschdra.  19. 
Boieldieu:  La  Dame  blanche.  20. 
Rossini:  Tell.  21.  Donizetti: 
crtzia  22.  Ricci:  Carispino  e  la 
n.are.      23.    Verdi:    Don    Carlos,    Sl 


Lu- 
Co- 
2—. 


Martin  H.  op.  31 


—     537     — 


Martin  H.T.  Hark.'  the  tjlad  sound 


-  32  M'.talqtie  des  Operas  italiens,  petitt-s 
fantaifeies,  P:  1.  D  o  n  i  z  e  1 1  i :  La  Fa- 
vori^.a.  2.  Donizetti:  Maria  di  Ro- 
han. 3.  M  e  r  c  a  d  a  n  t  e  :  II  Bravo.  4. 
Rossini:  ^Mosos.  5.  Verdi:  Attila. 
6.  Verdi:  Lnisa  Miller.  7.  Verdi: 
s'tifTelio  (Aroldo).  8.  Verdi:  Rigoletto. 
9.  Verdi:  I  Masnadieri.  10.  S  a  n  e  11  i : 
li  Fornaretto.  11.  R  i  c  c  i :  Chi  dura 
vince.  12.  Verdi:  II  Trovatore.  13. 
Verdi:  I  Vcspri  siciliani  (G  i  o  v. 
da    0  II  z  m  a  n) .      14.     Pacini:      Saffo. 

15.  Facini:      La     Eegina     di      Cypio. 

16.  Bellini:  I  Montecchi  ed  I 
Capukti.  17.  Bellini:  Norma.  IS. 
Donizetti:  Lucia  di  Lanimermoor. 
19.  Verdi:  La  Traviata.  20.  M  e  r  c  a- 
dante:  Leonore.  21.  Bellini:  I  Pu- 
ritani.  22.  Bellini:  La  Straniera.  23. 
Bellini:  La  Somnambula.  24.  Don  i- 
zetti:  Belisario.  25.  Donizetti: 
L'Elipire  d'Aniore.  26.  Hossini:  Guil- 
lai  nu'  Toll.  27.  Rossini:  II  Barbiere 
di   Seviglia,   a    1.30. 

-33  IMosafque  des  Operas  allemands  et  fran- 
eais,  pet.  fant.:  1.  Meyerbeer:  Robert 
le  Diablo.  2.  Meyerbeer:  Les  Ilugue- 
Ects.  3.  Auber:  La  Muette  di  Porti.-i. 
4.  Mozart:  Don  Juan.  5.  K  r  e  u  t  z  e  r  : 
Nacl'.tlagor  von  Granada.  6.  Weber: 
FreischiJtz.  7.  Nicolai:  Die  lustig-n 
Weiber  von  Windsor.  8.  Boieldiea: 
La  Dame  blanche.  9.  Wagner:  Tann- 
Lauscr.  10.  Mozart:  Figaro's  lloch- 
zeit.  11.  Mozart:  Zauberflote.  12. 
Flotow:  Alossandro  Stradella.  13. 
Lortzing:  Zar  und  Zimmermann.  14. 
H  0  r  o  1  d  :  Zanipa.  15.  A  d  a  m  :  Le  Po- 
filillon  de  Lonjumeau.  16.  Meyerbeer: 
Dinorah  (le  Pardon).  17.  Flotow: 
Martha.  18.  Meyerbeer:  Prophot. 
19.  Weber:  Oberon.  20.  Auber:  Fra 
Dia^olo.  21.  Wagner:  Lohengrin.  22. 
Weber:  Preciosa.  23.  ISI  a  r  s  c  h  n  e  r  : 
Templer  und  Jiidin.  24.  Mozart:  Ent- 
fuhrung   aus   dem   Serail,   a    1.30. 

-34  Etude  Mazurka   1.30. 

-35   Grande   valse   brillante   sur   des   motifs 

de    I'Opora:     Trovatore,    de    Verdi, 

P   1.50. 
-41  Ah  che  la  morte,  m^lodie  du  Misere  de 

I'Opera:    II    Trovatore,    de    Verdi    1.30. 

-  42   Donizetti:    Lucia,   di    Lammermoor, 

P  2—. 
-43    Tileyerbeer:    Robert     le    Diable,     P 

250. 

-  44  Bellini:   Norma,   P   2—. 

-  45    M  e  V  e  r  b  e  e  r  :    Le    Proph&te,    P    2.50. 
-46  Beriini:   La   Straniera,  P  2—. 

-  47     Flotow:      Alessandro    Stradella,      P 

2.50. 
-48  Verdi:  Un  hallo  in  mapchera,  P  2—. 
-49    Rossini:    Le    barbier    de    Sevilla,    P 

2—. 
-60  K  r  e  u  t  z  e  r  :  Das  Nachtlager  von  Gra- 
nada, P  2.i:0. 

-  51   Auber:   La  Muette  de  Portici,  P  2 — . 
-100   Erholungcn,   iiber   Melodien   von   Bel- 


lini, Donizetti  etc.  4.50,  in  4  Ileften 

h    1.50. 

Bleib'  bei  mir(Of  f  enbach^,  r  1~  Crai^z. 

Die  schousten  Augen  (Stigelli),  P  1— 
Cravz. 

Grande  Valse  brillante  sur  dos  motifs  dos 
operas:  I  Lombardi  et  Maria  di  Rohan, 
P    1.50. 

Grande  A^also  brillante  sur  des  motifs  -les 
operas:  Ernani  et  I  due  Foscari,  de 
Verdi,   P    1.50. 

Grande  VaNe  brillante  sur  dos  motifs 
I'opera  :   I  l\lasnadieri,  de  Verdi,  P   1.50. 

Jodcm   (las  Seine    (Prey  or),   /'   \—Cranz. 

Nationallieder   aller   Volker,   P    1.30. 

Roportcire  de  I'opera   italien.   Ausgewahlte 
Potpourris     der     beriihmtosten    Opern     in 
loichtem  brilhmten  Stil,  P:   1.  Bellini: 
Beatrice  di   Tenda,   2.   Bellini:   Norma, 
3.    Bellini:    I    Puritani,    4.    Bellini: 
1    l^Iontecchi   ed    i  Capuleti,   5.   Bellini: 
La    Scmnanibula,    6.    Donizetti:    Beli- 
sario,  7.   Donizetti:    Don   Pasquale,   8. 
Donizetti:    Gemma   di   Vergy,   9.   D  o  - 
nizotti:   L'Elisire  d'Amore,   10.   Doni- 
zetti:    La    Figlia    del    Roggimento,     11. 
Donizetti:    Linda    di    Cliamounix,    12. 
Donizetti:  Lucia  di  Lammermoor,  13. 
Donizetti:    Lucrezia    Borgia,    14.    D  o- 
nizetti:     Parisina,     15.     Donizetti: 
Marino    Faliero,     16.    Meyerbeer:    Le 
Propht^te,  17.  P  a  c  i  n  i :  Saffo,  18.  R  i  c  c  i : 
Chi    dura    vince,    19.    Rossini:    II    Bai'- 
biore    di    Siviglia,     20.    Rossini:      Gu- 
glielmo    Toll,      21.    Verdi:    Attila,      22. 
Verdi:   Ernani,  23.  Verdi:  I  due  Fos- 
cari,   24.    Verdi:    Giovanna.    d'Arco,    25. 
Verdi:    I   Lombardi,   26.   Verdi:    Mac- 
b  e  t  h,    27.    Verdi:    Nabucodonosor,    28. 
Verdi:    I   Masnadieri  I,   29.    Verdi:    I 
Masncdieiill,    30.   Verdi:    II   Corsarol, 
31.    Verdi:    II    Corsaro  II,    32.   Verdi: 
L'Assedio    di    Arlom,    33.    Verdi:    Luisa 
Miller,     34.    Verdi:     Stiffelio,    35.    Pa- 
cini:  La  Regina  di  Cipro,   36.  Verdi: 
Rigoletto,    a  1.50. 

Martin    H.    op.    14,^ Variations   sur    la    Son- 
naiiibula,   P  7.50'Gtr63. 

-  Eloctric-Tramm,   polka    1.75  n    Fremont. 
-Fille  du  marin,  Ch.  s.  — 25  n  Lahhe. 
-Graceful-Berlin,    P   2— n    Fromont. 
-Mosaiques    des    Operas,     petites    fantasias: 

1 .  S  o  n  n  a  m  b  u  I  a,  2.  Puritani,  3. 
Figaro  (Mozart),  4.  Straniera, 
5.  Lucia,  6.  Traviata  (Verdi),  P 
il  2/ —  M'illiums. 

-  Noblesse,   Richesse  et  Jeunesse  ,2.50   Girod. 
-Polka  joveuse,  P   1.75  n  Fromont. 
-Polka  de'las  Mascaras,  polka;  —50^  Wagner 

y    Levicii. 

-  Puy-de-DGme,   pas    red.   Harm,  Part   3 — u, 

p.*s.   a  —20  n   Evette. 

-Truites,   polka    imit.    1.70  n    Klein. 

Martin  H.  G.  Te  Deum  (Festival)  (D>, 
^ATB  — 25  n   Schirmer. 

Martin  H.  T.  Hark!  the  glad  sound  (Christ- 
mas anthem),  sacred  quart,  and  chorus 
— 75   Brainard.  '   ■ 


Martin  H.  W.  Aufurnn  Song 


—     238     — 


Martin  P.  Mois  d'Octobre 


Martin  H.  W.  Autumn  Song,  male  chorus 
— 15  n    Schirnicr. 

-Bonjcur,   Snzon   5 —   TTameUe. 

-Ccnntunio  Service  1/ — n   Vincent. 

-Drinking  Song,  male  chorus  — 12  n  Schir- 
m  er. 

-In   Laurel-<ime  — 40   Schirmer. 

-5  Songs  for  S(TJ:  In  my  Heart  —40.  Tlia 
Night  is  calm  — 50.  Oh,  come,  Beloved 
— 50.  Nur  mein  Scliatz  (Only  my  Love) 
— 50.   Sthnsucht    (Longing) — 40   Schirm>ir. 

-  Wenn    iih    in    deine    Augeu    seh'     (Wiieu, 

Love,  I  gaze  into  thine  Eyes)  — 40  Schir- 
mer. 

Martin  Henri,  Eoll-Tanzalbum,  P:  Sechzig 
belitbte  Tiinze,  I — III  il  1.50  n  Eulenhnrif. 

Martin  Henry  de,  Favorite  de  la  cour,  ga- 
votte  5 —   Roiiget. 

Martin  Hugo,  op.  34  AbschiedsliUiten,  P 
2>l —   Reynolds. 

-  35  Frol;liche  Ilerzeu,  Marsch  3/ —  Reynolds. 
Martin   J.   Breilkopf:    Op.    13    Seehs   kleine 

Duos,  2  F  2—. 

-  15   Sechs   kleine  leichte  Duos,   2V   1—. 

- 17  Drei   groGe   konzertante   Duos,   2V   3 — . 
-18  Drei  leichte  Duos,  2V  2—. 
'30  Trois  duos,  2V  9—  Girod. 
-31  Trois  duos,  2V  7.50  Girod. 
-35  Drei  konzertante  Duos,  FIV  3 — . 
Martin  J.  op.  6  Nocturne  de  concert,  P  6 — 
Lednc. 

-  7  Tarentelle  de  concert,  P  8 —  Ledtic. 

-  Au   gr6  des   z6phyrs,    barcarolle,    P    1.25  n 

Bajiis. 

■  Barcarolle   2.50   Leduc. 

•  Berceuse  des  Anges,  P  1.75  n  Dvrdilly. 

-  Caledonian,   quadrille  — 40   Ditson. 

'  Cantate,  solo  et  3   voix   3—  n  Peregally. 

-  CaroliLa  Belladonna  Brown  — 50  Bruinard. 
-Cloches  du  Convent,  P  1.75  n  Durdilly. 

-  Corue  d'ubondance,  quadrille,   0,  partie  de 

P   cond.   J'inatel. 
iDe  tout   coeur!   schottiseh,   0,  partie   de   P 
cond.     Pinutel. 

-  Don't    say    good-bye,    love     — 50    National 

Music  Co. 

-  Down  in  sunny  Alabama,  descriptive  — 50 

Hrainurd. 

-  Espague   marche   1^  n   Bruhy. 

-  Fontaine  de  Jouvence,  maz.  O,  Pinatel. 
-Ga\otte   Florian,   /-•   2 — n   Durdilly. 
-Gavotte   Ncrcisse,    P  —10   Nat.   Manic   Co. 
-Hobgoblins   Dance    Grotesque,   P   — 50   Mc. 

Kinley. 

-  Jouvtucelie,    maz.    0,    partie    de    P    cond. 

Plnaicl. 

-  Kradidja   2.50  Leduc. 

-  Lancers,   quadrille  — 50   Ditson. 
-ilarche  du  gabelou,   0,     U.  Murtin-l^ice. 

-  Massu    in    the   cold    ground,    variations,    P 

—10  Nut.  Mtisic  Co. 

-  Messe    brfeve    facile    a  trois    voix    ^g.    avec 

VOry,  Part  10—,  p.  .sep.  a   1—  Per ey ally. 
-Minerve,      ouvoiture,       Uarin(Fanf)      5 — 
Bujus. 

-  Modestie,  maz.  P  — 75  n  Bujus. 

-O  Salutaris,  av.  Org  — 60  Procure. 

■  Possum   barbecue,   P  —50   Bruinard. 


-  Quand   tu   dors,      Conrmes. 

-  Eegrets  d'amcur  2.50   Leduc. 

-Some  dry  you'll  know  — 10  Nat.  Music  Co. 

-Stop  dat  knocking  at  my  door  (Win  ne- 
mo re),    .MSn   with    (/   — 40    Bruinard. 

Martin  J.  de  Villiers,  A  Nelina,  fant.-maz. 
i—  n    Bornemavn. 

Martin  J.  A.  Fleur  de  Mai,  valse  de  salon 
1.50  n    Martin    Frercfi   et    Ci'e. -Gen&ve. 

Martin  J.   E.  Sortie,  Org,     Inipr.  Roder. 

Martin  Jacques,  Topaze,  maz.  0  1  — n  Unlet. 

Martin  Jehu,  Christians,  listen  while  we 
sing  —IVi.  Alhoft. 

-Two  Carols  — /2  Abbott. 

Martin  Jos.  Melle.  op.  8  Villanelle,  P  1.75 
Schott. 

■  9   Danso  syriaque,   /'   2—   Schott. 

-  10  La   Georgienue,   rfiverie,   P    1.50   Schott, 

6 —    Svlzbuch. 
-11   Elan  du  coeur,  andante-caprice,  P  1.75 
Sc7to/^ 

-  12  Bolero,  P  2—  Schott. 

-13  La  Kermes.sc,  fete  llamande,  P  1,75 
Schott,   7.50   Sulzbach. 

-  Xuit  etoilee,  here.   P  5 —  Sulzbach. 
Martin    Karl.   op.  20   La   part   du   diable,   P 

1.25  Challier. 
-22    Variationen    iiber :    „Auf    der    Aim",    P 

1.50  Challier. 
Martin    Lucien,      Bloche     — 30  n      I'Autour- 

Tnris. 

-  Chardcnnerette,    polka,      Fl,    Pint    a    — 20, 

Harm  ( Fun f)    2 —   Pomier. 

-  Gavotte-Vestris,  0  2.50  n  Durdilly. 

-  Georgina,    maz.    Ilarin{Fanf)    1,25    Pomier. 

-  Mirandoie,    maz.    de    concert,      CI     ( — 25), 

llarm(Fanf )    2 —  Pomier. 

-  Eemue-menage,    Pist     ( — 20),    IlarmfFanf) 

1.25  Pomier. 
-Sancte  Michael,  si  2  v,  av.  Org  1 —  Martin. 
Martin    L.,   L.   Michaud  et  C.   Martin,   Nini 

la   Blonde,      Michaud. 
Martin    Lull,    Dreamland   echoes,    reverie,   P 

—40   Biison. 
Martin  L.  A.  Commonwealth,  schottische,  O, 

10   parts   — 50    White. 
Martin    M.   Be   brave,   be   true  — /2    Broome. 
Martin    M.    L.   JMagniiicat   and   Nunc   dimit- 

tis  — /4  n    Vincent. 
Martin   Otto,   In  Gottes  Kraft,  Weihnachts- 

spiel,  5  Gesange,  SATB(TTBB)  m.  P(ll), 

Part  3 — n,  St   1 — n  Schmidt. 
Martin    P.   op.   11    Berceuse,   VP   1.75  n   Du- 

rand, 
-Anxiety,    romance    sans    paroles,     P    2 — n 

Durdilly. 

-  Automate-Polka,   P    1.75  n   Ilayet. 
-Ballade,  VP  C—  HeugcL 

-  Baliy    liooly,    Irish    song    and    chorus    — 40 

Gordon. 

-  Ce   qu'est  le   bonheur    1.50  n   Liane. 
-Declaration,   romance,   VP   1.60  n   Durdilly. 

-  Des   fleurs    1.75  n   NolI. 

-  En   Provence   2 —  n,    Ch.   s.   — 30  n   Joanin. 

-  Je  ne  sais  que  t'aimer   1 —  n  Meuriot. 

-  Je  serai   boulanger,     Puthc. 

-  Locon   d'histoire  sainte,     Pathe. 

■  Mois  d'Octobre  1.35  n  Durdilly. 


TWarti.T  P.  Mou  pays 


—     230 


Martin-Lar.delle  G.  Vafsr.  Gifane 


-  Mon  pays   1 — n,   Clt.  s.  — 30  n  Joanin. 

-  Pa sf  o ra  le,      Po  th c.. 

-  Pigeons    ramiera    1.75  n    Diirdilly. 
-Pciile   chanlpuse,    fable,      Ptilhc. 
-Pour   voi!s,   Madame    ].7on    Ditrdilly. 

-  Propros  d'amour,   P   1.75  n   Durdillij. 

-  Ouaiul  on  aime   1.50  n  Durdilly. 
■  i;Sve    1.75   Cirvs. 

-  Eeverie,   \  al.se   1.75  n  Durdilly. 

-  Posfie   1.75  u    Iluyct. 

-2  Soni.ets:   Soiinct  calajit.  Sonnet  d'amour 

6—  Noel. 
-Tarentelle,    P   2.50  n    DnrdiUy. 

-  Vieux   Cabaret,    clian.s.    il    boire,      Ilamelle. 

Martin    Fetrus,    Ge    qu'est    le    bonheur    1.50 

JAiint,. 
-Chanson  des  6toiles   1.35  n   Serpeillc. 

-  Gavctte  vestri?,  P  2 — n  Durdilly. 
Martin   R.  Air  de  ballet,  P  1.75  n  Loret. 
-Killaloo   — 35    Ditson,   — 40    Gordon. 
Martin    R.   A.   Cod   be   merciful,   SATD  —/I 

Wcekcs. 
Martin     R.    Ch.       Durand:      Aubade     1.25  n 

JJulet. 
-Ballade  des  Morts   1.25  n   llulet. 

-  Ballade  du  vin   1.25  n  Ilalet. 

-  Bavardes,  P   1.75  n. 

-Clint!    C^cile  dort,  berceuse,   P    1.75  u. 

-  Compositions,  P,  Desforges. 
-Conies   de   Perrault    1.25  n    Tlalet. 

-  En   fanant,   valseite,   P  2 —  n. 

-  Fil  de  la  Vierge  1.25  n  Unlet. 

-  Heure  aucienne   1.25  n   llulet. 
-Impression  devant  la  mcr   1.25  n  Ilalet. 

-  Mf  nierito   Ilonio    1.25  n   Ilalet. 

-  Messe   bleue,   N.   2.   Ballade   des  morts   4 — 

Anceavx. 

-  Petites    glanes,    P :    I.    seric :    N.    1.    Jeane 

pens^e  dans  un  vieux  coeur,  2.  Le  Cliien 

courunt  apr^s  son  ombre,  3.  Je  n'ose  pas!, 

4.  Sens  Louis  XV,  5.  La  Sorcifere,  6.  Les 

Vieux,  i\   1—  n. 

II.  s^rie:  N.  17.  Arlequinade,  IS.  0  toi!, 

19.   Largo,   20.    Jadis!,   iV   1 — n   Desforaes. 
-2    PiEces    faciles,    P;.N.  1.    Chanson    brc- 

tonne    1.35  n.    N.    2.    C6cile    regoit,    polka 

1.35  n. 
-2  Pieces  progressives,  P.-  1.  Prfes  d'un  ber- 

ceaii,   2.    Chanson   savoyarde,   u    1 — n. 

-  Silhouette  de  femme,  2ine  valse  lente  2 — n. 

-  Siniplice,    3me   valse   lente    1.75  n. 

-  Soleil   eouehant.   Lied,   P   1.75  n. 

-  Scupirs    de   la    Vierge    (rAssomption),    av. 

P  on  Org  2 —  n  Desforges. 

-  I'-e  Valse.   P  2 —  n. 
-Mcnuelt,  P  1—  EiftohU. 

Martin  Rcbert.  Asrhcrbvrr] :  Ballybooly4/ — . 

-Grand  old   Boom-dcr-a  4/ — . 

-I'm   a  jelly  little  chap  all   round  4/ — . 

-Irish    Estate   4/—    ^Villcocks. 

-Miss  Esmeralda,  waltzes  4/ — ,  lancers  4/ — , 

quadr.  4/ — . 
-Miss   Es-meralda,   waltz,    lancers   or   quadr. 

FullO  1/6  n,  sept.  1/ — n,  extra  pts.  — /3  n. 

-  Mullingar   4/ — . 

-  New   Young   Man   4' —   Willcocks. 

-  Off !    very   much   off  !    4/ — . 

-  On   board  the  Blatherumskite  4/ — . 


-  Queen's   Birthday,   P  4/ —   B.   Williams. 
-'ihroi'gli   L'arkest   Ireland  4/ — . 

Martin  Rud.  4  Lieder:  Nr.  1.  O  bist  du, 
M  ie  ifh  dich  triiume  1 — .  Nr.  2.  Ich  sprach 
zur  Sonne  — 80.  Nr.  3.  Wiegenlied  — 80. 
Nr.  4.  Das  Grab  —SO  ^owjr-Berlin. 

Martin  S.  W.  Brainurd:  Cast  thy  burden 
on   the  Lord,   Bur  w.   quart.  ■ — 40. 

-It    whi.=pers   dreams   of   thee,    S(T)    —40. 

-Kilkaloe  — 40   Century. 

-  Let   the  deat   and  the  beautiful   rest,  song, 

duet   and   chor.  — /2    Bheurd,  — 50   Dit.ton. 

-  Bow !    row !    homeward   we   go,   tiATB   and 

chor.    — 50. 

-  Softly  dream,  sweet  love,  SATB  and  chor. 

—50. 
-Swallows    are    gayest,    quart.    - — 35    Ditson. 
-Sweet   molly   malonc  — 10   Nat.   Music   Co. 

-  Tried  a.  True  —30  White. 

-Welcome  to  spring,   iSATB  and  chor.  — 50. 
Martin  T.  Canard  aux'oeufs  d'or  3 — ,  Ch.s. 
1 —  Cartcreau. 

-  Cigale    veng^e,    potpourri    3 — ,    Ch.    s.    1 — 

Cartereuv. 

-  Franct  au  Christ,  chant  des  cercles  d'Stti- 

des    et    des    patronages    avec    choeur    si    4 
voix   il   volontg   — 50  n   Procure. 
■  L6gumonomanie  3 — ,   Ch.  s.   1 —  Cariereaii. 

-  Maltre     Asiraus    (parl6)     3—,     Ch.    s.     1 — 

Carttreau. 

-  Petites   Affiches   Normandes    (parl$)    1 —  n, 

CIt..  s.  — 40  n  Bor7ieina>in. 
Martin  T.  J.  Emancipation,  march,  P  —40 
Brui7iard. 

-  IMarche  militaire  2/ —  Asldown. 

-  Siegel's    grand    march    — 40,    Jfms    — 25,    G 

— 40  Bruinard. 

-Smith's  March  — 40  Diison,  — 35  Gordon, 
— 10   Mc.    Kinley,  —30    Williy. 

Martin  Vicente  (1754-1806),  Der  Baum 
d  e  r  Diana,  komis:-he  Oper  (1787),  Sim- 
rock:  KA  24—,  Ouv.  P  —80,  als  Trio  fiir 
FIVG,  bearb.  von  J.  H.  C.  Bornhardt 
1.30   Simrock,   0   2 — n   Bellmunn. 

-Die  gebesserte  E  i  g  e  n  s  i  n  n  i  g  e, 
Oper,    KA   4—,   Ouv.    P   —50   Simrock. 

-  L  i  1 1  a  -  U  n  a  c  o  s  a  r  a  r  a,  P  — 80  Schle- 

singer. 
-Una    Cosa    rara,    Oper     (1786),    2FlVc 

5.25   Schoit,   Ouv.   2FI    1—   Crunz. 
Martin   W.  Come  this  v.-ay,  my   father  — 35 

Ditson. 

-  My  mother's  grave  — 35  Ditson. 

Martin    W.    F.     The   Lord   is   my   Shepherd, 

SATB  —12   Novello. 
Martin   Wllh.  Lieder,   Heft   5    (Nr.   23—30), 

gr.  8°  2 —  Schlesivger, 

MapTiJKi)  II  liac-iseBM«i'B.<E>e/iy;i:b  c-l  /^tTbiVIH, 

Oiiepn.  2 —  Jar(jPiii<nn. 
Marti n-FayolIe,    Mobile   du    Eohne,   cantate. 

Movier. 
Martin-Landelle  G.  Berceuse  d'amour,  valse- 

lente   1.75  n  Leduc. 

-  Lilellules,   valse-capr.   P   1.75  n   Leduc. 
-Souvenir,    0     (Ad.    Schueklud)     1.50  n 

Leduc. 

-  Valse  des   feux  follets   5 —  Grits. 
-Valse   Gitone   1.35  n    Leduc. 


Martinazzi  G.  Eco  della  morea 


240 


Martinenghi  G.  op.  128 


a   3- 


Op.   1 


Martinazzi  G.  Eco  della  morea,  marcia  2 — 
Vcniiiri. 

Martindale,  Oh,  hear  liis  voice  — 40  Thomp- 
son. 

Martindale  M.  C.  Brie  a  Brae,  galop,  llj 
Jnstr  —SO,  10  Instr  —60,  P  —30  Stun- 
du7-d. 

Wartine  Fenelia,  Marion  square  polka  — 30 
Ihlscn. 

Martineau.    Costallut:    Ave    verum,    solo    de 

B   av.   choeur,^'C7.C   et    OrgfllJ    1.50  ii. 
-0   salutaris,   ^ATB  av.   Org(ll)   — 75  n. 

-  0  salutaris,  T  av.   Orgfll)  — 75  n. 
-Fanis   Angelicas,   pour   2   choeurs   a   SATB 

av.   Org  1 —  n. 
-Eegina  Coeli,  SATB  et  Org  1.25  n. 

-  Salve  Regina,  SATB  av.  Orgfll)  —50  n. 

WSsrtinek    F.    E.    Deutschmeister-Jubililums- 

Miirsch    1.25   Bliilia. 
-Mei   "i:aber  Bua,  Z   1.20  Bluha. 

IViartinek    Hans.      Miisik  -  Woclie:      Op.    36 

Ew  ig  werd'  ich  dein  gedenken  1.20. 
-40    Vis-ion:    „Gekreu7.t    die    Arme    lieg'    ich 

ira   Wald"    1.20. 
-42  So  hell  singt  kein  Vogel  ini  Baum  1 — . 
Martinet  Ii     Scorrano    L.      Baby,     mazurka, 

Bunda   1.50   Lapini. 
Martinenghi    Camilio,   3    Duetti,  2FI 

Bic  ordi. 
-Tei^etto,   3FI  4—  Ricordi. 

Martinenglii   Giovanni.  Martinenghi: 

Lrn.po,   valzer   2.50. 
-4  Cl.iaietta,  P  1 —  Ricordi. 
-6  La   notte  di  S.  Gio\'anni,  polka  1.25. 
-7  Sclferino,  marcia  militare  1.30. 
-10  La   Festa  Nazionale,  marcia   1.50. 

-  16   L'innocenza,   polka   facilissima,   P    1.25. 

-23    Marcia    funebre    pel    morti    della    indl- 

pendenza  Italiana  1.50. 
-25   L'affetto,   polka   brillante,   P   1.25. 
-27  Ben  arrivato,  polka  marcia  1.30. 
-31     L'ultimo    giorno    di    carnovale,    polka 

1.50. 
-34  Viva  Tallegria,   valzer   brill.   P  2.50. 
-42  So'mnita  Ecclesiastica,  marcia  1.50. 
-45  Pastoreila,  canzone   1.50. 
-46  Bismarck,  marcia  militare  1.50. 
-46  La  mez/.anotte,  marcia  di  partenza  della 

compj/gnia   del   buon   umore   1.50. 

-46    Tl    cuor    contento,    valzer   brill.    P   2.50, 
-48  Una  rosa,  valzer  di  grazia,  P  2 — . 
-50   El   Giovannin   della   vigna,   polka   brill. 
P   1.30. 

-  57  I  prcmessi  sposi,  renzo  polka   1.30. 
-58  Tl  giovedi   grasso,  polka  brill.   1.30. 

-  59  La   voce  del   enoro,  valzer  sent.   P  2.25. 

-  60  Poi.te  di  Rialto  in  Venezia,  polka  brill. 

P   1.30. 

-  66    Un   evviva   alia   prima   Esposiziono   In- 

dustriale  in  Milano,  marcia   2 — . 
-70  Posseggio  del  Gottardo,  galop  1.50. 
-71    II    ritorno   dei   Garibaldini,   polka   brill. 

P   1.50. 
-80  ^Tilrno,  polka   facilissima,  P  1.25. 
-82    Mcneghin    in    Trabisonda,    polka    brill. 

P    1.50. 


-83  Sulla  amene  rive  del  Fiume  Olona,  val- 
zer brill.  P  3—. 

Metodi     elementari     per     istrumenti     a 
fiato : 
-86  Metodo  per  Oltarino  1.50  n. 
-87   Metodo   per   Flaido   1.50  n. 
-83  Metcdo  per  Clarino  1.50  n. 
-83  Metodo  per  Corneita  in  sib  1.50  n. 
-90  Metcdo  per  Flicorno   in  sib   1.50  n. 
-91    Metcdo   per    Tromha   in   mi  b    1.50  n. 
-92   Metodo  per   Corvo   in   mi  b    1.50  n. 
-93  Metodo  per  Gejiis  in  sib   1.50  n. 
-94  Metodo  per  Trombone  in  sib  1.50  n. 
-95  Metodo  per  Borhardino  in  sib  1.50  n. 
-96    Metcdo    per    Bomhardone    in    fa    1.50  n. 
-97  Metodo  per  Peliltonc  in  sib   1.50  n. 
-98  Metodo  per  Pelittone  in   do   1.50  n. 

Carzonette   per    Cuntn   e  P : 

I.  Categoria:    Canzonette   sentimeiitale : 

-  102  Fosa,  tempo   di   valzer    1.50. 

-103   L'alibandono,   andante  mosso   1.50. 

-  104    Uu    giovane    tradito,    andante    mo.sto 

1.50. 

-  105  Ma  dimmi  se  mi  ami,  tempo  di  valzer 

1.50. 
-106   Dm  mi   un   riccio  de   tuoi   capelli,   nn- 
dj'ute   affettuoso    1.50. 

-  107  La    Fondinella  d'amore,  allegretto  mo- 

derate   1  50. 

-  108  L'addio  di   un  amante,  allegretto  1.50. 

-  109  La  Barclietta,  temi)o  di  valzer  1.50. 
-110  La  bella  pastora,  tempo  di  valzer  1.50. 
-Ill   Era   un  angelo  del  Paradise,  tempo  di 

valzer   1.50. 

10  Canzonette  in  un  sol  libro  8 — : 

II.  Cattgoria:    10   Canzonette   ingenue: 

-  112    II    Trani'.vay    da    Milano     a    Sarouuo, 

tenpo  di  valzer  1.50. 
-113   PcUin,   Och  e  Pollaster  per   il   Natale, 

tempo  di  valzer  1.50. 
-114  La  Verginella,  tempo  di  marcia  1.50. 

-  115  Mastro  RatTaello,  tempo  di  marcia  1.50. 

-  116   A   foi    del   ciel   beato,   tempo   di    valzer 

1.50. 

-  117   De   piscinin   che   I'era,   tempo   di   mon- 

ftrrina    1.50. 

-  118    Migniu,    raignin,    in    tempo    di    marcia 

1.50. 

-  119    Buona    sera    a  lor    signori,    allegr-'lto 

con  galop  1.50. 
-120   I   m.'irinari,   coro  popolare   1.50. 

-  121    L'Addio   di   Giuseppe   Giusti   all'Italia, 

andante    maestoso    1.50. 

10   Canzonette  in   un  sol  libro  8 — . 

III.  Categoria:   10  Canzonette  brillanti: 

-  122  Dammi  la  man  biondina,  tempo  di  ma- 

zurka 1.50. 

-  123    Morettino   dove   vai,    tempo    di    valzjr 

1.50. 

-  124   Dimmi   una   volta  si   Ninetta   cara,   in 

tempo  di  polka  1.50. 

-  125    Tcresina    vieni    abbasso,    in    tempo    di 

valzer   1.50. 

-  126    Tich    e    tich    e    toch    che    bel    moretto, 

tempo  di  valzer  1.50. 

-  127  La  btlla  Rachele,  tempo  di  valzer  1.50. 

-  128  Addio,  mia  bella,   addio,  marcia  popo- 

lare   1.50. 


Martinenghi  G.  op.  129 


—     2\\ 


Martinenghi  G.  Melegmino  Polka 


129  II   Marianaio  e  Sofia,   tempo  di   vaker 
1.50. 

130  II    mazzoliu    di     fiori,     allegro     tVstoso 
1.50. 

131  Con  qiial  cor  Rosina  qui  ti  lascio,  alle- 
gro  vivo   1.50. 

10   Canzonette   in   uu   sol   libro  8 — . 

TV.  Categ. :    10  Canzonette  umoristiohe: 

132  La  .serva  perseguitata   dai   topi,  tempo 
di   val/er    1.50. 

133  II  Frate  e  la   Villaii  'll;i,  tempo  tli   ma- 
zurka   1.50. 

134  La    Chitarra    lia    uu    dolce    suouo,     in 
tempo   di   valzer    1.50. 

135  Tira  mola  la   il  mercaute,  allegro  uio- 
derato   1.50. 

136  II    Frate   e  la    Penitente,   allegro   gi  i- 
zioso   1.50. 

137  II  Magnaucllo,  in  tempo  di  polka   1.5U. 

138  Va   la.   v;i    1ft   Po'pinn,   tempo   di   polka 
1.50. 

139  Digiiel   uo,  in  tempo  di  polka   1.50. 

140  Avventure   di    uu   frate  cappucciuo,    in 
tempo  di  marcia  1.50. 

•  141  Un  moment  de  bon  umor,  valzer  faut.i- 
bile   1.50. 
10   Canzonette   in   un  .sol   libro   8 — . 

Le  quattro  categorie  unite  in  an  sol  libro, 
ossia  tutte  le  40  Canzonette  popolan 
25—. 

-  143   Sicilia,   polka    facile    1.50. 
-147  Milan-Milan,  polka   brill.   1.50. 

10  Canzonette  popolari : 

-  148  La   Palombella,   andante   grazioso    1.50. 

-  149  Hoo  giraa   tanti  paesi,  tempo  di  galop 

1.50. 
-150  L'l  ngelo  d'amore,  tempo  di  valzer  1.50. 
-151    La   bella    Lena,    tempo    di    valzer    1.50. 

-  152   II   bacio   d'amore,   valzer   sentimeutale 

1.50. 

-  153  Clie   bei   oggitt,   tempo   di  marcia   l.oO. 
-154    La    Cicuzza    (Napoletana) ,    tarantella 

1.50. 
-155     La    Cieeca     (Milanese),     allegro    vivo 
1.50. 

-  156  Se  tu  fossi  la   mia  bella,  allegro  modv-- 

rato   1.50. 

-  157    Va    hi    villa u    coi    boeu,    marcia    brill. 

1  50. 

10   Canzonette    in    un   sol   fa.scicolo    8 — . 

-  158    Ai    visitatori     dell'Esposizione    Nazio- 

uale   lel    1881,    marcia    1.50. 

-  159   II   giorno   onomastico,   valzer   2 — . 

-  160     I'ipaugurazione     del    monumento     di 

Montana,   rimembrauza    funehre    2.50. 

-  161   Amedeo,  marcia   1.50. 

■  163   Una   stretta    di   mano,   valzer   brill.    P 
2-- 

-  166  Santa  Lucia,  canzonetta   popolare   1.50. 

-  167  Lugano,  valzer  2—. 

-  169   Aiiolo.   polka    1.50. 

173   Prima    eta,    polka    1.50. 

-  174  II  canto  del   Fringuello,   valzer  2.50. 

-  175    Ricordo    del    Tiro    Federale    a  Lugano 

1883,  marcia   2—. 
-177  Un  lamento !   Pensiero   marziale   sopia 
le    parole.    ,,Quando    la    forza    alia    ragion 

I'niversal-Haiulbncli  dor  Miisiklitcratiir.     M. 


eontrasta,  vince  la    forza  e  la  ragion  r.on 
basta"    1.50. 

-  198   Belliuzona,  maz.    1.50. 

-Album  di  danze:  1.  Lugano,  valzer.  ?.. 
Bellinzona,  mazurka.  3.  Airolo,  polka.  4. 
II  passaggio  del   Cottardo   1.50  u. 

-  Benvenuto,  polka   1 —  Ricordi. 
-Canzonette,   VI.   Categoria:    1.    El    Spazza- 

camin :  Su  e  giil  per  le  contrade.  2.  Sott 
al  pent  de  eif  e  ciaf:  Dove  sta  bargnif, 
bargnaf.  3.  La  Marianua:  La  va  in  cam- 
pagna.  4.  El  Moletta :  Me  pader  el  fa  el 
moletta.  5.  Maramao  perche  sei  morto?: 
Pane  e  vino  uon  ti  mancava.  6.  II  Galletto 
smarrito :  Senza  il  galletto  la  mia  gallina. 
7.  Chi  gUTi  c>l  go.ss:  Gh'a  quel  coss.  8.  El 
Nicola  a  Milan:  Ho  vist  iu  stamattiua 
3.20  n. 
-Carolina,   maz.    1 — -n   Ricordi. 

-  G.nlop,    P:    1.    11    fulmine,    galop    brillaute, 

2.  La  fuga  del  nemico,  galop,  3.  La  ric- 
chezza  mobile  e  la  miseria  stabile,  galop, 
4.  I  rematori  della  Spensierata,  galop,  5. 
Spirito  Folletto,  galop,  6.  Tramvay,  galop 
facile,  7.  11  passaggio  del  C4ottardo,  galop 
f.-'cile,  8.  Vattelapesca,  galop  facile,  0. 
Fulmine,  galop    (riduzione  facile),  a  — 00. 

-  Gran   Marcia    1 —   Ricordi. 

-  IsaVella,  maz.   1— n   Ricordi. 

-  Ispirazioni    Musicali    d'uu    viaggio    a     >  olo 

d'uccfllo,  album  per  Ccmbalini  a  Vetri 
(•(Utentnte:  1.  Milano,  Partenza,  polka, 
i.  Venezia,  piccole  variazioni.  3.  Vieun.i, 
sccttisch.  4.  Berlino,  valzer.  5.  Parigi, 
l)erj:^itro  lugubre.  6.  Sicilia,  rimembrau/.e. 
7.  Rcma,  Un  saluto,  mazurka.  S.  II  Ri- 
tomo,   galop   2.50  n. 

-  M&rcie,  P :  N.  1.  La  Festa  Naziouale  —60  n. 

N.  2.  Solferino,  marcia  militare  — 60  n. 
X.  3.  Marcia  funebre  —60  n.  N.  4.  Solen- 
nita  Ecclesiastica  —60  n.  N.  5.  Bismarck, 
marcia  militare  — 60  n.  N.  6.  Un'  eyviva 
alia    1.    Esposizione    Nazionale    di    Milano 

80  n.  N.  7.  La  mezzanotte  — 60  n.  N.  8. 

Lu  el  po  anda  — 60  n.  N.  9.  Ai  visitatori 
dell'Esposizione  Nazionale  del  1881  — 60  u. 
N.  10.  Per  I'Inaugurazione  del  Morai- 
mento  ai  Martiri  delle  5  giornate  1848 
l—u.  N.  11.  Principe  Amedeo  — 60n.  N. 
12.  Ricordo  del  Tiro  Federale  a  Lugano 
1883  — 80n.  N.  13.  Un  lamento!  Pensiero 
n.arziale  sopra  le  parole  „Quando  la  forzi 
alia  ragioii  contrasta,  vince  la  forza  o  la 
ragion  non  basta"  — 80  n. 

-  Mazurke,   P :   1.   t-.a  fratellanza.  2.  Elvezia, 

nmzuika  sentimeutale.  3.  Un  pensiero  ilia 
Polonia,  mazurka  elegante  in  lab.  4.  Una 
lagrima  di  una  Vergine  Abruzzese.  5.  Uu 
bado  d'addio,  mazuika  sentimentale.  6. 
La  solitudiue,  mazurka  elegante  in  re 
min.  7.  Una  »era  sul  lago.  8.  Lucia.  0. 
Un  fiore  di  Carnevale.  10.  Un  bell'avve- 
iiire,  mazurka  facilissima  in  do  maggiore. 
11.  Un  saluto  a  Roma,  mazurka  facile  in 
do  maggiore.  12.  Bellinzona.  13.  L'auiora. 
mazurka  elegante.  14.  La  festa  dei  ilori, 
nazurka   facile,  a  — 60  n. 

1 —  Ricordi. 


^lelegnano  Polka 


Hi 


Martinenghi  G.  Messe 


—     2J2     — 


Martinet  G.  Menuct 


in   lEi   magg. 
in  la  magg.  - 


Messo  per  0»-^-solo :  1.  Messa :  IMarcia 
d'introdiizione.  N.  4  Yersetti  in  sol  mi- 
nore  per  il  Gloria.  Suonata  per  FOffer- 
tcrio.  Andante  per  FElevazione.  Allegro 
per  la  Consumazione.  Marcia  finale  2 — n. 

2.  Messa :  Marcia  d'introduzione.  N.  4 
Veisetti  in  sol  miuore.  Suonata  per  I'Of- 
fertorio.  Andante  per  I'Elevazione.  Al- 
legro per  la  Consumazione.  Marcia 
lirale   2 — n. 

3.  Messa :  Eipieno  per  I'introduzioue. 
N.  4  Ver.setti  in  sol  minore.  Allegro  mo- 
derato  per  I'OflFertorio.  Andante  per  I'ole- 
A-azione.  Allegro  per  la  Consumazione. 
Marcia  finale  2 —  n. 

4.  Messa:  Marcia  d'introduzione.  N.  4 
Verselti  in  sol  magg.  per  il  Gloria.  Al- 
legro moderato  per  I'Offertorio.  Andinte 
per  TElevazioue.  Suonata  per  la  Consu- 
mazione.  Marcia  finale   2 —  n. 

Metodo  per  Armonica  2 — n. 

Musica  per  Org,  Ripieni,  Versetti,  Pasto- 
rali,  Marcie:  N.  1.  N.  2  ripieni  a  stile  fa- 
cile in  do  maggiore  — 60  n.  N.  2.  Ripieno 
in  sol  iraggiore  — 40  n.  N.  3.  Altro  ripieno 
in  sol  magffiore  — 40  n.  N.  4.  N.  4  Versetti 
— 50n.  N.  5.  N.  4  Vers^-itti 
-50  n.  N.  6.  N.  4  Versetti  in 
si  bem.  magg.  —50  n.  N.  7.  N.  4  Vers-tti 
in  do  minore  —50  n.  N.  8.  N.  4  Versetti 
ii.  re  minore  — 50  n.  N.  9.  Pastorale  sopva 
motivj  campestri  „Dormi  dormi  bel  Bain- 
bin"  — 60  n.  N.  10.  La  festa  dei  Pastori 
a  Gesil  Bambino,  marcia  in  pastorale 
— 60  n.  N.  11.  La  Piva,  pastorale  sopra 
motivi  antichi  e  moderui  — 60  n.  N.  12. 
L'adorajione  dei  Pastori  a  Gesu  Bambino, 
pastorale  per  P(Org)  — 60  n.  N.  13.  La 
vittoiia  di  Cristoforo  Colombo,  mnreia 
per  P(Org)  — 60  n.  N.  14.  Inno  pel  Giubi- 
leo  Sacerdotale  di  S.  S.  Leone  XIII,  p.n- 
P  col   canto  alFuuisono   1 —  n. 

Musica,    Jfrns:      N.    1.    Sicilia,    polka    facile 

80  n.    N.    2.    Un    bell'avvenire,    mazurka 

fj;cile 80  n.  N.  3.  La  cara  Venezia,  polka 

fpcile  e  brillante  —80  n.  N.  4.  L'ultimo 
gicriiO  di  Carnevale,  polka  brillante 
—80  n.  N.  5.  Se  sa  minga !  Galop  brillante 
— 80  n.  N.  6.  El  se  sa  si,  polka  brillante 
— 80  n.  N.  7.  Una  meditazione  melanco- 
nica,  melodia  sentimentale  — 80  n.  N.  8. 
La  prcvvidenza,  grazioso  pensiero  1.40  n. 
N.  9.  Cuor  contento,  valzer  brillante  1.20  n. 
N.  10.  Un'evviva  alia  1.  Esposizione  indu- 
strialc  di  Milano,  marcia  — 80  n.  N.  11. 
La  mezzanotte,  marcia  di  partenza  — 80  n. 
N.  12.  Lucia,  mazurka  — 80  n.  N.  13.  La 
voce  del  cuore,  valzer  1 —  n.  N.  14.  Milano, 
polka  facilissima  — 80  n,  6ms  1 — n.  N.  15. 
La  Farfalletta,  polka  — 80  n.  N.  16.  II 
Ferragosto  milanese,  polka  caratt.  — 80  u. 

■  Pezzi,  P :  N.  1.  Preludio  in  forma  di  not- 
turno  — 80  n.  N.  2.  Fantasia  con  varia- 
zioni  dedicata  ai  giovani  pianisti  1.20  n. 
N.  3.  La  preghiera  degli  Angioli,  notturno 
sentimentale  1 — n.  N.  4.  Una  medita- 
zione melanconicn,  melodia  — 80  n.  N.  5. 
La    Provvidenza,    grazioso    pensiero     con 


variazioni  1.20  n.  N.  6.  Timore  e  Speranza, 
melcdia  romantica  — 80  n.  N.  7.  La  Paslo- 
rella,   pezzett.   per   P  e   canto   — 80  n. 

-  F&lke,  P:  I.  La  notte  di  S.  Giovanni,  polka 

in  fa  maggiore.  2.  L'innocenza,  polka  fa- 
cilissima in  do  magg.  3.  L'afFetto,  polka 
brillante  in  mi  b.  4.  Ben  arrivato,  polka 
marcia  in  sol  magg.  5.  L'ultimo  giorno 
di  CarneAale,  polka  in  sol  magg.  6.  El 
Giovanin  de  la  vigna,  polka  brillante  in 
do  magg.  7.  Renzo,  polka  brillante  in  fa. 
8.  II  giovedi  grasso,  polka  brill,  in  sol 
magg.  9.  Ponte  di  Rialto  in  Venezia,  polka 
brillf.nte  in  do  magg.  10.  Milano,  polka 
facilissima  in  do  magg.  11.  Meneghin  in 
trebisonda,  polka  brillante  in  fa.  12.  La 
cara  Venezia,  polka  facile  in  do  magg. 
13.  Sicilia,  polka  facile  in  do  magg.  14. 
Milan-Milan,  polka  brillante.  15.  II  ri- 
te mo  dei  Garibaldini,  polka  brillante  in 
dc  maggiore.  16.  La  prima  eta,  polka  in 
do  magg.  17.  La  Farfalletta,  polka  in  do 
magg.  18.  Airolo,  polka  brillante  in  la 
magg.  19.  Boccaccio,  polka  in  do  magg., 
a  —60  n. 

-  Scottisch    e  Monferrine,    P:      N.    1.    Cleofe, 

stottisch  — 60  n.  N.  2.  La  perseveranza, 
scottisch  — 50  n.  N.  3.  Ricordati  di  me, 
scottisch  — 50  n.  N.  4.  La  madre  amorosa, 
scottisch  — 50  n.  N.  5.  Rimembranza  di 
Recoaro,  scottisch  — 60  n.  N.  6.  La  festa 
d'un    Viilaggio,    mionferrina   — 60  n. 

-Valzer,  P:  N.  1.  Lampo,  valzer  brillante 
in  mi  b,  media  diff.  1.20  n.  N.  2.  Viva 
1  allegria,  valzer  brillante  in  do  magg. 
1 — n.  N.  3.  Cuor  contento,  valzer  brill. 
1 —  n.  N.  4.  Una  rosa,  valzer  di  grazia  in 
do  magg.  — 80  n.  N.  5.  La  voce  del  cuore, 
valzer  sentimentale  in  sol  magg.  — 80  n. 
N.  6.  Sulle  amene  rive  del  fiume  Olona, 
valzer  brillante  in  fa  maggiore,  umori- 
stico  e  cantabile  1.20  n.  N.  7.  II  giorno 
orcmastico,  valzer  grazioso  e  facile  in  do 
mas'g.  — 80  n.  N.  8.  Una  stretta  di  mano, 
valzer  brillante  in  mi  b,  maggiore  — 80  n. 
N.  9.  In  canto  del  fringuello,  valzer  di 
grazia  in  sol  magg.  1 — n.  N.  10.  Lugaao, 
valzer  in  do  magg.  — 80  n.  N.  11.  Meglio 
tardi  che  mai,  valzer  facile  — 80  n.  N.  12. 
Addio  Firenze !  Valzer  sopra  motivo  po- 
pol.  — 60  n.  N.  13.  Beatrice,  canzone  ri- 
dotta    in  tempo   di   valzer  — 60  n. 

Martinengo  A.  Allegro  appassionato,  P  1.50 
Fo7-livesi. 

-  Melodic  1.25  n  Forlivesi. 

-  Nel   paese   dei   Nani,  minuetto,   P  2.50   Ca- 

risdi. 

-  Serenata  sotto  ai  fiori,  pezzo  caratteristico, 

P  1.25  Forlivesi. 
Martines     Juan,     Bolero     favori,     P     — 25 

nirsch . 
Martinet   And.   Chanson   du   Point   du   Jour 

3—  Ecugel. 

-  G  r  e  n  o  u  i  1  1  e  :      Chanson     du    Point     du 

Jour  3 —  Ilcugel. 

-  Sonnet   de   Malherbe   5 —   Girod. 
Martinet  G.  Menuet,   V  1.50  n  Ronhier. 


Martinet  J.  Romance  sans  parole>t 


243     — 


Martinez  Imb.  Jesu  diilcis  viemoria 


Martinet  J.  Romance  sans  paroles,  VP  1 — n 

Ploix. 
Martinet    R.    Vers   I'avenir,   chauson-marche 

1 —  n,   Ch.  s.  — 35  n   Demets. 
Martinetti.      White:     Apple   blossoms,   soug 

—40. 

-  Bridal,   polka  —40. 

-  Warble,    warble   little    bird,    song   &   dance 

—  40. 
Martinetti    Ig.    Little   stars    won't   tell   — 40 
Ditsori. 

-  My    Rainbow    Bride   4/—   Ascherbcrg. 
Martinez.  White:  Far  from  thee,  P  — 35. 

-  Grand    Mexican   waltz,    P  — 35. 

-  Joli  Papillon  5 —  Oirod. 

-  Joyful  lancers,  P  — 50. 

-  Ma  belle,  maz.  — 35. 

-  Maich   victorious,   P  — 40. 

-  M^thode,    Mandoline    espagnolle     ou     Ban- 

durra    (texte  fr.  et  esp.)    2.50  n  Choudens. 

-  Oi'ce   more,   valse   elegante,   P  — 35. 

-  Souvenir  de  Seville  6 —  Oirod. 

-  Valse  Andnlouse,  P  1 —  Ellcan. 

-  Valsons   ton  jours    1 — n,    Ch.   s.   — 35  n   Co- 

stallat. 

-  Victorioso    March    — 40    Mo.    Kinley. 

-  Victorioso   March   ^10   Nat.    Music   Co. 

-  Villancico  con  Oj-gfFIJP  2 — n  Ayne. 

-  White's   Grand   Triumphal   March  — 60. 
Martinez  A.  Allerseelen,  1   und  2  Singst,  P- 

Begl.  —96   Eherle. 
Marttnez   A.    Wagiier   y    Levien:    Chamacos, 
polka   —50,   0  \— . 

-  Colegio   militar,    marcha   — 50. 

-  Consuelo.    schottisch   — 50. 

-  Cuatro  danzas:  Margarita,  Anita,  Matikle, 

Celerina,   gavotta,    P  — .'lO. 
-3    Danfones:    Jalisco,    Viva    la    patria,    El 
popular,  gavotta,  P  — 50,  0  1 — . 

-  El   eco    de   las   Mandolinas,   polka   — 50,    0 

1—. 

-  El  si,e,lo  veinte,  polka  — 50. 

-  En  la  campana,  marcha  — 50. 

-  Eres    un    Angel,    Inspiracion,    Oh    Ilusion ! 

Tfi  eres  la  Silfide,  cuatro  danzas,  gavotte, 
P  —50. 

-  Esther,  schottisch  — 50. 

-  Junto  fi  un   angel,  schottisch  — 50. 

-  La  risa,  polka  — 50. 

-  On    High    Sea,    Mexican    Waltz,    En    Alta 

Mar,  P  — 50  Goggan. 

-  Para   los  Sngeles,   schottisch    — 50. 

-  Se  que  no  me   amas  — 50. 

-  Te  amo,  valse,  Banda   1.50. 

-  Union   y   Progreso,    polka    paso-doble   — 50. 

-  Vivir   sieuipre  soiiando,   schottisch  — 50. 
Martinez  Abundio.   Hofmcister:   Auf  hohem 

Meere,  Walzer  2—,  VP,  FIP  a  2—,  V,  Fl 
a  1—,  0  3—,  Mand  1—,  MandP  2—,  Mand 
G  2—,  2MandP  2.25,  2MandG  2—,  2Maad 
MaP  2.50,  2Ma7idMaG  2.25. 

-  Besos  y   Pesos,   valse,   P    1.50. 

-3    Danzones,    P:    Jalisco,    Viva    la    Patrii, 

El   Popular   —75. 
-Das    XX.    Jahrhundert    (El    Siglo    veinte), 

polka,  P  1.25. 
Martinez  A.  C.  Capriccio,  P.     Choudens. 

-  Fileuse,   P.     Choudens. 


Bicordi:   A  i  d  a,   reminiscenze, 

4.50. 


divertimento 


6—. 
J  fins 


Martinez   E. 
P  4—. 

-  A  r  o  1  d  o,   fant.  brill.   P 
-Ballo      in      maschera, 

brill.  P   .5—. 
-Ballo  in  maschera,  souvenir,   P  2.50. 
-Due   F  o  s  c  a  r  i,   trascr.  ^ms  4.50. 
-Faust,   fantasia,  .^ms  4 — . 

-  Mazurka   1 —   Mariani. 

-  Mazurka   1.50   Mariani. 

-  Mazurka  e  Schottisch  2 —  Mariani. 
-Piccolo    spazzacamino,     Jfins    1.60     Libreria 

Salesiatia. 

-  P  i  p  e  1  &,   divertimento,   P   3.50. 

-  Polka   per   le   piccole   mani,   ^yns    1.50   Ma- 

riani. 

-  R  u  y  Bias,   duetto   d'amore,   P   2—. 

-  R  u  y    Bias,    fantasia,    P    4 — . 
T  r  a  V  i  a  t  a,   fantasia,   P   6 — . 

-  Un    momento    di    felieita,    pensiero,    P    3 — 

Mariani. 

-  Valzer  3 —  Mariani. 

-  V  e  s  p  r  i   s  i  c  i  1  i  a  n  i,   capriccio,   .'ims 
-Vespri    Sicilian  i,    reminiscenze, 

5—. 

-Vespri   s  i  c  i  1  i  a  n  i,   trascr.   Jfms  3 — . 
Martinez    F.    Lapini:    Al    mio    Reggimento, 

Banda,  Part  1.50  u. 

-  Aure    Prima verili,    maz.    Banda    1.50. 

-  Roma,  marcia  3.50  Borriero. 

-  Vita  torinese,  valzer   6 —  Mariuni. 

Martinez   F.   M.  A.  de,  op.  6  Le  Secret   1 — 
II  ug. 

Martinez    Francesco,    Sveglia    al   Campo,    P 
1—  Challier. 

Martinez  Imbert.  Dotesio: 
N.  1.  Ave  Maria,  para 
N.  2.  O  salutiiris,  Bar,  para  P  1 — . 
N.  3.  O  salutaris,  a  cuatro  voces,  para 
SCcntraltoT  y  Bajo  1—.  N.  4.  Moteto, 
para  tiples,  primeros  y  segundos  TBajo  y 
Harm  2 — .  N.  5.  Ecce  enim,  para  SCon- 
traltoT  y  Bajo.  Harm  6  P  3 — .  N.  6. 
Himno,  para  tiples,  primeros  y  segundos 
TBajosIlarm  y  P  4—.  N.  7.  Autifona  de 
Benedictus,  a  tres  voces  de  S,  '?uarteto  de 
cuerdo  y  Harm  1 — .  N.  8.  Antifona  de 
Laude-s,  a  tres  voces  de  S,  cuarteto  de 
ciierda  y  Harm  2 — .  N.  9.  Magnificat,  u 
cuatro  voces  S,  cuarteto  de  cnerda  y  Harm 
3 — ■.  N.  10.  Salve,  a  cuatro  voces  de  S, 
ciTiteto  de  cuerda  y  Harm  4 — ■. 
Antifcna  de  Laudes,  38  cuarteto  j  H  l- 


Album     12—: 
-S'     v     P     1.50. 


38    cuarteto    de 


-  Antifona    de    Benedictus, 

cueida  y  H  — 50. 

-  Anyoiansa    1.75. 

-  Airobamiento,   and.  relig.   YVaVc  2 — 

-  Ave  Maria,   S  y   Org   1.50. 

-  Concierto   infantil,   PVVc  2 — . 

-  Dichiarazione  1.75. 

-  Elisa,  maz.  — 75. 

-  Ensuenos    juveniles,    maz.    1.50. 

-  Hei   mihi  Domine,   Bar  y   Org   1.25. 

-  Hcdie  si  vocem  Domini  audieritis,  a  : 

ces  y  coro   1.50  8ali-nt. 

-  .Jesu  dulcis  memoria,  motete  unisono 

con   Org(H)    1—   Salvat. 

IH* 


vo- 


tiples 


Martinez  Imb.  .']  Meloilian 


2U 


Martini  G.  Bella  adorafa 


-3    Melodias,    VP:      Reverie,    Dialogo,    Pk- 

gaiia  9 —  n  Ayne. 
-Minueito   y   allegro,   PV(Vc)    2.60. 

-  0   salutaris,   &   4  voc.   sin   acomp.   — 50. 

-  O   salutaris,   Bar  y   Org    1—. 

-  Pavonia,  niaz.  Jfttis  2 — . 

-  Priniavera  2 — . 

-  Reniet  de  Casons  catalanas,  P  2 — . 

-  1.   Ecmanza   sin   palabras,   2.   Gavota,    P   a 

1.25. 
-Rondo  y  mazurka,  P   1.25. 

-  Saludo  angelical   a   San  Luis  Gouzaga,  2^' 

VaVc  2—. 

-  Serenata   Barcarola,   2VVcI'   2—. 

-  Souvenir,  m^l.  P  1.50. 

-  Ttrpi:.ndo,  vals  2 — . 

-Tola   Pulchra,   tiples    y    core,    con    Org  (If) 

2—  Sal  vat. 

-  Un  recuerdo,  eapr.   /*   1.75. 

Martinez    Isidora,    It    is    not    always   May. 

The  sky   is   bright  the   air   is   clear   2 —    /' 

Schmidt. 
Martinez    I.    N.    Wagner   y    Levien:    Op.    52 

Diogenes,    scliottisch   — 50. 

-  Bella   Esther,   polka  — 50. 

-  Felicidad,  mazurka — 50,  Biuuhi  1.50. 

-  Homenaje  a   Tona,   P  — 75. 

-  No  llcres  mas,  gavotta  — 25. 

Martinet    Jose,      A'alse    Andalouse,     P     1  — 

Kott. 
Martinez   M.   A.  de    F.   op.   5    Impromptu,   I' 

1.20  Uug. 
-7   Valse   1.20   Uug. 
Martinez    Maria   Anna,    Sonate    (E),   P    (E. 

Pauer)    1 —  Breilkoi>f. 
-Sonate  (A),  P   (E.  Pauer)   1—  Pyreitkopf. 
Martinez    R.    GolOn,    valse    — 75    Wagner    ii 

Levien. 
Martinez    Sig.      May    bell,    waltz,     G     —40 

Bruinord. 
Martinez-Ferrari,   Romance   sans   paroles,    /' 

3 —  Carisch. 

Martingale    1 — ii,   Cti.   ^•.  — 30  n    Ondet. 
Martingall    H.    In    at    the    death     (Hunting 

song)    2/ — u   Jefferys. 
Martini,   Costureira,   hab.    I —   (I idmoriies. 

-  Doux  plaisir,  VP   (Herman)   2 — n  Chou- 

dens. 
Martini    A.    op.   4   Cauzonetta   dei    pescatori 

2 —  Marinni. 
-11    Maibliimchen,    Polka-Mazurka    —80    /.'. 

Pabst. 

-  Violetta    dei    canipi,    vaitzer    — 00    Libreria 

Salesioiia. 
Martini    A.    F.    op.   5   Reminiscenze   del    \  il 
laggio,  studio  di  concerto,  P  4 —  Mariani. 

-  Reminiscenze   del   villaggio,   studio   di   con- 

certo,  /'  4 —  Mariani. 
Martini    Ang.   Leonard:    Be  mine,   Carissimi 
4/—. 

-  Dawn   of   spring   4/ — . 

-  Idonia-Society,    dance,    P    3/ — . 

-  March   oi   the   Roman   guards   3/ — . 
Martini    C.    op.    20      Frohe     Erinnerungeii. 

(5  leichte  Unteriialtuugsstvleke,  P  2 — :  Nr. 
1.  Gondelfahrt,  2.  Immer  lustig,  3.  Abend 
auf  der  Aim,  4.  Marsch,  5.  Alpenglocklein, 

i>r.. 


0.    Tanzende    Zigeuner,    a    — 60    IloffJiei 


-  21    Durch    Berg    und    Tal,    6    leichte   melo- 

diose   StUcke,  P   2—:    Nr.    1.   Kuckuck,   2. 

Marchen,  3.  Auf  zur  Jagd,  4.  Beim  Dorf- 

wirt,    5.    Im    Hochland,    6.    Ringelreihe,    a 

—60    Hoffheinz. 
Martini  C.   H.  Who'll  go  for  a  soldier?  4/ — 

(Jhappell. 
Martini    Camillo,   11    Giglio,   P   2 —   Ricordi. 
Martini    Dario,    Danza    delle    ore,    mazurka 

2.50,    Mand(V)     — 25  n,     MandfVJP    3—. 

3Iand(VJG    2.50,    2Mand(Vj    3.50,    2Ma7id 

(V)G  3—,  2Mand(V)MaP  4—,  2Mand(V) 

MaG  4 —  Forlivesi. 

-  Inaugurazione,  P  2.50  Ricordi. 

-Invito   al   ballo,   capriccio,   P   3 —   Mariani. 

-  Sonnambula,    fantasia,    V    4 —    Carisch. 

Martini    E.  Al  tuo  pi&  2.50  Ricordi. 

-  Credimi,   melodia   2 —  Mariani. 

-  II    canto    dell'Appassionata,     notturno,     J' 

6 —  Mariani. 
■  .Metodo    che    dai    primi    rudimenti    conduce 
in  pochissimo  tempo  alia  pin  perfetta  ese- 
cuzione,     Cornetto,     Trombo7ie,     Flicorno, 
Bombardino   1.25    Sandron. 

-  Odi   d'uu   cor   che  more!   Romanza   2 —   Ri- 

cordi. 
Martini    F.      Rugi:     A    dispetto   di   chi    non 
vuole,   polka,  Mand  — ^>0  n. 

-  Affacciati,    valz.   Mand  — 30  n. 

-  Biondina,  maz.  Mand  — 30  n. 

-  Cesarina,    mazurka,    Mand    — 20  u,    MandG 

—75  n. 

-  Clelia,   polka,   Matid  — 15  u. 

-  Coatit  i   Senafi,  maz.  Mand  — 30  n. 

-  Destati,  maz.   Mand  — 30  n. 

-  Ernesta,   mazurka,   Mand   — 15  n. 
-Scendi?   Polka,   Mand  — 30  n. 

-  Srbito,   galop,   Mand  — 30  n. 

Martini    F.    A.    Bottoncino    di    rosa,    valzer 

2 —  Mariani. 
Martini  Giambattista    (Padre)  (1706— 1784) , 

Adagio    (Elevazioue)    — 35    Musica   sacra. 

-  Adoramus    te,     3    voix    eg.     —10     Procure. 


— 25  n    Pinatel, 


-30   Musica  sacra. 


-Air   de   ballet,   VcP  2/—  Augener. 

-  Air  et  Variations,  P  —30  n  Gebethner. 

-  .\lcuni    brani    di    Sonate,    scelti,    riveduti  c 

diteggiati,  colla  maniera  d'esecuzione  di 
tutti  gli  abbellimenti  e  coi  segni  per  il 
colorito  e  I'accentuazione  da  Mario  V  i- 
tali:  1.  Adagio,  estratto  dalla  2a  so- 
nata. 2.  Vivace,  estratto  dalla  sonata  la 
per  il  Cembalo.  3.  Sonata  2a  per  YOrg 
1.25  u  Ricordi,  Aria  (1763),  arr.  by 
Brown,  Org  3/ —  Ashdown. 
■  Allemanda,   P  3/ —   Donajoioski. 

-  Aria,   larghetto,   gavotta    a   corrente,    from 

sonatas,   P  4/ —  Ashdoion. 
-Aria     (Mi  slow  ski),    VP    4/—    Laudy. 

-  2    Andanti    e  Moderato,    Org    — 70    Musica 

sacra. 

-  Aubade,    „The     morning     bright"     (Carl) 

R  e  i  n  e  c  k  e),   P   3/ —   Williams. 
-Ave  Maria,  S  et  M  avec  OrgfU)    1— n  Co- 

slallat. 
-Bella   adorata,   aria    (W.   Ganz:    Les   Oia- 
nuuits    Retrouves    14),    P    1/6    Ashdown. 


Martini  G.  Come,  Siiv)  This  Round 


—    245 


IVIartini  H.  op.  22 


-30  Jurgenson. 
Communion,     Or(i(U) 


Come,  Sing  This  Round,  trio  female  — 35 
J.  Fischer. 

Compositions,  P  (Giuseppe  M  a  r- 
tucci):  N.  1.  Minuetto  (G)  —60.  N.  2. 
Tempo  di  Gavotta  (E)  —80.  N.  3.  Mi- 
nuetto (A)  —60.  N.  4.  Rondo  (C)  —80. 
N.  5.  Minuetto  (B)  —80.  N.  6.  Andante 
(G-m.)  —60.  N.  7.  Minuetto  (D)  —60. 
N.  8.  Giga  (B)  —60.  N.  9.  Rondo  (V) 
—60  Schmidt. 

Corrente  (The  Classical  Pianist  N.  5),  P 
;{/ —  Donujowski. 

Oomine   salvam  fac,  chorus  — ^,'1   Booseij. 

Don't  tickle  me,  T  pray,  Vadasi  via  di  qua 
(The  tickling  Trio),"  BTB  — /9  Novello, 
— 50    Bruinurd. 

Don't   look   at   me,   mix.  v.   — jV!-^   Ciirwen. 

/^ocy5KHWH  'lact  P 

Entree,      Offertoire, 
1 — n  Pinatel. 

Fall'n   is   thy   throne,    MS  —30    Gordon. 

Finale,    Org(H)    — 50    Bertarelli. 

7   Fughette   il  4   voci   2 —  Hofmeisfer. 

Gavotte  (F),  c^l^bre,  P  1—  Borriero,  1.20 
Carisch,  1—  Mariani,  1 — ,  (S.  Cesi) 
—no  n  Ricordi,  (E.  P  a  u  e  r) ,  (C.  R  e  i- 
necke)  it  — 30  n  Breiikopf,  1 —  Challier, 
— 50  Hug,  — 20  Riihle,  — 50  Schlesinger, 
1  Bg.  Schott,  —20  F.  Siegel,  2/—,  (W. 
Macfarren)  2/6  Ashdoun,  1/ — n  Au- 
gener,  2/ —  Chappell,  1/6  Cramer,  (L. 
Slope  r)  3/ — -  Williams,  — 40  Brainard, 
— 35  Diison,  — 25  Schirmer,  — 65  n  Costal- 
lat,  — 15  Jurgenson,  — 50  Nord.  Mitsik- 
forlag;  J/ms  — 50  Ricordi,  Mand  — 25  n 
Heugel;  VP  (F  r.  Hermann)  1.30 
Breitkopf,  —80  Hug,  1.50  Schott,  3/— 
Augf/iier,  3/ —  Weekes,  Williains,  1/ — 
Wicki7is,  — 50  White,  1.75  n  Costallat,  5  — 
Grus,  —40  Gebethner;  VaP  1.50  Schott; 
VcP  1.08  Bosworth,  (K.  Grimm)  1.30 
Breitkopf,  1 —  Schlesinger,  1.50  Schott, 
3/ —  Angener,  Willia7ns,  1.75  n  Costallat, 
— 40  n   Gebethner;   FIP   1 —   Schlesinger. 

Gavotte,    c6l&bre,    &    J.    Jacob,    Pourt]uoi 
brier  notre  nid,  melodie,   V,  Cornel,   FI  A 
—20  n  Debert. 
•Gavotte    (F,    P  e  r  c  i  v  a  1,    Gavottes   &   U\- 
nuets  6),  P  2/ —  Avlidown. 

■  Gentle    pity    sooth    our    anguish,    chamber 

trio   for   treble   voices   2/ —    Ashdown. 

■  Giga,   P   3/ —  Donajoicski. 

-  Hymne   d'avril    1.35  n    Chondens. 

-  In  monte  oliveti,  3  voix  6g.  — 25  n  Mnsica 

sacra,  — 10   Procure. 

-  Inclina     Domine,    duo, 

gaily. 

-  Laudate    domiuum,    S 

2.50  n   Costallat,  3— n 

-  Laughing,    trio,     STB 

Gordon. 

-  Leichter   Sinn    (Vadasi 


V.  eg.    2 —  n    Pere- 

et    C     av.     Org(fl) 
Peregally. 
—40     Ditson,    —30 


-  Moutons,   gavotta,   P  2 —  n   Ricordi,  — 15  n 

Ritgi,  — 20  n  Litolff,  9 — n  Chondens, 
— 65  u  Costallat,  1 —  Dnrand,  — 60  n  Flam- 
marion,  4 —  Grus,  1.75  n  Joubert,  VP  1.75 
Schott,  1.75  n  Gallet,  6—  Noel,  0  2— u 
Ricordi,  FullO  —75,  SmallO  —50  Jlankes, 
0  1.50  n  Durand. 

-  Moutons-Gavotte,  ct  2  autres    (Gerbe  d'Or, 

2e  Coll.  N.  27),  VFlClPistonMand  — 30  n 
Gallet. 

-  Musicum    Fastidium    Musicae,   capriccio    in 

coro    a   tre    voci    2.25    I'icordi. 

-  O  salutaris,  SATB  av.  Orgfll)  —25  n  Mn- 

sica sacra,  — 50  n  Costallat,  — 75  n  Du- 
rand,  1.50   Peregally. 

-  OTiannie  :iik)6bii  — 30  Jurgenson. 

-Psalm  86:  Hab'  Erbarmen,  Miserere,  P 
— 80  Schlesinger. 

-  Quell'onda   che   roviua,   duo   7.50   Heugel. 

-  Regola    agli    Organisti    per    ace.    il    canto- 

fermo    2.50   Ricordi. 

-  Ripieno,   Org  — 20   Musica  sacra. 

-  Romanze,    CornetaPP  —80   C.   F.    Schmidt. 

-  Salve  Regina,   TTBOrg  —60  n 

-  Scherzo :    Vadasi    via    di    qua, 

— 25  n  Ricordi. 

-  Siciliana,    VP    3/ —    Augener. 

-  Sieut  erat  in  priucipio,  SAB   1/ —  Novello. 

-Sonata  (A-minor),  &  Pasqualini:  So- 
nata (A-major),  arr.  by  S  c  h  r  o  e  d  e  r, 
VcP   1/ —  n   Augener. 

-  12  Sonate  d'intavolatura  per  il   Cembalo  e 
e  ditegg.  da  M.  V  i  t  a  I  i  4 —  n 


via 


gua),  komi- 

1.75   Schott. 

6— 


di 

sches   Terzettino,   STB   m.    P 
Messe    fiir    2T    u.    B    (F.    C  o  m  m  e  r) 

Klemm. 
Miserere,  A  with   VOrg    (or  H  or  P) ,  arr 

by  E.  H  e  i  m  2/ —  n  Augener. 

„JIfo6bh  BocTopri."  — 50  Bessel. 


Bornemann. 
a    tre     voci 


(E-m.),    S 

3.60  n  Durand. 


VOrg,  riv, 
Ricordi. 
-2    Sonate,    P:    1.    (E-m.),    2.    (F-m.)     l.SOn 
Ricordi. 

-  Sonate    (F-m.),   Org 

-  Sonate,  P  1.20  Hug. 

-  Sonatine,  VP   (Mistowski)   4/ —  Laudy. 
-Super    flumiua,    SATB    av.    Org(H)    1.25  n 

Costallat,  4 —  n  P6regally. 

-  Terzetto :   Vadasi  via  di  qua,  STB  2—  Ri- 

cordi, 2/6  Ashdown,  3'—  Cramer.  — /9  No- 
vello,  \  ide :    Scherzo. 

-  Tristis    est    anima    mea,    3  v.    — 25    Musica 

sacra. 

-  Vade   si   vide,   trio   1.50   Guimaraes. 
-Versetto:    Si    iniquitates,    Achtest    du    der 

Siinden,  aus  dem  129.  Psalm  1.25  Leu- 
ckart,  Org  — 20  n  Musica  sacra,  l.SOn 
Heugel. 

Martini  Giovanni,  Kreuz-Polka  — 50  Bideri. 

Martini  H.  Bergerette,  duo  1.75  n  Durand. 

-Chagrin  d'amour,  raelodie  1.75  n  Hayet. 

-Chanson   de  chasse,   P   l.SOn   Rouart. 

-  Tntei mezzo,   P   1.25  n   Rounrt. 

-  Vieux  Robin  Gray  1 —  n  Durand. 

Martini  Hugo,  op.  12  Frohlicher  Augenblick, 

P  1.20  Teich. 
■  13  TTerzliche  Freundschaft,  P  — 80  Teich. 

-  14   Am   Bach,   P   1 —   Reinecke. 

-  15   Kinder reigeu,   P  — 80    Teich. 

-  17   Salon-Mazurka,   P   1 —  Reinecke. 

-  18   Walzer-Caprice,   4ms    1.50   Teich. 

-21    Lhebesfee,    Tvrolienne,    siehe    Eallabend, 

Baud  IX  Nr.  4.     Riihle. 
-22  Li  chtaubchen.  Scherz-Polka  —20    (siehe 


Martini  H.  op.  22 


246     — 


Martini  J.  P.  A.  Plaisir  d'aniour 


auch  da  Capo-Album,  Band  I  Nr.  5). 
Riihle. 

-  23     Brillante     Fantasie     iiber     H  e  i  s  e  r's 

Bravourlied:  „Acli  einmal  bliiht  im  Jahr 
der  Mai"  — 75  (siehe  auch  Da  Capo-Al- 
bum, Baud  I  Nr.  1).     Ruhle. 

-28  Impromptu,  P   1—  Kahnt. 

-29  Tonwellen,  Saloustuck,  P  1 —  Staeglich. 

-  31     Vou    Herzen    zu     Herzen,    melodisehes 

Tonstiick,  P    (siebe  50  Pfenuig-Bibliothek, 

Lieferuug  41   Nr.  3).     Riihle. 
-33    LiebcLens    Wuusch,    Salonsttick,    P    1/20 

Tanner. 
-34    Abschiedsliiuten,    P   —80    Schmidt. 
■  35  Fiohliche  Herzen,  Marsch  —80  Schmidt. 
-36    Nr.    1.    Der    Schwalbeu    Ankunft,     und 

Die  Spielubr,  P  — 20  u  Riihle. 

-  37    Seuuers    Lust,    Salon-Iiandler,    P    —80 

Lchnc. 
-40    Gloekenblumen,     Salonsttick,    P    — 60  ii 

Andre. 
-41    Miidcben  mil  dem  roten  Miiudcben,  Sa- 
lonsttick,  P  — 40  n   Andre. 

-  42    Morgeus    am    Brunnen,    Salonsttick,    /' 

1 —  Hainauer. 
-46     Ancrettenreigen,     Cbaraktersttick,      /' 
1 —  Hainauer. 

-  48  Polka-Caprice   1 —  Reinecke. 

-  49  a   Melanie,   P    1 .25    Teich. 
-49  b  Hera,  P   1.25   Teich. 

-50   Stiiudchen    (mit   Text),    P    1—   Teich. 
-51    Wallula,    Salonsttick,    P   —80    Kahnt. 

-  52   Liebesklage,   P    1 —  Bratfisch. 

-53   In  frcbtr   Stunde,   P   1.20   Bratfisch. 

-  54  Waldnympheu,   Salonsttick,   P  1 —  Han- 

sen. 

-  55  Herzklopfen,  Salonsttick,  P  — 20  Riihle. 

-  56    Fantasie    tiber    B  a  u  e  r's    Lied  :     „Ai). 

Ort,  wo  meine  Wiege  stand"    (siehe  Tran- 
skriptions- Album,    Band    3).      Riihle. 

-  59    Chatterbox,    P   —30  n    Presser. 

-60  Drei  Original-Mazurken,  P :  Nr.  1.  (D) 
1—.  Nr.  2.  (Des)  1.25.  Nr.  3.  (C-m.)  1.25 
Teich. 

-61   Htimweli,  P  1.20  Teich. 

-  62    Mein    Kindlein,    es    dunkelt     (Bebe,    la 

nuit  vieLt),  Wiegeulied,  P   1 —  Hainauer. 
-63  Der  Glocken  Abendgrufi    (Le  Salut  dts 
Cloches    du    soir),    lyrisches    Tonstiick,    I' 
1 —  Hainauer. 

-  64    Wenn    Mamas    Geburtstag    ist    (Quand 

c'est  la  fete  de  Maman),  P   1 —  Hainauer. 

-  67    Zwei    Vortragsstticke    ftir   kleine   Leute 

(im  y-Schltissel  ohue  Oktavenspannung)  : 
Gnadenreiche  Weihnachten.  Gliickseliges 
neues   Jahr,    P    1.50    Eisoldf. 

-  68  Traumbilder  in  der  Christnacht,  P  1.50 

Eisoldt. 
-71    Nachtviole,    Idylle,    P    1.30   Eisoldt. 
-72   Alpentraum,   Tonstiick,    P    1.20   Eisoldi. 
-73  Herzblattchen,  Tonstiick,  P  1.30  Eisoldi. 
-74    Maikatzchen,    P    — 40  n    Andre. 
-75    Grufi    an    Sybillenort,    Gavotte,    P    1.50 

Teich. 
-76  Libellenspiel,  Capricietto,  P   \.5Q,Andre. 

-  77    Die    sclione    Polin,    Cbaraktersttick,     /* 

1.30  Eisoldt. 


-  78  Im  trauten  Heim  beim  Miitterlein,  Ton- 

stuck,  P   1.20  Eisoldt. 
-79   Ob   ich   sie   wiederseh',    P    1.30   Eisoldt. 

-  80  Glockchens   Morgengrufi,  lyrisches  Ton- 

stiick, P   1 —  Hainauer. 

-  81   Aus  der  Kadettenzeit,  P   1 —  Hainauer. 
-82  Zu  dir  zieht  es  mich  bin,  Salon-Landler 

1 —  Hainauer. 
83  Palmkatzerl,  Salonsttick,  P  1 —  Ulhrich. 

-  84   Roserigrtifie,    Idylle,   P    1 —    Ulhrich. 

-  86    Klacge    aus    dem    Muldentale,    IdyH,    P 

1—   Ei.^oldt,    1.20    Ullrich. 

-  87   Fest-Kantatina   zur  silbernen  oder  gol- 

denen    Hochzeit,    SA   m.    P    1.80   Andre. 
-99  Weihnachtsglockchen,  P   1.20   Me.hner. 

-  100  O  selige  Weihnachtszeit,  P  1.20  Mehner. 

-  Heimweh,    2    Salonstticke,    P    1.20    Teich. 

Martini   J.   Azur,   valse.      Courmes. 

-  Caresse    d'avril.      Le    fldteau    des    amours. 

Neige  et  printemps.  Ton  jours  prfes  de  toi. 

Martin. 
•  Cecil  Rhode.     Courmes. 
-Reverie,   VP   1.30  n  Martin. 
Martini    Ida,   Sempre   insiemie,   P  2 — n   Ca- 

risch. 
Martini    J.    B.    (Martini   G.)    Adagio    (D- 

m.),  Canon    (D-m.),  Gavotte    (D-m.),  Cou- 

rante,  Gigue,   P  6 —  Heugel. 

-  Adoramus   te,   3  voix  6g.  &   Org   — 60   Pro- 

cure. 

-Sonate  (E-m.),   P  4.50   Heugel. 

-  Sonate  (G-m.),  P  6—  Heugel. 
-Sonate  (F-m.),  P  7.50  Heugel. 
-Sonate  (C),   P   7.50   Heugel. 

Martini    Jean    Paul    A.     (1741—1816),    C  a- 
pricciosa    Corretta,    oi>era,    Girod : 

1.  Duetto:   Oh!   Vedete  che  figura  5 — . 

2.  Polacca:  La  donna  ha  betto  il  core  5 — . 

3.  Aria :    Guardami    un    poco    3 — . 

4.  Cav. :    Son  pur  folli  2.50. 

5.  Cav. :    Uu   tior   di   prima   eta   3 — . 

6.  Duetto :    Come    cervo    sitibondo    5 — . 

7.  Duetto :    Tu   mi   dicesti   no   2.50. 

8.  Canzone :   II  birbo  &  adesso  3 — . 

9.  Duetto :    Vedrete    che    allegria    3 — . 

10.  Aria :    Cara    mia   vezzosa    Dea    4 — . 

11.  Aria:  Nel  cor  mi  sento  un  giubilo  2.50. 

12.  Notturno:    Se   figli   vi    siamo  2.50. 

13.  Aria:    Perch&,    perche    crepasti  I    5 — . 

-  C  o  s  a    R  a  r  a,    opera-buff  a.      Girod  : 

l.Aria:    Piti  bianca  di   giglio   3 — . 

2.  Aria  :   Lilia   mia  3 — . 

3.  Aria  :    Dolce   mi    parve   un    Di    3 — . 

4.  Terzetto :    Per   Pieta  non  vi   2.50. 

5.  Aria  :   Consola  le  pene  2.50. 

6.  Duetto:    Piice,   caro  mio  sposo  4.50. 

7.  Car  zonetta  :    Viva    la    Regina    2.50. 

-  Henry   the    Fourth,    overture,    P    4/ —   Ash:- 

doicn. 

-  PlaiEte  de  la  reine  Marie-Stuart,  melodi'^ 

suivie  de  la  c6lebre  gavotte,  P  — 50  n 
NoHl. 
-Plaisir  d'a  m  o  u  r  2.50  Carisch,  (fr.-it.) 
2 — ,  (it.)  1 — n  Ricordi,  1 —  Kistner,  I — 
Schott,  5 —  Blanc.  1 — n  Choudens,  Costallat, 
Coutarel,  Girod,  Gregh,  Noel,  1.35  n  Da- 
rand,  2.50  Heugel,  4—  Havielle,  —45  n  Le- 
moine,   1.25  n  Pisa,    (Ch.  s.—^^  \i.  Choudens, 


Martini  J.  P.  A.  Plaisir  d' amour 


—     247 


Martins  A.  C.  Zephiro 


—  25  11  Girod,  LabbeJ  1/6  Ashdotin,  — 35  n 
Schinner,  — 30  Bessel,  Gutheil,  Jurgen- 
son;  P  1—  Kicotdi,  Vj,  Bg.  Bote,  1— u 
Choiidens,  — 85  u  Eveillard,  (M.  Lee) 
1.75  11  Froinont,  (G.  Bizet)  4 —  Ilciigcl, 
3 —  Noi-I,  — 30  Gehethner;  ^ms  2 —  ii  Fro- 
mont;  VP  (Danb6)  1.50  Schott,  (D. 
H  o  s  t  i  6)  1 —  11  Borneniann,  (Ham- 
mer) 2—11  Costullat,  1.75  n  Gullet,  (E. 
Saenger)  6—  Noel;  VaP  2— n  Du- 
rand;  FIP  (Gariboidi)  1 — n  Borne- 
munn,  Hand  — 50  Sandron,  — 25  n  Ileugcl, 
MuhdP,  CorP  a  2— n,  ObP  2.50  n  Co- 
stallut,  Chaiit  av.  0,  Part  2.40  n,  p.  s. 
2.40  u    t^chott. 

■  Plaisir  d'amour,  romance,  &  N.  S  e  r  a  e  n  e, 

Julia,  polka,   V,  Cornel,  Fl  a  — '2.0  u  Deherf. 

-  Postludii    (2),   Orfj(H)   — 50  u  BertareUI. 

-  Praeludio,  Org  — 50  n  Berturelli,  — 35    ]\(/i- 

sica    sacra. 

■  Priiludium,  Fiige  und  Allegro,  P    (Pane  r 

E.)    1—  Musica  sacra. 
Martini   L.  Cariscli:  II  passato  spari !  album 
da  ballo  5—:  N.  1.  Tormenti,  valzer  2.50. 
N.   2.   Tu   piaci   a  tutti,   polka   1.50.   N.   3. 
Mi  sccidero  di  te?  mazurka  2 — . 

-  Loutf.rauza,  romanza  iii  cliiave  di  sol  2 — . 

-  Premier   Baiser,   valse,   O,      Martin. 

-  Presa    di    Roma,    pezzo    descrittivo,    P   5 — . 

-  Sempre    cosi,    album    da    ballo    5 — :    N.    1. 


Amor  che   fu,   valzer  2.50. 
sempre,    polka    2 — .    N.    3. 


N.  2.  Vo   rider 


valzer  2 — . 
gioruo,    polka    1.50.   N.    3. 
mazurka    1.50.    N.    4.    Ti 


Tu    mi    seduci, 
mazurka  2 — . 

-  Uua    seia    di    carnevale,    album    da    ballo 

5 — :    N.    1.    Dimmi   ehe  m'ami, 
N.    2.    Bella    di 
Bella    di    iiotte, 
rifordf'rai     1.25. 
Martini   P.   Eicordi:   Castel  di  Rose,  P  4..i0. 

-  Dimmi  percM  3 — . 

-  Fiori   d'ltalia,   polka   3 — . 
-Gli  Angeli,  P  4—. 

-  lo   penso   a  te !    romanza   3 — . 

-  Non  ti   scordar  di  me,   mazurka  sentiniPii- 

tale,   P    1.50. 

-  Rosa   di   Bergamo,   P   2 — ■. 

-  Sogni  della  vita,  mazurka   descrittiva  sen- 

timentale,  P  3 — . 

-  Un'ora  solitaria,  melodia,  P  3 — . 
Martini    R.    II    gondoliero    sieulo,    bnrcarola 

3 —  Cariscli . 
-Non    mi    guardar,     melodia-stornello     i.-'ifi 

Carisch. 
Martini    V.    Guarda    li    ch'it   cirhi!    Scherzj- 

Polka   2 —   Muriani. 

-  Illusions   de  la   vie,   polka   de   snloii,   P   2  — 

Marivni. 
Martini    W.    de,    Xareisse,    gavotte,    P   — 2.5 

Gordon. 
Martinn    J.    Costullat:    Op.    19    0    Duos    ■  x- 

traits  de  la  Methode,  2V  3 —  n. 
-24  Six  Duos,   ,21'o,  2  suites,  chaque  2.oti  n. 

-  6   Duos,   2V   2.50  n. 

-  12  Lefions  eu   ut  majeur  pour  les  commeii- 

cants     (Extraites     de    la    methode),     2\'u 
2— n. 

-  Methcde    Va,    coutenant    les    prineipes     de 

cet  ii'strument,  12  lecons,  3  souates  et  des 
exercicts   6 —  n. 


par      .J . 
Ileugel,   30- -  u 


-  Methode   el6mentaire,   V   7 —  u. 

-  M(Jtbode    6ldment<iire,    augment^e 

F  r  ey,   V   12 —  n. 

-  Nouvelle   Methode,    V    10- 

Ayn4. 

-  3    Souates,   2Va   2.50  n. 

Martino   J.   Sogni   Amorosi,   mazurka,   Mutid 

(I   — 15  u   II  Concerto. 
Martinc  M.  Am^lie,  maz.  5 — ,  0  1.50  n  Ploic. 
-Miss     Flora,     polka     1.75  u,     sinipl.     1 — n 

Gallet. 

-  Paln.as,    danse    havauaise    5 — ,    ^nis    7.50 

Ploix. 
Martinoli   Filippo.  Eicordi:  Ai  prodi  estiuti 
per    rindipeudenza     d'ltalia,     marcia    fu- 
nebre,   P    1.50. 

-  AU'Armi !    Coro   guerriero   all'uuisono    1.50. 

-  Era    novella,    marcia,   P    1.50. 

-  Indipeudenza    Italiana,    canto    di    guerra    a 

tre  voci  3.50. 

-  Marziale,   Org  2 — . 

-  Prosper ilti,  P   1 — . 

-  Sereguo,   P    1 — . 

-  Toujours  aimants,  divertissement  eu  forme 

de   valse,   P   3.50. 
Martinoli   P.  Eugenie,  maz.  P  2 —  Fantuz;:i. 

-  Paulette,  P  3—  Eicordi. 

Martinolle    J.    Jtannette,    valse    1.75  u     I'o- 

hcrt. 
Martinet    Mile.    Sadie,    Love   will    show    tlie 

way  2/—  n   Shear d. 

-  Sorrow  2/ —  n  Sheard. 

-  Zephyrette,    gavotte,    P    — 50    Ditson. 
Martinotti    L.   Mariuni:  C'esarina,  maz.  3 — . 

-  Mi  farai  morire,  melodia  3.50. 

-  Sperfnza   e   Vita,   valzer   4.50. 

Martinovsky     J.     P.      Hoffmann:      Araber- 
Spriinge,  Galopp  — 50  Hofmeister. 

-  Jitro  —50. 

-  .500     NapeA  u    z    ceskych     narodnich 

I—V  a  6— n. 

-  Spokojeny    pastvec    — 50. 

-  St&stne  manzelstvf  — 50. 
-5      Zp6vu:      Cislo      1.      Zastavenlcko 

2.      Pomn^nl      1.20.        3.      Modlitba 
4.  Malba  2.25 
2.25. 
Martins   A.   C. 
Amor,  lom.   1 — . 

-  Elisa,  polka  1 — . 

-  Estrella    d'Americit,    quadr.    1.50. 

-  Julia,  \  alsa   1 —  Napoleao. 

-  Lamento   do  bravo    1 —  Bevilacqiw. 

-  lleibaceo   on    a   plantacao    do    algodao    1 — 

Bevilacqua. 

-  Manifestacao   a   Carlos   Gomes,   polka    1.50. 

-  Mancel   Corisco,   polka   1 — . 

-  Maicilio  Dias,  quadr.   1.50  Bevilncqua. 

-  Maria,  maz.   1 — . 

-  Nao  foi  de  amor   1.50  Bevilacqua. 

-  0    Aders,    modiuha    1 — . 

-  O  Sonho  de  Amor,   rom.   1 — . 
-Polka   Ctiracteristica    1 —   Bevilaciiiia. 

-  Quadr.  das  FlQres   1.50. 

-Rocambole  no  Rio  de  Janeiro,  quadr.  1.50. 

-  Se  te  amei,  reeitat.   1 — -. 

-  Vem    oh!    parca    por    piedade,    comVa  1 — . 

-  Zf'pliiro.   polka    1.50. 


pisnf, 

2-—. 
1.50. 
5.  Sen    (s  pruvodem  cella) 

G uimarixes:      A   Queixa    de 


Martins  F.  J.  Deixa  me  cruel  saudade 


—     248     — 


Martucci  G.  op.  20 


Martins  F,  J.  Deixa  me  cruel  saudade,  roipi. 

1.50  Bevilacqua. 
Martins  Narc.  Nao  posso,  uao  senlior !  Polka 

1—   G  ui  iiKinycs. 
Martins    N.    J.    Petit    Georges,    qiiadr.    1.50 

(hdniaracs. 
-Pif!   pat!   Quadr.   l.SO  Guimaraes. 

-  Sedi'ccrio,   valsa    1 —   Guimaraes. 
Martins    Pinheiro.    jScqioleao:    Carliua,    gr. 

valsa  2 — . 

-  Experieneia,    valsa.  brill.    P    2.50. 

-  Gauxa,   gr.   valsa   2.50. 

-  Inccirprelien.sivel,    vaLsa    1.50. 

-  0  Raio,  galop  de  bravura,  P  2 — . 

-  Tarantella  napolitana,  P  2.50,  Jftns  2.50. 

-  Vaidosa,    polka    caracteristica,    P    2 — . 

Martins  Theoph.  Giiimanirs:  Ai  hue.  polka 
1—. 

-  Ave  Liberta.*  !   March  i    1—. 

-  Eu  te  quero,  polka    1 — . 

-  Nira,   valsa    2—. 

Martins  Virg.  Manuelihi.  polka  1.50  (iiii- 
nianxcs. 

-  iSomos  aniigos,  polka    1 —  Guimaraes. 
Martins  V.  E.  So  tua,  polka   1 —  Berilac(iiai. 
Martinsen    S.   On   the    Skating   Uiug,   waltz 

— 60  Jtirgenson. 

Martinus  (Froding),  Fyra  Sanger:  Den 
yttersta  dageu :  A'aker  upp !  en  stamma 
bjuder.  Flickau  vid  forsen :  Jag  vet  val 
hvad  du  forjer  for.  Vallflickan:  Latt 
ofver  kuUar  och  fait.  Nordanvind-ins 
sang  for  boljau.  Vyss,  vysseri,  vyss !  da 
blfiogda   barn    1 —   Ilirsch. 

Martinville  Mme.  de,  Viens.  aurore.  de 
Henry    IV    1 — u   Durand. 

Martinz  Alfred,  op.  1  Elisabeth-Gavotte,  P 
1.20,  0,  mit  Schild  T  h.  F.,  op.  21: 
Das   echte    Weanabluat    .3 —  n    Rohit.schek. 

Marton  la  Vivandi&re  1—,  Ch.  .s.  —30  Gl-c- 

luHC. 

Martorell  J.  Dotcsio:  A  la  carga,  polka  1.75. 
-A  tres  quarts  de  quiuze,  polka  1.75  TAobrL 

-  Alegre   danza    1.75. 

-  Bella    Malgratense,   hab.    1—. 

-  Bostcn-Mazurka    2 —    Llohei. 

-  Capullos  V  besos,  vaka   2 —  Llobif. 
-El  Ebio,   Aals  2— . 


■\'als 


Llobel. 


-  El    Guitarrillo. 

-  Elsa,  vals  2—. 

-  Fantochcs,    schott.    1.75    Llobel. 

-  Frou-Frou,   inaz.   2 —   Llobel. 
-GaActa   minu^,   P   1.75. 
-Geiona,  pasodoble  2 — . 

-  Gloria,  vals. 
-Guadalquivir,  vals   1.75. 

-  Gufisima,   hab.    1.50   Llohet. 

-  lai-Alai,  polka  2—  Llohet. 

-  Ills,   vals  2 — . 

-  Marquesita,   ga\ .    P    1.75. 

-  Marquesita,  schott.  1.75. 
-Mayo   floiido,   maz.    1.75. 

-  Melancolia,  maz.   2 —  Llobel. 

-  Mimosa,  maz.   1.75. 

-  ]\rinistro.s,   rigodon   2 —   Llohet. 

-  Monina,   .schott.   1.75. 

-  Parfum    d'E.spagne    (Parfume    de    Espanai. 

Mils    jola    2 — n   Gullet. 


,nl- 


ma- 


-  Perlita,   maz.    1.75. 

-  Pesares,  hab.    1.40. 

-  Placentera,   hab.    1.40. 

-  Playas  de  oro,  hab.    1.75. 

-  Priu  er  amor,   .schott.   1.75. 

-  Radiaute,   schott.    1.75. 

-  Eisas   y    flores,   maz.    2 — . 

-  Rosa   Anerica,   haban.    1.75    Llohet. 

■  Saltarina,   polka    1.50. 

-Trrpical,   habanera,  P   1.50  n   Gallel. 

-  Valse  Grise  2 —  Llobel. 

-  Valse  Rose  2 —  Llohet. 

-Val.se    rose     (Boston),    P    1.60  n    Schott 

Frcres. 
Martorelli    P.     Bell.i     Geraldine,    polka     1— 

JJotesio. 

-  Humoristica,   vals  —75   Dotcsio. 

-  Paris,    pasodoble    1.50   Dotesio. 
Martorelli    B.  Mariani:   Brezze   Alpine. 

zer  3.50. 

-  Edelweifi,  IMaz.  1.50. 

-  Rinen.bianza   d'Alagna    (Valle  Sesia), 

zutka    2 — . 

-  Rimcnibranza  di  Gressoney    (Valle  del  Lys 

Mcute   Rosa),   maz.   2 — . 

-  Sulle  rive  del  Cusio    (Lago  d'Orta),  valz 'r 

3—. 

Martre   B.  de  la,  Echos  d'Auvergne,  6Tr  de 

Chasse    2 — n    Pomier. 

-Starces   de   Gilbert   mourant    1.20  u  Labhe. 

■  Une    fete    dans    les    Bois,    67V    de  Chaise 

2 —  n    Pomier. 
Martrel     Fr.    Abschied :     „Aus    der    Heimat 

teinem    Tal«",    TTBB   —80    Tonger. 
Martrin-Donos    de.    Hoton:     AWrie     d'Au- 

mont   1 —  n. 

-  Aymard  de  Nanteuil,  ou   les  bandits  de  la 

forfet  de  Merveut   1 —  u. 
-Guy  de   Comtynes,   melodram    1.50  n. 

-  Heritage  de  I'Anglais,  comedie  1 —  n. 

-  Jehan  de  Marpedanne,  melodrame   1.50. 

-  Peintre  et  musicien  — 60  n. 

Martucci  F.  Pensiero  giocondo,  P  2 —  Ma- 
ricni. 

-EicGidi   di   Milano,   P   1.50  Ricordi. 

Martucci  Giuseppe  (1855).  Ricordi:  Op.  2 
J.  Capiiccio,  /'  3 — . 

-3  2.  Capriccio,  P  3—  Ricordi,  1.50  Be- 
vilacqua. 

-4  Mezrrka   di   Concerto,  P  4—. 

-  5   Andante  e  Polka   di   Concerto,   P  4.50. 
6   Taiantella,   P   5—. 

-  7  Agitato,  P  3—. 

-8  Pensieri  sul  Ballo  in  maschera. 

-  9  StV'dio  di  Concerto,  P  5—. 

-  10   Pensiero  musicale,   P 

-  11    Tempo    di    Mazurka, 

-  12  3.  Capriccio,  P  3.50. 

-  13   Allegro   appassionato, 

-  14  Fuga,   P   3—. 

-  15    4.   Capriccio,    P   4 — . 

-  16  1.  Melodia,  P  2.50. 

-  17  Imj-rcvviso,  P  2.50  Ricordi,  — 50  i<chir- 

mcr,   — 60    Schmidt,    1.50   Bevilacqua,    Na- 
poleao. 

-  18  FigLelta  a  due  parti.  P  3—. 

-  19   Pclacca,   P  5—. 

-  20    1.   Barcarola.   P   2.50. 


JftUS 


6- 


2—. 
/'    3—. 

P   4- 


Martucci  G.  op.  21 


249     — 


Martucci  G.  10  Danxe 


-  21  2.  Melodia,  P  2.50. 
-22   Sciiuta,   VcP   8—. 
-23   Scherzo,   P   4—. 

-  24   C.'-priccio   di   Concerto,    P   6 — . 

-  25  Notturno,   7'  3.50. 

-  26  Caprice  en   forme   d'Etude,   P   3.50. 
•27    P.-    N.  1.    Tristezza    2—.    N.  2.    Ritonio 

2—.  N.  3.  Passione  3—. 
■28  P.-   N.  1.   Fiiglietta   a  due   parti   3—.   X. 
2.   Fiiga   a  tre   parti   3.50. 

•  29  Schorzino,  P  2.50. 
■30  2.  Barcarola,  P  4—. 

•31  P:  N.  1.  Notturuo  2.50.  N.  2.  3.  Bar- 
caiola  2 — .  N.  3.  Romaiiza  3 — .  N.  4.  Dol-?e 
ricordo,   3.   notturuo   4 — . 

•  32  Fertasia  in  Re  minore,  P,  2P  9 — . 

•  33    P.-    N.  1.    Pensiero   musicale   2 — .    N.    2. 

A\    cader    delle    foglie,    peu.siero    musi;-ale 
3 — .    N.  3.    Canto    rcligioso    3.50. 
•34  Sciata,  P  10—. 
35  Mazurka,  P  2.50. 

38  Album  de  6  Morceaux,  P  12—:  N.  1. 
Flatterie  2.50.  N.  2.  Souvenir  d'un  bois 
3.50.  N.  3.  Chant  d'amour  3—.  N.  4.  La 
Chasse  5—,  N.  5.  Serenade  3—.  N.  0. 
Mcu.ent   de   joie   3.50. 

39  Capriccio,   P   4 — . 

41  N.   1.   Sonata   facile,   P  4—. 

42  P;  N.  1.  Notturnino  3—.  N.  2.  Nottur- 
nino   2.50.    N.  3.    Notturnino   3 — . 

43  P.-  N.  1.  Pensiero  musicale  2.50.  N.  2. 
Dolore,  pensiero  musicale  3 — .  N.  3.  L'Ar- 
colajo,  pezzo  caratteristico  4 — .  N.  4.  Pen- 
siero fantastico  3 — .  N.  5.  Fiorellino,  pen- 
siero musicale  3 — .  N.  6.  Verso  sera  !  ro- 
manza  2.50.  N.  7.  Presso  il  ruscello,  pen- 
sitro   caratteristico   4.50. 

44  P:  N.  1.  Capriccio  4 — .  N.  2.  Pezzo  fan- 
tastico  5.50.  N.  3.  Colore  Orientale,  tempo 
di  moicia  5 — .  N.  4.  4.  Barcarola  4 — .  X. 
5.   Notturno   3—.   N.  6.   Tarantella   6—. 

45  Quintett,  PBVVaVc  15—  Kisiner. 

46  3  Valzer,    P;    N.  1    3—.    N.  2    4— 
3—. 

48  2.   Polacca,   P   6—. 

49  P.      N.  1.    Desio,    romanza    2.50. 
Q.uante  memorie !   romanza  3.50.  N.  3.  Au- 
sia  '    romanza    3 — . 

50  Novella,  P  6—. 

51  Fantasia,  P   7—. 

52  Sor.f.ta    (Fis-m.),    VcP  7—  Kistner. 

53  P.  N.  1.  Scherzo  4—.  N.  2.  Scherzo  4—. 
N.  3.   Scherzo   5 — . 

54  Studio   caratteristico,    P   4 — . 

55  P.-  N.  1.  Minuetto  2.50.  N.  2.  Tempo  di 
Gavotta   4—. 

56  Imprcmptu-Fantaisie,    P    4 — . 

57  P.-  N.  1.  Capriccio  4—.  N.  2.  Serenata 
4—. 

58  Ten. a    con   Variazioni,   P   7 — . 

59  Trio  in  Do,  PVVc  25—. 

60  Fcglie  sparse,  album  di  6  pezzi,  P. 
1.  Tempo  di  Marcia.  2.  Valzer.  3.  Sclierzo. 
4.  Barcarola.   5.  Romanza.   6.  Capriccio  6 — . 

61  P.-  N.  1.  Preludio  3.50.  N.  2.  Toccata 
3,50.    N.  3.    Giga    3.50. 

62  Trio  N.  2   (Es),  PFlc  12—  Kistner. 

63  ]\Icto   perpetuo,    P   5 — . 


N.  3 


N. 


-64  P:  N.  1.  Momeuto  musicale  2 — .  N.  2. 
Scherzo  3.50.  N.  3.  Barcarola   3.50. 

-65  P.-  N.  1.  Preludio  3—.  N.  2.  Canzou?t*^^a 
2—.    N.  3.    Serenata    2—. 

-66  Concerto  (B-m.),  PO,  Part  18— n,  St 
18— n,  P  9—  Kistner. 

-67  Drei  Stiicke,  VP:  1.  Andantino  con 
moto,  2.  Allegretto,  3.  Allegro  passionate, 
a    1.50   Kistupr. 

■68  Lose  Blatter  (Pagine  sparse),  6  Liedi-r 
(6  Melodic)  ;  1.  Quanti  affetti  del  cor 
(Was  das  Herz  mir  bedriickt) .  2.  Vengo 
quando  dal  ciel  (Wenn  am  Morgen  das 
Licht) .  3.  Presso  un  vecchio  monastoro 
(An  dos  Klosters  alten  Mauern).  4.  Forse 
ritorna  ancora  (Ewig  Aon  ihm  geschle- 
den?!).  5.  Amor,  die  fai  la  vita  lusiu- 
ghiera  (Gelobt  sei,  die  das  Leben  schmiik- 
ket).  6.  Vorrei  teco  moutare  (Dir  zur 
Seite,  mein  Kind)    2 —  Kistner. 

-69  3  Pezzi,  VcP:  N.  1.  Moderate  2—  N.  2. 
Andante  2—  N.  3.  Allegro  2.50.  N.  2,  YcO, 
Part    9— n,   St    12— n   Kistner. 

■  70  2  Notturni,  P.-  N.  1.  In  Sol  bemoUe  4— . 
N.  2.  In  Fa  diesis  minore  5 — . 

-72  Deux  Romances,  VrP:  1.  Andantino  con 
mcto,   2.   Moderato,   a   L50   Raider, 

-73  Deux  Pi&ces,  P.-  1.  Serenata,  2.  Ga- 
votta,   ft    1.20    Rahter. 

-  74  Trt'fle   ft  quatre    feuilles,   petites   pifecas, 

P   2—:    N.  1.    Pr4lude   —80.    N.  2.    Moave- 

ment   de    Valse    1 — .    N.  3.    INIouvement    de 

Mazurka  — CO.  N.  4.  ^louvement  de  Polka 

—80    Rahter. 
-75  Symphonic    (D-m.),  J/ms  12 —  Kistner. 
-76    Trcis    Morceaux,    P :    1.    Novellette.    2. 

Nccturne,  3.   Scherzo,  ft   1.50   Kistner. 
-77   Due   Pezzi,   P :    N.  1    2— n,   N.  2   2.50  n. 
-78   P.    N.  1.    Serenata    1—.    N.  2.    Minuetto 

1 — .  N.  S.   Capriccio   1.25   Carisch. 
-79   P.    1.    Preludio,   2.   Canzonetta,    3.    Sal- 

tarella,  a   1.25  Carisch. 
-80    Deux    Caprices,    P;    N.  1.     (H-m.)     1.80. 

N.  2.     (Gis-m.)     2—    Schmidt. 
-Alia    memoria    di    Vincenzo    Bellini. 

Album,  N.  23.  Racconto,  P  5—. 

-  Alma    gentile,    romanza    2 — . 

-  Crrrzone    dei    Ricordi.    poemetto    lirico    di 

R.  E.  Pagliara  5 — n,  con  0  8 — n. 

-  Composizioni,    raccolta    di    G    volumi     (con 

ritratto  e  biografia  dell'Autore).  (Biblio- 
teca  del  Pianista,  in-4  grande)  :  I.  (op.  1 
alia  23)  6— n.  II.  (op.  24  alia  34)  6— n. 
III.  (op.  35  alia  43  e  Racconte)  6 — n. 
IX.  (op.  44  alia  50)  6— n.  V.  (op.  51 
alia  58)  6— n.  VI.  (op.  61  alia  70  e 
Roir.anza  facile)  4 —  u. 
-10  Danze  antiche  trascritte,  P :  I:  N.  1. 
G.  B.  Lulli:  Gavotta  nell'opera  Armida. 
2.  G.  B.  Lulli:  Minuetto  nell'opera  Pro- 
serpina. 3.  G.  B.  Lulli:  Giga  neH'opi'-.a 
Fetonte    1 — . 

II:  N.  4.  G.  F.  Rameau:  Minuetto 
nell'opera  Castore  e  Polluce.  5.  G.  F.  R  a- 
m  e  a  u  :  Passepied  nell'opera  Castoro  e 
Polluce.  6.  G.  F.  Rameau;  MinUv>tto 
nell'opera    Zoroastre    1—. 


Martucci  G.  10  Danxe 


250     — 


Marty  A.  6  Pwees 


III:  N.  7.  C.  Gluck:  Siciliana  n-jl- 
I'opera  Armida.  8.  C.  Gluck:  Tempo  di 
Miiin.etto   nell'opera    Elena   e   Paride    I—. 

IV  :  N.  9.  P  i  c  c  i  n  i :  Tempo  di  Gavotta 
nell'opera   Orlando    1 — . 

V :  A.  S  a  c  c  h  i  u  i :  Passepied  nell'op-Ma 
Dardauo    1 —  Bote. 
Concerto    N.    4    de    Handel,    transcr.    P 
5/ —  n   Novello. 

10  Danze  antiche,  P  10 — n:  N.  1.  G.  B. 
L  u  1 1  i :  EondB  nell'opera  Cadmo  ed  Er- 
mione  2.50.  N.  2.  N.  2.  G.  F.  R  a  m  e  a  i.  : 
Miuuetto   nell'opera   Platee  2.50.   N.   3.   G. 

F.  11  a  m  e  a  u  :  Passepied  nell'opera  Pla- 
tte 2—.  N.  4.  G.  F.  R  a  m  e  a  u  :  Gavotta 
nell'opera    Le    Indie    Galanti    2 — .      N.    5. 

G.  F.  R  a  m  e  a  u  :  Musetta  nell'opera  Le 
lEdie  Galanti  2—.  N.  6.  G.  F.  Handel: 
Rondo  nell'opera  Ariodante  2 — .  N.  7. 
G.  F.  Handel:  Miuuetto  ueU'opera  Ta- 
merlano  1.50.  N.  8.  G.  F.  Handel:  Ga- 
votta nell'opera  Ottone  1.50.  N.  9.  G.  F. 
Handel:  Giga  ueU'opera  Rinaldo  1.50. 
N.  10.  W.  A.  Mozart:  Gavotta  nel- 
I'cptra    Idomeneo    2.50    Muriani. 

Fantasia  di  Concerto  sulla  Forza  del  De- 
stino,   P   6 — . 

Gavotta  (dall'opera  Edipo  a  Colono)  di 
Antonio   Sac  chin  i,  P  2 — . 

Giga  di  G.  F.  Handel,  P  1—. 

Melodia,    PV    4 —    8untoja7ini. 

Melodia  N.  3,  P   1.25. 

16  Minuetti  di  Mozart,  transcr.  P  3 — n 
Schmidl. 

Minuetto  in  Fa  minore  del  Quintetto  N.  ]  0 
di   Boccherini,   P   2^. 

Miuuetto  di  G.  F.  Handel,  P  1—. 

Mon  ento  Musieale  e  Minuetto,  2VVaVc, 
Part   2 —  n,   p.  st.   2 —  u. 

Pastorale  di  Giuseppe  S  a  m  m  a  r  - 
tini    (17..— 1740),  trascr.   P   1.50. 

5  Pezzi  di  G.  F.  Handel,  P:  1.  Mi- 
nuetto, 2.  Giga,  3.  Siciliano,  4.  Gavotta, 
5.  Musetta,  a  1.25  n  Carisch,  a  — 40 
Schmidt. 

2  Pezzi  di  W.  A.  Mozart,  P -.  N.  1.  Au- 
dante  (dalla  1.  Serenata)  1—.  N.  2.  Alle- 
gretto   (dal   2.    Divertimento)    1.50. 

4  Piccoli  Pezzi,  0 :  N.  1.  Cauzonetta,  Part 
N.  2.  Tempo  di  Gavotta, 
2  50.  N.  3.  Giga,  Fart  2—, 
N.    4.    Notturno,    Part    2.50, 


2—,   p    St.   2— 
Part  3 — ,  p.  st. 
p.    St.    2—. 
p.  St.  2.50. 
Raccolta    di    Composizioni 


di 


N. 

N. 
N.  3 
W. 


tori,    ridotte,    VcP :      I 
1  a  1 1  i :     Gavotta    3 — . 
menti:   Adagio  2.50. 
Minuetto    1.50.    N.    4. 
Andante   3—.   N.   5,  L 
Adagio   2.75.    N.    6.    F 
uuetto   2.50.    N.    7 
Allegro  5—.   N.   8 
manza    2.50. 

11.      N.      1.      B 
1.50.        N.  2.      G. 
letto     1.50.       N.     3. 
Musette     et     lloiideaii     z.io 
V.     Bee  th  oven:      Largo 


celebri    Aa- 

1.   D.    Scar- 

2.    M.    Cle- 

.  G.  Haydn: 

A.    Mozart: 


F. 
R. 


V.   Beethoven: 

Schubert:    Mi- 

M  e  u  d  e  1  s  s  o  h  11 : 

S  c  h  u  m  a  n  n  :    Ro- 


G  a  1  u  p  p  i :      Adagio 

B.     Martini:      Bal- 

J.     F.     R  a  m  e  a  u  : 

'  ~"         N.     4.     L. 
3.25.     N.     5. 


F.  Schubert:  Momento  musieale  5 — . 
N.  6.  F.  Chopin:  Preludio  2.25.  N.  7. 
F.  Mendelssohn:  Barcarola  2 — .  N. 
8.    R.    Schumann:    Rimembranze    1.50. 

-  Romanza  facile,  P  2 — . 

-  Sogni,   romanze:   N.   1.   Sogno  d'amoro    i — . 

N.   2.   Sogno   di   morte !    .3 — . 

-  3    Suites    de    Bach,   transcr.   P   3 —   Breit- 

kopf. 

-  Vari£'?ioni,  2P  5 — . 

Marty  Adolphe.  Noel:  Art  de  la  pedalo  du 
grand  Org,  ouvrage  conteuant  des  gam- 
mes  majeures,  mineures,  des  exercices  p. 
les  octaves  et  I'independance  des  deux 
picds     (A.    Cesar    Franc  k)     2 — n. 

-  Carilkn- Gavotte  5 — . 

-Chanson  tzigane.  Bar   1.50  n   Roudanez. 

-  Contemplation  pour  Violon  et  Org(P)  5 — . 

-  Daria,   drame  lyrique,   morceaux,   P:   N.   3. 

Uanse    2 —  n.    N.    6.    Prelude    du    2me    acte 

1.50  n  Joanin. 
-Due    d  e    F  e  r  r  a  r  e,    drame,    ChP    20 —  n 

Clioiidens. 
-Gaideuse    d'6l6phants.      Delormel. 

-  Meditation,  pour   Violon  et  Org(P)   5 — . 

-  Nid,   m^lodie,    ^Y^S'^    1.50  n    Roudanez. 


et 


Pa- 
sfip. 


4    voix 

5— u, 

—25  n. 


12—  n. 


grand 


Org, 
I. 


Noel  pour  choeurs  mixtes  „Angeli 
steies",  HautbUaOrg,  Part  2— n, 
1— n. 

Offertcire  fun&bre,  pour  clioeur  a 
mixtes,  T-solo  et  20rgVVcEaKh 
chaque  partie  de  choeur  s^par^e 
Org   1 —  n,   p.   instr.  sep.   a  — 25  n. 

Orgue  Triomphale,  12  pieces.  Org 
I— II   a   8— n. 

10  Pieces  en  style  libre  pour 
en  deux  livres  8 —  n,  I — II  a  5 —  n 
N.  1.  A  ton  autel,  incomparable  reine, 
offeitoire  pour  les  fetes  de  la  Sainte- 
Vierge  2 —  n.  N.  2.  A  vos  genoux  l'Eglis>i 
se  prcsterne,  offertoire  pour  les  fetes  de 
la  Sainte-Vierge  2 — n.  N.  3.  Communion 
1.50  n.  N.  4.  Nous  consacrons  tout  a  Ma- 
rie, thf'me  varie-  2 —  n.  N.  5.  Pifece  syni- 
phonique  3 —  n. 

II.  N.  6.  Fantaisie  sur  deux  cautiques 
2— n.  N.  7.  Andante  et  fugue  3 — n.  N.  8. 
Thfeme  vari6  1.50  n.  N.  9.  Magnificat  pour 
le  jcur  de  Noel,  variations  sur  le  can- 
tique :  Le  Fils  du  Roi  ele  gloire  2 —  n.  N. 
10.  Sion,  de  ta  m^lodie  cesse  les  divins 
accords,   caprice  2— n. 

5  Pieces,  Org:  1.  Caprice.  2.  Angelus  du 
soir.  3.  Canzoaa.  4.  Pastorale.  5.  Marchf 
frnf-bre    4 —  n. 

6  Pieces  pour  differentes  fgtes  de  TanuSe, 
Org  5 — n:  N.  1.  Offertoire  sur  uu  Noel 
Pro\eneal,  scherzetto.  2.  Audi,  benigue 
condilor,  ofl'ertoire  pour  le  temps  de  Ca- 
reme.  3.  Stabat  Mater  Doloro.sa,  offer- 
toire pcur  la  fMe  N.-D.  des  7  douleurs. 
4.  Parce  Domine,  offertoire  pour  le  di- 
mai.che  de  la  Quinquagesime.  5.  Iste 
Confessor,  offertoire  pour  la  fete  d'uu  con- 
fessi  ur,  pendant  les  mois  consacr^s  a  la 
Sainte-Vierge  ou  pendant  I'octave  de  ses 
f€tes.      6.    Vexilla    regis    prodeuut,    offer- 


Marty  A.  6  Pieces 


—     251     — 


Marucelli  E.  Fantasia 


toire  pour  les   fetes   de  la   Sainte-Croix,   a 

2 — n. 
-SaiEte   Cecile,   senate   h6roique,   Org    8— n. 
-Salut  du  Tr^s  Saint  Sacrement,  a  voix  6g. 

et  a  4  V.  mixtes,  Org:  Ave  Maria,  4  voix 

mixtes.      O    quam    suavis    est,    4    voix    eg. 

Tantum   ergo,  4   voix  6g.   on   6  voix   ineg. 

Tu  es  patrus,  4  voix  mixtes  2.50  n  Schola. 
-Sonnet,    MS    1.50  n    Roudanes. 

-  Soupir   d' Amour,   P   5 — . 
Marty  E.  Cadre  5 —  Digoude. 
Marty    F.    Supplications.      Dorey. 

Marty  Georg  E.  (1860),  Apoth^ose  de  LuUi, 
concert  instrumental,  2VVcP  6 — n  Dh- 
rand. 

-  Ave   Maria   5 —   Heugel. 

-  Barcarolle,   /'.     Orsoni. 

-  Brunette  4 —  Jleugel. 

-  Centenaire  4 —  Heugel. 

-  Chanson   3 —  Heugel. 

-  Chanson    d'Avril    4 —    Heugel. 

-Choeur  des  Romains  d'H  6  r  o  d  i  a  d  e,  Ittiix 
7.50   Heugel. 

-  D  a  r  i  a,  drame  lyrique,  ChP  12 —  n  Joan  in  -. 

l.Cantilfene  de  Daria   1.50  n. 
2.  Arioso    d'lvaa    2 —  n. 

4.  Chanson  russe   1.25  n. 

5.  Strophes  de   Daria  2 —  n. 

7.  Berceuse   de   Daria   2 —  n. 

8.  Scene  d'lvau  et  de  Daria   3.50  n. 
Prelude   du    2ii'e   acte   et   Danse,    0   25 —  n. 

-Edith,    sc&ue   lyrique    (1882),    Ch'P   5— n, 

air :   0  mon   Edith  9 —  Heugel. 
•  Erodiade      di      Massenet,      trascrizioiie 

(Coro   dei  Romani),   Ifms  4.50   Ricordi. 

-  ire  Fantaisie,   CIP   12—  Evette. 

-  Idylle  4—  Heugel. 

-  II  fanf  aimer   5 —  Heugel. 

-  Lysic,    pantomime,    P :    N.    1.    Prelude    5 — . 

N.  2.  Danse  6 —  Heugel. 

-  Morceaux    de    lecture    a    vue 

concciTs     du     Conservatoire 
musical. 

-  P  1  a  t  e  e,  comedie-ballet,  ChP  8 —  n  Durand. 

-  P  1  a  t  e  e,    recitatif    et    ariette    de    la    folic 

de  J.  P.  Rameau,  av.  P  2 — n  Durand. 

-  Siefete  5 —  Heugel. 

-  Sonnet  melancolique   5 —  Heugel. 

-  Toast  3 —  Heugel. 

Martyn,    Return,    polka-maz.   — 60    While. 

Martyn    Davis    L.      Christmas     Carols     1/ — 
Vary. 

-  Golden   Path,   an   interesting   story   of   two 

London  waifs  — /4  Bayley. 

-  Musical  Picwick,  a  popular  evening  enter- 

tainment,  demy   — /4   Weekes. 
Martyn    F.    L.    Nora   darling,    song   &   chor. 

— 35  Ditson. 
Martyne,    Our    sailors    on    the    sea,    song   & 

chorus  — 35,  Banjo  ace.  — 25  White. 
Martyns  N.  Heugel:  Accord,  parfait,  2  v.  2.50. 

-  Chant  du   Messin   3 —  Leduc,  Ch.  s.   1 — . 

-  Colibri,  polka  2.50  Grtis. 

-  Comment    I'esprit    vieux    aux    gargons    3— 

Sulzhach. 

-  Crcisg   egare   5 — . 

-  Demoiselles  a   marier, 

-  Fee  aux  maris  2.50. 


Sulzbach. 


donu^es    aux 
,    P.      Monde 


1- 


Car- 


2   voix   2.50. 


-  Je   me   ferai   soldat   i 
-Ma  belle  2.50. 

-  Mari$  ou  pendu   3 —  Sulzha^li. 

-  Mendiant   d'Espagne    2.50,    2—   Katto. 

-  P^dro   le   chanteur   2.50. 

-  Petit   Doigt  2.50. 

-  Sentinelle  et  le   page   3 — ,   Ch. 

tereau. 

-  Simple   marguerite   3 —   Sulzhach. 

-  Soeur  de  charite  2.50. 

-Terrtur  des  mers  1 — n,  av.  G  — 40  n  Lf//(')<'. 

-  Tvesor   du    pauvre    1 — n    Choudens. 
Martyr  2 — n  Jonbert. 

Martyr    des    dames     1 — n,     Ch.     s.     — 40  n 

Bot7it7nann. 
Martyr    A.      Minha    esperanca,     valsa     — 50 

Guimarnes. 
Martyrs   de   la   Libert^    1 — n,   Ch.   s.  — 35  n 

Eveillard. 
Marucelli    E.   Maurri:   Op.   2   Gavotte,    KhP 

1.50  u   Costallat. 
-14   Nocturne,   KbP    1.50  n   Costallat. 

-  AH'    oppuntamento,    marcia,    Mand    — 30  ii, 

MandG   — 75  n,   2MandG    1—  n    Rugi. 
-Attiaction,   galop,   Mand  — 20  n   Rugi. 

-  Av\  eLire,    valzer    —50,     Fl    —75  n,     Mand 

— 50n,  FIP  2— n,  FIG  1.50  n,  MandP 
1.50  n,  MandG  1— n,  FIVP  2.25  n,  FIVG 
1.75  n,  2MandP  2.25  n,  2MandG  1.75  n, 
2MandMaP    2.50  n,    2MandMaG    2— u. 

-  Baccio  d'amore  — 50  n. 

-  Bagatelle,  maz.  G  — 50  n. 

-  Capriccio  zingaresco,   Mand  — 50  n,   MandP 

1.50  n,   MandG   1.50  n. 

-C&ricature.  polka  — 50  u,  Fl  — 50  n,  Mand 
— 40u  FIP  1.50  n,  FIG  1.25  n,  MandP 
1.50  n,  MandG  1.25  m  FIVP  1.75  n,  FIVG 
1.50  n,  2MandP  1.75  n,  2MandG  1.25  n, 
2MandMaP   2— u,   2MandMaG    1.75  n. 

-Cettigne,  marcia  3—,  Mand(V)  1—,  Mand 
(VJP  3—  MandfVJG  2.50,  2Mand(V)P 
3.50,  2Mand(V)G  3—  2Mand(V)MaP 
4—,    2Mand(V)MaG    3.50    Forlivesi. 

-Chi  fe?  Polka  popolare  di  E.  B  e  c  u  c  c  i, 
Ma7idP  2—,  MandG  2.50,  2MandP  3.50, 
2Mar.dG  3—,  2MandMaP  4—,  2MandMaG 
3.50   Carisch. 

-  Chiacchericci,   polka,   G  — 50  n.. 
-Colomba,   polka,   G  — 50  n. 

-  Confessore,   macchietta    — 50  n. 

-  Diavoli    blanch i,    polka    — 50  n,    Fl    — 75  a, 

FIP  1.50  n,  FIG  1.25  n,  Mand —40  n,  Mand 
P  1.50  n,  MandG  1— n,  2MandP  1.75  n, 
2McndG  1.25  n,  FIVP  1.75  n,  FIVG  1.50  n, 
PVFlVc  2— n,  PVFlVcKb  2.50  n,  2Mand 
MaP    2— n,    2MandMaG    1.50  n. 

-  Dichiornzione,   maz.    Mand   — 30  n,    MandG 

— 75  n,    2MandG    1 —  n    R^igi. 

-  Donna  Juanita,  divertimento,  Mand  —25  n 

Piicordi. 

-  Fantf-sia   sulla  F  a  v  o  r  i  t  a,  MandP  3—  i<, 

MandG  1.50  n,  FIVP  3.50  u,  FIVG  2— h, 
iMaadP  3.50  n,  2MandG  2— n,  2MandMa 
P  4— n,  2MavdMaG  2.50  n. 

-  V'c  ntasia    sulla    Lucia     d  i     L  a  m  m  e  r- 

moor,  MandP  3— n,  MandG  1.50  n,  Fl 
VP  3.50  n,  FIVG  2— n,  2MandP  3.50  n. 
2Mcr,dG  2— n,  2MandMaP  4— n,  2Mand 
MaG   2.50  n. 


Marucelli  E.  Fantasia 


252 


Marucelli  E.  Sinfonla 


Fantasia  sul  P  u  r  i  t  a  u  i,  MandP  3— n, 
Mcr.dCr  1.50  n.  FIVP  3.50  u,  FIVG  2— ri, 
2UundI  3.50  u,  2MondG  2—  n,  2MandMa 
P   4 — n^    2MandMaG    2.50  u. 

Fiintasia  sul  R  i  g  o  1  e  1 1  o,  MandP  3— u, 
MandG  1.50  n,  2MandP  3.50  n,  2MandG 
2—  n,  2MandMaP  4—  n,  2MandMaO  2.50  n. 

Fantasia  sulla  S  o  n  n  a  m  b  u  1  a,  MandP 
3— n,  jVa«dG  1.50  n,  F/FP  3.50  n,  F/FG 
2— n,  2MandP  3.50  n,  2MandG  2— n. 
2MotidMaP   4— n,   2MavdMaG   2.50  n. 

Fantasia  sulla  T  r  a  v  i  a  t  a,  MandP  3 — u, 
1.50  n,  2MayidP  3.50  n,  2MandG 
2MandMnP      1— n.       2MandMaG 


con    G   — 50  n. 
divertimento, 


3/andG 

2-n, 

2.50  n. 
Faustina 
Favcrita,    divertimento,    .l/««f?    — 25  n    i?;'- 

cordi. 

Ferrvceio,  marcia,  6'   — 50  n. 

Fin  de  siccle,  valzer  — 50,  Fl  1 — n,  Mand 
— 60n;  FIP  2— n,  FIG  1.75  n,  MandP 
2— n,  .l/fl7!rfG  1.75  n.  F7FP  2.25  n,  FZF(; 
2— n,  2MandP  2— n,  2MandG  2— n,  F? 
yC*  2—  n.  PFFH^c  2.50  n,  PVFlVcKh 
3—  n. 

Gavotta,  0  —50. 

Ga\otta  (N.  3),  MandP  1.50  n,  MandG 
1.25  n,  2MandP  2— n,  2MandG  1.50  ii, 
2MondMaP    2.25  n,    2MandMaG    1.75  n. 

Giostra,  n^az.  — 50  n,  F7  — 75  n,  FZP  2— n. 
FZG  1.50  n,  .Vo?i(Z  — 50  n,  MandP  1.50  n, 
i¥aHcfG  1— n,  F/FP  2.25  n,  FZFG  1.75  n. 
2MandP  2.25  n,  2MandG  1.75  n,  23/a«rf 
Jl/aP  2.50  n,   2MundMaG   2— n. 

Guanto,   con   G  — 50  n. 

Guerra  di  donno,  valzer  — 40.  Mand  — 25  n 
Ricoi  di. 

Invito  —50  n. 

Italia,    valzer,    G   —50  ii. 

Laccio   amoroso,   maz.   — 50  ii. 

Lionella,  maz.  —50  n,  Fl  —75  n,  Mand 
— 40n,  FIP  1.50  n,  FIG  1.25  n,  MandP 
1.50  n,  MandG  1— n,  MandMaG  1.25  n,  Fl 
VP  1.75  n,  FIVG  1.50  n,  2MandP  1.75  n, 
2MandG  1.50  n.  23/a«d.l/flP  2— n,  2.1/and 
.1/oG   1.50  n. 

Melodifr  charmante,  MandfV)  1.50,  .l/fnuZ 
rF;P  3—  MandfVJG  2.50,  2i1/a/idn')P 
4_  2Mand(VJG  3.50,  Sa/ondriV-'i^flP 
4.50,    2Mand(V)MaG    4—    Farliresi. 

Metcdo  per  Aland,  sistema  napoletanf)  o 
rcntno  a  4  cordo  doppie  2.50  n,  sistenui 
lombardo  a  6  corde  2.50  n. 

Metcdo  per  Chilarra,  trattata  come  stru- 
irento   d'acc.   e   come   solista   2 — . 

Metodo  per  la  Divisione  e  Solfeggio  3 — , 
Parte  la  Element!  — 50,  Parte  la  e  2a 
Elementi  e  divisione  2 — .  Parte  3a  Divi- 
sione  1.50. 

Minuetto,   G  —50  n. 

Mcto  perpetuo,  MandP  1.50  u,  MandG 
1— n. 

Note  ed   appunti,  valzer.   Mand  — 25  n   7^/ 
cordi. 

Nozze   d'argento,   con   G   — 50  n. 

Parlate  o  tacere?  maz.  —50,  Fl  — 50  n, 
Mond  --40  n,  FIP  1.75  n,  FIG  1.25  n,  Mand 
P   1.50  n,   MandG    1.25  n,   FIVP   1.75  n,    Fl 


1.75  n,      2MandG 
-  n,      2MandMaG 


VG      1.50  n,      2 MandP 
1.5Cn.      2MandMaP      2- 
1.50  n. 
-Patrol,  MandP  1.25,  MandG  — 75  n,  2Mand 
P     1.50  n,      2MandG     1— n,      2MandMaP 
1.75  n,  2MandMaG   1.25  n. 

-  Pattuglia,     Mand     — 50  n,     MandP     1.50  n, 

MandG   1—. 

-  Peccato   soave,   maz.    Mand   — 25  n   Ricordi. 

-  Pellegrino   provinciale   —50  n. 

-  Pizzicotti    e  baci,    polka    — 50,     Fl     — 50  n, 

Mand  — 40  n,  FIP  1.50  n,  FIG  1.25  n, 
MondP  1.50  n,  MandG  1.25  n,  FIVP  1.75  n, 
FIVG  1.50  n,  2MandP  1.75  n,  2MandG 
1.50  n,  2MandMaP  2 — n,  2MandMaG 
1.50  n. 

-  Pclonese  di  concerto,  Mand  — 50  n,  MandP 

1.50  n,   MandG   1— n. 
-Pieludic  della  T  r  a  v  i  a  t  a,  MandP  1.25  n, 
MandG    — 75  n,     MandMaP    1.75  n,     Mand 
MaG   1.25  n. 

-  Prcfomo,   valzer,   G  — 50  n. 

-  Rimtmbranze    d'amore,    intermezzo,    Mand 

— 50n,  2MandP  1.50  n,  2MandG  1.25  n, 
2MandMaP    1.75  n,    2MandMaG    1.50  n. 

-  Rondo    all'ungherese    di    H  a  y  d  n,    MandP 

1.50  n,    MandG    1— n. 

-Scherzo  militare,  MandP  1.50  n,  MandG 
1— n. 

-Seafon,  nuovo  ballo  di  societa,  P  3 — , 
Mand(V)  1—,  WaJwZr^^;^  3—  Mund(V ) 
G  2.50,  2Mand(V)P  3.50,  2Mand(V)G 
3_^  2.1/0 jidH'y'^l'fO'f'  4—,  2Mand(V)Ma.G 
3.50   Fcrlivesi. 

-  Serenade,   ilfandH^^    1-50,   Mondr^^/'^   3.50, 

il/pndrF;(?  3—,  2Mand(V)P  4.50,  2ManfZ 
n^G  4—,  2Mand(V )MaP  5—,  2Mand(V) 
MaG  4.50  Forlivesi. 
-Sereiatella  spagnola,  Mand  2 — ,  MandG 
2.50,  2MandP  4—,  2MandG  3.50,  2.1/a?id 
.l/f,P   4.50,    2MandMaG    4—   Carisch. 

-  Sguaidi      provocanti,      valzer      — 50  n,      77 

—75,  iJ/on(Z  — GOn,  3/ondG  1.50  n,  FIVP 
2.25  n,  2MandP  2.25  n,  2MandG  1.75  n,  FZ7' 
2— n,  FZG  1.50,  FZFG  1.75  n,  PVFlVc 
2.50  n,  PVFlVcKh  3— n,  2MandMaP 
2.50  n,   2MandMaG   2—  n. 

-  Sinfonia    del    B  n  r  b  i  e  r  e   d  i    S  i  v  i  g  1  i  a, 

]l7o?i(7P  3— n,  i17fl?!cZG  1.50  n,  FIVP  3.50  n, 
//Vye  2— n,  2MandP  3.50  n,  2MandG 
2— n,  2MondMaP  4 — n,  2MandMaG 
2.50  n. 

-  Sinfrnia    della    G  a  z  z  a    1  a  d  r  a,     MandP 

3_n,  il/onrfG  1.50  n,  F7FP  3.50  u,  FZFC 
2— n,  2MandP  3.50  n,  2MandG  2— n, 
2i1/on(7il/aP   4— n,   2MandMaG   2.50  n. 

-  Sinfonia    dell'    Italian  a     in    Alger  i, 

MandP  3— n,  MandG  1.50  n,  FZFP  3.50  n, 
FZFG  2—  n,  2MandP  3.50  n,  2MandG 
2— n,  2MandM(iP  4— n,  2MandMaG 
2.50  n. 

-  Sinfonia  della  M  u  t  a  d  i  P  o  r  t  i  c  i,  .I/ohcZ 

P  3— n,  il/a7icZG  1.50  n,  FZFP  3.50  n,  FZF 
G  2— n,  2MandP  3.50  n,  2MandG  2— n, 
2MandMaP  4—,  2.1/a?icZ.l/flG  2.50  n. 
-Sinfcria  della  Norma,  MandP  3 — n, 
MandG  1.50  n,  FZF7'  3.50  n,  FZFG  2— n, 
2MandP  3.50  n,  2MandG  2— n,  2MandMa 
P  4— n.  2MandMaG  2.50  n. 


Marucelli  E.  Sinfonia 


253    — 


Marx  A.  B.  2  Moietten 


-  Sinfonia     della     S  e  m  i  r  a  ni  i  d  e,     MandP 

4— u,  MandG  2.50  n,  FIVP  4.50  u,  FIVG 
3— n,  2MandP  4.50  n,  2MandG  3— n, 
2MandMaP  5— n,  ZMandMaG  3.50  n. 
-Sinfonia  del  Tancredi,  MandP  3 — n, 
MandG  1.50  n,  FZFP  3.50  n,  FIVG  2— u, 
2MandP  3.50  u,  2MandG  2— n,  2MandMa. 
P   4— n,   2MandMaG    2.50  u. 

-  Sinfcnia     della     Z  a  ra  p  a,     MandP     3 — u, 

MandG  1.50  n,  FZFP  3.50  n,  J^iVG  2— n, 
2MandP  3.50  n,  2MandG  2— n,  gMandiJ/a 
P   4—  n,   2MandMaG    2.50  n. 

-  Sotto   le   sue   fiuestre,   galop,   Mund  — 30  ii. 

MavdG  — 75n,  2MandG    1— n   Rj/.^i. 

-  Sotto    zero,    polka,    J/a«d    — 25  n,     MandG 

— 60  n  Ricordi. 

-  Sposo   veccliio  — 50  u. 

-  Sull'aia,    schottisch,    G    — 50  u. 

-  Suora  ribelle,  con  G  — 50  n. 

-  Tarantelle  napoletana,   G  — 50  n. 

-  Ti  vidi  e  amai,  polka,  Maud  — 30  u,  Mand 

G  — 75  n,  2MandG   1 —  n   Bugi. 
Tra   scilla,   maz.   Mand   — 25  n   Ricordi. 

-  Trenc  larapo,  polka  — 50,  Fl  — 75  n,  Maud 

-40n,  FIP  1.50  n,  FIG  1.25  u,  MandP 
1.50  n,  MandG  1— n,  2MandP  1.75  n. 
2MandG  1.25  n,  FIVP  1.75  n,  FIVG  1.50  u, 
2MandMaP  2— n,  2MandMaG  1.50  n,  VFl 
VrP   2— u,    VFlVcKbP   2.50  n. 

-  Uccellaro,   macchietta   — 

-  Una  g'ita,   polka,  Mand 

-  Valzer,   chant^e,   con   G 

-  Valzer    di    concerto    di 

1—  n,   MandG  —80  n. 

-  Valzer  fantastico  di  concerto,  Mund 

MandP    1.50  n,    MandG    1— u. 

-  Vedovella  ;   con   G  — 50  u. 

Maruja,  Habanera,  por  berrueco  y  seriia  — 50 

Wagner  y  Jjeviev. 
Marusi  T.  Ecco  il  fiorito  Aprile,  canzouetta 

a  4  voci  miste,  SCTB  con   P  ad  lib.,  Part 

1.50   Copra. 
Marva!  J.  et  A.  Hugol,  Vw^  annee  de  Chaiit 

a   I'ecole   primaire.   Recueil   m6thodique   de 

morceaux  de  chant,  Ch.  s.  — 90  Libr.  Com- 

fear/ioits-Montepellier. 

-  Ever     Welcome     Sehottisclie 

Mozart. 

-  Lord   of   the   Isle.s   Overture, 

Mozart. 
Marville  J.   Deruiere   Station 
Ch.  s.  — 40  u  Bornnmann. 

-  Grande  curieuse  3 — ,  Ch.  ,s.  1 


-50  n. 

—30  n    lli'fii. 

—50  n. 

C  It  o  p  i  11.    MandP 


-50  II, 


1/3  n 


Alhni 


P   18  u   Allan 


1- 


(parle)    1 — n. 

—  liorni'mann. 
Ch.    .s.    —40  II 


Jeanne   d'Arc.   Hnlz- 


Salon-Maz. 


-  Quarante     milliards 

Bornemann. 
Marville    M.   Mam'zelle 

bach. 
Marx  A.  op.  2  Veroifiineinnicht 

l.r)0    Khlinfi. 

-  Amours    du    diable,    quadrille    1 

2 —  n  Gallet. 
-Beiceuse,   V,   Vc.  FJ  il  2.50,   VP,   VcP. 
a  5 —  Mathieu. 

-  C16  des  Champs,   quadrille   1.75  u   Gullet. 
-Don  Pedre,  quadr.  1.75  n,   '/ws  2 — u  Gallet. 

-  Epieuve  villageoise,  quadrille  1.75  n  Gallet. 
-Fee    Carabosse,    quadrille    1.75  n    Gallet. 

-  Herculanum,  quadr.  1.75  n,  }»!«  2 —  a  Gallel. 

-  Marche    francaise    6 — ,    simpl.    5 —    Noel. 


75  n,     'iins 
FlP 


Ftp, 


Ma- 


'ams &   2.-")(> 


-  3  Melodies,  F,  Vv,  Fl  a  2.50,  VP,  VcP. 

MandP  ft  6 —  Mathieu. 

■  Nocturne,    V(Vc)    2.50,    V(Vc)P    5— 

thieu. 

■  Reverie  au   hord   du    Lac    (augl.   et  fraui;.) 

1—,   2   voix    1.50,    0    1.20  n,   pet.    0   — 75  n 
Schoit. 

-  Romt-uce  .sans  paroles,    VeP  5 —  iVoe/. 

-  Souvenir  de  I'Africaine,   VcP  3 —  Bote. 

-  Souvenir  des  Montagues,   V,  Vc,  Fl  a  2..j;1, 

VP,   VcP,  FIP  a  6—   Mathieu. 

-  Traumerei  am  See,  Landler-Idylle,   P   1  ..'>0, 

hns   1.50,   2VP  2—  Schott. 

-  line   rencontre    dans   le   Danube,   quadrilles 

1.75  n,  Jftns  2— n  Gallet. 
Marx  Ad.  Bernh.  (1795—1866),  op.  2 
Zwolf  Gesiiuge:  I.  Nr.  1.  Schlummerlied : 
„Umspielt  voni  Hauche".  2.  Im  Sommer : 
„Wie  Feld  uud  Au".  3.  Aus  „Was  ihr 
wollt'"  von  Shakespeare:  „Komnr 
herbei.  Tod".  4.  Sinesischer  Poetenklub : 
.,Sie  afieu  zusnmmen".  5.  In  der  Ferno : 
„Iu  der  Feme  weh'n  die  Winde".  6.  Ja- 
gers  Hoffen:  „Fr6hlich  zijg'  in  Morg -u- 
frische"    1.50. 

II.  Nr.  7.  Auf  der  Wanderung :  „tJber 
die  Berge".  8.  Luthers  letzte  Worto: 
., Dukes  exuviae".  9.  Der  15.  Mai:  „Leichte 
Silbtrwolken  schweben".  10.  Aus  „Chine- 
sisch-deutsehe  Jahres-  und  Tageszeiten". 
11.  Rheinweinlied.  12.  Eine  Nacht  auf 
Kamtschatka  1.50  Breitkopf. 
-11  Am  Nordgestade,  Fant.  P, 
Hofmeister. 

-  12    Um   Mitternacht,    Fant.    P. 

Ifofnieifter. 

-  13     Die    Zigeuiieriuneu,     Duett 

nieister. 

-14  Ein  Friihlingsspiel :  I.  Nr.  1.  Leise 
zieht  durch  mein  Gemiit.  2.  Der  Schmet- 
terling  ist  in  die  Rose  verliebt.  3.  In  dem 
Walde  spriefit  und  griint.  II.  Nr.  1. 
Oekommeu  ist  der  Maie.  2.  Was  treib.: 
dich  umher.  3.  Wie  des  Mondes  Abbild 
zittert.  III.  Nr  1.  Es  driingt  die  Not. 
2.  Wenn  du  mir  voriiber  wandelst.  3.  Wie 
die  Nelken  duftig  atmeu,  a  1.50  Breitkopf. 

-15  Schlummerlied.  SATB  u.  P  ad  lib.  4  — 
E.  Btoll. 

-  21    Gebet   um    Kircheufrieden,    (hor    ui.    /* 

2.75    Heinrichshofen. 
22    Spanische   Lieder :      T.    Sehusucht.      Re- 

deckt    raich    mit    Blumen.    Meiue    Seel,    in 

Schmerz.  Nelken  wind'  ich.  Komm,  o  Tod. 

Klinge,    klinge,   mein   Pandero   2 — . 

tl.   Unter  den   Baumeu.   Wohl   aus   liar- 

tem    Felsgesteiu.    Alle    gingen,    Herz,    zur 

Ruh.      Tief    im    Herzen.    Hoch,    hoch    sind 

die  Berge.   Dereiust  2 —  t<chlet>iager. 
-27    Festgesange,    TTBB:    1.    Verkundiguug 

Haggai.    2.    Segen    der    Eintracht.    3.    Nisi 

dominvs,  a   1,50  Breitkopf. 
-o  Chorge-sjinge :    1.   Morgeugestuig  der  Par- 

.sen.    2.    Heuer    (4stimmig).    3.    Nach    dem 

Siege  4 —  Breitkopf. 

-  Kunst  des  Gesanges,  theoretisch-praktisehe 

Gesang-Schule  6 — n  Hchlcsinqer. 
-2    Motetten    fiir    sechs.stimm.     TTBB      l.l.i 
flfiiirirhsltnfrn. 


'/  */( «    a    'I — 


2—     Hof- 


Marx  A.  B.  Samml.  vorxilgl.  Chorscltx 


254     — 


Marx  B.  Original- Couplets 


bringung 
card.    7. 
Handel; 
aiis  eiiier 


gab 


die 


^o 


FiiiJi- 


Si:;ir;mlurg  vorziiglicber  Chorsatze  fiir  den 
Gt-brauch  in  Singvereinen  und  Chorsehu- 
len,  KA  6—,  St  5—.  Siehe  J.  S.  Bach: 
Noch  wenig  bekannte  Orgelkompos.  (auch 
am  P  ausfiihrbar),  3  Hefte  k  2.25:  Nr.  1. 
Choral:  „Was  mein  Gott  will"  von  H. 
Pratorius.  2.  Derselbe  Choral  von 
Seb.  Bach.  3.  Choral:  „Tch  will  dich", 
von  J.  E  c  c  a  r  d.  4.  Derselbe  Choral  von 
Seb.  Bach:  5.  Festlied.  Auf  das  Pfingst- 
fest,  -vcn  J.  E  c  c  a  r  d.  6.  Festlied.  Dar- 
des  Christkinds,  von  J.  E  c  - 
Chor  aus  dem  „Messias"  von 
„Lobsiug'  dem  Herrn."  8.  Arie 
Kirchenkantate  von  Handel: 
„Halleluja."  9.  Chor  aus  „Deborah"  von 
Handel.  10.  Aus  „Deborah":  „Wirf  ab 
die  Scheu",  von  Handel.  11.  Aus  „Her- 
kults":  „Eifersucht",  von  Handel.  12. 
Aus  „Esther":  „Klagt!  ihr  Sohne",  von 
Handel.  13.  Aus  der  Kirchenkantate: 
„Du  wahrer  Gott",  von  Seb.  Bach.  14. 
Aus  der  Osterkantate :  „Bleib'  bei  mir", 
von  S.  Bach.  15.  De  profuudis,  von 
G  1  u  c  k.     Breitkopf. 

-  16  Sologesange  m.  ital.  u.  deutschem  Text, 

aus  Handel's  Werken  ausgewahlt,  I— II 
a   2.50  Schlesinger. 

Marx  Al.     Riihle:     Op.  2  Mein  Herz  ist 
enge  — 20. 

-  4   Trauerrose  :    „Ich 

lingsli-st"  — 20. 

-  5   Die  erste  Rose,   Salonstiick,   P ;    mit  Be- 

uutzung  des   Liedes :    An   Alexis   send   ich 
dich  —20. 
-6  Heimweh :   „Ach  es  ist  eiu  bittres  Leid" 
—20. 

-  7  Hcdwig-Polka  —20. 

-  8  Ich  lausche  still :  „Der  Fruhling  glanzt", 

TTBB   1.50. 

M&rx  Alois,  op.  10  Missa  in  honorem  Hen- 
rici  imperatoris,  ad  4  voc.  inaequ.  2.20 
CoppcTivath. 

-  12  Missa  in  hon.  St.  Gertrudis,  SATB  1.60 

(Joppenrath. 

-  30    beliebte    Weihnachtslieder     fiir     Weih- 

nachtsfeiern  10 — n  Frcdeleiil  d-  Koenen- 
Essen. 

IVlarx  B.  op.  13  Rentier  Sumpfhuhn,  Solo- 
szene  1.50  Teich. 

-  101   Friederike,   das  gebildete  Dienst-Friiu- 

lein :  ,,Ich  bin  Dieust-Friiulein,  nicht 
Dienstrriidchen",  Kostiim-Vortrag  m.  P 
1.50  Oito  Teich. 

-  Amerikauerin,    Soloszeue    1.20    O.    Dietrich. 

-  Docnerwetter  :  „Donnerwetter  ist  ein  Wort- 

chtn",   Couplet    1.20   0.   Dietrich. 

-  Man  mu6  der  Welt  was  bieten :  ,,Ein  Jung- 

gcstlle  tritt  zum  Standesamte"  1.20  0. 
Dietrich. 

-Original-Couplets  h  1.20  Dietrich:  Nr.  1. 
W  i  1 1  e  Franz:  Vermischtes  :  „Ein  Hu- 
noriiit  ist  schwerlich  am  Variete  entbehr- 
lich."  2.  W  i  1  1  e  Franz:  Wenn's  wieder 
wird  Mai.  3.  W  i  1 1  e  Franz:  Moderne 
Vieizeiler:  „Ich  sing'  jetzt  neue  Versche." 
4.    Was   ein   Hakchen    werden   will:    ,,Der 


kleine  Moritz,  der  ist  kaum  zwei  Jahr." 
5.  Wille  Franz:  Das  weifi  ich  wirk- 
lich  nicht :  ,,'s  kommt  ein  Bummler  zum 
Droguisten."  6.  Curth  Gustav:  Die 
Kaisoiin-Witwe  von  China,  Potpourri  2.50. 
Nr.  7.  Wille  Franz:  HarmloseScherze. 

8.  Wille  Franz:   Witz  und  Kitzliches. 

9.  Wille  Franz:  Aber  sonst  is  alles 
echt  daran.  10.  Curth  Gustav:  Ein 
gliicklich  Geschiedeuer,  od. :  Durch  Kampf 
zum  Sieg :  „Eudlich !  Endlich  jetzt  allein." 

-Original-Couplets  a  1.20  Teich:  1.  Die 
Stimme  der  Natur.  2.  Ein  kleiner  Unter- 
schied.  3.  Dann  ist  etwas  in  Sicht.  4. 
Luxusgegenstande.  5.  Meine  Eulalia !  6. 
Da  geht  ihm  ein  Licht  auf :  ,,  Jeder  Mensch, 
wenn  cr  geboren."  7.  Kalauer-Couplet: 
„Ich  bitte  Sie,  schenken's  mir  Aufmerk- 
samkeit."  8.  Was  aus  dem  Menschen  alles 
werden  kann :  ,,Als  Sodom  und  Gomorrha 
einst  zerstort."  9.  Das  fallt  ihm  nicht  ein : 
„Frau  Schulz  will  verreisen."  10.  Billard- 
Ausdriicke :  ,,Billardspielen  ist  mein 
Hauptplaisir."  11.  Der  Kindtaufsschmaus : 
„Soeben  war  ich  auf  einem  Kiudtaufs- 
schmause"  1.50.  Nr.  12.  Eine  fidele  Ver- 
einssitzung:  „U  jeh,  das  war  'ne  Sitzung, 
'ne  fidele"  1.50.  Nr.  13.  Rentier  Sumpf- 
huhn: „Dem  edlen  Gerstensaft,  das  Bier", 
Soloszene  1.50.  Nr.  14.  Es  hat  noch  imraer 
gut  gegangen:  „Ein  heit'res  Liedchen 
sing'  ich  jetzt."  15.  Kinder,  's  ist  zum 
Schrei'n :  ,,Oft  spielt'  ich  schon  Lotterie." 
16.  Professor  Ulk,  das  lebende  Witzblatt: 
„Wie  Sie  mich  hier  vor  sich  sehen",  Solo- 
szene 1.50.  Nr.  17.  Es  ist  und  bleibt:  „Die 
Zeiten  sind  jetzt  riesig  schlecht."  18.  Anek- 
doten-Couplet:  „In  'ner  Rest'ration  da  safi 
mir  gegeniiber."  19.  Verschiedene  Sprich- 
worter :  „Manch'  Sprichwort,  das  in  aller 
Mund."  20.  Das  Geschiift  ist  richtig:  „Was 
von  'nem  Humoristen  doch."  21.  Der  letzte 
Bur:  ,,Dort  drunt'  in  meinem  Heimat- 
lande",  Kostum-Vortrag  1.50.  Nr.  22.  Der 
Hochzeitsreiseude :  „Von  einer  Reise 
komme  ich",  Potpourri  3 — .  Nr.  23.  Mein 
Ehestandskalender :  „Im  Mai  hab'  ich  ge- 
g'heirat't",  neue  Sehnadahiipfl.  24.  Da  hat 
man  seine  Griinde :  „Wenn  einer  sc"Hon 
mit  zwanzig  Jahr."  25.  Ich  fiirchte,  das 
bekommt  mir  nicht :  „Bei'n  Damen  hab' 
ich  grofien  Dusel."  26.  Sprichw6rter-Au- 
gust :  „Ich  heifie  August,  bin  bekannt", 
Scloszeue  1.50.  Nr.  27.  Fritz  Propke  aus 
Kalau :  „Mein  Name  Fritz  Propke  ist 
iiberall  bekannt",  Soloszene  1.50.  Nr.  28. 
Der  geht  direkt  auf's  Ganze :  „Ein  Bauer 
mit  'ner  Schonen."  29.  Das  liegt  so  in  der 
Faraiiie  drin  :  ,,Kulicke  stahl  einem  Frem- 
den  die  Uhr."  30.  Das  tut  man  alles 
unsertwegen  nur :  „Der  Mensch  soil  sei- 
nem  Schopfer  dankbar  sein."  31.  Ein  be- 
schwipster  Leutnantsbursche:  „Die  Ge- 
schichte  ist  noch  natter",  Soloszene  1.50. 
Nr.  32.  Kurzschlufi :  ,,Nimmt  man  die  Zei- 
tung  heute  mal  zur  Hand."  33.  Frtihmor- 
gens,  wenn  die  Hilhne  krJih'n.  34.  Hanne- 
fatzke,  der  Pantoflfelheld :  „Ach  das  .lung- 


Marx  B.  Junggesellenleben 


255 


Marx  H.  Fatist 


Kalau    jiingst    ge- 


;;(>selletleben",  Soloszene  1.50.  Nr.  35. 
Rentier  Gottlieb  Krause  und  sein  Regcn- 
Kfhirm :  ,,Ich  bin  der  Rentier  Gottlieb 
Krause",  Soloszene  1.50.  Nr.  36.  Zwei  auf 
einmal.  37.  Was  ein  Weib  nicht  alles  fer- 
tig   bringt. 

-  Tolle    Sachen :    „Bi"    in 

wesen",   Soloszene   1.50  0.   Dietrich. 

-  Zeitungshjindler :         „Als      Zeitungshandler 

stoh'  ich  auf  der  Strafie"   1.50  O.Dietrich. 
Marx  Berthe    (1859),  Habanera,  danse  espa- 

gnole    (d'apres   S  a  r  a  s  a  t  e) ,   morceau   de 

concert,  P   2.50  Simrock. 
Zapateado,    danse    espagnole    (d'apr&s    S  a  - 

r  a  s  a  t  e) ,    morcean    de    concert,      P    2.50 

Simrock. 
Marx    B.    M.    op.   9     Duo    Nr.    2,     2Vc    2.60 

Andre. 
Marx   Carl,   Barcarolle,    VP   3/—   Larway. 

-  Walzer    (D)    3/ —  Larway. 

-  Zingara,  danse  3/ —  Laruay. 

Marx  C.  R.  3  Chorgesiinge,  TTBB:  1.  Lie- 
besrauscli.  2.  Morgenfreude.  3.  Stingers 
Wanderlied   1.20   Van  Eck. 

Marx  E.  Enfant  dort,  duo  tres  facile,  VP 
5—  NocJ. 

-  Volontaire,   duo   tres   facile,    VP   6 —   Noel. 
Marx    H.    op.    210    Graziella-Quadrille    1—, 

Jfms  1.50   Andre. 

-  Abeille   d'or,  schottisch,   0   1 —  n  Pinatel. 

-  Abou-Hassan    (motifs  de   Weber),   quadr. 

4.50  Legouix. 

-  Adelina,   redowa,   0    1 — n   Pinatel. 

-  Adieu  a  Vienne,  celebre  valse  de  Walter 

6—,    VP,    FIP,    CornetP    a    3— n,    V,    Fl, 
Cornet  a  — 50  Noel. 
-Afiicaine     (Meyerbeer)       2.50    Ricordi, 
quadr.    — 24    Sa-tsetti. 

-  A  i  d  a,  quadr.  4.50  Lediic. 

-  Aladin  ou  la  Lampe  merv.  polka-maz.  4 — , 

J/ins  6 — ,  0  2 — n  Girod. 

-  Alida,   polka-maz.   — 75  n   Le   Beau,    1.50  n, 

0   1— n  Pinatel. 

-  American,  quadr.  4.50  Girod. 

-  Amour   et  bou   vin,   maz.   0   1.50   Sulzbach. 

-  AstarotL,   de   Debillemont,   quadrille    1.75  n 

Fromont,  4.50  Girod,  0  1— n  Gheluwe. 
-Avrnce!   cocher,   quadr.    1.70  n   Bornemami. 

-  Bacio  (A  r  d  i  t  i-M  u  s  a  r  d) ,  valse.  0  1.50  n 

Gheh<ice. 

-  Beatrice,  polka  5 —  Girod. 

-  Beau  Duuois   (C  h.  L  e  c  o  c  q) ,  quadr.  1.70  n 

Gregh. 

•  Belgrade,   polka   orientale   4 —   Girod. 

-  Belle  Hel&ne,   fantaisie,   0   2 —  n   Pinatel. 

-  Belle  russe,  valse  — 60  Idzikowski. 

-  Bergers,  polka,  0  1.50  n  Pinatel. 

-  Berta,   schott.   5 —   Girod,     0,   Gheluwe. 
-Bijou  perdu,  quadr.  4.50  Ledtic. 

■  Bonsoir,    voisin,   quadr.   4.50,   J/ms   4.50 
goui.x. 

-  Brusce,  polka,  0  1 — n  Pinatel. 

-  Buvons  sec,  quadr.  0   1 — n  Pinatel. 

-  Ca  va  bien,  quadr.  0  1 — n  Pinatel. 

-  Camargo-quadr.   5- — ,   Jims   6—   Joubert, 

1.50  n    Gaudet. 
-Canards  tyroliens,  quadr.  1.70  n,  ^ms  2 — n 
Gregh,    0    1.50  n    Pinatel. 


Le- 


0 


Borne- 


1— n 


Girod, 
1.50  n 


-  Carnavalesque,   quadr.   4.50   Girod. 
-Casino,  polka,  0  1 — n  Pinatel. 

-  Casque     a    Mengin,    quadr.     1.70  n 

mann. 

-  Cecile,    polka-maz.    6 —    Heugel,      0 

Pinatel. 
-Cent  Vierges,  quadr.  5 —  Eeugel,  0   1.50  n 
Pinatel. 

-  Charmeurs    de    Poise,    quadr.    4.50 

1.75  n,   simpl.    1.75  n,   Ifms   2 — n,    0 
Fromont. 
■  Chasse,  polka,  0  1 —  n  Pinatel. 

-  Chasse  au  mari,  quadr.  0  1 —  n  Pinatel. 

-  Cbateau    d'Arques,      souvenir     de     Dieppe, 

valse  5 —  Girod. 
-Chateaux  en  Espagne,  quadr.  1.70  n  Borne- 
nrann. 

-  Chateau-de    fleurs,    valse    — 50    Idzikowski. 
-Chevalier    Lubin     (Boieldieu),      quadr. 

1.75  n  Le  Beau. 

-  Ckmes  d'autour,  fantaisie-gavotte,  0  1.50  n 

Pinatel. 

-  Clarita,   varsoviana,   0   1 —  n   Gheluwe. 

-  Cloches   d'Aumale,   schottisch,   0  2 — n  Noel. 

-  Coeur  et  la  Main,  quadr.   5 —  Joubert. 
-Coppelia,   quadr.   5—,   0    1.25  n   Heugel. 
-Coracao  e  mao,  quadr.   1.50   GuimarS.es. 

-  Couroune   d'Iris,   polka-maz.   3 —  Girod. 

-  Courrier-quadr.   4.50,   J^ms  4.50   Leduc. 

-  Cracc\  ie   Varsoviana,   P  — 75   Schott. 

-  Croqueuses    de    pommes,    polka,      0     1 —  n 

Ei'cillard. 

-  Cuir  de  Russie,  valse,  0  1 — n  Pinatel. 
-Deluge,  quadrille  1.80  n,  0  1 — n  Labbe. 

-  Deluge  de  Javelot,  quadr.  2 —  n  Lesigne. 

-  Diable    au    moulin,    quadr.    5 — ,      J^ms    6 — 

Grits. 
-Diable   boiteux,    quadr.    1.70  n,      Ifms    2 — n 
Gregh. 

-  Diables  Roses,  quadr.   1.70  n  Bornemann. 
-Diana,  mazurka   1.50  n,   0   1 — n  Pinatel. 

-  Dijonnaise,    quadr.    1.70  n    Bornemann,      0 

1 —  n    Pinatel. 
-Dragons   de   Villars,    schottisch    4 —    Girod. 
-Dragons    de    Villars,    schottisch,      0     1 — u 

Pinatel. 

-  Echos  d'Alsace,  mazurka,  .sO   1 —  n  Gaudet. 

-  Echos  d'Ems,  maz.  0  a  cordes  1 —  Debert. 
-Echos   du   Rhin,    valse    1.50  n,    0    1 — n    Pi- 
natel. 

-Elegante,  polka  5 —  Noel,  0  1 — n  Gaudet. 


Cl-B. 


n.    CIP 


0    1— n    Pi- 


-  E  1  i  s  i  r  e    d'a  more,    0, 

1.50  n    Pinatel. 

-  Emilie,  polka,  0  1 —  n  Gaudet. 

-  English-Lanciers    4.50    Girod, 

natel. 

-  Enlevement  au  serail,  de  M  o  z  a  r  t,  quadr. 

4.50  Girod,   1.75  n,   simpl.   1.75  n  Fromont. 

-  Epiciers,   quadr.    0    1 —  n   Gaudet. 

-  Etudiants    de    Leipzig,    quadr.    4.50,      Jfms 

5 —   Sulzbach. 

-  Fallait  pas  qu'y  aille!  quadr.  1.70  n  Borne- 

mann. 

-  Famille  Benoiton,  quadr.  sur  les  motifs  de 

A.  de  Groot  5 — ,  Jfms  6 —  Noel. 

-  Faridondaine    (Motifs   d'A  dam   et   de   de- 

root),  quadr.  4.50  Legouix. 
-Faust,    fant.    VcP   7.50   Muraille. 


Marx  H.  Faiiitt 


256     — 


Marx  H.  Petite  Muetle 


-Faust,  quadr.   1.70  n  Choudens,  5—,  Jfins 

6 Choudens,   2.50,   Jfrns   4 —   Ricordi,      0 

1.50  n   Muraille,    Ottcordes    1.50  n    Debert, 
V,  Fl,  Cornet  a  — 25  n  Fremont. 

-  Femme  h  barbe,  quadr.   1.70  n  Bornemann, 

0   1 —  u  Pinatel. 

-  F  i  11  e    d  e    M  m  e.    A  n  g  o  t,    quadr.    .5 — , 

Ifms  6 —  Jouhert,  0   1.50  u  Pinatel. 

-  F  i  1  s     d  u     Brigadier     (V.    M  a  s  .s  ^) , 

quadr.   0  A  cordes   1 —   Dehert. 

■  Fils  de  Gribouille,  quadr.  0   1 —  u  Pinatel. 

■  F  i  o  r    d'A  1  i  z  a    (V.    M  a  s  s  6) ,    quadr.    O 

a  cordes  av.  Fl  1 —  Debert. 

■  Fleurs  d'automue,   polka,   0    1^  n   Pinatel. 

■  Fcllette,  valse,  0  1 —  u  Pinatel. 
■Frascati,   quadr.   0   1 —  n   Go iidet. 

■  Galante  aventure,  (piadr.   1.75  n,     0   2 — u 

Durand. 

■  Gargon    de   cabinet,    quadr.    sur    les   motifs 

de   Talexy   5—  Noel,   0    1.50  n   Pinatel. 
■Garde    r^publicaine,     schottisch,      0    1 — n 

I'inatcl. 
Georgier  lies   (d'O  f  f  e  n  b  a  e  h) ,  quadr.  4.50. 

4ms  5 — ,   O   1.50   Sulzbuch. 
Gerbe  d'oi-,  schotti.sch,  0  1 — u  Pinatel. 

■  G  i  r  o  f  1  6-G  i  r  o  f  1  a.    quadr.    5 —   Jotiberl , 

0   1.50  n   Oaitdet. 

■  Gladiateur,  polka,   0   1 —  n   Pinatel. 
Grande  D  u  c  h  e  s  s  e  d  e  G  e  r  o  1  s  1  e  i  u , 

quadr.    5 —    Joitbert,     1.50    Bevilacqua,      0 

2.50   Ricordi,    1.50    Pinatel. 
■Gulliver,  polka,  0  av.  FZ-s.   1.50  n  Pinatel. 
Hiver,  sehottiscli,  0   1 —  n  Pinatel. 
Imperial  trieolore,  mazurka,  0  2 —  n  Noel. 
Indiana,  valse,  0  1 — u  Pinatel. 

■  lu&s,   varsoviana,   0   2 — n   Pinatel. 

•  rnvalide    a  la    t§te    de    bois    1 — n,      quadr. 

1.50  n,   O   1— n  Pinatel. 

■  ■Tanot,   qiuulr.    5—,   Jfrns   6—   Jouberl. 

■  -Tardinier  galant,  quadr.  .sur  les  motifs  de 

P  o  i  s  <!  5 —  Noel. 
■Jolie   Fille   de   P  e  s  t  h,   quadr.    1.70  u 
Choudens. 
Jolie  Persane,  quadr.  5 —  Joubert. 

■  Jour  et  la  Nuit,  quadr.  5 — ,  4ms  6 Jou- 

bert,   P    1.50    Giiimnraes,    O    1 .50  n    .Uar- 
(juerital. 

•  J  u  i  V  e,   fant.    VcP  8—  Leinoine. 
Kosiki-quadr.  5—  Joubert,  0  1.50  u  Gaudcl. 
L  a  1 1  a    R  o  u  k  h    (F.    David),    polka,    P 

1.75  n    Fromont,    1- 
0  1.50  n  Fromont. 

■  Lanciers,    quadr.    5- 

Girod. 
Lanciers  uuiversels,  quadr.  .5 — , 

net  a  1 —  Noel. 
Lara    (M  a  i  1 1  a  r  t) ,    quadr. 

1.50  n   Fromont. 
Lara     (Mai  Hart) 

//WIS  2 —  n  Fromont. 
Laure,   mazurka,   0   1 
Leonie,    schottisch,    O 

Les  p'tits  chapeaux,  quadr.   1.50  n  Grc;/!, 
Lilia,  r(5dowa  4 —  Girod. 
Lilia,  polka-maz.  5—  Noel  -sO  1— u  Gaudet. 
Loup-Garou,    de    Nibolle,    quadr.    P    1.75  n. 

O    1.50  u   Fromont. 
<>iiil)i(\   quadr.   O   L.iOii    Pinatel. 


^chotf, 
'tws    6- 


■'/ms 
O 


2.50)1. 


1.0 


Ou 


V,  Fl,  Cor 


I'    1. 


'■>  II,    () 


quadr.    1 —    Scliolf, 


n    Pinatel. 
1 —  n    Pinatel. 


veuve    Michel,    quadr.    1.50    Ghe- 

V,  Fl,  Cor- 


Madame 

lawe. 
Mam'zelle  Jeanne,  quadr.   C 

7iet  t\  1 —  Noel. 

Manon   Lescaut,    redowa    5 —   Joitbert. 
Mariee  depuis  midi,  quadr.  .5 —  Joubert. 


^I  a  r  i  e  1 1  e,  valse,   0 
Marjolaine,   quadr.   5- 
Gaudet. 

Mar  th  a,  quadr.  2- — 
Mazurka  d'Alkan  N.  1 
Mazurka-Mikel,  0  1— 
May's  Advent,  SATB 


1 — n   Pinatel. 

-  Joubert,     0    1.50  n 

Ricordi. 
-2,  0  i\  1— n  Heugel. 

n    Heugel. 
— 12  n  Schirmer. 


quadr.    5 — ,       'fm.s    0- 


^iciliennc,  P  4.50  Ucii- 


0    1- 


le, 


M6li-M6lo,   quadr.   0    1 —  n   Labonde. 
M^prises    par    ressemblance,    de    G  r  ^  t  r  y, 

quadr.  4.50  Girod,  1.75  n  Fromont. 
M  i  r  e  i  1 1  e,   quadr.    1.70  n    Choudens. 
M  i  r  e  i  1 1  e   (Gounod),  quadr.  0  a  cordes 

1.25  Debert. 
Miss  Aurore,  quadr.  1.70  n,  0  1.50  n  Borne- 
mann. 
M  o  i  s  s  o  n  11  e  u  s  e, 

Heugel. 
M  o  i  s  s  o  n  n  e  u  s  p, 

gel. 
Mon    cousin    le    cauotier,    quadr. 

Eveillard. 
Monsieur     Polichinelle,     de      Dele 

quadr.    1.75  n   Fromont. 
Moulin   Joli,  quadr.   0  2 —  ii   Noel. 
Mule    de    Pedro     (motifs    de    Massed), 

polka  4.50  Legouir. 
Nodar  ballon,  quadr.  2 — u  Lesigne,  1.80  n, 

0   1— n  Labbe. 
National-Lancier,   hiiieier,    0    1 — u   Pinatel. 
Nini-Gogo,  quadr.   0   1 — n  Pinatel. 
Nisida,  polka-maz.  4 —  Girod. 
Noces   de    Jeannette,    quadr.    .') — ,    ///h,s    G — . 

Grus. 
Norma,    duo,    VCornetdP   — 40  n    Pinatel. 
Olynipe,  mazurka,   0   1 —  u  Pinatel. 
Ombre,    quadr.    5 — ,      ^ms    6 —    Joubert. 

P  1.35  n  Hchott  Frhes. 
Our  Polka,  polka,  0  a^ .  CornetdP-s.  1.50  u 

Pina  tel. 

Papa   Lapin,   quadr.   0    1 —  n   Eveillard. 
Paquerette,   schottisch,   sO   1— n   Gaudel. 
Pardon   de   Ploermel,   quadr.   Schotl. 
Paris-Lancier,   lancier,   0   1 —  n  Pinatel. 
Pens^e  d'amour,  redowa  3 —  Girod. 
Pfere  Tom,  quadr.   1 —  Schott. 
Perichole,  quadr.  5 —  Joubert,  Ol.SOn 

Pinatel. 

Perle  de  Vichy,  polka,  O  1— n  Pinatel. 
Petit   Bordeaux,   quadr.    O    1— n    Ohelmce, 

Joubert. 
Petit   Bordeaux. 

Joubert. 
P  e  t  i  t  D  u  c,  quadr. 

0  1.50  n  Gaudet. 
Petite   Fadette,   quadr.   .5 — , 

bert. 
Petite  Mademoiselle,  quadr. 
Petite   Mademoiselle,    quadr, 

Joubert,   0    1  50  n   Gaudet. 
Petite  Mariee,  quadr.  5 — , 

0  1.50  n  Gaudet. 
Petite  Muette    (Serpettel,  quadr. 


polka,    O    1— n    Gheluu' 


4ms  6 —  Jouberl, 


'ftjis    6 —    Joii- 


4/- 


4nis 


Williams. 
4ms    6 — ■ 

-  Joubert, 

5 —  Noel. 


Marx  H.  6  Petites  fantaisies 


9:1 


>/ 


Marx  J.   Herxklopfen 


5 —  Jouberl. 
CorneidP   1.50  u, 


(l(>    .,(4iilli\ei"     1 .50  11 


Ifms 
1— 


6—  Girod. 
n   Gheluwe. 


quadr. 
1.7(»ii 

—      JOK- 


0 


Jfius     6 — 


Pinatel. 


(5  Petites  fantaisies  faciles,  VP,  Vc  &  3 — ^n: 
N.  1.  El6gie,  2.  Barcarolle,  3.  Roniauce 
.'^ans  paroles,  4.  Air  de  chasse,  5.  Petite 
niarehe,    6.    Choral,    a    1 —   Noel. 

i^ctits  Crev6s,  quadr.   2 —  n   Lesigne. 

Philemon  e  t  Baucis,  quadr.,  lau- 
cier  a  1.70  n  Choudens,  V ,  Fl,  Cornet  h 
25  n    Fromont. 

Pied  qui  r'  mue,  (jiuidr.  0  1.50  11  Borne- 
liiann. 

Pierre  de  Medicis,  quadr, 

Polichinelle,  polka,   0  av 

0  1—  n   Phut  I  el. 
Polka     dcs    (Ms(»iui\ 

Gregh. 

Polka  de.'^  Ours  5 — , 
I'olka   des   Poules,   0 
I'ondeuse,  polka   rustique  5 —  l^oel. 
Poudre     de    Perlinpinpiu, 

',ms  2 — n  Gregh,  0  1.50  n  Pinatel. 
I'rem.    arnies     de    Figaro,      quadr. 

Gregh. 
Princesse    de    Trebizonde.    quadr.    5 

hert. 

Printemps,    mazurka    1.50  u    Pinatel. 
Printemps,   valse,   0   1 — n  Gaudet. 
()  u  e  u  o  u  i  1 1  H   d  e    v  e  r  r  e,    polkii    4.50, 

1  —  n   Hetigel. 
<^ueutin    Durward,    quadr. 

Grus. 

Uafaela,   valse  5 —  Girod. 
Uegina,   schottisch,   0   1 —  n 
Heine    de    Saba,    de    Gounod,    quadrille 

1.70  n   Choudens,   1—  Schott,  2.50   Ricordi, 

jfins   4 —    Ricordi,    V.   Fl,    Cornel    a    —25  11 

Fromon  f. 
Peve    de   M™?    .\ugot,    quadr.    5^    Jouhert. 
Revue,  polka  5 —  Noel. 
Revue,   quadr.   5 —   Noel. 
Rifflemen-Lnnciers,    lanciers,     0    1 — u     Pi- 

natel. 
Robinson    Crusoe,    quadr.    4.50    Jouhert. 
Hoi   I'a  d  i  t,   quadr.   5 — ,   ^jws   6—   Heugel, 

0  1.50  n  Gaudet. 
Roi   du   plaisir,  quadr.   O   1 — n   Pinatel. 
Roli  lid    a    Ronoevaux    (M  e  r  m  e  t) ,    polka, 
Cornet   a  — 25  n   Fromont,   0  a  cor- 
-  Deberf. 

a    Roncevaus    (M  e  r  ni  e  t) ,    quadr. 
Cornet  a  — 25  n  Fromont,   0  d  cor- 

des   I —   Dehert. 
Rom  60     et     .Juliette,      polka      1.70  n 

Chotidens,   O   ft    cordes    1 —  n   Dehert. 
R  o  m  #  o     e  t     <1  u  1  i  e  t  t  e,     quadr.     1 .70  n 

Choudents. 
Rondes    populaires,    quadr.    4.50    Girod. 
Rcse   du   Tyrol,   mazurka,   O    1— n    Pinatel. 
Rcs6e  du   soir,   polka,    0   1—  n   Pinatel. 
Roses   (Besancon),  polka,  O   1- 
Rottes  a  Bastien,  quadr.  4.50 
Saisons,   polka   5 —   Grus. 
Saphir,     df    Felicien    JJ ; 

P  1.75  n,   0   1.50  n  Fromont. 
Sardrrapale     de    V.    -J  a  n  c  i  &  r  e  s 

1.75  n  Fromont. 
■  Serrons  les  rangs,  quadr.   0   1 —  n  Pinatel. 
■Si    j'^tais    Roi,    quadr.    4.50,    Jfms    4.50 

Lediic. 

Universal-Haiiclidicli    der  Musikliteratur.     M. 


V,   Fl, 
des   1- 
Roland 
r,  Fl 


—  n  Gheluwe. 
Cnrtereau. 


V  i  (1, 


qiKidl'. 
polka 


Girod. 
-  n    Le- 


VP 


n    Ghe- 


e  y  e  r, 


-Simple    Fleur,    schott.    4 —    Girod,    0    1 — n 

Pinatel. 
-Soir  de  Carnaval,  quadr.  2,— -a  Lesigne. 
-Soiree   de   Mabille,   valse,   0   2— n   Pinatel. 

-  Scir^es    d'Enghieii,    valse   6 —   Girod. 

-  Soirees  du  Jardin  Mabile,  valse  6—  Heugel. 

-  Soiiees    intimes,    romance,      VP    1.70  n,     V 

— ^75  n  Pinatel. 

-  Soirees    de    Royau,    valse,    O    2 —  n    Pinatel. 

-  Soleil,   redowa,   0  a  cordes   1 —  n   Dehert. 

-  Soleil  et  Ro.see,  maz.  5—  Sulzhach. 

-  Souriauie,  mazurka    1.50  u   Pinatel. 

-  Souvenir  de  Neris,  suite  de  valse  6- 

-  Souvenir    de    Seine-Port,     valse   .  2- 

nigne.  ■''      ' 

-  Souvenir    du     Ireport,     air     pastoral, 

2 —  n   Pomier.  ' 

-  Souvenir   des    V^osges,   schott.    0   1- 

Ui/we. 

-  Statue,    polka    sm-    I'opgra    de    E.    R, 

0  a  cordes   1 —   Dehert. 

-  Sultan   Mustapha,  quadrille,   0  2 —  n   Noel. 

-  Sylvf.na    (Weber),    polka    5 —   Girod.      ' 

-  Taniborrin,   quadr.   0    1 — n   Oh^luice. 

-  Tar r gone,   varsoviaua,   0   1^  n   Gheluwe. 

-  Timbre   Post,   polka,    0   av.   Cornet  A  P-solo 

1.50  n  Pinatel. 
-Trio  pour   3V  — 75  u   Pinatel. 

-  TroJs    Nicolas,    quadr.    4.50    Katto,    V,    Fl, 

Cornet   a  — 25  n    Fromont. 

-  Trois  Souhaits    (Poise),  quadr.  5—  Noel. 

-  Turlupin     (E.    C  u  i  r  and),    quadr.    1.70  n 

Giegh. 

-  Un    scir    de    carneval,    quadrille    1.80  n,    0 

1 —  n  Lahhe. 

-  Un  soir  a  Grenade,  valse,  0  1— n  Pinatel. 
V6LUS   aux   oarottes,   quadr.    1.70  n    Borne- 

mann. 

-  Vergifiir.eiunicht,  P  1.50  Ehling. 
-Vert-Vert,  quadr.   1.70  n,  Jfms  2 — n  Gregh. 

-  Vie  en  rose,  valse,  0  ci  cordes  2-^—  Dehert. 

-  Violon    enchant#e,     quadr.    4.50,     0    1.50  n 

Girod. 

-  Violoneux,  quadr.  5 — . 

-  Visida,  mazurka.   0    1 — n   Pinatel. 

Marx  Hermann.  Leuckart:  Op.  1  BATE: 
Nr.  1.  Singe!:  ,, Singe  kleines  Vogelein" 
1.20.  Nr.  2.  Abendklang!:  „0  Abend- 
klang"  1.20.  Nr.  3.  Maienregen!:  „Der 
Mai  kommt  als   Freier"   1.20. 

-2  Schwanenlied !  :  ,,Es  singt  der  Schwan 
am  Ufer",  ^  on  E  u  f  e  m  i  a  G  r  jl  f  i  n 
B  a  1 1  e  s  t  r  e  m.    BATE    1.20. 

-3  Drei  Ivieder  im  Volkston:  1.  Abschied, 
2.  Schenkenbachs  Reiterlied,  3.  Dorfrei- 
gen,   TTEE   a    1—. 

-  4   Drei   geistliche   Festgesiinge    (leicht  aus- 


fiihrbar),      SATE:       1.      Weihnachteu, 
Ostern,   3.   Plingsten,   a 

Marx  Julius,  op.  10  Nr.  1. 

ciien,    charakteristischer 
haus. 

-  Flocons    de    Neige,    x'alse 

-  Fiir   Kaiser    unci    Reich, 

Becher. 

-  Herzklopfen,      G'sangl      in 

IMundart   — 80   Fritzsrhe., 


1— . 

Die  Heinzelmann- 
Galopp    1—    Off- 

1.70  n    Thomas. 
TTBB    m.    P    1.20 

oberbay  rise  her 


Marx  J.  's  Palmkatxerl 


—     258 


Marxsen  E.  op.  44     j 


-'s  Palmkatzerl,  G'sangl  in  oberbayrischer 
Mundart  — 80  Fritzsche. 

Marx  L.  Chanson  orientale  (R.  Schu- 
mann),  VP  2/— n   Turner. 

Marx  iVioTse,  Chanson  du  drapeau.  Digoudi. 

-  Hyn.uo  a  la  terre  5 —  Digoude. 
-Mignonettes.      IHgovde. 

-Retour   des    faneurs,   idylle,    EautbP   2 — n 

Dorey. 
-Toujouiii  encore.     DigoudS. 
Marx    N.    Quadriglia    Lanciers    (G  i  r  o  f  1  6- 

Girofla)    1 — n   Sonzogno. 
Marx-Goldschmidt    Berthe,    Caprice    basque 

d'api^s  Top.  24  de  P.  d  e  S  a  r  a  s  a  t  e,  P 

2—   Scnff. 

-  Rhapsodie  hongroise  d'aprfes  lee  „Zigeuner- 

weisen"   de   R  a  r  a  s  a  t  e,    P   2.50    Senif. 

Marx-Markus  Ch.  op.  5  Fantaisie  sur  Top. 
Hayd6e,  p.  Vc  av.  ace.  de  P  3.75  Schott. 

-6  Moiceaux  de  salon,  VcP :  I.  Chanson 
sans  paroles.  Impromptu.  Allegro  alia 
mazurka  2 — .  II.  Tempo  di  menuetto  mo- 
derate.  Capriccietto   2 —   Forberg. 

-8  Mazurka  concertante,  pifece  caracteri- 
stique,   VcP  2—  Forberg. 

■  18  Huit  pi&ces  m^lodiques,  instructives,  fa- 
ciles  et  progressives  (sans  emploi  du  pou- 
ce),  2Vc  — 80  Jurgenson. 

-20  Feuilles  d'Album,   VcP  2—  Rahter. 

-24  Deux  Morceaux:  Notturuo  religioso. 
Adagio  et  Fuguette,  JfVc  1.80,  N.  1,  VcH 
(Org)  —80  Rahter,  1 —  Simo7i. 

-25  z'u  Wasser  und  zu  Lande,  Lied  m.  Vc 
ad  lib.   1.50  Rahter. 

-26  12  Pieces  mglodiques  instructives,  fa- 
ciles  et  progressives  (sans  emploi  du 
pouce),  VcP:  I.  1.  a)  Choral,  b)  Imita- 
tion. 2.  Melodia.  3.  Duettino.  4.  Grazioso. 
5.  Menuetto.  6.  Alia  cosacca  2 — .  II.  7. 
Canzonetta.  8.  Tarantella.  9.  Rondoletto. 
10.  Arpeggio.  11.  Capriccietto.  12.  Ma- 
zurka 2.50,  2Vc,   I— II   a   1.50   Rahter. 

-30  Gavotte,  VcP  av.  II  Fc  1.80,  2Vc  1— 
Rahter. 

-32  Deiix  Morceaux  pour  J/Vc:  N.  1.  Noc- 
tume  pastoral  1.50.  N.  2.  Impromptu  2.30 
Rohter. 

-  34  Widmung,  VcP  1.20  Rahter. 

-34    Albumblatt,    Stimmungsbild,    VcP    1.20 

Ro  hter. 
-35   BagatelleB,    VcP    1.50:    N.    1.   Tempo   di 

Menuetto  —75.    N.   2.   Presto   —75.   N.   3. 

Chanson   sans   paroles   — 50   Zimviermann. 

-  36   Aphorismee,   VcP,   I — II   a   2 —   Rahter. 

•  38  Deux  Morceaux  de  Salon,  VcP:  1.  Sou- 

venir, 2.  Nocturne,  a   1.50   Kistner. 
-39  Capriccio,  VcP  2 —  Kistner. 

•  40    Quatrc    Pifeces    caract^ristiques,    faciles 

sans  emploi  du  pouce,  VcP:  I.  N.  1.  Exal- 
tation (Schwarmerei).  2.  Air  Slave  (Sla- 
wisch)  1.50.  TI.  N.  3.  Elegie.  4.  Air  pa- 
thfitique     (Pathetisch)     1.50    Kistner. 

-42  Tr&is  Morceaux,  VcP:  1.  Feuille  d'Al- 
bum, 2.  Danse  rustique,  3.  A  la  Mazurka, 
ft  1—  Kistner. 

-43  Widmung,  VcP  1.20  Rahter. 

•  44  Reliance,   VcP  1.20   Rahter. 


-  45     Deux     Pieces     caracteristiques     faciles 

sans  Emploi  du  Pouce),  VcP:  1.  Air 
russe.  2.  Impromptu  (G),  ft  — 50  Zimmcr- 
mann. 

-  Anre.ix.    Romanze   de    Warlamoff    VP,   VcP 

—40   Outheil. 

-  Coquette,      romance      de      S  t  o  u  z  m  a  n  n, 

trauscrite,  VcP  1.50  Rahter. 

-  24   Diatonische   Tonleitern   und   Chromatik 

fur  Vc  1.20  Rahter. 

•  Donna    h    mobile    de    Top.    Rigoletto,    VcP 

— 40  Jurgenson. 

-  6  Duo  pour  2Vc  — 40  Gutheil. 

-  9.ierifl.  He  iiCKyinnft  ivieHfl  6e.Ti.  nysK^M.  M. 

r.iiHHKH  — 40   Outheil. 

-  Jlfoon  MeHfl.  PoMaiieii  IlnuiKOBa  — 40  Guthpil. 

-  M^lodie   de   S  c  h  u  1  h  o  f  f,    VoP   —60   Jur- 

genson. 

-  2    Morceaux     caract^ristiques     sur     I'op^ra : 

„^[i3H't>  3a  I]|apa"  de  M.  tJlinka  VcP  — 40 
Outheil. 

-  Konnt   ich   dich   in  Liedern  preisen,  m.   Vo 

(V)P   1.25   Forberg. 

-  CKa^Kiixe     eft!     Romance     de     la     princesse 

Kotschoubey,    VcP  — 40  Jurgenson. 
Marxen  E.  op.  4  Etiiden  fiir  die  linke  Hand, 
P:   Nr.   1.  Rhapsodic  —15.   Nr.  2.  Scherzo 
— 15.  Nr.  3.  Capriccio  — 25  Jurgenson. 

Marxer  P.  T,  op.  1  Kurze  und  leichte  Messe 
zu  Ehren  der  Jungfrau  Maria,  SAB  [T  ad 
lib.)    1.80  Coppenrath. 

-2  Leicht  ausfuhrb.  Requiem,  SATB  2— 
Coppenrath. 

•  3  Missa  Tertia  auctore  ad  4  voces  aequales 

cum   Org  editio   secunda   1.60   Pnstet. 

-  8    Missa    in    hon.    Principum    Apostolorum 

Petri   et  Pauli,   SATB   1.80  Coppenrath. 

Marxsen  E.  Cra^iz:  Op.  4  L*Amabilit6,  di- 
vertissement   (G),   Jfms    1.50. 

-8   Socate    (B),   P   1.30. 

-  9  Rondeau  brillant  pr4c6de  d'un  Introduc- 

tion   (E),   P   2.50. 

-  10   Drei   Gedichte  —50. 

-  14     Divertissement     brillant,     Ha(P)     2 — 

Kistyitr. 
-30   Fiinf   Gedichte:      Mein   Bliimlein.      Nur 
halb  so  schon  als  sie.     Der  hundertjiihrige 
Greis.     Das   blinde   Madchen.   Pilgerschlaf 
1.80. 

-  31    Trois    Pieces     fugitives     (dM.     a     Miss 

Laidlaw),  P  1.50. 
-32  Funf  Gedichte:  1.  Liebeslied :  „Die 
Sonne  scheint".  2.  Im  Sommer :  ,,Wie  sich 
die  Halme  schaukeln".  3.  Unverstanden : 
,,Mein  Auge  spricht".  4.  Resignation : 
„Acli,  zu  kurz  sind  meine  Arme".  5.  Rat- 
losigkeit :  „Soll  ich  es  wagen"  1 —  Breit- 
kcpf. 

-  33  Trois  Impromptus  pour  la  main  gauche, 

P  1.50. 

-  35  Trois  gr.  marches,  Jfrns  3 — . 

-  40  Sechs  Etuden  fiir  die  linke  Hand,  P  1 — 

J.  Schuberth. 
-41   Thames  esclavou,  vari6    (B),  jJ»/is  2 — . 
-42  Th^me  russe,  varie    (A-m.),  J^ms  1.50. 
-43   Tb&me   styrien    (D),   Ifins   1.50. 
-44   Nr.    ].   Schlafeszauber  — 50.   Nr.   2.   An- 


Marxsan  E.  op.  44 


'>59     — 


Marzials  Th.  Buttercup  queen 


dreas    Hofer    I — .      Nr.    3.    Alpenunschuld 
1—. 
45    Theresen-Walzer,    6    Walzer    mit    Trio 
1.50. 

-48   Sont.te   facile    (C),   Jfins   1—. 

-50  Sechs  Tafelliedcr,  TTBB:  1.  Vanitaa ! 
Vanitatum  vanitasl:  „Ich  hab'  meine 
Sach'  auf  nichts  gestellt".  2.  Ein  Unter- 
holiied :  „Die  Flaschen  sind".  3.  Punsch- 
lied :  „Vier  Elemento  innig",  4.  Den  Noah 
mag  ich  leideu.  5.  Trinklied :  „Das  Glas  in 
der  Kechten".  6.  Trinklied  anderer  Art: 
„Die  Erd'  ein  Pokal"   2.20   Breitkopf. 

-52  Drei  Lieder :  1.  Tranenlied,  2.  Gondo- 
lieilied.  3.  0  geh'  nicht  fort   1 — . 

-  55    Wii.gakersflicka,    Lieblingslied    A'on    J. 

L  i  n  d,   vari4,   ^ms   2.50. 
-58  Sechs  Lieder,   TTBB:   1.   Sonntagsfruhe. 

2.  Trinklied.  3.  Schlunimerlied.  4.  Schleich- 

haudler.      5.   Hoffen   und   Harren.     6.   Die 

schweren   Zeiten   3.50. 
-61   Wf-Lderers   Abendlied  — 30. 

-  66   Zwei    vierst.    Gesange   fiir   Frauenst   m. 

P:    1.   Stille.   2.   Fruhlingsgrufi   3.50. 

-  Deutsches   Volkslicd:    „yto6et   an   den   vol- 

len  Becher"   1—. 

-  Die  Konigin   Victoria   an   der   Wiege  ihres 

Kindes  —50. 

-  Die   Siebzehnjahrige  — 50. 

-  Patrioti&ches    Lied :    ,,Sie    sollen    ihn    nicht 

haben",   TTBB   1—. 

-  Schleswig-Hol.sitein's  Trauerkiange,   P  — 80. 

-  Schlun  merlied   — 50. 

-  Schneeglockchen  — 50. 

Mary   Adair   4/ —   Ascherherg. 

Mary  Ann;  or,  where  are  you  going  on 
Sunday?  2/ — n  Sheard. 

Mary  Ann's  refused  me  2/ — n  Sheard. 

Mary  at  the  tomb  — 35   Ditson. 

Mary   Morrison  — /2  Sheard. 

Mary,  tlie   Pride  of  the  Dairy  — /4  Sheard. 

Mary.  The  Rosebud,  quickstep,  P  2/ —  Ash- 
do  ic7i. 

Mary   Blane,  Negro  Song  — 25  Ellis. 

Mary  Jane,  Furet  des  amours.     Delormel. 

Mary  Jane   Matilda  4/ —  Ascherherg. 

Mary    Ph.   Katto:    A   I'lnnocence   2.50. 

-  A  une  jcune  fille,  melodic  — 75   Schott. 

-  Alouette  de  la  Prison  .3 — . 

-  Angoisses   de  M&re  2.50. 

-  Assoraption,   3   voix  &   P,   Part  — 85. 

-  Bandets   3 — . 

-  Beige  est  fier   de  sa   Patrie  2.50. 

-  C'est  le  Printemp.Ti  2.50. 

-  Chapelle   dans   la   ForM   2.50. 

-  Chfisseur-Tyrolien  3 — . 

-  Demoiselle  2.50. 

-  Eufants  et  les  Fleurs  2.50. 

-  Esclave  turque  2.50. 

-  F§te   de   Noel,   3   voix   &   P,   Part  —85. 

-  Heureuse  Vieillesse   3 — . 

-  Hirondelles   3 — . 

-  Hommage   a   St.   Vincent  de   Paul,   3   voix 

&  P  2.20. 

-  Je  suis  ton  Ange  3 — . 

-  Je  suis  Heureux  2.50. 

-  Jouez  Enfauts  3 — . 


-  3  Litaries,  Hi  3  voix  1 — . 

-  No  me  fais  pas  mourir  2.50. 

-  Orphelin   3 — , 

-  Papillon    dor6    2.50. 

-  Prioz    pour    nous,   3    voix   eg.    &    P,    Part 

—85. 

-  Hepentir   3 — . 

-  liolund   de   Lattre   3 — . 

-  Sous  le  beau   Ciel   Napolitain   2.50. 
Marya  Antoinette,  Po  luby  moj  — 20  n  Ge- 

hethner. 

I'olonez,    P    — 30  n    Geiethner. 
Marybert,    Flor    de   Granado,   bolero,    P   av, 

Mavd  ad   lib.    1.50  n   Fatotit. 
Marye   A.   Bonnavevfure:   Au   Drapeati,   Ch. 

s.  1 —  Heutjel. 

-  Au    Drapeau,    hymne    av.    choeur   a   Tunis- 

son  ad  lib.  4 —  Leduc. 

-  Cascatelle,    valse-caprice,      P. 

-  Cilhar&de,   s^r.   caract.   P. 

-  Danse   norw^gienne,   P. 

-  Dan.sous !    les   gas,   m^lodie    1.50  n. 

-  Dragons  du   roy  2 —  n. 

-  En   route,  chanson,  P. 

-  Milicien,    pas    red.    Mus.    mil.    1.25,    Cond. 

—10   Tilliard. 

-  Polichinelles,    SATB   —50  n    Pinatel. 

-  Saiute    Chapelle,    marche,    Mus.    mil.    1.25, 

Cond.  —10  Tilliard. 
-Saisons    d'amour    (Hymne    a    Eros)     L75  n, 
Ch.   s.  — 30  n    Rouart. 

-  Si   j'osais,  Les  souris  dansent,  a  4 — . 

-  Sous  les  palmes,  rev.  P. 

-  Sur  I'eau   bleue,   bare.   P. 

-Vers   Tavenir,    marche    athl^tique    1.35  n. 
Maryland,    my    Maryland,    war.    song,    8  A 

TB    a.    chor.    — 25    Brainard. 
Mary's  gone   with   a  coon  — /2  Sheard. 
Marza   1—,  Ch.  s.  —25  Debert. 
Marzacchi    G.   Tantum   ergo,   a   3    voci    1.50 

Eerenbeemt. 
Marzani    L.    Ave    Maria,    eoro    all'    unisono 

1.50  n   Fantuzzi. 

■  Ave  Maria   2.50  Fantuzzi. 

-  B  r  i  n  d  i  s  i,   coro   a   4   voci   4.50   Fantuzzi. 
Marzano    Mariano,   op.   5   Raggio   di   Luna, 

prime  notturno,  P  2/— n   Cramer. 

■  Riraembrauze,  mazurka  2.50  Izzo. 

-  Romanza    senza    parole    3 —   Izzo. 
Marzano  T.  Fiori  di  Primavera,  valzer  2.50 

Mariani. 

Marzh  E.  G.  Way  Down  East  March,  two- 
step  — 50   Leidt. 

Marzials  Theo.  Boosey :  A  Basket  of  loves 
2/-. 

-A  Dream  of  You  2/—. 

-  A  Garland  of  olden  Verse,  trio  4/ —  Metz- 

ler,    Weekes. 

■  Album   of   6   Songs    (french-engl.)    2/6. 

-  Album  of  9  Songs  1/ — . 

-  As  Lovers  May  4/ —  Weekes. 

•  Ask   nothing   more   2/ —   Boosey,  — 35   Dit- 

son,  Ellis,   Schinaer. 
-Barcarolle    (Duet  in  Canon)   2/ — n  Cramer. 

-  Basket  of  loves  — 35   Gordon. 

-  Broken-hearted   2/ — . 

•  Bud  and  the  Bee,  duet  equal.  4/—  Cramer. 

-  Buttercup   queen   — 30   Century. 

17* 


Marzials  Th.  By  the  Shining  River 


2!iO     — 


Marzo   Ed. 


op. 


.in 


-  By    the    Shining    River    2/ —    Boo.s-ep,    — 30 

Presser,    Schirmer. 

-  {'l:ill  Octobre,  trio  for  Ladies'  Voices,  with 

P   ace.   — /3    Williants. 

-  Come  away,   ST   4/ —   Cramer. 

-  Come  Back   in   Dreams  — 50   Hchirmer,  4 — 

Ricordi. 

-  Daffodil,    waltz    2/ —    Boo.sey,    — 35    THt^ov. 

-  Drifting    apart    4/ —    Chappell. 

■2  Duets  in  Canon  Form:  1.  Go,  pretty  rose. 

2.    Trip,   trip,    trip,    a    — 65    Schirmer. 
-Eventide,      feni.     chorns.     2    parts     — hiii 

Schinner. 
■Fairy    Jane     (&    P  i  n  s  u  t  i,    If),    soli     fur 

Bh-Vcr7)et,   Eh-Alto,  Alio  or  Tenor  So-ro- 

fihone,  Baritone  or  E  h-Bas,s,   niO.  Fi.fcJicr. 

■  Fear   no  more,  duet  2/ — . 

•  First   love   and    last  love    2' — . 
■Fly,    Little    Dove,    in    ranon    for    2    (H|ii;tl 
\oices   4/ —    Weelces. 

■  Friends-hip,    duet    in    canon    4/ —    Metzler, 

— 40    Ditson,   — 35    Schirmer. 
Cipsy    Song,    trio    for    ladies"    voices    Mith 

ace.   — /3    WU/ id /».■<. 
•Go,    pretty    rose,    duet    2/ —    Hoosey,    — 50 

Ditsov . 
(j'ood     grey     mare     (W  h  y  t  e-M  e  1  v  i  1  1  e) 

4/ —    Chappell. 
Grandpapa's   Wooing   2/ — . 
Hark,   the  lark!   duet  2/ — . 
How   do   T  love   thee?   2/ — . 
If    only !    2/—. 
Tl    praticel    4/ —   Weekes. 
In    the    North    Countree    2/ —    Boosey.   — 35 

flordrm. 
Irish   spinning   song  4/ —   Chappell. 
It   was  a  lover,  duet   2/ — . 

■  Just  as  well  2/ — . 

Kitty's   Sun-bonnet  4/ —   Cary. 
Leaving  yet  loving  2/ —  Boosey,  — 35   Dit- 
son,  Schirmer. 

-  Lf;ve    is   a   Goodly    Tiling,    , 
•Love    Dtiet    (suitable    for    all    voices) 

Metzler. 
Loved    in    vain    4/ —    Chappell. 

■  May   Day,   trio   for   ladies'  voices  with    ace. 

— ,'3    Williams. 
•May  Margaret  2/—  Boosey,  — 40  Brainard. 

May  Music,   quyitet   1/ — . 
•Miller    and    the    Maid    2/ —    Boosey,    — 35 
Dit.Hov,    Cordon,   Schirmer. 

Modern   Knight  2/—. 

Morning  Song,  trio  for  ladies'  voices  willi 
ace.   — /3    Williams. 

My   Beautiful    Ship    2/ — . 

My  fairest  child  2/ — . 

My  Garden    (Mein   Garten)    4/ —  Cary. 

My  lo\e  is  come  2/ —   Boosey,  — 35    Ditson. 

My    old    mate    Tom    2/ — . 

Never  laugh  at  love  2/ — . 

Ne^er  to  know  2/—  Boosey,  — 40  Centiny. 
Ditson^   (rordon,    Schirmer. 

12  New  Lyrics:  ].  A  Rosebud,  2.  My  Ship's 
a  Swan,  3.  Before  your  eyes  met  mine, 
4.  A  Song  of  Gladness,  5.  Endyinion,  6. 
None  the  less,  7.  White  Heather,'  8.  Could 
thy  heart  know,  9.  I  Wonder,  10.  Dock 
Af.irselves.   Gallants.   11.   The  A^oice   of  the 


4/ —   Cramer. 

4/- 


Wind,     12.    Little    Boy     Blue,      A     2/— n 
Cramer. 
-No    Sir!    duet   4/ —   Paterson. 

-  Of  You  I  Dream,  duet  equal.  4/ —  Cramer. 

-  Only   Friends   2/—. 

-  River  of  Years  2 —  Boosey,  — 50  Brainard, 

— 40  Ditson. 

-  River   of   Years,    CornetP   2/3. 

-  Rochester   Bells  2/ — . 

-  Sea  Wrack  2/—. 

-  Secret   Voices,    in    canon    4/ —    Weelces. 

-  Serenade    (Ninon)    — 50  Ditson. 

-  Sing  Lullaby  for  the  Year,  duet  equal.  4/ — 

(Warner. 

-  Slumber  Seng,  trio  for  ladies'   voices,  with 

;u-c.    — /3    Williams. 

-  Somewliere   or   other,    duet    4/ —   Metzler. 

-  Song  of   bedtime  4/—   Chappell. 

-  Stay,    Darling,    Stay     2/—,      CornetP     2/3. 

-  Such    Merry   Folk  are  we  4/ —   Cramer. 

-  Summer    Shower    2/ —    Boosey,    — 40    Brai- 

nard, — 50   Schirmer. 
-Tears,    duet   equal.    4/ —    Cramer. 

-  Tell  me  not   now  4/—  Chappell. 

-  Testimony,   ST  4/ —  Cramer. 

-  That  Sweet  Story  of  Old  2/—  Boosey,  —40 

Ditson,   — 20    Presser,   — 40,    SATB   — 12  n 
Schirmer. 

-  Three   Sailor   Boys   2/ —   Boosey,   — 50   Cen- 

litry,  —JO   Ellis. 

-  Timothy's    Welcome   2/ — . 

-  'Tis  but  a  penny  — 30   Gordon. 

-Trip,  Trip,  Trip,  duet  (suitable  for  all 
voices)  4/—  Metzler,  —40  Ditson,  3  — 
Silver. 

-  T\\  ickenham    Kerry  2/ —  Boosey,  — 40  Brai- 

nard,   — 35    Century,    Ellis,    — 30    Ditson, 
(rordon,   Schirmer. 

-  Under   the   greenwood    tree,    dtiet    2/ — . 

-  Ui.to  the  Holly,  duet  2/—. 

-7  Vocal  Duets  4/ — n:  N.  1.  Such  Merry 
Maids  are  we.  2.  The  Bud  and  the  Bee, 
3.  Testimony,  4.  Tears,  5.  Sleeping  and 
Waking,  6.  Two  Lovers.  7.  A  Dream,  a 
2  —  n    Cramer. 

-  ^Vaggoner    and    the    Maid    2/ —   Ascherberij. 
-Wait   till  you    come  to   40   vear!    2/ — . 

-  Waiting  2/—. 

-  Wtep  ye   no   more,   duet  2/ — . 
-When   a   IMmu's  Single  2/— n   Reynolds. 

-  When    my    Jim  .comes    home    2/—. 
-When    Spring    comes    Laughing    4 —    Cnry. 
-Where's   Hugo?    2/ — . 

-  Wheie's    Polly?    2/—. 
-Who   is   Sylvia?   duet  2/—. 

■  ^V'inter'^  Greeting,  trio  for  ladies'  voices, 
with    ace.    — /3    Williams. 

-  A\'ind    Mowers  4/ —   <'dry. 

-  \\'iiikin',    Blinkin'    and    Nod    2 . 

-  \\  inter's  Song,  duet   2/—. 

-  With  the  Stream,  waltz  2/ — . 

Marzo  Ed.  Schirm.er :  Op.  19  Mass,  in  G, 
solo,  qiijirt.  and  chorus  with  O,  Voc  score 
1—  n. 

29  Mass  N.  2  in  F,  2  voices  with   P(Org), 
^'oc.    score    — 50  n.    The    same,    arr.    for    4 
voices  with  P(Org),  Voc.  score  — 75  n. 
-30   Vespers   N.    1,    in    F-m..    4  voices    \v.    O. 


Marzo  Ed.  op.  30 


—     261     — 


Marzuttini  G.  B.  Afoinl  d'oro 


\'oc.  score  — 75  n :  N.  1.  Domiue  ad  adjii- 
^  andum  — 30  n.  N.  2.  Dixit  Dominus 
— 25  n.  N.  3.  Laiidate  Domiuum  — 30  n. 
.V.   4.   Magnificat  — 25  u. 

32  Mass  N.  3,  in  A,  4  voices,  Voc.  score 
I— u. 

34  Vespers  N.  2,  in  C,  4  voices,  Voc.  score 
—75  n. 

-  35   4th   Solemn   Mass   in   D  minor,   4  voices 

(soli  and  chorus)    and  0   1 —  n. 

-  37  Te  Deum  in  E  b.  8ATB  —25  n. 
39   llegina  Coeli,  SATB  —15  n. 

47    5th    Mass,    in    G,    2  voices    —60  n ;    The 
same,  4  voices  and  P(Org)  — 75  n. 
■  48  Tantum  ergo,  SATB  —08  n. 

-  52  6th    Solemn   Mass,   in   F  minor,   4  voices 

isoli   and  chorus)    and   Org    1 — n. 
63  Vespers  N.  3,  in  D  — 75. 

-  66  Caiitica   Puerorum,   a  collection  of  Ori- 

ginal   Sacred    Pieces    for    Use    in    Church, 
Schools  and  Convents,  2  voices  — 50  n. 
-69  7th  Mass    (easy),  in   D,  2  voices  — 60  n. 

-  73  4th   Vespers,  in  G,  2  voices  — -60  n,  arr. 

for   4   voices   — 75  n. 

-  79   Whole    Year    'Round,    cantata    for    chil- 

dren's voices,   Voc.   score   — 50  n. 

-  Ave  Maria  — 50   Ditson. 

-  Credo  from  6th  Mass,  SATB  —25  n. 

-  Diiit  Dominus    (Vespers  I)    — 25  n. 

-  Dcmine  ad  adjuvandum  (Vespers  I)  — 30  n. 

-  Fior   di   Speranza    (Flower   of  Hope)    — 50. 

-  F  1  o  r  i  n  d  a  ;  or,  The  Rose  and  Pearl,  ope- 

retta,  women's   voices  — 50  n. 

-  lu   estasi   d'amore   1.50   Cottiati. 

-  Laudate   Dominum    (Vespers   I)    — 30  u. 

-  MagLificat     (B),    from    Vespers    II,    SATB 

—25  n. 
-Magnificat    (C),  from  Vespers  I  — 25  n. 

-  Ajuriquita   — 60  Ditso)i. 

-  Mariquita,  bolero  —60  Ditson. 

-  Metodo    compl.    y    progress.      Oboe     15 — n 

Aync. 

-  Motets :   N.    1 .   Alma  Redemptoris  — 40.    N. 

2.  Ave  Regiiia  — 40.  N.  3.  Ave  verum 
—40.  N.  4.  Veni  Creator  —50.  N.  5.  Salve 
Regina  — 50.  N.  6.  Salve  Regina  — 50.  N. 
7.  Ave  Maria  —50.  N.  8.  O  salutaris 
Hostia  —50. 

-  ()  salutaris  Hostia  — 40  Pond. 
-Per   chi?    (For   whom?)    —50. 

-  Salve   Maria,   mix.   v.   — 60   Pond. 

-  Sera  mystica,  melodia  3.50  Sontojunni. 
-Serenade:  0  that  I  were  a  Bird  — 50. 
-Tantum    Ergo   — 60    Ditson. 

-  While    thee    i  seek,    solo    and    quart.    — 15 

Pond. 

-  Whole    Year    'Hound,    cantata,    Voc.    score 

—50. 
Marzoni    E.  op.  2  Ancora   una  lagrima,  not- 
tmno,    P   2.75    Kicordi. 

-  Fiori    Primaverili,   P   3 —   Ricordi. 
Marzorati   A.    (1830—1873).   Ricordi:   Op.   1 

Capriccio    sopra    motivi    del    Poliuto    (.;--.iM 

J.    Martin  i,    VP   3.50. 
-5   Rigoletto,    souvenir,   2V(FIV)P    7—. 
■7    Clelia,    tarantella,    VP   4—. 
-8    Reminiscenze     della    Traviata.    fantasia, 

VP  6—. 


capriccio  fan- 
fantasia  brill, 
concerto.    VP 


-  9  Un  Sospiro,  melodia,   VP  4 — . 

-  10   II    C^repusculo,   pensiero    romantico.    VP 

4—. 

-  11    La    Danza    dei    Dannati, 

tastico,   VP  4.50. 

-  12  Rimen.branze  della  Jone. 

VP  6—. 

-  13    Tl    Postiglione.    galop    di 

6 — . 
-14    Gioielli    teatrali,    ricreazioni,    VP:       1. 
L'Assedio    di    Leida,    2.    I  due    Foscari,    3. 

I  Promtssi    Sposi    di    P  o  n  c  h  i  e  1 1  i,    4, 

II  Trovatore,   5.   La   Traviata,   a  4: — . 

-  15  Le  Delizie  della    Sera,   capriccio  roman- 

tico,  VP  4.50. 

-  16    Riposo    sul    Ticiuo,    notturno,    VP    5- — . 

-  18  Quartetto  nei  Puritani  liberamente  tra- 

sciitto  e  variato,  VP  4 — . 

-  20  Souvenir   de   Mercadante.   duo  et    varia- 

tions,   VP   7.50. 
-23     Fantasia-Capriccio     sulla    Sonnambula, 
VP  6.50. 

-  27    Fantasia    di    Concerto    sulla    Straniera, 

VP  7.50. 

-  28    II    Couvegno    dei    Pazzi,    scherzo.     VP 

5.50. 

-  30  2.   Fantasia   di  Concerto,  sulla  Lucia   di 

Lammermoor,  VP  9 — . 
35  Un  Ballo  in  raaschera,  fantasia-capriccio, 
VP  7—. 

-  36    Loin    d'Elle,     pensee    m^lancoliqiu>.      P 

2.50. 

-  Danse    des    Houris.    pensee    caracteristique, 

VP  6—. 

-  Dimmi    perche,    stornello    2.75. 

-  Fantasia  brillante  sulla   Giovanna  Grey  4i 

Mack,   VP  7.50. 

-  Fartasia    di    concerto   sulla    Lucia   di    D  o - 

n  i  z  e  1 1  i,    VP   5 —   Mariani. 

-  11    fior    della    iiemoria,    romanza   2.50. 

-  Tl    pianto    estremo,    notturno    sentimentale, 

P  2—. 

-  Oblio,    notturno.    P   2.50. 

-  Povero  fior !   rom.anza  per  Canto  e  V  con  P 

4—. 

-  Prece    ed     il     Fiore.    pensiero    melanconico 

2.50. 

-  Reverie   Espagnole,    VP   6 — . 

-  Speranza,  P  1 — . 

-  Un  image  ch^rie,  nocturne  romantique    VP 

4.50. 

-  U^na    Notte   al   Cimitero,   elegia,   VP  5.50. 

Une  image  ch^rie,  nocturne  romantique,  P 
3—. 

Marzorati  A.  c  Fasanotti  F.  Adagio  dans 
le   Trio   de   R  o  s  e  1 1  e  u,    VP   3.50  Ricordi. 

Marzuttini  G.  B.  Ricordi:  Amo  te  sola  (Je 
n'aime  que  toil),  V.  Fl,  Mand  k  — 50  n, 
con  P  a  1 — n,  con  G  k  — 75  n,  Mand(V )Fl, 
2V(Mand)  a  —75  n,  2Mand(V)P  1.25  n, 
2Mand(V)0  1— n,  Mund(V)MaP  1.25  n, 
Mand(V)MuG  1— u,  V(Mand)FlP  1.25  n, 
V(Mand)FlG  1— n,  VFlMa  1— n,  FIV 
(Mand)MaP  1.50  n,  FlV(Mand)G  1.25  n, 
2V(Mand)Ma  1— n,  2V (Mand)MaP  \.5>(iM, 
2V(Mand)MaG    1.25  n. 

-  Atomi    d'oro     (Atonies    d'or),    mazurka,    V, 

Fl,  Aland  a  — 50  n.  con    /'  a   1.25  n,  con  O 


Marz'jttini  G.  B.  Atotni  d'oro 


262     — 


Marzuttini  G.  B.  XapoH 


a  — 75n,  Mand(VJFl  — 75  n,  2Mand(V) 
— 75n,  2Mand(V)P  1.25  n.  23/a?!C?rV'X/ 
1— n,  MundfVJMuP  1.50  n,  MundfVJMuG 
l_,i,  V(Maml)FlP  1.50  n,  VfMandJFlG 
1 — n,  VFlMa  1 — n,  F/KCi)/«?^d;iVaP  1.75  n, 
FlVfMandJG  1.25  n,  2V(Mand)Ma  1— n, 
21Y-1/ft7!d;jl/aP  1.75  n,  2V{M(i7id)MaG 
1.25  n. 
-  Ave  Maria  3 — . 

■  Biancospino    (Aub6pine),    mazurka,    F,    Fl, 

Mand  il  — 50  n,  con  P  a  1 —  n,  con  G 
a  —75  11,  Mand(V)Fl  —75  ii,  2Mand(V) 
— 75n,  2i!/owdrV;P  1.25  n,  2Mand(V)G 
1— n,  MandfVJMaP  1.25  n,  MandfVJMaG 
1— n,  VfMandJFlP  1.25  n,  V(Mand)FLG 
1— n,  V(Mand)FlMa  1— n,  FlV(Mand) 
MaP  1.50  n,  FlV(Mand)MaG  1.25  n,  SF 
(Mand)Ma  1— u,  2V(Mand)MaP  1.50  ii, 
gyr^l/a7!d;il/oG  1.25  n. 

■  Calnia     (Calnie),    valzer,      Y,    7%    Mand    k 

— 75  n,  ron  P  il  1.75  n,  con  G  a  1.25  n, 
MandfVJFl  1.25  ii,  gil/tt«d^y;  1.25  n, 
2Mund(V)P  2— n,  2Mand(V)G  1.75  n, 
Mand(V)MaP  2— n,  Mand(V)MaG  1.75  ii. 
Y(Mand)FlP  2— n,  VfMandJFlG  1.75  n, 
V(Mand)FlMa  1.75  n,  FZyf^J/awd^P  2.25  n, 
FlVfMandJG  2— n,  2y('^/awd;il/a  1.75  u. 
2VfMand)MaP  2.25  u,  2VfMandJMaG 
2— n. 
•Carezza  (Caresse),  polka,  F,  i^^,  Jfand  a 
— 50  n,  con  P  a  1— ii,  con  G  a  — 75  n, 
MandfVJFl  — 75  n,  2Jl/««d/F;  — 75  n, 
2MandfVJP  1.25  n,  2MandfVJG  1— n, 
MandfVJMaP  1.25  n,  MandfVJMaG  1— n, 
VfMundJFlMa  1— n,  VfMandJFlP  1.25  n, 
VfMandJFlG  1— n,  FlVfMandJMaP 
1.25  n,  FlVfMandJMaG  1.25  n,  SFf'J/and; 
Jfa  1— n,  2Fril/a?id;3/«P  1.50  n,  gF 
fMandJMaG    1.25  n. 

Dalla  terra  alia  luna  (De  la  terre  a  la 
lune),  galop,  F,  PZ,  Mand  a  — 50  u,  con 
P  a  1— n,  con  G  a  — 75  n,  3/andCF;PZ 
— 75n,  2MandfVJ  — 75  n,  2MandfVJP 
1.25  n,  2MandfVJG  1— u,  2MandfVJMa 
1— u,  MandfVJMaP  1.50  n,  MandfVJMa 
G  1.25  n,  VfMandJFlMa  1— u,  Ff'J/and; 
FZP  1.25  n,  VfMandJFlG  1— ii,  PZF 
fMandJMaP  1.50  n,  FlVfMandJMaG 
1.25  n,  gF^^JJ/a^d^.l/a  1— n,  2VfMandJMa 
P   1.50  n,   gF^'Mand^G    1.25  n. 

Di  Stella  in  stella  (D'^toile  en  6toile), 
mazurka,  F,  PZ,  iJ/awd  a  — 50  n,  con 
pa  1— n,  con  G  a  — 75  n,  MandfVJFl 
— 75n,  2MandfV)  — 75  n,  2MandfV)P 
1.25  n,  2MandfVJG  1— n,  2MavdfVJMa 
1— n,  MandfVJMaP  1.25  n,  MandfVJMa 
G  1— n,  VfMundJFlMa  1— n,  VfMandJ 
Ftp  1.25  n,  VfMandJFlG  1— n,  FfJ/a^id; 
P/jl^aP  1.50  n,  VfMandJFlMaG  1.25  n,  2F 
fMar,dJMa  1— n,  gFfil/o?id;3/aP  1.50  n, 
2VfMandJG   1.25  n. 

Forfalla  nera  (Papillon  noir),  mazurka,  F, 
Fi,  J/and  a  —50  n,  coii  Pal—  n,  con  G 
a  — 75n,  MandfVJFl  — 75  n,  g3/a«drF; 
— 76n,  2il/and(^F;P  1.25  n,  2MandfVJG 
1— n,  gJ/awd(^F;il/a  1— n,  Mand^F^il/ft 
P  1.50  n,  MandfVJMaG  1.25  n,  F(^il/a/?d; 
PZi)/o      1— n,      VfMandJFlP      ]  .25  u,      F 


fMondJFlG  1— n,  VfMandJFlMa  1.50  n, 
VfMandJFlMaG  1.25  n,  gF^il/ond^J/o 
1— n,  2VfMandJMaP  1.50  n,  2FfJJ/ond; 
J/aG    1.25  n. 

-  Fior  di  Serra    (Fleur  de  Serre),  polka,   F, 

PZ,  Mand  a  —50  n,  con  P  a  1 —  n,  con  G 
a  — 75n,  MandfVJFl  — 75  n,  gil/ond^F; 
— 75n,  2MandfVJP  1.25  n,  gil/a7(.d(^F;G 
1.25  n,  2Ma7idfVJMa  1— n,  MandfVJMaP 
1.50  n,  il/ajidcF^JI/aG  1.25  u,  F^il/and^P/- 
.V«  1— n,  Ffil/and;PZP  1.25  n,  F^J/andjP? 
G  1— u,  VfMandJFlMaP  1.50  n,  VfMandJ 
FlMuG  1.25  n,  2VfMandJMa  1— n,  2F 
fMundJMaP   1.50  n,   2 F ('Mand; MaG  1.25  n. 

-  Fiore   appassito    (Fleur   fanee),   valzer,    F, 

PZ,  il/and  a  — 75n,  con  P  a  1.25  n,  con  G 
G  a  1— n,  MandfVJFl  1.25  n,  gJ/awd^F; 
1.25  n,  gJl/a^^drF;7'  2.25  n,  2MandfVJG 
1.75  n,  gil/andn^y'-Va  1-75  n,  MandfVJMa 
P  2.25  n,  MandfVJMaG  1.75  n,  F^Mand; 
PZJ/a  1.75  n,  VfMandJFlP  2.25  n,  F 
fMandJFlG  1.75  n,  VfMandJFlMaP 
2.50  n,  VfMandJFlMaG  2— n,  2VfMandJ 
Ma  1.75  n,  2VfMandJMaP  2.50  n.  3F 
fMandJMaG  2— n. 

-  Mestitia,    canzone,    F,   PZ,   Mand   a   — 50  n, 

con  P  a  1.25  u,  con  G  a  — 75  n,  MandfV) 
Fl  — 75n,  2MandfVJ  — 75  n,  gil/andfF; 
P  1.50  n,  2MandfVJG  1— n,  2MandfVJ 
Ma  1— n,  MandfVJMaP  1.50  n,  MandfV) 
MaG  1— n,  VfMandJFlMa  1— n,  F 
fMandJFlP  1.50  n,  VfMandJFlG  1— n, 
VfMandJFlMaP  1.75  n,  VfMandJFlMaG 
1.25  n,  2VfMandJMa  1— n,  2VfMand)Ma 
P   1.75  n,   2V fMandJMaG   1.25  n. 

-  Methode,     Theoretisch-praktische,    fiir     die 

Neapolitanische  oder  Romische  Mand  (m. 
4  Doppelsaiten)  (Theoretical  and  Practi- 
cal Method  for  the  Neapolitan  or  Roman 
Mand  (with  four  double  strings),  testo 
tedesco  e  inglese  4 — u:  Bd.  I  (Teil  I — II), 
II    (Teil  III— IV)    a  2.50. 

-  Mete  do    teorico-pratico    per    Mand    Napoli- 

tano  e  Romano  (a  4  corde  doppie)  (M6- 
thode  theorique-pratique  de  Mand  Napo- 
litaine  ou  Romaine  (a  4  cordes  doubles) , 
testo  italiano  e  francese  4 — n:  I — II 
2.50  n,   a    1.50  n,   III— IV   2.50  n,   a    1.50  n. 

-  Mughetti   e   Viole    (Violettes   et   Muguets), 

mazurka,  F,  Fl,  Mand  a  — 50  u,  con 
P  a  1— n,  con  G  a  — 75  n,  MandfVJFl 
—75  n,  2Ma7idfV)  —75  n,  2MandfVJP 
125n,  2MandfVJG  1— n,  2Ma7idfVJMa 
1— n,  Ma7idfVjMaP  1.25  n,  Ma7idfVJMa 
G  1— n,  VfMa7idJFlMa  1— n,  VfMandJ 
FIP  1.25  n,  VfMa7idJFlG  1— n,  Ff'Mowd; 
PZil/aP  1.50  n,  VfMandJFlMaG  1.25  n,  2F 
(MundJMa  1— n,  2VfMandJMaP  1.50  n, 
2V fMandJMaG    1.25  n. 

-  Napoli,   tarantella,   F,   PZ,   J/and   a   — 50  n, 

con  P  a  1 — n,  con  G  a  — 75  n,  MandfV  J 
Fl  — 75n,  2Ma7idfVJ  — 75  n,  gJ/andf'F^P 
1.25  n,  2Ma7idfVJG  1— n,  2Ma7idfV)Ma 
1— n,  VfMandJMaP  1.25  n,  VfMandJ  Ma 
G  1— n,  VfMa7idJFlMa  1— n,  VfMandJ 
FIP  1.25  n,  VfMandJFlG  1— n,  Ff^.l/ond; 
/•7.1/r/P   L.-SOii.   VfMandJFlMaG   1.25  n,   gF 


Marzuttini  G.  B.  Napoli 


—     2(33 


Mas  M.  Polonesa 


(MundJMa  1— n,  2V(Mand)MaP  1.50  n, 
2V(Mavd)MaG  1.25  n. 
-  Non  ti  veciro  mai  piil  ( Je  ne  te  verrai 
plus!),  romanza,  V,  Fl,  Mund  H.  — 50  n,  f-on 
P  A  1.25  11,  con  G  a  — 75  n,  Mnnd(V)Fl 
—Ion,  2Mund(V)  — 75  n,  2Mund(V)P 
1.50  n,  2Mand(V)G  1— ii,  2Mand(V)Ma 
1— n,  Mand(V)MuP  1.50  n,  MandfVJMa 
G  1— n,  V(M(ind)FUIa  1— n,  V(Mund) 
FIP  1.50  n,  V/'MaiidJFlG  1— n,  yf'.l/aj?^; 
FUfaP  1.75  n,  V (MandjFlMaG  1.25  n,  27 
(MavdjMa  1— n,  SFfil/aridhl/aP  1.75  n, 
21V.l/fl?ifZ;.l/aG   1.25  n. 

Ora  melancouica  (Heure  m41ancoIiquc), 
n  elcdia,  V,  Fl,  Hand  a  — 50  n,  con  P  a 
1.25  n,  con  G  a  1— n,  Mand(V)Fl  1— n, 
2Mund(Vj  1— n,  2MandfV)P  1.50  n, 
'3il/f/rtd^F;0  1— n,  ,?.1/««(ZrT'M/a  1— n, 
MandfVJMaP  1.50  n.  MandfVJMaG  1— n, 
V(Maml)Fnia  1.25  n,  V(Mand)FlP 

1.75  n,  VfMandJFlG  1.25  n,  V(Mand)Fl 
Map  2— n,  V{Mand)FlG  1.50  n,  2V 
(Mand)Ma  1— n,  2V(Mand)MaP  1.50  n, 
2V(Mand)MuG    1— u. 

Ritorncra?!  (Reviendra-t-il? !) ,  romanza, 
y,  Fi,  ilfawd  a  — 50  n,  con  Pa  1.25  n,  con 
G  a  —75  n,  3/a??cZ(^y;FZ  —75  n,  2Mand(V) 
— 75n,  2Mnnd(V)P  1.50  n,  .g.¥«nd/'y;Gf 
l—n^  g.l/andi^y^Vrt  1— n,  il/rtwdr y;-1/«P 
1.50  n,    j1/aridrT^;J/«G     1— n,     yr.l/o«(ZJFZ 

3fa  i_n,  yr.i/fl«rf;FZP  1.50,  yrii/««d;Pi 

a  l—n,  V(Mand)FlMaP  1.50  n,  yj'il/anfZ; 
MaG  1.25  n.  2yr3/a?id;.l/a  1— n,  2y 
(Mund)MaP  1.75  n,  2V(Mand)MaG  1.25  n. 

Ritorno  dei  Pescatori  (Le  Retour  des  P6- 
cheurs),  barcarola,  V,  Fl,  Mand  a  — 50  n, 
con  P  a  1— n,  con  G  a  —75  n,  Mand(V)Fl 
— 75n,  2Mand(V)  — 75  n,  2Mand(V)P 
1.50  n,  2.1/andri''y'G  1— n,  2i1/«ndry;  1/a 
1— n,  Mand(V)MaP  1.50  n,  Mcoidf'y^.Va 
(?  1— n,  V(Mand)FUIa  1— n,  V(Mand) 
FIP  1.50  n,  V(Mand)FlG  1— n,  y^il/arid; 
FZil/aP  1.75  n,  V{Mand)FlM(iG  1.25  n,  27 
(Mand)Ma  1— n,  2V(Mand)MaP  1.75  n, 
2V(Mand)M(iG    1.25  n. 

Scintillante  (Etincelante),  polka,  y,  FZ, 
Ifatid  a  — 50  n,  con  P  a  1 —  n,  con  G  a 
— 75n,  Mand(VJFl  — 75  n,  gJ/ojidr^j 
-75  n,  .2.1/««rfr7^F  1.25  n,  2Mund(V)G 
1— n,  2MandfV)Ma  1— n,  MmidfV j:\fnP 
!.25n,  MandfVJMaG  1— n,  V(Mand)Fl 
Ma  1— n,  V(Mand}FlP  1.25  n,  yril/andy) 
FZ(?  1— n,  V(Mund)FlMaP  1.50  u,  y 
aiandJFlMaG  1.25  n,  gyf'J/oMd^il/a  1— n, 
2V(McndJM<iP  1.50  n,  2V(Mand)MaG 
i  .2.5  n. 

Skating-Ring,  valzer,  y,  FZ,  Mand  a  — 75  n, 
eon  Pa  1.75  n,  con  G  a  1.25  n,  Mand(V)Fl 
1.25  n,  2Mund(Vj  1.25  n,  2MandrV)P  2—n, 
2Mand(V)G  1.75  n,  2Mand(V)Ma  1.75  n, 
Mand(V)MaP  2—n.  Mand(V)MaG  1.75  n, 
VfMa-ndJFlMo,  1.75  n,  yj'il/ajjrf^FZP  2— n, 
VfMandJFlG  1.75  n,  VfMandJFlMaP 
2.25  n,  VfMavdjFlMaG  2—n,  gyf^il/aiicZ; 
Ma  1.75  n,  2yf.l/and;J/aP  2.25  n,  2y 
fMandJMuG   2—n. 

Sogno  dorato  (Reve  dore),  valzer,  y,  FZ, 
A/a?i(Z  a  — 75  n,   con  P  a   1.50  n,  con   6   a 


1— ii,  MandfVjFl  1.25  ii,  2iI/«ncZ(<y; 
— 75n,  2MandfVJP  1.75  n,  2MandfVJG 
1— n,  2MandfVjMa  1— n,  MandfVJMaP 
1.75  n,  MandfVJMaG  1.75  n,  VfMandJFl 
Ma  1.50  u,  VfMandJFlP  2—n,  yf^il/ojuZ; 
FZG  1.50  n,  VfMandJFlMaP  2.25  n,  y 
fMar.dJFlMnG  1.75  n,  gyj^.l/ancZ^l/a  1— n, 
2yri/(.»cZ;.l/aP  2—  n,  2VfMa'ndJMuG 
1.25  n. 

-  Spensierato    (L'Insouciante),   polka,    y,   FZ, 

jl/ajwZ  a  —50  n,  con  P  a  1 —  n,  con  G 
a  — 75n,  yf'.l/fljfd^FZ  — 75n,  2MandfVJ 
— 75n,  gil/ajfcZn^y'F  1.25  n,  2MandfVJG 
]— u,  2.1/«?(cZry;3/«  l— n,  MandfVJMaP 
1.25  n,  MandfVJMaG  1— n,  VfMandJFl 
Ma  1— n,  y^l/a«d;FZP  1.25  n,  VfMandJ 
FIG  1— n,  VfMandJFlMaP  1.50  n,  y 
fMandJFlMaG  1.25  n,  2yr3/ancZ;j/a  1— n, 
2VfMand)MaP  1.50  n,  2yrjl/a«cZ;j/«G 
1.25  n. 

-  Stella      maris,      barcarola.      y,     FZ,     Mand 

a  — 50  n,  con  P  a  1.25  n,  con  G 
a  — 75n,  MandfVJFl  — 75  n,  2MandfV) 
— 7:n,  2il/r(«rf(^y;P  1.50  n,  2MandfVJG 
.1— n,  2Mand(VJMa  1— n,  MandfVJMlxP 
1.50  n,  iI/aJKZry;iI/aG  1— n,  VfMandJFl 
Ma  1— n,  VfMandJFlP  1.50  n,  VfMandJ 
FIG  1— n,  y(^il/ajid;FZiVaP  1.75  n,  y 
fMand)FlMaQ  1.25  n,  2y^J/ftnrf;3/a  1— n, 
2VfMandJMaP  1.75  n,  2VfMand)MaG 
1.25  n. 
-Stile  antico  (Style  ancien),  gavotta,  y,  FZ, 
Mand  fi  — 50  n,  con  P  a  1 — n,  con  G 
a  — 75n,  il/cHcZry;FZ  — 75n,  23/awd(^y; 
— 75n,  2MandfV)P  1.25  n,  gilAandr^^G 
—75  n,  2-1/aw(Zry;i»/a  1— n,  MandfVJMaP 
1.25  n,  MandfVJMaG  1— n,  y/'il/aiid^FZ 
il/o  1— n,  VfMandJFlP  1.25  n,  VfMandJ 
FIG  1— n,  VfMandJFlMaP  1.50  n,  y 
fMandJFlMaG  1.25  n,  gy^l/awdjMa  1— n, 
2VfMandjMaP  1.25  n,  2y/'ira«<i;il/oO 
1— n. 

-  Vagabondi   (Lew  Vagabonds),  valzer,  y,  FZ, 

3/o»cZ  a  — 75  n,  con  P  a  1.75  n,  con  G 
a  1.25  n,  MandfVJFl  1.25  n,  2MandfVJ 
— 75n,  23/fl«d!ry;P  2—n,  23/an(Z('y;G 
1.75  u,  2MavdfVjM(i  1.75  n,  MandfVJMa 
P  2—n,  MandfVJMaG  1.75  n,  VfMand) 
FIMa  1.75  n,  VfMandJFlP  2—n,  VfMandJ 
FIG  1.75  n,  yi^J/ft/ifZjFZ^/aP  2.25  n,  y 
(MandJFlMaG  2— u,  2yf'il/rtnd;.1/a  1.75  n, 
2VfMondJMaP  2.25  n,  gy^WancZ^il/aG 
2—n. 
Mas,  Etcs  de  Cuba,  habanera  4 —  Ayn4. 

Mas   A.    M.   Trio   facile,   Pyyc    (A-m.)    2.50 

Mas  C.   M.    (Fils),  op.  1   Trois  grands  Duos 

cor.ftrlauts,  2FI  4.50  Kistner. 
■  2  Trcis  grands   Duos  concertants,   2FI  4 — 

A"?s/).'er. 

-  2  3  Duetti,  2FZ  a  2.50  Ricordi. 

Mas  M.  Llohei :  Andante  de  la  senate  op.  14 
N.   2.   de  Beethoven,   O   2—. 

-  Gavota,  G  2—. 

-2  Gavottes  celebres,  de  J.  S.  B  a  c  h,  G  2 — . 
-Menuetto,  G  2—. 

-  Nocturno,  G  2 — . 

-  Polcnesa,  op.  40  N.   1    (Chopin),   G  2—. 


Msiarii  P.  //  Fracassc 


t.'ti4     — 


Mascagni  P.  Amico  FHtx 


Siehe,    ich 
Agnus    dei,    A   1 — 


Nr.    2.    Ade    zur 
Blatt   mid  Bliite 


—30. 


Masani   P.  Tl  Fracasso.  niaifia   militare  1.25 
Ricordi . 

-  Pas£eggiate    militari,    6  inarcie:     1.    Mila 

nese,   2.   Uu    Salulo   all'Italia,   3.   Caprer.i. 

4.  Le  Manovre  di  Somma,  5.  Un  Ballo  in 

itpscbera,  6.  La  Fiorentina,  fi  1 —  Bicordi. 
Masantini,      Iligoletto,    souvenir.      ^ms    9 — 

a.  vs. 
Masataka,    Japanese    cherry "  dance,    P    :', 

Afifhi  rhery. 
Masberg    C.    A.    Joh.    op.    2    Sechs    SATE: 

1.  Hoffnuug:  „Und  draut  der  Winter  nocli 

so    sehr."      2.    Mondnacht :    „Es    war,    ais 

hatt'  der  Himmel."  3.  Leucht't  heller  denn 

(lie  Sonne.  4.  Es  ritt  ein  Jiiger  wohlgemut. 

').  Du  bist  min,  ich  bin  din.  ti.   Nachtlied  : 

„Vergangen  ist  der  lichte  Tag"  4 —  Hein- 

nviishofvn. 
-3    Zwei    Moteiten,    BATE:      1. 

stehe    vor    der    Tiir.    2. 

Hci  n  richsh  of  en. 
-4  Palnisonntagmorgen :    „Es  fiel  ein   Tau", 

^.^ATTIi  3—  Heinrichshofev. 
Masberg  Joh.  Jurycnson:  Op.  4  Nr.  1.  Friih- 

ling  ohn'  Ende  — 30.  Nr.  2.  Grun  war  die 

Weide  —20. 
-5    Nr.    1.    Sehnsucht    —40. 

Guten  Naeht  —30.  Nr.  3 

—30. 
-6  So  weit,  Duett  — 40. 

-  7  Im  Mai,  Duett  —40. 

-BoaKOHeiHaa  uecna,  (p.  h.) 

-  MciTH  (p.  H.)  -^40. 

-  HeB03BpaTHoe,  EyaT-B  (p.  h. 

-  IIojviHK)  a  (p,  H.)  — 20. 
-lo-b  Ma-b,  JI,yd:Th  (p.  h.)  —40. 

-  oanax'h   jivctt.  n   i^B-feTi.  ^^aexf.   (p.  h.) 
Masberg   Johannes,   Liedor.    Duette   u. 

zette  mit  u.  ohne  P  2—  u   Bethel. 
Mascagni    Pietro    (1863),    A    Giaconjo 

pardi,  ]>oenia  miisicale  pei'   0  e  voce 

CP  3—  Ricordi. 
•  A   la   lune   3 —   Ueugel,   Allii 

ihoine.  '  '     ' 

-  Album,    f.   1    Singst    m.    P :    1 

(Intel  mezzo-Cavalleria) .  2. 
(Freund  Fritz).  3.  Osterhyrnne  (Cavalle- 
ria).  4.  Blumenlied  (Freund  Fritz).  .5. 
Verliihen  (Rantzau).  6.  Liebesschmerz 
(Ca^alleria).  7.  Bibelgesang  (Freund 
Fiitz).  8.  Liebesahnung  (Rantzau).  9. 
Rciranze  d.  Santuzza  (Cavalleria).  10. 
Liebe.shymne  (Freund  Fritz).  11.  Jugend- 
tiauni  (Ivantzau).  12.  Liebesklage  (C;i- 
valltria).  13.  Zigeunerlied  (Freund  Fritz) . 
14.  Brunnenlied  (Rantzau).  15.  Lolas  Lied 
(Cav{.lleria).  16.  Unter  dem  Kirschbaum 
(Freund  Fritz).  17.  Siciliana  (Cavalleria). 
18.  Glockenlied  (Cavalleria).  19.  Trink- 
lied  (Cavalleria).  20.  Luises  Liebeslied 
(Rai.t^.au).  21.  Georgs  Liebeslied  (Rant- 
zau). 22,  Turiddu's  Ab.srhied  von  der 
Mutter    (Cavalleria)    4 —  Bote. 

-  .\lbuin,     Lieder    f.   1     Singst    m.    P : 

Stern.      Entsagung.      Blumenorakel. 
Rose    ini    Gebetbuch.    Mondlandschoft 
Ihi.-Ed. 


-40. 


hina   .3- 


Ter 

Le(j- 
di   .S", 


Ave    Miiiia 
Liebesffliick 


Der 

Die 
') 


S   2.50. 

tanti    bambini, 


ST 
un 


4—. 
gioruo     mi 


Cor- 


1.50. 


del- 


Alioin    ed  Ora,   romanza   2 — n   Sandron. 

Amico  Fritz,  commedia  lirica  (1891), 
Sonzogno:  CP  15 — n,  edizione  di  Iubso 
20— n,  testo  francese   15— n,    P  9—    fChP 

5.40,   P  3.24  NciiparlhJ  : 

Rcnanza:    Son  pochi   fior 
Racconto:    Laceri,    miseri 

MS   2.50. 
Duetto:    Snzel,    buou    di, 
Cuuzcne :    O    pallida,    che 

guardasti,   MS  2.50. 
Roni;.nza  :   0  amore,  o  bella   luce  del  core, 

T   2.50. 
Lcmento:    Nou   mi    re.sta    clie   il   pianto   ed 

il  dolore,  S  2 — . 

Pezzi  Staccati : 
Prehulietto.    P   2.r>i). 
Intermezzo,   P   2.50. 
As!?clo,    V   1.50. 
Potpourri,    P   3—. 
Intermezzo    dell'Atto    III    5—. 
Ronr.iLza:   Son  pochi  fiori,  CornettaP  2 — . 
Rcnanza:    Laceri.    miseri.    tanti    bambini, 

CorveituP   2—. 
Trasciizione    per    CornettaP    2.50. 
Duetto  delle  ciliege,  trascrizione  per  Cor- 
nettuClavioornoP  2.50. 
Rcmarza  :   O  amore,  trascrizione  per 

7icttuP    1.50. 
Trascrizione,   P    (G.   Mici)    3—. 
Caiizone    Alsaziana,    trascrizione,    P 
Trascrizione,   P    1.50. 
Picccia     Fantasia,    P.     sul    Preludio 

I'Alto  II,  P   1.50. 

Aarherhcrg  : 
Voc.  score   10/6  n.  Z'  7/6  a. 
Sorgs : 

1.  Romance  (Suzel)  :  'Tie  but  a  few  sweet 
Flowers  4/ — . 

2.  Gipsy  Song  (Beppo)  :  Homeless  and 
ir.otherless   4/ — .  ... 

3.  Cherry  Duet  (Fritz  and  Suzel)  :  Suzel, 
Good   day!    Part  I   4/—. 

4.  Ditto,    ditto.    Part    IT    4/—. 

5  Ditto,   ditto,   complete  5/ — .  . 

6. 'Tis  love    (Fritz),  E   and  G  minor  4/ — . 

7.  Canzone  (Beppo)  :  Ah,  pale  sweet  face! 
ah,  gentle  eyes !  4/—. 

8.  Lament  (Suzel)  :  Naught  is  left  me  but 
only  tears  and  sorrow  4/—. 

9.  Preludietto,    P    4/—. 

Inteimezzo:  P  4/ — ,  P  (easy)  4/ — ,  Jtma 
4/—,  VP  4/—,  FlVVcP  ^  4/—,  FullO 
10/6  n,  Sep.  parts  a  1/— n,  wO  10/6  n, 
Sep.   parts  A   1/ —  n,   VJ 

March  :    P   4/ — ,    J^ms   4/— 
parts  il  — /6  u. 

Selections,   P :   A  z  z  o  n  i : 
easy   4/ — . 

W.    Kuhe:    Brilliant    Fantasia 
tely   difficult    4/ — . 

C  e  1  e  g  a  :  Fantasia  elegant,  moderately 
difficult   4/ — . 

F  r  u  g  a  1 1  a  :  Transcription.  difficult 
4/—. 

Giaretta:  Souvenir,  moderatel.v  diffi- 
cult 4/—. 


4/—. 
,   mO   7/Q  u,   sep. 

Short   Fantasia, 

modera- 


Mascagni  P.  Afitico  Frit- 


•265 


Mascagnl  P.  Ascoltiamn 


Micii:  Four  Transcriptions:  N.  1. 
Bible  Duet  and  Tenor  Romance,  mode- 
rately difficult  4/—.  N.  2.  Cherry  Duet, 
moderately  easy  3/ — .  N.  3.  Alsatian 
Song,  easy  3/ — .  N.  4.  Introduction,  Act 
II.,  easy  3/—. 

N  o  r  s  a  :  Transcription  :  Waggon  Music, 
Tenor  Romance,  Cherry  Duet,  modera- 
tely  difficult   4/—. 

T  p  s  8  a  r  i  n  :  Transcription  :  Flower  Song, 
Ballad,  Lament,  Bible  Duet,  modera- 
tely   difficult    4/—. 

Tes.sarin:  2nd  Transcription:  Scherzo, 
Waggon  Music,  moderately  difficult 
4/—. 

F  o  t  p  o  II  r  r  i    (B.    W  o  1  f  f) ,    P   4/—. 

P-ele<-1ions,  ^ms:  A  z  o  ii  i  :  Scherzo.  Wag- 
gon  Music  4/ — . 

'1  e  8  s  a  r  i  n  :  Transcription  :  Gipsy  Song, 
March,  Cherry  Duet,  Intermezzo,  Wag- 
gon Music,  and  Bible  Duet  5/ — . 

Potpourri     (B.    Wolff),    Ittns    5/—. 

•Selection,  various  instruments:  VP: 
B  u  f  f  o  1  a  r  i :    Easy   and    brilliant    4/ — . 

VP:  E.  Bastini:  Brilliant,  iiioderately 
difficult   4/—. 

VP :  F  o  r  1  a  i  :  Gipsy  Song,  moderately 
essy   4/ — . 

17'  .•  M  u  g  n  o  n  e  :  Three  Transcriptions  : 
N.  1.  Romance:  'Tis  but  a  few  sweet 
flowers  3/ — .  N.  2.  Gipsy  Song:  Home- 
less and  motherless  3/—.  N.  3.  Ro- 
n-unce  :    'Tis    love    3/ — . 

VP :    P  r  a  t  e  s  i :    Fantasia,    easy   4/ — . 

FIP :    P  i  a  z  z  a    4/—. 

HP :  Piazza:  Four  Transcriptions : 
N.  I.  Romance:  'Tis  but  a  few  sweet 
flowers  3/ — .  N.  2.  Gipsy  Song:  Home- 
less and  motherless  3/ — .  N.  3.  Cherry 
Duet  4/—.  N.  4.  'Tis  love  3/—. 

('ornetP :    N  e  v  i    4/ — . 

Cornet P:  Nevi:  Two  Transcriptions:  N. 
1 .  Romance :  'Tis  but  e  few  sweet  flo- 
wers 3/ — .  N.  2.  Gipsy  Song :  Homeless 
ond   motherless   3,' — . 

CIP :    P  o  z  z  i    4/—. 

FiiUO  15/ — n.  Sep.  part.s  a  1/ — n,  mO 
15/^  n,   Sep.   parts   k    1/ —  n. 

Potpourri     (B.    W^  o  1  f  f ) ,    PV    4/—. 
Bote:    KA    12— n,    P    7.50  n  : 

l.Romanze  (SuseJ)  :  „Nur  ein  paar  Blu- 
men")    1.50. 

2.  Zigeunerlied  (Josef)  :  ,.Wie  ist  das  Le- 
ben"    1.50. 

3.  Kirschenduett  (Fritz  uiul  Su.sel)  :  „Ei, 
guten    Tag!"   2.50. 

4.  Lied  (Josef)  :  „Warum.  mein  blasses 
Kind"    1.50. 

5.  Romauze  (Fritz):  „0  Jjiebe,  du  .sanfte 
Leuchte   des  Lebens"    1.50. 

6.  Klage  (Susel)  :  .,Nicht  mehr  lacben" 
l—. 

Prt'hidietto    (Kleines   Vorspiel).    P   1.60. 
Intermezzo:    P    1.50,    erl.     (J.    A  z  z  o  n  1) 

1—,    4ms    (J.    Azzoni)    2—,    VP    (B. 

Wolff)       1.50,      VVcFlP       (G.      Gal- 

V  a  g  n  i )    2 — . 


6—      Hf     (O.     Brink- 


Intermezzo :      0 
m  a  n  n)    4 —  n. 

Marsch:     P     (B.    Wolff)     1.50, 
Wolff)    1.50,   IM   3— n. 


Jfitis 


(B. 


A-Sclo:    V  1— , 

Potpourri: 
(B.  Wolff) 

F  a  n  t  a  s  i  e  n 
lien,    P:    J. 
sie    2—.      N. 
gante  2.50. 


VP 


(C.  Bu  f  ola  r  i)    1.50. 

P    (B.   Wolff)    3—,    iw.s- 
4—,   VP    (B.  Wol  f  f)  3—. 

und  Transkriptio- 
Azzoni:  Kleine  Fanta- 
C  e  1  e  g  a  :  Fantaisie  6le- 
G.  F  r  u  g  a  1 1  a  :   Fantasi'>- 


Trrnskription  2.50.  F.  Giaretta: 
Souvenir  2.50.  G.  Mici:  4  Transkrip- 
tionen:  Nr.  1.  Bibelduett  und  Tenor- 
Romanze  (mittelschwer)  2—.  Nr.  2. 
Kirschenduett  (ziemlich  leicht)  1.50. 
Nr.  3.  Elsa.ssisches  Lied  (leicht)  1 — . 
Nr.  4.  Vorspiel  zum  II.  Akt  (leicht) 
1^ — .  V.  N  o  r  s  a  :  Transkription  :  Wa- 
ger-Ankunft,  Tenor-Romanze,  Kirschen- 
duett (ziemlich  leicht)  2 — .  A.  Tessa- 
riu:  Transkription:  Blumenlied,  Bal- 
lade, Klage,  Bibelduett  (ziemlich  leicht) 
2.50.  A.  T  e  s  s  a  r  i  n  :  Scherzo,  Wagen- 
Ankunft    (mittelschwer)     2 — . 

Transkriptionen,  ^his  ;  J.  A  z- 
z  o  n  i :  Scherzo  (Wagen-Ankuuft)  2 — . 
A.  Tessarin:  Transkription  (Zi- 
geunerlied, Marsch,  Kirschenduett,  In- 
termezzo. Wagen-Ankunft,  Bibelduett) 
2.50. 

Fantasien  und  Transkriptio- 
nen: C.  Bufolari:  Divertissement, 
VP  2.50.  G.  R.  F  o  r  1  a  i :  Zigeunerlied, 
VP  2 — .  F.  M  u  g  n  o  n  e :  Drei  leichte 
Transkriptionen,  VP:  1.  Romanze : 
„Nur  ein  paar  Blumen".  2.  Zigeuner- 
lied: „Wie  ist  das  Leben".  3.  Romanze: 
„0  Liebe,  du  sanfte  Leuchte  des  Li- 
bens",  a  L50.  G,  Pratesi:  Fantasie, 
FP.2.50.  J.  Piazza:  Fantasie,  FIP 
2.50.  J.  Piazza:  Vier  Transkriptio- 
nen, FIP:  Nr.  I.  Romanze:  ,,Nur  ein 
paar  Blumen"  1 — .  Nr.  2.  Zigeunerlied: 
„Wie  ist  das  Leben"  1.50.  Nr.  3.  Kir- 
schenduett 2.50.  Nr.  4.  Romanze:  ,,0 
Liebe,  du  sanfte  Leuchte  des  Lebens" 
1 — .  P.  Nevi:  Fantasie-Transkription, 
Cornet  a  I'P  2—. 

Fantasien  und  Transkriptio- 
nen: P.  Nevi:  Zwei  Transkriptio- 
nen, Cornet  a  PP:  1.  Romanze:  „Nur 
ein  paar  Blumen".  2.  Zigeunerlied : 
„Wie  ist  das  Leben",  k  1.50.  C.  P  o  z  z  i : 
FaLtasie-Transkription,    CIP    3 — . 

Grcfie   Fantasie,   0    10 — n. 

Grofie    Fantasie,    IM    10 — n. 

Voc.  .score  2 — n  Schi7-7}ier,  5.40,  P  3.24 
Neuparth,  Intermezzo,  /'  — 50  t^vhir- 
mer. 

Anico  Fritz  „Son  pochi"   1.50  H^apoleTio. 
Gebei  liner: 

2.  Duet    przy    wisniach    Arye   — 70  n. 

4.  Arj'a  mito6na,  arye  — 30  n. 

5.  PieM  cygana,  arye  — 40  n. 
Potpourri,  P  — 50  n. 

AsGoltiamo,    romanza    2.50    Grnmmophon. 


Mascagni  P.  Ave  Maria 


—     266     — 


Mascagni  P.  Gavalleria  Rustieatia 


,  ido    C  a  V  a  1 1  e  r  i  a    R  u  s  t  i- 
Von  Liebe  lafi  mich  singeu"  1.80 


2.50. 


1.50. 


.),     P 


P  3—. 
F.),    VP 
G.    B.),    Mand 


Ave    Maria. 

c  a  n  a . 
Ballade: 

Hu(j. 
Ballata   2—  Romano. 
Blun.enorakol,  Z  —80   Weinherger. 
Cavalleria  Rusticana,  melodrainma  (1890), 

Sonzogno:   CP   10— n,  P   6— ii,  ^ms   15—, 

libr.  — 75n. 

Siciliaua   1.50. 

Scena  e  sortita   di   Alfio 

Ecnianza  e  scena   2 — . 

Stori^ello  di  Lola  2 — . 

Briiidisi  di  Turiddu  3 — . 

Ave  Maria  in  chiave  di  Sol  dal  celebre 
intermezzo   1.50. 

Ave    Maria,    adattata   aH'intermezzo 
Pezzi    Staccati,   P  : 

Intermezzo  sinfonico   1 — . 

Preludio  2 — . 

Motivi     trascritti      (M  u  g  n  o  n  e     L 
4— n. 

FaLtasia    (M  e  n  o  z  z  i   G.), 

Trascrizione    (M  u  g  n  o  n  e 

Trascrizione    (Mai  dura 
(V)P  4— n. 

Trascrizioni  per  B</,nda  e  per  0;  M  a  r- 
tucci  P.:  I.  Trascrizione  per  Banda: 
Coro  d'introduzione,  scena  e  sortita 
d'Alfio  12— n.  II.  Gran  Duetto  per 
ST,  seguito  del  gran  duetto  e  brindisi 
10 — n.  III.  Potpourri:  Preludio,  Pre- 
ghiera  e  Duetto  per  SBar  15 — n. 

Cavalleria  rusticaiia  (Sizilia- 
nische  Bauernehre),  Melodrani,  Bote: 
Text  der  Gesange  —50  n,  KA  10 —  n,  P 
5 — n    (m.  iiberl.  Text)   6 — .  -'f7iis  10 — n. 

1.  Siciliana  (TJ :  „0  Lola,  rosengleich 
bliihen  deine  Wangen"  (O  Lola  bianca 
come  fior  di  spino)    1.50. 

Ibis.  Dieselbe,  t.  1.50. 

2.  Alfio's  Lied  (Bar) :  „Rossestampfen, 
Peitschenknall"  (II  cavallo  scalpita) 
2—. 

3.  Romanze  der  Santuzza  (8) :  „Als  euer 
Sohn  einst  fortzog"  (Voi  lo  sapete,  o 
mamma)    1.50. 

4.  Lola's  Lied  (S):  „0  siifie  Lilie"  (Fior 
di  giaggiolo)    1.50. 

4bis.  Dasselbe,   t.   1.50. 

5.  Duttt  (Santuzza  und  Turiddu,  ST): 
,.Nun,  da  siehst  du"    (Ah  !  lo  vedi)   3 — . 

6.  Trinklied  (T):  „Die  Becher  fullt  mit 
Wein"    (Beviamone   un   bicchie)    1.50, 

6bis.  Dasselbe,  t.  1.50. 

Ave  Maria  (Intermezzo  sinfonico)  :  „Mut- 
ter  Maria,  schaff'  mir  Rat"  (Ave  Ma- 
ria, madre  Santa)  1.50,  m.  PHHaVVc 
ad  lib.  3—. 

Vorspiel   und   Siciliana:      P  3 — ,   ^ms    (F. 

B  r  i  s  s  1  e  r)      3—,     VP      (Aug.     W  i  1- 

helmj)     3—,     VcP(na)    1.50,     0    9—, 

sO  5—  n,  7.1/  9—,  KM,  JM,  PM  9—,  mO 

(J.  N.  K  r  111),  Part  3—. 

Intel  mezzo  sinfonico:  P  1.50  Bote,  Chmel, 
Michoic,  erl.  (Fr.  Brissler),  J^ms 
(F  r.  Brissler),  VP  a  1.50  Bote,  Mi- 
chow,  MandP,  VcP,  FIP    (J.   Anders- 


R  i  c  h  t  e  r), 

1.50,    VVcP 

2VP      (J  o  s. 

(A.    Rein- 

( J  o  s.    W  e  r- 


sen),  Cornet  a  PP  (F.  R. 
HP  (A.  Reinhard),  a 
(Jos.  Werner)  2-  , 
W  e  r  n  e  r)  2—,  VVcEP 
hard)  2—  2VVaVcP 
ner)  3__,  PVVcFWWornet  a  P  3—, 
Cymbal  (K  u  n  L  a  s  z  1  6)  1.50,  U  (A. 
Reinhard)  1—,  Ha  (M.  A  1  b  a  n  o) 
1.50,  2V  (J.  Weifi)  1—,  Z  (F  r.  von 
Paula  Ott,  op.  71)  1—,  op.  72  1—, 
(F  r.  G  u  t  m  a  n  n)  1 — ,  Sir-Quart.  (A. 
Oelsehlegel)  2—  0  4—,  IM  (O. 
Brinkmann)  4—,  KM,  JM,  PM 
4r—,   mO    (J.   N.   Krai),   Part   2— n. 

Potpourri:  P  (Fr.  Brissler)  3 — , 
erl.  (B.  Wolff)  2.50,  4ms  (F  r. 
Brissler)  4—,  erl.  (B.  Wolff) 
3.50,  VP  4—,  FIP  4—,  Z  (Ed.  H  o  e- 
nes)    1.50,   Par.   Bes.  4—. 

Gr.   Fantasie,   P    (C.   R  i  e  g  g)    3—. 

Kleine    Fantasie,    P    (J.    Azzoni)     1.50. 

Ecmanze  der  Santuzza,  P  (B.  Wolff) 
1—. 

Lola's  Lied,   P    (B.  Wolff)    1—. 

Trinklied,  P    (B.  Wolff)    1—. 

Lola's   Lied,   j^ms    (B.   Wolff)    1—. 

Trinklied,   J^ins    (B.   Wolff)    I—. 

Szene   und   Gebet,   8ms  4 — . 

Kleine  Fantasie,   VP   2 — . 

Fantasie,    VcP    (Jos.   Werner)    3 — . 

Melodien,  H  (A.  Reinhard)  2 — ,  Mand 
P  2—. 

Szenen,   HP    (A.   Reinhard)    4 — . 

Grofie  Fantasie,  0  (C.  R  i  e  g  g)  10 —  n, 
Par.   Bes.   8—,   blM  6— n. 

Grofie  Fantasie,  IM  (A.  Urbach) 
10— n. 

10  Tiascrizioni,  Mand  (G  i  u  1  i  o  G  a- 
toldi):  1.  Siciliana.  2.  Coro  d'intro- 
duzione. 3.  Preghiera.  4.  Sertita  di 
Alfio.  5.  Romanza  di  Santuzza.  6. 
Duetto  Santuzza  e  Turiddu.  7.  Duetto 
Santuzza  ed  Alfio.  8.  Intermezzo.  9. 
Brindisi.  10.  Addio  di  Turiddu,  gr.  8» 
—50. 

Aschei'beyff : 

Voc.    score     (Italian    and    english)     7/6  n, 
P  5/ —  n,   (arr.  as  a  duet)   Jfms  7/6  n. 
I.Ave   Maria,   adapted   to   the   celebrated 
Intermezzo,    w^ith    english    and    italian 
words    4/ — . 

2.  Ditto,    with    VVcHaH    obbl.    5/—. 

3.  Siciliana   4/ — . 

4.  Alfio's  Song  if — . 

5.  Santuzza's   Romance  4, — . 

6.  Lcla's  Song  4/ — . 

7.  Duet    (Santuzza   and   Turiddu)    4/ — . 

8.  Drinking   Song   4/ — . 

9.0   Rejoice    that   the    Lord   has   arisen  I 
Easter   Hymn,   arr.   as  a  song  4/ — . 
10. 0    Rejoice   that   the   Lord   has   arisen  I 
For    2  solo    voices    and    chorus,     Voc. 
score    ]/6n,   chorus  parts  a   — /6  n. 

11.  Alfio's  Song  and  chorus,  Voc.  .score 
1/6  n,    chorus    parts    a    — /6  u. 

12.  Drinking  Song  (Brindisi),  for  solo  and 
chorus,  Voc.  score  L6  n,  chorus  parts 
a  — /6n. 


Mascagni  P.  Cavalleria  Rustieana 


•267     — 


Mascagni  P.  Cavalleria  Rustieana 


Drinking 


Song  for  solo  and  male  cho- 
score    1/6  n,    chorus    parts    a 


13. 

rus,    Voc. 
— /6  n. 

Introduction  and  Siciliana,  P  2/ —  n,  Jfins 
2/6  u,  yp  (A.  W  i  1  b  e  1  m  j )  2/6  n, 
FullO  10/6  n,  p.  s.  a  1/— n,  mO  10/6  n, 
p.  s.  a   1/—  n,   UO  TjQ  n,  p.   s.   a  — /6  n. 

Siciliana.  VP  3/—,  ConictP  3  — ,  VrP  3,—. 

Grand  Fantasia,  FullO  10/6  n,  p.  s.  a 
1/ — n,  mO   15/ — n,  p.  s.  a  1/ — n. 

Relcclions:  P  (K  u  h  e)  2/ — n,  (Bastini) 
n  edium  easy  2/ — n,  Ifins  (B  r  i  s  s  1  e  r) 
2/6  n,  P  (Azzoni)  easy  2/ — n,  MP 
3/—,  l(2)MandMaG  5/— n.  Potpourri, 
P  (Brissler)  2/— n,  (Wolff)  2/— n, 
lltns  (Brissler),  (Wolff)  a  2/6  n, 
VP  (Bastini)  2/—  n,  VcP  2/—  n, 
VVcP  (Bastini)  3/— n,  FullO  10/6  n, 
tnO  15/ — n  Ascherberg,,  Gr.  selection, 
Mil.  Band  15/—  Rudall,  VP  (G.  S  a  e  n- 
ger)    — 75   Fischer. 

Intermezzo:  P  (easy)  2/ — n,  (difficult) 
2/— n,  4ms  2/— n,  VP  21— n,  VcP  2/— n, 
FIP  2/— n,  CornetP  2/ — n,  BanjoP 
(arr.  by  Lyles)  4/—,  PHTIaVVc  7/6, 
HP  2/—n,'H  21— n,  Z  1/6  n,  VVcP 
2/— n,  2VP  21— u,  PVVcClFlCornetfTr) 
7/6,  2VVaVcP  2/6  n,  PVVaVc  2/— n, 
PFlVVc  2/6  n,  2VVaVc  2/— n,  VHP 
2/— n,  ycFP  2/— n,  2V  3/—,  2G  (or 
MandGJ  2/— n,  Orgr  2/— n,  ITand  2/— n, 
2Mand  4/—,  l(2)MundMa  5/—,  2Mand 
MuG  5/— n,  Cymbal  4/—,  FmHO  5/— n, 
mO  5/— n,   6iO  5/— n. 

Various  Arrangements:  Lola's  Song,  P 
3/—,  4ms  4/—.  Drinking  Song,  P  3/—, 
^ms  4/ — ,  Santuzza's  Romance,  P  3/ — , 
Scene  and   Prayer,   8ms   7/6. 

Cavalleria  Rustieana  (Rustic  Chi- 
valry), melodrama,  Voc.  score  1 —  Di-i- 
8on,  1.50  n,  Alfio's  entrance  song  — GO 
Schirmf}-. 

Vocal  Gems  from  „Cavalleria  Rustieana" : 
6  Airs,  1  Duet  and  Interm.  for  P  — 50  n 
Schirmer. 

Scene  and  Prayer  from  ,, Cavalleria  Rusti- 
eana",  SATE  — 25n   Schirmer. 

Santuzza's    Romanza,    Lnl;^  <    Soiia'. 
king    Song,    and    P,    Siciliana,    a 
Nat.  Music  Co. 

O  rejoice  —40  Ditson. 

Qrietude    of    Night,    8SAB     (G.    H. 
ward)    4 —   Silver. 

Intermezzo,  P  — 40  Century, 
Ditson,  — 50  Evans,  — 40  Fischer, 
J.  Fischer,  Gordon,  Groene,  — 40  Mc. 
Einley,  — 10  Nat.  Music  Co.,  — 35  Schir- 
mer, J.  E.  Schroeder,  fae.  (A.  T  h  o  r  n  e) 
— 25  J.  H.  Schroeder,  — 40  Willig;  l^ms 
— 50  Century,  Ditson,  Mc.  Kinley,  — 10 
Nat.  Miisic  Co.,  — 20  n  Presser,  — 40 
J.  n.  Schroeder;  6ms  — 40  Ditson; 
Oig(B)  —35  Ditson,  J.  Fischer,  —40 
Presser,  — 25  Schirmer ;  Z  — 20  Fischer, 
—30  Mills;  G  —25  Ditson;  VP  —40 
Century,  — 27  Cundy,  — 40  Ditson,  — 50 
Fischer,  — 10  Nat.  Music  Co.,  — 40 
Presser,    Schirmer,    Willig;      VcP    — 50 


Drin- 
-10 


Ho- 

—35 
—35 


Fischer;  FIP  —50  Fischer,  —10  Nat. 
Music  Co.;  CIP  —27  Cundy;  CornetP 
—27  Cundy,  —40  Fischer;  2VP,  VVc, 
VFIP,  VcFlP  a  —65,  VPOrg(U)  —50, 
(by  Lewis)  Mand  —20,  2Mand  —20, 
MandG  —25,  2MandG  —25,  (by  F  r  e  y) 
Mand  —30,  2Mand  —40,  MandG  —40, 
2MandG  —50,  MandP  —50,  2MandP 
—60,  G  —30,  GP  —40,  S<r-Quart.  (& 
L  a  n  g  e  y.  Evening  Breeze,  S/r-Quint.) 
— 40  n,  niO  — 50  Fischer,  (Walter 
Jacobs)  2G  —40,  IstMandfV)  —30, 
2d  MandfV J  —10,  MMandfMaJ  —15, 
Fl(Vc)—l5,  Banjo  ace. —15,  G  ace— 10, 
P  ace.  —20,  G-s.  —30  Jacobs,  Mil.  Band 
1.50  Hawlces. 

Prelude,  P,  Ifms  a  — 10  Nat.  Music  Co., 
— 50   J.    II.   Schroeder. 

Prelude  and  Siciliana,  P  — 60  Century, 
—75,  FullO  1.25,  14  Instr  1—,  10  Instr 
—80  Fischer. 

Prelude  and  Siciliana,  Intermezzo,  FullO 
1.25,  14  Instr  1—,  10  Instr  —80,  P  ace. 
—30  Fischer. 

Siciliana,  P,  4'ns,  Ma^idG  a  — 10  Nat. 
Music   Co. 

Selection,  P  — 30  Groene,  — 10  Nat.  Music 
Co.,  —50  Schirmer,  —40,  VP  —50,  FIP 
— 75,  Mand  — 40,  2Mand  — 55,  MandG 
—55,  2MandG  —70,  MandP  —70,  2Mand 
P  —90,  FullO  1.80,  14  Instr  1.50,  10 
Instr  1.25,  P  ace.  —40,  mO,  26  parts 
2.50,  32  parts  3 — ,  leader's  score  — 40 
Fischer. 

Potpourri,  P  —90  Gordon,  1—,  VP  —60 
Willig. 

Heuf/el: 

ChP  12— n,  (it.)  10— n,  (allem.)  2— n, 
P   6 — n,  4ws    15 — n: 

1.  Sicilienne :    O    Lola,    blanche    fleur    6 — . 

2.  Cht-nson  d'AIfio :  Piaffe,  mon  cheval 
friirgant   7.50. 

3.  Romance  de  Santuzza :  Vous  lee  avez, 
ma  m&re  5 — . 

4.  Refrain  de  Lola:   O  marjolaines!  5 — . 

5.  Duo  (Santuzza  et  Turiddu)  :  Non,  Tu- 
riddu,  piti^  pour  ma  souffrance  9 — . 

6.  Chanson  a  boire:  O  liqueur  enchante- 
rtfse  5 — . 

Ch.  s.  a  —35  n. 

Intermezzo  (A  une  Etoile)  3 — ,  P  4 — , 
(Fumagalli)  5—,  (Trojelli)  3—, 
4ms  6—,  II  5—,  Org  3—,  VP,  VcP,  FIP, 
MandP  a  5—,  VOrglla(P)  7.50,  0,  Part 
6—,  p.  s.  6—. 

Romanza  di  Santuzza  1.50  Bevilacqua, 
Napoleao. 

Siciliana  1.50  Bevilacqua,  Napoleao,  P 
1.50  Bevilacqua. 

Stornello  di  Lola   1 —  Napoletw. 

Intermezzo,  P  1 —  Bevilacqua,  Na- 
poleao, — 30  Neuparth,  — 60  Wagner  y 
Levien,  VfMandJP,  FIP  a  2—  Napo- 
leao, 

Preludio   e   Siciliana,   P  2 —  Napoleao. 

Refralne  de  Lola  de  Cavalleria  rustieana, 
Mand  — 25  n   Leopas. 


Mascagni  P.  Cavalleria  Rusticana 


268 


Mascagni  P.  Peine  d'aniour 


Transer.    V(Mand)P    4r—   Napoleao,    gr.  0 

12 —  Ayne. 
Potpourri,    f    1.25    Wagner   y    Levien, 

1.80  I'pxis. 
.fepcBeHCKaa    «h'«'ti.    Me.io/ipaMa    KA, 

P  a  1.50  (hitheil.  Jurgenson,  Leopas. 

Outheil : 

1.  Preludio,  P  —15. 

2.  Cnn,iiJiiaHa  — 30,  /-"  — 25. 
.3.  Xopi  HHTpo3yKn,iH  — 60. 

4.  Ci^eaa  ii  Bbixo^x  Ajib*io  — 60,   P  — 30. 

5.  Cu,eHa  h  MOJiiixBa  1 — . 

6.  PoMaacB  ii  ci^ena  — 30. 

7  a.  ^yaxt  CaHTyu,tiw  n  Typ^/^3y  1 — . 

7  6.  CTopneJiJio  JIoJiw  1 — . 

7  b.  IIpoflo.TiTKeHie  flyaia  1 — . 

8.  ^yBTii  CanTyu,n,M  ii  Ajib^io  — 50. 

10.  Ci^eHa,  xop-b  h  sacTOJibHaa  whcnn  — 50. 

11.  <5nHaji'B  — 05 

PoaiaHCT.  H  cueHa.  SnaJiH  B'b;^b  bbi,  o  Maaia 
(Vol  lo  sapete,  o  mamma)  — 25. 

CHUii.TiiaHa.  0  JloJia,  shohhou  n-Brn  cos^a- 
Hbe  (Siciliana).  /I^Jifl  tch.  ii  6apiiT.  -30  Bessel. 

fTpomaabHaa  ci^ena  TypHfl^y  (Vol  dovrete 
fare  da  maore)  — 25. 

3acT0JibHaa  iiiiCHfl :  /^aeaHTe  niiTb  co  mhoio 
(P.rindisi  di  Turiddu)  —25. 

Mo.iiiTr.n  TipecBaTofi  ^t.»+,  — 15  Sfliirpn^fo/c. 

Piosonka   Turridu,    arya   — 30    Oebethner. 

Przyjiiciel  Irge  Rwanie,  duel  — 40  Oe- 
lethner. 

Siciliana  — 20,  et  Intermezzo  (L.  K  r  o  - 
gulski),  P  —30,  VP,  VcP  a  —50 
Gelelhner,    — 15,    Jms   ^25    Jurgenson. 

Qiiiidrilie    — 40  n    Gehethner. 

Celebro  Duo,  P  (L.  K  r  o  g  u  1  s  k  i)  —25 
Gehethner. 

Intermezzo,  /'  —15,  (Wolff)  —20 
Gehethner,  — 15  Gutheil  Jurgenson, 
Leopas,  Lyre,  Ziiiiniermann,  Johansen; 
Jurgenson;  ^ms  — 30  Gehethner,  — 25 
Gvlhell,  Johansen,  Jurgenson;  H  — 15 
Jurgenson;  Z  — 30,  VP  — 40,  Gehethner, 
Gutheil,  — 30  Johansen,  Jurgenson, 
Zimtnermaiin ;  VcP  — 30  Gutheil,  Jo- 
hansen, Jurgenson;  Cornet  d  PP  — 30 
Johansen,  Jurgenson;  mO,  hlM  k  1.50 
Zimmermanyi. 

Siciliana,    P   — 20   Johansen. 

Prelude   et  Siciliana,   P  — 20   Leopas. 

Potpourri,  P  —40  Gehethner,  — 75 
Wa-iiljeio,  1 —  Gehrrnan,  Johnns,  Nord. 
Musikforlag,  Ifms,  T— II  a  — 50  Jur- 
genson,   VP    1 —   Line. 

Ave  M  aria  (sur  mot  dc  Intermezzo) 
2 —  Carisch.  1 —  Rebagli,  1 — n,  1.75  n 
Huchette,  Oh.  s.  — 35  n  Ileugel,  4/ — 
Ascherherg,  — 40  Century,  Ma.  Kinley, 
— 10  Nat.  Mvsic  Co.,  — 35  Schirmer, 
— 25  Gutheil,  — 40  Jurgenson,  1.50 
N(ipol(AO,  — 50  Wagner  y  Levien,  av.  G 
2.50  Carisch,  w.  HV  5 —  Ascherherg, 
a\.  PllllaVVc  7.50  Heugel,  —75  Schir- 
mer, Mand  — 25  n  Carisch. 
Ent.sagung,   Romanze,   Z  — 80   Weinherger, 

— 30  Jurgenson. 

Eterral  City,  P :  Serenata,  Prelude,  Inter- 
lude Act  II,  Interlude  Act  III,  Interlude 

\<<    fV,    Interlude  Act  V,  JV  4/—  Metzler. 


la 


tua    fineatra  I 
30    Gehethner. 


-  Eternal   City,  cantata  2/6   Metzler. 

-  Gavotta  delle  Bambole,  P  1.25  n  Ricordi, 
— 25  Johansen,  ^nis  1.75  n,  2MandP  1.75  n, 
2MandG  1.50  n,  stO  2— n,  Banda,  Part 
1.25  n    Ricordi. 

-  Gavotte  des  poupees,  P  1.75  n   Weiller. 

-Guglielmo  Ratcliff,  tragedia (1894) . 
CP  15—,  P  8—:  Pezzi  staccati,  P :  Inter- 
mezzo (II  sogno  di  Ratcliff)  1.50.  Pre- 
ludio al  IV.  Atto  2 — .  Introduzione  2.50 
Sovzogno;    vide:    William    Ratcliff. 

-  He  loves  me  —  loves  me  not  — 50  Wood, 
Ho  detto  al   core   1 —  n  Ricordi. 

-  I]   m'aime  3 —  Heugel. 
-Iris,    opera    (1898).    Ricordi:    GP    15 — n, 

(tedesco)    12—.    P   10—    fChP   4.50.   P   3— 
I        Neuparth)  : 

Ricordi : 
Serenata    di    Jor :    Apri    la    tua    finestra ! 

(Open   thy   window   maiden)    2 — n. 
Leggeuda.  La  Piovra :  Un  di   (ero  piccina) 

(Once  in  my  childhood)    2 — n. 

Pezzi   staccati,  P  : 
Introduzioue :     II    Sole    2 — ,    J^ms    3 — ,    0 

3.50  n,  Banda  2.50  n. 
La   Danza  delle  Gufechaa   1 — ,  Jfms   1.50. 
II  Teatro  dei  Pupi    1.50. 
Serenata    di    Jor :    Apri 

1—.    1.50   Napoleao,   P 

Ma  lid: 
In   pure  stille,   gaie   scintille  — 25  n. 
Serenata  :  Apri  la  tua  finestra  —25  n. 
Anakomitasani    — 25  n. 
Duetto  del   bacio  —25  u. 
Serenata  di  Jor  e  Danze,  sO  2.50  n. 
Fantasia,  0  8 — u,  Banda,  Part  5 — n. 
Potpourri,   P   3 —  n,   J^ms   3.50  n. 

-La  tua  Stella  3 —  Lemoine,  1 — ,  e  G  1 — n, 
—35  Schirmer,  —30  Gehethner,  P  (G. 
M  e  n  o  z  z  i)  1 —  n,  Mand,  V,  Fl  d.  — :50  n, 
VP,  VcP,  FIP,  MandP,  Mand(V )G,  CIP 
a  1— n. 

-  Lieder  ohne  Worte,   P  2/6   Bosworth.    ■ 

-  Lieder    und   Romanzen   4 — n:    Nr.    1.   Dein 

Stern  (La  tua  Stella),  2.  Entsagung  (Pe- 
na  d'amore),  3.  Blumen-Orakel  (M'ama 
n'on  m'ama),  4.  Die  Rose  im  Gebetbuch 
(Rosa),  5.  Mondlandschaft  (Alia  luna), 
6.  Morgengrufi  (Risveglio),  a  1.25  Wein- 
herger. 

-  AK)6\iTh    He    .ik)6ht'b     (M'ama    non    m'ama) 

—25    Gutheil. 

-  M'ama,    n'on    m'ama    1^ —    Ricordi,    3 —    Le- 

moine, 1.50  Napoleao,  — 25  Gutheil,  P 
(Menozzi)  1 — n,  Mand(V)  — 50  n,  V 
(Mand)P,  V(Mand)G  a  1— n  Ricordi. 
-Maschere,  commedia  lirica  e  giocosa 
(1901),  CP  20— n:  La  Pavana,  MandP 
2 —    Sonzogno. 

-  Mein    erster    Walzer 

Mio  primo  Valzer), 
4.80  n,    MandP    2— 

-  MyKii  .iioriHii  (p.  II.)  — :jO  Junienson. 

-O  Lola,   fair  as  flowers    (Cavalleria  Rusti- 
cana)   — 35  Ditson. 

-  Oracle  — 35  Ditson. 

•  Peine   d'amour   3 —   Beugel. 


(Ma  premiere  Valse, 
P  2— n,  0  4— n,  mO 
Fiirstner. 


Mascagni  P.  Pena  d'amore 


—     2(iU 


Mascanzoni  G.  Inno  alia  nottn, 


Pena    d'iimore,    romaiiza :     Peich^    sT    hplln 

Dio   t'ha   creata  !    1 —   Ricordi. 
Pena  d'amore   3 —   Lemoine. 
Pet  ally   of   Love   — 50    Wood. 
Pie^ni  i  romause:  N.  1.  Jej  gwiazda  — 40  u. 

N.  2.   Pozegnanie  — 40  n.   N.   3.  Kocha   nie 

kocha    — 30  n    Gebethner. 
Pregbiera  4/ — ,  w.  FlfV)  or  Ha  5/ — ,  Mand 

(V )P    1/6  n    Ascherherg. 
Presso   a   la   eulla,   berceuse    1.50  n    Ricordi. 

Puppen-Gavotte,   vide:   Gavotta   delle  Bam- 

bole. 
U  a  n  t  z  a  u,    opera     (1892).    Sonzogno :    CP 

15— n,   P   10—: 

Pvoni;t!!Z;i  :    Fa  clic  i  peiisicr  iioii  tMriiiiu)2 — . 
Ballata  :    Cera    una    volta    un    re   2 — . 
Duetto :    Mi    volete,    maestro    2 — . 
Grand'aria  :    To   cbe    sognavo   gijl    de'    suoi 

figliuoli    2 — . 
Gran    Soeua   finale   dell'Atto   II:    O  babbo, 

ascoltanii   2 — . 
Ronianza  :   Quando  volevano  ei  dividessero 

2—. 
Duettiuo :    Non    gridate,    son    guarita    2 — . 
Duetto:    Vieni    qui,   stringiti    qui,   sul    mio 

petto   3 — . 

Pezzi  staccati,  P.- 
Preludio  2 — . 

Preludio  dell'Atto   IV     1.50. 
Fantasia,   VP,  FIP,  ClP  a  3—. 

Boie:  KA  15— n,  P   (B.  Wolff)    8 
Vcrspiel,    P    2—.     h 
4—  u. 
l.Romanze    (Luise] 

Zeit   zuriick"   2 — . 

2.  Kijvatine   (Luise):  „Kein  Liebeszeichen" 
1.50. 

3.  Vorspiel    und    Ballade    (Luise)  : 
war  ein   Konig"  2 — . 

4  Rezitativ    und    Arie     (Johauu)  : 
das    ist    meine    Toditer" ;     ,,In 
Traumen   sah   ich   sie"   2 — . 

5.  Romauze    (Georg)  :    „Eh'    nns're   Hauser 
sieh   trennten"    1.50. 

6.  Duett     (Luise    und    Georg)  :    ,,Koinni,    o 
komm  in  meine  Arme"  4 — . 

7.  Arie      (Georg)  :       ,.Nein,     ich      wchweige 
nicht   langer"    1.50. 

Intermezzo:  P  1.50,  -'/;/;«  (B.  Wolff)  1.50. 
Fantaisie  brillante  :  P  (L.  B  e  r  n  a  r  d  i) 
2.50. 

und       Plauderchor :      P       (B. 

2—,   ims    (B.   Wolff)    3—. 


lyms    2.50,     0    10—, 
, Nicht    rufe   niir 


ni 

die 


„Ein8t 

„Und 
meinen 


P    (B.  Wolff)    3—    Itms  4- 


kl.    0 


i5iunnen- 

W  o  1  f  f ) 
Potpourri : 

VP   3—. 
Grofie    Fantasie,    mO    6 

BlechM  5— n  Oertler. 
Bouquet  de  melodies.  /'(N.  X  o  s  k  f)  w 

— 60  Geiethner. 

Rantzau,  Vocal  score  10/6  n,  P 
7/6  n,  sep.  pieces  2/ — n.  Once  lived  a 
of  old  4/ —  Ascherherg. 

Rantzau,    ChP    5.40,    P    3.60    Neuparth. 

Revoil  3 —  Hen  gel. 

Risverglio   1 —  n   Ricordi,   4 —   Lemoine. 

Rosa   1.25  n   Ricordi,  4 —  Lemoine,  P    (M  e- 
n  o  z  z  i)    1 —  11   Ricordi. 

Rose   4—    llpugpl,  —50    Wood. 


4— n, 

ski) 

score 
King 


Sans    un    adieu!    1.75  n    Hachette. 

Se   taccndo,    nielodia    1 —  u    Ricordi. 

Serenata   4/ —    Willcocks. 

S  i  1  V  a  n  o,  opera    (1895),   CP    12 — n,  testo 

tedesco  12.50  n,  P  8 — ,  romanza:  S'ispento 

it  sol   2 —  Sonzogno. 
Sintomi    d'amore,    P   2 —  n    Sonzogno. 
Songs   4/— n:    N.    1.   Thy    Star.    2.    Penalty 

of  Love.  3.  He  loves  me,  loves  me  not.  4. 

The  Rose.  5.  To  tiie  Moou,  a  4/ —  Bomcnrih. 
Spes    ultima    2 —    Grammophone. 
Stornelli    Marini    2.50    Grammophone. 
Symptoms   of    love,   &    Then    and    now 

Ascherherg. 

&    Symptoms     of     love 


4/  — 
4/- 
—50 


-  Then    &    now 

Ascherherg. 

-  Thy  star    (in   B  h   or   F)    —35   Ditson, 

Wood. 

-  To   the  Moon  —50    Wood. 

-  Tboh  aBtrt/^a   (La  tua  Stella;  — 25  Leopas. 
William   R  at  c  1  i  f  f,   Oper,   KA    (d.-it.) 

15— n,   P   8— u. 

Tntroduktion:  P  iB.  Wolff)  1.50,  ims 
(B.    W  o  1  f  f)    2—,    O   12—. 

Allora  ed  ora  (Ein.st  und  jetzt)  :  Forse 
pensando  a  me  sorridi  (Ob  du  wohl 
lachelnd   mein    gedenkst) ,    romanze    2 — . 

Serenata  :  Come  col  capo  sotto  I'ala  bianca 
(Wie  unter  ihrer  Fliigel  weifi'  Gefie- 
der ;  Comme  les  tourteraux  amoureux 
posent)  2—,  (Light  as  the  down  that 
laps  tliee  in  thy  slumbers)    4/ — . 

Sintomi  d'amore  (Liebeszeichen)  :  Perchfe 
mi  guardi  (Was  schauest  du  mich  an) 
2 

Intermezzo:  P  1.50,  im.s-  (B.  Wolff) 
2_,    VcP     (N.    Salter)     1.50,    O    12—. 

lute  1  mezzo  (Vorspiel  zum  vierten  Akt) .: 
P  1.50  Bote,  —40  Geiethner,  Jfms  (B. 
Wolf  f )    2—.    O    12—. 

Potpoinri.    P    (B.   Wolff)    3— 

-  Z  a  n  e  t  t  o,  opera    (1895) ,  CP  8—  n,    (testo 

tet'esco)    7.50  h   Sonzogno. 
Mascalchi    D.  Cipro  alia   sua   madre  Grecia, 
P  2.50  Mariuni. 

-  Lariiaca    3 — ,    polka,    !/'  3 —  .\furiani. 
Mascanzoni   G.  A   Lei,  In  riva  al  Lago,  ro- 
manza :   Vieni,  fanciulla  mia  3.50  Ricordi. 

-  Addio,    romanza   2 —   Ricordi. 
-Ahini&!   Canto  2.50  Forlivesi. 

-  .Aniore  &  vita,  romanza  :   Quando  d'amor  la 

uota    dolce,   poesia    di    Duca    Nino   Fioretti 
2—. 

-  Angiolo  mio !    Canto  2.50    Ricordi. 

-Che    razza    d'amore!    Stornello    2.50    Forli- 
oesi. 

-  .">    Compositions:    N.    1.    A    toi !    1.50.    N.    2. 

Enccre  a  toi!  3.50.  N.  3.  Toujours  a  toi!! 
Invocation   3 —  Ricordi. 

-  Fior    di    campo,    ballata    3.50    Forlivesi. 

-  Hier  au  soir,  ballata  3 —  Forlivesi. 

-  II  nojne  di  Maria,  melodia  :  Non  per  tempo 

clie  passi,  poesia  di  L.  Stecchetti  2.50 
Ricordi. 

-  11  prinio  capello  l>ii'.;inco,  ris!)etto  1.50  Forli- 

vesi. 

-  Inno  alia    uotte  4 —  Forlivesi. 


Mascanzoni  G.  lo  ti  vidi 


—     270     — 


Mascheroni  A.  Hasten  to  me 


-  lo  ti  vidi !  Canto  2.50  Ricordi. 

-  Malinconia,   romanza  3 —  Forlivesi. 

-  Margherila,    sopra    un    piccolo    studii     di 

Roberto  Schumann:  Candido  iior, 
mcdetta  MargUerita,  parole  di  S  a  v  e  r  i  o 
N  u  r  i  s  i  o   2.r)0   Uicordi. 

-No!   Cnnto   1.50  Forlivesi. 

-Po\t'rclto  son  io !  Ballata  3 —  Forliissi. 

-  Rappelle   toi!    Refrain  3 —  Forlivesi. 

•  Sogno   svanito !    Stornello   2.50   Forlivesi. 

-  T'ho  dato  tutto,   canto   3 —  Forlivesi. 

-  Veux-tii   cet   amour?   Impromptu    1 —   For- 

livesi. 

-  Vous  ne  m'aimez  pas,  6legie  2 —  Forlivesi. 

-  Voyage,  impromptu    1 —  Forlivesi. 
Mascarade  1 —  n  Joubert. 

Mascardi  A.  Metodo  per  P(Org)  8 —  Libre- 

ria  Salesiana. 
Mascardi    G.   Aprile,    Aprile    1.50  n   Ricordi. 

-  Serenatella :    Cercai    tra    i   fiori    che    ador- 

nano  il  prato,  con  Mandl'  1.25  Ricordi. 

-  Tempo   di    Gavotta,    (VJP   3 —   Ricordi. 
Mascarenhas,   Crito   d'  \lmn,   maz.    1.50   A'a- 

pole&o,  — 20  J^evparth. 
Mascarro,      Grateful     Remembrance     Waltz 
(Mexican)    — 10  Jiat.  Music  Co. 

Mascetti    G.      II    Chierico   — 50,    Hand   — 10 

Bideri. 
Mascetti    R.    Minuetto   per   2VVa2Vc,    Part 

1 — n,  p.  St.   1.50  n  Ricordi. 
Mascha      M.      Hoffmann:      Bacchus-Galopp 

—60. 

-  Eriixer-Galopp    — 60. 

-  Fidelio-Galopp   — 60. 

-  Glocken-Galopp  — 60. 

-  Jubel-Galopp  — 60. 
-Sarah-Galopp  —60. 

Mascha   P.   Jubel-    u.   Briixer-Galopp    (Lyra 

Nr.   32)    —60   Hoffmann. 
Maschek    A.    Graduale    (Deus    meus    in    te 

Domine),  fur  B-Solo  m.  Chor  u.  kl.  0  3.25 

Hoffntonn. 

-  Gradrale   in   Coena  Domini    (Christus   fac- 

tus  est  pro  nobis),  quatuor  vocibus  can- 
tatrm,  zVVaVcOrg   1.40  Hoffmann. 

-Graduale  D-dur  fur  8ATB  m.  0  u.  Org 
2.80  Hoffmann. 

-2  Hymni  oder  Offertorien :  1.  Magne  Pater 
Augustine.  2.  Decora  lux  aeternitatis,  fiir 
4  Singst,  0  u.  Org  2.50  Hoffmann. 

-  Requiem     in    Es    im     leicht     ausfiihrbaren 

Stile  fiir  4  Singst  m.   Org  2.80   Hoffmann. 

-  Sah  e   Regina    in    D,     4   Singst    (S   Pofi   ad 

lib.)    1.20   Hoffmann. 

-  Te  Deum  laudamus,  Nr.  2  fiir  4  Singst,   0 

u.  Org  7 —  Hoffmann. 

Maschek  Camisso,  op.  27  Kam  dir's  vom 
Herzeu  1 —  Cranz. 

-2  Lieder:  1.  Winter,  2.  Toskanische  Bar- 
carole,   i\    1 —   Cranz. 

■  Say,  was  it  heartfelt  — 50  Brainard,  — 35 
Ditson. 

Maschek  Ernst.  Deutsche  Verlagsanstalt : 
Op.  1  Caprice  de  Concert,  VP  (Quat.) 
3— . 

-2  Drei  Ge.sange:  1.  Nacht  und  Triiume, 
2.   Scliilflied,   3.   Lafi   mich   wandern   — 75. 


-  3  Variations  brill,  p.  un  air  nat.  bohSme, 

VP    2.75. 
-4  Zwei  Lieder:    1.   Auf   der   Wanderschaft. 

2.  Im  Walde  2—. 
-5    Drei    Gesilnge :      1.    Dein    Gedenken.      2. 

Waldglocken.     3.     Fischermadchen    2 — . 

•  7  Einsamkeit   1.50   Hoffmann. 

-9    Hen  mage    a    Schubert,    morceau    de 
concert,   VP  2.50  Simrock. 

•  Armes  Herz  du  bist  betrogen,  P  —50  Zum- 

steeg. 

-  Ich   weifi    ein   kleines    Fensterlein,   P  — 60 

Ziimsteeg. 

-  Meiu    Herz    ist    im   Hochland,    m.    VfVcJP 

2—  Hchott. 

■  Mi    Wunsch.    Der    Verliebte,    2    Schweizer- 

lieder   —75    Schott. 

-  Mis   Vaterland,    Schweizerlied    1.50   Schott. 

-  Tyrolieniie,    P   — 50    Zumsteeg. 
Maschek  Julius,  2  leichte,  instruktive  Vor- 

tragsstiicke,     P:      Menuett,     Gavotte    mi- 
gronne    1 —   WerntJial. 
Maschek     V.     (1755—1831),     Polonaise,     P 
— 75   Hofmeister. 

-  W^iegenlied    1.50   Cranz. 

Mascheroni    Ang.      A    Soldier's    Song     4/ — 
Orj)Jieiis. 

-  An  ocean   lullaby  4/ —  Leonard. 

-  An   Ocean   Lullaby   — 50   Wood. 

-  Angel's   Song   4/ —  Sioan. 

-Angel   „To-morrow"    (in  D,   E  flat,  G)    4/— 

Cramer. 
-Ave   Maria    (E.   H.   Lemare),   Org    1/6  n, 

VP,   VcP  w.   Org(H)   ad  lib.   a  4/—,   VVc 

Org  5' —   Williams. 

■  Believe  them  not  4/ —  Forsyth. 

•  Beloved   4/ —   Ascherberg. 

•  Bin  ich  dir  nah'  (Du  allein)  1.20  Bosworth. 
-Bolero,  MandP  2/ — n  Turner. 

-  Bonnie    Scots    Greys    March    4/ —    Phillips. 

-  Bonnie    Scots    Greys     4/ —    Leonard,     — 60 

Schirnier. 

-  Brighter   Day,   V  ad  lib.  —75   Wood. 

-  Come  cut,   dear   heart  4/ —  Keith. 

-  Cosaques,    danse   scherzo,    P   4/ —   Leonard. 

-  Cypress   weeps  4/ —  Ascherberg. 

-Dans  les   Fleurs,   P    1.50,   O   2—  Bosvx>rth. 

•  Deceivers    ever,    duet   ft   I'Espagnole   2/ —  n 

Augener. 

-  Divertissement,   P  4/ —   Leonard. 

-  Emilia  Waltz  2/ —  n  Francis. 

-  Escapade-Polka    5 —   Heugel. 

-  Espagnole,    grande    valse,    0    3 —  n,    P    2 — 

Bosworth. 

-  Faithful  ever  (in  D  &  F)  4/ —  Ascherberg. 
-Faust  (Selection),  MandP  5/ —  Leonard. 
-Fiir    alle    Ewigkeit:    „Es   senkt   die   Nacht 

sich   auf   die   Erde"    (deutsch-fr.-ital.),   m. 
0  2— n  Hug. 
-Gh>nour   4/ —   Leonard. 

-  Glaube,   Liebo,   Hoffnung    1.20   Bosworth. 

-  Gc'od-niglit,    Adieu  !     2/ —  n     Vincent,    — 60 

Wood. 

-  Guard  My  Belov'd  One  4/ —  Phillips,  —75 

Schirmer  jr. 

-  Hi-  sten    to   me   4/ —    Phillips,     — 60    Schir- 

mer  jr. 


Mascheroni  A.  Hops 


■21  \ 


Masetti  U.  OiulHta  e  Borneo 


-  Hope,   Love   &    Faith   —75    Wood. 

-  How  can   I   love ?  2/ —  n  Augener. 

-  Tf  I  had  only  known  4/ —  Ashdown. 

-  It   is  your   voice  2/ —  Boosey. 
-Lfke  of  love  4/ —  Leonard. 

-Land    of   Yesterday,    SATB   — 15    Schirmer 

jr.,  — /3   Phillips. 
-2  Lieder:  1.  Der  Strahl,  2.  Nacht  und  Mor- 

gen,   jl   1.20   Bos^icorth. 

-  Lifted    burden    4/ —    Ascherberg,    Leonard. 

-  Listen  !   Song  2 —  n  Ricordi. 

-  Lul-La-Loo,    Maud   ace.   — 75    Wood. 

•  Lullalu :   „Vor  Zeiten  da  ich  war  ein  klei- 

nes  Kind",   1   Singst  m.   P   (V  od.   Mand) 
1 —  Bosworth. 

-  Margherita,  morceau  de  genre,  P  4/ — ,  ^m» 

4/—,   0  2/— n,   SmallO   1/— n   Leonard. 

-  Marsh    King's    Daughter,    Vocal    score    2/6 

Williams. 

•  Mazurka    ,.Arlequin"    4/ —   Augener. 

■  Melodie   Sclav,   MandP  2/ —  n   Turner. 

-  Mestro,  incontro  4/ —  Leonard. 

-  Morning  glory   4/ —  Leonard. 

-  My  paradise  4/ —  Dean,  Leonard. 

-  r\Iy    rest    4  —   Krith. 

•  Nacht  und  Morgen,  P   1.20  Bosworth. 

•  Nocturne,    P   4/ —   Ashdown. 

-  Paris  Carneval,  polka  5 — ,  0  1 —  n  Heugel. 

-  Polka  brill.   P  2—  Schott. 

-  Eiibagas,   P  7.50   Ricordi. 

•  R€ve    de    la     Reine,     melodie,     V(Mand)P 

1.75   Schott. 

•  Reverie   path4tique,    VP   4 —   Augener. 

•  Romance   sans  paroles,  P  4 —  Augener. 

-  Sensation-valse  6 —  Heugel. 

-  So   runs   my   dream    (in    F,    A  flat,    B  flat) 

4/ —  Cramer.  i 

-2   Songs:    1.   The   Lament.   2.   A   Corner   of  j 

My   Garden  — 60   Schirmer  jr.  | 

•  Sengs   we    used   to    sing   4/ — ,   av.    V   4/ —  j 

Leonard.  j 

-  Souvenance,   P   4/ —   Lenoard. 

-  Strahl   des  Lichtes,   P   1.20   Bosworth. 

-  Sweet   Maiden   4/ —   Leonard. 

-Swiss    Boat    Song     4/ —     Woolhouse,    — 60 
Schirmer  jr. 

-  Talor   r.ell'ora   quiesta   4/ —   Leonard. 

-  Trrautella,    MandP   4/ —    Williams. 

-  Tfskiiota,    Eternamente,    ChPV    — 50  n    Oe- 

bethner. 
'  Thine   for  Life  — 60  Schirmer  jr. 
-Till    Death    (I    love   you),   w.    V(Vc)   —75 

Wood. 

■  Tittle-Tattia,     morceau    de    genre,     P     2 — 

Schott. 

-  Undivided   2/ —   Enoch. 

-  Universo,    marche   4/ —   Leonard. 

-  Valse   Espaguole    1 —    Wood. 
-Were   we    dreaming?    4/ —    Chappell. 
-What    is   Love   2/ — n    Woolhouse. 

-  When    mandolines    are    ringing    4/ —    Ash- 

down. 

-  Where   Roses  Gleam    (Se   fosse   vero)    — 50 

Wcod. 

■  Where  thou   art  4/ —  Keith. 

■  Woodland    Serenade,    P   4/ — ,    ^ms   4/—,    P 

Mend  4/—,   0   2/— n,   SmallO    1/— n   Leo- 
nard, ^r^ 


-  World    of   light   2 —  n    Ricordi. 

•  You   did   not  know  4/ —  Chappell. 
Mascheroni    Carlo,   Barcarolle,   P   1.50  Bos- 

ivot  th. 

•  Inno   a   S.   Giuseppe,   per  coro  a  2  v.   pari 
con    Org    1 —   Bertarelli. 

Mascheroni    Edoardo,      L  o  r  e  u  z  a,    opera, 

CP    15 — n   Ricordi. 
-Salve  Regina   1.25  n   Ricordi. 
Maschke   Ernst,  op.  10  Romanze    (As),  HP 

2.50  Simon. 
-11   Improvisation,  HP  2—  Simon. 
-15  Trois  Morceaux  fantastique :  1.  Gavotte, 

2.    Chanson    d'amour.    3.    Valse    sentimen- 

tale,   H   1.50   Si7non. 

-  25  Duo  path6tique,  IIP  2 —  Simon. 
-30  Nr.   1.  Gott  woir  dafi  ich  daheime  war' 

—60.   Nr.    2.    Psalm   42    1—   H.    Oppenhei- 
mer. 

■  40   Vier   Lieder   2 —  Hartung. 

-  Kuckuck  und  Nachtigall,  Polka,  0  2 — 
Bellmann. 

-Lieder  im  Volkston,  TTBB:  3.  Abschied 
vom  Schatzle.  4.  Den  Toten  vom  litis,  ft 
1.40  Simrock. 

■  Prin/efi  Victoria's  Wiegenlied  (Slumber 
Song)    1 —  Simrock. 

-  Reformationslied,    SATB    1,20  n   H.    Oppen- 

heimer. 
-Soir,   PH  1.20,   PHV   1.50   Simon. 
Maschke    Franz,    op.    1    Wie    sehr    ich    dieh 

geliebt  —60  Kahnt. 
■2  Abschied  —60  Kahyit. 
Masciangelo  F.  Miserere  Coro  con  OrgVcKb 

2.50  n    Carisch. 
Masciotta   C.   op.  23  La  nina,   melodia   3 — 

Carisch. 
Mascitelli    Severino,    Felicetta,    maz.   — 50  n 

Cottrau. 

-  Mergellina,    polka   — 50  n    Cottrau. 

-  Messaggi    d'Aprile,    mazurka    — 50  n    Cott- 

rau. 

-  Polka  Mazurka  — 50  n  Cottrau. 
Masciet  et  Blasini,  Petits  oiseaux,  romance 

2 —   Carisch. 
Mascotte,   polka,    Fl  —50   Guimaraes. 
Mascotte,    roniauce    de   baiser    1 — n,    Ch.    s. 

— 25  n  Gheluwe. 
Mascotte,   romance  du  bouquet  1 — n,   Ch.   s. 

— 25  n   Ghiluwe. 
Ma§ek    E.    Pomn^nky    na    slovansk;^    sngm, 

polka  — 50   Hoffmann. 
Masek   Jan   J.   Nov^   ditg   vlasti.   sbfrka    100 

cesk^ch  narodnfch  pfsnl  v  suadn^m  slohu, 

P  4 —   Urbdnek. 

-  Theoreticko-praktioka  ?;kola  zpgvu  se  zvlSst- 

nfm  zfetelem  k  hudebnf  osnovg  pro  listavy 

ucitelsk^   3.60   CJrhanek. 
Masenza   F.  II  Ritoruo,  P   1.25  Ricordi. 
Masera  A.  Blessed  is  the  man,  SATB  — /9 

Ncvello. 
Masera  Giovanni,  II  29  Luglio  1900,  elegia, 

P   l.oO  u,  Baiida,  Part  2 — n  Lapini. 
Masetti    U.      Aria,    per    B   nel    Re   Haki, 

opera   3.50  Carisch. 

-  Desiderio,   romanza :   Ho   bisogno  di  te   1 — 

Ricordi. 

-  Giulietta  e  Romeo,  duetto  5 —  Carisch. 


Masetti  U.  In  nn  vent'ijiio 


.     2'2     — 


Masini   F.  Gahne 


-In  \u\  ventaglio,  melodia :  A  gara  i  cava- 
lier — 75  Ricordi. 

-6  Melodie  10—:  N.  1.  Serenata  3—.  N.  2, 
Vignetta  2.50.  N.  3.  Romanza  rusticana 
3 — .  N.  4.  Donna,  vorrei  morir  2 — .  N.  5, 
Forse  nna  volta  .3—.  N.  6.  Aveva  sognato 
2.50  Muriani. 

-  Perduto   Amore !   Melodia   2 —  Carisch. 

-4  Koiiiaiize:  N.  1.  Romanza  rusticana 
— 45.  N.  2.  Avea  sognato  — 30.  N.  3.  Se- 
renata — 30.  N.  4.  Sulla  riva  — 45  Jur- 
grnison. 

-  Savoia,   inuo   per   ooro   5 —  Carisch. 

Masi  A.  Ranzini:  Charme  de  la  valse  (Des 
Wsilzers  Zauber),  romance  franqaise  — 16 
Bote. 

-  Cnore   d'.Artista,    marcia,    Mand   — 10  n. 

-  L'asparagiata,    mazurka,    Mand   — 10  n. 

-  Marcia   Felice  Cavallotti,  Mand  — 10  n. 

-  Pegno  d'amioizia,   valzer,   Mand  — 10  n. 

-  Su   Marietta  ohe  pirlum    (Su  Marietta  che 

ballifimo),    polka,    Mnnd   — 15  u. 
Masi    C.      Fantasia.    Ruy    Bias,    PIP    6— 
Ricordi. 

-  Tl    Prigioniero,    romanza    1 —    Ricordi. 
Masi     E.       Aflfratellamento.    valzer    ohant^e, 

ch.  con  Mand  1 — ,  con  SMand  1.50,  con 
2MandMa   2 — ,  Mand  — 50   Manni. 

-  Buon  cuore,  mazurka,   Mand  — 25,   MandO 

— 40   Ricordi. 

-  Circolo    Arno,    valzer,    Mand   — 25,    MandG 

— 60  Manrri. 

-  Mesto    pensiero,    valzer.      Mand    — 40,      Fl 

— 75n,  MandP  l.50n,  FIP  1.75  n,  MandG 
1.25  n,  FIG  1.50  n,  FIVP  2— n,  2MandP 
1.75  n,  2MandG  1.50  n,  2MuvdMaP  2— n, 
2MandMnG    1.75  n    Maurri. 

Masi  G.  Un  giorno  alia  Favorita,  valzer  2 — 
Maruini. 

Masi  J.  J .  Ma.st-Paris :  Clementina,  marche 
1— n. 

-Entente  cordiale,  polka-marche,   Ifins   1 — n. 

-Marche  des  6tudiants   1 — n. 

-  Merc^dfes,  ou  Idylle  nocturne,  maz  descrip- 

tive  1.50  n. 

-  Sentimentale,  valse  2 — n. 

-  Souvenir  de  Paris,  valse  2 —  u. 

-  Syn.pathie,  mazurka   3.50   Mariani. 

-  Torino,  marche   1 —  n. 
-Triomphe!    marche    1.50  n. 

Masiello    A.    Strenuus,    nuovo    ballo    di    so- 

cieta   6 —   Carisch. 
Masini    Angeio     (1845).      Mariani:      Agita- 

zione,  studio,  P  2^. 
-Album  di  Danze  6—:  N.   1.  Hayd6e,  polka, 

2.    Feli,    mazurka,    3.    Camilla,    polka,    4. 

Ce.sira,    polka,    5.    Berenice,    mazurka,    6. 

Viole  esperidi,  polka,  a  1.25  Ricordi. 
■  Aurora.    J'    1    -. 

-  Berenice,   P    1.25    Ricordi. 

-  Canzone,    studio,    P    2 — . 

-  Corso  di   24  sonatine   in   tutti   i  toni  mag- 

giori  e  minori,  P  4 — . 

-  Cyclamen,   mazurka   elegante,   P    1 .50. 
-Ebe,   P   1—. 

-  Feli,  P  1.25  Ricordi. 
-Mazurka,   P    1.50. 

-  Minuetto,   P  2—-. 


-Olda,  P  2—. 
-Polka  Salon,  P  1.50. 

-  Romanza,  P  2 — . 

-  Sonatine   facile,   P   5—   Borriero. 

-  Souvenir  du  Lac  de  Comballes,  P  1 — . 

-  Studio  di  leggerezza,   P  3 — . 

-  Violetta,  P  1—. 

Masini    E.    Petite   fleur   des   bois,    (Jh.   s.    1 — 

Heugel. 
Masini     Francesco     (1804—1863),    Adieu    a 

la  campagne  1 —  u,  Ch.  s.  — 35  n  Cosfallut. 

-  Adieu  a  la  Provence  1 —  n  Costallat. 

-  Afflita    1 — n   EveilUnd,    1 —  Napoleao,   Ch. 

s.  — 30  n  Joubert. 

-  Agami   2.50   Heugel. 

-  Aime-moi   — 50    Schott,    Ch.   s.   — 30  u   Jou- 

bert. 

-  Airs   du   pays   2.50   Lemoine. 

-  Alas  !     whispering     wind     (Silvio    P  e  1  - 

lico),   romance  — 40   Brainard. 

-  ler   Album,   collection   de   8   romances  I't   2 

duettinos    (fr.-all.)    7.75   Schott. 

-  2me  Album,  collection   de  8   romances  et -2 

duettinos   7.75   Schott. 

-  3me  Album,  collection  de   1 0  romances  et  2 

duettinos   9.50   Schott. 

-  Alhambra   2.50   Eeugel. 
-Alleluia,  2   voix  eg.    I — n   Gallei. 

-  Ame  bless^e  2.50   Lemoine. 

-  Amour  a  toi   1—  n  Eveillard,  Ch.  s.  —.30  a 

Joubert,   w.   PG    1/6   Williams. 

-  Amoureux   de   village   —50   Schott. 

-  Amours  du  Patre  2.50  Heugel. 
-Anda  louse  2.50  Heugel. 

-  Ange  de  la   terre  2.50  Heugel. 

-Ange  playez  votre  aile  1 — n  Eveillard, 
—50   Schott,   Ch.  s.  — 30u   Joubert. 

-Anna  I'Audalouse  —50  Schott,  —15  Jur- 
gcHson. 

-  Appui  du  Roseau  — 50  Schott,  Ch.  s.  — 30  n 

Joubert. 

-  Apres  le  bal,   av.   P(G)   3 —  Grus. 

-  Archers  3 —  Lemoine. 

-  Au    rivage,     bon    menage,     duettino     ■ — 75 

Schott,  Ch.   s-.  — 30  n  Joubert. 

-  Aux  Jours  de  mou  bonheur  — 50  Schott. 

-  Ava.nt  le  bal,  duo,  Ch.  s.  — 30  n  Joubert. 

-  Bateliere    du    lac   2.50    Heugel. 

-  Bayad&re   da   Java,   Ch.   s.   — 30  n   Joubert. 

-  Belle  a  nous  rendre  fous   (So  schon  um  den 

Kopf  zu  verlieren),  m.  P(G)  — 50  Schott. 

-  Belle  V^ronaise  —50  Schott,   Ch.   s.  —30  n 

Joubert. 

-  Belles    Nuits    d'6t6,     nocturne,    duo     1 —  a 

Eveillard,  —75   Schott,  Ch.  .v.  — 30  n  Jou- 
bert. 

-  Bianca   J— u,   Ch.  s.  — 35  n   Costallat. 
-Blanche     (Die    Trennung),    m.    P(G)    —50 

Schott. 

-  Blonde   H6l6ne   2.50   Lemoine. 

-  Bonne   f§te,   6   Reine   des   cieux,   duo    1 —  n 

Gullet. 

-  Branche    de    buis    — 50    Schott,    — 15    Jur- 

gen  son. 
-Bruits  de   la   Nuit,   duo   1 — n   Gallet. 

-  Calinda,  danse  p6ruvienne  — 50  Schott. 

-  Calme   1— n   Eveillard,  — 50   Schott,  Ch.   s. 

— 30  n  Joubert. 


Masini  F.  Ccmtique  du  mois  ile  mai 


Masini  F.  Julia 


n'ai   rieu  oubli6    (Ich 
nicht    vergessen) ,    m. 

3- —  Lediic. 


Cantique  du  mois  de  mai  2.50  Lemoine. 
Captive   du   pirate   — 30  n   Joubert. 
Castillane,    bol6ro    1 —  n,    Ch.   s.   — 35  u    C'o- 

stallat. 

Ce  n'est  plus  moi,  Ch.  s.  — 30  u  Joubert. 
Ce  que  Dieu  donne  3 —  JVoe7. 
Ce  que  Dieu  du  coeur  — 50  Schott. 
Chi.nt   du    pirate    1 — ii,    Cli.    s.   — 35  n    Co- 

atallat. 
Chasse  au  chamois  3 —  Lemoine. 

Chemin  des  amoureux  1 —  n,  Ch.  s.  — 30  n 

Society  nouvelle. 

Coeur  de  m&re,  Ch.  s.  — 30  n   Joubert. 
Coiu  du  feu  2.50  Lemoine. 
Coulez   petits   ruisseaux   — 75   Schott. 
Creole  et  hirondelle  3 —  Leduc. 
Crois-moi   (Vertraue),  m.  PfGJ  — 50  Schott, 

— /6  n  Atigener,  Ch.  s.  — 30  n  Joubert. 
Dans  ton   hamac,   Ch.  s.  — 30  u   Joubert. 
Dansfc  sicilienne   (Die  Tarantelle),  m.  P(G) 

—50  Schott,  w.  PfGJ   1/6  Williams,  Ch.  s. 

— 30  n  Joubert. 
De   mon   Bonheur   je 

babe     mein    Gliick 

PfGJ   —50    Schott. 
Depart  de  l'Helv6tie 
Depart  de  I'Hiroudelle,  ariette  1 —  n  Eveil- 

lurd,  Ch.  s.  — 30  n  Joubert. 
Depart  de  Styriens,  duo  1 — n,  Mand  — 25  n 

Eveillard,  Ch.  s.  — 30  n  Joubert. 
Depart    du    marinier     (Des    Seemanns    Ab- 

fahrt),  m.  PfGJ  —50  Schott,  1/6  Williams, 

Ch.  s.  —30  n  Joubert. 
D^sir    et    M^lancolie    1 —  n,    Ch.    s.    — 35  n 

Costallat. 
Deux  Anges  — 50   Schott. 
Deux  Marguerites  — 50  Schott. 
Deux   Patries   2.50   Heugel,  —50    Schott. 
Devinez,   av.  PfGJ    3—   Grus. 
Dieu    m'a   conduit   vers   vous   — 50    Schott, 

— /6  n   Augener,  — 15   Jurgenson. 
Dis-moi  1 — n  Eveillard,  — 50  Schott,  ('/(.'•■. 

— 30  n   Joubert. 

Discretion  3—,  Ch.  s.  1—  Noel. 
Douleur  cachee  — 50  Schott. 
Dorter  de  sa  raison  — 50  Schott,  — 30  Jou- 
bert. 
Echarpe  blanche  2.50  Heugel. 

Echo  des  mevs    (Das  Echo   der   Meere) ,   m. 

PfGJ  —50  Schott. 
Echos  des  bois  3 —  Noel. 
Elle  en  mourra    (Der  Ungetreue) ,  m.  PfG) 

—50  Schott. 
Emma  — 50   Schott. 
Endormez-vous  mon  coeur  — 50  Schott,  Ch. 

s.  — 30  n  Joubert. 

■  Enfant,  fais  ta  pri&re  3 — ,  Ch.  s.  1^  Noel. 

■  Enfant  vol6  3 —  Leduc. 

-  Enfants    du    guide     (Die    Kinder    Guidos), 

m.   PfGJ   —50   Schott. 

■  Envoyez-moi   I'un   de   vos  anges   2.50   Heu- 

gel, — 50  Schott. 

■  Ermite   hospitaller    3 —    Heugel. 

-  Es-tu  la  Soeur   des  anges  —50   Schott.   \v. 

PfGJ   1/6  Williams. 

-  Esule  di  Caprera,  caprice,  P  2 —  Napoleao. 

■  Etoile  des  champs  3 —  Leduc. 

Universal-Handbuch     iler  JaisikliuiaUii'. 


Exile  2.50  Heugel. 

Fais  qu'il  ne  m'aime  pas  (Dafi  er  uiich 
nicht  liebt),  m.  PfGJ  —50  Scholt,  —15 
Jurge7ison. 

Fete  des  bergers  2.50  Lem,oine. 

Fete  des  gondoles   1.35  u  Costallat. 

Fete  du  Cure  1 —  n  Eveillard,  Ch.  s.  — 30  n 
Joubert. 

Fete  villageoise  3 — ,  Ch.  s.   1 —  Cartereau, 

Fiancees  des  patres,  duo,  w.  PfGJ  1/6  Wil- 
liams,  Ch.    s.   ■ — 30  n    Joubert. 

Fille   du   hameau   1- —  n  Fromont. 

Fleur  d'amour   1 — n   Eveillard. 

■  Fleur  des  mines  2.50  Lemoine. 

Fleur  qu'il  ma  donnee  — 50  Schott,  Ch.  s. 
— 30  n  Joubert. 

Fleurs  du  prisonnier  2.50  Lemoine. 
Fleurs   sauvages  2.50   Heiigel. 
FoUe  aux  Cailloux  — 30  n  Joubert. 
For  the  mariner  pray  — 25  Brainard. 
Frais  parfums   de  la   terre  1 —  n  Fromont. 
Frisson   de   la   Fleur   3 — ,   Ch.  s.   1 —  Noel. 

■  Frissons  de  Fame  2.50  Heugel,  — 50  Schott. 

■  Gabriel   et   Marie  — 50   Schott. 

■  Grace   pour   moi  — 30  n   Joubert. 

■  Grazia  la  Vendangeuse 

Ch.  s.   1—   Noel. 
Haben-Hamet  1 —  n,  Ch. 
•Helas!  2.50  Heugel. 

■  Heureux    passagers;    duo    3 —    Leduc. 
Hirondelle  perdu  2.50  Heugel,  — 50  Schott. 

■  Home  of  the  swallows  — 40  Ditson. 

I  Mulattieri  2.50  n  Mariani,  2.25  n  Ri- 
cordi,  3, —  Moore,  TBar  — 50  Schirmer, 
Ch.  s.  —60  n  Joubert. 

II  etait  deux  orphelins  2.50  Lemoine. 
II  faut  etre  deux,  duo  — 60  n  Joubert. 
II  Prato,  w.  PfGJ  1/6  Williams.. 

Hmh  Moe  — 25  Johanseii. 

■  Insouciant  1 —  n,  Ch.  s.  — 35  n  Costallat. 

■  Ischia   1 —  n,   Ch.  s.  —35  n   Costallat. 

■  Isolina   mio   carina    (Isolina,   Teure   mein) 

(it.-all.),   m.   PfGJ   —50   Schott. 

■  J'ai  r§ve  3 — ,  Ch.  s.   1 —  Noel. 

■  J'ai  tant  pleure   (Ich  hab'  so  viel  geweint), 

m.  PfGJ  —50  Schott. 

-  J'ai    tant    pleure   — 30  u   Joubert. 

■  Je  I'aimais   deja  2.50  Heugel,  — 50  Schott, 

w.  PfGJ   1/6  Williams. 

-  Je   t'aimais   avant   de   te   voir 

1 — n  Noel. 

■  Je  t'attendrai  3 —  Noel,  - 

1 —  n  Noel. 

■  Je  veux  rester  Enfant   1 


1.50  n    Gallet,   3—, 
s.  — 35  n  Costallat. 


3- 


Ch.    s. 


-50  Schott,  Ch.  s. 

-  n  Eveillard. 
Jeanne    3,  sa    fenetre    1— n    Lesigne,      3 — , 

Ch.  s.  1—  Noel. 
Jenny   2.50   Lemoine. 
Jeune  bateliere,  barcarole:   Sur  ma  barque 

legfere  —16  Bote. 
Jeune  Nocher,  duo  3 —  Leduc. 
Jeunes    Andaloux,    var.     (F.    B  u  r  g  m  ii  1  - 

ler),  P  — 40  Brainard. 
Jeunes  Andalous,   Ch.  s.  — 30  n  Joubert. 
Jeunes  filles,  Ch.  s.  — 30  n  Joubert. 
Joins  tes  petites   mains    (Falte  deine   klei- 

nen  Hande),  m.  PfGJ  —50  Schott. 
Julia   2.50   Heugel. 


Masini  F.  Lac  de  O'enev 


274 


Masini  F.  Rinta 


50 


1- 


Lac  de  Gen&ve   (Der  Genfer  See),  nocturne, 

duo    1.70  n    Eveillard,    1 —    Schott,    Ch.    .s. 

— 60  n  Jouiert. 
Laisse-moi    prier     1 —  n     Eveillard,      — 50 

Schott,  w.  P(GJ   1/6  Williams. 
Laisse-moi   prier,   et   P  o  u  r  n  y  :    Si   j'etais 

roi,  mignonne,  mfilodie,  Mand  — 25  n  Eveil- 
lard. 

Lamento,  Ch.  s.  — 30  n  Jouhert. 
Land  of  the  swallows,  nocturne,  duet  — 60 

Brainard,  — 40  n   Presser. 
Langage    des    fleurs    1 —  n    Eveillard,   — 50 

Schott,  — /6  n  Augencr,  Ch.  s.  — 30  n  Jou- 
hert. 
Le   savez-vous    1 —  n    Lesigne,    3 — ,    Ch.    s. 

1—  Noel. 
Legende   du    roitelet   2.50   Eeugel. 
Les  deux  Anges  2.50  Eeugel. 
L6ve-toi  1 —  n,  Ch.  s.  — 30  n  Rouart. 
Lever   des  #toiIes   2.50  Eeugel. 
Lilas   2.50   Lemoine,  — 15   Jurgenson. 
Lune  est  morte  1 —  n  Costallat,  — 75  Schott, 

Ch.  s.  — 35  n  Costallat. 
Ma   Bretagne,   Ch.  s.  — 30  n   Jouhert. 
Marguerite,   Ch.  s.  — 30  n  Jouhert. 
Marguerite  au  rouet,  Ch.  s.  — 30  n  Jouhert. 
Marine   1 —  n,   Ch.   s.  — 35  n   Costallat. 
Marquise  ct  gondolier  2.50  Lemoine. 
Mfere  et  Fils  —50  Schott. 
Mfere    tu    n'es    plus     1 —  n    Jidlien, 

Schott. 
M&re  et  Soeur   1 — -  n   Lesigne,  Ch.  s. 

Noel. 

M&re  tu  n'es  plus  la?  — -50  Schott. 
Meunifere    de    Marly     1 —  n    Lesigne, 

Ch.  s.  1—  Noel. 
Meunifere  de  Marly  — 50  Schott. 
Mieux  que  belle  1 —  n  Lesigne,  3 

1_   is^oeZ. 
Milicien   2.50   Lemoine. 
Mirza  2.50  Eeugel. 
Moi,  je  sais  quelque  chose  3 — ,     Ch.  s.  1 — 

Noel. 

Mois  des  roses  2.50,   Ch.   s.   1 —  Legouix. 
Moisson,  duo  1 —  n  Eveillard,  Ch.  s.  — 60  n 

Jouhert. 

Mon  Paradis,  w.  P(G)    1/6   Williatns. 
Mot  le  plus  doux  1 — n  Lesigne,  3 — ,  Ch.  s. 

1_  A^oeZ. 
Muguet  1 —  n  Eveillard,  Ch.  s.  — 30  u  Jou- 
hert. 
Muse   pastorale  — 50   Schott. 
Myrza    (fr.-all.),  m.   P(G)   —50  Schott. 
Naples,   duo    1.70  n   Eveillard,  — 75   Schott, 

Ch.  s.  — 30  n  Jouhert. 
Napolitaine    1 — n,     2  voix    1.35  n,      Ch.    s. 

— 35  n   Costallat. 
N'approchcz   pas   2.50   Lemoine. 
24   Nocturnes,   Melodies,   Serenades,   a  2   v. 

oeuvres  choisies,  av.  P  7 — •  n  Gallet. 
Nom    de    soeur    2.50    Eeugel,     (Der    Name 

Schwester)   m.  P(G)  —50  Schott. 
Nous  n'irons  plus  au  bois  2.50  Eeugel. 
Nuit,   nocturne,  duo  3 —  Leduc. 
Orpheline,    Ch.   s.   — 30  n   Jouhert. 

OxiHSHa  JiacToyeK'B  — 40  Guthril. 
Ou  s'en  vont  nos  reves  1 —  n  Lesigne,  3 — , 
Ch.  s.  1—  Noel. 


3- 


Ch. 


-  Oil  va  mon  ame?   romance  — /6  n  Augener, 

Ch.  s.  — 30  n  Jouhert. 

-  Ou  vas-tu  ?  2.50  Eeugel. 

-  Pain  de  I'enfant  2.50   Eeugel. 

-  Pain  du  ciel  2.50  Eeugel. 


n, 


Ch. 


Papillon 
Lahbe. 

-  Paquerette 

3—,   Ch.   s 

-  Parlez   bas 

Noel. 

-  Partez  I   —50   Schott. 

-  Patrie    des    hirondelles 


-35  n 


la    Faucheuse 
1—  Noel. 
1 —  n    Lesigne,    3 


Costallat, 
n  Lesigne, 
Ch.   s.    1  — 


duo 


-75  Schott, 


1 —  n    Gallet, 
50  Schirmer,  — 40  Gutheil. 

-  Pauvre    ange    des    cieux    1 —  n    Choudens, 

— 60    Jouhert,    — 40  n    Lahhe. 

-  Pauvre  et  jolie,  Ch.  s.  — 35  n  Costallat. 

-  Pauvre  vieille  aux  chansons  av.  P(G)   3 — 

Grus. 

-  Pgche  2.50  Lemoine. 

-  Petit    Ange    rose    1 —  n    Eveillard,      Ch.    s. 

— 30  n  Jouhert. 

-  Petit   Brin   d'herbe   2.50   Eeugel. 

-  Petite  chanteuse   1- —  n  Jouhert. 

-  Petite    fleur    de    bois    3 —    Eeugel,    Leduc, 

— 50  Schott,  1/6  Williams,  — 15  Jurgenson. 

-  Petits  Glaneurs  2.50  Eeugel. 

-  Petits    Sabots    1 —  n    Lesigne,    3 — ,    Ch.    s. 

1—  Noel,  —50  Schott. 

-  Petits  Soldats  3—  Noel. 

-  Philomene,   Ch.  s.  — 30  n  Jouhert. 

-  Plus   heureux,   Ch.   s.   — 30  n   Jouhert. 

-  Porte  close  1 —  n   Eveillard. 

-Premier    Amour     (Erste    Liebe),    m.    P{G) 
—50  Schott. 

-  Premiers   beaux   jours,   Ch.   s.   ■ — 60  n   Jou- 

hert. 

-  Pr&s   d'une   aroie,    duo,    Ch.   s.   — 30  n   Jou- 

hert. 

-  Prifere  d'une  hirondelle   (Swallow's  prayer), 

reverie    (J.   C.   Hess),   P  — 60   Brainard. 

-  Pri6re  du  soir  2.50  Lemoine. 

-  Quand  je  te  vois  2.50  Lemoine. 

-Que  la  mer  est  belle,  duo  1.70  n  Eveillard, 
1/6    Williams,  Ch.  s.  — 30  n  Jouhert. 

-  Que  les  hivers  sont  courts,  duo  — 50  Schott, 

1—  n,   Ch.  s.  —35  n  Gallet. 

-  Questions  d'un  enfant  • — 50  Schott. 

-  Quinze  ans   2.50   Lemoine. 

-  Quittons    Venise,    duo,    Ch.    s.   — 60  n    Jou- 

hert. 

-  Ramier   messager   2.50   Eeugel. 

-  Refrain  de  la  fileuse   1 —  n  Eveillard,  — 50 

Schott,  Ch.  s.  — 30  n  Jouhert. 
-Refrain   du   ruisseau    1 — -n   Eveillard. 

-  Reine    de    I'arche    Marion    1 — n    Eveillard, 

Ch.  s.  — 30  n  Jouhert. 
-Reine    des    Fleurs    —50    Schott,    1/6    Wil- 
liams. 

-  Rendez-vous    au    Lido,    duo    1 — n,      Ch.    s. 

— 35  n   Costallat. 

-  Reponse   du    Bon   Dieu    1 —  n    Lesigne,   3 — , 

Ch.  s.   1—  Noel. 

-  Rien  pour  rien   (Nichts  um  nichtsj,  bluette 

—16  Bote. 

-  Rien   pour   rien,   av.   P(G )    3 —  Grus,  — 50 

Schott,  — 15  Jurgenson. 

-  Rinta  2.f  0  Eeugel. 


Masini  F.  Rive  de  la  mer 


275 


Masini  G.  Puritani  e  Norma 


-  Rive  de  la  mer,  Ch.  a.  —30  n  Joiibert. 

-  Rive  qu'on  aime.  duo,  Ch.  s.  — 60  Joubert. 

-  Roi    de    la    forfet    1—  n,    Ch.    s.    —35  n    Co- 

siallat. 

-  40    Romances,    Melodies,    Canzonnettes    et 

Oeuvres    choisies,    I — TT    a    7 —  n    Lesiqne. 
-Rose  et  Violette   1 — n  Lesigne,  3 — ,  Ch.  s. 
1—  Noel. 

-  Rose  Marie  — 50  Schoft. 

-  Ros^e   1 —  n  Lesigne,  3 — ,   Ch.   s.   1 —  Noel. 

-  Roses,  av.  P(G)  3—  Grus. 

Rosine   1 —  n,   Ch.  s.  — 35  n   Costallat. 

-  Rossignol    du    Foyer    1 —    Eveillard,      — 50 

Schott. 

-  Sans   amour    1 —  n   Eveillard,  — 50   Schott, 

— /6  n  Avgener,  1/6  Williams,  Ch.  s.  — 30  n 
Jonhert. 
■  Sans  lui  — 50  Schott. 

-  Santa  Mia,  Ch.  s.  — 30  n  Joubert. 

-  Sentinelle,   Ch.   s.  — 30  n   Joubert. 

-  Seul  —50  Schott. 

-  Seul,   ariette   1 — n   Eveillard. 

-  Sieste   2.50   Heugel. 

-  Silvio    Pellico    1.50  n    Gallet,    6 — ,    Ch.    s. 

1—  Noel,  —50   Schott. 
-Simple     Voeu    1 — n    Lesigne,    3 — ,     Ch.    s. 
1—  Noel. 

-  Soir#e  de  Vendanges  3 — ,   Ch.  s.   1 —  Noel. 

-  Scmmeil  du  vieillard   1 — n  Gregh. 

-  Soon  our  good  ship  — 25  Brainard. 

-  Souhaits  —50   Schott. 

-  Sous  I'amandier  fleuri    (Unter  dem  bliihen- 

den    Mandelbaum),     duettino,     duo     — 75 
Schott,  1—  n,  Ch.  s.  —35  n  Gallet. 
Souvenir  de  Naples,  Mand  — 25  n  Eveillard. 

-  Souvenirs    d'un    bal    masque     (Erinnerung 

an  einen  Ball),  m.  P(G)  —50  Schott. 

-  Souvenirs   Melodiques,   Mand  — 25  n  Eveil- 

lard. 

-  Stella   —30  n   Joubert. 

-  Suleika   1 —  n,   Ch.  s.  — 35  n  Costallat. 

-  Sur  mon  rocher,   Ch.  s.  — 30  n  Joubert. 

-  Sweet   floweret   — 35   Ditson. 

-  Sylphe  de  champs  2.50  Heugel. 

-  Sylphe  et  Grillon  2.50  Heugel. 

-  Sympathie,   Ch.  s.  — 30  n  Joubert. 

-  Ta    patrie    et    tes    amours,    melodie    — /6  n 

Augener. 

-  Tantum    Ergo    per    coro    5 —    Mariani. 

-  Terre  promise  3 — ,  Ch.  s.  1 —  Noel. 
-Terre!  Terre,  duo,  Ch.  s.  — 60  n  Joubert. 

-  Their    Native    Land,    8SAATB,    &    Sir    J. 

Stephenson,  Hark   the  Vesper  Hymn, 
S-s.   SAB  —05   Silver. 

-Theresa   2.50   Heugel. 

-  Tinterelle    2.50    Lemoine. 

-  Tombe   des   cieux   2.50    Heugel. 

-  Tout   bas,   duo   3 —   Leduc. 

-  Trois  amours,  Ch.  s.  —30  n  Joubert. 

-  Un    Amour    que    Dieu    seul    connait     — 50 

Schott. 

—50  Schott. 

a  Venise  — 50   Schott. 

—50    Schott,    1— n,    Ch.    s. 


-  Un  Ange  egare 

-  Un  Mardi-Gras 

-  Un    meme   soir 

—35  n  Gallet. 

-  Un  mot  de  toi, 

-  Un   pas   vers   les 

-  Un   premier   bal, 


-  Un  r€ve  d'amour  1 —  n  Eveillard. 

-  Un  soir  aux  champs  2.50  Heugel. 

•  Un   Sourire   1 —  n,   Ch.  s.  — 35  n   Costallat. 

-  Un    vieux    Soldat    1 —  n    Eveillard,     — 50 

Schott. 

-  Une    chanson     bretonne      1 —  n     Eveillard, 

Ch.   s.  — 30  n   Joubert. 

-  Une  Fille  d'Eve  —50  Schott. 

-Une  fleur  d^laissee,  av.  P(G)  3 —  Grus, 
—50  Scholt. 

-Une  fleur  de  reponse  1.50  n  Gallet,  3 — , 
Ch.  s.  1—  Noel,  —50  Schott,  — /6  n  Au- 
gener, — 25   Schirmer,  Jurgenson. 

-  ysHaii,  noiiMii  Jiio6oBb  moh>  — 20  Jurgenson. 

-  Veille  des  noces  3 —  Lemoine. 

-  Vent  d'orage  3—,   Ch.  s.   1—  Noel. 

-  Vers  toi  3 —  Noel. 

-  Veux-tu     mon      nom      2.50      Heugel, 

Schott,  — /6  n  Augener,  1/6  Williams, 
Johansen,  — 15   Jurgenson. 

•  Vie  d'un   oiseau   2.50   Lemoine. 

-  Vie  d'une  Fleur   1 —  n  Jullien. 

-  Vieillard  mourant  1 —  n,  Ch.  s.  — 35  n 

stallat. 

-  Viens  — 30  n  Joubert. 

-  Vieux   PScheur    (Der 

(G)  —50  Schott.  Ch. 

-  Vision   du   coeur  — 50 


50 
25 


Co- 


alte    Fischer),    m.   P 
s.  — 30  n  Jnxbert. 
Schott. 


Ch.  s.  — 30  n  Joubert. 
cieux  2.50  Lemoine. 
Ch.   s.  —25  n   Labbe. 


-  Vogue,     la   galfere,     barcarolle    (ft    2    voix) 

1.50  n   Costallat. 

-  Vole  comme  un  oi.seau  — 50  Schott. 

-  Vcus  2.50  Heugel,    (Lovely)  (fr.  et  al.),  m. 

PfG)  —50  Schott,  1/6  Williams. 

-  Vuoi  tu  il  mio  nome?    (Si  tu  savais)  (it.  e 

fr.)    1.75  Ricordi. 

-  Zuleika,  romance  1 — n  Costallat. 

-  II,b'Btok'b  B-b  OTit^Ti.  — 25  Jiirfienso77. 
Masini    Fill!,   Messa  per   2TB   12 —  Mariani. 

Masini  Gaetano.  Ricordi:  Alziza,  Mac- 
beth e  Ernani,  capriccio  fantastico 
con   variazioni,   FIP   7 — . 

-Beatrice  di  Tend  a,  pensiero  fanta- 
stico, FIP  6—. 

-  Danza  di  Fanni  e  Ninfe,  scherzo,  FIP  5 — . 
-Ernani   et  Lombard  i,  divertissement, 

FIP  8—. 

-  Fantasia  su  di  un  tema  di  Bellini,  FIP 

1.50    Cottrau. 

-  F  a  u  s  t,  souvenir   fantastique,   FIP,  FIVP, 

GFIV  a   6 —  Ricordi. 

-Forza  del  destino,  capriccio,  FIP 
6—. 

-Furioso  e  Marino  Falieso,  capric- 
cio, Fl  con   VVaVc  4.50. 

-Giuraraento,   rimembranza,  FIP  7 — . 

-  II  Fior  d'amore,  canto  e  FIP  3 — . 

-  II    pentiraento   della   Monaca,   canto   e   FIP 

225 

-  II   Solitario,   romantico   fant.   FIP  7 — . 
-Luciezia  Borgia,   fantasia,  FIP  4.50. 
-Luciezia     Borgia    e     Lucia,     fant. 

brill.   FIP  6—. 
-Luisa   Miller,   fant.   FIP   6—. 
-Malta,  divertimento,  FIP  6 — . 
-Masnadieri,   fant.   FIP  6 — . 
-Norm  a,    fantiisia,    FIP    7.50. 
-Puritani   e  Norma,  fant.  FIP  7 — . 

18* 


Masini  G.  Simon  Boceanegra 


276 


Mason  L.  New  Oarminn  Sacra 


Simon    Boceanegra     e     B  a  1 1 o     i  u 

maschera,   fant.  FIP  6 — . 
S  o  n  n  a  m  b  n  1  a,      potp.     fantastico,      VIP 

6—. 


-Sonnambula, 
tivo,  FIP  4.50. 

-Sonnambula, 
Ah  non  giunge, 


vanazioni  sopra  un  mo- 
siil      tema : 


vanazioni 
FIP  3—. 

-  S  t  i  f  f  e  1  i  o,   fantastico,   FIP   6—. 

-  T  r  a  V  i  a  t  a,    trascrizioiio    fantastico, 

7—. 

-  Vaiiazioni  brillanti  sopra  iiu  tonia  di 

siani,  P  3 — . 

-  Variazioni    sopra    il    tema :    Tu    che    a 


FIP 
Per- 
nio 
I'ali,    uella    Lucia     di     Lammer- 
2.50. 
siciliennes,    divertissement. 


spiegasti 
moor,  P 

-  V  e  p  r  e  s 

FIP  6—. 
Masini    R.   Abricot,   maz.      Parmentier. 

-  Alpha,   maz.      Parmentier. 

-  Amour  de  rossignol,  gavotte,  P.     Parmen- 

tier. 

-  All  bcrd  du  Lac  Majeur,  serenade,  P.     Par- 

mentier. 

-  Au    Tonkin,    marche.      Parmentier. 

-  Dans  les  Nuages,  intermezzo,  P.     Parmen- 

tier. 

-  Mars,   galop.     Parmentier. 

-  Palavasienne,  maz.     Parmentier. 

-  Pousse-pousse,   galop.     Parmentier. 

-  Souvenir   d'Oviedo,   valse.      Parmentier. 
Masino  G.  O  Sacrum  convivium,  8ATB  con 

Org(E)  1.50  n  Ricordi. 
Maskerade,  Tanze  aus  dem  liomischen  Bal- 
lett :  Die  Maskerade,  als  Mazurka,  Ober- 
Osterreichischer  Walzer,  Tarantelle  (F. 
Lobmann)  — 50,  daraus:  XJngarischer 
Nationaltanz  (F.  Lobmann)  —50, 
Kontertanz  (F.  Lobmann)  — 50,  Ga- 
lopp  — 50   Bote. 

Masni,   Lasciati   caregiar    1.50   Perrone. 

-  L'ultima   Serenata    1.50   Perrone. 

Mason  A.  Billee  Taylor  (de  S  o  1  o  m  a  n) , 
potpourri,   P  — 50  Brainard. 

Mason  Mrs.  A.  O.  Years  at  the  Spring  — 25 

S7iin)ny. 
Mason   Alfred   T.   A  pair  of  Slippers,   in   F 

&  A  flat  4/ —  Ashdown. 
-Lord    of    all    power   &   might    (Collect),   2 

trebles  2/6  Ashdown. 
Mason  C.  An  Autumn  Song  1/ — n  Augener. 

Mason  D.  J.  J.  The  Young  Musicians,  male 
quart.  — 50  n  Schirmer. 

Mason  Daniel  Gregory.  Schirmer  jr.: 
Elegy,  in  free  variation  form,  P  5/— 
Metzler. 

-Children's  Songs:  1.  The  Lamplighter.  2. 
My  Ship  and  I.  :;.  Tlu-  Swing.  4.  Pic- 
ture Book.s  in  Winter.  5.  Windy  Nights, 
S  t  e  V  e  n  s  o  n's  .,Child's  Garden  of  Ver- 
ses". 

-Children's  Song.s :  1.  Good-night.  2.  Little 
John  Bottlejohn.     3.  The  Dandelion —50  n. 

-  I   Cannot  Help   Loving  Thee  — 50. 

-  Maiden    with    the    Mouth    so    Rosy     (Mad- 

chen  mit  dem   roten   Miindchen)    — 25. 

-  Mav  —50. 


-2  Songs:   1.  I  love  him,  2.  Shall  I  upbraid 
or   praise  her,   a  — 50   Schirmer. 

-  Spring   Hopes    (Friihlingsglaube)    — 50. 
Mason   Edw.  Children's  Saviour   1/6  Bayley. 

-  Holy   Morn,    this   cantata     consists    of     IS 

numbers,    employs    the    usual    quartet    of 
solists  and  chorus  1/6  Bayley. 

-  How  to  teach  the  staff  2/ —  Curwen. 

-  Jerusaleni.     my     glorious,     scored     ()     — ."> 

Curwen. 

-  The   Man  of   Sorrows,   a    devotional   service 

for   use  on   Good   Friday  — /6   Weekes. 

-  Those  evehing  bells,  mix.   v.  — /3   Curwen. 
Mason    E.    B.   Building   on   the  sand,   SATB 

and   chor.   — 40  Brainard. 
Mason   F.  A  Boatman's  Life  3/ —  Franci^n. 

Mason    Fred,      It    makes    you    careful    4/ — 
Ascherherg. 

-  It's   rather    early   4/ —    Ascherherg. 

-  Married   and   Settled   4/ —  Ascherherg. 
Mason    Havelock.  Turner:   Over  the  Waves 

Waltzes    (J.  Rosas),   BanjoP  2/—. 

-  Popular   Tutor,   Bandrirria    1/6  n. 
-Turner's  Autoharp  Journal,  I — IV  a  1/ — n. 

-  Turner's   Guitar   Song  Album   1/6  u. 

-  Turner's  Mandoline   Journal   1/6  n. 

-  Turner's   Popular   Tutor   for   the   Autolsarp 

1/6  n. 

-  Turner's  Popular   Tutdr    for   the    Clarionet 

1/6  u. 

-  Turner's    Popular    Tutor    for    the    English 

Concertina   1/6  n. 
-Turner's  Popular  Tutor  for  the  l\)r1nii;ne-;e 
Guitarra   1/6  n. 

-  Turner's    Universal    Tutor    for    the    Xylo- 

phone   1/ — n. 
Mason  H.  op.  6  La  Capricieuse  (Tarantelle), 
P  — 40  Brainard. 

-  Song  of  Triumph !   Easter  or  Thanksgiving 

Anthem    — /I    Pitman. 

-  Song   of   victory,    easter    anthem   — /I    Pit- 

man. 
Mason   Hy.  J.   Weekes:  Across  the  Bar,  SA 
TB  — /3. 

-  Jock   of  Hazeldean,  SATB  — /3. 

Mason  J.  E.  Cantate  Domino  and  Deus  Mi- 

sereatur  — /4  u   Vincent. 
Mason       Lowell       (1792—1872),      American 

Tune  Book   1.50  Ditson. 

-  Book  of  Chants   1 —  Ditson. 

-  Butle  in  the  last  days  — {2  Kohler. 
- 1  was  glad  — /2   Kohler. 

-  I   would   not   live   alway  — /2   Kohler. 

-  Jerusalem,  my  glorious  home,  anniversary 

anthem  — /I   Pitman. 

-  Juvenile   Songster.   33   songs,    in    1,   2  &   3 

parts  — /6  Novello. 

-  Lord  of  all   power   and  might,   SATB  &   P 

or   JI  — /]    Pitman. 

-  Nearer,   my  God,   to   Thee,  s.  &  chor.  — 40 

Ditson. 

-  Nearer,    My    God,    to    Thee,    B-s.    w.    Aland 

—50  Lyon,  TTBB  —05  Schirmer,  P  —50 
Brainard,  VP.  FIP  a  —30  Gordon,  MandG 
—40  Century,  CornetP  — 40  Willig,  (& 
Walbridge,  Now  I  lay  me  down  to  sleep), 
Cornets.  &  mO  — 50  Coleman. 
-New   Carmina    Sacra    1.38    Dif.son. 


Mason  L.  Sister  tko>(,  waaf 


277     — 


Mason  W.  Pianoforte  Quartettes 


-  Sister  thou   wast  — /2   Kohler. 

-  Star   of   peace  — /2   Kohler. 

-  To  us  a  Child  of  Hope  is  Born  — /2  Kohler. 
-Vocal   Exercises  &   Solfeggi    1.50  Ditson. 

-  Watchman,    tell    us    of    the    night,    song   & 

chor.  — 35  Ditson. 

-  When  all  the  world  is  young  2/ —  Novello. 
Mason    L.    W.    K.    L.      Neue   Gesangsschule, 

7.   u.   8.   Schuljahr   1 — n  Breitkopf. 

Mason  Miss,  Nusery  Songs  and  Rhymes 
3'—  Metzler. 

Mason  Pascal,  Drapean  de  la  France.  4  v. 
Crevel. 

Mason  Rich.  B.  Valse  d'Alvadorez,  valse  de 
concert,   P  2/ —  n  Morley. 

Mason  William  (1820).  J.  Schuberth :  Op. 
3  Hommage  a  A.  D  r  e  y  s  c  h  o  c  k,  im- 
promptu,   P    1.50    Hofmeister. 

-  4   Amitie   pour    Amiti6,    P   —60    Brainard, 

1.25  Hofmeister. 
-5    Aurora     de     Printemps     (Spring-Dawn). 
caprice-mazurka,   P   1.75    Schott  Frercs. 

-  5  Perles  de  Ros6e,  P   1 .50. 

-  6  Silberquelle,  P   1.50. 

-  7  Deux  Valses  de  Salon,   P   1.50. 
-8  Trois   Preludes,   P   1—. 

-10  Lullaby    (Cradle   song).   P  —50  Dilson. 

-  10  Lullaby,  P  1.50. 

-  11   Konzert-Galopp   1.50. 
-12  Erste  Ballade,  P   1.50. 

-  13  Monody,  P  1.50. 

-  14  Polka  gracieuse,  P  — 75  Brainard. 

-  15   Valse  de   bravour,   P   1.25    Brainard. 

-  16  Danse  rustique,  P  1.50. 
-17  Valse-Caprice,   P   1.50. 

-  18  Rittle-it,  polka  —60  Ditson. 

-  18  La  Ravissante,   polka   de   salon,   P   1.50 

Schott  Freres. 

-  19  P:    1.  An  Matin,  2.  Au  Soir,  a  — 40  Dit- 

son, a   1 — . 

-  20    Spring    Dawn,    Mazurka-Caprice,    New 

Ed.    (Played  by   Paderewski),   P — 75 
Schirmer,  1 —  Bote. 

-  21   Spring  Flower,  Impromptu,  New  Ed.   P 

— 60   Schirmer. 
-21    Frtihlingsblume,   P   1.50. 
-22   Ah!    vous    dirais-je.    caprice.    P    1.50. 

-  23    Deux    Humoresques    de    Bal,    P    a — 75 

Schirmer,  a   1.50. 
-24  Reverie  poetique,  P  — 75  Schirmer,  1.50. 
-33  Saboti&re   (Wooden  shoe  dance),  P  — 75 

Ditson. 
-34  Berceuse,   P   1.50. 

-  45  2  Albumleaves,  P  — 40  Schirmer. 

-46  P.-  N.  1.  Toccatina  — 50  n.  N.  2.  Prelude 
—25  n  Presser,  N.  1  4/—,  N.  2  2/—  Wce- 
kes. 

-  47  Prelude,  M6lodique  in  G-minor,  P   .3/ — 

Weekes. 
-47  Prelude  melodique.   P  — 50   Schirmer. 

-  48  Amourette,  P  — 75  Schirmer. 

-  49  Mazurka  brill.  P  — 85  Schirmer. 

-50   Capriccio   fantastico,   P  —75    Schirmer. 

-  51   Improvisation,  P  — 75  Schirmer. 

-  April  showers,  caprice,  P  3/- —  Ashdown. 

-  Aurore   du   Printemps.   caprice-mazurka,   P 

1.25  Schott. 


-  Banks  of  Allan  Water  and  I'd  be  a  butter- 

fly    (N.   4    of    English   melodies),     P   3/ — 
Ashdown. 

-  Belle    Lois,    valse    elegante    4/^ —    Augener. 

-  Berceuse,    P   — 75    Pond. 

-  Bessie  polka  — 35   White. 

-  Brighter   days   are  near   3/ —  Ashdoion. 

-  Calder    Idris     (Jenny    Jones),    transcribed, 

P  2/6   Williams. 

-  Chfere    Annie,    gavotte,    P    3/ — ,    J^ms    3/ — , 

6ms  6/ —  Donajowski. 

-  Christmas  Tree,  polka,  P  3/ —  Williams. 

-  Come,  lasses  and  lads   (N.  1  of  English  me- 

lodies) ,  P  3/ —  Ashdown. 
-3    Concert    Duets,    PHfAmericanOry) :      I. 
Grand    March.    2.    Liebeslied.    3.    Romance 
1/6    Donajowski. 

-  Concert  Galop,  P  1 —  Pond. 

-  Cot   with    the    sanded    floor,    B   — 50    Brai- 

iiard. 

-  Danse  antique,  P  3/ —  Ashdown. 

I    -  Danse   des    Naiades,    P   4/ —   Augener. 
I    -  Danse    des    Sir&nes,    morceau    de    salon,    P 
4/ —  Augener. 

-  Danse   rustique,   P   1—  Pond,  ^2  Sheard. 

-  Elfin's   Dance,    P    1/6   Ascherherg. 

-  L'espi&gle,   polka-caprice,   P   3/- —   Ashdown. 

-  Etta  waltz  —35   White. 

-  Fair  oaks,  waltz,  P  — 35   White. 

-  Fairy  Dream,   P   3/ —  Ascherberg. 

-  Fairy  revels,  morceau  elSgante,  P  4/ — 
Ashdown. 

-  Gavotte,  D,  from  the  6th  CeHo- Sonata  by 
J.  S.  Bach,  transcr.  P  — 50  Schirmer. 

-  Gondolier's  serenade,  mix.  v.  — /!'/;  0»r- 
wen. 

-  Gondolier's  Serenade,  SATB  —12  Echo  Mu- 
sic Co. 

-  Grand  March,  JfmsAmericanOrgE  4/ —  Do- 
najoivski. 

-  Gushing   Brook   4 — . 
-Hearts  of  oak    (N.  2  of  English  melodies), 

P   3/ —  Ashdown. 

-  Je  parle  d'amour,  romance,  P  3/ —  Ash- 
down. 

-  Liebeslied,  JfmsAmericanOrgE  4/ —  Dona- 
jowski. 

-  Linden  Park  waltz  — 35  White. 

-  Lord  of  all  power  &  might  — /I   Boosey. 

-  Lord  of  all  power,  SATB,  Voc.  score  — /6, 
Voc.   parts  — /6  Novello. 

-  Lord  of  all  power  and  might,  SATB  &  P, 
&  Byrd:  Non  nobis  Domine,  STB  &  P 
— ■/2  Ashdown. 

-  Maj.    Gen.    Hooker's   march   — 35    White. 

-  Marche,   Jfms  — 75   Ditson. 

-  Marche  Festivita   3/ —  Donajoioski. 

-  Marche  des  Soldats  3/ — ,  Jfms  3/ —  Dona- 
joioski. 

-  Marcio    Festivita,   I^ms   3/ —  Donajowski. 
-Mavourneen   Machree  — 40   Ellis. 

-  New-Year,    schottisch    1/ —    Williams. 

-  O  praise  God,  &  Crampton:  Soft  floa- 
ting  anthems   — /I    Pitman. 

-  Oft-told  tale,  P  3/—  Ashdown. 

-  Old,  old  story,  melody,  P  3/ —  Ashdown. 

-  Pianoforte  Quartettes  for  4  Performers  on 
2P :      1.    W.    Czerny:    Rakoczy    March. 


Mason  W.  Pianoforte  Quartettes 


—    278 


Massage  A.  Cherrhex 


2.  R.  B  e  r  i  n  g  e  r  :  Danse  Persanne.  3. 
N.  Rubinstein:  Tarantelle.  4.  Men- 
delssohn: Wedding  March.  5.  Marche 
des  Matelots,  a  6/—  Donajowski. 

Pianoforte  Sextetts  for  6  Performers  on 
2P:  1.  Smallwood:  Little  Sailors. 
2.  Mason:  Chere  Amie,  gavotte.  3.  S  t  a- 
n  i  s  1  a  u  s :  Lily  Bells.  4.  Stanislaus: 
Assembly  March.  5.  Donajowski: 
Danse  Normande.  6.  Wright:  Regimen- 
tal March,  a  6/ —  Donajoivski. 

Pianoforte  Technics   2.50   Ditson. 

Praise  and  Glory,  &  Root,  Rejoice!  An- 
thems — /I    Pitman. 

Pretty  Polly  Oliver  and  The  girl  I  left 
behind  me,  P  3/ —  Ashdown. 

Redowa,  P  — 50,  Jims  — 50  Ditson. 


Reign   of 


King 


Christmas    (Secular),    can- 


White. 
1—2  a 


-50  Brai- 


.'fmsAmericanOrg  (E  ) 


4/ —   Dona- 


P  —40   Gor 


tata  1/ —  Pitman. 
-Rifle    Volunteers,    quadrille,    P    3/—    Wil 
Hams. 

-  Riverside,  galop,  P  — 35 

-  Rornance  sans  paroles,  P, 

nard. 

-  Romance, 

jowski. 

-  Rural  wedding,  rustic  dance 

don,  3/ —  Ashdown. 

-  Rustic  fete,  caprice,  P  3/ —  Aslidown. 

-  Sea-nymph,   romance,   P  4/ —  Ashdown. 

-  Silver  Lake,  polka  — 35   White. 

-  Silver  Spring,  P  1.25  Pond. 

-  Sing  his   praises,   choral   march    (Chorister 

N.   66)    — /2  Pitman. 

-  Sunny  nook,  waltz  — 35   White. 

-  There  be  none   of   beauty's   daughters   4/ — 

Ashdow7i. 

-  Touch  a.  Technic  for  art.  P  playing,  I  3/ — . 

II  3/6  Curwen,  4  parts  k  1 —  n  Presser. 

-  Trfes  Jolie,  gavotte,   P  3/ —  Donajowski. 
-Une   Niiit    sur   la    Riviera,   melodie,   P   3/ — 

Donajowski. 

-  Voice   of   Singing,    anthem   — /I    Pitman. 
-Voyage    (Secular),   cantata    1/ —   Pitman. 
Mason   &   Hamlin's  Organ  Instructor,  com- 
piled  by   Trowbridge   2 —  Ditson. 

Mason  W.  &  E.  S.   Hoadly,  Method  for  the 
P    (fngl.    or    american    fing.)    3.50    Ditson. 

-  System    for    Beginners,    P    3 —    Ditson. 
Mason    William     &     W.    S.    B.    Mathews, 

Pianoforte   Technics   2.50   Ditson. 

Mason   a.  Webb,  Evening  bell  — /2   Eohler. 

Mason   W.    L.   Never   Put  Off'  'Till   To-mor- 
row, waltz  song  — 40  Gordon. 

Masoni,   La    Girouette,    valse   — 24    Sassetti. 

Masoni    Giulia,   Barcarola   in   ehiave   di    Sol 
con  Mand  ad  lib.   3 —  Carisch. 

Masourine   Alexis,   Marche   funebre, 
Kahnt. 

-  Mon    Ange,   valse.   P  — 80   Kahnt. 
Maspero  G.  Divertimento,  J^ms  2 — 

-  Sinfonia,   OrgfP)    1.50  Ricordi. 
-Siufouia,   Org(P)    1.25 
-Sinfonia,   Org(P)    1.25 
Masquelie,    Croix    d'or. 
Masques    ] — n    Jonbert. 
Masques    et    visages    1 — n, 

Eveillard. 
Mass,  Valse  du  Regiment,   P  6 —  'Noel 


P 


SO 


Ricordi. 
Ricordi. 
polka 


Ricordi 


3.75    Heugel. 


Ch. 


-or>  11 


Massa  A.  de.  Legouix:  Op.  37  Trois  etude.s 
de  concert,  P  3.50  n  Durand. 

-  38  Trois  romances  sans  paroles,  VcP  3.50  n 

Durand. 

-  39    Trois    morceaux    de    genre,    PVVc    4 — 

Durand. 

-  Caprice,   P  5 — . 

-  Chacone,  HautliP  4 — . 

-  Concertino.    FlHauthP    15—. 

-  Gavotte,  HanthP  7.50. 

-  3  Morceaux  de  genre,  P  4 —  u. 

-  Musette,   Hauti   7.50. 

-  Pavane,    EantbP   6 — . 

-  Polka   lente,    HautlP    7.50. 

-  Polocaise,  CIP  9—. 

-  Prelude    Religieux,    CorHarpe    4 —  n,      VP 

Ilarpe,     VEarpe,    POrgE,     VVcEarpe,     V 
EarpeOrg  a  9 — . 

-  Romance,   EautbP    5 —    Legouix. 

-  Un  songe   1.35  n   Durand. 
-Valse  lente,  EautbP  7.50. 

-  Vieille  chanson,   Eautb  7.50. 
Massa    F.    Valzer    3 —    Ricordi. 

Massa    Giuseppe,     Danza    Abissina,     Baitda 
4 —  n   Lapiyii. 

-  D'inverno    2 —    Venturi. 

-  Isabella,  maz.   2 —   Mariani. 

-  Luigia,    polka    2 — ,    Banda    2 —  n    Lihreria 

Salesiana. 

-  Romanza   2 —   Mariani. 

-  Salve   agli   sposi,    romanza    3.50   Mariani. 

-  Scherzosa,   P   2.50   Mariani. 

-  Una    Lacrima    ed    un    Fiore,    Banda,    Part 

1.50  n    Lapini. 
Massa    Nicolo.   Cieca,   romanza   3 —  Ricordi. 

-  Luna  e  amore,  P  2—  n,  MandfVJP  2.50  n, 

MandrVjG      2— n,        2Mand(V)P      3— n, 

2MondfV)G   2.50  n,  2Mand(V)MaP  3.50  n, 

2Mand(V)MaG  3— n,  0,  Part  2— n,  p.  s. 

4 —  n  Carisch. 
-5    Pezzi :    N.    1     Un'aurea    plaga,    romanza 

2.50.    N.    2.    Alia    finestra,    canto    popolare 

2 — .   N.   3.   Dormi   e  sogna  1   berceuse-sere- 

nata    3 — .    N.    4.    M'amasti    mai?    melodia 

2 — .  N.  5.  Vieni !  canzone  1.75  Ricordi. 
-Salammbo,    opera.      Ricordi : 

Invocazione    alia    Dea    Tanit.    SalammbO : 
Mistica   Dea   2.50. 

Recitativo  ed  Aria.  Salammbo :   Nelle  eon- 
cave  perle  2.50. 

Scena    e    Romanza.    Mathos :    Sogno    ado- 
rato   2.50. 

Duetto.    Salammbo    e    Mathos:    Di    la    da. 
Gades  3—. 
Massacre    des    Innocents    1 — ,    Ch.    s.    — 30 

Gheluice. 
Massage  A.  A  la  garde  de  I'Est  3 — ,  Ch.  s. 

— 30  n   Eveillard. 
-A  la  Sante  de  I'univers  1 — n,  67; .  s.  — 35  n 

Labhe. 
-A   travers   la.    serrure    1 — n,    Cli.    s.   — 35  n 

Puigellier. 
■  Ahasverus    (Le    Juif-Errant) ,    chant   bibli- 

que  pour  voix  de  basse  4 —  Katto. 

-  Balda,   la  belle   Bresilienne,   valse  6 — ,   ^^w..9 
9—,   0   1.50  n  Jotibert. 

•  Barberine,  valse,  0  1.50  n  Gheluwe. 

-  Cachalot   5 —   Sulzbach. 

-  Cherchez,  vous   trouverez   3 —  Sulzbach. 


Massage  A.   Coltnetfe 


—     279 


M assart  A.  Souvenir  du  Freyschuiz 


-40  n 
-40  n 


-Oolinette   1— n   Joubert. 

-  Fer  a  cheval,  quadr.  5—,  0  1—  u  Gheluwe. 

-  Fleur    de   p§cher,    maz.    1.50  n    Potmer,      0 

1 — 11    PmateJ. 

-  Indipeiisable  eii   soci6t6   1 — n,   Ch.  s 

Bornemann. 
-Jus  du  Raisin    (parle)    1 — n,  Ch.  s 
Borveinann. 

-  Maris   de   Charentoii    3—   Sidzlack. 

-  Marsciuin  en  goguette,  quadr.  5—  Joubert. 
-Mon  anniversaire  3—,  Ch .  s.  — 30  n  Eveil- 

lard. 

-  Parisieune    1 — n    Joubert. 

-  Presto-Galop,    0    1—  n    Joubert. 
-Qui  qu'a  fait  la  declaration  3—  Sulzbach. 

-  Salut   aux   Nations,    fant.    P    6—,    0    2—  n 

Jm'hert. 

-  Souffleur   a   rhippodrome   3—  Sulzbach. 

-  Sur  le  balcon   1— n  Joubert. 

-  Une  saison  a  Bruxelles,  quadr.  5—,  0  1— n 

Gheluwe,  Joubert. 
-Veronique,    Part,    solo,    P    8— n,      par 
Cr<jmer,     Bouquet    de    melodies     2.50  n, 
par  S  t  e  i  g  e  r,  Fantaisie  2 —  n  Chouden.t. 

-  Voltigeurs   de  la   32e,  marche  5—  Jouberi.    ] 
Massage  V.  Augusta,  valse  de  salon,  P  2 — 

Schoit   Freres,  — 40   Gordon. 

-  Ave   Maria,   Tf  Bar)  Org  —75   Katlo. 

-  Ave   Maria,   4  voix   av.   8(T)-s.   &   Org   2— 

Eat  to. 

-  Ave  Maria,  S(T)  av.  VVcOrgP  3—  Katfo. 

-  Ire  Eeuediotion  k  3  v.  av.  Org  1.25  n  Katto. 

-  2ine    Benediction    a  3    voix    av.    Org    1.25  n 

Ratio. 
-Chanrante,  polka   1—  Cranz. 

-  Fete  de  Noel  3 — ,  choeur,  Part  1 —  n  Kafto. 

-  Ici-bas    1 —   Cranz. 

-  Immortelle  — 80  Cranz. 

-O  salutaris,  TBOrg   1.50  Katto. 
-Pie  Jesu,  4  voix  1.25  Katto. 

-  Reve  du  Soldat  6 —  Katto. 

-  Sub  tuum,  B-s.  &  clioeur  &  Org  1.75  Katto. 
■  Tantum    ergo,    3  v.    6g.    on    iSATB    &    Org 

1.50   Katto. 
Massak   F.   op.   13   Arader   isr.   Jugend-Ver- 
eins-Tiinze,    Walzer    1.25,    4ms    2—    Bach- 

inann.  ^_ 

-14    Die    Wanderer,    Walzer    1—,    hms    l.o 

Bachmanyi. 
-15  Die  Gratulanten.  Walzer    1—,  kms   I.T.o 

Bachmann . 
-A  rivederci,  Marsch.   mO,  Part   1.50  Cranz. 

-  Assedio  di  Leida,  valzer   3 —  Ricordi. 
-Cannonata,  polka   1.50  Ricordi. 
-Castelbichel,"  polka  2—  Ricordi. 

-  3  Dauze  .3 — :  N.  1.  Le  Debardeur,  mazurka 

1 — .   N.   2.   Les   Zouaves,  mazurka   1 — .   N. 
3.  Polka  dei   Sergenti   1.50  Ricordi. 

-  Debardeur,   mazurka    1 —   Ricordi. 

-  Delki,  galop   1.50  Ricordi. 

-  Der      Stroamer,      Manovrier-Marsch,      inO. 

Part  1.50  Cranz. 

-  Erminia,    polka    1.50    Ricordi. 

-  2  Galop  2 —  Ricordi. 

-  liOuise-Marie.    valzer    3 —    Ricordi. 
-Manovrier-Marsch,    mO,    Part    1.50    Cranz. 

-  2  Marcie  sopra  motivi  del  Marco  Visconti 

di   Petrel  la:    N.    1    1—     N.  2    1.50    Ri- 
cordi. 


-2   Marcie   sopra   motivi     del    ballo     Shake- 
speare 1.50  Ricordi. 

-  2     Marcie     sopra     motivi     dell' Assedio     di 

Leida  di   Petrella   2..^.0,  a   1.50    Jlicordi. 

-  Mnsoherata,    marcia    tratta    dal    bnllo    Un 

Fallo    1 —   Ricordi. 
-.Polka  dei   Sergenti   1.50   Ricordi. 

-  Polka-Standcheu,    Polka    mit    Gesang    —50 

Bote. 
-Roberto,   polka    1.50   Ricordi. 

-  3   Schottiscli  2.50,  a   1—  Ricordi. 

-  T  r  a  V  i  a  t  a,   valzer    3.50   Ricordi. 

-  Zouaves,   maz.    1—  n   Ricordi. 
Macca.ioP.T,    K.    MopcKaji.    Ma.wpfla    —50 

Idx-ikowski. 
-Bes-B  K03bipeH.  MasypKa  —30  Lhikoivski. 
Massard    R.   R.   Massard:   A  qui  le  million, 

quo  dr.    P   cond. 

-  Au    Hameau    de   Marie-Antoinette,   gavotte 

Louis  XVI,   0  av.  P. 

-  Auteuil,  pas  red.  Harm  3—,  Fanf  2.50  An- 

-  Auteuil,  pas  red.  Har?n  2.50  n,  Fanf  2—  n. 
-Belle   Estelle,   schottisch,   pet.    0    1— n. 

-  Brennus,  pas  red.  Harm  2.50  n,  Fanf  2—  n. 
-Casque   de   Neron,   quadr.   pet.   0   1 — n. 
-Chamonix,   valse   1.50  n,    0   1..50n. 

-  Char    de    Venus,    fant.    Harm    6—  n,    Fanf 

5 —  n  Andrieu. 

-  Cocotte   en  sucre,  valse,   0   1 .25  n. 

-  Cocotte  en  sucre,  P. 

-Diable  rose,  maz.  pet.  0  1 — n. 

-  Fee   Printemps,    valse,   pet.    0    1 — . 

-  Fleurs  des  Champs,  maz.  1— n,  0  1.25  n. 
-Gorges   du   Sierroz,   valse   1.50  u,    0   1.50  n. 
-Guide  a  gauche,  marche,  0  1.25  n,  P  cond. 

—25  n. 

-  Historiette,  polka,  pet.  0  1— n. 

-  Lucifer,  quadr.   0   1.50  n. 

-  Marjolaine,  schottisch,   0   1 —  n. 

-  Minaude,  maz.   0   1.25  u. 

-Miss  PatapoulT,   schottisch,   0   1— n. 

-  Muguette,  maz.   0   1.25  n. 

-  Nadia,   valse,   0   1.25  n. 
-Petit  Bob,  polka,   0   1.25  n. 

-Pigeon    vole!     Polka,     Piston-solo,     pet.    O 
1— u. 

-  Polka   des  avocates,  0  av.  P. 

-  Ratakoum,  quadr.  pet.   0   1 —  n. 

-  Rochecordon,   quadr.    0    1.50  n. 
-Rose  de  Noel,  schottisch,  pet.   0   1— u. 

-  Sabine,  valse,   0   1 —  n. 

-  Secret  de  la  Bohemienne,  ouv.  Harm  C—  n, 

Fanf   5 — n   Andrieu. 

-  Signaleur,     pas     red.      Harm    3—  n,      Fanf 

2.50  n  Andrieu. 
-Supreme,  polka   1— n,   0   1.25  n. 

-  T.  Y.  B.    (Tout  va  bien),  marche,  O  a  v.   P 

cond.     Monier. 
-Two  at  two   (Deux  a  deux),  pas  de  quatre, 
0  av.   P   1.50  n  Paris- Musical. 

-  Yveline,   polka,    0    1.2^  n. 
Massard-Ramay,    Dernier    Caprice,    maz.    0 

av.  P.     Maroky. 

-  Les   Suffragettes,    polka-marche,     0   av.   P. 

Maroky. 
WI assart   A.   et    L.    Souvenir    du   Freyschiitz, 
morceau  de  salon,  VP  4—  Joubert. 


Massart  A.  Souvenirs  du  Comte  Orij 


im    — 


Masse  V.  Fauvette  du   Cohaire 


4— n   Costallnt. 
du    CoeuT.    VP 


-  Souvenirs   du   Comte   Ory,   morceau   de   sa- 

loii    (duo),    VP   4 —   Joviert. 

Massart  L.  (1811—1892),  Art  de  travailler 
les  etudes  de  R.  K  r  e  u  t  z  e  r  1 —  n  Lediic. 

-Art  of  Studying  K  r  e  u  t  z  e  r's  Etudes. 
412  examples  compiled  according  to  the 
!id\ice  of  the  author,  revised  &  transl.  by 
G.  S  a  e  n  g  e  r  (engl.-french-german)  — 60 
Fischer. 

-  Galop   brill.   P   7.50   Leduc. 

-Soirees  musicales.  de  K  o  s  s  i  n  i,  transcri- 
tes,  VP  6.75  n:  N.  1.  La  Gita  in  gondola, 
2.  La  Pastorella  dell'Alpi,  3.  La  Partenza, 
4.  L'Orgia,  5.  La  Promessa,  6.  La  Sere- 
nata,  a   1.75   Jonhert. 

-  Theme   original   vari^,   VP 

Massart    Rudolphe,    Paroles 

— 75  >S'c7iirmer. 
Massaruti    G.   Ricordi:  Ave  Maria,  raelodia 

3—. 
-Giuiai,   melodia    3 — . 

-  Nou  amerd  che  quello !  Canto  popolare  2 — . 

-  Povcro  fiore !   Melodia  2.50. 

-  Tre   baci   a   mamma   tua  !    Melodia   3 — . 
-Zaiia!    I'ultima   Romanza   del   Menestrello, 

niflodia  4 — . 
Massat,      Pri&re     aprfes     I'Elfivation,     Harm 

(FanfJ,  Part  3— n,  p.  s.  a  — 10  n  Evette. 
Massau   Alfred,  Andante  con  Variatione,   P 

1.50,    VcP   1—  Schott  Freres. 

-  Cours    preparatoire     p.    Vc    12 — ,     I — TI    a 

7.50  Schott  Freres. 
Masse    H.   Sarah,   polka   3- 
Masse   Victor    (1822—1884) 

cantil&ne    1 — n    Chottdens. 

-  Ah !  since  thou  wilt  depart  ..Paul  and  Vir- 

gine",  -ST  1—  Gordon. 

-  Aurore,  VU.  s.  1 —  (irus. 

-  Baigneuses,   SSMSA    1—   Grus. 

-  Raiser  donne  1.70  n,  Ch.  s.  8"  —35  n,  P  1— 

Choudens,    V,   Cornet,     Fl    a   — 25  n     Fro- 
mont. 
-Barque   1.70  u  Choudens. 

-  Bergers  prenez  vos  musettes,  a  2  voi.x  6 — 

Grus. 

-  Bird    to    distant   bowers    ,,Paul    and    Virgi- 

nie"  —30  Gordon. 

-  Cantique  d'Athalie,  av.  P(G)   6 —  Grus. 

-  Cantique    d'Esther,     2    voix    6—,     SBMSA. 

2—  n  Grus. 

(Jhaises  a  porteurs,  opera-com.   ChP 
8 — Q  Stdzhach,  ouv.  P  6 —  Lnhhe: 
l.Doux  sommeil,  rends  un  instant  1.20  n. 
Ch.  s.  — 25  n. 

2.  Je  n'ai  pas  un  .sou  vaillant  2 — n,  Ch.  s. 
— 25  n. 

3.  De  I'amour,  que  Plutus  se  console  2 —  n. 
Ch.  s.  —25  II. 

4.  Monsieur    le    chevalier,     pardon 
Ch.   s.  — 40n. 

-Chanson  des  lavandiferes,  duo  1.70  n  Chou- 
dens. 

-  Chanson   de  I'Abeille    (As   roams  the   Be^) 

(R  e  i  n  e   T  o  p  a  z  e) ,   S  — 50   Schirmer. 

-  Chanson  de  la   Mule  de   Pedro,   Gh.  s.   1— 

Legouix. 
-Chanson  du   Berger   1.70  ii   h'aua:. 


Legouix. 

A   line   femme. 


Berger. 


romance.      PJfftulh 


i\. 


-  Chan  son     du 

1.70  n  Raux. 
-Chrnson   de  mer   1.70  n   Raux. 

-  Chant   des   Caidjis,   duo   1.70  n   Choudens. 

-  C  h  a  n  t  e  u  s  e      V  o  i  1  6  e,     opern       ( 1 850) , 

ChP   8 — n   Lemoine : 

l.Cantabile  5 — ,  a  2  voix:  Tons  les  soirs 
sur  la  grande  place  6 — . 

2.  Couplets ;  Quel  bruit  vous  venez  de  I'en- 
tendre  4 — . 

3.  Air :  Ce  soir  et  lorsque  la  nuit  .sombre 
5—. 

4.  Romance:  D'une  larape  mourante  I'in- 
certaine  lueur  3.50. 

5.  Duo:   Qui  m'am&ne?  9 — . 

6.  Air :  Pour  moi  plus  d'espoir.  d'amour, 
ni  d'ivresse  5 — . 

7.  Trio  :  Oii  I'as-tu  cachee  ?  Eh  !  qu'importe 
7.50. 

8.  Bolero :  L'air,  au  loin,  retentit  du  son 
des  castagnettes  6 — . 

9.  Rondo:  Avant  qu'en  mon  menage  I'a- 
mour m'engage  2.50. 

Airs  detachees,  8",  Ch.  s.  a  — 20  n,  duo  a 
— 40  Lahbe. 

-Chants  d'Autrefois,  av.  P(G):  X.  1.  Mi- 
gnonne  2.50.  N.  2.  Felicity  passee  2.50. 
N.  3.  Chanson  du  vanneur  de  bl^  2.50. 
N.  4.  Avril  2.50.  N.  5.  Icare  3—.  N.  6. 
L'Aubespin  2.50.  N.  7.  Une  Fontaine  4.50. 
N.  8.  Epicurienne  2.50.  N.  9.  Robin  Gray 
4 — .  N.  10.  Consolation  3 — .  N.  11.  Souve- 
nirs 5 — .  N.  12.  Adieux  a  la  France  4 — , 
Ch.  s.  a  — 25  n  Grus. 

-Chants  Bretons,  av.  P(G):  N.  1.  Ivonaic 
2.50.  N.  2.  La  Chanson  du  printemps  2.50. 
N.  3.  Les  Goelands  2.50.  N.  4.  La  Chanson 
de  la  gerbe  2.50.  N.  5.  Le  Sonneur  de 
Cornouailles  2.50.  N.  6.  La  Chanson  de 
Loic  4—.  N.  7.  La  Chaumifere  3—.  N.  8. 
La  Chanson  de  Marie  4 — ,  Ch.  s.  a  — 25  n 
Grus. 

-  Chants  d'autrefois,  Chants  bretons.  Chants 

du  soir.  Part.  ChP  10 — n  Grus. 
-Chants  du  Soir,  av.  P(G):  N.  1.  Croyons 
au  bonheur  2.50.  N.  2.  Les  Desseins  de 
Dieu  3 — .  N.  3.  Mandoline  4 — .  N.  4.  Loe- 
tice  2.50.  N.  5.  La  Chanson  de  la  reine 
,3 — .  N.  6.  L'Avenir  d'un  berceau  2.50.  N. 
7.  Theresine  2.50.  N.  8.  Ninon  4—.  N.  9. 
La  Fileuse  de  Manchester  2.50.  N.  10. 
Suzanne  2.50.  N.  11.  Aveux  d'une  fleur 
2.50.  N.  12.  Nanette  2.50.  N.  13.  Le  P«- 
cheur  de  Sorrente  2.50.  N.  14.  La  Fee  aux 
aiguilles  3 — .  N.  15.  Sara  la  Baigueuse 
4^—,   Ch.   s.   a  — 25  n   Grus. 

-  Crucifix,   av.   P(G)   5 —  Grus. 

-  Doux   printemps    1.70  n   Raux. 
-Echo   1.70  u   Raux. 

-  Emir   de   Bengador,   av.   P(G)    3 —   Grus. 

-  Enfants  de  Perrette,   saynete  6 —  n   Borne- 

mann. 

-  Engagez   qui  vous  plaira   1.70  u   Raux. 
-Etoile,   av.   P{G)   5—  Grus. 

-Fauvette  du  Calvaire  2— n,  0,  Part  3— n 
Raux. 


Masse  V.  Fte  Carabosse 


281 


Masse  V.  Mule  de  Pedro 


oD^ra.     CJtP     lo- 


op#ra     ( 1 854) , 


-Fee     Carabosse. 
GaUet. 

-Fiancee     d  u      Diablo, 
Costallat:   (UiP    ]5~u: 
l.Ah!  dans  ma   pens^e   1 — u. 

2.  Couplet:   QiKind  le  feu   s'allune   l.o'iii. 

3.  Cavatine:    Humbles    toits    1 — n. 

4.  Du  !   Vous   avez   dit   2.50  n. 

5.  Romance :    11    faut    pour    la    c6r6moiiie 
1.50  n. 

6.  C'est   aupres    d'elle    1.35  n. 

7.  Air :   Ah  !   qu'on   a   de  peine  2 —  n. 

10.  Romance.   Rondo   en   r6 :    Je  suis  prSte 
1.70  n. 

11.  Je  suis  prete   1.70  n. 

12.  Chanson:   Au   toiiniant   du    |iont   d"Avi- 
gnon   1.35  n. 

14.  Andante  :   Nou,   cher   enfant   1 —  n. 

15.  Duo:    Pour    d^sarmer    sarage    extreme 
2.50  n. 

16.  Duo:   Rassurez-vous  ma   fianc6e  2.50  n. 
Hibis.    Couplets    extraits    du     duo     1.35  n, 

Ch.  s.  a  — 20  n   Lahhe. 
-Fior   d'A  1  i  z  a.   op6ra    (1866).   Choudens: 
ChP   15— n. 
3.  Rom. :    Sais-tu    pourquoi   tout   rayonne, 

T  1.70  n. 
10.  Saltarelle :    Sous   les   verts   oraugers.   S 
2— n. 

13.  Chanson:    Ma    mere    6tait    boh^mienne 
2— n. 

N.    1.    Cavatina   — 60  n,   N.   2.   Cauzonetta, 

Org   — 50  n    Gebethner. 
Cavatine,    Org {11}    1.35  n. 
Saltarelle,  P  2— n. 
-  Fleur  de  bruy&re   1.70  n   Clioudetis. 

-Galath6e,  op6ra-comique  (1852),  Grus: 
ChP  12— n,  Ch.  s.  3— n,  P  7— n,  4ms 
15— n,   ouv.   P   7.50,   ^ws   9—,   2V  6—,   0 

20—: 

l.L'aurore    en    souriaut,    choeur    4 — . 

2.  Depuis    vingt    ans     fexerce.     couplets 
3—. 

3.  Qu"ai-je   vu  ?   Trio   5 — . 

3bis.    Couplets    extraits    du    trio :    Tout«s 
les   femmes   sont  inconstantes   4 — . 

4.  Tristes    amours,    folle   chimfere    6 — . 

5.  Aimons,   il   faut   aimer,   duo   9 — . 

6.  Fleur  parfumee,  air  de  la  lyre  7.50. 

7.  Ah !    qu'il   est   doux   de    ne    rien    faire. 
air  de  la  Paresse  6 — . 

8.  II    me    semblait    n'etre    pas    laid,    trio 
5—. 

9.  Allons   a  table,   quatuor   9 — . 

9bis.  Sa  couleur  est  blonde  et  vermeille. 
couplets  de  la  Coupe  6 — . 

10.  Ganym&de,   c'est   toi    que   j'aime,    duet- 
tino   4 — . 

11.  A  moi,   foUes   ivresses,   rondo   4 — . 
N.   7,  9bis,   0  k  30—. 

N.  2,  3bis,  4,  5,  7,  9bis,  10,  11,  Ch.  s.  a 
— 25  n  Grus,  Dehert,  Pomier,  a  — 20  n 
Labbe. 

Air    Pygmalion     (fr.-it.-gr.)     1.20    Fexis. 

Couplets   de   la   Coupe   — 60    Schirmer. 

Apia  iis-B  on.   ra.iaTca:  EaKi>  xopouiT.  ero 
UBtT-B  HHTapuwii  (p.  fp.)  — 40  Besssl. 


Galathee : 

vermeille   - 

Cornet    a. 


Sa  couleur 
-50  Gutheil. 
7.50.    2V   I— II 


est 


YP,  FIP  a  5—. 
— ,  Earm(Fanf) 


Air    de    Top. 

blonde    et 
Airs,    V.    Fl, 

7.50. 
Air  de  la  Coupe,  Jfms  4- 
Air  de  la  Paresse,  Jtms 

2.50  n. 

Fantasie,    P     (D  u  v  e  r  n  o  y)     1 .50    Breit- 
kopf,  4ms    (R  u  m  m  e  1)    2/ —  n   Jefferps, 
(Janvier    P  i  e  t  r  a  p  e  r  t  o  sa    f  i  1  s) 
MandP    2.50  n,    MavdG    1.75  n,    2MandP 
3— n,  2MandG  2.25  n,  2MayidGP  3.25  u, 
Mand     —75  n,      2MandMandoP      3.25  n, 
2MandMandoG    2.50  n,    2MavdMandoGP 
3.50  n  Pisa. 
Mosaique,    Earm(Fanf )    2.50  n. 
Heures,  duo,  88MSA  a  2 —  n  Gr«,s. 
Hirondelles,   av.   P(G)    5 —   Grus. 
Homme   au   sable,   av.   P(G)    5 —   Grus. 
Je  t'aimerai,   av.   P(G)   5 —  Grus. 
Je   veux   oublier,   av.   PfG)    6 —   Grus. 
Jeannettens   Hochzeit,    kom.   ( )per 
(1853)     (vide:    Noces    de  Jeannette. 
opera-com.).     Part     60 — n,     0-St     80 — n, 
Textbuch  — 50  n   Schlesinger. 

Mai,  av.   PfG)   5—  Grits. 

Matin   1.70  n  Choudens. 

20  Melodies:  1.  A  une  femme.  2.  Reverie. 
3.  Fleur  du  bruyere.  4.  La  Barque.  5.  Le 
Raiser  donn6.  6.  Tristesse  d'Olympio.  7. 
Le  Matin.  8.  Pourquoi  ne  m'aimez-vous? 
9.  Berceuse.  10.  Regrets.  11.  Attente.  12. 
Rozette.  13.  Chanson  du  roi  Henri.  14. 
La  Plainte  du  p§cheur.  15.  Voyage.  16. 
Barcarolle.  17.  La  Messag&re.  18.  Les 
Colomhes.  19.  Le  Chant  des  Gaidjis.  20. 
La  Chanson  des  lavandiferes  10— n  Chou- 
dens. 

Messegere    1.70  n    Choudens. 

Meuniere   du   chatelain   2.50   EeugvJ. 

Miss  T  a  u  v  e  1 1  e,  op6ra-comique  ( 1 855 ) . 
'Sloel:   ChP  8— n,   ouv.   P   6— : 

1 .  Rondo :    Leste    et    vive    dfes    qu'arrive    le 
jour  5 — . 

2.  Chanson :    L'amour   est   un 

3.  Duo:   Ho!   je  voudrais  bien 

4.  Couplets :    Quand   une    fille 
3—. 

5.  Air    des    fleurs:       Va,    Robin 
cette   bonne   nouvelle   6 — . 

6.  Chanson  anglaise:   La    femme  etait  tou- 
jours  4 — . 

7.  Chanson:    Le    long    d'un    bois    charmant 
3—. 

8.  Cantabile:    H6las!    d"oii    vient   sa   col&re 
4—. 

N.  2,  3,  4,  6,   7,  8.   Ch.  s.   a  — 20  n  Labbe. 

Mule  de  Pedro,  opera  (1863),  Le- 
gouix:  ChP   15 — n,  ouv.  P  6 — ,  .^ms  7.50: 

1.  Chanson    de    la    Mule:    Ma    mule,    qui 
chaque   semaine   7.50. 

2.  Couplets :    De    ce    pays, 
beau    domaine   4.50. 

3.  Romance :    Chaque   jour 
pelle   3—. 

4.  Air  :   C'est  ici !   c'est  ici ! 
lointaine  6 — . 


bambin   3 — . 

6 — . 

a  des   appas 


porte-hii 


j'ai     le     plus 

je  me   le    rap- 

dc  ma  course 


Masse  V.  Mule  de  Pedro 


—     2S2 


Masse  V.  Reitie  Topaze 


Hameau 


natal,     terre 
Le    voilfl. 


do- 


et    le    courage 


Je    siii.s    la    Gi- 


4ter.     Andante: 
eh6rie   4 — . 

5.  Duo    de    la    Carriole :       i^e    voiia,    ce 
rival    9—. 

6.  Couplets   du   Lutin :    II   est,   dit-on,   un 
m^chant  lutin   5 — . 

7.  Cavatine:    Dans    ce   logis,    heureux 
maine  3 — . 

8.  Duo :     J'aime    I'audace 
9—. 

9.  Chanson    bohemienne : 
tana   7.50. 

10.  Couplets   du   Hasard   6 — . 

11.  Duo:    Impossible   de   fuir   9 — . 

12.  Trio:  Par  son  assurance  9 — . 
-  Muletier  de  Calabre  2/6  Ashdown. 
-Nightingale    song     (B.    Richards),       P 

— 60  Brainard,  — 50  Ditson. 
-Noces  de  Jeannette,  opera-coniiquo 
(1853).  Grus:  ChP  10— n,  pet.  pop.  2— n, 
P  6— n,  4ms  12— n,  Ouv.  P  7.50,  47ns  9—, 
Sins  12—,  V,  Fl,  5—,  0,  Part  et  p.  sep. 
20—  n,  pet.  0  3—  n  : 
l.Enfin,   me  voila  seul   6 — . 

2.  Parmi    tant    d'amoureux,    romance    5 — . 

3.  Margot !   Margot !   Ifeve  ton  sabot,  chan- 
son 4 — . 

4.  Halte-la !    s'il   vous   plait,    duo    9 — . 

5.  Ah !    vous   ne  savcz  pas,  ma  chfere,   cou- 
plets   6 — . 

6.  Cours,  mon   aiguille,   dans   la   laine,   ro- 
mance   5 — . 

7.  Les   voilii,  ces   meubles   joyeux,   air   6 — . 

8.  Au  bord  du  chemin,  air  du  rossignol  6 — . 
8ter.   Le  meme,   av.   Fl  9 — . 

9.  Allons,    je  veux   que   Ton   s'asseoie   7.50. 
Ch.  s.:  N.'l— 8  a  —25  n,  N.  9  —50  n  Grns, 

a  —20  Lalle,  a  — 25  n  Debert. 

y  ^oivia  B6.1H3H,  av.  Fl  — 7.5  Brssd. 
Airs,   VP  9—,   FIP,  CornetP  a  7.50 

V,  Fl,   Cornet   a  —20  n   DebeS. 
Romance  de  I'Aiguille,  Jfms  4 — . 
Valse,   V,  Fl,  Cornet  a  —20  n  Debert. 
Ire    et    2me    Fantaisie     (Janvier    P  i  e  - 
trapertosa    fils),      MandP    2.50  n, 
MandG    1.75  n,   2MandP   3— a.   2MandG 
2.25  n,    2MandGP    3.25  n.    Mand 
2MandMaP    3.25  n,      2MandMaG 
2UundMaGP  3.50  n  Pisa.  ■ 
Fantaisie    variee,    Harm(Fanf)    4— 
Potp.  P  —60  Brainard. 
Noel,  av.  P(G)  5—  Grus. 
0   Madone,   Noel    1.70  n   Choudens. 
Pale  from  my  lady's  lattice  — 25  Brainard. 
Paradis  terrestre  1—  n,  Ch.  s.  — 40  n  Borne- 

manot. 

Parmi  taut  d'amoureux,  4tns  4 —  Grus. 
Partenza,   a  v.   PfGJ   5 —   Grus. 
Paul  et  Virginie,  opera    (1876).  Heii- 
gel:   ChP  20— n,   it.  20— n,  angl.    10— n, 
all.  20— n,  P  12— n,  Ouv.  P  9—,  4ms  12— 
0,  Part   10-,  p.  s.   10—: 
l.Duo  des  Deux  M^res :    J'aime  a  repar- 
ler    7.50. 

2.  Couplets: 
maitre  4- 

3.  Duo:    Par    quel    charme,    dis-moi 
3bis.   Cantabile,   extrait   du    diio   4— 


Grus, 


—  (o  n, 
2.50  n, 

n. 


N'envoyez     pas 


le      jeune 
7.50. 


4.  Chanson    du 


N^grillon 


Ah! 


pauvre 


5- 


5. 
6. 


Pardonnez-lui    4- 
du    Tigre:    Pnrmi 


les    lianes 


Nous   marchions    cette    nuit 


pas  mon 


Romance : 

Chanson 

5—. 

7.  Romance : 
5—. 

8.  Chanson  :  L'Oiseau  s'envole  3- 

9.  Recit.   et  Duo :    Ah  !    ne  brise 
courage    7.50. 

10.  Grand    Duo:       Virginie,    j'ai    retrouve 

ton  coeur  9 — . 
lObis.  Duo  sans  recitatif:  Ah!  puisque  tu 

nous  fuis  7.50. 
ll.Choeur  des  Matelots :  Un  navire  quitte 

le  port  4 — . 

12.  Air:    Bruits   lointains,   chants   des   ma- 
telots 9 — . 

12bis.   Andante,   extrait   de   I'air   5 — . 

13.  Berceuse:  Dans  le  bois,  a  mi-voix  4 — . 

14.  Chanson  de  Meala :   En  vain,  sur  cette 
rive  6 — . 

15.  Air    de    la    Lettre:     Chere    m6re,    vous 
m'avez  dit  7.50. 

15bis.  La  Lettre  seule  6 — . 

16.  Chanson  creole:    Que  ma  chanson   vers 
toi  4—. 

Schirmer  : 
4.  Chanson    du    Negrillon  :       Ah  I 
N&gre    (Ahl    wretched    Slave), 
or  A.  a  — 50. 

6.  Chanson    du    Tigre :    Parmi    les    Liaue» 
(In  the  darksome  Forest),  8(T)   —50. 

7.  Romance :    Nous   marchions   cette   Nuit 
(As  we  wauder'd  this  Eve),  8  — 50. 

8.  Chanson :  L'Oiseau  s'envole  la-bas  (The 
yonder  on  its  swift  Track), 
—35. 

;    Dans  le    Bois    (Softly  sleep). 
—35. 
Creole :   Que  ma  Chanson    (On 


pauvre 

S,    Af8 


Bird   see 

BarfiMS) 
13.  Berceuse 

MS(Bar) 
16.  Chanson 

Spirit  Wings) ,  S  —35. 
N.  8  —30  n   Gebethner. 

Xopi,  MaxpocoB-b  SATB  — 55  Jurgensim. 

Ch.  s.:  Par  quel  charme,  dis-moi,  L'oiseau 
s'envole,  chanson,  N'envoyez  pas  le 
jeune  maitre.  Ah!  pauvre  nCgre,  Daas 
le  bois,  a  ma  voix,  berceuse,  a  — 25 
Eeugcl,  Pomier,  a  — 30  Drht^rf. 

Entr'acte  symphonique,  P  7.50,  4''i'^s  9 — -, 
0,  Part  io— ,  p.  s.   10—. 

Waltz    (d'Albert),   P   —50    Gordon. 

Quadrille     (d'Albert),    P    —50    Gordon. 

Potpourri  (Fallmann),  P  — 75  Gor- 
don,  I — II  a  1.50   Lundquist. 

-  Petite  soeur  d'Achille,  en  2  tableaux, 

nete  6 —  n  Bornemann . 

-  Peur   dans  les   bois,   duo   5 —   Grus. 
-Premieres    inelodies    10 — n    Grus. 

-  Priere    de    I'enfant    a  son    reveil, 

5 —  Grits. 

-  Printemps,    valse    ehantee,     av. 

Grus. 

-  Que  le  .iour   me   dure,   av.    P(G) 

-  R  e  i  n  e  Topaze,  opera    (1856) . 

ChP  15— n,   Ch.  s.  3.50  n.   P  8- 


say- 


av. 


'(G) 
P(G)    6— 


5 —  Grus. 
Lemoine  : 

-  n : 


Masse  V.  Reine  Topa^e 


283     — 


Masselin  R.  Revntis! 


1.  Couplets:   Je  suis  capitaine  d'aventure 
4—. 

2.  R^cit.   du    Capitaine :    Dans   un   clifmin 
etroit   et   sombre   5 — . 

3.  Chanson    de   I'Abeille :    Comme   I'abeillo 
fugitive  6 — . 

4.  Duo :      J'ignorais    que    ce    tendre    gage 
7.50. 

4bis.    Ronuxnce    extraite:    J'ignorais    (|ue 

ce  tendre   gage  4.50. 
4  quinto.  Cautabile  extrait:   Jjidi.s,  en  un 

moment   supreme   3 — . 

5.  Barcarolle  pour  voix  seule:   A  I'entour 
de  nous  tout  passe  4 — . 

6.  Andante   et    Bolero:    Adieu,    reves   d'a- 
mour  6 — 

6ter.    Andante    seul :    Adieu,    r€ves    d'a- 
mour    4 — . 

7.  Couplets  du  rire:  Quo!,  vraiment,  vous 
vous  connaissez?  4 — . 

8.  Couplet  de  rire:    Quoi,   vraiment,   vous 
vous   epousez   4 — . 

9.  Duo :    Eevoquez   cet   arret    7.50. 

9bis.    Romance    extraite:     R^voquez     cet 
arret  4 — . 

10.  Carnaval   de  Venise  varie :   Ninette  est 
jeune  7.50. 

lOquater.    Canzonetta    extraite:      Ninette 
est  jeune  4 — . 

11.  Air:  Tout  succede  au  gre  de  mes  voeux 
7.50. 

liter.    Cavatine   extraite:    Depuis   bier   je 
me   suis   transform^e   4 — . 

12.  Trio   bouffe:    Quand   je   bois,   c'est  sur- 
prenant  9 — . 

12bis.  Couplets  extraits:  En  naissant  peut- 
etre   3—. 

13.  Romance:    0   riante   fleur,   parle-lui    de 
moi  4 — . 

14.  Duo:    Vous  me   trompiez    7.50. 

14bis.   Couplets   extraits:    Vous   me   trom- 
piez 4 — . 
14  quater.    Cantabile    extraits :     Jadis.    en 

un  moment  supreme  4 — . 
Gh.  s.  a  —20  n,  duo  a  —40  n  Lahhe. 
Reveil,  a  v.   P(G)   4—  Oriis. 
Riche  et  pauvre  3 —  Heugcl. 
Riche    et    Pauvre,      &     Samuel    Rous- 
seau,   Berceuse,    ClCornelFUIandV     (Les 
Airs  favoris   N.   25)    — 20  n   Ledtic. 
Rosette  1.70  n  Choudens. 
S  a  i  s  o  n  s,    opera-comique     (1855) .      Griis  : 
ChP    1.5— n,      Ouv.    P    7.50,    J,ms    9—,    0 
20— : 
l.Avant    que   I'hiver    recommence,    chan- 
son  du  bl6  4 — . 

2.  Bientot     la    fleur    d'oranger,     cavatine 
5—. 

3.  Voici   la  moisson  finie,   duo  6 — . 

4.  C'etait  la  iille  de  Madelon,  ballade  4 — . 

5.  Ah !  monsieur  Nicolas,  rondeau  4 — . 

6.  Faire  du  vin,  la  belle  histoire  9 — . 

7.  Voila  pr6s  d'un  an  que  j'attends,  cou- 
plets 3—. 

8.  O  nuit  d'ete !    melodie  4 — . 

9.0   vin   uouveau,   je   te   salue !    1.   chan- 
son du  vin   4 — . 

10.  Entendez    la-bas     ce    gai    carillon,     2. 
chanson   du   vin   4 — . 


Gnu 


ll.J'herite!    J'herite!    rondeau    5 — . 

12.  Je   crois   les   comprendre   trio   6 — . 

13.  A  uous  le  chant  du  Rii !   air   6 — . 

14.  Eh!    quoi   la   parole   qu'oii    donne,   cou- 
plets 4 — . 

15.  Helas !    il    faut   qu'on   me   conduise.    ro- 
mance  5—. 

16.  Chanson    du   Loup   5 — . 

17.  Ah!   pourquoi  suis-je  revenue,  air  6 — . 

18.  Au  mechaut  qui  I'accuse,  couplets  .3 — . 

19.  Simonne,  c'est  donc-toi,   duo   6 — . 

Ch.  s.  a  — 25  n,  duo  a  — 50  Grus,  a  — 20  u. 
a  —40  Labhc. 

TniLiScr.  (D.  P  o  r  c  i  u  a  1) ,  MandP  2.50  n, 
MandG  1.75  n,  2MandP  3— u,  2MandG 
2.25  n,  2MandPG  3.25  n,  Mund  —75  n, 
2MandMaP  3.25  n,  2MandMaG  2.50  n. 
2MandMaGP    3.50  n    Pisa. 

-  Si    vous    voulez     que    j'aime    encore     2 —  u 

Raux. 

-  Sous  bois,  2  voix  6 —  Grus. 

-  Souvenir   1.75  n,   VP  5 —  Grus. 

-  Soyez  benie,  a  v.  P(G)   5 —  Grus. 

-  Strophes  de  Psyche,  av.  P(G )   5- 

-  CBaxSa  jKaneTM,  Apia  — 75  Be^ssel- 
■  Toujours,   av.    P(G)    5 —   Grus. 

-  Tristesse  d'Olympio  1.70  n  Choudens. 
-Trouvaille,  operette,  ChP  6 —  n  Borne- 

inann. 

-  U  n  e   L  o  i   S  o  m  p  I  u  a  i  r  e,   operette,   ChP 

8 —  n   Bornemann. 
-Une      Nuit      de      Cleopfitre,      opera 
(1885).    Grus:    ChP    20— n,    Ck.    s.    4— n, 
(20— n    Ricordi),      P    10— n,    4ms   25— n, 
Ouv.  P   7.50,   4ws  9—,   O   10 — n: 

1.  Cantabile:    Loin   de   vous  j'ai   vu   I'an- 
nee  5 — . 

2.  Barcarolle : 
son,      Nous 

3.  Air:    Sous 
6—. 

4.  Couplets:   Pauvre  Cleopatre  4 — . 

5.  Air :    Oh !    rien   qu'un    jour,    une   heure 
6—. 

6.  Chanson:   Les  heureux  accusent  la  vie 
5—. 

7.  Choeur   de  femmes :    Gracieuse  et  belle 
ccmme  les  oiseaux  5 — . 

8.  Air  :    0    souvenirs    d'enfance    6 — . 

9.  Strophes  :    Etrange    inetamorphose    5 — . 

10.  Chceur    de    femmes:    Voici    le    cortege 
des  heures  6 — . 

1 1 .  Sti  ophes  : 
I'aube   qui 

12.  Duo:   Tout. 
Ballet,   P  C— . 
Transcr.   VP  5 — . 

-  Valse  des  saisons,  V,  Cornet,  FJ  — 20n  Dehcrt. 

-  Vivre  et  mourir  la,   duo   5 —  Grus. 

-  Zaslubiny   Joasi  Arye  — 40  n   Gehethner. 
Masselin    (Abbe),   120  Cantiques  populaires 

— 75  n  Bonnaventure. 
Masselin    R.   Impr.    ^Senar/Paris:    Carnaval 
not6. 
Cigalfc. 

-  Pepa,  chaus.   castillane. 

-  Prineesse   du   matin,   chans.   enfantinc. 

-  Revons ! 


Sur  les  flots  bleus  5 — . 
marchions     cette    nuit,    ro- 
un    rayon    tombe    des   cieux 


Le    connais-tu    I'amour,    dt 

va    naitre  6 — . 

se  tait,  tout  se  tait  9 — . 


MassenbUchler  J.  E.  Reiscstraufichen        —     284     — 


Massenet  J.  Bois  de  pins: 


MassenbUchler  J.  E.  Eeisestraufichen , 
Miirscli,  Z  — 80  Schlesiiiger. 

Massenet  Jules  (1842).  Eeugel:  Op.  10 
Dix  Pi&ces  do  genre,  P  5 — n :  N.  1.  Noc- 
turne, 2.  Marche,  3.  Barcarolle,  4.  Rigo- 
don,  5.  M6lodie  des  Erinnyes,  6.  Salta- 
rello,  7.  Vieille  chanson,  8.  Legende,  9. 
Fughetta,  10.  Carillon,  a  1.35  n  Fromoni. 
N.  3  —25  Bessel,  —40  Gehetlmer,  —20 
J  nr  gen  son;  N.  5.  M^lodie  (Elegie)  1 — 
^cliott,  — 35  Century,  — 25  Ditson,  Ge- 
hethner,  Schirmer,  —15  Bessel,  Gutheil, 
Jurgenson,  Lyre,  Seywang,  Zimmermann; 
VP  — 50  Fischer,  — 25  Lyre,  Zimtner- 
mann;  VcP  1.50  Schott,  —25  Gtitheil, 
—25,  (A.  S  chafer)  —40  Lyre;  N.  6 
—30  Bessel;  N.  7  —25  Gebefhner.  —20 
Jvrgc7ison. 

-11    Pieces,   Ifms  4 — n  Durund. 

-  13  Ire  Suite  d'O,  I^ms  7— n,  O,  Part  15— n, 

p.  s.  25 —  n  Durand. 

-  17  Scene  di  Danza,  P  6 — ,  Jfins  4 —  Ricordi. 
-A    Colombine    5 —    Eeugel.      w.    P(G}    1/6 

Williams. 

-  A   deux   pleurer   3 — . 

-  A  la  tr6pass6e  5 — . 

-  A  la  Zuecca,  2  voix  5 — . 

-  A   Mignonne   3 — . 

-  Adieu    3 — . 

-  Ah  I  si  les  fleurs  avaient  des  yeux  3 — . 
-Air  de  Ballet,  vide:    Sc&nes  })ittoresques. 

-  Air     de     Meryem      (de     Marie-Madeleine)  : 

C'est  ici  meme  a  cette   place  — 40  Bessel. 

-  Album   of   Works    (S  w  i  n  f  o  r  t) ,    Org :    1. 

Marche,  4me  Suite  d'O.  2.  Allegretto 
Scherzando,  4th  suite  d'O,  air  de  ballet. 
3.  Andantino  Seniplice,  and  Serenade.  4. 
Prelude  and  Air:  O  Night!  gentle  Night! 
,,Eve."  5.  Chorus:  Wouldst  thou  call  thine 
own.  „Eve."  6.  'Tis  vain  that  I  seek.  „Ma- 
rie   Magdalen"    3/ — n    Williams. 

-  Alcyons  5 — . 

-  Alerte!   TTBB  2.50  u. 

All    ye    that   labour,    anthem,      8ATB    1/-- 
Williams. 

■  Alleluia,   a  4   v.  — 50  n,   p.   s^p.  —25  n    Ha- 

chette. 

■  Alleluia,  a  2  v.   7.50  Hachette. 
Ame  des  oiseaux  5 — . 

Ames   6 — . 

Amour,  TTBB  2—  n. 
Amoureuse  5 — . 

Amoureuse:      Tu    voudrais    lire    dans   luon 
ame  — 30  Bessel. 

Amoureuses  .sont  des  folles  6 . 

Amoureux   appel    (1 — 2)    5 — . 

Amours   b6nis   5 — ,    VP,    VcP   A  5 . 

Andante,    VP,    VcP   a    1.35  n   Durand. 
Andante,  0   (Turin)    2— n,  P  cond.  1.35  n 

Durand. 

Ange  et  I'enfant  5 — . 
Ann6e  passee,   suite  de  pifeces,  l^ms   10 —  ii, 

I — IV    a    3—  u :     I.    Apr&s-midi    d'etf- :     ] . 

A  I'ombre.  2.   Dans  les  bles.  ;5.   Grand  so- 

leil. 

II.    Jours    d'automnc:    I.    Feuilles    jau- 

nies.  2.  Deux  novembre.  3.  Joyeuse  chas.se. 


Ill:    Soirs  d'hiver :    1.   Noel.   2.   En   son- 
geant.  3.  On  valsait. 

IV:    Matins   de  printemps:    1.   Les   Pre- 
miers nids.  2.  Lilas.  3.   Piques.   Sortie  de 
grand'messe. 
-  A  r  i  a  n  e,  opera.   Eeugel:   ChP  20 — n,   Ch. 
s.   4— n,   P   12- n: 
l.Air  de  Pirithons  5 — . 

2.  Pri&re  a  Cypris  5 — . 

3.  Melodie  d'Ariane  4 — . 

4.  Duo    d'Ariane    et    de    Phgdre    7.50. 

5.  Choeur    des    Vierges     et    des    Ephfebes 
7.50. 

6.  Arioso  de  Thes^e  4 — . 

7.  Duo    d'amour    d'Ariane    et    de    Thes^e 
7.50. 

8.  Imprecation   de   Phfedre    5 — . 
n.  Phrase   de   Pirithoiis   4 — . 

10.  Cantilfene   d'Eunoe   5 — . 

11.  Arioso   d'Ariane   3 — . 

12.  Grande  scfene  de  Phedre   7.50. 

13.  Grand    duo    de    Phfedre    et    de    Thesee 
9—. 

13bis.   Strophes   extraites   du   duo   3 — . 
13ter.  Sc&ne  et  air  de  Thes6e  6 — . 

14.  Air  d'Ariane  5 — . 

15.  Eecit.    de    Pirithoiis    5 — . 

16.  Air  de  Persephone  5 — . 

17.  Air  des  roses  5—. 

19.  Lamento   d'Ariane   4 — . 

1.  Andante   et   Menuet  des   Graces,    P   5—, 
Jfms,  EP,   VP,   VcP,  FIP  a  6—. 

2.  Theme  des  roses,  P  3 — ,  ^ms,  VP,  VcP, 
Fl  a  4—. 

3.  Lamento    d'Ariane.    Part    d'O    4 —  n,    P 
3—    Ifms,    VP,    VcP,   FIP  a  4— . 

4.  Ballet:   Le  Duel  des  Furies  et  des  Gra- 
ces, transcr.   P  9 — ,  Jfms   12—. 

-Arlequin  et  Columbine:  1.  Over- 
ture, 2.  Harlequin  enters,  3.  Columbine 
mu.sing  at  her  window,  4.  Harlequin's  se- 
renade, 5.  Duet  bet  ween  Harliquin  and 
Columbine,  V  part  u  — /3  n,  P  part  u 
— /6  n,  2nd  V  part  a  — /3  n.  Vc  part  a 
— /6  n   Williams. 

-Arlequin  et  Colombine  (Amateur 
Violinist  53),  VP  — /9  n  Williams. 

-  Au   del  a   du   reve   6 — ■. 

-  Aubade  5 — . 

-Aubade:  Brahms:  Lullaby;  Thorn  6: 
Simple  Aveu,  mO,  FullO  a  1.50,  1^  Instr 
1.25,  10  Instr  1—,  P  ace.  —30  Fischer. 

-  Automne  5 — . 

-  Autumn   Serenade,   w.   G   1/6  n   Williams. 

-  Autumn   thought  — 50   Ditson. 

-  Aux  Etoile,  2  voix  av.  P  6 — . 

-  Ave  Margarita  5 — . 

-  Ave  maris  stella,   2  voix  6 — . 

-  Avec  toi  5 — . 

-  Avril  est  amoureux  6—  Eeugel,  —50  Idzi- 

kcwski. 

-  Avril  est  la  6 — . 

-  Beaux  yeux  que  j'aime  5 — . 

-  Belles  de  nuit  5 — . 

-  Berceuse    3 —    Eettgel,     — 35    Ditson,     2.50 

Ricordi. 

-  2   Berceuses,   Jfms   7.50. 

-  B  i  b  1  i  s,  p.  soli  et  choeur s  6—  u. 

Bois   de  pins   1 —  n,   Ch.  s.  — 35  n   Durand. 


Massenet  J.  Bonne  nuit! 


285     — 


Massenet  J.  Cid 


n,    Ch.  s. 


0 


35  n   Durand, 

pa  It.      d'O 


-  Boune   nuit !    1- 

—40  Schirnier. 

-  B  r  u  m  a  i  r  e,       ouverture. 

10 —  n,  p.  s.  25 —  n. 

-  CiiEtahile,   VcP  4—. 

-  Canti    Autunnali    3.50  n    Ricordl. 

-  Canti   d'Aprile   4 —  n   Ricordi. 

■  Canti    delle   Memorie   4 —  n   Kivordi. 

-  Cautique,  pour   pet.   0,   part.   d'O   1.50  ii,   p. 

s.   3~a. 

-  Canto  provenzale  5 —  Ileugel,  2 —  Ricordi. 

-  Canzone  di  Capri  5 —  Heugel,  4.50  Ricordi. 

-  Capinere   5 —   Heugel,  4 —   Ricordi. 

-  Garavane    perdue,    TTBB    2.50  n. 

-  C  a  r  i  1 1  o  n,   l^gende  mim6e :   Valse  au  ca- 

baret. Les  Kamoneurs.  Les  Boulangers. 
La  Moquerie  de  Bertha.  Dialogue  amou- 
reux.  Le  Lever  du  jour.  Danse  flamande. 
Val.se  de  Bertha,  0,  Part  30— n.  p.  s. 
60 — n.  P  a   S— u^  a  ,5—. 

-  C'est  le  printemps  3 — . 

-  Ce  que  disent  les  cloches  5 — . 

-  Cendr  illon,  conte   de  f§e    (1899),   Heu- 

gel: ChP  20— n,  P  12— n,  (20— n,  ,P 
12 — n  Sonzogno,  6 — ,  P  3.60  Neiiparth)  : 

l.Vouloir  n'est  pas  pouvoir :    Du  cot^  de 
\;\  barbe  5 — . 

2.  Trio :    Faites-vous  trei.   belles   9 — . 

3.  Petit    Grillon :    Eeste    au    foyer,    petit 
grillon  5 — . 

4.  Air   de  la  F6e :    Je  veux   que   cette  en- 
fant  charmante    5 — . 

5.  Cceur  sans  amour :   Coeur  sans  amour, 
printemps   sans   roses   4 — . 

6.  Duo   de   la   Declaration :    Toi    qui   m'es 
apparue  6 — . 

7.  Le   Retour   du    Bal :    A   I'litnire   dite,    je 
fuyais   6 — . 

8.  Scene    de    Mme    de    la    Haltifere :    Lors- 
(ju'on  a  plus  de  vingt  quartiers  3 — . 

9.  Duo:  Viens,  nous  quitterons  cette  ville 

9bis.  Le  meme,  pour   voix  seule  3 — . 

10.  Adieu,   nies   souvenirs  5 — . 

11.  Vocalises  de   la    Fee:    Fugitives  chime- 
res  3 — . 

12.  Duo   du   Chene   des   F6es :    A   deux   ge- 
noux,   bonne   marraine   9 — . 

13.  Duo:     Tu     riais .  .  .    Tu    pleurais    sans 
motif  0 — . 

14.  Duo:  Printemps  revient  4 — . 
14bis.  Le  meme,   pour   voix   seule   3 — . 
N.  3,  5,  9bis,   14bis,  Ch.  s.  a   1—. 

-Cendrillon,  suite  d'O,  Part  25 — ,  p.  s. 
25—: 
l.Le   Sommeil    de   Cendrillon,   P   4 — ,    J^ms 

5—,   Org  4—,  Mand  — 25  n.  FIP  5—,   O 

12—. 

2.  Les    Filles    de    noblesse,    valse-ballet,    P 
5—,  J^ms  6—,  FIP  5—,   O   15—. 

3.  Menuet,  P  6 — ,  0  12—. 

4.  Rigaudon   du   Boy,   P   5 — ,   Jfins   6 — . 


0.  Les  tendres  fiances,  air  de  ballet, 
J,ms   5—,   FIP   5—,    0    12—. 

6.  Les    Mandores,    P    4 — ,    J/ms   5 — , 
— 25n,  0   12—. 

7.  La    Florentine,    P    4 — ,   .^ms   6 — . 
—25  n. 


P  3- 


Mand 


Mand 


8.  Marche  des  Princesses,  P  6 — ,  Ifms  9 — , 

2P   12—,    0   20—. 
Valse    des    Esprits,    Mand    — 25  n. 

-  Chanson   andalouse   5 — . 

-  Chanson  de  Capri  5 — . 

-  Chanson   des   l&vres  5 — . 

-  Chanson   juanesque   5 — . 

-  Chanson   pour    elle   5 — . 

-  Chansons  des  Bois  d'Amarauthe,   suite,  tSA 

TBar  un  rec.  5 —  n. 
-Chousons  polonaises,   0,  partie  de  P  eond. 
Hoyet. 

-  Chant   de  Concorde,   TTBB   1.50. 

-  Chant  de  guerre  cosaque  5 — . 

-  Chant   de   nourrice   5 — . 

-  Chant  provengal    1- —  n. 

-Chants  intimes:  N.  1.  Declaration  (Lie- 
beserklarung)  — 60.  N.  2.  A  Miguonne 
(Eincm  Kinde)  — 80.  N.  3.  Berceuse  (Wie- 
genlied)    — 80  Andre. 

-  C  h  e  r  u  b  i  n,  com6die  chant^e,  GhP  20 —  n, 

Ch.  s.  4— n: 

1.  A,   Ouverture,   P   9 — . 

2.  Fete  pastorale,  P  5- — . 

3.  A,   Entr'acte-Manola,    P   5 — . 

4.  Entr'acte,  P  3—. 

5.  Aubade,  P  6—. 

5.  Chanson   de   Ch^rubin   3 — . 

9.  Une   femme  4 — . 
13.  Aubade   de  I'Ensoleillad  5 — . 
15bis.  J'ai  du  paraitre  un  peu  bSte !    (ex- 
trait  du   duo)    3 — . 

-  Chevriere,  pet.  conte  rustique  p.  2  voix  de 

femmes  et  solo  av.  P  3 — . 
-1812   choeur,   TTBB   3— n. 
-Cid,   opera    (1885),    ChP   20— n,    it.   20— u, 

all.   20— n,   Ch.   s.   4— n,   P    12— n: 

1.  Duo :   Laissez  le  doute   dans  mon  ame 
7.50. 

2.  Air :   0  noble  lame  etincelante!   6 — . 

3.  Air :   0   rage,  6   desespoir !   5—. 

4.  Duo:   Eodrigue,   as-tu   du   coeur   6 — . 

5.  Stances:     Perce    jusques    au     fond    du 
coeur    6 — . 

6.  Duo :    A   moi,    Comte,    deux    mots    7.50. 

7.  Alleluia :    Plus    de    tourments    et    plus 
de  peine  5 —  Heugel,  — 50  Schirmer. 

8.  Air :    Lorsque    j'irai    dans   I'ombre   5 — . 

9.  Air:    Qii'on   est   digne  d'envie   5 — . 

10.  Air :    Pleurez,    mes    yeux    6 —    Hetigel, 
— 50   Schirmer. 

11.  Duo:    0   jours   de   premi&re   teudresse ! 
9—. 

12.  Choeur:    Vivons  sans   ppur   et  sans   re- 
mords  5 — . 

13.  Priere:    0   souverain,   o   Juge,   o   Pere ! 
5—. 

14.  Air :   II   a  fait  noblement  5 — . 

15.  Trio:    O   coeur   deux   fois  blesse   9 — . 

N.   7bis,   lObis,   13,   Ch.  s.  a   1—. 

Entr'acte,    VP    (Gedalge)    6—. 

Art  gonaise,  P  5 — ,  ^ms  6 — ,  0,  Part  10 — , 

p.  s.  a   1 — . 
Andalouse    et   Aubade,    P    6—.    4ms    7.50, 

Mand  — 25  n,    VP  6—,  P   1.70   Ghelmve. 
Ballet,  P  5—,  Jfms  7— n,  0,  Part  20—,  p. 

s.  40—. 


Massenet  J.  Cid 


—     286 


Massenet  J.  Don  Cesar  de  Baxan 


7.50,  Itms  9—,   0,  Part  7- 
9—,   0,  Part  7—, 


Ouverture,  P 

p.   s.    15 — . 
Marche,   P  7.50,  ^ms  9—,   O,  Part  7—,  p. 

s.    15—. 
Rapgodie  mauresque,  P  7.50,  ^ms  9 — ,   0, 

Part  7—,  p.  s.   15—. 

Furstner  : 
KA    (d.)    16— n,    (fr.)    16—    P  8— n,  Ouv. 

P   2.50,    Jftns   2.50,     0,    Part   6— n,     St 

12— n. 


1. 


nicht,  erhort 
doute     dans 


nieiu 
mou 


Duett:  0  liebt  ihn 
Flehen  (Laissez  le 
ame)    1.80. 

2.  Arie :  Du  bist  mein  eigen,  blitzende 
Klinge  (0  noble  lame  gtincelante) 
1.80. 

3.  Arie :  0  Jammer!  Mir  diese  Sehmach ! 
(0   rage!    6   d^sespoir!)     1.20. 

4.  Duett:  Rodrigo !  Hast  du  Mut?  (Ro- 
drigue,   as  tu   du  coeur?)    1.80. 

5.  Stanzen:  Getroffen  sinkt  mein  Gliick 
dahin !  (Perc€  jusques  au  fond  du 
coeur)    ].50. 

6.  Duett:  Halt'  an,  Gormaz,  ein  Wort! 
(A   moi,    Comte,    deux   mots). 

7.  Arie:  Erfulle  Tag,  was  hell  dein  Mor- 
gan (Plus  de  tourments  et  plus  de 
peine)    1.50. 

10.  Arie:  O  weint,  ihr  Augen,  weint  I 
(Pleurez,  pleurez  mes  yeux)    1.50. 

11.  Duett:  Ihr  sonnigen,  wonnigen  Stun- 
den     (0    jours    de    premi&re    tendresse) 

O . 

13.  Gebet:  Du,  den  ieh  stets  im  Sinn  ge- 
tragen  (0  souverain,  6  juge,  o  pere) 
1.50. 

Ballet   (Castillane.  Andalouse.  Aragonaise. 

Aubade.     Catalane.     Madrilfene.     Navar- 

raise),  P  4—,  .//»?.&■  6— n,   0,  Part  16—. 

St  32—. 
Andalouse   und   Aubade,   P    1.60, 

u.  St  8— n. 
Aragonaise.   P   1.20,   Jims   1.50,    0, 

St  8— n. 
Rapsodie  mauresque,  P  2 — ,   Jims 

Part  6— n,  St   12— n. 
Aufzug   des   Cid,   groGer   Marsch, 

Jims  3—,   0,  Part   6— n,   St   12- 
F  a  n  t  a  s  i  e,    0    (H  u  b  a  n  s)    20 —  n, 
Walzer     (L  a  m  o  t  h  e) ,    0    3— n,    P 

(Hermann)    .3 — . 
Potpourri,     P,     I— III    a     1.80, 

I— II   a   4—. 

Soiizogno: 
ChP   15— n,  P   10— n: 
Duetlo    di    Climene    e    Rodrigo:    0 

della   prima    dolcezza,    *S"Z'    4 — . 

Pezzi  .staccati,  P: 

Ballabili :  Castigliana.  Andalusa.  Arago- 
nese.  Mattinata.  Catalana.  Madrilena. 
Na^arrese  5 — . 

Aria   di    Cliimene   2 —   NapoleHo. 

O  swi?ta  szpado  — 30  n  Gebethner. 

ApiK     nillMCHbl:      IIOTOKT.     TOpHUIIXi      C.ie31> 

(Pleurez,  pleurez  mes  yeux).  fl,JiH  coupaHO 
H  Meu,u,o-conp.  no  —40  Outheil. 
Ballet,   Iims    1.65    Outheil. 


3— 

P 

—  u 


0,   Part 


Part   u. 


,      0, 

2.40, 

VP, 
1.50, 

Jiins 


bei    dl 


Aragonaise,  P  4/ —  Stanley,  — 40  Cen- 
tury, Fischer,  Gordon,  — 35  Ditson, 
Schirmer,  Schroeder,  1.50  Bevilacqua, 
— 25  Gutheil,  Lyre;  J^ms  — 50  Schirmer, 
2.50   Napoleao,   Z   —40   Mills. 

Entr'acte,   Sevillano,   ^ms  2 —  Bevilacqua. 

Aragonaise  from  the  Ballet  „Le  Cid",  & 
Tschaikowsky,  Chanson  sans  pa- 
roles, FuUO  1.80,  U  Instr  1.50,  10  Instr 
1 — ,   P   ace.  — 35   Fischer. 

-  C  i  g  a  1  e,   suite,    0,   extraite   du   ballet:    1. 

Valse-Tourbillon  des  autans.  2.  Cantabile. 
3.  Variations.  4.  Vieux  Noel  et  Ronde  des 
cigales,  Part  20 —  n. 

-  Cigale,  ballet-divert.  P  8 —  n. 

-  Cigale,  morceaux  s€par6s,  P:   N.  1.  Le  Re- 

veil  de  Cigale  1 —  n.  N.  2.  Ronde  des  Ci- 
gales 2.50  n.  NT.  3.  Le  Divin  Baiser  1 — n. 
N.  4.  Vieux  Noel,  interlude  1.50  n.  N.  5. 
Valse-Tourbillon  des  Autans  2.50  n.  N.  6. 
Ouvre-moi  ta  porte,  var.  1.50  n.  N.  7.  Ber- 
ceuse angelique   1.50  n. 

-Clair   de   lune    (op.    Wertlier).    V'P,    VcP 
a   5 — ,   Mand  — 25  n. 

-  Colombine    4/ —    Williams. 

-  Comme  un  rayon  qui  luit  — iO  Jurgenson. 

-  Concerto  pour  PO,  Part  25 —  n,  p.  s6p.  d'O 

40— n,  2P  10— n  Eeugel,  2P  4— n  Schir- 
mer. 

-  Coupe  d'ivresse  5 — . 

-  Cr^puscule     1 —  n    Heugel,    2/ —    Ilatzfeld, 

— 35  Schirmer,  3 —  Ricordi,  — 30  Gutheil, 
P  — 20  Jurgenson. 

-  Crepuscule,     m^lodie,      FlVVc     av.     double 

quatuor   3 — ,  Mand  — 25  n. 

-  Dans  le  sentier  parmi  les  roses  5 —  Eeugel, 

— 35   Schirmer. 

-  Danse  Flamande  de  la  legende  mim6e 

Carillon",   P  — 40  n    Gebethner. 
■  Danse    des    Saturnales    des    Erinnyes, 
(J.    T  a  r  a  v  a  n  t)     15 — . 

-  6   Danses,   J/ms   10 — . 

-  Declaration    3^. 

-  Depart   3—. 

-  Dernier    Sommeil    de    la    Vierge,    Jims 

VP,    VcP    a    5—,    Org    5—,    VcPOrg 
Mand  — 25  n   Heugel,    VP  — 50    Schirmer, 
—25    Gutheil. 

-  Derniere   chanson    5 — . 

•  Devant    la    Madone,    souvenir    de    la 
pagne    de    Rome     (nuit    de    noel),    P 
pet.  0,  Part  2 —  u,  p.  s.   3 —  n. 

-  Dichiarazione    3 — . 

-  /I^tTH  ,,Ec.Tm(')'h    M05KH0    6w.io    xpaHiiTb 

Bcssel,  — 25  Johansen. 

-  ^•feTCKiii    Bsopi     „Mn.iH)TKa    moh",     Regard 

d'enfant  — 30  Bessel. 
-Don   Cesar   de  Bazan,   op6ra-comique, 
ChP  20— n,  Ch.  s.  4— n,   (ChP   15/—  Wil- 
liams),  Ouv.   P   7.50,    (2.50   Gheluwe,   4/— 
Williams) : 

1.  Ballade  Aragonaise:   Par  un  frais  sen- 
tier    6 — . 

2.  Romance :    Un    amour    implacable    5 — . 

3.  Air :    Partout    oil   I'on   chante   6 — . 

4.  Lamento    (extr.     du     quatuor)  :      Ayez 
piti6   5 — . 


„Le 


8ms 


6—, 
6—, 


cam- 

5—, 


30 


Massenet  J.  Don  Cesar  rle  Baxan 


287 


Massenet  J.  Eve 


6. 


8. 
9. 


Approchez 
:    Tous    oes 
Part  1.50, 
5—. 

Rien  ne  pent  le  detVndre 
Je  sais  qu'il  est  line  ame 
5—. 


5.  Couplets    (extr.   du   finale)  : 
5—. 

Cavatine    (extr.    du    finale) 
biens    5 — . 

Berceuse :   Dors,  ami  5 — ,  0. 
p.   s.   3—. 

Couplets:    Riche,   j'ai   seme 
Duo  bouflfe:   Me  marier !    10 — . 
ll.Mtdrigal:   En  vous  je  vais  placer  5 

12.  Roniance : 
5—. 

13.  Romance : 
5—. 

14.  Ca\-atine:    Que   de    ta    Ifevre 

15.  Duo:   Qui  je  suis?   7.50. 

16.  Grand   Duo:    Je  m'en  souviens  9 — . 

17.  Duo-Nocturne:     Aux    coeurs     les    plus 
troubles  6 — . 

18.  Grand  Trio:    Je  vous   I'ai   dit  9 — . 
Entr'acte-marche,      P    5 —    Eeugel,    1.70  n 

Gheluwe,   3/ — ,    Org   1/6  n    Williams. 
Entr'acte-sevillana,     P    6 —    Heugel,     3, — 
Williams,  2 —  Gheluwe,  Bevilacqua,  -Jw.s 
7.50    Eeugel,    2.50    Napoleao,    8ms    9 — , 
O,  Part  5 — ,  p.  s.   10 —  Heugel,  0,  score 
5/— n.    FullO    10/— n,   sept.    4/— n    Wil- 
liams. 
1.  Introduction,    2.    Ballade    Aragonaise,    3. 
Lament  de  Lazarille,  4.  Choeur  de  L'An- 
g6lus,    Isty,   part     a   — /3  n,    (H.    Far- 
mer)  2nd  V,  part    a  — /3  n,  Vc,  part    a 
— /3  n,  P,  part    a  — ,6  n    Williams. 
Selection,   Mil.   Band   15/ —  Rudall. 
Donnons  !    TTBB   2.50  n. 
Dormons  parnii   les  lis    1 —  n   Heugel. 
Dors,   ami   5 — . 
Dors,   Magda  !   3 — . 
Dost   thou  know  — 40  Ditson. 
2    Duets,    for    SMS:      N.    1.    Marine    —35. 

N.   2.   Joy  — 50   Schirmer. 
Dzieci  — 40  n   Gebeihner. 
Dziewcze  podaj  dtoh  —40  n  Gehethner. 
Elegie  d'E  r  i  n  n  y  e  s,  3  tons  a   1 —  u  Fro- 
mont,    1 — n    Heugel,    2/ —    Hatzfeld,    — 25 
Schirmer,   1—   Bevilacqua,   Napoleao,   — 20 
Bessel,    Gutheil    Jurgenson,    Seliv'er.itow, 
av.  VcP  1.35  n  Fromont,  5 —  Heugel,  2/ —  n 
Hatzfeld,  — 40  Besse',   Gutheil.   Gehethner, 
Johansen,   — 30    Jurgenson,    av.    VP,    FIP, 
CIP,  BassonP,  Org  a  1.75  n  Fromont,  — 50 
Schirmer,  H  1.35  n,  HP  2 — n  Miistel     VP, 
FIP,  HautbP  a  1.35  n.  G,  Ha,  Org  a   ]— n, 
Fr-Quart.    1.80  n    Fromont,    VP   —25,    MM 
— 75,   niO  — 75  Zimmermann;  vide  op.   10. 
EUe  s'en   est  allee   7.50. 

Enchantement  1 —  n  Heugel,  —50  Ditson, 
—35  Schirmer,  1.50  Napoleao,  —30  Gut- 
heil. 

Enfants  5—  Heugel,  —35  Schirmer,  1.50 
Napoleao,   —30    Bessel,   —25    Jurgenson. 

Entr'acte-Berceuse  (pour  une  pifece  de 
S  a  r  d  o  u),   P  4 — . 

Entr'acte-Nocturne  (pour  une  piece  de 
S  a  r  d  o  u)    5 — . 

Erinnyes,  tragedie    (1873).   ChP  10— n, 
7 — n,   JfMs   10 — n: 

2.    Entr'acte.      3. 
Divertissement : 


P 

1 .  Prelude, 
gieuse. 


4. 


Scene    reli- 
a)    Danse 


I  grecque.  h)   Troyenne  regrettant  sa  pa- 

I  trie,   cj    Danse   des   Saturnales,   0,   Part 

30—,  p.  s.  50—,  N.  4,  P  5— n,  ^ms  6— n. 
Entr'acte,   VO  4—,  VP,  V2P  a  6—, 

-  Escenas   pintorescas,   gr.  0   12 —   Ayne. 

-Esclarmonde,  op6ra,  ChP  20 —  n,  Ch. 
s.  4— n,  P  12— n   (6—,  P  3.60  Neuparth)  : 

1.  Air :    Comme    il    tient   ma   pens^e    5 — . 

2.  Duo :    0    ma    soeur,    ma    tendre    souvc- 
raine  6 — . 

3.  Trio  :    Salut,   Impgratrice   7.50. 

4.  Duo:   La  Chasse  dans  la  foret  des  Ar- 
dennes  6 — . 

5.  R§verie :   Sois  bSnie,  6  magie,  6  science 
profonde   5 — . 

6.  Duo:    Quelle    forme    vers    moi    se    pen- 
chait    7.50. 

7.  Duo:    Chfere   epouse,    o   chfere   maitre.sse 
5—. 

8.  Le  meme,  pour  voix  seule  5 — . 

9.  Invocation :   0  glaive  k  ton  aspect  5 — . 

10.  Prifere:   Dieu   de  mis^ricorde  5 — . 

11.  Air:   La   Nuit  bieutot   sera   venue   5 — . 

12.  Duo :    Mon   Fils,  je   te  benis   7.50. 

13.  Air:    Regarde-les,  ces  yeux  5 — . 

14.  Air:  En  retrouvant  la  vie  et  la  pensee 
5 — . 

15.  Quatuor:   Obeis,  Esclarmonde  7.50. 

16.  Duo:    Le    Bonheur    que    rien    n'achfeve 
6—. 

17.  Le  mgme,  pour  voix  seule  5 — . 

Pastorale,  P  3—,  VP,  FIP,  HanthP  a  4—. 
etHymenee,    0   1 5 — . 

Phrase   du   Quatuor,   P   5 — . 

Suite  d'O  transcrite:  1.  Evocation.  2. 
He  magique.  3.  Hymenee.  4.  Pastorale 
et  Chasse  5 —  n,  Ifms  6 —  n,  0,  Part 
20—,  p.  s.  40—,  N.  2,  P  6—,  i{ms  7.50, 
N.   3,   P  6—,   4ms   7.50. 

-  Esclave   1.70  n  Laurens. 

-Espada,  ballet.  0,  part,  PV  o — n:  N.  1. 
Madrilena  1.50  n.  N.  2.  Pauaderos  1.50  n. 
N.  3.  Petite  valse  1—  n.  N.  4.  Bolero,  N.  5. 
Toreador  ot  Andalouse  2 — n.  N.  6.  Danse 
de  la   Merced&s  2 —  n   Heugel. 

-  Et  puis  !   3—. 

-  Elernite    1.70  n    Robert. 

-  Eire    aime   3 — . 

-Eva,  Mysterium,  KA  (d.-fr.)  7 — n.  Pre- 
lude, 0  8 — n,  Potpourri,  P  (Cramer) 
2.50  Fiirstnsr. 

-Eve,  mystere    (1873),   ChP   10— n: 

l.Scfene  et  Duo :  Ton  visage  est  brillant 
7.50. 

2.  Choeur:   Au  premier  sourire  d'Eve  6 — . 

3.  Air :   0  nuit,  6  douce  nuit  7.50. 

4.  Air :  Eemme,  tu  n'as  point  A'erse  de  lar- 
mes  3 — . 

5.  Di'o:    Aimons-nous!    7.50. 

6.  Extase  (Ext.  du  duo)  :  0  douce  extase ! 
5—. 

Deux   Preludes,    extraits, 
VP   a   3/—   Williams. 

-Eve,   a   mystery,   mix.   v. 

Vocal  score  3/—  n,  Chorus-prelude,  SMSTB 
— /3,  (Amateur  Violinist  48)  VP  — /9  n 
Williams. 


P   5- 


0    10- 


1 —  n   Schirmer, 


Massenet  J.  Ene 


288     — 


Massenet  J.  Herodias 


Prelude,  duet,  1st  V  part  — ^,3  ii,  2nd  T' 
part  — .3  n.  Vc  part  — 3  n.  P  part 
— 1&  n,  for  Strings,  with  Vs.  {Org  or  P 
ace.)  (arr.  by  P  a  p  i  n  i) ,  Score  2/ — , 
sep.  parts  il  — /3  ii,  Vc  — /6,  Various  0 
3/6  n   Williams. 

-  Ecjin    CBiieinb    ,,1103011311,    npncHSb    eio^a', 

—40  iJfssf/. 

-  Eveil,   m^lodie   en   mi   bemol   3 — . 
-Even tail   5 — . 

-  Extase   printanifere   5 — . 

-  Fantaisie,    VcP    6— n,    VcO,    Part    15~.    p. 

s.   30—. 

-  Federale,  choeur  a  I'unison  — 25  n. 

-  Femmes  de  Magdula  5 — . 

-  Fleeting  vision  — 50  Ditson. 

-  Fleurs    cueillies    5 —    Heugel,    1.70  n    Klein, 

duo  7.50  Hengel. 

-  Four  viferes  5 — ,  av.   VVcP  6 — . 

-  Gaukler      unserer      lieben      Frau,      vide : 

Jongleui    de   Not  re-Dame. 

-  G  r  a  n  d' T  a  u  t  e,    opera-com.     ChP     7 — n, 

Filles  de  la  Rochelle,  Ch.  s.  — 25  n  Fromonf. 

Grands  violons  du  Roy,  pour   ler  et  2es  V 

en  part.  2 — . 
Griselidis,    op6ra    (1901),    ChP    20— n 

(6 —   Neuparth),    Ch.    s,   4— n,    P    12— n: 
l.Voir   Gris6lidis!    6 — . 

2.  Chanson  d'Avignon  5 — . 

3.  Le  Reeit  du  Diable  6 — . 

4.  Tristesse  3—. 

5.  Le  Serment  de  Gris61idis  3^. 

6.  Adieux  du  Marquis  k  son  fils  4 — . 

7.  Lcin  de  sa   femme  qu'on  est  bien   6 — . 

8.  Le   Diable   et   sa   Femme,   duo   9 — . 

9.  II  partit  au  printemps  4 — . 

10.  Trio  9—. 

11.  Evocation  5 — . 

12.  Chanson   d'Alain  3 — . 

13.  Grand  duo  7.50. 

13bis.  Le  meme,  pour  voix  .seule  3 — . 

14.  Pri&re  de  Griselidis  4 — . 

15.  Duo  du  Retour   7.50. 

16.  L'Oiselet   est    tombe    du    nid,    a    2    voix 
3—. 

16bis.  Le  meme,  pour   voix  seule   3 — . 
L'Oiseau  captif  3 — . 

Transcription : 
la.  Prelude,  P  5—,  ^ms  6—. 
2a.  Entr'acte-Idylle,   P  5—,  J,ms  6—,   VP, 

VcP,  FIP,  MandP  a  6—,  0,  Part  6— n, 

p.  s.   10 —  n. 
3a.  Valse  des  Esprits,  P  5 — .  JfVis  6 — ,   VP, 

VcP,  FIP,  MandP  a  6—,  0,  Part  6— n, 

p.  s.   10 — n. 
4.  Chan.son  d'Avignon,   P  5 — . 

Guitare:  Comment  disaient  ils  4 —  Heugel, 

— 30   J urgenson,   av.    G    1 —  n. 
Harlequin's    Romance,    P   4/ —    Williams. 
Herodiade,     op6ra      (1881),      ChP     20— n, 

it.   all.   a   20— n,    4.50     'Neuparth,    Ch.    s. 


4— u,    P     12— n 
2.-1—  n  : 


Neuparth) ,     J^ms 


1.  Air:   II  est  doux 
est  sereine  6 — . 

2.  xA.ir :   Ne  me  refuse  pas  6— 
;!.  Duo :   Cc  que  je  veux   7.50. 


(2.40 

il  est  bon,   sa    parole 


4.  Air :    Charme    des   jours    passes    5 — . 

5.  Duo:  C'en  est  fait!  9—. 

6.  Air :  Vision  fugitive  et  toujours  pour- 
sui\ie  5 —  Hengel,  — 50  Schirmer. 

7.  Chant    de    la    Babylonienne :      Maitre, 
bois  !   5 — . 

8.  Stances:  C'est  Dieu  que  Ton  te  nomme 
6—. 

9.  Air :    Ne    pouvant    r^primer    les    elans 
de  la  foi   6 — . 

10.  Duo:  Ah!  c'est  done  vrai.  Seigneur 
7.50. 

11.  Choeur:  Remains,  Romains,  nous  som- 
mes  Romains  2.50  n. 

llbis.  Le  mgme,  sans  ace.  1.50  n.  p.  s  a 
—25. 

12.  Quintette  final:  Pourquoi  me  retirer 
cette  faveur  supreme  9 — . 

1 3.  Air  :  Le  monde  est  inquiet  5 — . 

14.  Air:    Salom6  !    Salome!    5 . 

15.  Choeur  de  Femmes  avec  solo:  Hosan- 
nah   5 — . 

16.  Choeur  d'Esclaves.  Choeur  de  Femmes 
avec  solo:  A  tous  deux  richesse  et  bon- 
heur   5 — . 

17.  Sc6ne  de  Phanuel :  Dors,  Q  cite  per- 
verse !   5 — . 

N.    1,   6,    Ch. 
Ballet,   P  5- 
p.  s.   40—. 
Da  use  sacr6e,   P   7.50,   4ms  9 — . 
Marche  sainte,   P   5 — .   ^ms  7.50. 
Prelude  du   3e  acte,  P  3—,  ^ms 


a   1—. 
,  J/iits  6— n,   0,  Part  20- 


VP, 


PVVc     5 


Mand 


VcP,    CorP    a 

—25  n.   0.  Part  .5—,   p.  s.  5—. 
2  Airs  de  ballet  d'H^rodiade,  VcP  7.50. 
-Herodias,    Oper,    KA    15— n    FiirsUier. 
Erodiade,    opera.    ('/-'    1.') — n.    P    H — n 

liicordi  -. 
Atto   I.   Scena   ed   Aria    (Salom6)  :    Egli   e 

bel  come  il  ciel  4.50. 
Aria    (Erodiade)  :    T'arrendi    a'    voti    miei 

Duetto     (Salome    e    Jokanua)  :     Jokanna ! 

Alfin  tu  riedi  a  me  6 — . 
Atto   II.    Aria    (Fanuele)  :    Dormi,    o    citlii 

perversa    3.50. 
Duetto     (Erodiade    e    Fanuele)  :     Fanuel  ! 

Fanuel !   6 — . 
Aria    (Salome)  :   O  sospirato  di  2.50. 
Romanza    (Erode)  :    Vision   fuggitiva   3 — . 
Atto  III.  Aria   (Jokanna)  :  Dunque  addio ! 

3.50. 
Duetto   (Salome  e  .Jokanna)  :  Salom6 !  6 — . 

Prt'ludio   dell'Atto    TIL    VP    (Ye  no    H  u- 

bay)    2.50. 
Marcia  Santa,  Jtms  4.50. 
Danze  Sacre,  Jfms  6 — . 
Ballo:       Le    Egiziane,    Le    Babilonesi,    Le 

Galliche,  Le  Fenicie,   finale,  Ifnis   7 — . 
Coro   dei   Romani,   O   3.50. 

P:  vide  Cramer   E.,   F  u  m  a  g  a  1 1  i    C, 

Lamothe  G.,   Tessarin  A. 
■ins :  vide  F  u  m  a  g  a  1  1  i  C,  Marty  G., 


Tessarin   A. 
II  (>st  doux    (He  is  kind)    (H^rodiate) 
Schirnier. 


50. 


Massenet  J.  Herodias 


289 


Massenet  J.  Manon 


Apia  Hpo/^a  hsi.  on.  Hpo/^ia;^a  ..H^tt,  efl 
BO  ^Bopn-b"  — 40  BcsseL   Gutheil. 

-  Heure  douce  1.50  n. 

Heure   vol6e  6 —   Heugel,  — 90   Schirmer. 

-  Heureuse  souffrance  5 — . 

-  Horacy    i   Lydia  — 40  n   Gebethner. 

-  llymue  d'amour   7.50. 

-  II  pleuoit  5—. 

-  II  sentiero   romit  5 — . 

-2    Impromptus,    P:      N.    1.    Eau    dormante 

3 — .    N.    2.    Eau    courante    6 — ,    les    deux 

r6unis  3 — n. 
-Improvisations,   P  5 — n  Eeugel,  N.  1    1 — , 

N.   2   1.75,   N.  3    1—    N.  4   2—    N.  5   1— 

N.  6  1.75,  N.  7   1.75  Ricordi. 

-  4  Improvisations,  P  — 75  :  N.  1.  Andantino 

—25.  N.  2.  Allegretto  —25.  N.  3.  Sotto 
Voce  —25.  N.  4.  Alia  Marcia  —40  ./.  A. 
BcJiroeder. 

-  !  mprovisateur  5 —  Heugel.  5—-  Ricordi. 

-  HcnaHCKaa     noHb,     (Nuit     d'Espagne)     — 30 

Outheil,  Johansen. 

-  Ivre  d'amour,  N.  1.  MH(Bar).  N.  3.  T  a  5—. 

-  Je  cours  apres  le  bonheur  4 —  Heugel,  — 50 

Schirmer. 

-  Je  m'en  suis  all^  vers  I'amour  (1,2,3)  5 — . 
-Je  t'aime  4—  Heugel,  —30  Bessel. 

-  Joie,  duo  1.75  n  Durand. 
-Jongleur  de  Notre-Dame,  miracle 

(1902),  ChP  20— n,  Ch.  s.  4— n.  P  10— n: 

1.  Alleluia  du  vin  (avec  choeur  ad  lib.): 
Le   Vin,   c'est  Dieu   le  Pfere   7.50. 

2.  Tu  seras  pardonn6  3 — . 

3.  0   liberie,   m'amie  1    6 — . 

4.  Pour  la  Vierge  et  pour  ses  serviteurs 
6—. 

5.  L^gende  de  la  Sauge:  Fleurissait  une 
rose  6 — . 

6.  Duo  des  Anges :  Caress^  du  vent  de  nos 
ailes  4 — , 

1.  Cloitre,  prelude  du  2e  acte,  P  3—,  Org 
H  3—,  POrg  5—. 

2.  Pastorale  mystic,  pr61ude  du  3«  acte,  P 
5—,  Org(H)  5—  Jfrns  9—,  POrg,  PY , 
PVc  a  6—. 

3.  Danse    du    Jongleur,    P    3 — . 

-  Jour  de  noces  5 — . 

-Konig  von  Lahore,  vide :  Roi  de 
Lahore. 

-  Laggin   non   vedi   5 —  Ricordi. 

-  Larmes  maternelles  5 — . 

-Last  Dream  of  the  Virgin,  prelude,  P  — 35 
Schirmer,  —40  Ditson,  VP  — 40,  VcO 
score  — 25  n,  parts  — 50  n  Fischer. 

-  Le  sais-tu?  5 —  Heugel,  (Dost  thou  know?), 

SfM8)  —35. 

-  L^gende  du  baiser  5 — . 

-  Les  mains :  Lorsque  je  regarde  mes  mains 

—30  Bessel. 

-  Lettre  3—. 

-  List   to   the   voice    of   youth,    gavotte   — 40 

Ditson. 
-Love,  TTBB  —10  Schirmer. 

-  JIk)6jiio  xe6fl   „H  y  eep/ma    cnpocHJii"  —30 

Bessel. 
-Lui    et  Elle:    1.   Lui,    2.   Elle  3— n. 

-  Ma   petite  m§re  a  pleur6  5 — . 

-  Madrigal   5 —  Heugel,  3 —  Ricordi. 

Universal-Hantlbuch  der  ^rllsikliter:ltul.    M. 


Mage,    op6ra    (1891),    GhP    20— n,    Ch.    s. 
4— n.   P   12— n. 

1 .  Chant   touranien :    Par   les   raonts,   par 
les   vaux   5 — . 

2.  M^lodie   (Varedha)  :   Jour  b6ni  par  les 
dieux!  5 — . 

3.  Air     (Varedha):    Pourquoi    lui    rester 
rebelle  5 — . 

4.  Duo    (Anahita,    Zarastra)  :    Quoi !    tou- 
jcurs   le   front   soucieux    7.50. 

5.  Air     (Varedha)  :    Descendons    plus    has 
6—. 

6.  Duo     (Varedha-Amrou)  :       Oil     fuis-tu, 
Varedha  7.50. 

7.  Air     (Zarastra)  :     Soulfeve    I'ombre    de 
ces  voiles  5 — . 

8.  Caiitabilo    (Anahita):    Va,   tu   veux   te 
dgfendre   en   vain   5 — . 

9.  Air     (Zarastra)  :    Heureux    celui    dont 
1&    vie   5 — . 

10.  Hymne    (Zarastra):     O    ciel    d'Ahoura 
5—. 

11.  Duo    (Varedha-Zarastra)  :      J'oublierai 
tout  5 — . 

12.  Strophes   (Varedha),  extraites  du  duo: 
Sous   tes   coups   tu   peux   briser   4 — . 

13.  Air     (Amrou)  :    Pais    fleurir,    6    sainte 
ivresse !   5 — . 

14.  Chant  touranien   (Anahita)  :  Ah !  si  tu 
m'aimes  5 — . 

15.  Air   (Zarastra)  :  O  mon  pays  en  deuill 
5—. 

16.  Duo     (Zarastra-Anahita)  :      Ah!    parle 
encor !    7.50. 

17.  Trio:   0   rouge  incendie  I   7.50. 

3   Airs   de   ballet,   P   6 — n,   ^ms   7 — n,   0, 
Part   10—,   p.  s.   20—. 
■  Mains  5 — . 

Manon,  op6ra-com.'  (1884),  ChP  20— n, 
it.,  ang.,  all.  a  20— n,  Ch.  s.  4 — n,  P 
1 2 —  n,  4ms  25 —  n  : 

1.  Arriv^e  de  Manon:  Je  suis  encore  tout 

^tourdie   6 — . 
2  Ccnseils      de    Lescaut:      Regardez-moi 

bien   dans   les  yeux   6 — . 
3.  Regrets    de    Manon :     Voyons,    Manon, 

plus   de   chimferes   6 — . 
4  Duo    de   la    Rencontre :      On    m'appeUe 

Manon   9 — . 

5.  Duo  de  la  Lettre :  On  I'appelle  Manon, 
elle  eut  hier  seize  ans  7.50. 

6.  Adieux  de  Manon:   Adieu,  notre  petite 
table  5 — . 

7.  Le  Rgve  de  Des  Grieux :    En   fermant 
les  yeux  5 — . 

8.  Duo  de  la  Promenade:   La  eharmante 
promenade  6 — . 

9.  A  quoi  bon  I'Economie?   6 — . 

10.  Ms  non   au   Cours-la-Reine :    Je  marche 

sur  tons  les  chemins  7.50. 
ll.Epouse   quolque   brave   fille  5 — . 

12.  Ah!    fuyez,   douce   Image  I   5 — . 

13.  Duo     du     S^minaire :      Pardonnez-moi, 
Dieu  de  toute  puissance  9 — . 

14.  Scfene   de   la   Seduction:      N'est-ce  plus 
ma  main  que  cette  main  presse  5 — . 

15.  Trio  du  Jeu  :  Manon,  sphinx  ^tonnant 
7.50. 

19 


Massenet  J.  Manon 


290 


Massenet  J.  Mclodie 


0   10—. 
7.50,   Mand 


Sie   die 


16.  A  nous  les  Amours  et  les  Roses !   5 — . 

17.  GaA  otte,  ajoutee  au  3e  acte  5 — . 

18.  Fabliau    (Le   lire   de   Manon)    6 — . 
N.  5,  8,   16,   17,  Ch.  s.  a   1—. 

Ballet  du  Roy,  P  7.50,  4ms  9—. 
Entr'acte   du   2e   acte,   P  4 — . 
Entr'acte-Chanson,  P  5 — . 
Gavotte,   P  6—,   Ma7id  — 25  n, 
M(i.uet,   P  6—,   4ms  6—,   VP 

— 25n,  0   10—. 
Air  de  ballet,   Mand  — 25  n. 

Filrsfner: 

l.Msnon's   Auftritt:    „Bedeuken 
Bewegung"  1.60. 

2.  Lescaut'g  Ratschlage :   „Sieli'  in's  Auge 
niir"    1.20. 

3.  Manon's   Bedenken :    „So   zeig',   Manon, 
den   ernaten   Willen"    1.60. 

4.  Duett :    Die    erste    Begegnung :    „Miifit 
beira    Namen    Sie    nennen"    3 — . 

5.  Brief-Duo:    „Manon    heifiet    sie"    1.60. 

6.  Manon's    Abschied :    „Scliwach    bin    ich 
doch"  1.20. 

7.  Des    Griiux's    Traumbild :     ,,0    schone 
Zeit"   1.20. 

8.  Duo  auf  der  Promenade :  „Reizend  sind 
doch   solche   Feste"    1.20. 

9.  Wozu  sich  auf's  Sparen  legen   1.60. 
10.  Manon    als    Konigin    des    Volksfestes : 

,,Ja   iiberall   bin   ich   bekannt"   2 — . 
lOquator.    Gavotte:      „Folget    dem    Ruf", 

Ausgabe   in   Es-dur    1.30. 
ILZur    Frau    nimm    ein    ehrsames    Mad- 

chen   1.20. 

12.  Weich'   von   mir,    holdes    Bild    1.60. 

13.  Duo    in    Sanct    Sulpice:       „Verzeih'    o 
Gott"   2.60. 

14.  Verfuhrungs-Szene :    „Ist's    nicht   mehr 
meine  Hand"    1.20. 

15.  Trio    im    Spielhause :    „Manon    Sphinx 
wrnderbar"  2.40. 

16.  Dafi    Freude    der    heutige    Tag    bringt 
1.60. 

Entr'acte    (2.   Akt),    /'   —80. 

Ballet  du  Roy    (3.   Akt),   P  2—,  J,ms  3—. 

Gavotte  (3.  Akt),  P  1.20,  ^m«  2—,  0  6— n. 

Fiirsttier. 
Menuett    (3.   Akt),   P   1.20,   ^ms   1.50,   VP 
2 —    Ucugc.l,      MandG    — 75     V\''atincr    ;/ 
.  Levien. 
Potpoiirri,   ^ms,   I — II   a   4 — . 

M  a  n  o  n,  an  opera,  Vocal  score  6/ —  n  No- 
vello. 

Gavotte,   chant6e   — 35    Schirmer. 
•Manon,  opera,   CP  20— n,   P   10— n,  Mi- 
nuetto,  ,P  1.50,  Fantasia,  P    (Neustedt 
C  h.)    1.50  n   Slonzogno. 

Regrets   1.50.   Scene  de  la  Seduction   1.50. 
Adieu     de    Manon     1.50.      A     nous     les 
amours    2 —    Bevilacqua,    Napole&o. 
Manon,  KA  .5—,  P  1.50  Gntheil: 

l.^a.io6a    MaaoHT,,    (Regrets    de    Manon) 
—30. 

2.  JlysT-b :  Mm  yM«mMCfl  n-h  napHaci,  (Nous 
rivions  ft  Paris)  — 30. 

3.  Ci^ena  c/b  nncbMOMt,   (Duo  de  la  lettre) 
—30. 


4.  IIpomaHiH  MaaoHi,,   (Adieux  de  Manon) 
—25. 

5.  rpe3M  /Ije-Fpie,  (Le  reve  de  Des  Grieux) 
—25. 

6.  Apifl  ^e-rpie,  (Air  de  Des  Grieux)  —30. 

7.  Ci^ena   o5ojibmeHifl,    (Scene  de  la  seduc- 
tion) —25. 

8.  raBOT-b    ManOHTi,     (Gavotte    de    Manon) 
—25. 

B^di  zdrfiw  ty  nasz  stoliczku,  maly  arya 

— 20  n   Gehethner. 
Air  de  Regrets,   P  — 40  Fexis. 
Entr'acte,    P    — 50  n    Gehethner,    Gavotte, 

P,    G    a    —30    Johansen,    Potp.    P    —40 

Gehethner,  — 60  Johansen. 

-  Marchande  de  reves  5 — . 

-  Marche    h^roTque    de    S  z  a  b  a  d  y,    P    7.50, 

fac.  6—,  4ms  9—,  8ms  15—,  0,  Part  15—, 
p.  s.  25—. 
-Marche  Napolitaine   (Carlo  Baldi)   6 — . 

-  Marche   solennelle,     P    7.50,     Jfins    9 — ,     0, 

Part  10 — ,  p.  s.  25 — ,  Harm   10 —  Andripu. 

-  3  Marches,  ^wis   12 — . 

-Marie-Ma  gdeleine,      drame      sacr6 
(1873),   ChP   12— n,   all.   12— n: 

1.  Choeur:   Le  soleil  ('clairc  la  plaine  6 — . 

2.  Air :  G'est  ici  m€me  5 — . 

'    3.  Air :   ficoute,   M6ryem,   6coute  6 — . 

4.  Air    et    Trio:    Vous    qui    fletrissez    les 
erreurs  5 — . 

5.  Choeur    des    Servantes :      Le    seuil    est 
par6   6 — . 

6.  Duo :    M;uthe,   on   m'a   dit   7.50. 

7.  Alleluia,    lx6cit      et    Duo :      Toi    qu'un 
esprit  sublime   5 — . 

8.  Duo:    Heureux   ceux   qui   vivront  7.50. 

9.  Pri&re,  Solo  et  Choeur:   Notre  Pfere,  T 
et  Choaur   d'hommes  6 — . 

10.  Air:    O!    bien-aim6!    5 — . 

11.  Recil,  Strophes  et  Choeur:   Qu'elle  est 
leute  a  venir !   6 — . 

12.  Strophes  extraites :   Qu'elle  est  lente  4 
venir   5 — . 

N.  2,  10,  Ch.  s.  a  1—. 

-Mary  Magdalen,  oratorio  for  soli, 
mixed  chorus  and  0,  Voc.  score  1.50  n 
Schirmer;  4/ — ,  N.  1.  Introduction,  2. 
Have  you  not  heard  him  (air),  3.  Cho- 
rus of  Maidens,  4.  Brightest  and  best, 
5.  Quartett,  6.  O  happy  day,  (H.  Far- 
mer) 2VVcP  a  1/3  n,  chor.  parts,  SC 
TB  4/— n  Williams,  SSMSA  —20  Jur- 
ge^ison,  0  parts  (Folio),  Siring  pts. 
1/6  n,  Wind  and  other  parts  (in  MS) 
(may  be  had  on  Hire),  Sunset-land  — /4, 
With  flowers,  SMSA  — /4  Williams. 

-Mapifl  Mar^ajiena  „Bot'l  3;^•bc&  na  axoMi 

Mt.crfe".     — 40  Bcssel- 
■  Marine,   duo    1.35  n   Durand. 

-  Marquise   5 — ,    avec    vocalises    6^   Heugel, 

— 50   Schirmer. 

-  Matinee  d'^te,   trio   2—  u   Durand. 

-  Mattinata  5 —  Heugel,  3 —  Rivordi. 

-  May  Spiew  turaiiski  anya  — 30  n  Gchctliner. 
-Melodie,    Elegie,    jou6e   dans    les    Erinnyes, 

P   1.50  NapoleiW. 
-Mclodie,    VP  —25   Gufheil. 


Massenet  J.  Melodic 


291 


M  assenet  J.  Phedre 


(Parsons),      P 


-25 


Melodie,     E  nun. 
J.    E.    Schroeder. 
W6lodie   des   baiser.s    1.70  n   Astruc. 

Melodies,   Volumes    I— VI    a    10 —  n. 

12  Melodies:  1.  'Tis  in  vain  that  I  seek, 
2.  To  Colombine.  3.  Wommen  of  Magdala, 
4.  The  Page's  Song  (Ariette:  Je  suis  pres- 
qu'-enfant),  5.  One  fin  Autumn  day,  G. 
Moonlight's  Magic  Hour,  7.  Zanetto  (Se- 
renade du  Passant),  8.  Lullaby  (Dors 
ami),  9.  Brightest  and  best  (0  bien-aim6), 
10.  Whit  a  Heart  bounding  gaily,  11. 
Autumn  Serenade,  12.  Look  Down  that 
Lane  3/ —  n  Williams. 
-2  Melodies:  N.  1.  Les  Filles  de  la  Rochelle, 
ronde  1.75  n.  N.  2.  Melodie  bretonne,  ronde 
1 .50  n   Fro7nont. 

■  Mer,  CorO  5 —  Schoenaers. 

-  Mienne  5 — . 

-  Military  Parade,   P  — 40  n  Presser. 
-Moiues'et  Forbans.   TTBB  2.25  n. 

-  Mon  page  6 — . 

-  Monks   and   the   Pirates,   chorus   for   men's 

voices  — 15  n    Schirmer. 

-  Moonlight's   magic  hour    (Nuit   d'Espagne) 

4/—,  w.  G  1/6  Williavis. 

■  Morceaux     facilea,     Jlema      nbecbi     P :   1. 

Crocodile,  2.  Air  de  ballet  de  Cendrillon, 
3.  Le  sommeil  de  Cendrillon,  4.  Arago- 
naise  du  Cid,  5.  Menuet  de  Manon,  6^  Noc- 
turne de  Navarraise,  7.  Valse  du  Roi  di 
Lahore,  8.  Musique  tzigane  de  Sapho,  i 
—20  Bessel. 

-  Moulin,   &  2   V.   7.50,   a  4   v.  — 50  n,  p.   s4p. 

— 25  n   Uachette. 

-  Mousnie  3 — . 

-  Musette   N.  2   du   po&me   pastoral   5 — . 

-  Musique    de    sc&ne    pour    une    pifece    de    V. 

Sardon    (Le   Crocodile),   P  6 — n. 
'  Musique  pour  bercer   les  petits   enfants,   P 
3—. 

-  Musique  tzigane  de  Sapho,   VP  9 — . 

-  N  a  r  c  i  s  6  e,      idylle    antique,     p.    soli     et 

chr-eur  5 —  n  (4 —  n  Ricordi)  : 
Air  extrait :  0  fontaine  !  6 — . 
Le   m§me,   transpose   6 — . 

-Narcissus,   an   idyl-cantata  f.   mixed   v. 
2/ —  Leonard,  — 75  n  Schirmer. 

-Navarraise,     episode     lyrique     (1894), 
ChP  12— n,  angl.  12— n,  it.  12— n,  M  a  d- 
chenvonNavarra,  ChP  12—  n   (3.60 
Neuparth),  P  6— n    (1.80  Neuparth): 
l.Duo:   Je  ne  pensais  qu'a  toi  6 — . 

2.  Trio  :    Araquil !    Mon    pfere !    9 — . 

2bis.   Cantabile,  extrait :   Mariez  done  son 
coeur   5 — . 

3.  Aria :    O   bien-aimee !    pourquoi    n'est-tu 
pas  la?  3—. 

4.  Chanson  du  sergent :   J'ai  trois  maisons 
dans  Madrid  5 — . 

Nocturne,  P  5 — ,  OrgP  6 — ,  4m8  6 — ,  Hand 
—25  n,    0,   Part   6—,   p 
P  —30   Gebethner. 

Nivarrese,   opera,    CP 
Sonzogno. 
Gr.    Selection,    Mil.    Band    15/ —  n    Rudall. 


s.   6 —   Heugel, 


12— n,    P   6- 


.jHaS'ipi^HKa",  jinpniecKin  ^nwsofl.'h  b-l  2-X'b 

^McTBJaX'B,   TeKCT'B  pyCCKill  II  HTaflbaHCKift 

3 —  n  Bessel. 
Bouquet    de    Melodies.    P     (A  u  sc  h  ii  t  x) 
2 —  Fexis. 

-  Ne   donne   pas   ton    coeur    3 — . 

-  Ne^re  5—. 

-  Nid :   Si  j'etais  le  bon  Dieu  qui  donne  5 — 

Heugel,  (^H•fe3;:^MI^K0)  —HO  Bessel. 

-  Night  in  Spain  — 40  Ditson. 

-  Ninna,   Nanna  3 — . 

-  Nocturne,  P  — 20  n  Gebethner. 
-Noel   des   humble.^    1 — n   Heugel. 

-  Noel  pa  Ten  5 — . 

-  Noel,   scfene   chorale,    2  voix   de   femnies   et 

solo  av.  P  5 — . 

-  Noi  vedrem  5 —  Heugel,  3 —  Ricordi. 

-  Notte  di  Spagna  5 —  Heugel,  4.50  Ricordi. 

•  Nuit   d'Espagne    5 —    Heugel,    — 40    Bessel, 

—30  Gutheil,  av.  P,  Vc  7.50,  av.  G  1— n 
Heugel. 
■  Nuit  d'Espagne,  air  de  ballet  — 60  Schir- 
mer, 4/—,  w.  G  1/6  n,  P,  VP,  MandP,  VcP 
a  3/—  Willia^ns,  P  — 40  Gebethner,  —20 
Johansen. 

-  0  Salutaris,  ;S  av.  OrgHa  et  choeur  ad  lib. 

5—. 

-  Oh  !    si    les   fleurs    avaient   des   yeux !    5 — . 

-  Oiselets  5 —  Heugel,  — 50  Bessel. 

-  On  dit  5—,  av.  PVc  6—  Heugel,  —40  Ge- 

betliner. 

-  Ohi  II  ont  — 25  Johansen. 

-  Open  now  thy  blue  eyes  —35  Ditson,  2/ — n 

II  at  zf  eld. 

-  Orphelines   3 — . 

-  OceHHaa  MbicJib.   „Cn'buinTh  yacB   ro^-b    ki 

KOHi^y",  Pensee|d'Automne  — 50  Bessel. 

-  OceHHaa    fl,jMa,.    i(Pensee     d'automne)     — 40 

Qtilheil. 

-  „OTKpoH   rjiacKB    rojiy6bie"    MeaoAia   — 30 

Bessel,  — 25  Outheil. 

-  OiapoBanie,  (Enchantement)  — 30  Outheil. 

•  Oms.  Tu   OTKpofi   rojiy6bie,   (Ouvre  tes  yeux 

bleus)  — 25  Johansen. 

-  Otw6i   modre   oczy   — 40  n    Gebethner. 

-  Ouvre    tes    yeux    bleus    5 —    Heugel,    4/ — 

Stanley,  — 35  Schirmer,  — -30  Bessel,  — 26 
Gutheil,  Mand  — 25  n. 

-  Ouverture  de  Concert,  jjfms  15 — . 

-  Parade  militaire,  P  6 — ,  fac.  5 — ,  j^rns  7.50, 

0    10 —   Heugel,   8/ — n    Hawkes. 

-  Passionneraent  5 — . 

-Pastorale  mystique,   0,  Part  6 — n,   p.   sfip. 
10— n. 

-  Pauv'    Petit,    I6gende   5 — . 

-  Pensee  d'Automne  5—  Heugel,  2/ — n  Hatz- 

feld,  — 50  Schirmer,  1.50  Bevilacqua,  2 — 
Napoleiio,   — 50    Bessel,   — 40    Gutheil. 

-  Pensee   de  Printemps   6 — . 
-Per   chi?   3—. 

-  Petit  Jesus  5 — . 

-  Petite  Mireille  5 — . 

-  P  h  &  d  r  e,  ouverture,  entr'acte  et  musique 

de  scene,  suite  d'O;  1.  Ouverture.  2.  Hip- 
polyte  et  Aricie.  3.  Imploration  a  Nep- 
tune. 4.  Sacrifice,  Offrande  et  Marche 
athenienne,  0,  Part  30— n,  p.  sep.  50 — n, 
P  5 — n,  2P   15 — :  Morceaux  separees,  P: 

19* 


Massenet  J.  Phedre 


292     — 


Massenet  J.  Roi  de  Lahore 


N.  1.  Ouverture  7.50,  Jfrns  9—,  0  10—, 
p.  s.  25 —  Heugel,  FullO  2 — ,  IJf  Instr 
1.50,  10  Instr  1.20  Fischer.  N.  2.  Offrande 
3 — .  N.  3.  Entr'acte:  Hippolyte  et  Aricie 
3 — .  N.  4.  Marche  athgnienne  6 — . 

Pie  Jesu,  av.  Vc  ad  lib.  3 — . 

10  Pieces  de  genre  (arr.  par  F  i  1  1  a  u  x- 
Tiger),    Jfrrui:    1.    Nocturne,    2.    Marche, 

3.  Barcarolle,  4.  Rigodon,  a  2 —  n.  N.  5. 
M6lodie-Elegie  1.75  n.  N.  6.  Saltarello,  7. 
Vieille  Chanson,  8.  L^gende,  9.  Fughetta, 
10.   Carillon,  k  2 — n   Fromont. 

■2  Pieces  pour  F:  N.  1.  Papillons  uoirs  4—. 
N.    2.   Papillons   blancs    6 — . 

2  Pieces,  VcP  2.50  n  Durand. 

Pioveva  5 —  Heugel,  3 —  Ricordi. 

Pitchounette  5 — . 

Plus  vite  5 — . 

Pofeme  d'Amour :  1.  Je  me  suis  plaint  aux 
tourterelles.  2.  La  Nuit  sans  doute  6tait 
trop  belle.  3.  Ouvre  tes  yeux  bleus.  4. 
Puisqu'elle  a  pris  ma  vie.  5.  Pourquoi 
pleures-tu  !    6.   Oh !    ne   finis    jamais   5 —  n. 

Pofeme  d'Avril:  Prelude.  1.  Sonnet  matinal. 
2.  Voici  que  les  grands  lis.   3.  Riez-vous? 

4.  Vous  aimerez  demain.  5.  Que  I'heure 
est  done  breve.  6.  Sur  la  source.  7.  Adieu 
5 —  n. 

-Poeme  d'Hiver:  1.  C'est  au  temps  de  la 
chrysantheme.  2.  Mon  coeur  est  plein  de 
toi.    3.    Noel.    4.    Je    ne    sais    pas    t'aimer. 

5.  Mon    coeur    I'a   bien    m6rite    5 — n. 
-Poeme    d'un    soir :     1.    Antienne.    2.    Fleu- 

ramye.   3.   Defuncta   nascuntur   3 —  n. 

-  Poeme    d'Oetobre    (scenes    de    Paul    Col- 

lin): Prelude.  1.  Profitons  bien  des  jours 
d'automne.  2.  Les  Marronniers.  3.  Qu'iro- 
porte?  4.  Belles  Frileuses.  5.  Pareils  & 
des  oiseaux  5 —  n  Heugel,  — 75  n  Schir- 
mer. 
-Poeme  du  Souvenir:  1.  A  la  tr6pass6e.  2. 
L'air  du  soir  emportait.  3.  Un  souffle  de 
parfums.  4.  Dans  Fair  plein  de  tils  de  soie. 
5.  Pour  qu'a  l'esp6rance.  6.  Epitaphe 
5— n. 

-  Poeme  pastoral :   1.  Pastorale  avec  choeurs. 

2.  Musette.  3.  Aurore.  4.  Paysage.  5.  Cr6- 
puscule.  0.  Les  Adieux  du  Berger  5 — n. 
-3  Poeraes  chastes:  N.  1.  Le  Pauv'  Petit 
6—.  N.  2.  Vers  Bethleem  5—.  N.  3.  La 
L6gende  du  Baiser   6 — . 

-  Poemetto   pastorale,   scene   di   F  1  o  r  i  a  n   e 

d'A  rmando  Silvestre,  tradotte  da 
A.  Zanardini:  Pastorale  con  core. 
Cornamusa.  Aurora.  Passaggio.  Crepus- 
colo.  Addio  alia  prateria,  coro  2 — n  Ri- 
cordi. 

-  Po6sie  de  Mytis  3 — . 

-  Poete  et  le  fantSme  5 — . 

-  Poete   est   roi   5 — . 

-Portrait  de  Manon  (Rittrato  di 
Man  on),  opera-com.  ChP  8 — ^n  (8 — n 
Sonzogno),   Ch.   s.   4 — : 

1.  Chanson  d'Aurore :   Les  baiser   sont  des 
papillons  5 — . 

2.  Souvenir    de    Des    Grieux :      Voila    ton 
image  ch6rie  7.50. 


3.  Duetto :    Si   nous   nous   jetions    dans   la 
riviere   7.50. 

4.  Chanson  de  Colin :  Au  jardin  Colin  5 — . 

5.  Cantabile:    0    toi,    qui    nous    viens    des 
enfers !    5 — . 

-  Portrait  d'une  Enfant  1.70  n   Laurens. 

-  Pour  Antoinette  3 — . 

-  Premiere  Danse   5 — . 

-Premiers  fils  d'argent:  Le  soir,  quand  pour 
dormir  5 —  Heugel,  — 30  Bessel. 

-  Printemps    dernier    5 — . 

-  Printemps     dernier      (Last     spring)      — 35 

Schinner. 

-  IlTanieHKH  — 50  Bessel,  —iO  Johansen. 

-  Puisqu'elle  a  pris  ma  vie  4 — . 

-  Quand  on  aime  5 — . 

-  Que    I'heure    est    done    breve   2.50. 

-  Quelques  Chansons  mauves,  3   Num^ros  en 

rec.    3 —  n. 
-Qui   done   es-tu  ?   romance   — 50   Bessel. 

-  Regard   d'Enfant    5 —   Heugel,  — 30   Bessel. 

-  Reveil   de   Cigale,   Mand  — ^25  n. 

-  Ricordo  di  Venezia  5 —  Heugel,  3 — ,  duetto 

3.50    Ricordi. 

-  Riviere    7.50. 

-Roi  de  Lahore  (Re  di  Lahore, 
K  6  n  i  g  von  Lahore),  op6ra,  ChP 
20— n  (4.50  Neuparth),  Ch.  s.  4— n,  P 
12- n  (2.40  Neuparth),  Guv.  P  7.50,  ^ms 
9_,   Sms   15—,   0,  Part   10—,   p.   s.   20—: 

2.  Scene   et   Duo:    Je    veux   croire    :\  son 
innocence  7.50. 

3.  Choeur    des    Prgtresses:     Ame    timide, 
va,   ne  crains  rien   6 — . 

4  Duo:    Sita,   voici   venir   une  heure   for- 

tun^e   9 — . 
5.  Cantabile   (extr.  du  Finale)  :  0  Timour  ! 

tu  me  crois  coupable  5 — . 

7.  Duo :   C'est  le  soir,  la  brise  pure  6 — , 

8.  Romance-Serenade    6 — . 

9.  Scene    et    Duo :    Seule,    je    reste    seule 
6—. 

10.  Choeur:    Marche    celeste    9 — . 

11.  Air:    0  cieux  6tincelants!   6 — . 

12.  Air :   O  Sita  bien-aim6e  6 — . 

13.  Arioso:   Promesse  de   mon   avenir   5 — . 

1 4.  Scene  et  Air :  J'ai  fui  la  chambre  nup- 
tial e  6 — . 

14ter.   Air,    extrait:    De    ma    douleur   que 

la  mort  5 — . 
N.  8,   13,  Ch.  s.  a  1—. 
Ballet,  P  5— n. 
3e    Acte,    transcr.    par    Ch.    Malherbe 

4ms  10 — n. 
Marche  c6leste,  P  7.50,  Ifins  9 — . 
Divertissement    (airs    de    ballet) ,     P    5 — , 

^ms  7 —  n. 
Les    Esclaves   persanes,    P   5 — ,    J^ms   7.50, 

0,  Part  5—,  p.  s6p.   10—. 
M^lodie  hindoue  vari^e,   P  7.50,  4ms  9 — , 

0,  Part  6—,  p.  s6p.  12—. 
Cortege,    P    7.50,   J,ms   9—,    O,    Part    10—, 

p.  s6p.   20—. 
Entr'acte    (5e    acte),    P    3—,    4ms    3—,    0 

10—. 
Adagio   et   valse,   J/ms   6 — ,   0,   Part    10 — , 

p.  s6p.  20—. 
Valse,  Maud  — 25  n  Heugel. 


Massenet  J.  Re  di  Lahore 


293     — 


Massenet  J.  Sap/io 


m- 
uoi 

(Scindia)  :  O  casto 
dolce  e  cara  2.50. 
dolore,    Mand 


Ee    di    Lahore,    opera,      Ricordi :      CP 
15— n,   P   8— n,   Ouv.   P  4—,   4»is   6—,   0 
4— D: 
Cantabile   estratto   dal    Finale    (Nair)  :    O 

crudel  2 — ,  Mand  — 50  n. 
Huetto   (Nair  e  Kaled)  :  Sparve  il  sol 

2/6   Chappell. 
Rongnza-Serenata     (Kaled):    0    bella 
tamo  rata  3—,  P  2—,  Mand  — 50  n. 
Scena  e  Duetto    (Nair  e  Alim)  :   Nol  puoi 

tu   5 — . 
Recitative   ed   Arioso 

ficr  2—,   P  2—. 
Aria    (Alim)  :    Anima 
Marcia-Corteggio,   ^?ns   5 — . 
Duetto :    Sia    benedetto    il 

— SOn. 
Aria:     Ma     nou     tremar     d'orror,     Mand 

— 50n. 
Fant.  e  Trascr.  P :  A  1  a  s  s  i  o  S.,  B  u  r  g- 
meur    J.,    Canonica    P.,    Celega 
N.,   Cramer   H.,   Fischetti   M.   L., 
F  u  m  a  g  a  1 1  i       C,       L  e  y  b  a  c  li       J., 
Litta   G.,   Magrini   E.,   Menozzi 
G.,  T  e  s  s  a  r  i  n  A. 
Konig  von  Lahore,  Oper,   Fiirstner : 
KA    16— n,   P    10— n,    Ouv.    P    1.50,    0, 
Part  8 — n,  Sfr -Quint.  6— n  : 
2.  Szene  und   Duett :      Dafi  sie   schuldlos, 
gern  will    (Je  veux  croire  Sl  son  inno- 
cence) . 
'A.  Chor  der  Priesterinucn :   Seele  voll  Za- 
gen,    beuge    dich    (Ame    timide,    va   ne 
Grains   rien). 
4.  Duett :   Sita,  was  niich  zu  dir  gefiihret 
(Sita,  voici  venir  une  heure  fortun6e) . 
a.  Cantabile :      O    Timur,    du    glaubst    an 
mein    (O    Timour !    tu 
pable). 
7.  Duett :       Abend    ist's, 

(C'est  le  soir,  la  brise 
7bis.  Romanze  und  Serenade :   Herrin  so 
hold,  nun  troste  dich    (Ferme  les  yeux 
o  belle  maitresse)    1.50. 
9.  Szene  und  Duett:  Ich,  nur  ich  bin  ge- 

blieben   in    (Seule,  je   reste  seule). 
10.  Spharen-Marsch :    Wie   schon   im   Para- 
dies!    (Voici   le   paradis),    St   3.    1 — ,   a 
1.50. 
ll.Arie:   O  cieux  6tincellants. 

13.  Arie:   Ewig  treu  dir  ergeben    (0,  Sita 
bien   aim^e). 

14.  Arioso:     Was    mir    die    Zukunft    hold 
(Promesse  de  mon  avenir)    1 — ■. 

16.  Szene    und    Arie:      Dem    Brautgemach 
bin  ich   (J'ai  fui  la  chambre  nuptiale). 

Ballelt-Divertissement,  P  4 — . 
Entr'acte    (V.   Akt),  P   1—. 

2.  Danse  des  Esclaves  Persanes  (II.  Akt), 
0,  Part  4— n,   St   8— n. 

3.  Entr'act  (V.  Akt),  Part  2.40.  8tr- 
Quint.   3— n. 

4.  Festlicher  Aufzug  (Cortege),  Part 
8— n,  Str-Qxiint.  6 — n,  Ouv.  u.  Nr. 
2—4,  0,  Part  6— n,  St  32— n. 

Variationen      iiber      eine     Hindu-Melodie, 

Part  5— n,   St   10— n. 
Hubans  Valse  de  Vilbac,   0  4 — n. 


me     crois     con- 


es    wehen 
pure)    1 — . 


die 


Potpourri,    P    (Cramer),    I— II    a    1.25, 

4ms  I— II  a  3—. 
Re     di     Lahore,     Vocal     score     15/ — -  n 
Chappell: 

O  bella   inamorata  4/ — . 
0  casto  fior   4/ — . 

Pure,  lovely  innocence,  8SS    (chorus)  — /4. 
Promesse   de   mon   Avenir    (0   Promise   of 

a  Joy  divine)    — 50   Schirmer. 
C'tst  le  soir   ('Tis  the  Eve)  —60  Schirmer. 
Indian  Melody,  P  4/ — . 
Sulla   niandola   vogl'io  frattanto,  serenata 

1.50  Bevilacqua. 

-  PcHHTaTHB-B    H     api030  :     0     HtaCHblll     U.B'feTi 

MoeH    jiioObh,    (Promesse    de    mon    avenir) 
—30  Bessel,  —25   Qutheil. 
/IjyaTi   H3t   onepw   Kopojib  JlaropcKiii  — 20 
Jurgenson. 
Valse   (B.  d.  r.)   — 40  Leopas. 

■  Remember  now,  o  Virgin  Mary,  fem.  chor. 

(3    parts    with    S-solo,    P    and    Org    ace.) 
— 20  n  Schirmer. 

Roman  d'Arlequin,  P  7.50  (5 —  Ricordi), 
Jfms  10 —  (6 —  Ricordi),  sc&nes  burlesques, 
pet.  0-  1.  Ouverture-Gigue,  2.  Entr6e 
d'Arlequin,  3.  Reverie  de  Colombine,  4. 
S6i€nade  d'Arlequin,  5.  Duo  final.  Part 
7 — ,  p.  s.  10 —  Heugel,  0  score  7/ — n, 
FtillO   10/— n,   Sept.   6/— n.  Williams. 

Eomanzo   d'Arlecchino,  4ms  6 —  Ricordi. 

■  Rondel   de  la   Belle  au  bois  5 — . 

Ro!-;tti.    divert.    O,    reduction,   P    7.50,    Jtms 
9—,   0,   Part  12— n,  p.  s.  25— n. 
Roses   d'Octobre  4 — . 

PyKH,  „^JIi^/^fl  Ha  pyKH  cnon"  — 30  Bessel. 
Rustic  Song,  chorus  for  men's  voices  — 12  n 

Schirmer. 
Saiute   Therfese   prie   6 — . 
Saltarella,   P   3/ —  Laudy. 
Salut   printemps,   2   voix  6 — . 

Sapho,   pi&ce    lyrique    (1899),    ChP  20 — n, 
it.    20— n,    (6-^   Neuparth),    Ch.  s.    4— n, 
P    10—    (3—   Neuparth)  : 
l.Qu'il   est   loin   mon   pays   6 — . 
2.Le  rire  de  Sapho:   Allez,  jolis  farceurs 


3.  Duo  des  Souvenirs:  C'etait  bien  gentil 
7.50. 

4.  Les    adieux    de    Divonne :    Petit,    voici 
ta   lampe  4 — . 

5.  La    solitude    de    Jean:    lis    s'en    vonti 
4—. 

6.  Tes   vingt   ans:    Ce   que   j'appelle  beau 
4—. 

7.  Enfermons-nou.s,     duo:      O    ma    Fanny 
que  j'aime  6 — . 

7bis.  Les   reves  de   Sapho,   extrait:    Pen- 
dant  que   tu   travaillerais   4 — . 

8.  Allons    en    revant    sous    les    bois,    duo : 
Lorsque  son  ami  reviendra  6 — . 

9.  La  colere  de  Jean :  Je  t'ai  tenue  entre 
mes   bras   4 — . 

10.  Imprecations    de    Sapho:      Get    enfant 
dont  I'amour   6 — . 

11.  La  tendresse  de  Divonne,  duo:  Et  mon 
coeur    pour    le    tien    6 — . 

12.  Si  j'avais   un   jour   quelque  peine   3 — . 


Massenet  J.  Sapho 


294 


Massenet  J.  Souvenez-vous 


13.  Grand   duo:    Ne  m'en   veux   pas   d'§tre 
venue  9 — . 

13bis.    La    seduction    de    Sapho,    extrait: 
Pendant  un  an,  je  fus  ta  femme  4 — . 

14.  La  solitude  de  Sapho:  Demain,  je  par- 
tirai   5 — . 

15.  Le   desespoir   de   Jean:    J'ai  tout  bris6 
la-bas    4 — . 

16.  La   lettre   de  Sapho:   Adieu,  m'ami,   je 
pars  4 — . 

La  solitude  de  Sapho,  P  3 — ,  ^ms  4 — ,  Org 

3—    OrgP  4—,  VP,  VcP  a  6—    0,  Part 

2—,  p.   s.  4—. 
Les  faux  tziganes,  musique  de  bal,  P  6 — , 

J^ms  9 — . 
Saffo,    opera,    Sonzogno:    CP    20 — n,    P 
10— n: 

Pezzi   staccati   per   Canto   e   P.- 
Rom. :   Ah  !   Sei  tu  lungi  mio  del  3 — . 
Aria:    Figliuol   a  te   la  lampa  2.50.  j 

Arioso:    Cio    ch'io   prodamo   bello   2.50.        ' 
Rom.:   Allor   che   tu   lavorerai   2.50.  j 

Aria:  Ah  s'avessi  un  di  qualete  ambasica 

2 

Un   anno   inter  m'avesti   tua  2.50. 
Monologo:    Addio   mio   cor   2.50. 

Apia  Hs-B   on.   C:!*o,  .jEcjihS-b   rope  a    ne 

ntixa-i-B"  — 30  Bessel. 
OSoJibmenie  Ca*o  ,,60^1*,  kto  mhIj  MinKowh" 

—30  Bessel. 
0/^HHoqecTBo  Ca*o    ,,€1.    aapcii  a  yotry" 
—40  Bessel. 
Kor^a   MeHii    nocxHrHeri.   rope    —20    Seli- 

werstow  . 
Sarabande  espagnole  du  XVI  sifecle,  P  5 — 
Hengel,   2.50    Ricordi,    J^ms    7.50,    0,    Part 
2 — ,  p.  8.   5 — . 

Scenes  Alsaciennes,  7e  suite  d'O;  1.  Di- 
nianche  matin.  2.  Au  cabaret.  3.  Sous  les 
tilleuls.  4.  Dimanehe  soir,  0,  Part  20 — , 
p.  8.  40 — ,  P  5 —  n,  .^nis  6 —  n.  Sous  les 
Tilleuls,  extrait  des  scenes  alsaciennes,  0 
10—. 

-  Scfenes   de  bal:    1.   Entree   des   Masques.   2. 

Premi&re  Danse.  3.  Promenade  au  clair 
de  lune.  4.  Deuxifeme  Danse.  5.  Causerie 
sentimentale.  6.  Troisifenie  Danse.  7. 
Marche  finale,   P  5 — n,  ^ms   18 — . 

-Scenes  dramatiques,  3e  suite  d'O;  1.  La 
Temp€te,  ariel  et  les  esprits.  2.  Le  Som- 
meil  de  Desdemone.  3.  Macbeth :  les  Sor- 
ciferes,  le  Festin,  Apparition,  Fanfares,  P 
5 —  n,  Jfivs  6 —  n  Eeugel,  8 —  Ricordi,  O, 
Part   20—,   p.  s.   40—. 

-Scenes  de  f eerie,  6e  suite  d'O."  1.  Cortege. 
2  Ballet.  3.  Apparition.  4.  Baechanale,  P 
5— n,  Jims  6— n,  0,  Part  20—,  p.  s.  40—. 

-  Scenes    hongroises,    2e    suite    d'O     (G.    B  i- 

z  e  t)  :  1.  Entr6e  en  forme  de  danse.  2.  In- 
tel n'^de.  3.  Adieux  i  la  fiancee.  4.  Cor- 
tege. Benediction  nuptiale.  Sortie  de 
I'Eglise,  P  5— n,  (F  i  1  i  a  u  x  -  T  i  g  e  r) 
5— n,  4ms  6— n,  0,  Part  20—,  p.  s.  40—. 

-Scenes  napolitaines,  5e  suite  d'O.-  1.  La 
Danse.  2.  La  Procession.  L'Improvisateur. 
3.  La  Fgte,  P  5— n,  Jfms  6— n,  O,  Part 
20—,  p.  s.  40—. 

-Scenes  pittoresques,  IV  suite  d'O.- 
P    15—    Heugel,    (i—    Ricordi,   ~/Q  n    Wil- 


liams, J/ms  18 —  Heugel,  7—  Ricordi,  0, 
Part  20—,  p.  s.  40—,  Mil.  Band  15/— n 
Rudall,  FullO  15/—,  Score  10/— n,  Sept. 
7/6,  String  parts  1/6  n  Williams. 
1. Marche,  P  6 — ,  I,ms  7.50  Heugel,  3/— 
Williams.  Harm(Fanf  '  3 — n  Evttte. 

2.  Air  de  ballet,  P  5—,  l^ms  6 —  Heu- 
gel, 3/ —  Williams,  — 40  Jurgenson,  2P 
10—,  VcP  7.50.  0,  Part  5—,  p.  s.  10— 
Beugel,  Harm/ Fatrf)  3 — n  Evetie. 

3.  Angelus,  P  7.50,  4ms  9—  Heugel,  3/—, 
Org  1/6  u,  2VVcP  1/3  n  Willia7yis,  Harm 
(Fanf)  3— n  Evette. 

4.  Fete  boheme,  P  5 — ,  J^ms  6 —  Heugel, 
4;—,  2VVcP  1/3  n  Williams,  Harm  (Fanf ) 
9 —  n  Evette. 

■  Scenes  pittoresques  et  Harlequin  and  Co- 
lumbine, P  2/6  n  Williams. 

-  Sentier   perdu   5—. 

-  Sentiero   romito,   idillio:    Volli   ancor   rive- 

der  3 —  Ricordi. 

-  Separation    3 — . 

-  Septembre  5 — . 

-  Serenade  aux  mari^s   1.70  n   Laurens. 

-  Serenade     d'Automne     5 —     Heugel,     1/6  n 

Williams,  3 —  Ricordi. 

-  Serenade  de  MoliSre  4 — . 

-Serenade  du  Passant  ^Zanetto)  5 — 
Heugel,  1/6  n  Williams,  — 35  Ditson, 
(MajiroTKa)  — 40  Besse/,  Gvlheil,  Mnnd 
—25   Heugel,  P,  VP  a  3/—  Williams. 

-  Serenade    to    Mignon,    Bar(M8),    T(S)     ft 

— 35    Schirmer. 
•  Serenata    del    Viandante    5 —   Heugel,    3.50 
Ricordi. 

-  Sevilhana  (Cesarde  Bazan),  P  1.50  Napole!\o. 

-  Sevillana  6 — . 

-  Si  tu  I'oses  5 —  Heugel,  — 40  Bessel. 

-  Si    tu    veux,    mignonne    5 —    Heugel,    — 50 

Schir7ner. 

-  Si  vous  vouliez  bien  me  le  dire  1 —  n. 

-  Sicilienne      (Boccherini),     transcr.     P 

— 20  Neuparth. 
-Simple   phrase,  pet.   0 :   Part  d'O   3 — n,   p. 
s    5—  n,  P  3—,  VcP  6—. 

-  CKajKH      KTO      ThI?     ,,KaKt      JICHWH      JiyH'B     BO 

TbM'fe"  — 40  Bcssrl,  Jurgenson. 

-  Soeur   d'election   5 — . 

-  Soir    de  printemps  4 — . 

-  Song  Albums,  2  vols,  high  or  low  voice,  ft 

1.50  n  Schirmer. 

-  12  Songs  (french  and  english)  4/ —  Hatzfrld. 

-  Songs   of    M.a  s  s  e  n  e  t,    gr.    selection,    Mil. 

Band   15/ — n   Rudall. 

-  SoMet    (Sonetto)    5—. 

-  Sonnet   matinal   3 — . 
-Sonnet  paien  5 — . 

-  Soretto   Pagano   5 —  Heugel,  3.50   Ricordi. 

-  Sottly   Rest  — /4    Williams. 

-  Soi  bait   4 — . 

-  Sous  les  branches  3 —  Heugel,  — 80  Andre. 

-  Soiivenance  3 — . 

-  Souvenez-vous   5 — ,    Ch.  s.    1 — ,    av.   choeur 

et  P  6—. 
-Souvenez-vous,  vierge  Marie,  STBar  7.50, 
av.  choeur,  POrgf  6—,  av.  VP  9—,  -STBar 
av.  POrg  7.50,  5  voix  soule  et  choeurs  av. 
Org  ad  lib.  6—,  av.  PVOrg  9—,  Trio,  8T 
Bar  av.   Org    (ad  lib.)    7.50. 


M 


assenet  J.  Souvenir  de  Venise 


2'J5     — 


Massenet  J.  Werther 


Souvtnir    de   Venise   5—. 

■  Stances  de  Gilbert  5—. 

■  CiaHCM  „rocTeM's  rpycTHwM'B"  —30  hessel. 
-Star.ze   5-   Ileugel,   2.50    Ricordi. 

■  Ire   Suite,   0-      N.    1.   Pastorale   et   Fugue, 

narm  (Eustace)  4.50  n.  N  2.  Varia- 
tions 4.50  n.  N.  3.  Nocturne  3— n.  N.  4. 
Marche  et  Strette  12— n  Durand. 

-  CT.apwH  nncbMa.  „Korsa  rptacb  y  itaMHHa", 

Vieilles  lettres  —30  B^ssrl. 

-  Stcssa  per  C-to  —40  Besscl. 
-CyMepKii     „noKpoBi.     cBoii    fitJibiu"    -30 

Bessel,  —25  Johansen. 
-Sur    une   Po6sie    de   Van   H  a  s  s  e  1 1   3— . 

-  Sylphe,   TBBB  2.50  n  Heugel,  —20  n  Schtr- 

mer. 

-  Temps  et  I'Amour,  duo  -50. 

-  Terre   promise,   oratorio    (1900),   tfif 

10— n-    1    Moab:   L' Alliance.  II.   J6richo: 
Victoire.  III.  Chanaan:  La  Terre  promise. 
\  deux  pleurer  3—   Amoureuse,  av.  0  5—. 
Les  Ames  6—.  Amours  b6nis  5—,  av.  PVn 
-50     p    3—.    VcP    5—,    VP    5—.      Coupe 
d'lv'resse    5—.    La   Derni&re    Chanson    5—. 
Les   Mains    5-.      Le    Nid    5-.      Le    Petit 
J^sus,  av.  0  5—   Petite  Mireille  5—.  Pour 
\ntoinette    3—.    Premi&re    Danse,    av.    O 
5_.  Eegard  d'Enfant  5—.  Vieilles  Lettres 
5 — .  Vous  qui  passez  3 — . 
Tes  cheveux  I   3 — . 
-Thais,     coni6die     lyrique      (1894),      tfiP 
20—,  it.  20— n,   Ch.  s.  4— n,  P   12— n: 
l.R^cit.   et   Andante:    Helas!    enfant  en- 
core 5 — . 

2.  Cantabile:   Voila  done  la  terrible  Lit^ 

6—. 

3.  Quatuor   7.50. 

4.  Dialogue  sentimental,  duo  :  C'est  Thais, 
ridole  fragile  3 — . 

5.  Phrase:   Qui  te  fait  si  s6v6re  5—. 

6.  Sc&ne   du   Miroir :    Dis-moi   que  je  suis 
belle  6 — . 

7.  Arioso:    L'ainour    est    une    vertu    rare 

O 

t> . 

3.  Scfene    finale,    duo:    Te    souvient-il    du 

lumineux  voyage  6 — . 
9.  La  Charmeuse,  terzetto  :  Celle  qui  vient 

est  plus  belle   6 — . 
10.  Duo  de  I'Oasis:  Baigne  d'eau  tes  mains 

6—. 

N.  2,  5,  8,  10,  Ch.  s.  a  1—. 
..ITycTS    Bo;ia    Meaa    ocBtacacTT.",      duett 
—60  Johansen. 

\ve  Maria,  compost  sur  la  meditation  de 
Thais  5—  Ch.  s.  1—  av.  VPfHaJOrg 
ad  lib.  9— . 

M4ditation,  P  5—,  fac.  5—  J,ms  6—,  Mavd 
-25  n,  Org  5-,  OrgP  6—,  VP,  VcP, 
j,^lP  a  6—,  VOrgEa(P)  7.50,  0  av.  Y-s. 
12—  Heugel;  P  —50  Fischer,  —40 
Bessel,  —30  Johansen;  Jftris  —40,  POrg 
(2P),  HP  a  — 45  Bessel;  VP  — 50 
Fischer,  —30  Bessel,  Gutheil;  VcP  —50 
Fischer,  — 30  Bessel. 

Valse  de  la  perdition,  P  — 30  n  Gebethner. 

Nouveaux   airs   de  ballet,   O   50—:      N.   1. 
Comediennes   et   oourtisanes   6 — .      N.   2. 


Filles    d'Asie    5—.      N.    3.    Ivrcsse    5—. 

N.    4.    Les   Masques    4—.      N.    5.    Petite 

yj^lse   5 — .     N.   6.   Bacchauale   6 — . 

T  h  f>  r  &  s  e,    drame   musical,      ChP    12—  n : 

N.   2.  Therfese   regarde !    duo   6 — .   N.   3.   0 

maison    de    I'ivresse!    air    5—.    N.    4.    Le 

Passe,  air  3—.  N.  5.  Le  Menuet  d  amour, 

(Uio  G—    N.  6.  Jour  de  juin,  Jour  d'6t6 ! 

evocation     3—       N.    7.    BientOt     viendra 

I'heure,  duo  6—.  N.  8.  Ah,  viens,  partons! 

scene  et  melodie  6—.  N.  5bis,  7bis,  Ch.  s. 

a   1—. 

I.    Menuet    d'amour     (Entr'acte),    P    4—, 

Jims,  VP,  VcP,  FTP,  POrg  a  6—. 
TI.  La  Chute  des  feuilles,  reverie,  P  3—. 

-  'Tis  in  vain  that  I  seek  4/ —  Williams. 

-  Toccata,    fant.    P    1.70  n    Oh^luwe,   Poniicr. 
-Toccata,  P  6—. 

-  Tra  le  fronde  3—  Heugel,  2.50  Ricordi. 

-  Tristesse   3 — . 

-  Un   addio  5—  Heugel,  2—  Ricordi. 

-  Un  Adieu  5 —  Heugel. 

-  Une  nuit  d'Espagne  4—   Williams. 

-  Un   momento  musicale,    P   2 —  n   Sonzogno. 

-  Valse  folle,  P  7.50. 

-  Valse    trfes    lente,      P    5—,    ^ms    6—,    VP, 

McndP,    VcP,   FIP   k   6—     0,   Part  5— Q, 

p.  s.  5 —  n. 
-Veillee  du  petit   jesus  5 — . 
-Verger    1.35  n   Durand. 

-  Vers  Bethieem  5 — . 

-Vie  d'une  Rose  2— n  Laurens. 

-  Vieilles  Lettres  5—  Heugel,  —30  Bessel. 
-Vierge,   legende   sacre,   ChP   15 — n: 

2.  Scene   et  Pri^re :    Le   Sommeil   n'a  pas 
quilte   notre  maison   5 — . 

3.  Cboeur    des    Anges:    Le    Messager    du 
Roi   des  Rois!    5 — . 

4.  Duo:    Je   viens   te   saluer  1    7.50. 

5.  Les  Galiieenues,    solo  et  choeur  :    Simple 
comme  un  enfant  et  calme  un  sage 5—. 

5bis.  Le  m^me,  pour  voix  seulc  5 — . 

8.  Air :   jesus,  je  t'ai  nourri,  tu  me  dois 

la   lumiSre   6 — . 
12.  Choeur    des    Anges.      Soli    et    Choeur: 

Eveille-toi  du   grand  sommeil  5 — . 
13.L'Extase  de  la  Vierge.   Strophes:   Ah! 

d'un   charme   inconnu   6—^. 
N.    1.    Danse   galileenne,   P   5—,   Jfms   6 — . 
N.  2.  Dernier  sommeil,  P  4 — ,  ^ms  6     . 
n'.  1—2,  0  6—. 
-Villanelle,   TTBB  2.25  n. 

-  Visions,  po6me  symphonique,  O,  Part  i^     , 
p.  s.   30—. 

-  Bjito6aeHHan    „B..    Ayuit    Moefl    nponecxb 
MceJineinb",  Amoureuse  P  —30  Bessel. 

-  BojiocT,  cpeilpHCTbixt  miTb  „KorAa  oua  pac- 
nycTRT-b  Kocy"  —  30.  ^ 

-Voici  que  les  grands  lis  5—. 

-  Voix   de  femmes  5—. 

-  Vous  aimerez  demain  5 — . 

-  Vous  qui  passez  3 — . 
-Werther,       drame       lyriqno       '|^^^)        a/' 

15- n,  it.,  all.  a  15- n, Heugel    (4.50  Neu- 
parth),  Ch.  s.  4— n,  P  Id-  Beugel,   (o— 
Netiparth),  Jfms  20—. 
1.  Invocation    a    la    Nature:      <)    nature, 
pleiue  de  grace!  5—. 


Massenet  J.   Werthir 


—     296 


Massimo  G.  Jolanda 


2.  8c&ne   de   la   declaration,   duo:    II   faut 

nous  s6parer  7.50. 
2bis.   Le  chant  de   Werther,   extrait   3 — . 
,3.  Desolation    de    Werther :    J'aurais    sur 

ma  poitrine  6 — . 
4.  Ariette   de   Sophie :   Du   gai   soleil   3—. 
ft.  Tristes    pcnsors :    Lorsque    I'enfant    re- 

vient  5 — . 
().  Les  lettres :  Je  vous  ecris  de  ma  petite 

chambre  9 — . 

7.  Larmes  et  sourires,  duo :  Bonjour, 
grande   soeur   7.50. 

This  Les  larmes :  Laisse  couler  mes  lar- 
mes 3 — . 

8.  Pri6re :   Seigneur  Dieu  !  Seigneur  !  5 — . 
i).  Le  retour   de  Werther,   duo :    Pourquoi 

cette  parole  am^re?   9 — . 
10.  Lied  d'Ossian:   Pourquoi  me  r^veiller! 
4 

N.  4,  6,  7bis,  10,  Ch.  s.  k  1—. 

N.  1.  Prelude.  P  4—,  0,  Part  6—,  p.  s.  6—. 

N.    2.    Clair    de   lune,    P    4—,    FIP    5—, 

O.  Part  6—,   p.   =(.  6—. 
-Wertlier,    opera,    OP    l.'S— u,    P    10— n 
Sovsugno. 

-  Werther  (BepTep-b).  Drame  lyrique  en  Paroles 

frangaise  et  rusae  Griitheil :  KA  5 — ,  P  1.50: 

1.  Invocation  a  la  Nature  (Bo.^SBaHie  k-b 
npHpo/?*)  — 30. 

2.  Desolation  de  Werther  (OTyaJiHieBepTepa) 
—45. 

3.  Ariette  de  Sophie  (ntceHKa  Co*iH)  — 3fi. 

4.  Tristes  pensees  (TpycTHWH  mbicjih)  — 30. 
o.  Les  lettres  (IIiicbMa)  — 6i>. 

6.  Lea  larmes  (Cjiesw)  — 20. 

7.  Le  Lied  d'Ossian  (SaiiJMt  Meim  Oy^^inxb; 
—30,  P  —25  Gebethner.  Nr.  1.  —40, 
Nr.  3.  — 30,  Nr.  (i.  — 40  Bessel,  Johnnse/}). 

N.  iObis.  Spiew  ossiana  — 50  n  Gehethner. 

CjiesH  H  CM'bx'B.  Duett  — 75  Bessel. 
Clair  de  Lune,  P  — 30  Johansen. 
Potpourri,  P  — 80  Gebethner,  — 60  Lyre. 

-  Yeux    clos    3 — . 

-  Yes,  the  prophet  is  here  — 50  Ditson. 

•  Zanetto,    spanisli    serenade    4/ —    Williams, 

— 35   Gordon. 
Massenstein  P.  op.  33  Eine  Bitte,  Lied  ohne 

Worte,   VfVc)   1—  Glas. 
Masser  J.  T.  Novello:  Harvest  Cantata,  for 

soli,   semi-chorus,    chorus   and    Org,     Voc. 

score   1/ —  n. 

-  Lord  is  my  Shepherd   (Psalm  XXIII,  short 

setting),  A-a.  and  chorus  — /2. 
-Magnificat  and  Nunc  dimittis   (in  F)   — /3. 
-Te  Deum    (in  G)    — /3. 

-  Wher-    morning    gilds    the    skies,    S-s.    and 

chorus  — /3. 
Masset  H.  Foetisch:  Chanson  du  soir  1.50  n. 

-  Exercices  de  chant  2.50  n. 

-  Gruyerienues,   duo   2.50. 

-  Recueil    d'exercices    de    chant,   mSthodique- 

ment  gradu6s  2.50  n. 

-  Voix   du   coeur,    6    melodies:    N.    1.    Jeunc 

fille  et  marguerite  (R  e  n  o  u)  2 —  n.  N.  2. 
Bonsoir  petits  (Fayot)  1.50  n.  N.  3. 
Berceuse  (V  i  n  e  t)  2 —  n.  N.  4.  Espoir 
(Renou)  2 — n.  N.  5.  Chant  du  prin- 
ioTTips  (Durand)  2 — n.  N.  6.  La  petite 
hirondellf    (Rambert)    2 — n. 


Masset  J.  Jonhert:  Op.  3  Trois  fantaisies 
faciles,  VP:  1.  Sur  des  motifs  du  Pirate, 
2.  Sur  un  theme  de  la  Straniera,  3.  Varia- 
tions  sur   un   thfeme   allemaud.    a  2 — . 

-  Africaine  — -30  n. 

-  Art    de   conduire   et   de   developper   la   voix 

10— n. 

-  Biberock    6cossais,    av.    Cor    angl.    .5 —    Le- 

moine. 

-  Deecuvertes   dans   la   lune   3 — ,    Gh.   s.    1 — 

Noel. 
-Exercices  sur  la  gamme  1 — u. 

-  Jacquot  le   Ramoneur   1 — n,   av.   G  — 40  n 

Labbe. 

-  0  Salutaris  1.50  Heugel. 

-  Pibroch    6cossais    3 — ,    av.    Hautb    3.75    Le- 

7noine. 

-  Progressive  vocal  exercices  — 40  Brainard. 
-R6cieations   musicales,    6  airs    varies   pour 

2Cornets,  I— IV  a  3— n. 

-  Sangofningar   — 75    Lundquist. 

-  Sang0velser  — 50  Warmuth. 

-  Si  tu  voulais  m'aimer  3 — . 

-  Une   nuit   de    Mai    (fr.-it.)     1.70  n,      Ch.    s. 

— 10  n   Borncmanii. 

-  Voici   le  printemps  3 —   Leduc. 

-  12  Vocaliser,  S  eller   T,  I— II  a  4—   War- 

wnih. 

-  12   Vocalises,   A,   Bar   et   B   8.35  n. 

-  12   Vocalises,   S(T),   I   6.70  n,   II   8.35  n. 
Massett,  Happy  as  a  king  — 35  Ditson. 

-  I  have  found  thee  3/ —  Chappell. 
- 1   remember  — 50  Brainard. 

-  Just  20  years  ago  3/—  Chappell. 
-Learning  to  walk    —35  Vitson. 

-  Memories  of  the  past  — 40  Ditson. 

-  My  bud  in  lieaven  3/—  VhappeU,  —35  Ditson. 

-  My  darling's  shoes  —35  Ditson. 

-  My  mother's  lullaby  — 40  Ditson. 

-  Our   good   .ship   sails   to-night  — 50   Ditson. 

-  Sunset  Song  or   Duet  — 40  Ditson. 

•  Sweet    were    the    stolen    hours    we    passed 

— 40   Brainard. 
■  When    the   moon   on   the   lake  — 40   Ditson. 
Massett  Stephen,  A  simple  story  3/—  Ash- 

dovm. 

-  My   Darling's  Face  — /2  Sheard. 
Massicot    G.    Intermezzo    symphouique,    d*a- 

pr&s   la   celfebre   harmonisphfere   d'A.   Jos- 
set,   P  quart.   2.50  n,   PV  2—   Miran. 
Massimino.    Costallat:    Bonheur    de    la    vie 
champetre,  3   voix   2 — -  n,   ))art  — 35  n. 

-  Chapelle  des  bois,  3  voix  1.50  n,  part  — 35  n. 

-  Dt^part  pour  les  vacances   (a  2  voix)   2 — n, 

part  — 35  n. 

-  Fete  des  moissonneuses.  3  voix  2.50  n    part 

—35  II. 

-  Hymne    h  la   Vierge,    choeur   4  3    voix   av. 

P   2 —  u,   part  — 35  n. 

-  Je  pense  a  Dieu,  choeur  av.  P   2 —  n,  part. 

—35  n. 

-  M&re  Pascal,  3  voix  av.  sc&ne  bouflFe  2.50  n, 

part  — 35  n. 
-Point   noir,   3   voix   av.   .solo   C   3— n,   part 
—35  n. 

-  Serenade,  a  6  voix  en  2  choeurs  3 —  n,  part 

—35  n. 
Massimo  G.   Ricordi:  Dina,   P  2 — . 

-  Jolanda,  P  2—. 


Massimo   G.  Laura 


297 


Massus  J.  op.  64 


3 —  Ricordi. 

o —   Ricordi. 

6 —  Mariani, 
2 —  Mariani. 
cantabile,    P 


-  Laura,   niarcia   militare,   Banda,   Part   6 — . 

-  Soepiro  deH'anima,  romanza  3 —  Cariseh. 
Massingham.   Nat.    Music   Co.:    Dear   Land, 

So   Fair,   quart.   — 10. 

-  Flag   of   the  golden    age,   quart.   — 10. 

-  Hail    Columbia    and    Flag    Raising   Song, 

quart.  — 10. 

-  Land  I  love  above  all  others  — 10. 

-  Schoolhouse  and  the  Flag,  quart.  — 10. 

-  Silent  stars  their  blessing  —25  Thompson. 
'  Sweet   Saturday   Night  —10. 

Massinghi    J.    Williams:   Bavarian   air,  FIP 
4/—. 

-  Huntsman,  rest,  FIP,  Ha  a  3/ — . 

Massini   F.   Land  of  the  swallows,  8 A  — 40 

Gordon. 
Massini    L.   op.   1    Tono   maggiore,   polka  di 

bravura  5 —  Ricordi. 

-  2  Tono   minore,    mazurka   di    bravura   4..50 

Ricordi. 

-  3  Gli  alpinisti  3.50  Mariani. 

-  7  Ncn  ti  scordar  di  me !  Mazurka  caratte- 

ristica,  P  3 —  Ricordi. 

-  8  A  Lei  Melodia  del  cuore,  P 

-  9  Ave   Maria  4.50   Ricordi. 

-  10   Serenata,    composizione,    f 

-  11   Idillio,  FIP  4—  Mariani. 

-  12  Divertimento   elegante,   P 
-21    j^uguri   e   felicitazioni,   P 

-  Augurio    di    nozze,    notturno 

4.50  Mariani. 

-  Tavatine   a.   d.   Operette:    Der  Maienkonig, 

mO    2—,   kl.  Bes.     1.50,     MM    1.50     A.    E. 
Fischer. 

-  Eco  di  Prato,  arietta  2.50  Ricordi. 

-  Paolina,  P  2.50  Ricordi. 

-  Un  Augurio,  P  2.50  Ricordi. 

Massip  J.  La  Canzon  du  Maure  1 — n,  av. 
G  —40  n,  Ch.  s.  —20  n  LahhS. 

-  Pingot    au    bal    Musard.    av.    parl6     1 —  n 

Gallet. 
Massis,   Ave  Maria   1 — n  Diirdilly. 

Massolini    L.    Les    Beaux    Lanciers,    quadr. 

P  2 —  n  A«*e«r-Meaux. 
-Soi'iire  d'enfaut,  P  1 — n   Futout. 

Masson.  Societe  nouvcllr :  Bergfere  du  Li- 
mousin 3 — . 

-  Bourguignons   5 — . 

-  Dieu  d'Israel  4 — . 

-  Drapeau  tricolore  5 — . 

-  F^roinisme  fin   de  sifecle  5 — . 

-Nearer,  my  God,  to  Thee  (J.  Holland), 
G  — 40  Brainard. 

-  Piper   o'   Dundee   3/ —   Williams. 
-Simplicity,  m^lodie,   VP   1.50  n,   Vs.  — 60  n 

Gaydef. 

-  Voici  venir  le  Divin  Maltre  5 — . 

Masson  A.  I.  Cantique  de  Communion,  3  v. 
av.  Org(H)  1.50  n.  II.  Cantique  de  Com- 
munion.   3  V.    av.    Org(R)    1 — n    Pinatel. 

Masson  Mile.  A.  I'remiere  pensee.  valse  brill. 
1.25  n   Gallcf, 

Masson  E.  Black  knight's  .song,  from  , .Ivan- 
hoe",  SMS  1/6  a  Augener. 

-  J'aime   un   artilleur   1 —  n   Jerlane. 

-  Quenottes  blanches,  maz.   4 —  Joubert. 

-  Souvenir  de  Cherchel.  maz.  4 — . 


Masson   F.  Bloc:  2  Pifeces  pour  PVc:  N.   I. 

Habanera  1.75  n.  N.  2.  S6r6nade  2 — n. 
-4    Pieces,    P:    N.    1.   Prelude    1.50  n.    N.    2. 

Badinage  1.50  n.  N.  3.  Strega-Valse  2 — n. 

N.  4.  Air  de  ballet  1.50  n. 
Masson  L.  Leduc:  .Mlegro  vivace,  FIP  2.50  n. 
-Andante,  FIP   1.65  n. 
-Bel  aubespin  fleurissant  1.35  n. 

-  Cr(5puscule   1 —  n   Ricordi. 

-  Eternelle,   chanson   1.75  n   Grus. 

-  Miu'csette    1.75  n   Dtirand. 

-  Pardon   1.35  n. 

-  Rondel,  2  tons   1.35  n. 
-Valse  lente,  FIP  2— n. 

Masson-Kiek    F.      En    relisant   vos     lettres, 

valse  lente,  OP,     Gaudet. 
Massone  E.  Costanza,  P  2 —  Ricordi. 

-  Rice  r do   di   Montallegro,   P  2.50   Ricordi. 

-  Sogni   dorati,  P  2.50  Ricordi. 

Massot  M,  M.  Massot-Dreux.:  Adfele  voyage, 
chans.  sur  les  motifs  de  „Balsamine", 
marche. 

-  Africa,   marche   2 —  n   Hachette. 

-  Balsamine,    marche    sur    laquelle    ont    6t6 

faites  les  chansons:  „Ad6le  voyage,  Le 
Joyeux  Tourlourou  et  II  voyage",  OP 
3.50  n   Hachette. 

-  En  avant  les  p'tit's  femmes !  sur  le  grand 

succ&s  am#ricain  ..Far  the  well  anna- 
belle".      Gramer-Paris. 

-  Euterpe,  valse,   OP. 

-  II  voyage,  chans.  sur  les  motifs  de  „Bal8a- 

mine",   marche. 

-  J'remue   tout   I'temps !    Ch.  s.    1 — . 

-  Jcytux  Tourlourou,  sur  les  motifs  de  „Bal- 

samine",   marche. 

-  Pour  tons  les  deux.     Gromcr-Paris. 

-  Pri^re  i  saint  Antoin ! 

-  Ruisseau,   polka,    0  A  cordes    1.50  n    Gobert. 

-  Terrot-Dance,    Tourist-Polka. 
Massuccone  Z.  Infanzia,  P  2 —  Ricordi. 
Massuelle  J.  Loret:  2  Danses  dans  le  style 

aneien,  P:  N.  1.  Gavotte  1.25  n.  N.  2.  Ri- 
ga i- don   1.75  n. 

-  Eulacements,  valse  lente,   OP. 

-  Petite  Marquise,  gavotte,  P  1.50  n. 

-  Sourire   d'aimee,  valse,   OP. 

-  Sourire   d'aimee,   valse    1 —  n   Meuriot. 
Massus  J.     Siilzbach:     Op.  7  La   Chouette, 

polka   5 — . 
-8  Marie,  valse  de  salon,  P  7.50. 

-  TO    Paris,    Vieune   et   Berlin,    3    valses   na- 

tion.  6 — •   Lcgonix. 

-  15  Perle  bleue,  gr.  valse  de  salon  5 —  Le- 

gouix. 

-  16  La  Bordelaise,  valse  de  salon,  P  7.50. 

-  18   Caprice   chinois,   P   7.50. 

-  22  Gr.  Etude  de  concert,  P  9 —  Legouix. 

-  24   Schottisch    am^ricaine,   P    5 — . 

-  26     Offertoire     et     Elevation,     Org     1.75  n 

GaUel. 
-27  Priere  a  la   Madone,   Org    1.75  n  Gallet. 
-33   2er   Offertoire   facile,   Org   1.75  n   Gallet. 

-  36  II  pleut  berg^re,  pastorale,  P  7.50. 

-  48  Les   Pecheurs,   choeur   de   violon,   P  6 — 

Mathieu. 

-  57  Pens6e  iutime,  P  5 —  Legouix. 

-64   Golgotha,   morceau   funfebre.    Org    1.75  n 
Gallet. 


Massus  J.  op. 


298 


Mastio  E.  Don  Ltdx,  I 


-  77  Richard   Coeur-de-Lion,   more.   P  6 — .        | 
-83  La  Cigale,  gr.  valse  5—  Legouix.  \ 

-  151    Les  l?ees   mignonues,    3   valses  4 — .  | 

-  152  Les  Sauterelles,  3  airs  de  danse  4—. 

-  Bambin,    quadr.    4.50. 

-  BfcUe   Siance  3—. 

-  Caroline,   schott.    3 — . 

-  Cascatelle   3 — . 

-  Chant  des  Tailleurs   de   pierre,   a   3   v.  6g. 

Part   1 —  n   Margueritat. 

-  Cigale,  valse  6 —  Legouix. 

-  Dernier     soupir     de     Gilbert     1 —  n     Mar- 

gueritat. 

-  Eva  la  t6n6breuse  3 — . 

-  Fibrettina   la  clievri&re  3 — . 

-  Infiniment  petit,   quadr.   4.50. 

-  L6gende   du   Myosotis  2.50   Legouix. 

-  Messe  brfeve  et  facile,  a  2  voix  6g.  — 60  n, 

av.   Org  — 75  n   Margueritat. 

-  Mciistrate   a    3  voix    avt  e    solo    2 —  n    Fro- 

mont. 

-  0  Salutaris   3—. 

-  O   Salutaris,   a   3   voix   5 — . 

-  Paris,   Vienne  &   Berlin,    3   valses   6 —   Le- 

gouix. 

-  Perle  bleue,  gr.  valse  5 —  Legouix. 

-  Eondes  d'automne  2.50  Legouix. 

-  Rose  de  Mai,  maz.  4 — . 

-  Ros^e,  duo  — 50  n   Margueritat. 

-  Schcttisch  amgricaine  5 — . 

-  Soeur  de  Charit6  3 — . 

-  Sorcifere  et  le  Talisman   2.50   Legouix. 

-  Stabat  Mater,  a  3  voix,  solo,  duet  et  choeur 

ad   lib.   4- —  u   Fromont. 

-  Verre  et  battoir  3 — . 

-  Verre  et  Battoir,  quadr.  4.50. 

Massuto   R.  Gavotte,   VP  — 50  n   Oebethner. 
Massy  A.  Premi&re  Violette,  maz.  de  salon, 
P  5—  Katto, 

-  Retcur    du    Printemps,    valse   de   salon,    P 

6 —  Katto. 

-  Welcome   to   our   young   prince   1 —  Schott 

Ft^res. 

Mastelski  Jul.  Glos  z  nad  Narwi,  polonez 
— 22  n   Gehethner. 

Masten  E.  C.  Messe  de  I'lmmacul^e  Concep- 
tion, soli  et  choeurs,  Org(P),  Part  8 — n, 
p.  s^p.   1 —  n  Le  Beau. 

Master  and   Man   2/ —  n   Sheard. 

Master   Corbeau   — 50  n    Ondet. 

Master  Pieces,  P  \ —  u  Pre.-sspr. 

Master  Pieces  for  the  Organ,  a  collection 
of  21  Organ  Works  selected  chiefly  from 
the  Programs  of  Alex.  G  u  i  1  m  a  n  t, 
edited  and  provided  with  Registration  by 
W  m.   C.  Carl  2 —  n   Schirmer. 

Master  Pieces  for  the  Violin  (H.  S  c  h  r  a- 
dieek):  Vol.  L  H.  W.  Ernst:  El6gie, 
op.  10.  J.  Raff:  Cavatina,  op.  85  N.  3. 
H.  Vieuxtemps:  Reverie,  op.  22  N.  3 
(Schirmer's  Library  354)  —50.  II. 
H.  W  i  e  n  i  a  w  s  k  i,  op.  12  :  Sielanka,  ma- 
zurka, 8nd  Chanson  polonaise,  mazurka, 
and  op.  17:  Legende  (Schirmer's  Li- 
brary 366)  —50.  III.  L.  Spohr:  3  Slow 
Movements  from  Concertos  (Schir- 
mer's Library   395)    — 50  Schirmer. 


Master  Pieces  of  Vocalization:  For  MS 
112  Vocalises,  4  Books  a  — 75  n.  For  A 
126  Vocalises,  4  books  a  —75  n.  For  T 
120  Vocalises,  4  books  a  — 75  n.  For  Bar 
100  Vocalises,  4  books  a  —75  n.  For  B 
102  Vocalises,  3  books  a  —75  n  Schirmer. 

Master  Pieces  of  Vocalization  (The),  a 
Graded  Series  of  Vocal  Studies  for  all 
Voices,  selected  from  the  celebrated 
Works  of  Bord&se,  Bordogni,  Con- 
cone,  Lablache,  Lamperti,  Mar- 
ches!, N  a  V  a,  P  a  n  o  f  k  a.  Pause- 
ron,  Rubini,  Savinelli,  Sieber, 
and  others,  edited  by  MaxSpicker, 
S,  113  Vocalises,  4  books  a  — 75  n  Schir- 
mer. 

Masters    C.    Cramer:    Cambria,    galop    4/ — . 

-  Giovinette,  waltz  2/ — . 

-  Jolie  Brunette,  polka  2/—.   ^ms  3/ — . 

-  Nyn.phe,   polka   2/ — . 

Masters      W.      Chalmers,      Danube     River 

(Aide),   P  3/—   Williams. 
■  2    Divertissements    sur    „Les    Diamans     de 

la   Couronne"   d'A  u  b  e  r,   ^ms,  2   books   Sl 

4/ —  Augener. 
-2     Fautaisies     sur     „Gustave"     d'A  u  b  e  r, 

l/ms,  2  books   a   4/ —   Augener. 

-  Gocd-night,   Farewell,   P   3/ —   Weekes. 
-12   Melodious   Gatherings,   easily   arr. :      1. 

Cease  your  funning.  2.  Cruiskeen  Lawn. 
3.  Blue  Bells  of  Scotland.  4.  Ap  Shenken, 
etc.  5.  My  Lodging.  6.  Cuckoo's  song.  7. 
Last  Rose  of  Summer.  8.  A  Highland  Lad, 
my  Love  was  born.  9.  Ploughboy.  10.  Jen- 
ny's Mantle.  11.  Comin'  through  the  Rye. 
12.  Lass  of  Richmond  Hill,  P,  a  2/—  Cra- 
7)1  er. 

-  Sleep   in  Peace    (P  i  n  s  u  t  i),   P  4/ —   Wee- 

kes. 

-  Titania,  le  songe  d'uue  tfie,  r€verie,  P  4/ — 

Ashdown. 
Mastias,      Fanion,     pas     red.     Harm,     Fanf 

a   1.50  n  Margueritat. 
Mastio   E.  Evette:  Blondinette    (Roubin), 

maz.   Harm,  Part  3 —  n. 

-  Cantate  a  Jean  Bart,  pas  red.  pour  Harm 

(Fanf)  3—  Gras. 

-  Chant    du    bivouac     (K  e  1 1  e  r  e  r) ,    Harm, 

Part  3 — n,  p.  s.  a  — 10  n. 

-  C  o  e  u  r    e  t   la    main,    fant.    Harm    12— 

Schoenaers. 

-  Commandeur,   pas   red.    Harm(Fanf),    Part 

3 —  n,   p.  s.   a  — 10  n. 
-Concertino      (Weber),     p.  CI     et     Harm, 

Part  4.50  n,  p.  s.  a  — 15  n. 
-Concerto  I    (Weber),  p.  CI,  Harm,  I— II, 

Part  a  9—  n,  p.  s.  a  —25  n. 

-  ler   Concerto   de   Weber,   pour    Mus.   mil. 

en   deux  parties,   a   9 —  n. 

-  lie    Concerto     de    Weber,    Harm    12 —  n. 
-Coppelia   (Delibes),  prelude  et  polka- 

maz.   Harm,  Part  6 — n,   p.  s.  a  — 25  n. 
-Deux     Roses      (Groot),     ouv.     Harm, 
Part    10- u. 

-  Die^jpois,  pas  red.  Harm,  Part  3 — -  n,  p.  s. 

a  — lOn. 
-Don   Luiz    I    (E.   Leite),   marche.    Harm, 
Part  3— n,  p.  s.  a  — 10  n. 


Mastio  E.  Draqons  de   Villar. 


299     — 


Masutto  R.  Lo  statuto  Inna 


-Dragons  do  V  i  1 1  a  r  s  (M  a  i  1 1  a  r  t) , 
fant.    Harm,   Part    12 —  n. 

-  Duo    de   Mendelssohn.    CI    et   Saxoph. 

av.  0  C—  n  Gra.H. 
-Etoile     de     Seville      (Balfe),     ouv. 
Harm,  Part   10 — n. 

-Parindondaine  (Groot),        ouv. 

Harm,   Part    10 — n. 
-Fille    de    Fanchon     la     Villeuse 

(Varney),    fant.    Harm,    Part   6 — n,    p. 

s.   a  — 25n. 

-  Honncur  au  pompier,  pas  red.  Harm(Fanf), 

Part  3 — n,  p.  s.  a  — 10  n. 

-  Tdalia,  valse,  Harm(Fanf),  Part  10 — n,  p. 

s.  i\  —25  n. 
-Jocelyn    (Godard),   fant.   Harm,  Part 
12 —  n,  p.  s.   a  — 25  n. 

-Marcbe  de  Cavalerie  (Lavignac), 
Harm,  Part  3 —  n,   p.  s.   {\  — 10  n. 

-  Marche     h^roi'que      (S  t.  -  S  a  e  n  s) ,    Harm, 

Part   10— n,   p.  s.   h  — 25  n. 

-Marche  heroTf|ne.  de  Szabache  (Mas- 
senet), Harm,  Part  10—  Eveite,  OM- 
luwe,  Heugel. 

-  Mi  rche         funfebre  (Mendelssohn), 

Harm,   Part  3 — n,   p.  s.   a  — ^10  n. 

-  8.56  Marehe  de  ligne,  Harm,  Part  3 — n    p. 

s.  a  — lOn. 
-Marche    russe    (MembrSe),    Harm,    Part 
3 —  n,  p.  s.   fi.  — 10  n. 

-  Marche    (Schubert),   Harm,  Part  3 —  n, 

p.  s.   a  — 10  n. 

-  Marche      troyenne       (Berlioz),       Harm,, 

Part  6— n. " 

-  Ire    Mazurka    (S  t.  -  S  a  e  n  s) ,    Harm,    Part 

3—^  n,   p.  8.   a  — 10  n. 

-  Noce  de  Figaro,  ouv.  Harm,  Part  12 — n. 

-  Ouverture       pour       musique       d'harmonie 

(Mendelssohn),     Harm    12 —  n,    p.  s. 
a  — 25n. 

-  Pas    redouble,     sur     le     „P'tit     Quinquin" 

Harm(Fanf)    3 —   Oras. 
-Pa vane  de  Louis  XIV   (Brisson),  Harm, 
Part  3 — u  Evette,  Heugel. 

-  P^re   Martin,   pas    red.    Harm(Fanf),    Part 

3 —  n,  p.  8.   a  — 15  n. 

-  Petit  Quinquin,  pas  red.  Harm  3 —  n.  Fanf 

2.50  n   Gras. 

-  Polka  des  Baisers,  Harm  3 —  n,  Fanf  2.50  n 

(irus. 

-Prgtendant  (K  tick  en),  ouv.  Harm, 
Part  10— n. 

-Promenade,  miiitaire  marche  (C.  N  e  li- 
st ad  t).  Harm,  Part  3 — n,  p.  s.  a  — lOn. 

-  R  i  e  n  z  i,   ouv.   Harm,   Part   10 —  n. 
-Eothomago,    valse    brill.     (Groot),  Harm, 

Part  5 —  n. 

-  4e    Solo    de    Concert    (V  e  r  r  o  u  s  t) ,    pour 

Hautb  et  Harm,  Part  6 — -  n,  p.  s.  a  — 25  n. 

-Symphonic  (C-m.),  Beethoven:  Al- 
legro et  Andante,  Harm,  Part  10 — n. 

-  lln  reception  a  Perenchies,  pas  red.  Harm 

3— n,  Fanf  2.50  n   Gras. 
Mastioletti,      Terribilis      est     locus:      „Wie 
schauervoll   sind   diese   Hallen",   TTB  — 40 
Bote,  1 —  Schlesinger. 


Maston,  Misa  a  la  Ininiaculada  Concepci6n 
a  sclo,  coro  y  voces  con  Org(H)P  7 — n 
A  yne. 

Mastrangelo   A.   Gradita,   P   1.50   Ricordi. 

-  llosetta   2 —   Ricordi. 

MaazQsxivtj  T.  ^ico^f]  xagScd,  Mska)dia  — 40 
Fexis. 

Mastiechini  G.  A  Quatres  Epingles,  polka- 
mazurka,    VfMandJP   —60   Fexis. 

Mastres  W.  Chalmers,  octave  exercises,  se- 
lected from  the  works  of  C  1  e  m  e  n  t  i, 
S  t  e  i  b  e  1  t.  T  h  a  1  b  e  r  g.  etc.  etc.  P  4/— 
Ashdow7i . 

Mastrigli  L.  op.  2  I  Canottieri  del  Tevere, 
^alzer   5 —  Ricordi. 

-  3  Logismografia,  polka-mareia  3.50  Ricordi. 

-  4  Sore  invornali,  valzer  4—  Ricordi. 

-  E  morto  I'amor  3 —  Carisch. 

-  Manuale  del  cantante  2 —  Hoepli. 

-  Manuale   del   pianista  2 —  Hoepli. 

-  Natale   di   Roma,   marcia  4 —   Ricordi. 

-  Quando  cadran  le  foglie  2.50   Carisch. 

-  Rapelle-toi,  mSlodie  3.50  Ricordi. 

-  Salve  Regina  3 —  Carisch. 

-  Sei    tutto    il    mio    tesoro,    rispetto    3 —    Ri- 

cordi. 

-  Sogni  svaniti,  melodia  4—  Ricordi. 

-  Tramonto    1.50   Mariani. 

-  Umilis.sirao  servo  alio  siguora!   3—  Carisch. 
Mastrocinque  A.  0  Surdato  e  'a  Vivandiera 

— .^(0  Bideri. 
M astro iacovo    Fr.   Antonietta,  Banda   1.50  n 

Lapini.  j 

Masulli    G.     Mariani:     Op.   24  Senza  core.y 

Romanza  3 — . 

-  25  Ah  !   se  teuessi   I'amante  mia  1   Melodia 

2 

-  27   Questi   capelli   bruni,   romanza   2.50. 

-  28  Amor  che  tace,  romanza  2 — . 
-A  Lei!  2.50. 

-  Bella   m'apparisti   2.50. 

-  Bella  mia  2 — . 

-Chi   mai   sara?   Melodia   2 — . 

-  E  morio  1   2 — . 

-  Ed  &  cozi   3.50. 

-  Eleganza,  maz.  de  salon,  P  4-^. 

-  Guido,  P  5 —  Perosino. 

-  II  primo  palpito  2.50  Perosino. 

-  II   15  aprile  1880,  P  2—  Perosino. 

-  Maria,  P  5 —  Perosino. 

-  R^s6da,    polka    salon    3 — . 

-  Ricordo  di   Montevideo  !   2 — . 

-  T'amo   Carmelital    Maz.   3- — . 

Masutto  Giovanni  (1830—1894),  Ricordi: 
Fantasia  sopra  motivi  del  Nabucco,  Bom- 
bardinoP  7 — . 

-  Marcia  funebre   1.25. 
-Norma,   pet.    fant.    FIP   5.50. 
-Polka   1.75. 

-  Quadriglie  2.50. 

-  Sinfonia,  P  5 — . 

Masutto   Luigi,  op.  50  Polka  2 —  Ricordi. 

-  96  Cor  infelice,  roma^jza  2.50  Ricordi. 
Masutto    Ren.TO    (1858).   Ave  Maria,   P  2.50 

Ricordi. 

-  Capriccio,  romanza  3 —  Ricordi. 

-  Capriccio  N.   3,   VP  8 —   Mariani. 

-  Lo   statuto  Inno  — 50  n   Blanchi. 


Masutto  R.  Mary- Flora- Etmna 


300 


Maszynski  P.  Echo  koncertoic  Ivtni 


-  Mary-Flora-Emma,  tempo  di  minuetto  — 50 

Invemizzi. 

-  Rimembranze  3.50  Ricordi. 

-  Se  . .  .,   romanza   3 —   Garisch. 

-  Savoja-Petrovich,     fantasia,     Banda,     Part 

8 —  n  Brocco. 
■  Scherzo,  P  4.50  Ricordi. 
Masvernat.    Dotesio:    Es    servida?    Vals   co- 

reado  &  tres  voces,  letra  catalana  1.25. 

-  Esclava,  a  3  voci  — 75. 

-  Orfeonistas,   a  3  voc.   1.25. 

Masvidal.  Dotesio:  Cantico  a  Maria,  &  duo 
de  tiples  y  Org   1.50. 

-  Coplas  de  Comunion.  a  solo  y  coro  y   Org 

—75. 

-  Depedida  a  San  Jose,  2  o  3  voc.  y  Org  1.25. 

-  Gozos  a  San  Jos6,  2  o  3  voc.  y  Org  — 75. 

-  Himno  a  Maria,   3  voc.   y   Org   1.50. 

-  Plegaria    popular    en    commemoraci6n    del 

XIII  Centenari  del  III  Concili  de  Toledo 
1—. 

-  Salve  Regina,  3  voc.  y  Org  2.50. 

-  Tantum  ergo  y  genitari,  3  voc.  y  Org  — 75. 

-  Villancico,   3  voc.   y   Org  2 — . 

Masy  Serracant  D.  Dotesio:  Alabanzas  a 
Jesfis  Sacraraentado,  2  o  3  voc.  y  Org 
1—. 

-  Amor   Jesu,   duo   y   Org    1.25. 

-  Bone  Pastor,  2  voc.  y   Org  — 90. 

-  Cinco  Ave  Marias  y  Gloria,  a  2  voc.  y  coro 

y  Org  2—. 

-  Ecce  Panis,  duo  y  Org  1.25. 

-  Letrilla  a   Maria,   2  voc.  y   Org   1.75. 

-  Motete  al  Sagrado  Corazon,  2  tiples  y  Org 

1.25. 
-Panis   AngelJcus,   2  voc.   y   Org    1.40. 

-  Sacris,   a  coro   al   unisono  y   Org  — 50. 
-Tantum  Ergo  y  Gen  itori.  2  voc.  y  Orp  — 90. 

-  Tota  pulchra.  2  voc.  y  Org  2 — . 

-  Trisagio  a  la  Sanmn,   Trinidad,  2  o  3  voc. 

y   Org    ]— . 

-  Trisagio    Mariano,   2  o    3  voc.    y    Org    1—. 

Maszynska  L.  Gebethner:  Op.  41  Variations 
s6rieuses,   P   — 90  n. 

-  Gawot,   P   —30  n. 

-  Mazurek    i  piosnka   — 40  n. 

-  Na    fujarce   — 30  n. 

-  2  PieSni   —40  n. 

Maszynski  Peter  (1855),  Gelethner:  Op. 
4  Drei  lyrische  Stiicke :  Nr.  1.  Allegro 
non  troppo,  G-dur  1 — .  Nr.  2.  Andante,  B- 
dur,  3.  Andantino  con  moto  1 — ,  a  — 40 
Simon. 

-  22   Humoreska,   P  — 40  n. 
-24   Feuillet  d' Album,   P  —40. 

-  25    Friihlingslied     (Nova    wiosna)  :     „L'eise 

zieht  durch  mein  Gemiit"   (d.-poln.),  TTBB 
1 —  Leuckart. 

-  27    Wierzcie    rycerze,    polonez    do    sl6w    H. 

Sienkiewicza    na    8A   — 50. 

-  30a.  A  Jesli   1.60  Jakubovyski. 
-33  Berceuse,   P  —30. 

-34  Polonaise  ancieiine,  C-dur,  P  1.50  Si- 
mon, — 50. 

-  35  M6lodie,  C-dur,   P   1—  Simon,  -^0. 
-40   Nore   Latko,    vide:    Utwory   N.    17 — 32. 

-  41   Dzwonki  polne,  2  glosy  — 90  n. 
-55  Allegro  di  Sonata,   P  —70. 


-  Bagatelle,   P   —40  n. 

-  Berceuse,    P   — 30  n. 

-  Chory  meskie    (bez  wt6ru)    1.60: 

1.  R6za   (Swiat  sie  budzi  z  nocnej  ciszy). 

2.  Dumka    (Oj  !    nocko,   nocko). 

3.  W6z    z    sianem    (bajka)     (Przy   powro- 
zie  na  mrozie). 

4.  Werbownicy     (A    jak    przyszli    werbo- 
wnicy). 

5.  Idylla    (Idylla   malefika,    taka   idylla). 

6.  Noc     (Spowite    w    ciemne    bl^kity). 

7.  Na  szczytach  Tatr   (Na  szczytach  Tatr, 
na  samej   ich  krawgdzi). 

8.  Kulig    (Deli,  den  . . .  My  sobie  jedziem 
kuligiem). 

9.  Wiosna     (Patrzaj,     wiosna     sig    przy- 
bliza) . 

10. 0!    quid    solutis    beatius    curls?     (C64 
nad  spoczynek  bye  mo4e  milszego). 

11.  Po  Sniegu.    (Snieg  na   ziemi  topnieje.) 

12.  Jask6leczka    (lata  rada). 

13.  Zniwo.    (Przy   wiejskiej    drodze  plynie 
brzask.) 

14.  Gdyby  muszkq,  byd. 

15.  Lzy.    (Jedna  za  druga  Izy  ptyn^.) 

16.  Poranek      letni.        (Zaszumialo      nasze 
pole.) 

17.  Zawierucha.    (W    cichy   szmer,   w    dlu- 
gi  szmer  zaszumialy   zdroju  wody.) 

18.  Requiam. 

19.  Przyslowie.    ( Je§li    wejdziesz   w   grono 
goSci.) 

20.  Powitanie.    (A  otwieraj   wrota.) 

21.  Zmrokiem.       (Znikn^l    dzionek    w    g6r 
oslonie.) 

22.  Z   Bogiem,    (z   Bogiem   ka^da   sprawa). 

23.  Wstaii    pie^ni,     (wstai'i     z    drgaj^cych 
strun) . 

24.  Na  stawie.    (Cicho,  senno.) 

25.  Toasty.      (Goby    bylo    w6r6d    zakresu.) 

26.  Zaloty.    (Coz  to  na  ci§  padlo.) 

27.  Rada  junacka.    (Chiopcze  mlody  wierz 
na   slowo.) 

28.  Szarotka.       (Mial    dzielny    rycerz    swq. 
ukochanq.) 

29.  Chrystus  z  nami.    (L6dz  gibka  na  mo- 
drem   jeziorze  usiadia.) 

30.  Cbor  mlortziezy.   ((Nim  dojdzie  siwizny 
dzieci?.) 

-  Do   ptaszyny  — 40  n. 

-  Dunajec  — 50  n. 

-  Dzieci^tko  Jezus.  Boze  Narodzenie  wedlug 

kolend  i  pastoralek  z  rysunkami  P.  Sta- 
chiewicza  na  fortepian  z  dodaniem  tekstu, 
w  oprawie :  1.  Bog  si?  rodzi.  2.  Aniol  pa- 
sterzom  mowil.  3.  W  ilobie  leiy.  4.  Lulajze 
Jezuniu.  5.  Radujcie  si§  bracia  mill.  6. 
W  tej  kolendzie.  7.  Przybieieli  do  Bet- 
leem   1.50  n. 

-  Echo  koncertOw  lutni,    P:    Dobrzynski: 

Polonez.  Mclodye  ludowe :  Stoi  jawor,  i : 
Moja  dziewczj'czyna.  Kotarbifiski: 
Noc  ma  jowa.  K  r  e  m  s  e  r  :  Pie^n  staro- 
niderlandzka.  Z  e  1  o  I'l  s  k  i :  Nasza  Hanka. 
Chopin:  Marzenie.  Soedermann: 
Chtopskie  wesele.  K  1  a  u  e  r  :  Poiegnanie 
lasu.  Moniuszko:  Znaszli  ten  kraj. 
Niedzielski:  Mary6.  Soederberg: 


Maszynski  P.  Echo  koneertoiv  lutni 


—     301 


Maszynski  P.  LirniJc 


Ptaszyna.       N  a  g  y  :     Piosnki    wegierskie. 

Clark:    Marsz    §piewaczy.      Melodya   lu- 

dowa :    Pije   Kuba    — 80. 
Feuillet  d'albmu,  P  —40  n. 
Jakie  cie  mam  brae  dziewczyno  — 30  n. 
Jedna   chwila,  \v   formie  walca  — 50  n. 
Kolenda,  TTBBOrg  —15  n. 
Krakowiak  — 30  n. 
Lirnik.   Pierwszy   zbi6r   utwor6w   na   glosy 

mieszane,   8ATB,  polskich   i   obcych   kom- 

pozytor6w,   Tom   I    1.20  n,   Tom    IT   2— n : 

Tre§c    tomu    I-ego : 
Attenhofer:    Przez    las. 
B  ii  c  h  1  e  r  :   Noc  ksigzycowa. 
C  h  a  i  n  e :    PowrCt    z    pastwiska. 
Chopin:  Marzenie. 
Chopin:    Zyczenie. 
D  o  p  p  1  e  r  :    W    g6rach. 
G  o  m  6  1  k  a  :    Psalm    64. 
H  a  1  6  V  y  :    Straz   nocna. 
J  a  n  8  e  n  :    Najpierwsza   pie§6. 
K  j  e  r  u  1  f :   Wesele. 
K  1  a  u  e  r  :    Pozegnanie  lasu. 
Koschat:   Sam  jeden. 
Kotarbi6pki:    Noc    majowa. 
Land:    Winnie. 
Liszt:    Ave  Maria. 
Ludowe    Melodye :    Czarna   kura. 
Ludowe  Melodye :  Kolysanka. 
Ludowe  Melodye :   Oj  i  w  polu  jezioro. 
Maszyilski:    Ave   Maria. 
Maszyiiski:    Gwiaidzista   noc. 
Maszyiiski:    Kwiat    zabudki. 
Mendelssohn:    Modlitwa  poranna. 
Mendelssohn:   Rozstanie  z  lasem. 
Moniuszko:    Dziad   i  baba. 
Moniuszko:    Krakowiak. 
Moniuszko:   Modlitwa. 
Moniuszko:    Pie66  poranna. 
Moniuszko:    Post6j    pi^kna. 
Moniuszko:     Przylecieli    sokotowie. 
M  o  n  i  u  ti  z  k  o  :    U   naszego   Pana. 
Moniuszko:    Wgdrowna    ptaszyna. 
Miinchheimer:    Barkarola. 
M  ii  n  c  h  h  e  i  m  e  r  :    Modlitwa. 
M  u  t  e  1 :    Przeminjii  dzien. 
Nessler:   Pie^i'i  pozegnalna. 
Nessler:    Zakochany. 
Nessler:    Zwi§dly  wianek. 
Noskowski:    Woly   krniibrne. 
Onslow:    Ave    Maria . 
Palestrina:    O   bone    Jezu. 
R  a  m  e  a  u  :    Ciche    ustronie. 
Reinecke:    Powitanie   wiosny. 
Reiser:    Gdybym   ja   ptakiem   byl. 
Rheinberger:    Szcz^^liwy. 
Romaszkan:   Pie§A  nocua. 
R  u  t  k  o  w  s  k  i :    Letni    wiecz6r. 
R  z  e  p  k  o  :   Dzwony. 
R  z  e  p  k  o  :   Kolysanka. 
Rzepko:    Mazurek. 
R  z  e  p  k  o :   Obertas. 
Sehlottmann:    Nowa    wiosna. 
S  c  h  r  e  c  k  :   Kukulka. 
Schumann:    Marzenie. 
Schumann:   Pi§kna  Milada    ( Veit) . 
Schumann:    Wspominam    cif. 


Studziuski:    R6:&a. 
Sullivan:   Madrygat. 
Svendsen:    0    zmierzehu. 
T  r  o  s  z  e  1 :   Zmiana. 
Z  e  1  e  ri  s  k  i :    Nasza   Hanka. 

Tre6<5   tomu    ll-go : 

Attenhofer:     Dzwon    klasztorny. 

Biernachi:    Do   Cibie   Panie ! 

Biernachi:    Sob6tka. 

Bizet:  Ch6r  nocny. 

C  r  o  c  e :    0   vos   omnes. 

D  o  w  1  a  n  d  :    Tgsknota. 

Eisner:   Cnota   i  rozum. 

Eyken,  van:   Maj  sieje  blaski. 

Eyken,   van:    Pierwszy   6nieg. 

Eyken,  van:   Swieci  jasno  slonko  moje. 

Eyken,   van:    Zbudzone  serce. 

Gall:    Jest  sobie  kosiarz. 

G  a  s  t  o  1  d  i :   Amor  na  cz6inie. 

G  o  m  6  1  k  a  :    Psalm. 

Gounod:   Chodzcie   tu   do  mnie. 

Gounod:    Grajek. 

Gounod:   Letni  wiecz6r. 

Gounod:    Modlitwa   wieczorna. 

G  r  u  b  e  r  :    Swifta    noc. 

H  a  e  n  d  e  1-G  o  u  n  o  d  :    Na    chwal§    Boga. 

Hauptmann:    R6ia  polna. 

Karlowicz:    Szcz?§cie. 

Kotarbi6sk  i-M  aszyiiski:    0    6wi- 

cie. 
K  r  a  t  z  e  r :  Modlitwa. 
Kuczkiewicz:    Czem-4e6    serce    zgrse- 

szylo. 
Land:    Dom   rodzinny. 
Maszynski:   Oj   ziemio. 
MaszyAski:   Wieczfir  na  wsi. 
Melodya  ludowa  irlandzka :  Ostatnia  r64a. 
Melodya  ludowa   Niemiecka:    Kolysanka. 
Melodya  ludowa   Szwedzka:    T^sknota. 
Mendelssohn:    Na  grobie  jej. 
Mendelssohn:    P6jdz   ze  mn^. 
Mendelssohn:    Upadl   szron. 
Mendelssohn:    W   lesie. 
Moniuszko:   Dzieweczka  nad.  rzek^. 
Moniuszko:    Grozna    dziewczyna. 
Moniuszko:    Pie^ii. 
Moniuszko:    PieM   poranna. 
Moniuszko:    Pod  g6r^. 
Moniuszko:    Ruta. 
M  o  r  1  e  y  :    Taniec. 
N  a  g  e  1  i :    Gwiazdka. 
Niedzielski:    B6g  tak  chce. 
Niewiadomski:    Siwy   koniu. 
Noskowski:    Dobranoc. 
Noskowski:    Na   jagody. 
Palestrina:    0    domine    Jesu    Christe. 
Rink:    Wiecz6r. 
Rutkowski:    Moj    kwiatek. 
Rzepko:    Inne   piosenki. 
R  z  p  p  k  o  :    Kolysanka. 
Rzepko:    Kr6lewicz   Maj. 
Rzepko:    Puszczyk. 
Rzepko:    ZdrowaS   Marya. 
Schumann:   Kr6lewna  r6z. 
Schumann:    Pie§n  letnia. 
Schumann:   Powitanie  wiosny. 
T  a  u  b  e  r  t :   Chwalcie   Pana. 


Maszynski  P.  lArnik 


302 


Maszynski  P.  lAitnia 


(Sa- 

nocy. 

) 
moja 

Ba- 


T  r  o  s  z  e  1 :    Psalm. 
Weber:   Modlitwa . 
W  e  i  n  e  r  t :   Do  Boga. 

Lutnia.  Pierwszy  vvyb6r  kwartetow  m?- 
skich  polskich  i  obcych  kompozytor6w, 
zawiera  219  pie^ni  w  partyturze:   Tom  I, 

II,  III,    V,    VI    po    1—,    Tom    IV    (pie^ni 
ludowe)    — 60: 

Treid  I,  II,  III,  V  i  VI  tomu : 

I.  24.  A  b  t  F  r. :  Serenada.   ( Juz  sloneczko 

skrylo   czolo.) 
VI.  25.  Abt  JFr. :   Urok  lasu.    (Lubie  le§- 

nej  ci.szy  sluehad.) 

III.  118.  Abt  Fr. :  Wiosna.  (Gdy  uroczy 
Maj    zazieleni   gaj.) 

44.    Abt    F  r. :      Toasty.     (Komuz    ten 

pierwszy   toast  wznie6(5.) 
95.  Appel  K. :  Serenada.   (Dobranoc.) 

66.    Ballada    Szkocka  :     Robin    Adair. 

(Witam   o  witam  ci§.) 
2.    Becker    W.    E.:    Ko§ciolek. 

motny   domek   Bo4y.) 
90.  Beethoven  L. :  Hymn  no 
(Dawno  sloiice  zgasto  juz. 
101.    Beethoven    L. :    PieSn 
—  Bog. 
Bellman    C.    M. :      Dzieci 
cbusa.     (Grona    zlociste.) 
B  e  n  d  e  1    F. :      Noc.     (Gwiaidzista 
noc.) 

V.  32.  B  i  e  r  n  a  c  k  i  M. :  Kwiat  koniczy- 
ny.    (Melodya   ludowa.) 

Brahms  J. :   Naprzod  marsz  !    (W 
koszarach   wci^z   zaiog^   stad.) 
160.    Bruhl:    Wivvat.     (Niech    iyje 
nam.) 
v.  13.  Bursa  St.:  Wiosenne  czary.   ( Ju^ 
wion§lo    wiosny    tchnienie.) 

VI.  18.  Bursa  St.:   Zagniewana.    (Dzie- 

weczko  moja.)  (Wloska  melo- 
dya  ludowa.) 

V.  4.   C  a  r  1  e  z   J. :    Milo§d  i  zgoda.    (Gdy 

ziemi    kr^g.) 
III.   147.  Chopin  F  r. :   Dwojaki  koniec, 

(Rok   si§   kochali.) 
III.  154.  Chopin  F  r. :   Hulanka.    (Szyn- 

kareczko,    szafareczko.) 
III.  137.  Chopin  F  r. :  Marzenie.    (AchI 

czemu    mi    smutno.) 

Chopin    F  r. : 

ranne   ziolko.) 

Chopin    F  r. 

gwiazdo  dnia.) 

I.  39.    D  a  n  y  s  z    K. :     Co    wiecz6r      (pod 

okienko   jej    popatrzed   spiesz?.) 

II.  93.  D  a  n  y  s  z  K. :  Szcz^^cie.   (0  szcz^S- 

eie  ludzie  kl6cq.  si?.) 

VI.  12.    Danysz    K. :    Trzy    pie^ni    we- 

selne:  a)  W  ogrodzie.  (W 
ogrodzie   kwiat6w    wiele.) 

VI.   13.   5y   Kiedy  kwitna  r6ze. 

VI.  14.  r)  Poehod.  (Co  za  pochOd  droga 
kroczy.) 

III.  140.  Dobrzyuski  I  g.  F. :   Chociai 

to  zycie  idzie  po  grudzie. 
II.  53.  Dobrzyfiski  J  6  z. :   Veni  Crea- 
tor. 


I. 

II. 
II. 

V. 

II. 


III. 


V.    48. 


V.    8. 


V.  43. 


III. 


III.    117. 


111.    138. 


Posel.     (Blyslo 
Sen.     (Zegnaj 


II.  74.    Donati    Baldassare:    Villa- 

nella    alia    Napolitana.     (Kiedy 
w  niedziel?  w  wiosenne  6wi§ta.) 

III.  121.   Doppler  K. :    Jaskdleczka    (do 

okienka  puka). 

II.  73.    Dowland    I.:    T^sknota.     (Luba 

ma!    Swe  serce  sklonid  chciej.) 

I.  18.  Duniecki  St.:  Piosnka  ^olnierza. 

(Co   tarn    marzyd   o    kochaniu.) 

III.  149.    Eisner    J.:    Ch6r    my^liwych. 

(W     3zechwladna      ziemi     vayk- 
liwci.) 

II.  84.  Esser  H. :  Po^egnanie  lasu.  (B^d* 

zdrow   zielony   lesie   nasz.) 

III.  153.    Gall    Jan:     Nasza    gosposia. 

(Kazdy  chlopiec,  kaidy  chwat.) 

III.    112.    Gall    Jan:    Serenada.    (0   fig- 

larko   o    pieszczotko.) 
II.  73b.  Gastoldi  Giacomo:  Dzienne 

§witanie   serca   kochanie. 

I.  2.  Gomolka  Mikolaj:  Usque  quo 
Domino.  Psalm.  (Dok^d  mig 
ehcesz   zapomnied.) 

V.  3.  Gounod  K. :   Joanna  d'Arc.    (Boia 

raoc.) 

I.  47.    Gounod     K. :      Konik     polny     i 

mr6wka.     (Konik    polny    co    na 
chwal?   Boga.) 

II.  98.   Gounod  K. :   Kruk  i  lis.    (Kruk 

siadl  na  drzewie.) 

VI.  3.   Gounod   K. :    Modlitwa   poranna. 

(Niebiosa,   kt6re  ^wiatlo  siej%.) 
VI.    4.    Gounod    K. :    PieSn    wieczorna. 
(Ziemia    juz    do    snu    przycza- 
jona.) 

III.  136.  Gounod  K. :   Sen.    (Zasn^wszy 

raz  cicho.) 

I.  29.    Grossman    L. :     Krakowiaczek. 

(Daleko,    daleko    za   g6ra.) 

III.  156.  Grossman  L. :  Krakowia- 
czek. (Naprz6d  w  kolo,  wci^i 
weselo.) 

VI.  20.  Hat  ton  J.:  Dobranoc.  (Dobra- 
noc ukochana.) 

V.  50.  H  e  d  e  n  b  1  a  t  I. :  Piosnka  o  winie. 
(Przetrwala    prawda.) 

II.  64.    H  e  r  b  e  c  k    J. :    Do   miloSci.    (Mi- 

lo^ci,   tobie  wznosz?  6piew.) 

I.  16.    Herbeck    J.:      PieSn    latarnika. 

(Kiedy  burza  na  morzu   zaczy- 
na   sig.) 

II.  79.   Herbeck   J. :    PieSu  w§drowc6w. 

(Dhiga    droga    czeka   nas.) 

V.    20.    Herbert   J.    B. :    Ostatnia    r64a. 

(Juz     ostatniej      roiy     kwiat.) 

Melodya    ludowa    irlandzka. 
V.    18.   Herbert   J.   B. :    Sielanka  le^na. 

(Czemu   Faun  marszczy  brew.) 
V.  40.  H  e  r  i  n  g  K.  F. :  Pie6ii  marynarzy. 

(Marynarzy    dzielny    6piew.) 

III.  113.    Hermes    E. :    Samotna    EdJba. 

(Ukryty       w       cieniu       wioBki 
drzew.) 
III.    151.     Herz    M. :     Ch6r     mySIiwych. 
(Wesolo      na      niebie      blvsn^l 
§vvit.) 


Maszynski  P.   JjUtnui 


303     — 


Maszynski  P.  Lutnia 


II.  .54.    H  e  r  z    M. :    Modlitwa    g6riiik6w. 

(0  Panie  nasz  !  z  nad  szczytfiw 
tych   gor.) 
I.    9.    H  e  r  z    M. :    Pie^ii   2;atobna.    (Matko 
zywota,    przez    6mierci    wrota.) 

VI.    8.     Herz     M. :     W?dr6wka     lirnika. 
(Lirnik   musi    z   lirq    w    dloni.) 

711.    131.    Herz    M. :    Wiatr.     (Jakii;    to 

^piewak  ten  wiatr.) 
VI.    48.    Jacob    St.:      Przy     kieliszku. 

(Maszli   troski,   z   nami   si^dz.) 
ri.  65.  Jansen  F.  G.:   W  oddali.    (Z  od- 

dali  gdzies  od  lasu.) 
T.   14.  Kania  M. :   Barkarola.    (Noc  taka 

jasna,    gwiazdami    plonie.) 
Til.    104.    Kania    M. :    Luli    synu    woje- 

wody.) 
ri.    97.    Kania    M. :    Polonez.     (Sprawie- 

dliwo§d,    milo66,    wiara.) 
VI.    1.    Karlowicz    J.:    Pie^n    wielka- 

nocna.    (Wesoly  nam  dzi^  dzien 

nastai.)    Melodya   ludowa. 
VT.    46.    KSroly    H. :    Kotki.     (Ze    ma 

mink?  slodka.) 
VI.   47.   K  a  r  o  1  y   H. :    W   mym   ogr6dkn. 

V.  19.      K  j  e  11  s  t  r  a  n  d      J. :       Astry. 

(Piekne    astry    purpurowe.) 

III.  106.  Kjerulf  H. :   G6ry  Norweskie. 

(Hej !    te   gory,   twarde   mury.) 

VI.  5.    Kjerulf    H. :    Jubilate.     (Hymn 

wieczorny    zwolna   plynie.) 

V.  10.    Kjerulf    H. :    Nocleg    w    gSrach. 

(Z      g6r      chlodny      wiatr      po- 
wiewa. ) 

VI.  15.    Kjerulf    H.:    Pozegnanie    Ha- 

liny.     (Jesieniji    lotne    ptasz§.) 
III.    155.    Kjerulf    H. :      Wesele.     (Slo- 

necznie,    pogodnie.) 
I.  32.  K  1  a  u  e  r  F.   G. :   Poiegnanie  lasu. 

(Zegnam    ci§    cudowny    lesie.) 

I.  38.     Kleczyiiski     Jan:      Zmarlej 

dziewicy.    (Zasngla    cicho    i    nic 
jej   nie  zbudzi.) 
TI.     96.     Komorowski     I. :      Polonez. 
(Chocia^;      to     iycie      idzie     po 
grudzie.) 

II.  63.  K  o  s  c  h  a  t  T. :   Prawdziwa  milosd. 

(Plowowlosa    dziewezyno    ah  I) 
VI.    27.    K  o  t  a  r  b  i  n  s  k  i    M. :     Jesieniq. 
(I    zn6w    liSd    senny   mrze.) 

V.  9.    Kotarbiiiski    M. :    Kolysanka. 

(Spocznij    w    cichym    §nie.) 
TII.    119.    Kotarbinski    M. :    Noc   ma- 
jo  wa :    (W   cichy   wieczCr.) 

VI.  9.    K  ot  arbinski    M. :    Z    pieSni^. 

(Niech   orly   w   g6rze   plyn^.) 

V.  38.  K  r  e  u  t  z  e  r  K. :    My^liwi   i  lania. 

(Mysliwycli       trzech       wybralo 
sie.) 

VI.  49.   K  r  o  n   L. :    Marsz  :    (Hej !    towar- 

zyszu    piesni.) 

V.  25.  K  u  b  a  L. :  A  z  g6ry,  z  g6ry.  (Me- 
lodya ludowa.) 

V.  26.  K  u  b  a  L. :  Czarna  kura  pieje.  (Me- 
lodya ludowa.) 

V.  27.  K  u  b  a  L. :  Cztery  lata  wierniem 
shizyl.     (Melodya    ludowa.) 


HI.  125.  K  u  b  a  L. :  0  o6ze6  si?  zadumala. 
(Melodya   ludowa.) 

V.  33.  K  u  b  a  L. :   Od  Warszawy  do  Kra- 

kowa.    (Melodya  ludowa.) 
III.    126.    K  u  b  a    L. :    Stoi    jawor    zielony. 

(Melodya   ludowa.) 
II.    91     Kuhlau    F. :    Pie6ii    wieczorna. 

(Snem    spokojnym    lud    spocz^l 

ixxi.) 

I.  43.   Kur  pill  ski   K.:    Polonez.    (Gdy 

czlek   w    taniec   polski    stanie.) 

II.  100.    Lewandowski    L. :      Mazur. 

(Hej !  kto  zyje  z  mtodziezy  do 
lutnistow   niech   bieiy.) 

VI.  11.  Lirs  J.  B.  Nasz  spiew.   (Zanu(5my 

nasz   wesoly  Spiew.) 
VI.   45.   L  o  r  t  z  i  n  g   A. :    Stracone   ^ebro. 
(Adam,    gdy     raj     z    niewiastq. 
dzielid   chcial.)    Huraoreska. 

I.  50.  Liszt  F  r. :   Na  poiegnanie.    (Bqdi 

zdrow.) 

III.  123.    Lubomirski    K.    K. :       Do 

gwiazdeczki.      (0     gwiazdeczko 

co6    ja§niala.)  (E.    Kremser.) 
III.    114.    M  a  r  s  c  h  n  e  r    H. :      Serenada. 

(Dla    czego    niema    ciebie?) 
VI.  33.  Maszynski  P. :  Ach,  my  biedni 

nieboracy.     (Melodya    ludowa.) 

II.  61.    Maszynski    P.:    Do    gwiazdy. 

(Gwiazdo  co§  blysla  na  niebios 
bl?kicie.) 

VI.  7.  Maszynski  P. :  Dostrojmy 
glosy.  (Sto  piersi  drga  na  je- 
den   ton.) 

V.  28.  Maszynski  P. :  Gdzie  ty  je- 
dziesz  opalony.  (Melodya  lu- 
dowa.) 

V.  29.     Maszynski    P. :      Iskiereczka 

ognia.     (Melodya   ludowa.) 

VI.  35.    Maszynski    P. :    Jedn^    c6rke 

masz.    (Melodya   ludowa.) 
V.  30.  M  a  s  z  y  6  s  k  i  P. :  Ksipala  si?  Ka- 
sia    w    morzu.     (Melodya    ludo- 
wa.) 
V.    31.    Maszy6ski    P.:    Kto   kochania 

nie  zna.    (Melodya  ludowa.) 
I.  1.  Maszyiiski  P.:  Kto  si?  w  opieke. 

I.  33.  M  a  s  z  y  li  s  k  i  P. :  Las.  (Ach  mi!y 
jest  zielony  las.) 

V.  23.   M  a  s  z  y  6  s  k  i  P. :   Mazur  ludowy. 

(Hura  chlopcy,   hura.) 
I.    48.    M  a  s  z  y  il  s  k  i    P. :      Mysz    i   4<51w. 
(Ze  zamkni?ty  w  skorupie  nie- 
wygodnie  siedzial.) 

VI.  36.   Maszynski   P. :    Na  podw6rku 

studzieneczka.  (Melodya  lu- 
dowa.) 

VI.  28.  M  a  s  z  y  li  s  k  i  P. :  Na  „Siewn^". 
(Po§wi?cila    Matka    Siewna.) 

III.  159.  Maszyiiski  P.:  Nos  i  taba- 
kiera.   (Czy  nos  dla  tabakiery.) 

V.  34.  M  a  s  z  y  li  s  k  i  P. :  Ojce  moje,  ojce. 

(Melodya   ludowa.) 

VI.  37.  Maszynski  P. :  Oj  mamo,  ma- 

mo,      mamulu.       (Melodya      lu- 
dowa.) 
VI     38.    Maszynski    P. :    Oj    nie   bylo, 
oj   i  niema.    (Melodya   ludowa.) 


Maszynski  P.  Lutnia 


304     — 


Maszynski  P.  Lutnia. 


VI.  29.  M  a  s  z  yii  s  k  i  P. :  Oj  ziemio,  ty 
ziemio,  sieroto. 

II.  82.    M  a  s  z  y  6  s  k  i    P. :       Pie§6    my§- 

liwska.  (Zagrajcie  pobudke, 
juz  dnieje.) 

V.  6.     Maszynski    P. :      Pie§ii     staro- 

grecka.  Pragiiqlem  AtrydOw 
slaw?.  (Melodya  z  wyspy 
Chios.) 

VI.  32.    M  a  s  z  y  u  s  k  i    P. :    Plynq    jasne 

zdroje. 
VI.    39.    Maszynski    P.:      Powrot    bo- 

ciana.     (Witaj    bodkii,    wracasz 

przecie.    (Melodya    hidowa.) 
TTT.    158.    Maszynski    P.:    Slepy   i   ku- 

lawy.     (Ni6sl    §lepy    kulawego.) 

III.  120.  Maszynski  P.:   Wiosna.  (Jui 

splynal  §nieg.) 
VI.  40.  M  a  s  z  y  6  s  k  i  P. :  Z  poniedzialku 

na    ^wigto.     (Melodya    ludowa.) 
VI.  37.  Maszynski  P. :    Z  tamtej   stro- 

ny    Lukowa.     (Melodya    hid.) 
VI.   50.   Melodya   ezeska :    Pie§ii   towarzy- 

ska.  (Hejze  I  dalej,  bracia  mili.) 

V.  49.  Melodya  francuska:  Piosnka  hu- 
lacka.  (6rzeg6rz  got6w  zawsze 
pid.) 

I.  22.  Melodya  ludowa:  Ja6  i  Kasia.  (Sia- 
dla   na   dgbie   zazula.) 

I.  21.    Melodya    ludowa:    Jedna    g6ra    ta 

wysoka,  a  ta  druga  niska. 

II.  68.  Melodya  ludowa:  Kujawiak.    (Kaj 

si?   dzialy   one   lata.) 

I.  20.    Melodya    ludowa:    Kurdesz.     (Kai 

przynie^d  wina  m6j  Grzegorzu 
mily.) 

II.  70.  Melodya  ludowa:  Och  ja  nieszcz^s- 

ny  w   smutn^   id?  drog?.) 

I.  23.    Melodya    ludowa:    Stoi    Mary§    w 

oknie,    a    skowronek    6piewa. 

II.  69.  Melodya  ludowa  :   Szuka  mnie  ma- 

tula,   szuka   do    okola. 

II.  71.    Melodya    ludowa    morawska:    Re- 

zygnacya.  (Tylko  ty  mi,  m6j 
syneczku,    powiedz.) 

III.  103.     Mendelssohn     B.:      Beati 

Mortui.      (Na      wieki      spocznie 

ten.) 
II.    57.    Mendelssohn    B. :    B6g    wyr- 

zekl :    gdy    nadejdzie    czas. 
I.     34.     Mendelssohn     B. :      Motylek. 

(S  t  a  t  1 1  e  r) .    (Gdy  wieczorem 

gwiazdek    roj   w   niebie.) 
I.    12.    Mendelssohn    B. :      Najwyzszy 

Ez^dca.     (Kto    godzien    Stwor- 

zyciela   laski.) 
V.    46.    Mendelssohn     B. :       Pie^n     o 

dzielnym     czleku.       (Gdzie     sie 

obroc?,    kazdy    radzi.) 
V.    12.    M  e  u  d  e  1  s  s  o  h  n    B. :      Powitanie 

wiosny.      (Zlekka     stod     kio     w 

duszy    niej    przeciq.gaj^    tony.) 
I.    31.    Mendelssohn    B. :    Pozegnanie 

lasu.      (Kt6z     zbudowai     ciebie, 

kto.) 
IT.   60.   Mendelssohn   B.:    Spiew   wie- 

c7,orny.    fSpij  kochauko,  juz  pa- 

sterze    powrocili.   ) 


IT.    17.    Mendelssohn    B. :      Zegluga. 

(Na    kraucu    widnokr?gu.) 
III.    124.    Moniuszko    St.:      Bartek    i 

cietrzew.      (W     lesie     cietrzew 

gdzie^  tokuje.) 

V.  45.    Moniuszko    St.:    Humoreska. 

(Dalib6g,    ze    powiem    mamie.) 
III.     146.     Moniuszko     St.:      Kozak. 
(Tam    na   gOrze   jawor    stoi.) 

II.  72.    Moniuszko    St.:    Krakowiak. 

(Juz  zdala   tam  widz?  ukocha- 

ne   podworko.) 
T.   49.   Moniuszko   St.:   Kum   i   kuma. 

(Kuma   sobie   siedziala.) 
T.      19.      Moniuszko      St.:      Mazurek. 

(Niechie  lepiej   ja   nie  zyj?.) 

III.  115.  Moniuszko  St.:   Nawrocona. 

(Wieczorem    pewnego    czasu.) 
I.   46.   Moniuszko   St.:    Niejedeu   nam 
prawi    koszalki    opalki. 

I.  4.  Moniuszko  St.:  Ojcze  nasz    (kt6- 

ry§  jest  w  niebie.) 

VI.  2.  Moniuszko  St.:  Pie66  poranna. 

(Blysnal  porauek,  znikn?iy  cie- 
nie.) 
III.    107.    Moniuszko    St.:    Pie^n    po- 
ranna.    (Gdy    sloneczko    hen    z 
za   gory.) 

II.  80.   Moniuszko   St.:    PieM   towar- 

zyska.     (Hej !    uzyjmy    zywota.) 

III.  135.   Moniuszko   Si.:    Pie§n   wie- 

czorna.    (Po   nocnej    rosie.) 
III.    130.    Moniuszko    St.:    PieSA    U- 

glarzy.     (Wesolo    zeglujmy    we- 

solo.) 
III.  110.  Moniuszko  St.:  Piosnka  io\- 

nierza.    (Juz   Matka    zasugla.) 
III.    141 .    Moniuszko    St.:      Polonez. 

(Jak   bywalo   b?dzie   zawdy.) 

II.  88.    Moniuszko    St.:      Przylecieli 

sokolowie. 

III.  122.  Moniuszko  St.:  R6^a.    (Acb  ! 

w    sercu    najmilsze    rozyczki.) 
V.  1.  Moniuszko  St.:  S§dzia  wieczny. 

(S?dzia    wieczny     gdzie     zasi?- 

dzie.) 
V.     16.    Moniuszko    St.:       Siowiczek. 

(Ej    latal   siowiczek.) 
III.    145.    Moniuszko    St.:    Tulaczka. 

(Dokiidze  to  z  rann^  gwiazdq.) 

VT.  16.  Moniuszko  St.:  W?drovvna 
ptaszyna.  (Ptaszku,  ptaszku 
skqd    prz^iatasz  ! ) 

II.  59.  Moniuszko  St.:  Znaszli  ten 
kraj    gdzie   cytryna   dojrzewa.) 

IT.  73a.  Mo  r  ley  Thomas:  Maj  (w 
zielen    stroi    drzewa.) 

II.  52.    Mozart    W.    A. :    Ave    verum. 

I.  11.  Mozart  W.  A.:  PieSn  zgoAy. 
(Bracia    dlon   podajmy    zgody.) 

I.  28.  M  ii  n  c  h  h  e  i  m  e  r  A. :  Flisaki. 
(Hej  I    flisacza    dziatwo,    hej  I) 

III.  152.    Miinchheimer    A. :     Goral. 

(Szumia    goralczyki.) 
V.    24.    M  ti  n  c  h  h  e  i  m  e  r    A. :    Nasz    ma- 
zur.        (Otw6rzcie       si?       stare 
wrota.) 


Maszynski  P.  Lutnia 


305 


Maszynski  P.  lAitnia 


III.   109.   Nagy    J.:    Odwrrtdze  te  oczy. 
III.    108.    Nagy    J.:      Sniutna    piosenka. 
(Zabrzmial  w  dali  uroczyScie.) 

I.  26.  N  e  s  s  1  e  r  v.  E. :   0  gdyby  kwiatki 

zuaty   mojego    serca    b6l. 
V.  5.  N  e  s  s  1  e  r  v.  E. :  Serenada.    (Dziew - 

cze   z   buzhi  jak   malina.) 
V.    41 .    N  i  e  d  z  i  e  1  s  k  i    St.:    Rybacy    na 

VViSle.    (Rybaku,   bracie,   wiosJo 

chwyd.) 
1 1  f.    148.    N  i  e  w  i  a  d  o  m  s  k  i    St.:    Kop- 

ciuszek.      (W     gniewie    zaklela 

ja  wrozka.) 

II.  74a.    N  i  e  w  i  a  d  o  m  sk  i    St.:     Siwy 

koniu  co6  tak  zadumany? 

V.  21.   Nordraak   K.:    Moj    domek.    (0 

1116 j    domkii   sercem   calem.) 

III.  150.  Noskowski  Z. :  Hej  na  dzika. 

(Hej !    do   lasu,   hej    ua   dzika.) 

VI.  20.  Noskowski  Z. :   Na  pastwiskii. 

(Siny  dym  si?  wije.) 
VI.   6.   Noskowski   Z. :    Polouez   elegij- 

uy.    (Ty   kochasz    dom.) 
III.     144.     Noskowski     Z. :      Rozpacz. 

(Stoiice    dawno    zaszlo   juz.) 

V.  11.     Noskowski      Z.:      Wiosenka. 

(Ach,  w  sercii  mam  prawdziwy 
raj.) 

VI.  24.   Noskowski    Z. :    W   lesie.    (Za- 

wital    nam    dziouek.) 
III.    142.    Noskowski    Z.:    W    starym 
dworkii.     (O     wspomnij     bracie 
jak   bywalo.) 

I.  17.  Nowakowski  J.:   Wisla.  INIazu- 

rek.    (Jest   kraiua,   w   tej   krai- 

nie,  k?dy  dzielny  zyje  lud.) 
V.   42.   0  r  1  o  w  s  k  i   A. :   Uzwonek  poczto- 

wy.      (Slyszg     dzwonek,     widz? 

konie.) 
V.    51.    Or  low  ski    A.:      Toast.     (Niech 

zyje  nam.) 
HI.    139.    O't'to    J.:    Skarga.    (W    dal,   w 

dal  plyn^  het.) 

II.  58.     P  a  c  h  e    J. :       Spiew     po^lubny. 

(Gdzie    pojdziesz    ty    i    ja   chc? 
pojSc  za  tobii.) 
V.    17.   Pacius:    Spiew   slowika.    (Co   za 
piosnka   przenikliwa.) 

II.  51.  P  a  1  e  s  t  r  i  n  a  J.  P. :  O  bone  Jezu. 

V.  47.    Paliard    L. :    Mlynarka.     (Nad 

rzeka    u    przydro:^a.) 

III.  105.    Pankiewicz    E.:       Hej     do 

pracy ! 
III.    143.   P  a  n"k  i  e  w  i  c  z   E. :      Za   moich 

mlodych   lat. 
III.  157.  Perg'olese  J.  B.:  Nina.   (Trzy 

dni  jiiz  moja  Nina.) 

VI.  19.    Pie^ii    ludowa    z    Turyngii :     Zy- 

czenie.    (Eoz.stad  si?  z  Tobq^.) 
VI.   50.   Pie^A   towarzyska.    (Hejzel    dalej, 

bracia  mili.)    (Melodya  czeska.) 
V.    49.    Piosnka    hulacka.      (Grzeg6rz    go- 

t6w  zawsze  pi(5.)    (Melodya  fran- 

cuska.) 
V.  35.  P  o  1  i  li  s  k  i  A. :  O  matuleiiko  moja. 

(Melodya  ludowa.) 

Universal-Handbuch  dor  Musikliteratur.    M. 


V.  36.    Pol  i  A  ski    A.:    U   mojej    mamy. 

(Bylam      swobodna      u      mojej 
mamy.)     (Melodya   ludowa.) 

I.  42.  Poloriez  z  XVIII  wieku.  (Z  wy- 
sokich  parnasOw  nie  zbyt  daw- 
nycli  czasOw.) 

I.  37.  II  e  i  c  h  a  r  d  t  G. :  UcichI  juiS  gwar. 

II.  66.    Robin    Adair.     Ballada     szkocka. 

(Witam,   o   witam   cie.) 

VI.  30.    Roeber    R. :    Lata   mlodzieiicze. 

(Nie  moge  was  zapomnied.) 

\'.    14.   Roguski   G. :   Maj.    (Gdy  uroczy 

maj   zazieleni  gaj.) 
VI.  17.  Roguski  G. :  Mary6.   (Oj  MaryS, 

Mary6,    pomy61    tylko    sobie.) 
[.  40.  Roguski  G. :   Nokturn.    (Juz  noc 

swq.  moc  na   ok61  rozpo^ciera.) 
V.    7.    Rohde   W. :    Katlen   Erun.    (Zaw- 

sze§   najdrozszy   Ty.)     (Melodya 

ludowa  irlandzka.) 
V.  44.  Roscher  J. :  Dwa  razy  dwa.   (Ze 

dwa    razy   dwa   czyni    czworo.) 

V.  22.  Rozalski  K. :   Krakowiak.    (Pa- 

trz,  Maryacka  wieza  stoi.) 

VI.  31.    Rozalski    K.:    Tu    mi    blysla 

milo^e. 
VI.    41.    R6zycki    A. :    Chor    myiliwych. 
(Wesolo   na  niebie.) 

II.  99.  Rust  W.:   Ja  i  butelka  to  dwaj 

przyjaciele. 
I.    36.   R  u  t  k  o  w  s  k  i   A. :    Pie6ii   zimowa. 
(Oto  zimy  goniec  bialy  cwalera 
pfdzi.) 

V.  39.     R  z  e  p  k  o    A. :     Ch6r    my^liwycli. 

(La  la  .  .  hop !  w  kniei  6wiezy 
trop.) 
[I.  94.:  Rzepko  A.:  Cicho  6pij.   (Dokola 
cisza  milczy  b6r.) 

III.  127.    Rzepko    A.:      Sialem     proso. 

(Mel.  lud.) 

I.  13.  R  z  epko  A. :  Spiew  pochodny.  (Ten 

gaj,  ten  gaj!) 

II.  55.  Rzepko  W. :   AA'e  Maria. 

III.  128.    Rzepko    W. :    Dqbrowa.     (Oj 

diibrowo,    dftbroweczko.) 

VI.  43.    Rzepko    W. :    Humoreska.     (Oj 

tatus,   tatulu.) 
VI.  44.  Rzepko  W. :  Oj  ty  Jasiu  gladki. 

V.  52.  Rzepko  W, :  Vivat  I    (Niech  zyje 

nam.) 

II.  83.  S  c  h  m  o  1  z  e  r  J.   E. :   Las  w  slon- 

cu.   (Wyniosla  sosna  zdobi  las.) 

III.  102.    Schubert   F. :    B6g    Stworzy- 

ciel   Swiata.    (Gdzie   B6g,   gdzie 

Bozy   tron.) 
II.    92,    Schubert    F. :    Czarowna    noc 

(spokoj     niebia6ski     zlewa     na 

zwiat.) 
II.  62.  Schubert  F.:  Do  oddalonej.   (Za 

tobq.  my§lfi  goni?.) 

VI.  21.  Schubert  F. :  Kolysanka.  (Luli, 

luli   moj   maleiiki.) 
II.   85.   Schubert   F.:   Lipa.    (Nad  ^ro- 

dlem  lipa   roSnie.) 
II.    78.    Schubert    F. :    Pie6d    zeglarzy 

(Chod  burza  huczy  w  kolo  nas.) 

20 


Maszynski  P.  Tjiitma 


306 


Maszynski  P.  lAitnia 


T.    15.    Schumann    R. :    Jezioro   spiace. 

(Jezioro      drzemie      w      cichyni 

§nie.) 
VI.    23.    Schumann    E. :      Na    g6rach. 

(Srod   gornych  Scian.) 

I.  35.   Schumann  R. :   Pierwsza   zielen. 

(Zielony  maju  strojny  w  kwiat 

II.  87.   Schumann   R. :    Powitanie  wio- 

sny.    (Ach   jak   rado^nie   witam 

cie.) 
II.   89.    S  i  1  c  h  e  r    F. :    Loreley.    (Ach   nie 

wiem  doprawdy,  co  znaczy  ten 

smutek.) 
VI.  42.  S  i  1  c  h  e  r  F. :   Zolnierz.    (Po-sepna. 

pobudke   werbel    gra.) 

I.  41.  Skraup   F. :   Skqd  pie^ni  te? 
VI.  34.  S  1  a  s  k  i  W. :  Ja6.   ( Juz  ty  o  mnie 

zapomniale§.)     (Mel.  ludowa.) 
VI.    10.    S  m  e  t  a  n  a    B. :      Witaj     pie^ni, 
daize  Boski. 

II.  81.   Spohr  L. :   Polowanie.    (Hej !   o1- 

warte   w   lasach   lowy.) 
I.    5.    S  tattler   I.:    Hymnus.    (Te   lucig 

ante  terminum  rerum.) 
VI.  22.  S  t  u  d  z  i  n  s  k  i  K. :  Nokturn.    (Na 

niebiosach   gvviazd  miliony.) 
I.   25.    Studziiiski   K. :    Nokturn.   Noc 

w  okolo  sieje  cisz?. 
IT.    75.    S  t  u  d  z  i  n  s  k  i    K. :    Rybacy    na 

Wi§le.     (Rybaku,    bracie    wiosto 

chwyd.) 

III.  116.    Studziiiski     K. :      Wiosna. 

(Hej,   zablysta   nam  wiosenka.) 
III.  133.  S  u  1 1  i  V  a  n  A. :   Juz  dzien  skoil- 
czony.    (Cisza  zalegla  6wiat.) 

I.  3.    S  z  a  m  o  t  u  1  s  k  i    W. :     Powszednia 

spowiedz.     (Ach    moj    Niebieski 
Panic    Boze.) 
III.  132.  Tokarzewski  St.:   Po  nocy. 
(Cisza     dokola,     Swiat     jeszcze 
drzemie.) 

II.  76.    Vast     E. :      Chlopiec     okretowy. 

(Oceanu   bezbrzezna   dal.) 
I.  30.  V  ft  i  t  W.  H. :  Pi^kna  Milada.   (Krol 

Bojan   ma   c6rke.) 
I.    10.   Wagner   R. :    Chor   pielgrzym6w. 

(Wiec   znow   oglJvdam   rodzinny 

moj  kraj.) 

I.  7.  W  a  n  d  e  r  s  e  1  b  A.  Veni  Creator. 

II.  86.    W  i  1  h  e  1  m   K. :    Wiosna.    (Kiedy 

wiosna  z  g6rnych  zejdzie  stref.) 

III.  111.    Wilhelm    K. :      Zawiedziona. 

(Kochanek    mnie    porzucil.) 

II.  67.  Witt  I.:  Pozegnanie.   (Gdy  dwoje 

sere  rozliicza  los.) 

III.  134.    Zarzycki    A.:    PieSn   nocnego 

w§drowca.    (Blekit  w  chmurach, 

uic   nie   slysz?.) 
II.   56.   Zarzycki   A. :    Salve   Regina. 
I.   6.   Zarzycki   A. :   Veni   Creator. 
V.    15.    Zimmcrmann    S.    A.:      Pie^ii 

niajowa.    (Gdy  maj   uroczy  bly- 

sn^l  juz.) 
T.  45.  Zelefiski  W  I. :  Humoreska.   (Pije 

Kuba  do  Jakoba.) 
T.   27.   Z  e  1  e  u  s  k  i   W  I.  -.    Krakowiak   Mo- 

niuszki.      (Wes61     i     szcz§§liwy 

krakowiaczek   ci   ja.) 


III.     129.    Zelenski    Wl. :     Morze.     (W 
promieniaeh  slonca  16ni£i  wody.) 
I.  8.  Zelenski  W 1. :   Salve  Regina. 

Tre§c  tomu  czwartego. 

Pie6ni   religijne,  N.  46,  50,  51. 
Pie^ni  kolendowe,  N.  16  do  21,  56  do  59. 
Pje6ni  milosne,  N.  1,  7,  13,  14,  26,  27,  28, 
33,  34,  42,  43,  44,  45,  47,  48,  52,  54. 

Pie^ni    okolicznoSciowe,    N.    9,    11,   29,    36. 
Pie^ni   towarzyskie,  N.  22,  25,   37. 
Pie^ni   zartobliwe,    N.    2,    4,    6,    8.    12,    24, 

30,   32,   35,   38,   41,   55. 
Pit^ni   r64ne,   N.   3,  5,    10,    15,   23,   31,   39, 

40,  49,  53. 

1.  Stan?  si?  stan?  siwym  kaczorem. 

2.  Szewczyku,     krawczyku,     slawny     rze- 
mieslniku. 

3.  Hej    wa    chlopcy    Krakowiacy    plyniem 
galarami. 

4.  Pojechal  clilop  do  lasa. 

5.  Pojedziemy  na  i6w,  towarzyszu  moj. 

6.  A  pamietasz  mily  Bartosz. 

7.  Wyrosla   rutka   z   jalowca. 

8.  Szynkareczka.     (Ej     szynkareczka    na- 
sza,  ej   stoi.) 

9.  Zbierzmy  si?  bracia  w  to  kolo. 

10.  Cyganie.    (A    za    nami    zawsze   n§dza.) 
ll.Wiwat.    (Ksiqdz   nasz  profesor   niechaj 
zdr6w  b?dzie.) 

12.  Wyb6r   mgza.    (Sama   nie   wiem   zamy- 
Slona.) 

13.  Gdy  w  czystem   polu   sloneczko  6wieci. 

14.  Trawka    po     nad    wod^,     pas^c    moja. 
trzodf. 

15.  Raz  wlasnic  w  czasie  pi§knego  lata. 

16.  W§r6d  nocnej   ciszy  glos  sie  rozchodzi. 

17.  Kolenda.     (Lulajze    Jezuniu,    moja    pe- 
retko.) 

18.  Kolenda.    (A  wczora  z  wieczora.) 

19.  Kolenda.    (Radujcie  sie  bracia  mili.) 

20.  Kolenda.    (Przybiezeli    do   Betleem   pa- 
sterze.) 

21.  Kolenda.      (W     ilobie     lezy,     kt6z     po- 
Vibiy.) 

22.  Hej  koledzy,  daley  zywo  podawajcie. 

23.  Wesoty   ja  "parobeczek,   zalecam   sie   do 
dzieweczek. 

24.  Byla  babuleiika  rodu  bogatego. 

25.  Ple§ii     towarzyska.       (Kto     nam     brat 
niochze  rad.) 

26.  Jask61ka.     (Cudo    nasze    dziewcz?    wy- 
bieglo.) 

27.  Filis.    (Wyszla   Fills   do   ogrodu.) 

28.  Laura    i    Filon.     (Juz   miesifjc   zaszedt, 
psy   sie   uSpily.) 

29.  Wiwat.   (Niech  nam  3;yje  gospodarz.) 

30.  Komar.    Coz    tam    w    lesie    gruchneto.) 

31.  Skowronek.      (Juz     ^piewasz     skowro- 
neczku.) 

32.  Moja   dziewczyna   robotna   byla. 

33.  Kaiina.    (Czego  kalino  w  dole  stoisz?) 

34.  Jak     pojedziesz     przez     wie§,     zdejmzo 

magiereczke. 

35.  OSvviadczyny   staroszlacheckie.      (Niech 
bedzie  Jezus  Chrystus  pochwalony.) 

36.  Wiwat.       (Zacni     sJisiedzi,     przyjaciele 
mili.) 


Maszynski  P.  Luinia 


—     307 


Maszynski  P.  Spiewnik 


37.  Po     szklaneczce     do     piosneczki.     (Ten 
DJem   zdaniem   dobrze  zyje.) 

38.  Chcialo  si?   Zo.^i   jagfidek. 

39.  Graj   paatuszku   yraj,  B6g  ci  pomagaj. 

40.  Dumka.      (Tarn    pod    brzozq,     pod    cie- 
nistq.) 

41.  Zydoweczka.   (Zydoweczko,  co  ty  masz, 
CO   fartuszkiem  przykrywasz.) 

42.  Swieci  miesiqczek  na   niebie. 

43.  Powiem    ci    co    mi    sie    6nilo    powiem 
szczerze. 

44.  Krakowiak.    (Lee   glosie   po    rosie   pro- 
sto  ku  traktowi.) 

45.  Dumo.       (Wzifjlem     sobie     panieneczke 
w  siodraym  roku.) 

46.  Kiedy  ranne  wstaj4  zorze. 

47.  Kt6r§dy   Jasiu   pojedziesz? 

48.  Porownaj  Boze  g6rj  z  dolami. 

49.  A    w    Warszawie    na    ulicy    pijf^    piwo 
czeladnicy. 

50.  Spiew  &w.  Kazimierza.    (Dnia  kazdego 
Boga  mego.) 

51. 0    gospodzie    uwielbiona    nad    niebiosy 
wywyzszona. 

52.  Sieje      rute.       (Sialam      rut?,      sialam 
miet?.) 

53.  Pie^u   zniwiarzy.    (Stonce    spada    coraz 
nizej.) 

54.  Piosnka     pastuszkow.       (A     za     lasem 
w61ki  moje.) 

55.  Maciek.    (Idzie   Maciek  bez   \vie6.) 

56.  Kolenda.       (Nowy    rok    nastaje    ochoty 
dodaje.) 

57.  Kolenda.       (W    tej    kol^dzie    kto    tarn 
b?dzie.) 

58.  Kolenda.     (Nuz    my    bracia    pastuszko- 
wie.) 

59.  Kolenda.     (Nowy    rok    biezy,    w    jasei- 
kach   lezy.) 

-  Madrygal  na  glos  solowy  z  towarzyszeniem 

rhuru  mcskiego.    (Ocknij  si?  pigkna  z  uro- 
czych   snow),   Part  — 40. 

-  Marsz      Spiewaczy      — 40  n,      i     N  a  m  y  s  - 

1  o  w  s  k  i    K. :    Na    bok    z    drogi,    maz.    0 
— 90n. 

-  Mary§,      krakowiak,      ut.     N  i  e  d  z  i  e  1  s  k  i 

—20  n. 
-M6lodie,   P  — 40  n. 

-  Minuetto,  P  —40. 

-  3   Morceaux  lyriques,   P  — 40  n. 

-  Petite    Berceuse,    VP   — 50  n. 

-  Piesil    o    mazurze    na    8ATB    z  0    lub    P; 

Hucza  6ciany,  tetnig^  sciany),  Uktad  forte- 
pianowy    do    §piewii,     Part    1.20  n,    Glosy 
—60  n. 
-2   Piosenki   ludowe:    A   lu-lu.   Filis   — 20  n. 

-  Piosenki  dla  mlodocianego  wieku  na  1  lub 

2  glosy  z  P,  wybrane  z  celniejszych  kom- 
pozytorow  i  w  tekst  polski  opatrzone 
1.50:  N.  1.  Biedny  ptaszek.  2.  Dla  malej 
Zosi.  3.  Kolysanka.  4.  Gwia:^dzista  noc. 
5.  Zima.  6.  Kwiatek  polny.  7.  Tesknota 
za  wiosua.  8.  Lato.  9.  Roza  polna.  10. 
Tratwa.  11.  Dziecko  i  kukulka.  12.  Je- 
6ie6.  13.  Maly  2;oinierz.  14.  Zosia  i  Ja- 
nuszek  trzfsq.  gruszki.  15.  Gwiazdka.  16. 
Skrzypki.  17.  Powitanie  wiosny.  18.  Do 
fijolka.    19.    Zach?ta    do    §piewu.    20.    Do 


lasu.  21.  Poranek  wiosenny.  22.  Strzelec. 
23.  Modlitwa  dzieci.  W  dzien  Bozego  Na- 
rodzenia.  24.  Dzwonki  polne.  25.  Swi§ta 
noc.     N.  18 — 25  s^  na  2  glosy. 

Polka  de  Bal,  P  —40. 

Raplularzyk  Lutni.  25  pieSni  na  ch6r 
m?ski,  wybranych  z  utworow  wykonywa- 
nych  na  koncertach  Warszawskiego  To- 
warzystwa  Spiewaczego  „Lutnia".  Wy- 
danie  ozdobne,  format  kieszonkowy  1 — : 
l.Abt  F. :  Wiosna.  (Gdy  uroczy  Maj 
zazieleni  gaj.) 

2.  C  h  o  p  i  n    F  r. :    Marzenie.    (Ach !    cze- 
mu   mi   smutuo.) 

3.  C  1  a  r  k    W. :    W?drowni   ipiewaey.    (0 
p6jdi;   towarzyszyc    nam   wesolo.) 

4.  D  o  b  r  z  y  n  s  k  i    I  g.    F. :      Chociai    to 
zycie  idzie  po  grudzie. 

5.  G  o  u  n  o  d    K. :    Sen.     (Zasnjiwszy    raz 
cicho.) 

6.  Kjerulf  H. :  Gory  Norweskie.   (Hej  1 
te   gory,   twarde   mury.) 

7.  K  1  a  u  e  r     F.    G. :      Pozegnanie     lasu. 
(Zegnam    ci?    cudowny    lesie.) 

8.  K  o  t  a  r  b  i  n  s  k  i  M. :  Noc  majowa. 
(W   cichy  wieczor.) 

9.  K  o  t  a  r  b  i  n  s  k  i  M. :  Zaby.  (Sluchaj- 
cie  zaby   idzie   pan.) 

10.  Kr  eraser    E. :    Kolysanka.     (Posnely 

juz  w  ogrodzie  konwalie.) 
ll.Polonez   z   XVIII   wieku.    (Z  wysokich 

parnas6w    nie   zbyt   dawnych    czas6w.) 

12.  Melodya  ludowa:  Sialam  rut§,  sialam 
mi^tg. 

13.  Melodya    ludowa:    Stoi    jawor    zielony. 

14.  Maszynski  P.:  Do  gwiazdy. 
(Gwiazdo  co6  blysla  na  niebios  blQ- 
kicie.) 

15.  Maszynski  P.:  Polonez.  (Spiewak 
wita  wasze  strony.) 

16.  Moniuszko  St.:  Cichy  domku  mo- 
drzewiowy. 

17.  Moniuszko  St.:  Piosnka  !?:olnierza. 

(Juz  Matka   zasngla.) 

18.  Moniuszko  St.:  Rada.  (W  na- 
szycli    gSrach    dziewczq.t   moc.) 

1 9.  M  o  n  i  u  s  z  k  o  St.:  Wesola  piosenka. 
(Chociaz  ch}6d,  chociaz  gl6d.) 

20.  M  o  n  i  u  s  z  k  o  St.:  Znaszli  ten  kra  j 
gdzie  cytryna   dojrzewa. 

21.Nagy  J.:  Smutna  piosenka.  (Za- 
brzmial   w   dali   uroczyScie.) 

22.  N  a  g  y   J. :    Odwrod   ze   te   oczy. 

23.  N  i  e  d  z  i  e  1  8  k  i  S. :  MaryS,  dziewcz? 
moje. 

24.  S  u  1 1  i  V  a  n  A. :  Jui  dzien  skonczony. 
(Cisza  zalegla  Swiat.) 

25.  W  i  1  h  e  1  m  K. :  Zawiedziona.  (Kocha- 
nek   mnie   porzucil.) 

-  Spiewnik,  zbi6r  kwartetCw  m?skich.  Wy- 
dawnictwo  Warszawskiego  towarzystwa 
spiewaczego  „Lutnia".  I  zawieraj^cy 
pierwszych  12  arkuszy  w  komplecie(Part) 

1.20  n: 
1   Moniuszko     St.:       Graf     Mieczek. 
(Istnial   ongi   Graf  Mieczek.)    Melodya 
ludowa:      A  lu   lu   lulu   lu   kolebka   z 
marmura   — 15  n. 

20* 


Maszynski  P.  Spieivnik 


308     — 


Maszynski  P.  Spieivnik 


Zaby.    (Slucliaj- 
W. :    Owczarek. 


Chlop- 
6wieci.) 

Krako- 


.Kotarbinski  M. : 
cie  zaby.)  S  1  a  s  k  i 
Mel.  ludowa.  (Nie  wyganiaj  owcza- 
reczku  owiec  na  runig.)  M  a  s  z  y  fi- 
ski  P.:  Polka-Mazurka.  (Stary  m^i 
i  mloda  zona,  czyli  wielki  szlem.) 
M  o  n  i  u  s  z  k  o  St.:  Hulanka.  (Szyn- 
kareczko.    szafareczko)    — 15  n. 

.  S  o  e  d  e  r  m  a.  u  n    A,    op.     13a. 
skie   wesele.    (Sloneczko   jasno 
(Patrz   ark.    12)    — 15  n. 

•  Niedzielski  St.:  Mary6. 
wiak.  (Marys,  dziewcz§  moje,  za  twoja 
uroda  przepadam.)  Listowski  A.: 
Rzy  koniczek  in6j  bulany.  Soeder- 
b  e  r  g  W.  T. :  Ptaszyno  mala  a  lee. 
B  r  ii  h  1  A. :  Piosnka  cyganow.  Mel. 
lud.    (Wedrujemy  borem  lasem)  — 15  n. 

Niedzielski     St.     op.     32     N.     2. 

Wierzba.    Dumka    na     solo     T    i    ch6r. 

(Kiey      ja      umr?,      matulu.)      Adam 

F  e  r  d. :      Piesu     wieczorna.      (Wiecz6r 

osnul  siota.)    Frieberg  F.  A. :   Dzie- 

weczko   zejdz !    w   okienku   stan.    D  r  e- 

g  e  r  t   A. :    Ho,   ho  !    dziewczyno   tarda 

— 15n. 

H  a  1 1  o  n 

(Gwiazdy 

ski    Wl. 

brewa 

14.      Piosnka      neapolitaiiska. 

rozy   wonne   kwiecie)    — 15  n. 

7.  Moniuszko    St.:      Eada. 
szych  gorach  dziewc/at  moc)  ; 
(Na  zagrodzie  gospody.) 
Mel.    lud.     (Nie    uciekaj 


6 


nasza 


I.    L.: 

rozsiane 

Nasza    Hanka 
Hanka.)    Gall 


Sen     nocy 
w   mgle.) 


letniej. 
Z  el  eii- 
(Czarno- 
J  a  n,  op. 
(Bialej 


(W  na- 
Grajek. 
M  a  z  u  r  e  k: 
dziewcz^  lu- 
be.) J  ii  n  g  s  t :  Przqdz.  (Dzieweczko, 
czemuz  to.)  Bellmann:  Humore- 
ska.  (Malo  nie  wyzion?  ducha.) 
K  r  e  m  s  e  r  E. :  Staroniderlandzka 
pie§n.  (Zejdz,  ach  zejdz  ukochana) 
— 15n. 

L  e  w  e  r  t  h  :  Krzak  leszczyny.  Mel. 
lud.  szwedzka.  (Dziewczyna  do  zro- 
delka  po  wodg.)  Zollner  H.  op.  4 
N.  2.  Zalecanki.  (Kochanki  szukaj  ) 
Curti  F.:  Humoreska.  (Chociaz  ma- 
1^  jest  wisienka.)  Gounod  K. :  Lowy. 
(Na  lowach  caly  dzien  sp^dzamy) 
— 15n. 

D  ii  r  n  e  r  I. :  Zazegnanie  burzy.  (W 
strzasa  lodzif^.)  Maszynski  P.: 
Strofy  o  paziu.  (Eaz  pi^kny  pai.) 
S  t  o  r  c  h  M. :  Rozyczka.  (Po  lesie 
Curti  F. :  Lilia 
senna  fala)  — 15  n. 


szemrzfi     glosy.) 


wodna.    (Szemrzjvca 

10.  M  a  s  z  y  lisk  i  P.:  Polonez.  (Spiewak 
wita  wasze  strony.)  Moniuszko 
S  t. :  Wieczorny  dzwon  (ulozyl  P,  M  a- 
szyiski).  Haydn  I.:  Serenada, 
(Dziewcz?  drogie  z  cell  swej.  S  o  e  d  e  r- 
m  a  n  n  A. :  Zyczenia.  (Witajcie  pa6st- 
wo  mlodzi)    — 15  n. 

11.  Guniewicz  I,  F. :  Ty  ze  mnie  szy- 
dzisz.  Mel.  lud.  Soedermann  A.: 
Wesele.  (Dzi6  w  gospodzie  tej  wesele) 
— 15n. 


12.  S  o  e  d  e  r  ni  a  n  n  A. :  W  kosciele. 
(Blyszczy  kwiat.)  Kjerulf  H. : 
Spij.  (Kiedy  snem  kolysanti.)  Melo- 
dya  ludowa :  Po  latach  wita6  domowe 
progi.  Munzinger  K. :  Piosenka 
portugalska    (Tam   ksifjzyc)    — 15  n. 

II  zawierajqcy  dalszyeh  12  arkuszy 
(arkusz  13  do  24  wlqcznie)  w  komplecie 
(Part)     1.20  n: 

13.  B  u  c  k  Dudley:  Wzbil  sie  ptak  po 
nad  ogrody.  Clark  W. :  Wgdrowni 
f!;piewacy.  (O.  pojdz  towarzyszyd  nam 
wesolo)    — 15  n. 

14.  Chopin  F. :  Gdzie  lubi.  (Strumyk 
lubi  w  dolinie.)  Franz  R. :  Las.  (Z 
poranuej  mgly  wytania  sig  las.) 
T  s  i  n  g  Kan:  Serenada  japonska. 
(W      ksigzyca      blasku      utonfil      gaj) 

—15  n. 

15.  Otto  I.:  Pie§n  gondoliera.  (Czemu6 
smutna  zadumana.)  K  r  a  u  s  e  T. :  Noe. 
(Perlami  ros  okryte  kwiaty.)  „Santa 
Lucia".  Mel.  lud.  wloska,  harmonizo- 
waua  przez  F.  A  b  t  a.  (W  morzu  po- 
lyska   gwiazda    srebrzysta)    — 15  n. 

16.  Gounod  K. :  Zasadzka.  (Ledwie  po- 
szarzalo.)  „Witaj  Kasiu  moja".  Mel. 
lud.  harmonizowal  E.  G  1  u  z  i  li  s  k  i. 
(Ej  witajze  Kasiu  moja.)  My  r  berg 
A.  M. :  Serenada.  (Spijcie  wonne 
kwiaty   r6z)    — 15  n. 

17.  Speidel  W. :  Nie  ma  zlej  drogi. 
(Cho(5bym  przez  g6ry  szedl.  Chopin 
F.  op.  49.  Przebudzenie  (ulozyl  P. 
M  a  s  z  y  11  s  k  i) .  (Po  co  serdeczny  ton 
znuzona  duszg  budzi.)  E  n  g  e  1  s- 
b  e  r  g  E.  S. :  Za  mglq.  (Rzeko  rodzin- 
nej  wsi.)  „Zakochany".  Mel.  lud.  nie- 
miecka.  (Ani  gwozdzik,  ani  roza  nie 
majq,  tych  kras)   — 15  n. 

18.  Veni  creator.  Mel.  koScielna  polska. 
Spiew  przy  61ubie.  Dawna  melodya. 
(O  Boze  moj,  kii  Tobie  zwracam  oczy.) 
Mendelssohn  B.  F. :  Po  61ubie, 
(Neujahrslied.)  (Boze  Ojeze,  ktory6 
jest  wtadcji.)  Mehul  E.  A.:  Hymn. 
(Panie!  tu  do  Twych  stop.)  E  d  e  n- 
h  o  f  e  r   A. :    Veni   creator  —15  n. 

19.  Koschat  T. :  Samotny.  (Sam  jeden, 
sam  jeden  wgdruj?  przez  6wiat.)  M  a- 
szynski  P. :  Wiwat.  (Niech  ;&yje 
nam.)  Schumann  R. :  Kwiat  lo- 
tosu.  (Drzy  pigkny  kwiat  lotosu.) 
B  a  r  n  b  y  I. :  Pierwiosnek.  (Pier- 
wiosnku  mily,  Avitam.)  W  o  y  r  s  c  h 
F. :  Ozymandias.  (Kamienny  kolos 
6r6d   piaszczystj'ch   law)    — 15  n. 

20.  C  h  o  p  i  n  F  r. :  Wsch6d  slonca  (ulo- 
zyl P.  MaszyAski).  (Jeszcze 
u§pione  ciche  parowy.)  Reinecke 
K. :  Noc.  (Przejrzysta  noc,  czarowna 
noc.)  Miinchheimer  A.:  Na  cze§6 
sztuki.  (Zabrzmij  pie^ni  w  ton  wspa- 
nialy.)  Schumann  R.:  Kr6lewna 
r6z.  (Najmilszq.  dla  mnio  wioska  ta) 
(uloz.  Baumgartner).  Schmidt 
G. :   Przez  sen  wspominaj  mnie  — 15  n. 


Maszynski  P.  Spimvnik 


—     309     — 


21.Me]odya  ludowa  czeska :  „Skarga 
dziewczyny".  (Przestai  no  dqsad  sip.) 
Gounod  K. :  Kowadto.  (Kiij!  kuj) 
— 15n. 

22.  MaszyAski  P.:  Shizyl  Jasio  u  Pa- 
ua.  Mel.  lud.  V  e  i  t  W.  H. :  Kr61  Thuli. 
(Byl  krol  na  Thuli  tronie.)  S  v  e  u  d- 
s  e  n  J. :  0  zmierzchu.  (Milknf^  echa 
pie^ni.)  Ko  tar  bin  ski  M. :  O  6wi- 
cie.  (Juz  z  nad  sennej  ziemi.)  K  j  e- 
r  u  1  f  H. :  Niecli  ukoi  si§  w  zwatpieniu 
my^l.  — 15  n. 

23.  M  o  n  i  u  s  z  k  o  St.:  Powied^cie  mi 
(ulozyl  P.  Maszynski).  MaszyA- 
ski P. :  Piosenka  ludowa.  (Matu§, 
moja  Matul)  Smetana  B. :  Pomy^l 
nad  tern  Marynko,  z  opery  ,,Sprzedana 
narzeczona"  (ut.  V.  I.  Novotny). 
M  6  h  r  i  n  g  F. :  Morze.  (Gdy  morza 
brzeg  nie  sigga  wzrok!)    — 15  n. 

24.  W  i  1 1  F. :  Lza.  (Ach  !  dot^d  jeszcze 
n§ci  mnie  wspomnienie.)  M  o  h  r  i  n  g 
F. :  Rozstanie.  (0  zmierzchu  gdym 
ostatni  raz.)  W  e  i  n  z  i  e  r  1  M. :  Co 
mi  tarn !  (Co  ja  mam  troskad  sig.) 
Niedzielski  St.:  Bog  tak  chce. 
(Zewsz^d  §mier<i  wyziera  blada.) 
Haendel  G.  F. :  W  g6rach.  (Kto 
raz   sif   wni6sl   na   szczyty)    — 15  n. 

Ill  zawierajfjcy  dalszych  12  arkuszy 
(arkusz  25  do  36  wlqcznie)  w  komplecie 
(Part)    1.20  n: 

25.  R  a  m  e  a  u  :  Pokoj  warn  !  posluchajcie, 
posluchajcie  o  narody.  Handel  G. 
F. :  Gwiaidzista  noc.  (Ach !  gdy  w 
noc  r6j  gwiazd  pionie.)  K  r  e  m  s  c  r 
E. :  Kolysanka.  (Posngly  juz  w  ogro- 
dzie  konwalje.)  Danysz  G. :  Na 
gOrze.  (W  tej  chatee,  hen,  na  g6rze) 
— 15n. 

26.  Kuczkiewicz  St.:  Pie^ii  zalobna. 
(B61  6ciska  serce  i  Izy  cieka.)  Witt 
F  r. :  Salve  Regina  (Mater  misericor- 
diae) .  K  u  b  a  L. :  Z  tamtej  strony  je- 
zioreczka  ulany  jada ;  U  naszego  paua 
(zielona  podloga).  Melodye  ludowe 
— 15n. 

27.  Weber  K.  M. :  Chor  strzelc6w. 
(Srod  opok  i  jarow.)  Moniuszko 
S  t. :  Piosnka  my§liwska  z  opery  „Hra- 
bina"  na  B-solo  z  ch6rem.  (Ta  ra  ra 
pojedziemy  na  I6w.)  Mendels- 
sohn F  r. :  Noc  ksigzycowa.  (Pochy- 
liiy  si§  drzew  wierzchy.)  Brahms 
J.:  Nad  kolyskq^.  (Dobrej  nocy  i  szal) 
— 15n. 

28.  L  i  e  b  e  L. :  Powitanie  nocy.  (Kwar- 
tet  solowy).  (Zejdi;  spokojnej  nocy 
§nie.)  Schumann  R.:  Kwiat  r6zy 
(na  5  glosow).  (Kwiat  r5zy  w  rannej 
m.gle.)  Bizet  J.:  Polawiacze  peret. 
(W  tych  miejscach  pelnych  slawy.) 
Neubner  O. :  Psoty.  (Raz  dziewczy- 
na  z  koszem  szla.)  Pearsall  R.  L. : 
Pochwala  wina.  (Od  wiekow  glosili  na 
i^wiat  winu  cze^d.)  Zerlett  I.  B.: 
W&pomnienie.  (O  bfidz  pozdrowiony 
domku  m6j)    — 15  n. 


Maszynski  P.  Spieivnik 


29.  R  i  1 1  6  L. :  Capstrzyk.  (Ram  rata  pa- 
ta  plam.)  Neubner  0. :  Wiosna  mi- 
lo^ci.  (0  jak  pi?kny  sloAca  wsch6d) 
— 15n. 

30.  Mendelssohn  F. :  Ustroii  leSna. 
(Doliny  wy  i  jary.)  Grieg  Ed,: 
Dudarz.  (Co  mi  tam !  ten  caly  kram.) 
Rzopko  Wt. :  Parabola.  (Splyngla 
z   nieba)    — 15  n. 

31.  Dubois  Th. :  Tarantella.  (Ksi^iiyca 
blaski   plonq)    — 15  n. 

32.  M  o  n  i  u  s  z  k  o  St.:  Wesola  piosenka. 
(U}o:iyt  P.  MaszyAski).  (Chociai 
chl6d,  chocia:2:  gl6d.)  Rzepko  W!. : 
Wiwat.  (Niech  zyje,  niech  zyje  nam!). 
Rymkiewicz  W. :  Spiew  poety. 
(Gdy  na  gdrach  Swita  dzionek.)  Men- 
delssohn F. :  Spokojna  noc.  (W 
wieczorny   mrok   zapada   siolo)    — 15  n. 

33.  Moniuszko  St.:  Dwie  zorze  (ulo- 
f.jl  W.  Rzepko).  (Hej  tam  na  g6- 
rze.)  Hauptmann  M. :  Cisza  wie- 
czorna.  (Jak  uroczyicie  tu.)  Wag- 
ner R. :  Wieczerza  PaAska.  (Pelnij- 
cie   w    zgodzie    przykazania)    — 15  n. 

34.  Moniuszko  St.:  Cichy  domku  mo- 
drzewiowy.  Heuberger  R.:  Bl^dny 
ognik  (przez  k?py  traw) .  A  h  1- 
Strom  J.  A. :  Rusalka.  (W  czerw- 
cowq    noc   przejrzyste   mgly)    — 15  n. 

35.  Veit  W.  H.:  Bqk  i  r6:&a.  (Kosmaty 
i  pekaty.)  Konopasek  F. :  Dzie- 
ci  i  zaby.  (Kolo  jeziora  z  wieczora) 
— 15n. 

36.  Piosnka  w§gjerska,  melodya  ludowa. 
(Stapa  dziewcze  po  przydr6^ku.) 
Miinchheimer  A. :  Mostek.  (Znam 
ja  mostek  moja  luba)    — 15  n. 

IV  zawierajq^cy  dalszych  12  arkuszy 
(arkusz  37  do  48  wlijcznie),  w  komplecie 
(Part)    1.20  n: 

37.  M  o  n  i  u  s  z  k  o  St.:  Nowy  rok  (po 
starym  idzie.)  Mozart  W.  A.:  Po- 
ranek  z  op.  Flet  zaczarowany.  (Juz 
wkrotce  Feba  woz  zlocisty.)  Grieg 
E  d. :  Pie^u  o  domu.  (Ty  kochasz  dom 
rodzinny.)  Ulozyt  R.  W  e  i  n  w  u  r  m 
— 15n. 

38.  D  e  1  i  b  e  s  L. :  Marsz  zolnierski.  (Bo- 
daj  to  swoboda.)  Lange-Muller: 
Serenada.  (Ukosem  blady  ksiezyca 
sierp)    — 15  n. 

39.  W  a  g  n  e  r  R. :  PieSil  marynarzy  z  op. 
Holender  latajq^cy.  (Dalejze,  porzud 
ster.)  Noskowski  Z.:  Woly  krnab- 
ne.  (Mile  zlego  poczqtki.)  Kremser 
E. :  Pobudka.  (Na  dzieA  dobry  bijq. 
dzwony)    — 15  n. 

40.  M  e  n  d  e  1  s  s  o  h  n  B.  F. :  Piosnka  tu- 
recka  hulacka.  (Czego  pod  nos  mi 
szklanke  pchasz?)  Palestrina :  Jesu 
coronavi   rginum  — 15  n. 

41.  Sai  n  t- Saens  K.:  Serenada  zimo- 
wa.  (La.  la  . . .  Serenady  posluchaj 
Pani)    — 15  n. 

42.  G  o  u  n  o  d  K. :  Ch6r  strzelcfiw.  (Tu 
niema    drog.)    Orlowski    L. :    Toast. 


Maszynski  P.  Spiewnik 


—     310    — 


Matacena  S.  Torneo  del  1883 


(Vivat,  vivat,  niech  zyje  nam.)  Dan 
Emmet  (van  der  Stucken)  :  Moje 
Hale.  (Jak  chce,  kto  chce  niech  miasta 
chwali)   — 15  n. 

43.  Soedermann  A. :  Pgdz  m6j  koniu. 
(Hej,  juz  wieczor  blizko.)  Reinecke 
K. :  R6za.  (Rozkwitly  z  p^czka  r6zy 
kwiat)   — 15  u. 

44.  W  a  g  n  e  r  R.,  E.  B  r  e  m  n  e  r  :  Pie§i'i 
weselna  z  op.  Lohengrin.  (Niech  oz- 
wie  si?  rozglo^ny  chor.)  S  p  e  i  d  e  1  W. : 
Tw6j  czar.  (Juz  widzg,  wiecznie,  wie- 
cznie   za   toba   tfsknic!;   mam)    — 15  n. 

45.  W  a  g  n  e  r  R.,  E.  B  r  e  m  n  e  r  :  Modli- 
twa  z  op.  Lohengrin.  (Wzywamy  Ci?, 
o  Boze  nasz.)  Grieg  E. :  Zmrok. 
(Blizki  juz  zycia  mrok.)  Maszyn- 
ski P.:  Kwiat  zabudki.  (P6jde  ja 
droga,  hen  daleko)    — 15  n. 

46.  Soedermann  A. :  Hej !  wino  pi  j 
(wesolo  zyj).  He  den  bl  ad  I.:  Pie^d 
wenecka.  (Spokojnym  ruchem  coraz 
Izej)    — 15  n. 

47.  M  a  s  z  y  6  s  k  i  P.  Kolenda.  (Bog  sie 
rodzi,  slo6ce  wachodzi.)  M  a  n  t  e  u  f  - 
fel  Gr. :   Regina  coeli  — 15  n. 

48.  B  r  a  h  m  s  J.  op.  41  :  Czuj  duch.  (Czuj 
duch,  ua  zycia  zn6j.)  Studziriski 
W. :  Taniec  szkieletow.  (Hej,  pod  ka- 
plica    wionely    mgly    szare)    — 15  n. 

V.  zawierac  bedzie  dalszych  12  arkuszy 
t.  j.  arkusz  49  do  60  wiecznie : 

49.  N  o  w  o  t  n  y  W.  J. ;  Lipy.  (Kwiat  po- 
krywal  lip  konary.)  Brahms  J.: 
Stary  wojak.  (Co  cieszy  starego  wo- 
jaka)   — 15  n. 

50.  G  r  i  e  g  E. :  Han  Ole.  (Do  slu^by  przy- 
jety  na  dwor.)  Grieg  E. :  Pie^u  Ma- 
ryanska.  (Matko,  kt6rej  serce  sied- 
mioraki   przebii   miecz)    — 15  n. 

Ulubione   pieSni    z    repertuaru    „Lutni"   na 
jeden   glos   z   towarzyszeniem   P   ulozyl : 

1.  Maszynski  P.:  Strofy  o  pi^knym 
paziu   — 20. 

2.  C  h  o  p  i  n  F  r. :  Marzenie.  Preludvum, 
op.   28   N.   7     — 20n. 

3.  Niedzielski  St.:  Stach.  Krako- 
wiak  do  siow  Piotra  Maszyi'iskiego 
—20. 

4.  Niedzielski  St.:  „Mary§",  Kra- 
kowiak  — 20. 

5.  S  o  e  d  e  r  b  e  r  g    T  h. :    Ptaszyna    — 20. 

6.  S  I  a  s  k  i  W  1  a  d. :  Trzy  piosnki  lu- 
dowe:  1.  Maciek.  2.  Owczarek.  3.  Ja§ 
—40. 

7.  Dwie  piosnki  ludowe :  a)  A  lu-lu.  b) 
Filis   —20. 

8.  Kosehat  T. :  „Plowowiosa  dziew- 
czyna"  — 30. 

9.  Piosnki  ludowe:  „Do  gwiazdeczki" 
—30. 

10.  Piosnki  ludowe:  u)  Polonez  z  18 
wieku.  h)  Chciaio  si?  Zosi  jag6dek 
—30. 

11.  Maszynski  P.:  Krakowiak.  „Plynii 
jasne  zdroje"  do  sl6w  z  powie§ci  H. 
Sienkiewicza  „Pan  Wolodyjowski" 
—^0. 


-  Utwory   do   spiewu  : 

l.Pie§n     Majumy     (wschodnia).      (Cigzko 
obco  mi  bez  Ciebie)   — 30. 

2.  Romans  vvschodni.    (Gdyby  ci?  Allach) 
—30. 

3.  Piosnka    dudarza.     (Id§    ja    Niemnem) 
—30. 

4.  Strofy   o  pi^knym   paziu.    (Raz   pi^kiiy 
paz,  CO  slynql  z  cnot)   — 20. 

5.  Wierzeie    ryeerze.    Polonez,    duet   — 50. 

6.  Piosnka     turecka.     (Dla     ezego     twoja 
rqczka)    — 20. 

7.  Krakowiak.    (Ptyn^  jasne  zdroje)   — 30. 

8.  Do   ptaszyny.    (Z   wiosn^   odlecisz   pta- 
szyno)    -—40. 

9.  Dunajec.    (Gdzie     tak    pedzisz     zagnie- 
wany)   — 50. 

10.  Dwie  pie!§ni :  a)  Kwiat  zabudki.  (P6jd§ 
ja  drogjj.  hen  daleko.)  bj  Serce  pgka 
mi  z  bolu  — 40. 

ll.Jak:!ie  ci§  mam  brai   dziewczyno  — 30. 

12.  Rada.  (Gdy  nic  nie  mozesz  kochac 
juz)   —40. 

13.  Rozkochany.  Mazurek.  (Ten  bronuje, 
ten   obsiewa)    — 30. 

14.  Romantyka.  (Donna  Inez  czarnooka  na 
platanu    siadta    zr§bie)    — 50. 

15.  Jedna  chwila.  (Jest  w  maju  jedna 
chwila.)     (W   formie  walca)    — 50. 

16.  Renegat.  Ballada.  (Co  si?  niedawna 
stalo  w   Iranie  opowiem  §wiatu)    — 60. 

Nowe    latko    (op.    40).    Poezye    Maryi 
Konopuickiej    3 —  n  : 

17.  Przygrywka,  18.  Zima,  19.  Choinka, 
20.  Z  kol?d4,  21.  Sanna,  22.  Wesele, 
23.  Wiosenne  ptaki  (Swieta  Agniesz- 
ka),  24.  Wiosenka,  25.  Bociany,  26.  W 
pahnowf^  Niedzielg,  27.  Maik,  28.  Pan 
Jezus  i  kwiaty,  29.  Na  flisa,  30.  W 
pasiece,  31.  Kosiarze,  32.  Zorawie,  fi 
—40. 

33.  Dzwonki  polne  (op.  41).  Sze§6  piosnek 
— 90:  Dzwonki  polne  (na  2  glosy  ad 
libitum) .  Shizyla  sierota.  Oj  ziemio. 
Pio&nka  ludowa.  Z  okwieconej  lipy. 
Kwiaty   i  dzieci. 

34.  Noe  letnia.  (Prozno  stulid  chc?  po- 
wieki)    — 40. 

35.  Babie  lato.  (Predko  bo  si§  lato  kon- 
ozy)    —30. 

36.  Z  wiosennych  strof.  (Dziewczyno, 
swiezy   nastal  maj)    — 30. 

37.  Zal.   (Gdy  na  lica  Ize  upadla)  — 40. 

-Wiegenlied,  P  1—,  VP  1.50,  VVaVcKb  2.40- 
Leuckart. 

-  Zapozno  — 40. 

Mata.  Dotesio:  Adela  y  Pacita,  vals  2 — . 
-Clarita,   vals   2.50. 

-  Ecos  de  las  montanas  ib^ricas.  P  1.50. 

-  Serenata  espanoln,  P  2 — . 

Matacena    C.    S.    Eco    di    Massaua,     Banda, 
Part  1.50  n  Lapini. 

Matacena  S.  Carisch:  Festa  del  core,  valzer, 

S  4.50. 

-  Profumo  di  fiori,   valzer   3.50. 

-  Torneo  del   1883,  raarcia  trionfale  3 — . 


Matador  J.  Sevilla-Valse 


311     — 


Mathe  E.  Indiscretions 


Novo    Ideal,    mazurka 
Mund    — 50n,    MundO 


Matador   J.    Sevilia-Valse,   P   2 —   Bosworth, 

—60  Oebethncr,  0  3—,  Harm   3.60  n   Bos- 

IV  01  ill. 
Matarese    Franceso, 

elegante,    P    1 —  u, 

— 75  n  Ranzini. 
■  Triste   ricordo,   P  2.50  Sandron. 

Matchette  W.  H.  Shadow  of  the  sacred 
Alamo,  soug  and  chorus  — 50  Goggun. 

Matejka  Karoly,  Gabi  Keservei,  fibrand,  P 
2 —   Ilarniovia. 

-  Isten  veled,   lomauce,  P  2 —  Harmonia. 

Matejn  Rev.  Th.  Mass  in  Honor  of  the  Im- 
maculate Conception,  score  — 60,  Voice 
parts  — 15   J.   Fischer. 

Matelots  de  la  Durance  1 — n,  Ch.  s.  — iO  n 
Bornema7i7i. 

Mateo  Juan,  Pizzicati  (D  e  1  i  b  e  s) ,  MandG 
— 40   Mc.   Kinley. 

Materassi  A.  Carisch  :  Eco  del  Santerno, 
valzer  brill.   P  3.50. 

-  II   rnio   ricordo,   pensiero   melodico,   P   2.50. 
-Souvenir   d'amitiS,   nocturne,   P   3 — . 

-  Te  souviendras-tu  de  moi?  melodie  harmo- 

nique,   P  2 — . 

-  Una   gioia   in   famiglia,   mazurka   elegante, 

P  2—. 
Materna    Leopold,  op.  2  Sechs  Lieder :   Nr. 

1.  Meine  Harfe   1—.   Nr.  2.   Wehmut   1— . 

Nr.  3.  Primula  veris  1 — .  Nr.  4.  Lockung 

1.20.  Nr.  5.  Frage  nicht  —60.  Nr.  6.  Mein 

Liebster   1.50  Rics  cG  Erler. 
-6  Rgverie :   An   der  Wiege,   VP   2 —  Schott. 
-Elfe:  „Bleib'  bei  uns,  wir  haben  den  Tanz- 

plan  im  Tal"   1.50  Bote. 
Mates    Fr.    Karnevals-Spende,    Galopp 

Eoffviann. 

-  Kunstlerfahrten,    Walzer    2 —    iieeling. 

Mates    u.    Krejci,      2    Priiludien     liber 

Thema,  Org   1 —  Hoffmann. 
Mateu    F.  Doiesio:  Himno  &   San   Jose 

voc.   y  Org    1 — . 

-  0  Salutaris,   tiple,  T  y  Org  1 — . 

-  Salve  Eegina,  2tiples  y  Banjo  2 — . 

-  Villancico,   a  2   voc.   y  Org    1.25. 
Mateu    E.   Amapola,  maz.   1 —  Dot^sio. 

-  Bulbina,  maz.  — 50  Dotesio. 

Mateu   J.  Dotesio:   Conchita, 

-  Diapas6n,  schott.  — 50. 

-  Emilia,   maz.   — 75. 

-  Kinnor   de  los  hebreos,   vals 

-  Saltillo,   polka   — 75. 

Matens,  Mazanilla  y  Fresa  -  Pasa  -  calllc, 
2MandG  — 75  Wagner  y  Levicn. 

Matha.  Pomier :  A  nous  deux,  quadr.  sur 
des  airs   bretons,   Harm(Fanf)   2 — . 

-  Bleus,  quadr.   0  d  cor  des  1 — . 

-  Cache-Cache,    polka,    0  d  cordes    1 — . 

-  Cache-Cache,  polka,   Harm(Fanf)    1.25. 

-  Chek-chek,  polka-marche,  Hann(Fanf)  1.25. 

-  Chek-chek,  polka-marche.  Harm   1.50,  Fanf 

1.25,   Cond.  —25. 
-Dans   Ics  boss,   polka.    Harm  (Fanf )    — 60  n. 

-  Endiablge,     polka     1 —  n,      0  a  cordes     1 — , 

Harm  (Fanf)    1.25. 

-  Ezilda,   valse  — 50  n,   0  d  cordes   1 — ,  Harm 

(Fanf J   1,25. 


-60 


Gin 


a  2 


danza  — 75. 


-75. 


-  Farceur,  quadr.  0  a  cordes  1 — ,  Harm(Fanf) 

2 

-  Gloire,  march-.  Harm.  1.50,  Fanf  1.25,  Cond. 

—25. 

-  Incroyable,    quadr.    0  a  cordes    I--11,    Harm 

(Fanf)   —60  11. 
-Madrigal,    polka    --50n,      O  a  cordes    1 — n, 
Harm  (Fanf  J    1.25  n. 

-  Myst&re,  andante,  duo  do  Pist-Bugle,  Harm 

1.50,  Fanf  1.25,  Com).  —25. 
-Nevada,    schott.    • — 50  a,      O    1 — n,      Hurra 

(Fanf)    1 .25  n. 
-Patrtras,   quadr.      0  a  cordes   1 — n,     Harm 

(Fanf)  2—. 

-  P^dale,  polka,  Harm. 

-  Taquinerie,   maz.    Harm(Funf)    1.25. 
-Vapoieuse,    schott.    0  a  coides    1 — ,      Harm 

(Fanf)   1.25. 

-  Vivette,  maz.  — 50  n,  0  1 — n,  Harm(Fanf) 

— 60n. 
Mathe    Edouard.   Costallat :   Op.   21    ler  im- 
promptu, P  6 —  Noel. 

-  34  Grand  Caprice,  valse,  P  7.50  Noel. 

-  39   Ciepuscule,   P  3—  Noel. 
-42   Idylle,   P   3—  Noel. 

-  50   Berceuse,    VP   7.50   Heugel. 

-  60  Chanson  de  Lison  5 —  Heugel. 

-  A  I'aventure  1 —  n. 

-  A  Mar  got  5 —  Noel. 

-  A  travers  Champs,   0,     Le  Boulcli. 

-  A  une  blonde  3 —  Sulzbach. 

-  Adieux  cyniques  3 —  Riieff. 

•  Amoureuse  Pri^re   1.75  n   Hachette. 

-  Amoureuse   Vengeance    1 —  n. 

-  Arithmetique   1 —  Hachette. 

-  Auto-Galop   1.50  n. 

-  Barcaiolle   d'amour   1.75  n   Hachette. 

-  Berceaux   sont   des   nids  joyeux  !    1 — n. 

-  Caprice  d'enfant  5 —  Noel. 

-  Causerie- valse,  souvenir  de  Port-Louis,  4"** 

9—  Noel. 

-  Chanson  3 —  Sulziach. 

-  Chanson  de  la  Zingara,     Esper. 
-Chansons   pour   les   enfants:    1.   Les   Petits 

pates,  2.  Les  Oeufs  a  surprises,  3.  Le  Pays 
des   gourmands,  h  1 —  n. 

-  C  h  i  e  n     d'A  1  c  i  b  i  a  d  e,      operette,      ChP 

8— n. 

-  Clos  ta  paupiere  !   berceuse   1.50  n. 

-  Complainte   1.50  n. 

-  Confidence,  grande  valse  2 —  n,  valse  chan- 

tec-  2— n. 

-  Danse   hongroise,   4ms  2.50  n. 

-3  Danses  dans  le  style  ancien,  0 :  1.  Pa- 
vane.  2.  Menuet.  3.  Gavotte  3 — n. 

-  Dentelles,     Digoiide. 

-Echauson  du  Roi  d'Yvetot,  op.- 
com.  ChP  6— n. 

-  Enlace-moi  I  valse,  OP,     Ondet. 

-  Explication   1—  n  Hachette. 

-  Faiblesse    1 —  n. 

-  Fantaisie-Maz.   P   1.75  n  Fromont. 

-3  Feuillets  d'album.  P.-  1.  Petite  s6r6nade, 
2.  Barcarolle-Reverie,  3.  Sylphes  7.50 
Heugel. 

-  Flirting-Valse   2 — n. 

-  Flirting-Valse,  chant6e  2 —  n,  OP  2—  n. 

-  Idcale  !  polka,     Le  Boulch. 
-Indiscretions,  melodie  1.50  n. 


Mathe  E.  Je  voudrais  •pleurerl 


—    312 


Mathias  G. 


op. 


R 


-  Je   voudrais   pleurer!    1.70  n. 

-  Jeu   de  cartes    1 —  n. 

-  Les  LilaK   1 —  n. 

-  Loin  de  Tamante,     Ondet. 
-Lime   rousse,  polka   1.50  n. 

-  Menuet  badin,   P  1.50  n. 

-  Mexicaine  3 —  Rueff. 

-  Miniature- Valse,   P   1.50  n. 

-  Mir£ge,     Ondet. 

-  Moto-Negro,  eake-walk,   P   ]  .50  n. 
-Nocturne,  P  1.50  n. 

-  Pastorale,  Jf}ns  2.50  n. 

-  Pavane    et    Gavotte,    danses    dans    le   stylo 

ancien,  P  1.50  n. 

-  Petite  rose  1 —  Rueff. 

-  Petites   Femmes    1 —  n. 

-  Pierrot  veuf  1.75  Hachette. 

-  Plus   fort  que   Mozart!    1 —  Rueff. 
-Polaire,  raise   (Mangis),  0    (Maill6o) 

2.50   Le   Boulch. 

-  Pour  vos  Etrennes  1.75  Ilachette. 

-  Pour  vous  plaire  1.75  n  Hachette. 
-Pourquoi?     valse     2 — n,    O    av.    P    2 — n, 

chant#e    (2   tons)    2 — n. 
-Pourquoi  mentir?   1— n  Hachette. 
-Premier  Baiser  1 — n  Hachette. 
■  Prfes  de  la  riviere  3 —  Rueff. 

-  Quand  elle  parait,     Ondet. 

-  Eancune   1 —  n. 

-  llayon  de  Soleil,  0,     Le  Boulch. 
-Rengatne  1.75  n  Hachette. 

-  Sentier   d'amour   1 — n. 

-  Si  vous  n'etiez  pas  si  jolie  1.75  n  Hachette. 

-  Solf&ge  manu&crit  en  usage  dans  les  classes 

du  Conservatoire  de  Paris,  av.  P.-  I:  15 
lecons  de  concours,  II:  15  legons  de  con- 
cours,  a  6 —  n. 

-Tanagra,  pantomime  lyrique,  ChP  3— n. 

-  ITn  brin  de  toilette,     Ondet. 

Mathe  P.  Amour  en  fleur,  valse  chant^e 
2 —  n   Rouhier. 

-  Coeur  de  ma  mie,  valse  lente  2 — n  Rouhier 
Mathg   S.   Esquisse,   P  — 80  n   Costallat. 
Mathe  hen    E.   Andante    et    Polonaise,   2Cor- 

netsaPist  P    3— n    Gaudet. 

Matheis    Iwan,    Hoch    Eomeo!    Marscli    (m 

Text),  P   1_  Kuvtz. 
Matheissen   H.  Menuet,  P  1.75  n  Poulalion. 
Mathematiques   1 — n,   Ch.   s.  — 30  n   Ondet. 
Mather.      While:      Beggar    Student,    waltz 

(Millocker)    — 35. 

-  Blue  bird,   redowa,   P  — 35. 

-  Canary  waltz  — 35. 

-  Jolanthe,  waltz  — 35. 
-Phessant  march  — 35. 

-  Babbit's  jump  polka  — 35. 

-  Sleepy  fox,  reverie,  P  — 35. 

-  Squirrels,   waltz  — 35. 

-Woodland  pets,  6  pieces,  P  a  — 35:  N.  1. 
Eabbit's  jump  polka.  2.  Squirrel's  waltz. 
3.  Sleepy  fox,  reverie.  4.  Blue  bird,  re- 
dowa. 5.  Pheasant  march.  6.  Canary  waltz. 

Matheus,    Aul);ide    Espagnole,    P. 

Mathews  A.   C.   Colored  Dandy  Cake-Walk, 

BanjoP   2/ —   Turner. 

Mathews    G.   Chanson   d'amour,  P   3 —   Ha- 

melle. 


Mathews  Jos.   Rudull:  Oh!   give  me  Music, 
w.  1(2)FIP  4/—, 

-  Romance,  A  flat,  FIP  4/6. 
-Romance    (G),  FIP  4/6. 

-  Thou'rt  bearing  Hence,  w.  FIP  4/ — . 

Mathews    William    S.    B.     (1837),      Linden 
waltz,  P  ■ — 25   Brainard. 

-  Nightfall    at    home,    nocturne,    A(B)    — tO 

Brainard. 

Mathews  F.  A.  Tell  Iiim  bright  waves  —35 


TrilbyOuverture,     f.    0      2.50 
op.    61    Youthful    hours, 


Gordon. 
Mathey    F. 

OerlcJ. 
Mathey   Julius    H. 

p  _40  n  Presser. 

-  In   the   Spinning   Room,   P  —40  n   Presser. 

Mathhiae    E.    op.    15    Pruhling.'^glaube,   Duo 

1.20   Hug. 
Mathias,  op.  3  Melodies  extr.  de  2.  et  3.  cah. 

de   romances  p.   P,   VcP   9 —  Lemoiiie. 

-  Adieux   Sl  la  mer,   choeur   &   3    v.   de   fem. 

av.  P  9—,  Ch.  s.  — 50  n  Lenioine. 

Mathias  Adolph,  op.  6  Praterbilder,  Walz^r 

1.50,  stO  5—  Rohitschek. 
Mathias   B.  Jerlane:   Crois-moi !    1.50  n. 
-Dans   vingt   llgnes    1.50  n. 

-  Dfes   I'aurore    1.70  n. 

-En   chasse !   valse  chant^e   2.50  n. 

-  Fauvette  1.50  n. 

-  Papillon    1.50  n. 

-  Sauvageone   1.50  n. 

Mathias    C.      Bear    gently,     so    gently,     the 
roughly  made  bier   — 35   Ellis. 

-  Chant  of  the  Night  wind,  P  —40  Ellis. 
-Come,    disappointment,    come!      8(T)    — 40 

Brainard. 

-  Do  they  think  of  me  at  home?  var.  P  —50 

Ellis.  ' 
Mathias    F.    X.     (1871).    Pustet:    Benedicte, 
12   lateinische  Gesiinge  f.  2  gleicbe  St  m. 
Org(H)   2.20  n    Jjc  Roux. 

-  Commune    sanctorum,    juxta    edit.    Vatica- 

nam    hodiernae    Musicae    signis    accommo- 
dat.  - — 50  n. 

-  Kyriale  seu  ordinarium  missae  juxta  edit. 

Vaticanam     hodiernae    Musicae     accomod. 
— 40u. 

-  Missa  in  hon.   Sti.  Martini,  f.  2  gleiche  St 

u.  Org(H)   1.40  n  Le  Roux. 

-  Orgelbegleitung   zum    neuen    vatikanischen 

Kyriale   Romauum   4 —  n. 

-  Orgelbegleitung      zu    den    gebrauchlichsten 

Mess-,  Vesper-  und  Segenswiinschen  1.80  u, 
zum  Vesperale  6 —  n  Le  Roux. 
Mathias   Georges    (1826).    Jouhert:     Op.   1 
Premier   gr.   Trio   6.70. 

-  2   Pens^es :    Entr'acte   et   Romance,    P 

-  2   Mazurka-Capriccio,   P   7.50. 

-  2  Paysage  et  marche  croate,  P  7.50. 

-  3  Nocturne  et  Barcarolle,  P  7.50. 

-  4  Deux  Polkas  de  concert,  P  7.50. 

-  5   Allegro   appassionata,   P  7.50. 

-  6   Rondo  des  gnomes,  P  7.50. 
•  6  Melodies  4 —  n  Durand. 
■  7  Polonaise  de  Salon,  P  7.50. 

-  8   Feuilles   de   printemps,   P  9- 

et   fleurs   5 — . 


4—. 


Papillon* 


Mathias  G.  op.  !) 


313     — 


Mathias  G.  Chefs-d'oeuvre 


■  9  Rimembranza,  P  5 — . 

•  10  Dix   Etudes   de  genre,   P  25 — . 

■  13  Ire  Valse  de  concert,  P  7.50. 

•  14  Noce  villageoise,  P  9 — . 

■15  2e  Trio  en  fa,  PVVc  7— u  Costallat. 

■  16   Marche   du   couronneineut   6 — . 

17  Fenilles  de  printemps,  II  s6rie,  P,  I — II 
a  7.50. 

18  Trois  romances  sans  paroles,  P,  I — III 
a  7.50   Lemoine. 

19  lime  Valse  de  concert,   P   7.50. 

20  Souate,  P  20 — ,  Scherzo-polonaise,  ex- 
trait   6 —   i\oel. 

21  Premier   Concerto,  P  5 —  }iocl. 

21  Premier  concerto  pour  P  principal,  av. 
P  II  20—  Heugel. 

22  Ic  Symphonic,  Larghetto,   PH  3 — n. 

24  Marche  orieutale   6 —  Sulzhach. 

25  Sicilienne,  P  7.50  Jouhert,  4 — ■  Mariani. 

26  Menuet,   P  5 —  Sulziach. 

26  M61odie-Mazurka   4.50   Sulzbach. 

27  serenade  et  gigue,  P  7.50  PZoia;. 

28  Etudes  sp6ciales  de  style  et  de  m6ca- 
nisme,  P,  I— II  il  15—  Heugel,  2.50,  I— II 
a  1.50  Brainard. 

30  5  Morceaux  symphoniques,  PVFc;  N. 
1.  Larghetto  en  re  2 —  n.  N.  2.  Intermezzo 
en  fa  2.50  n.  N.  3.  Canzonetta  en  la  2.50  n. 
N.  4.  Andante  scherzo  en  r6  min.  2.50  n. 
N.  5.  Fete  pastorale  en  t6  maj.  3 — n  Co- 
stallat, N.  1—4  a  1— n,  N.  5  1.20  n  Schir- 
rr.er. 

31  Les  Regrets,   ballade,   P  6—. 

■32  Variations   s.  1.   Flftte   e  n  c  h  a  n  t  #  e, 
P  6 —  Heugel. 

33  Ille  Trio    (F),   PVVc   8— n   Hamelle. 

34  Andante,    ler    Concerto,   P    6 —   Heugel. 
■35   3e   Sonate,   P   5— n :      N.    1.   Allegretto 

2.50  n.  N.  2  Scherzo-Tarantelle  2.50  n  (3.50 
Ricordi),  N.  3.  Andante  1.50n.  N.  4.  Al- 
legro spiritoso  2 —  n  CostnlluL 
•36  IV.  Trio,  PVVc  18—  Heugel. 
37  Trois  marches  caract^ristiques.  4^ns: 
N.  1.  Marche  cosaque  7.50.  N.  2.  Marche 
mauresque  5 — .  N.  3.  Marche  chinoise  5 — 
Heugel. 

Trois    capiices    de    concert,    P,    Heugel: 

■38  N.  1.  Caprice- valse   7.50. 

■  39  N.  2.  Caprice-pastorale    6 — . 
■40  N.  3.  Caprice-polka    7.50. 

•41  Les  Parisiennes,  grande  valse,  Jfms  7.50 

Heugel. 
■42  Trois  esquisses  concertantes,  ^ms:  N.  1. 

Marche   de   soldats    (Egmont)    5 — .     N.   2. 

R§verie  de  Marguerite    (Faust)    6 — .  N.  3. 

Les     Sorciers     au     Brocken     (Faust)     7.50 

Heugel. 
■43     Tarentelle,     P     2— n     Costallat,     —60 

Schirmer. 

■  44  Marche  imperiale,  P  2 —  n  Costallat. 

Trois  morceaux  de  concert,  Heugel: 
■45  N.  1.  Le  Rouet  enchantSe,  ballade  7.50. 

-  46  N.  2.  Les  Songes,   reverie  7.50. 

-47  N.  3.  Sylphes   et   Lutins,    air    de   ballet 
7.60  n. 

-  48  Le  Retour  des  Champs,  pastorale  6 —  n. 
-50  V.  Trio    (G),  PVVc  20—  Heugel. 

-  52  Reverie,  P  2 —  Durand. 


-53  Chants  du  cr6puscule,  P:  N.  1.  Fant6- 
mes  2—.  N.  2.  Vision  1.75.  N.  3.  Ren- 
contre heureuse  2 — .  N.  4.  Automne  2 — 
Durand. 

-55  Sept  petites  pi&ces,  P  6 — :  N.  1.  R€ve 
l-— .  N.  2.  Menuet  1.35.  N.  3.  Promenade 
1.75.  N.  4.  Marguerite  a  I'^glise  1.75.  N.  5. 
Bourr^e  2.50.  N.  6.  Repos ;  7.  Canon  1— 
Durand. 

-  58    Douze 
suites,  P 


pil'ces 
10— n 


drigal. 


Legende 


Lc- 


63 
64 
65 
67 
68 


7.50 


r  a  s, 


symphoniques  en  quatre 
i.  N.  1.  Intrada.  2.  Ma- 
50.  II.  N.  4.  Clair 
de  lune.  5.  Sylphes.  6.  Pastorale  7.50.  III. 
N.  7.  Pres  de  la  mer.  8.  Souvenir.  9. 
Chasse  10—.  IV.  N.  10.  Mauresque.  11. 
Nocturne.  12.  Les  Cyclopes  10 —  Heugel. 
-60  Deux  impromptus,  P:  1.  Scfene  de  bal- 
let,  2.   Serenade,   a   6 —  Noel. 

-  61    2e   Allegro    symphonique,     P     7.50 

moive. 

-  62   Caprice,   P   9 —  Lemoine. 
lime  Scherzo,  P  10 — . 
Douze  esquisses,  P,  I — II  a  7.50. 
Troisieme   Menuet,    P   6 —   Noel. 
EUgie,   P   7.50   Noel. 
Sonate,   VP   18—  Hamelle. 

■  69  Vision,   Improvisation,  Legende,   P 

Hamelle. 

-  70  Aubade  hongroise,  P   6—  Hamelle 

■  71    Romance,   VP   1.75  n   Durand. 

-  72  Idylle,  PVVc  7.50  Hamelle. 

-  75   Marche   de   cortege   du   B  o  e  u  f 

Jfms  7.50  Heugel. 

-  76    Chanson   napolitaine,   P   2 —  n   Durand 
-79   Tiois   danses   espagnoles :    N.    1     (D-m.) 

7.50.  N.  2.   (G)   5—.  N.  3.   (Es)   9—  Leduc 

-  A  f  r  i  c  a  i  n  e,   impromptu,  P  6 —  Benoit. 

-  Allegro  symphonique,  P  9 —  Heugel. 

-  Andante      de     la      Symph.      imperiale 

Haydn,  P  5 —   Lemoine. 

-  Ballatina,  P  5 —  Benoit. 

-  Bonjour    Suzon    1.70  n    Choudens. 

-  Boutade,    «aprice,    P    2.50  n    Choudens. 

-  Brii  disi,   caprice,   P  2.50  n   Choudens. 
-Chanson   espagnole   1.70  n   Choudens. 

-  Chant   d'6t6.      Heugel. 

-  Chant  des  druides,  P  6 — . 

-  Chefs-d'oeuvre  executes  aux  concerts  popu- 

laires,  P,     Benoit: 

1.  Andante   du   Quintette,   op.    108    (Mo- 
zart)   4.50. 

2.  Fragments    du    ballet     de     Prom6thee 
(Beethoven)    3 — . 

3.  Menuet  de  la  symphonic  en  mi  bemol 
(M  o  z  a  r  t)    2.50. 

4.  Fragments  du  Comte  d'Egmont   (Bee- 
thoven)    5 — . 

5.  Adagio  du  quatuor,  op.  50    (Haydn) 
4.50. 

6.  Marche   et  Choeur   des  Ruines   d'Athe- 
nes   (Beethoven)   5 — . 

7.  Menuet  de  la  symphonic  Jupiter   (M  o- 
zart)    2.50. 

8.  Adagio    du    Septuor     ^Beethoven) 
5—. 

9.  Rigaudon    de    Dardanus     (R  a  m  e  a  u) 
4—, 

10.  Marche   turque    (Mozart)    4 — . 
ll.Hymne  autrichien    (Haydn)    4.50. 


de 


Mathias  G.  Chefs-d'oeuvre 


—     314 


Mathias  L.  Christmas  Polonaise 


12.  Scherzo    tlu    Septuor     (Beethoven) 
4—. 

13.  Menuet  de  la  syraphonie  en  sol  mineiir 
(Mozart)    2..50. 

14.  Romance   et   Meniiet  de   la   Symphonie 
la  Eeine  de  France    (Haydn)    4.50. 

15.  Menuet    de    la    symphonie    en    r6    ma- 
jeui-  2.50. 

16.  Marche     dii    Songe    d'une     unit     d'ete 
(M  endelssohn)    4.50. 

17.  Adagio     du    3e    Quintette    (Mozart) 
4.50. 

18.  Final  de  la  Symphonie  en  sol  majeur 
(Haydn)    5 — . 

19.  Scherzo     de     la    Symphonie     hgroiquc 
(B  e  e  t  h  o  V  e  n)    6 — . 

20.  Presto  final  de  la   Symphonie  militairc 
(Haydn)   6—. 

21.  Adagio    du    Quintette    en    sol    mineur 
(Mozart)   5 — . 

22.  Andante  eu  sol  de  la  symphonic  N.  49 
(Haydn)    6—. 

23.  Andante    de    la    Ire    symphonie    eu    ut 
majeur    (Beethoven)    5 — . 

24.  Andante      de      la      Symphonie      X.     50 
(Haydn)    6—. 

25.  Menuet  de  la  Symphonic  en  ut  majeur 
(Mozart)    2.50. 

26.  Andante     de   la     7«    symphonie    en    la 
(Beethoven)    6 — . 

27.  Andante  de  la  symphonie  en  mi  bemol 
5— . 

28.  Presto  final  de  la  symphonie  la  Reine 
de  France   (Haydn)   5 — . 

29.  Andante     de     la     Symphonie     Jupiter 
(Mozart)    5 — . 

30.  Allegretto-Scherzando    de    la    Ss    sym- 
phonie   (Beethoven)    4.50. 

31.  Finale   de   la   symphonie    en    re    (Mo- 
zart)   5 — . 

32.  Gavotte    (Bach)    3—. 

33.  Finale  de  la  symphonie  en   r6   majeur 
(Mozart)    5 — . 

34.  Menuet    du    Septuor     (Beethoven) 
2.50. 

35.  Andante    de   la    symphonie   en   ut   ma- 
jeur   (M  o  z  a  r  t)   5 — . 

36.  Allegro     de     la    Symphonie     pastorale 
(Beethoven)    6 — . 

37.  Andante  de  la  symphonie  en  r6    (M  o  - 
z  a  r  t)    4 — . 

38.  Adagio   de  la   symphonic  en   ut,  N.   44 
(Haydn)    5—. 

39.  Andante   de  la  symphonie  eu   r^    (Mo- 
zart)   5 — . 

40.  Andante    de    la    5e    symphonie     (M  o  - 
z  a  r  t)    5 — . 

lie  Concerto,  2P  25 —  Eeugel. 

Confidence,  P  4 — . 

El6gie  1.70  n  Choudens. 

Etoiles   1 —  n  Burand. 

Etude    de    concert    d'apr&s    la    V6locite,    P 

7.50  Eeugel.  <• 

2   Etudes    de    Concert    (F  r.    Chopin),    P 

3 —  Leduc. 
Faust,   P    7.50. 
GaloiJ,   Jfins   3 —  n   Diirand. 
Gavotte  de  la  poupee,  P  5 —  Ueugel. 
Grande  polka  de  concert,  P  — 75  Brainard. 


Enoch. 


Jfms     3 —  n     Co- 


-  Guitare,    choeur   a  3    v.   5 
-Hamlet      (Ouverture), 

stallat. 

-  Impromptu,  P  7.50  Enoch. 
■Jeanne  d'A  r  e,  monologue  lyrique  4 

Durand. 

-  2  LcQons  de  Solfege,  PV  2.50  n  Durand 

-  Les  Yeux  5 —  Enoch. 

■  Marche   create   — 56    Bote,    1.25 


ouv, 


Jfins 


18- 


Hirsch. 
fac.     15- 


1.70  u   Choudens. 


10- 


n. 


4- 


Lar- 


De- 


lyrique,     GhP 


II— III   a   7.50 


-  M  a  z  e  p  p  a, 

Ilengel. 

-  Mecontent.     Dclormel. 
•  Mes   Parents.      Dclormel. 

-  O   Salutaris,   av.   P(Org) 

-  2e    O    Salutaris    4 —   Lemoinc. 

-  Oeuvres   choisies,    I.    volume,   P 

-  On  n'en  voit  plus.     Delormcl. 

-  Optimiste  et  pessimiste.     Delorinel. 

■  Papillon    3 —   Eeugel. 

-  Parisienues,   valse,   Jtins   7.50   Eeugel. 

-  Pas  redouble,  P  9 —  Lemoine. 

-  Pepa  4 —  Eeugel. 

-  Petit  impromptu,   VP  4 — . 

-  7   Pet.   esquis.ses  melodiquos,   P,   N.    1, 

a  5 — ,  2 — 3  a  4 —  Enoch. 
-5  Petites  pieces  en  trio,  PVVc:  N.  1. 
ghetto  2—  n.  N.  2.  Intermezzo  2.50  n.  N. 
3.  Canzonetta  2.50  n.  N.  4.  Andante, 
Scherzo  2.50  n.  N.  5.  Fete  pastorale  3 — n 
Costallat. 

-  Plus  pire  que  lui.     Delormel. 

-  Poivrot   qui    ne   peut   pas   d6bourrer. 

lormel. 

-  Prom4th6e    enchain^,    sc&ne 

10 —  n  Eeugel. 
-E6\eil   1.35  n. 

-  Romances  sans   paroles,   P, 

Lemoine. 

-  Scherzo  de  la   lie  symph.  P  7.50  Eeugel. 

■  serenade   1.35  n. 

-  12    Transcriptions   sur    la    Flflte   enchant6e 

(Mozart),  P :  N.  1.  Chanson  de  I'oise- 
leur  3—.  N.  2.  Air  de  T:  Le  Rgve  4—.  N. 
3.  Air  de  la  Vision  5 — .  N.  4.  C6lebre 
duetto  du  2e  acte  3 — .  N.  5.  Andante  et 
dause  des  Clochettes  5 — .  N.  6.  MArclie, 
invocation  et  duo  des  Pr§tres  4.50.  N.  7. 
Air  de  la  Reine  de  la  nuit  4.50.  N.  8.  Air 
du  Grand-prStre  3 — .  N.  9.  Choeur  des 
Pretres  d'Isis  4 — .  N.  10.  Couplets  de  Pa- 
pageno  5 — .  N.  11.  Fugue  des  Epreuves 
3 — .  N.  12.  Allegro  des  Timbres  et  duo 
bouffe    5 —   Eeugel. 

-  6e  Trio    (B),  PVVc  12— n  Durand. 

-  Tristesse,  choeur  t\  3  v.   7.50  Enoch. 

■  Via  mes  principes.     Delormel. 

-  Y   a    qu'   les   riches.      Delormel. 

Mathias   J.   J.      Salichon:      Aime   celui    qui 
t'aime  !  5 —  Jouve. 

-  Air  Tcheque,  V  2.50  n. 

-  Badinage,   VP   2 —  n. 
-Berceuse,   V  1.75  n. 

-  Musette,   air   de   dause,   V   1.35  n. 

-  S^rfnade  moderne,   V  2.50  n. 

-  Soeurette,  valse  lente,   V  2 —  n. 

-  Souvenirs  anciens,  pet.  fant.   V  1.35  n. 

Mathias    L.      Christmas    Polonaise,    P 
Jfms  — 50  J.  Fischer. 


-35, 


Mathias  X.  op.  2 


315     — 


Mathieu  E.  Pere  Norma 


Mathias  X.  op.  2  Variationen  iiber  Stabat 

mater,   Org    1.50   Schtcann. 
Mathiesen      Aug.      Augustiner-Walzer      2 — 

Zap^'e-Kristia,nia. 
Mathiesen   C.   Berceuso,    P  — ^50   Nord.   Mu- 

sikforlag. 

-  Souvenir,    P   — 50    Nord.    Musikforlag. 
Mathieson  J.  Joab,  O  be  joyful  in  God  all 

ye  Lands,   B-s.  &  chorus  —/I   Pitman. 
Mathieu  A.  op.  2  Solo  de  concert,  FIP  3 — n 

Costallat. 

19  Fauvette,  FIP  7.50  Maroly. 
21  Andante  appassionato,  FIP  6 —  Maroki^. 
Ave  Maria  (2  v.  &g.)  av.  Org  —  50  n  Muraille. 

-  Beiceuse,   VP   1.70  n   Rouart. 

-  Claudia,  polka   3.75   Clot. 

-  Grande  Valse  du  Czar,  FIP  9 —  Maroky. 

-  O  Sjilutaris   (4  v.)   av.  Cars,  Bassons,  Tr  et 

Ophicl.(Org)    1.25  n  Muraille. 

-  Ron  ances  sans  paroles,   VP  1.35  n  Rouart. 

•  Yvor  ne,  polka,  MandP  2 —  n,  Mand  — 50  n 

Fatout. 
Mathieu    C.    Amiens,    souvenir    de    I'Exposi- 
tion,   marche   2 —  n   Mathieu. 

-  Berceuse  rose  3 —  Sulsbach. 

-  Premier   reve,    romance,   P   3 — . 
-Retcur    des    Courses,    polka-marche    1.75  n, 

0  2— n  Fatout. 

-  Souris   de   la   comtesse   3 —   Sulzhach. 
Mathieu      Caroline,      Berg     Ki-No,      ronde 

chinoi.se,  P  1.25  n  Qirard. 
Mathieu   D.  Amour   d^funt.     Pifirnet-Bezons. 

-  Simple  Caprice.  Pignet. 

Mathieu  Eug.  Pere   (1844).  Mathieu:  A  uue 
Femme  4 —  Grus. 

-  Act<5e,  polka  4 — . 

-  Airs   nouveaux,    V,   Fl,    CI,    Piston,    Accor- 

deon,   2   suites   a   4.50   Mathieu,   CI,   Flag, 
I— II  ft   1.50  Deiert. 

•  Amphitrite,   schott.   4 — . 

-  Amusette,  morceau  de  genre,  P  5 — . 

-  Aurore,   maz.   — 20   Sassetti. 

-Ave  Maria,  3  voix  4g.  2 — n  P4r6gally. 

-  Ave  verum  1 —  n  Peregally. 

-  Ave   verum,   3   voix   6g.   1 —  n   Peregally. 
-G    Ballades    de    Goethe:      N.    1.    Mignon 

1.75.  N.  2.  Le  Roi  de  Thul6  (Der  Konig 
in  Thule)  1.35.  N.  3.  Le  Pecheur  (Der 
Fischer)  1.75.  N.  4.  La  Cloche  qui  marche 
(Die  wandelnde  Glocke)  1.35.  N.  5.  La 
Violette  (Das  Veilchen)  1.35.  N.  6.  La 
Dense  des  mort  (Der  Tontentanz)  2 — 
Schott  Freres. 
-6  Balladen  von  Goethe  (zvveite  Serie)  : 
1.  Der  Sanger.  2.  Der  getreue  Eckart. 
3.  Erlkonig.  4.  Der  Edelknabe  und  die 
Miillerin.  5.  Der  Goldschmiedgesell.  6. 
Der   Schatzgraber   8 —   Schott   Freres. 

-  Berthe,  polka,  0  a  8  p.  — 75. 

-  Bretagne  2.50  Heugel. 
Brigantine,    rgdowa    3 —   Noel. 

-  Brigantine,  valse  lente  4 — . 

-  Ces  veinards  de  bidards  1 —  n,  Ch.  s.  — 40  n 

Borneman7i. 

-  C'6tait  de  jeunes  hommes   (Diorama — 20  n) 

1 —  n,  Ch.  8.  — 40  n  Bornemann. 

-  Daniella,   redowa,   P    1.50  n   Gallet. 

-  Deus  mens  2 —  n  Peregally. 


•  Escarpolette,  schott.   0  a  8  p.  — 75. 

-  Etoile  de  la   France,   redowa  3.75. 

-  Fauvettes,   valse   6 — . 

-  Fidelio,  Pist  &  P  5—. 

-  Folic,   polka-maz.   5 — . 

-  Folies  d'Espague,  var,soviana,  P  1.50  n  Gallet. 

-  Forrarina,  schott.  4 — . 

-  Fr6re  Jacques,  polka  4 —  Mathieu,  2 —  NoeL 

-  F  r  e  y  h  i  r,  poeme  lyrique  et  symphonique, 

KA   7 —  n    Cranz. 

-  Galerie    populaire,    collection    des    plus   e<5- 

l&bres  operas,  romances,  etc.:  1.  Joseph. 
2 — 3.  Richard  Coeur-de-Lion,  I — II.  4.  Les 
Noces  de  Figaro.  5.  Un  premier  amour. 
Derni&re  pens6e  de  Weber.  6 — 7.  La 
Noima,  I — II.  8.  Derni&re  rose  d'ete.  Air 
ficossais.  9.  Le  Barbier  de  Seville,  V,  Fl, 
Piston  a  — 30  n,  2V  a  — 60  n. 
-George  Daudin  (1876) ,  op6ra-eomique, 
Schott  Freres:   ChP  12— n,  ouv.  P  2.50: 

l.Air:   Ah!   qu'une  femme  noble  2 — . 
Ibis.  Couplets:   De  par  sa  naissance  1 — . 

2.  Duo :    Que   diautre   en    mon   logis   2.50. 

3.  Duo :    Autour   de   vous    1.35. 

4.  Arielte-  Ah!  que  les  gens  de  cour  1.35. 
7.  Serenade:   Quand   la   nuit  descend   1 — . 

10.  Duo:    Colin!    Colin!   4—. 

lObis.  Air  extrait  du  Duo:  Qui!  j'ai  failli 

1—. 
Entr'acte,  P  1—. 

-  Guirnalda,    suites    de    valses    6 —    Mathieu, 

Noel. 

-  Haut-Fourneau,  choeur,  TTBB,  Part  3.50  n, 

ch.  p.  a  — 50  Schott  Freres. 

-  Hoycux,    pofeme    lyrique     et     symphonique, 

ChP  7 — ,  choeur  de  la  forge,  3  voix  eg. 
av.  P(0),  Part  4—,  ch.  p.  a  —40  Schott 
Freres. 

■  II  faut  aimer   1 —  n  Joubert. 

-  Imp^riale,   danse  — 24,  Fl  — 12   Sassetti. 

-  Inezilla,    polka-maz.    3.75    Grus. 

-  Infatigable,   schott.   — 20   Sassetti. 

-  Jeunes  bretonnes,   quadr.   0  a  8  p.   — 75. 

-  Lancers,  av.   explication  des  figures  5 — . 

-  Larmes  d'un  ange  4 —  Heugel. 

-  Luigi-Wampa    (avec   parties   d'accompagne- 

ment),   quadr.   5 — . 

-  Maltre    Corbeau,    polka,    0  a  8    p.   — 75. 

-  Marguerite,  polka-maz.   0  a  8  p.  — 75. 

-  6    Melodies :      La    For6t.   Doux   oiseaux    de 

mai.  A  te  voir,  mon  coeur  soupire. 
L'Etoile.  Sous  les  verts  sapins.  La  Brume 
4 —  n  Schott  Freres. 

-  M^thode  6l6m.  Flageolet  1.25  n  Bornemann, 

1.50  n  Naudin. 

-  Mon    habit     des     dimanches,     polka     1 —  n 

Gallet. 

-  Mosaique  theatrale :    1.  Moise.  2.  Tancrfede. 

3.  Zemire  et  Azor.  4.  Epreuve  villageoise. 
5.  Oberon.  6.  Euryanthe  4 — ,  V,  Fl,  Cornet 
a   1 —  Bornemann. 

-  Musette,   polka   4 —   Mathieu,   5 —   Noel,   0 

1 —  n  Gaudet. 

-  Nareska,  maz.  4 —  Mathieu,  5 —  Noel. 

■  Narra  Matak,  maz.   5 —  Mathieu,  Noel. 

-  Nativa,  schott.  4 — . 

-  Noces  de  Figaro,  quadr.  5 — ,  Jfms  6 — . 

-  Norma,  quadr.  4.50,  0  a  8  p.  — 75  n. 


Mathieu  E.  Pere  Noicveaux  Bidards 


—     316 


Mathieu  E.  Fils  Question  Roniaine 


-Ncuveaux   Bidards   3 — ,   Ch.  s.    1 —   Borne- 
niann. 

-  Nubienne,  polka  4 — . 

-  0  Salutari.s  pour  Basse  et  Contralto  — 75  u 

Schott  Freres. 
-O  salutaris,   TB(2B)    1.50  n   Peregally. 

•  0  salutaris,  3  voix  eg.  1.50  n  Per4gally. 

-  0   salutaris,   B    1—  n,    8(T)    1.50  n,   parties 

d'O  5 —  n  Peregally. 
■  Orpbee,   Pist  &  P  5—. 

-  Pas    chancards    de    Coquards    1 —  u,    Ch.    s. 

— 40  n  Bornemann. 

-  Pas    veinards     les    Jobards     1 —  n,     Ch.  s. 

— 40  n   Borncmunn. 

-  Petit-Fifre,  polka,   0   a  8  p.  —75. 

-  Petite     Mgthode     elementaire,     Flag      1.25 

Sudre. 

-  Pie  Jesu,   3  voix  eg.   1 —  n  Peregally.  — 75 

Schott  Frdrcs. 

-  Quadrille     des     Lanciers,     V,    Fl,    Flag     a 

— 25  n. 

-  Quadrille-mazurk,   avec   explication    des   fi- 

gures 4 — . 

-  Quam  dilecta   1.50  n   Peregally. 

•  Raisin  mQr  3 — ,   Ch.  s.  — 30  n  Eveillard. 

-  Eecueil    de    morceaux,    Flag    1.25  n    Borne- 

mann. 

-  Regjua  coeli,   3   voix  6g.   2.50  n,   pi.   ch.   en 

contrep.   2 —  n   P4r4gally. 

-  Heine  des   roses,  valse   6^. 
-Richilde,   trag^die  lyrique    (1888),   ChP 

(franc,  et  all.)  15 — n  Schott  Freres:  N,  1. 
Air  d'Odile  (S)  2—.  N.  2.  Reverie  d'Osberu 
(T)  1—.  N.  3.  Ballade  (Odile),  -S  1.35.  N. 
4.  Terzetto  1—.  N.  5.  Sc&ne  de  Eichilde 
1.75.  N.  6.  Prigre  d'Osbern  2—.  N.  8. 
Deuxifeme  sc&ne  de  Richilde  1.35. 
Choeur,  2  v.  Part  2—,  ch.  p.  a  —40. 
Airs  de  ballet,   P   1.75. 

-  Rose  de  Provins,  J^ms  5 — . 

-  Scmiramide,  quadr.  4.50. 

-  Solffege  6l^mentaire  theorique,   par   Marcus 

2.50  n. 

-  Stabat  Mater,   3  voix  5 —  n  Peregally. 

-  Tantum  ergo,   STBar   1 —  u   Peregally. 

-  Thgsee    et    Minotaure    3—.    Ch.    s.    —30  n 

Eoeillard. 

-  Tout   pres    d'    Pantin    1 —  n,    Ch.    s.   —40  n 

Borneman7i . 

-  Uue    servaute   nial    eduquee,    saynete    com. 

av.   parl6  p.  3  j.   lilies  3 —  n. 

-  Une    Soiree    chez     les    Molinchards     (avec 

pail6)    4 — . 

-  Valenciennes,  quadr.  5 — ,   0   1.50  Sulzbach. 


0 


-40  n,    Ch.    s. 


5n 


-  Varscvienne,    av 

Labhe. 

-  Volifere,   valse   6—,   J/ms    7.50,    V,   Fl,   Flag 

a  —25. 

-  Vologda,  polka-maz.  4 — . 

-  Vraie    Mazurka,     (av.    explic.    des    figures) 


Mathieu    Eug.    Fils.    Mathieu:    Op.    18   An- 
dre, Ire  suite  de  valses,  P  6 — ,  0  1 — n. 

-  22  A  Tire  d'Aile,  2e  grande  mazurka  7.50. 

-  29  Etoile  de  mcr,  2e  suite  de  valses  6 — . 

-  30  Princesse,   3e   suite   de   valses   7.50. 

-  31    Don   Juan,   valse   6 — . 

-  34  Bravade,  grande  valse  7.50. 


-  35    Dans    les    Roches,    3e    grande    mazurka 

7.50. 

-  38  Le  Lys,   caprice,   P   6 — . 

-  39  A  Grenade,  petit  bolero,  P  5 — ,  J^nis  6— 

-  40  Les  Yeux  doux,  4e  suite  de  valses  7.50. 

-  41   Les  Chasseresses,  airs  de  chasse,  P  5 — , 

6ms  7.50. 
-42  Prifire  Sl  I'Ange  gardien,  reverie,  P  6 — •. 
■43  Coquillages,  bluette,  P  6—. 

-  44  Marche  Br^silienne,  P  6 — ,  4ms  7.50. 
-45    Bonne-Maniiiu,    souvenir,    P    6 — . 

-  46  Apr&s  la  Moisson,  canzonetta,  P  6 — . 
-47   Bragance,   giande  marche,   P   7.50,  J^ms 

9—. 

■  49    Reveries    do    Jeanne,    mel. -mazurka,    P 

6 — . 

•  50   Etudes   roses,    tr&s   facile,   chaque   etudt; 

porte  le  nom  d'une  rose,  P  12 — . 

-  51   Petite  Gavotte,  P  5—. 

■  53   La   Charmeuse,   valse   6 — . 

-  56  L'Enfant  s'endort,  berceuse,  P  5 — . 

-  57  Porvenches,  valse   6 — . 

•  A  tire  d'Aile,  polka-maz.   7.50. 

■  Amusttte,  P  5 — . 

■  Avant-Garde,   polka-maz.   5 — . 

•  Bonne-Maman,    souvenir,      V    — 20  n,      2V 

— 40  n,  0  1— n. 

■  Boune-Nouvelle,  polka  5 — ,  0  1 —  n. 

•  Bourdon,  polka  5 — . 

■  Buveur   d6licat   3 — . 

■  Carnaval   diabolique,   quadr.   5 — . 

■  C'est  joli,  c'est  vilain   3 — . 

■  Chasseurs  au  rendez-vous  (C  r  o  i  s  e  z) ,  Jftns 

7.50. 

■  Chateau  du  Bon-Accueil,  polka-maz.  5 — . 

-  Dans   les   Bois,   gr.   valse   de   J.   P  r  i  e  u  x, 

Jfms  9 — . 

■  Dans  les  montagnes,  quadr.  5 — . 

•  Dans  les  Roches,  polka-maz.   7.50. 

■  Dernier  baiser  3 — . 

•  Enfant  s'endort,  PV  6—. 

■  Esperance,  polka  5 — . 

F  r  e  y  s  c  h  ii  t  z,   polka   des   Chasseurs   5 — . 

•  luondation   3 — . 

■  Jargons   de  I'Amour    (av.  parl6)    3 — . 

•  Je  suis  un  ignorant  3 — . 

Jeanne    d'Arc,      gr.    marche    de    J  o  n  n  e  t, 
-Jw's  9 — . 

■  Lous   esclop  de  Y  a  n  o  t  2.50. 
Ma   bergf-re,    c^l&bre    valse   tyrolienne 

0  1.50  n  Leduc. 
Mrttre   Corbeau,  polka  5 — . 
Oiseau  et  liberty  3 — . 
Oiseau  et  Papillon,  polka-maz.  6 — . 
Parisieiine    et    Villageoise,    duo    av. 

6 — . 

Pecfidille,   polka   5 — . 
P'tit  cabinet   3—. 

Petits   Gendarmes,   duo   av.   parl6   5 — . 
Polka    Joyeuse   5 — . 

Portifere  et  Laitifere,  duo  av.  parlg  6 — . 
Poste  andalouse  (C  r  o  i  s  e  z) ,  4"^s  7.50. 
PriJire    il    I'ange    gardien,    2  voix    et    solo 

5—. 

Prince  Carotte,  polka  5 — . 
Quand   tu   paries   JSsus,   solo.   Cantique   de 

communion    princip.    pour    prise    de    voile 

ou  profession  5 — . 
Question  Romaiue,  polka  3 — . 


^ 


\ 


parl6 


Mathieu  E.  Fils  Souvenir  des  Alpcs 


317     — 


MatinI  R.  Gigli  e  Rose 


-Souvenir  des  Alpes    (Croisez),  ^ms  7.50. 

-Tiois  Roses,  extrait  de  I'op.  50,  P:  1.  Ro^e- 
Pompon,  gavotte,  2.  Rose  de  Provins, 
petite  niarche,  3.  Rose  du  Souvenir,  ro- 
mance,  il  .l — . 

-  Veille  aux  bossoirs   1 — . 

Mathieu    J.    op.   8      Caprice-Mazurka     2 —  n 

Pisa. 
-12  Naples,  suite  de  concert:   1.  Pausilippo. 

2.  Taientelle,   P  3— n  Pisa. 
Mathieu   M.  Berceuse,  reverie  et  scherzando. 

P  2— n   Durdilly. 

-  Kolner   Blut,   Marsch  — 60   Tonger. 
Mathieu     Mario.     Delmouly :     Aubade    d'oi- 

seaux  1.50. 

-  Fussons   de  liarpe,   niaz.   1.50. 

-  Je  ne  sais  pas  mentir   1.25. 

Mathieu  Max,  Eine  kleine  Telephon-Ge- 
schichte:  ,,Es  ist  die  Frauenfrage",  Cou- 
plet   1—    Carisch. 

Mathieu  T.  Joanin:  Accordailles,  pi&ce  en 
1   acte,  0. 

-  Ame  du  pass6   (1  acte),  0. 

-  Cynthia  2 —  n. 
-Sables   2— n. 

Mathieu  et  Toilet,  Forfait  de  M.  Alo- 
y  a  u  X   2 —  n,    Ch.   s.   — 50  n   Lory. 

Mathieux  Johanna,  op.  6  Sechs  Lieder: 
1.  Sehnsueht  nacli  Griechenland :  ;,Ich 
blicke  in  mein  Herz."  2.  Wasser  u.  Wein : 
„Freunde,  sagt,  was  woUt  ilir  trinken." 
3.  Die  Geister  habeu's  veruommen :  „Da 
hab'  ich  viel  blasse  Leichen."  4.  An  Luna : 
„Schwester  von  dem  ersten  Licht."  5.  Vor- 
lor'nes  Gliick :  „Sitze  hier  an  liebcr 
StoIIe."  6.  Die  Spraclie  der  Sterne:  ,,Es 
steheiv  unbeweglich"   1.50  Kistner. 

Mathlot  A.  Chinook  wind  whispers  (in  F 
and   Bb),   Cab.-Ory   —35   Ditson. 

-How  can  I  go  without  a  last  good-bye? 
song   and  chor.   — 35   Ditson. 

-  Pioneer's  grand  march  — 35  Ditson. 
Mathis   J.   Klub,   mazur-polka,    0    2 —   Har- 

monia. 
Mathis    Lussy,   Anacrouse   dans   la   musique 

model  ne,    1   vol.   3.50  n   Ileugel. 
Mathis    Nandor,      Klub,    mazur-polka     1.50 

Harm  cilia. 
Mathison   M.  T.  Africa  on  the  ohio,  march, 

two-step  and  cake-walk  — 50  Goggan. 

-  Anglo-Saxon,  march,  two-step  • — 40  Goggan. 

-  On  to  Spain,  war  march  — 50  Goggan. 
Mathy    Fr.    Urbdnek:    Ctverylka   na   motivy 

Blcdkovy,   opery   „V   studui"    1.20. 

-  Natalie,  ctverylka  z  motivu  Hartlovy  operv 

1.20.  " 

-  Svojk  sv6m,  a  kvapik  — 60. 

Matic  Franz  J.  op.  4  Mei  Bua !  1.20  Porgas. 

Matielli  G.  A.  Gigue,  Adagio  u.  Allegro,  P 
1 —   Breitkopf. 

Matignon  P.  M^thode  6l6mentaire,  V  2 — n 
Cos  tall  at. 

Matin!  Riccardo.  Bratti:  Adorazione  a  Dio, 
3  voci  — 25  n  Lapini, 

-Album  (dall'operetta  Lezione  Meri- 
ta t  a),  Mavd(VJP  8—,  Mand(V)G  7—, 
2MandP  10—,  2MandG  9—,  2MandMaP 
12—,    2MandMaG    11—:    N.    1.    Berceuse, 


2.  Romanza,  4.  Polka,  Mand(V)P  il  3—, 
Mand(V)G  a  2.50,  2MandP  a  4.50,  2Mand 
G  a  4—,  2MatHUfaP  a  5—,  2MandMaG  h 
4.50;  N.  3.  Valzer,  MandfVJP  3.50,  Mayid 
(V)G  3—,  2MandP  4.50,  2MandG  4—, 
2MandMaP  5.50,  2MandMaG  5—  Forli- 
vesi. 

-  Andante   appassionato,   MandfVJP   2 — . 

-  Ave  Maria   di  C  h  e  r  u  b  i  n  i,   MandP  2.50. 
-3  Ballabili,  l(2)MandP  5—:   N.  1.  A  buon 

rivederci,   valzer  2.50.   N.   2.   Bettina,   ma- 
zurka   2 — .     N.    3.    Buona    notte,    marcia- 
polka  2 — . 
-Berceuse,   VfMandJP   1.25  n  Ricordi. 

-  Birichina,  polka  brill.  P  2.50,  MandP  3—, 

MandG  2.50,  2MandP  3.50,  2MandG  3—, 
2MuvdMoP   4—,    2MandMaG    3—   Carisch. 

-  Bolero,   VfMandJP   1.50  n  Ricordi. 

-  Brindisi,  eon  coro  ad  lib.  1.50  Carisch. 

-8  Canti  1.50  n:  N.  1.  A  Firenze,  2.  Ber- 
sagliere  in  Erba,  3.  I  Bambini  (a  2  voci), 
4.  La  Rondinella  (a  2  voci),  5.  II  Mattino 
(a  2  voci),  6.  Fede  (canone  a  2  voci), 
7.  Iddio  ti  vede  (canone  a  2  voci),  8.  La 
Cingallegra  (canone  a  2  voci),  a  — 25 
Lapini. 

-Chi  sa?!  canzonetta-valzer  — 75  n,  con  G 
— 75  n,  con  MandP  1.25  n,  con  MandG 
1— n,  con  2MandP  1.50  n,  con  2MandG 
1.25  n   Ricordi. 

-  Di  notte  1.50  n  Ricordi. 

-  Diavolina-Polka  3—,  Mand(VJP  4—,  Mand 

(VJG  3—,  2Mand(VJP  5—,  2Mand(VJG 
4—,  2Mand(VJMaP  6—,  2Mand(VJMaG 
5—. 

■  Dolce  ricordo,  MandfVJ  — 25  n,  MandfVJP 

3.50,  MandfVJG  3—,  2MandfVJP  4.50, 
2MandfVJG  4—,  2MandMaP  5,50,  2Mand 
MaG  5 —  Forlivesi. 

■  Echi   della   notte,   P   3—,    MandfVJP   3.50, 

MandfVJG  3—,  2Mai>dfVJP  4—,  2Mand 
fVJG  3.50,  2MandfV JMaP  4.50,  2Mand 
fVJMaG  4—. 

-  Echi  di  Bagdad,  8  ballabili,  Mand  1 —  n. 
-Fiocchi    di    Neve,    album   di   ballabili, 

MandfVJP  10—,  MandfVJG  6—,  2Mand 
fVJP  12—,  2MandfVJG  10—:  N.  1.  Agri- 
foglio,  valzer,  MandfVJP  4 — ,  MandfVJG 
2.50,  2MandfVJP  4—,  2MandfVJG  2.50, 
N.  2.  Primula,  maz.,  3.  Pompadour,  polka, 
4.  Vischio,  schottisch,  MandfVJP  a.  3 — , 
MandfVJG  a  2—,  2 MandfVJP  a  3—, 
2MandfVJG  a  2—. 

-  Fior    di    campo,     maz.    2.50,      MandP    3 — , 

MandG  3—. 

-  Fior    di    siepe,    notturno,    MandfVJP    3 — , 

MandfVJG  2.50,  2MandfVJP  4—,  2Mand 
fVJG  3.50,  2MandfVJMaP  5—,  2Mand 
fVJMaG    4—   Ricordi. 

■  Fiore  alpiro,  valzer,  MandfVJ  4 —  Carisch. 
-Gavotta,   VfMandJP  2.50. 

-Gavotta  (N.  3),  MandfVJP  2.50,  MandfVJ 
G  2—,  2MandfVJP  3—,  2MandfVJG  2.50, 
2MandfVJMaP  4—,  2MandfVJMaG  3.50, 
quart,  a  plettro  o     ad  archi  5 —  Ricordi. 

■  Gigli   e  Rose,    valzer,   MandP   4 — ,   MandG 

3—,  2MandP  4.50,  2MandG  3.50,  2Mand 
MaP  5—,  2MandMaG   4—. 


Matini  R.  Icche  v'ece!? 


—     318 


^ 


Matini  R.  Saltarella 


■  Icche  v'6ce  !  ?  marcia  1 — ,  MandP  2 — ,  Hand 

G  1.50,  BMandP  2.50,  2MandG  2—,  2Mand 
MaP   3.50,   BMandMaO    3 —   Carisch. 

-  Ida,  maz.  Mand(V )   3 —  Carisch. 

■  II   mio   paese,   valzer,   MandP   5 — ,    MandG 

4—,    2MandP    5.50,    2MandG    4.50,    2J/o»7d 
J/aP   6—,   2MandMaG    5—. 

-  Impressions,-  album   de   danses,   MandfVJP 

8—,  MandfVJG  6—,  2Mand(V)P  10—, 
2Mand(V)G  8—:  N.  1.  Tourbillon,  valse, 
Mand(V)P  3—,  MandfVJG  2.50,  23/a«d 
rF;P  3.50,  2Mand(V)G  3—;  N.  2.  Ver- 
tige,  polka,  3.  Sans  secousses,  maz.,  4. 
Hup!  hup!  galop,  MandfVJP  a  2.50, 
MandfVJG  a  2—,  2 MandfVJP  a  3—, 
2J/andry;(?  a  2.50. 
-In  Secieta,  album  per  ballo,  MandfVJP 
6—,  MandfVJG  5—,  2MandfVJP  7—, 
2MandfVJG  6—,  2MandfVJMaP  8—, 
2MandfVJMaG  7—:  N.  1.  Spirito,  valzer, 
2.  Disin  voltura,  polka,  3.  AfFabilita,  maz., 
4.  Brio,  galop,  MandfVJP  a  2—,  MandfVJ 
G  a  1.50,  2jl/andrT^;P  a  2.50,  2MandfVjG 
a  2—,  2MandfV JMaP  a  3—,  ^il/andfF; 
il/a(?  a  2.50  Carisch. 

-  Incanto,  melodia  3 — . 

-Insetti  alati,  album  di  ballabili,  Mand 
P  7.50,  MandG  6—,  2MandP  9—,  2MandG 
7—,  2MandMaP  10—,  2MandMaG  8—: 
N.  1.  Moscon  d'o  r  o,  valzer,  MandP 
3—,  il/awdG  2.50,  2MandP  4—,  2MandG 
3~,  2MandMaP  4.50,  2MandMaG  3.50; 
N.  2.  F  a  r  f  a  1 1  i  n  a,  polka,  MandP  2.50, 
Jl/andO  2—,  2MandP  3—,  2MandG  2.50, 
2MandMaP  3.50,  2MandMaG  3—;  N.  3. 
Vespa,  maz.  MandP  2 — ,  MandG  1.50, 
2MandP  3—,  2MandG  2—,  2MandMaP 
3.50,  2MandMaG  2.50  ;  N.  4.  L  i  b  e  1 1  u  1  a, 
galop,  Mar.dP  2—,  MandG  1.50,  2MandP 
3—,  2MandG  2—,  2MandMaP  3—,  23/anrf 
J5/aG   2.50   Carisch. 

-  Le    quattro    Stagioui,    album 

MandfVJP    7—,     MandfVJG 
fVJP  10—,  gJ/andf'y^G  8—: 
vera,   valzer,    MandfVJP    3 — 
2.50,    2MandfVJP    3.50,    2MandfVJG    o— ; 
N.  2.   Estate,  polka,   3.   Autunno,  maz.,  4. 
Inverno,   galop,   MandfVJP   a   2.50,   Mand 
/"V^G    a    2—,    2 MandfVJP    a    3—,    23/a?i(7. 
rF;G  a  2.50. 
-Lezione     meritata, 
12 — n   Forlivesi: 
Strofe  di  Giovanna  1.50. 
Core    1—. 

Berceuse,   core   1 — . 
Romanza  di  Bice  1.50. 
Valzer,  coro  2 — . 

-Maggiolata,    a  due    personaggi 

di   donzelle   e  di   giovani   6 —  n : 

Core  d'introduzione   1 —  n. 

Aria,  T  1.50  n. 

Coro  di   Donzelle   1 —  n. 

Arietta,   S   1 —  n. 

Coro  1.50  n. 

Duetto,   ST    1.50  n. 

Coro   finale  2 —  n. 
-6  Melcdie  5 — n:   N.  1.  Ho  veduto  stamani, 

melodia,   2.   II   fior  del  pensiero,  stornello. 


di  ballabili, 
6—,  2Mand 
N.  1.  Prima- 
MandfVJG 


operetta,      ChP 


e  coro 


3.  Non  mi  fido !  stornello,  4.  Carita,  stor- 
nello, 5.  Desiderio,  stornello,  6.  Non  lo 
ricordi !  melodia,  a  1 —  n. 
Metcdo  per  lo  Studio  del  Mand,  con  testo 
italiano,  fiancese  ed  inglese  5 — n:  Parte 
I   3.50  n,   II   2.50  n. 

•Minuetto,    VfMandJP   2.50. 

Minuetto     (N.    3),    P    2—,    VfMandJP 

3—,  MandG  2—,  2MandP  3—,  2MandfV) 

G    2.50,     2MandfVJMaP    4—,     BMandfVjM 

MaG   3—.  n 

-Minuetto  (N.  4) ,  MandfVJP  2—,  Mand 
fVJG  2—,  2 MandfVJP  2.50,  2MandfV)G 
2.50,  2MandfVJMaP  5—,  2MandfVJMaO 
3.50,  quart,  a  plettro  o  ad  archi  4,50  Ri- 
cordi. 

-Note  al  vento,  4  ballabili:  N.  1.  Cul- 
landosi,  valzer,  MandP  4 — ,  MandG  3 — . 
2MandP  5—,  2MandG  4—;  N.  2.  Dopo 
cena,  polka,  3.  Incertezze,  maz.,  4.  Scappa ! 
scappa !  galop,  MandP  a  3 — ,  MandG  a 
2.50,   2MandP  k  4—,   2MandG   a   3—. 

-Notturno    (N.   3),   2MandP   3.50. 

-  N  u  b  i  f  u  g  £f  e  n  t  i,  MandfVJP  3.50,  Mand 
fVjG  2.r^0,^2MandfVJP  4.50,  2MandfVJG 
4—,  2MandfVJMaP  5—,  2MandfVJMaG 
4.50  Ricordi. 

-Ombre  n  o  1 1  u  r  n  e,  serenata,  MandP 
3—,  MandG  2.50,  2MandP  3.50,  2MandG 
3—,  2MandfVJMaP  4—,  2MandfV JMaG 
3.50. 

-Ore  allegre,  polka  2.50,  MandP  3 — , 
MandG   2—,   2MandP   3.50,   2MandG   2.50. 

-Ore  liete,  notturno,  P  3—,  MandfVJP 
3.50,  MandfVJG  3—,  SMawdi^F/'P  4— 
2MandfVJG  3.50,  2MandfVJMaP  4.50, 
2MandfV)MaG  4—. 

-Passatempo,  album  di  danze,  MandP 
9_,  MandG  7—,  2MandP  11—,  2MandG 
8—,  2MandMaP  12—,  2MandMaG  10—: 
N.  1.  Patinaggio,  valzer,  MandP  3.50, 
MandG  3—.  2MandP  4—,  2MandG  3—, 
2MandMaP  5—,  2ilfa»!(73/aG  4.50;  N.  2. 
Tiro  al  Piccione,  maz.,  3.  Equitazione, 
polka,  4.  Ginochi  di  Sala,  schottiscb, 
MandP  a  2.50,  MandG  h  2—,  2MandP  H 
3—,  2MandG  a  2.50,  2MandMaP  a  3.50, 
2MandMaG  a  3—. 

-  Perlc   del   mandolinista,   scelti   pezzi   di   oe- 

lebri  autori,  MandP :  1.  Boccherini: 
Celebre  Minuetto,  2.  Pergolesi  G.  B. : 
Celebre  Siciliana,  3.  Martini  G.  B. : 
Piacer  d'amore,  4.  Uosellen  H. :  Re- 
verie, 5.  Stradella  A. :  Aria  di  Chiesa, 
6.  Martini  G.  B. :  Celebre  Gavotta,  a 
2—. 

-  P  1  a  c  i  d  o   mar,   valzer   3 — ,   MandP   3.50, 

i¥o«dG  3—,  2MandP  4—,  2MandG  3.50. 

-  Povera    Sorellina    2 —   Carisch. 

-Ran  d  e  V  a  c  h  e  s  (Raff),  2MandP  4—, 
2J/a«dil/aP   5—,   2MandMaG   4—. 

-  R6verie,   VfMandJP  1 — n  Ricordi. 

■  Ricordo  di  Firenze,  notturno,  MandP  3 — , 
MowdG  2.50,  2MandP  3.50,  2MandG  3—, 
23/ftnd3/oP   4—,   2MandMaG    3.50. 

-  S.   Marco,   Banda,  Part   1.50  n. 
-Saltarello,   MandfVJP  5—,   MandfVJG  4— 

Ricordi. 


Matini  R.  Seduxionc 


319     — 


Matras  M.  Reverie  sympathique 


-  Soduzione,  maz.    (N.  Paoli),  MandP  3 — . 

-  Semplicita  ed  Eleganza,  album  di  ballabili 

rslile  facile),  l(2)MandP  10—:  N.  1. 
Valzer  3—.  N.  2.  Schottisch  3—.  N.  3. 
Mazvrka  3.50.  N.  4.  Polka  4—,  1(2) M and 
N.  2  2.50,  N.  3   3—,  N.  4 


2.50, 


2 — ,  Banda  1.50  Lapini. 
polka  1.50,  Mand(V) 
2—,  2MandP 


3—, 
3— . 

CP 


G  8—    N.  1 
3.50    Ricordi. 

-  Sempre  Allogri,  P 

-  Sempre    in    ballo, 

—25  n,  MandP  2.50,  MandG 
4—,  2MandG  2.50  Carisch. 

-  Sera,   melodia   2 —   Carisch. 

-  Serenata  gaia    (Eicordo  di  Fireuze) ,  Mund 

P  4—,  MandG  3.50,  SMandP  4.50,  2MandG 
4—,  2MandMaP  5—,  23/andi»/aG  4.50. 

-  Sou  timido  e  piccino  2 —  Carisch. 

-  S  t  e  1 1  e,  sceue  liriche,  a  2  soli  personaggi 

5 — n:  N.  1.  Arioso:  Rammento  ancor, 
2.  Scherzo,  3.  Romanzetta :  Cara  soave 
inimagine,  5.  Notturnino,  G.  Ballata,  7. 
Berceuse,   8.   Duettino   e   Racconto,   ;\   1 — . 

-  Storielle  amorose,  valzer  2.50,  MandP  3 — , 

MandG    2—,    2MandP   3.50,    2MandG    2.50. 

-  Suddetti,   tre  pezzi    uniti,    V (Mand)P   5 — , 

-  Trascrizioni,     MandP:      N.    1.    Chopin: 

Mazurka  2.50.  N.  2.  Schumann:  RS- 
verie  2.50.  N.  3.  Field:  1.  Notturno 
2.50.  N.  4.  F  i  e  1  d :  5.  Notturno  2—.  N.  5. 
8.  Notturno  1.50.  N.  6.  Field:  13.  Not- 
turno  1.50. 

-  Tutti    a    Torino,    valzer    2.50,    MandP 

MandG   2.50,   2MandP   3.50,   2MandG 
-Un    Telegramma,    opera    comica, 
8— n: 
l.Sinfonia,  P  3—. 

2.  Coro   d'Introduzione   2 — . 

3.  Scena  e  Duetto:  Cos'  6  questo  fracasso 
4—. 

4.  Rcmanza :    Ti    vidi    fanciulla    2.50. 

5.  Quartetto :  Compare  mio  sollevami  5 — . 

6.  Valzer  e  Scena  deUa  Disputa  Alfin  Tbo 
trovato   6 — . 

7.  Marcia-Coro  4 — . 

8.  Intermezzo,   P   1 — . 

9.  Aria  buffa :    Se   principiando   il   giorno 
3—. 

10.  Canzone:    Ai    miserabili    1.50. 

11.  Duettino:  Nou  sta  a  me  parlar  di  me- 
riti  3—. 

12.  Coro  della  Giunta  2.50. 

13.  Melodia-Stornello  :     0    Rondinella    3 — . 

14.  Duetto  Rosina!   Oh   Dio  4—. 

15.  Finale  II:  La  fra  dame  e  cavalieri  5 — . 

16.  Intermezzo   1 — . 

17.Brindisi:    II   vino   suole  infondero  4 — . 

18.  Minuetto:   Giovane  sposa   2.50. 

19.  Quintette  :    Siam    f  ritti !    Siam    morti ! 
5—. 

20.  Coro  dei   Briganti   5 — . 

21.  Finale   5—. 

Marcia-Coro,   P  2.50,   MandP  4—,   MandG 
3 —  Bratti,   Banda,   Part    1.50  n    Lapini. 
Polka,   MP  3—,   MaiidG  2—. 

-  Vapore  — 25  n   Lapini. 

Matinsky    A.      Frissonnement,     valse    2 — n 

Durand. 
Matioli  Alessandrini   P.  Appuntamento,  pa- 

rodia  2.50  Ricordi. 


-  Morte    di    Sofonisba    in    parodia,    preludio, 

recitativo  e  nenia  3 —  Ricordi. 

-  Un  fatale  giovedl,   aria   buflfa  5 —  Ricordi. 

-  Un   Sognaccio   5^   Ricordi. 

Matis   Ch.   Avenir,   polka-maz.   5 —  Noel. 

-  Captivity  et  Libert^  2.50  Lo7y. 

•  Homme  a  la  carabine  2.50  Lory. 

■  Mon   premier   Baiser,    galop   3 —   Noel. 
Matkovski  Jean,  Amicitia,  polka  — 40  Idzi- 

kowski. 
Matok    B.    Elfogyott    a    banko.    csarda-s    1.20 
Rozsavolgyi. 

-  Jogfisz-csSrdas    1.08    Rozsaiohij/i. 

Maton  A.  Blumenmadchen  (Les  Moisson- 
neuses)  :  „Nun  eilt  zum  Garten"  (Passez, 
passez  joyeuses),  Gesangs-Walzer  2 — ,  P 
2 —  F'urstner. 

-  Fiorella,   valse   rondo  5 —  Heugel. 

-  Louise,  valse  de  concert,  P  2.50  n,  0  2.50  n, 

p.  s.  a  — 20  n  Demets. 

-  Romance,  Cor  et  P  2.50  n  Evette. 

-  S^r6nade,   0   1.50  n,   p.  s.   si  — 15  n  Demets. 

-  Suzcn   3—,   Ch.  n.    1—   Noel. 

-  Trompete,    valse   2 —  n,    0    2 —  n   Pares. 

-  Vagues   bleues,    valse   2.50  n    Demets. 

-  Vieille    chanson,    0    1.50  n,     p.  s.    a    — 15  n 

Demets. 

-  Voltigeurs    de   la   32e,   polka   militaire   4 — 

Jovhert. 

-  Willis,  valse  chant6e  2.50  n  Durand. 

Maton    H.    Ave    Maria,    SATB    2.50  n    Pere- 

golly. 

■  Berceuse,   VP  6 —  Hamelle. 
-Caprice-Mazurka   2.50  n    Hachette. 

-  Ecce  panis,  solo  av.  Org  1 —  Katto. 

-  El#gie,  romance  sans  paroles,  P  5 —  Girod. 

-  Jeunes   Epoux   3 —   Katto. 

-  Marche  nationale   1.75   Schott  Fr^res. 

-  O  SalUtaris,  N.  1—2  a  1—,  N.  3  1.35  Katto. 

-  Pange   lingua    ou    Tantum   ergo,    a   3  voix 

eg.   av.    Oig   1.75   Katto. 

-  Tantum   ergo,   choeur,   av.   Org   2 —   Katto. 

-  Verbum  Caro,  ou  Tantum  ergo  et  Genitori, 

a   3  A'oix  eg.  av.  Org  2 — ■  Katto. 
Maton  L.  op.  9  Valse,  ^ms  2 —  Schott  Frdres. 

•  Cloches  du   Soir  2.50   Cranz. 

-  Donnez   3 —  Katto. 

-  Douce   brise,    romance   — 85    Schott   Freres. 

-  Insulaire,    m^lodie   — 85    Schott    Fr&res. 

•  Rosita,   polka-maz.   2.50  Katto. 

Matosch  Dr.  A.  Friihlingsg'sangl,  TTBB  1— 

Dietrich. 
Matossi      Lorenzo,      Gewitterregen :      „Wie 

grimm  du  magst  die  Fliigel  schlagen",  P 

1 —  Polyhymnia. 

-  Spielmannsweise,  P  1.50  Polyhymnia. 

Matouschek  P.  Eo-ffmann:  Op.  17  Kliisener- 
Marsch  —80. 

-  Slovanska   Ifpa,    variace   na   ceske   nftrodnl 

plsn§,   VP  2.50,  VO  5.60. 
Matras    Maud,   op.   8     Ballade,     VP    1/— n 
Augener. 

-  12  Barcarolle,  P  2/ —  Novella. 

-  I   saw  thee  weep  4/ —  Willeoeks. 

-  Love's  Fate  4/ —  Willeoeks. 
-Minuet    (A),   P   1/6  n   Jefferys. 

-  Oil !   come !   4/ —  Willeoeks. 

-  Rgverie   sympatliique,    VP    1  /6   Jefferys. 


Matray  E.  Monokli-polka-maxur 


320     — 


Mattausch  A.  Bomance 


Matray  E.  Monokli-polka-mazur  1.20  E6zsu- 
volgyi. 

-  Tiirista-tipego,  polka  1.20  Ilarmonia. 
Matriculant    A.    Univer.sity,    galop,    P    — 50 

Brainard. 
Matrimonion   1 — n,  Ch.  s.  — 35  n  EveiUard. 

Matschie  E.  op.  10  Milrchenzauber,  Ton- 
stiick,   P   1.20   Teich. 

-  11    Som^enir    de    Moscoii,    danse    russe,    P 

1.20  Teich. 

-  12    Zariza,    russische    Mazurka    1.20    Teich. 

Matschinsky  R.  2  Liedor,  TTBB:  1.  Alles 
hat  seine  Zeit:  „Im  Lenze  lafit  mioli  Zie- 
hen". 2.  Vaterlandisch  Weinlied :  „Wor 
mochtc   niclit   beim   Ecbensaft"    1.80   Bote. 

Matt  A.  E.  Hawke."}:  An  evening  Ramble, 
suite,    FullO    3—,    SmallO    2.50. 

-  Angelus,  carnival,   FullO  2 — ,  SmallO  1.50. 

-  Boulognaise,  mazurka,  P  2 — ,  0  2.50,  kl.  0 

2—   Roehr. 

-  Coquetterie,   FullO   1.50,   SmallO   I—. 
-Dawn   Idyl,   FullO   1—,   SmallO  —75. 

-  Devotion  rustique,   Cornets,  w.  FullO   1 — . 

-  Devotion    rustique,   angelus,    P   V, — ,    FullO 

2/-. 
-Evening   Ramble:    1.    March.    2.    Nocturne. 

3.  Caprice,  FullO  3—,  SmallO  2.50. 
-Norwegian  Scenes,  FullO  .3—,  SmallO  2.50. 

-  2   Piecen :   Angelus,   reverie   und   Carneval, 

capricietto,     P     1.20,     0   4.50,    kl.    0    3.50 

Roehr. 
-Romantic  Suite,  FullO  3—,  SmallO  2.50. 
-Rural   Scenes,   FullO   3—,   SmallO   2.50. 

-  Sunset,   FullO   1—,   SmallO  —75. 

-  Sunset,    reverie,    P    2/—,    FullO    2/—,    oct. 

1/4. 

Matta  jr.  Exercicios  de  Mecanismo,  P  1.20 
Neuparth. 

Matta  Arthur  L.  Lord  keep  us  safe  this 
night,   vesper    (on   Card)    — /I    'Novello. 

Matta  J.  E.  Marcha  funebre,  P  1 —  AV<- 
pohixo. 

Matta  J.  F.  Saudades  de  minha  terra,  maz. 
1 —  Onimarvies. 

Matta ress  V.  Ricordi:  Op.  8  Maria,  ma- 
zurka in  forma  di   Studio  3 — . 

-  121  II  Moro,  recitative  e  romanza,  con  VcP 

4—. 

-  123    Primi    Elementi     per     la     Scuola     del 

Canto,   ossia   introduzione   ai   solfeggi   elf- 
mentari   7 — . 

-  125   Galop  di  bravura,  P  4 — . 

-  126    Pensiero    sull'opera    La     Contessa     di 

Medina    di    C  h  e  s  s  i,    P    1.50. 
-258  Les  Bavards,   P   1.50. 

-  316    On    the   banks    of   the    Thames    (Sulle 

rive   del   Tamigi),   P   2 — n. 

-  Cristoforo      Colombo      di      Franchetti, 

quattro  riduzioni,  FIP :  N.  1.  L'uman  re- 
taggio,  il  Dubbio,  omai  m'afTerra  (Co- 
lombo) 2 — n.  N.  2.  Ecco  la  spiaggia  lul- 
gida  (Colombo)  1.50  n.  N.  3.  Dunque  ho 
sognnto?  (Colombo)  2 — n.  N,  4.  Ah,  il 
dl  della  vendetta  (Anacoana)  e  Torna 
giustizia  in  terra  (Colombo)  1.75. 
-Fantasia   sopra   motivi    napoletani,    P    3 — . 

-  Germania    di    Franchetti,    quattro    ri- 

duzioni,   VP,    FIP:    1.    Prologo:    L'ultima 


sua  parola,  o  Rieke  (Federico).  2.  Quadro 
I.:  No,  non  chiuder  gli  occhi  vaghi  (Fe- 
derico). 3.  Appena  il  suolo  santo (Worms). 
4.  Sempre  piangeva,  e  se  chiedevo  (Jane), 
a   1.50  n. 

-  Lezioni    di    Armonia    musieale    dettate    per 

rendere  facile  o  spedito  lo  studio  di  tale 
scienza  4 —  n. 

-  Lorenza  di  M  a  s  c  h  e  r  o  n  i,   quattro   ridii- 

zicni,  VP:  N.  1.  Sono  figlia  alia  Madonna 
(Lorenza)  1.50  n.  N.  2.  Respirare  io  po330 
appena  1  (Lorenza-Susanna)  1.75  n.  N.  3. 
Preludio  1 — n.  N.  4.  Vana  bellezza  miu 
(Lorenza)    1.50. 

-  Melodie  italiane,  ridotte  e  dedicate  ai  Gio- 

vani  Violinisti,  VP:  N.  1.  Longo  A.: 
Barcarola  (dalla  Piccola  Suite,  op.  29,  N. 
6)  1— n.  N.  2.  Lulli  G.  B. :  Celebre  Ga- 
votta  1.25  n.  N.  3.  Boccherini  L. : 
Minuetto  in  Mi  bemolle  (dal  Quintetto  N. 
25)  —75  n.  N.  4.  C  a  t  a  1  a  n  i  A. :  A  Sera, 
andante  mesto  1 —  n.  N.  5.  C  o  r  e  1 1  i  A. : 
Sarabanda  — 75  n.  N.  6.  C  o  r  e  1 1  i  A. : 
Badinerie  — 75. 

-  My  sweetheart  2.50  n. 

-  Souvenir   d'un   voyage   pour   le   Br&sii,    ro- 

mance  1.50  n. 

-  Strofe :    In    fondo    alia    valle,    nell'opera    II 

piccolo   Haydn,   MundCO   2 — . 

-  To.sca   di   Puccini,   due   riduzioni,   Mand 

fV)P:  N.  1.  Solo  di  Tosca :  Non  la  sospiri 
la  nostra  casetta  1.50  n.  N.  2.  Solo  di  Ca- 
varadossi :    E   lucevan  le  .stelle   1 — n. 

Mattarucco    E.      Ricordi 
1  o  n  i),  quadr.  2.50. 

-Ohel   P   1.50. 

-  Trascrizione  varinta   della   romanza:   M'n 

pari   tutt'amor,   nella   Marta,   P   2.50. 

-  Un  breve  soggiorno  in  Milano  2.50. 
Mattausch  Alb.  op.  3  Zwei  Vortragsstiicke : 

Albumblatt,  Berceuse,  FIP  2 —  E.  Hoff- 
mann. 

-43  Zwei  Lieder:  Nr.  1.  0  wie  lieb  ioh  dieh 
1 — .  Nr.  2.  Juninacht :  „Siifiduftende  Lin- 
dtnbliite'"   1.20  Hoffmann. 

-  47  Die  Fahne  des  Kaisers,  Marsch,  P  1.20, 

Harm  2—  n  Sackur. 

-  48   In   monddiimmornder   Lenznacht,    Inter- 

mezzo, P   1.50,   0   3.50   Hoffmann. 

-  52  Valse  piquante,  P  1.50  E.  Hoffmann. 

-  80  ITeimchen  am  Herd,  oder  Das  Gliick  im 

Winkel,   Singspiel   m.   P   5 —  Glaser. 
-81   In  Feuersnot,  Melodram,  m.  P  2 —  Ola- 
fter. 

-  Ein  Lied   vom   Geheimnis,   P  — 60  Fiedler. 

-  Es  gibt  ein  Weinen,  das  nicht  Trlinen  hat. 


Ebreo      (A  p  o  1- 


P- 


Firdler 
doin  Herz,  P 
oin  treues 


-60  Fiedler. 


Herz  gefunden,   P 


P  —60 

-  Gib  mir 

-  Ich  hab' 

Fiedler. 
■  Ich    lieb    und    werd'    dich 
—60  Fiedler. 

-  Liebes-Sehnsucht 

Fiedler. 
-2  Lieder:   1.  Schlaf  audi  dn.  2.  Wenn 
Herzen  scheiden,  P  —-60  Fiedler. 

-  Romance,    VP   2 —  n   Decourcelle. 


1- 


ewig    lieben,     P 

Lied    m.    Text,     P     1— 

zwei 


Mattausch  A.  Somtnernachisxanber 


—    321     — 


Mattel  T.  op,  41 


-  SoiLinoiiinchtszauber,   kl.   Konzertstudie,   P 

1 —  Hoffmann. 

-  Themis-Galo])p    — 50    Hofinviitcr. 
Mattavelli    S.    B.      8    grandi    Studi,    Fl    5— 

Ri(  oriU. 

Mattel  Cesare,  Siate  felici,  mazurka  2.50 
Carisch. 

■  Un  saluto  agli  sposi,  mazurka  2 —  u  Ca- 
risch. 

Mattel   F.  Cent  Francs,  valzer  4 —  Mariani. 

-  Esposizioue    italiana,    valzer    5 — ,   ^ms    6 — 

Mai  iani. 

-  Esposizioue  di  Londra,  valzer  5—,  fac.  3 — , 

■ims  6 —  Mariani. 

-  Souvenir  de  Turin,  valzer   3.50  Mariani. 

-  Vittoria,   valzer   3 —   Mariani. 

Mattel  F.  M.  /'.  .1/.  1/ar«ei-Niee:  >?astia- 
Marche  2 — •. 

-  Derniere   lettre. 

-  Fantaisie    printaniere,    chanson. 

-  Fine,   mazurka. 

-  Paris,    printemps. 

-  Plotinette. 

-  Toujours  belles.     Labb4. 

-  Valse  de  I'oubli,  lettre  valsee  2.5u  u. 
Mattel    Gentlll    C.   Uu   Sospiro   alia  Polonia 

1.50  Ricordi.     . 
Mattel   G.  F.  Bandiera,  P  2 — ■  Mariani. 

-  II  Trovatore,  P  3.50  Ricordi. 

-  Traviata,  P  3 —  Ricordi. 
-Trovatore,  valzer  3.50  Ricordi. 

Mattel   J.   H.  T.  Lieb'   Herz,   /;.  u.  t.  a   1.50 

Bosworth. 
Mattel   P.  Ries  d-  Erler :  Bei  dir   1.50. 

-  Forget  me  not   1.50. 

-  Forgat  mig  ej,  schwedische  Ausgabe    (Alt) 

1.50. 

-  Vergifimeinnicht    1.50,    mehrst.    Ges.    Part 

—80,  St  a  —30. 

-  Vicino    a    te !    Parafrasi    ritmica    3.50    Ma- 

riani. 
Mattel  Padre  S.  (1750—1825).  Ricordi: 
Bassi  numerati  per  aecompagnare,  ridotti 
ad  intavolatura  a  2VVa,  opera  postuma 
tratta  dalloriginale  esistenta  nella  ricca 
Biblioteca  del  Liceo  :\Iusicale  di  Bologna 
(in-8)    —Ion. 

-  Pratica    d'accompagnamento    sopra    B    >iu- 

raerati  e  Contrappunti :  Parte  I.  Pratica 
d'accompagnamento  5 — -  n.  Parte  II.  Con- 
trappunti da  due  a  otto  parti  sopra  la 
Scala  ascendente  e  discendente  iu  ambo 
i  modi,  coll'aggiunta  di  parecchi  Con- 
trappunti a  quattro  parti  finora  inediti 
3.50  n. 

Mattel  S.  Messa  a  2  voci,  con  Org  1.50,  la 
sola  parte  di  canto  — 50  Musica  sacra. 

Mattel  Tito  (1841),  op,  14  Un  soir  d'autorane 
nocturne,  P  7.50  Leduc. 

-  15    Le    Tourbillon,    premi&re    grande    valse 

8 —  Leduc.  1.50  Michoio,  5/ —  Ashdown, 
2 —  Bevilacqua,  Napoleno,  1.50  Dot6sio, 
— 60  Neuparth,  Sassetti,  — 45  Johansen, 
Jurgenson,  — 40  Seywang,  Gehethner,  Gut- 
heil,  1 —  Lundquist,  Warmuth;  fac.  7.50, 
Jtms  9 —  Leduc,  6/ —  Ashdown,  — 60  Gut- 
heil,  — 75  Leopas;  vide:   Op.  22. 

-  16  L'lntrfipide,  galop  6 — ,  4ms  7.50  Ledu-\ 

Universal-Handbuch  der  Musikliteratur.    M. 


-17  L'lllusion,   nocturne    (N.   2),   P   5—  Le- 
duc. 

-  18   Dause   des   feuilles,   P   7.50   Leduc,    1.80 

AndrS,  — 60  Brainard,  — 50  Ditson,  2 — 
GuiviarTies,  — 35  Jurgenson,  J/ms  9 —  Le- 
duc, 2—,  0  3—,  kl.  0  1.50  Andre. 

-  19  Chant  de  I'exile,  P  6—  Leduc. 

-  20    Mergelina,    barcarolle,     P     6 —     Leduc, 

4/ —  Ashdoum,  1 —  Schott,  — 50  Brainard. 
-21    (op.  31)   Pas  de  charge,  P  7.50,  J,ms  9— 

Leduc. 
-21    Die  Eigensinnige   1.50  Aiidr^. 
-22  Vaillance,  fantaisie-polka  6 — ,  47ns  7.50 

Leduc. 
-22    (op.    15)    Tourbillon,    gr.    valse    chante 

2—,    P    1.50    (erl.    1.50)    Andr4,    J.    Schu- 

berth,  — 40   Ditson,  — 75   Gordon,  Presser, 

2.50    Guimuraes,    Jfins    2.60,    8ms    4.50,    0 

5—,  kl.   O  2—  Andre. 

-  23   Nenf-huit,   nouv.   valse   7.50   Leduc,   2 — 

Andre,   2.50   Bevilacqua. 

-  25  Harpe  celeste,  P  5 —  Leduc. 

-  27    Bouquet    de    fleurs,    valse   brill.    P    8 — 

Leduc,  2.60  (erl.  1.50)  A7idr4,  2/6  Ascher- 
berg,  —40  Ellis,  5 —  Ricordi,  —50  Neu- 
parth, 2.50  Napolea.0,  3—  Ouimaraes,  — 60 
Gutheil,  4ms  9 —  Leduc,  6 —  Ricordi,  3/ — 
Ascherberg,  2/ —  'NapoleTxo,  3.20,  Sms  4.50, 
0  5— n,  kl.  0  1.50  n  Andre. 

-  28  La  Gaite,  scherzo,  P  6—  Leduc. 

-  30  Reverie  f(3erique,  P   1.25   Schott. 

■  30  Une  perle,  P  9—  Leduc,  5.50  Ricordi. 
-30    ITua    Notte    d'estate,    nocturne    (N     2) 

P   1.50   Andre. 

-  31  Fenella,  gr.  valse  (N.  3)   7.50  Leduc. 
-31    (op.  21)    Pas  de  charge,  P  4—,  4ms  6— 

Ricordi. 
-32  La  Lyre,  nocturne   (N.  3),  P  7.50  Leduc, 
4 —  Ricordi. 

-  32  La  Harpe,  mglodie,  P  2—  Ricordi,  4/— 

Ashdown,    1 —   Schott. 

-  33    Avant   la    danse,    valse    romantique,    P 

7.30   Leddcc,    1.25   Schott. 

-  34  Gr.  marche  fantastique,  P  8—  Leduc. 

-  34  Le  Nid  et  la  Rose,  P  3—  Ricordi,    -30 

Jurgenson. 
-35    Gr.    Fantaisie     (Puritani),      P    9— 
Leduc,    1.25    Schott,    6 —   Mariani. 

-  36     (op.    4-5)      Bragiotti,    valse    de    concert 

(N.  4),  P  9—  Leduc,  5—  Ricordi. 
-36  La   Harpe   d'eole    (Wallace),   P   1.50. 

-  37     (op.    44)     Impromptu-Caprice,      P    7.50 

Leduc,   5/ —   Ashdown. 
-37    Addio    del    passato     (Verdi),    P    1.25 
Schott,  3 —  Ricordi. 

-  38  A  la  chasse,  P  7.50  Ledtic. 

-  38  Fenella,   valse  de  salon,   P   1.50  Schott, 

—60  Brainard,  Ditson,  —75  Gordon,  4- 
Ricordi. 

-  39    Moulin,    raorceau    de    concert,      P    7.50 

Leduc,  1.75  Schott,  4.50  Ricordi,  5/—  A.ih- 
dow7i. 

-  39  Nouv.   Valse  de  salon,  P  1.50  Schott. 

-  40  Reverie,  P  6 —  Leduc. 

■  40  Echo   de   Naples,   P  2—  Schott. 

-  41   Fgte  champgtre,  P  6—,    (€d.  de  concert) 

8 — ,  .'/ms  9 —  Leduc,  P  5 —  Ricordi,  1.50 
(6d.    de    concert)     2 — ,    4ms    6~    Ricordi, 

21 


Mattei  T.  op.  41 


—     322     — 


Mattei  T.  Ever  near 


2.50    Schott,    4/—,     (ed.    de    concert)    5/— , 
J/ins  6/ —  Ashdown. 
-41    Gr.  marche   fantastique,   P   1.75   Schott. 

•  42  Marche  de  Rakoczy,  P  5 —  Leduc,  1.25 

8choti. 

-  42  La  Lyre,   nocturne,  P   1.50  ScJiotl,  4/ — 

Ashdotott. 

-  43   Roulette,   boutade   musicale,   P   6 —   Le- 

duc,   1.25    Schott,   3.50   Ricordi,  4/—   As/^- 
dotcn,  — 40   Gordon,  Neuparth. 

•  43   Avant   la   Danse,    valse    romantique,    P 

1.75    Scltott,   4.50    Ricordi,   5/ —   Ashdovm, 

— 75    Ditson. 
-44   Charmeupe,    P    G—    Led«c,    1.75    Schott, 

2/6  Ascherherg,  5 —  Ricordi,  — 50  "Wa^rHer 

y   Levien. 
-44     (op.    37)     Impromptu-Caprice,      P    2 — 

Schott,    5.50   Ricordi. 
-45  Petite  valse  de  salon,  P  6 —  Leduc,  1.75 

Schott,  4/ —  Awgrerjcr,  4 —  Ricordi. 
-45   (op.  36)   Bragiotti,  valse  de  concert   (N. 

4)   2 —  Schott,  5/ —  Ashdown,  — 75  Ditson, 

Gordon,  — 60  Ncuparth,  J^ms   1.25   Ditson. 

-A  dream  of  love  (Un  sogno  d'amore),  P 
4/ —  Ashdown. 

-  A   Kiss   and   Good-bye  — 35    Schirmer. 

-  A   la   Chas.se,    P   —75    Schott,    2/6    Asc/ier- 

&t»'£r,   4.50   Ricordi. 

-  A  Summer  Night,   nocturne,   P  4/ —   W/fif- 

-  Adieu  to  the  past,  P  4/ —  Whittingham. 
-Ah   se   m'amassi    2 —   Haclictic. 

-  Aimant    (The   magnet)    morceau    de   salon, 

P   4/ —   Ashdotcn. 

-  Al  mare   1.75   Ilachette. 

-  Alba  5 —   Lemoine. 

-  All  the  world's  a  stage  — 40  Ditson. 

-  Amicizia,   maz.   1.50   Mariani. 

-  Amo   1.75   Huchetie. 

-Amo!  (Ich  liebe  dich),  romanza,  P  — 75 
Schott,  3.50  Ricordi,  — 35  Schirmer,  1.50 
Bevilacqua. 

-  Amore   punto   da   un'ape   4.50   Ricordi. 

■  An    angel   singing   4/ —   Ashdown. 

-  Asciuttapanne  — 50  n   Cottrau. 

-  Attendo    ancora    (I    still   am    waiting)    2 — 

Ihtchette,     3.50     Ricordi,     — 50     Schirmer, 
4/ —  Ashdowv,   1 —  Schott. 

■  Aube  5 —  Heugel. 

■  Aurore   de  bonheur   2 —   Hachette. 

■  Babillage,      morceau     caracteristique      1.75 

Schott,  4/ —  Ashdown,  P  — 40  Bernard. 

■  Bearnais,  galop  de  concert,  P  2.50  Hachette, 

NapolcRO. 

■  Beside  me  4/ —  Ashdoion. 

Be  with  us  Lord  (Invocation)  4/ —  Ash- 
down. 

Bianca  4 —  Ricordi. 

Bleib'  bei  mir  1  (Stay  with  me!)  4 —  Ri- 
cordi. 

Bloom  is  on  the  Rye  (Bishop),  P  4/ — 
Willia7ns. 

Bonheur,  grand  valse  de  concert  5/ —  Ash- 
doun. 

Bouquet    1.75    Hachette. 

Can   it  be  — 50  Ditson. 

Canto  delle  Mietitrici  (Harvest  Moon),  P 
3 —  Ricordi. 


-  Capricciosa  6 —  Heugel,  4.50  Ricordi,  — 75 

Schirm  er. 

-  Capricieuse    6 —    Leduc. 

-  Carina,    mazurka   brillante    4/ —   Ashdoton. 

-  Carita,  bolero  song  4/ —  Ashdown. 

-  C'est  vrais  2—  Hachette,  3 —  Ricordi. 

-  Ce  n'est  pas  vrai !    (1st  es  wahr?)    2 —  Ha- 

chette,  1 —  Bote,  4/ —  Ashdoum. 

-  Chant  des  moissonneurs,  P  — 40  Neuparth. 

-  Chase,  hunting  song  arr.  as  a  march  2 — n 

Ricordi. 
-Che    gioja     (Valzer),    song    4/—    Ashdown, 
— 65   Schirwer,    1.75   Hachette. 

-  Cinderella's  Song  4/ — •  Cramer. 

-  Come  back,  Jeannot  4/ —  Chappell. 

-  Concert  Valse,  Jfins  1 —  Gordon. 

-  Coppa  di  Silen,  brindisi  4/ —  Ashdown. 

-  Coquette,   valse  2 —  Patey. 

-  Coupe   2 —   Hachette. 

-Dancing  Leaves  (Capricciosa),  P  4 —  Ri- 
cordi, 4/ —  Ashdown,  — 35  Ditson,  Jfms 
6 —  Ricordi,  5/ —  Ashdown. 

-  Dans   les    Nuagos,     valse     romantique     2 — 

Rouart,    4/—    Chappell,    0    2 —  n    Meuriot. 

■  Danse    campagnarde,    P    1.25    Schott,    3 — 

Ricordi,  4/ —  Ashdoion. 
-Danse  grotesque   (A  la  Russe),  P  4/ —  Ash- 
do  W7t. 

-  Day  will  come  4/ —  Ashdoton. 

-  Dear   heart  4/ —   Chappell,  — 60   Brainard, 

— 50  Century,  — 10  Mc.  Kinley,  'National 
Music  Co.,  — 50  Schirmer,  CornetP  — 40 
Willig. 

-  Dear  Heart  (&  M  o  1 1  o  y,  Love's  Old  Sweet 

Song),  Baritone  (or  TroJP  — 60  n,  VVcP 
— 60n,  Tro-  or  Cornets.  &  FullO  1.25, 
l.'f  parts  1 — ,  10  parts  —75,  P  —40  Cole- 
man,  P    (Small  wood)    1/ —  Chappell. 

-  Dearest  — 60   Ditson. 

-  Death  or  glory  4/ —  Ashdown. 

-  Deh !    parla,    romanza    3 —    Ricordi,      4/ — 

Aslidoivn,  —65  Schirmer,  1.75  Hachette. 

-  Depart  du  marin  5 —  Leduc. 

-  Del  ar  ej   sant.   transcr.   P  — 25   Gehrman. 

-  Deux   Nids    1.75    Hachette. 

-  Dolce  far  niente  3 —  Ricordi,  1.75  Hachette. 

-  Doute   1.75   Hachette. 

-  Due  Nidi   1.75  Hachette. 

■  Eco   di   Napoli    (B  e  v  i  g  n  a  n  i) ,    Jfms   5/— 

Ashdown,  2.50  Napoleao. 

-  Eh!  Que  veux-tu  de  moi?  1.75  Hachette. 

■  Eifel    Tower,    quadrilles    4/ — ,      J^ms    Aj — 

Whittingham. 

■  Elegante,  morceau  de  salon,  P  2 —  Schott, 

5 —   Ricordi,   4/ — ■   Ashdcivn. 

-  Elle   est   a   moi   2 —   Hachette. 

■  Enchanteresse,    valse    sentimentale,    P    1.50 

Schott,    1 —  Ditson,   Ifms    1.50   Schirmer. 

■  English  &   Russian  national  hymns,  grand 

fantasia,   P  5/-—  Ashdoicn. 
-Entends-tu?    2 —    Hachette. 

-  Espoir,  melodie  vari6e,  P  1.75  Schott,  4/ — 

Ashdown. 

-  Etna,  valse  de  bravore,  P  2.25  Schott,  5 — 

Ricordi,   5/ —  Ashdotcn. 

-  Etoiles  filantes,  impromptu,  P  4 —  Ricordi. 

-  Etude  de  concert,  P  5/ —  Ashdown. 

-  Ever  near  — 50  Ditson. 


Mattel  T.  Fairy's  reverie 


—     323     — 


Mattel  T.  Non  e  ver 


-  Fairy's   reverie,   P  4/ —  Ashdown. 

-  Fantosia    suH'assedio    di    Leida,      Jftns    3 — 

Coftratt. 

-  Farfallono   d(l   villa<jgio  4/ —  Ashdown. 

-  FSle   napolitaine   G —   Heugel. 

-  Fior   di    viola   3.50   Ricordi,    1.75   Hachette. 

-  Fioraia   3 —  Mariani,  2 —  Hachette. 

-  Fislierman's   Bride    (La   Partenzas  del   Ma- 

rinajo)      (Des     Fischers     Abschied)      ^50 
Ellis. 
-Fleur  d'Avril,  scherzo,   /•  4/—  Ashdown. 

-  Fleur    de    Violette    2—    Hachette. 

-  Flirtation,  song  — 60  Ditson. 

-  Flow,  How,  0  river  soft  and  fair  4/—  A.sh- 

doion. 

-  Folleto,   galop   de  concert,   P  4 — ,   I/ms  6 — 

Mariani,   P   4/ — ,   J,7ns   5/ —   Ashdown. 

-  Forget  me  4—  Ricordi,  —50  Ditson,  Rohl- 

-  Forgive   me   4/^   Phillips. 

-  Forsaken  nest  4/ —  Ashdoivn. 

-  Galt^,  scherzo,   P   3/ —   Atigener. 
-Gavotte  mignonne   1.65  n   Leduc,  4/ —  Ash- 

dow7t,  0   1 .50  n  Pomier. 

-  Gentil    prigioniero,    canzoncina      3.50     Ri- 

cordi,   4/ —   Ashdotvn,    2 —    Hachette. 
-Golden    Hours;    To    the    Primrose,    3  keys 
a  2/ —  n   Ascherberg. 

-  Good   old    days,    gavotte   4/ —   Chappell. 

-  Grand    march    fantastique,    P    2/6    Ascher- 

berg. 
-Grande    valse    de    concert,    P    1.50    Schott, 
1 —  Brainard,   — 75    Century,    1 —   Dilson, 
Mc.    Kinley,      Jftns    — 35    Ditson,    1 —    .1/c. 
Kinley. 

-  Harvest  Moon,   P  4/ —  Ascherberg. 

-  He  comes  no  more  — 50  Ditson. 

-  He'll  come  no  more  — 40  Ditson. 

-  He  ne'er  returned  — 50  Ditson. 

-  Hearest  thou  — 50  Ditson. 

-  Here's  your  good  health,  drinking  song  4/ — 

Ashdown. 

-  Hom.mage    a    I'Angleterre,    gr.    valso    brill. 

P  5 —  Ricordi,  5/ —  Ashdown. 

-  Hope  !   4/—  Keith. 

-  Hour  of  Rest  4/ —  Cramer. 

-  I  love  thee  4/ —  Keith,  — 40  Ditson,  Gordon. 

-  Tdylle,  P  2/— n  Durdilly,  1.50  Schott,  5— 

Ricordi,  — 35  Bernard. 

-  II   farfallone   1.75   Hachette. 

-  II   ne  vieut  plus  2 —  Hachette. 

-  II   reviendra   2 —  Hachette. 

-  Tl    tramonto    del    sole,    pensioro    4/ —    Ash- 

down. 

-  In  the  Valley  4/—  Cramer. 

-  Jamais   2 —   Hachette. 

-  J'attends   encore   1.75   Hachette. 

■  Je  I'ai   perdu   1.75   Hachette. 

-  Je  pars!    1.75   Hachette. 

■  Je   t'aime    1.75    Hachette,    1.50   BevUacqita. 

■  Jeg  binder   under   Vingen,   f.  1    St  m.    VP 

— 50  Nordisk   Musikforlag. 

■  Jeune   fille   1.75   Hachette. 

■  Jo  la  perdei,  romanza  4/ —  Ashdown,  —50 

Schirmcr. 

Jovial    Peasant    4/—    Cramer,      —10    Nat. 
Music  Co. 


-  Kocham    — 50  n    Gebethner. 

-  Languore,   romanza  4 —  Ricordi,  4/ —  Ash- 

down. 

-  Leave  me  not  4/ —  Chappell. 

■  Lieb  Herz  — 75  Neldner,  Tr  m.  Harm   1.80, 

CornetO    1.50    Bos  worth. 

-  Lo  scapato,  brindisi  4/ —  Ashdown. 

-  Lord  Roberts,  march,  Full  Band  2/8,  Med. 

2/ — ,  Small  Band   1/4  Hawkes. 

-  Love  is  Life,  song  4 —  Ricordi. 

-  Love  must  come  4/ —   Whittingham. 

-  Love's   thorn   4/ —  Ashdovm. 

-  L  u  i  s  a  Miller,  fant.  P  4—  Ricordi. 

-  Lullaby,  duet  4/ —  Metzler. 

-Luton    Hoo,    P    1.50    Schott,    4—    Ricordi, 
4/ —  Phillips,  — 40  Jurgenson. 

-  Ma  cosi  vuoi   da   me  3.50  Ricordi,  2 —  Ha- 

chette. 

-Malaisienne,  P  6 — ,  Jfms  7.50  Grus. 

-  Mandolinata    (P  a  1  a  d  i  1  h  e) ,   P  4/ —  Ash- 

doivn. 

-  Mandoline,  P  4/ —  Ashdown. 

-  Marche  Orientale    (Bottesini),   transcr. 

4/ — •   Ashdown. 

-  Margherita,  gavotta,  P  4—  Ricordi. 

-  Mildt  i  Vest  gaar  Solen  ned,  m.    VP  — 50 

Nordisk    Musikforlag. 

-  Minuetto    en    la,     P    2 — n    Durdilly,    1.50 

Schott,   4/ —   Ashdown,    0    2 — n   Durdilly. 

-  My  native  land  — 50  Ditson. 

■  Na  falach  — 50  n   Gebethner. 

-  Napoli,    tarantella,      P    5 —    Ricordi,    1.75 

Schott,  4/ —  Ashdoton. 

-  N'en  croyez  rien   1.35   Hachette. 

■  Ne  pars  pas!   4 —  Ricordi,  2 —  Bevilacqua, 

Napoleao. 

He  uoMHHUib  Tu  — 30  Jurgenson. 

He  BepHGTCH  HHKor^a  — 80  Jurgenson. 

Never    more,    an    english    version    of    „Nron 

6  ver"   4/ —   Ashdown. 
Nid   et  la   rose,   m^lodie,   P    1.75   Hachette, 

4/ —    Ashdown. 

Nie  uchodz  ztad  — 40  n   Gebethner. 
Niente    per    forza,     arietta     4  —   Ashdown, 

2 —  Hachette. 
Nocellora  — 50  n   Cottrau. 

Non  k  ver   (1st  es  wahr?  Ce  n'est  pas  vrai) 

3 —  Ricordi,  1.50  Andre,  4/ —  Ashdown, 
Leonard,  Willcocks,  — 40  Century,  — 50 
Schirmer,  2 —  Hachette,  — 30  Sassetti, 
— 30  Jurgenson,  Gutheil,  —40  Leopas, 
1 —  Hirsch;  P  3.50  Ricordi,  4/ —  Ashdown, 
2.50  Hachette,  — 30  Johansen,  Ha  3/ — 
Ashdown,  PV  —60  J.  Fischer,  —75 
Schirmer,  2.50,  FIP  2.50  Hachette, 
CornetP  — 50  Ditson,  — 65  Fischer, 
2VP  —75  J.  Fischer,  MandfVJ  —25  n, 
MandP  1.25  n,  MandG  1— n,  2Mand 
P  1.50  n,  2 MandG  1.25  n  Ricordi;  Mand 
Full  harmony  duo  style  (Stauffer) 
—50  Lyon,  Vc  w.  FullO  1.25,  w.  H  Instr 
1—,  w.  10  Instr  —75,  Mil  Band  1—  Stan- 
dard, Cornets,  w.  Full  Band  2/8,  Med. 
Band  2/ — ,   Small  Band   1/4   Hawkes. 

Non  6  ver,  &  Dear  Heart,  CornetP  — 50, 
TroP  —50,  &  F  a  u  r  e.  The  Palms,  son;:r, 
arr.  by  Glaus,  Ftill,  Reed  and  Brass 
Band  — 50,  single  parts  — 05  Fischer. 

21* 


Mattel  T.  Non  e  ver 


—     324 


Mattel  T.  Sulla  spiaggia 


-  Non  6  ver,  song  for  Cornet,  &  P  u  e  r  ii  <;  r, 

Emma  Waltz,  Cornets.,  &  S  u  1 1  i  v  ;t  n, 
Looking  Back,  song  for  Cornet,  FullO 
—80,  U  Instr  —65,  10  Instr  —50,  P  ace. 
— 20,   single  parts  — 15   Fischer. 

-  Non  partir    (Dear  heart)    4 —  Ricordi. 
-Non  se  perclife   (I  know  not  why),  melodia- 

valzer   4/ —  Ashdown,  — 65   Schirmer,  2 — 
Hachette. 
-Non   se   perche    (WeiC   uiclii,    warum),   mv 
lodia-valzer  4 —  Ricordi,   1.25   Schott. 

-  Non  torno,  romanza  1.50  Andr4,  4/ —  Ash- 

down,  —50  Schirmer,  2—  Hachette,  1.50 
Bevil'acqua,  —30   Gutheil,  Jnrgenson. 

-  Nolturno,   P   2.50   Mariani. 
-Notturno    (N.   6),   P   3.50   Mariani. 

-  O  Eari   dolco  Lari   4/—   Whittingham. 
-Odi  Tu?  4—  Ricordi,  (Der  Schiffer.  Heare^t 

^]Jo^lV)     1—    ,^chott,    — 65    Schirmer,    1.50 
Hachette,   2 —   Bevilacqua. 
-Uh!  dear,  what  can  the  matter  be?  P  4/— 

.Is/K/ottJW. 

-  Oh'  Oh!  hear  the  Wind  blow,  italian  boats- 

man's  song  —50  Schirmer. 
.  Oh !  Leave  me  not  —40  Ditson,  Mc.  Kinle;). 
-Old  Chelsea  4/—  Keith. 

-  QH-b  iiSM'biiHJi'b  (Non  torno)  —30   Qutheil. 

-  Onlv  mine  —10  'Nat.  Music  Co. 
-Orfana,    stornello     2—    Mariani,     2—    ha- 
chette. ,         ,  ,     J- 

-Orph§e  aux  enfers  (Offenbach),  diver- 
tissement, Itms  6/—  Ashdown. 

-  OcTaiibCii,  SpyrT,,   co  mhou  (Reste  avec  moi) 

—30  Outheil. 
-Oxford   and   Cambridge,   quadr.   2—  Pate:i, 

4/ — ^  jfins  4/ —  Leonard. 
-Pale   etoile!    2—    Hachette. 
-Parade  frangaise,  0,     Mattei-Nice. 

-  Parted,  yet  united  4/—  As/idoi^n. 

-  Partenza    de    marinaro    5 —    Heugcl,    —.30 

Jurge7)son. 

-  Pas  de  charge,   morceau   de   salon,   P  4/ — , 

.'/j^is  5/—  Ashdown. 

-Patria  (In  der  Fremde),  canto  2—  Ha- 
chette, 1—  Schott,  3.50  Ricordi,  (My  na- 
tive  Land)    —50    Schirmer. 

-Pearls   and   Rubies,   P   4/—   Metzler. 

-Peine  de  coeur,  P  1.25  Schott,  3.50  Zii- 
cordi,   4/ —  JLs/idown. 

-  Pens6e  fugitive,  nocturne,  P  4/—  J.s?idoio»(. 

-  Pens^e    m6lancolique,    P    1.50    Schott,     4 

Ricordi.    4/—    J.6/idotu«,    —20    Jurgensov. 
-Pesca,  canzone  1.75  Hachette,  2.50  iiicordv, 
4/ —  As/idou-n. 

-  Piccola    fantasia    sopra    Stella    d  i    N  a  - 

poli    (Pacini),  P  2—  Mariani. 
-Pomponette,   gav.   P   1.50   Bevilacqua. 
-Pretty    prisoner     (Canzouciua)     4/ —     A.ih- 

down. 

-  Primavera   2 —    Hachette. 

-Primer  Capricho  elegante,  P  —75   Wagner 

y  Levien. 
-Primrose   time    (in   E  flat,   F    and   G)    4/ — 

Chappell. 
■  Printemps     (Spring    Revel),     valse,      S(A) 

—75    Schirmer,    P    2—    Hachette. 


-  Psyche,    gavotte,    P    1.25    Schott,    4—    Ri- 

cordi, 4/ —  Ashdown,  ■ — 35  Ellis,  — 50  Gor- 
don, Jfms  5 —  Ricordi,  4/ —  Ashdown,  0 
2 —  n   Ricordi. 

-  Quand   tu    Souris   1.75    Hachette. 
-Queen   Marie,   gavotte    (Bottesini)    2 — 

Patey, 

-  Quel   Capitan   4/ —   Cramer. 

-  Rayon   de   Soleil,    impr.   P   2.50  n   Meuriot, 

Rouart. 

-  Reste  avec  moi  — 4  Ricordi,  (OcTaHbCH  3pyri 

CO  MHOH)  — 30  Outheil. 

-  Rgve   d'une   valse    (N.    6),    P    5—   Ricordi, 

2.25  Schott,  5/—  Ashdown. 

-  Reverie  passionnfie,  P  4/ —  AshdoW7i. 

-  R  i  g  o  1  e  1 1  0,   fant.   facile,   P  2.25   Ricordi. 

-  Riman    con    me!      4 —    Ricordi,      1.50    Be- 

vilaec[ua. 

-  Rita,   serenade   2 —   Hachette, 

1.25    Schott,   4/—    Ashdown, 
Gebeihner. 

-  Rose  4/ —    Chappell. 

-  Rosier    1.75   Hachette. 

-  Rothesay,    valse    dansante    4/- 

Ashdoicn. 

-  Sailor's   prayer   — 50   Ditson. 

-  Saltarello,  P  2—  Schott,  5- 

Ashdotvn. 

-  Sancta   Maria,   SATB  2—  n   P4r4gally. 

-  Sans  nom,  P   1.50   Mariani. 

-  Schlummerlied     (Slumber    Song) , 

m.   PV    (ad   lib.)     (Text  deutsch 
1.75    Schott. 

-  Se  tu  m'amassi  — 35  Jurgenson. 

-  Sei  mia,  romanza  3.50  Ricordi,  — 

4/—    Ai-:hdown,    2—    Hachette. 

-  Serenata,   P  6—,  Ifms  7.50   Grus. 

-Si  &  ver    (If  'tis  true?  Sag',  ist  es  wahr?) 
1 —   Schott,  — 65   Schirmer,   2 —   Hachette. 

-  Si    tu    m'aimais    ainsi    toujours    1.75     Ha- 

chette,  — 35    Jurgenson. 

-  Silver  Tide,  serenade  2 —  u  Ricordi. 

-  Sirene,    morceau    de    salon,     P    2 —    Schott, 

4/ —   Chappell,  — 60   Neuparth. 

-  Slumber    Song   4/ —   Ashdown,   — 50    Schir- 

mer. 
-Solitude,   melodic,  P   1.50  Schott. 

-  Song  of  love's  sentinel  4/ —  Ashdown. 
■  Song  of  the  coquette  — 65  Ditson. 

-  Souriez    2 —    Hachette. 

-  Souvenir  de  Craig-y-uos,  valse-caprice  5/ — 

Ashdown. 

-  Souvenir    d'ltalie,    nocturne,    P    4/ —    Ash- 

doion,      2.50    Napole?io,      — -75    Wagner    y 
Levien. 

-  Souvenir    de    Sorrento,    saltarello,    P    —75 

Schmidl. 

-  Stars    Love    the    Night      2/ —    Ascherberg, 

— 40  Ditson. 

-  Stay  with  me ! 

-  Stella    di    Nizza 

von  Nizza)    1 — 

-  Story  Land  4 — 

-  Sull'onda    (Remigata)      4- 

Ashdown,  — 60   Schirmer. 

-  Sulla    spiaggia,    tarantella,    6 —      Lemoine, 

1.25  Schott,  5 —  Ricordi,  4/ —  Ashdown. 


4 —   Ricordi, 
—50    Ditson, 


0    1/- 


Ricordi,  5/ — 


1    Singst 
u,  engl.) 

-75  Schott, 


(Der    Stern 


Ricordi. 
3 —    Ricordi, 
Schott. 

Ricordi. 

Ricordi,     4^' — 


Mattel  T.  Sunshine 


—     325 


Mattern  F.  7  Qesdnge 


-  Sunshine,  impromptu,  P  4/ —  Ashdown. 

-  Sylphes,   morceau   de   salon   4/ —   Ashdou-n. 

-  Tp   ergo   quasumus,    8ATB  — /6   Novello. 
-Thou  art  mine  — 35  Gordon. 

-  Thou  wilt  return  no  more,  an  english  ver- 

sion  of  „Non   torno"  4/ —  Ashdoion. 
■  Through    Sunny   Spain   4/ —   ChappeU. 

-  'Tis    not    true    (Non    b  ver)      — 50    Difson, 

— 40    Gordon,    Mc.    Kinley,      MandG    — 40 
Ellis. 

-  To  be  my  love  4/ —  Leonard. 

-  Tornera    3.50    Ricordi,    4/ —    Whittingham, 

2 —  Hachette. 

-  Tramonto    del    sole,    pensiero,    P    2 —    Na- 

poleao. 

-  Tranquillity,   P   4/ —  Ashdoion. 

-  'Twas  never  so,  an  english  version  of  „Non 

h  ver"   4/ —  Ashdown. 

-  Tu  MH-fe  .ira.ii  (Non  6  ver)  — 30   Oidheil. 

-  Umberto,    a    remembrance    of    the    Italian 

Exhibition,   P  4 —  Ricordi. 

-  IJn  aveu,   m^lodie,  P  4/ —  Ashdown. 

-  Un    bicchier,    ballata    4.50    Ricordi,       (Bei 

dem    Becher)    1.25    Schott,   4/ —   Ashdown. 

-  Un    moment    de    loisir,    P    2 —  n    Meuriot, 

Rouart,  4/ —  Ashdown. 

-  Un   Rosaio   3 —  Ricordi. 

-  Una    perla,    valzer    capriccioso,    song    4/ — , 

P  4/ —  Ashdown,   2.50   Napoleao. 

-  Unexpected   serenade,  P  4/ —  Ashdown. 

-  Valse-galop  de  concert,  P  2.25  Schott,  5.50 

Ricordi,   — 85    Ditson. 

-  Valse  joyeuse  6 —  Heugel. 

-  Venise  dort  2 —  Hachette,  4 —  Ricordi,  4/ — 

Ashdown. 

-  Verlass'   mich   nicht :    „Al3   mir   deiu   Herz 

entgegenschlug"   1.50  Zimmermann. 

-  Vesuvio,  valse  2/6  Ascherierg. 

-Victoria,  gavotte,  P  2—  Durdilly,  1.75 
Schott,  4/ —  Ashdown. 

-  Vittoria,   marcia   3 —   Mariani. 

-  V6  danzar  5 —  Mariani,  4/ —  Ashdown. 

-  Welcome  Shore  4/ —  Metzler. 

-  Were  I  the  Eiver  4/—  ChappeU,  —50  Dit- 

son, Schirmer. 

-  What   joy,   waltz   song  — 60  Ditson. 

-  What  rapture  — 60  Ditson. 

-  What   will   you   do   without  me   4/ —   Ash- 

down, — 60  Ditson. 

-  When  mem'ries  pass  4/ —  Ashdown. 

-  When  the  dawn  awakes  with  glory,  SATB 

— /4  Ashdoion. 

-  When  we  meet  again  4/ —  Whittingham. 

-  Whirlwind,   waltz  — 40   Ellis. 

-BijqHo  j]H)6ii  TM,  ,^pyri,  jioii,  MeHH.  —35 
Jurqevson. 

-  With  all  my  heart  4/—  Ashdown. 

-  White  moon,  serenade,   riduzione  per  pice. 

0   1.25  n  Ricordi. 

-  Woman   of   To-day   4/ —   ChappeU. 

-  Yes !  't  is  true  — 40  Gordon. 

-  Zerlina,   P   2/ —  n    Wickins. 

Mattel  Z.  Fedora  (U.  Giordano), 
arioso  del  T,  Amor  ti  vieta  di  non  amar, 
MandP   1.50  Sonzogno. 

-  Preghiera :    Dio    di   giustizta,    MandP    1 .50 

Sonzogno. 


Mattelnl  R.  op.  8  Porte  Bonheur,  polka 
marcia  2.50  Carisch. 

-  12  Fanny,   notturno  4 —  Carisch. 

-  13   Voce  dell'Anima,   pensiero   4 —   Carisch. 
14  Festa  Campestre,  pensiero  caratteristico 

4 —  Carisch. 

-  15    Canto    del    cuore,     pensiero     romantico 

3.50   Carisch. 

-  16    Tra    i   flori,    divertimento    elegante   4 — 

Carisch. 

-  18  A  sera,  melodia:   Tinto  di  porpora   3 — 

Ricordi. 

-  20  Edelweiss,  divertimento,  P  3 —  Carisch. 

-  22  Edelweiss,  divertimento,  P  3 —  Carisch. 

-  120  Solita  Storia   (Suite  di  5  pezzi  Archi), 

P  12—:  N.  1.  Al  ballo,  valzer.  2.  Di  notte, 
serenata.  3.  Convegno,  duetto.  4.  Trepi- 
dazioni,  agitato.  5.  Finis  amoris,  scena 
drammatica,    k   3 —   Carisch. 

-  Adieu  du  soir,  romance,  P  2 —  Ricordi. 

-  Amore  e  morte,  romanza  2.50  Mariani. 

-  Capinera,  romanza  2.50  Carisch. 

-  Dans  le  vallon,  meditation,  P  4 —  Ricordi. 

-  Danse    des    Papillons,    caprice,    P   4.50    Ri- 

cordi. 

-  Desiderio,    melodia     drammatica     2.50     Ri- 

cordi. 

-  Doux  sommeil,  berceuse-caprice,  P  4 —  Ri- 

cordi. 

-  Fu  sogno?  Melodia  3 —  Ricordi. 

-  Intendimi !    Romanza    2.50    Mariani. 

-  Magenta,  marcia  3 —  Ricordi. 

-  Melanconia,  romanza  2.50  Mariani. 

-  Perchfe   domandi  ?   Melodia   3 —  Ricordi. 

-  Petit  Roi,  menuet,  P  4 —  Ricordi. 

-  Pomponette,  gavotte,  P  3 — ,  MandP  1.50  u, 

MandG  1.25  n,  2MandP  1.75  n,  2MandG 
1.50  Ricordi. 

-  Porte   bonheur,   polka-marcia   2.50    Carisch. 

-  Rgveil  du  Printemps,  idylle,  P  5 —  Ricordi. 

-  Souvenir,  romance,  P  2.50  Ricordi. 

-  SuH'onda,   serenata,   P   5 —  Ricordi. 

-  Ti   ricordi?  Mazurka  2 —  Carisch. 

Matteis  Nicola  (1650),  Suite  Preludio  Adagio 
non  troppo  Arietta  Scaramuccia  for  V  the 
P  ace.   1/6  Augcner. 

-Suite,    VP    (A.   Simonetti)    1.50   Aage- 

ner. 

Matteis  Vincenzo,  Fra  le  Nubi  2.50  Lu- 
pini. 

Mattel  V.  op.  10  Auf  Wiedersehn :  „Son- 
ueiilieht,  Sounenschein  fallt  mir  ins  Herz 
hineiu"   1 —  0.   Dietrich. 

Mattera  B.  Santojanni:  I  corazzieri,  polka, 
MandP  4—. 

-  Lealta,  mazurka,  MandP  3 — . 

-  Reverie,   mazurka,   MandP   4 — . 

-  Riverenza,   mazurka,   MandP   3 — . 

-  Vivandiere  al  campo,  marcia,  MandP  4.50. 
Mattern  C.  L.  2  Lieder   (Ihrer  Majestat  der 

Konigin  der  Niederlande  gewidmet)  :  1. 
Inneres  Gliick.  2.  Wand'rers  Nachtlied 
1 —  Alsiach. 

Mattern  E.  B.iaaceHCTBa  laci  — 50  Seywang. 

-  BuJia  nopa  — 40  Sokolotc. 

Mattern  Fr.  7  Gesange  fiir  3  u.  4  Mannerst: 
1.    Lobgesang :      „Alles,    was    Odem    hat" 


Mattern  F.   7  Gesdnqe 


326     — 


Matthews  J.  Allegretto  con  graxicv 


(4stimm.).  2.  Aiifruf  am  Morgen :  „Wor- 
det  wach"  (4stimm.).  3.  Klage:  „Ein  ste- 
ter  Kampf"  (4stimni.).  4.  Auch  selbst  im 
Winter  (4stimm.).  5.  Fromme  Ahnung: 
„Zu  heil'gen  Kirchenhallen"  (3stimm.).  6. 
Kanon:  „Da  pacem  Domine"  (Bstimm.). 
7.  Kanon :  „Wenn  der  Minne  Dienst"  (4- 
stimm.).  Part  1.25  Breitkopf. 

Mattern  R.  Bratfisch:  Op.  6  Mond,  hast  du 
audi  gesehen  — 30. 

-  8  Zur  Nacht,  Duett  f.  2  Singst,  P  —30. 

-  18  Wenn  im  Schlaf  die  Blumen  nicken,  8, 

A  a  —30. 
- 19  Hab  ein  Roslein  dir  gebrochen  — 30. 

-  Valse-caprice,  P  1 — ,  stO  2 — . 
Matteucci    F.      Montenegro,     Banda,     Part 

1.50  n    Lapini. 
Matteucci   S.  Ave  Maria  1 —  Libreria  Sale- 

siana. 
Matteuzzi    L.    Ave   Maria,    duo    1.25  u    Yen- 

turi. 

-  Povero,   CantoP   1.50  n   Venturi. 

-  Preghiera   alia   SS.    Vergine     di     S.     Luca, 

duo  — 25  n   Veyituri. 
Mattey  U.  Senza  titolo,  P  2.50  Perosino. 

Mattfeld    Marie.   J.   Fischer:   All   Praise  to 

Him,  B  —40. 
-Almighty  Father,  B  w.   V  —75. 
-At   the   Festival,   valse,   ^ms  — 60. 

-  Ave   Maria  — 50. 

-  Ave  Maria,   8  vf.   V  — 75. 

-  Come,   Holy   Spirit  — 40. 

-  Come,    Gracious    Spirit,    8TBar   — 50. 

-  Evening  Blessing  — 40. 

-  God  is  Our  Refuge,  \v.   V  — 60. 

-  Mass  in  honor  of  St.  Cecilia,  0  ace.  3.50  n. 

-  Mass  in  honor  of  St.   Cecilia,   8ATB  score 

— 80,   Voice  parts    1—  n. 

-  Mass  in  honor  of  St.  Joseph,  2  or  4  A'oices, 

score  — 80,   0  ace.   3.50  n. 

-  Mass  in  H   of   St.   Cecilia,   4   mixed   voices 

5/4. 
-O  God,  our  Help,  A  —40. 
-0   Salutaris   —35. 
-O  Salutaris,  STB  —50. 

-  Salve  Regina,  /S  w.   V  —60. 
-Teach   us,   0   Lord  —40. 

-  To  a  Mind  Worn  and  Weary  — 35. 

-  Veni  Creator  — 40. 

-Vespers  and  Magnificat  (Five  Psalms),  SA 
TB  —80. 

-While   Thee   I   Seek   —50. 

Matthaei  August  (1781 — 1835),  op.  4  Sechs 
deutsche  Arietten   2 —  Breitkopf. 

-7  Variationen  f.  V  m.  VVaKb  1.50  Breit- 
kopf. 

-8  Variazioni   (G),  2VVaVc  1.50  Uofmeister. 

-9   2d  Concerto    (B),   VO   7—  Hofmeister. 

-10  Variations  (E),  2VVaVc  1.50  Hcf- 
meister. 

-  18  Rondo  alia  Polacca,   0  5 —  Schlesiv.ger. 
-20    IVwe    Concerto     (E-m.),    VO    8—     Ilcf- 

meister. 
-23  Sechs  frohliche  Gesange:    1.  Die  Fahrt: 
„Wie    ruht     sich's     so     lieblich".      2.    Die 
Kunst:   „Im  Flugelkleid'  strahlt".  3.  Auf- 
ruf  zur  Freude :  „Es  gliinzen  die  Pokale". 


4.  Im  Lieder-Kreise :  „Umschwebt  uns 
heut".  5.  Der  Strom  des  Lebens :  „Wenn 
in  immer  neuen  Bildern".  6.  Die  Arche 
Noah :  „Das  Essen,  nicht  das  Trlnken", 
S8TB  3—,  St  a  —75  Breitkopf. 

■  3   Marsche   — 75    Breitkopf . 

Matthay,    A   Waltz   Whim   4/ —   Asoherberg.. 

-  In  Winter,  P  4/ —  Ascherberg. 

Matthay   Rud.   op.   lb   Zwei  Lieder,   TTBB: 

Ruhe     am     Sonntag.     Abendsegen,     Part 

— 50  n  Leroux. 
-3  Fiinf  Gesange  zu  Ehren  der  allerseligsten 

Jungfrau   Maria,   SATB  1 — n   Leroux. 
Matthay  Tobias  A.    (1858),  Con  Imitazione 

(Preambulo)    in  C,  P  4/ —  Weekes. 
-Elves     (Die     Elfen),     impromptu,     P     4/ — 

Weekes. 

-  Fairy's  serenade,   SATB  — /4   Leonard. 

-  Nocturne,  P  4/ —  Ashdown. 
-Pamphlet,   VP  4/—  Chanot. 

-  Prelude  from   Studies   in   form   of   a  suite,. 

P  4/ —  Weekes. 

-  Rose   Message  2/ —  n   Weekes. 

-  Scottish  Dances  a.  Melodies,  P  4, —  Pater- 

son. 
Matthes    Ernst,    op.    2      Zwei    musikalische 
Vortragsstucke,   VP   1.80   Bohm. 

Matthes   Paul,   op.   10  Heinrich  vom  Kegel- 

klub  1.50  Teich. 
Matthes  R.  Ach  herrjeh,  Coupl.  1 —  Banner. 

-  Aiigen  links   1.50  Banner. 

-  Das   alte   Faktotum :    „Mancher   Meusch   in 

dieser  Welt  hat  schon  den  Boruf  ver- 
fehlt",    Soloszene    1.20   Riegert. 

-  Das     gestorte     Feuerwehr- Jubilaum,     Solo- 

szene 1.50  Banner. 

-  Der  Reise-Onkel   1.20  Riegert. 

-Ein  Berliner  Aklien-Budiker   1.20   Riegert. 

-  Gedaukenleser :  ,,Es  heifit  zwar  die  Sprache 

sei  da  in  der  Welt",  Soloszene  1.20  Rie- 
gvrt. 

-  Herr  Haase  mit  der  grofien  Nase  1.20  Rie- 

gert. 

-  Hof-Troubadour,   Soloszene   1.20   Riegert. 

-  Instruktionsstunde    1.50   Banner. 

-  Kriiuter-Sammler,    Soloszene    1.50    Banner. 

Mattheson  J.  (1681—1764),  Air  (&  Mo- 
zart: Ave  Verum  Corpus),  VcP  — 80 
Hug,  — 50  Fischer. 

-  Air   auf   der   G-Saite    (B  u  r  m  e  s  t  e  r  W.) , 

VcP  (J.  van  L  i  e  r) ,  FIP  (A  r  y  v  a  ii 
L  e  e  u  V  e  n)    1- —   Schle singer. 

-  Bourrfie  u.  Rigodon    (Moffat   Alfred),. 

VP  1.50  Sehott. 

-  Doppel-Fugen,  P  2.50   Hofmeister. 

-4   Giguen,   P    (E.   Pauer)    1 —  Breitkopf, 
-Gigue   Nr.   4    (E-m.),   P    (C.   Reinecke) 

—30   Breitkopf. 
-Jig.    P     (Edward    MacDowell)    —40 

Schmidt. 

-  Meuuett,   VcP   1—  Hug,  — 40  Fischer. 

-  Sarabande    (G-m.),    VcP   2/ —   Augener. 
Matthewman  J.  Night,  m.  — 20  n  Presser. 
Matthews  J.   Weekes:  A  Handbook  for  the 

Org  2/ —  n  Augener. 

-  A  Legend  of  the  Wood,   VP  4/—. 

-  Allegretto  con   grazia,   P   3/ — . 


Matthews  J.  Anc/els  from  the  realms        —     327     — 


Matthey  J.  H.  op.  80 


-  Angels  from  the  realms  of  glory  — /2   Pit- 

iiutn. 

-  Bless  the  Lord,  O  my  soul,  SATB  — /4. 

-  Incarnation,    Christmas    anthem     --/3    Pil- 

nian. 
-2  Minuets  N.   1.    (C-ra.),  2.    (B),  P  h  3,—. 

-  Mother  to  Her  Child,  w.   V  4/—. 

-  My  Lips  shall  greatly  rejoice,   w.   Vc  4/- — . 
-Organ   Compositions:    N.    1.   Andante   3/^ — . 

N.  2.   Allegretto  4/—.   N.   3.  Reverie   1/— . 

-  Sere  Tints  of  Autumn  4/ — . 

-  Short    Voluntaries,    movements     from     the 

works    of    celebrated    composers,     Onj,     4 
books  a  1/ —  n  Augener. 
-Sonata    (C-m.),   Org  5/—. 

-  Song  of  the  Streamlet    (G)   4/—. 
-Te  Deum    (F),   SATB  — /4. 

-  There   is  dew   for   the   flow'ret,   SATB  — /3 

Novello. 

-  Veil   your  bright   heads,   anthem  — ,'2    Pit- 

VI  a  II . 
■  Well   of  St.  Keyne,   SATB  — /3. 

-  Zion,  anthem  — /2  Pitman. 

Matthews  J.  G.  June  roses,  waltz  — 40  Dil- 

son. 
Matthews    John    H.    Novello:    A    ConSr'ia- 

tion   Hymn  — /I. 

-  Memorial   of   Consecration,   confirmation   & 

First   Communion    (on   Card)    — /2. 

-  The  story  of  the   Cross  &  Hymn   ,,0   come 

&  mourn  with  me  awhile"  — /3. 
Matthews   J.   S.   Serenade,   Org  — 40    /.   /"/- 

seller. 
Matthews  T.   R.   Novello:  Benedicite    (in   E 

flat)    — /17> 
-Hymns  for  the  Bereaved:    1.  How  ihey  .«o 

softly  rest,   2.   Sleep  after   sorrow,  Ti  — ;1. 

-Jubilate  (in  C),  four  voices,  or  unison 
—/o. 

-  Kyrie    Eleison    (Four    Settings)      —/V'.. 

-Magnificat  and  Nunc  dimittis  (iu  D),  4 
voices,  or  unison  — /3. 

-  North   Coates   Supplemental   Tune    Book,   u 

collection  of  120  tunes  2/6. 

-  Saviour,   breathe   an   evening   blessing    (C) 

2/ — . 

-  Soldier's   Hymn  — /I. 

-To  Deum    (in  G)   — /2. 
-Te  Deum    (in  E)   — /2. 

-  Village  Chant  Book,  a  collection  of  i^ingl^i 

&   double   chants,   suitable   for   r;inging    in 
unison  — /6. 

-  Village    Organist,    a    series    of    short    eutv 

voluntaries,    by    eminent    modern    compo- 
sers, Org  5/ — . 

Matthey,    Sonatine,    J/ms    1.25    Bo&uoylh. 

-  Spansk    Reveille,    Karakterstycke,    P    — 75 

Gehrnian. 

Matthey  G.  F.  Introduzione  e  Variazioni 
sulla  Romanza  d'Isolina  di  Mori  a  c  c  h  i, 
P  2—  Ricordi. 

Matthey  H.  Ashdown :  Carinthian  sojig.^ 
(Karntner  Weisen),  P  3/ — . 

-  Tn  spring-time    (Aus  der  Friihlingszeit ) .   /' 

3/-. 


-Morning  serenade  (Morgenstandchen) ,  P 
3/—. 

-  The    spinning    wheel,     characteristic    piece, 

P  3/—. 

Matthey  Jul.  Herm,  op.  20  Das  VergiS- 
meinnicht:  „Freundlich  gliinzt  an  stiller 
Quelle"  (Miichler),  SATB,  Part  —40, 
jede  St  — 15  Kistner. 

-22  Waldlied,  TTBB  1.10  Portias. 

-  23    Liebchen,    o    reich     mir     den     gold.-jien 

Krug,  TTBB   1.10  Portius. 
-24  Abendtrost    (Sstimm.),   TTBB  2.20   Por- 
tilts. 

-  42  0  bleib  bei  mir,  P  1 —  Portius. 

-  43  Triiume  siifi  vom  Paradies,  P  1 —  Por- 

titis. 

-  44  Voglein  in   den   Zweigen,   Idyll,  P  — 20 

Ruhle,  1(2)F10  2— n   Oertel. 

-  46    Echo    im    Walde,    Salonstiick,    P    —20 

Rdlde. 

-  47    Spharen-Musik,     Salonstuck,      P     —20 

Riilile. 

-  48   Aufzug  der   Wachtparade,   militarisches 

Tougemalde,    P   —20   Riihle. 

-  50    Vaterlandstreiie,     Defilier-Marsch      1 — 

Feuchtinger. 
-51  Siegeskliinge,  Defilier-Marsch  1 —  Feuch- 
tinger. 

-  52    Freudiges    Wiedersehn,    Salonstiick,    P 

1.20  R.  Dietrich. 
-53   Tf^nz-Album   fiir   die   Jugend,   6   leichte 
Tanze,   P   1.20  R.  Dietrich. 

■  54    0    Maienzeit,    o    Liebestraum,     P     1 — 

Portias. 
-56  Stilles  Gluck,  Idylle,  P  1.20  Dietrich. 
-57    Fiiililingsnacht,  'Polka-Rondo,      P     1.20 

DietricJi. 

-  58   Silberquell,   Melodic,   P    1 —   Dietrich. 
-59   Elfenspiel,   P   1.20   Dietrich. 

-  60  Karntner   Weisen,   P   I —  Ung. 

-  61   Aus  der  Jugendzeit,  P  1 — ,  KM,  IM  a 

1.50  n,  mO  2 — n   Hug. 

-  62  Morgenstandchen,  P   1.50  Hug. 

-  63  In  der  Spinnstube,  P  1.50  Hug. 

-  64  Fanfare  militaire,  P  1.50,  0,  mO  a  2 — n, 

KM  1.50  n  Hug. 

-  65  Kliinge  von  der  Aim,  P  1.50  Hug. 

■  66  Unter  der  Linde,  P  1.50  Hug. 

-  67  Blumentraum,  P  1.50  Hug. 
-68  AbendUiuten,  P  1.50  Hug. 

-  70  0  schone   Friihlingszeit,   P  1 —  Portius. 

-  71    Siifie    Heimat,     P    1—,      u.    Friihlings- 

traume,   P   1 —  Portius. 

-  80  In  Wald  u.  Flur,  5  leichte  u.  molodische 

Stiicke,  P:  1.  Ins  Freie,  2.  Im  Wiesen- 
grunde,  3.  Im  Tannenwalde,  4.  Reigeu  um 
die  Linde,  a  1 — .  Nr.  5.  Beim  Forsterhause 
1.20  R.  Dietrich,  N.  2.  In  the  Meadow 
—30  Ditson. 

-81   Daheim,   Melodic,  P  1.20  R.  Dietrich. 

-82  Siifies  Geheimnis,  Salonstuck,  P  1.50 
R.  Dietrich. 

-  83     Die    Schlittschuhliiuferin,     Scherz-]M;iz. 

P   1—   R.  Dietrich. 
-85  Iwara,  Salonstuck,  P  1.30  Andre. 
-86  Froher  Sinn,  Salonstuck,  P  1.30  Andr6. 

-  89  Ich  griiCe  dicli,  Salonstiick,  P  1—,  2VP 

1.80  Andr^. 


Matthey  J.  H.  op.  91 


328     — 


Matthison-Hansen  F.  Cantilena 


-91  JTiirchenbilder,  leichte  Tonstiicke,  P 
3 — :  I.  Marsch  der  Wichtelmanner.  Daum- 
ling.  Dornroschens  Erwachen.  Der  gestie- 
felte  Katcr.  IT.  Der  Engel.  Die  Hirschkvih 
im  Walde.  Der  standhafte  Zinnsoldat.  III. 
lliibezahl.  Hans  im  Gliick.  Schneewittchen. 
IV.  Briiderchen  und  Schwestercben.  Lo- 
reley.  Hansel  imd  Gretel.  V.  Dornroschen. 
Bremer  Stadtmusikauten.  Aschenbrodel. 
VI.  Gulliver.  Rotkappchen.  Hase  und 
Igel.  Der  Tannenbaum,  6  Hefte  a  —60 
A.   Iloffmwnn. 

-  92  Abendglocken,   romant.   Tonbild,   P   1 — , 

0   1.50  n  Schuherth  jr. 
-93    Standcheu    aus    Malaga     (Serenade    es- 
pagnole),  P  1 — ,  0  2 — n  Schvherth  jr. 

-94  Span.  Eeveille,  P  1—,  0,  mO  a  3— n 
Schuherth  jr. 

■  95   Drei   Lilieu,   Festmarsch   — 20   Rilhle. 

-  96  Vom  Fels  zum  Meer,  P  1.20  Riihle. 

■  130    Unser    altes,    liebes    Zeitz,    Marsch,    P 

— 75  Jubclt. 

■  Auf zug    der    Wachtparade,    m  0    2.50,    kl.  0 

2—,    hni   2—   Oertler. 

■  Danse    macabre,    pofeme    symphonique,    von 

Saint-Saena,    jnO,      Diirand. 

■  Der  kluge   Peter,   TTBB   1.40  Reinecke. 

■  Deutscher    Jiigcrmarsch   — 60   August  in. 

■  Deutsches    Bannerlied :      „Brause    nur,     du 

Feindeswoge",  TTBB  1.20  Licht. 

■  Ein   Ilocb   dem   deutscheu   Biere,   Volkslied 

1—  TTBB    1.50   Portius. 

■Einkthr:  „Bei  eineni  Wirte  wundermild", 
TTBB   1—  A.   Eoffmann. 

Geburtstagsmarsch   1 —  Portius. 

Gitana,    valzer    (B  u  c  a  1  o  s  s  i) ,    viO,     Du- 

rand. 
Hurra,  Germauia-Marsch,  0  1.50,  kl.  0  1.20 

0.  Dietrich. 
Kampf  und  Sieg,  Militar-Marseh   1.20,  KM 

1.50,  IM  2—  Apollo. 
Konzertstiick     (C-m.),     VcP    1.75,    0    2 — n 

A.   E.  Fischer. 

■  Liebchen,   ich  bin   dir   so  gut,   0   1.50   Por- 

tius. 

Prinz   Eitel  Friedrich-Marsch,  0   3 —  n,   sO 

KM    2.50  u  Junne. 

■  Prinz  Eitel  Friedrich-Marsch,  G  3 —  n,  sO 

2 —  n  J  mine. 

2    Salontanzo:       1.    Immergrun,    Polka,    2. 
Maiglockchen,  Rheinljiuder,  a  1 —  Ehrlich. 
•Serenade,   VcP  3 —  A.  E.  Fischer. 

■  Simor.    und    Delila,    grofie    Fantasie,    mO, 

Durand. 
■Sufi  ist  die  Bub',  TTBB  —80  A.  Eoffmann. 

■  Tambour    von    Bazeillcs,    Marsch    — 80,    0 

1.50  n   Ocrtel. 

■  Tip,     Top,     gesellschaftlicher     Figurentanz 

1 — ,   Beschreibung   1 —  n   //.   Oppenhe inter. 

-  Unserm  Kaiser,   P  — 50  Portius. 

■  Vaterlandstreue,     Defilifr-^.Iarsich,      P     1 — 

Fcuchtinger. 

■  Venetia,   Walzer    (L  o  w  t  li  i  a  n) ,   mO,  Du- 

rand. 

-  Weifit    du    Muatterl,    was    i  trilumt    hab'? 

Fantasie,  0  2 —  u  Oertcl. 


Matthey  U.  Augrii,  polka  brillante,  P  2 — 
Perosino. 

-  Du   Lies   Elsass  4 —  Perosini. 

•  Fleur  d'espgrance  5 —  Perosino. 

Matthia  A.  Gavotte,  Vc(V)P  1.80  Eein- 
richshofen. 

2  Sarabanden,   VcE(Org)  od.  P  1.20  Eein- 
richshofen. 
Matthiae  Ernst,  op.  2  Adagio,  P  1.25  Eug. 

-  14   Friedensmar.sch,   J/ms  — 80   Rieter. 

-20  Grande   Marche,   J^ms   1.40   Eug. 

Matthias  A.  4  Improvvisi,  P :  1.  Rubin- 
stein A. :  Oro  scorri  ai  miei  piedi,  2. 
Chopin  F. :  L'Anellino,  3.  Lassen  E. : 
Ah !  patria  mia,  4.  Canzone  Veneziana, 
a  2 — •  Ricordi. 

Matthias  Fr.  H.  Orgelbegleitung  zu  dem  f. 
den  Internationalen  Gregorianischen  Koq- 
grefi  in  Strafiburg  i.  E.  zusammengestell- 
ten  Cantus  varii   1.80  n  Pustet. 

Matthias  G.  Fruhling::;blatter,  P :  6  Skizzen 
3—,  Nr.  2    1—  Ries  d  Erler. 

•  2    Pensees,    P    1 —   Schlesinger. 
Matthias  W.  op.  15  Fiir  Kaiser  und  Reich, 

Marsch   —80    Tcich. 

-  25   Trautes   Lieb,    o    sei   mein,   Walzer    1 — • 

Teich. 

-  35     Mausi    sei    siifi,    Walzerlied     1.20     0. 

Dietrich. 

-  87   Amor's  Herzens-Schule,  P   1.20   Eisoldt. 
-221  Ich  hab'  dich  so  lieb,  P  1—  O.Dietrich. 

-  222  Unter  Rosen,  P  1—  0.  Dietrich. 

-  Aber  mit  Schmalz,  Duett   1 —  Eoffheinz. 

-  Das    ist    von    Bendix,    nicht   von    Linderer, 

kein  Gedicht,  Duett  1 —  Eoffheinz. 

-  Gott,  viras  for'n  Stufi,  Duett  1 —  Eoffheins). 

-  Im  Grunewald  is  Holzauktion  — 40  Fischer. 

-  Im  Giunevvald  is  Holzauktion,  schottische, 

u.  O.  Teich,  Lebt  denn  meine  Male 
noch?  waltz,  11,  Instr  —80,  10  Instr  —60, 
P  ace.  — 15   Fischer. 

-  Unsere   Feuerwehr,   Marschlied    1.50   Block. 

-  Weltuntergang   1 —   0.  Dietrich. 

Matthieu,  Imperiale,  nouv.  danse,  P  — 24 
Bote. 

Matthieux  J.  (Frau  Prof.  Kinkel)  (1810  bis 
1858),  op.  17  Sechs  Lieder :  Nr.  1.  Blaue 
Augen :  ,,In  ahnungsvollem  Glanze."  2. 
Schwarze  Augen :  ,,Ach,  in  dem  funkslu- 
den."  3.  Abendruhe:  „Gelehnet  lag  ich  an 
dem  Baum."  4.  Die  Stimme  der  Geliebten : 
„Lai5  tief  in  dir  mich  lesen."  5.  In  der 
Bucht :  „Es  scliliofit  der  dunkle  Wald  uns 
ein."  6.  Welt,  o  Welt !  wie  liegst  du  so 
weit:  „Auf  einsam  hohem  Turme"  2—; 
Nr.  2,  4  h  —50,  Nr.  6  —80  Bote. 

-  Die   Vogelkantate,   musikalischer   Scherz   f. 

5   Knaben-  oder  Mlidchen-St  m.  P    (F.  X. 
E  u  g  e  1  h  a  r  t) ,      Part    3.50,      St    a    —30 
Coppenrath. 
Matthison    Arthur,      Though      parted      4/— 
Ascho  berg. 

-  Un   efery   pody   please    (a   broken   German 

ballad)    3/ —  Ascherberg. 
Matthison-Hansen    Fred,    Cantilena,    B-dur, 
VE   1—  Simon. 

-  Cantilena,    B-dur,    f.    V(Ob)    m.    OrgEafP) 

3.60   Simon. 


Matthison-Hansen  F.  Choral 


—     329 


Mattiacci  A.  Tradito 


-Choral   m.   Variationen,    Org    1.25    Hansen. 
-4    Romancer    og   Sange:    B0lge    mod    Kyst. 

Folkesang:    Dybt    inde    under    Dovrefjold. 

Ved  Vuggen :  'Sov,  min  lille.  Solnedgang : 

Nil    daler    Solen    sagte    ned   — 60    Nordisk 

Musikforlag. 
-Trauermusik       (Priiludium      und      Trail  >: - 

marsch),    Org    1.25    Hansen. 
Matthison-Hansen  G.  (1842).  Breitkopf :  Op. 

1    Drei    Charakterstucke :    Abeudlied.    Hii- 

moreske.   Notturno,   P    1 — . 

-  2  Drei  Mazurken,  7'   1 — . 

-  5  Trio,  F-dur,  PVVc  9—. 
-6    Drei    2-handige    Klavierstiicke :    Scherzo, 

Can/.ouetta,   Humorcske   1.50   Hansen,  2— 
Breiikopf. 

-  7  Humoreske,  P  1 —  Hansen. 
-8  Festpolonaise,  P   1—  Hansen. 

■  10   Drei   2-handige   Klavierstucke    2—. 
.  11   Senate,  PV  6—. 

■  12  Novellette,  PVc  3.50. 

-  13  Vier  Konzert-Etiiden,   P  2.50. 

-  14    Vom     nordischen    Mythenkonig     Frode 

Fredegod,   Ballade,  P   1.50. 

-  15  Konzert  fiir  die  Org  3—  Kahnt.  { 
-16  Sonate    (F),  PVc  7—,  PVa  7— . 

-  18  Zwei  Postludien,  Org  1.25   Hansen. 

-  20   Scherzo   et   ]\Ienuetto   grazioso,     P    2 — 

Nord.   Musikforlag. 

-  21  Jubelfantasie,  P  1—  ^ord.  Musikforlag. 

-  22  Gavotte,  P  —70  Nord.  Musikforlag. 

-  24  Geistl.  Festlieder,  Nr.  1—3  a  1—  Hansen. 

-  25  Zwei  Orgelkompositionen  1.25  Hansen. 

-  26  Zwolf  Priiludien,  Org  1.50  Hansen. 

-  27  Drei  Tonstiicke,   Org  2.50  Hansen. 

-  28  Advent,  Tonstiick,  Org  1—  Hansen. 

■  29  Trauermusik,  P  — 75  Hansen. 

-30  Legende,  PVc  2—  Nord.  Musikforlag. 

-  31    Nun   ruhen    alle   Walder,  Konzertstiick, 

Org  2 —  Hansen. 

■  32  Cantabile,  Org  1.50  Hansen. 

■  33  Fantasie  iiber  ein  danisches  Kirchenlied, 

Org  1.50  Hansen. 

-  34  Marche  elegiaque,  Org  1.50  Hansen. 
-36    Meditationen,'4    Stimmungsbilder,    Org 

2 —  Hansen. 

■  38  Trauermusik,   Org   1.50   Hansen. 

-40    Passacaglia    (C-m.),    Org    2.50    Hansen. 
-41   Hymne:   „In  natali   Domini",  zum  Kou- 
zertgebrauch,  Org  1.75  Hansen. 

-  Andante    f  unebre,    Org    (S  v  e  n  d  s  e  n    J  o- 

h  a  n)    1.50   Simon. 

■  Piano- Album   3 —   Hansen. 
Matthison-Hansen     H.      Hansen:      Aus    St. 

Johannes    Offenbarung,  Oratorium  t.   Soli, 
Chor   u.   0(P  od.   Org),  Part  4.50,   Chorst 
—40,   Solost  a  —30. 
•  Beim   kommenden  Tode,  SATB   u.   Org(P), 
Part  1—. 

-  Canzonetta,  17',  VOrg  a  1 — . 

-  Choral   von  S  c  h  u  1  z,   mit  Priiludium   und 

Variationen,  Org  1 — . 

-  6  Fantasien,  Org  h  1 — . 

-  Konzert,  Allegro,  Org  1 — . 

-  Kyrie  eleison  1.25. 

-  Leichte  Prliludien,  Org   1 — . 

-  6  Postludien,  Org,  I— II  a  —70. 

-  Priiludien  und  Postludien,  Org  1 — . 


April, 


>.    (D)    a    5— 
S.    Ingemann 


-  46  Praludien,  Org  4.50. 

-  50  Praludien,  Org  1.75. 

-  3  Romances   1 — . 

-  6  Sinfonien,  Org,  a  2 — . 

-  Thema  von  Haydn,  Org  1 — . 

-  Trauermarsch  — 60. 

-  Vater  unser,  8ATB  u.  Org(P)  —75. 
Matthison-Hansen  Waage    (1834),  8. 

Festmarsch,  0,  Part  1.50  Hansen. 

-  Chanson   arabe,   liMandMandola20,  Part  u. 

St  2 —  Hansen. 

-  Chant    national    Bearnais,    JfMandMaG    2 — 

Hansen. 

-  Des  Grafen  Tod  2 —  Hannen. 

-  Durch  den  Wald,  6  Klavierstucke:   1.  Vor- 

wjlrts,  2.  Einsam,  3.  Lichtschimmer,  4. 
Kecken  Muts,  5.  Am  Stege,  6.  Preis  dem 
Walde,  a  — 75  Hainauer. 

-  3  Fantasiestiicke,  VP:  Der  Sommer.  Schwa- 

merei  (auch  V  od.  Vc).  Die  drei  Schwc- 
stern    (Liebeslied)    2.25  Hansen. 

-  Fra    Valdemar    Atterdays    Tid,    Karakter- 

stykker,  P  2 —  Hansen. 

-  Gennem  Skoven,  6  Klaverstykker  1.50  Nor- 

disk   Musikforlag. 

-  5    Skizzen,   P    1.50   Hansen. 
-2    Trios,    PVVc,    1.    (G-m.), 

Hayisen. 

-  Under    Korset,    Salme    af    B. 

— 60  Nord.  Musikforlag. 

-  Vor-  und  Nachspiele,  Org  — 60  Hansen. 
Matthyssens  M.  Pitaiilt:  A  la  vogue  3— n 

Oounin. 

-  Badinage  1 —  Schott  Freres. 

-  Bereevse  — 85   Schott  Freres. 

-  Bauderie,   melodic. 

-  Ce  que  j'aime  en  toi   1.75  n. 

-  En  baisant  tes  yeux  1 —  Schott  Freres. 

-  Gavotte    des    Seigneurs    d'or,    MandP    1.35, 

a^•.  0  6 —  Schott  Freres. 

-  J'ai  bu  tes  larmes,  chant,  av.  VP   (ad  lib.) 

2— u. 

-  Marquisette,   P   1.35   Schott  Freres. 

-  Matin   1.75  n. 

-Melodies:  1.  Qui!,  2.  Parallfeles,  3.  Noel 
de  Pierrot,  4.  Lied,  5.  Pastorale,  6.  Chan- 
son tendre,  7.  Gavotte  d.is  seigneurs  d'or 
(0),  8.  Papillonnade,  9.  Bonjour  prin- 
temps,  10.  Pourquoi  pleurer  (en  2  tons), 
11.  Noel,  12.  Les  Cloches,  a  1.35  Schott 
Freres. 

-  Message     triste     „Arioso",     S     dramati'ine 

1.75  n. 
-Missel  d'amour   1.35   Schott  Freres. 

-  Promeiiad^i    revee    1.35    Schott   Freres. 

-  Reaouveau   1.35   Schott  Freres. 

-  Souffrance  d'aimer   1.35  Schott  Freres. 

-  Souhaits  b'?rceurs   1 —  Schott  Freres. 

-  Vous  aimer   1.75  n. 

Mattiacci  A.  Bidcri:  'A  figlia  'e  Rosa  —50, 
Mand   — 10  n. 

-  Metodo  per  Mand,  2.  parte  3 — . 

-  Nasceta,   pasceta    e  morte   —50. 

-  'O  Bersagliere  — 50,  Mand  — 10  n. 
-'0    Silenzio   —50,   Bfand  — 10  n. 

-  Ostriararo  — 50,   Mand  — 10  n. 

-  Stella  stfe  —50,  Mand  —10  n. 

-  Tor'   0  pazzo  — 50,   Mand  — 10  n. 

-  Tradito    —50,  Mand  — 10  n. 


Mattingly  A  Thought  of  Thee 


—     330 


Mattiozzi  A.  Sard  I'ultimo? 


Mattingly.  Ellis:  A  Thought  of  Thee,  waltz 
—60. 

-  Ave  Maria    (Look  down,  0  Lord)    — 40. 
-Foot  Ball   Lancers,  P  —50. 

-  Fou  you  and  me,  yorke,  P  — 40. 

-  Limb   of   the   law,   polka  — 40. 

-  Look    down,    O    Lord    — 40. 

Mattini     F.      Leonard:      Asthey      marched, 
marc  he  inilitaire  2/6. 

-  Beautiful  isle  of  the  sea,  P  2/6. 

-  Bon   fcoir,   schottische,   P  2/6. 

-  Charming    Polka   2/6. 

-  Com<3  dwell  with   me,  P  2/6. 

-  I'd  be  a  butterlly,  P  2/6. 

-  Isle  of  beauty,  P  2/6. 

-  Matchless,   schottische,   P   2/6. 

-  Meet  me  by  moonlight,  P  2/6. 

-  My  pretty  page,  P  2/6. 

-  O  say  not  woman's  heart,  P  2/6. 

-  Rock  me  to  sleep,  P  2/6. 

-  Rocked  in  the  cradle,  P  2/6. 
-Streamlet    (Shield),   P   2/6. 

-  Striking   pjlka   2/6. 

-  Sunday  echoes,  12  choice  sacred  themes,  7'; 

1.  In  native  worth  (Haydn),  2.  Cujus 
animam  (Rossini),  3.  O  had  IJubal's 
lyre  (Handel),  4.  With  verdure  clad 
(Haydn),    5.    Sound    the    loud    timbrel, 

6.  Dead  march  in  Saul,  7.  Heaven  is  my 
home,  8.  Agnus  Dei  (Mozart),  9.  Be- 
fore Jehovah's  (Madan),  10.  Holy,  holy 
(Handel),  11.  Kyrie  (Mozart),  12. 
Sun  of  my  soul,  a  1/ — . 

-  Sweet    Melodies,    a    collection    of    favourite 

pieces,  Jfrns:  1.  Grand  Russian  march,  2. 
Hours  there  were,  waltz,  3.  Carnival  of 
Venice,  4.  Home,  sweet  home,  5.  The 
yourig  recruit,   6.  The  huntsmen's  chor  is, 

7.  Au  banquet,  8.  Jerusalem,  thou  that 
killest,  9.  The  parting  hope,  10.  The  gipsy 
counte.ss,  11.  Sun  of  my  soul,  12.  La  mia 
letizia,  13.  Nora  Creina,  14.  Rory  O'More, 
15.  The  moreen,  16.  Peaceful  slumbering, 
17.  The  lass  o'  Cowrie,  18.  Scots  wha'  hae. 
19.  A  Highland  lad,  20.  Bonnie  laddie, 
21.  The  rose  witliout  rue,  22.  Let  us  haste 
to  Kelvin  grove,  23.  Rule  Britannia,  24. 
God  save   the  Queen,   a  1/ — . 

-  Tramp,  tramp,  P  3/ — . 

-  When    Johnny    comes    marching    home.    P 

2/6. 

-  When  thy  bosom  heaves  a  sigh,  P  3/ — . 

-  Why  chime  the  belL^  so  merrily,  P  3/^. 
Mattioli    Gugl.    Canzone    a    Maria    SS. 

chiusa    del    Mese    Mariano,    a  3    voci 
Org    1 —  n    Bertarelli. 
-4   Canzoncine   unite   3 — n   Bertarelli. 

-  Dixit    Dominus,    a  4    voci    2—,    Parti 

canto  —80,  ridotto  a  3  voci   1.60  Lihreria 
Salesiana. 

-  Immacolata,      contemplazione    mistiea     per 

soli,    doppio    coro    e  gr.  0    15—   Bertarelli. 

-  Inno  Religiodo,  Org  _60  Musica  sacra. 

-  Messa  a  4  voci  eguali  con  Org  3.50  Musica 

sacra. 
■  Messa    facilissima    a  2    voci    con    Org     (ad 
lib.)    2.50  Bertarelli. 


per 
con 


del 


-  Messa  in  onore  di  Sant'Antonio  di  Padova 

per  coro  di  4  voci  con  Org  3.50  Bertarelli. 
■  Minuetto   2 —   Forlivesi. 

-  Offertorio,    Pastorale    e    Musetta,    Org(U) 

1.50  n  Bertarelli. 

-  Pensitro  affettuoso  2 —  Forlivesi. 

-  Ricordati  di  Me,  rom.  ital.  2 —  Qtiimara.es. 
-Saceidos  et  Pontifex  a  4  voci   dispari  oon 

Org  — 35  Musica  sacra. 

-  Scherzando   sul   prato   2 —  Forlivesi. 

-  12  Sonatine  premiate  nel  Concorso  indatto 

dal  giornale  Musica  Sacra,  Org  2 — :  N. 
1.  Offertorio  —50.  N.  2.  Preghiera  —35. 
N.  3.  Piccolo  scherzo  a  canone  — 50.  N.  4. 
Corale  —50.  N.  5.  Preludietto  —35.  N.  6. 
Offertorio  —50.  N.  7.  Elevazione  —35. 
N.  8.  Preludio  —50.  N.  9.  Ripieno  —50. 
N.  10.  Marcia  —35.  N.  11.  Elevazione 
—35.  N.  12.  Toccata  brillante  —70  Musicx 
sacra. 

-  Tantum   ergo   a  4   voci   con    Org  — 80   Mu- 

sica sacra. 
■  Tantum  ergo  per  voce  di  B  o  per  coro  al- 
I'unisono  con  Org  — 60  Musica  sacra. 

-  Versetti  per  la  Novena  del  S.  Natale  servi- 

bili  anche  per  offertori  a  2,  3,  4  voci  pari 
con  Org  3 —  Musica  sacra. 
Mattioli    H.    Gait€    Rochoise,    marche,    Mus. 
mil.     Imp.   Mergault. 

-  Post  Mortem,  marche  fun&bre  „en  souvenir 

des  n.orts  de  Courri&rs",  Ilarm(Fanf)  2 — 
A  I'Accord  parfait. 

-  Souvenir    de    France,    marche    mil.     1.50  n 

8 an  do z. 
Mattioli  L.  Ricordi:  Op.  1  Scherzosa,  P  2—. 

-  2  Au  bord  de  la  mer,  barcarolle,  P  4.50. 

-  18  Habanera,  morceau   de  salon,   VcP   1.50 

Kistner. 
■  19   Consolation,   impromptu,   VcP  2 —  Kiit- 
ner. 

-  20    Renaissance,    gavotta    per    archi,    ridu- 

zicne,  P  3 — . 

-  22  Ghiribizzi,  scherzo,  P  3 — . 

-23  Deux  Morceaux  de  Salon,  VcP:  1.  Dan.se 
montagnarde.  2.  Etude  de  Concert  2.50 
Kistner. 

-29   Berceuse,   VcP   1—  Bote. 

-  30   Petite   Valse,    VcP   1.50   Bote. 

-  31   Impromptu,  P  — 40  Schroeder. 

-  Fantf.sia,  con  P,  sull'Africana  6 — . 

-  Youth  Waltz  — 60  Jennings. 

Mattioli    Lino,    op.    25     Youth    Waltz     —60 

Jennings. 
Mattioli    V.      Elegia     sopra     motivi     di 

Verdi,  0  3.50  n  Ricordi. 
Mattiozzi  A.  Agla&  2—  Mariani. 
-Barcarola,    eseguita    nella    commedia : 

sorprese  del   Divorzio  2 —  Carisch. 

-  Danza  di  Gioia  1.50  Ricordi. 

-  Eleganza,   valzer   4—,   MandP   5—,   MandO 

4 —  Bratti. 

-  Fanti,  marcia,  Banda  3 —  Mariani. 

-  Gioie  d'amore  1.75  Ricordi. 

-  Ilarita   1.75   Ricordi. 

-  Luisa   1 —  Ricordi. 

-  Marcia  nazionale,  Banda  2 —  n  Bratti. 

-  Sar6  I'ultimo?  Marcia  militare  2 — ,  Banda 

4 —  Ricordi. 


1 


G. 


Le 


Mattiozzi  A.  Sospiro  dell'anima 


—    331 


Mattiozzi  R.  Hulda 


■  Sospiro    dell'anima,     mazurka,    Banda    3 — 

Muiiuni. 

-  Un  pensiero  a  Dante,  marcia  1.50  Ricordi. 

•  Uno   Scherzo    al    Veglione,    P    1 —   Ricordi. 

■  Viva    la    Pipa,     polka     2—.     MandP     2.50, 

MandG   2—  Bratti. 
Mattiozzi   P.  Concerto,   Tr  con   Banda,  Part 

8 — ,  p.  obi.   1.50  Lapini. 
-Sonnambula,  concerto  per  quart.  Part 

6 —  Lapini. 

Mattiozzi  Rodoifo.  Ricordi:  A  EUe,  Le 
Depart,   maz.   3 — . 

-  A  gl'  Italiani,  marcia  2 — . 

-  Aci  e  Galatea,  valzer   3 — . 

-  Adelina,  schottisch  1 — . 
-Air  de  ballet,  P  7.50  Heugel. 

-  Al    Popoto   romano,   gran   marcia   triouf  ale 

3 — ,  4ms  5 — ,  0  8—  n  Mariani. 

•  Aldora  la  Spagnola   1.75  n. 

-  All'    Esercito    italiano,    Roma !    Polka-maz. 

1.75. 

-  Alleanza   Itals-Franca   3.50. 

-Amcr  fedele,  polka  2.50,  ^ws  4—,  VP,  FIP, 
CIP  a  3—,  V,  Fl,  CI  a  —75  Joubert,  2.50, 
P  2—. 

-  Amore   e   sdegno,   polka   2 — ,   fac.   2 — ,   Jfms 

3—,  VP,  FIP  a  3—,  FIVP  3.50,  V,  Fl  &  1  — 
Mariani. 

-  Andremo  al  Ballo,  valzer  3.50. 

-  Avant  et  apr&s,   polka  2 — . 

-  Battaglia   di   Magenta,   valzer   2.50. 
-Battaglia   di    Magenta,   galop    1.50. 

r  Battaglia    di    Magenta,    polka-marcia    1.50. 

-  Battaglia   di   Magenta,   fantasia   guerriera, 

.'/ms  8 — :  N.  1.  Aurora,  Sveglia,  Pre- 
ghiera  del  mattino  5 — .  N.  2.  Bivacco, 
valzer,  marcia,  polka  5 — .  N.  3.  Canto  na- 
zionale  francese,  galop  3.50.  N.  4.  Fanfara 
dei  Bersaglieri  e  Inno  guerriero,  mazurka 
e  marcia  reale  4 — .  N.  5.  Attacco  e  Bat- 
taglia 7.50.  N.  6.  Marcia  trionfale  e  Fi- 
nale 4.50. 

-  Bellagio,  P  —40,  Mand  —20,  MandP  —70, 

MandG  —50,  BMandP  1.50,  2MandG  —70 
Rebagli. 

-  Britannia,  valzer  6 —  Heugel,  4 — . 

-  Britannia,  valzer  allegro,  canto  4 — . 

-  Caccia,   polka   2 — ,   fac.   2 — ,   ^ms   3.50   Ma- 

riani, Jims  2.50,  VP,  FIP,  CIP  &  2—,  V,  Fl, 
CI  a  —75,  Mand  —25,  m.  Banda,  Part 
4.50. 

-  Camicia   rossa,   raarcia  polka   2 —  Mariani. 

■  Canipanello,   polka   1 — . 

-  Canto  marziale  dei  Soldati  Italiani,  per  T 

B  2.50,  in  Part  per  Banda  e  Canto  5—. 

-  Canzone   d'Aprile   2.50. 

-  Canj.onetta   3 —  Bratti. 

-  Capi  ice-mazurka,   P   4 —   Mariani. 

■  Caprices   des   femmes,   valzer   4 — ,   ^ms   G — 

Mariani. 
Cari.Uon,  polka  2 — . 

-  Carlotta,  maz.   1.50. 

■Casse-cou!    Galop   de   concert,    P    4 —    Jfa- 
riajii. 

Castelli  in  aria,  album,  P  8 — :  N.  1.  Illu- 
sioni  perdute,  valzer  3.50.  N.  2.  Estasi 
amorosa,  mazurka  2 — .  N.  3.  Avant  et 
apris,   polka   2—.      N.   4.    Dejanira,   schot- 


tisch 1.50.  N.  5.  Mes  Chateaux  en  Espa- 
gne,  quadriglia  2.25.  N.  6.  Les  temps  s'on 
va  I   Galop   2 — . 

-  Charmante  et  cli&re,  maz.   1 — . 

-  Chateaux  en   Espagne,  quadr.   2.25. 

-  Conte  di   Monte-Cristo,   ballabile,  P  2 — . 

-  Cristinita,   schottisch   2 — . 

-  Da  Torino  a  Eoma,  galop  2.50. 

-  Dagli   una   latta!   Polka   2.25. 

-Dagli  una  latta!   Polka  2 — ,  Ifms  3 — ,   Vr^, 
FIP,  CIP  a   1.75  n,  V,  Fl,  CI,  a  1.25. 

-  Dance  of  love,  waltz  song  — 75  Ditsoyi. 

-  Danse    d'amour    2 — ,    P    2 —    Ilachette. 

-  Danza    d'Amore,     valzer     chant6e     5—,     P 

3.50,  ^ms  5—,  VP,  FIP  a  3.50,  Mand 
— 25  n,  m.   Banda,  part.   10 — . 

-  Dani,a   degli  Astri,  valzer  3.25. 

-  Danzatrice,  maz.  2.50. 

-  Debardeurs,  album  da  ballo,   P   8 — :   N.   1. 

La  Speme  perduta,  valzer  3.50.  N.  2.  L'Tn- 
comprensibile,  polka  2.25.  N.  3.  Souvenir 
du  Chateau  de  Vaus,  mazurka  2 — .  N.  4. 
Passo  di  carica,  galop  militare  2.25.  N.  5. 
La  Festa  dei  fiori,  quadriglia  2.25. 

-  Dejanira,   schottisch   1.50. 

-  Desio,   polka.    Canto,    P  a   2.50,    (E.   B  e  r- 

nardi)    1.50. 

-  D^sir,  polka  chantee  4 —  Lediic. 

-  Desir6e,   polka-maz.   4 —   Mariani. 

-  D^sii^e,   schottisch  2 — . 

-  Don  Cesare  di   Bazan,  polka   1.50. 

-  Douce   amitig,   polka-maz.   5 —   Heugel. 

-  Elena,   polka   2.50. 

-  Emma,   polka   — 10,   VfMatidJ   — 10  Salani. 

-  En  c basse,  polka  4.50  Heugel. 

-  Estasi   amorosa,   maz.   2- — . 

-  Fantasia,  TrP  6—. 

-  Fantastica,   polka   2 — . 

-  Farfalle,   P  —40,   Mand  —20   Rehagli. 

-  Festa  dei  fiori,  polka  brill.  P  3 —  Cariscli^ 

Mariani,   Jfms  4 —   Carisch. 

-  Festa  dei   Fiori,  quadr.  2.25. 

-  Fior   di   Maria,   valzer   3.50,   Ifms  4 — ,    VP, 

FIP,  CIP  a  3.50,   V,  Fl,  CI  a  1.25. 

-  Fleur   de   Printcinps,   polka-maz.    5 —   Hen- 

gel. 

-  Florence,   valzer   3.50. 

-  Folie,  caprice-polka,  P  5 —  Heugel. 

-  Follia,    polka    1.50,    VP,    FIP,    CIP    h    1.25, 

V,  Fl,  CI  a  —75. 

-  Follie  Carnevalesche,  album,  P  15 — :  N.  1. 

Una  Gita  di  piacere,  galop  3 — .  N.  2.  La 
Danza  degli  Astri,  valzer  3.25.  N.  3.  A' 
Elle.  Le  Depart,  mazurka  3 — ■.  N.  4.  Bal- 
labile-Valzer  nel  ballo  Aci  e  Galatea  del 
Coreografo  Bini  3 — .  N.  5.  Elena,  polka 
2.50.  N.  6.  Desir^e,  schottisch  2—.  N.  7. 
Souvenir  d'Oriente,  marcia-polka  2 — .  N. 
8.  Le  Gioie  del  Carnevale,  quadriglie  2.25. 

-  Gage  d'amiti^,   polka   1.50. 

-  Germania,   marcia   militare   5 —   Bratti. 

-  Gioie  del  Carnevale,  quadr.  2.25. 

-  Giuletta,    polka    2.50. 

-  Globo  aereostatieo,   valzer  4 — . 

-  Godiamo,   polka  chantee   1.75  n  Le  Beau, 
•  Grar.de  marche   3.50. 

-Hulda,   maz.   2—,    VP,   FIP,   CIP  a  2—,    V, 
Fl,  CI  a  1.25. 


Mattiozzi  R.  II  tuo  euore 


332     — 


Mattolini  P.  Spexia 


-  II   tuo  cuore,   P  —40,   Mand  — 20,   MandP 

— 70,  MandG  — 50   Rehagli. 

-  lUusioni   perdute,   valzer   3.50. 

-  Incomprensibile,   polka   2.25. 

-  Inno  di  guerra  2 —  ilariani. 

-  Inno   in   onore    del    C  a  v.   Bettino   R  i- 

c  a  s  o  1  i  per  TB  3 — . 

-  Invincible   galop    1.75,   47ns   4 — ,    VP,   FIP 

CIP  a  2—    V,  Fl,  CI  a  1.25,  Mand  —25  n. 

-  Italia,   polka-marcia   2 — . 

-  Jardin  du  ciel  2—  Hachette. 

■  La  mia  gondola,  maz.   1.50,   VP,  FIP,  CIP 
a  2—,  V,  Fl,  Cl  a  1.25. 

-  La    prima    Esposizione    del    regno    d'ltalia, 

marcia  2.50. 

-  Le  rendez-vous,  P  —40,  Mand  —20,  MandP 

—70,  MandG  —50,  2MandP  1.50,  2MandO 
— 70  Rebagli. 

-  Le  temps  s'en  va!    Galop  2 — . 

-  Libera  zione    de    Lisbona,    ballabile,    P    3 — 

Ricordi,  gr.   potp.    Banda,    part.   8—   La- 
pini. 

-  Liebcsreigen     (Danza     d'amore) ,      Gesaag- 

Walzer  1.80,  P  1.30,  4ms  1.80,  PV  1.30,  0, 
Part  3 —  n  Fiirstner. 

-  Lieto   avvenire,   schottisch    1.25. 

-  Lisetta,    polka-mazurka    3 — ,    Jfms    4 —    Oa- 

riscli. 

-  Mabille,   mazurka   2 — . 

-  Magenta,   gr.   marcia   3 — . 

-  Marcia   militare  —40,   J/awd  —20,   MandP 

—80,  MandG  —50,  2MandP  1.50,  2MandG 
—70,   JfMandP  2—  Rebagli. 

-  Marianni,  canzone  pop.  P   1.50   ilariani. 

-  M  a  r  t  a,   polka   2 — . 
-Mascyrade,   polka-maz.   5—  Heugel. 
-Mazurka  estr.  della  fantasia:   Battaglia  di 

Magenta   1.50. 

-  Mazurka  de  salon  6 —  Noel. 
-Mazuika  sentimentale,  maz.  3.50. 

-  Meteore,  P  —40,  Mand  —20,   MandP  —80, 

Mat.dG  —50,  2MandP  1.50,  2MandG  — 7o! 

-  Mie  Delizie,  maz.  2 — ,  J,ms  4 — , 

-  Montebello,   marcia   2 — . 

-  Muse,  quadr.  2 — . 

-  Napoleone  III,  marcia  guerriera  2—. 
-Omaggio   all'Esercito   italiano,   marcia   2—. 

-  Oro  non  compra  amore,  valse  7.50  Heugel, 

-  Pas  de  chance,   quadr.   2 — . 

-Passo   di   carica,   galop   militare   2.25. 

-  Pazza  gioia!    Polka   1.75. 

-  Pipa    1.75  n   Jouhert. 

-  Pipa  1    Capriccio,    chant^e    2.50. 

-  Plus   des   tristesse,   polka    3 —   Mariani. 
■  Polichinelle,   polka   1—   Hachette. 

-  Prigioniero   3 — . 

-  Primavera,  polka  2 — . 

-Quand    tu    m'aimais    1.50    Ricordi,    Guima- 
raes. 

-  Raggio   di   felicita,   valzer,   chant^e   5—,   P 

4—,   4ms   6—      VP,   FIP,   MandP     a    4.50, 
MandG  4 —  Bratti. 

-  Rayon  de  Bonheur,  valse  chantee  2—,  .^ws 

3 —   Hachette. 
-Ricordi    del    passato,    P   —40,    Mand   —20, 

MandP  —70  Rebagli. 
-Risa  coli,  marcia  2 — . 

-  Risorgim.ento,  marcia  1.50. 


-Roma  Capitale,  album,  P  12—:  N.  1.  Ro- 
mani,  valzer  4—.  N.  2.  Giulietta,  polka 
2.50.  N.  3.  Mazurka  sentimentale  3.50. 
N.  4.  Scherziamo,  polka  2 — .  N.  5.  La 
Danzatrice,  mazurka  2,50.  N.  6.  Cristi- 
nita,    schottisch   2 — . 

-  Romance-^tude,  P  2.50. 
-Romani,    valzer   4 — . 

-  Rose  des  bois,   melodie    (parole   it.-fr.)    2 

Mariani. 

-  Sancta  Maria,  MS  con  P(H)  ad  lib.  2 — . 

-  Sara,  polka,  MandG  — 10  Salani. 

-  Scherzando,   capriccio-polka,   P  2.50. 

-  Scherzando,   polka   1.50. 

-  Scherziamo  I   Polka  2 — . 

-  Sempre  con  te !   Maz.  2.25. 

-  Sempre   elegante,   mazurka  2 — . 

-  Senza  pretensione!  Polka  2—  Carisch. 

-  Senza   pretensione,  schottisch   1.50. 

-  Solferino,   valzer   3 — . 

-  Sospiro    dell'anima,    maz.    3 — ,    VP     FIP    a 

2—,   V,  Fl  a  1—  Mariani. 

-  Souhait   de   bonheur,    maz.    2.25. 
-Souvenir  d'Orient,   polka-marcia  2 — . 

-  Souvenir   de   Miramar,   maz.   2.50. 

-  Souvenir   du   Chateau   de   Vaux,   maz.   2 — . 

-  Speme   perduta,   valzer   3.50. 

-  Spring  flowers,   maz.  song  —50  Ditson. 

-  Stella   d'ltalia,   polka   2—   Mariani. 
■  Sylphe  5—  Noel. 

-  Sylphes,   polka-maz.    3—   Mariani. 

-  Tabaccomania,   polka    1.75. 

-  T'amero  sempre,  polke  2.25. 

-  Telefoco,  P  —40,  3Iand  —20,  MandP  —70, 

MandG  —50,  2MandP   1.50,  2MandG  —70 
Rebagli. 

-  Tres  jolie,  P  —40,  Mand  —20,  MandP  —70, 

MandG  —50,   2MandP   1.50,   2MandG— 70 
Rebagli. 

-  TJn  bacio   d'addio,   galop  2.25. 

-  Un  saluto  a  Firenze,  valzer  3—,  47ns  4.50. 

-  Una  cara  rimembranza,  valzer  4 —    VP    Fl 

P,  CIP  a  4—  V,  Fl,  Cl  a  1.25. 

-  Una   Gita   di   piacere,   galop   3 — . 

-  ITne  larme  aux  soldats  frangais  morts  pour 

la  Patrie.  marche  funebre  4.50. 

-  Valse  poetique   1.75  n   Durand. 

-  A'^enise,   valse   6—  Heugel,  3.50. 

-  Venezia,    maz.    2.50,    4ms   4 — . 

-  Vittorina,  polka-marcia  1.25. 

-  Vittorio   Emanuele,   marcia  2 — . 

-  Vivandiera,  polka    1.50. 

-  Viviamo   uniti,   valzer   3.50. 

-Vclutta,  maz.  2—,  chantee  3—,  4ms  3.50, 
VP,  FIP,  CIP  a  2—,  V,  Fl,  Cl  a  1.25  Ri- 
cordi, 4ms  3.50,  fac.  3.50  Mariani. 

Mattmann  L.  Adagio  et  rondo  hongrois  de 
Haydn,  P  2.50  Gregh. 

■  Polka  des  Oiseaux  de  „Gulliver"  1.50  n 
Gregh. 

Matto  Alb.   Pode,   tango   1 —  GiiimarS.es. 
Mattolini   P.  La  Gioconda,  fantasia,  VP  8 — 
Ricordi. 

-  Sogno  dorato,   pensiero   sentimentale  di   E. 

B  e  c  u  c  c  i,    trascritto    e   variato,    VP    3 — 
Ricordi. 

-  Souvenir,    P    2—,    Mu7id(V)P    2.50    Bratti. 

-  Spezia,  polka   1.50  Bratti. 


Mattoni  F.  Antifona  Sancta  Maria 


333     — 


Maty 8  J.  op.  54 


Mattoni  F.  ilusica  sacra:  Antifona  Sancta 
Maria  succurre  miseris  a  3  voei  (2TB) 
con   Org  — 85. 

-  Fanciulla   morente   2 —   Carisch. 

-  Feria   IV   in  Parasceve  Ecce  Lignum,   a   3 

Yoci   pari   — 60. 
-Litanie   Lauretane,   a   3  voei    (2TB)    1 — . 

-  Messa   in   onore  di   S.   F  i  1  i  p  p  o  N  e  r  i,  a 

3  voei   (2TB)  con  Org  2.50  n  Bertarelli. 
-Messa  di   S.  Luigi,  a  4  voei  con   Org  2.50. 
-Wessa  della  feria  in  onore  a  S.  Pietro  d'Al- 

cantara,  a   3  voei   1 — . 

-  Messa  in  onore  di  S.  Francesco  d'Assisi,  a 

3   voei  con   Org   2 — . 

-  Messa  in  onore  a  S.   Filippo,  a  3  voei  con 

Org  2.50.  * 

-  Messa   per   il    Sabato    Santo,   a    3  voei   con 

Org   2—. 
-Messa  in  onore  dei  Santi  Apostoli,  per  *;T 

con  Org  2 — . 
-Messa  da  requiem,  a  3  voei  con  H  ad  lib. 

2.50  n    Bertarelli. 

-  0  Sacrum  convivium,  a  3  voei   (ATB)  con 

Org  —60. 
-0    Salutaris    Hostia,    a    3  voei    (2TB)    con 
Org  —70. 

-  Tantum   ergo,   a  4  voei   con   Org  — 80. 
-Tantum   ergo,   a  3   voei  con   Org  — 60. 

-  Tantum  ergo,  a  3  voei  (2TB)  con  Org  —80. 
Mattoon    E.    S.    op.    21    Tarantelle    (W.    H. 

Sherwood),   J/mti    1.50   Brainard. 
-23  Sigh    (Le  soupir),  morceau   po^tique,  P 
— 75  Brainard. 

-  26  Face  to  Face,   bagatelle,  P  — 60  Rohlfing. 
-27  lie  Saltarello,  P  —60  Rohlfing. 

-28  Impromptu  capriec-ioso,   P — 60  Rohlfing. 

-  29  Spring  song,  P  — 60  Rohlfing. 

-  30  I  Live  to  love  — 50  Rohlfing. 
-Caress,    valse   sentimentale   — 60    Brainard. 

-  Fairy  echoes  on  the   lake,  bluette,   P  — 60 

White. 

-  Joyfulness,  scherzo  caprice,  P  — 60   White. 

-  Larghetto    Grazioso,    P   — -30  n    Presser. 

-  Peace,  troubled  soul,  sacred  — 40  White. 

-  Rippling    waters,    morceau    C'tude,    P    — 75 

Braiyiard. 

-  Saltarello,    morceau,    P   — 60    Brainard. 

-  Where  is  my  boy  to-night,  P  — 60  Ditson. 
Mattos   E.   de,   Alone   4/ —   Cramer. 

-An   old    Eefrain    2/ — n    Shcard. 
•  Come  back  to  me  4, —  Metzler. 

-  Lucia,   polka   1 .50   Guimara.es. 

-  Old    refrain   — 50   Ditson. 

-  Way  of  Life  4/ —  Metzler. 

Mattusi  Giov.  Messa  Solenne  5—  Marti- 
nenghi. 

-  Per  le  Feste  Natalizie,  pastorale  in  la  mi- 

uore.   Org  — 50  n   Martinenghi. 

-  Unione,   marcia   1.50   Ricordi. 
Mattyasovszky       Desid.      d.      Tirade,      im- 
promptu, 4ms  2 —  Nddor. 

Matuschka,  Die  beiden  Alpensanger,  Varia- 
tion fUr  2Tr  m.  stO  1.50,  m.  UM  2—  See- 
ling. 

ilaryceBHM'B  E.KaKoe  njCTBO~20  Jurgenson 

Matuscka  G.   L.  Angelica,  P  3 —  Ricordi. 

Matys  C.  Bachmann:  Op.  2  Eomanze,  PVc 
1.50. 


-8    Der    Deserteur :    „Zu    Strafiburg   an    der 

langen  Briick"   1.25. 
-12  Konzertstuck  fiir  Horn    (F)   m.  /'  1.80  n 

Bchmidt. 

-  15  Nr.  1.  Eomanze,  2.  Gondellied,  f.  Wuld- 

hornP,  a    1.50. 
-19  Zwei  Stucke,  VcP :  Nr.   1.    (D)    1—.  Nr. 
2.    (A-m.)    1.25    Riihle. 

-  20    Hochzeitsmarsch    — 50    Eeinrichnliofen. 

-  23    Der    Tiirmer :      „Ich    steh'    auf    meinem 

Turme"    1.30   Rieter. 

-  24   Zweites   Konzertstuck,   WaldhornP   3.25 

Schott. 

-  25  Fantasiestiick  iiber  bohmische  Liedor,  P 

Vc  2.50. 

-  27  Neun  Lieder,   I — III  a   1—. 

-  30  Acht  Lieder,  I— II  a  1—. 

-31    Zwei    Salonstiicke    fiir    VcP:    1.    Barca- 
role, 2.  Ballade,  a   1.50  Praeger. 
-32  Romanze,   PVc  1.50. 

-  36   Erinnerungeu,   vier   Stucke,  PVc,  1 — II 

a  1.75. 

-  39   Drittes  Konzertstuck,   VentilhornP  2.75 

Schott. 
-42   Fiinf   Lieder:      Nr.    1.   Auf   den   Bergeu 

mocht'   ich   leben   — 50.   Nr.   2.   Lied   eines 

Madchens    — 50.      Nr.    3.    Abendlied    — 75. 

Nr.  4.  Morgen  —75.  Nr.   5.  Im  Tale  —50 

Litolff. 
-45  Zwei  Lieder  m.  VcP(VP):  Nr.  1.  Friih- 

lingslied    1.50.      Nr.    2.    Meine   Boten    1.20 

Eoffheinz. 

-  47   Im   Maien  — 75,   m.   VcP    1 — . 

-49  Vier  Stucke,  VcP  2.50:  Nr.  1.  Sere- 
nade, 2.  Gondellied,  3.  Bolero,  4.  Capric- 
cioso,   a   1—   Heinrichhsofen. 

-51    Abendgesaug,    Andante     f.     Vcn[Io(P) 

2 —   Heinrichshofen. 
,  52  Erstes  Duo,  2Vg  3 —  Heinrichshofen. 

-  53  Zweites  Duo,  2Vc  3 —  Heinrichshofen. 
-54  Drei  Stiicke,  VcP  2.30:  Nr.  1.  Eomanze. 

2.   Barcarole.   3.   Impromptu,   a   1 —  Hein- 
richshofen. 

-  55  Drittes  Duo,  2Vc  3 —  Heinrichshofen. 

-  56   Serenade,    IfVc    1.30   Heinrichshofen. 

-58  Salve  Eegina,  0(Org  ad  \\h.)Ha  (Ad. 
Schreiner),  Part  u.  St  15— n,  Vc(V} 
H(Org)Ha  3.60  Himon. 

■  59  Fantasiestuck,  Vc(V)n(Org)Ha(P)  3.60 
Simon. 

-60  Notturno  (C),  V(Vc)H(Org)Ha(P)  Z.&O 
Simon. 

-61  Vier  Duos:  1.  Impromptu  F-dur,  2. 
Canzone  A-dur,  3.  Intermezzo  A-nioll,  4. 
Rgverie  H-moll,  Vc(V)H(Org)  oder  P)  ft 
1.80,    OrgVcH(P)    a    1.80    Simon. 

MaTB-fecB-B  M.  B.  IltBHecKiH  KpyacoK-B. 
CoopHiiK'B  xopoB'B  ji^na.  cai'braaHHMX'b  h 
o;^Hopo3Hwx■B  rojiocoB-B,  IlapT.  — 30  Outheil. 

Matys  Jos.  op.  33  94er  Regimentsmarsch 
1.20   Bellm.ann. 

-37  Abiturienten-Walzer  m.  0  5— n  Hoff- 
mann. 

•  37  Gaudeamus,  valse  — 50  n  Oebethner. 

-54  Versbach-Marsch,  P  1.50,  u.  Ludwig 
W  e  n  z  e  1,  op.  103.  Komtesse  Guckerl, 
Polka  frang.  mO  3— n  Hoffmann. 


Matys  J.  op.   71 


—     334     — 


Maubray  G.  Daisy  Chains 


-  71    Der   Mahnruf  an   die  94er,  Marsch   1.20 

Eh7-lich. 
-82  Tnulel,   Gavotte,   P   1.50   PoJil. 

-  Prazska   miizika,   velkfi.   smes    nejobiibenoj- 

sich  pisni,  tancu,  pochodu  a  pop^vkO,  P 
3.60,    0   8— 11    Hoffmann. 

-  Viva  Espana  !   Marche  — 20  n  Geiethner. 
Matz    F.   Sulzbach:    Ave   Maria,    a   2  v.    nv. 

Org  5 — . 

-  Ave  Verum  5 —  Noel. 

-  Ave  verum,  TB  av.  Org  5—. 

-  Carnot,  marche  5 — ,   0   1.50  n. 

-  Consolatrix  affliotorum,  solo   et  choeur   av. 

Org  4—. 
-Deux     A  V  ares,     op6rette,     ChP     8 —  n, 

ouv.  0  2 —  n  Jouiert. 
-Dieu!  Cantique,  a  v.  P  1.75  ii,  Ch.  s.  — 35  n 

Gullet. 

-  France  a  pass6  la  3 — ,  Ch.  s.  — 30  n  Eveil- 

lurd. 

-  Gondolinetta,    fant. -polka,    P    6 — . 

-  Hymne  k  saint  Joseph,  solo  et  choeur  av. 

Org  4 — . 

-  II   est   minuit,   Noel    1.50  n   MarcJiand. 

-  Muet  langage  3 — . 

-  Odette,  valse  6 — . 

-  Eose  fanee,  valse  6 — ,  chant€e  G — . 

-  Un    homme    bien    embarrass^     3 — ,     Ch.    s. 

— 30  n  Eveillard. 
Matz-Becker  Ernst,  Die  Sanger  von  Finster- 
walde,  humor.  Marsch  1.20  Benjamin. 

-  Walzer  iiber  die  L  6  w  e'.sche  Ballade:   „Die 

Uhr",  mit  Text,  P  1 —  Benjamin. 
Matzek  C.  Little  Ella  Polka  —10  National 

Music  Co. 
Matzek   G.   Follow   the   Drum,   quickstep,   P 

■ — 10  National  Music  Co. 
Matzenauer,      Nachtlager     von     G  r  a- 

n  a  da,   fant.   P    1.20   Lau. 
Matzenauer    C.      Menagerie-Couplet    1 —    0. 

Dietrich. 

-  Neues     Volkslieder-Couplet :      „Beim     Flei- 

.seher     steht     tin    Handwerksbursch"    1.50 

Augvstin . 
Matzenauer    L.    op.   20      Fantasie,   fiir    Str- 

Instr,  Part  u.  St  2—  Oertler. 
-21    Festmarsch,  P   1.20  Oertel. 

-  Exzellenz   von   Knickebein,   Couplet   1 —   0. 

Dietrich. 

-  Verriickt  —  Verdreht:  „Die  Deutschcn,  die 

alten,  es  ist  ja  bekannt",  Soloszene  m.  P 
1.50  0.  Dietrich. 

-  Verschiedenes  aus  dem  Leben :   „Wer  Vor- 

teil  haben  will,  der  rede  nie  zu  viel", 
Soloszene  ni.  P  1.20  Gleissenberg. 

Matzerath  Peter,  Kasino-Marsch  — 60  7*071- 
ger. 

Matzka  G.  Parted  from  thee'  — 50  Brainard. 

-  Sonate   G-dur,    VP   6.60   SchuberUi    jr. 
Matzka    Julius,      Edison-Potpourri,     P     3— 

Fedcr. 
■  Tm   Edison-Garten,   Vals   2 —  Feder. 
Matzke  F.  Traumverloren  — 75  Paternoster. 
Matzner  C.  Les  Premi&res,  deux  polka  — 75 

Ilainauer. 
Maubach   E.  War'  Kiissen  eine  Silnde,  Liid 

1 —  Rtihle  d-    Wcjidling. 
Maubert    F.   Apr^s   nous   la   Fin   du    Monde 

1 —  n,   Ch.  s.  — 40  n  Bornemann. 


-  Beaujolais   3 —   Sulzbach. 

-  Chanson   d'Avril    1.25  n    Pisa. 

-  Chantez,   6   ma   musette   3 —   Sulzbach. 

-  Chateau-litron    3 —   Sulzbach. 

-  Dormez,  ma  bien  aim6e  1 —  n,  Ch.  s.  — 35  n 

Puigellier. 

-  Echos    de    Baccchus     1 —  n,     Ch.    s.    — 40  n 

Boriiemann. 

-  Endormez-vous  ma  mie  1 —  n,  Ch.  s.  — 35  n 

Oallet. 

-  Endois-moi   dans   tes  bras  3 —  Bulzbach. 

-  Grain   de  beaute   de  F6li(;it6  3 —  Sul^bach. 

■  Je  I'aimais  bien   1 —  n,   Ch.  s.  — 30  n   Rou- 

art. 

-  Hirondelle   r^publicaine   3 —   Sulzbach. 

-  Landerira  landerirette   3 —   Sulzbach. 

-  Le  plus  heureux  du  monde  3 — . 

-Ma    nourrice    6tait    Bourguignonne    1 — n, 

Ch.   s.   — 35n   Labbe. 
-Marseillaise    Bourguignonne    1 — n,    Ch.    a. 

— 35  n   Puigellier. 

-  Martha  aime-moi   1 —  n,   Ch.  s.  — 35  n  Pui- 

gellier. 

-  Mon    coeur    aime   a 

- — 40  n  Bornemann. 
•  N'avez-vous   pas   vu 

bach. 
-N'avez-vous    pas    vu    Nicodfeme?    3 — 

bach. 
-N'avez-vous  pas  vu  monUrbaine?  3- 

bach. 

-  Ondine,   m^lodie-valse    1 — n,    Ch.    s. 

Rouurt. 

■  Pret'  moi  ton  lorgnon   1 —  n,   Ch.  s. 

Bornemann. 

-  Qiiand   j'ctais   demoiselle   3 —   Sulzbach. 

-  Reve   de    Marguerite    1 —  n   Joubert. 

-35  n   Labb6. 


changer    1—  n,    Ch.    s. 

Madeleine?  3—  Sxilz- 
Sulz- 
Sulz- 
-30  n 


40  n 


Ch.    s. 


-35  n 


-35  n   Piii- 


1- 


1— n, 
Ch.   s. 


Ch.    s. 


Ch.   s. 


— 40  n 


-  Tloi  champagne  1 —  n,   Ch.  s. 

-  Boussillon  3 —  Sulzbach. 

-  Toujours    pour    elle  !    1 — n, 

Pnigellier. 

-  Versez   amours  !    1 —  n,   Ch. 

gellier. 

-  Veux-tu     parler    d'amour? 

• — 35  n   Pnigellier. 

-  Vigne   da   mon   grand'   p&re 

— 40  n   Bornemann. 

-  Vigneron    patriote      1—  n, 

Bornemayin. 

-  Vrai   bonheur    1 —  n,    Ch.    s. 

mann. 

-  Zanetta    1.35  n    Joubert. 

Maubourg  A.  Cramignon  1 — 

Maubray  G.  Daisy  Chains,  P:  1.  W.  Small- 
wood:  Valley  Queen,  valse  de  salon,  2. 
L.  Gautier:  Zitella  Waltz,  3.  W. 
S  m  a  1  1  w  o  o  d  :  Christmas  Evergreens, 
transcribed,  4.  H.  F.  How  let  t:  Forest 
Swing  Polka,  5.  Oscar  Verne:  Em- 
press of  the  Sea  March,  6.  F.  Astrella: 
Sempre  Conte  (Always  with  Thee),  7. 
T  h  e  o.  Bonheur:  Chinese  Wedding 
Dance,  8.  J.  Warwick  Moore:  Clan- 
dian  Danish  March,  9.  R.  T.  A  n  d  e  r  t  o  n : 
Fairy  Sunset  Melody,  10.  T  h  e  o.  Bon- 
heur: Leoline  Intermezzo,  11.  L.  Gau- 
tier: London  March,  12.  T  h  e  o.  Bon- 
heur: Old  Minster  March,  a  1/ —  Moore. 


-40  n   Borne- 


Schott  Treres. 


Maubury  E.  Boy's  drea>n 


—     335 


Mauke  W.  op.  17 


Maubury   Emma,   Boy's  dream  — 30  Ditson. 

-  Sweet  Kitty  Nolan  — 35   Gordon. 
Mauchamp   Camille,   Pr&s   du   berceau,   ber- 
ceuse,   VP  2.50   Joubcrt. 

Maucke    Wilh.    op.    29    Vier    Gesange :    Den 

Geno.ssen.    Du.   Abeudregen.    Einsam   2 —  n 

Leuckart. 
Mauclair    E.      Le    Eeniueur,    allegro    milit. 

Harm    3 —  n,    F(inf    2.25  n    Andrieu. 
Maucluit    E.    Grivka,    marche,    Harm    3 — n, 

Fanf  2.25  n   AndrieK. 
Maucolet-Mauss.  Gaiidct:  Fleur  des  Vosges, 

mazurka  1.70  n. 

-  Flirt,   valse   1.70  n. 

-  Germaine,  valse  1.70  n. 

-  Lucienne,  valse   1.70  n. 

-  Madrigal,    pas    de   quatre    1.70  n. 

-  Montagnarde,  schottisch   1.70  n. 
-Parisette,  lancier  2 — n. 

Maud  Constance.  Boosey :  A  Life  Lesson 
2/—. 

-  An    old-fashioned    Girl    2/—. 
-Blue,  Blue  Smoke  2/—. 

-  Bonsoir  la   Compagnie  2/ — . 

-  But  Yesterday  2/ — . 

-  Children   and  lovers   — 40   Ditson. 

■  Down    here    the    lilacs    fade      2/ —    Boosey, 

— 40   Scliirmer. 
- 1   do    not   incline   2/ — . 
-Little   Red  Eibbon   2/—. 

-  Molly    Carew     (Lover)    2/ — . 

-  My   only  love,   good-bye   2,' — . 

-  Olden    Days   — 40    Scliirmer. 

-  Waterbabies    4/ —    Weekes. 

-  When  the  gorse  is  all  in   blossom  2/ — . 
Maud    d'Elphine,      Danish    Dance,      P     6 — 

Gallet. 

-  New-Yorker   dance,   P   6 —   Gallet. 
Maude,  King  in  his  beauty  4/ —  A.^rherberg. 
-My  ain  countrie   1/ — n  Augener. 

TVIaude  Caroline,  Magdalen  2, —  Boosey. 

■  Month   of  May   2/ —  n   Vincent. 

-  Strong  Sons  of  Britain  2/ —  n  Yincent. 
-Summer    Clouds     (Album,    12    pieces),      P 

3/ —  n   Vincent. 
Maude  Jenny.  Leonard:  A  la  bonne  heure, 
valse   4,' — . 

-  Dream  of  love  4/ — . 

-  Lullabye  my  darling  4/ — . 

IVIaude  L.  A  mon  Maitre  (Ashines  the  sun) 
4/ —  Metzler. 

Maude  R.  H.  Weekes:  Aubade  (Rise,  dea- 
rest Ladv)    in  G  4/ — . 

-Chloe    (in'  G)    4/—. 

-Diummer   Boy  4/ — •. 

-  Evening   Hymn   — /6. 

- 1  live   Alone,   Alone   4/ — . 

-  Papillons,  paroles  prises  de  ,,Pour  la  Cou- 

ronne"   2 —  n    Ricordi. 

•  Rhj^mes  about  a  little  woman  4/ —  Boosey. 

-  Sadi  in  the  garden  4/ —  Ascherberg. 
Mauder    Emil,    op.    12   Stille   Nacht,    Weih- 

nachts-Fantasie,   P    1.50   Hug. 
Mauduit    E.    Grivtza,    marche    russe,    Harm 
3 —  n,  Fanf  2.25  n   Andrieu. 

•  Pendant  la  Valse   (M.  T  r  a  f  e  1  m  a) ,  Harm 

3 — n,   Fanf   2.25  n   Andrieu. 

-  RSve   de   Monte-Carlo,   valse,    0,     Rougier. 


Mauent,    Recuerdos    del    Sommin    daurat,    P 

2 —  Dotesio. 
Mauente   G.   Skating,   P   1—  Gori. 

-  Souvenir,  P  1 —  Gori. 

Mauer    Franz,   's   Mailiifterl,   heitere   Szene. 
In    siichsischer    Mundart    1.50    Rohitschek. 
Maugain.  Peregally.  Ave  Maria,  3  v.  1.50  n. 
-Ave  verum,  duo    (v.  eg.)    1.50  n. 

-  Monstra  te,  duo    (v.  6g.)    1.50  n. 
-O  salutaris,  duo   (v.  eg.)    1.50  n. 
-O  salutaris,   3  voix   6g.    1.50  n. 

-  Pater  noster  2 —  n. 

-  Sub   tuum   2 —  n. 

-  Sub   tuum,   duo    (v.   ^g.)    1.50  n. 

-  Tantum  ergo,  duo    (v.  €g.)    1.50  n. 

Mauge    G.      De    tout    coeur,     polka       1.70  n 

Gregh. 
-Quatre     Navets,      duo     (av.     parle)      2 — n 

Eveillard. 
Maugeri   B.  Pace  1 — n  Giuseppe. 

Maugeri  V.  Ad  Espero,  pagina  d'album  1.50 

Sandron. 
Mauget    G.      Chanson    de    la    Chaise    1 — n, 

Ch.  s.  — 40  n  Bornemann. 

-  De    tout    coeur,    polka,     0    1 —  n,     P    cond. 

— 50  n   Gregh. 
■  R6veil    du    pauvre    homme    1 —  n,      Ch.    s. 
— 35  n   Labbe. 

-  Revendication   des   femmes,     Rougier. 

Maugue   J.   Dext6rite,   P,     France. 

-  Emphatique.      Imprecision,   P,     France. 

-  Hymne  de  Noel,  TTBB  —50  n  Pinatel. 
Maugue   J.    M.    L.   Recueil   de  chansons   lor- 

raines,  chansons  recueillies  en  Lorraine 
par  M.  Georges  Chepfer:  La  belle 
barbifere.  La  fille  russ^e.  Ah!  si  I'amour 
prenait  raciue.  Les  adieux  du  soldat. 
L'avant-veille  de  mes  noces.  La  mal  mariee. 
La  m^chante  femme.  La  religieuse  par 
contrainte.  L'assassin  de  sa  mie.  Trimazo. 
La  cantini&re.  La  toilette  d'line  grande 
dame  4 —  Rouart. 

Mauhorat  L.  Benediction  nuptiale  1.25  n 
Ronhier. 

Mauke  Wiihelm.  Challier :  Op.  12  Vier 
Lieder:  1.  Mein  Evangelium :  „Mag  das 
Leben  unsere  scbonsten  Traume."  2.  Ver- 
gessen :  ,,Es  brennt  auf  des  Grabsteins 
Zierrat."  3.  Nachts  in  der  traumenden 
Stille.  4.  Werbung:  „Friede  fliefit  hin  auf 
die   schlummernde   Erde"   2 — . 

-14  Entsagung,  3  Elegien :  1.  Im  Wind: 
,,Es  war  im  Lenz."  2.  Nachtstiick :  „Ein 
Stern  schofi  fiammend."  3.  Herbst :  „Im 
Walde  dumpfes  Briillen"  2.50. 

-15  Vier  Lieder:  1.  Einsames  Lied:  „Aus 
der  lieitern  Kerzenhalle."  2.  Am  Waldes- 
rand :  „Die  silbergraue  Damm'rung 
schlich."  3.  Schone  Junitage:  „Mitter- 
nacht,  die  Garten  lauschen."  4.  Aus  einem 
Raubzuge:  ,,Nahst  du  aus  Ninive,  schim- 
mernde  Schone"  3 — . 

-17  Drei  Gesange:  1.  Der  Fahrmann :  „Wie 
schwebt  mein  Kahn  so  leise."  2.  Absage : 
„Jahre  gingen  im  gleichen  Schritt."  3. 
Venus  primitiva.  Erste  Begierde:  „0  dafi 
der  Kufi  doch   ewig  dauern  mochte"  2.50» 


Mauke  W.  op.  18 


—    330    —         Maunder  J.  H.  Song  of  Tkanksgivitig 


18  Drei   Gesange:    1.   Einen  Sommer  lang: 
„Zwischeu  Eoggenfeld  imd  Hecken  fiihrt." 
2.    Abschied:    „Und    nimmermehr,    es    1st 
vorbei."  3.  Naehtgang:  „Wir  gingen  durch 
die  dunkle  milde  Nacht"  2.50. 
23   Zwei    Gesange,   Bar:      1.   Was   will    ieh 
inehr.    2.    Jeannette   1.50    Schtnid. 
27  Sommer:    1.  Das  ist  ein   Atmen   in   der 
Nacht.    2.    Mittagshohe.    3.    Rosen.    4.    Auf 
den  Holien  3 —  Schmid. 
29   Vier   Gesange:    1.   Dii :    „Zauber    deiner 
tiefsten  Nahe."  2.  Die  Geuossen.  3.  Abend- 
regen.  4.  Einsam  2 —  n  Eoenes. 

•  30  Drei  Gesange:  1.  Wann  du,  Natur,  am 
schonsten  bist.  2.  Oktober :  „Des  Herbst3s 
raden  weben."  3.  Er  liebt  mich :  „Stille, 
heilige,  urew'ge  Stille"   2 — . 

■  31  Volkslied  1—  Schmid. 

-32  Drei  Gesiinge:  1.  Sternlose  Nacht:  „An 
dein  Herz  nim.m  mich."  2.  Sternklare 
Nacht:  „In  dein  Gewand  mocht'  ich  mich 
schmiegen."  3.  Hochsommernacht :  ,,0 
sii6er  Tod"  2—. 

-33  Drei  Gedichte :  Nr.  1.  Nahe  des  Ge- 
liebten:  „Ich  denke  dein"  1—.  Nr.  2.  Ga- 
nymed:  „Wie  im  Morgenglanze"  1.20.  Nr. 
3*  Prometheus:  „Bedecke  deinen  Himmel, 
Zeus"   1.20. 

-34  Vier  Gedichte:  1.  Gestiindnis:  „Nun 
bist  du  mein  Weib."  2.  An  mich:  „In 
alien  Tiefen  mufit  du  dich  priifeu."  3. 
Meere.sleuchten :  „Aus  der  Wolkeu  pur- 
purnem  Kronz."  4.  Einer  Toten :  „Warum 
doch  gliiht  die  Sonne  wieder"   1.50. 

-35  Sehneu  und  —  sterbeu :  1.  Gesegneto 
Stunde:  „Das  ist  im  Lenz  gescheh'n."  2. 
Komm'  wieder:  ,,Komm'  wieder,  komm' 
wieder."  3.  Paradies:  „Nimm  mein  Haupt 
in  deine  weichen  Hande."  4.  Autodafe : 
„Das  letzte  Fiinkchen  ist  verloht"  2 — . 

-  37  Drei  Lieder  im  Volkston :  Ach  Elslein, 
-liebe.s    Elslein.      Heimkehr.      Es    steht    in 

meinem  Garten  1.20. 
-38    Drei    Gedichte:    1.    Hoffnung.    2.    Tanz 

zur    Arbeit.    3.    Tanz    auf    dem    Himalavii 

2—. 
-39   Drei   Gedichte:    Walzer.    Geisterstimmo. 

Kampflied  2 — . 
-41  Zwei  Gedichte:  Nr.  1.  Riihm  und  Ewig- 

keit   1—.    Nr.   2.    Zeugung    1.20. 
•  42  Drei  heitere  Lieder:   1.  Welch  ein  zier- 

liclies  Ebenmafi.  2.  Augeu,  sterblich  schono 

Sterne.   3.   Die   ungetreue   Luise   1.50. 
-45    Drei    kleine    Gedichte:    Wo?      Emma. 

Moigens   send   ich   dir   die   Veilchen    1.20. 
-47  Nr.   1.   Beherzigung,   2.   Rastlose   Liebe, 

3.  Wehmut,  4,  Im  Sommer  2 —  Ghallier. 

-  49  Nr.  1.  Ob  der  Koran  von  Ewigkeit  sei, 

2.  Das  Leben  ist  ein  Gansespiel,  3.  Du  mit 
deinen  braunen  Augen,  4.  Sie  haben  wegen 
der  Trunkenheit  2 —  Ghallier. 

-  Almfreude,   TTBB   1.20   Klinner. 

-  Herbstlied,   TTBB   1.40   Klinner. 

-Vision   am    Chiemsee,    TTBB    1.40   Klinner. 
Maule    H.   J.    Willcocks:   Earth's   Last   Kiss 

4/—. 

-  How  the  king  came  home  4/ — . 


-  I  bid  thee  stay  4/ — . 

-  Valse   Menuet   4/ — . 

Maul  I  Carl,  Paraphrase  iiber  das  Westfalea- 
lied  (nich  Peters),  P  1.50  Woller- 
Bielefeld. 

Maunder  J.  H.  Novella:  Amen,  on  card, 
Staff   Notation   and   Sol-fa    (in   G)    — ,1. 

-  Angels  from  the  realms  of  glory,  carol  or 

anthem      for    Christmas      and    Epiphany, 
SATB  — /3. 

-  Benedicite  N.   1    (in  A)    — /P/-. 

-  Benedicite  N.  2    (in  G)   — /2. 

-  Benedicite   N.   3    (in  F)    — /P/2. 

-  Blessed   b^;   the   Name   of   the   Lord,    SATB 

— /3. 
-2    Carols    for    Christmas:      All    this    night 

bright  angels  sing.  Angels  from  the  realms 

of   glory   — /3. 
-Christ   is   risen    (Easter),   SATB   — /3. 

-  Christians,   awake,   salute  the  happy   morn 

(Christmas),  SATB  — /3. 

-  Conquering   Kings   — /3   Ahbott. 

-  Espagnola,  caprice,  P  4/ — ,  VP,  VcP  h  5/— 

Chanot. 

-  Grandmother  dear  4/ —  Abiott. 

-  Joy  of  harvest  — /2. 

-  Lead,    kindly    light,    mix.    v.   — /3    Gurwcu. 

-  Magnificat  and  Nunc  dimittis  N.  1    (in  C) 

— /3. 

-  ^lagnificat  and  Nunc  dimittis  N.  2    (in  D) 

— /3. 

-  Magnificat  and  Nunc  dimittis  N.  3    (in  D) 

-/2. 

-  Magnificat  and  Nunc  dimittis   (in  G)   — ,0. 

-  Martyrs,  men's  v.  2/6  Curicen. 

-  Morning   and    Evening   Service    N.    1    — /8, 

N.  2  1/6. 
-Music  for  Sunday  School  Anniversaries: 
Come,  ye  Children  — /2.  Heaven,  sweet 
Heaven  — /2.  It  is  a  thing  most  wonder- 
ful — ,2.  0  Worship  the  King  — /3.  Con- 
([ueriug  Kings  — /3.  Call  the  Roll  — /6. 
O  what  can  little  hands  do !  — /6.  Pass 
the  word  along  the  line  — /6  Abbott. 

-  O    Worship    the    King    — /3    Abbott,      —15 

Schirmer. 

-  Ocean  chr.rms,  ATTB  — /6. 

-  Office   for   the   Holy   Communion   from   the 

above  — /6. 

-  Office   for   the   Holy   Communion   from   the 

Service  ir.  Chant  form  — /4  n. 

-  Once    in    Bethlehem    of    Judah     (Christmas 

Carol)  — /2. 
-Pater  Noster  fiom  the  above  — /2. 
-Penitence,   Paidon   and  Peace   1/6. 

-  Penitence,  Pardon  and  Peace,  a  short  len- 

ten  cantata  suitable  also  for  Advent  and 
General  use,  S(T)  and  Bar  soli  and  chor. 
1/6  n. 
-Praise  the  Lord    (Harvest),  SATB  — /3.        . 

-  Shadaw   and   Sunlight   4/ —   Gramer. 

-  Sing  to   the   Lord   of  Harvest,   SATB  — /3. 
-Sing   unto   the   Lord    (Easter   &   General), 

SATB  — /3. 

-  Song  of  the   Northmen   — /3   Curwen. 

-  Song     of     Thanksgiving,     \Vind     parts,     0 

14/6  n.  ,  . 


Maunder  J.  H.   Tr  DeinN-  —     3:^7 


Maurel  A.  Mon  Billet  de  favpur 


-  Te   Deum    (Nr.    1),   set   to   Music     in     free 

chant  form,  with  a  chant  for  the"Bene- 
dictus,  &  a  setting  of  the  kyrie  (in  B  flatt 
and   E  flatt)    — /3. 

-  Te  Deum    (for  Parochial  use),  N.  2  — /3. 

-  Te    Deum    laudamus,    from    the    service    in 

chant   form  — /2  n. 
-Thor's   war    song,    ATTBB   — /3. 

-  To  Thee  our   God  we  fly  — /3   Abbott. 

-  Voix   seraphique,   composed   for   the  Mustel 

Org  (with  Celeste)  and  adapted  for  the 
Church   organ,   Org   2/ — . 

-  We  declare  unto  vou  glad  tidings    (Easter 

&  General  JJse)/SATB  — /3. 

-  While  the  earth  remaineth    (Harvest) ,   8 A 

TB  — /3. 
Maupai  Karl.  op.  4  Vorwiirts!  Marsch  — 65  n 
EiKoldt. 

-  11  Missa  ill  hoii.  S.  Cordis  Jesu  ad  4  voces 

in  nequales  (CnntATB)   1.80  Pustef. 
-17    Hoch    Bavern    und    Pfalz :    ,,Bayrisches 
Land,    herrliches  Land",   TTBB  m.   P    1.30 
Coppenrrifh. 

-  20  Mis.sa  in  honorem   S.   Caroli   Borromaei 

ad  quatuor  voces  inaequales  2.40  n  Pustet. 

-  Missa    in    hon.    b.    M.    Virginis,    SATB   2 — 

Coppenrath. 

Maupas  E.  Pri&re  chant^e,  L'Oraison  domi- 
nical,   Ch.  s.      Irnpr.    Rolland-Houen. 

Maupeoii  L.  de,  Amour  venge :  Air  de 
I'Amour  7  50.  Berceuse  6 — .  Couplets  de 
Sil&ne,  Bar  6 —  Loret. 

-  Aubade  6 —  Loret. 

-Berceuse  L70  n,  av.  VOrgP  2.50  n  Oregh. 

-  Chanson   de   Barberine,   mel.    1.70  n    Gregh. 

-  Dame  Loyse,  av.  P(G)  4 —  Grus. 

-  Extase    1.70  n    Gregh. 

-  Grillon,   valse   2.50   Loret. 

-  Intermezzo,    VP  3 —  n   Loret. 

-  Jeanne   d'Arc,    ouv.    de   concert,    Jfins    10 — 

Hamelle. 

-  Jeanne    d'Arc,    ouv.    O,    Part    8 —  n,    p.    s. 

12 —  n   Hamelle. 

-  L^gende,   VP   3 —  n   Loret. 

-  Madrigal,   P  6 —  Heugel,  Harm  3 —  n  Van 

de  Velde. 

-  Mort  d'Hercule,  scfene  lyr.  av.  0  pour  ChP 

3 —  n   Loret. 

-  Nuit  de  Mai,  P   1.35   Loret. 

-  Ritournelle.   m<5lodie    1.70  n   Gregh, 

-  Stalactites    5—   Loret. 

-  Suzon,  m^lodie  1.70  n  Gregh. 

-  Un  soir   dV>t6,  fantaisie-valse,   Org(H)   7.50 

Mathieu. 

-  Valse  brill.  2—,  ^m.-?  2.50  Loret. 
Mauprey  A.  J.  de,  Ah!   Simone.  Digoud6 

-  Elzevir.     Digoiid4. 

-  English  pochard.     G.  Siever. 

-  Loin    d'elle  !      Itupr.    J/inof-Paris. 

-  Marche  an  Trottin    (the  Mouth   organ  bri- 

gade),  Gh.  s.     Aux  Succds. 

-  Marche   des  Vieux   Crev6s.     Digoude. 

-  Mes  quarante  chevaux.     Maurel. 

-  Mon  horizontale.     Avx   Repertoires  r&unis. 

-  Mon  jeune  fr6re.     Digoud6. 

-  Petite  marcheuse.     Digoude. 

-  Petites   Miss   anglaises   1.75  n   Aux   Succds. 

-  Petites    Miss    anglaises,    marche,    P    2 —  n 

Hachette. 


-  Plaqu6e.     Bigoudee. 

-  Souvenance,  valse  lente  2 —  n,  chantoe  2 —  n 

Vofstalhit. 
Mauprey   A.   J.   de   et   Thony   L.  C.  Flossie, 
valse  chant(5e.     Monvoisin. 

-  Ju-ju-Ro-ro,   per{''nade-boiiflFe.     Ondet. 

-  Mais  restez  done  assis.     Halet. 

-  Margoton  marche,  chans.  sur  les  motifs  -lu 

grand  succ&s  anglais  „The  British  Patrol" 
de  G.  Ash.     Salabert. 
-Oh!    docteur !    Consultation.      Monvoisin. 

-  Quand   on   s'  ballade   1.75  n   Salabert. 

-  Quand  on  s'  ballade,  Ch.  f>.  — 30  n  Salabert. 

-  Si    j'6tais    homme.      Halet. 

Mauprey-Celval,  Ue  drame,  dans  le  Tobog- 
gan.    A'lix  Repertoire.^  reunis. 

Maur  E.  St.  Dopper  Maroli,  FullO  4' — n, 
Sept.   2/ — n    WiUinms. 

-  Wooden  dolly,  song,  0  scores  on  hire  only. 

Waiiavis. 

Maur  G.  A.  de,  Dieam  of  happiness    (HSve 

de  Bonheur),  P  — 40  Ditson. 
Maur   W.   St.   Birdie   2/ — n    Wickins. 

-  Swinging   Along   2/ —  n    Wirkins. 

-  Wicket   Gate    (String   Band),   Sept.    1/—  n, 

FnllO   1/6  n   Wickins. 

-  Wicket    Gate,    song    for    Banjo    1/ —  n    Wi- 

ckins. 

-  Wicket  Gate,   waltz   2/ —  n   Wickins. 
Mauran    A.    D.   op.    19     Romanza,    VP  — 60 

Ditson. 
Mauran-Bloodgood,  The  Harmonie,  two-step, 

P  —50    White. 
-The  „Tech",  two-step,   P  —40   White. 

Maurand  A.  Anbade  a  Ph^bus  2 — n  il/ow- 
rr/ ??d-Paris. 

-  C'est  I'amour  !   Marche   1.70  n  Maurand. 

-  Chants   d'oiseaux   2 —  n   Maurand. 

-  Coquettes,   duo   2 —  n   Maurand. 

-  Dans   mon   bateau   2 —  n   Labbe. 

-  Dernier s   baiser.?,   valse   2 —  n   Hachette. 

-  Espgrance,  maz.   0.     Maurand. 

-  Gavotte  dans  le  style  ancieu,  P  1.35  n  Rou- 

hicr. 

-  Hommage   a   ma  belle   2 — n   Marchand. 

-  Menuet  dans  le  style  ancien,  P  1.75  n  Rou- 

li  ier. 

-  Mon   bien-aim6   2 —  n   Maurand. 

-  O  Salutaris,  a  v.  Org  et  VfVc)  ad  lib.  2—  n 

Maurand. 

-  Sublime   amour.      Maurand. 

Mauras,      Valine     du     Stang,     valse.     Harm 

(Fanf)   7.50  n   Evette. 
Maurel   A.  A  travers  Paris.     Delormel. 

-  Au   bal,   valse   chantee   2 — n   Lambert. 

-  Berceuse    1 —  n    Lambert. 

-  Billet  de   500   francs.     Delormel. 
-C'est   le   printemps    1 — n   Lambert. 

-  Chien   de  la  cocotte.     Delormel. 

-  Costebelle   3 —  Jouve. 

-  Crimes   de  Bl4simard.      Delormel. 

-  Famille    Beaucaillou.      Delormel. 

-  Faraudole,   ronde,   P   7.50   Jouve. 

-  Granadina    I —  n   Lambert. 

-  Hyeres-les-Palmiers,    quadr.    5- —    Lambert. 
-Illusion   1 — n  Lambert. 

-  Licence   des   grues.      Delormel. 

-  Mon  Billet  de  faveur.     Delormel. 


Universal-Handbueh   ilor  irn.sikliteratm-.    il. 


oo 


Maurel  A.  Montparnasse 


338     — 


Maurer  L.  W.  12  Airs 


-  ^lontparnasse.     Delormel. 

■  Pas  veinard  !    1 —  n  Lambert. 

-  Pavane  des  Moiisquetaires,  P  1.75  n  Salichon. 

-  Pavane  du  roi  Ren6,  P  1.75  n  Salichon. 

-  P^lerinage   de  ma   tante.     Delormel. 
•  Pres  de  ma  blonde.     Delormel. 

-  Provencale,   polka   5 —  Joiive. 

-  Rembrandt  de  Landerneau.     Delormel. 

-  Roman  d'amour.     Delormel. 

-  Taupin  chez   la   marquise.     Delormel. 

-  Un  regard  de  tes  yeux,  romance  1 —  Lam- 

bert. 

-  Vieux   Garcon    1 —  n    Lambert. 

MaursI  V.  A  propos  de  la  mise  en  scfene  du 
drame  lyrique  Otello  de  Verdi,  6tude 
l)r^c^d6e  d'apergus  sur  le  theatre  chants 
tn  1887  2 — n  Bicordi. 

Maurel  et  Heps,  Le  Jockey  de  Zaza,  duo 
4 —  Sulzbach. 

Maurelli  F.  Tarantella  Cianciosa,  canto  1.50 
Satitojanni. 

Maurer  Alois,  op.  10  Mamsell  iJbermut, 
Konzert-Maz.   Z  ^60   Hoenes. 

-  20   Hochlandsklange,   Z   — 60   Hoenes. 

-  Variationen  tiber  Home  sweet  home,  DiskZ 

1.20  Kabaiek. 

Maurer  Ad.  Erholungsstunden  fiir  Zither- 
spieler,  eine  Sammlung  sorgfaltig  gewahl- 
t^T,  leicht  spielbarer  und  fortschreitend 
geordnet«r  Unterhaltungsstiicke  3 —  Hoe- 
nes. 

Maurer  Dr.  Laugh  of  a  child,  quart.  — 35 
Ditson. 

Maurer   F.   A.  Ach  Laura   1.30  Andre. 

-  Arie :  Von  die.sen  Handen  so  sanft,  1  Sing- 

st  m.  GFl  —75  8chott. 

-  Arie :      Von    diesen    Handen    so    zart   — 80 

BimrocTc. 

-  Elisa's  Abschied   1.30  Simrock. 
-Lied  der  Thekla  —50   Sckott. 

-  3  Lieder   1 —  Simrock. 

-  Ritter  und   .sein  Liebchen  — 50   Simrock. 

-  2  Rondeaux,   P  k  — 75   Schott. 

Maurer  Ludwig  Wllhelm  (1789—1878),  op. 
2  Airs  russes   varies,   CIO   4.50  Breitkopf. 

-  10  Zwei  Polonaisen,  P  1.50  Breitkopf . 

-  12  A  1  o  n  s  o,  ouv.  0  1 —  Breitkopf. 

■  13  Adagio  und  Polonaise,  FIO    (E-m.)    4.50 

Breitkopf. 

-  15  Marche  vari6e,  y  av.  2VaVc2. —  Simrock. 

-  25    Variations     sur    la     romance     de     J  o- 

s  e  p  h,  2VVc  av.  0  4—  n  Costallat. 

-  28   Trois    Quators    concertants,    2VVaVc    a 

3.50  Oertler. 
-29  Polonaise    (A),   VO  3—  Breitkopf. 
-30  Variations  en  r6,  P2V  3— n,  2V0  6— n 

Costallat. 
-30  Variationen    (D),   VO  4—  Breitkopf. 
-31    Capriccio    und     Polakka    (G),    VO     2— 

Breitkopf. 
-32   Konzertino   Nr.    1    (G),    VO   4—   Breit- 
kopf. 
-33  Ouverture:  Der  neue  Paris,  0  4.50,  Jf7ns 

2—  Breitkopf. 
-34    Adagio    und    Rondo     (H-m.),     VO     4 — 

Breitkopf. 
-36   God    save    the    King,   Variationen    (F), 

VO  3—  Breitkopf. 


vari^,    PV    1.50,    VO    3— 


sur  un  air   russe,   blM 


-  37    Air    tirolien 

Hofmcister. 
•  38  Variations    (Es) 

2 —  Hofmeister. 

-  39    Neuf   etudes   ou   caprices,    V   2.25   Hof- 

meister,   3 — n   Costallat,   3.50   Ricordi. 

-43  Rondoletto  (C),  Hoboe  av.  2VVaVc  1.50 
Hofmeister. 

-44  Adagio  et  Rondo,  PV  1.50,  VO  3—  Hof- 
meister. 

-45  Deux  Thames  orig.  varies,  PV  k  1.25 
Hofmeister. 

-  47  Variat.  cone.  2VP  4 —  n  Costallat,  2V0 

3 —  Hofmeister. 

-  51   Air  de  I'opgra :   Dame  blanche,  va- 

rie,  PV  1.75  Hofmeister. 

-54  Se  Concerto,  VO  ou  -Sfr-Quart.  6.50  n 
Costallat. 

-55  Symphonic  concertante,  J/VP  2.50  n,  JfV 
0   8— n   Costallat,   J^VP   3 —  Peters. 

-67   Concerto    (B),   CIO   4.50   Hofmeister. 

-58  Variations,  FIP  1—,  FIO  4.50  Hofmci- 
ster, FIP   2— n,   FIO   3— n   Costallat. 

-58  Concerto  (en  Fa-di&se  mineur),  VP  4.50 
Rahter. 

-59  Dernier  Concerto  (en  Mi  majeur),  VP 
5 —  Rahter. 

-  59  Air  de  Top.  L  a  N  e  i  g  e,  vari6,  PV  1.50, 

VO  2.50  Hofmeister. 
-60  Templer   und  die   Jiidin,   Fanta- 
sie,  PV  1.50,   VO  3—  Hofmeister. 

-  61    Trois   duos   concertantes,   2V   4 —  n 

stallat. 
-70  Pi&ces  de  Society,  6  trios,  2VVc:  I. 

dur,    Es-dur,    D-raoU    3.50.    II,    B-dur, 

dur,   Es-dur   3.50   Breitkopf. 
-62   Muette  de   Portici,   fant.  PV, 

P  a  1.75,  VO  3.50,  VcO  4.25,  Fc  Quat.  3— 

Hofmeister. 

-  80  Air  de  B  e  1 1  i  n  i,  py  1.25,  2VVaVc  1.50 

Hofmeister. 
-81    Bolero    (G-m.),   PV    1.25,   2VVaVc 

Hofmeister. 
-82   Concertino    (A-m.)    N.   3,   PV   2.50, 

5.50  Hofmeister. 
-90   Notturno,  JfVc   1.50  Hofmeister. 

-  Airs    russes    varies,    2VVaKb     2.50  n 

stallat. 
-Alois  e,      Oper.      Hofmeister :      KA 
Enckhausen)    18 — ,   Ouv.   ^ms   2 — : 

2.  Duett:  iJberraschung,  Freude  Lust  1 — . 

3.  Terzett:      Vorsich   steht   dem   Mut  zur 
Seite  —50. 

4.  Cavatine :      Neugier    treibt   mich    nicht 
—75. 

6.  Introd.,  Chor  u.  Tanz :   Zum  f rohlichen 
Feste  — 75. 

7.  Arie:   Ich  kann  nicht  mehr  — 75. 

8.  Arie:   Wo  ist  sie  denn  1 — . 

9.  Duett:    Ha!    wenn   sich   so   die  Herzen 
gleichen  1.25. 

10.  Rez.  u.  Arie:   Mord  und  Tod  — 75. 

-  Airs  russes  varies,  V  av.  Sfr-Quart.  3.50  n 

Costallat. 
-12    Airs:    I.    ICornetAPP:      1.    Ma   petite 
chambrette.  2.  Au  bord  de  la  mer.  3.  Ro- 
mance  a    trois   notes.   4.    Le   voyageur.    5. 
Le   revoir.  6.  Une  larme  2.50. 


Co- 

G- 
B- 

Vc 


1.50 


VO 


Co- 


in. 


Maurer  L.  W.  12  Airs 


339 


Maurice  A.  op.  43 


Roiiiauce     „Toii- 
•"    9.  Redis-le 


TI.  2Conirtsa  PP  : 
jours  aimer".  8.  Je  t'aimerai  . 
iiioi.  10.  Toi.  11.  Duo  comique.  12.  Duetto 
liuffo  de  rOp4ra  comique  „Le  nouveau 
Paris"    4—   Rahter. 

-Der   Gesang,   8ATB   l.CO   Hoffheinz. 

-  Dieu  garde  I'Empereur,  ouv.  Ifins  iC  h. 
Mayer)    2.50  Ilofmeister. 

-12  kleine  Stiicke,  2Cornet  a  P2E6rnerTr 
fBPos):  1.  Maestoso  alia  marcia.  2.  An- 
dante con  moto.  .3.  Allegro  grazioso.  4. 
.Scherzo.  5.  Andante  espressivo.  6.  Kriegs- 
lied.  7.  Sehildwache.  8.  Volkslied.  9. 
Trinklied.  10.  Lied.  11.  Lied.  12.  Scherzo 
6.50  Rahter. 

-  :\Iorgengruf3,        2Cornets  a  P2E6rnerBafipos 

(Tr)    1.50  Rahter. 
-Ouverture:  Alonse,  O  6 — ■  Breitkopf. 
-Ouverture:     La    Fourberie    decouverte,     O 

5 — ,  Jfttis  2 —  Breitkopf. 
-Potpourri    iiber    Themen     aus     Weber's: 

..Euryanthe",    VP   1.80   Oertel. 
Maurer    H.      Charge    of    the    LTlans,    caprice 

militaire,   P  — 75,   .^ms   1 —  Schirmer. 

-  Valse  ^Ifgante    (F),   P  — 65   Schirmer. 
Maurer  S.  12  etudes  pour  F-seul  d'aprfe.s  les 

priucipes  deViotti,  Rode,  Kreutzer 
ft  Baillot  2.50  Johansen. 
Maurer  W.  Les  adieux,  impromptu,  VP  — iO 
■fiirgenson. 

-  Romance    de    Top.    Guido    et    Giuevra,    VP 

—85,  BVVaVc  —85  Jurgen^on. 
Maureth,    Pied   de  nez.     Delormel. 
Mauri    E.    Wagner  y   Levien:    A  una   madre 

ausente  — 50. 

-  Amor  secreto  — 50. 

-  Gomo   tauda  — 50. 

-  KUa  y  61  —73. 

-  FTielo  y  Tristeza. 

-  Q\\^  es   poesia?  — 50. 

-  Rosas  y  Violetas  — 50. 

-  '^'Itima  ofrenda  — 50. 

Mauri  J.  A  una  Madre  ausente:  Porqu6 
lloras,  Madre  mia,  melodia  a  2  voces  cou 
G  6  P  1 —  Ilofmeister. 

-  Oomo   Tamba:    Todo   Congo   tiene   fortuna. 

Rumba  Cubana  de  la  Zarzuela  „La  Cu- 
arta  Plana",  duo  p.  Canto  y  P  1.50  Hof- 
ineister. 
Mauri  L.  Aria:  A  te  sola  io  debbo,  o  cara, 
introdott-a  nel  Conte  Ory  di  Rossini 
2 — Ricordi. 

-  Arietta :    Mio   ben   ricordati    1 —  Ricordi. 

-  .3  Pastoral!  per  Org,  anche  colle  parole  per 

il  Canto  1.50:  N.  1.  Pastorale  in  do  mag- 
giore,  2.  Pastorale  in  sol  maggiore,  3.  Pa- 
storale in  do  maggiore,  h  —60  n  Marti- 
venghi. 

■  Turkish   review,   P  — .35   Ditson. 

Maurice,  R6publicain  de  Normandie  3 — , 
Ch.  s.   1 —  Carterean. 

Maurice  Alf.  (1862—1906),  op.  2  Die  Wald- 
muhle,  Idylle,  P  1—  Cranz. 

-  4  Schlummerlied   1 —  Ries  d  Erler. 

-  5    Vier    Lieder :    Vesper.    Am    Strom.    Vom 

Berge.    Schon    Elschen    2—   Ries   &    Erler. 
-8    Zwei   Lieder:      Nr.    1.    So   war    ich   eine 
Ro.se  —60.  Nr.   2.   Ewig  lieben,  ewig  mei- 
den  —80  Ee$se. 


-9  Sieben  Lieder:  1.  Hoflfe  du :  „Veilchen 
sah  ich  halb  beschneit".  2.  Ich  liebe  dich: 
„Weh'  mir!  dafi  ich  zu  fragen  wagte".  3. 
Komm'  in  die  stille  Nacht.  4.  Falsche 
Blaue:  „Ich  hab'  in  das  blaue  Meer  ge- 
schaut".  5.  Du  weifit  es  nicht.  6.  Das 
Blilmlein  auf  der  Heide:  ,,Soviel  der 
Mai  auch  Blilmlein  beut".  7.  Trutzlied- 
chen :  ,,Und  bild'  dir  nur  im  Traum  nichts 
ein"   2—  Bote. 

-  10  Zwei  Lieder:  Nr.  1.  Viel  tausend  Bliim- 

chen    auf   der   Au   — 75.     Nr.   2.   Herzens- 
friihling  — 75  Hesse. 

11  Drei  Lieder  1.25:  Nr.  1.  Mein  Herz  war 
wie  der  Tau,  2.  Sehnsucht,  3.  Und  leise 
rauschten  die  Zweige,  k  — 50  R.  Dietrich. 

-  13  Sechs  Lieder:  1.  Ihr  Sternlein.  2.  Nicht 

mit  Rosen,  und  Violen.  3.  Ruh'  an  meinem 
Busen  aus.  4.  Roslein  wann  bliihst  du 
auf?  5.  Ist  die  Sonne  heimgegangen.  6. 
Ewig  dein!  1.80  R.  Dietrich. 
-17  Diebstahl:  „Madel  trug  des  Wegs  da- 
her",  8ATB   1.50  Kistner. 

-  19    Erinnerung    1 —   Hesse. 

-21    Zwei   Lieder:    1.   Wenn   sich   zwei   Her- 

zen  scheiden.  2.  Gleichnis  — 75  Hesse. 
-22    Zwei    Volkslieder,    TTBB:      1.    O    lasse 

Lieb'  nicht  vou  dir  geh'n :  „Die  Hand,  die 

in  der  deineu  liegt",  2.   Als  ich   Abschied 

uahm,    a    1 —   Kistner. 
-22a    Zwei    Volkslieder:      1.    0    lasse    Lieb' 

nicht   von   dir   gehn,   2.    Als  ich   Abschied 

nahm,  a  — 50  Kistner. 
-25    Drei    Lieder:      Nr.    1.    Das    flotte   Herz 

1.20.  Nr.  2.  Geheimnis  —60.  Nr.  3.  Friih- 

lingswelt  — 60   Germann. 
-26  Zwei  Rhein-  und  Weinlieder  fiir  TTBB: 

1.  Die  sehonste  Frau  vom  Rheine.  2.  Der 

liebe  Gott  hat's  Trinken  gern  — 90  Hesse. 
-28  Morgens  am  Brunnen,  P  1.20  Germann. 
-33    Drei    Duette :    Nr.    1.    Wenn    Zwei    sich 

lieben  —60.  Nr.  2.  Das  Herz  ohne  Liebe: 

„Wie  ein  Land  ohne  Herrn"  — 60.   Nr.  3. 

Fruhlingsreigen :       „Der    Lenz    ist    einge- 

zogen"    1.50   Hoffarth. 
-35    Sechs    Lieder:      Nr.    1.    Holunderbaum 

—80.  Nr.   2.   Verschmahte  Liebe  —60.  Nr. 

3.  Ohn'  Ende  stromt  der  Regen  — 80.  Nr. 

4.  Mir  ist,  als  miissest  du  mich  zwingen 
— 60.  Nr.  5.  Gestern  noch  schwur  er  — 80. 
Nr.  6.  Ich  nehme  keinen  alten  Mann  — 60 
Praeger. 

-36  Sechs  Lieder:  Nr.  1.  Am  Strande  — 80. 
Nr.  2.  Wann  ich  unter  frischem  Moose 
—60.  Nr.  3.  Wilde  Rosen  —60.  Nr.  4.  Was 
ist  mir  denn  so  wehe?  — 60.  Nr.  5.  Wie 
sich  Rebeuranken  schwingen.  — 60.  Nr.  6. 
Wie  ich  dich  fand  1.20  Praeger. 

Op.  35  und  36.  12  Lieder  3 — n  Praeger. 

■  37a   Waldestraum,   P   1.20,   0,  kl.   0  k  2— 

Praeger. 

■  41    Deutscher   Weihegrufi   1 — ,   TTBB  m.  P 

(H)0,  Part  u.  KA  2.50,  0-St  3—,  Chorst 
a  —25,   TTBB   1.40  Oertel. 

■  42   Nr.    1.   Meine  Seele  will   nicht  schlafen 

geh'n.  2.  Mondlicht  im  See,  P  a  1 —  Prae- 
ger. 
43  Marschlied,  P  —60  Schuherth  jr. 

22* 


Maurice  A.  op.  48 


340     — 


Mauroner  G.  Foglie  d'Auttmno 


KA   4.50   Hesse. 
1.20,    VO    2.50  n 


Spieloper, 
Siugspiel, 


KA 


KA 


-48  Largo,  P  1—,  4ms  1.20,  0  4.40  n,  kl.  0 
3.80  n  Eberle. 

-  50  SpaniscLe  Serenade,  VP  1.20,  VO  2.50  u 

Oertel. 
-53  Sage,  FP  1.80,  VO,  Part  5— n,  Solo-  u. 

0-St   5— n   Eberle. 
-55  Zvvei  Licder :  Nr.  1.  Bitteres  Weh:  ..Wer 

ist   so   verlassen,   wie   ich,   auf   der   Welt" 

— 60.  Nr.  2.  Ach  !  silh'st  du  micli  nur  eiu- 

mal  an  1 —  Musikwoche. 

-  Am   Meer,    Fautasie-Idylle,    P   — 80    Cranz. 

-  G'scheidte   Leit,   Lied    1 —  Praeger. 

-  J  o  s  e  p  h  a,    Oper,    KA    3 —    Oertler. 

-  O,  dafi  es  inimer  so  blieb,   P  — 75  Hesse. 

-  Primula   \eris,   Lied    fiir    T-Solo    u.    BATB 

— SO   Seeling. 

-  lleiterlied  — 75   Hesse. 

-  S  c  h  a  t  z,   komische   Oper, 

-  Spanische    Serenade,    VP 

Oertel. 

-  S  1  e  11  d  i  c  h  e  i  n,     kleine 

3 —  Hesse. 

-  T  r  a  u,     s  c  h  a  u,     w  e  m  ! 

2.50  n  Hesse. 

-  Vogellied  — 75   Hesse. 

-Vv^ette,    Singspiel,   KA    3 —    Hesse. 

Maurice  Ch.  6  Kinderlieder   1^ —  Braver. 
fv^aurice    Georges,    Nuits    de   Mai,    nocturne 

a  2  voix  2.50  Mnroki/. 
Maurice    Louise,   Moscovite,   Latest,   3   step, 

P  —60   Flanner. 

-  (y   the   Li^pth   of  the   Riches,   As.   &  chorus 

—  1    Pit  rutin. 

-  Eedemption    (Noel)    1.70  n  Edition    de    la 

Vie   musicale. 
■  Tripping  so  lightly,  m6lodie  caract6ristiqu.?, 
P  — 50   Gordon. 

-  Two  American  Girls,  waltzes  — 75  Gordon. 
Maurice   M.   Sous  les  branches  3 —  Noel. 
Maurice   P.   op.  8   Der   Islandfischer,   musik. 

Stimmungsbild,  0,  Part  10— n,  St  20— n 
Leioy. 

-  Chanson    (L'Ame   nue)    1.75  u   Hachette. 

-  Cliausoa  d<^s  qua^^re  saisous   1.75  n  Hacliette. 
-Die   w  o  i  fi  e    F  1  a  g  g  e,    Szenen    aus    dem 

Burenkriege,  Oper,  KA  6 — n  Feuchtinger. 
Maurics-Pesse,  S'ils  avaient  des  ailes  1.75  n 

Bourlant.  ; 

Maurin   P.  A  Yenisei    1.70  n  Robert. 

-  24  Etudes  artistiques.  Ha  I— II  a  20—  Ha- 

mclle. 

-  12  Pieces  caract^ristiques.    VP :   N.    1.   Ber- 

ceu.se  6—.  N.  2.  Saltarelle  6—.  N.  3.  Fi- 
leuse  7.50.  N.  4.  Souvenir,  r§verie  6 — .  N. 
5.  Pensees  musicales  6 — .  N.  6.  Polonaise 
»—.  N.  7.  Nocturne  7.50.  N.  8.  Gigue  7.50. 
N.  9.  Chasse  9 — .  N.  10.  Vieille  chanson 
6—.  N.  11.  Valse  9 — .  N.  12.  Adagio  reli- 
gioso   4 —   Humelle. 

-  Promenade    a    I'Elysee,    polka-maz.     ]  .70  n 

lioberl. 
Maurin     Victory,      Twilight    Echoes,    waltz 

4/ —   Weekes. 
Maurizi   Enrici   E.  II  tramonto,  melodia  2 — 

Mariani. 
Mauro    A.    Canzone    a    Gesit    Bambino    ]  — 

Handron. 

-  Comunione,    Org  — 50   Musica  sacra. 


-  Concerto      sopra      Dolores       (Auteri- 

Manzocchi),   .^ms   9—   Ricordi. 

-  Corso  completo  di  arpeggi,  P  4 — u,   I — II 

a  2.25   Sandron. 

-  Corso  completo  di  scale  5 —  n,  I — II  A  3 —  u 

Sandron. 

-  Fior   di   carnevale,   polka,   P    1 —   Sandron. 

-  Gioconda    di    P  o  n  c  h  i  e  1 1  i,    parafrasi    su 

d'un  tema  del  Finale  III,  P  2.50  Ricordi. 

-  II    Brio    Carnevalesco,    tarantella    di    con- 

certo, P  4 —  Ricordi. 

-  Neue    musikalische    Grammatik    in    kurzer 

Fassung  fiir  Dilettanten  (ital.  Text),  3. 
durchgesehene  und  verbesserte  Auflage 
1.80  n   Sandron. 

-  Nuova     Gramma tica     musicale    bre^  onionte 

esposta  per  uso  dei  dilettanti,  3.  edizione 
riveduta  e  eorretta  1 —  n  Sandron. 
-Pastorale  pel  Santo  Natale,  P  1 —  Sandron. 

-  Piccola    Fantasia    sulla    Dinorah,    ^ws    5— 

Ricordi. 
■  Piccola,  Fantasia  sulla  Marta,P  3 —  Ricordi. 

-  Piccoli    Scherzi    sopra    una    Canzone    popo- 

lare  siciliana,   P   3 —  Ricordi. 

-  Prelude,   Org  — 40   J.   Fischer. 

-  Semplicita,  P  2 — •  Ricordi. 

-  Trattenimento  per   Org  — 75  Musica  sacra. 

-  Vcllstiindiger    Kursus    von    Arpeggien,      P 

3.20  n,  I— II  a  1.80  n  Sandron. 

Mauro-Cottone    F.    Tantum    ergo,    con    Org 

— 50  Bertarelli. 
Mauro    Melchiorre,    Barcarola,    P   3 —   Izzo. 

-  Gavotta,  P  3 —  Izzo. 

-  Serenata,  P  3 —  Izzo. 

Mauroner  Giuliano.  Carisch:  Op.  133  L'Ave 
Maria   degli   innamorati   2.50. 

-  134  Elegia,   VP  4—. 

-  1?-6  Povera  bionda  3 — . 

-  137   D'a   Vicaria,   canzone   napoletana    3 — . 

-  138  Dopo  il  ballo,  romanza  2.50. 

-  Ali  di  rondine,  valzer  4.50  Carisch. 

-  Amor  di  madre  2—. 

-  Angelica,  valzer  3  50. 
■Alia    drammatica   2.50. 

-  Bario   di   sera   2.50. 

-  Canzone  del  ruscello,  pezzo  caratt.  P  4 — . 
-3  Composizioni,  P :  N.  1.  Sulla  laguna  2.50. 

N.  2.  L'addio  del  Coscritto  3—.  N.  3.  Cor- 
das   (Ballo  Ungherese)   3.75. 

-  Dunque   non   m'ami   pifl?   romanza  2.50. 

-  Durante   una   tempesta,   romanza  2 — . 

-  FfinciuUa    in    delirio   3.50. 

-  Fiori  di  siepe,  3  composizioni  vocali :   N.  1 . 

Stornello  2—.  N.  2  Melodia  2~.  N.  3. 
Eimembranze,    romanza    3.50. 

-  Fiori  diseccati,  romanza  2 — . 

-Foglie  d'Autunno,  melodie.  I:  N.  1.  Oh 
quanto  volte  guardo  su  quel  colle  2 — . 
N.  2.  Quanti  ce  n'6  che  ti  prometteranno 
1 .50.  N.  3.  Oh  quanto  voglio  bene  a  chi  so 
io  1.50.  N.  4.  O  rondinella,  quando  t'  ho 
nudrita  1.50.  N.  5.  Rondinella,  che  pasai 
monti  e  colli  1.50.  N.  6.  Vado  di  notte 
come    fa   la    luna    1.50. 

Ill:  N.  13.  La  buona  sera,  o  stella  mat- 
tutina  2 — .  N.  14.  Di  la  dai  monti  vengon 
lo  novelle  1.50.  N.  15,  Quando  t'amovo  oh 
ch'eri  colorito  2 — ,  N.   16.  Vo'  cantare  un 


Mauroner  G.  Foglie  d'Auttmt/o 


Ml     — 


Mauss  Th.  op.  2 


Ritpetto  piano  piano  2—.  N.  17.  Oh  che 
t'ho  fatto,  mazzolin  di  rose  2 — .  N.  18. 
E  morto  lo  mio  amore  e  non  ho  pianto 
i.50. 

IV:  N.  19.  Amore,  amove,  amor,  passu. 
que'  poggi  2 — .  N.  20.  Mamma,  se  non  mi 
date  il  mio  Beppino  2—.  N.  21.  Tu  vai 
girando  come  I'arcolaio  1.50.  N.  22.  Ve- 
dete  la  quel  rosignol  che  canta  1.50.  N. 
■23.  Quando  lo  pre.^i  ad  amar  ciascun  mel 
disse  2 — .  N.  24.  Tu  che  sei  bella,  duettino 

Frammenti   lirici,   6   pezzi,    P    10—:    N.    1. 

Albata  2.50.  N.  2.  Melodia  2—.  N.  3.  Ro- 

manza    2.50.    N.    4.    Serenata    2.50.    N.    5. 

Idillio  2.50.  N.  6.  Allegro  2.50. 
- 11  bruno  gondolier©,  ballata  2 — . 
-6  Impressioni  musicali  8—:  N.  1.  Voci  del 

Mare  1.50.  N.  2.  Romanza  2 — .  N.  3.  Ser?- 

nata  Ven?ziana  2—.  N.  4.  Ricordando  2— . 

N.  5.  Di  s,'ra   1.50.  N.  6.  Canzone  di  Gio- 

v(nlu    2 — . 

-  Lamento  d'un  cieco  3 — . 
-Melodia  2—. 

-3   Melodie   3—:    N.    1.   Serenata   2—.   N.   2. 

Madrigale   1.50.   N.  3.  Elegia   1.50. 
-2   Melodie   3—:    N.    1.   Lontana   2—.   N.   2. 

Canto   d'autunno   1.50. 
-3   Morceaux   caract6ristiques,   P:   N.    1.   La 

Fileuse,   romance   2.50.    N.   2.   Prifere   d'un 

mourant,  ^l4gie   1.50.  N.  3.  Le  vent  de  la 

ner,  fantaisie  2 — . 
-Mortal    3—. 
-On   ne  meurt  pas  I'amour   2.50. 

-  Ovunque  tu  !   2 — . 

-fi    Pezzi,    P    15—:    N.    1.    Idillio   4—.    N.    2. 

Romanza    3—.    N.    3.    Scherzo    3—.    N.    4. 

Coro  di  cacciatori  3—.  N.  5.  Serenata  2—. 

N.  6.  Leggenda  5 — . 
-3  Pezzi  vocali  4 — :   N.  1.  Rosa  di  Maggio, 

canzone   1.50.   N.   2.   A   dei   Fiori,   melodia 

1.50.  N.  3.  Lascia  i  tuoi  sogni,  albata  2—. 

-  Preghiera   di   Margherita   3.50. 

-  Priniavera  2 — . 

-  Raggi    di    luna,     3    componimenti :      N.    1. 

Rizzatevi  dal  letto  e  uscite  fuora  2 — .  N. 
2  La  luna  &  bella  quando  il  cuore  6  lieto, 
notturno  2—.  N.  3.  To  t'amerS,  se  vuoi, 
fome  una  stella  2 — . 

-  Ricciolo  biondo  2 — . 

-  2  Romanze  6—:  N.  1.  La  casa  dei  Tigli  -3—. 

N.  2.  Invocazione  4 — . 

-  Sehnsi'cht  2.50. 

-2  Stornelli  2.50:   N.   1.  Separazione,  2.  Ab- 
handono,    ;1  1.50. 

-  SiTlle     rive    dell'Arno,      album    vocale     in 

cliave:  N.  1.  A  Te,  romanza  2.50.  N.  2. 
Onda  fuggitiva,  pensiero  caratteristico,  3. 
Dormi,  amor  mio,  serenata,  4.  Memorie, 
romanza,  5.  Oh !  Datemi  una  veste  scu'-a 
sr-ura,  stornello,  6.  Foglie  autunnali,  me- 
lodia, a  2—. 
-Tarantella,  P  4—. 

-  Valzer   campestre,   P   4 — . 

-  Viola   del   Pensiero   3 — . 

Mauroy    A.      Ah!    ga    n'est    pas    un    b6tise ! 
OA.  s.     Prt.son-Paris. 


Mauroy  A.  et  Legastelois,  Caresse  d'au- 
tomne,  valse  3 —  n  Aux  Galeries  de  la  Ba- 
stille-'Pa.Tis. 

Maurri  R.  Manrri:  Piccolo  metodino  per 
Mttvdolino  sistema  napoletano  o  romano, 
a  4  corde  doppie;  a  numeri  senza  biaog.io 
di  conoscere  la  musica  1 —  n. 

II:    Divertimenti    e    danze    1 — n. 

-  Piccolo    metodino    per    Mandolino    sistema 

lombardo   a  6   corde,   a   numeri    senza   bi- 
soguo  di   conoscere  la   musica   1 —  n. 
II :    Divertimenti    e   danze    1 —  n. 

-  Piccolo    metodino    per    Ocarina,    a    numeri 

senza  bisogno  di  conoscere  la  musica 
1— n. 

II :    Divertimenti    e    danze    1 —  n. 

-  Piccolo    metodino    per    Piffero,    a    numeri 

senza     bisogno     di    conoscere     la    musica 

1— n. 

II :    Divertimenti    e   danze    1 —  n. 
Maury   Ch.  Les   deux  gpagneuls,   ChP   7 — n 

LnhM. 
Maury-Renaud,  op.   13  Trois  airs  de  ballet, 

P  a  6 —  :Soel. 

-  Lecons   de   solf^ge   a   changements   de   cl6s, 

compos<5es  pour  les  examens  sup4rieurs 
de  la  ville  de  Paris  1.50  n  Noel. 

-  Solffege   manuscrit   JV    changements    de   eles 

6— n   Noel. 

-  Solos  des  concours   du   Conservatoire,   Cor- 

netP:  N.  1.  Concours  de  1876,  N.  2.  Con- 
cours de  1877,  N.  3.  Concours  de  1878, 
N.  4.  Concours  de  1879,  a  9—  Noel. 

-  Val.se  expressive   7.50   Noel. 

Maury  Xavier,  Ode  a  Cassandre  1.50  n  Del- 

mouly. 
Maus,  Leuree,  schottische,  MandG  — 10  Nat. 

Music  Co. 

-  Normalita,  two-step,  MandG  — 10  National 

Mitsic  Co. 

Mauss    Aug.    Henkel:    Op.   2  Zwei    Polka- 
Mazurkas  . — 80. 

-  5   L6onie,   mazurka   de   salon  1 — . 

-  10   Tak,   tik,   tak  —80. 

-  11   An's  deutsche  Herz   1 — . 

-  12    Zwei    Morceaux    de    genre,    P :      N.    1. 

Danse    espagnole    — 75.    N.    2.    A    la    Ma- 
zurka  — 75    Schott. 
-14   Zwei    Sonatinen,    P:    1.    (C),   2.    (G)    a 
1.25      Forberg. 

-  15    Kinderleben,    5    leichte    Tonstiicke,    P: 

I:  Nr.  1.  Nachlaufen.  2.  Bitte,  bitte.  3. 
Frohliches  Beisammensein.  4.  Vorwarts- 
Marsch.  5.  Zum  Tanze  1.75. 

II:  Nr.  1.  Im  Walde.  2.  Gute  Nacht. 
3.  Frohliches  Wandern.  4.  Prjisentiert's 
Gewehr !    5.   Wasserfahrt   1.75   Kahnt. 

-16     Psalm:    ,,Wohl    dem,     der    den    Herrn 

fiirchtet"    (deutsch  u.   engl.),   2   Singst  ra. 

P   1.50. 
-3  Rondinos,  P  1.50:   Nr.  1—2  a  —60,  Nr.  3 

—80. 
Mauss    Th.    op.    1    Valse   brillante,     P    1.50 

Henkel. 
-  2  Trois   Etudes-Mazurkas,    P   2—,   N.    1—3 

ft   1 —  Henkel. 


Mauss  Th.  op.  41 


—     342 


Mawson-Marks  C.  Rest 


-41    Tyrolean    mountain    song     (Der    Jodel- 

platz),  P  3/—  Ascherberg. 
-46  R6jouissance  Thuringienne,  morceau  de 

salon,  P  3/—  Ascherberg. 
-47   Rosa's  own   Mazurka   3/ —   Ascherberg. 

-  Alice,  morceau  de  salon,  P  3/—  Ashdown. 
-By  that  Lake   whose   Gloomy   Shore,   irish 

national  air,  P  3/—  Williams. 

-Caledonian  Immortelles,  transcription  of 
National  Scotch  Melodies:  1.  The  Keel 
Row,  in  E  flat,  2.  Auld  Robin  Gray,  in  D 
flat,  3.  Caller  Herring,  in  C,  4.  Ye  Banks 
and  Braes,  in  A,  5.  John  Anderson  ray 
Jo,  in  G  minor,  6.  Comin  'thro  'the  Rye, 
in  B  flat,  Annie  Laurie,  in  G,  P  h  3/ — 
Williams. 

-Froher  Mut,  Salonstiick,  P   1.20  Henkel. 

-  Nachtviole    1 —   Schott. 

-  Posthorn-Polka   — 50    Schott. 

-St.    Patrick's    Day,    irish    melody,     P    3/ — 

Williams. 
Msuselin  C.  Alo!   parle!     Dupont. 
-Aveu  ing4nu   1.75  n  Eayet. 

-  Derni&re  feuille.     Dupont. 

-Fatal   baiser,   valse   lente   chant^e.      Lobbe. 

-  Gavotte  rose,  P.     Eayet. 

-  Melodic  5 —  Dupont. 

-  Reproches  1.75  n  Eayet. 

Maussenet,    Miseremini    Mei,    av.    Org   — 40 

Procure. 
Mauthner    Max,    op.    5      Alpenrose,    Polka- 

Mazur    1 —  Robitschek. 
-6    Lebenslust,    Polka    frangaise    — 80,    stO, 

Part  2.50  n,  sO,  Part  2— n  Robitschek. 

-  7  Poste  restante,  polka  —72   Bosworth. 
-11    Schneeflocken,   Walzer    1.50   Robitschek. 

-  15  Veteranenlust,   Polka  — 60  Bosworth. 
-17    Nr.    1.    Feuerprobe,    Polka,    2.    Um    die 

Wette,  Polka  schnell,  a  — 90  Bosworth. 
- 18    Schiitzengrufi,    Polka   —90    Robitschek 
- 19    Ein    Hochzeitsstraufichen,     Polka     1 — 

Robitschek. 

-  99   In   siifier   Harmonie,   Polka-Mazur    1 .20 

Kramer. 
-100  Goldproben- Walzer   1.80   Kramer. 
- 101   Serben-Marsch  — 90  Kramer. 

-  Ein     geistvoUer    Mensch     (Gesang.sburleske 

in   drei   Akten),  Potp.  P  3 —   Kramer. 

-  Fidele  Geister,   Polka  — 90   Kramer. 

-  Hoch-     und     Deutschmeister-Marsch     — 90 

Bosworth. 
-I  wo  war  ick  denn !  Couplet  aus  d.  Posse: 
Die  kleine  Baronin  1 —  Oertel. 

-  Im  Wiener  Dialekt,  Polka  — 90  Kramer. 

-  Tanzfiguren,  Walzer   1.80  Kramer,   VP  1— 

C,  F.  Schmidt. 

-  Wiener  BUrger,  Marsch  — 90   Kramer. 
Mauthner  Max,  Wiener  Manier:   .,Ein  gei.st- 

voller  Mensch"  1—  Dietrich. 
Mautner  G.  Gy6zelmi-Indul6,  P   1.50   Bard. 

-  Valuta  keringo  2 —  Zipser. 

Mautner  O.   J.   op.   5     2de    Valse,    P    1.50 

Wetzler. 
Mauvais  cot^   1— n,   Ch.  s.  — 30  n   Ondet. 

Mauvais  sujet  (La  Brignetiti)   — 30  n  Jou- 

bert. 

Mauvais    sujet  1 — n,    Ch.  s.   — 40  n    Bornc- 

inann. 


Be- 


Mauvel    Fr.   Nacional   Brasileiro,   P   1- 
vilacqua. 

Mauver,  Praise  of  .song,  SATB  — 06  Gor- 
don. 

Mauzin  L.  Le  F  o  u,  drame  lyrique,  ChP 
8 —  n  Joubert,  2 —  Schirmer. 

-0  s.ilutaris   1.50  n  P^r6gally. 

Mawet  F.  Alma  Redemptoris,  voor  2  gelijke 
stemmen  en  Org ;  Bruno  F  r. :  Pie  Jesu, 
voor  2  gelijke  stemmen  en  Org  (in  e6n 
bundeltje),  Part  —25,  de  2  Zangst  —10 
Rossum. 

-  Ave  Maria,  ATB  &  Org  -—75  Procure. 

-  Christum   regem,   3  voix  6g.  — 10  Procure. 

-  Cor   Jesu,   3  voix  &   Org  — 40  Procure. 

•  Jesu  Salvator,   solo,   Bar(T)  — 75  n  Brahy. 

-  Jesu  Salvator  mundi,  ATB  &  Org  1 —  Pro- 

cure. 

-  Justus    ut   palma   voor    3    mannenstemmen 

en  Org;  Renner  Jr.  Jos.:  Ave  Ma- 
ria voor  3  mannenstemmen,  in  66n  bun- 
deltje, Part  —25,  de  3  Zangst  —15  Rossum. 

-  Lacrymosa,  Pie  Jesu,  ATB  &  Org  1—  Pro- 

cure. 

-  Meditation,  gr.  Org,   p6d.  obi.  1 —  n   Procure. 

-  Messe  en  sol  a  3  voix  6gales    (Credo),  2TB 

(SMSContraltoJ,  Part  av.  Org  3— n,  p.  s. 
a  — 15  n  Procure. 

-  3   Motets   pour   Noel,   3   voix   &   Org    1 .25 

Procure. 

-  2  Motets :  O  quam  suavis,  Christum  regoni, 

3  voix  eg.  P  1.50  Procure. 

-  0  quam  suavis,  3  voix  ^g.  — 10  Procure. 

-  O  Salutaris  voor  3  gelijke  stemmen  en  Org  ; 

Bruno  F. :  Oflfert.  pro.  festis  Conf.  '.ion 
Poutif.  voor  3  gelijke  stemmen  en  Org 
(in  66n  bundeltje),  Part  — 25,  de  3  Zangst 
— 15  Rossiim. 

-  Offertoire    pour    Noel,    gr.    Org,   p4d.    obi. 

1.25  n  Procure. 
-Offertoire,    Org    1.50  n   Procure. 

-  Oro   supplex,   solo,   Bar    1 —  n   Brahy. 

-  St.  Nom  de   Jesus,  2  voix  eg.  &  Org  —40 

Procure. 

-  Stabat  Mater,  3  voix  &  Org  —40  Procure. 
■  Verbum  supernum  voor  ATB  en  Org;  Ave 

Maris    stella    voor    ATB    en    Org    (in    66n 
bundeltje),    Part    —25,    de  3    zangst   —15 
Rossum. 
Mawick  Fr.  Avelauten  1.20  Gilgien-Bern. 

Mawson-Marks  C.  op.  15  N.  1.  Vision  oi 
tears,  2.  Love  shall,  a  2 —  Ricordi. 

-18  N.  1.  Chant  sans  Paroles,  2.  Melodic,  P 
a  3/ —  Agate. 

-  22  The  Passing  of  the  Soul,  song  2 —  n  Ri- 

cordi. 

-  Chant  sans  paroles,  MandP  4/ —  Agate. 

-  End  of  Years  2/ —  Boosey. 

-  Hush,  Dear  Heart,  for  Day  has  Faded  — 10 

Ditson. 

-  Little   Dutch    Garden   — 50   Ditson. 
-Love:    Do   you   hear    what   the   birds   say? 

1/ —  n   Augener. 

-  My  Part  in  Thee  —40  Ditson. 

-  Paradise  4/ —  Leonard. 

-  Pastorale    (D  b)    — 50  Schirmer. 

-Rest:  I  gaze  beneath  (Ruhe:  Vom  griiuen 
T^fer)    1/6  n  Augener. 


Mawson- Marks  C.  Room  in  Heaven 


343 


Maxfield  W.  H.  Ilka  blade  o'  Grass 


I 


-  Kooin  in  Heaven,  song  2 — n  Ricordi. 

-  Sleep  On  4/ —  Dean. 

-  Sleepon  !  2 —  Patey. 

-  Telling  of   the  Story  2, —  Boosey. 

-  When  his  ship  comes  Home  2 —  Patey. 
Max,  Belgique,  polka  2.50  Katto. 

-La  petite  Marine,  quadr.  1.50  Bevilacgua. 
Max  A.  Domkowsky :  Bleamerln  aus'm  Bri- 
xental,   Landler,    Z   — 40. 

-  Glockenspiel  aus  den  bayr.  Alpen^  Z  — -30. 

-  Im   Tirolerland,    zwei   Alpenlieder,   Z   — 30. 

-  Zillertaler    Lied'ln,    Z   —50. 

Max  Bernhard,  Die  Landstreicheriu,  Ko- 
.«t(im-Couplet  fiir  Dampn   1 —  Dietrich. 

Max  C.  H.  Es  soil  sich  der  Mensch  nie  der 
Liebe  erjiiben  — 50  Riihle. 

-  Wiis   niitzt  mich   ein   schoner   Garten?   Hu- 

morist. Lied  — 50  Riihle. 
Max    Emanuel,    Herzog    in    Bayern,    op.    1 
Zwei  kleine  Klavierstiicke  1 —  W.  Schmid. 

-  2  Drei  Lieder  :   Das  tote  Kind.  Die  Abend- 

■jlocken.     Nur  das  Eine  1.80  W.  Schmid. 
-3  Drei  Lieder:  Fragen.  Ich  sah  im  Traum. 

Herbstgedanke    2 —    Wilhelm    Schmid. 
Max  Emma  v.  3  Lieder:   1.  Mafiliebchen.  2. 

Lotosblume.      3.    Das    erste    Veilchen    1.30 

C7-anz. 
Max    H.   op.    17     Der   Zither  spieler,   Musik- 

stucke  fUr  Z    (mit  O  ad  lib.).  Heft  I— II 

a  3 — ,  III  4 —  Schlesinger. 

-  55  Hecken-Eo-sen,   ZO    1.50   Schlesinger. 

Max  Herzog,  op.  56  Italienische  Quadrille, 
arr.  von  F  r.  F  e  y  e  r  t  a  g,  Z  — 60  Aibl. 

-  62   Souvenir-Quadrille,   Z   —60   Aibl. 

Max  Jul.  Roschens  Erwarten   1 —  Becher. 
Max   MoTse,   SouA'enir   de  Ribeauvill^,   valee 

1.50  n  Debcrt. 
Max  d'Ollone,   Elevation,  duo  av.  P(Ha)   et 

n  ad  lib.,  Part  3 — n,  p.  de  choeur  — 50  n 

Enoch. 
Max  Silny,   Ballade,  imit^e  d'U  h  1  a  n  d,  av. 

V{Vc)    2— n   Durand. 
-Dans  le  petit  bois,  mdodie   1 — n   Gregh. 

-  Dans  le  petit  boi.s,  Ch.  s.  — 35  n  Gregh. 

-  Deux  Etoiles   1 —  n  Durand. 

-  S6r4nade      (Mendelssohn)     1.75  n    Dk- 

rand. 
Max  et  Lefort,  Un  entr'acte  au  paradis,  av. 

parl6   1 —  n  Gallet. 
Max-Ber,      Eeine     des     Eoses,     valse     2—  n 

Bornemann. 
Max-Clement,  Berceuse,  V(Vc)P  1.50  Vincent. 
Max-Leclerc,  A  la  fete  1 —  Sulzbach. 
Max-Mayer,   Grande   Fantasia   alia   polae^a, 

VP  9 —  Legouix. 
Maxa    Emit,    Danke    —    Schlufi !  :    „Falsche 

Zah'n,   falscher   Zopf",   Couplet    1—  Bertc. 

-  Vom    Donaustrand,   Marsch    1.25    Rerte. 
Maxamy  J.  Adieu   Suzon   3 —  Sidzhach. 

■  Agnus   Dei  5 —  l<loel. 
-Diva,   valse   6 — ,   Jtms   7.50   Mathieu. 
Maxant    F.   Die   Gemiltliche,   Polka-Mazurka 
— 30  Jurgensori. 

-  Eintracht-Marsch  — 30  Jurgenson. 
Maxcy   H.   L.   1.  Aseher:   Alice,   romanca. 

2.  Stein:  Beau  monde,  galop.  3.  F  .x  s- 
sett:  Cappa's  band  march.  4.  S  c  h  1  e  i  f- 
f  a  h  r  t :    Carnival    capers    waltz.      5.    P  e- 


t  e  r  s :    Chicago   Marine 


FIVG,   2CIP, 
VFICIP,   VFl 

-40  Church. 


Band  March.  6. 
Seeboeck:  Chicago  Yorke.  7.  S  e  t- 
b  o  e  c  k  :  Cradle  Song.  8.  Seeboeck: 
Emma,  waltz.  9.  Eilenberg:  German 
patrol,  10.  Puehringer:  Kirmess  pa- 
rade. 11.  Gillet:  Loin  du  bal,  waltz. 
12.  Schleiffahrt:  Love's  slave  ga- 
votte. 13.  P  e  t  r  i  e  :  Magnolia  blossom, 
gavotte.  14.  Banfi:  Mandolina  polka. 
15.  Eilenberg:  Midgets.  16.  M  a  r- 
e  a  i  1  h  o  u  :  Mignonnettes,  waltz.  17.  Ger- 
man .song :  My  sweetheart.  18.  V  e  r  n  e  r  : 
Pride  of  the  ball,  waltz.  19.  Putnam: 
Remembrance  gavotte.  20.  W  e  e  g  m  a  n  n  : 
Reseda  polka-mazurka.  21.  Banfi:  Rust- 
ling leaves,  waltz.  22.  F  e  r  b  e  r  :  Sere- 
nade a  la  Mandolin.  23.  Lutz:  Skirt 
dance,  Faust  up  to  Date.  24.  Bra  i- 
n  a  r  d :  Sounds  from  St.  John,  polka.  25. 
Seeboeck:  Spanish  bolero.  26.  H  o  1- 
1  a  e  n  d  e  r  :  Spanish  dance.  27.  S  e  c- 
boeck:  Spanish  serenade.  28.  Schleif- 
fahrt: Stolen  kisses ,  gavotte.  29. 
Eilenberg:  Two  eyes  so  brown,  ga- 
votte. 30.  Schleiffahrt:  World's  ex- 
position, march.  31.  Schleiffahrt: 
Zuleika,  turki.sh  serenade,  a  Mand,  V,  Fi, 
CI,  a  —10,  2Mand{V)  —20,  VP,  FIP,  CIP, 
MandP.  MandG,  VG,  FIG  H  —30,  VFl,  V 
CI,  FlCl,  FlMand,  ClMand,  2Cl  a  —20, 
2VP,  2MandP,  2VG,  FIVP, 
2GIG,  FICIP,  FICIG  a  —40, 
CIG   a   —50   Brainard. 

-  College  greet,  polka,  2Ma,idG 

-  Cradle  song  (S  e  e  b  o  c  k) ,  FiP  —30,  2Mand 

G  — 40  Brainard. 

-  Darling  Vienna,  waltz,  2.1/andG— 40  Church. 

-  Day  in  Vienna,  march,  2MandG  —40  Church. 
-Doris,    the    village     maiden,     waltz,     Mand 

—15,  2Mand  —25,  MandP,  MandG  a  —40, 

2MundP,  2MandG  a  —50  Brainard. 
-Flight   of   birds,   polka    (Waldteufel),   2(.)) 

MandG   — 75   Ditson. 
■  Frida,     gavotte      (F  e  r  r  o  n) ,     2 (3) MandG 

—75   Ditson. 

-  Mandolino  polka   (B  a  n  f  i) ,  Mand  — 10.  VP 

— 30  Brainard. 

-  Newport,   VP  — 50  Brainard. 

-  On  the  banks,  march,  BMandG  — 40  Church. 

-  The  mill    (Gillet),  2MandG  — 40  Church. 

-  Triestingthal,  polka-ma?.  (Krai),  2MamlG 

—40   Church. 

Maxfield   W.   H.  Bayley:  Auld  Robin  Gray 

-/2. 

-  Pehold,   the  leaves,   SC  — /2. 

-  Birks  o'   Aberfeldy  — /2. 

-  Boatie  rows  — /2. 

-  Bountiful   Giver,   cantata    1/ — . 

-  Chloris,   cantata   2/ — . 

-  Coming   of   Spring,   SC  — /2. 

-  Departing  Summer,   SC  — /2. 

-50  Favourite  Songs,  music  size,  voice  parts 
in  staff  and  sol-fa  notations  and  P  2/ — -, 
cloth  3/6. 

-  Flora  Macdonald's  Lament  — .2. 
-Hour  of  Best,   SC  — /2. 

-  If  ve  love  me,  SATB  — ,2  Novella. 

-  Ilka   blade  o'   Grass   — 2. 


Maxfield  W.  H.  In  the  beginniiu] 


—     U\ 


Maxstadt  K.  Bin  Erlauo'iter 


-  In    the    beginning   was    the   word    (Christ- 

mas), 8A.TB  — /3  'Novello. 

-  50  Irish  Songs,  music  size,  voice  parts  in 

staff  and  sol-fa  notations  and   P   2/ — . 

-  Jakob    and    Esau,    two    sections,    entitled 

respectively  „The  Return"  and  ,,The  Re- 
conciliation",  SCTBB  1/6. 

-  Je  pense  a  toi,  morceau  de  salon,  P  score 

3/ —  Donajowski. 

-  Lord  is  Risen   1/ —  Gurweji. 

-  Lullaby,    morceau    de    salon,    P    score    3/ — 

Donajowski. 

-  March   in   B  flat.   Org   3/ —  Donajowski. 

-  50  Minstrel   Songs,  music  size,  voice  parts 

in  staff  and  sol-fa  notations   and   P  2/ — . 

-  My  Nannies  awa  — /2. 

-  O  whistle  and  I'll  come. 

-  Old,  Old  Story,  cantata  1/6. 

-  50  Popular   Songs,  music  size,   voice  parts 

in   irtaff  and   sol-fa   notations  and  P  2/ — . 

-  Rose-bloom,  morceau  de  salon,  P  score  3/ — 

Donajoioski. 

-  Row  weel,  my  boatie  — /3. 

-  Short  Offertoire    (Anglican  Organist,   Book 

1    N.   5),    Org.      Vincent. 
-Spring's   Delights,    P :    1.   Spring's   Advent, 
2.   Early   Morn,   3.   Sweet   Violets,   4.   The 
May-pole   Dance,   a    3/ —   Donajowski. 

-  Star   of   the   East,    in   two   parts :      I.    The 

Shepherds,   II.   The   Wise   Men    1/6. 

-  Sweets  of  Morn,  SC  — /2. 
■  Tarn  Glen  — /2. 

-  Ye  Silvery  Brooks,  SC  — /2. 

Maxim  Florence,  Boy-Roy  and  his  Friends, 
6  compositions,  P :  1.  The  Jack-Tar,  2. 
The  Organist,  3.  The  Shoemaker,  4.  The 
Kitchen  Maid,  5.  The  Dancing-School 
Miss,  6.  The  One- Armed  Man,  a  1.20 
Schmidt. 

-Cinderella's    Waltz    2/— n    Woolhouse. 

-  Down  the  Stream,  P  2/ —  n   Woolhouse. 

-Fairy  Tales  in  Tone:  1.  Cinderella's  Slip- 
per, 2.  The  Prince's  Song  to  Rapunsel,  3. 
Bebes  in  the  Wood,  4.  The  Mermaid  and 
the  Prince,  5.  Jack  and  the  Beanstalk, 
4ms  a   1.20  Schmidt. 

-Half  a  Dozen  Wonderfuls,  P.-  1.  The  Pipe, 
2.  The  Clock,  3.  The  Top,  4.  The  Music 
Box,  5.  The  Doll,  6.  The  Rocking  Horse, 
a  — 25   Schirmer  jr. 

-  Ho,   Ho,   Ho,   for   the   Sea,   P   2/—  n   Wool- 

h  otise. 

-  Holidays,  P :  1.  The  New  Year,  2.  All  Fools 

Day,  3.  Fourth  of  July,  4.  Hallowe'en,  5. 
Thanksgiving,  6.  Christmas,  a  — 40  Schir- 
mer jr.,  a   1/6   Woolhovse. 

-  Tn   the   Country,   P   2/ — n    Woolhouse. 
-Little  Lister,  P  2/ — u  Woolhouse. 

-10  Little  tonal  fancies,  P.-  1.  Little  Toy 
Soldiers,  2.  Sunday  Morning,  3.  In  the 
Country,  4.  Cinderella's  Waltz,  5.  The 
Little  Sister,  6.  Ho,  Ho,  Ho  for  the  Sea, 
a  —40.  N.  7.  Down  the  Stream  —50.  N.  8. 
Pickanninny  Dollies  — 40.  N.  9.  Wonder- 
ings  —30.  N.  10.  The  Village  Dance  —50 
^':hirmer  jr. 

-  l.lUle  Toy  Soldiers,  P  2/— n  Woolhouse. 


-  Pickanninny    Dollies,    P   2/ —  n    Woolhou.'ie. 

-  Sunday    Morning,    P   2/ —  n    Woolhouse. 
V  illage   Dance  2, —  n    Woolhouse. 
Wondering^,    P    1/6  n    Woolhouse. 

Maxim  Geo  P.  Night  Has  a  Thousand  Eyes 
—40  Wood. 

-  Practical  Technic,   P    1 —   Wood. 
Maxime    Guy-Delme-Chaudoir,     V  e  r  b  a  1  i- 

sons!   Duo-bouffe,  2  h.   ou   h.  &  f.  2 — n, 
paroles  &  musique  — 60  n    Rouart. 
Maxime    Guy-Delme-Teste,    Sim  pi  ice   et 
Simplette,    opfrette,    a  v.    livret    3 — n, 
livret  sep.  — 50  n  Rouart. 

Maxime  Guy-Millot-Lucien  Collin,  0  r  d  o  n- 

II  a  n  c  0,    operette,    av.    livret   4 —  n,    livret 

sep.   1 —  n  Rouart. 
Maxime     Guy  -  Remy  -  Semiane     Vargues, 

Pierrot    mordu,    opfirette,    2    h.    1    f. 

av.   livret  4 —  n,  livret  sep.   1 —  n   Rouart. 
Maximilian    Herzog,   op.  20  Erinneruug   an 

Paris,  Walzer   1 —  Schott. 

-  Zehn    Minuten    in    Steiermark,   Landler,   Z 

— 75  Eoenes. 
Maxincsak,  Akkord-Studien,  V2 — Uainauer. 

Maxini,  Schneiderliebe,  Selbst-  u.  Meuchel- 
mord  oder  Backpflaumen,  Wadcnschwund 
und  Kuchonblech  oder  Reue,  Geisterspuk 
und  Strafif  nwalze  oder  Sie  riechen  Lunte, 
sentationelles  Mord-  u.  Familiendrama, 
wut-  und  blutwurschtige  Massen-Umbrin- 
gerei  mit  Leierkastenbegleitung,  Schauer- 
ballade  fiir  I  Ilerrn  und  1  Dame  1.50  Da7i- 
ner. 

Maxsley  Donald,  When  Santa  Claus  is  here 
— 40  Jciniings. 

-  Whin  Santa  blaust  is  here  — 40  Jenning.-<. 
Maxson   C.      Autumn   leaves,   schottische,   P 

— 40   Brainard. 
Maxson    Fred,     op.    7      Innocence,     P    — 40 
Schirmer. 

-  7   Melodious   Duets    for   and   Pupil :      N.    1 . 

Minuet  — 40.  N.  2.  Polonaise  —40.  N.  3. 
Tarantelle  —40.  N.  4.  Mazurka  — 40.  N. 
5.   Marsch  — 40  Schmidt. 

-  At  Twilight,  P  — 30  n  Presser. 

-  Reverie,  solo  for  left  hand,  P  — 35  Ditsov. 

Maxstadt    Karl.    Dietrich:    Aber    sonst    1 — . 
Allerhand  1.20. 

-  Aus  d'r  Haut  mocht  m'r   fahren,  Soloszerie 

1.50. 

-  Briiderlein    tein    1 — . 

-  Das  geuiigt    1 — . 

-  Der   Bettelbua,   Soloszene   1.50. 

-  l^er    ri.indlungs-Kommis,    Soloszene    1.50. 

-  Die  beiden  Junggosellen :  ,,Wir  habeu  jei/.t 

die   Ehre",   humoristisches  Duett  2 — . 

-  Die  Esel,  sie  sind  schuld   1 — . 

-  Die   koscliere   Nation    1 — . 

-  Dorfbarbier   2 — . 

-  Echtes  deutsches   Fabrikat   1 — . 

-  Ein  alter  Schwerenoter   1 — . 

Ein    alter    Totengriiber :    „Eiu    Totengriiber 
bin  ich",  ernste  Soloszene  1.50. 

Ein    armer    Teufel :    ,,Wenn    ich    am    Sonn- 
tag  auf'n  Tanzbod'n  geh'",  Kostiim-Coupl. 
1—,   Z    (P.   Rcnk)    1.20. 
-Ein    Erlauchter    1.50." 


Maxstadt  K.  Fliekschuster 


—     345     — 


Maxstadt  K.  Originalcovpkts 


-  Fliekschuster  2 — . 

-  Friiher    und    heut,   Soloszene   1.50. 

-  Hat   ihm   schon   1—. 

-  Hiiinoristische   VortrJige,   Nr.    1 — 5    a    1.20: 

l.Sagt  tr,  hat  pr  g'sagt :  „Es  sagt  ein 
Kaufmann". 

2.  Ein  Abenteuer :  „H6rt!  Was  ich  euch 
hier  berichte". 

.'].  Lauter  linke  Stiefel :  „Wenn  man  jetzt 
die    Welt   betracht't". 

4.Der  schone  Veitl :  „Grua6  Gott  or  lie- 
ben  Leut'l". 

5.  Vari^te-Schlager :  „Ich  hab'  dariiber 
nachgedacht". 

-  Tm  Himmel  2 — . 

-  Landstrafiengigerl    1.50. 

-  Originalcouplets: 

l.Logische  Beweise. 

2.  Sonderbar ! 

3.  Das   geniigt! 

4.  Die    kc^5che^e   Nation. 

5.  Hat  ihm   schon  ! 
C.  O  das  ist  bos. 

7.  Nationalspeisen. 

8.  Etcetera,  Etcetera,  Etceteratata. 

9.  Aber  sonst  — 

10.  Das   Diimmste   auf   der   Welt. 

ll.Dic    Chikagoer    Welt^usstellung. 

32.  Mein    Liebchen    was     willst     du     noch 

mehr? 
IS.Heiliger    Sebastian. 

14.  Unsere  Lent'. 

15.  Wcg  damit. 

16.  Rheumatismuscouplet. 

17.  Parodie  auf:   Die  Musik  kommt   (ohuc 
Musik). 

18.  Tschingtatara. 

19.  O  diese  Miidel. 

20.  Liebeserkliirungen. 
2].Weiter    hat's   keinen    Zweck. 
22.0   jeh! 

23.  Schwindelcouplet. 

24.  Klaterig. 

25.  llaritiitencouplet. 

26.  Echtes   dentsches   Fabrikat. 

27.  Das   kommt  heut'   zu   Tag'   nicht   mehr 
vor. 

28.  Gedankenleser. 

29.  Seelenwanderung. 

30.  Wer  nicht   in   den   Himmel  kommt. 

31.  Der  kommt  in  d'  Holl'. 

32.  Briiderleii.  fein. 

33.  Lob   der   Fraueu. 

34.  Deutsch   und   italienisch. 

35.  Wi;lzerkonversationen. 
:36.  Ah!   Ah!   Ah! 

37.  Mei  Mopserl. 

38.  Die   vier   Jahreszeiten. 

39.  Kadfahrercouplet. 

40.  Fremdu  ortercouplet. 

41.  Mein  Licderkranz. 

42.  All   Heii! 

43.  Grofistadtkift. 

44.  Da  sieht  man  was. 

45.  Stadt   und  Land. 

46.  Volksliedercouplet. 

47.  Einer  wie  der  andere. 

48.  Sapperm.ent !    Was  ist   denn   das? 


49.  Zungenfertigkeit. 

50.  Die    Damenkapelle. 

51.  Der   Tourniirengalopp. 

52.  Schwitzcoi  plet. 

53.  Aus   dem  Armel   schiitteln. 

54.  Siehste  wohl,  da  kimmt  er! 

55.  Konstanze. 

56.  Mit   Schick,   mit   Schneid. 

57.  An   der   Elbe   Strand. 

58.  Wisserpantomimen. 

59.  Kitzliche   Geschichte. 

60.  Traumcouplet. 

61.  Die   fleiSigen   Lent'. 

62.  Grofier  Ausverkauf. 

63.  Dresden   an   der   Elbe. 

64.  Der   Panamakanal. 

65.  Aber    doch. 

66.  Noch   nicht   genug. 

67.  Leipziger    Allerlei. 

68.  Friihstiick,    Mittagmahl,   Vesperbrot    u. 
Nachtmahl. 

69.  Das   kann   er    nicht    vertragen. 

70.  Die  Liebe. 

71.  Der  liebe  Ehestand. 

72.  Schimpfgalopp. 

73.  Interessante   Sachen. 

74.  Notwendigkeiten. 

75.  Parodie   auf:    Fischerin   du    kleine. 

76.  Die  G'schicht'   is  aus. 

77.  Der  iJnterschied. 

78.  Biblisches  Couplet. 

79.  Genrebilder. 

80.  Nach     Afrika,     nach     Kamerun,     nach 
Ki-Ka-Kamerun. 


81. 

82. 

S3. 

84. 

85. 

86. 

87. 

88. 

89. 

90. 

91. 

92. 

93. 

94. 

95. 

96. 

97. 

98. 

99. 
100. 
101. 

102. 

103. 

104. 
105. 

106. 
107. 


Die  Kneippkur. 

Mein   liebes  Dresden. 

Die   Sonntagsruhe. 

Berlinerisch   und   Sachsisch. 

Silentium!   Silentium! 

In   Moxiko. 

Frankreich  und   Rufiland. 

Baj'ern   und  5sterreich. 

Santa   Lucia. 

Das   Rtitselcouplet. 

Die    allerhochste    Ironie. 

Eadl,   Radl,   Radl    dreh'   dich. 

Vorbei ! 

Ich    geb'    Ihn'n    mein    Ehrenwort. 

Da    stecken's    d'    Kopf    zusammen. 

Klimacouplet. 

Die   Abriistung. 

Der  Herrgott  meint's   gut. 

Yvette   Guilbert. 

Das    Meisterwerk    der    Sehopfung. 

Verschicdene    Wetten :    „Ich    wett'    mit 

Ihupn   zehn   Glas  Bier". 

Druckfehler:    „Nimmt   man   heutzutag' 

eine  Zeitung  zur  Hand". 

Die  Loreley  :    „Ich  weifi  nicht  was  soil 

es  bedeuten". 

So  mu£  es  sein :   „Heut'  zu  Tage  siugt 

man  viel". 

Eadeln!  Radeln  !  :  „Auf  dem  Land  und 

in  der   Stadt". 

Vive   la   Compagneia :    „Ein   Lied   wird 

Ihnen   jetzt  beschert". 

Schlau    und    fein:       „WiU    man    leben 

heutzutag*". 


Maxstadt  K.  0 ricfinalcouplets 


346 


May  Hearts  Dream 


108.  Mufit    dir    nichts    draus    maohen :    „Es 
gibt   oft    Augeublicke". 

109.  Fein  und  ordinar:   „Ein  Notar  zu  sei- 
nem  Schreiber  sagt". 

110.  Das  Unmoglichste :   „Es  ist  nicht  mog- 
lich   heutziitag'". 

lll.„Es  war  einmal"  fiingt  jedes  Marchen 
an. 

112.  Stiindchen-A'^ariation  :    „Acli   du   schone, 
du   siifie   Helene". 

113.  Haben    Sie    an    Idee?    „Es    kommt    der 
Bankier  Ziehrer",  a   1 — . 

-  Pechvogel,   Soloszenen    1.50. 

-  Radfahrercouplet   1 — . 

-  Raritatensammler    1.50. 

-  Sagt  er,  hat  er  gesagt  1.20. 

-  Schornsteinfeger    1.50. 

-  Stadt  und  Land  — 40  Fischer. 

-  Traumereien   1.20. 

-  Unsere  Lent    1 — . 
Verschiedene  Wiinsche   2 — . 

-  Walzer-Konversationen,  Gesang  m.  Z   1.20. 

-  Weg  damit  1 — . 

•  Zeitungskolport«iir   1.50. 

-  Zungenfertigkeit   1 — . 

Maxwell    G.   S.   Letter   from   the   front  —50 

Vandersloot. 
Maxwell   Helen,  He  lives  and  loves  me  4, — 

ChappeU. 
Maxwell   T.  Does  your   heart  beat  true   to 

me?  — ,2   Broome. 
Maxwell    a.    Smith,    An    old    fashioned    Girl 

— 50   Vandersloot. 

-  Dat   Gingah    tinted   — 50    Vandersloot. 

May.  Willig :  Alice,  Where  Art  Thou,  ro- 
mance (As  Cher),  PV  — 35,  BMandG 
—50. 

-  American  Medley,  MandP  — 60. 

-  Amorita,     potpourri      (Czibulka),     PV 

—60. 
-Angel   of  Love,   waltzes    (W  a  1  d  t  e  u  f  e  1) , 

PV  —50. 
-Angels'     Serenade      (Braga),     PV     — 35, 

2MandG  —50. 

-  Auld  Lang  Syne,  PV  —60. 
-Austin   Waltzes,   PV  —35. 

-  Ballo  in   Maschero,   VP  —60. 
-Barber    of    Seville,    VP   —60. 
-Beggar     Student,     potpourri      (Mil- 
locker),   PV  —60. 

-  Believe   Me   if   All    Those,    et«.    (Moore), 

PV  —60. 

-  Bellman,  potpourri    (S  u  p  p  6) ,  PV  — 60. 
-Ben    Bolt    (Kneas),     VP    —60,     CornetP 

—40. 

-  Beneath     My     Love's     Window,     serenade 

(Lange),    PV   —35,    2MandG    —50. 

-  Berceuse,   2MandG  — 50. 

-  Berceuse,  lullaby,  PV  — 40, 

-Bid    Me    Good-by     and    Go    (Tosti),     PV 

—35. 
-Birds    In    The    Night     (Sullivan),    PV 

—35. 
-Black    Husar,    march    (M  i  11  6  e  k  e  r) , 

PV  —35. 
-Black        Hussar,        potpourri       (IM  i  1- 

locker),  PV  —60. 
-Blondette,    polka     (Behr),    CornetP    —40. 


-Bohe}nian    Girl     (Balfe),    potpourri, 
PV  —60. 

-  Bonnie   Blue    Flag,   PV  —60. 

-  Boulanger      March       (D  e  s  o  r  m  e  s) ,      PV 

—35. 

-  Brilliant  Galop   4/ —   Ascherherg. 
-Camp   of    Gipsies    (Behr),    PV   —35. 
-Carmen    (Bizet),   potpourri,   PV  — 60. 

-  Carnival  de  Venice,  PV  — 50. 

-  Cavalleria    Rusticana     (M  a  s  c  a  g  n  i) ,    FV 

—60. 
-Child  of  the  Regiment    (Donizetti),   P 

V  —60. 

-Chimes     of     Normandy     (P  1  a  n  q  u  e  1 1  e), 
potpourri,  PV  — 60. 

-  Clock,   polka    ( A  r  n  s  t  e  i  n) ,   PV  — 35. 
-Clover    (Supp6),    potpourri,    PV   — 60. 

-  Columbia  Gem  of  the  Ocean,  PV  — 60. 

-  Come  Rest  in   This  Bosom,   PV  —35. 

-  Coming  Through  The  Rye,  PV  —50. 
-Con  Caesar    (Dellinger),  potpourri, 

PV  —60. 

-  Cujus   Animam,   PV  — 35. 

•  Daisy   Polka    (A  r  d  i  t  i) ,    PV  —35. 

-  Dame  Blanche,  PV  —60. 

-  Dancing   Master,   two   step,   PV  — 50. 
-Dear    Heart    (Mattel),    CornetP   —40. 
-Don     P  a  s  q  u  a  1  e     (D  o  n  i  z  e  1 1  i) .      P F 

—60. 

-  Dorothy    (C  e  1 1  i  e  r) ,   potpourri,   PV  — 60. 
-Dream   Faces,   waltz    (Hutchinson),   P 

V  —35. 

-Elixir    of    Love     (Donizetti),    PV 

—60. 
-Erminie     (Jakobowski),    potpou rri, 

PV  —60. 

-  E  r  n  a  n  i,  PV  — 60. 

-  Evening   Bells,   PV  —35. 

-Falka    (Chassaigne),   potpourri,    PV 

—60. 
-Faust    (Gounod),   potpourri,   PV  — QO. 
■  First    Heart    Throbs    (E  i  1  e  n  b  e  r  g) ,    PV 

—35. 
-Flower    Polka    (Ziehrer),    PV   —35. 
-Flower   Song    (Lange),   PV  —35,   2Mund 

G  —50. 
-Fond    Hearts    Must    Part     (Lange),    PV 

—35. 

-  Forget  Me  Not,  gavotte  (P  o  p  p) ,  PV  — 35. 
-Forget  Me  Not,   intermezzo    (Macbeth), 

PV  —40. 
-For  You    (Smith),  CornetP  —40. 
-Fra    Diavolo    (Auber),   PV  —60. 

-  Gondolier,  gavotte    (Sullivan),  PV  — :)5. 
-Gasparoue    (Millocker),    potpourri, 

PV  —60. 

-  Gavotte  de  la  Reine   (M  o  r  1  ey),  PV  —35. 

-  Gentle   Zitella,   VP  —50. 

-  Gentle  Zitella,  PV  —60. 

-  Gimme   Ma  Money,   PV  — 50. 

-  Gipsy   Baron    (Strauss),   potpourri,    PV 

—60. 

-  Gitana   Waltzes    (B  u  c  a  1  o  s  s  i) ,  PV  — 35. 

-  (Goblins    Dance,    VP   —50. 

-  Hail  Columbia,  PV  —60. 

-Hail  te  the  Chief  —50  Nat.  Music  Co. 
-Heart  Bowed  Down,   PV  —60. 

-  Hearts   Dream    (Leonard),   PV  — 35. 


May  Home  siveet  home 


—     347 


May  Southern  Medley 


'  Home   sweet   home,   PV   — 50. 
-Hope  Told  a  Flattering  Tale,  PV  —60. 
-Hornpipe    (Smith),  CornetP  — 40. 
r  How  Could  I  Forget  Thee,  gavotte   (Schu- 
ster), PV  —35, 

-  Huckleberry   Dance,   march,   PV  — 50. 
-Huguenots    (Meyerbeer),  PV  — 60. 

- 1   dreamt   that    I   dwelt  in    Marble    Halls, 

PV  —50. 
-Indiana    (Audran),  potpourri,   PV  — 60. 

-  Intermezzo,    Cavalleria    llusticana 

(Mascagni),  PV  —40. 

-  Jerusalem    (Parker),    CornetP   — 40. 

-  Jolly  Student's  March    (F  a  h  r  b  a  c  h) ,  PV 

—40. 
-Juanita     (Norton),    PV    —60. 

-King's  Fool,  potpourri  (Muller),  PV 
—60. 

-  K  i  n  g's     Fool,     waltz     (M  u  1 1  e  r) ,      PV 

—35. 

-  Last  Rose  of  Summer,  PV  — 50. 

-  Lauterbach  Maiden,  PV  — 50. 

-  Leonore    (T  r  o  t  e  r  e) ,    CornetP    — 40. 
-Linda       di      Chamounix       (Doni- 
zetti),  PV  —60. 

-  Listen  to  the  Mocking  Bird,  2MandG  — 50. 
-Little  Annie  Rooney,  waltz   (Nolan),  PV 

—35. 
-Little   Fisher    Maiden    (Waldman),    PV 

—35. 
-Loin  du  Bal,  valse    (Gil  let),  PV  —35. 
-Lombard  i,   PV  —60. 
-Long,   long  ago    (Bay  ley),   PV  — 60. 

-  Looking  Back  As  In  a  Dream  —50. 
-Lorely,   PV  —35. 

-  Lorraine     (D  e  1  1  i  n  g  e  r) ,    potpourri,     PV 

—60. 

-  Love's  Dream  after  the  ball   (C  z  i  b  u  1  k  a ) , 

PV  —35. 

-Love's  Old  Sweet  Song  (Molloy),  PV 
—35. 

-Lucia  di  Lammermoor  (Doni- 
zetti),  potpourri,   PV  — 60. 

-Lucrezia  Borgia  (Donizetti),  PF 
—60. 

-Maiden's  Prayer,   PV  —60. 

-  Mandolina    (L  an  gey),  PV  — 35. 

-  M  a  r  i  t  a  n  a    (Wallace),   potpourri,   PV 

—60. 
-Marseilles  Hymn,  PV  — 60. 
-Martha,   potpourri,   PV  — 60. 

-  Maryland,    my   Maryland,   PV   — 60. 
-Massaniello    (Auber),   PV  — 60. 
-Mazurka     (Sauret,    op.    23,    N.    3),    /"/ 

—60. 
-Merry  Swiss  Boy,   PV  —60. 
-Merry    War    (Strauss),    potpourri,     PV 

—60. 

-  Mignon  Polka    (B  e  h  r) ,  PV  —35. 

-  Mikado   Waltz    (Sullivan),   PV  —35. 
-My  Love  With  Heart   So  True  —50. 
-My  Native  Village  Bells,  PV  —50. 

-  My      Old      Kentucky      Home      (Foster), 

2MandG  —50. 

-Mynherr  Jan  (Jakobowski),  pot- 
pourri, PV  —60. 

-Nadjy  (Chassaigne),  potpourri,  PV 
—60.  ' 


-  N  a  n  o  n     (G  e  n  e  e) ,    potpourri,    PV    — 60. 
-Nanou   Waltz    (Gen6e),    PV   —35. 

-  Nearer   My   God   to   Thee,   PV  —50. 
-Nel  Cor  Pin    (Beethoven),  PV  —75. 

-  New    Progressive   Violin   School    1.50. 

-  Nigger  in  de  Hen  Coop,  march   (S  c  h  a  r  '. )  ? 

PV  —50. 

-  Nigger      in     the     Hen      Coop,      cake-walk 

(Scharf),   2MandO   —50. 

-  Night  in  Venice    (Strauss),  PV  —GO. 
-Norma    (Bellini),    PV  —60. 

-  Ohfe  Mama    (Tosti),  PV  —35. 

-  Old  Folks  at  Home,  PV  —50. 

-  Old   Oaken   Bucket,   PV  —60. 

-  On  the  green  Rhine,  PO  — 50. 

-  One   Sweet   Dream,   waltz    (E  i  1  e  n  b  e  r  g) , 

PV  —35. 

-  Onl}^    a   Newsboy,     \\  altz     song    — 50     Nat. 

Music   Co. 
-Open     Thv     Lattice,     serenade     (Gregh), 
PV  —35. 

-  Ora  Pro  Nobis,  PV  —50.  • 

-  Paloma    (Y  r  a  d  i  e  r) ,   PV  —35. 
-Pardon   de   Ploermel,   VP  — 60. 

-  Patria    March     (Gobbaerts),    PV    —35. 
-Paul    Jones     (P  1  a  n  q  u  e  1 1  e),    potpourri, 

PV   —60. 

-  Pensive    Beauty,    gavotte    (E  11  e  n  b  e  r  g) , 

PV  —35. 

-  Petit  Bleu,  ^^  altz    (W  e  n  z  e  1) ,  PV  — 35. 
-Petit  Postillion    (Streabbog),  PV  —35. 

-  Pleasant  Dreams,  waltz,  Hand  or   V  — 20, 

O  —20,  Banjo  —20,  2nd  Mand  —15,  2nd 
G  —15,  2nd  Banjo  —15,  P  ace.  —30  Wilz- 
mann. 

-  Poster   March.   PV  —50. 

-Power   of  Love    (Balfe),   PV  —35. 

-  Practical   Scales  for  Violin  — 40. 

-  Prince      Melhusalem      (Strauss),      [wtp. 

PV  —60. 
-Puritani    (Bellini),  PV  —60. 

-  Recolleetion    of    the    Ball,    6ms    — 80,    8w(? 

1.20   Witzwann. 
-Remember    me,     romance     (Brinkman)^ 
PV  —35. 

-  Remember    me     (B  r  i  n  k  m  a  n) ,      2MandG 

—50. 

-  R  i  g  o  1  e  1 1  o,    potpourri,    PV    — 60. 
-Robert    le    D  i  a  b  1  e,    VP    —60. 

-  Romance    (S  i  v  o  r  i) ,   PV  — 40. 

-  Rose  Gavotte    (E  v  e  r  s  m  a  n) ,   PV  —35. 

-  Ruddygore     (Sullivan),    potpourri,    PV 

—60. 
-Rustic  Chivalry   (Mascagni),  potpourri, 
PV  —60. 

-  Santa  Lucia,  PV  —60. 

-Santiago  Waltz    (Corbin),   PV  —35. 
-See-Saw   waltz    (Crowe),   PV  —35. 

-  Serenata,   waltz    (J  axon  e),   PV  — 35. 
-Sicilian      Vespers       (Verdi),      PV 

—60. 

-  Skirt  Dance    (L  u  t  z) ,  PV  —35. 

-  Sleeping  I  Di  earned  Love,   PV  — 60. 
-Southern    Medley,    containing   the   airs:    1. 

My  Old  Kentucky  Home.  2.  Old  Folks  at 
Home.  3.  Imitation  of  the  Banjo,  w.  Mand 
ad  lib.  —25. 


May  Star  Spangled  Banner 


~     348     — 


May  O.   United  England 


-  Star  Spangled  Banner,  PV  —60. 
-Student's    Serenade     (Supp6),    PV    —35. 

-  Sweet   Pansies   Two-Step,   P  — 50. 

-  Sweet  Kapture,  waltz    ( VV  o  h  a  n  k  a) ,  Cor- 

netP    —40. 

-  Then  You'll  Remember  me,  PV  —50. 

-  Tipica  Polka,  6ins  —40,  8ms  — 50,  2MandP 

—80,  2MundG  — 70   Witzma7in. 

-  To  Beau  and  Belle,  PV  —60. 

-  Traumerie    (Schumann),    PV    — 35. 

-  T  r  a  V  i  a  t  a,   PV  —60. 

-Trip  Through  Africa  (Supp6), 
potpourri,   PV  — 60. 

-  Triple   Tongue,  polka,   CornetP  — 40. 
-Trovatore,    potpourri,    PV   — 60. 

-  'T  was  Christmas  Eve  — 50. 

-  'T  were  Vain  to  Tell  Thee,  PV  —60. 
-Urchin's   Sad  Appeal   —50   Nat.   Music   Co. 

-  We   have  Lived   and   Loved  Together,     VP 

—60. 

-  When     Twilight     Dews     (H  e  r  o  1  d) ,      PV 

—60. 

-  Yankee  Docdle,  PV  — 50. 

-York  Dan^e    (Strauss),  PV  —35. 

-  Z  a  m  p  a,  PV  —60. 

May  A.  Heavenly  War,  anthem  (Chorister 
N.  43)    — /2  Pitman. 

-  Polka-mazurka   sur    ,,Chilp6ric''    (H  e  r  v  e) 

1.70  n  Gregh. 

-  Practical   P   School,   Part  I    1.25    (or    in   3 

Nos.   a  —60),  Part  II   2.50    (or   in   6   Nos 
u  —60)    Ditson. 

-  Eigaiidon,  P  3/ —  Williams. 

May  Arthur  E.  I  have  set  God  always  bo- 
fore  me   (Full  anthem)   — /I  Pitman. 

May  Carl.  IV.  Schroder:  Op.  11  Terpsichore, 
Salon-Maz.  P  —75,  0  1—  n  FAsoldt. 

-  25   Nr.    1.   Tranen :    .,Was   ist   es,   o   Vater, 

was  ich  verbrach"   1.20. 

-  31    Im    Tal :    „Im    Lenzesgriin    die    Vogleiu 

sangen"  1.20. 

-  39  Zwei  Stiicke :   Traumverloren,  Valse  s^- 

rioso.  Kokelterie,  Caprice,  mO  2 — n  West- 
pTiaZ-Karlhorst. 

-  49  Der  kleine  Schwerenoter,  Konzertpolka. 

P  1—  EiHoldt. 

-  51    Camera    obscura,    potpourri,    P    2 — ,    0 

3— n,  IM  3— n,  KM  3— n  P.  Fischer. 

-  64   Alt-Heidelberg,   gr.   Potpourri   iib.   aka- 

demische   Lieder,   VP   1.80,   0   2.50  n,  Par. 
Bes.   1.50  n,  P    (m.  unterl.  Text)    1.50. 

-  66  Das  siifie  Lied   der   Nachtigall,   Corneta 

Pist   m.    P    1.20,   m.    0    1.50. 

-  74  Rautendf  lein,  Gavotte,  P   1 — , 

-  75  Herzensdieb,  Polka  1 — . 

-77  P:  Nr.  1.  Am  Denkmal  der  Konigiu 
Louise,  2.  Am  Wrangelbrunnen,  3.  Am 
Goldfischteich,  4.  Auf  dem  Spielplatz,  5. 
An  der  Rousseau-Insel,  6.  In  der  Sieges- 
Allee,  a  1—. 

-  78  serenade  Eococ-o,   P   1.20. 

-  79    Opern-Bouquet-Quadrille    1.20. 

-80  VP:  Nr.  1.  Berceuse  1—.  Nr.  2.  Nacht- 
falter   1—.   Nr.   3.  Tarantelle   L20. 

-  81    Dornrohchen-Walzer  — 75. 

-  84   Alpenkliinge,     Liindler,     2V    —80,     VP 

1.20,   2VP    1.50. 


-93  Nr.  1.  Traumverloren,  Valse  serioso, 
2.  Koketterie,  Caprice,  P  a  L50,  O  2— n 
Westphal-KarlahoTst. 

-  Kicherlottchen,      CharakterstUck,      P      1.20 

Eisoldt. 

-  Launenhaf  te,  Charakterstudie,  P  1 —  Eisoldt. 

May  D.  M.  H.  Melodic  Violin  Method  and 
Self-Instructor,  adapted  especially  to  the 
requirements  of  the  American  V  Student 
1.50  n   Fischer. 

-New    V  School   1.25   Ditson. 

May   Dudley,  Adfele,  P  3/—  Reeder. 
■  Maid    Marian    Mazurka,    MandP     (w.    2nd 
Mand  and   G   ad  lib.)    4/ —  Reeder. 

-  Milicent    Mazurka,    MandP    (w.    2nd  Mand 

and  0  ad  lib.)    4/ —  Reeder. 

-  Primrose,     polka-march,     MandP    (w.    2nd 

Mand  and  G  ad  lib.)    4/ —  Reeder. 

-  Recruits,    polka-march,    MandP    (with    2nd 

Mand  and  G  ad  lib.)   4/ —  Reeder. 

-  Veterans,   polka-march,   MandP    (with   2nd 

Mand  and  G  ad  lib)   4/ —  Reeder. 

May  Edward  Collet,  Progressive  Vocal 
Exercises,  with  Instructions  for  Daily 
Practice  2/ — n   Cramer. 

May  Florence,  op.  3  Choruses  (Trios)  1/— n 
Augener. 

-4  Walzer   1.50  Bote. 

-Pieces  by   old   Masters,   P :    N.  1.    P  e  r  g  o- 

1  e  s  e  :  Prelude  and  Air  with  Variations 
4/ — .  N.  2.  A  1  b  e  r  t  i :  Giga,  from  So- 
nata IV   3/ — .   N.  3.   Greene:    Minuet  w. 

2  var.  3/ — .  N.  4.  Mattheson:  Suite  de 
Pi&ces  N.  I  4/ — .  N.  5.  A  g  r  e  II :  Presto, 
from  Sonata  in  A  3/ — .  N.  6.  Symonds: 
Allemande,  Sarabande  and  Gavotte  4/ — 
Ashdcwn. 

May  Flowers,  25  short,  very  easy  &  amusing 

pieces,  P  — /6  Pitman. 
May   G.   Hope,   song  without  words,   P    1/ — 

Novello. 
May  G.  T.  Vive  la  Compagnie  1/4  n  Turner. 

May  Harry  J.  Maid  Marjorie  4/ —  Will- 
cocks. 

May  Henry  W.  All  for  the  sake  of  Old 
England   4/ —   Reeder. 

May   J.   Newsboy's   Helper  — 15   Nat.  Music 

Co. 
May    J.    G.      Vaterunser,    von    Freudenth-il 

— 50  Cran^. 
May   Lionel,   Further  apart  4/ —  Forsyth. 

May    Louie    E.   Mona,   waltz   3/ —  Ashdown. 
May    Morris,   He   i.s  Not   My   Dear   Old   Pal 
of  Days  Gone  By  — 50   Mills. 

-  Sweetest  Little  Chocolate  Drop  —50  Mills. 
May  Oscar,  Arrosetta,  valse  de  concert  2 — 

Patey. 

-  Egyptian  Queen,  valse  4/ —  Leonard,     2/ — 

Patey. 

-  For   love   and  chivalry   4/ —  Leonard. 

-  Gretta    (Graceful   Dance),  P  4/—  Gary. 

-  Merry  step,  schottische  or  barn  dance  4/ — 

Leonard,  2/ —   Patey. 

-  Tip-toe,    step    dance      4/ —    Leonard,      2/ — 

Patey. 

-  United   England,   polka   4/ —   Leonard,   2/ — 

Patey. 


May  S.  op.  15 


349 


Mayer  A.  up.  HT 


May    Siegfried,    op.    15      Hurra,    Zeppelin! 

Marsch    1.20    T/mZm-yertop-Berlin-Sclione- 

berg. 
May  T.   G.   Juanita,  2G  or  A  — 35   Oordon. 

May  Theodore  Charles,  Joys  of  youth,  how 

lleeting   1/8  r.  Allan   Mozart. 
May  V.  S.  The  County  Council  4/—  Ascher- 

lerg. 
May  W.  Home  — /6  n   Weekes. 
May    Walter    H.      Entie    nous,      1'     — 50  n 

Presser. 
-line  petite  Ehapsodie,  P  — 50  u  Presser. 
May    Blossoms    (42    Hymns   to   the   Blessod 

Vir<rin)    — 40   Ditson. 


collection  of  easy 
young   Players:    1, 


Piano- 


May   Blossoms,   a 

forte  pieces  for  young  Players:  1.  Haw- 
thorn Redowa,  2.  Hedge  Rose  Polka,  3. 
Celandine  Schottische,  4.  May  Blossom 
Waltz,  5.  Blue  Bell  Quickstep,  6.  Ro?k 
Rose  Polka,  7.  Marguerite  March,  8.  Cow- 
slip Mazurka,  9.  Buttercup  Waltz,  10. 
Honeysuckle  March,  11.  Primrose  Waltz, 
12.  Wood  Violets  Waltz,  13.  Sweet  Briar 
Schottische,  14.  Sweet  Lavender  Schotti- 
sche, 15.  Edelweiss  Schottische,  16.  Pansy 
Mazurka,  17.  China  Rose  Schottische,  18. 
Daisy  Polka,  19.  Apple  Blossom  Schot- 
tische, 20.  Alpine  Rose  Waltz,  21.  Nai- 
I'issus  Polka,  22.  Snowdrop  Mazurka,  23. 
Tulip  Waltz,  24.  Crocus  Polka,  25.  Wild 
Rose  Galop,  26.  Laburnum  Schottische, 
27.  Wallflower  Mazurka,  28.  Lily  of  the 
Valley  Schottische,  29.  Lilac  Waltz,  30. 
Forget-me-not  Polka,  31.  Sweet  Pea  Quick- 
step, 32.  Cherry  Blossom  Polka,  33.  Mig- 
nonette Waltz,  34.  Hyacinth  Waltz,  35. 
Damask  Rose  Polka,  36.  Hepatica  Polka, 
a  — /6  Bayley. 

Mayan,  Je  ne  songeais  pas  a  Rose  1 — n 
Durdilly. 

-  Simple  reve   1 —  n  Durdilly. 

Mayan  G.  M.  Les  trois  oiseaux  (I  tre  au- 
gelli) .  J'ai  dit  an  ramier  (Ho  detto  al 
pitcicn),   melcdia    1.75  n    Schmidl. 

-  Papillons    (Le   farfalle),   melodia.     Les   pa- 

pillons  couleur  de  neige  (Farfalle  del  co- 
lor  di   neve)    1.75  n   Schmidl. 

-  Troubadourette      (Canzone     d'amore) . 


dormigliona 


alfin 


Le 
dis- 


jour   se   l6ve    (Mia 
serra)    1.75  n   Schmidl 

Mayan    J.      Renovare    1 — n,      Ch.    s.   — 35  n 

Lahhc. 
Mayan   J.  J.  Jacquot:  Chanson. 

-  Cloches  de  Noel. 

-  Lied,  P. 

-  S<5r6nade     romantique,    Harm(Fanf)     3 — n 

Eveite. 
Mayan  J.  M.  Chant  et  la  Voix,  <ltude  compl. 
de  I'Art  lyrique  12 — n  Soci4te  nouvelle. 

-  Dp  la  Declamation    (la  voix  parl4e,  la  dic- 

tion, la  protcdie,  les  gestes,   le  maintien) 
2 —  n    Dupont. 

-  II    canto    e  la    voce,    studio    completo    del 

I'Arte    lirica,     tradotto     dal    francese     ed 
adattato   pe^-   la   Scuola   di   canto   italiana 
da    A.    S  c  h  m  i  d  t-S  e  r  r  a    4 —  n    Ricordi. 
•  La   prosodie   lyrique  20 —  n   Dupont. 


(Le    Farfalle),     mfilodie      1.25  n 
(T    tre    augelli),       nielodie 

1.50  n 


-  Papillons 

Ricordi. 

-  Trois    oiseaux 

1.25  n   Ricordi. 

-  Troubadourette    (Canzone    d'amore) 

Ricoidi. 
Maybery  Margaret  Ellis,  Three  Songs:  N. 
1.  Go,  Lovely  Rose  (R  obert  Herrick) 
in  G  b  —50.  N.  2.  Shadows  (Words- 
worth) in  F-major  —50.  N.  3.  A  Song 
of  the  Nightingale  (Christine  R  o  s- 
setti),   in  Ab  — 50  Schirmer  jr. 

Maybrick    M.   Ashdown:  Matin   bells,    reve- 
rie, P  3/—. 

-  Noc-turne,   P   2/ — . 

-  Ve.sper   chimes,    reverie,  P   3/ — . 

-Where   art   thou    now,    thou    bird   of   song? 
in   C   &   Eflat   3/—. 

-  Zouaves,   marche   militaire   4/ — . 

Maye.      Millcreau:      Charmant,      Menu      et 

Gracieux,   bolero,   P   1.75  n. 
•  Chateaux    en    Espagne,    P    1.75  n. 

-  Chateaux   en   Espagne,    Harm   4 — . 

-  Deux   Petites  Soeurs,   valse,   Jfms  3—  n. 

-  Fier  Bayounais,  pas  red.  Harm  3 — ,  Fanf  2 . 

-  Petite   Sucr^e,   maz.    1.75  n. 

-  Un   Concert  sous  Bois,  Harm  7 . 

-  Victoria,   valse   2 —  n. 
rVIayer,    Chi    dice   mal    d'amore 

kopf. 

-  Fleur  des  champs,  polka-maz.  1— 

ma?m. 

-  Marie,  valse  6 —  Sulzhach. 

-  May  breezes,  P  —40  White. 
Nocturne,  P  2 —  n  Lesigne. 

-  Premiere  barbe  d'un  Auvergnat  1- 

— 40  n  Lahhe. 

-  Prier,  espfirer,  donuer  3 —  Sulzhach. 

-  Scale  for  Basoon  — 50  u  Fi.wher. 

-  Schottisch    (Bavda)    3 —  Mariani. 

-  serenade,  OV  2.50  n  Costallat. 

-  Serenity  —  A  Little  Dance,  P  — 26  Silver. 

-  Unter  bliihendem  Rosengewinde,  Gavotte,  P 

— 10  Kabatek. 

-  Will  o'  the  Wisp,  P  —25  Silver. 

Mayer  A.   op.  9  Neun  Gediehte,   TTBB  3. .50 
Bofmeister. 

-  3   Gesiinge,   2st.   3 —  Hofmeister. 

-In   siiBem  Schlaf,  m.   0  3 —  Hofmeister. 
■  0     schoner    Augenblick,    m.     0     3.50     Hof- 
meister. 

-  Polka   (As),  P,  Jims  fi  —80  Furstner. 

Mayer  Alois,  op.  2  Grufi  und  Kufi,  Marsch, 

Z  —50,  2Z  —60  Liebert. 
-4  FreundschaftskuS,   Mazurka,   Z  — 50,  2Z 

—60,     2Disk-AZ    —90,     2Disk-8trZ    —80, 

2Disk-A-StrZ    1.10   Liebert. 

-  18    Standchen,     Konzertstiick,      2Disk-lAZ 

3.60   Bosvorth. 
-22    Gliickliche    Fahrt,   2Str-lDisk-lAZ    3.60 
Bosivorth. 

-  32    Wiener     Zither-Schule     1 —  n     Zimvier- 

ttiann. 
-35    Guitarre-Schule   — 50  n    Zimmermann. 

-  36  Miinchener   Zither-Schule  f.  den  Selbst- 

tinterricht  — 50   Zimmermann. 

-  37    Munchener    Zither-Album,     53     beliebt© 

Unterhaltungsstueke     — 50     Zimmermann. 


1 —  u   Breit- 


n  Borne- 


n.  Ch.  s. 


Mayer  A.  Ein  Traum 


y50 


Mayer  Ch.  op.  64 


-Ein  Traum,  Konzertstiick,   1(2)Z  3—  Bos- 
north. 

-  I'likhtige   Gedanken,   Konzertstiick,   2Z  3 — 

]ios  worth. 

-  Liederschatz,     100     bekannte     Volkslieder, 

Lieder,  Tirolerlieder,  Jagerlied.,  Schnada- 
hiipferln  etc.  fur  Gesang  m.  G,  I^-IV  k 
1 —  n   Zimmermann. 

-  Mandolinen-Album,       Sammlung     beliebter 

Volkslied3r,  Opernmelod.,  Tanze,  Marsche 
iind  Salonstiicke,  I.  Volks-  und  Opern- 
melodien  — 50.  IT.  Tanze,  Marsche  und 
Salonstiicke  — 50  Zimmermann. 

•  Miinchner      Zither-Album      — 60      Zimmer- 

mann. 

•  CamoyHHTeab,    (Sehule  zuni  Selbstunterricht) 

Z  3 — ,  I — n  a  2 —  Zimmermann. 
■  TJnsere  Lieblinge,  Z,  I — TI  a  — 50  Zimmer- 
mann. 

-  Wiener    Zither-Album,    Sammlung    leichtor 

und  hiibscher  Tanze,  Couplets  und  Lietlor, 
I— III  a  1— n,  Nr.  1—10  a  —60  Zimmer- 
mann. 

-  Zither-Schule  — 60  Zimmermann. 

Mayer  A.  H.  op.  1  Lied  ohne  Worte,  P  1.30 

Bote. 
-2  Waffentflnz,  P   1.50  Bote. 
-3   Sonate,   F-moU,   P   3—  Bote. 
-4   Polka   de   Concert,   P  —56   Bote. 

-  4  Vier  Mcrceaux  de  genre,  P  2.75  Schott. 

-  7  Berceuse,  P  I —  Junne. 

-  8  Arabesken,  sechs  leichte  melodische  Vor- 

tragsstiicke,   P,  2   Hefte   k   1.20   Bosworth. 

-  Noch    sind    die   Tage    der     Rosen,     Walzer 

— 60n  Grude. 
Mayer  Alois  H.  op.  30  Ave  Maria,  S  &,  Vc- 
solo  av.  Org  1.30  Procure. 

Mayer  Antoine,  op.  1  Trois  Trios  brillant,s, 
2VVc,  N.   1—3  a  2.50  Simrock. 

-  Serenade,  VG  1.80  Simrock. 

Mayer  Anton,  op.  102  Nr.  3.  Wenn  no'  a 
Muetterl  hast  — 80  A.  Moyer-Niirnberg. 

-  104  Nr.  3.  D'  Mitgift,  TTBB  1.40  A.  Mayer. 

Mayer  B.  Brise  du  Soir,  barcarolle,  MandP 
1.75,  MandG  1.50,  2MandP  2—,  2MandG 
1.75,  2MandPG  2.25,  Mand  —50,  2Mand 
MaP  2.25,  2MandMandoG  2—,  2MandMa 
G  2.50  Pisa. 

-  C'hevauch^e   matinale,   P   2 —  n   Rounrt. 
-Marquisette,    fantaisie-gavotte    1.25  n    Rou- 

art. 
Mayer    C.    A,      Carolina    Ripple,     P     —40  n 

Presser. 
Mayer  C.  H,  Alpine  Shepherd's  Serenade,  P 

4/ —  Sheard. 

-  Meditation,    song    without    words,    P    — 40 

Ditson. 

Mayer  Carl,  Easter  Anthem,  SATB  —75 
Schirmer. 

-  Der  Heurige   1 —  Tonger. 

■  Du  kleines,  blaues  Blumchen  1 —  Wernthal. 

-0  du  himmelblauer  See!  Lied  aus  der 
Operette:  Das  verwunschene  SchloB,  von 
C.  Millocker,  P  1.30  Cranz. 

-Te  Deum   (C),  SATB  1—  Schirmer. 

-  Z  igeunerbaron    (J.    St  ran  6),    Fant. 

P   1.50  C'ranz. 


Mayer   Charles    (1799—1862),   op.   9   Pr^is- 

Polka  1.50  -/.  Schuberth. 
-22    Mazurka    sentimentale,    P     1.30    Bote, 

1 .75  n   Dnrand. 

-  28   Gr.   Rondeau,   P   4 —  Peters. 

-  30  Grandes  variations  sur  la  Cenerentola, 

P  3— n  Costallat,   1.25   Hirsch. 

-  31   Six  Exereices,  6tudes,  P  9'^  Bg. :  N,  1. 

F-moU  2  Bg.  N.  2.  Des-dur  I72  Bg.  N.  3. 
C-moll  2  Bg.  N.  4.  A-dur  2  Bg.  N.  5.  Fis- 
moU  17,  Bg.  N.  6.  C-dur  3—  Bg.  Andre, 
1/ —  n  Ashdown,  2/ —  n  Augener,  3.60  Co- 
stallat. 

-  31ji   Fiancee,   variations,   P   1.50  Peters. 
-32  Grandes  Variations  sur  I'Hymne  natio- 
nal  russe,   P   3 — -  n   Costallat. 

-  33  Souvenir  a  Weber    (La  derni&re  pen- 

s^e),  variations,  P  5^2  Bg.  Andre. 

-40  Trois  etudes,  P  3 —  Peters. 

-40  Introd.  Variat.  et  Finale  (A),  s.  nn 
air  russe,  P  1.25  Hofmeister,  1.50  n  Co- 
stallat. 

-40  N.  1.  Canzonetta,  P  —25.  N.  2.  Drei 
Immortellen,    P    — 75    Nord.    Musikforlag. 

-  40   Humoristische   Variationen   iiber   „Lott* 

ist  tot",  VP  1.50,  VO  2.50  n  Oertel. 

-  41    Leichte  Variationen  iiber  das  russisehe 

Nationallied,  P   1 — ,  -)ms   1.25   Hofmeister. 

-  41  Air  Russe,  TpoHKa  P  1 —  Hofmeister. 
-42  Rondino,   P   1.50   Hofmeister. 

-  48  Variations  sur   un  Air   russe   (Der  rote 

Sarafan),    P   2 — ,   l^ms   3 —   Hofmeister,  P 

—20   Riihle,  2.50  n   Costallat. 
-49  Airs  russes,  fant.  P  2 —  Hofmeister. 
-50     Variations     (Les     Puritains),     P 

2.50   Hofmeister,    3 —  n    Costallat. 

-  51    Allegro   de   concert,    P   4 —   Hofmeister, 

10 —   Lemoine. 

-  52   Introd.   Variations   et   Finale,   ^ms   3.50 

Hofmeister. 

-  53  Les  Papillons,  rondo  brill.  P  2.50  Hof- 

meister,  2.50  n   Costallat. 

■  54    Grande    fantaisie    dramatique,     P     3 — 

Hofmeister,  3 —  n   Costallat. 

-  55   Einimdsechzig   Etilden,   P,   I — II   a   1 — 

Peters. 

-  55   Six  etudes,   P  3.60  n   Costallat. 
-55   Etude  de  Salon,   P   1.20   Chmel. 
-56  Gr.  Valse    (A),   P  2—  Hofmeister. 

-  57  Impromptu,  P  6 —  Sulzhach. 

-60  II.  Allegro  de  Concert  (Fis-m.),  P  4 — 
Hofmeister,  9 —  Lemoine,  PO  11 — ,  P- 
Qu;  rt.   7.25   Hofmeister. 

■  61  Trois  etudes,  P   (T  r  n  e  c  e  k)    1 —  Breit- 

kopf,  Peters,  IJn.-Ed.,  N.  2.  Tremolo  1.80 
C/(we?,  —50  Litolff,  N.  3.  Arpeggio  —50 
Klemm,  Litolff,  N.  1—3  a  3/—,  N.  2 
(Kemp)  4/ —  Ashdown,  4/ — n  Augener, 
Chappell,  — 50  Ditson,  N.  3  1/ —  Augener, 
3/ —  Chappell,  4/ —  Cramer,  — 75  Brai- 
nard,  Ditson,  Schirmer,  3.60  n,  N.  1. 
(Allegretto)  1.50  n,  N.  2—3  a  2— n  Co- 
stallat, N.  2—3  a  — 75  n  Ricordi,  1—,  N.  I 
—30,  N.  2—3  a  —50  Jurgenson,  N.  2  —62 
Nord.   Musikforlag. 

-62  Capriccio,   P   1.50  Hofmeister. 

-63  Scherzo,   P   2—  Hofmeister. 

-  64   ler   Impromptu,   P   1 —   Hofmeister. 


Mayer  Ch.  op.  65 


—     351     — 


Mayer  Ch.  op.  121 


65  Impromptu    (N.   2)    1 —  Hofmeister. 

66  Impromptu    (N.   3)    — 50  Jurgenson. 

6S  Le  Rossignol  captiv,  P  1 —  J.  Schuberth. 

69  Premi&re  Valse  Etude,  P  1 —  Junne, 
— 50  Jurgenson. 

70  Gr.  Concerto,   P   (5 —  Heinrichshofen. 

71  Seconde  Valse-Etude,  P  — 75  Junne, 
— 30  n  Jurgenson. 

72  Grande  Valse,  P  2.30  Heinrichshofen. 

73  Deux  grandes  Etudes,  P  3 —  Junne, 
3 —  n  Costallat. 

74  Tarantella,  P  2.50  Heinrichshofen,  6— 
Lemoine. 

75  Toccatu    (N.  2),  P  — 50  Jurgenson. 

76  Air  italien  varie,  P  2 —  Hofmeister, 
Hirsch. 

77  Trois  romances  sans  paroles,  P  2.50  u 
("ostallat. 

78  Polonaise   brill.    P   2.50   Hofmeister. 

79  Friihlingslied,   P   — 40   Jurgenson. 

8^  Nocturne,  P  1.50,  J,ms  1.75  J5.  Sio«,  P 
— 40  Jurgensov. 

82  Mazurka,   P  2 —  Siegel. 

83  Valse  Etude,  P  2—  Siepei,  1.80  Chmel, 
—20  J?M/iZe,  6—,  Jfms  7.50  Led«c,  2 — 
Siegel. 

84  Souvenir     de    Copenhague,     P     2 —     J. 

85  Premiere  Caprice-Valse,  P  1.50  J.  Schu- 
berth, 3/ —  Augener. 

86  Caprice  en  forme  d'Etude  J.  Schuberth, 
4' —   Augener. 

87  Capriccio    (N.   3),   P   1.50   J.  Schuberth. 

88  Gr.  Fantasie  liber  Die  Stumme,  P  2 — 
J.   Schuberth. 

89  Concerto  symphonique,  P  6 —  J.  Srhti- 
berth,  5 — n,  0  ace.   12 — n  Costallat. 

91  Trois  grandes  6tudes,  P  a  —60  Litolff, 
rompl.   3 —  n   Costallat. 

92  Trois  Caprices  en  Forme  d'Etudes,  P  a 
—60   Litolff. 

93  12  Etud.  m^lodiques,  P,  4  Hefte  a  —80 
Litolff,  compl.  5 —  n  Costallat,  3/ —  Ash- 
down,  I — II  a  — 40  Johansen. 

94  Grande  Valse  brillante,   P  —80  Litolff. 

95a  Souvenir  de  I'Elbe,  ler  divert.  P  3—, 
fac.   2 —  Fiirstner,  2.50  n   Costallat. 

96  Air  vari6  sur  un  Th&me  original,  P2 — 
Kistner. 

97  Etude  m^lancolique,  P   1.50  Kistner. 

98  Souvenir  de  Vienne,  grande  valse  brill. 
P  2 —  Kistner,  3/ —  Awgrejier. 

100  Six  grandes  Etudes-Fantaisies,  P: 
Cah.  I  (N.  1—3)  4—,  II  (N.  4—6)  2.50 
Kistner,  i\  3 —  n  Costallat. 

101  3feme  Valse,  P  3 —  Heinrichshofen, 
2.50  n   Costallat. 

102  Allegro  di  Bravoura,  P  3 —  Kistner. 

103  Invitation  a  la  Valse,  P  1.50  Fiirstner, 
1.50  n  Costallat. 

•103  Rapsodie  N.   1    (D-m.),   P  1—  Kistner. 

■104  Rapsodie  N.   2    (B-m.),  P   1—  Kistner, 
— 35  Gordon. 

105  Polonaise  patMtique,  P  2 —  J.  Schu- 
berth. 

•106  P.-  N.  4.  Fontaine,  6  studie  a  —30  J. 
Schuberth,  N.  5.  Valse  de  Salon  3/ —  A-h- 


-  107  Le  Sourire,  fantaisie,  P  2 —  Fiirstner, 

2.50  n  Costallat. 

-  108    Valse    sentimentale,     P     2.25     Siegel, 

2.50  n   Costallat. 

-  109  Ma  petite  barque,  P  1.50  iJ.  Stoll,2—n 

Costallat. 
-110   Impromptu,  P   1.50   E.  StoU. 
-Ill  La  Sicilienne,  taiantelle,  P  1.50  Crans, 

— 60   Brainard,   1.50  n   Costallat. 
-112   Souvenir  de   Pologue,   mazurka,   P   2 — 

-  113  Invitation  a  la   valse,  P  — 45  Jurgen- 

son. 
-114  Pensee   varie,   P  2 —  Cranz,  2.50  n  Co- 

-115  Ballade,  P  2—  Cron«,  2.50  n  Costallat. 

-116   Valse-etude    (N.   6),  P  2—  /Sie^re/. 

-117  Galop  militaire,  P  —80  fl^ng,  —20 
Ri,hle,  1.75  Siegel,  — 50  Tonger,  — 75 
Brainard,  Cordon,  2.50  n  Costallat,  — 50 
Jurgenson,  — 62  Nord.  Musikforlag;  '/?ns 
2 —  Siegel,  1 —  Schlesinger,  — 50  Stein- 
graber,  4/ —  Augener,  — 75  Brainard,  Dit- 
son,  — 65   Gordon,  7.50,   8ms  4 — n  Leduc. 

-  118    Souvenir    d'Espagne,    bolero,     P     1.75 

Siegel. 
-119  Zwolf  Studien,  P  1.50  Peters,  Un.-Ed., 
I— II  a  —80  Litolff,  I  4.50,  II— III  a  3— 
Kistner,  10  ausgew.  Etiiden    (J.  D  a  c  h  s) 
1.80  Doblinger,  N.  5   1.25  Kistner. 

■  120  Souvenir  d'ltalie,  P  1.50  J.  Schuberth. 
-121    Jugendbliiten,   P    1.50:      Nr.    1.    Seliu- 

sucht,  2.  Tarantelle,  3.  Trinklied,  4.  Junge 
Tanzerin,  5.  Lied  ohne  Worte,  6.  Scherzo, 
7.  Barcarole,  8.  Toccata,  9.  Mazurka,  10. 
Valse  sentiment,  11.  Die  Damonen,  12. 
Maibliimchen,  13.  Adagio  espressivo,  14. 
Der  junge  Virtuos,  15.  Norw.  Tanz,  16. 
Leid  und  Freud,  17.  Das  schlaf.  Kind.  18. 
Trauerweide,  19.  Neckereien,  20.  Die  Jagd, 
21.  Rosenkranze,  22.  Notturno,  23.  Tre- 
molino.  24.  Russ.  Hymne,  a  — 30  J.  Schu- 
berth. 

-  121   Fioritura  della  Gioventil,  album  di  24 

pczzi  caratteristici,  P  15 — :  N.  1.  Desi- 
derio,  romanza.  2.  Tarantella.  3.  Brindisi. 
4.  La  piccola  Danzatrice.  5.  Canzone  senza 
parole.  6.  Scherzo.  7.  Barcarola.  8.  Toc- 
cata. 9.  Mazurka.  10.  Valse  sentimentale. 
11  I  Demoni,  capriccio  infernale.  12.  Fiori 
di  Maggio,  canzone  senza  parole.  13.  Ada- 
gio espressivo.  14.  II  piccolo  Virtuoso, 
rondo  elegante.  15.  Danza  norvegia.  16. 
Dolore  e  Gioia,  studio  melodico.  17.  II 
Fanciullo  dormente,  romanza.  18.  II  Sa- 
lice  piangente,  romanza.  19.  Facezie,  di- 
vertimento. 20.  La  Caccia.  21.  Corone  di 
rose,  polonese.  22.  Notturno.  23.  Tremo- 
lino.  24.  Inno  Russo,  studio-trascrizioue, 
a   1 —  Ricordi. 

■  121    Jugendbluten,    P    1.50    Breitkopf,    Pe- 

tirs,  Un.-Ed.,  15  instr.  Charakterstiicke 
1—  Litolff,  I  —50,  II  —75  'Nord.  Musik- 
forlag, (St.  Kemp)  N.  1,  2,  9  a  2/6,  N. 
7,  10,  12,  20  a  3/—  Ashdoicn,  N.  1,  4a,  19, 
6a,  17,  7a,  9,  20a,  21  a  3/—  Ashdown,  N. 
2  _25,  N.  7  —35  Ditson,  N.  9  —20  Eisoldf, 
1.20  Chmel,  —20  Riihle,  —10  Nat.  Music. 


Mayer  Ch.  oj).  121 


352    — 


Mayer  Ch.  op.   166 


Co.,  N.  10  1.20  Chmel,  —20  Riilile,  —50 
Rohlfing,  Schirmer,  —65  n  Schmidl,  N.  2, 

12  a  —35,  N.  16  —50  Bessd,  N.  24  (Boace 
i^apii  xpami  — 30  Jurgens-on. 
122    Septieme    Valse-Etude     (H),     P     1.25, 

VcP   1.20  Leuckart. 

124  L'EIegant,  niorceau  cle  salon,  P  3.50 
Siegel,  2.50  n   Costallat. 

125  La  Gracieuse,  valse  brillante,  P  4  Bg. 
Andre. 

126  Ueuxifeme  Galop  militaire,  P  4  Bg. 
A  n  dre. 

127  Humoresken,  3  Etiiden,  P  5  Bg. :  N.  1. 
(A)    17.  Bg.     N.  2.    (H)   2  Bg.     N.  3.    (D)    | 
r/2  Bg.  Andre.  j 

127  3e  etude  caractSristique,   P   1.50  n   Co- 

128  Souvenir  de  Naples,  grande  6tude  de 
concert  en  forme  de  Tarantclle,  P  2.50, 
Jfins    (F.   G.   Jansen)    2 —  Raabe. 

129  Galop  brillant,  P  2.50,  ^ms  (Jan- 
sen)   2.75   Raabe. 

130  Galop  brillant,  P  1.75  Peters,  3/— 
Ashdown,    2 —  n    Costallat. 

131  Valse-Etude  de  Bravoure,  P  1 —  Kist- 
ner. 

132  Toccata  brill.   P  2—  Sie^rei. 

133  Valse-etude    melodique,    P    2 —    Siegel. 

134  Eomance  italienne,  P  1.20  Chmel,  — 60 
Hug,  — 20  Ruhle,  1.75  Siegel,  3/ —  Auge- 
ner,  2/6  CJiappell,  2 —  n  Costallat,  5 —  i/a- 
melle,  — 25  Gufheil.  — 20  J nrgcnson,  — 50 
Tiord.   M  asikforlag. 

135  Nocturne  sentimental,  P  2 — ,  Jfins  2 — , 
VP   1—  E.  Stoll. 

136  Nocturne,     P    1 —   Leuckart,     4 —     Le- 

137  Grande  Toccata  de  Bravoure  (Des) ,  P 
1.25  Leuckart. 

138  Grande  Scherzo-Etude  (A),  P  2.25 
Lewcfcari. 

139  Valse  brill,  de  concert,  P  2—  E.  S*oZZ. 

140  Immortelles,  24  morceaux  de  differents 
caraeteres:  1.  Sc&ne  pastorale,  2.  Marche 
de    Noce,    3.    Souvenir    d'Espagne,    bolero. 

4.  Gondoliera,  k  1.25.  N.  5,  6.  Chanson  des 
Sa\oyards,  idylle  1.50.  N.  7,  8.  Chanson 
de  chasse,  41^gie  1.75.  N.  9.  Une  folie  1.50. 
N.  10.  Pensez'a  moi,  11.  Novelette,  a  1.25. 
N.  12.  Etude  burlesque  1.50.  N.  13.  Ta- 
rantella, 14.  Canzonetta,  a  1.25.  N.  15,  16. 
serenade  et  Tyrolienne  1.50.  N.  17.  Re- 
signation 1 — .  N.  18.  Valse-Etude  vari4e 
1.75.  N.  19.  Souvenir  de  la  Suisse  1.50  N. 
20.  Terpsichore  2 — .  N.  21.  Nocturne  sen- 
timental 1.50.  N.  22.  Impromptu  brill. 
1.50.  N.  23.  Pens6e  vari^  1—.  N.  24.  Bal- 
lade 2 —  Bohme,  N.   2  — 50  Brainard,   N. 

13  — 50   Schirnter. 

141  P  r  o  p  h  &  t  e,  gr.  fant.  P  4—  J.  Schu- 
berih. 

142  Zwcilf  Novellen,  charakterist.  Etiiden, 
P.-  I  8  Bg.:  Nr.  1.  Es-dur  3  Bg.  Nr.  2.  F- 
dur,   3.    H-raoll,   a   3'U  Bg. 

II  772  Bg. :   Nr.  4.  Des-dur  37^  Bg.     Nr. 

5.  H-moll  3  Bg.     Nr.  6.  A-moU  3  Bg. 

III  87,  Bg. :   Nr.  7.  As-dur  4  Bg.   Nr.  8. 
G-moll   3  Bg.   Nr.  9.  H-moll  37,  Bg. 


IV  10  Bg. :  Nr.  10.  D-dur  4  Bg.  Nr.   11. 
Des-dur    37^   Bg.    Nr.    12.    E-moll    4^2    Bg. 
Andre. 

-  144  Fleur  de  Sulou,  nocturne,  P  1.80  Sim- 

rock,  6 — .  8°  1 —  n  Lemoine,  — 75  Schir- 
itier. 

-  145   Etude   gracieuse,   P   2.50   Siegel. 

-  146  Drei   Idyllen,  P  a  —60  Litolft. 

-  147    Trois    Morceaux    caract^ristiques,    P: 

1.   La    Fierte,   2.    La   Capricieuse,    3.    L"  In- 
quietude, a  —60  Litolff. 
-148    Caprice     brillante     (E-dur),      P     1.75 
Leuckart. 

-  149   Six   Etudes  melodiques,   P   1/ —  n  Ash- 

down,  3.50  n  Costallat:  1.  Amabilite,  2. 
Consolation,  3.  Agitation,  4.  Enjouement, 
5.  Grace,  6.  Hardiesse,  k  1 —  Peters,  a 
3/ —  Ashdoion,  N.  5  3/ —  Ashdown,  A.u- 
gener,Duff,  Pitman,  1/ — n  Vincent,  1.50  n 
Costallat,  — 50  Bessel,  — 40  Jurgenson, 
— 50  Lundquist,  Nord.  Musikforlag,  Ha 
(0  b  e  r  t  h  ii  r)    3/ —  Ashdown. 

-  150  Air  italien    (Es)    N.  3,  P  2.50  Eeugel. 
-151    rieur  de  Lys,  P   1.50   Ilofmeister,   1.20 

Chmel,   —20    Riihle,   —65  n    Schmidl. 

-  152    Mazurka    brillante,      P    2 —    Simrock, 

6 —   Lemoine. 

-  153    Cinq    grandes    Etudes    caract4rist.    P 

10  Bg. :  N.  1.  E-moll  2  Bg.  N.  2.  E-dur 
3  Bg.  N.  3.  Fis-dur  3  Bg.  N.  4.  Es-dur 
2Bg.   N.  5.  H-dur  2  Bg.   Andre. 

-  154    Andante   et    Etude    brillante.     P     2— 

Kistner. 

-  156  Toccatina,  P   1.50  Kistner. 

-  157    Valse-Etude    melodique,    P    1.80    Sim- 

rock,  6 —  Lemoine,  3 —  Ricordi. 

-  159    Trois    grandes     Etudes    brillantes,     P 

3—:  N.  1.  (H)  1.50.  N.  2.  (E-m.)  1.25. 
N.   3.    (A)    1.50   Leuckart. 

-  160  Gr.  Valse-Etude,  P  2—  Bohme. 

-  161    Le  D(lsir,   romance,   P   1 —  Bohme. 

-  162   Complainte,    nocturne,    P    1.50   B6hm,e. 

-163  Deux  pi&ces  de  Salon,  P  2—:  N.  1. 
Egverie-Nocturne  1 — .  N.  2.  Gage  d'Ami- 
tie  (Divertissement)  1.50,  N.  1,  //ws  2.50 
Raabe. 

-  164  Les  mignons,  P  2—  E.  Stoll. 

-  165    Flora,    106    Jugendstiicke,    P,    I— X    a 

1.50,   Jtms,   I— XVI   a   2.25   Siegel. 

-  166  Mosaique,  24  rom.  Stiicke,  P,  I— VIII 

a  3.50:  Nr.  1.  Rosenknospe,  Ballade  1.50. 
Nr.  2.  Postzug,  Divertissement  1.25.  Nr 
3.  Tremolo,  Fantasiestiick  1.75.  Nr.  4 
Scherzino  1.75.  Nr.  5.  Traumbild,  Not 
turno  1.50.  Nr.  6.  Festmahl,  Intermezzo 
1 — .  Nr.  7.  Die  schone  Sizilianerin  1.25 
Nr.  8.  Ungarischer  Krieger  1.25.  Nr.  9 
Erinnerung  an  Italien,  Fantasiestiick  1.50 
Nr.  10.  Der  Scbmetterling,  ein  Scherz 
1.50.  Nr.  11.  Trauermarsch  1 — .  Nr.  12 
Dithyrambc,  Fantasiestiick  1.75.  Nr.  ^3 
Bondo-Menuett  1.75.  Nr.  14.  Norwegischer 
Tanz  1 — .  Nr.  15.  Versohnung,  Divertisse 
ment  1.50.  Nr.  16.  Die  Tarantel  1.50.  Nr 
17.  Melancholic  1.25.  Nr.  18.  Am  Bach  1— 
Nr.  19.  Capricciosa  1.25.  Nr.  20.  Eroica 
Fantasiestuck  1.75.  Nr.  21.  Sylphide  1 — 
Nr.   22.  Eomantisch,   Ballade  1.50.  Nr.  23 


•Mayer  Ch.  op.  166 


353 


Mayer  Ch,  op.  202 


Rose,  fant.  P  2.25  Siegcl. 
P  1.25,  Jfms  1.50  Siiigi'l. 
ohne  Worte,  P  7.50  Le- 
1.    (Es),    2.    (G),    3.     (A) 


FriihlinpslitHi  — 75.  Nr.   24.   Polonaise  pa- 
tb^tique    1.50    Kistner. 

167  Mazurka   gracieuse,   P   1.50  Kistner. 

168  Neue  Schule  der  Geliiufigkeit,  40  Stu- 
dien,  P :  I  (Nr.  1—6)  3.50.  II  (Nr.  7—10) 
3.50.  Ill  (Nr.  11—15)  3.50.  IV  (Nr.  16  bis 
20)  3.50.  V  (Nr.  21—24)  3.50.  VI  (Nr. 
25—30)  4—.  VII  (Nr.  31—35)  4—.  VIII 
(Nr.  36—40)  4—;  Nr.  1—40  a  —60  bis 
1—,  (E.  Pauer)  4  Bande  a  1.50  n 
Leuckart,  I — III  a  1 —  Litolff,  compl.  3 — , 
I— IV  a  —80  Peters,  I— VIII  a  —80  Un.- 
Ed.,  30  ausgew.  Etiiden  (J.  Dachs) 
I— III  a  1.20  n  Doblinger,  (E.  L  u  d  w  i  g) 
3—  Un.-Ed.,  I— II  a  —90  Outheil,  Jin- 
genson. 

169  La  derni^re 

170  Flora-Polka, 

171  Drei  Lieder 
inoine,  3 — ,  Nr. 
a   1.50  Simrock. 

172  Zwolf  kleine  charakteristische  Ton- 
bilder,  P  6— :  I  2 — :  Nr.  1.  Waldmaroh.-n, 
2.    Aufblick,    3.    Schneeglockehen,    a    —80. 

II  2—:  Nr.  4.  Kinderspiele,  5.  Salta- 
rella,   6.   Norwegische   Ballade,   a  — SO. 

III  2—:  Nr.  7.  Treue  Liebe,  8.  Hex-n- 
tanz,    9.    Friihlingslied,   a  — 80. 

IV  2—:  Nr.  10.  MaikSfer,  11.  Melan- 
cholie,  12.  Scherzhaft,  a  —80,  Jfms  (F  e  r  d. 
Fried  rich),  Nr.  2  1—,  Nr.  3,  8,  9  a 
1.20  Heinrichshofen,  N.  10.  Impromptu,  P 
— 35  Bessel. 

173  Friihlingstraum,  Romanze,  P  1.80 
Simrock,  5 —  Lemoine. 

174  Frilhlingsbluten,  10  brill.  Stucke,  P.- 
Nr.  1.  Rastlose  Liebe  1.50.  Nr.  2.  Der 
letzte  Gang,  Elegie  1.25.  Nr.  3.  Toccata 
1.50.  Nr.  4.  Steyrisch  1.25.  Nr.  5.  Stiller 
Friede,  Ballade  1.50.  Nr.  6.  Blumengarten, 
Scherzino  1.50.  Nr.  7.  Friihlingsmorgen 
1.50.  Nr.  8.  Traumender  See  1.50.  Nr.  9. 
Fester  Wille,  Etiide  1.75.  Nr.  10.  Gondel- 
lied    1.25   Bachmann. 

174  Spring  blossoms,  P:  1.  Restless  love, 
2.  The  last  walk,  3.  Josephine,  toccata, 
4.  Ren  embrance,  5.  Quietude,  ballade,  6. 
The  flower  garden,  7.  The  spring  morning, 
8.  The  lake,  9.  Resolution,  10.  The  gondo- 
lier,  a   3/ —   Ashdown. 

175  Mazurka  6l6gante,  P   1.25   Kistner. 

176  Nocturne  sentimental,  P  2 —  Simrock, 
6 —  Lemoine. 

177  La  velocity,  gr.  #tude,  P  2—  Kistner. 

178  IVme   Air    italien,    P    2.25    Bachmann. 

179  Sechs  Novelletten,  P,  I— III  a  2— 
Aill. 

180  Six  Caprices  caract6ristiques,  P. 
(H)     1—.    N.  2.    (A)     1—    N.  3.    (D) 


pi$ce   caract6ristique,    P 

-  Lemoine,  — 45   Jurgeii- 

6 —  Lemoine,  — 45   Ot(theil, 


N.  4.     (As)     1.50.    N.  5. 
(H-m.)    1.50  Kistner. 

181  Une    nuit    d'ltalie, 
Simrock,  6 —  Lemoine. 

182  Valse   6l4gante,    P 
Lemoine. 

183  Sechs    Novelletten, 
Aihl. 


(A-m.)     1.25. 


N.  1. 
1.25. 
N.  6. 


nocturne.    P    1.80 


1.80    Simrock,    6- 


P,     I— III     a    2- 


(E-m.)   1.75, 
1.50.   N.   8. 

N.    10.    (F) 


184  Romanesque, 
1.80   Simrock,   6— 
1.80   Simrock, 
J  ur genson. 

185  Neuvidme  Valse-Etude,  P  1.80  Sim- 
rock. 

186  Scherzino,  P  1.50  Simrock,  —50  Bessel. 

187  Nr.  1.  Elisa-Polka,  P,  4ms  a  1.50.  Nr.  2. 
Scherzo-Etude  1.50  Siegel.  Nr.  1  —50  Brai- 
nard. 

188  10  Fantaisies  brillantes  et  orignales, 
P.-  N.  1.  (As)  1—  N.  2.  (H)  1.25.  N.  3. 
(Es)  1—.  N.  4.  (H)  1.25.  N.  5. 
N.  6.  (E-m.)  1.25.  N.  7.  (H) 
(Des)  1.50.  N.  9.  (Ges)  1.50. 
1.50  Kistnei'. 

189  Le  Tremolo,  6tude,  P  1.75  Siegel,  —50 
Brainard,  — 40    Gutheil,  — 60   Johajisen. 

190  Triolino  (Etude),  P  1.80  Chmel,  4/— 
Ashdotrn,  Augener,  2.50  n  Costallat,  Du- 
rand,  — 40  Outheil,  — 50  Hansen,  Nordisk 
Mii.iikforlag. 

191  Reverie  poetique,   P  2.50  Siegel. 

192  Une  fleur  tomble,  P  —40  Gutheil,  —50 
J ur gen  son. 

193  Trois  morceaux  gracieux,  P  a  1.50 
Siegel. 

195  Galop  brill,  de  bravoure,  P,  j^ms  Sl 
2.50  Siegel. 

196  Tonbliiten,  6  kleine  charakter.  Klavier- 
stiicke  3—:  Nr.  L  H-dur,  6.  As-dur  a  1.30. 
Nr.  2.  Es-dur,   3.  E-dur,  5.  As-dur  a  —80. 

4.    H-dur   — 50   Simrock. 

Val.se   Impromptu,   P   1.80   Aiil. 

Schattenbikler    (Shadow   Pictures),   P; 

1.  Das  bewegte  Herz   (The  agitated  heart), 

2.  Nocturne  sentimental,  3.  Hungarian 
march,  4.  Scherzino,  5.  The  Alpine  rose, 
6.  Rondino,  P  a  1.25  Bachmann,  compl. 
1/6  II.   a   3/ —  Ashdoion. 

199  Une  fleur  animge,  P  2.50  Siegel,  1.80 
Vhmcl,  —80  Hug,  —60   Gutheil. 

200  Ecole  de  la  V6locit^,  24  grandes  Etu- 
des de  perfectionnement,  P :  N.  1.  (E-m.) 
1.50.    N.  2.     (E)     1.75.    N.  3.     (D-m.)     1.50. 

(Des)     1—.    N.  5.     (Ges)     1.25.    N.  6. 

1.50.   N.  7.    (Ges)    1.25.   N.  8.    (C-m.) 

N.  9.    (Fis-m.)    1.50.   N.    10.    (Cis-m.) 

N.   11.    (G-m.)    1—.  N.   12.    (H)    1.50. 

(H)    1—.  N.  14.    (Des)    1.25.  N.   15. 


Nr. 
197 
198 


N.  4. 

(As) 
1.75. 
1.25. 

N.   13. 


Universal-Handbuch  dor  Muaikliteratar.    M. 


(D)  1.75.  N.  16.  (Es)  1.25.  N.  17.  (H-m.) 
2_.  N.  18.  (Des)  1.25.  N.  19.  (As)  1.75. 
N.  20.  (C-m.)  1.75.  N.  21.  (E)  1.75.  N.  22. 
(G-m.)  1.75.  N.  23.  (B)  1.50.  N.  24.  vDos) 
1.50  Kistner,  N.  18.  Grande  4tude,  P  —60 
Bessel. 

201  Une  fleur  cach6e,  impromptu,  P  2 — 
Aihl. 

202  Rosenbliiten,  12  elegante  Salonstiicke, 
P;  1.  Impromptu-Variationen,  2.  Sehn- 
sucht  am  Meere,  Notturno  appassionato, 
3.  Immortelle,  valse-6tude,  a  1.50.  Nr.  4. 
Spjinisches  Fischerlied,  5.  Mazurka-Ca- 
priccio,  6.  Rhapsodie,  a  1.75.  Nr.  7.  Auf 
den  Hohen,  Ballade  1.50.  Nr.  8.  Die  Jagd 
1.75.  Nr.  9.  Bolero  sentimental,  10.  Scher- 
zino, 11.  Elegie,  12.  Ein  Scherz,  a  1.50 
Siegel. 

23 


Mayer  Ch.  op.  203 


354 


Mayer  Ch.  op.  293 


203  Une  Rose  sans  Epines,  impromptu,  P 
1.50   Leuckart. 

204  Fliegender  Schmetterling,   P  2—  Aibl. 

205  Une  nuit  de  Venise,  P  1.75  Peters. 

206  L'eleganee,  valse  brillante  de  concert 
1.80   Simrock. 

207  Arabesques,   12   morceaux   1.25   Peters. 

208  La   belle   Cracovienne,   polka-mazurka, 
iP    1.80   Simrock,   — 75    Brainard,    6 —   Le- 

moine. 

209  Eosenkriinze,  6  Originalkompositioncu, 
Jfms:  Nr.  1.  (A-m.)  1.50.  Nr.  2.  (Es)  2.25. 
Nr.  3.   (H)   2—   Nr.  4.   (A)   2—.  Nr.  5.  TEs) 

1 1.50.  Nr.  6.    (A)    1.50  Leuckart. 

210  Herbst-Blumen  (Flcurs  d'Automni;), 
10  Klavierstucke  a  1—,  Nr.  4,  HP  (J. 
Soyka)    1.30  Breitkopf,  1/—  Novello. 

211  Valse-etude,   P  — 30   Jurgenson. 

212  Tyrolienne  sentimentale,  P  1.25  Siegel. 

213  Serenade    sentimentale     1.50    Simrock, 

4 —  Lernoine,  — 50  Bessel,  — 30  Jurgetison. 

214  Neue    Triller-Etude,    P    1.80    Simrock, 

5 —  Lemoine. 

215  Six  morceaux  elegants,  P:  N.  1.  (H) 
2—  N.  2.  (A)  1.50.  N.  3.  (B),  4.  (Des), 
5.    (Dm.),  6.    (Des)    a   1.75   Siegel. 

216  Douze  Etudes  mSlodiques,  P,  I — VI  a 
1 .75    Lemoine. 

217  Galop  gracieux,   P,  ^wa-  a  2.25  Siegel. 

218  Quatre  Fleurs,  morceaux  eleg.  P:  1. 
Narcisse,  2.  Muguet,  3.  Aster,  4.  Coque- 
licot,  a   1.75  Siegel. 

219  La    Harpe,   impromptu,   P   1.75    Siegel. 

220  Le  Bouquet,  etude  elegante,  P  1.50 
Siegel. 

221  L'Etoile,  polka  elegante,  P,  -Jms  &   1.25 

222  Valse-Etude,   P    1.25    Kistner. 

223  Polka  gracieuse,  P  1 —  Kistner. 
22.^  Mazurka  gracieuse,   P   1.30   Aihl. 

22^^    Valse    brillante    de    concert,      P     1.80 

Simrock. 
225  Galop  di   Bravura,  P   1.50  Kistner. 
22Q  Capriccio  brillant,  P  1.25  Kistner. 
227  Les  trois  Graces,  3  morceaux  de  salon, 

P.-   N.  1    1.50.   N.  2   1.50.   N.  3    1—   Kistner. 

229  Rondo-Scherzo,    /fms    3 —    Kistner. 

230  L' Amour  qui  s'euvole,  valse-6tude  me- 
Icdique,    P    1.50   Kistner. 

231  Tarentelle,  ^w.s   3.50   Kistner. 

232  Nocturne  sentimentale,  P  1 —  Kistntr. 

233  Allegro    de   Concert,   4^*   4 —    Kistner. 

234  Elegie,   //ms   2.25    Kistner. 

237  Die   scbonsten    Augen,      P    — 35    J(/r- 

238  Konzert-Polonaise,    P    2.50    Kistner. 

239  Keiue  Rosen  obne  Dornen,  Inapromptu, 
P  1.50  Kistner. 

240  Ballade  sentimental?,  P  1.50  Kislntr, 
—  30  J  nrgenson. 

243  Divertissement  elegant,  Jfms  3 —  Ktsf- 
ner. 

244  Romance  sentimentale,  P  1.25  Kistner, 
—30  Gutheil,  —40  Lyre. 

245  Humoresque,   P   1.50   Kistner. 

246  Un  doux  Regard,  valse-etude  melanco- 
lique,  P. 1.50  Kistner,  -^45  Leopas. 

247  Romanesque,   P    1.25    Kistner. 


-  248   Das    Veilchen,    Romanze,   P    1 —    ffi^t- 

71  cr. 
-249  Valse  melancolique,  P  1.25  Kistner. 

-  250  Le  Murmure.  impromptu,  P  1.25  £^i«t- 

ner. 

-  252   Tremolino,   P    1 —   Heinrichshofen, 

-  253  Mazurka  de  Concert,   P  2 —  Bote,    (A. 

H  e  u  a  e  1 1)    — 75    Gutheil. 

-254  Toccata  brillante,  P  2.30  Bo«e. 
-255   Mignon-Polka,    P   1.50   JSoie. 
-250    Polka    de    Salon     (Des),    P    1.50    Sim- 
rock. 

-  258    Abendstiindchen,    Lied    von    R  e  i  s  s  i  - 

g  e  r,  P   1.80  Fiirstner. 

-  259    Polka-etude,    P    1 .25    Sf er/e?. 

-  260      Sechs     humoristische     Klavierstuck-^, 

N.   1,  2,  4,  5  a  1.50,   N.  3  6  a   1.80  Fiirst- 
ner. 
-261     Romance    italieune     (N.    2),      P     2 — 
Siegel,  — 45   Gutheil. 

-  262    Zehn    leichte    Klavierstiicke,    I — IV    a 

1 .50    Siegel,    Nr.    6.    Pensee    fugitive    — 35 
Bessel. 
-263  Albumblatter,   P;   2   leichte,   mel.   Ton- 
stiicke   '\    125    Siegel. 

-  264  Air  russe  varie,  P  2 —  Siegel. 

-  265  Valse  gracieuse,  P   1.75,  Ifms  1.50  Sre- 

Sre/. 

-  266    Valse  gracieuse,   P    1 .75   Siegel. 

-  267   Nocturne   sentimentale,   P   1.25   Siegel. 

-  258  Trois  Romances,  P  a  1.50  Cranz,  Troika 

— 30    (intheil,   — 20   Jurgenson. 
■  268  Romance  m^lodique,   P   1 —  Hir.fch. 
-269  Variations  eleg.  P   1.75   Siegel. 

-270  Thfeme  Suisse  varie,  P  1.75  Siegel, — 45 

Jurgenson. 
-271    20    technische    ubungen,    P:      Heft    I. 

(Nr.   1—5)    2.50,  II.    (Nr.  6—10)    2—,  III. 

(Nr.    11—15)    2—    IV.    (Nr.    16—20)    2.50 

Kistner. 

-  272  Barcarolle  v6n6tienne,  P  1.75  Siegel. 
-273  Tiois  Pensees  fugitives,  P  2 —  Siegel. 
-274  Trinklied,   Rhapsodic,   P   1.75   Siegel. 

275  Hedvvige-Polka,    P,   ^tos   a    1—   Siegel, 
P  — 30   Jurgenson. 

276  Le   Rossignol,   impr.   P  — 65  n  Klnram. 

-  277   Tarentelle,   P    1.80    Siegel. 

-278   Morgenslandchen,   P   1.60   Siegel. 

-279  Mignons,  3  morceaux  gracieux,  P  1.75 
Siegel,  Nr.  1  — 15  Gutheil,  Johansvn,  Jur- 
genson.  — 25    Lyre. 

-282   L'Hirondelle,    P   —56    Klemm. 

-283  Valse  elegante,  P  1.50,  ^ws  1.75  Siegel. 

-284  La  Peril',  polka-maz.  P  1.60,  ^ms  1.75 
Siegel,  P  6—,  ^/»ns  7.50  Leduc. 

-285   Galop   brillant,   P   1.50  Hainauer. 

-286  Trois  Melodies  gracieuses,  P  1.75  7/a^ 
naiter,  N.    1   — 30   Jurgenson. 

-287  Valse-Etude,  P   1.50  Hainauer. 

-  288    Impromptu,    P    1.50    Hainauer. 
-289   Valse  brillante,   P   1.25   Hainauer. 

-  290   Reverie  poetique,   P   1.50  Hainauer. 
-291    Triller-Polka,    P    1.50,    .'/ms    1.50    Hof- 

farth. 

-  292  Chant  tohemien    (Tu   ne   iiOHtpiiiiii.)    /* 

— 75  Bessel,  — L!0  Jurg'cusini. 
-293  Reconciliation,  P   1.75  Siegel. 


Mayer  Ch.  op.  294 


—    355 


Mayer  Ch.  Das  Bdchlein 


294  Mazurka  pathetique,  /*  1.60,  Ifms  1.75 
Siegel. 

295  J'riihlingslieder,    P   2 —   Siegel. 

296  Romance  en  Forme  d'Etude,  P  1.25 
Kistner. 

297  Marche  hongroise,  rapsodie,  P  1.25 
Kistner. 

298  Fleur  de  Lis,  3  moreeaux  de  salon,  P: 
N.  1.  Souvenir  1.25.  N.  2.  M^lancolie — 75. 
N.  3.  Berceu.'se  — 75  Kistner,  N.  2  — 40 
Lyre. 

299  Fleur  d'Automne,  impromptu  brillant, 
P   1.50  Kistner,  — 75   Schirmer. 

300  Jugendtriiume,  seehs  charakteristische 
Tonbilder,  P:  1.  Traumbild,  2.  Selinsurht, 
3.  T)ns  stiirmische  Herz,  4.  Ungarische 
Weise,  a  1.25.  Nr.  5.  Heiterer  Sinn  1.50. 
Nr.  6.  Rosenknospe  1.25  Hainauer,  Nr.  6 
—30    Eisoldt,   1.20   Chtnel. 

■  301    Fest-Polonaise,   liins  2.50   Kistner. 

■  302    Friihlingsblumen,    sechs    romant.    KIi- 

vierstijcke,  '/ms.-  Nr.  1.  Vereitelte  Hoff 
nung  2.25.  Nr.  2.  Toccatine  1.25.  Nr.  3. 
Kriegerisch  1.75.  Nr.  4.  Walzer-Etade 
1.75.  Nr.  5.  Im  Walde,  Nocturne  1.50.  Nr. 
6.  Schone  Sizilianerin,  Ein  Scherz  1.75 
Jlainaiter. 

-  303    Nocturne    melodique,    P    1—    Kistner, 

— 30  Jnrgenson. 

-  304  Mazurka,   P   1 —  Kistner. 

-305  L'Art  de  delier  les  Doigts,  12  graades 
etudes  doigt^es,  P:  Cah.  I.  (N.  1—3),  II. 
(Nr.  4—6),  III.  (Nr.  7—9),  IV.  (Nr. 
10—12),  a  2—  Kistntr,  compl.  1—  Liiolff, 
I  —60   Bessel. 

-307  ntceub  Ubir;)HKii  P  — .50  Jurfjenson. 

■  308  He  xoiy  P  — 50  Jurgrnson 

-  309   Mazurka   tyrolienne,   P    1.50   Siegel. 

-  310  Bouton  de  rose,  P  — 40  Jurgenson. 
-311  Bouquet  de  Roses,  3  bagatelles,  P   1.75 

Siegel. 
-312  La  Ronde  des  Esprits,  P  1.50  Cram. 

-  313   Le   Printemps,   valse,   P  2 — ,   J^ms  2.25 

-  314   Rosa-Polka,   P    1 —  Ilainauer. 

-315  Lieder  ohne  Worte,  P  I  2.25  ^'ie(/eZ. 

-  316  Lieder   ohne  Worte,  P   II   2.50   Siegel. 

-  317  Lieder  ohne  Worte,  P  III  2.50  Siegel. 

-  318  Lieder  ohne  Worte,   P  TV  2.50   Siegel. 

-  319   Coquette,    nouveau    galop   de   salon,   P 

2—,  ^ms   2.50   /Stc.9P?. 
-320    Souvenir    de    Teplitz,    valse-etude,     P 
1.50  Siegel. 

-  321  Wiegenlied,  Ronianze,  P  1 —  Siegel. 
-Z22  Fleurette,  polka-niaz.  P  1.50  Cranz. 
-323    25    Preludes    d'amateurs,     P     I— II    a 

— 60  Jnrgenson. 

-  324   Je   lis   dans   tes   beaux    yeux,     P     1 .25 

Siegel. 
-325  Val^•e  romanesque,   P   1.50  Siegel. 

-  326  Les  Rayons  et  les  Ombres,  nocturne,  P 

1..50  S?c.f/e;. 
-327  Capricciosa,  P   1.25   Kistner. 
-328  Nouveau  Galop  militaire,  P,  Jfms  k  2 — 

Siegel. 

-328    Grande    Toccata    di    Bravura,    P    1.25 

Kistner. 


-  329  Rosenkriinze,   kleine   Tonbilder,   P   3 — 

Kistner. 

-  330    Album,     10    kleine    Fantasie-stiicke,     P 

3 —  Siegel. 
-331    Grande  Etude  d'Octave,   P  2—  Siegr^/. 

-  332    Le    Regret,     valse-6tude     mglancolique 

(Fis-m.),  P  1.75  Siegel. 

-  333     Polka     militaire,     P     1.50,     4ms     1.25 

-334    Romance    gracieuse,    P    1.50    Siegel. 

-  335    Meditation    el^giaque,    P    1 —    Kistner. 

-  336   Deux   moreeaux    de   Salon :    Polonaise, 

Feuille  d'Album,   P   1.50   Siegel. 
-338  Transcription   sur :    Lucia   di   Lammi-r- 
moor,   P   1.75   Siegel. 

-  339  Quatri&me  Rondeau,  P  — 65  Klemm. 

-  340    25    leichte    ubungsstiicke    fiir    die    Ju- 

gend  niit  Weglassung  der  Oktaven,  P; 
Heft  I.  (Nr.  1—9)  1.50,  II.  (Nr.  10—17) 
2—  III.  (Nr.  18—25)  1.50  Kistner,  kompl. 
1—  Litolff,  Peters,  Nr.  3,  12  —20  Ge- 
bethner. 

-  341    Tyrolienne    sentimentale,   P    1 —   Kist- 

ner,  — 50  Schirmer. 
-342  Gr.  valse  brill.  P  1.50  Kistner. 

-  343  Polka  burlesque,   P   1.50   Siegel. 

-  344  Scherzo,  P   1—  Kistner. 

-  345  Der  Abendstern,  Romanze,  P  1.80  Sim- 

rock. 

-346  L'Elegante,  maz.  brill.  P,  Jfms  t\  1.60 
Siegel. 

-347  Valse  m^lancolique,  P  1.50  Simrock. 

-348   Tarentelle-Etude,   P    1.50   Kistner. 

-349  Sechs  Phantasiestiicke,  Jfms:  Nr.  1. 
(A-m.)  1.25,  Nr.  2.  (As)  1.25.  Nr.  3.  .Fis- 
ra.)  —75.  Nr.  4.  (E-m.)  1.75.  Nr.  5.  (B) 
1—.  Nr.  6.    (Fis-m.)    1—  Kistner. 

-  350  Une  Rose  en  Fleur,  polka  de  saloa,  P 

1 —  Kistner. 

-351  Polka-Ma  zuika,  rapsodique,  P  1— 
Kistner. 

-  A  Frolic   (Une  Folie) ,  P  — 50  Schirmer. 

-  Album    de    compositions    favorites,     P    1 — 

Jnrgenson. 

-  Allegro  brillante,  Ifins  — 30  Jurgenson. 

-  Alpine  shepherd's  serenade,  P  — 40  White. 
-Andante  et   rondo,   P   1.80   Simrock,  2.50  n 

Costallat. 

-  Attrait    (E.  Pauer),  P  3/ —  Augencr. 

-  \\\  printemps    (Gounod),  P  2 — n  Chou- 

dens. 

-  Ballabile,   P  —40  n   Gebethner. 

-  Barcarolle    (C)    u.  Danse  norv6gienne,  FIP 

2 —  Forherg. 

-  Belle   Kracovienne,   P   4/ —  Ashdown. 

-  Butterflies,   P  —25   Silver. 

-  Codence,  divertissement,  P  — 30  Jurgenson. 

-  Chant  du   gondolier,  P  ^30  Jurgenson. 

-  Clara-Galopp,  P  — 75  Kuhnt. 

-  Coquette,  P  — 40  Johansen. 

-  Comte  de  Gallenberg,   valse  vari6e,  P   3,^ — 

Ashdown. 

-  Danse  Norv#gienne,   P  4/—  Laudy. 

-3  Danses  brillantet  :  L'Elegance,  Val.se 
brillantes,  ler  &  2nd  Galop  militaire,  P 
1/ — n  Atigener.  .-..>.. -^ 

-Das  Biichlein  (The  brooklet),  P  3/—  Ash- 
down. 

23* 


Mayer  Ch.  Derni^re  pensee 


356    — 


Mayer  Ch.  Oeuvres  Ghoisies 


■  Dernidre    penB^e,    polka-maz.    P   — 30    Jur- 

genson. 

■  D^sir     (Beethoven),    valse    vari6e    3/ — 

Ashdown. 

■  Dolcezza,  danse  fugitive.  Le  Rossignol  cap- 

tive, valse,  P  a  1 —  Cram. 

■  Dolcezza,   pens6e   fugitive,   P   1 —   Siegel. 

■  Enjou«ment    (G.   Langley),   P  4/ —   Au- 

gener. 

■  Ernst  und  Spiel    (Seriousness  and  Playfvil- 

ness),  P  3/ —  Ashdown. 

Etude,   P   5 —  Sulzhach. 
•Etude    (E),  P  —30   Hosick. 
•Etude    (B),   P    1.25    Schott. 

Etude  in  F  sharp  (La  fontaine),  P  (foreign 
fingering)   3/ —  Ashdown. 

Eltiden-Album,  10  ausgew.  Etiiden,  P  : 
Triolino-Etiide,  op.  190.  Etude  m^lodique, 
op.  93  N.  7.  Nouveau  Tremolo,  Grace,  op. 
149  N.  5.  Grande  Etude  (Arpeggio),  cp. 
61  N.  3.  Valse-Etude,  op.  83.  Tremolo- 
Etude,  op.  189.  Le  Tremolo,  op.  61  N.  2. 
Toccata,  op.  31  N.  2.  Etude  en  Octaves, 
op.  331    1—  Litolff. 

4  Etudes  de  Concert,  arr.  by  Pane  r,  P 
(Cont.   Fing.)    2/ — n   Augener. 

Exercices,   P   1.50  n   Costallat. 

Fleur  d'automne,  P  — 50  Nord.  Musikfor- 
lag. 

Fleurs  des  Melodies  (N.  1—6),  P  2/— 
Chappell. 

Fliegender  Schmetterling  (Flying  butter- 
fly) ,  ed.  by  G.  L  a  n  g  1  e  y,  P  (Cont.  Fing.) 
4/ —  Augener. 

Flora,  romance  italienne,  in  D  flat,  P  3/ — 
Ashdown. 

Fontaine,  P  4/ —  Ashdown,  1/6  Novello, 
4/—  Weekes,  (C  h.  Oberthiir,  op.  102 
N.   2),   Ha   3/—  Ashdoivn. 

Foraarssang,  P  — 50  Nord.  Musikforlag. 

Fountain,   P  — 35   Silver. 
•  Fruhling&lied,    P    1.80   Bosworth. 

Galop  militaire  4/ —  Ashdown,  3/ —  Chap- 
pell, 4/ —  Donajowski,  2/ — ,  (S  1  o  p  e  r) 
3/ —  Weekes,  Williafns,  6 —  Leduc,  1 — 
Elkan,  ^ms  5/ —  Ashdown,  3/ —  Weekes, 
3/6  M'illiams,  7.50,   VP  7.50  Leduc. 

■  Glissante,   etude,   P   3/ —   Ashdown. 

■  Gluten-Polka,  P  — 40  Brainard. 

•God  save  the  king,  variationen,  P  1.80 
Simrock. 

■  Gracieuse  Ina,  6tude-nocturne,  in  E  flat,  P 

3/ —  Ashdoivn. 

■  Grand  Rondeau,  Des-dur,  P  1.50  Jvnn--'. 
-Grand  Rondeau,  P :  N.  1.   (Des)    1.50.  N.  2. 

(E-m.)  1.50,  4m8  2.50.  N.  3.  (H-m.)  2— 
Kist7ier. 

-  Grande  Toccata,  P  3  Eg.  Andr4,  1.50  Kist- 

ner,  2.50  n   Costallat. 

-  Grandes   Variations   sur   un   Thfeme   favori 

de  rOp6ra  „Cenerentola"  de  G.  R  o  s  s  i  n  i, 
P  2.50,  P  av.  0  3.75  n  Kistner. 

-Grave  and  Gay,  P,  2  books  k  1/ — n  Au- 
gener. 

'  Grave  and  Gay,  characteristic  pieces,  P 
(Continental  Fing.)  :  N.  1.  Longing  (Sehn- 
sucht),  romance  2/6.  N.  2.  Tarantella  3/ — . 
N.  3.  Drinking  Song    (Trinklied)    1/—.  N. 


4.  Song  without  words  (Lied  ohne  Worte) 
1/—.  N.  5.  Barcarolle  3/—.  N.  6.  Mazurka 
3/—.  N.  7.  Valse  sentimentale  3/ — .  N.  8 
The  Young  Dancer  (Die  junge  Tanzerin) 
3/—.  N.  9.  Toccata  3/—.  N.  10.  Badinage 
(Neckereieu)    3/ —   Augener. 

-  Gr.  Rondo,  P   (Il-m.)   2—  Breitkopf. 
-Guillaume  Tell,  variat.  P  1.75  Peters. 

-  Hanneton,  P-  — 40  Johansen. 

-  Im  Galopp,  Polka  schnell,  P  — 60  Bosworth. 

-  Impromptu   in   D  flat,   P  3/ —  Ashdown. 
-Impromptu    (H),    P    1.30    Cranz. 

-  Jeu   du   peignet,  6tude,   P  — 30   Jurgenson. 

-  La    graciouse,    valse    sentimentale,    P   — 40 

'Jurgenso7i. 

■  Leichte   ubungsstiicke   fiir   die  Jugend   mit 

Weglassung  der  Oktaven,  P,  Auswahl  hub 
op.  340,  neubearbeitet  von  E  m  i  I  B  r  e  s- 
1 II  u  r    1.50   Vieiceg. 

-  Leid   und   Freud,   6tude  m4lodique,   P   2/ — 

Ashdow7i. 

-  Leonie  Waltz  —60  Ellis. 

-  Left   Hand    Study,    P,    in    C-minor    2/6,    in 

D-minor   2/6  Augener. 

-  Maiblumchen,  P  1.20  Eberle,  2 —  Aslidowii. 

-  Marche   de   Noces    (Wedding   March)    --35 

Schirmer. 

-  Mazur  aus  Jugendalbum,  P  — 90  Bosworth. 

■  Mazurka    (Engl.   Fingering)    3/ —  Augener. 

-  Mazurka-Caprice,    ^ms   2.50    Ries   &    Erler. 

-  Minna,    impromptu    de   salon,   P   3/ —   Ash- 

down. 

-  Nocturne    .sentimental     in     E     (G.    Lang- 

ley),  P    (Cont.  Fing.)    4/ —  Augener. 
-Nocturne    (G-m.),   P   —30   Guiheil. 

-  2  Nocturnes,  P   1.30  Simrock,  1 —  Kistner. 

-  Non    piil    mesta,    grandes    variations    oril- 

lantes,  P  5/- —  Ashdown. 

-  Norwegischer  Tanz  u.  Russi.sche  Hymue,  P 

3/ —  Ashdoiirn. 

-  Nouveau  Nocturne  N.  3,  E,  P  — 75,  ^ms  1 — 

Kist7ier. 

-  Nouveau    tremolo,    P   — 30    ,/  iirgenson. 

-  Octave  Study  in  A-minor,  P  2/6  Aug',n>',r. 
-Oeuvres  Choisies,  Augener: 

1.  II  Tremolo  in  D  flat,  op.  76   ( J.  B  e  n  e- 
dict)    4/—. 

2.  4me   Air   Italien   in   D  flat  4/ — . 

3.  The  Blue  Eyes,  with  Variations,   ai   F 
2/6. 

4.  The  Scarlet   Sarafan,   in   C   5/—. 

5.  Rondino  sur  un  Air  Russe  in  A-minor 

4/—. 

6.  Riga,  introduction,  variations  et  finale 
sur  un   Air  Russe  in   A  3/ — . 

7.  Fantaisie   sur   Minka,    air    russe   in    A 
2/6. 

8.  Smolensk,    fantaisie   sur    un    air    russe 
in  A  2/6. 

9.  ir   Valse  Etude   in  D  flat  3/—. 

10.  Horn  mage  H  la  Mode,  grande  valse,  op. 
56  4/—. 

11.  Ir  Galop  Militaire  in  E  flat  3/—. 

12.  2d  Galop  Militaire  in  E  flat  3/—. 

13.  Cronstadt,   capriccio   6l6gant   in   D  flat, 
op.  62  3/—. 

14.  L'lmp^tueux,    sclierzo    di    bravura    in 
B-minor,   op.    63    4/ — . 


Mayer  Ch.  Oeitrres  Choisies 


—    357     — 


Mayer  E.  Enfant  de  la  gloire 


15 


Catherine, 
op.   64   3/- 


1'   impromptu    in    B-minor, 


Les  Murmures  de  la  Moscova,  3  noc- 
turnes  sentimentales : 
16.  L   in   B   21—. 
17!  2.   in   F-niinor  2/—. 
18.3.   in   E   2/—. 

.19.  L'El^gauce,   valse  brillant*  3/—. 
20.  The     Brightest     Eyes,     by     S  t  i  g  e  11  i 

(E.   P  a  u  e  r)    3/—. 
21.Triolino,   etude    (E.   Pauer)    4/—. 

22.  La   Dolcezza,   pens6e   fugitive    (J.    B  e- 
nedict)    2/6. 

23.  Le  Ros.^ignol  Captif,  valse  2/6. 

24.  La  Fontaine,  grande  6tude,  op.  61  N.  3 
(E.    Pauer)    3/—. 

25.  Le  Tremolo,  grande  §tude,  op.  61    N.  2 
(E.   Pauer)    3/—. 

26.  Souvenir  de  Vienne,  grande  valse  bril- 
lante,  op.  98  3/ — . 

27.  Count   Gallenberg's   Waltz   3/—. 

-  Ouverture,    Ifms   2 —   Kistner. 

-  Overland,  galop,   jJtos  — 50  Gordon. 

-  Papillon,   P  — 35   Johansen. 

-  Pens^e   fugitive,  P  — 30  n   Gebethncr. 

-  2  Pens^es  fugitives,   P  — 30  Jurgenson. 

-  Perle  de  Salon,  polka,   P  — 75   Kuhat. 

-  Perle,   valse,   ^ms   1.50   Schirmer. 

-  Petite    Danse    Plaisanterie,    P    — 20  n    Ge- 

bethner. 

-  Plaisanteries,    P    4/—   Laudy. 

-  Plaisir    de    la    valse,    allegretto    and    A'altz 

3/ —  Ashdotvn. 
-Polka    (As-dur),   P   1 —  Brauer. 

-  Polka  aus  Jugendalbum,  P  — 90  Bosicorth. 

■  Polka  de   Salon,   P   1.50   Bosworth. 

-  Polka   Eus-t^e    1/ —   Ashdown. 

■  Priraaver.a,  melodia  di  C.  Gounod,  lil>.^ra 

trafecrizione,    P    3 —   Mariani. 
-P^cieation,   mazourka,   P  — 50   Kahnt. 

■  Romance   Italienne,   P  — 50   Lundquist. 

-  Rondeau   N.   3,  ^ms   2.50   Klemm. 
•Rondo,  Des-dur,  P   1.50  Simrock. 

■  Rossignol    captif,    valse,    P    1 —   Aihl,   — 32 

Bote,    1 —    Schlesinger,    1 —    Siegel,    1.35  n 
Costallat. 
Royal   Saxe-Coburg   March,   ^ms  4/ —   Aih- 
do  ten. 

Salonstiicke,    P    1 —   Peters. 

Salut   a    Cassel,    reverie- nocturne,     P     2/ — 

Ashdoinn. 
Scales  &  Velocity,  study  in  D  b,  P  2/6  Au- 

gcner. 
Scherzino    (G.   Langley),    P   4/ —   Auge- 

■tier. 
Sehnsucht,    Tarantella     and    Trinklied,     P 

2/6  Ashdown. 
Select  Works,  phrased  fingered    (George 

Langley),   P   4/ —  Augener. 
serenade  sentimentale,  P  — 50  Gutheil,  Jo- 

hansen . 
Shake  Study,  P  3/ —  Augener. 
Slumber   Song,  P   1/ —  Augener. 
Souvenir    d'E.spagne,    bol6ro,    P    4/ —    Ash- 
down. 

Souvenir  de  Teplitz,  P  — 35  Jurgenson. 
Souvenir    de    Weber,    variations    brillan- 

tep,  P  2 —  Cranz. 


-  Souvenir   d'un   Bal,   polka,   P  —15   Kahnt. 

-  Staccato   Study,   P   2/ —   Augeiier. 

-  Study  in  Thirds  &  Sixths,  P  2/—  Augener. 

-  Taquinerie,  P  — 50  Lyre. 

-  Tarentelle,    P    4/—   Laudy,   —30  n    Geheth- 

ner. 

-  Thai   polka  2/6  Ashdown. 

-  Th&me  varig,   P  — 30   Lyre. 

-  Toccata,   P   3/ —   Williams. 

-  Toccata   in   E,   P  4/ —  Augener. 

-  Tourbillon    fPauer),  P  1/ — n  Augener. 

-  Transkriptionen,    P:    Nr.    1.    G.    HSlzel: 

Mein  Liebster  ist  im  Dorf  der  Schmjed 
1 — .  Nr.  2.  Josephine  Lang:  Ab- 
schied  1.50.  Nr.  3.  F.  Mendelssohn- 
Bartholdy:  Sonntagsmorgen  — 75.  Nr. 
4.  F.  Mendelssohn-Bartholdy: 
Das  Ahrenfeld  — 75.  Nr.  5.  F.  Mendels- 
sohn-Bartholdy: Lied  aus  „Buy 
Bias"  1—.  Nr.  6.  B.  Molique:  Schiffer- 
lied   1 —  Kistner. 

-  Trautrmarsch,     gr.    Harm   2.80,     kl.    Harm, 

1.80  Lehne. 

-  Tu  He  noB-fepHiiib  P  — "0  Johansen. 

-  Une  f§te  au  village,  polka  4 —  Sulzbach. 

-  Une  fleure  tomb6e,  impromptu,  P  4/ —  Ash- 

down. 

-  Valse,  P  —50  Alsbach. 
-Valse    (Es),   P  —50   Siegel. 

-  Valse  etude,  P  — 75  Peters,  arr.  by  P  a  u  e  r 

P   (Cont.  Fing.)   4/ — ,  in  A  u  g  e  n  e  r's  Ed. 

1/ —  n  Aitgenrr. 
-4e   Valse-etude,   P   1.50  n    Costallat. 
-5e  Valse-Etude    (E-m.),   P   1.50   Siegel. 
-Valse-6tude   (In  Dflat),  P  4/—  Cramer. 
-Valse  de  Gallenberg,  P  1.50  Peters. 

-  Valse  melancolique,   P  — 40   Lyre. 

-  Valse  originale  vari^e  4/ —  Ashdown. 

■  Valse  sentimentale  2/ —  Ashdown. 

-  Variations  sur  la  valse  du   Comte  de  Gai- 

lemberg,   P  1.25  n   Costallat. 

-  Variations    sur    la   Valse    favorite     de     F. 

Schubert  (nomm6e  ,,B  e  e  t  h  o  v  e  n's 
Sehnsuchts-Walzer") ,   P    1 —   Kistner. 

■  velocity,   etude   brill,    arr.   by   P  a  u  e  r,     P 

(Cont.  Fing.)   4/ —  Augener. 

-  Waltz  with  variations  1/3   'Novella. 

-  Walzer    (Es),   P  — 30  n,   Jfms  — 60  n   Breit- 

kopf. 

-  Walzer-Rondo    (H-m.),   P   2 —   Breitkopf. 

■  Walzer    aus    Jugendalbum,     P    —90    Bos- 

worth. 
Mayer   Daisy,  Do  you  love  me?   2y — n  8he- 
ard. 

-  You    may   regret   some   day   2/ —  n   Sheard. 

Mayer    E.    Labbe:   Adieu   monsieur   I'amour 
1.20  n,  av.  G  — 40  n. 

-  Amcur  et  printemps  1 —  n,  av.  G  — 40  n. 

-  Ange  de  la  pri§re  1 —  n. 

-  Au-to-da-f6    1 —  n,   av.    G   — 40  n. 

-  Bon  Dieu  sait  toujours  ce  qu'il  fait  1 —  n. 

-  Bouquet  perdu   1 —  n,  av.  G  — 40  n. 

-  C'est   toi,   Marie   1 —  n. 

-Deux   Gr6goires,   duo   1.40  n,   Ch.  s.  — 35  n. 
-Deux    Gr^goires,    duo    bachique    1.60  n,    av. 
G  — 40n. 

-  Double-Six,  polka  4 —  Mathieu. 

-  Enfant  de  la  gloire  1 —  n,  av.  G  — 40  n. 


Mayer  E.  Enfant  du  Soleil 


—    358 


Mayer  F.  op.  I 


av.   G  -^tOn. 
Mathieu. 
G  — 40n,   Ch. 


-Enfant  du  Soleil,  quadr.  1.70  n  Bornemann. 

-  Enfant  dii   soleil   1 —  n,   av.   G  — 40  n. 

-  Faubourien    1 —  n,   av.   G  — 40  n. 

-  Fleur  d'amour   1 — n. 

-  Florida   1 —  n. 

-  Gazette  des  salons  1 —  n,  av.   G  — 40  n. 

-  Je  siiis  jaloux  1.20  n. 

-  Je  t'aimerai  tou jours   1 —  n,  av.   G  — 40  n, 

Ch.    s.   — 20n. 
-Ma  montre  1 — n,  av.  G  — 40  n. 

-  Page  et  Bergeronnette  1 —  n,  av.  G  —40  n. 

-  Pense    a  ta    m&re    1 —    Bornemann;    av.    G 

— 40  r.    Labbe. 

-  Perle   du    peuple    1 —  n. 

-  Perles   de  Paris    1— u. 

-  Pourquoi   I'aimer?    1— u, 

-  Regent*,    polka-maz.    3 — 

-  R^ves  d'amour   1 — n,  av 

—30  n. 

-  Reviens  me  m&re   1 —  n. 

-  Roi  des  folichons  1 —  n,  av.  G  — 40  n. 

-  Saltimbanques. 

-  Si  tu  savais  combien  je  t'aime  1 —  n. 

-  Si  tu  voulais  m'aimer   1 —  n,  Ch.  s.  — 30  n. 

-  Tee   yeux   de   velours    1 —  n,    av.    G   — 40  n. 

-  Th^rfesa   1—  n,  av.   G  -^0  n. 

-  Ton  amour  est  ma   vie  1 —  n,  av.  G  — 40  n, 

Ch.  s.  — 30n. 

-  Ton  voile  pour  souvenir  — 85  Schott  Freres, 

1 —  n,   Ch.   s.  — 40  n   Bornemann. 

-  Trabuquer  — 85  Schott  Freres. 

-  Travaillons  bien  — 85   Schott  Freres,     1 — , 

Ch.   s.   — 40   Bornemann. 

-  Trois  amours   1 —  n,  av.   G  — 40  u. 

-  Tu  ne  sais  plus  aimer   1 — n. 

-  Tu  peux  m'aimer,  le   coeur   ne   vieillit   pas 

1 —  n. 

-  Un   amour   au   desert   1 

Ch.  s.    -20  n. 
-Un  coeur   brisg   1— n,  av.   G 
— 30n. 

-  Un  pauvre  gueux  1 —  u,  av. 

-  Une  m&re  1 —  n  Lesigne. 

-  Vain   serment   1 —  n,   av.    G 

-  30  u. 

-  Vierge  aux  roses  1— n,  av.  G  — 40  n,  Ch 

—20  n. 

-  Vivent  les  forgerons !    l--n,   av.   G  — 40  n, 

Ch.  t:.  — 20n. 

-  Voix  de  I'anie  1 —  n. 

-Yeux   de   IMadeleine   ] — u,   av.   G  — 40  ii. 
Mayer    Ed.   Der   Preufien   „Ja",   f.  1    Singst 

u.  Chor  m.  P{G)  —50  Simrock. 
Mayer    Emanuel,    op.    77      B6b6-Polka    1.20 

Rahter. 
-A    la   charmante,    polka-maz.   — 40   Juryni- 

son. 

-  Avec  entrain,   maz.   — 30   Jurgenson. 
-Dica-Valse,   P    1.80   Rahter. 

-  Charme    du    printemps,    val.se,    P    1 —    Jvv- 

gcnson. 

-  Euggnie-Valse,   P    ].80   Rahter. 

-  Fantaisie  russe,  P  — 60  Jurgenson. 

-  Folie,  polka  — 75  Jurgenson. 

-  SKHBaa,  Maz.  — 30  Jurgenson. 

-  C-B  yBJieqenieiM'B,  Mas.  —30  Jurgenson. 

-  Sentiment  et   Galt^,  2   inorceaux  de  salon, 

P  1.80  Rahter. 


n,   av.   G  — 40  n, 


-40  n,  Ch.  s. 


G  — 40n. 


-40  n,    Ch.   s. 


s. 


-  Sincere,  valse,  P  — 75  Jurgenson. 

-  Valse-Rgverie,  P  — 75  Jurgenson. 
-3bi6b  H  npHfioH,  Valse  — 60  Jurgenson. 

-  Wachtelpolka  — 50  Cranz. 

Mayer   Emilie    (1812—1883),  op.   10  Sonate 

(A-m.),   VP  9—  Bote. 
-13  Grofies  Trio   (D),  PVVc  7—  Challier. 
-14  Quartett   (G-m.),  2VVaVc  6—  Simroek. 
-16  Grofies  Trio    (H),  PVVc  7—  Challier. 
-29  Alleni.  fantastique    (Des.),  P  1 —  Simon. 
-30  Tonwellen-Walzer    (B),  P   1—  Simon. 
-31   Ungaraise    (B),   P   1 —  Simon. 
-32  Valse    (C),  P  —80  Simon. 
-33  Mazurka    (Es),  P  —80  Simon. 
-38   Scnat*    (D-ra.),    VcP   7.50   Bote. 
-40  Sonate    (C),   VcP  7.30  Bote. 

-  44  Impromptu,  P  — 80  Bote. 

-46    Fa  u  st-Ouverture,    0,    Part     7.50,    Sfc 

9—  Witte. 
•  48  Sechs  Klavierstiicke  fiir  die  Kinderwelt 

1 —  Praeger. 
-48  Notturno    (Dm.),  P,  PV  a  1.80  Simon, 

-  Danse  a   cinq   temps   du   ballet   „Papillon'' 

de  L.  M  i  n  k  u  s  — 40  Gutheil. 

■  Solo  du   V  du  ballet  „Papillon"  —50  Out 

hell. 
Mayer  F.  Aux  orph6onistes  1.20  n  Labhi. 

-  Chanson   hongroise    1 —  n    Hebert. 

-  Contraband    of    Port    Royal,    emancipatioa 

song  and   chor,  — 40   Brainard. 

-  Maiden's  prayer  — 40  Brainard. 

■  O    konnte    ich's    dir,    o    Mutter,    sagen.    P 

1.80  Blahu. 

-  Ode   to    the    brave,    war    song,    TTBB    and 

chor.    — 40   Brainard. 

-  Reveuse,   valse   lente   2 —  n   Hebert. 

-  Si   vous   aimez   1 —  u   Hebert. 

-  Treu    zur    Fahne,    Iilarsch   — 10    Kunz. 

■  Veilchenbouquet,   Polka   fr.  — 10   Kunz. 

-  You    silly,   silly  mna  — 40  Brainard. 
Mayer  F.  C.  ./.  Fischer:  Beauties  of  V  e  r  d  i. 

operas,   6ms   1.75   Church. 

-  Blue  Bells  of  Srotland,  SATB  —10. 

-  Bounding   Billows,    SATB   —10. 

-  Friendship,    SATB    —12. 
-My   Fatherland,   SATB  —10. 
-My  Native  Vale,   S.\TB  —12. 

-  My  song,  duet  — 50  Church. 

-  ()  Holy   Father,  hear   us,   for   3  female  voi- 

ces —^20. 

-  Pleasures  of  Home,  chor.  3  feni.  v.  — 12. 

-  Pleasures   of   youth,   Reed-Org  — 75. 

-  Sailor's   Farewell,   SATB  —12. 

-  Spring  Song,  SATB  —12. 

-  Sweet    Spring    Has    Come,    chor.    3  female 

voices  — 12. 

-  Sweetest  song,  fem.  v.  — 08  Church. 

-  Thirty   Sacred   Choruses,   for   mix.  v.   — 50. 

-  'Tis  the  Last  Rose  of  Summer,  SATB  —12. 

-  When    Thy    Beloved    Ones    Hence    Depart, 

chor.    2  female   voices  — 15. 
Mayer    Ferd.    Bittruf    zum    heiligen    Josef, 
SATB,   Part  —60,   St  —60  Zutnsteeg. 

-  Dcmine   Deus,    Offertorium    fiir   Kirchweih, 

TTBB   —60    Gerniann. 
Mayer    Franz,    op.    1    Gefundenes    Gliick,    P 
—  60  u  Patcliska. 


Mayer  F.  op.  10 


—     359 


Mayer  J.  G.  2  Marienlieder 


■  10  Ich  bin  eine  Lebedame,  Damen-Vortrag 
1.50  P.  Fischer. 

-  12    Jubelreigen,    Walzer    — 60  n    Pawlisku. 

-  15    Tavzmiirphen,    Tnterinezzo,    P    1.50    Phi- 

lipp,   1.50   W.   Schroeder,  Par.   Bes.   1.50  n, 

stO    1.50  n   Philipp. 
-22    Ich    hab's   mit   dir    so    gut    geraeint,    P 

—60   PouJiska. 
-23  Sei  offen,  Herz,   ich   Hebe   dich,   P   1.20, 

Troinba-Solo   3—,   Z  —75   P.   Fischer. 
-46  Prinzessin  Morgana,  Salonstiick,  P  1.20. 

PVVaFlTr   1.50,   VP   1.50  P.   Fischer. 
-47  Kindereien,   Polka    1.20   P.   Fischer. 

-  48  Ach,  konnt'  ich'.s  dir,  o  Mutter,   sagen, 

P    1.50   Blaha. 

-  49    Finer],    Finerl,      neues    tJberbrettl-Lied 

1.20  P.  Fischer. 

-  Friihlingsliifte,    Serenade,    VZ    —75    A.    £. 

-  Leichte    Fantasien,    P :    P  r  e  c  i  o  s  a,    Don 

Juan,    Zwei    Volkslieder,     Zampa,      a 
—50   Ilansen. 

-  Miinchener    Book.spriinge,    Schottisehe,    Pol- 

ka.?   und    Galopp.s,    Z    1 —    Aibl. 
Mayer  Fr.  Xaver,  5  Miinnerchore :    1.  Wan- 
derers  Nachtlied.   2.   Es   treiben   zuchtlose 
Geister.   3.    Sterben.   4.   Mai,   Part   —80  n, 
St   1.60.  Nr.  5.  Zutrunk  2—  Leu-jf. 

Mayer  Georg.  Westermair:  Op.  7  Gliick- 
sterndl-Polka,   Z  —60. 

-  10   Faschingsklange,   Walzer,   Z    1 — . 

-  12   Herzkiiferl,   Salon-Mazurka,   Z  —60. 

-  15   Heitere    Stunden    in    der    Sennhiitte,    Z 

—80. 

-  17   Untersbergor   Liindler,    Z   — 60. 

-  19    Herziger    Schnabel,    Konzert-Polka, 

—  60. 

-  22  Ballfee,  Walzer,  Z  —80. 
-Miinchener    Leben,    Marsch     (m.    Text), 

—80,   P    1—. 
Mayer    H.    Braivurd:    Belle    brunette,    Aalse 

—50. 
-Chant   du   cygne    (Swan's   song),   elegie,    P 

—50. 
-Elegie     (Chant    du    cvgne)     (Swan's    song), 

P  —50. 

-  Emita,   redowa,  P  — 60. 

-Evening  (Soir),  fantaisie  mignoime,  P 
—50. 

-  Jeunesse    (Youth),  polka  — 40. 

-Matin  (Morning),  fantaisie  mignonne,  P 
—50. 

Mayer   Hans,  Carillon,  P  1.50  Bosicorth. 

-  Valse    a  la    Reine    du    coeur,    P    1.20    Bos- 

'cortli. 

Mayer  Heinr.  Freih.  op.  10  T.'sabclla,  Polka, 
Z  —72  Bosicorth. 

Mayer  Henriette,  Differentes  Danses,  P  1  — 
Kisfner. 

Mayer  Henry,  op.  40  Halcyon  Days,  6  pie- 
ces for  recreation,  P :  1.  In  the  Woods, 
scherzo,  2.  On  the  Rocks,  caprice,  3.  At 
the  Party,  waltz,  4.  In  the  Meadows  Idyl, 
5.  On  the  Parade  Ground  March.  6.  In 
the   Church,  chant,   a  — ^25   Pond. 

-  Halcyon   Days,   N.  6,    P  —50   Pond. 


Z 


Z 


Mayer    Hugo,   op.   28   Leieht'   Blut,   Walz»?r 

1.20   Zechlin. 
■  29  Gavotte,  P  —90  Zechlin. 

-  36  Barcarole,  S  —90  Zechlin. 

-  Z7  Verzage  nicht,  o  Herz   1 —  Teich. 

-  Mein    Oskar!     Damen-Couplet    m.    P     1 — 

Apollo. 
Mayer  Johann.  Schlesinger :  Alpenbliimchen, 
steirische  Tanze  1 — . 

-  Alpenrosen,  steirische  Tjinze   1 —  Cru7iz. 

-  Aufhauer  oder  gs-gs-LJindler  — 80. 

-  Columbus,     Weltumsegler,      neue     Liindler 

1.50. 

-  Ganishupfer,  steirische  Tiinze   1 —  Cranz. 

-  Juxer,    Wichser    und    Reifier,    echte    Ober- 

landler   —80. 

-  Lerchenfelder    Bierhau.s-Landler    — SU. 

-  Mazurka-Gitana,    P   — 50    Cranz. 

Mayer  Joseph  Anton.  Zumsteeg:  Op.  2  Nr. 
1.  0  konnt'  niir  einmal  mein  miides  — 60. 
Nr.   2.   Es  treibt  mich   fort  —80. 

-  3  Des  La-Tschi-Pa-Tschi  Abschied  von  sei- 

nem  Lehrer  Pa-Tschi-La-Tschi,  Duett   3 — . 

-  4  Chinesischer  Tanz-Chor,  TTBB  m.  P,  KA 

1.80,  St   1.20. 
-5  Lu-lu  iiber  alles   (Chinesische  Rhapsodie), 
P  1.20. 

-  6    Die   Pforte    der    Weisheit    (oder    des   La- 

Tschi-Pa-Tsehi  Unterweisung  in  der  Ge- 
lehrsamkeit  durch  seinen  Lehrer  Pa-Tschi- 
La-Tschi),   Duett  2.50. 

-  8   Maiennacht,   P   u.    Waldhorn    1.80. 

-  11    Serenata    Romana    1 — . 

-  12   Notturno,   PV    1.50. 

-13  Drei  Chore:  1.  Abeudruhe,  2.  Altdeut- 
scher  Biifierchor,  3.  Maienlied  (altdeutsch, 
a   1.20. 

-  18  Wenn  ich  die  Bliimlein  schau' !  — 80. 

-  19  Mondschein-Intermezzo,  P  1.20,  erl.  1.20, 

■'ims  1.50,  VP  1.50,  O  2.40  n.  viO  2.40 
Eisohlt. 

-  19  Wtirde  der   Frauen,  Bar-Solo,  TTBB  u. 

0  od.  P,  P-Part  3—,  Solost  —40,  Chorst 
1.20  Leiickart. 

-  20  Festhymne  zu  Schillers   100.   Todestage, 

^ATB   \\.    0  od.   P,   KA   5— n   Luckhardt. 

-  21    Wenn   ich   die   Bliimlein   .schau',    SATB, 

Part  —60,  St  —60. 

-  22  's   Wortle   ,,Du"  —80. 

-  Finnisches   Reiterlied,   TTBB  ni.   Blechinstr 

od.    P,    Part    1.20,    Instr-^i    1.60,    Sing.st 
—60. 
Mayer  J.   E.  Ditson:   Ballet  music,  P  — 40. 

-  Cradle  song,  P  — 40. 

-  Cupid's   Waltz,    in    C    and    F  major   — 30. 

-  Nocturne,  P  —30. 

-  Novellette,  P  —50. 

-  Tarantelle,   P  —30. 

-  Toccata,   P  —50. 

Mayer  J.  G.  op.  4  Das  Glocklein  von  lunis- 
far  oder :  Ein  Weihnachtsabend  in  Schott- 
land,  Chor  m.  Deklamationen  u.  P,  KA 
2.50  n,  Str-Instr,  V,  Vc  a  — 30  n  Brock- 
haits. 

-  2    Marienlieder    zu    Ehreu    Unserer   Lieben 

Fiau  von  Lourdes,  f.  2  gleiche  St,  f.  3 
gleiche  St,  f.  4  gem.  St,  Part  a  — 50  n,  St 
a   — 15  n   Feuchtinger. 


Mayer  J.  G.  Orgelhegleitung 


—     360     — 


Mayer  M.  L.  op.  4 


Ash- 


15 


-  Orgelhegleitung    zu    den    AltargesSngen    u. 

Responsorien  beim  Hochamte  2 —  Schwann. 

-  Vesperpsalmen  imd  Magnificat,  einst.  Cho- 

ral 3—  Piistet. 

-  Waldkonzert,  f.   TTBB  u.  f.  Frauenst  2.20 

Zumsteeg. 
Mayer  J.  M.  At  the  old  mill,  sketch,  P  3/— 

Ashdo2vn. 
-At  the  old  mill,  P  —50  Pond. 

-  La   linda   Cubanita,   romance,   P   3/ — 

doicn,  — 50   Pond. 

•  Leaning  on  thy  tender  care,   mix.   v. 

Church. 

•  Passing  Moment,  P  — 50  Pond. 

-  Slumber   and   sweetly   dream,   in   G  and   A 

4:f —  Ashdown. 
Mayer   jr.   J.   Schuberth:    Op.    6      Valse    de 
Concert,  P  1 — . 

-  7  Les  deux  Heros,   P   1 — . 

-  8  Praludium   und   Canon,   P  — 75. 
-9  Preis-Polka  —75,   4ms  L50. 

Mayer  Jean  Simon.  Girod:  Adelasia  ed 
A  1  e  r  a  m  o,  opera  (Milan,  1807):  N.  1. 
Scena  e  duetto:  Che  al  mio  ben,  al  mio 
5 — .  N.  2.  Scena  e  duetto :   Non  lo  sperar 

5—. 

-  A  d  e  1  h  e  i  d.  Duo  von  Gueschin:   Vado 

fra  I'armi   ancora   1- —  Schott. 
-Alfred    il    Grande,    opera     (Bergame, 
1821)  :    Romanze:    Ov'fe    la    bella    vergine? 
3.75. 

-  Chi   dice  mal   amore   1 —  n   Breitkopf. 
-Ginevra  di   Secoglio,   opera    (Triest. 

1801)  :    Ouv.    P   5—: 
l.Introd. :    Tu   proteggi,   o   ciel    demente 
5—. 

S'apre  alia  gioia  contento  il  core 


2.  Coro : 
2.50. 

3.  Cav. : 

4.  Scena 
3—. 

5.  Cav.   e  marcia  : 
trepido  5 — . 
Aria  :   Ah  !   dov' 


Quest'  anima  consola  3 — 
e  cav. :   Se  pietoso,  amor. 


tu  sei 


Per  voi  tra  I'armi  in- 

e  quell'  alma  3 — . 
Vieni,   Cola   t'attendo 


agitato  2.50. 


Tremo  confuso, 

ed  aria:    In  mezzo  a  tanti  spa- 


coro :   Audaci,  io  sol  m'oppongo 


Sgombra,  o  ciel !   9 — . 
pieta,  si  laceri  2.50. 
A  Goder  la  bella  pace 


6. 

7.  Scena   e   duetto 
5—. 

8.  Aria 

9.  Scena 
simi  4- 

10.  Aria  e 
5—. 

11.  Cav.  e  finale  I : 

12.  Coro:   Deh  !  per 

13.  Scena  ed  aria  : 
5—. 

14.  Aria: 

15.  Aria  : 

16.  Scena 
4.50. 

17.  Coro: 

18.  Coro: 

19.  Scena 
6—. 

20.  Scena  et  quint.  3 — . 

21.  Scena   e   duetto:    Per 
6—. 

22.  Coro :   Che  giorno  di  spavento  2.50. 

23.  Coro  e  finale :  O  giocondo  e  lieto  giorno 
2.50. 


Tu    mi    tratiggi 
Tu   vedi    in 
e  cav. :   Ah  ! 


me 
che 


iugrato    2.50. 
la   vittima   2 — . 
per  me  non  v"o 


Non  perira   6 — . 

II  sole  air  occa.so  2.50. 

ed  aria :  Come  f  renare  il  pianto 


pieta,    deh !    non 


1. 


10—. 
E   deserto  il 
L'aura  natia 


opera 


Duo :    Ingrate,    que   me    dis-tu,    SC    2.50  n 
Costallat. 
L  o  d  o  i  s  k  a,  opera    (Milan,   1796): 

1.  Duetto:    Giuro   che   ad   altro    mai    2.50. 

2.  Scena    e    duetto:    Parto    ti    tascio    adio 
4.50. 

Medea    in    Corinto,     opera    (Venetia, 
1812)  :   Ouv.   0   15—: 

Introd.    e    coro:     Perche    temi?     10—. 
Cav. :    Di   gloria   all'   invito   7.50. 

3.  Duet:    Cedi   al   destin,   Medea!    6—. 

4.  Aria:    Io   ti   lascia    piangendo   4.50. 

5.  Finale:    Dolce    figliuol    d'Urania    10—. 

6.  Cav. :    Caro   albergo  !    5 — . 

7.  Scena    e    scongiuro :    Dove    mi    guidi? 
7.50. 

8.  Duetto :   Non  palpitar,  mia  vita  9 — . 

9.  Aria :   I  dolci  contenti  4 — . 

10.  Duetto:    Ah!    d'uu   alma  generosa   6 — . 

11.  Aria:    Te   Amor,   pe   te   penai   6 — . 

12.  Duetto:   Se  il  sangue,  la  vita  7.50. 

13.  Rondo:    Ah!    che   tento?    7.50. 

14.  Finale:    Era  tua  sposa ! 

-  Ro.sa  bla  nca  e  la   rosa  rossa ; 

bosco,  duetto  6 — .  Cavatina  : 

4.50   Lemoine. 
-Rosa  rossa  e  la  rosa  bianca, 

(Roma,    1814)  : 

Duetto :   E  deserto  il  bosco  intorno  6—. 

Terzetto :   Dov'  &  destra  infida  9 — . 
Mayer   L.   op.   136   Nocturne,   P  5 —  Noel. 

-  Caledonian    Glide    Quadrille,    with    figures, 

(C.  Kink  el),  0  1—  Gordon. 

-  Double    Step    Racquet     (C. 

—60  Gordon. 

-  Fancy    Queen    March     (C. 

— 60  Gordon. 

-  Poupee   parlante,   polka,   0 

-  Rose,   polka-mazurka  — 80 

-  Rosy    Cheek     (La    belle    Russe) ,    and    Our 

little   one    (C.   Kinkel),   0    1—   Gordon. 

-  Tremolo,   air   italien   varie,   P   7.50   Noel. 
Mayer    L.    de,    2  Airs   hongroises,   P   a   3/ — 

Moore. 
Mayer     Louis,      Gavotte-Caprice,      P      1.80 
Mozarthans. 

-  Minuetto    scherzando,    P    1.80    Mozarthaus. 
■  Stimmungsbild,   P    1.80   Mozarthaus. 
Mayer    Louis    H.    op.    53    Les    perles    d'or, 

gr.  valse  brillante  de  salon,  P  2 —  Gregh. 
Mayer    Ludwig,      Links!    Rechts !      Defilier- 

Marsch,     mO   1.50  n   Firnherg. 
Mayer    M.    Bagn&res,    pas    red.    Fanf,    Part 

3 — n  Evette. 
-Bolero,   Fanf,  Part  3 — n   Evette. 
-Bonne    Nouvelle,    polka,    Fanf,    Part    3 — n 

Evette. 

-  Gavotte,   P  — 80   Bosworth. 

-  Sauterelles,  polka,  Fanf,  Part  3 —  n  Erette. 

-  Streichquartett    (D-m.)    4.20   AiU. 

-  Vetter  vom  Land,  Couplet  1.50  Blahu. 

Mayer  M.   H.  Schmalzbleamerl'n,  Landler,  Z 

1.20   Bosworth. 
Mayer   M.   L.   Cranz:  Op.  2  Zigeuner-Polka 

—60. 
-3    Wiener    Friichtl   —50. 

-  4   Sirenen-Polka   ^50. 


Kinkel),    0 

Kinkel),       0 

1 —   Heiigel. 
Eenkel. 


Mayer  M.  L.  op.  5 


361 


Mayer-Ahrdorff  M.  v.  Osterr.  MiHtSrm': 


-  5   Seelenvoll,   Schottisch  — 60. 

-  6  Ich  liebe  dich  !   Polka  —60. 

-  7    Melaneholie    1 — . 

-  8  Husaren -Schottisch  — 50. 
-9    Cancan-Polka   — 60. 

-10  GefiihlstSne,   Walzer    1.50. 

-  Die  Schelmin,  Polka  francaise  — 50. 
Mayer  Max,  op.  3  Improvisationen  iiber  ein 

Originalthema,   P   2 —   Breitkopf. 

■  4  Vier  kleine  Lieder :  Minnelied :  „Ich  will 

dich  auf  den  HSnden  tragen",  von  T  h. 
S  o  u  c  h  a  y.  Lied  im  Volkston  :  „Niin  bin 
ich  ganz  allein".  Die  Linde:  „Es  steht 
vor  ihrem  Hause",  von  Klaus  Groth. 
Mein  Schatz  schmiickt  sich  mit  Rosen : 
.,Mit  Gold  und  Steingeschmeid",  von  T  h. 
Sou  eh  ay   1.50  Hoffarth. 

•  5   Schilflieder :      Driiben     geht    die     Sonne 

scheiden.  Trube  wird's,  die  Wolken  jagen. 
Auf  geheimem  Waldespfade.  Sonnenunter- 
gang.  Auf  dem  Teich,  dem  regungslosen 
2.50  Hoffarth. 

■  6   Fiinf   Klavierstiicke :      Wiegenlied.      Ma- 

zurka.   Alia    Saltarello.    Canzonetta.    Un- 
garisch  3 —  Hoffarth. 
-7  Walzer   und   Landler,   Ifins:   Heft  I    (Nr. 
1—7),  II    (Nr.  8—14),  a  3—  Hoffarth. 

-  13  Tivelve  Little  Pieces,  P:  I.  Grany  Tale. 

2.  A  romp  &  a  dance.  3.  Poor  Cinderella. 

4.  The  Knight  &  the  Lady.  5.  Cuckoo.  6. 
A  quiet  dance.  7.  Beauty  &  the  Beast.  8. 
Autumn  leaves.  9.  Bound  the  May-pole. 
10.  Will  o'  the  Wisp.  11.  A  game  of  Tick. 
12.  The  jolly  Dwarfs  2/— n  Novello. 

-  14  Fiinfzehn  Lieder,   I— III   a  2.50  Bchott. 
-15  Seehs  Liedor:    1.  Im  Lenz.  2.  Einklang. 

3.  Komnien  und  Scheiden.  4.  Welke  Rose. 

5.  Der  Kranke  im  Garten,  k  — 50.  Nr.  6. 
Nachtgesang   1 —  Schott. 

16  Maeve.  Ein  Zyklus  von  Gesiingen  3 — n 
Le  ivy. 

•  18  Scchs  Lieder  aus  „De8  Knaben  Wunder- 

horn"  (deutsch-engl.)  :  Nr.  1.  Liebesklage 
des  Madchens  —50.  Nr.  2.  Morgenlied  von 
den  Schafchen  —50.  Nr.  3.  Beschlufi  1—. 
Nr.  4.  Der  verschwundene  Stern  — 50.  Nr. 

5.  Jagdgliick  1 — .  Nr.  6.  Rosmarin  — 50 
Schott. 

-  19   Acht  Lieder    (deutsch-engl.)  :    1.   In   al- 

ien Tagen.  2.  Winternacht.  3.  Siesta.  4. 
Die    Sonne   gleitet   still   hinab.      5.    Neb.il. 

6.  Lied  des  fahrenden  Schiilers.  7.  Im 
AValde.  8.  Elle  est  venue  vers  le  Palais: 
„Nahe  dem  Schlofi  hallet  ihr  Schritt" 
(franz.-deutsch)    2.50  n    Dr.    Lexoy. 

-  Morning  Ride  4/ —  Chappell. 

Mayer  Michael,  Der  politische  Zinn- 
giefier,     Singspiel     fiir    Mannerst,     KA 
6 —  n,  Solost  2 —  n,  Chorst  — 60  n  Coppen 
rath. 

-  Fronleichnamsgesange,    BAB    m.    Org    3.80 

Schwann. 
-Gockel,    H  ink  el     und    Gackeleia, 
groSeres     Marchen-Singspiel,      KA    6.50  n 
Coppenrath. 

-  4     Marianische     Antiphonen,     SATB     2.50 

Coppenrath. 


■  Re&ponsorium  „Libera  me,  Domine"  IV  vo- 

cum  inaequalium  cum  III  trombonis.  Part 
—  80n,  Instr-St  — 15  n,  Singst  — 20  ri 
Pvstet. 

■  Vollstandige      Offertorien  -  Sammlung      f(ir 

Landkirchenchore,  150  sehr  leichte  Ofifer- 
torien  fiir  eine,  zwei  oder  drei  Singst  m. 
Org:  Teil  I.  Proprium  de  Tempore,  Part 
3—,  St  a  1—. 

II.  Proprium  de  Sanctis,  Offertorien  d. 
Heiligenfeste,  Part  2—,  St  a  —70. 

III.  Commune  Sanct.  und  Missae  vot, 
Pert  3—,  St  a  1—. 

IV.  Missae  pro  aliquibus  locis.  Die  Of- 
fertorien fiir  die  besonderen  Feste  der 
Diozesen,  Part  2 — ,  St  a  — 70  Schwann. 

■  6  wichtige  GesSnge  fiir  jeden  katholischen 

Kirchenchor :  Asperges,  Vidi  aquam,  Li- 
bera, Adjuva,  Tantum  ergo,  Veni  creator, 
fiir  eine  Singst  oder  einst.  Chor  m.  Org 
2 —  Schwann. 

Mayer  P.  C.  de.  Katto:  A  mes  amis  3 — . 

-  Commissionnaire  public   3 — . 

-  Fais  ce  que  dois,  advienne  que  pourra  3 — . 

-  Repose-toi   3 — . 

-  Trains   de   Plaisir   4 — . 

Mayer  S.  Ah !  che  tento  o  figli  mei,  aria 
from  „Medea   in  Corinto"  — /6  n  Augen-::r. 

-  Donne  I'amore,  canzonetta   1/6   Cramer. 

-  Medea,   overture,   I/^ns   5/ —   Ashdowti. 

-  Sounds    from     the    Niagara     Waltzes,     the 

popular   set,   P  — 50   Swisher. 

Mayer  Seb.  Gru6  an  Basel,  Marsch  1.20,  Z 

1—,  2Z  1.60  Holzmann. 
Mayer  Th.  op.  7  Deutsches  Flottenlied,  TT 

BB   1.20   Andr^. 

-  8   Den   Manen   Kreutzers :    „Zu   Fiifien   der 

alten  Linde",  TTBB  1.40  Auer. 

-  14    Abschied :    „Verlassen    mufi    ich    diesen 

Ort",   TTBB  1.20   Atier. 

-  20   Jubiliiumsgrufi  :    ,,Auf  !    Schmiicke  dich, 

n.ein  Badnerland",  TTBB  2.30  Oockel- 
Messkirch. 

-  29  Abendfeier  am  See,  SATB  1.80  Htig. 

Mayer  W.  3  Gesange:  Widmung.  Nachtlied. 
Wiir'   ich   ein   Tropflein   Tau    2 —   Henkel. 

-3  Lieder  1.50:  Nr.  1.  Wem  Gott  ein  bra- 
ves Lieb  beschert  — 60.  Nr.  2.  Lehn  deine 
Wang*  an  meine  Wang'  —80.  Nr.  3.  Sand- 
mannchen :  „Die  Bliimelein,  sie  schlafen" 
—  60  Henkel. 

Mayer  W.  M.  op.  3  Frankfurter  Kinder, 
Walzer   1.80  Andre. 

-5  Gebet  1.30  Andre. 

-  10  Zwei  Lieder  1.30  Andre. 

•  11  Als  jiingst  wir  1 —  Andre. 
Mayer   Wilhelm,   Burenwalzer   oder   Klange 
aus    Transvaal,    Walzer    1.80    Hofmeister. 

-  Ruhe  Sufiliebchen,  im  Schatten,  TTBB  1.20 

Tormann. 

-  '.'^    Hoamweh :    ,,Wer's    Hoamweh    hat    nach 

Berg  und  Wald",  SATB  m.  P  1—  Otto 
Bauer. 

Mayer-Ahrdorff  Eduard  v.  Barcarole,  P  1.20 

Outmann. 
Mayer-Ahrdorff      Max     v.      Osterreichischer 
MilitJirmar^^ch    1.'20    Gutmavn. 


Mayer*Enknach  J.  Ave  Maria 


362 


Mayeur  A.  Rondo  polonaii^ 


pour 


Mayer-Enknach  Jos.  Ave  Maria,  voix  moy. 

&  Org  1.30  Procure. 
Mayer-Mahr   Moritz,   op.   1    Nr.    1.   Gavotte, 

P   1.50.   Nr.   2.   Elfenstuck,  P   1.50   Ries  & 

Erler. 
-2  Diei  Liederr  Bergstimme.   In  der  Feme. 

An   den   Fiiihling   1.80   Ries  &   Erler. 

-  10  Bagatelle,  P  1—  Staid. 

-  11       Nr.      1.       Devotionale       (Widmung)  : 

„Sch6ne  du,  Erbarmerin"  — 60  Challier. 

-  12  Nr.   1.  Abendstimmuug,  4nis  1-50  Stall. 
Mayer-Marix.  Jttrgenson :  Le  bijou.  Recueil 

de  25  melodies. 
-6  Melodies  p.  Uarmoniflute :  Balfe:  Bal- 
lade. Bellini:  Air  de  Norma.  Doni- 
zetti: L'Elisire  d'amore.  Schubert: 
S6r#nade.  Rossini:  La  priSre  d'Othello. 
Bellini:  Cavatine  de  la  Sounambulc 
—40. 

-  6  Morceaux   sur   des   thfemes   favris :    Bel- 

lini: Norma.  JTbbob'b,  BosKe,  n,apH  xpanir 
Bellini:  Puritani.  Mercadante:  11 
Giuramento.  Mozart:  Noces  de  Figaro. 
Rossini:    Mose    in    Egitto  — 75. 

-  niKOJia  3Jia   rapMOHH*.iK)Ta,    Methode 

rharmoniflfite,  (M.  Bernhard)  — 75. 
Mayer-Reinach    Albert,    Marsch    der   4.    Es- 

kadrou   des   II.   Badischen   Dragoner-Regi- 

mtnts  1.20  Ilcckel. 
Mayerberger   V.   Standeheu,   P  — 80   Cranz. 
Mayerhofer  A.  op.  1   Fantaisie-Maz.  P  1.25 

Hofmeister,  —60   Idzikoicski. 
-2     R€verie-Nocturne,     P     1.25     Ilofmeister, 

— 60  Idzikowski. 
-3  Polka-Mazurka  de  salon   1.25  Bchott. 
-4   Gr.    Polka    caract^ristique,   P    1.50    Uof- 

meister,  — 75  Idzikowski. 

-  5  L'Amour  de  la  patrie,  chant  expressif,  P 

1.50  Schoit. 
-6    Parafraziz    piosnek    ukrainskich:    N.    1. 
Dumka,    P    1.50     Ilofmeister,    — 75     Idzi- 
kowski. 

-  8  A   la   memoire   de   F.   Chopin,   marche 

funfebre,  P  —75  Schott. 
Mayerhoff  Franz  (1864),  op.  4  Drei  Klavier- 

stiicke    1.50   Klernm. 
-5  Zwei  Lieder  aus  W.  Speck's:    „Volk'^r 

der     Spielmann" :      1.    Volker :     ,,Juchhei, 

das    holde    Jungfriiulein",    2.    Use :    ,,Meiu 

Liebster    ist    ein    Spielmann    gut",    a    1— - 

Klemm. 
-6  Zwei  Gesange :    1.   Zu   deinen  Fiifien  will 

ieh     ruh'n,    2.   Alles    hinzugeben     ist    der 

Liebe  Branch,  il  1 —  Klcmni. 

-  8    Rheinlied :     „Wie    gliinzt    er     im    Glase" 

— 80  Avdre. 
-9  Zwei  Gesange:   1.  Unter  bliihenden  Bilu- 

men,  2.  Em  Blick  des  Aug's  hat  mich  er- 

fieut,  a   1 —  Klemm. 
-10  Zwei  Lieder:    Nr.   1.   In  meinem  Garten 

die  Nelken  — 80.  Nr.  2.  O  schneller,  mein 

Kofi  !    1^ — •  Brauer. 
-15   Vier    Gesange:    1.    So    halt'    ieh    endlich 

dich  umfangen.  2.  Kornblumen    flecht'  ieh 

dir  zum  Kranz.  3.  Tausend  goldne  Sterne 

glanzen.  4.  Brauniiuglein,  die  mein  Leben 

war  1.50  Simrock. 
-17  Vier  Lieder:   Es  ist  wohl  Frauenminne. 


Scheu,    wie   der    Berghirsch.      So    taukiiU 

geht  der   Tag   zu    Ende.   Und   immer   ein- 

sam   zieh'   ieh  hin   1.50  Klemm. 
-18    Poetische   Tonbilder,    8    StUcke,    P :      I. 

Stille  Gedanken.  Ein  liebes  Wort.  Canon. 

Walzer.  Erinnerung  1.50.     II.  Die  Nacht- 

schwarmer.    Serenade.     Nachklang.     Denk- 

niale  1.80  Klernm. 
-19    Fischer's     Abendlied     (aus:     Neapolita- 

nische      Lieder      von      E.      W  a  1 1  h  e  r)  : 

,,Sehifflein,  nun   fliege  hinaus   aufs  Meer" 

1.25   Klemm. 

-  20    Drei    Lieder :      1.    Nun    schwanken    die 

Blumen  im  Abendwinde,  2.  Abendstilnd- 
chen:  „Hell  gllinzt  der  Sterne  Pracht", 
italienisches  Volkslied,  3.  Sechse,  siebea 
Oder  acht:  „Auf  der  Strafie  an  den  Hek- 
ken",   a   1 —  Kistner. 

-21  Frau  Minne,  TTBB,  S-  u.  Bar-Solo  m. 
O,  Part  — 30n,  0-St  — 30  n,  KA  4.50  h, 
Chorst  4 —  Kistner. 

-22  Trauungsgesang:  „Wo  du  hingehst",, 
Org(P)    1 —   /SreZ6s^i;e/-Zay-Chemnitz. 

-22  Drei  Duette,  /*.  u.  m.,  P:  1.  In  einer 
sommerwarmen  Herbstnacht,  2.  Wenn  dii 
Sonne  in  ein  andres  Land  hintibertraumt., 

3.  Der  Abend  kommt  so  labend  kiihl,  i 
1.20    Kistner. 

-  23   Der   tote   Soldat,   TTBB   3—  Hug. 

-  24  Lenzfahrt,  Zyklus  von  Liedern  u.  Tau^- 

zen  fur  8ATB,  Soloquartett  u.  0,  KA  3— 
Vieweg. 
-25    Zwei    Lieder    im    Volkston :      1.    In    der 
Mondnacht,   2.   Der   Traum,   SATB   a    1.40 
Kistner. 

-  26  Ehre  sei  Gott  in  der  Hohe,  Weihnachts- 

gesang  fur  SATB,  S-Solo  u.  O(Org),  0- 
Part  3 — ,  Or^-Part  1.50  E.  Oppenheim-ir. 
-27  Motetten,  SATB:  1.  Bleibe  bei  uns, 
2.  Vater  unser,  3.  Ein  getreues  Herze, 
Trauungsgesang,    a    1.20    H.    Oppenheimi:r. 

-28   Nr.   2    Weihnacht    1.20.   Nr.    3.    Pas.sion. 

4.  Ostorn  1.60.  Nr.  5.  Totenfest:  „Ich  bin 
ein  Cast  auf  Erden",  SATB,  Part  1.20,  St 
a  —15   Klenun. 

-  Unruhige  Nacht :   „TIeut  ward  mir  bis  zum 

jiingsten   Tag"  — 60  Musikwoche. 

Mayers  Walter  J.  Songs  of  the  Sea  — /4 
M'eekes. 

-  Songs    about    the    Saviour,    a    collection    cf 

sacred    melodies   — /4    Weekes. 
Mayersberg    Jos.      Alm.sterudl,     TTBB    mit 

Solo-Quartett    1.80    BosicortJi. 
Mayes,      Contrast    Descriptive    March    — 50 

Ellis. 
Mayeur    A.      Andante     et   Variation,     pour 

2Saxophones  5 —  Evette. 

-  Exercices    pour    les    nouveaux    doigt^s    du 

Saxophone    5 —   Evette. 

-  Gr.    Methode,    Saxophone    12 — n    Pomier. 

-  New    and    Graded    Method    for    Saxojihon'-. 

newly   rev.   4.80  n   Fischer. 

-  Polacca,   pour   BSaxophones  4 —  Evette. 

-  Rondo    moderato,    pour     2Saxophones     4 — 

Evette. 

-  Rondo    polonaise,     pour     2Saxophones     6 — 

Eiette. 


Mayeur  E.  Bonjour  Suxon! 


—     363     — 


Mayeur  L.  Defile  de  la  Qarde 


Mayeur  E.  Bonjour  Suzon !  M^lodie,  Ch 
Mand  — 85  n,  ChQ  1.75  n,  ChMandG  2— u 
Pisa. 

Mayeur  L.  Etwtte:  Adagio  de  la  senate  li'e 

de  Beethoven,   CIP  4—. 
-Adagio  de  la  14e  sonate  de  Mozart,  CIP 

&—. 

-  Adegio   eanlabile   et  Allegro   de   la   Sonate 

path^tique    (Beethoven),    CIP    10 — . 

-  Adieu    (Schubert),   CIP   3—. 
-Allegretto   de   la    13e   sonate   de   Mozart, 

CIP   6—. 
-Allegretto   de  la    ]5e   sonate   de   Mozart, 

2ClCor  6—. 
-Allegretto  de  la   XVe  sonate  de  Mozart 

pour  2ClCorB  4.50. 

-  Allegro  de  la  1  le  Sonate  de  M  o  z  a  r  t,  CIP 

6—. 

-  Allegro  de  la  12e  Sonate  de  M  o  z  a  r  t,  CIP 

6—. 

-  Allegro  de  la  13e  Sonate  de  M  o  z  a  r  t,  CIP 

5—. 

-  Allegro  de  la  20«  Sonate  de  Beethoven, 

CIP  5—. 

-  A  llegro  de  la  24e  Sonate  de  Beethoven, 

CIP  12—. 

-  Allegro  de  la  3.3e  sonate  de  Beethoven, 

CIP   6—. 

-  Alto-Galop       (K  i  e  n  g  e  n) ,        TInrmfFanf), 

Part  4.50  n,  p.  s.  a  —15. 

-  Amarillo,  polka  6 —  Grus. 

-  Amore,    solo    p.    Bugle(Piston)llarm,    Part 

4.50  n,  p.  s.  a  — 15  n. 
-Amour    captif,    valse   2 — n    Ereillord. 
-Andante    de    la    lie    sonate    de    Mozart, 

CIP  5—. 

-  Andante    de    la    13e    sonate    de     Mozart, 

CIP  6—. 

-  Apr&s  la  victoire,  marche  (P.  d  e  L  a  n  g  e) , 

narm(Fanf),    Part    6 — n,    p.  s.    a    — 15  n. 

-  A  8  c  a  n  i  o     (St.     S  a  o  n  s) ,     faut.     Harm. 

Part   12—  n,   p.  s.  —25  n. 

-  Astres    (Schubert),    CIP    3—. 

-  Attente    (Schubert),    CIP    4—. 

-Au     m  o  u  1  i  n      (Gil  let),     fant.     Harm, 

Part   3 — n,  p.  s.   a  — 15n. 
-Autrefois,  gavotte,  Harm(Fanf),  Part  3 — n, 

p.  s.  a  — 10  n. 

-  Ave    Maria    (Schubert),    CIP    3 —  n. 

-  Ave    Maria    (Schubert),    A{S)    av.    Sa- 

xoplioneP   1.25   Sudre. 

-  B  a  b  i  1 1  a  g  e  (G  i  1 1  e  t) ,  fant.  Harm,  Fart 

3 —  n,   p.  s.  a  — 10  n. 

-  Bal  masque,  quadr.  0  A  cordes  1 —  n  Gobert. 

-  Ballet  de  Don  Juan   (Mozart),  Harm, 

A— E,  Part  a  3— n,  p.  s.  a  — 10  n,  F 
(Marche  turque).  Part  4.50  n,  p.  s.  a 
— 15n. 
-Ballet  de  Faust  (Gounod),  Harm 
(FanfJ,  A— F,  Part  a  3— n,  p.  s.  a  — 10  n. 
G,   Part  4.50,   p.  s.   a  —25  n. 

-  Ballet       d'Hamlet        (Ambroise      Tho- 

mas), Harm:  A.  La  F^te  du  printemps. 
B  Pas  des  Chasseurs.  C.  Pantomime.  D. 
Valse-mazurka.  E.  La  Freya,  polka.  F. 
Stretta  finale,  Part  a  3—  n,"  p.  s.  a  — 15  n 
Beugel. 


(Rossini), 
•n,    p.    s.    a 


-Barbier     de     Seville      (Rossini), 

fant.    Harm(Fanf),    Part    6 — n,    p.    s.    a 

—15  n. 
-Barbier      de     Seville 

ouv.    Hann(Fanf),    Part    12- 

— 25n. 
-Barbier      de     Seville      (Rossini), 

fant.     Harm(Fanf)    6—,     Cond.    1—   Ghe- 

luwe. 
-Benvenuto   (Diaz),  fant.  Harm(Fanf) 

Part   12—  n,   p.   s.   a   —25  n. 
-Berceuse    (Schubert),   CIP  3 — . 

-  Berceuse     (Mendelssohn),    A,    S    avec 

SaxophoneP  2.50  Sudre. 

-  Bon   Dentiste,   quadr.   0  d  cordes   1 —  n   Go- 

bert. 

-  Bonjour  Suzon,  gavotte,  Harm(Fanf),  Part 

4.50  n,  p.  s.  a  —15  n. 

-  Bonjour,      Suzon  !      air      fav.      d'A  r  s  &  n  e 

Houssage,   P    1.75  n,    Jfins    2.50  n,    avee 
PMand(V)    2.50  n,    0    1.75  n    Pisa. 
-Bonne  Aventure   (E.  Jonas),  ouv.  Harm, 
Part  6 —  n,  p.   s.  a  — 15  n. 

-  Brise  du  soir   (Gil  let),  faut.  Harm,  Part 

3-^  n,  p.  s.  a  — 10  n. 

-  Caprice-polka.      p.     CIP     2.50  n     Gheluwe, 

Schoenaers,    9 — ,      et    Harm(Fanf),     Part 

4.50  n,  p.  s.  a  — 15  n. 
-Caresses    (G.    Lamothe),   valse,    O   2 — n 

Gheliiive. 
-Carmen     (Bizet),    fant.    Harm    12 —  n, 

p.   s.  a  — 25  n. 

-  Carnaval  a  Paris,  bouquet  de  valses.  Harm 

(FanfJ,  Part  7.25  n,  p.  s.  a  —25  n. 

-  Carnaval    a    Paris,    airs    populaires,    valse 

6—  Grus,  0  2— n  Gheluwe,  V,  Cornet,  FT. 
a  — 20n  Debert. 

-  Carneval  de  Venise,  fant.  Saxophone-altoP 

9 —  Leduc. 
■  Ce     que     disait     grand'mfire,      intermezzo. 

Harm,  Part  3 — n,  p.  s.  a  — lOn. 
-Chanson    populaire     (Schumann),      CIP 

3—. 

-  Cloches  du  Convent,  valse,  O  a  cordes  1 — n 

Gobert. 

-Coin  du  foyer  1.25  n  Pisa. 

-Confidence,   P  2 — n   Gregh. 

-Conjuration  de  Cinq  Mars  (Gou- 
nod), fant.  HarmfFanf),  Part  6 — u,  p.  s. 
a   — 15  n    Erette,   Gheluwe. 

-  C  o  p  p  6  1  i  a     (D  e  1  i  b  e  s) ,     ballet.      Harm, 

Part  10 — n,  p.  .s.  a  — 25  n  Evette,  Heugel. 
-Coupe    d  u    r  o  i     d  e    T  h  u  1  e     (D  i  a  zl, 
fant.   Harm,  Part   12 — n. 

-  Curieux    (Schubert),  CIP  4 — . 
-Daita,  valse,  0  1.50  n  Heugel. 
-Dame  de  M  o  n  t  s  o  r  e  a  u   (S  a  1  v  a  y  r  e) , 

fant.  Barm,  Part  12 — n,  p.  s.  a  — 25  n. 

-  Dans    la    Foret    (Schumann),    CIP    3 — . 
-Daus   le   for§t    (Gillet),   fant.   Harm, 

Part  3 — 11,   p.   s.   a  — 15  n. 

-  Danse   de    Nubiens,    P    2 —    Gregh,      Harm 

(Fanf),  Part  3—  n,  p.  s.  a  — 15  n. 

-  Danse    des    Sorci&res,    galop,    Harm(Favf), 

Part  3— n,  p.  s.  a  — 15  n. 
-Danse  napolitaine,   HarmfFanf  J   3 — u. 

-  Defile   de   la    Garde   natioiiale.    marche,    mfl 

1 —  n   Gobert. 


Mayeiir  L.  Deux-  Grenadiers 


364    — 


Mayeur  L.  iMfleuranee- Oaprie^ 


-  Peux     Grenadiers     (Schumann),      CIP 

6—. 

-  Deux   Lafleurance,   polka,   Harm(Fanf)    av. 

2Fl2Pist,  Part  3— n,  p.  s.  a  — 10  n. 

■  Divertissement     a    la     hongroise     (Schu- 

bert), CIP  3—. 

■  Djinns,    maz.      (Lange     de     Perrin), 

Harm(Fanf),  Part  4.50  n,   p.   s.   k  — 25  n. 
■Don   Juan,    fant.    Saxophone-altoP    10 — . 

■  Douce  caresse  (Gillet),  fant.  Harm, 

Part  3 — n,  p.   s.  a  — 15  n. 
•  14   Duets   for   28axophones  — 75  n   Fischer. 
Dufour-Quadr.      Harm(Fanf),    Part   4.50  n, 

p.  s.  a  — 15  n. 
ler  Duo  concertant,  pour  28axophones-alto 

6—. 
2e   Duo  concertant,   pour   2Saxophones-alto 

6—. 
3e  Duo   concertant,   pour   2Saxophones-alto 

7.50. 

Eloge  des  larmes    (Schubert),   CIP  3 — . 
Eloge  des  larmes    (Schubert),  A,  8  av. 

SaxophoneP   1.25   8udre. 
En  badinage  (W  o  o  g) ,  polka,  Harm(Fanf), 

Part  3 —  n,  p.   s.   a  — 15  n. 
En  Rgve    (Schumann),   CIP  3—. 
Entr'acte-Gavotte    (Gillet),  Rarm(Fanf), 

Part  3 — n,  p.   s.   a  — 15  n. 
Escorte   d'honneur,   marche,    0    1.50,    Harm 

(Fanf )   2 —  n   8ulzbach. 
Espifegle,  polka  1.70  n,  0  2— n  Lesigne. 
Ethel,  maz.  5 — ,  0   1.50  n  Sulzbach. 
Fanfare  militaire   (Ascher),  Harm,  Fanf, 

Part  4.50  n,  p.  s.  a  — 15  n. 
Fantaisie   melodies   de   Cressonnois,      Saxo- 
phoneP 2.50  n  Costallat. 
Fantaisie   sur   B^lisaire,   SaxophoneP  3 —  n 

Costallat. 
Fantaisie  originale,  CIP  9 — ■. 
Fantasie  orig.  CIP  —60,  CI  w.  FullO  —75, 

P  —40  Cundy. 
Fantaisie  originale,  p.  CI  av.  P  2 —  n,  av. 

0  4 —  n,  av.  pet.  0  2 —  n   Margueritat. 
Fantaisie   sur   Gemma   di   V  e  r  g  y,      Saxo- 
phoneP 3 — n   Costallat. 
Fantaisie   sur   les   Puritains,      SaxophoneP 

3 — n  Costallat. 

Fauvette      du      Temple      (Messa- 
ge r),  fant.   Harm(Fanf),  Part   10 — n,   p. 

s.  a  —25  n. 
Feest-marsch,      Harm(Fanf),     Part    4.50  n, 

p.   s.  a  — 15  n. 

Fille  du  P^cheur    (Schubert),  CIP  4—. 
Finale  de  la   Ire  Senate  de  Haydn,   2Cl 

Cor  7.50  Evette,  4.50   Gheluwe. 
Flautino,   P  5—. 
Flautino,   polka,   pet.  FIP   7.50,   Harm    avec 

pet.  Fi,  Part  .3— n,  p.  s.  a  — 10  n. 
Fleurance-Capriee,    P    7.50. 
Fleurs     du    meunier     (Schubert),      CIP 

2—. 
Flirtation,      intermezzo      (Steck),     raise, 

Harm,   Part  4.50  n,   p.   s.   a  — 15  n. 
Folies    amoureuses,    polka-maz.      0  d  cordes 

1 — n   Oobert. 
France    et    Russie     (Lamothe),    caprice 

militaire,   Harm(Fanf),   Part   4.50  n,   p.   s. 

a  — 15  n. 


20— n, 
Detert, 

et   Ar- 

20— u. 

2— n. 


-Frangois  les  bas  bleus  (Berni- 
eat),  fant.  Harm(Fanf),  Part  6 — n,  p.  s. 
a  —25  n. 

-Freyschtitz,  fant.  8  av.  SaxophoneP 
3 —  Sudre. 

-  Gabrielle,   redowa,   0  d  cordes   1 —  n  Oobert. 
-Galop    Tonnerre    (Lamothe),      0    1.50  n 

Gh4luwe,     Harm,  Part  3 —  n. 

-  Gamin    de    Paris,    pas    red.      Harm(Fanf), 

Part  3— n,  p.  s.  a  — lOn. 

-  Gauches,    chant    et    air    de    danse,      Harm 

(Fanf),  Part  4.50  n,  p.  s.  a  — 25  n. 

-  Gavotte  Moli&re,   P   1.70  n   Eveillard. 
-Gavotte   Vestris,    P    5 — ,    OP    cond.    1.70  n, 

p.  s.  2 — n  Grus,  Harm(Fanf),  Part  4.50  n, 
p.   s.    a  — 15  n. 

-  Gavottine,   P    1.25  n,   en   feuille   1 — n,   ^ws 

2 —  n  Fromont. 

-  Gigue    (B.   Godard),    Harm,   Part   3 — n, 

p.   s.   a  — 15  n. 

-  Grand  Methode  de   Saxophone,  cpl. 

abrgg^e  4 —  n  Gallet,  20^ —  n,  5 —  n 
20— n  Sudre. 

-  Grand   Recueil   de   Gammes,   Traits 

p&ges,    exercices    pour    Saxophones 

-  Grande  Fantaisie  originale,  0  av.  CI 

P   1.50  n   Margueritat. 
-Guillaume  Tell,  airs  de  ballet,  Harm 
(Fanf),  Part  12 — n,  p.  s.  a  — 25  n. 

-Hamlet,  ballet,  Harm:  1.  La  FMe  du 
Printemps,  2.  Pas  de  chasseurs,  3.  Panto- 
mime, 4.  Valse-Mazurka,  5.  La  Froya- 
Polka,  6.  Strette  final.  Part  a  3 —  n,  p.  s. 
a  —10  bis  — 15n. 
-Henry    VIII    (St.-Saens),    fant.    Harm 

(Fanf),   Part  6—  n,   p.   s.   a  —25  n. 
-Hongroise    (Ire    Rhapsodie   de   Ha  user), 
CIP   12—. 

polka    1.50  n,    0    2 — n    Lesigne. 
(Schubert),   CIP  3—. 
(Schubert),  CIP  4—. 
(Chopin,    op.    19),    CIP   9—. 
Infanterie-marche,   av.    chant   ad   lib.    Part 

3 —  n,  p.  s.  a  — 10  n,  p.  de  chant  — 30  n. 

-  Infanterie,   polka   1.70  n  Eveillard,   0  6  cor- 

des  1.50  n  Debert. 

-  Introd.   et  Valse,   CIP   7.50. 
-Invitation   a    la   valse    (Weber),      Harm, 

Part  10—  n,  p.  s.  a  —25  n. 

-  Je    dois    te    fuir     (Schubert),    CIP    4—. 

-  Je   reste  pr&s  de  toi    (Schumann),   CIP 

2—. 

-  Jeune  M§re    (Schubert),   CIP  3—. 

-  Jeune  Religieuse    (Schubert),   GIP  4 — 
-Jeux  et  Cortege    (Le  Borne),  fant. 

Harm,  Part  4.50  n,  p.  s.  a  — 15  n. 
-Jolie  Fille  de  Perth   (Bizet),  fant. 
Harm,  Part  10 — n. 

-  Konzertstiick    (Mendelssohn),   ClSaxo- 

phoneP  12 — . 
-La    verrai-je    encore?     (Schubert),    CIP 
3—. 

-  Lafleurance-Caprice,    pet.  Fl    7.50,    Fl-8.    et 

Harm,  Part  3— n   Evette,  Fl  — 30  n,  FIO 
1.50  n  Ohiluwe. 

-  Lafleurauce-Caprice,  faiit.  A  av.  Saxophone 

P  3—  Stidre. 


-  Hongroise, 

-  Impatience 

-  Impromptu 

-  Impromptu 


Mayeur  L.  Ijamento 


365 


Mayeur  L.  Recreation  instructive 


-Lamento  (Gillet),  solo  de  Pist,  Harm, 
Part  3 — n,  p.  s.  a  — 10  n  Evette. 

-  Landler,     valses    alsaciennes     (W  e  c  k  e  r  - 

lin),    narm(Fanf),    Part    6 — n,    p.    s.    a 
— 15  n   Evette,   Oh4luwe. 

-  Lecou   de  Lisette   1 —  n,   Ch.  s.  — 35  n   Pui- 

gellier. 
-Lotus    (Schumaun),   CIP   3 — . 
Lucie,      cavatiue,      Saxophone-altoP     9 — 
Leduc. 

■  Marche    f est i vale    (Scbneklud),      Harm 

(Fanf),  Part  6— n,   p.   s.   a  — 25  n. 

•  Marche   hongroise    (Schubert),   CIP  3 — . 

■  Marche    hongroise      de    la    Damnation     de 

Faust     (Berlioz),    Harm,    Part    10 — n, 
p.  s.  a  — 25  n. 
Marche   hongroise    (H  o  1  z  h  a  u  s) ,      Harm, 
Part  3— n,  p.  s.  a  — lOn. 

■  Marche  des  Hottentots  5 — . 

•Marche  des  Hottentots,  HarmfFanf),  Part 
3—  n,  p.  s.  a  — 15  n. 

•  Marche  de  la  jeunesse  5 — ,  p.  chant  6 — . 
Marche   de   la   jeunesse,    HarmfFanf)    avec 
-  choeur.   Part   3 — n,   p.   s.   a  — 10  n,   p.   de 

choeur   — 30  n. 
Marche  des  Lansquenets  (D  o  n  j  o  u) ,    Harm 

(Fanf),  Part  3— n,  p.  s.  a  — 15  n. 
Marche      militaire      N.  1       (Schubert), 

HarmfFanf),   Part   3 — n,   p.   s.    a   — 15  n. 
Marche     militaire     N.     3      (Schubert), 

HarmfFanf),  Part  3 —  n,  p.  s.  a  — 15  n. 
Marche    parisienne    (Diaz),    HarmfFanf), 

Part  3 —  n,  p.  s.  a  — 15  n. 
Marche   russe    (Bonnaud),   HarmfFanf), 

Part  3— n,  p.   s.   a  — 10  n. 
Meditation  sur  le  premier  prelude  de  J.  S. 

Bach,   par    C  h.    Gounod,    Harm,   Part 

6 —  Heugel. 
Menuet  de  la  18e  Senate  de  Beethoven, 

CIP  4— . 
Menuet    (B.  G  o  d  a  r  d) ,  Harm,  Part  3 —  n 

p.  s.    a  — 10  n. 

Menuet  (Schubert),  CIP  6—. 
Merrimac,  pas  red.  Harm,  1 —  n. 
Methode  de  Saxophone  12 — n  Evette,  20 — n 

Ohdlutce,   Margueritat,  Schoenaers,   18 —  ii 

Ayne. 
M  i  g  n  o  n,     fantaisie.     Harm,      Part     10 — 

Heugel. 

■  M  i  n  u  e  1 1  o    d'A  r  1  6  s  i  e  n  n  e 

fant.  Harm,  Part  4.50  n. 

•Nid    (Schumann),    CIP    3—. 
•Nid-Polka,   0  av.  lf2)Fl  ad  lib. 

gueritaf. 
■Noces    de    Jeannette    (V. 

fant.    HarmfFanf)    6—,    Cond. 

luice. 
•Noces    de    Jeannette    (V. 

fant.    HarmfFanf),    Part    6 — n, 

— 15n. 

■  Nocturne,   15e  de  Chopin,  CIP  6 — . 

■  Nocturne,  9e  de  Chopin,  CIP  6 — , 
■Norma,  fant.  Saxophone-altoP  9 —  Leduc. 
•Nous  Deux    (Steck),   serenade,   Harm, 

Part  3 — n,  p.  s.  a  — 10  n. 

•  Original,   galop,   mO   1 —  n   Oohert. 

■  Oudin-Mellet-Firniin-Guillier,    polka,    Harm 


(Bizet), 


1.50  Mar- 

M  a  p  s6). 

1—      Crh^- 

M  a  B  s  6), 

p.   #.   a 


(Fanf)  av.  Pist,  Part  3—  n,  p.  s.  a  — 10  n 
Evette. 

-  Ouverture    de    Raymond,     Harm,     Part 

10 — n,   p.  s.   a  — 25  n  Heugel. 

-  Ouverture   du   R  o  i  I'a  d  i  t.     Harm,    Part 

6 —  n,  p.  s.  a  — 25  n  Heugel. 

-  Pan    et    Pipeaux     (D  o  n  j  o  u) ,    p.    pet.  Fl, 

Harm,   Part  3 —  n,   p.   s.   a  — 10  n. 

-  Paques    fleuries     (La  come),    ouv.    Harm, 

fFanf),   Part  9—  n,   p.   s.   a  —25  n. 

-  Paris-Polka   5^ — ,    Harm,   Part   3 —  n,    p.    s. 

a  — lOn. 

-  Paris  qui  danse,  quadr.  HarmfFanf),  Part 

4.50  n,   p.    s.    a   — 15  n. 

-  Paris-Tam-Tam,    quadr.    5 — ,    Harm(Fanf), 

Part  4.50  n,  p.  s.  a  — 15  n. 

-  Pas    boh^miens      et      Polka    de    Revolvers, 

HarmfFanf),   Part   4.50  n,   p.    s.    a    — 15  u. 
-Passe-pied     (Gillet),    Harm,    Part    3 — n, 
p.  s.  a  — 10  n. 

-  Patinage-Polka,    HarmfFanf),    Part    3 — n, 

p.   s.   a  — 15  n. 

-  Pavane-Marquise    (L  i  s  s  a) ,      Harm,    Part 

3 —  n,  p.  s.  a  — 10  n. 
-P^cheursde    Perles    (Bizet),   fant. 

HarmfFanf),  Part  12— n,  p.  s.  a    — 25  n. 
-P6pita     (A.    Valenti),     fant.      Harm 

fFanf),  Part  4.50  n,  p.  s.  a  — 15n. 

-  Petit  Divertissement,  FIP  7.50. 

-  Petit    Divertissement,    p.    pet.  Fl    et    Harm 

(Fanf),  Part  3— n,  p.  s.  a  — 10  n. 

-  Petit    divertissement,     pet.    Fl    — 30  n,     0 

1.50  n   OhMuwe. 

-2  Pifeces:  1.  Rev?rie.  2.  Gavottine,  PVfVa) 
2.50  n  Fromont. 

-Polka  de  Folies,  0  av.  Piston  1.50  n  Mar- 
gueritat. 

-  Polonaise  de  Luce,  p.  CI,  Harm,  Part  6 — n, 

p.  s.  a  — 25  n. 
-Poup6e  parlante,   polka  5 —   Heugel. 

-  Pr41ude-Polka,    FIP    6—,    pet.  Fl   et   Harm, 

Part  3 — n,  p.  s.  a  — 10  n. 

-  Pr^lude-polka,  pet.    Fl  —30,  0   1.50  n   Gh4- 

Ivue. 

-  Prelude  pour  SSaxophones  7.50 
-Premier   Pas,   maz.   0  a  cordes   1.50    Dehcrt. 
-Presto  de  la  14«  sonate  de  Mozart,  CIP 

5—. 
■  Printemps    (Schubert),   CIP   3—. 

-  Promenade  militaire,  polka,  O  1.50  n  Eveil- 

lard. 

-  Pschiitt-Polka    (du  ballet  A  m  a  r  i  1 1  o)  5 — 

Grus,    HarmfFanf),    Part    3 — n,    p.    s.    a 
— lOn. 
-Quadrille  joyeux,  P  1.75  n,  0  2 — n  Oallet. 

-  Quatuor,   2Cl{'E8)ClAltoBasse   9—. 

-  Quatuor,    Cl2Saxophones-altoSaxophone-ha- 

ryton  9 — . 

-  ler    Quatuor    (Beethoven),    adagio,    al- 

legro, th$me  et  variations,  Saxophone -alto 
Saxophone-baryton   12 — . 
-Raymond       (Thomas),      ouv.      Harm 
fFanf),  Part   10— n,   p.  s.   a  — 25  n. 

-  Rayon   d'or,    introduction-polka,   p.    Piston, 

Harm,  Part  3 —  n. 

-  Recreation   instructive,  finale   de  la  sonate 

14e     (Mozart),    pour    2Saxophone8    6 — . 


Mayeur  L.  BeereaHon  instructive 


366     — 


Mayfeld  M.  de  Manch  Bild 


Recreation  instructive,  finale  de  la  senate 
3e    (dementi),  pour   ^Saxophones  6 — . 

Eecr6ation  instructive,  pour  2Saa;ophones 
(CI  em  en  ti)    7.50. 

Recreation  sur  la  Favorite,  T  av.  Saxo- 
pkoneP  3 —  Siidre. 

Re<;ueil  de  Duos,  avec  B  chiffree,  pour  Sa- 
xophone-soprano 12 — . 

Regiment  de  fer,  pas  red.  EarmfFanf), 
Part  3— n,  p.  s.  a  — 10  n. 

Rentr^e  au  camp  (K  e  1 1  e  r  e  r) ,  Harm 
(Fanf),  Part  3 — n,   p.  s.   h  — 15  n. 

Retraite  aux  Flambeaux,  Harm  3 — ,  Funf 
2 —   Schoenaers. 

Reve,  fantaisie  sur  le  ballet  de  L.  G  a  s- 
t  i  n  e  1,   Harm,  Part   12 —   Heugel. 

Reveil  du  matin   (Dauvin),  Harm(Fanf), 

Part  3 — n,  p.  s.  a  — 15  n. 
Revelations,    suite    de    valses    2 —  n    Grcgh. 
Reverie  et  Gavottine,  VaP  2.50  n  Fromont. 
Rej-mond    ou    le    Secret    de     la     reine     (A. 

Thomas),    ouvert,    mO    10- —  u. 

R  i  g  o  1  e  1 1  o,   fant.   CIP  9—  Grns. 
Robert    le    Diable,    fant.    AltoP    4.50 

Debert. 

Robin   des  Bois,   fant.    CIP   10—. 
R  o  i     I'a     d  i  t    (D  e  1  i  b  e  s) ,     ouv.     Harm 

(Fanf),   Part    7.50  n,   p.  s.   k  — 25  n. 
■Roi    d'Y  .s,    fantaisie.    Harm,    Part    12 — 

Heugel. 
Romance  de  Marguerite,  de  la   Damnation 

de    Faust,     de     Berlioz,    Saxophone.P 

2.50  n   Costallat. 

Romance,   CorP   1.50   Schoenaers. 

Romance,    SaxophoneP    1.50    Schoenaers. 

Romance  sans  paroles  by  Mendels- 
sohn (op.  30  N.  1 ) ,  CIP  —40  Fischer. 
■  Romances  s.  p.  de  Mendelssohn,  i>rr. 
p.  CIP,  op.  19  N.  1  5—,  N.  2  4—,  N.  6  3—, 
op.  30  N.  1  4—,  N.  2  7.50,  op.  62  N.  6  5—, 
op.  67  N.  6  6—,  op.  53  N.  2  6—. 
-Rondo  de  la  19e  sonate  de  Beethoven, 
CIP  5—. 

-  Roussalki,  maz.  6 —  Sulzhach. 

■Sang   parisien,    polka    1.50  n,    O    2 — n    Le- 
signe. 

-  Sauveur,  a  gr.  eff.  Harm   1 — n  Gobert. 

-  Scherzo  de  la  15©  sonate  de  Beethoven, 

CIP  4—. 

-  Secret    (Schumann),    CIP    3 — . 

•  S  e  m  i  r  a  m  i  s,  ouv.  Harm  10 —  Schoenaers. 
-Serenade   enfantine    (Bonnaud),    Harm, 

Part  3 — n,  p.  s.  a  — 10  n. 
-Serenade    (Gil  let).  Harm,  Part  3 — n,  p. 

s.   a  — lOn. 
-Serenade    (Schubert),    CIP   3 — . 

-  Serenade     (Schubert),    A(S)    av.    Saxo- 

phone av.   P   1.25   Sudre. 
-Sigurd    (E.  Reyer),   valse  brill.    (G.  1.  a- 

m  o  t  h  e) ,    Harm,   Part   7.50  n    Heugel. 
-Sonate    N.    19     (Beethoven),    CIP    12—. 
-Sonnambula,    fant.    CIP    12 — . 

-  Source,   mazurka,   Harm,   p.  s.   3 —   Heugel. 
;  Souvenir    d'Alsace,    valse   2 — ,    0    2 — n,    P 

cond.   2 —  n  Pisa. 
-Souvenir     de      Beaulieu      (Diaz),     valse, 
HarmiFanf),    Part    4.50  u,    p.  s.    ;l      -15  n. 


-  Souvenir    de    Chopin,    valse,    Harm(Fanf), 

Part  4.50  n,  p.  s.  il  —15  n. 

-  Souvenir     de    la    Haye,     valse    6 — ,     Harm 

(Fanf),  Part  6 —  n,  p.  s.  a  — 25  n. 

-  Souvenir    d'Orleans,    valse    2.50  n    Lesigne. 

-  Souvenir    Portugais,    valse    2.50  n    Lesigne. 

-  Souvenir    de   R  i  g  o  1  e  1 1  o,   p.    Saxophone- 

alto,    Harm  (Fanf),     Part    6 — n,     p.   s.     a 
— 15n. 

-  Sur  le  Rhin    (Schumann),   CIP  2—. 

-  Tes  Ifevres  sont  deux  roses  (Schumann), 

CIP  3—. 

-  Thunder  Galop,  Fwll  Band  2/8,  Med.  Band 

2/ — ,   Small   Band    1/4   Hawkes. 

-  T  r  a  V  i  a  t  a,     fant.     p.    Cl( Saxophone)    et 

Harm(Fanf),  Part  4.25,  p.  s.  a  —25  u. 

-  Traviata,  fant.  Cl-s.  — 75,  Harm  4.50,  Cond. 

1 —  Gheluwe. 
-Trio,    ClFlHautb    9—. 
-Trio  (Es)  de  Haydn,  ClSaxophoneP  10—. 

-  Trio      (Es)     de     Mozart,     ClSaxophoneP 

12—. 

-  Truite    (S  c  li  u  b  e  r  t) ,    CIP   4—. 

-  Un   Mariage  d'oiseau,   polka   5 — ,   O   1.50  n 

Sulzbach,   O  a  cordes   1.50  Debert. 

-  Valse    Caprice,     CI    w.     mO,     Fischer,     a  v. 

Harm   7 —  Schoenaers. 

-  Valse   Caprice,   CIO   5 —  Schoenaers. 

-  Valse  d'avril    (L  e  Borne),   Harm(Favf), 

Part  4.50  n,  p.  s.  a  —25  n. 
-Valse  du  ballet  de  Patrie   (P  a  1  a  d  i  1  h  •>) , 
Harm,   Part   3 — n,   p.  s.    a   — 10  n. 

-  Valse  brill.    (N.   3)    de  C  h  o  p  i  n,  CIP  6—. 
-Valse    de    Dimitri     (Jonciere^),    Harm 

(Fanf),  Part  4.50  n,  p.  s.  a  —15  n. 

-  Se     Valse     (B.     Godard),     Harm,     Part 

7.50  n,   p.  s.   a  —25  n. 

-Variations     du     Septuor     (Beethoven), 
Harm  (Fanf),    Part   4.50  n,   p.  s.    a   — 25  n. 

-  Vive  la    France,   Harm   3 — . 

-  Yorktocou       (Daniel),      marche,      Harm 

(Fanf),  Part  3 — n,  p.  s.  a  — 10  n. 

la     K  o  r  r  i  g  a  n  e 


polka     de 
5 —  Heugel. 
(Th.     Ritter) 


Harm     4- 


H  arm.  (Fanf), 


■  Yvonnette, 
(W  i  dor) 

-  Zamacueca 

Heugel. 

-  Zcuave-Polka      (Man  gin), 

Part   3 — n,   p.  a.   a  — 10  n. 
Mayfeld  Maurice  de,  op.  7  Les  Batt^urs  on 
grange    (Die  Drescher),   P   1 — ■   Senff. 

-  8  Aux  mane.s  de  Robert  Schumann,  marche 

fuu&bre  1.08   Bosunrth. 
-13  Zwei  Lieder:    1.   Zu  Zweien :   ,,0  Liobes- 
sehnen,    o    Lenzesgesang",    2.    O    wie    tief 
hat  er   mir   in's   Aug"   geseh'n,   a    1 —   Bos- 
icorth. 

-  Das  verlassene  Mjigdlein :    ,,Friih   wenn   die 

Hahne   krJilm"   —60    Bosivorth. 

-  Der   Abendhimmel:    „Wenn   sich   .in   deiner 

Sfcite"  —90  Bo»worth. 

-  Erinnerungen    an    R.    Wagner's    Tristan 

uud  Isolde.  P-  1.  Auf  dem  Schiffe,  2.  In 
Konig  Markes  Burg,  3.  Vor  Tristans  Burg, 
a  2—  Breitkopf. 

-  Gr.  Valses  do  Salon,  P  1.50  Schlesinger. 

-  Manch    Bild    vergangener    Zeiten,     P     1.50 

Rose. 


i 


Mayfeld  M.  de  Mir  traumte 


—     367 


Maylath  H.  op.  IIO 


-  Mir   traumte   von   einem    Konigskind    — 60 

Bosworth. 
Mayhew    Grace,      Thompson:      If   To    Wish 
and  To  Have  Were  One  in  A  b  — 60. 

-  Laddie   Over   Sea,   in   A  b  — 60. 
-Lead  Home  Thy  Child  in  B  b  —50. 
-Love's   Thread  ^of   Gold    (in   Aflat)    — .50  n 

Presser. 

-  Shoogy-Shoo  — 40  Ditson. 

-Singing   Leaves    (Cantata)    — 60  u    Presser. 

-  Slumber    Song    (in    E  flat)    — 50  n    Presser. 
Mayhofer,      Under    One    Flag,    march    — 50 

Maykapar  S.  op.  1  Sechs  Gesange  3.60:  Nr. 
\.  Einst  1.50.  Nr.  2.  Die  brennende  Liebe 
—72.  Nr.  3.  Im  Walde  lauft  ,nn  wildes 
Pferd  1.20.  Nr.  4.  Sehnsucht  1.20.  Nr.  5. 
O  siifie  Mutter  1.50.  Nr.  6.  An  ien  Son- 
nensohein   — 96   Eherle. 

-2  Variationen  uber  ein  Thema  (E),  P  1.80 
Eberle. 

-3  Trois  Preludes,  P :  Andante  (F-m.),  Mo- 
derato,    Andante     (Des)     — -60    .Jurycnson. 

-4  Huit  Miniatures,  P:  Pens6e  fugitive. 
Agitato,  Pifece  enfantine,  Impromptu  a 
la  Mazurka,  marche  des  Lilliputieus,  Pe- 
tite Paraphrase,  Albumblatt,  Mon'iett  1 — 
Jurge7iso7i. 

-  5    Variations    lyriques    sur    un    Th&me    ori- 

ginal, P  1.30  Jurgenson. 
-6   N.    1.   Prelude  et   Fughette  —40.     N.   2. 
Arietta    —40.    N.    3.    Gavotte   —30.    N.    4. 
Tarantelle  — 50   Jurgenson. 

-  8    Novellettes    mignonnes,    P,    I — II    a    1  — 

Jnrgi'nson. 
-9  Drei  Lieder :   1.  O  traure  nicht  um  mich, 

2.  Teppiche  kostbar  gewebt,  3.  Was  mein 
TTorz  einst  erhofTte  ist  tot,  a  — 30  Jurgen- 
son. 

Mayland  C.  Orpheus:  Bill  of  Fare,  barn 
dance   or    schott.   4/ — . 

-  Bill  of  Fare,  barn  dance,  Sept.   1/ — ,   FullO 

1/6. 

-  Jehovah  is  my  Strength  — /2. 

-  Knife  and  Fork,  polka   3/ — . 

-  Oh,  love  the  Lord  —2. 

-  Old   Acquaintance,   waltz   4/ — . 

-Old  Acquaintance,  lancers  (on  National 
Aiis),    J/ms   5/ — . 

-  Orpheus   Gems,   a    series   of  very  easy   pie- 

ces, P:  1.  The  Eoad  to  Moscow,  inter- 
mezzo, 2.  An  Indian  Ride,  galop,  3.  On 
the  Alert,  march,  4.  Belfry  Waltz,  5.  Our 
Darlings  Gavotte,  6.  Carnival  Polka,  7. 
Little  Harry's  Valse,  8.  Little  Linnets 
Valse,  9.  Little  Blackbirds  Valse,  10.  Mia 
Amore  Gavotte,  11.  Merry  Piper,  barn 
dance,   12.  The  Alpine  March,  a  1, — . 

-  Sabbath   Chimes,   a    series   of   sacred   melo- 

dies, P:  1.  There  is  a  Happy  Land.  On- 
ward, Christian  Soldiers,  2.  Abide  with 
me.   All   hail   the   Power   of   Jesus'   Name, 

3.  Glory  to  Thee,  my  God,  this  night.  For 
ever  with  the  Lord.  4.  O  God,  our  Help 
in  ages  past.  Sun  of  mj'  Soul,  5.  Nearer, 
my  God,  to  Thee.  Rock  of  Ages,  6.  Sa- 
viour, Breathe  an  Evening  Blessing.  Hark ! 
the   Herald   Angels   sing,   7.   From   Green- 


land's Icy  Mountains.  Ye  Servants  of 
God,  8.  There  is  a  Green  Hill  far  av/ay, 
Love  Divine,  9.  The  King  of  Love  my 
Shepherd  is.  Mariner's  Hymn,  10.  Kyrie 
EleisoD,  from  Mozart's  12th  Mass,  11. 
Cujus  Animam,  from  R  o  s  s  i  n  i's  Stabat 
Mat«r,  12.  I  Know  that  my  Redeemer  Li- 
veth,  from  The  Messiah,  ft  1/ — . 

-  Set  Dances  at  a  Glance,  a  very  .;seful 
little  book,  including  Washington  Post 
and   Berlin   Polka  — /6. 

Maylath   H.  J.  Schuherth:  Op.  3  Abiturien- 

ten-Polka   — 90   Kramer. 
-43   Drei    Salonstficke,    P:    1.    Mazurka   Imr 

promptu,   2.   Rondino  champ,   3.   Chant  de 

Nocturne,   ft   1 — . 

-  54  Encouragement  pour  jeunes  Pianistes 
(Leichte  Tanze,  Transkr.  etc.,  ohne  Ok- 
taven),  P.-  1.  Elisire  d'amore,  3.  Lucrezia 
und  Traviata,  6.  Schottisch,  7.  Stumme, 
8.  Somnambula,  9.  Prifere  de  Moise,  10. 
Le  Papillon,  11.  Romance  francaise,  12. 
Belisario,  13.  Pr6  aux  Clercs  und  Lucia, 
16.  Regimentstochter  und  Hugenotten,  17. 

I        Arie  aus  Lucia,   18.   Somnambula,   19.  Ro- 

I        bert,  a  — 50. 

-55   Op^ra-bouffe   francaise,   P:    1.   Valse   et 

Galop    (G  r.  Duchesse),  2.   Bonne   nuit 

(Gr.    Duchesse),      3.    0  r  p  h  e  e-Galop, 

4.  Serenade    et    Marche     (G  e  n  e  v  i  ft  v  e) , 

5.  Air  de  Valse  (La  Vie  par  is),  6. 
Galop    (P.  a  r  b  e   bleu),    {\    — 50. 

-56  Acht  leichte  instrukt.  Stucke,  P:  \.  Se- 
renade Schubert,  2.  Polonaise  Puritaner, 
?>  Introd.  et  Valse,  4.  Souvenir  Linda,  5. 
Quatuor  Puritaner,  6.  Fant  nationaux,  8. 
Regina  Veneziana,  10.  Invitation  ft  la 
Danse,  a  —50  J.  Srhuberth.  N.  8  —30 
fj  urgciisnn. 
-56  Mit  Lust  und  Liebe,  P  1—. 
-57  Der  kleine  Amerikaner,  P:  1.  Flying 
trapeze,  2.  Up  in  a  Ballon,  3.  Beautiful 
Bells,  4.  Little  Mag.  May,  5.  Capita  in 
Jink.s,  6.  Not  for  Joe,  7.  Champ.  Charley, 
8.  Yankee  Doodle,  9.  Last  Rose  of  Sum- 
I  mer,  10.  St.  Patrick's  Day,  11.  Home, 
I  sweet  home,  12.  Walk.  Broadway,  ft  —50. 
I  -59  Sfchs  elegante  Klavierstiicke,  P:  1. 
I  Frohsinn  (Cherfulness) ,  2.  Melancholie 
I  (Melancholy),  3.  Liindl.  Fest  (Fete  cham- 
I  petre),  4.  Stille  Klage  (Complaint),  5. 
j  Junges  Leben  (Youth),  6.  Betriibnis  (Di- 
,        s(ress),  a  — 80. 

-  60  Romance   en    forme   d'Etude,   P   1 — . 
I    -  61   La   danse  des   Syrenes,   P   1.25. 

-  62  Elf  leichte  instr.   Stucke,  P,  a  —50. 

-  63  Zehn  Tiinze,  a  —50. 
'    -  67  Toccata,   P  —75. 

j    -  70  Rose,   polka-maz.  — 35    Gordon. 

j  -100  Little  Prodigies,  5  nos. :  1.  Waltz, 
Polka,  Galop,  2.  March,  Redowa,  Schot- 
tisch, 3.  Rondo,  Gavotte,  Minuet,  4.  Air 
in  Scotch  style,  air  in  Irish  style,  Tyro- 
lienne,  .5.  Tarantella,  Italian  style.  Fan- 
dango, Spanish  style,  Hynm  with  figura- 
tion, -'i»is  a  — 50  Ditson. 
J.  JI.  Schroeder: 
-110    Golden    Floweret,    P   —40. 


Maylath  H.  op.  Ill 


368     — 


Maylath  H.  Hunyady  Lasxlo  March 


111  Grande  Valse  de  Concert  1 — . 

112  Feu  Follet,  P  —60. 

113  Les   Belles  de  Newport,  concert  galop 
— 75,  Jivis  1 — . 

114  In  a  Swing,  a  summer  idyl,  P  — 50. 

115  The  Blacksmith,  P  —50. 

116  The   Fisher   Boy,  P  —50. 

117  The  Gay  Butterfly,   rondo,   P  — 50. 

118  Ever  Pretty,  toujours  jolie,  P  — 50. 

120  Joy    and    Grief,    rondo,    P   — 50. 

121  Tarantelle,   P  —50. 


122  Night   Song,   nocturne,  P 


-50. 
—50. 


123  Dear  Memory,  melodie,  P 

124  Skating   Belles,   P  —50. 

126  Enchanted  Love,  gavotte,  P  — 50. 

127  Chrysanthemum,    gavotte,    P    — 50. 

128  Little  Dreams,  P:  1.  The  First  Kiss, 
waltz  (Lamothe),  2.  The  Chimes  of 
Normandie,    waltz,      4.    Fatinitza,    march 

(S  u  p  p  6),  5.  Nancy  Lee,  march,  C.  Hunts- 
man's Jaeger  March,  7.  Over  Field  and 
Meadow,   galop,    10.    Secret   Love,   gavotte 

(Kesch),  11.  Carmen,  march  (Bizet), 
a  —25. 

129  Opera  Melodies  (Easy)  :  1.  Martha 
(Flotow),  2.  Norma  (Bellini),  3. 
Child  of  the  Regiment  (Donizetti), 
4.  Bohemian  Girl  (Balfe),  5.  Sonnam- 
brle  (Bellini),  6.  Lucrezia  (Doni- 
zetti), 7.  Fille  de  Mme.  Angot  (L  e - 
c  o  c  q) ,  8.  Valse  from  Faust  (Gounod), 
a  —25. 

130  P:  N.  1.  Waltz  —35.  N.  2.  March  —25. 
N.  3.  Rondoletto  —25.  N.  4.  Valse  —35. 
N.  5.  Ai  ia  — 35.  N.  6.  Divertissement  — 25. 
N.  7.  Blue  Danube,  waltz  (Strauss) 
—25.  N.  8.  Where  the  Citrons  Bloom, 
waltz  (Strauss)  —25.  N.  10.  The  Peri 
Waltz    (D'Albert)    —35. 

166  Les  Marguerites  (The  Daisies),  G  easy 
Dances:  1.  Waltz,  2.  Galop,  3.  March,  4. 
Redowa,  5.  Schottisch,  6.  Polka,  a  — 25 
Schmidt. 

167  The  Young  Artist,  9  easy  and  instruc- 
tive Compositions,  P:  1.  Gavotte,  2.  Me- 
nuet,  3.  Fandango,  4.  Tarantella,  5.  Noc- 
turne, 6.  Transcription,  7.  Rondo,  8.  An- 
dante, 9.  Sonatina,  a  — 25  Schmidt. 

302  Agreable  surprise,  P  — 50  Ditson. 
Adr.gio   and   Andante    (Haydn),   without 

octaves,  P  — 35   Gordon. 
Aimable    fatigue    (Sweet    hardship),      ^ms,. 

Oordon. 
Air  from  Don  Juan   (La  ci  darem),  P  — 35 

dor  don. 
Amaryllis,  air  du  Roi  Louis  XIII,  without 

octaves,   P  — 30   Gordon. 
■Andante,   without   octaves    (Mozart),     P 

— 35    Gordon. 
Argentine,   maz.  — 25   Ditson. 

■  Beaiitie's  power  galop  — 40  Ditson. 

■  Bet  ulies  of   Fatinitza,  P  — 75  Ditson. 
■Belle    Galath^e,    waltz    (Supp6),    P    —30 

Gordon. 

■  Belle    of    our    vill-igc,    grand    march    — 35 

Ditson. 

■  Berceuse,   arr.   for   teacher   and  pupil,   Jfms 

— 50  Gordon. 


-Boccaccio,  fant.  8ms  1.50  Pond. 

-  Bouton   de   Rose,      polka-maz.      (Rosebud) 

— 35    Gordon. 

-  Bouton  de  iio.se,  merceau  de  salon,  P  — 35 

Gordon. 

•  Caprice  brilliant,   P  • — 75   Gordon. 
-Carmen    (Bizet),   potp.    P   — 75    Century. 

-  Carmen    (Bizet),  potp.   P  — 80   Ditson. 

-  Carmen,   P  —20   Willig. 

-  Celebrated     theme     from     Kreutzer-Sonate 

(Beethoven),   without   octaves,   P — 35 
Gordoti. 

-  Charge   of   Ihe  huzzars    (Trot   de  cavalier) 

(F.    S  p  i  n  d  1  e  r) ,    ^7ns   — 75    Ditson. 

■  Children's    frolic,    rondo    (Twinking    Star.s 

N.  3),  P  —20  Gcidon. 

-  Chimes  of  Normandy,  galop  — 20  Willig. 

-  Chimes  of  Normandy,  waltz  — 20   Willig. 

-  C  h  o  p  i  n's   most   popular   waltz   — 35    Dit- 

son. 

Chorus,   „Lohengrin"    (Wagner),  P  — 25 
Ditson. 
-Chorus  from  „Lohingrin",  ^ms —35  Ditson, 

-  Clear  the  track,  galop  — 25,  ^ms  — 35  Dit- 

son, — 50   Goi-don. 

■  Clicquot,    galop     (Hermann),    ^ms    — 40 

Gordon. 

-  Coucou,   polka,    P  —20    Willig. 

-Cradle    Song    (Berceuse),    for    teacher    and 
pupil,  ^ms  — 50  Gordon. 

■  Creation,   thfeme   de   Haydn,   without   oc- 

taves,  P  — 35   Gordon. 

•  Dai  ling's  request,  P  — 40  Ditson. 

-En    avant,    march    (Go   ahead),      4^s     I — 
Gordon. 

-  Enchanteresse  (Capr.-Mazurka) — /2  Sheard. 

-  Equestrian,  polka  — 40  Ditson. 

-  Equestrian,  polka,  ^nis  — 50  Ditson. 

-  Ernani,  galop,  Jfms  1 —  Gordon. 

-  Esnieralde     (b}'^    Levy),    bolero,     P    —30 

Gordon. 

■  Evangeline,  melodie  vari^e,  P  — 40  Ditson. 
-Evangeline,   valse   redowa    (J.    God  one), 

4ms  — 60   Gordon. 

-  Fatinitza  March  — /2  Sheard,  — 20   Willig. 

-  Fille  de  Madame  Angot,  waltzes  — 25  Dit- 

son. 

■  First  Kiss,   waltz  —20    Willig. 

-  Fontain,     etude    by    H  e  n  s  e  1 1     (arr.     for 

teacher  and  pupil),  J/ms  — 50   Gordon. 
-Galop    from    „Aida"     (Verdi),       P     —30 

Gordo7i. 
-Glistening     Spray     iSchottische    Elegante), 

P  — /2  Sheard.  " 
-Golden    Youth,    galop    (Smith),    Sms   2 — 

Pond. 

-  Gondola   (H  e  n  s  e  1 1)    (arr.  for  teacher  and 

pupil),  j^ms  — 50  Gordon. 
-Grand   Galop   chromatique    (Liszt),    Sms 

2 —  Pond. 
-Grande     polka     de     concert    (Wallace), 

simplified,  P  — 75  Ditson. 

-  Heart's  delight,  rondino,  P  — 40  Ditson. 

-  Heimweh    (Jungmann),  arr.  P  without 

octaves  — 30   Gordon. 

-  Hi:nyady   Laszlo   March,   hungarian   march 

(Erkel)    —30    Gordon. 


IVIaylath  H.  lUustratiun  elegant 


—     3;<)     — 


Maylath  H.    IT/io's  at  my  window? 


-  Illustration   elegant  on   Ronde's   celebrated 

air,  P   1 —   Gordon. 

-  iLdigo     Polka-Mazurka      (S  t  r  a  u  s  s) ,      P 

— 30   Gordon. 

-  Tniioceuce,  P  —50  Willi(). 
-Introduction    and    theme     (Beetho\eu), 

P  — 35   Gordon. 
-Irresistible,  galop    (A.   J.  Summer).    Vws 

—  50  Gordon. 

-  ,(olie    Parfumeuse    (0  f  f  e  u  b  a  c  li) ,    waltz, 

P  — 40   Gordon. 
-Jolly   little  Players,  waltz,    '^m.y  — 50  Nc/z/r- 

mer. 
-Langtry    polks'     (K.    de    Soria).      Banjo 

og    j^i fsov . 

-Last   hope    (G  o  1 1  .s  c  h  a  1  k) ,   simplified.   P 

— 75  Ditson. 

-  Little  maids,  waltz   (Twinkling  stars,  X.  6) 

— 20   Gordon. 
-Little    soldiers    toe    the    front    March    — iU 
Cordon. 

-  Little  star   (Twinkling  Stars,  N.  1),  P  — ^ 

Gordon. 

-  Madame    I'Arehiduc-e     (O  f  f  e  n  b  a  c  h) ,       P 

—  30  Gordon. 

-March  de  nuit  (G  o  1 1  s  c  h  a  1  k],  simpli- 
fied — 75   Ditson. 

-March  from  „Aida'-  (Verdi).  P  — ^50 
Gordon. 

-  Mascot,   waltz   —40   Ditson. 

-  Mascot,   potpourri,   P   — 75   Ditson. 

-  Matinee,  polka  —35   Gordon. 

-Melody  preceded  by  an  introduction 
(Beethoven),  P  —35   Gordon. 

-  Menuet,   2P    1—   Pond. 

-Merry  War,  faut.  (Strauss),  Sms 
1.5C  Pond. 

-  Merry   thoughts   redowa,  P  —50   Brairwrd. 
-Mignonette      (Morceau     caract.),      P     — /2 

^heard. 

-  Mocking   bird.   P   —25   Ditson. 

-Uou  Bijou    (Polka  Rondo),  P  — /4  8heard. 

-Music  of  our  home,  potpourri  popular  me- 
lodies,   -ims  —60    Gordon. 

-My  darlings  Waltz  (Twinkling  Stars,  N. 
2)  — 20  Gordon. 

-  Nancy   Lee,   march  —20   Willig. 

-  New   world,    galop    (S  t  r  a  u  s  s) ,   .'fVis   —40 

Gordon. 

-  Nocturne.    P   —50   Lundquist. 
-Offertory,  2P   1.25   Pond. 

-  Old  folks  at  home  and  Sweet  by-and-by,  P 

— 25   Ditson. 

-  Over  Fields  and  Meadow,  waltz  — 20  ^^iUig. 

-  Papillon,    rondo,    /'    1 —   (humarlies. 
-Patience,  potpourri,  P  — 75  Dit.^on. 

-  Petit  Due,  galop  —20   Willig. 
-Pinafore,       (juadrille      (Sullivan)      — 40 

Gordon. 

-  Pink  pond  lilies,  P  — 50  Ditson. 

-Pique  dame  (Suppe),  galop,  P  —30 
Gordon. 

-Pleyel's  Duets,  N.  1,  2.  3,  4,  5,  harmoni- 
zed  for    VP  k  — 65   Gordon. 

-  Powerful   temptation,   polka,   Jfms   1 —   Gor- 

don. 
-Prince  Alexis  March  — 50  Gordon. 

Universal-Handbnch  der  Mu.sikliteratur.    M. 


P 
P 


Princess  de  Trebizonde  (Offenbach), 
galop,   P  —40   Gordon. 

Pure  as  an  angel,  morceaux  gracieux,  P 
—  40    Gordon. 

Pure  as  snow  (G.  La  nge),  Jfms  — 35  Dit- 
son . 

Queen's  hu-e  handkerchief  (S  t  r  a  u  s  s), 
galop  — 30   Gordon. 

Qi.ieu  of  tlie  ball,  galop  brill.  — 75  Gordon. 

Qui-vive,    galop  — 25,   .'tms  — 35   Ditson. 

Ritnzi    IMarch     (Wagner)     — 30    Gordon. 

Rede's  celebrated  air,  illustration  elegante, 
P    1—   Gordon. 

Rondo  brill.  (H  a  v  d  n  i .  without  octaves, 
P  —35    Gordon. 

■  Russian   Prince    waltz   — 40    White. 

■  Seasons,     theme     from     the     Seasons      (by 

Haydn),   P  —35   Gordon. 
■Secret    love,    gavotte     (Resch),      P     — 20 

Willig,   .'ffns  — 40    Ditson. 
-Silver     threads     among     the     gold,     waltz 

(D  a  n  k  s)    — 35    Gordon. 

-  Silver    threads    among    the    gold,    var. 

— 50,  J/m.s  — 50  Gordon. 

-  Speak    to    me     (C  a  m  p  a  n  a) ,    transcr. 

— 30    Gordon. 

-Spring,  P:  N.  2.  Qui-vive,  galop,  6.  Argen- 
tine Republic.  8.  TannhJiuser  march,  12. 
Wedding  march  (Mendelssohn),  14. 
Cliorns  „ Lohengrin",  16.  Whippoorwill's 
song,  18.  Fille  de  Madame  Angot,  waltz, 
a  — 25   Ditson. 

-  Stephanie    Gavotte,    2P  — 75    Pond. 

-  Sweet   by-and-by,    and   Old   folks    at   home, 

P  —25   Ditson. 

-  Sweet    hardship,    galop,    Jfins   — -50    Gordon. 

-  Sweet    memories    of    childhood,    galop    and 

gavotte  — ,'2  Sheard. 

-  T  a  n  n  li  a  u  s  e  r,      grand     march      (W  a  g  - 

ner)    — 25   Ditson. 
-Theme    from    the    7th    Symphony     (Beet- 
hoven), P  — 35   Gordon. 

-  Torreador,    gr.    march,    ,,C  a  r  m  e  n"     (B  i  - 

z  e  t)    — 40   Ditson. 

-  Trotty  horse,  polka-maz.    (Twinkling  St^rs, 

N.  5)    —20  Gordon. 

-  Turkish    reveille,      simplified    march      — 30 

Ditson. 

-  Turkish   Patrol  Lancers,   VP  —75. 

-  Two  Wrist  Exercises,  P  — 25   Schmidt. 

-  Verdict,    waltz    (Straus  s)    —30    Gordon. 

-  Vienna    bloods,     waltz     (Strauss)     —30 

Gordon. 

-  Vision-;    of    Paradise,    reverie,    P 

son . 
-Waltz    from    „Aida"     (Verdi), 
Gordon. 

-  Wandering  sprite    (E  n  g  e  1  b  r  e  c  h  t) ,  j^ms 

—75    Ditson. 
-Wedding   march     (Mendelssohn)    — 30 
Ditson. 

-  Where     the     citrons     bloom      (Straus  s), 

waltzes,   .'ims  — 50   Gordon. 

-  Whippoorwill's    song,    P    — 26    Ditson. 

-  Whispering  wind   ( W  o  1 1  e  n  h  a  u  p  t) ,  siui- 

plified,    maz.    — 75    Ditson. 

-  Who's    at    my    window ?     (Osborne),      P 

— 30    Gordon. 

24 


-50   Dit- 
P     —30 


Maylath  H.   Witclte's  dance 


370 


Mayo  O.  op. 


dance      (P  a  g  a  n  i  n  i) 


P     1- 


-  Witche's 

flit  son. 
May  mo,  Cotoriita,  americ.  — 60  Dotesio. 

-  Giierrita,   schott.  — 50   Dotesio. 
Maynard,  After,  TBB  —/I   Boosey. 

-  Before,    TBB   —/I    Boosey. 

-  British  Barouet,  TTBB  —1  Boosey. 

-  Brook   to   the   Valley   3/ —   Weekes. 
•  I  strive  to  forget  thee  — 35  Ellis. 

-  Lion-hearted  carbineers,  TTBB  —/I  Boosey. 

-  Marching  homeward,  TTBB  — /I   Boosey. 

-  Now    raise   your    voices    high,    TTBB    — /I 

Boosey. 

Maynard  H.  T.oviiig  voices,  SfT )  — 40  Brai- 
iinrd. 

Maynard    Harry,   My   Boy   4/—   Asclierherg. 

Maynard  P.  Christ  the  Saviour  we  pro- 
claim   (Full,   for  Christmas)    —/I   Pitman. 

-Give  thanks,  0  Israel  (s.  and  chorus)  — /I 
Pitman. 

Maynard  W.  By  the  fireside  in  the  winter 
•..*  0    Chap  pell. 

-Children:  „Come  to  me,  0  ye  children", 
SATB  and  P  — /6  n  Ashdoivn. 

-  Daughters    of    Erin,    2  trebles    and    P   — /4 

A  shdotcn . 

-  Daughters   of   Erin,   8C  4/ —  Ashdown. 

-  Dpep  in  my  heart   (in  C  and  F)   4—  Chap- 

pell. 
-Deep  in  my  heart    (in   C   and   F)     (Coedes' 

Girouette)    4/ —  Chappell. 
-Ding,  dong!  2  trebles  and  P  — /4  Aslidoion. 

-  Ding,  Dong,  SB  4/ —  AshdoiV7i. 

-  Hastings  Pier,  gavotte  4/ —  Pitman. 
-Hemlock    tree,    SATB    and    P    — /6  n    Ash- 

down. 

-  T   strive   to   forget   thee   3/ —  Chappell. 

-  Kissing   her   Hair   — 40    Schirmer. 

-  Lady  Clare   3/ —  Chappell. 

-Lndy  wake,  SATB  and  P  — /6  n  Ashdown. 

-  Let  me  stay  2/—  Boosey. 

-  Lo !   the  peaceful  shades  of  evening,  SATB 

and  P  — /6  n  Ashdoivn,  Curwen. 

-  Lord  is  great  in  Sion    (Full  anthem)    — /I 

Pitma7t. 

-  Love,  look  on  me  3/ —  Chappell. 

-  Love  me  3/ —  Chappell. 
-Madge  waltz,  P  — 75  Brninard. 

-  Mich.aelmass    Dav    (Humorous   Part   Songs 

N.   1),   SATB  — /4   Chappell. 

-  jNlusic    Copy    Books,    a   progress,   course    of 

Instruction  in  Music;  N.  6.  Instructions 
in  Vocalization,  Part-Singing  and  Singing 
at  Sight  — /6  n  Chappell. 

-  Music  Copy   Books,  containing  a   progress. 

course  of  instruction  in  music :  I  &  II : 
T^lK1i-Jn('uts,  III:  Instructions  for  the  P, 
IV  &  V :  The  Rudiments  of  Harmony, 
VI :  Instr.  in  Vocalization,  Part-Singing 
and  Singing  in  Sight,  Sequel  Key  to  the 
Sequel,  a  — '6  Chappell. 

•  My  lost  youth  2/6  Chappell. 

■  No  more  3/ —  Chappell. 

-  Oh  come  to  the  valley  3/ —  Cliappell. 

-  Oil,   say   i    love   3/- —   Swan. 

-Oh!    say   once   more   2/6    Chappell. 

-  Old  ship  4/ —  Chappell. 

-  On   the  shore  3/ —  Chappell. 


-  Orly  a  Flower    (D  to  F)    4/ —  Donajoioski. 

-  Rainy  Day  3/ —  Weekes. 

-  Shadows    dark    around    us    fell,    duet    3/ — 

Chappell. 

-  Sporting  Notes    (Humorous  Part  Songs  N. 

2),  SATB  — /4  Chappell. 

-  Spot  where  we  were  born,  A(B)  — 50  Brai- 

nard. 

-  Summer  and  winter,   duet  3/ —  Leonard. 

-  Tears  of  love,  MS(Bnr)  — 50  Brainard. 

-  True   Love   3/ —   Chappell. 

-  Violet-Brighter  than   the   rays  of  morning, 

SATB  &  P  — /6n  Ashdown. 

-  Violet  — ^/6  Curwen. 

-  18  Vocal  Exercises  for  the  Use  of  Schools 

1/6   Ashdown. 
Mayne    C.    Summer    Roses   4/ —   Metzler. 
Mayne    Fred,      Tremayne     March,     BanjoP 

2/ —  Tnrver. 
Mayne   Godfrey,   Mary,   Mary,   so  Contrary, 

duet  4/ —   Reeder. 

-  Two   Gentlemen   of   Tone   4:/—   Reeder. 
Mayne   Leslie,  Lovers  still    (in  C  &  E  flat) 

4/ —   Chappell. 
Mayneri  A.  Brocco:  Carezze,  valzer  4 — . 

-  Fascini,    valzer    5- — . 

-  Fata  bionda,   valzer   4.50. 

-  Fin  de  sifecle,  valzer  5 — . 

-  Fiocchi   di   neve,  maz.   2.50. 
-Isabella,    valzer    2 — n. 

-  Lady  Cyclist,  polka  2 — . 

-  Miraggi,   valzer  5 — . 

-  Notti  vcneziane  2.50  n,  P  2.50  n. 

-  Raggio   di    Sole,   valzer   5 — . 

-  Riflessi   azzuri  2 —  n. 

-  Sere   d'Estate,   valzer   4 — . 

-  Simpatica  !  Mazurka  2 — . 

-  Tramonti    d'oro,    valzer    5 — . 

-  Vita   elegante,   valzer   4 — . 

Maynoni.  Tantum  Ergo,  SATB  -15  /.  Fi- 
scher. 

Mayo  Gordon,  White  Heather,  schottische 
1/3  n    Allan    Mozart. 

Mayo  H.  A.  J.  Consider  and  hear  me  — /3  n 
Vincent. 

-  Gavotte,   P   2/^  n    Vincent. 
Mayo   J.   Weeke-f:   Fedelta   3/ — . 

-  Fountain,  in  C  &  D  3/ — . 
-Gavotte   in   F,    P   2/6. 

-  Helianthe,    val^e    tzigane 

Klokner. 

-  My  little 
-Pa van   in 

-  Queen   of   Hearts   &    other    Songs   1/ —  n. 
Mayo   L.   P.  My  ships  — 35  Ditson. 
Mayo   M.  The  Winds  — /6  n  Weekes. 


(Boston)     2 — 


May   3/—. 

G,  P  4/—. 

Hearts  &  other 
P.  My  ships  — 35 
The  Winds  — /6  n 


Mayo  O.  Brainard:  Op.  1  Gipsies'  dance 
(Danza   bo&ma)    (Meyerbeer),  P  — 75. 

-5  P:  1.  Wedding  march  (Meyerbeer), 
2.  Serenade  from  Don  Juan  (M  o- 
z  a  r  t) ,  3.  Les  Jeunes  beautes  „H  u  g  u  e- 
nots"  (Meyerbeer),  4.  Mara  march 
(N  e  t  z  e  r) ,  5.  Scene  from  Robert  1  e 
D  i  a  b  1  e,  6.  M  o  z  a  r  t's  Minuet,  7.  M  a- 
sa  niello  (Auber),  at  sunrise,  8. 
William  Tell,  march  (Rossini),  a 
—  50. 

-7  Creole    (Castanet  waltz),  P  — 50. 


I 


Mayo  O.  op.  S 


371     — 


Mayr  S.  Die  tcei^e  und  die  rote  Rose 


8 


La 
-60. 


Vision    (Meyerbeer),   transcr.    P 


sym- 


-50. 


-50. 


-  Allegretto   from    Beethove  n's   8th 

phony  — 50. 
-At    sunrise    (La    M  u  e  1 1  e   d  e   P  o  r  t  i  c  i, 
A  u  b  e  r) ,   P  —50. 

-  Danse   grotesque    (Mokes),   P 

-  Drum,    schottisehe,    P   — 60. 

-  El   Koh-i-noor,   polka,    P   — 75. 

-  Fairy   bridal,   polka   — 40. 

-  Fi-.ney   free,   polka   caract^ristique 

-  Humming-bird,    fantaisie,    P   — 60. 

-  ?Iungarian    war,    march     (R  a  k  o  c  z  v) ,    P 

—50. 

-  Knickerbocker,  danse  grotesque,   P  — 50. 

-  Lover's  quarrel,   P  — 60. 

-  Lovers'  quarrel,   P  — 60. 

-  Lurline's  song,   lomance,  P  — 75. 

-  Mokes,   danse   grotesque,   P  — 50. 

-  Phi  gamma  delta,  march  — 75. 

-  Rustic   beauty,   polka   — 50. 

-  Summer    night,    serenade,    P   —60. 

-  Twelve   o'clock,   fantaisie,   P  — 60. 

-  Valse  from  Robert  le  Diable,  transcr. 

P  —60. 

-  Wild  girl's,  polka  —60. 

Mayol,  Boulinguette.     Delormel. 

-  Chemise.     Delormel. 

-  Droit  du   Seigneur.     Delormel. 

-  C4acela,   hab.  — 50   Dotesio. 

-  Premiere   nuit.     Delormel. 

-  Un   Mardi    Gras   d'oiseau.      Delormel. 

-  Volatines,   schott.    1- —  Dotesio. 

Mayol   Felix.  Mayol:  Amour  an  chili   L75  n. 

-  Amoureux    sauvetage    L75  n. 

-  1,'a    n'avance    a    rien    1.75  n. 

-  Dame   an   chien   L75  n. 

-  Doucement   L75  n. 

-  Eternelles    Serenades    L75  n. 

-  Gentiment   L75  n. 

-  Haia    1.75  n. 

-  Jolie  Boiteuse    1.75  u. 

-  .Tolie   Laiti&re    1.75  n. 
-Little    Girls    1.75  n. 

-  Mam'zelle   Jasmin    1.75  n. 

-  Metier   des   Amours   1.75  n. 

-  Musique    des    Trottins    1.75  n. 

-  Parisienne    savante    1.75  n. 

-  Passage  du  Desir   1.75  n. 

-  Pharmacie   en   goguette   1.75  u. 
-Petite  Bretonne   1.75  n. 

-  P'tits    moineaux    parisiens    1.75  n. 

-  P'tite    Moucheronne    1.75  n. 
-P'tit   n'oiseau    1.75  n. 
-P'tits   Oiseaux    1.75  n. 
-Tons  les   deux   1.75  n. 
Mayor    Ch.      Chanson 

1 —  Foetisch. 

-  Chantons !    Chantons  ! 

-  R^veil   de  printemps,   TTBB    1.50   Foetisch. 
Mayor  G.   Cadets   suisses,   3   voix  — 30  Foe- 

t  isch . 
Mayor-Bartoio    G.      Isabell    vom    Karussell, 

Walzer    (m.  Text)    1 —  Praeger. 
Mayr  Carl,  Drei  Lieder :   Nr.   1.  Schlafe,  sii- 

fies    Engelsbild    1.20.    Nr.    2.    Ein    R6slein 

rot    — 96.      Nr.    3.    Spielmannsweise    — 96 

Elerle. 


de    printemps,    TTBB 
TTBB    1—   Foetisck. 


Mayr  C.  H.  Les  Charmes  de  I'ltalie,  taran- 
telle,  P   1.25   Ricordi. 

Mayr  Franz,  Out  on  Guard,  a  military  me- 
ditation, FullO  1—,  14  Instr  —75,  10  Instr 
—60,   P  ace.  — 15   Fischer. 

Mayr  G.  Birds  of  the  Forest,  polka  brill, 
pour  2Pistons( Bugles)   4 —  Kessels. 

Mayr  G.  S.  (1763—1845),  Ricordi:  Al- 
fredo i  1  Grande,  aria :  Apri  quei 
lumi,  o  bella   2.75. 

-  A  t  a  r,   terzettino  :   Per   queste   estreme  la- 

grime,   con   P(0)    2 — . 

-  Biondina  in  gondoletta,  celebre  canzone  po- 

polare   veneziana   — 50  n    Schmidt. 

-Ginevra  di  Scozia,  sinfonia  2 —  n 
Ricordi,  1—  Eofmeister,  Aria-Ariodante: 
Ah  che  per  me  non  v'&  n&  pace  nfe  pieti 
— 75,  Aria-Polinesso :  Come  frenare  il 
pianto  — 75,  Ccio  de'  Solitari :  Quale  or- 
ror  I  con  0,  Part  1 — . 

-Gondoletta  (The  Gondola),  canzonetta  ve- 
neziana — 60  u. 

-  Marcia  funebre,  eseguita  nei  suoi  funerali, 

P   1—. 

-  Miserere,    a    quattro    voci.    Part,     (Seguito 

da  un  Compianto  sulla  tomba  di  Mayr ; 
Coro  a  quattro  voci  con  due  Campane  di 
C.  Soli  V  a)    2.70. 

-  Partenza    (Perch&  si  mesto  o  zeflFiro)    1.25. 

-  Serenade,   TTBB   1—   Foetisch. 

Mayr  J.   op.   17  Sehnsucht   1 —  Hoffmann. 

-  Vzkiizani    1.20   Hoffmann. 

Mayr  Sebastian,  op.  18  Oberlanders  Sehn- 
sucht, Konzert-Landler,  VP,  FIP,  CIP,  Ob 
P,  TrP  k  1.25,  mit  -Sir-Quint,  a  1.50  Oertel. 

-  51    Heimweh,     Melodic,     P    1—,     VP    —60 

Uornr.9. 
-51   Longing  for  Home    (Heimweh),  melody, 
Z  —25,  ZP  —35,  ZBoivZfV)  —35,  ZBowZ 
(V)P  —40  Fischer. 

-  75   Die  Waldvogelein,  Polka,   Xylophon  m. 

P  1.50  n,  m.  0,  mO  3—,  kl.  0  2.50,  UM 
2.50   Oertler. 

-  100  Alpenrose,  Kornet-Polka,  mO  2.50,  kl. 

0  2—,  MM  2—  Oertler. 

-  107   Am   Tegernsee,   Idylle   fur   SchZ  m.   0 

2 —  n  Oertler. 
-Ill    Wohin?   und   Haubold   K. :    An   die 
Freiheit,  2  Marsche  1.40  Hug. 

-  Alpenklub-Marsch   1—.   0    1.50  n  A.    E.   Fi- 

scher. 

-  Am   Morgen,    Idyll,    Va,   Vc,   Fl,   CI,    Oboe, 

Waldhorv    m.   P   a    1 — ,   m.   Quint,   a    1.50 
Oertler. 
-Am  Rhein:     ,Die  Wogen   rauschen",   TTBB 
m.  T-Solo  1.40  Kistner. 

-  Beim  Morgenstrahl  —  im  Bergestal :  „Herr- 

liches  Bergestal  schimmernd  im  Morgen- 
strahl'', Sangermarsch,  TTBB  1.40  n 
Oertel. 

-  Birds  of  the   Forest,  polka   de  concert  for 

2  Db  Piccolos  or  2  B  b  Cornets,  mO  1.50 
Fischer. 

-  Der    Schwalben     Abschied,     Konzert-Polka 

fur  2Tr (Cornets),  m.  P  1.50  n,  0  2.50  n, 
mO  2.50  n,  Harm  2 — n,  UM  2— n  Oertel. 

-  Deutsch  und  Franzosisch,  Polka  — 60  Fries. 

-  Die  weifie  und  die  rote  Rose,  Guv.  P  1.25 

Hofmeister. 


2i* 


May  S.  Festtnarsch 


—     372    — 


Mayseder  J.  op.  2d 


-  Fe.stmarseli   zur   Eimveihung   des  schweize- 

lischeu    Laudesmuseums     iu    Ziirich     1.20, 
VP   1.45,   Harta   2— u,   blM   2— u   Fries. 

-  Griilse   aiis   dem   Vaterliaus,   ZP    1—   Frit;:. 

-  Hcchztitsfest,   Polonaise,   P   1—  FWc.s-. 
-Hoffiiuu-    Mazurka,  Z  —60,  ZVfSfrZ)  1— , 

ZPfThO   1.20,  ZyP  1.60  Fritz. 

-  Im      Mondenscheiu,      Polka-Mazurka      1.20 

Fries. 
-In  die  Feme   (Far  awav),  Idyl,  Z  —20,  2Z 
—35,      gZBoH'Zry;      —45,      2ZBoicZ(V)G 
—53,    2ZBo«-.Z/^y^<^^^    —75,    single    parts 
—20  Fischer. 

-  Jugenderinnerung,  mO  2.50,  kl.  0  2 — ,  blM 

2—  OcrlJvr. 

-  Liindliclie   Szcncii,   Polka-Mazurka,   ZP   1  — 

Fritz. 

-Oberst    Bollinger-Marscli    —80    Fries. 

-Ouv.  zur  Operette  „D  e  r  Chevalier  v. 
St.  G  e  r  m  a  i  n",  0  2—  n,  PV  1—  n,  P2V 
1.20  n.  PVVa(Vc)  oder  FlfCornet)  -X 
1.20  n,  Pi^yiV/n'r;  Oder  FlfCornet)  a 
1.40  u,  Pl^y«yc  Oder  i'7  oder  Cornet  ^ 
1.40  n,  PyFcFi  Oder  C'ornei  a  1.40  n,  PF 
FlCornet  1.40  u,  PgyFoFc  oder  FZ  oder 
Cornet  a  1.60  n,  PSyyoFi  oder  Cornet  a 
1.60  n,  P2VFICornet  1.60  n,  PyyolVFi 
oder- Corned    1.60  u   A.    E.  Fischer. 

c 

-  ( )uv.    Rosa    b  1  a  u  c  a,    P    1 —  n    Breiikopf. 

-  Recit.   ed  Aria :   Rendi  il  consorte    (Sclienk 

mir   den   Gattenl    1 — n   Breitkopf. 

-  Saiute  C^cile,   TTBB  —50  FoetiscJi. 
-Secrets     du     coeur      (Herzen.sgelieimnisse) , 

polka -mazurka      1.20,      VP     1.40,     MandP 
1.40,  Z  —40,  ZStrZfV)   —60   Fries. 

-  Soir.   TTBB,  Bf/>  -solo   1—  Foetisch. 

Mayr    Simon     (1763 — 1845),    Hercules,    Ouv. 
J/ms    1.50    Jlofmeister. 

-  OuTerture    zu    der    Oper :    JJie    beiden    Her- 

zoginnen,    /'   — 25,    'inis   — 50    Siegel. 

Mayrberger  C.  op.  5  Maien-Nacht,  TTBBm. 

P   1.10  (VaH.?. 
-7  Friihlingslied.  TTBB   1—  Cravz. 
-Abendruhe.    TTBB    1.25    Robitschek. 
-Der  Mai   ist   da.  TTBB  1.50   Bosworth. 
-2  Lieder :    1.  Waldgespriich,  2.  Du  bist 

eine   Bluuie,   a   — 80   Cranz. 

-  3  I  ieder  :    1 .  Altdeutsches  Miuuelied.  2 

Schofie  der  Liebe.  3.  Es  war  vielleiclit  ein 

schoner   Traum    1.50    Cranz. 
-Stumme    Liebe,    fiinfst.    TTBB,    Part   —75, 

Chorst  — 75   Robitschek. 
Mayrhofer    Isidor,    Baoh-Studieu.    Org   3— u 

Breitkopf. 

-  9    deutsche    Lieder     aus    dem     Gesangbueh 

,,Te  Deum  laudamus",  m.  4 — 12.st.  Ilar- 
moniemusik.  Singst.  16"  — 20  n,  /o.s/r-St 
1.50  u    Gleichduf. 

Mayrhofer  Ulr.  6  Pauge  lingua  f.  4  Singst 
und  eiu  Choral  -  Pange  lingua  fiir  5 
Singst   mit   Oj//  ad  lib.   1.50   Bohm. 

MayrI  Anton  v.  Stabat  Mater  (Soli  und 
Chor)    m.  P(Org)    4— n   Coppenrath. 

Mayseder  F.  op.  28  Rondo  brillant  (D),  P 
1.50  Cranz. 

-  Abendgesang.     TJed    ohne    Worte,    P    —80 

Crriny. 


wie 


Im 


Mayseder  Joseph  (1789—1863),  op.  1  Va- 
riations sur  un  air  russe,  V  1..50  8chle- 
singer. 

-2  Trio  en  mi  mineur,  WuVc  2.50  n  Co- 
stallat. 

-  3  Marohe  d'Aline,  VP  6—,  GP  4.50  Le- 
moine,   1.70    Weinberger. 

-  4  Variation  sur  un  thfeme  grec,  OV  1.50 
Schlesinger. 

5  N.  1.  Quatuor,  2VVaVc  2.50  Weinberger, 
3— n  Cost  (Mat,  Rondeau,  VP,  FIP  a  4/— 
Askdown,   a   1.50  n   Joubert. 

6  N.  2.  Quatuor,  2VVaVc  3—  Weinberger, 
4 —  n    Costallat. 

-  7  N.  3.  Quatuor,  2VVaVe  2.50  Weinberger, 

13 — n   Costallat. 

-  8   N.   4.    Quatuor,   2VVaVc   4— n    Costallat. 

-  9    Grand     duo    concertant,     VP     4 —  n     Co- 

stallat. 

-  10   Polonaise,   P    1 —   Cranz,    1.50,   4'>ns  2— 

IJofmeister,  VP  1.30  Simrock,  1.50  n  Jon- 
lert,  VP,  FIP  a  2.50  n,  y^FZ^-Quat.  4— ji 
Costallat,  V  m.  2VVaVc  3 — n  Weinberger. 
-11  Polonaise  (G)  N.  2,  P  1.50,  ^tns  2— n 
Hofmeister,  V(Fl)P  4/—  Ashdown,  2.50  n 
Costallat,  1.50  n  Joubert,  2VVaVc  1— 
Weinberger,    2.50  n    Costallat. 

-  12    Sine    Polonaise,    5yyoyc    2.50    Weinber- 

ger, P  1.50,  -'/TO.i-  2—  Hofmeister,  V(Fl) 
P  5/ —  Ashdoicn,  .3 —  n  Costallat,  2 —  u 
Joubert,  av.   Quat.   3 —  n    Costallat,   3.35  n 

-13   Scmate    (Es),   yp  4 —  Schlesinger. 

-  15     Variationen     liber    „Partant    pour     la 

Syrie".   1"  m.   yyoVc  2 —  n    Weinberger. 

-15  Partant  pour  la  Syrie,  GV  2— n  Co- 
stallat. 

-16  Variations  sur  Di  tanti  p  a  1  p  i  t  i, 
P  2.50  n,  V(Fl)P  3— n  Costallat,  2— n 
JoH&e//. 

-  17   Gr.   Polonaise,    P    1.50   Bchlesinger,   Jfms 

2—  Hofmeister,  VP  3—  n  Costallat,  2.50  n 
Joubert,   y-Quart.   4 — -n   Costallat. 

-  18  Variations  pour  SVVaVc   (la  Sentinelle) 

2.50   Tyein6er(/pr. 

-  19    5me    grande    Polonaise    concertant,    PV 

2.50  Weinberger.  2.50  n  Joubert,  10 —  Le- 
moine. 

-  20  Air  favori  du  Ballet  de  ,,Nina",  avec  va- 

riations,   P    1.30   Simrock. 
-20    Introd.    et    Variations,    PFl    (Tulou) 

2.75   Schott. 
-20   Variation    s.    u.    air    d'Aline,   FIP   6— 

Lemoine. 

-  21    Rondo    sur    le    Petit    Tambour,    P    3 —  n 

Costallat. 

-  22  Sechs  Ettiden,  Vc  1—  Oertel. 

-22  Konzert    (A-moll),   yO   8—  Schlesinger. 
-23    6e    Quatuor     (G),    2VVaVc    6—    S^c/tZf- 

singer,  5 —  n  Costallat. 
-24    Variations     (F),    PVyayc    2.50    Wcmv.- 

herger,  4- —  n  Costallat. 

-  25    Variationen,    P    1.50    Schlesinger,      VP 

2—  Schott,  2.50  n  Costallat,  2— n  Jow- 
berf,  y  quat.  4 — n  Costallat,  V  av.  une 
nouv.  Introd.    (G.  H  tin  ten)    1.50  Schott. 

-26    Konzert     (E-dur),    VO    9 —    Schlesinger. 
-26  Six  etudes,   y   1.70  n  Bornemann. 


Mayseder  J.  op.  28 


373 


Mayseder  J.  op.  06 


-28  Adagio  et  gr.   Rondo    (D),    VP  2.50,    V 

av.  quat.  4 —  Cram. 
-29  Adagio   et   gr.   Rondo    (A),    V   av.   quat. 

4 —  Cranz. 

-  29   Six   etudes,    V   2—   Cranz,   —60    Litolff. 

Un.-Ed.,  4/—  Chanot,  — 50  Fischer,  2.50  n 
Costallat,  Joubert,  6 —  Lemoine,  2 —  Ri- 
corcli,   Va    1 —   Bellmann. 

-30  Duo  N.  1,  2V  2—  Cranz,  3.50  Schle- 
singer,  3/ —  Ashdown,  1/ —  n  Augener, 
2— n  Costallat,  3— n  Joubert.  3.80  i?i- 
<o/dt';  FP,  VcP,  FIP  a  3—  Crane,  a  6/— 
.l.vMowrt,  t\  3 —  n  Costallat,  a  2.50  Jou- 
bert. 

-31  Duo  N.  2,  2V  2—  6Va»e,  3.50  Schle- 
singer,  3/ —  As7idoi<j?i,  1/ —  n  Augener, 
2— n  Costallat,  3.80  Kicordi ;  VP,  VcP, 
FIP  a  3—  Craii^,  a  4— n  Costall<it. 

-  32    Duo    N.  3,    2V    2—    Crane,    3.50    Schlr- 

singer,  3/ —  As/fdoit-ji,  1/ —  n  Augener. 
2— u  Costallat,  3.80  Ricordi;  VP,  VcP, 
a  3 —  Cranz,  t  3/ —  Ashdoicn,  a  4 —  n 
CostoWrtf. 
-30,  31,  32  Trois  Duos,  2^,  FFa  a  5— u 
Costallat,    (C.  N  o  w  o  t  n  y)    a   1—  Un.-Ed. 

-  33    Variations    sur    un    th&rae    danois,    VP, 

VaP    a    2.50  n,      V  quat.    3.50  n    Costallat, 

VP   7.50   Legouix,  6 —  Lemoine. 
-34    ler    Trio'    (B),    PFFc    6—    Schlesinger. 

PVfFlJVc  6— n   Costallat,  4— n   Joubert. 

12 —    Lemoine;   IfVis   9 —   Schlesinger,    HP. 

2P    a    5— n    Costallat,      Duo     (arr.)     FP 

15 —    Lemoine. 
-35  VI.  Polonai.^e,  -J"'«  3.50  Cranz. 

-  35    Divertis-sement,      PF    1.70    TFeut6e)(/e; . 

V(Fl)P  4:/—  Ashdotc7i,  2.50  n  Costallat. 
2 — n,  Gullet,  4.50  Girod,  1.75  n  Joubert, 
7.50  Legoui.r,  TenorP  5/ —  Ashdouni,  P 
1.75    Schott,    1.50  n    Costallat. 

-36  Rondino,  FP  2 —  Schlesinger,  4/ —  As/(- 
down,  4.50  Girod,  1.75  n  Joubert,  7.50 
Legouix,  FIP  2.75  Schott,  4/—  AsMoi(-«, 
FO   5 —   Schlesinger. 

-37  Variations  brillantes  sur  un  thfeme  fa- 
vori  de  Semiramis,  T^P  3 — ,  P  2 — ,  '/ms 
2.50  Wein6eryer,  FP  2.75  Schott,  3— n 
Costallat,  3.50  n  GaZiei,  7.50  Girod,  2.50  n 
Joubert,  9—  Legouix,  FIP  3.25  Schott. 
3— n  Costallat. 

-38  VI.  Polonaise,  P  2—,  IP  3—,  F  quat. 
4—,  FO  6—  Cmne,  FP  —80  Un.-Ed.,  of— 
Ashdoicn,  1.75  n  Joubert,  FIP  5/ —  A.s.'t- 
doirn. 

-  39  Divertimento,  FP  1.25  Weinberger. 
1.75  n  Joubert;  FIP  2.75   Schott. 

-40  Variat.  brill.  (E),  P  1.50,  FP  2—, 
Fquat.  3—,  FO  7—  Cranz,  VP  —80  Li- 
/oi^,  4/—  .ls/(doif».,  3— n  Costallat,  6—, 
(av.  quat.  7.50)  Girod,  2— n,  (av.  quat. 
3.35  n)  Joubert,  9 —  Legouix,  6 —  Le- 
moine, FIP  4/ —  Ashdown,  2.50  n  Co- 
stallat,  P   1.50   Schott. 

-41  Trio  (F),  PFFo,  HFCor  a  4—  Cran;^, 
PVCor,  PVVc  a  4— n  Costallat. 

42  Grande    sonate    concertante,    FP    4 —  n 
Costallat,    5 —  n    Joubert. 

43  Konzert-Variatiou   (D),  P  1.50,  FO  5 

F  quat.  3—,  FG,  FZG  a  2.50,  Vc  quat.  3— i 


P    1.50,    FO    7.25, 
FP   2.50,   4ms   3— 
J  shdown. 
l/ms,    Weinberger, 


Flquat.  3—,  FW  5—,  VP  2.50,  PG  2.50, 
FIP  2.50,  .'/»(s  2.50  Crone,  VP,  Ashdoicn, 
VP,  FIP,  VcP  a  2.50  n  Costallat,  VP  2.50  u 
Joubert,  VO  5 —  n  Costallat,  6 —  n  Jou- 
bert,   FIO    5— n    Costallat. 

-  44    Variations    sur    un    thfeme    de    I'opera  -. 

E  1  i  s  a  e  C  1  a  u  d  i  o  de  M  e  r  c  a  d  a  n  t  e, 
VP  2—,  Fquat.  3— n,  VO  5— n  Wein- 
berger, VP  5/ —  Leonard,  3 —  n  Costallat, 
VaP   3—   Costallat,   P    1.50   Schott. 

-45  Variat.  brill.  (E), 
Fquat.  3.50,  VG  2.50, 
Cranz,  VP,  FIP  k  5/— 

-46    Rondeau,    VP    2.50, 
P  3— n   Costallat. 

-47  Gr.  Kcnzertstuck  (A),  VO  8.75,  Fquat. 
6_,  FP  3—,  P  2—,  f/«.9  3.50  Cranz,  VP, 
FIP  a  5/—  Ashdown. 

-  48   Potpourri    de    I'opera :    Guillaume    Tell, 

concertant,  VP  2.50  Weinberger,  9 — 
Grus. 

-49  Kr6nungs-Rondo,  FP,  PiP  a  2—.  ^ws 
2.50,  F/  m.  0  6—,  m.  Quartett  3—  Schle- 
singer, VP,  FIP  a  2.50  n,  F  quat.  3—  n, 
VO  5— n  Costallat. 

-50  Gr.  Trio  arr.  d'apres  le  quint.  (Es), 
p.  Urban,  PVVc  5 —  Rofmeister. 

-50  ler  Quintette  en  la,  2V2VaBasse  7— n 
Costallat. 

-50    ler    Sextuor.     2V2VuVcKb     7— n    Co- 

-51  He  Quintetto  ou  Sextetto  (A-m.),  .?F 
2VaVc  (Kb  ad  lib.),  Part  6—,  p.  .s.  8.75, 
Ifms  6.75  Cranz. 

-  51   Ille  Trio.  PVVc   (C  h.  C  z  e  r  n  y)    .5—  u 

Choudens,    6 — ,    P    4 —   Cranz. 

-  52  Second  grand  Trio,  PVVc  5 —  TFeinfter- 

ger,  PVVc,  PFlVc,  PVCor  k  1—,  HP,  2P 
a  6— n  Costallat,  PVVc  7.50  Ricordi. 
■  53    Second    Concertino,    FP    2.50,     V  quat. 


7.50  n    Weinberger,    VP    — 80 


2.50,    VP 


4.50  n,    VO 
Un.-Ed. 

-54    Air    vuri^,    VO    5.50,    Fquat 
1.70   Weinberger,  5/ —  Ijconurd. 

-55  3e  Quintette  en  re,  2V2VaVc  7— u  Co- 
stallat. 

-55  3e  Sextuor.  2V2VaVcKb  7— n  Costallat. 

-  56   Rondeau   de  Concert,    VP  2.50,    FO  4— 

Wei?i&er(/fr. 
-57    Variations    concertant,    VP    2.50  n    Co- 
stallat. 
57    Variations    en    trio.    PVVc    4— u    Co- 
si  alia  t. 

-  58  Troisifeme  grand  Trio,  PVVc  4.50  Wein- 

berger,    6 —  n    Costallat,    9 —    Ricordi. 
-59    Trio    (G),    PFFc    6—   Schlesinger,    PV 
(Fl)Vc   3/ — n  Attgener,   6 — n   Costallat. 

-  60   Grand    Duo,    FP   2.50   Schlesinger. 

-62   7e   Quatuor    (F),   2VVaBasse   4— n   Co- 

-  63   Souvenir  a   Bade,  P  2.50,  PVVaVc  4.80 

Cranz,  5 —  Costallat,  8 —  Ricordi,  P  3 — n 

Costallat.   5 —   Ricordi. 
-65    Grand    Quintetto    N.    4    (Es),   2V2VaVc 

6 — ,  ^wis  6 —  Kistner. 
-66    Quartett    Nr.    8,    2FFaFr    (H-m.)    .5—, 

4w,v   5.50   Kistner. 
-66   IT.   Trio,   PVVc  2.50  n   Joubert. 


May  seder  J.  op.  67 


374     — 


May  wood  G.   Thut  is  love 


-67   Quiutett   Nr.   5,   2V2VaVc    (E-m.)    6—, 

J/ms  5.50  Kistner. 
■  Adagio    du    2e    Trio    en    mi,    transcr.    par 

K  r  e  n  g  e  r,   HP  V   2.50  n   Costallat. 

-  Adagio  du   3e  Trio  en  sol,  transcr.  par  G. 

K  r  e  n  g  e  r,   HPV  2.50  n   Costallat. 
-Adagic   du  4e  Trio  en  ut,  transcr.   par   G. 
K  r  e  n  g  e  r,  HPV  2—  n   Costallat. 

-  Adagio   sentimental,    VP,    V  quat.    A    2.50  n 

Costallat. 

-  Adagio  et  Rondo,  VP  2.50  u  Costallat,  Jou- 

bert,  P  1—,   0   1.50  n   W.  Schroeder. 

-Air  varie,  FullO  1.75,  SynallO  1.40  Hawkes. 

-Beauties  of  M  a  y  s  e  d  e  r,  VP:  N.  1.  Le 
petit  tambour,  fingered  by  S  p  a  g  u  o  - 
1  e  1 1  i  5/ — .  N.  2.  La  seutinelle,  by  S  p  a- 
gnoletti,  in  C  4/—.  N.  3.  Fir.'^t  diver- 
timento, in  D  (op.  35)  3/—.  N.  4.  Roa- 
dino,  in  A  (op.  36)  4—.  N.  5.  Air  in 
Semiramide,  in  C  (op.  37)  5/—.  N.  6.  Polo- 
naise, in  A  4/ — .  N.  7.  Second  diverti- 
mento, in  C  (op.  39)  4/—.  N.  8.  The  ad- 
mired air  and  variations  in  E,  4  sharps 
(op.  40)  4/ — .  N.  9.  Air  in  the  ballet  of 
Nina,  in  F  (op.  20)  4/—.  N.  10.  German 
air  and  polonaise,  in  F  (op.  25)  4/ — . 
N.  11.  Variations  on  the  Cossack  song, 
in  G  3/ — .  N.  12.  Variations  concertante 
on  Di  tanti  palpiti,  in  A  5/ — .  N.  13.  Co- 
ronation air  with  variations  in  D  minor 
ronation  rondo  in  E  (op.  49)  5/ — .  N.  15. 
Greek  air  with  variations  in  D  minor  3/ — . 
N.  16.  Danish  air  with  variations,  in  A 
3/ — .  N.  18.  Fourth  polonaise,  in  F  4/ — 
Leo7iard. 

-  Danse     Ecossaise     (Backer),     67ns     — 85 

Ditson. 

-  Divertimento,   in   D,   P  3/ —   Williams. 
-Divertissement    (F),    VP  3—,   2VVaVc  3— 

Cranz. 

-  ler   Divertissement,    VP    (arr.    par    B  a  t  t- 

m  a  n  n)    1.75  n   Gallet. 

-  Duo  concertante,   VP  10/ —  Leonard. 

-  Favorite  Polonaise  N.  3,  2FIP,  FIVP  a  —40 

Fischer. 
-Gondoliers,  waltz    (Sullivan)    — 40   Dit- 
son. 

-  6  Gr.  Duos,  VP    (H.  R  o  m  b  e  r  g)    a  2.50  n 

Costallat. 

-  Gr.  Polonaise,  VP  5 —  Ricordi. 

-12  Landler,  VP  2—  Costallat,  1.35  n  Jou- 
bert. 

-  ler  et  2e  Polonaise   (arr.  par  Giuliani), 

GFl  a  2.50  n  Costallat. 
-Rondo  de  Concrrt,   V  av.   0  ou   /Sfr-Quart. 
5 —  n  Costallat. 

-  Sammlung  d.  Konzert-Kompositionen,  Solo- 

St   V  28.30  Aibl. 
-Solo  p.   V  av.   VVaVc    (C)    3—  Cranz. 

-Souvenirs  des  Pyr6n6e8  sur  des  airs  mou- 
tagnards,  VP  7.50,  0  15—  Heugel. 

-3e  Trio,  PVVc  (C  h.  C  z  e  r  n  y)  5—  Chou- 
dens. 

-  Valses  autrichiennes,   Jf/ns  1.30   Cranz. 

-  Variations,    VP   3 —  Ricordi. 

-  Variations,    VP  3 —   Ricordi. 
-Violinsolo    (C),   VP  2—  Cranz. 


Mayseder  &  Godbe,  op.  35  Le  bijou,  diver- 
timento in  D.  VcP  4/ —  Ashdoi(77i. 

Mayseder  ci  Leduc,  Rondino,  PFl  6 —  Le- 
gouix. 

Mayseder  J.  C.  Little  Annie  Rooney,  .song 
and  chor.  — 35,  w.  Batijo  — 40  Ditso7\. 

-  Little  Annie  Rooney,  waltz  ■ — 40  Ditso)i. 

-  Mc.   Ginty,   quadrille  — 50   Ditson. 

-  My  heart   flies  ever  to  you  — 40  Ditson. 

-  We   shall    all    be   angels    in    the   sweet   by- 

and-by,  .--oug  and   chor.  — 40  Ditson. 

Mayson    S.   Autumn   Days,   gavotte,   MandP 

2/ —  n    Turner. 
Mayson    Stansfield,     Heather    Bells,     .schot- 

tische  4' —  Reeder. 

Mayweed  G.  Brainard:  Admiral  Sampson's 
Victory  march,  P  — 50. 

-  Ambolena    Snow,   two-step    2/ —  n    Wickins, 

P  —40,  G  —30. 

-  Belle  of  Lincoln  Park,  song  and  dance  — 40. 

-  Beyond  the  sunset  gates,   descriptive  — 60. 

-  Beyond  the  sunset  gates  — 60. 

-  Boy  wanted  —10  Nat.  Music  Co. 

■  Centennial    Jersey    (Dance)    — /2   Sheard. 

-  Commodore     Dewey's     victory     march,      P 

—50. 

-  Dat    makes    me    modding    oud,    song    and 

dance  — 35  Dits07i. 

-  Don't  Get  Gay,  Charlie  — 50  Not.  M iisic  Co. 
-Doris  waltz   (arr.  by  C.  Rahn),  Z  — 25. 

-  Doris,  the  village  maiden  — 50,  w.  G  — -40, 

waltz  —50,  (2/— n  Sheard).  Z  —25,  Hand 
—15,  2Mand  —25,  MandG  —40,  2MavdG 
—50,   MavOP  —40,   2Ma7idP   —50. 

-  E^'ery   american   girl   is   a   queen  — 50. 

-  Ffirewell,   Pauline,   romauza  — 60. 

-  Ferris  Wheel,  march,   P  — 40. 

-  General    Sherman's     Funeral    March     — 10 

Nat.   M7isic   Co. 

-  Hanky-panky,   polka,   P  — 40. 

-  I   whistle  and   wait   for   Katie,   waltz   — 10 

Nat.   Music  Co. 

-  Jeannette,   humorous   — 40. 

-  Jolly    vivandi^re    (Pride   of   the   regiment) 

—50. 

-  Leonora    waltz     (arr.    from    „Leonora,    the 

miller's  daughter"),  P  —50,  Mand  —30, 
2Mand   —50,    MandG    —50. 

-  Little   Annie   Booney,   waltz  — 10  National 

Music   Co. 

-  Little    Fsihermaiden    „Incognito"    (W  a  1  d- 

m  a  n  n)  — 50. 

-  Lucy  Lee  of  Tennessee  —40. 

-  Mac    Kinley    March    — 50    Bloo7n. 

-  Miss  Cunigunda  Sno,  hum,  Marsch-Kuplett 

— 75   Gehrman. 
-Molly  on  the  trolley    (F.   J.  Kugler),   G 
—30. 

-  Molly  on   the  trolley,   waltz  — 50. 

-  Pauline,   romanza   3/ —   Ashdo7cn,  — 60,   w. 

G  —50,  P  —60. 

-  Republican   campaign    march    (True   blue), 

P  —40. 

-  Song  of  the  „Whaleback"  — 40. 

-  Susie  had  a  mocking-bird,  song  and  dance 

—40. 

-  That    is    love,    schottische,    P,    VP,    FIP    a 

— 10  National  Music  Co. 


Maywood  G.    When  the  stvallo/rs 


K;) 


Mazas  J.  F.  op.  61 


-  When   the  swallows  come   again   — 40. 

-  When    the    whippoorwill    is    singing,    S(T) 

—50. 

-  World's    exposition,      grand     march       — /2 

>Sheard,  — 50,  ^)ns  --".'),  1(2 jBonjos}'  — 60. 
Maywood  &  Schleiffarth,  Hearts  that  grow 

old  together  — 50  2Va<.  Music  Co. 
Maywood    Bodine.      Brainard:       Amboleua 

Snow   — 50. 

-  Fly,  you   Blackbirds,   fly !   —40. 

-  Leonora,    the   miller's   daughter    — 50. 

-  Molly  on  the  trolley  — 40. 

-  My  sweetheart's  in  the  navy,  marine  ballad 

—50. 

-  Up  went  O'Connor  on  his  wedding  day  — ;">(>. 
Maza  J.  F.  Diabrete,  ]K)lka  1.50  Bevilacqua. 
Mazagran   du   fnutiis-^in    1 — n,   Ch.  n.  — 35  n 

Puigellitr. 
Mazalik    Josef,    op.    10       Die    Gouvernante, 
Polka   fraiicaise  — 60   Bosuorth. 

-  Steinfensterln,  Polka-Maz.  1.20  Doblinger. 
Mazanek  Jan,  Cvicebnice  zpSvu  die  not  pro 

zaky  skol  obecn^'ch:  Sesit  I.  (pro  ctvrty 
skolul  rok).  TI.  (pro  paty  a  sesty  skolnt 
rok).  III.  (pro  sest^  a2  osm^  gkolnl  rok), 
a  — 40   Urbdtiek. 

-  Cvicebnice    zpevu,    sbirka    pisnl    pro    skoly 

mg§t'ansk6  a  vhodnfi  pomucka  k  doplngnl 
latky  kazdemu,  kdoz  cvici  zpevu  die  not. 
pfisp^ufm  J.  B.  F  o  e  r  s  t  e  r  a,  A  1.  H  n  i- 
1  i  c  k  y,  Jos.  H  o  r  k  e  h  o,  Boh.  J  e  r  e- 
m  i  a  s  e,  J  a  n  a  M  a  1  a  t  a,  J.  P  a  u  k- 
nera  a   J.   C.   Sychry   1.60  u   Vrhdmk. 

-Sbofeni  Jericha,   TTBB  a   s.   P   3.20   8kir-^. 

-Uz  ho  vedou  Martina,  TTBB   1.80  Starf. 

-Vyucovani  zpevu  na  petitfidnlch  a  vlee- 
tfldnlch  skolach  obecn^ch  i  mgst'anskj^ch, 
Dll  I.  (THda  1.,  2.  a  3.)  1.20,  II.  (Tfida 
4.  a  5.)  2.40,  III.  (Tfida  I.,  2.  a  3.  jne- 
st'ansk^)    2 —  Urhanek. 

Mazard  Isabella,  Supplication,  valse  leiilr. 
/'.   Gelfliii -\\\gnon. 

Mazarino  L.  0  Araguaya,  3.  valsa  serenata 
1.50  Bevilacqua. 

MaaacB  B.  Hohb  xeMHaii,  nous  CTpaiunaji, 
list  onepw:  Bo.iJKCK-ie  paaGoHnnKif,  K 
BujbSoa   VP  —50  Outheil. 

-  Mto  acnsHb  ]i,na.  nact,  ii.i'b  oiiepbi :  KpoaiKa, 

0.  /i;wTUia    VP  —45   Outheil. 
Mazas  Jacques   Fereoi    (1782—1849),  op.  5 

]re    Fantaisie,    V0{8tr-Q\\».ri.)    4— n    Oo- 

stallct. 
-7   Trois   Quatuors,   2VVaVc  ft   3.25   Schott. 
-18    Drei    Original-Trios,    2VVc    1.50,    2VVa 

1.50  Litolff,   11   Bg.  Schoit. 
-25  Trois  Fantaisies  pour   V  seul  2 —  Kist- 

ner. 

-  29  Consolation,  PVa  3 —  n   Gregh. 

-  34  Grande  M^thode  de  Violon   suivie  d'un 

traits  des  sons  harmoniques  en  simpl*s 
et  doubles  cordes  15 — :  3  Duos  concertants 
pour  ^V"  5.50  Simrock. 

-  34  Petite  M^thode  de  Violon    (extraite   de 

la   grande   m#thode)    6 —   Simrock,    1.50  n, 
1— II   a   3.50  n,    (Br  eton  n  ifer  e)    3.50  n 
('oUinet. 
-34  Aus  derselben :    10  Etudes  faciles  p.  2V 
1.80    Simrock. 


-  35  Traits  des  sons  harmoniques    (en  simp- 

les et  doubles  cordes),  V  4 —  Simrock. 

-35  N.   1.   Etudes   speciales,   V  1.50  n.   N.   2. 

Etudes  brill.  V  1.60  n.  N.  3.  Etudes  d'ar- 
tistes,  V   1.60  n  Gallet. 

-  36    75    Etudes    m^lodiques    et  progressives 

jiour  Violon  (d'une  marche  progressive  et 
sp^ciale)  Jl  chaque  difficult^  de  I'instru- 
ment:  I  Etude  speciales  1.50  n,  II.  Etude 
lirillantes,  III.  Etudes  d'artistes,  a  2 — n 
simrock,  I— III  a  1.20  Breitkopf.  30  Etu- 
des m^lodiques  (d'une  marche  progres- 
sive et  speciale  a  chacjue  diflTicult^  de 
I'instrument),  extr.  5.50  Simrock,  I — III 
a  1.20  LUolff,  Peters,  Un.-Ed.,  a  1,— n 
Augener,  a  1/4  Williams,  a  — 60  Scliinner, 
a  —50  Fischer,  a  3— n  Costallat,  I  2.25 
(Ihelmve,  30  Et.  m6l,  (extr.)  3— u  Co- 
stallat. I— III  a  1— n  Blanchi,  1.60  u  h'i- 
cnrdi. 

37    La    Babillarde,    scene-caprice,    VP    2 — 
Schott. 
-38  18  kl.   Duette,  2V    (11.  Petri),   I— IIT 
a   1—  Breitkopf. 

-  38   12   petits  Duos  pour  2V,  I — II   a   7   Bg. 

Schott,  a  1—  Litolff,  Peters,  Un.-Ed..  M. 
Vrhdnek,  a  1/ —  u  Augener,  a  — 50  Fi- 
scher, Schirmer,  Wood,  a  1.35  u  Costallat, 
Gh4lnue,  a  9 —  Lednc.  a  1.35  n  Ricordi, 
2VVc,  2VVa,  I— II  a  1.50.  2VP,  VFIP  a 
1.80  Litolff,  I— IV,  2V  a  — 75  n,  VP  a 
1.50  n,  2VP  a  2— n.  VVcP  a  2— n,  2VVc 
a  1.25  u,  VVaVcP  a  2.25  n,  2VVaP  ft 
2.25  n,  2VVcP  a  2.25  n,  2VVaVc  a  1.75  n, 
2VVttVcP    a   2.75  n    Wei^. 

-  39  Six  pet.  Duos,  2V  I— IT  a  7  Bg.  Schott, 

a  1 —  Litolff,  Peters,  a  1  ' —  u  Augener,  ft. 
— 50  Fischer.  Schirmer. 

-  40  Six  Duos  brill.  2V,  I— II  a   1—  Litolff, 

Peters,   Schoit. 

-  40  Neuf  Duos,  FIV  2.50  Debert. 

-41  Six  gr.  Duos,  2^,  I— II  a  10  Bg.  Schott, 
a   1.20'~  Litolff. 

-  42  Airs  varies,  rondos  et  fantaisies  sur  des 

th&nies  de  Rossini,  Bellini,  M  e  r- 
cadante,    V,    I— IV    1.50    Schott. 

-42    Lestocq,    faut.    PV    3.25    Schott. 
43    Trois    Airs    varies    sur    des    thfemes     de 
!{  o  s  s  i  i;  i    et    Bellini:    1 .    Cenereutola, 
2.  Pirate,  3.  Air  allemand,   V   1.50  Schott, 
ji  _80,   VP  a   1.30  Simrock. 

-44  Trois  Rondeaux  sur  des  th&mes  favoris: 
1.  Freischiitz,  2.  Air  anglais,  3.  Motif  de 
M  e  r  c  a  d  a  n  t  e,  V  1 .50  Schott,  a  —80, 
VP   a    1.30   Simrock. 

-  45  Drei  Polonaises  sur  des  thfemes  de  R  o  s- 

s  i  n  i,  S  p  o  h  r  et  Weber,  V  1.50  Schott, 
a  —80,  VP  a   1.30  Simrock. 

-  46  Sechs  petits  Duos   (A.  S  c  h  u  1  z)  (2) ,  2V 

1.20    Litolff,    Peters,    1. —    Augener. 
-59  Postilion  d  e  I.  o  n  g  j  u  ni  e  a  u,  i'ant. 
VP  3.50  Schott. 

-  60   Sechs   sehr   leichte   Duette,   2V    1 —    Li- 

tolff, Peters,  Un.-Ed.,  M.  Urbdnek,  —50 
Fischer,   I — 11   a    1.50  Schlesinger. 

-  61    Sechs    leichte    Duette,    2V    1—    Litolff, 

Peters,   Un.-Ed.,  I— II   ft   1.50   Schlesinger. 


Mazas  J.  F.  op.  62 


—     376 


Mazel  H.  R.  Cl/rint  clu  jilarin 


-  62    Six    Duos    progressifs,    2V    1 —    Litolff, 

Peters,   2- —    Schlesinger. 
-66   Drei   Duos   brillauts,   2V  5.25   Schnft. 

-  67  Drei   Duos  brillants,  2V  5.25   Schoii. 
-69  Duos,  21'  1.-20  J/.  Urhiinek. 

-  70  Douze  pet.   Duos  progressifs,  2V,  I — IV 

ji    2.50    Hofmeister,    I— IT    Jl    1.20    Litolff, 
Peters,  A   — 60  ^ehirmer,  h  — 50   Wood. 

-  71   Six  Duos  conoerl.  d'une  moyenne  diffi- 

cult6,   2V,   I — II   a   4 —   Hofmeister,   a   1  — 
Litolff.  Peters. 

-  12    Six    duos    brillants,    2Y ,    I— III    a    3— 

Hofmeister,    a    1.20    Litolff,   2Va    (L.    Pa- 
gels)    k  2.40  Cranz. 

-  73  El4gie,   PVa,   PVc  a   2.25   Hofmeister.   a 

2.50   Sim  rock. 
74   La    Folie,    fant.     brill.     VP     2.50     //of- 

-  75  La   Pastorale,   gr.   fant.   de  concert,   TP 

2.50    Hofmeister. 

76    La    Cloche,    fant.    VP    1.25    Hofmeister. 

T7   Grande   Melodie,    VP   3 —   Hofmeister. 

78  Reverie.  luorceau  de  salon,  VP  2.25  Hof- 
meister. 

80  Acht  leichtc,  progr.  Melodieu,  V,  I — II 
a  3  Bg.  Sehoft,  1—  Litolff,  Peters,  Va 
1.50  Bellmanv. 

81  Acht  Melodies,  F  1—  Peters,  I— II  a 
1.50,  2r,   I— TIT  a  2.75  Schott. 

82  Sechs  ]:)uos  faciles  et  brillants,  2V,  I— II 
a  1—  Liiolff.  a  4.75  5fc/iof/,  a  3. .35  n  Joi>- 
hert. 

84  11(1   Volume,   sechs 
I— Til   a   3.25   Sehotl. 

85  15  Duos  abecedaires,  2V ,  I— 
Sehoti,  a  1—  Liiolff,  Peters, 
— 50   Fischer. 

86  Neuf    Duos   elementaires,    2V,    I- 
1—  L?7o?/f,  Peters,  a  3.25  Kc/!o«. 

88  TV'Tio  Anne,  six  grands  duos  de  salon 
concertants,   2V,   I — III   a  4.25   Schott. 

91  Etudes  de  Concert,  T^P.-  N.  1.  Le  Dia- 
mant   2 — .   N.   2.  L'Arpeggio   3 —  Simrock. 

92  Le  Songe,  fantaisie  sur  un  th&me  de 
„La  Favorite".  VaP,  VP,  VcP  h  3—  Sim- 
rock. 

93  Le  Caruaval  de  Venise,  fantaisie,  VP 
2.50  Simrock. 

95  Quatre    Airs    varies,    T'P.*      1.    Norma, 

2.  Valse   de   Gallenberg,   3.   Air   militaire, 
4.   Th^me  original,   a    1.80   Simrock. 

96  Hommage  a  Bellini,  3  fantaisies  elegan- 
tes, l^P.-  1    T  Puritani,  2.  La  Sounambula, 

3.  Beatrice  di  Tenda,  a    1.80  Simrock. 

97  Trois  Fantaisies  caracteristiques,  VP: 
].  Jalousie,  2.  La  Tarentule,  3.  Polonaise. 
a    1 .30   Simrock. 

98  Romances  sans  paroles,  VP,  N.  1 — 3  a 
L30   Siinrock. 

99  Trois  Fantaisies  de  Salon,  VP:  1.  Obe- 
ron,  2.  I  Puritani,  3.  Th&me  original,  a 
1.80  Simrock. 

42    Airs    varies,    F,    I — TV    a    5 —   Lemoine. 

4  Airs  with  Variations,  1'.-  1.  Chansou- 
nette  Siciiieuae,  2.  Air  by  M  e  r  c -i- 
d  a  n  t  e,  3.  Air  by  D  o  n  i  z  e  1 1  i,  4  Air 
by  Bellini,  a  1.30  Brcitk(>i>f.  a  1  — 
lAonard. 


Duos    brillants,    2\' 


III  a  7  Bg. 
Un.-Ed.,    a 


-TIT    a 


-Arietta,     transcr.    by    Pa  no  ff  ski,    2VP 
4/ —   Landy. 

-  Ausgewahlte    Violin-tJbungeu    5.25:      T — IT 

a   1.50,  ITT  2.25  Merseburger. 
-Barcarolle,  tran.scr.  by  P  a  n  o  f  f  s  k  i,  2VP 
4/ —   Laudy. 

-  Brilliant   Duets,   2V.     N.    1    —60,     N.    2—3 

—90    Willig. 

-  Campanone,   P  — 50   Neuparth. 

-  Canzonetta,   transcr.   by   Panoffski,  2V 

P   4/ —   Laudy. 

-  C6lfebre   Romance,    VP    1.75  n    Pisa. 
-Duo,    VP    1.75  n   Pisa. 

■  18  Duos   (pet.),  2V  en  3  suites  a  3—  Sudre. 

-  12  Duos    (petits),  2V,  2  suites  a  1.50  n  De- 

bert. 

■  9   Duos   brillants,    2V    en    3   suites   a   3.50 

Sudre. 

■  6   Duos   progressifs,   2V  en   2   .suites   a   3 — 

Sudre. 

-  f)  Duos   (grandc),  2V,  T — II  a  4 —  Sudre. 
-6  gr.  Duos,  .8F  en  2  vol.  a  2—  Gheluwe. 


6   Duos,   2V 

8  Fantaisies 
d'H  ^  r  o  1  d, 
original,  4. 
beer,     5. 


1.50   Debert. 


faciles,  T-'P.-  1.  Rondo,  thfeme 
2  Valse  de  W  e  b  e  r,  3.  Rondo 
Fantaisie,  th§me  de  M  e  y  e  r- 
Chansonnette  tyrolienue,  G. 
Th6me  de  M  e  r  c  a  d  a  n  t  e,  7.  Thfeme  de 
Donizetti,  8.  Th&me  de  Bellini,  a 
5 —  Lemoine. 
-4  Fantasias,  V:  1.  Rondo,  th&me  d'H  e- 
rold,  2.  Waltz  by  Weber,  3.  Rondo, 
4.  Air  by  Meyerbeer,  a   1/ —  Leonard. 

-  Favorite,    caprice,    VP,    VaP,    VcP    k    9— 

Grus. 

-  Methode  p.   V    (Methode  fur  die  T^)  (Textes 

al.-fr.-angl.)  5 — n  Schott,  — 75  Ditson, 
1 —  Gordon,  White^  5 —  Debert,  Glicluive, 
30 —  Legouix,  4 —  n  Mnraille,  20 —  Noel, 
8—  n  h'ouart,  5.35  u  Gallet,  25 —  Leduc, 
10 —  Sudre,  I  4 —  n,  IT  5 —  n,  compl.  av. 
les  sons  harm,  et  pizziccato  10—  n  Gallet, 
30 —  Leduc,  sons  harm,  et  pizz.  2.50  n 
Gallet,  I — II  a  — 15  Leduc,  6 —  u.  saus  les 
legons  harm.  4 —  n  Margueritat,  T  10 — , 
IT  12—  Noel,  I— IT  a  5— n,  av.  le  traite 
des  sons  harm.  10 — n  Rouart,  I — IT  a  5— 
Sudre,  esp.  20 —  u  Ayne,  vide  op.  34. 

-Methode  (Petite),  V  1.50  Peters,  3— u  Co- 
stallat,  1.25  n  Gallet,  Diirdilly,  Leduc, 
Noel,  Sudre,  2 —  n  Ayne,  Kb  a  3  et  4  cor- 
des    1.25  n   Gallet,   vide   op.   34. 

-  Methode,    VP   4.25  n,    I— IT    a   2.50  n   Pores. 

-  35   Progressive   Duets,   2V    1/6   Boosey. 

-  niKo.i.a    jiJin    ch-piinKH,     nepecMOTp'feHna>i    h 

^onojineHHaa  11.  FpacHMajiii  2 —  Jurgcuson. 

-  Sylvie,    romance    1 —  n    Costallat. 

-  farantelle,  VP  5/—  Laudy. 

-  3    Trios,    VVaVc   4 —  u    Costallat. 

Mazel    H.   R.   op.  2  Gr.   Variations  milit.   P 

7.50    Girocl. 
-4   Souvenirs   de   Badtn-Badeu,   6   gr.   valses 

7.50  Girod. 

-  6  Gr.  Variations  sur  un  th&me  orig.  P  7.50 

Girod. 

-  13   Divertissement,   P   5 —   Grus. 
-Chant   du    Marin    2.50   Heugel. 


Mazel  H.  R.  Concerts  enfanlins 


—     377 


Mazurette  S.  Silver  Baud 


13  m^lod.  a  1,  2 
N.  1.  Dieu!  Can- 
du    soir,    1    voix, 


-Coucerts  enfantius,  recueils  de  fables,  bal- 
lades et  melodies,  N.  1.  a  1  voix  — 75  n, 
N.  2.   a  2  voix   1— n   Bornemnnn. 

Mszel  Robert,  Au  bord  du  Lf-man,  m6l.  P 
5 —  Snlzbach. 

-  All   souvenir,    uot't.    P   5 —   Siilzbach. 

-Concert  des  enfants,  recueil  vocal  et  pro- 
gressif  de  24.  pet.  fables,  ballades  et  me- 
lodies, il  1  ef  2  voix  12—,  Ch.  s.  8— 
Ueugel. 

-  Concerts  de  la  Jeunesse, 

et  3  voix  medium  20- 
tique,  1  voix,  2.  Chant 
3.  Tyrolicune,  4.  La  cloche,  a  1 — .  N.  5. 
L'enfant  au  miroir,  6.  Adieu,  matelot,  k 
2 — .  N.  7.  Choeur  des  anges,  2  voix  1 — . 
N.  8.  Polka,  9.  Le  Cr^puscule,  t\  2—.  N. 
10.  Les  Exil6.s  3—.  N.  11.  Les  Enfants  et 
les  souris,  3  voix  2 — .  N.  12.  Le  Menteur 
et  les  2  ^coliers  2.50.  N.  13.  Cantique,  4 
voix  2 —  Siilzbarh. 

-  Coucerts   de   la    jeunesse,   douze   melodies   a 

1,  2  et  3  voix  6gales  9 — :  N.  1.  Benedic- 
tion, pri&re,  a  1  voix,  2.  Paresse  et  tra- 
vail, a  1  voix,  3.  Le  Regiment,  parade,  ft 
]  voix.  4.  Gondolier  et  jeune  fille,  ft  1  voix, 
5.  Bel  ange,  guide-moi,  k  2  voix,  6.  La 
Barque,  barcarolle,  a  2  voix,  7.  La  Soeur 
de  charity,  t1  2  voix,  8.  La  Fileuse,  bal- 
lade, a  2  voix,  9.  La  Voix  de  Dieu,  il  3 
voix,  10.  Le  vieux  M4doe,  ft  3  voix,  11. 
Charity,  melodie,  a  3  voix,  12.  Discour-- 
k  la   Poupee,   a    3   voix,    a    1 —   Heuf/e}. 

-  Etoile    (Der   Stern)    —50    Schott. 

-  flymne  a  la  vierge  — ^50  Schott. 

-  Lunettes   de   ma    grand   m&re   2.50    Heugel. 

-  Orage   a   la    Grande-Cliartreuse   1.50  n   Jul- 

lien. 

-  (5   Pieces  de  genre   8—  n :   N.   1.   Idylle   5 — . 

N.  2.  Chant  de  I'ermite  3—.  N.  3.  Scherzo 
pastoral  6 — .  N.  4.  Choeur  des  pelerins 
4 — .  N.  5.  La  Fileu.se  ecossaise  5 — -.  N.  6. 
Halte  de  chasse   6 —  Heugel. 

-  Rose  blanche  2.50   Ueugel. 

-  Tarentelle,  P  5 —  Sulzhach. 

-  Vergifi    mein    nicht    (Ne     m'oubliez 

polka   2.50   Heugel. 

-  Violettes    1 —  n   Jullien. 
Mazeller  J.  Saisons  d'amour, 

det. 
Mazellier    J.    Apr&s    la   moue.    Ton    sourire ! 
a   1.25  n,   Ch.  s.   k  — 25  n  Ricordi. 

-  Bon  jour   Suzon   1.75  n   Serpeille. 

-  Cloches  de  Noel.  av.  Org  2 —  n  Ricordi. 
-Contemplation,    reverie    2— n,    VP,    VcP    k 

2.50  n,    0,   p.  s.    2 —  n    Serpeille. 
-Illusions   bleues   1.70  n   Serpeille. 

-  Immortel    printemps    1.50  n    Serpeille. 
Mazeroux    L.      Dragons     de     Villars 

(M  a  i  1 1  a  r  t) ,    fant.    Harm,    Part    12—  u 
Evette. 
-Josephine,  polka,  Harm(Fanf),  Part  3 — u, 
p.  s.  a  — 10  n  Evette. 

-  Plaisir,  pas  red.  Harm,  Part  3 —  u,  p.  s.  a 

— lOn   Evette. 
Mazet    1— n,    Ch.    s.   — 35  n   Eveillard. 


pas). 


romance.     Oii- 


MaacTTil  r.  Jurge7ison:  ^leiupe  pojiaiica: 
Nr.  1 .  Ce.iibCKafl  n'tcHH  — 45.  Nr.  2.  CiacTbe 
BO  CH*  —30.  Nr.  3.  CepeHa;^a  30—.  Nr.  4. 
Ha  depert  cnoKOHHoai'b  — 45. 

-  .')0   Ka,'^eH^iH  KT.  apiiiM'B  hs-b   onep-B   (p.   h.) 

—50. 

-  50  Cadenze  per  arie  di  opere  celebri  — 50. 

Mazewski  J.  op.  1  Que  ne  voudrai-je!  re- 
verie,  P  5 —  Girod,  — 80  Sinirock. 

-  4    Regrets,     meditation,     VP     —80  n    Oe- 

befhncr,   2 —   Jakiibnicftki. 
Mazieres  de,  Valse  Styrienne  3/6  Chappell. 
Mazingue    E.   Nocturne,   TTBB,  Ch.  s.   Mar- 

gueritat. 

-  Nuit  etoilee  a  4  v.  d'hom.     Margueritat. 

-  Ramage,   TTBB,   Ch.  s.  Margueritat. 
Mazoullier    Fred,    Souvenir,   melodie,    P   4 — 

Carbonel. 
Mazoullor,   Echos  du  Lac,  P  3 —  Pepin. 
Mazuir   J.   Marche   de   la   Federation,   Harm 

(Fanf),  P   cond.   — 50  n   Monier. 
Mazurette    S.    op.    17      Home,    sweet    home 

(Imitating    waves    in    a   storm),      P     1.25 

Ditson. 
-17  La  Temp^te   (Waves  in  a  Storm),  mor- 

ceau   imitatif,   P  2 —  Schott   Freres. 

-  45   Brook,   P  —25   Ditson. 
-47  Brillant  galop  — 2'^  Ditnon. 

-  135    Squirrel   dance,   tarantelle   caracterist. 

P    1 —   Ditson. 

-  245   The   Captive   Lion's   Flight,   grand   ta- 

rantelle  brill.   P  — 75   Gordon. 

-  275  Old  Folks  Aat  Home,  grand  paraphrase 

de  concert,   P  — 75   Gordon. 

-  American    Eagle,    galop    di    bravoura    — 60 

Ellis. 

-  Arcadia,    fantaisie    brillante,    P   — 75    Ellis. 
-Barcarolle   brillante,   P  — /4   Sheard. 

-  Blue   Jay,  galop  — 50   Witzmann. 

-  Butterfly,   caprice   de   concert,   P   1 — ■  Ellis. 

-  Carrie,  galop  di  bravoure  — 75  Ellis. 

-  Danse    rustique     (Rustic    Danse),    morceau 

de  concert,  F  —75   Ellis. 

-  Echoes  of  the  Pines,  caprice  de  concert,  P 

— /4  Sheard,  — 75  Ellis. 

-  Elle  Repoise    (She   Reposes) ,   meditation,   P 

1—   Ellis. 
-Etoile    (The  Star),  maz.  de  concert,  P  — /4 
Sheard,    1 —    Ellis. 

(Pensee    du 


Soir) 


-  Evening    Thoughts 

—60    Ellis. 
-Farewell!     (.Vdieu!)     Meditation,      P     —'2 
SJieard. 

-  F  i  d  e  1  i  o,    grand    valse    caprice,     P     — 60 

Gordon. 

-  Fleurette,    polka   brill.    — /4    Sheard. 

-  Flower  King,  mazurka   elegante  — 60  Nat. 

Music  Co. 

-  Fox  Chase,  „Huntiug  Piece",  grand  taran- 

telle  brill.   P  —90   Gordon. 

-  Frivolity,   grand   galop   de   concert,    P    1 — 

Ellis. 

-  Garland,   grand  march  — 75   Ellis. 

-  Gladiator    March    — 50    Witzmann. 

-  Kniglits  of   America,  march,  P  — 50   Witz- 

mann. 

-  Pauline,   waltz   — 50    Witzmaiin. 

-  Silver  Band,  march  — 50  Witzmann. 


Mazurette  S.  >Snftly  the  icivd 


—     378 


Mazza  G.  Prova  d'un'  Opera  set-ia 


-  Softly   the   wind    sighs   to-uight   — 40   Ellis. 
•  Souvenir    de    Houston,    maz.    de    salon,     P 

—50  Ellis. 

-  Souvenir  de  Loretto,  polka  caprice,  P  — 75 

Ellis. 

-  Souvenir    de   Notre-Dame,    caprice    do    con- 

cert, P  —60  Ellis. 

-  Souvenir    de   Notre-Dame,   morceau    de    .-a- 

lon,  P  — /2  Sheard,  1—  Ellis. 

-  Theophilus,    grand    galop    de    concert.      P 

—60  Ellis. 

-  Tourterelle     (The     Turtle     Dove),     scherzo 

valse  — /4  Sheard,     P,  Ellis. 
-Una    Memoria     (Souvenir),    valse    elegante 

— /2  Sheard. 
'  Union,    grande    marche    national,     /'    — ,4 

Sheard,  —60   Ellis. 

-  ler   Valse-caprice,   P  — /4   Sheard. 

-  Waves   in   a  Storm,   romance  brill.,   introd. 

„Home,  sweet  home",   P  — /4 

-  When  the  silver  moon 

Xat.  Music  Co. 

-  Whispering    Pines,    grand    valse-caprice,    P 

1—  Ellis. 
Mazuretts    S.    Home,    sM^eet   home,    souvenir 

d'un  voyage  orageux,   P  5/ —  Ashdown. 
Mazurka-Album,    P,    11    yndede    Mazurkaer 

1 —  Nordisk  Mnsikforlag. 
Mazurka  folichonne  1 — n  Ondet. 
Mazurka,     getanzt    von    Mad.    Brno     — 16 

Bote. 
Mazurka  de   Newport,  P  — 10  Brainord. 
Mazurka    rosse    1 — n   Jouherf. 
Mazurkas,   Schottische,  Redowas,  Galops,   V, 

Fl  II  ]—  Litolff. 

Mazurkas  favorites,  P :     Jinifenson  : 

I.Stephaui:    Mazurka    du    ballet: 
Noce  Cracovienne. 

2.  Chledowsky:    Kasia-Mazurka  - 

3.  C  h  1  e  d  o  w  s  k  y  :   Basia-Mazurka  - 


is  beaming. 


Sheard-. 
P  - 


-75 


La 

-20. 

-20. 

II     Trovatore,     mazurka 


5.  Ossipoff 
—20. 

6.  Mazurka   des  lanciers  — 20. 

7.  S  c  h  w  e  d  e  :    Mazurka   — 15. 

8.  Heinsdorff:     Mazurka    — 15. 

9.  B. :     Les    eperons,    mazurka    militaire 
—20. 

10.  L  i  a  d  o  f  f :    Satauilla-Mazurka 


—50. 


11.  Mazurka 

12.  Mazurka 

13.  Mazurka 

14.  Mazurka 

16.  Mazurka 

17.  Mazurka 

18.  Mazurka 

19.  Mazurka 


fav. 
fav. 
fav. 
fav. 
fav. 
fav. 
fav. 
fav. 


de 
de 
de 
de 
de 
de 
de 
de 


Varsovie 
Varsovie 
Varsovie 
Varsovie 
Varsovie 
Varsovie 
Varsovie 
Varsovie 


N. 
N. 
N. 
N. 
N. 
N. 
N. 
N. 


—20. 
—20. 
—20. 
—20. 
—20. 
—20. 
—20. 
—20. 


20.  JTyxoH  yjiRH-B,  MaaypKa  — 20. 

21.  K  o  u  k  o  1  n  i  k  :    Mazurka    —20. 

22.  Mazurka   uationale   — 20. 

23.  B  o  u  1  g  a  k  o  f  f  :   Varsoviaua,   mazurka 
originale  — 20. 

24.  W  a  1 1  e  r  s  t  e  i  n :  Mazurka  de  bal  — 15 

25.  Jakovleff:  Les  clochettes.  mazurka 
de  bal  —20. 

26.  Mazurka  de  bal  —20. 

27.  G  r  e  n  i  e  r  :  Mazurka  de  Varsovie  — 15. 

28.  H  o  f  f  m  a  n  n  :  Mazurka  de  bal  — 20. 

29.  L  e  II  z  :    .Maz.irka    —30. 


.'JO.  Ossipoff:      Mazurka     des    hussardjt 
—20. 

31.  W  a  1 1  e  r  s  t  e  i  u  :    La  belle  de   Bruges:, 
mazurka  — 25. 

32.  Waller  stein:    Emma-Mazurka,   op. 
162     —15. 

34.  V  o  g  t :   H^lfene-Mazurka  - — 15. 

35.  H  i  m  m  e  1  m  a  11  n  :    Mazurka   de   omI   a 
Varsovie  — 20. 

36.  W  a  1 1  e  r  s  t  e  i  n  :    Le    bal    de    famill", 
mazurka  — 25. 

37.  Fall  r  bach:    Mazurka    — 15. 

38.  Mazurka   fav.   de  Varsovie   N.  1 1    — .1  .">. 

39.  Mazurka  de  bal  —20. 

40.  E  1  h  o  V  s  k  y  :    Ma  zurka   —20. 

43.  Po  1  o  s  c  h  i  t  z,  Bee  paBHO,  Masypna  — 30. 

44.  L  e  w  a  n  d  o  w  s  k  y  :  Souvenir  de  \'ien 
ne,   mazurka  • — 15. 

45.  H  i  m  in  e  1  m  a  n  n  :     Mazurka    de    Va i- 
sovie,   op.   23    — 20. 

40.  PeunGoJib^^'L,  TaMapa,  MasypKa — 2t'. 

47.  H  i  m  111  e  1  in  a  n  n   N. :    Les  charmes   de 
bal,  mazurka  — 30. 

48.  y/^aJIaJI,  Masypna  — 20. 
Mazurka   de  Cr-icovie  — 20   Jurgensou. 
Mazurka    nationale:    La    noce    Cracovicaue 

— 25    J  iirgcnson. 
Mazurka  favorite  de  A'ilua  — 15  Jurgcnsu,). 
Mazurken-Album,      P     (E.     Pauer),      Xr. 

1 — 21,   kpl.    3 —   Breitkopf,   vide:    P  a  u  e  r. 
PVIazurkewitsch   M.  De  I'amour  je  ne  trouve 

— 25  Jurgenson. 

-  20-e  Hiic.io,  Valse  P  — 75  Jurgenson. 

-  Peiisee    fiuiebre,    /-•   — 40    Rose. 

Mazza     Adele,      Blumengrufi,      Polka       1 — 
Kramer. 

-  SchneerostMi,   Polka-Mazurka  — 80  Granz. 

Mazza     Giuseppe       (1806 — 1885).      Rioordi: 
-All    quando    in    regio    Talamo    1  .(io    Rozsa- 
rolgyi. 

-  Barcarola    1.50   Ricordi.    1.40    Iloffr.iaim. 

-  C  a  t  e  r  i  11  a    di    Guisa,    opera    fl836)  : 

Cavatina:   Con  la  luce  e  con  la  vita   1.25, 

P  ]— . 
Komanza    a   due    voci :    Deh !     non    pensar 
che  spegnere    1.25. 
-Prova     d'u  n'     ( )  p  e  r  a     s  e  r  i  a  ,      opera 
(1846),   CP   36—. 


Siufonia,  P  3—,  .'ms  7.50. 


A'iva    il    \  a- 


2.). 


Atto  I.    Introduzioue  e  Coro 

lor   deH'armi    3 — . 
Recitativo:    Ebbene,  che   vi   pare? 
Cavatina  :    Quanto  tarda   il   signorino  3 — . 
Recitati^o:   lo  toUerar  non  po.s.so  — 25. 
Duetto:  Oh!  ebbrezza  di  contento  3.50. 
Recitativo:   E  cost  mia  Gorilla  — 50. 


Cavatina  :    Jkladamina,    miei    signori 


2.50. 
»0. 


Recitativo:    Sou  qua,  signori   miei 
Scena  e  Quintetto  8 — . 
Recitativo:   Signor  Maestro   1.25. 
Duetto:    Oh!    guardate  che   figura   4 — . 
Recitativo:    E  perme.sso?   Si   puo?    1 — . 
Finale   1.     Prime   Tempo   3.50. 
Seguito    e  Stretta    del    Finale   I      9 — . 
Atto  II.    Recitativo:   Che  dite  del  teatro? 
—50. 


Mazza  G.  Prova  d'un'   Opera  seria 


379 


Mazzinghi  J.  Huntsmwn 


J  utrodiizione    e    Terzetto :    Le    nostra    la- 
grime  2 — . 

Recitativo :    Bravo   maestro  — 25. 

Recitativo  ed   Aria :    Viva   la   vita   il   bar- 
baro  3 — . 

Recitativo :   Signori,  dice  il  sarto  — 25. 

Duetto :  Per  quest'opera  io  guadagiio  o.50. 

Recitativo:    Oh!   che  vestiario  — 25. 

Settimino  :    Gorilla    dilettissima   4 — . 

Recitativo :   Presto,  presto  signori  — 50. 

Aria  :   Io  per   te  sprezzai  perigli   2 — . 

Recitativo:   Brava.   brava  Gorilla  — 25. 

Aria  :    Larft,  piano,   pianissimo   2 — . 

Recitativo:   Oh!  il  gran  capo  d'orchestru! 
—25. 
Mazza    L.      Gazette-Marche    — 20  n    Gazette 

alg^rienne- Alger. 

-  Rigolette   1 —  Miaux. 

Mazza  Michele.  Ricordi:  Ad  una  Fanciulla, 
stornello  1.50. 

-  Alba :   Melodia  :   Tu   dormi,  o  mia   fanciuUa 

2—. 
-Argentina   1.25. 
-Rosa   1.50. 

-  Sempre :   Melodia  :    T'  ho   amata   un  gioruo 

3—. 

-  Serenata,    Hand   5 —    Carisch. 
Mazzacapo  E.  Le  Chant  du  Gondolier   (Bu'- 

carolle   for    V,   CI   or    Ob),    0    1—   Fischer. 

Mazzacorati  G.  Perche !  roraanza  1.50  Ri- 
cordi. 

Mazzaf errata  G.  B.  Arietta  :  Presto  presto 
io   m'inuamoro   — 50  n   Ricordi. 

-  Arietta :    Vito,    vite,    mon    coeur.      Rouari. 
Mazzantini-Lengyel,  Dans  de  Patineurs.  Uj 

korcsolyatancz.  Neuer  Schlittschuhtanz,  m. 
Correographie  2.50  Klokner. 

Mazzarella  A.  P.  La  giuggiola  2 —  Sandron. 

Mazzarella  B.  Ricordi:  Ad  una  donna,  fan- 
tasia  lirica   in    forma    di    valzer,    P    10 — . 

-  Agnus   Dei     della    Messa     da    Requiem     di 

Verdi,   P   2—. 

-5  Ganti  .senza  parole,  P  12 — :  N.  1.  Amore 
Mendelssohniano  2.50.  N.  2.  Paesaggio 
Slavo  4—.  N.  3.  Ritorno  2—.  N.  4.  Cara 
memoria  3.50.  N.  5.  Nella  Valle  3 — . 

-2  Elegie:  N.  1.  Evangelina  4—.  N.  2.  Ne- 
rina  6 — . 

-  Galleria,  valzer  6 —  Mariani. 

-  Tmprovviso   in    Fa    diesis,    P   4 — . 

-  In  morte  d'un  Galantuomo,  ultima  compo- 

sizione    di    S  t  e  f  a  n  o    T  e  m  p  i  a,    P    4 — . 
-3   Pezzi,   P:    N.    1.   Romanza    in    Fa   diesis 

3.50.  N,  2.  Scherzo  5 — .  N.  3.  Gapriccio  in 

Si  minore  6 — . 
-3    Pezzi    caratteristici,    P:    N.  1.    Romanza 

2—.   N.   2.    Intermezzo   3.50.   N.   3.   Presto 

agitato   4.50. 

-  Valzer-Gapriccio  in  Fa  diesis,  P  4^ — . 
Mazzatinti    G.   Lettere  inedite   e  rare   di   G. 

Rossini    5 —  n    Carisch. 
Mazzaurek  G.  Mariavi:  .\ugurio,  maz.   1.50. 

-  Bella   .\dele,   maz.    1 — . 

-  Garolina,   J^lns  3 — . 

-  Gemelle,   due   polke,   P   2 — . 

-  Giuseppina,  P  1 — . 

-  Graziosa,  maz.  1.50. 

-  Hymen,  polka,  Itvut  3 — . 

-  II  ritorno  da  Londra,  P  1 — . 


-  Kossuth,  P  2.50. 

-  Magiara,   ballo   ungarese 

-  Marcia,   Baiida   3 — . 

-  Partant   pour    la    Syrie, 

-  Polka,  Banda  3 — . 

-  Saviglianese,   maz.    1 — . 
-Simpatica!   maz.   1 — . 

-4  Stagioni,  P  3—:   N.   1. 
L'Estate,    3.    L'Autunno, 
I—. 

-  Stelle  del  mattino, 

-  Varsovienne   et   la 


P   2- 


inno,    Banda    3- 


La 
4. 


Primavera. 
L'Inverno, 


2. 

a 


'/  ms   3 — . 

-  Violetta,  P  1.50. 
Mazzei    T.     Aurora 

— 50  n  Rebagli. 

-  Primavera,    Hand 


valzer  3 — . 
Kracovienne, 


due    maz. 


Mand    — 20  n,    MandQ 


— 20n 


Rebagli. 
Mazzeri   A.  Glara,  maz.   1 —  Ricordi. 

-  Messa,  TTB  10—  Perosino. 

-  Rimembranze,   romanza  2.75  Ricordi. 

-  Stella   d'amore,   maz.   2 —  Ricordi. 

-  Th&rese,  maz.  2.50  Ricordi. 

Mazzeri  C.  Vita  brillante,  polka  per  MandG 
— 20  II  Concerto. 

Mazzetti   P.  Carisch:  Agnus  Dei,  8ATB  con 
Org(P)    2.50. 

-  Deh  vieni !   romanza  3 — . 

-  Leggiadria,    mazurka,    MandP    4 — . 

-  Rosita,  mazurka,   MandP  2 — ,  MandO  3 — . 

-  Serenata,  Mand  3 — . 

Mazzi    F.   Elegie,   TrP  4— n   Evette. 

-  Exode   1.75  n   Joanin. 

-  Feuilles    mortes,    choeur    pour    3  voix    eg. 

3 —  n  Fromont. 

-  Indispensable  du  Chanteur,  solfege-m^thode 

de  chant  20 —   Hen  gel. 

-  Misanthropic   1.75  n  Joanin. 

-  A'ocalises  progressives,  extr.  de  la  m^thode 

10—   Heugel. 

Mazzi    G.    Ave    Rogina    caelorum,    a  4    voci 
con  Org  ad  lib.  — 60  Musica  sacra. 

-  Ella,  maz.   1.75  Dotesio. 

-  Joven  Mercedes,  maz.   1.75  Dotesio. 

-  Lohokeli,   polka    1.50   Dotesio. 

-  Mia,  maz.  4 —  Ayne. 

-Nana,    polka    1.25   Dotesio,   — 30    Neuparth. 

-  P  a  r  t  e  n  o  p  e,    gran    ballo    fantastico,    P : 

Valzer  5 — .  Polka  Chinese  2.50.  Mazurka 
guerriera  2 — .  Galop  2.50.  Marcia  Europa 
2.50.  Scena  africana  4 — .  Gran  Marjia 
Messicana  4 —  Mariani. 

Mazzia  A.  II  FoUetto,  valzer  1 — n  Cottrau. 
■  Povero    Fiorellino,    stornello    3 —   Izzo. 

Mazzinghi  J.  Ashdoivn:   Bavarian  Air,  with 
variations,  P  3/ —  Williams. 

-  Captive  of  the  birds,  SAB    (Glee  and  Cho- 

ral  Libr.   90)    — /2. 

-  Captive  to  his  bird   1/6. 

-  Captive  to  his  bird,  glee,  3  voices  3/ — . 
-Hail   to  the   chief    (Roderigh   vich   Alpine), 

TTB  —/I. 
-Heavens    are    Telling     (Haydn),    P    3/ — 
Chappell,  B.   Williams. 

-  Huntsman's    Rest,    from    the    Lady    of    the 

Lake,  variations,  P,  Ha,  FIP  a   3/—  Wil- 
liams. 
-Huntsman,   rest,   ty   chase  is  done   1/6. 


Mazzinghi  J.  Lay  of  the  imprisoned 


380 


Mazzone  U.  Scala  di  seta 


-  Lay     of     the     imprisoned    huntsman     (My 

hawk    is   tired)     1/6. 

-  Little    farm,    waltz     (Armstrong)    — 35 

Ditson. 
-Mass,  BTB  6/— n. 
-Petite    surprise,      P    1— n    Costallat,    3.75 

Heiigel. 

-  Eoderigh   vich   Alpine,   glee,   3  voices   3/ — . 

-  See,   from   Ocean   rising,   duet  2/ — . 

-  Shepherds,   tell  me,   glee,   3  voices  3/ — . 

-  Theme    from    H  a  y  d  n's    Creation,    P,    Jfttis 

a  4/—. 

-  Tom   Starboard    1/6   Aslidown,   3/ —   Moore. 

-  Tyrolese,      bavarian    air,    with    variations, 

Jfins    3/ —    Williav'.s. 

-  Variatiouen    iiber :    „Wann   i    in    der    Frnh 

aufsteh'",   Jfms  2 —  Schlesinger. 

-  When  a  little  farm  we  keep,  duet  2  0  Ash- 

down,     4/ —    Sheard,     — 40    Ditson,     — 35 
Willig. 

-  Wreat,    glee,    SSB    3/ —    Cramer,    — /I    Pit- 

man, — /2  Sheard,  — 35  Willig,  quart.  3/- — 
Chappell. 

-  Ye  shepherds  tell  me  (The  wreath,  3  trebles 

and   P  — /4   Ashdown,  — /I    Boosey,  — fVj^ 
Nooello,   — 50    Ditson,   Ellis. 
Mazziotta.     Standard:      Carmeucita,    waltz, 
FullO    I~,    U   Instr   —80,    14    Instr  —60. 

-  Sportsmans    Racket,    polka,    FullO    1 — ,    i^ 

Ivstr  —80,   10    Instr    —60. 
Mazzocchi.  Standard:  Dancing  Cupid,  schot- 
tische,    IJ,    Instr   —80,    10    Instr   —60. 

-  I'm  a  Chappy,  waltz,   10  Instr  — 40. 

-  Maid   of   the   Mill,   medley   waltz,    10   Instr 

—40. 

Medley  Quadr.   „Scotch   Brigade",   IJf   Instr 
—SO,"  10   Instr  —60. 

-  Medley  Waltz,  ,,Bid  me  good-bye",  10  Instr 

—40.' 

-  Medley    Waltz,    „We   both    been".    10    InMr 

—40.' 

-  Medley  Waltz,  ,,Say  o  Bay",  10  Instr  — 40. 

-  Medley     Waltz,    ,, Nigh  thirds     cooing",      10 

Instr  — 40. 

-  Medley  Waltz,  „Thine  still  Thine",  10  Instr 

-40." 
Mszzocchi     V.    Wayside    well,    quart.    — 20, 

8ATB  —20  Gord(,n. 
Mazzola   S.     Bideri :     'A    tiene   fresca  — 50, 

Mand  — 10  n. 

-  Caiizonetta   comica    — 50. 

-  Canzing  in  the  barn,   Mand  — 10  n. 

-  Facimmo  pace  — 50,   Mand  — 10  ii. 

-  Lo   soich,   Mand   — 10. 

-  Piilcinella,    Mand    — 10  n. 

Mazzolani  Antonio    (1819).  Amor  unico,  ro- 
mauza  2 —  Ricordi. 

-  Armata  Ttaliana  nell'ultimo  giorno  di  Car- 

nevale,   coro-polka,   J/ins   4.50    Ricordi. 

-  Cara  madre,  melodia,  2MandP  4 —  Carisch. 

-  Due  povere  bambine,   melodia  3 —  Ricordi. 

-  Mtrciaio,    canto    2.50    Ricordi. 

-  Ob  !   se  t'amo !   Pomanza  4—  Ricordi. 

-  Passato,   arietta   3.50   Ricordi. 

-  Piccirinnella,    petite    tarantella    3.50    3/(1- 

riani. 

-  Rimembranza,    romanza    2 —    Ricordi. 


•  Se  siete  buoua  come  siete  bella,  stornello 
2 —   Mariani. 

-  Vado   in  campagna ! !   P  2.50   Mariani. 

Mazzolini    J.      Souvenir    de    K^phissia,     na- 

zurka  — 80  Fiocis. 
Mazzon   I.  Ricordi-  Amicizia,  P  2 — . 

-  Chioma  nera,  P  2 — . 

-  Emilia,  P  1.50. 

-  In   riva   al   Brenta,   P   2.50. 

-  Primi   Albori,   3   mazurka   3.50:    N.    I.   Ca- 

pelli   biondi,   2   Occhi   azzurro,   3.    Fior   di 
Stella,   a   1.50. 

-  Ricordi  di  Cittadelia  2 — . 
Silvia,   P   2,50. 

Mazzone  Luigi  (1820),  Bagattella  sull'aria 
del  T  nel  Trovatore,  P  1 —  n  Cottrau. 

■  2    Divertimenti    facili    sulle    Educande    di 

Sorrento,    P;    1.    Aria   di    Donna    Placide, 
2.  Brindisi,  a  1.50  Ricordi. 

-  lo  cca  chiatx'hiere  non  venno  — 50  Cottrau. 

■  Studio  d'agilita  sopra  una  melodia  del  Ve- 

spro  Siciliano,   P   1 —  n   Cottrau. 

-  Terpsychore     Napolitaine,     varsovienne,     P 

— 50  u  Cottrau. 

-  Trascrizione  brillante  sul  Trovatore,  P  3 — 

Cottrau. 
Mazzone    M.   Ancora   3.50   Societd. 

Mazzone  U.  Santojanni:  Op.  45  II  fiore 
perduto,  melodia  :  Fra  gli  sterpi  3 —  Ri- 
cordi. 

-  48  Amore  e  tosse,   stornello :    Se  talora   col 

begli   occchi    3 —   Ricordi. 

-  'A   Bicicletta,   canzone    napolitana,   raarcia, 

instrumentazione      di      S  a  1  v  a  t  o  r  e     M. 
d'A  m  a  t  o,   0  2  50  n   Ricordi. 
-'A  Bicicletta,  canzone  napolitana:   Figliulfe, 
tu   m'aie   da  credere   3 —  Ricordi. 

-  A   nutriccio    1.50. 

-  'A  scarpetta,  canzonetta   3 — . 

-j^lba  d'amore !  Melodia:  Come  il  cielo  ne 
I'alba  1.25  n   Ricordi. 

-  Amicizia,  melodia,  MandP  4 —  n  Maddaloni. 

-  Amore  fe  dolore,   melodia  :    Perch§,   se   tact, 

un'intima  pena   1.50  n   Ricordi. 

-  Belle   figlio  4 — . 
-Chi  sa!  4—. 

-  Chiarastella  4 — . 

-  Cu  gt,  cu  gi,  cu   gia    (a  duettino)    2 — . 

-  Edera-Valzer   2 — n   Ricordi. 

-  Fannne   sta   grazia   3.50. 

-  II    nostro   amore,    duo   4 — . 

-  Ingenua  !    Stornello   4.50. 

-  Insoiinia  3 —  Societa. 

-  Loutana  !      Melodia,      versi      di      E.     P  a  n- 

z  a  c  c  h  i    3.50. 

-  Lupo  nun  magna  lupo,  duettino:  Cu  gi,  cu 

gi,  cu  gia !   MSB  com.  4—. 

-  Margarita,  P  2 — . 

-  Mefistofele    di    B  o  i  t  o,    2MandP    6—    Ri- 

cordi. 

-  Mignonnette,   mazurka   3 — . 

-  Minuetto,   P  3—  Societa,   1.50  n,   .iO    1.-50  n 

Ricordi. 

-  Non   domandar  4 —  Societd. 

-  Nun  se  magna  cchiil  3 — . 

-  Pigliatelle,   pigliat^  2 —  n   Bideri. 

-  Se   vuoi   venir   3.50. 

-  Scala   di  seta,  serenata,   P   1- —  n  Ricordi. 


Mazzone  U.  Si  vio  veni! 


—     881 


Mazzucato  A.   Esmeralda 


4—. 


notturnino,     P    1.50  n     Ri- 


Heft    I 

I ,  polka 

Mand 

—40 


—50. 


-  Si    vio  veui ! 
-U  Malato   3— 

-  Ultime    foglie. 

cordi. 
Mazzonetto  V.  11  Concerto:  Alice,  maziuka, 

.hUandMnG   — 15  n. 
-Aurora,    mazurka,    2Mand(i    — 15  n. 

-  Biciflotta.        mazurka,         2MandMaCampG 

—15  n. 

-  Madda  e  Vera,  polka.  2MandG  — 15  n. 

-  Olimpia,   mazurka,    G    — 15n. 

Mazzoni  Antonio  (1718—1790),  Solfeggien 
fiir  1  Mittelstimme  zu  Solo-  und  Chorge- 
brauc'h  m.  P,  eingerichtet  von  J  u  1  i  u  .s 
Stern,  I— II  a  2—,  (J.  Meyer)  kplt. 
1.50  Breitlcopf,  Heft  I  3—,  II  3—,  III  2.50, 
Gesangpartie  oliue  P  1.50  Kistner,  (Th. 
Baker)    — 60  Schirmer. 

-  Solfeggien     (G.    W.    Teschner 

3.60,  II— IV  a  3—  Simrock. 

Mazzoni    L.   Fauvette    (La   Capinera) 
1.50  Carisch. 

-  Fond  Hearts  must  Part    (L  a  n  g  e) 

G  —40  Mc.   Kinley. 

-  La,  La  e  La,  MandP  — 70  Rebagli. 
-Last     Night      (Kjerulf).     MandG 

Mc.   Kinley. 

-  Melody  —50  MilLi. 

-  Tramouta  il  sol,  romanza   1 .20,  con  G 

MandG  — 50  Rehagli. 

Mazzoni   P.  A  Royal  Hero  4/ —  Ascherberg. 

-  A   une   soeur   5 —   Heugel. 

-  Ad   ui.a    sorella   5 —   Lemoine. 

-  Adieu  !   Romance   2- —  Ricordi. 

'  Ah  !   mio  povero  cor !   3 —  Ricordi. 

-  Alone  — 50  Ditson. 

-  Amoie   e   Patria   3 —   Ricordi. 

-Around  the  maypole  (May-tide),  3  trebles 
&  P  — /4   Aahdown. 

-  Conscript  3/ —  AslidoiV7i. 

-  Consider   and   hear   me,   0   Lord,   with   cho- 

rus ad  lib.  4/ —  Ascherberg. 

-  Desolazione      (Desolation),     canto 

.1 —  li'icordi. 

-  Dewdrop   and   the  rose   3/—   Ashdowti. 

-  Eroisuif)   regale  4 —  Ricordi. 

-  Gino  e  Lena,  duettino :   Gino  tu  parti  4 — 

Ricordi. 
-Guardia  notturna  3 —  Mariani. 
-Homeward    we   are   wending    (Maytide),    3 

trebles  &  P  ■ — /4  Ashdown. 
-In  time  of  war,  8ATB  —/S  Xovello. 

-  La  mia  bolla   3 —  Ricordi. 

-  May   tide,   treble  voices   3/ —  n   Ashdoim. 

-  IMelodia  romantica,  MandP  4 —  Mnddaloni. 

-  New  Leicester  Square,  march  3.50,  ^ms  4.50 

Ricordi,  Full  Band  2/8,  Med.  Band  2/—, 
Small   Band    1/4    Haukes. 

-  Non   mi   destate !    2.50   Ricordi. 

-O'er  the  smiling  meadows  (May-tide I,  3 
trebles   &    P   — ,4    Ashdovn. 

-  On    the    bounding    sea,    arr.    by    C  z  e  r  n  y, 

ladies'  chorus    (3  part)   &  P  — /4  Ashdown. 

-  Pezzi    musicali    da    camera    3 — :    N.    1.    II 

Saluto,  romanza,  2.  La  Margherita,  stor- 
nello,  3.  II  poeta  morente,  romanza,  a  1.50 
Mariani. 


elegiaco 


-  Preghiera,  terzettino,  con   PfHj:  Nella  mi- 

seria  5 —  Ricordi. 

-  Rose,   w.   FIP  4/—  Rudall. 

-  Scarpino   janco   3 —   Santojanni. 

-  Sogni  d'Amore  2.50  Ricordi,  5 —  Heugel. 

-  Sogni  e  canti   4—  Ricordi. 
-Solfeggi,  arr.  by  Seiler   1.25  Ditson. 

-  Una  memoria  3 —  Ricordi. 

-  Wandering   Miu.strel   2/ —   Boosey. 

-We   are   only   village   maidens    (May-tide), 
2   trebles   &   P  — /4   Ashdown. 

Mazzoni    R.   op.   65   Leggenda   amorosa,   me- 
lodia,   P   3—  Carisch. 

-  76  Sognando !  Notturno,  P  3—  Carisch. 
-Gavotta,   P  4 —   Carisch. 

■  Joie  aprfes  le  chagrin,  raise  caract^ristique, 
P  4 —  Ricordi. 

-  Soguo  di  felicita,  melodia   pastorale,   P  3 — 

Carisch. 

-  Tiro  a  segno  con  squilli  facili   (per  suoiuirsi 

anche  con  le  Societa  del  Tiro  a  Segno), 
Banda,  Part  1.50  n  Lapini. 

-  Ultimo    Addio !    Rispetto :    Son    partite     le 

amiche   rondinelle   3 —   Ricordi. 

-  Un    Pa.storello    e    un    Fiore,    stornello :    Mi- 

sero    fior !    3 —    Ricordi. 

Mazzoni    U.   Souvenirs   d'amour.      Mignon. 

Mazzons    P.      Say   that  you   love  me   2/ — n 
Jefferys. 

-  Say  that  you  Ioa  e  me,  duet  2/; —  n  Jefferys. 
Mazzucato    Alberto    (1813—1877),    Ricordi: 

Ai   fratelli  Triestini  e  Istriani   5 — . 

-  Atlante  della  musica  antica,   preceduto   da 

una  prefazione  ai  suoi  AUievi  di  Storia 
e  Filosofia  musicale,  e  seguito  da  un  In- 
dice  illustrativo.  Opera  destinata  al  Corso 
superiore  di  Storia  e  Filosofia  della  mu- 
sica nel  R.  Conservatorio  di  Milano  12 — n. 

-Esmeralda,    opera,    CP    30—,    P    18—: 
Sinfonia,   P  2.50. 
Atto    I.    Coro    d'Introduzione:    Viva    Clo- 

pino  2.50. 
Seguito  dell'Introduzione   e  Canzone :    Son 

la  misera   orfanella    3 — ,   P  2.75. 
Strttta    dell'Introduzione    2.50. 
Scena  ed  Aria:   Ebben  che  importa?  3.50, 

P  2.25. 
Scena   e   Duetto :    Dio   ti    rimeriti   3 — ;    P 

2 

Coro  nel  Finale  I :  L'armonie  suonar  gra- 

dite  1.25. 
Canzone :   Derelitta  giovinetta,   S,  e  quar- 

tetto :   Cari  amici,  ell'  e  una   stella  3.50, 

P  2—. 
Seguito  e  Slretta  del  Finale  T  5—,  P  1.25. 
Atto    II.    Coro    d'Introduzione    ed    Aria: 

Oh   d'amor   supremo   gaudio  4 — ,  P   2 — . 
Recitativo   e   Duetto :    S!,  paventa   4 — ,     P 

2.25. 
Scena   e  Terzetto :    Abbandonata,  o  misera 

3—,    P    1.50. 
Aria-Finale    IT :     Febo,    qual     turbameuto 

2.50,   P   1.75. 
Atto    III.     Coro    d'Introduzione :     Veuite 

1.75. 
Romanza:    To.    derelitta    vergine    1.25,     P 

2—. 


Mazzucato  A.  Esm:iakhi 


—     382     — 


Meadows  W.  Alliance  March 


Scena   ed  Aria-Finale  III:   Febo,   io  sento 
fhe  mi   appella   4 — ,   P   1.50. 

-  Forse,   ab  !    1 — . 

-  Frammento   del   Faust   3 — . 

-  Hymne  du  soir  dans  les  temples,  fragment 

de    la    VIII    Armonie    de    Lamartine 
3.50. 
-II   Cor  sari,  ouv.  P  — 60   Hoffmann. 

-  Je  t'aime,  romance  2.50. 

-  L  u  i  g  i   V,   opera : 

Cavatina  nell'Introduzione :  Vani  voti  1.50. 
Kecitativo   e   Quartette   nell'Introduzione: 

Si,  discoprire  il  perfido  2.75. 
Seguito    e    Stretta    dell'Introduzione    5 — . 
Rwitativo    e    Cavatina:     Ah!    quando     in 

regio   talamo   4 — . 
Eeoitativo  e  Duetto :   Io  lo  vidi  ...  ah  !  chi 

non  I'ama  5 — . 
Recitativo  e  Duetto-Finale  I :  Qual  favella 

3.50. 
Coro  d'Introduzione  dell'Atto  II,  ed  Aria: 

E  di  Lotario  nobile  il  figlio  3.50. 
Recitativo  e  Duetto :   Li  saprk,  voglio  sve- 

larli  2.50. 
Recitativo  e  Romanza :   No,  mai  di  bianca 

all'ira   1.50. 
Coro,   Recitativo   ed   Aria:    Prova  mi   dai, 

lo  sento  .5 — . 
Scena    ed    Aria    finale :    Nelle    tue    braccia 

stringimi  8 — . 
-4  Melodie:   N.   1.   II  Lago   1—.   N.  2.  II  Ba- 
cio  1.50.  N.  3.  II  Pensiero  della  Sera  1.50. 
N.  4.  II  Canto  d'Amore  1.50,  unite  5 — . 

-  Speranza,    melodia    3- — . 

-  Vesuve  — 75. 

Mazzucato  Young   Eliza,  Flirting,  duet — 50 

Ditson. 
Mazzucchelli    Baldassare,  II  Soggiorno  d'A- 

meno,  varsovienne,  P  1 —  Ricordi. 
Mazzucchelli   E.  Corona  votiva  degli  Operai, 

inno  per  TB  2 — ,  parte  separata   per  coro 

1 —  Ricordi. 

-  Corriere   dello    Czar,     galop     caratteristico, 

Jfms  4 —  Ricordi. 

-  Dimenticarti  ?  Romanza  2.50   Ricordi. 

-  1 1  B  i  r  i  c  h  i  n  o,  sortita   di  Lolo,  P   1 —  n, 

fant.   P  2 —  n   Sonzogno. 
-II   Voto,   P    1.50  n.   Canzone   d'Annetiello 
e  Coro :  Ce  sta,  ce  sta  nu  muttu,  Jfrns  2.50, 
Canzone   di  Piedigrotta,   P  2 —  Sonzogno. 

-  Illusioni     (Speciality    di    Varese),    P     1.25 

Ricordi. 

-  Je  danse!    1.50  Ricordi. 

-  Lassela  balla,  P   1.25   Ricordi. 


ballatella. 


J/ms 


tra- 


JfitlS 


-  P  a  g  1  i  a  e  c  i, 

zogno. 

-  P  a  g  1  i  a  c  c  i,   serenata   di  Arlecchino, 

scrizione   per   P   1.50  n   Sonzogno. 

-  Piccolo,    divertimento    sulla    Traviata, 

5 —  Ricordi. 
-Roses  d'Ete,  pensiero  melodico,  P  2.50  Ri 

cordi. 
-Torueo,  P  1.50,  Jfms  2.50  Ricordi. 

-  Villa.   Disordine,    P   1.50    Ricordi. 
Mazzucchi  A.  Berceuse,  VcP  1.50  n  Ricordi. 

-  Coquetterie,  P  2.50  Pisano. 

-  Fiorettino,   P  2.50   Pimno. 

-  Gavotte  oharmanto,   P   4 —  Izzo. 


2.50  n    Son- 


-  Rive   de   printemps,   P  2.50   Pisano. 

-  Scappati,   P  2.50   Pisano. 

-  Voulez-vous    danser?    Polka    3 —    Izzo. 

Mea  culpa   1.70,   Ch.  s.  — 30  n  Pomier. 
Meacham   C.   J.    B.   Andante   religioso    (An- 
glican  Organist),   Org  — /4    Vincent. 

-  Benedictus  qui  venit  &  Agnus  Dei    (in  F) 

— /P/,   Novello. 

-  Come  unto  Me,  verse,   B  — /3   Novello. 

-  It   is   a   good   thing   to   give   thanks  — /4  n        \ 

^^incent. 
-Lord   is  my  Shepherd,   SATB  — /3  Novello. 

-  Magnificat    &    Nunc    dimittis    (in    F)     — /3 

Novello. 

-  Solemn   Processional   March,   Org    1/ —   A'o- 

vello. 

Meacham    F.    M.      Cyclone   Galop,    IJf    Jnstr 
—SO,   10   Instr  —60,  P  —30   Standard. 

Meacham  F.  W.  op.  92  Amerikanische  Pa- 
trouille,  Marsch  1.80,  KM  3— n,  MM  3— n, 
PV  obi.  VcFlCl2PistPosScMagzeug  1.80  u,  i 
O  3 — •  n  Benjamin,  P  — 20  Edition  Europa, 
0  3—,  kl.  0  1.80,  P  1.20,  mO  4—,  KM  3— 
Roehr,  American  Patrol,  mO  1.50,  FnllO 
1.25,  H  Instr  1—,  10  Instr  —75,  P  ace. 
— 25   Fischer. 

-  A  dream  of  Spring,  idylle,  P  2/ —  Shenrd, 

—50   White. 

-  Allison    Waltz,    FullO    1—,    H    Instr   —80, 

10  Instr  —60,  P  —15   Fischer. 

-  Arline,    polka   — 50   Goggan. 

-  Belle  of  the  Season,  .^ws  — 75  Mc.  Kinley. 

-  Cavaliere,  polka  brill.  — 50  Ditson. 

-  Dancing  Wavelets,  polka  brill.  4/ —  Shenrd, 

-  Eldora,   maz.   — 50   Ditson. 

-  Fleur   de  Lis,   waltzes,   P  — 60   White. 

-  June  Roses,  morceau  de  salon,  P  4/ —  She- 

ard,  — 50  White. 

-  Light    Step,   march   — 40    White. 

-  Love's  Magic  Spell,  P  — /2  Sheard,  &  Pren- 

diville,  I  whistle  &  wait  for  Katie,  med- 
ley waltz,  IJf  Instr  — 80,  10  Instr  —60, 
P  —15  Fischer. 

-  Melodies   de   Foster,   P  — 90   Pond. 
-Polka  biillante    (Queen  of  hearts),  P  —60 

White. 

-  Pretty   Pink   Primrose,   waltz   — 40   White. 

-  Queen  of  hearts,  P  —60,  Jfms  —80   White.    ^^ 

-  Restless    Galop,    6ms   — 60    White. 

-  Satin    slippers,   polka  — 35    White. 

-  Star   Beam,    waltz   — 40    White. 

-  Wing   Dance,   polka,    mO   — 50   Fischer. 

-  Wing  Dance,  polka    (&  d  e  Witt:   Conroy 

&  Fox,  schott.),  FullO  1—,  l>f  Instr  —80, 
12   Instr  —60,   P  —15   Fischer. 

-  Zenda   Waltzes,   -ims  — 75    Mc.   Kinley. 
Meacham    J.    L.     Rastus'   Honeymoon,    hve- 

down  march,   BanjoP  2/ —  n   Turner. 
Meacham-Persley,     Pansy     Dance,     MandO 

—40,   2MandG   —50   Pond. 
Mead   Frank  W.  Since  my  lulu's  done  gone 

away.     Setchell. 
Meader  E.  P.  The  Wide  World,  in  E  b  —30 

Thomjison. 
Meadows    Denby,      Dreaming    of    thee   4/ — 

Duf. 
Meadows    W.    Alliance    March    1/6    Ascher- 

berg. 


Meadows  W.  Annabel  Lc< 


3S3 


M§chura  L.  E.  Am  Mario 


-  Annabel  Lee  — 30  Ditson. 

-  Only    for    Thee   4/ —   Gary. 

Meadows  White  L.  Baby  Boy,  service  — /4 
^V^'ek(  K. 

Meahl  J.  P.  Aquarelle  — 35  Nat.  Music  Co. 

Meahl  Ph.  Come  where  the  Roses  bloom  to- 
day —10  Nat.  Music  Co. 

-  Swoet   Brown   Eyes  —10   Nat.  Music  Co. 
Meakim    Fletcher,      Les    Belles,    Coonville's 

(iillud    Band,      WUmark. 
Meal  J.  A.  Cantilene,  Org  1/ — n  Vincent. 
Meale    G.    Dentelles    de    Malines,    valse    4 — 

Rirordi. 
-Moonlight     (Chiaro    di     luna),      valse     4 — 

Ricordi. 

-  Nevrosi,   valse   4 —   Ricordi. 

-  Printaniere.   P  2.50  Mariani. 

-  Sensitiva,   mazurka,   P   3.50   Mariani. 
Meale  J.    Day  is  past  and  over,  8ATB  — /3 

Novello. 

-  0  give  thanks,  SATB  — /3  Novello. 
Meaning   of  the  colours,  the,  2/ — n  Sheard. 
Meanor.      Echo    Music    Co.:      Glory    to    His 

Name,  full  choir   (with  B  1  o  s  e's  Tlie  Lord 
is  good)    — 10. 
- 1     love     to     tell     the     story,     TTBB    (with 
Blose's  Hear  O  Lord  &  Sentence  &  Glo- 
ria)   —12. 

-  0    Praise    the    Lord,    chorus,    duet    &    /S'-s. 

—  10. 
Meardi   F.  Tl  Noce  di  Benevento,  PI —  Ma- 
ria ni. 

-  L"ultimo    canto    2- —    Mariani. 

Means   E.      Ma   Petite   Cherie,   waltz,   FullO 

1—,  U  Jnstr  —80,  10  Instr  —60  Standard. 
Meaulte    R.   Myosotis.      Dupre. 
Meazzi    A.    Ave    Maria,    con    VcP    2.50    Ven- 

turi. 
Meazzi    M.   Dimmi !   2 —   Venturi. 
Mecaluso,    Elle,   av.    Vc   ad  lib.    2.50  n   Jou- 

hert. 
Mecanique  de  Charlotte   1 — n  Joubert. 
Mecatti    E.  Ang^lus   du  Patre  3 —  Mathicu, 

Noel,  — 85   Schott  Freres. 

-  Bello    &    il    cielo,    barcarola    3/ —    Ashdown. 
-Depart,   Ch.  s.  — 25  n  Laihe. 

-  Fiancee  mourante,   Ch.  s.  — 25  n   Labbe. 

-  Flower,   //(.  — 35  n  Presser. 

-  How  oft  I  think  of  thee  1/ —  n  Augeuer. 
-II   Canto  Calabrese   1.60  n   Labbe. 

-  II  floro  — 15  Jurgensov. 

-  Napol^onienne    3 —  n,    Ch.    s.    1 —    Noel. 

-  Parvemi   il  volo  scioglere  3/ —  Ascherberg. 

-  Serenata     in    Gondola,     10    romanze     7.50 : 

N.  1.  La  Rimembranza  —75.  N.  2.  II  Pe- 
scatore  1.25.  N.  3.  L'Estasi  —75.  N.  4.  La 
Preghiera  — 75.  N.  5.  La  Rimembranza 
1.25.  N.  6.  La  Memoria  —75.  N.  7.  II  Ri- 
torno  dall'Esilio  —75.  N.  8.  II  Gondoliere 
—50.  N.  9.  La  Gioia  1—.  N.  10.  II  Sogno 
1 —  Ricordi. 

-  Vieux   Forban  3 —  Noel. 

-  H.B'feTOK'b.    H0»1I.10,     KaKT.    .iy!{Hh[M1,    CB'fexOIVI'b 

!p.  I!.)   — 15  Jurgerisdii. 
Mecchiarni   A.   Pout-pourri,   fantastieo,  Jfins 

10 —  Mariani. 
Mechanek   Dr.    Ign.   Die   drei   Zigeuner,   TT 

BB    1.32   Bosworth. 


-  Mariannen-Quadrille   2.40   Bosuorth. 
-Wilde   Jagd,   TTBB    1.08   Bosworth.' 
Mechant    1 — n   Jonbert. 
Mechant,  mechante   1 — u  Joubert. 

Mechante,  vous  le  savez  bien   l.:^.'n.  r//. 

—30  Ondet. 
Meche  a  Joseph   1 — n  Joubert. 
Mechelaere    Ed.    Katto:     Anglaise   touriste 


.■?. 


prix, 


-  Ann6    1882   3—. 

-  Cantate     pour     la     distribution     des 

choeur  &  P,  Part  1.75. 

-  Cantate  de  remerclment,  choeur  &  P,  Part 

2—. 

-  Choeur  de  f€te,  av.  P,  N.  1—3,  Part  a  1.75. 

-  Cigale  et  la  Fourmi  5 — . 

-  Conjugaison   des  Verbes,   duo   6 — . 

-  Deux    Marchandes   et    la    Fillo    provoyante, 

trio  com.  6 — . 

-  Distribution    des   prix,    choeur   &   P,     Part 

1.75. 

-  Fete  a  I'Ecole,   choeur  &  P,  Part   1—. 

-  Jeanne   a   Laiti&re   3—. 

-  Justice   de   Marie   de   Bourgogne   6 — . 

-  Lecon  de  Chant,   duo    (p.  garg.)    7.50. 

-  Lecon  de  Chant,  duo    (p.  demois.)    7.50. 

-  Le<;on   d'Histoire,  duo   6 — . 

-  Lecons   de   Chant,    I — II    a   3 — . 

-  Loi  de  Newton  3 — . 

-  Loup   et  FAgneau   5 — . 

-  Mr, rchandc    ambulante   3 — . 
-Marchande  de  Gflteaux  3 — . 

-  March6  de  Paris,  trio  com.   6 — . 

-  Menagerie    3 — . 

-  Mere  du   Zouave  3 — . 

-Noel,  8,  T-s.  &  choeur    (ad  lib.)   3—  Katto. 

■  Ode  a  L€on  XIII    (sextuor  &  choeur)    6 — , 

av.    P   7.50. 

-  Orchestre  de  M§re  Krakkelo  3 — . 

-  Orchestre  de  Pfere  Krakkelo  3 — . 

-  Rat  de  Ville  et  le  Rat  des  Champs  3—. 

-  R6veil   de  I'Aurore,  valse  brillante,   P   0 — . 

-  Rocher  de   Ste.-H^lene  3—. 

-  Table  de  Multiplication  4 — . 

-  3   Tantum   Ergo,   SAB  —30   /.   Fischer. 

-  Trois   Chanteurs.   quat.   com.   7.50. 

-  Vive  Monseigneur !   choeur  &  P,  Part   I — . 
Mechelaere    V.    R6veil    de    I'Aurore,    ^^alae 

brill.   6—  Katto. 
Mechelen  Th.  van,  Le  Bal,  romance  ft  1  v. 
av.  ace.  P  — 75  Schott. 

-  Pass6,    romance    ft  1    v.     av.    ace.    P     — 50 

Schott. 
Mechin    Ant.    Etoiles,    .sc&ne    po^tique,    av. 
VMand    1.50  n    L'AuteurSauvigues. 

■  Fanfare    de    Bec-Ouvert-les-Canards,    P    ou 

Instr    (choeur   final),      Crevel. 

-  Plus  loin  que  I'azur,   valse  chant€e   1.50  n. 

Harm  ou  Fanf,  part.  cond.   si  b6mol  — 50 
A.    P?«rieZ  Montelimar. 

Mechin  A.  et  A.  Planet,  S&me,  paysan, 
chans.  rustique  ft  1  ou  2  voix  — 50  A. 
Planel. 

-  Valse   d'avril,   chant.    P,     A.   Planel. 

Mgchura  L.  E.  Starf :  Ave  Maria,  a  Ho- 
r  a  k  V.  E. :  Tfi  kostelni  zpgvv,  TTBB 
1.80. 


Mechura  L.  E.  BaUida 


384     — 


Medetz  J.  op.  27 


-  Balada  o  nestastne  zabe,  a  J-  L.  Z  a-  o  n  a  f , 

Vftaul   jara,    TTBB   1.80. 

-  Cilym    krokeni,    a    Leo    J.    Ceskfi    muzika, 

TTBB   1.80. 

-  Matka    u   kol6bky,   pisen  — 75   Hoffmayin. 
-Pijacka   (dvoj  sbor,  TTBB  J   1.80. 

-  Svrzena    fiiga.    TTBB    a    basove    solo    s    P 

4—. 

-  Vabn6    oel,      a    Petr    J.:    Vylet    Hlahola, 

TTBB   1.80. 

-  2ivot    V    hftji,      a    H  o  r  ft  k    V.    E. :    Kmotr 

Bumbal,   TTBB   1.80. 

-  Zpev    podloiulniku     (Viz    ,,Zftboj"    sv.    Ill, 

ses.  5),     Hoffmann. 

Mecif    M.    Vzdorovita.    polka-mazurka    — 60 

Urbdnek. 
Meciszcwaki    H.    vidi>:    Toluische    Tilii/e. 

Meek    O.    de.    Li/rr:    Op.   9   Feuille   d'album 
—25. 

- 10  TaM-B  MHoro  iixx  6wJio  — 50. 

-11  Nr.  1.    3Bymi    moh    n-fecHH    — 25.     Nr.  2. 

C'KajKH  eaiy  (L'ultimo  bacio)  — 30. 
-12  ^o6poft   H01H    TH    ch-aaajia,  Bajibct  ^Jia 

ntnia  — 35. 

-  14  Peusee   iniisicale  — 35. 

-  15   Romance  — 30. 

-  16    Scrupule.      Je    veux    lui     dire    quelque 

chose  —30. 

-  17   H   HC   ch-aiKy   ■I'ruf,   — 2^}. 

Meckel   Carl,  op.   16  Alpenszeue,  Melodie,  Z 

—60,  3Z   1.50  Fritz. 
Meda   F.  Ottavio  Pinuccini   1 — n  Ricordi. 
Medaglia    Annibale,      Canto    della    Quaglia, 

mazurka    1 —   Ricordi. 

-  Partenza,   polka    1 —  Ricordi. 

Medaglia  G.  B.  Ricordi:  Capriccio,  FIP  5—. 
-Fantasia   ad   uso   di    Gran   Valzer,   P    1.50. 
-Pastorale   sul   gusto   antico,    di   stile   i'acile 
1.50. 

-  Pa.«torale   1 — . 

-  2   Pastorali    1 — . 
-Polka    1—. 

-  Preghiera  a  San  Giuseppe  Calassauzio,  per 

SS  con  P  1.25. 

-  Reminiscenze  amichevoli,  valzer  e  mazurka 

2 . 

-  Strenna   Musicale,   valzer   e   galop   2 — . 

-  Suddetta    raccolta    di    versetti    10 —   Marti- 

ncnglii. 

-  Tema  con  Variazioui,   P  2—. 

-  Valzer   1.50. 

-5  Versetti  in  fa  maggiore,  Org  1.25  Marti- 

nengJii. 
-5  Ver.setti  in  sol  maggiore,  Org  1.25  Ma>ti- 

nenghi. 
-6   Versetti   in    la    minore,    Org    1.25;    Detti 

Versetti  nei  tuoni  minori,  uniti  5—  Mar- 

iinenghi. 

-4   Versetti   in   Sol  minore   1.25. 

-  Versetti  in  Re  per  il  Magniiicat  1 — . 

-  Vivacity,  valzer  2 — . 

Medaglia    Luigi,    op.    3    11    Bersagliere    2— 

Ricordi. 
Medaille  d'Or,  lanl.  J,Tr  —75  Ntiudin. 

Medaille  de   Sauvetage   1— u.  Ch.  s. 30  n 

Ondet. 


Medallion   1— n,   Ch.  s.  — 35  n   Puigellier. 

Medallion    brise    1 — n   Jonbcrt. 

Medak    Emil,    Waldmarcheu,    Walzer     1.20, 

kl.  0    2.50,    stO    5—   Pawliskd. 
Medard    Emile,   Ma    Fiancee,    intermezzo,   P 

3/ —    Orpheus. 
Medcalf    Will.    But    You    fau't    Fool    Dad 

— 10  Nat.   Music  Co. 
Medecin  des  dames  1 — u  Joubert. 
Medecin  du  coeur  1 — n  Joubert. 
Medecin   me   I'a  defendu   1 — n  Jonberi. 

Medecins  (av.  parl6)  1.70  n,  Ch.  s.  — 35  n 
EveiUard. 

iVIedefind  Edmund,  op.  1  Drei  Lieder : 
Schneeglockchen :  „Sclineegl6ckchen  sehaut 
aus  griinem  Haus."  Ein  Roschen :  „Von 
deinem  Arm  umfangen."  Trockene  Blu- 
men :  „Tlir  Bliimlein  all,  die  sie  mir  gab" 
1.50  Hoffarth. 

-4  Arioso,   VP,   VcP  h  1.50  Ries  d-  Erler. 

■  5  Drei  Lieder :  Meine  Sterne :  ,,Am  Him- 
mel  strahlen  Sterne."  Lust  und  Leid : 
„Was  ist  die  Lust?"  Nur  einmal  moeht' 
ich   dir   nooh    sap-eu    \.~A)    ll(,jj<irli' . 

-  6   Jugendtraum,    VP    1.20    RUhle   d    W end- 

ling. 
-7   Zwei  leichte   Stiicke,    VP:    1.    Lied   oh.ie 
Wcrte,   2.    Elegie,   jl  1—   R.    Dietrich. 

-  Liebesahnuug,   Romanze,   P    1.20.    VP,   VcP 

a   1.20. 
Medeiros    A.     Giiimara.es:      Acorda    escuta, 
polka    1 — . 

-  Acucena,  quadr.   1.50. 

-  Ai !  eu  cahil  tango  1 — . 

-  As  Andorinhas,   valsa   1.50. 

-  Benzinho,   schott.    1.50. 

-  Blondin,    polka    1 — . 

-  Brazil-Portugal,   polka    1-—. 

-  Brilhantina,   polka   1 — . 

-  Cabi'ca  de  porco,  polka  1 — . 

-  Caricias  de  amor,  schott.   1 — . 

-  Carolina,  valsa  1 — . 

-Cor.de  de  St.  Agostinho,  marcha   1.50. 

-  Deliciosa,    quadr.    1.50. 

-  Despedida,    valsa    1.50. 

-  Em   ti   peusando,  polka   1 — . 

-  Enigmatica,   polka   1 — . 

.  ICstft-se   coando,    polka    1 — . 

-  Ft'ceira,   (juadr.    1.50. 

-  I'antoches,    tango    1 —    Bevilacqua. 

-  Flumineuse,  quadr.    1.50. 

-  Lydia,   polkti    1 — . 

-  Mediosa,    polk?     1 — . 

-  Morrer   sonhando,  polka   1 — . 

-  Nao   me   olhes   assim,   schott.    1 — . 

-  No    baile,    quadr.    1.50. 

-  O  Urso,   polka   1^. 

-  Oh  !  nao  fujas,  hab.  1 — . 

-  0.S   Bohemios,   tango    1.50,   Banda   4 — . 

-  Preciosa,  quadr.    1.50. 

-  Predilecta,   vals.i    1.50. 

-  Queimou   a  Luz,   polka    1 — . 

-  Qiiem   comeu   da   vacca,   tango    1 — . 

-  Quipro-quo,  polka   1 — . 

-  Yayii   d'ouro,  maz.   1.50. 

Medetz  Jos.  op.  27  Fliegende  Blatter,  j^ot- 
pcurri  iiber  beliebte  Volks-  und  Opern- 
Melodien,   P   1.50  RiUile. 


Medici  G.  Raggio  di  lima 


385 


Meer  toch  kan  men  niet  verlangen 


Medici  G.  Raggio  di  lima,  romanza  2 — 
Perosino. 

-  Ricordo  d'amore,  niel.   1.50  Perosino. 

Medici    L.  Alba  3 —  Ricordi. 
Medici    O.   Earcaroia    3 —   liorriero. 

Medina   E.  Little  beggar  boy  — 50  Ellis. 

-  Owl,  schottisch  — 35  Ditson. 
Medini   G.   Gavotta,   P   1.50   Perosino. 
•  Minuetto,   P   1 — n   Walter   Graziani. 

-  Miiiut'tto,  /'   1.25   Venturi. 

■  Pf;gina   d'Album,   P    1 —   Venturi. 

■  Prime   viole,   P  2 —  Perosino. 

-  Tirolese,   P   1.25    Venturi. 

Medisants   1 — n  Jouhert. 
Meditation    Noel    1 — n   Joubert. 
Medjina    I'Africaine    1 — n   Jouiert. 
Mediums    1 —    Delormel. 

Medley  A.  Cradle   Socg  — /P/j  Notello. 

-  2   Melodies,  P    1/6  n    Wickins. 

-  My   Dove  — /I   Novello. 

-  Poor    Humpty-Dumpty,    and    The    Bumblo- 

Bee'.s  Buzz  — /P/,  Novello. 

-  Woodland  melodies  — /I  Novello. 

Medley  E.  S.  Benedicite  (in  Bflat),  shor- 
tened form  — ,2  Novello. 

-Benedicite  (in  C),  shortened  form  — /2 
Novello. 

-Benedicite  (in  E),  sliortend  form  — ,2 
Novello. 

-  Le  the  song  be  begun   (Easter  Carol)  — /I72 

Novello. 
Medolago   G.   Gratitudine   1.50   Ricordi. 

-  Primizie    2 —   Ricordi. 

-  Un   Fiore  di  Primavera   1.25  Ricordi. 

Medon,    siehe    Souvenir   de   Danse.      Bote. 
Medori    A.    Venturini:     Dopo    il    tramonto, 
uotturno  3 — . 

-  Fior  di   Gaggia,  uotturniuo  2 — . 

-  II    desio,    uotturno    3.50. 

-  II  pastorello,  notturuino  3.50. 

-  La  treccia  nera  !  !  romanza  in  Chiave  di  sol 

2.50. 

-  Monoiogo    della     mano    sinistra,      capriceio 

3—. 

-  Piansi   in   signo,   melodia   melanconica   2 — . 

-  Rimpianti,   romanza   senza   parole  2 — . 

-  Una   lacrima,  capriceio   pianistico   5 — . 

-  Villa   Paolina,  valzer   3.50. 

Medorn  Wm.  op.  5  True  Remembrance, 
tyrolienue,    P  — 40   Schroeder. 

Medrano  Franc.  Alberto,  Bravura,  marcha, 
P  1 — ,  0   1.50  n,  sO  1 — n  IJofmeister. 

-Bravura,  pa.so-doble,  Banda  1.50  Wagner  y 
Levien. 

Medrano  M.  E.  En  este  suelo  de  Ifigrimas, 
a  dos  voces  — 50  Wagner  y  Levien. 

Medros,  First  Heart  Throbs  (E  i  1  e  u - 
berg),  MandG  — 40  Mc.  Kinley. 

Medtner  N.  Jurgenson:  Op.  1  Acht  Stim- 
uiungsbilder,  P  1.50:  Nr.  1.  Prolog  — 40. 
N.  2.  Allegro  con  impeto  — 30.  Nr.  3.  Mae- 
stoso freddo  — 20.  Nr.  4.  Andantino  con 
mcto  — 40.  Nr.  5.  Andante  — 40.  Nr.  6. 
Allegro  con  humore  — 40.  Nr.  7.  All-igro 
con  ira  — 40.  Nr.  8.  Allegro  con  grazia 
—40. 

Uiiivei-sal-Handbuch  der  .Musikliteratur.    M. 


-2  Trois  Improvisations,  P:  N.  1.  Nixe  — 80. 

N.  2.    Eine   Ball-Reminiszenz   —50.      N.    3. 

Scherzo  infernal  — 60. 
-3    Drei    Lieder    (russ.    u.    deutsc  li )  :    Nr.    1. 

An  heiligen   Klosters   Pforte  — 30.   Nr.   2. 

Erloschen    sind   des   Herzens   Triebe  — 40. 

Nr.   3.   Auf  dem   See  —30. 
-4   Quatre    Morceaux,    P :    1.    Etude,    2.   Ca- 
price,   3.    Moment    musical,    4.    Prelude,    a 

—40. 
-5   Sonate    (F),  P  3.50  Belaieff. 

-  6    Neun    Lieder     (deutsch-russ.)  :    Wanders 

Nachtlied.  ilailied.  Elfenliedchen.  Im  Vor- 

iibergehen.  Aus  ,,Claudine  von  Villa-Bella. 

Aus  „Erwin  und  Elmire  I"  :  Inneres  Wiih- 

len.    Aus   „Er\vin    und   Elmire   11" :    Sieh' 

mich,   Heil'ger.    Erster   Verlust.   GefunJen 

2 . 

-7    Drei    Arabesken,    P :      Nr.    1.    Ein    Idyll 

— 30.    Nr.    2.    Tragodie-Fragment     (A-m.) 

— 40.      Nr.    3.    Tragodie-Fragment    (G-;ii.) 

—60. 
-8   Zwei   Miirchen,   P   2.50. 
-9    Drei    Marchen,   P:    Nr.  1    —50,   Nr.    2,  3 

a  —40. 
-10  Drei  Dithvramben,  P :  Nr.  1  —50,  Nr.  2 

—75,  Nr.  3  —30. 
-11    Sonaten-Triade,   P   2.65. 
-14    Zwei    Marchen,    P :    Nr.  1    —40,     N^r.  2 

—60. 
Medugno    V.    Flora    Friulaua,    polka   --75  n 

Morgatite. 

-  Zaide,   polka  — 75  u,   Ma^id  — 30  n,   MandP 

1— n,    MandG    — SO  n    Morganto. 

Medwedew  IV!.  op.  12  „Jlji.ieyKa"  najibct 
— 50  Johau.'^''n. 

Mee  J.  H.  Novello:  Chloris  singing  (Ma- 
drigal),  iiSATB  — /6. 

-Delphi,  a  legend  of  Hellas,  ballad  for 
men's  voices  and   (),   Voc.   score   1/ — n. 

-God,  who  at  sundry  times  (Christmas), 
8ATB   — /4. 

-  Ho  r  a  tins,  ballad,  Voc.  score   1/ — u. 
-Lesson  of  love    (a  ballet  madrigal),   SATB 

-/4. 

-  Love's   Name,   a   cheerful   glee,   SATB  — /3. 

-  Missa  solemnis,  in  B  flat,  4  solo  v.,  double 

chorus,  Voc.  score  2/ — ,  and  Org  2/ — . 

-  Moram  faciente  Sponso,  motet,  SATB  — /6. 
-Quartet   in   G,   2VVaVc  4/— n. 

-  While   the    Bridegroom's   coming,   motet,    6 

voices  — /6. 
Mee   Pattison   T.   Fifteen    Introductory   and 

Concluding      Voluntaries,       Org      1 —     J. 

Fischer. 
Meech  G.  T.  A  Vision  of  My  Dream   (waltz 

song)    — 10   Nat.   Music   Co. 

-  In    the   Cherry   Tree   Swing 

Music   Co. 

-  Missing    (.song   and   chorus) 

Music  Co. 
Meeker,   Auburn    Polka,    G   —35    Ellis. 
Meen   G.  O   Fred,   tell   them  to  stop!   waltz 

song  and  chorus  — 30  Gordon. 
■  Oh,   Fred,  tell   them  to  step  —10  National 

Music  Co. 
Meer    toch    kan    men    niet    verlangen     —60 

Alsiach. 

25 


-10   Nationil 


-10   Nation' il 


Meer  M.  Rosen 


386     — 


Mege  L.  Petit  format 


Meer   Maxter,  Eosen  :   „Es  ist  recht  ronder- 

bar"  —80  Kerle. 
Meerendonk    T.    v.      Half    elf    kuiper    --60 

Berg?tiuns. 
Meerendonk   A.   v.   Mijn  Eheuma thick   —60 

Bergnians. 

-  Nil  we  Biirgemestef  — 60  Bergmans. 

-  "\'t•l■slag•g■e^  er   — 60   Bergmans. 

Meerloo    M.   op.    1      Eegrets,   morceau,      VP 

—90  u   Alshach. 
-2  Eoinauce,   VP  — 90  n  Alshach. 
-9  Ballade,  VP  1.50  Lichtenauer. 

-  10    Feuille    d' Album,    more.    Vc(VJP    1—  n 

Lichtenauer. 
-11   Mama  bleibt  iramer  sclion  — 80  Junnc 

MeepoBU'iT..    ^/^e.IbBeHC'b,    Bie.io^eKJi    — (jO 
Johansen. 

-  Etude    (G-m.) ,   P   —75    Johansen. 

Meertens    Karl,    op.    10    Yelva,    polka-maz. 

l.:J5  n  Gregh. 
Meerts    L.   J.   Aanvankelijke  Leerwijze   der 

Viool,  met  eener  tweede  V,  in  2  dealon  a 

2.40  n   Junne. 

-  Elementarschuie,    T'    m.    2.  V    (deutsob-frz.- 

engl.),   I.  6.20,  II.  24  Tonleitern   u.  Melo- 
dien,   I — II  a  4.40  Andre. 

-  Eludes    de    Eythme,    2Vc    (F.    S  e  r  v  a  i  f=) . 

I_IV  a  3.25  Schott. 

-  3   Etudes   brill,   en    Style   fugue,   2V   4—  n 


Hchott  Freres. 
brill,    en   style 


fugue,    2V    3.50 


Pisa,  o — 
-3    Etudes 
Junnc. 

-  12   Etudes   elementaires     pour     T'    (la   pre- 

miere   position)     fiir     Va   alta    (AUgeige) 
m.  II.  V  (F  e  r  d  i  n  a  n  d  R  i  s)   1.80  Mer&e- 
bnrgcr. 
-12    Etudes    elementaires,    m.    II.  V     (Lud- 
w  i  g   Abel)    1—   Litolff. 

-  12   Etudes   pour   2V   dans   les   deuxi&me   et 

quatrifeme  positions:  I.  Etudes  dans  la 
deuxi&me  position  5—.  II.  Etudes  dans  la 
quatrieme   position   4 —   Scliott   Freres. 

-  3  Etudes  sympb.   en  forme  de  Fugues,  SV 

3.50  Junne,  4 — n  Pisa, 
-C    Fantaisies     caracteristiques,     V:      N.    1. 

L'Espagnole   4 — .    N.    2.    L'Allemande   3 — . 

N.  3.  La  Frangaise  4 — •.  N.  4.  L'ltaliinne 

4—.     N.   5.  La  Russe  5—.     N.   6.   La   Sa- 

A^oyarde  4 —  Katto. 
-6  Fantaisies  en  style  fugue,   V  5 —  ScJioft 

Freres. 

-  Mecanisme    de   I'Archet,    12   etudes,    V    1 — 

Litolff. 

-  Mecanisme  de  I'Archet,  12  etudes,  V,  suite 

I  2.75,  suite  II  2.50  Schott. 

-  Mecanisme  des  Instruments  a  cordes  et  no- 

tamment  du  V.  enseigne  sous  forme  d'Etu- 
des  rythmiques  pour  2V,  3nie  recujil,  en 
12  suite.?,  renfermant  chacune  3  etudes: 
T.  aux  Elfeves  3.25.  II.  a  Mr  Leonard 
3.25.  III.  a  Mr  d  e  C  o  r  V  i  1 1  o  n  2—.  IV. 
a  Mr  Wery,  V.  a  Mr  S  i  n  g  e  1  e  e,  VI. 
a  Ml-  L  e  m  m  e  n  s,  VII.  a  Mr  S  n  e  1,  VIII. 
a  Ml-  S  egh  er  s,  IX.  a  Mr  Rob  recht  s, 
X.  a  Mi-^Monaster  io,  XI.  a  Mr  S  i- 
mon,  XIL  a  Mr  A.  Casorti,  a  2.75 
Schdit.  '■ 


-  Metbode   elementaire   de    V,    second    V,    en 

2  parties  a  2.40  n  Junne,  a  3.50  n  Pisa. 
-4  Sonatines,  2V  3—:   I.    (N.   16)    2  Sonati- 
nen    in   G   und    D-dur    1.50.      II.    (N.    17) 
2    Sonatinen    in    F-dur    und    A-moll    2 — - 
Leuchart. 

-  12   Studies   for    V,   with    ace.    of  a   2nd    V, 

rev.  by  E.  H  e  i  m,  2  books  a  1/ —  i  Ati- 
gener. 

-  Technik  des  Violinispiels,  neue,  fiir  den  Ge- 

brauch  am  konigl.  Konservatorium  der 
Musik  in  Leipzig:  A.  12  Elementariibun- 
gen  m.  Begl.  eiuer  II.  V  1.50  n,  Suite  I — II 
a  1— n.  B.  12  Etuden  m.  Begl.  einer  II.  F 
3— u.  Suite  I— II  a  1.80  n.  C.  10  Etuden 
ra.  Begl.  einer  II.  V  2 —  n.  D.  Die  Kunst 
der  Bogeufiihrung,  12  Etiiden  zur  bes. 
Ausbildung  des  Handgelenkes  1.50  n 
Schott. 

Mees  Arthur,  Eight  Daily  Studies,  P  —75 
Ditso7i. 

Mees  M.  op.  7  Lieb'  Gretelein,  Gavotte,  P 
1.20  A7idre. 

-  15  Des  Siingers  Fluch  2.50  Eisoldt. 

Mees  V,  Fleurs  d'automne,  valse  6 —  Clot. 
Meet  me  at  St.  Louis,  Louis  — 30  Echo  Mu- 
sic Co. 
Meet  me  at  the  golden  gate,  end  song  — /2 

Sheard. 
Meet  me  where  the  pansies  lift  their  heads 

—10  Xat.  Music  Co. 
Meeting  d'oiseaux  1 — u,  Ch.  s.  — 30  n  Ondet. 
Meeting    des    femmes    1 — n,    Ch.   s.    — 35  n 

Ondet. 
Meeting  of  the  Waters,  The,   (Iri.sh),  SATB 

— ,1   Boofei/,  — /2  Eohler,  Sheard. 
Mefi-te   d"   I'amour   — 30  n   Jouiert. 
Mefie-toi   de  mon   flacou    1 — n   Joubcrt. 
Mefiez-vous   de   I'amour    1 — n   Ondet. 
Megardon    J.    Esperanza,    valse    6^   Blegar- 

don. 
Mege  E.  Napoleao:  A  corda  sensivel,  \arso- 

viana,  polka  des  lanceiros,  P  1 — . 
-Attila,   P   1—. 

-  Capuleti    e   Stranicra,   P    1 — . 

-  Djaly-polka  4 — ,   0   1.50   Sulzbach. 

-  Don   Pasquale,   serenata,   P   1 — . 

-  Ernani,  P  1—. 

-  Gentil  Pastoriuha,  varsoviaua,  P  1.50. 

-  II  pleut  Bergere,  introd.  et  variatioas.  Cor- 

net a  PP  2.50  n  Margueritat. 

-  Lombardi,  P  1 — . 
-Luisa   Miller,    P    1 — . 

-  M  a  c  b  e  t  h,  P  1—. 
-Norm  a,   P    1 — . 

-  Quadrilha   das   eriaugas   1 — . 

-  Quando  seu  bem.  As  ISlulheres  de  Mar;nore, 

P  1—. 

-  Somnambula,   P   1 — . 

-  T  r  a  v  i  a  t  a,   P   1 — , 

-  T  r  o  v  a  d  o  r,   regreio  dos  collegios,  P  1 — . 

-  T  r  o  v  a  d  o  r,   caucao   da   Cigana,   P   1 — . 

-  Valsa  da  morte,  4ms  1 — . 

Mege   Louis,  Air  et  la  chanson.     Puigellier. 

-  Lolotte,  maz.   0   1—  n  Blanchard. 

-  Manette,  maz.  O.     Andrieu. 

'-  Moi   z'et  ma   soeur   1 —  Schott  Freres. 
■"Petit  format  — 35   Schott  Freres. 


Mege  L.  Preiniccs  d'avrii 


—   a&7 


Mehler  C.  op,  64 


-  Premices   d'avrii,   romance   1 —  iScJwIt  Fre- 

res. 

-  Eose-Th^,   polka,    0   a.\.    1'   cond.      Costil. 

-  Tu   ne  les   verras   plus   1 —  n,    Ch.  s.   — 30  ii 

Rcuiirt. 

-  Vieux   Burgher,   marche,    0.     Andrieu. 
Megemont    J.    I,uue    d'aniour,    conte    1.35  u 

Leclercq. 
-O!   rayon  de  la  vie!    1.35  Leclerq. 
Megens    R.    Tantum   ergo-genitori,    3    St   ni. 

Solo  u.  0)(/  2 —  Cranz. 
Meggendorfer      Lothar,      Original-Couplets: 

1.    Holololololoiihi :    ,,Mir    liegt    nix    dran, 

wenn    d'    Sunna    sclieint",     2.    Die     Arche 

Noah,   a    1.20   Dietrich. 
IVIeggenhofen    F.   Lied   zu   Luthers   Namens- 

feier  — 50  Schotf. 

-  6  vierst.  Gesange  fiir  Freimaurer  mit  und 

ohnc    P,   Part    3.25    8chott. 
Meglio      Giovanni      de,      Vesuv,      minuetto, 

MundP    2 —    Zintnierinunu. 
Meglio   V.   op.   122   Forza   del   destino,   fant. 

P  — 50  Neuparth. 
-159    A  i  d  a,    divert.    P   — 50    Xeuparth. 
-Aida    (Final  2)    2.50  Xapoleao. 

-  A  i  d  a,   marcha   2.50    yapoleao. 
-Gioconda,   danza   delle   ore,   P    1.50   Be- 

vilacqua,    Guiinaraes,   Napoleao. 

-  Mariannina    2/ —    Ascherberg. 

-  Nieczula  dzierczyna  — 40  n   Gehethner. 
-Salvator    Rosa     (Carlos    Gomes), 

canzonetta,    P   2 —   Napoleao. 

-  Serenata    (G.    Braga),    P    1.50   Napoleao. 
Megnen,   Les   Bretons    1.70  n   Enoch. 
Megone    N.      Cecil,     two-step,     P   4; — ,    Full 

O  2/ —  n,   Sept.   1/ —  n  Chuppell. 

-  Oeuone    Waltz,    FullO    2/— u,    Sept.    1, —  n 

Chuppell. 

-  Pierrot    Polka     4/—,    FiillO     2,—  u,     Sept. 

1/ —  n   Chuppell. 

-  Versailles,  minuet  in  the  old  style,  P  4; — 

Ascherberg. 
-Winifred    Waltz    4/—,    FitllO    2  — u,    Sept. 

1/- — •  n   C happen. 
Meg  ret  A.  Entre  Amis,  pas  red.  Harm,  Fu)if 

a   1.50  n  Margueritat. 
Megret   P.   Enfant  du  peuple,  pas   redouble, 

Earm(Funf)    1.50  A  I'Accord  parfait. 

-  Escarpolette,     mazurka      (chant     ad     lib.), 

narm(Fanf).      A.    P/«Ht'MMonteliniar. 

-  Filles  maudites,  mazurka,  0  1 — n  Pinatel. 

-  Gage  de  tendresse,  schottisch,  0.     Maroky. 

-  Joie  d'enfant,  schottisch,  0   1 — ,  stO  1.25  n 

Pinuiel. 
-Vision,    gr.    valse    2— n,    0  dcordes    1.50  n 

Debert. 
Megyeri    D.    Katonas    Kisasszony,    potp.    P, 

I— II   a   3.60  Zipser. 

-  Leonie  Keringo,  P  2.40  Zipser. 

Mehas   Ed.   de,  Depart   des   canotiers    (Dior. 

— 20)    1 — n,   Ch.  s.  — 40  n  Bornemann. 
Mehay,  Vivent  les  Dames  de  France!  Valse 

2 —  Schott  Freres. 
Mehden  L.  v.  d.  op.  8  Twilight-Sketches,  P: 

1.    A    Love    Dream,    2.    The    Vi.sit    of    the 

Firefly,   &  1.20   Fischer. 

-  Devil's  Slide  Galop,  Full  Brass  Band  — 50, 

a.    Reed   Band   2 —   Candy. 


P  uppenmii  ttercheii 
1.50  n    Berthold    <£• 
— 75    Johnns. 


Meher  D.  Gavroche  de  Chicago,  chanson  5 — 
Office   musical. 

-  I'll   come   back   to   you ;    Morning   Glory,   a 

— /6  Francis. 

-  Sweet   Juanita    1/ —  Francis. 

Mehes    Julius,      Katharinen-Polka,    P    — 90 

Bosworth. 
Mehl    Georg,   op.    10   Deutsches   Flottenlied : 

„Deutsche  Miiuuer,   deutsohe   Jungen"    1 — 

Zumsteeg. 

Mehlbeer    Emil,    op.    5 
1.20  Aucr. 

-  13    Mimmi-Gavotte,     P 

Schtcerdt7ier-Stuttga.rt. 
Mehler,    Brudensbon,    P 

Mehler  C.  op.  12  Im  Wonnemonat,  Gavotte, 
PI —  A.   Hoffmann. 

-  15    Auf    Wiederseh'n,    Salonstiiek,     P     1 — 

August  in. 

-  16  Tn-otzkopfchen,   Polka    1.20   Hoffmann. 
-20   Festpolonaise   1 —  A.   Hoffmann. 

-  21    Erinnerung,   P    1 —  A.   Hoffmann. 

-22   Mein   erster   Walzer   1—   A.   Hoffmann. 

-  23    Grufi    an    Deutschlands    Heer,    Marsch 

1 —  A.   Hoffmann. 

■  24  Abschiedskliiuge,  Salonstuck,  P  1 — 
Augustin. 

-25  Mein  Sehnen,  Salonstuck,  P  1 —  Au- 
gustin. 

-  26  Mein  ganzes  Gltick  warst  du.  Lied  ohne 

Worte,   P   1 —   Augustin. 

-  27   Frauengliick,   Walzer,   P   1 —  Augustin. 

-  31    Liebesfruhling,    Salonstiiek,    P    1.20    R. 

Dietrich,. 

-  32  Im  Monat  der  Rosen,  Salonsttick,  P  1 — 

Augustin. 
-33  Am  Achensee,  Tonbild,  P  1 —  Augustin. 

-  40  Friede  auf  Erden,  Weihnachts-Fantasie, 

P  1—,  4ms  1.50,  V  —80,  VP  1.50  Portias. 

-41  Liebes.«piel  auf  der  Aim,  P  1 —  Portias. 
-42  Sii6e  Heimat,  P   1 — ,  — 75  Lundquist. 
-43  Morgenlust,  P  1 —  Portius. 
-44   Abendandacht,   Salonstiiek,   P    1.20   An- 
dre. 

-  45    Vogleins    Abschied,    Salonstuck,    P    1 — 

Andre. 

-  46  Waldeslust,  Salonstuck,  P  1 —  Andre. 

-  46  Gru5  aus  Leipzig,  Marsch   1 —  Banger. 

-  47  Kreuzfidel,   Polka,   P   1 —  Banger. 

-  48    Lockenkopfchen,,    Rheinlander,     P     1 — 

Banger. 

-  52  Sufie  Ahnung,  Salonstiiek,  P  1.20  Teich. 

-  54  Selinsucht  nach  den  Bergen,  Salonstiiek, 

P    1.20    Teich. 

-  56   Gebet   einer   Braut,   Salonstiiek,    P    1.20 

Andre. 

-  57  Lachtiiubchen,   P   1 —  Andre. 
-58   Festgrufi,    Marsch    1.20   Andre. 
-59  Waldfrieden,  P   1.20  Andre. 

-  60   Veilchengriifie,   Salonstiiek,   P   1.30   An- 

dre. 

-  61   Maiglockchen,  Salonstiiek,  P  1 —  Andre. 

-  62  Jugendtraum,  vSalonstiick,  P  1 —  Andre. 

-  63   Gliickliche   Herzen,    Salonstuck,    P    1.20 

A7idre. 

-  64   Es    war    zur    Maienzeit,    Salonstiiek,    P 

1 —  Andre. 


Mehler  C.  op.  67 


388 


M€hui  E.  N.  Ariodant 


-  67  Zauberklange,  Salonstiick,  P  1.20  Teich. 
-70  Liebesglijck,  Salonstiick,  P  1.20  Teich. 
-76   Weihnaclitszauber,     P    1.50,     Jfins    1.50, 

m.    V    1.80,    m.    2V   2—,    F   —80,   2V    1— 

-77  Almenrausch-Gavotte,  P  1.20  Banger. 
-78  Edelweifi  vom  Konigssoe,  Idylle,  P  1.20 

Banger. 
-79    Traiime   vom    Rheiu,    Reverie,     P     1.20 

-  80  Musikalische  Zuekerpliitzchen,  4  leichte 

Ton.stucke,   P:    1.    Reifenspiel,   2.   Puppeu- 
miitterchen,     3.     Kinderfest-Polonaise,     4. 
Zum   Geburtstag   2.50,   a    1 —  Mehler. 
-81    Traume  an   der  Riviera,   Idylle,   P   1.20 
Mehler. 

-  82    Die    Miinsterglocken     von     Strafiburg, 

Nokturne,   P   1.20   Banger. 
-83     Allzeit     getreu !     Salonstiick,     P     1.20 

-84  Weihnachtsfantasie,  P,  -Jwis,  yp  a  1.50, 

V  —50  Mehler. 
-84   Tannenduft   und   Lichterglanz,    P    1.50, 

4ms,  VP  a  1.50,  F-S.  —50  Mehler. 

-  85    Holde   Traume,    P    1 —   A«dr^. 

-87  Mein  Herzenswunsch,  P   1.20  Andre. 

-91    Die  Mutter    1—,   TTBB   1—  Mehler. 

-92  Weihnachtsgliick,  P.-  Ausg.  a^  Beide 
Hande  im  F-Schl.  —80.  Ausg.  h)  Linke 
Hand  im  B-Schl.  —80,  F  — 50,  VP  1— 
Mehler. 

-93   Fiir   unsere  Kleinen,   P   1 —  Mehler. 

-94  Gliihgold-Gavotte,   P   1.20   Mehler. 

-  95  Die  Friedensglocken  in  der  Weihnachts- 

nacht,   4msP    1.50   Mehler. 
-95  Brill.   Weihnachtsfantasie,   P    1.50  Meh- 
ler. 

-  96    Weihnachtsalbum    fiir    die    Jugend,    P 

—80   Mehler. 

-97  Im  Weihnachtsparadiese,  P.-  1.  Selige 
Weihnachtsstimmung,  2.  Der  Weihnachts- 
kerzen  Zauberschein,  3.  Des  Kindes  Weih- 
nachtsgebet,  4.  Knecht  Rupprecht  der 
Kinderfreund,  5.  Weihnachtsfest  -  Polo- 
naise,  6.    Silvester,   a    1 —   Mehler. 

-98  Weihuachten,  ein  Melodrama  m.  P  1.50 
Mehler. 

Mehler  E.  R.  Dietrich:  Op.  10  Traum  in 
der  Weihnachtsnacht,  Charakterstiick,  P 
1.20. 

-11   Friihlingsgrufi,  Nokturuo,  P  ]— . 

- 19   Alpenzauber,   Salonstiick,   P    1 — . 

-30   Vogleins   Grufi,   SalonstUck,   P    1.20. 

-31    Liebesfruhling,    Salonstiick,    P    1.20. 

-  36  Gedenke  mein,  Salonstiick,  P  1 — . 

-37    Sehnsucht,    Salonstiick,    P    1.20. 

-38  Abschied  von  der  Aim,  Salonstiick,  P 
1.20. 

-39   Herzensklange,   Salonstiick,  P   1.20. 
-50  Blutenschnee,  Salonstiick,  P  1.20. 

-  71    Heilige  Christnacht,   Charakterstuck,   P 

1.20. 
Mehler   Gertrude,   Ciicilien-Walzer,    0   2—  a 
H.  Oppenheiiner. 

Mehlhose  C.  Almenrausch,  Gavotte,  Z  —60 
2Z  1.20,  2Disk-lStrZ  1.50,  SDisk-lStrZ 
2—,  SDisk-JAlt-lStrZ   2.50   Voigt 


Mehlltz    G.    Klopfgeister,    Polka-Maz.    1 — ^n 

Piatt. 
Mehringer   Andreas.      Westermair:      Op.   4 

Hoch   Schliersee,  Marsch,  Z  — 60. 

-  5   Grufi  aus  Komotau,   Marsch,  Z  — 60. 

-  6   Kurz-Rockerl,   Marsch,   Z   — 60. 

-8   Amors   Pfeile,   Walzer-Fautasie",   Z   —80. 

-  9  Schlierseer  Lebeu,  oberbayrische  Gebire.s- 

weisen,  Z  — 60. 

"  ",\?^  »*■'  ^  """^  Reichtum  und  Geld,  Marsch 
1.20  Hieher. 

Mehrkens  A.  op.  1  Vier  Lieder:  1  Wohl 
wareu  es  Tage  der  Sonne.  2.  Du  bist  so 
still,  so  sanft.  3.  Ihre  Augen.  4.  Mailied 
y.io  bchuherth  jr. 

-2  Zwei  Lieder:  1.  Weh'  mir !  2.  So  soli 
ich  endlich  dich  umfangen.  3.  Ich  weifi 
zwei  Blumlein  blau.  4.  Friihiing  Avird  es 
doch  einmal   1.75  Schuberth  jr. 

-  5   Mutterherz   — 50   Cranz. 
-6  Fliichtling  1—  Cranz. 

-  11    Konzert-Etude,   P    1.25   RiUile. 

■  17  Freudvoll  und  leidvoll,  gedankenvoll 
sein.  Duett,  BA  m.  P  1.50  u  Benjamin. 

-  18  Wie  ein  Grufien,  wie  ein  Singen,  8(T) 

MSfBarJ  m.  P  a  —90  n,  m.  deutschem  u 
engl.  Text  a   1.50  n  Benjamin. 
Mehrtens    L.    W.    Forest    City     (Savannah. 
Ga.),  grand  march  —40  Brainard. 

Mehul  A.  D.  Chappell:  Blanche,  nocturne,  P 

3/ — . 

-  Luisella,   ci'pr.    P   3/—. 

-  Miranda,  etude  de  salon,  P  3/ 

-  12   Preludies  for  Study,  or  for  use  as  Vo- 

luntaries, //  5/—  Angener. 

-Two     Duets     from     „Oberon"      (Weber) 
OrgP   ]—   Brainard. 

Mehul  Etienne  Nicolas  (1763—1817)  op  1 
Souate  (A),  P  (E.  Pauer)  1-' Breit- 
kopf,  ire  Partie  3/—  Weekes,  —30  Ge- 
hethner,  Menuetto  (C.  Reinecke)  —30 
BrciU-opf,  3/-  Weekes,  -35  Ditson 
1—  n  Rtcordi,  —20  Gehethner,  —50  Nord 
ll^'fcforlag,  VP  .3/-  Weekes,  Rondeau! 
1    3/ —   Weekes. 

''}J"'\^''  ^"   ""^^^^^   ^^  renfance   1— n  Pisa 

-  Abendhed  —80  .Reeling. 

-Ah!  lor.sque  la  mort  trop  cruelle    (Josef 

Oper),  m.   G  —50  Cra^iz. 
-Andante    (Elevation),    Org     (Best)     1/-    n 

Augener. 

-Ariodant,  op^ra  (1799),  ChP  1.80  Schlc- 
singer,   3 —   Katlo. 

Sulzbach  : 

I.Romance:    Femme   sensible,   entend.s-tu 
le  ramage  3 — . 

5.  Duo :    Dissipons   ce  .sombre   nuage   6—. 

6.  Air:   D'un  hymen  qui  fit  mon  bonheur 
3—. 

7.  Air  :    Tout  est  possible   3 — . 

8.  Air  :    Infortun^,  sais-je  moi-meme?3— . 
10.  Sc&ne  et  air:   R^cit. :   Mais  que  dis-je? 

O   des   amants   le  plus  fid&le  6 — . 
N.  1  1 —  n  Costallat,  4 —  n  Girod,  5 —  Heu- 
grl,  — 60  n    Lemoine,    1—^   Schott   Frdres, 


Mehul  E.  N.  Ariodant 


—     389 


Mehul  E.  N.  Joseph 


—50  Hchiruier,  P  —30  Gebethner,  N.  10 
5 — n   Girod,  2.10   Lemoine. 

Apio/^aHT-B,  Pe^HTaTHBi  h  apia,   (p.  *.) 

— 60  Jurgenson. 
Selection   pour   le  concert,  SA,  TB  a  — GO 

Schola. 

-  Aiix    Accents    de    uotre    harmouie     — 25  u, 
SATB  — 50n   Pinatel. 

-  Ave  verum,   duo   1^ —  n   Heugel. 

-  A  V  e  u  ^  e  s    d  e,  T  o  1  6  d  e,    op4ra.    (1800), 
''S*^'*"^->iflte^5S5%^/e)»o^ey  2"Bg.  Andn'i,    (V  ad  lib.) 

— 30  Breitkopf,  Ueinrichshofen,  1 —  llof- 
meister.  1.50  Seeling,  — 30  Litolff,  — 80 
Simrock;  ^ms  — 60  Breitkopf,  Litolff,  1.50 
Fiirstncr;  VP  2— n  (Jostallat,  FIVO  2— 
Simrock,  2V,  2FI,  2Cl  a  1.50  n  Costallal, 
2VFlVaycKb  6/—  Leonard,  O,  Part  4.50  u, 
p.  s.  6 — u,  P  cond.  2 — n,  mO(Fanf)  4 — n 
Costallat,  4.20  Breitkopf,  kl.  0  2— u  Be«- 
mann.  Full  Bmid  5/4,  il/ec?.  Band  4/ — , 
-8mo?Z  Band  2/8  Hawkes,  V  —60  u,  2y 
—90  n.  T-P  1.20  n,  2VP  1.50  n,  VVaP  1.50  n, 
FFcP  1.50  n,  VVaVcP  l.SO  n,  2yFaP 
1.80  n,  grreP  1.80  n,  2VVaVc  1.50  n,  gr 
yaT'cP  2.10  n  Weifi. 

Duo:  Marchons,  cherehons  2.50  n  Costallat. 
Duo:   Vous  dont   le  coeur   n'a   point  parle 
2.50  n  Costallat. 

-  B  i  o  n,  ouv.   0  5 —  Simrock. 

-  C'est  done  pour  vous?  — 25  n  Sine. 

-  Chant  du  depart  1 —  u,  Ch.  s.  — 40  n  Bornc- 
niann,  — 35  n  Costallat,  3 — ,  Ck.  s.  — 30  n 
Eveillurd,  1 — u,  Ch.  s.  — 35  n  Gallet,  1 — u 
Heugel,  Leduc,  Legouix,  1 —  n  Margueri- 
tat,  —50  n  Noel,  3—  Ploix,  1 —  n,  Ch.  s. 
— 30  n  Roiiart,  1/6  Ashdown ;  2  voix  av.  P 
1 — n  Choudens,  1.80  n  Maraueritat,  3  v. 
—50  Joabert,  —25  Pinatel,  TTBB  1.50  n 
Lory;  P  1.70  n  Choudens,  ^ms  4 —  Grus, 
Mand(Vj  —30  n  Desforges,  VFlClPiston 
Maud  — 30u  Gallet,  V,  Pist,  Fl,  CI  a 
— 10  n  Bornemann,  Harm(Fanf)  1.50  n 
Gaudet,  pet.  Fanf  — 40  n  Boryiemann,  mO 
Part  1.50  n  Margueritat. 

-Chant  du  Depart,  &  Rouge  t  de  I'l  s  1  .^ 
Marseillai.^e,  2  chant  nat.  Mand,  CI,  Fl. 
Pist,   V  h  —20  n   Rouart. 

-  Chant  du  Depart,  &  A.  Quelle,  Dans  le 
bois  de  Meudon,  caprice,  V,  Cornet,  Fl 
— 20u   Debert. 


fun&bre     pour     un    citoyen 


ib  n 


Eg. 
1.50 
Bg. 


E. 


-  Chant 
Sine. 

-Chasse  du  jeune  Henri,  ouv.  P 
1.70  n  Choudens,  1.75  n  Fromont,  r>—  Grus, 
1.75  n  llachette,  4.50  Ueugel,  — 80  n  Le- 
moine, 1 — n  Lesigne,  ■ — 50  n  Noel,  3 
Andre,  — 56  Bote,  — 60  n  Cranz, 
Fiirstner,  Hofmeister,  — 30  Litolff,  3 
Schott,  — 25  Siegel,  — 50  Simrock, 
Pauer)  4/ —  Angener,  1.35  n  Sonzogno, 
(J.  S  c  h  u  1  h  o  f  f )  5 —  Ricordi;  Ifms  2 —  u 
Durand,  Fromont,  7.50  Legouix,  1.45  n 
Lemoine,  9—^  Sulzbach,  1.04  Bote,  1 — 
Schlesinger,  4  Bg.  Schott,  — 60  Simrock, 
5/ —  Ashdoicn,  8ms  4 — n  Costallat,  5.50 
Hofmeister,  5 —  Simrock,  POrg  1.35  n  Le- 
moine, VP  1— u  Bornemann,  10 —  Legouix, 
1.25  n  Lemoine,  9 —  Sulzbach,  — 50  Siegel, 


FIP  1— u  Bornemann,  PVVc  1.50  n  Le- 
moine, G  — 75  Hofmeister,  2V  1.70  n 
Bornemann,  V,  Fl,  CI,  Pist  a  — 20  n 
Rouart,  O,  Part  4.50  n,  p.  s.  8 —  n,  P  cond. 
2— n,  niO(Fanf)  5— n  Costallat,  0  5— 
Aibl,  4.80  Breitkopf. 
Chasse  enchantee,  P  1 —  n  Weiller. 
Transcr. :    P     (C  h.    Pourny)     — 75  n 

Rouart,    (Lecouppey)    3 —    Hamelle, 

(M.  Lee)    1/ — n  Augener. 
Fantaisie:      pet.  Fanf    (L.    J.    H  a  s  - 


linger)    — 40  n    Bornemann, 


(V    ad    lib.) 
—50    Siegel, 


Halali,   P   1 —  n   Choudens. 

-  Die   beiden    Blinden,    Ouv.    P 

—30,     ^ms    —60    Breitkopf, 
0  4.20  n  Breitkopf. 

-  Dieu   d'Israel,   SATB  —25  n  Pinatel. 
-Euphrosine      et      Coradin,      op6ra 

(1790),  ChP  8— n  Costallat,  Ouv.  P  -Son 

Lemoine  : 

Duo :    Gardez-vous    de    la    jalousie    2.50  n. 

Air :    Quand    le    comte    se    met    t    table 

1.35  n.    Air:    Minerve !    Minerve !    1.35  n 

Costallat,   1.50  n   Labbe. 
Airs    de    danse     (A.    Tirel),    J/ms    2 — n 

Fromont. 

-  Father  of  heaven,  SSATTB  &  P    (The  Sin- 

ger's Libr.   2)    — /2   Ashdown. 

-  F  o  1  i  e,  air:  De  I'intrigue  1.30  lemoine. 

-  F  o  1  i  e,  air:    Tragons  bien  notre   plan  2.10 

Le7noine. 

-  Gott   Israels,   Morgengebet,   H   — 1 0   Kunz. 
-Grand    air:    Mais    que    dis-je?    1.25  n    Fro- 
mont. 

-Grand  Overture  (Brown),  Org  4/ —  Ash- 
doion. 

-Helena,  Oper,  KA  (d.-fr.)  1 — n  Breit- 
kopf, Ouv.  P  2.50  Ricordi,  2V  1.70  n, 
2FI  1.50  n,  2Cl2Cors2Fl2FaTr  (Bass  et  Tro 
ad  lib.)  3 — n.  Chanson  provengale  1 — n. 
2FI  2.50  n  Costallat. 

-Horatius  Codes  u.  Adrien,  ouv. 
.'tms  2—  n,  0,  Part  5—,  St  6—,  kl.  0  5— 
Aibl. 

-  I  r  a  t  o,    o  u    I'E  m  p  o  r  t  e     (T  o  1 1  k  o  p  f ) , 

opera-boufle    (1801),   ChP   7— n   Choudens, 

Fromont,  KA  4 —  Breitkopf : 

D'uu  oncle  trop  en  col&re  1.80  Lemoine. 

O  ciel,  que  faire,  4  v.  3.50  n  Durand. 
-Jagd  Heinrichs   IV.,   vide :    Chasse 

du   jeune  Henri. 
-Jakob  uud  seine  Sohne   (Joseph), 

Ouv.  kl.  0  2—,  IM  1.50  Bellmann. 

-  Je  toller,  je  besser,   vide   Une   folie. 

-Joseph,  opera  (1807),  ChP  12— n  Chou- 
dens, 15 — n,  8*^  7 — n,  (opera  biblique) 
6 —  n  Costallat,  3 —  u  Durdilly,  10 —  n 
Heugel,  3 — n  Leduc,  10 — n  Societe  nou- 
velle,  5 —  Breitkopf,  1.50  Litolff,  Peters, 
4 —  Schlesinger,  6—  Simrock,  5.50  Leo- 
nardo, 5 —  Sonzogno,  Ch.  s.  3 —  n,  P  3 —  n 
Choitdens,  4 —  n,  J^ms  8 —  n  Costallat,  3 — 
Hofmeister,  2Vyayc  8.75  Schott,  5 —  Heu- 
gel; 0  u  v.  P  — 45  n  Lemoine,  VU  Bg.  An- 
dre, (V  ad  lib.)  —75  Breitkopf,  i.5Q  Cranz, 
— 60  Hoffmann,  1.25  Hofmeister,  1 — Schle- 
singer, — 25,  Ouv.  4ms  4  Bg.  Andre,  I— Hof- 
meister, 1.50  Fiirstner,  1.30  Schlesinger, — 50 


Mehul  E.  N.  Joseph 


—     390 


Mehul   E.  N.  Joseph. 


Siegel,  — 40  Sivirock,  4/ —  Ashdoivn;  S/hs 
3 — nCostallat,  3—nofmeister,yP2—n,  2V 
1.70  n,  TP  —75  Breitkopf,  FIP  1—  Cranz, 
BVVaVc  2—  Cranz,  0,  Part  4.50  n,  p.  s. 
6 — n,  P  cond.  2— u  CostaUat,  O  4.S0 
Breitkopf,  3—  Aibl,  kl.  O  1.40  Cranz;  V 
— eOn.  Sr  — 90ii.  VP  1.20  n.  2FP  1.50  n. 
VVaP  1.50  n.  FFcP  1.-50  n.  FFaT'rP  1.80  n. 
BVVaP  1.80  n,  ^FFcP  1.80  n,  2VVaVc 
1.50  n,  SFFaFcP  2.10  n  W(?i;8. 

1.  Air    de    Joseph  :      Vainement    Pharaoii 
dans  sa  reconnaissance  6 — . 

2.  Romance  de  Joseph:  A  peine  au  sovtir 
de  I'enfance  4 — . 

5.  Priere  :    Dieu   d'Israel ! 
ture  3—,   8"   1— . 

6.  Romance    de    Benjamin  : 
la  mort.  trop  cruelle  5 — . 

7.  Trio :   Des  chants  lointains  6 — . 
9.  Choeur  des  jeunes  lilies  5 — ,   S''  1 — . 

toi  !   le  digne  appui  d'lm  perc 


pere   de  la   n;i- 
Ah !    lorsque 


10.  Duo:    0 

5—. 


CostaUat : 

Grand    air:     Vainement    Pharaons    2 — n, 

1.70  u   Societe  nouvelle. 
Air  et  choeur:  Non !  Nou !  L'Eternel  2.50ji. 
Romance  et  finale :  Ah !  son  aspect  2.50  n. 
Pri&re :    Dieu    d'Israel    1 — n,    Ch.    s.   — 50, 

TTBB  — oOu. 
Romance:     Ah!    lorsque    la    mort     — 75  ii. 

1.70  n  Choudens,  1 — n  8oci4te  novveUc, 
Trio:    Des   chants   lointains   2.50  n,  — 50  ii 

Pinutel. 
Finale:   0  mou  Joseph  2.50  u. 
Cantique:   Aiix  accents  2— n. 
Duo:   0  toi  le  digne  appui   1.35  n. 
Choeur :    Quitte  pour   toujours   2.50  n. 
Choeur   final :    Dieu   de   bonte  !    1 —  n. 
Romance:    A   peine  au  sortir  de  Tenfance 

1 — u,      1.70  u    Choudens,    1 — n    Societe 

nouvelle. 
Air:    Champs  paternels !    2 —   Choudens. 
O  Benjamin !  Recitatif  du  songe  de  Jakob 

1.70  n  Societe  nouvelle,  5 —  Dtipont. 
Cantique,  8ATB  — 50  n  CostaUat. 


Romance  et  gr.  air,  P 


1.35  n  Lesigne. 
mieux     1 


Juge 


.-50 


Recitatif    et   Cavatine 

Lemoine. 

Entr'acte  et  priere  de  Joseph  (G  o  u  n  o  d) . 
choeur   mixt.   a  6   Aoix    1 —  n    CostaUat. 
Josef    in   Agypten.    Simrock : 

l.Rez.  u.  Arie:  x\ch  mir  lachelt  amsonst 
— 40n. 

2.  Romanze:    Ich   war    Jiingling   noch   an 
Jahreu  — 40  n,      1   Bg.   Schott. 

3.  Chor:   Nein !   Gott  der  Herr  — 80  n. 

4.  Finale:     Ach !     sein    Anblick    ist    mir 
ffirchterlich    1 —  n. 

5.  Chor  :    Gott   Israel !   —40  n. 

6.  Romanze :     Ach !    mufite    der    Tod    ihii 
uns  — 20  n. 

7.  Terzett:   Entfernte   Gesange  — 40  n. 

8.  Finale:    Josef!   mein   Sohn  — 80  n. 

9.  Chor  :    Lobt    den   Herrn  !    —40  n. 

10.  Duett:   Du  bist  die   Stiitze  deines   Va- 
ters  —40  n,      Vj.   Bg.   Andre. 


11. 


Stets    vermeide    sie,    diese 
Chor :     Gott 
seine     Briider. 


Brut 


wie    so    weise 


Opev. 


Tal 
zog 


1.30. 
ich     an 


meiner 


Chor : 

— 80n. 
12.  Finale    u. 

— 20n. 
Josef     u  n  d 
Cranz : 

l.Arie:    Heimisches 

2.  Romanze :     Einst 
Bruder   Seite  — 80. 

3.  Arie:  Nein,  nein,  Gott  ist  gerecht  1.80. 
4.1.  Schlufigesang :  Warum  wolket  deine 

Stirne   2 — . 

5.  2.  Ouverture. 

6.  Chor:   Gott   Israels  —80. 

7.  Romanze:   Als   ihm  der   Tod  den   Silm 
entrissen  — 80. 

8.  Terzett:   Es  tout  ein   lernes  Lied   1.30. 

9.  2.  Schluisge.sang :   0  mein  Josef  2 — . 

10.  3.   Ouverture. 

11.  Chor:  Lafit  uns  den  Allmachtigen  1 — . 

12.  Duett:    Du  meine   einzige   Stiitze  — 80. 

13.  Szene   uud   Chor:   Verzeihe  Vater   1.80. 


war    Jiingling 


iott   1, 
noch 


50. 


an 


14.3.   Schlufigesang :   O  giitiger 

15.  Romanze :    Ich 
Jahren  — 50. 

Nr.  15.  Ich  war  Jiingling  — 75  0.  Forberg, 
— 50  Schlesinger,  1 —  longer,  mO  2. .50  n 
Bote,  Z  — 30  Domkowsky. 

Clior  der  Jungfrauen  aus:  Joseph,  TTBll 
1 —  Schlesinger. 

Arie:  Vaterland,  dich  muM'  ich  jung  ver- 
lassen   1 —  O.  Forberg. 

Chor :  Lobet  den  Herrn  mit  Saiten.?piel, 
KA    1.50,   St  —75   Zumsteeg. 

Clior :  Morgengebet,  KA  — 90,  St  —CO 
Zumsteeg. 

N.  1.  Benjamin's  song  (Ah,  lorsque  ]a 
mort)  1/— n.  N.  2.  When  scarcely  four- 
teen (A  peine  au  sortir  de  I'enfance)  in 
B  flat  1/ — -n;  the  same  (engl.-ital.)  : 
Non  anco  tre  lustri  corapia,  in  C  1/ —  n 
Augoier. 

Praise  the  Lord,  with  gladsome  mind, 
chorus  — /4  u  Augener,  — 40  Ditson, 
with  cj^mbals  and  dances,  chorus  of  mai- 
dens — /6  n  Augener. 

Ah!  when  cruel  deat  3/ —  Augener. 

]\Iorning  hymn,  CTBSSS,  parts  a  — /3  n 
Atigener. 

Ere  childhood's  bright  days   1/6  Ashdoivn. 

Apia     „HHBbi,     uoJiH,     po7^^MbIH     ^ojiiihw" 

Champs  paternel  — 85  Bessel. 
Airs,  2V,  2FI  a  3— n  CostaUat,  VcP  1.30 

BreitJcopf,  V,  Fl,  Cornet  a  — 20  n  Debert. 
Cantique,    HPV     (av.    Fc    ad    lib.)     2.50  n 

CostaUftt. 
Romance,  P   (Vasseur)   1 — n  Choudens, 

&  Gr.  Air,  P   1.25  n   Debert,   VcP  4— !i. 

VP    (Fant.)    3— n    CostaUat. 
T  r  a  n  s  c  r.   P  — 75   Rouart. 

^     (J.    Trill) 


Fant.     (pet.)      . 

stallat. 
4  M  e  1  o  d  i  e  n,  HP 
10  Morceaux,  P  2 — 

Tonbilder,  0  4- 
Rosenkranz) 


2 —  Simon. 
Simrock. 
-,  kl.  0  3— 
3— n,   kl. 


-80 


,  niO    (F  r. 
Bes.   2.50  a 


Oertel.   EM   1.50  n  Be.llmann. 


Mehul  E.  N.  Joseph 


391     — 


Mei  L.  Jole 


niO  1.25  n,  riieic,  i),0  1.25  u 


E  II  t  r'a  0  t  e, 
Tilliard. 

P  c  t  p  o  u  r  r  i,  P  (B  u  r  g  m  u  1  1  e  r)  1.50, 
(Cramer)  2 —  Andre,  1 —  Breitkopf, 
4ms  2.50,  VP,  FIP,  VcP  u  2—  Andre, 
PFlVVc  1/6  n,  P2V,  PFlVc  a  1/4  u,  VP, 
FIP  ^  1  _  n,  2V  — /8  n,  V,  Fl  h  --/6  n 
Augener. 
'  J  o  u  r  u  4  e     a  u  X     A  v  e  n  t  u  r  e  s     (1810) , 

ouv.  P   1 —  u  Breitkopf. 

■  Justorum    animae,    av.    Org(H)    •— 50ii    Pi- 

nuiel. 

■  Messe  soleuuelle  a  4  v.  8ATB  6—  Lemoine. 
■0  del!    (L.  Irato),  S8TB  4— n  Fromonf. 


2  Sheard. 


0  Paradise ! 
.  O   salutaris   —20,      TTBB    2— u   Peregolh/, 

SATB  — 15  u  Pinatel,  — 10  n  Procure,  SB 

— 35   Gordon. 
■  Ouverture   burlesque,    PVSMirlitonsTrTain- 

hom-Triangle  av.  CreceJle  et  Sifflet  ad  lib. 

4 —  Ditrand. 
-  Panis  Angelicus   (a  une  voix)   avec  Orgill) 

— 30  u  Cofitallat 


TTBB   av. 
Troubadour 


-25 


P   ad  lib. 

tlSlo),    ouver- 
(Le 


-.  Par   la   science 

Sine. 
-Prince 

ture,   -i»"s   1.50   Kistncr. 

-  Quartett  aus  dem  Singspiel  „Skatten' 

Tresor  Sieppose),   P   \—  Ihinsen. 
-Roland,   chant   guexiier   1.35  u   Cosiallat. 

-  Piomance :     Ere     infancy's     bud      (arr.     by 

Westbrook),  Org,  VP  a  3/—  Williams. 
-Romance:   Femme  sensible   1.50  n  FromonU 

-  Romauze,  Vs.  —10,  PV  —20  Kunz. 
-Rondo,   P    1.70  n   Bornemann. 
-Schatzgraber,    vide :    Tresor    suppose. 
-Stratonice,    comedie    li4roique     (1792), 

ChP   8—  n    Fromont,    ouv.    P  —50  n    Le- 
moine. 

Versez    tons    vos    chagrins    1.75    Ditrand, 
—60  Lemoine,  4.50  Sulzbach,  P    (G.  B  i- 
ypt)     4 —    Hcngel,    — 85    Bessel. 
Quel   fuueste   envie    1.70  n   Costallai. 
O  des  amants  Doite  tuleaire  1.35  n  Cuslol- 

lat,  6 Heugel,  4  50  Bulzhacli. 

ApiH  „noBiAaii  ace  lU'ua.ib"  — ?5  BesseL 
Air    (Pap  in),   VcP  2.50  n   Costallat. 
-  Sul)  tuiuu  a  une  voix  avec  OrgfUj  —50  n 

Costallat. 
-ler  Symphonie    (G-m.),  Str-St  1.20  n  Breit- 
kopf,  /S'fr-Sept.    (J.  F.  Schv/encke)    6— 
Grant,    4ms   3 — n    Heinrichsliofen. 
-2e  Symphonie   (D),  0  9.60  n  Breitkopf,  4"i'^ 

5.20  Andre. 
-Timoleon,  ouv.  P  — 50  n   Lemoine. 
-Tresor   suppose    (S  c  h  a  t  z  g  r  a  b  e  r^ 
op6ra  com.   (1802),  KA  4.50  Breitkopf,   (R. 
Kleinmichel)    4—  Seriff,  ouv.   P  — 7.'> 
Breitkopf,  2  Bg.  8cholt,  —80  Simroch,  2^ 
VaVc  2 —  Cranz,  Duettino,  P    (T.  Lack) 
1— n  Crallet. 
-I'ue    Folie     (Je    toller,    je    besser 
Oder     Die     beideu     Fiichse),     oper:i 
(1802).    KA    11.25    8chott,    4—    Henff,    6— 
Simrock;  Ouv.  P,  3  Bg.  8chott,   (m.  V  ad 
lib.)    1—  Simrock,  VP  — /4  Sheard,  2VVa 
Vc   2—    Cranz,    1—   Simrock,   —80,    gFYc 


_60,  V  —20  S^arfce,  0  2.50  n,  kl.  0  2—  n, 
narm,  IM,  KM  a  2.50  n  Starke. 

Schott : 

l.Duo:  Carlin?  Carlin?  ( Johanu !  Jo- 
hann)    1 — . 

2.  Air:  Sans  te  couualtre,  objet  charmant 
(Ziirtlich  geliebt)    — 75. 

3.  Air:  Je  suis  encore  dans  mon  prin- 
temps    (Schon  in  des  Lebens)    — 50. 

4.  Air :  De  I'intrigue  h  vastes  myst&res 
(Thr   Geheimnisvollen)    — 75. 

7.  Air :  Revieus  mon  aimable  gaite(Kehre 
wieder  mein  frohlicher  Sinn)  — 75 
Schott,    Breitkopf. 

8.  Duo;  Si  jamais  je  prends  femme  (Such' 
ich   mir   einst   ein   Schiitzerl)    — 75. 

9.  Trio:  Non  je  ue  puis  en  conscience 
(Nein   ich   kann   nicht)    1.25. 

10.  Duo:    Quittez    tout    cela     (Nur    hurtig 
hinweg    rait    dem    Hut)      — 50    Schott, 
— 75   Breitkopf. 
ll.Quaiuor:    Ca    commeucons     (Xun    an's 

Gesohiift)    —50. 
Szene  u.  Rondo:  Welchen  Weg  1 —  Breit- 
kopf. 
Romanze :     Noch     griiuet    meines     Lebens 

Mai  — 50  Breitkopf. 
Arie:    Ich  Peter  — 75   Breitkopf. 
Romanze:   In  des  Tyrannen,  m.  G  — 75. 
Variations  sur  la  romance,   VP  4 —  n   Co- 
stallat. 

■  Uthal,    opera     (1806).     Choeur     d'Utlial, 

SSAA  av.  P  (Panseron)  2— n  Co- 
stallat. Duett:  Ombres  de  mes  Aieux 
(Machtige  Geister  der  Nacht)  1.50.  Re- 
zitativ  und  Romanze:  Tel  que  Ton  voit 
sur  nos  montagnes  (Schon,  wie  die  Blu- 
men   auf   der   Heide)    —50   Leuckarf. 

■  Veillons  au  salut  de  I'Empire  1—  u  Gallet. 
-We'll    row    thee    o'er    the    waters,    chamb  n- 

trio   for   treble   voices   2/ —   Ashdown. 
Mehwald    F.      Cavitina    aus    Ferd.    Cortez : 

Von  Allen   bin   ich  nun  verlasseu,   G  —50 

Leuckart. 
Mei    D.   op.   2   Dolce    invito,    petit   morceau, 

VP   4—   Carisch. 

-  3  Songe  d'enfant,  berceuse,  VP  3.50  Carisch. 

Mei    E.   Ricordi:   Op.  7  La  Maschera  Vene- 

ziana,  P  1.25. 
-10   Italia:    Guardala  solo  in  volto  2 — . 

-  11    La   Maschera   Romana,   maz.    P    1.50. 
-12  Da  te  lontano,   romanza,   estratta  dalla 

tragedia  Antonio  Foscarini  di  G.  B.  N  i  c- 
colini  2.25. 

-  14  Un  Affetto,  canto  popolare  2.50. 

-  15  La  Preghiera  del  bambino  2.50. 

-  16  L'Amazone,  maz.   2 — . 

-  17   Ricordo   di   Bologna,   marcia   3 — . 

-  18  Ricordo  di   Londra,  marcia  3 — . 

-  19  La  bella  Giardiniera,  canzonetta  3—. 

-  Amore,  maz.   1.50. 

-  Corinna    amabile,    auacreoutica    1 — . 

Mei    L.     Rehagli:      Buona   sera,   quadriglie, 
Mand  —20  n. 

-  Ciucciariello,   Maud  — 20  u. 

-  Jole.   Mond  —20. 


Mei  L.  Mandolinista 


392 


Meigs  Oladsome  Love-Yorke 


Nr.  1.  Das 
Nr.   2.    Ein 

—80.  Nr.  3. 


-  Mandolini.sta,   I>  —40,   Hand  —20,   MandP 

—70,  MandG  —50,  2MandP  1.50,  2M(mdO 
—70. 

-  Marfjherita,    f   —40,     Mawof   —20,     MandP 

—70,  MandG  —50. 
-Una    sorpresa !    Polka,     MandG    — 15  u     II 

Concerto. 
-Viva  Umberto,  P  — 40,  Mand  — 20,  MandP 

—70,  MandG  —50. 

Mei  Muater  mag  mi'  net,  schwab.  Volks- 
lied  (H.  Zoe  liner:  10  ausgew.  Lieder 
f.  TTBB,  Nr.  4a,  4b  ditto  erleichtert), 
Part  —20,  St  —25  Fi.^cher. 

Meichsner  Anna  v.  Tagliche  ubuugen  fiir 
Tonansatz,  Tonbildung  und  Technik,  fiir 
jede   Singst    1.80   Forberg. 

Meid  K.  W.  Home,  sweet  home,  P  3/ —  Au- 
gener. 

Meienreis  Richard,  Alpeulieder 
blonde   Kind   der   Berge    1 — . 
Traum  von  Liebe  und  Gliick 
Absoliied  — 80  Bostvorth. 

-  Am    Brunncn    — 80    Bosworth. 

-  Am  Kamm :   „Tch  liebe  die  Dammerstunde" 

1—  StahJ. 

-  Barbara-Zweige  — 80   Bosworth. 

-  Die  Vorsiehtige  — 80   Bosvorth. 

-Ein   kleines   Lied:    „Ein   kleines   Lied,   wie 

geht's  nur  an"  —80   Bosworth. 
-Frilhlings    Einzug:    „Da    kommt    der    Leiiz 

der   bolde   Junge"    1—   Bosworth. 

-  Hollander    Buben,    humor.    Terzett    m     P 

KA   2.40  n,   St   1.50  n   Bloch. 

-  Im    Walde :    „Tm    Walde    leben,    im    Walde 

sterbeu"   1—  ^tahl. 

-  Japani-scher       Kirschblutentanz,       Ballett- 

Idylle  m.  2st.  Frauenclior,  P-St  1.50,  Chor- 

•st   a   — 20,     Beschr.   des   Tanzes   3 — n     //. 

Oppenheimer. 
-Lieb'    und    Leid :    „Wie    fluchtig    riuut    die 

Stunde"   1—  ^tahl. 
-2    Lieder:    1.    Meeresabend.    2.    Im    Herzen 

hab  ich  dich  getragen  1.50  Plothow. 
-Mein  Heimatland  —60  JaJculoiosky. 
-Mein  llerz  giug  auf  die  Wanderschaft— 80 

Bostvorth. 

-  Mein   kleines   Lied  —80   Bosworth. 
-Naohtr  „Wie  ist  der  Himmel  farblos  trubvj- 

1—  Stahl. 
-Kothaarig    ist    mein    Schiitzelein    1—    7J0o- 

uorih. 
-Sonne,  Sonne  mocht  ich  sein  — 80  Stahl. 

-  Ungari.^h  :  „Ach  !  die  bosen  Manner  scher- 

ztn"  —80  Bosworth. 

-  Uigrofimutters   Kaffeemiihle,    humor.    Sing- 

spiel  m.  P  4.50  //.  Oppenheimer. 
-Wasserlilie:      „Einsam   blfiht     im    See     die 
Lilie"   1—  Bosworth. 

-  Wild  lafst  sprossen  auf  meinem  Hiigel  das 

Eosenreis  — 80   Bosworth. 
Meier  Ed.  op.  10  Zwei  Lieder  —80  Pracgcr. 

-  Benedikt  Tontana,  TTBB  —10  Bug. 

Meier   Ignaz,   Wenu   die   Zeiten   besser   wer- 
deii    1 —  Dit-trich. 

Meier  J.  A.  op.   1   Mazurka,   VcP  1.20  n  Ge- 
h(  Ihncr. 


Meier  J.  H.  op.  6  Scherzo  und  Nokturne,  P 
h    1.25    Praeger. 

-  23    Paraphrase     des    93.     Psalm,     Org     2 — 

Kuhnt. 
-26   Festnachspiel   zu   dem    100.   Psalm,   Org 
1 —  Kahnt. 

Meier  R.  Meinen  Liebling,  Polka  — 60  Fries. 

Meier-Hansen  Oscar.  By:  Eest-Postludium, 
Org  —75. 

-  Indotgsmarsfh    elegant    udstyret    mcd    nd- 

maerkede    Portraetter     af     Kong    Haakon 
VII  og  Drouuing  Maud  1 — . 

-  10   Praeludier    —75. 

-  Vals    Capricer    tilegnet    og    udstyret    m  h1 

Portraet    af    Eru    Kammerherreinde    Tro- 
schow   1.25. 

Meier-Wohrden,  Fantasie  iiber  Die  Land- 
wirtin:  „Keinen  Tropfen  im  Becher  mehr", 
P  2—  Teich. 

-  FatHasie    iiber    Vagans    .scholastieus :    „Der 

Sang  ist  verschoUen",  P  2 —  Teich. 

-  Mannerchore :   1.  Wartburg,  2.  Stille  Heim- 

kehr,  3.  Die  Rheingauer  Glocken,  4.  Heim, 
Part  a  —40,  St  a  —60  Teich. 
-Mannerchore:  1.  Wartburg:  „Dunkles  Tal 
zu  meinen  Fiifien",  2.  Stille  Heimkehr : 
„Ieh  bin  hiuauf,  hinab  gezogen",  3.  Die 
Rheingavier  Glocken :  „Wo's  guten  Weiu 
im  Rheingau  ,gibt",  4.  Heim:  „Bin  durch 
die  Alpen  gezogen",  a   1—  Teich. 

Meifred  J.  CostaUat :  12  Duos  en  2  suites, 
2Cor  a  2.50  n. 

-  3    Melodies    pour    2f'or,    VornctP,    PCornet 

Cor  ti  2.50  n. 

-  Melodies    en    duos    faciles    et    progr.    2Cors 

3 — n  Jonbert. 

-  Methode    pour    le    Cor    chromatique    ou    a 

Pistons    12 — u. 

-  Methode    de    I'etendue    et    de    I'emploi    du 

cor    en    general,    de   ses   cors   de    rechange 
et  consideration  sur  le  Cor  h  Pistons  5 — n. 

-  ler   Solo,    CorP   3—  ii. 

Meignen     L.    Ditsoii:    Cinderella,    waltz,    G 

—20. 
-Come,   dwell   with   me    (Lee),   with   G  — 25 

Bj  ainard. 

-  Fading,   still   fading,   song  &   chor.   with   G 

—25. 

-  Heme,  sweet  home,  SC  with  G  — 35. 

-In  happv  moments  „Maritana"  (Wal- 
lace), 'with   G  —25. 

-  Mozart's   favorite  waltz,   G  — 20. 

-  My  Helen   is   the   fairest  flower    (Rose   -vi- 

tiiout    a   thorn)     (Kir  by),    with    G    —25 
Brainard. 

-  Oft  in  the  stilly  night,  with  G  —25. 

-  Oft  in  the  Stilly  Night,  song,  G  —20  V^illig. 

-  Scenes      that      are     brightest     ,,Marit.ana" 

(Wallace),   with    G  —25. 

-  There's  no  home  like  my  own    (Mme  Mali- 

bran),  w.  G  — 25  Brainard. 

-  Twere   vain   to   tell   thee   all    I    feel    (Swiss 

air),  w.  G  — 25  Brainard. 
-When  stars  are  in  the  quiet   skies    (Ball), 

\\.    G   — 25    Brainard. 
Meigs,    Gladsome   Love-Yorke,    P   — 50,    6ms 

—60  Ellis. 


Meijroos  H.  A.  op.  4 


—     393     — 


Meinardus  L.  op.  43 


Meijroos  H.  A.  Meijroos:  Op.  4  Drei  Duet- 
tineu  fiir  Kiuderstimmen  — 50:  Nr.  1. 
Morgenlied,  2.  Ziifriedenheit,  3.  Der  Mond, 
fi  1—. 

-  12  Drie   geestelijke   Gezangen    1 — . 

-  14   Vier   kleine    Cantaten    voor    drie    vrou- 

weustemmen  in.  P :  Kerstfeest,  Nieuwjaar, 
Paschen   en   Pinksteren   1.80. 

-  18  Twee  geestelijke   Gezangen   1 — . 

-22  Morgenfriihe,  SATB,  KA  2.20,  St  —30. 
-23   Voorbereidende    Zangoefeningen    1.20. 

-  Feestzang,   v.    Soli    en   ^ATB,   KA   2—,    St 

— 40   De   Nienwe   Muziekhundel . 

-  Huwelijkscantate   v.    vromvenkoor    en    solo 

m.   OrgfP)    1.20. 

Meikle  M.  T.  L.  W.  Starlight  Waltz  1,3  n 
Allan   Mozart. 

Meilhac,  Roussotte:  1.  Pour  les  compter, 
mes  amoureux,  2.  Attendez,  je  m'rapolle 
maintenant,  3.  J'ai  pas  d'aucgtres  (Pi- 
Ouit) ,  4.  C'est  aujourd'hiii  qii'la  grosse 
Germaine,    ft  — 30  n   Dehert. 

Meilhan  J.  Ca  suffit,  Cli.  s.  —25  n  Gaudet. 

Meilhan   P.  op.  4  Fantaisie,   VP  7.50  Girod. 
Meilhan   P.   E.  op.  7  Die  Scliule  der  GeliUi- 

figkeit    in    10    Studien,    1— II    a    2—    //o/'- 

me  inter. 

-  15    Syniphonie    concertaute,     2VVa     2.50  u 

Costallat. 
MeTlheim,  Vierge  aux  champs,  cantique  3 — 

Hulzhach. 
Meilleur  Picton  1 — u,  Ch.  s.  — 30  Gheluwe. 

Meilleurs  ne  valeux  rien  1 — n  Joubert. 

Meir   Lebenslauf  ist  Lieb  uud  Lust,  Volks- 

und     Kommersliedtr-Album    1.50  n     Ho^f- 

inanv. 
Mein    Lieblings-Album,    50    Lieder    u.    Vor- 

tragsstiicke,    Z    3 —   Bohni. 
Mein    Lied,  cine  Sammlung  von  Liedern   u. 

Gesjingen   fiirs   Haus,   Band   I   /».,   II — III 

/*.  u.   m.  a   1.50  n   Kuhnt. 

Mein    bsterreich,    Favorit-Marsch    — 50    El- 

kan. 
Meinardus   Ludwig    (1827—1896),  op.  2  Ma- 

rionetten,  Skizzen,  P  2.50  Schlesinger. 
-3   Die  Wallfahrt    nach   Kevlaar   1.50   Schle- 

sinyer. 
-4  Bibl.  Gesiinge:   1.  Aus  der  Tiefe  ruf  ich. 

2.    Mein   Herz    ist    nicht   hoffartig.    3.    An 

den   Wassern    1 .50   Schlesinger. 
-5   Duo    (G),   Py   G.50    Leitckart. 

-  6    Deutsche    Mefigesjinge,     SATB    m.    Org, 

Part  1.50  n,  St  1.20  Breitkopf. 

-  7  Novelle,  P  2—  Breitkopf. 

-  8  Liebesfriihling,  Liederkranz,   I — II  a    1  — 

Breitkopf. 
-9    Ein    Fichteubaum    steht    einsam,    P    1.80 

HcJdesinger. 
-11    Es  fiillt  ein   Stern   1.80   Schlcsijiger. 
-12  Duo  Nr.   2    (A),   PV   6.50   Leuckart. 
-14   Bibl.    Gesange:    1.    Ach    Ilerr,    wie    siinl 

meiner  Feinde.   2.   Siehe,  wie  fein  u.  lieb- 

lich.      3.    Ich    hebe    meine    Augeu    auf    2 — 

Schlesingar. 
-15  Lieder  u.  Gesaii,uc,  Duette,  I — II   a    1      . 

Nr.    1.   Abeudlied  —30   Breitkopf. 
-16    Suitr    .Vr.    12.    /'    1—    Breiikopf. 


-  17  Wanderlied,  Chor  m.   hlM,  Part  u.  KA 

1 —  n,   Chorst  — 60  n   Breitkopf. 
-18  Lieder   u.   Gesange,   I — II  a   1 — :   Nr.    1. 
Rastlose  Liebe,  Nr.  4.  An  den  aufgehenden 
Vollmond,   a   — 30    Breitkopf. 

-  21  Sieben  Lieder  fiir  2  Singst  2 —  Leuckart. 

-22  Zwei  Ba]  laden  fiir  Solo,  Chor  und  P: 
Nr.  1.  Rolands  Sclnvauenlied,  f.  B-Solo, 
Chor,  PUorn,  KA  1.50,  Chorst  ft  —25, 
Part  7.50.  Nr.  2.  Frau  Hitt,  Tiroler 
Volkssage,  f.  iS-Solo,  Chor  und  P,  KA 
2.75,   Chorst   a  — 25,    Part   7.50    Leuckart. 

-  23    Simon    P  e  t  r  u  s,    Oratorium,    Solo.st, 

Chor  u    0,  KA  6— u,  Chorst   10—  Siegel. 
■  27  Kinderlieder-Album :  Nr.  8.  Weihnachts- 
lied  —50.  Nr.  22.  Ballade  vom  Klaus  —80 
Leuckart. 

-  27  Weihnachtslied  — 50   Leuckart. 

-28  Album  frommer  Lieder:  Nr.  9.  Schou- 
ster  Herr  Jesu,  o  Herrscher  aller  Enden 
1 — .  Nr.  18.  Je  grofier  Kreuz,  je  nah'»r 
Himmel   1.50   Leuckart. 

-  29   Inventionen,   P   6 —  Leuckart. 

-  30   Novelle,   P   4.50   Leuckart. 

-31  Suit«  N.  Ill,  P  4—:  N.  1.  Polonaise,  2. 
Galopp,  3.  Walzer,  4.  Polka,  5.  Mazurek, 
a   1 — .  N.  6.  Tarantelle   1.50  Leuckart. 

-33  Chorlieder  fiir  drei  weibl.  St:  Es  woUt' 
ein  Jager  jagen.  Was  bist  du  denn  so  gar 
betriibt.  Gute  Nacht:  „Schon  fiingt  es  ^n 
zu  dammern."  Ich  weifi  ein'  Blum'  4.50. 

II :  Schneeglockchen :  „Der  Lenz  will 
kommen."  Ich  hor'  ein'  Jungfrau  klagcn. 
Herbstreigen  aus  „Frau  Aventiure"  :  „Zer- 
zaust   vom    rauhen  Winde"   4.50   Rieter. 

-  35  Die  Noune,  Romanze  im  Volkstone  deut- 

schen  Mittelalters,  fiir  Chor,  Solost  u.  0, 
KA  2.50,  Chorst  1—  Fiirstner. 

-  36  Luther   in  Worms,   Oratorium   fiir 

Solost,  Chor  u.  0.  Siegel:  KA  6 — n, 
Chorst  10 — ,  Knabenchorst  (Cantus  fir- 
mus)    a  —30  n.  Part  60—  n,  0-St  100—  i.  : 

5.  Arie  fiir  S  m.  Frauenchor  :  ,, Meine  Se^le 

verlanget   zu   horen"    1 — . 
T.Luther   im   Gebet,   Arie   fiir   Bar:    „A11- 

machtiger,    ew'ger    Gott"    1.50. 
8b.  Arie  fiir  A    (Martha)  :  „Vertrauet  auf 

den  Herrn"   1 — . 
14b.    Arie    fiir    A     (Martha)  :    „Selig    der 

SchoB,  der  dich  getragen"  1 — . 

-  37  Karin.  Ein  Liederkreis  2.50  Cranz. 

-38  Lieder  am  Klavier :  1.  Viel  schoner.  2. 
Winde  sausen.  3.  Da  drauilen.  4.  vVill 
ruhen.  5.  Die  alte  Linde.  6.  Es  ist  schon 
lange  her.  7.  Mein  Schiitzlein.  8.  Hiite 
dich !  9.  Am  Nordseestrand  3 —  0.  For- 
ierg. 

-39  Kleine  Lieder  f.  2  Kinderst  1.50  0.  For- 
berg. 

-40  Trio    (A-m.),  PVVc  10—  Cranz. 

-  41    Vesper-IIymne.    3    INIotetten,   SATB   mit 

Org(P):   l.'Ach   Gott   und  Ilerr,   2.  Herr, 
du  i)ist   zornig  gewesen,   3.   Ich   habe   dan 
Herrn,  a  1.40  n  Siegel. 
-42   Quintett    (E),   P2VVaVc   12— n    SicgeL 
-43  Quartett    (C) .  2VVaVc   10—  Siegel. 


Meinardus  L.  op.  45 


—     394 


Meiners  J.  B.   Voeux  a  la  vierge 


-45  Drei  FriihlinsFlieder :  1.  Friihlingsbote. 
2.  FriihlingsfeicM-  3.  Abendfrieden  1.50 
llarimanii. 

-  46  E  m  m  a  u  s,  Oratorium,  KA  3 — ,  Cliorst 

1.20  n    Breifkopf. 

-  Das  alte  Jahr  vergangen  ist  — 50  Kistner. 
■  O.sterglocken :      ,,Horch,      die     Osterglockon 

klingen"  1 —  0.  Forberg. 

Meinberg  G.  op.  16  Warlitz-Polka,  P  1— 
Apollo. 

-  Geschwindmarsch     aiis:     Sophia   Catharina 

—50  Bote. 

-  Marsch   iiber  Motive   der   Oper :    Die  Grofi- 

furstin,  IM,  Part  2.50  Bote. 

Meindl  G.  Crnnz:  Op.  3  Friihlingsglaub.?", 
Chor  m.  T-Solo  ii.  Soloquartett  2 — . 

-5  Nr.  1.  Bitte,  TTBB.  2.  Schilflied,  TTBB 
m.  Soloquart.  2 — . 

-  8    Trinklieder    der    Alten,    TTBB    m.    Bar- 

Solo  —80. 

-  Alpenklanjre,  TTBB  u.  >Solo  m.  '/Woldhorner 

2.20. 

-  Am  Ehein  !  Trinklied,  TTBB  1—. 

-  Aufruf  an  die   Studenten,  TTBB  —80. 

-  Hoch  5sterreich  !   TTBB  1—. 

Meindre    (I'abbe),    Ave   Maria,    8CB   nv.    P 

ou  Org   1 — n  Oallet. 
-Stella    maris,     8CB    av.    P    ou    Org     1— n 

Gallet. 

Meine    Lieblinge,    Sammlung   der   sclionsten 
Melodien,  Tiinze  und  Marsche,  Z,   I — II  a 
.   1.50  Aibl. 

Meine  Lieblinge,  10  der  schonsten  S.alon- 
stiicke,  P :  1.  Brunner:  Siille  Nacht, 
heilige  Nacht.  2.  F  e  y  h  1 :  Sehneegloek- 
chen.  3.  Fischer:  Im  Vaterland :  4. 
Uf'ni  Berg].  5.  Foerster:  Die  kleine 
Waise.  6.  G  i  e  s  e  :  Geburtstagsstandchen. 
7.  G  i  e  s  e  :  Auf  der  Jagd.  8.  L  i  c  h  n  e  r  : 
Unter  bbihenden  Baiiir.en.  9.  L  «3  w : 
•Marsch  aus  Gounod's  „Faust".  10. 
Schul  z-Wei  da:  Voglein  im  Tannen- 
wald   1.50  n  Praeger. 

Melneke  C.  op.  13  Variations  sur  un  thhtne 
favori,  P  2 —  Simrock. 

-  20   Variations   brillantes   sur   uu   theme   de 

I'opgra  „Moise'-   de  G.   B  o  s  s  i  n  i,   P   1.50 
Kistner, 

■  Altdeutsches  Wiegenlied,  TTBB  —15  Gries. 
iVIeinhoid    Paul,    Annonceu-Le.ser,    Soloszone 
1.50  Banner. 

-  Bird  at  sea   —40  Ellis,  —35   W-illig. 

-  Deutseher   Biihnengenos.senschaftsmarsch,   0 

1.50  n  A.  E.  Fischer,  2 — u  Lau. 
-Durch  Kampf  zum  Sieg!  Marsch,  0  1.50  n. 
Par.  Bes.  1.20  n  A.  E.  Fischer,  2— n  Lau. 

-  Liebesgriifie   in   der   Friihlingsnacht,   TTBB 

2.20  Kilhn. 
-2     Marsche:      Deutseher     Buhnengenos.sen- 
schaftsmarsch.    Durch    Kampf    zum    Siea. 
hlM   2— n   A.   E.   Fischer. 

-  Reiter   des  Kaisers,  Marsch 

sO  1.20  n,  IM,  blM  a  2— n 

-  Romance   de  Top.   „ Joseph' 

Schott. 

-  Te  Deum  Laudamus  — 60  Willig. 


1.20,  0  1.50  n, 
A.  E.  Fischer. 
variee.   P   1.75 


-Unter    Kanonendonner,     Marsch     1.20,    .0 

1.50  n,  .sO  1.20n,  IM  2— n,  blM  2— n  A.-E. 

Fischer. 
Meinel    G.    A.      Aus    Friihlingstagen,     Stim- 

mungsbilder,  P,  I — III  a  2 — :   I:   Im  Son 

nenschein.      Triibe    Wolken.      Vogelruf    im 

Walde.    Durch    Feld    und    Wald.    Bliitter- 

rauschen. 

II:  Frohes  "W'audern.  Veilchen  am  Weg. 

Frolisinn.   Wiinschen   und   Sehnen.   In   de.i' 

Waldschenke. 

Ill :    Spiel   und   Tauz.   Unter   der   Lindc. 

Nun  bist  du   mein   und   ich  bin   dein.   Ab- 

schied.  Ergebung. 

Nr.  4.  Durch  Feld  und  Wald  —60.   Nr. 

7.  Veilchen  am  Wege  — 60.  Nr.   12.  Unter 

der  Linde  — 80.  Nr.   13.  Nun  bist  du  meiu 

und   icli  bin  dein  — 60  Kahnt. 
Meiners  G.  de,  op.  6  Gr.  Marche,  Jfms  1.25 

Klemni. 

-  9  Strogauoff-Walzer  1 —  Kletnm,. 

-3    kleine    Lieder :    1.    Wiegenlied:    ,,Schlafe, 

mein   Kind."    2.    Bitte,   bitte,    offne   du.    3. 

Die  Sonneu :  ,,Hier  am  lieblich  duftenden'" 

— 50  Klemm. 
Meiners  G.  B.  Ricordr:  Bella,  ti  vo  insegnar 

1.25  n. 

-  Di  me  so^vengati   2.50. 

-  E  nato  Araore   1.75  n. 

-  Epidipnidi,  3  ariette  5 — :  N.  1.  II  Lamento 

d'una  Prigioniera,  2.  L'Orfanella.  3.  Voga, 
a   2—. 

-  Eternamente !    3—. 

-  Fiori  d'Autuuno,  album  3.50  n  :  N.  1.  Addio 

a  Firenze,  romanza  1.75  n.  N.  2.  Vedete 
\k  quella  casetta  allegra,  canzone  popo- 
lare   1.25  n.  N.   3.   Plus  d'espoir   1.25  n. 

-  Forse  du   dormi   1.50  u. 

•  Galop-Scherzo :    Qui    sulla    spalla    4.50. 

-  J'ai    quelque    chose    dans   le   plafond    1 —  u 

Pinatel. 
-Messa,    2TB    12 —    Marian  i. 

-  O    salutaris    2 —  n    Blanchi. 

-  Perche  non  iorui  mai !   2.25. 

-  Posillipo,   tarantella,    Ifms   8 —   Mariav.i. 

-  Rainy  day  4/^ —  Ascherberg. 
-Riceardo   III,   opera.    Ricordi: 

Serenata :  Mesto  &  il  cor  come  I'aceento, 
e  Duetto:  Or  che  ti  sono  a  lato  6 — . 

Scena  ed  Aria:  No  spiegar  la  fiamma  :ir- 
dente  4.50. 

-  Ricordi  di  Londra,  album  3.50:  N.  1.  Amove 

in  Gondola,  barcarola :  La  notte  avanza 
tacita  e  bruna  1.75.  N.  2.  Dolci  momenti ! 
romanza:  Qiumdo  d'amore  ei  mi  parla 
1.25.  N.  3.  Primi  palpiti,  scherzo:  Senti, 
senti,  mamma  mia  1.50. 
Recitativo  e  Cavatina :  Per  gioia  di  un 
tuo   sorriso   5 — . 

-  Ricordo  di   Sciolze  3 — . 

-  Sei  troppo  lieta  !   2.50. 

-  Souriante,  mazurka  brill.  P  1.70  Gregh. 
-Souvenir  de  Printemps  1.70  n  Bourlanl. 

-  Tantum  ergo  1.50  n  Blanchi. 

-  Tantum  ergo,  TB  con  eori  e  Org  4 — . 
Meiners  J.   B.  Love  is  lord   2/— n  Jeffcrys. 

-  So  far  from  me  3/ —  Aslidown. 

-  Voeux   a  la   vierge   3/ —  A-^hdotcn. 


Meiners  R.  A  coup  de  poings 


—    395 


Meinhold  P.  Im  Bahnmrkehr 


Meiners  R.  A  coup  de  poings  3 —  Snlzhach. 

-  Avez-vous    vii,    Beaucanard    1 — n,     Ch.    v. 

— 35  n   Le.iiffne, 
-Beaucanard,  le  bel  Araucanien  1 — n,  Ch.  ft. 
— 35  n   Lesigne. 

-  Berline  Mondaine,  P  1.50  Oertel. 

-  C'est   pas  la   peine   de   recommeucer   1.50  ii. 

Ch.  s.  — 35  n  Lesigne. 
-Cotillon,  VFlCIPistKh,  chaque  partiel.oOn 
Enoch. 

-  Dans    les    Bleuets,    valse    2—  n,      O    2—  n 

Bonrlant. 

-  Estelle  1 — n  Lesigne. 

■  Ff mmes  agentes,  chanson-marclie,  Eichard- 

Paris. 

-  Femmes  arrivistes,  chans.-marche,  EicJiaril. 

-  Flcur    des    amours    1 — n,      Ch.    .s.    — 40  n 

Bornemann. 

■  Folle    Jeunesse,    marche,    MandP    2 —  n    i?. 

il/c/wcrs-Paris. 
-Gal  champagne,  polka   1.70  n,  O  1 — n  J5o.sc. 

-Insouciance,  polka  1.70  n..  0  1.50  n  Bour- 
laiit. 

-  J'etais    devenu    hirondelle,      Ch.    -t.    — 25  n 

Gaudet. 

-  Lettre  a  un  beau-pere   1 — n,   Cli.  s.  — 35  n 

Lesigne. 

-  Marche  des   p'tits   bleus,   chantee,   Eichard. 

-  M§lodrame-Entr'acte,    P    —50  n.    Quintette 

1 —  Bosc. 

-  N'    me   r    cache   pas    Nicolas    1 —  n,    Ch.    r. 

— 40  n    Bornemann. 

-  Ojo,    valse    espagnole,      P    2 —  n,      0    2 —  n 

Bonrlant. 
-Petit    d6mon     de    la    pension     (av.    parlel 
1.35  n,  Ch.  s.  — 35  n  Lesigne. 

-  Pompcnnette,  polka  1.70  n,  0  1 — n  Bo.sr. 

-  Premifere  victoire,  marche  hongroise,  0  a\-. 

P,     Gaudet. 
-Quand    j'etais    petite    1 — n,    Ch.    s.    — 35  n 
Puigellier. 

-  Piadieux  printemps,  P  6 —  Meiners. 

-  Rendez-moi    men    trombone    1 — n,      Ch.    >-. 

— 40  n  Bornemann. 

-  Serenade,   FIP  6 —  Bonrlant. 

-  vSourire    d'amour,    valse-boston,    0    avec    /*, 

R.    Meiners-'Pa.ris. 

-  Valse  tendre,  0,     Dticrotois. 

-  Vieux  Vin  des  Amours,  Ch.  s.  — 25  n. 

-  Voici   I'hiver  !    2 — n.   Ch.  s.  — 30  Joanin. 
-Will   you,   niaz.    1.70  n,   0    1.50  n   Boiirl-inl . 

-Y  en  aura  jamais  assez  1 — n,  Clt.  s.  — 35  n 
Puigellier. 

Meinhard,  Bliemehen  auf  dem  Maskenball 
1.50  Ikinner. 

Meinhard  (M  e  i  n  h  a  r  d  t)  A.  op.  6  Noc- 
turne, VcP  1 —  Schlesinger,  3/ —  Augencr. 

-7  Concertino,   ^'eP  2 —  Bchle.<iinger. 

-12  Quatuor    (B),  2VVuVc  4—  Bote. 

-23   Trois    Nocturnes,    PVc    1 —   Hofmeister. 

-  Clara-Polka-maz.   — 50   Bote. 

-  ler  Concerto,    VcO    (A-m.)    6.50  Simrock. 

-  Der    Frohliche,      polnische    Mazurka     — 80. 

u.     Wagner     F  r.     op.    84 :       Regiment 
Marsch!   Marsch !   Galopp,  0  6.30  Bote. 

-  Erinneruug  an  Soden,  Polka,  0   1 —  Sclile- 

singer. 


-  Introduktion  u.   Polonaise,   VcO   4 —   Breif- 

kopf. 

-  Murmures,  4  notturnos,  VP,  VcP:  1.  Mur 

mure  de  la  Newa,  2.  Murmure  de  la  Seine. 
3.  Murmure  de  I'Elbe,  4.  Murmure  du 
Neckar,   a  2/6   Ashdovn. 

-  Variationen,  VcQuart.    (Fis-ni.)    1 — n  Breit- 

knpf, 
Melnhardt   C.    W.   op.    13      Ich    denke   dein. 
Lied  ohne  Worte,  P  —80  Teich. 

-  Tanz-Album   ffir   P,   eine    Sammluug   leich- 

ter  Tanzweisen :  Op.  4.  Eosenknospen, 
Walzer.  Op.  6.  Dornroschen,  Polka.  Op.  7. 
All'weil  fidel,  Rheinliinder.  Op.  3.  Leich- 
ter   Sinn,   Mazurka    1.20  n   P.   Schirmer. 

Melnhardt  E.  Louis.  Siegel:  Op.  8  Zwei 
vierstimmige  Mannerchore  m.  P :  Nr.  1. 
Auf  des  Ozeans  blauer,  unendlieher  Flut 
2- — .  Nr.  2.  Schon  bist  du,  o  Kind  des  Him- 
mels  3 — . 

-9  Fiinf  Lieder,  TTBB:  1.  Lied  der  Dent- 
schen:  ,,Bruder  heran  !"  2.  Heraus :  ..Was 
ist  das  fiir  ein  Ahnen".  3.  Sehnsuelit: 
.,War'  ich  der  Regen".  4.  Da  driiben :  ..Di 
driiben  iiber'm  Walde".  5.  In  der  Fremde . 
,,Wo    auf    hohen    Tahnenspitzen"    1 .50. 

-10  Sechs  Lieder,  TTBB:  1.  Der  Wald :  .,0 
Wald,  grunwogig  Meer".  2.  Ein  treuer 
Freund :  „Ein  treuer  Freund,  ein  harter 
Stahl".  3.  Herbstabend :  „Feierliches,  tie- 
fes  Schweigen".  4.  Hinaus:  ,,Nun  liinaus 
in  das  freie  Feld".  5.  Waldlied :  „Wena 
ich  geh'  im  griinen  Walde".  6.  Abend- 
gfcbet:  „Des  Tags  A-erworrenes  Getiimmer" 
1.75. 

Meinhardt  J.  Muzikale  Tooverlantaar'i 
Groote,  kom.  Potp.  P  1 —  Alshach. 

Meinhold  M.  Aurora,  Polka-Mazurka  — SO 
Reinecke,  — 25   Wood. 

-Klein  Annchen,  Rheinliinder  — 80  Reinecki. 

-  Society   Rheinlander,  polka  —25   Wood. 
Meinhold   Paul.   Banner:   Aber   leicht,   Coa- 

plet:  Riesendame  in  der  Bude  1.20  An 
gustin. 

-  Annoncen-Couplet,     Soloszene    1.20     P.    Fi- 

scher. 

-  Arretiert,    komische    Szene    2 — . 

-  Au-Au-Au-Au -Aurora,   Duett   2 — . 

-  Bliemchens  Pilgerfahrt  nach   Mekka,   Solo- 

szene  1.50. 
-Das  ist  auch  kein  Fehler !   Couplet  1.20  P. 
Fischer. 

-  Das  ist  kein  Fehler :  „Will  man  einmal  ein 

Madchen  frei'n".  Couplet  1.20  Falkenherg. 

-  Der  geleimte  Onkel,  Duett   1.50. 

-  Druckfehler-Teufel,   Couplet    1—   Wernf^i':iL 

-  Ein   Angel-Sachse,   Duett   1.50. 

-  Ein   Schelmenstreich    1 — . 

-  Entfettungskur,     Soloszene    in    sjlchsischn' 

Mundart  — 10   Kunz. 

-  Esel  werden   rar,   Couplet   1 — . 

-  Fips  mit'n   Schwipps,   Soloszene    1.50. 

-  Fix    und   fertig !    Abgemacht !    Couplet    1  — 

0.  Dietrich. 

-  Gegipst  und  Ungegipst,  Couplet  1 —  P.  Fi- 

scher. 

-  Hochzeitsstraufichen    1.50    Glcissenhcrg. 

-  Im    Bahnverkehr,   Couplet    1.20   P.   Fischer. 


Meinhold  P.  Im  BuchenwaU 


396 


Meischke  C.  Nocturne 


-  Im   Buchenwald,  P   1.20   Gleissenberg,   1.44 

Maas. 

-  Instruktionsstunde  der  Kriibwinkler  Feuer- 

wehr.  Couplet  1.50. 

-  Kaiser-Sekt,      Kaiser-Geburtstags-Schwank 

1.50. 

-  Kindermadchen   unter  sich,   Soloszene   1 .50. 

-  Luxus-Couplet   1 — . 

-  Michel    imd    Nante,     zwei     Burschen     vom 

Lande,   Duoszene   m.   P   2.50. 

-  Panorama,  Marsch  1.20  P.  Fischer. 
■  Postalische   Grammatik    1 — . 

-  Scliiitzenkonig     Tatterich,      Schiitzen  -  Ulk- 

Soloszene  m.   P   1.50. 

-  Schweppermann   1.50. 

-  Sonntagsruhe   1.50. 

-  Xante   Knutschenbacli,    Soloszene    1.50. 

-  Tingel-Tangel     im     Manover,     militlirischor 

Scliwank  1.50. 

-  Transvaal-Couplet   1 — . 

-  Wer     ist     reingefallen?     oder     Die     Wette, 

Schwank  2 — . 
Meining  August.  Hansen:  Op.  6  Mazourque 

melaucolique,   P   1.25. 
-8  Entr'acte,  trois  morceaux,   P   1.80. 

-  10  AValdszenen,  P :  Hochsommer  im  Walle. 

Bauernidyll.   Mondnacht  3 — . 

-  11  Bilder  ai's  dem  Kinderlebeu,  P,  2  Hifte 

a  1.80:  I.  Kindertriiume.  Puppentanz. 
Wiegenlied.  Haschen.  Jetzt  sei  gut.  II. 
Marciienerzahlen.  Betriibt.  Vergniigt. 
Waldausflug.    Soldatspieleu. 

-  12  serenade,  VP,  HautbP  a   1.50. 

Meiningen,    I    ha'e   wandered    at   e'en    — 35 

White. 
Meininger   Georg.      Kiendl :     4    charakteri- 

stische   Tonstiicke,   Z :      Der    Traumer    am 

See.      Caprice.      Einsame      Tranen.       Auf 

schwankender  Welle   1.08. 

-  Erinnerung  an  die  Briihl,  Landler,  Z   1.08. 

-  Jchanniskaferln,   Landler,   Z    1.08. 

-  2  Transkriptionen  :   a)  F.  K  ti  c  k  e  n :   Gut' 

Nacht,  fahr  wohl,  mein  treues  Herz,  b) 
W.  K  u  h  e :  Mein  Herz  ich  will  dich  fra- 
gen,  was  ist  denn  Liebe,  sag?  Zwei  Seelon 
ein  Gedanke,  zwei  Herzen  und  ein  Schbvg, 
Duettino,  Z   1.08. 

-  Tulipani-Polka,    Emilien-Polka,   Z    1.08. 

-  Wildensee-Alpenjodler,     Empfindungen     am 

Alt-Aussee,  Z  1.08. 

-  Zuunschlupferln,   Landler,    1(2)Z    1.8G. 

Meininger    J.    C.    Ellis:    Alice    Romance,    P 
— 50  Ditson. 

-  Bellewood   Waltz  — 40. 

-  Bird    of    Night     (L'Oiseau    de    Nuit)    —75, 

valse  brill.    — -75. 

-  Bread    and    cheese    and    kisses,    /S    or    duet 

—35. 

-  Bright    Shining    Star,     grand    valse     brill. 

—60. 

-  Brother's  Tribute  March  — 35. 
-Come  back,  my  heart  — 35.- 

-  Come  in  ,S  or  duet  — 35. 
-Commencement    (Les   Debuts),   march  — 60 

Ditson. 

-  Could  I  live  my  life  again  — 35. 

-  Crab    Orchard    Springs    Promenade,    march 

—40. 


-  Dawn   of  love,   morceau,   P  — 50   Ditson. 
■  Debut,    galop   brillant  — 75. 

-  Departed  Hopes,  meditation,   P  — 40. 

-  Departed  Joys  — 35. 

-  Dreams  of  my  home,  SSAA  — 75. 

-  Evening  shadows,  meditation,  P  — 40  Gor- 

don. 
•  Fairies  of  St.  Matthews,  polka  — 40. 

-  Giude  us.  Holy  Spirit,  S  and  quart.  --40. 

-  Golden  Shore,  maz.  — 50. 

-  Golden   Wawes,   march  — 50. 

-  Happy   Return,   sch9ttische  — 35. 

-  Home,  sweet  home  with   var.   P  — 75   Dit- 

S07^. 

-  Homeless  — 35. 

-  I  love  the  still  —40. 

-  I  think  of  thee,  dear  Mandaline  — 35. 

-  II  Penseroso,  P  — 40  Ditson. 

-  Is  sorrow  thy  young  brow  shading  ?  —35. 
-Laughing  waters,  song  with  Fl  ad  lib. — 60 

Ditson. 

-  Light  of  Love,  polka-maz.  — 35. 

-  Little  Lotta  —35. 

-  Loving     Eyes     — 40,     P      (M  e  r  z)      — 40, 

(Zoeller)    —50,    (King)    1.20. 

-  Master  Charlies  polka,  P  — 50  Brainard. 

-  May   Queen,   polka  — 40. 

-  Murmuring  winds,  P  1 —  Ditson. 

-  My  Annie,  thou  art  gone,  song  &  chor.  ad 

lib.  —35. 

-  O  pity  a  poor  helpless  girl  —35. 

-  Oiseau  de  nuit   (Bird  of  Night) ,  valse  song 

—75. 

-  One   kindly  word  before  we  part  — 35. 

-  Only   a   cluster   of   withered   flowers,    S{T) 

— 50  Brainard. 

-  Pelican,  schottische  — 60. 

-  Pity   a   poor   helpless  girl  — 35. 

-  Robin's  lament,  P  —65   White. 

-  Sappho,  maz.  — 50  Brainard. 

-  Say  you   love   me  little   Nell   — 35. 

-  School  girl's  dream,  reverie,  P  — 40  Ditson. 

-  Schottische  di   Bravoura,  P  — 60. 

-  Sleep,    my    darling,    thou    art    weary   — 35. 

-  Smiling  Eyes  — 35. 

-  Song  of  the  nightingale,  var.  P  — 40. 

-  Starlight    Serenade  — 40. 

-  Stonewall    Jackson's    last  .words,    song    & 

chor.  — 35. 

-  Sweet  and  fair,  song  &  chor.  — 35. 

-  Sweet   as   some   delusive   dream,   trio  — 35. 
-Thou    art    not     listening    now,    AfB)  — 40 

Brainard. 

-  Universal   Favorite   Maz.   — 60. 

-  Universal   Favorite   Polka  — 50. 

-  Up  and   away,  capriccio,   P  — 50  Ditson. 

-  Valentina,   valse  caprice,  P  — 50  Ditson. 

-  Veteran's   March  — 40   White. 

-  Vision  of  Home,   meditation,   P  — 50. 

-  Wehli,   maz.   —75. 

Meira  J.  A.  Afflictiva,  valsa  1.50  Bevilacqua. 

Meis  V.  de,   Canzonetta,   VP  6 —  Choud^ns. 
-Nuit   d'ete,   idylle,   0,  P  cond.     Evette. 
Meischke   C.   Bluette,   P    1.70  n   Decourcelle. 
-Entr'acte,   P    1.70  n,    O   av.   P   cond.    1.50  n 
Decourcelle. 

-  Lamento,    VP  2.50  n   Decourcelle. 
-Nocturne,  P  1.70  nDeconrcelle. 


Meisel  J.  Aiich  eine 


397     — 


Meissler  J.  Tlien  You'll 


Auch    eine,    Ga.- 


M e i se I    J o h .      Bach mann . 

votte,   P    1—. 
-Das  hohe  Himdstagslied,  P  1.50  Oertel. 

-  Maihlumeu-Walzer    1.50,   0   3—,   mO   .'J— . 

-  Stilvoll,   Salonstuck,   P   1—. 

-  Tivoli-Gavotte,    P    1 — . 

-  Tivoli- Jubilauma-Marsch    — 80    OerM. 

-  \^  ilhelmus    van    Nassoiiwe,     Marsch     — 50 

Mosmatis,  1 —  Oertel. 

Meisenburg,  op.  4  Erinneiung  an  Miing- 
sten,    EhoiolJinder   — 75    Ullrich. 

Meisjes  droom,  Wals  met  aardige  couplet- 
ten  — 40   Waandcrs. 

MeisI  Fr.  ftada  tanecnfch.  skladeb,  ctyfi  hii- 
debni  niysl^nky :  1.  Trianon,  polka.  2.  La 
Dame  aiix  Camelias,  polka.  3.  Polka-Ma- 
zurka. 4.  La  rose  noire,  galop  2 —  Ur- 
hdnek. 

Meissler,  Traumbildor,  Walzer,  Earm(Fanf) 
2 —   Wolters. 

Meissler  J.  Across  country,  galop  4/ — ,  0 
1  —  u,  SmallO  1/ —  n  Leonard. 


1.50  liosicorth. 
Shcard,     — 75 


-  An  Donau's  schonem  Strand 

-  Andalusiau     Waltz     2/ —  n 
-  White. 

-Auf    der    Ilohe,    Waltz.    FiiUO    1—,    SmallO 

— 75   Uaukes. 
-Auf  und  ab,  Waltz  2, —  n,  FullO  1/6,  Sept. 

1/ — ,  P  — ,'6,  extra  parts  a  — /3  n  Jefferys. 
-Beautiful    Cuban,    waltz    4/—,    FullO    1/6, 

Sept.   2/ — ,   extra   parts  — y3   Francis. 
-Belle  Amie,  valse  2—,  FullO  21—,  SmallO 

1/ —  Boose  y. 

-  Bella  Siccome  un  Angelo,  VP(MandP)  — /2 

Broome. 
-Bird  Catcher,   VP(MandP)  — /2  Broome. 
-Bridge  of  Sighs,  VP(MandP)  — /2  Broome. 
-Deh'vieni,    VP(MandP)   —2   Broome. 

-  Dream    Faces,    waltzer    1 —    Alsbach,    — 65 

Ditson,  — 35  Ellis,  — 60  Gordon,  4/ —  Leo- 
nard, 2 —  Guimaraes,  4^ns  4/ —  Leonard, 
VP  — /2  Broome,  1/6  u  Jefferys,  3/ —  Leo- 
nard, — 75  Ditson,  MandP  — /2  Broome, 
FIP,  VcP  a  1/6  n,  2VP,  FIVP,  VcVP  a 
2/—  Jefferys,  0  2/— n,  SmallO  1/— n  Leo- 
nard, Fulio  1—,  li  Instr  —75,  10  Instr 
— 50  Fischer,  FullBrassBand  — 50,  a.  Reed 
Band  2 —  Cundy. 

-Ehren  on  the  Rhine,  VP(MandP)  — /2 
Broome. 

-Erwartung,    VP(MundP)    — /2    Broome. 

-Fille  du  Tambour-Major,  galop  4/ — ,  FullO 
1/6  n,   Sept.    1 —  n    Cramer. 

-  Flying  leaves,  waltz  4/ —  Ashdown. 

-  Funiculi  Funicula,  waltz.  Full  1 — ,  1^  Instr 

—80,    10   Instr   —60,   P  —15   Cundy,   4—, 

VP,  VcP  a  1— n,  MandP  4—,  FIVP  1.50  n, 

2VP  1.50  n,  O  2 — n,  Sept.   1.50  n  Ricordi. 
-Heart    of     my     Heart,     VP(MandP)     — /2 

Broome. 
-Herbstleiden,    Waltz,     FullO     1—,    SmallO 

— 75  Haickes. 
-In     diesen     heil'gen     Hallen,     VP(MandP) 

— /2  Broome. 
-In     Life     and     Death,     VP{  MandP)     — /2 

Broome. 
-In    old    Madrid,   waltz    4/ —    Cramer,    — 75 

Century,    Ditson,    Schirmer,    White,    — 60 


\Villig,  VP,  MandP  a  — 50  n  Presser,  mO 
—50    Fischer,    2/6  n,     blM     2/—  n,     FidlO 
1/6  n,   Sept.   1/— n   Cramer,  FullO   1—,   U 
Instr  — 75,  10  Instr  — 50  Fischer. 
■  -John   Peel,   galop   3/ —   Donajoioski. 

-  Jolly   vagrants,    polka    3/ —    Leonard. 

-  Last   Milestone,   VP  (MandP)   — /2   Broome. 
Light,        VP(  MandP)       — /2 


(Hoch  lebe  der  Ge- 
W  o  h  a  n  k  a  :      To 


-  Lighthouse 

Broome. 

■  Long  live  the  General 

neral),     march,     vide 
Arms. 

-  Love's  Golden  Clime,  valse,  FullBand  4/ — , 

Med.  Band  3/ — ,  Small  Band  2/ —  Hawkcs. 

-  Mandarin,  polka   3/ —  Ashdown. 

-  Mein    geliebtes    Land,    Waltz,     FullO     1 — , 

SmallO  — 75  Hawkes. 

-  Mein    Liebcben,    Waltz    4/ —    Ascherberg. 
-Me  voilft,   polka   4/ — ,   0    1/4  n,   Sept.    1/ — n 

Enoch. 

-  Meco   tu   Vieni,    VP(MandP)   — /2    Broome. 

-  Mine  again,    VP  (MandP)  — /2   Broome. 

-  Mine  again,  waltz,  O  2/ —  n,  SmallO  1/ —  n 

Leonard. 

■  My  little  Lot,  polka  2/ —  u  Sheard. 

-  My  Little  Sweetheart,  waltz   4/ — ,   \v.   Cor- 

net   4/—,    FullO    1/6  n,    blM    2/— n,    Sept. 
1/ —  n  Cramer. 
-Never,  Ah!   Never  More,   VP(MandP)  — /2 
Broome. 

-  No     Hand     But     Thine,     VP(Mand)     — /2 

Broome. 
-Notte  e  Giorno,   VP(MandP)  —/2  Broone. 

-  Ocean    echoes,    quick   march    3/ —   Leonard. 

-  Paquita,   valse   2/ —  Broome. 

-  Pierrot,  VP  or  MandP  — /2  Broome. 

■  Pierrot,    waltz    4/ — ,    Jtms    4/ — ,      0    2/ —  n, 

SmallO   1/ — n   Leonard. 

-  Platz   da,   galop,   FullO  —75,   SmallO  —50 

Hawkes. 

■  Queen  of   Hearts,   waltz   2/ —  n,   FullO   1/6, 

sept.   1/—,  P  — /6  Jefferys. 

-  Reminiscences  of  W  a  g  n  e  r,   waltz,   FullO 

1/6,  sept.  1/—,  P  — /6  Jefferys. 

-  Road    to    the    Fair,      VP    or    MandP    — /2 

Broome. 

-  Salut     du    Matin,      VP     or    MandP      — /2 

Broome. 

-  Say  that   I  love  alway,  waltz  — /2,   VP  or 

MandP   — /2    Broome. 

-  Serenade   from   „Favorita",    VP  or   MandP 

— ,2  Broome. 

-  Ship's  Fiddler,  VP  or  MandP  — /2  Broome. 
-Shopwalker,  polka  2/ — n  Sheard. 

-  Side  by  Side,   VP  or   MatidP  —.'2  Broome. 

-  Silver  Rhine,  waltzes  —40  Ellis,  —75  Gor- 

don, Itnis  4/—  Leonard,  VP  or  MandP  —12 
Broome,  0  21— n,  SmallO  1/— n  Leonard. 

-  Southern  Breeze,  waltz  2/—  Boosey. 

-  Stolzenfels,  P  1.50,  Z  1—  Bostcorth. 

-  Stolzenfels  am  Rhein,  Z   1—  Fritz. 

-  Sunny   South,   waltz   2/—   Boosey. 

-  Ta-ra-ra   Boom-de-ay,   galop   2/—  n 

-  Ta-ra-ra   Boom-de-ay,   polka   2/ —  n 

-  Ta-ra-ra   Boom-de-ay,  waltz  2/ —  n 

-  Then  You'll  Remember  Me,   VP  or  MandP 

—  2  Broome. 


Sheard. 
Sheard. 
Sheard. 


Meisster  J.  Thine  alone 


398     — 


Meissonier  L.   Cuisiniere  discrete 


-  Thine   alone,   waltz   2/—,  4ms  2/—  Boosey, 

—60    Ditson,    Gordon,    1 —    Warmuih. 

-  Traumgesichter,  P  1.50  Bosivorth. 

-  Traumgesichter,   h.  t.   a  —75   Neldtier. 

-  Under  the  Star,  VP  or  MandP  — /2  Broome. 

-  Under  the  Stars,  waltzes  —50  Gordon,  4/—, 

Jfms  4/ — ,  0  2/ —  n,  iimallO  1/ —  n  Leonard. 

-  Up  in  the  moon,  waltz  2/ —  u  Sheard,  — 75 

-Valse    Militaire    (waltz),    FiillO    1/6,    sept. 
]/— ,  P  — /6,  extra  parts  a  — /3  n  Jefferys. 

-  Vision,  valse  2 —  Napoleao. 

-  Wagoner,      quadrille    on    popular    melodies 

4/ —  Ashdoion. 

-  Waldgesang,     waltz,      FullO    1 — ,      SniallO 

— 75  Baiokes. 

-  Waltzes :    Eoses    red   and   white.    Jolly   va- 

grants'  polka.      Gungl's  Amoretten-Tauze. 
Strauss'    Kiinstler-Leben,    VP,    VcP,    Cor- 
nctP,  FIP  a  1/—  n,  CornetVP,  2VP,  PWv 
a  1/6  n  Leonard. 
-Waltzes,   YP   1/6  n  Jefferys. 

-  When    the    Children     are    asleep,      VP     or 

MandP  — /2  Broome. 

-  When  the  Children  are  asleep,  waltz  4/ — , 

0  2/ — n,   SmnllO   1/ — n  Leonard. 

-  Who's  that  Calling?  polka  4/—,  FiillO  1/6  n, 

sept.  1/ —  n  Cramer. 
Meissner     (genannt    Frauenlob),      Gott 

ist  gewaltig,  SATB  m.   0    (A.   Becker), 

Chorst    —60  n    BreitJcopf. 
Meissner,  Berliner  Favorit-Rheinlander  — 50 

Elkan. 

-  Capricieuse,   P  — 75    Gehrmun. 

-  Erinnerung  an  Eadeburg,  Marsch  — 50  See- 

ling. 

-  Golden  Melodies,  Z  1/6  Donajowski. 

-  Goldroschen,   P   1 —   Lundquist. 

-  Militiirsvarmeri,   P   1.50  Lundquist. 

-  Nur  du  allein,  P  1 —  Lundquist. 

-  Polka-maz.    Harm  (Fanf)    2 —   Katto. 

-  Schlacht   bei    Kulm,    Mursch   — 50   Seeliny. 

-  Schweizer  Heimweh  — 50  Fries. 

-  Trogelins  Jubilaumsresa,  P  2 —  Lundquisi. 

-  Trogelins  resa,  P   1.50  Lundquist. 
Meissner  A.  2  Tiinze:  Polka  iiber  das  Lied: 

Ach,  das  ist  doch  zu  gemiitlich,  und 
K  r  e  b  s  :  Walzer  aus  Riiders  Flick  und 
Flock   1—  E.  iiloll. 

-  Tanzliedehen    1 —   Ilahn. 

Meissner   F.  Holzauktion,  Rheinliinder  — 10 
Michow. 

-  Im   Grunewald,  Rheinliinder   — 20   Michoic. 

-  Komm,    Mutter,    wir    wollen    mal    tanzeu, 

Walzerlied,  0  1.50  n.  Par.  Bes.  1.20  n.  Am. 
Bes.   1 .50  n,  P   1 —  Riihle  d   Wendliny. 

-  Madel,      putz'      dich,      Bheinlander       — 20 

Michoiv. 

-  Rosen-Polka  — 10  Mivhow. 

Meissner    F.    W.    Stiicke    f.    Harm,    I — II    a 

1 —  n   Breitkopf. 
Meissner   H.  Long  live  the  General,  march 

—30  Fischer. 
Meissner    Hj.   Lefve   General'ni   Marsch   1^ — 

Ilirsch. 


-  pa   landet,    5    tonmaluingar :    Morgonstam- 

ning.    I  .skogen.    Landtlig    dans.    Pa    sjon.  Ji  | 
Aftonstiimning  1.50  Hirsch. 

-  Skymningstankar,   Vals   1 —   Hirsch. 

Meissner    L.    op.    2    Die    Braut,    Salonpolka 

1.30  Schlesinger. 
-10    N.    1.    Premifere    M6lodie,    VP,    VcP    a  5 

— 30  n  Geiethner. 

-  10  Melodienstraufi,  VP,  I — II  a  1.75  Merse- 

ivrger. 
Meissner  O.  Kavallerieoffiziere,  Marscli  1 — 

Paul  Fischer. 
-Liebe.slust,    TTBB   1.40   Kuthke. 
-5   Lieder :    1.   Wie   gerne   dir   zu   Fiifien.   2. 

Ich  will  dir's  nimmer  sagen.  3.  Die  Liifte 

wehen   leis'   und   lind.   4.   Tranen   so   heifi. 

5.  Gedenke  mein :  „Leb'  wohl,  mein  Herz" 

1.50  Kahnt. 

-  Menuett- Walzer    (altbekannter   u.   beriihm- 

ttr),  wiederholt  am  kaiserl.  Hof  zu  Berlin 

getanzt   1—,  Z   1 — ,   0,  Par-.   Bes.   a   1.50  n 

Paul    Fisch  er. 
Meissner    Ph.   Schott:    Op.    1    Quatuor,    CIV 

AltoVc  2.75. 
-2  Quatuor,   CIV  AltoVc  2.75. 

-  3  Drei  Duos  concertants,  2Cl  4.25. 

-  4   Zwei    Duos   concertants,   2Cl   2.75. 
Meissner  Rudolf,  Die  3  Grofien,  od.  Schnei- 

der-Ede,   Schuster-Karl   u.   Klempner-Max, 
Eusemble-Szene  m.  P  3 —  Seeling. 
Meissner  W.  op.  3  Jubelklange,  Marsch  1 — , 
O    1.50  n   Bendix-Ralherstadt. 

-  4  Das   Vergifimeinnicht    1 —  Ries  cC-   Erler. 
-4    Bismarck-Kiirassiere,    Marsch    1.20,      0, 

mO   a   1.50  n  Beiidix. 

-  5  Der  Wasserfall   1—  Ri-ss  &  Erler. 

-8  Blumensprache,  P:  1.  Edelweifi,  2.  Tau- 
sendschonchen,  3.  Glockenhliimlein,  4.  Pri- 
n  Ilia   veris,  a  — 60   Ries  *&   Erler. 

■  13  Tiroler  Liedchen  —60  Ries  &  Erler. 

-  16  Ein  Liebesbrief,  P   1—  Ries  &  Erler. 
-17    Der    kleine    Gardist,    P    1.50  n    Ries   & 

Erler. 

■  20  Wie  bertihrt  mich,  P  1 —  Ries  &  Erler. 

-  21   Goldroschen  1.50  Ries  &  Erler. 

■  21   Little  golden  Rose,  P  — 40  Gordon. 
-22  Nur  du  allein   1.20  Ries  &  Erler. 

■  A  love-letter   (Ein  Liebesbrief) ,  P  3/—  Asii- 

do  wn. 

-  Alpenrosleins  Sehnsucht  — 60  Ries  d  Erler. 

-  Gold-Roschen,   Klavierstuck   3/—  Ashdown. 
-Little  soldier    (Der  kleine  Gardist),  P  3/— 

Ashdown. 
-Three  budding  flowerets,  P;  1.  Alpine  rose, 
2.    Amaranth,    3.    Blue    bell,    a    2/—   Ash- 
doivn. 

-  Tyrolese   Song    (Tiroler   Liedchen),   P   2/ — 

Ashdown. 

-  Un  mot  de  toi  (F.  B  e  n  d  e  1) ,  P  5—  Leduc. 

Meissonier      L,        Ditson:        Alpine      roses 
(Fink),     P    —50. 

-  Among   the   suowflakes,   P  — 35. 

-  Bon   Ton,   gavotte,   P  — 40,      Cabinet-OrgP 

1—. 

-  Bride  bells,  polka  elegante  — 50. 

-  Cuisini&re     discrete    (Dma.    — 20  n)      1 — n, 

Ch.    s.   — 40  n    Bornemann. 


Meissonier  L.  Dramatic  march 


399     — 


Meister  F.  Sie//essekicert-Marseh 


•  Dir.iiiatic   maieh    — 40,    Cahinet-OrgP    — 9U. 
-Father   of   victory    (Gauiie),   P   —40. 

-  Gen.     Boulanger's     march      (D  e  s  o  r  m  i-  ;s) 

—35. 

-  Good-morning,    mel.    gracieii.se,    /-*   — 40. 

-  Heart's  joy,   i>olka  — 40. 

-  Ich    bin    der    kleine    Tambour     (Je    suis    le 

petit  tambour)    — 50  Schlesinger. 
-Little  story    (Petite  Historie),   P 

-  M#pris  des  richesses  2.50  Eeugel. 

-  Merry   wood-bird,   polka   — 50,   6ms 

-  Methode    de    G    1.70  n,    4»   compl&te    8.35  n, 

extra ite    3.35  n   Gallet. 


-35. 


-ii). 


G 


15 — ,      pet.    methode 
2.50   Heugel. 


.50 


nationale    1,6 


-35. 


-40. 


-  Methode    de 

Heugel. 
■  Men  carnaval 

-  My  first   love,   gavotte,   P  — 40 

-  3  Nocturnes,  GFl  4.50  Girod. 

-  Pattering  rain  drops,  P  — 40. 

-  Pensee  2.50  Heugel. 

-  Petit  Tambour  2.50  Heugel. 

-  Petit   tambour    de   la    garde 

Ashdown,   — /6  n    Augener. 
-Petite    Historiette    (Little   story), 

-  Premier   Amour   2.50    Heugel. 
-Pietty   Susie    (Schon   Suschen),   P 

-  Questionneuse   2.50   Heugel. 

-  Trilby   2.50   Heugel. 

Meister  Casimir.  Hug:  Op.  5  Kleine  prak- 
tische  Vorschule  fiir  angehende  Orgelspie- 
If  r.  oder  2-,  'A-  u.  4stimmige  Bear'n(>itun<^oii 
der  gebrsluchlichsten  Dur-  u.  Moll-Ton- 
leiteru,      ^cliotf. 

-  10   Vier   Klavierstiicke   2 —   Wallbach. 

-  12    Deux    marches     religieuses,     Org     1.50 

Wullhach. 

-  14   Adrian    de    Bubenberg,    ouv.    O    3 —  n. 
-15  Nr.   1.   Mein  Hau.schen,  8ATB  2.20.  Nr. 

2.   Des   Abends,   8ATB   1.60. 
-16  8ATB:   Nr.   1.   Du  bist  wie  eine  Blume 
1.20.  Nr.  2.   Im  Walde   1.80.   Nr.   3.   Sonn- 
tag  ist's   1.40. 

-  20  Drei  Priiludien,   Org  1.20. 

-23  Cloches  de  Paques,  TTBB,  SATB  a  2— 
Union   urtistique-'Lauiia.nne. 

-  24  Friedensfeier,  TTBB  2—. 

-27  Mahnruf  vom  Schlachtfeld,  TTBB,  Part 
—  20n. 

-  29    Glaruer    Schiitzenfestmarsch    1 — . 

-31  Zwei  Gesange:  1.  Abendlied.  2.  Abend- 
tanz    1 — . 

-33  ZMei  Frauenchore :  1.  Am  Eautibach. 
2.   Maiglockchen    1 — . 

-34  Zwei  Mlinnerchore  im  Volkston:  Nr.  1. 
Des  Schweizers  Heimfahrt  aus  d.  Fremde : 
,,Die  blaue  See."  2.  Mein  Alpensee:  ,,Wie 
ein   liebes   blaues   Auge",   Part   — 25  n. 

-  35    vide  :    Siingerrunde,    Liederf  reund. 

-35  Zwei  Miiuiierchore :  1.  Im  Rheintal.  2. 
tjberfahrt   2 — . 

-  36  Zwei  Bettagslieder,  TTBB  —20  n. 

-38   Weihuachs-stern,    TTBB,   SATB,   Part   a 

—20  n. 
-38    Weihnachtsstern,    TTBB,    8ATB    a    1— . 

-  39    Abschiedsgrufi     ans    Vaterland,     TTBB 

—20. 
-40    Zwei    TTBB:    1.    Verzagen,    2.    Maien- 
naclit.   Part  tl  — 15  n. 


-40    Zwei    Mannerchore :       1.    Verzagen.      2. 

Maiennacht    1 — . 
-42  Zwei  Mannerchore:   1.  Unter  der  Linde. 
2.  Des  Liedes  Heimat  1 —  Ziirich'sche  Lie- 
derbuchanstalt. 

Wintersonnenschein,    3st. 
Ziirich'sche    Liederbuch- 


im 
1  — 


1.20. 

SATB    1—   Foetisch. 
mission,    SATB    1— 


-  Foetisch. 
Mein  Vaterland. 


1- 


-43    Wie    hold 
Frauenchor 
anstalt. 

-  44  Festmarsch,  P 
■  45    Soie    de    Noel, 

-  46    Cantique    de    mission,    SATB    1 —    Foe- 

tisch . 
-47   A   la   liberte,    TTBB    1- 
48   Zwei   Mannerchore:    1. 
2.    Kirchenlied,    SATB    1—. 

-49  Wanderlied,  TTBB,   SATB  a 

-  50  Catelier  —50  Foetisch. 

-  52    Drei    Klavierstiicke    2 —    Foetisch. 

-52  Zwei  Mannerchore:   1.  Friihlingsmorgen, 

2.  Frisch  gewagt,  a  1.60  Fries. 
-53    Trois    Chants    1.50    G';».(/e/-e-Fribourg. 

-  54  1.  Liebeslied,  3st.  Frauenchor  od.  Solost 

m.  P,  KA  1.50,  St  —60  Fries. 

-  2  Abendlieder  — 20. 

-  Allez    (Cantique    de   Mission),    SATB   —50 

Foetiscli. 

-  2  Bettagslieder  :   Mein  Vaterland.  Kirchen- 

lied,  TTBB  —20. 

-  Chant  de  Fete,  TTBB   1.25  Foetisch. 

-  Devant   la    creche.    Noel,    3  voix   — 50   Foe- 

tisch. 

-  Joie  de  Noel,  SATB  1 —  Foetisch. 

-  Maiennacht,   TTBB,  Part  —20. 

-0  sainte  nuit    (Noel),   TTBB   1—  Foetisch. 

-  Pour  la  liberte,  TTBB  1—  Foetisch. 

-  Verzagen,   TTBB,  Part  —20. 

-  Weihnachtsstern  !   TTBB  —10,  SATB  —10. 

Meister  C.    H.   op.   32   Lied  von   der   Feuer- 
wehr,  TTBB  —70  Andre. 

-  39   Auf !    Frisch    voran,    Marschlied,    TTBB 

1.80  A.  E.  Fischer. 

-  65     Bayrische     Gebirgslandler,      TTBB     m. 

P(Z),  KA  2.30,   Chorst   1.20  Praeger. 

Meister    F.    op.    1      Junge    Herzen,    Walzer 
1.60   Reinecke. 

-  Auf  zum  Nordpol,  Marsch,  blM  2 —  Carisch. 

-  Bathildis-Walzer,    mO   2.50,   kl.  0   2—,    blM 

2 —  Oertler. 

-  Bismarck-Marsch   1 —  Piatt. 

Fiirst    Friedrich-Marsch    1.50    Werth. 

-  Geburtstagsfestklange,   Walzer   2 —   Werth. 

-  Hiite  dich  — 80  Kramer. 

-  Kommandeur-Marsch,   P   1 — ,   blM   2 —   Ca- 

risch. 
-3  Lieder:   1.  Spielmannslied,  2.  Der  See  der 
Trilume,  3.  Hans  u.  Grete,  a  1.20  Kramer. 

-  2    Lieder :    Herbst,    Einst.    Bad    Wildungcn 

1.50  Hundt. 
-2   Lieder:    1.   Mein   Sang.   2.    Voriiber    1.50 
Werth. 

-  Prinzefi    Elisabeth-Walzer    1.50,      0    4— n 

Bosicorth. 

-  Schauerliche     schauderhafte     Schauder-Bal- 

lade    in    3    fiirchterlichen    Aufziigen      und 
einer    Moral,    m.    P    1 — ,    m.    Deklamation 
u.   0  3— n  Oertel. 
•  Siegesschwert-Marsch  1 — ,  blM  2 —  Carisch. 


Meister  F.  Stets  xielbeiiiilit 


—     400     — 


Meister  G.  Sedrm 


,St. 


-  Stets    zielbeM'ufit,     Maisch    1—,      MM    2- 

Carisch. 

-  Vergessen    1 —   Burmester. 

-  Wiegenlied   1 —  Kramer. 

-  YouDg   Hearts,   waltz  — 50   Wood. 

-  Zauberscheiu     1.20    Werih. 

Meister    Florene,      Sing    Lullaby    4/- 

Ceciiia. 
Meister    G.    Evette:    Adagio     loeuvre    post- 

hume  de  Gounod),  arr.  p.   Harm(Fanf) 

3—  n. 

-Aida,   fautaisie,   Barm    12— n,   Fanf   10 — n 
.4  ndrieu. 

-  Aim4e-valse,   Harm,   Part  6 —  n. 

-  A  1 1  a  q  u  e     d  u    i\I  o  u  1  i  n     (B  r  u  n  e  a  a ) , 

fant.  Harm,  Part  10 —  u,  p.  s.  ft  — 25  n. 
-Ballet  de  Mazeppa    (opera  de  C.  de  Grand- 

val),  transcr.  Harm(Fanf)    \2- — n. 
-Basoche     (Messager),      fant.     Harm 

4 —  n,  Fanf  3 —  n   Margueriiai. 

-  Carnaval  romain    (Berlioz),  ouv.  Harm, 

Part    15 — n,    p.  s.   A   — 25  n. 
-Chant  des   Beiges,   ouv.   Harm    G —  ii, 
Fa7if  5 —  n   Marg^ieritat. 

-  Chasseur    maudit,    po&me    symphonique    de 

C.   Franc  k,   mO   12 —  n. 

-  Concordia,    ouv.    Harm    4 —  n,    Fanf    3—  n 

Marguerilat. 
-Cr^puscule  des  Dieux    (Wa  g  n  e  r) , 

marche   fun&bre,    Harm,   Part   3 —  n,    p.  s. 

a  —15  n. 
-Dans  les  bois    (SaUayre),  valse,   Harm 

(Fanf),  Part  7.50  n,  p.  .s.  k  —25  n. 

-  Danse  roumaine    (G  o  u  n  o  d) ,   Harm,  Part 

7.50  n,  p.  s.  a  —15  n. 

-  E  g  m  o  n  t      I S  a  1  v  a  y  r  e ) ,     fant.      Harm , 

Part   12— n,   p.  s.   k  — 25  n. 

-  E  n  c  h  a  n  t  e  m  e  n  t   d  u    V  e  n  d  r  e  d  i    St. 

Parsifal      (Wagner),     fant.      Hury.:, 
Part    4.50  n,   p.    s.   a   — 15  u. 

■  Erwinn,  gr.  fantaisie,  CIP  2.50  Schoenuers. 

■  Fete   arabe,    danse    soudauaise    d'A.    L  ii  i  - 

giui,  Harm  (Fanf)   4.50  n. 

-  Fille  de  I'Alcade   (G.  Marie),  ouv.  Harm 

5 — n,  Fanf  4 — n  Margveritat. 

■  Finlandal?,  pas  red.  Harm   3— n.  Fanf  2 — n 

Schoenacr.'i. 

-  Foret    enchantee,    ouv.    Harm    4 — n,    Fn.ff 

3 — n    Murgtieritai. 

■  Galoubet-polka     (L  a  g  a  r  d) ,    Harm,    Fanf, 

pet.  Fl,  Pist  2 —  n,  Cond.  — 75  OMluice. 
Girondins     (Li  to  Iff),     ouv.      Harm, 


a 


:.>  u. 


Harm    6 —  n 


Fanf    5 —  ii 
marche.      Harm 


Part  12— n,  p. 
G  u  e  1  f  e  s,    ouv. 

Mar  g  tier  itut. 
Ilulda    (C.    Franck) 

4.50  n. 
H  u  1  d  a    (C.  F  r  a  n  <■  k) ,  ballet  allegori.jue. 

Harm,  I — IT,  Part  a  7.50  n,  p.  s.  a  — 25  n. 

Hulda,     fant.     Harm     5— n,     Fanf    4 — n 

Margueritat. 
Intermezzo     (G.    S  p  «  r  c  k) ,     Harm     6—  n 

Andrieu. 
Islande   (Sporck),  fant.  Harm  (Fanf  J, 

Part  4.50  n,  p.  s.  a  — 25  n. 
Jacquerie    (L  a  1  o) ,    fant.    Harm,    Part 

12— n,  p.  8.  a  — 25n. 


-  J  o  1  i  e   Fille    d  e    Perth,    fant.      Harm 

4 — -  n,   Fanf  3 —  n   Margueritat. 

-  Kermesse     (Sporck),    Hartn    6 — n    Mar- 

gueritat. 
-Largo    (Ha  en  del),    p.    CI    et   Saxophone, 
Harm(Fanf),  Part  3— n,  p.  s.  a  — 10  n. 

-  Loin  du  pays,  ouvert.  Harm  3 — ,  Cond.  1— 

Glieluwe. 

■  Loin    du    pays,    gr.    ouvert.     Harm(Fanf) 

3 — ,  Cond.  — 50  Pomier. 

-  L  u  c  r  6  c  e  Borgia,   fant.   Cl-s.  et   Harm. 

Part    10— n     p.    s.    a   — 25  n   Evette,   Ghe- 
liiive. 

-  Maconnais,    quadr.    0    1 — n,      Harm(Fanf) 

2 — n,  Cond  — 75  n  (Ihelmce. 
Marche   Bresilieune    (Dan  be).   Harm   3 — , 
Fanf    2 —    Schoenuers. 

■  ^Luche  du  Couronnemeut  (Meyerbeer), 

Harm  5 — n,  Fanf  4 — n  Margueritat. 

■  Marche   Romaine,    Harm    exemplaire   & —  u, 

Fanf  exemplaire  5 —  n  Paris. 

-  Marville,  polka    (Cornet),   Harm   4—.   Fanf 

3 —  Schoenaers. 
-Marville,    introd.    et    polka,    CornetP    1.50 

Schoenaers. 
-Xavarraise     (Massenet),    fantaisie, 

Harm,  Part   12 — n,  p.  s.  a  — 25  n   Evette, 

Heiigel. 
-Palais    de    I'ludustrie,    Pist    ( — 20),    TTarm. 

(Fanf)    2 —   Pomier. 
-Palais    de    I'Industrie     (Pr6vet),    polka, 

Harm(Fanf),  Pint  2— n,  Cond.  —75 

I  a  we. 

-  P  a  n  u  r  g  e,   fant.  Harm   4—  n,  Fanf 

Margueritat. 
-Pierrot    puni     (H.    Cieutat), 

Harm  (Fanf),    Part    9 — u,    p.    s.    a    - 
-Prelude     de     Gwendoline 

brier),   fant.   Harm,  Part   3 — n 

— 15n. 
-Prise     de     Troie     (Berlioz 

Harm    C — ,   Fanf  5 —  Margueritat. 
-Proserpina   (S  t.-S  a  e  n  s) ,  fant.  Harm, 

Part   12 — n,  p.  s.  a  — 25  n. 

-  ttetsiem,  ou\ .   Harm   4—,  Fanf  3—,   p.  s.  a 

— 20  Monvoisin,  Gheluice. 

-  R  o  i   m  a  1  g  r  e   1  u  i    (C  h  a  b  r  i  e  r) ,     fant. 

Harm,  Part   12 —  u. 
-Romance    et    BoICto     (Dancla),    p.    FtV, 
Harm,   Part   6— n,    p.    s.    a   — 15  n,    T-solo 
— 15  n. 

-  Pvome  et  Carthage,  ouv.  Harm   4 —  n,  Fanf 

3 — n  Margueritat. 

-  R  o  m  e  o  e  t  J  u  1  i  e  1 1  e  (Berlioz),  scfene 

du  bal,   Harm,  Part  12 — n,  p.  s.  a  — 25  n. 

-  R  o  u  e  t  d'O  m  p  h  i  1  e    (S  t.-S  a  e  u  s) ,  fant. 


Ohe- 
3— n 


fant. 
—25  u. 

(C  h  a  - 

p.  s.  a 

fant. 


Harm,   Part    12 — n,    p.  s.    a 


— 25n. 
-n,  Fanf 


-  S  a  1  a  m  m  b  0,  fant.  Harm  4- 

Marguerilal. 

-  S  a  1 1  i  m  b  a  n  q  u  e  s,     fant.      Harm     4-- u, 

Fatif  3 — u  Margueritat. 

-  S  a  m  s  o  n  e  t  D  a  1  i  1  a  (S  t.-S  a  e  u  s) ,  fant. 

Harm,  Part   12 — n,  p.  s.  a  — 25  n. 

-  S  a  p  h  o,    fant.      Harm    4 — n,    Fanf    3 —  a 

Marguerilat. 

-  Sedan,   grenadier   du   Caucase,   pas   red.   p. 

d^filer.  Harm  3—,  Fanf  2 —  Schoenaers. 


Meister  G.  Signy  VAhhaye 


401     — 


Meister  R.  Examo/stiicke 


Vivandi&re 
Part  12— n,  p. 


Walzer,  0  1.50  ii,  kl. 


Zwolf 


Orgelstiicke.. 


-  Signy     I'Abbaye,     polka,    (Cornet),     Harm 

4 — ,  Fanf  3 —  Schoenaers. 
-Sigurd     (Reyer),    fant.      Harm,     Part 

9 — u,   p.   s.   a  — 25  n   Evette,  Heugel. 
-Thamara    (Bougaul  t-D  u  e  o  u  d  r  a  y) 

fant.  Harm,  Part  9 —  n,  p.  s.  k  — 25  n. 
-Vaisseau  fantOme  (W  a  g  n  e  r) ,  ouv. 

Harm,  Part   12 —  n,   p.   s.   a  —25  n. 

-  Valse  rapide  (H.  C  i  e  u  t  a  t),  HarmfFanfj, 

Part  4.50,  p.  s.  a  — 15  n. 
-Vercinggtorix    (J.    Cl6rice),   fant. 

I,    Harm    8—,      II,    Harm    6 — ,    Fanf    5 — 

Andrieu. 

(G  o  d  a  r  d) ,    fant.    Harm, 
s.  a  — 25  n. 
Meister   H.  Die  Abschiedsstunde,   Duett  fiir 

WaldhoruTrO     1.50  n,      Tr     u.    Waldhorn 

1.50  n  A.  E.  Fischer. 
-Parting   Hour    (28axophones    (Sopr.   Alto) 

or  HornCornet)  mO  — 75  Fischer. 
Meister  Jos.  Ein  Konigstraum  — 80  Miller- 

Miinchen. 

-  Stolzenfels  am  Rhein, 

0    1.20  n   Bosivorth. 
Meister    J.    G.    op.    18 

I— II  -1  1.25  Schott. 
IVieister  Karl,  op.  20  Standehen,  TTBB  1.60 

Kilpper. 
Meister    K.    S.     (1818—1881),    op.    2    Slng- 

waldlein  der  Kleinen,  2st.  Liedersiitze  fiir 

Kinder    1.30   Simrock. 

-  3  Zwolf  Praludien,  Org  2 —  Simrock. 

-  10  Douze  Morceaux,  Org  1.50  Andre. 
Meister  Oscar,  op.  1  Lieder :  1.  Der  Gartner 

Tod:  „Ein.st  .setzte  der  Tod".  2.  Clotilde : 
„Wie  eine  Wasserlilie".  3.  Lied  des  Zither- 
mjidchens:  „Heute,  nur  heute  bin  ich  so 
schon" 
Bote. 

Meister  Robert.  Euleuhttrg:  Op.  1  Mode- 
rate,   VOrg    1 —   Vieiveg. 

-  6  Drei  Duette  fiir  den  Unterricht  im  Viu- 

linspiel  fiir  Praparandenanstalten  und  Se- 
minare  sowie  zum  Selbstunterricht  1.50 
Vieweg. 

-  11   Nocturne,  P  1—  Rathke. 

-  12  L'Enjouement,  P  1 — ■  Rathke. 

-  13     Zehn     leichte     charakteristische     Ton- 

.stucke,   P,  I— IT  a   1.25  Rathke. 

-  14  La  Najade,  6tude  de  salon,  P  1.50. 

-  15  Valse  brillante,  P  1.50. 

-  16   Jagdstiick,   P   1.50. 

-  18  L'Elegance,   polka   de   salon,   P    1.20. 

-  19  Friihlingsboten,  vier  leichte  Stiicke  ziir 

Bildung  des  Vortrages  mit  genauer  Be- 
zeiehuuug  des  Fingersatzes,  P:  1.  Schuee- 
glockchen.  2.  Veilchen.  3.  Giinsebliimchen. 
4.  Scbliisselblume   1.50. 

-20  Zwei  Stiicke,  P :  1.  Souvenir.  2.  Gra- 
ziella  1 — . 

-23  Mein  Herz  ist  am  Rhein,  TTBB,  Part 
—40   Viewtuj. 

-  24  Lose  Blatter,  vier  melodische  Tonstiicke 

mit  Angabe  des  Fingersatzes,  P:  1.  Mai- 
blumen,  2.  Marschfertig,  3.  Frohliches 
Spiel,  4.  Erinnerung,  k  — 60. 

-  25   Tausendschon,   melodisches  Tonstiick,   P 

1—. 

Universal-Handbuch  der  Musikliteratur.    M. 


4.  Meiue  Mutter  hat's  gewollt  1.80 


-  26  Froliliches  Spiel,  Tonstuck,  P  —60  Hein- 

richshofen. 
■  27  Der  Nook,  TTBB  m.  P-Begl.  (0)  3—  R. 
Pabst. 

-  29  Konferenz-Gesaug,   TTBB   1—. 

-  30   VaLse-Caprioe,   H-moll,   P   1.50. 

-  31   Polonaise  brill.  Es-dur,  P  1.20. 

-  32    Weihelied,     TTBB     m.     P(H)     2.50     R. 

Pahst. 

-  33  Tonleiter-tJbungen,   V  1.50  R.  Pahst. 
-34   Scbuluhoralbuc-h   — 40    Hiihn. 

-35     Zwanzig     Stucke,     -Sir-Quart.     3—     R. 

Pabst. 
-36   Der    100.   Psalm,   TTBB   1.50    Weinholtz. 

-  38  Zehn  Tonbilder,  P  —90  R.  Pabst. 

-4D  Kaiser  Friedrichs  Kreuzfahrt,  TTBB  u. 

Soli  2.80  R.  Pabst. 
-41    Schlummerlied   1.20. 
-42  Zwei  Gesiinge:  1.  Fahr'  wohl,  mein  Lieb', 

2.  Es  brausen  die  Wogeu,  SATB,  Part  1 — , 

St  —80. 
-43  Friihlings  Einkehr,  TTBB  1.40  R.  Pabst. 
-48    Praeludium-Album,    Org    3—    Glaser. 
-51    In  Wald    und   Flur,    Gavotte,    P     1.20 

Glaser. 

-  52  Jugendtriiujie,  P  1.20  Glaser. 
-53  Friihlingslust,  P  1.20  Glaser. 
-54   Alpenblumen,    P    1.20   Glaser. 

-  55  La  Capricieuse,  valse  impromptu,  P  1.20 

Glaser. 

-  56  tjber  Nacht,  P  —60  Oertel. 

-  58    Andant3   cantabile,    VOrg    1 —    Vieweg. 

-  59   Cboralvorspielbuch,   Org  5 —  Rottger. 

-  60  Kapellmeister  Briillow  und  seine  inter- 

nationale  Kapelle,  groise  humoristische 
Sinfonie  fiir  Bigotphones,  Wachtel,  Nach- 
tigall,  Kuckuck,  Schtiarre,  Triangel,  Trom- 
mel u.  P{2V  u.  B  ad  lib.).  Part  4—,  P 
2—,  Jfms  2.50,  2VB  2.50,  St  der  Kinder- 
instr  2.50  Vieweg. 

-61  N.  1.  Gavotte  de  la  Reine,  P  1.20  Hug. 

-61   Nr.  2.  Wanderlust,  P   1.25   Eisoldt. 

-62  P;  1.  MorgengruS,  2.  Froher  Sinn,  a 
1.25  Eisoldt. 

-  64  Taschenbuch  fiir  Orgelspieler,  60  leichte 

und  kurze  Choraleinleitungen  in  den  ge- 
briiuchlichsten   Tonarten   1 —   Vieweg. 

-  70  Praktische  Klavierschule,   ein   nach   be- 

wahrten  Grundsjitzen  progressiv  geordne- 
tes  Klavierunterrichtswerk  4 —  Vieweg. 

-  71    Neues  Taschenbuch,   40   leicht   ausfiihr- 

bare   Clioraleinleitungen    1.25   Rottger. 

-  75  Im  Maien  1 — . 

-  Ausgewahlte  Kompositionen  der  iilteren  u. 

neueren  Orgelliteratur,  Org,  I.  1.50,  II. 
2 —  Vieweg. 

-  Ausgew.  Orgelkompositionen  v.  A.  Hesse, 

I — III  a  3 —  Vieweg. 
-Duettalbum,  2V :  I.  Leichte  Duette  in  der 
ersten  Lage  fiir  Anfanger,  II.  Leichte 
Duette  in  der  ersten  Lage  fiir  Fortge- 
schrittene,  III.  Mittelschwere  Duette  in 
der  ersten  bis  dritten  Lage  fiir  Geiibtere, 
a  1.50  Vieweg. 

-  Examenstiicke,    eine   Sammlung   von   Kom- 

positionen ver.schiedener  Schwierigkeit  fiir 
die  Org,  I— III  a  1.20  Vieweg. 

26 


Meister  R.  48  Fughetten 


—     402 


Meister  fur  die  Jugend 


-  48    Fughetten    ziir    Vorbereitung    auf    das 

Studiura  schwieriger  Orgelwerke,  insbe- 
sondere  S  e  b.  B  a  c  h'scher  Fugen  fiir  den 
Orgelunterricht  in  Seminaren  und  Musik- 
iustituten  zusammengestellt  und  mit  Fin- 
gersatz  und  Pedalapplikatur  versehen 
1.50  Vieiveg. 

-  Herbstlied,  Liebesgrufi,  TTBB  1—  Schrodel. 

-  Hosianna,    Auswahl    geistlicher    TTBB    fiir 

Lehrer-Seminare,  Oberklassen  hoherei 
Lehranstalten  und  Kirchengesangvereine 
2.50   Vieweg. 

-  2      leicht      ausfuhrbare       klassische      Kon- 

zertstiicke  fur  die  Musikaufffuhrungeu  in 
Seminaren  und  Musikschulen,  fiir  V- 
Chor,  Org  u.  P  (Chopin:  Trauermarsch 
und  Mozart:  Fantasie),  Part  2—,  Org- 
St  1—,  VSt  —25  Vietoeg. 
-Liederbuch  1.20,  Chorlieder,  TTBB  1.20 
Schrodel. 

-  Praktischer  Fiihrer  beira  Klavierunterricht, 

eine  methodisch  und  stufenweis  geordnet*' 
Zusaninieustelluug  von  klassisehen  und 
modernen  Kompositionen  fiir  den  Untjr- 
richt  im  Klavierspiel,  Vorstufe  u.  Heft 
1_4,  p  a  1.50,  Heft  5—6,  .)tos  a  2—  Vic- 
■weg. 
-Hadler's   Standclien    1.20   Hauer. 

-  The  Elf,   Bars.  &  chorus   for  Men'.s  voices 

— 35  n  Bchirmer. 

-  VolksschiiUiederbuoh    — 40    Schrodel. 

Meister   Wilhelm,   Cantil&ne,   P  —35   Fichir- 

mer. 

-  Dancing  Eyes,  waltz   4/ —   Whittingham. 

■  Etudes     Mignonnes,     violin     iirst     position 

2/ — n   Lundy. 
-Harbour  Lights,  waltz  4/—  Ascherherg. 

-  It  was   not    so   to  be,   from    V.   E.   N  e  s  s- 

1  e  r's  „Trompeter  von  Sakkingeu".  tran- 
scription,  P  — 50   Hchirmer. 

-Leaves  and  Flowers,  20  short  pieces  wi- 
thout octaves,  P  2—:  N.  1.  Sunday  Mor- 
ning — 25.  N.  2.  Morning  Study  — 25.  N. 
3.  Little  Russian  Song,  4.  Great  Expec- 
tations — 25.  N.  5.  Tin -Soldier's  March 
—35.  N.  6.  Blind  Man's  Buflf  —25.  N.  7. 
Promenade  — 25.  N.  8.  Friendship  — 25. 
N.  9.  Morning  Prayer,  10.  A  Letter  from 
Poland  — 25.  N.  11.  Forget  me  not  — 25. 
N.  12.  Challenge  —25.  N.  13.  Conversa- 
tion —35.  N.  14.  Boating  Party  — 25.  N. 
15.  Italian  Gondolier  Song  —25.  N.  16. 
New  Fashions  — 25.  N.  17.  Jack  the  Giant- 
killer  —25.  N.  18.  Pussy's  Love  Song  —25. 
X  19.  The  Organ  Grinder  —25.  N.  20. 
Good-night  — 25   Schirmer. 

-Wladimir,  marche  russe,  Harm,  Fanf  i\ 
1 .50  n  Margtieritat. 

Meister  (Alte),  Sannnlung  wertv.  Klavier- 
stiicke  des  17.  u.  18.  Jahrh.  (E.  Pauer). 
I— 111    a   5—   Breitkopf. 

Meister  (Neue),  Sammluug  ausgew.  Kla- 
vierstiicke,    I — II    a    4 —    Breitkopf. 

Meister  (Unsere),  herausg.  v.  C.  R  e  i- 
necke:  Band  1.  J.  S.  Bach,  2.  G.  F. 
Handel,  3.  J.  Haydn,  4.  W.  A.  Mo- 
zart, 5.  L.  V.  Beethoven,  6.  C.  M.  v. 


Weber,  7.  F  r.  Schubert,  8.  F.  M  e  n- 
delssohn-B.,  9.  F  r.  Chopin,  10. 
R.  Schumann,  11.  J.  S.  Bach,  12.  G. 
F.  Handel,  13.  J.  Haydn,  14.  W.  A. 
Mozart,  15.  L.  v.  Beethoven,  16. 
C.  M.  V.  Weber,  17.  F  r.  Schubert, 
18.  F.  Mendel  ssohn-B.,  19.  F  r. 
Chopin,  20.  R.  Schumann,  21.  C  h  r. 
W.  V.  Gluck,  22.  St.  Heller,  23.  N. 
W.  Gad  e,  24.  J.  B.  C  r  a  m  e  r,  25.  A. 
H  e  n  s  e  1 1,  26.  A.  Rubinstein,  27. 
St.  Heller,  28.  G.  Meyerbeer,  29. 
Fr.  Liszt,  30.  A.  C  o  r  e  1 1  i,  31.  M. 
Haydn,  32.  L.  C  h  e  r  u  b  i  n  i,  33.  R. 
Wagner,  34.  F  r.  C  o  u  p  e  r  i  n,  35.  S. 
Thai  berg,  36.  C.  R  e  i  n  e  c  k  e,  37.  R. 
Wagner,  38.  C.  Lowe,  39.  S.  J  a  d  a  s- 
s  o  h  n,  41.  A.  Lortzing;  Band  1 — 21, 
24,  28,  30—32,  34—35,  38,  41  a  1.50, 
Band  22—23,  25—27,  29,  33,  36—37,  39 
a   3 —   Breitkopf. 

Meister  fiir  die  Jugend  (R  u  th  a  r  d  t),  Bd. 
I.  12  beliebte  Stucke  (Haydn,  Mo- 
zart), 4ms   1.50  Peters. 

Meister  fiir  die  Jugend  (Hermann),  Bd. 
I.  16  beliebte  Stiicke  (Haydn,  Mo- 
zart),   VP   1.50   Peters. 

Meister  fiir  die  Jugend  (Popp),  Band 
I.  16  beliebte  Stiicke  (H  a  y  d  n,  M  o- 
zart),  FIP  1.50  Peters. 

Meister  fUr  die  Jugend    (R  u  t  h  a  r  d  t),  Bd. 

I.  24  beliebte  Stiicke  (Haydn,  M  o- 
zar  t),   P   1.20  Peters. 

Meister  fUr  die  Jugend  (G  o  1 1  e  r  m  a  n  n), 
Bd.  I.  12  beliebte  Stucke  (H  a  y  d  n,  M  o- 
zart),   VcP   1.50   Peters. 

Meister  fur  die  Jugend    (R  u  t  h  a  r  d  t),  Bd. 

II.  20  beliebte  Stiicke  (Beethoven, 
Schubert),  P  1.20  Peters. 

Meister  fiir  die  Jugend    (R  u  t  h  a  r  d  t),  Bd. 

II.  12  beliebte  Stiicke  (Beethoven, 
S  c  h  u  b  e  r  t) ,    Jfnis   1.50    Peters. 

Meister  fiir  die  Jugend  (Hermann),  Bd. 
II.  14  beliebte  Stiicke  (Beethoven, 
Schubert),   VP   1.50  Peters. 

Meister  fiir  die  Jugend    (G  o  1 1  e  r  m  a  n  n), 

Bd.  II.  10  beliebte  Stucke  (Beethoven, 
Schubert),   VcP   1.50  Peters. 

Meister    fiir   die    Jugend     (Popp),     Band 

II.  14  beliebte  Stiicke  (Beethoven, 
Schubert),   FIP    1.50   Peters. 

Meister  fiir  die  Jugend  (G  ol  t  e  r  m  a  n  n), 
Bd.  111.  10  beliebte  Stucke  (Mendels- 
sohn,   Schumann),    VcP    1.50   Peters. 

Meister  fUr  die  Jugend  (Hermann),  Bd. 
Til.  16  beliebte  Stiicke  (Mendels- 
sohn,  Schumann),   VP   1.50  Peters. 

Meister    fiJr    die    Jugend     (Popp),     Band 

III.  16  beliebte  Stucke  (Mendelssohn, 
Schumann),   FIP   1.50   Peters. 

Meister  fiir  die  Jugend  (R  u  t  h  a  r  d  t),  Bd. 
III.  14  beliebte  Stiicke  (Mendel  s- 
s  o  h  u,   Schumann),   P    1.20   Peters. 

Meister  fiir  die  Jugend  (R  u  t  h  a  r  d  t),  Bd. 
III.  11  beliebte  Stucke  (Men  del  s- 
s  o  h  n,    S  c  h  u  m  a  n  n) ,    .Ifuis    1.50    Peters. 


Meister  fiir  die  Jugend 


403     — 


Mel  R.  de  Litnniae  Lauretanae 


Meister  fiir  die  Jugend    (R  u  t  li  a  r  d  t),  Bd. 

IV.  (Nr.    1—8)     (Chopin),    P    1.20    Pe- 
ters. 

Meister  fur  die  Jugend    (Rut  h  a  r  d  t),  Bd. 

V.  (Nr.    1—9)     ( W  e  b  e  r.    8  c  h  u  b  e  r  t) , 
P   1.20  Peters. 

Meisterchorale  (100  Chorale),  P  1.50  Pe- 
ters. 

Meister  des  Kiavierspieis,  Neue,  2  Bsinde, 
P :  Band  1.  Grieg,  Jensen,  Mo  s  z- 
k  o  vv  s  k  i,  Rubinstein,  T  s  c  h  a  i- 
kowsky  etc.  3 — .  II.  Grieg,  Liszt, 
M  o  s  z  k  o  w  s  k  i.    Raff    3 —    Peters. 

Meister  der  Tonkunst,  60  beriihmte  Stueke 
(O.   M  e  s  s  n  e  r) ,   Z   1.50  Steingrdber. 

Meisterlieder,  neue,  Sammlung  beriihmter 
Lieder   der   Neuzeit  4 —  Peters. 

Meisterlieder  (Neue),  (F  r  i  e  d  1  a  e  n  d  e  r), 
Sammlung  ber.  Lieder  f.  1  Singst  m.  P 
(deutsch-engl.)    3 —   Peters. 

Meisterlieder  (Neue),  (Reinecke),  21 
Lieder   fiir   P  m.   unterl.   Text  3 —  Peters. 

Meister  des  Violinspiels  (Sitt),  Samm- 
lung moderner  Kompositionen   (1 — 8),  VP 

3 —  Peters. 
Meistersang    (Deutseher) ,    37    Lieder-Perleu 

1 — n  Riihle. 
Meisterschule    der    alten    Zeit,     Sammlung 

klassischer   F-Sonaten  aus   dem   17.   u.   18. 

Jahrh.    (A.   Moffat),   Nr.   27    (D)    v.   N. 

P  o  r  p  o  r  a  3—,  Nr.  28.   (G-m.)   v.  E.  d  a  1  1 

Abaco   1.50   ^itnrock. 
Meisterschule    der    alten    Zeit,     Sammlung 

klassischer    Vc-Sonaten   aus   dem    17.    und 

18.    Jahrh.     (A.    Moffat), 

V.     B.    Cervetto,     Nr.    11 

Caporale,     Nr.    12.    (A) 

.s  c  o  n  t  i,  a  2 —  Sitnrock. 
MeisterstiJcke     (Ausgevv.)     v. 

P  I— II  a  2— n  Kauti. 
MeisterstiJcke     (Alte),     P    (J 

1.50   Un.-Ed. 

Melsterwerke    deutseher    Tonkunst,    mehr- 

stimmige  Lieder  alt^r  deutseher  Meister, 
fiir  den  Vortrag  bearb.  v.  H.  L  e  i  c  li  t  e  n- 
tritt,  ti.ATB,  SJinger-Part  1— n  Breit- 
kopf. 
Meisterwerke  der  Oper,  Album  von  Pot- 
pourris,   P    1 — n    Riihle. 

Meisterwerke  klassischer  Tonkunst,  iiber- 
tragen  fiir  P:  Nr.  1.  Haydn:  Adagio 
aus  dem  Kaiserquartett  1 — .  Nr.  2.  M  o- 
zart:  Larghetto  aus  dem  Quintett  op. 
108  1—.  Nr.  3.  Beethoven:  Andante 
aus  der  F-Sonate  op.  12,  Nr.  1  1.25.  Nr.  4. 
Haydn:  Drei  Symplionie  -  jMenuetten 
(Erstes  Heft)  1.25.  Nr.  5.  Haydn:  Drei 
Symphonie-Menuetten  (Zweites  Heft)  1.25. 
Nr.  6.  Haydn:  Drei  Quartett-Menuetten 
u.  Ochsen-Menuett  1 — .  Nr.  7.  Mozart: 
Andante  aus  der  Oktett-Serenade  — 75. 
Nr.  8.  Mozart:  Adagio  aus  der  Sym- 
phonic in  C  — 75.  Nr.  9.  Mozart:  Ada- 
gio aus  der  Symphonic  in  Es  — 75.  Nr.  10. 
Mozart:  Menuett  aus  dem  Diverti- 
mento in  D  —50  Iloffarth. 


Nr. 

10. 

(G) 

(D- 

m.) 

von 

von 

G. 

Vi- 

A.    Ulrich, 

Ep 

s  t  e 

in) 

Meisterwerke  aus  der  Etiiden-Literatur   (C. 

Wendling),    P:    Band    I    1—,    II    1.20, 

III   1.50,   IV   1.80   Riihle. 
Meisterwerke    der    Oper,    P,    Album    von    9 

vollstiindigen    Potpourris    1 — n    Riihle. 
Meister-  und   Minnesanger    (Der  neue),  ein 

Beitrag    zur    gesellsch.    Unterhaltung    bei 

dem  Klaviere  1.50   Breitkopf. 
Meixner    K.      Am    Schwansee,    Mazurka,    Z 

—50,   2Z  —70  Lederer. 
Meizaentjes,    Zwolf   eenstimm.   Kinderlieder 

m.  P-Begl.  Heft  I  —80,  II  —90  Rennes. 
Mej  B.  Vexilla  a  4  v.  d.  con  Org  — 60  Mu,- 

sica  sacra. 
Mej   E.  Quando  ti  vidi  un  angelo,  rom.  2 — 

Muriani. 

-  Sveglia,   serenata   2  50  Mariani. 

Mej  R.  Messa  da  Requiem  a  4  voci  con  Org 
2.50  Musica  sacra. 

-  Pange  lingua  e  Tantum  ergo  a  3  voci  con 

Org  — 35   Musica  sacra. 

-  Tantum  ergo  a  4  voci  con  Org  — 35  Musica 

sacra. 
Mejo  G.  Breitkopf:  Op.  5  Variationeu,  IIM 
1— n. 

-  Rondo,    EornO    1 —  n. 

-  11  Walzer,  2  Kotillons  etc.  0  I— II  a  1— n. 

-  Variationen    iiber    Gaudeamus    igitur,    hlM 

1— n. 

-Variationen    (F),   llfhllnstr   1 — n. 

-Variationen    (C),   MM    1 — n. 

Mejp  Paul.  0.  Dietrich:  Op.  7  Ein  Weih- 
nachtsabend  im  Forsthause,  Ensemble- 
Szene  f.  7  Herren  u.   1   Dame  3 — . 

-  9  Luftschiffer  Schweimlich  auf  dem  Monde, 

Soloszene  m.  P  1.50. 

-  15  Ertappt  oder  Der  anonyme  Brief:  „Mei- 

nem   lieben    siifien   Mannchen",     Duoszene 
m.  P,  1   Herr  u.  1  Dame  1.50. 

-  17  Der  verliebte  Pantoffelheld,  f.  3  Herren> 

u.  3  Damen  3 — . 

-  26  Weihnachten  im  vierten  Stock,  Gesamt- 

spiel  m.  P  3 — . 

-  27   Ein   weiblicher    Leutnant,     Gesamtspiel 

m.  P  3—. 

-  Ein    Weihnachtsabend    im    Forsthause,    fiir 

7  Herren  und  1   Dame  3 — . 

-  Ertappt    oder    Der    anonyme    Briefe,    f.    1 

Herrn   und   1   Dame   1.50. 

-  Luftschiffer    Schweimlich   auf    dem   Monde, 

Couplet  1.50. 
Mejow    W.    op.    7      Ouverture    „L'ane    d'or 

d'Apulee",   P  — 75   Johansen. 
Mejs  W.  A.  24  Tanze,  0  3.50  Hof meister. 

^!^'KeH3II   A.   Hhm*m    „Cioj[a   CKoptu"    ^aa 
rpex-B  oflHop.  ro.i.  ITapx.  h  roji.  1.25  Bessel. 
Mekler  Oszkar,  Pas  de  Quatre,  P  1.50  Mery. 
Mel-Bonis,  Ave  Maria,  Org  1.70  n  Deniets. 

-  Epithalame,    choeur    pour    2  voix    de    fem- 

mes  2.50  Demets. 

-  Matin,   VVcP  4 —  n  Demets. 

-  Suite,  FIVP  5—  n  Demets. 

Mel  Renati  de  (Rinaldo  del  Mele),  Litaniae 
Lauretanae  V  vocibus  concinendae,  quas 
nostrorum  cantorum  consuetudini  liturgi- 
cisque  regulis  accomodatas  edidit  H. 
Miiller,  Part  2.25,  St  a  —25  Jungfer 
mann. 

26* 


Mela  V.  Alia  santa  memoria 


404     — 


Meiant  Ch.  Ecuyere 


Mela  V.  Ricordi:  Alia  santa  memoria,  ooro 

4.50. 
-Alloggio   militare,    opera. 

Canzone:   Son  postiglion  di  Monza  1.50. 

Terzetto :   Idol  mio  caio,  che  maccheroni ! 
5—. 

-  Briganti,  polka   1 — . 

-  Camilla,  polka   1—. 

-  Canto  di  Guerra,  SSTB  4—. 

-  Capriocio   sopra   motivi    della    Favorita,    P 

2—. 
-Casino    di    Campagna,    ouv.    P   2.50. 

-  Chi-chi-ri-chi    (Cock    a    doodle   doo),   comic 

song    (engl.-french-ital.)    1/ — n  Augener. 

-  Danza   dei   Geni,   maz.    1 — . 

-E   I'amo    ancor!    romanza    1/ — n    Augener. 

-  Esercizi   in  chiave   di   sol,   canto    1,50   Ma- 

riani. 

-  12   Esercizi   facili   per   P  a    nuattro   mani : 

1.  La  Vanitosa.  2.  La  Ciarliera.  3.  La  Spen 
1.  La  Vanitosa.  2.  La  Ciarliera.  3.  La 
Spensierata.  4.  La  Villanella,  polka.  5.  Lu- 
cia di  Lammermoor.  6.  La  Talpa  e  lo  Spen- 
sierato.  7.  La  Zitellona.  8.  Preghiera  nel- 
I'opera  Amina  di  V  e  z  z  e  1 1  a.  9.  L'Eb- 
brezza,  polka.  10.  L'Acrobatico.  11.  La 
Giostra.  12.  Una  gita  ai  Campi  Elisi,  P 
3 —  n,  4ms  3 — . 

-  Faenza  per  Semenza,  A'alzer  2 — . 

-  F  e  u  d  a  t  a  r  i  o,  ouv.  P  3 — . 

-  Finale    dell'opera :    La    Sonnambula,      ^wiSj 

ridotto  2 —  Mariani. 
-Furbetta,    polka    1—,    Jtms    2—,    VP,    FIP. 
CIP  a  1.25,  V,  Fl,  CI  a  —75. 

-  Gentile,  polka  3/ —  Augener. 

-  Giglio  1/ — n  Augener. 

-  Girandola,  valzer  facile  2.50. 

-  Guarda  che  bianca  luna  2 — . 

-  Guarda   che  bianca  luna,   notturno,  P  ".50 

Mariajii. 

-  II  7  Settembre  a  Napoli,  polka   1 — . 

-  Iiicontro  a  Teano,  polka  1 — . 

-  Ii>no  d'ltalia,  coro  4 — . 

-  Lily,   romance  1/ —  n   Augener. 

-  Mammoletta   accarezetto   2/6   Chappell. 

-4  Marcie:  1.  Santa  Maria,  2.  Cialdini  a 
Gaeta,  3.  L'Entrata  di  Vittorio  Emanuelo 
in  Napoli,  4.  II  Eiconoscimento  del  Regno 
d'ltalia,  a  1 — . 

-  Marsala  a  Palermo,  marcia  1 — . 
-Nanetta    1.50. 

-  Nelle.    tue    braccia,    o    cara,    romanza     2 — 

Mariani. 

-  Kon    viene    la    mia    bella,    serenata    1/ —  n 

Augener. 

-  Novecento  a  Palermo,  polka   1 — . 

-  Nozze  di   Teresita   Garibaldi,   maz.   1 — . 

-  Partenza   del   Marinaro,   romanza   2 — . 

-  Pattini,  maz.   1 — . 

-  Prossimo  risorgimento,  maz.  1 — . 
-Roma,  marcia   1.50. 

-  Son  Zanetta  la  fiorera,  canzonetta  3 — . 

-  Trascrizione   sul   Finale  della  Sonnambula, 

Jfvis  2.50. 

-  Trecenta,  marcia  2 — . 

-  Un  Calcio  ai  Clerical!,  polka   1 — . 

-  Una  festa  in  Campidoglio,  maz.  1 — . 

-  Una  Gondola   1.50. 


Melamet  D.  Amerik.i.  Text  nach  F.  Grill, 
frei  bearb.  von  Dr.  Julius  Hoffmann,  in 
Musik  gesetzt  fiir  S-Solo,  TTBB  u.  0,  und 
dem  Arbeiter-Mannerchor  in  Baltimore  ge- 
widmet,   KA  — 75,   Chorst  — 60   Schirmer. 

-  Columbus,  festival  cantata  for  S,  A,  T,  B-s. 

chorus  of  men's  voices  and  O,  Voc.  score 
(german-engl.  words)  1 — n.  The  same 
Voc.  parts  (german  words  only)  per  Set 
— -75  Schirtner. 
-2  deutsche  Volkslieder,  bearbeitet  f.  TTBB: 
Altdeutsches  Volkslied  (aus  dem  16.  Jahr- 
hundert),  Score  — 30,  Voice  parts  — 40. 
Abschied:  „Mufi  i  denn"  (nach  einer  alte- 
ren  Volksweise.  Heinr.  Wagner,  1825), 
Score  — 30,  Voice  parts  — 40  Schirmer. 

-  Scheideu,  TTBB  1.20  Luckhardt. 

Melan  E.  Bloom  of  life  (Printemps  de  la 
vie) ,  valse  lente,  P  2 —  n   Cosiil. 

-  Petites   Betes   3 —  Benoit. 
M€lan-Gueroult,    op.    16      Deux    morceaux, 

Jfins:    1.    Andantino.    2.   Pantomime     3 — u 
Duraytd. 

-  31    Tourbillon,  -'tms  3 —  n  Durand. 

-  Derni&re  feuille   1 —  n  Durand. 

-  Etude-caprice,   P  2 —  n   Durand. 
-Rose  d'avril   1.35  n  Durand. 

•  Silence   1.75  n   Durand. 

-  Un   doulx   nenny   1.35  n   Durand. 

Meiancoiia,  Adi6s  a  una  paloma  — 60  Wagr- 

ner  y  Levien. 
Melancolie  d'amour  1 — n  Jouhert. 
Melancolie:  Tendre  melancolie,  Ch.  s.  — 25  n 

Lemoive, 
Melanconia,  Fonti  e  coUini  chiesi  agli  Dei 

1 —  Klemm. 
Melande  Georgio,  AUemanda,  VP  (A.  Mof- 
fat)   1 —  Schott. 
-Sonate     (A-m.),    VP     (A.    Moffat)     1.50 

Simrock. 
Melani  G.  Ugo  Facchini,  Banda,  Part  1.50  n 

Lapini. 
Melani    P.  Natalia,  mazurka   1.25  Forlivesi. 
Melanie     (av.    parl6)     1 — n,    Ch.    s.    — 35  n 

Eveillard. 
Melant  Ch.  Air  tendre,  P  — 80  Cranz. 

-  Amoureux  4 —  Katto. 

-  Anglo-Belgian,  march.  Full  Band  2/8,  Med. 

Band  2/ — ,  Small  Band  1/4  Hawhes. 

-  Au   petit   Trianon,   gavotte,   P  — 60   Cranz. 

-  Assaut  et  Peril,  marche  1.75  Schott  Frdres. 

-  Ave    Maria,    a  1    voix,    av.    ace.    de    P(H) 

1.35  Schott  Fr^res. 

-  Bivouac,   polka  mil.   5 —  Eatto. 

-  Calme  de  la  nuit,   nocturne,  P  2—  Schott 

Frdres. 

-  Causerie  5 —  Leduc. 

-  Ce  que  disent  les  Piu.sons  5 —  Eatto. 

-  C'est  le  matin  6 —  Leduc. 

-  Chanson  d'amour    (avec  ace.   de   Vc  et  Org 

ad  lib.)    2.75  Breitkopf. 

-  Chanson  nouvelle  5 —  Leduc. 

-  Charmante    Blonde,    valse,      P    2 —    Schott 

Frdres. 
-Confidence,    P    (V    ad    lib.)     1.20,    0    2— u 
Cravz. 

-  Couplets  a  tiuir  2.50  Eatto. 

-  Ecuyere  — 50  Breitkopf. 


Melant  Ch.  EnvoUe  printaniere 


—     405     — 


Melartin  E.  op.  54 


i)  — 


-  Envol^e  priutaiii6re  — 50   Breitkopf. 

-  Escandron  de  la  Heine  1.80,  P  1.20  Cranz. 

-  Esquisses   I6g&res,    I:    6    pifeces    1.50,    II:    6 

pieces  2 — :  N.  1.  Pavane,  2.  Idylle,  3.  Ca- 
ree^.e,   5.   Tristesse,   t\  — 50   Schott. 

-  Et  cependant  je  pleure  — 50  Breitkopf. 

-  6  Feuillets   d'album,   P  3.50  Breitkopf. 

■  6   Feuillets  d'album,  P  3 —  n   Leduc. 

-  Filles    de    I'Escaut,     valse    de    salon 

Eatto. 

■  Fragment      d'uu      discours     politique 

Breitkopf. 

■  Gloire   a   I'Espagne,   marche   solennelle 

Katto. 

■  Gloire  il  I'Espagne,   marche  4 —  Katto. 
Histoire  d'amour   5—  Leduc. 

■  Hjmne  des  Etudiants,  P  — 50  Breitkopf. 

■  Hymne  des  6tudiants   1 —  Schott  Freres. 

■  Idylle :    Ma    Mignonne    a  de    grands    yeux 

bleus    1 — -  Breitkopf,  — 90   Cranz. 

■  II  est  parti  2.50  Katto. 

Tls  s'aimferent  durant  trois  mois  1.25  Breit- 
kopf. 

Lettre  a  Ninon   1 —  Breitkopf,  — 90  Cranz. 

Madrigal,   P  — 80   Cranz. 

Marche  des  carabiniers,  pas  redouble  1 — 
Schott  Freres. 

Marche  des  Cyclistes,  P  — 50  Breitkopf. 

Marche  des  Etudiants  2 — ,  Jfms  2.50,  Harm, 
Fanf  a  2— n  Schott  Freres,  P  2 — ,  JfHis 
3 —  Napoletw. 

Marche  triomphale  haitienue  7.50  Katto. 

Marche  des  Troubadours  1.35  Schott  Freres. 

20   Melodies   6.40  n   Breitkopf. 

6  Melodies  5.25:  N.  1.  L'ame  du  logis  1 — . 
N.  2.  Invocation  1.50.  N.  3.  Mes  vieux 
meubles  1.25.  N  4.  Le  piirgatoire  de  Don 
Gil  1.25.  N.  5.  Chemin  solitaire  1 —  Breit- 
kopf. 

Mois,  12  poesies  6 — n,  P  4 —  Schott  Freres. 

Men  coeur  dit  oui  1 —  Breitkopf. 
6Morceaux,  P  3 — n:  N.  1.  Un  soir  dVte. 
2.  Marche  des  Troubadours,  3.  Concert 
dans  les  bois,  4.  Sonnez,  trompettes,  5. 
Pay.sannerie,  6.  Ce  que  chantait  grand' 
m&re,   a  1.35   Schott   Frdres. 

3  Motets:  1.  Tantum  ergo,  av.  deux  par- 
ties de  .S'  (ad  lib.).  2.  Genitori,  pour  3  voix 
de  /S  avee  solo.  3.  0  Salutaris,  pour  voix 
seule   7.50    Eeugel. 

Moutou  petit,  rondeau  dans  le  style  an- 
cien,   P  — 80  n   Cranz. 

N'elTrayons  pas  les  tourterelles  5 —  Katto. 

Ninon  5 —  Leduc. 

0  Salutaris  (avee  ace.  de  P(Org)  — 50 
Breitkopf. 

OfTrande,  air  doux  et  naif  — 80  n  Cranz. 

Ouragan,  galop  — 85  Schott  Freres. 

Paquerette,   caprice-maz.   5 —   Katto. 

Parisienne   — 50    Breitkopf. 

Petit   Trianon,   gavotte,   P  — 50   Breitkopf. 

3  Pieces:  1.  Dialogue.  2.  Murmure.  3.  Priere 
du  Soir,  P  2—  Breitkopf. 

4  Poesies:  1.  Le  Eeve.  2.  Que  I'heure  est 
done  br&ve.  3.  En  avril  sous  les  branches. 
4.   Bonsoir  mignonne  3 —  n   Leduc. 

Polka  chinoise  4 —  Katto. 

Polka  des  fifres  4—,  O  2—  Katto. 


-  Prifere   du   Soir,   POrg  — 75   Breitkopf. 

-  Promenade    au    Crepuscule,    P    1 —    Cranz. 

-  Prunes    (ou    le   verger   de  mon   oncle)    5 — 

Katto. 

-  K§giment    qui    passe,    marche    1.35    Schott 

Freres. 

-  Romance  sans  paroles,  P  5 —  Katto. 

-  Serenade  de  Priutemps,   VP   1 —  Breitkopf, 

1.20  Cranz. 

-  Si  tu  me  donnais  ta  parole  1.25  Breitkopf. 

-  Simple  Histoire,   P  — 60   Cranz. 

-  Site  pittoresque,  P   {V  ad  lib.)    1.20  Cranz. 
■  Soeur  morte    1.20   Cranz. 

-  Soir    1 —   Breitkopf. 

-  Soleil  couchant,  nocturne,   Vc(V)P  1.20,  P 

— 60   Cranz. 

-  Sous  la  charmille,  gavotte,  P  3 —  Leduc. 

-  Sous  les  Lys  1 —  Breitkopf. 

-  Sous    les    sentiers    ombreux    1 —  n,    Ch.    s. 

—35  n   Lahte. 

-  Student's  march  — 50,   (L.  K  e  s  s  1  e  r) ,  Jfins 

—75  Ditson,  P  — 50   Gordon. 

-  Suite  pittoresque,   VP   1 —  Breitkopf. 

-  Toreska,   polka-maz.   1 —  Schott  Frdres. 

-  Troubadours  de  la  Rapifere,  chanson-marche 

1 — ,  Harm,  hlM  a  2 —  n  Breitkopf. 

-  Tu  ne  m'aimais  plus,  romance  — 85  Schott 

Freres. 

-  Un   premier   bal,    valse    1 —   Schott   Freres. 
Melante   (G.  Ph.  Teleman),  3  historische 

Marsche,  P  1—,  mO,  Part  2— n,  St  3— n 
Stei^igraber. 

Melartin  Erkki,  op.  3  Tva  sSnger,  Kaksi 
Laulua :  1.  Marias  vaggsdng:  Marian 
kehtolaulu.  2.  MorgonsSng  ur  Hoga  visan : 
Amulaulu  Korkeasta  veisusta  1.50  Fazer. 

-5    Zwei    Balladen,    P    1.80    ^Vasenius. 

-  6   Legend   I,   P   1.50   Fazer. 

-  7  Spane,  6  Stiicke,  P  2.50   Wasenius. 

-  12  Legend  II,  P  2.50  Schmidt. 
-13  0   Vater    (d.-e.)    1 —  Lindgren. 

-  14  Abend  auf  dem  Kirchhof  — 80  Nya  Eel- 

singfors  Musikhundel. 

-  16  Intermezzi,  P  2 —  Lindgren. 

-  18  Lyrische  Stiicke,  P  2 —  Nya  Eelsingfors 

Musikhandel. 

-  22    Dornroschen :      Nr.    12.    Der    Seemann 

singt  — 75.  Nr.  13.  Der  Gartner  singt  — 75. 
Nr.  14.  Der  Fischer  singt  1 — .  Nr.  21. 
Spinnerlied  1 — .  Nr.  23.  Dorine  singt  — 75 
'Wasenius. 
-22  Dornroschen,  P:  Nr.  1.  Vorspiel  I — . 
Nr.  16.  Menuett  —75.  Nr.  17.  Schmetter- 
lingswalzer  1 — .  Nr.  18.  Moudscheinballett 
— 75.  Nr.  30.  Festmarsch  1 —  Wasenius. 

-  32    Nr.    2.    Die    heil'gen    drei    Konige    1 — . 

Serenatella  napolitana  1.20  Nya  Eelsing- 
fors  Musikhandel. 

-  35  Nr.  8.  Spinnerlied,  P  1 —  Lindgren. 
-38  Nr.   1.  TrinkI   1.20  Lindgren. 

-53  Miuiaturen  (Heft  3),  P.-  Finnisches 
Lied.  Eriuneruug.  Valse  lente.  Menuetto 
all'antico.  Finnischer  Tanz.  Preludio. 
Fughetta  2 —  Lindgren. 

-54  Stimmungen,  6  Stiicke,  P:  Zueignung. 
Wahrend  einer  schweren  Stunde.  Capric- 
vio  (F) .  Eine  Frage.  Volkslied.  Energico 
2 —  Lindgren. 


Melartin  E.  Arietta  alVantiea 


—     406 


Melchior  F.  op.  20 


-  Arietta   airantica,  P  1 —  Fazer. 
-Berceuse,    VP    1.20    Wasenius. 

'  Menuet,  P  1 —  Wasenitis. 
-Pieni  Gavotti,  gavott  i  gammal  stil,  P  1.25 
Fazer. 

-  Eomauce,    VP   1.50   Fazer. 

-  Ecmanze,  VP  1.20  Nya  Helsingfors  Musik- 

liandel. 

-Vplse,  P  2 —  Wasenius. 

Melasfeld  Marie  Unschuld  von,  Die  Haud 
des  Pianisten.  Methodiscbe  Auleitung  zur 
Erlangiing  einer  sicheren,  Inillanten  Kla- 
viertechnik  modernen  Stiles  nach  Prinzi- 
pien  des  Herrn  Prof.  Th.  Leschetitzky,  m. 
42  Abbildungeu  und  49  Notenbeispieleii 
4 — ,  La  main  du  piuniste  5 —  n  Breitkopf. 

Melay  Victor,  Sultane,  gavotte  1.25  Deheri. 
Meiba   Arthur,   op.  37  Aus  der   Kinderwelt. 

5    kleine    Charakterstiicke :       1.    Marchen. 

2.    Hopp,    bopp    Reiter,    3.    Soldatenspiele. 

4.  Der  erste  Walzer,  5.  Scblummerlied,  I' 

a  —60,   4ms  a    1—,  Nr.   1,   5,   PV   a  —80 

Brandt. 
-40  Traute  .Stinideii,   P   1.20  Brandt. 
-42  La   Graziosa,   serenade,   P    1.20  Brandt. 

Melbene    F.    If   we   ever   meet    (witb   4-part 

eborus)   4/ —  Moore 
Melber  F.  Fantasia  sulle  opere  Puritan! 

e   la   straniera,   Jfms   2.50   Cottrait. 

Melbourne    W.    J.    Sweet   Lilian    — 50    Xai. 

Music  Co. 
Melbourne  &  Northrup,  We  miss  the  absent 

one  — 40   'Nat.   Music  Co. 
Melcer    Ch.    op.    11    Berceuse,    VP,    VcP    a 

— 40  n  Gehethner. 
Melcer    Henrik    (1809),   op.   2   Trio    (G-m.). 

PVVc   15—  Ries  cG   Erler. 
-5    Trois    morceaux     earact.     a    2.40     Jakii- 

bowski,    a    — 96  n    (lebethner. 
-8  Etude,  PI — n   Gebethner. 

-  Canzona  — 40  n    Gebethner. 

-Concerto  N.  1  (E-m.),  PO  10— u  Doh- 
linger. 

-  Fileuse  de  Top.   Marja,   P  3 —  Pitcarski. 

-  Phantasiestiick,  P  2.10  Pitrarski. 

-  Pie^M  wieczorna   (M  o  n  i  u  s  z  k  o) ,  P  1 — n 

Gebethner. 

-  Przj}6niezka    (Moniuszko),  P  1 — n  Gc 

bethner. 

-  Variations     sur    „Le     Cosaque"     de     Mo- 

niuszko,  P  2 —  Doblinger. 

-  Znasz-ti     ten     kraj      (Moniuszko),     P 

— 75  n  Gebethner. 
Melcher  Jul.  op.  9  Sechs  Gesjinge:  1.  Wan- 
derung :  „Kam  ein  Knabe  hergegangen." 
2.  Ein  Bliimcben :  „Ich  weifi  ein  Bliim- 
cben.''  3.  Wanderlied :  ,,Ich  liab'  sie  in 
TrJinen   gelassen"    1.50   Bote. 

-12  Flinf  Lieder :  1.  Lied:  „So  maneher 
mocht'  ihr  Blumchen  sein."  2.  Fruhlings- 
liebe:  „Wann  der  Fruhling  kommt."  3. 
Engeltone :  „Ilegen  nicht  sonnenhell  Eng- 
lein  die  P'lugel."  4.  Lied :  „Luftchen,  ilir 
plaudert  so  viel  und  so  laut."  5.  Sehafer 
im  Mai :  ,,Siehst  du  das  Voglein  nisten  im 
AVald"   1—  Bote. 


-14  Sechs  Gesange,  SATB:  I:  Nr.  1.  Fruh- 
lingsglocken :  „Schneegl6ckchen  tut  lau- 
ten."  2.  Schluramersehnsucht :  „Die  Stern' 
am  Himmel."  3.  Warum :  „A11'  Morgen.s- 
in   der  Friih"'  2—. 

II:  Nr.  1.  Freude  in  Ehren:  „Eiu  Lied 
in  Ehren."  2.  Marchen :  „Ich  weifi  nicht, 
was  mich  traumend  macht."  3.  Schiffahrt : 
,,tJber  die  hellen  fuukelnden  Wellen"  2 — 
Bote. 

-  Schafers    Sonntagslied :    „Das    ist    der    Tag 

des   Herrn",   TTBB   1.30   Bote. 

-  Schwalben-Marsch :    „Wenn    die    Schwalbeu 

wiederkommen",  P  1 —  Berijamin. 

Melchers  H.  M.  Sancte  Spiritus,  av.  P  ou 
OrgV   (oblige)    2.50  n  Roudanez. 

Melchers  L.  Sammlung  lateinischer  u.  deut- 
.scher  Kirchenlieder,  Part  2.50,  St  3.60 
Schwann. 

Melchert  J.  Cranz:  Op.  4  Trommelruf  — 80. 

-  7  Deux  Rondeaux  agreables  et  brillants,  P. 

I_II  a  1—. 

-8  Drei  Lieder:  Schifferlied.  Pilger  und 
Bliimlein.    Vom   Wald    1 — . 

-11  Deux  Morceaux  de  Salon,  P :  N.  1.  Me- 
la ncolie,  andante  ^80.  N.  2.  La  Gaiete, 
rondeau  brillant  1 — . 

-  12  Was  willst  du  mehr  1 — . 

-  14  Die  Entdeekungsreise   1 — . 

-25  Fliisterndes  Silber,  Duett,  ](2)Corn('(s 
aPP  1.50  Riihle. 

-  25    Hurrying   waves  carry   me    home    (Flii- 

sterndes Silber  rauschende  Welle),  duet 
— 60  Fischer. 

■  32  Der  fleifiigen  Jugend,  3  melodische,   in- 

.struktive  Rondo.s,  P.-  Nr.  1.  (G),  Nr.  2. 
(F),   Nr.   3.    (C),  a   1—  Hinz. 

-37  Vier  Mannerquartette:  1.  Singen,  2.  Er- 
wartung,  3.  Dein  Auge,  4.  Die  Heimat,  a 
—80  Ilinz. 

-48  Zwei  Duette:  1.  Es  rauscht  der  Wald. 
2.  Der  Abend  taut  hernieder  1.50  RUhlr  de 
Wendling. 

-50  Nr.  1.  Standchen:  „Sie  schliift  und  Got- 
tes  Engel  neigen"  — 60.  Nr.  2.  Der  Wan- 
derer :  „Hiuaus  in  die  Feme,  dorthin  will 
mich's  zieh'n"  — 80  Riihle  tC   Wendling. 

-  72  A  I'agilite,  salon-pifece,  P  1 —  Ilinz. 

-  73  Serenade,  P   1 —  Ilinz. 

-  74  Tirolienne,  P  1 —  Hinz. 

-  75  La  Tarantelle,  P  1—  Hinz. 

-  Adelaiden-Walzer   1 —  Cranz. 

-  Standchen  — 20   Riihle  d-   Wendling. 

-  Wand'rer  — 20  Riihle  d  Wendling. 
Melchio  Dest.  Maure  et  Captive,  Ch.  s.   1  — 

Bnrncmatin. 
Melchior  Fr.  Lemoine:   Op.   1   Quatuor,  Cor 
BFICI  6—. 

-  1  Quatre  petits  duos  faciles,  2Cor  4.50. 

-  2  Trois  gr.  Duos,  CIB  7.50. 

-  2  Trois  Duos,  Cor  A  et  CorB  7.50. 

-  3  Trois  duos,  2Cors  7.50. 

-  4  Trois  gr.  duos.   Cor  A  et  CorB  7.50. 

-  7  Trois  Trios  brill.  ClCorB  7.50. 
-8  Gr.  Quatuor,  CorBFlCl  7.50. 

■  14  Trois  Quatuors,   CorBFlCl   12—. 

-  18  Trois  gr.  duos,  BCor  4 — n  Costallat. 
-20  Quatuor   (F),  FlClCorFa  4— u  Costallat. 


Melchlor  F.  op.  21 


—    407     — 


Mele  J.  Pichenette 


-21   3  Grands  duos,  CIB  5 — ii  Costullat. 
-40  Nocturne  et   Polacca,  PCorFa  2.50  n,  B 

av.   Cor  &  Sir-Quart.   3 —  n,  CorB  concert. 

av.  (8<r-Quart  3.50  n  Costullat. 

-VI  Grand  Quatuor  concert,  en  fa,  FlClCor 
Fa  4— n    Costallot. 

-  Ordonnance    de    cliasse,     JfTr     6 —     Tletigel, 

2.25  n  Portlier. 

-  Ordonnance  des  sonneries  militaires  p.  Clui- 

ron  5 — . 

Melchiori  A.  Ricordi:  Canti  Popolari,  galop 
1.50. 

-  Dilettante  di   Violiuo,   souvenir   di  melodie 

applaudite    di    opere    moderue     espost«     in 
forma  di  sonatine,   V  3.50. 

-  Din,   din,   maz.   1 — . 

-  2    Mazurke    sopra    motivi     della     Traviata 

1.50. 

-  Omaggio  a   F.   S  u  p  p  e,  Boccaccio  e  Donna 

Juanita,  valzer  3 — . 

-  Paolina,  polka    1 — . 

-  Pa.sseggiuta  pel  Mondo,  inni  e  canti  nazio- 

nali  e  popolari,  P  5 — . 

-  Sdegnosa,   mazurka,    '/ititi    1.50. 

-  Sopra    motivi    dei    A^espri    Siciliaiii,    galop 

1—. 

-  Tramway,  galop   l.oO. 

-  Traviata,    quadrille    2.25. 

-  Un  saluto  alia  Favorita,  polka   1.50. 

Melchiorre    Leone,      Omaggio    a    Bellini, 

marcia,   Maud  — 10  n  Bavzini. 
Melchiorre    M.   C.   Preludio,   Org(H)   — 25  n 

B('7tarelli. 
Mefchissedec   L.  Pour  I'amour  de  Dieu  2.50 

Clot. 

-  Presbyt«re  du  village  2.50  Clot. 

Melde   F.   E.   Lorch:   Op.   1    Studenten-Fest- 
Marsch   1 — . 

-  2  Rheinsage  —60. 

-3  Trauer-Marsch  — 60. 

-  4   Studenten-Marsch    1 — . 

-  6   Elsen-Polka  —80. 

Melder   A.    op.   29   Tambour    battant,    galop 
6—   Noel. 

-  30  La  D6rob6e,  danse  bretonne  5 —  Noel. 

-  50  Gavotte,  P  6—  Noel. 

-  51   Meuuet  varie,  P  6 —  Noel. 

-  61    Musette,  P  5—  Noel. 

■  62  Escouto  d'Jannetto  sur  un  motif  de  Da- 

la  y  r  a  c,   P   5 —  Noel. 

-  63  Ariette,  P  6—  Noel. 

-  Chanson  du  Florentin  5 — ,  P  5 — ,   VP  6 — 

Sulziach. 

-  Delivrance,  cliant.  P  7.50  Sulzhach. 

-  En  Avant,  P  7.50  Noel. 

-  Incroyable     danseur,     rondeau     av.     danse 

1.70  n,  Clt.  s.  — 40  n  Bornemann. 

-  Petite  Russie,  polka   1.70   Gheluice. 
-Pile  ou  Face,  quadr.  1.50  Gheluice. 

-  Prelude,  P  5—,  VP  6—  Noel. 

-  Tambour  battant,  galop  6 — ,  ^w's  7.50  Noel. 
-Tiain  d'Enfer,  galop,  P  7.50,  4'«s  9 —  Svlz- 

buch. 

■  Valse  des  Chimeres,  VcP   1.70  Ghelmve. 
Mele    F.   fils,      Alice,   mazurka    elegante,   P. 

Diijoude. 


Mele  J.  Adieu,   I'amour!   Valse  chant^e.   Bi- 
ijoude. 

-  Amantiue,   scliottisch    1.75  n,   0   1 — u   Mar^ 

gueritat. 

-  Amitie   sincere,   maz.   1.35  n,   0   1.50  n   Coii- 

tarel. 

-  Amour  et  mystere,  valse  6 —  Costil,  O  2 —  n 

Bosc. 

-  Bataille   des   Fleurs,   polka    1.70  n,   O    1 — n 

Bo.ic. 
-Belle  etoile,    muz.    1.35  n,    O    1.50   Coutarel. 

■  Belle   Jardinifere,  maz.    1.75  n   Fromont. 
-Bcnne   nouvelle,   polka-marche,   0.   Costil. 

-  Boum-Boum,   polka,   0.     Thomas. 

■  Bravo,  quadrille,  0  av.  P  cond.     Pares. 

-  Brillaute  allure,  polka-marche  2.50  Ricordi. 

-  Causer ie  badine,  maz.   1.50  n   Gounin. 

-  Charmeuse,  scbott.  1.70  n,  O  1 — n  Bosc. 

-  Chicago,    quadrille,    P    2 —  n,    0    2—  u    Ri- 

cordi. 

-  Chit-Chat   (Causerie),  polka,  O  av.  P.     An- 

drieii. 

-  Chrysantheme,   maz.    1.70  n,    O    1 — u    Bosc. 

-Dans  le  bocage,  polka    (II.  Bure),  arr.  0. 

Pomier. 
-Dernier  amour,   valse  2 — n  Fromont. 

-Elegance    discrete,    maz.      Au     Chant     mo- 

derne. 
-En   Tandem,   pas   de  veux   1.70  u,   0   1.50  n 

Gaudet. 
-Fete    du    Million,     quadr.    1.75  n,     0    1 — n 

Mur  gueritat. 

-  Fleur     de    baiser,     valse    lente,     O    av.     P. 

Gaudet. 

■  Fleurs  de  France,  valse  6- —  Costil. 

-  Fleurs   de  Vieune,   suite  de  valses   6 —  Di- 

goude. 

-  Fondroyant,   galop  — 50  n,   0   1 — n    Bosc. 

-  Frissounante     (H  a  u  s  e  r) ,    maz.    0     1 —  n 

Gheluwe. 

-  Gare  I'Auto,  galop   1.50  n   Gounin. 

-  Gerbe  d'or,  schott.  1.70  n,  O  1 — n  Bosc. 

-  Ilistoire  de  rire,  polka,   0   1.50  n   Coutarel. 

-  Jacasserie,  polka  5 — ,  0  1.50  n  Leduc. 

-  Juana,   valse   espagn.   2 — n,   O   2 — n   Bosc, 

0  a  cordes  2 —  n  Dehert. 

-  Kermesses,  polka-maz.  O  1 — n  Margueritat. 

-  Lanciers  mondains,   0.     Gaudet. 

-  M6li-Melo,   polka,   P    1.50  n,   FIP   2.50,   FIO 

1.50  n   jilurgvcritaf. 

-  Miss  Ketty,  polka  2 —  n,  0  2 —  n  Ricordi. 

-  Murmure  loinlain,  valse,  0  av.  P.     Costil. 

-  Nouveau  Sourire,  valse,  O  av.  P.     Thomas. 

-Pages    de   la   reine,    pas    de   quatre    1.70  n 
Bosc. 

-  Parisieune,    mazurka    2 — n,    0    2 — n     Ri- 

cordi. 

-  Patineuses  Norvegiennes,  pas  des  patineurs 

1.70  n,   0   1.50  n  Gaudet. 

-  Pens^e    fugitive,    valse   2 —  n,    O    2 —  n    Ri- 

cordi. 

-  Pensee    lointaine,    polka.      Au    Chant    nio- 

derne. 

-  Perle  d'Orient,  maz.    1.35  n,   0   1.50  n   Cou- 

tarel. 
■  Pichenette     (H  a  u  s  s  e  r),    polka,     O    1 —  n 
Gheluice. 


Mele  J.  Plus  Belle 


-  Phis    Belle,    schottisch    2 —  u,    O    2 —  n    Ri- 

cordi. 
-Princess's  Lancers  2 — ,   O   1.50  n  Bosc. 

-  Eire  des  yeux,  valse,  0  av.  P.     Thomas. 

-  Eoi  Carnaval,  quadr.   1.70  n,  0   1 — n  Bosc. 

-  Eose  de  Noel,  valse,  0  1.50  n  Gaudet. 

-  Eouge  et  Jioire,  jjolka  1.35  n,  0  1.50  n  Cou- 

tarel. 

-  S^duisante,  maz.    1.70  n   Bosc. 

-  Select's  Lancers  2 — ,  0  2 —  n  Ricordi. 

-  Sensitive,  maz.  0.     Raux. 

-  Soledad,   valse  2.50  u   Covtarel. 

-  Sous  les  bruyferes,  maz.  5 —  Costil. 

-  Territoriale,   polka-marche   1.35  n,   0   1.50  n 

Gov  tar  el. 

-  Valse  des  Oeillets,  P  2 —  n  Rouart. 

-  Vieunoise,  danse  de  salon,  0  av.  P.     Givre. 

Mele  L.  Polka  des  Trottins,   0.     Societe. 

Melendez  Baturoni  Cenobia,  You'll  remem- 
ber me,  fantasia  brillante  sopre  la  opera 
Bohemian  Girl,  de  B  a  1  f  e,  P  — 75  Wagner 
y  Levien. 

Melfi   P.  Pagoda  waltz  — 75  Brainard. 

-  Eiverside  troistemps,  P  — 50  Brainard. 

Ale.iBiKio    4jk.    Be;jyBiii    (Vesuve),    MandP 

— 75  7Animprmiinn. 
Melgradi    Ippolito,      Najade,     polka,     Mand 

■ — ^1 0  n  Bideri. 
-Urania,   Mand  — 10  n   Bideri. 

-PyccKifl  ndbciii!,  aanncaiiHtm  iienocpe/i;cTBeH- 

HO   ct   rcTiocoB-b    Hapo/^a   h   a3^a.HBhia.   g-b 

oSiflCHeHiiiMH  1.50  n. 
- 12  pyccKiix'B   utceHB,   nojiojK.   na  3  roaoca 

n.  B.iapaMGeproM-B  1.50  n. 
Meli  G.     Wagner  y  Levien:     Tres  Danzas : 

Ayer  y  hoy.   Siempre  tuyo.   No   lo  digas ! 

Gavotta,   P  —50. 

-  Italia,  nocturno,  P  — 75. 

-  Lejos   de   Italia,   schottisch   — 50. 

-  No  me  otvides,  mazurka  — 50. 

-  Un   recuardo  — 50. 

-  Yo  pienso  en  ti  — 50,  Danza,  2MandG  — 75. 
Meli    J.      Amour    et    Mystfere,    valse,    Harm 

(Fanf).       Costil. 
Meli  T.  Relagli:  Addio  cara,  P  — 40,  Hand 

—20. 
-Elvira,   P  —40,    Mand  —20,   MandP  —70, 

MandG  —50. 

-  Folicita    desiderata,     P    — 40,     Mand   — 20, 

MandP  —70,  MandG  —50. 

-  II  primo  bacio,  P  — 40,  Mand  — 20,  MandP 

—70,  MandG  —50. 

-  Imene,  valzer  — 25. 

-  Mughetto,  P  —40,  Mand  —20,  MandP  —70, 

MandG  —50. 

-  Eondinella,    P   —40,     Mand    — 20,     MandP 

—70,  MandG  —50,  2MandP  1.50,  2MandG 
—70. 

-  Souviens-toi,  P  — 60. 

-  Voce  del  cuore,  P  —40,  Mand  — 20,  MandP 

—70,  MandG  —50. 
Meiiani,  Ave  Maria,  3  voix  1.50  Heugel. 
Meiiani  T.  Preparazione  alio  Studio  dell'Ac- 

compagnamento    estratto    da    diversi    me- 

todi,   corredato   di   cadenze   e   sonatine,   P 

5.50  Ricordi. 
Melicko    Ed.   op.    10   Souvenir   de   Velencze, 

iiirirceau  de  salon,  P  1 —  Hoffmann. 


Augurii 


di 


408    —  Mellin  G.  Cziska 

Melila   G.   Garibaldi,    valsa   2 —   Bevilacqua. 
Meliot  A.  Aid  a,  fant.  P  7.50  Leduc. 

-  Huguenots,  3  airs  de  ballet,  P  7.50  Benoit. 
Me! is   V.   Dal   Pianto   al   Eiso,   waltzer   per 

2MandG  —20  II  Concerto. 
Melisurgo-Vegezzi-RuscaJla    I. 
felicita,  P  1.50  Mariani. 

-  Perle  de   Roumanie,   P   3—  Mariani. 

-  E§ve  d'or,  maz.  2 —  Mariani. 
Mellemakts-Musik,  Nr.   1 — 24,  P.-   1.  S  t  e  i- 

g  e  r  :  Sonnet,  2.  B  a  r  r  6  s :  Dr0mmebil- 
lede,  3.  Michiels:  f>izzicatoPi6ce,  4. 
M  i  c  h  i  e  1  s  :  Czardas,  5.  E  o  u  g  n  o  n  :  Se- 
renata,  6.  G  i  1 1  e  t :  Madrigal,  7.  G  i  1 1  e  t: 
Illusion,  8.  G  i  1 1  e  t :  Retour,  9.  M  i- 
chiels:  Danse  des  berg&res,  10.  Bach- 
rnann:  Lucile- Valse,  11.  Euben:  Valse 
lente,  12.  S  t  e  i  g  e  r  :  Entr'acte,  13.  B  a  c  h- 
m  a  n  n :  Miniaturbill.  I,  14.  Cere:  Sou- 
venir   de    Biarritz,    15.    Paul  in:    Aften- 


musik,   16.  B  eh  r  : 
17.    Bachmann 


Ved  Kamiuilden,  vals, 
Miniaturbill.    II,    18. 


F  o  c  h  e  u  X  :  I  Ungdommens  Aar,  ga- 
votte, 19.  Waehs:  Paa  S0en,  barcarolle, 
20.  Behr:  Valse  des  guirlandes,  21. 
B  e  h  r :  Nocturne,  22.  Michiels: 
Yvonne-Polka,  23.  Behr:  Turtelduerne, 
24.  Bachmann:  Fragment  de  ballet,  a 
— 75  Nord.  Musikforlag. 

Mellery  J.  Le  Depart  Tyrolienne,  chanson 
populaire  pour  une  voix  avec  ace.  P  — 50 
Bcholt. 

Melles  Karoly,  Salve  Eegina,  Bar-  es  B-s. 
Org  kiserettel  1.60  Klokner. 

Mellet  C.  J'avais  quinze  ans,  valse  1.35 
Gounin. 

Mellet  J.  Premier  Album  Noel,  pour  Cornet 
d,  Pistons,  Bar,  Bugle,  Saxhorn  (mi  b^mol), 
a  1.50  n  Noel. 

-  Solo  de  concert,  CornetP  7.50  Leduc. 

■  Solo  de  Concert  et  Variations  brillantes  sur 
le   Freyschutz,    CornetP   3— n   Noel. 

Mellet  J.  et  Anthiome  E.  Douze  Pi&ces  m6- 
lodiques,  CornetP:  1.  Berceuse.  2.  Defile. 
3,  Pas  redouble.  4.  Eeverie.  5.  Petite 
marche.  6.  Valse.  7.  Eomance  sans  paro- 
les. 8.  Mazurka.  9.  Promenade.  10.  Taren- 
telle.  11.  Eonde  du  guet.  12.  Marche  bo- 
hgmienne  4 —  n  Ledtic. 

Mellet  J.  et  Salomon  H. 
P  3— n  Noel. 

Mellet   P.  de.     Mathien: 
valse  6 — . 

-  2  La  Naiade,   valse   5 — . 

-  3  La  Brise,  valse  6 — . 

-  4  La  Fee  aux  perles,  valse 

Meliiant  de,  Phantasie  f.  G 

1 —  Brcifkopf. 
Mellier    Aime,      Balayeuses 

— 40  n  Bornemann. 

-  Menetrier    fantome     1 —  n, 

Bornemann. 
Mellier  Stephen,  Berceuse,  P  5—  Stdziach. 

-  Un  nuage,  impromptu,  P  5 —  Sulzhacli. 

Mellin    G.    Pay  erne:    Adage    (extrait   de   la 

pantomime  „Le  Eeve  du  peintre"),  P. 
•  Cziska,   danse  hongroise,   P. 


Concertino,  Cornet 
Op.   1   Vermouth, 


od. 


1- 


Ch. 


Lyra-  (Ha) 
■  n,     Ch 


s. 


s. 


-40  u 


f/iellin  G.  Entr'acte  pixxicati 


409    — 


Mellon  A.  May  Walt?, 


'  Entr'acte-pizzicati      (extrait    cle    hi     panto- 
mime „Le  Reve  du  peintre"),  P. 
'  Joyeuse  cortege,  P. 

-  Menuet  vif,  P. 

-  Tarantelle    (extrait   de   la   pantomime   „Le 

Egvo  du  peintre"),  P. 
Melling   E.   H.  Exelsior  March  3/ —  Pitman. 
-Magnificat  and  Nunc  dimittis.  in  C.  BATB 

— /3  Weekeis. 

-  Minuet  and  Trio,   Org.     Yincent. 

-  Postlude   in   G,    Org,      Vincent. 

-  Religious  Strains,  Book  I,  Fourteen  Sliort 

Pieces  for  Small  Organ  1/ —  n  Weekes. 

-  Religious   Strains,    Fourteen    Short   Pieces, 

HfAm.  Org),  Book  I — II  ft  1/ —  n  Weekes. 

-  Religous  Strains,  Book  II,  Fourteen  Short 

Pieces  for  Small  Organ  1/ —  n  Weekes. 
-12    Selections    (Priory   Vol.),    Org(E)    1/— 

Ascherherg. 
Melling  Einar,  op.  2  Zwei  Variationen  tiber 

ein  eigenes  Thenia,  P  2 —  Breitkopf. 

-  3    Sechs    Jyrische    Stiicke.    P    1 —    Zimmcr- 

mann. 

-  4  Impromptu,   P  — 60   Zimmermann. 

-5  Bilder  aus  der  Kinderwelt,  P :  Nr.  1.  Gu- 
ten  Morgen  — 60.  Nr.  2.  Wiegenlied  — 60. 
Nr.  3.  Mutter  singt  —80.  Nr.  4.  Spiel  1.25 
E  arisen. 

-  Erotik,  P   1—  Hals. 

-  Humoreske,  P  1 —  Hals. 

-  Sommerfuglen,  P  1.20  Hals. 
Mellinger  L.  Esprit  frappeur,     G.  Siever. 

-  Pipe  clysopompe,  sc&ne  comique,  G.  Siever. 
Mellini,     Fea    FoUat,    valse,    Odcordes     1 — 

Deiert. 

-  Fleur   des  bois,   ftmtaisie-polka   de  concert, 

0  d  cordes   1 —  De'bert. 
Mello  Alfred.  P.  Fischer:  Op.  6  Ballfreudon, 
Walzer  — 75. 

-  14  Die  Miihlo  im  Wi^lde,   P    1.20   Teicli. 

-  15   Beim   Sekt,   Walzer -Intermezzo,   P    1.20 

Teich. 
-21    Dich    will    ich    lieben    1.20,    Z    —75,    0 
1.20  n. 

-  24   Der   Mutter   Augenpaar,   L'ed    1.20,   fiir 

Trowiba-Solo     3—,     Cor7iet  a  P^     1.50,     0 
1.50  n. 

-  28  Als  ich  wiederkam,  Lied  f.  Tror.: fea-Solo 

3—    Z  —75,  P  1.50. 

-30   Polonaise    (Des).   P   1 —   Musikwoche. 

-31  Drei  Lieder :  Nr.  1.  Seemanus  Braui 
1 — .  Nr.  2.  Begrabenes  Gliick  — 60.  Nr.  :J. 
Ins  Album  einer  Jugendliebe  1 —  Musik- 
woche. 

-32  Zwei  Klavierstucke :  1.  Menuett,  2. 
Wiegenlied,   a   1 —  Musikiooche. 

-  34  Nr.   2.    Serenade,   3.   Drei   Rosen,   a,   1 — 

Mnsikicochc. 

-  35  Tongemillde,  kl.  0,  UM  k  1.50  n  H.  Hof- 

inann. 

■  35    Ich    grii  Be    dich,      du    mein     goldlockig 

Kind,    Lied    1.20,    i.    Tromba-Solo    2—. 
-37  Das  Lied,  das  meine  Mutter   sang   1.20 
J.   Bauer. 

■  39   Junger  Lenz  — 60   Musikwoche. 

-  42   Ein    Feiertag    1 —   M  usikivoche. 

-  49    Gesegnet     ist    der    Mann    1.20     Musik- 

woche. 


-51    Abendstandchen,    TTBB    1.35    Tormann. 
-51    Liebesgrufi,    TTBB,    8ATB,    8SMSA    a 

1.60   G  laser. 
-54   Ich   haV   kein   Heim,    kein   Vaterhaus: 

,,Schon  in  der  Kindheit  allerfriih'sten  Ta- 

gen",  ernstes  Lied,  P  1.20. 
-62    Nr.    1.    Babette     (Das    Erdbeerlein),    P 

— 30    Grilnittger,   — 20  n    Presser. 

-  78   Balltriiume,  Walzer-Intermezzo,   P   1 .60 

Glaser. 

-  79    Unsere    Schutztruppe,    Mar.sch    1 — ,    0 

2.50  n,  sO  1.25  n  Oertel. 

-  Abendstandchen,    TTBB   —75    Tormann. 

-  Dich  will  ich  lieben  immerdar,  Walzer,  VP 

1.20,  Z  —75. 

-  Im     schonen     Frankenlunde,    Walzer    — 80 

Andre. 

-  Pfeif-Polka  nach  Motiven  v.  Jos.  S  t  r  a  u  6 

m.  P  1.20  Continental-Veilag. 
Mello  Curt,  op.  6  Ballfreuden,  Walzer  — 75 
P.   Fischer. 

-  Mignon-Gavotte,    0    2 —  n    Bellmann. 

Mello  D.  Alt-Dresden,  Marsch  — 20  Michow. 
Mello    E.    P.   de,      ^^lorena,   valsa    1 —    Bevi- 

lucquu. 
Mello    F.    F.    de.      Guimara.es:      Coronel    na 

ponta,  polka  1 — . 

-  Cuidadosa,  valsa  1.50. 

-  Destemida,   polka    1^ — . 

-  Frenetica,  polka  1 — . 

-  Nao  brinque,  polka  1 — . 

-  O  Souto  pelos  ares,  polka  1 — . 

-  Papae  nao  vem,  polka  1 — . 

-  Tela  de  aranha,   polka   1 — . 

-  Teve  gosto,  polka  1 — . 

-  Tocandira,  polka  1 — . 

Mello  J.  A.  F.  As  Moreninhas  desterrenses, 
polka   1.50. 

-  Uma   flor   no  baile,  polka   1.50   Guimara.es. 
Mello  J.   F.   Sonho  de  um  anjo,  P  1.50  Be- 

vilaccpia. 
Mello    Kurt,    op.   7    Geburtstagswalzer   —75 
P.  Fischer. 

-  8   Blumengrufie- Walzer  —75   P.   Fischer. 

-  9   Schneeglockchen- Walzer  —75   P.  Fischer. 
-12    Semper    pro    patria,    Marsch,    0    2 — n. 

Par.  Bes.   1.50  u  Continental-Verlag. 

-  Mignon,   Gavotte,    0   2 —  Bellmann. 

Mello  Matta,  Lilina,  polka  1.50  GuimarTies: 
Mello  P.  Journee  heureuse,  6  morceaux  fa-- 
ciles.  P.-  1.  Joyoux  R6veil,  2.  Jouons  Sol- 
dat,  3.  Valsons  plutot,  4.  Vive  la  Polka!, 
5.  Au  Dodo  .  .  .  Deja!,  6.  Doux  Songes, 
berceuse,  a  1 —  Schott  Freres. 
Mello   P.   de,  Alice,   valsa,  Impr.  Dupre. 

-  Lili,  valsa,  Impr.  Dupre. 


iVieiion    Alfred,   r^'lovcd 


iWv 


name    the    day 


3/ —  Ascherberg. 

-  Crown'd   with   clusters   of  the   vine,   ATBB 

(Glee  and  Choral  Libr.  74)  — /2  Ashdoion. 

-  Crown'd  with  blossoms,  ATTB  — /4  Gurwen. 

-  Cupid's   eyes,   ballad   in  D   or   B  flat   1/ —  n 

Augener. 

-  I    could    not   bear    to    dwell    alone,    ballad 

1/ —  n  Augener. 

-  I  never  can  forget    (Victorine)    4. —  Chap- 

pell. 

-  May  Waltz  4/ —  Chappell. 


Mellon  J.  March  of  the  Men 


—     410     — 


Melodie  populaire 


-* 


Mellon  J.  March  of  the  Men  of  Harlech  3/ — 

Pitman. 
Mel  lor  Albert,  Magnificat  and  Nunc  dimittis 

— /6   i^^ovello. 
Mellor  Charles,  My  pretty  maid,  polka  4/ — 

Ashdoic7i. 
Mellor    Grace    E.      Little    Dustman     (Saud- 

mannehen)   2/ — u  Augener. 

-  Reverie,  VP  4/ —  Ht.  Cecilia. 

Mellor  Haydn,  Allemande,  P  2/ — n  Wickins. 

-  Bolero,  P  3/ —  Ashdown. 

-  Hirondelles,      morceau     6legante,      P     4'-  - 

Sheard. 

-  Impromptu,   P   2/ —  n   Wickins. 

-  Masques,  quadr.  5 —  HeiigeL 

-  Sweet  sixteen,  polka  —50  Gordon. 

-  Spring  time,   reverie,   P   3/ —  Ashdown. 
Mellor    R.    Rise,    my    soul    and    stretch    thy 

wings  — /6  Novello. 
Mellor   T.   Can't  you   hear   me   calling,   Mr. 

Primm?  — /6   Francis. 
Mellor   Tom.,    Law  ranee   A  1  f .   J.,    G  i  f- 

f  a  r  d  H  a  r  r  y,   It's   no   use  you  hanging 

up  yer  Hat  ro  uud  here!  1/ — n  Francis. 
•  I  want  no  other  little  girl  but  you  — ,'6  n 

Feldmann  tC-   Co. 

-  Like  a  Sailor   of  the  King   1/ —  n  Francis. 

Mel  lout,  Pens^e  intime,  PV  5 —  Pepin. 

Mellstrom  Gustaf,  Fern  singer:  Pa  kiirle- 
kens  haf.  Liksom  i  mulen  natt.  Niira.  Hvn- 
ehelst  jag  gar  den  alskade  Jir  niira.  Du 
ilr  min  ro :  Du  ar  min  ro,  min  trost,  miu 
frid.  HostsSng.  Lofven  gulna,  traden  klii- 
das,  af  Vintervisa  Vind  och  hvita  vagor 
1.50  Ilirsch. 

Melluer  Francis  Sen.  Rosalind,  maz.  — /2 
Sheard. 

Meino   P.   Recueillement 
Dupont. 

Melnotte  Claude,  T  r  o  v  a  t  o  r  e,  grand  fan- 
taisie  de  concert,  ^ms  5/ —  Ashdotvn. 

Melo  G.  Gavotte  d'antan,  P  1.75  n   Ledvc. 

-  Qu'importe  la  chose  !  Patay. 

'  S6r6nade  andalouse,  P  4 —  L'Auteur. 

-  Sevillane,   pifece  espagnole  2 —  n   Leduc. 
-Vers    I'lnfini,    reverie,    V    —25,    VP    1.50  n 

Dehert. 
Melo  J.  Coq  et  le  Renard  4 —  Katto. 

-  Harpe   Eolienne   3 —   Katto. 

-  Henri  IV  et  le  Paysan,  2  v.  6g.  8 —  Katto. 

-  Renard    et    les    Raisins    3 —    Katto. 
Melodeon    Melodies,    containing    Instr.    for 

Playing,   I — II   a  — /6   Ascherherg. 
Melodeon    Museum,    6   books   a   — /6  n   Rei)- 

nolds. 
Melodeon  Tutor,  w. 

ches  and   dances  - 
Melodeon   Tutor,   w 

— /6  n  AscJierberg. 
Melodeon  Tutor,   w. 

— /6  n  Ascherberg. 
Melodia    J.    op.    2   Pompadour, 

Noel. 

-  12  Royale,  gavotte,  P  2—  Gregh. 
-A  Montmartre,  marche   1.75   Fatoiit. 
-Au  feu,  galop  1.75  n,  O  1— n  Margneritat 

-  Ca  m'fait  du  bien,  ga  m'fait  du  mal,     7)j 

govde. 


av.   P(Org)    1.75  n 


24  pop.  gavottes,  mar- 
-/6  n  Ascherberg. 
24   sacred   mod.    songs 


24   secular  mod.   songs 


gavotte    5  — 


-  Correspondance  perdue,     Digoude. 

-  Egypte-marche   5 —   Ploix,    mO    1.25  n    Go- 

bert,  Harm(Fanf)   1.25  n  Naudin. 

-  Etoilc  de   Mer,   valse  tzigaiie,   P   4.80,   JfUts 

6—,  0  1.60  n,  mO  2.40,  K2I  2— n  Eisoldt, 

-  Etoile    de    mer,    valse     6 —     Blanc,      2 —  Q^l 

Gaudet.  ^f 

-Gavotte  Trianon,  P  4—  Joubert. 

-  Gentil  carillon,  P  6 —  Joubert. 

-Glissade  Polka  1.75  n,  0  1 — n  Margueritot,  L^ 

-  J'avais  reve  4 —  Reugel.  9| 

-  Jeanneton,  gavotte   1.35  n  Ereillard.  ™ 

-  Joyaux  enfantins,  10  morceaux  faciles,  4ihs 

7— n:    N.    1.   Petite   Gavotte,   2.   Valse,   3. 
Reverie,  4.  Bolero,  5.  Polka,  6.  BarcaroU.i, 
7.   Mazurka,   8.   Tarentelle,   9.   Menuet,    10.^ 
Galop,   a  4 —   Joubert.  ^ 

-  Marche  corse  5 —  Impr.  Boeder.  ' 

-  Maroussia,  maz.  slave  4 —  Joubert,  0  1 —  n  & 

Glteluwe.  ^ 

-  Pavane  Louis  XIII,  P  1.70  n  Eveillard. 

-  Petite  modiste   4—  Digoude. 

-  Petits   pousse-cailloux   3 —   Bulzbach. 

-  PiqQre,     Digoude. 

-  Polka  des  archers  3 —  Joubert. 

-  Polka  des  Bavardes,  P  4 —  Eveillard. 
-Polka    des    Gaulois    1.75  u,    0    1 — n    Mur- 

gueritat. 

-  Pousse-Pousse-galop   4 — ,   0    1 —  n   Joubert. 

-  Ronde  des  Petits  Boushommes,  air  de  bal- 

let,   0   2 — n,   P   1.75  n   Margueritat. 

-  Rouennaise,  0  2 — n,  P  1.75  n  Margueritat. 

-  SU'(-p,    Sleep!     fnnt.    americaine,    P    1.70  n, 

0  1.50  n,  P  cond.  — 30  n  Massard. 

-  Stella   di   Mare,  valse  tzigane  6 —  Corisck. 

-  Sur  les  Vagues  d'or,  valse  lente,  P  1.70  n, 

O   1.25  n,  P  cond.  — 30  n  Massard. 

-  Une   Idylle,    P    1.35  n,    Mand,    V    a   —30  u, 

mO   1.50  n   Gobert. 

-  Valse  lente  5 —  Girod. 

-  Wladimir,  marche  russe,   0  2 — n,  P  1.75  n 

Margueritat. 
Melodi-Album,   100  Favorit  Melodier,  P  3 — 

Elkan. 
Melodi-Album,   for   B0ru,   P :   N.    1.   34  lette 

Melodier,    N.    2.    33    lette    Melodier,    N.    3. 

36  lette  Melodier,  N.  4.  30  lette  Melodier, 

a  — 50  Hansen. 
Melodi-Album,   VP.  T — TT  a  — 50  Hansen. 
Melodi-Album,   13  Melodier,  Z  — 50  Hansen. 
Melodi-Album,  24  Melodier,  V  — 75  Hansen. 

Melodibok,  Lijtta  stycken  efter  kjinda  och 
omtyckta  melodier  :  A  u  b  e  r,  ur  op.  Brous- 
hiisten.  B  a  1  f  e :  Aria  ur  op.  La  Stranier.t. 
Bellini:  Polonaise  ur  op.  I  Puritani. 
Berton:  Marsch  ur  op.  Aline.  C  h  e  r  u- 
bini:  Romans  ur  op.  Watteudragaren. 
Das  Herzenlied.  Donizetti:  Cavatiue 
ur  op.  Linda  di  Chamounix.  Folkvisa. 
Mozart:  Aria  ur  op.  Don  Juan.  Polska 
fran  Dalarne.  P  r  o  c  h  :  Rosenknoppeu. 
vals.  Rossini:  Bon  ur  op.  Moses.  Ur 
skade.'ipelet  Rofvarbandet.  Ungerska  ua- 
tionalmelodier.  Verdi:  Cavatine  ur  '»p. 
Ernani,     P  1.25  Hirsch. 

Melodie  populaire,  Adieu  des  Soldats,  Ch.s. 

— 25  n   Pinatel. 
-Chant  des  oiseaux,  Ch.  s.  — 25  n  PinuteJ. 


Melodie  populaire 


—     411 


Melodies  of  Ireland 


-  Depart   des   hirondelles,    Ch.    s.   — 25  n    Pi- 

natel. 
■  Fleur  des   Bruy&res,   Ch.   s.  — 25  ii    Pinatel. 

-  Pensons    aux    malheureux.      Ch.    s.    — 25  n 

Pinatel. 
-Protege  tes  enfant*,   Ch.  s.  — 25  u  Pinaiel. 

-  Eonde  des  abeilles,   Ch.  .9.    — 25  ii   Pinalf'l. 

-  A'ieux  Soldat,  Ch.  s.  — 25  n  Pinatel. 
Melodie  venitienne,  Caro-mi  — 25  n  Pinatel. 
Melodien  aus  alien  Laudern :  I.  100  diiniselie 

3 — .  II.   100  schwedische  und  noi'wegische 
Volks-  und  Nationalmelodien  4 —  Ilansev. 

152    Melodien   aus  Norwegen   5 —   JIan.'icn. 

Melodien,  beliebte,  fiir  aehtveutilisfe  Kinder- 


Tr     (auch    fur 
Hcinrichshofen. 


V    ausfiihrbar)    m.    P    1- 


Melodien    des    ililitar-Gesaug-    uud    Gebet- 
buches,   Org  — 75   Mersehurger. 

Melodien    zum    evang.    Gesangbuch    f.    Osl- 
u.    ^^'estp^eufieu    — 75  n    KocA -Konigsberg. 

Melodien  zum  kalh.  Gesang-  und  Gebetbuch 
1 —  J.   Fischer. 

Melodien-Album.      Peters.- 

Marsche  und  Tanze:  34  Marsche  und 
Tiinze  (Kohler),  P  1—,  ims  1—.  30 
Marsche  und  Tanze  (Herm  aun),  2V 
1 — .  34  Marsche  u.  Tiinze  (Hermann), 
VP   1.20. 

Volksmelodien:  60  Melodien  mit  unter- 
legtem  Text  (Kohler),  P  1—.  120  Mel. 
m.  unterlegt.  Text  (Felix),  P  1.20.  55 
Melod.  (Kohler),  ^ms  1—.  120  Melod. 
(Felix),  Jfms  1.50.  40  Melod.  m.  unter- 
legt. Text  (Hermann),  V  1—.  50  Mel. 
(Hermann),  2V  1—.  60  Melod.  (Her- 
mann), VP  1.20,  VcP  1.20.  80  Melod. 
(Renck),  Z  1—.  70  Melod.  (Popp),  Fl 
1—.      60   Melod.    (Popp),   FIP    1.20. 

Opernmelodien:  40  Melod.  (Koh- 
ler), P  1—,  ',ms  1—,  (Felix),  Operu, 
Marsche  u.  Tanze,  P  1.20,  Jfws  1.50.  24 
Melod.  (Hermann),  2V  1—.  40  Melod. 
(Hermann),  VP  1.20,  VcP  1.20, 
(Renck),  Z  1—.  37  Melod.  (Popp), 
Fl  1—.     47  Melod.    (Popp),  FIP  1.20. 


'fin.K    a 


Melodien-Album,    Opernmelodien,    j 
1—  Un.-Ed. 

Melodien-Album,  Z,  I — V  a  1 —  Boncorth. 

Melodien-Album,  Volks-,  Opern-  u.  Tanz- 
melodien,   P   1 — .   V   1 —  Peters. 

Melodien-Album,  f.  V  od.  8trZ  m.  SchlogZ- 
od.  G-Begl. :  1.  Marsch.  2.  Abschied  vom 
Diandl,  Volkslied.  3.  Mailied  von  M  o  - 
z  a  r  t.  4.  Tirolerlied.  5.  Walzer  aus  „Pre- 
ciosa"  von  Weber.  6.  Arie  a.  d.  Oper 
„Die  Tochter  des  Regiments"  von  Doni- 
zetti. 7.  I  hab'  dir  in  d'  Augerln 
g'schaut,  Kiirntner  Volkslied.  8.  Lied  der 
Meermiidchen  aus  der  Oper  „Oberon"  von 
C.  M.  V.  Weber.  9.  C.  M.  v.  Weber's 
letzter  Gedanke  (Herzeleid).  10.  Mufi  i 
denn,  mufi  i  denn,  Volkslied.  11.  Am  Meor, 
Lied  von  Schubert.  12.  Walzer  eines 
Wahnsinnigen.  13.  Wiegenlied  von  C.  il. 
V.  Weber.  14.  Im  Rosenduft,  schwedi- 
sches  Lied.  15.  Der  Lindenbaum,  Lied  von 
Schubert.  16.  Arie  a.  d.  Oper  „Zar  und 
Zimmermann"   von   L  o  r  t  z  i  n  g.    17.   Den 


lieben    langen    Tag,    deutsehe    Volksweise. 

18.  Standchen   von   Franz   Schubert. 

19.  Mei  Diandl  is  harb  auf  mi,  osterrei- 
chisches  A^'olkslied.  20.  Schweizerlied.  21. 
Kavatine  a.  d.  Oper  ,,Tancred"  von  R  o  s- 
s  i  n  i.  22.  Steirers  Heimweh.  23.  Romanze. 
24.  Arie  a.  d.  Oper  .,Der  Freischiitz"  von 
Weber.  25.  Marsch  a.  d.  Oper  „Norma" 
von  Bellini.  26.  Das  Wiedersehen,  Al- 
penlied.  27.  Beriimtes  Menuett  von  B  o  c- 
c  h  e  r  i  n  i.  28.  Sehnsuchts- Walzer  von 
Beethoven.  29.  Gavotte.  30.  A  Bliim'l 
und  a  Herz.  31.  Venetianisches  Gond.-l- 
lied  von  L.  G  r  u  b  e  r.  32.  Kleine  Fantasie 
iibor  das  Volkslied:  „Tirolev  sind  lustig." 
33.  Des  Sommers  letzte  Rose,  irisches 
Volkslied.  34.  Motive  a.  d.  Oper  „Die 
Glocken  von  Corneville"  von  R.  P  1  a  n- 
quette,  m.  SchlagZ-Beg\.  2.50,  m.  G 
einz.  1.50,  Melodiest  apart  1 —  Seeling. 

Melodien-Album,  Sammlung  ausgewjihltor, 
leicht  arraiigif^rter  Pi&cen  in  12  H<>ft'_'n 
fiir  3V  u.  Bass,  k  Heft  1—  Seeling. 

Melodien-Album  f.  AkkordZ  m.  3  Manualen, 
I    1.50,    II    1—,      m.    9    Manualen,    I    2—. 


m. 
o 


I   2- 


m.    12   Manualen 


10   Manualen, 
A  lire  IIS. 

Melodien-Album,  fiir  Fl  m.  SchkigZ-  od.  G- 
Begl.,  m.  SchlagZ  2.50,  m.  G  1.50,  Melodie- 
St  .-(part   1 —  Seeling. 

Melodien-Album,  fur  Harmonika,  I — TV  a 
—50  Domkoicsky,   W.  Dietrich. 

Melodien-Album,  f.  Mundharmonika,  I  — 50 
Do>nkoirski/.    W.    Dietrich. 

Melodien-Album,  Lieder,  Salonstiicke,  Arien 
etc.  llarnionika  m.  10  Klappeu  — 50  0. 
Dietrich. 

Melodien-Album,  Akkord-Z  2 —  0.  Dietrich. 

Melodien-Album,  bIM,  Lief.  I— III,  St  a 
—25    0.    Dietrich. 

Melodienbuch,  193  Tanzmelodien  f.  Piston, 
CI,  Tromha,  Tenorhorn  in  B,  2Cornets  od. 
Tr,  a  St  1— n  Starke. 

Melodienbuch  zu  dem  neuen  Liibeckischen 
Gesangbuchi'   — 90  n    ror.s-^ejis-Liibeck. 

Melodier  (300) ,  til  N.  F.  S.  G  r  u  n  d  t  o  i  g  s 
Kirke-Psalmebog,  1  Singst  m.  P  2 — 
Hansen. 

Melodier,  til  Pilgrims  Harpe  (med  H  o  f  f 's 
Tillaeg)  for  blandet  Kor,  komplet  i  et 
Bind,  heftet  2—,   indb.  3—  Warmtith. 

Melodier,  till  Grafstroms  smarre  sSnger : 
En  vaudring  genom  diktens  rosengardar. 
Amor  fangen  och  fri.  En  flicka  med  sin 
skanhet.  Vandringen  till  grafven.  O!  hvar- 
vor  hindren  i  min  gang.  Till  Hilma  Bor  i 
nienskans  rorda  brost  1 —  Hirsch. 

Melodies    (16),  CornetnP  1 — n  Morgueritat. 

Melodies  (100)  cel&bres,  V  \.2b  n.  Cornet  a 
P   1.25  u,   CI  1.25  n,  Fl  1.25  n  Durdilly. 

Melodies  of  Ireland;  As  a  Beam  o'er  the 
Face  of  the  Waters.  At  the  Mid  Hour 
of  Night.  Avenging  and  Bright.  Barney 
Brallaghan.  Battle  of  Argan  Moore.  Be- 
lieve me  if  all  those  Endearing,  etc.  Boys 
of  Kilkenny.  Boyne  Water.  Bride  of  Mal- 
low. Brown  Irish  Girl.  Bultighoran.  Cho- 
rus   Jig.    Come   o'er    the    Sea.    Come    Take 


Melodies  of  Ireland 


412     — 


Meltzer  G.  op.  12 


the  Harp.  Cool  mi.  Cniiskeen  Lawn.  Cuish- 
lin  Ma  Chree.  Dawning  of  Day.  Dear 
Black  Cow.  Dear  Harp  of  My  Country. 
Dear  Irish  Boy.  Erin,  O  Erin!  Erin  the 
Tear  and  the  Smile.  Fanny  Power.  First 
Swallow.  Fly  Not  Yet.  Gap  in  the  Hedge. 
Garryowen.  Gille  Machree.  Go  Where 
Glory  Waits  Thee.  Harp  that  Once  Thro' 
Tara's  Halls.  Has  Sorrow  thy  Young  Days 
Shaded.  Hermit  of  Killarney.  How  Oft 
has  the  Banshee  Cried.  Humors  of  Castle 
Lyons.  I  am  Asleep  and  don't  Waken  Me. 
Irish  Exile.  Irish  Lullaby.  I  Saw  from 
the  Beach.  Is  it  the  Priest  You  Want? 
Kate  Kearney.  Kathleen  O'Moore.  Kelly 
the  Rake.  (Jig.)  Kitty  Tyrrel.  Last  Eose 
of  Summer.  Leather  the  Wig.  Let  Erin 
Remember  the  Days  of  Old.  Lily  Long  in 
Sadness  Lay.  Little  Bold  Fox.  Love's 
Y'oung  Dream.  Low  Backed  Car.  Lugge- 
low.  Ma  Bouchcilleen  Bawn.  Maid  of  the 
Valley.  Meeting  of  the  Waters.  Minstrel 
Boy.  Miss  McLeod's  Reel.  Molly  Bawn. 
Moll  Roe.  Moreen.  Mourn  not  for  Me. 
My  Lodging  is  on  the  Cold  Ground.  My 
Love  will  ne'er  Forsake  Me.  New  Lan- 
golee.  Noran  Kista.  Nora  my  Treasure. 
Oh!  Blame  not  the  Bard.  Oh!  Breathe  not 
her  Name.  Oh !  for  the  Swords  of  Former 
Times.  Oh!  Molly  Dear.  Oh!  Patrick  Fly 
from  Me.  Oh !  the  Shamrock.  O  Sheelu 
Mavourneen  Old  Head  of  Dennis.  Old 
Langolee.  Oft'  in  the  Stilly  Night.  Open 
the  Door  Softly.  Paddy  Carey.  Paddy 
O'Raflferty.  Paddy  Whack.  Plaurty  Kelly. 
Powers  of  Whiskey.  Remember  the  Glories 
of  Brien  the  Brave.  Rocky  Road  to  Dublin 
Roisin  Dubh.  (Little  Black  Rose.)  Rory 
O'More,  King  of  Leix's  March.  Savourneen 
Delish.  Shall  the  Harp  then  be  Silent. 
Shule  Agra.  Silent,  O'Moyle!  be  the  Roar 
of  thy  Water.  Smile  my  Kathleen,  pray. 
Splashing  of  the  Clnirn.  Sprig  of  Shille- 
lagh. St.  Patrick's  Day.  Teddy,  You  Gan- 
der. Though  the  Last  Glimpse  of  Erin. 
Tip  the  Cruiskeen.  (Jig.)  Valley  Lay  Smi- 
ling Before  Me.  Wearing  of  the  Green. 
Young  Kate  of  Kilcummer,  PfOrg)  — 50 
White. 

Melodies:  1.  Good-bye.  2.  Little  Blossom 
Schottische.  3.  Take  me  back  again,  Ma- 
voureen.  4.  The  Silver  Rhine.  5.  Some  day. 
6.  The  Fisherman  and  his  child.  7.  Sleep 
Robin  sleep.  8.  The  Boat  of  my  Laddie.  9. 
Come,  buy  my  Flowers,  waltz.  10.  My 
Queen  waltz.  11.  Twinkle,  twinkle,  little 
stars.  12.  Clayton's  grand  march.  13. 
Centennial  march.  14.  After  Dinner 
Quadrille,  VP,  CornetP,  CIP,  FIP  a  —75, 
V  part,  Fl  part,  CI  part.  Cornet  part,  P 
ace.  to  fl  • — 25   Wliite. 

Melodies  for  V,  Fl,  CI,  Cornet  —50  White. 

Melodies,  Polonaises,  4^ris  — GO  n  Gebethner. 

Melodion  Budget,  35  lat.  pop.  songs  a.  dan- 
ce.s  — /6  Ascherberg,  Francis. 

Melodion  Melodies  (Containing  Instructioas 
I'or    i^layiiiL') ,    book    1 — 2    Ti    — /6    Francis. 

Melodion  Tutor  and  Book  of  Popular  Songs 
etc.  — /6  Francis. 


K  r  o  g  ii  1- 


Melodisk  Pianoskola,  eller  metod  for   barn 

att  medelst  folkmelodier  och  tekniska  6f- 

uingar,   inom  quvintes  till  och  med  okta- 

vensomfSng  i  olika  lagen  inhamta  pianos- 

peiningens-grunder,  P  3 —  Hirsch. 
Melodramak,  Melodramen  mit  P-Bgl. :  N.  1. 

Mohiar  Kalica  3 —  n.  N.  2.  Tarogato  han- 

gok  2 — •  n  Nddor. 
Melodramak,  Szavalatok  Gyiijtem^nye,  Zon- 

gcrakiserettel,  N.  3  — 20  Klokner. 
Melodramen,  Sammlung  von  Deklamationen 

m.  P,  Nr.   1—19.     ^'^iegel. 
Melody    (Old)  :    When   Love   is    kind    —35 

Sc  hir^ner. 
Melody   Irish,  Wearing  of  the  Green,  song 

w.   G   1/ —  n  Turner. 
Melody  Plantation,  Old  Folks  at  Home,  sg. 

w.  O   1/ —  n  Turner. 
Melodye    ludowe,    Bywaj    dziewcze    zdrowe, 

uklad    W.    K  r  o  g  u  1  s  k  i  e  g  o     — 25     G'c- 

bethner. 
Melodye  ludowe,  Sta6  mi  z  jarmarku  przy- 
wozl      piersciouek,      uklad      W, 

s  k  i  e  g  o   — 25    Gebethner. 
Melodye    ludowe,     Za    Niemen    het    precz, 

iiklud    "A".    K  r  o  g- u  1  s  k  i  e  g  o     — 25     Ge- 

hffhner. 
Melodye    ludowe,    Filis,    VP,   VcP   a  — 30  n 

Gebethner. 
Melodye    ludowe,    Maciek;    Owczarek;    Ja*, 

VP  — 60n   Gebethner. 
Melodye   ludowe,   0  gwiazdeczko  cos  blysz- 

czala,  VP,  VcP  a  —30  n  Gebethne^: 
Melodye     ludowe,     Polonez     z     18.     wieku; 

Chciaio   sie   Zosi   jagodek,    VP  — 30  n   Ge- 
bethner. 
Melogan    Th.   Mathilde,    valse   2 —  n    Labb4. 
Melopeyas.  Wagner  y  Levien:  Aventuras  de 

Carnaval,   por    Torres   de   Espinosa 

—50. 
-Cantos   de  amor,   por   Lopez  Almagro 

—50. 

-  Otoiial,    por    Maria    Euriqueta   — 75. 

-  Tarde  nublada,   por   Fernando  Ponce 

—50. 

-  Te  acordarfls,  por   T  a  b  o  a  d  a  — 50. 

-  Tres   Melopeyas,   por   Cervantes   1 — . 

-  LTltima  carta,  por  T  a  b  o  a  d  a  — 50. 
Melott    M.    L.   Sherman's   march   to   the   sea 

— 40   Ditson. 
Melotte     H.      Theor.-praktische     Anweisung 

zur  iJberwindung  der  Schwierigkeiten  des 

Clarinottspiels    1.50  n    Oertel. 
Melpolezo  G.  Reina  a  paz  em  Varsovia,  mi- 

stiforio,  Jfms  4 —  Bevilacqua. 
Melrose   G.  J.  Der  Styrien,  P  4/ —  Pitman. 
Melscn,  Banks  of  the  Clyde  —20  WilLig. 

Meizee     F.     Jiinjanuuii :      Op.     15     CoJioBeii, 

Morceau  de  salon  — 40    Willig. 
Meltzer   F.   Fantaisies   sur   des   themes   rus- 

ses,   Iims,   Gutheil: 

1.  Yaane,  yjiano  ii  OSmecTBO  name.  2  Bot-b 
Ha  iiyTii  n  CflfleMt  KyMaccHbKa.  3.  Koca 
H  Be^epKOM'B  KpacHa  fl,±Biiu,a.  4.  IlTHiKa 
II  JloBii  lacbT  JiK)6\iii.  5.  Ont  Mena  pasjiio- 
CuJi-h  H  HeHarjiHflHMU  tw  moh  a  GO. 
Meltzer  G.  op.  12  La  belle  Helfene,  polka 
— 20   Jurgenson. 


Me.i'i.uop'B  II.  E.  op.  45 


413     — 


McTbiiepTb  II.  E.  Jurgenson:  Op.  45  5KeBi- 
HyavHHM  cfeeepa.  12  BaecTflmux'b  ^^ainaaiu 
Ha  pyccKin  n'fecHH  P:  1.  Koca.  Ll,MraHCKafl. 

2.  Ha  aapt  tm  ee  ne  6y/^II,  coi.  Bap.TiaMOBa. 

3.  BiTKa,  coq.  TiiTOBa.  4.  Tm  3yma-;ii> 
MOfl,  C01.  .TIbBOBa.  5.  Mm  jKHBeMt  cpe;iu 
nojieii,  coH.  BepcTOBcraro.  6.  Bot'b  na 
nyTH.  ItbiraHCKaa.  7.  B^k'b  iohmh  npeJiecx- 
HMH.  C01.  FypiiJieBa.  8.  Co-ioBen,  co»i. 
AjiflfibeBa.  9.  HByuiKa  se.iCHaH  moji. 
Hapo^naa.  10.  XojKy  a  no  yiiixii,t. 
Hapo^Haa.  11.  Oii  bm  yjianM.  II,uraHCKaa. 
12.  He  OTxo;^H  ot:b  Mena,  coy.  BapjiaMOBa, 
a  — 75  Leopas- 

-  49  JKaBopoHOKt.    Romance    de    M.    Glinka. 

Fantaisie  6l#g.  P  — 50   Gutheil. 
jjPyccKin  irJbceHHiiKi)".    Co6paHie  ^aHxaaiu 
ii  nepe.io^eHiu : 

-  55  1.  Bo3.Tt  ptiKH,  B03.Tb  MOCTa.  Axi,  :>Kiiaj.. 

2.  ^To  BO  CBiT-iMU.  Ha-B  no;^'B  3y6a.  3.  Oii 
Kpaie.  KaxioHca  bo3m  cb  ropti.  4.  Ax^, 
KaK-b  TOuiHO.   Ax-B,  TM,  MaxyuiKa  a  — 30. 

-  56  1.  y  ^ymeiKii,  y  KpacHOH.   Bo  JiicoiKt. 

2.  y  3opo;;iiaro,   /^o6pa^o.   SaBapyii  Bapyfi. 

3.  KaniiTaHCKaa  ^o^b.  Xo^iiaa  MJia/i;emeHbKa. 
Cxoajio  TyTt  KaccoBO.  CoJiOBeu  moh,  eo- 
aoBeiouiKO   a  — 30. 

-  57    1 .    Mojio^Ka    M0JI0/^aa.    Bo    ^ohckuxi.. 

2.  Ax-B,  no  MOCTy.  yjKi>  KaK-B  cJiaaa  coJiHi;y. 

3.  ^epHMH  n,BtT'B.  Oil  BM  yjiaHbi.  4.  Koca. 
Ta.iHCMaH-b  a  — 30. 

-  58     1.     ntcua     BepoHUKH     na-B     yrojisino. 

2.  BenepKOM'B  KpacHa  ^iBHi^a.  3.  ^h  a>K-B 
KOMy  BiiHOBax'B.  4.  XoJKy  a  no  yjniUit. 
5.  71,pyMc6M  H-feacHoe  BOjmenbe.  6.  Kopo- 
ByoiKa.  7.  HoieniKa.  8.  Oft  nocaana  Mene 
MaxH.  9.  06in,ecxBO  naine.  10.  Home.Ti'b 
KoaeJi-B  B-B  oropo;i'L.  11.  Btino  a  .uio6.iio 
Te6a.     12.  PCosjihk'b,  u  — 30. 

-  65  JlFo5nMaa  pyccK-aa  n-fecna  —50. 

-  71    ler  Potpourri  s.  d.   Thames  tusses,  Jftns 

1.50  Leopas. 

-  81    M^lodie    champetre,    pifece    de    salon,    P 

—60,  J^ms  —90. 

-  84  Ox-B,  GoJinx-B  4ms  — €0. 
-89  Macbeth,  quadrille  —40. 

-  91  Honyppii  hs-b  pyccK.  n-feccn-b  P  — .50. 

-  94  Le  printemps  de  I'amour,  P  — 70. 

-  95  Le  chant   des  marine,  P  — 50. 

- 100  Pa3B.'ie'ieHie.  18  MajieHbKiixt  nbeet  ^.la 

^■bxeft    P   1 — :    1.    Mbi    3Bi   ,^Bt   ,TfeBnn,Bi. 

2.  Axi,  BpiiuiKa,  Moa  coSaiica.    3.  Ha  sap'Jj 

TH  ee  He  Cy^n.    4.  Cnii,  moii  anre^'B.    5. 

PaaHom.HK'B.     6.  Am^vi  Mena.    7.  JIe3rHHKa. 

8.  CojioBefi.  9.  AcKOJibflOBa  Morii.ia.  IIojibKa. 

10.  CojiOBeft  MOH,  co.ioBeiomKO.    11.  Cxapbin 

Myat-B.      12.    nxnyKa.      13.    KaMapiiiiCKaa. 

14.  Cafl.iefi  a  aioeft  K.iaHycb.  Mapiu-B.     15. 

He  ftt.iBi  CHtni.      16.    Tbi  ^yuia  Jib  Moa. 

17.  'Bxa.iii  peoaxn.     19.  TponKa.  ^xo  xaK-B 

5Ka;iHn  a  — 20. 
- 103    lime    Potp.    s.  d.    th&nies    russos,    l^ms 

2 —  Leopas. 

•  105  Alexandra,  niaz.  — 20. 

•  108    Amitie,     2de    melodie     champStre,     P 

Gutheil. 

- 119  ^nxa  niaHHCTi..  50  JzerKHXt  iibcC'B  ^.la 
fltxeft  M.^a/^Iua^o  Boapocxa,  ct  npe,"iBapnxejib- 
HbiMii  ynpaacneHiaMH  P  1 — . 


pOfliaHCOBt       H 


-40. 


-  2  Airs  russes,  Jfins  — 60. 

-  Aktien-Polka  —20. 

-  AflbooMrb      50     jhoGhmbix-b 

i^birancKiixx  ntccn'b  2 — . 

-  Antonia-Quadr.  — 40. 

-  Ballo   in  Maschera,  quadr. 

-  Cavatine  de  TopSra  Leonore  — 40. 

-^aniaaia  na  utcuio:   Oh^b  meiia  pa3Jiio6H.Tb 

— oO. 
•  JlyHiiHyuiKa  op.  22  — 30. 
-Kapci,  Polka-Mas.  —20. 
-3  ntcHH:    MyKa  .iio6Bn.    Tbi  hc  woa.    Bot-b 

Ha  nyxH  — 30. 

-  Pied   leper,   polka   — 20. 

-  Rondo  de  l'op6ra  Les  Guelfes  et  les  Guibe- 

lins    (Rondo  du  page)    — 40. 

-  Vepre.s    siciliennes,   quadr.   — 40. 

Melusirt  Rud.  Lieb'  Frauen,  Polka-Mazurka, 
Z  — 75  Augustin. 

Melutto  A.  A  vous  mon  coeur,  raise  chant6e 
2 —  n   Parmentier. 

-  Augoisse  d'amour.     Parmentier. 

-  Vcici  mon  coeur,  valse  2 — n  Parmen'ii-jr. 
Meiutto   A.   et    Dormoy,      Voici   mon   coeur, 

valse  tr&s  lente,  0  av.  P.     Parmentier. 
Meluzzi      Andrea,     Adoramus     te     Christe, 
quattro  voci  di  stile  osservato  1—  Eeeren- 
icemt. 

-  Ego  sum  vestra  redemptio  „Motetto  a  Gesu 

Redentere",  a  4  voci  e  P  1/ —  n  Eeren- 
heetnt. 

-  Fuga  suU'Ite  Missa  est,  Org  — 70  Musica 

sacra. 
Meluzzi    Salvatore    (1813).      Lihreria    Sale- 
siana,  Lihreria  Giuseppo :  Adoro  te  devoti?, 
mottetto  corale  av.  OrgfHJ    1 — . 

-  Antifona     a  4    voci    dispari     — 70     Musica 

sacra. 
-Ave    Maris    Stella     (3  v.    d'homme)     1.25  n 
Mvraille. 

-  Di  canti  strali,  o  Madre  1.20. 

-  Celeste    e    florido    giardino.    Parafrasi    del- 

I'invocazione  lauretana.  Mater  iuviolata. 
Canzoncina  a  Maria  SS.  a  3  voci  con  Org 
(H)  —70. 

-  Dio   si   sollecita.   Parafrasi   dell'invocazioue 

Lauretana  Mater  admirabilis.  Canzoncina 
a  Maria  SS.  a  2  voci  uguali  con  Org (II) 
—60. 

-  Divin    Pargolo.    Parafrasi    dell'invocazioue 

Lauretana  Mater  intemerata.  Canzoncina 
a  Maria  SS.  a  3  voci  dispari,  28B  con  Org 
(H)  —80. 

-  Docti    sacris    institutis,    mottetto    a  3    voci 

uiriiali,   T2B  con    Orgi'E)   —70. 

-  Irato  I'Eterno,  canzone  a  3  voci,  2TB  2 — 

Etrenheemt. 
-Litanie  a  2  voci  uguali,  con  Org(H)  — 60. 

-  Litanie  a  2  o  3  voci  bianche,  con   Org  (Li) 

—60. 

-  L?tanie  a  4  voci  niiste,  soli  e  coro,  con  Org 

(B)  —80. 

-  Litanie  a  4  A'oci  virili,  soli  e  coro,  con  Org 

(U)  1—. 
-Litanie  a  4  voci  virili,  soli  e  Org  1.20. 

-  Litanie  a  3  voci  dispari,  Org  — 60. 


Meluzzi  S.  Litanie 


414 


Melvil  M.  A.  Thou  Art  the  Way 


Litanie    a  3    voci    disuguali,    con    Org(H) 

—60. 
Litanie    a  3    voci    disuguali,    con    OrgfH) 

—80. 
Litauie    a  3    voci    disuguali     con     Org(ll) 

—60. 

Litrnie  a  3  voci  disuguali  — 70. 
Litanie  a  3   voci  mist^,   con   OrgfH)   — 60. 
Litanie  a  3  voci  uguali,  con  OrgfH )  — 70. 
Litanie  corali  a  2  voci,  con  risposta  del  po- 

polo  e  OrgfH)   — 70. 
Litanie  corali  a  4  voci  miste,  con  risposta 

del  popolo  e  OrgfH)  — 70. 
Litanie  corali  a  3  voci  miste,  con  risposta 

del  popolo  — 60. 
L'tanie  corali  a  3  voci  uguali,  con  OrgfJ) 

—60. 
Litanie    in    fa  a  2    o  3    voci,    con    rispost-i 

del   popole   e  OrgfH)    —80. 
Litanie  in  fa  a  3  voci,  con  risposta  del  po- 
polo e  Org  — 80. 

Litanie  in   fa  a   tre  voci  misae  — 70. 
Litanie  in  mi  b  — 70. 
Litanie  in  sol  maggiore  1 — . 
Litanie  a  3   voci    1.25    Eerenbeemt. 
Memoriam  fecit  — 60. 
Messa   da   Gloria   a  2   voci    3 — . 
Messa  da  Tlequiem  3 — . 
Messa  in  canto  fratto,  a  due  voci,  alternato 

dall'Or^  —30. 
O  delle  Vergini  —80. 
0  grande,  o  nobile  — 70. 
O  Madre  amabile  — 60. 
O  sacrum  convivium  per  28Contr  — 80. 
O  sacrum   convivium,  per   SContr  — 70. 
O   salutaris   Hostia,   a  4   voci  — 50. 
O  salutaris  Hostia,   per   28Contr  — 60. 
O  santa  ed  unica  — 70. 
O  Vergine  celebre  — 70. 
0  Vergine  inclita  — 80. 
Odi,  Signore,  nostra  preghiera  L20. 
Quel  Dio  che  agli  uomini.  Parafrasi  dell'ia- 

vocazione     Lauretana     Mater     Salvat-oris, 

canzoncina  a  3  voci  con  OrgfH)  — 60. 
Quel  Dio  die  I'essere  diede  alle  cose.  Para- 
frasi    dell'invocazione     Lauretana     Mater 

Creatoris,    canzoncina    a    Maria    a  3    voci 

con   OrgfH)  —60. 

Eegina  coeli  a  4  voci  con  OrgfH)   1.50. 
Kegina  coeli   a   3  voci   uguali,  con   OrgfH) 

1— . 
Salve    regina,    4  v.    con    Org    — 90    Musica 

sacra. 

Sicut   novellae   olivarum  — 60. 
Tantum  ergo  a  2  voci  — 60. 
Tantum  ergo  a  3  voci  uguali  — 50. 
Tantum  ergo,  concert,  a  3  voci  uguali  — 80. 
Tantum   ergo   corale,   a  4   voci   miste  — 50. 
Tcntum  ergo  corale  a  4  voci  miste  — 60. 
T&ntum  ergo  corale  a  3  voci  miste  — 50. 
Tentum  ergo  per   8 A  — 70. 
Tantum    ergo    per    )S'-.«olo    e   coro   a  3    voci 

1.20. 
Tantum  ergo  a  2  voci  — 80. 
Tantum  ergo  per  voce  di  BfContralto)-so\o 

e  coro   1 — . 
Tu  delle  grazie  —80. 
Tu   delle   Vergini  — 70. 


-  Tu  Madre  e  Vergine 


-70. 


-  Tu  Madre  simile  1 — . 

-  Ta  Madre  tenera  — 70. 

-  Veni   ad  liberandum  nos  — 70. 

-  Venite,   comedite  - — 80. 

-  Vergiu   benefica  — 60. 

-  Vergine,  parlano  del  tuo  potere  — 70. 
Melvil  M.  A.  ,/.  Fischer:  Alma  Redemptoris, 

SATB  —12. 

-  Amor   Jesu   Dulcissime,   SA  — 10. 

-  Jv/e  Maria,  SATB  —12. 

-  Ave  Maria  Stella,   8ATB  —15. 

-  Ave   Regina,   SATB  —10. 

-  Ave   Verum,   SATB  —12. 

-  Christus  Natus  est,  SA  —20. 

-  Christus   Natus   est,   SATB  —25. 

-  Christus  Natus  est,  0  ace.  1.25  n. 

-  Christus  Resurrexit,  for  caster,  SATB  — 20. 

-  Come,   Holy   Ghost,   sacred   chor.   —10. 
-Ecce  Panis,   SATB  —15. 

-  Evening   hymn,   sacred   chor.   — 20. 

-  Hail  the  Happy,  the  Glorious  Morn,  .-acred 

chor.  — 25. 

-  Invocation   to   the  S.   H.   SATB  —10.  ' 

-  Jesus  Christ  Is  Risen  To-day,  sacred  chor. 

—20. 

-  Jesu   Dulcis   Memoria,   SATB  — 15. 

-  Lord  is  risen,  sacred  chor.  — 20. 

-  Morning   Hymn,   sacred  chor.  — 15. 

-  O  Happy  Morn,  sacred  chor.  — 35. 
-O   Salutaris,  SA  —10. 

-0  Salutaris,  SATB,  (A  b)  —15,   (E  b)   —20, 
(D)    —20,    (F)    —15. 

-  Pastores  Erant  Vigilantes !   for  X  mas,  SA 

TB  —35. 

-  Petit    recueil    de    motets    et    de    cantiques. 

Part  5 — n,   ch.  p.  h   1.25  n  Schott  Frires. 

-  Quid  Retribuam,  s.  &  chor.  — 20. 

-  Recueil  de  motets  pour  voix  de  femmes   (3 

voix  egales(  a  I'usage  des  maisons  reli- 
gieuses  et  des  maitrises :  Audi  filia,  solo 
et  choeur  a  3  voix.  Beati  qui  habitant  in 
Domo  Domini.  Benedictus  Dominus,  choeur 
a  3  voix  et  solo.  Bone  Pastor.  Christus 
natus  e.st  nobis.  Christus  resurrexit  (Pa- 
ques) .  Ecce  Panis.  0  Cor  amoris.  Laudate 
Dominum.  Mater  admirabilis.  O  quam  glo- 
riosum  est  (Toussaint).  O  Cor  admira- 
bile.  O  quam  bouum.  O  Rex  glorioe,  a  3 
^oix  et  solo.  O  Salutaris,  en  r6  b.  O  Sa- 
lutaris, en  mi  b.  O  Salutaris,  en  la  b.  Pa- 
stores  erant  vigilantes.  Quid  retribuam 
Domino,  choeur  et  solo.  Qui  seminant.  Re- 
gina Coeli.  Regina  sine  labe  originali  con- 
cepta.  Sub  tuum.  Surge  et  illuminare.  Sta- 
bat  Mater.  Tantum  ergo  et  Genitori.  Tota 
pulchra  es.  Tu  es  Petrus.  Verbum  caro. 
Veni,  sponsa  Christi,  Part  12 — n,  chaque 
partie  2 — n  Schott  Freres. 
-Regina  Coeli,  SATB  —20,  0  ace.   1— n. 

-  Salve  Regina,  SATB  —15. 

-  Shepherd   of  Israel,   sacred   chor.  — 15. 
-Tantum    Ergo,   SA   —06. 

-Tantum  Ergo   (F),  SATB  —10. 
-Tantum  Ergo   (D),  SATB  —12. 

-  Thou  Art  the  Way,  the  Truth,  the  Life,  sa- 

cred chor.  — 15. 


Melvil  M.  A.   Veni  Creator 


—    415    — 


Membree  E.  Djanina 


-  Veni  Creator,   8ATB  —10. 

-  Wake,  Ye  That  Sleep,  sacred  chor.  — 20. 
Melville   Agnes,   Darkies'   Drill,   two-step   & 

cake  walk.  Band  —50,  0,  10  pts.  —60,  IJ, 
pts.  —80,  FullO  1—,  VCornetP  —30,  extra 
single  parts  .\  — 10,  P  ace.  — 15  Jacobs. 

-  Darkies'    Drill,    two-step,    cake    walk    (J  a- 

c  o  b  s  -  H  i  1  d  r  e  t  h) ,  G  —20,  2G  —40, 
Banjos.  — 40,  Banjo  ace.  — 15,  G  ace.  — 10, 
P  ace.  —20,  Band  —50  Jacobs. 

Melville  C.  Drink,  puppy,  drink,  s.  &  chor. 
— 35   Gordon. 

-  Our  Sailors,  Naval  fant.  P  3/—  B.  Williams. 

-  Our    Soldiers,    milit.    fant.    P    3/ —   B.    Wil- 

liams. 
Melville  C.   E.   Adeste  Fideles,  introduction 
and  variations.  Org  2/ —  l^ovello. 

-  Andante,   Org  2/ —  n   Vincent. 

-Grs'nd  Triumphal  March,  Org  2/ — n  Vin- 
cen  t. 

-  Nursery   rhymes,   SATB  — /2   Novello. 

-  Vesper    Hymn,    introduction    &    variations, 

Org  2/ —  Novello. 
Melville   G.   Whyte,   Clipper   that  stands   in 
the  stall  at  the  top,  hunting  song    (in  F 
&  G)    4/—  Chap  pell. 

-  Drink,    puppy    drink,    hunting   4/ —    Chap- 

pell. 

-  Place  where,  w.  Banjo  ace.  4/ —  Ascherberg. 
Melville    H.    Allegretto,    Org    1/6  n    Vincent. 

-  Austrian  Hymn,  Org  2/ —  n  Vincent. 
-Grand  March,  Org  2/ — n  Vincent. 

-  Jesu,  Lover  of  n.y  Soul  — /3  n  Vincent. 
Melville   Harold,  Chrysaliss,  P  4/ —  Ascher- 
berg. 

Melville  J.  W.  Drink,  puppy,  drink  — 35, 
Bar(B)   &   chor.      Gordon. 

Melville  M.  op.  4  Vier  Lieder :  1.  Die  Was- 
serrose  (The  Waterlily).  2.  Einkehr  (Wel- 
come). 3.  Wehmut  (Longing).  4.  Laut  u. 
traut    (Happy  birdling)    2 —  Siuirock. 

-5  Drei  Lieder:  1.  O  wag'  es  nicht  (Plea- 
ding). 2.  Liebeshoffnung  (Hope).  3.  Wie 
ist  doch  die  Erde  so  schon  (0  beautiful 
earth)    2 —  Simrock. 

-6  Sonate    (G-m.),  PV  6 —  Simrock. 

■  7  Morceau  fautastique,  PV  1.50  Simrock, 
— 75  Schirmer. 

-  Berceuse,  PV  1 —  Simrock. 

-  Morceau  fantastique,  PV  1.50  Simrock. 

-  Romanze,   VP  2.50  Schlesinger. 

Melville  S.  Chappell :  Floral  Gems,  P :  1. 
Narcissus,  2.  Mignonette,  3.  Forget-me- 
not,  4.  Marguerite,  5.  Orange-Blossoms,  6. 
Ivy  Leases,  a  4/ — . 

-  Italian   Lays,   selection   of   melodies,   easily 

arr.  P:  1.  Tutti  i  Sabati ;  Santa  Lucia, 
2.  Pur  ditesti ;  Vado  ben  spesso,  3.  La 
mia  Letizia,  4.  Per  valli  per  boschi,  5. 
L'Esperto  nocchiero ;  O  cessati  di  pia- 
garmi ;  Lascia  ch'io  pianga,  6.  In  terra 
solo ;  Ah  !  fors  6  bui ;  II  segreto,  a  4, — . 
Marche   Bohemienne   4/ — . 

-  National  Gems,  P:  1.  Hughenden,  2.  War- 

wick, 3.  Highclerc,  4.  Hatfield,  5.  Cha to- 
worth,   6.  Trentham,   a  4/—. 

-  Paquita,   bolero,   P  3/ — . 


Larky    Little 


-50  National 


-Sleigh   Bells,   P  4/—. 

-  Zephyr,   P   3  — . 
Melville-Ellis.      Ascherberg: 

Coon    2/ —  n. 

-  My  wilful  heart  2/ —  n. 

-  Night-Song  2/—  n. 

-  Eefuge  2/ —  n. 

-  Rose  of  the  Riviera  2/ —  n. 
Melville  &   Ephraim,   Mollie 

Music  Co. 
Melvin    E.  C.   Fidelitas,   VP  —40  Fischer. 
Mely  Marie,  Comtesse  Vanden  Heuvel,  I'm 

a  wee  fay    (Fata  piccina),  song  2 — n  Ri- 

cordi. 

-  Legend    of    Narcissus,    cuntata    for    ladies' 

voices  1/6  Weekes. 

-  My    Mother    willed    it    so    4/ —   Ascherberg. 
-3    Songs:    1.    Longing.    2.    Sleep,    love,    and 

r€.st.   3.  Coming  2/ —  n   Williams. 

-  When  the  year  was  young  (Quando  1'  anno 

tioii)    2 — u  Ricordi. 
Melzer   Carl,   Albumblatt,   P   1.50   Maas. 

-  Die  rote  Nase,  B  m.  P  — 80  Eattshahn. 

Melzer    J.      Buren-Marsch,    mit    eingelegter 
Burenhymne,   Z    1.08   Lanner. 

-  Flotte  Studenten,  Marsch  — 72   hammer. 
Melzer    Louis,     Edelweifi,    Polka    franc     P 

— 90  Bosivorth. 
Melzer  Rudolf,  op.  5  Acht  Lieder  ohne 
Worte,  VP:  Nr.  1  u.  2.  Zwei  Volkslied- 
chen  1.20.  Nr.  3  u.  4.  Allegretto.  Spiel- 
manns  Wiegenliedchen  1.20.  Nr.  5.  An- 
dante tenuto  — 80.  Nr.  6  u.  7.  Langsam. 
Schnell  1.20.  Nr.  8.  Ungari-seh  —80  Raabe. 

-  7  Acht  musikalische  Kleinigkeiten :   Nr.    1 

u.  2.  Kleine  Ballade.  Kleines  Menuett  — 60. 
Nr.  3.  Jagdliedchen  —60.  Nr.  4.  Duett 
—60.  Nr.  5.  Spinnerlust  —00.  Nr.  6.  Al- 
bumblatt —60.  Nr.  7.  Romanze  1—.  Nr.  8. 
Magyar  ember  — 60  Raabe. 

-  9    Kl.*  Melodien,    V"   3—   Wetzler. 

-  Frieden  — 50  Raabe. 

Membree     Edmond     (1820—1882),      Amour 
d'un  page   1.75  n  Dtirand. 

-  Anemone  5 —  Eeugel. 

-  Appreuds   orfe\  re   5 —    llengel. 
•  Aum6ne,  av.  P(G)  5 —  Grits. 

-  Aux  champs  et  a  la  ville,  6  trios  de  genre, 

PVVc:  I.  L'amour  k  la  ville.  L'amour 
aux  champs.  II.  Chanson  des  villes.  Chan- 
sons des  champs.  III.  Louanges  de  Dieu 
il  la  ville.  L*ne  journ6e  aux  champs,  I — III 
a   15 —  Heitgel. 

-  Beau  reve,  av.  P(G)  3 —  Grus. 

-  Bembaki   et   le   Diable   6 —   Heugel. 

-  Bluette,  av.  P(G)   3—  Grus. 

-  Bon  Gite  6—  Uevgel. 

-  Chanson    d'amoiir   5 —   Heiigel. 

-  Chanson   d'amour    (Liebeslied)    1 —   Schott. 

-  Charit«     (Die   christliche    Liebe),      P     1.25 

Schott,  av.   P(G)   5 —  Grits. 

-  Cocarde  6—  Hetigel. 

■  Collier  d'argent   7.50,  simpl.  6 —  Heugel. 

-  Colombe,  av.  PVc  7.50  Heitgel. 

-  Colombe  5 — ,  av.  Vc  ad  lib.  7.50  Heugel. 
-Court  e    Echelle,    opera-comique,    ChP 

15 —  n  Gullet. 

-  Djanina,  2e  valse  6 —  Gi-us. 


Membree  E.  Djani/n 


416     -- 


Menard-Tissot  Mme.   Voix  du  soir 


-  Djanina,  2e  valse  brill.  P  1.75  Schott. 

-  Dors,  raon  enfant,  av.  P{G)  5 —  Grus. 

-  Doux   peril   1.35  n,   Ch.  s.  — 30  n  Bouart. 

-  Du  ramier  si  j'avais  les  ailes  5 —  HeiKjel. 

-  Epithalame   4 —  Heugel. 

-  Esp^rance,  av.  PfGJ  4 —  Grus. 

-  Esp^rance    (Die  Hoffnung),   P   1.25   Schott. 

-  F6e  mignonne  5 —  Heugel. 

-  Foi,  av.  PfG)  5—  Grus. 

-  Foi    (Der   Glaube),   P   1.25   Schott. 

-  Hymne  jl  I'amour   5 —  Heugel. 

-  Jalouse  de  la  lune,  av.  P(G)  5 —  Grus. 

-  Jeanne  5 —  Heugel. 

-  Je    voux    aimer    tou jours,    av.    P(G )    3 — 

Griis. 

-  Kermesse,  polka  5 —  Grus. 

-  Lamentations   de   Jeremie  5 —  Heugel. 

-  Lamentations  de  J6remie    (Klagelieder  des 

Jeremias),  scfene,  P  1.25  Schott. 

-  Livre  de  la  vie  4 —  Heugel. 

-  Ma   vie,   serenade  4.50  Heugel. 

-  Marche  nuptiale  russe,  Jfrns  2.50  n  Duruud. 

-  Marcbe   russe,    Haim,   Part   3 — n   Durand. 
-20   Melodies,  10— n   Heugel. 

-  Mendiante  et  mfere,  ax.  PfG)  3—  Grus. 

-  Mignon  4.50  Heugel. 

-  My  Love,  Ma  Mie  — 50  Schroeder. 
-Oedipe   Roi,   traggdie,    P   6 —  n    Society 

nouveUe. 

-  Ondine  et  le  p§cbeur  2 —  n  Joubert. 
-Oil  sera   le  bonbeur?   5 —   Heugel. 

-  Oubli  1.75  n  Durand. 
-Page,  ^cuj^er  7.50  Heugel. 

-  Page,  Ecuyer  et  Capitaine    (Page,  Knappe 

und    Kapitan),    sc&ne    pour    voix    de    Bar 
1.50  Schott. 

-  Peter   the    Hermit     (Pierre    I'Ermite) 

Ellis. 

-  Pierre    I'Ermite,    sc&ne    5 — ,    Ch.    s. 

Grus. 

-  Printemps   5 —  Heug<'l. 
-Psaumo  de  David  4.50  Heugel. 

-  Questionnense  6 —  Heugel. 
-Quitter  la  ville!  duetto  6 —  Heugel. 

-  Egve  du  poete,  av.  PfGJ  3 —  Grus. 

-  Eomance   sans  paroles,   VcP  2.50  n   Societe 

nouvelle. 
-Eom6o    et    Juliette,     av.    PfG)    5- - 
Grus,     P   1.25   Schott. 

-  Secret  d'une  vierge  6 —  Heugel. 

-  Tourelles,  valse  7.50,    //ws  9 —  Heugel. 

-  Trois  Pri&res  6 —  Heugel. 

-  Valse   brill.    6 —   Grus. 

-  Valse  brill,  p  1.75  Schott. 

-  Visions  !   7.50  Heugel. 

-  Yvon  et  Marie  5 —  Heugel. 

Memento  du  danseur,  contenant  la  tbeoiie 
abregge  des  danses  les  plus  en  vogue  aiusi 
que  des  danses  nouvelles  — 80  u   Foetisch. 

Memnon   1.75  n  Jouiert. 

Memoire  du  serrurier  1 —  Delormel. 

Memoires  d'un  gommeux  1 — n,  Ch.  s.  — 4U  u 

Borriemann. 
Memoires  d'une  bcuteille  1— n,  Ch.  s.  — 35  n 

Eveillard. 
Memoires  de  Barnabe  1 — n  Jouiert. 
Memorial    Songs    (Decoration   Day),     paper 

— 25  Brainard. 


75 


50 


Memorial    Day   Songs   &    Hymns  — 25    Bit- 

soii. 
Memories  dear,  417  — /2  KiJhler. 
Memory  o'   Burns,   431  — /2  Kolder. 

Men  of  Harlech   (Welsh),  SATB  —/I  Boosey, 

2.50  Silver. 
Menage  d'artistes  1— n,  Ch.  s.  — 30  n  Ondet. 
Menage  de  garcon  — 30  n  Joubert. 
Menage  d'Oiseaux  1—,  Ch.  s.  —35  Gheluwe. 
Menage  Poelodo  1—  Chavat. 
Menage  de  la  Poupee  — 50  n  Bornemann. 
Menager    H.    S.    Sur    la   Montague,    mfilodie 

(Horn)    2—  Kessels. 
Menager  L.  op.  10  Ihr  lieben  Voglein,  TTBB 

1 —  Leuckart. 
-20    Messe    t'iir   4   Mannerst    (Chor   u.   Soli) 

m.   Org   5.50:    Gloria:    „Gloria   in   excelsis 

dec"  —60.  Schlaflied:  „Ruhe,  Sufiiiebchen, 

im   Schatten"  — 60  n  Leuckart. 
-35    Sur    la    Montague    (Im    Gebirge) ,    Cor 

en  fa  P  1.50  Junne. 

-  38  Ave  Maria  I   8  deutsche  Gesange,  SATB 

2.20   Schwann. 

-  Elementar  -  Solfeggien  -  Unterricht     — 80 

Stomps. 

-  Operetten    in    Luxemburger    Mundart :      1. 

Den  H&r  an  d'Madamm  TuUepant,  2.  Den 
H&r  President,  3.  En  as  rosen,  4.  De 
Wierwollef.    KA    a    2.80  n    Stomps. 

-  Reiterlied   (Le  Depart  du  cavalier  traduit), 

4    Mannerst    (deutsch-franz.)    1.50    Schott. 

Menageres    1 — u   Joubert. 

Menard  Belle,  Ave  Maria,  with  V  obi.  —60 
Ditson, 

-  Love's   springtime  — 35    White. 

-  Nepenthe  - — 35   White. 

-  Songs     for     Kindergarten      and     Primary 

Schools  —30  Ditso7i. 
-Under  the  magnolias,  waltz  song  — 35  Dil- 
son. 

Menard-Tissot    Mme.     Adieu,    Marie    1 — n, 
Ch.    s.   — 40  u    Bornemann. 

-  Captif  1 —  n  Bornemann. 

•  Ce  que  j'aime  bien,  Ch.  s.  - 

•  Dans  uu  verre  1.20  n,  av.  G 

—25  n  Labhe. 

-  Fiancee,  Ch.  s.  — 25  n  Labbe. 

-  Fille   du    bandit,    ch.    dram. 

— 40  n   Bornemann. 

-  Gitana  du  roi  d'Espagne  1 — 

-  II  sera  militaire   1 —  n   Bornemann. 
.-  Ma  soeur  de  lait   1 —  n  Bornemann. 

'  Mere  et  I'oiseau,  Ch.  s.  —20  n  Labbe. 

-  N'effeuillez    pas    les    marguerites    2.50,      P 

5 —  Heugel. 

-  Prifere  du  Peuple  1.20  n,  av. 

8.  — 25  n  Labbe. 

-  Reste  se  devine  1 —  n,  Ch.  s. 

mann. 

-  Trfisors    de    Marthe    1- —  n, 

Bornemann. 

-  Trois  Couronnes,  historiette  i 

—50  Schott. 

-  Villanelle   (av.  Hautb)    1 — n 

Bornemann. 

-  Voix    du    soir    1—  u,    Ch.    s.    — 40  n    Bortie- 

mann. 


-25  n  Labbe. 
— 40n,  Ch. 


1 — n,      Ch.    s. 
n  Bornemann. 


G  — 40n,  CIr. 

— 40  n  Born-:- 

<!h.    s.    — 40u 

ri  1  voix  av.  P 

,  Ch.  s.  — 40n 


Menardi  A.  Dialogue  d'amour 


—     417 


Mendel  Dr.  J.  3  Menucts 


Menardi  Alb.  Dialogue  d'amour,  valse  inter- 
mfede,  P  coiid.  Cortelazzo  F/'eres-Nice. 

•  Invocation,    extr.    de    TOiatorio    „FiIIe    de 

Jaire"     (L.    Deff&s),    VcP    1.50  u    jVocV. 

Menardi  Angelo,  Alia  Zingara,  polka,  0  av. 
P,   Cortellazzo    Freres-Nice. 

-  Barcarole  „Notte  d'Amor",  VP  3/—  Chanot. 

-  Gazouillement,    intermezzo,    ;Sfr-Quint.    av. 

P,     Cortelluzo  Freres. 

-  Invocation   (L.  D  e  f  f  e  s),  extraite  de  I'Ora- 

torio  „La  Fille  de  Jaire",  0  av.  P  2 — u, 
VVc  av.  P  ad  lib.    1.50  Noel. 

-  Sangre  Catalana,  marche  espagnole,  0,  par- 

tie  de  P  cond.  Cortelazzo  Freres. 

-  Simple  billet,     Cortelazzo  Freres. 
-Souvenir   d'Avril   1.50  n   Cortelazzo  Freres. 

-  Storia  breve,  melodie,   VcP  2 — n  Colin. 
-Vrlse  caressante  2 — n  Colin. 

Menasi,  Call   Her   Back  and  Kiss  Her  — 10 

Nat.  Music  Co. 
-Romance  sans   paroles,   P   1.70  n  Eveillard. 

Mende  G.  Illustrations  de  I'opgra:  Faust,  de 
Ch.  Gounod,  P:  N.  1.  Choeur  des  Sol- 
dats  1.80.  N.  2.  Duo  d'amour  (Marguerite 
et  Faust)  2 — .  N.  3.  Entr'acte  et  Romance 
des   Fleurs    1.80   Bote. 

-  Potpourri   aus   G  o  u  u  o  d's  :    Faust,   P  2.50 

Bote. 
Mende  J.  £in  Abend  in  der  Kaserne,  Potp. 
KM   2 —  Bellmann. 

-  Fabr'  wobl  du  Lenzesmorgen,  Walzer,  kl.  O 

1.20  Bellmann. 

-  Griff-Tabelle  und  tJbungen  fiir  Fl  mit  einer 

Klappe  — 30   Bellmann. 

-  2  Lieder-Walzer  iiber  beriihmte  Lieder  vou 

Heinrieh    Pfeil:      1.    Still    ruht    der 
See.      2.    Fahr'    wobl,    du    scboner    Maien- 
traum,  P  1 —  Siegel. 
-Still  rubt  der  See,  Walzer,  kl.  0  1.20  Bell- 
mann. 

Mende  Paul,  op.  9  Der  Lenz  erwacbt,  lyri- 
scbes  Tonstiick    (A),  P   1 —  Simon. 

•  12  In  Freud'  und  Leid,  5  cbarakteristische 

Kinderstiicke  mit  Fingersatz,  P :  Will- 
kommen.  Gut«r  Laune.  Gondelfabrt.  Ge- 
stortes  Vergniigen.  Erinnerung  1 — Feuch- 
tinger. 

-  14    Jugendlust,    10    kurze    und    melodiscbe 

Tonstiicke,  P:  1.  Innige  Freundscbaft.  2. 
Neckerei.  3.  Auf  die  Berge.  4.  In  der  Tal- 
jiiiibJe.  5.  Eisenbahnfahrt.  6.  Kindes  Abeud- 
gebet.  7.  Morgensegen.  8.  Heimkehr.  9. 
Frobliches  Wiederseben.  10.  Vaters  Ge- 
burtstag  1.50  n  Riihle. 
Mendel,  G  e  n  o  v  e  v  a-Galop  — 30  Thieme. 

Mendel  Emil,  Marzveilcben,  Walzer,  P  1.90 
Bosicorth. 

•  Potpourri   aus   „Faust"   von   Gounod,   P 

2.50  Bote. 

Mendel  Hermann.  Bote:  Op.  3  Elisa,  ma- 
zurka-impromptu,   P    — 75    Leuckart. 

-4  Anna  Kratz,  Polka,  mit  Portrat  des  Frl. 
Anna  Kratz  1 — -  Schuherth  jr. 

-  5  Louisen-Galopp,  P  1 — . 

-  6   Deutscbe  Quadrille   1.50. 

-  7  Mein  Liesel :  „So  berzig  wie  mein  Liesel" 

— 80  Heitirichshofen. 

Universal-Handbuch  der  Musikliteratiir.    M. 


■  8  Im  stillen  Hain  1 —  Heinrichshofen. 

-  9  Japanesen-Galopp  1 —  Heinrichshofen. 

-  Allemande,  nouv.  danse  de  A.  F  r  e  y  s  i  n  g, 

P   1.50. 
-Chaconne,      Rondo    fiber    das    gleichnamige 
Motiv    der    Offenbac b'scben    Operette : 
llerr  und  Madame  Denis,  P  1.30. 

-  Cornarino-Polka-Mazurka  aus  d.  Operette: 

Die  Seufzerbriicke,  von  O  f  f  e  n  b  a  c  b  1 — , 
u.  S  a  r  o  H.  op.  43  :  Fortunio-Marscb  nacb 
Motiven  der  Offenbac  b'scben  gleicb- 
namigen  Oper,  0  5 — . 

-  Cupido-Polka    iiber    Motive    der    Oper :    Or- 

pbeus    in   der   Holle  — 80. 

-  Fiir  Deutscbland,  preufi.  Sturm-Galopp  1 — , 

u.  P  i  e  f  k  e  G.  Kriegeriscbe  Wiegenlie- 
der,  Marscb,   0  5.50. 

-  Galopp  iiber  Motive  der  Oper :    Orpbeus  in 

der   Holle,  von   J.  Offenbach  —80. 
-Galopp    aus    T  a  g  1  i  o  n  i's    Ballet:    Ellinor 
od.  Trilumen  und  Erwacben  1 — . 

-  Geuoveva-Galopp  nacb  Tbemen  aus  Offen- 

bac b's :   Genoveva  von  Brabant  1 — . 

-  Isolinen-Polka   nacb   Themen   aus   O  f  f  e  n  - 

bach's:  Genoveva  von  Brabant  1 — ,  und 
G  u  n  g  1  Jos.  op.  165  :  Briinner-Polka,  0 
5.50. 

-  Jagd-Galopp     nacb    Motiven    der     B  e  n  e  - 

dict'schen  Oper:  Die  Rose  von  Erin  1 — , 
u.  Gungl  Jos.  op.  176:  Kirmefi-Polka, 
0  6.30. 

-  Nannetten-Polka  nacb  Motiven  der  0  f  f  e  n- 

b  a  c  b's  c  b  e  n  Operette  :  Herr  und  Ma- 
dame Denis  — 80. 

-  Orpbeus-Galopp    aus    der    gleiclm.    O  f  f  e  n- 

b  a  c  b's  c  h  e  n  Oper  1 — ,  und  K  e  1  e  r- 
Be.la,  op.  29:  Ladies-Polka  5.80. 

-  Polka   aus  der   Offenbac  b's  c  ben   Ope- 
Venedig  in  Paris  — 80. 

nacb  Motiven  der  Oper :   Das  Glock- 

des    Eremiten,    von    A.    M  a  i  1 1  a  r  t 

und    B  r  i  s  s  1  e  r  :    Sum-Sum-Polka- 

aus     Offenbac  b's      Orpbeus 


rette : 
Polka 
(lien 
—80, 
Mazurka 


6—. 

-  Hondo,  valse  sur  des  themes  de  I'opera :  La 

chanson  de  Fortunio,  de  J.  Offenbach 
L50. 

-  Saison-Polka-Mazurka     nacb     Tbemen     aus 

V  e  r  d  i's  :    Maskenball    —80. 

-  Schnee  im  Friihling,  Duett  1 —  Krompholz. 

-  Sehwatz-Galopp     aus     der     Operette:     Die 

Schwatzerin     von    Saragossa,     v.    0  f  f  e  n- 
b  a  c  b   ]  — . 

-  Zopf-Galopp     nacb    Motiven    aus    Offen- 

bac b's :    Berliner   in    Japan  — 80. 

Mendel  J.  op.  2  Trois  amusements,  P  2 — 
Hlmrock. 

Mendel  Dr.  J.  op.  3  12  Morceaux,  Org  1.50 
Andre. 

-11  12  leichte  Orgel-Priiludien  1.50  Kromp- 
holz. 

-  19  Preludes,  Org  1.50  Andre. 

-  20   Secbs   Orgelstiicke    1.25   Krompholz. 

-  Die  Wacht  am  Rhein,  Marscb,  Part  u.   St 

—75,  —50,  TTBB  —75,  P  1.25  Krompholz. 

-  Grufi   aus  Betbli  im  Mai  — 50  Krompholz. 
■  3  Meuuets  avec  Trio,  ^ws  1.50  Schott. 

27 


Mendel  Dr.  J.  Schfiee  im  Friihling 


418 


Mendelssohn  A.  Lieder  ti.  Gesdnge 


-  Sc-hnee  iii<   Friihliufr,  Duett   1 —  Krompholz. 

-  Sonnet,      Impr.    moderne-Vix.ris. 
Mendel   James,  Waltzer  N.   10  2,'—  Cury. 
Mendels,   Trianon,  gav.   P.     Priore. 
Mendelssohn   Arnold    (1855),   op.  20  Feder- 

zeiclmuiigeu,     5    eharakteristisclie    Stiicke, 
P   4.50:    Allegretto    (C-m.)    1.50.   Un   poco 
Allegro    (G)    1.50.   Allegro    (B)    1.50.  Vivo 
(E)    1.20.    Andante    (C)    1.50   DreilUien. 
-24   Drei   Toasatze,    VP:    Nr.    1.    Tii 
riam    1.20.      Nr.    2.    Melodie    2.25. 
Scherzo   2.25   Drcililieii. 

-  Abendkantat*    nacli    Worten    der 

Schrit't,    achtst.    gem.    C'lior,    Soli 
Part    10—,    Solcst    1.20,    Chorst    8— 

-  Abschied  des  ausziehenden  Krieger 


menio- 
Nr.    ••!. 

lieiligen 
u.    Or(i, 

Bote. 

.Lebe 


Volkslied,  TT 


wohl,  es  nalit.  die  Stunde' 
BB  1.80  Luckhardt. 
-5  altdeutsche  Lieder,  TTBB:  1.  Im  Mai: 
,,Grun  ist  der  Mai".  2.  Singer  und  Orga- 
nist: „Gut  Singer  gehoren  wohl  ziisam- 
men".  3.  Der  Fugenmeister :  ,,Ein  Musi- 
kus  wollt'  frohlich  sein".  4.  Zu  Sankt 
Martins  Fe.st:  ..Was  liaben  doch  die  Glius' 
getan".  5.  Der  Bart:  ,,Pfiii !  dafi  mir  der 
Bart  nicht  ^vachsen  will",  Part  a  — 40, 
St   a  — GO    Forherg. 

-  Auferstebung :    „Es    gingeu    drei    FrRulein 

also  frub",  ein  altdeutscbes  Volkslied  f. 
A-Solo,  ^ATB,  kl.  0  u.  Org,  Part  4.50  n, 
0-St  6—  n,  KA  2.40  n,  Chorst  8"  1.60  Ries 
&  Erler. 

-  B  ii  r  e  n  h  il  u  t  e  r,    Oper,   KA    16—  n    Ah  u . 

-  Biible   wir  woUen   ausse  gehe,  Volkslied  f. 

SATB  m.  P,  KA  1—  Hug. 
-2  Chore,  TTBB:  1.  Deutscher  Aar,  m.  0 
fP),  2.  Festgesang,  m.  Bhisinstr ( P ) ,  Part 
m.  untergel.  KA,  a  1.50,  Chorst  zti  Nr. 
1^  2  a  — 60  Forherg. 
-6  Chorsjitze,  &ATB:  1.  D.>r  Schnee  in  der 
Sonne:  „Wie  schone  glilnzt  der  Schnee". 
2.  Die  Rose:  ,,Die  Rose  die  dein  aufires 
Aug'  hier  sieht".  3.  Das  Allersufieste : 
„Sii6  ist  der  Ilonigseim".  4.  Der  Mensch 
ist  eine  Kohle :  ,, Mensch  du  bist  eine 
Kohl'".  5.  Die  gelassene  Schonheit:  ,,Wer 
schmiickt  die  Lilien?  Wer  kleidet  die  Nar- 
zissen?"  6.  Der  Adler  fliegt  hoch :  ,,Ja 
AVer  ein  Adler  ist"  3.10  Rieter. 
-2  Duette :  1.  Ich  liebe  dich :  „lch  liebc 
dich,  so  wie  du  mich".  2.  Aus  Jery  und 
rauschet  das  Wa.sser  und 
stehu"  2.50  Ries  cG  Erler. 
Herz  zu  wissen,  t<ATB  m. 
Org(ll).  Part  1—  /H.sfr-St 
—80  Hug. 

-  Ein  Herz  voU  Frieden,  Solost,  Frauenchor 

u.   P,   KA    1—,    St  a   —15    Hug. 

f.   Soli,   8ATB 
10 — n,     Chorst 


Blitely:    „Es 
bleibet  nicht 
Ein    getreues 
Str-Instr    u. 
—60,   Chorst 


-  Friihlingsfeier,   eine  Hjmne 

u.    0,    Part    25— n,     KA 

4.80  n   Ries  tC-   Er]er. 
-2  Gedichte:    1.  Wenn  ich  an   dich  gedenke, 

2.   Mag  auch   heifi   das   Scheiden  brennen, 

il    1 —   Werni]ial. 
-5    geistliche    Ton.satze,    vierst.    8ATB:     1. 

Zur   Fastenzeit:    „Ho.-hgelobt    sei    Gott   in 

Ewigkeit".    2.    Zum    Totenfest:    „Chri.stus 

ist  die  Auferstebung  und   das  Eeben".   3. 

Zum   Missionsfest :    „Dns   ist   je   gewifilieh 


wahr".  4.  Zur  Adventzeit :  „Traufelt  ihr 
Himmel  von  oben".  5.  Zuversicht:  „Ich 
steh'  in  meiues  Herren  Hand",  Part  2 — n, 
St    2.40    Rieter. 

-  5    geistliche    Lieder,    8ATB    2.20    Levckart. 
-4    Geslinge:     1.    Am    Gardasee,    2.    Mailied, 

3.  Der  Sehafer,  4.  Tanz  unter  der  Linde, 
ti  1.50  Forherg. 
-4  Gesiinge  auf  Volk.sliedertexte  fiir  eine 
mittlere  St  m.  GfPJ:  1.  Das  bucklichte 
Miinnlein,  2.  Ein  altes  Liebesliedchen,  3. 
Sie  narret  dich,  4.  Nach  einem  Kinder- 
verseheu.   a    1.50   Forherg. 

-  Hagestolz.    Neckreigen,    BATE    u.    0,    Part 

5— n,  KA  2— u,  0-St  5.75,  Chorst  1— 
tieholi. 

-  Leiden  des  Herrn  :    ,,Da  Krist  der  Herr  in 

den  Garten  ging",  nach  einem  altdeut- 
schen  Volkslied  f.  vierst.  SATB,  Soli  (ad 
lib.),  Org  u.  kl.  0,  Part  m.  unterlegt.  KA 
3—,    0-St  5— n,    Chorst    1.60    Rieter. 

-  Lied    vom    treuen    Kanzler,    TTBB    m.    0, 

Part  m.  unterlegt.  KA  6 — n,  0-St  12 — n 
Ries  d   Erler. 

-  Lied    vom    treuen    Kanzler :     .,Konig    Wil- 

helm  seufzt'  in  Sorgen  schwer"  2 —  Ries 
d   Erler. 

-3  Lieder:  1.  Sommerbild :  ,,lch  sab  des 
Sommers  letzte  Rose  stehn",  2.  Maitag: 
„Maitag.  wo  bist  du  denn'/"  a  — 80.  Nr.  3. 
Der  getreue  Eckart:  ,,0  wiiren  wir  wel- 
ter"   1.50    Fiirstner. 

-6  Liedar,  SATB:  Nr.  1.  Im  Holz :  „Wo  das 
Echo  schallt"  1.40.  Nr.  2.  In  der  Fremde : 
.,Es  gibt  kein  Land  so  griin  und  so  schon" 
1.20.  Nr.  3.  Ein  getreues  Herz  zu  wissen 
1.20.  Nr.  4.  Der  Mtiller :  „Milllerbursche. 
fliuk  und  froh"  1.20.  Nr.  5.  Schnadahiip- 
fel :  „Mein  Vater  hat  gesagt,  ich  soil  das 
Kindlein  wiegen"  1.20.  Nr.  6.  Hast  ge- 
sagt, du  willst  mich   nehmen   1.40  Hug. 

-Lieder  u.   Ge.siinge,   Ries  d  Erler: 

1.  Bettlerlied:       „Der    lustige    Paul    iiber 
Feld   allhier"   2—. 

2.  Friihlingsnetz :     ,,Im    hohen    Gras    der 
Knabe   schlief"    1 — . 

3.  Marchen :      ,,Der     Wind     hat's     schone 
Miillerskind"    1—. 

4.  Aus    dem    Hoh^nihied  :    ,, Stark    wie    der 
Tod    ist   die   Liebe"    1.20. 

5.  Aus    „Was    ihr    woUt" :    ,,Und    als    ich 
ein    winzig   Biibchen   war"    1.20. 

6.  Niichtliches  Stiindchen :    „0   Schatz,   tu' 
auf    mir    deine    Kammer"    1 — . 

7.  An  Belinden:   „Warum  zieh.st  du   mich 
unwiderstehlich"     1 — . 

8.  Dem     Tochtercheu      zum      Geburtstag : 
,, Rings   um   uns   bliihende  Biiume"    1 — . 

9.  Der     Zimmermann :       „Lieb     Liebchen, 
leg's   Handchen",    uud 

10.  Wenn   ich   in  deine   Augen   seh'   1.20. 
1  ] .  Sehnsucht :    ,,Die    Bliite    sie    schlllft    so 
leise"    1.20. 

12.  Goldhahn:    „Da    sitzt    ein    kleiner    Vo- 
gel"    1-. 

13.  Die  Taube:    „Wo   ist   dein   Vaterhaus" 
1—. 

14.  Nachtreiter :     „Reit'    ich    kein     Sattol- 
pferd"    1—. 


Mendelssohn  A.  Lieder  n.  Oesangc 


—     419 


Mendelssohn  L.  np.  62 


15.  Twe  Waigenleedkes :  a)  De  bauge  Va- 
der :  „Susewind,  nil  bruse"  1 — ;  bj  De 
mode  Moder :  „Haia,  Kindken,  ik 
waige    di"    1.20. 

16.  Der  Kehraus:  .,E.s  fiedeln  die  Geigeii" 
1—. 

17.  Ergebuug:  ,,Es  wandelt,  was  wir 
schauen"    1 — . 

18.  Die  Sommergeister :  .,Soniniers  !auf'(Mi 
in    Mittagsglut"    l.'iO. 

19.  Aus  dem  Naohtlied  Zaratliu.strari : 
„Nacht   ist   es,    Nacht!"    1.20. 

20.  Die  wandelnde  Gloc-ke :  ,.E.s  war  ein 
Kind,    das   wollte    nie"    1 — . 

21.  Diimmereinpfindung:  „Was  treibt  :iiicli 
so   von   liinueii"    1 — . 

22.  Der  Hiisar:  „Mir  gliinzen  die  Augen 
wie   der   Himmel   so   klar"    1 — . 

23.  Bur,  holl  stiir ! :  „Min  Fell  is  grof,  miu 
Hiirt   is   fin"    1.20. 

24.  Diimmrung  senkte  sicb   von   oben    1.20. 

25.  Zwei  Lieder:  1.  Locken,  haltet  mich 
gefangen.  2.  Flavios  Gesang:  „Ein 
Wiinder  ist  der   arnie   Mensch"    1.50. 

26.  Drei  Lieder  des  Harfners:  1.  Wer  nie 
seiu  Brot  mit  Trilnen  aB.  2.  An  die 
Tiiren  will  ich  schleichen.  3.  Wer  sich 
der    Einsamkeit    ergibt    1.50. 

27.  Ich   fiireht   nit  Gespenster   1 — . 

28.  Drei  Lieder  aus  dem  italienisclien  Lie- 
derbuch:  1.  Fisc-herlied :  „Icli  bin  ein 
Fischer  an  dieser  Kuste".  2.  Stand- 
chen :  ,.Gute  Nacht,  geliebtes  Lebeu'". 
3.  Die  Naherin:  „Ich  hab'  an  alien 
Madchen   Gef alien"    1.80. 

30.  Portum  inveni :  „Da  ich  erreicht  dich, 
Ruhstatt    der   Sorgen"    1.50. 

31.  Drei  Lieder:  1.  Ich  bin  feme  gewesen. 
2.  Aufbruch:  „Sammelt  euch  driiben 
am  Heideort".  3.  Nirwana  :  „Ich  grufie 
dich,  der  naht  mit  dunklen  Kriigen" 
1.80. 

32.  Wind  und  Bach :  ..Bachlein  hiipft  mit 
muuterm    Branseu"    1.50. 

33.  Unkenlied :  ,,Was  regt  in  meinem 
Teiche  sich"    1.50. 

35.  Bliimengruli   1 — . 

36.  Phanologisciies   Lied   1.20. 

37.  Wanderers  Nachtlied   1 — . 

38.  Wechsel   1.20. 

39.  Am  Flusse  1.20. 

40.  Finnisches   Lied    1.20. 

41.  Nachtgesang    1.50. 

42. 0  Welt,  du  gibst  niir  Schuuer  uud 
Wonnen   1.50. 

43.  Gotteskind   1.50. 

44.  Die  goldens  Schar  ii.  Nahender  Friih- 
liug   1.50. 

45.. Der  Chapeau    1.50. 
46.  Im    Nachschaun    1.20. 

5   Lieder   nach   Shakespeare   3 —   Schott. 

3  Lieder  filr  eine  Singst  m.  P-Begl. :  1. 
Sommerbild :  „Ich  sali'  des  Sommers  letzte 
Eose  steh'n"  (Cis-moll)  —80.  Nr.  2.  Mai- 
dag  (Maitag)  :  ,,Maidag.  wo  biiss  du 
denn?"  (F-moll)  —80.  Nr.  3.  Der  ge- 
treue  Eckart:  ,,0  wiiren  wir  weiter,  o 
wiir'  ich  zu  Haus!"  (D-moll)  1.50  Sim- 
rock. 


•  INIag  aiich   heifi   das   Scheiden   brennen    1 — 

Wernthal. 
-4    Mannerchore    mit    0 :    1.    Bur    holl   stur: 

,,Min  Fell  is  grof"    (Mein  Haut  ist  rauh). 

2.      Ergebung:      „Es     wandelt     was      wir 

schauen".    3.    Deutsches    Flottenlied :    „Mi- 

chel      horeh,      der      Seewind      pfeift".      4. 

Freunde    sagt,    was     wollt     ihr     trinken? 

Part   m.    unterl.    KA   4.50  n,    0-St    7.50  n, 

Chorst   3— n  Ries  d-   Erier. 

-  Nach   einem   alten  vlamischen  Volkslied,    f. 

SSM8A  m.  Soli,  Part  —25  n  Vandenhoeck. 

-  Paria    fiir    Soli.    8ATB    u.    0,    KA    10— n, 

Chorst  4.80  n   Ries  <€   ErIer. 

-  Sammlung    von    Orgelspielen    — 75    Waitz. 
-Schneider    in    der    Holle :       „Es    wollt    ein 

Schneider  waudern",  humoristische  Bal- 
lade fiir  T-Solo,  vierst.  TTBB  u.  0,  Part 
3.60  n,  0-St  6—  n,  KA  2.25  n,  Chorst  8" 
— 60  Forherg. 

-  Wandlung    iiber    Nacht:       ,,Das    macht,    es 

hat  die  Nachtigall  die  ganze  Nacht  ge- 
sungen"    1 —    Wernthal. 

-  Wenn  ich  an  dich  denke  1 —  Wernthal. 

-  Zur    Maienzeit    1 —   Thies. 
Mendelssohn  Jaques,  Am  Grabe,   TTBB   1— 

Luckhardt  ct  Belder. 
Mendelssohn    Ludwig.   Siegel:    Op.   4   Polo- 
naise   C-dur,    Jfms    1.50    Junne. 

-  17    Schiiferstiindchen,    P    1.50    Thiemer. 

-  18  Auf  dem  Attersee,   P   1.50   Thiemer. 
-20    Salon-Etuden,    drei    leichte    Stucke,    P  : 

1.  Walzer,  2.  Scherzo,  3.  Caprice  a  1 — , 
Nr.    3.   Caprice    1.30. 

-  21    Blumenreigen,    Salon-Walzer,    P    1.30. 
-23   Wandervogel,    Tonsliick,    P   1 — . 

-  27    Kosakentanz,     charakteristisehes     Ton- 

stuck,    P    1.30. 

-  28   In   Saus  und  Brans.  Salonstiick  in  Ga- 

loppform,   P   1.30. 
-29    Zwei    charakteristische    Tonstiicke,    P : 

1.   Die  kleine  Franzosin,   2.  Die   Sennerin, 

a   1—. 
-31    Ballkonigin,   Walzer    1.30. 
-33    Mazurka    (Cis-moll)     1—. 

-  34   Die   Harfe,   charakteristisehes   Tonstiick 

1.30. 

-  38  Tarantelle   1—. 

-  40   Romanze    (G-moll)    1 — . 

-  47    All    Rouet,    morceau    caract6ristique,    P 

1.20    Bosuortli,   —50    Wood. 

-48  Nr.  1.  Im  Schleheiidorn,  da  sitzt  ein 
Vogel  und  singt,  2.  Trau,  schau,  wem?: 
,,Auf  ein  freies  Feld  bin  ich  gezogen",  a 
1 —  Bosworth. 

-51  Perpetuum  mobile  (A-m.),  H  — 80  Si- 
mon. 

-52  Intermezzo  a  la  Gavotte  f.  VP  1.20,  P 
1.20  Bosirorth. 

-  52  Kol   Nidre,    P  —80    Thiemer. 

-  56    Frauenlob :    „Wir    Manner    lieben    alle- 

zeit",  f.  vier  Miinnerst  m.  ad  lib.  P,  KA 
1.50,  St  1—  A"o;//). 
-62  PV:  Nr.  1.  Polonaise  1.20.  Nr.  2.  Petite 
Valse  1.20.  Nr.  3.  Soldatenmarsch  1.20. 
Nr.  4.  Kavatine  1 — .  Nr.  5.  Miickentanz 
1 — .  Nr.  6.  Conte  serieux  1 — .  Nr.  7.  Im 
Zirkus  1.20.  Nr.  8.  Wiegenlied  1—.  Nr.  9. 
Polonaise  1 — .  Nr.  10.  Perpetuum  mobile 
1 —  Bosicorth. 


27* 


Mendelssohn  L.  op.  62 


420 


Mendelssohn  L.   Vom   Uberbrettl 


-62  Ten  Easy  Recreations.  VP:  N.  1.  Polo- 
naise —50.  N.  2.  Petite  Valse  —50.  N.  3. 
Soldier's  March  — 50.  N.  4.  Cavatine  — 40. 
N.  5.  Mosquito  Dance  — 40.  N.  6.  A  Se- 
rious Story  — 40.  N.  7.  In  the  Circus 
—50.  N.  8.  Cradle  Song  —40.  N.  9.  Polish 
—40.  N.  10.  Perpetuum  Mobile  —40 
Wood. 

-  63  Herzblilttx-hens  Zeitvertreib,  3  Klavier- 
stiicke  olme  Oktavenspann.  Ausg.  im  V- 
Schliissel,  im  U-Schliissel :  Nr.  1.  Herz- 
bliittchen  spielt  mit  der  Puppe,  a  1 — .  Nr. 

2.  Herzblattchen  tanzt  Walzer,  u  1 — .  Nr. 

3.  Herzblattchen  marschiert  mit  dem  gro- 
fien   Bruder.    fi    1.20    Kaun. 

-65  Faschiug,  P:  Nr.   1.  Harlequinade  — 20. 

Nr.  2.  Marsch  der  Landsknechte  — 20.  Nr. 

3.    a   la   Watteau   — 30.    Nr.   4.    Steierisch 

—20.   Nr.   5.   Bolero  —30.   Nr.   6.  Kehraus 

—30  Michoir. 
-66    Zwei    Gavotten,    P:    1.    Gloekenblumcn. 

2.  Pfingstlauten,    a    1.50    Kaun. 

-67  P:   1.  Auf  zur  Attacke,  2.  Pikkolo-Wal- 

zer,  3.  Kobolde,  4.  Auf  schaukelnden  Wo- 

gen,   a  — 30   Michow. 
■  68    Leichte    und    gefallige    Vortragsstiicke, 

VP:    1.   Schlummerlied,   2.    Rondeau   mili- 

taire,   3.   Mazurka,   4.   Bauerntanz,   ft   1.20 

Bosworth. 
68    Easy   Recreations, 

merlied    —50.      N.    2. 

—60.   N.   3.   Mazurka 

tanz   — 50    Wood. 
71    Valse  elegante    (Es),   P   1.50   Krenizlin. 
76   Klein   Hansehen :    „Klein  Hiinschen   gar 

so    traurig    war",     necki.sches     Lied     1.20 

Kaun. 

84  Spiel  u.  Sport,  sechs  iustruktive  leichte 
Tonstiicke,  P :   1.  Radeln,  2.  Reifenspielen, 

3.  Kahnfahreu,  4.  Tauzen, 
laufen,  6.  Soldateuspielen, 
2.50  n  Kaun. 

85  Was    Papa    von    seinen 
6    instrukt.    Klavierstucke 
Spanuuug:    1. 
Schweiz :    Alpenfest, 


VP:    N.    1.    Schlum- 

Rondeau    Militairc 

— 50.   N.  4.   Baueru- 


Ungavn  : 


5.  Schlittscliuh- 
a   — 90,  kompl. 

Reisen   erziihlt, 

ohne    Oktaven- 

Zigeuner-Tanz,   2. 

Spanien:    Estelln, 

4.  Frankreicli :  Die  Eosen-Konigin,  5.  Ita- 

lien :     Neapolitanisches    Lied,     6.    Tiirkei : 

Janitscharen-Marsch,    a   —80,    Nr.    1,    '/?//.s- 

1.20   Schmidt. 

90  Air  de  Ballet,   P   1.20   Filedluender. 

98  Jubel  erschall !  :  ,,Erschienen  ist  der 
Tag  der  Weihe",  Festmarsch,  Text 
deutsch  u.  engl.,  TTBB,  Part  u.  St  1.50, 
SATB,   Part  u.    St   1.50,   P    1.50   Kauv. 

99  Kol  Nidre,  hebraische  Melodic:  A. 
Harm  (Org)  1—,  B.  HarmP  1.50,  C.  V 
Harm(P)  1.30,  D.  VcHarmfP)  1.30,  E. 
P  —80   Simon. 

101  Deux  Dances  nobles,  P:  1.  Valse,  2. 
Polka,   k   1.50   Kaun. 

103  Nr.  1.  Mazurka,  2.  Gavotte,  3.  Walzor. 
4.    Polka,   5.   Marsch,   a  —20   Michoir. 

104  P:  1.  Mamachens  Geburtstag,  2.  In 
der  Schule,  3.  Die  Schule  ist  aus,  4.  GroO- 
papa.  kommt,  5.  Im  Regen,  6.  Ein  Tiinz- 
chen,  7.  Im  Zirkus,  8.  Schaukelpferd,  9. 
In  den  Ferieu,  10.  Der  Kaiser  kommt,  a 
—20  Michow. 


-  119  Kiuderfreuden,   melodische   Studien,   P 

—60    Michow. 
-120   Paraphrase,   P,   iiber   Mozart's    Zau- 
berflote  — 60  Michow. 

-  121     P:    Nr.    1.    Traumerei,    2.    Spanischer 

Tanz,  3.  Lied  ohne  Worte,  4.  Zur  Gui- 
tarre,  5.  Elektrisch  (Galopp,  Etiide),  a 
— 20   Michoiv. 

-  132    Transkriptionen,    P,     iiber     beriihmte 

klassische  Arien :  Nr.  1.  Bach:  Mein 
gljiubig  Herz  — 20.  Nr.  2.  Lotti-Arie :  Pur 
dicesti  — 20.  Nr.  3.  Handel:  Lafit  mich 
mit  Triinen  — 10.  Nr.  4.  Pergolesi: 
Tre  giorno  son  che  Nina  — 20.  Nr.  5. 
Scarlatti:  Barcarole :  ,,0  cessate  di 
Piagrami"  — 20.  Nr.  6.  Mozart:  Ave 
verum  — 20  Michoiv. 

-133  Nr.  1.  Die  Hofequipage:  ,.Auf  hohem 
Rosse  hiilt  voll  Ruh'  der  Schutzmann" 
2 —  n    Michow. 

-136  Xr.  1.  Die  lieben  siifien  Miidchen,  s. : 
vom  uberbrettl. 

-138  La  Gracieuse.  valse  de  salon,  P  1.20 
Schmidt. 

-168  Drei  Kavalierslieder :  1.  Verdammt 
noch  'mal  I :  „Hab'  ein  siifies  Weib  ge- 
seh'n",  2.  Der  Mann  :  „Die  Miidel,  die  fei- 
nen",  3.  Tempi  passati :  „Ich  war  sehr 
stark",   a  1.50  Rahter. 

-  169  DeuTv   Caprices,   P:   1.  Libellule,   valse- 

caprice,  2.  Mazurka  ^l^giaque,  a  1.50 
Rahter. 

-  170    Flirt,    Spiel-Duett    fiir    1    Dame    und    1 

Herrn,    Rahter. 

-  Abendlied,    Des-dur     (S  c  h  u  m  a  n  n    R  o  b. 


f.    /' 


'/  m  .<( 


Nr.    12)    iibertr. 

([\\   bist   aus   Kopenick 


-60 


op.    85 
Simon. 

-  Dir   kenne   ick,   i\\\   bist   aus   Kopenick    1.50 

JlarmoniC 

-  Emilie   mit   der   Lilie,   tJberbrettl-Lied   — 20 

Michow. 

-  Gluckwuusch   —80   FAsoldi . 

-  Kopenicker,   Polka    1.50    llar/iioiiic. 

-  Mein    Mauschen :     ,,Meiu     ^Miiuschen    sagte 

stets    Mama",    neckisches    Lied    1.20    Gott- 
f'lrcht. 
-Polka-Caprice,    P    1.20   Eiscddt. 

-  So  etwas   Sehones  gibt  es  kaum,   denn  das 

eilebt  man  nur  im  Traum :  „Wenn  Mama 
erztihlte",    Walzerlied    1.50    GoUfurcht. 

-  Staccato,   P    1 —   Musik-Woclte. 

-  Traumerei   aus   den   Kiuderszenen    (S  c  h  u- 

m  a  11  n  Rob.  op.  15  Nr.  7),  iibertragen  f. 
P   \i.   Jfms    (vereint)    — 60   Simon. 

-  Vergebliche    Warnung:    „Ich    sell'    dich    oft 

am  Fenster  steh'n"  (deutsch  u.  engl.)  1.20 
Kaitn. 

-  Vom   uberbrettl,    Kompositionen    f.    Gesang 

u.    P:    op.    133    Nr.    1.    Die    Hofequipage. 

2.  Lied  der  Ghawaze :  „Seidne  Gewander." 

3.  Lehmanns  Flitterwochen  :  „Weil  ich  sie 
liebte  ungestum."  4.  Das  Lied  vom  ver- 
lassenen  Lehmann :  ,,Ich  hab'  ein  sehones 
Miidchen  gehabt."  5.  Ich  und  du :  „Wenn 
bei  Lunas  Silberscheine",  Duett,  op.  136 
Nr.  1 .  Die  lieben  siifien  Miidchen  2 —  n 
MicJ(ow. 


Mendelssohn  L.  Waherkoniy 


421     — 


Mendelssohn-Bartholdy  F.  op,  8 


-  W  a  1  z  e  r  k  6  u  i  g,  Operette.  Musikwelt : 
KA  12— n,  P  (m.  unterl.  Text)  G— n, 
Vorspiel,    P   2—,    sO   2—  u,    stO    3—  n : 

2.  Du    lieber,    lieber    Trautgesell    1.20. 

3.  Ilier  ein  Kiifichen  1.20. 

4.  Acb  so  ein  Walzer  1.50. 

5.  Mein  Miidchen  hat  an  mich  gedacht  1 — . 

lieben    1.20. 

PJI  2.50  n,  stO 


herzinnig 


sO  m. 


I—,   ,sO  m.   FIl    1.75  u.  slO 
2.50,    sO    111.     /'//    2.50  n, 


P    2.50,    sO    m.    PE    2— n. 


6.  Wenn    zwei    sich 
Intermezzo,   P   1.20 

2— u. 
Originalwalzer 

2.50  n. 
Marella-Walzer 

fitO   3—  u. 
Potpourri, 

StO    3.50  n. 

Mendelssohn  Paul,  Lied  ohue  Worte  (v. 
Tschaikowsky  Peter,  op.  2  Nr.  3), 
iibertr.    f.    P.    F-dur    — 80    Simon. 

Mendelssohn  Rachel,  Spring  flower,  schot- 
tische,   P  — 40   Brainard. 

Mendelssohn-Bartholdy  Felix  (1809—1847), 
op.  1  Q  u  a  r  t  e  1 1  (C-m.) ,  PVVaVc  3.30  n 
Brcitkopf,  3 —  Schlesinger,  4/6  n  Novcllo, 
5— n  Costallut,  6— n  Jonhert,  12—,  8" 
Part  1.50  n  Ricordi;  ^n^s  2 —  Brcitkopf, 
1.50   Schlesinger,   3/ — n.   Allegro   2/ —  .ATo- 

-  2  Q  u  a  r  t  e  1 1  Nr.  2  ( F-m.) ,  PVVaVc  3.30  n 

Breitkopf,  3.50  Schlesinger,  4/6  u  Novcllo, 
12/—  Leonard,  6— n  Costallat,  6.70  n  Job- 
ber*,   15 — ,    8"    Part    1.50  n    Ricordi;    4ms 

2—  Breitkopf,  2—  Schlesinger,  3  —  n, 
Allegro    2/ —   Novello. 

-3  Q  uartett  Nr.  3  (H-m.),  PFFtiFc 
5.70  n  Breitkopf,  12—  Hofmeister,  7/6  n 
Novello,  12 —  Leonard,  7 — n  Costallat;  8" 
Part  3 — n  Ricordi,  Jfriis  2 — Breitkopf,  16 — 
Hofmeister,  3/ — n  Novello,  2P  7 — ,  Duo 
nach  dem  Quartett,  //wif  (L.  R  6  h  r)  9.70 
Hofmeister,  9 —  Girod;  Allegro  molto,  ^P 
(H.   Gobbi)    3.50   Rdzsavolgiji. 

-  4  S  o  u  a  t  e  (F-m.),  PV  1.30  Breitkopf,  3.75, 

(F.  W.  Eichler)  4—  Eofmeister,  1— 
Peters,  1/ —  n  J-itgre/ier,  2/6  n  Novello, 
3— n  Costallat,  7.50  Lemoine;  VcP,  FIP 
a  —75  Hofmeister,  VaP,  VcP,  FIP  a  1/— n 
Augener,  VcP  4/— n  Novello,  VcP,  FIP  a 
3— n  Costallat,  2VVaVc  3— n  Costallat; 
4ms  3 — ■  Hofmeister,  1 —  Litolff,  2/ —  ii 
Novello;    Adagio,    O/77    3/ —   Ashdown. 

-5  Capriccio    (Fis-ni.),  P   1 —  Breitkopf, 

3—  Po<c,  —72  C;ime?,  —60  n  Cranz,  —50 
Litolff,    — 60    Schlesinger,    — 50    Schiceers, 

"'—20  F.  Siegel,  —40  J.  Schuherth,  4/—, 
( W.  M  a  c  f  a  r  r  e  n)  5/ —  Ashdoicn,  1/ —  n 
-iMgrerier,  2/ — •  Novello,  — 75  Schirmer, 
1.35  n  Costallat,  6 —  Jouiert,  Heugel,  Le- 
moine, 3.50,  (H.  Billow)  — 90  n  Ricordi, 
— 50,  (P.  Pabst)  — 80  Jvrqenson;  4ms 
2,6n    Novello. 

-  6  S  o  n  a  t  e  (E) ,  P  1—  Breitkopf,  5—  Bote, 

3.50  Hofmeister,  —70  Lj'/o?/f,  1—  Schle- 
singer, — 60  J.  Schuherth,  — 70  Sehiveers, 
8/ —  Ashdown,  1/ — n  Augener,  2/ —  No- 
vello, 9 —  Heugel,  Lemoine,  1 —  Jurgen- 
son;    4ms    6 —    Hofmeister,    3/ —    Novcllo; 


Meniietto,  P  (Macfarren)  3/ —  Ash- 
down, Augener,  1.75  n  Dtirand. 
-7  Sieben  Charakterstiicke,  P  G'/j 
Bg.  Ziofe,  I— II  a  1—  Breitkopf,  1.30 
Cranz,  — 80  Litolff,  1.20  Schlesinger, 
7  Bg.  Schott,  — 80  J.  Schuherth,  Schweers, 
I — II  a  1 —  Breitkopf,  1/ —  n  Att^rener,  7/6 
Williams,  I  4/— n,  II  3/6  n  Novello,  9— 
Jouhert,  (extr.)  — 60  n  Lemoine,  I — II 
ii  — 65  Jurgenson,  Nr.  1 — 7  (H.  R  i  e- 
mann)  a  —20  F.  Siegel,  Nr.  1—2,  3,  4, 
5—6,  7  a  1/6  Novello,  (Macfarren) 
Nr.  1,  4,  6  a  3/—,  Nr.  3,  5,  7  a  4/—  Ash- 
doxvn,  Nr.  2  2/ — ,  Nr.  7  3,'—  Augener,  3/ — 
WiWittms;  Andante  u.  Presto  (T  h.  L  e- 
•schetitzky)  1.80  Rahter;  Nr.  4  5—, 
Nr.  5—6  5 —  Heugel;  (Marmontel) 
Nr.  1—3  7.50,  Nr.  4  —50  Bessel :  4ms  I 
4—,  II  3.50  Hofmeister,  2P  2— n  Le- 
moine,  6  Charakterstiicke,  yp  (F  r.  He  r- 
m  a  n  n),  I  3—,  II  3.75,  Praludien  u.  Fuge 
(R.  S  c  h  a  a  b)  2.50  Hofmeister;  Sehnsucht 
II.  Jugcndliebe,  2  charact.  piece,  P  3/—  Ash- 
down; 2  Andantes,  Org  (E.  T.  C  h  i  p  p) 
1/—  Novello;  Nr.  5.  Fuge  (A),  Org  (R. 
L  a  n  g  e)  1—  Breitkopf,  Nr.  6.  Sehnsuch- 
tig,    H    (R.    Francke)     1—   Koeppen. 

-8  12  G  esange  f.  /Sf,  MS  a  1—  Breitkopf: 
1.  Minnelied  im  Mai:  „Holder  klingt  der 
Vogelsang",  2.  Das  Heimweh :  „Was  ist, 
das  mir  den",  3.  Italien :  ,,Schoner  und 
schoner",  4.  Erutelied :  „Es  ist  ein  Schnit- 
ter",  5.  Pilgerspruch :  „Lafi  dich  nur  uieht 
dauern",  a  — 30.  Nr.  6.  Friihlingslied: 
„Jetzt  kommt"  — 40.  Nr.  7.  Maienlied: 
„Man  soil  horen  sufies"  — 30.  Nr.  8.  An- 
deres  Mailied  (Hexenlied)  :  „Die  Schwalbe 
fliegt"  —40.  Nr.  9.  Abendlied :  „Das  Tag- 
werk  ist",  10.  Romanze :  „Einmal  aus 
seinen  Blicken"  — 30.  Nr.  11.  Im  Griinen: 
„Willkommen  im  Griinen"  — 30.  Nr.  12. 
Suleika,  Duett:  „An  des  lust'gen  Brun- 
nens"   — 60   Schlesinger. 

Novello  : 

N.  1.  Love  song  in  May  (Minnelied  im 
Mai)  — /6  n.  N.  2.  The  home  thought  (Das 
Heimweh)  1/— n.  N.  3.  Italy  (Italien), 
in  G  1/ — u,  in  E  1/ — n.  N.  4.  Harvest 
hymn  (Erntelied)  1/ — n.  N.  5.  Pilgrim- 
lore  (Pilgerspruch)  — /6  n.  N.  6.  Song  in 
spring  (Friihlingslied)  1/ — n.  N.  7.  May 
song  (Maienlied)  — /6  n.  N.  8.  Witches' 
May  song  (Auderes  Maienlied)  1/ — ■  n.  N. 
9.  Romance  (Romanze)  — /6  n.  N.  10. 
Sweet  spring  (Im  Griinen)  1/ — n.  N.  11. 
Even  song  (Abendlied)  — /6  n.  N.  12.  Que- 
stion „Is  it  truet?"  (Frage),  in  A  — /6  n, 
in  F  — /6n. 

Ricordi :    Compl.    8 —  : 

N.  1.  Canto  d'amore  — 75.  N.  2.  La  No- 
stalgia 1.25.  N.  3.  All'Italia  1.50.  N.  4. 
Canzonetta  della  messe  1.50.  N.  5.  Canto 
del  Pellegrino  1.25.  N.  6.  Canto  alia  Pri- 
mavera  1.75.  N.  7.  Canzonetta  di  Maggio 
1.25.  N.  8.  Canto  delle  Streghe  1.75.  N.  9. 
Romanza  1.25.  N.  10.  Nella  verzura  1.50. 
N.  11.  Canzone  della  sera  — 75.  N.  12.  Su- 


Mendelssohn-Bartholdy  F.  op.  8 


422 


Mendelssohn-Bartholdy  F.  op.  14 


leika,  duetti  1.75,  P  (C.  C  z  e  r  n  y)  1 — 
Breitkopf,  6 —  Lenioine,  Jfins,  I — II  a  1 — 
Breitkopf,  (Hermann)  3VP  1/2  n,  BVP 
1/ —  n   Augencr,    vide :    Lieder. 

9  12  Lieder,  /(.  t.  a  1—  Breitkopf:  1. 
Frage :  „Ist  es  wahr  ?"  2.  Gestiindnis : 
„Kennst  du  nieht",  3.  Wartend :  ,,Sie 
tiug  einen  Falken"  — 30.  Nr.  4.  Im  Frfib- 
ling:  „Ilir  friihlingstrunknen  Blumen", 
5.  Im  Herbst :  „Ach  wie  schnell",  k  — 30. 
Nr.  6.  Soheidend :  „Wie  so  gelinde  die 
Flut",  7.  Sehnsucht:  „Fern  imd  ferner 
schallt"  —30.  Nr.  8.  Fruhlingsglaube : 
,,Die  linden  Liifte",  9.  Feme :  „In  weite 
Feme  will  icli",  10.  Verlust :  ,,Und  wiiB- 
ten's  die  Blumen",  11.  Entsagung:  „Herr 
zu  dir  will  ich  micli",  12.  Die  Nonno: 
,,Im  stillen  Klostergarten",  a  — 30  i<chle- 
dinger;  Jiinft  (H.  Cramer),  I — II  a  1 — 
Breitkopf,  Nr.  5,  YcP  (Bachler)  1— 
Rieter. 

Novello  : 

N.  13.  Confession  (GestHndnis)  —.6  ii. 
N.  14.  Waiting  (Wartend)  — /6  n.  N.  1.^. 
Distance  (Sehnsucirt),  in  D  — /6  n,  in  li 
fiat  — /6n.  N.  16.  In  spring  (Im  Friib- 
ling)  1/ — n.  N.  17.  In  autumn  (Im 
Herbst)  — ;6  n.  N.  18.  Parting  (Schoi- 
dend)  — /6  n.  N.  19.  Approach  of  spring 
(Fruhlingsglaube),  in  E  — /6  n,  in  C 
— /6n.  N.  20.  Afar  (Feme)  — /6  n.  N.  21. 
The  broken  heart  (Verlust),  in  D-miaor 
— /6  n,  in  B-minor  — /6  n.  N.  22.  Resigna- 
tion (Entsagung),  in  F  — /6  n,  in  D  — /6  n. 
N.  23.  The  nun   (Die  Nonne)   — /6  n. 

Ricordi:  Compl.   7 — : 

N.    1.   Dimanda 
2.    La    Confessione 
zione    1.25.    N.    4. 
L'Autunno 


Egli  fe  ver?)  —75.  N. 
1.25.  N.  3.  L'Aspetta- 
Nella  Primavera  1.25. 
1.25.  N.   6.  La   Partenza 


N.  7.   Solitudine  —75.  N.   8.  Fiducii 

Primavera    1.25.    N.    9.    Lontananza 

N.   10.  Perdita  1.25.  N.  11.  Binunzia 

N.    12.   La   Monaca  —75.   Vide:    Go- 


N.  5. 
1.25. 
nella 
1.25. 
1.25. 
sange. 
10  Die  Hochzeit  des  Camacho 
(C  a  m  a  c  h  o's  Wedding;  N  o  c  e  s  d  e 
Gamache),  Oper,  Part  20—,  KA  12— 
Breitkopf,  P  3 —  Eofmeister,  2 —  Litolff, 
12/—   Novello. 

Ouverture:  P  —30  Breitkopf,  Tjn 
Bg.  Bote,  1.50  Eofmeister,  —30  Litolff, 
— 50  Schlesingcr,  4/ —  Ashdown,  (E' 
P  a  u  e  r)  1/ — n  Augener,  Williams,  2,3 
Novello,  — 85  n  Lemoine;  Jftns  — 60  Breit- 
kopf, 37.  Bg.  Bote,  2—  Eofmeister,  —80 
Schlesivger,  (E.  Pauer)  1/ — n  Auge- 
ner; 2P  2—  Breitkopf,  2.70  n  Costallat; 
8ms  2—  Breitkopf,  2.70  n  Costalktt; 
VP  (F.  Hermann)  1.30,  ^msVVc 
(B  u  r  c  h  a  r  d)  2.10  n,  0,  Part  3—  n, 
St  6.60  Breitkopf,  0,  Full  .score  3  6  n, 
parts   7/- —  n   Novello. 

Terzett,  0   1.50  n  A.  E.  Fischer. 

Marsch,  P  (  E.  P  a  u  e  r),  l^ms,  8ms  a  1/ —  n 
Atigener,   P   2/ —   Williams. 


11  I.  Symphonie  (Cm.),  0,  Part  5 — 
Breitko2)f,  3 —  Litolff,  12 — n  Schlesijiger, 
5/ — n  Novello,  8— n  Costallat,  St  10.40 
Breitkopf,  9.60  Schlesinger,  11/ — n  No- 
vello, 15 — u  Costallat;  2*2 —  Breitkopf, 
—80  Litolff,  4/6  Novello,  4— n  Costallat; 
1.80  n  Lemoine,  dins  2 —  Breitkopf,  Schle- 
singer, Simrock,  1.20  Litolff,  10/—  Auge- 
ner, 6/ — n  Novello,  2 — n  Choudens,  8 — 
Ricordi;  8ms  (Busoni)  3 —  Breitkopf, 
12 —  Schlesinger,  4— n  Costallat;  VP  (H. 
Sitt)  2.60  Breitkopf,  JfmsVVc  (F  r. 
H  e  r  ni  a  n  n)  4.20  n  Breitkopf,  4/ —  n 
Augener,  7 — n  Costallat,  Andante,  .'pus 
3/ — ,   Menuet  a.    Trio,   J/ms   3/ —  Ashdown. 

12  Quartett  (Es)  Nr.  1,  2VVaVc,  Part 
1 — n  Breitkopf,  — 50  n  Euleniurg,  3 — 
Eofmeister,  1.50  Litolff,  3.50  n  Costallat, 
1.50  u  Ricordi,  — 75  n  Societa,  St  2.40 
Breitkopf,  4—  Eofmeister,  1.50  Litolff, 
1.50  n  Schlesinger,  (J.  Joachim) 
l.SOfn  Simrock,  1—  Un.-Ed,,  4/—  No- 
vello, 4 — n  Costallat ;  4rns  1—  Breitkopf ^ 
3.50  Eofmeister,  1.20  Litolff;  VP  (Ad. 
G  r  ii  u  \y  a  1  d)  3.50  Fiirstner,  PVVc  4— 
Eofmeister,  4/ — n  Novello;  Sonate  (arr.), 
.Jwis    3.50    Eofmeister,   2/ — n    Novello. 

Canzonet!  a,  2VVaVc  2—  Eofmei- 
ster, Part  1 — n  Costallat,  Durand,  p.  s. 
1— n  Costallat,  Durand,  0,  Part  u.  vSt 
4.40  Ries  tG  Erler,  Part  1— n  Costallat, 
Durand,  p.  s.  1 — n  Costallat,  Durand; 
VP  2—  Eofmeister,  1/6  n  Novello,  2 —  1 
Costallat,  6—  Noel,  VaP  2—  Eofmeister, 
VcP  2 —  Eofmeister,  2/ — n  Novello,  6 — 
Noel,  FIP  6—  Noel,  P  1—,  (J.  T  e- 
desco)  2.50  Eofmeister,  1 —  Zechlin, 
2/6  Augener,  1/ — n  Novello,  1.50  u  Co- 
stallat, 5 —  Noel,  8"  — 25  n  Ricordi;  Jfms 
— 75  Eofmeister,  3/ —  Ashdown,  Auge- 
ner, 1/ — n  Novello,  4/ —  Pitman,  — 50  n 
Ricordi,  2—  Carisch;  V  —30  n,  2V  —60  n, 
VP  — 60n,  2VP  — 90n,  VVaP  — 90  n, 
VVcP  — 90n,  2VVc  — 90  n,  VFIP  — 90  n, 
VVaVcP  1.20  n.  2VVaP  1.20  n,  2VVcP 
1.20  n,  2VVaVc  1.20  n,  2VVaVcP  1.50  n, 
PVFlCornetdPist  1.20  u,  P2VFlCornetaPi.it 
1.50  n,  P2VVcFlCornetaPist  1.80  n,  P2V 
VaVcFlCorneiaPist    2.10  n    Weif}. 

13  Q  u  a  r  t  e  1 1  (A-m.)  N.  2,  2VVaVc,  Part 
1 —  Breitkopf,  — 60  n  Eulenburg,  3.50  u 
Costallat,  1.50  Ricordi,  — 75  n  Societd, 
St  2.40  Breitkopf,  1.50  Litolff,  Simrock. 
\—  Un.-Ed.,  4— n  Costallat.  P  1—  Breit- 
kopf, 3/ —  Augener,  5/ —  Novello,  4niS  1 — 
Breitkopf,  1.30  Litolff,  5/— n  Novello,  VP 
(A.  G  r  ii  n  w  a  1  d)  4—  Fiirstner;  Inter- 
mezzo, VP  (Oechsner)  2 — n  Co- 
stallat; Adagio,  Org  (J.  H  i  1 1  e  s)  1/6 
Novello. 

14  Rondo  capriccioso  (E).  P  (H.  v.  Bil- 
low) 2.50  Aibl,  4Bg.  Andre,  27,  Bg.  Bote, 
(H.  G  e  r  m  e  r)  1.50  Bosworth,  1 —  Breit- 
kopf, — 50  Cranz,  — 60  Eainauer,  Kaun, 
—20  Kunz,  —40  Litolff,  —90  n  Maas,  —20 
Michow,  Riihle,  1.50  Praeger,  — 50  Schle- 
singer, — 40  J.  Schuherth,  — 20  F.  Siegel, 
—50    Tonger,     1/6  n    Allan,     3/—,     (Mac- 


Mendelssohn-Bartholdy  F.  op.  14 


—    423    — 


Mendelssohn-Bartholdy  F.  op.  20 


Novella,     3- — 
( L  e  m  o  i  n  e ) 
H  II  11  y  a  (1  i ) 
o-  a  u  d)      2.50 


fallen)  4, —  Ashdoicn,  2/6  Augener, 
4/ —  Chappell,  4/ —  Cramer,  — /6  Forsylh, 
]/6  Noicllo,  4/ —  WfPtcA,  2/ — 11  IViV/iuis', 
3/_^  (H.  Thomas)  4/—  Williams,  2— n 
Chotideus,  1.35  CostuUaf,  1.75  Coutard, 
Durand,  4 —  (7»»s,  6 —  lleugel,  7.50  Joi/- 
fcer/,  (Woiiters)  6 —  Kaito,  5 —  Le- 
gouix,  — 75  n  Lemoine,  6 — ,  S"  —50  n  .Vo(7, 
1 —  tichott  Frires,  G —  t<i<lzhuc]t,  — 75 
Bruinard,  Century,  Cluirch,  Ditson,  Mr. 
Kiuley,  i<cJurmer,  (Wood)  — 40  Fischer, 
— 65  Gordon,  (13  u  low)  1.25  Schirmer, 
3.50  Ricordi,  — 60  n  Sandron,  — 45  Ge- 
hethner,  Bessel,  Gutheil,  Juhunsen,  J tir- 
genson,  Leopas,  (A.  H  e  n  s  e  1  t)  — 60  Jur- 
genson,  mO  (P  ii  f  f  h  o  1  d  t)  4.50  ii  Kistner. 
— 30  Hansen,  1.50  Lundquisi,  — 30  Nord. 
Musikforlug ;  4ms  2 —  Cranz,  3 —  Nndor, 
5  Bg.  t<chott,  1.50  J.  t<chnherQi,  2/ — n 
Gregh,  4.50  Ricordi;  2P 
9—  Lemoine,  VP  (J.  B. 
1.50  Cranz,  (A  r  m  i  n- 
Costallat,  2VVa  (Giin- 
t  her)  1.50  Ueinrichshofen,  0  (S  c  h  u  1 1  z- 
S  c  h  w  e  r  i  n),  Part  3.50,  St  7.50  Cranz, 
mO   4.50  n    Kistner. 

15  F  a  u  t  a  s  i  e  :  Letzte  Kose  (Last  rose  of 
summer.  Derniere  Eose  d'ete),  P  P/2  Bg. 
Bote,  —60  Breitkopf,  —50  Cranz,  —40  Li- 
tolff,  — 70  11  Maas,  — 50  i<chlesinger,  — 40 
J.  Schiiherth,  3/ —  Ashdoun,  2/ —  Augener, 
JfdNovello,  1.70  nGregli,  i.50  Ileugel,  6— 
Lemoine,  — 30  Jurgenson,  — 40  IIa)tsen, 
Jfms    1.50    Cranz. 

16  T  r  o  i  s  F  a  11 1  a  i  s  i  e  s,  P  1—  Breit- 
kopf, — 60  Cranz,  — 70  Hainauer,  — 50  Li- 
tolff,  1.50  Prueger,  3  Bg.  Bchutt,  —40  ./. 
Bcliuherili,  1/ — n  Augener,  Hammond, 
2/ —  Xorello.  — 75  Brainard,  Schirmer, 
1.35  n  Costallat,  4 —  Grus,  5 —  Lemoine, 
1.50  Schott  Freres,  3 —  Ricordi,  — 45  Gut- 
heil, Johansen,  —45,  N.  2  (E-m.)  —20 
Jurgenson,  — 40  Hansen  ;  'futs  (C  z  e  r  n  v 
C.)    2  6  n   Xorello. 

N.  1.  Andante  eon  m  o  t  o  — 30 
Breitkopf,  Vj^  Bg.  Bote,  (H.  Gernier) 
1 —  Bosivorth,  — 30  Schlesinger,  (H.  K  i  e- 
m  a  n  n)  • — 20  n  F.  Siegel,  2/6  Aslidoun, 
1/—  Xovello,  2/6  Weekes,  1/6  n  Wickins, 
2/ —  Willi-fiins,  — 40  Brainard,  Presscr, 
Schirmer,  Wood,  — 30  Diison,  — 35  Schmidt, 
White,  3 —  Heugel,  — 50  n  Lemoine,  — 50 
Schott   Freres. 

N.  2.  Scherzo  —30  Breitkopf,  P/, 
Bg.  Bote,  (H.  Germer)  1 —  Bosicorth, 
—20  Riihic,  —30  Schlesinger,  (T  h.  L  e- 
sclietitzky)  1—  Rahter,  (H.  B  i  e - 
maun)  — 20  n  F.  Siegel,  2,6  Ashdown, 
1_  Novcllo,  2/6  Weekes,  2  — n  Wool- 
house,  — 40  Brainard,  Schirmer,  Wood, 
— 35  Schmidt,  3 —  Heugel,  — 50  n  Lemoine, 
Schott  Freres,  1 —  Bevilacqua;  0  (H. 
Hofmann),  Part  1.80,  St  4.50  Cranz. 

N.  3.  Andante  (The  Rivulet)  —30 
Breitkopf,  (H.  Germer)  1 —  Bosicorth, 
Vji  Bg.  Bote,  — 30  Schlesinger,  (H.  R  i  e- 
ma  nn)  — 20  F.  Siegel,  2  6  Ashdoicn,  2/— 
Augener,       3, —     Chappell,     Duff,     Dona- 


joicski,  1/ —  Novello,  2/6  Weekes,  1/6  n 
Wickins,  2/ —  Williams,  — 40  Brainard, 
— 35  Schirmer,  — 40  Schmidt,  3 —  Heugel, 
—  50  n  Lemoine,  Schott  Freres.  J^ms  2.50 
Cranz. 

-  17   Variations   e  o  n  c  e  r  i  a  n  t  e  s    (D) , 

J'Vc  1.30  Breitkopf,  1.50  n  Cranz,  5/^ 
Ashdown,  3/ — n  Novello,  3.50  Costallat, 
7.50  Hamelle,  Lemoine;  VP  (C.  Czerny) 
1.50  Cranz,  3/ — n  Novello,  7.50  Hamelle, 
Lemoine;   4»is    2/6  u    Novello. 

-  18  Q  u  i  n  t  e  1 1  o  N.  1    (A) ,  2V2VaVc,  Part 

2 — n  Breitkopf,  — 80  n  Eulenhurg,  5 — 
Simrock,  4.50  u  Coslallat,  2 — n  Ricordi, 
1.25  Societd,  St  3—  Breitkopf,  2.50  Litolff, 
J.  Joachim)  2 — n  Simrock,  2 — •  Un.- 
Ed.,  6—  n  Costallat;  S  o  n  a  t  a,  VP  (H  u- 
nyadi)  7.50  Simrock,  7,6n  Nonello; 
Jfins  (Gleichauf)  5 —  Simrock,  6/ — n 
Novello,  Scherzo,  P  (E.  Pauer)  2.30 
Simrock,  2/6  n  Novello,  Ad(>rato,  Org  (J. 
Hi  lies)     16    Novello. 

-  19a    S  e  c  li  s   G  e  .s  il  n  g  e  :    1 .    Friililingslied. 

2.  Das  erste  Veilchen.  3.  Winterlied. 
4.  Neue  Liebe.  5.  Grufi.  6.  Reiselied 
1 —  Breitkopf,  a  —30  Schlesinger.  N.  1. 
Old    Spring     so 

3.  Greeting.     4 
Fairy    revel.    6.    Journey 
— ;6,"n.  2  — /9,  N.  3— 4,  5, 


i'.      2.    The     first     violet. 

Swedish  Wintersoug.  5. 
song  4/ — ,  N.  1 
6  a  \j —  Novello, 


P,   J/ms   a  1 —   Breitkopf. 

Vide :   Gesiinge. 

1 9b      L  i  e  d  e  r      o  li  n  e      Wo  r  t  e 

without    Words.    Romances    sans 

Romanze   senza    parole),    P :    Nr. 

2.     (A-m.),    3.     (A),    Jagdlied,    4. 

(G-m.),    Venetianisches   Goii- 

a    —30    Breitkopf,    3'/:   Bg., 

a  1    Bg.,   N.   3,  5   a   P/^  Bg. 

.  1,  3  a  —45,  Nr.  2,  4  a  —30, 

—20    Litolff, 

-60    Schweers, 


(Songs 
paroles. 

1.  (y^), 

(A),  5. 


(Fis-m.),    6. 
dellied    — 50. 
N.    1,  2,    4,  6 
Bote,  1—,  Nr 
Nr.  5 
—50, 


—60    Kahnt,    —50,    a 
a   — 30    Schlesinger,   — 


N.  1,  3,  5  a  2  Bg.,  N.  2.  4,  6  a  1  Bg.  Schott, 
1_  Simrock,  4/—,  N.  1,  2,  4,  6  a  1/—, 
N.  3,  5  a  2/—  Ashdoicn,  2/6,  N.  1,  3,  5 
a  2,—,  N.  2,  4,  6  a  1, —  Augener,  Cramer, 
1/ —  Boosey,  4/ —  Chappell,  Cramer,  3/ — n 
Novello,  2,—  Wickins,  5/—,  N.  1,  3,  5,  6 
a  2/—,  N.  2,  4  il  1/—  Wini4ims,  7.50  ffe»(- 
</e?,  — 40  Brainard,  — 85  Ditson,  N.  1,  3,  6 
•1  —30,  N.  2  —20,  N.  4  —15,  N.  5  —35 
Gordon,  1.50  n,  N.  1,  3  a  —30,  N.  2,  4,  6 
a  — 20,  N.  5  — 40  Church,  Schirmer,  a 
— 50n  Cottrau,  —40  Ricordi,  —65,  N. 
]— 3,  5  a  —20,  N.  4,  6  a  —15,  N.  6  (A. 
II  e  n  s  e  1 1)  — 20  .Jurgenson;  dtns  3 — 
Simrock,  il  1.50  Nddor,  10 —  -Jouhert, 
6—,  N.  1—4,  6  a  1.50,  N.  5  2—  Ricordi; 
Org(H)  5/—  Chappell,  HP(2P)  3—  Sim- 
rock, VP  (F.  David)  3 —  Simrock, 
1/ — n  Leonard,  3/ — n  Novello,  VcP  3.50 
Simrock,  1/ —  u  Leonard,  2 —  n  Costallat, 
3—  Jouhert,  VcOrg  2— n  Costallat,  FIP 
1  ■ — -  u    Leonard. 

Vide:    Lieder   oluie  Wort«. 
20  Octett,  .iy,9Ffl2Fc,  Part  3— n  J?rdf- 
Lopf,   Litolff,   1.40  n   Eulenhurg,  6— n   To- 
stollat,   2.50  n    Ricordi,    2.15  u    Societd,    St 


Mendelssohn-Bartholdy  F.  op.  20 


424 


Mendelssohn-Bartholdy  F.  op.  25 


4.80    Breitkopf,    :)— 
Ed.,   8— n    CostdlUit, 


Litolff,    Peters,    Un.- 
3.40   Societd;  Jfms2V 


Ou^  er- 

Bg.    Bote, 

Aslidonn, 

ChappeU, 


VaVe  (B  u  r  c  h  a  r  d)  5.40  n.  PFlV(2V)Vc 
13/— n,  P2VV(n'c  ]0/6n,  P  5/6  Novella, 
P  (J.  Tscher  1  i  t  zk  y)  2—,  .'ims  1— , 
Sms  {A.  Horn)  4 —  Breitkopf,  ^ms  1- — 
Litolff,  Peter N,  Un.-Ed.,  15/ —  Ashdom}, 
1/ —  n    Novello. 

21  S  o  m  m  e  r  n  a  c  ])  t  s  t  r  a  u  m 
tare,      P    —30    Breitkopf,    S^s 
—30  Litolff,  Knn^,  Michow,  4/— 

(E.  P  a  u  e  r)  4/ —  Augener, 
Cramer.  Pilmon,  Williams,  1/ —  Doiia- 
jowski,  2/6  Novello,  1.25  Brainard,  — 90 
Ditson,  1 —  Gordon,  Schirmer,  4 — n  Chon- 
deiis,  — 95  n  Lemoine,  10 —  Noel,  2.75 
Maria  III,  Ricordi,  — 40  Jurgevson. 

Jtins  —60  Breitkopf,  4>j.  Bg.  Bofe,  1.30 
naivauer,  6  Bg.  Schott,  (E.  P  a  u  e  r)  6/— 
Ashdnivv,  1/ — n  /It/r/^'jier,  6/ —  ChappeU. 
Williams,  1.50  I)itsn7i,  1.25  Gordon,  3 — -n 
Chovdens,  2 — n  Diirand,  9 —  Jouhert, 
]  .80  u  Lemoine,  5 —  Mariani,  Ricordi,  — 60 
Jurgenson,    2.50    Tlirsch. 

2P   2 —    Breitkopf,   5/ — ■   Cramer. 

Sms  2 —  Breitkopf,  2.50  Schlesinger, 
Sim  rock,  2.50   Ditsor,,   2.70  n    CostaUat. 

Org(Pipc)    1.50    Schirmer. 

IIP    (Podrazil)    2.60    Breitkopf, 
E  e  i  n  h  a  id)    3.50  Simon, 
21—  Novello. 

PV    (F  r.    lie  rma  n  n) 
^ — /4  Shear d. 

JfmsVVc    (B  u  r  c  h  a  r  d) 

J/P/Sf  r-Quint.i<7       (R. 
i?7  eitkopf. 

2VVaVc  i¥  r.  H  e  r  m  a  n  n) 
kopf. 

V  — 60n,  21'  — 90n,  VP  1.20  n,  2VP 
1.50  n,  VVaP  1.50  n,  FFcP  1.50  n,  VFIP 
1.50  n,  rFflFrP  1.80  u,  2VVuP  1.80  n, 
2Fyc7>  1.80  11,  2rraFo  1.50  n,  2FFal>/' 
2.10  n,  PVFlCornelaPisf  1.80  n,  P^FF/ 
CornetaPist  2.10  n.  PiVVcFlCornetaPist 
2.40   n,       P2VVaVcFlCornetaPist      2.70   n 

O,  Part,  3— n  Breitkopf,  1— u  Eh/c»- 
fe»r(/,  1.50  Litolff,  4/6  n  Novello,  4.50  n 
CostaUat,  3.50  n  Ricordi;  St  5.40  Bre//- 
fcopf,  4.50  Schlesinger,  2 — n  Simrock, 
6/ — n  Novello,  2 —  Fischer,  1.70  n  77a»- 
fces,  8 — n  CostaUat,  10 — -n  Jouhert, 
kl.  0  1.75  n  CVan^;  SmaUO  1.20  Fischer, 
1.50  n  Ilairkes;  mO(I1arm )  5.10  Breitkopf, 
7/ —  n   Novello. 

22  Capriccio  brillant  (H-m.),  P  (C. 
Reinecke)  1.50  Breitkopf,  3^,  Bg. 
J5o/e,  — 80  Crans:,  1 —  nainaiier.  — 90 
/u/»i?,  —40  A'jfns',  —60  Schott,  —80  8c7i/'- 
6J'/(f/er,  5  Bg.  Schott,  —60  J.  Schuberth. 
5/- —  .4.s-7i(7on-«,  1/6  n  Augener,  3/ —  Chap- 
pcU,  1/6  Mcrley,  2/6  Novello,  Williams, 
1 —  Ditson,  Gordon,  Schirmer,  2 — n  C'o- 
slallat,  4 —  Grits,  7.50  Heugel,  Jouhert. 
Lemoine,  L50  Schott  Freres,  5 —  Ricordi. 
— 60  n  Sandron,  — 75  Johansen,  (P. 
Pabst)  — 75  Jurgenson,  — 70  Leopas, 
— 40     Hansen,    — 75       Lvndquist ;     Hero's 


6— 

(A. 
(G.  Merkel) 

]  .30    Breitkopf, 

2.10   Breitkopf. 
La  n  g  e)        4.50 

1.20  n  Breit- 


2/6  n   Novello, 
Novello,    10— 


Mar.sph  (S  c  h  u  b  e  r  t  h  L.)  1— ,  (W  a  c  b  t- 
mann)  — 30  Breitkopf,  1/6  Novello,  — 40 
Presser. 

J,ms  2—  Breitkopf.  1.20  Peters,  8  Bg. 
Schott,  4 — Augener,  3/ — n  Novello,  — 75 
Brainard,  — 45  Gutheil ;  Hero's  Mar.sch 
(F.  L.  Schuberth)  (J.  Jadas- 
.s  o  h  n)  a  — 60  Breitkopf,  2/ — n  Novello, 
— 50  n  Presser,    (Aiiszug)    2 —  Bosworth. 

6ms    (Auszug)    2.50   Bosv)orth. 

2P  (C.  Refine  eke)  2.50  Breitkopf, 
(Ruthardt)  1.20  Peters,  2.50  Schle- 
singer, 1.20  Un.-Ed.,  1,6  n  Augener,  (¥. 
<  •.  J  a  n  s  e  n)  5/ —  Weekes,  5 —  n  Co- 
stallat. 

Sms  (Bur  chard)  2 —  Breitkopf, 
(W  agner  &  Brissler)  2.50  Ri';s, 
2.70  n  CostaUat. 

PO,  ■"Part  2—  Breitkopf, 
St  5.10  Breitkopf,  4/- n 
Lemoine. 

PQuart.    2.70    Breitkopf,    4/6  n    NoveUn. 

-23  Drei  Kirchenmusiken,  SATB  u. 
Solost  m.  Or</,  Part  2—,  Chorst  2.40  Prc^^ 
A'opf,    a    -15    Litolff,    Part   —60    LiioZ^, 
2 — n,   St  1.20   Simrock,    'fms  6 —  Lemoine. 
1.  Au.s   tiefer    Not    schrei'    ich    zu    dlr,   4.st. 
gem.  C'hor,  2.  Ave  Maria,  f.  Soli  u.  S.st. 
gem.  Chor,  3.  Mitten  wir  im  Leben  sind, 
f.    8st.    gem.    Chor,    Part   a    1 — n    Breit- 
kopf, Nr.  1,  3  a   1.30,  Nr.  2  3—  Simrock. 

1.  In  deep  distress,  motet,  P  1/ —  Novello. 

2.  Aie  Maria  (Saviour  of  Sinners),  T-s. 
a.  double  chorus,  Full  .score  w.  Org 
2/6  n,  Voc.  .score  1/ — n,  Voc.  p.  1/ — n, 
w.  latin  words  1/ —  n,  0,  parts  1/3  n 
■ffms.    Org    a    1/ — n    Novello. 

3.  Man  is  mortal,  8  p.  choral,  Voc-.  score 
1/— n,    P    ]/—    NoveUo. 

-  24  0  u  V  e  r  t  u  r  e  f .  H  a  r  m  o  n  i  e  m  u  s  i  k, 
p  _30  Breitkopf,  —50  Schlesinger,  1/— n 
Augener,   2/6  n    NoveUo. 

-'ims  —60  Breitkopf,  3'/,  Bg.  Bote,  —80 
Schlesinger,    1/ — n    Augener,   5 —   Ricordi. 

2P    (F  r.  Herman  n)    2—  Breitkopf. 

8ms  2 —  Breitkopf. 

Org    (Best)    2/—   NoveUo. 

VP    1.30    Breitkopf. 

J^m.sVVc  (Bur  chard)  2.10  n  Breit- 
kopf. 

OfHarm),  Part  3—  Breitkopf,  2—  Sim,- 
ro(k,  3/— n  NoveUn,  St  7.50  Breitkopf, 
12 — .  (E  b  e  r  w  e  i  n)  4 —  n,  Simrock,  8/ —  n 
Novello,  10.50  n  Ricordi:  mO  3.30,  kl.  0 
2.50,  foZilf  2.80  Oerfe?. 
-25  Concerto  N.  1  (G-m.),  P  (C.  Rei- 
necke) 1.50  Breitkopf,  6  Bg.  Bofp,  1.10 
Cram-,  —70  Litolff,  1.20  Schlesinger,  8  Bg. 
Schott,  — 75  J.  Schuherth,  1 —  Schu'eers, 
1.20  Simrock,  8/—  A.s/jrfoH-w,  2/— n  A«- 
gencr.  4/ —  Novello,  6' —  Williams,  — 60 
Schirmer,  10 —  Heugel,  12 —  Hamelle,  Le- 
moine, 15—  A^oeZ,  (H.  F.  K  u  f  f  e  r  a  t  h) 
2 —  Schott  Freres,  7  Ricordi,  (A.  H  e  n- 
selt)  2.25  Gutheil,  1.10  Jurgenson; 
A  d  a  g  i  o,  H(Org)  1/ —  Willi<ims;  A  n- 
dante  2/6    Ai^hdown,   4/ —  Augener,   5/ — 


Mendelssohn-Bartholdy  F.  op.  25 


—     425    — 


Mendelssohn-Bartholdy  F.  op.  30 


Cramer,  — 85  n  Lemoine,  — 75  Schott  Fre- 
res;  Org  1.75  u  Durand,  Finale,  P  4/ — 
Ashdoii.Hj  Melody  from  Concerto  et  Noc- 
turne from  Midsummer  Night's  Dream 
— 20  n  Presser. 

Jyms    1 —    Breitkopf,    6.' —  n    Novello. 

2P  (C.  R  e  i  n  e  c  k  e)  2.50  n  Breitkopf, 
3.50  Schlesinger,  1.20  Un.-Ed.,  2/— n  Ak- 
yener,  7/ —  Weekes,  1.25  Sclm-mer,  4 — n 
CostaUat,  3—  n  Schott  Freres,  II P  —75 
J  urgenso7i. 

PO,  Part  4—,  St  6.60  Breitkopf,  Score 
4/ —  n,  parts  7/ —  n,  quint,  ace.  4/ —  n 
Novello;  Auszug  a.  d.  Konzert,  6ms  (G. 
F  r.  West)  2.50,  4ms  2—  Bosivorth. 
26  Ouverture  zu  den  Hebriden 
(F  i  n  g  a  1  s  h  i)  li  1  e.  F  i  n  g  a  I's  1  a  v  e. 
G  r  o  1 1  e  d  e  F  i  n  g  a  1) ,  /'  ( E.  P  a  u  e  r  i 
—30  Breitkopf,  3  Eg.  Bote,  —30  Litolff, 
— 50  Schlesinger,  3  Bg.  Schott,  5/ —  Ash- 
doicn,  4,' —  Augener,  1/6  n  Novello,  — 70  u 
Lemoine,  2—  Ricordi,  — 60  n  Sondroii. 
— 40  Jurgcnson. 

Jims  —60  Breitkopf,  4  Bg.  Bote,  1.20 
Hainauer,  — 60  Litolff,  — 80  Schlesinger, 
6  Bg.  Schott,  6/ —  AshdowH,  1/— n  Au- 
gener, 3/ — II  Choudens,  1.50  n  Durand, 
5 —  Ricordi,  — 60  Jurgenson,  2.50   Ilirsch. 

6ms   (Herbert)    3.75  Schott. 

2P  (E.  Naumaun)  2 — n  Breitkopf, 
2.70  n  CostaUat. 

8ms  (F.  L.  S  e  b  u  b  e  r  t)  2—  Breitkopf, 
2.50    Schlesinger,    4.50    Simrock,    4 —    t'o- 

Pfl^    (Aug.    Reinhard)    3.50    Simon. 

■^msH    (W.   Waege)    4.50   Simon. 

PJIV  (J.  Soyka)  2.10  n  Breitkopf, 
3/ —  Novello. 

PNBVVaVc  (J.  Soyka)  3— n  7>'/-ei7- 
kopf,   4/6   Novello. 

PHStr-Qwiat.Fl  (J.  S  c  Ii  ii  1  t  z)  4.50  n 
Breitkopf. 

J,ms\  Vc  (B  u  r  c  li  a  i  d)  2.10  n  /?rc/?- 
kopf. 

BVVaVc  (F  r.  H  e  r  m  a  n  n)  1.20  n  Breit- 
kopf. 

0,  Part  3— n  Breitkopf,  1.50  n  iJ^ifH- 
fejrrfif,  1.50  Litolff,  3/— n  Novello,  4.50  n 
CostaUat,  2 — n  Ricordi,  St  5.10  n  Bre//- 
fcop/,  3.60  Schlesinger,  2 — n  Simrock. 
5/6  n  Novello,  1.50  Fischer,  1.70  Hawkes, 
8 — n  CostaUat;  SmaUO  1 —  Fischer, 
1.50  Haiikes;  sO  3— n,  kl.  0  1.60  C'm«£. 
27Meeresstille  und  gliickliche 
Fahrt  (Calm  Sea  and  prospe- 
rous Voyage),  Ouverture,  P  — 30  n 
Breitkopf,  3  Bg.  Bote,  —30  Litolff,  —50 
Schlesinger,  4  Bg.  Schott,  — 50  n  Simrock, 
2 —  Teich,  4/ —  Augener,  2/3  n  Novello, 
2 — n  CostaUat,  — 35  a  Lonoine,  3 —  7ij- 
cordi,  — 40   Jtirgenson. 

Jfms  —60  n  Breitkopf.  4'/„  Bg.  TJofc, 
1.20  Hainauer,  —GO  Li7o//f,  —80  .S'c/(/.-- 
singcr,  6  Bg.  Schott,  — 60  u  Simrock, 
(Pauer)  1/— n  Augener,  — 60  Jw/- 
genson. 

2P  (A.  Horn)  2—  Breitkopf.  2.70  n 
fos/aZtef. 


L.    Schubert)      2— n,      (R. 

5 —   Simrock,    2.70  n    CostaUat. 

Her  m  a  n  n)   1.30  n  Breitkopf. 

(Bur  chard)     2.10  n     Breit- 


IT  e  r  m  a  n  n)       1.20  n 


8ms     (F. 
Keller) 
PV  (Fr. 

2VVaVc       (F 
Breitkopf. 

O,  Part  3— n  Breitkopf,  1.50  Litolff, 
4/ — n  Novello,  3— n  Ricordi,  St  5.70  u 
Breitkopf,  3.80  Schlesinger,  2 — n  Si'm- 
rocfc,  6/6  n  Novello;  kl.'o  4.80  u  Brett- 
fco/}/^,  1.80  n  Cron^,  Part  4.50  n,  p.  s.  8— n 
Costo//a,f. 

28  Fantasie  (Fis-m.) ,  audi  Sonate  ^cos- 
saise  genannt,  P  1 —  Breitkopf,  S^j^  Bg. 
Bote,  —80  CVa?i0,  —50  Li*o/^,  —80 
Schlesinger,  5  Bg.  Schott,  — 40  J.  Schv- 
ierth,  — 50  Schireers,  I — u  Simrock, 
3/ — ,  ( M  a  c  f  a  r  r  e  n )  6/ —  Ashdown, 
1/ — n  Attgener,  2j 6  Novello,  — 75  Gutheil, 
— 75,  (P.  Pabst)  — 75  Jurgenson,  — 40 
Hansen;  Ire  Partie,  P  — 30  Gebetlmer, 
— 50  Jtirgenson;  Presto  — 60  Simrock, 
3/ —  Duff,  5 —  ILamelle,  Heugel,  — 75  n 
Lemoine,   8^   — 50  u   Noel,  — 50   Gehethner. 

Jfms  4 —  Simrock,  4/ — n  Novello; 
Presto  2.50  Simrock,  2/6  Novello,  — 50 
Bessel. 

29  Rondo  b  r  i  1 1  a  n  t  (Es) ,  P  (C.  R  e  i- 
necke)  1.50  n  Breitkopf,  A^j^  Bg.  Bote, 
— 90  Cranz,  — 60  Litolff,  — 90  Schlesinger, 
6  Bg.  Schott,  — 60  J.  Schuherth,  Schweers, 
1/6  n  Augener,  2,6  Novello,  4/ —  Williums, 
2 — n  CostaUat,  6 —  Lemoine,  5 —  Ricordi, 
— 75   Jurgenson. 

Jfms  2-^  Breitkopf,  4/ —  Novello,  7.50 
Lemoine. 

2P  1/6  n  Augener,  6/ —  Weekes,  4 — n 
CostaUat. 

PO,  Part  3—  n,  8"  1.50  n  Breitkopf, 
3/— n  NoveUo,  St  5.] On  Breitkopf,  5/—n 
Novello,    12 —   Lemoine. 

PQuint.  3 —  n  Breitkopf. 

30  S  e  c  h  s  L  i  e  d  e  r  o  h  n  e  W  o  r  t  e,  21' 
—50  Breitkopf,  S'j^  Bg.  Bote,  1 —  Kahnt, 
Litolff,  — 50  ScMesinger,  — 60  Schweers, 
1 —  Simrock,  4/ —  Ashdown,  1/ — n  Au- 
gener, 4/ —  Chappell,  4/ —  Cramer,  2/6 
Novello,  2/ —  Wickins,  5/ —  Williams, 
7.50  Heugel,  Joiiberf,  1,50  Cottrau,  — 40  n 
Ricordi,  — 65  Jurgenson;  VP  3/6  n  No- 
vello : 

1.  (Es).  Andante  espressivo, 
Allegro  di  molto,  3.  (E). 
troppo,  4.  (H  m.) .  Agitato 
5.  (D).  Andante  grazioso, 
Venetianisches  Gondellied 
tranquillo,  il  — 30  Breitkopf,  N.  1 
6  a  1  Bg..  N.  3—4  Vf.  Bg. 
N.  1,  3,  6  a  —30.  N.  2,  5  a  —45, 
N.  4  —60  Kahnt,  a  —20  Litolff,  a 
—30  Schlesinger,  N.  1,  3,  5,  6  a  —20  n. 
N.  2,  4  Ji  — 40n  Simrock,  a  —50  Cott- 
rau, N.  1,  3,  5,  6  a  1/—  N.  2,  4  a  2/— 
Ashdotcn,  Augener,  Cramer,  N.  1,  6 
a  1/—,  N.  2—5  a  2/—  Novello.  N.  1,  3,  6 
a  1/—,  N.  2,  4,  5  a  2/—  Williams,  N.  1. 
5,  6  a  —25,  N.  2  —40.   N.   3  —15,  N.  4 


2.  (B-m.). 
Adagio  non 
e  con  fuoco, 
6.  (Fism.). 
Allegretto 
2,  5. 
Bote. 


Mendelssohn-Bartholdy  F.  op.  30 


426 


Mendelssohn-Bartholdy  F.  op.  36 


—50  Brainard,  —65,  N.   1,  3,  G  a 
N.  2,  5  a  —30.  N.  4  —40  Church, 


-20, 
Gor- 
2,  5 


G— 
6  u 
N.  4 


don,  Schirmer,  N.  1,  3,  6  a  — 15,  N. 

a  — 20,  N.   4  — 30  Jurgenson. 

4ms  1.40  u  Simrock,  — 70  Jouhert 
Ricordi,  N.  1,  2,  4,  5  a  —40,  N.  3, 
—20  Simrock,  N.  1—3,  5.  6  a  1.50, 
2 —   Ricordi. 

EP(2F)   V.   C.   G.    Lickl,   3—  Sit)irocl:. 

VP    (F.    David)    3.50    Simrock. 

VcP  (A.  Piat.  ti)  3.50  Simrock,  3 — n 
Jouhert. 

Vide:    Lieder   oline    Worte. 

31  Der  115.  Psalm-  Nicht  unseru  Na- 
men,  Herr !  Chor,  Solo  u.  0,  Part  3 —  )i 
Breiikopf,  3.50  n  Simrock,  2/ — n  Novello, 
0-St  4.20  n  Breitkopf,  3—  n  Simrock,  4/8  ii 
Novello,  Cliorst  — 60  n  Breitkopf,  — 40  n 
Litolff,  Simrock,  Part  1/6  n,  Voc.  pts.  2/— n 
Novello,  KA  2 —  Breitkopf,  1.50  n  Sim- 
rock, 3/6  Novello,  P  2.50,  4ms  3—  Sim- 
rock, 3/ — 11   Novello. 

Duett  mit  Chor  :  Domus  Israel,  KA  — 40  n, 
Bafi-Arie:  Adjiciat  •Dominus,  KA  — 20  n 
Si7rirock. 

32  O  u  V  e  r  t  II  r  e  z  ii  m  M  ii  r  c  li  e  ii  a  o  ii 
der  se  hone  11  M  el  u  sine,  P  — 30 
Breitkopf,  3\U  Bg.  Bote,  —30  Litolff,  —50 
Schlesinger,  5  Bg.  Schott,  5/ —  Aslidoivn, 
(E.  Pane  r)  4/ —  AwgreMer,  Chappell,  1/6 
Donajoicski,  2/6  n  Novello,  1.10  n  /-c- 
moine,   — 40   Jurgenson. 

4ms  —60  Breitkopf,  5  Bg.  Bo/e,  1.30 
Ilainauer,  (E.  P  a  u  e  r)  1/ —  Augener, 
— 60    Jurgenson,    2.50    Hirsch. 

2P  (A.  Horn)  2—  Breitkopf,  2.70  n 
Co.s<«7Zaf. 

8ms   (F.  L.  Schubert)    2—  Breitkopf, 
(Keller)    5 —   Simrock,   4 — n    Costallat. 
Hermann)    1.30    Breitkopf. 
(Bur  chard)      2.10  n     Breif- 


PV    (Fr. 

4msV'Vc 
kopf. 

0,  Part 
iurg^  1.50 
Costallat, 


3_n  Breitkopf,  1.50  n  EmZcw- 
Litolff,  4/— n  Noi-ello,  4.50  n 
3 — 11  Ricordi,  2 — n  Societa ; 
St  5.10  n  Breitkopf,  3.20  Schle.nnger,  2— n 
Simrock,  5  6  n  Novello,  FullO  2—,  SmollO 
1.50  Haivkes,  S— n  Costallat;  kl.  0  1.90 
Crows. 
33  Drei  C  a  p  r  i  c  e  n.  P.-  Nr.  1.  (A-m.), 
2.  (E),  3.  (B-ni.)  2—,  a  1—  Breitkopf, 
Nr.  1—2  a  3  Bg.,  Nr.  3  272  Bg.  Bote,  Nr. 
1—2  a  —60,  Nr.  3  —40  Cranz,  Litolff, 
Nr.  1—2  a  1—  n,  Nr.  3  —70  n  Maass, 
10  Bg.  Schott,  a  —60  Schlesinger,  n  —50 
Schweers,  — 70  J.  Schulerth,  Nr.  1,  2  a 
4/—,  Nr.  3  3/—,  (M  a  e  f  a  r  r  e  n)  4/— 
Ashdorrn,'\l — 11  Augener,  a  4/ —  Chap- 
pell, Nr.  1  1/—,  Nr.  2  2/—,  Nr.  3  1/6  No- 
vello, Nr.  1,  2  a  4/—,  Nr.  3  3/—  Weekcs, 
Nr.  1,  2  a  — 75,  Nr.  3  — 50  Schirmer, 
10 — ,  a  5 —  Eeugel,  a  6 —  Jouhert,  Nr.  1, 
2  a  3—,  Nr.  3  2—  Ricordi,  Nr.  1  1—  Bes-seZ, 
—65,  Nr.  2  —50,  Nr.  3  —35  Jurgenson, 
a  — 40  Hansen,  2 —  Hirsch,  a  — 50  Lund- 
quist;  ^/hs  a  1 —  Breitkopf,  a  2/6  n  A^o- 
vello. 


-34  Sechs  Gesiinge  1 — •  Breitkopf:  1. 
Minnelied :  ,,Leucht't  heller  als  die 
Sonne",  2.  Auf  Fliigeln  des  Ge-sanges,  3. 
Friihlingslied :  „Es  brechen  im  sehallen- 
den",  4.  Suleika :  „Acli  um  deine",  5. 
Sountagslied:  „Ringsum  erschallt",  a 
— 30.  Nr.  6.  Beiselied :  „Der  Herbstwind 
riittelt"    — 40    Schlesinger. 

Novello  : 

N.  1.  The  joy  of  Spring  — /6.  N.  2.  An 
(jld  love  song  • — /O.  N.  3.  On  wings  of  song 
1/—.  N.  4.  Zuleika  1/—.  N.  5.  Alone  — /G. 
N.   6.   A  dream   1/3. 

P    (C.   Czerny)    1—   Breitkopf. 

4ms   (F.L.Schubert)    1—    Breitkopf. 

Vide:    Gtsilnge. 
-  35    S  e  c  b  s    P  r  it  1  u  d  i  9  11    u. 
1.    (E-m.),   2.    (D),   3.    (H-m.) 
(F-in.),    6.    (B-m.),    P    2—,    a 
.hopf,  Nr.   1    3  Bg.,  2,  4 


6  a  2  Bg., 


3  F  u  g  e  n  : 
4.  (As),  5. 
—60    Breit- 

"•   5  -a 

Bg.  Bote,  —75  Chmel,  Nr.  1  —60,  Nr. 
2  —30,  Nr.  .3—6  a  —40  Cranz,  1.20  Li- 
tolff, Nr.  1  —60,  Nr.  2—6  a  —50  Schle- 
singer, 11  Bg.  Schott,  1 —  ./.  Schuberth, 
a  — 50  Schn-eers,  10/6,  a  4/ —  Ashdottn. 
]/ — n  Augener,  Nr.  1  .3/ —  Chappell,  2/ — n 
Wickins,  Nr.  2  3/ —  Donajoicski,  Nr.  1, 
5,  6  a  1/6,  Nr.  2  1/— ,  Nr.  3,  4  a  1/3  No- 
vello, Nr.  1  — 50,  Nr.  2  — 40  Brainard, 
12 —  Ifeugel,  Jouhert,  T — II  a  1 —  Jur- 
genson, Nr.  1  ■ — 30  Gehethner,  Org,  Nr.  1 
(R.  Scbaab)  1—,  Nr.  2  (R.  Lange) 
1—  Breitkopf,  Nr.  6  (W.  T.  Best)  1.50 
Schott;  4,ns  3—  Breitkopf,  8— n  Novello;- 
2P  3 —  Schlesinger. 
-36  Paulus,  Oratorium,  Part  18 — n,  St 
22.20  Breitkopf,  12—  Peters,  30— n,  0-St 
25 —  n,  Singst  2 —  n.  Org  2.50  Simrock, 
KA  (d.-engl.)  2—  Breitkopf,  Litolff,  Pe- 
ters, Un.-Ed.,  12 — ,  N.  A.  2 — n  Simrock, 
P  1.50  Litolff,  12—  Simrock,  4ms  3—  L;- 
^o///,  Peters,  1,6  n  Novello,  18—  Simrock, 
3—  Un.-Ed.,  Chorst  1.70  Li<o/^',  2— n 
Simrock;  Ouv.  P  —30  Breitkopf.  2  Bg. 
Bofe,  —20  ifniig,  —30  Litolff,  —50  .9c7iie- 
singer,  Simrock,  ^ms  272  Bg.  Bo/c,  — 60 
Breitkopf,  Litolff,  — 50  Schlesinger,  4 — 
Ricordi,  —60  Simrock,  8ms  2—,  VP  ).30, 
'/msFFc  2.10  n,  O,  Part  2— n,  St  6.30 
Breitkopf,   VP  1.50,   0  2— n  Simrock. 

Simrock  : 
4.  Rez. :       Die      Menge      der      Glaubigen. 
Duett:    Wir    haben    ihn    gehort.      llez. : 
Und  bewegten  das  Volk   (fehlt)  — 20  n. 

6.  Rez. :  Und  sie  sahen  auf  ihn  alle. 
Lieben  Briider  und  Vater,  Chor  und 
Rez.:    Siehe,   ich   sehe    (fehlt)    — 40  n. 

7.  Ari-^:    Jerusalem!    Jerusalem!    — 20  n. 

8.  Rez. :  Sie  aber  .stiirmten,  und  Chor : 
Steiniget   ihn  !    — 40  n. 

9.  u.  10.  Rez.:  Und  sie  steinigten  ihn. 
Choral:  Dir,  Herr,  dir  will  ich  mich. 
Rez. :  Und  die  Zeiigen  legten  ab  — 20  n. 

12.  Rez. :  Saulus  aber  zerstorte.  Arie : 
Vertilge  sie,  Herr  Zebaoth  (fehlt) 
— 40n. 

13.  Rez.   und  Arioso:    Doch  der   Herr   vei- 
der    Seinen    nicht   — 20  n. 


gifit 


Mendelssohn-Bartholdy  F.  op.  36 


—     427     — 


Mendelssohn-Bartholdy  F.  op.   36 


erreget 


—40  n. 
(fehln 


18.  Arie:    Gott    sei   mir   gnadig  — 40  n. 

19.  Rez. :  Es  war  aber  eiii  Jiingling.  An- 
dante:   Auauias.    .stehe    aiif    — 20  u. 

20.  Arie  u.  Clior :  Icli  daukc  dir,  Herr 
— 60u. 

27.  Kez.  u.  Arioso:  Lafit  uus  siugen  — 20  u. 

29.  Choral-Quartett-Solo :  O  Jesii  Christ 
—40  a. 

30.  u.  31.  Rez.:  Paulus  aber  iind  Barna- 
ba.s.  Duett:  Denu  also  hat  uns  dcr 
Herr   —40  n. 

32.  Rez. :    Uud   es  war  ein   Mann  — 20  u. 

36.  Rez. :  Da  das  die  Apostel  hiirteu.  Arie : 
Wisset    ihr    nioht    — 40  n. 

37.  Rez. :     Da     ward     das     Volk 
— 20n. 

39.  Rez. :    Und    sie    alle    verfolgten   — 20  n. 

40.  Kavatiue:  Sei  getreu  bis  in  den  Tod 
— 40n. 

41.  Rez. :    Paulus    san<lte    hin   — 20  u. 

42.  Quartett-Solo :  Schone  doc-h  deiner 
selbst.    Rez. :    Was   macliet   ihr 

44.  Rez. :     Und     wenn     er     cleich 
—20  n. 

Arie:  Gott  sei  nj  i  r  gnadig  — .50  n, 
f.  B  m.  E  (P.  Hassenstein)  1  — 
Breitkopf,  —40  O.  Forberg,  2  Bg.  Ileiu. 
richshofen,  — 80  Sclilesinger,  0-St  2.50  u 
Bote,  3..30n  Breitkopf;  vide:  E. 
S  t  a  p  f . 

Arie:  J  e  r  u  s  a  1  e  m,  die  d  u  t  o  t  e  s  t 
die  Propheten  — 50  n,  m.  H  (P. 
Hassenstein)  1 —  Breitkopf,  — 75 
Forberg,  P/a  Bg.  Heinrichshofen,  — 50 
Schlesinger,  ■ — 60  Simon,  1 —  Tonger,  m. 
V  ad  lib.  —80  Simon,  m.  0  2.50  n  Bote, 
3.60  n  Breitkopf,  HP  (R.  La  age)  1.20. 
PnV(Ob)    1.50    Simon. 

Arie:  Sei  getreu  bis  in  den  Tod 
— 50  n  Breitkopf,  — 50  Schlesiiiger,  — SO 
Simon,  ni.  V  1 —  Simon,  m.  Vc  1.80  An- 
dre, 1.50  German,  VcfVaJP  (L. 
Hetsch)  1^-  Simrock,  m.  0  2.40  a 
Breitkopf,  2  St  m.  Org(P)  1.80  Praeger. 

Arioso:  D  o  e  h  d  e  r  Herr  v  e  r  g  i  fi  t 
die  Seine  n  aicht  — 50  n  Breit- 
kopf, — 50  Schle.finger,  ■ — 60  Simon,  i. 
A  u.  H  1—,  m.  Str-Instr  1.20  n,  0 
2 —  n   Breitkopf. 

C  h  o  r :  O  welch  e  i  n  e  T  i  e  f  e,  SATB 
—60  n,  m.  0,  Part  2—  n,  St  7.20,  m.  Str- 
Quint.  u.  Org  2.70  n  Breitkopf.  —50 
Htig. 

Arie  m.  Chor:  Ich  danke  dir, 
Herr,    mein    Gott    1.25    Forberg. 

Siehe  wir  preisen  selig,  Chor. 
SATB  u.  O(Org),  Part  2— n,  0-St 
3.60  n,  Chorst  —60  n,  KA  —50,  Org 
1— n  Breitkopf,   1.25  Forberg. 

Chor:  Wie  lieblich  sind  die  Bo- 
ten  — 75  Forberg,  1.40  n  Ileinrichs- 
hofen,  m.  O,  Part  2—  n,  0-St  4.20  n, 
Org  —30  u.  KA  —50,  Chorst  —60  n 
Breitkopf. 

Saul  z  o  g  ni  i  t  e  i  n  e  r  S  c  h  a  r.  und 
D  o  c  h  d  e  r  Herr  v  e  r  g  i  6  t  die 
Seinen  nicht  1   Bg.   Heinricitshofen. 


M  e  i  n  e  S  e  e  1  e  d  u  r  s  t  e  t  a  a  c  h  Gott 
— 80,  m.    V  ad  lib.   1 —  Simon. 

La6t  uns  sin  gen  — 50  Schlesinifer, 
—60,  m.   V  —80,   V  ad  lib.  —80  Simon. 

6  Ge.sauge  a  us  den  Oratorien  „Paulus" 
und  „Elias",  SATB  (H  e  i  n  r  i  c  h 
Giehne):  Nr.  1.  Lafit  uns  singen 
(4.st.),  KA  —80,  St  —60.  Nr.  2.  Sei 
stille  dem  Herrn  (4st.),  KA  1—,  St 
—60.  Nr.  3.  Wohlan  alle  (4st.),  KA  1— , 
St  — 60.  Nr.  4.  Ja,  es  sollen  wohl  (5st.)^ 
I'^A  ] — ,  St  — 75.  Nr.  5.  Sei  getreu 
(6st.),  KA  1—,  St  —90.  Nr.  6.  Heilig, 
lieilig,  heilig  {8st.  u.  Soloquart.),  KA 
1.50,  St  1.80  Simrock. 

D  i  V  e  r  t  i  s  s  e  m  e  n  t  s,  P  (S  e  e  g  e  r,  op. 
50),   I— II  a   1.30  Andre. 

4  Chorale,  SATB  u.  P,  KA  1.80,  St  1.20 
Simrock. 

P  o  t  p  o  II  r  r  i,   P    (Cramer)    2 —  Andre. 

St.      Paul,      oratorio,      P'ull      score      18/ — , 
Vocal   score   12/6   Nocello,  — 75  n   Schir- 


2/6  u,    8"   a    1/— n, 


mer.    Vocal    parts    a 
Wind'    parts    15/6  n,     ^ms    5/6  n,     oA'ert. 
Org  2 — ,  HP  1/6,  Full  score  2/6n  ,  0  p. 
.7  —  n  jYot?e//o  ; 

And  Paul  came  to  the  congre- 
gation,  2  trebles  a.   P  — 4  Ashdoicn. 

Be  thou  faithful  unto  death 
2/ —  Ashdoicn,  1/ — n  Augener.  T  — /9 
Norello,  —40  Brainard,  Church.  — 35 
Ditson,  — 30  Schirmer,  P  (Parker) 
—40  Brainard,  Org  1/6  Novello,  P2VVc 
1/3    Williamii. 

But  our  God  abidetli,  chorus  — iVj., 
Norello. 

But  the  Lord  is  mindful  3/ —  A.s7i - 
down,  1/ — n  Augener,  3/ —  Duff,  1/6 
Norello,  — ,2  Sheard,  1/6  n  Wickins, 
— 40  Brainard,  — 35  Church,  Ditson, 
— 30  Gordon,  Schirmer,  chorus  — /IV2 
Novello,  — 05  Presser,  P  3/ —  Ashdoicn, 
Weekes,  4ms  2/6  n.  Org  1  6  Novello,  VP 
(Lowe)  3/— n  Weekes,  P2VVc  (Far- 
mer)    1/3    Williams. 

Consume  them  all,  Bar(B)  2/6  n 
Ashdoicn,   1/ — n  Augener,   1/ —  Novello. 

Far  be  it  from  thy  path,  chor.  1/ — 
Novello. 

For  know  ye  not  that  ye  are  His 
temple?    Bur(B)    1/ —    Novello. 

For  so  hath  the  Lord,  TB  1—  .Yo- 
vello,   — /4    Ashdoicn. 

Great  is  the  depth,  m.   v.  — 08   Church. 

Happy  &  blest,  chorus.  1/3  Novello, 
4ms  3/ —  Augener. 

How  lovely  are  tlie  messengers, 
quartett  or  chorus.  — /4  Ashdoicn,  She- 
ard, — j2  Novello,  — 06  Brainard,  Church, 
Presser,   Schirmer,  — 15   Thompson. 

I  praise  Thee,  0  Lord,  B  &  choi-. 
1/3,    8"   —/VJ2   Novello. 

I  will  sing  of  Thy  great  mer- 
cies, 8  3/ —  Ashdoicn,  — /9  Novello, 
— 40  Brainard,  Church,  -i»is  2/6  Auge- 
ner,   P2VVc    1,3    M'illiams. 


Mendelssohn-Bartholdy  F.  op.  36 


—     428 


Mendelssohn-Bartholdy  F.  op.  39 


H 

1/6 

choras 

T 

1/— 

-/2 

IVo- 

o 


o 


I  would  that  my  love,  8ATB  —jl 
Ashdown,   fem.    chorus  — 10  n   Schirmer. 

In  Judah  God  is  Known,  chorus 
— /I   Novello. 

Jerusalem,  thou  that  killest, 
S  1/6  Novello,  — /2  Sheard,  1/6  n  Wi- 
ckins,  — 50  Brainard,  — 40  Church,  —35 
Bitsoti,  — 30  Gordon,  — 50  Schirmer, 
P  (Parker)  — 40  Brainard, 
Chappell,    Org    1/6    Novello. 

Lord,   thou   alone  art  God, 
1/3,    8"  — /2,    Org   — /6    Novello. 

Men,    brethren    &    fathers, 
Novello. 

Not  only   unto  him,   chorus  - 
vello. 

Now  this  man  ceaseth  not,  chor. 
— /I7.  Novello. 

Now  we  are  ambassadors,  TB 
— /9  Novello,  —25  Brainard,  SATB  —2 
Ashdown. 

be     gracious,     ye     immortals, 
chorus   1/ — ,   8°  — /I   Novello. 

God,  have  mercy,  Bar(B)  3/ — 
Ashdown,  1/ —  Novello,  — 60  Brainard, 
—50  Church,  Org  1/6  Novello,  3/—  Wil- 
liaias,  VcP  (Li  del)  3/ —  Ashdown, 
P2VVc  1/3  M^illiams. 
great  is  the  depth,  chorus  1/3,  8" 
— /2  Novello,  —08  Brainard,  Org 
(P  r  a  1 1  e  n)    1/—   Novello. 

Thou,  the  true  and  only  light, 
chorus  — /4  Ashdown,  — /&,  8"  — /2  No- 
vello. 

E  i  s  e  u  p,  a  rise,  chorus  1/6,  8°  — /3  No- 
vello. 

See  what  love  hath  the  Father, 
chorus  — /9,   8°  — /P/,  Novello. 

Show   me.    Almighty    1/ —  n   Augener. 

Sleepers,  wake,  chorus  — /6  Novello, 
— 40  Brainard,  Org  (P  r  a  1 1  e  n)  1/ — 
Novello. 

So   they    being   filled    1/ — n    Augener. 

Stone  him  to  death,  chorus  1/ — ,  S" 
— /P/o   Novello. 

The  gods  themselves,  chorus  — ,9, 
8°  —/I    Novello. 

The  nations  a  re  n  o  ^\■  the  L  o  r  d's, 
chorus  — /3   Novello. 

T  h  i  s  i  s  J  e  h  o  V  a  h's  temple,  chorus 
— /P/j  Novello. 

To  God  on  high,  chorus  — /9,  8'*  — /P/., 
Novello,  — /4   Ashdoirn. 

To  Thee,  O  Lord,  chorus  —  6  :Vo- 
vcllo. 

AV  h  e  n  Israel  o  u  t  o  f  E  g  y  p  t  c  a  m  e, 
1/ — ,  mixed  voices,  Voc.  score  5/ — ,  8vo 
1/ — ,  Voc.  parts   3/6  Novello. 

Choral,   Airs  a.   Choruses,  H    (Bibl)    2/6, 

Voluntaries,    II    (Gill)    1/ —   No- 

choruses,  Jfms,  in  3  books  a  3/ —  n, 

movements,     by     C  a  1 1  e  o  1 1, 

n,   FlVVc   ace.   a  — /6   Novello. 


O 


0 


Easy 
vello, 
admired 

^ms   3/— 


Der  Erdkreis  ist  um  des  Herrn 
(Chorus  from  Paulus),  arr.  by  P  r  o  u  t, 
Org   2/ —  Augener. 


by     R.  i  m- 

N.    12),    H 


Air    &    2    Chorales,     arr. 

bault    (12    Class.    Pieces, 

3/—  Chappell. 
20  easy  voluntaries,  arr.  by  W.  G.  Gill, 

Org   1/ —  Novello. 
Airs,    VP     (Hutchison)     2/ —    Ascher- 

berg. 
Potpourri,      VP       (R.      H  o  f  m  a  n  n) 

1/— n    Augener,     PVVVc    1/6  n,     PVVc 

(PVV)    1/4  n,   2V  — /8n,   V  — /6  n,   PFl 

Vc  1/4  n,  FIP  1/—  n,  Fl  — /6  n  Axigener. 

Happy  &  Blest.  But  the  Lord  is  mindful. 
How  lovely  are  the  messengers,  paraph r. 
by  Lott,   Org  4/ —  Ashdown. 

But  the  Lord  is  mindful  „St.  Paul".  O 
rest  in  the  Lord  ,, Elijah"  (Small- 
w  o  o  d) ,    Org    1/6  n    Williams. 

To  God  on  High,  choral  from  St.  Paul  (& 
Mozart:  Sanctus  Mass  in  G) ,  mO 
1 — ,  &  Sullivan:  Harken  unto  Me, 
FullO  1.40,  llf  Instr  1.10,  10  Instr  —90, 
P   ace.   — 30   Fischer. 

Paulus,  ChP  6— n  Costallat,  Jouhert,  —30 
Gebethner,    — 40    Bessel,    — 45    Jurgenson, 
av.   VVcOrgP    (Hartog)    7.50   Heugcl. 
Association  chorale,  TTBB  — 75  n  Maroky. 

/I|a  ^oc^o/^'B  CBOHxt  ne  saSbiBaex'b  — 25 
Bessel,  — 25  Jurgenf'on. 

37  Drei  Praludien  und  Fugen, 
Org  2 — ,  jl  1 —  Breitkopf,  Simon,  k  4/ — 
Ashdown,  1/6  Augener,  5/ — ,  a  1/ —  No- 
vello, 4— n  Costallat,  Nr.  1,  P  (P  h  i - 
lipp  J.)  2 — •  Durand;  I^ms  1.50  Breit- 
kopf, 6/—  Novello,  Nr.  3,  P  (P  h  i  1  i  p  p 
J.)    2 — n   Durand. 

38  Lieder  ohne  Worte  II!,  /' 
4  Bg.,  Nr.  1,  2,  4  a  1  Bg.,  Nr.  3,  5,  6  a 
17,  Bg.  Bote,  —50,  a  —30  Breitkopf,  1—, 
Nr".    1,  2,    4    a    —30,    Nr.    3,  5,    6  a    —60 


Litolff,  —60  Sihle- 
-n,  Nr.  1,  3,  5,  6  a 
—20  n  Simrock,  3/ — 
3,  5,  6  a  2/—,  N.  2,  4 


Kahnt,  —50,  a  —20 
singer,  Schivecrs,  1 — 
— 40n,  Nr.  2,  4  a  - 
Ashdoicn,  5/ — ,  N.  1, 
a  1/ —  Ashdoicn,  Augener,  Cramer,  4/ — , 
N.  1,  3,  5.  6  a  2/—,  N.  2,  4  a  1/—  Novello, 
5/_  Williams,  N.  1,  5  a  —40,  N.  2  —25, 
N.  3,  6  a  —50,  N.  4  —15  Brainard,  2.50, 
N.  1  2  a  —30,  N.  3,  5,  6  a  —35,  N.  4 
—20' Gordon,  N.  1  —30,  N.  2,  4  a  —20. 
N.  3,  5,  6  a  — 40  Church,  Schirmer,  Borne- 
mann,  7.50  Hamelle,  Jouhert,  Hengel,  Le- 
moine,  1.50,  a  • — 50  Cottrau,  — 40  Ricordi, 
—85,  N.  1,  3,  5,  6  a  —20,  N.  2.  4  a  —15 
Jurgenson,  simpl.  (W.  G  o  1  d  u  e  r)  — 75  n 
Le  Beau;  //w.9  1.20  n.  PV  (F.  David) 
4—,  PVc  (A.  P  i  a  1 1  i)  3.50,  HP(2P)  3— 
Simrock,  10 —  Jouhert,  I^ms  6 — ,  N.  1,  2, 
4,  6  a  1.50,  N.  3,  5  a  2—  Ricordi,  PV  4/— 
Novello,  PVVc  1.70  n  Costallat. 
Vide:  Lieder  ohne  Worte. 
39  Drei  M  o  t  e  1 1  e  n  f .  weibl.  St  m.  Org 
(P),  Part  2— n  Breitkopf,  —50  Litolff, 
8"  1/ — n  Novello,  Chorst  1.20  a  Breitkopf. 
— 40    Litolff,    Simrock : 

l.Veni  Domine:  Herr,  erhore  uns 
(IIe:ir  my  prayer,  o  Lord),  Part  1 — n 
Breitkopf,     Simrock,     1/ —  n,     8"    — /3  n 


Mendelssohn-Bartholdy  F.  op.  39 


—     429     — 


Mendelssohn-Bartholdy  F.  op.  46 


Novello,  Chorst  — 45  n  Breitkopf,  - 
-;i'!u  Novella,  Jfms  —SO 


-30  n 

Sim- 


j^jia  xpext  o/^Hop. 


i<imrock 
rock. 

„BoMce  naM-B  BueM.iii 
ro:T.  — 85  Bessel. 

2.  Laud  ate  Pueri:  Ilir  Kinder  Is- 
rael (0  praise  the  Lord),  Part  1 — ii 
Breitkopf,  1.50  n  Schwann,  Siinrock, 
1/6  n,  8°  — /4  Novello,  Chorst  —45  n 
Breitkopf,  Schwann,  — 30  n  Simrock, 
— /9  n   Novello,   .}m,s^    1.30   Simrock. 

jjXsajia  Te6'fe  Focnosb"  ,^.ia  ipex-B  (^nop. 
roir.  — 85  Bessel. 

3.  D  o  m  i  n  i  c  a  TI  S  u  r  r  e  x  i  t  p  a  s  t  o  r  : 
Er  ist  ein  guter  Hirte  (Lord,  Thou  hast 
searched  me  out).  Part  1 — n  Breitkopf, 
Si7nrock,  2/ —  n,  8°  — /6  n  Novello, 
Chorst  — 60n  Breitkopf,  1/3  n  Novello, 
J,ms  1.80,  Duett  f.  2S  m.  P  —80  Sim- 
rock, Nr.  1—3,  H  1.50,  a  —60  Si- 
mon, P,  Nr.  3  —20  Gebethner,  Jfms,  Nr. 
1  —  9n,  Nr.  2  13  n,  Nr.  3  1/6  n  No- 
vello. 

40  II.  Concerto,  (U-m.),  PO.  Part  3— n, 
P  1.50 11,  0-St  5.10  n,  P&7r-X^uint.  4.50 
Breitkopf,  P  6\/,  Bg.  Bote,  1.40  Cranz, 
—80  I.itolff,  1.20  Schlesinger,  8  Bg.  Schott, 
— 75  J.  Schuberth,  1 —  Schweers,  2/ — n 
Aiigener,  5/3,  PO  score  4/6  n,  0  parts 
6/ —  n,  Quint,  ace.  4/ —  n  Novello,  — 60 
Schirmer,  P  10—  Ueugel,  12—,  0  15— 
Lemoine,  P  5 —  Noiil,  2.50  Schott  Fre- 
res,  8 —  Ricordi,  1.50  Jiirgenson,  — 60 
Hansen;    Adagio,    P — 75    Schott  Freres, 


3/ —  Aiigener,  Org 


Ashdown,  Jims   (C. 


Czernv)  1 —  Breitkopf,  7/ — n  Novello, 
1.35  n  Costnllat,  2P  3.50  Schlesinger,  1.20 
Un.-Ed.,   4— n   Costallnt. 

41  8  e  c  h  s  L  i  e  d  e  r.  .SfATB ;  1 .  Tra  Walde, 
2.  Entflieh'  rait  rnir,  3.  Es  fiel  ein  Reif,  4. 
Auf  ill  rem  Grab,  Part  a  —45,  St  a  — 60, 
Nr.  3  fur  1  Singst  m.  P  (H.  Thorn  a) 
—30  Breitkopf,  Nr.  2—4,  TTBB  (A. 
K  i  r  c  h  1)    — 80   Eulenburg. 

B'B  .itev — Btrn  co  mhoh — ITa.TB  iiHeii  na 
Tpanj^inKv — MaficKaa  nom,  —Ha  osep-fe 
Fojioca  — 1.50  Jurgenson. 

42  Up  r  42.  Psalm:  Wie  der  Hirsch 
sehreit  uach  frischem  Wasser  (As  the 
hart  pants),  Chor,  Solo  u.  0,  Part  12— 
Breitkopf,  12/ —  Novello,  deutsch  allein 
6 —  n  Breitkopf,  — 60  Litolff,  6/ —  n  No- 
vello;     0-St     6 — n    Breitkopf,      6/ —     .Vo- 

Solo-    und    Chorst    a    — 15  n    Breit- 

—40    Litolff,    —SO    Simrock.    Vocal 

5 — n.    parts    a   — /6  n.    String    parts 

Novello,    KA     1 —    Breitkopf,    Sim- 

P   1—,  Jpns  2—  Breitkopf,  P  3/— n. 


vcllo, 

kopf, 

score 

4/— n 

rock. 

-itns 


3/6  n    Novello 
OrgniJStr-Qinnt. 
Breitkopf. 
As   the   hart   pants 


KA     1 —     Leiickart  ; 
<C.       Dost)        2.70  n 

(Psalm   42).    Novello: 


Voc.  csore  5/ — ,  8"  1/ — ,  chorus  parts  2/6. 
N.  1.  As  the  hart  pants  (Voc.  parts  — /6) 
1/3,  8»  — P/j.  N.  2.  For  my  soul  thir- 
stetli  (8-».),  3.  My  t^a.-s  fS  a.  SSA)  1/3, 


g  1  O  J  o  s  o 

4—  n   Sim- 


s'' —12.  N.  4.  Why  my  soul,  chorus  — /6, 
8°  — j\  Novello,  Org  3/ —  Ashdown.  N.  5. 
My   God,   within   me,   6.   The   Lord   hath 
commanded   (S-».  a.   TTBB)   1/3,  8"  — /4. 
N.  7.  Why,  my  soul,  and  Trust  thou  in 
God,  chorus  2/—,   8"  — /3. 
As  the  Hart  pants    (Psalm  42),  mix.  voi- 
ces    — 40  n    Ditson,    Gordon,     Schirmer, 
White,  N.  1.  SATB  — 06  n  Schirmer. 
-43    Serenade    u.    Allegro 
(D),   0,   Part  3— n   Breitkopf, 
rock,  Sj —  n  Novello,  St  4.80  Breitkopf,  5 — 
Simrock,  Str-Quart.  1.50  n  Breitkopf,  3 — n 
Simrock,    5/ —  n,    quart,    ace.     3/ —  u     No- 
vello; 1*  (C.  R  e  i  n  e  c  k  e)    1 —  Breitkopf, 
4}/.,    Bg.    Bote,    —90    Cranz,    —60    Litolff, 
1—    Schlesinger,    6    Bg.    Schott,    —50     J. 
Schitberth,    —70    Schweers,    1.40    Simrock, 
1/6  n    Augener,   3/9    Novello,   2 — n    Costal- 
lat,    7.50    Ileugel,    9 —    Lemoine,    6 —    Ri- 
cordi, ■ — 90  Jurgenson;  4ni9  (R.  K  e  1 1  e  r) 
4.50    Simrock;     2P    (II.  P    v.     F  r.     Her- 
mann)    2.50    Breitkopf,    Schlesinger,    6 — 
Simrock,     1/6  n     Augener,     5/ —     Weekes, 
4 —  n  Costallat. 

44  Drei  Quartette,  2VVaVG:  Nr.  1. 
(D),  Part  1— n  Breitkopf,  — 60  n  Eulen- 
burg, 3.50  n  Costallat,  2 —  Ricordi,  — 90 
Societd,  St  2.40  n  Breitkopf,  1.50  n 
Litolff,  Simrock,  1 —  Un.-Ed.,  5 —  n  Co- 
stallat;  P  (J.  T  s  eh  e  r  1  i  t  z  k  y)  1— 
Breitkopf,  5/ —  n  Novello,  l^ms  2 — 
Breitkopf,  3/— n,  Orgr  (G.  Cooper)  1/6 
Novello;  Andante,  HP  (A.  R  e  i  n  h  a  r  d) 
2.50  Simon;  VP  (A.  G  r  ii  n  w  a  1  d)  4.50 
Fiirstner.  Nr.  2.  ,  (E-m.),  Part  1 — n 
Breitkopf.  — 60  n  Eulenburg,  3.50  n  Co- 
stallat, 1.50  Ricordi,  — 95  Societd,  St 
2.40  n  Breitkopf,  1.50  n  Litolff,  Simrock, 
1—  Un.-Ed.,  5— n  Costallat,  P  (J. 
Tscherlitzky)  1 — ,  5/ — n  Novello, 
Jfms  2 —  Breitkopf,  3/ —  n  Novello;  VP 
(A.  Griiuwald)  4.50;  Andante,  V 
P  2—  Schott.  Nr.  3.  (Es),  Part  1— n 
Breitkopf,  — 70  Eulenburg,  4.50  n  Costal- 
lat, 2—  Ricordi,  1.05  Societd,  St  3.60 
Breitkopf,  1.50  Litolff,  Simrock,  1 —  t"H.- 
7:^.,  5—  n  Costallat,  P  (J.  Tscher- 
litzky) 1 —  Breitkopf,  5/ — n  Novello, 
Jfms  2—  Breitkopf,  3/— n  Novello;  YP 
(A.  Griinwald)  5 —  Fiirstner,  Adagio 
(As).  P  (R.  V.  Ken  dell)  1—  Breit- 
kopf; IIP  (A.  Reinliard)  2.50  Simon, 
Scherzo,  P   (E.  P  a  u  e  r)   4/ —  Aj^grerier. 

45  S  o  n  a  t  e  (B)  Nr.  1,  VcP  2.60  Breitkopf, 
2.40  Kistner,  1.50  Schiveers,  3/6  n  Novello, 
4 — n  Costallat,  6 — n  Joubert,  12 —  Le- 
moine,  10 —  Ricordi;  VaP A — n  Costallat, 
VP  (F.  D  a  V  i  d)  2.40  Kistner,  3/6  n  A^o- 
t^eHo,  4 — n  Costallat,  6 — n  Joubert,  12 — 
Lemoine,  10 —  Ricordi;  P  (W.  Speidel 
und  B.  C  o  s  s  m  a  n  n)  ;  ^/h.s  (F.  L.  S  c  h  u- 
bert)  2—  Kistner,  1.20  Liio?/f,  2/6  n 
Novello,  10—  Ricordi;  Andante,  VcP 
2/ —  Augener,  Org  (J.  H  i  1  e  s)  3/—  /!?#. 
Ceci'Ztw. 

46  D  e  r  95.  Psalm:  Kommt,  lafit  uns 
anbeten,    Chor,    Solo    und    0,    Part    6 —  n, 


Mendelssohn-Bartholdy  F.  op.  46 


430     — 


Mendelssohn-Bartholdy  F.  op.  52 


St  6 —  n  Breitko'pf,  4.40  n  Kistner, 
Chorst  — 60n  Breitkopf,  1.20  Kisiner, 
1—  Leuckart,  —60  Litolff,  Solost  a 
— 15n  Breitkopf,  28  a  —10,  T  —50 
Kistner,  KA  3 —  Breitkopf,  3 — ,  8" 
1.20  Kistner,  1.50  Ilirsch,  Jfuts  F.  L. 
Schubert)  1.70,  OrgfHJStr-Qimrt.  2.70n 
Breitkopf;  m.  H(Org)  —80,  u.  m.  F  ad 
lib.  1 —  Simon.  Nr.  3.  Duett :  Denn  in 
seiner  Hand  — 30  Breitkopf,  — 40  Kist- 
ner. 

46  95th  Psalm:  Come,  let  us  sing,  Full 
score  jjerm.  6/ — n,  germ.  a.  engl.  12/ — u, 
Vocal  score  5/ — n,  parts  3/IOY2II)  Wind 
parts  4/6  n,  J/ms  (F.  L.  Schubert) 
4/6  n;  For  his  is  the  Sea  (Final),  Vocal 
score  2/ — n,  8''  — /4  n,  parts  1/ — n,  String 
.parts    1/ — •  n.    Wind   parts   3  6n   Novello. 

Come,  let  us  sing  (95th  Psalm) ,  quartet 
or  chorus  2/ — ,  8"  1/ —  Norello,  — 40 
Ditson,  Schirmer. 

Henceforth  when  you  hear  (95th  Psalm), 
T  and  quartet  or  chorus   1/3   Novella. 

0  come,  let  us  M'orship  (95th  Psalm),  T 
and  quart,    or   chorus,     Norello. 

In  his  hands  (95th  Psalm),  .S'.'?  1/—  No- 
rello,  — 50   Ditson. 

47  Sechs  Lieder  1 —  Breitkopf:  1. 
Minnelied :  ,,Wie  der  Quell  so  lieblich",  2. 
Morgengrufi :  .,uber  die  Berge  steigt",  3. 
Friihlingslied :  ,,Durch  den  Wald  den 
dunklen",  4.  Volkslied :  „Es  ist  bestimnit 
in  Gottes  Rat",  5.  Der  Blumenstraufi : 
,,Sie  wandelt  im  Blumengarten",  6.  Bei 
der  Wiege :  ,,Schlummre !  Schlummre",  a 
3—  Breitkopf,  Nr.  1,  2,  4—6  a  —30,  Nr. 
3  — 40  Schlesinger,  Nr.  2  1  Bg..  Nr.  3  2  Bg., 
Nr.  4,  6  a  1  Bg.  Schoti ;  Nr.  4,  TTBB  1.20 
Robitschek. 

N.  1.  A  love  song  — /9.  N.  2.  The  hour 
of  dawn  1/ — .  N.  3.  Parting  and  meeting 
— /6.  N.  4.  The  flowery  token 
Slumber  song  — /6.  N.  6 
— /6  Novello,  N.  1—3,  5,  6  a  1/— n,  N.  4 
— /6  n   Augener.     Vide :    Gesange. 

•48  Sechs  Lieder,  SATB:  1.  Fruhlings- 
ahnung:  ,,0  sant'ter  siifier  Hauch",  2.  Die 
Primel  r  „Liebliche  Blume,  bist  du",  3. 
Friihlingsfeier :  „Su6er,  goldner  Friih- 
lingstag",  4.  Lerchengesang,  Kanon :  „Wie 
lieblicher  Klang",  5.  Morgengebet:  „0 
Avunderbares,  tiefes",  6.  Herbstlied :  ,, Hol- 
der Lenz",  Part  1— n,  Chorst  1.20,  Nr. 
2,  5,  Part  a  —45  n,  St  a  —60  Breitkopf, 
Nr.  5,  TTBB  —80  Eulenhurg;  vide: 
Chore. 

IIpeaqyBCTBie  bcchh — CKopocntjiKa— Ilpas- 
TinHKi   BecHbi    —   n-fecHii  acaBopoHKa  — 
YTpeKHHa  Mo;aHTBa   —   OcennHa   n-fecna. 
Tojioca  1.50  Jurgenson. 
-49   Trio  (Dm.),  Nr.  1,   PVP  2.70  n   Breit- 
kopf,   (Part   — 70n    Eulenhurg,   2.50  n    Ri 
cordi),    1.50  n    Cranz,     (.J.    J  o  a  c  li  i  m    u. 
E.  Rudorff)    2-n   Simrock,   6/— n   No- 
vello, 7— n   Costallat,   12—  Ricordi,   1.05  n 
Societd,  PFlVc  6/—  n  Novello  :  Andante 
2'—  Augener,  Jfms    (E.  F.  Bi  c  h  t  e  r)  2— 


1,'—.   N. 


Morning   song 


Breitkopf,  9/— n  Novello;  HP  (Soyka) 
3/ —  Novello,  (Durand)  4 —  Costallat; 
Org  (Dr.  Spark)  — 75  Patey ;  vide: 
Andanten-Slitze. 

-  50  Sechs  Lieder,  TTBB :   1.  Tiirkisches 

Schenkenlied:  „Setze  mir  nicht,  du  Gro- 
bian",  2.  Der  Jager  Abschied :  „Wer  hat 
dich,  du  schoner  Wald",  3.  Sommerlied : 
„Wie  Feld  und  Au  so  blinkeud   im  Tau", 

4.  Wasserfahrt:    „Am    fernen    Horizonte", 

5.  Liebe  und  Wein,  Liebesschmerz :  „Was 
quiilte  dir  dein  amies  Herz",  6.  Wander- 
lied:  „Vom  Grund  bis  zu  den  Gipfeln", 
Part  1— n,  St  1.20  n.  Nr.  1,  2,  4,  Part  a 
—  45  n,  St  a  —60  n,  f.  1  Singst  m.  P  (H. 
von  Vol  k  m  a  n  n)  — 30  Breitkopf,  Part 
Ji  — 40  n,  St  a  — 40  n  Eulenhurg,  Part  u. 
St,  Nr.  1—3  a  —40,  Nr.  4  —30,  Nr.  5  —50, 
Nr.  6  —60,  Nr.  1,  2  f.  1  Sing.st  m.  P  (R. 
Franz),  Nr.  2,3,  4,6,  SATB  (F.  G. 
J  an  sen),    Kistner,    —80    Jurgenson. 

1.  Chanson  turque,  2.  L'adieu  du  chas- 
seur, 3.  Clianson  d'ete,  4.  Promenade  sur 
I'eau,  5.  L'amour  et  le  vin,  6.  Chanson 
de  voyage,  a  — 75  n,  p.  s.  —25  Costallat; 
vide:  Chore. 
-51  Der  114.  Psalm:  Als  Israel  aus 
Egypten  zog,  8st.  Chor  u.  0,  Part  6— n, 
St  6.60  n,  Chorst  1.20  n  Breitkopf,  —80 
Litolff,  KA  2—,  P  1—,  4ms  2—  Breitkopf, 
(When  Israel  out  of  Egypt  came)  8  voi- 
ces (germ.-engl.).  Full  score  6/— n,  Voc. 
score  5/— n,  8*  1/— n,  parts  3/6  n.  String 
parts  2/6  n,  Wind  parts  4/6  n,  P  2/—,  ^nis 
3/ — n  Novello,  chorus  and  0  — 40  n  Schir- 
mer. 

-  52    Lobgesang,    Symphonie-Kantate,     Part 

9—  Breitkopf,  20— n  Costallat,  Org  1.50  n, 
0-St  13.20  n  Breitkopf,  6—  Litolff,  25— n 
Costallat,  Solost  a  —30  n,  Chorst  a  —30  n 
Breitkopf,  a  —15  Litolff,  ChP  6— n  Co- 
stallat, KA  5—,  P  (mit  Text)  5—,  Neue 
Ausg.  (J.  Rietz)  1.50  Breitkopf,  Pe- 
ters, .'tms  (mit  Text)  6—  Breitkopf,  P 
1 — ,  1.50  Breitkopf,  Litolff,  Peters,  ^ms 
o —  Breitkopf,  Peters,  5/3  Novello,  HP 
iF.  W.  K  i  r  c  h  n  e  r)  5 —  Simon. 
Breitkopf  : 

1.  Er  ziihlet  unsere  Trilnen,  Arie  — 50, 
VcP    (K.    Grimm)    —80. 

2.  Ich  harrete  des  Herrn,  Duett  1 —  Breit- 
kopf, 1.30  Sehlesinger,  (M.  Vogel) 
3st.  Frauenchor,  2  Solost,  PVc  (ad  lib), 
KA    1.20,   Chorst  —90    Hug. 

3.  Drum  sing  icli  mit  meinem  Liede,  Duett 
1—. 

Hymn  of  Praise,  a  sinfonia  can-  iM 
tata.  Evil  score  21/ — ,  Vocal  .score  10'6,  " 
8'^  1/ — n  Novello,  1/ —  Boosey,  Bayley, 
— 40  Schirmer,  Vocal  parts  a  1/ — ,  PU 
(J.  W.  Elliot)  7/6  n,  Jfms  5/3  n  Novello, 
P  (Rummel)  3/6  n  Novello,  4—  Au- 
gener, Full  Band  2/8,  Med.  Band  2/—, 
Small   Band   14    TIan-kes. 

Novello: 

Choruses:  All  men,  all  things:  Praise 
thou  the  Lord  — /4.  All  ye  that  cried,  I 
waited    for   the   Lord   —'3.      I   waited   for 


Mendelssohn-Bartholdy  F.  op.  52 


—    431 


Mendelssohn-Bartholdy  F.  op.  57 


8^ 


.     Lot 
night 


all  men  praise 
is     departing 


the  Lord   1  0, 

1/—,    8"    —  1.      The 

— /3.     Ye   nations,   offer   to  the  Lord  — .  .j. 

My  song  shall  be  alway,   BT  1/ — . 

T  pray  the  Lord,  3;- —  Leonard. 

I  waited  for  the  Lord,  /S'jSM  — /4  n  Au- 
gener,  — 15  ^chirmer;  P  (Calkint 
\!—,  (Pereival)  2/—,  (Prior)  3,— 
Ashdoicn,  P  3/ —  Phillips,  (Farmer) 
2/6  Williams,  Org  (Brown)  3/—, 
(L  o  1 1)  3/—,  (W  o  d  h  o  u  s  e)  4/—  Wee- 
kes,  (Small  wood)  1,6  n  WilliamH, 
— 25   Ditson. 

Praise  thou  the  Lord  (Lobgesang) ,  iSI  & 
chorus   2/6. 

The  sorrows  of  death,  recit.  &  air,  T  I; — . 

Cxpeiyinaca  a.  K-h  TBOpu,y  — 60  Jnrgenson. 

52  S  y  m  p  h  o  n  i  e  N  r.  2  (B)  a.  d.  L  o  b  g  e- 
sang,  O,  Part  3 — n  Breitkopf,  Litolff, 
7/6  n  iXovello,  St  6.60  u  Breitkopf,  9/6  n 
Norello,  P  2 — ,  Neue  Ausg.  1 —  Breit- 
kopf, 3/6  u  Kovello,  Jf»is  2 — .  Neue 
Ausgabe  1—  Breitkopf,  L20  Litolff,  Sms 
(A.  Horn)  3—  Breitkopf,  1.20  Litolff, 
4 — n  CostoUat,  1.65  n  Lemoine,  VP  (F  r. 
Hermann)  2.60,  IfmsYVc  (F  r.  Her- 
mann)    4.20    Breitkopf ;      Adagio,    U 

1 .20       Koeppen  ; 

Phillips,  1.75  n 
Durand,  — 40  Neuparth,  Org  (Prout) 
2/6  Auge7ier,  HP(2P)  2—  Robitsrhek, 
3—  n  Costallaf,  VP  2—  n,  VcP,  BassonP 
u  1.70  u,  TcP  (K.  Grimm)  — 80  Breit- 
kopf, 0,  Part  3 — n,  p.  s.  6 — n  Durand; 
P  (Taylor)  4/—  Pitman,  ( T  li  o  m  a  s ) 
4/—  Williams,  Org  (Elliot)  1  6, 
(C  r  a  i  c  k  s  h  a  u  k)  1/6,  HP  (Elliot) 
7  6  Xovello,  PllVfVc  ou  VaJ  4— n  Co- 
stallat;  Allegro  religiose.  Org  1/6  No- 
vello,  yP  — /9  Williams,  (Ritter)  2— u 
Costallat. 

53  S  e  c  h  s    L  i  e  d  e  r    o  h  n  e    ^^"  o  r  t  e,    P, 
IV:   1.  Andante  con  Moto   (As),  2.  Allegro 

troi>po     (Es),    3.    Presto    agitato     (C4- 

4.  Adagio    (F),  5.  Volkslied :   Allegro 

fuoco    (A-m.),  6.  Molto  allegro  vivace 


(P.     Hassen  stein) 
Allegretto,     P    3/— 


non 
m. ), 
con 
(A) 
2,  5 

1- 
Nr. 


—50,  a  —30  Breitkopf,  4  Bg.,  Nr.  1, 
a  1  Bg.,  Nr.  3,  4,  6  a  P/z  Bg.  Bote, 
Nr.  1,  2,  5  a  —45,  Nr.  3,  6  a  —60, 
4  —30  Kahnt,  —50,  a  —20  Litolff, 
— 60  Schlesinger,  Schiceers,  1.20,  Nr.  1 — 3, 
5,  6  a  — 40  n  Ashdown,  Augener,  Cramer, 
2/6  Novello,  Wickins,  5—.  Nr.  1—3,  5, 
6  a  2/—,  Nr.  4  1/—  Williams,  Nr.  1,  5,  6 
a  —35,  Nr.  2,  4  a  —40  Gordon,  Nr.  1,  2, 
5  a  —30,  Nr.  3,  6  a  —40,  Nr.  4  —20  Church, 
Schirmer,  7.50  Ueugel,  Jouhert,  1.50,  Nr. 
1—6  a  —50  Cottrau,  —40  Ricordi,  —80,  Nr. 
1,  2,  6  a  —20,  Nr.  3,  5  a  —30,  Nr.  4—15 
Jnrgenson,  Ifms  1.80  n,  Nr.  1 — 3,  5,  6  a 
^40,  Nr.  4  — 20  n  Simrock,  10 —  Jouhert, 
6—,  Nr.  1,  3,  5  a  2—,  Nr.  2,  4  a  1.50,  Nr.  6 
2.50  Ricordi;  PH(2P)  (C.  G.  Lickl)  3— 
Simrock,  (L.  L  v  o  f  f )  —60  Bessel ;  VP 
(E.  David)  5—  Sim  rock;  VcP 
P  i  a  tt  i)  3.50  Simrock ;  vide  Lieder  o. 
54  17  Variations  serieuses,  P 
Breitkopf,  37,  Bg.   Bote,  —70  Cranz,  - 


(A. 

W. 

1  — 

-50 


Litolff,  1.20  n  Maas,  — 60  Schlesinger, 
4  Bg.  Schott,  — 50  Schweers,  — 40  J. 
Schuberth,  6/ —  Ashdoicn,  1/ — n  Augener, 
2  6  Norello,  1.35  n  Costallat,  7.50  Heugel, 
(A.  Siloti)  — 60  Jurgenson;  Jfms  3 — 
Cranz,    3/ — n    Xorello.    Org    2— 

-55  Musik  zur  Antigone  des 
kles,  TTBB  u.  O,  Part  9— n, 
Breitkopf,  Simrock,  Part  9 — , 
Kistner,  Chorst  1.20  n  Breitkopf,  Simrock, 
3.60  Kistner,  KA  1 — n  Breitkopf,  Sim- 
rock, 2 —  Kistner,  1.50  Peters,  P  1.40 
Kistner,  1.50  Litolff,  3— u  Schwann,  Jlfms 
SATB  u.  P,  1\A  7.50  n  Ku- 
ChP    6— n,    parties   2—    Co- 


Forberg. 

S  o  p  h  0- 
0  13.20 
St    8.20 


3.40   Kistner, 
/jrn/n-Kassel, 
stallat. 
A  n  t  i  g  o  n  e, 
gedy,   Male 


choru.ses   to   Sophocle.s'   Tra- 
voices,   english   words,    Full 
score     (germ.-engl.)     9/ — ,     Vocal     score 
7/6,    8"   4/—,    Vocal    parts    6'—,    0,    Part 
11/6;     Fair     Scmele's,     TTBB     — /6,     P 
(H  o  r  s  1  e  y)    3/ —  n,  Iftns,  compl.  4 ' —  n, 
ditto,    N.    2.    Wonders    in    Nature    1/6  n, 
N.  6.  Bacchus  Chorus   1/3  n,  PHa  2/— n 
Xorello,    Org    2/6    Augener;    Royal    Da- 
iiae,   TTBB  — /4  Novello. 
Ouverture,   P   7.   Bg.   Bote,   —50   Schlesin- 
ger,  2 — ,   8"  — 40  n   Lemoine,   J^ms  2  Bg. 
Bote,   Sms   1.50   Schlesinger. 
N.  4.  O  Eros.  Allsieger  im  Kampf.  TTBB 
in.   blM  —40,  N.  6.  Bacchus-Chor :   Viel- 
namiger,  Wonn'  und  Stolz  der  Kadmos- 
jungfrau.  Part  1.60  n.  0-St  1.40  n,  Chorst 
— 80,    KA    —80    Kistner,    Schwur    freier 
Manner,   TTBB  —80   Eulenburg. 
56  Symphonic    (A-m.)    Nr.   3    (Victoria 
oder     auch      Schottische     Symphonie     ge- 
nanut),    0,     Part     5 — n    Breitkopf,     3 — 
Litolff,     6/6  n     Novello,     12 — n     Costallat, 
3.40     Societd,     Neue     Ausgabe     3 — n,     St 
11.40n   Breitkopf,    12/— n   Novello,   20— n 
Costallat,    P    2—,    N.    A.     1—    Breitkopf, 
2.50      Eulenburg,      (M.      Pauer)       1— u 
Augener,    2  6   Domijoicski,   5/ — n    Novello, 
2.40  n  Lemoine;  Jfms  2—,  N.  A.  1 —  Breit- 
kopf,    1.50    Litolff,     18    Bg.    Schott,     (M. 
Pauer)     16n    Augener,    9  —  n    Novello, 
2 — n    Choudens,    18 —    Jouhert,    12 —    /?/- 


Horn)     4 —    Breitkopf. 
VP    (Fr.    Hermann) 


HP 


(A. 
(De- 


cordi ;    Sms     (A. 

8.20  n    Costallat; 

2.60  Breitkopf. 

A  d  a  g  i  o,  P  — /4  Sheard,  Org    (T  c  h  i  p  p 

E.)   \iQ  Novello,  HP  (Lickl)  2M  Breii- 

kopf,  2  6  Novello. 
Allegro      V  i  V  a  c  i  s  s  i  m  o, 

R  e  i  n  h  a  r  d)    3 —   Simon. 
Andante        c  a  n  t  a  b  i,  1  e, 

lioux)    2.50  n    Durand. 
Scherzo     (F),    P     (R.    v. 

1 —   Breitkopf. 
¥  i  n  a  1  e,     Org 

vello. 
Paraphrase 

J/ins  6/ —  A  si  down. 

-  57  S  e  c  h  s  Lieder:   1 .  Altdeutsches  Lied : 

„Es   ist   in   den   Wald   gesungen",   2.   Hir- 

tealied :    ,,0    Winter,    schlimmer    Winter", 

3.    Sulcika :     ,,Was    bedeutet     die     Bewe- 


K  e  u  d  e  1  1 ) 


(S  te\\  a  r  d) 
(S.    Smith) 


1/- 


No- 


4- 


Mendelssohn-Bartholdy  F.  op.  57 


—     432     — 


Mendelssohn-Bartholdy  F.  op.  61 


-/6n.   N.   2—6   a 

,    VcF,    CornetP, 

CornetllafCon- 

2/6,    N.    3    3/—, 


gung  ?"  4.  O  Jugend,  o  schone  Rosenzeit ! : 
„Von  alien  schonen  Kindern  auf  der 
Welt",  5.  Venetianisehes  Gondellied : 
„Wenn  diircli  die  Piazetta",  6.  Wander- 
lied:  „Laiie  Luft  kommt  blau  geflossen" 
1—,  a  —30  BrrAtkopf,  Nr.  1,  2,  4—0  a 
—30,  Nr.  3  —40  Schlesivgcr,  P  6—  Lr- 
moine. 

1.  Old  German  song,  2.  Herdsman's 
song,  3.  Suleika,  4.  Rheni.sh  popular  song, 
5.  In  a  gondola,  a  1/ — .  N.  6.  Wanderer's 
song  1/3  Novello,  N.  1  — 
1/ —  n  All  genet-,  VP,  FIP 
IlaP,  VHa,  Vclfa,  FlHa, 
certina),  N.  1,  2,  4,  5  a 
N.  6  3/6  Ashdonn. 
-58  S  o  n  a  t  e  (D),  VcP  2.60  Breitkopf,  5— 
Kislner,  1.50  Scliiveers,  4/-— n  Novello, 
3.50  n  Costallat,  6— n  Jouheri.'VcfVJP  10— 
Ricordi,  TP  (F.  David)  2.80  Kistncr, 
4/ — n  Novello,  6—  .Jouicrf,  P  (E.  W. 
Ritter)  3/ —  Augener,  //w.s-  1.50  Litolft, 
(F.  Kroll)  3/— n,  Org  (J.  H  i  1  1  e  s) 
— /6  Novello,  12 —  Ricordi;  Adagio, 
Org   1/—  Schott. 

•59  Sechs  Lieder,  8ATB,  Breilkopf:  1. 
Im  Griinen  erwacht,  2.  Friilizeitiger  Friih- 
ling:  ;,Tage  der  Wonne",  3.  Abscliied 
vom  Wald:  „0  Tiller  weit",  4.  Die  Nach- 
tigall,  sie  war  entferut,  5.  Riihetal : 
„Wenn  im  letzten  Abendstrahl",  6.  Jagd- 
lied:  ,,Dureh  sehwankeude  Wipfel",  Part 
1— n,  St  1.20,  Nr.  1,  Part  — 45  n,  St 
— 60n,  Mr  1  Siugst  m.  P  (F.  G.  Jan- 
sen)  —30:  Nr.  3,  Part  — 4.j  n,  St  —60. 
TTBB  (K.  Per  fa  11),  Part  — 45  n,  St 
—60,  f.  1  Singst  m.  P  (F.  G.  Jansen) 
—30,  m.  Z  —30,  P  (L.  Rohr)  I—  Breil- 
kopf, Z  —40,  2Z  —60,  2DiskZ  ii.  JZ— 80, 
SDiskZ  n.  IZ  1—  Augufitin,  Nr.  6,  Part 
— 45  n,  St  --GO,  P  (T;."'Ruhr)  1—  Breil- 
kopf. 

3a  ropo/ioMT,  —  MafiCKoe  yxpo  —  Ilpomaiibe 
CB  ji'fecoM'B  —  Co.iOBesi  —  OG.TiaKn  — 
OxoTHiiHbH  ntcHfl.  ro.ioca  1.50  Jurgcvso?/. 

60  Die  e  r  s  t  e  W  a  1  p  ii  r  g  i  s  n  a  c  h  t. 
Ballade,  f.  Clior  ii.  0,  Pail  O—ii,  O  St 
13.20  n,  Cl-.orst  1.20  u,  Solost  1.20  n,  KA 
4 — ,  neue  Ausg.  (Rietz)  1.50,  ni.  PHFir- 
Quint.  6— n  Breilkopf,  Part  9— u,  0-St 
8.40  n,  Chorst  1.60,  Solost  1.30,  KA  2.40 
Kistner,  KA  1— n,  Chorst  — 60  Litolff, 
1.20  n  Simrock,  KA  1.50  Peters,  parties 
de  choeur  2 —  Costallat.  P  2.80  Kistner, 
1.50  Litolff,  2/3  n  Novello,  ',ms  4—  Kisl- 
ner, 3 —  Peters,  BATE  1—  Leiickart. 
First    W  a  1  p  u  r  g  i  s    N  i  g  Ii  t,    soli    et 

ehorusos  for  men's  &  mixed  voices,  Fvll 
score  9/—,  Vocal  score  7; 6,  S"  1/— n, 
mix.  V.  1/ — ,  Vocal  parts  2/ —  n,  O  parts 
14/8  n;  Now  May  again,  S8AA,  8"  — /2, 
Come  with  torches,  S'ATB  — /4,  .^ms 
5/ —  n  Novello,  Vocal  score  1/ —  Boosey. 
N  u  i  t  d  e  Sabbat,  choeurs  et  O,  Part 
25 —  n   Hamelle. 

61  M  II  s  i  k     z  u  m     Sommernachtstraum 
(^I  i  d  s  II  m  m  e  r        N  i  <;  h  t's        Dream; 


Song  e  d'u  n  e  n  u  i  t  d'e  t  e) ,  Part  G —  u, 
neue  Ausg.  (deutsch-engl.)  6— n  Breit- 
kopf, Litolff,  Peters,  Chorst  1.20  n,  kl. 
O  (C  a  s  i  n  o)  7 —  Aihl,  KA  4 — ,  neue 
Ausg.  (A.  Horn)  1.50  Breitkopf,  Litolff, 
Peters,  Un. -Ed.,  }— n  Simrock,  P  1.50,  1— 
Breitkopf,  1.50  Litolff,  Peters,  Un.-Ed., 
Irms  1  50  Breitkopf,  Litolff,  Peters,  Un.- 
Ed.,  Full  score  (engl.-germ.)  13/6,  Vocal 
score,  folio  (duet  ace.)  10/ — ,  8"  (solo 
ace),  paper  cover  1/ — ,  Vocal  parts  1/ — , 
O  parts  17/ — ;  The  Vocal  Music  (sep.) 
36  Norello,  P  1/ — n  Augener,  6/ — n  No- 
vello, .'ims  12/ — n  Novello;  You  spott-d 
snakes,  female  chorus  (H  e  a  1  e)  — /6  n 
Augener;  Through  the  house,  fem.  voi- 
ces — /3,  chorus  parts,  ChP  4 — n  Chov- 
dens,  P  2 — n  Costallat,  2.40  n  Lemoinc, 
JfWis  2 —  n  Costallat,  — /6  Novello;  Air  et 
choeur  des  f#es  2.75  n  Costallat,  1.75  n 
Le  Beau,  2  Eg.  Bote,  —30  Litolff,  1..50 
Schott,  — 70  ./.   Schubert h. 

1.  Scherzo  (H-m.),  O,  Part  1.50  n,  St 
5.10  n,  P  1—  Breitkopf,  Part  2— n  Ricordi. 
P  1.50  Schott,  (Th.  Ritter),  transcr.  de 
concert  2.25  Schott,  4ms  1 —  Breitkopf, 
3  Bg.  Bote,  —50  Litolff,  —50  Schlesinger, 
— 60n  Simrock,  FlfVJP  (W.  S  p  e  i  d  e  1) 
1.30,  PnStr-Qmnt.  Fl  3— n  Breitkopf, 
P  4/—  Ashdoirn,  1/6  Novello,  — /4  Sheard, 
2— n  Choiidem;  — 80  n  Costallat,  (St. 
Saens)  2.50  u  Diirand,  7.50  Joiibert,  — 80  n 
Lemoine,  8 —  NoH,  3 —  Curisch,  Ricordi, 
'/Ills  2/6  n  Novello,  Wickins,  5 —  Ricordi, 
Org  (Warren)  1.15  Sehirmer,  2P  3.25 
Rozsavolgyi;  VP  (Hermann)  1.75  n 
Costallat,  FIP  (W.  Speidel)  2/6  n  Ru- 
dall,  PFlStr-Quint.  5— n,  nPFlStr-Qumt. 
7.50  n  Costallat,  mO  4.50  Kistner,  Ha  2  — 
Ashdoirn,  FiillO  score  i/G  n,  parts  5/6  n 
Novello,  FiillO  1.80,  IJflnsir  1.50,  10  Inslr 
1.20,  P  ace.  —40  Fischer,  sO  5— n  Co- 
stallat, O,  Part  2— n,  Banda  7— n  Ri- 
cordi. 

2.  Intermezzo,  0,  Part  1 — n,  St 
4.20  n,  P  —30  Breitkopf,  VU  Bg.  Bote,  —30 
Litolff,  3  Bg.  Schott,  4ms  \— Breitkopf,  2  Bg. 
Bote,  —40  Litolff,  —50  Schlesinger,  — 40  n 
Simrock,  Ilarm(ll)  (P.  H  a  s  s  e  ii  s  t  e  i  n) 
1 —  Koeppen,  Full  score  1/ — n,  0  parts 
4/6  n,  P  1/ — n  Novello,  1.35  n  Ckoiid^ns, 
—50  Costallat,  Jfms  1/G  n  Novello;  et  Noc- 
turuo,  FiilW  2—,  U  Instr  1.60,  10  InHr 
1.20,  P  ace.  —40  Fischer. 

3.  N  o  1 1  u  r  n  o,  0,  Part  1  —  n,  St 
4.20  n,  P  —30  Breitkopf,  P/,  Bg.  Bote, 
—30  Litolff,  2  Bg.  Schott,  J,ms  1—  Breit- 
kopf, r/,  Bg.  Bote.  —40  Ilainaucr,  Litolff. 
—50  Schlesinger,  2  Bg.  Schott,  —20  F. 
Siegel,  — 40  n  Simrock,  2 —  Ricordi,  8ms 
2—,  VP  (Fr.  Hermann)  1,30,  PEFl 
Str-Q\x\n\.  (R.  L  a  n  g  e)  3 — ,  Normal-IJ 
1—  Breitkopf,  VaP  (H.  Ritter)  1.50 
Kistner,  PVc  1-  Hug,  —50  Fischer,  FIP 
1—  Rahter,  VVcHP  3.25  Schott. 
V  _30n,  2V  — 60n,  I'P  — 60  n, 
2rP  — 90n,  rr«P  — 90n,  VVcP 
— 90n,    2yyf-   — 90n,    VFIP   — 90  n,    FFr/. 


I 


Mendelssohn-Bartholdy  F.  op.  61 


—     433 


Mendelssohn-Bartholdy  F.  op.  61 


VcP  1.20  n,  2VVaP  1.20  n,  2VVcP  1.20  n, 
2VVaVc  1.20  u,  2VVaVcP  1.50  n,  PVFl 
Cornet  a  P  1.20  n,  P2VFlCornet  a  P  1.50  n, 
P2VVcrWornet  a  P  1.80  n,  P2VVaVcFl 
CornetaP  2.10  n  Weifi-  mO  3 — n  Kistner; 
Full  sc.  1/ —  n,  0  parts  4/6  n  Novello,  sO 
5 — n  Cobtallat,  P  2/ —  Ashdown,  ly — n  A''o- 
■yeZZo,  — /4  Sheard,  — 50  Brainard,  — 40 
Ditson,  Gordon,  1.35  u  Ghoudens,  — 50  u 
Costallat,  Noel,  Jfms  1/6  □  Novello,  Wickins, 
— 60  Brainard,  2 —  Ricordi,  S7ns  2.70  Co- 
stallat, Org  — 35  Ditson,  — 15  n  Presser, 
White,  —CO  ScMrmer,  HP(2P)  2—  Si- 
mon, VP  4/— n  ^Yeekes,  1.75  n  Costallat. 
PFlStr-Quint.  5— n,  lIPFlStr-Quint.  7.50 
Costallat,   P2VVc    1/3  n    Williams. 

4.   Hochzeitsmarsch    (Wedding  march; 
Marche  nuptlale),  0,  Part  1—,  St  8.40  n. 
mO    (F.   L.   Schubert),   Part   1— n,   St 
2 — n  Breitkopf,  mO  2 — n  J^wdre,  kl.  0  1 — n, 
mO  2.60  n  Cranz,  0  2—n,  sO  1.50  n,  Sept.- 
Bes.    1.20  n,    ,S<r-Quint.    1— u,    Sir-Quart. 
— 80  n  C.  F.  Schmidt,  piccO  2 — n  Carisch; 
P    r/j   Eg.   Andr4,   Bote,   1    Eg.   Bdrd,   1— 
Bosicorth,     — 30,      {&     L  i  11  m  e  r  s)      1 — , 
leicht  (C.  Wachtmann)  —30  Breitkopf, 
1.50  Oottlober,  —40   Ilainauer,  —50  Haiis- 
hahn,  Junne,  — 80   Hug,    (A.   Hensel.t) 
1.50  Rahter,  —30  Klemm,  —50  Kott,  —20 
Kunz,    Michow,    Riihle,    8a7nso7i,   — 30    Li- 
tolff,     — 50  n     Maas,     1 —     Praeger,     — 60 
Riihle   rf    Wetidling,     2   Bg.    Schott,   leicht 
(L.      Streabbog)      1—      Schott,     —20 
Schuberth     jr.,    — 50     Stolle,     — 50     To7i- 
ger,  — 60  Z^imsteeg ;4ms2}jo  Bg.,(Kuhe) 
2—    A7idre,    —60,     T/,    Eg.    Bote,    leicht 
(S.   Jadassohn)    — 60  Breitkopf,    — 50 
Hainauer,    Schlesi7iger,     — 75    Kott,     — 40 
Litolff,     erleichtert      (L.      Streabbog) 
1.50     Schott,     — 40n     Sitnrock,     2—     Ri- 
cordi,    2P(EaP)     V.     P  a  r  i  s  h  -  A  1  V  a  r  s 
2—    Breitkopf,     (W.     J.     Westbrook) 
2.25    Schott;    6ms     (W.    Kramer)     1.80 
A7idr^,      (Herbert)      2 —     Siegel;     8ms 
(L.   Papier)    2—  Breitkopf,   1 —  Litolff, 
1.50     Schlesinger;     Org      (Stehle)      1—^ 
Breitkopf;  Z  —50,  2Z  1—,  3Z  1.50  A«(/m- 
s<t/!,    —75    Forberg,     —80    Kabatek ;     2Z 
(Ph.    Grassmanu)     1 —    Schott;     VP 
(C.  Menzel)   2.30  Awdre,   (Hermann) 
1.30  Breitkopf,  —80   Apollo,   1—  Forberg, 
1 —    iToit,    — 50     Schlesinger;     VaP     1.30 
Breitkopf;      VFIP      (C.     Menzel)      1.50 
^«dre,       yPZ?        (C.       Menzel)        2.30 
Andre;   PHFlStr-Quiut.    3.30  n   Breitkopf; 
^msVVc     (B  u  r  c  h  a  r  (1)     2.60     Breitkopf, 
(Herbert)    2.75    Schott;  2VP    1— n,    T 
yaP    1— n,    SVVaVcP    2— n,    2VVcFlPII 
m.   weiteren   St   ad   lib.)    1.50  n,   2VVaBFl 
u.  CI  od.  CornetaP  1.20  n,  SFFaP  1.20  n 
2yycP     1.20  n,     SyyaP     1.50  n,     PFlVVc 
1 —  n,  JfVVa  Oder  ycP  2 —  n,  I,ms  m.  Str- 
Quart.      2 —  n,      Sir-Quart.      —80  n,      Sir- 
Quint.  1— n  C.  7^.  Schmidt;  V  — 30  n,  2V 
—60  n,     VP   —60  n,     2VP   —90  n,     yyaP 
— 90n,   VVcP  — 90n,   gyye  — 90  n,   ypZP 
— 90u,     VVaVcP     1.20  n,     gyyaP     1.20  n, 
2VVaVc      1.20  n,      2VVaVcP      1.50  n,     3y   ' 

Universal-Handbuch  der  Musikliteratiir.    M. 


2/6 


2/- 


— 90d,  ,9yyc  1.20  n,  3VP  1.20  n,  jyT'ayc 
1.50  n,  5yynP  1.50  n,  SVVcP  1.50  n,  3y 
yaycP  1.80  n,  PVFlCornetdP  1.20  n,  py 
VcFlCor7iet  a  P  1.50  n,  P2VVcFlCor7iet  d,  P 
1.80  n,   PSyyaycPZCorjieidP   2.10  n   VFet/j. 

p  —50,  //ms  —60,  V  —50,  yp  1—,  sy 

—75,   2VP    1.25,    yyaP    1.25,    VVcP    1.25, 

yyaycP  1.50,  gyyaP  1.50,  2vvcP  1.50, 
ayyaycP  1.75,  fi  —r,o,  fip  1—   47«sy 

1—,  imsFl  1—,  ^m^gy  1.25,  J,msVVa  1.25, 
^OTsyyc    1.25,    ^m^yyayc    1.50,    4ms2VVa 
1.50,      lt7ns2VVc    1.50,      ^ms^yyayc    1.75, 
77Py  1.25,  FPPZ  1.25,  PiP2V  1.50,  Tfpyya 
1.50,    HPVVc    1.50,    HPyyayc    1.75,    £^P 
2VVa    1.75,      17P2yyc    1.75,      EP2VVaVc 
2—,    Sir-Quint.  2yyaycCffss   1— n,    kl.    O 
1.50  n    Scheithauer;    Marche    nuptiale,    P 
6 —   Lemoine,   — 30    Gebethner,   — 20    Gut- 
heil,   Johansen,   Jurgenson,  — 30   Zimmer- 
manri,     — 20    Nordisk    Miisikforlag,     — 25 
Warmicth,     — 50     Lundq^iist;     lf7ns     — 20 
Jurgenson,    — 25    Nord.    Musikforlag. 
Wedding    march:     P     3/ —    Agate, 
Ascherberg,    2/ — ,     (J.    R  o  c  h  a  r  d) 
(S.    Smith)     4/—    Ashdoicn,     (E  y  k  e  n) 
2/6,       (Kuhe)      3/—,       (Th  timer)      3/— 
Atcgener,     — ■/2     Broome,     1/—     Chappell, 
2/ —   Cra7ner,  3/ —   Donajowski,   2/6   Chap- 
pell, 3/—  Duff,  Moore,   1/—,    (A.   J  a  ell) 
2/6   Novello,   3/ —   Pitm a7i,   2/ —   Rey7iolds, 
— /2  Sheard,  2/6  Weekes,  1/—  Wickins,  2 — , 
(P.  R  i  c  h  a  r  d  s)  3/ —  Williams,  —50  Brai- 
nard, — 40   Bloo7n,   Century,  — 35    Church, 
—40,    (F.   Liszt)    1.75,    (H.    May  lath, 
Rimbault)    a  —30,    (S.   Smith)    —50 
Ditson,     Ellis,     —50,     (F.     Liszt)     1.50, 
(Lenschow)    — 40,    (May  lath)    —35, 
(S.    Smith) — 50    Gordon,    Lyon,    — 35  n 
Presser,      Willig,     — 30      Schirmer,     — 40 
Wood;  4rns  3/ —    Agate,    3/ —    Ashdoum, 
2/ —  Augener,  3 —   Chappell,  Donajov:ski, 
1/6  n     Novello,     3/ —     Pitman,     Rey7iolds, 
— /4  Sheard,  1 —  Wicki7is,  3/ —  Williams, 
—75     Brainard,     —50,      (Grobe)      —60, 
(May  lath)    — 35   Ditson,   — 40    Gordon, 
—75  Mc.  Kinley,  — 50  Schirmer;  2P  3/— 
Cra7ner;    Cms    (E.    M.    L  o  1 1)    5/—    .4.9^- 
dou-7i,    (Rimbault)    4/ —   Chappell,    1 — 
Ditson;    Sms    (E.    Pauer)    1/ — n    Auge- 
ner,   1 —    Ditson;    Org     (Brown,     Tra- 
vis,    Trost)     a    3/ —     Ashdoio7i,      (Ar- 
cher, Eyken)    a  3/ — ,    (Duncan)  4/ — 
Augener,   (Trego)    2/ —  Donajowski,  3/ — 
Metzler,    (C.  E.   W  i  1 1  i  n  g)    1/—  Novello, 
(P  e  a  r  c  e) ,    Vince7it,     (W  oodehouse) 
4/—  Weekes,   1/6  n,    (Nutter)    3/—  Wil- 
liams,   —35,     (Eddy)     —60    Ditson,     (E. 
Barrett)    — 50  J.   Fischer,    (Gordon) 
— 40     Gordon,     — 35  n     Presser,      (Jack- 
son)   — 50    Schirmer;    E    (Rimbault) 
2/—     Chappell;     PE    (Rimbault)      3/6 
Chappell;    VP    (E  a  r  r  o  w)     3/—   Pitman, 
(Ries)    3/—   Williams,    (J.   E  i  c  h  b  e  r  g) 
—50    Ditson,    (J.    Weifi),    Fischer,    —10 
Nat.     Music     Co.;     EaP     (P  a  r  i  s  h  -  A  1- 
V  a  r  s)     2/3    Novella,     2VVa    —50,     2VVc 
—50,  2PP,  VVaP  a  —70,   VVcP  —70,  gy 
yayc   —70,    2VVaP  —90,    syycP   —90, 

28 


Mendelssohn-Bartholdy  F.  op.  61 


—     434 


Mendelssohn-Bartholdy  F.  op.  63 


2VVaVcP  (J.  Weifi)  1—  Fischer;  J,ins 
FlVVc  (Watts)  1/— n  Augener;  P  & 
Stringed  Instr  2/6  n,  String  parts  a  — /6  u 
Novella;  V  (J.  Weifi)  —25  Fischer,  —10 
Nat.  Music  Co.;  Ft  — 10  Nat.  Music  Co.; 
Mand  -10  Nat.  Mvs-lc  Co.;  2V  (J. 
Weifi)  — 40  Fischer;  MandfVJP,  VFl 
ft  _]0  Nat.  Music  Co.;  Fl2V2Va.VcKh 
]/— n  Augener;  FiillO  1/6,  SmallO  1/— 
Boosey,  Score  6/ —  Donajoicski,  Full  Band 
5/4,  Med.  Band  2/—,  Small  Band  1/4  Hau- 
kes,  Full  score  2/ —  n,  O  parts  6/ —  n,  ?nO 
score  et  parts  3/ — n  Novello;  FullO  1.25, 
If,  Instr  1—,  10  Instr  —75,  P  ace.  —20, 
mO  1—  Fischer;  FullO  1.25,  U  Instr  I—, 
10  Instr  —75,  P  —20,  JJ/t^  Band  I— 
Standard. 

Marche  nuptiale:  P  1.70  n  Choudens, 
— 50  n,  (M.  Lee)  1.75  n,  simpl.  (Cra- 
mer) — 50  n  Costallat,  1.75  n  Coutarel, 
2 —  n  Durand,  Gallet,  4 —  Grus,  6 —  Jou- 
iert,  3—  Katto,  — 60  u  Lemoine,  6—,  8" 
— 50  n  Noel,  1.75  Ricordi,  1 — n  Salvat, 
— 50  Gebeihner,  2.50  Kessels,  —20  Jur- 
genson;  4rus — SO  n  Costallat,  — 75  n  Le- 
moine, 6 —  NoSl,  1 — ,  fac.  1 —  Schott  Frd- 
res,  2 —  Ricordi,  — 75  Elkan,  1 —  Hirsch; 
6ms  (C  r  6  m  e  r)  2.50  n  Chotidens;  2P 
2.70  n  Costallat;  8ms  2.70  n  Costallat;  Org 
2—  n  Dvrand;  POrg  (G.  L  a  m  o  t  h  e)  2.50  n 
Choudens,  8 —  Lemoine;  VP  (Her- 
mann) 1.75  n  Costallat;  2VP  2.70  n 
Costallat;  V  — 20  n  Bonnefond ;  (P  i  e- 
trapertosa  tils),  MandP  2.25  n, 
MandG  1.75  n,  2MandP  2.50  n,  2MandG 
2—  n,  2MandGP  .3—  n,  Mand  —75  n. 
2MandMandoP  2.75,  2MandMandoG  2.50  n. 
2MaudMandoGP     3.25  n     Pisa;     0,     Part 


Ilarm(Fanf)    2— n    Co- 


3 —  n,   p.  s.   5 —  n, 

stallat,  Part  3 — n,  p.  s.  6— n  Diirand,  mO 

av.  Saxoph.  ad  lib.  1.25  n  Tilliard,  0,  Part. 

Elfenmarsch,    P    — 30    Breitkopf. 

Lied  und  Chor  der  Elfen,  P  1 —  Breitkopf. 

Ein  Tanz   von  Riipeln,   P  —30   Breitkopf. 

Schlufichor  der  Elfen,  P   1 —  Breitkopf. 

Elfenmarsch,     Notturno     und     Hochzeits- 

marsch,    J/V    (F  r.     Hermann)    2.40  n 

Breitkopf. 
Andante    tranquille,    VP    (D  a  u  b  e)     1.50 

Schott. 
You    Spotted    Snakes,    solo    a.    chorus    w. 


w.   P   2/3  n, 


Vocal   p. 
1/6  n,  8" 


6/- 


'3  n, 


(A.   Thomas) 


XOp'b     BJUb^OB-B, 


7/m.s    2/3  n, 

Novello. 
Thro'  the  House,  Voral  sc. 

Vocal   p.  — /6  n   Novello. 
Forester's  Chorus,   TTBB 

— 15  n   Presser. 

jjCoH-B     U-h     .TbTIOK)     HOHb" 

fljifl  Tpexi  sKencKUXT.  ro;iocoB'B  — 60  Besscl. 
Fragment  and  Dance  of  clowns,   from  „A 

Midsummernight's   Dream",   J^ms    (Engl. 

Fingering)    3/ —   Augener. 
Allegro  appassionato  du  Songe  d'une  nuit 

d'ete    (R  i  1 1  e  r,    VP    2—  n    Costallat. 
Hochzeitsmarsch     u.    Elfenrei- 

g  e  n,     transcr.     by     Liszt,     rev.     by 

T  h  ii  m  e  r,     P    1/ —  n    Augener,     1.50  n 

Schirm  er. 


W  o  r  t  e,    V, 
1.    Andante 


Danse  des  Elfes,  nocturne  et  marche,  .JV 
(Hermann)    4 —  n    Costallat. 

Scherzo,  Nocturne  &  Wedding 
March  (Saar),  PFl2VVc  1.50  n 
Schirmer. 

Selection,  VP,  MandP,  CornetP  a 
2 — n  Fatoiit,  (Blumenthal- 

Saenger),  FIP  —60,  Ma7id  —30, 
2Mand  —45,  MandG  —45,  2MandG 
—60,  MayidP— 60,  2MandP  —75  Fischer. 

Fantasie,  P  (M.  Lee)  3/—,  (E. 
P  a  u  e  r)  4/ —  Augener,  2P  (K  e  1 1  e- 
rer)  4 — n  Costallat,  0  (Schrei- 
n  e  r)    5 —  n  Benjamin. 

Paraphrase,  P  (B  a  1 1  m  a  n  n)  1.75  n 
Gallet,  (Smith)  —90  Gordon,  kma 
6/ —    Ashdown. 

Potpourri,  P  2 —  Andre,  1 —  Breit- 
kopf, 2/ —  Novello,  ^ms  3 —  Andre,  3/— 
Novello,  VP  2.50  Andre,  VcP  2.50  An- 
dre, FIP  2.50  Andre,  VFlVaVc  4.20 
Andri,  Fl  —80,  2V  1.50  Andre,  2VVa 
Ye  4.20  A7idre,  (F  r.  Hermann),  VP, 
FIP  a  U— n,  2VP,  PVVc,  PFlVc  k 
1/4  n,  P2VVc  1/6  n,  V,  Fl  k  — /6  n,  2V 
— /8  n   Augener,    Par.   Bes.    1.40   Apollo. 

0  u  V.    vide:    op.    21. 
62    Sechs    Lieder    ohne 

P   —50,    a    —30    Breitkopf: 

espressivo   (G).     2.  Allegro  con  fuoco  (B). 

3.  Andante  maestoso  (Trauermarsch)  (E- 
m.).  4.  Allegro  con  anima  (G).  5.  Venetia- 
nisches  Gondellied:  Andante  con  moto  (A- 
m.).  6.  Allegretto  grazio.so(Fruhlingslied)  : 
Spring  Song,  Chant  de  print-emps,  3  Bg. 
Bote,  1—  Nr.  1,  3—5  k  —30,  Nr.  2,  6  a— 45 
Kahnt,  —50,  a  —20  Litolff,  Schlesinger, 
—60  Sch2veers,  1—,  N.  2,  6  a  —40  n,  N.  1, 
3 — 5  a  — 20  n  Simrock,  2/6  Aslidown, 
2/6,  N.  1,  3—5  a  1/—,  N. 
gener,  1  / —  n  Boosey,  5/— 
N.  ],  2,  6  a  2/—,  N.  3- 
N.  1,  3—5  a— 25,  N.  2 
N.  1,  4,  5  a  —20,  N.  2, 
N.  1,  3,  4  a  —20,  N.  2, 
Schirmer,  7.50  Heugel,  Joulert,  — 40  n  Ri- 
cordi,  — 65  Jurgenson,  -'fnis  1.40  n,  N.  1,  2, 

5  6  a  —40,  N.  3,  4  a  —20  Simrock,  10— 
Joubert,  6—  N.  1—5  a  1.50,  N.  6  2—  Ri- 
cordi, BP(2P)  V.  C.  G.  Lickl  3—  Sim- 
rock, VP  (F.  David)  3 —  Simrock, 
3/6  n  Novello,  VcP  (A.  Piatti)  3.50 
Simrock,  FIP  8—    N.  1,  3,  5  a  1.50,  N.  2, 

6  a  2—,  N.  4  1.25  Ricordi,  N.  1,  Cor- 
netdPP  1—  Rahter,  N.  6,  P  —50,  V  —50, 
yp  _75,  2V  —75,  2VP,  VVaP,  VVcP 
a  i_  VVaVcP,  2VVaP,  2VVcP  a  1.25, 
2VVaVcP  1.50,  27PV  1.25,  //P^F,  HPVVa, 
nPVVc  fl  1.50,  7/pyy«Fc,  IIP2VVa,  EP 
2VVc  a  1.75,  UP2VVaVc  2—,  .S'ir-Q.uint. 
l_n,  kl.  0  1.50  n  Scheithauer,  Mand(V) 
MaP  1.25,  Mand(V)MaG  1—,  23/0%^^'^ 
MoP   1.50,   2Mand(V)MaG    1.25   Ricordi. 

•63   Sechs   D  u  e  1 1  e :    1 .   Teh   wollt'  meine 
Lieb',  2.  Abscbied  der  Zugvogel,  3.  Grufi, 

4.  Herbstlied,  5.  0  siih'  ich  auf  der  Heide, 
6.  ISIaiglockcheu  Ijiutet  1—,  a  —30  Breit- 
kopf, Schlesinger,  N.  1—3,  5  a  —30,  N.  4, 


2,  6  a  2  —  Au- 

-    Cramer,    5/ — , 

-5  a  1/ —  Williams, 

6  a  — 50  Brainard, 

3,  6  a  —30  Gordon, 

5,  6  a— 30  Church, 


Mendelssohn-Bartholdy  F.  op.  63 


—     435     — 


Mendelssohn-Bartholdy  F.  op.  68 


6  a  —40  Kistner,  7  Bg.  l^choft,  1—,  N. 
1—3,  5  a  —20,  N.  4,  6  t\  —30  Jurgenson, 
P  (Jadassohn)  —80,  J/ms  (Jadas- 
sohn) 1.40,  PH  (Lichtl)  1.40,  2Cor- 
netaPP    3 —    Kintner. 

1.  I  would  that  my  love  (Ich  woUt' 
meine  Lieb'),  2.  The  bird's  farewell  to 
Slimmer  ( .\bsehiedslied  der  Zugvogel), 
3.  Greeting  (Grufi),  4.  Autumn  song 
(Herbstlied),  5.  O  wert  thou  in  the  cauld 
blast  (O  siih'  ich  auf  der  Heide  dort), 
6.  The  maybells  and  the  flowers  (Mai- 
glockchen  und  die  Bliimelein)  1/ — n  Ash- 
doicn,  N.  1,  4,  6  i1  1/6  n,  N.  2,  3,  5  a  1/— n 
Augcner. 

1.  La  Soeur  de  I'ame  (Ich  woUte  meine 
Liebe  ergosse  sich),  2.  Le  Depart  des  oi- 
seaux  (Abschied  der  Zugvogel),  3. 
Hymne  a  Dieu  (Grufi),  4.  L'Amiti6 
Volkslied),  5.  Chant  d'automne  (Herbst- 
lied) 6  La  Danse  des  lleurs  (Maiglock- 
chen),  N.  1,  6  a  1.75,  N.  2-5  a  1.35 
^ms  (S.  Jadassohn) 
4— n  Dnrand,  7.50  Lo- 
Novello,     4 —  n     Durand, 


Schott 
21— n 
moine, 
vide : 


Frdres, 
Novella, 

HP    1;6 
Duette. 


63  niecTS  sy3T0Bi.    HoBoe  usaanie   (p.  h.) 
1—:   Nr.  1.   XorbJi-B   6h   b-b  CAHHoe  cjiobo 

20      Nr.   2.    HpomajibHaH    n-fecHH    — 20. 

Nr     3.    noKJiOH-B    —20.      Nr.    4.    OceHHflfl 
ntcHfl  —30.    Nr.  5.  HapoAnaa  ntCHfl  -20. 
Nr    r.    IIo.ieBsie  UB-fexKU  —30  Jurgenson. 
-64  Konzert    (Em.),   VO,  Part  3— n  Breit- 
kopf,     Peters,       1—  n     Eulenburg,      4/6  u 
Novello,  4— n  Costallat,  S—  Schott  Freres. 
1.40  n  Societa,  St   6.10  n   Breitkopf,  7/— n 
Novello.      8— n      Costallat,      10—     SchoLL 
Frires,'lS—  Ricordi,  VP  (F.  David  und 
C.    Reineckel     1—    Breitkopf,    Peters, 
1.50  Cranz,  Eulenburg,  I —  Litolff,  Un.-Ed., 
1.20  Schlesi7iger.    (H.  Dessauer)    2— u 
Schott,  (Joachim  J.)  2—n  Simrock,  1.20 
ateingrfiher,  1—  Un.-Ed.,  4:i—  Chanot,  5/— n 
Novello,  (D  o  n  t)  1/3    Weekes,   —50    Schir- 
mer,    (F.    David)     1.35  n    Costallat,    4— 
Schott    Freres,    (H.    S  c  h  r  a  d  i  e  c  k)    9— 
Ricordi;   VcP    (B  o  c  k  m  ii  h  1)    7.20  Andre, 
FIP  2.50  Cranz,  J,ms  1 —  Breitkopf,  Litolff, 
Peters,  Un.-Ed.,  6/— n  Novello,  1.35  n  Co- 
stallat, 8— n  Schott  Freres. 
Andante   (C),  VP  1.50  Andre,   (West- 
brook)    1.25   Schott,    (E.  Heim)    3/— 
Augener,    Chanot,    Dona 'join ski,  Weekes, 
1/6  n     'Wickins,      —30     Fischer,      (T  o  1- 
hurst)     4/ —    Willi/ims,     — 50    Gebeth- 
ner,    KbP    1.20  n    C.    F.    Schmidt,     VcP 
(J.'      de       Swert)       1.30      Breitkopf. 
1/6  n   Novello,   1.75  n   Costallat,   V(Vc)H 
(Reinhard)     2—    Simon,    3/—    Metz- 
ler,    KbP     (F  r.    Simandl)     1.20  n    C. 
F.  Schnudt,  P    (Paraphrase  de  Smith 
S)  3/ —  Ashdoicn,  Org  (Wodehouse) 
31—  Ashdoirn,    (Prout)    Sf—  Augener. 
(S  teg  gal)    1/6  Novello. 
Allegretto  and  Andante,  Org  (J.  H  i  1 1  e  s) 

1/6    Novello. 
Fragment     du     concerto,      FIP,     TlautbP, 
Saxoph.P,  CorP,  CIP  a  2—  Schoenaers. 


Slow  movement    (L'Ange  qui  chante) ,  VP 

4/ —  Cecilia. 
Thema  a.  d.  Concerto,  Org    (Dr.  Spar  k) 

—75   Pateg. 

65    Sechs    Senate  n.    Org 

2.    (C-m.),   3.    (A),  4.    (B),  5 

m.)   3 — ,  a  1 —  Breitkopf,  Nr 

2,   3,  5   a  3  Bg.,  Nr.  6  4  Bg. 


:  1.  (F-m.), 
(D),  6.  (D- 
1  5  Bg.,  Nr. 

Schott,   1/6  n, 


a  — /8  n  Augener,  Novello,  3/6  n,  a  1/ —  n 
Williams,  5.40,  8"  2— n,  k  1.35  n  Costal- 
lat, a  7 — n  Durand,  N.  1,  4—6  a  7 — n, 
N.  2,  3  a  5— n  Enoch,  a  2.50  Joubert, 
N.  1  4.80,  N.  2,  3,  5  a  3—  N.  4,  6  a  4.20 
Ricordi,  N.  3  —85  Ditson;  HP  (Bibl) 
a  3—  Simrock,  3/—  Novello;  P(Sms)  a 
2.50  n  Joubert;  .l/ms  (F.  L.  Schubert) 
1.50  n,  a  1—  Breitkopf,  N.  1,  4,  6  a  2/— p, 
N.  2,  3,  5  a  1/6  n  Novello;  2P  (J.  P  h  i- 
lipp),  N.  1,  4,  6  a  7— n,  N.  2,  3  a  5— n, 
N.  5  6 —  n  Durand. 
Andante  religioso   (op.  65  N.  4),  VcP   (A. 

Moffat)    —80    Breitkopf. 
Andante  et  Finale,  VcP  —40  n  Gebethner. 

66  Trio  (C-m.)  N.  2,  Part,  8°  — 70  n 
Eulenburg,  PVVe  2.10  Breitkopf,  1.50  n 
Cranz,    ( J.   J  o  a  c  h  i  m    u.    E.   Rudolf) 

-  2 —  n  Simrock,  6/ —  n  Novello,  6.70  n  Jou- 
bert, Part  2— n  Ricordi,  1.05  Society, 
et  parti  15—  Ricordi;  I,ms  (E.  F.  Rich- 
ter)  2 —  Breitkopf,  8/— n  Novello. 
Andante  movements,  HP  (Soyka)  2— 
Breitkopf,  3/—  Novello. 

67  Sechs   Lieder   ohne   Worte,   VI, 
P:    1.   Andante    (Es) ,   2.   Allegro  leggiero 
(Fis-m.),    3.    Andante    tranquillo     (B),    4. 
Presto,  Spinnerlied    (C),  5.  Moderato    (H- 
m.),   6.   Allegretto    non   troppo    (E)    — 50, 
ji    _30   Breitkopf,    Schlesinger,    3Va  Bg., 
N.  1—3,  5,  6  a   1  Bg.,  N.  4   P/a  Bg.,  Bote, 
_50^   1—    N.  1,  3,  5  a  —30,  N.  2,  4,  6  a 
—60  Kahnt,  a  —20  Litolff,  Nr.   1,  3,  5   a 
1    Bg.,    Nr.    2,  4,  6    a  2    Bg.    Schott,   —60 
Schweers,    1.20  n,    Nr.     1,  3,  5     a    — 20  n, 
Nr.    2,  4,  6    a   — 40  n   Simrock,   5/ —   Ash- 
down,  2/6,  N.   1,  3,  5  a   1/—,  N.  2,  4,  6  a 
2/ —    Augener,    Cramer,    Williams,    1/ —  n 
Boosey,    5/—   C happen,    Cramer,    2/6    No- 
vello, Nr.  1,  3,  5  a  —25,  Nr.  2,  4,  6  a  —50 
Brainard,  7.50,  N.  1,3,5  a  —20,  N.  2,4,6 
a— 30  Gordon,   N.    1,3,5   a— 20,   N.   2,  6   a 
—30,  N.  4  —40  Church,  Schirmer,  Tleugcl, 
■Joubert,    1.50,    ^—50Cottrau,    — 40  n    Ri- 
cordi, —75,  N.  1,  3,  5  a— 15,  N.  2,  4,  6  a —20 
Jurgenson;   4ms   1.40  n,   Nr.    1,   2,   4,   6   a 
— 40n,   Nr.    3,  5    a   — 20  n    Simrock;      VP 

(F.   David)    3.50   Simrock,   3/6   Novello; 
10—  Joubert,  VcP  (A.  Pi  atti)   3.50  Sim- 
rock; EP(2P)  v.  O.  G.  L  i  c  k  1  3— Simrock, 
-68    Festgesang    „An    die    Kunst- 
ler",    TTBB    u.    blM,    Part    2— n,    0-St 
3.90  n,    Solost   a   — 15  n,    Chorst   a   — 15  n, 
m.     Festgesang    an    die    Buchdrucker,      a 
— 30n,    KA    1—    Breitkopf,      Part    3— n, 
(Eberwein)    8—    0-St  4- n,    (E  b  e  r - 
wein)     6.50,    KA     1— n,    Solost    — 40  n, 
Chorst— 80  n,  P— 60  n,   //ms— 60  n  Simrocfc. 

28* 


Mendelssohn-Bartholdy  F.  op.  68 


436 


Mendelssohn-Bartholdy  F.  oy.   70 


To  the  sons   of  Art,  cantata:   Full   score, 

Brass    Band    3/ — n,    arr.    for    a    FullO 

8/ — n,  Voc.  score  3/ — n,  8"  1/ — n,  parts 

2/ —  n,  O  parts.  Brass  Band  4/4  n,  FuUO 

6/6,    P    1/6,    Jtms    1/6  n    Novello. 

Chant   de  f6te,   TTBB   1.50   Foetisch,  avec 

/'a?'/".    Part   4— n,    p.    d'instr.    3— n,    ..le 

choeur  — 50  n,  av.  P  3.50  n   Costallat, 

■69    Drei    Motetten,    f.    Chor    (SATE) 

u.  Solost  1.20  Breitkopf:  Nr.  1.  Herr,  nun 

iSssest   du   deinen   Diener,   Part   1 — n,   St 

a  — 15  n.  Nr.  2.  Jauchzet  dem  Herrn,  alle 

Welt,  Part  1— n,  St  a  —15  n.  Nr.  3.  Mein 

Herz  erhebet  Gott,  den  Herrn,  Part  1 — n, 

St     a    — 15  n    Breitkopf,      Chorst     a    — 15 

Litolif. 

•70     Ellas,     Oratorium     nach     Worten     des 

alten    Testaments,      Part    18—    Breitkopf, 

12—    Peters,    30— n    Simrock,    0-St    20.70 

Breitkopf,    21—   Peters,    25— n    Simrock, 

Solost      2.70  n    Breitkopf,      6.50    Simrock. 

Chorst  1.20  Breitkopf,  Litolff,  Peters,  2 — n 

Simrock,   Org   1.50  Breitkopf,  Peters,   3 — 

Simrock. 

KA  (d.-engl.)  12—  (Kietz)  2—  Breit- 
kopf, 2—  Litolff,  Peters,  Simrock,  Un.- 
Ed. 

P  1.50  Litolff,  Peters,  Un.-Ed.,  12—  Sim- 
rock. 

4ms    3—    LifoZ^,    Pefers,    Un.-Ed.,    17.50 

Ouv.    P    —30    Breitkopf,    V/.    Bg.    Bote, 

— 50     Schlesinger,     Simrock,     4ms    60 

Breitkopf,  2  Bg.  Bote,  —50  Schlesinger, 
— 60  n   Simrock : 
3.  u.  4.  Rez.  u.  Arie :   „So  ihr  mich  von 

ganzem"  — 40  n. 
7.  Denn  er  hat  seinen  Engeln,  8  Manner 
St    (F.   Sehulz),   Part  —60,   St   1.20 
Eeinrichshofen. 

18.  Arioso:    „Weh'    ihnen,     dafi     sie     von 
mir"  — 20  n. 

19.  Rez.  TBS  u.  Chor:  „Hilf  deinem  Volk" 
— 40  n. 

21.  Arie:    „H6re    Israel,     hore    des    Herrn 

Stimme"  — 40  n. 
26   u.   27.   Arie  u.   Eez. :    „Es   ist  genug!"' 

,,Siehe,   er   schlaft"  — 40  n. 
28.  Terzett :    „Hebe    deine    Augen    auf    zu 

den   Bergen"   — 20  n. 
31.Arie:   „Sei  stille  dem  Herrn  u.  warte" 

— 20  n  Simrock,  Schuberth  jr. 
35.  Rez.    u.    Soloquart. :       „Heilig,    heilig, 

heilig"   —60  n. 
37.  Arie :   „ Ja,   es  soUen   wohl   Berge   wei- 

chen"  —20  n. 

39.  Arie:      „Daun    werden     die    Gerecht'3n 
leuchten"  — 20  n. 

40.  Rez. :   „Darum  ward  gesendet  der  Pro- 
phet" — 20n. 

Nr.  3—4.  — 50n  Breitkopf,  —30  0.  For- 
berg,  1 —  Koeppen,  — 80  Schlesinger, 
—80  Simon,  VaP  1.20  Challier,  m.  O 
2.70  n  Breitkopf. 

Nr.  18  —20  0.  Forberg,  —50  Schlesinger, 
—60  Simon,  VaP  1.20  Challier,  H  1.20 
Simon. 


Nr.  21  —50  Breitkopf,  —40  0.  Forberg, 
1 —  Schlesinger,  m.  II  2 —  Koeppzn, 
m.  0  4.50  n  Bote,  3.60  n,  VcP  (Roth 
Ph.)    —80  Breitkopf. 

Nr.  27  —50  Breitkopf,  1—  Schlesinger, 
m.  0  3.50  n  Bote,  4.80  n  Breitkopf,  —75 
Bessel,  sO  2— u  Cranz,  VcP  (Roth 
P  h.)  — 80  Breitkopf,  m.  Norm.-FI  1 — 
Koeppen. 

Nr.  28  —45  n  Breitkopf,  —20  Klemm,  —50, 
ohne  Begl.  — 30  Schlesinger,  — 80  Siegel, 
m.  mO  2— n,  m.  Harm  1.50  n,  m.  MM 
1.50  n,  STr  — 60  n  Oertel,  P  —20 
Klemm,  m.  'Norm. -11  1 —  Koeppen,  8 A 
TB  (R.  Thiele)  1—  Schroeder,  3st. 
Knabenchor  m.  Org  (R.  K  u  h  n  e)  1.45  n 
H.    Oppenheimer. 

Nr.  31  — 50  n  Breitkopf,  1  Bg.  Eeinrichs- 
hofen,  —60  Sijuon,  —30  Bessel,  stO 
1.50  n  Breitkopf,  m.  sO  2 —  n  Cranz, 
mO  2— n,  kl.  O  1.50  n,  bl3I  1.50  n  Oer- 
tel, m.  Mason-Hamlin-E  1 —  Koeppen. 

Nr.  39  —40  Bessel,  m.  E  (Rein  hard) 
—60,  m.   V  ad   lib.  —80  Simon. 

Wohl  dem,  der  den  Herrn  furchtet,  Chor, 
Part  2— n,  0-St  5.10  n,  Chorst  — 60  n, 
KA  —50,  Org  —30,  (R.  Noatzsch) 
Org  (statt  0)  1— n  Breitkopf,  EP  (R. 
Lange)   1.80  Simon. 

Wohlan  alle,  die  ihr  durstig  seid,  EP  (R. 
Lange)    1.50  Simon. 

Sechs  Orgelstucke  (St  egg  a  I):  Nr.  1. 
Hilf,  Herr!  —80.  Nr.  2.  Aber  der  H.?rr 
sieht  es  nicht,  3.  Dank  sei  dir,  Gott, 
4.  Fiirchte  dich  nicht,  spricht  unser  Gott, 
a  1 — .  Nr.  5.  Wer  bis  an  das  Ende  be- 
harrt,  u.  Heilig,  heilig,  heilig  — 80.  Nr. 
6.  Alsdann  wird  euer  Licht  hervorbre- 
chen   — 80   Simrock. 

Chor:  „Siehe,  der  Hiiter  Israels",  EP  (R. 
Schaab)  1 —  Forberg,  (R.  Lange) 
1.50  Protze. 

Chor:  „Wer  bis  an  das  Ende  beharrt", 
SATB   1.20   E.   Oppenheimer. 

Transcriptionen,  VcP  (Grimm 
Carl)  :  Nr.  1.  So  ihr  mich  von  gan- 
zem Heizen,  2.  Weh'  ihnen,  dafi  sie  von 
mir  weichen,  3.  Hore,  Israel,  a  — 80. 
Nr.  4.  Es  ist  genug  1 — .  Nr.  5.  Sei 
stille  dem  Herrn  — 80.  Nr.  6.  Dann  wer- 
den die  Gerechten  leuehten  — 80  Sim- 
rock. 

Fa  n  t  a  s  i  e,   P  — 50   J.   Schuberth. 

Potpourri,   P    (Cramer)    2 — Andre. 

Elijah,  oratoria,  Full  score  18/ — n,  Voc. 
score  12/6  n,  8"  2/— n,  Choruses  1/— n, 
Solo  Music  1/6  n,  Voc.  p.  a  1/ —  n  Novello, 
— 75  Ditson,  Schirmer,  White,  Vocal 
score  1/ —  Pitman,  Wind  parts  26/6  n, 
EP  ace.  10/6  n,  ^wts  5/ —  n ;  in  single 
numbers :  from  — j&  n,  to  1/6  n  each ; 
Admired  Movements,  by  C  a  1 1  c  o  1 1,  4wi« 
3/6  n,  FlVVc  ace.  — /6  n  each,  Ouv.  P 
1/3  n,  0  5— n,  EP  (Prout)   10/6  Novello. 

C  li  o  r  u  s  e  s  :    Novello : 
And  then  shall  your  light  2/—,  8"  — /2. 
Baal,  we  cry  to   thee   2/6,   S"  — /2. 


Mendelssohn-Bartholdy  F.  op.  70 


—     437 


Mendelssohn-Bartholdy  F.  op.  70 


-/3. 

P    (Bon- 


8° 


-/v> 


Behold,    God   the   Lord   2/6,    S" 

Be   not   afraid    2/—,    8"   — /2, 
heur)    — /4   Sheard. 

Blessed   are  the   men    1/6,   8°  — /2. 

Cast  thy  burden  —6,  8°  — /I'A  Novello, 
— 25   Ditson. 

For  He  shall  give  His  angels  charge  2/6, 
8°  — /2  Novello,  — /4  n  Augener. 

He  that  shall  endure  1/—,  8°  — /P/^  No- 
vello, — /2  Ashdown,  Full  Band  2/8, 
Ifed.  Band  2/—,  »SfmaH  Bojui  1/4  Haw- 
Ices. 

He  watching  over  Israel  1/6,  8°  — /2  ]Vo- 
vello,   Ashdown,   — 06   Schirmer. 

Holy,   Holy   is  God  the  Lord   1/6, 

Lift  thine   eyes,   8°  — /P/j. 

Lord,    bow    Thine   ear,    8"   — /r/- 

O  come  every  one  1/ — ,  8"  — /P/s- 

Thanks   be  to   God   2/—,   S"  —12. 

Then   did  Elijah   1/9,   8»  —/2. 

Yet  doth  the  Lord  2/—,  8°  — /2. 

But   the   Lord    1/6. 

For    the   mountains,    shall    depart 

Hear  our  cry,  O  Baal   1/6. 

Hear  ye,  Israel  1/6  Novello,  — 60  Church, 
P    (Fesca)    1/6  n,    (Calkin)    1/3  n. 

Help,   Lord    1/6. 

Help  me,  man  of  God,  SB 

Holy,   holy,   holy    1/6. 

If  with  all  vour  hearts,  T 

Is  not  His  Word,   Bar(B) 


1/-. 


1,6. 

1/6. 

1/— . 


It  is  enough,  0  Lord,  Bar(B)  1/6  No- 
vello, 3/ —  Ashdown,  Duff,  — 50  Church, 
— io' Ditson,  P  (Calkin)   1/3  n. 

Lord  God  of  Abraham,  Bar(B)  1/—,  P 
(Calkin)    2/— n. 

O  rest  in  the  Lord,  C  1/6  Novello,  3/— 
Ashdown,  1/ — n  Augener,  — 12  Broome, 
4:/ —  Chappell,  3/ —  Donajowski,  Duff, 
— /4n  Phillips,  3/—  Pitman,  —12 
Sheard,  3/ —  Weefces,  1/6  n  Wickins, 
3/—  Willia7ns,  —25  Brainard,  —30  Dit- 
son, — 06  Gordon,  — 15  Schirmer,  P 
(Calkin)  (Fesca)  a  1/6  n  Novello, 
(Prior)  3/ —  Ashdoicn,  (Bonheur) 
— /4  Sheard,  —30  Ditson,  Org  3/—,  VP 
(Althaus)  3/—  Ashdou-n,  (F.  W  e  e- 
k  e  s) ,   Weekes. 

Open  the  heavens   1/6. 

Sing  of  judgment,  m.  v.  — 08  Church. 

Ihe   fire   descends    1/6. 

Then  shall  the  righteous  shine,  T  16  No- 
vello, 3/ —  Ashdown,  — /2  Sheard,  — 35 
Church,  Ditson. 

Woe  to  him  2/—. 

Woe  unto  them,  C  \ —  Novello,  3/ —  Ash- 
doun,  P  (B  o  u  h  e  u  r )  — /2  Sheard,  — 35 
Church. 

Zion  spreadeth  her  hands,  &  Lord,  bow 
Thine  ear    (with  chorus),  SS  1/ — . 

T  go  on  my  way  (Recit.),  &  For  the 
mountains  shall  depart  (Arioso)  1/ —  n 
Augener. 

If  with  all  your  hearts  (Aria)  — /2 
Sheard,  P  (Fesca)  1/6  n,  (Calkin) 
2/—  n   Novello,    (Bonheur)    2/—   She- 


ard, 2/6  n  Wickins,  — 30  Church,  Gordon, 

Org  1/6  n  Wickins. 
Lift  up  thine  eyes    (Trio)   — /2  Sheard,  P 

— /2     Bayley,    —06     Brainard,     Gordon, 

Schirmer,      — 25      Ditson,      (Hasert) 

1/6  n,    (Calkin)     1/3  n    Novello. 
Ve    People    (Recit.),    &    If    with    all    your 

hearts      (Air)      1/ — n     Augener,     — 35 

Church. 
Solo  Music  (S,  C,  T)  a  1/6,  B  2/6  Novello. 

Org :  A  selection  of  choruses,  arr  by  C. 
St  eg  gal.  Org  a  1/—:  N,  1,  H?lp, 
Lord.  2.  Yet  doth  the  Lord.  3.  Thank 
be  to  God.  4.  Be  not  afraid.  5.  He  that 
shall  endure.  Holy,  holy.  6.  And  thea 
shall  your  light.  7.  For  He  shall  give. 
Baal,  we  cry  to  thee.  8.  Cast  thy  bur- 
den. The  fire  descends.  9.  Woe  to  him. 
10.  He  watching  over  Israel.  11.  Behold! 
God  the  Lord.     Novello. 

O  come  every  one  that  thirsteth.  If  witli 
all  your  hearts.  Cast  thy  burden.  0 
rest  in  the  Lord.  He  that  shall  endure. 
Paraphrase  by  E.  M.  L  o  1 1,  Org  4/ — 
Ashdown. 

Be  not  afraid.  Lift  thine  eyes.  He  wat- 
ching over  Israel,  Paraphr.  by  L  o  1 1, 
Org   4/ —   Ashdotvn. 

Airs,  arr.  by  George  Calkin,  in  two 
books,    Org    a  1/ —   Novello. 

20  Easy  Voluntaries,  arr.  by  W.  H.  Gill, 
Org  1/ —  Novello. 

H:  Easy  Voluntaries,  arr.  by  W.  H.  G  i  1 1 
1/ —  Novello. 

Airs  and  Choruses,  arr.  by  R.  Bibl  2,6 
Novello. 

7  Airs:  1.  If  with  all  your  hearts.  2.  Is 
not  His  word  like  a  fire?  3.  O  rest  in 
the  Lord.  4.  Lord  God  of  Abraham.  5. 
Hear  ye,  Israel.  6.  For  the  mountains. 
7.  Then  shall  the  rigliteous  1 — n  Wil- 
liams. 

Airs  from  Elijah,  ed.  by  Hutchin- 
son   2/ —    Ascherierg. 

10  Transcr.  by  B.  Tours  1/ —  n  No- 
vello. 

7  S  o  n  gs  for  S  or  T  or  C  or  MS  or  Bar: 
1.  If  with  all  your  hearts.  2.  Lord  God 
of  Abraham.  3.  Is  not  his  word  like  a 
fire.  4.  Hear  ye,  Israel.  5.  0  rest  in  the 
Lord.  6.  For  the  mountains  shall  de- 
part. 7.  Then  shall  the  rigtheous  shine 
forth  1/— n,  VP  1/— n,  VaP  1/— n,  Vc 
p  1/— n,  FIP  1/— n,  CIP  1/— n,  MandP 
1/6  n,  VcP,  transcr.  by  B.  Tours, 
PVc    1/— n    Novello. 

MandP:  I  of  the  most  popular  airs  1/6  n, 
VaP,   VcP,  FIP,   CIP  a   1/— n   Williams. 

O  rest  in  the  Lord  (Elijah)  &  2  favorite 
songs  (Gems  of  Mel.  88),  FIP  4/—,  2FI 
2/ — ,    2FIP    5/ —    Ashdown. 

2VVcP  (H.  Farmer):  1.  If  with  all 
your  hearts,  2.  Cast  thy  burden,  3.  Woe 
unto  them,  4.  O  rest  in  the  Lord,  5.  Be 
not  afraid,   a   1/3   Williams. 


Mendelssohn-Bartholdy  F.  op.   70 


438     — 


Mendelssohn-Bartholdy  F.  op.   74 


Potpourri  (Fr.  Hofmann),  VP 
11— n,  2V  — /8n,  V  — /6  n,  PFlVVc 
1/6  n,  PFlVc  1/4  n,  FIP  1/—  n,  Fl  — /6  n, 
PVVVc  1/6  n,  PVVc  1/4  n,  PVV  14n 
Augener. 

Selection,  Ftill  Band  5/4,  Med.  Band  4/ — , 
Small  Band   2/8   Ha/wkes. 

Oratorio,  Voc.  score  — 75  n  Ditson,  Schir- 
rrier,   White. 

Be  not  afraid,   SATB  —10  Brainard. 

Hear   ye   Israel   — 65    Ditson,   Schirmer. 

If  with  all  your  hearts  — 35  Ditson, 
Schirmer,  — 30  Gordon,  P  (Parker) 
— 40   Brainard. 

Lift  thine  eyes  to  the  mountains  — 25, 
Sacr.  Trio,  fern,  voices  — 06  Brainard, 
—08  Echo  Music  Co.,  P  (Parker)  —25 
Brainard. 

Lord,   God   of   Abraham  — 35   Ditson. 

Lord,  unto  Thee  will  I  cry !,  arranged  by 
J.  H.  Cornell,  SATB  — 15  n  Schir- 
mer. 

O  rest  in  the  Lord  — 25  Brainard,  — 30 
Gordon,  Schirmer,  SATB  —08  Schir- 
mer,   P     (Parker)     — 40    Brainard. 

Thanks  be  to  God,  SATB  — 08  n  Schir- 
mer. 

Woe  Tinto  them  — 35  Ditson. 

He  watching  over  Israel,  P  (Parker) 
— 50   Brainard. 

Elie,  oratorium,  ChP  15 — ^  n,  choeurs  6 — u, 
ouv.  Jftns  6 —  Joubert. 
Maudit     soit    I'infid&le,     P     (G.     Bizet) 

3 — ,  Dieu  se  donne,  P    (G.  Bizet)   3 — 

Heugel. 

IIpo   anreJiOBi    „oin   B03Be^K   ropt",   3.1a 
Tpex-B  o/^Hop.  roji.  (a  capella)  — 50  Bessel. 
AplH  „/l|oBOJibHo  ^KHTb"  — 75  Bessel. 
Apia  „^paBe/^HHK^  Tor/ia"  — 40  Bessel. 
Apia  anreJia,  jjCMnpncB  npe/t^  TBop^oMI." 
M-c.  (p.  H.)  TaGejib  22  —30  Bessel. 
■71  SechsLieder:  1.  Trostuug :  „Werde 
heiter,    mein    Gemiite",    2.    Friihlingslied : 
„Der  Friihling  naht  mit  Brausen",  3.  An 
die    Entfernte:    ,,Diese    Kose    pfliick'     ich 
hier",   4.   Schilflied:    „Auf   dem   Teich",   5. 
Auf     der     Wanderschaf  t :     „Ich     wand're 
fort'',    6.    Nachtlied:    „Vergangen    ist    der 
lichte  Tag"   1—,   a  —30   Breitkopf,  Schle- 
singer,    Nr.  2    2 —   Schott. 

6  Songs,  english  and  german  words : 
Consolation :  ,, Joyful  be  my  spirit"  (Tro- 
stung :  „Werde  heiter  mein  Gemiite") 
— /Q  n.  Spring  song:  „The  spring  draws 
nigh"  (Friihlingslied :  „Der  Friihling 
naht")  1/ — n.  To  the  distant  one:  „Ro- 
ses  plucked  Ic/  (An  die  Entfernte:  „Diese 
Eose  pfluck'  ich  hier")  — /6  n.  Night  song : 
,,0'er  the  lakelet's"  (Schilflied:  „Auf 
dem  Teich,  dem  reguugslosen")  1/ —  n. 
Departure :  „Departing  to  a  distant  land" 
(Auf  der  Wanderschaft :  „Ich  wandre 
fort")  — /6n.  Night  song:  „The  light  of 
day"  (Nachtlied:  „Vergangen  ist  der 
lichte  Tag")   — /6  n  Auge7ier,  N.  1,  3,  5,  6 


a  — /6,  N.  2,  4  a  1/—  Novello;  vide:  Ge- 
sange. 

N.  2.  TTBB  (E.  Rabich)  —50  Beyer. 
-72  Sachs  Kinderstucke,  P:  Nr.  1.  (G) 
2.  (Es),  3.  (G),  4.  (D),  5.  (G-m.).  6. 
(F)  1—,  a  —30  Breitkopf,  27.  Bg.  Bote, 
(J.  Epstein) — 50  Cranz,  — 60  Hainaver, 
—30  Kunz,  —40  Litolff,  —90  n  Maas,  —50, 
(Klee)  1.50  Schlesinger,  3  Bg.  Schott, 
— 40  J.  Schnherth,  Schweers,  1 —  Tonger, 
I — II  a  1.30  Bachmann,  I — III  a  — 20 
Siegel,  5/—,  Nr.  1 — 4  a  1/ — ,  Nr.  5—6  k 
2/ —  Ashdown,  Augener,  1/ — u  Augenct 
Donajowski,  (F.  G.  Edwards)  1/—  n 
Novello,  Williams,  2/ — n  Wickins,  4/ — 
Weekes,  — 75  Ditson,  — 85,  a  —20 
Gordon,  I— III  a  —10  Nat.  Music  Co., 
1—,  Nr.  1  —15,  Nr.  2—5  a  —25,  Nr. 
6  —35  Schmidt,  (Th.  Kullak)  —25 
Schirmer,  — 40  Wood,  1.35  n  Costallat. 
5 —  Heugel,  7.50  Joubert,  1— n,  a  — 25  a 
Ricordi,  — 60  Johansen,  Jurgenson,  zwei 
Kinderstiicke  — 30  Jugenson,  Nr.  2,  4  a  — 20 
Gebethner,  — 40  Hansen,  1.75  Hirsch,  Nr.  1 
—25  Warmuth;  4ms  2 —  Breitkopf,  5  Bg. 
Schott,  1/ — n  Augener,  3/ — n  Novello, 
— 60  Schirmer,  2.50  n  Costallat,  a  — 50 
Ricordi;  Norm-H  (R.  F  r  a  n  c  k  e)  1 — 
Koeppen;  VP  (F  r.  Hermann)  1.30 
Breitkopf,  1/— n  Augener,  1.75  n  Costal- 
lat, Nr.  2  —80  Hug;  VaP  1/— n  Augener; 
VcP  {Ft.  Hermann)  1.30  Breitkopf, 
]/ — n  Augener,  1.75  n  Costallat;  2VVa 
Vc    (Giinther)    2 —   Heinrichshofen. 

-  73   L  a  u  d  a   S  i  o  n,   f.   Chor   (SATB)   u.   O. 

Part  6— n,  0-St  6— n,  Chorst  1.20  n,  KA 
3—  Breitkopf,  Part  5.50,  0-St  7—  n,  Chor- 
st —60  Litolff,  a  —30,  J,tns  10  Bg.  Schott. 
Praise    Jehovah,    Full    score    6/ —  n, 
Vocal    score   7/6,    8°   2/— n,    parts   2/8  n. 
String  parts  4/ — n.   Wind  parts  7/ — n, 
HP  ace.    (W.  Clark)    5/— n ;   choruses 
8":    By   His   care   — /2.    Praise    Jehovah 
— /4.  Save  the  people  — /6.  Sing  of  jud- 
gment — /2.   They   that   in   much   tribu- 
lation — /2.  Ye  who  from  His  ways  — ^/3 
Novillo. 
Praise    Jehova,     cantata    1'' —     Vin- 
cent,   — 60    Ditson,    Schirmer. 

-  74     M  u  s  i  k     z  u     Athalia,     Part     12—  n, 

0-St  ]3.80n,  Solost  a  — 30  n,  Chorst  k 
—30  n,  (d.,  fr.)  a  —30  n,  KA  (d.-fr.)  4—, 
neue  Ausg.  (J.  Rietz)  1.50,  P  (J. 
Rietz)  2 — ,  neue  Ausg.  1.50,  4ms  2 — 
Breitkopf,  KA  1— n,  Chorst  a  — 30  n 
Litolff,  Simrock,  KA  1.50  Litolff,  Peters, 
P  1.50,  Jfms  2—  Litolff,  Peters. 

Ouverture:  P  —30,  Jfms  —60,  2P  (E. 
Naumaun)  2—,  8?«.s  2—,  Org  —30, 
PV  (Ft.  Hermann)  1.30,  J^msVVc 
(B  u  r  char  d)  2.10  n,  2VVaVc  (F  r. 
Hermann)  1.20  n,  0,  Part  3— n,  Si 
6.30  Breitkopf,  Part  2— n  Ricordi,  P 
2V2  Bg.  Bote,  —30  Kunz,  Litolff,  —50 
Schlesinger ,  5  Bg.  Schott,  — 40  Jurgen- 
son;  J/ms    3V2   Bg.   Bote,    1 —    Hainauer, 


Mendelssohn-Bartholdy  F.  op.   74 


439     — 


Mendelssohn-Bartholdy  F.  op.   74 


—60  Liiolff,  —80  ,Schlcs%nger,  5  Bg. 
Schott,  — 60  Jitrgcnson,  8ms  (R.  Kel- 
ler) 4 —  Simrock,  V  —60  n,  2V  — 90  n, 
VP  1.20  u,  2VP  1.50  u,  VVuP  1.50  n, 
VVcP  1.50  n,  VVaVcP  1.80  u.  2VVaP 
1.80  n,  2VVcP  1.80  u,  2FFaTc  1.50  n, 
2VVaVcP  2.10  u  IVei/J  0  2— ii  ISimrock. 
kl.  0  1.80  11,  sO  3— n  Vranz. 

1.  O  wie  selig  ist  das  Kind,  Duett  m. 
2st.  Clior  u.  P,  KA  1—,  Solo.st  —30,  Choi- 
st  —15   Uug. 

2.  Eiii  Herz  vol!  Friedeu,  Terzett  (SS 
MSA),  KA  1—,  Chorst  a  —15  Bug,  fur 
5st.  SATB  a  capella  (oder  m.  P,  oder  m. 
y-Chor,  Oder  m.  P  u.  T-Chor),  Part  1.50, 
F-St  ^45,  Chorst  —75  P.  Fischer. 
Kriegsmarsch    der    Pries  ter,    0, 

Part  1— n,  St  6.60,  mO  (F.  L.  Schu- 
bert), Part  1— n,  St  2— n  Breitkopf, 
kl.  0  2.10  n  Cratiz,  Par.  Bes.  1— u,  Am. 
Bes.  1.50,  Berl.  Bes.  2 — n  Scheithaiier, 
P  — 30,  leicht  (C.  W  a  ch  t  m  an  n)— 30, 
4ms  — 60,  erl.  (S.  Jadassohn)  — 60, 
8ms  (A.  Horn)  2—,  VP  (F  r.  Her- 
mann) 1.30,  4msVVc  (Bur  chard) 
2.10  n,  nPStr-Qumt.Fl  4.80  n  Breitkopf, 
P  IV2  Bg.  Bote,  1—  Forherg,  1.50  Gott- 
loher,  — 30  Hainaiier,  — 60  Hug,  — 30  n 
Klemm,  —50  Kott,  — 20  Kxmz,  — 30 
Litolff,  — 20  Michow,  — 75  Praeger,  — 20 
Riihle,  — 50  ScJdesinger,  3  Bg.  Schott, 
—20  J.  Schuhcrth,  —30  Tonger,  —60 
Zitnisleeg:  erl.  (L.  Streabbog)  1 — 
Schott,  — 20  J urgenson,  4:1)18  2.  Bg.  Bote, 
— 50  Huinaiicr,  — 75  Kott,  — 40  Litolff, 
— 50  Schlesinyer,  3  Bg.  Schott,  — 30 
Jurgenso7i.  Org  (B.  S  u  1  z  e)  1 —  Scliott, 
HP  (Rein  hard)  3.50  Simon,  PFIV 
Menzel)  1.50  Andre;  VP  — 60  n,  2VP 
1— n,  VVafVcJP  1— n,  3\VaVc  1.50  n, 
SVVcP  1.50  n,  SVVaVcP  1.80  n,  3VVa 
(Vc)P  1.50  n,  SVVaVcP  2— n,  WP  1-50  u, 
\vVa(Vc)P  2— n,  Jtms  m.  Sfr-Quart.  2— n 
C.  F.  Schmidt;  PH  m.  kl.  O  1.80  Cran:, 
V  —50,  2V  —75,  2VVaVcKb  1— n, 
kl.  0  1.50  n  Scheithauer;  mO  3.75  n,  sO 
2.10  n  Craiiz:  Par.  Bes.  1 — n.  Am.  Bes. 
1 .50  n,  Berl.  Bes.  2 —  n  Scheithauer;  V 
— 30n,  2V  — 60n,  VP  — 60  n,  2VP 
— 90n,  VVaP  — 90  n,  VVcP  — 90  n,  2^ 
yc  —90  n,  VFIP  —90  n,  VVaVcP  1.20  1 , 
gyyoP  1.20  n,  gyycP  1.20  n,  2VVaVc 
1.20  n,  gyyaycP  1.50  n,  3V  — 90  n,  SV 
yc  1.20  n,  3VP  1.20  n,  ^yyaVc  1.50  n, 
SyyaP  1.50  n,  SVVcP  1.50  n,  jyyaycP 
1.80  n,  PVFlCornetaP  1.20  n,  P2y/?^/ 
Cornet  a  P  1.50  n,  PVVcFICornet  d  P 
1.50  n.  P2VVcFlCornet  d  P  1.80  n,  P,?r 
y«ycFZCor?teidP  2.10  n  WpiyS. 
Athalie,  F»//  score  21/ — u,  Vocal  score 
12/ — n,  8"  1/ — n,  parts  a  1 — n.  String 
parts  8/ — n.  Wind  parts  16/ — n,  HP 
ace.  (J.  W.  Elliot)  7/6  n,  P  2/— n, 
4ms  4,6  n;  Ouv.  1/ — n  Novella,  Augener, 
4ms  1/ — n  Novello,  Augener,  Org,  2/ — , 
HP  2/6,  Full  score  4/— n,  parts  7/— n 
Novello,  FullO  1.75,  SmallO  1.50  Hau- 
kes. 


Choruses:  Depart,  ye  sons  of  Aaron 
— '/2.  Ever  blessed  child,  rejoice  1/—,  8" 
— /3.  Hearts  feel  that  love  Thee  1/—,  8*" 
— /3.  Heaven  and  the  earth  display  — /8 
Novello,  arr.  fem.  v.  (J.  W.  Hill)  — 55 
Thom.pson,  Org  (J.  M.  Dunstam)  1/3, 
Lord,  let  us  hear  Thy  voice  — /2.  Promi- 
sed joys  (chorus).  Hearts  feel  that  love 
Thee  (trio  and  chorus)  — jQ.  What  star  in 
its  glory  — /3  Novello. 

Athalie,  mix.  v.  — 75  Ditson,  Schir- 
m  er. 

W  a  V  m  a  r  c  h  :   Full   .^core  2/ —  u,  parts 
5/6,  mO,  Full  sc.  &  pts.  4c —  n  Novello,  Full 
Band,   2/8,    Med.    Band    21—,    Small    Band 
1'4  Ilawkes,  Full  score  1—,  14  Instr  —80, 
JO    Tnstr   —60,   mO    1.25   Fischer. 
P  4'—  Agate,  13  Allan  Mozart,    (Lott) 
4/—,        (Ro  chard)       2/ — ■      Ashdoion, 
(Pauer)    3/ —    Augener,   — /2    Broome, 
4/ —    Chappell,    Donajoirski,    Duff^    Pit- 
man,  2/ —   Novello,   2/ —   Reynolds,  — /2 
Sheard,     3 —   Weekes,     2/ — n   Wickins, 
—50      Braiuard,      —40      Ditson,      —25 
Fischer,    — 35    Gordon,    — 50    Schirmer, 
— 40   WilUg,   Wood. 
4ms  4/ —  Agate,  4/ — -  Ashdoicn,    (Pauer) 
3/ —    Augener,    2/ —    Novello,    3/ —    Rey- 
nolds,   — /4    Sheard,    4'—    Weekes,    —50 
Ditson,  — 60  Schirmer. 
6ms   3/ —   Ashdown. 
Sms  1/— n  Augener. 
Org      (Duncan)       4/— 
Moore,       ( S  t  e  g  g  a  1) 
wood)    1/Qn  Noi:ello,   (Wodehouse) 
3/—    Weekes,     —60    J.    Fischer,    — 20  n 
Presser,  — 50  Schirmer,  — 35   White. 
HP  Al—  Ashdown,   ( J.  W.  E  11  i  o  1 1)   2/— 

Novello. 
VP  (Haddock)  4/ — Ashdoion,  (C.  K  i  e- 
f  e  r  t)     Leonard,   — /9  n    Williams,    — 60 
Fischer,    V(Mund)    — /2    Broome. 
FIP   —75    Fischer. 
iMandG  —50   Willig. 
PHa     (Chatterton) 
PVVc    (C.   Kiefert) 
2VVcP    1/6    Williams. 
P   &   String.    Instr    2/6  n.    String   parts    a 

— /6  n  Novello. 
Selection,   VP  — 75   Fischer. 
Athalie,      ChP      5 —      Cheudens,      choeurs, 
part.    S°   2.50  n,    P    2— n,    4ms    2.70  n    Co- 
stallat;  Ouv.  P  1.35  n  Costallat,  7.50  Jon- 
hert,    — 50  n    Noel;    4^^^    1.50  n    Costallat, 
9—   Jouberi,   2P,   Sms  h   2.70  n,      0,   Part 
4.50  n,  p.  s.  8 — n,  P  cond.  2 — n  Costalktt, 
Part  2 —  n  Ricordi. 
O   Bienheureux    (Choeur),   2   voix   eg.    av. 

solos  av.  P  1 .35  n   Bornemann. 
Tout  I'univers  est  plein,  SATB  — 50  Foc- 

tisch. 
Duo   d'Athalie    3 — ,   choeur     5 —   Hamelle. 
M  a  r  c  h  e  d  e  s  P  r  g  t  r  e  s,  P  1 .70  n  C/(  o :t- 
dens,    (Cramer)   — 50  n  Costallat,  5 — , 
8°  — 45  n   Lernoine,   Vj.  Bg.   Schott  Fri- 
res,  — 20   Nord.  Musikforlag. 
-80  n    Costallat. 
Sms  2.70  n   Costallat. 


Augener,      ?>i~ 
1/6,       (Small- 


2/ —  n    Novello. 
4/ —   Leonard. 


4ms 


Mendelssohn-Bartholdy  F.  op.   74 


—     440     — 


Mendelssohn-Bartholdy  F.  op.  86 


Org   2 —  n  Diirand. 
VP   1.75  n  Costallat. 
PSIr-QiiintFl  5.50  n   Costallat. 
HPStrQuint.Fl    8— n    Costallat. 
75   Vier   Lieder,    TTBB:    1.    Der    frohe 
Wandersmann.      2.     Abendstandchen.      3. 
Trinklied.    4.    Abschiedstafel,    Part    1 — n, 
Chorst    1.20;      Nr.    1,2,    Part    a    ^5  n, 
Chor.st  a  —60  Breitkopf,  Part  h  —40,  St 
a  — 40   Eulenburg,   1 — ,   Nr.   1—3   a  —30, 
Nr.  4  — 40  Kistner,  Nr.  1  — 80  Andre,  1 — 
Kaun,  —80  Hug,  Tonger,  8ATB  1.20  Gla- 
ser,    Nr.    1,  2,  3,    vide:    Deutsche    Lieder- 
tafel  Nr.  25—27.  Siegel. 

TTBB:    1.    Joyeux    voyageur,    2.    Si    la 
brise   caressante,   3.   Quand   ma   coupe   est 


Marche 
Costalat, 


du    depart,      h.   — 75, 
4   n-bcHH.   napT  — 40 


TTBB:    1.    Das    Lied 
2.    Eheinweinlied.    3. 


remplie,  4 
p.  s.  —25 
Jurgenson. 

-  76    Vier    Lieder, 

A'om  braven  Mann. 
Lied  fiir  die  Deutscheu  in  Lyon.  4.  Co- 
mitat,  Part  1— n,  Chor.st  1.20,  Nr.  2,  3, 
Part  a  — 45  n,  St  a  —60  Breitkopf,  Part 
a  —40,  St  a  —40  Evlenburg,  Nr.  2  1— 
Kaun,  Nr.  3—4  a  —80  Hug,  1.10,  Nr.  1,  3 
a  —40,  Nr.  2,  4  a  —30  Kistner,  Nr.  3,  4, 
vide:  Deutsche  Liedertafel,  Nr.  28,  69. 
Siegel,  4  ntcHH,  iiapi  — 40  Jurgenson. 
-77  Drei  zweist.  Lieder  m.  P :  I. 
Sonntagsmorgen :  „Das  ist  der  Tag  des 
Herrn."  2.  Das  Ahrenfeld :  „Ein  Leben 
war's  im  Ahrenfeld."  3.  Lied  aus  Euy 
Bias:  ,,Wozu  der  Voglein  Chore",  a  — 30 
Breitkopf,  Schlesinger,  — 90,  Nr.  1  — 30, 
Nr.  2,  3  a  4—  Kistner,  3  Bg.  Schott, 
3  Duets  (Pauer)  engl.-germ.  — ^^/6  n  Au- 
gener;  Nr.  1,  m.  0  (W.  T  s  c  h  i  r  c  h)  1.70, 
Nr.  3,  f.  28  od.  Chor  m.  OfP)  —40,  Nr. 
1 — 3,  P  (Jadassohn)  — 40,  Jf7ns  (Ja- 
dassohn) —60,  PH  (Lick  1)  —60 
Kistner;  arr.  f.  1  Singst  m.  P,  vide  K. 
Fran  z,  arr.  TTBB,  vide  C.  Stein;  4m,s 
(S.  Jadassohn)  1/ — n  Novello,  (TTh. 
Lifkl)  2 — n  Durand,  5 —  Lemoine,  PR 
(L  i  c  k  1) ,  I— II  a  1/6  n  Novello,  2—  n 
Durand,  1.  BocKpecHoe  yxpo.  2.  Ilojie. 
3.  n-bcHfl  HS-B  „Ph)h  Bjiaaa"  a  — 25  Jurgenson. 

-  78    Drei    P  s  a  1  m  e  n,    f.    Chor    u.    Solost 

(8.st.)  •  Nr.  1.  Psalm  2:  „Warum  toben 
die  Heiden."  Nr.  2.  Psalm  43:  „Ricbtp 
mich."  Nr.  3.  Psalm  22:  „Mein  Gotl, 
warum  hast  du  mich  verlassen".  Part  a 
1 — n,  Chorst  a  1.20  n  Breitkopf,  k  —60 
Litolff,  Nr.  2  —40,  Nr.  3  —80  Bote,  N.  1 
—20  Ditson,  Fairy  chorus,  P  (R.  H  o  f  f- 
mann)  — 60  Ditson,  Nr.  2  Voc.  score 
2/—,  8°  — /4,  p.  1/—  Novello,  SATB  —08  n 
Schirmer,  Nr.  3.  Voc.  score  3/6,  8"  — /6. 
p.   2/ —  Novello. 

-79  Sechs  Sp  ruche  fiir  8st.  Chor:  1. 
Weihnachten.  2.  Am  Neujahrstage.  3.  Am 
Himmelfahitstage.  4.  In  der  Passionszeit. 
5.  Im  Advent.  6.  Am  Karfreitage,  Part 
1— n,   St   1.20   Breitkopf. 

-80  Quartett  (F-m.),  2VVaVc,  Part  1— , 
St  2.40  Breitkopf,  Part  —50  n  Eulenburg, 


n  Augener,  2/6 
J/ms  1/ — n  Au- 


— 75  Societa,  St  1.50  Litolff,  (Joachim 
J.)  Simrock,  (H  e  1 1  m  e  s  b  e  r  g  e  r)  1 — 
Vn.-Ed.,  P  (J.  Tscherlitzky)  1— , 
Jims  1—  Breitkopf,  1.20  Litolff,  P  4/6  n, 
Jims  5/ —  n   Novello. 

Adagio,  Org,  4/ —  Ashdow7i. 
Allegro  (F-m.),  P  (R.  v.  KeudeU) 
1 —  Breitkopf. 
-81  Nr.  1.  Andante  (E).  2.  Scherzo 
(A-m.),  3.  Capriccio  (E-m.),  4.  Fuge 
(Es) ,  2VVaVc,  Part  I—  n  Breitkopf,  —50  n 
Eulenburg,  St  2.40  n  Breitkopf,  1.50 
Litolff,  (J.  Joachim)  1.50  n  Simrock, 
1.20  Uv.-Ed.;  P  (G.  P.  W  a  1  d  e  r  s  e  e) 
1—,  Jims  1—  Breitkopf,  1.20  Litolff,  Jims, 
N.  1,  2  a  1/3  n,  N.  3  1/6  n.  Org,  N.  1,  4 
a    1/6    Novello. 

-  82  V  a  r  i  a  t  i  o  n  e  n,  P  1—  Breitkopf,  2  Bg. 

/?o/e,  —40  Cranz,  Litolff,  —70  n  Maass, 
—20  A'iUZe,  —50  Schlesinger,  3  Bg.  Schott, 
—40  J.  Schnberth,  —50  Schweers,  —20 
Siegel,  4/ —  A.ihdown,  1/- 
Not'ello,  — 45  Jurgenson; 
gener,   2/ —  n    Novello. 

-  83  V  a  r  i  a  t  i  o  n  e  n    (B) ,  P  1 —  Breitkopf, 

2V„  Bg.  Boie,  —50  OraH^,  — 70  n  Maoss, 
1/ —  n  Augener,  — 45  Jurgenson. 

-  83a   Andante    u.   V  a  r  i  a  t  i  o  n  e  n,   Jims 

1—  Breitkopf,  G  Bg.  fiofe,  —80  Lt/oZ^, 
1 —  Schlesinger,  1/ — n  Augener,  4/ — n 
Novello,  9 —  Joubert;  P  (M  a  c  f  a  r  r  e  n) 
4/ —  AsTidown,  2/3  Novello,  7.50  Joubert. 

-84  Drei  Lieder:  1.  Da  lieg  ich  untor 
den  Baumen,  2.  Herbstlied:  ,,Im  Walde 
rauschen  diirre  Blatter",  3.  Jagdlied : 
,,Mit  Lust  tilt'  ich  ausreiten",  a  — 30 
Breitkopf,  Nr.  1,  3  a  —30,  Nr.  2  —40 
Schlesinger,  Nr.  1  2  Bg.  Schott,  N.  1.  Green 
boughs  1/ — .  N.  2.  A  hunter's  song  1/ — . 
N.  3.  Autumn  song  1/3  Novello. 
Vide:   Gesange. 

-85  Sechs  Lieder  ohne 
P:  1.  Andante  espressivo 
agitato  (A-m.).  3.  Presto 
dante  sostenuto  (D) .  5.  Allegretto 
6.  Allegretto  con  moto  (B)  — 50,  a 
Breitkopf,  3  Bg.,  Nr.  1,  2,  5,  6  a  1 
Nr.  3—4  r/s  Bg.  Bote,  1—,  Nr.  1,  2, 
a  —30  Kahnt,  —50,  a  —20  Litolff, 
Schlesinger,  3  Bg.  Schott,  — 60  Schween^, 
1— n,  Nr.  1,  2,  4,  5  a  — 20  n,  Nr.  3,  6  a 
— 40  n  Simrock,  3/—,  Nr.  1,  2,  4,  5  a  1/—, 
Nr.  3,  6  a  2/ —  Ashdoicn,  1/ —  u  Augener, 
2/6  Novello.  Nr.  1,  2,  4,  5  a  —25,  Nr.  3 
—50,  Nr.  6  —40  Brainard,  Nr.  1,  2,  5 
a  —20.  Nr.  3,  4,  6  a  —35  Gordon,  Nr.  1. 
2,  4,  5  a  —20,  Nr.  3,  6  a  —30  Chiirch, 
Schirmer,  7.50  Ileugel,  Joubert,  1.50,  a 
—50  Cottrau,  — 40  u  Eicordi,  —75,  Nr.  1, 
2,  4,  5  a  — 15,  Nr.  3,  6  a  — 20  Jurgenson; 
Jims  10 —  Joubert,  6 — ,  a  1.50  liicordi,  VP 
3/ —  u   Novello. 

-86  Sechs  Gesange:  1.  Es  lauschte 
das  Laub.  2.  Morgenlied :  „Erwaeht  in 
neuer  Starke."  3.  Die  Liebende  schreibt: 
„Ein  Blick  von  doiuen  Augen."  4.  All- 
nachtlich  im  Trai-.me  seh'  ich  dich.  5.  Der 


Worte,  VII, 

(F).   2.  Allegro 

(Es).    4.    Au- 

(A). 

—30 

Bg., 
4,  5 
—50 


Mendelssohn-Bartholdy  F.  op.  86 


—     441 


Mendelssohn-Bartholdy  F.  op.  90 


Mond :  „Meiii  Herz  ist  wie  die  dunkle 
Nacht."  6.  Altdeutsches  Friihlingslied : 
„Der  triibe  Winter  ist  vorbei"  1 — ,  a  — 30 
Breitkopf,  Nr.  1—3,  6  a  —30,  Nr.  4—5 
— 40  Schlesinger;  N.  1.  Morning  song  — ,'9. 
N.  2.  The  letter  1/—.  N.  3.  The  dream 
— /9.  N.  4.  Deserted  1/ — .  N.  5.  The  moon 
— /6,  N.  6.  Old  German  Spring  Song  1/— 
yovello;  P  6 —  Lemoine. 
Vide:  Gesiinge. 

87  Quintett  (B)  Nr.  2,  2V2VaVc,  Part 
2—  n,  St  3—  n  Breitkopf,  Part  —60  n 
Eulenburg,  St  2.50  Litolff,  (J.  J  o  a  ch  i  m) 
St  2— n  Simrock,  2—  Un.-Ed.,  Part  4.80  n, 
p.  s.  6 — n  Costallat,  Part  1.50  n  Ricordi. 
P    (J.    Tscherlitzky)    2 —   Breitkopf, 

— 90  Societd,  4/6  n   Novello. 
Jfms   2 —   Breitkopf,   6/ — n   Novello. 
Andante      scherzando,       P      — 30 

Breitkopf. 

88  Sechs  Lieder,  SATB :  1.  Neujahrs- 
lied:  „Mit  der  Freude  zieht."  2.  Der 
Gliickliche:  „Ich  hab'  ein  Liedchen."  3. 
Hirtenlied:  „0  Winter,  schlimmer  Win- 
ter." 4.  Die  Waldvoglein:  „Kommt,  lafit 
una  geh'n  spazieren."  5.  Der  wandernde 
Musikant,  Part  1— n,  St  1.20  n,  Nr.  1,  3,  5, 
Part  a  — 45n,  St  k  — 60  n,  Nr.  5,  TTBB 
(K.    Per  fall),    Part    — 45  n,    St    1.20  n 

Breitkopf,      (C  u  r  s  c  h-B  u  h  r  e  n)     — 80  u 
Eulenburg. 

l.Le  nouvel  an,  2.  Le  choix  du  bonheur. 
3.  Le  chant  des  patres,  4.  Petit  oiseau 
des   bois,    5.   La   patrie,    6.   Le  musicien 
p&lerin,    a   — 75  n,     p.  s.     a    — 25  n     Co- 
.stallat. 
C-h  HOBMMi   ro^oM'B  —  C'lacT.iiiBeu.'B   Ilac- 
TymecKaa    nicna   —   HsrHaHHHK'B    Fep- 
Mauie  —  CKHTajieu.'B.  IlapT  1 — ,  roJi.  1.50 
Jurgenson. 
-89     Heimkehr     a  us     der     Fremde, 
Liedersipiel    in  1    Akc,    Part    9 —  n,     0-St 
10.20  n,    Solost,    (SATBB)    1.50  n,    Chorst 
(SATB)   1.20  n,  KA  6—,  Neue  Ausg.  1.50, 
P,     4ms     a    3—    Breitkopf,      P    1.50    Li- 
tolff,   Peters,      O  u  v.    P    —30,    ^ms    —60, 
2P     (E.    Hausmann)     2—,      8ms    (F  r. 
Brissler)    2—,   PV    (F  r.   Hermann) 
1.30,    .'^msVVc    (B  u  r  c  h  a  r  d)    2.10  n,   PE 
FlStr-Qumt.  4.50  n,  0,  Part  2— n,  St  4.80 
Breitkopf;    Ouv.    P    2^^    Bg.    Bote,    —30 
Litolff,    — 50    Schlesinger,    3    Bg.    Schott, 
%—    Teich,    4ms    d^j^    Bg.    Bote,    1—    Eai- 
nauer,     — 60     Litolff,     — 80     Schlesinger, 
3   Bg.   Schott,   0   7—  Aill. 

Breitkopf  : 

l.Romanze,    A:      „Es     safi     vor     langei 
giaiier  Zeit"  — 50. 

2.  Duett,    8A :    „Man   geht,   man   kommt" 
—50. 

3.  Lied,  S:   „So  mancher   zog  ins  Weite'" 
—50. 

4.  Lied,    B :      „Ich    bin    ein    vielgereister 
Mann"  —50. 

5.  Lied,  T :  „Wenu  die  Abendglocken  lau- 
ten"  —50. 


,0  wie  versehweig'  ich' 


,Ihr  -wollt  un.s  hier  mit 

'   1—. 

steigt    das    Geisterreich 


6.  Terzett,  STB: 
1—. 

7.  Terzett,  A2B :  , 
List  verwirren' 

8.  Lied,    T :    „Es 
berauf"   —50. 

9.  Lied,   B :    „Hort,   ihr   Herren"  —50. 

10.  Duett,   TB:   „Heraus,   zu   Hilf,   Verrat 
und    Mord"    — 50. 

12.  Lied,   S :   „Die  Blunienglocken"  — 50. 

13.  Chor,   SATB:    „Wir    kommen"   —50. 

14.  Finale :      „0,    lafit    ihn,    Vater,      alles 
Streiten"   —50. 

S  p  i  n  n  1  i  e  d  u.  N  a  c  h  t  m  u  s  i  k,  P,  ^i^s 
a   i_  Breitkopf.,  P  —30  Litolff. 

Potpourri,  P,  -'/ws  a  1 —  Breitkopf. 
Son     and     Stranger,     operetta,     Full 
score    (germ.-engl.)    9/ — n,  germ.  11/ — n, 
Voc.   score   12/ — n,   8"   4/— n,      0,   parts 
11/4  n,   P   7/— n,   4ms   9/ — n   Novello. 

Novello : 
Hear  ye,   neighbours   — /9. 
How   oft  the   young   have   wandered   1/ — . 
I  am  a  roamer  bold  and  gay  2/ —  Novello, 

1/6  n    Augener,    —50    Ditson,    Schirmer. 
The  flowers  are  ringing   1/3. 
There    sate    in    the    gray,    gray    times    of 

old   1/3. 
When  the  evening  bells  1/6. 
'Tis  now  the  hour,   TB   1/6. 
This   way !    here's   murder,   TB 
Now   here,  now   there,  SC   1/6. 
Overture,  P,  4m ^    (P  a  u  e  r)    a 

gener.     Org    4/ —   Williams, 

2/ — n,  0,  parts  5/ —  Novello, 

SmallO  1.50  Hawkes,  FullO  1.50,  14  Instr 

1.25,   10  Instr   1 —  Fischer. 
We    come    with    our    songs,    chorus 

Gordon. 
Interlude,   .^ms   1/ —  n   Novello. 
Night   Music,   P   — =/9  n   Novello. 
S  p  i  n  n  1  i  e  d,    P    — /9  n, 

vello. 
Airs,   P,   I— III   a   2/— n 
Potpourri    on    Airs, 

2/6  n  Novello. 
Retour   de  I'Etrang&re,   ChP   6—  n 

Costallat,    Ouv.    P   — 60  n    Lemoine,    2P 

2.70  n,   8ms  2.70  n,   0,   Part  4.50  n,   p.   s. 
P  cond.     2 —  u   Costallat,    Harm 
8—  Avdrieu,  0,  Part   1.50  n  Ri- 
pice.  0     2.50  n     Carisch,      Harm 
8 —  Kessels. 
Symphonic     (i  t  a  1  i  e  n  i  sc  h  e)     N. 

(A),  0,  Part  5— n,  Neue  Ausg.  3— n 
Breitkopf,  2 —  n  Eulenburg,  3 —  Litolff, 
St  10.20  n  Breitkopf,  kl.  0  5.10  n  Cranz, 
P  2—,  N.  A.  1—,  (Rietz)  4ms  2—. 
N.  A.  1—  Breitkopf,  1.50  Litolff,  2— n 
Choudens.  10 —  Ricordi,  1 — ,  8ms  (A. 
Horn)  4 — ,  VP  (F  r.  Hermann)  2.60, 
4msyTc  (Bur  chard)  i.'IOn  Breitkopf, 
Full  score  5/6  u.  0,  pts.  10/ —  n  Novello, 
FullO  2.75,  14  Instr  2—,  10  Instr  1.50, 
VP  — 67,  P  ace.  — 65  Fischer,  O,  Part 
12 — n,  p.  s.  15 — n,  P  cond.  4 — n  Costallat. 


1/6. 

1/ — n  Au- 
Full  score 
FullO  2—, 


-06 


.'^ms 

11- 

-  n 

No- 

Novello 

P 

21— 

n, 

4ms 

8— n, 

fFanf) 

cordi, 

fFanf) 


90 

4 


Mendelssohn-Bartholdy  F.  op.  90 


442 


Mendelssohn-Bartholdy  F.  op.  98 


P  — 80  Litolff,  1/ — n  Augener,  2/ —  Dona- 
jowski,  4/6  n  Novello,  4ms  lOVz  Bg.  Bote, 
2 —  Schiesinger,  15  Bg.  Schott,  1/ — n 
Augener,  9, —  n  Novello,  Sms  5.50  n 
Costallat,   VF   1 —  Fischer. 

Allegretto,    Org    (Lott)    4/ —  Ashdown. 

Andante  con  moto  (Pilgrim  march) , 
P  —30  Breitkopf,  1/—  Novello,  1.75  u 
Durand,  Jf^ns  1 —  Breitkopf,  2.1 —  n  2Vo- 
I'e/Zo,  Orp  (Plato)  1—  Breitkopf, 
(Lott)  4/ —  Ashdown,  1, —  Novello, 
2— n  Durand,  JfmsH  (Liekl)  2.60 
Breitkopf,  2/ —  Novello,  0,  parts  2/6  u 
Novello,  VP  2— n,  //PV  2.50  n  Costallat. 

Pilgrim  March,  -'///ts  2/ — n  Novello,  Org 
(W  odehouse)    3 —   AM(;e«er. 

Saltarello,  P  —60  Breitkopf, 
(Prior)  4/ —  As/idotrn,  (A.  Heller) 
2/ —  n  Novello,  Jfms  1 —  Breitkopf,  4/ — 
Augener,  2/6  n  Novello,  Banda  5 — 
Ricordi;  Allegro  vivace,  FullO  2 — . 
SviallO  1.50,  Pilgrim's  March,  Fh«0 
1.40,  ISmallO  1 — ,  Moderato  cou  moto, 
F««0  1.40,  SmullO  1—,  Saltarello, 
i?'MZZO  2—,  SmullO  1.50  Hawkes. 
-91     D  e  r    98.     Psalm:     „S  i  n  g  e  t    d  e  m 

Herrn  ein   neues   Lie  d",   8st.   Chor, 

Solo  u.  0,  Part  2— n,  0-St  6.30  n,  Chorst 

1.20  n,    KA    1—.    Org-St    1.50  n    Breitkopf, 

0,  Part  1.50  u,  St  2.50  u,  KA  1.20,  8"  —60, 

8st.    Chor    (F.   Sehulz)    5.50   Kistner,   a 

—10  Litolff. 

Sing    to    the    Lord,    Full    score    2/6  n, 

Voc.   score  4/6  n,   8"  — j8  u,  parts  2/ —  n, 

0,    parts    7/ — u    Novello^    doiiblo    chorus 

— 20,   boards   — 35   Dilson. 

•92    Allegro    brillant     (A),    4ms    1— 

Breitkopf]  5  Bg.  Bole,  —80  Litolff,  6  Bg. 

Schott,  1/ — n  Augener,  3,9n  Novello,  2.70 

Costallat. 

93  M  u  s  i  k  z  u  Oedipus  in  K  o  1  o  n  o  s. 
Part  9— n,  0-St  12.60  n,  Chorst  1.20  n, 
KA  4—,  Xeue  Ausg.  (Rietz)  1.50  n,  P 
(F.  L.  Schubert)  2 — ,  Neue  Ausg.  1.50 
Breitkopf,  Litolff,  Peters,  4ms  (F.  L. 
Schubert)  1 —  Breitkopf;  Oedipus 
at  c  o  1  o  n  o  s,  Full  sc.  9/ —  n,  Voc.  sc. 
7/6  n,  8°  3/— n,  parts  7/6  n,  0,  parts  15/— n 
Novello;  P  2/ —  n  Novello,  2 —  n  Costallat ; 
4ms   7/6  n   Novello,    1.50  n    Costallat. 

Nr.  3.  Chor :  Zur  rosprangeuder  Flur, 
KA  1—,  Chorst  —60  Breitkopf,  Thou 
comest  here  to  tlie  land,  TTBB  — /6, 
Ah,  were  I  on  yonder  plain  — /6  Novello. 

94  K  o  n  z  e  r  t-A  r  i  e  :  Ungliickselige,  f.  S 
u.  0,  Part  3— n,  0-St  4.80  n,  KA  1—, 
P  (Schletter  er)  1—  Breitkopf;  I  n- 
f  e  1  i  c  e.  Full  score  3/ —  n,  Voc.  score 
3/—  n,  O,  parts  5/4  n  Novello,  Concert 
Air,  S  1/ —  Augener,  1 —  ScMrmer,  P  1/6 
Novello. 

95  R  u  y   B  1  a  Sj   Ouverture  : 

P  —30  Breitkopf,  2'/,  Bg.  Bote,  —95 
Cranz,  — 30  Eunz,  Michoic,  Litolff, 
— 50  Schiesinger,  3  Bg.  Schott,  1/ —  n 
Angener,  1/ —  Donajowski,  2/3  n  No- 
vello, — 90  Lemoine,  — 40  Jurgenson. 


4ms  —60  Breitkopf,  b^j.  Bg.  Andre,  37^ 
Bg.  Bote,  1.10  Hainaiter,  —80  Schie- 
singer, 5  Bg.  Schott,  (Pauer)  1/ — d 
Augener,  3 — n  Chovdens,  1.45  n  Le- 
moine, — 60  J argenson,  2 —  Hirsch. 

2P  2—  Breitkopf,  (L.  Grill)  1.20  Kist- 
ner,  2.70  n   Costallat. 

Sms  2 —  Breitkopf,  (A.  Horn)  2.40 
Kistner,  2.50  Schiesinger,  2.70  n  Co- 
stallat. 

Org  (D  e  1  m  a  r )  2/6,  (L  e  m  a  r  e)  2/ — 
Novello. 

HP  (C.  T.  Krebs)  1.20  Kistner,  4/6 
Novello,    (Reinhard)    3.50   Simon. 

PV  (F  r.  Hermann)  1.30  Breitkopf, 
1.20  Kistner. 

4msVVc  (B  u  r  c  h  a  r  d)  2.10  n  Breitkopf, 
(F  r.    Hermann)    2 —   Kistner. 

PHFlStr-Quint.  (A.  Faerber)  4.50  n 
Breitkopf. 

PHVVaVcFl  11.  KhSchlagseug  ad  lib.  3— n 
Cranz. 

V  —60  n,  2V  —90  n,  VP  1.20  n,  2VP  1.50  n, 
VVaP  1.50  u,  VVcP  1.50  n,  VVaVcP 
1.80  n,  2VVaP  1.80  u,  2VVcP  1.80  n, 
2VVaVc   1.50  n,   2VVaVcP   2.10  n   Weijg. 

O.  Part  3 —  n  Breitkopf,  1 —  n  Eulenburg, 
1.80  n  Kistner,  1.50  Litolff,  3/— n  iVo- 
vello,  4.50  Costallat,  2 —  n  Ricordi, 
St  6.60  Breitkopf,  3.60  Kistner,  3.90 
Schiesinger,  2 — n  Simrock,  7/ — n  A^o- 
veHo,  8 —  n  Costallat;  (W.  P  6  t  z  s  c  h) 
St  7.50  -libZ,  Harm  4.50,  sO  3—  n,  kl.  O 
1.70  n  Cr««?,  mO  (26  p.)  2.50,  (32  p.) 
3—,  FvllO  1.50,  i^  Instr  1.25,  JO  7ns tr 
1—  Fischer,  FnllO  2—,  Small  O  1.50 
Ihnvkes,   Banda   12 — n   Ricordi. 

Song  from  Ruy  Bias  — /2  Novello,  — 50 
Brainard,   — 40    Schirmer. 

-  96    H  y  m  n  e,    f .    ,1  .•    Lafi,    o    Herr,    mich, 

m.  Chor  u.  O,  Part  3— n,  0-St  5.10  n, 
Chor.st  1.20  Breitkopf,  k  —10  Litolff, 
KA  1.50  Breitkopf,  Part  4— n,  0-St  4— n, 
Singst  — 80n,  KA  1.50  n  Kistner,  1.50  n 
Simrock;  Lord,  how  long  uilt  thou  forget 
me,  hymn.  Full  score  4/ —  n,  Voc.  score 
4/6  n,  8°  1/ —  n,  parts  4  —  n,  0,  parts 
4/6  n,  4ms  2/6  u  Novello. 
-97  Rezitative  u.  Chore,  aus  dem 
unvollendet.  Oratoriuu  Chris  tus, 
Part  5— n,  0-St  6— n,  Chorst  1.20  n  Breit- 
kopf, —40  Litolff,  KA  2—,  (Rietz) 
1—,  P  1—,  4ms  2—  Breitkopf,  P,  Litolff. 

£s  wird  ein  Stern,  TTBB  m.  Org 
(Z  a  n  g  e  r)    1.80  Heinrichshofen. 

C  h  r  i  s  t  u  s.  Full  score  5/ —  n,  Vocal  sc. 
6/—,  8"  1/— n,  parts  4/— n,  0  parts 
6/8  n,  String  parts  1/4  n,  mix.  v.  1/ — 
Novello,  1/6  Williams,  — 40  Ditson, 
Schirmer,  P  2/6  n,   4ms  3/6  n  Novello. 

Choruses,  8°:  Daughters  of  Zion  — /P/a- 
Say,  where  is  He  born.  There  shall  a 
star  — /6  Novello,  — 20  u  Schirmer. 

-  98   Loreley,  unvollendete  Oper,  Finale  dea 

ersten    Aktes,     Part    5— n,     0-St    7.20  n, 
Singst  a  — 30  n,  KA  3 — ,  neue  Ausg.   1 — , 


li 


Mendelssohn-Bartholdy  F.  op.  98 


—     443 


Mendelssohn-Bartholdy  F.  op.  JOT 


P  1—,  4ms  2—  Breitkopf,  Part  4.50, 
Chorst  a  —30,  KA  1—  Peters,  Simrock, 
P  1—  Litolff. 

1.  Finale,  -S'-Solo  u.  SSM8A,  KA  2—  Breit- 
kopf.   mO   4 —   A.   E.   Fischer. 

2.  Ave  Maria,  S-Solo  u.  SSMSA,  Part 
— 50n,  KA  —50  Breitkopf,  2.25  iJt- 
cordi,'  Chorst  — 80  Bote,  m.  0,  Part 
— 50ii,  0-St  1.50  n,  Chorst  — 20  n,  KA 
— 50  n  Rieter. 

a.  Winzerchor,  TTBB,  Part  1— n,  KA  1— 
Breitkopf,  Part  u.  St  —80  Eulenburg, 
m.  0,  Part  1— n,  0-St  1.30  n,  Chorst 
— 40  n,  KA  —60  n  Rieter,  3 —  Ricordi. 
L  o  r  e  I  e  y,  an  unfinished  opera,  Full  sc. 

10/ — n,   Vccal  score  5/ — n,   8"   1/ — n,  pts. 

2/ — n,   0  parts   16/ — n,  mix.   v.   5/ — n,   8'' 

1/ — n    Novello,    — 40    Ditson,    — 50    Schir- 

mer. 

1.  Finale,  Full  score  6/6  n,  0  parts 
8/— n,  P  2/—,  4nis  4/— n  Novello. 

2.  A  V  e  Maria,  Full  score  1/6  n,  Vocal 
score  1/3  n,  8"  — /P/o,  parts  6/—  n,  0 
parts  2/ —  n  Novello,  Voc.  parts  1/3  No- 
vello,  — 06   Brainard,   2.25   Ricordi. 

3.  Vintage  Song,  TTBB,  Full  score  2/6  n, 
Vocal  score  1/ —  n,  8"  — /P/s  n,  parts 
— /6  n,  0  parts  2/ — n  Novello,  Vocal 
parts  — 08   Brainard. 

Vignerons,  TTBB  1.50  n,  Part  — 50  n,  0, 
Part  1.35  n,  p.  s.  1.50  n,  Finale  de  ler 
acte,   )S-s.   av.   choeur   5^ —  n   Durand. 

99  Sechs  Gesange:  1.  Erster  Ver- 
lust:  „Ach,  wer  bringt  die  schonen  Tage", 

2.  Die  Sterne  schau'n,  3.  Lieblingsplatz- 
chen :  ,,Wii3t  ihr,  wo  ich  gerne  well'",  4. 
Das  Schifflein:  „Ein  SchifFlein  ziehot 
leise",  5.  Wenn  sich  zwei  Herzeu  schei- 
den,  6.  Es  weifi  und  rat  es  doch  keiner 
1—,  a  —30  Breitkopf,  Nr.  1—5  k  —30, 
Nr.  6  — 40  Schlesinger,  Nr.  1,  2  a  1  Bg. 
Schott,  N.  1.  First  sorrow  1/ — .  N.  2.  The 
angel  1/—.  N.  3.  The  favourite  spot  — /6. 
N.  4.  The  ferry  boat  1/—.  N.  5.  Farewell 
— /6.  N.  6.  Maiden  thoughts  1/ —  Novello; 
P  (K.  Czerny)  1—,  4ms  (F.  L.  Schu- 
bert) 1—  Breitkopf;  Nr.  3.  TTBB  (C  h. 
Schreiber)  —80  Eulenhurg ;  vide: 
Gresjinge. 

100  Vier  Lieder,  SATB:  1.  Andenken : 
„Die  Baume  griinen  tiberall",  2.  Lob  des 
Friihlings :      „Saatengriin,     Veilchenduft", 

3.  Friihlingslied :  „Berg  und  Tal  will  ich", 

4.  Im  Wald:  „0  Wald,  du  kiihlender", 
Part  1— n,  St  1.20  n,  Nr.  1,  Part  — 45  n, 
St  — 60  n  Breitkopf,  4  Hapo/^Hua  utcHH 
1 — ,  roji  1.50  Jurgenson. 

101  Trompeten-Ouverture  (C), 
O:  Part  3— n,  St  6—,  P  —30,  Jfms  —60, 
»P  (A.  Horn),  8ms  (Ft.  Brissler) 
2—,  PV  (Ft.  Hermann)  1.30,  ^msVVc 
(Burchard)  2.10  n,  2VVaVc  (Ft. 
Hermann)  1.20  n  Breitkopf,  P  3  Bg. 
Bote,  —30  Litolff,  Michow,  —50  Schle- 
singer,  4ms  5  Bg.  Bote,  —60  Litolff,  1 — 
Schlesinger. 


Trumpet  (T  r  o  m  p  e  1 1  e  s)  Over- 
ture (C),  Full  score  6/ — n,  0  parts 
10/6  n,  P  2/6  n  Novello,  Part  5— n,  p.  s. 
20—  n,  4ms  9—  Ilamelle,  2P  2.70  n,  Sms 
2.70  n  Costallat. 
-102  Sechs  Lieder  ohne  Worte, 
VIII,  P:  1.  Andante  un  poeo  agitato  (E- 
m.),  2.  Adagio  (D),  3.  Presto  (C),  4.  Un 
poco  agitato,  ma  audante  (G-m.),  5.  Al- 
legro vivace  (A),  6.  Andante  (C)  — 50,  a 
—30  Breitkopf,  2^/^  Bg.,  Nr.  1—6  a  1  Bg. 
Bote,  1—,  Nr.  1,  4  a  —45,  Nr.  2,  3,  5,  6  a  —30 
Kahnt,  —50,  k— 20  Litolff,  —50  ScJilesin- 
ger,  — 60  Schioeers  3/ — ,  Nr.  1,  6  a  2/ — , 
Nr.  2 — 5  a  1/ —  Ashdoicn,  2/ —  Novello, 
1— n,  N.  1  — 40n,  N.  2—6  a  — 20  n  Sim- 
rock,  N.  1  —40,  N.  2—5  a  —25,  N.  6  —15 
Brai7iard,  N.  1,  3—6  a  — 20,  N.  2  — 30 
Gordon,  N.  1  —30.  N.  2—6  a  —20  Churchy 
Schirmer;  4ms  1.20  n,  N.  1,  4,  5  a  — 40  n, 
N.  2,  3,  6  a  —20  n  Simrock;  PVc 
(A.  Piatti)  3.50  Simrock;  HP(2P) 
(R.   Keller)    3 —  Simrock. 

-103  Trauermarsch  (A-m.),  blM,  Part 
1 — n,  St  6.30  Breitkopf,  Harm,  Part  1 — n, 
St  2.50  n,  0,  Part  1.50  n,  St  3— n  Rieter, 
mO,  Full  score  2/6  n,  0,  parts  3/6  n,  ace. 
for  FullO,  Full  sc.  2/6  n,  parts  11/— n 
Novello,  P  —30  Litolff,  1.50  Rieter,  1/6 
Novello,  — 20  Ditson.  3 —  Ricordi,  4'>ns 
(H  o  h  u  e)  —60  Breitkopf.  —40  Litolff, 
2.30  Rieter,  2/— n,  Org  (Best)  1/6  No- 
vello, (K.  Sehaab)  1.30  Rieter,  5—  Ri- 
cordi, HP  1.50  Simon,  PV  1/— n,  P2V 
1/4  n,  P3V  1/6  n,  2VVaVc  1/6  n,  2rVaVc 
Kh  1/8  n,  P2VVaVc  1/8  n,  P2VVaVcKb 
2/— n,  PSVVaVcKh  : 
1.25  n    Tilliard. 

-  104  Drei  Praeludieu  und  3  Etii- 
d  e  n,  P  2—  Breitkopf,  —70  J.  Schuberth, 
1 —  ScJiioeers,  I— II  a  1 — :  I.  Praeludien  : 
1.  (B),  2.  (H-m.),  3.  (D),  a  —30,  II.  Etii- 
den:  1.  (B-ra.),  2.  (F),  3.  (A-m.),  a— 30 
Breitkopf,  I— II  a  — 50  Litolff,  a  —60 
Schle.'iinger,  a  3 —  Senff,  a  2/ —  Novello^ 
a   1.35  n  Costallat,  a  — 65  Jurgenson.,  Nr. 

I  —30   Lyre,  I   3  Bg.   Bote,  —60  n   Cranz, 

II  372Bg.  Bote,  — 70n  Cranz,  I  6— , 
Nr.  1  3—  Nr.  2—3  a  2.50,  II  7—,  Nr.  1,  3 
a  2.50,  Nr.  2  4—  Ricordi.  Nr.  2.  Prelude 
—30,  Nr.   1.  Etiide  —40  Gebethner. 

-105  Son  ate  (G-m.),  P  1—  Breitkopf, 
37^  Bg.  Bote,  —50  Litolff,  1.50  n  Rieter, 
— 60  Schlesinger,  — 50  J.  Schuberth,  — 70 
Schweers,     3/9    Novello,     1.35  n    Costallat, 

6 —  Ricordi,   ■ — 60    Jurgenson. 

-106  Sonate  (B),  P  1—  Breitkopf,  47, 
Bg.  Bote,  — 50  Litolff,  1.50  n  Rieter,  1— 
Schlesinger,  — 50  J.  Schuberth,  — 70 
Schweers,    4/ —   Novello,    1.35  n   Costallat, 

7 —  Ricordi,  — 40  Gebethner,  — 65  Jurgen- 
son. 

-107  V.  Reformations-Sympho- 
uie  (D-m.)  (F  r.  Hermann),  0,  Part 
5— n,  St  12.60,  P  2—,  neue  Ausg.  1—, 
4ms  2—,  neue  Ausg.  1 — ,  PV  (Ft.  Her- 
mann)    2.60,    47nsVVc    4.20,     (Pr.    H  e  r- 


n    Augener,    mO 


Mendelssohn-Bartholdy  F.  op.  107 


—     444 


Mendelssohn-Bartholdy  F.  Adagio 


mann)  4.20  n  Breitkopf,  0,  Part  3 — 
Litolff,  Part  7.50  n,  St  8— n,  P  1.80  n, 
Jfins  3.20  n  Simrock,  9/ —  n  Novello,  P 
—80,  Jfms   1.50  Litolff. 

Reformation  Symphony,  Full  score 
15/— n,  O,  parts  13/6  n,  P  5/— n,  Org 
(Best)  5/ — n  Novello,  0,  Part  15 — n, 
p.  s.  15 — n,  Jfrns  10 — n  Hamelle:  1.  In- 
troduction and  Allegro  con  fuoco,  Org  2/6. 
2.  Allegro  vivace  (Scherzo),  Org  1/6.  N.  3. 
Andante,  77  1.35  n  Costallat,  1/6  Novello, 
— 25  White,  Andante  and  Finale,  Org  2/6 
Novello,  Scherzo,  P  — 50  Schirmer  jr. 

108   Marsch   zur   Feier   der   A  n  vv  e- 
senheit  des      Malers      Corne- 

lius, 0,  Part  1—  n,  St  5.40,  P  —60,  Jfins 
(A.  Horn)  —60  Breitkopf,  O,  Part  1— n, 
St  2.50  n,  P  1.80,  J,ms  2.50  Rieter,  P  —30, 
Jfins  — 40  Litolff,  3 —  n  Durand,  Full  score 
2/9  n,  0  parts  3/— n,  P  1/6,  Ifms  2/6  n, 
PStrlnstr  2/6  n,  Orf?  (Best)  1/6  No- 
vello, 2.50  n  Durand,  HP  2/ —  Novello, 
0,  Part  2.50  n,  p.  s.  3— n,  P  2— n  Du- 
— 80  n  Costallat,  O  3 —  Ricordi. 

o  h  n  e  W  o  r  t  e    (D) ,   VcP  —80 

3   Bg.    Schott,   2—   -Se«^,    1/6  n 

—  n  Costallat,  6 —  Hamelle,  VP 

Senff,   6 —   Hamelle,    P 

1.50  /Senff,  —40  Geheth- 


rand,  Jyms 

109  Lied 
Breitkopf, 
Novello,   1- 
(F.   David)    2— 
(C.  R  e  i  n  e  c  k  e) 


^ws     (C. 
Novello. 


R  e  i  n  e  c  k  e)     1.50     Senff, 


ner, 
1/6  n 

■110  Sextett  (D),  PV2VaVcKh  6—  n 
Breitkopf,  Part  3—,  St  3.60  Kistner,  (H. 
Bohme)  2.50  Litolff,  10/— n,  ^ms  (A. 
Horn)  7/6  n  Novello,  Org  (Hi  lies) 
1/6  n,  Menuett,  8ms  (J.  Knorr)  2 — 
Breitkopf. 

•  Ill  Tu  es  Petrus,  5st.  Chor  u.  0,  Part 
2— n,  0-St  4.80  n,  Chorst  — 75  n,  KA 
1.50  Breitkopf,  Part  3— n,  0-St  3— n, 
Singst  —50  Litolff,  1.50  n,  KA  1.50  n 
Simrock. 

Tu  es  Petrus,  Full  score  6/ —  n.  Vo- 
cal score  3/ — -n,  Vocal  parts  1/3  n,  0  parts 
6/— n   Novello,   TTBB    1.35  n  Durand. 

112  Zwei  geistliche  Lieder:  1. 
Arioso:  Doch  der  Herr,  er  leitet  die  Ir- 
renden  recht,  2.  /S-Arie :  Der  du  die  Men- 
schen  lassest  sterbeu  1 —  Breitkopf,  Du- 
rand, a  — 60  n,  Jfms  2.50  Simrock. 

113  Zwei  Konzertstiicke,  ClBusset- 
JiornP:  Nr.  1.  (F-m.),  Part  1— n,  P-St 
1.50  n,  2  St-Hefte  — 60  n,  PVVc  (F  r. 
Hermann)  2.10  n  Breitkopf,  Part  (m. 
P  1.50  n,  St  1.20,  PVVc  arr.  3.20,  Jfms 
(Andr6)     3.20    Andre. 

Concert  Piece  in  F-minor,  PClBassct- 
horn :  Score  2/ —  n,  parts  3/ —  n,  arr.  by 
J.  B.  Andre,  PVVc  4/—  n  Novello. 

114  Zwei  Konzertstiicke,  ClBasset- 
hornP:  Nr.  2.  (D-m.),  Part  1- n,  F-St 
1.50  n,  2  St-Hefte  — 60  n,  PVVc  (F  r. 
Hermann)  2.10  n  Breitkopf,  Part  (m. 
P)  1.50  n,  St  1.20,  PVVc  arr.  3.20,  J,m,s 
(Andt^)    3.20   A7idre. 


Concert  Piece  in  D-minor,  PClBasset- 
horn:  Score  2/ — n,  parts  3/ — n,  arr.  by 
J.    B.   Andr6,    PVVc   4/— n   Novello. 

-115  Zwei  geistliche  Chore,  TTBB: 
1.  Beati  mortui :  Wie  selig  sind  die  To- 
t*n,  2.  Periti  antem:  Es  strahlen  hell  die 
Gerechten,  Part  — 45  n,  St  — 60  n  Breit- 
kopf, N.  1  —80  Eulenburg,  Part  u.  St  1— 
Kahnt,  Part  — 60  n,  St  — 40  n  Rieter,  — /3 
Novello,  a  1 —  n  Durand,  2 —  n  Ricordi. 

-116  Trauergesang:  „Sahst  du  ihn 
hernieder  schweben",  8ATB,  Part  —50  n, 
St  —60  n  Breitkopf,  Part  —60  n,  St  — 40  n 
Rieter,  Chant  funeraire  1.35  n  Durand, 
1.50  n   Ricordi. 

-117  Albumblatt  (Lied  ohne  Worte), 
P  (E-m.)  —60  Breitkopf,  2  Bg.  Bote,  —40 
Litolff,  — 20  Riihle,  —50  Schlesinger,  — iO 
J.  Schuberth,  — 50  Schweers,  2f —  No- 
vello,   3.50    Ricordi,   — 30    Jurgenson. 

-118  Capriccio,  P  (E)  1 —  Breitkopf, 
272  Bg.  Bote,  —80  Kistner,  —50  Schle- 
singer, — 40  J.  Schuberth,  — 50  Schiveers, 
2/6  Novello,  4.50  Ricordi,  — 45  Jurgenson. 

-119  Perpetuum  mobile  (C),  P  —60 
Breitkopf,  P/2  Bg.  Bote,  — 30  n  Cranz, 
2  Bg.  Schott,  — 50  Schlesinger,  Schweers, 
—40  J.  Schuberth,  2/—  Novello,  4—  Heu- 
gel,  3.50  Ricordi,  —40  Gutheil,  —30  Jur- 
genson. 

-120  Vier  Lieder,  TTBB:  1.  Jagdlied: 
„Auf,  ihr  Herrn  und  Damen  schon",  2. 
Morgengrufi  des  thiiringischen  Siinger- 
bundes,  3.  Im  Siiden :  „Siifie  Diifte",  4. 
Zigeunerlied :  ,,Im  Nebelgeriesel",  Part 
1— n,  St  1.20,  Nr.  1,  Part  — 45  n,  St 
— 60  n  Breitkopf,  — 80  Eulenburg,  Nr. 
1—3  a  —30,  Nr.  4  —40  Kistner,  4  EicHH, 
Part  — 40  Jurgenson. 

-  1 21      R  e  s  p  o  n  s  o  r  i  u  m      u.     H  y  m  n  u  s, 

TTBB  u.  Org,  Part  1— n,  Chorst  1.20  n 
Breitkopf,  und  Vespergesang,  TTBB  m. 
VcKb  u.  Org(P)  v.  J.  R  i  e  t  z,  Part  3—  n, 
Vc,  Kb   a   — 60n,   Org  — 90  n,   KA   1.50  n. 

Op.  14.  Rondo  capriccioso  in  E,  &  op. 
15.  Fant.  on  an  Irish  Song.  P  1/ —  n 
Augener. 

Op.   34 

Op.  71 

Op. 

-  A  Day 


et  47, 
et  81. 


P   7.50  Lemoine. 
P  7.50  Lemoine. 
117,    118,    119,   P    1.20    Kistner. 
in  the  Country,  Echo   (Cole),  SSA 
2.50   Silver. 
-A  Fragment,  P   (Caspar)   — 50  Schirmer. 

-  Abide  with  me    (R  i  m  b  a  u  1 1)    — 25   Brai- 

nard. 

-  Absolve    Domine,    solo    et   SATB    5 —   Pere- 

gully. 
-Adagio    (F),   Mand  —40,   MandP  —80  Re- 

bagli. 
-Adagio    (D),    Mand   — 40    Rebagli. 

-  Adagio,  CorP    (B  r  u  j  a  n  t)    2.50  Costallat. 

-  Adagio      non      lento      e      cantabile,      Org 

(Spark)    3 —   Williams. 
-Adagio   non   troppo,    Org    (Cooper)    3/ — 
Chappell. 

-  Adagio    religioso,    a.    d.    Orgel-Sonate     (F- 

m.),  Str-Quint.   1.20  u  Bellmann. 


Mendelssohn-Bartholdy  F.  Adagio 


445    —       Mendelssohn-Bartholdy  F.  Ave  Maria 


-Adagio    (Symph.).    UVP    1.20   Litolff. 
-Adagios    und    Andantes    aus    d.    Sir-Quart. 
VP    (A.  Grunwald)    1.50  Litolff. 

-  Addio,   3    voci   — 25  n   Bicordi. 

-  Adieux   a  le   foret,   P  — 20  n   Gebethner. 

•  Adjiciat  Dominus,  B{Bar)Org  — 75  Katto. 
-All!    viens,   douce   esp^rance,   2   voix,   solos 

et   choeurs    av.    P    2 —  n    Bornemann. 

-  Album,      auserl.      Stiicke,      P      (C.      Re  i- 

necke),   I— II   a    1.50   Breitkopf. 

-  Album,    Auswahl    der   beliebtesten    Kompo- 

sitionen,  P   (H.  G  e  r  m  e  r)   2 —  Bosworth. 

•  Album,   beliebte   Kompositionen,   P    (K  u  1- 

lak)    1—  Peters. 

-  Album,     ausgew,     Kompositionen,     P     1 — 

Riihle. 

-  Album,  P    ( J.  P.  G  o  1 1  h  a  r  d)   1—  Un.-Ed. 
-Album,  36  pieces,  P    (Pauer)    3./ — n.  Av- 

gener. 
-Album,  H,  I— IV  a   1.50  Forlerg. 
-Album,   n   1/ — n   Curwen. 
-Album,    H    (R.    Aibl),    I— IV    a    1/6    'No- 

vello. 

-  Album   von    30   Arien,   Gesangen   und   Lie- 

dern    ohne    Worte,    H    3 —   Schott. 

-  Album,    Hauptstiicke    zur    Erbauung,    zum 

Studium   und   zum   Konzertgebrauch,   Org 
fnj    Oder   Pedalfliigel  3—   Beyer. 

-  Album,  I— VIII   (L.  o.  W.)   1—,  P  a  —20  n 

Globus. 

-  Album,   Sammlung   der   beliebtesten   Orgol- 

kompositionen    (K.  Becker)   — 75  Siegel. 

-  Album    Selection    of    favorite,    P    2/6    Bos- 

worth. 

-  Album,   Recueil   de   50  Melodies.   Mand    (J. 

Cottin)     1.20   Litolff. 

-  Album,    Die    45    beliebtesten    Lieder    1 —  n 

Riihle. 

-  Albumblatt,  P  — 50  Bosworth,    (G  e  r  n  e  r) 

—25  Wood. 

-  Allegretto     (Hymn     of     praise) ,     P     — 60 

Brainard,    VP     (Haddock)     5/ —    Ash- 
do  itm. 
-Allegretto  grazioso    (A),   P  — /2   Sheard. 

-  Allegretto  un  poco  agitato  de  la  Symphonie 

cantate,  et  Andante  religiose  de  la  Sym- 
phonie en  la  majeur,  P;  M.  de  poche  — 50 

Noel. 
-Allegro    (A),    P    3/—    Pitman. 

-  Allegro  agitato,  Mand  — 40  Kehagli,  2  Cor- 

nets — 60   Schoenaers. 

■  Allegro    assai    et    Allegro    non    troppo,    P 

(Lott)    3/ —  Ashdown. 
-Allegro   brill.    (A),  ^ms   1 —   Schlesinger. 

■Allegro    vivace     (Symphonie),     HVP     1.20 
Litolff. 

■  An  die  Ktinstler  und  Buchdrucker,  P   1.50 

Peters. 

-  An    earl.y    Spring,    trio     (H  e  a  1  e)     — ^/4  n 

Augener. 

■  Andante,   P   2/6   Ashdown,  — 40   Warmuth, 

— /6n  Wickins,  Org  (Spark)  3/—  Wt7- 
liams,  — 50  Musica  sacra,  Mand  — 40, 
MandP  —80   Rehagli. 

■  Andante  con  moto    (D)   by  W  o  d  eh  o  u  s  e. 

Org   4/ —   Weekes. 


-Andante  und  Allegro,  P  2/G  Ashdown,  3/ — 
Chappell,  Douajowski,  Duff,  1/6  n  Morley, 
—j4:  Sheard,   1/6  n   Vincent,  2/6   Williams. 

-  Andante  con  moto,   and   Allegro  vivace,   P 

3/ —   Augener. 
-Andante  with  variations,  and  Allegro    (B), 
Org    2/—    Novello. 

-  Andante   et   Finale,    VP  — 40  n   Gebethner. 

-Andante  cantabile  et  Presto 
(H),  P  1—  Breitkopf,  3  Bg.  Bote,  —60 
Cranz,  — 50  Litolff,  — 60  Schlesinger,  3  Bg. 
Schott,  — 40  J.  Schuberth,  — 50  Schweers, 
4/ — ,  (M  a  c  1  a  r  r  e  n)  5/ —  Ashdown, 
1/ —  n  Atigener,  4/ —  Chappell,  2y3  No- 
vello,  2/ —  n  Wickins,  — 40  Brainard,  — 75 
Schirmer,  1.35  n   Costallat,  6 — n  Lemoine, 

4 —  Ricordi,  — 30  n  Gebethner,  Jurgenson. 
—60  Gutheil,  4ms  3/—  n  Novello,  HP  —50 
Schweers,   HVP    1.20   Litolff. 

-  Andante    religioso    aus   op.    65    Nr.    4,    VcP 

(M  o  f  f  a  t)    —80,  Itms  2—  Breitkopf. 
-Andante    und    Rondo    capriccioso,    P    4/-- 
Agate,    3/ —   Donajowski,    4/ —    Duff,    — /4 
Sheard,  4/ —   Willcocks,   6 —   Grus. 

-  2  Andante-Siitze  aus  den  Trios,  op.  49,  66, 

HP    (Soyka)    2.60   Breitkopf. 

-  Ange  qui  chante,  P  3/—,  VcP  4/—,  2MandP, 

4/—    St.    Cecilia. 

-  Anthems  for  an  eight-part  Chorus,  without 

ace.  for  the  Berlin  Cathedral,  Voc.  score 
4/6,  Voc.  parts  3/ — :  N.  1.  Rejoice,  O  ye 
people  (Christmas),  Voc.  score  1/ — ,  Voc 
parts  — /6.  N.  2.  Thou,  Lord,  our  refuge 
(New  Year's  Day),  Voc.  score  1/ — ,  Voc. 
parts  — /6.  N.  3.  Above  all  praise  (Ascen- 
sion Da.y),  Voc.  score  1/6,  Voc.  parts  — /6. 
N.  4.  Lord,  on  our  offences  (Passion 
Week),  Voc.  score  1/ — ,  Voc.  parts  — ]&. 
N.  5.  Let  our  hearts  be  joyful  (Advent), 
Voc.  score  1/6,  Voc.  parts  — /6.  N.  6.  For 
our  ofTences  (Good  Friday),  Voc.  score 
1/ — ,  Voc.  parts  — 6 ;  above  arr.  for  4 
voices  by  C.  S  t  e  g  g  a  1 1.  Voc.  score  3/ — , 
or,  singly  a  — l^^ji-  N.  1.  For  Christmas 
— /9.  N.  2.  For  New  Year's  Day  — /9.  N. 
3.  For  Ascension  Day  — /9.  N.  4.  For  Pas- 
sion Week  — /6.  N.  5.  For  Advent  — /9. 
N.  6.   For  Good   Friday  — /6  Novello. 

-  Aria  di  Concerto  N.  2 :   Clie  vuoi  mio  cor  ? 

5 —  Ricordi. 

-4  Arien,  f.  /S'  m.  0:  Nr.  1.  op.  94.  Ungliick- 
selige.  2.  Jerusalem,  die  du  totest.  3. 
Hore  Israel.  4.  Sei  stille  dem  Herrn,  KA 
1 —  Breitkopf. 

-Arpeggio   Study    (F-m.),   P   2/6  Augener. 

-  Auserlesene  Stiicke  aus  Oratorien  u.  Kon- 

zerten,    H    (R  e  i  n  h  a  r  d)    a  — 60    Simon. 

-  Ausgewahlte        Kompositionen,        P        (A. 

Schultz)     1—    Riihle. 

-  Auswahl    der    beliebtesten    Werke,    H    (H. 

CI  aus),    I— III    a    1.50    Siegel. 

-  Auswahl  der  schonsten  Melodien,  Z   (G  u  t- 

m  a  n  n)    1.50   Forberg. 

trio,  arr.  by  H  e  a  1  e  — /4  n 


Autumn  Song, 

Augener. 
Ave  Maria,  choeur, 

sonKb(Org),    Voc. 

Nor-ello,  Part  3 —  n 


8  V.  mix.  av. 
score  1/ —  n, 
Costallat  J 


2Cl2Bas- 

Org    2/6 

vide  op.  98. 


Mendelssohn-Bartholdy  F.  Ave  Maris 


446     — 


Mendelssohn-Bartholdy  F.  Chore 


■Ave    Maris    stella    1.70  n    Choudens,   — 30  n 

Costallat. 
-Ave  verum  — 50  n  Costallat,  av.  ClfV)  5 — 

Peregally,   solo   et  choeiir    1.75  n   Durajid. 

arr.  SATB  —08  Schirmer. 

■  Barcarola,    MandG   — 50  n   Rehagli. 

-  Ire   Barcarolle  et  allegro   vivace,   P  —50  n 

Lenioine. 
•Barcarolle    italienne   1.25  n   Costallat. 

■  3   Barcarolles,   P   5 —  Grus. 

■  2   Barcarolles,   P   5 —   Joubert. 

■  Bee's   Wedding,   P   1 —   Wickins. 
Bonheur  perdu,   r.   s.   p.  P  — 40  n  Lemoine. 

■  22   beruhmte   Stiicke,    /-•    1—   Litolff. 

■  Brise   de  Mai,     2e   barcaroUe-torenlelle,      P 

— 55  n    Lemoine. 

■  Buch    fur    Klavler,    beliebteste    Stiicke,     P 

(R.    Kleinmichel)    4 —  u    Senff. 
■Calm    Sea,    and     Prosperous    voyage,     otiv. 
Jfms  6/ —  A.<>hdown. 

■  Canto    della    sera :      Quaud'    is    dell'ombre 

peso  — 25  n    Ricordi. 
■Caprice    (A-m.),   P  —20   Michoic. 
Capriccioso   brill.    FIP,   UautbP,   Saxoph.P, 
CorP,  CIP  a   1.50  Schoenaers. 
Caro   Cibus,   solo  — 75  n    Miiraille. 
Cavatine,    VP,    VcP    il  1.20    Reinecke. 
■2  Chants:    1.  Adieux  dii  cliasseur.   2. 

Plyrmy,   P   — 20    Gehethner. 
Charakt.  Stiicke,  VP    (J.  N.  Ravi  eh] 
Utolff. 
Cliasse,    P     5 —    Joubert,     — 45  n    Lemoine, 
— 50  n   Noel,   — 80   Ploix,    Mand  — 40   Re- 
bagli,    VcP    (Pap  in)    2.50  n    Costallat.' 
Children's   Mendelssohn,    Short    Pieces    (30 
Solos,    6    Duets),    P    (E.    P  a  u  e  r)     3/— n 
Atigener. 

Choix  de  8  romances  saus  paroles,  P  1.60  n 
Lemoine. 

Chore,    choruses,    choeurs: 
Abend! ied,      TTBB      (Rudolf      W  e  i  n  - 

w  u  r  m)     1.20    Outmann. 
Abendstandchen,      Chor     — 80    Eulenburg, 
(H.    Zoellner,    10    au.sgew.    Lieder    f. 
TTBB,     Nr.    3),     Part    —20,     St    —30 
Fischer. 
Abide    with    me,    arr.    bv    S. 
SATB     (with    Jackson's 
me)    — 25    Scliirmer. 
Abschied  des  Kriegers,  TTBB 


Du«-t 


1.20 


Jackson, 
Abide    with 

-80  Curi^ch. 
—80    Euleji- 

TTBB  —60 
-30  n  Ruhle 

Lied     —30 


Abschied    vom    Walde,    Chor 
bjirg,       (J.    B.    Z  e  r  1  e  1 1) 
Ilaushahn,   1.20  Benjamin,  - 
d    Wendling,    — 80     Siegel, 
Breitkopf,  m.  Z  — 40  Kabatek. 

Abschiedstafel :    „So     riicke    denn     in    die 
Runde",   Chor  — 80   Eulenburg. 

Ad  te  C'lamat,  mix.   voic.  — 20  J.  Fischer. 

Adieu  to  tlie  forest,  3-part  song  f.  female 
voices  — /3  n  Augener. 

Adieu  le  Val  beni,  ySATB  — 50  n  Costallat. 

Adieu   pour    so   revoir,    SATB   —50  n    Co- 
stallat. 

Addio  alia  Patria,   coro  per  T  e  B  — 15  n 
Ricordi. 

Ah  I    cruel    parting,    arr.    for    SMSC    with 
n(P)    1/ —  n   Atigener. 

A.11   men,   all   things    (chorus),   and  Praise 


thou  the  Lord,  S  &  chorus,  hymn  of 
Praise  2/6  Novello. 

All  ye  that  cried  (Hymn  of  Praise),  cho- 
rus  1/6  Novello. 

Allemagne,   SATB   1 —   Choudens. 

And  then   shall,   m.   v.  — 08   Church. 

As  the  hart  pants,  m.  v.  — 06  Church, 
—20  J.  Fischer,   1/3  Novello. 

As  when  the  weary  Traveller  gains,  SATB 
— 06  n   Schirmer. 

Ascension,    SATB   —50   Foetisch. 

An  pied  du  trOne  celeste,  TTBB  1 — n 
Di>rand. 

Au  printemps,  SATB  — 50  n   Costallat. 

Auf  Fliigeln  des  Gesanges,  TTBB  m.  Ha 
(P),  arr.  v.  F.  J.  Lowenstein  1.60 
Robitschek. 

Au    Revoir,    TTBB  —25  n    Pinatel. 

Autumn  Song,  SATB  —/I  Boosey,  —08 
Schirmer. 

Aux   jeunes!    SATB  — 50   Foetisch. 

Ave  Maria,  SATB,  Full  sc.  2/6,  Voc.  sc. 
1/—  Novello,  4ms  2/6,  Org  (Lott)  3/— 
A. ^h  down. 

Ave  Maria,  .S'-s.  a.  chorus  — 10  n  Schir- 
mer. 

Ave  Maria  1 — n  Durand,  1.50  n  Pere- 
gally, av.  choeur  1.35  n  Durand,  — 50  n 
Pinatel. 

Ave  Maria,  2  v.  eg.  —50  n  Le  Beau,  — 25  n 
Pinatel. 

Ave  Regina  Coelorum,  SATB  — 15  n 
Schirmer. 

Avent,    SATB   —50    Foetisch. 

Awake  the  starry  midnight  hour  (arr.), 
SATB  —12.   Novello. 

Baal,  we  cry  to  thee,  m.  v.  — 08  Church. 

Be  firm  and  be  faithful,  chor.  — 06  Gor- 
don. 

Behold!   God  the  Lord,  m.  v.  — 12  Church. 

Behold  now  again,  m.   v.  — 05   Church. 

Be   not  afraid,   m.   v.  — 10   Church. 

6  der  beliebtesten  2-  u.  4st.  Lieder  fiir 
1  Singst  m.  P,  einger.  von  R.  Franz, 
kompl.  2.50:  Nr.  1.  Wasserfahrt  —50. 
Nr.  2.  Wer  hat  dich,  du  schoner  Wald 
— 75.  Nr.  3.  Ich  wollt',  meine  Lieb' 
—75.  Nr.  4.  Grufi  —75.  Nr.  5.  Volks- 
lied  —50.  Nr.  6.  Lied  aus  „Ruy  Bias" 
— 75    Kistner. 

Blessed   are  the  men,   m.   v.  — 08   Church. 

Bone  pastor,  SATB  2.50  n  Peregally, 
—25  n,    TTBB    —15  n    Pinatel. 

Brackett,  God  is  Love,  hymn-anthem,  SA. 
TB   —12  n    Presser. 

Cast  thy  burden,  ni.  v.  — 08   Church. 

Celebration  of  Spring,  SATB  —06  n  Schir- 
mer. 

Chanson   de   chasse,   SATB    1 —   Choudens. 

Chanson     de     vendageurs,     TTBB     — 25  n 

Pinatel. 
Chant  de  I'alouette,   SATB   1—  Choudens, 

— 50n   Costallat,  — 25  n   Pinatel. 
Chant  d'automne,   SATB    1 —  Choudens. 

Chant    de    la    nouvelle    annee,    SATB    1 — 

Choudens. 
Chant   des   Patres,    SATB   —25  n    Pinatel. 
Chant   du   printemps,   SATB   1 — Choudens. 


Mendelssohn-Bartholdy  F.  Chore 


—     447     — 


Mendelssohn-Bartholdy  F.  Chore 


Chanttur  des  bois,  8ATB  — 50  n  Costallat, 

— 25  n  Pivatel,  3   v.  av.  P  — 25  n,  Ch.  s. 

— 25  n    Pinatel. 
<:;harakteristische     Stacke.     P     1.20,     VP 

(Ranch)     1.20    Litolff. 
Charmes   de  l'Et«,   TTBB  — 25  n,   3  v.   ;iv. 

P,   Ch.   s.   —25  n    Pinatel. 

Xopa:  1.  npomanie  oxoTHiiKa.  2.  Xop'B 
BHHorpa/iapeH,  nepeJioHceno  na  3  skohck. 
rojioca   0.    nineiiepoMi   — 70  Jurgenson. 

Ohorgesangwerke,  ^ATB  (op.  41,  48,  59, 
88,   100),   Part   1—,   St  1.20  Peters. 

Christ  est  vivant!  Alleluia!  choeiir  a 
voix   mixtes   — 50  n    Iluguenin. 

<r'hristmas:  Hail,  Thou  long-expected  Je- 
sus, SATB  (Sam'l  Jackson)  — 15  n 
Schirmer. 

■Christmas  Hymn,  P  (C  a  1 1  c  o  t  t)  1,6 
Novello,  H^  (Rimbault)  1/6  Chap- 
pell. 

Come,  holj'  Ghost,  arr.  by  S.  Austen 
P  e  a  r  c  e,    BA  TB   —20  n'  Schirmer. 

Come,   let   us  sing,  choruses  — /3   Novello. 

Comest    Thou    Early,      Time    of    Delight? 

clior.    2  female    voices    — 15    J.    Fischer. 

Comitat:  „Nnn  zu  guter  Letzt",  TTBB 
—80  Eulenhurg,  —60  Haushahn,  —80 
Bug. 

Dans  la  for§t,  SATB  1—  Choudens,  —25  n, 
3   V.   av.  P,  Ch.  s.  a  — 25  n  Pinatel. 

Dans   les  bois,   SATB   1—  Choudens. 

Death  in  the  loving,  SATB  —06   Gordon. 

Death    in   the   Lord,    SATB   —06    Gordon. 

Death    of    the    loving,    chor.   — 06    Gordon. 

D6part,  SATB  1—  Choudens,  —50  n  Co- 
stallat,    — 25  n    Pinatel. 

Departure,   SATB  — 06  n   Schirmer. 

Der  frohe  Wandersmann :  ,,Wem  Gott 
will  rechte  Gunst  erweisen",  TTBB  —80 
Eulenhurg,    Hug,    Tonger. 

Der  Jager  Abschied,  TTBB  —80  Andre, 
Eulenhurg,  — 50  Ries  <£•  Erler,  — 80  Hug, 
Tonger,  1.20  Zumsteeg,  — 20  Schirmer, 
Lied   — 30   Breitkopf,   — 50   Scheithauer. 

Deutschland:  ,,Durch  tiefe  Nacht  ein 
Brausen  zieht"  (C  u  r  s  c  h  -  B  ii  h  r  e  n) , 
Chor  — 80   Eulenhurg. 

Dimanehe,  TTBB  —25  n,  3  v.  av.  P  —25  n 
Pinatel. 

Domus   Israel,   SATB  — 20  n   Schirmer. 

3  Duette  f.  4st.  Mannerchor  (Tschirch 
W.)  :  Nr.  1.  Ich  woUt',  meine  Lieb' 
1.50.  Nr.  2.  Volkslied:  „0  sJih'  ich  auf 
der  Heide  dort"  1—.  Nr.  3.  Grufi :  „Wo- 
hin   ich  geh'   und   schaue"    1.50   Kistner. 

2  Duette:  Maiglockchen  und  die  Bliim- 
lein.  Sonntagsmorgeu,  f.  Mannerst  (C. 
Stei'n)     1.50     Kistner. 

Early  Spring,  SATB  —  1  Boosey,  —10 
Schirmer. 

Ecce   panis,    SATB   —10    Procure. 

Ehre  ?ei  Gott  in  dor  Hohe,  2S2A2T2B, 
Part  1.80,  St  2—  Bote,  Part  1—,  St 
1.20  n   Breitkopf. 

Eloge  du  printemps,  SATB  1 —  Choudens. 


Ersatz  fiir  Unbestand :  „Lieblich  mundet 
der  Becher  Wein",  TTBB,  Part  — 45  n, 
St  —60  Breitkopf,  Part  —20,  St  —20 
Kistner. 

Es  ist  bestimmt  in  Gottes  Rat,  TTBB 
— 60    Haushahn. 

Farewell,  my  home  (Part-song,  mix.  voi- 
ces)   — ;2    Novello. 

Farewell  to  the  Forest,  SATB  a.  PfH) 
— /I  Boosey,  Pitman,  —06  n  Brainard, 
Presser,  Schiryner,  P  (C.  Kuppe)  — 40 
Brainard. 

2  Festgesiinge,  Chorst  — 60  Litolff. 

Festival   of   Spring,   SATB  —1    Boosey. 

Fete   du   printemps,   SATB   1 —  Choudewi. 

First  Day  of  Spring,  The  Primrose,  SATB 
— 08  n    Schirmer. 

Fly  with  me,  SATB  —/I   Boosey. 

For  Faith  and  Freedom,  TTBB  — /4  n 
Augener. 

For  His  is  the  Sea,  chorus  — /4,  8°  — /IV2 
Novello,   — 10  n    Schiryner. 

For  the  Mountains  shall  depart  — 35  Cen- 
tury. 

For  the  New  Year,  SATB  —06  n  Schir- 
mer. 

Frankfort,  SATB  &  P(H)  —/I  Pitman. 

2  Frauenchore  (3st.)  m.  P:  Auf  Fliigeln 
des  Gesanges.  Sonntagslied,  Part  u.  St 
a   1.60  Kahnt. 

Friendship's  Parting,  TTBB  — /3  n  Au- 
gener. 

From  valley  to  the  mountain  (engl.-germ.) 
TTBB   — /8n    Augener. 

Fuis  avec   moi,   SATB    1 —   Choudens. 

Funeral   hymns,    SATB   —06    Gordon. 

Geistl.  Gesange.  SATB,  TTBB,  Part  a 
—50,  Chorst  a  —60   Litolff. 

3  Geistliche  Lieder  f.  A  m.  Chor  u.  Org: 
1.  Lafi,  o  Herr,  mich  Hilfe  iinden.  2. 
Deines  Kindes  Gebet  erhore.  3.  H?rr, 
wir  trau'n  auf  deine  Giite,  Part  1 — n, 
Chorst  —60  Breitkopf,  KA  1.20  n, 
Singst   — 80  u    SimrocJc. 

Geistl.  Lieder  u.  Gesange  f.  Solost,  Chor 
u.   Org,  Part  —60,  St  —40  Litolff. 

3  Gesange  fiir  4  Mannerst  (nach  Melo- 
dien  der  Lieder  ohne  Worte  m.  Text-jn 
von  H.  S  c  h  u  s  t  e  r) ,  bearb.  v.  Carl 
Mettner:  1.  An  einem  Sommertage : 
,,Ich  lag  auf  griinem  Hange."  2.  Dor 
alte  DerfTlinger :  „Es  war  ein  Bauers- 
sohn."  3.  Sehnsucht  nach  dem  Friih- 
linge:  „0  schwinge,  Friihling."  4.  Stand- 
chen :  „Wie  schon  die  Nacht."  5.  Ab- 
schied :  ,,Nicht  schmerzt  so  tief."  6. 
Gondellied :  ,,Das  Leben  rinnt",  I — II, 
Part  a   1—,   St  a  2—  Simrock. 

Gesange  und  Lieder  aus  op.  8  u.  9,  SATB 
(J.  Stern)  :  I:  Maienlied.  Im  Herbst. 
Erntelied.  Wartend,  Part  1.50,  St  1—. 
II :  Pilgerspruch.  Minnelied.  Entsagung, 
Part    1 — ,    St    1 —   Schlesinger. 

Gesange  (Samtliche)  fiir  4  Mannerst :  1. 
Abendstiindchen  (op.  75  Nr.  2).  2.  Ab- 
schiedstafel  (op.  75  Nr.  4).  3.  Beati 
mortui    (geistl.   Chor)     (op.   115   Nr.    1). 


Mendelssohn-Bartholdy  F.  Chore 


—     448 


Mendelssohn-Bartholdy  F.  Chore 


4.  Comitat  (op.  76  Nr.  4).  5.  Das  Lied 
vom  braven  Mann  (op.  76  Nr.  1).  6. 
Der  frohe  Wandersmann   (op.  75  Nr.  1). 

7.  Der   Jager  Abschied    (op.  50  Nr.  2). 

8.  Die  Stiftungsfeier.  9.  Ersatz  fiir  Un- 
bestand.  10.  Jagdlied  (op.  120  Nr.  1). 
11.  Im  Suden  (op.  120  Nr.  3).  12.  Liebe 
und  Wein  (op.  50  Nr.  5).  (Zweite 
Schreibart  sielie  unter  Nr.  21  :  „Viu  a 
tout  prix.")  13.  Lied  fiir  die  Deutsclien 
in  Lyon  (op.  76  Nr.  3).  14.  Morgen- 
grufi  des  thiiringischen  Sangerbundes 
(op.  120  Nr.  2).  15.  Nachtgesang.  16. 
Periti  autem  (geistlicher  Chor)  (op.  115 
Nr.  2).  17.  Eheinweinlied  (op.  76  Nr.  2). 
18.  Sommerlied  (op.  50  Nr.  3).  19. 
Trinklied  (op.  75  Nr.  3).  20.  Turkisehes 
Schenkenlied  (op.  50  Nr.  1).  21.  Vin  a 
tout  prix  (zweite  Schreibart  von  Nr.  12 
„Liebe  und  Wein")  (op.  50  Nr.  5).  22. 
Wrnderlied  (op.  50  Nr.  6).  23.  Wasser- 
fahrt  (op.  50  Nr.  4).  24.  Zigeunerliod 
(op.  120  Nr.  4).  25.  Anhang:  Schwur 
freier  Manner  (Nach  dem  Bacchus-Chor 
aus  „Antigone"),  Part  1.50  n,  St  2— n 
Kistner. 

Gottes    Eat     und    Scheiden :    „Es    ist    be- 

stimmt     in    Gottes    Eat",      TTBB    —SO 

Tonger. 
Grant   us   Thy   peace,   Voc.   score   1/ — ,    8" 

— /17j,   Voc!   parts  — /6   Novello. 
Grufi  an  den  Wald,  8ATB  1—  Hochstein. 
Happy   Lover,   SATE  — 06  n   Schirmer. 
Hark !   the  herald  angels  sing,  SATB  — /I 

Chappell. 
He  that  shall  endure,  m.  v.  — 06  Church. 
Hebe  deine  Augen  auf,  Chor  — 80  Musik- 

woche. 
Heilig,  2S2A2T2B,  Part  1—,  St  1—  Bote, 

Part  — 50  n,   St  — 20  n   Breitkopf. 

Henceforth  when  ye  hear  His  voice,  chor. 

— /3  Novello. 
Heureux,  3  fois  heureux,  TTBB  1 — n  Du 

rand. 
Hexenlied:    „Die   Sehwalbe  fliegt",   f.   3st. 

Frauenchor     m.     P     (Otto    Girsch- 

ner)    1.60   Kistner. 

Hoar   frost,   SATB  —/I    Boosey. 
Holy,  Holy  is  the  Lord,  m.  v.  — 06  Church. 
Homme   heureux,    SATB    1 —    Choudens. 
Hour   is   near,   SM8A   — 06   Brainard. 
House   of   Israel,    SATB  — 20  n    Schirmer. 
How   can   I  leave   thee,    and    other    SATB 
— 12   Echo  Music  Co. 

How  Great  the  Boon,  chor.  2  female  voi- 
ces — 10  J.  Fischer. 

How  lovely  are  the  Messengers,  arr.  by 
H  e  a  1  e,  3  fem.  voices  — /4  n  Augener, 
— /2n  Vincent,  H  (Eimbault)  1/6 
1/6  Chappell. 

Hunter's  Farewell,  TTBB    (Glee  &  Choral 

Libr.   37)    — /2   Ashdoivn. 
Hunter's   Parting,   TTBB  — /3  n   Augener. 
Hunting  Song,  SATB  —/I  Boosey,  — 06  n 

Presser,      — 10  n      Schirmer,      arr.      by 

H  e  a  1  e,    trio    — ji  n    Augener,    P    — 30 

Ditso7i. 


Huntsman's   farewell,    TTBB  — /I    Boosey. 
Hymn  of  Praise:   I  Waited  for  the  Lord, 
'SSAB   6—  Silver. 

Hymn    to    Love,    chorus   — 10  n    Schirmer. 
Hymne  a  St.  Martin,  4  v.  5 —  Hamelle. 

Hymne  d'allegresse,  SATB  av.  solo  1 .50  n 
Choudens. 

Hymne:  „H6r'  mein  Bitten,  Herr!'"  S  m. 
Chor  u.  Org,  Part  1—,  Chorst  1.20,  m, 
P  (F  r.  Brissler),  KA  1.50,  (deutsch 
u.  engl.)  m.  0,  Part  6— n,  0-St  3— n 
Breitkopf,  S  m.  Chor  u.   Org  5.50  Bote. 

I  praise  Thee,  0  Lord,  SATB  —05  n 
Ch arch,  Sch inner. 

I  waited  for  the  Lord,  m.  v.  — 08  Church. 
Td^al    nouveau,    TTBB   —30    Sine. 

II  tombe  une  gel€e  blanche,  SATB  1 — 
Choudens. 

In    heavenly    love    abiding,     m.    v.    — 05 

Church . 
In   the   country,   SATB  — /I    Boosey. 
In   the   forest,   SATB  —/I    Boosey,  —06  a 

Schirmer. 

In  the  Woods,   SATB  — 06  n  Schirmer. 
In  weiter  Feme  will   ich  traumen,   SATB 
1 —  Hochstein. 

Jagdlied:  „Auf  ihr  Herrn  und  Damen 
schon !"    Chor   — 80    Euleniurg. 

Jesu,  the  Hope  of  Souls  forlorn,  SATB 
(S.  Austen  P  e  a  r  c  e)  — 12  n  Schir- 
in  er. 

Judge  me,  m.  v.  — 06  Church. 

Justitiae,  chorus  or  quart.  (3rd  Sunday 
in   Lent,   9th    Sunday   after   Pentecost)', 

a  — /I   Boosey. 

L'ami    Printemps,    SATB    —25  n    Pinatel. 
Land    of    beauty,     TTBB     &     chor.     —08 

Brai^iard. 
Lark's    Song     (A    Canon),    SATB    — 06  n 

Schi7mer. 
Lenzesjubel,    SATB    1 —   Hochstein. 

Let  our  theme  of  praise  ascending,  SATB 
1/ —   Novello. 

Lieblingspliitzcheu :  „Wii3t  ihr,  wo  ich 
gerne  weil"  (CI.  Schreiber),  Chor 
— 80  Eulenliurg. 

Lied  fiir  die  Deutschen  in  Lyon :  „Was 
uns  einst  als  deutsche  Briider",  Chor 
— 80   Eulenhurg,   Hug. 

Lieder  (Samtliche),  SATB  (J.  Riets) 
1—,    Part   3.30,    St    1.20   Breitkopf. 

Lieder,    SATB     (samtliche).    Part    3.30  n, 

(Eiotz)    1— n,    St   5.10  n,    (Rietz)    a 

— 30n  Breitkopf. 
Lieder,   SATB    (aus   op.   41,   48,   59,   88   u. 

100),     arr.      f.      3st.      Frauenchor     (F. 

Hummel),   I,    Part    1—,    St  —90,   II, 

Part    1— n,    St   —90    Breitkopf. 
Lieder,    SATB,    TTBB,    Part   a    1—     St   ft 

1.20  Litolff. 
Lieder,     TTBB      (K.      Per  fall),     Part 

1— n,    St    1.20  n    Breitkopf. 

Lieder  a  capella  (mehrst.).  Part  1 — n,  St 
1.60  n    Simrock. 


Mendelssohn-Bartholdy  F.  Chore 


449     — 


Mendelssohn-Bartholdy  F.  Chore 


Lieder  (3st.),  TTBB  in.  JfHdrnern  und 
Bafjposaune  ad  lib.  (W  a  1  d  e  r  s  e  e) , 
Part  1— n,  Chorst  1.20  n.  Blas-^t  1.50  n 
Breitkopf. 

0  Lieder,  8ATB,  TTBB  (F  e  r  d.  Flo- 
gel),    Part    1 —   Breitkopf. 

6  Lieder,  arr.  TTBB  (F.  Flogel),  Part 
1— n,    St    1.20  n    Breitkopf. 

Lieder   und  Gesange,   8ATB    (J.  Stern), 

Part    1— n,    St    1.20  n    Breitkopf. 
Lieder,  8ATB.  Part  1.20  n,  St  1.44  n  Un.- 

Ed. 
8  Lieder    {4st.),   f.   1    Singst  m.  P    (F.   G. 

J  a  n  s  e  n)     1 —    Breitkopf. 
8  Lieder,   TTBB    (L.   Rohr),   Part   1— n, 

St    1.20  n    Breitkopf. 
6     Lieder,     TTBB      (F.     Flogel),     Part 

1— n,    St    1.20  n   Breitkopf. 
Lieder    und    Gesange,     TTBB,     krit.    Ge- 

samtausgabe.      Part      3— n,      (Rietz) 

1— n,    1.20  n    Breitkopf. 
Lieder    und    Gesange     (Chorgesangwerke), 

TTBB   (op.  50,  75,  76,   115,   120  und  an- 

dere).   Part   1—,   St   1.20   Peters. 
Lieder    (ausgewahlte) ,   SATB   u.   TTBB,  P 

(Horn)    1.50   Litolff. 
Lord   hath   commanded,   S-s.   &   TTBB    1/3 

'Sovello. 
Lord,  bow   down   Thine   ear.   As.  &   chor. 

Voc.   score   4/6,   Voc.   parts   2/9   Novello. 
Love    and    wine,    TTBB    —/I    Boosey. 
Love    divine,     SATB'    (Carl     B  e  r  g  e  r) 

— 10  n   Schirmer. 
Ma  Foret,  TTBB  — 25  n,  3  v.  av.  P  — 25  n, 

Ch.  s.  — 25  n   Pinatel. 
Mannergesange,  SATB   (F.  G.  J  a  n  s  e  n)  : 

Nr.    1.   Der    Jiiger   Ab.schied:    „Wer    hat 

dich    du    schoner    Wald"    —85.      Nr.    2. 

Sommerlied:    „Wie  Feld   und   Au'"    1— . 

Nr.   3.  Wasserfahrt:   „Am   fernen  Hori- 

zonte"    1—.    Nr.    4.    Wanderlied:    „Vom 

Grund  bis  zu  den  Gipfeln"   1.50.  Nr.  5. 

Der    frohe    Wandersmann :    „Wem    Gott 

will  rechte  Gunst  erweisen"  1 — .  Nr.  6. 

Abendstiindchen :       „Schlafe,     Liebchen, 

Weil's   auf   Erden"  — 85   Kistner. 
Maiglockchen  und  die  Bliimelein,  Chor  m. 

P  — 80  Eulenhurg. 
Man  is  mortal    (8  voices)    1/—,  Vocal  pts. 

2/ — ,   Org   \i —  Novello. 
Marins,    TTBB    —25  n    Pinatel. 
May    song,    SATB    —/I    Boosey,    Novello, 

—06  Gordon,  — 08  Schirmer. 
Maybells,  SATB  —/I  Asndo^cn. 
Morgengebet:       „0      wunderbares      tiefes 

Schweigen"      (W.      B  a  u  m  g  a  r  t  n  e  r) , 

Chor  — 80   Eulenhurg. 
Morgengrufi    am    Sange rtage :     „Seid    ge- 

griifit      traute      Briider",       Chor      —80 

Eulenhurg. 
Morning   breaks,    SATB   — /2    Novello. 

Morning     Prayer,     SATB     —/I      Boosey, 

— 06  n    Schirmer. 
3   Motets   for   female   voices    1/ —   Novello. 
Mourn   not,   SATB  —/I    Boosey. 

Universal-Handbuch  der  Muslkliteratur.    M. 


Freude  zieht 
-  B  ii  h  r  e  n), 
2.70    Klinner, 


Pi- 

rler 

SA 
TT 


of    Praise), 


— OGn 
score 


SSCG 


0 
O 

O 

O 

0 


o 


Gh.    s. 

came ; 

Schir- 


Musicien   ambulant,   SATB   1 —   Choudens. 
My  Sins,  my  Saviour,  ^ATB    (D.   Buck) 
— 12  n    Schirmer. 

Nachtigall,  SATB  1.05  Breitkopf. 
Nachtgesang:    „Schlummornd   an   des   Va- 

ters    Brust",     TTBB     —80     Eulenhurg, 

Part   — 45n,    St    — 60  n    Breitkopf. 
Ne  touchez  pas,   3   voix   av.   P  — 25  n 

natel. 
Xeujahrslied :    „Mit  der 

Schmerz"     (C  u  r  s  c  h 

TB   —80    Eulenhurg, 

BB  — 80   Musikwoche. 
Night    is    departing     (Hymn 

quartet    1/9    Novello. 
Nightingale    —/I     Boosey,     SATB 

Schirmer,    Chamber    Trio,    Vocal 

2/ —  Ashdown. 
Noel,   SATB,   Part  —50  n   Foetisch. 
Nouvel-An,    SATB   —50    Foetisch. 
Now    bring    ye    forth    the    tapers, 

— /6  n   Ashdoton. 

blessed  the  Lord  I   Chorus  — 06  Gordon. 

blessed   is   the  child !    Chorus  with   S-s. 
— 06    Gordon. 

come,  let  us  sing,   SATB  — 10  n   Schir- 
mer. 

come  let  us  worsliip,  choruses, 
— '2   Novello,  — 06  n   Schirmer. 

fly  with  me ;  One  Night  there 
Over  their  Grave,  SATB  —10  n 
mer. 

For   the  Wings   of   a   Dove   air    (Goo- 
dale),   SSAB   5—   Silver. 
0  gloriosa  Virginum,  SATB  — 12  n  Schir- 
mer. 
0,  how  calm  the  Stars  are  glowing,  sere- 
nade     (Student's      Song),     chorus      for 
men's    voices   — 05  n    Schirmer. 
0  Jugend,  o  schone  Rosenzeit,  TTBB    (P. 
Klengel)    1.80  Hug. 

Lord    before    Thy    throne,    m.   v.  — 05 
Church . 

rest    iu    the  Lord,    m.   v.  — 05,    (Rey- 
nolds)  — 12  Church. 

sah'  ich  auf  der  Heide  dort,  SATB  1 — 
Hochstein. 

sweet   &   laughing   valleys    (Hullah), 
SATB  &  P  —12  Ashdown. 

Tiiler    weit,    o    Hohen,    f.    mehrst.    Ges. 
— 50  liies  d  Erler. 
Oh,  blest  are  all  who  seek  the  living  God 

(H  e  a  1  e) ,    SSAA    — /3  n    Augener. 
Oh!    mille   fois   heureux,    SATB,    TTBB    a 

— 75    Foetisch. 
Oh,  valleys  fair,   SATB  —/I   Ashdown. 
Oh!   wert  thou  in  the  cauld  blast,  SATB 
&    other    part-songs    — /I    Ashdown. 

Oiseaux   des  bois,   SATB    1 —  Choudens. 
On  Music's  Wing,  3  part  song,  fem.  chcr. 

— ]  0  n    Schirmer. 
On    the    sea,    SATB    —/I    Boosey,    — 08  n 

Schirmer. 
Over    the    grave,    SATB    — /I    Boosey. 

Paques,    TTBB    1—   Foetisch. 
Par  I'union,  TTBB  av.  P    (ad  lib.)   — 30  n 
Sine. 


0 


O 


o 


o 


0 


Mendelssohn-Bartholdy  F.  Chore 


450     — 


Mendelssohn-Bartholdy  F.   Chore 


Parting  and  meeting,  SATB  (H.  Les- 
lie), TTBB  (Oakeloy)  — /P/o  No- 
vello. 

Passion.    8ATB   —50    Foetisch. 

Periti  autem,  TTBB  — /3  Novello. 

3  ntcHH  TTBB  —40  Jurgenson. 

Piti^,  Seigneur,  p.  voix  mixtes,  solo  de  T 

av.    P    1 —  n    Choitdens. 
Praise    my    Tongue,    the    Savior's    Glory, 

SATB    (S.    Austen   Pearce)    — 15  n 

Schirmer. 
Praise  of  Spring,   SATB  —06  n   Schirmer. 
Praise  thou  the  Lord,  SSAA,  Ch.  s.  — /r/2 

Novello,  — 05  Chvrch. 
Presage   of   Spring,   SATB  —/I    Booseij. 
Pressentiraent    du    printemps,    SATB    1 — 

Choudens. 
Priere   du   matin,   SATB    1—   Choudens. 
Primevere,    SATB    1 —   Chovdens. 
Primrose,   SATB  — /I    Boosey. 
Primrose,   trio    (H  e  a  1  e)    — /3  n   Augener. 
Printemps    precoce,    choeur    1 —  n,    2    voix 

av.    P    1 —  n    Choudens. 
IIponiaJibHaH  ntcnn  oxothiikobt,,  (Der  Jager 

Abschied)  SATB  —70  Johansen. 
Tlpomanie  oxothhkob'b,  „Kto  Te6a  TbHHCTuft 

jitcT."  TTBB  Outheil,  —45  Jurgenson. 
Remembrance,   SATB  — 06  n   Schirmer. 
Resting  Place,   SATB  —/I    Boosey. 
Rheinweinlied :      „Wo     solch'     ein    Feuer 

noch    gedeiht",    TTBB    —80    Eulenburg. 
Rossignol,    SATB    1—    Choudens. 
Royal  Banners  forward  go,   SATB    (J  oh. 

Mil  Her)    — 12  n   Schirmer. 
Ruhetal:   „Wenn  im  letzten  Abendstrahl", 

TTBB    (CI.   Schreiber)    —80   Eulen- 
burg, — 30  n  Riihle  d  Wendling. 
Sabbath  Morn,  SATB  —10  ,/.  Fischer. 
Sangerbundes     Morgengrufi,     TTBB     —60 

Haushahn. 
Salut    Printemps,    SATB    —25  u    Pinatel. 
Saviour,   when    Night   involves   the   Sk\2S, 

S.iTB   — 10  n    Schirmer. 
Saw   ye   not  the   pallid   angel,   SATB,   Gh. 

g.  1-/3   Novello. 
Scheiden   im   Fruhling,   f.   mehrst.   Gesaag 

—50   Ries  d:   Erler. 
Schifflein,     3st.     Frauenchor     m.     P      (C. 
Kuhnhold),    Part,     St     1.10  n      Vic- 
weg. 
Schwur    freier    Manner:     „Es    heult     der 
Sturm"     (nach    dem    Bacchus-Chor    aus 
„Antigone"),    TTBB    —80    Eulenburg. 
Set  not  the   jug  so  near  my  nose    (engl.- 

germ.),  TTBB  —80  Eulenburg. 
Shepherd's   Song,    SATB   — 06  n   Schirmer. 
Siehe,      wir      preisen      selig,      TTBB,      H 
(Paul    Hasseustein)     1.20    Koep- 

pen. 

Sing  on  with  cheerful  strain,  SATB  (J. 
W.  Elliott)  1/—,  0/1.  .9.  — /P/i  No- 
vello. 

Skovsang:  Hvo  bar  dig,  du  skj0nne  Skov, 
TTBB   — 25    Warmrith. 

Skvhirk's    Song,    SSAA    — /2    Cvrwen. 


71    N.   6), 


Silver. 
SATB 


-10 


Sommerlied:    „Wie   Feld   und   Au",   TTBB 

— 80  Eulenburg. 
Song   of    night    (arr.    from   op. 

SATB,   Ch.   s.  —12   Novello. 

Song   of    the    Skylark,    SSAB   —03 

Songs     (Four-Part),    TTBB     —75, 
— 40,   boards  — 60   Ditson. 

Song  of  the  lark,  SATB  — /I  Boosey, 
Echo. 

Song  of  the  Skylark  (&  d  e  Call:  Whin 
the   earth),    SATB   — /2    Ashdown. 

Songs  (3  parts),  arr.  by  H  u  11  a  h,  SA 
TB  &  P:  1.  To  distant  lands  come  fly 
with  me,  2.  In  early  spring-time  there 
came  a  frost,  3.  High  in  the  linden 
sweet  birds  are  singing  — /2  Ashdown. 
SATB  (E.  Pauer)  2/— n  Ash- 
dotvn. 

(4   part),   TTBB  w.   P  ad  lib.    (op. 
50,    75,    76,    120)    2/—   Novello. 

Sous   la    verdure,    SATB    1 —   Choudens. 

Souvenir,    SATB    1—    Choudens. 

Spring  Song  (While  I  roam),  SATB  —08 
Sell  irtn  er. 

Spring :  Strains  of  joyous  Music  sing, 
fem.    chorus,    3    parts    — 05  n    Schirmer. 

6  Spriiche,  gem.  Doppelchor,  Chorst  2.40 
Breitkopf. 

Stiftungsfeier:  „Auf  Freunde,  lafit  das 
Jahr  uns  singen",  TTBB  —80  Eulen- 
burg, Part  — 45  n,   St  — 60  n  Breitkopf. 


Songs 


Songs 


(Easter), 


-06  n 


chor.    2 


SATB 

female    voices 


Strife     is    o'er 

Schirmer. 
Summer    Months, 

— 15  J.   Fischer. 
Summer   Song,   TTBB  —/I    Boosey. 
Sur  la  mer,   SATB   1 —  Choudens. 
Sur  la  terre  etrangdre,  P  — 25  n  Pinatel. 

Pinatel. 
Sur   sa  tombe,   SATB   1 —  Choudens. 

Tepi^cT-B  Ch  xopoMi  jjEjiaaccHt  kto  ct, 
Btpoii"  (IIIneHep'b.  Pen.  uik.  ntnia  16.) 
IlapT.  H  roji.  — 85  Bessel. 

Thanks  be  to  God,  m.  v.  — 08  Church. 

There  shall  a  star  came  out  of  Jacob, 
TTBB  —06   Cordon. 

Thou,  Lord  of  All,  Our  Portion  Art,  sa- 
cred  chor.  — 20   ./.   Fischer. 

'Tis    Fate's    Decree,    fem.    chorus,    3    parts 

— 10  n    Schirmer. 
'Tis  God's  Design  :  The  Hunter's  Farewell, 

SATB  —10   J.   Fischer. 
'Tis    thus    ordain'd,    arr.    by    S  c  h  m  e  1  z, 

fem.    chorus    — 10  n    Schirmer. 
To    God    be    Praise,    who    reigns   on    High 

(Hymn),      SATB      (J.     H.     Cornell) 

— 15  n  Schirmer. 
To    Thy    pastures,    sacred    quart.    &    chor. 

(J.   Flint)    —60   Brainard. 
Tout   I'univers   est  plain,   SATB    1—   Foe- 
tisch,   — 50  n    Pinatel. 
Tragodie:    1.   Entflieh  mit  mir,  2.   Es  fiel 

ein  Reif,  3.  Auf  ihrem  Grab,  TTBB   (A. 

K  i  r  c  h  1)    — 80    Eulenburg. 


Mendelssohn-Bartholdy  F.  Chorf 


—     451 


Mendelssohn-Bartholdy  F.  Duetts 


Trinkliod:      „Solang    man    uiichtern     ist", 

TTBB  —80   Eulenhur(]. 
Trisagion     (Therefore    with    Angels),    BA 

TB     (S.    Jackson)     —40    Schirmer. 

HeTwpe  cjiosa.  Cepena^a  ^epe;^^3JIaHnaa  B. 
CoKOJiOBWM'B  SATB  IlapT.  — 75  Jurgenson. 

Tiirki&ches  Schenkenlied :  „Setze  mir 
nicht,  du  Grobian",  —30  Brcitkopf,  TT 
BB  —80  Eulenhurg,  1.65  Kaun,  —30  n 
Riihle  d  Wendluig,  —80  Siegel. 

Turkish  dancing  song,  TTBB  — /I    Booseg. 

Vale  of   Rest,   arr.   by  H  e  a  1  e  as  a   Trio 

— /3  n    Augener,    — 06  n    Schirmer. 
Valine   du    repos,    SATB    1—   Choudens. 
Vendredi-Saint,    SATB   —50    Foetisck. 
A'^erleih  uns  Frieden   (Da  nobis  pacem  Uo- 
mine),  SATB  u.  0,  Part  1—,  0-St  3.60, 
Chorst   —60  n   Breitkopf,  —30   Ldtolff. 
Vexilla    Kegis,    arr.    SATB    — 12n    Schir- 
mer. 
Victor's    Heturn,    SATB    —06  n    Schirmer. 
Voila    dans    la    lumi&re,    TTBB    1—    Foe- 

tisch . 
Volkslied :     „Es    ist    bestimmt    in    Gottos 
Rat",       TTBB      (C  u  r  s  c  h  -   B  ii  h  r  e  n) 
— 80    Eulenhurg. 
Voyage,   TTBB   —/I    Boosey. 
Wandering  Minstrel,   SATB  — lOn   Schir- 
mer. 
Wandering   Song,    TTBB   —1    Boosey. 
Wasserfahrt:      „Am     fernen     Horizonte", 
TTBB  — 80  Eulenhurg,  — 80  Rohitschek. 
We    come    with    our    songs     (Heimkehr), 

SATB,   Ch.  s.   —06    Gordon. 
We    praise    Thy    name,    0    Lord,    chorale 

— /P/2   Pitman. 
We  stand  in  deep  Repentance,  SATB    (H. 

R.    Shelley)    — 15  n    Schirmer. 
Why,    my    soul?     (As     the     hart     pants), 
quart,    or    chorus    — /6    Novello,    — 10  n 
Schirmer. 
Why    rage    fiercily    the    heathen?    Double 
Choir,    SATB,    Voc.    score    4/—,    Ch.    h. 
— /6,   Vocal   parts   2/—   Novello. 
Winzerchor,   TTBB  m.   P    1—    Oertel. 
Wood    Minstrels,    SATB   — 10  n    Schirmer. 
Woods,    SATB   —08  n    Schirmer. 
Word   went   forth,   TTBB  — /4. 
Wozu  der  Voglciu  Chore  belauschen,  Lied 
aus  Ruy   Bias,   fiir  Chor   von   6—8   S-St 
u.    S^r-instr,     Part     —60  n     Breitkopf, 
— 50  Cranz. 
Ye   nation,   offer   to   the   Lord    (Hymn    of 

Praise) ,   quart.    2/ —    Novello. 
Ye    who    from     His     ways     have     turned 

(Lauda   Sion),   quart.    1/6    Novello. 
You   spotted   snakes,    fem.   voices   2/3,   Ch. 

s,   — /4,   chorus   parts  — /6   Novello. 
Zum  Abendsegen:    „Herr,  sei  gnSdig",  SA 
TB,    Part    — 50  u,    Chorst   — 60  n    Breit- 
kopf. 

-  Choruses   of    H  a  n  d  e  I's    Israel    in    Egypt, 

P,  I — II  a  6, —  Augener. 

-  Christmas   Pieces,   P    1/ —  n   Ashdown,   4/ — 

Donajowski,     Dnff,     VP      (Lowe)      1/6  u 
Weekes. 


-Christmas  piece    (F),  I/ms  3/ —  Augener. 

-  2  Christmas  pieces,  VP    (Haddock)   4/ — 

Ashdoicn. 
-Classical,     P    works,    I— III    a    /4— n,    IV 

(Songs    Word)     2/6  n    Williams. 
-2     Clavierstiicke :       1.    Andante     cantabile. 

2.   Presto  agitato   1.50   Senff,  4 —  Bicordi. 

-  Colleccao      compl.      de      obras      para,      P 

(Mertko)    3.50.    I— III,    V    a   —50,    IV 


1- 


JftUS 


0 


1.70,  I— II  a  —60  Neuparth. 

-  Collecao     de     obras     originaes,     Jfms     - 

Neuparth. 

-  Gcllection    de    50    Romances    s.  p.    P    (S  t. 

Heller)    3 — n   Jouhert. 

-  Come,    gentle    sleep,    chamber    trio,    Voc.il 

score  — /2  n  Ashdown. 
-Compositions    originales,    .'ims    1.35  n     Co- 
si  alia  t. 

-  Compositions 

-  Composizioni 

N.  2,  op.   92 

-  Composizioni  scelte,  ordinate  e  digitate,  P 

(B.  Cesi),  Fasc.  I  1— n,  II— IV  a  2— n, 
V,  VIII  a  3.50  n,  VI— VII  a  2.50  n  Ri- 
cordi. 
-Concert  Pieces,  ClBassethornP  (J.  B.  A  n- 
dr^),  .',ms,  N.  1.  op.  113  (F-m.),  N.  2. 
a  3/ —  n  Novello. 

Che    vuoi     mio     cor?    2.50 


p.   Org,  Ifms  2.70  n  Costallot. 

ordinate    e    digitate,    op.    83 
,  4^ns  3 —  n  Ricordi. 


Concertstiicke,      P    2 —    Li- 


1.75  n 
Ellis, 

Berta- 


op.   114    (F) 

Concert-Arie : 

Ries  <t-  Erler. 
Concerte    und 

tolff. 
Concordia,  pieces  arr.  J{ms   (Pauer)    1/4  n 

Augener. 
■  Confidence,   P  —25,    VP  — 40   Century: 

Confidence,  Contemplation,  Consolation, 
Sadness  of  Soul  (4  Songs  without  words 
for  Cornet,  Tro  or  Baritone),  FullO  1.50, 
H  Instr  1.25,  10  Instr  1—,  P  ace.  — 40 
Fisch  er. 

Contemplation,  P  (Battmann) 
Costallat,  G  (V  reel  and)  —30 
VP  — 40   Century. 

-  Corale     (Pater    noster).    Org    — 50 

relli,  — 35    Musica  sacra. 

-  Coro    di    donne     del     sogno     d'una     Notte 

d'estate,   P    (Fumagalli)    1.80   Hug. 
-Cradle  Song,   P  1/—,  ^/ms  1/6  Chappell. 

-  Cygne   Mourant,   P   3/ —   Williams. 

-  Da    nobis    pacem    Domine    (Grant   us    Thy 

Peace),  solo  a.  chorus,  Full  score  1/6  n. 
Vocal  score  1/— n,  Ch.  s.  — /I'A  ^'  "^^^^ 
parts  — /6n,   0  parts   2/6  n   Novello. 

-  Dance   of   Clowns,   P  — 10   Nat.   Music   Co. 

-  Dawn  of  spring,  chamber  trio,  Vocal  score 

— /2  n  Ashdown. 

-Dernier  jours  d'automne,  transcr.  P  1 — n 
Choudens. 

-  Derni&re  pens6e  musieale,  P  — 15  Gutheil. 

-  Doux   Souvenir,  P  — 40  n  Lemoine. 

-  Duette: 

Abendlied:  „Wenn  ich  auf  dem  Lager 
liege"  1  Bg.  Bote,  —30  Breitkopf,  Jur- 
genson. 


Mendelssohn-Bartholdy  F.  Dtiette 


—     452 


Mendelssohn-Bartholdy  F.  Duette 


Abschied  der  Zugvogel  1  Bg.  Bote,  — 20 
Michow,  P  —30  Jurgenson,  2Z  1.08 
Bosworth. 

Aube    (a   2   voix)    2 — u   Costallat. 

Automne,    duo    1 .75  n    Durand. 

Autumn  2/ —  Chappell,  2/6  Cramer,  Ch.  s. 
— /P/a  Novello,  — 60  Brainard,  — 40 
Ditson,  Gordon,  — 35  Presser,  — 50 
Schirmer,  P  (D  r  e  s  s  e  1)  — 50  Brai- 
nard. 

Bal   des  Fleurs,   duo   1.75  n   Durand. 

Barcarola  (Terza)  :  Scivoliamo  a  vol  1 —  n 
Ricordi. 

Bl6s,   duo   1.75  n  Durand. 

Bone  pastor,   duo   1.35  n  Durand. 

12  Canti   a  due  voci    1.20  n  Ricordi. 
Canto  del  mattino,  duetto  — 75  n  Ricordi. 
Chant  d'autorane,   duo   1.70  n   Choudena. 
Champ  de  bid,  duo   1.70  n  Choudens. 
Clochette  de  mai,  duo  1.70  n  Choudens. 
Come  gioire  io  mai  potrei    (Wie  kann  ich 

froh  und  lustig  sein?)    M8C  1/ — n  An- 

gener. 
Das    Ahrenfeld :      „Ein     Leben    war's     im 

Ahrenfeld"  1  Bg.  Bote. 
Day  Dreams,  duet  — /2   Weekes. 
Depart  des  hirondelles,  nocturne,  2S  1.35  n 

Costallat. 
Dimanche  matin,  duo  1.70  n  Choudens. 
Doux  nom  d'amour,   duo   1 —  n  Durand. 

13  Duets  1/6  n:  N.  1.  1  would  that  my 
boundless  love,  2.  Birds  of  passage,  3. 
Greeting,  4.  Autumn  Song,  5.  0  wert 
thou  in  the  cauld  bla.st,  6.  The  May  Bells 
and  the  Flow'rets,  7.  The  Lord's  Day, 
8.  The  Cornfield,  9.  Bird,  Flower  and 
Star,  10.  How  can  my  heart  be  blithe 
of  cheer?,  11.  Nocturne,  12.  Voyager, 
The,  13.  Zuielka  and  Hatem,  h  — /2 
Williams. 

Duets    (compl.)    — 75   Wood. 

Duets    (13)    — 50  n   Presser. 

Duets  (5)   a.  20  selected  Songs  2 —  Litolff. 

Duette  (Samtliche),  kritische  Gesamtausg. 
3— n,  (Rietz)  op.  63,  77  und  3  Volks- 
lieder  1 —  Breitkopf. 

Duette    (22)    1 —  Steingraber. 

Duette  (18)  1.50  Breitkopf,  1—  Andr4, 
Kahnt,  Litolff,  Peters,  Simrock,  Un.-Ed. 

Duette    (gei.stliche)    1 —  Breitkopf. 

Duette  (Samtliche),  m.  geistlichen  Ge- 
sangswerkon    2.10    Breitkopf. 

Duette  und  Chorlieder,  I — II  a  1.50  Peters. 

40   Duos   oelfebres   3 — •  n   Durdilly. 

15  Duos  c6l&bres  5 —  n  Clioiidens. 

12  Duos  5 —  n  Durand,  2 —  Litolff. 

Dvojzpevy  (SA).  Die  ceskeho  pfekladu 
Ad.  Heyduka  upravil  K.  K  n  i  1 1 1. 
(„Alba  hudby  svetov6"  kniha  II)  3 — n 
Urhanek. 

Evening  song  3/ —  Leonard,  8°  — jV-ji  No- 
vella, — 50  Brainard,  — 35  Ditson,  — 30 
Presser. 

Greeting  (Grufi)  1/ —  Ashdown,  2/ —  Chap- 
pell, 2/6  Cramer,  3/ —  Leonard,  — /2 
Weekes,  1/6  n  Wickins,  — 50  Brainard, 
— 35  Ditson,  Gordon,  Schirmer,  P  —40 
Brainard. 


Grufi:  „Wohin  ich  geh'  und  schaue"  1  Bg. 
Bote,  —10  Michow,  2Z  1.08  Bosworth. 

Hark!  I  hear  an  angel  sing,  duet  3/ — 
Chappell. 

Harvestfield,  SA  — 50  Brainard,  — 30  n 
Presser. 

He,  I  love,  roams  far  away,  duet  2/6  Cra- 
mer, — 50  Brainard. 

Herbstlied:  „Ach,  wie  so  bald  verhallet" 
172  Bg.  Bote. 

Home  far  away,   SA  — 30  n   Presser. 

How   brightly   shineth    yonder    star,    SMS 

1/ — n   A'ligener. 
How  can  I  sing,  duet  2/6  Cramer. 

How  fresh  and  fair  was  ev'ry  grove  (Ab- 
schiedslied  der  Zugvogel),  88  2/ —  Ash- 
doicn. 

I  would  that  my  love  2/ —  Ashdown,  ■ — /4  n 
Augener,  3/ —  Chappell,  2/6  Cramer,  3/ — 
Leonard,  1/6  n  Wickins,  — 50  Brainard, 
—40  Ditson,  —35  Echo,  —40  Ellis,  —35 
Gordon,  Mc.  Kinley,  — 10  'Nat.  Mus.  Co., 
— 30  Presser,  — 40  Schirmer,  Willig  : 
P  4/ —  Ashdown,  — 40  Brainard,  ^ms 
3/ —  Ashdown,  Z  — 25  Fischer;  solo  or 
duet  f.  Cornet  w.  Full  Band  2/8,  Med. 
Band  2/ — ,  Small  Band  1/4  Eawkes, 
i.  2Cornets  or  Cornet  and  French  Horn 
(CI),  FullO  1—,  l!f  Instr  —90,  10  Instr 
— 75    Fischer. 

Ich  wollt',  meine  Liebe  ergosse  sich  3  Bg. 
Andr^,  T/j  Bg.  Bote,  —30  Challier,  —10 
Kunz.  — 20  Michow,  — 50  Ries  &  Erler, 
1—  Tonger,  P  (P.  Louis)  1—,  (J. 
Handrock)  1.25  Kahnt;  Z  —20 
Kunz,  —60,  2Z  1.20  Domkowsky,  UP 
1.50  Simon,  TrO  1.50  Gottlober,  2—  C. 
F.  Schmidt. 

In  Springtime,  duet  — J2   Weekes. 

H.  Ki  MaiTB  npHCJiOHacB.  Hapo7^Haa"^'fecHfI. 

— 30  Jurgenson. 
J'entends  ses  pas  2 —  n  Costallat. 
Jour  du  Seigneur,  duo  1 —  n  Durand. 

KaFji  oHTB  secejioH.  Hapo^Haii  iitcHH  —30 

Jurgenson. 
Kouwalia    i  kwiaty,    duet   — 40  n    Geheth- 

ner. 

JlesKy  a  6e3COHHbiii.  Hapo^Haa  ntcHa] — 30 

Jurgenson. 
13  Li'eder    (2st.)    1/6  Novello. 

Maiglockchen  und  die  Bliimelein  P/2  '^g. 
Bote. 

Maybells  are  ringing  (Maiglockchen),  SS 
21—,  in  F  (a  note  lower),  SS  2/6  Ash- 
down, 2/ —  Chappell,  3/ —  Leonard,  1/ — n 
Wickins,  — 60  Brainard,  — 40  Ditson, 
Gordon,  — 35  n  Presser,  P  4/ —  Ash- 
down. 

Mer   s'endort,   duo    1 —  n   Choudens. 

Mot  supreme  (Italien,  Frangais),  duo 
3.50  n   Costallat. 

My  Bark  is  Bounding,  SA  — 40  n  Presser. 

Now  in  Woods  the  Bird  Sing,  chor,  2  fern, 
voices  — 10   J.   Fischer. 

Nuit   (choeur),  duo  v.  6g.  1.25  n  Le  Beau. 

O  come  every,  SA  2/6  Cramer,  —76  Schir- 
mer jr. 


Mendelssohn-Bartholdy  F.  Duette 


—     453     — 


Mendelssohn-Bartholdy  F.  Etiid» 


O  praise  the  Lord  with  me,  an  adapt,  of 
„I  waited  for  the  Lord",  SMS  2/—  Ash- 
down. 

O  Sing  unto  the  Lord  with  Thanksgiving, 
8C  3/—  Ashdoirn. 

O  wert  thou  in  the  cauld  blast  (Volks- 
lied),  SS  2/—  Ashdoicn,  2/6  Chappell, 
Cramer,  2/ —  Sivan,  — /2  Weekes,  1/— 
Wickins,  — 50  Brainard,  — 35  Ditson, 
Gordon,  Schirmer,  (tcm.  chorus  — 10  n 
Schirmer),  —06  Summy,  P  — 25  Brai- 
nard. 

i)  wie  selig  ist  das  Kind,  Duo,  KA  1 — , 
Solost  —30  Uug. 

<)  would  I  could  softly,  duet  2/ —  Cramer. 

Mh,  How  Quickly  Spring  Has  Vanished, 
chor,  2  female  voices  — 10  J.  Fischer. 

Oh  Winter,  Surly  Winter,  chor.,  2  female 
voices  — 10   J.  Fischer. 

Oh,  Youth  is  Still  the  Season  of  Delight, 
chorus,  2  female  voices  — 10  J.  Fischer. 

On  deck  beside  the  mast  (Wasserfahrt), 
88  2/6  Ashdown. 

Over  the  hills  and  far  away,  M8A  — 40 
Braitiard. 

Passage  bird's  farewell  (engl.-germ.),  duet 
2/—  Chappell,  Cramer,  3/—  Leonard, 
—50  Brainard,  —35  Ditson,  Gordon, 
Schirmer,  — 30  n  Presscr,  P  —25  Brai- 
nard. 

Pie§n  jesienna,  duet  — 40  n  Gehethner. 

Pod  krzakiew  dzikiej  rozy,  na  2  glo^y 
— 40  n  Gehethner. 

Popular  Duets,  P  (Richards):  1.  I 
would  that  my  love,  2.  The  May  Bells, 
3.  O  wert  thou  in  the  cauld  blast,  4. 
The   Greeting,  a  2/—  Chappell. 

Pozdrowienie,  duet  — 30  n   Gehethner. 

Sabbath  Morn  — 50  Brainard,  — 35  Ditson, 
Gordon,  Schirmer,  8"  — /P/2  Novello. 

Sei  getreu  bis  in  den  Tod,  Duo  1.80  Prae- 
ger. 

Skylark's   Song,   SC  —/I   Bayley. 

iSo  bright  and  clear,  two-part  (Agate  & 
Co.)   — /3  n  Agate. 

Son   rgveil,   nocturne,   28   1.35  n   Costallat. 

13  Songs  (2-part,  female),  engl.-germ.  1/6 
Novello. 

13  Songs  (2-part)  1/6  n :  N.  1.  I  would 
that  my  love,  2.  Birds  of  passage,  3. 
Greeting,  4.  Autumn  song,  5.  O  wert 
thou  in  the  cauld  blast,  6.  The  May- 
bells,  7.  The  Lord's  Day,  8.  The  corn- 
field, 9.  Bird,  flower  and  star,  10.  How 
can  my  heart  beblithe  of  cheer?,  11. 
Nocturne,  12.  The  Voyageur,  13.  Su- 
leika  and  Hatem,  k  — j2  n  Williams. 

Songs  and  Duets,  ed.  by  Pittman,  45 
Songs  and  op.   63,     Boosey. 

16  Songs  (2-part)  — 75  Schirmer,  I — II 
a  1/ —  n  Augener. 

Songs    (2-part)    — 40   Ditson. 

Sonntagsmorgen :  „Das  ist  der  Tag  dea 
Herrn",   1  Bg.   Bote. 

Suleika  und  Hatem:  „An  des  lustigon 
Brunnens  Rand"  1  Bg.  Bote,  —30 
Schlesinger. 

Suleika  ed  Hassan,  MSMS  I,' —  n  Augener. 


Suleika  et  Hatem  (a  2  voix)  1.35  n  Co- 
stallat. 

Sunday  morn  (Sonntagsmorgen),  duet 
1/ —  n  Auge7ier. 

Sur  les  flots,  barcarolle  (a  2  voix)  2 —  n 
Costallat. 

Sweet  May  Bells,  duet  2/6  Cramer. 

Vogue  l^ger  z(5phir,  duo  1.75  n,  P  (K  r  ti- 
ger)   1.75  n  Durand. 

3  Volkslieder  (2st.)  1—  Breitkopf,  4  Bg. 
Schott. 

Volkslied:  ,,0,  sjih'  ich  auf  der  Heide" 
1   Bg.  Bote. 

Volkslied :  ,,Wie  kann  ich  froh  und  lustig 
sein"  1  Bg.  Bote,  —30  Breitkopf,  —10 
3Iichow. 

Voyage  —35  Ditson,  — 50  Brainard. 

Wasserfahrt:  „Ich  stand  gelehnet  an  den 
Mast"   1  Bg.  Bote,  —30  Breitkopf. 

Wert  Thou  in  the  Cauld  Blast,  01  SMS 
(or  A)  — 30  n   Presser. 

When  on  my  couch  reclining  (Abendlijd), 
SiSf  2/ —  Ashdoivn. 

Where  'er  I  careless  wander  (Grufi),  <SS 
2/ —  Ashdown. 

Wohin  ich  geh'  und  schaue.  Duett  — 10 
Knnz,    Michoui. 

Wozu  der  Voglein  Chore  (Ruy  Bias)  1  Bg. 
Bote. 

Zuleika  and  Hassan  1/6  Novello,  — 40 
Ditson,  — 30  n  Presser,  Ha  2/ —  Ash- 
down. 

6  JijaioBj,  (aaa  xopa),  Nr.  1.  Xorfeat  6w  b-b 
e^HHoe  cjiOBO.  Nr.  2.  npoin,ajibHaa  ntcna 
— 20.  Nr.  3.  IIoKJiOH'B.  Nr  4.  OceHHfla 
nicHfl  —30.  Nr.  5.  Hapo^naa  n-fecna: 
Ecjm6t  Heac/^aHHbIH  ^o^^b  — 20.  Nr.  6, 
noneBbie  i^B-feTM  — 30  Jurgenson,  UpomaaB- 
Haa  nicHb  „npnra.:ia  oceHHaa  nopa"  — 50. 

OceHHaa  ntcHb  „CKopo,  jbh!"  — 75,  Jlan- 
Swra's  „B'h  ^o.iHH'fe  ji&n^um-b"  — 75,  Hnsa 
„KHn'feca  ^H3HB,  acHBwM'b  Kmonewb',  — 65. 
Hapo^naa  ntcHb  „Pa30CTH0H  6biTB  a  ne 
Mory!"  — 50,  Be^epHaa  n-fecHb  „Korfla  a 
na  aojKt"  — bOlBessel. 

-  Duette  f.   P   u.   Saiteninstr    (op.   4,   17,  45, 

58,  109)    10.50  Breitkopf. 

-  Duo  from  Hymne  of  praise.  Org  — 20  ^or- 

don. 
-Dying   Nun,   P    (A.   Dreyschock)    1/ — 
Novello. 

-  Ecce   Panis,   soli    et   choeur   1 —  n   Durand. 
■  Ecoute  ma  pri^re,  hymne  p.  solo  et  choeur 

2.50  n  Hamelle. 

-  Egar6e,  r.  s.  p.  P  — 45  n   Lemoine. 

-  E14gie,   P  —30  Ditson. 

-  Elevation,   Org   1.50  n   Procxire. 

-  Es  ist  in  den  Wald    (Old  German  Song), 

transcr.    (by   S.    P.   Warren),   Pipe-Org 
— 35   Schirmer. 

-  Esp^rance,    3  voix    d'homnr.es    — 50  n    Jou- 

hert. 
-3    Etudes,   P    (F.   Taylor):    1.    in   B  flat 

minor,  2.  in  F,  3.  in  A  minor  2/ —  Novello, 

N.   2  — 75   Johansen. 
-2  Etudes,  P:   N.   1.  in  F  minor  2/—.  N.  2. 

in  B  minor  1/ —  Ashdoicn. 
-Etude    (F-m.),  P  —30  Breitkopf,  —30  Lit- 

tolff,  3/—  Ashdown,  1/3  Novello,  3/—  Wee- 


Mendelssohn-Bartholdy  F.  Etiide 


454     — 


Mendelssohn-Bartholdy  F.  Gesdnge 


-50    Johansen, 


-20 


Ices,    6 —    Joubert, 
Jurgenson. 

Etude  und   Scherzo    (F-m.   u.   H-m.), 
P  —60  Breitkopf,  2  Bg.  Bote,  —50  Schle- 
singer,    Schtoeers,    — 45    Jurgenson. 
■Evening  Bell    (Posthumous  Work),  P,  Jims, 
HaP   a   4/—   (Jhappell. 

■  Fantaisie   en   fa   difeze   et  variat.   s6rieuses, 

P  2.50  n  Costallat. 
Fantaisie  sur  la  dernifere  rose,  P  1.35  n 
Costallat. 
■Festgesang  zur  Sakularfeier  der  Bueh- 
druckerkunst,  TTBB  m.  0,  Part  2— n, 
0-St  6.30  n,  Chorst  —60  n,  KA  —50  n, 
P,  ./fms  a  1 — ;  Lied:  „Vaterland  iu  deiii^n 
Gauen"  —30  Breitkopf,  Full  sc.  2/— n, 
Voc.  score  3/9  n,  Vov.  p.  2/3  n,  0,  parts 
7/6  n,  4w?s   1/6  n  Novello,  vide  op.  68. 

■  Finale,    Org   — 25    Beriarelli,    — 35    Musica 

sacra. 
■First  Day  of  Spring,  trio,  arr.  by  Heale 

— /3  n   Angener. 
■Fragments    of    Concerto     (Lecouppey), 

P  — 75   Schirmer. 
-Fuge    (E-m.),   P  —30  Breitkopf. 

■  Fugue  in  B  flat,  from  the  Magnificat,   Org 

1/6  Novello. 

■  Fughetta  in  A,   Org  — /6  Novello. 

■  Funeral  march,  PV  1/ —  Augener. 
-Garland,   P   1/ —  Augener. 

-Gems    (op.  4,   12,  44,   64),   VP   1/—  Boosey. 

-  Gesange  und    Lieder: 

A  la  verdure   1.25  n  Costallat. 

A  I'amie  absente   (An  die  Entfernte),  tex- 

tes    francai.s    et    allemand    — 85    Schott 

Freres. 
A    toi    les    songes    1.25  n    Costallat,    1 — u 

Durand. 


Abendlied;    ,,Das   Tagevvtrk"    1 


Bg. 


Bote, 


— 25    Warmuth. 
Abendlied :     ,,Wenn    ich    auf    dem    Lager 

liege"  -*-20  Michoiv. 
Abschied  vom  Walde  — 10   Michow. 
Ach,   um   deine    feuchten   Schwingen   —10 

Kunz. 
Adieu   pour   se   revoir    1.25  n   Costallat. 
Adieu  to  the  forest,  trio,  arr.  by  Heale 

— /3  n   Augener. 
Ah!    cruel    parting    (Ach,    wie    ist's    mog- 

lich),  in  B  flat  or  D  1/ — n  Augener. 
Ah!  e'en  est  fait,  seigneur  1.70  n  Joubert. 
Ah!    how    fast    the    days    are    flying    (Im 

Herbst)    2/6  Ashdoicn. 
Ah !  me,  how  soon  the  gay  dance   (Herbst- 

lied),SS  2/ —  Ashdown. 
Air  extrait  de  I'hymne   5 —  Hamelle. 
All    bless,    honour,    glory,    might    (East«;r) 

(Words   only   2/6   per    100),     Novello. 
All    thro'    the    wood     (Sonntagslied)     2/6 

Ashdoiini. 
AUniichtlich   im   Traume  seh'   ich   dich   P/o 

Bg.  Bote,  — 10  Kunz. 
Alma    Redemptoris      on    Praeclara    eustos 

1.50  n    Peregally. 
Alors   qu'on   n'aime   plus   1.25  n   Costall'it. 
Als    ich    das    erste   Veilchen    erblickt     1 — 

Tonger. 
Altdeutsches    Friihlingslied :      „Der    triibe 

Winter  ist  vorbei"     1   Bg.  Bote. 


Altdeutsches   Lied:    „Es   ist   in   den   Waid 

gesungen"   1   Bg.  Bote. 
Amie  consolatrice   1.50  n   Rouart. 
Blumenkranz:     „An    Celias    Baum"     —30 

Breitkopf. 
An    die    Entfernte ;     ,,Diese    Rose    pfliick' 

ich  hier"  1   Bg.  Bote,  —85  Schott  Freres, 

DiskZ  —40,   2DiskZ  —60   Kabatek. 
Ariane   abandonn^e   1.75  n   Joubert. 
As   the   Hart  Pants   — /3   Jennings. 
Astre  des   nuits   1.25  n   Costallat. 
Au  bord  du  Gangl  1.25  n  Costallat. 
Au   Ciel,  Ch.  s.  — 25  n  Pinatel. 
Auf  der  Wanderschaft :   „Ich  wand're  fort 

ins   feme  Land"   1  Bg.   Bote. 

Auf  Fliigeln  des  Gesarges  1  Bg.  Bote, 
—30  Kott,  —20  Michow,  1  Bg.  Schott, 
— 20  Schuberth  jr.,  — 20  J urgenson,  P 
— 20  n  Gebethner,  — 15  Jurgenson,  VP 
2—,  FIP  1.30  Andre,  sO  1.50  n  Cranz, 
w.  2Cornet-so\i  and  mO  ■ — 50  Fischer; 
Transcr.  P :  B  ii  r  g  m  ii  1 1  e  r,  H.  Cra- 
mer, E  r  n  e  y,  St.  Heller,  Klein- 
m  i  c  h  e  1,  G.  L  a  u  g  e,  Liszt,  F  r. 
8  p  i  n  d  1  e  r,  T  h  a  1  b  e  r  g,  C  h.  V  o  s  s, 
W  a  s  i  1  j  e  w  s  k  i ;  VP :  E.  Richard, 
P  a  p  i  n  i ;    VcP :    Moffat. 

Aux  bord  du  Gauge  3 —  Hamelle. 

Aveu    (L')    1.25  n    Costallat. 

Avril  en  fleur,  transcr.  P  I —  n  Chondrns. 

Be   not   afraid,    anthem   — /I    Pitman. 

Bei    der   Wiege:    „Schlumm're,   schlumra're 

und  traume  von  komrrender  Zeit"   1  Bg. 

Bote,  — 10  Michoiv. 
Bella   porta va   — /6  n  Augener. 
Bird  of  Passage,  2-part  song  2/6   Cramer^ 

VP,    MandP,    VcP,   FIP   k    1/6  n,      2VP, 

2MandP,  FIVP,  VVcP  a  2/— n  Jefferys. 
Blumenkranz :    „An   Celias   Baum"     1    Bg. 

Bote,    — 30    Breitkopf,    Schlesinger. 
Blumenstraufi":    „Sie  wandelt   im   Blumon- 

garteu"    P/j  Bg.  Bote. 
Bog  wyrzekl  — 20  n  Gebethner. 
By    Celia's    arbour     (The    garland)     2/ — 

Ashdown. 
Caldo  sospiro  e  tenero,  arietta  Id  G  1/ —  n 

Augener. 
Can  it  be?  neath  the  bower    (Frage)    Ii- — 

Ashdown. 
Canzone  di  primavera   1/ — n   Augener. 
Cavalier  1.25  n  Co.^taUnt. 
Chanson   d'6t6   1.25  n   Costallat. 
Chanson   du   printemps   1.25  n   Costall'it. 
Chanson    de   Mai,    roni.    sans   par.    P    1.25 

Debert. 
Chansons   d'amour    1.25  u    Costallat. 
Chant   d'amour   1.25  n   Costallat. 
Chant  d'automne,  2S  2 —  n   Costallat. 
Chant  du  mois  de  mai  1.25  n  Costallat. 
Chant   du    p6lerin    1.25  n    Costallat. 
Chant  du  soir   1.25  n  Costallat. 
Chanteur   des   bois    1.25  n   Costallat. 
Chasse  aerienne   1 — n  Joubert. 
Ciel   est  notre  part    (Le)    1.25  n  Co.^tallat. 
Consume  them  all,  aria  for  B  — 40  Schir- 
mer. 
(iradle    Song    2/ —    Chappell,   — /4    Sheard, 

—40  Brainard,  Ditson,  — 10  Nat.  Music 


Mendelssohn-Bartholdy  F.  Oesdnge 


—     455 


Mendelssohn-Bartholdy  F.  Oesdnge 


Co.;      P    2/6    Chappill,    —25    Brainard, 

CornetP  —35   Ditson. 
Cruel    sacrifice    1.25  n    CostaUat. 
Da   lies'    i^'^    uiiler   den    Biiumeu     1'y.j   Bg. 

Bote,   —20    Michoir. 
Dans  I'oxil    1.25  n   Coslallat. 
Das    erste    Veilclien :     ,.Als    ich    das    orste 

Veilchen    erblickt"       1   Bg.    Bote,      —10 

Kunz,     Michow,     1     Bg.     Schott,     —20 

Schuberth   jr.,  — 20    Jurgenson. 
Death  song  of  the  Boyaid    (Todeslied  des 

Bojaren)    — /6  n   Avgenc7\ 
beniain    1.25  n   CostaUat. 

Der  Jiiger  Abschied  (IIpomaHie  oxothhkobi) 

—25. 
Der  Mond:  ..Meiu  Herz  ist  wie  die  duukle 

Nacht"    Vj-^Bg.   Bote. 
Derniere  composition   1.25  n  CostaUat. 
Derriere  le   feuillage    1.25  n   CostaUat. 
Des     ]\Jadchens     Klage:       „Der     EichwalJ 

brau.set"    Vj.   Bg.    Bote,   —30    BreitJcopf, 

iichlesiitger. 
Der    Liebende    schreibt :     „Eiu    Blick    von 

deinen  Augen"   P/-  Bg.  Bote. 
Die  Sterne  schau'n  in  stiller  Nacht   1   Bg. 

Bote. 
Dimanche     (Un)     1.25  n    CostaUat,     1.35  n 

Durand,     Ch.   s.  —25  n   Pinatel. 
Doch   der    Herr    vergifit   der    Seinen    uicht 

1 —    Tonger. 
Dormi  tranquillo  1/ — ^n  Augener. 
Douce  brise   1 —  n  Jouhert. 
Doux   reves   1.25  n   CostaUat. 
Dream   of   tb.e   Desert   2/6    Weekes. 
Durch   den   Wald  — 35   Jurgenson. 
Echo    answers     (Altdeutsches    Lied)      2/ — 

Ashdoicn. 
Eden,  aux  bords  du  C4ange  1.75  n  Durand. 
Elfes    1.75  n    Durand. 
Enchanteresse    1.25  n    CostaUat. 
Entsagung:    „Herr,    zu    dir    will    ich   raich 

retten"    1   Bg.   Bote. 
Erntelied    (altes  Kirchenlied)  :   „Es  ist  ein 

Schnitter,  der  heifit  Tod"   1   Bg.  Bote. 
Erster    Verlust :    „Ach,     wer     bringt     die 

schonen   Tage"    1  Bg.   Bote. 
Es    brechen    im    .schallenden    Reigen      1 — 

Tonger,   — 20    Jurgenson. 
Es  ist  bestimmt  in  Gottes  Rat  — 30  Kott, 

1_    Tonger,     P    —40    Nddor,     0    1.25  n 

Lehne,   sO    1.50  n    Cranz. 
E.s  lauschte  das  Laub  so  dunkelgriin  1  Bg. 

Bote. 
Es  weifi  und  rat  es  doch  keiner     Vj^  Bg. 

Bote,   —10    Michow. 
Etoile   sainte   1.25  n   CostaUat. 
Fancy's  Dream    (Reiselied)    2/6   Cramer. 
Far    brighter    than    the    splendour     (Love 

song)     (Minnelied)    — /6  n    Augener. 
Favorite  spot  — 40   Brainard. 
Fede  in  prima  vera   1/ — n  Augener. 
Feme:  „In  weite  Feme  will  ich  traumen" 

1   Bg.   Bote,  — 10  Michow. 

^iajiKa  — 20  Jurgenson. 

First  violet  (Das  erste  Veilchen)  in  E  flat 
2/ — ,  in  F  1/6  Ashdown,  1/ — n  Augener, 
Boosey,  2/ —  ChappeU,  2/6  Cramer,  8" 
— /I7,  NoveUo,   1/6   Wickins,  —50  Brai- 


Angels 


sing 


■/2    Crn- 
voices    (Mai.^11- 


nard,    — 35    Ditson,    — 20    Gordon,    — 40 

Schirmer,    P   1/6   ChappeU. 
Fleurs  d'automne    1.25  n   CostaUat. 
Fleurs  messageres   1 —  n  Durand. 
Floating   rides    (Reiselied)    3/ —  Ashdown. 
For  my  soul  thirsteth  for  God  — 35  Ditson. 
Frage:   „Ist   es  wahr?"   VJ.  Bg.   Bote. 
Friihlingsglaube:    „Die   linden   Liifte   sind 

erwacht"  1    Bg.  Bote. 
Fruhlingslied :     „Der    Friihling     naht    mit 

Brauseu"      P/a    Bg.    Bote,     —10    Kunz, 

Michow,    1    Bg.    Schott,    1 —   Tonger,    P 

—60    Nddor. 
Fruhlingslied:  ,, Durch  den  Wald,  den  dun- 

keln,  geht"  r/2  Bg-  J'>ote. 
Friihlingslied :    „Es    brechen    im    schalleii- 

den   Reigen"    1  Bg.  Bote. 
Fruhlingslied  :   „Tn  dem  Walde,  siiSe  Tone" 

1  Bg.  Bote. 
Friihlingslied :     „Jetzt    konimt    der    Friili- 

ling"   Vj.Bg.  Bote. 
Garland     (Der    Blumeukranz)     1/ — n    Au- 
gener,   2/6    Cramer,    —  6    NoveUo,    2' — 

Weekes,   — 50    Brainard. 
Gott   sei   mir   gniidig,   m.    1 —   Tonger. 
Greeting  — ;6n   Augener. 
Grufi :    „Leise    zieht    durch    mein    G^miit" 

17,  Bg.  Bote,   1    Bg.   Schott,  —30  Kott, 

— 15  Jurgenson. 
Hark  a  voice  is  calling,  part  song  — /P/a 

Pitman. 
Hark!    the  Herald 

mer,  — /P/2  NoveUo. 
Hear  we   not   the  loveliest 

lied)     1/ — n    Augener. 
Hear   ye   Israel   3/ —   Duff. 
Heimweh :   „Was  ist's,  das  mir   den  Atem 
1   Bg.  Bote. 

„Im    Walde 
2   Bg.   Bote. 

,,Ach   wie   so   bald   verhallet 

der  Reigen"  —20  Michow,  1.30  Praeger, 

p   — 50   Brainard. 
Here  under  the  Trees    (Da  lieg'  ich  unter 

den   Baumen)    — 35    Schirmer.. 
Hexenlied:   „Die  Schwalbe  fliegt"   l\U  Bg. 

Bote. 
Hirtenlied:      „0   Winter,   schlimmer   Win- 
ter"   1   Bg.  Bote. 
How    lovely    are    the   messengers,    anthem 

—/I    Pitman,   P   3/—   PhiUips. 
Hunter's   farewell    (Der     Jager   Abschied) 

1/ — n   Au getter. 
Hunter's  Song   (Jagdlied)   in  E  1/— n  Au- 
gener. 
Hunting    Song:    ,,W^aken,    Lords    and   La- 
dies  Gay"   — /I7,   NoveUo. 

am  a  roamer,  bold  and  gay  — 50  Ditson. 

hear  a  bird    (Ich  hor'  ein  Voglein  lok- 

ken)    1/ — n  Augener. 

hear  a  small  bird  calling  — 50  Brainard. 

know   a  bank,   with   V    (R.  R  6  z  e)    4/ — 

WiUiants. 

with   all   your  hearts  3/ —  Duff. 

would    that    my   Love    P    1/ —    Augener, 

2VP   —65    Fischer. 
Ich    hor'    ein    Voglein    locken    1    Bg.    Bote, 

—30    Breitkopf,     Schlcsinger,     —20    Mi- 

choiv. 


hemmet" 
Herbstlied : 

Blatter" 
Herbstlied : 


rauschen    diirre 


Mendelssohn-Bartholdy  F.   Gesdnge 


—     456     — 


Mendelssohn-Bartholdy  F.  Gesdnge 


Ich  woUt   meine  Liebe  ergosse  sich !   Livid 

m.   u.   T,  DiskZ  —60   Kabatek,   2Z   1.08 

Bosworth. 
If  with  all  your  hearts  ye  truly  seek  me, 

S(TJ   —40   EcJio   Music   Co. 
Tl    Campo   delle   spiehe :    „Qual   ferve  nioto 

iiisalito"   — 50  n   Ricordi. 
11    iiiattino   della    domeniea :    „E   il   giorno 

del   Signor"  — 50  n  Ricordi. 
Tl   n'est  plus  19,   1.25  n   Costallat. 
II  ritorno  di  primavera,  arietta  1/ —  n  Au- 

(jener. 

11  Saluto :  „0  vuuque  o  cara  io  raovo" 
— 50  n    Ricordi. 

Iiii     Friihling:      „Ilir     friihlingstrunk^nen 

Blumen"   1   Bg.   Bote. 
Jm    Grunen :     „Willkommen     im    Griinen'* 

1   Bg.  Bote. 
Iiu    Herbst:      „Acli   wie   schnell   die   Tage 

fliehen"   1   Bg.  Bote. 
In   riva  al   Gaiige  — 50  n   Cottrau. 
In  soft  melodious  music   (Auf  Fliigeln  des 

Gesanges)    2/6   Ascherberg. 
In  the  moonlight  forest  (Neue  Liebe)   2/ — 

AshdotV7i. 
In  weite  Feme  — 10  Kuns;. 

12  H36paHHuxt  ntcent  1 —  Jurgenson. 

It  is  ordained  (Es  ist  bestimmt)  1/ — n 
Augener,   2/6   Cramer. 

Italien:  „Schoner  und  schoner  schmiickt 
sich"  1  Bg.  Bote,  Italy  2/ —  Ashdowi, 
1/ — n  Augener,  — J2  Sheard,  — 50 
Brainard. 

Jagdlied  a.  d.  Knaben  Wunderhorn :  ,,Mit 
Lust  tat  ich  ausreiten"  1^2  Bg.  Bote. 

J'ai  foi  dans  le  printemps  1.25  n  Costallat. 

Jo  so  lo  che  il  bel  sembiante,  scena  for  C 
4/ —  Ashdown. 

Keine  von  der  Erde  Schonen  (Lord  By- 
ron) 1  Bg.  Bote,  — 30  Breitkoj)f,  Schle- 
singer. 

Kennst  du  nicht  das  Glutverlangen  V/2 
Bg.   Bote,  — 10   Michow. 

Know'st  thou  not?  (Gestandnis)  2/6  Ash- 
down. 

Leise  zieht  durch  main  G«mut  — 10  Kunz, 
1 —  Tonger. 

Leise  zieht  durch  mein  Gemiit.  Schaut 
der  Jager  in  das  Tal,  Volksl.  m.  T  —20 
Schuberth  jr.,  DiskZ  — 40   Kabatek. 

Let  nought  that's  earthly  pain  thee  (Pil- 
gerspruch)    1/ — n   Augener. 

Lettre    d'amour    1.25  n    Costallat. 

Lieben   und   Schweigen   — 50   Litolff. 

Lieblingsplatzchen  a.  d.  Knaben  Wunder- 
horn :  „Wil3t  ihr  wo  ich  gerne  well'" 
1    Bg.   Bote,  — 10   Michow. 

Lieder   (ausgew.)   1 — ,  I — VI  a  — 20  RUhle. 

Lieder  u.  GesUnge  (samtl.)  1.50  n  Sim- 
rock. 

84   Lieder    (Dr.   L.   Bend  a)    2—  Litolff. 

80  Lieder  2 —  Steingrdber. 

79  Lieder  u.  Gesange  (samtliche) , 
krit.  Gesamtausgabe  13 — ,  neue  Au.3g. 
(Rietz)  2—,  P  (Czerny,  Jadas- 
sohn) 2—,  4ms  (F.  L.  Schuberth) 
3—,  I— II,  IV  a  1—,  III  2—  Breitkopf, 
120)    P     (Schellenberg). 


79   Lieder    (samtliche)    2—,  PfHorn)    1.50, 

(45)     ^ms    (Hermann)    2 — ,    (12)     P 

(Th.      Kirch  ner)       1.50,      (14)      VP 

(Sit  t)    1.50   Peters. 
79   Lieder    (R.    F  i  s  c  h  h  o  f )    2—   Un.-Ed. 
79   Lieder,   P   2.70  n,   47ns  4—  n   Costallat. 
45    Lieder     und     Gesange,     Prachtausgabe 

10 — n,   neue  Ausg.    1 — ■  Breitkopf. 
35    Lieder    und   Duette    (ausgewahlte),    P 

(Fr.   Gorner)    1—   Litolff. 
34  Lieder  und  Gesange   (Supplement)    1 — 

Breitkopf. 
30  Lieder    (ausgewahlte)    1 —  Breitkopf, 
22   Lieder   u.   Gesange    (^ausgew.),   VP    (J. 

N.   E  auch)    1.50   Litolff. 
12   Lieder    (beriihmte)    1 —  Jurgenson. 
12  Lieder    (ausgewahlte)    1 —  RUhle. 
10  Lieder  und  Eomanzen   (ohne  Opuszahl) 

1 —  Breitkopf. 
8   Lieder    und    Gesange    (ohne    Opuszahl), 

P    (S.   Jadassohn)    1 —  Breitkopf. 
6   Lieder    12—   Noel. 

6  Lieder  und  Gesange,  Z  1 —  Breitkopf. 
6    Lieder      (nach     Liedern     ohne     Worte) 

(C  h  r  i  s  t  e  r  n)  :   1.  Venetianisches  Gon- 

dellied :  „Adria !  Nun  ruht."  2.  Kriegers 

Abschied:    ,,Mich   ruft  die   Schlacht."   3. 

Adele:  „Auf  Meeresflut  und  Alpenhoh'." 

4.  Barcarole:    „Tob'    Sturm    und    See!" 

5.  Liebesfriihling :    „G6tter,    wie    selig." 

6.  Volkslied:  „Du  Land,  das  mich  ge- 
boren"  3—,  Nr.  1,  3,  5,  6  a  —80,  Nr. 
2,  4    a  —50  Simrock. 

3  Lieder:  1.  Ich  woUt'  meine  Lieb'.  2.  Es 
ist  bestimmt.  3.  Wer  hat  dich,  du  scho- 
ner Wald,  bearb.  v.  Jul.  W  e  i  is,  V 
— 30n,  2V  — 60n,  VP  — 60  n,  2VP 
— 90n,  VVaP  — 90  n,  VVcP  — 90  n,  2V 
Vc  — 90n,  VFIP  — 90n,  VVaVcP  1.20  n, 
2VVaP  1.20  n,  2VVcP  1.20  n,  2VVaVc 
1.20  n,  2VVaVcP  1.50  n,  PVFlCornetdP 
1.20  n,  P2VFlCornetdP  1.50  n,  PVVcFl 
CornetaP  1.50  n,  P2VVcFlCornetdP 
1.80  n,  P2VVaVcFlCornetdP  2.10  n,  P  a 
1—  Wei^. 

2  Lieder :  Ich  hor'  ein  Voglein  locken. 
Todeslied  des  Bojaren :  .jLeg*  in  den 
Sarg  mir  mein  griines  Gewand"  — 40 
Klentm. 

2   Lieder :    a)    Auf   Fliigeln   des   Gesanges. 

b)  Es  ist  bestimmt  in  Gottes  Rat,  kl.  0 

— 80  n   Cranz. 
Lieder    (ausgewahlte)      im    leichten     Stile, 

I— IV     a     2.50,      einzelne     Nr.     a     —50 

Schott. 
Lieder    (ausgewahlte),   VP  2 —  Peters. 
Loin   d'elle   1.25  n   Costallat. 
Longing    (Sehnsucht),    8(A)    — 35     Schir- 

mer. 
Lontano   — /6  n   Augener. 
Lord,  at  all  times  I  will  bless  Thee,  in  D 

&   F    3/—   Ashdoion,    1/—,   P    (L  e  a  r  y) 

1/6   Novello. 
Lord  God  of  Abraham   1/6  n  Wickiiis. 
Lord,    how    long   wilt   thou    forget   me,    8" 

paper    cover    1/ —   Novello. 

Lord,  to  Thee  will  I  betake  nie  (Entsa- 
gung)    2/ —  Ashdou:i7i. 


Mendelssohn-Bartholdy  F.  Qesdnge  —     457     — 


Mendelssohn-Bartholdy  F.  Gesdnge 


Lord,  when  cares  are  dark  around  us 
(Entsagung)     1/ — n   Augejier. 

Love's   regret  2/6  Ascherberg. 

Love   song   — /6  n   Augener. 

Lullaby    (Bei  der  Wiege)    1, —  n  Augener. 

^liiid  of  the  Ganges  — 50  Brainard,  P 
(Richards)  2/G  Chappell,  (Cra- 
mer) 2/ — ,  (K  II  h  e)  4/ —  Williams, 
(Liszt)    — 50    Schiriner. 

Maienlied :     ,,Man    soil    horeu    siifies    Sin- 
gen"  1  Bg.  Bote 
Maiglockchen   lautet   in   dem   Tal,    m.    I- — • 

Tojiger. 
Mai  du   pays    (Le)    L25  n  Costallat. 
20  Melodies  choisies  2 —  Liiolif. 
M6nestrel    (Le)    1.25  n   Costallat. 
Minnelied :  ,, Holder  klingt  der  Vogelsang" 

1   Bg.   Bote. 
Minnelied    (altdeutsch)  :     „Leuchft   heller 

als  die  Sonne"  1   Bg.  Bote. 
Minnelied :      „Wie    der    Quell    so    lieblich 

klinget"    1    Bg.   Bote. 
Mois   de   mai    1 —  n   Joubert. 
Moissonneur    (Le)    1.25  n   Costallat. 
Molle    la   brezza,    arietta    1/ —  n    Augener. 
Monaca   morente   1/ —  n  Augener. 
Moon  — 25  Brainard. 
Morgengrufi :  „uber  die  Berge  steigt  schon 

die  Sonne"   1   Bg.  Bote,  — 10  Michoio. 
Morgenlied :    „Erwacht    in    neuer    Starke" 

1   Bg.  Bote. 
Morning   (Morgengrufi)    1/ —  n  Augener. 
Morning   greeting    1/6    Leonhard. 
My    dreamly    thoughts    (Auf    Fliigeln    des 

Gesanges)    3/ —  Ashdown. 
My    son,    oh !    go    not    forth    (Winterlied) 

2/ —  AsJidoicu. 

Hk  KpuJibax-B  no93in  — 20  Jurgenson. 
Na  skrzydtach  pie§ni  — 40  n   Gebethner. 
Nachtgesang :    „Schlummernd   an   des    Va- 

ters  Brust"   1 —  Kahnt. 
Nacbtlied :  „Vergangen  ist  der  lichte  Tag" 

1    Bg.   Bote,  — 10   Michow. 

Hapo/iHaa  n-fecHa.  HaM'B  nedoM-B  cyacfleno 

— 15  Jurgenson. 
Near  the  limpid  fountain's  edge    (An  des 

lust'gen  Brunnens)    2/ —  Ashdown. 
Neue   Liebe :      ,,In   dem   Mondenschein   im 

Walde"    r/,    Bg.    Bote. 
Neujahrslied :    ,,Mit  der   Freude   zieht  der 

Schmerz",  fiir  eine    (od.  mehrere)    St  m. 

PfllJ   od.  P  allein  —25  Klemm. 
New  love    (Neue  Liebe)    1/ — n  Augener. 

Hhkto  He  yaHaeT-B  — 30  Jurgenson. 
Nonne :   „Im  stillen  Klostergarten"   1   Bg. 

Bote. 
Nosegay    (Blumenstraufi)    1/ —  n  Augener. 
Nouvelles   amours    1.25  n    Costallat. 
Nouvelle  aurore   1.25  n   Costallat. 
Now  the  festive  sounds  are  dying    (Sehn- 

sucht)    2/ —  Ashdoion. 
Now  the  tuneful  stream    (Minnelied)    2/ — 

Ashdown. 
Nuit  est  belle    (La)    1.25  n  Costallat. 
Nun  — 25  Brainard. 
O  I^ay  most  calm  &  holy  2/6  Weekes. 
O,  did  but  the  flowers  (Verlust)  2/ —  Ash- 

doun. 


O  for  the  wings  of  a  dove  3/ —  Ashdown, 
Duff,  1/6  Novello,  ^50  Ditson,  8chir- 
mer,  — 40  Gordon,  SC  arr.  — /3  Novello, 
SATB    (W.  Bees)    — 20  n   Schirmer. 

0  God,  have  Mercy,  aria  for  B  — 40  Schir- 
m  er. 

O  great  is  the  depth,  anthem  — /I  Pit- 
man. 

0  Jugend,  o  schone  Rosenzeit  (Rhein. 
Volkslied)  :  „Von  alien  schonen  Kin- 
dern  auf  der  Welt"  1  Bg.  Bote,  —10 
Michow,    1    Bg.    Schott. 

0  Lord,  Thou  hast  searched  me  out  (Sur- 
rexit   pastor   bonus),    8vo   — /4:    Novello. 

O  play  that  Air  again  2/6   Weekes. 

O  quam  suavis  est  — /9  Novello. 

O   rosy  bours  of  youth   1/ — n  Augener. 

O   sah    ich    auf   der    Heide    dort  — 10,    PV 

—20,   Z  —10   Kimz. 
O   Tiller   weit,   o  Hohen  — 20   Samson,   1 — 

Tonger,   V,  Z  a  —10,    2V,  PV    a    —20 

Ktniz. 
O    winter,    cruel    winter     (Hirtenlied)    2/6 

Ashdoivn. 
Ocean    (a   seaside   reverie)    1/6  n   Jefferys. 
Of   all   the    pretty     darlings    (Rheinisches 

Volkslied)    2IQ' Ashdown. 

Of   all   the   saucy   darlings  — /2   Sheard. 

Oh  come  to  the  greenwood  (Im  Griln-in : 
„Willkommen  im  Griinen")  1/6  n  Au- 
gener. 

Oh !  for  the  wings  of  a  dove  „Hear  our 
Prayer"    — 40    Gordon. 

Oh,  what  means?   (Zuleika)   3/ —  Ashdown. 

Old  German  song  — /6  n  Augener. 

On  song's  bright  pinions  (Auf  Fliigeln 
des  Gesanges)  3/ —  Ashdoion,  — 50  Dit- 
son, Org  3/ —  Ashdoivn. 

On  wings  of  Song  (Auf  Fliigeln  des  Ge- 
sanges) 1/ —  n  Augener,  Boosey,  2/6 
Cramer,  — 20  n  Presser,  — 35  Schirmer, 
P  (St.  Heller)  1.25,  (J.  Low)  —50 
Schirmer. 

On  wings  of  music,  or  Maid  of  Ganges 
— 40  Ditson. 

OCl  s'en  vont  mes  r6ves  1 — n  Durand. 

Our  daily  toil  is  over  now  (Abendlied: 
„Das  Tagewerk  ist  abgetan")  — /6  n  Au- 
gener. 

Over  the  mountain  (Morgengrufi)  2/ — 
Ashdoivn. 

Pagenlied :  „Wenn  die  Sonne  lieblich 
schiene"   1    Bg.   Bote,  — 30   Breitkopf. 

Page's  Song    (Pagenlied)    1/ — n   Augener. 
Parting    from    thee    1/6  n    Wickins. 
Parting    song    of    the    Boyard     (Todeslied 
der   Bojaren)    — /6  n   Augener. 

Patre  Catalan   1 —  n  Joubert. 
Pauvre   m6re    1.25  n    Costallat. 
Pie^i'i  ludowa,   P  — 30  n   Gebethner. 
Pilgerspruch:   „Lafi  dich  nur  nichts  nicht 

dauern"  1   Bg.  Bote. 
Pilgrim's   Song,  P  — 25   Silver. 
Plainte   de   Suleika    1.75  n   Durand. 
Premier    amour    1.25  n    Costallat. 
Premifere    violette    1.25  n    Costallat,     1 — n 

Durand. 
Prends-garde    a    toi    1 — n    Durand. 


Mendelssohn-Bartholdy  F.  Oesange 


458     — 


Mendelssohn-Bartholdy  F.  Gesdnge 


UpHB'feTi  — 15  Jurgenson. 
Primavera  2/6  Ashdown. 
Promenade   sur   I'eau    1.25  n    Costallat. 

IIpOmaHie  OXOTHHKOB-B,  „KtO  Te6n  TtHHCTWli 

jrhc-h",  (Der  Jager  Abschied)  — 25  Qutheil, 

Jurgenson. 
nyTCBaa  ntCHH  — 35  Jurgenson. 
Reiselied :    „Bringet   des  treusten   Herzens 

Griifie"    P/,  Bg.   Bote,  —20   Michow. 
Reiselied :      „Der    Herbstwind    riittelt   die 

Baume"  l'/,  Bg.  Bote,  2  Bg.  Schott,  —35 

Jurgenson. 
Religieuse    1.25  n    Costallat. 
Eeponds-moi    1.25  n   Costallat. 
Eevez  toujours  1 —  n  Joubert. 
Ringing   gaily   through   the   forest    (Friih- 

lingslied)   — /6  n  Augencr. 
Ringsum  erschallt  —10  Kunz. 
Romance    espagnole    1.25  n    Costallat,    VP 
Eomanze   (aus  dem  Spanischen)  :   „Einmal 

aus  seinen  Blicken"   1   Bg.  Bote. 

3/ —  Laudy,   VcP  2/ —  Augener. 
2  Romanzen  1 — ,  P   (C  z  e  r  n  y)   1 —  Breit- 

kopf,  P  5 —  Grus. 
Rose  de  mai   1.25  n   Costallat. 
Rosy  morn   is  streaming  2/ —  Cramer. 
Savoyard's    Song    (Wenn    die    Sonne   lieb- 

lich)    2/6    Cramer. 
Seheidelied :    „Es    ist   bestimmt   in    Gottes 

Rat"   —10   Michow. 
Scheidend :    „Wie  so   gelinde  die  Flut  be- 

wegt".    Sehnsucht:      „Fern    und    fern^r 

schallt    der   Reigen"    P/^   Bg.    Bote. 
SchifFlein :      „Ein    Schifflein    ziehet   leise" 

P/o  Bg.  Bote. 
Schilflied:   „Auf  dem  Teich,  dem  regungs- 

losen"    P/2   Bg.   Bote. 
Sehlafloser    Augen    Leuchte     1    Bg.     Bote, 

— 30   Breitkopf,  ScJilesinger. 
Schlumm're   iind   traiime   1 —  Tonger. 
Seemanns     Seheidelied :      „Es     f  rent     sieh 

alles  weit   und  breit"   1    Bg.   Bote,  —30 

Breitkopf,   Sclilesinger. 
Sehnsucht,    vide:    Scheidend. 
Sei   getreu   bis  in  den  Tod  — 25   Pohl,  m. 

VcP  (Org)    1.50    Oermann. 
Sei  stille  "dem  Herrn  —25  Pohl,  1—  Ton- 
ger. 
Senza   speme,    arietta    1/ —  n    Augener. 
Serenade    (Max   Silny)    1.75  n   Durand. 
She  carried  a  falcon   (Wartend)   2/ —  Ash- 

doicn. 
She  roves  thro'  the  garden    (Der  Blumon- 

straufi)    2/ —   Ashdown. 
Shepherd's   lay   — 40    Brainard,    — 35    Dit- 

son. 
Shepherd's    song    (Hirtenlied)     1/ — n    Ati- 

gener. 

3HMHHfl  HtCHa.   Mora  cmh-b  — 20  Jurgenson. 

SioJieiiKa  — 20  Jurgenson. 

Slumber     and     dream      (Wiegeulied)      2/(5 

Ashdoiov.,     Cramer,     2/ —     Leonard,      P 

(K  u  h  e)    4/ —   Williams. 
Slumber    Soug   — /2    Novello,    — 35    Schir- 

mer. 
Soft  falls  the  snow  4/ —  Swan. 
Softly  sweet  those  woodnotes    (Maienlied) 

2/ —  Ashdoton. 
Soir    d'orage    1.25  n    Costallat. 


Sollecita    suU'    aurora,    in    A    1/ —  n     Au- 
gener. 
Song   of   spring    (Friihlingslied)    2/ —   Ash- 

dotcn,   — 40    Brainard. 
Songs    (compl.)    8"  4/— n,  P  2/6  n  Novello. 
52   Songs  3/ —  n  Augener. 
6   Songs  — 75   Schirmer. 
Songs    (Musical   Cabinet)    1/ —  Boosey. 
Songs    (Selected),    (Lullaby,   Spring  Song, 

Travelling  Song,   Greeting,   Suleika,  On 

Wings     of     Song,     When     through     the 

Piazzetta,    It   is   ordained),    P,   transcr. 

by  T  h.   K  i  r  c  h  n  e  r   1/ —  n  Augener. 
3  Songs   (Auf  Fliigeln  des  Gesanges,  Gron- 

dola      Song,      Hunter's      Farewell),      P 

transcr.     by     F.     L  i  s  z  t,     rev.     by     E. 

P  a  u  e  r    1/ —  n   Augener, 
Sonntagslitd :       „Ringsum       erschallt      in 

Wald   und   Flur"   1    Bg.   Bote,  —10   Afi- 

chow,     1    Bg.    Schott,     — 20    Jurgenson, 

— 25    Warmuth. 
Sonntagsmorgen :      „Das   ist   der   Tag   des 

Herrn"  — 10  Michow. 
Sparkling    waters     (Reiselied)      2/6     Ash- 

doicn. 
Spring  is  coming  3/ —  Ascherherg. 
Spring  is  returning  (Friihlingslied:  „Jetzt 

kommt   der   Friihling")    1/ — n   Augener, 

— 50  Brainard. 
Spring  of  love  — 50  Brainard. 
Spring    Song     (D)     — /6n    Atigener,     2. — 

Chappell,  2/6   Cramer,  —40,   arr.   8ATB 

—10  n    Schirmer,    P    (Richards)    2/6 

Chappell,   (C.  H.  J  a  r  v  i  s)  — 35  Ditson, 

G    —25    Ditson,      VP    —50,    2VP    —60 

J.  Fischer. 
Spring  song    (G)    1/ — n  Augener. 
Spring   song    (B)    1/ —  n   Augener. 
Spring's   sweet   breezes    (Friihlingsglaube) 

2/6  Ashdown. 
Still  ruht  der  See  —10  Michow. 
Suleika:    „Ach,  um  deine  feuchten  Sehwin- 

gen"    1    Bg.    Bote,   —10   Michoiv,   2   Bg. 

Schott,  — 20   Jurgenson,  P  — 60  Nddor. 
Suleika:    „Was   bedeutet    die    Beweguug" 

P/j  Bg.   Bote. 
Suleika     1.25  n     Costallat,     3—     Hamelle, 

1/ —  n    Atigener,  — 35    Schirmer. 
Sun  of  the  Sleepless  1/—  Ashdown,  — /6  u 

Augener,  — /I    Novello. 
Sunday    (Sonntagslied)    1/— n   Augener. 
Swallows  bring  the  welcome  spring    (A  n- 

dr6s   Mailied:    „Die   Schwalbe   fliegt") 

1/6  n   Augener. 
Sweet  return  of  Spring,  part  song  — /P/2 

Pitman. 
Swift     glides     the     skiff    (Scheidend)     2/6 

Ashdown. 
Tender  greeting   (Einmal  aus  seinen  Blik- 

ken)    1/ —  n   Augener. 
Thanks   be   to   God,    anthem  —/I    Pitman. 
There  be  nou   of   beauty's   daughters   2/— 

Ashdoion. 
There     be     none     of     beauty's     daughters 

(Keine   von    der    Erde   Schonen)    — /6  n 

Atigener,  — /2   Sheard. 
There   is   a   reaper,   harvest   song    (Erute- 

lied)    2/ —  Ashdoion,   1/ — n  Augener. 


Mendelssohn-Bartholdy  F.  Oesdnge 


—     459 


Mendelssohn-Bartholdy  F.  Qondoline 


Thou  who  hast  doomed  man  to  die,  8  1/ — 

Novello. 
Though   far   apart   2/6   Cramer. 

Thro'  the  wood    (Friihlingslied)    3 —  Ash- 

doioi,   1/ —  Aiifjener. 
Thy   will    be   done:    &    'Tis   thus    ordained 

— /2  Sheard. 
'Tis    thus    decreed    (Volkslied)    2, —    Ash- 
down. 
'Tis  thus  ordained  —35  Ditson. 
To   distant    lands    I'll    rove    (Feme)    1/ — 

Ashdoion. 
To    the    distant    one    (An    die    Entfernte) 

— /6  n  Augener. 
To  the  Ehine    (Warnung  vor  dem  Rhein) 

— /6  n   Augener. 
Todeslied  des  Bojaren :  „Leg'  in  den  Sarg 

mir"   1  Bg.  Bote,  —30  Breitkopf,  Bchle- 

singer. 
Toujours   toi    1.25  n    Costallat. 
Touviens   toi    1—  n,   P    (K  r  ii  g  e  r)    1.35  n 

Durand. 
Tramonti   placidi   — 25  n   Ricordi. 

Trauungslied :   „Herr  mit  kindlichem  Ver- 
trauen"    1 —   Brockhaus. 

Traveller's     song    (Reiselied)      1/ — n    Au- 
gener. 

Traveller's   Song    (Der   Herbstwind   riittelt 
die  Baurae)    1/6  n   Augener. 

Travelling     song      (Bringet     des     treusten 
Herzens   Griifie)    1/6  n   Augener. 

Travelling     song     (Reiselied)      1/ — n     Au- 
gener. 

Trostung:     ,,Werde   heiter   mein    Gemiite" 
1    Bg.   Bote,  —10   Michow. 

Tu  ne  viens  pas  1.25  n  Costallat. 

B-B    KpoBH    ropHT-B  "oroHb    jKe.iaHbH    — 45 
Jurgenson. 

Va,   sospir    1/ — n  Augener. 

Vallee   d'amour    1 —  n   Joulert. 

Vanished  hopes    (Da  lieg'  ich   unt«r   Bau- 
men)    1/ — n  Augener. 

Benei^iaHCKaa  dapnapoji.ia  — 20  Jurgenson. 

BeHeu,iaHCKaa  HOib.  BapKapoJiJia  —30  Jur- 
genson. 

Venetian,    Gondellied:     „Wenn    durch    die 

Piazzetta"    P/,   Bg.    Bote. 
Venticel,       ch'intorno       spire        (Suleika), 

arietta   1/ — n   Augener. 
Verlust :      „Und     wlifiten's     die     Blumen" 

1   Bg.  Bote. 

BecenHaa  uicna  — 20  Jurgenson. 
BeceHHflfl  n'bcHfl.  Jltcb  ^pejiyqifi  — 30  Jur- 
genson, 
BeccHHaa   n-bcna.    Ectb    THxaK    poma   b-b 

poflHoii  CTopoH-fe  — 30  Jurgenson. 
Viaggio     per     rnare:      „Jo     m'appoggiava 

all'albero  — 25  n  Ricordi. 
Vocal-Album,     20    selected    Songs      and    5 

Duets  2—  Litolif. 
Voix    du    printemps    1.25  n   Costallat. 
Volkslied :       „Es    ist    bestimmt    in    Gottes 

Eat"    1    Bg.    Bote,    —20    Bchuherth    jr., 

— 15   Jurgenson. 
Volkslied :  ,,0  .sah  ich  auf  der  Heide  dort" 

— -10    Michow. 
3  Volkslieder :    1.   Wie  kann   ich  froh  und 

lustig  sein,  2.  Wenn  ich  auf  dem  Lager 


3.     Wasserfahrt,     a    —30     Schle- 


„Wo 


noch  kein  Wandrer  ge- 
Bote,      —30    Breitkopf, 


-30 
1— 

Bg. 

Nd- 


liege, 
singer. 
Waldschlofi : 
gangen"     1 
Sclilesingcr. 

BocKpecHaa  ntCHH  — 20  Jurgenson. 

Wanderlied:  „Laue  Luft  komnit  blau  ge- 
flos.sen"   17.,  Bg.   Bote,  —10  Kunz. 

Warnung  vor  dem  Rhein :  „An  den  Rhein, 
an  den  Rhein"  1  Bg.  Bote,  —30  Breit- 
kopf,   Schlesinger,   — 20   Simrock. 

Wartend,  Romanze :  ,,Sie  trug  einen  Fal- 
ken"    17,   Bg.    Bote. 

Wasserfahrt:  „Ich  stand  gelehnet  an  den 
Mast"  —30  Breitkopf,  —10  Michow. 

Welcome  to  .springtime,  arr.  by  Abel- 
spies,   with   G    1/6  Ashdown. 

Welcome  to  spring  — /P/a  Novello. 

Wenn     die    Sonne    lieblich     schiene 
Schlesinger. 

Wem  Gott  will  rechte  Gunst  erweisen 
Tonger. 

Wenn  sich  zwei  Herzen  scheiden  1 
Bote,  — 10  Kunz,  Michow,  P  — 40 
dor,    1 —   Rozsavblgyi. 

Wer  hat  dich  du  schoner  Wald  — 20  /Som- 
son.  1 —  Tonger,  — 10  Kunz,  —25  Jur- 
genson, P  1.80  Praegcr,  Z  —10,  2V —20, 
TTBB   —40    Kunz. 

When  the  sunbeams  dawned  (Pagenlied) 
2/6  Ashdourn. 

When  through  the  piazzatta  (Venetiani- 
sches  Gondellied)  2/6  Ashdown,  1/ — n 
Augener. 

Where   flows   the    sparkling    gauges    (Auf 

Flligeln    des   Gesanges)    3/ —   Leonard. 
Wie   war   so   schon   doch 
— 10  Kunz. 

Winterlied       (aus      dem 
„Mein  Sohn,  wo  willst 
1    Bg.   Bote,  — 20  Jurgenson,   B-Tr(Cor- 
net  a  P)    m.   P  — 50   Zimmermann. 
Winter  song   (Winterlied)    1/ —  n  Augener. 
Within   the   convent  garden    (Die  Nonne) 

2/6  Ashdown. 
Ye  flowers  whom  spring  rejoices (Im  Friih- 

ling)    2/6  Ashdoion. 
Zefir,   MandP  2.50   Blanchi. 
Zuleika  2/6  Cramer,  — 50  Brainard. 

-  G  e  sa  n  g  s  w  e  r  k  e  :    Geistl.,   krit.   Gesanit- 

ausgabe,  Ser.  XIV.  Abt.  A,  Solost,  Chor 
u.  0,  Part  21—;  B,  fur  Solost,  Chor  u. 
Org(P),  Part  7.50;  C,  fur  Solost  u.  Chor, 
Part  6.60  Breitkopf. 
-Gondellied  (A),  P  1  Bg.  Bote,  — 30  n  Breit- 
kopf, —20  n  Riihle,  2  Bg.  Schott,  —30 
Schweers,  — 20  Gehethner,  — 40  Leopas, 
Mand  —40  Rebagli,  VcP  (Moffat)  —75, 
2VP   (Vc  ad  lib.)    1—  Schott. 

-  Gondola  Song,  arr.  by  Liszt,   P  2/6  Au- 

gener, 2/ —  Chappell,  — 25  Wood,  'tms  2/ — 

Chappell. 
-Gondoliera     (R.     Sinnhold),     VP    —40, 

2VP  — 50   J,   Fischer. 
■  Gondolier's  Song,   arr.  by  H.   E  r  u  s  t,   VP 

—30  Fischer. 

-  Gondoline    (Walter  Jacobs),  1st  Mand 

— 30,   G   ace.   — 10   Jacobs. 


Wald   und   Feld 

Schwedischen)  : 
du  bin  so  spat?' 


Mendelssohn-Bartholdy  F.  <?ranrfi?ondo     —     460 


Mendelssohn-Bartholdy  F.  4  Lieder 


-  Grand    Rondo    brillante,    in    E  flat,    P    6/ — 

Chappell. 
-Grand    Selection     (Songs    w.    w.),      FullO 
1.40,   SmallO   1 —  Hawkes. 

-  Green   Fields,  trio,   arr.   by  H  e  a  1  e  — jZ  n 

Augener. 

-  Grosvenor   Albums,    P:      1.    On     wings     of 

music.   2.   Gondellied.   3.   Wedding   march. 

4.  Andante  con  moto  and  Allegro  vivace. 

5.  Scherzo,  in  E  minor.  6.  Chant  de  prin- 
temps.  7.  Le  nuage.  8.  Consolation.  9.  Con- 
templation 1/ —  n  Ashdoion. 

■  Grosvenor     College     of     Music,      P     1/6  n 

WicJcins. 

■  Harmoniemusik,   P  — 30,  ^ms  — 60  Litolff. 
•  Harmonious  Ideas,  mottoes  for  M.'s  Songs 

without  words  by  E.  P  a  u  e  r  — /4  n  Au- 
gener. 

-  Harmonium-Album    (12  bel.  Komp.)    1 —  J. 

Schuberth. 
■Hear  my  prayer,  o  God  (Veni 
domine),  T-s.  and  chorus,  Full  score 
6/ —  n.  Vocal  score  3/ —  n,  8°  1/ —  n,  parts 
1/—  n,  0  parts  2/6  n,  PH  ace.  (M.  B.  F  o- 
ster)  2/— n;  SSA  — /3,  P  (L  e  a  r  y) 
1/6,  (Lott)  1/6,  Org  (Best)  2/—, 
(W  e  s  t  b  r  o  o  k)    1/6    Novello. 

Hear  my  prayer,  hymn  f.  fem.  voices 
w.  P  (H  e  a  1  e)  1/ —  n  Augener,  4/ — ,  Vo- 
cal score  — 12  Ditson,  — 40  n,  Cantata  f. 
mix.  V.  — S")  n  Schirmer,  0  1/ — n  Auge- 
ner,   (Lot  t)    4/ —   Ashdown. 

Hero's  Marcl:,  P  3/ —  Ashdown,  Dona- 
jowski,  Org  ■  —  Ashdown,  1/6  n  Wil- 
liams. 

Heureuse  traverbv'  ,  cuv.  P  — 85  n  Lemoine. 

How  happy  all  they,  fem,  trio  (Cornell) 

— 08  n   Schirmer. 
How   long   wilt   thou    forget   me,    0   Lord? 

Chamber  Anthem  for  3  trebles  2/6,  Vocal 

score  — /2  n  Ashdown. 
How    lovely    are    the    messengers,    arr.    by 

Brown,    Org    3/ —   Ashdown. 
How    pleasant,     how     divinely     fair,     SAT 

— 10  n  Schirmer. 
Hum  of  the  Bees    (St.   Cecilia,   N.   13,   7th 

eerie),  2  parts  song  — ^/4  Williams. 
Hunter's  Farewell,  arr.  by  Liszt,  P  4/ — , 

by  E  y  k  e  n  3/ —  Augener. 
Hymne  of  Praise,  P    (AlphonseDor6) 

3/ —  Reynolds. 
If  with  all  your  hearts    (Concert  or   BFl) 

2/—  Rudall. 
In  deep  distress   (Psalm  CXXX),  T  &  chor. 

Vocal  score  3/ — ,  Vocal  parts  1/6,  Org  1/ — 

Novello. 
In   patience.   Lord,     I     wait     (adapted    bv 

Lott),  in  E  flat,  SMS  4/—  Ashdown. 
In    the   Forest,     Water     Nymphs    (Cole), 

SSA  2.50  Silver. 
Invocation  p.  solo  et  choeur  a  4  v.  mixtes, 

Part    2 —  n,    parties    vocales    — 40  n    Ea- 

melle. 

It  is  enough  1/6  n  Wickins. 
Jesus,   be   thou   ever   near   us  — 35   Ditson. 
Jubilate    (in    A),    Vocal    score    1/6,    Vocal 

parts   1/ — n,   8°  — /4  n  Novello. 
Jubilate  Deo,  S-quintet  or  chorus  — /6  No- 
vello. 


-  King  of  Love  my  Shepherd  is,  STB  — 12  n 

Schirmer. 

-  Kammermusik  f.  S  u.  mehrere   (op.  20,  18, 

87)    Instrumente,  Part  9 —   Un.-Ed. 

-  Klavierkompositionen,  I — V  a  1.80  Un.-Ed. 

-  Klavierkonzerte     und     Violinkonzert,     J/ms 

1.20  Steingraber. 
-Klavierkonzerte     und     Violinkonzert     2 — 
Peters. 

-  Klavierquartette    (samtl.)    5 —  Peters,  Un.- 

Ed.,   J,7ns   3—   Un.-Ed. 

-  2    Klavierstiioke    (B,    D-m.)    —60,     a    —30 

Breitkopf,  2  Bg.  Bote,  —40  Litolff,  —30 
J.   Schuberth,  — 50   Schweers,  Schirmer. 

-  Klaviertrios,   4'>ns    (0.   Singer)    2 —   Un.- 

Ed. 

-  Klavierwerke    (samtliche),   P,    Litolff: 

I.  Lieder  ohne  Worte  1.50,  (CI. 
Schultze)  2 — ,  Prachtausgabe  (C. 
Kiihner)    2 — ■,  erl.    (Gorner)    2 — . 

II.  (Verschiedene  Stiicke)  2 — ,  Volksausg. 
1.50. 

III.  Konzerte  u.  Konzertstiicke  2 — ,  V.-A. 
1.50. 

IV.  Fantasien  u.  Capricen  2 — ,  V.-A.  1.50. 

V.  Praludien,  Fugen,  Etiiden  u.  Varia- 
tionen   2—,   V.-A.    1.50. 

VI.  Sonaten    (op.  6,  105,  106)    1—. 

-  Klavierwerke,    kritisch    durchgesehen     und 

genau  bezeichnet  von  Wilh.  Speidel, 
Schiveers : 

I.  Op.  5,  6,  7,  14,  15,  16,  28,  Andante  can- 
tabile  und  Presto  agitato,  Etiide  und 
Scherzo,  Gondellied,  Scherzo  a  Capric- 
cio  3 — . 

II.  Op.  33,  35,  54,  74,  82,  83  3—. 

III.  Op.  104,  105,  106,  117,  118,  119,  Prae- 
ludium  u.  Fuge,  Zwei  Klavierstiicke  3 — . 

IV.  Op.  22,  25,  29,  40,  43  3—. 

V.  48  Lieder  ohne  Worte  3 — . 

-  Klavierwerke     (samtl.) ,     (M  e  r  t  k  e)     5 — , 

I — V  a   1 —  Steingraber. 

-  2  Konzerte,  Jfms  k  1.20  Peters,  1.50  Un.-Ed. 

-  Konzerte     und     Konzertstiicke,     PO,    Part 

15—,  P  8—,  (J.  Rietz)  1.50,  (C.  R  e  i- 
n  e  c  k  e)    2 —  Breitkopf. 

-  Kyrie   eleison,   gemischter    (Doppel-)    Chor, 

Part  — 50n,  Chorst:  S  I,  II,  A  I,  II,  T  1, 
II,  B  I,  II  =  8  Hefte  a  —15  n  Breitkopf, 
Part  —50,  St  1—  Bote. 

-  Larmes  et  sourire,   6   romances  sans  paro- 

les,  P   2.50  n   Choudens. 

-  Last    Rose    of    Summer,     fant.    Itms    1/9  n 

Novello,    variations,    P    2/ —    Williams. 

-  Laudate  Dominum,   SATB  — 50  n,  SSB  av. 

Org  — 25  n,   Duo   av.    Org  — 25  n   Pinatel. 

•  Laudate  Pueri,  trio,  arr.  by  H  e  a  1  e  — /4  n 
Augener,  SSS  1/6,  8"  — /4  n  Novello,  —20  n 
Schirmer,  SSA  av.  Org(H)  2.50  n  Costal- 
lat,  TTB   1— n  Muraille. 

-  Legato   Study   in   E-minor   or   D,   P    (engl. 

fingering)  1/ —  Augener. 
-Lieder  f.  6— 16st.  O:  Liedduett.  O  Tiller 
weit,  o  Hohen.  Der  Jager  Abschied.  Gottes 
Rat  und  Scheiden.  Vaterland,  in  deinen 
Gauen.  Lied  der  Deutschen  in  Lyon. 
Abendgebet.   Die  Kapelle  2 —  n   Bellmann. 

-  4  Lieder  f.   Quartett  1 —  n  Bellmann. 


Mendelssohn-Bartholdy  F.  Ldeder 


461 


Mendelssohn-Bartholdy  F.  Ldeder 


Lieder    ohne    Worte,    Songs    without 

words,   Romances   sans   parole  8, 

kompl.  : 

P:  2—  Bostvorth,  8—,  (Rietz)  2—, 
(C.  K  1  i  n  d  w  o  r  t  h)  5—  Breitkopf, 
2 —  Cram,  1.50,  (S.  Jadassohn) 
1.50,  I— VIII  a  1—  Kahnt,  (CI. 
Schulze)  2—,  (C.  Kuhner)  2—, 
eri.  (G  o  r  n  e  r)  2 —  lAtolff,  1—,  Pracht- 
ausgabe  2 —  Peters,  (E.  P  a  u  e  r) 
2— n,  a  —20  Senft,  1.20  J.  Schuberth, 
1.50  Steingrdher,  1.50,  Prachtausg.  2 — 
Un.-Ed.,  (Davidsohn)  1/— , .  (C  a - 
V  en  dish  Ed.)  2/ —  Boosey,  2/ — n 
Broome,  (Ha  11  6)  cloth  10/6  n,  I— III 
a  4/—,  IV— VI  a  5/—  Chappell,  (Sul- 
livan) 6/ —  n  Cramer,  I — II  a  1/ —  n 
Leonard,  1/ —  Lyon^  (K.  K  1  i  n  d  - 
worth)  5/—,  8"  2/6  Novello,  2/—  n, 
I— III  a  1/—,  IV  — /6  Reeves,  1/— n 
WTcfctns,  (Kullak)  1 — ,  8  books  a 
— 85  Ditson,  — 75  Fischer,  1 —  Cordon, 
Mc.  Kinley,  Presser,  (C  a  d  y)  — 75  n 
Presser,  1 —  White,  Wood,  2 —  n  Chou- 
dens,  2 — n,  1 — 8  a  — 65  n  Costallat,  3 — n 
Eeugel,  2.50  n  Leduc,  I  1.60  n,  II  1.40  n 
Lemoine,  (Ed.  de  poche)  — 50  Ifoel,  2 — 
Capra,  Ricordi,  2 —  Kessels,  — 45  Ge- 
hethner,  — 90,  Prachtausg.  2 —  Jurgen- 
son,  3 —  Hirsch,  leicht  (R  u  t  h  a  r  d  t) 
1.20  Peters. 

42  L.  o.  W.,  P  (R.  Schmidt)  1.50 
Breitkopf ,  2/ —  n  Augener. 

40  L.  o.  W.,  progr.  geordnet  (J.  J  i  r  fi- 
ne k)    5 — ,    I — IV   a   2 —  Bosworth. 

36  L.  o.  W.,  P  1/6  n  Ashdown,  2/6  n  Au- 
gener. 

20  ausgew.  L.  o.  W.,  fiir  kleine  Hande 
arr.  v.  R.  de  V  i  1  b  a  c,  P  1.20,  VP 
1.20  Litolft. 

18  Songs  w.  W.,  P  — /6  Boosey,  I— III  a 
3/ —  Augener. 

16  L.   o.  W.  — 75n  Riihle. 

12  Songs  w.  W.,  P  1/ — n  Augener,  MandP 
I — II    a    1 —   Zimmerm.ann. 

Songs  w.  W.,  VcP  (Nolck)  1/6  n  Au- 
gener. 

4  Lieder  o.  W.,  Quart.   1 —  n  Bellmann. 

2  L.  o.  W.,  P  (Macfarren)  3/—  Ash- 
down. 

Lieder  o.  W.  (samtl.),  6  Kinderst,  und 
22  ausgew.  Kompositionen,  P  3.40  Stein- 
grdier. 

Lieder  o.  W.,  2  Selections,  P  a  1/—  She- 
ard,  choix  de  8  romances  s.  p.,  P  1.40  u 
Lemoine,   FIP   4/ —   Ashdotcn. 

Jfms  (ausgewahlte)  :  2 —  Peters,  JJn.-Ed., 
Books  1—3  a  5/—,  4—6  a  6/—  Chappell, 
(May  lath)  —50  Cordon,  I— II  a  1.50 
Elkan. 

6ms:  (Th.  Herbert),  I— II,  IV  a  1.80, 
III  2—  Siegel. 

H:  3  L.  o.  W.  (P.  H  ass  en  stein)  1.50 
Hainauer,  Selection  (Rimbault)2/ — 
Chappell,  12  Chants  s.  p.  (E  n  g  e  1) 
1.25  n  Mustel,  2  Chansons  s.  p.  — 50 
Bessel. 

Org:  20  L.  o.  W.  (T  h.  Drath),  I— V  a 
2 —   Bimrock,    (2)    arr.   by   W  o  r  t  h  a  m 


3/ —  Augener,    (12)    arr.  by  L.   Engel 
1/—    Boosey,     (10)     2/6  n    Metzler,    (12) 
arr.    by    Calkin    a.    West    3/ —     No- 
vello. 
HP:    (24)   arr.  v.  R.  d  e 
tolff,   (8)   arr.  v.  C.  G. 
rock,     4/ —     Novello, 
8  c  h  w  a  1  m,    I — II    a 


VP:     (ausgew.),      arr. 


V  i  1  b  a  c  2—  Li- 
L  i  c  k  1  3—  8im- 
(20)  arr.  v.  R. 
1.50  Steingrdher. 
V.  E.  S  a  u  r  e  t, 
I— II  a  3.50  Bote,  (20)  arr.  v.  J.  N. 
Ranch  1.20  Litolff,  (H  e  r  m  a  n  n)  2— 
Peters,  (32)  arr.  v.  F.  David,  I,  V, 
VII  a  3—  II,  VI  a  3.50,  III  4—  IV 
5—,  L.  o.  W.  (J.  W.  H.  Ley  del), 
I— V  a  2.50  Simrock,  (20)  1.60  Stein- 
grdher,  1 —  Wei/s,  (3)  arr.  by  Had- 
dock 3/ —  Ashdown,  (8)  arr.  by  C.  E. 
Lowe  2/ —  n  Novello,  Selection  (B  a  r- 
row)  3/ —  Pitman,  (12)  arr.  by  M. 
H  a  u  s  e  r  — 50   Fischer. 

VaP:  (6),  bearb.  v.  L.  Hetsch  4 —  Sitn- 
rock. 

VOrg:  (B.  Brahmig),  I— II  a  2.25  n 
Simrock. 

VcP :  (12)  arr.  v.  W.  Fitzenhagen, 
I— II  a  1.30  Breitkopf,  I  2—,  II  1.65 
Bessel,  (36)  arr.  v.  Griitzmacher 
3—  Peters,  L.  o.  W.  (O  1 1  o  M  ii  1 1  e  r), 
I— III  a  3—,  (A.  Piatt  i),  I— VIII  ft 
3.50,  (6)  arr.  v.  L.  Hetsch  4—  Sim- 
rock, (6)  arr.  v.  A.  Volck  1/6  Au- 
gener. 

Mand:  8  Songs  w.  W.  1/6  n  Turner,  (12) 
arr.  by  Marchisio  3/ —  Ascherberg, 
I — II  a  1 —  Tiimmermann. 

PFl  (40)  arr.  v.  F  r.  Hermann,  N.  1, 
3,  10,  11,  13,  15,  18—20,  23,  32,  34,  36, 
42  a  1—  N.  2,  7,  14,  22,  30,  33,  45—47 
a  —80,  N.  4,  6,  12,  16,  25,  27—29,  31, 
37,  40,  41  a  —60,  N.  9,  44,  48  a  —50, 
N.  2  1.30  Simrock,  (20)  "arr.  v.  R. 
Schwalm  1.60  Steingrdber,  (10)  arr. 
V.  W.  P  o  p  p,  I— II  a  3—,  compl.  2—  n 
Andre,  (15)  arr.  v.  Barge  1.50  Peters, 
(2)    2 —  Schoenaers. 

HaP:  (Oberthiir),  6  L.  o.  W.  5/— n, 
3  L.  o.  W.  2/— n  Novello. 

CIP:    (2)    1.50  A.   E.   Fischer. 

SaxophP,  EautbP,  CorP :   (2)   a  2- 
naers. 

VVcP:  L.  o.  W.    (F.  Dunhill) 
gener. 

V:  12  L.  o.  W.  1—  C.  F.  Schmidt. 

PE2VFI    u.    VcKbCornet,    Schlagzeug 
lib.:   Lieder  o.  W.   1.50  n   Cranz. 

2V:    (12)   arr.  v.  Wolff  1.20,  9  L.  o. 
u.    4    Kinderstiicke    (Hermann) 
Peters,  12  L.  o.  W.  1.50  n  C.  F.  Schmidt. 

Jf  Horner:  (F.  J.  Liftl)  1.50  n  C.  F. 
Schmidt. 

Quartett:   4  L. 

0:   6   L.   o.   W, 
rock. 

kl.  0:    (2),  op. 
P  6  t  z  s  c  h) 
62   N. 
38   N. 


Schoe- 


1/6  Au- 


ad 

W. 
1.20 


o.  W.   1 —  Bellmann. 
(L.   Hetsch)    12— 


Sim- 


53 


N.  2,  op.   102 
4—     (2),   op.   53 
4    (W.  Potzsch)    4- 
1,   6    (W.   Potzsch) 


N.  5  (W. 
N.  5,  op. 
,  (2),  op. 
5—   Aibl, 


(6)   arr.  v.  P.  R  o  t  h  e,  10— 18st.  2.50  n, 
6— lOst.  1.80,  Par.  Bes.  1.80  n  Bellmann. 


Mendelssohn -Bartholdy  F.  Lieder 


462 


Mendelssohn-Kling  So7ige  d'une  nuit 


1 —  u    Cranz. 
Jurgenson. 


Songs    without    Words,     A     selection     of, 
englisli  fingering,  P:  N.  1.  Andante  con 
moto   2/—.    N.    2.    Moderate    1/—.    N.    3. 
Molto  allegro  e  vivace  2/ — .  N.  4.  Ada- 
gio  non  troppo    1/ — .   N.   5.  Andante  so- 
stenuto    (Venetian   Gondola   Song)    1/ — . 
N.  6.  Andante  con  moto    (Duetto)    2; — . 
N.    7.    Allegro    grazioso     (Spring    Song) 
2/ — .    N.    8.    Allegro    con    fuoco     (Volks- 
lied)   2/ — .  N.  9.  Andante  maestoso  1/ — . 
N.    10.    Allegro   con   anima    1/ — .   N.    11. 
Presto  2/ — .  N.  12.  Allegretto  non  troppo 
2/—.    N.    13.    Allegretto   tranquillo    (Ve- 
netian  Gondola   Song)    2/ — .   N.    14.   Al- 
legro non   troppo  2, —  Augener. 
Marsclie,  P  1 —  Breitkopf,  Petem,  J^ms  1 — , 
Snis  2 — ,  PV  1 —  Peters,  ^ms   (G.  K  r  e  m- 
ser)    1—  Un.-Ed. 
4  Marsche,   Org   I, —  n  Augeyier. 
Maestoso    ed    Allegretto,    P    (Hermann) 
2/6  Augener. 

Melodic,    VcP    (Moffat)    —75   Schott. 
Musical    Sketch,    P    (B  flat),    (G-minor),    a 
3/ —  Augener. 
Oeuvres    P     (op.    14 — 16,    54) 
Oeuvres   compl.   P,   I — V   h    1 
Oktett  u.  2  Quintette,  Part  9 —  n  Breitkopf. 
Oratorien     (op.    36,    70,    97),    Part    55— n 
Breitkopf. 

Orgel-Kompositionen  (R.  B  i  b  1)  2 —  Un.-Ed. 

Orgelwerke    6.60,    N.    A.    1.50  n,    J^7ns    2— n 

Breitkopf,   (W.  Volckmar)    1.50  Litolff. 

Original-Kompositionen,      ^ms     1 —    Litolff, 

Un.-Ed. 

11    Ouverturen,     P     (Jadassohn)     1.50, 

N.    A.    1.20,    4ms    2—,    2P,    I— II    k    3—, 

8ms,  I— II   a   3—,   4msVVc,  I— III   a   6—, 

PV    (Fr.   Hermann)    3—,   I— II   a   2— 

Breitkopf,  P   1.50  Litolff,  Peters,  Un.-Ed., 

4ms  2 —   Litolff,   Peters,    Un.-Ed. 

■  10   Ouverturen,    0,    Part   30—  n    Breitkopf. 

■  5  Ouverturen,   0,  Part  4.50   Peters,  4.50  n, 

P  (Jadassohn)  1 — ,  ^ms  1 —  Breitkopf. 

■  Ouverturen,    P    1 —  Jurgenson. 

■  Pianoforte-Werke,    I    9—  n,    N.    A.    2 — ,    8" 

1—,  II  8—  n,  N.  A.  2—,  S'  1—  III  7—  n, 
N.  A.  2—  8"  1—,  IV  8— n,  N.  A.  1— ; 
4ms  3.30  n,   N.   A.    1—  Breitkopf. 

■  Pianoforte    Works,     I — III    a    4/ —  n,     IV 

(Songs  w.  w.)    2/6  n   'WHlcocks. 

-  Pifece   caract^ristique    (I6ger   et  aerien),   P 

av.   P  II    (L.   L  e  m  o  i  n  e)    2 —  n   Lemoine. 

•  Praeludium    (Em.),  P  —30  Breitkopf. 

-  Praeludium    und    Fuge     (E-m.),      P     —60 

Breitkopf,  Schlesinger,  — 45   Jurgenson. 

-  Presto   Scherzando,   P   SI- —    Chappell,      6 — 

Jouhert. 

-  100.    Psalm :      „  Jauchzet    dem    Herrn    alle 

Welt",   8ATB   1.50  Bote. 
-4   Psalmen,   4st.   u.    Solost   1.50  n    Litolff. 
•2    Psalmen,   SATB    1.20  n   Breitkopf. 

•  Psalmen,  8st.  gem.  Doppelchor  2.40  n  Breit- 

kopf. 

-7  Quartette,  2YVaVc,  Part  13— n,  St 
20— n,  N.  A.  Part  3— n,  St  6—,  P 
(Tscherlitzky,  Waldersee)  3 — , 
l,ms  4—,  I— III  a'l.50  Breitkopf,  2VVaVc, 
St   6 —   Peters,   4^s   5 —    Un.-Ed. 

-4    Quartette,     2VVaVc,    Part    3—    Peters, 


St    (J.   Joachim)    9 — n   Simrock,     4fna- 
2.50  Peters. 
-3    Quartette,    PVVaVc,    Part   u.    St    16— n 
Breitkopf,  5 —  Peters,  ^ms  3 —  Breitkopf. 

-  Quartette,      2VVaVc47ns      (Winkler),     I 

2.50,    II    3—    Litolff. 

■  Quartette    und    Quintette    (8tr),    Part    (J. 

Joachim)    6 — n    Bimrock. 

-  2  Quintette,  2V2VaVc  4—,  4ms  2—  Peters. 

-  Recueil   de  50  Melodies  celfebres,  Mand    (J. 

Cot  tin)     1.20    Litolff. 
-Religioso,  VcP    (A.  Moffat)   —75  Schott. 
-Rivulet,   P   1/6  n   Allan. 
-Sacred    half-hours,     P     (Callcott)     4/— 

Augener. 

-  Saci  ed  Songs  without  words,  from  the  Cho- 

ral   Works    (C.    Salaraan),    P,   3   books 

a  2/6  n   Novello. 
-Scherzo     (H-m.),    P    —30    Breitkopf,    1/— 

Augener,  — 25   Jurgenson, 
-Scherzo  a.  Capriccio   (Fis-m.),  P  1 —  Breit- 

^(^Pf)    — 50    Schlesinger,    Schiceers,      — 45 

Jurgenson,     0  3.50  n  C.  F.  Schmidt. 
-Sinfon.  Part  I— II  a  3—,  P  1.50,  4ms  I— II 

a    1.50,   8ms,   I— II    (Th.   Kirchner)    a 

3—,    PV    (Sitt),    I— II    a    2—    Peters. 

-  Slow    Movements    from    the   Organ-Sonatas 

(F  r.    Peterson)    1 —   Augener. 
•3   Sonaten,   P  4— n,   N.   A.    1.50   Breitkopf. 

-  3  Sonaten,  VP  2—,  4ms  2.50  Litolff. 

-2  Sonaten    (op.  45,  58),   VcP  2 —  Steingrd- 
ler,  1.20  Un.-Ed. 

-  12  Songs,  VP  (M.  H  a  u  s  e  r)   —50  Fischer. 
-3     Stucke,     PCl{V)Vc     (E.     Naumann) 

2.40  n   Breitkopf. 

-  Study,   P    (F-m.)    3,—   Augener. 

-  Sulle  ali  del  canto,  P  1 —  Sandron. 

■  Sunday,    P     (P  a  u  e  r)     1/ —    Augener. 

■  Symplionien,     0,    Part    23—  n,     P     (Her- 

mann u.  Schubert)   2.50,  8"  1.50,  4m9 
Hermann,    R  i  e  t  z)    3—    Breitkopf. 

-  Symphonien,   P    (Litolff  &  Winkler) 

2.50,  Volksausg.  2 — ,  4ms  3.50,  Volksausg. 
2.80  n   Litolff. 
-Symphonien    (op.    56,    90),    P    1.50,    4ms   a 
1.50   Un.-Ed. 

■  Trio,  2TrP,  2CornetP  a  3—  Schoenaers. 

■  Trio   des  anges,    P   — 25   Foetisch. 

■  2   Trios,   PVVc  9.30  n,   N.   A.   3—,  4ms  2— 

Breitkopf,     PVVc    3—,     4ms    2—    Peters, 
Un.-Ed. 

-  Werke,    P,    I— V    7.50,    Prachtausg.    10—, 

I  (L.  o.  W.)  1.20,  Prachtausg.  2—,  II— V 
a  1.50,  Prachtausg.  a  2—  Peters,  I— IV 
a  2 —  Schlesinger,  I — VI  a  2 — n,  Volks- 
ausg. I — IV  a  1 — n  Simrock,  4ms,  I — IV 
a  5 —  n  Simrock. 
-Werke,   VcP    (op.   17,  45,  58)    2—  Simrock. 

-  Werke    fiir    Blas-Instr,    Part   4.80,    St   9.90 

Breitkopf. 

-  Werke  fur  PO  (op.  25,  40,  22,  29,  43),  Part 

15— n,  P  8— n  Breitkopf. 
-Werke   fiir   P   u.   Saiten-Instr,   1 — 11,   Part 
u.   St  I— IV  43— n   Breitkopf. 


-  Werke  fiir  4ms,  I — 
-Works,  P,  I— IV  a 
Mendelssohn-Kling 

1.    Chanson   et   choeur   de 
Quial.   a   — 50    Foetisch. 


II  3.30  n  Breitkopf. 
2/ —  n    Augener. 


Songe  d'une  nuit  d*et6: 
f4es,   2.   Choeur 


Mendelssohn,  Schubert,  Weber  20  her.  S(. 


463 


Menezes  C.  de  Languida  valsa 


Mendelssohn,    Schubert,    Weber,      20    hor. 

Stiicke   f.   kl.   Hjinde,    P   1—   Litolff. 
Mendelstrauss   V.    M.   op.    15  La   Saura,   P 

3.50   Ricordi. 
Mendes  Franco  J.  op.  15  Variations  sur  la 

Cavatine  du   Pirate,   VcP  2—  Schott. 

-  17   Fantaisie   sur   un   Th&me  original,   VcP 

6 —  IJeugel. 
-23  Variations  sur  un  Theme  de  Bellini, 

VcP   7.50   Jleugel. 
-29  Zanipa,  fant.  et  variat.  VVc  2 —  ^chotl. 
'  34   Lucie    de   Lammermoor,    fantaisie,    VcP 

7.50  Grus,  2.25  Schott. 

•  38  Grand  duo,  2Vc  3— n  Costallat. 
-48  Adagio,  '/Fo  1.70  n  Cof<taIlat. 

'  8  Fantaisies  faciles  sur  des  motifs  choisis 
de  Rossini,  Herold  et  Auber,  Vc, 
I— III  a   1.50  Schott. 

-Grand'm&re  1 — n  Choudevs. 

•  Oiseau   b^ni    1 — n    Choudens. 

-  Prenez  garde  an  fen   1 — n  Choudens. 

-  Sais-tu     pourquoi?     1 — n,     Ch.     s.     — 40  n 

Borne  rnann . 

•  Songes    dor^s,    envolez-vous    1—  n,    Ch.    s. 

— 40  n  Bornemann. 
-Un  nid  de   rossignol   1 — n   Choudens. 
-Vole,   vole,   hanneton    1 — n    Choudens. 
Mendes  L.  Choix  d'Exercices  de  Chant — 50  n 

Soci4tc  nouvelle. 
Mendez   V,      El    pajarito   encantando,    valsiR 

— 50  Wagner  y  Levi  en. 

•  Platica  amorosa,  schottisch  — 50  Wagner  y 

Levien. 
Mendham   F.  Meadow  Sweet  4/ —  Doremi. 
Mendheim   S.   H.  op.   19  Drei  Duos,  SF  4 — 

Hofmeister. 
-21  Vier  Gesiinge,  SATB  ra.  P:  1.  Es  war'n 

einraal    drei    Schneider.    2.    Das    Wandcrn 

ist    des   Mtillers   Lust.    3.    I  trink    gern    a 

Glasel  Wein.  4.  Auf,  auf,  ihr  Freunde,  u. 

die  Glaser   3.50  Bote. 
-23  Drei  Gesange:   1.  Friihlingsnahe :   „Blau 

ist   der   Himmel".   2.    Romanze :    „Dort   in 

der   Laub'   am   Gitter".      3.   Die   LTrsache; 

„Auf  einer  Rasenbank"   1.50  Bote. 
Mendi   Mme  L.  de,  Chanson  du  Moissonneur 

—50  Schott. 

•  Chaumifere  dans  les  champs,   romance  — 85 

Schott  Freres. 
'  Pain   du   pauvre,   rom.  — 85   Schott  Freres. 

•  Regrets  et  soupirs,  #l6gie  1 —  Schott  Freres. 

•  Souvenirs    et    regrets,    romance    1 —   Schott 

Freres. 
Mendiant  d'amour  1 — ,  Ch.  s.  — 30  Gheluwr. 
Mendiant  d'amour,  aubade,  P  — 85  n  Eveil- 

lard. 
Mendiante    de    Strassbourg    1.75  n   Jouhert. 
Mendiant    susceptible    1 —    Delormel. 
Mendigots   espagnols   1 — n   Ondet. 
Mendigots  rigolos  1 — n  Ondet. 
Mendiry  E.  de,  Djeni,  valse-caprice,  MandP 

2— n   Cost  alia  t. 
'  Margarita,    maz.    MandP    2.50  n    Costallat. 

-  Mimi,   polka   2 — n    Costallat. 

-  Mon  etoile,  hab.  MandP  2 —  n  Costallat. 
Mend!  S.  Say  not  good-night  4/ —  Chappell. 
Mendonga    Ros.    Ainda    aao    pensou,    polk  i 

1 —  Guimaraes. 

•  Odette,  polka  1 —  6uinwr5.es. 


-  Se  o  feio  doesse,  schott.  1 —  Guimaraes. 

-  Tristes  adeus  de  uma  Mai,  marche  funebre, 

P  1.50  Napoleiio. 
Menear   Frank,  Two  Dances    (The  Belles  of 

Shannon    and    Glen    Revels),    Banjo    w.    P 

3/—   Metzler. 
Meneau  L.  O  Salutaris,  av.  V  et  Org  ad  lib. 

5 —  IJeugel. 
■  O   Salutaris,   av.    VOrg   5 — •   Ileugel. 
Menefy,      Punchinello,     polka     4/ — ,     FullO 

2/ —  n,  Sept.  1/ —  n  Chappell. 
Menegalli,  Ave  Regina   (Hohe,  Klare),  TTB 

—40  Bote. 
Menegazzoll    L.   op.  6  Capriccio,  P  2.50  Ri- 
cordi. 

•  Dolci    rimembranze    dell'Adige,    P    4 —    Ri- 

cordi. 
Meneghelli  D.  Oh  !  madre  mia,  romanza  3 — 

Ricordi. 
Meneghello-Dlncic    A.    Andante    capriecioso, 

VP  2—  n  Ricordi. 
Menesdorfer    R.      Pauline-Quadrille    fiir    P 

(Paula-negyes    zong.)     1.08   Rdzsavolgyi. 
Meneses    M.    No   te  olvido,   .schottisch  — 37 

Wagner  y   Levien. 
Menesson,   Attila,   pas    redouble,   mO    1.25  n 

Pinutel. 
Menestrel.     Gehethner:     Biedny  ty  skarbie 

inoj,    ut.    Pane   J.   — 30  n. 

-  Corko   moja,   ul.   Handel  — 20  n. 

-  Czy6  mnie  kochala,  ul.  Pane  J.  — 30  n. 

-  Kamelia,    ul.    G  u  g  1  i  e  1  ni  o   — 30  n. 

-  Lodka,   ul.   Donizetti   G.  — 40  n. 

-  Marzenie,    ul.    S  c  h  i  r  a    F.   — 50  n. 

-  Na  falach,  ul.  Mattel  T.  —50  u. 

-  Polyeucte,    glos    do    westv,    ul.    Gounod 

—30  n. 

-  PraAvolziwa   Manola,    ul.    Bourgeois   E. 

— 30n. 

-  Przeznaczenie,  ul.   Pane  J.  — 40  n. 

-  Rita,  serenada,  ul.  Mattel  T.  — 50  n. 

-  Smutny   powrot,   ul.   Pane   J.  — 40  n. 

-  UmrzecS  bym  rad,  ul.  T  o  s  t  i  P.  — 40  n. 

-  Zwatpienie,  ul.  Pane   J.  — 40  n. 
Menestrels  parisiens,  duo  1.70  Eveillard. 
Menetrel    R.   Gavotte,   P   1.50  n   Digovde. 

-  Deuxi^rae  mazurka,  P 
Menetrier  1.70  n,  Ch.  s. 
Menetrier    fantome      1— 

Born  eniann. 
Menetrier,    In    Salak, 

4.50  n.    Harm,    Part 

Evette. 
Menfitrier    Thomas      1 — n,     Ch.    s.     — 40  n 

Bornemann,   — 30  n   Jouhert. 
Menezes    C.    de.    Guimaraes:    Op.    56    Ruy- 

Blas     (M  a  r  c  h  e  1 1  i) ,    fant.    P    2.50    Be- 

vilacq  ua. 
-A  Cocheiro  de  Bond  1.50. 

-  Almerinda,  polka  1.50. 

-  Arrastadinha,   polka    1 —   Bevilacqua. 

-  Baile   dos   Pyrilampos,   maz.    1.50. 

-  Canto  do  SabiS,  valsa  caracteristica,  P  2 — 

Bevilacqua. 

-  Caridade  na   sombra,   valsa   2.50   Napoleho. 

-  Celeste,  cantico  do  bergo,  P  1.50  Bevilacqua. 

•  Edith,  polka   1 — . 

-  Instantan§e,  maz.  1.50. 

-  Languida  val-^a  2 —  Napoleao. 


2 —  n    Digoude. 

— 30n    Ondet. 

n,     Ch.    s.     — 40n 


marche   touareg,    mO 
3 —  n,    p.  s.    a   — 10  n 


Menezes  C.  de  Laiirifa 


—     464     — 


Mengewein  C.  Das  alte  lAed 


•  Laurita,   polka    1 —   Bevilacqiia. 

-  Leonor,  valse  de  concerto,  P  2.50  NapoleZo. 

-  Marcha  funebre,  P  2 —  Bevilacqua. 
-Mefistofele,  fant.  P  2.50. 

-Otello    (Verdi),   Ave   Maria,   2a   fant.    P 

2—. 
-Otello    (Verdi),   la  fant.  P  3—. 

-  Pensamento  Elegiaco,  P  1.50. 
-Pouiquoi?  Maz.  1.50. 

-  Rappelle-toi,    rom.    franc.    1.50. 

-  He  di  Lahore,  fant.  P  3 —  Bevilacqua. 

-  Sandosa,  maz.   1 —  Napoleao. 

-  Santa   Cecilia,   noct.   P  2 —  Bevilacqiia. 

-  Schalchi-LoUi,   valsa   2 —   'Napoleao. 

-  3a  Serenata  1.50. 

-Tango  da  Kecreativa,  P   1.50  Napoleao. 

Mengal  C.  A.  op.  3  Petite  Amie,  schottisch 
— 80  Cranz. 

-18   Trois   Quatuors,  CorSFZCZ    12 — Lemoine. 

•  19  Trois  Quatuors,  CorBFlCl  12—  Le- 
moine. 

-  23   G  u  i  d  o  e  t   G  i  n  e  v  r  a,   fant.   Cornet  d 

PP   7.50   Lemoine. 

-  A  la  grace  de  Dieu,  fant.  CorP  2.50  n  Jou- 

iert. 
-3e  Air  vari4,   CorP   5 — ,   Cor  &  quat.   7.50 

Girod. 
Mengal   J.  Chevalier   errant  3 —  Katto. 

-  3  Fantaisies,  Cornet  a  PP  6 —  Lemoine. 

-Fantaisies,  CorP:  1.  A  madame  de  Talley- 
rand, 2.  A  madame  de  Courlande,  3.  A 
madame  de  Dino,  4.  A  sa  fille  Ad&le,  5.  A 
madame  Cognet,  6.  A  madame  Moudrux, 
a  6 —  Lemoine. 

-4  grands  choeurs,  TTBB,  Part  6 — n  Cranz. 
-Guido   et   Genevra,   airs,   2Cornet  A  P 

7.50  Lemoine. 
-Method  e,    pour    le    Cor    ordinaire    et   le 

Cor  a  P   15 —   Sulzhach. 

-  Motets :    Salve    regina,     3  voix    av.     OrgO 

7.50  n,  av.  Org  2.25  Cranz. 

-  0  quot  undis,  a  3  voix  av.   OrgO  5.25,  av. 

Org   1.25   Cranz. 

-  Komanesca,   CorP  5—  Sulzhach. 

-  Souvenirs  d'Angers,   duo  concertant,  2Cor- 

nets  av.  P  ad  lib.  2.50  n  Bornemann. 

-  Troisifeme   air    vari^,    cor    et    quatuor    7.50 

Girod. 
Menge,  Croix  de  Gen&ve,  Ch.  s.  1 —  n  Girod. 
Menge    E.    op.    38      Wohlbier,    Marsch    1 — 

Richie  d  Wendling. 
Menge    F.    op.    36    Ben-Ali-Bey,    Marsch,    0, 

vide:    Howard. 
-37  Marchenbilder,  Walzer   1.20  Reinecke. 
-63  Hoch  lebe  der  Champagner  !  Galopp  1.20 

Leichsscnring. 
-64    Friihlingszauber,    Walzer,    TTBB    m.    O 

3.50  n,  P  1.80  A7idrc. 
-66  Unter   deutschen   Fahnen,    0    1.50  n,   sO 

fur  Par.  Bes.  1.20  n,  UM  1.50  n  A.  E.  Fi- 
scher. 
-72  Frohlich  durch  die  weite  Welt,  Marsch 

fiir  TTBB  1.60  Klinner. 

-  Ben-Ali-Bey,    Marsch-Potp.    MM    1.50,    stO 

1.50  Benjamin. 

-  Blumengrufi,  P  1—  Kott. 

-  Fairy   Pictures,   waltz  — 40   Wood. 

-  Flocons  de  neige  3 — ,   Ch.  s.  — 30  n   Eveil- 

lard. 


-  Frisch  hinaus,  Marsch,  TTBB  — 20  Sohier- 

water. 

-  Ludwig-Marsch   — 60   Kott. 

Menge  Georg,  op.  2  Zwei  Mannerehore:  1. 
Vergaugene  Zeit:  „Es  lag  eine  heimlicbe 
Schenke",  2.  Da  die  Stuude  kam,  dafi 
ich    Abschied    nahm,    a    1 —    Leuckart. 

-  Es    fallt    ein    Stern    herunter,     TTBB     1.40 

Gries. 
-Pythia,  TTBB  1.20  Gries. 

-  's    Hoamtreib'n    von    der    Aim.    TTBB    1— 

Wester7}iair. 
Menge  W.  Ein  appetitlicher  Koch,  Soloszene 
1 —  0.   Dietrich. 

-  Schimpf-Couplet    1 —   0.  Dietrich. 
Mengel  J.  op.  2  Der  kleine  Rekrut,  Marsch 

iiber:    Wer    will    unter    die    Soldaten,    P 
—50  Siegel. 
Mengelkoch    H.    Postmanns    Liebe,    P   —50- 
Falkenierg. 

-  Sieglands    Preis,    P    — 60    Falkenherg. 
Menger    K.    u.    A.    Steinbrenner,    Gut   Heil, 

leichte   Tonstiicke,    Sing-    und    Tanzweieen 

3.80  n    Petters-Heidelherg. 
Menges  J.  Grande  Valse  p.   P   1.25  Bchott. 
Mengewein  Carl.  Ries  &  Frier:  Op.  5  Ronda 

scherzando,  P  1.20. 

-  6  Gnomentanz,  P  1.50,  — 60  Schirmer. 

-  7  Die  Spieluhr,  P   1.50. 

-8   P.-    Nr.    1.    Am    Wasserfall    1.50.    Nr.    2. 

Mazurka  romantique  1.20. 
-9  Mazurka-Caprice,  P  1.50. 
-11   Valse  de  Salon,  P  1.20. 

-  12  Drei  Klavierstiicke :   1.  Romanze.  2.  Al- 

bumblatt.   3.   Intermezzo   1.50. 

-  13    Fiir   junge   Virtuosen,   vier   instruktive 

Klavierstiicke:     1.    Capriceio,    2.    Walzer, 

3.  Rondo,  4.   Solfeggio,  a   1 —  Challier. 
-38    Drei    3st.    Frauenchore   m.    P.-      1.    Am 

Traunsee,  2.  Lockuug,  a  1 — .  Nr.  3.  Christ- 

nacht,    m.     SA-Solo    — 80     Musik-Vereini- 

gung. 
-39  Drei  Lieder :   Nr.   1.  Abends  1—.  Nr.  2. 

Morgenstandchen  — 80.  Nr.  3.  Treue  Liebe 

1 —  Mitsik-Vereinigung. 

-  66    Zwolf    Motetten    fiir    den    gottesdienst- 

lichen    Gebrauch    an    den    Festzeiten    des 
Kirchenjahres,   Part   2.40,   St  a   Satz   1.20 
Beyer. 
-79    Nr.    1.    Kavatine     (D-m.),    VOrg    1.50  n 
Musik-Vereinigung. 

-  80    Sechs    geistl.    Gesange    f.    3st.    Frauen- 

chor  (d.-engl.)  :  Nr.  1.  Choral  —70.  Nr.  2. 
Motette  —95.  Nr.  3.  Vertrauen  auf  Gott 
—80.  Nr.  4.  Motette  —70.  Nr.  5.  Psalm 
117  1.20.  Nr.  6.  Trauungsgesang  —95 
Musik-Vereinigung . 

-  81   Liebe  und  Gliick,  heiteres  Singspiel,  P- 

Part  6—,  Solost  2—,  Chorst  2—,  Text- 
(Regie-)Buch  2 — u  Danner. 

-82  Jubilaumslied,  TTBB,  Part  u.  St  1.40 
Bote. 

-Ill  Friihlingsbilder,  sechs  leichte  Klavier- 
stiicke: 1.  Friihlingseinzug,  Marsch,  2. 
Hinaus  ins  Freie,  3.  Wiesenbach,  4.  Wald- 
blumen,  5.  Kinderreigen,  6.  Heimkehr,  ft 
— 80  Schellenberg. 

-  Das  alte  Lied,  KA  6—,  Chorst  2—,  Solost 

2—,  0,  Part  10—,  St  12—  Danner. 


Mengewein  C.  Der  Liederfex 


—    465 


Menocci  L.  Miei  pensieri 


oucli    alles 


,  Solost 
fi  1.50 
veilalst 


ili    Boleua    3.60    Bi- 
"rande    valse    com. 


-  Der  Liedf-rfex.  KA  4.50,  Clioist  2- 

1—,   0,  Part  8—,  St  12—  Danner 

-  Sfhule    der  Klaviertecliuik.     I — A' 

M  tisik-Verei  )>  i  fi  It  II  g . 

-  Weun    dicli    auf    Erdeu 

1 —  Dainicr. 
Menghetti    G.   Lamento 

( ordi. 
Menghetti    J.    C'aniaval, 

4 —  Ricurdi. 
-Depart,   romance  sans   paroles,   niovceaii   do 

salon,  P  4.50   Ricordi. 
Mengis,    Switzer's    Farewell     (Abscliied    voii 

der   Seiiiierin)    26   Crumer. 
Mengoa   M.  Budiuga  1 —  Ricordi. 
Mengotti   E.  La  Lega  Nazionale,  inuo  popo- 

lare    1 — ,    marcia,    P    1 — -  n,    Mand    — 25  n 

Ricordi. 
Menica    Rondel ly,   Le   papillon   des   amours, 

serenade,   Ch.   .s.  — 30  n  Parmentier. 
Menichetti  G.  Ricordi:  All'erta,  o  Marinar! 

Barcarola  :  0  vogatore  die  lasci  la  sponda 


Canta,    fan- 


che 


-  Acq  via    al   Miilino,   cantilena:    To  son    Tihit 

4.50. 
-Csuto   e    FAddio,    frammento 
ciulla    mia    1.75  n. 

-  Dimmi   perchfe    ?improvviso   1.25  u. 

-  Dolce  segno,   improvviso :   Ah  I   la  sera 

teco  lio  parlato   1.50  n. 

-  Foglie   di   Primavera,   album   S — :    N.    1.   11 

Lamento  del  ilarinaio,  barcarola,  2.  Senti 
o  Faneiulla !  mesto  stornello,  3.  Piangi 
Marinar!  romanza,  4.  Cacciatore,  duetto, 
a  2.50. 

-  Spigolatrici,  canzone  stornellesca :  La  cam- 

pana  dell'alba,  /S'  con  coro  ad  lib.  di  /S  e  (' 
5—. 
Menier   Georges,     Canadian   nuirch      1.75  n 
Hachette. 

-  Consolation,  valse,  0,     Hachette. 
-Consolation,  P  2 — n  Hachette. 

-  Sonnet   1.75  n  Hachette. 

-  V  a  1  .s  e    d'u  n    s  o  i  r    1 .75  n,    P    2 —  u,    VP 

2.50  n   Hachette. 
Meniere  E.  Souvenir  de  Bougival,  valse  6 — 

Girod. 
M6nil    E.      Sonate,    en    4  parties,      P    5 — ii 

Demets. 
-Suite   enfantine,    P :    1.    Marche   enfantine, 

2.    Menuet,    3.    Odette-valse,   4.    Poupee   et 

Policliinelle,  a  1 —  Demets. 
Menil    F.    de,     Au    bord    de    I'Etang    1.75  n 

Durdilli/. 

-  Au  pays  du  Bresil  1.75  n  Hachette. 
-Chanson   de   Bretagne    1.50  n   Demets. 

-  Esperanto,  valse  — 60  Hachette. 

-  Kusas   somero    (madrigal)     1 — u   Hachette. 

-  Meditation,  VP  2—  u  Durdillij. 

-Mi     audas    vin     (C'est    votre    voix)     1 — n 
Hachette. 

-  2e  Nocturne,  P  3 —  Ploi.r. 

-  Xuits  de  printemps,  melodie  1.70  n  Demets. 

-  Pensee  musicale,  P  4.50  Ploix. 
-Polonaise,  P  10—  'Noel. 

-  Requiem  d'amour   5 —  Loret. 

-  Tarentelle,  P  10—  Noel. 

-  ^'alse  du   crepuscule,   J'   2 —  Demets. 

-  Valse   rustique   7.50   Ploix. 

Uuiversal-Handbuch  der  Miisikliteratur.    M. 


Chant  dos  amicaux,  Ch.  s. 


-30  n 


Menin   R. 

Gaxdct. 
Menini    A.   Eemiuiscenza    popolare   Toseana, 

/'   1.50  Ricordi. 
-  T'amo  !  melodia,  P  2 —  Ricordi. 
Menini  G.  Le  Vittorie  dell'Armata  Francese 

in  Italia   I'anno   1850,  5  marcie  6 — :   N.  1. 

Montebello,    2.    Palestro,    3.    Magenta,    4. 

INIelegnauo,  5.   Solferino,  a   1.75   Ricordi. 
Meni<ee  Claude,  The  Queen  March,  mO  — 50, 

single  parts  —05   Coleimni. 
Menne  F.  Abschied  v.  L.  Nothhas,  u.  Weilit 

du  noch?  TTBB  1.40  Tormann. 


Heugel:     Op.    27 

5 —  Hamr/Ic. 


1.  llc^ine 

3.   Ninon 

1.35  u.  N. 

Les  voix 


1.35  n. 

1— n. 

5.  Les 

plain- 


Mennechet    de    Barival. 
2e  Jlazurka  de  Salon,  /* 

-  Aimer  4 — . 

-  Aveu,    nocturne,    P   5 — . 

-  Brise  du  soir,  P  6 — . 

-  Camargo,  P  7.50. 

-  Cavatine,  P  5 — . 
-6  Etudes  poetiques,  P:  N. 

N.  2.  L'Adieu  1.35  n.  N. 
N.  4.  Le  collier  de  perles 
roses  de  mai  1 —  n.  N.  6 
tives   1.35  n   Greyh. 

-  Marquise   de   Presle,   valse  brill.   6 — . 

-  Marquise  de  Presle,  valse  brill.  P  6 — . 

-  Mazurka    brill.    P    7.50. 

-  Nuit  d'ete,  P  5—. 

-  Pri&re.   P   4—. 

Mennella    D.    A.    All'amica    sconosciuta    3 — 
Maria  ni. 

-  Fata  bionda,  romanza  5 —  Mariani. 

-  Eicordanze,  mazurka   3.50  Mariani. 
Mennesson,  Boucles  de  Marguerite  3 —  Men- 

tiesson. 

-  Choeur  de  Fete,  choeur  a  2  voix  6 —  3/e/*- 

nesson. 

-  Enfant  et  I'Oiseau  3 —  Mennesson. 

■  Salut  a  I'aurore  3 —  Mennesson. 
Mennicke  Carl,  op.  4   Zwei   Miniaturen:    1. 

Andantino   marciale,   2.   Valse-Capriccio,   a 
1 —   Kahnt. 
Mennigs  P.  W.  Caecilia,  Cantate  voor  TTBB, 
T-  en  5or-Solo  en  P,  Part  1.20  n,  St  —90  n 
Mosmans. 

-  Heibloempje    en    de    lente    regeert,      TTBB 

—80    Waanders. 
Mennigs    Jr.    P.    W.    Als    d'    eene    hand    de 

and're  wascht,  dan  ziju  ze  beiden  schoon, 

komische    coupletten    van    D   — 50    Lichte- 

naucr. 
Mennke-Levy,  Bluette,  polka  1 — n  Le  Bean. 

■  Co.si  fan  tutte,  de  M  o  z  a  r  t,  romance,  VP, 

VcP,  FIP,  HuittbP  a  5—  Girod. 

-  Diana,  schott.  — 75  n  Le  Beau. 

-  Nuits    Parisiennes,    polka-maz.      — 75  n    Le 

Bea  tf. 

-  Romance   favorite,   VcP   5 —   Girod. 
Menny   C.   Manovermarsch  — 50   Heuser. 
Menocci    L.   op.   8   Bon    Carnaval,   maz.   2— 

Ricordi. 

-  12  Amedeo,  valzer  3.50  Ricordi. 

-  24  La  Teuerezza,  Romanza  senza  parole,  P 

2 —  Bratti. 
-Miei   pensieri,   album   carnevalesco,   P  8 — : 
N.    1.   Souvenir   d'un   hiver   a   Pise,   valzer 
3 — .  N.  2.  Grenova,  polka  2 — .  N.  3.  Spleen, 
polka    1.25.   N.   4.   Sogui   e  follle,   mazurka 


Menocci  L.  Miei  pensieri 


46(1     — 


Menozzi  G.  op.  54 


2 — .  N.  5.  Allegria,  mazurka  2 — .  N.  6. 
Charmante,  mazurka  1.25.  N.  7.  Buonu- 
more,  galop  2 —  Carisch. 

-  Prigioniero,  romanza  3.50  Ricordi. 

-  Ricordati   di   me  I    romanza   2.50  n   Ricordi. 

-  Saluto   a   Firenze  Capitale,  polka   1.50   Ri- 

cordi. 

-  Trimurti,    di   D.    Tip  i,    Luigia,    gran   ma- 

zurka 2.50   Ricordi. 

-  Un  augurio,  maz.   1.50  Ricordi. 

-  Unione  e  Forza,  polka-marcia  2.50  Ricordi. 
Menoni    A.    Ave   Maria   della   sera,   melodia 

2.75  Ricordi. 
Menotti    E.  Dormivi,   romanza   1.50  Scrra. 
Menotti    Paula,      Die     Frauengarde:     „Wie 

schon  war's  auf  der  Welt",  Eefr. :   „Wenn 

so  die  Frauengarde"   1.50  P.  Fischer. 
'  Moustaches-Polka :      „Hor'    ich    die    Polka 
?.-  klingeu'-,    Refr. :     „Doch    Polka    tanz'    ich 

nur  mit  Herren"   1.50   P.  Fischer. 

-  Eeise-Abenteuer :   „In  Harlem  bin  ich  auf- 

gewachsen"   1.50  P.  Fischer. 
Menozzi   C.  Le  Guarany,  fant.  P  — 40  Neu- 

parth. 
Menozzi    Giovanni.   Ricordi:   Op.   5   Metodo 

per   Trombu   a   macchina,   eon   Tavole  9 — . 
-6  Polka   1.50. 

-  7  Una  Serata  di  Primavera,  divertimento, 

4wis  3.50. 
-8  Seriola,  P  3—. 
-11    L'Alleanza,    2    polke :    1.    Intra.    2.    Pal- 

lanza  2 — . 

-  14  L'Infanzia  del  primogenito,  suouate  fa- 

cili  per  studio  e  sollievo  della  gioventil, 
in  precedenza  alia  Raccolta:  L'Adolescenza 
di  L.  Z  e  n  o  n  i,  J/ms:  1.  La  Danza,  2. 
Divertimento,  3.  Marcia  e  Polone.se,  k  2.50. 

-  15   Fantasia   brillante  sopra   alcuni   motivi 

del   Macbeth,  P  4.50. 
- 17  Omaggio  ai  Prodi  Italiani,  P  2 — . 

-  19  II  primo  saggio,   divertimento  brillant* 

sopra  motivi   dei   Lombardi,  J/ms  4.50. 

-  21  Fantasia  brillante  sopra  motivi  dei  Mas- 

nadieri,   P  4.50. 

-  22   Souvenir   du   Tire   FM6ral   a   Aarau,   P 

1—. 

-  24  L'Incoraggiamento,  fantasia  sull'Ernani, 

P  3—. 
-24  Souvenir  del  Verbano,  2  polke   1.50. 

-  26    Morceau    elegant      sur    des    motifs     de 

Attila,  P  3.50. 
-28  Marcia  militare,  J/ms  1.50. 

-  32   II    Sollievo   della   G-ioventfl,   album.    Se- 

guito  aU'opera  L'Infanzia  del  Primogenito, 
Jfms  9 — :    N.    1.   Emma,    valzer   5 — .    N.    2. 
Polka  variata  3 — .  N.  3.  Styrienne  3 — . 
-32  Ricordo  al   Belvedere,   P   1.50. 

-  34  Le  due  Sorelle,  P  1.50. 

-37  La  Gloria  dei  Fanciulli,  12  sonatine 
facilissime  caratteristiche,  P  3.50. 

-37  Souvenir  di  Moltrasio,  mazurka,  4ms 
3—. 

-39  Simpatie  musicali,  raccolta  di  pezzi  bril- 
lanti,  brevi,  facili  ed  accuratamente  diteg- 
giati,  sopra  motivi  d'opere  teatrali,  ^m.s : 
N.  1.  Fantasia  sul  Trovatore  4.50.  N.  2. 
Introduzione  e  Marcia  nel  Macbeth,  va- 
riata 3 — .  N.  3.  Capriccio  sui  Lombardi 
3.50.  N.  4.  ReminLscenze  a  guisa  di   Fan- 


tasia sull'Ernani,  5.  Divertimento  sul  Ri- 
goletto,  6.  Fantasia  sulla  Luisa  Miller,  7. 
Capriccio  sui  Due  Foscari,  8.  Fantasia  sul 
Nabucco,  9.  Fantasia  sui  Vespri  Siciliani, 
10.  Fantasia  sulla  Traviata,  h  4.50.  N.  11. 
Fantasia  sui  Masnadieri,  12.  Fantasia  s^ul 
Giuramento,  13.  Fantasia  sulla  Semira- 
mide,  k  5 — .  N.  14.  Fantasia  sui  Puritani, 
5.75.  N.  15.  Fantasia  sulla  Lucia  di  Lam- 
mermoor  4.50.  N.  16.  Fantasia  sull'Afri- 
cana  5 — .  N.  17.  Fantasia  sui  Promessi 
Sposi  di  Petrella  5.75.  N.  18.  Fantasia 
sul  Papa  Martin  5.75. 
-40  La  Luce  elettrica,  P  2.50. 

-  40  Ricordo  di  Premeno,  mazurka,  Jfms  2.75. 

-  42    Un    Sogno,    capriccio    sentimentale,    P 

3—. 

-  42  La  Bionda  Albione,  mazurka,  J^ms  2 — . 

-  44  U  Mese  di  Maria,  giaculatorie  del  Padre 

Alfonso  Muzzarelli   5 — . 

-  45   Repertorio   di   Marcie  original!   e   sopra 

motivi  di  opere  teatrali,  P,  I — IV  fl  3.50 : 
I :  N.  1 .  U  primo  Maggio,  2.  La  Bonta, 
3.  L'Omaggio,  a  1.50. 

IT:  N.  4.  11  Corsaro,  5.  II  Piemonte,  6. 
Luisa    Miller,   7.  L'Autorita,   a  1.50. 

Til :  N.  8.  La  Bersagliera,  9.  Rigoletto, 
10.   Belvedere,  a   1.50. 

IV:  N.  11.  Jone,  marcia  di  parata,  12. 
Guglielmo,  marcia  originale,  13.  11  Carne- 
vale  di  Venezia,  marcia   popolare,  .a   1.50. 

-  46  Veglie  Autunnali,  fantasie  brillanti  con- 

certate  sopra  i  migliori  motivi  d'opere  tea- 
trali:      1.   Rigoletto,     2.   U  Trovatore,     3. 

I  Masnadieri,  4.  Marco  Visconti,  a  4 — . 
N.  5.  Poliuto,  6.  L'Ebreo,  7.  I  Vespri  Si- 
ciliani, 8.  I  Vespri  Siciliani,  9.  La  Tra- 
viata, 10.  L'Assedio  di  Leida,  11.  L'Assedio 
di  Leida,  12.  Jone,  13.  Jone,  k  4.50.  N.  14. 
La  Favorita,  15.  Vittore  Pisani,  16.  Faust, 
17.  L'Africana,  18.  L'Africana,  19.  I  Pro- 
messi Sposi  di  Petrella,  20.  Marta,  a 
6—. 

-  47  Inaugurazione,  polka,  4ms  3.50. 

-  47    U    Dilettante    di    Tromba,    melodie    di 

rinomati    Maestri    esposte    a  STromie:    1. 
Lucrezia  Borgia,  2.  I   due  Foscari,  a  4 — . 
-49  Un  saluto  alia  Patria,  P  3—. 

-  50  Un  Pensiero  ed  una  Lagrima,  notturno, 

P  2.75. 

-  '52    I  primi    Allori    della    Giovinezza,    rac- 

colta di  piccole  fantasie  sopra  i  piil  ap- 
plauditi  motivi  di  opere  teatrali,  P :  N.  1. 

II  Trovatore  2.50.  N.  2.  Macbeth  2.50.  N. 
3.  Marco  Visconti  2.50.  N.  4.  L'Ebreo  2.50. 
N.  5.  L'Ebreo  2.-50.  N.  6.  L'Ebreo  2.50.  N. 
7.  I  Vespri  Siciliani  3—.  N.  8.  La  Tra- 
viata 3- — .  N.  9.  I  Vespri  Siciliani  3 — . 
N.  10.  L'Assedio  di  Leida  2.50.  N.  11. 
L'Assedio  di  I^eida  2.50.  N.  12.  La  Tra- 
viata 3.50.  N.  13.  La  Traviata  3.50.  N.  14. 
Pipelfe  2.50.  N.  15.  Jone  3.50.  N.  16.  Jone 
3.50.  N.  17.  Un  Ballo  in  ma.schera  Z—. 
N.  18.  Le  Precauzioni  3.50.  N.  19.  Vittore 
Pisani  3—.  N.  20.  Vittore  Pisani  .S— .  N. 
21.  Poliuto  3—. 

-52bis.  Mazurka,  P  2—. 

-  53  L'Esposizione  di  Parigi,  P  3 — . 

-  54  11  Principe  Eugenio,  marcia  1.50. 


Menozzi  G.  op.  55 


467 


Menozzi  G.  op.  102 


-  55   Due   Fantasie   sopra   motivi   dei   Vespri 

Siciliani,  P:  N.  1—2  a  3.50. 

-  56    Sei    Duetti     per    Cornetta(Flicorno)     e 

Tromha  concertati  sopra  motivi  d'opere  di 
vari   Autori   6 — . 

-  60   I  Fiori    dell'Adolescenza,    15    Suonatine 

progressive,  ^7ns:  Fasc.  I.  Concertino, 
tema  con  variazioni  3 — .  Fasc.  II.  II  Car- 
novaletto.  Invito  alia  Danza  3 — .  Fasc.  III. 
Gli  Abbellimenti  musicali.  L'Appoggiatura 
5—. 

-  63  Due  Fantasie  sull'Assedio  di  Leida,  4^ns 

il   4.50. 

-  64  Memorie  d'Oriente,  P  3 — . 

-  71    I  primi    palpiti    musicali,    bouquets    dei 

piu  favoriti  motivi  delle  opere  teatrali, 
traseritti  e  variati  in  forma  di  suonatine 
(Vedi  anche  op.  108),  P :  I :  La  Tra- 
viata  5 — •:  N.  1.  Libiam,  nei  lieti  calici, 
2.  Un  dT  felice  eterea,  3.  Sempre  libera 
degg'io,  4.  Pura  siccome  iin  angelo,  5. 
Morro :  la  mia  memoria,  a  1.50.  N.  6.  Di 
Provenza  il  mar,  il  suol  — 75.  N.  7.  Addio 
del  passato  bei  sogni  ridenti  — 75.  N.  8. 
Parigi,   o  cara,   noi  lasceremo   1.50. 

II:  II  Trovatore  5—:  N.  1.  Tacea  la 
notte  placida  — 75.  N.  2.  Di  tale  amor  che 
dirsi  — 75.  N.  3.  Mai  reggendo  all'aspro 
assalto,  4.  Un  momento  puo  involarmi,  5. 
Stride  la  vampa,  6.  D'amor  sull'ali  rosee, 
7.  Quel  suon,  quelle  preci,  8.  Si,  la  stan- 
ehezza,  a  1.50. 

Ill:  I  Masnadieri  5 — :  N.  1.  0  mio 
castel  paterno  1.25.  N.  2.  Lo  sguardo  avea 
degli  angeli  1 — .  N.  3.  Tu  del  mio  Carlo 
al  seno  1.25.  N.  4.  Carlo  vive!  oh  caro 
accento  1 — .  N.  5.  Qual  mare,  qual  terra, 
6.  Lasstl,  lassil  fr<a  gli  angeli,  7.  Noi  me- 
niam  la  vita  libera,  8.  Caduto  &  il  reprobo, 
a  1.25. 

IV:  Rigoletto  5—:  N.  1.  Festa  da  ballo, 
2.  Questa  o  quella  per  me  pari  sono,  3. 
Figlia?  mio  padre,  4.  Deh !  non  parlare 
al  misero,  5.  E  il  sol  dell'anima,  6.  Caro 
nome  che  il  mio  cor,  7.  Tutte  le  feste  al 
tempio,  8.  Bella  figlia  dell'amore,  a  1.50. 
V:  La  Favorita  5 — :  N.  1.  Una  vergin, 
un  angiol  di  Dio,  2.  .Bei  raggi  lucenti,  3. 
De'  nemici  tuoi  lo  sdegno,  4.  Leonora,  deh ! 
<i(i.  5.  O  mio  Fernnndo!  6.  Scritto  &  in  cifl 
il  mio  dolor,  7.  Spirto  gentil,  8,  Vieni,  ah 
•%ieui,    io    m'abbamlono.    A    I.2.I. 

-71   Promessi  sposi:   Fantasia,  P  5.50. 

-75    Promessi    sposi:    Ulustrazione,    P 
3.50. 

-  76  Fiorellino,  mazurka,  ^ms  3 — . 

-  77   Mazzolino   di   Rose,    mazurka   elegante, 

4ms  5 — . 

-  78  Due  Fantasie   sopra   motivi   della  Jone, 

J/ms   a  6 — . 
-79   Omaggio   all'Industria,   polka,   ^ms  5 — . 

-  82  Verbano,   polka-marcia,   Jfms  3 — . 

-  82  A   Vittorio   Emanuele   II,      indovinello, 

coro,  TTBB  2.50. 
-83  I   Futuri  Guerrieri,   3  serenate,  P  8 — : 
N.    1.   Convegno   e   Giuramento  3 — .   N.   2. 
La   gioia   de'   primi   maneggi    d'armi    3 — . 
N.  3.  Pa.s.seg<iiata  a  Palestro  e  Bivacco  4 — . 


-  84    La    Favorita,    fantasia    brillante,    Jfrns 

5.50. 

-  85  L'Amico  dell'Infanzia,  25  cantilene  tea- 

trali, precedute  da  Esercizi  melodici  atti 
a  sviluppare  I'agilita  ed  il  gusto,  P  12 — : 
Fasc.  I  3—,  Fasc.  II— IV  a  3.50. 
-86  I  nostri  tempi,  3  pezzi  ballabili,  P  3 — : 
N.  1.  L'Amor  patrio,  schottisch  1 — .  N.  2. 
La  Democrazia,  mazurka  1 — .  N.  3.  La 
Liberta,  polka   1.50. 

-  87   Hortense,   mazurka   elegante,   J^ms   2.50. 
-89  Autonietta,  polka  3 — . 

-  89    Un    Ballo    in    maschera,    3  fantasie,    P 

a  3—. 

-  90    II    Bacio,    valzer    di    L.    A  r  d  i  t  i,    tra- 

scritto  e  variato,  P  2.25,  J/ms  3 — . 

-  90  Fandango,   danse  espagnole,   P   3.50. 

-  90bis.   La    Festa   dei    Bambini,    nuova   ope- 

retta, divisa  in  4  fascicoli  progressivi,  a 
4—. 

-  91  Air  guerrier  des  Baschi  Bozucks  2.75. 

Soirees   musicales : 
-92  N.  1.  La  Solitude  2.75. 

-  93  N.  2.  Peu  de  soucis  2.75. 
-94  N.  3.  Cbagriu   du   coeur  3.50. 
-95  N.  4.  E€ve  d'enfant  2.50. 

-  96  N.  5.  Au  tombeau  de  sa  mfere  2.75. 

-  97  N.  6.   L'Impatience  3—. 

-  93    Fiori    della    Jone,      bouquet    di    piccoli 

pezzi,  P  9— :  I  6.50:  N.  1.  Brindisi  1.25. 
N.  2.  Abbandonata  ed  orfana  1 — .  N.  3. 
Vanne  e  serba  geloso  s'arcano  1.50.  N.  4. 
Fra  danze  oscene  ed  orgie  1.50.  N.  5.  Sotto 
le  diia  eburnee  1.50.  N.  6.  Dell'Ilisso  sulle 
sponde   2 — . 

II  4.50 :  N.  7.  Chi  vuol  pistacchi  e  dat- 
teri  1.50.  N.  8.  Marcia  funebre  1.50.  N.  9. 
L'ami  tanto  e  I'abbandoni  2.25. 

-  95  Un  Ballo  in  Teatro,  P  3—. 

-  96  I  Gent  Italiani,  brevi  divertimenti  sopra 

motivi  d'opere  teatrali,  Jftris:  I  18 — :  N. 
1.  II  Barbiere  di  Siviglia,  2.  Poliuto,  3.  La 
Sonnambula,  4.  II  Trovatore,  5.  PipelS,  6. 
Jone,  a  3.50. 

II.  1.  Norma,  2.  La  Tombola  di  C  a- 
g  n  o  n  i,  3.  II  Duca  d'Alba  di  Doni- 
zetti, a  3.50. 

-  99  La  Nuova  Aurora,  25  suonatine  dilette- 

voli,  elementari  e  progressiA'e,  P  10 — :  I. 
1.  Svegliarsi.  2.  Pensieri  vaganti.  3.  L'Al- 
beggiare.  4.  Passeggiata  militare.  5.  Ei- 
presa  del  lavoro.  6.  L'Attivita.  7.  Canto 
de'  Contadini.  8.  Visita  ai  campi.  9.  L'Ac- 
coi  jere    dei    fanciulli.    10.    II    Solliero    3 — . 

II.  11.  La  Preghiera.  12.  L'Allegria. 
13.  Festa  campestre.  14.  La  Fiera.  15.  La 
Marea.   16.  L'Attesa  del  Coscritto  3 — . 

III.  17.  La  Campana  della  scuola.  18. 
II  Cacciatore.  19.  Dolci  emozioni.  20.  Pen- 
sieri agli  amici  lontani.  21.  II  Pescatore. 
22.  Simpatie  di  famiglia  3 — . 

IV.  23.  La  Brezza.  24.  L'Aprirsi  dei 
fiori.  25.  II  raggiar  del  sole  3 — . 

-  100  3  Fantasie  sulla  Forza  del  Destino,   a 

3.50. 
•  102    Metodo   teorico-pratico   per    la   lettura 
musicale,    composto    e    dedicato    alia    stu- 
diosa  gioventil,  Parte  teorica  1.25  n.  Parte 

30* 


Menozzi  G.  op.  102 


468 


Menozzi  G.  op.  120 


pratica  2.50  ii,  oompleto  3 —  n ;  lo  stesso 
metodo,  edizioue  col  testo  spaguuolo  5 — ii. 

-  102   Felice  conuubio,  mazurka,  Jfrns  3.50. 

-  103  L'Ardita,  valzer  di  L.  A  r  d  i  t  i,  libera - 

mente  trascritto  e  variato,  P  3 — ,  ^ms  4 — . 

-  104  La  Forza  del  Destiuo,  capriccio,  P  3 — . 

-  105  2  Fantasie  sopra  i  migliori  motivi   del 

Faust,   P.-   N.  1    3—,   N.  2   3.50. 

-  106    Tl   piccolo   Pianista,    raccolta    di   bro\  i 

produzioni  teatrali  in  forma  di  fantasie. 
P.-  I  6 — :  N.  1.  Lucrezia  Borgia,  2.  La 
Favorita,  3.  Pipele,  a  2.50. 

II  6— :  N.  1.  Faust,  2.  II  Menestrello. 
3.  Jone,  a  2.50. 

III  6—:  N.  1.  La  Traviata,  2.  La  8on- 
nambula,   3.   Eoberto   il  Diavolo,   a   2.50. 

IV  6—:  N.  1.  Norma  2.25.  N.  2.  LTn 
Ballo  in  niaschera  .5.50.  N.  3.  Rigoletto 
3.50. 

V  8—:  N.  1.  II  Guarany,  2.  I  Promessi 
Sposi  di  Petrella,  3.  Le  Educande  di 
Sorrento,  a  3 — . 

VI  6 — :  N.  1.  Giovanna  di  Napoli  di 
Petrella,  2.  I  Promessi  Sposi  di  P  o  n- 
c  h  i  e  1 1  i,  3.  Manfredo  di  Petrella,  a 
2.50. 

VII  8—:  N.  1.  Dolores  di  Auteri- 
M  a  u  z  o  c  e  h  i  3.50.  N.  2.  Cinq-Mars  di 
Gounod  3.50.  N.  3.  Romilda  de'  Bardi 
di   Dell'Orefice  2.50. 

-  107  Voga,  voga  ;  la  procella  non  temere  o 
pescator,  barcarola  nel  Vittore  Pisani, 
piccolo  capriccio,  P  2.25. 

-108  I  primi  palpiti  musicali,  bouquets  dei 
piu  favoriti  motivi  delle  opere  teatrali, 
trascritti  e  variati  in  forma  di  suonatine, 
P:  VI  8—:  N.  1.  Duetto:  lo  voglio  il 
piacer,  le  belle  donzelle  1.50.  N.  2.  K«^r- 
messe:  Su,  da  bere  1.50.  N.  3.  Strofe:  Dio 
dell'fir  del  mondo  signor  1 — .  N.  4.  Valzer 
e  Coro :  Come  allor  che  lieve  la  brezza 
L75.  N.  5.  Intermezzo  e  Strofe:  Le  par- 
late  d'amor  1 — .  N.  6.  Cavatina :  Salve, 
casta  e  pia  dimora  1 — .  N.  7.  Canzone  del 
Ee  di  Thule  1.75.  N.  8.  Duetto:  Tardi  si 
fa,  addio !  1—.  N.  9.  Coro  de'  Soldati :  De- 
poniamo  il  brando  2 — . 

VII.  Un  Ballo  in  maschera  8 — :  N.  1. 
La  rivedrS^  nell'estasi,  2.  Alia  vita  che 
t'arride,  3.  Di  tu,  se  fedele  il  flutt«  m'as- 
petta,  4.  E  scherzo  od  6  follia,  5.  Non  sai 
tu  che  se  I'anima  mia,  6.  Ve',  se  di  notte 
qui  colla  sposa,  7.  Morro,  ma  prima  in 
grazia,  8.  Eri  tu  clie  macchiavi  quell'aninia. 
9.  Ma  se  m'&  forza  perderti,  10.  Fervono 
amori  e  danze,  11.  Saper  vorreste,  12. 
T'amo,   SI   t'amo,   e  in   lagrime,  a   1.50. 

•  109  L'Esordiente,  breve  corso  graduato  di 
suonatine  variate,  comode  per  le  mani  che 
non  si  estendono  all'ottava  (vedi  anche 
op.  139),  P:  I  5.50:  N.  1.  Faust,  2.  La 
Fioraja  di  Firenze,  canzone  di  P.  C  a- 
s  o  1 1  i,  3.  Lucrezia  Borgia,  a  1.25.  N.  4. 
Rigoletto  1.50.  N.  5.  Santa  Lucia,  barca- 
rola  napolitana   1.25. 

II  5 — :  N.  6.  La  Figlia  del  Reggimento 
1—.  N.  7.  Poliuto  1.25.  N.  8.  Nabucco  1—. 
N.  9.  II  Domino  nero  di  L  a  u  r  o  R  o  s  s  i 
1.25.  N    10.  La   Favorita  1.25. 


Ill  4.25:  N.  11.  I'll  Ballo  in  maschera^ 
12.  II  Trovatore,  13.  La  Forza  del  Destino, 
a  1.25.  N.  14.  La  Gioia  del  Cuore,  maz. 
1.50. 

-  110  Le  prime  Rose,  collezione  di  suonatine 

elementari  divise  in  tre  parti  progressive, 
Jt)iis:  I  6 — :  N.  1.  II  primo  amore,  can- 
zone napolitana  1.50.  N.  2.  La  Stella  lu- 
singliiera,  mazurka  1.50.  N.  3.  Marta,  ca- 
priccietto  2 — .  N.  4.  Chi  ami  ?  Canzone 
del    Maestro    M.    N  o  v  a  r  o    2 — . 

II  7—:  N.  5.  Tarantella  del  Maestro  N. 
De  Giosa  2.75.  N.  6.  Raziella,  canzone  na- 
politana 2 — .  N.  7.  Aria  :  Sull'altar,  nella 
Fiorina  di  Pedrotti  1.50.  N.  8.  Can- 
zone :  Saper  vorreste,  nel  Ballo  in  mas- 
chera  2 — . 

III  7.50:  N.  9.  Arietta  nel  Pipel^  10. 
Romanza :  Lo  vidi,  nella  Luisa  Miller,  11. 
Coro :  La  Vergine  degli  angeli,  nella  Forza 
del  Destino,  a  2 — .  N.  12.  Capriccio  .sulla 
Fiorina   di   Pedrotti  2.75. 

-  112  LTn'alba  ridente,  capriccio-galop,  P  2.50. 

-  113    L'Africana,     3     fantasie    brillanti,    P: 

N.    1—2  ft  3.50,  N.  3   4—. 

-  114    Gemme    melodiche,    lezioncine    a    gui.^a 

di  ricreazioni  sopra  motivi  diversi,  fatte 
per  le  piccole  mani,  e.sposte  in  sei  .setti- 
mane  progressive,  P :  I — II  iV  3 — , 
III— IV  a  3.50,  V  3.25,  VI  3.50. 
-115  I  primi  Raggi  del  Pianista,  collezione 
dei  pift  accreditati  motivi  deirAfricann, 
trascritti  in  brevi  e  facili  divertimenti.  P.- 
I.  Introduzione.  Romanza :  Per  essa 
ch'amo  tanto.  Terzettino :  Lontan  dalla 
patria!  Pezzo  concertato  2.50. 

Stretta  del  Pezzo  concertato.  Coro:  Al- 
I'onor  suo  fedel.  Aria  del  sonno.  Aria  : 
Figlia  di  Regi,  a  te  I'omaggio  2.50. 

III.  Duetto:     Sei    I'angiol    diletto    2 — . 

IV.  Ballata.  Gran  Marcia  Indiana  2.50. 
A'.    Aria:    O    paradiso    dall'onde    uacito. 

Duetto :   Di  te  piu  bella   immagine  2.50. 

VI.  Duetto:  Voi  bene  ne  avete  il  dritto. 
Preludio  Atto  V.  Gran  Scena  Selika.  Fi- 
nale  ultimo   2.50. 

-  116   Fantasia   brillante   sopra    motivi    della 

Favorita,  P  4.50. 

-  117   II   Teatro   di    Famiglia,   facile   traseri- 

zione  delle  piii  lielle  melodie  dell'Ebrea, 
divisa  in  brevi  e  dilettevoli  produzioni,  P : 
N.  1.  Cavatina:  Se  oppressi  ognor  da  ria 
sentenza.  Serenata :  Lontan  dal  suo  bene 
2.25.  N.  2.  Finale  primo  3—.  N.  3.  Ro- 
manza:  Ei  dee  venir.  Terzetto:  PietA  per 
me,  per  esso  2.50.  N.  4.  Sestetto :  Racx-a- 
priccio  di  sgomento.  Duetto :  Se  per  lui 
che  m'ha  tradita  3 — .  N.  5.  Aria  :  Rachele, 
allor  die  Iddio.  Coro :  O  che  gioia,  o  che 
piacer  2.50 

-  118  L'Africana.  2  fanta.sie  brillanti,  jl/ms  a 

6—. 

-  119  L'Angelo  della  terra,  piccolo  capriccio, 

P  2.50. 

-  120  Ispirazioni  musicali   di   rinomati  Mae- 

stri, brevi  divertimenti.  (Raccolta  che  fa 
seguito  a  quella  intitolata  :  I.  (reni  Ita- 
liani,  op.  96  dello  stesso  autore) ,  ^m.<i:  N. 
1.    Marta.    2.    L'Ebrea.    3.    Faust,    4.    Ruv 


Menozzi  G.  op.  120 


469 


Menozzi  G.  np.  1S9 


Bias,  a  4 — .  N.  5.  I  Promessi  8jH>si  (M 
Pouch  i  el  li.  6.  G-iovanna  di  Napoli  di 
Pet  veil  a,   7.  La   Stella  del  Nord,  si  5—. 

121  Alfabeto  musicale,  piccolo  produzioni 
dilettevoli,  '/ws  25 — :  N.  1.  Miscellanea 
3.50.  N.  2.  Marta  3.50.  N.  3.  La  Favorita 
3.50.  N.  4.  Griselda  di  Ricci  2.25.  N.  5. 
La  Campaua.  galop  2.75.  N.  6.  Pipelfe  2.75. 
N.  7.  L'Ebrea  2.75.  N.  8.  Anna  Bolena 
2.75.  N.  9.  T  Puiitani  3.50.  N.  10.  La  Co- 
rona degli    Angeli,  capriccio  elegaute  4^ — . 

122  Picordo  di  Stiesa,  coUezione  di  sem- 
plici  Armonie  c  bre\  i  pezzi  caratteristici 
per  H.-  N.  1.  Semplici  Armonie  2.50.  N.  2. 
Brevi   Pezzi   caratteristici   4.50. 

124  La  Gioia,  polka  2.25. 

125  La  Forza  del  Destino,  piccolo  diverti- 
mento,   'iiiifs  4.50. 

126  Ricordi  di  Gordigiani  e.spo.sti  forma  di 
brevi  pezzi,  P:  \.  La  Bianchina,  2.  Tempo 
passato  perch&  nou  ritorni,  3.  Tu  ridi,  io 
piango,  4.  E  lo  mio  amore  &  andato  a  sog- 
giornare,  a   1.75. 

127  A,  B,  C,  lezioncine  elementari  graduate 
per  facilitare  con  dilettc  I'istradamento 
alio  studio  del  P:  N.   1  2.50,  N.  2  3..50. 

128  Folgore,    galop-capriccio,    ^>//.s    4.50. 

129  Allegrezze  giovanili,  piccolo  album 
5.50:  N.  1.  La  prima  comparsa,  valzer 
2 — .  N.  2.  Ben  amabile!  Polka,  3.  Illusione 
celeste!  Mazurka,  4.  Tutto  &  vita,  galop, 
a    1.50. 

131  La  Fa^orit<v,  Spirto  gentil,  romanza  li- 
berameute   tra.scritta   e   Aariata,    P   2 — . 

132  Rose  diMaggio,- album  di  breve  pezzi 
dilettevoli  ed  istruttivi,  diviso  in  tre  parti 
progressive.  (Itaccolta  clie  fa  seguito  alle 
Prime  Rose,  op.  110  dello  stesso  autore), 
'tins:  I  7.50:  N.  1.  Marcia  Chinese  nel 
ballo  Brahma  di  D  a  1  I'A  r  g  i  n  e  3.50.  N. 
2.  Lo  Spazzacamino,  romanza  di  Verdi 
2.75.  N.  3.  Canzone  nell'opera  Le  Fate  di 
V  a  1  e  n  z  a  2.75. 

II  8.50:  N.  4.  Rimembranze  dell'opera 
Ciceo  e  Cola  di  B  u  o  n  o  m  o  3.50.  N.  5. 
Mattiuata,  piccolo  capriccio  elegante  2.75. 
N.  6.  Galop  brillante  nel  ballo  Brahma  di 
D  a  ll'A  r  g  i  n  e    3.50. 

III  7.50:  N.  7.  Piccolo  Capriccio  sul- 
I'opera  Le  Fate  di  Valenza  3.50.  N.  8. 
Duetto  nell'opera  Vittore  Pisani  di  Peri 
2.75.  N.  9.  La  "\'ivandiera  cosmopolita,  di 
Paolo    Giorza    2.75. 

133  2  Fantasie  brillanti  sulla  Virginia  di 
M  e  r  c  a  d  a  n  t  e,    'tins    a    6 — . 

133  2      Fantasie     brillanti: 
( M  e  r  c  a  d  a  n  t  e) ,   Ifms   ft    6^ 

134  Collana  di  Melodie  teatrali  le  piii  fa 
\orite,  esposte  in  brevi  pezzi  accurata 
■'tiente   diteggiati,    P: 

Marta  10—:   N.  1—6  a  2—. 
La    Favorita    7 — :    N.    7 — 10    Ti    2 — . 
Poliuto  7—:   N.    11—14  a  2—. 
I/Africa  na    10—:    N.    15—20   a    2—. 
Gli    Ugonotti    10—:    N.    21—26    a    2—. 
Roberto  il  Diavolo  10 — :   N.  27 — 32  a  2— 
La  Stella  del  Nord  7—:    N.  33—36  a  2- 
Faust  9—:   N.  37—41   a  2—. 


V  i  r  g  i  11  i  a 


Kbrea    9—:    N.   42—40   a    2—. 

I^e   Precauzioni   7 — :    N.   47 — 50   a   2 — . 

.Tone  9—:   N.  51—55  a  2—. 

I  Promessi   Sposi   di   Petrella   7 — :    N. 
56—59  a  2—. 

Marco  Visconti  5 — :  N.  60—62  a  2 — . 
L'Assedie  di  Leida  5—:    N.   63—65   a  2—. 

II  Folletto  di  Gresy  7—:  N.  66—69  a  2—. 
Ruy  Bias  7—:  N.  70—73  ft  2—. 

Tl  Guarany   10—:   N.   74—79  a  2—. 

Le  Educande  di  Sorrento  9 — :    N.   80 — 84 

a   2—. 
Don  Checco   7—:    N.   85—88  a  2—. 
I  Falsi  Monetari   7—:   N.  89—92  ft  2—. 
Papa   Martin  9—:   N.  93—97  a  2—. 
I  Promes.si  Sposi   di   Ponchielli    12 — : 

N.  98—104  a  2—. 

I  Goti  di  Gobatti   10—:   N.   105—110  a 
2—. 

Gustavo  Wasa  di  M  a  r  c  h  e  1 1  i   10 —  :   N. 

111—117  a  2—. 
Dolores  di  A  u  t  e  r  i  -  M  a  n  z  o  c  c  h  i  10 — : 

N.   118—123   a  2—. 
Cicco  e  Cola  7—:   N.   124—127  ft  2—. 
Selvaggia  di  Schira  7 — :   N.   128 — 132  a 

2—. 
Cinq-Mars  di  Gou  nod  10—:  N.  133—138 

a  2—. 
Napoli   di  Carnovale   df  De  Giosa   8 — : 

N.   139—143  a  2—. 
Nozze   in   Prigione  di   LT  s  i  g  1  i  o    7 — :    N. 

144—147   a  ^2—. 

II  Duca   d'Alba    di    Donizetti    7— :    N. 
148—152  a  2—. 

135,Gipielli  fanciulleschi,  piccolo  album  di 
ballabili  accuratamente  diteggiati  per  le 
piccole  mani  0 — :  N.  1.  Confidenza  lusin- 
ghiera,  valzer  2.50.  N.  2.  Affezioni  di 
famiglia,  mazurka  2—.  N.  3.  Stella  de' 
miei  giorni !  Polka  1 .50.  N.  4.  Fiamma 
vitale,   galop    1.50. 

136  Melodia :  Gia  I'april  fa  ritoruo,  nslla 
Marta,  variata,  P  3 — . 

137  II  Guarany,  ballata :  Cera  una  volta 
un  principe,  liberamente  trascritta  e  va- 
riata,  P   3.50. 

138  Esposizione  Agricola,  Indnstriale  ed 
Artistica  del  Lago  Maggiore  e  suoi  ver- 
santi, in  Pallanza  il  15  ago.sto  1870,  gran 
marcia  d'Inaugurazione,  espressamente 
composta,  Iiins  5 — . 

139  L'Esordiente,  breve  corso  graduato  di 
suonatine  variate,  comode  per  le  mani  che 
non  si  estendono  all'ottava.  (Vedi  anche 
op.  109),  P:  Seconda  Raccolta :  I  5—: 
N.  1.  Le  Educande  di  Sorrento,  2.  Le  Fate 
di  V  a  1  e  n  z  a,  3.  II  Folletto  di  Gresy,  4. 
Roberto  il  Diavolo,  a   1.50. 


II 


N.  5.   II  Guarany   1.50.   N.   6.   I 


Promessi  Sposi  di  Petrella  1.25.  N.  7. 
Marta    1.50.   N.   8.  Ruy  Bias   1.25. 

Ill  5—:  N.  9.  L'Innocente,  polka,  10. 
II  Guarany,  11.  Le  Educande  di  Sorrento, 
1 2.  I  Promessi  Sposi  di  Petrella,  a 
1.50. 

Terza  Raccolta:  16—:  N.  1.  Alia  StMla, 
confidente,  romanza  di  V.  R  o  b  a  u  d  i  2 — . 
N.  2.   Non  ti  scordar  di   nie !   Romanza   di 


Menozzi  G.  op.  139 


470 


Menozzi  G.  op.  174 


V.  R  o  b  a  XI  d  i  (seguito  alia  Stella  oon- 
fidente)  2 — .  N.  3.  Giovanna  di  Napoli  di 
P  e  t  r  e  1 1  a  1 .50.  N.  4.  Manf redo  di  P  e- 
trella  2.25. 

II  8 — :  N.  5.  I  Promessi  Sposi  di  Pou- 
ch i  e  1 1  i,  6.  I  Goti  di  G  o  b  a  1 1  i,  7. 
Fosca  di  Gomes,  8.  Olema  di  P  e- 
drotti,  a  2.50. 

III  6—:  N.  9.  Tripilla  di  L  u  z  z  i,  10. 
I  Goti  di  Gobatti,  11.  Romeo  e  Giu- 
lietta  di  Marchetti,  12.  Bianca  Or- 
sini  di  Petrella,  a  2 — . 

■  140  Omaggio  a  S.  A.  R.  la  Principessa  Mar- 
gherita  di  Savoja,  capriccio  elegante,  P 
3.50. 

■143  6  Fantasie  eleganti  (senza  ottave).  P.- 
N.  1.  II  Guarany  2.50.  N.  2.  Romeo  e  Giu- 
lietta  di  Marchetti  3—.  N.  3.  Le  Edu- 
cande  di  Sorrento  3 — .  N.  4.  Gli  Ugonotti 
3—.  N.  5.  Ruy  Bias  2.75.  N.  6.  Marta  2.75. 
147  Divertimeuti  teatrali  concertati,  FIVP: 
1.  Romeo  e  Giulietta  di  Marchetti,  2. 
I  Promessi  Sposi  di  Petrella,  3.  Dolo- 
res di  A  u  t  e  r  i  -  M  a  n  z  o  c  c  h  i,  4.  Faust, 
5.  La  Favorita,  6.  Marta,  7.  Jone,  8. 
L'Africana,  9.  Gli  Ugonotti,  10.  La  Stella 
del  Nord,  11.  II  Guarany,  a  10 — . 

150  40  Studi  elemSntari  dilettevoli  in  forma 
di  .scuola  graduale  per  la  divisione  delle 
misure,  P  12—:  I.  Studi  di  frasi  quasi 
uniformi,  II.  Idem,  III.  Temi  variati,  IV. 
Studi  in  diversi  temj}!  con  cangiamenti 
simultanei,  a  4 — . 

150  Giulia,  mazurka  elegante,  Jfms  4.50. 

151  Orizzonte  sereno,  valzer  sentimentale, 
JfVis  6 — . 

151  Ricordi  teatrali,  sei  pezzi  concertati  p. 
H  a  mano  .sola:  N.   1.  Ruy  Bias  3.50.  N.  2. 

I  Promessi   Sposi   di   Petrella  3.50.  N. 

3.  Le  Educande  di  Sorrento  3 — .  N.  4. 
Romeo  e  Giulietta  di  Marchetti  3.50. 
N.  5.  I  Promessi  Sposi  di  Petrella 
(Romanza  di  Lucia)  3 — .  N.  6.  Papa  Mar- 
tin 3.50. 

151  Ricordi  teatrali,  sei  pezzi  concertati, 
HP:  1.  Ruy  Bias,  2.  I  Promessi  Sposi  di 
Petrella,  3.  Le  Educande  di  Sorrento, 

4.  Romeo    e    Giulietta    di    Marchetti, 

5.  I  Promessi  Sposi  di  Petrella.  (Ro- 
manza di  Lucia),   G.  Papa  Martin,  a  4—. 

151  Serie  seconda,    VP:    1.   II   Guarany,   2. 

II  Guarany,  3.  Ruy  Bias,  4.  Ruy  Bias'  5. 
I  Goti  di  Gobatti,  6.  I  Promessi  Sposi 
di  Ponchielli,  7.  I  Promessi  Sposi  di 
P  o  n  c  h  i  e  1 1  i,  8.  Fosca  di  Gomes,  9. 
Dolores  di  Auteri-Manzocchi,  10. 
Dolores  di  Auteri-Manzocchi,  11. 
Gli  Ugonotti,  12.  Gli  Ugonotti,  13.  Le 
Educande  di  Sorrento,  14.  Papa  Martin 
15.  L'Ebrea,  a  6— . 

152  Fosca  di  Gomes,  2  fantasie  eleganti, 
P  a  4_. 

153  Fiori  nascenti,  15  piccole  riereazioni 
progressive,   P   a   3.50. 

154  Alia  Stella  confidente,  romanza  di  V. 
R  o  b  a  u  d  i,   trascritta  e  variata,   P   3.50. 

■155  Riconosceuza,  marcia  1.50. 


-156  Gustavo  Wasa  di  Marchetti, 
duetto:  Prendi,  6  una  pia  memorial  Li- 
beramente   trascritto,   P   3 — . 

-  157   Alle   Corse  di   San   Siro,   marcia   brilL 

-^ms   1.75  n. 

-  158  Divertimento  brillante  sopra  motivi  del 

ballo  Brahma  di  C.     Dal  I'A  r  g  i  n  e,  .^ms 
5.50. 

-  160  Mazzolino  di  Fiori 

forma  di  piccoli 
le  piccole   mani. 
Basso,   Jftns   14 — : 
felici,    valzer    3.50. 
3—.    N.    3.    Carina 


album  di  danze  in 

pezzi,  servibili  anche  per 

ometteudo   le   notine   del 

:    N.    1.   Ricordanze   d'ore 

N.    2.    Carolina, 

tanto !    mazurka 


polka 

3.50. 

N.  5. 


Pr 


motivi 
4ms  a 


N.  4.  La  Gioia  in  cuore,  polka  3.50 
Una  visita   a   Pallanza,  galop   3.50. 

-  161    Alia    Stella  conlidente,   romanza  di  V. 

R  o  b  a  u  d  i,    capriccio    elegante,    J/ins    5 — . 

-  162  Selvaggia   di   Schira,   rimembranze   es- 

poste    in    3  piccole    fantasie    eleganti, 
N.  1—3  a  4—. 

-  163  A  te!  maz.  2—. 

-  164  La  vispa  Signorina,  P  2 — . 

-  165  La  Chiusa  del  Ballo,  galop  3.50. 

-  166    Due    Fantasie    eleganti    sopra 

della  Dolores  di  Auteri-Manzocchi, 
7 — . 

-167  Rose  musicali,  6  composizioni,  P:  1. 
Tenerezza  figliale,  2.  Melodia  degli  An- 
geli,  3.  Desiderl  di  Gioventfl,  valzer-ca- 
priccio,  4.  Capriccio  alia  Mazurka,  5.  U- 
lusione  della  sera,  pensiero  vago,  6.  Via- 
Via  I   capriccio-galop,  a  2.50. 

-  168   Renzolino,   fantasia-valzer,   ^ms  5 — . 

-  169      Primo    Stelle    melodiche,      .suonatino, 

4ms:  N.  1,  Varieta  3—.  N.  2.  Melodic 
caratteristiche  3 — .  N.  3.  Produzioni  in 
famiglia  4.50. 

-  ■'70  Serenata  Corale,  scritta  apposita-mente 

per  le  feste  dell'Esposizione  Marittima  di 
Napoli,  trascrizione,  P  3 — . 

-  171    Corso   elementare   preparatorio   e   pra- 

tico  per  voce  di  Basso.  Scritto  senza  ac- 
compagnamento  e  per  gli  Allievi  delle 
Scuole  popolari.  Diviso  in  quattro  fasei- 
coli  graduati  4— n :  I:  Corso  prepara- 
torio, II :  Esercizi  con  diverse  intonazioni, 
III :  Corso  pratico  e  Solfeggi  di  primo 
grado,  a  1- n.  IV:  Corso  pratico  e  Sol- 
feggi di  secondo  grado  2 —  n. 
-171  La  tua  stella,  melodia  di  P.  Mas- 
c  a  g  n  i,  P  1 —  n. 

-  172  N.   1.  Alia  luna,  romanza  di  P.  Mas  - 

c  a  g  n  i,  2.  M'ama,  non  m'ama,  scherzo  di 
P.  M  a  s  c  a  g  n  i,  3.  Pena  d'amore,  ro- 
manza di  P.  Mascagni,  P  k  1 —  n. 

-  172  I  Folletti,  piccolo  album  da  ballo  nello 

stile  popolare,  FIP  7—:  N.  1.  Valzer  4 — . 

N.   2.    1.  Polka,    N.  3.    1.  Mazurka,   N.  4. 

Polka,    N.  5.    2.  Mazurka,    N.  6.    Galop, 

1.50. 
-173   Melodie   delle   opere  di   Wagner, 

forma    di    brevi    fantasie,    P :     1.    Rienzi, 

2.   Tannhiiuser,    3.    II   Vaseello   Fantasma, 

4.  Lohengrin,  a  3.50. 
-173   Rosa,   romanza   di   P.   Mascagni,   P 

1 —  n. 
-174  Danze   fanciullesche:    N.   1.   Amor   fri- 

terno,   valzer   2.50.    N.   2.    Gioia    infantile. 


2. 

a 

in 


Metiozzi  G.  op.  174 


—     471 


Menozzi  G.  3  Divertimenti 


polka  2 — .  N.  3.  La  Biondinella,  mazurka 
2 — .  N.  4.  Festa  di  famiglia,  galop  1.50. 
174bis.  Taunhiluser  di  W  a  g  u  e  r  :  0  tu 
bt'H'aslro  ineantntor.  ronianza  liberaiiK'Ute 
trascritta  e  variata,   P  3 — . 

175  Estella,  capriccio  brillante,  Ifins  5 — . 

176  Fiorellini  musicali,  melodie  teatrali 
esposte  in  forma  di  brevi  pezzi,  kms: 
I  io__:  N.  1.  La  Favorita  3—.  N.  2.  Faust 
3_.  N.  3.  L'Ebrea  3—.  N.  4.  Le  Precau- 
zioni  4—.  N.   5.   II  Guarany  4—. 

II  10—:  N.  6.  Faust  2—.  N.  7.  II  Gua- 
rauy  3 — .  N.  8.  Le  Educande  di  Sorrento 
2,—,  N.  9.  Ruy  Bias  3—.  N.  10.  II  Folletto 
di   Gresy   4 — . 

N.   2,   6.   7   a    1.50   yapoleao. 

177  Ave  Maria  di  L.  L  u  z  z  i,  trascritta, 
F   2.50. 

178  Ave  Maria  di  L.  L  u  z  z  i,  trascritta, 
Jf-ms  4.50. 

179  Mia  Madre,  romanza  di  L.  L  u  z  z  i, 
libtramente  trascritta  e  variata,  Ifins  3.50. 

180  Un  bacio  rendimi,  pensiero  delle  Edu- 
cande di  Sorrento,  valzer-trascrizione,  P 
3—. 

181  La  Regina  di  Saba  di  G  o  1  d  m  a  r  k. 
Aria  :  O  padre,  o  tu  che  gli  astri  puri,  libo- 
ramente   trascritta   e   variata,   P   3 — . 

182  Napoli  di  Carnovale  di  De  Giosa. 
capriccio   in   forma  di   fantasia,   P  4 — . 

183  Carnevaletto  Teatrale,  ballabili.  Li- 
bere  trascrizioni  in  forma  di  piccoli  pezzi, 
ji  7_:  N.  1.  Faust,  valzer  2.50.  N.  2.  Na- 
poli di  Carnovale,  polka,  3.  Ruy  Bias, 
mazurka,  4.  II  Folletto  di  Gresy,  galop, 
a  2—. 

•  184  Serenita  dell'animo,  pensiero  melodieo, 
P   3—. 

■  184    La    Valigia    delle    Indie,    gran    galop, 

IfniR  5 — . 

-  185   Napoli    di    Carnovale    di    D  e    Giosa, 

divertimento,  Jfms  8 — . 

■  186    Spiritino,    fantasia-galop,    Jfrns    5.50. 

-  186   Corn   della   filatrici   nel   Vascello   Fau- 

tasma   di   Wagner,   capriccietto,   P  2 — . 

-  186   Nel   mio   giardino,   movimento   di   ma- 

zurka,  P   2—. 

-  187  La   Pace,   canto   corale,   in   stile   popo- 

lare   4 — . 

-  188  Allegra   Ballata   1.75. 

-  188  Alia  Stella  confidente,   romanza  di   V. 

R  o  b  a  u  d  i,  trascritta  in  stile  facile, 
anche  per  piccole  mani,  Jfms  4 — . 

-  189   La    Stella    del    Nord,    rimembranze    in 

forma  di   fantasia,  P  5 — . 
-190  Ricordi   affettuosi,   melodie,   P:    1.   Un 
fiore   d'ltalia,    2.    All    Amica   lontana!,    3. 
L'Eco   del   Pensiero  1    a  2.50. 

-  191    Lohengrin,    rimembranza   in   forma    di 

fantasia,  P  5—. 

-  193  Omaggio,  capriccio-valzer,  P  3.50. 

-  194  Capriccietto-Festoso,  Jfins  5 — . 

-  195  Rimembranze  teatrali,  esposte  in  forma 

di  piccole  fantasie,  P:  1.  La  Stella  del 
Nord,  2.  Napoli  di  Carnovale,  3.  II  Duca 
d'Alba    di    Donizetti,    a    4—. 

-  196   Segreti   del   cuore,   melodia   affettuosa, 

P  3—. 


-196  Nozze  in  Prigione  di  U  s  i  g  1  i  o,  fan- 
tasia  brillante,   Ifms  6 — . 

-  197  Vaga  immaginazione,  capriccio,  P  4 — . 

-  197  Lohengrin,   2  divertimenti,  Jfms  a  0 — , 

-  200   Un   bacio    solo,   melodia    di    F.    M  a  r  - 

chetti,  liberamente  trascritta  e  variata, 
P  2.50. 

-  201   II  Duca  d'Alba,  opera  postuma  di  D  o- 

n  i  z  e  1 1  i,    divertimento,    Jfms    8 — . 

-  203   Feste   Collegiali,  piccoli  cori  a  2  voci, 

adatti   per   gli   alunni   d'ambo   i  sessi :    N. 
1.  II  Canto  4—.  N.  2.  L'ltaliana  4—.  N.  3. 
U  Vessillo  .3—.  N.  4.  Le  due  Stelle  3—. 
-204  Appariziouo  celeste,  melodia,  Jtms  2 — . 

-  205  Fior  d'innocenza,  allegretto,  l^ms  2.25. 
-206  Dejanice  di  C  a  t  a  1  a  n  i,  rimembranze 

in   forma   di   fantasia,   I^ms  4 — . 

-  207  Omaggio  alle  Scuole  Elementari,  istra- 

damentoal  canto  corale  concertato,  24 
piccole  Lezioni  facili^e  progressive  a  due 
A'oci   4 —  n. 

-  208    Souvenir    du    Soleure,    impromptu-ma- 

zurka   1.50. 

-  209   I  Diamanti   della   Corona   di   A.  u  b  e  r, 

rimembranze  in  forma  di  fantasia,  -'/m-s 
5 — . 

-210  Amorini,  danze,  FIP  10—:  N.  1.  Eu- 
geniO;  valzer  6 — .  N.  2.  Florence,  polka 
2 — .  iST.  3.  Aura  del  Lago  Maggiore,  ma- 
zurka 2 — .  N.  4.  Veuio  marino,  galop 
1.50. 

-211  Fior  primaverile,  tempo  di  mazurka 
1.25  n. 

-211  postuma.  Corso  d'Istradamento,  20 
studi  per  le  piccole  mani  adatti  a  facili- 
tare  I'agilita  sul  P  7—. 

-212  Imitazione  alia  Gavotta,  capriccietto, 
Ii'ins   3 — . 

-213  Due  Elegie,  P:  N.  1.  Omaggio  al  Be- 
nefattore  2 — .  N.  2.  Anima  eletta  1.50. 

-  214    Capriccio    elegante   6 — . 
-215   Tempo  di   Minuetto,   P  2 — n. 

-215  4  Bozzetti,  P:  N.  1.  Contemplazione 
2—.  N.  2.  In  Vacanza  2—.  N.  3.  In  Cam- 
pagna    2.25.    N.    4.    Scherzo    2.25. 

-216   Tarantella   2—. 

-  218     Sorriso     d'Angelo,     fantasia-mazurka 

2—. 
-220   Habanera,   P    1.75  n. 

-  225   Ricordo   di    Firenze,   fantasia   alia  ma- 

zurka   1.75  u. 

-  229   A   notte   stellata,   barearola,   P    1.50. 

-  230    Omaggio     a    Carlo    Cadorna,     marcia 

1.75  n. 

-  237  La  Boheme   di   Puccini,   libera   tra- 

scrizione,    P    2.50. 

-  Al   Soldato   italiano   1.50. 

-  Angioletti,  album,  Jims  18 — :  N.  1.  L'immo- 

bilita,  2.  La  Melodia,  3.  L'esercizio  fra- 
seggiato,  4.  L'armonia  delle  misure-valz., 
5.  La  libera  fantasia,  6.  L'agilita,  a  4 — 
Mariani. 
-Ballo  in  m  a  s  c  li  e  r  a,  2  fantasia  lirill. 
Itms:    N.  1    .5—,   N.  2   6—. 

-  Cacciatori   delle  Alpi  3 — . 

-  Camilla,    schottisch,   Jfrns   3 — . 

-  Congedo,   P   2 — ■. 

-3  Divertimenti  per  2Troml)e  e  Tromione: 
N.  1   1.75,  N.  2   3.75,  N.  3   1.75. 


Menozzi  G.  Ebrea 


472 


iVlenozzi  G.  op.  .9.9 


-  E  b  r  e  a,  aria  de  tenor,  P  1 —  Xr/poZeao. 
•Ebrea,  aria  de  baixo,   P   1 —  'Sapole'ho. 

■  F  a  A-  o  r  i  t  a,  fant.  P  — 75  Dotesio. 
•C4  u  a  r  a  n  y,   duette,    P    1 —   NapoJeiio. 

•  G  u  a  r  a  u  y,    r-auciio    do    Aventur,      P     1 — 

Nupoleao. 

■  M  a  r  c  o  V  i  s  c  o  n  t  i,  fant.  P  1.50  Ricordi, 

Napoleao. 

•  Maltinata  in  Famiglia,  Gins:  N.  1.  Piccolo 

Divertimento  sul  Faiist  7 — .  N.  2.  Anto- 
nietta,  mazurka  2.50.  N.  3.  Montebello, 
polka  4 — . 

Metodo  teoricopratico  per  la  Lettura  Mii- 
sieale,  composto  e  dedicate  alia  Studiosa 
Gioventu.  op.  102.  Terza  edizione  rive- 
diita  ed  ampliata  dall'Autore  3 — u:  Parte 
I    1.25  n,   II   2.50  n. 

Pascolo  deirinnoeenza,  operetta,  divisa  in 
5  parti,  l/nift  Ifi — :  1.  II  liiioco  di  famiplia 
4 — .  II.  Le  distanze  progressive  3.50.  III. 
Toni  caratteiistici  4 — .  TV.  Polonese  di 
Concerto  4 — .  V.  La  Mattarella,  polka 
variata  4 — . 

Pensiero   di   V  e  r  d  i,   divert.   Jfms  5 — . 

Poliuto,    fant.    P  —50   Dotesio. 

Kicordo   a    Pallanza,   maz.    .f/ms    3 — . 

Ricreazioni  Teatrali  in  forma  di  Studi 
pratici.  Divist;  in  5  fascicoli,  P  25 — : 
I  6 — :  X.  1.  11  Bravo,  melodia  variata 
con  Esercizio  di  Scale  1.25.  N.  2.  La  Tra- 
viata,  facile  esercizio  della  mano  .sinistra 
1.25.  N.  3.  II  Trovatore,  per  staccare  ele- 
gantement«  la  mano  1.50.  N.  4.  II  Givira- 
mento,  leggerezza  di  mano 
I  due  Foscari,  basso  mosso 
Leonora,  capriccio  1.25. 

II  5.50:  N.  7.  Giovanna 
genere  legato  1.50.  N.  8.  II  Trovatore, 
melodia  semplice  ed  espressiva  1 — .  N.  9. 
Pipelfe,  esercizio  deH'Acciaccatura   1.25.  N. 

10.  Marco  Visconti,   note  battute    1.25.   N. 

11.  Macbeth,  trasporto  di  accordi  1.50. 
N.  12.  Pipele,  tenia  variato  nel  genere 
brillanto    1.50. 

III  5.50:  N.  13.  Gli  Ugonotti,  scioltezza 
di    pugno    1 — .    N.    14.    Poliuto,    trasporto 
df-lla      mano    sinistra 
([uarto    e    quinto    dito 
1.50.    N.    15.    Giovanna 
manierato    con    ottave 
N.    16.    Betly. 
diverse    specie 


1.50. 
1.50. 


N. 
N. 


di    Guzman, 


ed    esercizio      del 
della    mano    destra 
di    Guzman,    tenia 
in    arpeggio    1.50. 
il    mordente,    trattato    sotto 
1.50.    N.    17.    La    Traviata, 


ottave    1 — .    N.    18.    I  Martiri,   studio   del- 
I'agilita    1.50. 

IV  5.50:  N.  19.  La  Traviata,  I'eleganza 
] — .  X.  20.  Giovanna  di  Guzman,  note 
staccate  con  ambo  le  mani  1.50.  N.  21. 
II  Prof  eta,  il  doppio  mordente  1.25.  N. 
22.  Macbeth,  esercizio  di  note  triplicate 
1.50.  N.  23.  II  Bravo,  melodia  patetica 
lavorata  suUo  studio  del  tremolo  1.25. 
N.  24.  Rigoletto,  melodia  lavorata  per 
rindipendoiiza     dclle    dita     1.75. 

V  6—:  N.  25.  Lui.sa  Miller,  melodia 
variata  per  I'esercizio  del  trillo,  26.  II 
Profeta,  per  lo  staccar  delle  dita  a  mano 
ferma,  27.  II  Corsaro,  canto  accompagnato 
della    stessa    mano,      28.    Fiorina,    brio    e 


facile    esercizi.) 

del  la 

mano    si- 

1.25. 

fantasia    N.     1, 

facil. 

/'    —50 

mi«erere    N.    2, 

facil. 

P    —50 

fantasia    N.    3, 

facil. 

P    —75 

-75  Dotesio. 


leggerezza  iielle  mani,  29.  Marco  Visconti, 
cantilena  variata  con  Arpeggi  per  la  sola 
mano  sinistra,  30.  La  Traviata,  saltato 
e  staccato  leggermente,  a  1.50. 

-  Ritorno   in   Patria,   P  2 — . 

-  Simpatica,    P    1 — . 

-  Sou\(>nii-    cli    F^ainate,    inaz.    ''/iin;    .■;.7-"i. 
-Stella    del   N  o  r  d,   divert.   4ms   8 — . 

-  Studio   t>    Diletto,   26   suonatine  progressive 

atte  a  sviluppaie  il  buou  gusto  musicale, 
csprehsamente  compilate  ])el  JNletodo  di  G. 
C  7  e  r  n  y   4 — . 

-  Tradito    amore,    romanza    1.25. 

-  Traviata, 

nistra,    P 

-  Trovador, 

Dotesio. 

-  Trovador, 

Dotesio. 

-  Trovador, 

Dotesio. 

-  Un  ballo  in  mascliera,  fant. 

-  Vols  del  Fausto   1 —  Dotesio. 

-  Violinista     alhi     prima     e  terza     po.sizione. 

Duettini  facili  sopra  motivi  teatrali  e  die 
fan    seguito    a    quelli    di    P.    R  i  v  a,    2V, 
I— IV   a  3.50. 
Menozzi    Giuseppe    (1841).    Ricordi:    Op.    4 
Luisa,  pensiero  variato,  P  3 — . 

-  5  Souvenir  di  Tersicore,  .scherzo,  P  3—. 

-  6  Speranza,  notturno,  P  2.50. 

-  7  Un  lieto  avvenire,  melodia  sentimentale, 

P    1.50. 

-  8   Al   chiaro   di   luna,   ispirazione,   P   3 — . 

-  9   La    Favorita,    libera,  trascrizione,   P   3 — . 

-  10    Fu    sogno !    notturno,    P    3 — . 

-  14    Pegno    d'afletto,    andante-capriccio,    P 

2.50. 

-  15   Chateau    en    Espagne,    morceau,    P    3 — . 

-  16  Theme  Russe,  transcrit  et  varie,  P  3.50. 

-  17    La    Fioraia    di    Firenze,    canzonetta    di 

P.  C  a  s  o  1 1  i,  liberamente  trascritta,  P 
3.50. 

-  18   Blanche   Perle,   s6r6nade,    P    3.25. 

-  19   Fau.st,   fantasie  brillante,   P   5 — . 

-  20    Gran    Duetto    sopra   motivi    del    Faust, 

UP  8—. 
-21    Ije   Nozze   d'Argento,    notturno,    P   2.50. 

-  22    Linda    di    Chamounix,    divertimento,    P 

3.50. 

-  23  L'n   Ballo  in   niaschera,   fantasia,  P  4 — . 

-  24   Primo    Aprile,    galop,   Ifins   3 — . 

-25   Brezza    del   mattino,   capriccio   elegante, 

P  4—. 
-26  Memorie  e  Gioia  !  capriccio,  P  3 — . 

-  27    Delizie    infantili,    brevi    pezzi    composti 

nello  stile  facile,  sopra   motivi  favoriti  di 

melodic  teatrali,  P  7 — :  N.  1.  Marta   1.50. 

N.   2.  L:-i    Favorita   1.50.   N.  3.   Faust 

N.  4.  Poliuto  1.50.  N.  5.  Vn  Ballo  in 

chera   2—    N.   0.   II   Bravo   1.50. 
-28   Souvenir   de   Paris,   impromptu   3 — . 
-29    Rimembranze    del    mio    Lago,    valzer    e 

mazurka    3.50:    N.    1.    Valzer    3—.    N.    2. 

Mazurka   1.25. 
-31    I    Misteri    del    cuore,    notturno,    P    3 — . 

-  32   Mezzanotte !    andante,   P   2.50. 

-  33    Reminiscenze    del    Poliuto,      trascritte, 

IIP   4.50. 


1.50. 
mas- 


Menozzi  G.  op.  34 


473 


Menozzi  G.  op.  124 


6—:   N.  1. 


ras"io  tremulo  1 — . 


leatriili,    trasnitte    e 
La    Bella    Elena    di 


2.50. 
Cou- 


-  54 
-55 
-56 
-57 
-58 


3.50. 
2—.  N.  2. 

mazurka 


>0. 


melodie 


-  34  Ricordi   di   oioventil,  6  pezzi 

L'Addio  2—.  N.  2.  Al       ^^ 
N.    3.    All'    aniante    lontano    1.50.      N.    4. 
A'isione  notturna  1—.  N.  5.  La  Rosa  1.50. 
N.   6.   II   Sospiro   2—. 

-  35  Omaggio  ai   Beisaglieri  volontari,  niar- 

cia  2 — . 

-36   Ai    uostri    fratelli   iiiorti   per   la    Patria, 

iiiarcia  fiuiobre  1.50. 
-38    3    brevi    ]\Ielodie 

variate    3 — :       N.    1 

Offeubaoli   1.50.  N.  2.  L'Africana   1.50. 

N.  3.   Faust.  2.50. 
-39    II   Sogno    della    A'ila,    uotluruo,    P 

-  41    II    Trovatore,    gran    capriccio    di 

certo,    P    5 — . 
-43  Un  Saluto  a   Geuova,  maz.   1.50. 

-  44   Dans   ma    solitude,    reverie,    P    3.50. 

-  45   Ricordo   di    Vallanzasca,    polka    1 — . 
-46  Baldoria,   galop   1.50. 

-  48   L'na    sera    a    Napoli,   inaz.    2 — . 
-49  Fiorenza,  maz.   1.50. 

-  50  Pallanza,   marcia   festosa,  .'tui.H 
-51   Due  llomanze  3 — :   N.   1.  Lida 

IJu   Sogno   1.50. 

-  52    Sempre    felice,    capriccio    alia 

3.50. 
-53    ImprovvisoMazurka    3 — . 

La  bella  Trasteverina,  maz.  1. 
Cordone  aereo,  polka  1.50. 
Miggiandone,  polka  1.50. 
Gioie  di  famiglia,  P  4 — . 
Idillio  del  giovane  Pianista 
favorite  d'opere  teatrali,  liberamente  tra- 
.scritte  in  forma  di  Sonatine,  'ims  12 — : 
N.  1.  La  Contessa  d'Amalfi,  2.  II  Birrajo 
di  Preston,  3.  Norma,  4.  La  Favorita,  a 
2.75.  N.  5.  I  Vespri  Sicilian!  3 — .  N.  6. 
Le  Educaude  di  Sorrento  2.75. 
-59   Grand   Hotel   Pallanza,   polka    1.50. 

-  60   Ricordo    di    Piedimulera,    maz.    2 — . 

-61   Reginella   di  G.  B  r  a  g  a,  libera   trascri- 

zione,   P  3.50. 
-62   Malinconia,   romanza   2.25. 

-  63   II   Disinganno,   romanza  2 — . 

-  64   Esultanza,   galop   di   bravura,   P   3—. 

-  65   Sulle   spoiide   del   A'erbano,   serenata,   P 

2.50. 

-  66    La    Forza    del    Destiuo,    libera    trascri- 

zione,    P    4 — . 
-67   Annetta,  maz.   2.50. 

-  68  Caro   ricordo,   melodia    alia   mazurka,   P 

2.50. 

-  69   Omaggio  agli   Sposi,    P   G— . 

-  70   Stresa,    marcia    2.50. 

-  71    Fantasia   sui   Promes.si    Sposi    di    P  o  n- 

c  h  i  e  1  1  i,    P    5.50. 

-  72  Mirasole,  polka   2 — . 

-  73  ]VIiraluna,  maz.   2—. 
-74   Illustrazione   sull'Aida, 

-  75    I   Promessi    Sposi       di 

illustrazione,    P   3.50. 

-  78   Addio  al  Lago,   maz.   1.50. 

-  80  Roberto  il   Diavolo,  capriccio,  P  3.50. 

-  81    In    riva    n]    Benaco,   mazurka    elegante, 

P   2.50. 

-  83   I  Lituani, 

-  84   I  Lituani. 


P   5—. 

]^  o  n  c  h  i  e  1  1  i. 


fantasia    di   concerto,   P 
illnstrnzione.    P   4 — . 


o — . 


Don    Carlo, 


■85  Dolores  di  Auteri-Manzoccbi,  barcarola, 
libera    trascrizione,   P   3 — . 

-86  Sempre  ne'  miei  deliri,  aria  nella  Do- 
lores, di  Auteri-Manzocchi,  liberament" 
trasc'ritta,  P  4.50. 

-87   Carolina,  maz.   1.50. 

-  88    Fantasia    sopra    uiotivi    del 

P   5—. 

-  90  Fantasia  brillante  suU'Africana,  P  3.50. 

-  91   Non  ti  scordar  di  me,  romanza  2 — . 

-  92   L'Incontro,    ballata   2.50. 

-  93    11    Mazzetto    donato,    arietta   2 — . 

-94  Le  Rose  di  Glicera,  romanza,  con  PV 
ad   lib.    3—. 

-  95    Guglielmo    Toll,     fantasia-capriccio,      P 

4—. 
-96   II   di   d'Ognissanti,  pensiero   funebre,   P 

1.50. 
-97    Un    Sospiro     (Povero    fior),    melodia    di 

A.    Marzorati,   liberamente   trascritta, 

P   3—. 

-  98    Divertimento    sulla    Dolores    di    Auteri- 

Manzoccbi,    Ifms  5 — . 

-  99    Omaggio   all'Artista,   polka    1.50. 

-  100    Tutto    sorride,    capriccio    elegante,     P 

3.50. 
-101    Cuor    routento!    pensiero    melodico,    P 
3.50. 

-  103    Marcia    trionfale    nel    ballo    Cleopatra 

di  G.  Rota,  musica  di  P.  Giorza,  ;2J" 
8—. 

-  104      Gran    Marcia      dauzante      nel    ballo 

Brahma  di  I.  M  o  n  p  1  a  i  s  i  r,  musica  di 
C.   Dal  I'A  r  g  i  n  e,   2P    10—. 

-  105   Impression!   di   Blevio,   2  mazurke  ele- 

eanti,   P.    N.  1    2—    N.  2   3—. 

-  106  Ricordi  di  Torno,  2  polke  2.50,  a   1.50. 

-  107    Pensieri   teatrali    esposti    in    forma   di 

brevi  traserizioni,  P  9 — :  N.  1.  Aida  2 — . 
iV.  2.  Luisa  Miller  2—.  N.  3.  Tannhiiuser 
2_.  N.  4.  II  Profeta  2.50.  N.  5.  Le  Edu- 
cande  di  Sorrento  2—.  N.  6.  Mos6  2.50. 

-  108    Ricordo    d'un    tempo    felice,    capriccio 

elegante,   P   4 — . 

-  109   Amore   ed   Arte,   capriccio,   P   4.50. 
-110    Inaugurazionc    Villa     Aiaalia,    marcia 

festosa,  Iftiis  3 — . 

-Ill  Plaisir  d'amour,  romance  de  J.  P. 
Martini,    P    3—. 

-113  Studio  di  bravura,   P  3.50. 

-114  Perche  si  mesta  ?  romanza  senza  pa- 
role,   P   3—. 

-  115   Raggio  di    Luna,   maz.   2.50. 

-  116  Dolc.i  ricordo,  melodia  2.50. 

-117  Ricordi  d'ltalia,  2  ballabili :  Polka  e 
Mazurka    4.50. 

-  118   Meditazione,   P   2.50. 

-119  II  Duca  d'Alba  di  Donizetti.  Ro- 
manza: Angelo  casto  e  bel,  liberamente 
trascritta,  P  3 — . 

-  120   Profumo   inebriante,   maz.    1.50. 

-  121     Mesto    sorriso,    pensiero    elegante,    P 

•> 

^^ — . 

-  122  II  Ruscelletto,  capriccio-studio,  P  2.50. 

-  123  Ricordo  di  Casamicciola,  tempo  di  ma- 

zurka,  P  3.50. 

-  124    ISIascherata     di    Fanciulli,     album     di 

danze  nello  stile  facile  ed  accuratameute 
dite2<iiate.    P    fi— :    N".   1.    Pierrot,     xalzer 


Menozzi  G.  op.  124 


474     — 


Menozzi  G.  Petits  cajyrices 


131 

132 

N. 

3. 

N. 

4- 

Tl 


3—.  N.  2.  Pulcinella,  polka  1.50.  N.  3. 
Brianzola,  mazurka  2 — .  N.  4.  FollettJ, 
galop  1 — .  N.  5.  Addio  delle  Maseheie, 
quadriglia    2 — . 

125  Eicordo   del  Lago  Maggiore,   serenata- 
barcarola,    V  (Mnnd)P    5 — . 

126  Contemplazioiie,    romanza,    V{Mand)P 
4—. 

127  Sul    Lago,   barcarola,    V{Mand)P    3—. 

128  Inaugurazione      Villa      a      Pallanza, 
Omaggio-marcia,    Jfms    3 — . 

129  Eco  di  dolore,  pensiero,  P  3 — . 

130  Fior   di   gaggia,   mazurka   elegante,   P 
3—. 

Tempo   di   Minuetto,  P  4 — . 

Gemnie  teatrali,  12  brevi  pezzi,  P: 
1.  Le  Villi  3—.  N.  2.  Le  Villi  3—.  N. 
Mefistofele  4—.  N.  4.  Mefistofele  4—. 
5.  La  Gioconda  5 — .  N.  6.  La  Gioconda 
N.  7.  Aida  4—.  N.  8.  Aida  5—.  N.  9. 
Re  di  Lahore  4—.  N.  10.  II  Re  di  La- 
hore 5 — .  N.  11.  Marion  Delorme  di  P  o  n- 
chielli  4 — .  N.  12.  Marion  Delorme  di 
Ponchielli    4 — . 

133  Minuettino,    4ms   4.50. 

134  Gavotta   elegante,   P   2.50. 

135  Pensiero    contemplativo,    P    3.50. 

136  Edmea    di    Catalani,    trascrizione,     P 
3.50. 

137  I  Lituani,  2  piccole  fantasie  accurata- 
mente   ditteggiate,   P,   a   4.50. 

138  Le    Filatrici,    coro   nell'Edmea   di    C  a- 
t  a  1  a  n  i,  trascrizione,   P  2 — . 

139  Edmea   di   Catalan  i,   piecola   fanta- 
sia,  P   2.50. 

140  La    Gioconda^    piecola    trascrizione,     P 
4—. 

141  Marion    Delorme     di     Ponchielli, 
piccolo   divertimento,   P   3.50. 

142  II    Vascello    Fantasma    di    Wagner, 
illustrazione,  P  4.50. 

143  Lieta    ricordanza,    ispirazioue,    P    2.50. 

•  144  Tempo   di   Gavotta,   P  2.75. 

■  145  Otello  di  Verdi,  La  Canzone  del  Sa- 

lice  e  I'Ave  Maria,  P  4 — . 

•  146    Otello     di    Verdi,     divertimento,     P 

5—. 

•  147   Otello     di    Verdi,     fiorellino,    P    4—. 

■  148  A  Santa  Lucia,  tarantella,  ^ms  5 — . 

•  152  Le  due  sorelle,   gavotta,  j^ms  4 — . 

•  155  Fiorellini  di  Mirto,  facili  sonatine  f^c- 

cuiatamente  diteggiate,  4'>^s  4 — -n:  N.  1. 
Nasce  il  giorno,  melodia,  2.  Avviandosi 
alia  Chiesetta,  andantino,  3.  Ritrovo  di 
Contadine,  tempo  di  minuetto,  4.  Suona 
11  Vespero,  melodia,  5.  Quiete  dei  Monti, 
rom.  senza  parole,  6.  Festa  al  Villaggio, 
tempo   di   marcia,   fi.   1 — . 

-  157   Alle   Corse   di    San   Siro,   marcia  brill. 

P  1.25  u. 

•  159  Furtiva  occhiatina,  tempo  di  polka,  P 

3.50. 

-  160   Sotto   i  castani,   idillio,  P  4 — . 

-  161   Martinetta,  mazurka  elegante,  P  2.50. 

-  162   Placido   lago,   idillio   3.50. 
-163  Amor   fra  le   note,   P   1.25  n. 
-164   Carnevalone   risorto  I    1.75  n. 
-165   Motrici   elettriche,   P    1.50  n. 


-166  Pensiero  lontano,  notturnino,  P  1.75  n. 

-  167    Rowing-Club    Italiano,    marcia    1.25  n. 
-174    Aspirazioni  1     (All'Ideale).    Romanza: 

Vorrei,     ricca     e  superba     del     tuo     core 
1.25  n. 
-176  Perch5?  Romanza:   Hal  bruno  il  crine 
3—. 

-  177   Elce  ombrosa,   idillio   3.50. 

-  178   II   piccolo  folletto,   galop,   Jfms  5 — . 

-  179  Invocazione  alia  Vergine,  meditazione,. 

P  3.50. 

-  180   E.sposizione,   P   2 —  n. 

-  181    N.   1.   Ave   Maria,   eon    V,  cori   ad  lib. 

ed   Org(H)   2.50  n.   N.   2.   Ave  Maria   1.75. 

-  182  La  Festa   dei   Fiori,   marcia   1.25  n. 

-  183    Edvige,    mazurka   elegante,   P   4 — . 

-  184  La  Valigia  delle   Indie,   galop  3.50. 

-  185    Impromptu-Valse,    P    4.50. 
-187  Nel   mondo   della  luna,   P   1.50  n. 
-192  Valzer,    VfMandJP   2— n. 

-193   Mesta   Romanza,    VfMandJP    1.50  n. 

-  195  Mi  batte  il  cor,  mazurka  elegante  3 — . 

-  196   Entrata   al   Ballo,   polka  2.50. 
-200   Cuor    gentile,    P    1.75  n. 
-201   Tutti  a  Bognanco!  P  2— n. 

-203   e   203V:.   Amanti   del   Ballo,   3   ballabili 


3.50. 

N. 


N. 
3. 


2.   La   Cam- 
L'Amabilita, 


facili:  N.  1.  Valzer 
pagnola,  polka  2 — 
mazurka    2^. 

-  203   Falstaff  di   G.   Verdi,   2   trascrizioni 

facili,   Jftns,   3.   6 — . 

-  205  ]Mauon  Lescaut  di  G.  Puccini,  tra- 

scrizione, Jfins  6 — . 

-  207   Corrente   elettrica,   galop   2.50. 

-  208    Souvenir    de    Soleure,    impromptu-ma- 

zurka,   .^?rt6'   2 — . 
-210   Storia   d'un   bacio,   P   2 — n. 
-214  Omaggio  al  merito,  gran  marcia  1.25  u. 

-215  Tempo  di  Minuetto,  2VVaVcKb,  Part 
1.50  u,  p.  st.  1.50  n,  ogni  parte  staccata 
—20  n. 

-  221   Fin  de  Siecle   (Carnevale  Milanese) ,  P 

1.75  n. 
-222  Ebbrezza    P   1.25  n. 
-226  Nozze  Ducali,  P   1.25  n. 

-  228    Belvedere     del    Monterosso,     mazurka 

ccncertata,  2MandP  4 — . 

-  229   A   notte   stellata,   barcarola,   V(Mand) 

P   1.75  n. 

-  230   Molino   a   vento,    galop   brillante,   Jfrna 

2— n. 
-231    Dancing,  P   1.50  n. 

-Affannosa,    schottisch    1.50. 

-  Alhambra,   maz.    1.50   Mariani. 

-  Alleunza    Franco-Sarda,    marcia    2.50. 

-  Brahma,   ^i^s  2 —  Najwle&o. 

-  fraon   umore,   polka   2 — . 

-  Con,   con   3 —   Mariani. 

-  E    I'ultimo,    galop   2 — . 

-  Entrata    di    Pulcinella    1.50  n    Mariani. 

-  Fiore   di   Primavera,   polka    1.50. 

-  Fratellauza,   polka    1.50. 

-  Giuseppina,  polka   1.25. 

-  I  primi  pensieri,  P  3 — . 

-  Interroga  la  luna  4 —  Mariani. 
•  Irene,  maz.   1.75. 

-  Non   sei   quella   3.50   Mariani. 

-  Petits  caprices,   Jfms  — 60  n    Oeiethner. 


Menozzi  G.  Premier  pas  d'un  enfant 


—     475 


Menzel  C.  Erholungs-Stunden 


-  Premier   pas   d'un   enfant,   Ifins  — 60  n    Ge- 

bethner. 
-Pst,   psti   Polka    1.25. 

-  Quanto   sei  bella,  maz.   1.75. 

-  Ricordo   di   Brunate,   P   1 —  n   Fantuzzi. 

-  Ricordo  del  lago  di   Garda,  maz.   1 —  Fan- 

tuzzi. 

-  Sorgente   dolorosa   2.50   Mariuni. 

-  Stella   d'amore,   maz.    1.50. 

-  Un   Brindisi,   marcia   2 — . 

-  Un   Saliito,  polka   1.50. 

-  Vita  color  di   rosa,  capriccio  3.50  Marioni. 

-  Viva  TAllegria,  polka   1.50. 

-  Vorrei  baciarti  1.50  n  Mariani. 

Mens    Celest,    Ada-Polka,    V(Mand)P    1.20, 
2V(Mand)P    1.60    Fries. 

-  SogRO    dorato,    Goldener    Traum,    Maz.    V 

(Mand)P    1.20,   2V(Mand)P    1.60   Fries. 

-  Speranza,    TToffniing,    Walzer,     V(Mfind)P 

1.60,   2V(Mand)P   2—   Fries. 

-  Sul    lago   di    Ziirigo,   Am   Ziirichersee,    Ga- 

votte,   V(M(ind)P    1.20,    2V(Mand)P    1.60 
Fries. 
Mensch,  Jeannot  qui  pleure,   Jea.nnette  qui 
rit,    scgne.    Part,     ChantP    2.50  n     Societe 
nouiieUe. 

Menschen,    die    ihr    war't     verloren,     TTBB 

—80  Toriger. 
Mensert    K.   J.   W.   Het  schoonste  lied  — 60 

Lichtenauer. 
Mensi    E.    Rlawen-Galopp  — 50   Hoffmann. 

Mensitieri    G.    3    Ariette   Sacre   2.50:    N.    1. 

La  speme  dei  malvagi,  2.  Ah!  serbi,  Giuda, 

cosi  le  promeisse?  3.  Se  Dio  veder  tu  vuoi, 

a   1 —  Ricordi. 
Mensman      Henry,      Galveston      Sea      Wall 

March,    two-step   — 50    Goggan. 
Mensonge   de  femme   1 — n  Jouhert. 

Mensonges    du    coeur    1.35  n,    Ch.    s.    — 35  n 

Eveillard. 
Mente,    Soiige,   polka-maz.   2.50   Katto. 

Menter    Josef     (1808—1856),    op.    4    Thema 
mit   Variationen,    VcP   2 —   Schlesinger. 

-  5   Fantasie,    VcP   3 —  Schlesinger. 
-9  LSndler,  PVc  1.50  n  Andre. 

Menter   Karl,   op.   5   Sechs  Charakterstiicke, 
VcP,  I— II   a   1.50   Leuckart. 

-  Die    letzten    uberreste    einer    nicht    unbe- 

deutenden   Kapelle,   Huitcreske,   2VPauke 
1.50  n   Oertel. 

-  Grand    Concert    a    la    Paganini,    2V    1.50  n 

Oertel. 

-  Humoreske  fiir  7Vc  3 — n  Oertel. 

-  3   Mazurkas   1.30   Aibl. 

-  Ouvertiire  zur   Oper :   Der  Wahnsinnlge,   f. 

7Vc  3—   Oertel. 

-  Sangers   Abschied    1 —    Wilhelm    Schmid. 
-Variationen     fiir    2VcP,     2FagP    &.     1.50  n 

Oertel. 
Menter  Sophie    (1846),   op.  4  Tarantelle,   P 

2 —  Forherg. 
-Romance,    P    1.50   Forberg. 
Mentzel    Ewald,    3    Lieder,    BATE    1.60    H. 

Oppenheimer. 
Menu    Paul,   Distractions   du   Violoniste,   30 

airs   orig.   ou   transcr.    le   livre,    V    1.70  n 

Rovhier. 


Gavotten,    V,   Fl   a    1—    Li- 
Gavotten,     Cornet  d  P     1 — 


-  Douce    reverie,    V (Mand)P    5 —    Impr.    De- 

lancJiy. 

-  M6thode  moderne,   V,  premier   degre   3 —  n 

Rotihier. 

-  M6thode    moderne,.    V     (2nie    degr6),    ecolij 

des   7   positions   2.50  n   Rouhier. 

-  Vienne,    maz.    VfMandJP    5 —    Impr.    De- 

lanchy. 
Menuet  a   la  reine  — 80  Bote,  — 60  Eisoldf, 

—50    ScJilesinger,    V    —50,    2V    —75,    VP 

1—,   2VP    1.25    W.   Schroeder. 
Menuet   bleu   1.75  n  Joubert. 
Menuet    regence    1 — n    Joubert. 
Menuet   rose    1 — n   Joubert. 
Menuet    royal,    chant^e    1 —   Delormel. 
Menuet-Album    (50   0res   Bibl.   Nr.   3)    aen- 

dret   Udgave,   P  — 50   jVord.   Mxisikforlag. 
Menuett-Walzer,     P      (0.     Kahnt)      —60 

^cheithaupr. 
Menuett-    und    Gavotten-Album,    P    1 —    ./. 

^hhvberth . 
Menuette    und 

tolff. 
Menuette    und 

Litolff. 
Menuetten,   3   Favorit,   von   L  ii  1 1  y    (1664), 

Hasse      (1750),     Fischer      (1778),     F 

—80   Fiirstnrr. 
Menuetto  antico,   P  — 75   Hansen. 
Meny,   Effluve   d'ame,   P  2 — n   Voissiere. 
Menz    Dr.   Fe.st-Ouvertiire,   ^ms   2 —   Bote. 
Menzel,    Kunstblatt    zu    Krigar,    spanische 

Lieder   12 —   Peters. 

-  Ljuflig  langtau,   P  — 75   Johnns. 

Menzel  Arthur,  op.  1  Vier  Lieder:  An  die 
Entfernte.  Kalt  und  schneidig  weht  der 
Wind.   Am   Wald.    Bitte    1.80    Germann. 

-  2    Vier    Lieder :    Traumtrunken.    Dich    su- 

chen  meines  Geist's  Gedanken.  Augen 
hat  mein  Schiitzelein.  Lindenbliiten  1.80 
Germann. 

-3  Das  Miirchen  vom  Nufizweig- 
1  e  i  u,  fiir  Solost  u.  S 831 8 A  m.  P,  KA 
13—,  Chorst  4.50,  Solost  2.40  Germann. 

Menzel  C.  Altes  und  Neues  fiir  H(P),  I— IT 
a    1.50   Hug. 

-  Echos     musicals,     Transkriptionen,    PFIV: 

Nr.  1.  Beethoven:  Scherzo  aus  op. 
l"  1.50.  Nr.  2.  Beethoven:  Allegro 
(Septuor,  op.  20)  .3—.  Nr.  3.  Beetho- 
ven: Allegretto  (8.  Symphonie)  1.50.  Nr. 
4.  Haydn:  Finale  (16.  Symphonie)  2 — . 
Nr.  5.  K  r  e  u  t  z  e  r  :  Friihlingsruhe,  Lied 
1.30.  Nr.  6.  Mendelssohn:  Hochzeits- 
marsch  1.50.  Nr.  7.  Mendelssohn: 
Athalia-Marseh  1.50.  Nr.  8.  Mozart: 
Andante  aus  op.  53  1.80.  Nr.  9.  Schu- 
bert: Du  bist  die  Ruh',  Lied  1 —  Andre. 
-Erholungs-Stunden,  PFIV(FI),  VH:  Nr.  1. 
Bach:  Sarabande,  IV.  Suite  angl.  1 — . 
Nr.  2.  Beethoven:  Andante  de  la  l^e 
Symph.  2—.  Nr.  3.  Beethoven:  An- 
dante de  la  5me  Symph.  2.30.  Nr.  4. 
Beethoven:  Marche  fun^bre  de  la  3™^ 
Symphonie  (eroica)  ,3—.  Nr.  5.  Beetho- 
ven: Largo  a.  Piano-Trio,  op.  1  Nr.  2 
(G)  1.80.  Nr.  6.  Beethoven:  Varia- 
tions du  Septette  1.80.  Nr.  7.  Chopin: 
Marche    fun^bre    1.50.    Nr.    8.    Handel: 


Menzel  C.  Erholimgs-Stunclen 


476 


Menzner  H.  5   Oesange 


Menuett  aus  Samson  1.30.  Nr.  9.  H  il  u- 
d  e  1 :  Trauermaisch  aus  vSamsou  1 — .  Nr. 
10.  Haydn:  Kaiser  Franz,  Var.  1.50. 
Nr.  11.  Mozart:  Andante  de  la  Syrn- 
phouie  (Es),  op.  58  1.80.  Nr.  12.  Mo- 
zart: Larghetto  ans  op.  108  1.50  Andre, 
N.  1,  9  a  1/—  N.  2,  5,  6,  11  a  2/—,  N.  3 
2/6,  N.  4  3/—,  N.  7,  8,  10,  12  a  1/6  No- 
vella. 
-Ernste  Musik  f.  HornHP:  Nr. 
d  e  1 1  a  :  Kirchenarie  2 — .  Nr. 
delssohn:  Arie  (E  1  i  a  s 
Schottisehes    Lied    1—.      Nr. 


1.  Stra- 

2.  M  e  n- 
1.30.   Nr.    3. 

4.    Weber: 


1. 
2 

N. 


Cavatine    (Freischutz)     1.50.      Nr 
Beethoven:     Eufilied    2 —    Andre. 

Menzel  Conrad,  op.  3  Duos,  HP:  Nr 
Schubert:  Die  Allmacht  1.20.  Nr 
Beethoven:  Bufilied  1.20  Simon, 
1  i/_^  N.  2  1/6  Novello. 

Menzel  Fr.  Boie:  Op.  40  Romanze:  Siifies 
Sehnen  (Sweet  longing),  FlVc,  FIV,  Fl 
Va,  FlOb,  FiCl,  FlCornet,  FlFa,  FIE  or  n 
1)).  /'  A  1 —  (',  /•■.  Sell  III  idf,  n  — 65  Fisclirr, 
m.  0  a  2 —  C.  F.  Schmidt,  a  1.25  Fischer, 
FlVCornet  a  PVcP  1.20  C.  F.  Schmidt. 

-81  Montmorency-Marsch  — 50,  0  (m.  op. 
82)    5—. 

-  82   Gisors-Marsch  — 50. 

-  83    I^ebewohl,    StJindohen    fur    Cornet  a  PP 

1.30,  u.  Voigt  F  r.  W.  op.  62:   Souvenir 
d'Enghien,   romanze,    0   6.30. 

-  86   Kriegers   Melodiengrufi   an   die   Heimat, 

P  —80. 

-  Vorwarts-Marsch     — 60,     mO     2.50  n,     KM 

2 —  n    Srhroeder,    Harm    2 —  n    Philipp. 
Menzel    H.   op.    1    AlbumbUitter,   sechs   Cha- 

rakterstiicke,      P      2—       I— II      a       1.20 

Schiceers. 
-2    Lieder-Zyklus     aus     Frau     Holde :       Die 

Schwalben    ziehn    und    Schwane.      Bliiteu, 

Bliiten  iiberall.   Tausend   Sternlein   in   der 

Nacht.    In    meines    Nachbars    Garten. 

Sterne    am    Himmel    wallen.    Es    geht 

lindes    Wehen    2 —   J-unne. 

-  Wer   keinen    Schatz   .sein   eigen    nennt, 

BB  1.20  Formann. 

-  Zecherlied,    TTUB    1.20    Ti.ruuinu. 
Menzel    Ida,   Bon  jour!   Polka  — 80   Bote. 

-  Reve,  morceau,   P   1.50  Bote. 

-  Yater      ich      rufe     dich,      Gebet     vor      der 

Schlacht,    P    1—   Bote. 
Menzel  J.  op.  3  Polka  champetre  — 50   Uof- 

meister. 
-4   Sirenen-Galopp   — 50    llofmeister. 
Menzel   Johann.   Glaser:   Op.  2  Bliimlein  so 

prachtig,    Walzer-Duett    1.20,    Z    —80. 
-3    Icli   und    Der    und    Jener    1.20. 
-4  Was  dreht  sich  alles  in  der  Welt   1.20. 

-  5    Das    verliel)te    Sehneiderlein    1.50. 

-  6  Mir  und  meiner  Puppe,  P  (m.  Text)   1.20, 

TTBB    1.60,    Ofllarm.)    1.50  n,   Z   —80. 
-7   Heute   grofie   Auktiou,   KA   3 — . 

-  8  Friiher   und  jetzt,  humor.   Szene   3 — . 

-  9   Die   verliebten  Dominos   3 — . 

-  10  Schnuse  mit   dem  hohleu   Zahn    1.50. 
-11   Ja,  in  der  Heimat  ist  es  schon  1.20. 

-  12  General   Stotzer,  Marsch    L20,  Jfms   1.50, 

0,   mO   a   2—. 


Die 

ein 

TT 


-  14  Kleine  siifie  Maus,  Rheinlauder,  P   1.20, 

SATB,   TTBB   a    1.60. 

-  15    Zeichensprache    1.20. 

-  16  Nun  moclit   ic-h  blofi  wissen   1.20. 

-  17    Der    Zeitungsleser    1.50. 

-  18    Onkel    Emil,    Gesamtspiel    m.    P    .3 — . 

-  19    Ein    lOttrauriger    Witwer    1.20. 

-  20  A^ergniigte  Feiertage,  Couplet    1.20. 
-21    Traumbilder,   Couplet    1.20. 

-  22    Das    Ilendez-vous,    liumor.    Rlieinlander 

(mit  Text),   P   1.20,   SATB,  TTBB  a  1.60. 

-  24  Der  Schmetterlingsjager,  Soloszene  l.'SO. 

-  30      Ein      sonderbarer      Reichsfechtmeister, 

Solo.szene    1.20. 
-Auf    der    Heide,     TTBB,     Part    u.    St    1.20 
Gries. 

-  Der      zivilisierte      Zulu-Kafler,      Soloszene 

1.20. 
-Die  Lebensfrohe,  u.  Donndorf  A.:   Dra- 
goner-Marsch    1 —   Oertel. 

-  Die      Lebensfrohe,      Couplet-Marsch       (mit 

Text)    1—  Oertel. 

-  Mazurka    F-dur,   P  — 60   Simon. 

Menzel   M.  Das  nennt  die  Mensohheit  Sport, 

Soloszene   1 —  Teich. 
■  Noch     nieht     dagewesen,      Soloszene      1.50 

Teich. 
Menzel      O.       Liebesgriifie,      Walzer       1.20 

Fritssche. 
Menzel    R.    Aufmuuterung    des    angehenden 

Violinspielers,   zusammengestellt   u.  bearb. 

12  Hefte  a  — 75   Lehmunn. 

-  Wandplaten :   Het  Menschelijk  Oor,  Klank- 

figuren,   Orgelpijpen,   a  — 60.   3   Opgeplakt 

a  —85   Noordhoff. 
Menzel   W.  Guitarre-Zither-Schule    (aueh  m. 

holljind.  u.  russ.  Text)  1 —  Domkowsky. 
Menzinger,  Valse  de  Salon,  P  5- —  Societd. 
Menzler  Alexander.  //.  Oppenheimer :  Op.  7 

(iutc    Xiichl    1—. 

-  10   Wanderlied    1—. 

-  13   Wenn    siflj    zwei    Herzen   scheiden  — 60. 

-  15    Wiegenlied    1.50,    P     (A.    S  a  r  t  o  r  i  o) 

1—. 
-16    Zwei    IVliinnerchore:       1.    Sonnenunter- 

gang.   2.    Jeder    nach    seiner   Art    1.40. 
-18    Zwei    Mjinnerehore:     1.    Friihlingsgrufi. 

2.   Klage   1.40. 

-  22   Trauungslied   — 75    Pietsch. 

Menzen  Jac.  op.  1  Drei  Wildwuch-slieder : 
1.  Offenes  Geheimnis,  2.  Liebeslied,  3. 
Kindergebet,   a   1 —   Tonger. 

-  4    Bilder    aus    dem    Kindesleben,    VP    2.50 

lFc6pr-K6ln. 

Menzner  Heinrich,  op.  8  Drei  Lieder :  Nr. 
1.  Altweibersommer  1 — .  Nr.  2.  Madchcn- 
traum  — 80.  Nr.  3.  Zwei  Fragen  1 — 
Kuhnt. 

-6  Friililingslieder  4 — :  Nr.  1.  Friihliugs- 
wunsch  1 — .  Nr.  2.  Finkenschlag  — 80. 
Nr.  3.  lierohenjubel  1 — ■.  Nr.  -4.  Teh  mocht' 
ein  Liedlein  ersinnen  1 — .  Nr.  5.  O  Welt, 
du  bi.st  so  wundersehon  — 80.  Nr.  6.  Neuer 
Friihling   1.20    Kahnt. 

-5  Gesange:  1.  An  den  Mond.  2.  Auf  duft'- 
gem  Bliitenzweige.  3.  Des  Madchens 
Klage.  4.  Wiedersehen.  5.  Wein  her !  2— u 
Uof  meister. 


Menzner  H.  6  TAeder 


411     — 


Merat  Jour  de  Fete 


-5  Lieder :  Nr.  1.  Veilchen :  „Veilchen  in 
den  blanen  Liiften"  1 — .  Nr.  2.  Rosen- 
zeit:  „Wenu  die  wilden  Rosen  bliilm" 
1.50.  Nr.  3.  Betrachtung:  „Sah  icli  jiingst 
ein  Scliwalbennesf  1 — .  Nr.  4.  Widmung: 
,,Nur  nieines  Lebens  triiben  Stunden"  1 — . 
Nr.  5.  Zu  dir:  ,,Zu  dir  enipor  bliek'  icli 
vom   Staube"    ] —  IJiig. 

» Lieder-Albuni,  14  Lieder  and  Gesiing-i : 
1.  Der  Sturm.  2.  Griifio.  3.  ]\Ioudnaclit. 
4.  Friililingsfabrt  anf  dem  JUiein.  5.  Vor 
der  Schmiede.  6.  Serenade.  7.  Friihliug. 
8.  Sommer.  9.  Sommerwanderiing.  10.  Der 
Schuhflirker.  11.  Heddy  Holden.  12.  Mab- 
nung.  13.  Niitzlielie  Beschaftigung.  14. 
Der  Schmied  2 —  0.   Dietrich. 

Meo  Alfonzo.  Chanot :  Antoinette,  romance, 
VP    3, — . 

-  Cubanese   Dance,    VP   3/ —  Attgever. 

-  Dolly's    Danoe,    VP    3/ —    Augener. 

-  Gipsy's   Fancy,   minuet,   VP   3/ — . 

-  Lilla,    berceuse,    VP    4/ —    Doremi. 

-  Margherita,   romanza,   VP   3/ — . 

-4  Morceaux  faciles,  PV :  1.  Tbe  Farewell 
Gavotte,  2.  Marchc  de  Picquart,  3.  The 
Natal  Gavotte,  4.  Hungarian  Caprice,  a 
4/ —    ^frnilei/. 

-Oliva,  mazurka,  VP  4/ —  Doremi. 

-Romance-Impromptu,    VP    3/ — . 

-  Stephanie,   waltz,    IP   3/ — . 
-Swedish   Gavotte,    VP   3,—. 

Meo  Luigi.  Chanot:  Kiss  of  Love,  waltz, 
VP   5,-. 

-  Melody   in   D  major,    VP   3/ —  Chanot,  — 50 

Wood. 

-Petit  Duo,  2VP  3/—. 

-Petite   Valse,   VP  3/—. 

Meola  L.  Album  4.50:  N.  1.  Una  Croce, 
pensiero  melodico  1.50.  N.  2.  II  Mazzet- 
tino,  stornello,  3.  Un  moto  del  cuore, 
romanza.  4.  Fredda,  sinistra  e  nera,  bar- 
carola  nella  Penelope  di  A.  L  a  n  d  i,  a 
1.25   Picordi. 

-Bateau  Rose  (Ship  of  Fancy),  barcarolla 
— 35   Schirmer. 

-  Chitaretta     (My     Guitar), 

Schirmer. 

-  Cuor    raorte    (Dead   Heart), 

Schirmer. 

-  Morra    (She  dies),  romanza 


canzone      — oo 


canzone    — 35 


-35 


Schirmer. 

-  Son  bello,  mazurka   cantabile   1 —  Cottraii. 

-  Speranza  e  dolore,  album:   1.  La  partenza, 

2.  La  Pescatrice,  3.  La  camelia,  4.  II  Canto 

del  Viggianese,  5.  Vn  Fiore,  6.  Amor  die 

fu,  a   1 —  Cottraii. 
Mephisto,    Pa-pa-o-li     1 — n,    Ch.    s.    — 40  n 

Bonieiiianu. 
Mephisto,   Pa-pa-o-li    3 — ,   Ch.   s.    1 —   Bornc- 

manii. 
Mephistopheles,  Diable  a  (juatre,  quadr.  5 — 

Heugel. 
Meprise   de   Louspigua   1 —   Sulzbach. 
Mer,    chanson    1 — n.    Ch.    s.    — 40  n    Borne- 

ntunn. 
Mer    et    la    Maman      1 — n,      Ch.    s.    — 30  n 

Ondet. 
Mer-Bach    C.    op.    4    Am    Herd,    Lied    ohne 

Worlc,  P  1  25  Forberg. 


-5   Liindliches   Stilleben,   P    1.25    Forberg. 

-  6    Friihlings-Wanderung,    Rondo,       P    1.25 

Forberg. 
M  era  1 1    M.   Caresses   savantes.      Lunge. 

-  Mc'tropolitain    — 50  n    Ronari. 

Meran   N.  Ma-sken-Polka    (Alarcz-polka  zon- 

gorfira)    — 72    Pozsavolgyi. 
Merane    Andre,     Pour    un    Lapin,    saynete 

1 — n    (lobtrl. 

-  Yente  de  Charite,  mouologue-saynete   1 —  n 

C.obrrt. 
Meranghini    F.   Rimorso   ingeniio,  canto  2 — 

Borriero. 
Merat,    x\irs    russos,    retraite    et   marche    fu- 

n^bre,   TrfTr  de  chas.se)   — 50  n   Lory. 

-  Angele    (la    Tourelle),   polka,    0    1 — n    Ghe- 

liiice. 

-  Attaque,      pas      red.      IlarmfFanf)      1.25  ii, 
Cond 

-  Belle 

1.25  n, 

-  Bercez ! 


-o.n; 


Gheltnce. 

pas    red.      IlarmfFanf ) 
Cond.    — 25  n    Ghelinre. 
1.25  n,    Ch.   s.   — 30n    .¥p'm/ -Paris. 


3  n 
Villageoise 


-  Brise    d'automne, 

-  Carret    de    danses, 

-  Cascadeur,  quadr. 

-  Castille,   valse,    0 


Merat. 

0    1.25  n    Lory. 
0    1— n   Gheluwe. 
1 —  n    Gheliure. 


Cond. 


-50  n 


-Chanson    a   celle   que   j'aime    1 — n,      Ch.   s. 

—30  n  Merat. 
-Chanson   du   vent    1.50  n   Merat. 

-  Chant  des  sidles,  choeur  a  2  voix  eg.  pour 

fgtes    scolaires      et    oeuvres    post-scolaires 
— 40  n   Merat. 

-  Chartes  dTime   1.25  n,   Ch.  s.  — 30  n   Merat. 
-Cinquantaine,    fantaisie,    Harm(Fanf)    3 — , 

Cond.  — 50  n   Lory. 

-  Ccnqu&te  du  bonheur    (hymne  nuptial)    sur 

le  motif  de  ,, Chant  des  si&cles",     Merat. 
-Dans   nos  bois   1.50  n   M4rat. 

-  D<Jfense,  pas  red.  IlarmfFanf)   1 — n, 

— 25  n   Ghelune. 

-  D^lurg,     pas    red.    TrfTr  de  chasse) 

Lory. 
-Diana,    sehottisch,    0,      M4rat. 

-  Egaree,   polka,    0    1 — n    Gheluire. 

-  Esperance,   fant.   HarmfFanf)    3 — n,   Cond. 

— 50  n   Lory. 

-  Fideline,   maz.   0,     Merat. 

-  Fulminant,  pas  red.  Mus.  milit.  av.  Saxoph. 

ad   lib.    1.25,    Cond.   —10    TiUiard. 

-  Gais    et    contents,    pas    red.    Harm    1.25  n, 

Funf   1 — n   HemmerM. 

-  Gaite      Gauloise,      pas     red.      IlarmfFanf) 

1.50  n,   Cond.  — 50  n   Lory. 

-  Geneve     (L  e  v  a  s  s  e  u  r) ,    maz.      0      1 —  n 

Ghelmre. 

-  Grace   et   souplesse,   pas   de   quatre,    P   3— 

Lory. 

-  H4ros  du   Bourget,   pas   red. 

1.50  n,    Cond.    — 50  n    Lory. 

-  II    me   manque   un   mot  pour 

Ch.  s.  —30  n  Merat. 

-  He  d'amour,  valse,   0   1 —  n 
-lis   ont   vingt   ans!    (Souvenir)    1.25  n,   Ch. 

s.  — 30n  Merat. 

-  Jeunesse   et  Printemps,  valse,   Harm   3 — n, 

Fanf  2.50  n  Hemmerle. 

-  Joie  au   Foyer,  polka    1.50   Gheluwe. 

-  Jour  de  Fete,  valse  2 —  Gheluwe. 


IlarmfFanf) 
la   rime   1.25, 
Gheluwe. 


Merat  Julietta 


478 


Mercadante  G.  S.  R.  Asile  du  pelerin 


-Julietta,   TrfTr  de  chasse)   — 50  n   Lory. 

-  Juliette,    valse,      Merat. 

-  LaBciers  de  la  jeuncsse,   O  av.  P,     Herat. 

-  Louise,  schott.  0  1 —  n  Gheluwe. 
■  Lucie,   scliott.   0   1 —  n   Gliclnwe. 

-  Marche  de  Saint-Hubert,  Tr(Tr  de  chasse) 

— 50  n    Lory. 

-  Nice,   niaz,   0,   Harm,  Fanf  9,   1 —  n,   Cond. 

— 25  n   Ghelu'ive. 

-  Nicoise,    fant.    TrfTr    de    chasse)    1—  n,    p. 

sep.   — 25  n   Lory. 

-  Notre  chemin   1.25  n,   Ch.   s.  — 30  n   Merat. 

-  Noxe   (Nuit  d'etoil^e),  valse,  0,     Merat. 
-Orient,   pas   red.   Mus.   milit.    (Tilliard) 

1.25,   Cond.  —10  Tilliard. 

-  Pervanche,  fant.   Harm  (Fanf)   3 —  n,   Cond. 

— 50  n   Lory. 
-Pour    toi    Patrie,   defile,    TrfTr   de   chasse) 
— 50  n   Lory. 

-  Piairial,    hymne    a  2    voix    ou    a  voix 

ad   lib.    — 50  n   Merat. 

-  Pressons     le    pas,     retraite.      Barm  (Fanf) 

1.50  n,   Cond.  — 50  n   Lory,   Naudin. 

-  Repertoire  parisien,  quadr.   0   1 —  n.  Harm 

(Fanf)    2—  n,   Cond.   —75  n   Gheluwe. 

-  Retour  au  village,  polka,  0  fPist  ou  Tro) 

1— n,   0   1— n.   Harm f Fanf)    1.50  n,   Cond. 
— 50  n   Gheluwe. 


6g. 


Mus.  mil.  av.  Saxoph. 
—10   Tilliard. 


Harm  (Fanf)     1.25  n, 
n,  Fanf 
P, 


-  Risque-tout,  pas  red. 

ad   lib.    1.25,    Cond. 

-  Ronces    1.25    Merat. 

-  Ronflant,      pas     red. 

Cond.  — 25  n   Gheluwe. 
'  Rose  et  Perrette,  polka,  Harm  3- 
2.50  n  Hemmerle. 

-  Sabre  au   elair,   polka-marche,      0   avec 

Merat. 

-  Sous    la   Feuill<?e,    maz.    0    1 —  n    GhMuwe. 

-  Sur   le   grand   lac,   pas   des   patineurs,      0, 

M^rat. 

-  Tourelle,   polka,    HarmfFanf)    1 — n,   Cond. 

— 25  u   Ghelinve. 

-  Tournoi,    pas    red.    mO    1.25,    Cond.    — 10, 

HarmfFanf)    1.25    Tilliard. 

-  Un   sabbat,   quadrille,   0   av.   F,     M6rat. 

-  Une  Fete  au  bois,  fant.  HarmfFanf)  3— n, 

Cond.  — 50  n   Lory. 

-  Une   petite   berline,    0,      M6rat. 

-  Violette,    fant.    HarmfFanf)    3 — n,    Cond. 

— 50  n   Lory. 
M.erat     P.      Franche    galt§,     marche       1.75 

Merat. 
Merat-Verin,    Valois,   pas    red.    HarmfFanf) 

1.50  n,   Cond.   — 50  n   Lory. 
Merault    A.    Lamirand:      Adieux    a    Suzou 

1— n. 

-  C'est  dimancbe,   Ch.  s.   1 — . 

-  Crime   de  pierreuse,   Ch.   s.    1 — . 

-  Femmes,  c'est  du   nanan,     Siever. 
-Frivolette,    Ch.   s.    1—. 

-  Imperator,   suite   de   valses,   0   av.   P,     Di- 

goude. 

-  Lointaine    rive    (sur    les   motifs   de    la 

Ifebre    valse    „Imperato"),      Digoud^. 

-  Petits   Sentiers,   Ch.   s.   1 — . 

Merbecke  John   (1510—1585).  Novella. 
brosian  Te  Deum  — /3. 

-  Creed,  harmonised  by   J.   B  a  r  n  b  y  — /P/-. 


c6- 


Am- 


-  Nicene  Creed,  with  Org,  ace.  by  J.  S  t  a  i- 

ner  — /6,  Melody  only  — /I. 

-  Office  for   the   Holy   Communion,   harmoni- 

sed by  J.  Stainer  — /6. 

-  Order  for  the  Burial  of  the  Dead,  harmo- 

nised by  J.  Stainer,  Together  with  a 
selection  of  suitables  hymns,  cloth  1/ — , 

Mercadante  Carlo,   Qssari  1.50  Kicordi. 

Mercadante  Giuseppe  Saverio  Raffaele 
(1797—1870),  A  mia  figlia  2—  Ricordi. 

-  A   Rossini,   sinfonia,   4'>ns  7 —  Ricordi. 

-  Abbandonata  :  Lungi  date — 50  n  Gehethner, 

2 —  Ricordi. 

-  Adoremus,  3  voc.  con  VcKh  y  Fagotes  2 — ■ 

Doiesio. 

-  Agnus  Dei,  av.  OrgfP)   1.70  n  Choudens. 

-  3  Airs  varies  et  3  Divertissements  sur  des 

motifs  de  Rossini,  FIP  7.50  Legouix. 

-  Alia  paca,  B  clef  — 20  Gordon. 

-  Alma  grande  6  generosa,  FIP  (W.  F  a  r  d  e) 

— 75   Brainard. 

-  Alma  Redemptoirs,  I  — 25  Ditson,  &  S  u  1- 

1  i  v  a  n,  Love  not  the  world,  &  F  a  u  r  e. 
Crucifix,   CornetP  — 65  Fischer. 

-  Ama !  un  corsenza,  duettino  — 30  Jurgenson. 
-Amazilia,   opera,    Girod : 

1.  Duetto:    Quel    duol    che    m'ange    9 — . 

2.  Cavatina :      Come    mai    calmar    le    pene 
3—. 

-  Americains,  marche,  mO   1 —  n  Gohert. 
-Amici     di     Siracusa,     opera     (Roma 

1821),  scenx  ed  aria:  A  te  riedo  2 —  Ma- 
riani. 

-  Andante    religioso,    CorP    1.35  n    Ccstallat. 
-Andronico,    opera    (1822),    Ricordi: 

Cavatina:    Era   felice   un    di   2 — ,   P    1.50, 

FIG   1.25  n. 
Piccolo  Notturno :   Nel  seggio  placido  — 80 

Ricordi,  — 50   8chirmer,   3 —   Girod. 
Cavatina :    Soave    immagine   — 60. 
Scena    e    Duetto :    Vanne    se 

Ricordi,  9 —  Girod. 
Cavatina    (Chiave   di    Sol)  : 

gine    1.50    Ricordi,    1 — n 

Ashdown,  Cramer,  — 50  Schirmer,   1 — n 

Durand,   2.50   Girod. 
Duetto:   Si,  ferisci,  P   1.50. 
Cavatina:    Se    vendetta,    P    1.50. 
Last    notes   of    Malibran    „0    voce    soave" 

1/6  Avgener. 
Cavatine:    „Mir    lachelt    freundlich"    —80 

Crajiz. 
Loin  de  la  terre,  duo  3.75  Grus. 
La  nuit,  tout  est  my.st6re,  duo  3.75  Grua. 
Duett,    2C10    1.50    Bellmann. 
-Apoteosi      d'E  r  c  o  1  e,      opera     (Naples 
1819),  ouv.  P  1.30  Cranz. 

Ricordi : 
Duetto :    O   madre,   a'  tuoi  piedi   2.30. 
Cavatina:   Se  il  genitor  mi  toglie  2 — . 
Cavatina:    Del    genitor    rammento    1.25. 
Scena  ed  Aria:    Amico  diletto   1.30. 
Terzetto:    Amor,   gli   aeuti   strali  6 — . 

Girod  : 

1.  Terzetto:    D'amor    gli    acuti    strali    9 — . 

2.  Cavatina :    Pensieri   f unesti    5 — . 
-Araba:  Dall  Arabia  fui  rapita  3 —  Ricordi. 
■  Arietta,   per   voce  di   B.    1 —   Mariani. 

-  Asile   du    pMerin    3 —   Lemoine. 


alberghi    3 — 

Soave    imma- 
Cottrau,     1/6 


Mercadante  G.  S.  R.  Asilo  al  pellegritw        —     479     — 


Mercadante  G.  S.  R.  Bravo 


Asilo  al  pellegrino   3 —  Lernoine. 

All  re  amiche  ah  non  spirate,  ariette  per 
Camera,    1/ —  n   Auge7ier. 

Aurora,  polka,  P  1.25,  ^ms  2 — ,  Fl  — 50, 
V  —50,    VP   1.50  Ricordi. 

Ave  Maria,  SAB  2/ —  Cary,  1.70  u  Chon- 
dens,   - — 60   Bit  son. 

Ave  Verum,  trio,  STB  2 —  Pcrosino,  — 30 
Gordon,  — 35  Ditson,  1 — n  Costallat,  2/ — 
Gary,  1.35  n  Durand,  1 — n  Gallet,  2 — n 
P^regally,  — 50  n   Pinatel,  — 75  Dotesio. 

Be  thou,  o  God    — 15  n  Presser. 

Bravo  (il),  opera  (Milano  1839),  Ri- 
cordi:  GhP  30—,  (it.  ted.)  36—,  8"  3— n, 
P  18—,  fac.  8°  14—,  4ms  26—,  Fl  13.25, 
2FI  24—,  2Vrarc,  FlVVaVc  a  20—,  VP, 
FIP  ft  35—  Ricordi,  CliP  12—,  P  5—  Gott- 
rau,   P   1.20    'Neiipnrth,   5 — n  Salvat. 

Ricordi,  Gottra  u  : 
Preludio  e  Coro  d'Introduzione :   Steso  ha 

gia   propizia    notte   3 — ,    1 — n. 

Reeitativo  e  Cavatina:  Delia  vita  nel  sen- 

tiero  2 — ,   1 —  u. 
Reeitativo    e   Romanza :    A   te,    mio   suolo 

ligure  2 — ,    1 — n. 
Stretta  dell'Introduzione :   Abbellita  da  un 

tuo   riso   1.25. 
Reeitativo    e   Romanza:    All'eta    dell'inno- 

eenza    1.50,    1 — n. 
Reeitativo  e  Duetto :  Ancor  gioviue  e  pro- 

scritto  5 — ,   1.50  n. 

Oran  Marcia  e  Coro :   Viva  il  Doge !   2.75, 

1— n. 
Reeitativo   e   Duetto : 

pell  a?  2—,   1.50  n. 
Gran    Coro:     S!, 

menda   6 — ,    1.50  n. 
Cavatina :      De'    miei    giorni   sul    mattino 

—75,   1— n. 
Peguito  del  Finale  T  2 — ,  — 50  u. 
Largo   eon   Cori   nel    Finale   I  4.50,    1.50  n. 
AStretta   del   Finale   I   5—,    1.50  n. 
Seena:   0   incert^zza  erudel !  — 75,  — 50  n. 
Reeitativo   ed   Aria:    Tu    ehe   d'un   guardo 

penetri    2.50,    1 —  n. 

Gran  Seena:  Tranq.iillo,  beato  2.50,  1.50  n. 
Reeitativo    e    Romanza  :    La    sera    melan- 

coniea  1 — ,  — 50  n. 
Reeitativo   e  Duetto:    Dal   di   ehe  sei   fug- 

gita  3.50,   1.50  n. 
Reeitativo  :  Ei  torna  — 75,  — 25  n. 
Valzer  eon  Cori:   Viva,  viva   la   Fata  3 — , 

1— n. 
Seguito  del  Finale  II  2  50,  —75  n. 
Largo    del    Finale   II   4 — ,    1.50  n. 
Stretta   del   Finale   11   6.50,    1.50  n. 
Seena:  Ah  si,  per  lei  — 25,  — 25  n. 
Recitative   e   Duetto :    Nell'   orrore   trasci- 

nata   3.50,    1.50  n. 

Reeitativo  e  Terzettino:  Hai  veduto  il  mio 

supplizio,  e  Quart«tto :   Se  fede  vuoi  ri- 

ehiedere  5 — ,   1.50  n. 
Coro:    Segreti,    quai    spettri    tacenti    1.75. 

1— n. 
Reeitativo  e  Benedizione :  Siete  sposi  !  3 — , 

1— n. 
Reeitativo  e  Duetto  finale :  Ah  !  per  sempre 

ogni  .speranza  2.50,   1.50  n. 


giustizia 


Foscari  !    Chi    m'ap- 
vendetta    tre- 


De'  miei  giorni 
A  te,  mio  suolo 

d'Introduzione 


innoeenza    1 — , 


Reeitativo  e  Cavatina :  Delia  vita  nel  sen- 
tiero,  ridotta  eompleta,  e  senza  la  Ro- 
manza del  Soprano  frammezzo  3—, 
— 75n. 

Cavatina  (Chiave  di  Sol) 
sul  mattino   1 — . 

Romanza  (Chiave  di  Sol) 
ligure   1.50,    1 — n. 
/*;    Ricordi,   Gottrau: 

Atto    I.     Preludio    e    Coro 
2.50,   — 50n. 

Cavatina:  Delia  vita  nel  sentiero,  Ro- 
manza :  A  te,  mio  suolo  ligure,  e  Stretta 
dell'Introduzione:  Abbellita  da  un  tuo 
sorriso  2.25,  a  — 50  n. 

Romanza :    AH'    eta    dell' 
— 50n. 

Duetto :    Ancor 
— 50n. 

Gran  Marcia  e 
—50  n. 

Duetto:     Foscari. 
— 50n. 

Gran  Coro :  SI,  giustizia,  vendetta  2.50, 
— 50  n. 

Cavatina:  De'  miei  giorni  sul  mattino, 
Seguito  e  Largo  del  Finale  I  2.25,  — 50  n. 

Stretta    del    Finale  I    1.75,    — 50  n. 

Atto  II.  Aria:  Tu  ehe  d'un  guardo  pe- 
netri  1.50,  —50  n. 

Gran  Sceua:  Tranquillo,  beato,  e  Ro- 
manza: La  sera  melanconica  1.75,  a 
—50  n. 


giovine   e   proscritto 
Viva  il  Doge ! 
Chi     m'appella ! 


Coro  ; 


3.50, 
2.25, 

-75, 


Duetto :  Dal  di  ehe  sei  fuggita  2 — ,  — 50  n. 

Valzer   e   Coro :    Viva,   viva    la   Fata   2 — , 

— 50n. 
Seguito  e  Largo  del  Finale  II   2,25,  — 50  n. 
Stretta  del  Finale  II    2—,  —50  n. 

Atto  III.  Duetto :  Nell'orrore  trascinata 
2.50,  — 50n. 

Terzettino  e  Quartetto :  Se  fede  vuoi  ri- 
ehiedere  2.50,  —50  n. 

Coro :  Segreti,  quai  spettri  tacenti  1 — , 
—50  n. 

Benedizione  e  Duetto  finale :   Ah  per  sem- 
pre ogni  speranza  2.25,  — 50  n. 
P,  facile:   Ricordi: 

Atto  I.  Preludio,  Introduzione  e  Cava- 
tina:   Delia  vita  nel  sentiero  2 — . 

Romanza:  A  te,  mio  suolo  ligure,  Ro- 
manza :  AH'  eta  deir  innoeenza,  e 
Duetto :  Ancor  giovine  e  proscritto  2 — . 

Gran  Marcia  e  Coro :  Viva  il  Doge ! 
Duetto:  Foscari?  Chi  m'appella!,  e  gran 
Coro :    Si,   giustizia,   vendetta   2 — . 

Cavatina :  De'  miei  giorni  sul  mattino. 
Largo   e    Stretta   del   Finale   I      2 — . 

Atto  II.  Aria :  Tu  ehe  d'un  guardo  pe- 
netri, gran  Seena:  Tranquillo,  beato, 
e   Romanza :    La   sera   melanconica   2 — . 

Duetto :  Dal  dl  ehe  sei  fuggita,  Valzer  e 
Coro :    Viva,    viva    la    Fata    2 — . 

Seguito,  Largo  e  Stretta  del  Finale  II 
2—. 

Atto  III.  Duetto:  Nell'  orrore  trascinata, 
Terzettino  e  Quartetto :  Se  fede  vuoi 
richiedere  2 — . 


Mercadante  G.  S.  R.  Bravo 


—     480     — 


Mercadante  G.  S.  R.  Briganti 


Coro :   Segreti,  quai   spettri  taeenti,  Benc- 

dizione  e  Duetto  fiuale :   Ah  per  sempre 

ogni  speranza  2 — . 
L'Opera    eompleta    14 — . 

dins:  Ricordi: 
Aito    I.     Preludio    e    Coro    d'Introduzione 

4—. 
Cavatina :    Delia    vita    nel    sentiero,      Ro- 

manza  :  A  te  mio  suolo  ligure,  e  Stretta 

deirintroduzione   5 — . 
Romanza:   All'eta  dell'  inuocenza  1.75. 
Duetto :   Ancor  giovine  e  proscritto  5 — . 
Gran  Marcia  e  Coro:   Viva   il  Doge!   3 — . 
Duetto:  Foscari !  Chi  m'appella?  2.25. 

Gran    Coro:     Si,    giustizia,    vendetta    trc- 

menda   4.50. 
Cavatina :    De'    miei    giorni    sul    mattino, 

e  Largo  del  Finale  T     3 — . 
Strett.a   del   Finale   I      1.75. 

Atto  II.  Aria:  Tu  ehe  d'uu  guardo  pe- 
netri  3 — . 

Gran  Scena :  Tranquillo,  beato,  e  Ro- 
manza :    La    sera    luelanconica    2.75. 

Duetto :    Dal   di   die   sei    f  uggita   4 — . 

Valzer  e  Coro:  Viva,  viva  la  Fata!  3 — . 

Seguito  e  Largo   del  Finale   II   3.50. 

Stretta   del    Finale   II    2.75. 

Atto  III.  Duetto:  Nell'orrore  trascinata 
2.75. 

Terzettino  e  Quartette :  Se  fede  vuoi  ri- 
chiedere  4.50. 

Coro :    Segreti,    quai    .spettri    taeenti    2.75. 

Benedizione:   Siete  .sposi !   2.25. 

Duetto-Finale :  Ah !  per  sempre  ogni  spe- 
ranza 3 — . 

FP,  FIP,  Fl,  2FI:  Ricordi: 
Atto  I.  Preludio  e  Coro  d'Introduzione. 
Cavatina :  Delia  vita  nel  sentiero.  Ro- 
manza :  AU'eta  dell'innocenza.  Duetto : 
Ancor  giovane  e  proscritto,  VP,  FIP  a 
7.50,   Fl  3.50,   2FI  6—. 

Gran  Marcia  e  Coro,  Duetto :  Foscari  ? 
Chi  m'appella!  Gran  Coro:  Si,  giustizia. 
Cavatina :  De'  miei  giorni.  Seguito  o 
Largo  del  Finale  I.  Stretta  del  Finale  I. 
Atto  II.  Aria :  Tu  che  d'un  guardo  pc- 
netri,  VP,  FIP  a  9.50,  Fl  2.75,  2FI  5—. 

Gran  Scena:  Tranquillo,  beato.  Romanza: 
La  sera  malinconica.  Duetto:  Dal  di 
ehe  sei  fuggita.  Valzer  e  Coro  nel  Fi- 
nale II.  Seguito  e  Largo  del  Finale  II. 
Stretta  del  Finale  II,  ''VP,  FIP  a  9—, 
Fl  2—,   2FI  4—. 

Atto  III.  Duetto:  Nell'orrore  trascinata. 
Terzetto  e  Quartetto :  Se  fede  vuoi  ri- 
chiedere.  Coro  nel  Finale  III.  Benedi- 
zione: Siete  sposi.  Duetto  finale:  Ali ! 
per  sempre  ogni  speranza,  VP,  FIP  a 
9—,   Fl   3—,  2FI  5—. 

Valzer  e  coro,  Fl  2 — ,  2FI  4 — . 

A    te    mio    .cuolo    lig'ire,    romanza      1/6  n 

Augever. 
Delia    vita    nel    sentiero,    aria    1/ — n    Aii- 

gencr. 
Still    for    thee,   my    native    land,    romance 

— 50   Brainard. 


Tantum   ergo,   cavatina 
CornetP  — 75   Fischer. 

G (rod : 

l.Coro     d'Introduzione: 
propizia    5 — . 

2.  Rec. 
7.50. 

3.  Rec.  e  romanza  :    Nera 


from   ,,I1   Bravo' 


ha 


e    duetto :      Chi     v'ha  ?     Rispondi 


1  :  Viva 
duetto : 


il   Doge  5 — . 
Libero   alfin 


ti    premo 


Steso 
e    cav. :    Delia    vita    nel    sentiero 

e  la  notte  3.75. 

4.  Stretta  dell'  introd. :   Oh  !   giubilo  3.75. 

5.  Rec.   e   romanza:    Trascorso   un   giorno 
3.75. 

6.  Rec. 
7.50. 

7.  Finale 

8.  Rec.    e 
4.50, 

9.  Gran   coro 

10.  Cavatina  : 

11.  Seguito    del    finale:    Al 
chiedi    4.50. 

12.  Settimino  con  cori 

13.  Stretta    del    finale 
resistere   9 — . 

14.  Scena:   O   incertezza   crudel !   .3 — . 

15.  Rec.   ed   aria :    Dio   che   obliai   4.50. 

16.  Gran   scena:    Ella    riposa    4.50. 

17.  Recit.    e    romanza:    S'invola,    oh!    ciel 
3.75. 

18.  Recit.    e   duetto:    Piil   nol   vedro .  .   Dal 
di   che  sei  6 — . 

19.  Recitativo:     Ei 
3—. 

20.  Finale  2:   Viva 


:    E   quai   rumor 
Non    la    chiedo 


7.50. 

3.75. 

ritiro    che 


tu 


:    Ei   si  mostra 
1  :    Tentate    in 


7.50. 
van 


torna     ebben    ritratti 


I'Arraida  5- 


la  fata, 

21.  Seguito  del  finale  2:  Ah!  perehfe  muta 
5 — . 

22.  Settimino:    Che   vedo,    io    tremo  1    7.50. 

23.  Stretta    del    finale    2 :    Fine    al    pianto 
9—. 

24.  Duetto :   Ah  !   si  per  lei  2 — . 

25.  Rec.   e  duetto :    Oh   madre  I    nell'   orore 
6—. 

26.  Terzettino  :    Le    stranier    9 — . 

27.  Quartetto:  Se  fede  vuoi  richiedere  9 — . 

28.  Coro:    Segreti   quai   spettri   6 — . 

29.  Benedizione:      Stanca     di     perseguirmi 
5 — . 

30.  Duetto    finale:    Ah!    per   .sempre   5 — . 
Vieillard    farouche,    air,    B    7.50. 

.Vir    5 —   Kafto. 

Gehethner : 

1.  Canzone    Ange    — 25  n. 

2.  Romanza  — 25  n    Gebethner,  Jurgenson. 

3.  Cavatine  — 25  u. 

4.  Scena   e   Romanza   — 25  n. 

5.  Scena   ed    aria    — 30  n. 

6.  Canzone   — 30  n. 

/^eHb  MHHV.TB  — 75  Bessel. 

K-B  xeGt  nynioii  —25  Jurgenson. 

T  r  a  n  s  c  r.  P:  Beyer,  B  o  n  a  m  i  c  i. 
Chotek,  Czerny,  De  Ritter- 
f  e  1  .s,  D  u  v  e  r  n  o  y,  F  a  n  n  a,  F  i- 
s  e  h  e  t  t  i,  F  u  m  a  g  a  1 1  i,  G  o  1  i  n  e  11  i, 
H  ii  n  t  e  n,  La  Croix,  M  e  n  o  z  z  i, 
P  a  n  z  i  n  i,  P  e  r  n  y,  R  o  s  e  n  h  a  i  n. 
Sebastiani,    Zenoni. 

3riganti,     opera      (Paris      1836),     ChP 

12— n    Coftroti.   P   18—.    Ouv.   P   4—,   Jfnis 

5 —  Ricordi. 


Mercadante  G.  S.  R.  Briganti 


481 


Mercadante  G.  S.  R.  Donna  Caritea 


Cottrau: 
I.   Introchizioue,   preludio  e  coro :   Le  "gra- 

maglie   i   funobri   doppieri   1.50   Cottrau, 

P    1.50    Ricordi. 
Scena   e    Cavatina:    Amelia    angiol    diyiuo 

1.50   Cottrau,   P    1.50,   J/ms    1—   Ricordi. 
Coro    di    donne :    Come    un    eterno    spirto 

— 50  Cottrau,  P  — 75   Ricordi. 
Scena :   E  mio  retaggio  il  pianto  — 25. 
Scena   e   Cavatina:    Quando   guerrier   mio 

fulgido    1.50    Cottrau,    P    1.50,    FIP    2— 

Ricordi. 
Scena :    Ite  vani   ornamenti  — 25. 
Scena  e  Duetto:  Quest'  fe  la  volta  estrema 

1.50  Cottrau,  P   1.50  Ricordi. 

Prode  garzone   1 — . 

due    verdi     salici     1 — 
1_,  FIP  1.50  Ri- 


Scena   e  Romauza 
Cavatina :    Questi 

Cottrau, 

cordi. 


P   1.25, 


4  Wis 


Preghiera  con  Cori :  Tutto  quag- 
solve   —75    Cottrau,   P   —50    Ri- 


Tu    vivi?    2—    Cottrau, 


ciedeilo    1 — . 


Finale  1, 

giu   si 

cordi. 
Scena    e    Duetto: 

3 —    Ricordi. 
Duettino :    No,    non 
Seguito  e  Quintettiuo  :   Incerto  che  peuso  ! 

1.50   Cottrau,  5.50   Ricordi. 
Seguito  e  Stretta  :    Scopri  alliu   1.50. 
Finale  I,  P  4—  Ricordi,  II.  Introduzione, 

Coro  ed  Orgia,  P  2—  Ricordi. 

II.  Uragano  e  Coro  di  Briganti:  Accor- 
rete!   1 — . 

Brindisi :    Trova    ovunque    pntria    e    tetto 

Scena  e  Preghiera:  Fra  nembi  crudeli 
—75  Cottrau,  1/6  Ashdoicn,  P  —25  Ri- 
cordi. 

Scena  c  Duetto :  Deh !  risparmia  ch  lo 
racconti  1.50  Cottrau,  P  2.50,  J/rns  3.50 
Ricordi. 

Finale  II:  All'  armi !  Uopo  6  del  nostro 
ardir.  Ed  Aria:  Si  degui  accent!  1.50 
Cottrau,  P   1.25   Ricordi. 

III.  Introduzione.  Coro:  Notte  e  silenzio 
addoppia  —50  Cottrau,  P  —75   Ricordi. 

Scena  ed  Aria:  Ah  no!  vivi  e  spargi  un 
fiore  1.25  Cottrau,  P  1.50,  FIP  2—  Ri- 
cordi. 

Ciel  del  mio  prode  Ermano  S.  1.25  Cott- 
rau,   P    1.25    Ricordi. 

Scena  e  Terzetto:  Quai  vesti !  Oh  Dio ! 
Qual   sangue!    1.50. 

Scena  ed  Aria  finale:  L'ire  tue  sospendi 
o  padre   1.50   Cottrau,  P   2 —  Ricordi. 

Preghiera :  De.sio  d'armi  e  di  vittoria  — 75 
Ricordi. 

Scena  e  Duetto :   Squarcia  2.75  Ricordi. 

Air:  Soi.s,  de  grace,  moins  s6v&re  2.50  n 
Costallat. 

AaieJiifl,  aHre.T&  moh  1.50  Bessel. 

T  r  a  n  s  c  r.    P :    C.    C  z  e  rn  y,    G.    U  n  i  a. 
Brightly  glows  the  morning  star,  chamber 

trio   for   treble   voices   2/6,   Voe.   sc.  —,2  n 

Ashdoicn. 
Cantata:  Sorge  invan  per  me  I'aurora  2.30 

Ricordi. 
Canto  dei  Corsari,  terzettino  2.50  Ricordi. 

Universal-Handbiich  der  Musikliteratur.    M. 


m 


9—    Ricordi: 
e   coro :    Mise- 


-  4   Canzoni   Napolitane,  con   iuterpretazione 

italiana  6 — :  N.  1.  La  Palomma  :  Da  sciore 
a  sciore  2 — .  N.  2.  La  Eosa :  Neni,  Neni, 
vattene  1.50.  N.  3.  Lo  Zzucchero  d'am- 
more :  Lo  zzucchero  te  dette  2.50.  N.  4. 
Lo  Marenaro :  Tutt'abbampato  2.50  Ri- 
cordi. 

-  20  Capricci  per  Fl  3—  Cottrau. 

-  Cara  valle  solitaria    (Testa  di  bronzo) 

F    1/6    Ashdoion. 

-  Cliasse,   duo   3.75   Lemoiue. 

-  C  h  r  i  .s  t  u  s    e    Miserere 

1—2.   Christus   a   Bassi,   S 
rere,    8ATB   2.25. 

3.  Amplius   lava   me,    solo   p.   A    1.25. 

4.  Tibi    soli    peccavi,    8ATB    1—. 

5.  Ecce   enim    veritatem,    solo   per    B   con 
IlaCorno    1.25. 

6.  Auditui    meo,    SATB    1.25. 

7.  Cor    munduni.    solo    per    T,    con    HaFa 
1—. 

8.  Redde   mihi    letitiam,    SATB    1.25. 

9.  Libera   me,   SATB   1.25. 
10.  Quoniam,    SATB    1.25. 

ll.Benigne     fac    Domine,     coro     per    8    e 
Contrul.ti,   primi,    secondi    e   terzi    1.25. 
12.  Tunc    imponent,    SATB    2.25. 

-  Christus,   3  voc.   VcKb  y  Fag  2—  Dot^sio. 
-Credo   from  the  Mass    (Bflat),   FullO   1.25, 

i^   Instr   1—,   10   Instr  —75,    P  ace.  — 30 
Fischer. 
-Das    Geltibde,    Szene    und    Duett    —75 
Alshach. 

-  De  profundi?  a  4  voix  av.  Org  8 —  Ricordi, 

■4 —  Cram. 

-  D  i  d  o  u  e     A  b  b  a  n  d  o  n  a  t  a,    opera 

rin    1823),   overt.   P   2— '  Muriani: 


Regna 


(Tu- 
-  Oi- 


1.  Rondo:    A^ivi,  superbo,  e 
rod,    2 —    Ricordi. 

2.  Addio    felici    sponde    5; — . 

3.  Duetto:    Quando    saprai    6 — . 

4.  Aria :    Se  dal   ciel   pieta   5 — . 

5.  Duetto:  Ah!  non  lasciarmi,  no  5 —  Gi- 
rod,   2 —  Ricordi. 

6.  Rondo   e   terz. :    Che   mai    sento    7.50. 

-  Die  verlassene  Dido,  Guv.  P  1 —  Hofmeister. 

-  Don    Chisciotte,    sinfonia    caratteristica,    P 

3 —  Ricordi. 

-Donna  Caritea.  opera    (Venizia  1826) , 

Ricordi:  ChP  30—,  2VVaVc  15—,  Guv.  P 

2—,    Jfins   2.50: 

Introduzione  2 — . 

Terzetto:  Dopo  due  lustri  1 —  Ricordi, 
1/6  n  Augener,  2/6  Cramer,  5 —  Girod, 
P  —80. 

Stretta   dell'Introduzione   3 — . 

Recitativo :    Sia   tua   cura   — 75. 

Scena :   Queste  son  pur  le  patrie  — 50. 

Recitativo  e  Cavatina:  Ah!  s'estinto  an- 
cor  mi  vuoi  1.2o  Ricordi,  1 —  Cottrau, 
3'—  Ashdoun,  Cramer,  1/6  n  Augener, 
5—  Girod,    1—  Cranz,  P   1.25. 

Recitativo :  tDavalier,  a  questa  tenda  — 50. 

Coro:    Vieni,   vieni   1.50. 

Scena  e  Cavatina:  Nel  lasciar  le  natie 
sponde    2 — ,    P    1 — . 

Recitativo :    Avvi   un   Duce  — 75. 

Scena :   Al   magno   Sire   1-^. 

31 


Mercadante  G.  S.  R.  Donna.  Caritea        —     482     —      Mercadante  G.  S.  R.  Elena  da  Feltre 


Scena    e    Duetto:    La    baldanza    2.50    Ri- 

cordi,    6—    Girod,    P    1.25. 
Scena :    Ti   son   viciuo   —75. 
Coro  uel  Finale  I:  Aspra  del  militar  1.60. 
Kecitativo  e   Duetto  nel  suddetto  Finale: 

Ah  per  te  se  i  giorni  miei  1.60  Kicordi, 

5—   Girod,   P  —75. 
Stretta    del    suddetto    Finale    5 — . 
Scena  e  Quartette:    D'un  padre  non   senti 

4—. 
Coro,    Scena    ed    Aria:    Va,    superba,    in- 

grata  donna  4 — . 
Scena :    Qui   attender   deggio   1 — . 
Duetto:    Sei    pur    barbara,    spietata    sorte 

;]—,  P  1.75. 
Scena    ed    Aria:    Ah    che    la    dolce    calma 

2.50,  P   1.25. 
Scena:   Son  queste  pure  — 75. 
Duetto:     Quale    afdir    3 —    Ricordi,    1.50 

Coftrau,    7.50    Girod,    P    1.25. 
Recitativo :    Misero    cor    — 75. 
Finale  II:   Coro:   Tu  di  Toledo  al  popolo, 

e     Kondd     finale:     Guardami     in     volto 

adesso  4 — . 
(;avatina     (Chiave    di    Sol)  :    Ah    s'estinto 

ancor   mi  vuoi   1.25. 
Coro   di    Guastatori,   P    1 — . 
La  victoire  au  camp  m'appelle  4.50  Grvs. 
Saint  asile  4.50   Grvs. 
Air  2 — n  Durarid,  — 40  Alsbach. 
Cavatine,   Piston fBariton)-s.   1.50  Teich. 
Pezzi   scelti,   Fl    1.25,   2FI   3— . 
T  r  a  n  s  c  r.    P :      C.    G  z  e  r  n  y,    D  e    A  1- 

b  e  r  t  i,   F  u  m  a  g  a  1 1  i ;    FIP :   T.   Be  r- 

b  i  g  n  i  e. 
Down  by  the  living  waters,  SAB  — 35  Dit- 
son. 
Drfeaming   and   longing  — 30   Church. 

Due  Figaro,  opera,  ouv.  P  1.50  Ri- 
cordi, 1.25  Breitkopf,  (cavatt.  spagnuola) 
2.25,  Ifins  1.50  n  Ricordi. 
Due  Illustri  Rival  i,  opera  (Barce- 
lona 1846),  ChP  36—  Ricordi,  (13  pezzi 
riuniti)  10 —  Cottrav 
Tntroduzione,    Tnno    e 

4—. 
Recitativo  e  Terzetto:    A  quel   sangue   un 

di  giurai  6—,  P  2.75,  ^ms  5—,  FIP  4—. 
Coro  di  Donne:   In  solitaria  valle  2.25,  P 

1.25,    4ms    2—,    FIP    1.50. 
Scena   e   Romanza :    Sorte   avversa   in   suo 

rigor    1.75    Ricordi,    — 50  n    Cottrau,    P 

—75,   J,ms    1.50,    FIP    1—. 
Scena  e   Duetto:   Dal   ciel   disceso   un   an- 

gelo  4.50  Ricordi,  1.50  n  Cottrau,  P  2.50, 

Ifms   4—,   FIP   3.50. 
Recitativo :    Ei    s'allontana  —25. 
Scena  e  Quartettino:   Felice  momento  3 — 

Ricordi,  1 —  n  Cottrau,  P  — 75,  ^ms  3 — , 

FIP   1—. 
Coro   e   Finale   T   9—,   P  2.75. 
Preludio    e    Recitativo :    L'alba    6   lontana 

ancora  — 75. 
Scena  ed  Aria:  Quel  celeste  tuo  sembiante 

3 —  Ricordi,  1.50  n  Cottrau,  P  1.50,  Jtma 

2.50. 
Recitativo:  Seguirlo  pur  voluto  avrei  — 75. 


P  18—  Ricordi: 
Quartette    13 — , 


Scena    e    Romanza :    lo   la   sognai    I'imma- 

gine     1.50     Ricordi,     1 — n     Cottrau,     P 

—75,   l,ms   3 — ,   FIP    1.25. 
Scena  e  Duetto :  Ah  si !  tua  cara  voce  3 — 

Ricordi,    1.50  n    Cntlrau,     P     1.75,     Jfrns 

3—,   FIP   3—. 
Scena   niusieale :    ~Lk   dal   cielo    in    cui    vo- 

lasti     3.25     Ricordi.     1 —  n     Cottrau,    P 

1.25,   Jtms  3—,   FIP   1.50. 
Scena   e    Preghiera :    Oh    tu   che    un   padre 

in    lagrime   2—.    P   —50,    Jws    2—,    FIP 

1—. 
Scena   e   Quintetto-Finale   II :    Sei   tu,   sei 

tu   mia   figlia    12 — ,   P   5 — . 

Scena  e  Terzetto:  Alvaro!  Eccoli,  oh!  rab- 

bia    7—,   P   2.50,    ^ms  4—,   FIP   3.50. 
Coro    di    Giudiei :    L'alto    invocato    spirto 

1.50,    P   —50. 
Scena  e  Duetto :   Leggo  gift  nel  vostro  cor 
4.50    Ricordi,     1.50  n    Cottrau,     P    2.25, 
Itms   3.50,   FIP   3.25. 
Finale  ultimo  4.50. 

Scena  e  Romanza:   Ah!  sola   di  quest'ani- 
ma   1.25  Ricordi,  I — n  Cottrau,  P  — 75. 
Romanza :    In   terra    ci   divisero   — 75. 

(Chiave    di    Sol)  :     In    terra    ci 
—75. 

(Chiave    di    Sol)  :    In    terra     ci 
1.50     Ricordi,     1 — n     Cottrau, 
P   —75. 
sua  sposa  1.50  n  Cottrau. 

questi     non     sorprendemi 


50    Brainard,     —30 

Williams. 
A.  F  a  n  n  a. 


Romanza 

divisero 
Romanza 

divisero 

1/6   Ashdowv, 
Terzettino:   Mai 

Terzettino :     Di 

1 —  n   Cottrau. 
In    sorrow    we    are 

Gordon. 
Fanta.sia,   P    (Glover)    2/6 

T  r  a  n  s  c  r.   P :  C.  C  z  e  r  n  y 
3  Duos,  2FI  3—  Breitkopf. 
E  mi  puoi  tu  chiedere,  aria   1/6  Cramer. 
Elena  da  Feltre,  opera   (Naples  1840) , 
Ricordi:  ChP  30—,  P  16—,  fac.  10—,   '/'«s 
26—,    VP,   FIP   a   26—,   2VVaVc   20—   Ri- 
cordi,   ChP    8 — n    Lemoine,    Ouv.    P    1.50, 
fac.   2—,   4ms    1.50    (1.50   Cottrau)  : 

Ricordi : 
Coro    d'Introduzione :     Ti    scuoti,    Ul)aldo 

1.75,  P  1—,  fac.  e  duetto  2—,  4ms  2.25, 

e   Duetto,    VP,  FIP  a  4—. 
Recitativo  e  Duetto:  Elena!  io  gelol  3.25, 

P  2—,  4ms  4—. 
Recitativo :   La  madre  estinta  — 50. 

Recitativo  e  Romanza :  Ah !  del  tenero 
1.25  Ricordi,  — 50  n  Cottrau, 
P  1—,  fac.  e  Terz.  2—,  4ms 


amor  mio 

3—  Girod, 

2—. 
Recitativo : 

—25. 
Recitativo  e 

nume,    un 


Elena?      Ebben,      Gualtiero? 


Terzettino  nel  Finale  I ; 
nume    vindice    2.25,     P 


Un 


Seguito 


4ms  1.25,  VP,  FIP  a  4.50. 

e   Stretta   del   Finale   I   7.50. 

Scena  e  Duetto :  II  mio  sangue,  i  giorni 
miei  4.50  Ricordi,  1.50  n  Cottrau,  4/ — 
Cramer,  P  1.75,  fac.  et  Aria  2 — ■,  -'/ms 
3—,    VP,    FIP    a    4—. 

Recitativo  ed  Aria :  Entro  il  mio  .sangue 
immergere  2.75  Ricordi,  1.50  n  Cottrau, 
P   2.25,    4m8   4—. 


Mercadante  G.  S.  R.  Elena  da  Feltre 


483 


Mercadante  G.  S.  R.  Far  atvay  the  camp 


Finale    II.    Coro:    Gia    Belhmo    al    veuto 

spiega    2.2.'i,    P    1 — ,    fac.    e    Quint.    2 — , 

-'iins   2.25,    VP,   FIP   a   4—. 
Recitativo   nel   Finale   II   I — . 
Quintetto    con    Cori    nel    Finale    II:    Ahi ! 

(hira  terra  .3—,  P  1.75,  ^w.s  3—,  VP,  Fl 

P  a  4—. 
Soguito   e    Stretta    del    Finale    II    7.50. 
Preghiera :    Madre    che    in    ciel    — 75     Ri- 

cordi,  1— n  Cottrau,  2.50  Girod,  P  2.25. 

Recitativo  e  Duetto :  Aidon  gia  le  sacre 
fact  3 —  Ricordi,  1.50  n  Cottrau,  7.50 
Girod,  P  2.25,  fac.  e  Aria  2—.  4ms  4.50, 
VP,   FIP   a   4.50. 

>S<'eiia  ed  Aria :  Miei  prodi  sorgete  all'ar- 
mi   3.50,  P   1.50,   fac.   2—,   Jfvis  3—. 

Finale  III.  Recitativo:  Condurre  Ubaldo 
in   liberta    1 — . 

Scena  e  Coro :   0  tu  che  i  mondi   1.25. 

Recitativo  e  Preghiera  nel  Finale  III : 
Per  quest'orrendo  strazio  — 75,  P  ! — , 
fac.    e   scena    fin.    2 — ,    ^ms    1.75. 

Neena  finale:  No,  non  6  spento  il  padre 
1.50,    P   1—,   fac.   2—,   4ms  2—. 

Recitativo  e  Cavatina :  Parmi  che  alfin 
diinentica,  pezzo  aggiunto  all'opera  sud- 
detta   2.75   Ricordi,   6—  Girod,   P  2—. 

Duetto:    Che    fu?    1.50  n    Cottrau. 

Aria:  Al  chiarore  di  lugubri  tede  1.50 
Cottrau. 

Pronunzia    dunque,    duetto    7.50    Girod. 

Che  fia  nella  cittade,  aria  5 —  Girod. 

Se  deggio  perdere,  aria  con  coro  6 —  Gi- 
rod. 

7   Pezzi   riuniti   5 —  n  Cottrau. 

T  r  a  n  s  o  r.  P :  C.  C  ^  e  r  n  y.  d  e  R  i  t- 
terfels,    H.   Herz. 

Elisa  e  Claudio,  opera  (Milan  1821) , 
rhP  30—,  P  18—,  2\'VaVc  15—  Ricordi, 
ChP  12— n  Costallat,  Ouv.  P  2—.  4ms 
2.50  Ricordi,  P  1.50  Cranz,  —60  Ellis, 
2— n  Costallat,  5—  Girod,  VP  2.50  Co- 
stallat, FullO  1.25,  14  Instr  1—,  10  Instr 
—75,  Mil.  Band,  32  Instr  3—,  21  Instr 
2.50    Cundy,    mO   2.50    Tilliard. 

Ricordi : 
Introduzione  :    Che  scompiglio   4 — , 
Duetto:    E    fia    A'er?    2.50,    P    1.50. 

3.50   Mariani. 
Cavatina  :    Giusto    ciel    2 — .    P    1 — . 

e   G    1.50. 
Terzetto :  Cessa  una  volta  3 — ,  P 
Coro :  Tacete,  non  temete  2.80,  P 


P   2—. 
Canto 

Canto 


Aria:    Se    mi 

1.25. 
Duetto :    Dove 

1.50. 
Cavatina  :    Da 

1.50. 
Finale   I   5 — . 


1.80. 
-75. 
2.50, 


fai    pill    lo    stordito 
mai,   dove   trovarlo   2.50,    P 


lei 


per   cui    respiro   2.50.    P 


P   2- 


l—,   P 


Introduzione    — 80,    P    — 60. 
Duetto:    Qui    fra    voi    3—,    P    1.50. 
Aria:    Ah    d'amor   se   accorte   siete 

1—. 
Duetto:  Se  un  istante  2.50,  P  1.50,  Canto 

3/ —  Cramer. 
Terzettino :    Ad   ogni    fronda,   e   Quintette 

3—,  P  2—. 
Core:    Udi.ste?   — 80. 


A  ria :   Ah 

1.25. 
Rondo  e   Finale 

Girod : 


se  posso  ai  figli  ancora  1.80,  P 
II:    A   chi    parli?    P   2—. 


3—. 
figli 


6— . 

—75 

(F. 


Brainard. 
3—     Ha- 


1.  Introd. :    Che    Scompiglio   5 — . 

2.  Duetto:    E    fia    ver    6—. 

3.  Cav. :    Giusto   ciel   5 — . 

4.  Terzetto :    Elisa,    oh    ciel !    7.50. 

5.  Scena  e  coro :   Tacete,  non  temete  5 — 

6.  Aria :    Se  mi   fai  piil  lo  stordito  5 — . 

7.  Duetto :    Dove  mai   dove  trovarlo   7.50 

8.  Cav. :   Da   lei   per  cui   respiro  5 — . 

9.  Finale  I :  Non  vorrei  che  il  15 — . 

10.  Introd. :    Piano,   piano   2.50. 

11.  Duetto:    Qui    fra    voi    6—. 

12.  Aria:    Ah!    D'amor   se   accorte   5 — . 

13.  Duetto :   Se  un'  istante  5 — ■. 

14.  Terz.  e  Quint.:   Ad  ogni  fronda  6 — . 

15.  Coro:     ITdiste,    O    che    scompiglio 

16.  Scena   ed   aria:    Ah  1    Se   posso  ai 
5 — . 

17.  Finale  2:   A  chi   parli   7.50. 

18.  Cav. :   Lungi   dal  caro  ben   5 — . 
Cette  cavatine  est  de  Pacini. 

19.  Rec.   e  terzetto :    Cessa   una   volta 

Claudio  !    Claudio !    2.75  n    Costallat, 

Alsbach. 
Ouv.,     Andante     et     Menuett,     Harm 

Berr)     1.80  n    Schott. 
Dalla   gioja,   P   — 50   Brainard. 
March    (F.   Hiinten),  P  —25 
Choeur,     P      ((Lecouppey) 

melle. 

T  r  a  n  s  c  r.   P :   B  u  r  g  m  u  1 1  e  r,   C  o  r  1 1- 

celli,   Czerny,   Ritterfels,   Pol- 

1  i  n  i ;  4ms :  L  a  C  r  o  i  x  ;  CIP :  C  a  v  a  1- 

1  i  n  i. 

Elvezia,  polka   1.50,  VP,  FIP  k  1.50,  V,  Fl 

a  — 50   Ricordi. 

Emma  d'A  n  t  i  o  c  h  i  a,  opera  (Venezia 
1834),  Ricordi:  Ouv.  P  2.50,  4ms  5 — : 
Cavatina :  Ah !  se  commossa  io  sono  3.50. 
Aria  finale :  In  quest'ora  fatale  2.75  Ri- 
cordi, In  dieser  Stunde  1.80  Schlesinger. 
Recitativo  e  Duetto :  Emma !  tu  qui  ?  3.50. 
Scena  ed  Aria:   Non  sai  tu  ?  .3 —  Ricordi, 

1 —  n  Cottrau. 
Cavatina:    II    mio   cor    1 — n    Cottrau. 
Esp6rance,   duo   3.75   Grus. 
T  r  a  n  s  c  r.    P  .•    C.    Czerny,    J. 
4ms:   A.   F  a  n  n  a. 
Entree,    Org    1.50  n    Procure. 
Era   Stella   del   mattino,   trio  — 50 
Esercizi  di   Canto  con  P,  I,  III  a 
2—   Cranz. 

Esperimento,    polka    1 — ,    Fl 
Estudios  de  canto,  con   P 
Etudes  de  chant,  av.  P   15 — 
E  z  i  o,   opera    (Turin,    1826), 
Scena   ed   Aria :    Sento   che 


U  n  i  a; 


Gordon. 
2.80.  II 


-50    Ricordi. 

-50   Lemoine. 
-  Lemoine. 

Ricordi : 
ancor   2 — . 


Gran  Marcia,    '/wis  2 — . 

Fairy   visions  — 50   Diison. 

Fantaisie  sur  la  ,,Tete  de  Bronze",  transcr. 
par  Ver  roust,  op.  13,  ObP  2.50  n  Co- 
stallat. 

Fantasia    funebre,    P    2 —   Ricordi. 

Fantasia  sull'Inno   russe,  P  2 —  Ricordi. 

Far  away  the  camp  fires  burn,  8ATB  — 36 
Church.  — 10  Echo  Music  Co. 


SI* 


Mercadante  G.  S.  R.  Fidanxiiia 


484 


Mercadante  G.  S.  R.  Qiurame,nto 


Fidanzata  del  Demonio  5 —  Ricordi. 
Fiore  e   la  Lagrima   1.75   Rieordi. 
Francesca    D  o  n  a  t  o,     opera      (Naples.. 
1845)  : 
Scena  e  Cavatina :   Qui   dove  Taura   jouia 

2.40    Ricordi. 
Scena   ed  Aria :    Si,   nfe   uu   sospir,    iife   uu 

gemito  2.70  Ricordi. 
Duetto:  Che  veggio,  Loiedau !  4 —  Rieordi. 
Duetto:      Te   lo   palesi    il    fremito      1.50  n 

Cottrau. 
Friendship,   duet  2/ —  iSvan. 
Gabriella    di    V  e  r  g  y,    opera     (Milan, 
1840).    Ricordi:    ChP    30—    Ricordi,    12— 
Cottrau,    P    18—,    Ouv.    7'    2—: 
Introduzione.   Coro   2 — ■,   P  2 — . 
Cavatina:    Miei    pensieri    in    tul    eimento 

2 .  •  •  ■•■ 

Kecitativo :    Senipre,  o  gernuuio  — 75. 
Scena  e  Cavatina:  Sventurato,  ah!  la  mia 

sorte  2—,   P   1.25. 
Coro   di    Donne:    Desiato    c   invan    fra    noi 

1—,   P  —50. 
Scena   e   Cavatina :    Oh   care   gioie   3 — ,   P 

1.75,   VP  2.50. 
Scena  e   Duetto :    Oh   gioruo    felice   4 — ,   P 

1.75,   VP  3—. 
Marcia   e  Coro :    Voi,   che   al  fiauco  d'eroe 

1—,   P  2—. 
Recitativo :    Signor,   a'   fasti   tuoi  ■ — 75. 
Ballabile    1.50. 
Recitativo :    Non   piO.  — 25. 
Scena  e  Finale   I    9—,  P  4.50. 
Recitativo    e    Duetto :     Traditor,    paveuta 

4—,   P  2.50. 
Scena :   Che   rechi,   Armando  — 75. 
Scena  ed  Aria :  Tra  i  singulti  I'infida  spi- 

rante    4—,    P    1.50. 
Rondo  e  Finale  II :   Perchfe  non  chiusi  al 

di  4—,   P   2—. 

Cottrau: 
Siufonia    1 —  n. 

I.  Introduzione.  Coro :  Alfin  ritorui  a  ua- 
scere  — 75  u. 

Scena    e    Cavatina :    Miei    pensieri    in    tal 

cimento   1.50  n. 
Scena :   Sempre,  o  germano  — 50  n. 
Scena    e    Cavatina :    Sventurato !    ah !    la 

mia  sorte  1 —  n. 
Coro   di   donne :    Desiato   ft   invan   fra    noi 

— 50n. 
Scena  e  cavatina :  O  care  gioie !  o  palpiti  I 

Abbreviata  per  uso  di  camera  1 —  n. 
Scena  e  Duetto:   Oh  giorno  felice!   1.50  n. 
Marcia   e  Coro:    Voi   che   al   fianco   d'eroe 

cosi  grande  • — 50  n. 
Scena :   Signor,  ai  fasti  tuoi  — 50  n. 
Finale  I.  Scena,  Duetto  e  Terzetto :   Cedi. 

Vanne   1.50  n. 
Seguito    e    Sestetto :    Fermate    oltl !    1^ —  n. 
Seguito  e  Stretta :  Vendetta!  I'esige  1.50  n. 

II.  Scena :    Si !    dalla   patria   legge  — 25  n. 
Scena  e  Duetto:  Traditor  paventa  1  1.50  n. 
Scena:    Che   rechi,   Armando?   — 50  n. 
Scena  ed   Aria:    Fra  singulti   I'infido   spi- 

rante    1.50  u. 
Finale  II.    Scena  e  Cavatina :   Perche  non 
chiusi   al    di   1 —  n. 


Scena :   O  come  lento  scorre  — 50  n. 
Scena    ed    Aria :     Se    alfin    suirinnocente 

1—  n. 
O  care  gioie,  scena  e  cavatina  1.50  n. 

P: 

1.  Introduction.    Choeur    — 50  n. 

2.  Cavatine  de  Fayel  — 50  n. 

3.  Cavatine    de    Raoul    — 75  n. 

5.  Cavatine :    O   quante   gioie   —50  n. 

6.  Duo  :    O   giorno   felice   1 —  n. 

7.  Marche  — 50  n. 

8.  Final.  Trio:    Cedi   e   vanne  — 60  n. 

9.  Larghetto  — 50  n. 

10.  Suite  et   Stretta   1— n. 

11.  Duo  de  Raoul:  Traditor  paventa   1 — n. 

12.  Air    de   Fayel :    Tra    i  singulti    I'infida 
spirante  1 —  n. 

13.  Cavatine     de    Gabriella:     Perche     non 
chiusi   al   di   — 50  n. 

14.  Air  de  Gabriella:    Se  alfin  — 75  n. 

15.  Air   final   — 50  n. 

-  Gaily    launch,   mix.   v.   — jVj^   Ciirwen. 

-  Galop,    duo   bouffe   3.75    Lemoine. 
-Garibaldi,    Sinfonia     sopra    ITuno    dei 

Cacciatori  delle  Alpi,  J/ms  8 —  Ricordi. 

-  G6nevoise   reeoanaissante,    valse,   mO    1 —  n 

Goberf. 

-  Giovanottino    che    di    (jua    passate    1 —    Ri- 

cordi. 

-  Giuramento,     opera     (Milan,     1837),     ChP 

30—,  8"  2.50,  (it.-ted.)  35—,  P  18—,  8° 
1: — n,  fac.  12 —  Ricordi,  18 —  Mariani, 
3.50  n  Salvat,  1 —  yeuparfh,  10 —  n  Co- 
stallat,  3 —  Salvat,  — 40  Neuparth,  1.50 
Gulheil,  4ms  26—,  VP,  FIP  &  22—.  Fl 
8—,  2FI  16—,  2VVaVc   15—. 

Ricordi : 
Preludio    e    Coro    d'Introduzione :       Odi : 

ogni  iutorno  eeheggiano  3 — . 
Cavatina :  La  Dea  di  tutti  i  cor !   1 — . 

Coro    e    Cavatina:    Fier    sospetto,    ohimfe! 

2.50. 
Quartette :   Vicino  a   chi   s'adora  4.50. 
Romanza   con   Cori :    Di   Superbo   vincitor 

2—. 
Stretta      dell'Introduzione :      De'     mortal! 

uume  in  terra  5 — . 
Recitativo:    Brunoro    .  .  .    o    tu,    I'antieo 

1.50. 
Coro    di    Donne:    Era    stella    del    mattino 

2.50. 
Cavatina;  Or  la,  sull'onda,  col  pensier  mio 

2.50. 
Finale    I.      Recitativo :       Gia     un    lustre, 

Isaura    mia    — 50. 

Recitativo    e    Romanza :    Ti    cre6    per    me 

I'amor,     e  Duetto :   E  troppo,  o  Dio,  la 

gioia    3 — . 
Recitativo  e  Duetto:   Di  Viscardo  io  sono 

amante    3 — . 
Scena  e  Quintetto  :  Elaisa  in  queste  soglie  ! 

4—. 
Seguito  e  Stretta  del  Finale  I    5.50. 

Coro   d'Introduzione:    Vittoria  !    Siracusa  ! 

2—. 
Aria :   Fu  celeste  quel  contente  3 — . 
Gran  Scena,  Preghiera  ed  Aria:  Alia  pace 

degli  eletti  4 — , 


Mercadante  G.  S.  R.  Ohcramento 


485 


Mercadante  G.  S.  R.   Uiuramento 


Scena   e   Duetto:    Oh    qiinl    nome    pronun- 

ziaste  3.50. 
Scena  e  Terzetto-Finalo  IT :  A  te  il  veleno, 

o  perfida  4 — . 
Scena     e     Romania:      Ma     negli     estremi 

istanti  2 — . 
Scena  e  Duetto  finale :  S'io  I'aniava !  Scia- 

gurata!  4.50. 

Pezzi  abbreviati  e  trasportati  in  Chiave 
di  Sol: 
Largo  estratto  dall'Aria :   Alia  pace  degli 

eletti   1—. 
Largo   estratto  dall'Aria :   Alia   pace  degli 

eletti   1—. 
Terzettino    estratto    dal    Coro    di    Donne: 

Era  Stella  del  mattino  2.50. 
Romanza:  Di  superbo  vincitor  1 — . 
Cavatina  :   La  dea  di  tutti  i  cor   1.20. 
Romanza:    Ma    negli    estremi    istanti   2 — . 

P: 

Preludio,  Coro  d'Introduzione  e  Cavatina : 

La   Dea  di  tutti  i  cor!    1.75. 
Coro,  Cavatina :    Tier   sospetto,   ohimfe !      e 

Quartette  nell'Introduzione  2.25. 
Romanza:   Di  superbo  vincitor,     e  Stretta 

dell'Introduzione  2.75. 
Coro:    Era   stella   del   mattino   1.25. 
Cavatina:  Or  la  sull'onda  col  pensier  mio 

1.50. 
Romanza  e  Duetto :  Ti  cre6  per  me  I'amor 

1.75. 
Duetto:  Di  Viseardo  io  sono  amante  1.50. 

Quintetto  e  Stretta  del  Finale  I    3 — . 
Coro   d'Introduzione    1 — . 
Aria:    Fu   celeste   quel   contento    1.25. 
■Coro,  Preghiera  ed  Aria :   Alia  pace  degli 

eletti  2—. 
Duetto :   Oh  qual  nome  pronunziaste  1.75. 
Terzetto:    A   te   il   veleno,   o   perfida    1.75. 
Romanza:   Ma  negli   estremi   istanti  — 75. 
Duetto    finale:    S'io    I'amava !    Sciagurata ! 

2.50. 
La    sola    Preghiera    del    Coro :     Alia    pace 

degli  eletti  — 50. 

P,  facile : 
Preludio,  Introduzione,  Cavatina :  La  Dea 

di   tutti    i  cor!,      e    Cavatina:    Fier    so- 
spetto, ohim&!  2 — . 
<Juartetto:    Vicino    a    chi    si    adora,      Ro- 
manza :  Di  superbo  vincitore,     e  Stretta 

dell'Introduzione   2 — . 
Coro:  Era  stella  del  mattino,    e  Cavatina: 

Or  la  sull'onda  col  pensier  mio  2 — . 
Duetto :   Ti  creO  per  me   I'amor,     Duetto : 

Di   Viseardo  io  sono  amante,  Quintetto 

e  Stretta  del  Finale  I    2—. 
<^oro  d'Introduzio.ie  ed  Aria :   Oh  barbaro 

mio  fato  2 — . 
Coro   ed   Aria:    Alia   pace   degli   eletti,     e 

Duetto :      Oh    qual    nome     pronunziaste 

2—. 
Terzetto :   A  te  il  veleno,  o  perfida.     Atto 

III.  Romanza :  Ma  negli  estremi  istanti 

2—. 
Duetto  finale:   S*  io  I'amava!  sciagurata  1 

2—. 

4tns : 
Preludio,   Coro  ed   Introduzione  2.75. 


Cavatina:  La  Dea  di  tutti  i  cor!   1.25. 
Coro    e    Cavatina:    Fier    sospetto,    ohimfe! 

2.25. 
Quartetto:   Vicino  a  chi  s'adora  2.25. 

Romanza :    Di   superbo   vincitor,   e   Stretta 

dell'Tntroduzione  4 — -. 
Coro :    Era   stella   del   mattino   2.25. 
Cavatina:   Or  la  sull'onda  col  pensier  mio 

3—. 
Romanza :      Ti    creo     per    me     I'amor,      e 

Duetto:  E  troppo,  oh  Dio,  la  gioia  2.50. 
Duetto:   Di  Viseardo  io  sono  amante  3 — . 
Quintetto   e   Stretta   del   Finale   I    4.50. 
Coro   d'Introduzione   2.25. 
Aria :    Fu   celeste   quel   contento   2.50. 
Scena,    Coro    ed    Aria :     Alia    pace    degli 

eletti  3.50. 
Duetto:    Oh  qual   nome  pronunziaste  2.50. 
Terzetto :  A  te  il  veleno,  o  perfida  4 — . 
Scena     e     Romanza:      Ma    negli     estremi 

istanti    1.25. 
Scena    e    Duetto    finale:      S'    io    I'amava! 

Sciagurata  !    4 — . 
L'Opera   completa   26 — . 

rr,  FiP: 

Preludio,   Coro   ed   Introduzione   2.25. 

Cavatina  :  La  dea  di  tutti  i  cor,  e  Cava- 
tina :    Fier  sospetto  2.50. 

Quartetto:   Vicino  .a  chi   s'adora   1.75. 

Romanza :  Di  superbo  vincitor,  e  Stretta 
dell'Introduzione    4 — . 

Coro:   Era  stella  del  mattino  2 — ■. 

Cavatina:   Or  la  sull'onda  2.25,  FlClFada 

Bimboni  2.25. 
Romanza  e  Duetto :  Ti  crefi  per  me  I'amor 

2.50. 
Duetto :    Di  Vis.?ardo   io  sono  amante  2 — . 
Quintetto  e  Stretta  del   Finale  I    4 — . 
Coro  d'Introduzione  2 — . 
Aria  :   Fu  celeste  quel  contonto  2.25. 
Coro  ed  Aria :   Alia  pace  degli  eletti  2.75. 
Duetto :   Oh  qual  nome  pronunziaste  2-25. 

Terzetto :   A  te  il  veleno,  o  perfida  3 — . 
Romanza:    Ma   negli   estremi   istanti    1.25. 
Duetto  finale:    S'io  I'amava!   3.50. 

Fl,  2FI: 

Preludio,  Introduzione  e  Cavatina:  La 
Dea  di  tutti  i  cor.  Cavatina:  Fier  so- 
spetto. Quartetto :  Vicino  a  chi  s'adora. 
Romanza:  Di  superbo  vincitore.  Stretta 
dell'Introduzione,   Fl  2—,   2FI  4.50. 

Coro:  Era  stella  del  mattino.  Cavatina: 
Or  la  sull'onda.  Romanza  e  Duetto:  Ti 
cred  per  me  I'amor.  Duetto:  Di  Viseardo 
io  sono  amante.  Quintetto  e  Stretta  del 
Finale  I,    Fl  3—,  2FI  5—. 

Coro  d'Introduzione.  Aria:  Fu  celeste 
quel  contento.  Coro  ed  Aria :  Alia  pace 
degli  eletti,  Fl  2—,  2FI  4—. 

Duetto:  Oh  qual  nome  pronunziaste.  Ter- 
zetto :  A  to  il  veleno.  Romanza  e  Duetto 
finale:    S'io  I'amava!    Fl  2.50,  2FI  4.50. 

Cottrau:  Canto: 
Introduzione,    Preludio    e    Coro:     Odi    in 

ogni   1 —  n. 
Cavatina  :   La  Dea  di  tutt'   i  cor !   — 50  n. 
Coro  :    Eloisa    dov'  k   — 50  n. 


Mercadante  G.  S.  R.   Giuramento 


—     486     — 


Mercadante  G.  S.  R.   Giuramento 


Cavatina:    Fier    sospetto    in   me    si    desta 

1— n. 
Coro :   Vien  regina  della  festa  — 25  n. 
Quartette:   Vicino  a  chi  s'adora   1.50  n. 
Romanza:   Di  superbo  vincitore  — 50  n. 
Stretta:  Or  la  danza  si  riprenda  1.50  n. 
Coro    di    donne:    Era    stella    del    mattino 

1— n. 
Cavatina :    Or   la   sull'onde    1 —  n. 
Recitative:    Gia   un   lustro   Isaura  — 50  n. 
Romanza  e  Duetto :  Ti  creo  per  me  2 —  n. 
Recitativo   e   Duetto:    Di   Viscardo   1.50  n. 

Scena  e  Quintette :  Eloisa  in  queste  soglie 

1.50  n. 
Seguito :    Questo   fatal   mistero   2 —  n. 
Coro :    Vittoiia  !    Siracusa  !    1 —  n. 
Scena   ed   Aria :    Fu   celeste  quel  coutento 

1.50  n. 
Scena,  Preghiera  ed  Aria:  Alia  pace  1.25n. 
Scena   e   Duetto :    Oh !   qual  nome  pronun- 

ziaste!   1.50  u. 
Scena  e  Terzetto:    A  te   il   veleuo,   o  pei- 

fida  1.50  n. 
Scena     e    Romanza:      Ma     negli     estremi 

istanti   1 —  n. 
Scena   e   Duetto :    S'io   I'amava    sciagurata 

1.50  n. 
Finale :  Qui  .  .  al  cor  .  .  cosi  bramai  — 50  n. 

P: 

1.  Introduzioue,  Preludio  e  coro  — 25  n. 

2.  Cavatina  di   Viscardo :   La   Dea   di  tutt' 
i  cor  — 50  u. 

3.  Cavatina    di    Manfredo:     Fier    sospetto 
— 50u. 

4.  Quartette:    Vicino   a   chi  s'adora  — 75  n. 

5.  Romanza    d'Elaisa :     Di    superbo    vinci- 
tore    ■ — 50  n. 

6.  Stretta :    Elaisal   gioia   e   amor!    — 75  n. 

7.  Cere   di   donne :   Era   stella  del   mattino 
— 75n. 

8.  Cavatina    di    Bianca :    Or    la    suU'onda 
1— n. 

9.  Finale,    romanza   e   duetto   di   Bianca   e 
Viscardo  — 75  n. 

4ms: 
Preludio   e   core  — 76  n. 
Cavatina  di  Viscardo  — 50  n. 
Cavatina  di   Manfredo   1—  n. 
Quartette   — 50  n. 
Stretta   del    quartette   — 50  n. 
Coro  di   denue  — 75  n. 
Cavatina  di  Bianca  — 75  n. 
Finale  I.    Duetto :   Elaisa  e   Bianca   1—  n. 
Quintette  e  stretta   del   finale   1 —  n. 
Coro  di  guerrieri  — 50  u. 
Aria  di   Viscardo  — 75  n. 
Core  funebre  — 50  u. 
Duetto   Elaisa   e  Bianca  — 75  n. 
Terzetto  —50  n. 
Romanza  di  Elaisa  — 50  u. 
Duette    Elaisa    e    Viscardo,      e    linalette 

— 75  n. 
Scena  e  duetto  finale:  S'io  I'amava  I  Scia- 

gurata  4 —  Mariani. 
La  dea  di  tutti   cor,  con   O  — 50  Maurri. 

P.  Mariani: 

Preludio,   core   d'iutroduzione    e   cav. :    La 
Dea  di  tutti   i  cor  2 — . 


Core,  cav. :  Fior  sospetto,  e  quartette 
neH'introduziene  dell'atto  I    2.25. 

Romanza:  Di  superbo  vincitori,  e  stretta 
dell'introduzione    dell'atto   I     2.75. 

Coro:    Era   stella   del   mattino   1.25. 

Cav.:  Or  la  sull'onda  col  pensier  mio  1.50. 
Romanza  e  duetto:  Ti  cre6  per  me  I'amer 

2—. 
Duetto:   Di  Viscardo  io  son  amante   1.50. 
Quintette   e  stretta  del  finale  I    3 — . 
Coro  d'intreduzione  1^ — . 
Aria:    Fu   celeste   quel   centente    1.25. 
Coro,   preghiera  ed   aria :   Alia   pace  degii 

eletti   2—. 
Duetto :   Oh !  qual  nome  pronunziaste  2 — . 

Terzetto:  A  te  il  velen,  o  perfida  1.75. 
Romanza :    Ma    negli    estremi    istanti    I — . 
Duetto   finale :    S'io   I'amava !    Sciagurata  ! 

2.50. 

Schlesingev  : 
Cavatine:    Nach    fernem    Strande    (Or    la, 

sull'onda)    1.30. 
Cavatine:      O     holde    Unbekannte     (Bella 

aderata)    1.30. 
Romanze:  Doch  jetzt  zum  letzten  Schritte 

(Ma  negli   estremi)    1- — . 
Duett:    TrJinen,    Labsal    (Dolce    consotto). 
Cher  u.   Cavatine  1.50   Oottlober. 


Bella  adorata  1/6  Ashdoicn, 


Chappell, 


P    (T  h  a  1  b  e  r  g)    4, —    Augener. 
Dolce    conforte   al    misero,    duet    1/6    Ash- 

doun,    1/ —  n    Augener. 
Era    stella    dell'    mittino,    coro    di    donne 

3/ —   Ashdown,   — 60   Schirmer. 
Or  la  sull'onda  3/ —  Chappell. 
Beaming  like  the  star  of  morn,  trio,   teni. 

voices  — 75   Brainard,  — 50  Oordov.' 
Chorus   of   women,   P    (A.   Baumbuch) 

—25    Brainard. 
Sweet  tears,   duo  — 50   Brainard. 
To  the  peace  —20  Gordon. 
Wake,  sweetest  melody  ■ — 30   Gordon. 
When    life    shall    fade    before    me  40 

Brainard. 
Cavatine:   Adieu  beau  rfive  2 —  Choud^-ns. 

Bella  aderata   incognita   — 20  Sassetti,     P 

(Bizet)    4—   Ecugel. 
Levz  w  ty  estatni  — 30  n  Gebethwr. 
By  dost^  pri  spokojno§u  —30  n  Gebetlmer. 
N  dumnege  wedza  nog  — 50  u  Gebethner. 

ITo  SbicxpMM'b  BO.iHaMi  1.15.  Bessel. 

Cep;^^e  Te6'fe  ^apio  — 15  Jurgenson. 
Dolce  conforto,  duettino  — 25  Jurgentson. 
II  segno  — 40  Jurgenson. 
T'amo  bell'idol  mio  — 15  Jurgenson. 

Preludio,     coro    d'intreduzione,    P,       Ma- 
riani. 
Fantaisie,  P    (A.  Billet)    3/ —  Augener, 

ObP    (V  e  r  r  e  u  t)    3 —  n   Costallat. 
Favorite    airs,    P    (Callcott)    4—,    ^fnn 

5—   WiUiams,   Fl   6—,    I— II   a   3—   Ri- 

cordi. 
Gran  scena,  cere  e  cavatina,  Bandsi,   Part 

7.50   Lapini. 
Prelude,  chorus  and  cavatina,  FullO   1.50, 

U    Instr    1.25,     10    Instr    1—,     P       -40 

Standard. 


Mercadante  G.  S.  R.  Giuramento 


—     487 


Mercadante  G.  S.  R.  Leonora 


VI>      3— 

(li  R  o  8- 
,  O,  Part 


—50    Dit- 


T  r  a  n  s  c  r. :  P :  A  u  1  a  g  n  i  e  r,  B  u  r  g- 
miiller,  Campiani,  Chotek, 
Czerny,  D  u  v  e  r  n  o  y,  Fischetti, 
Fu  mag  a  Hi,  Gambini,  Goli- 
n  e  11  i,  H  ii  11 1  o  n.  La  Croix,  M  e  - 
nozzi,  Novarra,  Ritterfels, 
R  o  u  d  i  n  e  1 1  a,  R  o  s  e  1 1  e  n,  T  h  a  1  - 
berg,   T  r  u  z  z  i,    Z  e  u  o  n  i. 

Jftns :  B  o  n  a  m  i  e  i  .  C  e  r  i  ni  e  1  e  ,  F  u  - 
m  a  g  a  1 1  i,  La  Croix,  M  e  n  o  z  z  i, 
R  a  11  z  i  n  i. 

VP:    Austri,     C  a  v  a  1 1  i  n  i,     M  a  z  a  s, 

Pauofka,  Sessa. 

FIP :   Avignon  e,    Briccialdi,    Car- 
rer,    Dft    Pauli,    Galli,    Goreni, 
M  a  B  i  n  i. 
Gloria   from   Mass    (Bflat),   FullO   L50,   H 

Instr    L25,      10    histr    1—,      P    at-c.    —30 

Fischer. 
Gloria    Patri,    solo   et   SylTB    avpc    Org(H) 

1.50  n  Coxt(tll(tt. 
Gradual  2—  Wagiier  y  Levien. 
Gran     Fantasia     sugli      Orazii, 

Cot  trait. 
Gran  Sinfonia  sullo  Stabat  Mater 

s  i  n  i,  J^ms  3.50   Ricordi,  VP  2— 

8 —  Cottrau. 
Hail,  Mary    (Salve  Maria)   —60  Ditson. 
Hear    us,    0    Jesus    (Burn  a  p) 

san. 
Holy,     oh,    holy    Saviour!     (Salve    Maria) 

—60  Gordon. 
Tdol   beloved  — 35   Ditson. 
If    thy    hatred    —60    Broinard. 
II    Desiato    ritornor,     barcarola     2.50 

moine. 
II  Sogno    (Der  Traum),  w.   VVcFlHP 

Schott. 

In  sorrow  we  are  parted  (In  terra  oi  divi- 
sero)    — 30   Gordon. 

Inaugurazione,  terzetto  con  cori  nella  can- 
tata: In  morte  ii  M.  F.  Malibran  de 
B  6  r  i  o  t   3.50   Ricordi. 

Inno  a  Vittorio  Emanuele  Re  d'ltalia,  per 
Canto  e  P  4 — ,  Cori  Uomini,  Parte  stac- 
cata  1.25,  Cori  Donne,  Parte  staceata — 75, 
P  3—,  0,  Part  con  parti  st.  e  cori  15 — , 
Banda  20 — ,  Banda,  Part  6 — n  Ricordi. 

Inno  a  Garibaldi,  STB  con  2P  6—,  con  P 
5 — ,  Cori  Uomini,  Parte  staceata  1 — ,  Cori 
Donne,  Part*  staceata  1.25,  /'  3.50  Ricordi. 

Inno  a  Rossini  per  grandi  masse  vocali 
e  strumeutali,  ChP  12—,  ChO  20^,  ^m« 
10 —  n  Ricordi. 

luviolata  a  3  voix  av.   Org   1—  Vrunz. 

Ipermestra,   opera    (Naples,   1825).    Ri- 
vordi : 
Gran   Marcia   e  Cavatina :    Per   t«  pugnai 

da   forte,   2.   edizione   3 — . 
Romanza  :   Ipermestra,  io  ti  perdei   1.20. 
Aria ;  Se  un  di  lanceo  salvai  3 — . 
I  s  m  a  Ii  a  ossia  A  more  e  morte,  opera 
(Milan,    1832).   Ricordi:    ChP    30—,    Guv. 
P    1.50,   4»t«    1-50: 
Introduzione,   Coro   e  Sortita   d'Azila :    Al 

suon  dei  liuti  3 — . 
Seena  e  Duetto :   Deh  I   un  .sol  priego  3.80. 
Ooro  €   Romanza :    Sempre   pensoeo   e   tor- 

bido   2.25. 


Le- 


4/- 


Duetto:    Per   fuggente  e   vano   suono 
Coro:    Noi   pure  alia   festa  2 — . 
Scena   e   Sortita   d'Argea  •    Detestarti,   ab- 
borrirti    dovrei    2 — . 

Scena  e  Duetto:  Tnorridisoi !  spiegati  2.50 

Finale  I  3—. 

Coro  d'Introduzione :   All'  occaso  e  presso 

il    sole    1.80. 
Scena    e    Duetto:    Aceogli,    o    freddo    sasso 

3.50. 
Coro:    EbbenV    dell'Iudovina    1.25. 
Aria  :   Per   me  non  temo,  o  prodi  2 — . 

Scena  e  Terzetto :   Deh  !  pochi  di  concedile 

3.50. 
Coro  di  Maliarde:   Di  nuov'esca  si  alimenti 

1.80. 
Romanza :    Sgouibra    i    miin    dubbi,   o  cielo 

1.50. 
Scena   e   Duetto :    Odi   mia   vita  2.50. 
Romanza    (Chiave   di    Sol)  ;    Sempre    pen- 

soso   e   torbido    1.50. 

Cottrau  : 
Romanza :    Sempre  peusoso   e  torbido    1 — . 
Aria:    Per  me  non  temo,  o  prodi   1.50. 
Coro  di  maliarde:   Di  nov'esca  si  aliaienti 

1 -. 
Melancolie,    duo   2 —    Grit.'^. 
Introduzione.    Jfms   3.80. 
Coro   delle  Maliarde,   P   1.20.   ^w.s  2 — . 
Mazurka.    P    1.75,    VP    1.50,  \pi   —50. 
T  r  a  n  s  e  r.    P.-    Ritterfels,    S  a  1  a. 

-  Jesu  Redemptor  — 30  Gordon. 

-Kor/^a   TOJiiiTCii   CTpanHHK'i.   —25  Jury enson. 

-  3  Konzert-Duos,  2FI  3.75  Breitkopf^ 

-  Lamento   del  Bardo,  fant.  P  4 — ,  ^ms  6 — , 

0,   Part  20—   Ricordi. 

-  Lamento  del  mori,  bondo  2.50  Lemoine. 
-Leonora,     opera      (Naples     1844) ,     ChP 

36—,  8"  12—  P  18—  Ricordi,  ChP  12— n, 
P  5— n  Cottrau,  ChP  15— n,  P  10— n 
Heugel. 

Ricordi: 

Introduzione    e   Coro    3.50,    P   2 — . 

Cavatina  con  Cori:   II  genio  mio  belligero 

6—,    P    3—. 
Duetto :   No,  qua!  sou,  tu  non  ignori  4.50, 

P   1.50. 
Recitativo :    Strelitz.    la    vita    nella    gloria 

—50. 
Quart^tto:    Oh    eessate!    E    a    ehe    voIet«? 

4.50,    P    1.50. 
Finale  I  8—,  P  2.50. 
Scena    e    Cavatina :    Ah    rammento    a    lui 

d'accanto   3.50,   P   e   Duetto  2—. 

Duetto:   Ah  I   se  e  ver  che  sempre  in  core 

2.25. 
Terzetto :     Presto,    presto,    terminate    6 — , 

P  2—. 
Terzetto :    Vieni,    con    me   propizio    5 — ,    P 

2.25. 
Recitativo:   Burger...  E  un  anno  che  g\k 

t'offesi    —50. 
Scena  e  Duetto :  No,  non  t'ama  il  cor  & — , 

P  3—. 
Coro:   Vieni,   deh!   vieni   2 — ,   P    1.25. 
Pezzo   concertato    6.50,    P   2.50. 
Seguito   del   Pezzo   concertato   6.50. 


Mercadante  G.  S.  R.  Leonora 


—     488     — 


Mercadante  G.  S.  R.  Medea 


Romauza  e  Duefto-Finale  III :   Spento  an- 

cor   ritornero   2.50,   P    1.30. 
Scena    e    Romanza :      Vieui,    ah !    vieni,    o 

mio   diletto   2—,   P   1—. 

Scena  :    Ah !    Leonora    — 25. 
Refitntivo:    Figlio,   ah   figlio !    — 25. 

Terzetto:  Vieni,  ah!  vieni,  a  me  riedi  7 — , 

P    1.50. 
.Arietta:    Son    giovin    giiiliva    1.50,    P    1 — . 

Scena  e  Duetto:  E'gli  per  me  t'aniuinzia 
0—,   P  2.50. 

Arietta  (Chiave  di  Sol)  :  Son  giovin  giii- 
liva,   trasportatiX    1 — . 

Cottrau  :  Canto : 

1.  Introduzione,     Coro  :      Odi  .  .  .     Ascolta 

1—  n. 

2.  Cavatiua  biiffa  ;   Tl  genio  niio  belligero 
1.50  n. 

3.  Scena    e   Duetto:    No,    qual    son    1.50  n. 

4.  Scena   e   Quartetto :    Tu    tremi    indegno 
1.50  n. 

4bis.    Cantabile     (estrattoue)  :    Tu    tremi 
indegno    — 50  n. 

5.  Finale     1.     Pezzo    concertato :     Sono     i 
prodi    2.50  n. 

6.  Scena  :    Ah  !    madre    niia    — 25  n. 

7.  Scena    e    Cavatina :    Ah !    rammento    a 
liii    d'aecanto    1.50  n. 

7ter.    La    .stes.sa    calata    di    tono    per    MS 
1.25  n. 

8.  Scena   e    Duetto:    Senza    di    te   sull'ara 
1..50n. 

9.  Finale,      2.      Terzetto :      Presto     presto 

2—  n. 

1 0.  Scena  e  Terzetto  :   Vieni  con  me  2 —  n. 

11.  Scena:    Burger...    Signore    — 25  n. 

12.  Scena    e    Romanza:     Ah!    quell'amata 
vergine   — 50  n. 

13.  Scena   e   Duetto:    No,  non  t'ama  il  cor 
t'adora    1.50  n. 

14.  Finale    3.    Coro    nuziale :     Vieni     deh ! 
vieni    1 — n. 

14.  Primo    tempo    e    Racconto     del     Buffo. 
Alle    festive    voci    — 50  n. 

16.  Idem.    Se.stetto :      E    spento,     ?>    spento 
1.50  n. 

lObis.      Idem.      Cantabile      estrattone:      E 
spento   — 50  n. 

17.  Idem.   Seguito  :    Guglielmo  !  .  .  .   Figlia  ! 
1.50  n. 

18.  Idem.    Romanza:    Spento    ancor    ritor- 
ner6  — 50  n. 

19.  Duettino    finale:    Tutta    gioia    1 — . 

20.  Preludio   e   Scena :    Siam   lungi   — 50  n. 
2!.  Scena  e   Romanza  2a:    Vieni   ah   vieni, 

o   mio    diletto    1 —  n. 

22.  Gran    Terzetto:    Ciel  !  .  .  .    Che   avvenne 
2.50  u. 

22bis.    Lo    stesso    abbreviato    2 —  n. 

23.  Scena    ed    Arietta    brillante :    Son    gio- 
vin   giuliva    1 —  n. 

24.  Scena    e    Duetto    finale :    Egli    per    me 
t'annunzia    2.50  n. 

24bis.    Polacca    estrattane:    Ah!    vieni    al 
cor   2.50  n. 

P: 

A.     Introduzione,     preludio    e    coro:       Odi 
ascolta   — 50  n. 


Cavatina  di  Strelitz:  II  genio  mio  belli- 
gero  — 50  n. 

Duetto  Barone  e  Strelitz:  No,  qual  doa 
—50  n. 

Quartetto :  Menti,  menti  in  tuo  pensiero 
— 50n. 

Stretta :    Su   moviam    — 50  n. 

Cavatina     di     Leonora:      Ah!      rammenro 

—50  n. 
Duetto  di  Leonora  e  Guglielmo :   Senza  .li 

te  — 50n. 
Terzetto   finale :   Presto,   presto   — 50  n. 

Terzetto  di  Leonora,  Geltrude  e  Burg'.r: 
Vieni   ^50  n. 

Romanza  di  Oscar:  Ah!  queU'amata  ver- 
gine  — 50  n. 

Duetto  di  Leonora  e  O.scar:  Non  t'ama 
—50  n. 

Finale.  Coro  nuziale :  Vieni !  deh  vieni ! 
—50  n. 

Idem.    Seguito :    Alle    festive    voci    — 50  n. 

Idem.    Sestetto :    E    spento    — 50  n. 

Idem.  Seguito:  Guglielmo!  Figlia!  — 50  n. 

Idem.  Romanza  di  Leonora:  Spenta  an- 
cor ritornero.  Idem.  Duettino  di  Leo- 
nora   e    Guglielmo :    Tutta   gioia   — 50  n. 

Preludio,  romanza  di  Leonora:  Vieni  ah! 
vieni  — 50  n. 

Terzetto  1.  tempo:  Ciel!  che  avvenne 
—50  11. 

Seguito  e  stretta :   Ciel !   qual  voce  — 50  n. 

Arietta  brillante  di  Leonora:  Son  giovin 
giuliva    — 50  n. 

Duetto  finale:  Egli  per  me  t'annunzia 
—50  n. 

Raccolta  dei  piil  brillanti  squarci  ridotti 
facilmente,  P  2 — n:  N.  1.  Cavatina  di 
Leonora :  Ah  !  rammento,  2.  Duetto :  Va 
crudel,  3.  Terzetto :  Qual  voce,  4. 
Arietta :  Son  giovin  giuliva,  5.  Polacca : 
Ah !    vieni    al   cor,   k  — 50   Cottrau. 

A\\\  rammento  a  liii  d'aecanto,  cavatina 
1/6  n    Aiigener. 

Ah,  how  purely  flew  the  moments  2/6 
Cramer. 

When   with   unavailing  tears  2/6  Cramer. 

Still    for   thee  — 25   Brainard. 

What  maiden  .so  joyous?  S  — 50  Brainard. 

Valse   chant^e    5 —   Heugel. 

T  r  a  n  s  c  r.  P :  Albert,  M  e  n  o  z  z  i, 
Ritterfels,  Truzzi,         Stra- 

k  o  s  c  h. 

^ms :    B  i  1 1  e  m  a,   C  a  g  1  i  o,    C  e  r  i  m  e  1  e, 
Truzzi. 
-Lord  behold  us  in  humble  adoration,  quart. 
— 35   Ditson. 

-  Marenaro   2.50    Kicordi. 

-Maria       Stuarda,       opera       (Bologna 
1821),   Ouv.    P  2—   Ricordi. 

-  Martyrs  du  Japon,  marche,  mO  1 —  n  Jou- 

hert. 
-Mazurka    (ded.  a  figlia  Ismaila),  .Jnj-s  2.50, 
FIP   1.50,   Fl  —75   Eicnrdi. 

-Medea,    opera,    Ricordi :    ChP    30 — : 
Preludio,    Introduzione    e    Coro:      Perchfe 

tremi,  perchfe?  2 — . 
Scena    e    Cavatina :    Delia   celeste    Venere: 

3.50. 


Mercadante  G.  S.  R.  Medea 


489 


Mercadante  G.  S.  R.  yon?ianni  a  Pariyi 


Soena,    Maroia    trionfale    e    Coro :       Fosti 

grande   allor   che   apristi   2 — . 
Terzetto :   Mi  fea  le  pugne  vincere  6.50. 
Scena   e   Cavatina :    Presagio   inesplicabile 

4—. 
Scena    e    Duetto-Finale    I :    Criulel,    da    te 

5 —  Ricordi,   Mariani. 
Scena  e  Coro:   Miiti.  obbedienti,  immobili 

1—. 
Cavatina  :   Qual  Diva   celeste  4 — . 
Scena  e  Coro :   Dolce  figliuol   2.50. 
Gran   Finale   II   8—. 
Scena    e    Duetto:    Volea    te    solo    vittima 

4—. 
Gran    Scena     e    Scongiuro:     Antica     notte 

3—. 
Scena   e   Polacca  :    Al   seno  cingetemi   4 — . 

Scena  ed  Aria:   Pe'  suoi  falli  abborrita  6 

cotanto  4 — . 
Gran  Scena  ed  Aria  finale:  Chi  m'arresta? 

5—. 

Pezzi  abbreviati  e  trasportati  in  Chiive 
di   Sol: 
Largo    dell'Aria    finale:      Chi    m'arresta' 

1.25. 
Tjargo  estratto  dal  gran  Finale:   Mira,  in- 

fido,   in   quale   stato    1.25. 
Largo   dell'Aria:    Qual   Diva    celeste    1.25. 

Largo  della   Cavatina   del   Soprano:   Delia 
celeste  Venere   1.25. 
Pezzi  abbreviati,  nelle  rispettive  Chiavi : 

Lurgo  della  Cavatina :  Delia  celeste  Ve- 
nere 1.25. 

Cavatina  :    Della   celeste  Venere   3 — . 

Largo  del  Terzetto:  Mi  fea  le  pugn?  vin- 
cere  2.25. 

Cavatina  :    Pre&agio    inesplicabile    3 — . 

T!    solo    Largo    della     Cavatina     suddetta 

1.25. 
Stongiuro:    Antica    notte   2.25. 
Polacca  :    Al   sen   cingetemi   3 — . 
Polacca :    Al    sen   cingetemi   2.50. 
Polacca :    Al    sen    cingejemi    2.50. 
Aria:    Pe'   suoi    falli    abborrita    &   cotanto, 

calata    di   tono   2.50. 
Recitativo    e    Largo    dell'Aria    finale:    Chi 

m'arresta?   2 — . 
II   solo  Largo   dell'Aria   finale   1.25. 
Aria    finale:    Chi    m'arresta?    3 — . 
Tl   solo  Largo   dell'Aria  finale   1.25. 

Largo  della  Cavatina:  Presagio  inesplica- 
bile  1.25. 

.\ria    finale:    Chi   m'arresta?   3 — . 

Cavatina:    Presagio    inesplicabile   3- — . 

Me  pu6  pure  tocca  —40,  MundP,  VP,  Fl 
P  a  —70  Rebagli. 

T  r  a  n  s  c  r.  P :  B  o  u  a  m  i  c  i,  C  e  r  i- 
mele,    Pistilli,    Rondinella. 

'tms:    Pistilli. 

FiP :    F  i  s  c  h  e  1 1  i,    S  c  a  r  a  m  e  1 1  a. 
Melaucolia,   raaz.   di  concerto,   P  2.50,   Jfvis 

4 —   Ricordi. 

Melodia,   HuP  4.50  Ricordi. 
24  Melodie  senza  parole,  in  Chiave  di  Sol, 

preparatorie     al    Canto    drammatico,     Ri- 
cordi: 

Parte   prima    12—,    I   6.50:    N.    1.   L'Af- 

ianno   1 — .   N.   2.   Allegretto   grazioso    1 — . 


N.  3.  Andante  cantabile  1.25.  N.  4.  An- 
dante cantabile  1.25.  N.  5.  Scherzo  1.50. 
N.    6.   Andante   cantabile    1.50. 

II  6.50:  N.  1.  Barcarola  1—.  N.  2.  Bo- 
lero vocalizzato  1.50.  N.  3.  Andante  es- 
pressivo  1.50.  N.  4.  Tirolese  vocalizzata 
1.50.  N.  5.  Declamato  1.50.  N.  6.  La  Pa- 
storella  Svizzera,  vocalizzo  di  Canto  le- 
gato   1.25. 

Parte  seconda  IS—,  I  10—:  N.  1.  Can- 
tabile di  Portamento  1.75.  N.  2.  II  Canto 
dell'Arabo  1.50.  N.  3.  II  Pescatore  di  Mer- 
gellina,  serenata  melanconica  caratteri- 
stica  napolitana  2.50.  N.  4.  La  Vezzosa, 
esercizio  di  agilita  3 — .  N.  5.  Adagio  gran- 
dioso,  esercizio  di  canto  sosteuuto,  e  lunga 
respirazione  2 — .  N.  6.  Cantabile  legato, 
esercizio   di   mezza   voce    l."50. 

II  10—:  N.  1.  L'Ingenua  1.50.  N.  2.  II 
Gondoliero  Veneziano,  barcarola  1.50.  N. 
3.  L'Andalusa,  melodia  caratteristica 
spagnuola  2.50.  N.  4.  Esercizio  del  grup- 
petto  2 — .  N.  5.  Siciliana,  andante  carat- 
teristico  1.75.  N.  6.  La  Smania,  esercizio 
di    Canto    concitato    1.75. 

-  3    Melodie,    JfV    7—,    N.    1—2    a    2—,    N.    3 

4.50  Ricordi. 

-  Messa,  ATTB  con   Org   10—  Ricordi. 
-Messa     (G-m.),     f^ATB    1.25    Ditson,     —50 

Gordon,  6/8,  0  ace.  (Biedermann) 
7.50  J.  Fischer. 

-Messa  (B),  TTB  con  Org  2.50  n  Ricordi, 
3 —  n  Mariani,  2 —  n  Perosino,  6 —  Cranz, 
8SB  —50  Ditson,  8ATB  6/8,  0  ace.  7.50  n 
J.  Fischer,  STB,  Part  10—,  p.  s.  a  1— 
Per^gally. 

-Messa  (D-m.),  SATB  6/8  J.  Fischer,  —50 
Gordon,   ATTB   av.    Org   9.50   Schott. 

-Messa  (D),  SATB  1—,  arr.  by  Bieder- 
mann,   0    ace.    7.50  n    J.   Fischer. 

-  Messe    solennelle     (D),     a    3    voix    av.    Org 

5.50    Cranz,   — 75    Schirmer. 

-  Mesta    taceute   2.50   Ricordi. 

-  Miserere,  3  voc.  con  VcKh  y  Fag  2.50  Do- 

tesio. 

-  Modlitwa,   Pie^ii   • — 20  n   Gehethner. 

-  Motivi   napolitani,   P   1 —  n   Cottrau. 

-  Narzeczona   rybaka   — 40  n    Gehethner. 

-  Nel  lasciar,  w.  FIP  3/ —  Leonard. 

-Nitocri,    opera     (Turin    1825),    Guv.    P 
2 —  Mariuni: 
Cavatina:    Deh,    seconda    1.80,    FIG    1.25  n 

Ricordi. 
Cavatina:    Se    m'abbaudoni     1.50    Ricordi, 

3, —    Ashdotvn,    5 —    Girod. 
Cavatina:  Tiranno  amor  1.75  Ricordi,  5 — 

G  irod. 
Recitativo  ed  Aria :   Mi  vieta  fin  di  pian- 

gere  2—,  FIG   1.25  Ricordi. 

-  Nol  sai  2.50  Ricordi. 

-Normanni    a    Parigi,    opera     (Turin 
1832),    Ricordi:    ChP   26—,    P    16—,    Ouv. 
P  2—,   2FI  2.50: 
Introduzione :    Un    re    fanciullo    e    debole 

4—,   P   2.50. 
Cavatina:    Era   la    notte,    e   supplice   2.50, 

P   1.50. 
Recitativo:    Ma  coi  piil  lieti   1 — . 


Mercadante  G.  S.  R.  Normanni  a  Pwrigi 


490    —      Mercadante  G.  S.  R.  Oraxi  e  Guriaxi 


P   1.60  Ricordi,  Canto   1.50  u   Cott- 
Tu   lo   volesti,  o  barbaro 


Scena  e  Duetto :  Si,  da  un  cor  3—,  P  2.30. 
Cavatina :    Quando    co'    suoi    s'iucontrano 

2.50, 

rau. 
Scena  e  Duetto ; 

4—,   P   2.30. 
Coro:    Tutti   siam   noi?    1 — . 

Scena   e   Romauza :    Ella    piangea,    la    per- 

fida   —75,   P    1—. 
Scena  e   Duetto :    Ah !    non   mai,   non   mai 

scoperto     3.40,     P    2.50    Ricordi,     Canto 

1.50  u    Col  trail. 
Finale   I   5—,   P  2—. 
Recitative  :    Siam    giunti    1 — . 
Aria:    lo   I'amai   qual    s'ama   il   cielo   2.50, 

P    1.80. 
Scena  e   Coro :    Sacro  e  iremeudo  incarico 

2—,    P   —50. 
Aria:  Ah!  Che  fate?  2—,  P  1.50   Ricordi, 

Canto    — 20  n    GehetJnier. 
Duettiuo:       Una    pregliiera    ascolta     1.40; 

Terzetto:    Che    tento?    4—;    P    3.35    Ri- 
cordi,  Canto    1 — n    Cotlrau. 
Gran  Scena  e  Preghiera :   Cielo,  fa  grazia 

ai   gemiti   1 — ,   P   1 — . 
Duetto:    lo    t'araai,    m'offriva    Osvino    3 — , 

P    1.25. 
Scena   e   Rondo :    11   tuo   sangue   a   me   re- 
cast!  1.50,   P   1.50   Ricordi,   Canto   1.25  n 

Cottruu. 
Romanza :    Ella    piangea    la    perfida,    tra- 

sportata    1 —    Ricordi,    — 75    Mariuni. 
Romanza    (Chiave   di    Sol)  :    Ella   piangea 

la   perfida    1.50. 
Romanza    (Chiave   di   Sol)  :    Cielo,   fa   gra- 

zia   ai    gemiti    1.20. 
Domaudo    a    que.sto    sponde    1- —    Mariani. 
Ella  piangea  1 —  n   Cottrau,  — 20  Gordon, 

P    (C  o  e  n  e  n)    2- —  Novello. 
Tnfami,   ed    io   diloro    1/ —  n    Angener. 

Girod : 

Duet :    Si   da   un   cor   7.50. 

Duetto:    Tu    lo    vok\sti    9—. 

Romanza:    Ella  piangea  la  perfida  2.50. 

Duetto :   Ah !    non  mai   scoperto  7.50. 

Cavatina :     Quando    eo'    suoi    s'in    con- 

trano   5 — . 

Duetto:    To    t'amai    7.50. 

Oui,    voila   bien    1.35  n    Costullat. 

Oh!    tristi    immagini,    Fl    1 — . 

Aria :    lo   I'amai,    G   — 50. 

Rondo   finale,   G   — 75. 

Romanza,     Mand    — 25  n,     MandG    — 50  n 

Rcbagli. 
Pezzi  scelti,   VP,  FIP  a  6—    2FI  4—. 

T  r  a  n  s  c  r.   P :  C  z  e  r  n  y,   R  i  1 1  e  r  f  e  1  s, 
Z  e  n  o  n  i. 

FIP:  Galli. 
Now   the   twilight's    softly   stealing.    Cham- 
ber Trio   for  treble    voices  2/6,   Voc.   score 

— /2  u   Ashdown. 
Nuni    che   intesi,   w. 

0     Quam     Dilecta, 

(Dressier)    — 60 
O     salutaris     — 6     Novella,     — ^35     Gordon, 

— 50  n  Pinatel. 
Ommagio    u    Bellini,    fant.    P 

7 —   Ricordi. 


1. 
2. 
3. 
4. 
5. 

6. 


FIP   2/6    Leonard. 
S,     aria     with     ehor. 
Ditson. 


.'ims 


fant.    P    7.50,    ^ww 
,    fant.    P    6—,    ttms 


e    tacito 


fisflio.    di 


3.90. 


-  Ommagio    a    Pacini, 

9—,  2P   12—  Ricordi. 

-  Ommagio   k    Rossini 

10 —   Ricordi. 

-  Ona    plakala    — 20  n    Gebethner. 

-  Orazi     e     Curiazi,     opera      (Wien,     1830), 

ChP  38—  Ricordi,  12— n  Cottrau,  P  26— 
Ricordi,  6 —  n  Cottruu,  P  fac.  16 — ,  Jftna 
32—,   VP,   VcP,   FIP   a   30—   Ricordi. 

Ricordi: 

Alba  e  Roma,  Preludio  e  Coro  d'lntro- 
duzione-Preghiera  di  Donne:  La  spada 
formidabile   3.60,    P   2.40,    ims   3.90. 

Scena  e  Cavatina  :  Qual  prece  o  voto  6 — , 
P   3.90,   4ms   6—." 

Scena    e    Duetto:    Talor,    solingo 
6—,    P    3.60,   J,ms    5.70. 

Scena   ed   Aria:    Di    fratello,   di 
sposo   6—,    P   3.60,   47n.v   5.70. 

Coro:    Del   terzo   cielo   benigna   diva 

P   2.70,    J/ms   3.30. 
Scena   e   Finale  I  4.20,   P   6—,   4ms  7—. 
Sestetto  nel  Finale  I  6 — . 
Seguito   e   Stretta   del   Finale   I   6 — . 
L'Oracolo,    scena    e   duetto:    Se   d'ogni    al- 

fetto    umano   6—,    P   4.80,   J,ms  6—. 
Marcia  e   Coro:    Pria    di   pugnar   si   sciol- 

gano   2.70,   P   2.40,   J,ms   3.90. 
Giuramento  -   Terzetto:      Giuriamo     5.70; 

Scena     e     Pezzo     eoncertato :      Non     di 

trombe.  non  di  brandi  6 — ;   P  5.70,  ^ms 

6—. 
Preludio,    Scena    ed    Aria :    La    mia    prece, 

il  pianto  accogli  3 — ;  Invocazione-Coro  : 
Ovoce  del   fato  2.40;   Oracolo  e  Scena; 

Tremate,  o  genti !  1.20;  P  5.70,  J,ms  6—. 

Scena    e    Cabaletta-Finale    II :    Arde    gift 

I'atroce    guerra !    3.30. 
La  Pugna.   Preludio,   Scena  ed   Aria: 

come  a  lei   mo.strarmi   6 — ,   P  4.80, 

6—. 
Scena  ed  Aria:   Oh!   se  morendo,  s'ei 

lungato  6—,  P  3.90,  ^nis  6—. 
Coro    trionfale:    Salve,    gaierrier     3— 

1.80,  4ms  2.70. 

Gran  Scena  e  Duetto:  Dammi,  s^»  a  queste 

lagrime    6 — ;      Scena    finale:    Sento    ... 

I'estremo  ...  anelitol   2.25;   P  4.80,  4ma 

6—. 
Soena  e  nuova  Cabaletta-Finale   II :    Arde 

gia   I'atroce   guerra    3 — . 

P,  facile: 

Preludio,  Introduzione,  Preghiera  di 
Donne  e  Cavatina :  Qual  prece  o  voto- 
formar   potremo?   2.50. 

Duetto:  Talor,  solingo  e  tacito,  ed  Aria: 
Di   fratello,  di  figlio,  di  sposo  2.50. 

Coro:  Del  terzo  cielo  benigna  diva,  e 
Finale  I    2.50. 

Seguito  e   Stretta    del    Finale   I    2.50. 

Duetto:    Se   d'ogni   affetto   umano,   Marcia 

e    Coro:    Pria    di    pugnar    si    sciolgano 

2.50. 
Giuramento    e    Pezzo    eoncertato:    Non    di 

trombe,    non   di    brandi    2.50. 
Preludio,   Aria,   Invocazione  e   Finale   II: 

La  mia  prece,  il  pianto  accogli  2.50. 


Ahi 

4tH8 

pro- 
.     P 


Mercadante  G.  S.  R.  Oraxi  e  Guriaxi 


491     — 


Mercadante  G.  S.  R.  Felagio 


Aria:  Ahi  come  a  lei  mostrarmi,  ed  Aria: 
Oh  I  8C  morendo,  s'ei  prolungato  2.50. 

Coro  trionfale,  Duetto :  Dammi,  se  a 
queste  lagrime,     e  Scena  finale  2.50. 

VcF,  FIP: 

Preludio    ed    Introduzione,     Preghiera    di 

dono:  La  spada  formidabilo  a  3.90. 
Cavatina :    Qual   prece   o   voto   a   4.20. 
Duetto:    Talor   solingo   e  tacito   a   5 — . 
Aria:  Di  fratello,  di  figlio,  di  eposo  a  5 — . 
Coro:  Del  terzo  cielo  benigna  diva  a  2.70. 
Finale  I    a  6 — . 
Duetto:    Se    d'ogni    affetto    umano    a    5 — . 

Marcia   e   Coro:    Pria   di   pugnar   si    sciol- 

gano.      Giuramento-Terzetto:     Giuriamo 

per  la  patria,     e  Pezzo  concertato :   Non 

di  trombe  a  6 — . 
Preludio.    Scena   ed    Aria :    La    mia   prece 

a  2.40. 
Invocazione :    O   voce  del   f ato  a   1 .80. 
Oracolo,      Scena     e    Cabaletta-Finale    II : 

Arde   gia   I'atroce   guerra.   a   3.60. 
Preludio,  Scena  ed  Aria :  Ahi '.  come  a  lei 

mostrarmi   a  4.20. 
Aria :  Oh !  se  morendo  a  4.50. 
Coro  trionfale :   Salve,  guerrier  a  2.70. 
Duetto:    Dammi,    se    a    queste    lagrime    a 

5.40. 
Scena    finale :     Sento    .  .  .    I'estremo    .  .  . 

anelito  a  1,50. 

Cottrau  : 

1.  Preludio  e  Coro  d'Introduzione :  La 
spada  formidabile  — 25  n,  P  — 50  n, 
J^ms  — 75  n. 

2.  Scena,  Romanza  e  Cavatina :  Qual 
prece  o  voto  1.50  n,  P  1.50  n,  Jfms 
3— n. 

La    stessa   abbreviata    1 — n. 

La  sola  Romanza,  meno  sfogato  1 —  n. 

La  sola  Cavatina    1 —  n. 

3.  Scena  e  Duetto :  Talor  solingo  e  tacito 
1.50  n,   P   1— n,  4ms   1— n. 

4.  Scena  e  Cavatina :  Di  fratello,  di  figlio, 
di  sposo   1.50  n,  P  1.50  n,  4'>"'S   1 — n. 

La   stessa   abbreviata   1 —  n. 

5.  Finale.  Coro :  Del  terzo  cielo  benigna 
diva  — 75  n,   P   1 —  n,   4»is  — 50  n. 

6.  Finale.  Seguito:  Ebben?  qual  fu  tua 
brama  — 75  n,  P  1 —  n,  J^ms   1 —  n. 

7.  Finale.  Largo :  Ah !  dove  un  Olimpo 
2— n,  P  — 50n. 

8.  Finale,  Seguito  e  Stretta :  Curiazio ! 
arrestati    2 —  n,   P    1—  n. 

9.  Scena  e  Duetto :  Se  d'ogni  affetto 
umano   1.50  n,  P   1 — n,  ^^ns  1 — n. 

Cantabile  estrattone  — 50  n. 

10,  Pezzo  concertato.  Coro :  Pria  di  pu- 
gnar si  Bciolgono  — 50  n,  P  — 50  n,  ^ms 
— 75n. 

11,  Pezzo  concertato.  II  Giuramento.  Ter- 
zetto :  Giuriamo  per  la  gloria  2 —  n, 
P   1—  n,    Has  —75  n. 

12.  Pezzo  concertato.  Seguito  e  Stretta : 
La  vciieranda  echiera  dei  sacerdoti 
1.50  n,    P  —50  n,   ^ms  —75  n. 

13.  Scena,  Preghiera  ed  Aria  finale:  La 
mia  prece  2 —  n,  P  — 50  n,  Jfrns  — 50  n. 


La   stessa   abbreviata   1.50  n. 

La  sola   Scena   e   Preghiera   1 —  n. 

14.  Scena   ed    Aria:    Ah!    come   a    lei    mo- 
strarmi   2—  n,    P    — 50  n,    ^nis    — 75  n. 

La  stessa  abbreviata   1.50  n. 
Cantabile   estrattone   — 50  n. 

15.  Scena  ed  Aria:   Oh!   se  morendo  2 — n, 
P  — 50  u,  Jfins  — 75  u. 

stessa   abbreviata    1.50  n. 


La 
16. 

17. 


Marcia  trionfale 
rier  magnaiiimo 
— 50n. 

Scena    e    Duetto : 
lagrime  1.50  n,  F 
Ultimo  cantabile 
lito    1— n,    P 
(in  miniatura 


e    Coro : 
1— n,    P 


Salve   guer- 
1 — n,     .'yfflS 


Dammi    se    a    queste 
—50  n,  4ms  1 —  n. 
Sento  I'estremo  iuie- 

-50  n,   4ms   1 —  n. 

4 — n:    N.    1.   Romanza: 


Qual  prece  o  voto  forniar  potremo,  2. 
Cavatina  di  Orazio :  Roma  intera,  3. 
Duetto  di  Orazio  e  Curiazio:  Se  d'ogni 
affetto  umano,  4.  II  Giuramento.  Ter- 
zetto :  Giuriam  per  la  gloria,  5.  Pre- 
ghiera di  Camilla :  La  mia  prece,  6. 
Aria  finale :  Arde  gia  I'atroce  guerra, 
7.  Aria:  Ah  I  come  a  lei  mostrarmi,  8. 
Aria :  Oh  !  se  morendo  almeno,  a  — 50. 
N.  9.  Marcia  trionfale  e  coro  1 — .  N.  10. 
Ultimo  cantabile  di  Camilla :  Sento  I'e- 
stremo anelito  — 50. 

Qual    prece   o    voto,    cavatina   2/6    Cru.ner. 
Due  polke  — 75  n   Cottrau. 
Valzer    1 — n    Cottrau. 
Quadriglie  — 50  n   Cottrau. 
T  r  a  n  s  c  r. :    P :    Billet,    B  o  s  o  n  i,    K  o- 
r  o  n  i,    M  e  r  c  u  r  i,    P  e  r  n  y,   T  r  u  /.  z  i. 

4ms :  B  i  1 1  e  m  a  ;  VP : 
K  r  a  k  a  m  p  ;    CIP  : 
Orphan's    prayer     (La 

—30    Gordon. 
Ouverture    sur    quelques   motifs    du    Stabat 

mater    de    Rossini,    P    3.50,    .^"i*    4.50 

Ricordi,  P  2—,  4ms  2.50,  0  2.40  n   Schott. 
Pastore  svizzero  3 —   Lemoine. 
Patre  Suisse   3 —  Lemoine. 
P6che,   duo  3.75   Lemoine. 
P  e  1  a  g  i  o,  opera    (Naples, 

ChP   36—,   P  20—: 

Preludio  ed   Introduzione 


Calegari;  VIP: 
C  a  V  a  1 1  i  n  i. 
prece    dell    orfnno) 


1857).  Ricordi: 


-,   P   2.50. 
In  terra  solitaria  3- 


Scena  e  Romanza 

P  1.25. 
Scena    e    Cavatina :    Non    so, 

reggere  3 — ,  P  2 — , 
Scena    e   Cavatina :    Immerso 

4—    P  3.25. 
Scena   e  Duetto-Finale   I:   Tu 

mestizia   6^ — ,   P  3.50. 
Preludio,    Scena    e    Duetto : 

estremi  aneliti   7 — ,   P  4.50, 
Scena    ed    Aria-Finale    II :    Non 

Bianca   all'   Arabo   6 — ,   P   3 — . 
Scena   e   Coro :    Pronti    siamo   4 — , 
Aria:    lo    non    avea    piil    lagrime 


non  so  piu 
nel  sileuzio 
tremi,  e  di 
Ei  fra  gli 
sai    che 

/'    3—. 
4—,    P 


3—. 
Scena 

2.50 
Scena 

svelati  5 
Finale  III 


Di  sue  pietose  iagrim.: 


e  Romanza ; 
P   1.75. 

e    Terzetto:    Chi    sei?    chi    seiv    di- 
-    P  2.50. 
6.50.  P  2.75, 


Mercadante  G.  S.  R.  Pelagio 


492     — 


Mercadante  G.  S.  R.  Reggente 


Preludio  e  Preghiera :   D'un  infelice  acco- 

gliere  2.50,  P  2.25. 
Scena  e  Duetto-Finale  ultimo :  Nel  sangue 
a   rivi   aneor   fumante   6 — ,   P  4 — . 
•  Pesca     (Dal&tirat    zongorira),    P     (Poor 
G.)    1 —  Rozsavolgyi. 
Plainte   du   mouraut   2.50   Leinoine. 
Poesia,   melodia,   JtVc,   Part  2.50,   parti   st. 
2.50  Ricordi. 
Polka    1.50  Mariani. 

Polka-maznrka  pezzo  de  sala,  P  1.25  Ri- 
cordi. 

3  Polke,  FIP:  N.  1.  Trombetta  1.75.  N.  2. 
Esperimento,    3.    Vezzosa,    i\    1.25    Ricordi. 

Posto    abbandonato,   opera : 
Cavatina :   Quale  stella  o  Dio  spunto  2.60 
Ricordi,  6—  Girod,  FIP,   CIP  k   1—  Ri- 
cordi. 
Recitative    e    Cavatina :    Vieui    Umeno,    o 

mia  speranza  2 —  Ricordi,  5 —  Girod. 
Duetto :   Prendi,  vola  al  Capitano  4 —  Ri- 
cordi, 7.50  Girod. 
Scena    e    Rondo :    Ah    lasciate    ancor    per 

poeo  3—  Ricordi,  9 —   Girod. 
Duetto:  Non  temer  mio  bel  6 — -  Girod. 
Prece  dell'Orfana   1.25  Ricordi. 
Primavera,   canzonetta   2.50   Lemoine. 
Printemps  2.50   Lemoine. 

Proscritto,  opera  (Naples,  1840).  Ri- 
cordi : 

Scena  e  Cavatina:   Son  del  tuo  volto  3.50. 

Scena  e  Romanza:  L'aura  ch'io  spiro  1.50. 

Scena  ed  Aria:   Ahi !   del  giorno  4.50. 

Scena  e  Duetto  nell'Atto  II :  Si,  lo  giuro 
5—. 

Scena  e  Duetto :   II  mar  che  freme  5 — . 

Coro  di  Proscritti:  Ha  steso  la  notte  1.25. 

Gran  Scena  e  Duetto :  Stretto  agli  avanzi 

5—. 

Scena   e   Duetto :    Vanne   dunque  3 — . 

Reggente,  opera  (Naples,  1840),  ChP 
36—  Ricordi,  12— n  Cottrau,  P  2U— ,  Fl. 
8.50,  Ouv.  P  3.50,  fac.  3—,  Jms  6—,  2P 
12—,  VP,  FIP  a  4—,  2FI  3.50,  sO  5— n 
Ricordi. 

Ricordi : 
lutroduzione  e  Coro   2.50,   P   1.75. 

Recitativo  e  Cavatina:  Se  tu  Timponi, 
esanime  1 — ;  Coro:  Che  fia?  — 25;  Ca- 
vatina e  Duetto :  Cinto  di  nuova  gloria 
3.50;   P  2.50. 

Scena :    Segnar   ti   piaccia   intanto  : — 25. 

Ballata :  Delia  notte  i  rai  lucenti  2.50, 
P   1.50. 

Stretta  dell'Introduzione  3.75,   P   1.50. 

Evocazione :  Tre  volte  invoco,  te  scinta  le 
chiome   2—,    P    1.50. 

Coro:    Inoltriam,   ma   queti    4.50,    P    1.50. 

Recitativo :  A  quell'  oscuro  varco  alcuu 
batte  —25. 

Scena  e  Cavatina  :  Si,  d'amor,  d'amore  in- 
sane 3.50,  P  2.50. 

Scena  e  Finale  I :  Addio,  figlia  di  Satana 
10—,   P   5.50. 

Scena  e  Duetto :  Obbedisti  al  genitorc 
3.75,  P  2— . 

Scena:  Non  odi  un  calpestio?  1.75. 

Duetto  con  Cori :  Qual  rifulse  balen  tre- 
mendo  6—.  P  2.50. 


Recitativo   e    Duetto :    Si   perversa    ...    a' 

piedi  miei!   4.50,  P  2.75. 
Scena  ed  Aria :   Nuova  ferita,  cruda,  pro- 

fonda  4.50,  P  2.50. 
II    Ballo    in    maschera.    Canzone   con   Cori 

5—. 
Scena  e  Recitativo  dopo  il  Ballo  in  mas- 
chera   1.50. 
Ari;i    finale :    E    forza,   fe   forza   estinguere 

4—,  P  2.25. 
Scena  ed  Aria :  Parti :  qual  cruccio  s'avea 

nel    volto.    Scritta   a   Trieste   per   la   Si- 

gnora   Tadolini   4.50,   P   2.50. 

Pezzi  ridotti  in  Chiave  di  Sol  senza  Cori 
e  Pertichini :  Largo  estratto  dall'ultima 
Scena :   E  forza,  ft  forza  estinguere  1.50. 

Duettino:    Obbedisti   al   genitore   2 — . 

Duettino :  Pria  che  mi  chiuda  11  gelido 
sonno  2.50. 

Duettino:  Qual  rifulse  balen  tremendo 
3—. 

Ballata:  Delia  notte  i  rai  lucenti  3.50. 

ContradJanza   inglese,   P  — 75. 

Valzer  — 75. 

Galop  —75. 

VP,  FIB: 

Cavatina :   Se  tu  I'imponi,  esanime  a  3 — . 
Cavatina :    Si,    d'amor,    d'amore    insano    Ti 

2.50. 
Duetto :    Obbedisti   al   genitore  si  2 — . 
Duetto:  Si,  perversa,  a'  piedi  miei  a  2.50. 
Ballo  in  maschera  a  3 — -. 
Aria :     Nuova    ferita,    cruda    profonda    a 

2.50. 
Aria   finale  a  2 — . 

2FI: 
Sinfonia   3.50. 
Cavatina:  Se  tu  I'imponi  esanime.  Duetto: 

Cinto    di    nuova   gloria.      Cavatina :    Si, 

d'amor,   d'amore   insano  2.50. 
Duetto :   Obbedisti  al  genitore   r25. 
Duetto :    Si,    perversa    ...    a'    piedi    miei 

1.50. 
Aria:   Nuova  ferita,  cruda,  profonda   1.25. 
Ballo  in  maschera   1.50. 
Aria   fiaale:    E    forza,   6   forza   estinguere 

1—. 

Cottrau:  Canto: 

Romanza :   Se  tu  I'imponi,  esanime  — 50  n. 
Scena    ed    Aria    aggiunta    dall'iutore    in 

Trieste  per  la  Tadolini :  Parti  .  .  .  qual 

cruccio   1 —  n. 
Duetto:  Cinto  di  nuova  gloria  1.50  n. 
Ballata:    Delia    notte   i  rai    lucenti    1 — n. 
Cavatina:      Si,     d'amor,     d'amora     insano 

1.25  n. 
Duetto:    Obbedisti  al   genitore   1.50  n. 

Duettino :    Qual    rifulse    baleno    tremendo 

1— n. 
Duetto:   Si,  perversa,  a'  piedi  miei   1.50  n. 
Aria  :    Nova   ferita  cruda   profonda   1 —  n. 
Cavatina:   Piazza  o  maschere  al  veggente 

1— n. 
Romanze:    Se   tu    Timponi    esanime    1 — n. 
Aria   finale:    E    forza,   6   forza   estinguere 

1— n. 
Aria   finale :    E   forza,   6   forza   estinguere, 

trasportata   1 —  n. 


Mercadante  G.  S.  R.  Regqente 


—     493 


Mercadante  G.  S.  R.  Sogno  di  Torquato 


Transcr. :     P :      Fischetti,     H  all- 
may  r,   Hermann,   Unia:    VP :   D  e 
Giovanni. 
•  Reminiscences,   P  — 75  n    Gebethner. 

■  Retour  d6sir6  2.50  Lemoine. 

Retraite  de  Varsovie,  polonaise,  mO   1 —  n 

Gol)ert. 
Romanza  e  Rondo,  VP  2.50  Cottrau. 
Rosa    (The   Rose)    — 35    Schirmer. 
Rose  teatrali,  piccoli  divertimenti  facili  ed 

eleganti,  J/nis  7 — :   N.    1.  Faust  2 — .  N.  2. 

Don   Carlo   2.50.   N.   3.   Un    Ballo   in   mas- 

chera    2.50.    N.    4.    Gli    Ugonotti    3.50    Ri- 

cordi. 

■  Salve  Maria,  con  P(E)  2 — ,   (it.,  engl.)   4 — 

Kicordi,  — 60  Gordon^  — 75  Schirmer,  1.50 
Bevilacqua. 

Salve  Maria,  andante  religiose  1 —  Schott, 
VP,  VaP,  VcP  a  1—  n,  VO,  VcO,  FIO,  FaG, 
FTP  a  — 80n,  Vc(Fa  od.  Pos)P  (Sauer) 
—80,  FlVcP,  FlVaP,  FIVP,  VVcP,  VVaP, 
2VP  a  1— n,  TrO,  PosO  a  2.50  n  C.  F. 
Schmidt. 


Schiava  Saracena 
G  e  r  o  s  o  1  i  m  a) ,  opera 
ChP    36—    Ricordi,    12— n 


(C  a  m  p  o  d  i 
Milan,  1849), 
Cottrau,    Ouv. 


P  1.50  Ricordi,  1 — n  Cottrav.  J/rns  1.50 
Ricordi. 

Ricordi : 
Coro   d'lntrodnzione :    II   di   sorge   2.50. 
Scena   e   Cavatina:    Cadea   pugnando   esa- 

nime   4 — ,    P   2 — . 

Scena  e  Cavatina  :  Ah  non  potea  iin  far- 
maco,  e  Romanza:  Agar  trilustre  ver- 
gine  4—,  P  3.30. 

Scena   e   Finale  I   6 — . 

Largo  del  Finale  I  4 — . 

Seguito   e  Stretta   del   Finale  I   7 — . 

Scena  e  Cavatina :  In  braccio  del  rivale, 
Nnovamente    agginnta    dall'Antore    5 — . 

Coro  :    Fuggi !    salva  I    2.25. 

Scena    e    Duettino:    Ah    Lea!    Mio    Guido 

2.50 ;  Terzetto-Finale  II :  Costei  sua  fede 

m'avea  giurata  4.50 ;  P  4 — . 
Marcia  e  Coro  d'Introduzione :  Verran  se- 

curi   a   Solima   3.50. 
Scena  ed  Aria:  Si;  a  tanto  annvmzio  atto- 

nito   3—,   P   2—. 
Scena   ed   Aria-Finale   III :    M'apparve   in 

vetta  al  Golgotk  6—,  P  3—. 

Coro  d'Introduzione:   A  puri  gaudii  I'ani- 

ma  2 — . 
Scena  ed  Aria :  Le  mie  pene  se  rammento 

4.50  P  1.80. 
Scena    e    Duetto-Finale    IV :    Pari    al    sol 

de'    miei    deserti    5 — ,    P    2 — . 

Cottrau:    Canto: 
Scena  e  cavatina:   Ah  non  poteva  un  far- 

maco  1 — . 
Cavatina:   Cadea,  pugnando,  esanime  1 — . 
Melodia   estratta  — 50. 
Terzetto :    O  ciel   elemente   2 — . 
Cavatina:    In    braccio   del    rivale    1.50. 

Sogno :    M'apparve    in    vetta    al 

1—. 

Cantabile :  Le  mie  pene  se  rammento  — 50. 
Duetto:  Pari  al  sol  dei  miei  deserti  2 — . 
Canto  grabo  — 50  n. 


Golgota 


Deh !    per    pieta 

Carlo    fedele    ti 

S'    impugnano    le 

R  o  n  d  i  - 

Girod. 
-60, 


e  4 


Cottrau:     P: 
Marcia  — 70. 

Coro  Nuziale:  A  puri  gaudi  I'anima  1-— . 
Scena  ed  aria :  In  braccia  del  rivale  — 50. 
Finale    Atto    I.     Scena 

— 75. 
Finale    Atto    I.     Largo 

voglio  all'amore  — 50. 
Stretta :    Dio    lo    vuolo. 

spade  — 75. 
Transcr.:      P:      Pistil  11 

nella;    Jfms:   C  e  r  i  m  e  1  e. 

-  Schwur,  Duett  1.20  Teich. 
-Sciti,    opera     (Naples,    1823): 

Duetto:    Che    faro    quai    detti    4.50 
Aria :    Ah !    miei   fidi   5 —  Girod. 

-  Se   m'abbandoni    (W.    F  o  r  d  e) ,   FIP   - 

2FIP   —75    Brainard. 

-  Sept    paroles    de    N.    S.    J^su    Christ 

Cranz. 

-  Serenade  du  marinier  3 —  Lemoine. 

-  Sereuata    del    marinaro    3 —    Lemoine. 

-  3   Serenate,  3FI  4 —  Ricordi. 

-  Serate   italiane.   Raccolta   di   8   ariette 

duetti.  Ricordi:  Ariette:  N.  1.  II  desiato 
ritoruo.  Barcarola :  Vieni,  la  barca  fe 
pronta  1 — .  N.  2.  La  Primavera.  Canzo- 
netta :    Tornan  le   fronde  al  bosco   1 — .  N. 

3.  L'Asilo  al  Pellegrino.  Canzone  del  Tro- 
vatore:    Date   asilo   al    pellegrino    1.25.    N. 

4.  II  Pastore  Svizzero.  Tirolese:  Allor  che 
.scherza  aprile  1 — .  N.  5.  La  Serenata  del 
Marinaro.  Serenata :  L'estrema  volta  e 
questa  1—.  N.  6.  II  Zeffiro.  Polacca :' 
Com'ora,  o  zeffiretto  1.25.  N.  7.  II  La- 
mento  del  Moribondo.  Romanza :  Non  seor- 
dar  gli  estremi  acceuti  1 — .  N.  8.  La  Zin- 
garella  Spagnuola.  Bolero:  Ogni  donna 
1.25.  Duetti:  N.  9.  La  Pesca  (Quanto  & 
bella)  1.25.  N.  10.  II  Brindisi  (Evviva! 
si  canti)  1.25.  N.  11.  La  Caccia 
12.  II  Galop   (II  re  della  danza), 

1—. 

ultime    parole 

Croce,    SSTB 

Introduzione 
1.25,  II,  VII  a  3—, 
2 —  Ricordi. 

-  Seven  last  words    (Settime  ultime  parole) , 

cantata  f.  mixed  voices   1 — n  Schirmer. 

-Signore  del  Villaggio,  opera-buffa : 
Cavatina :  S'ha  sbagliata  il  signor  3 — 
Girod. 

-  Sinfonia    caratteristica    sopra    i  pivl    graz. 

mot.   napolitani,   P  3 —  Ricordi. 

-Sinfonia  fantastiea,  4ms  5 — ,   0,  Part  11 — 

Ricordi. 
-Sinfonia   sulla   Stabat   di   R  o  s  s  i  n  i,     VcF 

2.50   Cottrau. 

-  CnoBH^'feHie,  MHtcHiiJiocb  — 40  Jurgenson. 

-  Soave  immagine,   cavatina   1/ —  n   Augener, 

FIP  2/ —  Leonard. 

-  Soave  Immagine.  Da  Qual  di  Anna  Bolena, 

FIP  (Henry  Nicholson)  2/— n  Tur- 
ner. 

-  Sogno  2.50,  con   V(Vc)P  2.50  Ricordi,  1— 

Schirmer,  2 — ■  n  Durand. 

-  Sogno   di   Torquato    (it.-ted.)    1.50   Ricordi. 


1.50.   N. 
duettino 


buffo 

Sette 
sulla 
18—: 


di  Nostro 
e  coro  con 
2—,  Parola, 
III  2.50.  IV 


Signore 

P(Org) 

I— V    a 

2.25,  VI 


Mercadante  G.  S.  R.  Soirees  italiennes 


—    494     — 


Mercadante  G.  8.  R.  Un'  Estate 


Soirees  italiennes,  Collection   de  8  ariettes 

et  duos  pour  chant  av.   P    (Paroles  it.,  fr. 

et  al.)    8.50: 

1.11    desiato    Ritorno    (Le   Eetour    desirg. 

Die    erwiinschte    Rtickkehr).    barcarola 

— 75. 

2.  La     Primavera      (Le     Printemps.     Der 

Friihling),  canzonetta  — 75. 
.3.  L'Asilo   al   Pellagrino    (L'Asile    du   Pe- 
lerin.    Zuflucht    dem    Pilger),    canzona 
1—. 

4.  II  Pastore  svizzero  (Le  Patre  Suisse. 
Der   Schweizerhirte),   Tirolese  — 75. 

5.  La  Serenata  del  Marina  ro  (Le  Chant 
du  marinier.  Die  Serenade  des  See- 
mannes)    — 75. 

6.  II  Zeffiro  (Le  Zephir.  Der  Zephir), 
Polacca  1 — . 

7.  Lamento  del  Moribondo  (Les  pleintes 
du  mourant.  Die  Klage  des  Sterben- 
den),  Romauza  — 75. 

8.  La  Zingarella  spanola  (La  Zingarella 
espaguole.  Die  spanische  Zigeunerin), 
Bolero    1 — . 

9.  La  Pesca  (La  P&che.  Der  Fischfang), 
Duettino  per  2N   1.25. 

10.11  Brindisi    (Le   Toast.   Das  Lebelioch), 

Duettino   pour    TB    1.25. 
11.  La     Caccia     (La    Chasse.      Die    Jagd), 

Duettino  pour  2T  1.25. 
12.11    Galop    (Le   Galop.    Die   Galoppadei , 

Duettino  pour  2B  \—  Schott. 
■  Soirees    italiennes    18- 

-  Soirees     italiennes,     P 

I— II   a    2.75   8chott. 

-  Soirees   italiennes  N.   2,   4,   5,   8,    10   et   12, 

voyez     F  r.     Liszt,     Soirees     italiennes. 
Schott. 

-  Soirees  musicales,  2P(HP)  p 

12—,   I— II   a   8—  Ricordi. 
-South   wind!    where  art   thou   going?    SMSt 

1/6  n  Augener. 
-Statira,    opera.     Cottran:     ChP     12— n, 
P  5— n: 
l.Preludio  e  Marcia:   Plausi  al  guerrier 
Macedone  1.50  n,  P  — 50  n. 

2.  Cavatina :  Cassandro :  A  te  leggiadra 
Olimpia   1.50  n,   P  — 50  n. 

3.  Duetto:  Cassandro  ed  Antigono:  Era 
un  giorno  2 —  n,  P  — 50  n. 

Adagio  estrattone  — 50  n. 

4.  Scena  e  Cavatina  :  Statira  :  Ah  !  sempre 
nel  pianto   1.50  n,   P  — 50  n. 

5.  Recitativo  gran  Saeerdote:  Ministra  di 
Diana  —50  n,   P  —50  n. 

6.  Scena  e  Duetto :  Statira  ed  Olimpia  : 
Siccome   fior    2 —  n,    P   — 50  n. 

8.  Scena  ed  Aria  :  Antigono :  Cede  Olim- 
pia  a]   tuo  bel   viso   1.50  n,   P  — 50  n. 

10.  Gran  Scena:   Sulla  coppia  avventurata 
1—  n,   P  —50  n. 

ll.Quintetto:    Ahi !    qual    vista!    2— n.    P 
— 50n. 

12.  Stretta  :  Vieni  al  campo  2 — n,  P 
— 50n. 

13.  Scena  ed  Aria;  Olimpia:  O  lieti  giorni 
e  placidi   1 —  n,  P  — 50  n. 

14.  Romanza  Cassandro:  Senza  gloria  il 
cor   fe  spento   1 — ^  n,    P  —50  n. 


Lemoine. 
(C  h.    Rummel), 


C.  G.  L  i  c  k  1 


16.  Marcia   funebre:   O  bell'   alma   affretta 
affretta    1— n,    P   — 50  n. 

17.  Scena    e    pezzo    concertato :    A    questo 
petto  2—  n,  P  —50  n. 

Ah !  balza  il  mio  cor  di  giubilo,  rondo  1 — . 
Corri,  rondd  1 — . 

Stella.  Romanza:  Bruno  &  il  cielo  1.75, 
(it.-ted.)  1.50  Ricordi,  (The  Star)  Melo- 
dia  — 50  Schirmer,  — 40  Bessel. 

Studi  di  Canto.  Vocalizzi  progressivi  per 
S  o  T,   in  Chiave  di    Sol    10—  Ricordi. 

Sweet  is  the  hour  of  rest,  SATB  — /I 
Boosey. 

Sweet  lily,  fair  flower  (0  giglio  soave), 
SC    4/—   Ashdown. 

SBtfla,  MeJIO/^ifl  — 40  Bessel. 
-  Tantum  erg,    Bar    con    Org     (A  1  m  a  s  i  o) 
4 —  Ricordi. 

■  Tantum  ergo,  T  con  coro  3 —  Mariani,  4 — 

Perosino. 
■Tantum   ergo,    TTB   <'on    Org    1.20    Libreria 
Solesiana. 

■  Tantum  Ergo,  8AB  — 40  Ditson. 
for    Cornet,    FullO    1— , 


Tantum    Ergo,    s. 


10    Instr    —75,     P 


-35 


(in   B)    1.25    Ricordi,   3/- 


arietta    (F)    2- 


Ri- 
Ri- 

(I 
Ri- 


llf    Instr    —90, 

Fisch  er. 
T'amo,   romanza 

Ashdov'n. 
T'amo    bell'idol    mio, 

cordi,   1/6  Ashdoicn. 
Telegrapho   electrico,   capriccio,   P   1.75 

cordi,   1.50  Guimara.es. 
T<>ma    e    Variazioni :      Sento    brillarmi 

due    Prigioneri),    chantee    1.50 

cordi. 
Testa  di  bronzo,  opera    (Madrid,  1830, 

Ouv.   P  2 —  Ricordi,  2 —  Mariani. 

Cavatina  :    Non  mi   parlar  d'Eliaa  2 —   Ri- 
cordi. 

■  'Tis  vain  to  hope   (E  vano  il  sospirar)  — 30 

Gordov. 

■  'Tis  vain  to  hope   (La  rosa)  — 30  Gordon. 

■  Toast,  duo   3.75   Lemoine. 

■  Tradita,   romanza   4 —  Ricordi. 

-Uggero    il    Danes  e,    opera.     Ricordi : 
ChP  24—,  P   16— : 
Cavatina:  Cara,  diro  stringendola  5.50,  P 

Duetto:    Vieni.   contempla,    iniquo  4.75,    P 

2.50. 
Preghiera  :    Ciel,   perdona    1 — ,  Terzettino  : 

Lascia   che   core   ed    anima    3 — ;    P   2 — . 
Finale  I,    P   2.25. 
Aria:    Non  s'ascolti   2—,  P   1.50. 
Aria:    Ei   riposa   3.25,  P   3—. 

Duetto :   To  custode  alia  sua  tenda  5 — ,  P 

•"I 
■} — . 

Quartetto:   Obbedisci,  P   1.75. 

Cottrau: 
Scena    e    Cavatina:    Cara    dir6   piangendo 

(senza   pertichini)    1.50  n. 
Scena  ed  Aria :   Non  si  ascolti   1 —  n. 
Rond6    finale:    Mentre    il    codardo    (senza 

pertichini)     1 — n. 

-  Un'    E.state   a   Sorrento,    album:    N.    1.    La 

Sposa    de    la    Marenaro.    Canzone    napoli- 

tana:  Pescatd,  se  mmiezo  mare  (con  jnter- 

pretazione   italiana)    1.50.   N,   3.   L'uocchie 


Mercadante  G.  S.  R.  IJn'  Estate 


495 


Mercadante  G.  S.  R.   Vestale 


de  la  Neuna  mia.  Canzono  napolitana : 
Vide  la  luna  (cou  interpretazione  it^liana 
2.50  Ricordi. 

-  Un'    Estate    a    Sorrento     (Ein    Soninior    zu 

Sorrent),  5  pezzi  de  Camera  per  una  voce 
con  ace.  di  P  (Paroles  it.  et  al.)  :  N.  1. 
La  Sposa  del  marinaro  (Die  Braut  des 
Seemannes),  Canzone  1 — .  N.  2.  II  Fiore 
e  la  Lagrima  (Die  Blume  und  die  Trane), 
Romanza  1 — .  N.  3.  Gli  occhi  della  mia 
bella  (Die  Augen  meiner  Geliebten),  Can- 
zone 1.50.  N.  4.  Un  Pensiero  sopra  Sor- 
rento (Ein  Gedanke  zu  Sorrent)  Canto 
p.  B  1.50.  N.  5.  La  Prece  dell'Orfano 
(Das  Gebet  der  Waise).  Komanza  — 75 
Schott;  7—,  N.  1  1.50,  N.  2  1.75,  N.  .S— 4 
a  2.50,  N.  5   1.25  Ricordi. 

-  Unto  the  hills  —40  Church. 

-Va.s  cello     de    Gama,     opera     (Naples, 

1840).  Ricordi: 

Seena   e   Romanza:    Abbia    da   te  quel   mi- 
sero   2.40. 

Seena  e  Stretta  deirintrodnzione  del  Pro- 
logo  3.30. 

Recitativo  e  Cabaletta  finale  del  Prologo: 
Deh !    mia   virtu   soccorrimi   2.70. 

Scena  e  Bolero:  Esulta  ognor  quest  anima 
4.20. 

Scena   e   Duetto:    L'   odi   alfin,   d'amore   io 
I'amo  4.20. 

Scena  e  Duetto :  Lungi,  o  spoglia  6 — . 

Scena    ed    Aria    finale:    .\d    implorarti,    o 
Nume  6 — . 

Tempesta,  P  2.10. 
-Vespers    (D),   8ATB   1—  Difson. 
-Vestale,     opera    (1841),     ChP    30— 

fac.   10—,  4ms  22—,  Fl  6—,  2FI  12- 

7ayc  15—  Ricordi,  ChP   12— n.   P  5— n, 

Cottrau,  ChP  8— n  Girod: 

Ricordi : 

Preludio   e   Preghiera    mattutina:      Salve 

o   Dea    1.75,    P    1.50,    J,7ns   3.25. 
Recitativo :    Si,    ministre   dell'ara   — 75. 
•Scena   e    Duetto :     Di   conforto    un    raggio 

solo   3.50,   P   1.75,   J^ms  3.50. 

3.50,   P   2—,   Jims   3.50. 

Quanto  mi  cinge  5 — ,  P  3 — ,  4>ns  5 — . 
Seguito    e    .Stretta    del     Pezzo     ooncertato 

7.50. 
Scena  e  Duetto:   E  la  patria,  6  Roma,  in- 

sano!    3.25,   P   2.50,   JfHis  4—. 
Tntroduzione  e  Preghiera :  Se  fino  al  cielo 

ascendere  — 75,  P  — 75,  4^s  1.75. 
Scena  e  Duetto:   No,  I'acciar  non   fu  spie- 

tato  3.25,  P  2.25,  y,ws  4—. 
Scena    ed    Aria :    Versate    amare    lagrime 

4.25,   P   3—,   4ms   2.25. 
Scena:    Sull'attonita   f route    1.25. 
Largo  del  Finale  II    2.50,  P  2.50,  4ms  4—. 
Seguito  e   Stretta   del   Finale   II   5 — . 
Coro,    Scena    ed    Aria :    Se    non    potrft    la 

vittima  5 — ,  P  2.25,  4tns  4.50. 
Coro:    Ahi !    questa    vittima    1.25.    P    1.25, 

4ms  1.75. 
Scena  e  Duetto  finale:  Ah  mira,  gl'incensi 

gia  fumano  3.50,  P  i.50.  4ms  3.25. 

-P,  facile : 

Atto   I.   Preludio,    Preghiera   mattutina    e 
Duetto :   Di  conforto  un  raggio  solo  2 — . 


16- 
,  FIV 


Coro  trionfale:  Plauso  al  Duce  vincitor, 
e  Pezzo  concertato  2 — . 

Duetto :  E  la  patria,  6  Roma,  insano ! 
Atto  II.  Preghiera  Se  fino  al  cielo  as- 
cendere  2 — : 

Duetto:  No,  I'acciar  non  fu  spietato,  ed 
Aria :   Versate  amare  lagrime  2 — . 

Finale  II.  Atto  III.  Coro  ed  Aria :  Se  non 
potra  la  vittima  2 — . 

Coro  e  Duetto  finale:  Ah!  mira,  gl'incensi 
gia  fumano  2- — . 

Fl: 

Atto  I.  Preludio  e  Preghiera:  Duetto:  Di 
conforto.  Coro  trionfale  2 — ■,  2FI  4 — . 

Pezzo  concertato.  Duetto:  E  la  patria  2 — , 
2FI  4—. 

Atto  II.  Introduzione  e  Preghiera.  Duetto : 
No,  I'acciar.  Aria :  Versate  amare  la- 
grime.  Finale  II    2 — ,  2FI  4 — . 

Atto  III.  Aria  :  Se  non  potra  la  vittima. 
Coro.  Duetto  finale :  Ah !  mira  gl'in- 
censi 2—,  2FI  4—. 

Cottrau:  Canto T 
Preludio   e  Preghiera    mattutina    1 — u,    /' 

—50  n. 
Scena :    Si,    ministre    dell'ara    — 50  n. 
Scena    e    Duetto:    Di    conforto    tin    raggio 

solo  2 —  n,  P  1 —  n. 
Coro   trionfale:    Plauso    al    duce   vincitore 

1— n,  P  — 75n. 
Scena     e     pezzo     concertato.     I.     Tempo. 

Quanto  mi  cinge  .  .  .  quanto  m'apparve 

1.50  n,   P  — 50n. 
Lo   stes.so   ridotto  a   Quartettino   1 — n. 
Id.    Seguito   e    Strettii :    Si    compia.    il    rito 

1.50  n,  P   1— n. 
Scena  e  Duetto;   E  la  patria  e  Roma,  in- 
sano 2 —  n,  P   1 —  n. 
Preghiera:  Se  fino  al  cielo  ascendere  1 — n, 

P  — 50n. 
Scena  e  duetto :  E  fia  ver !  possenti  Numi  I 

2— n,   P   1— n. 
Scena   ed    Aria   con   cori :    Versate    amare 

lagrime   1.50  n,  /'  1 — n. 
Sceua  :  Sull'attonita  f  ronte  — 50  n. 
Finale.    I.    e   2.    tempo.    No   crudeli    1 — n, 

P  — 75n. 
Idem.  Seguito  e  stretta :  Padre !  Di  Roma 

un   Console    1.50  n,   P   — 75  n. 
Coro  e  Scena :  II  Console  ci  a.scolti  — 50  n, 

P  — 50n. 
Scena   e   Aria:    Se   non   potra   la    vittima 

1.50  n,  P  — 75n. 
Coro :      Ah !     questa     vittima     d'infausto 

amore  ■ — 50  n,   P  — 50  n. 
Scena  e  Duetto :   Ah !  mira  :   gl'incensi  gi.^ 

fumano  2 —  n,   P  — 50  n. 
Finaletto:  Che  orror  !  Odi!  Ce  fia?  — 50  n, 

P  —50  n. 
Ah!  mira,  »S'C   1/ — n  Augener. 
Di  conforto,  8C   1/ —  n  Augener. 
Salve  o  Dea  protettrice,  preghiera,  3  tre- 
bles   2/ —   Ashdown. 
Se   fino  al   cielo,   in   C    1/6  Ashdown,  — 15 

■fiirgensou. 
Hear  us,  O  Goddess,  trio,  fem.  voices  — 60 

Brainard. 
N.    6.    Duetto:    E  la    patria    2.50    Jouhert. 
Tout  me  fuit.  duetto   1.75  n   Dnrand. 


Mercadante  G.  S.  R.   Vestale 


—     496 


Mercadante  G.  S.  R. 


ma 


Airs,    FIP     ( G  a  I  t  e  r  m  a  n  n ) ,    Fl    2.50  u 

Costallat. 
12     Airs,      CornetdP      (G  a  1 1  e  r  m  a  n  n) 

1.70  u   Costallat. 
Finale    .secondo,    Banda,   Part    7 —    Lapini. 
Marche,  mO,  Saxoph.  ad  lib.   (T  i  1 1  i  a  r  d) 

1.25   Tilliard. 
Fant.    mO    av.    soli    de    Bugle    ou    Alto   de 

Pist    (Sa.voph.     ad    lib.)      (Tilliard) 

2.50,   Cond.  —20   Tilliard. 
Fantaisie  ,      CornetP       (G  a  t  t  e  r  m  a  n  n) 

2.50  n   Costallat. 
Grand  Selection,  0   (C  1  a  u  .s)   2—,  mO  2— 

Fischer. 
Selection.  Full  Baud  5/4,  Med.  Bund  4/ — , 

Small  Band  2/8   IJavkcs. 
Potpourri.    VP,    FIP    17—,    1,    II,    TV 

a  4 — ,   III   5 —   Ricordi. 
Transcr.    P:    Czeruy,    Duveruoy, 

Fischetti,    Hiinten,    La    Croix, 

Ritterfels.  Rosellen,  Unia. 
J/ms :    C  z  e  rn  y,    F  a  n  n  a,    E,  e  d  1  e  r. 
VP :   Rosellen  u.  Lecorbeiller. 
FIP:  Gain. 
CIP:    Burati  -  For  ti. 
Vezzosa -Polka    1 — n,    Fl   — 50  n    Ricordi. 

Violenza    e    Costanza.    opera : 
Terzetto :    To   ti    son   figlio   9 —   Girod. 
Duetto :  Eendimi  al  ben  6 —  Girod. 

Violetta,  opera  (Naples,  1856).  ChP 
40—,  P  24—,  2VVaVc  15--  Ricordi.  CliP 
12 —  n,   P   5 —  n    Cottraii. 

Ricordi: 

Preludio   e  Coro   d'Introduzione:    E   I'alba 

3.50. 
Coro  e  Ballata :   E  Giglietta   una   fanciulla 

3.50. 
Scena    e    Cavatina :     La    corona     f  rosea     e 

bella  8—. 
Pezzo   concertato    10 — . 
Recitativo :    Al   vicino   borgo   1 — . 
Recitative  e  Cavatina  :    Deh !    vien,   tu   sol 

puoi    rendere   4 — . 
Recitativo    e    Duetto:    Forse    te    mai    puo 

pungere   5 — . 
Terzetto :   Eh !   mi   place  a   muso   8 — . 
Recitativo :   lo  dunque  son  la  tri.sta  — 75. 
Coro:   Odi  queJ  suon  lontan,  lontano  3 — . 
Cavatina :   Costante,  immobile  come  il  de- 

stino    io    sono    6 — . 
Recitativo :    Ebben !    siam   lesti    1 — . 
Scena  e   Duetto:   Ah!  m'el  dite  se  v'ha  un 

modo  5.50. 
Coro :  0  donzella,  che  piil  bella  3 — . 
Finale  II   6—. 

Seguito    e   Stretta    del    Finale    II    10—. 
Scena   ed   Aria :    Parmi    veder   I'immagine 

4.50. 
Recitativo:    Qui    uon    c'&,    dove   sta?    — 75. 
Pezzo  concertato   7 — . 

Scena      e     Largo     del     Pezzo     concertato: 
Rondo  finale :  Nell'amplesso  so.spirato  2.50. 

P: 
Preludio  e  Coro  d'Introduzione:    E   I'alba 

1.25. 
Cavatina :    Ah !    perch^    mai    ricovero    3 — . 
Coro  e  Ballata  ;  E  Giglietta  una  fanciulla 

3.50. 


mai  puo  pungere  3—. 
mi    place   a   muso   a   muso 


1.75. 
3.50. 

v'ha 


perch&     mai 
la     vincitriee 


corona 


me 


Cavatina :    La    corona    f resca    e    bella    4 — . 

Finale   I   3.50. 

Ronianzn  :   Deh !   vien,  tu  sol  puoi  rendere 

2.50. 
Duetto :    Forse  te 
Terzetto:    Eh! 

4.50. 
Coro :   Odi  quel  suon  lontan  lontano 

Cavatina:    Costante    ed    immutabile 
Duetto-Finale   II :    Ah !    me'l    dite   se 

uu   modo   3.50. 
Terzetto:   Su,  mi  date  conoscenza  5.50. 
Coro:    O   donzella,   che   pin   bella   2.50 
Finale  III  4.50. 

Aria  :    Parmi    veder    I'immagine    4 — . 
Terzetto:    Piango,    io    si,    poichfe    tornami 

a   mente   4.50. 
Gran  Scena  ed  Aria  finale :  Ah  !  nel  dolore 

cui    m'abbaudono   4 — . 

Cottrau  : 
l.Coro:    E   I'alba   — 75  n. 

2.  Cavatina     Rosalba  :     Ah  ! 
1— n. 

3.  Coro :    Sia     della 
— 75  n. 

4.  Ballata   del   cacciatore :    Su   pei   monti, 
gill   pel   vallo,   8T  e   Coro   1— n. 

5.  Cavatina :     Papa    Giacomo,     la 
f resca   e   bella   2 — n. 

6.  Pezzo    concertato:     Andante: 
lieta    2 —  n. 

7.  Idem.    Stretta :     Ah !    solo    6 
mia  corona  2 —  n. 

8.  Cavatina   Violetta 
rendere  1 —  n. 

9.  Duetto    Violetta    ed    Odino: 
mai    puo   pungere    1 — n. 

10.  Terzetto:   Violetta,  Odino  e   Papa  Gia- 
como.  Se,   se,   me   place  2 —  n. 

11.  Coro:   Odi  quel  suon  lontano  — 75  n. 

12.  Cavatina   Berardo:    Costante  ed  immu- 
tabile   2 —  n. 

13.  Scena  :  Voglio  veder  .  .  .  che  fo?  — 50  n. 

14.  Duetto:      Violetta      e     Berardo:      Che! 
Siam    soli    2 —  n. 

15.  Gran    Coro:    O    donzella    che    piil    bella 
1.50  n. 

16.  Pezzo    concertato:    Tu    triemme    1.50  n. 

17.  Idem.    Andante:    Che  penso    1.50  n. 

18.  Stretta:    Va   nou   fia   2.30  n. 

19.  Preludio  ed   Aria   Odino:    Parmi   veder 
I'immagine    1.50  n. 

Detta   trasportata    1.50  n. 

20.  Terzetto :    Rosalba  Giacomo  e  Berardo. 
Cilia gno  2 — n. 

21.  Pezzo   concertato:    .Vh !    nel    dolore    cui 
m'abbaudono    2 — n. 

P,  N.   1—21   a  — 50n. 

Transcr.    P :    G  o  1  i  n  e  1 1  i 
FIP:   Gain. 

Virginia,  opera    (Naples,   1866), 
P  15—  Ricordi,  ChP  12— n^  P  7- 

Hicordi: 
Preludio    1.25. 
Atto    I.    Introduzione,    Orgia 

Coro:     Qui    Roma    gli    eletti 

aduna  7 — . 


Oh 

bella    la 
vieni   tu   puoi 
Forse    te 


ChP  40—, 

-  n  Cottrau. 


Patrizia    e 
suoi    figli 


Mercadante  G.  S.  R.   Virginia 


—     497 


Mercadante  G.  S.  R.  Zaira 


CaA'atiiiu  :  Ah  !  taut'oltre  io  nou  credea  6 — . 
Coro :  La  dilla  madre  innanzi  all'urna  2 — . 
Cavatina:    Sulle   malerne  ceneri   5.25. 
Scena :    Tullia,   se  iii'ami    1.25. 
Scena  e  Terzetto-Finale  I:  Ah?  non  e  ver, 

ascoltami   9—. 
Atto  II.  Aria :  Oh  !  quante  volte  reduce  5.25. 
Scena  :    Virgiiiio  !  .  .  .    Figlio !  .  .  .    1.25. 
Duetto:  Allor  che  avvinti  sarem  dai  Numi 
5.50. 

Coro   3—. 

La  donzella  &  questa  3.50. 
tempi    iniqui !  .  .  .    oh    ini- 
,   8—. 
N&  ti  ritraggi  o  perfido? 


Prima    Icilio   tra- 


Finale  II.  Gran 
Scena :  Fermate.., 
Settimiiio :    OIi ! 

qui    mostri !  .  . 
Seguito  e  Scena  : 

2.75. 
Stretta    del    Finale   II 

fitto   ed  e.sangue  5.50. 
Atto  III.  Scena :  Si,  che  eirli  lasci  6  d'uopo 

1.25. 
Duetto :  Si  opporrebbe,  &  ver,  la  legge  5 — . 
Coro  di  Donne:  Come  insensata  giace  1.25. 
Duetto:    Sacri  Penati,  ah!   I'ultimo  7 — . 
Marcia  e  Coro :    In  vestimenti  squallidi  4.25. 
Sestetto:    AU'empia    sentenza    le    vene   mi 

stringe  7 — . 
Scena,  Preghiera  e  Finale  ultimo  7.50. 

Cottvau  : 

1.  Preludio   lugubre  — 50  n. 

2.  Orgia  Patrizia.  Coro :  Qui  Roma  gli 
eletti  suoi   figli   raduna  —25  n. 

3.  Canzone  del  convito :  unisono  corale : 
Libiamo  I'ebbrezza  nei  vini  .spumanti 
1— n. 

4.  Nenia  plebea.  Coro:  Qual  lugubre 
.suono  i  sensi  percuote  — 50  n. 

5.  Ripresa  dell'Orgia :  Si  vegga  la  gioia 
regnar  d'ogni   parte   1 — n. 

6.  Andante  di  Appio :  Ah !  tant'oltre  io 
non  credea  1 —  n. 

7.  Intermezzo :    Alfin  tu  giungi  — 50. 

8.  Stretta  di  Appio :  Al  cor  f  urente  ed 
ebbro    1 —  n. 

9.  Primo  coro  muliebre :  Lil  della  madre 
accanto    all'urna    — 50  n. 

10.  Preghiera  di  Virginia:  Sulle  materne 
ceneri    1 —  n. 

11.  Rondoletto  di  Virginia:  E  grande  al 
par    d'Icilio    1 — n. 

12.  Scena  :    Tullia   se   m'ami   — 50  n. 

13.  Canto  di  Appio  e  Scena  della  sedu- 
zione :   Ah  !   non  6  ver  ascoltami   1 —  n. 

14.  Terzetto  di  Virginia,  Appio  ed  Icilio : 
Paventa  insano  gli  sdegni  miei   1.50  n. 

15.  Seguito  o  Stretta  :  Calcando  il  mio  ca- 
davere    1.50  n. 

16.  Aria  di  Virginio:  Oh!  quante  volte 
reduce    2 —  n. 

17.  Scena:    Virginio  :    Figlia    — 50  n. 

18.  Duetto  di  Virginia  ed  Icilio:  Allor 
che   avvinti  sarem   dai   Numi   2 —  n. 

19.  Triplo  Coro  di  Sacerdoti :  Dallo  stel- 
lato  empireo;  Guerrieri :  Della  Citttl 
Romulea ;  Donzelle:  Bella  di  tua  me- 
stizia    1.50  n. 

20.  Scena :  Fermate,  la  donzella  &  questa 
1— n. 

21.  Settimino :  0  tempi  iniqui,  o  iniqui 
mostri  — 75  n. 

Universal-Haudbuch  der  Musikliteratur.    M. 


di     corno 


e 
2— n. 


Virginia 


insen- 
Inglese 
:    Sacri 


22.  Seguito  e  Scena :  Ne  ti  ritraggi,  o  per- 
fido  — 75n. 

23.  Stretta  del  Settimino :  Prima  Icilio 
trafitto   ed   esangue   1.50  n. 

24.  Scena:  Si,  che  gli  lasci  e  d'uopo  — 50  n. 

25.  Duetto  di  Appio  ed  Icilio :  Si  oppor- 
rebbe,  &   ver,   la   legge    1.50  n. 

26.  Secondo    Coro    muliebre :    Come 
sata    giace   — 50  n. 

27.  Scena    e    Preludio 
1— n. 

28.  Duetto   di   Virginio 
penati  ah  !   I'ultimo  _      ... 

29.  Seguito  e  Stretta :  E  plena  e  compiuta 
la   sorte   funesta    1 —  n. 

30.  Marcia  dei   Decemviri   — 50  n. 
31.Doppio  Coro  di   Popolo :   In  vestimenti 

squallidi   2 —  n. 

Littori:    Cessa    ed    arretrati,    plebe   lo- 
quace   2 —  n. 
32.  Scena    del    Giudizio :    Mira,    dinanzi    a 
te,  Popolo  di  Roma  — 50  n. 
Assolo    di    Virginio:    All'    empia    sen- 
tenza, le  vene  mi  stringe  1.50  n. 
Sestetto    della    condanna :     All'    empia 
sentenza    1.50  n. 

35.  Scena  e  Preghiera  di  Virginio:  Sospen- 
dete  I   Ah  !   m'odi   almeno    1—  n. 

36.  Aria  di  Virginia:  Ch'io  t'annodi  al 
core   infranto    1.50  n. 

37.  Sestetto  dell'Addio  di  Virginia  e  Vir- 
ginio: Ah!  che  troppo  in  questo  am- 
plesso   1.50  u. 

38.  Quadro   finale :    Or   siam   divisi   — 60  n 
P: 

1  Nenia  plebea  ed  orgia  patrizia.  2. 
Aria  di  .A.ppio.  3.  Coro  muliebre.  4.  Pre- 
ghiera e  Rondoletto  di  Virginia.  5.  Ter- 
zetto di  Virginia,  Appio  ed  Icilio.  6.  Aria 
di  Virginio.  7.  Duetto  di  Virginia  ed  Ici- 
lio. 8.  Triplo  coro  di  sacerdoti,  guerrieri 
e  donzelle.  9.  Settimino.  10.  Duetto  di 
Appio  ed  Icilio.  11.  Duetto  di  Virginia 
e    Virginio.    12.    Marcia    de'    decemviri    e 


33. 

34. 


littori.   13.  Se- 
Sestetto    della 


doppio  coro  di  popolo  e  di 

stetto    della    condanna.    14. 

niorte  di  Virginia,  jl   1 — . 

Scena,   Preludio   e   Preghiera,   con   Fl   6— 

Lapini. 
.\ria   di   Virginia  6.50  Lapini. 

T  r  a  n  s  c  r.  P :  B  o  n  a  m  i  c  i,  C  e  r  i- 
m  e  1  e,  Coop,  D  e  M  i  g  1  i  o,  F  i- 
s  c  h  e  1 1  i,  G  i  a  n  11  i  n  i,  G  r  i  m  a  1  d  i, 
M  i  c  e  1  i. 

Jims :  C  a  r  a  e  c  i  o  1  o,  C  e  r  i  m  e  1  e,  D  e 
M  e  g  1  i  o,  D  a  1  1  a  V  e  c  c  h  i  a,  F  i- 
s  c  h  e  1 1  i,  G  a  V  a  u  d  a  n,  M  e  n  o  z  z  i, 
S  e  r  r  a  o. 

VP :    D'E  r  r  i  c  0. 

FIP :    K  r  a  k  a  m  p,    L  o  v  r  e  g  1  i  o. 
Wake  sweetest  melody  — 35   Ditson. 
Zaira,  opera    (Naples   1831),   Ricordi: 

Duetto:    V'ha   riscatto   per    Zaira    2.60. 

Scena  e  Cavatina:   Spari  dagli  2.20. 

Scena  ed  Aria :  Che  non  tentai  per  vin- 
cere  2—. 

Scena  e  Quintetto :  Reggi  i  passi  miei  1.50. 

Cavatina :    Liete   voci,    bei    voti !    2.50. 

Duetto :   Io  trover6  nell'A.sia  3.50. 

32 


Mercadante  G.  S.  R.  Zaira 


—    498     — 


Mercier  Ch.  Bal 


Scena    ed   Aria  :    Che   barbaro   stvazio   3 — . 

P: 
Introduzione    1.25. 

Cavatina:   Liete   voci,  bei   voti !    1.50. 
Duetto:    V    ha    riscatto    per    Zaira?    2 — , 

VP,   FIP  a   1.50. 
Cavatina:  Spari  dagli  occhi  il  pianto  1.75, 

VP,  FIP   a   1.25. 
Duettino:  D'immenso  amor  io  t'amo  — 75, 

VP,   FIP    a    1—. 
Terzetto-Finale    I:    Cari    oggetti    in 

a  voi  2.50,  VP,  FIP  k  2—. 
Duetto:   Io  troverS  nell'Asia  2 — . 

barbaro  strazio   1.50,   VP, 


seno 


FIP 


Reggi 


miei 


—75. 


non    tentai    per    vincere    1.50, 
a  1.50. 

i   passi 


Aria :   Che 

a    1.50. 
Aria :    Che 

VP,  FIP 
Quintetto : 

Canto,    Cottrau: 
Cavatina :   Ijiete  voci   1 —  n. 
Duetto:    V'ha    riscatto    per    Zaira?    2— n. 
Cavatina:     Spari    dagli    occchi    il    pianto 

1.50  n. 
Duetto:    D'immenso   amore   2 — u. 
Duettino:     Segui,    deh    segui    a    piangere 

1.50  n. 
Ah !   si  questo  di  mia  vita,  cavatina  1/6  n 

Atigener. 
Ah!    to-day    shall    be    the    brightest 

Ditson. 

Girod  : 

Aria  :    Io 

Terzetto : 

Cavatina 

Duetto 


60 


credea  d'un   sacro 
Non   si  pianga  9 — . 

:    I    dolci    content!   5 — . 

Segui,   deh  !    segui   3 — . 


imene  5- 


Ductto:    Qual    presaggio    9 — . 
Cavatine,  Cornet  a  P-s.  2—  n  Pinatel,  2.50 

TilUard. 
T  r  a  n  s  c  r.    P :     n  ii  n  t  e  n,     R  o  s  e  1 1  e  n. 

-  Zavipognaro    napolotano,    fant.    P    3 — ,    0, 

Part   1/ —   Ricordi. 

-  Z^phir    (Zeflfiro)    3—  Lemoine. 

-  Zingarelhx  Spagnola  3—  Lemoine. 
Mercadante    e    De    Macchi,    Tautum    Ergo. 

per    B-solo    3 —   Morhtni. 

Mercadante  e  General!,  Messa  breve,  per 
2TB  8 —  Marian  \. 

Mercadante,  Brightly  Glows  the  Mor- 
ning Star.  Lvoff:  God,  the  All  Ter- 
rible. R  i  n  c  k  :  Murmur  Gentle  Lyre. 
Rowland:  Go  Where  the  Water  Gli- 
deth.  Schletterer:  Sweet  Spring  is 
Returning.  Bellini:  Parting  Hour,  i^BA 
—10   Silver. 

Mercadier  A.  op.  11  Rosendael-Mazurk, 
chantee  av.    Vc  ad  lib.  2—  n   Ricordi. 

-  Cours    complet    du    chant :     Cours    elemen- 

taire    1 — n,      Cours    moyen    et    superieur 
1.10  n   Societe   nouvelle. 

-  Petit  Trio,  PVVc  9—  Lemoine. 

-  Sonatine    (G),   P  — 85  n   Lemoine. 

-  Sonatine,    P   6 —   Lemoine. 

-Sonatine   1.15,  PV ,  PVc  a  7.50    Lemoine. 

-  T  e  m  p  €  t  e,  polka  5 —  Heugel. 
-Trio,   PVVc    (G)    7.50   Lemoine. 


Vallon    (Gounod) 


Mercadier    P. 
TTBB   1— n 

-  Coin    dii    feu 


VcP  2.50  n 
Pavilion,    4 


Beau 

Le  Bea  u. 

3 —    Mathiev. 


Chondens 
eg 


V. 


on 


-  Cordon    S.-V.-P.    .3—    Mathieu. 

-  Eglantine  des   bois   3 —   Mathien. 

-  Faites  d'aiimon   1.75  n   Mayol. 

-  Faux-m^nage,      Delormel. 

-  Partenza    1.75  n    Hamelle. 

-  Pauvre    Manon,      Delormel. 

-  Soupe  aux  choux  3 —  Mathieu. 
Mercado.  Wagner  y  Levien:  Ay!   schottisch 

caratteristico  — 50. 

-  El    mismo,   marcha,   Banda    2 — . 

-  El  ultimo  beso,   vals  — 75. 

-  Marcha  Bernardo   Reyes  — 75. 

-  Marcha    de    la     Eposicion    de    Toluca    — 50. 

-  Qu$ !    schottisch   caracteristico   — 50. 

-  Sollozos    del    coraz6n,    valse  — 75. 

Mercanti  G.  op.  2  Composizioni  sacre  a  2, 
3,  4  voc'i  con  Org:  1.  Laetemur  omnes. 
2.  Veritas  mea.  3.  Sanctus.  4.  Tu  es  Sa- 
cerdos.  5.  0  .salutaris  2.50  Capra. 

Mercanti  I.  op.  6  0  salutaris  Hostia,  per 
coro  a  2  v.  dis.  con  Org,  Part  — 85,  parti 
— 10  Capra. 

-  8   Canticum.   „Magnificat",   a  3   v.   dis.   con 

Org,  Part  1.55,   parti  — 10   Capra. 
Mercedes,   polka   — 30   Fonseca. 
Mercedes,  Vals  brilla,nte,  por  taboada  — 75 

Wagner  y  Levien. 

-  Waltz,    Heart   Bowed    Down,    Z    — 10    Nat. 

M  iisie   Co. 
Mercelins    A.    N.    T.    Im    Zeichen    des    Ver- 

kehrs    1.20    Aronhold. 
Mercenary   Mary  — 30  Echo  Music  Co. 
Mercer    Emily   J.   Nightingale's   Love   Song 

— 30  n   Presser. 

-  Spring  Dance,  BSAA  score  — 75  n  Presser. 

Merchant  A.   M.   Saved  from  the  deep  — 40 

Ditson. 
Merci   beaucoup   1 — n  Jouhert. 
Merc!    papa,   merci   maman   — 30  n   Jouhert. 
Mercie   Mile.   P.  Un  Souvenir,  2  valses  2.50 

Girod. 
Mercier    A.    Anniversaire,    drame    musical, 

ChP    6— u    Costallat. 

-  Bioetre   et   Charenton    1 — n,    Ch.   s.   — 40  n 

Bornemann. 
-Ca  fait  1'  tabac   (—60)    1— n,  Ch.  s.  — 40  n 

Bornem^ann. 
-Chant  d'Adonis   1.50  n  Costallat. 
-Dfmandez    I'indicateur    des    rues    de    Paris 

1 —  n,    Ch.   s.   — 40  n   Bornemann. 

-  Depuis  longtemps  on  a  fait  ca  1 —  n,  Ch.  s. 

— 40  n   Bornemann. 
■  E16gie,   VcP  2.50  n  Costallat. 

-  H^los  !   melodie   1.50  n   Costallat. 

-  Indicateur  des   rues  de  Paris   1 —  n,   Ch.  s. 

— 40  n  Bornemann. 

-  Le   plus   cher   souvenir   2 —  n   Costallat. 

-  Par   les   chemins   5 —  Hamelle. 

-  Pauvre  aveugle  5 —  Hamelle. 

-  Recreation    enfantine,    valse    — 30    Jurgen- 

son. 
Mercier  Charles,  op.  6  Solitude  Reverie,  P 
— 35  n    Presser. 

-  A   I'Enfance,    romance  — 85   Schott   Freres. 

-  Ange  conaolateur  — 50  Schott. 

-  Appel     ft     la     bienfaisance,     m^Iodie     — 85 

Schott   Freres. 

-  Bal,   valse  chantee  — 50   Schott. 


Mercier  Ch.  Belgique 


—     499     — 


Mercier  E.  En  petite  tenne 


Belgique,  polka  niilitaire  1.35  Schott  Frc- 
res. 

Bergeronnette,  valse  facile,  P  1.25,  J^ms 
1.75  Schott,  P  —25  Brainurd,  —35  Gor- 
don. 

Bertha,  valse  facile,  P  1—  Schott,  —40 
Schirmer. 

Bouquet  de  roses,  suite  de  valses,  P  6— 
Katfo. 

Bouqueti&re,   schottisch    1 —   Schott   Freres. 

Ce  que  fit   Dieu  — 50  Schott. 

Celle  qui  fait  mon  bonheur  1 —  Schott  Fre- 
res. 

Chanson   du   Portier  — 75   Schott. 

Charite    1..35,   Ch.  s.   —35   Schott   Frires. 

Cloche  sainte,  meditation  religieuse  — 50 
Schott. 

Concert  sur  I'eau,  barcarolle,  P  1.75  Schott. 

Corbeille  de  fruits,  suite  de  valses,  P. 
Katto. 

■  Derniers  jours  du   Cid.  melodie   1—  Schott 

Freres. 
Deux   anges,   melodie   1—   Schott   Freres. 

■  Dors  mon  enfant,  berceuse  1 —  Schott  Frd- 

rts. 

■  Ecce   Panis,    motet    a  2    voix   egales    (TB) 

av.  ace.  d'Org  ou  d'Org-Melodium  — 75 
Schott,  — 35   Gordon. 

■  Esp6rance  — 75   Schott. 

■  Espoir  d'une  pauvre  m&re  — 75   Schott. 

■  FKmille  et   bonheur,    romance   — 85    Schott 

Freres. 

■  Ire   Fete   enfantine,   trois   dan.ses   tr&s   faci- 

les  sur  5  notes,  Jfms:  N.  1.  Valse  — 75. 
N.  2.  Polka-Mazurka  —75.  N.  3.  Schot- 
tisch —75   Schott. 

■  Fleurette,   val.se   2.50   Katto. 

■  Fleurs   printaniferes,   3   nouvelles  danses,   P 

separ^ment :  N.  1.  Schottisch  ^50.  N.  2. 
Pclka-Mazurka  —50.  N.  3.  Polka  —50 
Schott. 

■  Fragment    de    Soiree,    caprice-carillon,     P 

1.25   Schott. 

■  Gracieu.se,   val.se,   P   1.25,    Jws   1.25   Schott. 

■  Guirlandes,   suite  de   valses   6 —  Katto. 

■  Hymt^nee   — 75    Schott. 

-  Invitation  a  la  Redowa,  morceau  de  salon, 

P    1.25    Schott,   —50   Brainard. 

-  Je   veux   pfirtir,    romance    1 —   Schott   Fre- 

res. 

-  Jour  des  recompenses,  cantate  pour  distri- 

butions de  prix,  solo  et  choeur  1.75  Schott: 
Freres. 

-  Judas,  chant  pour  B  1.35  Schott  Freres. 
-Lion   beige,    schottisch    1.35    Schott   Freres. 

-  Marguerite,    valse   2.50    Katto. 

-  Mtssager    de   bonheur   —75    Schott. 

-  Mignonnette,    polka-maz.   — 85    Schott   Fre- 

res. 

-  Nocturne,  P  2 —  Schott  Freres. 

-  O  Salutaris,  motet  a  2  voix  dgales  av.  ace. 

d'Org  —IZ-   Schott,  —25   Ditson. 

-  Orplielin,   pri&re  1 —  Schott  Freres. 

-  Pauvre  Mousse  — 50   Schott. 

-  Pendant    la    guerre,    melodie    1.35    Schott 

Freres. 

-  Pendant   qu'il    dort  — 50   Schott. 

-  Petite   Chanteuse  — 50   Schott. 


-Postilion,    galop    1.35    Schott    Freres. 

-  Premier  beau   jour,   idylle   1 —  Schott  Fri- 

res. 

-  Pi&s  d'une  m&re,  romance  1—  Schott  Frd- 

rcs. 

-  Pri^re   d'un   enfant   1 —  Schott. 

-  Providence,    romance    1 —   Schott   Freres. 
-Qui   prendrai-je?    1—   Schott   Freres. 

-  Recreations  enfantines,  3   danses  faciles,  P 

1.50,  s^par^ment:  N.  1.  Valse  —75.  N.  2. 
Schottisch  —50.  N.  3.  E^dowa  — 50  Schott. 

-  Refrain    de    I'ouvriere,    chan.sonnette      1 

Schott   Frdres. 

■  Regrets   1.35   Schott  Freres. 

-  Retour  du  Printemps,  6  cantiques  pour  le 

mois  de  Marie  a  1  ou  plusieurs  voix  eg. 
a  v.  Org(P)  4—:  N.  1.  Offrons  a  Marie 
nos  belles  fleurs,  a  3  voix  1.35.  N.  2.  Aspi- 
ration a  Marie,  a  2  voix,  3.  Pri&re  a 
Marie,  duo  ou  choeur,  4.  A  J6sus  expose 
dans  le  saint  Ciboire,  a  1  voix,  5.  Gloire 
a  la  Reine  des  Anges  et  des  Cieux,  a  3 
voix,  6.  Adieu  au  mois  de  Marie,  a  3  voix, 
a   1 —  Schott  Freres. 

■  Reverie,    romance    1 —    Schott    Freres. 

-  Rose  blanche,  mazurka  facile,  P  1 —  Schott. 

-  Solitude,    reverie,   P   1 —  Schott. 

-  Sorci&res,    waltz    4/ —    WiUiajns. 

-  Souvenir    de    Fete,    mazurka    de    salon,     P 

1.25    Schott,   — 40   Brainard,    Gordon. 

-  Souvenir,   redowa   — 85    Schott   Freres. 

-  Souvenir    d'Ttalie,    barcarolle    a    deux   voix 

1.35   Schott  Freres. 

-  Tandis   que  tout  sommeille,   s4r6nade  — 75 

Schott. 

-  Travail    et   bonheur,    romance   — 85    Schott 

Freres. 

-  Vin,  chanson   a  boire   1 —  Schott  Freres. 
Mercier    E.    op.    151    Place    aux    Pompiers! 

Gal.   1.75  n   Joubert. 

-  153   Perfidie,  maz.   0   1 —  n  Jotihert. 

-  155  La  Sarigue,  schott.  2 — n,  0  1 — n  Jou- 

bert, P  — SO   Schirmer. 

-  157    Branche    de    Corail,     suite     de    valses 

2— n,  0  1.50  n  Joubert,  P  — 80  n  Schir- 
mer. 

158    Fiers    Gauloi.s,   polka-marche,    0    1 —  n 
Joubert. 
-150   Demetrius,    quadr.    0    1 — n   Joubert. 

-  Aboul  'ta   galett' !   Quadr.   0   1—  n  Gaudet. 

-  Agn&s,  gavotte,  0  av.  P.     Bajus. 

-  Allures  'damazones,  polka,  0  av.  P.  Bajus. 

-  Ardeur      belliqueiise      (two-step),      marche 

amerieaine,    O.      Paroche. 

-  Calvaire    d'amour,     valse    chantee      1.35  n, 

Ch.  s.   — 30n    Paroche. 

-  Celle    que    j'aime,    redowa,    0    1 —    Debert. 

-  CLargez,   mes   braves!    Marche,    0.      Bajus. 

-  Coch&re    et    I'Agent,    chanson    pour    femme 

cochfere.      Joubert. 

-  Ccmme   un    z&bre,    gal.    1.50  n    Gounin. 

-  Demandez    I'indicateur    des    rues    de    Paris 

(parl6)     1 — n,    Ch.  s.    — 40  n    Bornemann. 

-  Dtux   Diables,   quadrille,   0.      Bajus. 

-  Duo  curieux,  2Cornets  ou  2Saxhorns  — 50 

Gheluwe. 

-  En    petite    tenue,    polka-marche    originule, 

O.      Paroche. 


32* 


Mercier  E.  Etincelle  de  honheur 


—     500 


Merculiano  B.  Straniera 


-  Etincelle  de  bonheur,  scliottisch,  0.  Hayet. 

-  Evelina,    varsoviana,    0    1 —   Debert. 

-  Fiers    Gaulois,    polka-marche     1.35  n    Jou- 

bert. 

-  Fleur    d'^te,    polka.    0.      ifassot-Dreux. 

-  Je  t'ai   doun6  mon  coeur,   valse  chant6e  s. 

la  c^lfebre  valse  „Joie  ensoleill^e",  chant 
et   P,   Ch.  8.     Paroche. 

-  Larmee   embaum^es,   valse,    0.     Bajus. 

•  Lueurs   de   jeunesse,    valse   5 —   Paroche. 

-  Madame  Pallas,  schottisch  brillante,  0  av. 

P.     Paroche. 

-  Marche  des  Bocks,  polka-marche,  0,  Oallet. 

-  Main   l6g&i  e,   valse,   0    1 —  n   Oaudet. 

-  M6lancolie   et  ivresse,   valse   2 —  n   Oounin, 

2.50   Rouhier. 

•  Miroir  du  coeur,  caprice,   VcP  2 —  n  UAu- 

tewr-Paris. 

-  Mousm6,      danse      japonaise       (E.      D  e  1  a- 

mare),   0   av.   P  cond.   2 — n   Oallet. 

-  Murmure   de   feuilles,    valse   2 —  n    Gounin. 

-  Naive   Effusion,   maz.    0.      Bajus. 

-  Nouveau   Repertoire   de   Danses,   contenant 

14  quadrilles  et  la  collection  de  toutes  les 
danses  connues  pour  V  seul,  Ft  seule. 
Flag  seul,  CI  seule  ou  Pist  seul,  a  3 — 
Debert. 

-  Oeillade    auioureuse,    maz.     O.      L'Auteur- 

Paris. 

-  P6n6lope,   schottisch,    0.      Gatidet. 

-  Perfidie,   mazurka   brillante,   P   cond.   Jou- 

beri. 

-  Petite     Turbulente,     fantaisie,     polka,     0, 

partie  de  P  cond.     E.  Mercier-F avis. 

-  Place   aux  Pompiers,   gal.   O,   parties   1 —  n 

Joubert. 

-  Premiers   Aveux,   valse   2—  u   Gounhi. 

-  Rcnouveau,    chan.son-marche.       Ondet. 

-  Ricanement   de   brise,   valse   2 — n    Gounin. 

-  Salut,    France!    Marche,    0     (Partie    de    P 

cond.).   M.   Massot-'Dxens.. 

-  Sauve  qui   pent,  galop,   0    1 — n   Gaudet. 

-  Tourangelles,  mazurka,  sO  1 —  n  Gaudet. 

-  Tous    pompettes,    maz.    imitative,    0   av.    P 

cond.  2 —  n  Gullet. 

-  Une    matinee    chez    les    hannetons,    fantai- 

sie orig,  P  2 — n  Joubert. 
-Vixe  aux  fenetres,  polka  marche,  sO  1.50  n 
Gaudet. 

-  Zarinette,    polka,    0    av.    P.      E.    Mercier- 

Paris. 
Mercier    F.    op.    151    Place    aux    Pompiers, 
galop,    0    1 —  n   Joubert. 

-  158    Fiers    gaulois,    polka-marche,    0    1 —  n 

Joubert. 
Mercier    Frederic,    op.    68      Fontaine   lumi- 

ncuse,    caprice   magique,   P    1.80   8chles-in- 

ger. 
Mercier    G.    Measire    d'Avril,    SATE,    TTBB 

a  — 75  Foetisch. 

-  Renault-Marche,    chanson.      Crevel. 
Mercier  J.   op.   8   Souvenir   de  la   Favorite, 

VP   10—   Grus. 
Mercier  V.  Ave  Maria,  a  2  voix  1.35  Schott 
Fr^res. 

-  Avec   P :    1.   Tout  doux !   2.   Mon  vieil  Ha- 

bit, 3.  La  Valse  des  feuilles,  4.  Le  bon 
Gite,  5.  Le  Retour  dans  la  patrie,  6. 
8aint-Nioolas,   a   — 50    Schott   Frdres. 


-  Bon    Dieu    vous    b6nira    — 50    Schott. 

-  Chanson    du    bticheron    1 —    Schott    Frdres. 

-  Choeurs    a  3    voix:    19.    La    Terre    natale, 

20.  Le  petit  Pierre,  21.  La  bonne  Maison, 
a  1 —  n.  N.  22.  Le  Retour  au  pays  natal 
2.50  n   Schott   Freres. 

-  Matins   bleus,   m^lodie    1.35   Schott    Fr^ea. 
-Melodies    a  2    voix:    N.    13.    Aux    Oiseaux 

1— n.  N.  14.  Le  Travail  1— n,  N.  15,  Le 
Cor  1.50  n.  N.  16.  L'Enfant  et  I'Oiseau 
1— n.  N.  17.  L'Automne  1.50  n.  N.  18. 
Les  Semailles  2 — n  Schott  Freres. 

-  Myosotis  — 50  Schott. 

-  Ne  pars  pas  — 75  Schott. 

-  Parure  de  perles,  valse  3 —  Katto. 

-  Petits     enfants     dans     la     charmille     — 50 

Schott. 

-  Piet6  —50   Schott. 
-Pirate  (B)  —75  Schott. 

-  Ruisseau   — 50   Schott. 

-  Soupir   du   matin  — 50   Schott. 

-  Vingt-deux   melodies   a   une,   deux   et  trois 

voix,  destinies  pour  les  6coles,  en  un  vo- 
lume complet  (chant  seul)  1.50  n  Schott 
Fr^es. 

Mercier  et  Poisot,  L'Africaine,  duo,  VP 
10 —   Benoit. 

Mercier-Pottier  G.  Feuille  d'automne  5 — 
Eamclle. 

-  Hella,   villanelle   1.50  Foetisch. 

-  Messire  Avril,  TTBB  —75  Foetisch. 

-  Missel,   rondel   1.50  Foetisch. 

-  Papillon   5 —  Havielle. 

-  Petit  Menuet,   P  3 — ,   Jfins  5 —  Hamelle. 

-  Rondels  printaniers,  valse  ch.  1.50  Foetisch. 

-  Ruisselet    jasear,    P    1.25    Foetisch,    1.25  n 

Sandoz. 
Merciolle,  Mes  cinquante  ans  1 — n  Pinatel. 
-Tambour  de  Bleus  1 — n  Pinatel. 
Merck   G.    G.   Fischer:   Apollo   March,    1(2) 

Banjos  — 35. 

-  Flower   Waltz,   1(2  J  Banjos  —35. 

-  Hanoverian   March,   1(2  J  Banjos  — 25. 
-Kitty    Waltz,    1(2)G    —25. 

-  Lily  of  the  Valley,  waltz,  l(2)Banjos  — 35. 

-  Magdalena  Waltz,    l(2)Banjos   — 35. 
-Rosebud    Waltz,    l(2)Banjos   —25. 
Mercl<    J.    H.    Premier    air    vari#.    Cor  a  PP 

2 —  Cranz. 
Merck  L.  M6th.  de  CordSPist  6—  G.  Oertel. 
-Sans  amour   1 — n,  Ch.  s.  — 40  n   G.   Oertel. 
Merck   L.    H.  op.   12  Variations  pour  deux 

Cors   eu    fa    av.    P    3.35    Schott    Frere.'i. 

-  21    Vingt   »5tudes  progressives   pour   le   Cor 

Snno  d  6Pist    ou    pour    Cor    h    SPist    av.    P 
3.35,  a  SPist  2.50  Schott  Freres. 

-  Air  v^ri6,  p.  Cornet  d  P  3 —  Schott  Freres. 

-  Depart   de   PHirondelle   3—   Katto. 

-  Pauvre   Ouvrier   3 —   Katto. 

-  Variations     brillantes    pour     Cor    chromu- 

tique  en  fa,  av.  P  sur  la  romance :  Le  Pe- 
tit  Suisse   3 —  Schott   Freres. 
Merculiano    B.    Ricordi:    Dove    n'andasti    o 
Angelo,  romanza  3 — . 

-  Guglielma    I   Imperatore   di   Germania,   gr. 

marcia    sugli    Inni    Nazionali    Italiano    e 
Prussia  no,   Banda,   Part   6—,   4ms   4.50. 
-Le  piacera?   P  2.50. 

-  Straniera,   melodia    3—. 


Merculfano  B.  Una  Oita 


—    501 


M6reaux  A.  op.  91 


-  Una  Gita  a  Napoli,  capriccio  sopra  motivi 

popolari   napoletani,   ^ms  5 — . 
Mercuri        Agostino         (1839),         Ricordi: 
A  d  e  1 1  o,   opera : 
Atto  I.  Introduzione  e  Coro  di  Cavalieri : 

Di   Berengario   splendido   4 — . 
Notturno :    Un  segreto  ha  in  cor  celato    3.50. 
Barcarola-Coro :    Corra    sull'onda    placida 

4—. 
Scena  e  Duetto :   Figlia  di  Berengario  6 — . 
Coro  religioso :  Col  mattutino  albore  2.25. 
Recitative   e   Romanza :    D'un   affetto   tre- 

mendo  2 — . 
Scena  e  Congiura  5 — . 
Atto  II.   Preludio,   Scena   ed   Aria :    Cara, 

adorata  vergine  5.50. 
Finale   II.    Brindisi,    Ballata :      Vivea    un 

Prence,  e  marcia  7 — . 
Atto  III.  Scena  e  Romanza :  Chi  rai  torna 

ai  cieli  aperti  2.75. 
Scena   e    Duettino :    Ah !    infelice,    alfin    ti 

trovo   3 — . 
Scena  ed  Aria:  Oh!  non  6  colmo  il  gaudio 

4.50. 
Coro   di   Monache  e   Preghiera   5 — . 
Finale   III.   Gran   Scena   4.50. 
Pezzo  concertato  nel   Finale   III   6 — . 

2  Melodie  variate,  P: 

1.  Romanza:    Cara,    adorata    vergine    3 — . 

2.  Duetto :    T'amo,    si,    con    quanto    affetto 
3—. 

-  Adina,   2   cauti :    N.    1.    M'innamorai    di   te 

2—.  N.  2.  lo  ti  vidi   2—. 

-  Ai  valorosi   Bersaglieri  Italiani,   una  mar- 

cia ed  un  Saluto,  Banda,  Part  per  Tromhe 
milit.  4 — :  N.  1.  Umberto  I.,  marcia  3.50. 
N.   2.   Regina   Margherita,   un   saluto  2 — . 

-  Ave  Maria  3 — . 

-  Cera  un  povero  fiore  abbandonato,  sonetto 

2—. 

-  Danza  di  Famiglia,  album  5 — :  N.  1.  Val- 

zer  2.75.  N.  2.  Polka  2.50.  N.  3.  Maz.  2—. 

-  Fior  d'Erb'   amara,   stornello   2 — . 

-  Fior   di   Mortella,   stornello   2.50. 

-  Guerra !   Inno  Nazionale  degli  Italiani,  al- 

I'unisono  3 — . 

-  II    Folletto,   capriccio-valzcr    3.50. 

-  Mazurka   di   concerto,   P  2 —  Mariani. 

-  M'hai  tolto  il  cor !  Romanz.  2.50  Forlivesi. 

-  Pianiste    amateur,    petites    fantaisies    6\6- 

gants,  sur  des  Melodies  choisies  des  ope- 
ras, transcriptes  et  varices,  P  15 — :  N. 
1.  Guglielmo  Tell  2.50.  N.  2.  La  Sonnam- 
bula  3—.  N.  3.  L'Africana  3—.  N.  4. 
Orazl  e  Curiazt  2—.  N.  5.  L'Elisir  d'a- 
more  1.50.  N.  6.  Don  Diego  di  Mendoza 
di  Pacini  3 — .  N.  7.  Luisa  Miller  2 — . 
N.  8.  Giovanna  Gray  di  Vaccaj  2.50. 
N.  9.  Faust  2.50.  N.  10.  Adello  di  Mer- 
curi 2.50. 

-  Se   siete  buona,   melodia   1.50  Mondo. 

-  Sinfonia   Pastorale,    4^s    7 — . 

-  Tu  es  Petrus   a  4  voci  sole    1.25    Eerenbeemt. 
Mercy    Sisters    of,      Coelitum    Joseph,    8A 

—20  Gordon. 

-Come  to  the  Wood  (Vien  au  Bois),  trio, 
fern,   voices  — 12    White. 

•  Holy  Face  Hymnal,  a  collection  of  origi- 
nal  and   selected   hymns   and   litanies   for 


1  or   2  voices,   with   Org  ace.  — 60   J.   Fi- 
scher. 

-  0   Jesu  Deus  Magne  — 30  Ditson. 

-  Our   Lady   of   Mercy   Hymnal,   a   collection 

of  hymns  to  the  B.  V.   M.   for  unison  or 

2  part  chor.  — 60  J.  Fischer. 
Mercy-Argenteau    de,    Humoresque,    P    1.75 

Schott    Frirea. 
-Valse,  P  2—  Schott  Fr^res. 
Mere  a  mademoiselle  Potin    — 30  n    Jouhert. 
Mere  aveugle   1.75  n,  Ch.  s.  — 35  n  Eichard- 

Paris. 
Mere    Barbe    en    jonc    1 — n,    Ch.   s.   — 30  n 

Ondet. 
Mere   Bontemps  — 40  n   Bornemann. 
Mere    des   compagnons  — 30  n    Joubert. 
MSre  du  conscrit  1 — n  Joubert. 
Mere   Doiet  — 30  n   Joubert. 
Mere  esclave  de  Charleston  1 —  n  Joubert. 
Mere   estamponeau    1 — n   Joubert. 
Mere  Gogo   1 — n  Joubert. 
Mere  Laripette  1 — ,  Ch.  s.  — 35  Oh^luwe. 
Mere    Mazagran    (av.    parl6)     1 — n,    Ch.   s. 

— 35  n  Evcillard. 
MSre   modernie   1 — n,   Ch.  s.  — 30  n  Ondet. 
Mere  paperesse    1 —  n  Joubert. 
Mere   du   prisonnier  — 30  n   Joubert. 
Mere    (Une),    romance    d'Arthur    — 40    Ah- 

bach. 
Mere    romantique   — 30  n   Joubert. 
Mere   Tant-pire   1 — n  Joubert. 
Mere   Tralala    1 — n  Joubert. 
Mereaux   Amedee     (1803—1874).   Costallat: 

Op.  3  Polonaise  2.50  n. 

-  11   Fant.  et  Variat.  P  5 —  Heugel. 

-  19    Variations   sur   Do    do,    I'enfant    do,    P 

6 —  Joubert. 
•  30   Barcarolle   „Sur   I'eau    qui   te   balance" 
de  L  a  f  o  n  t,   var.  P  2 —  Hofmeister. 

-  34  Fantaisie  sur  le  trio  favori  du  Pr6  aux 

Clercs,  Jims  9 —  Orus. 
■  63  Grands  etudes,  60  caprices  en  5  livres, 

I    6— n,    I— III    8— n,    IV— V    9— n. 
-64  Cantilfenes   et  villanelle,    ObP   3— n. 

-  64  Canzonetta,    VcP   3 —  n. 

-  64  El^gie,  av.   0  ace.  4 —  n. 
-64   Melodie   vari6e,    VaP    2.50. 

-  64   Minuit,   adagio,   CIP   3 —  n. 
-64  Nocturne   et  Bol6ro,   VP   3 — n. 

-  64  serenade,   CorP  3—  n. 
-64   Sicilienne,   FIP   2.50  n. 

-  66  La  Brigantine,  fant.  P  av.  chant.   12 — 

Sulsbach. 

-  68  Grande  fantaisie  sur  des  airs  frangaia 

des    XVIe    et    XVITe    si^cle,    P    3— n. 

-  69  Fantaisie  concertante  sur  la  ballade  de 

Preciosa   de   Weber,   p.   POrgVVc  6 — n. 
-70  Trois  valses  caract^ristiques,  P:  N.   1. 
La   Styrienne   1.50  n.   N.   2.   La  Francaise 
2.50  n.   N.   3.   La  Viennoise  2.50  n. 

-  71    Addio   caprice  6l6gie,   P   2 —  n. 
-72   Bolero,   P   3— n. 

-  73   Eleganza,   mazurka,   P   2 —  n. 

-  74  Grazia,   redowa  de  concert,   P  2.50  n. 

-  75   Leggerezza,    galop,    P    2.50  n. 

-90     Trois     Elevations,     H  (Org     expressif) 
1.50  n. 

-  91    Offertoire,    hymne    de    Handel,    avec 

versets    varies,    H{Org    expressif)     1.35  n. 


Mereaux  A.  op.  96 


502     — 


Merelly  Ch.  Loup  a  passe 


96  Berceuse,  P  6 —  Heugel. 

99  Sonate  filegiaque,   P  9 —  Heugel. 

100  ler  Nocturne,    VP   7.50. 
102   lie  Nocturne,   VP   7.50. 

104  Hymne  du  matin  pour   VOrg   1.50  u. 
•105  Hymne  du  .soir  pour  VcOrg(P)   1.50  n. 
•114  A   la   veill6e,   legende,   P   1.70  n. 

115  Eondo   alia   Montferina,   P   1.70  n. 

116  Dans  la  for^t,  idylle,  P  1.70  n. 

117  Alia   francese,   menuet,   P    1.70  n. 

118  Sur  la   plage,  m^dation,   P   1.70  n. 

119  Polonaise,   fantaisie    1.70  n. 
•121   Quatuor  en   r^.  2VVaB  7— n. 

Andante  con  Variazioui  du  gr.  .septuor  de 
Beethoven,   PVOrg  9 —  Heugel. 

Andantino  de  la  gr.  Symph.  (Es)  de 
H  a  y  d  n,   PVOrg   9—  Heugel. 

Append  ice  des  classiques,  M  a  r  m  o  n  t  e  1 : 
Etude  retrospective  de  I'cJcole  du  P,  Les 
Clavecinistes  de  1637 — 1790,  volume  il- 
lustre    10 — n    Heugel. 

Ave  Maria  (S  c  h  u  b  e  r  t) ,  PVcOrg  7.50 
Heugel. 

Barcarolle-Etude,  P  1.50  Ricordi. 
Bles,  idj'lle  chorale  4.50  Heugel. 

Don    Juan:    Batti,    batti,    PVVcKb    7.50 

Heugel. 
Don    Juan:    Lacidarem,    PVVcKh    7.50, 

PVVcOrg  6 —  Heugel.   1.25   Brainard. 
Don    .Juan:     Serenade,      PVVcOrg     5 — 

Heugel. 
F  i  d  e  1  i  o,    quatuor,    JfinsOrg    6 —    Heugel. 
Figaro:   Mon  coeur   soupire,  PVOrg  6 — 

Heugel. 
Flute    e  n  c  h  a  n  t  e  e,    air,    PVcOrg     5 — 

Heugel. 

Grand  Trio    (F-m.),  PVVc   10— n  Durand. 
Hymne   du   matin,   VP   1.35  n. 
Marine,  PVc  2.50  n  Durand. 
M  i  g  n  o  n,   improvi.sata,   P   6 —  Heugel. 
•Reine    de    Saba     (Gounod),    choeur 

des  Sabeeuues,  POrg  2 — n  Choudens,   1.75 

8chotf. 
■Rigoletto,   quatuor,   HP  6 —   Grus. 
Son    doux    noni    1 —  n. 

•  24    Transcription.?     coucertantes     d'oeuvres 
cel&bres  des  grands  maltres : 

l.Duo  de  la  Lettre,  des  Noces  de  Fi- 
garo,  de   Mozart,   POrg,   duo   5 — . 

2.  Mon  Coeur  soupire,  des  Noces  de  Fi- 
garo,  PVOrg,   trio   6 — . 

3.  La  Pri&re,  adagio  vari6  du  3e  quatuor 
d'Haydn,   P0rg(20rg),  duo   6—. 

4.  Batti,  batti,  air  de  Don  Juan,  de  Mo- 
zart, PVVcOrg  et  Kh  ad  lib.,  qua- 
tuor  7.50. 

5.  Adagio  et  Polonaise  de  la  Serenade 
de   Beethoven,   POrg,   duo   7.50. 

6.  Andantino  de  la.  grande  Symphonic 
en  mi  bemol  d'H  a  v  d  n,  PVOrg,  trio 
9—. 

7.  Choeur  pastoral  et  Gavotte  d'Armide, 
de  G  1  u  c  k,  POrg,  duo  9 — . 

8.  Menuet  et  Trio  des  Masques,  de  Don 
Juan,   de   Mozart,  POrg,  duo  5 — . 

9.  Air  de  basse  de  la  Flflte  ehchantee, 
PVcOrg,   trio   5—. 


Juan,      PVVcOrg, 

de  Weber,  POrg, 

51e       Symphonic 
7.50. 


10.  Les    Soupirs    du    Berger,    de    Weber, 
POrg,  duo  5 — . 

11.  Quatuor  de  Fidelio,  de  Beethoven, 
4'nsOrg,   trio   6 — . 

12.  Andante     du    quatrifeme    Concerto     de 
H  a  e  n  d  e  1,    POrg,    duo    7.50. 

13.  Barcarolle    d'Oberon,    de    Weber,    P 
Org,    duo    6 — . 

14.  serenade      de    Don 
quatuor  5 — . 

15.  Duo  de  Freischiitz, 
duo    7.50. 

16.  Andante       de       la 
d'H  a  y  d  n,    PVOrg 

17.  Ballade  et  valse   de  Preciosa,   de   We- 
ber, POrg,  duo  7.50. 

18.  Andante  du  Quintette  en  mi  b6niol  de 
Beethoven,   op.    16,   POrg   7.50. 

19.  Cantil5ne    d'Euryanthe,      de    W  e  b  e  r. 
POrg,   duo   6—. 

20.  Vedrai,  carino,  air  de  Zerline,  de  Don 
Juan,  de  Mozart,   POrg,  duo  5 — . 

21.  Andante    con    variaz.    du    gr.    Septuor, 
op.   20,   de  Beethoven,   PVOrg  9—. 

22.  La   ci    darem   la   mano,   de   Don    Juan, 
PVVcOrg  6—. 

23.  Allegretto    scherzando    de    la    8e    Sym- 
plionie  de  B  e  o  t  h  o  v  e  n,  POrg,  duo  6 — . 

24.  Ave    Maria    de    S  c  h  u  b  e  r  t,    PVcOrg, 
trio  7.50  Heugel. 

-  T  r  o  V  a  t  o  r  e    (Verdi),   OrgP  —60   Brai- 

iiard. 

-  Vieille  batnille,  choeur  6 —  Heugel. 

Mereaux  J.  N.  (1745—1797),  op.  5  Sonat?, 
P  2.30   Schlesinger. 

-  32    Variations    sur    Eobert    le    Diable,     P 

2.50    Hchlcsinger. 

-  Sonatine    (G),   P   6 —   Leduc. 

-  Sonatine,    VP    7.50    Leduc. 

Mereaux  et  Lemire,  op.  37  Souvenirs  de 
Montagues,  duo  brill.   VP  3 — n  Costallat. 

Mereaux  et  Robberechts,  op.  14  Variations 
sur    la    romance    „Je    te    pardonne",     VP 

3 —  n   Coslallat. 

Meredith    Max,    Summer    day    on    the    river 

4/ —   Leonard. 
Meregalli    Achille,    Furberia    di    Nennuccia, 

duetto    1 —  n    Ranzini. 

-  Idee   fantastiche,    P    2 —  n    Ricordi. 

-  lo   son   con   te !    romanza    3 —   Ricordi. 

-  Marchesino.  Le  Duchessiua,  canzoneduetto^ 

1 —  n   Ranzini. 
Mereghi   A.   Bacio   d'anime,   barcarola    1 — n 
Ricordi. 

-  Cos'   e,   cos'   e  qiiesta    melanconia,   romunza 

4 —  Carisrh. 

Merelly  Ch.  Allons,  enfants  de  la  patrie 
1 —  n,   Ch.   s.   — 35  n   Puigellier. 

■  Au    Pays    du    Soleil,    val.se    2 —  n,    0    2 —  n 

Rouart. 

■  Au    temps     du    bon    roi    Dagobert      1.50  n 

Roux. 

-  Champagne-Roi   1 — n,   Ch.  s.  — 30  n  RouarL 

-  Cliansonnettes :  Amoureux  de  la  lune  1.50n 

Roux. 

-  Chasse  au   2)ognon,   Puigellier. 

-  Je  suis  chatte   1 —  n,  Ch.  s.  — 30  n  Rouart, 

-  Loup   a    passe    1 .50  n    Roux. 


Merelly  Ch.  Moii  petit  Pierre 


—     503     — 


Merikanto  O.  Mochrnc  Salontanxe 


-  Mon    petit    Pierre     1 — n,      Ch.    s.    — 30  n 

Rotiart. 

-  Ouragou   et  la  brise,     Roux. 

-Petite   monde    1 — n,   Ch.  s.  — 30  n   Rouart. 

-  Plaisirs    de    grand'    mamau    2 — n,      C/(.    ^«. 

— 30  u   Rouart. 

-  Poulidette    (La   Jolie),     Patay. 

-  Reine  dii   Lapin   blaue   1 — n,   Ch.   s.  — 30  n 

Rouart. 

-  Rien,      Roux. 

Meres  d'Eu    1— n,   Ch.  s.  — 30  n  Ondet. 
Mergian    A.    op.    84      Marche    Ikbalie     2.50 
Rico7'di. 

-  85   Marguerite,   P  2 —  Ricordi. 
-86  Adeline,   P   1.50  Ricordi. 

-  Exile,   P  4 —   Girod. 

-  Marche    5 —    Girod. 

Friedrich,     Die    heilige 
gem.    Singst   m.    Org, 
—60  n  Breitkopf. 
Lieder    f.    Chor 


Passions- 
Part  3—, 


1 —  n     Junge- 

Liebe.  Blilmeli. 
Rosenzeit.  Im 
Sei    still!      1— 


Mergner 

woche,   f. 
Cliorst  i\ 

-  50    geistl. 

Ansbach. 

-  6    Lieder :    Der    Flug    der 

Herein  !  Voriiber  ist  die 
Lager  vor  Akkon  1190. 
Jumie. 

-  Neue    Weisen    zu    P.    Gerhardt's    Trostrei- 

chen  Liedern.   Neue  Folge.   An   die   Glied- 

inafien   des   Herrn    Jesu    1 —   Fenchtinger. 
Mergy  X.  Sneezing  song   (Mrs.  H.  Paul's) 

— 35    Ditson. 
Mgria    J.    A    Bougival    3—,      Ch.    s.    — 30  n 

Eveillard. 

-  Bretonniere    3 — ,    Ch.    s.    — 30  n    Eveillard. 

-  Emballeur   1 — n,  Ch.  s.  — 40  n  Bornemann. 

-  Et  brigue  la  dondaine  1 — n,  Ch.  s.  — 40  n 

Bornemann. 
-Fanfare    de    Soissous    1 — n    Margueritat. 


3- 


Ch. 


Margueritat. 
Ch.   s.   — 40  n   Borne- 


1- 


Ch.    s. 
Ch.    s. 


Ricordi. 

-   Maroky. 

Fontana. 
P    2— n. 


-  Marchande  de  consolation 

Eveillard. 

-  Mon   Cuirassier    1 —  n 

-  Oh  !    voui    va  !    1 —  n, 

rnann. 

-  Principes    de    Zidore 

Bornemann. 

-  Voulez-vous    d'    raoi ! 

Eveillard. 
Meriani    G.   Vattelapesca,   P   L50 
Meric    P.   Brochu:    Babet-maz.   4— 

-  Bil-boc,    polka    4 —   Maroky. 

-  Bouquet   de    roses,    P    2 —  n,    V, 

-  Chatelaine    soir    d'ete,    nocturne, 

-  Entr'acte,   menuet,   P   1.25  ii. 

-  Entr'acte  N.  2,  P  1.25  n. 

-  Flirt,   maz.    1 —  n. 

-  Galante    aventure,    serenade,    P 

-  Josette,   gavotte,  P   1.25  n. 

-  Komorn,  marche,   0.     Fontana. 

-  Marquise,    gavotte   5 —   Maroky. 

-  Mouettes,   maz.   0   2.50  n. 

-  Poulette,    polka    4 —   Maroky. 

-  Red-Cedar,     marche,     0     1.25  u 

— 25  n    Massard. 

-  Simplette-gavotte,    P    3 —    Maroky. 

-  Yvette,  maz.    1.25  n. 

-  Zaza,  polka  4 —  Maroky. 
M£ric-Courtioux,      Les    Mouettes,     maz. 

Partie   de   P  cond,      Brochu. 


30  n 


40  n 


30  n 


1- 


n. 


cond. 


0, 


Merle  P.  et  N.   Moreno,  Ca  fait  lever!   Mo- 
nte?-. 

-  R§ve,    paysan !    il/onter-Lyon. 

Meriel  F.    Avant  la  corrida,  valse.    Ducrotois. 
■  Barbot    Bottomley-Marche,     marche    am^ri- 
caine,   0.   Lahole. 

-  Berlinette    bleue    1.70  n,     0    1 — u     Socicte 

nouvelle. 

-  Cocktail,    polka   5 —    Costil. 

-  En  Berline,  polka  6 — ,  0  10 —  n  Ducrotois. 
•  Marche    moscovite    .5 —    Costil. 

-  Noce  normande,  P  2 —  n   Weiller. 

-  Valse    frivole    6 — •    Costil. 
Meriel-Barbot    F.      Avant   la   corrida,    valse 

2—  II    Zool:. 
Merigault,   Mglomane,   pas   red.   Harm,  Funf 

a   1.50  n  Margueritat. 
Meriggioli    G.   Ricordi:   2    Canzonette   popo- 

lari   triestine:      1.    I   nostri   veceti,    2.    Le 

qratro   stagion,   a    1 — n. 

-  Ca\ullerizza,    polka-capriccio,    CIP    4 — . 

-  Lucia  di  Lammermoor,  div.  brill.  CIP  8 — . 

-  Moretina,  la  sera  xe  bela,  canzonetta  1 —  n. 

-  Omaggio,   composizione,    P    7 —   Mariani. 

-  Rigoletto,   piccolo  concerto,    VP   7 — . 

-  Tormeuta,    maz.    caratt.    P    6 —    Mariani. 
Merighi   V.  Ricordi:  Op.   11   Introduzione  e 

Polacca,    VcP    2.60. 

-  Concertino    per    VcfVaJP    4.50. 
-Dernier  gotit,  3  morceaux  agr6ables,  VcP: 

N.   1    2—,   N.  2   4—,   N.  3    5—. 

-  Divertimento    all'italiana,    VcP    3 — . 

-  Divertimento    in    Quintetto,    VafVc)2VVa 

Ki  6—. 

-  Introduzione     e     Variazioni,     con     P,     sul 

tema  r  Oh  cara  memoria,  nell'Adele  di  Lu- 
signano  3 — . 
Merigo  B.  A.  Brainard:  Elsie,  valse.  P  —40. 

-  Fannie,  valse  — 40. 

-  Jessie,    valse,    P   — 40. 

-  Lilie,   valse,   P  — 40. 

-  Mattie,  valse,  P  —40. 

-  Minnie,  valse  — 40. 

Merigot    P.    Nouveau    Joconde    1 — n,    av.    G 

— 40n,    Ch.  s.  — 25n    Labhi". 
-Roses     de     Provins     1 — n,     Cli.  s.     — 40  n 

Borne7nann. 

-  Saisons   1 — n,   av.   G  — 40  u,   Ch.  s.  — 25  n 

Lahhe. 
Merikanto    Oskar.   Fazer :    Album,   vier   let- 

tische    Volkslieder,    P    1.60    Lindgren. 
-2    alte    finnische    Tanze     (Polska),    P    1 — 

Wascfiius. 
-4   Gesiinge    (schwed.-deutsch)  :    1.   Tone   der 

Waldtauben.      2.      Erloschende      Glut.      3. 

Abendstimniung.    4.    Auf    dem    Meer    2.50 

Wasenius. 

-  Hemdenmatz,   Wiegenlied  — 80  De  Nieuwe 

Muziekhandel. 

-  2   Impromptu,    P   2—. 

-2    KlavierstiJeke :    1.    Fantasie-Mazurka.    2. 
Lied  ohne  Worte,  P   1.50   Wasenius. 

-  Lauluja   Tukkijoella,   I— II   a   2 — . 

-  Liebeslieder,    Lemmelauluja    met   tysk    och 

finsk  text   2.50. 

-  Moderne  Salontanze:    I.  Pas  de  Quatre,  3. 

La  Chaconne,  4.  Schottisch,  5.  L'Arkadien, 
6.  Pompadour,  7.  Pas  des  Patineurs,  ft 
— 60    'Nya    Uelsingfors    Musikhandel. 


Merikanto  O.  Nusia  Lauluja 


—     504     — 


Merk  G.   Unserem  teuren  Konig 


•  Nusia   Lauluja,   Neue   Lieder    2.50. 

-Nya   Salondanser,    P,   I— II   k   2.50:    N.    1. 

Pas    de    Quatre,    2.    Mignon,    3.    La    Cha- 

conne,     4.    Schottisch,     5.    L'Arcadien,     6. 

Pompadour,   7.  Pas  des  Patineurs,  8.  Pas 

d'Espagne,   a  — 75. 

-  Of ver   Atlauten   Marsch    1.50. 

-  Omnelliset,    duet    1 — , 

-  Romauze   a.    d.    Oper   „P  o  h  j  a  n    N  e  i  t  i", 

Vc(V)P     1.20     Nya     Helsingfors     Mnsik- 
handel. 

-  Sommaraftonens,    idyll,    P    — 60    Wasenius. 
-Valse   lente,    P    L25'. 

-  Valse   lente   arrangerad   a  {   Willy   B  u  r- 

m  ester,   VP    1.50. 
-Vslse  Lente,  P  — 75   Lundquist. 
-Vuhe   melancolique,    ^ms    1.25. 

-  Yenezian.ska     visor     af     Daniel     Fall- 

s  t  r  6  m  2 — . 
Merion    C.    Popsy   Wopsy   —25    Brainard. 
Meris    A.      B§tises    de    Janot    1 — n,    Ch.    s. 

— 40  u   Bornemann. 
-Lecons  du   grand'pfere    1 — n,    Ch.   s.  — 40  n 

Borvenian7i. 
Merison  J.  Souvenir  de  Scbimmert,  pas  red. 

2 —  Kessels. 

Meritorious   Part   Songs,   Blockley : 

1.  Anchored,  Watson,  mix.  or  male  v.  — /3. 

2.  True  till   Death,  Gatty,  mixed  or  male 
V.  — /3. 

3.  The    Dear    Little    Shamrock,    Jackson, 
mixed   or  male  v.  — /3. 

4.  My  old  Friend  John,  Land,  male  v.   3/ — . 

5.  O'er  the  Hills  of  Normandy,  De  Faye, 
mixed    or   male    v.   — '3. 

6.  Tell  her  I  love  her  so,  De  Faye,  mixed 
or   male    voices   — /3. 

7.  Gipsies'  Laughing  Trio,  Glover,  mixed 
voices  — 12. 

8.  Merry  Bells,  Lahee,  mixed  voices  — /2. 

9.  The  Bells  Lahee,  mixed  voices  — /3. 

10.  Love  in  my  Bosom  Lahee,  mix.  v.  — /3. 

11.  Hark  away,  mixed  voices  — /2. 

12.  Hark  to  the  sound,  mixed  v.  — /2. 

13.  Hurrah  away  to  the  woods,  mix.  v.  — /2. 

14.  The   Fox   Chase   Birch,   mixed   v.   — /2. 

15.  The  Four-inhand,   Birch,  mix.   v.  — /2. 

16.  Sing  ye  the  land,  mixed  voices  — /2. 

17.  We   come    from    the    Norseland,   mixed 
voices  — /2. 

18.  With  the  Fall  of  the  Snow,  mix.  v.  — /2. 

19.  Music  on  the  Waves,  mixed  voic.  — /2. 
20  Kathleen    Mavourneen    Crouch,    mixed 

or  male  voices  a  — /2. 

21.  Killarney  Balfe,  mix.  or  male  v.  a  — /I. 

22.  Excelsior  Balfe,  mix.  or  male  v.  a  — /3. 

23.  Alice   where   art  thou,   mixed   or   male 
voices  — /I. 

24.  Jessie's   Dream,   mixed   voices   — /3. 

25.  Ring  out  wild  bells,  mixed  voices  — /3. 

26.  List  to  the  convent  bells,  mix.  v.  — /2. 
MepuasHH-b  A.  FopHbiH  -  jryQuaKi,  HojibKa 

— .50  JiiKjcnson. 
Merk  C.  op.  12  Lyrische  Stiickchen,  P  — 30 

Bratfiscli. 
-  19  Marchen,   Tondicht.  P  —30  Bratfisch. 
-20    Mazurka,    brill.    Tonst.    —30    Bratfisch. 


Merk  Gustav,  op.  4  24  Orgelvorspiele  2 —  n 
Leuclcart. 

-  6    50    leicht    ausfiihrbare   Vorspiele    f.    Org 

2 —  n    Leuckart. 
-9   20   Orgelvorspiele    1.50  n    Leuckart. 

-  15    40   kurze    und   leiclit   ausfiihrbare    Vor- 

spiele fur    Org    1.50  n    Leuckart. 

-  21      900     Choral-Zwischenspiele     fiir     Org, 

narm(P)    3 — n   Leuckart. 
-22    Zwei    Sliicke:      1.    Auf   Wiedersehn.    2. 

Elegie,  P  1.20  Fritzsche. 
-23    18   Orgel-Vorspiele   fiir   den   kirchlichen 

Gebrauch    1.50   Beyer. 
-26   Waldvoglein,    TTBB  —60   Bratfisch. 
■27  Nr.   1.   Wenn  zwei  zusammen  wandern, 

TTBB  —90  Bratfifich. 
-27    Nr.   2.   Des   Kindes   Klage,   TTBB   —90 

Bratfisch. 

-  28    Choralbuch     fiir    evangelische     G«mein- 

den,    Org,    Tlarm  (P)    5 —  n    Leuckart. 
-30   Voglein,   wohin   so   schnell,   TTBB  —90 

Bratfisch. 
-30    Kurze    und    leichte    Vorspiele,    Orgfll) 

1 —   Vieireg. 

-  31   Verzage  nicht  du  Hauflein  klein,  TTBB 

— 60   Bratfisch. 

-  32  Tauser.d  Stornlein   in  der  Nacht,  TTBB 

—60    Bratfisch. 

■  33    Deutsch    und      furchtlos,      TTBB     — 60 

Bratfisch. 

-  34   Es    hiillt   die   blaue   Feme    sich    ein    in 

duftgen  Traum,   TTBB  —60   Bratfisch. 
-35    Motette:     .,Befiehl    dem    Herrn     daine 
Wege",    TTBB    —60,    einzelne    St    a    —10 
Bratfisch. 

-  36    Weihnacht :      „Was    t6nt     so     wunder- 

bamer  Klang,  so  feierlich  Geliiute",  IT 
BB  —60   Bratfisch. 

-  37   Der   ?Ierr     ist   mein     Licht    und     mein 

Heil",  8ATB  —60,  einzelne  St  a  —10 
Bratfisch. 

-  39  285  Vorspiele  zu  170  Choriilen  der  evan- 

gelischen    Kirche,    Org    6 —   Leuckart. 

-  40   33    Orgel-Vorspiele   2 —   Beyer. 

-  41     34     Clioral-Vorspiele     fiir     Org     2.50  n 

Bratfisch. 
-42    8ATB:      1.    Singet    dem    Herrn    lautes 

Lob,    2.    Wenn    nur    das    Herz   am    HofTen 

halt,  a   1 —  Becher. 
-43    Gebet:    „Herr    schicke   was    du    willst", 

SATB   1.20  Bratfisch. 

-  44   Und   die   Blumelein,   TTBB,  Part   u.   St 

1.60   Bratfisch. 

■  Allgemeine     Musik-     und     Harmonielehre, 

ein  Lehr-  und  Lernbuch  fiir  Seminare, 
Praparanden-  und  Musikanstalten,  sowie 
zum  Selbstunterricht  2.80   Vieweg. 

■  Schlesisches      Choralmelodienbuch,     enthal- 

tend  95  Choralmelodien  in  der  v.  dem 
kgl.  Konsistorium  zu  Breslau  fiir  die 
Provinz  Schlesien  festgesetzten  Lesart, 
sowie  die  30  nach  dem  Militar-Melodien- 
buche  einzuiibenden  Melodien,  fiir  den 
Schulgebrauch  zusammengestellt,  Ch.  s. 
— 40  n  Kreuschmer. 
-Unserem  teuren  Konig  und  Kaiser:  „Wenn 
des     Konigs     Angesicht     freundlich     ist". 


Merk  G.   Unserem  teuren  Konig 


—     506     — 


Merkel  G. 


op. 


25 


SATB,   Part 
— 25   Fritzsche. 
Merk  Josef  (1795 
O  cara  memoria 
3.50  n    CosiaUai. 

-  4   Variations    (F)    s. 

t  r  i  c  h  R  t  e  i  n,    VcP 

-  5  Konzert  Nr.   1   fiir 

kopf,  slx.   O    (Quat.) 

-  5   Potpourri   A 

2—  Cran^. 

-  6  Valses  brill.    PVc 


40,    Part   als   Stimmenheft 


-1852),  op,  1   Variations: 
VcP  2.50  n,  av.  S^j-Quat. 


iin   Thftme     de     D  i  e- 
2.25   Ilofmeister. 

VcO    (D)    1— n  Breit- 
6.50  n   Costallat. 
des   amateurs,    VcP 


I'll  sage 


CorP  a  2.50   Cranz. 


-  8    Variations,    VP,    VcP    h    2.50    Cranz,    fl 

3— n    CoRiullat,   av.    O    (Quat.)    6 — n,   av. 

0   6 — ,   av.   Quat.   3—  Cranz. 
-10   Eondo    (D),    VP,    VcP   a   3—   Cranz,    k 

3.50  n,  av.   0    (Quat.)    7.50  n  Costallat,  av. 

O  7.25,  av.   Quat.  4—  Cranz. 
-11    20    Exercises,    Fc    3 —    Eulenhurg,    1.20 

Litolff,    6 —    SchleHnger,     1/ — n    Jwgejier, 

— 60    ScJiirmer,   5 — n    Costallat. 
-12  Adagio  et  Polonaise    (A),   TrP  3—.  VO 

(Quat.)     7.25,    Fp-Quat.    4—    (7ra?ic:,    FoP 

4 — n,  av.   0    (Quat.)    7.50  n   Costallat. 

-  13   Aux   amateurs,    VcP:   N.    1.   Variations 

et   Rondo   2 — .   N.   2.   Air   varie   et  Rondo 

1 —  Cranz,  2.50  n   Costallat. 

-  13  Salzburg,  theme  orig.  in  C,  varied,  VcP 

5/ —   Ashdown. 
-14   Variations,    VcP   2 —   Cranz,   3 — n    (7o- 

-  14  La  Ch^rie,  theme  orig.  in  C,  varied,  VcP 

5/ —   Ashdo7r7i. 

-  14  Ausgewahlte  Etiiden  fur   Va   1.50  C.  F. 

Schmidt. 
-17   Konzertino,    FcO    (A-moll)     1— n,    VcP 
4.50   Ereitkopf. 

-  18    Variations    sur    im    air    tyrolien,    VcP 

2 —  Cranz,  1/ — n  A^^jrener,  2.50  n,  av.  0 
(Quat.)  7.50  n  Costallat,  av.  Quat.  4—, 
av.   0   7 —  Cranz. 

•  20  Sechs  Etiiden,  Fc  2—  Schlesinger,  2.50  n 
Co«faZZnf. 

-  21    Introd.    et    Variations     s.  1.     valse     de 

Schubert,  op.  9 :  Wiener  Trauer-Wal- 
zer,  VcP  2—,  av.  0  6—,  av.  Quat.  3— 
Cranz,  VcP  3 — n,  av.  O  (Quat.)  6 — n 
Costallat. 

-  22   Divertissement,    VcP    2 —    Cranz,    3 —  n 

Costallat. 

-  23    Capriccio,    VcP    3.50    Cranz,   3.50  n    Co- 

stallat. 
-24  Polonaise    (F) ,  VcP  3.50  Crans. 
-25    Fantaisie   sur    „Guiramento",    VcP    3 — 

Cranz,    3.50  n    Costallat. 

-  26    Fleurs    d'ltalie,    fantaisie    sur    des    mo- 

tifs d'op^ras,  VcP :  Donizetti:  1.  Lu- 
crezia  Borgia,  2.  Lucia  di  Lammermoor, 
3.  Torquato  Tasso,  4.  Dom  Seba.stian,  k 
2.50  Cranz,  k  4—  Ricordi,  N.  3  3— n  Co- 
stallat. 

-  27   Humoreske,   PVc  2.50   Crana. 

-  28  Divertissement,   PVc  3 —  Cranz. 

-  29  Reminiscences,  fantaisie  sur  M  a  r  t  h  a, 

VcP  3.18  Bosicorth. 

-  30   7e   Caprice,    FcP    2.50    Cranz,    3.50    (7o- 

stallat,  4.50  Ricordi. 


-  31    Fleurs  d'ltalie,  5.  Cahier,  fantaisie  sur 

les  thgmes  les  plus  favoris  d'Ernani,  VcP 
2.50    Cranz,    4.50    Ricordi. 

-  32  Air  Suisse  vari^  et  Rondeau,   VcP  7.50 

Cranz,  5 —  Ricordi. 

-  33  Morceau  de  Salon,  2VcP  2 —  Cranz. 

-  34  Aux  amateurs,   introd.   et   Rondo  origi- 

nal,  PVc  2.50  Cranz. 

-  35  Duo  concertant,  2VcP  3 —  Cranz,  4 —  n 

Costallat. 

-  36    Fantaisie   et   Variat.   sur    un   thfeme   fa- 

vori,   PVc   2.50   Cranz. 
-37   Air   final:    Ah    non   giunge   de   la   Son- 
nambula,    de    Bellini    vari^,    VcP    2.50 
Cranz,  5 —  Ricordi. 

-  162  Introd.  et  Variat.  brill,  et  concert,  sur 

un   thfeme   original    (D),    PVc   4 —   Cranz. 
-11    u.    20    (N.    Salter)    1.50   Steingrdber. 

-  Fantaisie   et    Variat.    brill,    concert.    8.    un 

theme    orig.    VcP    3 —   Cranz. 
-Variations  favorites    (Sabon),  CIP  2.50  n 

Costallat. 
-Variations  s.  un  th&me  fav.    (C),  VcP  4 — , 

VO    (Quat.)    6—,    Fr-Quat.    3—   Cranz. 
Merk  W.  op.  1   Den  Gefallenen  im  Norden, 

Trauermarsch,    J/ms    1 —    Schlesinger. 

-  2   12  Landler-Idyllen,    '/w.s  2 —  Schlesing^'-r. 

-  3   12  Landler-Tdyllen,   4'"f  2 —  Schlesinger. 
Merkel  C.  Hie  Welf,  hie  Waiblingen  !  Fehde- 

ruf  mil  obligaten  Hcroldstrompeten,  und 
H  e  r  o  1  d  G. :  Kavallerie-Parademarsch, 
0  2.50,   sO  2.50   Lehnc. 

-  Prinz      Georg-Marsch      und      Prinz      Max- 

Marsch,  gr.  Harm,  kl.  Harm  a  1.50  Lehne. 
Merkel    Gustav     (1827—1885),    op.    1    Drei 
Lieder  ohne  Worte,  P  1.80  Brauer,   (Cont. 
Fing.)    1/ — n  Atigcner. 

-  14   4'ms'    1.    Marsch,    2.    Polonaise,     h     1 — 

Breitkopf. 

-  15  Neuf  Preludes  faciles.   Org   1.30   Andre, 

1/6  n   Augener. 

-  18  Albumbliitter,  4  Charakterstiicke,  P  3— : 

Nr.  1.  Friihlingslied  (E-dur)  1—.  Nr.  2. 
Wanderlicd  (F-dur)  1—.  Nr.  3.  Im- 
promptu (A-dur)  1 — .  Nr.  4.  Wiegenlied 
(B-dur)  1—  Breitkopf,  N.  1.  Chant  du 
printemps  (Spring  Song)  3/ —  Ashdotcn, 
4/ —  Laudy,  — 40  Brainard,  — 50  Ditaon, 
Fischer,  Srhirmer,  — 40  Schmidt,  1.35  n 
Costallat.  N.  2.  Chanson  du  vovageurs 
(Wanderer's  Song)  — 25  Brainnrd,  Schir- 
mer,  1.35  n  Costallat,  — 20  n  Gebethner. 
N.  3.  lupromptu  — 50  Brainard,  — 35 
Schirmer,  — 40  Schmidt,  — 30  n  Geiethncr, 
— 50  Nord.  Musikforlag.  N.  4.  Cradle 
Song  2/ —  Ashdow7i,  — 25  Brainard,  Schir- 
mer, N.  1 — 4  1/ —  n  Augener. 
■  20  In  trauter  Stunde,  Salonstuck,  P  1 — 
Breitkopf,  1.35  n  Costallat. 

-  21  Huit  Morceaux  faciles,  Org  1.50  Andre. 
-22    Brill.    Walzer,    P    1—    Breitkopf,     3/— 

Augener,  — 50    Schirmer. 

-  24   Im   griinen   Hain,   Idylle,   P   1 —  Breit- 

kopf, 3/ —  Ashdown,  — 35  Gordon,  Presser, 
1.35  n   Costallat,  — 50   Nord.   Musikforlag. 

-  25   Im   wunderschonen    Monat   Mai,   Salon- 

stuck,   P    1—   Breitkopf,  —50   Ditson,   Fi- 


Merkel  G.  op.  25 


—     506 


Merkel  G.  op.  85 


scher,  Gordon,  Presser,  Schirtner,  Schmidt, 
1.35  n   CostaUat,  — 50   Nord.    Musikforlag, 
1.50  Hirsch. 
-26    Idylle    iibtT    eiii    Motiv    der    Oper    „Le 
Pardon  de  Ploennel",   P   1 —   Breitkopf. 

-  27    Fruhlingsbotscliaft,    Saloustiick,    P    1 — 

Breitkopf,  3/ —  Augener,  ^50  Schirmer, 
1.35  n   CostaUat,   1 —  Hirsch. 

-  28    Brillar.te    Polonaise,    P    2—    Breitkopf, 

— 50  Gordon,  — 65  Schirmer,  — -60  Schmidt, 
2.70  n   CostaUat. 

-29  Maienbliite,  Salonstuck,  P  1—  Breit- 
kopf,  — 50    Schirmer,    1.35  n    CostaUat. 

-30  Sonate  (D-m.),  OrgP  (Otto  Turke) 
3—    Kahnt,    3/—    NoveUo. 

-  31     Genre-Bilder,     vier    kleine     Charaktei- 

stiicke,  P  2 — :  Nr.  1.  Kiudeiinarseh,  2. 
Froblioher  JUgersmanu  — 80.  Nr.  3.  Dew 
Knaben  Berglied  — 80.  Nr.  4.  Eeiterliod 
— 80  Rieicr,  kplt.  1/ —  n  Augener,  Nr.  1 
— 15  Presser,  Nr.  2.  Jolly  Kuntsman  — 20 
Ditson,  — 25  Fischer,  — 20  Presser,  — 35 
Schmidt,  Nr.  4  (O.  Th  timer)  3/—  A>i- 
gever,  —30  Ditnon,  — 40  Jeiuiings. 
-32  Drei  groise  Orgelvorspiele  2 — Breitkopf. 

-  35  Adagio  im   freien   Stil   fiir  die  Org  ziun 

Gebrauche  bei   O^'^-Konzerten   1.50   Rieter, 
1/ — n    Aiigener,    1/6    NoveUo. 
-37  Zehn  Fughetten,   P  1.50  Peters. 

-  39    Vier    Trios    mit    Pedal-Applikatur,    Org 

1.75   Uofmeister,  —75    White. 

-  41      Introduktion     and     Doppel-Fuge,     Org 

1 —  Rieter. 

-  42   Zweite   Sonate 

-  45   Variationen   f. 

-  47    36    kurze    und 

1.25  Schott. 

-  48    50    kurze    iiiul    leichte    Clioralvorspiele, 

Org,   2   Lieferungeu   a    1.25   Schott. 
-50   Drei    Cliaraktei;^t(ifke,    P:    Nr.    1.   Wan- 
derlust 1 — .  Nr.  2.   Abendrulie   1 — .   Nr.   3. 
Ballade    1.50   Schott. 
-51    Adagio,   Org(P)V   1.50,    VP   2—  Schott, 
Schirmer. 
Tarantelle,  P   1 —  Kistner. 
Allegro  im  leicbten  Stile,  J^ms  1 —  Hof- 
farth. 

55  Arioso,    Veil   1/ —   NoveUo. 

56  Weihnachtspastorale,    Org   — 75    Schott. 

57  Hymne :  Sei  mir  gnadig,  Gott,  m.  Org 
(H)    2 —   Hofmeister. 

58  Andante,    VcP   1 —   Kistner. 

59  Romanze,   P    1 —   Kistner. 
Aquarellen,    vier    kleine    Tonbilder,    P: 
Schifi'erlied,    2.    Postilions    Morgenlied, 
Lenzeslust,    4.    Auf   bliiliender    Flur,    a 

1 —  Breitkopf,  a  —35  Schirmer,  kplt.  3/ — 
Ashdotvn,  2.70  n  CostaUat,  N.  2,  4  a  — 35 
Fischer,  N.  4.  En  champs  fleurissant,  P 
— 30  n  Gebethner. 

62  Jugendbliiten,  zwei  leichte  Tonstiicke, 
P:  Frohlicher  Reigen,  In  trautem  Kreise, 
a  I —  Brauer. 

63  Barkarole,  Salonstiick,  P  1 —  Breit- 
kopf,  — 35    Schirmer,    1.35  n    CostaUat. 

63  Drei  Charakterstiicke,  VcP  3.90  Breit- 
kopf. 


(G-m.),    Org   3 —  Rieter. 
Org   2.25   Forberg. 
leichte    Praludien,     Org 


1- 
52 

54 


61 
1. 

3. 


-  64    Walzer-Impromptu,    P     1 —    Breitkopf, 

2.70  n   CostaUat. 
-64   Daffodils,   P   3/—  Ashdoicn. 
-66    Jagdszene,    P    1 —    BreUkopf,    Hunting 

Scene    — 30  n    Presser,     Sc&ne     de     chasse 

1.35  n    CostaUat. 

-  66  Nachklange  aus  schoner  Zeit,  Romanze, 

P   1.25,   VP   1.75,   Org   1—  Schott. 
-67  Zwei  leichte  Tonstilcke,  P:  1.  Aus  Her- 

zensgrund,    2.    Kleine    Tyrolienne,    a    — 75 

Litolff. 
-68  Drei  Idyllen,  P:   1.  Aus  seliger  Zeit,  2. 

Auf    schaukelnder    Welle,      3.    Auf    Wies' 

und    Flur,    a    — 75    Schott. 
-69  Valse  Impromptu,  P   1.25,   VP  1.75,  FIP 

1.75    Schott. 
-70   Polonaise,    P    1.50    Schott. 

-  71   Bunte  Blatter,  vier  kleine  Tonbilder,  P 

2—   Schott. 

-  72  Stimniungsbilder,   8 

I— II  a   1.50  Schott. 

-  72  Stimmungsbilder,  6 

3.25,  VcP  3.25  Schott 
-73    Zwei    Phantasiestiicke,    P:    Nr.    1 
promptu     1.50.      Nr.    2.     Jagdstiick 
Cravz. 

vier  Klavierstiicke  2^: 
Diimmerstunde  — 80.  Nr.  2. 
Nr.  3.  Stiindchen  —50.  Nr. 
—50  Rieter,  Nr.  3  —35 
WiUig,  Nr.  2  —25  Jurgen- 


lyrische   Stiicke,  P, 
lyrische  Stiicke,  VP 


Im- 
1.30 


P    1.30   Rieter. 
4   kleine   Charakter- 
Jitgerliedchen.   2.   Soldaten- 
Wiegenlied.    4.    Humoreske    1.50 


Nr.    2   —50    iVonZ. 


-  74    Abendbikler 
Nr.   1.   In  der 
Milrcheu  — 80 
4.     Abendlied 
Schmidt,  — 25 

son. 

-  75    Trauml)ild,    ld\lle, 

-  76   Fliegende   Blatter, 

stucke,    P:    1. 

lied.    3. 

Kistner,    6 —    HameUe 

Musikforlag. 
-77    Skizzeu,    4    Klavierstucke :      Nr.    1.    Im 

Walde  —SO.  Nr.  2.  Reiterstuck  1—.  Nr.  3. 

Neues   Hoffen  — 80.    Nr.   4.    Miunelied    1  — 

Cranz,   Nr.    3   — 15    Jurgenson. 
-78   Douze   Morceaux   lyr.   H   3.15  n   Mustel. 

-  78  Zwolf  lyr.  Tonstilcke, 

-  79    Drei    Klavierstiicke : 

Notturno,  3.  Arabeske, 

-80  Sonate  Nr.  3    (C-m.), 

-81  Bagatellen,  4  kl.  Tonbilder,  P :  1.  Siifie 
Heiniat,  2.  Jagdruf,  3.  Maieuwonne,  4. 
Schmetterling,  a  1 —  Hainauer,  Nr.  2. 
Hunting  song  — 50  Jennings,  —40  Schmidt, 
Summy;  Nr.  3.  Pleasures  of  May  — 40 
Schmidt;  Nr.  4.  Butterfly  — 35  Fischer, 
Schmidt,  —50  Jennings,  — 30  Press'^r, 
WiUifl^   — 40    Wood,    Lyre. 

-82  Tonbluten,  4  kl.  Stiicke,  P :  1.  Auf  grii- 
ner  Au,  2.  Gedenke  mein,  3.  Freudvoll 
und  leidvoll,  4.  Im  Blumengarten,  a  1 — 
Hainauer,  Nr.  1  — 30  Presser,  — 40 
Summy. 

-83  Capriccietto  und  Serenade,  P :  1.  Ca- 
priccietto,    2.    Serenade,    a  1 —    Hainauer. 

-  84  Abendfeier,  Nocturne,  P  1 —  Hainauer. 
-85    Vier    Charakterstiicke,    H :       1.    Armer 

Savoyarde.  2.  Andacht.  3.  Augenblicke 
der  Weilie.  4,  Pastorale  1.50  Fiirstner, 
1'6   NoveUo. 


HP  2.50  Fiirstner. 
1.    Romanze,    2. 
a   1.30  Fiirstner. 
Org  3 —  Fiirstner. 


Merkel  G.  op.  86 


—     507 


Merkel  G.  op.  142 


86  Zvvei  Tonstucke.  P:  Nr.  1.  Aus  Her- 
zens  Grund  1.25.  Nr.  2.  Mit  frohem  Sinn 
1 —   Hainnuer. 

87  Allegro  scherzando,  /'   1.25  Hainauer. 

88  Quatre  Morceaux  m^lodiques :  Chant  du 
matin.  Chant  du  berger.  Idylle.  Hymne 
du  soir,  Org-Melodium  1.25  Schott,  1/6 
Novella. 

89  Mignou-Polka   —75    Litolff. 

90  Thema  mit  Variationen,  ifwn  1.25  Hai- 
naner. 

91  Heideioschen,  Tonstiick,  P  1 —  Hui- 
naner. 

92  Tarantelle,  P  1.25  Hainauer,  —30  Jur- 
geyison . 

93  Zwei  Walzer,  F :  Nr.  1,  2  a  1.25  Hai- 
nauer. 

94  Scherzo,  P   1—  Litolff. 

95  Drei  Tonbilder,  P:  Nr.  1.  Stilleben  1— . 
Nr.  2.  Intermezzo  1 — .  Nr.  3.  Walzer  1.25 
Hninai'.cr,    Nr.  3   — 60   Jennings. 

96  F'infzehn  kleine  vorbereitende  ubung^Mi, 
H    1—   Hoffarth,    1/—   Novello. 

97  Calopp.   .'fins   1.50   Hatnuxer. 

98  Fiinf  Charakterstiioke,  l/ms:  I:  Nr.  1. 
Geburtstag.sreigen.  2.  Intermezzo.  3.  Sonn- 
t-agsmorgen    2 — . 

II :   Nr.  4.  Canon.  5.  Honvedmarsch  2 — 
nainnuer. 

99  Lyri.sehe  Blatter,  10  Stiicke,  H  1.75 
Schott,   2/—   Novello. 

100  Seclis  Orgelstiieke,  I  2.50,  II  3—  Hof- 
meisier,    I  2/6,    II  3/ —    Novello. 

101  Drei  lyrische  Klavierstucke :  Nr.  1 
1.25,   Nr.  2*1.25,   Nr.  3    1.50   Ihiinauer. 

102  Zwolf  Orgelstiieke  (6  lyrische  Stiicke 
und   6  Fugen)    2.25    ScJiott". 

103  Pastorale,    Org    1.25    Schott. 

104  Fantasie  und  Fuge  (A-m.),  Org  2.30 
Rieter. 

105  Einleitung  und  Doppelfuge  (A-m.), 
Org  1.80  Rieter. 

106  Drei  Motetten,  8ATB:  Nr.  1.  Barm- 
herzig  und  gnjidig  ist  der  Herr  1 — .  Nr.  2. 
Ich  hebe  meine  Augeu  aul  1.20.  Nr.  3. 
Wenn  ich  rufe  zu  dir,  Herr  1.80  Hoffarth. 

107  Miniatureu,  4  CharakterstiLcke,  P  : 
1.  Albumblatt,  2.  Epheuranken,  3.  Stim- 
mungsbild,  4.  Canzonetta,  a   1 —  Hoffarth. 

108  Drei  Klavierstiicke  2.50:  Nr.  1.  HolT- 
nungsstrahl  1 — .  Nr.  2.  Liebeslied  1 — . 
Nr.  3.  Novellette  1.20  Ries  d  Erler,  N.  2 
— 35   Schirnier. 

109  Fantasie  und  Fuge  (C-m.),  Org  2— 
Kahnt. 

110  Lose  Blatter,  3  Stiicke,  P:  Nr.  1.  Li- 
belle  1—.  Nr.  2.  Gedenkblatt  —75.  Nr.  3. 
Lenzesblume    — 75    Haiyiauer. 

111  Im  Ahnensaal,  Tonstiick,  P  1.50  llui- 
iwuer. 

■112    Polonaise,      P     1.75    Hainauer,      — 65 
Schmidt. 

■  113   Improi'.ptu,   P    1.25   Hainauer. 

■  114     Andacht,     Adagio     religiose,       VcOrq 

(HP)    1—   Breitkopf,    1.75  n    Costallat. 

■  114  Andacht,  for   VcH   1/—  Novello. 
■115   Vierte   Sonate    (F),    Org   3—   Rieter. 


-116  Choral-Studien,  Org,  10  Figurationen 
iiber  den  Choral :  ,,Wer  nur  den  lieben 
Gott  lilGt  walten"  2.30  Rieter. 

-117  Drei  Vortragsstiicke:  Adagio,  Alle- 
gretto  u.   Trio,   Org  2 — ■  Rieter. 

-118  Funfte  Sonate  (D-m.),  Org  3—  Rieter, 
Andante  — 35  Schirnier. 

-  119    Reigeu,    Klavierstiick    1.50    Hainauer. 
-120  Lenz  i.nd  Liebe,  5  Klavierstiicke:   Nr. 

1.  Friihlingslied  1 — .  Nr.  2.  Am  Rosenbeet 
— 75.  Nr.  3.  TJomanze  — 75.  Nr.  4.  Froher 
Sinn  — 75.  Nr.  5.  Fliegendes  Blatt  — 50 
Hainauer,  N.  1  — 50  Ditson,  Schmidt,  N.  2 
—40    Rohlfing. 

-  121  Cantabile,  Klavierstiick  1.75  Hainauer. 

-  122  Zwei  Andante,  Org:  Nr.  1.   (As),  Nr.  2. 

(Am.),  a  1.80  Rieter,  Nr.   f  —50  Ditson. 

-  123  Overture  in  C  minor.  Org  1/ —  Novello. 

-  124  Zvvcilf  Orgelfugen  von  mittlerer  Schwie- 

rigkeit  zum  Studium  und  zum  kirchlichen 
Gebrauche,    I  3.50,    II    4—:      Nr.    1.     (C), 

2.  (A-m.),  3.  (G),  4.  (E-m.),  5.  (F),  6. 
(D-m.),  17.  (D),  8.  (H-m.),  9.  (B),  10. 
(G-m.),   11.  (Es),    12.  (C-m.),   ?i—90Rieter. 

-125  Vier  lei<>hte  Sonatinen,  P:  Nr.  1.  (C) 
1—.  Nr.  2.  (C)  1.25.  Nr.  3.  (F)  1—.  Nr.  4. 
(G)  1—  Haiminer,  N.  1,  3,  4  a  —40,  N.  2 
—50  Century,  N.  2  —60,  N.  3,  4  a  —50 
Gordon. 

-126  Zwei  Sonatinen,  P:  Nr.  1.  (F)  1.25. 
Nr.  2.  (G)  1.50  Hainauer,  Nr.  2  —40  Ge- 
hethner,  — 45   Jurgenson. 

-  127    Waldbilder,    5    Charakterstiicke,      l^ms 

4—:  Nr.  1.  Jagdzug  1.80.  Nr.  2.  Waldes- 
rau.schen  1.30.  Nr.  3.  In  diisterer  Schlucht 
1.30.  Nr.  4.  Waldidyll  1.80.  Nr.  5.  Ein- 
siedlers  Abendlied  1 —  Rieter. 
-128  Zwei  Militiir-Marsche,  Iiuis:  1.  Defilier- 
marsch  in  Es,  2.  Trauermar.sch  in  C-m., 
a  2 —  Rieter. 

-  129    Fiinfzehn    kurze    und    leichte    Choral- 

vorspiele.    Org    1.80    Rieier. 

-  130    Zwolf    Praludien    und    Fughetten    von 

miifiiger   Schwierigkeit,    Org   2 —  Schott. 

-  131    Herbstbliitter,   3   Charakterstiicke,   Ifms 

2 —   Breitkopf. 
-132   Drei   Charakterstiicke,   P.-   Nr.   1.   Mor- 
genlied  — 75.  Nr.  2.  Albumblatt  — 75.  Nr. 

3.  Scherzando    1 —    Hainauer. 

-133  Fantasie  im  freien  Stil,  Nr.  4  (E-m.), 
Org   1.50   Rieter,   1/ —  Novello. 

-  134  Zehn  Vor-  und  Nachspiele  fiir  die  Org 

3.60   Rieter. 

-  135  Pastorale  in  G,  Adagio  in  F,  Org  1/ — 

Novello. 

-  136  Zwei  iustruktive  Sonatinen,  P:  Nr.   1. 

(A)    1.50.  Nr.  2.    (B)    1.75  Hainatier. 

-  137  Sech.ste  Sonate   (E-m.),  Org  3 —  Rieter 
-138  Drei  leichte  Sonatinen,  P.-  Nr.  1.    (C), 

2.    (C),   3.    (F),  a  1—  Hainauer. 

-139  Gedenkblatter,  3  Klavierstucke  2—: 
Nr.  1.  Canzonetta,  2.  Romanze,  3.  Im- 
promptu, ii  — 75   Hainaiier. 

-140  Siebente  Sonate  (A-m.),  Org  3— 
Rieter. 

-141    Konzertsatz    (Es-m.),    Org   2 —   Rieter^ 

-  142    Impromptu,    P    2 —    Hainauer. 


Nlerkel  G.  op.  143 


—     508    — 


Merkel  G.  Chant  du  Postilion 


143  Stimnnmesbilder,  4  Klavierstiicke :  1. 
Idylle  1.50.  Nr.  2.  Menuett  1.50.  Nr.  3. 
Melodie  1.75.  Nr.  4.  Nocturno  1.50  Hai- 
nauer. 

144  Org:  N.  1.  Andantino,  2.  Pa.storale,  3. 
Andante,   a  3/ —  Ashdown. 

145  Six  marches:  1.  Pilgrims'  march,  2. 
Triumphal  march,  3.  Grand  march,  4. 
Easter  march,  5.  Marche  militaire,  6. 
Christmas   march,   a  3/ —   Ashdown. 

146  Fiinfundzwanzig  kurze  ixnd  leichte 
Choralvorspiele  fiir   Org   1.50  Rieter. 

147  Andante  in  F,  Andante  in  G,  Larghetto 
in  B  flat.   Org   a  3/ —  Ashdotvn. 

148  Bluetten,  2  Klavierstiicke  a  1 —  Hai- 
nuner. 

149  Five  bagatelles,  P:  N.  1.  Mayday  1/ — . 
N.  2.  Serenade  1/—.  N.  3.  AUemande  2/6. 
N.  4.  Caprice  2/—.  N.  5.  Ballade  2/— 
Ashdown. 

150  Two  Sonatinas,  P:  N.  1.  in  G,  2.  in  D, 
a  4/ —  Ashdoivn. 

152  Adagio  (in  A  flat)  &  Andantino  (in 
A    minor),   Orgr   a  3/ —  Ashdown. 

153  Three  Eondos,  P:  1.  In  E  flat,  2.  Tu 
A  minor,   3.   In   A  major,  a  3/ —  Ashdown. 

154  Zwei  Rondos,  P :  N.  1.  Rondo  amabile, 

2.  Rondo  brillant,  a  1.25  Hainauer,  N.  1 
—50  Gordon,  N.  2  —60  Ditson. 

155  Two  Sonatinas,  P:  1.  in  F,  2.  in  E  flat, 
a  4/ —  Ashdown. 

156  Zehn  Priiludien  fiir  die  Orjr,  I — II  a 
4—    i?iefcr,     epl.    2/—    Novello,     —75     •/. 

157  Rondo  grazioso  1.80  Ries  id  Erler, 
— 75    Bchirmer. 

158  Six  Preludical  pieces,  Org:  N.  1.  Al- 
legro in  B  flat  2/ — .  N.  2.  Andante  in  A 
minor  1/ — .  N.  3.  Allegro  moderate  in  G 
2/ — .  N.  4.  Allegro  moderate  in  D  1/—. 
N.  5.  Moderato  in  E  minor  1/ — .  N.  6. 
Allegretto  in   G  2/ —  Ashdmcn. 

159  Rhapsodie,   P    1.50   Hainauer. 

160  Zwanzig  Praludien,  Org:  I  2.30,  II 
2.80   Rieter. 

161  Lyrische  Blatter,  5  Klavierstiicke:   Nr. 

1.  Friihlingshauch  — 75.  Nr.  2.  Voglein  in 
den  Zweigen  1 — .  Nr.  3.  Weidmannslust 
1 — .  Nr.  4.  Awi  dem  See  — 75.  Nr.  5. 
Abendgssang  — 75  Ilainauer,  Nr.  1,  4  a 
— 25   Jurgenson. 

162  Three  Pieces,  Org:  Andante  in  B  flat. 
Allegretto  in  D.  Andante  in  G  2/ —  No- 
vello. 

163  Two  Marches  (in  F,  in  Eflat),  Org 
a  3/ —  Ashdown. 

164  Three   Gavottes,   P:    1.   in   A,   2.   in   F, 

3.  in   G,   a  3/ —   Ashdown. 

165  Three   Gavottes,    P.-    1.   The   villagers, 

2.  The  peasants,  3.  The  gipsy,  a  3/ —  Ash- 
down. 

167a  Bouquets  de  melodies,  VP:  1.  Ga- 
votte in  E  minor,  2.  Barcarolle,  3.  Chan- 
son, 4.  Romance,  5.  Idylle,  6.  Valse,  a 
3/ —  Ashdown. 

167b  Zehn  kleine  Stiicke,  VP:  1.  Wiegen- 
lied,  2.  Gebet,   3.  Landlicher  Tanz,  4.  Ro- 


manze,  5.  Berceuse,  6.  Valse,  7.  Barcarole, 
8.  Serenade,  9.  Melodie  6l6gante,  10. 
Marsch,  u  1.25  Ashdown. 
-168  Five  Short  pieces,  VP:  1.  Lullaby,  2. 
Scherzo,  3.  Canzonet,  4.  Tambourin,  5. 
Hungarian,   a  3/ —  Ashdown. 

-  169     Trauungs-Gesang:       ,,Gott,     Schopfer, 

Stifter,   heil'ger   Eh"',   MS  m.   Org,   E   od. 
P    (deutseh   u.   engl.)    1 —   Klemm. 
-170   10  Preludes,   Org   2/—  Novello. 

-  171     Dreifiig     kurze    Priiludien,     Org     2 — 

Br  a  Iter. 

-  172  Drei  leichte  Rondos,  P:  Nr.  1—3  a  1— 

Hainauer,  Nr.  1   —50,  Nr.  2  —60  Schmidt. 
-173  Zwei  Sonatinen,  P:   1.  G-dur,  2.  F-dur, 

a  1- —  Breitkopf. 
-174    Drei    Vortragsstticke,    P:     1.    Barden- 

gesang,  2.  Romanze,  3.  Canzonetta,  a  1.25 

Klemm. 

-  175    Zwei    Vortragsstiicke,    P;    1.    Gavotte, 

2.  Romanze,  a  1 —  Hainauer,  a  — 25  Jt*r- 
genson. 

-  176  Fantasie  Nr.  5   (D-m.),  Org  1.80  Piefer, 

1/6  Novello. 

-  177  Orgelschule.  Praktische  Anleitung  zur 

griindlichen  Erlernung  des  kirchlichvin 
Orgelspifls  (Organ  School.  Practical  In- 
struction for  thoroughly  acquiring  the  art 
of  church  organ  playing.  Translated  and 
edited  by  John  White)  5 —  n  Rieter, 
5/ —  Novello,  2.50  n  Schirmer. 
-178  Achte  Sonate  (H-m.),  m.  Passaeaglia, 
Org    3.50   Rieter. 

-  179   Sechzehn  Orgelstucke    (8   Praludien   u. 

8   Fughetten),   I  1.50,  II  2—  Rieter. 

-180  Skizzen,  P:  Nr.  1.  Menuett  —75.  Nr. 
2.  Intermezzo  1 — .  Nr.  3.  Impromptu  — 75 
Hainauer,  Nr.  1  — 30  Oehethner. 

-181  Miniaturbilder,  P;  Nr.  1.  Polonaisti 
1—.  Nr.  2.  Albumblatt  —75.  Nr.  3.  Ha- 
moreske  1 —  Hainauer,  Nr.  1,  3  a  — 50 
Schmidt,  Nr.  3  —40  Qebethner,  Nr.  2 
— 15    Jurgenson. 

-  182  Dreifiig  Etiiden   fiir  die  Org   zur  Aus- 

bildung  der  Pedaltechnik,  ein  Supplement 
zu  je<ler  Orgelschule  (Thirty  Studies  for 
the  Organ  for  the  purpose  of  improvement 
in  Pedal  playing,  a  supplement  to  any 
Organ-School)     2.50  n    Rieter. 

-  183  Neunte  Sonate  (Cm.),  Org  3.50  Rieter. 

-  Abendlied :     „Nun    schweigen    die    Voglein 

im    Neste",    TTBB    1 —   Zimmermann. 

-  Album,    24    melodiose   Stiicke   fiir    die    Org 

3— n  Schott. 

-  Allegretto,    Pipe-Org    — 50    Ditson. 

-  Allegretto    in    A,    Allegro    in    D,    Org    1/ — 

Novello. 

-  Andantino,    Pipe-Org   —30   Ditson. 

-  Auf  Flur  u.  Wies',  Idylle,  P — 50  Lundquist. 

-  Aus  seliger  Zeit,  Idylle,  P  — 50  Lundquist. 

-  Berceuse,    P   — 25    Bessel,  — 15    Jurgenson, 

VP  — 40   Bcsml. 
-Butterfly    (Chittenden),   P  — 40   Schroeder. 

-  Canon,    Pipe-Org   — 40   Ditson. 

-  Canzonetta,  P  — 50  Century. 

-Chant  du  Marinier,  P   1.35  n   Costallat. 
-Chant   du   Postilion,  P   1.35  n   Costallat. 


Merkel  G.  Chant  matinal  du  Postilion 


—     509 


Merkelbach  F.  W.  Psalter  u.  Harfe 


-Chant   matinal   du    Postilion,   P   1.35  n   Co- 

utallat. 
-Christmas    pastorale    (Leavitt,    op.    56), 

Pipe-Org  —50   IHtson. 
-Cradle   song    (Weber),   transcr.      P    3/ — 

Ashdo^ort. 

-  Fantasie  in  E  minor 
— 60   Ditson. 

-  Fruhlingslied,  P  3/— 
VP  3/—  Augener. 

-  Happy  Huntsman,  P 

-  Humoresque,  P  — 25 

-  Hunter's   Call, 

-  Impromptu,   P 


(C 


Eddy),  Pipe-Org 
,  arr.  by  Hermann, 

- — 25  Schrocder. 

Jurgenson. 
P   —35    Willig. 
4/—   Laudy,    1 —   Elkan. 

-  Im    wunderschonen    Monat    Mai     (In    the 

lovely  month  of  May),  P  4/ —  Axigener. 

-  In  a  gondola  (Gondellied),    P   3/ — Ashdoion. 

-  In   the  lovely   Month,   P  — 50   Mc.   Kinley. 

-  In  the  merry  month  of  May,  P  — 10  Nut. 

Music  Co. 

-  Jagdlied,   Skizze,   P   3/ —  Ashdown. 

-  Klavierwerke,  2  Biinde  tl  4 —  Breitkopf. 

-  3  Lieder  o.  W.  rev.  by  T  h  u  m  e  r,  P :  1.  in 

Eflat,   2.  in  A,  3.   in   E,  a  3/—  Ashdoion. 

-  10  leichte  kurze  Etiiden,  P  1 —  Iloffurth. 

-  10  Little  pieces  (In  the  first  position),  VP: 

1.  Cradle  song,  2.  Prayer,  3.  Rustic  dance, 
4.  Romance,  5.  Berceuse,  6.  Valse,  7.  Bar- 
carolle, 8.  Serenade,  9.  Melodic  6l6gante, 
10.  Marche,  fi  2/6  Ashdoicn. 

-  Marche  Religieuse,  Org  1/ —  Novello. 

-  May   Joys,   P  —30   Willig. 

-  Menuett",   P  —60   Elkan. 

-  Moderate,   Org  — 20   Musicu  sacra. 

-  Moderato  in   F,   Pastorale  in   A,   Pastorale 

in   D,    Org    1/ —   Novello. 

-  Notturno     aus     dem     Sommernachtstraum 

(Mendelssohn,  op.  61  Nr.  3),  HP 
(2P)  2—  Simon. 

-  Oeuvres    cholsies,    P,    2    vol.    a    5.40  n     Co- 

st a  Hat. 

-  Pastorale    in    G, 

-  Pieces,   3   short : 

in  C,  Allegro  in 
Org   1/ —  Novello. 

-  Polonaise  — 50   Centtiry,   VP  — 50  Fischer. 

-  Polonaise    &    A.    Rubinstein:    M^lodie, 

FullO    1.25,    lit    Instr    1—,    10    Instr   —75, 
P  ac-c.  — 30  Fischer. 
-Prelude    (Am.),    PipeOrg   —30    Ditson. 

■  Prelude,  PipeOrg  — 40  Ditson. 
-Prelude    (G),  Triple  Fugue   (G-m.),  Postlu- 

dium,   Andantino,   Org    1; —   Novello. 

■  2   Preludes,   Org    1/ —   Novello. 

■  2  Rondinos,   P  — 50   Lyre. 
•Rondo    Amabile,    P   — 40    Willig. 

■  Rondo    grazioso,    P    4/ —   Ashdown. 

•  Schlummerlied,  G-dur  (v.  E  r  s  f  e  1  d,  op. 
11),  2V  (statt  2ter  V  —  Va  od.  Vc)  m.  7/ 
1.80  Simon. 
Selection  from  his  organ  works,  edited  and 
adapted  to  English  organs  (Edwin  M. 
Lott):  1.  Three  easy  preludes,  for  two 
manuals,  2.  Three  easy  preludes,  for  one 
and  two  manuals,  3.  Three  ea.sy  preludes, 
for  two  manuals,  4.  Fugue,  in  G,  5.  Double 
fugue  in  D-miuor,  a  3/ — .  N.  6.  Fugue,  in 


Org    1/ —    Novello. 
Andantino   in   G,   Allegro 
D  and  Prelude  in  Eflat, 


G-minor  2/6.  N.  7.  Fantasia,  in  C  3/—. 
N.  8.  Andante,  in  F  2/ — .  N.  9.  Fugue,  in 
C  2/6  Leonard. 

-  Sliow    Thy    Mercy,    Lord     (Sei    mir    gniidig, 

Gott),   hymn,   S(A)   — 75   Schirmer. 

-  Song  of  the  Sea,  P  — 40  Silver. 

-  Souvenir   des   jours   heureux,   P  — 30   Jur- 

genson. 

-  Spring  Song,  P  — 40   Willig. 
'  Sweet  Home,  P  —35   Willig. 

-  Taschen-Choralbuch,     150     vierst.    Chorale, 

P,  vierst.  Gesang  od.  Org  1.20  n,  4  St  ft 
— 30  n  Brauer. 

-  8  Transcriptions  from   tlie  works  of  M  e  n- 

d  e  1  s  s  o  h  n.  Org :  see  under  Mendels- 
sohn.    Ashdoicn. 

-  Valse-Impromptu,    P    — 50    Lundquist. 

-  Wanderlied,  P   (Cont.  Fing.)    1/ —  Augener, 

3/ —  Laudy. 

-  Wiegenlied,    P    1/ —   Augener,    3/ —   Laudy. 
Merkel    Johann,    op.    3     Sechs     Lieder:      1. 

Mein  Herz  ist  am  Rheine,  2.  Du  bist  die 
Sonne,  3.  Nun  ist  das  Laub  verdorben, 
4.  Du  schones  blasses  Frauenbild,  a  — 50. 
Nr.  5.  Mein  sei  der  Schmerz  — 75.  Nr.  6. 
Ich  liebe  dich  — 50  Bosworth. 

-  4  Vier   Impromptus,   P  2.75   Ilainauer. 

-  Souvenir   de  Versailles,   2   pifeces  caract6ri- 

stiques:  1.  Louis  XVI,  sarabaude,  2.  Ma- 
rie Antoinette,  gavotte,  P  a  1 —  Petersen, 

Merkel  O.  Hurra.  Germania  I :  ,, Hurra,  du 
stolzes,  schones  Weib",    TTBB— 75  Forberg. 

Merkel  Paul,  op.  2  Drei  Gesange,  TTBB: 
1.  Nur  ira  Herzen  wohnt  die  Liebe,  2.  Die 
Liebe  kann  nicht  enden,  3.  Herzbruder 
ich    und    du,    a    1.20   Kahnt. 

-8  Drei  Mannerchore:  Nr.  1.  Annarei : 
,.Und  liegt  auch  iiber  Berg  und  Tal"  1.60. 
Nr.  2.  ELsblumen :  ,,0  hiite  deine  Blumon" 
1.20.  Nr.  3.  0  Liebestraum,  o  Sonnen- 
schein :  „Wie  war  dereinst  so  schon  die 
Zeit"    1.20  Kahnt. 

Merkel  Willy,  op.  8  Drei  Lieder,  m.  m.  P.- 
Nr.  1.  Im  Park  1.20.  Nr.  2.  Die  Luft  so 
still    1.20.   Nr.   3.   Zwei   Rosen   1—   Raabe. 

-  10  Zwei  Gesange:  Praeludium,  Mitternacht 

1.50  Dr.   Leicy. 
-11    Vier    Lieder:    Nr.    1.    Zum    neuen    Jahr 
—80.   Nr.   2.   Lied   vom   Wind    1 — .   Nr.    3. 
Zu  viel  1 — .  Nr.  4.  Im  duft'gen  Hain  1— 
Dr.  Lewy. 

-  Der   Brief   an   den   lieben   Gott,   Melodrama 

m.  P   1.50  Teich. 

-  Drips,   draps,   drill,   Couplet    1.20   0.   Teich. 

-  Fest    zu   Rosse   safi   mein    Ahne,    Trinklied 

1 —  Dietrich. 

-  Mir  konii'n  Sie's  ja  erzahlen,  Couplet  1.20 

0.   Teich. 
Merkel-Krtiger,  op.  81   N.  4.   Butterfly  —50 

Jennings. 
Merkel-Schneider,   op.  81   Hunting  Song,  P 

- — 50  Jennings. 
■  95  Walzer  ■ — 60   Jennings. 
Merkelbach    F.    W.      Halleluja !    Sammlung 

geistl.   Lieder   f.   TTBB  —80   Bertelsmann. 
-Psalter    und    Harfe,    75    Cliorale     f.     TTBB 

— 80  Bertelsmann. 


Merker  C.  op.  54 


510    — 


Merle  E.  Bal  et  la  eonjuration 


Merker  C.  op.  54  Notturno,  FIP  1.30  Bretl- 

kopf. 
Merker  Richard.  0.  Teich  :  Op.  16  Leberecht 

Bemmohen's  Nordpolreise    1.50. 

-  17   Gefreiter   Knopp    1.50. 

-18  Der   reiche   Protzenberg   1.50. 
-19  Lazarettgehilfe  Gift   1.50. 
-20  Brieftrager   Pfififig   1.50. 
-21    Schuster-Fritze    1.50. 

22   Eadfahier    Purzel    1.50. 
-23   Rekrut   Pan.schmann    1.50. 
-24   Faktotum   Piefke   1.50. 

-  25    Fusilier    Knullrieh's    Abriistungsgeda li- 

ken  1.50. 
-26  Herr  von  Spuchtelfingen  und  sein  Die- 
ner   Anton,   Duoszene   f.   2   Herren   2.50. 

-  27    Der    kreuzfidele     Neumann,     Soloszene 

1.50. 

-  28      Profes!?or      Griibelmeier's      zoologische 

Studien    1.50. 
-29   Ein   Lebensmiider   1.50. 

-  30    Laternenanziinder    Funsel    1.50. 

-  31    Rentier    Mopsels    Jagderlebnisse,    Solo- 

szene  1.50. 
-50    Das    Signa  lenient:       „Die    Zeiten    .sind 
jetzt    wirklich    schlecht",    komische    Duo- 
szene m.   P  2.50   Gleissenherg. 

-  Allerlei   Misch-Matsch  •    „Wem   viel    Pferde 

stiirzen",   Couplet   1.20. 

-  Alles    standesgemafi,    Soloszene    1.50    Glcis- 

senherg. 
-Das   hat  er   nicht    gewufit:    „Acli   liebst  du 

mich?  ein  Jiiugling  frug"   1.20. 
-Der   Erbfehler:    ,,'s  gibt    ]VIenschen   auf   Er- 

den"   1.20   Glaser. 

-  Dtr    gemiitliche    Lehmann     1.50     Gleissen- 

herg. 
-Der   helle   Fritze    1.50   Gleissenherg. 

-  Die  rnoderue  Welt   1.20   Gleissenherg. 
-Kiene    von    der    Marine    1.50    Gleissenherg. 

-  Nationale    Grobheiten :     „Geschimpft    wird, 

das   ist  allbekannt"    1.20   Glaser. 
-O    Riibe!:    „Tn    jeder    Stadt    sind    populiii' 

1.20. 
-Original-Couplets:       1.    Sachsische     Redens- 

arten,    2.    Allerlei    Misch-Matsch,    3.    Das 

hat   er   nicht   gewuSt,   4.   O   Rube,   a    1.20. 

Nr.    5.    Meine   siifie   Dorothee!    1.50. 
-Prima    Qualitiit:     „Fast    iiberall    in    jeder 

Zeitung"    1.20    Glaser. 

-  Profes.sor  Symphonius'  Musikstudien,  Solo- 

szene   1.50    Gleissenherg. 

-  Sieh&te    wohl,     dann     biste     popular     1.20 

Gleissenherg. 

-  SUiim,    der    Ungliickswurni    1.50    Gleissen- 

herg. 
Merkert    Rich.    Kalauer-Couplet    1.20    Gleis- 
senherg. 

-  Kunlerbuntes    1.20    Gleissenherg. 

-  Murmel,  der  Weiberfeind    1.50   Gleissenherg. 

-  Theobald    Binkchen's     Reiseerlebnisse     1.5f 

Gleissenherg. 
Merkes   van    Gendt,    op.    30   Fantaisie,    Or<) 

(H)   —45    Thieme. 
Merkes   van    Gendt    W.    op.   32   Die   Flueht 

der   heiligen   Familie,   t<ATB    1.50   Brauer. 
-41    Waldeinsamkeit,   P   1.20   Licht. 


-51  Diei  Kla\  ierstiicke:  Nr.  1.  Imjjromptu 
-80.  Nr.  2.  Novelette  —80.  Nr.  3.  Can- 
tique   — 80    Falkenherg. 

-  53   Symphonic   in  C-dur,   Jfms  5 —  Licht. 

-  Herzog  Alba,  Ouv.   f.   0   3 —  n   Oertler. 
-Oranien    1584,    Ouv.    f.    0,    Part    2— n,    St 

3 —  n   Oertler. 

-  Souvenir  de  jeune  age,  valse  — 45  Thicme. 
MerkI    J.    Grande    Sonate,    VP    3.20    Rdzsa- 

volgyi. 

-  Impromptu   hongroise,   P   1.60  Rozsavolgyi. 

-  Preziosa-Polka  — 60   Ilofftnann. 
Merkie-Schneider,  op.  31  Reiterlied,  P  — 40 

Jennings. 
Merkler    A.    Aubade    Mauresque,    P    2.50  n, 
0  av.  P  cond.  2 —  n  Decourcelle. 

-  Berceuse,     PV    1.50,    VcP    (D.     Popper) 

2 —  Mery. 

-  Fanchon    szerelme.    Daljatek    egj^    felvonfis- 

ban.  Zongorakivonat  2  k^zre  (Fanchons 
Liebe,  Spieloper  in  1  Akt) ,  P  4.80  Rozm- 
volgiji. 

-  Lujza      Gavotte      zongorfira      (Louisen-Ga- 

votte),  P   1.60,  0  2—  Rdzsavolgyi. 

-Sous  la  Fenetre,  0  av.  P  cond.  1.50  n  De- 
cony  celle. 

Merkler  Andor,  La  jolie  Circasienne,  sc&ne 
de  danse,  P  3 — ,  O  3.60  n  Rdzsavolgyi. 

-  Polichinelle   invite    a    la    Danse,    polka    ea- 

ract^ristique,  P  2.50,  0  3.60  n  Rdzsa- 
volgyi. 

-  Tsigane   dansante,    P   2—,    O    3.60  n,   kl.    0 

2.40  n  Rdzsavolgyi. 

-  Valse    interm5de,    P    1.80,    VP    3.50    Rdzsa- 

volgyi. 
Merkley    C.    Star-spangled   banner,    song    & 

ohor.  — 35  Diison. 
Merkling  C.  op.  12  Zwei  elsiissische  Bauern- 

tanze,  P   1.50   Oertel. 
Merkt    Eduard,    op.    14   Halts   enk    z'samm, 

Marschlied    1.50    Rohitschek. 

-  Allerliand  Kiisse,  Wiener  Lied  1 —  0.  Diet- 

rich. 

-  Arme   Dirndl,   Z    1.20   Blaha. 

-  Beim   Morgengrauen,    Wiener    Lied    1—   O. 

Dietrich. 

-  Der  verliabte  Bua,  Z  1.20  Blaha. 

-  Intere.ssante    Blatter,     Wiener     Lied     1.50 

Chmel. 
Merkx   L.    H.   S.   Duo  de  Concert  p.  2Cl  en 

si  b  2.50   Kessels. 
-Variations  brill,  sur  la   romance:   Le  petit 

Suisse,   Horn  2 —  Kessels. 
Merlande,  Puteaux   1 —  Jouhert. 
Merlans    1 — n    Jouhert. 
Merle    E.    Lahhe:    Adieu    Venise    1 — n,    av. 

G  — 40n,   Ch.  s.  — 30  n. 

-  Adieu,  vous  que  j'adore  1 —  n,  av.  G  — 40  n, 

Ch.  s.  — 30n. 

-  Adieux  ou   le  Retour   en   France   1 —  n. 

-  Aime-moi    bien    1 —  n,    av.    G    — 40,    Ch.    s. 

—30. 

-  Attendre   et    mourir    1— n. 

-  Automne,   av.  choeur   ad   lib.   1.20  n,  av.   G 

—40  n. 

-  Baiser  du  soir,  av.  G  — 40  n. 

-  Bal   et  la   conjuration,   Ch.  s.  — 50  n. 


Merle  E.  Bandoulier 


511 


Merlin  M.  Offertoirc 


Bandoulier   1 —  n,  av.   G  — 40  n. 

Belle  Provencale  2.50  Lemoine. 

Bengali,   Ch.  s.   — 50  n. 

Boiicle    de    cheveux    1 —  n,    av.    G   ■ — 40  n. 

Catalane   1 —  n,   av.   G  — 40  n. 

C'eat  mon  f-toile  2.50  Lemoine. 

Chanson   de  la   Reine,   av.   G  — 40  n. 

Chant   des  guerillas   2.50   Lemoine. 

Ciel  au   repentir   1 —  n. 

Conseil  i1   Claire   1 — n,   Ch.  s.  — 35  n. 

Demi    fanee,   Ch.  s.  — 50  n. 

Dieu   pour  tous   1 —  n,   av.   G  — 40  n. 

Domino    noir    1 —  n,    av.    G   — 40  n. 

Druidessp    1 — n,   av.   G  — 40  n. 

Ecuyer    1 —  n,   av.    G   — 40  n. 

Elle    1— n,    Ch.  s.   — 50  n. 

Embarras    d'une    pifece    d'or    1 —  n    Borne- 

m  a  )i  n . 

Emharras  d'une  pifece  d'or,  av.  G  — 40  u. 
Fenime   econome,    Ch.  s.   — 50  n. 
Fils  du   Diable,   Ch.  s.  — 50  n. 
Folle,   Ch.  .9.  — 50n. 
Heureux   p€cheiir    1 —  n,   av.   G  —40  n. 
Hirondelle    1 — n,   Ch.  s.  — 50  n. 
II   n'est  plus  d'amis,   av.   G  — 40  n. 
Invocation  k  la  Sainte-Vierge  1 —  n,  Ch.  s, 

— 35n. 
Jeune    fille   aime-moi,    av.    G   — 40  n,    Ch.  s. 

—50  n. 

Joyeux  mfirin,   1   et  2,   1— n,  av.  G  — 40  n. 
Lou    Brando    1 — n,    Ch.  s.   — 35  n. 
Ma   grand'mfere   1 —  n,  av.   G  — 40  n. 
Many  happy  Returns,  polka,  P  — 75  Gehf- 

mail. 
Maudit,    Ch.  s.   — 50  n. 
Mendiante    1 — n,   av.    G 
Mere   et   I'enfant,   av.   G 
Messagere    1 — n,    Ch.  s. 
Minuit  ou  les  douleurs 


—40  n. 
— 40u. 
—20  n. 
d'un  moine   1.20  n. 


1 —  n,    av.    G 


Ch.    s. 
Hand 


— 50n. 
—25  n 


-40  n   Borne- 


Mon    (^veque,    Ch.  s.   — 50  n. 

Nos  filles  de  Provence  2.50  Lemoine 

Nouvelle    Tradita     (Le    bal) 

— 40n. 

Orphelin    1 — n    Bornemann, 
Palais     des     Papas      1 —  n, 

Ereiflard,  av.  G  — 40  n. 
Paralytique    1 —  n. 
Pa  1  don   1 — n,  av.   G  — iO  n. 
Parle  plus  bas   1 — n,   Ch.  s. 

mann. 
Patre  des  monts  2.50  Lemoine. 
Pauvre  et  belle   2.50   Lemoine. 
Petit   maraudeur    1 —  n,   av.    G   — 40 

— 25n. 
Petit    messager    1 —  n,    Ch.  s.    — 35  n 

gellier. 
Petite  Savoyarde,  av.   G  — 40  n. 
Plus  d'espoir   1 —  n,  av.   G  — 40  n. 
Prends    garde     aux    loups     ] — n,     Ch. 

—35  n. 

Pretre  martyr   1 —  n. 
Rendez--\'ous   du   p^cheur,   Ch.  s.  — 50  n. 
Retour   de  I'enfant  prodigue   1 — n. 
Retour  des  Oiseaux   3 — ,   duo    (choeur  2 

6g.)     5 —    Mathien. 
Reve   du   pcete,   Ch.   s.   — 50  n. 
Reviens  ma   belle   1 —  n. 


Ch. 


Piii- 


-50  n. 


av.    G 


40  n, 
Bornemann, 


-Rose    1 — n,    Ch.   s.   — 50  n. 

-  San   Yago,   Ch.  s.  — 50  n. 

-  Secret  de  mon  coeur,   Ch.  s.  — 50  n. 

-  S^rf'nade    espagnole    1 —  n    Bornemann,    ^iv. 

G  —40  n. 

-  Simple  et  modiste  2.50  Lemoine. 

-  Soir,   av.   G  — 40  n. 

-  Sylplie  aux  ailes  d'or,  Ch.  s.  — 50  n. 

-  Tonic  2.50  I^emoine. 

■  Trouvfere  de  Maguelonne,  av.  G  — 40  n. 

-  IJne   larme   furtive   2.50   Lemoine. 

-  Usure,  Ch.  s.  — 50  n. 

-  Vaulour  de   Ja    Janina,   Ch. 

■  Vieillard,   Ch.  s.  — 50  u. 

-  Viens    er.    Provence    1 —  n, 

Ch.  s.  — 30n. 

-  Vieux    soldat   et   son    fils    1- 

av.  G  — 40  n. 
-Vive   la    chasse!    1 — n,    av.    G    — 40  n. 

-  Vous  etes  belle   1 —  n,   av.   G  — 40  n. 
Merle   J.   Les   deux   Soldats    (Die   zwei    Sol- 

daten)    —50  Schott. 
Merle  frangais   1 — n  Jonbert. 
Merle,    Ma    gente    maitresse   2.50    Lemoine. 
Merlemont  Mme.  de,  3  Etudes,  P  6 —  Suh- 

hac.h. 
•  Marguerite,    valse    6 —    Ileugel. 
Merles    s'en    vont    au     Bols    1.35  n,    Ch.  s. 

—30  n    Ondet. 
Merii    Henriette.    Kicordi :    Op.    3    Roman^'e 

varie,  P  1.50. 

-  Nctturno,    P    3—. 

-  Rimembranze,    notturno,    P   3 — . 

-  Ultima   lagrima,  elegia,   P  3 — . 

MerIi    P.    op.   4   La    Chasse.    valse    2.50    Fi- 

cordi. 
-Ad  Elisa,  romanza   1.25  Ricordi. 

-  Augurio   felice,   valse   2.50   Ricordi. 
Merller  J.  B.  Duehesse  Tatiana,  polka  2 — u 

Bosr. 
Merller    L.   de,   Ave   Maris   Stella,   Bars.   & 

Org   1 —  Katto. 
-Charge  avec  la   Marseillaise,   Harm   1.50  n, 

Faiif  1 — n   Pares. 

-  Lauda  Sion,  A  3  voix  d'hom.  Org  I —  Katto. 

-  Musique    religieuse,   av.    Org,    Part   u.    St: 

N.  1.  Ite  Messe  (B)  2.40  n.  N.  2.  2te 
Messe  (F)  3.20  n.  N.  3.  3te  Messe  (Es) 
3.20  n.  N.  4.  4te  Messe  (A)  fiir  4  gem.  u. 
3  Mannerst  (2TB}  4.80  n.  N.  5.  Ites  Tan- 
tum  ergo  (C)  1.20  n.  N.  6.  3tes  Tantum 
ergo  (Es)  1.20  n.  N.  7.  4tes  Tantum  ergo 
(C4)  1.20  n.  N.  8.  Regina  coeli  1.60  n.  N.  9. 
Ave  verum  1.20  n.  N.  10.  Iste  confessor, 
Domini   1.20  n  Schott  Freres. 

-  Te  Joseph,  H  3  voix  d'hom.  Org  2 —  Ka'to. 

-  Vexila   Regis,    Org   2 —   Katto. 

Merlin   M.  Berceuse,   TfS)    1.70  n  Roudanez. 

-  Communion,  Org  1.50  n  Procure. 

-Eclat   de   rire,   valse   brillante  2 — n   Gallct. 

-  Elevation,   Org   1.50  n   Procure. 

-  Francoise   de   Remini,   sc&ne  tiree  de   I'epo- 

pee  musical  ,,1'Enfer  du  Dante",  ^  1.70  u 
Roudanez. 

-  Methode  p.   Accordeon    6 —   Lemoine. 

-  Mort  de  la  jeune  fille  1.50  n  Rondayrez. 

-  OfFertoire,   Org   1.50  n   Procure. 


Merlin  M.  Savoyards 


-    512 


Merrill  H.  T.  Titues  won't  be  good 


-  Savoyards, 

-  Sortie,  Org 

-  Sourire  de 

-  velocipede, 

Oallet. 
Merling    E. 

Merio    F.    G 
cordi. 

-  Caccia,   polka,   4ms 

lacqua,    Nnpoleao. 

-  Dolce    rimembranza 

3.50  Ricordi. 
■  Sylphide,  valse  3 — 


maz.    facile    1 —  n   Oallet. 
1.50  n  Procure. 
ni&re   1.50  n  Roudanez. 
grand    galop   brillant,    P 


llojucevaux, 
20— n,    P    10—, 


Meine    Freunde    1 —    Schweers. 
B.    Amazzone,    valse    2.50    Ri- 

3 —    Ricordi,   2- —   Bevi- 

fantasia    originale,    P 

Ricordi. 

Vive    la    joie!    polka    fantastique    2.25    Ri- 
cordi. 
Mermaid  — ,2  Kohler. 

Mermet    A.      Roland     a 
op6ra,    Choudens :      ChP 
Ouv.   P   2— n: 
1.  Chanson:    Dans   les  combats   1.70  n. 
2bi8.   Romance :    Sous   le  beau   ciel    1 —  n. 
3.  Air :   Pr§te  a  te  fuir  2 —  n. 
3bis.   Cantabile    (extr.)  :   Le  soir,  pensive 

1.70  n. 
5.  Cantabile:     Super bes    Pyr6n6es     1.70  u. 

7.  Duettino:    Un    rendez-vous    1.70  n. 

8.  Ballade :      Le    roi    Soliman    fit   mander 
1.70  n. 

9.  M6lodie  :     Rayonnantes    beautes    1 —  n. 

10.  Duo:  0  dame  de  beauts  2.50  n. 

11.  Air:    II   est   uu   vallou   triste  2 — n. 
12ter.   Chans. :      Pour   la    verte   montagne 

1.70  n. 

14.  Duo :   Tandis  que  dans  le  camp 
14bis.    Songe    (extr.)  :    J'6tais    bien 

encore   1.70  n. 

15.  Trio:   Mon  coeur  se  brise  2.50  n, 
a  —35  n,  N.  5  — 25  n   Rouart. 

Ballade,  P    (G  o  d  e  f  r  o  i  d)    2—  n. 

Farandole,     BATE    3— n,     P    2— n 
dens,   2   voix  — 85   Bessel. 

Chant    de   guerre,   P    1.70  n. 

Chanson   de   Roland,   marche,   P    1 —  n. 

Marche   et  Choeur   de   Francs   3 —  n. 

Fantaisie,  P   (Hess)   2 — n,   (Ley  bach) 
2.50  n    Chovdens,    ChP   2—   Sudre. 

Transcr.   P    (Lecarpentier)    1.70  n. 

Bouquet  de  melodies,  P  I — II  &  2.50  n, 
VP  (Herman)  3— n,  (P6rier) 
2.50  n,  VcP  (L  e  e)  3—  n,  FIP  (G  a  r  i- 
boldi)  2.50  n,  (Herman  et  We- 
ber) 3 —  n,  HautbP  (Herman  et 
Sab  on),  CIP  (Rouhier),  CornetP 
k  3— n,  V,  Vc,  Fl,  CI,  Cornet,  Hauth 
a,  1.70  n  Choudens,  a  1 —  n  Margueritat. 
Mermet  V.  Carolina,  mazurka  2 —  Mariani. 
Merc  W.  P,  From  Sea  to  Sea,  march  - — 35  n 

Presser. 

-  Hilarity   March   — 50  n   Presser. 

Merod    F.   Canzonetta    (ital.    et   franc.)    6 — 

Legouix. 
Merode  C.  de,  op.  2  Nocturne,  P  1.50  Bchle- 

singer. 
Merode  Ch.  B.  op.  3  Impression  de  la  Caai- 

pagne,    P    1.50    Cranz. 

-  4  Nocturne,  P  1 —  Cranz. 
-5  Tarantelle,   P   1.50  Cranz. 


2.50  n. 
jeune 

Ch.  s. 


Chov- 


Merola   E.   Folletti,   polka  3— n   Maddaloni. 

-  Fra  le  nubi,  mazurka  2.50  n  Maddaloni. 

-  Lutinage,   mazurka   3 —  n   Maddaloni. 

Merola    G.      Serenade    napolitaine,    P    —40 

Schrocder. 
Meroni    L.    Antonietta,    polka    1.25    Ricordi. 

-  Aurora,  polka  2.25  Ricordi. 

Merot  J.  Societe  anonyme :   Qa.  n'   rempla:e 
pas  les  femmes ! 

-  C'est   plus  cher.   Le  Cr6vasseu. 

-  Choches   d'amour. 

-  Dessale  I 

-  Elle  a  le  bras  long  I 

-  Jean  Pierre  chantait ! 

-  ]Modernes  serenades. 

-  Plaisirs  d'ete. 

-  Port    d'Arthur. 

-  Printemps-valse,  (7t. 

-  Tous  entSles ! 

-  Vas-y   Molina  !    5- 

-  Viens-nous-en ! 

-  Voyage  an   Japon. 

Merot  S.  Amour  chemin !   Sociit6. 

-  Ca   n'existe   pas  I    Society. 

Merou   H.  et  A.  Pinatel:  Drapeau  — 25  n. 

-  Hymne   ft  la   France  — 25  n. 

-  Je  suis  Frangais  — 25  n. 

-La  plus  grande  France   1.50  n. 

-  Patrie  — 25  n. 

-  Pommier  de  la  France  — 25  n. 

Merrick  Frank  G.  op.  7  Tarantella    (H-m.), 
P  4/ —  Atigener. 

-  Benedicite,     .set     to     music     in     quadruple 

chant  form  — /2  Novello. 

-  Gavotte   in  A,   P  4/—   Weekes. 

-  Tarantella  in  B  minor,  P  4/ —  Augener. 

Merrier    E.    op.    158      Fiers    Gaulois,   polka- 
n    Jouhert. 


s.  Edition  Parisien'iie. 


Lahbe. 


refuge    of    my 
&    A(B)    solos 


soul, 
—30 


marche,    0    1- 

Merrifield    L.      Jesus, 
quart,      with    S(TJ 
(r  or  do  II. 

-  Union   waltz  — 40   Brainard. 

Merrill   B.  The  Lord's  Prayer   (without  Pre- 
lude or   ncconip.),   SATB  — 06  n  Schirnier. 

Merrill    H.  T.  Brainard:  Anyhow,  old  folks' 
char,  song  or   dialogue  duet  — 40. 

-  Dream  of  the  soldier   (Old  house  far  away). 

Bur  —50. 

-  First  blossom,   waltz,   P  — 40. 

-  First  bud,   waltz,   P  — 40,   Ifms  —50. 

-  First  bud,  waltz   (A.  E.  W  i  m  m  e  r  s  t  e  d  t^ 

op.    100),  var.   P   1—. 

-  God   hath    a   voice   —40. 

-  Katy-didn't,    polka     (Reminiscences    of    the 

Mississippi),    P  — 50. 

-  looming,    waltzes    — 50. 

-  Old  hickcrj   cane,  song  and  chor.  — 40. 

-  Old    house    far    away    (Dream    of    the    sol- 

dier)   —50. 

-  Out   in  this  terrible  war  — 40. 

-  Shamrock,   quickstep,  P  — 40. 

-  Song  of  the  negro  boatman,  song  and  chor. 

—40. 

-  Times    won't    be    good,      'tis    plain    to    nee, 

BATE   and   chor.  —60. 


Merrill  M.  B.  Apple  Tree  Sirhuj 


513 


MepTCHt  f>. 


•). 


8ATB      —/I 

Distant'", 
rt    distance.    P   2  0 


at,    a 


Merrill  M,  B.  Thompson:  Apple  Tree  Swing, 
iu  C,   P  —30. 

-  By  the  Bee   Hive,  in  C,   P  —30. 

-  Daisies   and   Buttercups,   in   G,   P  — -iO. 

-  ICxercises  and    Studies    for   Piano    Students 

I—. 

-  Ilie   South   Wind,   iu   C,   P  —30. 

r/ierrill    Wm.    P.   Sir   Morven's   limit,    P  ^60 

I)  it  sot. 
Merriment       (Popular     A 

r.oof'i!/. 

Merriott    Edward,      Baud 

inarch    2/ —    Williams. 
Merriott   Edwin,   Band  at 

Ashdonn. 

-  Bridal    marches    2/6    Ashdown. 
Marine   band    march    2  6    Ashdoicit. 

-  (^uick  hand  umrch  2,6  Ashdown. 

Merritt  G.  Arm  for  the  conflict,  mix.  v.  — 3 
I'uiirftt. 

-  Cry  aloud   and  shout  — /"/o  Ciiricen. 

-  Firmly    Stand,    temperance    part    song   —  I 

Pitman. 

-  Ho,    every    one    tliat    thirsteth,    SATIi    ~/3 

Weekes. 

-  How,    amable    are    Thy   — jV/.,    Curicen. 

-  Hymn  to  nature,  mix.  v.  — /3  Gurwev. 

-  T  will  praise  the  name  — /'3  Curiccn. 

-  Just  as  I  an,  sacred  w.   V  — 50   While. 
■  Lift  up  your  hearts  — /2   Kohler. 

-  Pat-a-cake,  mix.  v.  — /3  Ciinrcn. 

-  Praise   the   Lord   — /3    Curicrn. 

-  Sons  of  harmouy,  mix.  v.  — ,3   Curicen. 

-  There  came  three  merry  men,  mix.  v.  — ,3 

Curicen . 

A.  Light  guards,  quickstep  — 35 


Merritt   H. 

Ditson . 
Merritt  Th 
(Anthem; 


In  the  beginning  was  the  word 
—  3  Doremi. 

-  Shepherd  of   Israel   1/6  Buyley. 

-  Worship  the  Lord    (Anthem)    — j'i  Dorenn. 
Merrow  A.  L.   Ball  High  School  March  —35 

Goggan. 

Merry  Bells  (Choral  Gems  N.  4),  SATB, 
per   dozen  — 6   Pitman. 

Merry  Chimes  for  Little  Folks  3/^ —  Bai/lei/. 

Merry   Christmas    bella   — 2   Kohler. 

Merry  Crotchets  and  Quavers,  for  merry 
little   people    1/ —   Retinoids. 

Merry  dance  and  Flowers  of  Edinburgh, 
P  — 10    Ditson. 

Merry  Madge,  Canoodling  charming  Coon 
4/ —  Ascherherg. 

Merry   may  the   keel    row  — 2  ^heard. 

Merry   mill   wheel   — /2   Kohler. 

Merry  Musicians,  Favourite  Dances  and 
other  cheerful  Pieces  from  the  Works  of 
the  most  celebrated  Composers  of  the  17th 
rind  18th  centuries  (E.  Pauer),  con- 
tents :Corelli,Couperin,  Rameau, 
Scarlatti,  Handel,  J.  S.  Bach, 
W  a  g  e  n  s  e  i  1,  M  u  f  f  a  t,  H  a  s  s  e,  C.  P. 
E.  Bach,  G  1  u  c  k,  M  o  n  d  o  n  v  i  1 1  e, 
Kirnberger,  Haydn,  Gossee, 
Dittersdorf,  Wanhall,  Gr6try, 
C  1  e  m  e  n  t  i,        Mozart,        G  e  1  i  n  e  k, 

Universal-Hanrtbuch  der  IMusikliteratur.    M. 


D  u  s  s  e  k,  M,e  h  u  1,  S  t  e  i  b  e  1 1,  W  e  i  g  1. 
B  e  e  t  h  o  V  e  n,  C  r  a  m  e  r,  S  p  o  n  t  i  )i  i, 
^V  o  e  1  f  1,  H  u  ni  m  e  1,  F  i  e  1  d,  Iv  u  h  1  a  u 
and  Weber,  P,  4  books  il  ]/ — u  An- 
gcncr. 
Merry    Steps   Quadrille   4, —  Agate. 

Merrylees    James,    I    can't    remember    4  — 

Ascherherg. 
-  Sweethearts    Still    4/—    Reeder. 


.-)() 


op.     1       Nelken 
I.    Nelken,    2.    Reiselied 


Merseburger    Curt, 
Mei  sehiirger. 

-  10    Zwei    Lieder : 

— 75   Merseburger. 

-  12  Mitunter  weicht  von  meiner  Brust  — 75 

Merseburger. 
Mersel    E.  A.   M.   De  Schoonste  Dag  des  Le- 


60    Eggers. 
50 


Flag 


10 


1 .25 


2a. 


A  ens,    nieuw    ("ommunielied    - 

Mersereau     Nina     Picton,      Our 

Jennings. 
Mersing   P.  Der   Freiheit  Geist.   TTBB 

Hug. 
Merson,    Twehe    Hundred    Years    Ago    —  6 

Francis. 
Merson  Olivier,  Dans  le  pare  1.75  n  Diirand. 

Merta  Olivier,  Mandolinata  (P  a  1  a  d  i  1  h  e), 
valse  de  salon,  JfWs  5/ —  Ashdotrn. 

Mertel,  March.  &  C  h  i  1 1  e  n  d  e  n.  A.  !!.- 
gretto,    P  —50   Silver. 

Merten    Ch.    op.    7      VaLseCaprice,      /' 
Kahnt. 

-  9   Deuxifeme   Nocturne,    P    1.50    Kahnt. 
-10  Vier  Lieder:    1.  Die  einsame  Trilne 

Aus    meinen    groiSen    Schmerzen.    2b.    "\'er- 
giftet  sind  meine  Lieder.  3.  Frage:   ,,Noch 
hat   mir    deine    Stimme."    4.    Treue    Liebe 
2—   Kahnt. 
-12    Wohin?    Fantasiestiick,    P    1 —    Kahnt. 

-16  Sechs  Gesange:  1.  Bitte:  ,,Weil'  auf 
mir."  2.  Hor'  ich  das  Liedchen  klingen. 
3.  Und  wollt'  ich  dir  Liebe  ge.stehen.  4. 
Wenn  zwei  voneinander  scheiden.  5.  O 
rede  nicht.  6.  Vorsatz :  ,.Tch  will  dir's 
nimmer    sagen"    1.50    Kahnt. 

-25  Une  Valse,   P  2.50   Kahnt. 

-40    Oktaven-Polka,    P    1.75    Kahnt. 

-  70     Vereins-Quartett 

Kahnt. 

-  72    Zweites    Quartett 

Kahnt. 
-73    Eine    zerrissene    Saite. 


(F), 
(D). 


2VraVc 
2VVaVc 
Bomanze, 


8- 


T-p 


1—  Riihle. 
MepTCH'B  9.  Jurgensoii  : 


1 .  Rira  bien,  qui  rira  le  dernier  — 40. 

2.  H.^M-fena  — 40. 

3.  9.ierifl.  nega.ib  r.iyooKyio  — 30. 

4.  BapKapo.i.ia  — 30. 

5.  ITpii3HaHie.  Ba.iibcii  — 60. 

6.  BocToprt  — 30. 

7.  CoH-B  —40. 

8.  0,  lie  roHH  — 30. 

9.  BaaJIa7^a  — 50. 

10.  ntcHb   pyca.iKH.    ntcHa  asoHKaa  .lexH 
—40. 

11.  Cepena^ia.  HpnB'bT'B  bt,  ntcHt  — 40. 

12.  0»cn;^aHie.  ^eM^yri.  hohwh  — 40. 

33 


McpTCH-B   3.   PoMUHObl 


—     514     — 


Mertens  J.  2  Morceaux 


-  PoMHHCbi,  Outheil : 

1.  0/^nHOKaH  c;ie:?;i  — iO. 

2.  KpouiKV  pyiKy  — 40. 

3.  KaKi  qacTO  -a  crpcMfliocb  — 30. 

4.  KaKOJi  upoxJia^oH  ^^biiueT-B  —30. 

5.  OTpaBJieHM  Mon  H-beHH  — 30. 

0.  Hii-b  H'fe;i(p'&  BejiHKOH  aiyKii  — 30. 

7.  3lit.3;^a  BuesaiiHO  iiOKaTHJiacb  — 30- 

9~.  UpouiJia  cecaa  — 40. 
Merten    E.   .Selige  Fahrt  — 30   Jurgenson. 
Mertens    B.    Min    Werserstrand    1.20    A.    E. 
Fischer. 

-  Stralsunder      Fanfaren,      Hoh.ablaseu      auf 

Wallensteius    Abzug     von    Stralsund     am 

24.  Juli  1628,  lOstimmig,  UM  3—  Oertler. 
Mertens  F.  Kosinin-Walzer  2 —  R.  Dietrich. 
■  Mensch    mach'    blofi    keine    Faxen,    Polka 

1.20,  Par.   Bes.   1.20  n,  m.   M  e  1 1  o,  op.  21, 

0  2 —  n   P.   Fischer. 

-  Weihnachtsklange,    3    ganz    leichte    Weili- 

nachtsliedt-r  —60   R.    Dietrich. 
Mertens  H.  op.  20  7  Morceaux  faciles  pour 
Entreos,     Offertoires,     Elevations,     Sortie.'^ 
etc.   Or(j(H)   5—  Gallet. 

-  39  Ma   bonne  m6re,   a   3   voix  avec  .solo  de 

5,  texti-  francais  et  neerlandais  2 —  n 
Choudens. 

-  98  Fgte  villageoise,  choeur  a  3  v.  eg.    (fr.- 

neerl.)    3 — n  Choudens. 

-  101    Chants  suedois,   six  clioeurs  a  2  ou   3 

voix  eg.  (fr.-neerl.)  4— n :  N.  1.  Le  Pays 
de  Dafa,  a  3  voix,  2.  Patrie,  a  3  voix,  3. 
L'Esprit  des  eaux,  a  2  voix,  4.  La  Eelle 
Carine,  a  3  voix,  5.  La  Captive,  a  3  voix, 

6.  Le  Galant  du  village,  a  3  voix,  a  1— 
Choudens. 

-  104  Chants  de  la  Norv&ge,  six  choeurs  av. 

textes  fr.-u6erl.  SATB  3.50:  N.  1.  Noble 
terre  de  Norv^ge,  2.  Adieux  au  pays,  3. 
Le  Vieux  roi,  4.  Marguerite  et  sa  ch&vre, 
5.  Ma  lyre  et  mon  coeur,  6.  Partie  de 
pgfhe,  a    1 —  Choudens. 

-  Aimez,  aimez,  tout  le  reste  n'est  rien  1.40 

-  .50   airs   de  cantiques.   tran&crits   pour    Org 

(Harm),  en  deux  suites  10 —   Legouix. 

-  Anges  du  foyer   1.50  n  Dnpnis. 

-  Argent.    sc6ue   lyrique,    BarfC)    av.    P    1.20 

Cranz. 

-  Ave  Maria,  iS  ou   T    (avec  choeur   ad  lib.) 

av.  OrgfH)   1.50  n  Gallet. 

-  Ave  Maria,  duo  ou  choeur  a  2  parties    (v. 

6g.)   av.  P(Org)  5 —  Cranz. 
-Ave  verum,  motet  1.50  Cranz. 
-Clair  de  Lune   1.20  Cranz. 
-Clair    de    Lune,     SfT)     av.     Vc(Ea)      1.60 

Cranz. 

-  Consolation,   av.    PV    1.50    Cranz. 

-  Contemplation,    VcP    7.50    Ueugel,    et    Im- 

promptu,   0  n  cordes    20 —  n    Choudens. 

-  Coquette  esp^rance  3 —   Pepin. 
-Coquetterie   posthume    1.50   Cranz. 

-  Ecurcuil    1 — n    Chovdens. 

-  Elegie,   VP  5 —   Cranz. 

•  Impromptu,   VP  7.50   Cranz. 

-  Joyeux  Moi.ssonneurs,  choeur   (ou  trio)   av. 

P  6 —  Cranz. 


-  Heure   encliant^e,   MS   1.40   Cranz. 

-  L#gonde,   VP   7.50   Cranz. 

-  Ma    petite   maison    3 —   Pepin. 

-  Medor    et    Poussette    1 —  n    Choudens. 

-2  Melodies:  N.  1.  Coquetterie  1.50.  N.  2. 
Clair  de  Lune  1.20  Cranz. 

-Melodies:  N.  1.  A  I'illusiou,  invocation 
dramatique  4 — .  N.  2.  Hymne  d'Am.our, 
melodic  4 — .  N.  3.  Chantons,  rions,  dan- 
.so)is,  nolero-tarantelle  5 — .  N.  4.  Le  Me- 
decin  et  1' Amour  5 — .  N.  5.  L'Epingle  et 
I'Aiguille,  duo  6 — .  N.  6.  Le  Roi  du  monde, 
valse  chantee  5 — .  N.  7.  Invocation  a  Ma- 
rie 3 — .  N.  9.  Le  Crucifix,  melodie  3 — 
Cranz. 

-Noel!  Noei!  pet.  fant.  s.  Adeste  iideles,  P 
4.50  Ueugel. 

-5  nouvellos  Melodies:  N.  1.  L'Heure  en- 
chantee  5 — •.  N.  2.  Eenascentia,  medita- 
tion 5 — .  N.  3.  Dans  les  grands  Bles, 
idylle  6 — .  N.  4.  Larme  de  Bonheur  5 — . 
N.'  5.  Extase,  cantil&ne  av.  VP(Jla)Org 
7.50  Cranz. 

-  3  Offertoires  faciles  pour  les  fetes  de  I'an- 

nee :  1  Offertoire,  1  Entr6e  et  1  Sortie 
pour  les  offices  funfebres  (Arfene  des  Or- 
gani.stes,  23e  suite).   Org (II)   5 — n  Gallet. 

-  Oncle   Alexis   1 — n   Choudens. 

-  Panis   angelicus,   motet   1.20  n   Cranz. 

-  Pendant  le  bal   il  me  disait,   P  5 —   Pepin. 

-  Porte   close   3 —   Pepin. 

-  Premier    Sourire   du   printemps   5 —    Pepin. 
■  Eeverie,    VP   7.50. 

-  Sa  Majeste  B^be,  Ch.  s.  1—  Heugel. 
-Salve     Regina,     choeur     av.     Org(I^)     6 — 

Crunz. 

-  Seherzino,   VP  5 —  Cranz. 

-  Son   regard   5 —  Pepin. 

-  Souvenir   1.20  Cranz. 

-  Sub    tuuni,    choeur    a  3    voix   6g.    av.    Org, 

Part    1.20  n   Cranz. 
•  Un    beau    dimanche,    idylle   2 —  n    Noel. 

-  Un  mot  du  ciel  5 —  Pepin. 
-Valse  d'amour   1.75  n  Dnrdilly. 

-  Vieux   Fauteuil   5 —  Pepin. 

Mertens  Jos.  (1834—1901).  Schott  Frdres: 
A  la  Vespre,  caprice-valse,  chantSe  av.  0 
(P)   2.50. 

-  Berceuse   1.75. 

-Capitaine   noir    (texte   fr.    et   allem.) 

15— n. 
-Chant   d'Adieu,   TTBB  2.70  n. 
-6     Chants     nationaux     norv^giens,     TTBB, 

Part   2.50  n,   chaque   partie  — 40. 

-Chant   d'adieu,   TTBB,   Part    1.50  n. 

-  6     Chants     nationaux     norv^giens,     2SMS, 

Part  2.50  n,   chaque  partie  — 40. 

-Hulp  in  nood  — 60. 

-Lied,   av.   PV  1.75. 

-6  Melodies:  Eessouvenir  1.75.  Aubade 
1.35.  A  Elle  1.75.  Amour  cach6  1.35.  Prin- 
temps  1.35.   serenade   1.35. 

-2  Morceaux  de  Concert:  1.  Lento,  2.  Gra- 
zicso,  tempo  non  troppo  allegro  (Score), 
2VVaVcB  1/6  n.  String  parts,  a  1/— n,  O 
scores    (Strings  onl.v)    2/ —  n   Williams. 


Mertens  J.  2  Morccaux 


515    — 


Mertz  C.  F.  Zither- Nor ellen 


-  2    Morceaux   de   Concert    (for    Striiigs   Va- 

rious),   O    4/— n,    Sep.-  parts    1/— n    Wil- 
liams. 
-3  Petits  roudeaux  pour  enfants:   1.  L'Ecu- 
reuil,    2.    Medor   et    Poussette,    3.    L'Oncle 
.Uexis,  il  2 — n  CJiovdens. 

-  6   Pon-.ances   sans   paroles,   P   4 — . 

Mertens    Narciss.    0.   Dietrich:    Der    Kreuz- 
fidele  Stannebcin  1.50. 

-  Der  Zeitungsreporter,  Soloszene  m.  P  1.50. 

-  Eine   Gebiirtstagsfeier    in    der    Eutritzscher 

Gosenscliilnke    1.20. 
-Eine  tolle   Nacht  des  Studiosus   Zapf   1.20. 

-  Ilochzeitsreise    nach    Kiautschau    1.50. 

-  Kascrnenfreuden    1.20. 

-  Neu-Jerus;ilem    1.20. 

-  Radler  von  heute   1.20. 

Mertens    Richard.   Totirhie:   Friihlingsjubel, 

-  Kleine   Stucke,   P  — 60. 

-3    Lieder:    1.    Schwere   Wahl.    2.    Ich   weiis. 

3.  Maienseligkeit   1 — . 

-  Mazurka  brill.   P  — 60. 

Martian  H.  Six  Motets  il  2,  3  et  4  voix,  av. 
Org:  N.  1.  Ave  Virgo,  a  2  voix  — 50.  N. 
2.  Ave  Verum,  a  3  voix  — 75.  N.  3.  Cor 
area   legem   continens,   a  3    voix   — 50.    N. 

4.  Ave  Hegina,  Antienne  a  la  tr&s  Ste. 
Vierge,  a  4  voix  1 — .  N.  5.  Tantum  Ergo, 
a  3  voix  —50.  N.  6.  Tantum  Ergo,  a  s'  v. 
—50   Sc}wtt. 

Mertke  E.  (1833—1895),  op.  1  Seehs  Salon- 
sliicko,  P:  I.  Burleske,  Albumblatt, 
Scherzo  2—.  II.  Stilles  Gluck,  Etude, 
Ltindliches    Cbarakterbild    2.25    Kalint. 

-2  Vier  Lieder:  1.  Es  flielit  hinaus  in"s 
Weite.  2.  Ihr  Auge.  3.  IXirtenmiidchon. 
4.   Waldesvogelein  2—  Hug. 

-3  Deux  Morceaux,  P:  N.  1.  Nocturne  1.25. 
N.   2.   L'lnquietude   1.50   Hug. 

-4  Drei  religiose  Gesiinge,  BATE,  Part  3.50: 
N'r.  1.  Gebet  —60.  Nr.  2.  Heimgang  —80. 
:Nr.  3.  Freut  euch  in  dem  Herrn  1.40  Huq. 

-  5    Six   Impromptus   sur    des    themes   natio- 

iiaux  de  I'Ukraine,  P,  a   1.25   Schott. 

-  6  Die  Blumengeister,  Intermezzo  fiir  S-  u. 

A-Solo,  vierst.  SSMSA,  Ha  u.  0(2P), 
Part  13— n,  Chorst  2—  0-St  12— n,  KA 
(SP)  9—,  SoloRt  1—:  Eezitativ  und  Lied 
der  Knospe:  „Kuospe,  siifi  und  wunder- 
hold"  1 — .  Lied  der  Knospe  — 75  Eistncr. 

-  7  Vier  Stiicke,  P:  Nr.  1.  Sinnig  1—.  Nr.  2. 

Neckisch  1.50.  Nr.  3.  In  der  Gondel  1.50. 
Nr.  4.  Stiirmisch  2—  Litolff. 
-8  Suite  (Gm.),  P  3.50:  I.  Preludio  1—. 
II.  Canzonetta  — 75.  III.  Scherzino  I — . 
IV.  Elegico  — 50.  V.  Napolitana  1.50 
Kistner. 

-  10  Minnesang,  vier  symphonische  Satze,  P 

4—  Riihle. 
-12  Drei  Ge^ange:  Nr.  1.  Hallali :  „Hallali, 
hallali  1  Wenn  munter  das  Hiifthorn  er- 
tonet"  3—.  Nr.  2.  Vm  Mitternacht:  „Um 
Mitternaeht  in  ernster  Stunde"  2 — .  Nr. 
3.  Ich  hab'  dir  lang  ins  Herz  geschaut" 
1—  RUhle. 


-  22  Capriccio,   P   1 —  Steingraber. 

-25    Konzert    (G-m.),   P    1—   Hteingriiler. 
-29    Rondo    brillant    (Es),     2P     1—     Htein- 

griiber. 
-40  KoTizert    (D-m.),  2P  1—  Steingraber. 
-43    Serenade     und    Allegro     (D),     2P     1 — 

Steingraber. 

-  72    Sechs    Kinderstiicke,    P   —50    Steingra- 

ber. 
-Escola  compl.  de  mecanismo,  3  vol.  P  1.50, 
em  um  so  3.50  Neujmrth. 

-  K  y  r  11 1   V.   T  h  e  s  s  a  1  o  n  i  c  h,   Oper,   KA 

12 —  J.  Schuberth. 
-Methodo,  0  1.20  Netiparth. 

-  Tausig-Tuplement,   P  2.50  n   Steingraber. 

-  rechiiische  ttbungca   (Technik,  Ornamentik, 

Ehythmik),  P  3—,  Ornamentik,  Rhyth- 
mik,  P  1—,  Oktaventechnik  (Vorubun<T 
20  Etfiden,  153  Zitate),  P  2.50  Sleingrt 
ber. 

-  Venetianisches    Gondellied,     P    1 —     Stein- 

graber. 

Merton    K.  Pique  dame    (S  u  p  p  6) ,  pot- 
pourri,  P   — .50    Gordon. 

Merton   S.  Lillias,   P  4/—   Whittingliam. 

-  Mayfair,  P  3/—  Ascherberg. 

Merton!  Carlo,  Gaiety  Minuet  1/—  n,  V  —jQ 
PJiillips. 

-  SJlvia    Intermezzo,   P   2/—  n   Francis. 
Merty   {.   Rorjsavolgyi:   Bolero,   P   1.20. 

-  CsehbogSr,    csardas   — 80. 

-  Dalfir,  cs5rd.1s  1.20. 

-  Kovetv.llasztasi   1865,   csSrdas   1.20. 
Merty    N.      R6zsavdlgiji:     ArvaleSnyhaj,    19 

igen  kedvelt  nepdal  6nekre  ^s  zongorar.a. 
T.  1.  Bucsuzo.  Balatonfiiredi  eml6k.  2.  Be- 
fordultam  a  konyhara.  3.  Jaj  de  fenyia 
csillag  ragyog  az  ^gen.  4.  Csillag  el6g 
ragyog   az   ggen    1—. 

II.  5.   El.'itkozom  ezt  a   czudar  vilftgot. 

6.  Zold  vetes  kozt.  7.  Szomon'i  fflz  Iga. 
8.  Te  vagy  barna  kis  lany   1 — . 

III.  9.  Kilenczet  iitott  az  ora.  10.  T^le 
van  a  rSzsabokor  virSggal.  11.  Tudom 
rfizsam,  hogy  szeret.  12.  Nem  vagyok  en 
szeielmes.   13.   Jaj   de  faj    1 — . 

IV.  14.  Tobb  is  veszett  MohacsnSl.  15, 
A  bimbobol  lesz  a  piros  r6zsa.  16.  Voros 
barsony  siivegem.  17.  Sot6t  az  6j.  18.  Josz 
te  kincsem.   19.  Pusztan  sziilettem  1—. 

-  Ez    am    az    igazi    (Kerekes   Andras), 

csardas  zong  1.20. 

-  Kalocsai   emlek,   csardas   zongorara    1.40. 

-  KoronazAsi-indulo    zongorara    1 — . 

-  Kossuth-indulo.    Fel    fel    vit^z    daliak,    f6r- 

karra,   vez6rk6nyv    1.60,   sz6lamok  — 40. 

-  Siamarbc5r-n6gyes      zongorara      (Eselshaut- 

Quadrille)    1.20. 

-  Szegszardi   sztireti-esardas  zongorara,  csfir- 

das  1 — . 
Mertz  C.  F.  Kabateh:  Zither-Novellen,  kl. 
leicht  spielbare  Original-Kompositionen, 
6  Hefte  a  1—:  I.  Nr.  1.  Ein  Grufi.  2.  AI- 
penlied.  3.  Ja  nur  bei  dir.  4.  Herzens- 
s£:chen.    5.    Vielliebchen-Polka.    6.    Idylle. 

7.  Perlen  und  Tranen.  8.  Amaranthen- 
Walzer.   9.   Nieht   zu   andern. 


33* 


Mertz  C.  F.  Zitlier-Xovelleii 


516 


Mertz  J.  K.  op.  55 


nicl)t   vergessen.    19.   Cliristianeu-Land- 


II.  Nr.  10.  Ein  grunes  Blatt.  11.  G'rad 
recht.  12.  Almrau.sch.  13.  Wenn  das  Herz 
so  bange  schlagt.  14.  Mit  den  Wellen.  15. 
Tmniortellen-Walzer.  16.  Melancholie.  17. 
(iebirgslied. 

III.  Nr.    18.    So   gauz   alleiii.      19.    Aiif" 
iiH'iner   Aim.   20.  Eosmaiiu.   21.   Frag'  das   . 
Herz.  22.  JClegie.  23.  Eeve  au  honheTir.  24. 
Jodler.    25.    Gebirgslied. 

IV.  Nr.  26.  Nur  ein  Wort.  27.  Ob's  bes- 
ser  wird.  28.  Na  gewifi.  29.  Almalied.  30. 
Philomelen-Polka.  31.  Divertissement.  32. 
Eomanze.  38.  Festklange.  34.  In  die 
Feme. 

V.  Nr.  35.  Im  Stillen.  36.  Ich  wiegte 
micli  in  Triiumen.  37.  A  Leid  a  Freud. 
38.  Verzage  nicht.  39.  Egverie.  40.  O  kelir' 
zuruck.  41.   Gebirgslied.   42.  Dorfwalzer. 

VI.  Nr.  43.  Feiusliebehen.  44.  Alpen- 
lied.  45.  Was  mir  am  Herzen  liegt.  46. 
Keereation.  47.  Stille  Liebe.  48.  Korallen- 
Walzer.  49.  Finer  fur  Alle.  50.  Lied  am 
Ende.   alle  6   Hefl^   koraplett   4— n. 

Zitherklange,  leichte  Original-Kouipositii)- 
nen  fiir  Z,  12  Hefte  a  1—:  I.  Nr.  1. 
Grufi  Gott!  2.  Alpengriin.  3.  Der  Wipfel 
leises  Ra\isc-heu.  4.  Ja  weil  i  nur  Zither 
hab'.  5.  Schallwellen.  6.  Silberbiick.  7. 
Alpenbliimchen.  8.  Eriunerung.  9.  Das 
erste  Gruu.  10a.  Wieder  munter,  Liindler. 
10b.   Gebirgslied 

II.  Nr.'^  11.  Willkommeu.  12.  Der 
Schutzengel.  13.  In  der  Friili'.  14.  Icli 
mocbt  so  gerne  frolilioli  sein.  15.  Meiu 
Liebstes  auf  der  ganzeu  Welt.  16.  Wald- 
gloeken.  17.  Blau-Veilcheu.  18.  Ich  kann 
e 
ler.    20.    Abendlied 

III.  Nr.  21.  Auf  der  Holie.  22.  Ja  nui 
du  allein.  23.  Abendfeier.  24.  A  bissel 
Lieb  a  bissel  Leid.  25.  Barcarole.  26. 
Wann's  weiter  nix  ist.  27.  Dank-Gebet. 
28.  Mein  Herz  ist  bei  dir.  29.  Maikatzchen. 

IV.  Nr.  30.  Ein  Roslein  auf  der  Wange. 
31.  Gott  schiitze  dich.  32.  Alpenmoos.  33. 
A  Quoasten  am  Huet.  34.  Waldluft.  35. 
.Der  Jodler.  36.  Auf  den  Wellen.  37.  Ju- 
geuderinnerung.  38.  Ein  Blick  in's  Weite. 

V.  Nr.  39.  Morgengruii.  40.  Aus  roll  em 
Herzen.  41.  Trost  dich  Gott!  42.  A  Stran- 
6el  und  a  Banderl  dran.  43.  Allgemeine 
Heiterkeit,  Liindler.  44.  Dir  einen  GriiP.. 
45.  Gebirgslied.  46.  Kiiulleins  Nachtgebet. 
47.  Weihnachts-Lied,  Choral.  48.  Ja,  wenn 
i    mir   wiiSte. 

VT.  Nr.  49.  Ein  Blick  nach  obeii.  50. 
Ein  lustig  Zither-Liedchen.  51.  Na  nn? 
Liindler.  52.  Mess  sentimes.  53.  Sommer- 
nacht.  54.  Minnelied.  55.  .Vlpenlied.  50. 
Was  ist  das  Lieblichste.  57.  Silvesterge- 
sang,  Choral.  58.    Auf  Wiedersehen. 

VII.  Nr.  59.  Ob  ich's  wage.  60.  Friili- 
lingstraum.  61.  Waldvogeleiu.  62.  A  Bua 
und  a  Biiberl.  63.  Angelika-Walzer.  64. 
Dem  Himmel  Dank.   65.   Stille  Freude. 

VIIT.  Nr.  66.  O  gar  zu  gern.  67.  Noc- 
turne.   68.    Ariette.    69.    Der    erste    Schnee. 


71.    Festklange.    72. 


70.    Ludmilla-Walzer. 
Waldeinsamkeit. 

IX.  Nr.  73.  Standchen.  74.  Wiegenlied. 
75.  Ein  stilles  Platzchen.  76.  J'y  peuse. 
77.  In  dem  Auge  das  Bild.  78.  Frisch  auf 
in  den  Wald.  79.  In  die  weite  griine  Welt ! 
Wandermarsch.  80.  Fern  ^on  dir.  81.  Ro- 
manze. 

X.  Nr.  82.  Gedeukblatt.  83.  Das  Roserl 
was  's  am  Mieder  tragt.  84.  Herzens- 
wiinsche.  85.  I  woas  a  Bleamel.  86.  Gon- 
doliera.  87.  Guckiiugelein.  88.  yerenad<^ 
89.   Gebirgslied.   90.   Abendstille. 

XI.  Nr.  91.  Immer  kann's  nicht  Friili- 
ling  .sein.  92.  Tannenwald-Liifterl.  93.  Dir 
eine  Trane.  94.  Alpenkllinge.  95.  llund 
herum,  Laudler.  96.  Im  Grfinen.  97.  Was 
mir    das   Liebste   war.    98.    Blumengeister. 

XII.  Nr.  99.  Sehnsueht.  100.  Der  Seu- 
neriu  Traum.  101.  Schifflein  auf  dem 
blauen  See.  102.  Keller-Arie.  103.  Ilerbst- 
blumen.  104.  Allerleipzigerlei,  Quodl.  105. 
Stille  Nacht,  alle  12  Hefte  komplett  8—  i>. 

Mertz  J.   K.  ScJdesinger:   Op.   1    Ungar.  Vn- 
lerlandsbliiten,    G    1 — . 

-  2  Nachtviolen,  melodische  Stitze,  (I  1 — . 
-3  Zwei  Polonaisen  und  Mazurka,  O  1.50. 
-4  Drei  Nocturnes,  G   1.50. 

-  5   Cyaneu,   melodische   Satze,   G  — 80. 

-  6    Le    Carneval     de    Venise,    air    varir-.     (/ 

—SO. 
-8    Operu-Revue,    ausgew.    Melodien,     G     a 
1.50:    Nr.     1.    Lucrezia    Borgia.    2.    Lucia. 


3.   I   Puritani.  4.   La   Sonuambula. 


Beli 


sario.    6.    Anna    Bolena. 


Regimentstoch- 


ter.  8.  L'Elisir  d'Amore.  9.  Vier  Haimons- 
kinder.  10.  La  Straniera.  11.  Marino  Fa- 
liero.  12.  Stradella.  13.  Postilion  von  Lon- 
jumeau.  14.  Eruani.  15.  Die  Zigeunerin. 
16.  La  Favorita.  17.  Norma.  18.  Mjidcheu 
vom  Lande.  19.  Teufels  Anteil.  20.  Ilayde. 
21.  Rigoletto.  22.  Nabucodonosor.  23.  Bar- 
bier  von  Sevilla.  24.  Moses.  25.  Weifie 
Dame.  26.  Marco  Spada.  27.  II  Trovatore. 
28.  Satanella.  29.  La  Traviata.  30.  Eu- 
ryantlie.  31.  Die  sizilianische  Vesper.  32. 
Der  Nordstern.  33.  Lustigen  Weiber ; 
Nr.  21.  31  a  3.50,  Nr.  27,  29  a  3—  Ricordi. 
9   Sechs  Liindler   1—. 

11  Introduction    und   Rondo,    G    1 — . 

12  Liiudler,  G   1—. 

14  Fantasie  iiber  beliebte  Melodien  aus 
D  o  n  i  z  e  t  t  i's  „Linda  di  Chamounix",  G 
1 .50   Iloffniann. 

15  Divertissement  a.  Donizetti's  „Don 
Pasquale",   G   1.50  Hoffmann. 

22  G  :  1.  Agathe,  When  the  swallows  home- 
ward fly  (Abt),  2.  Elogy  of  tears  (Lo-j 
der  Triinen)  (Schubert),  i\  — 40  /J/v/?'- 
nard. 

27  Piccola  Fantasia  sopra  Melodic  dcll.i 
Linda  di  Chamounix,  G  2.75  Ricordi. 

33    Original-Steirer-Tiiuze,    G    1—   Aihl. 
50   Caprice   snr   un    theme   favori   de   C.   il. 
(1  e   Weber,   G   1—  Aihl. 
55   :Melod.    Siitze.   Z,    1—2   a    1.30    AibJ. 


Mertz  J.  K.  op.  60 


517 


Merz  K.  Bavards 


ii'oti\i     de' 


Riso- 


aus 
111  it 


-  60    Divertimento    sopra 

ietto,   GP  6—  RiconVi. 

-  61      Nr.     1 — 3.     Frische     Bergliifterln 

Steiermark,    Karnteii    und    Tirol,     Z 
ZfV)    a   1.50    Aihl. 

-  63   Piocola    Fantasia    sopra    Melodic   del   Ri- 

fioletto,  G  2.75  liicordi. 

-  86  Picrola  Fantasia  sopra  Melodie  del  Tro- 

\atore,  G  2.75    Ricordi. 
-88    G :    Nr.    1.    Ihissian    gipsy    soug    (llussi- 
sches  Zigeunerlied)    — 50.   Nr.  2.  How  can 
I    leave  tbee?    (Tluiringian   people's   song) 
— 40   }}rainar(L 

-  \oathe     (When    tlie    swallows)      (Abt).    (1 
— 35   Ditson. 

-Aiisgew.    Konipositioneu.    G.    I — II    a    1.50 

II(t7lSP)l. 

-  Barden-Kliinge,   (/,   N.   1—15   a   —60   Schle- 

-  Bohemian    Girl,    selections,    G   — 40    Ditsov. 

-  3    New    Compositions,    G :    T    Monteeclii    >>d 

[  Capuleti  (Bellini),  fantasia  1 — .  Fan- 
tasia in  D  — 75.  Grand  Fantasia  in  T) 
— 75    Sell  ir  til  er. 

-  iJes  Eremiten  Waldgiocklein,  Tonstiick.  (rf 

1.30    Aibl. 

-  Elogy    of    Tears     (Schubert),       G    — .in 

Diinon. 

-  E  r  u  a  n  i,    gr.    fant.    G   — 75    Li/oii. 

-  How    can    I  leave    thee    (Thiiringer    Volks- 

lied),   G   —.35   Diisov. 
-Little  flower    (Proch),  G  —50   Ditson. 
-Martha     (Flotow).    selections,    G    — 50 

Ditson . 

-  ^lerry  Wives  of  Windsor,  fant.  G  1 —  Liion. 
-Sound  of  the  bells    (Proch),  G  —35   Dil- 

son. 

-  Standart     watch     (L  i  n  d  p  a  i  n  t  n  e  r  I .     G 

— 35    Ditson. 

-  Theoretisch-praktische    Cniitarre-Schule    in. 

15    tJbungsstiicken   4 — . 

-  Three    L.-indler    waltzes,    G    — 40    Brainard. 

-  Wasserfahrt    am    Traunsee,    Tonstiick.    GR 

1.50   Aihl. 
Merula    T.    Sonata    cromatica    per    Orcj    1  — 

Ricordi. 
Merulo  CI.  Toccata    (F),  OrgfUj  —30  But,-. 

— 50  n      CostaUa-t,    Lednc,       1.50    Ricordi. 

— 30  n    Eerenbeenit. 
Merve  H.  L.  van  der,  Marie,  valse  de  salon. 

P  4/ —  Dorenii. 
Merveilles    parisiennes    1 —   Delormel. 
Mervin   F.  The  Walnut  Tree  4/—   Willcocks. 

Mervonnais    de    la.    Magne:    Danse    des    Mi- 
iiettes,  P  5 — . 

-  HMnne   a   St.    Joseph    1.50  n. 

-  Hymne    du    Careine    1.50  n. 

-  Irene,   romance  sans  paroles.    /'   6 — . 

-  Messe   de   Minuit   1.50  n. 

-  Offertoire    sur    le    motif:     Ave    Maria 

Lourdes  1.50  n. 
Mervyn    E.  Ascherberg :    It   wasn't    what 

meant,   but   what  he   said   2/ —  n. 
-Little  Green  God  2/— n. 

-  Our  British  Flag,  march,   P  4/—. 
-Sleep,   little  child   of   mine   2'— ii, 
-Woman    and   Wine   2/ — n. 


de 


Merwiss     Robert,      Fraulein     Eechtsanwalt, 

Soloszene    1.50   Donner. 
Merx    F.    Ein    brausend   Hurra    — 60    Oertcl. 
Merxhausen    Paul    Fr.    op.   3    Zwei   Liedev : 

1.    Teh    will's    dir    nimmer    sageu.    2.    Der 

Liel)steu    ITerz    ist    aufgewacht   1.50   Hein- 

rirJishof'  n. 
-4      A'ineta;      „Aus      des      Meeres      tiefsteni 

Grunde"    1.50    Heinrichshofen. 

Mery    E.    Blahane    Dalai,    102    ungar.    Volks- 
liedei    3 —  Merif. 

-  Egyhazi    Z(  ne.     12    Transkr.     HfOrgJ    2— 

^ferl/, 
-Magyar  Salon- Album,    10  ung.   Volkslieder- 
Transkr.    in    brilb^uter    Spielart,    P,    I — II 
a   3 —  n   Merif. 

-  L'akoczy   Tnduln    1.80   Meri/. 

Mery-Peyrey,  An  vent  du  large  1.50  n  Diir- 

dillif. 
-Chanson  du    Lys    1.75  ii    Diirdilly. 

-  Chansoi.    pour    Taimee    1 — n    Durdilly. 
Meryem     P.      Voulez-vous,     marqaise?     air 

dans  le  style  ancien,   P   1.35  n  Laurens. 

Merys  M.  Andante  religioso,  VOrgfU)  2.50  n 

Clot. 
-Andante    religioso,   VII   3.50  n    Clot. 

-  Chant   d'amour  2 —  n   Beal. 

-  Eeve  d'avril   1.75  n  Beal. 

-  Silence  !    melodie   2—  n    Beal. 

Merz    Bessie,    Rosebud,    valse    elggante   — 50 

Brainard. 
Merz  C.  J.  op.  1   Vior  Balladen,  P  I—  Brei.t- 

kopf. 
-3   Lieder :    1.   Herbstlied.   2.   Der   Alpenhirt. 

3.    Bergfahrt   1—   Breitkopf. 
Merz    H.   op.   3   Drei   leiehte   Salontiiuze:    1. 

Epheuranken,     Polka-Maz.    2.     Je    langer, 

je    lieber,    Walzer.    3.    Feuernelke,    Galopp 

1—  Riihle. 
-4  Friihling    in   den   Alpen,   Fantasie,  P  2 — 

Riihle. 

-  Dur  und  iloll,  oder  praktische  Eiufuhrung 

des  Pianoforte-Schiilers  in  die  Kenntnis 
aller  gebrauchlichen  Dur-  und  Moll-Ton- 
arten  sowie  in  die  Elemente  der  Har- 
monielehre  2 —  Heuser. 
Merz  Karl  (1836—1890).  Brainard:  Op.  1 
Andante,   PVVc  —50. 

-  5   Scherzo    (from    Trio   for   2VVc),   P   —25. 
-6   Happy   Return    (Heimkehr),    polka,   brill. 

P   —80   Andre 

-  50  Eloge,  adagio  from  sonata,  P  — 35  Dit- 

son. 
A    te,   o  cara,   Quartett  aus   .,Puritani",   P 
1—  Andre. 

-  Alpine  Echoes,  P  — 10  Nat.  Music  Co. 
-Angel   of  night,  valse  sentimentale    (K  i  li- 
ke 1),   4ms. 

-  Angel's  Serenade    (K  i  n  k  e  1) ,  4i^s  — 50. 

-  Austrian  tattoo,  P  — 50. 

-Away   to  the   Mountains    (Ai   Monti),   con- 
cert  waltz   song   1/ —  n   Augener. 
■  Barcarolle,   P  —40. 

-  Basquine,    polka   2.50    Ileugel. 
-Bavards,   schotti.=che   3' —   Cramer. 


Merz  K.  Be  joyful  in  God 


—    518 


Merz  K.  Miriams  song  of  triumph 


J. 


4ms 


Be  joyful  in  God,  sacred  quart,  and  chor. 

Be  Thou  exalted,  O  my  God,  chor.  — 40. 

Bear   dance,   P  — 25. 

Bee  feong,  SATB  and  chor.  — 50. 

Belle    am^ricaine    (rondo    scherzando    froin 

sonata,   op.   50),   P  — 75. 
Bessie  waltz  — 25  White. 
Bessie's   favorite,   rondo,   P  — 25. 
Beware,  SATB  —50   Gordon. 
Bill    of    Fare,    SATB   —25,    TTBB    —50 

Fischer. 
Birthday   rondo,   P  — 20    White. 
Bitter  tears    (2  nocturnes),  P  — 50. 
Bluebird,      schottische       (K  i  n  k  e  1) , 

—50. 
Bridal  chimes,  grand  march   (Mack),  ^ws 

—50. 

Caprice,  2VP  1.25. 
Cavalcade    triomphale,    galop    militaire,    P 

—75. 

Centennial  march.  Org  — 40. 
Charmes  du  Eondo,  P  — 30  Ditson. 
Claremont,  grand  march    (W  y  m  a  n) ,   Ifms 

—75. 

Come  back  to  Erin,  transcr.  P  — 50  Ditson. 
Come,  merry  happy  band  — /3   Curtven. 
Convent    Bell,    march,      Jfjns    — /4    Sheard, 

—75. 

Days  of  My  Youth,  SATB  —06  J.  Fischer. 
Dearest  maiden,   dance   with   me  — 50. 
Deliciosa  or  Leonore,  polka  — 50  Brainard, 

— 35   Gordon,  Jfins  — 60  Andre,  — 50  Gor- 
don, 3 —   'Noel. 
Do   they   think   of   me   at   homme?    (C.   W. 

Glower),   transcr.   P  — 40. 
Dream  of  home,  rondo,  P  — 35  Ditson. 
Easy    Elementary    School,    Am.    Fing.    2 — , 

For.   Fing.   2 — . 

■  Echo,   Rondo,   P   —20    White. 

■  Echoes    from    the    lake,    valse    $l6gante,    P 

—75. 
■Elegy,    VP   —60. 

■  Embarrassement    (Abt),    transcr.    P 

■  Emmeline,   mazurka   — 80   Andre. 

■  Evangeline    (H  a  y  s) ,  transr;r.  P  — 50, 

—75  Brainard,  — /4  Sheard. 

■  Evening  music  on  the  waters,  8 A  w.  SATB 

—25. 
-Evergreen,   maz.    (Wyman),   ^i^s  — 60. 

-  Excursion,   polka  — 25. 

-Fairy  vision,  theme  with  var.  (Wyman), 
■^nis   1.50. 

-Fare  thee  well  (So  leb'  denn  wohl),  tran- 
script. P  — 40. 

-  Farewell   Song,  chor.   3  female   voices  — 10 

J.  Fischer. 
-Financier    et    le    Savetier,    polka- 
maz.  2.50   Heugel. 

-  Financier  et  le  Savetier,  valse  2.50  Heugel. 
-Financier  et  le  Savetier,  trois  rno- 

salques  dansatantes,  P  4.50  Heugel. 
-First  lessons,  12  pieces,  P:  1.  Bessie 
waltz,  2.  Moss  rose  rondo,  3.  Birthday 
rondo,  4.  Geranium  rondo,  5.  Geman  unity 
march,  6.  Excursion  polka,  7.  Teasing 
rondo,     8.    Uncle    John's    dance,     9.    Echo 


-50. 


JfTHS 


rondo,  10.  May  dance,  11.  Rocking  horse 
galop,  12.  Evening  hymn  (andante),  a 
—30   White. 

-  Fisher's  hornpipe  and  Yankee  Doodle,  rn^'d- 

ley    (Wyman),   Jfms    1.25. 

-  Five  o'  clock  in  the  morning,  P  — 50  IHt- 

son. 

-  Forsaken    (K  o  s  c  h  a  t) ,   MS  — 40. 

-  Forward,  march  !   Org  — 50. 

■-  Gpn.  Garfield's  memorial  march,  P  —50. 

-  Geneva,  valse  — 30  Ditson. 

-  Geranium  rondo,  P  — 20  White. 

-  German   fatherland,   grand  march  — 25. 

-  Gernia-n   unity   march,   P   — 25    White. 

-  3    Geschwindmilrsche,    mO    u.    Harm,    Part 

5-—  Schlesinger. 

-  Gipsy    dance,    P   —25. 

-  Gipsy  Girls,  female  voices   1—. 

-  Give  glory  to  God,  chor.  — 50. 

-  God,  to  Whom  we  look  up  blindly   (Prayer) 

sacred   quart,   and  chor.   — 25. 

-  Good  as  gold,  waltz  — 75. 

-  Good-night,   darling,   andante,   P  — 25. 
-Good  humor,  suabian  dance,  P  — 20  Ditson, 
-Happy  May,   rondo,  P  — 10. 

-  Ilark !  'tis  the  breeze  of  twilight    (Evening 

hymn),   sacred   quart,   and   chor.  —25. 

-  Her  bright  smile  haunts  me  still   (W  r  i  g  li- 

ton),  transcr.  P  — 60. 

-  Highland  reel,   scotch,   SATB  and   chor.   w. 

Org  —60. 
-Home,  chor.  3  fem.  voices  - — 15  J.  Fi-ivhrr. 
-How   the   gates   came   ajar    (Eastburn- 

Wyman),  var.  4ms  1 — . 

-  I  am  dreaming  I'm  an  infant,  A(B)  — 40. 

-  I    cannot    sing    the    old    songs,    transcr.    P 

— 50   Ditson. 

-  I  love  you   so  truly,  romance,  P  — 50. 

-  I'm     called     Little     Buttercup,    „Pinaf<)ie" 

(Sullivan),  transcr.   P  —60. 

-  In  the  twilight,  P  —35  Ditson. 

-  Inkermann,  polka  5 —  Noel. 

-  Irresistible,  waltz  — 25. 

-  Jack   Horner,   quickstep,   P  — 25. 

-  Katie  Dean,  the  little  Rag-Picker  1 — . 

-  Leonore,  or  Deliciosa,  polka  — 50  Brainard^ 

— 35,   lims  — 50  Ditson. 

-  Let  Zion  in  her  King  rejoice,  sacred  quart. 

and  chor.  — 40. 
-Lion   du   desert    (sur   un   air   d'Abadie), 
P  3—  Snlzbach. 

-  Little  chatterbox,   rondo,  P  — 25. 

-  Little   drummer   boy's   march  — 40. 

-  Long,  long,  weary  day,  transcr.  P  — 40. 

-  Lord,   Thou   who   call'st   us,   choral,   sacred 

quart,  and  chor.  — 25. 

-  Louisa,   polka   6 —   Noel. 

-Loving   Eyes    (Meininger),   transcr.    /' 

—40  Ellis. 
■  Magnolia,   ma.z.   P  — 50. 

-  May   dance,   P  — 25   White. 

-  May  is  here,  P  — 10. 

-  May  is  here,  MS(Bar)  — 25. 

-  Mes    petites    variations,    P    15 —    Sulzbach. 

-  Miriams  song  of  triumph    (Sound  the  loud 

timbrel),   cantata   for   s.   voices   and   chor. 
Cornet  obi.   1.75. 


^ 


Merz  K.  Miss  Fauvette 


519 


Merz  M.  op.  H 


■  Miss  FauA'ctte,  polka   siir  les  motifs  de  V. 
M  a  s  s  6  5 —  A^oe7. 

-  Modern   Method    for   the   Reed-Org   2 — . 

-  Mollie  Bawn,  polka  — 35. 

-  Moss   rose,   rondo,   P   — 20    White. 

-  Mother  !  yes,  I  hear  the  word  — /3  Curtoen. 

-  Mount-Vernon-Polka,    ^ms    — 60    Andri. 

-  Moutards,    qiiadr.   5 —   He  tiff  el. 

-Music   among   the   pines    (Wyman).    J/Jils 
1—. 

-  Music,  MS(BarJ  —25. 

-  My   gentle   little   heart,   rondo,   P  — 25. 

-  My    heart    in    the    highlands,    scotch    song 

and   chor.    — 35   Ellis. 

-  My   major   general's   march    — 25. 

-  Nie   kann    ich   dich   vergessen   — 80   Andrd. 

-  O  Death,  where  is  thy  sting?  sacred  quart. 

and  chor.  — 40. 

-  Oriental    march   — 25. 

-  O  teach  me  to  love  Thee,  sacred  quart,  and 

chor.    —40. 

-  O    Thou    who    dry'st    the    mourner's    tears, 

sacred    quart,    and    chor.   — 75. 

-  0    'tis    only     music's    strain     can     sweetly 

soothe  and   not  betray  — 50. 

-  (>  to-night   my  soul   is  longing  — 40. 

-  O,    Where    Art    Thou    Dreaming?    duet,    & 

W.   H  e  i  s  e  r,   To   the   Lark,   duet,   female 
voices  — 30   J.  Fischer. 
Paradise,  polka  — 50. 

-  Parlor    Duets,     morceaux    mignons,      Jfins: 

1.  Anuie  Laurin,  chanson  ^cossaise,  2. 
Norma,  Casta  Diva,  3.  Stiiten-Tsland, 
Polka-Mazurka,  4.  II  Balen  de  ,,Trova- 
tore",  rondo,  5.  Trinklied  aus  „Lucrezia 
Borgia",  Eondo,  6.  Air  final  de  „Lucia 
ui  Lammermoor",   rondo,  a  — 60  Aiidre. 

-  Pauline,   polka-maz.    4.50    Heugel. 

-  Peaceful    dreams,    andante,    P    — 25. 

-  Pearl  of  the  morning,  waltz  — 60,  Jfins  1.25. 

-  Pearl    of    the    night,    valse    brillante    3/ — , 

^ms  4/ —  Ashdotcn. 

Pearl   of   the  sea,   grand   valse  brill. 


sea,   gra 

'ims    1 — ,      8ms     1.75     Brainard,       1 
8heard,  8ms  8/ —  Ashdown. 

Piano   Method,   Am.   Fing.   3 — ,   For. 


—60, 

-/4 

Fing. 


—   Mc.   Kinley 

(Kinkel). 
-25. 
children    song 


^ms 


-60. 


Piano  Method  3 
Polymnia,  polka 
Pony  galop,  P  - 
Poor   blind   boy,   children    song   — 25    Brtti- 

nurd. 
Poanoke   Ped    Sulphur 

—35   Ellis. 
Robin     redbreast,     schottische 

Jtms   ■ — 50. 

Rocking  horse,   galop  — 25   White. 
Romance   for   parlor   organ.    Org  - 
Runaway  Flirt,  for  adults  — 75. 
Russian    driver's    song     (Troika) , 

P  —40. 

Sailor  boy's   song  — /3    Cur  wen. 
Salute  to  our  Flag,  polonaise,  P  -—25. 
S  c  h  u  b  e  r  t's   Hungarian   melodies,   march 

and  trio,  P  "■ — 40. 


Springs,    schott.    P 
(B  e  u  t  e  r), 

-50. 

transcr. 


Secret    love     (Heimliche     Liebe) ,.     gavotte 

(Resch),  ^ms  — 75. 
6    Short  Organ   pieces,    Pipe-Org   — 40   7)t^ 

son. 


Sigma    chi,   waltz 


-60. 


-25. 

(Macy), 


tran- 


(W  y- 


^ms    —60. 


-  Solomon   Grundy's   waltz  - 

-  •Somebodj''s    coming   when 

script.    P   —50. 

-  Song  of  the  skylark,  theme  w.   var. 

m  a  n),  ^nis  — 75. 

-  Sounds  from  the  band-room,  Org  — 25. 

-  Sounds    from    the    Ohio,    waltz    — 60,    Jfins 

— 75,    Sms    1.7G    Brainard,    Jfins    — 75     Ifc. 
Kinley. 

-  Sounds  from  the  Prairies,  P  — 60  Ellin. 

-  Souvenirs    de    I'Hotel     Lambert,    nuiz.    5 — 

^ulzhach. 

-  Spacious  firmament  on  high,  sacred  quart. 

and   chor.   — 25. 

-  Sparkling    beauty,    morceau    de    salon,      P 

3/ —  AshdoiCH. 
-Sparling    waves,    polka     (Wyman).      ///(.s- 
—75. 

-  Spring    vale,   maz.    (W  y  m  a  n) ,    Jfins    — 75. 

-  Spring,  chor.  3  fern,  voices  — 12  J .  Fischer. 

-  Star-spangled  banner,  fant.  P  — 60  Ditson. 

-  Staten- Island,  polka-maz.  Jfins  — 60  Andre. 

-  Stranger's  Love   (Des  Fremden  Liebe)  - — 25 

Schrnner. 

-  Sweet  Kathleen's  lament,  andante,  P  — 25. 
-Tattoo,    rnilit.    caprice,    P    — 60,    Jfins    -  90 

Ditson. 

-  Teasing   rondo,    P    —20    White. 
-Tete-a-tete,    galop     (Kinkel), 

-  That  is  the  reason  — 40. 

-  There's    nothing    true   but   heaven,    sacred, 

quart.    &   chor.   — 40. 

-  Those   evening   bells,   BA  — 40,   P  —50. 

-  Thou  art,  0  God,  the  life  and  light,  sacred 

quart.  &  chor.  — 40. 

-  Thou  art  so  near,  and  yet  so  far   (R  e  i  c  u- 

hardt),   transcr.   P  — 50. 

-  Turf    shall     be    my    sacred    shrine,     sacred 

quart.  &  chor.  — 40. 
-Turkish    night   patrol    (Michaels),    Jfins 
—75. 

-  Uncle  John's  dance,  P  — 25   White. 

-  Une    fete    au    serail,    polka-maz.    6 — 

-  Valse  m^lodique,  P  — 40. 

-  Village  band  march,   0-rg  — 50. 
-Vogel's  waltz.   ^ATB  —OS. 

-  Wedding    hells     march     ( W  y  man), 

—75. 

-  Wedding  waltz   (L  a  u  d  m  a  u  n) ,  Jfina  - 
■  When   our   heads  are  bowed  with   woe 

cred  quart.  &  chor.  — 40. 

-  Witches'   dance,   P  —40. 

-  Woman's   Love  — 35    Ellis. 

-  Woodland  Echoes,  Jfms  — 75  Brainard, 

Kinley,  — /4   Sheard. 

Merz  L.  Last  rose  of  summer,  transcr.  P 
—50    Dity.on. 

Merz  Max,  op.  3  Neun  altjapanisehe  Ge- 
dichte :  Friihling,  Sommer,  Herbst,  Win- 
ter, SchifTerlied,  Mondnacht,  Augentiiu- 
schung,  Dc-r  Berg  Mimore,  Vanitas  vani- 
tatum    3 — n    Robitschek. 


Noel. 


Jfms 

-60. 

,   Ka- 


.Uc. 


Merz  M.  op.  S 


520 


Meslanges 


-3  Madrigale,  BATE:  Gute  Lehre,  Liebes- 
M'iinsclie,  Verschmahter  Liebe  Leiden, 
Part  1.80,  St  Nr.  1  u.  3  a  — 40  n,  Nr.  2 
— 60  n  Bos  worth. 

Merz  Oscar,  4  Lieder :  Schwanenlied,  Nahe 
des  Geliebten,  Das  Meer  erglanzte  weit 
hinrais,  Die  Naclit,  fiir  1  Singst  m.  P  3 — 
WilJieJm    t<climid. 

Merz  Otto,  op.  5  X.  1.  Espanoleta,  spau. 
N.    2.    La    Priucesa,    span. 


Jfm.^ 


-40  n.      N 
-60  u   Presser. 
Sieeliny:      Andreas 


3.    Bolero, 
Hofor- 


mO  ^—50  Fischpr. 


-50. 


dance    — 40  n. 
dance   — 60  n, 
span,    dance  - 
Merzdorff     A. 
Mar.'^ch   —50. 

-  Ball   Costume,  polonaise 

-  Bisniarck-Marsch   — 50. 

-  Dcutscher    Schiitzenfest-Marscli 

-  Dresdner  Kreiiz- Polka  — 70. 

-  Ein   Vergniigen!    Potpourri   iiber   bekaunte 

und  beliebte  Walzer,  6— 12st.   1.80,   6-  bis 
17st.   2.25   Lehi^e. 

-  VAn    Yerniogeu,    Walzer-Potpourri,      YFH'l 

TrP   1.50  Lehne. 

-  Flotte    Gei-ster,    Quadrille 

-  Friililingsgriiije,      Kouzert 

Teich,   MM  2— n   GJaser. 

-  Friiblingsjubel,   Quadrille 


1 .50. 


Walzer      1.50 


1 .50. 


Friihlinas-Ma  rsch 


50. 


ein- 


-  Gaillard,    pas    red.    2 —   Kessels. 

-  rrrillenscheucher,     Galopp     und     Die 

same  Waldrose.   Polka   1.50   Teich. 

-  ITauptmann   und   die  Liebe,   Originalwalzer 

mit  Gesang  -^50. 

-  Hausfreund,    humor.    Polka    — 50. 

-  IToIz    und    Stroh,    und    Lossner    H. :    Die 

Yerliebten,    zwei   Polkas   fiir   Xijlophon    m. 
0  2— n  Oertel. 

-  .lager   von   Kurpfalz,   Marsch   —50. 

-  Jubiliiums-Polonaise    — 80    Teich. 

-  Knospen    und    Bliiten,     Quadrille,     0     2 — 

Oertel. 

-  Ivufi  ist  keine  Siinde,   Polka  — 50. 

-  Liebesgavotte :     .,0    liolde,    .schone    Jugend- 

zeit",   Walzer    1.50   Teich. 

-  Moin    Vaterland     am     schonen    Elbestrand, 

Marsch,   0    1.50,    P  —60   R.   Dietrich. 

-  Noble   Passionen,   Quadrille    1.50. 

-  Opern-Quadrille   1.50. 

-  Schelm   a.  d.    Alpen,   siehe   Standchen-IT.  16 

2—  JaIi»c. 
Merzenich    Nanny,    3    Lieder:     1.    Ich    hab' 
um  Lieb'  gebetet.  2.   Mein  Gliick.  3.  Mein 
Liebster    1.50    Olas. 

-  Verklungenes,    4    I^ieder    2 —   Glas. 

Mes  amis  grisons-nous   1 — n.  Oh.  .i.  — 35  n 

Eveillard. 
Mas   amours   1 — n.   Oh.  s.  — 35  n   Eveillard. 

Crhelnue,  Joitbert. 
Mes    amours    de    toujours    — 30  n    .Jouhert. 
Mes  amours  de  vingt  ans  1 —  n,  Ch.  s.  — 35  n 

Puiyellier. 
Mes  anciens   beguins   I —  Chavat. 
Mes    Aventures    a    bicyclette     (av. 

1_,    Ch.   s.   --30   GhelKwe. 
Mes  Baisers  de  vingt  ans  1 — ,  Ch.  s 

Drhert. 
Mes    bons    amis,    passons    la    brosse 

Jovhert. 


parle) 


1- 


— 40  n  Borne  - 
— 40  n   Borne- 


Mes   bonnes    1 —  Choraf. 
Mes  cauchemars  1 — a,  Ch 

maiin. 
Mes   croyances    1 — n,   Ch. 

ma  1171. 
Mes    deceptions    1 — n    Jouhert. 
Mes   deux   oncles    ! —   Ciuivaf. 
Mes  deux  scieurs  de   long   1 —  n  Jouhert. 
Mes   deux  soeurs   1 — n   Ondei. 
Mes   deux   trompettes    1 — n    Ondct. 
Mes   dindons    1 — n   Jouhert. 
Mes    Economies   — 30  n   Jouhert. 
Mes    emotions    1 — n    Jouhert. 
Mes   enfants    1 — n   Jouhert. 
Mes    enfants    le    bon    Dieu    vous    voix   — 30 

Jouhert. 
Mes    ex-maitresses    1 —  u    Ondet. 
Mes   garnisons    1.70,    ('/(.    ,s.   — 30  n    Pomier, 

Naudiii. 
Mes    habitudes    1 — n,    Ch.    .■*.    — 35  n    Ereil- 

lurd. 
Mes  moutons   1.35  n  Jouhert. 
Mes  moyens  me  permellent  qa   1 — n,  Ch.  s. 

— 35  n  Eoeillard. 
Mes    officiers    1 — n    Jouhert. 
Mes    oiseaux    1 — n,     Ch.    s.    — 40  n     Borne- 

main\. 
Mes    petites    Inventions   — 30  n    ISaudin. 
Mes    pieces    d'or    1 — n    Jouhert. 
Mes  preferences  1 — n,  Ch.  s.  — 40  n   Borv<- 

iitanu. 
Mes    p'tit's    promenades    1 — n   Jotibert. 
Mes  Quatre-Belles   1 — u   Ondet. 
Mes   quatre   maitresses    1 — n   Jouhert. 
Mes    Reves   d'amour,   Ch.   s.  — 30   Debert. 
Mes    sentiments     (av.    parle)     1 — n,    Ch.    .s-. 

— 35  n    Eveillard. 
Mes    trois    frangins    1 — n    Ondei. 
Mes   vingt    ans    1 — n   Jouhert. 
Mesaventures     d'un     Gascon     1.10,     Ch.     .s-. 

— ;')!)  n    Pouiier. 
Mesclike   P.  Des  Nachbar.s  holdes  Gretelein, 

TTBB   1.20   Tormavn. 

-  Khnier-Sonate  in  4  Satzen,  P  4 —  Seilinf/. 

Mescoli      Gaetano,      Care      larve,      melodia. 

2M(indP  5 —   Carisch. 
Mesdames    voulez-vous    sortir     1 — ,    Ch.   ■•<. 

—30    Oheluu-e. 
Meseck  Gust.  Amor-Polka,  Z  — 50  Frits. 

-  Aus    (ler    Jugendzeit,    Walzer.    3Disk-lAlt- 

2StrZ(V  jVc'i.m  Beruhardt-Riesn. 
Mesevier  T. 


R. 


Mesliam 

ecri  1 . 
Mesiu    J.    M 
Breveu.ses 


Eerabouilles.      Legeay. 
Victory    March,    Org    2/—    Vin- 


Chansons  berriaudes:  1.  Le-^ 
d'  chauvre.  2.  Fileu.ses.  3.  Co- 
lin  et    C'olinette    1.50  n    Ledue. 

-  Hardi,    les   ga.s !    Ch.   s.   ■ — 30  n   Leduc. 

Meslanges,  Motets  et  Dialogues  choisis  des 
Ma  it  res  allemands  des  XVIIe  et  XVIIl*- 
si&cles  (C  h.  Bordes)  et  A.  P  i  r  r  o) 
5— :  NT  ].  J  o  h  a  n  n  E  c  c  a  r  d  :  Agneau 
de  Dieu  (0  Lamm  Gottes  unschuldig),  ft 
5  voix  1.25.  N.  2.  Heinrich  Schutz: 
Louc  sois-tu.  J^sus-Christ  (Ehre  sei  dir, 
Christe),  choeur  final  de  la  Pa.ssion  selon 
saint  Mathieu  (Choeur  a  4  voix)  1.25. 
N.  3.  Heinrich  S  c  h  ii  t  z  :  Dialogus 
per   la   Pascui,  quatuor. 


28TB  3—.   N.   4. 


Meslanges 


—     521     — 


Mesquita  C.  de  op.  132 


.1.  S.  Bacb:  Jt'  reste  avec  toi  (leh  lasse 
(li<i/  nichl).  motet  A  '2  cho'nirs  ot  8  voix 
•S—     ScJiola. 

Meslanges,  Motets  et  Dialogues  clioisis  des 
3Iaities  francais  des  XVITe  et  XVIIIe 
sieoles  (Ch.  B  o  r  d  e  s)  6—:  N.  1.  J.  Ph. 
1?  ,i  111  e  a  II :  Deus  uoster  refugiuin,  il  voix 
seule,  T  1.50.  N.  2.  N.  Cl6rambault: 
()  inysterium  iiieffabile,  a  Aoix  seule,  Bar 
] — .  N.  3.  F  e  11  r  i  d  u  Mont:  Pectator 
ubi  es?  tl  2  voix,  TB  2—.  N.  4.  F  r.  C  o  u- 
p  e  r  i  11  (Sr.  de  CruJly)  :  O  niysterium  in- 
efTabile,  a  2  voix,  TfS)B  2—.  N.  5. 
C  a  in  p  r  a  :  O  dulcis  amor  cordis  mei,  i'^ 
voix  seule.  <S'  2.50.  N.  0.  ]\[  a  r  o  -  A  n  - 
t  o  i  n  e  C  li  a  r  p  e  u  t  i  e  r  :  Dileete  mi,  :i 
3  voix,  2TB  2—.  N.  7.  M  a  r  e-A  n  t  o  i  n  e 
C  h  a  r  p  e  n  t  i  e  r :  O  amor,  o  lionitas,  ii 
::  voix.  2TB  2.50  Schola. 

Meslanges.  Motets  ft  Dialogues  clioisis  des 
:M-iiftres  italiens  des  XYTIe  et  XVII !> 
siecles  (Ch.  Bo  r  des)  5—:  N.  1.  G  i  a- 
c  o  m  o  C  a  r  i  s  s  i  m  i :  O  vulnera  doloris, 
a  voix  seule,  B  1.75.  N.  2.  G  i  a  c  o  m  o 
C  a  r  i  s  s  i  m  i :  0  piissime  Jesu,  a  3  voix, 
2TB  2—.  N.  3.  Agostino  Steffani: 
Fac  nos  culpas,  a  voix  seule,  MS  1 — . 
X.  4.  J.  B.  Lully:  Ave  caeli  niuuus 
supernum,  a  3  voix,  STB  2 — .  N.  5.  G  i  o- 
\-  a  n  n  i  L  e  g  r  e  n  z  i :  Qui  non  renuntiat 
omnibus.  Dialogue  spirituel.  a  3  voix, 
2TB  2.50  Scholu. 

Meslay   L.   Les   Iris,   P   1.75  u   J)urdilli/. 

-  Sur  le  Mail,  polka    1.75  n  DurdiUy. 

Mesmerlsta,  Ejecutada  con  gran  ^xito  por 
su  autor,  el  celebre  transformista  David 
M  e  s  m  e  r  i  s,  polka  — 50  Wagner  // 
Levieii. 

Mesnard  A.  Fille  du  transporle,  rom.  dram. 
1 — n   Boryiemann. 

Mesnil  G.  Lion  de  Belfort,  pas  red.  Harm 
1.50  n,    F'anf    1.25  n    Hemmerle. 

-  Polka  des  Timbrds,  0   1—  n  Pinatel. 

-  Tapageur.  pas  red.  Harm   1.25  n,  Fanf  1 — n 

Hemmerle. 

-  Vivaraise,    valsc,    O    av.    /'    coud.    1  —  n    Pi- 

natel. 
Mesplet,       12      Fragments      de      sympbonie 

d'H  a  y  d  n,    arranges,    PV^'c,   en    4   suites, 

chaque    15 —    Lerjoiiix. 
Mesquita  Carlos  ds.  Lemoinr:   Op.   1    Polka 

2 —    B'ivilacqua. 

-  2  Nocturne,  P   2 —  Bevilacquu. 

-3    Deux     pen.sees     fugitives,      P :       1.    Une 

Plainte.   2.  Berceuse  2 —    Bevilacqua. 
-4  Air  de  Ballet,  P  2 —  Bevilacquu. 

-  7  Marche  triomphale,  2P  9.50   Heucicl. 

-  19  Petites  pieces  de  genre,  P :  N.  9.  Babil- 

lage,    10.    Chanson   militaire,   a   4 — . 
-20   Rondo   militaire,    P   5 — ,    J^ns   7.50. 

-  21   Air  de  ballet,  P  5—. 

-  22   Deux   Feuillets   d'album,   P   5—. 

-  23    La    Esmeralda,   valse,   P   6—,   2P   9— . 

-  24   Premi&re  Valse   romantiqiie,   P  5 — . 
-27    Balaucelle,    valse    lente,    /-•    6 —    Heiiqil. 

-  28  Valse  N.  3,  P  1.75  n  Duravd. 

-  31   Valse  bresilienue,  P  6 —  Lednc. 

-  31  Valse  brdsilienne,  P  6—,  J^ms  7.50  Ledur. 

-  32   Valse   napolitaine  — 90  n   Schirmer. 


33  Bergerette,  faut.-valse,  P  1.75  n  Diirand. 

34  Duett  ino,   17'  6—. 

39    Aubade.    P    1.35  n    Diirand. 

50  Aquarelles,   6   pieces   caracteristiques,   /' 
9—. 

51  Valse   des   Tiuitareros,   P   5 — ■.   Jfm.^   7.50, 


2P 


.50. 


P    9- 


.'ims 


P   6- 


-  53  Fandango  bresilien,  P  5— 

-  54  Italia,  val.se  6—  Enoch. 

-  55   Serenade,   P   4 — . 

-  56    Trois    Feuillets    d'Album, 

-  57  Chanson  creole,  /'  5 — . 

-  59   Fantaisie-marche,   P  5 — . 

-  60    Chanson    bresilienue,    /*   5 — . 

-  62  Paloma,  P  5—. 

-  66   Boite  ti  musique,   P  5 — . 

-  68   Valse    des    Aa'cux,    P   5 — ,    simpl.   5- 

-  69    Au    soir,    P   5—. 

-  70    Deux    Esquisses,    P   5 — . 
-73    Douze    Etudes    de    concert,    P    12 — . 

-  75  Historiette,  P  5 — . 

-  76  Les  Adieux,  /-*  4 —  Lemoine. 

-  11  Bagatelle,  P  5—  Enoc^i. 

-  79   Valse   ballet,   P  5—. 
-84    Gavotte,    P   5— . 

-  85   Deux  Pieces  de  genre,   P  5 — . 

-  86   Les    Elegantes,   P   5 — ,   simpl. 

9—. 
-88    Hio  de   Janeiro,    valse,   P  6 —  Heiigel. 

-  93  Cortege.  P  5—,  2P  9—. 

-  95   A    la   Plata,   valse   5 — ,   Jfms   7.50. 

-  95bis    A  la  Plata,  4m.^  7.50. 

-  96    La    Diatouique,    pi&ce   de   genre. 

-  96   Fugue   libre,   J/ms   9 — . 

-  99  La  plus  Belle.  P  5—. 

-  100  La    Diplomate,  P  5—. 

-  100    L'Enjoleuse,    valse,    P    6—. 

-  103   Valse   arabesque,   P   6 —  Lednc. 

-  104  Chanson  de  I'Esmeralda,  P  5 — . 

-  105    L'Irresi.stible,    valse,    P    6—. 

-  106   Douce   Souvenance,  P  5 — . 

-  107    Ninette,    valse    brill.    P    6—,    .',/».s- 

Lednc. 

-  108   Ciianson   exotique,    P   5 —   Leduc. 
-109   Petites  pieces   de   genre,   P :   N.   9.   Ba- 

billage,    10.   Chant   militaire,   Ti   4 — . 

-  109  Dix  Pieces  de  genre,  P :  N.  5.  Cotillou- 

Marche,    6.    Grand'-Maman,    7.    Scherzino, 

8.   Musette,  a  4—. 
-109   Petites   Pieces   de   genre,   P  4 — n. 
-110   Air   a   danser   dans  le   style  ancien,   P 

5 — . 
-111   La   Noce  au  Village,  P  2 — n. 

-  112   Charmeuse,   valse.   P   6 — . 

-  113  Bolero,  P  5—. 

-  1 14  Trois  pifeces  de  genre,  P   7.50. 

-  115  Eus.sophile,  valse,  P  6 — .  Jfms  9 — . 

-  116    En    Jonglant,   P   7.50. 

-  119   :\Ialinconia,    P   6—. 

-  120    Chrysantheme,    P    6—. 

-  122   Fantaisie   de   Concert,   P  9 — . 

-  123   Menuet  leger,   P   6—. 

-  124   Tourbillon,    valse,    P   5—. 

-  125   Valse   espagnole,   P  5 — . 

-126  20  Pieces  enfantines,  P,  I— II  a  4— n. 

-129  5  Pi&ces  serieuses,  P  3 — n. 

-  130  La    Diatonique,    pi&ce    de    genre,    J/ms. 

-  131  Phoebe,  P  5—. 

-132  Forever!  Valse  brill.  P  6—  Leduc. 


7.50 


Mesquita  C.  de  op.  133 


—    522    — 


Mesquita  C.  de  5    Valses 


5— 


133   Chanson   de   marie,   P   5 —   Lediic. 

135  Valse  brillante   7.50   Lemoine. 

136  Larme!    Valse    sentimentale,      P 
Ledtic. 

136  Sylphide,   air   de   ballet,   P   5 — . 

137  Pi&ce   romantique,   P   7.50. 

138  Pensee  fugitive,  P  7.50. 

139  2e  Air  de  ballet  6—. 

142  Enlacement,  j/jhs  2 —  n  Lemoine. 

143  Andalouse,  valse  brill,  ^ws  3 —  n  Le- 
moine. 

144  Fete  a  Madride,  ^ms  3— n,  2P  3— n 
Lemoine. 

145  Chanson  labanera,  P  1.35  n  Lemoine. 

146  Intrgpide,  valse  brill.  P  1.70  n  Lemoine. 
149    Valse    heroTque,    ^w;s    3 — n,    2P    3 — n 

Lem,oine. 

Adaptations  symphoniques  6 — . 

Adieux,  romances  sans  paroles,  MandP 
5—. 

Air  de  Danse,  IfVis  2 —  Bevilacqua. 

Andalouse,  valse  brill,  ^ms  3 —  n. 

Animfere   5 —  Ramelle. 

Au  Bal,  valsa,  Ifms  3 —  Gmwariles. 

Aurora,   polka   de   salilo,   P   2.50   Napoleao. 

Automne,  mglodie  1 —  n  Eavielle. 

Ballet-R^gence,  P:  1.  Menuet,  2.  Gavotte, 
3.  Pavane,  4.  Chaconne,  5.  Passepied  4 — n, 
a  4 —  Dupont,  Lemoine,  Jfms  t\  1.50,  0 
6 —  n  Lemoine. 

Bavardage,   P   1.25  n   O.   Oross. 

Berceuse  (Hymne  d'amour) ,  pour  voix  gra- 
ves  1.50   'Noel. 

Boite  a  musique,  2P  3—  n. 

Bon  souvenir,  valse  de  salon,  P  2 —  n  G. 
Gross. 

Br&ilienue,  valsa,  Jf7ns  3 —  Guimaraes. 

■  Bresilienne,    suite    de    valses,    P    2.50    A'a- 

polcao. 

Caneao  de  Tragaldaba    6 — . 
Caprice,  P  6 —  Quinzard. 

■  Caprice- Valse,  P  2 —  n. 

Chanson  d'automne,  VP,  FIP,  MandP, 
2  MandP  a   6—   Leduc. 

■  Chanson  de  I'Esmeralda,  0  1.50  n. 
Chanson-Habanera,   P   1.35  n.. 

■  Chanson   de   Tragaldabas   6—   Heugel. 
•  Chant  de  la  fourmi   1 — n  Costallat. 

■  Colette,  paraphr.   P  1—  n  Society  nouvelle. 

■  Cortege,    4ms    2.50  n,    O,    Part    5—  n,   p.    s. 

7.50  n. 

-  Detraqu^e,  valsa,   JfVis  3 —  Guimaraes. 
-Echo,  m^lodie  1.70  n  Hamelle. 

-  Elegantes,   valse,   2P   9—,    0   2—  n. 

-  Enlacement,  valse  romantique,     Jfms  2 —  n. 

-  Esmeralda,    valse   brillante,   j^ms    3 —  n. 

-2  Esquisses,   P :   En   rSvant.  En  avant   6 — 
Humelle. 

-  Etoiles   et   Chanson   de   I'Esmeralda   5 — . 

-  Etude  de   Concert,   extraite   de   Top.   73,   P 

3— n. 
-Etude  de  Concert    (D),   2P  2— n. 

-  Extase,    valse   lente   sur    des   motifs    brgsi- 

liens,  2P  3—. 

-  Fantaisie-Marche,  Jfms  2.50  n,  2P  3 — n. 

-  Folies  d'Espagne,  J/ms  2 —  NapoleHo. 

-  Gavott*  du  petit  page,  P  6 —  Hamelle. 

-  Graciosa,   P   1.75  n   Weiller. 

-  Ici  baa,  rom.  2 —  Bevilacqtia. 


-  Idylle   napolitaine,   P   1.70  n  Hamelle. 

-  Intr^pide,  valse  brill.    1.70. 

-  Irresistible,  gr.  valse,   0  2 —  n. 

-  Jtalia,    valse. 

-  J'ai  r§ve,  Hayet,  2 —  GyimarsLes. 

-  Joyeuse  Chevouch^e,  piece  caract.  P  1.50  n, 

'pns   2.50  n. 
-Lola,  pifece  de  genre,  VP  1.70  u,  J/ms  2 — ^  n, 
p.   quint,   a  cordes  et  P,   Part   1.50  n,   p.   e. 
1.50  n    Lemoine. 

-  Lola-Rosita,    P    5—. 

-  Magioienne,   m^lodie    1.70  n   Costallat. 

-  Malinconia,   valse   lente,    0   2 — n. 

-  Marehe  triomphale,   2P   4 —  n   Gross. 

-  Mazurka-Menuet,    P    1.50  n    Lemoine,      5 — 

Noel. 

-  Meilleur    moment    des    amours     1.50    Gui- 

«io  riles. 
-Naiades,   valse   lente,   P   2 — n   Durdilly. 

-  N^vrose,  valsa,  ^ms  .3 —  Guimaraes. 

-  0   Salutaris   1.50   Guimaraes. 

■  Pastorafe,    valsa,   4^ns   3 — :   Guimaraes. 

-2    Pieces   pour    Harpe   chromaiique :    1.    En 
preludant.   2.   Etude   de  concert  2.50  n. 

-  2  Pieces,    VP  4 —  Guimar&es. 

-2  Pieces,  P.-  1.  Chant  sans  paroles.  2.  Ma- 

rionnettes  — 60   Neuparth. 
-2   Pieces,   V(Vc)P:   N.    1.   Gai   refrain   6—. 

N.  2.  Coeur  gros  7.50  Hamelle. 
-20   Pi&ces    enfantines,    P :    1.    Toupie-Valse, 

2.  En  Recreation,  3.  Colinette,  4.  Mignon- 
netto,  a   1 —  n. 

-  Polka,  2MandG  — 75  Wagner  y  Levien. 

-  Poule,   valsa,   ^ms   3 —   Guimaraes. 

-  Pri&re   d'une   m&re    1 —  n    Costallat. 

■  Primavera  2 —  n   Durdilly. 

-  Quand  je  t'aime  4 —  Leraoine. 

-  Quebra,  quebra,  micha  gente,  tango,  /'   !: — 

Najioleao. 

-  Remisao      dos     Peccados,      tango,      P      I — 

Napoleao. 

-  Reveil,   melodic    1 —  n    Hamelle. 

■  Rgverie,   CorP   1.50  n. 

-  Reverie,  solo  de  Cor  Ha  Quint.,  Part  1.50  n, 

p.   s.    1.50  n. 

-  Reverie,    0,   Part   2—  n,   p.   s.    2.50  n. 

-  R4verie  et  pet.  Valse,  P  5 — . 

-  Russophile,  gr.  valse,  0  2 —  n. 
Sempre  visa,   maz.    1.50   Napoleao. 

■  serenade,    chant.   MandP(G)    6—,    2Mo,ndO 

7.50. 
-Serenade   Madrilene,    0    1.50  n. 

-  Si  tu  veux  5 —  Heugel. 

■  Soiree   bresilienne,    P    1.50  n    Costallat. 

-  Soiree    bresilienne     (quadrille)     1 —  n,     ffms 

2.50  n   Costallat. 

-  Tarantelle   de   D.    Popper,   ^ms   9 —    Ha- 

melle. 

■  TJn   pen    d'amour   4 — . 

-Une    fete   a    Madrid,   4?>is    3— n,    2P  3— n. 

-  Valse   heroique,   P   2—  n,   simpl.   2—  n,   2P 

3— n. 

-  Valse    Napolitaine    6 —    Hamelle. 

-  Valse  Princesse,   valse   2.50  n   Pards. 

-  Valse    romantique    6 — •    Grus. 

-  2   Valses   romantiques,   J^ms  S — . 

-5  Valses  romantiques,  Jfms  6 — n:   N.  1.  La 
Bresilienne  2 —  n.   N.  2.  Nevrose  2 —  u.  N. 

3.  La  Poule  2.50  n.  N.  4.  Pastorale  2—  ti. 
N.  5.   Au  bal  2 —  n  Society  nouvelle. 


Mesquita  C.  de  Vampiro 


—    523    — 


Messager  A.  Dragons  de  I'imperatriee 


rom. 


-50  n 


-  Vixmpiro,   valse   2 —   Napole^o. 
-Victoria,   polka    1.50   NapoleViO. 

-  Visions  2 —  Guimaraes. 
Mesquita  H.  A.  G uimaraes :  A  Illusao 

1—. 

-  A'  tarni  um  anjo  baixou,  rom.   1 — . 
-A   Vaidosa,    P    1.50. 

-  Agnus  Dei,  solo  et  3  voix  6g.  Org(P) 

Le  Beau. 

-  Ali  Baba,  celebre  tango,  47ns  2 —  Napoleao. 

-  Ali   Baba,   marcha   1.50   NapoIe5.o. 

■  Ave  Maria    1 — . 

-  Ave  Maria,  com   Vc  2.50. 

-  Barcarolla,   ital.   2 — . 

-  Batiiqueira,   polka    1.50  Bevilacqua. 

-  Beijos  de   Frade,   liindti   1- — . 

-  Br^silienne,   poiku   4.50   Legouix. 
-Carlos  Gomes,  polka    1.50,  ^ins  2 — ,   O  4 — . 

■  Carnaval    de   Rio,   quadr.    1.50. 

-  Coroa  de  Carlos  Magus  Bailado  das  4  na- 

goes,  J^ms  3 —  Nupoleao. 

-  Corrupio,   quadr.   1.50. 

-  Esaudito    Amore,    ital.    2 — . 

-  Espectro   Horrivel,    com    Va    1 — . 

-  Faisca,  polka   1 — . 

-  Festival,  quadr.    1.50. 

-  Infernal    quadr.    1.50. 

-  Laiira,  polka   4.50   Mathieu. 

-  Leopoldino,  valsa  2 — . 

-  Marquez   d.^  Pombal,  marcha   2 — . 

-  Maya,  polka  1.50. 

-  Melodia,  ital.  2 — . 

-  Minha  Virginia,  polka   1—. 

-  Nen6,    polka    1.50. 

-  Os  Sonhos  de   Ouro,  quadr.   1.50. 
-Paulina,  polka-maz.  4.50  Mathieu. 

-  Preghiera  alia  Vergine,   ital.   2 — . 

-  Republica,  tango   1 — ,  ^ms   1.50. 

-  Eevista  de   1888,  tango  1 — . 

-  Saudades  de   Mme.   Charton,   valsa  2 — . 

-  Serenata,   ital.    2 — . 
-Souvenir  da  Bahia,  polka  1.50. 

-  Souvenir  de  Bahia,  polka  4.50   Mathieu. 
-Traviata,    2    quadr.    a    1.50. 

-  T  r  o  V  a  d  o  r,  2a  quadr.  1.50. 
-Trunio     fis     Avessas,     potp 

Madera)     2 — ,     (A  n  d  r  a  d  e) 
po'eilo. 

-  Virginie,  polka   4.50  Mathieu. 
'  Vorrei  Verderti,  ital.  2 — . 

-  Y&-Ya,    quadr.    1.50. 

Messa  in  canto  fratto,  a  due  voci  — 30  Li- 

breria  Salesiana. 
Message   du   rossignol 

Puigellier. 
Message,    Attendez-moi 

Messager  Andre    (1853 
JfTtts    2 —  n    Letnoine. 

-  13bis  Mazurka,  4'"^s  2 — n  Lemoine. 

-  A   une  fiancee   1.35  n   Choitdens. 

-  Barcarolle,    VP   4/ —   Metzler. 
-Basoche,    op6ra    comique    (Paris    1890), 

ChP    20— n,    Ch.    s.    8"   — 50  n,    P    10— n 
Choudens,    ChP    15—  n    Ricordi,    Voc.    sc. 
6/ —  n,   P  2/ —  n   Boosey. 
Choudens : 

1.  Chanson  ancienne :  Je  suis  aym6  1.35  n. 

2.  Villauelle :    <^uand    tu    connaltras    Co- 
lette 1.70  n. 


P 

3— 


(E. 

iVa- 


1— n,    Ch. 


— 35n 


done    3 —   Sulshach. 
,  op.   12bis  Menuet, 

n 


3.  Air   et   pri&re :    Volage?   lui,   Clement? 
2— n. 

4.  Couplets:   Dans  ce  grand  Paris   1.70  n. 

5.  Air :    Mon   escorte,   mes  gens   2 —  n. 

6.  Couplets:      Trop    lourd     est     le     poids 
1.70  n. 

8.  Pastour. :    II    6tait    une    fois    une    ber- 
gere    1.70  n. 

9.  Duo :    Si    de   la   souveraiu'^t^   2.50  n. 

10.  Duo:    Ah!    Colette,   c'est    toi?   2.50  u. 

11.  Cantilfeno:  Chez  mon  t'rfere,  li-bas 
1.35  n. 

12.  Couplets:  Ah!  qae  ne  parliez-vous? 
1.70  n. 

13.  Coupl. :  En  I'honneur  de  notre  hym6- 
n6e    1.70  u. 

14.  Air:  Elle  m'aime !  O  coeur  f6minin ! 
2— n. 

15.  Rom.:  Jamais!  j'aurais  dfl  le  com- 
prendre    1.70  n. 

16.  Coupl. :  A  ton  amour  simple  et  sia- 
cfere  1.70  n.  Ch.  s.  a  — 35  n  Choudens, 
a  — 25  u  Rouart. 

Chappell  : 

The   Basoche,    Chappell: 
I  am  beloved  of  a  maid  so  fair  4/ — . 
When   you   know   my   own   Colette  4/ — . 
Pastoral    4/ — . 
In   my   home  far  away   4/ — . 

All    in    honour    of   the   troth   we   plighted 
4/—. 

She  loves  me !   4/ — . 

Heedless  of  all  your  loyal  love  4/ — . 

Once    there    was    a    shepherd    maid     2/ — 
Boosey. 

P  a  s  s  e  p  i  e  d,  P  2—  n  (fac.  1—  n) 
Choudens,  2/ —  Boosey,  4/ —  Chappell, 
— SOGeiethner;  ims:  2.50  n  Chovdenr., 
2/—  Boosey,  4/ —  Chappell;  VP: 
(Doub6)  2.50  n,  (Herman)  2— n 
(Richard  et  Bull)  2.50  n  Choudens, 
(A.  Herman)  4/—  Chappell;  FIP, 
CornetP  a  2.50  n,  V,  Fl,  Corn^A  a  1.70  n, 
0  20 — n  Choudens,  FullO  2/— n,  Sept. 
1/ — n   Chappell. 

Chanson    ancienne,    P    I —  n. 
Villanelle,    P    1.70  n,    fac.    1— . 

Fantaisies  et  Transcr.   P:  Behr, 

Bull,    F  a  u  g  i  e  r. 
Fant. :    Mujid    3—,    MandP    7.50,    BMandP 

9—,   MandG   6—,   2MandG   7.50,   2Matid 

PG    10—,   2MandMaP    10—,   2MandMaG 

10—,    2MandMaGP    12—. 
Bouquet  de  melodies,  P,  I — II  a  2.50  n. 

-  Bateau    rose   5 —  lleugel. 
-Brautlotterie,  Operette. 

-  Chanson   d'Automne   3 —   Heugel. 
•  Chant    d'amour    2 —  n   Fromont. 

-  Chevalier  d'Harmental,  Ch.  s.  — 50  n  Chou- 

defis. 

-  Crinoline,    valse    des    „Dragons    dc    rimp4- 

ratrice",   0   av.   P   2 — n  Enoch. 

-  Crinoline,  valse  des  „Dragons  de  I'imp^r.-i- 

trice",    op^ra-com.   2 —  n    Enoch. 

-  Curly    Locks    4/ —    Metzler. 
-Dragons    de    I'imperatriee,    op6ra- 

com.  ChP  12— n,  Ch.  s.  3— n  Enoch,  7.50 
Litolff. 


Messager  A.  Dragons  de  I'imperatrice 


524 


Messager  A.  P'tites  Mirhn 


et    Couplets    1.70  n. 


Legende  dos  dragons  et  des  cent-gardos 


1.70  n. 


Enoch  : 

1.  Recit. 
2_ 

1.70  u. 

3.  Romance    1.70  n. 

4.  Couplets  du  casque   1.70  n 
0.  Couplets   du   petit   frisson 

7.  Couplets   1.70  n. 

8.  Duo    2.50  n. 

8bis.    Ariette    de    I'eventail    1.3o  n. 
12bis.  Romance    1.70  n. 
13.  Duo    2.50  n. 

Ch.  s.:  1.  Recit  et  Couplets,  2.  Legende 
3.  Romance,  5.  Couplets  du  petit  frisson 
7.  Couplets,  8bi.s.  Ariette  de  I'eventail,  11 
Couplets  du  nez,  12.  Romance,  a  — 35  n 
Crinoline,    valse   2 —  n. 

F  a  u  V  e  1 1  e,    opera,    ChP    5 —  n,    Ouv.     / 
2 —  n    Enoch. 

1.    Les    Parisiens 
d'militaire,    2.    Une 
Dans    un    champ    de 
Amis  le  grand  jour 
lais    tirer    Pierre    d'un 


n'aimeut     pas     I'etat 

gentille    fauvette,    3. 

ble    d'or    Lisette,    4. 

est  venu,   5.   Je   vou- 

mauvais 


pas, 


6. 


Pierre    est    sauve,    7.    A    travers    le    desert 

immense,  8.   J'aime,  la  musique  militaire, 

9.   Un   soir   le   general   Bugeaud,   a  — 30  ,n 

Debert. 

Fant.  mO  av.  ^axopli.  ad  lib.  (T  i  1 1  i  a  r  d) 

2.50,   Cond.   —20   Tilliard. 
Fete    de   la     France     1 —  n,     Ch.    s.    — 35  n 

Labhe. 
Fianc6e   en    loterie,    operette,    Choii- 

dens:   ChP   12— n,  Ch.  s.   8"  — 50  n. 

l.Duo:   Dans  la  ville  endormie   1.70  n. 

2.  Ariette :  Rappelez-vous  votre  jeunesse 
1.70  n. 

3.  Bolero:  II  est  dans  les  nuits  espagnoles 
1.70  n. 

4.  Ser. :  Mes  pas,  mes  soupirs,  mes  veilles 
1.70  n. 

Serenade  et  duo,  transcription  facile,  /' 
1— n. 

Entr'act  (B  r  a  u  1 1  o  1 1  e  r  i  e) ,  VP,  VcP, 
FIP  a  1.20  n,  2VP,  VVaP,  VVcP,  FIVP, 
FlVaP,  FlVcP  a  1.50  n,  PVFlVc  1.50  n, 
2VVaVc  1.20  u,  2VVaVcKb  1.50  n,  2V 
VaVcP  1.80  n,  2VVaVcFlCl  1.80  n,  2V 
VcFlPH  2.50  n  C.  F.  Schmidt,  0  2.50  n, 
60  2.50  n,  Franz.  Bes.  1.80  n,  Am.  Bes. 
2— n. 

Fleur  d'oranger,  ballet,   P  4 —  n   Lenioine. 

Fortunio,  comedie  lyrique :  N.  1.  Ro- 
mance 5 — .  N.  2.  Chanson  de  Landry  5 — . 
N.  3.  Duo  7.50.  N.  Sbis.  Romance  du 
Chandelier,  extraite  du  Duo  5 — .  N.  6. 
Chanson  de  Landry  5 — .  N.  8.  La  Maison 
Grise,  romance  extraite  du  Duo  5 — .  N. 
9.  Chanson  de  Fortunio  5 — .  N.  10.  Mo- 
nologue 5 — .  N.  11.  Chanson  de  Maitre 
Andr6  6 — .  N,  12.  Romance  de  Jacqueline 
5 —   Choudens. 

Heart  of  mine  (Douce  Ciianson)  4/ — - 
Mcfzler. 

Hel6ne,    drame,    ChP    7 — n    Chouden.s. 

H€l&ne,  suite  de  concert,  O  60 —  n,  prelude, 
pet.   0   2 — n,    P   3—   Choudens. 

Impressions  d'ltalic,  transcr.  P  6 —  n,  '/ws 
8 —  n   Hengel. 


Alcala   4/ —    Chappell. 
(Notre    Amour) ,    duet 


com.    lyr. 


-  Long    ago    in 

-  Love    eternal 

Metzler. 
-Madame    Chrysanthfeme, 
Chondens:    ChP   20— n. 
6.  Air:    Oui,   c'est  bien   lui   2 — n. 
9.  Air:    Colombe,    Colombelle    1.35  n. 
Valse  des  Cigales:   Le  jour  sous  le  so- 
leil    2— n. 
Duo:    Les    harpes     d'or     qui     chantent 


10. 


11. 


Je  reverrai   dans  la  lande   1.70  u. 
0   40— n.   Entr'acte,   pet.   0   2— n. 


15.  Air 

Ballet, 

Maz.    fac 

Valse    2 —  n,    simpl.    1 

Fantaisie    facile,    P    1- 

Bouquet    de    melodies. 


1— n. 
n.    simpl. 


M  a  r  i     d  e 

12— u:   N.   1. 

traite    1.70  n 
Mazurka,   VP  4  — 

M  i  r  e  1 1  e,    opera, 
5/ —  n.    Dost    thou 
vent    gray    4/—.    I 
4/—.    Old    Ballad 
fading   light)    4  — 


-  n. 

-  n. 
P 

la     R  e  i  n  e. 


2.50  n. 
op(§rette, 


ChP 


Valse :    Je  voudrais  une  re- 
Choudens. 

Metzler. 

Chappell:  Vocal  score 
remember?  4/ — .  Con- 
awake  from  dreaming 
(So  forward  thro'  the 
.  If  love  were  calcula- 
tion 4' — .  Fan  song  4/ — .  There  was  once 
a  prettv  peasant  4, — .  Long  ago  in  Alcala 
4—. 
-Miss  D  o  1  a  r.  operette,  ChP  12 —  n  Chou- 
dens. 

Miss  Dolar  (A  pert),  valse,  Hand 
3—,  MundP  5—,  2MandP  6—,  MandO 
4—.  2MundG  5—,  2MandPG  7.50, 
2M<()idMaP  7.50,  2MandMaG  7.50, 
2MandMaGP    9—    Choudens. 

•  My  Old  Home  with  V  ace.  ad  lib.  from  the 

musical    play    The    Little     Michus     2/ —  n 
'Novello. 
-Namouna,   ballet    (E.   L  a  1  o) ,   2P :   Pre- 
lude. Thfeme  varie.  Parade  de  foire  et  F^te 
foraine   7 —  n   Hamelle. 

-  Napoli,    transcr.    2P   7 — n    Ueugel. 

-  Nouveau    Noel    1.70  n,    Ch.   s.   —35  n    Chou- 

dens. 
-Pantheon    des    pianistes.    Oeuvres,    /'.•    Im- 
promptu   — 85  n.     Habanera    — 80  n.    Me- 
nuet    —70  n.      Mazurka    — 75  n.      Caprice 
polka   — 80  u.    Valse   — 80  n    Lenioine. 

-  Pavane  des  Fees,  P  5 —  Enoch. 

•  P't  i  t  e  s      Mich  u,      operette,      Chondens: 

ChP   12— n,   Ch.  s.  8"  —50,  P  8— n. 

2.  Duetto :    Blanche-Marie   2 —  n. 

3.  Madrigal:   Quoi !   vous  tremblez   1.70  n. 
5.  Couplets:    Sapristi !    le    beau    militaire 

1.70  n. 
8.  Coupl. :     Blanche-Marie    est    douce     et 
bonne    1.70  n. 
12.  Duo:    Ah!    quel    malheur    2 — n. 
14.  Prifere   a   2    v.:    Saint-Nicolas    1.35  n. 

18.  Couplets:   Comme  une  girouette  1.70  n. 

19.  Rom. :    Vois-tu,    je    m'en    venx    a    moi- 
meme    1.70  n. 

20bis.    Ronde    des    Halles :    On    pent   cher- 

cher    1.70  n. 
21.  Duo:    Rassurez-vous    monsieur    Gaston 

2— n. 
Lancier    1 —  n. 
Polka    1 .70  n. 


Messager  A.  P'tites  Michu 


—     525 


Messemaeckers  L.  op.   71 


(,)uadr.   fae.   1 — n,    (Doransart)    1.70  n. 
Tambour  "battaiit,     marohe     militaire     (P. 

Lincke),   O  20— n. 
Valse    fac.    1 —  n,     (Lincke),    soeurette- 

valse    2 — n,    (Strauss)    2 — n. 
Duetto    facile,    P    1 —  n. 
Piiere,    pet.   transcr.    P    1 — n,    (N  a  r  i  c  i) 

2— n. 
Pri&re  il  St.  Nicolas   (Crfimer),  /*  2 — n. 
Marche   militaire,   P   1.75  n,   fac.    1 — n. 
Fantaisie     (Cremer),    P    2 — n. 
Bouquet   de   melodies,    P   2.50  n. 

-  Ritournelle   5 —    TJeugel. 

-  S6r6nade  de   Colibi  i    1.35  n   Choudens. 

-  Serenade,    VP   4/ —    Metzler. 

-Si    j'avais    vos    ailes    1.70  n    Choudens. 

-  S  k  r  i  f  V  a  r  k  u  n  g  e  n,       KA      5 — ,       Pot- 

pourri,  P   2 —   Gehrman. 

-  Solo   de   concours,    CIP   9 —   Evetie. 

-  Une    Aventure    de    la    Guinard,    Part    6 —  n 

Choudens. 
-Valse    du    Eallet   ..Scaramouche",    P   — 40  n 
Oebefhiicr. 

-  Valse    du    lossignol    6 —    Choudens. 

-  V  e  r  o  n  i  q  u  e,    opera    comique,    Choudens : 

ChP    15— n,    Ch.    s.    8"    — 50  n,    16",    part. 
3—  n. 
8.  Couplets:    D'pnis    c'matin    1.70  n. 

11.  Duetto:  De-ci  de-la,  cahin-caha  !  2.50  n. 

12.  Duo    de    I'escarpolette :    Ah!    mechante 
3— u. 

14.  Coupl.,    de    la    gris. :    Une    grisette    mi- 
gnoune    1.70  n. 

15.  Air  de  la  lettre:  Adieu:  je  pars  1.70  n. 
17.  Coupl. :    Voyons,   ma    tante,   a   ma    coif- 
fure  2 —  n. 

21.  Duo    du    pardon:    Eh!    l)ien    par    ord  e 

2.50  n. 
21bis.    Romance:     A    Veronique     je     dirai 

1.70  n. 
Polka    1.70  n. 
Quadrille    1.70  n. 
^^alse    (D  e  r  a  n  s  a  r  t)    2 —  n. 

-  Vins  de  France,  P,  Part  4 —  n   Girod. 

-  When    you    know     my     own     Colette     2/ — 

Tioosey. 
Messaouda    1.35  n,    Ch.    s.    — 35  n    Eveillard. 
Messchaert  Joh.  De  Algem.   Mnziekhandel : 

Es  war   ein   Konig   in   Thule,   TTBB,  Part 

—30,  St  —40. 

-  Jagdiied    aus    „Des    Knaben    Wunderhorn" 

—60. 

-  Romance,   VP    1.50. 

Messe  de  Dellac,   3  voix  &    Org  3 —  Dehert. 

Messe  del  Grjrduale  Romano,  seguite  dalle 
E.sequie  dei  defunti,  ad  uso  dei  cantori 
di  coro.  Dalla  edizione  autentica  del  Gra- 
duale  e  Rituale  Romano  — 70  n   Giuseppe. 

Messe  F.  W.  March  brill.  iC.  V.  C 1  o  y) 
—40  Gordon. 

Messelt  J.  op.  1  Zehn  Priiludien,  Org(E) 
1 —  Wartnutli. 

-  2  Zehii  Praeludier,  HOrg  1—  By. 

Messemaekers  H.  Adelaide,  de  B  e  e  T  li  o- 
V  e  n,   P   2 —    Schott   Fr^res. 

-  Ave  Regina,  a  3  voix  1 —  tichott  Freres. 

-  Divertissement    ^ur    le   c^lebre   Chant  :    .,0i1 

peut-on  etre  mieux"   de  G  r  e  t  r  y,   P   1.75 
Schott   Freres. 


Ecce   Panis,  a  4  voix   1 —  IScliatt   Freres. 
Eftundam   super   vos   aquani,   a    .".    voix    1 

Schott    Freres. 
3    Sonaten,    PV(FIJ:      1.     (Es|,    2.    (A), 

(C-m.),    a    ] — n   Breitkopf. 
Zapateado,   danse   espagnole.    /'  — 10 

ricItsJiofcii. 


Hel 


3    Nor  m  a.    faatai- 


-50    Schotl. 


Messemaeckers   J.    op. 
sie,   P    1.50    Schott. 

-  9    Friihlings-Schottisch,    j-   — oi 

-  10    rienieutinen-AValzer    — SO    Andre. 

-  11    Karnevals-Polka  — 60    Andre. 

-  12       Mathilden-Polka-Mazurka,       P      —75 

Schott. 

-  13    Souvenir    de    Verdi,    2    morceaux    fac. 

P :   1.   Jerusalem,  cavatine,  2.  Ernani,  ca- 
\atine   — 60   Andre. 

-  14       Susannen-Polka-Mazurka,       P       — 75 

Scltott. 

-  15   Marieu-Varsovieune,   P  — 80   Andre. 

-  16  Heimat-Kllinge,  Melodie,  P  —75  Schott. 

-  17  Nr.  1.  Schwabisches  Volkslied,  2.  Bohm. 

Volkslied,     3.    Immerniehr,     4.    Thiiringer 

Volkslied,     5.    Gummi    elasticum,    Walzer 

— 75   Band. 
-38   Reverie  melodieuse,   7*    1.25   Schott,    1 — • 

II  ir  sell. 
-'39    Heniiietten-Polka-Mazurka    1 —    Andre. 
■  53    Franzi.ska-Polka    —60   Andre. 

-  54    Elementarregeln     der    Musik,     P     — 70 

Andre. 

-  56  Konradineu-Polouaise,   P  — 80   Andre. 

-  57    Impromptu,   P    1.30   Andre. 

-  Adelaideu-Walzer    —50    Schott. 

-  Caroliuen-Polka,    P    — 50    Schott. 

-  Cor   de   Poste,   galop,   P  — 50   Schott. 

-  EMsabethen-Walzer    — 50    Schott. 

-  Ernestinen-Galopade,    P   — 50    Schott. 

-  Gertruden-Wal/.er    —50    Schott. 

-  Polka  allemaude  d'apr&s  une  Chanson,  Jfms 

—50    Schott. 
Messemaeckers  Jr.   H.   Marche  fun&bre  sur 

hi    niort    de    S.    M.    Guillaume    II,    P   — 40 

Alsbach. 
Messemaeckers    L.   op.   11    Souvenirs   d'lta- 

lie,  P :   1.  II  Crociato,  variations,  2.  Anna 

Bolena,   3.   La   Norma,   a   6 —  Grus. 

-  15  Theme  allemand,  varie,   P  6 —  Grus. 

-  18  Rondo  sur  Le  Postilion  de  Longjumeau, 

P   1.50  Schott. 
-21   Le  Brasseur  de  Preston,  caprice,  /'  1.75 
Schott. 

-  26   La    Reine    d'un    jour,    divertissement,   P 

1.75    Schott. 

-  29  Lucie  de  Lammermoor.  choeur  ecossais, 

P   6—   Grus. 
-32  La   Babillarde,  etude,   /-•   1 — n  Fromont. 
-33  La   Religieuse,  etude,  P   1 — n  Fromont. 

-  40   Sextuor   de   Lucie,   P   6 —   Grus. 

-  42    Introduction    aux    Etudes    des    Grands 

Maitres,    24    etudes,    P,    I— II    a    4—   Fro- 
mont. 

-  45    Grande    fantaisie    sur    La    Favorite,    P 

9—    Grus,   2.75    Schott. 
-48    Gr.    Duo    brill,    sur    Norma,    ^ws    3.30 
Schlesinger. 

-  57    Vivandi&re,    valse    brill.    6 — . 

-  60    Grand    duo    sur    la    Favorite, 


Grus,   2.75    Schott. 
71    Grand   duo  sur   Lucie,   Jfms  9- 


4>ns    9- 
-  Grus. 


Messemaeckers  L.  op.   75 


—    526 


Messemer  J.  op.  21 


-  75   Danse    valaque   Fragment   de    salon,    P 

1.50   Schott. 
■  77  La  plus  jolie,  schottisch,  P  — 75  Schott. 

-  78   La    plus    aini6e,     polka     brill.     P     4.50 

Ileugel. 
-80   Puritan  i,  6tude   p.   la   main   gaujhe 
5 —  Ilevgel. 

-  82  Lucie  de  Lammermoor,  faritaisie,  P  7.50 

Grus. 
-85  Quinze  etudes  de  style,  P  15 —  Noel. 

-  87  Etudes  caract^ristiques,  P  18 —  Noiil. 

-  96   Ballade   orientale,   P   6 —   Grus. 

-  97  Kerme.sse   flamande,   P   7.50   Grus. 

-  102    Chanson    du    soir,     berceuse,     P     1.25 

Schott. 
-Airs  populaires  du  monde  entier  (M.-D.), 
P:  1.  Francais  Marlborough),  2.  Balge 
(C'est  I'Doudou),  3.  Francais  (Ah!  vous 
dirai-je  maman!),  4.  Russes  (Chansons 
Moscovites),  5.  Frangais  (Au  Clair  de  la 
lune),  6.  Suisse  (Ranz  des  Vaches),  tyro- 
lienne,  7.  Francais  (Oil  peut-on  €tre  mi- 
eux?),  8.  Napolitain  (Michelemma  et  la 
Scarpetta),  9.  Francais  (Charmante  Ga- 
brielle) ,  10.  Basque  (Chanson  Bfiarnaisii) , 
11.  Francais  (Le  Roi  Dagobert),  12.  Si- 
cilien  (Fenesta  Vascia),  13.  Francais 
(Quand  le  bien-aim6  reviendra),  14.  Fla- 
mand  (Le  Messager  d'amour),  15.  Irian- 
dais  (St.  Patrick's  Day),  16.  Espagnol 
(La  Jota  Aragonaise),  17.  Chinois  (Chant 
des  Tan-Kas) ,  18.  Tournaisien  (Les  Chang 
Clotiers),  19.  Frangais  (II  pleut,  Bergfere), 
20.  Espagnol  (La  Romauesca),  21.  Fran- 
gais (Une  fifevre  brtllante),  22.  Polonais 
(Adieu  des  Fiances),  23.  Frangais  (J'.ii 
du  bon  tabac),  24.  Napolitain  (La  Mari- 
ni&re) ,   a   3 —   Noiil. 

-  Badische   Landeshymne,    P   — 16    Bote. 

-  Cavatine   d'Anna    Bolena,   variee,    P    1.50  n 

Cotirati. 

-  Chants    nationaux     du    monde    entier,     P 

2 — n  Gallet. 
-Chants  nationaux,  P :  1.  Allemand  (Con- 
federation), 2.  Am^ricain,  3.  Anglais  (God 
Save  the  Queen),  4.  Anglais  (Rule  Bri- 
tania),  5.  Arabe,  6.  Autrichien  (Haydn 
J.),  7.  Bavarois,  8.  B6arnais,  9.  Beige  (la 
Brabangonne),  10.  Boh^mien,  11.  Br6si- 
lien,  12.  Buenos- Ayres,  13.  Chilien,  14. 
Danois,  15.  Egypten,  16.  Espagnol,  17. 
Frangais  (Chant  du  Depart),  18.  Fran- 
gais (la  Marseillaise),  19.  Frangais  (Par- 
tant  pour  la  Syrie),  20.  Frangais  (Vive 
Henri  IV),  21.  Grec,  22.  Hollandais,  23. 
Holsteinois,  24.  Hongrois  (Marehe  natio- 
nale),  25.  Irlandais,  26.  Italien,  27.  Lu- 
xembourgeois.  28.  Mexicain,  29.  Napoli- 
tain, 30".  Norvegien,  31.  Pays-Bas  (les 
Gueux  du  XVIe  si^cle),  32.  P^ruvien,  33. 
Polonais,  34.  Portugais,  35.  Prussien,  36. 
Rhin  (du) ,  37.  Russe,  arrange  par  J.  d  e 
B  r  a  y  e  r,  38.  Sarde,  39.  Su6dois,  40. 
Turc    (Marehe    nationale),    il    3 —    Noel. 

-  Danse    valaque,    P    6 —   Sidzhach. 

-  Favorite  R6dowa,   P  — 75   Schott. 

-  Fleur    du     Nord.     reverie-mazurke,     P    5 — 

Grus. 


-Lucia,  duo   fantaisie,   Jfms  4—  A'^apo^eao. 
-Lucrezia,   duo  fant.   4'"^^  4 —  Napoleao. 

-  Liitzovv's    wilde    verwegene    Jagd,     P    — 16 

Bote. 

-  Mazurka   bohem.ienne,    P   — 75    Schott. 

-  Mazurka  de  Glinka,  P  — 75   Schott. 

-  Nationallieder    aller    Volker,    P,    I — IV    h 

1.04  Bote:  I.  1.  Franzosisches  National- 
lied  (Partant  pour  la  Syrie).  2.  Eng- 
lisches  Nationallied  (God  save  the  Queen). 
3.  Sardinisches  Nationallied.  4.  Tiirkischer 
Nationalmarsch.  5.  Russisches  Volkslied. 
6.  Osterreiehisches  Nationallied  (Gott  r- 
halte  Franz  den  Kaiser).  7.  Belgisches 
Nationallied  (La  Brabangonne).  8.  Hol- 
liindisches  Nationallied.  9.  Spanis:?h?s 
Nationallied  (Riego-Hynine) .  10.  Dani- 
sches  Nationallied,  k  — 16. 

II.  11.  Preufiisches  Nationallied.  12. 
Norwegisches  Nationallied,  13.  Scnwedi- 
sches  Nationallied,  14.  Portugiesisches 
Nationallied,  15.  Irliindisches  iSTational- 
lied,  16.  Engl.  Nationallied  (Rule  Britan- 
nia), 17.  Polnisches  Nationallied,  18.  Ame- 
rikanisches  Nationallied,  19.  Holsteini- 
sches  Nationallied,  20.  Franzosisches  Na- 
tionallied, a  — 16. 

Ill:  21.  Arabisches  Nationallied,  22. 
Bayrisclies  Nationallied,  23.  BShmisches 
Nationalli-^d,  24.  Ungarisches  National- 
marsch (Rakoczy),  25.  Bearner  National- 
lied, 26.  Deutsches  Nationallied,  27.  Nie- 
derliindisehes  Nationallied,  28.  Brasiliani- 
sches  Nationallied,  29.  Mexikanisches  Na- 
tionallied, 30.  Chilisches  Nationallied,  a 
—16. 

IV:  31.  Die  Wacht  am  Rhein,  32.  Gebet 
vor  der  Schlacht,  33.  Deutsche  Kaiser- 
hymne,  t1  — 16. 

-  O  Strafiburg,  o  Strafjburg,  P  —16  Bote. 

-  Pariser    Einzugsmarsch     (1813),      P     — 16 

Bote. 

-  P  u  r  i  t  a  n  a,  quat.   P   1.50   NapoleHo. 

-  Reve  de  Maria,  caprice,  P  5 —  Katto. 

-  Rheinisches   Volkslied,  P  —16   Bote. 

-  Schwert  an  meiner  Linken,  P  — 16  Bote. 

-  Torgauer  Marsch,   P  — 16  Bote. 

-  Valse   de    I'iuconstance   du   ballet   „La   Vi- 

vandifere",  P  —50  Schott. 
•  Vivandi&re,  valse   3 — . 
Messemer    J.    Costallat:    Op.    1    Air    varie. 

Cornet P   2.50  n. 
-3  Th&me  varie,  CornetP  1.7.0  n. 

-  4    Variations    de    concert,    CornetP    2.50  n, 

CornetdP   av.   0(Quat.)    5 — n. 
-6  Variations  de  concert,  CornetP  2.50  n. 

-  7  Thfeme  vari^,   CornetP  2 —  n. 
-9   12  Duos,  2Cornefs  2.50  n. 

-10  Fantaisie,  3Cornets2CorsTro  basse  4 — n. 
10  Airs  varies,  CornetP  2.50  n. 
Th&m.e    original    varig,    CornetP    1.70  n. 
Theme  original  vari6,  CornetP  2 — n. 
Theme  original  varie,  CornetP  2.50  n. 
12    Etudes,    CornetaP   2.50  n. 
SO    Exercices,    CornetdP   3 —  n. 
12   Duos  concertants,  2Cornets  2.50  n. 
Air    variS    de    concert,    CornetP    2.50  n, 


-  11 
-12 
-14 
-15 
-16 

-  17 
-20 

-  21 


TroP  2.50  n,  O 


\ 


Messemer  J.  Amoroso 


527 


Messerschmidt  W.  op.  11 


-  Amoroso,    air    vari^,    CornetP    1/6    Ilaiokes. 
•  Divertissement,  25  romances,  CornetaP  5 — 

Lemoine. 

■  Divertissement    ehampStre,    Bugle    5 —    Le- 

moine. 

-  Divertissement  champetre,  25   romances  de 

Puget,  Labarre,  Masini  etc.  Cor- 
netaP  5—   Letnoine. 

-  40  Duos,  20phrcleidcs  5 —  Lemoi)ie. 

-  40  Duos,  2CornetaP,  I — II  a  6 —  Lemoine. 
-25  Etudes,  CoTOefdP  2.50  n. 

-  11  Melodies  sur  „P  u  r  i  t  a  i  n  s",  CornetaP 

1.70  n. 

-  1 1    Melodies    sur    „Sonnambul  a",    Cor- 

netaP  1.70  n. 
-12    Melodies    sur    „XJ  n  e    Nuit    h    Gre- 
n  a  d  e",  CornetaP  2 —  n. 

-  25   Romances   favorites,   Ophicleide  5 —   Le- 

moine. 

-  Taylor's  Grand  March  —35   Ellis. 
Messen    fiir    Volksgesaug,    3    einst.    lat.    im 

Wechselchor  od.  f.  einfache  Kirchenehore : 
1.  Messe  f.  Festtage.  2.  Messe  f.  Mutter- 
gottesfe.ste.  3.  Messe  f.  d.  heilige  Advents- 
u.  Fastenzeit  und  an  Sonntagen  des  Kir- 
cben  jahres,  Org  3—  n,  Singst  S"  — 20  n 
Herder. 

Messenger  H.  P.  Jesus,  Lover  of  my  Soul 
— 15  Bchroeder. 

Messer  E.  Albumblatt,  P  (H.  Germer) 
1 —  Breitkopf. 

■  Albumblittter.  P  2—  Breitkopf. 

-  3   Caprices,  P  —25   Jurgensoii. 

-  Feuillets    d' Album,    P,    I— II    k   —45    Jur- 

genson. 

-  2  Feuillets  d'Album,  P  k  — 30  n  Jurgenson. 

Messer  F.  op.  6  Vier  Lieder  2 — :  Nr.  1.  In 
der  Frernde  — 50.  Nr.  2.  Wie  ist  die  Erde 
so  schon  — 75.  Nr.  3.  Verkluugene  Lieder, 
S(TJ  —75,  A  (Bar  J  —75.  Nr.  4  Die  Toch- 
tar  Jephthas,  nach  Lord  Byron 
f^chott. 

-10  Sechs   Gesange,   SATB:   Im   Walde. 
Kapelle.    Nachtlied.    Fnihlingsglaub: 
Grab  unter  der  Eiche.  Primula  vans 
Andre. 

-12   Senate    (F),    P   2—   Schott. 

-  13  Drei  Lieder:  1.  O  sab'  icb  auf  der  Haide 

dort.  2.  Der  frernde  Wandersmann.  3. 
Sttlndcben  1 — ,  Nr.  3  — 60  Andre. 

-14  Zvvei  Lieder:  Der  Fremdling.  An  Anid- 
rantli    1 —  Andre. 

-15  Fiinf  vierst.  Gesange,  TTBB:  Strophe 
aus  Goethes  Gedicht  „Die  Gottliche".  Du 
bist  die  Rub'.  Stiindcheu.  Nacht  und 
Triiume.   Husarenlied   2.75   ScJiott. 

- 16   Trois   Fugues,   Org    1.50  Andre. 

-  6  Geslinge  und  Chore,  TTBB  mit  od.  obne 

P;      Gebet.    Das    Fischermadchen.    Letzter 
Wunsch.  Die  drei  Reiche  der  Natur.  Pre- 
gbiera.   Grabgesang  3.25   Schott. 
-'2  Lieder:   1.  Liebchens  Angesicht,  2.  Taf '1- 
]ied,  a  —50  Schott. 

-  Lob    und    Dank    dem    Vater    Rhein.    Taf>^l- 

gesang  f.  Solo-  und  Chorst  m.  P  1 — 
8c  1 1,  oil. 

-  Tafellied :    „Briider,   lafit   uns  eius  singen", 

r-Solo   u.   TTBB  m.    P{G)    —50   Schott. 


-75 

Die 

Das 
3.60 


Messer  Joseph,  op.  2  Mazurka   (Es),  P  1.50 

Sini.rock.  • 

-3  Nocturne  (As),  P  1.50  Simrock. 
-4  Ballfreuden.  Ein  Zyklus  von  Tanzen, 
4ms:  1.  Polonaise,  2.  Galopp,  3.  Polka- 
Mazurka,  4.  Walzer,  5.  Polka,  a  1 —  Sim- 
rock. 
-12  100  ausgewahltc  Volkslieder,  P,  I— II 
k    1.50   Simrock. 

-  38  Paradise  March  — 35  n  Presscr. 

-  39  Ceciliii  Galop  — 60  n  Presser. 

-  40   Emogene   Waltzes  — 75  n   Preiser. 

-  Autumn   leaf,  gavotte,   P  — 35   Ditson. 

-  Constellation   polka,    VP   — 35    White. 

-Glockenspiel  (Le  Carillon),  P  1.50  Sim- 
rock,  2/6  Chappell,  — 30  Gutlieil,  Jurgen- 
son. 

-  In    the   geeenest    growtli    of   the    Mav-time 

—30    White. 

-  Owl  train,  galop,    VP  — 50   White. 

-  Point   Shirley,   schottische   — 35   Ditson. 
Messer   N.  Andante  elegiaque,  transcription 

sur  I'opera  :  On'jguine  (op.  24),  de 
T  s  c  li  a  I  k  o  vr  sky,  VP  — 70  Jnrgensov, 
2 —  n   Noel,   2 —  Rahter. 

-  Arioso   de  I'opera  :    Oneguine,  de  T  s  c  h  a  i- 

k  o  \v  s  k  y,  VP  — 70  Jurgenson,  2 —  n 
Noel,  2 — •  Rahter. 

-  Barcarolle,   VP  — 80  Jurgenson. 

-  Das  erste  Lied  1 —  ScJiott. 
-Feuille   d'Album,    VP    1.50    Schott. 

-  JlEooiiMMe    TaHn,M    iis-b    onepw,    ^iishs    sa 

Itapii  VP:  Nr.  1.  ITojibCKifr  —75.  Nr.  2. 
IvpaKOBHKi  —1.  Nr.  3.  MasvpKa  —1. 
Nr.  4.  TaHii,bi  —60  Gutheil. 

-  Polonaise,    VP  —85   Gutheil. 

-2  Transcriptions  sur  des  motifs  de  I'opera: 
Hiinsel  et  G  r  e  t  e  1.  T'P  :  N.  1  2.50, 
N.  2  2.25  Schott. 

Messerer,  Litanies  de  la  Tres  Sainte  Vierge 
a  2  v.  a  v.  Org,  P  7.50  Hamelle. 

-  Rapsodies    provengales,    Org    4 —    Costallat. 

-  3    Rapsodies    proveucales.     Org    4 —  n     Co- 

stallat. 
-3  Pisces  pour  grand  Org:   1.  Andante  reli- 

gioso.  2.  Cantabile.  3.  Fantaisie  sur  deux 

Cantiques    de   Noel    3 —  n    Costnllat. 
Messerschmidt,      Universum  -  Marsch     — 90 

Kriimer. 
Messerschmidt    Joh.   Seeling:    Feldeinwarts 

flog   ein    Vogeleiu   — 60. 

-  Komm'   mit   — 60. 

-  Und   ob   der   holde   Tag   vergangen   — 60. 

-  Voglein  singt  mir  heut  noch  munl're  Li:'- 

der  —60. 
Messerschmidt  L.  Andre:  Op.   14  Veilchen- 

striiufSchen,  Walzer  2 — ,  -i'"s  2.50,  0  5 — n. 
-35  Liebesgriilse,   Walzer    1.80,   4ms   2.50, 

-  36  Rumauische  Walzer,   mit  teilvveiser  Be- 

niitzung  runiiln.  Nationalmelodien  l.SO, 
4  ms   2.50. 

-  Fantasie-Mazurka,  P  1- 

CltulliGr. 


Nocturne.  P  1- 


-  Liebes-Erklilruug ; 
Vogelein"    1.50. 

Messerschmidt  V/iihelm,  op. 
triiume :  Fantasie-Mazurka, 
turne,  P   1 —  Challier. 


„II6r'    im    Strauch    das 


11     Jugeud- 
p    i_.    Noc- 


Messes  des  principales  Fetes 


—     528 


Messner  O. 


op. 


Messes  des  principales  Feies.  Appeudice  aii 
Muiiuei  de  la  Messe  et  des  Offices  — 35, 
Le  meme  que  le  precedent,  raais  en  nota- 
tion  musieale   moderue  — 50   Schola. 

Messick  Fred,  Nat.  Miifiir-  Co.:  !' ticaiollc. 
P   —75. 

-  Brownies  Waltz  — 40  Tlionip.son . 

-  Chase,  galop  de  concert  — 50. 
-Etude   de   Concert,   P    1—. 
-Flora's  delight  waltz  — 40  Thompson. 

-  Gip.sy  Carnival,   P  — 10. 

-  Humming  Bird  among  the  Flowers.  /'  — 10. 

-  Hungarian   Galop  — 10. 

-  Just  we   two,   schottische  — 10. 

-  Like  a   flash,   galop  de   concert   — 50. 

-  March  of  the  Moors  — 10. 

-  O'er  Michigan's  Waves,  waltz  — 10. 
-Sambo   and   liis  Banjo,   P  — 10. 
-Serenade  of  a   Mandolin.  /'  — 10. 

-  Sleighbell  Chimes,   P  —10. 

-  Star  of  the  East  — 50  Broinard. 

-  Valse-Caprice   — 10. 

Messier,    Gracieuse,    valse   — 20    t<assetii. 
Messieurs,     laissez-Jiici     ma      maison     1 —  u 

J  Old)  erf . 
Messina-Alemagna    A.     Mcmorie    di     Roiua, 

melodia,   P  4 —  Maria iii. 

-  Quanto    e    modesta.    c-qiriccio.    P    4 —    .!/»/- 

riani. 

-  Viole  di    S.   Lucia,   melodia,   P  3 —  Mariani. 

Messina   Averna   S.   in   Sogiio   M'4opea   :] — 

Fantuzzi. 
Messina    G.    L'appello    della    Patria,    canto 

corale   pei    giovanetti    delle    scuole   elemen- 

tari    2  -   Savdroii. 
Messina   Giuiiana   A.   Amabilite,   polka  niaz. 

1.75  n  Uoiihier. 
Messinesi    P.    Etude,    P    2 — n    Hamellc. 

-  Prelude  (!t  Caprice  dans  le  style  ancien,   /' 

7.50    IhnneUe. 
Messing,    Choralmelodien    1 — u    Bote. 
Messire,  .Salut  au  Printemps,  pas  red.  Harm, 

Fiinf  n    1.50  n  Margueritot. 
Messis   Jacques,   Chant  d'amour,   Ondet. 

-  Gentil    Trottin,    Sicrer. 

-  Grand'm&re,      Ondet. 
-Jolie!      (huh-1. 
Messiter   A.    H.   i<ch'iriiie> 

Lord     (xVntliem).    arr. 
SATB   — 20n. 

-  Great    is    Jehovali,    arr. 

bert,  SATB  — 15  u. 
-Magnificat,    SATB   — 20  n. 
-O   praise   the  Lord    (Psalm   CXYl  I ; .    Abl'i- 

tion  anthem,  SATB  1 —  Novello. 
-100th   Psalm,   SATB   with    OfP),   arr.    from 

V.   L  a  c  h  n  e  r   — 25  n. 

-  Sing    Praises,    from    the    „Graner    Messe". 

arr.  from  F.  Liszt,  SATB  —15  n. 
-Thou    fedde.st    Thine    own    People.      SATB 

—12  n. 
Messiter   F.   H.  Benedicite  — /2  Xmello. 

-  Magnificat     and    Nunc    dimittis     (A)     — /4 

Novello. 
Messier  E.  C.  Fernwood,  waltz  — ;35  Gordon. 

-  Foam    crest,    waltz   — 35    Gordon. 

Messmore,    Telegraph   Waltz   — 25    Elliis. 
Messner  Bruno,  op.  1  O  Schatz.  wie  kunntast 
mi'   verlassen!   Z  — 50  Grude. 


:    Be  tliou  exalted, 
from    J.    Haydn, 

from    F.    S  eh  u  - 


Messner  Georg,  op.  1  Mannerchore:  Nr.  1. 
Zum  Abschied:  „Behut'  dieh  Gott."  2. 
Stiindchen :  ,,Tn  dem  Himmel  ruht  die 
Erde"  1.80.  Nr.  3.  Osterlied  1.60.  Nr.  4. 
Trinklied   2—   Bote. 

-2  Sechs  Lieder:  1.  Seine  Heimat,  2.  Volk.'?- 
lied,  3.  Min  Anna,  4.  Abendgebet,  5.  Heim- 
kehr,  6.  Verlorene  Liebe,  a  —80  Bote. 

-  2   u.   op.   3   Das    alte   Lied,   5    Gedichte   2 — 

Bote. 
-4    Zwei    Duette:       J.    GruB,    2.    Liebeslel)eu 
2—  Bote. 

-  5  Drei  Lieder:   1.  Ein  Tagebuchblatt,  2.  Ave 

Maria,  3.  Wohl  ist  es  Lenz  geworden.  a 
1—  Bote. 
-6  Zwei  Mannerchore-  1.  Das  Miidcheu  und 
der  Schmetterliug:  „Lustwandelnd  schritt 
ein  Madchen."  2.  Gute  Nacht :  „Gure 
Nacht,   du    siifies   Kind"    1.70   Bote. 

-  6    Siegesgesaug    nach    der    Varusschlacht, 

TTBB  3.90  Bote. 

-  7    Acht   Volkslieder   2 —  n    Barhmann. 

-8  Vier  Gedichte:  Xr.  1.  Volkslied  —80. 
Nr.  2.  Waisenkind  1 — .  Nr.  3.  Nelkeu 
—80.  Nr.  4.  Mondlicht  1—  Becher. 

-9  Zwei  Geslinge:  Nr.  1.  Dagmars  Klage 
1.20.   Nr.   2.   Verirrt   1.50    Becher. 

-10  Drei  Mannerchore:  1.  Laut  drohnt  es 
durch  die  Gassen.  2.  Wie  regt  der  Wind 
so  leise.  3.  Teh  well?,  auf  dieser  weitcu 
Welt    1.40    Baehmann. 

-  14    Trauungsspruch,    SATB    m.    Org    2.50  n 

Drellilien. 

-15  Kinder-Lieder :  1.  Muttergliick:  ,,Hell 
in's  Fenster  scheint  die  Sonne."  2.  Morgen- 
gebet :  „Lieber  Gott  ich  bitte  dieh."  3. 
Puppeulied:  „Komm  doch,  mein  Piipp- 
clien."  4.  Reiterlied:  ,,Komm,  wir  wollen 
Reiter  spielen."  5.  Unsere  Hau.stiere : 
..Wie  kriiht  des  Morgens  der  Hahn."  6. 
Kutschenlied:  ,,Hutsche,  rutsche,  rutsch." 
7.  Tanzlied:  „La6t  uus  den  Ringelreiheu 
schlingen."  8.  Lied  von  den  Vogelein: 
,.Die  Gansehen,  die  liabeu  keine  Schwaiiz- 
chen."  9.  Abendgebet:  ,,Miide  bin  icli,  geh 
zur  Ruh."  10.  Wiegenlied:  „Schlaf  in 
Ruh"  2.50  n  DreilUien. 

-17  Adagio,    VOrg(P)    1.20  n   Dreililien. 

-  19   Drei   Parademarsche.    P:    Nr.    1.      Fe.st- 

niarseh    1 — n.      Nr.    2.    Paradenuirscli    im 
Trabc    — 75  ji.      Nr.    3.    Paradeniiirscli     im 
Galopp  — 75  II   Dreililien. 
Messner    Oskar.    Aiigaslin:    Op.    24    Jiigcrs 
Traiiiubild.    Fantasie,    Z    1 — . 

-  25  Trost   im  Leide,  Roinauze,  Z   1 —  Grade. 

-  27    Am    liausliclien    Herd,    Z   —60   E.   Stolf. 

-  28   Kliinge   aus   der    Alpenwelt,    Liindler,    Z 

-80  E.  SI  oil. 
-29   Szene   ;ins   dem    Gebirgsleben.    Z    1 —    A\ 
Stoll. 

-  30   Zur   Fahne,   Marscli,  Z  —60    E.   Stoll. 
-31     Goldene    Triiume',     Walzer,    Z     1.50     E. 

SI  oil. 

-  32   Friihliugsknospeu,  Z  —60    E.   Stoll. 

33    Fiirs    Liebchen.    steirische    Melodic.     Z 
—60    E.    Stoll. 

-  35  ^larscli  fiber  das   Lied  :   Ln  einem  kiiliieu 

Grunde,  Z  —60  E.  Stoll. 


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